The penultimate Spider-Geddon issue is a largely surprising, equally fun and serious affair that revels in the best of what these big, interconnected events can be without relying too heavily on happened before and instead leaning into all the good to come. Gage and Molina feel completely in control in the best of ways now. Read Full Review

With Spider-Geddon two-thirds over, the story is really beginning to rev up on what looks like it could be a fantastic climax. Events these days tend to sputter out around this time or are often hit with delays that kill momentum. However, Spider-Geddon seems to be avoiding this so far, and the execution of this story so far gives hope that it finishes as strong as it began. Read Full Review

Writing and Storyline is a solid 9. This is how you write a Spider-man book. Even with the tie-in issues, I believe you would be able to keep up, but I also feel the writing makes you want to buy the tie-in stories. Art is an 8, when we are taken to different worlds, we know it, and it feels like it. Truthfully it is a great book. I have very limited experiencewith Spider-Man, it turned me into a fan. Can't wait to see what develops after the saga. Read Full Review

Meanwhile, tensions with Spider-Nor-Man reach their limit and honestly, I have to question why Otto recruited him in the first place. If there is anyone who Octavius hates more than anyone, it's Norman Osborn. Even worse, bringing Norman into the mix may have just doomed their world. Norman and Spiders-Man (who honestly just stills the scenery) make their move and it's a pretty big one. The ramifications are huge, causing characters to make some interesting choices and I can't wait to see how it plays out in the end. Read Full Review

You get the impression that writer Christos Gage is feeling the pressure in SPIDER-GEDDON #4. The issue seems a bit rushed, leaving certain plot points a bit underdeveloped. However, it's not a bad entry, and the art holds up throughout. Read Full Review

A slight improvement from an art and character perspective, but still continues to be a story of white noise that has no direction in sight at all. Read Full Review

Spider-Geddon feels rather unfocused. Changing rules left and right and acting out of character, it makes me certain that this book won’t be remembered in a few months. Yeah, a couple heroes died. They’ll be back. Because nobody cares if the story itself is presented like this. 6/10, but just barely. Read Full Review

There is a ton of potential here, but it just all gets swamped by too many Spider-folk talking and not enough doing. Read Full Review

I find this issu better than the previous ones. Ok the fact that Jessica fall right in the inheritor hand is really dumb. I think they was already very powerfull without their father. I like the fact that Otto accept to recognize his mistake and fire the Norman Spider-man.
I even like the fact he use the non longer protected web of reality to explose it. And what a end. I didn't see this coming.

Cover - Nice & related. 2/2
Writing - Better, even if their is some easiness. I really like how they make each character true to what I read or play (For PS4 spider-man, Miles, or the Parker from renew your vows). 2/3
Arts - Damn that was good. 3/3
Feeling - A little better. 1.5/2

Spider-Cop for best new Spider 2k18.

It's better than the previous issue and actually managed to entertain me better than i hoped. But still lacks better coordination. The art is great as usual and nothing wrong there at all. Kudos to the artists but Slott's story isn't great and Gage's script needs better developing. Less tie ins and one more issue in this event would've been better.

It's picking up, but it was still mostly an issue of exposition.

Not as bad or mediorce as the other's have been. It's a bit surprising and okay.