Spencer works through some great character moments and perspectives from other characters, with Peter ultimately making the decision we expect him to make. It's a compelling drama, set up with an even more compelling villain. As this arc continues, things are only sure to get more complicated.

Patrick Gleason's art matches the tone of the issue. Every panel is rough, and I especially love how Peter's suit deteriorates from the beginning to the end of the battle. The possessed Spider-Family members have some pretty unique designs as well. We leave off on a hell of a cliffhanger, but I'm pretty sure it's not the end. Hopefully, we explore a bit more about Harry's turn to Kindred and his goal for Peter.

On the other end of this issue, we have Norman Osborn and Mary Jane's arc. There are some interesting revelations there that will most definitely have consequences in the main story. Despite my misgivings about Marvel's numbering methods, the LR issues are really good. The reason that I stress the numbering situation so much, is that readers (like me) might question their importance and may skip over them. If you want the full story, without any confusion, they are required reading and it's time to play catch up if you've missed any.

Aaron's story is only half of what makes this issue so great. Javier Garrn's artwork makes every scene memorable. I could literally choose almost any panel from this issue and it would qualify for some of the best shots of the week. Hell, the opening exchange between Iron Fist and Moon Knight is a sight to behold. Garrn obviously had fun with this issue and went all out. As he and Aaron move forward with this story, I can't wait to see if the two of them can top this strong opening issue.

I can already see that Ridley's run on this book is going to involve a lot of consequences to the things T'Challa has done to protect his country. There is a lot of emotion in these pages, and it especially comes through in Juann Cabal's art. T'Challa might be testing the trust of his allies, friends, and even his country. He might even lose it as his old ways clash with the changing times. Black Panther #1 is teasing a lot, and I hope the rest of the series delivers as well as this issue does.

Champions remains the go-to book if you want a fun series featuring Marvel's legacy characters. However, a lot of the focus lately has been on Viv. Let's hope, moving forward, that they give some of the other characters a chance to shine, especially the newcomers, whom readers might not be familiar with.

Overall, I'm just glad that we are moving on from this story arc. Wrapping up lingering plot points and expanding the team at the same time makes the new folks look like foot soldiers without much to do. While this arc is enjoyable in some aspects, what we really want to see is more interactions with the newbies and learn more about these characters. Thankfully, it looks like that is where the book is leading towards.

This issue is the start of a promising new adventure. We have a new team behind the wheel but the same feel. The smaller, more focused roster works in their favor and I certainly hope Marvel realizes what a great book they have on their hands. Now, can I get a Champions cartoon series? Please?

I'm digging the return to form for Champions, the new line up and creative team. I have some thoughts about the end of this issue but overall I like what I'm reading and ready for whatever Zub andIzaakse throw our way.

The one problem that I have with this issue is the same problem that I have with a lot of books. The arc is really short, and feels like it ends abruptly. Things get resolved in the end, but I feel like another issue or two would have serviced it better. It would have fleshed out some of the stuff individual characters were dealing with when the arc first started, and added more weight to the conflict with Alpha Flight. However, it's not enough to sour how well Zub writes the Champions or prevent you from enjoying the best superhero team in Marvel.

As always, Champions continues to be a fun ride with a great cast of young heroes just trying to do the right thing and make a difference. As they jump into the next mission, I can't wait to see how it turns out.

Jim Zub's run of Champions is doing fantastic things. He understands these young heroes and writes them all extremely well. I'm glad one of the most underrated teams in Marvel is in good hands.

I can understand Marvel wanting to tread carefully by not making any kind of statements that can be viewed as political, but if you are going to tackle a subject like this, make a statement. Provide solutions. Enough is enough, and our heroes should fight to make sure that things like this never happen again. Staying strong while it happens over and over again shouldn't be the only answer.

One issue that I do have is the focus on the Master of the World (still can't get over that name) as the main villain. He keeps popping up randomly and it just seems coincidental rather than part of some grand master plan. Our champions deserve a better villain. However, we haven't seen much of him so I'm giving Zub the benefit of the doubt toward turning him into something better.

This arc is a lot of fun, especially for the spectacle of it all and I'd be remiss if I didn't mention that I'm going to miss these dope fantasy fits that the team is rocking. As the team eventually makes their way to save Weirdworld, they are in for another showdown against The Master. With Nova and Wasp on the villain's side, it's not going to be easy for Riri and the team to fight back.

Marvel's young guns are closer than ever, yet the team dynamic is more complicated than ever. We learn just as much about these heroes through this series as we do in their own separate adventures. As future threats arrive, I can't wait to see how they take them on.

While it's technically a new start for Champions, expect the same quality action and drama from everyone's favorite team of young heroes. With this issue adding a major Marvel villain to the mix, I'm excited to see where Zub takes the story next.

This is a heavy issue for the Champions. Zub is aiming to test the team in a new way by giving them impossible choices and forcing them to experience new dangers. However, tension is welcome. We will learn how they will deal with the consequences of their actions and mistakes. Miles and Amadeus also won't be able to hide the truth for long.

For the OG members of the Champions, it seems like Zub is trying to break them down just to see how they pick themselves up. Between Kamela giving her all to being the team leader and Sam still dealing with the loss of his powers, it seems like the characters all have big chips riding on their shoulders. It's a different tone than what we've normally seen from this book. Time will tell if this more serious tone is for better or worse.

At the end of this issue, it's clear that the team is broken in some ways. It's how they come back together that I'm interested in. With this new run on Champions, it seems like Zub is putting our heroes through their biggest test yet. There is definitely a less cheerful tone to this story and more of a "breaking our heroes down to see who they really are" type of feeling. One thing is clear, Mephisto is not done with the team and while Champions has definitely moved into new territory, it's still a great read.

Where things get really good is in the return of Cyclops. His team-up with the Champions brings some much-needed hope to the team. There are some great moments, especially for those who have been reading since the beginning. Zub uses Cyclops' presence to ground the idea that despite everything, the Champions do important work. It's incredibly heartfelt, and what makes the Champions such a great team.

There is definitely a different feel to this new run of Champions. The stakes are dire and there is more drama between members of the team. However, while the book has taken a more serious tone, it's for the better. The team feels more cohesive and still remains one of the best teams in the current Marvel universe.

Sam kind of playing good cop to Kaldera's crazy cop is interesting. One has to wonder, though, what lengths he will go to get his powers back. As much as he tries to reign Kaldera in, there is only so much he can do to hold back a homicidal warrior alien. In the end, is the helmet worth it? It's this kind of drama that is making Zub's Champions such a thrilling read.

While the current heroes of the Champions might not acknowledge it too much, the absence of the core members is felt. One question that concerns me is how Sam will react once he gets caught up to speed on everything that has happened. Next issue looks like it might be a good test for the remaining heroes on the team.

Towards the end of Champions #23, things look dire than ever. However, for the first time in a long time, there seems to be some hope on the horizon. While Mephisto's games may have splintered the team, the series of events to follow just might make them stronger than ever. Another fun issue in the books for Champions, and some interesting development with plenty of the OG members of the team. The approach showdown for the next issue should be an exciting one.

In the end, Champions #10 is a great close to an arc I wasn't expecting. One minor gripe about this series is how it tends to gravitate it's focus towards the original members more than the expanded teams. However, great writing more than makes up for it. Also, Cummings' art style works well at handling a great cast of characters, powers, and delivering fun action. It's good to see the team go through one of their darkest moments and come out strong.

I like how the conflict is being presented between teenagers on both sides, seeing as it affects them the most. As the issues go forward, it will be interesting to see how Ewing explores the resolution to this conflict, especially since it weaves its way into the core group of Champions. It's also nice to see Riri be elevated as a core character alongside Miles, Kamela, and Sam. Her character feels like she will play a much bigger role down the road.

We see more of the impact of Kamala Law with the other Champions in the re-education camps and how they are treated. There is a dystopian nature to how the kids are being treated and I want to see more of what is happening to these young heroes behind closed doors. With stellar art by Bob Quinn and a great cliffhanger ending that reaches back to the beginning of the Champions' origins, this is another great addition to the Outlawed arc. 

Come Into Me is exactly the type of dark storytelling I'm into and the plot is incredibly well done. It's a must read and I highly recommend this to any fans of dark sci-fi like the Twilight Zone and Black Mirror. I look forward to seeing exactly how far this book goes.

By the end of the book, we are left off on another tantalizing ending. I'm still waiting for the point where this totally unethical and out of control technology makes it to the public. All I know is that it will be sci-fi horror at it's best.

I'd be remiss not to mention poor Ainsley, who just wanted to help. The poor woman tries to do everything in her power to help Quinn out of this obvious shit show and it ends up becoming worse than ever. The end is horrifying, and this is coming from someone who already has fears about what it would be like to have someone in your head. Whatever Thompson and Nadler have in store for the next chapter of Come Into Me, we are not ready.

What I like about this first issue is that it's entertaining. There is some solid action and art that draws readers in despite not getting to the meat and potatoes of its initial premise. Of course, the first issue isn't perfect. We don't get as much character work as I would have liked, but it feels like the book will slow down the pace going forward and explore how our heroes have changed after the events of the first issue. I'd call Dark Ages #1 a win and with a great tease at the end, I'm excited to see what's next.

I feel like I came crashing into this book head first, stuck in the middle of an ongoing story rather than the beginning. The seeds are sown for some potentially interesting plot elements but altogether it's not as captivating as I hoped it would be.

I'm still holding out hope that Dissonance will start expanding more on its world. Without it, it's a slow burn so far and frustrating to only get the surface level understanding of what the stakes exactly are. I want to see more and Nugroho needs to start giving us a reason to care about Folke and the manipulations of this group.

What's funny is that all of the colliding storylines solve some of the issues I had before. The glimpse we get of the Fantasmen's first meeting with humans and the Conscience Agreement in the first issue no longer seems like something Nugroho skims over. Suddenly, I'm intrigued by this world's past and Folke's investigation into his parents' deaths, as well as how Rosia will deal with the issue's shocking ending. She definitely has a choice to make and the antagonistic relationship between her and Folke has reached an interesting point, that can only make for a better story.

Another great issue that sets up a lot of the future of Dissonance. Now that Folke's agenda is known to the world, it's will be interesting to see what happens next, as well as what decisions certain characters will make.

What we don't really get to see in this issue is what role the Fantastic Four will play in this conflict. I like the idea of the galaxy reacting to this new empire forming and destabilizing the ecosystem but we never get what was teased at the end of Empyre #0: Avengers. It's basically just another day for the Richards family, which is not a bad thing. The issue is still lots of fun, and we know the Fantastic Four are due for an encounter with the Kree/Skrull army. Unfortunately, we just don't know what that encounter will be.

Watching Teddy lead with good intentions is definitely the highlight of this series, especially as it goes against the ways of both sides of his heritage. Carol is certainly no help in her new role as Accuser but at least Johnny is there to be the voice of reason, encouraging Teddy to do what's right. As the event continues, there are some interesting teases as to how things will unfold. The Cotati won't be the only enemy in this war.

Aside from some great character moments, this event does a lot of foreshadowing. It wouldn't be a comic book event after all without teasing what's next. While there isn't much action, Sean Isaaske sets the right atmosphere to match the story. The Unseen lurks in the shadows again and does much more than be the Watcher's substitute. There is also the matter of who supplied the Cotati army with advanced weapons, which is a plot thread that kind of comes out of nowhere. None of the books ever seemed to touch on this either. Either way, Empyre: Fallout Fantastic Four #1 is the better of the two epilogues.

I may not have given Excalibur a try at first but as someone who wasn't keeping up with the book before, I can say that now is a good place to start. Tini Howard handles the characters well and injects a tone that makes following the team fun. Even without being a fantasy buff, you can tell that each member fills a specific role and they are definitely about to embark on an epic quest. My only issue is that the plot doesn't really give Marcus To's art anything to do. If the last few pages are any indication, however, it will have its chance to shine as the team moves forward.

Those threads carry over from previous issues, but this issue doesn't make them hard to understand. There's a lot more going on with the family than that, and it's all interwoven between some good comedic moments and off the walls action. Action that is, for the lack of a better term and I'm truly sorry about this, fantastic. R.B. Silva's artwork is so damn clean and fully captures the grand scale of everything happening. On a personal note, I especially love Valeria's cute new haircut. I hope Silva stays on for a while as this series is going in a very intriguing direction.

We have an interesting book on our hands. I think what Fantastic Four: Life Story #1 accomplishes is providing readers with not only a streamlined summary of their greatest moments but another view of the first family's dynamic. Sean Izaakse's also does great work, as always. His art style fits well with the retro style of the time period and, though the action can be brief, there are plenty of wonderful spreads throughout the book that illustrates the wonder of the team's encounters.

It takes near annihilation for the family to get back together and considering the end of this issue, I'm curious to see how they keep it from falling apart. Fantastic Four: Life Story #3 feels like a complete story with a beginning, middle, and end. With that in mind and the passage of time, I'm excited to see where Mark Russell takes this book in the next issue and how Sean Izaakse continues to bring each issue's era to life. Well, I guess we're on to the 90s.

It's hard for me to get behind a hero like Green Arrow being trapped in prison with powered people and all it takes is a bunch of trick arrows to dispatch them. There's no sense of desperation, or feeling that he might not make it out of this. Like I said, by the numbers. Thankfully, Matt Clark's gets to play with the different powered villains, trick arrows and a certain situation in a vent that's pretty funny. His art is this issues saving grace from total mediocrity. Hopefully, next issue's conclusion to this story offers more surprises than the beginning did.

Once again, this arc just doesn't do it for me. I feel like it should have been something more, and it's a shame that it's wasn't given the time to do that. Next issue, we move onto the new creative team. I hope they fully take advantage of the type of stories they choose to tell.

Other than me agonizing about Oliver Queen's faults, we have a solid issue. Javier Fernandez has a nice, loose-but-expressive style to his artwork. He also does great shadow work that makes the book look dark and gritty when it needs to be. The Citizen is a little bit of an Anarchy knockoff, however, he's still the kind of villain that matches the Green Arrow. They both have a similar goal just different ways of reaching it.

Another great issue marks a positive start to Julie and Shawna Benson's run on Green Arrow. I like what they are pitting Oliver against and how they are maintaining his relationships with those around him. With a surprise appearance by a pretty big name towards the end, I'm interested in seeing how Oliver deals with the people he knows who might not be as forgiving of his past.

Oliver has to move on and realize that he didn't do the best with Roy in life. How this will affect him in the coming issues? We don't know but it's apparent that Roy's death will not be an easy thing for him to live with.

Overall, the story could've handled Oliver's past sins and the reveal of the Citizen a bit better. It feels like we've lost a bit of momentum. However, with the ending in sight, maybe this arc can end on a good note as Oliver plans to somehow take down the Citizen and regain the public eye.

For an arc that played with the themes of anarchy and social unrest, it hasn't been the best executed. However, the Bensons proved that they know what type of stories to approach with the Green Arrow and have evolved Oliver's character on a personal level, especially after Roy's death. It's a fitting end to an enjoyed story.

This is a good start if this is going to be the final arc of Green Arrow. The past always comes back to haunt Oliver. Kelly and Langzing obviously know that bringing up Oliver's past is how you get the best out of that character. Vertigo is definitely going to make it hard for Ollie to ignore his grief, and the premise of Vertigo with evolve powers is kind of exciting to see. I can't wait to see how it all goes down.

Kelly and Lanzing leave Oliver in a bad place. He's essentially broken. In the next and last issue of Green Arrow, I'm interested in seeing how Oliver resolves his grief, or if he can. He will definitely be tested even more with what's coming.

I don't know what DC has planned for Green Arrow in the future. After the loss of Roy, Dinah's betrayal, and the box's contents have definitely impacted Oliver: similarly to his time on the island. He survives this issue to become a different man. Whatever happens with the Justice League, he may play a role. Green Arrow gets an ending fitting of the life of Oliver Queen. A ton of action and misfortune for the Emerald Archer makes for a good read.

Hulk #1 is a winner. Cates is looking to explore a side of Bruce Banner we haven't seen before. Meanwhile, Ottley delivers with bombastic visuals and a detailed look at the new state of Bruce Banner's mind.

Hulking & Wiccan Infinity Comic #1 is off to a great start as it highlights just what makes this couple so beautiful, and the trials and tribulations that come with their new lives.

Not only is the Hulk unkillable, but for the first time in a long time he comes with a major personality change, one that is unlike any other Hulk we've seen before. Ewing has made the Hulk monstrous in the way the people of the Marvel universe generally tend to see him. It's a great shift from the more recent attempts to make the Hulk a hero.

Ewing is doing something pretty crazy with the Hulk. It feels new and like a homage at the same time. He has very much turned the Hulk into a horror movie monster that would fit in with the likes of Dracula and the Creature from the Black Lagoon. I like it and surprised it hasn't been done more often. In my last review, I questioned not knowing where the book was going but now I wouldn't mind seeing every issue be a brand new tale of the Hulk as a spirit of vengeance.

The Immortal Hulk is by far my favorite interpretation of the Hulk in a long while. And we are only three issues in! Ewing puts a lot of thought into the character, his history and telling a compelling story. While experimental narrative we get for issue three, I hope he keeps moving more towards the horror aspect of The Immortal Hulk and the tales of this brutal Avenger.

The Immortal Hulk continues to impress. I do hope though that Ewing starts to focus more on Banner's objectives, as well as unveiling the overarching plot.

For Banner and the Hulk, the situation has become personal, and the villain behind everything has already proven more haunting than the Hulk because of it. If anything, it shows that while the Hulk might be immortal, he's not invincible. Meanwhile, Mcgee finally reveals why she has been chasing the Hulk and that can lead to nowhere good. Another great issue of The Immortal Hulk proves that Ewing and Bennet have found success in trying something different. As the story moves forward I can't wait to see how the Hulk deals with a situation he can't punch himself out of.

Unfortunately for the Bruce, his fight with the possessed Sasquatch has attracted some unwanted attention. It's here we get the introduction of a brand new villain who has ties to a certain General known for hunting the Hulk. His addition is a welcomed one. I like that Ewing is starting to explore how the rest of the world is reacting to the Hulk's re-emergence. It also helps that this villain introduction shows what lengths he is willing to go to capture the Hulk.

Al Ewing is really testing the lengths to which he can go with this new Hulk, especially when it comes to his persona and powers. The Immortal Hulk equal parts haunting, fascinating and a wild ride. After this issue, I can't wait to see where this story goes next.

However, Ewings continues to evolve his Hulk in ways that feel brand new and this chapter more than cement the Hulk's new status as immortal. This book has definitely become a favorite new series and I can't wait to see where it goes next.

Another issue in the books for The Immortal Hulk proves it's a must-read. While some of the plot threads need some work, Ewing's reinvention of the character is fascinating. Also, I'm convinced that Ewing and Bennett are trying to outdo themselves with how to make the ending of each issue more grotesque than the last.

I usually balk at stories when the go left-field like this, but I'm so intrigued by the premise. It was something that was hinted at during the Hulk's fight with the Avengers. Ewing has done a stellar job so far taking the Hulk into new territory, so I trust that this new arc will give us something interesting to see.

I haven't been this captivated by a Marvel series like this since Jason Aaron's Thor run. Ewing evokes the same kind of style, expanding upon the concept of the Hulk and the themes that are associated with this character while bringing the Hulk into new territory. Eleven issues in, I can definitely tell you that The Immortal Hulk is a must read for those who want to see the Hulk like never before.

While our characters get closer and closer to the Green Door, we also get some revelations about the Devil Hulk. These revelations bring up more questions than answers. Ewing has toyed a lot with the idea that something supernatural is at play in these events. He's also played with the idea of whether or not the Devil Hulk is one of Banner's many personalities or something more. Ewing's story is ambitious but it can honestly say it's confusing at times. Sometimes your not sure what is happening or if any of it makes sense. However, while it can be hard to follow, the revelations usually pay off within the next few issues, so I'm confident we will get some answers.

All I can say is that The Immortal Hulk does it again. A stunning conclusion to our time in Gamma Hell. My only complaint is that the confrontation between the Hulk and Banner's dad is all too brief. However, it's pretty satisfying to see him get what's coming to him. In the end, I've never been more excited to read a Hulk book.

Ewing continues to knock it out of the park with the Immortal Hulk. What I love about this series is his exploration of an overarching theme: basically, what does death mean in the Marvel Universe (or to an extent, comics)? The obvious answer is that death is meaningless, but it's so much more than that in this book. It's about how death and resurrection shape these characters, and it's brilliant.

Meanwhile, Joe Bennett continues to deliver stellar artwork, fantastic gamma battles, and characters work that sets up this body dysmorphia horror tale. Seriously, I feel like Bennet is just using this book as an excuse to see if he can make each Hulk transformation more grotesque than the last. With so much left to think about until the next issue, Immortal Hulk remains one of the best Marvel books on the shelves.

By the end of this issue, I'm reminded why the Immortal Hulk is so good. It's green, it's grotesque, it's great. While General Fortean doesn't really prove to be much more than a General Ross clone, the overall story is a great tale of Bruce Banner's history, character, and him at his most desperate.

In a way, Banner himself is evolving as well. The relationship between Banner and Hulk is growing closer, but Banner is relying less on the Hulk's "protection." Clearly, he and the "Devil Hulk" have something planned. Whatever develops, I feel like Ewing is going to drop a bomb on us that will blow our minds. He continues to up his game on the horrifying, unnatural and awe-inspiring aspects of this book. Ewing's not only out to reinvent the Hulk, but the whole Hulk mythos.

Don't even get me started on the last panel/page of the book. It is the most unsettling imagery I have seen from the series so far. It just feels like Bennett's talents were made for this story.

Aside from those first few pages, the rest of the book is straight up action. Joe Bennett is on point as always and has a little fun with the Hulk/Harpy team-up. It's more explosive, chaotic fun than the gory action scenes that we are used to getting. It also helps that General Fortean's men are piloting the most comic-booky aircraft's imaginable just to take out the Hulk. As with any issue of Immortal Hulk, there are more mysteries that present itself by the time the final page arrives and I'm sure Ewing is teasing that more wild stuff is around the corner.

Another one in the books for one of the best Marvel stories on the shelves. It's an insightful issue with some interesting visuals. This time Ryan Bodenheim takes up the reigns for art duties. The way his art pops out on the page, like an old 60's comic about an alien invasion. I imagine it was to highlight the sci-fi elements of this issue alongside the flashback scenes of Fortean's history. He doesn't do gruesome and horrifying as well as Joe Bennett, but Bodenheim sure does feature some eye-catching visuals.

We have some great character moments in this issue of the Immortal Hulk, and the return of Bennett's outstanding monstrous and haunting art style. There are a lot of moving pieces. However, it seems like the big action is being saved for the next issue. This issue plays out more like the calm before the storm. Still, Immortal Hulk #22 is an enjoyable read filled with enough to get you excited for what's to come.

There is so much more to talk about. Ewing keeps the mystery going and the mind wondering "What's next?" for this eerie tale. The Immortal Hulk is one of those books that opens up a character's world to places that you never thought it could go and it's fascinating to read just how far this journey will go.

It's once the dust has settled that I've begun the realization that the Hulk is more than a supernatural being of vengeance he first appeared as in that first issue. Ewing has been planting the seeds that the Hulk has an agenda but I guess actually seeing it come to fruition is scary to watch. There is also the vision of the future that suggests that Banner and the Hulk are going to cause trouble for the Marvel Universe. I hope it leads to something truly terrifying. After all, it's what makes this book so good.

I don't want to knock this issue too much because a lot of this story feels purposeful on Ewing's part. However, by the end of this issue, it doesn't quite feel like the pieces make sense once it's over. It might down the line in further issues and the ending seems to indicate as such but it's a frustrating experience that just leaves the reader feeling lost and unfulfilled with so many unanswered questions.

Immortal Hulk continues to paint the Hulk in a new light. Ewing keeps the reader guessing at every turn, never know what's going to hit us next. The Hulk has new enemies, gives a fuck about climate change, and surprising allies. We are in the midst of an exceptional run.

The Hulk's assault on Roxxon isn't as grotesque as most issues in the series are but it's heavy on the action. Bennett shows how good he is at putting together some classic smashing action. I'm going to miss his art when he is gone as it's definitely one of the reasons I look forward to every new issue of The Immortal Hulk. The Hulk has definitely picked a target worthy of his cause. Ewing paints Dario Aggar as the callous opportunist that he is. It will be interesting to see just how much damage Team Hulk can actually do to a man who has survived the War of the Realms and is a master at manipulating the public.

There always seems to be so much that Ewing is playing with for this series. Thankfully, he is doing it so well that it always seems to come together. And as always, Joe Bennett's art compliments Ewing script wonderfully. I mean, I wouldn't want anybody else drawing four giant monsters tearing down buildings and fighting the Hulk. Gosh, I hope he never leaves this series and these two continue to do good work.

Obviously, there is no talking about this week's issue of Immortal Hulk without mentioning the controversy surrounding Joe Bennett's artwork. Unfortunately, it is a glaring issue and for an artist as good as Bennett, the offending panel is unacceptable. Joe takes a lot of great care when it comes to the details of the book. You can see it in the several other references he peppers throughout the issue. It feels too careless and if anything even adding that detail of the Jewish star, along with the misspelling of the Jewelry store feels unnecessary. It sucks because the controversy pulls away from an otherwise great issue. Joe still does great work and always has a standout panel that is unlike anything you see in other books.

Once again, it's a busy issue. No one character takes the spotlight, but that's not much of a problem. The end of this issue is intriguing and as always, with every revelation, Ewing's story brings more questions than answers.

Juan Ferreyra's artwork perfectly matches the comic's dark and comical tone. He's especially great at the facial expressions matching the crazy nature of all its characters. Ferreyra's panels and Rosenberg's story pair well together. I would say that Thunderbolts #1 is like watching a train wreck happen in real-time, and I mean that in a good way. You already know everything is going to go wrong, but how is fun to watch and keeps you guessing.

What I like about this first issue the most is just being about to get inside of Maestro's head and watching him come to terms with the end of the world. The Hulk has always had a contentious relationship with humanity. From the way they've treated him to the hypocrisy of the heroes he's worked side by side with. Very quickly after seeing the aftermath of their destruction, you can see him give up on humans. Who can blame him? It's a good start. However, a lot of it is expected, especially if you've read the original. Hopefully, there will be a few surprises to the story with the coming issues. 

While I doubt it, I hope Duggan and the team give the crew of the Marauders the same kind of focus they gave Sebastian. It would be nice to see some character development and relationship at play. However, I feel like all of the main protagonists in Marauders act more like chess pieces in service to a larger plot than actual fleshed-out characters. What I've noticed about Marauders is that more than any of the other “Dawn of X” series, it's a book more focused on the internal threats than the external one. Everybody has their own agenda, even the mutants and something tells me this won't be the last we see of the infighting for control of Krokoa's future.

Most of this issue feels like the calm before the storm. From the Dawn of X files/interludes, we dig deep into how Kate really felt about being unable to be a part of Krokoa like everyone else. These little snippets paint a different picture, making readers feel even more sorry for the missing captain. I'm wondering how the crew will keep it together as the next issue hits as we might be getting the final word of Captain Kate's fate.

I feel like this second attempt succeeds with most of its stories. These snapshots aren't the grand stories that we often find in the pages of an ongoing series but smaller moments that speak to the core of the characters. To an extent, the stories feel less self-indulgent than the previous Marvel Voices comic. The creators focus more on the moments they are trying to convey and the character. With that in mind, .you'll find some great reads.

I can go on and on about everything this first issue does well, from Javier Garrn's stellar artwork and action scenes to the excellent writing. It all boils down to me telling you that Miles Morales: Spider-Man is an excellent starting off point for new and old readers alike. It's also the promise of some exciting storylines to come.

This new take on Miles is looking more and more positive with each issue. With another tag team on the horizon, the next issue is sure to be a fun one. After seeing what Ahmed has done with Miles and Rhino, I'm excited to see his upcoming take on a classic Avenger.

Aside from Captain America making everything better, there is plenty to like this issue. A despicable villain who you just want to punch in the face. Some good action, excellently drawn by artist Javier Garron. As well as great character growth for Miles and Rhino. One of the strongest aspects of Ahmed's writing is how grounded and human he makes these characters feel. As this opening arc concludes, I can say with a fair bit a certainty that Ahmed's Spider-Man is a more grounded take that gets the characters right. I can't wait to see more.

I'm already loving Ahmed'stake on the character. It feels more personal and like a character breakdown, defining who Miles as a person and Spider-man. One thing that I would love to see is more original villains for Miles, rather than the usual Spider-man rogue gallery and the cheap c-listers he encounters. However, it's still early in a run that is already doing such a great job with fun art and great characters.

Where this issue fails for me is the dialogue. Some of the characters, especially the villains and even Miles to an extent, have some cringe-worthy lines. Which is weird, considering how well Ahmed has written everything over the past four issues. It feels like some of the dialogue and interactions between the characters break the pacing when you read them, which can take you out of the book a bit. Other than that, Miles Morales: Spider-Man #5 is another solid entry in this new run.

Saladin Ahmed is truly beginning to shape Miles as a character. I love how his story is being told: with some humor, great characters, and situations that really put Miles to the test as a superhero. Most of all, it feels grounded, which just makes the writing all the better.

This interesting and heartfelt issue of Miles Morales: Spider-Man adds to the more grounded, character-focused tone of Ahmed's take on Miles. The team has struck a good balance between important character moments without detracting from the action-packed superheroics that we crave. Nailing down the struggle of Miles's personal life and superheroics is honestly the core of any Spider-Person's story. With the changes Ahmed is adding to Miles' life, I'm ready to see more.

Overall, Miles Morales: Spider-Man #9 is another great example that Saladin Ahmed knows what he is doing with the character. My only pet peeve with this issue is that no one thought to reach out to Peter Parker about helping find his missing protege. I guess it was a family matter. Either way, there are still more questions left that need to be answered and I'm sure some wild things headed our way.

Ultimate Goblin makes for some great action by Javier Garron. I always liked the modern twist that the Ultimate universe had on some of the classic Marvel heroes and villains. It would be interesting to see if more characters from the Ultimate universe start popping up or what Miles reaction to them will be. Either way, something big is coming and Ahmed has plans for Miles.

It also helps that artists Z Carlos and Ig Guara both present an art style very reminiscent of Mark Bagely's original art on Ultimate Spider-Man. It fits with that Ultimate Universe vibe this arc is going for and the direction this arc is going. So any complaints are minimal when the prospect of what's in store for this arc is exciting and none of the plot points feel like they are lost in the shuffle.

What's interesting about Aaron is that he isn't just written well but we get to see a whole different side of him. Aaron has always been portrayed as an opportunist, willing to do anything to secure his bag — at least that's how it was in Bendis' run. There was never really any redeemable qualities about the character. However, I honestly feel like Aaron wants to get out of the game. At least for Miles sake and to fix those bridges he burned with his brother's family. It's an interesting situation that Ahmed has put the two characters in and the premise of the next issue makes it even more exciting.

The battle against Ultimatum is certainly taking its toll on Miles. While I like the smaller, more personal character moments, I feel like the pacing of the main plot could speed up a bit. Ahmed is slowly working through the Ultimatum arc and one could get a bit anxious waiting to see more of it unfold. However, the writing is thankfully good enough that it doesn't hold back any issue too much and there's plenty to enjoy.

I still feel like the main story is dragging on too long. I want Ahmed to focus solely on the Ultimatum stuff so that we can get some answers. However, when the writing is good and each issue is as enjoyable as the last, there isn't really much to complain about. Plus, I'm beginning to feel like the slow drip-feed of information about Ultimatum will lead to a big payoff in the end.

One gripe I do have with the clones that show up this issue is that they all look too similar to Miles. In the older stories, especially the Ultimate Clone Saga, the clones all had their own unique look and design. The upside is that Miles' clones come with a variety of different powers that make them a challenge. The allure of this arc is definitely the mystery surrounding the clones. The addition of Peter Parker to the story, who is finally taking a proactive role in Miles' drama, is a good start. As is the potential return of the Accessor. The success of this story is entirely dependent on how good the mystery is and hopefully, things will take an interesting turn.

This Clone Saga doesn't really do much to redeem the original 1990's story (if you want that, you should read the Ultimate Clone Saga from Bendis). However, it works as a great addition to Ahmed's run on the series. It adds to Miles' growth and his trials and tribulation as Spider-Man. It is going to be interesting to see what Miles' next moves are. His family is growing and he still questions whether being Spider-Man is worth it, especially considering the effect his life has on them. This may be the end of Miles' Clone Saga, but it's only the start of more interesting things to come.

Miles Morales: Spider-Man #29 is a decent issue that wraps up some lingering plot lines. Nothing too flashy but it gets the job done.

I really like New Challengers. While we don't get to know more about the other members of the team or get to see more of their first mission, I'll chalk that up to the fact that you can only fit so much in the first issue. Synder and Gillespie do a great job of selling the premise and teasing what's to come. They have also given Andy Kubert a lot to work with. I like his art, especially what he does with the settings. I'm ready to see how he draws the crazy set pieces and the dangers the team will encounter.

I'm not as hyped about the second issue of New Challengers as I was about the first. However, there were a few key parts of the story from Synder and Gillespie that have me intrigued. Between Moses backstory and the shocking ending, the two writers brought up a lot of questions in the second issue that have easily turned this book from a great adventure to a mystery that needs to be solved that will most likely keep you coming for more.

Anyway, the ending of this issue holds some promise. Synder excels at writing high concept books.New Challengers is definitely worth the read if you are just going in for the premise alone.From the looks of it, the team's adventures are only going to get more extravagant as we move forward.

I give credit to Scott Snyder for putting together a book of epic proportions. Between cloned zombies, raptors, and body snatchers, there's little you won't love. The characters are great, each with their own unique backstory, and the adventures are wild. I could see myself jumping into another arc of New Challengers just to see what unknown corner of the DC universe they explore next.

By the end, you reach a satisfying conclusion but still feel like more can be told from this story. There is a perfect balance of adventure, levity, and character development that makes you want to continue on Persephone's journey. Here's to hoping that Locatelli-Kournwsky still has more stories to tell in this wonderful world.

Rise of the Black Panther is the perfect origin for newcomers and a great start to retelling the legacy of Wakanda. If Narcisse and Coates continue with the same quality of work they put in this first issue, this book might be the go-to read anyone who wants an introduction to the Black Panther.

I'm ready for more. I can't wait to see what the next chapter holds as Wakanda opens up to the rest of the Marvel Universe. This book is an exciting read and if it continues at this pace, the whole collection will be a must buy for sure.

This is minor gripe but the dialogue and science could have been minimized a bit during the fight. I do like where the book ends though. The cliffhanger presents an interesting confrontation for T'challa and if the last issue's encounter with Namor is any indication, we're in for something good.

Back in Wakanda, dissension continues to grow and the seeds are sown for future conflict. With the arrival of Erik Killmonger, he will most definitely play a role in testing T'Challa's rule. Enjoyable doesn't even begin to describe Rise of the Black Panther. Every one of Marvel's iconic heroes should have a book like this for new and old fans alike. It will truly be sad to see this end.

As always the art is on point. Both Pina and Salazar keep the action, characters and setting looking great. I also hold a special place in my heart for the designs of all the characters clothes, especially the Black Panther suit and Storm's outfit. As we reach the end of Rise of the Black Panther (I know, I'm going to miss it too), it's clear who will be the last enemy that T'challa will have to face. I do wonder at what point in T'challa first year we will end up. Here's to hoping it ends just as strong as the rest of the book.

I'll say what I said at the beginning of this series. Rise of the Black Panther is the perfect origin for newcomers and a great start to retelling the legacy of Wakanda. It's definitely a must-read for anyone looking to jump into the world of Black Panther. Every hero should have a book like this that so gracefully retells their origins and greatest adventures. Respect to Narcisse, Coates, Renaud, and Pina for treating Black Panther with such care.

The King in Black crossover ultimately serves as an opportunity for S.W.O.R.D to really flex its muscles. Al Ewing is great at writing high concept arcs in his books and I look forward to the many places S.W.O.R.D will go, as well as what role they might play as King in Black continues. The art falls in line with a lot of the recent X-books, which is to say that it's gorgeous. Artist Valerio Schiti draws glossy space adventure at its best, with plenty of action scenes that serve as eye candy. As the book presses on it will be interesting to see how she balances Krokoa's interests with Brand's accountability to protecting the whole world from extraterrestrial threats.

The best thing that I can say about Sea of Stars is that it gives readers enough to keep you interested and coming back for more. I do wish we would get to know a little more about the characters. However, it's a great introduction that teases mysteries and sets up an intriguing premise. I don't know where it's going to go but that's part of the fun and I'm looking forward to more.

By no means does all of this mean that this issue is all style over substance. Readers are treated to a great deal of backstory that sheds some light on the relationship between both Gil and his son Kadyn. Even though Gil is going through the most terrifying moment in his life, coupled with the fact that his son is missing in space, you can see a father who is trying his best to fight through the danger and fear to find him. It's good stuff and seems like just the beginning.

The best part of both of these journeys is the art. Stephen Green make space feel more alive than with all of the different types of creatures and wildlife that inhabit it. And a special shout out to colorist Rico Renzi, whose colors look stunning and vibrant on each and every single page. The visual team for this book does a fantastic job and Sea of Stars feels like you're wandering through an endless aquarium of awe. The unknown of it all makes a fun read with only three issues in.

One thing that sets this issue apart from the others is the addition of the Zzazteks. The world of Sea of Stars has been mostly been a wild space of creatures and emptiness. This is the first time we are introduced to an actual society of people, opening up the world in new ways. Both Gil and Kadyn have different experiences with the Zzazteks, but it gives the reader some clues into what this group is all about. The introduction of this group also gives us a few revelations about Kadyn's situation that are sure to give us some eyeopening issues ahead.

Sea of Stars is a book about the strength of a father and son's relationship across the stars. It's amazing how in so few issues the book has made you care about these two and seeing them reunite. The setting only makes this journey even more intense. That's only due to Stephen Green painting the vastness and beauty of space along with the emotion of this epic. The end of Sea of Stars #5 leaves you wanting more. Aaron and Hallum cutting us off before the reader gets just what we want from the story shows they know damn well what they are doing.

What really sells the mythic nature of this story is Dike Ruan's art. The imagery of ancient China and its defenders is amazing to look at. It really feels like your favorite martial arts film playing out before you with each and every panel. The action pops and not a moment is wasted to show how skilled each of the characters is when they are facing off against one another. This is a good start for this new solo series. While I feel like writer Gene Luen Yang is going to have to do a lot more to make us like this hero, that's not going to stop me from wanting to see more of his adventures.

However, none of this distracts too much from the story. Sideways is a fun read. I don't think there are too many teenage superheroes in the DC Universe who aren't already a part of a team or a sidekick. So, this is an interesting addition to DC's roster of heroes. And with the promise of how crazy things to come might get, Sideways seems like it's worth sticking with.

Sideways has a pretty bright future in the DC Universe. He's fun, different, and is going up against some interesting foes. I'm looking forward to finding out what he steps into next.

Sideways still has potential. There is always a tease of a larger narrative working its way into the story. I just need that narrative to do what superhero stories do best – give us a superhero that aspires to be great and learns something along the way. Derek as he is, seems like a self-centered kid using his powers for the wrong reason. Thankfully, I think the story is pushing Derek toward more and more situations that are way over his head.

That aside, we have a pretty strong issue. Sure, the villain of the week is nothing to cry home about, but he serves his purpose narratively. Sideways is easily becoming a great addition to the DC Universe. With hints of a greater destiny at hand and a shocking ending, it looks like we've got some good stuff coming.

I still feel like Sideways is a fun new character to have in the DC universe. He's different from a lot of the other caped heroes and big shots in the way that he's just a kid doing the hero thing on his own. That's why I'm a bit disappointed in where the issue ends. For a hero that is different, his story deserves moments that are less disappointing.

In the end, this was a good issue with a lot of emotional weight. I also like that Derek's world is opening up, and more importantly, we get a prelude to him interacting with the rest of the DC Universe. As one of the new heroes on the block, it will be interesting to see what role he is set to play in larger events.

Sideways has a tendency to switch gears a lot. It can be hard to keep track of what kind of story Didio is going to give you next. While I do wish that he would stick to one story at a time, the detour into the Dark Multiverse is a weird and enjoyable one.

We also get a glimpse at what is happening back in Gotham in Derek's absence. He's been gone a while. It's going to be interesting to see what he comes back home to, as well as how his friends and family react to him coming back. One thing that was curiously absent from this issue is the Seven Warriors. While Derek's own adventure is a solid story, it feels like they were forgotten. It only adds to the feeling that Sideways never really focuses on one plot line before starting another. However, it doesn't ruin another solid issue of Sideways, a series that is a great addition to DC's wild and fantastic world.

Sideways #10 is a bit light on the action, but the story more than makes up for it. Derek is really starting to find his footing as Sideways as well as his purpose for being a hero. With the return to Gotham and enemies unknown to Derek finally making some moves, we are in for some exciting things to come.

The reveal of Dominus' true intentions shouldn't be a surprise to anyone. Despite her very obvious motivations, I found myself interested in seeing what she plans to do if she gets control of Derek's powers. As she finally makes her move on Derek, things are ramping up fast. This is a fun issue for Sideways. Derek is getting a lot thrown at him, and I can't wait to see how he deals with it.

In a way, I feel like the team behind Sideways was able to merge many of the different tones that they were approaching in previous issues. It's good to see those tones collide into one cohesive story. I had myreservations before about the way the book would switch from one type of tale to the next, but at this point that's just the nature of how the story is told. It's also the way Derek's life operates. So, it works. There is a lot to look forward to with Sideways as Derek's life gets a bit more complicated and plenty of questions are raised.

More than anything, issue #13 plays more like a prologue to greater events than a finale. Rocafort and DiDio do a lot of foreshadowing about Derek's future. With the truth behind how he got his powers revealed, the arrival of his birth mother and his connection to the dark multiverse, DC can't be done with Sideways. A lot of this ending hints towards the future. After a bit of reflection, I'd say that Sideways has had a successful entry into the DC Universe.

However, none of this distracts enough to ruin what is ultimately a solid ending. There are a lot of unanswered questions this issue but, hopefully, they will be addressed down the line. This adventure definitely seems to be what Derek needed after the death of his mother. It will be interesting to see what state Derek will be in emotionally when he gets back to Earth.

In the end, I do love a good concept and Skyward delivers a great world to explore. My biggest issue is that we don't really get a major conflict right away. The book does hint a something major developing towards the end but, once again, the first issue is pretty short. We won't get to see how our characters react to this until the next issue. However, since I'm hooked it's not much of a problem.

One thing I will note is that while Willa's adventurous spirit and overeagerness to escape her life are fun, we are already starting to see how much trouble it's getting her into. It will be interesting to see what she stumble into further down the line and hope we keep getting more amazing issues of Skyward down the line.

What I love about Skyward is that every issue leaves you wanting more. I'm interested in seeing how Willa's character reacts to her life (forgive me for this) being turned upside down. By the end of the issue, the stakes are raised to a point that her trouble doesn't just affect her. I have a feeling will give us that and so much more as he continues to open up this wild and wonderful world.

Henderson keeps the ball rolling with Willa's crazy journey in this exciting world that he has created. Also, the best of Garbett's artwork is saved for the end of this issue and continues to prove why he was born to draw this book. Next time in the world of Skyward isn't soon enough.

I can't express in enough words just how enjoyable Skyward is, and why you should pick it up. It's an untapped concept for a world that Henderson is seeing to its fullest potential, and every issue reveals another aspect of how it works. You can tell that Henderson is having fun just building it for the reader piece by piece.

Every chapter of Skyward leaves a smile on my face and it's fun to follow a book with so many surprises and likable characters. As Willa continues to push towards her journey, it's going to be fun to see where her adventure leads next.

I really like how Henderson is opening up this book. With the first arc, we focused on Willa playing around in the world she knew, now we see her facing dangerous and unknown obstacles. Henderson is really playing around with his imagination. More than anything, Skyward continues to prove that there are no limits the wonders its world can offer.

Willa is definitely trying her hardest to survive and stick to her mission. However, if this issue has a theme, it's trust and learning who to put faith in. I do think Edison has more than earned her trust and you can see the strain on their relationship as she continues to hide the fact that she wants to fix the world's gravity. I understand that she feels like her mission would hurt him but he's come this far. As the story moves on, the ending leaves a lot of choices for Willa. Eventually, she is going to have to let someone in on her secret and trust that they can help her.

Skyward #9 leaves us with a lot to look forward to in the next issue. Willa's not going to have an easy time doing what she feels is right. In the end, she is going to make a lot more enemies along the way.

This issue of Skyward is exciting from beginning to end. There is plenty of momentum in the story, as well as changes coming for our characters and their journey. After the events of this issue, I'm interested in seeing how Willa and Edison end up moving forward. Henderson also leaves the reader something intriguing towards the end. If it is what I think it is, it's sure to change everything for Willa and her quest.

I'm really intrigued by Henderson's twist to the solution to fixing the world. Every character, from Willa to Barrow, will have to rethink their next steps moving forward, and I'm interested to see what they do. The only thing that isn't surprising is the reveal of who the mystery character is from the end of the last issue. However, the writing was pretty much on the wall, and their presence still brings up a lot of questions.There is so much to look forward to with Skyward, the book that just keeps on giving. So many revelations, and plenty of more questions to follow. I had no idea how much things would change for Willa, but I had a good time finding out.

There is a lot more I could talk about, from the secret underground gravity shelter to the predicament Willa and Barrow find themselves in towards the end of the book. It's a lot to take in and a great read with amazing art by Lee Garbett. Honestly, I think Garbett gets to shine the more chaotic a scene is and his imagination seems to run wild in all the right ways when he depicts how Zero-G works on the page. Skyward gets better and better with each issue and I can't wait to see whatever crazy situation Willa finds herself in next.

I'll be honest, this wasn't my favorite issue of Skyward. Some stuff felt like it could've been left on the cutting room floor or fleshed out a bit more to ramp up the tension. Instead, we get an issue that feels like it's just there to pass the time. However, with the farmers approaching, I'm sure we are in for some crazy stuff to go down and for Garbett to show off some low gravity chaos.

We cap off another great arc. Skyward continues make great use of its concept and world. It's also a book that you can tell both writer and artist are having fun with each issue. What's next for Willa and the crew is a mystery, but I have no doubt that Henderson and Garbett will impress. Looking forward to however these two plan to open up this world.

For any fans of Spider-Verse, just wait until the end of the issue. Gage goes for the jugular and makes a statement about the consequences of Otto's mistake. The Inheritor's return means serious business for our Spider-Friends and this introduction to Spider-Geddon makes sure to let everyone know that no one is safe.

More than half of this issue is dedicated to recruiting some of the Spider-men and women into the war. Here, we get to see who some of the big players will be. If you are just like me, you'll be excited to see a couple of fan favorites (like a certain wall-crawler from a recent PS4 game) and some wild cards that are sure to make things interesting.

No matter what universe it is, there is always a 90 percent chance that it's Norman Osborn will be an evil, psychopathic megalomaniac. If you've read Edge of Spider-Geddon #4, then you know that the same is the case for this one and he's sure to cause some trouble down the line. With another fun issue of Spider-Geddon in the books, we'll just have to wait and see how it plays out down the line.

Meanwhile, tensions with Spider-Nor-Man reach their limit and honestly, I have to question why Otto recruited him in the first place. If there is anyone who Octavius hates more than anyone, it's Norman Osborn. Even worse, bringing Norman into the mix may have just doomed their world. Norman and Spiders-Man (who honestly just stills the scenery) make their move and it's a pretty big one. The ramifications are huge, causing characters to make some interesting choices and I can't wait to see how it plays out in the end.

I think that somewhere in my heart, I knew that Spider-Geddon wouldn't quite live up to the original Spider-Verse event. Ultimately, putting a lot of the important plot threads in the events various spin-off books made reading the main issues feel disjointed. Also, many of the most interesting threads were also left unresolved and saved for future series. I wish these would have been an explored more or came into play during the end game but inside the readers are left hanging.

I like this issue despite the fact that I didn't get my fight with Miles and the Six. Hopefully, we will get that showdown soon. Also, I don't know where the setup with Miles' parents is going, I just hope it's something good. Moving them away from the situation just seems like it robs the reader the opportunity to see them interact with Aaron, which is something we desperately need. They are just as much invested in this as Miles is.

What we have here is a really solid issue. It's going to be interesting to see the resolution between Miles and Uncle Aaron as this current arc meets its end. At first – for me at least – it was a bit surreal to see Uncle Aaron come back from the dead but Bendis has made the most of it. The dynamic between Miles and Aaron is strong and makes for some great drama.

Bendis' run on Miles Morales tale ends on a whimper. Plot lines are completely dropped without any forethought and we are all left with possibly the last Miles Morales solo story for a long time. It's more than a disappointment and my boy deserves better.

This Annual is definitely an interesting read. It attempts to add some background to Miles' life in the 616 and succeeds for the most part. Again, Hill's story doesn't top the original for me but it's a solid tale that gets the basic story beats right. Add in the return of Mark Bagley and great art by Nelson Blake and Alitha Martinez, and this issue is something every Miles fan should read.

Star Wars: The High Republic works on two levels. The first is the overarching story between Keeve and Sskeer. The mystery there is enough to keep readers coming back to see how that unfolds. The second level is the world. The High Republic comic is giving us a great look at the Jedi of that time, how they operate, and what kind of dangers they face. I especially love the Jedi twins, Ceret and Terec, and their empathic connection. I hope this means that we will get a good variety of different Jedi races like them as the series progress. Let's also hope that will see more of what the rest of the galaxy, worlds, and governments look like with the Jedi in power.

Every chapter of The High Republic reveals more and more about the Jedi of this time. There are a lot of little things to pick apart from some of the small interactions between the Avar and Sskeer, as well as the Jedi and the locals. Star Wars always works best when it dives into messy politics and how the Jedi Order operates as an organization. I hope we get more of that. For now, the action, main story, and characters are intriguing enough to keep going in another stellar issue.

Creative bad guys and high stakes make for another great issue of Marvel's Star Wars: The High Republic. Writer Cavan Scott and artist Georges Jeanty are creating quality work. I especially loved the chaotic fight scenes and how Jeanty manages to bring emotion to all the different aliens within the book. This arc looks like it's coming to a close, and I hope we get more of the classic Star Wars story beats after it's done. All in all, it's a fantastic start to the High Republic era.

We get a short glimpse at the Nihil towards the end of this issue. The one thing that the Star Wars: The High Republic series has done pretty well is give readers unconventional Star Wars villains that aren't governments, dictators, or Sith. We are about to enter a new arc that puts Keeve in a pretty interesting scenario and right in the middle of this brand-new criminal syndicate. I can't wait to see how the team develops the Nihil as the book looks like it is going to take a deep dive into who they are.

The first issue of Stellar works. While not wholy original in its premise, it knows its genre well. Combined that with an interesting and mysterious character, and you have a solid first issue that gives you enough to make you want to stick around for more.

Keatinge could do more to make some of the scenes less confusing during the flashbacks. Blevins using a different filter on those scenes would help as well. I just feel like some indicator that we are taking a look into her past would add clarity to what is happening on the page. Stellar is still a compelling story. While it's still a very familiar sci-fi tale, that doesn't stop it from being enjoyable. Hopefully, we get to see this world expand more as we dive deeper into this mysterious character's past.

This series really does have the perfect pairing. Skottie Young's script is imaginative and so enjoyable. Paired with Humberto Ramos' cartoon-style artwork and you definitely have a book that's off to the right start. Ramos' past work on books like New X-Men, Runaways, and Champions are shining examples of how well he draws books with younger heroes at the forefront. His exaggerated style lends itself well to the seemingly impossible things the characters will do and see as the series progresses. Strange Academy definitely executes its opening issue well and with all the inexperienced magical students roaming around, there is bound to be delightfully messy catastrophe ahead.

After all, half of the appeal of this series is seeing these famous Marvel magic users together. I'm just saying, you don't put Magik and Wanda "The Pretender" Maximoff together in the same building and not have any kind of interaction with them. Either way, after two issues, I think I can say that there is no way you are not going to have fun with Strange Academy. The premise is too good and caters well to everything fans love about magical schools of wizardry. Not to mention, Humberto Ramos' talents are being put to great use, making every panel filled with as much wonder and imagination as the next.

The Death of Doctor Strange #1 works as a decent start to an event book. It doesn't do anything special but it makes for an enjoyable lead-up to the big moment.

I'm optimistic after the first issue. Solid art by Justin Greenwood nails the vibe – muttonchops, pecking ravens and all. He also does some kickass action scenes, which is always a plus in my book. I just hope that Walker isn't afraid to take this book as far as it needs to go to deliver that shocks and awes that we deserve. I need that drama, that shady backstabbing and them twist and turns at every corner. Now, all I need to know is when is our mystery hero gonna let that samurai sword bang?

The end of the issue is a game-changer and if you thought Lord Fiest's story was over, think again. I'm liking The Last Siege so far, and want to see where this goes. Hopefully, we get some good deception, more scheming, and surprises along the way.

With this issue ending the way it does, I'm hopeful that we will finally get more details and clues about the Stranger's identity. I also hope that more focus is put on Lady Cathryn. We still know so little about her and I want her character to be more than the silent damsel in distress. The Last Siege is a great book for those who like to see gritty Medieval action with a great story. I can't wait for whatever twists and turns come next.

It's exciting stuff in a series that knows how to do Medieval action and drama right. While the Stranger and Cathryn seem to have found their second wind, the King's army is approaching fast against the little kingdom that could. I can't wait for the desperate battle that is sure to come.

During their interaction, it seems like the Stranger is blind to all this. Like, there isn't even an inkling in his mind that his family may have mistreated these people in the slightest and they may have had it coming. Anyway, whatever tricks the Stranger has under his chain mail and whenever he decides to use that gunpowder of his will have to wait until next issue. For now, we will all have to enjoy the deep backstory we are given.

While the heroes seem to have turned the tide, I'm worried that things are going too well. Ivan may be a huge coward but he has a massive army, and there is only so much the gunpowder can do. It feels like sooner or later, the Stranger and Cathryn's luck is going to run out. I mean, that's just the ways these Medieval dramas go, right?

Walker and Greenwood definitely made the right decision to use visual-only storytelling for this issue. No amount of words would've painted a better picture of this climactic battle between the little kingdom that could and Ivan's overwhelming force of power-hungry soldiers. With the end in sight, I can't wait to see how Walker wraps this story up.

The ending is also a little predictable. That's not to say that readers won't be satisfied, but there are little surprises left. It's also very abrupt. Once the conflict ends, so does the story. It's not the type of ending I was looking forward to. Overall, it doesn't set The Last Siege back from being an awesome read if you love some good medieval drama. Come for the bloody battles, stay for the good old-fashioned underdog tale.

The United States of Captain America is hitting all the right notes. A political character like Captain America is always a tough one to nail. It has yet to be seen if all the writers on this book will treat the subject matter and message it's trying to convey with care. However, I'll say that the enjoyable first issue makes this a book to watch. 

It'll all make sense once you read the issue but there are big moments handle excellently by Cates and brought to life by Nic Klein, whose artwork is exactly the type of style you want for a mythic battle between gods and forces of nature. Each panel is spectacular and as the action ramps up it's like watching a painting of a battle between titans. If Jason Aaron's Thor run was about discovering what it takes to worthy, then this first issue of Donny Cates' first arc is about the struggle and weight of maintaining that worthiness. Heavy is the head that wears the crown and as this arc comes to a close, it only gets heavier.

While the latter half of this issue slows down on the action, learning more about Blake's awakening and his time in his cage is definitely enough to keep readers engaged. He's an unpredictable character and that's the most compelling part. We don't know what this former alter-ego of Thor is planning, especially after running havoc throughout Asgard. Readers are in for good things with this arc of Thor and what happens next is anyone's guess.

We are entering the final phase of this arc. Asgard seems to finally be turning things around. I feel like I can see how this story is coming to an end. I would be pleasantly surprised if it's any different than what is expected. Either way, I'm sure Cates and crew will bring it to a satisfying conclusion. 

There is a lot to enjoy about Thor Annual #1. Kuder really put his skills to the test in both the story and the book's art. It's fun, and I love it when artists create beautiful panels and spread that make readers look at every detail to make sure they aren't missing anything. The inkers and colorist did a great job as well. The issue does come to a rather abrupt ending, which I didn't care for. However, it adds to the idea that Thor as a character has come a long way from who he used to be.

That sucks that this is what holds the book back for me because there is a lot to enjoy. I like the art by Ryan Stegman, who plays a lot with Venom in the darkness and making him look monstrous. There is also the idea of Venom facing off against something more terrifying them himself and Eddie struggle to keep it under control. However, nothing has yet to convince me that Eddie or Venom works as a heroic character. It just seems a bit crazy that Eddie is trying to be a hero when he carries an uncontrollable monster on his back, which leads him to do more harm than good. We'll see how the book develops but for now it's off to an average start.

It's funny too because Venom feels less like the character is trying to be a hero and more like he is just trying his best to survive and not to kill any and everything in his path. I like this version of Eddie, who is just trying to survive. Confronting the giant creature that attacked him last issue seems to be the solution of all his problems. However, with the symbiote out of control and other obstacles in his way, it looks like Venom is going to have a hard time.

Combine Miles' and Venom's showdown with Eddie confronting the dragon, add in some great art by Ryan Stegman, and this is another solid issue in a series I had reservations about. I especially like the dark feel Stegman's art brings to the book, and how he draws the dragon's monstrous form as it wrecks havoc on the city. It's a giant monster-movie type feel that I can jam to. While I have my gripes about the end of the issue and the new revelation we get, I'm looking forward to what's next.

The Venom series is moving in a weird direction. Some days I like it, while other days I feel it's doing too much. Sure, Cates is doing something different, and Stegman's art makes certain scenes look like something out of a hellish nightmare. However, messing with origin stories is a mixed bag. It paints the character in new light and sometimes it's not necessarily for the better. Hopefully, the conflict evolves into the horror story I want to see. If not, I'm just left asking "What's the point?"

Tonally, I do think Cates is capable of nailing down that horror vibe I so desperately want from a book like Venom. Combined with Stegman's art, there are moments where Venom looks and acts like the monster he is. However, the deeper we dive into the story, I see less and less of that and more over the top comic book action. The story is starting to lose me, the revelations aren't all that exciting, and I just want Venom's encounter with Knull to end so that we can get a fresh start.

While I think there are some elements of Donny Cates story that work, I think what dragged this book down for me was that the tone felt off. As far as Venom is concerned, I'd rather see Eddie be the villain than a hero. This book hasn't really sold me on the idea that Venom is a "lethal protector" and tries to do too much, which is a classic Marvel sin. Where ever they decide to go with the story next, I hope it tries to bring Venom back to basics.

There is a lot of other great character moments as well. I like the confrontation Eddie has with his father and the dive we take into his past. We're reminded that Eddie's life was troubled way before he became Venom. If you think about it, his past might even be the reason Venom was birthed to begin with. Towards the end of the issue, Eddie deals with some unexpected revelations. I'm looking forward to seeing how the Abyss arc dives into the family drama down the line.

It's the issue's ending that is a cause for concern. It looks like Cates is diving back into the same strange territory that he reached for in the Knull arc. He appears to be straying away from the more grounded story that the past two issues have given us, which kind of sucks considering it's the most enjoyable part of this arc. I'll reserve my judgement until we see where the story is headed. I'm hoping Cates can pull it off this time, giving us a Venom story we can look forward to.

I'm down for more solid one-shots of Venom like this. While each writer has different takes on the symbiote, they all manage to stay consistent with his character in a way. In a way, they all portray him as a sinister figure and walking nightmare that likes to play with his victims, whether he is doing good or bad. If you are a fan of Venom, you should do yourself a favor and give it a read.

In the end, it's just business as usual. X-23 #1 is a solid issue. I wish the were more behind the start of a new series but continuing the same kind of storytelling we got in All-New Wolverine isn't bad either. Also, without spoiling too much, the villains for this first arc are an excellent choice. They play well thematically to Laura's story and I can't wait to see more as they come head to head with Laura and Gabby.

At least by the end, after a great scene drawn by Cabal, the confrontation with the Cuckoos escalates. Their story is pretty interesting as they deal with their own clones issues. It will be great to see Laura and the Cuckoos' separate ideas of what it's like to be a clone clash.

While I still feel like X-23's story would have worked if Laura was still Wolverine, I'm going to put that issue behind me for now. Tamaki knows the character well and is giving us a great arc that finally has Laura confronting her past rather than just running into it. Honesty, my only gripe is that there wasn't enough Gabby. There can never be too much Gabby.

We're a bit light on the action but the team delivers another solid issue of X-23. Putting the focus on the Cuckoos and their own internal drama was a good idea. So far, they've been compelling villains for Laura, and it's nice to get some insight on them. Now, let's get Gabby back into action before you make a grown man cry, okay?

Gabby is a bright spot and change of pace for the Wolverine lineage of characters. In the end, I'm glad that she's back in the fold, musing about clone dynamic and cracking jokes.

Still, the predictable plot doesn't stop the issue from being enjoyable. It's mindless superhero action at its best and a fun little distraction until the plot comes right back around. If anything, readers should pick this issue up just for the Gabby quotes alone – always golden.

Leah Williams writes a damn good investigative book. I especially like how this new incarnation of the team ties so well into the X-Men's new status quo. Just about every member's power is built for solving mysteries, and the cases are sure to get more interesting with the world looking at mutants differently. Also, Daken to the team as a wild card is already proving it's worth one issue in. For me, X-Factor is off to a good start with a premise that's sure to grab any fan of the X-Men.

More than the first part of X of Swords, this issue of X-Factor feels like it carries much more weight. The stakes are definitely higher as readers learn the real threat that Outworld and the coming war present. What's fascinating is that Williams still manages to make his part of this event feel like X-Factor. The investigation into the event that disrupts the resurrection process is compelling. From that point on, the event really gets some momentum going, and we can wrap our heads around the wild premise it's leading to.

It is a bit weird seeing a full-fledge X-Force mission in a post-Dawn of X era. Considering that the X-Men are practically unkillable now, things like Quintin Quire's severed head lying five feet from his body has less of an impact than it would have before the mutant nation's newfound immortality. The meaninglessness of death also makes it feel like the mutants have become a lot more reckless. We might be seeing the members of X-Force die a lot more often and that can get old real quick. Thankfully, Benjamin Percy is doing a stellar job with X-Force so I'm confident he'll keep the book feeling fresh.

It's really an interesting contrast that Percy depicts. One side of X-Force deals with how much pain and suffering they are willing to go through for the mission, meanwhile, the other half try to stay morally afloat in the hard decisions they have to make. Krakoa and the X-nation is only in its infancy, and as the threats become larger, I wonder how much is too much for the team to handle.

One of the reasons I feel like X-Force is such an important series in the new line of X-Books is definitely because of the threats. In X-Force, we get to see bits and pieces of how the world has adapted to mutants' place in the new world order. That includes the lengths governments and organizations of the world are willing to go to make sure the nation fails. The new villain Mikhail is a step towards seeing just how that unfolds. As we learn more about him, the organization plotting against the mutants, and their plans for Krokoa, one thing is certain. X-Force is the book where the fight to keep Krokoa alive takes place.

It's a fun mashup that succeeds at piquing my interest. My only concern is that it follows House of X's plot too closely. I'm hoping that the series isn't just "Hey let's follow House of X exactly but with the '90s style and most famous characters. Yes, X-Men '92 was famous for adapting classic comic arcs to the letter, but as it continues, I hope that the plot unfolds differently. It would be a waste not to change the outcome of events now that you've placed it in this era and surprise readers even more.

It also seems like the X-Men are scrambling as well to fight these new threats as they come. Watching Sebastian and Cyclops get their asses handed to them by four old women past their 60's was not something I was expecting to be a highlight for this issue. At the end of Powers of X, Moira proclaimed that mutants always lose. It's becoming harder and harder to keep that fate from happening. However, that's the fun of this book. Watching the X-Men fight to protect this new era for mutants, even with fate stacked against them. Protecting paradise doesn't come easy.

While nothing too dramatic or outlandish happens in this issue, artist Mahmud Asrar manages to stun with his artwork. It's hard to explain but there is a seriousness and grim tone to his art, which makes you focus and take it all in. X of Swords is reaching its climax soon and this issue should only make folks more excited. I'm hoping the actual tournament can keep the momentum going.

Of course, things go wrong on day one inside the vault. In the issue, Sync is definitely the standout. Hickman puts the story in his perspective and that is a great choice. Once again, the characters and stories that add to the nation of Krokoa's growing abilities are my favorite part of the book. As a newly resurrected mutant, Sync definitely adds another layer to what mutants are capable of following resurrection. The revelation towards the end of the issue raises some interesting questions regarding mutants and their powers.

Instead, Marvel seemed to have other plans. The latter half of the book feels like Marvel just showing off its celebrity friends. It's a bit jarring seeing folks like Eminem, George RR. Martin, and Kevin Fiege in a comic book, drawn very realistically. However, these cameos do serve up a great moment for Scott to lay out his journey and what the X-Men are all about. It's a great moment that adds to a pretty cool issue, showing the X-men at their best.

I'd consider X-Men/Fantastic Four #1 a strong start to this mini-series. Zdarsky plays really well with the idea of what family means to both groups. The Fantastic Four's family dynamic gets a lot more complex and layered. With Franklin as the central focus, we get to see a teen struggle with betrayal, trust, and discovering who he is. As a powerhouse, it's only going to get more complicated from here.