I really hoped for great things for the first issue of Dark Engine. From the first preview of Biven's art I was hooked. However the pacing and flow of the issue especially for being the first is really hard to follow. There are times of brilliance but for the most part I was left confused. Just as the story gets going we are left with 9 pages of fantastic art but with no clear idea of what just happened. My hopes are still high for this series and I'm hoping issue 2 is better. Full Thoughts and Preview at Images Unplugged

I really want to like this series. John Bivens' art is interesting and fits the story that Ryan Burton is trying to tell. The problem still lies in the actual story we are reading. This issue does better in fleshing out the story, but not enough IMO. We are told a story of a tribe worshiping Sym, before it goes back to her creators and learn about poison spores instead of Sym or the Death Engine. I hope things change next issue, or I for one will be dropping this series. Full Thoughts and Preview at Images Unplugged

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I really wanted to like this issue after seeing the trailer it seemed like it would have a nice Grindhouse vibe going for it, however Tazio Bettin's art and Victor Gishler's story are nothing spectacular. Bettin draws like any other UK/Heavy Metal artist. While not bad just not to my liking. Gishler on the other-hand has a great idea and concept going, but the main heroin just isn't interesting or even likable for me. I really enjoyed Gishler's Kiss Me Satan, and hoping it's just first issue hiccups. The book has it's positives and I'll be looking out for issue #2. If you want to read something different about a post-apocalyptic world that includes giant Crawgators, give Sally a try. Full Thoughts and Preview at Images Unplugged

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Images Unplugged Cover & Solicit 3/5 Art, Colors & Inking 3/5 Layout & Flow 4/5 Story 4/5

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Images Unplugged Cover & Solicit 5/5 Art, Colors & Inking 3/5 Layout & Flow 3/5 Story 3/5

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- For additional ratings and previews of this issue, visit my blog at Images Unplugged

- For additional ratings and previews of this issue, visit my blog at Images Unplugged

- For additional ratings and previews of this issue, visit my blog at Images Unplugged

- For additional ratings and previews of this issue, visit my blog at Images Unplugged

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- For additional ratings and previews of this issue, visit my blog at Images Unplugged

- For additional ratings and previews of this issue, visit my blog at Images Unplugged

Images Unplugged

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- For additional ratings and previews of this issue, visit my blog at Images Unplugged

- For additional ratings and previews of this issue, visit my blog at Images Unplugged

- For additional ratings and previews of this issue, visit my blog at Images Unplugged

Images Unplugged

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- For additional ratings and previews of this issue, visit my blog at Images Unplugged

Images Unplugged

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- For additional ratings and previews of this issue, visit my blog at Images Unplugged

- For additional ratings and previews of this issue, visit my blog at Images Unplugged

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Images Unplugged

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Images Unplugged

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Chronos Commandos Dawn Patrol 8.2 Images Unplugged

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The gang is back together. After a single issue hiatus Laura Braga is back with Betsy Gonia and Ron Marz. I'm glad to see her back and in full form with her beautiful rendition of the Witchblade. Ron Marz does a great job with the story, however I did find the initial jump right into action a little confusing considering where we left off last issue. This issue builds on the events from the first arc with the Angelus while also opening the door to the upcoming Darkness Falls arc. The final pages alone make me with it was September. Now is the perfect time to get on board and add Witchblade to your pull-list. Full Thoughts and Preview at Images Unplugged

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A1: Weirding Willows 8.1 A1: Carpe DIEm 9.8 A1: Odyssey 7.2 Images Unplugged

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I have enjoyed Aphrodite IX's reboot since issue #1 and this issue is no exception. Sejic's art is beautiful, and Hawkins does an outstanding job of telling a story and creating this unique world of cyber vs genetics. I highly recommend you check this book out. - For my full review and previews of this issue, visit my blog at Images Unplugged

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Review (Originally Posted on Images Unplugged) Cover & Solicit 4/5 This issues cover is drawn by the awesome Marc Silvestri. It depicts Ripclaw in the final clings of live as he reaches out for his already dead family. Art, Colors & Inking 4/5 Like last issue, the art was done by Marco Turini (Squadron Supreme, Ant Unleashed) who took over for Marc Silvestri. Marco's art again has me on the fence. The characters look good, and he draws the techno-cybernetics great but there seems to be a lack of detail. I'm also not a fan of the coloring done by both Andy Troy (Spawn, Wolverine Origins) in this issue. For a lot of the issue the colors came off really dark, while other times the colors vivid and well done. I had a really hard time telling the time of day in the issue because of this, in one scene it was bright but in another it seemed overpowered by shadows and ark colors. While it seems like I don't like the art it's not horrible and still very appealing. Layout & Flow 5/5 I really appreciate that Top Cow takes the time to put in the little previous issue pages. While yes it does take one page away from the comic it helps not only new readers get involved but also everyone else as this is a bi-monthly title, meaning it's been a whole month since we last read issue 7. The pacing throughout was great and easy to follow. I enjoyed how this issue slowed down a little bit and provided more backstory and information on the characters, considering this a reboot most of their history is completely different from the original Top Cow run. Story 5/5 Marc Silvestri (Uncanny X-Men, Wolverine, The Darkness) still takes on the writing duties for this issue. This issue starts with a flashback to Killjoy's origin and how she is associated with Cyber Data. Marc does a nice job or introducing her new origin, and also shows a history with Ripclaw and how they met t

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- For additional ratings and previews of this issue, visit my blog at Images Unplugged Cover & Solicit 4/5 This issues cover is drawn by the awesome Jeremy Haun who also pencils the issue. It depicts Charlotte holding a gun to Jackie's daughter Hope. It's a very nice cover a representation of the art that Haun provides on the issue. While the events don't play out exactly as depicted it is slightly related. Also due to the delay in this issues release the solicit is slightly off, as Jackie received the Darkness back last issue, and we really don't see the virus running rampid, only a few of his doppelgangers zombie minions. Art, Colors & Inking 4/5 This issues art was done by Jeremy Haun (Artifacts, Berserker) and colored by John Rauch (Invincible, Star Trek, Venom). Like prior issues I have no real complaints. The colors are vibrant and the images of The Darkness and the Darklings have a very creepy and demonic vibe. Jeremy also does an outstanding job of showing facial emotion in the characters. Layout & Flow 5/5 As always I really appreciate that Top Cow takes the time to put in the little previous issue pages. It especially helps with new readers and when a title is delayed or bi-monthly title. The pacing throughout was great and easy to follow. I enjoyed how this issue picked up the pace as we gear up for Darkness Falls. Story 5/5 David Hine (Spawn, District X, Azreal) takes on the writing duties for this issue. This issue starts shortly after issue #115 with Charlotte being attacked by the Evil Jackie's zombie minions. I was slightly confused last issue, but Hine did a good job of making things clear even to a new reader like myself. We find Jackie commanding this minions to stop and allows Charlotte and Wilson to escape. Hine then takes us back to Jackie, and Hope asking about what is going on. Jackie explains and asks Hope what happe

Images Unplugged

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