There is one massive and a few smaller stories to discover in the pages of 3Keys #1. Reader's know from the prologue there is one key we haven't met yet. Also, there is the question of why Dale and Noah's mentors "train them differently. Noah parties hard and isn't hard on the eyes. But with the multiverse at stake hopefully there is more to unlock.

As the star of A Man Among Ye, Anne does not disappoint. Her fiery personality makes her a dominate presence on the Kingston. The tension among the crew and how Anne handles it are just enough to keep me interested. As as result of this continued attacks on ships, Jack and his crew have an enemy in the Governor. Clearly mutanty is aboard the Kingston. A stowaway provides a hint at how Anne may have to question her loyalty to her crew or her code.

With the last few panels of issue #5, Ryder's story and the series come to a conclusion. At the parting shot, as she recognizes her fate, readers get a glimpse of Ryder's eyes which are yellow. But, there's no denying even up to the end, she did it her way.

Issue #1 of Alienated showed us how alone, how different, how “alienated” each of the Sams are. With this issue one of them is beginning to act a little more “alien”.

Alienated # 6 concludes this series from Spurrier, Wildgoose, May and Campbell about not belonging. Just like the series our time here is indeed short. It's important to remember as the title indicates there is a purpose for your presence. If for no other reason than to enjoy the “Aiis Cream”.

One thing you may notice is there are always some dark shadows that creep the panels All Eight Eyes. While most of this issue takes place at nighttime, Brad Simpson even slips this into scenes during the day with lots of activity or where there is a light source; settings some spider species avoid. This creates an almost subconscious suspicion there could be a spider crawling somewhere on that page, waiting to pounce. You may even notice yourself looking for webs, because once you know there is a problem somebody should do something about it, right?

An Unkindness of Ravens looks to provide some supernatural suspense for the spooky season. Part missing person. Part hidden history for the town of Crab Eye and Wilma. Issue # 2 just doesn't see enough magic for me.

This issue feels like a scenario from the NFL playoffs or the upcoming Super Bowl. Wilma finds herself called up from the practice squad. Is she ready for the game of her life because " it already cost her sister hers?

A quick note of the cover shows a heading of Ring of Fire. As a fan of the show I think I have a good idea what comes next. Like Skip said, alot of lives coming together. Angel might want to ask Lilith to help him finish his list of allies, I think someone is coming to Los Angeles.

I enjoyed this issue because of the continued emphasis on Spike as a much deeper character. This issue shows less of the angry pitiful individual and instead someone who has accepted who they are. Taking into account all that has happened to them and all they have done to others. Used to be Angel's thing, thankfully we have the addition of Spike for that now.

I am excited with how malleable this comic is showing the Angel mythos to be. And although the "multiverse" is becoming a common trend I am always up for another trip to prove what is possible. However, a 5 issue run raises the same problem Angel and Cordelia argue about in this issue. With only so much time to tell a story, who is the star? I mean the show (and comic) is called Angel.

I am excited with how malleable this comic is showing the Angel mythos to be. And although the “multiverse” is becoming a common trend I am always up for another trip to prove what is possible. However, a 5 issue run raises the same problem Angel and Cordelia argue about in this issue. With only so much time to tell a story, who is the star? I mean the show (and comic) is called Angel.

I enjoyed Ascender Issue 10, the sketch art style ensures each panel has the perfect amount of imagery never feeling overcrowded. It's a very subtle technique that forces the story to stay focused on what is important on that page. The door is opened for the next arc while closing out things between Andy and Eff in a few spectacularly beautiful panels.

With Astonishing Iceman #1, Steve Orlando's story slides between the scenario's the comic introduces and real world situations. While Bobby sees Orchis goal as singular, Romeo is a reminder that their mission is much grander in scale. Romeo knows that organizations, like Orchis, whose message encourages hate, intolerance and oppression by stoking fear, are never content to neutralize just one minority, outcast, outlier group or radical thinker. It just begins with one. And for now there is only one X-Men actively braving the conditions Orchis orchestrates. Unfortunately, following the Fall of X, the forecast isn't suggesting many sunny days for Marvel's merry mutants anytime soon.

This issue shows how the creators found a clever way to utilize those disappearances.

Big Girls # 1 forces you to focus on the follies of man. Or as Ember states it “Men….The Giant Insane Monster Men”. It also brings up the conversation of what matters, is it only the massive that has meaning. Or should we take measure and look for meaning in the miniscule as well.

Both the final panel and its words caused me to pause. The glee on the face of the infected along with the proclamation pose a serious question.

The young defense attorney, I assume they named him Perry, representing his father. An unfortunate and desperate situation led Benton to Docktown. A chance encounter providing him the opportunity to take care of his son, his wife. Amazingly it seems his solution is a drug that does what the name says for once. Bliss provides ignorance….and in a bad place like Docktown the individuals that Benton encounters seem to believe that is Bliss.

Chapter 3 of Bliss showcases why this series has been a great read to me. It asks the reader to stop drinking what the “lords” give us, to look at the world around us and realize the depths we have and are willing to sink to.

Bliss has the power to cause it's users to forget. Benton had to remember why he started dealing it in order to escape it's grip. Love isn't a word often associated with addiction but it worked for Benton. It worked for me.

There really is no closure, this is the song that doesn't end. A beautiful, if tragic, melody.

Bomb Queen 3 has just as much action as it does character examination. The issue ends with a battle between the White Knight and his teammates with Super Team Patriot. Robinson uses this battle to continue the conversation of path that could end with Bomb Queen as President. The most interesting thing is that just like everything else presented it is exactly plausible in comic and our reality. Proving sometimes you don't have to be better to win, you need to be worse.

With the Hellmouth concluded and current events set to lead into the Ring of Fire for both this comic and Angel the call couldn't have come soon enough for".Kendra the Vampire Slayer.

The only shortcoming in this issue would have been it lacked any actual slaying action. I briefly believed this was a fake Joyce picking up Buffy from school, the only real tension this issue. Buffy's dream and the reveal on the final page are welcome hints to what is about to come. Between these and the hilarious note from Anyanka to start the issue, I agree with Jenny that things aren't right…I'm just okay with it.

Bellaire and Lambert continue to find ways to blend classic elements of the television show with new variations.

The decisions Buffy makes in this story and the implications they have seem to be in conflict with everything we know about Ms. Summers. It was an unspoken idea that she survived longer than others because she did things differently. Now it seems less like she was making decisions and more like destiny.

I can't say this issue didn't leave my brain a little scrambled. But given the Watcher's handling of Faith, I think that is the intent.

Natacha Bustos and Eleanora Bruni maintain the familiar character details that flow though this comic as well as Buffy and Angel+Spike. This consistent take on the various characters in the series means when a guest shows up in the issue you know who they are. The appearance of Xander continues to hint Sunnydale isn't far removed from this series. I feel this is one of the main strengths as this series seeks to provide a conclusion for Willows confusions. It will be interesting to see how her journey in Abhainn impacts Willow and what transformations will ultimately occur for Ms. Rosenberg.

Time and timing is an often overlooked component of many aspects of our lives. Take for example this issue, this series featuring Willow by Boom Studios. For it's part this comic delivers an opportunity for a critical piece of the Scoobies to come to the forefront. Unfortunately, it is that very term, "delivery", that prevents this experience from being as truly satisfying as I initially hoped for.

Children of the Vault #1 takes advantage of the tragedy befalling mutants to present Bishop's plight since arriving in the present. Writer Deniz Camp capitalizes on the comparisons that are present between humanity's various "people of tomorrow in the series. Since his arrival from the future Bishop's methods were more volatile than his fellow X-Men. The same could be said of Cable. Like the mutants and the Children there is a major distinction between the treatment of these two time displaced mutants. This was even more apparent once Cable was "fathered into the X-Men. But isn't it truly in keeping with the way of X to look beyond the way things appear. The illusions of acceptability or the prejudices they produce. To examine the intentions of the individual in an effort to understand their motivations.

Detective Dunes suffers a loss at the beginning of this issue and clearly this was not the first. Now as he looks for answers, are the creators of Clear showing readers the importance of the things we dismiss without even a glance, while living the lies of the illusions. The things we miss. Or will.

Each section feels more like a selling point than a story meant to showcase someone. While each artist who lends their talents to these tales present some seasonal stories, they don't actually capture the success of other horror anthology comics.

After witnessing the events of Order and Outrage #3, it is hard to escape the feeling that there is a hand at work; in Alexis' journey and maybe even your own.  And if something is unfolding, even if its origin or alliance is unknown, doesn't it denote some directive.  Of course this becomes difficult when you associate it with terms like right and wrong or good and evil; bound by moral ambiguity.  As Alexis powerfully displays, Order and Outrage #3 is what can happen when you move beyond folkways.

Latoya Morgan and Boom! Studios don't reveal much in the first issue of Dark Blood. But from what I've read so far this comic is about a substance, a material that is more than skin deep.

Dark Ride #1 is a mix of the fun and fear that we associate with the spooky season. But Devil Land is a business and like any new job it has a few slow moments which could leave you wondering if you're coming back tomorrow. Watching Owen's first day may not earn Devil Land the title of happiest place on earth however it makes him, and others, happy so it can't be that bad?

I have always seen Black Bolt as an intriguing, powerful but hindered character. His power has placed him into a position of powerlessness at times that is only rivaled by Cyclops. Now by choosing to aid the other hero's efforts to stop both Doom and Chthon, Black Bolt stands to lose everything including himself. Trapped in his own head, unable to express himself vocally because of his power, his mind becomes every bit of a prison as the planet Terros is for the Inhuman king.

Between her participation in the Trial of Magneto and this series it would be hard to not notice Wanda is trending in the Marvel Universe. The only concern is that after the events of Darkhold Omega # 1 it may be for all the wrong reasons.

Image's Decorum 2 feels like a mashup of so many fantastic sci fi entries. I felt hints of Heavy Metal, MTv's Liquid Television and the Fifth Element as I read through this book. Decorum delivers a universal creation story, with varying art styles told from different perspectives. It will be amazing to see how the inner story of Mrs. Morley and Neha impact the larger story of the Sisters and Ro Chi's master.

If you read the solicits this comic could sound weird bordering on gimmicky. More often than not a character gets used in story because they weren't being used elsewhere. That is far from the case here. If the comparison between Otto and a member of the Four's extended cast didn't exist before today, it does now. It will be interesting to read how Otto fares against one of him who will always view him as “Inferior”. Good thing he has a team of him now. Because in order to get back being “Superior” he will first have to be “Fantastic”.

The term djinn (or English genie) refers to a variety of spirit entities. At times it is difficult to determine what portion of the lore is actually the truth. I found myself discovering that is what made this comic magnificent.

Readers will leave Issue # 2 experiencing a epic confrontation along with some engaging exploration of the djinn mythos. Zara's narrative indicates how human's casual commentary create an opportunity for the djinn. My review of issue # 1 indicated it was low in terms of action, something duly noted by Jay Sandlin. What seemed like a mere promise of more in issue # 2 can now be confirmed as both a wish heard and granted. In regards to Zara, Djijnn Hunter # 2 proves there is a lot of hunt in this Magehound. How long will she remain on the Council's leash remains to be seen?

While 1952's Duck and Cover mentioned a warning would sound before any of America's enemies dropped a bomb, Dark Horse Comics series' narrator explains that after years of nothing but fear mongering people began to ignore the sirens. When you consider that schools during the time did drills similar to today's fire and active shooter scenarios it is easy to understand how people, especially children would stop paying attention. But as Bert's narrator reminds the audience several times, and as we see in this first issue, seeing is believing. So when you notice the flash you know what to doit's time to Duck and Cover.

Clearly Williams knows exactly what Echolands should look like. Along with Dave Stewart what is showcased in this opening issue is a sight to behold. Each image is colored (or not) and drawn authentically as it would in it's original production.

Eve # 2 is a fantastic comic beginning with the concept/storytelling and continuing with the delivery of the captivating illustrations and art.

Eve Issue # 3 continues to tell a tale which is as equal parts entertaining and engaging. The final pages found me contemplating a question not only for the comic but for humanity. Despite the progress she has made on her journey, is Eve close to her mission's completion? Or has she only just begun, with the hardest part(s) still awaiting her.

Victor LaValle has crafted a comic that is fitting of a bedtime tale. The artwork from Jo Mi-Gyeong and Brittany Peer works brilliantly when viewed this way. Each image, from the Vault emerging from beneath the sea to Wexler's fate, help capture the truly inspiring nature of this story.

This being my first issue of Exorsisters I wasn't quite certain what to expect. I found this issue to contain just enough blend of humor, mythos and storytelling to capture my interest and have my awaiting the next issue. I have to admit I felt at times I was reading something of a female lead Supernatural episode and that certainly helped with my enjoyment.

The cost to the House of X has been great during The Fall. As we enter Winter one wonders if it can withstand anymore trials.

Flawed #1 is a look at a city and a would-be savior. But how far is Dr. Gem Ezz willing to go and is this the only way? Of course her initial threat may not be her only one for long. Just like the opening of this issue suggests you can make the wrong decision if your vision isn't right.

The search for and completion of a quest is the goal of Ansel in the pages of Folklords. Issue #4 explores those who aid the hero on their quest. Are they abandoning their own quest or is this the beginning of it?

FrontiersMan trudges through the wilds of social commentary. The activist approaching FrontiersMan allows the hero to explain all that can go wrong when you set out to make a difference. We see how easily it is to become overwhelmed from the weight of the responsibility. And also how you make yourself an enemy to everyone. A later conversation with Professor Unicell, another former member of the Bold Travelers, makes that message clear. He mentions how the villian Barhos once said to him that people behave how they want to. They are even willing to become a hysterical mob. All it takes is a nudge.

G.O.D.S. #1 shows you don't have to change the hierarchy to change an entire Universe.

Much like sacred texts, Ghostlore can feel complex and confusing. With everything the Agate family experiences in this issue, answers are absolutely necessary. And yet Bunn offers few, most importantly the epiphany that Harmony receives that evening from Chris and the assembled ghosts. I cannot bear these burdens alone.

Between God of War III (2010) and God of War (2018) several things have shifted in terms of Kratos demeanor. The “Hello, Old Friend” trophy shows he isn't free of his physical burden and yet he is at peace. Dark Horse's God of War: Fallen God # 1 seems like the beginning of an end.

Issue # 3 while lighter on action does bear witness to what I suspect is a change in perspective for Kratos.

Matthew Erman has taken something so easily taken for granted and turned it into a commodity. And while it isn't being sold on the stock or black market, it is very interesting to see what the world would be like without this for lack of a better word "phenomenon".

Tales of Terror Quarterly is a massive issue at 74 pages. To tackle the duties of illustrating this issue Zenoscope has an team per tale. Xavier and Araujo see to detailing the maniacal modern mystery at the Gemini while Otero and Andrade produce the historical horrors of H. H. Holmes. If not for the clear changes in centuries I doubt anyone could tell one team from the other. These talents are part of this reason this story comes together so cohesively.

Harrower #1 features the type of town that won't allow temptation to take the apple from the tree. For the settlers and curreent elders of Barlowe , NY something like the Harrower is more pleasant, and necessary for their prosperty, than being unpure. In order to make a hedge grow, you need to prune it.

It's already too much to accept the concept that it seems you're working just to make a living. It's something else to realize that there is truly no rest for the wicked "In HellSouls are Slaves according to MaCready. In Hell to Pay, readers learn that money makes the underworld go round; causing chaos in ours. Maia and Sebastian only want to get out of this hellish business clean. However, as the Stone's story shows that nothing in life is free.

Hell to Pay #5 ties the knot between the world of love and business. Proposals and partnerships exist in both, often allowing one party to emerge as the primary beneficiary.

Hell to Pay #6 serves as the finale to the Shrouded College Book 1. Though the Stone's were hoping to settle their account and some scores, Maia has accrued additional debts during this ordeal. She must have read somewhere that if you want to be rich, you just have to serve more people.

Reading Hellcop # 3 I can't help but find similarities to the film Minority Report. For instance both stories show how humans are quick to take advantage of powerful forces to our own ends. Also, both stories involve an innocent turned wrongfully convicted on the run. The only thing difference the two is the charismatic character to deal with the conspiracy.

Hellcop is a series about the soft spots in our world. The places here that lead elsewhere. That touch upon, that encroach upon other realities.

Which-Where's wish feels like Robin Williams' Andrew in Bicentennial Man. Each offers up some small portion in order for something more. But instead of a pound of flesh, the issue indicates exactly what Which-Where offers her new user. Hexware transforms the ghost in the machine into a poltergeist.

Hidden Society # 3 is a great comic. It has several action sequences, a car theft, a shootout with police, explosions. Rafael Albuquerque and Marcelo Costa work to make the characters and sequences jump of the panels. I can't find a single complaint with the art in this series, it is consistently amazing. Unfortunately, when I see characters as interesting as Mercy and Laura and Orcus I can't help but wanting a little more to be revealed.

Home Sick Pilots # 1 has laid the groundwork for a very unique scary story.

Issue # 4 may have seen the turning point for Ami and the Old James House in more ways than one. Both Buzz and the Monitor(s) (me again) seem interested in retrieving some of it's prior possessions. Also this issue shows that Ami's safety takes precedence over retrieving Ghost # 6, Ami's original mission. Is the Old James House choosing what stays and what goes? They say it's the little things that make a house a home.

We have seen how Incredible he is. We discovered that he is Immortal. But for the first time we are seeing an Irritated and Irrational Banner. We always heard we wouldn't like him when HE is angry. Readers are about to find out why.

It's Kill Bill meets Clash of the Titans in Hunt. Kill. Repeat.

Welcome to Hyde Street, where the monster isn't only at the end of the book. One may also live in a house at the end of the block.

Josie Campbell has created a story which every comic book fan can find relatable.

While Jane's tale is the main focus of this issue, bedtime story 3 is my favorite. Fans of Seuss and Snoop should enjoy. As for me, all I can say is “I won't I won't oh Gremloke like Rick James said it ain't no joke”.

As Julie experiences each calendar day, the gift seems to echo her dreams and day. Her fears and reality slowly mix. Given the nature of the story and the decisions facing Julie, this issue never felt overly preachy, except for the actual preacher. Instead, Prince opts to let the reader learn our own lesson and take our own message from this issue. Ending on a somber note, I felt the question being asked of Julie and everyone is what are you celebrating?

With the latest issue of Ice Cream Man this Image series continues to serve up questions about our society.

Immortal X-Men #10 takes readers into an area few have ever entered. After seeing the reflection of Xavier's mind's eye, will you be able to look at Charles the same ever again?

It is said it is better to have loved and lost, but that's taking someone else's perspective on something that's personal. Only the individual can truly appreciate all that someone, or something has meant to them; the loss they now feel. If only there was a way to make this into a healthy relationship instead of this nothingness. A good portion of the pages of Immortal X-Men #17 from Marvel Comics echo this exact sentiment.

Always searching for redemption, The Incredible Hulk #2 is a setup for Banner (and Hulk) to go from Fractured to Prodigal Son. As two conjoined entities, who for years wrestled for a sense of self, at the expense of the other, will they finally find a way to coexist? Or will the Mother of Horrors leave them both a shell of their former selves.

With unpredictable factions and unions among mutant leaders forming constantly, new threats (and probably a few old ones we haven't seen again, yet!) the safety that seemed certain on Krakoa is gone. The mutants only hope may rest on whether Douglas Ramsey can repeat what Professor Xavier asked of him when he first arrived on Krakoa. Can he figure this one out?

The action of the issue begins with the emergence of the cat. From earlier panels of the issue I can attest to abilities of Kubert. So the cats illustration is a stark contrast. Instead of the detail previously shown this issue, the cat has the form of the cat, not necessarily the definition. I am glad the Seeker says cat otherwise, I would have wondered if it was just me that saw it as a cat. I found this small artistic change playfully hinted at this comics message. Between that and the Seeker's dismay, I suppose that's why Inkblot # 1 made me think of a Rorschach Test: it speaks of the chance to write your own adventure, to see what you want.

So much of the second part of the issue works well once you understand the premise of the series, it's unfortunate that it feels so awkward until it doesn't. Inkblot as a series has the beginnings of a fairy tale anthology. I am excited to see how much of this has to do with the Seeker's longings for a story her own.

I enjoy this series for it's balance of monsters, magic and mystery; the art and dialogue, too. This team has developed a series that knows when to speak and when to show you where to look. Following along the action, the story speaks through the images. Then, only when necessary, a conversation or commentary helps give additional clarification to what was witnessed.

It Happened on Hyde Street: Devour is a heaping helping of a dish best served cold. The creators lay out a feast of the unfortunate pressure put upon women in terms of their weight. How the battle of the bulge is really the result of eating your feelings and swallowing your pride. So as she struggles to make her wedding dress weight, Lily is engulfed in her matriarch's struggle to be the perfect size.

This is a well crafted story and mythos that could stand with most traditional terror tales. Jim Henson's The Storyteller " The Myling is a both a wonderful return to a classic show while also providing it with a increase in intensity.

By combining tales of morality with the supernatural, Jim Henson's Storyteller #2 continues to craft tales of things that go bump in the night. Seeing how the things that scare us came to be is an interesting way to present cautionary tales. Although it has been 30 years since his passing, the works of Jim Henson still amaze me.

As is the case with most Storyteller stories, the real monster or menace isn't always immediately realized. VER has created a tale of loss and terror by allowing most panels to have a dark tone, while still allowing light to peak in. This is a tale of a grandmother's hope, of a promise to keep. Still, there is a glimpse of hope; a promise may be kept. And, as the final story for now ends, the Storyteller reminds us how we may always be reminded of them, always.

Deciding to detail the earliest of stories, Jonathan Rivera's story is of, to quote the Storyteller, "our very existence." Jade Zhang does a fantastic job detailing this epic folktale as this West African deity has no shortage of adventures to relate.

To disregard Disney's antiquated attraction is to disrespect what it showcases - our very ability to progress as individuals and society. Similarly, I feel the same way about the fabulous frontier presented in Killer Queens # 1. It is a testament to progress in regards to where we are now in light of how far we have come.

Within the pages of this issue so many emotional conversations take place and the artists capture them perfectly with close ups of the characters faces.

Lovesick is a stunning visual comic. Most definitely explicit, some may say excessive. What isn't excessive is the lettering. Other than dialogue and chatroom text this comic is narrative free. There isn't much need to explain most of what this comic contains is self evident. After this first issue, if you don't know now you know; notorious.

If there is any major drawback to the issue it's with the character herself. She spends much of the issue recovering from her wounds, only to discover upon awakening that the NEW Wolf Hunter wasn't killed as the gang believed. A drunkard adds enough salt to the wound for Lucy. If she believes her children are out there I can only hope that is what finally forces her to shake off her self pity. The events in Bristol were possibly meant to draw her out, hopefully she can make the most of the opportunity.

The Ludocrats # 4 is the type of comic that could first make you wonder, what were the creators thinking? What were they trying to accomplish? The reality Otto's story encompasses showcases the answer. Anything's possible, even a Penultimate Pen.

Marauders returns with issue # 1 in March 2022, with it's final crew member and a mystery which comes at the end of this issue. At least this may offer Kate (and us) a distraction from her gate puzzle. Or is it a clue to the reason? With the mystery taking place in the past I'm excited to read how Tempo and a time displaced Captain Commander of Krakoa fare. Until then Marauders Annual # 1 gives readers a hint at how well this series will be maintained going forward.

This graphic novel Mariko Between Worlds creative team explores an analogy of a familiar place external and internal. While offering this young couple on a trippy relationship revelation. Readers may not fully realize this until they arrive at the day's final shopping destination Le Petite Neant. The little void, something and nothing all at once. Like an empty store front, or a dead planet, it is merely waiting for a purpose. This moment is a metaphor for what Mariko has given and given up on to remain with Rem.

The first issue of Maskerade feels like someone "putting on a new face. Similar to touch up in the mirror, issue # 1 feels a bit like getting ready for the show. But if the series star continues getting all up in people's faces while putting her ass on the line , 'Bye, Felicia' and Maskerade can guarantee lots of views.

Masters of the Universe Masterverse may feel like an attempt by Tim Seeley to capitalize on the multiverse craze. But when you read the story, which benefits from some strong lettering from Derron Bennet, you'll realize something Seely has a mastery of the legend of He-Man. On Eternia and on our Earth. Because not only does this comic go back to cover some childhood conversations, it creates new ones.

Maw # 1 is a graphic opening with few hints on what the series has in store for readers. The psychologically startling nature of it's subject is not for all readers. However, I am amazed by the subtle ways the creator and artists used fleeting images and flashbacks to take on this topic. From the start we can tell something is eating away at Marion. I can only wonder what will remain of her by the final issue.

Ultimately MegaMan Fully Charged # 5 ends with dialogue aimed at presenting everyone's side. A fast paced battle partially delivers what could be the beginning of the next robot revolution. Much of the appeal of MegaMan for me was the robot and his powers. This story is more about his humanity and heart.

A nod to not only super villains but the lives they have to live after the heist. Crime may not pay but this looks at the cost.

The mine and it's destruction has something to do with Lady Hellaine's arrival. Lady Gloria's late husband and his research are part of the reason Lady Hellaine are in town as well. Is Lady Hellaine the product of his research? And why did she react to both Jon and Rory the way she did, and why was Goodwill so quick to make them both leave…he obviously doesn't want them near Lady Hellaine, but why? Lady Hellaine not being able to sense the “others” at the beginning of the issue only to have the reader discover why at the end is just one more thing that keeps this story moving at a wonderful pace. What makes this issue comic good is the subtle “not coincidences” Mirka delivers.

The tragedy at the mine is starting to look less like an act of survival and more an act of salvation. Mirka Andolfo has left a few details remaining as this series moves closer to conclusion. The mine, owned by the Swanson familly, being a bridge between the worlds is just one thing I look forward to learning about. Also Mr. Swanson and his experiments most certainly need to be discussed further. It would seem that all parties, the town, the creatures have a common enemy…the Swanson family. And well you remember what Kreese said about an enemy….

Mirko Andolfo's and Simon Tessuto's make sure each page is exploding with hilariously haughty hijinks.

This issue of Sweet Paprika does so many things new and refreshing. It is invigorating to see such an ensemble cavort so casually. However you start to feel the effects of what you're consuming. There are several emotions at play behind the playful tones in this book. I for one hope Paprika can break out of her rut. For now she seems to be less likely to end up on her back with as much as she has on her plate.

What happened, what went wrong and what are we supposed to do now? That isn't only a question Monomyth's characters are asking by the end of this opening issue, it is one for every person alive. And if we all can't find or at least figure out what was on those pages of the script, then how can we expect to be a part of the next blockbuster story. Because the main reveal in MonoMyth. That what occurs affects us all.

In Monsters Are My Business #1 artists Piazzalunga and Brakko capture the crappy, out of control world that it feels like we're heading towards these days. Bunn's script employs Tanner Grisholm as an everyday, ornery hero recognizing another task as required. A vet whose already been through enough attempting to protect the last patch of land the monsters haven't taken. Whether this is an actual occurrence or only a comic really depends on which dotted line you sign your name.

Nailbiter Returns 1 does an amazing job of introducing new reader to get adjusted to the franchise. It also appears to provide a new mystery that is compelling enough to entice fans back to Buckaroo. The child from the opening pages is now 30 years older. The darkness they are against, is it the law like Finch? The child of killer like Molly? Or are they after the Nailbiter and trying to lure him out of hiding?

The issue closes with a powerful image of the tainted blood in truckers heading out to unleash torment on the citizens of Portland. It appears that Hawke has everyone in “check”. After dispatching with Fake Warren I wonder if this is all just about teaching the world or does she want Nailbiter as her “mate”.

This new series from Image Comics is an eye opener to the hierarchy that our leaders create, using actions and words to keep us soothed and sedated.

Ahab's organization has assembled a group of criminals to teach them a lesson. With a cash prize is the goal to teach them to work with others or the errors of their ways? Given the lengths they have already gone to – an island full of traps and tracking technology – it doesn't seem like they are being very nurturing. Seems like this is just an example of Nature's Labyrinth.

New Mutants # 30 is a testimony to timeless friendship in spite of trials. From their awkward and uncomfortable beginnings this group has accomplished what few teams have. Willing to step up and take the reins yet still respect their elders. Powers that could place them on any other team but choosing to remain at home and humble.

During the Time And Time Again event, Dwayne has a solo arc which concludes in Night Thrasher #12. A time displaced Dwayne frees one of his ancestors who was a slave. Night Thrasher #1 from Marvel Comics may finally offer Dwayne's character his chance to follow in his family members footsteps on the day he was freed.

Life doesn't come with an instruction manual it does require tons of assembly. Sorting through the assorted pieces in order to figure out what fits where is a complicated and time consuming process. Paper Planes is both poignant and powerful. This young adult graphic is worth a read and will indubitably invoke emotions no matter how you identify. This is a story of transitioning through life; coming to terms with who you are. Paper Planes looks at the process of giving yourself openly and authentically to another without hesitations, because of the way they make you feel. About how all life's assorted expectations, the choices we make conscious and forced can end the flight, bringing it all crashing to the ground.

After issue #4, the story Way and Simon administer inside Paranoid Garden feels like American McGhee's Alice video game. A tale of a young woman whose mind is warped due to a tragedy. This allows people in power to spin the narrative, using it for their own political or financial benefit. Like bitter roots strangling the seeds the farmer sowed along the path.

Devin has some hard life choices to make. After the party in Plush #1, he has had a look at things money can't buy. He already knows love is on the list, but surprisingly discovers some LEOs have a price. This leads up to a course that threatens a future he can't afford to risk. It is a dog eat dog world out there.

Post Americana is everything that a country could be and not know it. It doesn't take much to expose those ugly truths and realities. In Carolyn we are given a character with a vision, perhaps a vision for Post Americana…or what is to become of it.

Image Comics Radiant Black # 1 is a stellar debut issue for this series. Hopefully we will learn the origins of Nathan's new abilities and more importantly why he was chosen for them. I imagine it saw something in him.

Artist Darko Lafuente and colorist Miguel Muerto have chosen to present Satomi and her world in lighter tones and less rigged outlines. How she ends up as "Red" is much different than how Nathan became "Black". I believe the artwork helps capture that essence by taking on a more somber and even sadder tone. This issue is less action and more about actions or should I say reactions.

One thing this series does well is the pacing of its reveals. Kyle Higgins has illuminated the inner working of the plot a little more about this issue.

Issue # 2 of Radiant Red moves beyond the emotions of Satomi's first few issues. Where her family was her focus, I feel this issue begins that change I was looking for. Readers need to look no further than the glare and furrowed brow on Satomi's face during Margo's speech.

Traveling back in time, Redcoat #1 gives audiences a glimpse at the Ghost Machine Universe as it starts. And if the spirit from 1776 is any indication then the other series are sure to be a force to reckon with.

As if the title of this miniseries wasn't indication enough, there is a bit of forshadowing for Harry's story. The dream sequence shared by Asta and her father hint one way this could go. Although the government agent sent to Patience seems to be closing in on the "person" they are seeking. One way or another it seems Harry is soon to receive a ding alerting him his driver has arrived.

They say love is blind and Rogue and Gambit #1 proves marriage is no couples retreat. Hopefully,this is a chance for the couple to forge forward, through the fire. Fires which their respective families are responsible for starting and fanning, including the most recent one. By placing their trust in Destiny they have to hope that by betting blind they aren't also bidding nil.

Rook Exodus combines Hitckcockian horror and space exploration to subtly suggest what historians, scientists and even a sci-fi franchise has been saying for years. We seek out new worlds and boldly go where no man has gone before.

Scarlett Witch & Quicksilver #1 asks readers to consider how much authority Magneto still has over "his children. As well as to consider the true definition of family.

Issue # 1 of Secret Seven reveals a few secrets for the reader. We learn the name of the aggressor from the opening pages. The consequences of boredom and drunkenness, which really isn't a secret to anybody. That there is a secret connection between Casper, Sigurd and Eva. That secret seems to be where most of the lies begin.

The Order is responsible for protecting a bunch of secrets. Issue # 2 makes one secret very apparent for Casper and the reader. Family matters.

There is no overlooking that this comic is a complete collaborative effort. Artwork compliments the dialogue, creating an emotional journey. The portrayal of Adam and Garils entwined fates was dynamically presented. The dialogue was never heavy, despite what I noted as some significant philosophizing taking place. This comic has the capacity to tell it's story by words or illustrations, a rare occurrence.

Chip Zdarsky's art showcases both the beauty and bleak that is the Quiet. Shadows on the wall, scattered pictures. All Suzie's memories are darker as if to say no matter how good they are, they can only provide so much light. Meanwhile, Suzie is highlighted in a pink luminous light. Here she is presented as both material and immaterial, she has to choose what she wants. All her yesterdays or a tomorrow.

For Zadie, the lead character of Image Comics new comic Shadecraft, the question is whether she is ready to step out of the shadow.

Cullen Bunn digs into the dirt and unearths a classic tone for a current comic. Channeling both the Crypt and the Creep, the two tales summoned up from Shock Shop # 1 follow some stereotypical setups. The pacing of both stories really felt like an early 80's horror movie, or comic. Modern horror finds a way to present threats as new arrivals to our doorsteps; Bunn, taking a lesson from Horror Masters, shows it was always close to home; and heart.

Sins of Sinister #1 features a stellar lineup of artists to cover all corners of the Marvel Universe.

They say it's impossible to resist the call of the ocean. The possibilities and prizes it offers are endless; as are the perils. There is truth to the narrator's words In Skull and Bones: Savage Storm #1 that no one can have the title to the oceans. During a time of tales made upon the untameable waters some will seek freedom in the only title they could own Pirate Ship.

Suddenly a familiar teen ghostbusting story shows a familiarity with the laws of the paranormal. A sinister spirit makes it's presence known and changes everything for the group. Now this team has a real situation to bring to their reality series. The collaborative team of Specter Inspectors have introduced a tale combining a search for the specter of fame with the risk of being possessed by what you're chasing.

The Call to the Kraken presents the chance to deepen the spy game that surrounds recent events on the island. The missing boy from the beach is just one of them it would seem. Based on her philosophical pillow talk, Nora is searching for a deeper meaning to her sisters arrival. Spy Island is a series with so much mystery like the island it takes place on.

Dark Horse has delivered a smart sophisticated and sexy spy in Nora Freud. Her dialogue is delivered with dossier diction, as if she was being interviewed about the events. And yet she manages to provide flare and flirtatiousness in her conversations that gives the heroine all the appeal of a spy.

The characters and visuals during the stage coach robbery were some of the most standout scenes of this issue. The violence during this portion shows how neither the ancient world nor modern times are free of blood, brutality and savagery.

In fact it was this type of Beautiful Mind state that Colin Shaw stayed in for so long that led his wife Lana to consider her own mortality before ultimately deciding to move on. Leaving Colin in a new state, one that's consistent with a how Standstill #1 asks each person, each particle to ponder, in terms of both efforts and existence.

Ghosts of Vader's castle feels like a classic 80s comic in terms of it's art style. The depictions of R2 and 3PO remind me of the seldom remembered Droids cartoon series. Including Jar Jar hinders the story because while I feel he is a misunderstood character he is also hard to write and therefore read. The same is true of Anakin who tends to be one dimensional at times. Of course his inclusion hints that whatever took place in Rubinero would no doubt find it's way to Castle Vader.

It's not unheard of for the first issue of a comic to present a problem for the hero. Stealth #1 does that in a much different way. It asks the reader to consider the hero has become the problem. I am interested to see the ssues of pride and stubbornness play in the characters decisions. Image has snuck a social commentary into the pages of a comic…that's the “stealthy” part."

Stealth # 6 keeps true to both of it's initial premises or promises. It began with Tony with one view of his city and what has not worked to solve it's problems. We meet Stealth, a hero out of touch with reality, confusing events. My initial review seemed to believe this was leading one way. Of the ways the series could have concluded this creative team snuck one by me with this one.

Complimenting Zdarsky's tale are artist and colorist Ramon K Perez and Mike Spicer. These two provide a brilliant panels depicting both the calmness and creepiness of Stillwater and the people who live there. Stillwater # 1 introduces us to a town where nothing changes. Unfortunately for Daniel and Tony, the townsfolk are willing to do anything to ensure this.

Something happened in Stillwater years ago. Daniel is the evidence, whatever this event is, it is not permanent. Stillwater # 5 proves it's easy to confuse someone who is doing the right thing with someone trying to stay in control.

Strange Academy #14 sets the stage for the next generation of magick users in the Marvel Universe to learn how difficult it is to master time. Especially since she is such a cruel mistress.

Syphon # 1, written by Patrick Meaney and Mohsen Ashraf, is a brilliantly crafted story.

With this first issue readers can expect to find many opportunities to pick apart each scene that De Julis' art offers.

While The Last Mermaid #1 doesn't indicate what environmental disaster or human act lead to this outcome, it was enough to eliminate what once made up over 80% of our planet – water, water everywhere. Now, to survive The Last Mermaid is going to have to find more than a drop to drink.

I have until this point not mentioned the defendant by name, partially out of respect to those lost. However, I would now like to mention what I now know about inmate Eddie Ray Routh after reading this book. He served in the military, and came back worse for the wear, the why's aren't mine to know. He smoked weed and that made him a loser, the pills and alcohol well everybody does those right? Two men are now dead because of his actions. This book's title suggests it's about the man who shot them, but this is all about Chris Kyle, the American Sniper. Stony the road we trod.

The Marked # 7 offers a glimpse into the beginnings of a dark descent. Somewhere in the events with Lovecraft are the details of Pope's soul. Saskia seems to suspect something but is clearly too young to see the truth. And clearly Lovecraft is not ready to reveal everything yet. I am interested to see how his situation with the Ka-Lo-Luh evolved and what it means for The Marked.

The Me You Love in the Dark # 1 is a brilliant and balanced beginning to this series. Ro Meadows is a relatable character speaking to shadows in a sad structure. But is it the specter(s) that may occupy the home she is renting or that of her own success she is seeking to communicate with?

More pages of this issue are occupied with art than words. This allows the light to shine on the creative talents of Jorge Corona and Jean-Francois Beaulieu.

The Midnite Show #1 serves as a reminder of why artists create. It is to create a reminder, not merely of what is (or was), but also of what is possible from and for everyone, including YOU.

Josef Deseptum makes it clear that the only music for him is Rock. But while Joe D. loves the music, the story shows that these band's songs are more than words. The Satan was okay with letting them be used to rock, but now words are causing a rot. It's up to The Roadie to keep the rock of ages rolling down the highway to hell.

The Seasons Have Teeth #2 continues this series' magnificent manipulation of our basic understanding of the seasonal calendar. By transforming what is seen as environmental, even primordial entities, into a physical manifestation complete with identity and intention The Seasons Have Teeth will have readers questioning each chapter of their own life in much the same way that Andrew does. Attempting to see your life, the transitions and turning points as more than scattered pictures.

This series has been centered on the love shared between Katherine and Ben. They have trusted their hearts over anything else. Issue # 3 of The Secret Land has them wondering who else they will have to trust. Oh, heart don't lie.

I'm not certain how much Image Comics Silver Coin delves into the dealings of this particular religions "father" but I'm sure the power of the coin suggests some "god" is at play. This issue proves it by asking that question that has been posed to man throughout history "What's it worth to you?"

It isn't hard to imagine normal citizens of Kirton viewing the creatures from The Ward as an infection. But a healthy populace is a happy populace. The Ward # 4 finds both types of Kirton's citizens in danger. Will the actions taken by Natalie Reeves for St. Lilith, the city, and maybe even the world(?) be viewed as a solution or another side effect.

Tomorrow offered this reader a captivating disaster storyline. By offering a refreshing story containing recognizable characters Tomorrow already has me speculating. For Agent Treacy it is a question of mission or family? For Nate and his father, I wonder how far the apple has fallen from the tree? Finally, will the twins be reunited again? Tomorrow is uncertain, none knows what it may bring. Isn't that the wonderful thing about Tomorrow after all.

Transformers # 19 demonstrates the lengths Megatron goes to for his agenda. We see the struggles of a young Orion Pax not quite the hero we have come to know. Struggling to have his voice heard and ideas considered. Factions are forming and the lives of many are on the line. All so political.

With this second issue of Uncanny Valley, writer Tony Fleecs adds some classic cartoon physics and philosophy to Peet and Oliver's adventure. Not only is this information useful as the duo flee the pursuing Dingo, it produces more than mere highway hysterics.

Image Comics Under York #1 establishes a sorcerer's society that operates invisibly in the Empire State. As the first issue ends readers will no doubt find this story familiar to another world of wizardry. However, the society in control in Under York knows its position is precarious, despite their powers. They issue an ultimatum to Allison to both locate her family and help thwart a Babylonian demon from returning. The sorcerer's council clearly remembers how easily it would be for the surface world to turn on them. And the horrors they would impose upon them all as a reminder of their true place in the world.

If not for a few panels, you could forget this story is a flashback. As stated the art is so wonderfully crafted that Duke and the investigator are only visible in shadows. As the Duke recalls this adventure by the fire, I couldn't help feeling a sense of a Frostian tale. With having sent his family home, uncertain who he can trust…it seems things for the Duke of Wellington are diverging. As the issue ends in a cliffhanger, we are left wondering….which road did he take?

I would have to say that Wicked Things #1 was nothing I expected. Instead it has a character with enough attitude and personality to provide a great first issue for this series. It also manages to deliver on its title as well. Something wicked is going on which isn't good for Charlotte.

Witnessing this devolution of Hank is reminiscent of the time Pestilence's touch led to an alteration of his metabolism, causing any use of his superhuman strength to decrease his intellect. This current descent, however, was all Hank's own doing. What's worse is that he insinuates this may be who he was all along, just a brute. Tearing apart an decades old image as easily as his fangs tear into the lobster's shell. And while his behavior in Wolverine #34 may not leave him with an upset stomach, Hank McCoy fans will feel something in the pit of theirs.

When Wynd sprints off on a break from work, I certainly didn't expect a voyeuristic moment to take place. Oakley's reaction to Wynd during the dream sequence was also quite comical. What could have been a scary tale takes breaks and makes you say, “I did not see that coming.” Moments like this are the most magical thing about this book. It seems like every panel brought a new breeze blowing though which I found quite refreshing. I have to say this book is quite amusing and I wonder how the “winds” will shift in this book.

Unfortunately, the Krakoa age has seen the legacy of X-Force tarnished a bit. The initial concept was to take action. However, XENO has left the team of spies reacting after the fact. First there was what happened with Domino. Now they have intel and access to the island. Could there be a mole in the agency, a spy among them? Here is hoping the pity party doesn't last long as the island nation of Krakoa and it's inhabitants are depending on them.

The issue ends with Cyclops making choices now that Captain Krakoa has joined the team. Cyclops behavior reminds me of his attitude during the Rosenberg run of X-Men. It's hard to believe that it wasn't that long ago that Cyclops was all alone; with the rest of the X-Men seemingly dead. Though the Resurrection Protocols prevent anyone from permanently pushing daisies something is haunting Scott. Will Captain Krakoa serve as a vine to help the X-Men's leader escape his current circumstances? Or ensnare him further?

X-Men #30 presents a powerful parallel between two sets of X-Men lovers. The love Cyclops and Phoenix shared for many years and the emerging love thing between Synch and Talon.

Written and drawn by an all-star cast of writers and artists who have shaped the Krakoan Age, this is one milestone no X-Fan will want to miss!

As the title X-Men Before the Fall suggests, change is coming. Many years ago one man made an attempt to alter the course of history. His decision led to an adventure that ended with four individuals emerging with powers. Individually their stories would go on to become the stuff of legends in the Marvel Universe.

X-Men Before the Fall: The Heralds of Apocalypse extends into and well beyond the activities in other X titles. Before The Fall X because it is about what took place before there were X-Men. En Saban Nur did not want an Age of Apocalypse. Only a life with Genesis and the monuments of their love. Now just as Annihilation did in the past, Orchis threatens his chance at peace. This comic is a revelation of what is to come.

While Judgment Day threatens life for Earth's mutants, the Arakki do not intend to share that fate. Marauders currently has a team searching for mutants lost in space. In X-Men Red # 6, the Brotherhood and The Great Ring war to continue to rule among the stars.