No angsty irrational responses!?! Wonderful

I agree with everything daspidaboy and Hex said, please refer to their reviews.

I love this series so much.

Are you taking notes Zeb wells, do you not see how it's done?

This is why I read comics.

This is magic.

The first arc of Jonathan Hickman’s Ultimate Spider-Man comes to a thrilling conclusion, solidifying its place as Marvel's best current Spider-Man series. In these six issues, Hickman has masterfully crafted a fully realized world with his version of new, yet not-new characters. It has delivered everything Spider-Man fans crave: intense action involving a mature Peter Parker, who also has a home life that includes his perfect partner, MJ. But none of it is lip service. There is an intentionality in this book that shows the creative team knows exactly what they want to do and are flexing all of their creative muscles to achieve it at an extremely high level.

While we see how much of a family man he is in this universe, I’ve loved how much Peter’s family has shaped the superhero he has become. May helped him choose his costume a few issues ago, and in this issue we see that MJ decides on his name. I actually hadn’t even realized he had never used it yet, but I nearly teared up upon its first appearance once I realized what Hickman was doing. Hickman has shown he can write superheroes of all stars and stripes, but I didn’t know he was so good at writing these softer moments. The dynamic between the Parker family is not what we typically see in pop culture. They have their flaws and disagreements, but they’re respectful of one another and aren’t afraid to show their love.

Marco Checchetto returns to art duties and immediately reminds us why he is one of the best in the business. Every scene, every character and facial expression, every minor piece of background is drawn with precise detail. His Kingpin looks downright terrifying. His action panels are brilliantly choreographed with an intensity that makes you feel every bump & punch along with the characters. This isn’t just art, it’s an experience.

Colors from Matthew Wilson bring Checchetto’s designs to life with deep palette that runs from hot to cold to help set the necessary mood. His rich red and oranges during the battle between Spider-Man, Green Goblin, and Kingpin create an intensity that draws you in. Rounding everything out is Cory Petit's lettering which perfectly ties the visual & written aspects of the book together for a complete packaging.

Ultimate Spider-Man #6 is more than just a great Spider-Man comic – it's a near-perfect comic, period. more

Theme: HOPE
Yes. I gave it a 10. I usually ignore the top scores or lowest scores of something. But this, for the first time in a long time, I fully believe, ten toes behind this line, will die on this hill give this a 10.

I am a 38 year old man. And I cried. I cried tears of joy, Tears of frustration and tears of HOPE. I've read Spider-Man since I was 5.Spider-Man was my hero, as in truly. At 5, my formative years were spent reading old back issues and very early 90s stuff. And more or less, Spider-Man became more than a comic to me, he became an ideal. The things he stood for, his love for MJ. His fierceness to fight for what's right and good. His ability to THINK through his problems,not just rely on his powers, his willingness to never give up. And MJ: Peter's rock, while just human, she brought to the book the strongest superpower of all: Hope.

All of that was lost when OMD happened (well it started a bit before, Sins Past for instance, but OMD was...apocalyptic) and it has never been regained in the 616.We had glimpses of Peter and MJ with kids (Spider-Girl, Renew Your Vows) and personally I loved those instances. Never understood why they hated 616 Peter and MJ so much. So, thats where the tears of frustration came from.

The tears of Joy and Hope came from Nick man's writing in this (and previous) issue(s). Hickman treats Peter and MJ as humans. As adults. And with love and care. This makes this Peter and MJ not just relateable, but as ideals to strive for in OUR lives. Peter kept his being a hero a secret from his family, and this is revealed to them when Peter comes home after getting beaten badly. But it doesn't devolve into screaming, yelling, or threats of divorce. Its handled maturely, even by the kids. Sure, the family is scared for Peter. But their love for him overcomes any anger about a secret. We even get a peak at some 90s innuendo from MJ about adult activities.

Hickman even writes the kids as....well KIDS, with different developmental levels and everything. May(Peter's daughter), in her overwhelming worry about her dad bluffs out his secret in a tearful rambling. May had a hand in creating the Blue and red Costume, and MJ gives Peter the Spider-Man moniker in this issue. Richard (Peter's son) is level headed in the whole situation, but asks his dad to be careful after wanting to ask a million questions.

This series, but especially this issue gives me HOPE. It...its a breath of fresh air after being held under water. Words can't do this justice to the hope for a character who has endured SO much over the years...the HOPE it gives me. As a fan, as a reader, and fundamentally on a human IRL level. Its astounding how a comic, when done well, can convey HOPE to real life.

The art in this one is great as well. In the fight w the Fisk, the hits seem to have gravitas. The art really conveys Hickman's writing well both in fight scenes and at home with the family. more

This is stupid beyond comprehension. Kamala killed off her own book, with an upcoming movie. This chick is going to be dead for five minutes. Ridiculous.

It's not bad and is fine for a finish to an average arc that's there to invoke feelings of sadness, loss and quite possibly anger. Also the art is good from Romita Jr. Hanna on inks and colors by Menyz. The problem is the story itself. First, the antagonist is one of the worst things about this. He and I don't care to remember his name is just as bad as the time-jump-gap and other previously overplayed ruses. Also Paul is a very average character. I just do not care about his story because relating him to the antagonist just does nothing to build any sort of background when the bad guy is a dumb idea.
Second, you sprinkle Kamala Khan for a few panels in 25 issues with no build up or explanation then do an info dump for a few pages and expect readers to care about her death in an ASM book?
I care about Kamala and was there from 2014 when G Willopw Wilson and Alphona knocked it out of the park for years. So I'm expected to not be pissed off that you just kill her here like that. Yes Wells does enough to make it work but man does it leave a bad taste in your mouth.
I'm off singles for this book for the first time in a decade and will follow TPB if they are good. These editors and Wells think they got a golden goose but they have no idea what they're doing and just might strangle it in the process. But don't worry it'll still sell for a while because 60 years of Nostalgia is a hard thing to destroy. more

This was all a bit strange. Not only them killing off Ms. Marvel for no reason in a book that she had no business being in in the first place -- but then leaking the information to the press two weeks ahead of time? The sacrifice was noble, but the baddie seemed so off-the-wall and generic. en having a more powerful baddie, just kill him without any setup. I think a lot of it was lazy writing. The kids disappear. Whatever. At least it's over. Still not a fan of Romita Jr.'s art. more

Stop this!

Okay Im dropping this run, this is ridiculous levels of pointless storytelling

What a mess! After 26 issues, endless waiting and hype to the nth degree, the Big Payoff is the death (temporary) of an ancillary character readers are not invested in. So - What Did Peter Do? - Nothing. He didn't cause that explosion. And we learned that a long time ago anyway. Why was MJ so angry at him in the early issues? Who knows? He only came back to save her butt. What about Paul? He's still a cipher, and with the "imaginary" kids gone, he and MJ's relationship doesn't have much to keep it going. And as much as Peter is pissed and angry about MJ, he's off and running on his own with Felicia. Boring, incredibly confusing villain and scheme. Took wayyyyyyy too long to resolve and then, really didn't. more

Hmmm. This one is a hard one to rate. Especially because it was spoiled. I think there were good moments. I think if you reflect on the issue as a whole its more of the same, and it's not very eventful. I think this whole arc had some promise, but overall it's just doing too much to piss off the long time readers and fans, and it's not needed.

one of the worst issues, one of the worst payoffs, and one of the worst Spidey runs.
thanks to one of the worst writers of Spidey.
thanks Nick Lowe. thanks Zeb Wells.

“Most shocking issue of ASM in 50 years” my ass. Killed off a character who is not a regular in the book, who also should’ve had the luxury of being killed in their own story. On top of that, any dialogue by the main antagonist, Rabin, either came off as boring or cringey. Please do not by this book. It is a failure on so many levels. This run needs to end and Marvel Comics needs to improve the direction this comic is taking. more

This was a pretty ugly and unpleasant end to this arc. Not in the art necessarily, which was fine, but in spirit. The big death left a bad taste in my mouth, especially since that character has barely been featured in the rest of the run. I’ve really been rooting for this creative team, but the past months have seriously shaken my faith.

Well, I didn't expect other reviews from all the toxic spider fans, but for me the issue has been pretty good.

Bad art, the story is for rage-bait and the death of Ms. Marvel is unjustified and very secondary to what the character deserves.

It sucks asssss!🤮

It's literally garbage! Wtf did Zeb Wells and Nick lowe kill Kamala in a comic that she'd barely featured in? 😐

I did not know there was a leak so I was not spoiled going into the book, and oh boy, I almost wish it's what I thought was going to happen. The art is JRJR, if you like him you'll likely be very pleased but just can't stand the way he does faces. The book in a standalone situation is fine at best.

For transparency, I have not enjoyed this arc. The basic premise of two individuals on the verge of being engaged suddenly with two different people I cannot buy in to. It's not like they had a fight and breakup, they're just with different people. MJ only emotional confliction really shows when Peter returns for her and she just feels bad that she likes Paul now. I can buy MJ growing fond of Paul (assuming no Stockholm) but not her being conflicted when Peter gets back.

*Spoilers*
Kamala dies? The cameo character? I think MJ being with Paul, a random dude, is disrespectful to her but Kamala dying as a cameo character? If I was a Kamala fan I'd be very upset. Yes, it's something she would do, but why as a reader of Amazing Spider-Man do I have any attachment to Kamala other than knowing she's Ms Marvel? Nothing done in this story made me care any more or less about her than I had before. If they were marketing this as the biggest shocker in 50 years they should've just killed MJ (I did not want that but it would've made for a better story).

I think the book for whole year would've been passable if you just cut MJ from the story entirely and replace her with someone else then have whoever replaces her die instead. Peter is going back to save whoever it is because he's Peter. Yes, we would lose some of the conflict with the FF and Cap because it's not MJ, but I think the overall story would've been better for it.

As a conclusion to "the biggest thing to happen to Spider-Man in 50 years" I was extremely underwhelmed. As just a book without the marketing and fan noise, it was just fine. I've liked Wells on some stuff in the past but I think it's fair to just call it an L and put a new team on the book, and maybe a new editor. A fully fresh team would bring life back to something that's been through a lot of ups and downs recently. Spider-Man is a massive character and there never going to please everyone, but they can surely do better than this. more

This comic is laughable bad. While there are some good parts it comes few and far between. Paul is revealed as Rabbin in his world but having MJ compare him to Peter is just wrong. Peter uses his regrets and suffering to help people while Paul is just a cynical a**hole we saw that when he suggested he and MJ leave those kids behind. But the at least we know now the kids were illusions and this may push that turns Paul into the new Emissary and hopefully causes Peter and MJ get back together again. But I won't know for a while, I am going to take a break from ASM till December. Hopefully the story will advance by then because this whole Mystery Box style of writing is really frustrating. Say what you want about Nick Spencer I'd rather have a Slow Burn style of story then a Mystery Box. more

Umm... so I have a LOT of thoughts about this comic. Maybe the biggest one is... I don't hate it? I think it's kinda okay-ish, not-bad-not-good-but-more-good-than-bad?

I KNOW I KNOW. Hear me out, put the pitchforks down.

Let's start with the good. I said, put the pitchforks down.

I kinda liked the art. Especially whenever Rabin was on scene, his ritual scenes were great. Everything looked kinda amazing. Faces tho, JRJR I love you and always will, but... yeah. Not as amazing to say kindly.

And the writing? Well it's mostly good. I re-read the previous issues of this arc and they felt better? A bit? And I was invested on this comic too. I cared what happened and, there were many good scenes. As a singular comic, I liked it.

And then came the death scenes. I must be honest, the idea works, how it goes down and all. I think had it not been spoiled, it would've kinda worked...

...had it not been Ms Marvel who dies. I'm not going to pretend that I'm a huge Kamala fan or anything, but this was not the place for it. Not the ASM book. Kamala has been barely a presence here, so her being gone just feels wrong. I remember when I first heard about it and I thought "this must be a troll or something, this is so stupid." I actually laughed becayse I was so sure it was a joke. But it wasn't. So no, this doesn't feel right, nor was it done well.

So if you are a massive Kamala fan, or just like her in general, and feels this to be a massive injustice to her, I get you, I won't disagree with you. It's not the worse thing ever for me, but I can recognize how badly it was done.

Then the other big thing. Like I said, I still kinda enjoyed this comic. As a singular comic, it's mostly good. As a finale to this "Death Language" -arc, it's still mostly good. As a finale to the first year of ASM, it's terrible. It's bad.

I hope you are still hearing me, because I feel now some of you might agree with me more.

During the past year, ASM has been plagued by this mystery box and the run has suffered for it. Heavily. There has been good issues (opening arc, Hobgoblin arc) and atrocius ones (#900, Dark Web). It has been hard to sometimes enjoy this run and while this finally gives us some answers, it doesn't make it better in hindsight.

Paul finally gets some character. Which is nice. I never hated him (although I love the memes), but this could've been brought up so much earlier to make us care about Paul. Especially since we have barely seen him. The flashbacks do work, but I would've wished to see them previously.

Same with the kids. A lot people enjoyed seeing them gone, and while I'm happy I was right about them being related to Wayeb'/Rabin, I just wish we would've seen them more. That I would care about them being gone more.

And Rabin as a villain was just poorly done. There was nothing interesting about him, and this family relation would've improved a lot, had it been brought up previously. His previous appearance in #555-557 worked much better for me (although that might be the nostalgia speaking, those were my ASM first comics I got when my mother started ASM subscription. Not my first ASM issues, but the first storyline I got to read fully).

To a lot of people, this arc is too little, too late. And I kinda agree. It doesn't justify the poor writing and messy pacing this run has had, nor did we need to wait this for a year. It doesn't feel like it's worth it. And this is coming from someone who has liked (parts of) this run and this storyline too.

Had the run started with this arc and then concluded with #900 with someone else dying, I feel like this would've worked a lot better. But, now as it is, this doesn't make this run retroactively better. It just makes me dislike editorial more.

So in conclusion/TLDR: not to the worst comic. Not the worst storyline (like seriously, Dark Web exists and it was WAY worse than this). Better than you might think it is. Ms Marvels' death still doesn't work, nor does storyline this save this run.

However, I won't give up on this run. I feel like we can FINALLY move forward and to some interesting storylines. And just move past... whatever this is. I still somewhat-ish trust Wells, but if you stop this run because of this storyline and how it was handled (Ms Marvel's death especially), I don't blame ya. more

I honestly don't care about Kamala Khan at all, but these shoehorn comic deaths are getting really fucking old.

1 out of 10 for meaningless deaths. Also, at this point I'd rather gurgle donkey diarrhea than look at anymore of John Romita Jr's art.

You know, I could stand here spewing the worst insults about Zeb Wells and Marvel and it would all be perfectly fine. But, honestly, I will try to be serious and explain my reasons.
First of all, what's the point of this whole story? Seriously. Rabin is a terrible villain and nobody will remember him in a couple of weeks. Peter doesn't do a thing that changes his character. The F4 and Norman Osborn are just there. The character of Mary Jane is completely twisted for no apparent reason and behaves in an incomprehensible way just to irritate the reader. Paul is a useless jerk with no personality. To top it off, Ms. Marvel's death was announced earlier, making reading this issue completely optional.
At this point, I think it is clear for all to see that the only motivation behind this horrendous antics is to divide, once again, Peter and MJ. A couple who had painstakingly reformed after a 4-year run. Swept away in 26 issues, one worse than the other. I know many Spider-Man fans cyclically claim that the character is finished and boring, but I didn't believe it. Honestly, after this story arc I feel drained of the desire to follow my favorite superhero. I've never read anything more depressing and pathetic, above all because of this incomprehensible desire to irritate and annoy fans in every way. more

It's funny because even before he got to write ASM one of the things I always saw next to Zeb Wells name was "edgelord" and a bad writer. People claiming he writes as an edgelord etc and I thought that this was a very weird thing to say.
Sporadically I would read a story or an issue by him and would try to understand why readers called him an edgelord and a bad writer. Unfortunately it's this issue that explains why.
I'm not talking about the (spoiler). This is painfully obvious that it was editorially dictated.
I'm talking about the actual writing thats stiff, bad, uninspired and generally awful.
This needed a better writer for the run and decision taken about ASM to work. I think that in the hands of a decent writer this book would be better.
I'm not saying Wells is a bad writer in general. But he is a bad writer in this book. more

Spiteful rage-bait of a climax with no payoff or character growth.

It's crap. Don't waste your time or money. Kamala will be back soon enough with whatever stupid retcon another writer will be forced to do. Peter and his supporting cast of once great and interesting characters, will likely suffer longer and also force another writer to find how to make a ridiculous retcon for all this.

To quote the Rock: "It's a piece of dog s#%t." This will probably be my longest answer since Dark Web and Sinister War

Now, as a Spidey fan. I want to judge things more fairly and level-headed. I also didnt really look at the spoilers since the single moment I heard that the ASM #26 was leaked, I deactivated my twitter so I wouldn't get spoiled, and whenever someone would say something related to spoiler territory, I would cut them off or scroll quickly.

Now, lets talk about the art. The art by John Romita JR is frankly..... bad. I'm sorry, I know I'm not a comic book artist. But JR JR isnt as good as he was when it was the JMS run at all. If this is such an important story, I want to bring in the big guns and good to great artists to treat comic book fans and make them pretty hyped up. The art was so.... bland and uninteresting.

Now, lets talk about Kamala Khan. Yes, its cool she sacrificed herself for Mary Jane and she "d*es". But my problem is that Kamala Khan barely plays a role in the series. This death feels hollow because not only is Marvel just reviving her to hype up her own movie, but Kamala Khan BARELY plays a role in the series. out of 26 issues, she only had 12 pages. It comes out of nowhere. it would be more hard-hitting and hard-felt if instead of the filler issues with Black Cat and Spider-Man dating, we could have at least had a couple of issues where Peter and Kamala Khan talk to make this death feel more "earned". The reason why Gwen's death was so impactful was that we actually saw Gwen and Peter interact more. Peter and Kamala not interacting a lot in this run makes this death not that important and I'm just like.... "okay".

Sadly, Kamala Khan is my favorite female superhero of all time, so I was a bit more offended and annoyed. Like I said, if you are going to hype her up in her own movie, at least treat her with respect. Dont. fridge her.

Now, as Psycamorean points out. Yes, I'm happy we got some character development and closure from the story. The heroes forgive Peter Parker. Paul is not from this universe. The kids get snapped away. Maybe Paul and MJ will have their relationship fractured, and Peter and MJ will get back together and make us eat my words.

But you know what my biggest problem in this entire run? Peter f*cking Parker. I cant believe that we had great representation for Peter Parker like PS4 Spider-Man as well as Marvel Spider-Man 2. This could have been a slam dunk for Spider-Man in 2023. But the problem with Spider-Man in the comics is that Peter Parker loses A LOT and doesnt even FIGHT the main villain till the end.

Sure, you see Peter fight off Rabbit. But not only is Rayeb boring, but Kamala Khan tricks him. The giant monster gets defeated by Fantastic Four. In the majority of every single story in this run, Peter Parker needs help or loses so someone else has to beat up the villain for him.

I understand we dont want stories to be generic and unoriginal. But at least the stories need to be respectful in someway. there has to be some pay-off to at least Peter Parker losing a lot, but it seems that he is treated like a trash bag. I think this issue is even worse or more polarizing than the Bat-Wedding.

Like Deathstroke7505, Peter Parker doesnt react to Mary Jane having super powers even this is his first time seeing it happen. Rabbin states that he can see through space and time, but again. He should have known Kamala Khan was there.

I honestly dont really "hate" this issue because Peter Parker and MJ are never getting back together. I accepted that. My problem personally is how the art and action dont really look good, Peter Parker does nothing, and Kamala Khan's death not feeling earned

So all in all, I was at first angry and pissed off. But now, I am just laughing at Marvel right now. I dont know, I just think its pretty funny how Marvel is super great and awesome in movies and Video games, while DC Comics has Ezra Miller and Amber Heard in films, and their video games need work. But in the comics? It's the complete opposite. I hope that Marvel either gets a better editor or a writer who cares about Spider-Man.
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