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Assorted Crisis Events (2025) |
8 issues
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Beneath the Trees Where Nobody Sees (2023) |
6 issues
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Bleeding Hearts (2026) |
2 issues
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Bleeding Hearts #1
February 11, 2026
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While the premise is very unoriginal, the socially conscious context in which Deniz is framing it seems promising. That said, I still found this to be a pretty slow start. None of the characters are really compelling and despite all the world building, I can’t say I find this take on the zombie apocalypse to be particularly memorable.
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Bleeding Hearts #2
March 11, 2026
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I didn’t care for the change in perspective. Zombie-developing-feelings is a fairy unoriginal premise, but I think the ideas of activism and passive cruelty offered a really unique perspective that spoke to Deniz’ strengths. There isn’t much of that in this issue and it mostly feels like a generic zombie story. Like many of Camp’s stories, the emotional beats can err on cloying and the characters are a bit thin.
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D'Orc #1 |
Feb 18, 2026
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The hype behind this is so odd. Some good laughs here and there and it obviously goes down very easily, but it’s really nothing special. The story is too trite to be interesting and not self-aware enough to be clever.
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Death Fight Forever #1 |
Feb 18, 2026
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Some cool visuals and I appreciate that it doesn’t lean too far into pastiche, but it ultimately feels very hollow. There’s almost nothing to latch onto character-wise or story-wise. The art is good but not good enough to carry. There is occasional comedy but enough to call this truly funny.
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Do A Powerbomb |
7 issues
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End of Life (2026) |
2 issues
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End of Life #2
March 18, 2026
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The pacing grinds to a halt to introduce the whole town and this issues mostly just retreads ground covered in issue 1.
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The Many Deaths of Laila Starr |
5 issues
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The Peril of the Brutal Dark: An Ezra Cain Mystery (2026) |
2 issues
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The Power Fantasy (2024) |
16 issues
show
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We're Taking Everyone Down With Us (2025) |
6 issues
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White Sky #1 |
Feb 18, 2026
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Super generic post apocalypse with a slight horror slant. Way too little dialogue for how mediocre the art is.
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