Strikeforce #9 has good art, and we get both a resolution and answers to the main story of the series. Because the series was cancelled, this all comes out with a rushed feeling.

Archie #713 has some really good art and coloring, but falls a bit short when it comes to the story. The finale to the "Archie & Katy Keene" ends in a way that's easy to predict, and feels rushed.

Sabrina: Something Wicked #2 continues the story of Sabrina Spellman dealing with all the problems of being a teenage girl, and also a teenage witch. The story is a little slow for a five-issue series, but it's got good developments. The art is great and works well for the world the story is set in. It's got witches playing what is essentially yu-gi-oh.

Two issues in and this is an intriguing story that draws heavily on the history of Spider-Woman. The art team is fantastic, and the plot is chugging along at a solid pace, leaving us with enough mystery to come back for more.

Batman #92 continues the build up of Batman versus The Designer by pitting the detective against the Riddler. We also get Harley Quinn and Catwoman meeting Punchline face to face. A great continuation of the story after a long wait, with amazing art to top everything off. All arond a fantastic issue.

Anthony Del Col takes us back into his rebooted, grittier world with Nancy Drew and the Hardy Boys. The story keeps the big mystery under wraps but leaves enough for us to come back for the second issue. The art is good and adds to the detective/mystery thriller the story is going for.

Light on the story, the issue sets the hype for the new story arc by giving us Moon Knight fighting various other Avengers. Fantastic art from Javier Garron and Jason Keith make this issue absolutely worth checking out.

DCeased: The Unkillables is the finale to the story of the heroes, antiheroes, and villains we've been following in the DC zombie apocalypse. Amazing art captures the carnage and tone of the story, making this an ending that fans of the DCeased story should absolutely read.

Happy Doomsday #1 introduces a premise that could be interesting to explore, where a random doomsday happens every week. This issue takes us to some well-explored grounds in a zombie apocalypse. While not doing anything too new, it's a fun story with some solid jokes and really energetic art.

Jason Aaron does a good job bringing up villains from the past few story arcs of the series, and setting up what's to come next for the titular team. Solid storytelling and art.

Savage Avengers tells the tale of Kulan Gath's history. The story is what it sounds like, with Doctor Strange astral projecting himself through time to learn about his enemy. The story is good, but the art is phenomenal and matches the tone and settings of the story perfectly.

Spider-Woman #1 sets the current status quo for the character, with enough story and mystery to keep things interesting. Karla Pacheco has a good understanding of the character, making her feel familiar to previous iterations, and the art all around is dynamic and a fantastic fit for the story.

Falcon & Winter Soldier #1 sets up the story of the two former Captain Americas, and their fight against Hydra attempting to reform. A good set up and introduction of the characters, and fantastic art and colors make it a comic any fan of the heroes should read.

DCeased: The Unkillables #1 is a worthy follow up to the original series, giving us a new view of the end of the world. Tom Taylor is at his best working in a separate universe like this, along with solid action and visuals in the art department, with only small nitpicks.

Superman Heroes #1 shows us some of the fallout of Superman revealing his secret identity to the world, and how it effects some of those closest to him. With writers and artists coming from their characters comics, everything looks and feels natural to the characters, and leaves something for everyone to like.

The first issue of this Ant-Man series puts Scott Lang back under a magnifying glass. The story sets the stage for what's to come but doesn't do anything new with the character.

The conclusion to the "Starbrand Reborn" story starts off with a bang, with the Avengers facing off against Gladiator and heralds of Galactus. The back half of the issue slows it down a bit but gives a satisfying ending.

For a team that has gone through many hands, Al Ewing gives them a kick start with an exciting story bridging multiple recent Marvel stories. The art from Juan Cabal and colors from Frederico Blee give the book a fantastic look.

In the same vein as the rest of the story arc, Avengers #29 continues giving us fun, crazy ideas for the team. The plot is moving at its own pace, but it's moving, and in the meantime, there's fun ideas and action depicted by fantastic art.

DCeased (2019-) #6 sticks the landing for the story in a satisfying way, although it's still bleak and a downer, like the story has been. Fantastic art from the whole team set the mood and tone perfectly and deliver some "wow" moments.

Gwenpool Strikes Back (2019-) #3 continues Gwenpool's quest for relevancy in the Marvel Universe. The art and coloring are great, and the idea behind the story is fun, but the characterization for Gwenpool doesn't exactly hit the mark.

Joker: Year of the Villain (2019-) #1 gives us a look at the Joker through the eyes of one of his henchmen. A great story and fantastic art make this single issue an interesting perspective on the Joker, and something people should read.

Ghost Rider (2019-) #1 has great art and colors, but the story doesn't move far past introducing the characters and where they are.

Marvel Comics (2019-) #1001 continues Marvel's celebration of 80 years. With a different creative team and story on every page, this issue has it's share of hits and misses, but remains fun for the most part.

Strikeforce (2019-) #1 Has a great beginning, slows down a little in the middle, but picks back up by the end. Great art and a compelling story make it worth picking up.

Avengers (2018-) #24 continues a really interesting story idea, and has fantastic art behind it.

Black Panther and the Agents of Wakanda #1 has a story that isn't entirely new, and good art, but has a strong presence with its mix of mainstream and out of the way characters.

Sabrina the Teenage Witch #5 wraps up the story in a fun way and teases what's to come with great art that catches the tone of the story.

After taking a short hiatus, Wonder Twins #7 returns in full form, with a story that's at times touching and funny, and art that is at the top of its game.

Archie (2015-) #707 provides us the backstory of Archie and Sabrina's relationship with each other. While we could've assumed what had happened, it's still a cute and fun story of teenage romance, with art that matches the story perfectly.

Absolute Carnage (2019-) #2 feels shorter than the first issue (because it is) but continues to deliver the same caliber of story as the first issue with amazing art on top of it all.

DCeased: A Good Day to Die (2019-) #1 is simply one of the best tie-ins to a comic book event.

Marvel Comics (2019-) #1000 is a comic packed full of writers and artists each telling their own one page story of Marvel history. On top of that Al Ewing and even more art teams weave a tale throughout that sets up future events to come. A great celebration of Marvel Comics and the characters and history that make it great.

Avengers #23 continues to put the spotlight on Robbie Reyes, Ghost Rider, as he races Johnny Blaze in hell. Both a good story and good art make Avengers #23 a comic worth reading.

Batman (2016-) #77 tells two tales, with fantastic art, before culminating in a tense ending that will have people talking. A must read for fans of the series, and Batman in general.

Jughead's Time Police (2019-) #3 continues as we follow Jughead traveling through time, and in this issue, running from the Time Police. Fun, interesting story, and fantastic art.

Gwenpool Strikes Back (2019-) #1 takes everyone's favorite fourth wall breaker to some familiar ground, trying to stay relevant in the Marvel Universe by gaining super powers. The art is great, and Leah Williams has a good handle on the character. The story is fun, but not anything entirely new.

She Could Fly: The Lost Pilot (2019-) #5 has fantastic art and color, and even though the story feels a little rushes, it serves as a great conclusion to the story and the characters.

Savage Avengers #4 is one of the most fun comics to read, while still being one of the darker ones coming from Marvel. The story is good, but the characters and the art really make it shine.

Avengers #22 is a great start to the new arc, bringing back characters that have been missing in action in comics for almost a year, with fantastic art and writing.

Ice Cream Man (2018-) #13 takes on an ambitious task of being a complete palindrome, and succeeds at its task. The art is great and reflects the tones of the story, and the story itself is engaging and carries the same darker tones as the rest of the series.

Archie vs. Predator II (2019-) #1 could have been the same story as the first Archie vs. Predator, but instead, it embraces more of the strange and supernatural elements that Archie Comics have. An interesting start to the story and fantastic art make this worth reading.

Age of X-Man Omega (2019-) #1 has the large task of wrapping up the multiple storylines that make up the Age of X-Man event, but does so in a satisfying way, with fantastic art and coloring.

The final issue in the series, Assassin Nation #5 continues to deliver the over the top action and characters it's given us since the beginning, with fantastic art by Erica Henderson.

War of the Realms Omega #1 shows us the fate of four characters after the War of the Realms is over. More of a launching point/teaser for new series releasing later in the year. The art and stories range from fine to good, but mostly this issue can be skipped without missing too much.

Wonder Twins #6 has a little bit more of a serious tone than previous issues, but still fits in some of the same humor, and the always fantastic art.

Avengers (2018-) #21 doesn't introduce any new story elements, and goes over previous and future happenings. There's some funny moments, but mostly is just a re-cap of the story and where the characters are. The art is good, but doesn't entirely match some of the story.

Infinity Warps: Soldier Supreme Annual (2019-) #1 takes us back to the warp universe, and gives us a familiar feeling story with the warped characters. The art is good, and the story is fun, if not a little familiar feeling.

DCeased (2019-) #3 continues the story of this zombie apocalypse in the DC Universe, but at a shuffling pace that a zombie can keep up with. The art is good in some places, matching the tone of the story, but lacking details in others.

Savage Avengers (2019-) #3 sees the entire team unofficially come together to stop Kulan Gath. Some great character moments, and fantastic art throughout the entire issue.

The Silencer (2018-) #18 is the final issue in the series, and delivers a good ending for the character, with some great art.

Avengers (2018-) #20 shines a spotlight on Jennifer Walters, She-Hulk, and does a great job progressing her character forward, all with great art.

Invaders #6 concludes the first story arc in dramatic fashion. Amazing storytelling and characterization, and fantastic art make it a comic book everyone should be reading.

Batman (2016-) #73 continues Bane's master plan to break the Bat, this time involving Thomas Wayne, Batman's father. Fantastic art and a good, straightforward story, but some characters acting out of character does occur.

Archie (2015-) #705 has good art, but the story mostly teases at future plot points, without moving the story forward.

Jughead's TIme Police (2019-) #1 is a fun and funny comic, with great dialogue, and some good art, that Archie Comics fans will certainly enjoy.

Justice League (2018-) #25 concludes the "Sixth Dimension" storyline with some fantastic art and story moments. The Year of the Villain setup in the back half of the issue does its job setting up the event, but has some clunky dialogue in it.

Uncanny X-Men (2018-) #19 follows Emma Frost through the events of the series since its start. The issue gives us a good alternate viewpoint for the story and sheds some light on some of the events. The art, for the most part, is good and helps tell the story well.

War of the Realms (2019-) #5 is full of beautiful art and fun combinations of characters defending Earth, but doesn't move the story too far forward.

Daredevil (2019-) #6 continues the story of Matt Murdock quitting the superhero life, and shows us what happens when Daredevil isn't around. Good story and art make this a comic people should be reading.

Avengers (2019-) #19 focuses on Gorilla-Man and shows us a "behind the scenes" look at the events of War of the Realms, as well as giving some developments to the previous Avengers story, with fantastic art on top of it all.

War of the Realms (2019-) #4 tells the tale of Lady Freyja and her defense of the Black Bifrost against the Dark Elves. Fantastic storytelling and amazing art.

Betty & Veronica (2019-) #5 shows the two friends navigate their way through high school graduation, and the problems that can come with it. Some plot points are solved too conveniently, but otherwise a fun final issue for the mini-series.

Wonder Twins (2019-) #4 tells a story that is is hilarious, and heartful and relatable, along with fantastic art and colors, making it a comic everyone should be reading.

Savage Avengers (2019-) #1 throws Conan The Barbarian into the Marvel Universe and onto a new team of Aveng ers. The story isn't the most original idea, but the art more than makes up for it.

DCeased #1 is a good start to the event, with a really solid story and good art.

Hulkverines #3 concludes the miniseries, but doesn't have a very solid ending, and lacks in some places with the art.

Redneck #19 continues the ongoing saga of the Bowman family and sees them leave Texas for Mexico. Good story and characters, with fantastic art and colors.

The Silencer (2018-) #16 sets a course for the ending of the series, with a good story and great art.

War of the Realms #2 has beautiful art and colors, and the story doesn't let off the gas in terms of how big the story feels, living up to its event status.

Being the final issue in the series, West Coast Avengers #10 ties up the running plot, but feels rushed in doing so.

The final issue in the series, Scooby Apocalypse #36 stuffs in a lot of plot to finish the series on a satisfactory note, but feels very rushed.

She Could Fly: The Lost Pilot #1 is a great continuation of the story from the original series, with the same fantastic art.

Young Justice #4 has great art, but a lackluster story.

The Amazing Spider-Man (2018-) #18.HU takes D-list villain Gibbon and makes him a sympathetic and relatable character. Fantastic standalone story and great art.

Avengers: No Road Home (2019-) #7 has good art, and moves the story forward a but, but ulultimately isn't the best issue so far.

Sabrina The Teenage Witch (2019-) #1 Is a good start to the new series with great art, and a good story that has some tropes, but sets up enough to keep it interesting.

Avengers (2018-) #17 gives us an ending for the "Vampire Civil War" story arc. The ending itself isn't the strongest, but the story is good, and the art is fantastic.

West Coast Avengers (2018-) #9 is a little light on advancing the plot forward, and focuses more on the characters instead. Good story and great art.

With both a great writer and artist behind it, Assassination Nation (2019-) #1 has an interesting story with good humor, and great art.

Rick and Morty Presents: Jerry #1 has great art, and a solid first half of the story. But the second half takes a turn and the story drags on longer than necessary.

Conan The Barbarian (2019-) #4 gives us an entertaining story of Conan acting as a vigilante, with great art that matches the tone.

Green Arrow (2016-) #50 is a finale filled with intimate character moments and lots of action.

Avengers (2018-) #16 is a little light on moving the plot forward, but makes up for it with great art and action.

Cosmic Ghost Rider Destroys Marvel History #1 sees the character invade the history of the Fantastic Four with a lot of jokes and hints at the larger story to come, as well as good art.

Rick and Morty (2015-) #47 has some really great art, but the main story and backup don't do anything new or exciting.

Hulkverines (2019-) #1 gives us a fight between the Hulk and Weapon H. The story is a little thin, but holds up. The art is spotty in some aspects, but for the most is good and enjoyable.

Uncanny X-Men (2018-) #12 continues the story of recently revived Cyclops and Wolverine after the fall of the X-Men. The story and characters are good, the art is mostly good, but not without some rough spots here and there.

Mars Attacks (2018-) #5 gives us the last installment in the story of the Carbutt boys. A satisfying conclusion to the story, with great art and visuals.

Avengers: No Road Home #1 is a great start for this limited series. The art is fantastic, and the character selection is good. The main story isn't explored too much but sets up enough for what's to come.

Wonder Twins #1 is a great start for the mini-series. Mark Russell hits the nail on the head with the humor and story, and Stephen Byrne delivers fantastic art throughout the entire issue.

Old Man Quill (2019-) #1 sees Old Man Peter Quill team up with the Guardians of the Galaxy for one final mission. The art and character designs are great. The story is a little lacking, but leaves enough to keep you hooked.

Betty & Veronica (2018-) #2 continues the story of the titular best friends in their senior year of high school. The story uses often used story tropes and cliches, and the art isn't the greatest, but it still gives a fun, enjoyable story.

Marvel Knights 20th (2018-) #6 gives us a solid ending and great art for the end of the miniseries.

Justice League #16 has fantastic art behind it but throws a lot of new information without expanding on it, before ending a little too quickly.

Black Widow (2019-) #1 is a good start to the miniseries. The story is fun, but doesn't pick up until the second half of the issue. The art is good, but the style doesn't exactly match up with the tone.

Avengers (2018-) #12 inteoduces us to the "Agents of Wakanda" and pulls deep from Marvel's pool of characters. The art is good, but the story and issue feel like filler.

Man Without Fear #1 is the first issue in a five part series about Daredevil and what it means to be the man without fear. The story is good and the art is fantastic.

The Silencer #12 sees the end of the Leviathan civil war, and the close of the series second story arc. Good writing and characters, and some of the best art the series has seen.

Fantastic Four #5 gives us three stories surrounding the wedding of The Thing, including the wedding itself. Good stories, and great art all throughout the issue.

Mars Attacks #3 continues the tale of a father and son trying to survive an alien invasion. The relationship between the two steals the show, along with great art.

Old Man Hawkeye #12 sees Hawkeye's journey of vengeance come to an end. The art is good with clean action, with a couple of minor gripes. The story is good, but a little bogged down with references to the Old Man Logan series.

Defenders: The Best Defense #1 sees the original team in a cosmic crossover to save the Earth. The story is a little underwhelming with a lot of moving parts, but the art is fantastic and the best part of the issue.

Scooby Apocalypse #32 gives us the continued post-apocalyptic adventures of the Mystery Inc. gang. Great story and good art. The backup story is entertaining and funny with great art as well.

Avengers #11 has some good character moments and great art, but feels more like a subtle advertisement for future stories still to come.

Namor: The Best Defense has a good story, good characters, and great art. Definitely worth reading.

Winter Soldier #1 has an interesting premise and is a good start for it. The art isn't bad but doesn't exactly match the tone of the comic.

Bully Wars #4 sees the start of the Bully Wars with our main characters in the middle of it trying to win. A fun story with good characters and great art.

Titans #30 feels like a filler issue, with not too much happening, but is carried by good art and the characters interacting.

Dead Man Logan #1 starts the march to Old Man Logan's demise. The story isn't completely new, but the art and characters make it work.

In Redneck #17 we take a jump in time to see a well-done vampire wedding. Great story, character development, and art all around.

Rick and Morty #44 shows us the first adventure of the Vindicators team, and it has its moments, but unfortunately lacks a lot of the satirical tone of the show.

Infinity Wars Ghost Panther #1 introduces us to a mix of Black Panther and Ghost Rider, the Ghost Panther. The story is simple and straight forward, but the fun comes in the mash-up characters. The art style lacks details in some places but shines during the action/fight scenes.

Scooby Apocalypse #31 continues the post-apocalypse adventures of the Mystery Inc gang, and brings new character developments for them. The Atom Ant backup story is funny, and the art for both is great.

Dick Tracey Dead or Alive #2 is a fun comic. The story is fairly straightforward, and not anything really original, but the characters are fun and the art is fantastic.

Rick and Morty Presents Pickle Rick #1 has good art, and a few funny jokes, but mostly revisits things from the show without making them new or exciting in any way.

For the occasion, Avengers #700 is packed with a longer story and three backup stories. While the backups are future plotlines being set up, the main story s great and continues the ongoing Namor arc. The art is good, with multiple artists and styles throughout the issue.

Infinite Dark #2 continues the story of a murder after the end of the universe. The story is still interesting, but besides the main character, everyone else feels flat. The art is good and captures the bleak vibe, but the characters lack expression throughout.

In Spider-Geddon #3 the two factions of Spider-Men take the fight to the Inheritors. The main plot isn't the strongest, but the art is good, and the highlight is the many different versions of Spider-Man interacting together.

A lot happens in Green Arrow #46, and it suffers from a quicker pace because of it. The art is great and makes the characters stand out in this style.

Rick and Morty #43 has a plot that's straightforward, and good art that doesn't do anything too crazy, but makes up for it with the humor and characters. The backup story as well cuts to the point, but has jokes and art that work.

Wet Hot American Summer adapts the world of Camp Firewood to a comic book format well. The story is straightforward, but it is carried by the humor and jokes, and has art that fits the tone and spirit of the book.

West Coast Avengers #3 sees the team defend the city against B.R.O.D.O.K. and his giants. The story moves at a good pace, with no filler. The characters are all in character, and the art is great, and nails the tone of the series.

In the spirit of the holiday, Avengers Halloween Special #1 gives us five short stories that are darker in tone, but fun concepts. Even with limited pages, each story is well written and to the point, and the art for each has a different style to separate each story from the next.

Spider-Gwen Ghost Spider #1 is the start of a new series, but stars a familiar face with familiar feelings. The story is a tie in but is semi-self contained, and the art is reminiscent of the old series without feeling like a copy of it.

Action Comics #1004 puts the spotlight on the relationship between Clark Kent and Lois Lane. The overall story is okay, with nothing too dramatic happening, but the art in this issue really stands out in a good way.

The Infinity Wars Event has brought us a lot of "warped" characters, but Weapon Hex is the best one so far. The story isn't bad, but it is pretty straightforward. Even so, the art and number of warped characters make up for it, and make this comic wroth reading.

The Unstoppable Wasp #1 feels less like a new series, and more like a continuation of the old series. The story is a little too straightforward, but the characters are great, and the art is the highlight of the issue.

What if Peter Parker Became the Punisher #1 answers the question in the form of a solid story, and art, but leaves a little bit to be desired in both.

Scooby Apocalypse #30 has a couple of heavier moments, but is balanced out with some humor, good writing, and great art, as well as a new Atom Ant Backup that provides more than a few laughs.

Avengers #9 sees the team head under the sea to face off against old friend and former teammate Namor. There's a good story, and fantastic art and colors.

Infinity Warps Iron Hammer #1 combines Tony Stark and Thor into one character, in a well-written story with great art.

What If? Spider-Man #1 answers the question "What if Flash Thompson became Spider-Man?" with a great story, dark tone, and fantastic art.

Batman #56 shows us Batman on a mission of vengeance, tracking down the man who shot Nightwing. A good story being told with great art.

Old Man Hawkeye continues the tale of Hawkeye's revenge. Great story and characters, with art and colors that bring out the feel of the wasteland.

Avengers #8 slows down a bit to let us catch our breath between story arcs. The characters interacting carry the story, and the art is great.

Along with good art from Chris Sprouse and Ron Lim, Tini Howard tells a great story that captures who Captain America is.

With both good storytelling and art, Scooby Apocalypse #29 shows us Fred Jones coming back to life, and an end to the Secret Squirrel backup stories.

The third part in the "Sink Atlantis!" crossover, Suicide Squad #46 continues the fight between the Suicide Squad and Aquaman for the continued survival of Atlantis.

Nancy Drew #4 picks up the story immediately from the end of the previous issue. The story is good, the characters are likable, and the art and colors are eye-catching.

X-23 #4 continues the story of Laura vs the Stepford Cuckoos. Mariko Tamaki's story is strong, and Juann Cabal's art pushes it to another level.

Green Arrow #44 is the second issue under the new creative team, and while it is a good issue, nothing stands out from it.

Ant-Man & The Wasp #5 is a satisfying conclusion to a well written, well drawn miniseries.

Captain America #3 teams Cap with Black Panther. The art is good and the story moves forward more than the previous issue.

Avengers #7 breaks from the modern day story to tell the origin of the Ghost Rider. The story is good and self-contained, with great art that fits the story well.

Deadpool Assassin #6 has good looking art, but feels short and leaves on a bit of a downbeat while wrapping up the story.

The Silencer Annual #1 has some of the better art for the series, but a story that lacks any real impact.

Feeling like a continuation of the previous series, X-23 #3 has good art, and a good story that moves at a fast pace, that can feel a little too fast.

The Silencer #8 adds a new element to the story that's sure to keep things interesting going forward.

Avengers #6 feels rushed in some places, but otherwise delivers a solid ending to this first story arc.

Daredevil #607 continues the mystery of why and how Mike Murdoch is suddenly real with great character interaction and art.

Redneck #14 feels a little slow paced, but does a good job of diving deeper into this world of vampires.

The story is a little predictable, but the characters make Aquaman #39 a fun installment in DC's latest crossover event.

Damage #8 adds a new character into the mix, but otherwise doesn't do anything we haven't seen in the series so far.

Filled with great art, and a good story, Deadpool Assassin #5 is an entertaining penultimate issue to the mini-series.

A standard story with a new twist on the character, Luke Cage #1 & 2 is a good interesting start the latest in Marvel's Fresh Start.

With a new artist and likeable characters, Weapon H #6 continues to be an enjoyable book.

Putting the overall story to the backseat, Nancy Drew #3 focuses more on the characters and does a good job of it, being another enjoyable issue in the series.

The start of a new story arc, Daredevil #606 is a solid issue in one of Marvel's most solid series.

The main Scooby story and the Secret Squirrel backup are both written well and have art to match the tones, making Scooby Apocalypse #28 another fantastic issue in the series.

Though it's not without its problems, Infinity Wars #1 has good art, and a story full of potential and is a good start to Marvel's latest comic book event.

Green Arrow is in good hands with a new creative team, that builds on the recent history of the character and his supporting cast.

With a good story and art to match, Ant-Man & The Wasp #4 is another in an incredibly enjoyable mini-series.

Captain America #2 follows the same path as the first issue, with almost no deviations. The art is good and Coates understands Cap, but the story itself doesn't go anywhere.

The story isn't the best, but with good art and dialogue, The Silencer #7 is another good, if slightly underwhelming, issue.

X-23 #2 is less exciting than the first issue but moves the story along at a nice pace.

Rick and Morty #40 is an entertaining and funny issue that Rick and Morty fans are sure to enjoy.

The story starts to take off, and with art as Punks Not Dead #6 feels slow, but ends strong, setting up the story yet to come. If you've been a fan of this series you won't be disappointed.

A slow but refreshing start to a new story arc, Redneck #13 continues to tell an interesting and entertaining story about Vampires in Texas.

With a good creative team behind it, Jessica Jones #1 & 2 give us an interesting story that keeps the interest and mystery high, with art that matches.

Old Man Hawkeye delivers shock and awe with great art from Ibraim Roberson, and excellent storytelling from writer Ethan Sacks.

X-Men Gold #32 continues the story of the mind-controlled Rachel Summers as we move closer to the end of the series.

Avengers #5 builds towards the conclusion of this first story, with good writing by Jason Aaron, and great art by Paco Medina & Ed Mcguiness.

Handling both writing and art, Rich Tommaso delivers an unusual but enjoyable ending to Dry County.

Flash #50 is a satisfying conclusion to the "Flash War" story arc and sets the stage for stories to come.

With a new creative team and story, X-23 #1 brings the characters we know into another fantastic issue for Marvel's "Fresh Start" realunch.

In the case of Nacy Drew #2 the answer comes in the form of a well written, entertaining story, and art that makes the reading all the more enjoyable.

Solid writing and art, Scooby Apocalypse #27 brings Scrappy-Doo back in the fold, in an issue that focuses more on character over action, as well as another good entry in the Secret Squirrel back-up story.

Mark Waid and Javier Garron give us another fun issue, in a mini-series that's better than the movie tie in that it could have been.

The final issue of Assassinistas is far from perfect. But if you've been a fan of this series you'll enjoy this final issue.

Ta-Nehisi Coates writes a modern and relevant Captain America story that doesn't shy away from recent history, with detailed and expressive art by Leinil Francis Yu that matches the tone and feel exceptionally well.

With some funny, if not unusual and short, character moments from the team, Avengers #4 moves the story forward with an interesting narrative and good art.

Mairghread Scott and Matthew Clark tell a well written Green Arrow story, with art that is just short of a bullseye.

Rick and Morty #39 is an enjoyable, but average issue, that follows the standard Rick and Morty Formula, that delivers some funny gags and jokes.