Patrick Savoia-Peterson Comic Reviews

There are so many other things I loved about this book that I could fill several articles worth of fanboy musings. But I’ll end with something I’ve heard Brad Gullickson from Comic Book Couples Counseling say several times. My favorite thing about this book is that it was a comic book experience — it could only exist in comic form. And that is EXACTLY why I love comics.

That said, Absolute Martian Manhunter remains one of the best arguments going that superhero comics can operate at a genuinely literary level.

Artist Rafa Sandoval and colorist Ulises Arreola are freaking amazing! Exquisite linework paired with bold, emphatic colors create a visual feast. Sandoval is a master of motion — his interpretation of Kal’s icy breath was so cool! He uses onomatopoeia perfectly to give the book a surround sound feel during major action sequences and Becca Carey’s lettering adds depth to some of the quieter the panels. However, the best visual execution of the entire issue has to be the life and personality the art team gives to Kal’s sentient cape. It is somehow sentient (based on what we think is it’s ability to converse with Kal) and is able to alter it’s shape to accomplish tasks like shielding survivors of a battle from harm. Getting to see all the cool stuff this team did with it was worth the cover price alone — it was that awesome!

Absolute Superman has been one of my favorites titles within the Absolute Universe, and issue #18 proves the series still has plenty of surprises left to reveal.

Absolute Wonder Woman #1 is a must-read for fans of the character and newcomers alike. Thompson, Sherman, and the entire team have created something truly special – a thrilling, emotionally charged narrative that honors Wonder Woman's legacy while forging a new path for a new generation.

Kelly Thompson follows up her killer debut issue script with a much more introspective look at Diana’s relationship with this universe’s Steve Trevor. We got some great character development as Diana literally stares down the US Military for standing in the way of public safety. It cemented this version of Diana as a warrior for good, a character staple no matter which universe she’s in. Thompson’s dialogue between Diana & Steve was so wholesome. I loved Diana explaining Pegasus’s history in such a direct, yet approachable manner. Diana’s new lasso is super interesting! Looking forward to seeing it used in action again & learning more about its abilities.The art from Hayden Sherman and colors by Jordie Bellaire continue to be nothing short of sensational. Sherman’s designs for Diana’s battle with the Harbinger were awesome and Diana & Steve’s facial designs during the tender moments were spot on. Every panel with Diana looks like Greek art come to life. The Tetracide’s look was terrify

The transition into the coven scene mid-issue moves a touch abruptly, and in a book juggling this many threads, a moment or two of connective tissue would have helped. It’s a microcosm of the lack of character building for Diana’s human companions throughout the run so far.

Action Comics #1063 might not be the most groundbreaking Superman story, but it delivers a thrilling, action-packed experience in all the right ways. This is a comic that feels like a love letter to the classic Superman tales, with epic clashes and larger-than-life stakes brought to life by phenomenal artwork. While the story could have benefited from a tighter focus, the unique landscape and Timms' exceptional art make this a worthwhile conclusion to Aaron’s first Superman story.

The "House of Brainiac" event continues as Superman & Lobo's battle against the Czarnians intensifies w/ a "surprising" twist at the end. Meanwhile, Supergirl & Conner Kent form an alliance w/ Parasite & Livewire to escape their captivity. Things appear to be going well until Brainiac captures them & shows Supergirl his master plan.I'm thoroughly enjoying this event, & this issue is another strong chapter. It's been great to see Williamson using these Action Comics entries to elevate the Super Family & other characters, while Superman gets the focus in his solo title. His script here juggles multiple plot threads equitably, while maintaining a fast pace, w/ well-constructed action scenes that showcase Sandoval & Mendoça's dynamic artwork.The art dup brings the action to life w/ stunning visuals, including jaw-dropping splash pages. Alejandro Sánchez's colors add depth, utilizing distinct palettes to create a unique feel for each of the various environments we visit.Williamson's backup

Alan Scott: The Green Lantern #2 is a masterful continuation of Sheridan's captivating story. The issue delves deeper into Alan's past, revealing the traumatic experiences that shaped him and continue to influence his actions. Sheridan's exploration of Alan's identity is both poignant and thought-provoking, adding depth and layers to the character. It also holds a mirror up to today’s world and shows just how little has changed in many regards when it comes to LGBTQ individuals who face their own inner demons & struggle to accept who they are for fear of persecution, hatred, violence, or excommunication from society or those who are meant to be their safe spaces.

In my recent interview w/ Tim Sheridan discussing the finale of Alan Scott: The Green Lantern, & now that I’ve read the issue, I can say that it’s a masterclass in landing a satisfying conclusion to a story. Sheridan, artist Cian Tormey, colorist Matt Herms, & lettered Lucas Gattoni have crafted a tale that is epic in scope, intimate in character development & visually complex.The artwork is stunning, w/ vibrant colors & dynamic action sequences that showcase Alan’s evolving mastery of his powers. But it’s the heart & soul of the story that truly shines, as Alan Scott comes to terms with his & and finds a new sense of purpose across timelines.Over these six issues, Sheridan crafted a deeply human story of a man’s struggle to come to accept & love himself in a world that tells him he shouldn’t. With sensitivity and nuance, Sheridan explored themes of identity, acceptance, & relationships, creating a narrative that was both personal & universal. This is a story that will resonate w/ anyo

Amazing Spider-Man #50 surpassed my expectations for this Green Goblin story & I’m now interested to see where this will go. It's a fresh start that promises to deliver some exciting developments in Wells’ run, which something we’re all the better for.

I’m finding it hard to get invested in this series. There doesn’t appear to be a strong narrative connecting the first and second issue together other than Orchis is hunting Iceman, but they’re hunting every mutant. Orlando hasn’t shown me why Iceman needed his own series yet. The first issue also gave hope that we might get a more nuanced look at Bobby & Romeo’s relationship since Romeo is how Bobby was brought back to life, but it still feels hollow after the second issue.

Avengers #17 includes top-notch storytelling from MacKay and new series artist Schiti makes an instant statement with knockout visuals. The issue is the start of a status quo-changing period that marks a pivotal moment in the series’ run, as the Avengers deal with the fallout from Blood Hunt and have clearly been transformed as individuals, and a team, forever.

The pacing can be slow, there isn’t a lot of excitement even with some action, and the issue asks more questions than it answers. I’m not going to doubt Ewing’s ability to craft a compelling story when all is said and done though I wouldn’t say this was my favorite debut. I hope he leans more into the noir genre as the story progresses as that’s something I haven’t seen him do. If you’re a fan of Ewing’s previous Wasp series or Ewing’s other Marvel work, I’d recommend giving the series a shot but I can’t totally see this type of story being for everyone.

Overall, I'm so happy to have more Barbaric in my life & I'm totally along for the ride! At this point just pump any new Barbaric story into my veins & call it a day.

Barbaric: Wrong Kind of Righteous is a wonderfully fun, funny, and action-packed comic that is sure to please Barbaric fans, but also serves as a great jumping on point to the sprawling universe for new fans. My only complaint is that we don’t get more just yet!

Overall, the story feels redundant to a lot of Chip Zdarsky's recent work on the chaaracter, but the art makes up for things. It's not bad writing, it's just a bit boring. Unless there's a major twist coming, you can kinda see how this is all going to play out.

This issue, written by Chip Zdarsky w/ art by Jorge Jiménez, was pretty middle-of-the-road issue that neither wowed nor disappointed. Part 3 of the Dark Prisons arc dove deeper into Failsafe’s long-term plans & sets up his interactions w/ Amanda Waller, which will play a bigger role in Mark Waid’s Absolute Power event. We also see a much more positive Bruce, who gets a surprise visit from Tim Drake. While Zdarsky’s script is engaging & moves things along, it lacks a punch to elevate this arc.Jiménez’s artwork is, as always, a highlight. His dark & moody style perfectly captures the tone of the Batman universe, & his action sequences are fluid & dynamic. Tomeu Morey’s colors & Clayton Cowles’ lettering complement his art, creating a visually appealing package.Overall, this issue’s pacing is well-balanced, with a mix of action, plot development, & character moments. However, it all feels somewhat predictable. I’m actually more intrigued with Failsafe’s arc than I am Bruce’s, & I can’t te

Overall, Batman #148 feels like a missed opportunity to deliver a satisfying payoff to the Batman vs. Failsafe storyline. Instead, it reads like a rushed clearing of the decks for DC's next big event.

Michele Bandini and Steve Lieber's art does a great job aligning with the tone of the book. It's definitely a different style compared to what we're used to with Jorge Jimenez with their characters looking more cartoonish. I didn't love how Bruce looked, who looked more like a TV lead with a five-o'clock shadow (I couldn't stop thinking of Jack from Lost), rather than the beaten-down man we've seen in recent issues. Nick Filardi’s colors are impeccable, it’s great seeing him back on Batman comics.

Batman: City of Madness Book One is a tour de force of imaginative storytelling from start to finish. Ward uses every aspect of the book to invent a new, nightmarish take on Gotham that immediately captivates the reader and immerses them in this twisted tale.

This was a bold & audacious reinvention of the Batman origin story. It's a dark, suspenseful tale that will leave you eager to see where this alternate history takes us next & how this version of Bruce ends up becoming the Caped Crusader.

I came to Beast of Borikén expecting a creature feature and left thinking about a people, an island, and a wound that hasn't healed. That the monster works at all is because Anta and Irizarri did the hard work first, making me care about the people who are about to be caught in its path. I'll be back for issue #2 without hesitation.

I finished Beast of Borikén #2 knowing more about Borikén culture, and being entirely interested in it, than I did going in without ever feeling lectured to. That is the real accomplishment. Anta has built a horror comic that works as cultural preservation, handing readers the names and practices his story's villains are trying to bulldoze. The monster backdrop works because the culture keeping it alive is true. I want to see where Loli’s adventure goes next, and I trust this team to keep making me want more.

Rite of Spring #1 is an emotional and haunting success which builds on the original series perfectly. Horvath’s visual storytelling makes this a must-pull for fans of the original series and new readers alike. The stage is set for a thrilling new chapter, and it’s clear that Horvath is poised to take the story in an even darker and captivating direction.

I approached Beyond Real #1 with middling expectations after the publisher made the main cover available for free to retailers. That type of action can sometimes indicate a publisher’s lack of confidence in a book, but other times it can mean a publisher is trying to push sales of a book they really believe in due to a lack of retailer interest. I feared the former was the case here, but at least after one issue, Beyond Real has blown past my expectations and I hope more readers pick up this visual treat!

But overall, The Big Burn #1 has the makings of another thrilling & suspenseful story from DSTLRY. I’d highly recommend it!

On the one hand, this issue delivers the things that make the BoP such a compelling concept: a fantastically diverse cast of women and the long-awaited return of Barbara Gordon to the fold. Seeing Black Canary reunite with a Babs felt like a true homecoming for the title, finally capturing the spirit of the classic BoP dynamic. However, the plot itself felt riddled with holes. The jump to a new conspiracy, especially after the unevenness of the first arc, was jarring. This new investigation felt rushed, with leaps of logic that are hard to swallow given Meridian could be using future tech to help figure out who is out to kill Babs. This is all topped off by an ending that leaves you scratching your head more than cheering. Vixen parading the BoP in lingerie? Why?? Kelly Thompson is such an amazing writer, but it has felt like she's gone for a cheap laugh or gag joke one too many times in this series' short run so far.Despite the narrative stumbles, this is still a visually stunning boo

Blood & Thunder #3 is yet another thrilling issue in this series that is quickly becoming one of my favorite new comics of 2025. The series continues to draw me in, and with this issue setting up conflict across an expanded universe, I'm excited to see where things go from here!

Overall, BLOOD HUNT #1 is a home-run kick-off for Marvel's big summer event. I know these types of stories can turn readers off because they feel like nothing more than money-grabs, but I was truly impressed by Larraz’s art & will keep on this event’s main title for his work alone if nothing else.

In short, Blood Hunt #2 is another banger and a perfect follow-up to the debut issue. MacKay, Larraz, and Gracia are creating something special with this event so far!

This was a tribute comic, a plot-advancing issue, & a celebration of DC history all rolled into one. The story is engaging, the artwork is fantastic, & the emotional core shines through. This is a must-read for any Blue Beetle fan or Keith Giffen fan!

Aside from brilliant writing, Alexandre Tefengki on illustrations & Lee Loughridge on color provide sensational visuals. The book has a bit of everything — action sequences, sex scenes, flashbacks — yet they all feel natural with evocative linework & color palettes. It’s exactly what I’d picture a folktale looking like if it came to life.

With tensions simmering, I’m eager to see how it all eventually boils over. The stage is set for a dramatic confrontation, and I have no doubt Shobo, Shof, and Tefenkgi will deliver in an epic way.

Even with some interesting themes, the pacing for the issue was uneven, with too much time given to Cable’s interrogation of Martillo compared to Bishop’s mission to secure the weapons cache and not enough exploration of the tension within the Children. The ending sets up what appears to be an high octane back half of the miniseries and I’m interested to see it play out.

I’m simply in awe at how much Williamson has made me feel fully invested in these characters in my first real exposure to them. It’s an ode to his own fandom for the G.I. Joe franchise and the respect he has for the decades worth of work that has come before him. Not to keep lumping the two together, but I can’t think of a better way for these Duke and Cobra Commander series to have kicked off and all roads lead back to Williamson and the amazing team of artists who have joined forces with him. The Energon Universe is one of the most exciting developments in comics in a very long time (it also looks to be quite the financial behemoth which is great to see), and Cobra Commander #1 is a wonderful addition to it.

Williamson has said that this series is all about watching Cobra Commander become the fearsome, ruthless leader that G.I. Joe fans have come to expect, and while we’re seeing bits & pieces of the makings of this persona, it has yet to fully realized yet. With only two issues to go, there’s not much space left to do a lot storywise & there are still a few major plot threads lingering. Namely, what else does Cobra Commander have planned for Megatron and will he actually take the Energon cell back to Cobra-La & give Golobulus an army? Williamson is an amazing writer, so let’s see what he has planned for us!

Overall, I thoroughly enjoyed Dazzler #1, and I'm excited to see where the rest of the miniseries takes us. While I may lament the fact that this isn't an ongoing series exploring more important topics, I'm grateful for the chance to spend time with this fabulous diva.

Destro #1 is an action-packed, instant classic and a great start to the series. I’m eager to see where Watters and team take us from here, especially with how much this series appears to tie into the larger Energon Universe.

Overall, Destro #2 is a perfect follow-up to the first issue, and I'm eagerly anticipating what comes next. The creative team has set the bar high, and I have no doubt they'll continue to deliver based on what we’ve seen so far!

Overall, Detective Comics #1078 is a mixed bag. It's a step forward for the series in terms of plot progression, but it's also hampered by its heavy reliance on explanation. Fans of V's slow-burn approach will likely enjoy this issue, but those looking for more action will likely continue to be disappointed.

The backup story by Dan Watters had a lot to like and helps build up Dr. Hurt as a truly evil villain who uses mind-control for enjoyment. For a shorter backup, the the pacing was excellent and built up a level of suspense to keep you hooked. The art in this backup was a great homage to classic horror comics and looked awesome.

Dan Watters’ backup takes the “His Name Was Doctor Hurt” story to a new, paranormal level w/ impressive visual storytelling by Jorge Fornés. While it all adds to build the villain up as a formidable mental adversary, I do wonder if it was slightly less effective after seeing Batman seemingly defeat him earlier in the issue.

We’ve only got a few more issues on Ram V’s ‘Tec run & it doesn’t feel like we’re picking up the pace at all. This is still a slow drip of building drama that would make more sense at the start of a run, but here it feels like we’re starting to run out of time.

Jonathan Hickman & Sanford Greene’s one-shot is a stunning work of storytelling, w/ artwork that will leave you breathless. From the opening pages, it’s clear that Greene’s visuals are going to be something special — the cosmic landscapes, epic fight sequences, & grandeur designs for Doom & Galactus are simply awe-inspiring. The colors by Greene & Rachelle Rosenberg perfectly complement the otherworldly space landscape, creating a truly immersive experience that sucks you in & never lets you go.But this was more than just a pretty book. The story goes deeper into the relationship between Doom & Valeria Richards, a complex dynamic that Hickman developed during his previous Fantastic Four run. Their dialogue & interactions are perfection, making them one of the most compelling pairs in Marvel Comics. I would 100% read an ongoing Hickman series focused on these two.While the plot itself may not break new ground, the character study is thorough & thought-provoking. It’s a book on the scale

But it's not just the action and thrills that make Duke #1 shine. Williamson weaves in thoughtful themes of loyalty, duty, and the cost of war, giving the story, and Duke himself, surprising emotional heft. This isn't just a mindless, Michael Bay film expressed on pages; it's a storytelling masterpiece that stays with you long after you turn the last page. It's a love letter that simultaneously reinvents a franchise for a new generation. Whether you're a longtime fan or a newcomer like me, this is a book you absolutely can't miss.

After a super suspenseful and captivating debut issue that felt entirely unique for this genre and franchise, Duke hasn’t lived up to those initial heights in the past two issues and risks falling into the background of the new Energon Universe entirely. It’s overshadowed by Transformers, one of the best comics currently on the market period, and, while it alludes to the connection between the two books, it’s not yet done enough to convince readers why they need to keep reading this title with each issue’s release and not just wait for the trade.

Overall, Everything Dead & Dying #1 is a haunting debut that will stick with me long after I’ve finished this review. With its beautiful storytelling, phenomenal art, and emotional depth, this has set the series up to breathe new life into the zombie genre for years to come.

Overall, Exceptional X-Men #2 is a delightful, character-driven issue that continues to set the stage for a new group dynamic. With its focus on slice-of-life storytelling and its cast of lovable, complex characters, this series is becoming a must-read. The final page brings Emma’s role in the series even closer to the forefront and the early previews for the next issue indicate we’re about to see the dramatic events of Kate and Emma’s reunion.

We may not yet be knee-deep in action like other From the Ashes books are right now, but I’m totally happy with these slow-burn, stellar characters moments! Ewing, Carnero, and crew have my complete attention and trust.

FALLING IN LOVE ON THE PATH TO HELL #1 is a triumph of storytelling and a can’t-miss first issue. Who knows where these things will end up, but this path to hell has been set up so well.

Feral seems to ratchet up the horror-tone from Stray Dogs even more, making this a potentially hard read for animal lovers or the feint at heart. Even if you love zombie-genre entertainment, there is something completely different seeing it unfold with adorable cartoon cats being traumatized. The juxtaposition is so jarring, yet so effective. Would we care this much this soon about the characters if they were humans? Probably not, but that is exactly what makes this such a brilliant medium for this story & the creative team takes full advantage of it.

G.I. Joe #1 is a resounding success, delivering on its promise to unite the disparate plot threads from previous miniseries. Williamson's character-driven writing and the captivating art make this issue a must-read. With nods to other Energon Universe titles, this debut sets the stage for an explosive, action-packed ride. The stakes are higher than ever before, the creative team's enthusiasm is infectious, and the sky appears to be the limit in terms of who may show up down the road. Hop on now before you’re left behind!

As someone who is relatively new to the Joe’s universe, this book has me completely hooked. The creative team has done an exceptional job of making this world accessible to new readers, while still offering what I think is plenty for established fans to enjoy. This issue is really setting the stakes high and I’m eagerly anticipating seeing the eventual fallout unfold.

Larry Hama shows off his skills navigating the multiple complex subplots he's created so far. There are crosses, double-crosses, & what I think is now a triple-cross? It's a little hard to keep track, but darn is it exciting! Hama expertly weaves a thrilling narrative that kept me the edge of my seat w/ captivating characters.The numerous plot threads are a bit of double-edged sword though. The downside in this issue is that the Joes take a backseat, and we only catch a brief glimpse of the events unfolding in Springfield, minus Cobra Commander. The focus on other characters & plotlines is a deliberate choice that adds depth to the story as Hama builds tension amongst the villainous factions.Paul Pelletier steps in as guest artist, seamlessly filling in for series regular Chris Mooneyham. Inker Tony Kordos & colorist Francesco Segala bring the visuals to life w/ their exceptional work, capturing the essence of classic G.I. Joe visuals while adapting them for modern comics.The issue emb

With its non-stop action, great characters, and awesome visuals, G.I. Joe: A Real American Hero #307 a thrilling ride from start to finish!

Some will say this issue needed to stop readers dead in their tracks with a big WOW moment, but I think the exact opposite. I wanted to convinced why I should care about brand new characters and Hickman and Schiti surpassed any expectations I had. Was it worth the $9.99 cover price? That’s not a question I can answer for everyone. Was it a nearly perfect debut issue for what promises to be a monumental moment in the Marvel universe? Absolutely.

Gargoyles: Demona #1 is an absolute must-read for fans of the franchise. With its engaging story and phenomenal artwork, this issue sets the stage for what's shaping up to be an incredible series.

With its fresh take on the Godzilla mythos and absolutely stunning visuals, this series is a must-read whether or not you’re a fan of the franchise. Add it to your pull list now before you get stomped on!

There are a million directions I could envision this story going down and even with some of the structural issues, the promise of Gone is almost limitless. It has the feel of a story waiting to be told that would make Stanley Kubrick proud. We just need Jock to tell us a story as detailed and captivating as he’s showing us.

Hal’s interactions with Carol really kept me from loving the first two issues of this series but with that tempered down, I’m finally aligned with the praise this series has gotten so far. We’re on the precipice of a major confrontation between Hal and Sinestro and it’ll be very interesting to see how Hal’s optimism and newfound powers are put to the test with whatever Sinestro has planned. And Xermánico’s art alone continues to make this series a must-read.

Even with visuals that didn’t grab me, I thought Green Lantern Dark #1still provided a worthy enough exploration of hope in darkness. As the world grapples with uncertainty, this issue's themes feel eerily relevant. With a pivotal US election looming, Brombal's narrative serves as a timely reminder of hope's importance in the face of grilling despair.

Helen of Wyndhorn #1 is a masterclass in world-building and character introduction. As a huge fan of King and Evely's phenomenal Supergirl: Woman of Tomorrow, I’m incredibly excited for what comes next in this new series.

If you haven't already, immerse yourself in this enchanting world and discover its secrets for yourself because it is well worth your time & investment!

Helen of Wyndhorn #5 is another beautifully crafted issue in a series that leaves me in awe and yearning for the next adventure every single time. Every word, every line, and every color is imbued with purpose and feeling, making this issue a near perfect example of the comic book medium’s ability to tell a story.

I HEART SKULL-CRUSHER #1 is a knockout. It’s a perfect blend of action, humor, & surprising emotional depth. By the end of the issue I was cheering for Trini, and I’m eager to see what comes next in the Screaming Pain Ball arena!

I Heart Skull-Crusher #2 is a fantastic follow-up. With its blend of humor, heart, and action, this series is off to an amazing start & I can’t wait to read more!

Jeff Lemire's debut issue on the new Justice Society of America series, part of DC’s All-In initiative, marks a new chapter for the team. Unfortunately, it stumbles out of the gate by being bogged down with too much happening too soon. Picking up after DC’s Absolute Power event, Lemire dives headfirst into the team’s internal conflicts. While Lemire's intentions are clear and reflect a deep knowledge and respect of DC Comic history, the conflicts feel manufactured for the sake of plot, lacking organic tension unless you have an encyclopedic memory of nearly 80 years worth of character histories.Therein lies the issue’s biggest misstep, its quite inaccessible to readers without prior knowledge of the large cast of characters and their relationships. Lemire's writing assumes a level of familiarity that may not exist for many readers, myself included. Many of the scenes meant to capture dramatics fell flat for me because I had no idea why certain characters were acting the way they were.

As arc-opening issues go, this one is a lot of fun. Lost Fantasy has definitely found its groove, and "The Inferno Ignites" looks like the beginning of arc that puts it firmly on the map.

This was a really fun & heartwarming debut issue. I’m already in love with the characters & I can’t wait to see how their adventures continue!

With Masterminds #1, Zack Kaplan and team have given us an unsettling thriller that's hard to put down. As the first issue sets the stage for a deadly game of cat and mouse, I'm already hooked. If you're a fan of sci-fi, cyberpunk, or just great storytelling, Masterminds is a series you won't want to miss. I'm eager to see where this series goes from here and how this game plays out!

From the series debut on, Kaplan has used Edward's puzzle-solving as a parallel for unrestrained ambition and highlight what winning costs, and this issue follows that through to completion instead of settling for a perfectly happy ending. Masterminds #5 closes out Zack Kaplan and Stephen Thompson's tech-world thriller with the same exhilarating tension that’s made the entire series utterly addictive.

Bryan Valenza's colors are a perfect complement to the art, adding depth and energy to every panel. Cory Petit's lettering styles add even more layers to the book and allows readers to keep up with all the dialogue.

But what always truly sets Ba’s stories apart is the dynamic artwork. Rich w/ visual symbolism, each panel is a feast for the eyes, drawing you deeper into the world of Monkey Meat Island. It’s a shame we only have one issue left, but I sure hope there’s more Monkey Meat stories to tell down the road!

Overall, this was a completely captivating debut that is different from anything else on comic book shelves right now. I’m very much excited for the remaining 3 issues of this miniseries & would definitely recommend jumping in on this joyride — Moonshine Bigfoot is more fun than should be allowed in one comic!

If you enjoyed the first issue, you won’t want to miss this one. The debut left big shoes (pun intended), but Moonshine Bigfoot #2 is more of the same awesome, w/ plenty of laughs, excitement, & pure entertainment. The creative team is cooking with gas, & I’m excited to see where they’ll go from here!

Sabir Pirzada & Iman Vellani build upon their story from Ms. Marvel: The New Mutant, tackling the complexities of being a mutant in a way that feels far too relevant.This isn’t just about Orchis or world-ending threats. This book punches you in the gut with the real-world issues marginalized communities face. From casual prejudice to outright fear-mongering, Pirzada & Vellani use Kamala’s experience as a Pakistani-American mutant to explore the anxieties and injustices that echo the struggles of so many today. It’s a powerful juxtaposition, placing the comic book world of mutants against the very real bigotry that exists in real-life. This isn’t the first time a member of the X-Men have dealt with social commentary, but here it feels raw and immediate. Honestly, on some level it feels like the only true X-Men book out there right now.True to the last mini, Kamala’s signature charm shines through. Her infectious enthusiasm and humor rise to the top even in the face of adversity. These t

The emotional core of this issue is undeniably strong. Seeing Bruce acknowledge Dick's growth is a touching moment in the decades long father-son relationship. That being said, this mini arc did feel a bit like we were in a holding pattern. While Taylor's script remains accessible & engaging, & the artwork by the creative team of Sami Basri, Vicente Cifuentes, & Adriano Lucas is nothing short of outstanding, the plot didn’t quite push the narrative forward in a meaningful way. With the news that Taylor’s time on Nightwing is coming to end w/ one last run with his previous partner in crime Bruno Redondo, I couldn’t help but wonder if this was just filling space until that arc kicks off.

Tom Taylor and Bruno Redondo’s Nightwing #114 marks the beginning of their final arc, “Fallen Grayson”, on the title, but unfortunately, it’s an underwhelming start. As someone who’s never been invested in Heartless as a villain, I wasn’t thrilled for him coming back into the limelight as Dick’s final boss. Taylor uses the issue to attempt to rebuild Heartless’s intimidation factor, but it feels like too little, too late.Heartless’s character development in this issue slows down the pacing. I’m eager to move past this setup and dive into how Dick ends up in the situation we find him (and the ever adorable Haley) in at the beginning of the issue. Additionally, the ongoing plot point of Dick’s fear of heights has never really made sense to me. It keeps coming up for no real reason & I wish we’d just move past it.On a brighter note, Redondo’s return to art duties is a welcome sight. His artwork has been a significant part of what has made the early parts of this run so special, and having

While the ‘Fallen Grayson’ arc has quite hooked me yet, Taylor has shown that he knows how to write Dick Grayson and I’m willing to wait until this plot kicks into high gear to cap off his acclaimed run on the character.

NYX #5 is a strong end to the first arc, with Kelly and Lanzing delivering a poignant, empowering narrative. While pacing issues were somewhat limiting in allowing the payoff to feel completely earned, the creative team's passion and understanding of the X-Men's core themes shine through in spades.

Only the Savage Are Left #1 gets a lot right for a debut issue. Kaplan constructs a moral puzzle that the story builds to, rather than just asserts. Raffaele and Rocha make the world feel real enough to dread, and Otsmane-Elhaou's lettering guides the reader through all of the chaos and emotions. Ryder is a compelling entry point into this world. He's not built for what its asking of him, and watching him reckon with that is going to bring me back to future issues.

However, none of that dampens how much fun I am having with this series. Two issues in, Only the Savage Are Left is the kind of horror I keep wishing more comics would try, the type that leans on mood and tension as hard as it leans on visual scares. The cliffhanger had me immediately ready for issue #3, which is the best problem a monthly can hand you. Bring on the next one!

While Phillips’ writing is engaging, the choice of narrator felt misguided for a debut issue. By not using Jean’s own perspective, her autonomy & agency felt slightly diminished. Outside of her dialogue, I found it hard to fully connect w/ Jean’s thoughts. That wasn’t helped by her only appearing on about 50% of the issue’s pages. Even when not visible in a panel, I would have loved to hear more of her POV to really frame this book’s long-term thesis.

G. Willow Wilson’s deep appreciation for Pamela Isley has shone through in every issue today, but this latest mini-arc crafting a narrative that is character-driven has really cemented this run as a pivotal series for the character we know as Poison Ivy.The issue picks up with Pam grappling with the fallout of Woodrue's manipulations and the introduction of Bella Garten, who is initially seen as a threat. Wilson continues to masterfully weave together themes of inter-personal power dynamics, obsession, and the search for belonging, creating a complex and nuanced portrayal.The art by Marcio Takara is stunning, particularly the interpretations of the monstrous creations being brought to life in Woodrue's makeshift lab. These creatures are both grotesque and strangely beautiful, a testament to Takara's artistic talent and imagination. The beautiful colors, especially Ivy’s bright hair, make each panel all the more visually pleasing to readers.I was a bit bummed to be getting what I though

As Marvel announced more and more solo X-titles, I began to worry they were going for quantity over quality and so far they haven’t done much to assuage my fears — especially for the female-led titles. Storm has been one of the few bright spots, but that has only had one issue to date and for some reason Marvel has taken nearly two months to release the second issue. Phoenix has had it’s ups and downs, but has been plagued with behind-the-scenes issues related to allegations that the series artist was tracing designs from past Marvel works. I know this was a negative review, but I’m rooting for Psylocke. I really am.

Suffice to say, these first two issues have me hooked on what might be uncovered and where things may go. The entire creative team delivered a home-run start to Ranger Academy that immediately draws readers in, no matter how familiar or unfamiliar with the franchise they may be. This has the makings of a Star Wars: The Clone Wars or Star Wars: Rebels level of world-building that adds to decades of established lore and becomes an integral part in expanding a franchise’s fanbase to new audiences, while appeasing diehard fans with respect and acknowledgement of everything that’s come before it.

We continue our exploration of the illustrious Ranger Academy with another endearing set of character moments. Maria Ingrande Mora has excelled at crafting interactions between Sage & her friends feel genuine and relatable. Their youthful anxieties go beyond the typical “teens angst” tropes you might expect in a story involving characters this young.However, while the character development remains a strong point, the plot seems to be slowing down. The central mystery surrounding Sage’s father and her own self-doubts echo plot points from earlier issues without much movement. While the cliffhanger ending hints at a potential escalation, it’s unclear if it’s enough to break the cycle of reveal, ruminate, and repeat.Visually, this book remains stunning. Jo Mi-Gyeong’s art continues to impress with its manga style designs and expressive character portrayals. Joana LaFuente’s colors further enhance the world-building, creating a vibrant and visually distinct setting for the Ranger Academy a

Overall, this mini continues to be a mixed bag of unrealized potential. Gillen is trying his best, yet he’s up against months of head-scratching narrative decisions that he’s now being asked to land smoothly.

Luciano Vecchio does an admirable job filling in for R.B. Silva (how did Marvel not secure Silva for the finale??), but as a mentioned it all felt a bit too showy. Panel after panel felt like it was trying to one up what was on the previous page & it caused the visual pacing to be disjointed. Individual pages were beautiful, especially with David Curiel’s eye-catching colors, but the sum wasn’t greater than its parts.

If you’re a fan of 80s & 90s pop culture, particularly the likes of TMNT or Transformers, you’ll love this comic. Overall, RoboWolf #1 is a fantastic debut issue that sets the stage for a wildly entertaining series!

Sainted Love #1 is an extremely fun debut issue. It’s a celebration of queer love and a beacon of hope for what we wish to see accepted by society one day, though it won’t stop us if it’s not. This immediately feels like an important entry into queer literary culture. Beyond that, there is a fascinating time-travel chase waiting to be explored if Orlando is able to balance it with the queer love story he’s also telling. Giopota’s art will likely make this a must-read on it’s own. Also, major kudos to Vault Comics for giving this story a platform!

While Scarlett #1 may not have been my favorite debut in the Energon Universe, it still offers plenty to get excited about and get me interested in what Scarlett has planned next. The Energon Universe has been very male-heavy so far, so it’s great to finally see some more gender diversity. With Thompson's expert writing and the art team's potential, I'm excited to see where this thriller takes us!

Overall, the level of nuance executed in this book across all aspects is impeccable. You could easily walk away from this book thinking it’s just a war story and asking “why should I care about random soldiers?” But I’d urge anyone who came away with that to give this a re-read & look beyond the surface. I’d also recommend Paknadel’s “From The Ashes” Infinity comic to provide additional backstory.

Space Ghost #1 is a thrilling revival for a classic character, offering a fresh start while honoring the original spirit. I finally feel like I understand what my parents were talking about all those years ago & I can’t wait to share this with them.

Space Ghost #2 is a must-read for fans who enjoyed the first issue and a clear indication that anyone who missed the series' debut should hop on board now. The creative team has done an excellent job of balancing action, humor, and heart, making this series a standout after just two issues. Don't miss out on this fantastic space adventure!

Overall, Space Ghost #4 is an entertaining comic that's sure to please fans of the character and newcomers alike. With its blend of nostalgia and fresh storytelling, I'd definitely recommend catching up on the series if you haven't already. It seems like the world-building Pepose did in the first three issues is starting to pay off, and I'm eager to see where the story goes from here!

Space Ghost #5 is an absolute blast from start to finish. With its pacing, stunning artwork, and heartfelt character moments, this issue is a must-read. Don't miss out on this thrilling ride!

As the first major arc comes to a close, Space Ghost #6 leaves its main characters and readers primed for what's next. The stage is set for a thrilling new chapter, and I'm eager to see where the creative team take us from here.

Space Ghost continues to be one of the consistently strong ongoings out today and issue #10 sets the stage for what looks to be an epic next chapter.

One issue left. Space Ghost versus the Time-Master. That's a finale that I can’t wait to see play out!

Space Ghost Annual #1 is a confident, character-first detour that provides a payoff for two year’s worth of relationship building between our main characters. It is not the most action-packed issue of the run, but it might be the most emotional.

Overall, this version of the Mach 5 is firing on all cylinders and I'm buckled up for the ride! If you're looking for a series that's built for speed and packed with excitement, Speed Racer #1 is the perfect starting line. Hop in now before you get left in the dust!

Eight issues in, Speed Racer is still firing on all cylinders. Pepose pulls off the rare trick of stepping away from a series' core hook for an issue and using the detour to make the whole engine run better. There’s nothing “filler” about this issue. With the "Demon on Wheels" tease at the end, I'm already counting down until the flag drops on the next issue.

The final page teases that this story arc is far from over and I’m buckled in for the whole ride.

I absolutely love everything about this series and can’t wait to see where things go next!

IDW needs to give Stephanie Williams the keys to this franchise on a regular basis. This annual demonstrates that she understands what makes the Street Sharks tick at a character level, and more importantly, she knows how to construct a story with momentum and payoff inside a compressed format. More Williams on Street Sharks. More Street Sharks period.

Looking ahead, the solicitation for the upcoming “House of Braniac” arc teased on the last page definitely piques my interest. The prospect of a Braniac-centric arc playing out across both Superman and Action Comics is intriguing, and I’m eager to see how Williamson tackles this level of big bad, especially since I never bought Pharm & Graft as major threats.

The “House of Brainiac” event continues in what was probably my least favorite issue of the event so far. However, it was still an enjoyable read w/ some epic moments!One of the highlights is the artwork, which continues to impress. Sandoval & Mendonça’s illustrations are dynamic & engaging, w/ two awesome splash pages early on showcasing Superman & Lobo’s battle. The light/elemental effects throughout the book are also really cool design elements that add depth to the scenes. Alejandro Sánchez’s vibrant color palette makes each individual environment unique, particularly the dark tones of Brianiac’s ship.However, the issue’s pacing feels a bit disjointed, w/ too many plot threads competing for attention. Superman’s capture & delivery to Brainiac, Supergirl & Lex’s meeting Vril Dox, Lena Luther’s brief reappearance, & Brainiac’s awakening his new creation all feel like chess pieces being moved into place for the next phase of the event. While this setup is necessary, it makes the issue

This issue is comprised of 3 mini-stories meant to provide insights on how the current Brainiac storyline is playing out across parts of the DC Universe we haven’t seen yet.Superman scribe Joshua Williamson helms the 1st & 3rd stories & writes them as if they’re part of Brainiac’s mission log. The 1st story provides background on the villain’s past conquests on Krypton & Czarnia, giving readers some more explanation of why Lobo is involved. The 3rd story sheds more light on how Amanda Waller fits into Brainiac’s plans. It was easily my least favorite of the 3. Neither of these stories was groundbreaking or felt like they’ll have major payoffs later on, acting more as fillers for some event-specific world building.Mark Russell joins the fray for the middle story & focuses on Perry White’s struggling mayoral campaign. This one gets an outsized amount of pages compared to Williamson’s, and it’s a not-so-subtle metaphor for the US’s current state of political discourse, using the anti-Supe

What's most impressive about this debut issue is the sense of scope and direction that Aaron establishes from the outset. It's clear that he has a plan in place to bring the brothers together, but the journey promises to be just as compelling as the destination. Teenage Mutant Ninja Turtles #1 sets a new standard for the franchise, delivering everything fans could possibly want and then some. If you're a lifetime TMNT comic fan, or are looking to jump onboard for this new run, get ready for one shell of a great read.

Teenage Mutant Ninja Turtles #2 closes with its last few pages tying it into the debut issue & sets the stage for what’s to come. Leonardo will get the spotlight in the next issue and I’m keen to see if Aaron will continue this trend of tying the stories together or if we’ll need to wait until these first four issues are complete for our first look at the series main arc. Even without that immediacy, these first entries are still can’t miss issues that will serve as the foundation for all that is to come. I can’t wait!

While this may not have been my favorite issue, I’m still very excited for the direction Aaron is taking us. I can’t wait to see what’s in story for Donnie in the next issue and then where Aaron decides to take things once the turtles reunite.

While this may not have been my favorite issue, I’m still very excited for the direction Aaron is taking us. I can’t wait to see what’s in story for Donnie in the next issue and then where Aaron decides to take things once the turtles reunite.

TMNT The Last Ronin Re-evolution #1 is a satisfying opening chapter that sets the stage for a new saga, though I’d be lying if I said there wasn’t something missing. I applaud the attempt to introduce new characters, but it’s hard to fully capture the magic of TMNT without any of the OG turtles involved. I trust this team so I’m willing to bet we’re in for a great ride when all is said & done. I was just expecting a bit more given how much of an instant classic the Last Ronin was.

Overall, The Blood Brothers Mother #1 is a gripping and intense start that isn’t for the feint of heart. Even though my blood was boiling with each new action Carter took, I couldn’t put this story down. My only complaint is that there isn’t a ton of focus on the Blood Brothers themselves, so it will be interesting to see how much character development Azzarello puts into the next issue while still moving the plot along.

With only three issues left, there’s still a long way to go from where we are to where things end based on the teaser in the first issue. Hopefully Thompson won’t have to rush the plot along to get use from point A to point B because I find her character work (minus the random hookups in this issue) to be strong, though I am really interested to see the world start falling apart. I worry we’re about to get a lot thrown at us in a short amount of time or be left with a major cliffhanger.

Overall, the issue reads like Miracle on 34th Street meets Fargo meets True Detective — a mashup I never knew I wanted or needed, but holy jingle bells do I know it now. I loved this issue so much and can’t wait to see what other horrors this team has planned for us. This ranks up there as not only one of the year’s best new debuts, but has the making of one of Tynion’s best series ever. Make a list, check it twice, buy The Deviant #1 on Wednesday, it’s beyond worth the price.

With one issue left, May has set up a conclusion that has every ingredient it needs to be something special. The supernatural threat is now fully visible and terrifying, the character stakes are as high as they've been, and the geopolitical machinery surrounding the horror has been wound tight enough to snap.

Overall, The Horizon Experiment: The Manchurian #1 isn’t just a great comic, it’s an important one above all else. It’s the first part of a highly ambitious project that seeks to bring equity to those who’ve previously been cast as “others” in traditional American storytelling. Kudos to Image Comics for seeing Pichetshote’s vision through and I can’t wait to see what the next four stories have in store for us.

Overall, The Hunger and The Dusk Book Two #3 is another exceptional installment in this high fantasy series. Wilson's storytelling and Wildgoose's art combine to create an engaging world, expertly balanced with character development and action.

The color palette, courtesy of Browne and Kevin Knipstein, is vibrant and eye-catching, adding to the overall sense of visual excitement. Christopher Crank's lettering is top-notch, ensuring that the dialogue and sound effects flow seamlessly throughout the issue and match the overall visual package.

We're at seven out of nine issues, and the finish line is approaching fast. If The Lucky Devils sticks the landing, it could stand as one of the best limited series Image Comics has put out in years. Based on this issue, I'm betting it will.

This was a beautiful conclusion to what has been an amazing story, expertly balancing action, drama, &, best of all, heart. Johnson’s storytelling is both haunting & hopeful, leaving a lasting impression on me.

Overall, Christopher Chaos #6 is not only an excellent concluding chapter to the series’ first arc, it’s a game-changer as well. It not only expands the world-building but also offers an intriguing epilogue which hints at a grander conspiracy we’ll begin to explore in the next arc which kicks off next month. If you haven’t had a chance to dive into this first phase, the first six issues will be collected in The Oddly Pedestrian Life of Christopher Chaos Vol 1, which hits shelves May 22, 2024.

Overall this was issue blew me away. It was so well crafted and dealt with different relationships in beautiful ways, while paying homage to the monster we all know from Mary Shelley’s literary classic and giving us more background on the version of the monster we’ve come to love in this series. I’m excited for the next main arc to start in issue #9, but I can’t wait to see how this mini-arc wraps up in the next issue!

Overall, this two-part story may have been more impactful if condensed into a single, oversized issue as a bridge between the book’s main story arcs. Stretching it across two issues created a drag on the narrative momentum and ultimately left me feeling a bit unfulfilled after such a long gap.

I also need to give a special shoutout to two of the cover artists for this issue: Nick Robles with the main cover and Luciano Vecchio’s variant. These are not only awesome covers, but stunning works of art! The Oddly Pedestrian Life of Christopher Chaos #10 seemingly marks a turning point for Christopher himself and is a must-read for fans of the series!

This week’s issue marks the climactic end to this delightful series’ 2nd arc! (How are we already 2 arcs in btw?!?) Christopher’s growth has been a particular highlight this arc and writer Tate Brombal crystalizes it perfectly with the character’s issue-long narration pondering the what makes someone good or evil. His conclusion that good/evil isn’t a binary trait and continuously TRYING to do the right things is what really matters is something I don’t think he would have said when we first met him. Seeing someone so young, and who has always known himself to be an “other” in society’s eyes, go through what we’ve seen and now be able to articulate this kind of life analysis is so wonderful to see. It was also so great to see him take on a leadership role when he’s been so reluctant to do so previously. Christopher has come so far and I’m so proud of him!So much of his growth is thanks to the beautiful friendship he’s built w/ Jordi, Viv, & Adam. Christopher’s thesis on trying to be go

That dynamic is why I love this series so much. Gillen & Wijngaard are building intrigue without telling us every single detail about the world they’re building, especially as it relates to what these godlike characters are capable of. We’re getting clues along the way, whether it’s Gillen’s sharp dialogue or Wijngaard’s evocative visuals, to inform us that we’re always on the precipice of global Armageddon.

In some ways, this story reminds me of Helen of Wyndhorn, with its fantastical backdrop while still focusing on very real personal matters. Even though her interactions with her goldfish Gilbert, Spring clearly has some unresolved issues stemming from her dead parents. Her sisters also have their own individual problems and none of the 4 appear to be on great speaking terms. It all adds up to a captivating adventure full of heart. If you haven’t checked out this series yet, you should definitely give it a read!

The Seasons #6 is a visually inventive issue that pairs creative feats with emotional stakes. The series continues to be one of the most compelling and consistently strong books, issue after issue, on shelves today and I'm eager to see where the story goes from here.

I sat down with The Smart Division expecting a slick sci-fi detective story and walked away rattled about the world outside my window. That is the highest thing I can say about a comic right now. This is a perfect debut and one of the most relevant books on the stands, and I cannot wait to see where the case goes.

While the banter between the Peter & Miles is undeniably fun, this debut suffers from a lackluster plot and a very questionable narrative justification for why this series even exists.Greg Wesiman wrote some really fun dialogue between these two heroes. Their witty exchanges and friendly jabs provide a lighthearted tone and had me giggling most of the way, save for the slightly cringe talk of picking up girls in a college coffee shop. However, the story itself felt uninspired. The two decide to just “hang-out” once a week to chat? Ummm, ok. Can that reasoning really sustain an ongoing series?The issue’s conflict unfolds predictably, offering little in the way of surprises or tension. Humberto Ramos’ art is undeniably energetic, with dynamic layouts and action sequences that leap of the page. His signature style perfectly captures the movement of the web-slinging heroes. However, the non-action sequences felt a bit boring.Overall, this was a fun but ultimately shallow team-up issue that

Marquez’s creator-owned debut is a smashing success. The first issue sets the stage for a thrilling series that promises to deliver complex characters, supernatural mysteries, and a captivating plot. The UnChosen has all the ingredients to become the next great indie fantasy comic book!

Overall, The Voice Said Kill #1 is a gripping and intense debut that showcases Si Spurrier’s range as a writer. With its slow-burning narrative and vivid, visual world-building, this is definitely worth adding to your pull list!

Despite these drawbacks, They Choose Violence #2 is a gripping read. The series' unapologetic approach to tackling tough issues can be therapeutc.. With some refinement in pacing and characterization, this series has the potential to be truly exceptional. For now, it's a compelling and unsettling ride that's worth checking out.

Overall, Toxic Crusaders #1 was a grossly entertaining read that’s perfect for fans of the original cartoon or action figures or who just enjoy a fun team-up comic. It’s got a wild storyline with meaning, imaginative art, and entertaining characters. What more could you ask for?

Johnson continues to raise the stakes for this new Transformers series and he’s clearly showing his ability to write action sequences, but he’ll need to keep winning me over to convince me there’s more to this new series than just robots training for WrestleMania.

There are certain issues in every comic book series where you have an “aha” moment and fully realize a creators vision. I’m pretty Transformers #4 was that for me and I am now fully on board with where Johnson and Spicer are taking me. These characters are now ones I’m invested in emotionally and the stakes immediately feel raised. This was a payoff issue in the truest sense and we, as readers, hit the jackpot.

This has quickly become one of my favorite current ongoing series and this issue only added to my wild excitement.

Transformers #9 is a must-read for fans of the franchise and comics in general. Johnson's passion for the series shines through on every page, even more than it has in the past, making this a truly unforgettable issue.

Through what is now two full arcs, DWJ has brought a depth to the Transformers Universe that I didn’t expect to encounter in my first comic book experience with the IP. With each review, I feel like I’m running out of new ways to say that this is a can’t miss series but the entire creative keeps pumping out brilliant work that requires me to do so.

Transformers #32 is a great-looking, action-heavy issue that I wished had given itself a little more room. Howard and Spicer are an excellent team to handle a war on Cybertron, but the quieter moments have always been some of this series’ best beats. It felt like it was missing to really provide the full weight of the situation, but I’ll give this team the time they deserve as this arc plays out.

Bryan Hill has teased us long enough with something monumental lurking beneath the surface, but I’m now getting restless waiting for things to come to a head. There’s not enough meat on this bone to hold my interest for much longer.

Hickman's vision for this new Ultimate Universe is becoming fully realized. He's assembled a creative team firing on all cylinders, with Ultimate Spider-Man already in the running for Marvel’s best current series. It’s a must-read for any Spider-Man fan, new or old. I can only hope it keeps slinging issues this good for a long time to come!

Overall, this is another gripping & character-driven issue that sets the stage for more interesting plots to keep unfolding. Hickman’s bold storytelling choices may seem out of place in a Spider-Man title, but he has completely redefined the character in just a handful of issues.

Ultimate Spider-Man’s debut issue instantly proved this new Ultimate Universe had leg. It gave the other series a platform to explore familiar concept in new ways that didn’t feel like cash-grab gimmicks. Nearly 10 months later it remains the Universe’s crown jewel & continues to impress & build on its own success w/ each new issue.

I don’t know how, but Marco Checchetto gets better with every issue. Everything in the Savage Land scenes looked amazing. And his action sequences, including the close up of Kraven using a handheld Gatling, were kinetic and emphatic. Matt Wilson used a wide-ranging palette to beautifully bring it all to life.

Hickman’s task of launching Marvel’s new Ultimate universe couldn’t be off to a more intriguing start. And if this special issue is any indication on what we can expect from Marvel’s new Ultimate universe, we’re in for a real treat. Editor Will Moss has shown that he’s capable of crafting a multi-series arc in the past and let’s hope he’s up for the task again.

Peach Momoko’s Ultimate X-Men #1 is unlike any X-Men story I’ve ever experienced because this ain’t your typical mutant comic.Momoko throws us headfirst into a world steeped in unsettling horror vibes, but it is so much more. Momoko weaves a narrative rich with emotional depth and touches on serious mental health topics. Beneath the surface of shadowy figures lies the beginning of a powerful coming-of-age story. Hisako/Armor’s struggles with self-acceptance and the weight of extreme, traumatic guilt. Momoko handles these serious themes with incredible grace and heart, making you truly invested in Hisako’s journey. She didn’t try to do too much with this first issue and I think it really helped her introduce us to this new world.Of course, no Momoko comic is complete without her signature artwork. The classic manga style is simply gorgeous, adding another layer of depth and intrigue to the narrative. The way she portrays the fantastical elements alongside the grounded reality of Hisako’

I feel like I’m beating a dead horse at this point, but Peach’s art is sublime. She’s created the most distinct environment in this new Ultimate Universe, to the point where it feels like it’s operating in a whole different plane of existence. From the creepy shadows, to the moody rain storms, to Hisako’s vibrant armor, Peach has fill this book with visuals you won’t soon forget. I also love the Lexicon she uses at the end of each issue. It’s more Peach art & a history lesson in one!

One of my favorite aspects of this series is Momoko's thoughtful inclusion of cultural Easter eggs throughout her stories and then providing context via additional backup notes. This issue included students preparing for the Bunka-sai festival at Irodori High School and offered a fascinating glimpse into Japanese culture. As someone with an appreciation for Japanese culture, these touches are a delightful bonus. I’m so glad Momoko has chosen to share these parts of her own life with us.

If there is anything missing from this series after the past few issues, it’s that I wish we got to see more team ups happening. We’ve seen the recruitment of exciting new characters, but we haven’t spent much time with them after their introductions. We’re five issues in and I really want to see what they can all do together! However, the issue’s cliffhanger makes me think that’s thankfully not too far off.

Overall this was another great issue in one of Marvel’s best series! Did you pick this one up? Let me know what you thought!

As a piece of the larger Ultimates puzzle, this issue does something valuable in tying up one of the series' longer-running threads while simultaneously making you feel the human weight of everything the bigger story has been building toward. As a standalone, it works just as well. This is a genuinely evocative Captain America story that holds its own against the best the character has ever been given. Don't miss it.

While this issue might not be the best jumping-on point for new readers, or even the most ideal reintroduction for returning fans, it still offers plenty to feast your eyes on. By the end, I was back to being excited for what's to come, and I'm eager to see where Harren takes this story next.

While MacKay’s X-Men felt like a return to Morrison’s New X-Men, this series felt like a nod to Claremont’s best days on X-books in the best way possible. All in all this was what I had been hoping for out of this Gail Simone series. It’s easily one of my two favorite ‘From the Ashes’ series so far (behind only NYX) and I’m so ready for more! Don’t miss it!

This volume of Uncanny X-Men by Gail Simone and David Marquez is quickly becoming one of my favorite X-Men runs of all time. I’ve been hesitant to say it for a bit because it’s still so early on, but I feel confident planting that flag with this week’s Uncanny X-Men #5 wrapping up the first arc.Marquez has introduced a visual identity that is so fresh for an X-book which is a near impossible accomplishment for a franchise that’s been around for 60+ years. Even more impressive is how freaking GORGEOUS it is, especially paired with the colors by Matt Wilson! This issue’s battle between the X-Men & Sarah’s horde of monsters played out in a cinematic style, with Marquez drawing motion and Wilson utilizing a wide range of colors to give individual character moments their own unique visuals. The fiery orange of Calico charging, Ransom’s ethereal mix of colors, and the deep greens of Gambit unleashing the Eye of Agamotto’s powers were some of my favorites. I’d also be remiss if I didn’t again

I say this every issue, but I can’t get enough of the Outliers & this week’s issue made me want even more!I loved getting Calico’s backstory to kick things off. It made her refusal to admit she was a mutant make a lot more sense and her new embracement all the more powerful. Gail Simone wrote that scene between her and Gambit beautifully. Simone is also working magic building up Ransom into the protector of his fellow Outliers without making him a one-dimensional muscle or himbo archetype. Even Deathdream got a great character moment that evolved him beyond an (hysterical) emo one-liner machine. If this issue had only been a out their first day at school, I’d have been completely satisfied. This foursome (as well as the new trio in Exceptional) have been my part of this new era & I hope become staples of books long after From the Ashes concludes!The stories for our mutant veterans were more of a mixed-bag this issue. Rogue & Wolverine get into a touchy conversation about Logan’s mental

Overall, Usagi Yojimbo: Ice and Snow #2 is a wonderful follow-up issue after a successful debut for this next arc in Stan Sakai’s seminal rabbit ronin series. We get great plot development, as well as exciting action and humor that balance the issue wonderfully. For those who have yet to jump into the world of Usagi Yojimbo, these first two issues serve as the perfect starting point.

Vicarious #1 will leave you questioning the implications of our own increasingly virtual lives. With a theme that hits so close to home, this series is sure to make readers feel uncomfortable in the best ways possible. I'm eager to see where Parrott takes this story next, and I'm confident that Vicarious will be a series to add to you pull list in the months to come.

This does little to connect with anything happening in Krakoa. Instead, it feels like a desperate attempt to capitalize on the upcoming Deadpool & Wolverine movie with a forced injection of Wolverine content.The narrative itself offers nothing new other than Jane Howlett, a female Wolverine. It’s a predictable Wolverine tale with a team of forgettable mutant grunts thrown together for a plot that also feels thrown together at the last minute. It felt like they took the playbook from Dead X-Men and replaced those mutants with a lineup of different Wolverines, swapped in Onslaught for Moira, and used Jean as their timeline pilot instead of Askani. I don’t care for Dead X-Men and I cared even less for this.The only saving grace was that artists Yildiray Çinar & Noah Woodard made parts of the book really cool to look at. The action played well and there was a great mixture of different color palettes. Other than that, I don’t have many other positives for this one.

This was a good old fun comic! Gerry Duggan clearly has a knack for capturing Tony’s personality. His great work on the character in the recent IRON MAN run carries over here with Tony’s idea for a new Avengers team coming together in spectacularly terrible fashion. The humor butts right up against jumping the shark when Tony scoots his way to the action because his older suit runs out of power. I was DYING at the image of him showing up still seated & trying to bribe Blue Bolt into giving him a boost. Superhero comics don’t have to take themselves so serious all the time & Duggan plays with that so well here.But Duggan also includes some more somber moments as well, including a great convo between Tony & Jessica Drew & then seeing the state Firestar is in after her time with Orchis. Angelica is in a BAD spot mentally right now & it’ll be fascinating to see how she adapts to this new role Tony is offering her. I really hope she’s built back into a formidable hero the way her arc was tr

Overall this was is a decent slice-of-life story, but its placement in the larger narrative is questionable. While the glimpse into WW & Superman’s friendship is enjoyable, I wonder if now was the right time to show it w/ WW’s showdown against The Sovereign awaits.

The backup story again centers on Lizzie, Jon, & Damian. Similar to the main story, this entry also wasn't my favorite compared to others we’ve gotten. The bickering between Jon & Damian felt redundant to arguments we’ve seen between the two, but I did love their solution which resulted in a fun cameo! What I will never tire of is Belén Ortega's designs for young Lizzie. Her costume is absolutely adorable and if someone doesn’t turn it into a real-life Halloween costume this year I will be so disappointed.

Waid and Lupacchino have been doing an amazing job modernizing the classic Teen Titans team and while the first two issues have been stellar, the creative duo outdid themselves this week. The duo continues to make this series nothing but pure fun in both story and visuals. Someone at DC needs to upgrade this to an ongoing because every issue has been a home run so far and I can’t believe we only three more issues before it ends. Say it ain’t so!

I’ll be giving this series a couple more issues to find its center, but this has been one of the biggest fallers for me. It’s now towards the bottom of my favorite books in this new era and with so many X-Men books out right now, I don’t feel the need to stay on all of them.

It was great to see X-Force get back to the basics but it felt like a fleeting issue in the grand scheme of things. I’m really ready for this Mikhail storyline to be over. Mikhail looking to use the mind-control powers on Orchis offers an interesting wrinkle for the larger Fall of X story, but it doesn’t feel like it’s entirely relevant to this series.

Overall, X-Force #50 is a visually impressive comic, but it stumbles in its attempt to deliver a satisfying conclusion. While the action sequences are undeniably exciting, the story’s core thesis feels underdeveloped.

While the story itself might not break new ground, it serves as a satisfying bridge leading up to the show’s revival. I do wish we would have gotten this before the series premiered, but this injects pure nostalgia w/ a fresh coat of paint, leaving me eager to dive back into this beloved world.

I’m not afraid to say I was initially hesitant for this new relaunch, but MacKay & Team have me completely sold now!

Ryan Stegman was back on art this issue & I can’t believe how quickly I’ve now associated this run w/ his art. I loved what Netho Diaz did on the last issue, but seeing Stegman’s art brought back after even just one issue gave the story an immediate feeling of familiarity. He gave us some really neat designs for the psychic journey & the visuals depicting 3K’s experiments were truly horrifying. The additional inking by JP Mayer & Livesay gave Stegman’s designs depth, especially during Cassandra’s reveal & Marte Gracia’s colors elevated it all to another level. Loved his use of pinks & greens! Clayton Cowles’ lettering approach to the psychic comms was really cool & I couldn’t remember seeing it down this way similarly. Extra snaps for creativity!

This issue feels like a setup episode in a TV series, reminding readers of the various plot threads before the story accelerates. With the "Raid on Graymalkin" crossover event approaching, I hope these smaller plot points begin to pay off. While X-Men #6 is a solid, if unspectacular issue, MacKay's storytelling and the art team's excellent work are keeping me invested in the series.

Overall, this was a really exciting start to the event and I’m eager to see what the Uncanny creative team has in store to up the ante in the next chapter. So far, MacKay’s doing his usual top tier writing and the art team is matching him stride for stride.

X-Men #27 isn't a bad issue. It's a competent and purposeful chapter that does what early issues in an arc are supposed to do. But it does feel like a transitional one, and the new villains haven't yet given readers a reason to care about them beyond the threat they represent. With Cyclops promising payback and the full weight of the Danger Room's plan now clear, we’ll see if this set up delivers in a bigger way. Whether MacKay can make us genuinely invested in this crew before they're inevitably defeated is the question the arc still needs to answer.

This was a confusing hodgepodge that was the latest disappointment in the Fall of X. Gerry Duggan's script throws various plot elements at the wall, hoping some will stick, but ultimately leaving us with a disjointed mess. The issue lacks focus, bouncing from scene to scene without a clear narrative flow or explanation. Characters randomly show up from out of nowhere when they have either been MIA completely or are part of other ongoing stories.One glaring weakness is Duggan's portrayal of the female X-Men. Gone are individual, complex personalities. Instead, they're reduced to one-note stereotypes, trading snarky quips with little to distinguish them from each other. Its as though he's writing these characters for meme-potential and its infuriating. This shallow depiction is a disservice to the rich history of female mutants, especially for an issue released so close to International Women's Day.Perhaps the most frustrating aspect is the X-Men's casual approach to violence. Duggan por

The X-Men: Hellfire Vigil #1 was everything I wanted from this special issue. There were so many great character moments & I loved the cohesion between all the insanely talented creators who pitched in on this book.

Adding to my frustrations, the story we got made the main cover art feel like a complete bait and switch. Jean/Phoenix played an extremely minor role when you would have expected her to be the core character if you picked up the book based on the cover. Hopefully the remaining three issue in this miniseries can quickly recover because right now I’d rather forever be over.

This was a double-edged sword. On the one hand, it provides new context to Hope’s origins, which is a nice finale to her character arc over the past few months. It’s clear Gillen aimed to give her the closure she deserves & her fans will likely appreciate this effort.However, the issue falls short in its larger ties to Krakoa’s finale & the portrayal of Enigma. After being built up as an omnipotent villain, Enigma is easily outmatched in his first confrontation, which felt anticlimactic & disappointing. This lackluster showdown undermined the tension.The reunion between Destiny & Mystique also fell flat for me. After coming out guns blazing last issue, Mystique is ready to forgive Destiny after one apology in the span of 3 panels? C’mon.There’s one panel when we see what’s become of the mutants left in the White Hot Room that felt like a perfect encapsulation of my feelings on the Fall of X storytelling. LOTS of words on the page w/ little meaning. I had to laugh & wonder if this was G

Foxe & team give the plot a reason for existence beyond simply filling the gap before the "From the Ashes" era begins. However, I couldn’t help but be reminded that this was meant to be a fun distraction until that new era debuts when a literal distraction causes the tournament’s participants to already abandon the tournament by the issue’s end. Overall, X-Men: Heir of Apocalypse is off to a promising start even if it ends up reduced to a quasi-epilogue to the Krakoan era.

This issue definitely takes a break from the battle-heavy previous issue to build up one specific character, but the ending indicates the war is far from over and Storm and the Brotherhood are going to be facing some very long odds. Given the work Ewing did here, I would be shocked if the Fisher King didn’t factor into the endgame somehow and I can’t wait to see how this all plays out.

DC has a lot of great books right now. This one belongs at the top of your pull list.

This is an epic debut from a master creator at the top of his game. I can’t recommend this issue enough and I’m counting down the days until I can feast my eyes on what comes next.

I was enamored with the first issue and ZAWA + The Belly of The Beast #2 only reinforced exactly why I loved everything about this story. Michael Dialynas is creating something truly magical here and I can’t wait to see how this all plays out. The story is engaging, the characters are captivating, and the art is gorgeous. This is going to look AMAZING in a collected trade and I hope more readers are able to discover it then if they’re missing out on these single issues because it is already a must-read monthly pick-up for me.

Dialynas' talent & the inherent charm of Zawa's story spark a desire to see this world & these characters explored further. Here's hoping we get future installments where Zawa can get the room she deserves to experience some much deserved freedom & happiness (& maybe enjoy a few more cookies)!