Weapon Plus feels like an excellent accompaniment to the other Carnage stories and will hopefully continue to present itself that way.

Aero has a distinct manga-like flair that shines in its fifth issue even if this chapter in the story does feel a bit busy at times.

Aero's main story is a relaxing one in the sixth issue even if it doesn't move things along very much.

Aero's style still dominates the series, but its story is moving forward a bit too slowly in this latest issue.

Valeria's quest in Age of Conan: Valeria looks to be one worth accompanying the warrior on.

The volatile nature of the whole world of Valeria makes it so that one could doubt the hero's safety even though it's a guarantee that she'll carry on, and it's that tension that'll help carry the series regardless of what turns the narrative might take.

Valeria #3 also continues the Conan trend of expertly balancing the "then and now" of a narrative through seamless transitions which make even the biggest of time jumps easy to navigate.

It's at its best when depicting the characters expressively during their emotional peaks, and while it's no doubt an important chapter for the overall story, this feels like a rare miss for Valeria.

Antonius' story could've benefitted from a more decisive end given his importance, but Valeria's chapter is still a strong one in the Conan collection.

There's a bit of a pacing problem at the start of Age of X-Man: Apocalypse and the X-Tracts #1, which is a shame since the unique mutants deserve some time to get to know them.

All of these events transpire at a reasonable pace that doesn't linger on one event for too long and sets up what'll hopefully be an eventful encounter in the next issue.

The hunt for Omega Red continues, and on that journey, we're greeted with some beautiful artwork in panels with Unveil and Genesis.

As always, the artwork from any page where Unveil makes an appearance is contrasted wonderfully by the otherwise bleak style and story of the rest of the series and is dazzling in its own right.

The story will continue in Age Of X-Man Omega, but it felt like this fifth issue lacked an element that would help bridge the two series together.

Two young adults wanting to leave town and see the world is a path that's been trodden many times, but Kismet and Jani are characters compelling enough to draw readers back in for another go.

Bad Luck Chuck #1 is a strong introduction to a character that I can't wait to learn more about.

Bad Luck Chuck's blocky art style mixed with a bit of grit is so intriguing that it could probably support the entire story without any dialogue, but it'd be a shame to do so since you'd miss out on learning so much about Chuck's character.

Bad Luck Chuck is a world I'd be happy to return to, if that's the case.

Bizarre Adventures #1 is four stories wrapped into one, each of them varying in degrees of intensity and humor while also featuring wildly different styles.

Crackdown shows promise with the action scenes it touts in the first issue though, so hopefully future issues will focus more on that and fleshing out characters.

Crackdown's got a compelling enough story so far and I'd like to see where it goes, but both the action and the characters need special attention to straighten Crackdown out.

There's nothing necessarily wrong with the first story in the book aside from possibly rushing too quickly to its end, but it's the second story with Scrooge McDuck and company that stands out.

If Doctor Doom wasn't at the top or even in the top three of your favorite Marvel villains, that might change by the time this Doctor Doom run is through.

Doctor Doom #3 digs deeper into a world of multiple timelines and existences in the human world and the afterlife, but it does so in a manner that avoids being too convoluted.

Doctor Doom #4 is pretty much a superpowered tower-breaching story set to the tune of a challenging conversation going on between two great minds, and the issue does a tremendous job of handling both scenarios at the same time.

Ducktales #20 has a few laughs peppered into its pages, though there's unfortunately not much that's remarkable about the issue.

Farmhand's understated comedy will also grow on you and helps balance out some of the darker, more ominous themes.

This issue's a suspenseful one, and it looks like its steering the book towards a much darker path than it's already on.

Underneath that weightiness is an exciting prison break story filled with unexpected turns of events, so perhaps the rest of Future Foundation will follow this path now that the introductions are taken care of.

Future Foundation's quick pace is also appreciated"the heroes have to stay on their toes just as much as readers do as plans change and events unfold.

The third issue of Future Foundation is a dense read at the start, but it finds its footing soon enough.

It's all succinctly bundled into a compact issue full of stylish clashes and foreboding implications for the conclusion of Future Foundation.

Future Foundation wraps up its story in the best way it can, but it still falls victim to the pitfall the first issue experienced where it doesn't give enough time to become acquainted with its characters before moving their story forward.

Hivebusters #1 goes right up to the edge of being overly long but ends at just the right point that left me with optimistic expectations for #2.

It's an excellent introduction to and continuation of the Ghostbusters that feels like it has much more to offer.

Many stories set in Gotham look to explore the bleak, seedy underbelly of the city, often succeeding in their attempts. But considering how Gotham is already at a critical point under Bane's control, a microscope on the volatile Monstertown that zooms even further on some of its most captivating citizens is perhaps one of the best examinations of Gotham's dark side.

Compared to the strong, measured start of the opening to Gotham City Monsters, the second issue feels rushed and loses some of its grit.

Gotham City Monsters still has its dark charm to keep it going, but the chemistry between the six characters simply isn't clicking enough to support the story.

The big fights and wide depictions of the monsters coming together and Melmoth's Mandrills taking action still hold strong as they have since the beginning though, and combined with the hope of more decisive moments, they carry Gotham City Monsters forward.

Gotham City Monsters #5 is just the refresher the series needed, a return to some of the early charm that somewhat diminished along the way.

Redemption and creative decisions in the heat of combat come together in the end to succinctly wrap up the story of Lone Wolf.

With bold colors that seem to give off a glow on every page coupled with the story of a seedy criminal underworld and unknown adversaries, Hawkeye is setting itself up to be a compelling thriller and an excellent introduction to the hero.

Every series should explore alternate dimensions at some point to give imaginations a chance to run wild, and Invader Zim performs well during its turn.

The jokes and interactions between don't even elicit a smile which leaves out a huge part of the Invader Zim formula that relies on that humor to balance out its darker, stranger moments.

Invader Zim #42 stands out as a bright spot in what's felt like a rut the series has fallen into in the past few issues.

Despite having a decent enough story about Dib overcoming a gauntlet of meat-skiing challenges and looking pretty enough for a story about Meat Mountain, this issue just doesn't have the humor to back up everything else.

A fairly so-so Invader Zim issue about hurting meat and caring for inanimate objects was made a winner by its last few pages.

Given how well this issue is structured, seeing that it'll continue on to at least a second part is a welcomed sight.

Ironheart #4 has some beautiful scenes and helps round out the characters as more tangible people, but it doesn't always do so in the most digestible way.

Riri becomes more likable, relatable, and skilled with each issue while retaining the integral "still learning" aspect of her character.

The story is paced so well that it'll feel shorter than it is, and it's bolstered even more by the appearance of Morales' Spider-Man.

Ironheart has been working its way upward in the past few issues, but #7 feels more like a plateau that'll hopefully be crossed soon.

Based on what we've seen in this issue, it looks like it's time to start paying more attention to Ironheart considering what's to come.

Ironheart #9 sends Riri to Wakanda, and in the process, we're gifted with one of the best crossovers the series has offered.

"Shuriri" is turning out to be one of the best duos the series has introduced so far, and the chemistry between the two only strengthens with every conversation and battle they share.

The penultimate issue of Ironheart has what's likely the biggest revelation in the entire series with the actions and emotions to back it up.

Ironheart focuses more on developing Riri as a character than it does on flashy fights against her adversaries, and the result is a big pay-off even if you've only been casually invested in the character.

James Bond is off to an explosive start and has the potential to only get better from here.

Bond's character feels like more of a supporting role at this point, but given how charming the other two protagonists are, that's not a bad thing.

Ashe: Warmother #3 continues to build League of Legends' universe by following Ashe's journey after she lost her tribe and acquired her signature True Ice bow, and it does so at a pace that's both fulfilling to those privy to League's characters and others who are just now being introduced to the lore.

Jumping into an established property in a way that's welcoming to newcomers while still being engaging to existing fans seems like a challenging task, but the first issue of Lux balances the two audiences perfectly.

The fanservice for League of Legends fans runs just as deep in the second issue of Lux as it did in the first.

Right and wrong come smashing together in #4, a blurriness that's exemplified by how charismatically Sylas is drawn and written.

There's a lot to unpack in this story for a first issue though, so it might require a second pass, but that's hardly a downside considering how easy it is to become immersed in Little Bird's world.

The more you see of Little Bird's bleak world and its gruesome inhabitants, the harder it is to not become engrossed in the series.

If you thought you had Little Bird figured out, you might not be so sure after this issue.

Little Bird's conclusion is an epic and brutal one, an issue packed with enough gruesome scenes and unforeseen events to fill up another entire series.

Some things are better left to the imagination or left as teasers to go along with the big reveals, a balance which future issues of Manor Black will hopefully succeed in reaching.

Manor Black finds a better footing and starts to take on a more concrete form in its second issue as we learn much more about Ari and a bit more about the mysterious Black family.

Manor Black #3 is an important and necessary issue for the story to move things along by explaining the laws of its magical universe we're temporarily inhabiting, but it's not a particularly exciting one compared to what came before it.

Something seems to have finally clicked with Manor Black. Perhaps it's how quickly the events of this issue spiraled out of control, or maybe it's because we finally got to see the full dangers and powers of the magical world, but Manor Black #4 shows that the series is on the rise.

It's filled with highs and lows of Spider-Man puns and humor that'll either make you grin or roll your eyes, and it's an important steppingstone to the day that we'll see what a fully-functional Spider-Man team can do.

It's difficult to think of another superhero team that could pull off the charming dynamic that Peter Parker, Gwen Stacey, and Miles Morales have together.

While this version of Spider-Man is geared towards a different than the more visceral depictions of Venom have been, it handles the character's introduction well by establishing his place in the power hierarchy of heroes, anti-heroes, and villains and depicts him as a larger-than-life character compared to the normal heroes like Ghost Spider.

Though filled with action, the main fight probably went on a bit longer than it should've where quips replaced impactful moments, but it at least had some imposing designs for Spider-Man's villains and sometimes-villains to back it up.

It gets a bit hokey towards the end when yet another character makes a surprise appearance, but it fits the tone of the series overall and neatly lays the foundation for future team-ups.

The comics within the issue that reference Captain Underpants and Thanos' "magical space glove" could stand apart as their own projects, but being a part of this particular formula makes the whole effort that much better.

This might also be one of the only times Spider-Man is seen in a battle royale game, and it's a strong start for the rest of the series.

It feels like it'll be an important comic for those wanting more backstory on the game since it sets up the potential for discord within the Avengers team, but the dialogue between Thor and Banner during their quarrel just didn't feel genuine even if they were being manipulated.

The Avengers feel fresh, modern, and vibrant in the way that they're depicted here, though we'll hopefully see more personal moments with each member of the team even if the series focuses on Iron Man over others.

You'll fly through the 80 pages found in Mastermix #4, but it's worth a second read right after to soak up all the details.

The earth-shattering fights might be what you're here for, but our guess is that you'll get much more than that out of No One Left to Fight #1.

No One Left to Fight found its groove quickly and has people hooked"now all it needs to do is show us what these heroes are capable of.

Vale's uncomfortableness with Winda at the beginning conveys itself so strongly that it's passed on to the reader as the issue melds together one emotion after another while further exploring the world of No One Left to Fight.

Four issues in and No One Left to Fight is still managing to deliver on its promise of being the comic you've always wanted.

Make no mistake: No One Left to Fight #5 is a fittingly epic conclusion to the series that delivers on its promise of being a full-on fight for the ages.

More sci-fi tropes come alive in Outer Darkness #6 as the crew of the Charon contend with a demon that's hunting them aboard the wrecked ship.

In Outer Darkness #7, we finally get to see a slice of Captain Rigg's past, a character who we've been following since the beginning. That glimpse into history is of course marred with Outer Darkness' signature gore and grotesqueness, but it's moments like this leave us wanting to know more about Riggs and the entire crew.

Every page is beautifully crafted with uniform background colors that frame the action, and the scenes where rain mysteriously pours inside the ship are some of the most impressive ones that we've seen throughout the whole series.

As one of the most brutal issues in the Outer Darkness series in recent memory, Outer Darkness #9 finally blows the lid off a conflict that's been simmering for months.

It's filled with startling, abrupt moments until everything falls into place, but that confusion that accompanies those times exemplifies one of the best parts of Outer Darkness: We often know as little about what's going on as the crew of the Charon does.

The appeal of the Saturday-morning style of Outer Darkness still persists, so perhaps this is just an infrequent miss for the series that'll right itself when the next stage of the conflict unfolds.

The conclusion of the first season and second book of Outer Darkness managed to pull off a surprisingly successful twist and just may change your perspective on its characters entirely.

The first issue had a lot to set up, but with that foundation out of the way, it leaves room to tell an intriguing cyberpunk story of robots and relationships.

Every following issue should look to accomplish what Red Sonja #2 does.

The Red Sonja series understands that not everything needs to be explicitly shown, and even the moments of necessary violence that occur occasionally are shown in a subdued, mature way that avoids emphasis the grotesque.

Red Sonja #4 is another triumph, though it does feel familiar like one we've already seen before.

The consistent flashbacks and retellings of stories that we've seen throughout the series shine perhaps most brightly in Red Sonja #5, and as always, the issue strikes the perfect balance by shaping the present with the past.

There's so much to take in from Red Sonja that one read-through is hardly enough.

Birth of the She-Devil is the type of origin series we needed, it'll make you want to go back and re-read all of Red Sonja over again.

The series still has a great deal of potential though, so hopefully this is just a hiccup in the story that'll be resolved in later issues.

Turned up to an 11 almost throughout the whole issue, Red Sonja: Birth of the She-Devil #4 is a fitting end to the series.

The powers of the Cosmic Ghost Rider and the hero's spectacular transformations lend themselves to impressive displays already, and Revenge of the Cosmic Ghost Rider thankfully didn't squander those"or any"opportunities.

The second chapter of Revenge of the Cosmic Ghost Rider confirms what the first suggested: That this is going to be a story of carnage and cockiness with a bit of well-intentioned righteousness mixed in.

"Interdimensional Cable" is one of Rick & Morty's strongest recurring segments, whether it's happening in the TV or comic series, but that's unfortunately not the whole focus of Rick & Morty #47.

Rick & Morty #48 is a return to form for the series following the last issue that faltered with a focus on Jerry.

It's a setup that requires the characters to do something different despite being forced to do the same thing repeatedly, but the duo's relationship and the technological prowess of Rick make the formula work by allowing them to escape that box occasionally.

It's a promising checkpoint for a series that looks like it has many more strong stories to come.

Issue #51 doesn't step outside of the tried and true Rick and Morty formula, and that makes it a safe win.

Like we've seen with other issues that focus on side characters like Jerry, Rick and Morty is at its best when the two share the spotlight.

Each character's expressions and reactions shine authentically, and the shorter "Feel Bad Inc." story that returns to Rick and Morty is a succinct way to follow up the longer story which came first.

Rick and Morty should be commended for trying out different art styles in its long-running series, but I just couldn't get behind the style in the first story of #55.

Character designs and their fights have been tame so far"Rick did point out that these first adventures were made for beginners"but the conclusion of #3 shows the best is still yet to come.

Rick and Morty Presents: Jerry #1 has "Rick and Morty" in the name all right, but it unfortunately doesn't feel like it belongs in that universe.

The scenario where infected zombie-like characters invade O-Town is even handled well despite zombie outbreaks being a tried-and-treaded story by now, so much so that I'm invested in a Rocko story for the first time.

Rocko's Modern Afterlife #2 picks up the pace in the second issue and tells its story quicker without losing anything in the process.

With one more issue left to go, the finale will hopefully deliver on the experience it's been building up to.

Modern Afterlife is a book that grows on you as it found its stride, and it makes whatever Rocko spin-off that comes next one that's worth taking a look at.

The Mystery Gang can clearly team up with anyone given how many crossovers they've had, but they pair up especially well with Magilla Gorilla's humor.

If either of these two characters have ever been one of your favorites from the Sonic universe, chances are you'll have a second favorite by the time this series is done.

The fact that the antagonist of this story can transform into different characters provides an easy and enjoyable avenue for showing off more of the Sonic universe while keeping the spotlight on the two stars.

It's off-putting even if it was incredibly informative and manages to convey its information and set up a climactic clash"it's just a shame that we couldn't see it done in a less cluttered manner with fewer characters and moving pieces.

Sonic the Hedgehog: Tangle & Whisper had a few loose ends to wrap up even though it only had two main characters, but it did so in a neat and tidy way to conclude the series.

Whether you played Marvel's Spider-Man or not, the first issue of City at War is a promising bridge between Marvel's playable and readable mediums.

Its emotional moments are balanced out with the signature humor of Spider-Man, and it still hits hard even if you know what's coming.

The pacing of the story will still feel a bit rushed if this isn't your first introduction to the story, but it makes sense given the medium. If there were ever a downside to the fast-forwarded version of this Spider-Man story, it's that it's going to end all too soon and leave us wanting more. -

Marvel's Spider-Man: City at War #4 moves at a slightly slower pace than the rest of the series, but it's a necessary change to ramp up to a big conclusion.

Every issue in Spider-Man: City At War has done a superb job of making sure it was accessible to those familiar with the Marvel's Spider-Man game and those who weren't, but #5 is the first instance where it feels like this goal wasn't fully realized.

With breathtaking highs and gut-wrenching lows, this conclusion to the series is a brilliant one for Marvel's first big embark voyage into its Gamerverse.

Some of the slang where things like "omg" and "turbo ominous" are said don't exactly hit every time, but here's hoping that that part of the book grows on me since the rest of Star Pig is excellent.

Star Pig already got off to a fun start with its debut, and in its second issue, it finds itself even better like a cartoon that's been ripped straight from TV.

Star Pig hasn't faltered a bit yet, and it doesn't look like it has any intentions to.

The dialogue continues to be polarizing at times"for every five jokes that make you grin, there's one big faceplant"but Theo remains as charming as ever.

The conclusion to Soldiers is a satisfying one, though it is a bit difficult to come down off the high of the battle as the characters' stories are wrapped up.

Most everything else StarCraft: Survivors is solid though, so I'm eager to see where the book goes as long as Caleb turns out to be at the same level of quality.

Survivors still has a story and a supporting cast worth keeping an eye on, so long as it can create a compelling enough protagonist to guide it.

The artwork's ability to make the most battle-hardened soldiers seem frail in comparison to the protoss is an impressive feat, and there's at least one page that looks like it could be pulled right from the book and hung on the wall as propaganda for the nefarious species.

The ending comes off as supremely underwhelming, and as much as some issues have dragged on, it felt like StarCraft: Survivors maybe needed one more issue to build up to its inevitable conclusion.

There's surprisingly a lot of moving parts in this issue even though it doesn't advance the story a great deal on its own, and everything works cohesively to build up to the next issue.

It's got some interesting twists in it, and raises just enough questions to keep you hooked for the next issue.

Steven Universe continues to excel at flitting between different stories in issue #27 without doting on one character or avoiding another for too long.

Some worthwhile character development culminates in #28 which in itself is a critical part of enjoying Steven Universe, so it's still a decent issue even if it doesn't deliver on the story's setup.

If there was ever a "bad day" comic collection that you needed to stash away somewhere to pull out whenever you're feeling down, Steven Universe #29 needs to be in it.

The dialogue between Steven and Pearl isn't as strong as the conversations we've seen him have with other characters like Amethyst in the series, but it's hard to find anything actually wrong with this story.

Just about as wholesome as it gets, Steven Universe #31 is a charming chapter in the series.

Whether you see it as a recipe or just a low-key chapter in the series, Steven Universe #32 is a win.

This Steven Universe issue takes a charming and insightful look at fandoms and the different ways people approach their favorite shows, movies, or whatever else they might be into.

Conversations are used sparingly to let the artwork tell the story where appropriate with the perfect effect of letting Steven Universe's expressive characters guide the tone.

Seeing Bismuth tear through vehicles with noble intentions and somewhat expected results is a treat, and the issue does an excellent job of wrapping up the story too neatly without spending too much time on one part or another.

Having essentially only two characters in this issue means that the expressions and depictions of these characters have to be consistent throughout, and this Steven Universe didn't fail to deliver.

Multiple stories with clear beginnings and ends are wrapped into the first issue, and each one feels different from the last both in their styles and the themes they explore.

Seeing Cyborg deal with a zit isn't exactly the most compelling follow-up to "Weirder Things," but there are still a few laughs to be found occasionally thanks to the team's dynamic.

The Low, Low Woods throws a lot at readers in its first issue and takes some time to ease into, but the relationship between El and Octavia becomes a more compelling one as we learn more about the pair and the rundown town they find themselves stuck in.

I think I'm more invested now in the town of Shudder-to-Think rather than the relationship between Octavia and El, but the pair have a meaningful enough and compelling dynamic that they work well in this creepy setting.

I Pledge Allegiance to the Mask seems like it has something to say and show that's worth reading, and hopefully it remains captivating enough to deliver on its promises.

Whether you read this series as a parallel to modern politics or view it in its own bubble, I Pledge Allegiance to the Mask is not off to a strong start.

Nuance is not I Pledge Allegiance to the Mask's forte, but that much was clear even before the series released. What's been surprising though is how unfunny this story of The Mask is despite irreverent, dark humor supposedly being one of the comic's strengths.

Off to a tremendous start, the series offers temptations not only of exploring planets previously unknown but also examinations of the most relatable and compelling parts of Thor.

Action scenes are sparse in the issue aside from one which was supposed to be a significant event, but it lacked the "oomph" one might expect from a multi-issue build-up.

The first issue wasn't wholly representative of that since it felt like a chore to power through the opening while constantly feeling like you've missed something, but hopefully the rough patch to an otherwise promising story has passed.

As much as I'd like to get behind Triage and to its sleek style, the conflicts and the characters just aren't carrying enough of their own weight.

Teams and other relationships start forming in this new setting as more conflicts arise and the spring is packed with tension, so hopefully the next issue and the rest of the issue can ride the launch smoothly.

Trout's story has started off quick and seems to be an interesting one full of bleak events, so hopefully the series' eerie charm continues to hold up and grows stronger.

With dark and light tones balanced as well as Valkyrie's coming to terms with her new role, Valkyrie Jane Foster feels promising.

Two issues in and Valkyrie has already managed to take quite a surprising turn that, by itself, warrants anyone remotely interested in the series to pay attention to what comes next.

It's not filled with action in the same way past issues were where Valkyrie was busting heads left and right with her all-purpose weapon, but it's brimming with perils and revelations.

Lots of characters are introduced in Valkyrie: Jane Foster #4 with a rapid-fire appearance of the heroes and villains that's handled in such a way that it doesn't feel overwhelming.

Filled with vibrant colors and brisk fights as frequently as the rest of the series has been, Valkyrie: Jane Foster #5 has outdone the issues behind it. It wraps up a fight in a brilliant yet still unexpected way and seamlessly works witty banter into the action and drama to keep things light.

We've seen the high-end versions of the afterlife and space in between, and seeing the grim depictions of a much darker version of death looks to be a promising setting for however the heroes' visits there last.

Valkyrie: Jane Foster has gone to some strange places, but this seventh issue is the most intense and thoughtful ones yet.