Catwoman #69 is a refreshing start to a new story line. We can see a sinister force angling to mess with our hero, whilst the enchanting artwork captures reader's attention every single time. This creative team has come out swinging on their first run with Catwoman, and I am eager to see where the story will go from here!

Dark Knights of Steel: Allwinter #4 dazzles and gives us so much to think about over and over again. The stories could go in a number of directions and with the creative freedom of no canon to follow, they can do truly anything with these characters. That's a level of creative freedom that encourages writers and artists to do anything and gives us readers a great deal of joy to experience with them!

Dark Knights of Steel: Allwinter #3 has taken characters and the wider DC Universe we know, flipped it on its head by sending it back to the magical middle ages, then flipped the script again by changing the power sets and origin stories of our favorites in ways that are utterly new, but still feel very in keeping to the stories as we know them. With choices this ambitious, handled this well, and with artwork as varied and stunning as these, I can count on this story to continue to bring magic and intrigue!

Catwoman #68 ends the story line in more ways than one. The cosmic nature of the Egyptian goddess, but the intensity of the battles. All mixed with the open-ended-ness of some of those details. Truly anything can happen to Catwoman which is why she stays such a personal favorite of this reviewer.

The Boy Wonder 5 caps off the story I would easily consider to be the definitive origin story for Damian Wayne's Robin. It brings a previously gritty character to an age friendly way, sincerely telling his story, framing his relationship to each other member of the Bat Family, and delighting the reader with the most unique and delicious artwork I've seen in so very long. I would gladly keep this in a prime spot in my collection now and forever.

Dark Knights of Steel: Allwinter #2 perfectly continues the tone and the artistry we've seen applied in issue one, to hold up two vastly different, but entirely matching stories in a wonderfully well imagined slant on the DC Universe. I for one am eager to feel these stories grow from here.

Gotham City Sirens #1 has set the stage for a raucous adventure with some of my personal favorite characters in all of DC. Truly anything could happen, and I'm eager to read on!

The Boy Wonder #4is the comic book treat fit for any reader. To give them a rousing quest. The definitive look at Damian Wayne. And a symphony for the eyes, all in one single issue. This reviewer remains blown away by the stories yet again!

Both stories inDark Knights of Steel: Allwinter #1 do absolute wonders at expanding the world, reinvigorating the story, stunning us with stellar artwork, and piquing the interest of eager readers such as myself. Be sure to look out for moreDark Knights of Steel returning to comic book shelves for the first time in too long.

Catwoman #67 brings us a heavy look at Selina's struggles at this dramatic turn in the story. She's not being seen by the most scrupulous doctor, so anything could happen through this twist.

Boy Wonder #3 truly deserves to be a Black Label title, whilst it's also deeply and utterly unlike anything the imprint has ever published. We get a layered story with strong due diligence to the character's origins, but all framed in a light and digestible way accessible to younger readers.

Catwoman #66 leaves us with a wealth of dramatic tension. We finally get the reveal of what caused all the strangeness that's been happening to her, so now we're going into this storyline's final arc with a lot of excitement.

Red Hood: The Hill #5 gives us a real idea of how the story may conclude. Political tension will be at a high as the sinister forces converge. With this creative team's effort to look at a more grounded and humanized Jason Todd, the story could end in a multitude of dramatic ways, leaving this reviewer deeply excited for what comes next.

The Boy Wonder #2 continues its perfect look at the life inside the mind of twisted little Damian Wayne. This second part continues us on what looks to be a complex journey through the extended relations of the Bat Family, and how badly he aggravates them all.

DC Pride 2024 is a heartfelt and well-balanced montage of collected and contrasting stories from across the queer spectrum and the wide array of many kinds of characters that can be found in the DC Universe.

Catwoman #65 was a delight to this reader's sensibilities. We get the continued appreciation for her heisting constantly but set to a style of artwork that feels like all your favorite animations came together for a Catwoman classic. It's all added up to being an issue that will really stay in my mind for a long time to come.

Red Hood: The Hill #4 brings us a great deal of heart and character tension. There are a great many possibilities that the story can take, moving forward, and it's been a delight to read a more down-to-earth take on Jason Todd.

I will sing the praises of titles like this for the rest of time. The Boy Wonder #1 brings us a rare DC Black Label title that can be enjoyed by anyone and gives us a sincere and accurate portrayal of one of the most interesting and dangerous members of the Bat Family.

Catwoman #64 has moments where its overall wordiness somewhat breaks the flow of the excellent tension, layered heist drama, and stunning visuals. Sometimes a story needs to let itself breathe in this medium, to tell the most effective story possible.

Red Hood: The Hill #3 brings us a deep look at character-driven stories, a compelling and new antagonistic force, and the welcome but surprise return that'll really show how high the stakes are. All the characters have become real people that we truly care about, and hope for their wellbeing. This makes this unique series even more gripping.

As a longstanding reader I've been enjoying these independent stories, wondering if there was a bigger narrative at play. Catwoman #63 gives us the first inkling of a connective thread between these five issues of this mini series. The mystical element to what's been occurring across the recent issues, plus the first glimpse at a connective arc is very welcome in this ongoing story. I trust this creative team to tell any Catwoman story.

Red Hood: The Hill #2 brings us DC's greatest anti-hero in ways you'd never expect to see him; humanized and handling the peace of his new part of the city. Don't mistake this for a simple superhero comic, as it's bringing a great deal of tension, and we can all look forward to seeing it pay off.

Catwoman #62 brings us a heist story that's vastly different from those that came before it. The greatest thief in DC Comics has such range, and when handled by a creative team this strong, the stories could go anywhere! I'm eager to see if she spends her remaining lives in vain, and if there's going to be anything other than the cosmic tug-of-war that unites these intriguing stories.

The real conflict kicks down the door near the end of the issue. Red Hood: The Hill #1 brings us a new dynamic on how we can imagine Jason Todd and how he's set to handle himself in this troubled part of Gotham City.

Red Hood The Hill: #0 does a great job of showing a human side to Jason Todd as he does his best to strike out alone as a hero in his own right. I'm now eager to see the story's future, as it could truly go anywhere.

Catwoman #61 delights us all but also leaves us wondering and worrying about Catwoman's well-being. Just because she's functionally immortal that doesn't mean she should be so cavalier. This does however give us a great deal of interesting drama wrapped up in unknowable magic that leaves us readers clamouring for answers.

Batman Beyond: Neo-Gothic #6 rounds out the story well enough to leave the future of Gotham open for any creator to do anything. The stakes should matter, but this vision of Gotham has been left open to any narrative. It's left this particluar reader and reviewer with enough heroic spirit to inspire anyone into heroic action. So, as always, I'm hungry for more tales set in this Neo-Gotham.

Catwoman #60 is the tone-setter for this arc and what's to follow. While there's the ongoing mystery about her fate, we get an individual, stand-alone, punchy issue that she's in charge of. It feels like this creative team can truly do anything.

Catwoman #59 starts DC's greatest thief in a race against time and a magical mystery. This storyline sets her on a journey across the world now that the things tying her to Gotham have been reconciled. She could go anywhere and do anything, and this reviewer is confident that this stellar creative team will handle whatever happens next phenomenally well.

All these callbacks comfort us, but they could very easily feel saccharin-sweet or over the top. Thankfully, they actually pull double-duty in Batman Beyond Neo-Gothic #4. They give us that nostalgic reminder of many great moments that have led to issues like this, but they also show the other kind of struggle that heroes can go through in comic conflict. The past has been weaponized against our heroes and how they handle it could be their biggest test yet.

Gotham War: Red Hood #2 has perfectly given a broad look at where DC's most loose cannon was at the start of the event, and leaves us wondering about his overall safety going forward. The situation's beautiful to look at but nerve-wracking to read. I'm sure we all deeply hope that he pulls through. I'm now incredibly eager to see this cross-over's conclusion.

Catwoman #58 brings us the actions of a big cast of characters in the midst of a disastrous turf war, and one that's about to see a third player enter the game. A good comic story should build on what's already there and progress the tale to the next issue. A great comic, like this one, leaves its readers hungry for more.

Batman Beyond Neo-Gothic #3 perfectly draws readers into the world of the future, one that's so consistent to everyone who's read the comics and watched the show, over the decades. The way the current DC is ported into the future is real and plausible, which always makes Batman Beyond books a treat to read.

Batman/Catwoman Gotham War: Red Hood brings us another perspective to this already remarkable storyline. This issue works as a welcome reprieve as the tension between Catwoman and Batman reaches boiling point. Jason has been put through the wringer by bringing in these people to deal with Batman's new direction. I imagine that this lighter issue will have a great many wider implications in the rest of the story.

We've barely started this event and the treachery's running high. Some figures that both Bat and Cat believed to be trustworthy may not be, and with every member of the extended family picking a side, I'd say that Catwoman #57 has lit the spark under the characters to take the "Gotham War from great to truly unforgettable.

Batman Beyond: Neo-Gothic #2 brings us intense action and a fascinating new character, all wrapped up in the same new but familiar look into a futuristic Gotham. The creative team has done wonders in telling a new Batman story with things that deeply excite readers who know the deepest secrets of DC comics.

The dream might be melting into wakefulness, but Selina's definitely not out of the nightmare yet. After Knight Terrors: Catwoman #2, there's nothing clear as to what her next steps should be, as the villains that had been trying to claim her corner of Gotham are still out there. Add to this the fact that the tension between her and the "Man [she still] loves is at an all-time high, then truly anything could happen in the main series of Catwoman. The good news is that I trust this creative team to tell unforgettable stories every time.

Batman Beyond: Neo-Gothic #1 gives takes us on a headlong rush into a new and thrilling look into the Gotham City of the Future, a world and story that I deeply love. We get another fresh look at Neo-Gotham, with a layered and tortured hero and a colorful but memorable cast of characters. You couldn't drag me away from stories this exciting.

Knight Terrors: Catwoman #1 has left us hoping for a peaceful resolution to this ongoing crisis. The new takes we see fit the world so well that we can only hope for the best on the other side of the crossover. Readers are treated to unique art at the same time as a sincere and strong look at Catwoman. Knight Terrors is looking to become an unforgettable event, and Catwoman's is one piece of the story that propels it to new heights.

With an ending, there's invariably a new beginning, this issue leaves us very eager to imagine what can happen next. Catwoman #56 is a strong place for new readers to enter the title, as it shows Selina as she is now. She's bringing her regime to Gotham's underbelly but with peaceful intent.

DC Pride Through the Years shows how entrenched LGBTQ narratives have been in DC's history. They've ranged from plot points, character details, or the entire motivation for crucial storylines. It even feels natural for a character that's existed for decades to be reimagined as queer. Just like the main DC Pride release, this story has left my queer heart full of hope, peace, and joy.

DC Pride 2023 has been a lighthearted and hopeful look at the queer side of the DC universe giving all of us the optimistic take that the world both needs and deserves.

Catwoman #55 leaves us wondering and fearing for our hero's safety. It seems as though she has fewer allies than she imagined, but I personally have faith in DC's greatest thief (although these days, she's probably more like DC's greatest anti-hero). This issue's story and character driven, and very thoughtful. The action's vibrant and gripping, the plot layered, and the artwork is on the right side of realistic to my taste. Many ongoing titles should learn from Catwoman

Gotham Academy: Maps of Mystery is a fun collection of stories all about a quirky and welcome new addition to the Bat-family. This issue serves as a good re-introduction to those in the know, oras an excellent intro for those who'd love to know more.

This series, as a seven issue run, has delivered some of the very best Batman storytelling I've ever read. We've had a unique artistic perspective on Gotham that remains timeless and modern, with Blade Runner like degradation. At the same the narrative has treated us to a disturbing hostage situation wrapped in a mystery. The look at how Batman thinks and rightly keeps to his code when allied with the worst evil in DC Comics is handled perfectly.

Catwoman #54 is a solid transitional issue. We've seen our heroes make their way to the next big dramatic arc and there's much to look forward to. At this point, her feud with both Punchline and Black Mask are up in the air and can be handled a number of ways. Anything can happen to our leading lady, which is what keeps this title so exciting.

Batman & The Joker: The Deadly Duo #6 gives readers the upper heights of Batman storytelling. As a tale that can fit almost anywhere in the wider canon, we can take the story at face value and read along for the wild ride it takes us on. We aren't even done with the story yet, and that's keeping us endlessly excited!

The action in Catwoman #53 grips us from the first pages. The character-building and drama we get from this expanding cast is what brings avid readers back to this excellent storyline, featuring one of DC's best characters.

The Script, art, colors, and lettering in this issue are all near-perfect. This is what a Batman special event story should be.

Catwoman #52 gives us a masterfully handled, multi-layered story that balances the tone of each character and what they're doing perfectly. The only issue I have is that it's a very hard title to start in the middle, but is very rewarding to those who have kept up with Selina's story.

Batman & the Joker: Deadly Duo #4 has shown off just how unlikely a team they can be. Their methods will always contrast, and they're never going to get along. The threads of story context are finally coming together, and we're getting a real sense of the secrets to unlock. All of this is set to immersive and stylish artwork that will draw in anyone. Batman and the Joker Deadly Duo is set to become a definitive Batman story.

Catwoman #51 gives us the start of a jailbird story we can expect following those last few events. A new arc gives us new opportunities, and we can only imagine what will happen to Selina next.

Batman & The Joker: The Deadly Duo #3 has spoiled me and exceeded my expectations. I was expecting this to be the hyper gritty take on Batman and The Joker teaming up. It was a slower burn than I was prepared for, but I can still forgive it, if nothing else, because these issues are still some of the finest going in DC today.

Catwoman #50 delights and shocks with the loss of familiar faces and the deadly clash between two new rivals. The art team throws deep emotions at us with perfect art, and leaves us all ready for fifty more issues, and beyond.

Batman & The Joker: The Deadly Duo #2 has again given us a rich detective narrative, wrapped up in the rounded and real look of Gotham. The mystery's immersing Batman into some intense moral dilemmas and the matter of just how much we can trust the foaming-at-the-mouth Joker, if at all, is always in question. This is effortless and gripping storytelling by a team of true masters in the art of crafting comics.

Catwoman #49 brings a welcome roller coaster that shows our hero handling a new, looming threat in Gotham by rallying the many new faces this title has treated us all with. We get stunning action and realistic development paying off from many issues past, all in a well-rounded story.

Batman & The Joker: Deadly Duo #1 presents us with a great many possible outcomes. It disturbs with the very real look at what circumstances could draw two of the greatest rivals in fiction into teaming up. It treats us to a bright potential narrative all set to stunning and stern artwork that has made this feellike the most Batman-y story I've read in way, way too long.

Catwoman: Lonely City #4 treats us with stunning color visuals, set to a grim look at how things could be. The book gives those readers who know this world another way to think about things, whilst also remaining true to all the premises that made the story possible. This unique mini-series rounds off with a vision of peace and potential, but also with the satisfying resolution it deserves.

Comics handled with this level of care and attention should be treasured.

The threats to Gotham never truly end, but storylines do. Batman Beyond: Neo Year #6 gives us the most rounded and reasonable end we could ever ask for… but good things never truly end.

Catwoman #46 gives us a rich look at Catwoman's past and her present. This issue treats us to a deep dive into how things are in her world, and the realistic growth she's sharing with the new character on the scene. The rich and realistic artwork gives us a portrait into a complex character in a down to earth story, hard to find in most other places in current comics.

Batman Beyond: Neo Year #5 is a character portrait of the resilience of Batman. We see that he's consistently struggled, whereas the Batman of the past did very well. Boonma said Batman inspired her because he loses, which is true of many fans of the Dark Knight. Batman is a fallible, human hero among godlike entities like Superman, that's the secret to his longevity. So, when a regular title like this can show that off with fantastic world-building, then comics hit a whole new high.

With this high summer sun, I think this issue sums up the “vacation's ended” feeling. Catwoman's gone back to work cleaning up her side of Gotham, and it's time for us to get back to our daily grinds too. Though that may be a little odd to read in a comic book, there's plenty to do when we return.

The antagonist has been unpacked a little more, and it's putting the squeeze on Batman. With Bruce gone, he may yet believe what it hast to say about Batman being no longer needed or welcome in Neo Gotham. In any case,Batman Beyond: Neo Yearhas brought action and drama to a title that ought to find more attention.

Suicide Squad Blaze #3 dramatically ends the stunningly beautiful and deeply uncompromising look at Taskforce X. Blaze is a masterful work of many excellent comics creators coming together to create something truly unique.

Catwoman #44 has given us a fun sharp turn into something new, that I honestly didn't see coming. All of it has left me eager to see where this team of powerful women will go next.

Once again DC has presented us with a rounded and exquisite presentation of the kinds of people on the LGBTQ+ spectrum. DC Pride 2022 truly offers many heroes we can all be proud of and they're always around, not just for Pride month.

Batman Beyond: Neo Year #3brings more of what we can expect from this title so far. It's layered more detail onto the mystery; more emotional stakes onto Terry's mental state, and introduced us to fascinating characters on both the moral compass. I'm very confident that future issues will bring the same level of satisfaction we've been getting from this title so far.

As far as I know, the issue closes with what may be the first comic book appearance in canon DC continuity of one particular character. It'll be exciting to see how their place in the rest of the story plays out, as I expect it to mirror their first appearance in that “other” Batman media.

Though the Suicide Squad was the focus, this creative team really Got Joker down to a fine art. The words were so good, that they left the reader feeling chaotic. A great end to a great series.

All stories must end, but the familiarity in form, as well as the nuance in how the characters have been handled, has set this run of Suicide Squad above a lot of the rest. It takes a talented creative team, that can depict all kinds of conflict on the page, and write all levels of characterization, to turn a fairly light title into one that delivers drama and depth to the Suicide Squad. Any team handling Taskforce X should look to this run to see how action and drama can masterfully come together.

Batman Beyond Neo Year #2 gives us rich visuals and masterfully designed new antagonists in a narrative about our capable hero learning to work under new and unfamiliar ways of being. It also continues to give readers a dynamic look at the Batman of the Future.

With this story concluded, Catwoman could go anywhere from here.

Catwoman: Lonely City #3 is incredibly dense with political drama, personal trauma, and the intense action of Catwoman executing her plans. There's a specific kind of vulnerability to her that's hard to find and makes for a unique reading experience. We're all so familiar with these characters that it takes an ambitious creator to tell their own kind of story and reframe them all in a whole new way.

It's a crying shame to see Suicide Squad #14 come and go from our shelves. Though I'm certain this title will receive a worthy conclusion, we're all left to wonder just how this ending will be handled.

Anything could happen in a title this ambitious.

This is as strong a start a new run can get.

It's incredibly hard to tell moral stories like these without coming over all heavy-handed or preachy, particularly in another male-dominated environment that's only starting to become sympathetic now to the appearance of LGBTQ+ people and women in their community. It takes a well-handled story by a strong creative team to tell something like this, and tell it well.

Suicide Squad #13 is a combination of great creators bringing elements from another title into their run whilst keeping their story on track. Sincerely, this is masterful work.

The enigmatic characters alongside Catwoman and the intensity of her rivalry against the criminal elements are on full show in Catwoman #40. We have many mysteries and elements of tension building up across the plot, with many figures that are both dangerous and intriguing. This title is a treat to those who appreciate a layered, rich storyline set to detailed and stylish artwork, which elevates it even higher.

Suicide Squad: Blaze #1 brings us a new story that's open enough to go in any direction. It's unique looking enough to leave a lasting impression on any reader, and well-handled enough to do our favorite characters justice, even while calling back to other media. I'm eager to see how this new title handles its vast potential.

It's a very hard balance to keep where a single issue can bring us classic, pulp comic book action alongside well-handled literary tropes, yet Suicide Squad #12 brings this quality of storytelling front and center. We have an ambitious and masterful team, who seem to be able to tell any story imaginable.

Picking up this issue will guarantee an action-packed adventure for any reader.

Catwoman #39 has truly started the new creative team's run well. We get a clear theme, a new cast of antagonists, and a mission for our hero to work on. The powerful feminist message is something I expect will be built on, and with tension this clear between characters and visuals this striking throughout, this is the renaissance that the Catwoman may not have needed but thoroughly deserves. Eager to see more of this important new direction.

I'm eager to read on… as is Ambush Bug.

Catwoman #38 gave us the calming visual version of a storyline conclusion. It was a welcome, relaxed, and satisfying ending that the title needed, whilst also feeling sincere and true to what we've read so far. Masterfully done by a writer I know and love, and a new artist I'm immediately blown away by.

This title is a real treat that would be hard to say no to.

If you were just going by the title, Suicide Squad could easily be about morally dubious characters doing shady things all over the place, balancing the tension by either trying to reform or trying to rebel. This series constantly pushes those expectations off the table like a grumpy cat. We get consistent, realistic portraits of fascinating characters, mixed with stunning visuals that bring us the immersion we need to feel cosmic or gritty. Suicide Squad #10 sums up the title's strengths and essence perfectly.

The thing that excites me most about Catwoman #37 is its message. Selina gives the reasoning behind her well-known, headstrong determination. Hence the name of the issue, “Unafraid”. There's something so incredibly motivating about the character we've seen under it for multiple issues rise stronger, simply because that's who she is. Any fiction that can leave a message like that with me is something I'll always hold dear.

Suicide Squad #9 mixes lots of themes and ideas without feeling stuffy or overly dense. Any level of reader can really take a lot from this title. Do you want a detailed power struggle between multiple layered characters? It's here. Do you want cosmic and gritty battles and classic comic book action? We get it. Do you want a revolving door of figures from DC that you've never heard of, ready to become regular favorites? This title truly has it all, and this quality makes me eager for more.

Catwoman #36 continues to bring the tension, as we're made to think of all the struggles our hero has to struggle. The large cast easily dazzles us, and we're excited to see so many fan-favorite characters fill the pages. There's no sign of anything being resolved soon, which makes the mounting tension all the more nerve-wracking for when it culminates. Great writing, gorgeous art, color, and lettering, what more could a fan ask for?

With a new story starting in this new, and ambitious space, anything can happen in this title, and I'm eager to see what comes next.

There are so many points of tension in this title that could be the tipping point for a crisis. The ensemble cast is only growing and we can expect the tension to build over the coming issues, so I'm eager to see how this team of characters will handle it, but I have every faith in this skilled creative team to pull off something incredible.

Catwoman #35 feels like the crossbow string being pulled back before many arrows fly at our hero, though I personally think that the building of tension is largely unnecessary at this point. Blood's been drawn from the heroes' side, so we should see Catwoman going to war, not checking in on the whereabouts of another character who's only been seen once before. That said, the stunning visuals and the hope of a wider mystery still pull me back in.

This title never fails to leave me delightedly surprised at how simple and complex it will always be.

This issue has delivered well in many respects and has set the tone for the rest of the run and beyond.

I always look forward to the final chapter following Suicide Squad Get Joker #2, as I have next to no idea how it will finish.

We learned very important things about Catwoman's future with her ex fianc, as well as the ruthlessness of the villain in this excellent run. Catwoman #34 gave us an intense clash, the kind I would expect from these characters, and I'm eager to see just how the dust will settle.

Suicide Squad #6 treats readers to cosmic clashes of the highest order, with perfectly handled page layouts and rich, explosive colors. At the same time we get fascinating insights to one of the series' key characters and the seeds of a truly remarkable series. Oh, and that last page is killer!

Suicide Squad: Get Joker #1 ends with a very unique twist, one that I'd honestly never even considered before, in all my time reading this team's stories. I'm eager to see how our anti heroes will handle what amounts to imminent doom. Interesting stuff.

I'm truly eager for the next issue. Catwoman #33 ended with a need to lick literal wounds, and Selina will come face to face with characters she hasn't seen in years and issues. This is ambitious and exciting storytelling, and it draws me in every time.

The characters we know and love are shown to be on uneven ground after the last issue's events. Suicide Squad #5 leaves us wondering why this new protagonist between worlds has shown up, and what Waller can be planning. With story beats this open, and action artwork this dramatic, the title could go just about anywhere.

Catwoman Annual 2021 delights readers with the majesty of its presentation. It presnts us with two, very different, comic book art styles and tells us a compelling and dark revenge story from a fascinating character's past. With all this context, we can go back to the regular run with a lot more emotion invested into Catwoman" and the strange figure following her.

We can hope that Selina's found somewhere to regroup, but this issue largely tells us things we already knew about the character, or gives context about what to expect in later installments. There hasn't been much action or progression here, though, but that does mean that the title still has more highs to reach.

DC Pride #1 is a treasure of fun and inclusivity that a lot of storytelling platforms could truly learn from. Please grab this wonderful book and celebrate Pride Month with this, and the many other great DC books that have special Pride covers; most of which can be seen above.

The developments that most readers would have forgotten about from earlier issues are bubbling up. This issue has treated us to high action in the wonderful “I'm Not Locked In Here With You” narrative. This series continues to both impress and surprise. When you pair that with the masterfully colored art delivering real-life to the mundane grey, alongside the deep visions of characters that deserve the dissection, it all adds up to a series that's an absolute treat.

There's never a dull moment, nor the time to even breathe. Catwoman #31 is the issue that shows off Selina's mastery of everything she does. By calling together her people; the dispossessed and forgotten of Gotham, her position as the greatest thief in DC Comics is unshakeable. or it was, until now…

Failure is not an option for this team, but there're a few suspicious dealings going on within their structure that are leaving us worried. None of them trust each other, strangers are even dropping in to offer help, and the fate of Rick Flag is still unknown. These mysteries and the human stories told in Suicide Squad #3 alone are keeping me gripped.

Elements keep getting added to the growing mystery, keeping the action high and the tension mounting. Catwoman #30 did wonders to make me feel as though the crossbow string is being pulled back. I can't wait to see the arrows of action fly.

With Suicide Squad #2 this title has grounded itself and found its direction. The stakes are high and the tensions between multiple groups of characters, are through the roof. This could lead this title just about anywhere. If the characters make it out alive.

I'm eager for a result that keeps everyone safe, but with the mixture of characters inhabiting these realistic Gotham skylines, I trust this creative team to be capable of just about anything.

This opening issue's a triumph. Suicide Squad #1 brings us the action we'd expect from the title, and the open possibility to explore what's been established about it, but with a brand new team of characters, and creators.

The dramatic events have reached their dramatic end in Future State: Catwoman #2, We wonder what the fate of our heroes in this world will be, but when everything's presented this well, in a story that makes us feel what the protagonists feel, then we're compelled to want to know more.

I do love a well handled dystopia, and this issue sets the scene for that with minimum exposition, little unnecessary context, but maximum intrigue. This issue teases us with so much; Gotham closed, Batman "dead", tyrants calling the shots" we're given a rich vision of the future, coloured perfectly by masterful artists. We're given nothing to spell why the world is the way it is, and this leaves many, myself first of all, so excited to find out what the state of this future might be.

‘Definitely Not The End' is a closing statement I fully count on.

My two favourite characters in the arc meet face to face in the dramatic conclusion of this issue. Cryptic threats meet the strongest, cat-like indifference. It's so true to their forms and it puts an unexpected dynamic in the mix, making me all the more eager to read on.

As I said above, a penultimate issue could be a place to fill us with drama and tension, but that doesn't mean it should. Batman Beyond #49 delivers a rich story with a strong message. It's as close to a modern fable I've read in a long time, particularly when paired with the past issue. When you put dashing heroes, mind-warping villains, and time travel into fables, you get something truly memorable.

Pitting the greatest thief in DC comics against truly devious people, and a fascinating killer lurking in the shadows, feels inescapably gripping.

Batman Beyond #48 introduces a lot of different conflict points, and things for readers to consider from the first few pages. When you couple it with the time travel curveballs at the end, we're left with a satisfying tale that leaves us, as ever, eager for more.

It's been just over two years since this run started. It's incredible to think of this character's evolution. We've seen her heroics in liberating Villa Hermosa, and her thievery reach new heights in recent issues. A character as diverse – and nearly as old as Batman himself – Catwoman owes herself to many different kinds of stories. The greatest thief in DC comics looks to get into a new side of organised crime, and Catwoman #26 shows her taking those first steps. I, for one, am eager to read on.

There's little to fault with the dramatic and heroic ending that Batman Beyond #47 delivers. Tension has mounted over the past three issues so well that we thought their odds of success were almost non-existent. The clash between the future League and Batman would not have gone in his favour, which is why his team is so essential, and why Batman stands out as a character.

Who wouldn't love to read about a character like this?

Batman Beyond #46 gives us the best, and most dire circumstances. The stakes make the story feel like a true disaster movie, and from where I'm sitting, there doesn't appear to be any hope in sight. Nothing has drawn my morbid curiosity in more than these extreme circumstances. We'll either see Batman and his allies save the world, or watch it slowly end. Either way, it's compelling reading.

We get the right mix of classic Catwoman, doing what she does best, in combination with the anti-heroic character protecting people who need her help. A personality with a history this complex lends herself to all manner of stories. We can realistically imagine her stealing a diamond to snub a rival, the same way we can imagine her liberating a township, or finding a secret digital document. Selina's is a unique story that can combine all those facets into one. Now that it's all resolved, we can only imagine what she's going to get herself into next, especially with what the closing pages teased. Only reading on with the new creative team will tell for sure.

This issue delivers hard with multiple unexpected twists. Some are things we really should have seen coming, but others were huge surprises. The tone of what we can expect, and how we feel about some of these characters has been completely shuffled and shaken up. It's a real testament to writer, Dan Abnett, who's been able to switch the characters' motivations in a way that's shocking, but still reads sincere and true. There's no way to tell what can happen next in a title where allegiances can shift so abruptly.

The season to vacation might feel a little more strange this year, compared to years gone by, but stories like the ones in DC Cybernetic Summer give us heroes to root for, and stories to giggle over. It's a lovely offering by masters of comics today.

I appreciate any story that makes an effort to show things we thought we knew in a new way. This future vision of the League of Assassins is a far more scary threat than the today's iteration. We're treated to context from earlier issues, and we see them at their worst here. Going into the final chapters, it seems that this may be a threat too great for even the assembled Bat Family, making ongoing reading even more irresistible.

Catwoman #23 is taking the character back to her beginnings. We can now actually see her doing anything, and that's exciting. This is clearly the start of something new, and, when handled this well, gives us something we can all look forward to.

With this fun heist issue wrapped up, we all have to wonder what devious plan the Joker's been recruiting all these other villains for. We can all get swept up in the roaring excitement of this issue. It's a real treasure to see “new” episodes of The Animated Seriesagain.

Tensions have eased a little, but our heroes still aren't safe. We have to wonder what the next steps are for dealing with this new, but familiar threat. Readers also have the lingering questions about Elainna and her progress. All these plot threads are going to come together in such a satisfying way, and I'm eager to see it happen.

The stories in The Joker 80th Anniversary 100-Page Spectacular are connected only by the Clown Prince himself. We feel his presence and his influence. We see his classic methods and all the interesting ways he'd handle an unlikely scenario. All these stories are wild and varied and valid. When you pair them with iconic cover artwork and posters of the clown at his best, you get a real portrait of a personal favorite character of mine, handled masterfully by this pantheon of comics talent.

Characters like Catwoman and Batman are strong in our hearts because they're complex and compelling. Catwoman #22 proves that very well, possibly without meaning to. On a lighter note, we can expect Catwoman to get up to just about anything in future. This issue is the start of a real exploration for Selina Kyle.

This is the model of what an opening issue should be like. We get all the loose ends of the last arc addressed, but built on for even more action coming up. We get the characters in a snapshot of where the last events left them – be it Bruce Wayne's immense resources, or Terry's shaken confidence. Lastly we get the shock of a looming threat making me, and hopefully many, eager to read on. Here be dragons.

The target audience for this wonderful story is younger than your average comic-book fan, but this is a story that can be enjoyed by anyone. This is welcome news to fans who love and appreciate Dick Grayson, as well as those few who may know nothing at all about the character. We get to see an exciting and home spun story of our Nightwing, before he ever took on the name. Our knowledge makes the story all the more poignant, but also makes for a unique and important, secret origin of the Boy Wonder.

I suppose the arc, from Batwoman's secret to now, had one specific purpose. It was here to introduce a new character into the Batman Beyond pantheon. This recent run masterfully achieved that. If the storyline didn't exactly stick the landing, I can still see a string of great stories to come with multiple bats bringing more layers of suspense to proceedings.

With Supergirl #40 ending in uncertain times, we're left with much to speculate on what kept her under the influence of The Batman Who Laughs, despite her help and realisations. We can also worry about all the things that could happen next. How this title handles itself will be a big indicator for everything else in the wider DC Universe.

The arc concludes exactly the way it should, with a beautiful image of our heroes riding off into the sunset. It falls into the old conventions of a western, which is not what I'd expect from this title. At the same time, we have all the stuff on Catwoman's mind, now being on ours. Catwoman #21 fills us with the questions and doubts she has in herself. This ending also leaves the path open, and this reader excited for the character's boundless potential.

Batman Beyond #41 makes things abundantly clear, and in more ways than one, for every character in the show. I can only see a few ways this story will wrap up, and I'm confident Batman Beyond will find other ways to surprise us all, as everything is pointing to an explosive end.

She's earned the stripes of an unlikely hero well, and Catwoman #20 leaves me eager for the bitter end.

Thoughtful, wrapped up in intense action, is exactly what people should get in their stories.

Batman Beyond #40 is an issue that divulges secrets and highlights the fact that Terry's in serious danger from Blight. The story's bubbling up to fever pitch and I don't see any way in which it could fall. Anything can happen and I'm excited to see it.

Supergirl #37 is one heck of an issue; it has it all. The dynamic conflict of an antihero inside herself, and the clash of two of DC's most powerful female characters. All the while, the next issue is left open, leaving us eager to learn more.

Catwoman #19 teases the enigma of what's to come. Creel's motives are unclear, and hard to trust. A villain keeps us on edge and is easy to fear. Only time will tell what she still has in store.

There's a lot moving under the hood; we have a villain returned and an unfamiliar hero, giving us the right balance of something exciting and new, with an old familiar feeling. We see the faintest glimmers in the end of Batman Beyond #39, that maybe this mystery will yield an answer. I'm as interested as ever to see if Neo Gotham can ever return to normal after the twists in this issue.

This is the series at its best. Supergirl #37 gives us a dark take on the beloved character. It shows how deep her transformation has gone and that she is something to be feared. We see how fumbling attempts of beloved heroes really don't do much in the face of her broken morality. We readers see just how big a threat The Batman Who Laughs and we can only wonder how far Supergirl will go on her new quest.

We're shuffled along from one set piece or another, in Catwoman #18. The issue perfectly sets us on a fever pitch towards a bubbling point. We all have much to be excited about going into the next instalment.

This was a strong issue that really drove home how much we should hate Batman Who Laughs. We also see just how much we should be afraid of this new Supergirl. The main title has many things to look forward to, and this issue has set a very interesting tone and I cannot wait to see the progress.

ConclusionA new hero demands a worthy villain. Batman Beyond‘s first is one such antagonist. Blight tore up the screen in the brilliant animated series, and this title's earliest issues. I expect no less conflict than the wisecracking, woke new Batwoman can handle. Batman Beyond #38 didn't do much to blow away with its story beats, but did set the stage for a clash of the ages.

I have to admit that I'm not consistently picking up this title again and again for it's revolutions to literature. I come back because high octane action is so satisfying. Supergirl #36 is one of the title's strongest for its stellar visuals and wild, exciting possibilities.

Catwoman's path is twisty ahead. She never says whether she feels like a hero or a villain herself. She does however, call out Mrs Creel. She's determined, and the issue ends with an old friend coming to Selina's aid, one that I'm deeply excited to see her with in issues to come.

All is not lost, though, as the issue still manages to pull a fast one on us. There's another unexpected return in Batman Beyond #37, but I won't say anything more, except that it's stoked my excitement for the next instalment.

Supergirl #36 has a few moments where they give us information. However, we get clues that Supergirl has to handle multiple villains all at once. Her return to earth is bringing her trouble, and future issues will bring us even more of the confrontations we need.

Catwoman #16 has left me eager to find out just how Catwoman will get herself into this fight, because being thrust back into the chaos is a strange way to bring readers into the story. I'm not saying it's a bad one, if anything, this has made me want answers for the burning questions of what brought Catwoman here.

This issue takes us right back to Supergirl. There's much to expect in the coming issues, but no way of knowing what to expect. Beginnings are very exciting.

Batman Beyond #36 ends things in a very uncertain way. Sure we get a clear ending to the storyline, but we don't know which way is up. It's a bold choice from Jurgens to leave readers on tilt like this. What does the future have in store for Batman of the Future? I'm sure many will want to read more to find out.

It is a satisfying ending to an extended storyline. With the direction that the character has traveled, we readers can expect anything to happen going forward. While this series may not have had the rousing conclusion we were expecting, Supergirl as a title can grow to new heights from this foundation.

ConclusionWe can really expect anything from Catwoman these days. The threats and loose ends of Jones' run have been nicely tidied up, leaving readers ready for more at Selina's side.

Batman Beyond #35 pushes characters on the fringes, or tucked into the recesses of this world's past, right into the forefront. The tension with two villains, and Bruce Wayne's certainty of their plans, means two heroes are needed. We have much to look forward to as the current arc reaches a fever pitch in thisinstallment.

Stylish artwork and deep intrigue come together beautifully in this issue.

This gem of a book is a real treat. The story of how Catwoman came to be was clearly going to be quite dark, and this collection of stories doesn't shy away from that. However, it masterfully tempers that darkness with hope, and with heart. We see the girl that she was, becoming exactly who she was meant to be.

The ending comes with a shock twist. I sort of expected something similar happening, but didn't expect it to come around so quickly. Instead this turn of events spells out serious doom for our heroes. What's more, with Terry otherwise M.I.A. we can only imagine what could still happen. Jurgens is usually polite enough to tell us when the end of an arc is coming, with a well placed “To be concluded”… but there's no end in sight. Batman Beyond #34 continues a strong run. It's a roaring success.

The focus is shifting from this issue. The bright colored action takes us readers through the ringer, getting the intense action we'd expect from an issue this cosmic. The villains responsible are coming closer and closer to Supergirl's grasp. With the storyline closing up, the visions of that conversation looming on our mind, anything could happen as a result.

The issue leaves us with the wonder of all the ways this can go. The secrets certain characters uncover in this issue are too great to go unanswered. We readers can only imagine how badly things can go because we know what they've found. Catwoman seems like an unlikely hero, but a perfect fit for the series going forward. I am eager for more.

This series, sadly, won't go down as a great turning point in the landscape of comics. I'm sorry. Don't feel sad though – that was never it's job. That's a lofty ideal for two superhero boys. Adventures of the Super Sons #12 a successful jump into the medium. I defy anyone to not lift these issues and not have a cosmic ride with our heroes. I look forward to their return to shelves with more antics for all readers.

This issue is a welcome continuation of the unique story of one of DC's most unique titles going right now. Things seem all the more difficult for our heroes by the end of Batman Beyond #33, and I cannot wait to see how it goes ahead.

It's hard to conclude a story that doesn't give itself a clean cut conclusion. Mirroring one of the greats, we're left with a familiar shot of one character doing what they do best, looking out to an uncertain future. We don't know what the fate of our Batman was. I personally believe that's the point. In owning up to his past and his code of conduct, we saw Batman Damned. A unique, dark and important story that will stand the test of time, and become a key piece in the Batman canon.

Nevertheless, Supergirl Issue #31 is critical to understand what happened. I'm curious to see if this fun title can stay super.

This may not be the ground breaking, pioneering of the comics medium that we got in the late 80s, I don't think anything could be, but Catwoman #12 is what comics these days should be. Brave enough to tell its own story, but with respect to the ongoing arc. High stakes action alongside deep prose narrative. This is masterful stuff right here.

There's something blissfully cinematic about this one off and stories like this give me hope. If a single issue can make a compelling film in its own right, then this issue proves that comics have the scope to do anything.

We've gone from one dire situation to another. Batman Beyond #32 perfectly expanded on the growing drama from the previous issue. Nothing is certain, and with names from the 1960's popping up as a character's last line, we can only imagine what's to come. This revelation has set up what looks to be another strong story arc.

VerdictMy personal gripes aside, this issue had depth. With her allegiances all over the place, the title has been sent in a new direction. Her crusade to find the truth isn't over and much can still happen. I'd pick this up to see the cosmic possibilities over anything else.

ConclusionJones has filled Catwoman #11 with lots of little tweaks to the genre. This issue has been one of the strongest in the run visually, but hasn't done much for the ongoing story. What it has done admirably, is give an indication as to what further trials and tribulations our dear Miss Kyle could be facing in the coming issues. With the understated but dramatic ending, I think we have much to look forward to.

This series is now in full swing. The biggest threat to the team has loomed its head in Justice League Odyssey #9, and not from a place any of the characters were expecting. This will make future issues all the more dramatic.

I'd lay Protobunker's bright colors and the dynamic movement of Barberi's characters in the hands of any youngster taking their first plunge into comics. I don't think there's anything more fun. With the surprise return of unexpected faces, how could anyone not be excited by the Super Sons?

Two tense storylines meet up in a great climactic moment in the final pages which reach out and shake a reader. We feel our emotions pulled in two different ways. We want Batman to succeed in these unlikely odds; we want to find out what's gone wrong. Since we don't get either, two burning issues frustrate us as we close the issue eager for more. All this two talk may make me think another shade of Bat's past may be on the rise, but that's not likely. What we know for sure is that the strength of the stories and leaving them this tinglingly unresolved was a master stroke of comicbook storytelling that would draw many readers back for more.

Two tense storylines meet up in a great climactic moment in the final pages which reach out and shake a reader. We feel our emotions pulled in two different ways. We want Batman to succeed in these unlikely odds; we want to find out what's gone wrong. Since we don't get either, two burning issues frustrate us as we close the issue eager for more. All this two talk may make me think another shade of Bat's past may be on the rise, but that's not likely. What we know for sure is that the strength of the stories and leaving them this tinglingly unresolved was a master stroke of comicbook storytelling that would draw many readers back for more.

This issue is the most calm before a storm I've seen in a while. The jungle was lush and green, and our heroes were having a pool party. By that logic, issue 30 will be down-right apocalyptic, and that's going to be a spectacle to right home about indeed.

It's easy to assume that this issue was without direction. In terms of the plot of the meeting with Penguin in issue 7 and 8, not a lot has been added and there aren't any big shaking reveals. What there is, is a lot of thread pulling. The openness and the scope for consequences our hero could soon face are huge. The quality of the way this character is written, plus the simple brilliance of this issue's art has me eager for more.

The issue ends showing just how dire the situation has become, as a threat previously unseen hits the team. With everything finally revealed, the mysterious premise which the series started with is gone. Therefore, there's an all-new direction for the title to go in with a cosmic threat looming. At the same time, the absolutely dangerous combination of Azrael's followers and Blackfire could cause many headaches for our heroes. This issue has handled questions of how well characters can trust each other and has changed the tone, leaving us to wonder how they're going to overcome these problems. This was a dramatic end to the first story arc.

The wild west planet, with Superboy wearing a stetson and picking up Jonah Hex's access, riding along with the good, the bad, and the sons is the height of fun this title is known for. The journey across worlds continues and this issue sets the tone for just how fun the conclusion will be.

VerdictThis is the intense action issue everyone needs between story lines. The grand picture of what's going on in Krypton's past. The name and mission of Rogol Zar still holds quite a bit of weight across the galaxies. We can expect the issues going forward to really test Kara and her growing struggle to control her intense anger.

Now the title is open to explore even more, and the future looks bright in Neo Gotham.

This issue ends in another unreasonably open way, as it's essential for certain issues to draw the readers back for more. As cliffhangers go, this is the most original and deeply uncomfortable one I've read in a while. I really want the resolution, but simply can't have it. Yet. With issue 10 looming, this spells an explanation as to why these particular members of the Justice League were called to deep space. Only time and patience will give us the delicious answers this strong issue teased us with.

A lot of brave things have happened. It's risky to jump between creative team, but it's even more bold to change teams after a change in story direction. I said in my review for the previous issue that they needed to stick the landing, and this creative team has done that in spades here. Sure, I can see the threads of an ongoing story in the characters and setup here, but I can also see elements from the past issue moving forward. I can imagine some combination of both with unforeseen consequences. The title is as free now as it's ever been, making it an exciting read.

The boys are hopping between situations at one hell of a speed. Nothing is stable out there in deep space. That really helps keep the action dynamic. The closing words of our big bad are vague and menacing. The story is as open now as it has ever been. Two thirds into the 12 issue title, we can expect a few things. The tension is building, and we can expect to see the plans of the villains reach its climax. The heroes are cosmically scattered. This is the strongest the title has been in its run so far.

Personally, this may not be the Final Joke. Remember that the Joker returned in issue 25. With issue 30 coming, it'd be a nice set of numbers if something were to happen soon. If not, then the arc has ended in a satisfying way.

This issue's ending delivered the plot twist this title and that particular character deserved. It's very easy to become bored of characters becoming repetitive. A twist like this will set back the actions of this character a great deal, and we can only imagine what will become of the story as a result. I look forward to the title's new direction.

This interlude was a key test for the creative team. Coming off their Copycat storyline, it would be an important test to see if the team can handle the between period between arcs. They managed it perfectly. The story contained within is isolated and self sustaining. It fits perfectly within the ongoing narrative of Catwoman but doesn't demand past knowledge. A very strong branch off the big narrative, and leaves us ready for more.

Questions like these are what keep the title going and what will keep me reading on through entertaining, though ultimately unremarkable issues like this one.

This issue provides the fun and intensity, and space age action, we've come to expect from this title. The driving force as to why Supergirl is in deep space is still true, but her direction and involvement with the Omega-Men has her fighting a new angle, which will set up future issues and future storylines in a very interesting way.

This issue keeps us guessing with how the two will continue. The ways are very open going into issue 8, and just about anything is possible.

I'm more than willing to look past what seems like a very routine issue. Aside from showing the strained relationship between aging characters, and setting the stage for the next chapter, this one is somewhat forgettable. However, an issue with that much action, and one that shows off the true threat of The Joker, it's a great read compared to middling issues of other titles.

This issue feels very crucial for the future of the series. Many complications have presented themselves to our heroes, and it's all going to get more tense in deep space.

The event that kick starts this story into action, and draws Catwoman towards a recognizable person from her past is classic comic-book: A villain does villainous things. It's clear how Selina is different; Catwoman's never motivated to do the right thing, rather, she reacts to another character. Selina is not selfish, however she's not selfless either. Jones perfectly her anti-hero status to move the story in a sincere way. This was an excellent start to a new arc.

You can't have a piece of media to everyone's taste. As it comes, this one is a lot of fun. A space age romp that you would be hard to find anything akin to in today's comics landscape. It may be an odd tone, but one that's fun and welcome.

This issue is an example of how quickly the season is prone to changing course. The life of these two boys is turbulent. Readers can follow their journey, and understand that being whisked from planet to planet, and experiencing danger is an everyday occurrence for the Super Sons.

It takes a unique creative team to take a character everybody knows, completely re-frame him, yet keep him sincere. Great work.

Throughout this story, one character who does technically qualify as one of the leads, has been busy. Darkseid has been a malevolent guide on the sidelines. He was included among the line up for this series, so it's easy to assume he'd be significant. At present, he's little more than on the fringes, delivering foreboding prophecies. I sincerely hope his relevance to the series increases, and Soon.

The ending is satisfying. At the very least we feel that Selina has truly grown. The threats from within the storyline have been resolved enough not to bug us, but left open enough to potentially cause Selina trouble later. Just as when the series started, Catwoman is a free spirit once again, and anything could happen in the capable creative hands of Jones and Allred.

As a holiday special issue goes, this one is very easily among one of my favorites. It has deep action, charm, and introduces a new character and plot lines. It's in keeping with what's going on in the run, whilst giving us the holiday breather we need.

The issue leaves the mysterious happenings in Gotham all the stronger. We get unexplained apparitions and the prophetic ravings of a mad man. The mystery is as open now as it was on page one of issue one. It'll be a true event to see how it all ends in the final issue.

This two issue sojourn from the main storyline has done wonders for character development. We're seeing both Jon and Damian taking equal parts in their heroic duo work. They're getting used to each other, just in time to get back home before the semester resumes. Or before Rex and his tiny cabal destroy everything. Whichever comes first.

Don't think that the sudden appearance of a familiarly unfamiliar face in the previous issuewas all for nothing. It's easy for other critics to see Jason brooding on back roads. Lawlessly dispensing his violent brand of justice to the people. Lobdell and Rob Levin are sowing some very deep seeds throughout this series. The threat may be getting sufficiently pounded on, but don't think there's not more to look forward too.

With the Joker's return, we're all wondering what he'll do next. We're reminded that he sought out Barbara first, and tried to paralyze her again. The Joker is a creature of habit, and he might want to have history repeat itself.

We have much to be excited for in upcoming issues. A new force is coming for the Justice League. With the idea of Cyborg, Starfire, and Azrael as elder gods, an entity like this makes total sense. The implications around a figure like this validates why Azrael is on this team. Combined with Darkseid's meddling, this issue finally leaves me excited and scared for what is to come.

VerdictThis is a great extension of the current storyline. It's more of a pit stop than an important junction, or new turning. We can see all the complications and divergences that could lead the story further. The arc can go anywhere from here, making issues like this exciting points for readers like us to see the possibilities.

Jolle Jones and Laura Allred are really doing some terrific work. This is the issue I have been waiting for in this series.Tensions are mounting and we see Catwoman in a situation that leaves her vulnerable. I'm really looking forward toThe Big Showdown.

With the new/old ally, I feel that Jason is better equipped than ever for dealing with the "Underlife." As long as the dynamic artwork and quick action draws us in again.

The super sons don't know how dire their situation is. They're faced with the most unlikely thing possible in this haunted house. Each ending leaves us as befuddled to read on as the boys involved.

Short stories around one character in a wider universe have a lot of freedom. You can say a lot without really risking anything, because they're not part of a wider narrative. The many talents that contributed to this issue were able to ask brave questions and I respect that effort in this collection.

Why is he here? What does he want? Why does he have to be wearing that shirt? You'll understand when you read the issue, and shout angry vowels at the air, as Jurgens leaves us hanging. Again.

With what feels like a very dark ending to the issue, we're all left bemused by the mystery. It's too early into the series to receive any real answers, but I feel that the mystery isn't what we're meant to focus on. Maybe we should see how this team tackles the troubles they find in deep space, and wonder about their shared fate later.

A watery apocalypse is here and a desperate act might mean a sudden turn for the worse in the coming. Will Aquaman and the Justice League be up to the task?

Jones ropes us back into the invested storyline right at the end. Threatening the very thing that's keeping Catwoman invested in this place would make her capable of anything. This may be the moment that really triggers all the true action of the series, which I'm grateful to see, but was eager to see sooner.

With the emotional weight of what has happened, Jason can go on investigating the criminal underworld. It takes a character driven vision like this to really bring that kind of news home and remind us that masked heroes are people, and can feel deep loss just like we do.

With the emotional weight of what had happened, Jason can go on investigating the criminal underworld. It takes a character driven vision like this to really bring that kind of news home and remind us that masked heroes are people, and people can feel remarkable loss.

The storyline, though an engaging one when you think of the questions regarding the villainous kids, is dragging a little for my tastes. Yes the heroes facing the challenge of putting Superboy back together and them gaining unexpected help is a welcome change, but I need an upped sense of the stakes. I love this series so far, but I need something truly dangerous to root for or hope to avoid, and I don't know if I see one coming.

The shock and angry vowel reaction of issue 23 is hard to top, but the quality of the action in this issue certainly puts it up to match, pairing it with Conrad's perfect recreation of the future Gotham look and action he puts to page, makes this issue an exciting read. When you consider the tease for the 25th special issue, dropping soon, it certainly makes many want to read on.

The shock and angry vowel reaction of issue 23 is hard to top, but the quality of the action in this issue certainly puts it up to match, pairing it with Conrad's perfect recreation of the future Gotham look and action he puts to page, makes this issue an exciting read. When you consider the tease for the 25th special issue, dropping soon, it certainly makes many want to read on.

Being called out to deep space at the request of a dark power to answer an age old prophecy is very much in the day's work of Justice League members. The action and intrigue is there from issue one of this long awaited series and it can go many different directions in Williamson's capable hands, made real with Sejic's attractive cosmic backdrops.

The simplest way I can describe my take away from this story is that this is the single strongest comic, from any publisher, about any character, I have read this year. It is deeply remarkable and will be remembered in the conversation of one of the greatest Batman stories ever told. And it's barely started.

Catwoman's reasons for being in town are a sudden but shocking surprise. As we continue, I'm starting to wonder if Mrs Creel has any measurable, sinister plan other than corrupting people and politics. What I'm interested most in seeing is how Selina herself will respond to the changing world she's in.

The two distinct action scenes in the issue both show Jason as a silent master, but also as a real intimidating presence. The training he received from Batman shines through when criminals see him too late, or when he's emerging from the shadows. All the while, he shows the cocky side we all know and love, like plugging his ears over his hood before the big explosion.

Despite really enjoying this issue, it was good, it didn't really advance the story aside from showing the sinister kids' plan and them realising it. Even so, the stakes don't feel high yet. Compared to the previous installment it's mostly just setup and exposition leading from the heroes' capture to the surprise twist at the end, which leads into the next chapter.

The battles heroes and villains get themselves into are grand, and hold the fate of the universe in the balance. We root for them, and hope that reality doesn't crumble around them. It can all get very serious. So, if a talking cat or canary tell you they'vethe fate of cat and bird kind is at stake, it still counts as a grand battle, but just light enough to help fans like us breathe between apocalypses.

This annual has done a great job of progressing the main title's story while being open enough for anyone to fall in, know learn what's just happened in the continuity, and want to get the next chapter.

This annual has done a great job of progressing the main title's story while being open enough for anyone to fall in, know learn what's just happened in the continuity, and want to get the next chapter.

I think any ending that can make me shout incoherent, angry vowels at a comic's page, is a pretty strong one. Curse you Dan Jurgens, why must you play with my emotions like this? The situation looks so bleak. The trust of steadfast allies means nothing to the powers of this Scarecrow. All seems dire and I have to know how Batman gets out of this one, if at all!

Jason Todd is beaten and broken, successful from getting his revenge, and on the run. His allies are indisposed, and Batman is coming. All seems dire for DC's morally dubious hero and anything could happen in their annual edition in three weeks time!

Lots of competing powers are up in the air right now. We found out why whoever brought these copycats together did so and we hear about troubling changes in Catwoman's world. All the while we see Selina, sad and alone after her departure in Batman #50. I'm excited to read where the story goes from here.

Our heroes were met with the most unlikely antagonists at the end of the issue. All seems dire right here from the beginning. This has done a great job roping me and many readers to find out the comings and goings of the sons of heroes.

It's hot out. It's very easy to get sluggish and sticky in this weather. Find somewhere cool, kick back, and let your mind expand in some harmless fun. Well, until the Owl Man story on Earth 3.

Lovers of both comic book and fantasy genres were given an absolute treat in this series. Batman solving a mystery and foiling an escape in the realm of the faerie is an event, and it's sad when it's over… If it's over. The ending is left wildly open. Four words left by Mister Sharp are there to excite all manner of collectors. Watch this space.

Issue 23 was a somber look into an important character's past. We learned a lot about Jason. Here, we see him act on it in truly shocking ways. Ways that warrant an intervention from someone very important. It makes reading issue 25 all the more exciting.

The next step in the story could lead us anywhere, and that's the kind of excitement a new team on a new title should leave us with.

The issue ends with Slade figuring something out. The whole series has had these two at each other's throats thinking as to who could organise something like this. Slade may have figured it out, making the penultimate issue one where we get our answers.

Everything about this series screams unique and flavorful. This issue leaves the action starting to boil, and this reviewer ready for an epic conclusion.

No Justice was a roller coaster from start to finish. It gave the same classic experience of the stuff I read when I first started reading as a child, mixed with today's grandiose storytelling. The perks of being raised on comic books.

With the situation looking the most dire heading into the final chapter, I'm eager to see how it could all end peacefully. Ancient powers sitting on the edge, ready to destroy everything with the heroes set adrift. I've not been this excited for a conclusion in a very long time.

The outcome of their mission have left the teams reeling, and with Amanda Waller interfering in all sorts of business back on Earth, digging up something ancient and dangerous in the snow, we're all left wondering what will happen next. I can't help think about what Supergirl saw at the end of DC Nation #0. Those beings are coming, and I'm downright giddy to see how these unlikely teams handle it in future issues of No Justice.

Looking ahead, Scott Snyder and company have drawn together lots of powerful players in all-new combinations. Only the coming issues will show how these teams work together. I'm curious and excited to see what happens next. What do you think? Be sure to let us know.