Peek-A-Boo is a fruitless attempt in trying to become an episodic tale of horror in a genre which has been oversaturated with too many similar ideas.

Peek-A-Boo is slowly sliding further in the primordial abyss, and not in a good way. While simplicity may work for most things, this is of one those times were it backfires, instead making the audience bored with the an artistic style which seems rushed and hastily splashed with color.

Peek-A-Boo is very slowly becoming something acceptable as a horror tale, but with each step toward becoming palatable, there is something else which spoils the meal.

As we finish this penultimate issue, Peek-A-Boo is finally revealing how the title will end, however, writer Victoria Rau's dependency on horror stereotypes does not help this book from collapsing under the weight of its own predictability.

Peek-A-Boo is a formulaic mess from the start, trying too hard to differentiate itself from others by applying too many cinematic horror tropes within a limited space.

Conspiracy may stir interest within the title by inflaming tension to attract readers for such a relevant turning point in history, and yet at the same time, it makes for a revolting narrative to start the series. To amplify delicate subject matter to tell a tale allows for intense gravitas and thus a more shocking ending, but the journey to this conclusion makes one feel both mentally exhausted and physically ill due to the information conveyed. And while the gripping illustrations and dynamic colors do work to control the intensity, they also give substance by granting the reader displeasure for this material, thus sacrificing their talent for a such an unpleasant story.

As we dive deeper into Conspiracy, it seems each issue separates the reader from the true foundation of the title, distancing the audience from an interesting premise. Instead we are left with a series which appears confused as to which direction it is trying to guide us towards, with each new element weakening the component from before, making for a narrative which is contrived in order to create a leading plot. However thanks to artistic reinforcement the reader is left with enough interest as to wonder what may happen next, and while this curiosity is fleeting, it is just enough to tease us along toward the next issue.

While the visuals of this issue are enjoyable, you have to question if the stories within the series are leading to any thorough conclusion by which to base a promising foundation for the namesake of Conspiracy. With every book so far we have the underlying theme of the Illuminati, and yet the narratives are derivative when compared to stronger series within the publisher's lineup of titles. There are no compelling characters who endear the reader to the subject matter, and worse yet, when compared to the premier issue the ones following make the audience wonder if anyone within these stories truly care what is happening " and if they don't " then how can we?

Conspiracy began with an interesting premise, but as the series progressed it seemed the explanation behind the story was more important than the main character's motivations. Taylor and Drew appeared to be the focus to draw readers into their world of intrigue, but somewhere along the way their significance dropped to being bystanders all to make room for more unnecessary mystery for the Illuminati with no one to relate to in order to fully understand their self made importance. And while this issue tries to create a noteworthy venue of sympathy, is it too late for this title in lieu of becoming a doomsday plot which will soon be forgotten " only one more issue to go to see if it can make a difference.

Conspiracy began with an interesting premise, but as the title progressed the story quickly became too convoluted to allow interaction with anything aside its own self-indulgent fantasies. And while the presentation is interesting, the lack of any reader interaction via noteworthy characters leads to a misleading interpretation of the underlying themes resulting in disappointment when the final reveal changes everything we thought for a maddening conclusion unworthy of the build up. Then add the unsatisfying graphic presentation and we are left with a series which is disappointing on many levels, but most notably the lack of guidance to show us the belief of something other than what we know may be possible " but unfortunately not for this disheartening series.

The Flintstones may have been a promising premise, but the execution of the idea ran into a several stumbling blocks, namely the sacrifice of the humor to make it more sympathetic to a modern reader. This series was supposed to tribute to the original show, but somehow it has become something else entirely, and not in a good way. Hopefully this was only done to change the mood for his initial issue, otherwise, we may be in for a bumpy ride with no way to stop other than our bare feet!

Escape From Monster Island may seem to be your average monster book, but the extraordinary care and detail that is put into bringing this story to life is what elevates it from a boring book into a feast for the eyes. Tyler and Granda may have had a shaky start with this introductory issue, but the topic makes it an optimistic title for the future. Let's just hope that it doesn't sink like so much chum in the murky water.

While the story is progressing, the manner by which it is proceeding makes it take a back seat to the action. Readers want to be engrossed in a tale, not put to sleep by it, which is what is happening in this second issue. Tyler and Granda started with a promising premise, but it is slowly starting to devolve into something which is making us lose interest. Hopefully, it turn back into a cliffhanger and not something which you read children to lull them to dreamland.

Escape From Monster Island is painfully plummeting into B grade movie status as the action is quickly taking a back seat to irrelevant melodrama. Although it may be necessary to establish the background of the story, to interrupt what the title presents as a conflict oriented narrative for histrionic moments ruins the pacing and thus, unbalances the tension of trying to survive on an island where everything is trying to kill the characters. With only three more issues left in the series, I just hope that Tyler and Granda don't try to stuff all of the epic scenes into the last half with no breathers. Here's hoping that the next one recovers the magic they cast on us from the beginning.

The story seems to be picking up, but the pacing is dragging the tension down to tolerable levels instead of keeping us on the edge of our seats. When we think something exciting is about to happen, we get a plot twist that placidly defuses any explosive ending and settles us back into a tiresome moment of silently bypassing the danger. I can understand that Tyler and Granda want us to acknowledge that the island as a whole is after the humans, but then why go out of their way for help, only to have it torn away with a cheap gimmick? With four issues down and three of those dedicated to describing the danger instead of showing it, will the series end with a sorrowful whimper or a big bang?

Escape From Monster Island has become bogged down with too many of the foreseeable themes that it does not seem original anymore. Everything is predictable and even if you haven't seen any of the shows or movies which the book seems gleaned, you can still guess with much certainty what will happen next and you'll probably be right. Hopefully with everything set now for the action-packed finale, it will be straight forward without any expected twists – we can only hope.

Escape From Monster Island at first seemed to be a series which could resurrect the classic monster movies of the past, but it soon became bogged down with so many obsolete themes that it was no longer an original story. The tension which was established within the first issue was quickly lost by an overabundance of useless material and any injection of a bold idea was quickly seen as being gleaned from another popular source. While the premise has promise, this set of books is not where it stands. Hopefully, if there is a sequel, they will not fall into the same pitfall which allowed this series to languish a slow and painful demise.

Lightstepon the surface appears to carry a nauseating premise, allowing the concept of superiority to carry forward under the charade of a holy crusade for racial purity, making the story unsavory within a serene utopia. However as we become endeared with January and her rejection of those principles, the title undergoes a startling closing transformation, showing even those raised within this environment can see the truth, all hidden within sacrifices deemed necessary for the good of all. With subtle color choices and stunning illustrations used to bring out the beauty of both sides, this title appears destined for a deeper social consciousness, but for now, all we are left with is a narrative which is perverse in its lack of initial morality.

In terms of the narrative, Lightstep is trying too hard to establish a foundation from which to create a tangible world, but at the same time, it is the outstanding visuals which keeps readers coming back for more.

Lightstep began as an interesting premise for a series: to expose an isolated girl to worlds of infinite possibilities outside her sheltered existence, and yet this concept seems to have faded in lieu of introducing intrigue instead of optimism.

This issue of Lightstep leaves the reader with a cavernous shallow feeling by allowing a needlessly complex narrative take over in order to show the reader a simplistic background story for someone who should be a secondary character. While the tale was interesting the title still ignores the protagonist in lieu of introducing us to the effects of the Lightstep, but at the same time, this may be necessary to continue the underlying premise in a believable way. However why ignore the innocence of January if they were going to concentrate on Jazzman from the start? It is only the fantastic artwork which keeps the audience attracted to the title, and if this how the series will lead us to the end, then was this journey and all the side trips really necessary?

Lightstep began as an interesting story for exposing a sheltered girl to the wonders of the universe, and yet it quickly became an overly complex and convoluted space opera which was lost within its own meandering story.

E.V.I.L. Heroes seems to be unfolding as expected where those drunk by power show that they are the superiors to those without any defense. However, this first issue has too much action to give us any clear understanding as to the true intentions of this team. While we may assume that their goal will be as audacious as their powers, the growing intensity may soon burn itself out if the battle becomes too lopsided. Hopefully the playing field will quickly become leveled in the next issue, otherwise, this book will become too ambitious for its own good.

Now that the dust has settled, we now can see that another familiar element has been introduced to the issue. While it may fit the premise of outfitting normal humans for combat against superior foes, all of these similar concepts are detracting from what could have be an original idea in itself, if not for having to lean on the ideas of other publishers. Hopefully now that the characters have been established and the battle lines have been drawn, we will not have to see any more analogous notions and will be able to continue to a promising narrative. If not, there may be little hope for this story before it turns into another mundane tale.

E.V.I.L. Heroes is halfway through its series run, but so far it has been less than impressive with a lackluster story overwhelmed by amazing art. Even if you like the tale of human struggle against an oppressive tyrannous regime, the compilation of elements from so many analogous franchises just smothers any new sparks of originality. But with the addition of familiar components which each new issue, at this rate we are in for more of Spot the Plot Spoilers instead enjoying the narrative itself.

Now that the heroes' plan has been fallen apart, I just hope that we don't fall into the other villain standard next issue: the monologue. But with the way this series has been shaping up, it seems inevitable and necessary, allowing us to understand the reason the New Gods came back to Earth. However with only two more issues left for E.V.I.L. Heroes, hopefully this will end better than what I imagine.

E.V.I.L. Heroes is coming to an end, but of course we know what is coming next, an epic battle for survival. However, with an obvious buildup to what appears to be an impossible fight, in the back of out minds, the readers know that the world will not fall. After all, with all of the hope that has been built up, the series will conclude with a happy ending, even if Brusha has to reveal a trump card and give us a clichd conclusion. Or will evil actually win this time? Just have to wait and see …

E.V.I.L. Heroes on the surface seemed like a noble idea which so many publishers have attempted in the past: What would happen if heroes became drunk from their power? However the execution of the concept fell short due to the overabundance of so many elements which were ruthlessly ripped from other companies and then used without even trying to disguise their prior sources.

Hopefully the next issue will help resurrect this story from a mediocre budget matinee into a holiday blockbuster.

Rating: 16+Released By: ZenescopeRelease Date: August 26th, 2015MSRP: $3.99

While at the beginning this series might have seemed to be another zombie apocalypse/end of the world tale, the transparent objective of Nova and the revelation of her rationale has turned this into, for lack of a better term, a sincere human interest story. I just hope that this turning point is not lost in the future issues so that they can fit in more gratuitous undead slaughter to fulfill some revenge pledge for not being to save the ones they love. One can only hope for the best next time!

There is always entrapment scenario in this type of survival story, but when writer Joe Brusha created a new twist with the cruiser flying in at the last second to save Nova and the team, it adds a great action flare instead of the rescue squad coming in with guns blazing " we get lasers and big explosions!

Aliens vs. Zombies may have been a compelling narrative for the zombie genre, but somewhere along the way it became just another survival tale. Change the characters from humans into aliens and you get the story which Brusha and Riccardi present to us in this marvelous series. Although the motivations and actions are anticipated, the heartfelt emotions which they project do make this a worthy read, even if you do have a feeling of dj vu.

Grimm Fairy Tales: Dance of the Dead is supposed exist within a realm which has been touted as an area of no escape, and yet it has been proven in the past that with the proper rites, it is possible. And now with two new prisoners to the Shadowlands and the introduction of beings existing within this prison, is all that we have known before now to be proven wrong? That premise serves to expand upon our knowledge, and if this is just the beginning, I cannot wait to see how it will end.

With a third of the series now over, it seems we will need an endless ball of thread to find our way out of this maze of self imposed confusion. Although in the overall premise of the story there seems to be an objective, for now with the numerous flashbacks breaking up the consistency these seems to be contradictions to the entirety of the narrative. Hopefully in the next issue we will find the path back to the heroines and not be lost in more history of a former master, then finally find out how the title fits in with the struggles Jasmine and Mary which have yet to come.

Grimm Fairy Tales: Dance of the Dead constantly evolves from what we initially thought of as a escape plan from the Shadowlands for Mary and Jasmine into what it is now – a background story for the protagonist Gruel. While it may have begun as an optimistic tale for the pair, with barrages of obstacles driven by the wizard and transitions into the past to divulge how he has become the madman he is now, it appears the true path for the story has become lost in favor of his own ambitions. If not for the inundation of flashbacks, this might be an interesting narrative, but splitting the focus of the story between two time periods waters down the impact and makes both lesser than a greater whole. If the tales could have been separated into individual titles they might have made a better impact, but for now, both are suffering … which is a great shame.

Grimm Fairy Tales: Dance of the Dead is beginning to lose the value of an appreciative story all due to a lack of keeping us interested with what happens in front of us, instead of bogging down the narrative with too much intrigue and exposition.

As the climax for Grimm Fairy Tales: Dance of the Dead quick approaches, it seems we can expect one of two outcomes: either have the title end in an insane rush to close out everything or expand the outcome with more flashbacks which leads into a need to read the aforementioned companion title to see how this melodrama ceases. Either method seems dissatisfactory, however as things are now, there does not seem to be much choice as to how this foregone conclusion will dwindle down into what has previously been established. While I hope my conclusions are incorrect, at the same time, there seems little choice than to sit back and wait to see what happens within this misaligned narrative within the Shadowlands.

This could have been a good title, but poorly constructed transitions and clumsy information handling marred any chance of success, which is a shame for such promising heroines.

Hopefully, future issues will have more assorted adventures or at least mix up the underlying narrative so that the ending will not be so disappointing.

Overall, while the book does have a good premise, the execution was not done cleanly to do it service in the short term. One artist would have been enough if they changed their drawing technique to portray the two phases of Adrian's trip, but instead, the two different styles conflict and muddy the path home. It is a shame since this could have been an enjoyable romp into Grimm's Tales of Terror.

While the overall maturation of Grimm's Tales of Terror was disappointing with the banal horror tales, the idea behind it could have grown into something entertaining if the writers would have created new stories. But, with the trend of Hollywood to remake classics for the current generation, you really can't blame Zenescope for their lack of vision. Hopefully the next volume will have a better mixture of ghastly ghoulies to frighten us instead of just amusing us.

Even with Kivela's gripping artwork tearing away at our heart strings, drawing us into the story, it does not seem that this saga end well for Sela. With one defeat after another, how can she even hope to conquer this darkness? Or will she give in and surrender? Guess we'll have to wait until next month to find out!

Writer Joe Brusha has set the stage for what will hopefully be an epic struggle for the future of the Grimm Universe! With Sela and her forces finally confronting Lucinda, it looks as if the underdog will finally have the upper hand until we get a glimpse of those two trump cards at the end. How will she be able to defeat this evil pair " or will she? It's these kinds of cliffhangers that make for a good comic.

When I saw the last pages of the story, the first thing I thought was: Sorry Joe Brusha " but you have got to be KIDDING me!

With the premiere of The Mainstream now complete, you still have to consider the concept and how it seems as if the creative team became overwhelmed due to its complexity. While we may not know how the whole story will unfold due to lack of information, for now this first issue is incomplete due to that same lack of knowledge and leaves us feeling unsure of how it will progress.

The Mainstream has its moments of clarity, but as you delve deeper into the narrative, it becomes bogged down by trying to balance too many tangential storylines.

As we reach the eye of this oncoming storm, there is still an uncertainty which remains as who will survive and what will die within The Mainstream. Although we have been deemed worthy of witnessing some of the mysteries, there are some which still taunt the reader to continue for some morbid fascination as to what will happen next. And while it is the amazing artwork and colors which keep up coming back, the narrative is slowly growing into something which smolders with fascination, but all the while it teases its demise without any substantial fuel to keep the bonfire roaring in angry response.

As The Mainstream nears its conclusion, it seems we are left with more questions than answers, and if this pacing is what to expect, I fear a collision of details will overwhelm the reader within the conclusion. However as the stunning artwork and menacing colors draw us in, you cannot but be engulfed by the tension, wanting to see how it will end. With both worlds waiting in the balance, there will be suffering, but who can guess what will happen occur once the final page is turned – we will just have to wait and see.

The Mainstream had the promise of being a novel sci-fi series, but while being bombarded with technobabble and overcome by constant action scenes, we begin to forget this is the story of a man out of place and time.

Grimm Fairy Tales: Day of the Dead brings to light one of the lesser characters from the signature series, Mary Medina. While we have started with an enticing story of her resisting to use her powers due to painful memories from the past, thanks to Dawn P. Marquez's tale, she is come to the forefront, whether she wants to nor not. However, due to a watered down portrayal of the woman, this first issue is a bit disappointing. Hopefully, the next issue will take care of those problems and help to flesh her out more faithfully.

Mary Medina has finally come out on her own, attempting to discover more about herself and her powers, but the undermining story is disappointing in its own indecision. Though I can admire a slow build up to draw the audience in, but there is such a thing as being too plodding by which the readers start to lose interest. Combine that with our heroine once again being relegated to being a secondary character instead of the primary protagonist, and those factors incorporate into a disappointing narrative. Hopefully now that all of the monotonous set up has been completed, we can jump into a meaningful story, but for the time being, this title is sadly dredging up a bad taste in my mouth " almost as if I too spent the night in that steamy swamp.

Now that the introductory part of the story is supposedly finished, I hope we will finally get into the true meaning of the story: Mary Medina discovering the secret behind her powers. From the first issue it felt like she herself was hesitant, almost dragging her feet and afraid of making this journey of revelations; now that we have passed halfway point, it appears as if the narrative itself is keeping her from the knowledge, people placing roadblocks or mental obstacles in which the great conclusion will mean the end of Mary. True Voodoo keeps implying she must know death to realize her full potential, but then again, why keep allowing them to escape when they have been cornered numerous times? It is to lengthen the chase or is there a purpose for this cat and mouse game? Guess we'll just have to wait until next month to find out.

Grimm Fairy Tales: Day of the Dead is finally beginning to come to life, but with revelations revealed so late in the series, it feels like a watered down story instead of something which should peak your interest. And now with only two issues remaining, I can only hope this title will pick up the pacing sooner than later. Mary and Talisman seem like an unlikely duo, but with no one else they can rely upon, they may not be the only ones who do not survive this grave driven disaster.

From the beginning of Grimm Fairy Tales: Day of the Dead, the premise sounded like a promising idea, but somewhere along the way, the message was lost in translation. And now that we have reached the pinnacle of the story, it seems the deeper we venture into the narrative, the more irrelevant ideas wander into what could have been a moving tale. Mary Medina has been a someone shunned for her abilities, and now that the Order of Tarot has her on their side, there is no telling what will happen next " but we have a promising notion of might happen " I just hope it is sincerely proven wrong.

Grimm Fairy Tales: Day of the Dead, began as an interesting premise for one of the under used characters within the Zenescope mythos " Mary Medina, but it has ended in disappointment. The lead up to this finale was challenging but as more story elements were introduced, the search for meaning behind Mary's powers was misplaced in order to fulfill the Order of Tarot's ambitions and thus, build a foundation for future stories. If the narrative was kept simple and focused on the immediate problem, then this title might have been acceptable; however, a watered down plot and the need for a speedy closure thanks to a clichd plot twist only results in a story which never truly blossoms, and therefore opens more unending questions within this substandard tale.

But no matter how good the story may be, the artistic interpretation must be able to keep pace with the story and illustrator Umberto Giamp shows us with unerring detail how raw anyone would be in this situation. The expression on Tom's face tells us all as we watch him turn from hopeful and then once again fall into the depths of his addiction. You can almost feel the rage explode as he thinks he is being cheated, but then Robby Bevard's palette of colors adds to those moments with the gradual emphasis on shadows and darkness. The white backgrounds of the page only magnifies the tones in each panel, grounding the tension and allowing for the release with each passing moment. This combination of action and color builds with the story, allowing for the reader to get caught up in the narration, until we reach what we knew would come " a lesson of karma spiked with greed.

The teen thriller is a cheap way to get a good scare, but I don't think it is appropriate for Grimm Tales of Terror unless you incorporate some kind of urban tale into the mixture. The movie genre is too predictable, thus spoiling any anticipatory moments in which you can sneak in a surprise. And with the way this story is heading down the wrong path, I don't think there will be a sequel.

I will never look at another person's eyes ever the same again " for while they may be the mirrors to the soul, they can also reveal the deepest of intentions. The team of Shand, Riccardi and Cuomo have managed to create a world in which not everything is as it appears to be, but that in itself will divulge the truest of motives, whether they be for salvation or ill will. Everyone has a secret fear simmering deep inside, just waiting for the proper circumstances for it to boil over, but if they can contain that conflagration, that will determine who can emerge to survive another day within the stirring tempest of life.

This is the kind of narrative that I want to see in Grimm Tales of Terror " not necessarily an urban legend but something grounded in reality with just a touch of the sinister. Other stories that hit you with an outright fright don't really work, the impact is too soon to be very effective. It is the build up that makes an issue like this more thrilling, showing Keres before the fact instead of afterwards, her small speech being a clue as to why she picked them. I sincerely want more of this type of story, but suppose there are only a limited number of times in which you can squeeze that red nose before it runs flat " too bad.

An inappropriate story and questionable artwork can sometimes work to bring forth an unexpected surprise, but regretfully this tale did not bring forth such a pleasure. With a clumsy narrative and roughly hewn illustrations, this issue quickly falls apart and does not offer any attempts to sway us from the obligatory conclusion. Perhaps I am biased due to the original premise, but either way, this story does not have much to contribute to the Grimm Tales of Terror legacy.

While the premise of this promising urban legend was a prime choice, the execution of both story and artwork effectively ruin any chance of this tale having any true horror. Pallid narration with trite characters and a feeble story are combined with a deficient selection of colors to add up to a mediocre issue within this series. Although the tale did have an original ending, sadly it was too late to breathe any life back into this sickly creature, leaving the reader with a foul taste which lingers long after leaving those fetid tunnels.

The Devil made me do it takes on an entirely different meaning when we see it through the eyes of desperation. And yet with the talents of Tedesco, Rodriguez, Gamboa, and Ruiz this story takes on a life of its own, thanks to the synergy of word and art. Something which should have been ordinary now becomes a wholly different tone due to a creative twist and the illustrative worth of being able to interpret this literary vision. I for one am glad they decided to take this risk and show us a different side of a classic tale.

Sadly, I am sorry to say, after all of these stumbles, what we end up is a story which is silly and superficial. While it might have had some greater underlying intention, when two artistic perspectives are carelessly intermingled, any literary value it had is quickly lost. The concept of showing how vain and egocentric people can be to be popular by showing off is an interesting moral lesson, but with a strangely fitting tangential tale and poorly executed graphical positioning, this tale of terror quickly looses its punch. This is a shame for it was better executed, this issue could have been transformed into an acceptable story, instead of becoming a train wreck.

With a weirdly twisted story of wrong place, wrong time " Brusha, Diaz, Gamboa, and Ruiz compose a tale which wonderfully fits in the Grimm Tales of Terror anthology.

The ravings of a madman may have been something which fit comfortably into the Grimm Tales of Terror series, but with too many repetitive musings, it quickly makes us lose interest. Too much blame and not enough action waters down the story and with artwork which vainly tries to keep up failing, the issue is a disaster waiting to happen. Then add to the confusion a narrative which tries to take on too much within a limited space and we end up with something akin to a train wreck with all the build up, but quickly derails into a fiery crash from which there is no turning back.

Although this narrative may fit within the realm of the Grimm Tales of Terror series, when you compare it to past tales for shock factor or simply leaving a lasting impression, this issue sadly falls short. Perhaps it is the combination of familiar stories elements and understated artwork which fails to make an impact, but whichever the reason, it is mediocre at best. The expectation of Halloween's mischief may also play a role, but all in all, it is disappointing to see this type of story revealed within a title which is known for its horror and not ending with a bad taste in our mouths.

With the combination of an evocative story and artwork which stirs intrinsic emotions, this issue of Grimm Tales of Terror will become a classic unto itself. You cannot but feel for the protagonist with such a loss and when given the chance to correct such tragedy, who could not place themselves within similar circumstances? To live with emptiness or relive with happiness, while it may not be a wise choice, when love is involved, who can say it is not the best decision?

Ligeia may have been an overlooked Poe story as opposed to his other popular prose, but thanks to the phenomenal collaboration of Brusha, Idris, Gamboa, and Ruiz, it has now become one of my favorites. With an interpretation which brilliantly modernizes this sorrowful tale and artistry that only broadens the audience due to eye catching imagery plus bewitching tones and shadows, this issue of Grimm Tales of Terror is sure to become an icon of the title, no matter what age it is read. This is the way to bring an end to a marvelous volume of the series, and hopefully make the next author doubt whether he/she can top it, all while striving for the greatest quality.

The story of Mercy Dante has once again be opened before us and this premier issue has presented an anxiety ridden story which can only get better. Her journey for Lucifer has just begun and it has already opened something which this bounty hunter may wish she never angered in the first place. Let us hope that the team of Tedesco and Bifulco can create something that will satisfy our curiosity and morph into a story that will keep us coming back for more.

This issue of Inferno: Resurrection is a good story, but the execution is lacking in the presentation. The team of Tedesco and Bifulco are hopefully building up to a better book next month, but for this one, we are given something which is lackluster and better suited as a filler piece instead of one which does justice to Mercy's duty as Lucifer's bounty hunter. Let's keep our fingers crossed that we will be rewarded for our patience with the return of a blockbuster spectacle instead of another arduous explanatory tale.9

Tedesco & Bifulco's tale of woe has reached the mid-point and now that Raum has noticed someone's pursuit of his endeavors, hopefully, the pacing of the story will pick up. The need of Mercy wanting to help others is in her nature, but the failing of wanting to save everyone and thus causing her to question her own motives is what drags down the narrative into a moralizing drama instead of a daring adventure. With only two more issues to go, the story can only get better, right?

With Mercy nearing the end of her adventure, Tedesco and Bifulco's artistic team are trying to keep pace with the story, but the narrative is quickly losing its core tone of being an adventure instead of a sermon meant to teach us a moral lesson. Somewhere between the beginning and now, it seems the narrative was sidetracked by the bounty hunter's need for salvation instead of doing her job of collecting demons causing havoc on the human race. Let us hope that the story's tone will change for the finale, otherwise, we will be in for a long ride.

Inferno: Resurrection may have begun as a rousing adventure with Mercy Dante into accomplishing her goals as a demonic bounty hunter, but somewhere along the way it lost itself within redemption. While this is a great motive to drive the series, to have it underlay the foundation while turning it into a morality is a waste considering the actions which she portrayed previously.

Within the confusing narrative of the premiere issue for The Musketeers , there are still some bright moments hidden within the promising artwork of the title. Although we may not completely understand the story due to lack of character buildup, it is the excitement of dynamic illustrations and complex colors which allow us to feel intrigued by the intensity of the tale. Hopefully as the story progresses both elements will coordinate to make a cohesive tale, but for now, it is the talent of the artistic team which makes us willing to come back for more.

With a title like The Musketeers, you would think is a story of action and adventure, but unfortunately has quickly become one of uncertainty and self-doubt. It feels like this is a runaway train, with the reader being forced to ride on one rail and not allowing for any other diversion, including any opportunity for escape or freedom from the inevitable collision.

While this story does have potential, with the mistake of revealing who the main villain behind the curtain is previously, it spoils what could have been a delightful conclusion.

As The Musketeers draws to a close, this series is falling back onto unrestrained action to attract more readers, instead of relying on the relationship of the trio, as was clearly displayed within this issue. While we had some inklings of the closeness they showed in the beginning of the title, it was hastily brushed aside to make room for the set up of the closing event, much to my disappointment. After all these crusaders are friends and if they cannot trust each other, as was clearly shown with all of the betrayal, how will they survive until the end? Or perhaps this was always the intention and we will be given something which falls short of the literary heroes we hope for … with only one month to go, we will have to wait and see.

This first issue is a bit overbearing sometimes with the philosophical and religious issues ingrained within the story; it is not for everyone and may be found objectionable to those whose belief systems who do not tolerate such rigorous questioning. But it is a refreshing read for those who would keep an open mind and need a break from the monotony of explosions of littering the comical landscape.

The fate of Rick Murphy has been set and his future is in the hands of Brusha, Rosete, and Pereyra as they unravel the mysteries of Death Force. While it may seem that he has met his end, the gruesome image painted on his deathbed dictates otherwise as we await what that skeletal hand has in store. The stage is set and all of the actors are in the wings with bated breath as we anticipate the next act in this harrowing tale.

Death Force is shaping into a magnificent display of the personification of death and retribution. While we are acquainted by the premise of the story, the underlying touches which Brusha, Rosete and Pereyra have laid before us are evolving into the foundations of an encouraging tale which might be intriguing if the blueprint is kept true. Let us hope that this will become an inspiring story which will not fault to disappoint amid so many similarities from other shaky franchises.

Although we are only half way through Murphy's story, the midpoint is developing into a satisfying tension-filled narrative. And while we may have seen this story before, the actions of Brusha and the artistic team are transforming it into something which will be worthy of the adventure and this trip into Death Force's psyche. We can only hope for the justice they both desire, but in the end, only one may truly be worthy of a happy ending.

Death Force tries its best to present a new spin on the classic melodrama of redemption, but it is falling into a familiar story line from which you cannot help but make comparisons. Although Brusha is trying his best to create an original tale about Murphy shifting away from revenge, there is always a tinge that he will stray back if the right circumstances pave the path to his ultimate goal. Hopefully we will be able to see this story through to the end without having to rely too heavily on the talents of Rosete and Pereyra, and that both writer and artists will be able to carry the reader on to what will be a rewarding experience.

As we approach the finale, the legacy of Rick Murphy as Death Force seems to be coming to an apocalyptic end. While we can imagine what will happen, I just hope that this new ability won't be overused as an end-all approach to impossible situations. After all, if it was used against the crime boss which was plaguing Philadelphia, then why not release it when he must confront the one he made a deal with from the beginning? If this is what will happen, then I can foresee this roller coaster ride coming to an abrupt stop … without the seat belts.

Death Force was a charming tale of redemption, but it suffered by having too many references to other properties and relying on them too much to drive the story forward. While it did manage to gain some ground as it progressed, the ending was spoiled due to poor planning with the release of a related title and it turn the finale was also diluted due to an uninventive way to extend the title into the next volume. I sincerely hope that the succeeding title will be able to draw on more imaginative concepts now that the origin story is over and not linger with any more overused material.

Grimm Fairy Tales: Tarot is beautiful piece of illustrative wonder, even if the story itself is a bit confusing. To finally give the Order of Tarot its own title may have been a great idea on paper, but the translation is lacking due to an incomplete cohesion of details which make up the entirety of the narrative. Then add to the confusion in thinking new readers could understand this dilemma without some kind of general background on the characters, settings or understanding what happened previously, and they will be in for a baffling fiasco. Since we might have now been illuminated after this first issue, hopefully the continuing story will make more sense in the near future.

With even more confusion added to an already complex storyline established from previous books, Grimm Fairy Tales: Tarot seems to be developing into an intriguing tale of deception and contradictions. While we are still in the dark about details from the Council's true motives and members, there appears to be a light at the end of the tunnel with the introduction of Shimmer and the Order of Light. However, even with these new clues to spice up the tale, will this prove to be the right choice or will it in the end, make this story all more convoluted to all but the most dedicated fans.

Grimm Fairy Tales: Tarot is becoming more watered down with each passing issue, introducing more story elements before we can understand the last ones or comprehend the reasoning as to why each occurs. Although in the big picture it may make sense, for the time being with each passing month, readers can become more confused without knowing the underlying facts as to each characters' motivations. And with Nataliya seemingly to have earned the trust of both sides, who is to say what will happen now that the Empress' paranoia grows stronger and supposed allies lose trust in each other? We can only wait until the next issue to see if the story makes sense or descends further into the depths of confusion.

Although the overall tenacity of the story is still intact, the underlying focus as to why the Order of Tarot was assembled has been lost due to constant infighting and distrust. Grimm Fairy Tales: Tarot is surely unfolding to show how even those united by a just cause can collapse due to mistrust within their own ranks. As such, it is this confusion which makes the narrative so cumbersome to read, trying to keep facts straight and which House is backstabbing another … so much some you almost need a flowchart. While spectacular artwork keeps the reader coming back, even this graphic treat cannot hold a collapsing story together for long. And with only two more issues left until the end, I do not see anything being soundly secured without sacrificing some essential story element along the way – unless this leads into a sequel.

While the larger focus may be lost due to so many factors being need to understand it all as a whole, Grimm Fairy Tales: Tarot seems to anchored to an event which will shake the Zenescope universe to its core.

Grimm Fairy Tales: Tarot may have started as a well meaning story, but it quickly became bogged down with too much political substance and lost the true essence of what it should have been " a tale of choices for Talisman.

Oz: Heart of Magic may begin with an unbalanced narrative and slanted art style, but it is the captivatingly colorful environment which makes us delve within the title with such wonderment. And while we consider if the story can hope to catch up with the premise of the foundation, it is the overall visual experience which keeps us interested in the series for the sheer pleasure of watching Dorothy become adjusted to be her new life. Hopefully as time passes the title as whole will become integrated, but for the time being, we can always dream for new possibilities within the land of Oz.

Oz: Heart of Magic seems truly determined not to give the reader too many details to allow enjoyment of Dorothy's exploits since we have nothing to celebrate without expansion of what we already know. This micromanagement of the story spoils any progression within the narrative and drags down what details have been revealed to a trickle, almost as if showing too much would spoil the title.

Oz: Heart of Magic may have made a leap forward in revealing the depth of the Wizard's ambitions, but at the same time the shallowness of his goal seems out of character for someone who is so driven as to impair his foes all to allow him to watch their suffering.

Oz: Heart of Magic may be slow to develop a captivating story, but once it grabs you it does not let you go due to a narrative which is restrictive on giving up too much so as to keep the reader interested. But with artwork which is captivating and keeps you engaged, it is this visual appeasement that allows the audience to not wander far all to see what happens with great interest. However with only one issue left to wrap up all those loose ends and allow for a satisfying conclusion, one has to question if there is enough time to appease everyone within Oz.

Oz: Heart of Magic is an unbalanced story for an Oz series which depends on its characters to define the foundation and while it does leave more questions unanswered than one would like, the underlying tale does work into the mystique of the franchise and echoes into the history of Dorothy's legacy.

Paradise Court has created a theme with many possibilities, but for now the story is lacking in originality, falling back to standards of the horror film " the unassuming community hiding a dark secret.

Paradise Court has opened up the flood gates of horror, and while it may be predictable, the artistic depiction in the form of picture and color envelope the reader with a genuine sense of dread. Even with a story which seems blas due to familiarity, it is the materialization of those emotions which evoke a sensationalism which normally is saved for film, but due to the talent of these magnificent artists, we are able to savor the terror within a flat medium. Horror and beauty on the same page, it would seem to be a contradiction which would not work, but due to the cooperation of all involved, we cannot get enough of this intensely gory story.

When I first started reading Paradise Court, I thought this series would become another blas horror tale with overused moments to bring about prescribed events of terror, but it now appears I was wrong. As we become settled into the turning point of the story, Amy's paranoia is becoming more realized and the reader starts to identify with her panic in a very meaningful way – concern for her friends. However it is the gruesomely effective artwork and event triggered colors which attach us to the narrative, making us believe in our heroine and worry if anyone will survive this once peaceful visit into this serene community.

With but one issue of Paradise Court remaining, hopefully, this issue will be a temporary setback as we look forward to success of Amy facing her past and the confronting the present. While we should have expected some redundancy from reliance to this genre, I have been optimistic it would not be so blatant as to fall into the trap of becoming another forgettable horror book. But to see our heroine becoming panic-stricken is not favorable and as we watch fear close in, for now all we can wish is an ending which does not collapse under the weight of unnecessary expectations.

I wish they could have carried the original foundation along to the end, but as of now, all we are left with is a mediocre teen scream film which may be good for a bit of a chill, but it leaves the audience wanting more.

Wacky Raceland is the latest in DC Comics' attempt to create new versions of the once popular Hanna-Barbera cartoon line. Although the base premise may be the same to the original property, the jokes which once littered the races and kind-hearted characters who would do no permanent harm to each other, are now replaced with the polar opposites of the cast. If you can read this series without being prejudiced by the previous show, this can be a wildly exciting departure to the norm of a regular competition. However, if you do know of Wacky Races, then the learning curve can be a harrowing hairpin and could lead to a fiery crash.

Wacky Raceland seems to be humming along well, but if we are going to be introduced to a new characters' background with every issue, how long will that take? So far we have three down and only nine more to go, and if that's the case, it might just be better to wait for a trade paperback to catch up to all of this drama. While Pontac, Manco and Sanzone are developing this sadistic race into something new, I miss the humor from the parent idea. A few off-color jokes cannot substitute for the original, so why bother to make it they are going to stray so far off the race course? Hopefully, as we progress, they will steer us back onto the main path and not take so many of these unnecessary shortcuts.

The Black Knight may have begun with a shaky literary start, but with such forceful artwork you cannot but feel it can only get better from here. Peyton Parks may have be inconvenienced by Merlin's interference in her meaningless life, but thanks to that same assistance she can now take charge of the lawlessness she sees around her and make a difference. To watch as this forcefully determined woman causes change is liberating, and hopefully as the story progresses, her actions will have an effect on her life and those around her in many significant ways.

As we approach the midpoint for the title, hopefully after this cliffhanger the plot transition for The Black Knight will move forward with more pronounced determination and not the hesitation we have witnessed within this issue. While this distraction may have been constructive, without any understanding behind the story of the war between families it only serves as a disruption to the main story. After all, this series is supposed to be about this attorney's motive for securing justice within her city, and yet as we progress it seems to be muffled by the excessive violence and a need for vendettas which add nothing in accomplishing her goal. But as we finally watch her alter ego to make a stand, let us hope she will shine beyond these distractions and show us the true hero she was meant to become.

As we become enveloped within the partial truth behind The Black Knight, you cannot but feel the story is lacking in narrative strength to secure a moving course to motivate readers to continue with the journey. It is only thanks to the overwhelming exuberance of the fantastic artistry which draws the audience back to witness Peyton's adventure against the impossible, but even this advantage seems to be quickly fading thanks to a lack of drive for our heroine. While the story is interesting, the lagging introduction of critical background facts creates an information vacuum which drags down the title, making this essential turning point not as important for the overall incentive of all characters present.

As we near the end of The Black Knight, you cannot but wonder where this series is headed when the build up has been so scattered as to not allow for a complete picture of the story. Although the artwork has been a joy to watch, the narrative holds back any fulfilling meaning for the characters, enveloping them within countless action scenes in order to cover up a need for the audience to care what happens next. Leaping from each slaughter may seem like a plausible method to connect the issues, but underneath it lacks any solid foundation to create a narrative which allows Peyton to understand herself and the Black Knight.

While other fairy tale based Zenescope heroines have been successfully integrated into modern times, one cannot but feel The Black Knight appears out of place with a story seemed gauged as a conveyance to show off Peyton's sexy costume with no real tie to her mystical origins.

Unbound has an encouraging foundation for a title, but with the pompous attitude of Lukas spoiling the believability of the story one begins to wonder if he has not sabotaged his own narrative due to his arrogance. While spectacular artwork projects the reader into this gritty world and makes us ponder what may happen around every corner, you cannot but question how we may survive if you cannot trust even yourself. And yet the combination of an unknown future and a protagonist who is lacking in anything which makes him worthy of the title hero may just surprise us within the coming issues of this intriguing series.

Unbound is becoming an interesting title, but at if one is familiar with the subject matter it takes away from the interest of Lukas' plight by leaving us with a sense of dj vu which one cannot ignore. However as Jordan and Craig add to the tale with a new venue of exploration, there seems to be an opening for further venues that make the story more open to other possibilities. And with artwork which leads the reader toward those new horizons, hopefully the future will garner a better chance to see our hero improve himself, otherwise his adventure will be short lived even if it would prove satisfying to see our egomaniac taken down a few notches.

Unbound continues to evolve into a title which reveals its array of unexpected surprises with each turn of the page, allowing readers to derive a grounded satisfaction as we watch these friends attempt to succeed in what most would never attempt. With constantly shifting artwork to suit the mood of the moment, the visuals draw you into a world that is surprising and yet strangely familiar, all while allowing us to submerge into the Ether with profound fascination. But as the finale nears, one cannot but be a little disappointed the story is coming to an end, even as we envision what will hopefully be a surprising result for this wild electronic ride.

Unbound may have begun as a tale which seemed heavily influenced by popular science fiction movies like The Matrix and Blade Runner, but as the narrative developed it slowly evolved into something meaningful " a story of cooperation to overcome a menace threatening to destroy everything within both worlds. With fantastic imagery and tantalizing colors which serve to connect readers seamlessly into the Ether, one cannot but be fascinated by the strength of the illustrations and the complexity of electronic tones merging to become a mesmerizing tapestry of wonder. And while the title is heavily weighed down by tiresome clichs and literary tropes too numerous to mention, in the end the series gives us a satisfying conclusion to a story which may have had a shaky start, but ends with a meaningful foundation for what may yet come.

Maybe I am too brainwashed by the modern depiction of Wonder Woman to give this version a favourable judgement, but I am used to seeing Diana charging in with bullets bouncing off her bracelets and a sword swinging; after all, in the current storyline, she is now the God of War! How would she be able to change so drastically after all that she has seen and done? This is the same logic I am using to dissect this representation. Someone so drenched with the blood of her enemies cannot leave all of that behind his easily. Perhaps we shall see how it develops in the movie, but for now, this tale falls flat for me.

Phoenix Files may attempt to conjure a magical moment within a disgusting ceremony of creation, but due to the unsettling idea of sadistically murdering someone in order to achieve their foul needs, plus a predictable unfolding of events to rescue the fair damsel in distress, this penultimate issue falls short on many counts, leaving eager readers with more questions than answers even in the midst of a surprising revelation. However, due to spectacular imagery and haunting colors that effortlessly materialize the harrowing experience unfolding around us, one can become fully enveloped within this lackluster story, due to the amazing synergy of artistic excellence. But as an optimistic audience wonders what awaits us within the final issue, it is the formulaic unfolding of the narrative which sets our expectations low for the time being, teasing us with something that we might not expect, but at the same time, it would not be surprising to see familiarity encroach with a conclusion that

Sleeping Beauties has a bumpy start for what appears to be a promising tale, with this premier issue balancing a captivating story against stunning artwork which motivates the reader to delve into the mysteries hidden within the sleeping community of Dooling.

Possessive is an interesting diversion from the classic haunted house story, with a protagonist who is immediately relatable due to common problems which any person may encounter due to a length marriage, only to be answered by an atypical solution which only leads to compounded difficulties. But as we attempt to sympathize with this sincere man who cannot see past his alcohol clouded delusions, even with enthralling colors and amiable illustrations, it is the visual inconsistencies of these portrayals which break the overall flow of the story, leading to uncomfortable pauses at the most inopportune times.

As an overreliance on fully texted profanity changes the narrative perspective of Possessive, readers may question if this book is suitable as a Zenescope Teen title and not geared toward a more Mature audience, even if the grotesque violence may steer us otherwise.

With token characters that have little impact on the story aside from injections of humor, a foolish antagonist who is blinded by his own interest, and a narrative which trivializes multiple deaths as a convenient plot device, Possessive falls of taking itself seriously, all in an effort to shine a light on the need for redemption while revealing how the darkness of obsession can suffocate any hope for the same.

The Black Sable is an interesting journey into a rousing standard of history and the swashbuckling films of yesteryear. It is an interesting twist on turning over major roles of pirate and villain to women to see if it will open up the genre and allow us to see how this change will expand the story into something which has been overlooked by a male-dominated profession. The past has shown us most pirates are ruthless scoundrels, but will it take Sable to display the other side of this time-honored adventure into one of exploration or will she fall under the same barrage of cannon fire like those before her? I for one cannot wait to see what will happen.

While The Black Sable may have started as an interesting story of a female space captain, the interest has slowly faded into something which seems normal for a world of piracy. The tale is becoming predictable and it is only the phenomenal artwork and sensational colors which keeps this title afloat within the flotsam of comparable narratives. Although the premise began as something noteworthy, it now seems it has been ignored for the satisfaction of only visual rewards. Hopefully, the upcoming issues will prove me wrong and I wait with bated breath for that moment.

The Black Sable started off as promising tale of space piracy, and though it has had some highlights through the first half, the predictability of this genre is starting to catch up to the title. Although it did redeem itself within this issue with a touching reflection on Sable's past, the rest of the narrative watered down the effectiveness of such heartfelt encouragement. And as more characters are introduced with their goals conflicting to the Captain's, it seems as if the waters ahead will become ever choppier and it will not be smooth sailing until we reach the questionable end.

The Black Sable is finally solidifying into a tale of epic consequences, but if we knew more of how this tale came to be, the narrative would congeal into a more meaningful story. As of now, all the reader knows is a crude foundation of how the characters came together and what they all want, not the essential reason of why they want the treasure. We can speculate, conjecture or hypothesize but without any concrete evidence on value, all we can conclude is this might be a fool's errand … but then again, pirates have never been known to make the wisest of choices.

As we near the end of our journey and the treasure has been revealed, The Black Sable continues to elude a need to involve the audience, by instead projecting a story which presents action without a desire to care for the characters. Although Sable and Blake seem to acknowledge a begrudging obligation toward each other, the reader cannot form an attachment due to a lack of information and/or knowing their motivations.

The Black Sable had the potential, but it falls short of giving the reader any emotional investment which would have made the story praiseworthy in becoming a modern classic.

Grimm Tales of Terror has always been one of my favorite titles of the Zenescope line, but this issue left me with an unsatisfied hunger for a tale which had a less pronounced bite. While the art salvaged the book due to a formulaic story, the overall narrative still has some interest due to the possibilities of what is to come. I cannot wait to see how these inklings will develop into what hopefully will be a worthy movie, but at the same time, wish we had more focus as to how everything will envelop us into Keres' world.

If there is one lesson to learn from this story, it is simplicity works better when trying to communicate complex human dilemmas rather than overuse of tension-filled clichs.

By gently unfolding the narrative and then intensifying it toward an inevitable conclusion, it allows the reader to become emotionally invested in seeing a happy ending, but as this is Grimm Tales of Terror, we know this will never become reality. However with likable characters and a clichd bully, one can always hope " even as we know pleasant wishes will never come true within this title.

Due to a tale which lacks originality in both literary and artistic endeavors, this issue falls short of the chill factor which allow it to be called a successful attempt for the Grimm Tales of Terror namesake.

While I do admit the underlying premise of this issue is nothing new, writer Shawn Gabborin does offer it with an intriguing twist by presenting the protagonist as unsuspecting, only to show the gruesome truth at the end, even if at times the facts are shown almost at a painfully slow pace.

This narrative was delicious in its poetic irony, made all the more cunning to see the past finally catch up to this villainous scoundrel. Using muted illustrations and colors made it most effective, matching story and art to create an issue which will become a standard. It allows the narrative to speak for itself and not allowing gore to overcome a brilliant story, instead letting it accent the end making the whole all the more concussive in the thrilling conclusion.

With an approach enveloping the urban legend foundation which this series once used so productively, this issue becomes a standout against the trite horror stories which others have tried to scare us with an inappropriate use of gore or violence.

With a tale which seems out of place within the Grimm Tales of Terror title, I begin to wonder why it was presented as a story for one of Zenescope's best books. Although the conclusion did have a bit of psychological fright, the build up was unappetizing, leaving a bitter flavor within the reader's mouth due to a lack of palatable nuances which would have made it meaningful to consume. It is only thanks to the skillful presentation by the artists which made it semi-tolerable, and if not for that begrudging compliment, I would have immediately sent this dish back to the kitchen for some much needed holiday seasoning.

This is the kind of story which I appreciate the most " one which shocks us while allowing our imagination to jump to conclusions, only to end with an unexpected twist which fulfills our need for justice to the restless dead.

On the surface the story appears moralizing, striking the reader with a tale for a need to take care of the environment, and yet as we read deeper you begin to understand the underlying meaning. While the fundamental basis of corruption is universal, the idea of nature taking revenge makes you wonder if there couldn't be something out there waiting for the right moment to strike, making us all suffer the punishment for a few greedy entrepreneurs.

To witness a such a stirring story with thrilling visual excellence is indeed a treat for the eyes, but to become absorbed within the characters is something entirely different. While I would have appreciated the issue more if the narrative did not stray from the source material, it is still interesting in its sincere attempt to open our mentality to legends of other cultures. But in the end it falls into the fallacy of needing to Westernize stories to make it more amiable to audiences, when instead they should have taken the chance to keep the myth as close to the original without a need to dumb it down to make it more accessible.

While the clichd story of this issue may make it unappealing to some, it is the normalcy of the gripping artwork which makes the tale worthy of a brief stint within the supernatural. To suspend disbelief in what we acknowledge is possible makes this issue entertaining, permitting for a disjointed sense of reality to take over and allow for panic to show us what people are capable of once they venture into the impossible. And while this genre of horror is not for everyone, a temporary visit can be amusing to reinforce our system of reality and expand what may be feasible for those who wish to believe.

It is appropriate for this volume of Grimm Tales of Terror to conclude with a fascinating drama which allows for story and illustrations to coalesce into a story wonderfully fitting for the title. While the entirety of the run did have a few bumps in the road, a majority of the narratives did make for frightening tales which allow for a success in the overall scheme of the series. It is with these fond memories do we look forward to seeing how they will top this run and wonder with bated breath as to how this franchise can improve in the near future.

Spirit Hunters seems to be an interesting series based on the clichd theme of finding things that go bump in the night, but if they are going to make fun of themselves while they do it, we might be in for a bumpy start. So many other companies have tried to make the premise interesting, but in the end, they usually fall flat on their faces. Let us just hope that the twist of having a medium will open a new door to the realization that the truth is out there.

While I can understand that this is only second issue, I still wish we could have some background information on the characters, as to how or why they would ever want to pursue such opportunities. Although we have been given glimpses as to how they were burdened by spirits, as they stand now, I really can't see how more tales will expand such a barren and lifeless cast. Spirit Hunters has potential, but as for now, it just seems we are going through preset stories to set the mood, without knowing the actors' inspiration for taking the role. Hopefully it will in improve … otherwise I am sorry to say, we will have to suffer through a long and boring movie.

Although the expanding nuances of the team appears to have become paramount in the current story, the exploration of paranormal activities still takes precedence for the narrative itself. However while these tales are creative on their own, it is still important to remember that without the cast, Spirit Hunters would be nothing but another ghost story. While I do acknowledge that the spooks are essential, without Ellen and the rest of the team, this title loses all of the humanity which it needs to become a successful series.

This is what a good narrative should do for the characters: expand on their experiences which make them what they are and at the same time, open the readers' mind into their own world. While we are still left as to wondering what will happen next to this cast, the title holds interest as a whole with these connections. Although the essence of the investigations keeps our attention, it is the artwork which shows us what is happening, which is unfortunate for this issue. A lack of detail makes one wonder why the people are here, as Ellen appears in her opening panel. I would be lax if I did not say that the story was enjoyable, but the envisioning made it a burden at times, almost as if we were stunned into shock by that opening page.

While the main characters of Ellen and Dr. Chase were missing from the story, this issue proves that a well crafted tale can overcome even those deficiencies. Vera, Ferguson and Curtis have always been backup to the dual protagonists of this title, but now that it is proven they can close a case without their help, maybe we will see more of this trio? Or if that is too much, at least allow us to see them develop more than just sitting on the sidelines, waiting for someone to interviewed or request for information. That is boring and with people this appealing, an absolute waste.

While it is nice to see the whole team back together and Ellen with an expanded understanding of her abilities, the story itself seems a bit empty, as if swallowed by the shallowness of the atmosphere. After her absence, it is convenient for our spirit talker to now have the ability to ban ghosts by her will alone. If that was going to happen, a bit of an explanation would have been relevant, and yet it still opens new venues to a rather lackluster title.

Jerome Ferguson is a New York policeman who encountered his first supernatural haunting four years ago, and that tragedy now returns to terrify his memories of the present. Tedesco gave us an impressive telling of that tale, but thanks to a lackluster example of ill-fitting art by Diaz and Cortes, what could have been an exceptional story has now turned into a nightmare. I just hope that the next issue will be able to resurrect this promising series.

This is one of the best issues so far within the series, for it stands above the other stories by allowing for a reinterpretation of a classic, but not insulting the reader with an exploitation of the genre. While it may seem similar to the base concept via being a tribute piece, Brownfield and his artistic team still allow the audience to enjoy the narrative as it is incorporated into the essence of Spirit Hunters. If they had taken a cheaper route by using the same elements, it would have been cheap and insulting, but via the journey we are exposed to, the tale still feels fresh – with a pleasurable touch of wonderful nostalgia.

What could have been a mediocre story using voodoo to commit a crime has turned into something sinister and original, all thanks to incorporation into the main Spirit Hunters storyline. While it may have started off a bit slow and does not develop until after the narrative's shift, thanks to fantastic artwork and an imaginative plot, this issue works on all levels. I would like to see more of this plot into developing Ellen's character, but at the same time, it is a shame to ignore the rest of the actors in lieu of just one person. However with only three issues left in the series, it appears something might have to be sacrificed to see the truest fulfillment of this underlying story, otherwise we may just be left in the dark.

While this could have been a revealing story of Ellen now starting to accept her powers, thanks to stumbles in the tale and artwork, this issue is not up to the standard of the title. Although the underlying stressful premise of returning home is understandable, the execution is clumsy within a limited number of pages. Then add the unbalanced artwork and accompanying mistakes in coloring, it all combines into something which is hopefully a one time mistake. Thankfully in the overall venue of the book, this issue still displays all of the idealism which we have accepted as being Spirit Hunters and allows us to welcome it as a part of the dysfunctional family.

Ellen is no exception to the horrors of the Spirit World, and it from her past which come the most sinister mystery for the group to solve. The wait of exposing Morgan's past in hindsight now makes sense, allowing the reader to know the character through her actions before exposing her history. But even as we await the end with bated breath, you cannot but wonder how they will conclude all of the lose plot threads within one issue, or will this lead into an expanded story and a new series? Either way … I can't wait!

While it may have been a long wait to finally grasp this finale, writer Dave Franchini does not disappoint with this gripping conclusion for the series, but still allows us hope for a continuation of future events.

The story of Eve Harper, courier who will deliver anything anywhere for the right price has begun with a rocky start, but as with any post apocalyptic narrative, hopefully this will change as we get to know the characters and their new world. Raiders, mutated creatures, familiar terrain and a quirky robot who quotes lines from The Princess Bride are an interesting cast to assimilate, but with time they will expand the landscape into something interesting. Now we just have to wait to see if our heroine will survive to make it though another issue and gain her reward.

The Courier: Liberty and Death is sobering reminder that not every story is required to begin with a pleasant beginning to be an effective carrier of human emotions, it just needs a motivating undertone to engender itself within the reader. And thanks to gritty artwork and an almost smothering selection of grounding colors, this title succeeds in compelling the audience to become entangled within Eve's story, even if the foundation seems intensely familiar. But as the tension builds and we are once again plunged into the terrors of this world, one cannot but hope the journey will take a much needed turn from the ordinary in order to show its readers the welcomed anticipation of the unexpected.

Eve is a strong woman who has the strength to survive this world, but with the lack of a palatable cast by which to challenge her, this story is falling flat on its potential. While I recognize the narrative as being laced with familiar themes, there is still an attempt by Tedesco to create something which is original and entertaining. And with the engrossing artwork of Miranda entertaining the audience with his enticing atmosphere, it is a shame that Valenza saps the strength from the land with a poor choice of colors in what could have been an illustrative masterpiece.

As The Courier: Liberty and Death nears it end, the stark reality of survival continues to shock us with moments of extreme violence balanced by the rare chance of compassion for those left behind. However while the story seems familiar, it is the grimness of sickening artwork made all the more captivating due to gravitating colors that captivates the audience and with a wish to see even more to satisfy our morbid curiosity. And yet as Eve finds herself trapped within an impossible situation, you cannot but wonder how she will make it out alive, even as those who work against her reveal their cruelty knows no bounds within a world with inconvenient laws.

As the story reaches its climax, it seems at times that both the tale and coloring are working against the artwork to water down the power of what could be a fantastic story. Eve Harper has finally found something to repay Colvin's kindness, but it was too late to help settle any lingering grudge. But as she races off with the Specters in chase, you have to wonder if she may have another chance in the near future. With the cliffhanger now set, The Courier has once chance to survive, however, will it be enough to save both herself and her passenger?

The Courier: Liberty and Death may have had a predictable theme due to this same scenario being played out in classic post-apocalyptic narratives, and yet the underlying motivations of the characters helps to bring a sense of accomplishment to their causes, even when things look the darkest. To witness each person's motivations clearly defined adds a certain gravitas toward their personalities, even if you may not admire what drives them, you can for the most part understand how circumstances have driven them toward what they feel is necessary, all while they collapse under the weight of their decisions. With moving artistry and somber colors to amplify the crushing tone of this limited series, one cannot but feel mildly frustrated as the story comes to such an abrupt end, and while the closing pages do paint wanting need to see Eve's story continue, the disappointment that it will not come anytime soon makes the wait all the more painful.

The Courier: From the Ashes is successfully coming to a close, but revelations of new character back stories make it seem as if there is more to come. The conflict between Eve and the Specters is coming to a close, but as Franklin has his own ideas of how to conclude their business, it appears that it will not end quietly. This was supposed to be a simple delivery mission, however as we now see within the Wastelands, not everything can end peacefully, especially when The Courier is involved.

The Courier: From the Ashes was an enlightening escapade into purer intentions and the notion that anyone is capable of redemption, if they chose the right path. While Eve Harper may have been looking out for herself in this cruel world, she was still aware that her actions were the cause of Franklin's plight, and did her best to correct her mistake. Though never admitting reasoning, she still shows humanity can prevail within the darkest of nights, even if humans are flawed in the end.

Chastity begins with a promising premise but soon grinds to a halt once the excitement stops and while it is understandable to have a transition between action scenes, the absence of anything to provoke our interest within the second half is troublesome.

Chastity seems to be crawling forward at a measured pace, with a story which is hesitant to disclose any information about our main actress in order to slow down what could have been a promising adventure. For those unfamiliar with the character it can be frustrating and may lead to abandonment unless the story refocuses on development and opening a window into her past to show how Jack has become what she is today to those who depend on her strength. It is only thanks to the sensational artwork of illustrator and colorist who make this title worthy of consideration, but if changes cannot be made to widen our interests even their marvelous talents may not be enough to save what could be a memorable series.

Chastity has found its way into a title which now provides new readers with a reason to proceed forward " a fluid story and narrative that surrounds us with a material which is relative to the uneducated. While we may have had those elements before, they were obscured within information which was hidden behind self imposed character restraints but now thanks to a change in story telling, all can now enjoy what may have been available to a choice few. The openness of both script and plot now avails us to a new view and hopefully the future will be as illuminating for us and this captivating red headed fighter.

Chastity continues to evolve into a title which allows us to begin caring for these characters, even as the story wanders into familiar territory, all with the charm of a lead who shows caring and a desire to protect within the same determined woman. But as we wonder what could be next for these women who struggle to retain their humanity, it is the sensational artwork and all-encompassing coloring which make us come back to see what kind of new adventures will prevail within the next memorable issue.

Chastity may have begun as a plodding and unfulfilling story, but as we witness this glorious end, it has evolved into a meaningful tale about a fiery woman who does not know when to give up. Thanks to the brilliantly composed illustrations and striking application of anchoring colors, the series was never without something to entertain readers and that is a wondrous achievement. However one cannot but hope the future for this title takes a more provoking manner in constructing the narrative, otherwise the next series may not end as well as this one does without a talented artistic team.

At first Coven appears to be another tale of fanatics trying to destroy their enemies, but as you being to understand Dartanian's misgivings and the hope of Baba Yaga trying to save Avril, it becomes something more. Calig's interweaving of the two viewpoints gives the story subtle tinges of reality which makes it all the more stirring for the reader's enjoyment; it makes you yearn for more and curious to know what will happen next!

All in all, this may have been a transition to the real action in the next issue, but it still brought meaning into the conflict. A moving story of hope amidst a war that has been raging for hundreds of years. If both factions cannot settle it amongst themselves, then perhaps their contemporaries can find another way to end the bloodshed? One can only hope.

With only two more issues left, this book has set up what will surely become an epic battle. But how can this motley pair hope to survive, let alone overcome what seem to be impossible odds? Guess we'll just have to wait until next month to find out!

However, to save us from that mediocre story, Diego Galindo enchanted us with another book of unending action! Bullets flying, bodies chopped in half, explosions, heads blown up and gouts of magic " what's not to like?

Grimm Fairy Tales Presents: Coven was an interesting premise of two young students' adventures into their perspective, although distorted, outlook of their own worlds. But somewhere along the way, the trail was lost and it became sidetracked into a non-stop action festival. While normally this would not be a bad thing, the emotions the story evoked in Avril and Dartanian were lost which is a shame since I think it would have made a more provocative story if the relationships were explored rather than the wholesale slaughter.

The entirety of the Wonderland series has been shrouded in the melancholy of the Liddle family. Three generations have succumbed to the madness of the realm and now Calie reigns over it. However, the prevailing tedium of the storyline is what drives the characters to fight against the insanity.

Has the Squire has shown her true colours? Or was she really on their side? Her silence now speaks volumes as her actions may now unravel the palace from the inside. Nightmares abound in Wonderland and its feast may have just begun!

Heflin continues to marvelously shape the world of the White Queen as she heightens the insanity of that land. However, this new story arc now introduces a new twist in the path, dragging Drew into Calie's delusional world. Hopefully, this character's interaction with the real world and Wonderland will allow a more complex interaction between the two realms, which the previous stories have lacked.

To see Drew drawn into Calie's insanity and then branded by Ace should make for an interesting reveal later on. But as for now, what will happen to Brayden? Will they be able to shelter him from the truth of what happened to his family – that Wonderland has claimed another victim? I cannot wait to find out!

However, Marc Rosete's artwork does save the story from mediocrity. The madness of Wonderland, especially the initial confrontation of Ace and the King, sets the mood where you can almost smell the dank atmosphere of that world. Even if you take the text off the page, the sinister glance of those cold pits Ace calls eyes are haunting and the story doesn't need words to describe what is happening to the characters.

I am glad to see that we have gotten back onto the path that we veered away from in the last issue, but the question still remains of what Ace plans to do with Drew. He went to all the trouble to drive him into Wonderland and then brand him with his mark, but you would think that from all that effort, his earthly captive would hold more value than to be some plaything for Red Rabbit. Psychological warfare would seem to be a speciality for this realm, but to toss aside his prize and not make any more use of him is a shame. Hopefully, we will see a confrontation between the two friends in near future, something that will shake this stalemate to the core.

Writer Erica Heflin has been building this conflict for Wonderland for quite some time and I am glad to say that the wait was worth it!

Violet is supposedly free of the Mad Hatter's curse, but we know that Wonderland will not leave the scion of the Liddle family alone without a chance to participate in its future. Just as Calie and Cheshire are supposedly exiles from that realm, we hope that Heflin and Sposito have more in store of this story, but we just have to wait and see what will happen. Keeping our fingers crossed that they will not be banished for long and they will keep us entertained for the foreseeable future!

Wonderland may have abandoned the Liddles, but the insanity has not left. It still has an influence on them and the world around them and that is what makes this story worthy of their effort. Although we may miss that psychotropic-induced state, this new playground is just as delightful if not more so since it can strike so close to home. Cults can take their grip and can just as easily draw us down, but hopefully it will not swallow us whole like it does to the Wondermen.

But the poison of Wonderland still influences the Liddle family with the distrust it sows within their ranks. Heflin and Sposito have brilliantly illustrated it in this issue and it is bound to get only better. The love between mother and daughter has been rend asunder and one has to question if they will ever be able to believe in each other ever again? We can only hope and continue to see in the future issues which we will gleefully await with bated breath.

The Liddles have settled another score with Wonderland, but the fight to cleanse it from Earth is not over. With each step they take, they seem to have a thousand more laid before them before the journey's end. Who knows how much more it will take to stop the insanity, but we all know, it will be worth the trip!

Dark Cheshire has always been secluded in the shadows, but even when he came out to redeem himself, his story was still enshrouded by his grim determination. It is refreshing to see one of the founding characters from the mythos get his own story by revealing what we were not expecting, which makes it all the more rewarding. But it still makes one curious what other mysteries are still hidden beyond the veil and how they will be told before the world comes crashing down with what we know will be a bloody battle for Wonderland.

Wonderland's toxins have once more poisoned another happiness which we take for granted as Heflin and Sposito display in such repulsive fashion. This issue of opposites makes one think as to how such pleasure can be taken from the act of ingesting nourishment, but at the same time, it can also turn over to the anguish of not being able to sustain oneself with edible food or the lack thereof. If the Tweedles are the chefs for the banquet, I will respectfully decline the invitation, taking care to keep a watch on my back if they ever need more supplies!

Grimm Fairy Tales Presents: Wonderland is coming to a close and the team of Heflin, Sellares and Paciarotti are leaving us with an unpleasant taste in the mouth. But this development only makes us want more, to see how much more convoluted the story can become before the end. With each step the Liddles take, they delve deeper into that bottomless rabbit hole and we can only hope they will not impale themselves upon Ace's talons.

Grimm Fairy Tales Presents: Wonderland is coming to a close, and yet the magnificence of that realm is not through with us. We have tasted that forbidden fruit, and it has forever tainted us by the rotten odor which remains but is that same tang which lures us back every time. But now that we can return to that realm, do we really wish for the journey to end " or will it ever truly be over?

Grimm Fairy Tales Presents: Wonderland has come to a memorable end, but as any loyal reader knows, nothing is as it appears to be, and even if you think you understand something, it can be undone within the confines of the next series. Madness and sanity intertwine within the world of dreams and it is the responsibility of the Liddle family to guard the realms from this land's influence. As such, the adventure is never over, for as one journey ends, the next is waiting within the whimsical grin of a Cheshire.

While this evolution of Grimm's Tales of Terror is a nice change from the previous series, it still feels supported by the underlying story. However, by modernising it with such a sensitive subject to bring in more readers to this important issue, and also makes it a better story. This is a good beginning for the new volume and I just hope that this torch is passed along down the series so that it ends in another shinning moment and not a disastrous deluge.

It is a shame that this story was derailed by a monster story instead of a treatment for the title's namesake " I was looking forward to reading an interpretation from a beloved author. Instead of changing the story midstream, it would have been interesting to follow the tale out to the end. Perhaps next time the writer will remember that Keres is the narrator of the series and thus, allow her to tell the tale instead of one of the characters relating the story of his own death.

Although this tale didn't have the chills or outright violence as previous stories from Grimm Tales of Terror, it does fit nicely into the anthology. The psychological breakdown of the main character is another kind of horror we don't usually see in lieu for the current generation's need for the gross out instead of a silent killer. If the two methods were able to combined into one story, this issue would have had a more impact, but sadly it just hints at what could have happened instead of showing us what did happen.

This issue of Grimm Tales of Terror colourfully illustrates the concept of what would happen if the inmates took over the asylum. How appropriate that the story starts and ends with Keres greeting the visitors while smoking, almost as if she were Morpheus, the God of Sleep, puffing on an opium pipe. It is a pleasure that the team of Yockey, Watson and Rosete brings this insanity to life as the strength drains from your dreams when you finish this terror and then try to sleep tonight. Better keep the lights on "

This issue of Grimm Tales of Terror wonderfully shows us that not all horror must be bloody and gory to give us a fright; it is the psychological thriller which works upon our emotions and leaves a much deeper and longer lasting impression. However, it does not have to be preachy to teach us a lesson, all it has to do is to be able to strike a chord by which we all have a common familiarity in the final outcome of the story. Shand and Rosete have done it in this issue and it deserves several re-reads to delve into the nuances of what was uncovered on that last page.

Any way you portray this tale, the disturbing plight is truly valid " never keep secrets from your mate! This issue of Grimm Tales of Terror shows that you don't need overt gore to make a story creepy, just a great story and art. The team of Morgan and Eric J have given us their interpretation of the classic cheating spouse, but this twist of the knife makes it their own and unique to the Zenescope theme. The ebony feline menace has always been rooted in our deepest fears and now we have a new way to chill us to the bone. Magnificent!

Clarity is best at times and this is one of the times, but in this case, the narrative and illustrations combine to make a harmony which could not be accomplished separately. Shand, Tedesco, and Del Pennino have synergistically created a horror show which I would have liked to see more, if not for the unfortunate demise of one of the protagonists, but perhaps Alex will make a return. The dynamic of this character is what makes this story all too real, her sober attitude as she lures in the prey then pouncing, savoring the taste of a fresh carcass. Alpha males " watch out for this Alpha Prime female!

The Monkey's Paw has always been a standard of the horror genre and this interpretation by Toole and Hill is no exception. They were able to modernise a classic tale by bringing to light one of the classics of literature which any reader can relate to: Greed. A desire for all ones needs to be granted and the lengths which some will go to accomplish to meet that goal is something anyone can connect to makes the story all the more based in reality instead of the mystical. A talisman is not needed to motivate someone if the want is challenging enough " just a wish to become greater than your own means, in other words " a dream.

The Bogeyman makes one doubt which is the reality of purpose as we see how lies can make both seem real. But are they lies if they uncover what is one creature's truth can also become another's? What is a dream might be reality and vice versus, but is the dreamer the one who is sleeping or the one who is awake? This story by Brownfield, Eric J, Gamboa and Ruiz questions that fact by substituting one horror for another, making life a nightmare and the dream what Ben wanted. Who can protest when even logic is faulty and it itself is in question? A magnificent issue for the Grimm Tales of Terror archives and one which the reader dare not release out of sheer terror from The Bogeyman.

This story is a cunning illustration that we never know what is concealed within plain sight, or that we can't understand what we are capable of unless we are confronted by our worst fears. While most of us may never recognize these circumstances, we can all understand the motives and their illogical conclusions, even if they are for the best intentions. Tedesco, Shand, Kivela and Lesko shows us one family's option, but let us hope that we all won't arrive at the same solution if we are confronted by a similar situation.

This story may have begun as an intriguing translation for a well-known cautionary tale, warning of the need to help your fellow man, but somewhere along the line it veered off the road and landed precariously perched on the edge of a steep cliff. While Lopez and Bonet may have tried to save it by digging in their creative heels, however, neither of their efforts were enough to save it; although both attempted to anchor it to a stable foundation, that ground crumbled quickly due to too much force being used in the rescue effort. This is a shame since while they did give it their best, too much force can be just as bad as too little " and we can see how either can result in a fiery explosion.

Brownfield, Menna, and Bevard have turned what could have been a simple story into one truly worthy of the title Grimm Tales of Terror. We all live in a world of technology and trust it to protect us in times of need, but to have it perverted in such a way is what makes such a violation sincerely chilling. These predators will always find a way to catch children unawares, and perhaps this tale can become a cautionary warning, however, the lingering terror still lies just a computer screen away, and that is what makes this issue all the more monstrous.

The final issue for this volume of Grimm Tales of Terror suits well to close the book on another haunting chapter of this series. While this section did have its highs and lows just any anthology does, the majority of this collection had quite a few which stuck out like glowing eyes in the night. I cannot wait for the next volume and let us hope that it will be able to better this one, but that will indeed be a tough calling.

Grimm Fairy Tales Presents Red Agent: The Human Order is what I wanted from a Britney Waters series. While the calm and pensive side of Red is a delight to see, it is her feral side which I love watching. We all know what it is like to keep your feelings in check, not saying what is on your mind or letting a punch swing wide, but it is this heroine who must keep her anger under wraps unless she returns to her former rage. However now that she has those emotions under control, it is so liberating to see someone release them when it is appropriate " and in a way it is so satisfying to watch her rip into someone who deserves her ire. Whatever Iovino and his artistic team have in mind for the rest of this series, and however they plan to uncover this vile plot, I am sure we will be in for one wild ride " and it will be well worth the wait!

The scene is set and the action is only just beginning, but with the introduction of multiple artists, it makes for this issue to becoming a very bumpy ride. While the narrative is full of the Britney we know and love, shifting between portrayals of the same characters is very unsettling and almost derails what should be a great ride. Hopefully the next issue will be able to smooth out the bumps and we will be able to enjoy the book as it should be – a great story.

While the series may have just started, the characters are well known to loyal fans and their impact upon this world is felt. Their every action secures a memory to friends and foes alike, not to mention we as the audience. Although we may not be able to equivocate as to their struggles, we can still draw upon our own experience when they are impacted by their own actions – this is why such a story can effect us so sincerely.

This issue had the emotional impact as opposed to those of Britney's past – before she had always been a loner, helping when she could, but never trying to get attached. But now, her having to shoulder the responsibility for a team, coming to terms with what she sees as failure and then having to continue with her misgivings as to the loss of Ryder, you can feel her pain. If this is how Iovino is going to pursue the story, then we will have more feral fun than is humanly possible … and I for one, am looking forward to a slow and painful ending to Alpha!

While I do wish this issue had a bit more emotional settlement after the events of the last issue, this was a nice way to introduce a new character and move the story along. However, to add such a volatile person to the team after what Alpha has done does not bode well for future missions. But if this is the impact which Iovino wishes to address by adding a similarly violated person to a group which has suffered so much, then we have a powder keg just ready to explode. They may work well or more than likely, rub each other the wrong way, causing friction and that expected blow out, leading to more suffering and drama for a sensational story. Whatever the consequences, I cannot wait to see what happens.

The team is adjusting and as with any shift in the dynamic, there are always bumps along the way. While this mission did not have the expected outcome, the overall effect of the narrative did allow for some meaningful development in the characters, which is more important in the greater perspective of the series. Though Britney, Silk, Avril and Ditto may be open to a new change, I just hope that the Highborn Initiative will survive to the very end.

The story is just beginning to heat up and now the audience starts to understand the complexity of the Highborn Initiative. We always suspected that Alpha wasn't just a pretty face, but now that he has shown himself being one of the main driving forces, this will probably not end well. After all, ever since his involvement with Avril's coven, he has not made many friends and I for one cannot wait to see what will happen as he closes his metallic grip around the team.

With the deaths of General Tate, Ryder and Eve still fresh on their minds and the need for revenge against Alpha, the remains of the Highborn Initiative are forced to enter into the enemy stronghold blind. Traitors have opened then to the enemy and a sense of hopelessness leads into them to the final encounter raw and betrayed. While Iovino has beautifully portrayed this literary climb to the summit and Garcia has supplied us with adequate tackle and gear for the ascent, poor choices of a guide make us lose the way to this climatic peak. Hopefully all of these obstacles will be overcome once we open the way to the finale, otherwise this series will end with a painful descent to the bottom.

Red Agent: The Human Order has the momentum to create a moving story of discrimination for people being who they are, but it falls short near its completion. According to the first book, this title was supposed to be a twelve issue mini-series and yet it ends on nine, just as things begin to heat up and now the audience starts to understand the complexity of the Highborn Initiative and the Human Order. With all of the hints to secrets revealed, it is a shame that the conclusion comes all too soon, leaving us with more questions than answers. Perhaps it was done to leave room for a follow-up series, but what ever the reasoning, all the readers know now is that we have a story which was satisfying, but did not reach its full potential due to a lack of initiative to follow through to the end.

Shang combines the growing desire of knowing who is the man behind the name with the presence of an important legendary literary character, allowing readers to wait in anticipation as we watch this complicated premier unfold. Although unfamiliar names and mystical mythologies serve to complicate matters plus artwork which at times appears stunning and others unsure of how to clarify the images they are trying to conjure, the ominous foundations which have been set serve as a secure scaffolding as a promising story unfolds with a new alliance and improbable foes. The future appears glowing but with only two issues remaining, hopefully this series will develop fully before we are forced to bid our heroes goodbye to an uncertain future.

Through wonderful illustrations and clever coloring may allow readers to enjoy this tale, as they begin to understand the curious basis it makes one question how such a title may be passable, even if it is a reflection of fantasy.

While the overall approach of Shang is welcomed due to a need for elaborating upon one of Zenescope's foundational characters, at the same time the title is a confusing melange of Chinese mythological missteps, and thus their primary influence to the story is sometimes muddled, yet thanks to the basis of Shang's destiny loyal fans will recognize where the series will lead, even as new readers question where the final path will end. However with amazing artwork and evolving colors, the title eventually comes to a foregone conclusion, but as the audience looks back at the overall narrative, one has to question if the journey was memorable or was it a bewildering escape into the wilds with little to bring back for its accomplishments.

While this series may only have one more issue to go, the intricacy of the story is displayed with such simplicity that you cannot but wonder why it was never tackled before. Such a concept has been undertaken many times before by others, but Snow White vs. Snow White is a new step in the right direction. To challenge the cornerstone of Zenescope's Universe as to the morality of her own choices will hopefully be exceptional, but we will need to wait until the next story. Until then, we can bide our time by re-reading the foundational tales and see if there might be another way to settle the dispute, though I rather doubt it.

Perhaps if there was another issue between the beginning and end the whole concept would have materialized more completely, but as it is now, what could have been an intriguing idea unceremoniously falls flat on its face. There is no real emotional attachment since the two sisters' tempers tend to blend into each other, no one able to make a stable argument as to who has the more valid point, all they did was let their swords do the talking. While Snow White vs. Snow White has an amazing premise, it stumbles around too much and instead of being a diamond in the rough, which could have been polished into a real gem, it was buffed too hard until the core cracked and exposed a one sided point: who ever has the sharper weapon " wins.

While The Watcher may rely too heavily upon classic scenes from horror movies to establish the story, it does not mean it suffers from a lack of originality in creating a tale which interests us from the beginning. To watch an unsure girl become enveloped within the terrors of her house is intriguing but it is the outstanding artwork of both illustrator and colorists which draw the audience within menaces which threaten to strangle us if we look way from the page for just a moment. The captivating imagery and grounding palette wraps the audience within the story like a foul smelling shroud, only unveiling enough haunting details from the story to keep us captivated to see what happens next, all as we anticipate events for what may prove to be a surprising ride within this classic tale of fright.

Although The Watcher seems to be built upon cliched ideas gleaned from classic horror movies to provoke predictable responses, the manipulation of the emotional integrity of Erica's psyche is what motivates the reader to continue the pursuit of what underlies the truth behind her fears. However by adding monumental illustrations which amplify the tension and amazing colors that feed upon every moment of uncertainty, we have a series which becomes the sum of its parts " a worthwhile story.

From the beginning The Watcher appeared to be formulaic menagerie of stereotypical horror elements but thanks to a clever manipulation of emotional nuances and an excellent application of phenomenal artwork and sensational color schemes this series has become an engrossing sum of well known parts.

Hellchild: Blood Money appears to have the proper tone for a title of the franchise, but as of this premiere issue there are elements which are quite foreign, both literally and of a graphic nature. Although I can accept these missteps as an attempt to create a proper environment for her new adventure, for the time being they make Angelica feel out of place, exposing the reader to a new side we never knew. However now that the exposition for the main plot has been laid out, hopefully, the next issue will give us what we want: a presentation of the cunningly feral heroine we are waiting for and a need to see Hellchild unleashed within all her primal glory.

With a flurry of violence Hellchild: Blood Money begins to enthrall us within the ferocity of Angelica's world, all as the story slowly unfolds in a manner which makes us and our heroine become more interested in what at first appeared to be a slow to develop narrative. But now that we have become hooked by the foul mechaniations which Tor who manipulates behind the scenes, hopefully the intensity will only become all the more enthralling. And as we await with bated breath, you can only ponder in anticipation what will arise from the depths of this stygian abyss and hope it will only get better with age.

And so as we approach the final confrontation, Hellchild: Blood Money attempts to draw everything to a worthwhile conclusion, however with a lack of any finite details as to the motivations for Tor we still do not know what to expect as everything collapses around Angelica. Even with an alluring rise in the depiction of our devilish heroine and a moving color change to envelope the audience, the title still lacks in any tangible action to stir our foundational interest. But as the odds now appearing stacked against Blackstone the story tries to draw the audience ever deeper into what hopefully will be a promising ending, however as we stand on shaky ground the premise seems lacking in many ways to keep what may be a hollow promise.

While I can understand this is a new start for the vampiric demi-goddess it appears this introduction has not cleared all the rocks from the path, leaving the series with dubious choices which could have been a grand launching point for the Hellchild.

Van Helsing: Sword of Heaven on the surface appears to be another monster slaying story starring our captivating British beauty, but it is the brilliance of the artwork which makes it stand out against other titles in the franchise. And while the tale may seem to be a bit predictable, you cannot but wonder if this initial book was meant to be this way in order to steer the reader into a comfortable stance, and then disarm them once the true premise of the tale makes itself known. I for one cannot wait to see how the story unfolds and hope it will be worthy of the name Liesel Van Helsing.

Van Helsing: Sword of Heaven continues to slowly expand upon the ideas created within the opening act, and yet it is Liesel's self-assured optimism which shines throughout this issue, giving the reader the confidence to continue onward against odds which seemed stacked against our heroine. Even if the narrative seems to be familiar, the story still has an underlying originality which entices the reader forward, but it is the amazing artwork which keeps our interest drawn toward seeing what will happen next. With this enticing combination of visual and literary interest entertaining us, this title expands upon the story in a novel way which is both intriguing and exhilarating to allow us to enjoy our favorite vampire hunter for the conceivable future.

Van Helsing: Sword of Heaven continues to fascinate readers with a narrative unfolding for the better, allowing the underlying humanity to be gingerly balanced against the horror of the undead. And while outstanding artwork wonderfully reflects the evolving story, it is overly enthusiastic colors which detracts from the illustrations by making elements stand out for unknown reasons, thus causing the reader to sometimes lose focus. Hopefully future issues will remedy this problem, but for now all we can do is ignore such missteps and allow for the allure of Liesel to guide us back to the right path.

Now that the main objective is finally within reach, hopefully Van Helsing: Sword of Heaven can steer itself back onto the right track instead of distracting readers with these transitional amusements. While the underlying foundation of introducing us to two sides protecting the Sword was interesting, the journey toward that goal only served to bog down what was before an intriguing story. Then add the unnecessary illumination to certain elements spoiling what could have been wondrous artwork, and we are left with an issue which had promise but falls flat due to these shortcomings. But now with all of these diversions out of the way, perhaps the title will return to what we want from a Van Helsing series and not what we are expected to tolerate to fill in for an uninteresting trip.

As we near the end of Van Helsing: Sword of Heaven, the title successfully garners our attention with fantastic artistry but at the same time a familiarity of the narrative leaves us with an immutable sense of dj vu. You cannot but wonder if this has all happened before but under different circumstances and new rivals for an unclaimed prize, and yet the tease of what has not occurred still keeps us wondering how Liesel will save the day at the risk of losing another ally. While the conclusion awaits in the curtains, we as readers still question how the story will lead us down an unexpected path and hope we will not be disappointed with an ending which appears to be leading us to a prearranged conclusion.

Van Helsing: Sword of Heaven may have begun as an ambitious excursion into the world of Liesel Van Helsing, but as we traveled within this fascinating world of India, it seemed to lose its way due to a predictable story, only to be re-focused upon its goal due to fantastic artwork and a stunning array of colors.

When I first heard there was going to be another reboot of the Xena comic book series, I was dubious it would do justice to such a beloved television series, but once the news one of my favorite writers, Meredith Finch, would be creating the stories, I decided to give it a chance. With her experience of creating dynamic female role models and tales of action without sacrificing strength to vulnerability, it seemed this new incarnation would be something to behold, and with this first issue it is well within my expectations for excellence.

The adventure continues, but with a story which is lackluster and at times depending too much on a stifling fascination, it makes one wonder how these two ever became so dependent on each other.

Xena may have initially thought the worst of Gabrielle, she being nothing but a pest seeking adventure, but it is finally time for the bard to show the Warrior Princess she too can save a life. I like the slow build up in the narrative toward this point, but at the same time, with this title being limited to two more issues, you have to wonder if the end will be rushed to fill in the grandiose drama we expect from the show. While we can only speculate, for the time being, this series is blossoming into something which can hopefully look forward to with great expectations.

With what I imagine will be something to remember for times to come, this issue's cliffhanger makes the obligatory month's delay all the more painful to see what will happen.

Although next month may start with a new writer, if they continue with such moving adventures, this series will be worth continuing for a limitless amount of delight and appreciation.

As one door closes, the next opens and we are thrown into a new adventure with the amazing Warrior Princess. While the narrative is emotionally satisfying and a departure for what one expects for Xena, you cannot but be captivated by the challenges faced by Nazar. To see her struggle due to circumstances not of her own, it allows the reader to sympathize with the character and only want to know what happens next within her adventure.

Who would have guessed a child's tragedy could turn into such a stirring story with equally arousing artwork, all having a synergistic effect to make for an emotionally investing arc. To see Nazar at such a young age forced to deal loss, pain and suffering is moving, and then to have Xena and Gabby protect her from malice given form grants the reader a tale which is satisfying on so many level you cannot put it down. But as we come to the end with a gripping cliffhanger, you know something even more exciting is yet to come, and I for one cannot wait to see how the tale will draw to a wondrous close.

As one door closes for Xena and Gabrielle, you cannot but appreciate the underlying emotional impact this story has on the reader, especially concentrating on the fate of Nazar.

With a story which feels out of place for Xena, but at the same time works in a skewed comedic manner, we are left wondering how this adventure will end in a believable fashion. And while the artwork settles the reader into a comfortable viewpoint, it also amplifies the amusement by permitting the audience to adjust in an off-kilter method by spotting the imitators in a humorous fashion. In the end, this new story arc will either work to an overall advantage or sadly become a curiosity and make us wonder when we wandered off the established path of the Warrior Princess.

As this incarnation of the series comes to a marvelously effective ending, one cannot but wonder if we will see more of the Warrior Princess or if there will be a hiatus as we recover from the heartfelt story and implausible conclusion. The consideration for Xena's story is fully felt as we watch in wondrous appreciation as to her visual portrayal, even if we are staggered by lapses in choices of color. The friendship of two heroic women is undeniable and propels the reader toward tales of timeless worth and moral value, but as we draw a close to this chapter, I cannot wait to see what happens next within a world of myths, monsters and people of questionable characters, both for good and ill will.

A Man Among Ye has the promising premise of engaging the reader within a fascinating interpretation of what should never have existed during the 18th century: a self-confident woman who is not afraid of expressing herself and challenging the oppression of the British Empire and controlling men. With beautifully expressive colors and captivating artwork attempting to define this singular individual, one cannot but cheer for the pirate named Anne Bonny, becoming enchanted by her confidence and undeniable spirit all as we witness the danger of striking out against an established system, and yet never doubting she will overcome these challenges in what may be a questionable end. I cannot wait to see what will happen next until next chance our paths will once again cross within the excitement of these highly anticipated pages.

While Cinderella vs. The Queen of Hearts continues to delight readers with the humorous antics of Cindy and her ongoing feud against title rival Julia, this enticing issue expands upon the mystery of why the Queen has been targeted, even if it is hidden behind an aloof revelation which leaves more questions than answers, all as the hunt grows in intensity as more dismembered bodies and flaming rubble are left in its wake.

Cinderella vs. The Queen of Hearts is a delightful treat for devoted fans, enveloping the sincere lunacy of a blonde psychopath as she brings a normally stoic vigilante into the madness which she calls life, but as swiftly devolving events cause the world to collapse around them with no plausible explanation making any sense, we cannot but smile and chuckle at their haphazard antics, with each violent event becoming another crushing domino to topple from the disaster which started it all namely the clumsy attempt of Cindy trying to assassinate Julia.

Grimm Fairy Tales Armed Forces Edition is an alluring compendium of variant covers and past promotions which any dedicated Zenescope fan will want for their collection, but once again it is the story which is the real prize of the book.

Grimm Fairy Tales Steampunk is an interesting twist on that old west movie where we have the hero standing against all odds and he is carry only a six shooter, but this time it is attached to his cybernetic arm! While it may seem unusual to see our old friends in this strange setting, it does fit the Zenescope Universe where unlikely events turn into exhilarating stories crafted from the depths of a world of magic and exotic creatures. Where the final issue will take us all depends on Shand and Martello, but we are sure to enjoy that wild horse ride, as long as the animal is equipped with its own set of bionic legs!

Grimm Fairy Tales Steampunk is a good way for someone new to the Grimm Universe to be introduced to the regular cast of characters before they start the standard fare of the established mythology. To be able to see these people with untainted eyes is really the only way to relate to them since any diehard Zenescope reader will be polluted to the concept of a new world populated by people we know. But, if you can put that prejudice aside and approach this series with an open mind, it is an enjoyable read " just don't leave with any expectations that we might see these scoundrels again anytime soon.

Jasmine: Crown of Kings is become a fascinating view into an underused character, however with a slow beginning, there is nowhere it can go up with such a dynamically endearing story. Jasmine always seemed to be a woman with a dark past, isolated from the world while in service to a sadistic master. And while her personality has opened up since her introduction, there has been a part she has kept hidden from everyone, including herself. And now with an enticing title to show us her heroic side, I cannot wait to see how redemption will fulfill a pledge to herself and the security of knowing the audience will be rewarded with a tale of unyielding compromise and wondrous satisfaction.

Jasmine: Crown of Kings is slowly becoming a tale of bravery, but the development is slanted by a narrative which makes things too easy for our protagonist. To show victory in every conflict may seem glorious, but at the same time, this lack of loss leaves the reader with a hollowness which is never satisfying. It is only the sensational imagery created by the artistic team which gives us a need to return, but hopefully, in the end, a combination of literary and graphic talent will allow us something which neither could accomplish on their own.

Jasmine: Crown of Kings reveals to us a twist which seemed unexpected, but at the same time fits into character once we know who the true villain and those hidden intentions. However to see Ali actually confronting Jasmine face to face seems strange, since in the past he is known as a master of manipulation, using pawns to guide events for his own ends.

While this preparatory issue may seem leading into the conclusion, Jasmine: Crown of Kings only heightens our need to see this adventure through, in all its spectacular splendor. The gripping story and phenomenal artistry usher the reader into a epic tale of struggle against impossible odds, however as we leave this cliffhanger, you cannot but acknowledge there is something planned for the finale which may seem expected, even if it is meaningful. A former genie versus one with the ambition to win at any cost, although this conclusion is inevitable, you cannot admit the build up will definitely be worth the wait.

Jasmine: Crown of Kings may have begun as a worthwhile underdog narrative, but due to the ease of victories it soon escapes those boundaries into a tale of unlikely aspects and unbelievable predictability. With simplified conflicts and overly convenient plot devices, the story becomes blas and it is only due to an outstanding artistic display which rescues it from becoming another heroically formulaic epic. However, in the end, this series does expand on one of my new favorite heroines and hopefully, it will not be the last we see of our formerly all-powerful genie.

While Oz: Kingdom of the Lost may present an interesting premise with the return of an old ally, it is the hurried push into an expected search for answers which leaves knowledgeable readers with a heavy sense dj vu, this same foundation having been presented in prior Oz titles with the same results, all as any sense of mystery as to an unknown liberator is swiftly dismissed due to the overt introduction of a new character, allowing the reader to make an educated guess as to his identity all while spoiling any sense of intrigue which might have been carried over to future work. Yet as we become fascinated by intensely depicted forms and vibrant colors, it is an overuse of heavy linework which also detracts from the visual enjoyment of watching our heroines push forward, their scowling faces becoming disagreeable even as we watch with growing disinterest as to what may unfold upon the next page. However, as the darkness behind the Tin Man's disappearance grows under the predictable natu

While Oz: Kingdom of the Lost attempts to create a sense of hope from the beginning of the narrative, it is the reliance of heroic tropes to establish familiar moments that causes the audience to become momentarily disappointed, knowing we have witnessed these clichd scenes before, even if the refreshing inclusion of characters from Oz shifts the focus away from a formulaic revelation scattered amid an underlying mistrust from their rescuers. Yet as we delight in the detailed portrayals of exciting scenes, the inclusion of a doppelganger due to color changes makes the underlying emotional presentation not as effective, forcing a knowing audience to wonder who this stranger is among friends, even if her appearance is similar enough to make us acknowledge a passing resemblance, but still spoiling the mood of the story. But as this penultimate issue prepares to unveil the need to kidnap a trusted companion for suspicious needs, it is the rushed progression of the overall narrative that le

Ripley's Believe It or Not! is a meaningful departure for Zenescope and one which will not be forgotten amid its impressive lineup of memorable titles. It is delightful seeing my favorite writers, artists and colorists reveal a new side to the publisher for stories which are based in reality, but still vaguely disturbing and intriguing at the same time. You can only watch in wonder as unbelievable tales from the Robert Ripley archives are beautifully depicted in all their brilliant audacity within these stunning pages, and it is due to their hard work by which can be fully enjoyed by a new generation of readers.

Ripley's Believe It or Not! has been an enjoyable escapade into the weird and unexpected, and however you may interpret the actions of human fallacies, it usually results in a learning experience for generations to come. While the odd may be strange and the unexpected is surprising, either way they leave us with an impression which will hopefully make us all the more wiser, even at the cost of the foolish. Either way this finale only leaves us with the understanding that no one can comprehend everything and it is through comprehension of all available knowledge do we only become truly enlightened.

Rise of the Djinn is a striking tale that immediately immerses the reader within the emotionally gripping tragedies of a once confident woman, but as life collapses after the death of her husband and she begins to question her sanity, it is the undeniable strength of character which keeps us cheering for Tamara. With phenomenal artwork and stunning colors which keep our eyes glued to the page, the trials of this determined detective are inspiring, so much so that I could not keep my eyes dry within the first act and constantly smiling to see her overcome so much misery toward the end.

While Rise of the Djinn may have begun as a stirring narrative, as we broach the true meaning behind Tamara's series of painful tragedies, the underlying foundation of human dependency being the true drive for the story quickly becomes replaced by a petty struggle for power by mystical beings who see the mortals they live among as mere annoyances. And though powerful illustrations and gloomy colors may initially help to establish the enveloping somberness of our confused heroine, its smothering overuse quickly loses its effectiveness and sadly allows for the story to become merged into a bizarre canvas of emotional uniformity. As such, as we are monotonously lead into the final issue, what was once a heartfelt plea for understanding and accepting the unbearable grief of loss is now replaced by a driving conclusion which seems all too predictable, allowing readers a sincere hope that there may be a light at the end of this formulaic tunnel.

Although Rise of the Djinn may have begun as a stirring narrative exploring the remorseful struggle of loss and the acceptance of an unwanted heritage, it quickly strays from the namesake beings which our heroine is forced to confront and instead subtly embraces the pietistic underpinnings that Tamara seeks for comfort, brazenly relegating the magical core which made this title interesting as no more than a side story and instead pushing onto the audience a closing melodrama which seems more at home as a Sunday School sermon.

This first issue of Sheena Queen of the Jungle is a courageous effort by a talented writer's Marguerite Bennett and Christina Trujillo and the skillful hands of Moritat and Andre Szymanowicz for allowing us to once again tread lightly upon a hidden land long forgotten. The excitement is barely contained as we watch the panther-like strength of this queen defend her kingdom from all who would trespass, while she attempts to learn of the world beyond her charge. Beware those who may challenge her domain, Sheena is the ruler of this jungle and she will allow none to transgress without permission, but I for one cannot wait until our next visit – for this one was far too short for the value.

This transitional issue sets the scene for Sheena, but at the same time it also drags her down with poorly worded thoughts and a repetition from poorly established artistic styles. Although we still have a woman who is clearly determined to protect that which she cares for, her overstated pride only sets up this queen for an unsettling fall if her actions continue in this mismatched pursuit. And while the art is amazing to view, small errors are magnified so as to distract the reader into places which seem unnecessary, but at the same time, you cannot but wander back to the past and see them all in their miserable splendor.

Van Helsing 50 has the potential or dubious distinction of becoming a success or debacle of epic proportions, and yet as we become enraptured by such a sensational beginning, the chance of failure seems rather unlikely, even as the repercussions reverberate within the Grimm Universe. With outstanding illustrations and emotionally charged color schemes, this special as a whole has become something extremely memorable, even as we cannot but wonder what the future may hold behind the new door which has been forced open within this visual extravaganza. But as we greedily dive back into this curious combination of the familiar and unknown for a second helping, the future seems unsure as to what may come, and yet whatever may creep over a hopeful horizon, we can be sure it will be welcomed with a ravenous hunger.

Zodiac appears on the surface to be a transitional title which serves as filler for a character who may not have much use after his role is fulfilled, but as the reader delves into his story, optimistically the man formerly known as Logan Patrick O'Connell will become something more. Although the captivating artwork keeps readers coming back for more of his monumental adventures, there is also the possibility he will evolve into someone who is as intriguing as the supporting cast and those he is meant to kill. With this initial journey just beginning, there is the wish this title will not end once it comes to a conclusion, and due to all the interest in his development, hopefully it will not be the last.

Zodiac continues to entertain with a flare for excitement and a welcome nod for possible redemption, all wrapped up within a title that seems overwhelmed by its own want for the expected. While we may acknowledge Logan is too powerful, it is this audacity within the face of the weak which makes him seem vulnerable to that strength and consider if this is the true path. It is this sincerity to himself which opens up his personality to sympathy, and while we may not wish to see the good in his actions we cannot deny a warped sense of justice may be born from those moments of clarity.

Zodiac may have a formulaic unfolding within a story which was too simplistic, then made all the more anti-climatic due to the ease by which Logan was able to eliminate his targets and yet you cannot deny this title is an encapsulation of excitement due to the extraordinary artistic talent behind the visual gratification.

Robyn Hood: The Hunt is an invigorating glimpse into a clichd prison film, but with all the snark which defines our favorite noble vigilante. While on the surface the issue may be an opportunity for her foes to exact revenge, at the same time, it is a chance for Robyn to glimpse into her own vulnerabilities and see they may also be her greatest strength. With death hiding behind every corner, I for one cannot wait to see how this flaxen challenger will survive her first day in the Dungeon. Will she learn the greatest lesson from prison or will she surrender to the horrors which await within her cell … the minutes tick away in anticipation as I wait with bated breath. Why does a month always seem to be so long?

The stage has been set and actors await direction from an unseen director who manipulates their actions from a lofty perch, playing with his toys with delight and glee. But this play depicts life and death with Robyn at the center of attention for all to see, much to her chagrin. While she may have no choice as to the whims of this warped hand's manipulations, there may soon come a time when the puppets will cut their strings and turn against the master. And when that say comes, woe be to those who have angered Locksley in her bid for escape and freedom.

Robyn Hood: The Hunt has reached its thrilling midpoint and the story has only begun with its obvious title theme – the hunt. If it takes this much anticipation to build up the tension for the chase, I cannot not imagine how the reader will be able to withstand the excitement of the pursuit. For if Robyn has anything to say about this story, she will not make this an easy escapade into the jungle … and once it is done, who is to say which side will survive, if any at all intact?

We have reached the apex of the story, and as such, the basis of the hunt has become abundantly clear for both the prey and the hunters. While it may seem clear there are numerous players within the game, one backer has come to the forefront and they are not willing to allow Robyn to win. However while setting up all of the story's complexity, the basis for the title has become lost within a standard which is familiar with the audience and thus bogged down the smoothness of the tale. Hopefully, the next issue will make everything clear and bring to light what we knew all along: Robyn Hood always comes up on top, no matter what the odds.

Now that any hopes for escape have been successfully dashed upon the rocks below, we cannot think from desperation as to what will happen next. Robyn has been lead down this path before and to her credit has escaped, even if it may have been by the skin of her teeth. But now that she been captured with her friends and any success is tempered by their safety, what can she do against the bloodhounds and the Executioner? Only time can tell and another month of painful waiting to see who will come out on top.

Robyn Hood: The Hunt began as a tempting romp for our heroine archer into the classic cop goes to prison to confront her past, but somewhere along the way, it fell into the same genre and kept stumbling to the end. While the premise for the title was promising, allowing the Order of Tarot's proxy Nataliya to clear the way of Locksley, this underlying meaning was never followed through and became lost.

Future Quest Presents: Space Ghost had our attention since the end of Future Quest, since Parker knows how to keep an audience enthralled with a story which has both action and true emotion. But when you add the artistry of Olivetti who is a master of the visual arts, there is no turning back from what will hopefully be an exciting roller coaster ride. Words and illustration, the key points of confidence for a graphic novel, and this title has them both. If this is only the premiere issue for this series, how in the world will we last until the end?

These contrasting components combine to create a tale which builds momentum until we get the big reveal … making us want more and sad to see it come to an end. Parker and Olivetti have made this series comparable to a great masterpiece of literature and art, all becoming a marvelous amalgam without the overly burdensome emotional baggage which is so often displayed in other so-called successful titles. They present us with a story by which each person contributes to the whole, but does not leave a stale taste once we are done, it stays fresh and moving throughout the presentation. This is how a title should be done and I sincerely hope it will continue until its celebratory the end.

And so with a sad whimper, we come to the halfway point of the series, sated visually but still wanting more for the narrative. Space Ghost once again has overcome adversity but it seems too simple, too complete and makes us wonder if something has been left out. But even as that query passes our minds, it is soon smothered by the want and need to see what happens next, hoping that the continuing adventure can top this, but at the same time, a sense of disbelief that it cannot.

This is the kind of issue which makes me want to read each character with a classic overly heroic or vile voice, just to add to the drama and nostalgia factor which was gleaned from the original cartoon. The banter between the Galaxy Trio with the cheesy one-liners is another reminder and yet the narrative as a whole has been modernized with a backstory which would have never passed the old censors. With artwork and colors which breath life into this iconic team, in the end I wish there was more and yet the end fills us with hope there will be a continuation since their presence was lacking within the original story.

Aside from the nostalgia factor which this issue heaps upon the reader in droves via both an enticing story and captivation artistry, the narrative itself was well worth the wait for an underrated character. While most may see him as a cheesy character whose only contributions was a classic battle cry and corny dialogue, this evolution is something to savor with the utmost satisfaction.

Mentok the Mind-Taker … a foe which makes sanity seem abnormal and insanity appears to be relevant. Even with his background, you still have to question how he came to be within his current state, teetering between two paths of reality. And then how he blames Birdman for his failings to summon a darker power, or perhaps the hero took what he thinks is rightfully his? We may never know, but for now, let us relax within the coldness of unfeeling and manipulate your allies to do your bidding. After all, what else is there to do than wait to see how this dive into lunacy will end, but however it does … it should be a fun ride!

It is this marvelous narrative within a heartfelt story, contained by wondrous artistic talent which shows us even heroes can be vulnerable, and as such, they too need the understanding everyone does, even at the worst of times. And it is during those traumatic moments when they show their truest strength and prevail against their greatest foes " themselves.

I had hoped this issue would have been a pleasing tale for the memories of Mightor, but that is not the case for this book. This is a shame since the character is a great re-imagining of a classic standard, however, both narrative and artwork paid too much attention to one aspect instead of embracing the actor as a whole. If we were able to see a follow up to this story it may have been redeemable, but as of now, the story is a disappointment as I hear his battle cry echo off in regretful pain.

With a narrative which anchors itself upon trite story exposition, this issue does not have the necessary emotional impact it would if we did not have the preconception of what will happen wallowing in the back the audiences' mind as we read this story. It is only the phenomenal artistic portrayal of the actors and environment which rescues it from becoming a forgettable anecdote of the Herculoids, all while anticipating the disingenuous promise this arc will turn into something other than the expected ending of a classic and overused tale.

While with suffering there may come strength, it in itself does make for a very substantial story without entrancing visuals from the artistic team. To watch this narrative painfully unfold from a formulaic plot may have seemed like a plausible idea, but in the end the plodding tale only makes the audience suffer as much, or even more so than Dorno. If not for the substantial increase of excitement from the previous issue, this story arc would have become tedious long ago, and hopefully the finale will be worth the extensive and prolonged wait for a more than satisfying conclusion.

I wanted to like this arc, but due to predictable tangents it falls short of anything memorable and the only reason to reread this sequence is to absorb yourself within the brilliance of its depiction " and that in itself is reason enough.

While Frankenstein Jr. and Buzz may have not appeared to be likely heroes, it is their friendship which proved to be the deciding factor for the victory. But what makes this issue such a joy to read and visually appreciate was the Japanese style battle which strangely fits in naturally to this type of giant robot story. With all of the exaggerated nuances taken from the genre, we can enjoy the narrative on a new level, not only as a touching emotional tale but also as the story of trust and compassion which seem absent from superhero comics in recent times.

This new series continues from Grimm Fairy Tales Presents: Warlord of Oz which is proceeded by Grimm Fairy Tales Presents: Oz. Without knowledge of the mythology presented in these series, a fledgling reader will not be able to follow along and will be hopelessly lost in a haunted forest or worse yet, a poppy field. Oh! Lions and tigers and bears. Oh my!However, if you are a faithful Zenescope reader and have kept up with Dorothy's adventures in Oz, then this is a great continuation of the series. The sombre mood remains intact from Warlord and this issue ends with the wonderment of what will happen next!

All heroes face these challenges to their beliefs and the results of their actions. But it's how they accept or fight against those tests which is what defines them. Will Dorothy be able to grow stronger from her challenges or will she succumb to them and join Malec and her mother Zamora?

But, how will the defenders of Emerald City be able to do anything if the Warlord and Dorothy are unable to find balance? This theme is echoed within both the green and the black – good and evil. One cannot be truly one alignment, everything is a combination of both elements. And yet, Zamora's bodyguard is supposedly totally corrupted by the black and the Gale does not want to accept that she is a product of her mother and the purity of Oz. This story just gets more and more intriguing!

I cannot wait to see what will happen next as mother and daughter reunite. Ironic that at the start, Dorothy kept rejecting the notion that she was nothing like Zamora and yet, as the story progressed, we start to see how much her influence had coloured her judgments. Of course, we are all a product of our parents, but with Dorothy, she never knew her mother, just Uncle Henry and Aunt Em; but, as she started to take responsibility for being The Gale, she had to know in the back of her mind that all of her mother's evil was in part due to her being taken away and just wanted to bring her family back together again. What will happen now that her greatest wish has been fulfilled? Will they live happily ever after … probably not!

The team of the Masseys and Bifulco have kept us at the edge of our seats as watch Dorothy Gale's latest legacy unfold in this series. They have unraveled the plans of Zamora to conquer Oz and her wicked ways to bring her daughter into the family business. And yet, we still see the human frailties which plague us all in these characters, even though our circumstances will never be the same; it is this uniformity which makes this story great. Through their actions will come the future of Oz, but will it be for good or bad? But why do we need to wait until next month to see how it will end?

The final story of Grimm Fairy Tales Presents Oz: Reign of the Witch Queen was an amazing way to close this mini-series and is a credit to the teamwork of the Masseys and Bifulco, however, it was disappointing that all of the essential points were crammed within one book. If the drama was extended into another issue and Dorothy's decision was drawn out, then perhaps the conclusion wouldn't have been so hollow. Even with this setback, it is a great way to end Dorothy's tale and hopefully will open other paths into her reign as the Witch Queen.

Man Goat & The Bunnyman is an odd narrative which attempts to create a relatable story between contrasting characters, but as the title grows in the complexity of balancing business with desired pleasure, it makes one wonder if these polarizing personalities will ever be able to settle things amicably. And yet with sharply humanizing illustrations and colors which ground the characters to people we might know, the series strikes a resounding chord of sympathy while becoming grating due to the constant clashing between the friends. But as the story pushes forward, the images become consistently darker in their overall attitude to project the underlying strain which these cryptids are exposed to on a daily basis, making the reader question if either will survive until the end.

Man Goat & The Bunnyman: Beware The Pigman is welcomed return to witness the amusing escapades of missed friends, and while this series is a pleasing introduction to this argumentative duo for new readers, the nostalgic appearance of an unseen foe makes it a wondrous recollection for those who know this world all too well, even if the underlying influence of a foul goat god makes the story seen all to familiar in his determination to retrieve a wayward offspring. As impressive images and somber colors cause our interest in the story to grow with each page, it is the sincerity of our heroes to care for the unfortunate which makes their adventures so endearing when compared to the selfishness of people, even as we witness these misfits presenting themselves as being more human than those born as emotional representatives of contradictions. Yet once we witness the determination of Baphomet to reclaim his son at any cost, we have to wonder if it is family he cares for or a way across r

Man Goat & The Bunnyman: Green Eggs & Blam! delightfully reminds loyal readers why they missed this odd duo so much during their brief vacation, for while we may regretfully cringe from their constant fighting over nonsensical arguments with simple solutions, it is the underlying bond of resolute friendship which brings them back together again, no matter how contentious the issue which begins their predictable theatrics.

With outstanding illustrations and reassuring colors, the wondrous visual presentation allow us to welcome these friends into a world which does not accept them, made all the more frustrating as Phil finds success and Floyd is constantly berated by someone he considers a companion. But for all of his numerous faults and the callous treatment of his timid partner, it still makes us wonder what deeply rooted connection these two have which would cause Man Goat to endanger himself for Bunnyman, and with the conclusion quickly approaching, we shall have to wait to see if anyone survives this final conflict.

While Man Goat & The Bunnyman: Green Eggs & Blam! manages to retain the sincere tenderness of a child wishing to find his parent and the unerring desire to protect your friends, even if they are too stubborn to admit they require help, and it is the underlying darkness that pervades this issue that perverts the purity of these ideal concepts with a foul stench of human greed and a want to feel accepted, no matter what one must do to meet those questionable needs.

Man Goat & The Bunnyman may have given us a bitter introduction to the troubling connection between these quarrelsome friends, but as we slowly witness the truth behind the caustic nature of ruminant versus the navety of rodent, one cannot but become inspired by the complex relationship which relies on readily trusting each other, no matter the test which they must face for sincere understanding.

Man Goat & The Bunnyman: Green Eggs & Blam! is a touching story which warmly envelopes the desire of a man wishing to learn the truth, only to the be harshly confronted by the brutality of humanity's greed for power, and while this odd premise may seem an unlikely foundation for a moving tale of misunderstandings between friends and family, somehow the seriousness of the narrative is admirably adaptable due to the fact the series never takes itself too seriously. Even if the subject matter of anthropomorphic characters attempting to live normally within a world which shuns them seems foreign, it is the outstanding illustrations of these admirable figures which manages to create a lasting impression upon us, with each enticing image reflecting relatable feelings that are undeniably human, and while the otherwise fascinating coloring may have a few missteps within the unfolding of these books, there is a depth of charm within every page. But as we witness Floyd attempt to come to

While Oz: Return of the Wicked Witch has an intriguing premise to introduce as a new villain to the world of Oz, it is the foundational concept of allowing a weakened Dorothy face this threat which leaves invested readers to wonder if our heroine will prove to be a worthy threat to a returning witch. Even with fascinating illustrations and vibrant colors that lure us into this worrisome world, visual discrepancies are a constant distraction that force the audience to remind themselves who is the protagonist of this series, despite a lingering reminder of someone else being depicted within the central role of heroine and former queen of the Emerald City. With these annoying diversions bogging down our enjoyment of this premier, one cannot but wonder if the story and artwork will improve as we progress, or will readers be forced to adapt to these bothersome hindrances as the tale unfolds with increasing ferocity.

Oz: Return of the Wicked Witch continues amazing readers as the narrative unfolds with an emotional opening, making those pessimistic as to the cruelty of this crimson beauty now reflecting upon Mombi with compassion and sympathy, even as we wonder if such shocking loss could make ourselves react in the same way if we had the power to reshape the world as we see fit, and never taking into account the loss which we have faced may all be due our own misguided ambitions. With fantastical illustrations and vibrant colors that make the world of Oz explode upon the page, it is an overabundance of detail and lack of attention paid to some which detracts from complete immersion, but even as these stumbles chase away some of the admiration for these images, one cannot but stare in amazement for the panoramic beauty of this quickly changing world. However, as the end draws near and the future of our heroes seems uncertain, it makes invested readers question if the former Witch of the North will

Oz: Return of the Wicked Witch may have had a shaky start with a confusing array of information bombarding an unsuspecting audience, and yet it is the enlightening development of the antagonist which creates an unintentional bond with the reader, allowing intrigued explorers to reconsider their moral compass when the fate of a loved one hangs in the balance, even if one doubts what is the best course of action if they are ever placed within the same circumstances. With fantastic artwork and sensational colors that marvelously manifest the intensity of Oz upon the page, some fans familiar with the series might be slightly perturbed by the depiction of The Gale herself, making it seem as if the heroine is someone else, not the former Queen of Emerald City but instead the apprentice of the Good Witch, altering our perception of how the narrative unfolds before our amazed eyes.

Robyn Hood: Justice may begin with some old questions still unanswered, and yet the narrative continues to fascinate due to the exciting foundation which prior titles have established, allowing for the current to continue the story with exuberance. And yet it is the outstanding illustrations and formidable colors with allowing this premier issue to be so memorable, re-igniting our admiration for Robyn's struggle and Nyguen's earnest desire to destroy our valiant protector. Thanks to this amazing combination of word and image, readers are in for another amazing title, and yet one has to wonder if this epic saga will ever end.

Robyn Hood: Justice continues to impress with a sensational escapade of rousing action encased within the introduction of unsettling undertones that someone else is manipulating the unfolding of villainy behind Nyguen's manipulative schemes. And while it was amusing to see this once haughty woman reminded of who is truly in control, the explosive tension of an impossible escape accents the story even more thanks to fantastic illustrative techniques and brilliantly applied colors which amplify the intensity of the emotional strain of our heroes. And yet as we impatiently wait what will happen next, one cannot but be tempted to reread the past so as we may better understand a quickly approaching and confusing future.

Robyn Hood: Justice constantly surprises which each passing issue, unfolding into a story that is disarming due to its straightforward simplicity, and yet continues to evolve as we look back on the history which formed its confusing canopy of branching tangential vines. However as we are constantly fascinated by fantastic illustrations and colors that ground the excitement just enough so as to be tolerable, the tale does not hesitate to introduce more to keep us enticed to delve ever deeper into the secrets kept just out of reach. But as we are tempted to stay for the delicious full course, more hors d'oeuvres constantly dull our palate as to what is to come, almost making us bored from the expectation even as we become subdued by the smells of a hopefully spicy ending.

Robyn Hood: Justice continues to provoke our sense of uncertainty that even Robyn may not save the day as the schemes of Mayor Nyguen are gradually exposed, if only to be overshadowed by the cruelty of a woman who seems possessed by a growing mania.

As Robyn Hood: Justice begins to close the curtain upon its sickening display of depravity, we are still left with unrelenting questions as to why this ingenious woman is even helping Nyguen, what does Seamstress gain by helping her take control of New York City and why she persists in taking mounting verbal abuse when she herself could easily be the one in charge, and yet while we may never know any of these answers due to an empty conclusion of her fate. With an amazing display of illustrative talent and striking balance of light and shadows, this issue is a visual treat for a memorable villain, even as we wonder what would have happened to her potential if she could have reached the end of her frightful journey. As this penultimate issue draws to a close and we are left with many but a singular foe left to face, one has to wonder if Robyn will be able to survive this fight or will we be in for another battle yet to come.

While Robyn Hood: Justice embraces a hopeful future for our heroes with an satisfying ending and an intriguing beginning for a new character, it is the neglectful absence of a well meaning closure for established villains which leaves the title with an emptiness that is difficult to ignore.

Witchblade is becoming an inspiring and synergistic amalgamation of word, images and colors, all dedicated to the telling a tale which fans know all too well, and yet place it in high regard with a new interpretation. This initial issue has such emotional ambiance, grandeur and an underlying timbre that the reader cannot but be impressed, as we witness a new beginning. With the transition from an all male team to female writer and artist, we are able to see a more open viewpoint and allow this heroine to shine within the darkness which is to come and welcomed with open arms and a mystical blade.

The doldrums from the Witchblade are becoming more pronounced as the initial set-up is slowly progressing as we settle into the title. While I may be over enthused as to wanting or needing more action as I read with the previous series' exciting stories fresh in my mind, it is unnecessary as long as we remind ourselves this is only the second issue. But as our attention is kept in line due to the brilliance of the artistic team's wondrous visual montage, there is still the nagging desire to see this title equal or surpass what was shown before. And so with bated breath we wait, patiently wishing to see something which will make our wishes come true and turn this narrative into an something with no equal from before or since.

Witchblade slowly draws the reader into a world of all-encompassing somberness, projecting upon us the emotional turbulence which is Alex's world. And yet as we delve deeper into her trauma, the understanding which is essential to the title only makes us want for more. Then add the overwhelming ambiance of sensational artwork and enveloping colors and we receive a series which communicates something which none have done before with such dignity – a need for understanding within chaos. If this is how the series will progress, then we are in for something truly special amidst a confusion of repetitive superhero comics.

Witchblade cannot be denied being a worthy successor to such an amazing title, but at the same time it seems to be dragging its heels to show us what it is truly capable of revealing. Just as we seem to understand one mystery, multiple venues pops up to confound the reader and ruin any enlightenment and satisfaction which any solution may have given.

Although the story is slowly progressing and we finally have a reveal of the full costume and our first major villain, the progression is tedious, almost as if too much is exposed, the reader will lose interest. For now, the opposite is in danger, with too little shown due to the story being bogged down by emotional tension and uncertainty.

Although All Guts, No Glory may on the surface seem to be another testosterone driven monster slaughter monster story, it is the naivety of Jimmy with his admiration for bold hunters which allows the audience relate to his childlike innocence, all while a gruff and experienced Craig grounds the reality of the situation to the harshness of what is hidden behind foolish idolization of people who are only doing a necessary job.

All Guts, No Glory is quickly becoming a delightful turn upon the classic horror story, and while our unlikely heroes may have the odds stacked against them from testosterone driven bullies who will stop at nothing for revenge, it is the welcomed antics of Craig, Jimmy and Sara which drive readers to continue to enjoy themselves within this limited series, making us wonder how they will come out in the end.

All Guts, No Glory may initially have initially been presented as a troubling story of disrespected men within a world of horror, but as readers become emotionally invested with these likable characters, it is their unsung bravery against riotous bullies which causes us to admire them even more, only to be further tempered by the resolve of our unexpected hero who will stop at nothing to protect what he cherishes the most.

Belle: Oath of Horns begins with a story which easily paces itself for new readers to the title or loyal fans, allowing us to become immersed within the moving tale or recall the pain we witnessed beside a valiant Belle. And while the success of the narrative is dependent upon your immersion within the same, it is the gripping artwork and intriguing color scheme which draws us in and does not let go, allowing the audience to become obsessed with this new adventure and allow us to participate in all the joys and pain it will bring within a sublime compulsion which we cannot or dare not look away in fear of losing our way.

As story gives us a new viewpoint of what is happening behind the scenes, you have to wonder which Otts has the right to lead and support Belle for her future ventures against her foes. The suspicion has been planted and as we look back upon who has betrayed the Beast Hunter in the past, this inkling may be more support than the ramblings of a fevered mind. However with artwork which seems lacking at times one cannot but hope the story will improve as we delve back into what we love about the series – a woman who is not afraid to confront what others may fear to face.

As Belle comes to terms with how her life can change so drastically with a single encounter, the reader only now realizes there is more to come once the full impact of the truth is revealed in all its selfish betrayal. To think someone who worked to closely with two generations would be able to strike this easily is mind numbing, and the fallout of course will be worthy of relishing once we see our heroine escape … if she can. And yet while the aspect of Mel and Candlestick danger may be thrilling, it is the fantastic artwork which makes this reflection of Belle's life memorable, even if we may hope for some changes which will make the telling all the more suitable to be worthy of this powerful Beast Hunter.

With the strings becoming all the more tangled within this web of deceit, one cannot but now fully come to terms as to the depth of this story and the far reaching implications as to how one person has ruined the life of Belle DiMarco. And yet as the ambitions of one woman have polluted her life, the Beast Hunter cannot but become stronger and more determined as strives to protect those she holds dearest as family, even as trust is betrayed. With gripping approaches to illustrations and colors that only amplify these images, this title has more to reveal and we cannot but wait for what is to come.

Belle: Oath of Thorns continues to fascinate us with a story which at first may have seemed familiar, but as we delve deeper within the twists of treachery, it reveals a depth of meaning that portrays the shattering of trust as its own punishment for both the betrayer and its victim. And now thanks to the unveiling of fantastically moving artwork and powerfully impacting colors, this title continues to give us a reason to fully enjoy the story as we approach the end. But as Belle plunges head first into this nest of deceit, one can only wait with bated breath as to what may happen to our heroic hunter as she attempts to save what is important to her and seek retribution for past misdeeds.

While the legacy of Belle: Oath of Thorns at times seemed predictable, there is still a sense of originality within the telling of our heroine's tale as we witness a young woman finally come to terms with her past and present, settling upon how she will face an uncertain future, and made all the more refreshing thanks to a simplistically driven villain who hides in plain sight, yet still helps as long as her goal remains viable. However it is the outstanding artwork and immersive colors which captivates the audience with the audacity of the story, magnetizing our attention to a series that is willing to take a chance to tell such a straightforward tale.

This new Launch title of Grimm Fairy Tales is really giving Skye something to sink her teeth into by leaping into what the Book expects her to do with her new responsibilities. But at the same time it is a memorial to her mother's deeds and her own obligations as to what is expected of her, with no one coddling her and allowing this trainee to learn from her mistakes. If this overwhelming issue is just an introduction, then what will the future hold in store for this new Guardian of the Nexus?

Skye is becoming her own version of the Guardian of the Nexus, but it still feels like the passing of the torch still has not been fully acknowledged. The story is too dependent on influences from the past and the imagery for the new look is still rigidly locked into that standard. While I can appreciate that change takes time, sometimes taking too much will drag the narrative into stagnation and thus draining away any creativity. Hopefully, this oversight will be tended to in the near future with individualistic essence being prominent in her own costume.

Skye is still struggling with her powers and lacks the understanding of how to best use the Book to her advantage, however, with a lot of luck and perseverance, she still manages to accomplish her task. While Brusha struggles in bringing her own character out to the forefront, it is the artistry of Silva and Paciarotti who are the stand outs for this title. This issue was an excellent example of their craft and I hope that their teamwork will continue to present us with a series which can be a brilliant sequel to the previous title.

When I first heard of this Launch series, I thought it would be a re-imagination of the flagship, but now it seems with each passing issue it is calling back past memories of the previous title.

This new series seems to be concentrating more on teaching Skye how to become a Guardian, constantly keeping the training wheels until they have no choice than to allow her to have a baptism by fire. While I can appreciate individualistic stories, the overall view seems lacking, more interested in showing the past than looking forward to the future. And while the Order of Tarot was hinted in a previous issue, that clue seems to have been dropped by the wayside in favor of the phenomenal artwork, as we witnessed in this story. I cannot wait until the dam of evil bursts, at least then we will have something to look forward to instead of waiting for an event which can be finished within the confines of one issue. The appetizer is over too quick and thus leaves us with an unsatisfying taste in our mouths, all while waiting for the snack of next month...I want a real meal.

While we are still reminded of Sela's presence within the series via comparisons between mother and daughter, it seems that Skye is finally coming to terms with her destiny. This issue has the right balance of history for the loyal fan and still allows for novices to the title to enjoy this story via the written word and most deservedly, the marvelously presented display of the artists' handiwork. Grimm Fairy Tales Volume 2 appears to have become a title which can stand on its own, but that is still to be represented by future issues, and I for one cannot wait for the next story.

We have finally come full circle within the Grimm Fairy Tales series and it appears it was truly worth the wait. All of the seemingly tangential stories are finally coming into focus and with the clarification of the story line, and it appears Skye will have her first and perhaps last test as Guardian of the Nexus. It has been said that student should always try to outdo their teacher, but since Sela was never able to teach her daughter, it is a shame that she will not be able to watch her grow as a savior. However with all of the horrors which her mother faced as Guardian, it will be an uphill battle to even try to surpass her " let alone survive. Let the Order of Tarot try their best, Skye will be waiting.

While I would have liked to see the stony minions have more screen time, it is unmistakable the main focus of the narrative is to see how mere men are corrupted by power. The petty squabbles between rivals seem frivolous if you have the power to back your threats, but always be wary it comes at a price. Skye must struggle with this balance every day as Guardian, but now to see the cost makes it weigh upon her ever more. I cannot wait to see how this battle will effect her, but in the long run, these minor skirmishes are fruitless once you know the fate of the world literally rests upon your shoulders.

Ever since we were introduced to the one who was supposed to the last of the genies, we knew Jasmine would be someone special, and it is only now do we know how special she had become. This beautiful woman was sure of herself and secure in the knowledge that her friends could protect her, but it is that overconfidence which makes her tale all the more tragic. And while we may sure we will see her again, it is her absence which will make the hatred for Gruel all the more dire and vengeance that much sweeter.

While the story itself is rather blas and uninspired, it is not the narrative which projects the best of this medium, instead we are drawn into this tale by the stunning illustrations of Julius Abrera and Jorge Cortes' breathtaking colors.

As we approach the answers we have all sought, the Guardian of the Nexus shows us the determination which makes her such an excellent protector. The Order of Tarot has always been one step head of our heroes, and now that Skye has breached their doorway, one can only hope she will make progress. But with a conclusion which leaves us with even more questions, one has to wonder if we will ever know the truth behind them " or will we ever be in doubt until the very end?

Now that we know there is more than one faction vying for the rule over the Order of Tarot, one has to wonder what will happen to the other titles which they are involved in and how long it will take for this new King of Cups will wait until he makes his presence known? The story itself has possibilities, but at the same time, to spoil other titles all to enlighten us to his purpose is a shame which will likely echo past this issue. Building a mystery, dropping endless clues and then cast them aside for this one tale is a waste, but hopefully it will be remedied " if it is possible.

Even with this minor detail, it should not allow one to overlook the satisfaction of this new story arc and such phenomenal work by this new artistic team, hopefully giving us much more pleasure within the months to come.

The Three Musketeers have made their impact on the Guardian and Protector, and it was not one which will soon be forgotten. With Skye still worried as to the state of her Book, this issue shows the person controlling it has mixed intentions which will not be known for quite some time. However it is this confusion which makes the waiting all the more tolerable, even as we wonder if the realms will be able to survive without its savior and her most powerful weapon on the wrong side of the Order.

The monumental amount of detail included within each page is stunning, from ambitious depictions of the city to the eloquently expressive faces in which you cannot but feel every emotion, from pleading eyes to scowls of infuriation, but of course, the most commanding aspect of the issue are the action scenes.

Hopefully, we will settle back into a tangible narrative which makes the audience care for the protagonists instead of waiting for the tale to end to see if they will be able to recover from an all-knowing foe.

The Age of Camelot story arc takes a sinister turn and within it, we are exposed to the distortion of familiar Arthurian legends which only Zenescope could produce, with mixed results. While the inclusion of the Order of Tarot is an interesting development, to see the departure from beloved archetypes is perturbing to say the least, and unsettling once the results are later shown in another title. And while the development of Oberon is a surprising departure, what I cannot wait to see is how Skye fabricates a plan to free her friends and puts a stop to Merlin once and for all.

Hopefully with the next issue we will return to what we expect with Grimm Fairy Tales, and not something which gives us what they think we need.

Confusion expands the conundrum of this story, all adding to a narrative which builds upon previously established facts which are contradicted by the grandeur of the tale. With each step we take forward, prior facts begin to muddle the strength of the tale and make us wonder if we should ignore what happen prior or take them into consideration for understanding of the whole. While the stunning artwork and dazzling colors do try to disguise these missteps, you cannot but wonder if we will need to take inventory afterwards to understand what is happening within this new confusing story arc.

As the story discards more prior established details, you begin to wonder if that information is necessary in the bigger picture of an all encompassing story. Merlin is closing in on his ultimate goal, but with each step he takes to completion, it makes the reader consider when in the timeline this is all taking place. Morgan and Penn still follow a single minded master and there is still more to be revealed in this contorted telling of our beloved Camelot. And yet with such illustrative and coloring brilliance displayed within this issue, you still have to wonder if it all really matters in the long run?

As we become swayed by more details within captivating imagery, you cannot but take notice that the story seems to be losing track of its main focus " Merlin's ambition. Although it was hinted within the issue, the reader is overwhelmed by other elements all in an effort to catch them up with another goal, elimination of the heroes. While this may seem important in the long run, why muddle the narrative with too much information instead of allowing for separate books to tell the tale? This would have made more sense and allowed for a concentration of similar components, all to focus the reader toward one goal prior to distracting them and losing the trail.

From the beginning this series has been leading to this moment " the physical succession of the title Guardian of the Nexus and her badge of honor, her blade. And yet this event smothers any other moments within the issue which are meant to be more important, such as Merlin's struggle to quell any dissenters and bring Camelot back to its former glory. This foundational component for the story arc seems secondary, with Skye and Peyton taking center stage for the play and the magician playing a secondary role. If this was the case, why lead the reader into this climax if you are skimping on the main details to support the basis to his ambitions? It makes no sense and hopefully, this lack of importance will be remedied in the very near future.

As the true foundation of the story arc comes to bear, you cannot but wait with bated breath for the excitement yet to come, even if some plot points were sacrificed to bring everything to the forefront. We always knew the Order of Tarot would try to take their place as the darkness within the Zenescope universe, but to spring the truth upon us after dominating the issues with the struggle of the Black Knight and then sweep it away is disappointing. It is only thanks to the visual value of the artistic team that this book is not a loss, but if they find a balance between art and story, then we are in for a rousing epic between good and evil.

Hopefully now that we have arrived at the turning point for the series, we will see no more need to change facts in order to shape the denouement for the final act, and yet it would seem to be out of place if we rule them out. The dire straits of the showdown between Camelot and the Order of Tarot has been in the making for over two years, ever since the defeat of Malec and the Horde and now we finally get to see the outcome. And with numerous players yet to make their appearance we still have many more moments of intrigue to look forward to, but for now we can only wait to see what is to come. But which side will triumph in the end or will Merlin have some other trick up his sleeve to tilt the scale toward chaos " or will there be another twist yet to be seen?

Grimm Fairy Tales has in the past presented us with spectacular escapades into wondrous lands to show its audience the scope of the Zenescope Universe, and yet this landmark issue is remarkable in the fact this splendid adventure has been confined to one realm by considering how wide-reaching a single man's ambitions can be in themselves. And while the book may have has some stumbles in the undertaking, one cannot deny the dazzling momentum by which it propels readers via a dizzying narrative and rapturous artistic sublimity.

Grimm Fairy Tales has once again captivated loyal readers with a new story arc, writer and artistic team, however, this premiere is not without its forgivable faults. While all of these mistakes are minor, when you add them together the complexity subtracts from the delight of the narrative, even if it is ever so slight in its inconvenience. But now that those settling readjustments are now behind us, hopefully, we will now be treated to more of the brilliance and visual enjoyment this title is known for and allow us to expand upon the dynamic propensity for trouble which the Guardian is known for, all for our own wicked amusement.

Grimm Fairy Tales has us once again being able to relate with Skye due to an enthralling story and fantastic artwork, but it is thanks to the audacity of the entirety by which readers remember why this series is a favorite from this publisher. The dynamic quality of their heroines and villains proves women can be just as effective or devastating by relating primal emotions from those we often consider as nurturers, and thus proving they are just as intimidating or even more so with the right creators. The Guardian of the Nexus is not just a title passed on but one which must be earned and as such we have witnessed the daughter has shown she is ready, if not in spirit but also in valor.

Grimm Fairy Tales has once again created a captivating story which draws us into Skye's struggle and while it does have a few minor missteps along the way, it is the fascinating dynamic of our heroine against whatever obstacles she faces which keeps our attention fully ensnared within her powerful gaze. Then pair the intense story with engrossing illustrations and dazzling colors and we are sad to leave this comparatively short escapade into the wondrous ocean depths. And yet even as readers bid farewell to a delightful aqueous fascination we cannot wait to see what awaits the Guardian of the Nexus with the next turn of a page, hoping with hungry anticipation the following adventure is worthy of dizzying amazement.

As Skye continues to search for answers, this issue has a slight misstep due to the imbalance of information with the novice reader versus one well informed as to the politics happening within the Zenescope universe. And while in depth knowledge is not necessary to enjoy the story, too much information gleaned from other source does serves as an unneeded buffer which spoils what is to come. However if you can shelf your indecision and allow it to go fallow for the time being, this issue is a visual treat which will reward all with a desire to grant new interpretations for a welcoming future.

You cannot but become amused by Skye's dramatic change in attitude as she travels through the fantastical world that is Oz, from someone who was charmed by the unusualness of the environment to a person who cannot but give into her need to help others. While she may have thought this would have been a quick trip to find help for her quest, it is the optimism of the Guardian which guides her to aid those in need even when she knows it will distract from her primary goal. This sympathetic personality is what makes Mathers such a caring person and someone who will not hesitate when she sees someone in trouble and as such, this is what makes her the truest definition of a hero.

With a refreshing escape from the vile plans of villains it is a delight to see Skye display her kind hearted nature and help someone who truly needs her strength to find a lost loved one all as we watch the Grimm Fairy Tales version of a buddy story. The strength of the artistic team helps to draw the audience within the narrative, allowing readers to become engrossed by the helplessness of being prisoners and thereafter the thrill of fighting for freedom and vanquishing a self serving foe. While we know the triteness of a new foe may be forthcoming, the opportunity to escape from this simplicity is worthwhile and gives us a noteworthy chance of basal satisfaction before returning to the tedium of convoluted wickedness.

With the return of Skye's dedication to her mission for protecting all within the realms, this issue reminds us why we admire this young woman even as she monetarily became lost within an obsession to find her mentor and defeat a new rival.

The gathering of forces may taken some time, but as Skye and Belle recruit those who may be the most powerful, one cannot forget the foreboding war for Neverland which looms over the horizon. And yet even with a gripping story and beautifully executed artwork, the reader can fully enjoy the unfolding drama which relates the seriousness of the situation, all as we are famished to feast on what happens next. But Wonderland closes in, we know the best is yet to come " and we cannot wait.

With the battle for Neverland an amazing moment with Skye in charge of a squabbling band of misfits, one has to marvel how they managed to pull off such a fantastic feat, even as they lick their wounds and question if this was all for the best with their massive losses still littering the battlefield. And while the amazing artwork made the issue a spectacular event, there were a few hiccups that scarred its surface from what should have been one to remember. However as Belle leads her people into a new future, you cannot bur wonder if the Guardian made the right choice into saving one man within the face of the unknown.

Grimm Fairy Tales continues to appeal to our need to wish for the best and yet receive the worst in human nature, all as we witness a valiant struggle to stand against the darkness. With stunning artwork and gratifying colors we are able to fearlessly dive into the struggle, always knowing the Guardian will protect the weak and vanquish the ruthless, but at the same time it is the need to watch this conflict which makes us stronger. But as Skye attempts to save her friends in the process, we know she will prevail in her fight, even as she tries to survive another day.

This penultimate issue has powerfully enveloped all of the trials and tribulations of the Guardian, making her endless quest for justice seem worthwhile, even as we watch mournfully once she succumbs to a tyrant's unyielding grip.

Although the first act may have been repetitious due to recalling prior events, it is the nostalgic story when seen through new eyes which sparks renewed interest into seeking answers as to what happened to Shang, and allow Skye to somehow redeem herself for unacknowledged faults. Thanks to strikingly powerful images and colors that harmonize the pages into something wondrous, one cannot but filled with anticipation to see what happens next. With a new page revealed within the Guardian's upcoming adventure, the excitement only helps to whet our appetite for the feast which is yet to come.

As we settle into what might be considered normal for Arcane Acre, writer Dave Franchini does not fail to entertain with a story that continues with an introduction of the new menace which Skye found on her journey to Camelot " the Dark Book.

Skye's journey to seek more information about Shang's whereabouts may have only begun, but due to the striking intensity of the narrative and wondrous visual appeal, one cannot but be warily anxious to see what will happen next. As each issue of this new story arc strikes a different chord and every resonance only serves to exemplify the nuances of the prior, the audience cannot but be stirred to attention into thinking a new evil has been awakened within the Dark Book, all while wondering as to what connection it may have with the tomes of the Guardians of the Nexus. As anxiety builds between issues, one cannot but hope to wait patiently even as tension rises between the reader and Skye as we all wish to know how the story will end, even though it is the journey which brings the best memories for a thrilling adventure.

With Skye drawing ever closer to a new lead in finding her beloved mentor, one cannot but question if the Dark Book or some unseen force has its own agenda to hinder the Guardian's frustrated search. And yet as we become heavily engrossed within the beautifully illustrated and splendidly toned pages of this issue, one cannot but wonder if we might lose our way within this mesmeric landscape. However, would that be a bad thing since it allows us to extend our chance to adventure with the Guardian and her friends, surging forward into unknown dangers all as we impatiently anticipate the unexpected rewards.

This fantastic issue encompasses a fabulous explosion of terror to remind us how intimidating Baba Yaga can truly be, and while we may recall her recent escapades of lesser evil, this is how loyal fans remember the once formidable white haired witch. Thanks to a stunning foundation of illustrative excellence and colors which serve to enhanced the horror contained therein, we cannot but reforge our impressions of a woman who is as conniving in temperament as she is beautifully seductive, all fitting into an impressive package who is not to be underestimated.

It is sincerely welcoming and reassuring to have this issue create a meaningful transition for Allexa's descent into darkness, with the Sam and Skye watching helplessly as they see an innocent former Guardian slowly consumed by the maliciousness of the Dark Book, only to have their shock reflected upon the reader once we realize the truth behind Shang's kidnapping and his true captor. With a stunning array of artistic impressions and techniques wonderfully telling her story and the even more powerful effort of resounding colors which serve to bring them all together, this issue is a memorable event which will be hard to forget, even as the seriousness of the tale reverberates upon loyal fans as we consider the fallout of what is to come. But as the repercussions of such a novel turn resounds within our collective consciousness, it is the gravity of these facts which we cannot ignore once we consider the connection with Shang " and it things will ever be the same again.

We always knew the Dark Book was hiding some forbidden secret, but to suddenly realize its creation was due to the misery of an abandoned faery makes this revelation all the more disgusting due to the warped nature of evil which pervades its sinister pages. And yet due to spectacular artwork and a stunning color array, we can almost take a sickening pleasure by enjoying this thrilling visual display, all while knowing the results will doom one to a life of eternal servitude thanks to the corruption of Dela from the result of her foolish ambitions. Although the actions within this issue may uncover the tragedy of one family, hopefully it will fuel the determination of the Guardian to avenge all who have be taken by the evil within its malicious bindings.

With outstanding illustrations and transformative colors, this issue opens the door as to how Dela's thirst for power knows no bounds, echoing along the pages of the Dark Book until is befouls any who offer it entry into their lives, no matter the cost to once happy families.

As the Guardian of the Nexus' latest formidable foe is vanquished due to a fortunate coincidence, one has to wonder if her enemies are united in their desire for the Dark Book or is each goal a selfish want for the betterment of their own lives, even as Skye barely escapes this menacing encounter. However while the narrative itself is sensational in its menacing portrayal of Mother Hulda, it is the artwork which lacks a central focus to wondrously display the unending tension which this disgusting woman exudes, stuttering at a transitional moment with confusing visuals of our heroines, causing readers to question if this harrowing sequence fits in with the rest of the story. And although this same artistry does create a fantastic representation of horror personified, with a wicked crone you would never want to meet in a dark alleyway, the issue as a whole is graphically unbalanced due to a singular event within this haunting tale.

With a refreshing break from the norm of fairy tale based stories, this issue reminds us there are more than familiar warped creatures which seek to carve a niche for themselves within the Grimm universe, even those who are willing to do anything to survive in the world of man. And thanks to sensational artwork and stunning colors which drive that point across, we welcome a new source of violence which will plague Skye, leaving readers unsurprised of what may come next. But as she fights to save her friends and mentor from the darkness, Mathers must also remember her role as Guardian of the Nexus " evil knows no bounds, willing to consume heroes and innocent alike, all in their own quest to sate a gnawing hunger which will be satisfied by any means necessary.

With the conclusion of the Dark Book saga quickly approaching, it is fitting to end Skye's valiant struggle within equally epic fashion, and yet while the story is substantial in the gravity of its ideals, the visual representation of these weighty concepts becomes burdened by its own demanding clarity.

After such an extended break from the last adventure of our valiant trio, it is an invigorating delight to have a new story by Joe Brusha, Ralph Tedesco and Dave Franchini, with the wondrous result being written by the latter through which he is able to craft an engrossing depiction of the struggles which our heroines must face, both mentally and physically in such ominous practicality.

With outstanding illustrations and fascinating colors fully immersing readers within this breathtaking escapade of emotional influences, the unfolding of this finale was visually memorable as both literary and artistic influences converged into something which could have not been accomplished alone, permitting the wondrous synergy of both worlds.

With such a striking introduction to the next story arc, this opening act prepares the audience for what will hopefully be a wild journey for the Guardian, with unexpected surprises around every corner and hopefully a new sense of hope for those uncertain Skye will ever find a moment of peace within her hectic life.

s magnificent illustrations and spectacular colors unfold a rousing narrative, what was once promising slowly descends into confusion as the intricacy of these visuals quickly overwhelms the audience due to the depth of its numerous layers, even as we are roused by its resulting excitement. And yet as clarity yields to understanding, it is the convoluted plans of a tyrant which swallows hope for the future as a promising Guardian lends her strength to a noble cause, if only such carefully laid plans always come to succeed.

With a narrative that quickly becomes immersive due to a humanistic yearning of wanting to find a way home, one cannot deny it is the unintentional diversions that make this story so engaging, especially with Skye finally accepting her duties as Guardian may not be limited to her world, but extend to all realities which the Dark Princess' power touches.

While the prior issue was unsettling with the betrayal of Robyn, allowing the flaxen archer to both figuratively and literally stab her friend Liesel in the back, loyal readers of various Zenescope titles have always known Locksley to have a prickly exterior to disguise her well-meaning and soft-hearted interior, and yet with this familiar diversion to a new dimension, no one could have guessed the treachery of a parallel doppelgnger to be real, allowing creators Joe Brusha, Ralph Tedesco, Dave Franchini, and David Wohl to keep the audience constantly guessing, all while series writer Franchini wove threads of mistrust within the fabric of this wondrous tapestry of intrigue.

As we settle into a cynical film noir setting, it is this wondrous departure from unrelenting action which allows the reader to momentarily relax until the smoky drama returns with unrelenting ferocity, ruthlessly reminding the audience that Skye's journey through alternate realities is not meant to be pleasant, all while prompting the reader to recall that the Guardian is need wherever she may land.

While may relish the reasons why Shang chose to keep his friends in the dark as to his recent actions, it is the unthinkable possibility of a friend's passing that makes this issue so remorsefully memorable, causing readers to be mildly amused by an uncomfortable moment from revelation, only to then be thrown into the depths of despair from which we may never recover, urged to shed a tear with its unwanted recollection. But with phenomenal imagery and captivating colors that urge the audience to become fully immersed within the artistry, this journey into a dark world will be one which we will not soon forget, prompting fond remembrance and wanted forgetfulness.

While the grandeur of Belle's story arc may have enclosed a distressing range of stirring events, it is the much anticipated finale which falls a bit short due to an unsettling conclusion composed of odd clashing narrative ideas, all enveloped within a convenient plot device which allow our heroes to escape through the veil of the unknown, even as we ponder the familiarity of what has happened before.

Although this issue may be a brief reprieve from harrowing adventures through parallel dimensions, it does not take away from the emotional gravity which we expect from the series, made readily pronounced due to the unexpected focus upon the tragedy of Mary, someone who succumbed to the sinister nature of her powers and allowed them to guide her to a darkness which we never wished for such a caring heroine.

Encapsulated within fantastic illustrations which teasingly engross us within this undulating adventure and scintillating colors that taunt readers as to the veracity of what they see, it is these visual delights which gradually unfold and serve to heighten or depress the audience according to emotional circumstances, but with equally grand magnitude.

While we may have desperately wished for a moving pseudo-reunion between bewildered daughter and doppelgnger mother, this issue is a disheartening departure from the expected, leaving loyal readers to ponder if this fated meeting will ever be presented with satisfying intent, for both Skye and a troubled audience. But as the usually spectacular artwork and enthralling colors subtly contribute to the disappointment due to an overabundance of narrative information obscuring the artistic presentation, these momentary distractions are soon forgotten once the captivating story returns to what is desired, creating an immersive treat as the issue reaches an exciting conclusion. But as we wonder what lies in wait for Skye and Julia, it is the lingering questions connected to an unsettling meeting which make us question if our concerns will be addressed, or will a need for survival be more important than deciding how a gripping conciliation will fit into this troubled dimension.

While we were expecting this wild roller coaster ride through parallel universes to eventually come to an end, it is the unexpected diversions laid out by story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl which give the reunion of our heroes a welcoming charm, even as writer Franchini attempts to clean up dangling story threads which gave attentive readers a reason to pause and wonder what would happen to those who Skye and Julia left behind in their hectic adventures.

While the audience may have been expecting epic battles within the penultimate issue for this formidable story arc, what we receive is a mildly predictable unfolding of Skye's return as Guardian of the Nexus, with this admirable heroine attempting to make up for lost opportunities to save the realms, all as we rush forward toward the inevitable confrontation between herself and the Dark Princess.

It is unexpected to see a new influence strenuously grip a surprised audience within the opening of this unusual story arc, and while the educated in Lovecraftian lore may tentatively anticipate what the Great Old Ones may have hidden within the eldritch darkness, at the same time, it is troubling that those same expectations may become too much of a burden while sweeping away the familiarity of the Grimm Universe.

Just when we thought we were pushed past our limits and forced to peer over the edge of insanity, all due to the introduction of Lovecraftian lore into the Grimm Universe by story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl, which would cause many a lucid reader to question what writer Franchini is proposing for the flagship series, we hesitantly become acquainted with the denizens of this supposedly mythical dimension, only then having our sense of reality begin to fracture due the shocking appearance of nightgaunts, but with our previously strained mental faculties teased further against their restraints, it is now do we pause to wonder how much more of this lingering taint will leak through this barrier of madness.

While experienced readers have gradually acclimated to the introduction of Lovecraftian lore into the Grimm Universe, all thanks to the inventive method from story creators Joe Brusha, Ralph Tedesco, Dave Franchini, and David Wohl of utilizing the original source material as a basis, and allowing writer Franchini to craft the current story arc around that foundation, it within this issue where there is an odd divergence from what we know into a new frontier for the unknown, allowing an unsettling adjustment to mold around Tamora and how she more involved than she claims to be, all as Skye, Sam and the audience feel their frustration compound as more mysteries become unraveled with each passing page.

We have always suspected something sinister has been lurking recently beyond the darkness within the Grimm Universe, and as these foul beings made themselves known within specials outside of the flagship series, none of these gods have dared to make themselves known to the heroes of Arcane Acre, with only spiteful minions boldly venturing forth to cause chaos wherever they insinuate the influence of their masters, that is before readers were left with boundless uncertainty after Tamora was kidnapped in the last issue, allowing story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl to shrewdly utilize that abrupt adjustment as a way to introduce unsettling concepts to the storyline, and while writer Franchini may have kept deeper secrets hidden away, it appears now is the time to unveil them with a modicum of discretion.

As loyal fans gasp in shocked surprise for what has unfolded within the final pages, readers have to wonder how all of these nuanced details will seamlessly merge into a phenomenal presentation, one which will upheave what we know and what we hope is yet to come.

With enticing imagery and fantastic colors which create a moving synergy that none can ignore, each page proves to be a visual treat unto itself, with the intoxicating menagerie of shifting emotions driving the audience to become invested within each shifting transition, even if an impossible foe may be bested by a formulaic conclusion.

While we may have wantonly wished to see what this anticipatory issue held due to an enticing title, the story concentrates too much upon the surrounding factors of the narrative and fails to singularly concentrate upon the main antagonist, bringing too much attention to the Faceless Woman and allowing the Haunted to fall into the background as a controlled terror, essentially ignoring what could have been an intimidating horror and instead casting it as a threatening minion who can do nothing by itself. With normally fascinating illustrations and enticing colors that lure the audience within the sorrows of Arcane Acre, sadly this issue is also burdened by an overwhelming usage of inky goodness, causing everything within the pages to be influenced by the blackness of tone, and though this might have worked against a more vibrant palette, due to the lingering nature set by prior issues with an obscuring veil of darker colors, it is this combination of visual factors that creates a muddy

While it may have been strange for loyal fans to watch the Dark One's return pushed to the side during the prior issue, we boldly have this brutish tyrant's ambitions made known within the current narrative, permitting story creators Joe Brusha, Ralph Tedesco, Dave Franchini and David Wohl to allow his foul intentions to be announced to the world as writer Franchini unveils what the greater gods which brought him back have in store for his immense powers and frightening reputation.

As the current storyline attempts to incorporate several divergent narratives, with too much information funneling in and resulting in a clumsy summarization of what has occurred in both the Great Abyss and Earth, what we are ultimately left with are contrasting perspectives which seem unrelated as to how they can bring about to the defeat of otherworldly enemies, only now falling into place, revealing what may become the turning point of story arc, even as we still wonder how our heroes will reunite against a common foe. And yet it is fascinating illustrations and enthralling colors which overwhelmingly amplify the excitement of this issue, with their synergistic display allowing the audience to become completely immersed within this perplexing story, allowing any confusion to be swept away due to a thrilling display of artistic excellence. However, as we question what may lay in wait for our exhausted heroes, it is the unexpected arrival of new allies that cause all to breath a sigh

As the shocking results of diverging storylines finally come together and new mysteries are revealed, dedicated readers cannot but wait with bated breath for what comes next, even if we may be mildly disappointed by the neglect of minor details which seem to impersonalize the journey from one enthralling danger into another, causing the audience to ponder if we may ever uncover the truth hidden behind the secrets of Lovecraftian lore.

While we may have been mildly disappointed by the slow development of this story arc due to overly dramatic tangents, it is the looming danger of quickly approaching threats which finally rewards patient readers with spectacular reveals, powerfully impinging upon an antiquated principle as loyal fans are taunted by a face from the past, one which we thought was forever lost, stirring powerful emotions which await for the truth to shown.

While we may have been waiting for the conclusion of this epic story arc over the past year, the hurried expectations of what results before excited readers are mildly disappointing, with supposedly indomitable foes swiftly defeated in unforeseen ways, yet as we push forward toward the inevitable confrontation between equally determined rivals, both forces desiring opposing goals from the same means, it is a surprising conclusion which wildly unfolds which produces what we never wanted nor expected, all while bidding farewell to a cherished friend even if the darkness is held back for another day.

While we may have been anticipating something meaningful due to the long awaited reunion of the Mathers' family, it is the teasing delay of emotional fulfillment which makes the story somewhat disappointing, only to be replaced by an obligatory search for answers as Skye explores distant warnings, even as her mother retreats into a misplaced duty as former Guardian, all to avoid facing the daughter she dreads not knowing due to mangled memories.

While we may have been uncertain how the unsettling reckoning between mother and daughter might have played a role within this new story arc, it is the heightened stress of dual investigations which makes an anxious audience become reassured as to what is to come, for though we might have been worried by their stressful parting, it is the determination of the Mathers family which makes us certain there will be more excitement straight ahead, even if it may cause us to worry as to the success of their ventures.

As we consider what may lie in wait for the faculty of Arcane Acre, it is the new dangers which accompany Gretel's appearance that moves us to be concerned, even as a budding partnership between Skye and the witch hunter may be on the horizon if they ever wish to stop whoever is behind this latest threat, be it Mother Margaret or some other devious opponent. As fantastic illustrations and captivating colors draw us deeper into the unknown, it is a slight deviation for the one of the characters which leaves us wondering if his abilities may be tied to see a threat, or a change in artists is the cause for confusion, even if the attention may be a minor visual stumble. While we may be mildly confused by what is to come, it is the marvelous incorporation of contrasting terrors that makes our viewpoint of the whole so enthusiastically captivating, for though the audience may not know what is next, it is the thrill of what is to come that makes the wait all the more worthwhile, hoping we wil

Robyn Hood: Outlaw has become a new standard for the caliber of excellence which we have expected from this franchise and exceeded it on all counts. While we might have wanted a new story portraying Robyn's talents for creating havoc in the pursuit of justice, what we are left with after this first issue is a graceful dance of ferocity with nuances of a bloody ballet of restraint. You have to admire this opening barrage of precision in giving the reader what we desired, but at the same time also exceeded our expectations by presenting the essentials of what we needed. If this is how the premiere issue vaults over the norm, then how will we survive in anticipation for what happens next?

Robyn Hood: Outlaw only gets better which each passing issue, allowing us to be drawn into Robyn's life with sincere care for the characters and the situations which they find themselves thrust into, all as our archer endeavors to understand the new danger which threatens her precarious world. And yet Locksley still cannot stop herself from defending others, no matter the situation and this why we admire her so much. To see a smirk on her beautiful face means she is having fun and the glow from her eye warns all she is not one to be crossed, but if you let her do her job, no one will ever be disappointed.

Robyn Hood: Outlaw may have started slow but as we become enthralled by a memorable narrative and breathtaking artwork, all you can question is what more can this team give us which they have not accomplished within the first three issues … and we are only half way done with the title. The events which introduce us to the Underground were necessary and now that the team is complete, the real fun begins. This is how you dazzle the reader with a series which builds up momentum and continues to compound, but in the end of each issue they give us a cliffhanger which only makes us crave more of the story and wonder if our suffering will ever stop – but hopefully it will not.

While this issue of Robyn Hood: Outlaw may attempt to drive the story forward with elements all too familiar as to create an undeniable sense of dj vu, it still propels the reader forward due to Robyn's fervent determination and sense of proven friendship. However one cannot ignore the true attraction for this series is the wondrous artwork and understated colors which transform a leading story into a book of wild expectations all to witness what happens next.

Robyn Hood: Outlaw at times seems too preoccupied in utilizing elements from other publishers' properties, but once we return to the normalcy of our heroine's struggles one cannot forget the sincerity of her determination to accomplish preset goals. However, it is the brilliance of fantastic artwork and sublime colors which elevate this series to become something memorable above all other titles within the franchise even within a dungeon-like setting aside from the usual urban jungle. And while we may forget the true motivation for Robyn with it buried within mistrust and underhanded dealings, one cannot deny the finale will be something to look forward to in all its lofty ambitions.

Robyn Hood: Outlaw began with a promising premise to start a new chapter within Locksley's wondrous universe, but thanks to a smothering mishmash of foreign influences which tried to invade a fortified front the story stumbles numerous times to create something which is only recognizable to loyal fans as being part of the same universe.

Robyn Hood: The Curse is turning into a story which we always knew we wanted, but at the same time, is evolving into something that we never knew we desired. And while the story is a weak in the transitional beginning, it is the wondrous artwork and colors which keep us fixated to the page. You cannot but want to see what will happen as Robyn and Marian race to save their friend, but even as they try to keep hope alive, the reader knows something more sinister is involved. Hopefully now that the foundation is now complete, we can continue into a narrative which will keep us coming back for more and wishing it will never end.

The story is slowly beginning to take shape, with an foundation based around the relationship between Robyn, Marian and Sam, but there is still missing something. However as we are purposefully drawn into Robyn Hood: The Curse, it is clear this talented literary and artistic team have something more in store than what they are presenting to us upon the surface. Every tease on each page only makes us want to see what happens, but as we become more involved within the narrative, it makes it all the more difficult to turn away too look toward what may be revealed next month.

As the narrative begins to entice us to want ever more, it is the captivating imagery and haunting colors of Robyn Hood: The Curse which makes us stay to see how the story will materialized in all its beautiful graphic forms. The tension of the unfolding story makes it almost painful to see how it will unfold, as this team inches ever close to the anticipatory want of not wanting it to end. But at the same time, you need it to slowly progress forward, just to release the pressure in fear you will burst from the waiting. This is how you make the audience yearn for the next issue, all in its cliffhanging compassion.

This is the way I want to see our heroines face indomitable forces, not with anger or despair, but with hearts strengthened by their friendship, knowing either one will come to the other's aid any time. And now with their partnership now reinforced on both fronts, I cannot wait to see how the final two issues will bring everything to a epic close, all of the Robyn Hood's indomitable forthright style.

Robyn Hood: The Curse first appeared to be another Robyn Hood series, but as we near the end, the richness of the tale is the endearing element which appeals to all fans of this character.

Robyn Hood: The Curse may have seemed like another series about our favorite archer, but as it re-ignites the underlying premise of camaraderie between Robyn and Marian, the title blossoms into something all the more genuine.

While we may have seen the premise before, the chance to see an epic battle between two of our favorite heroines is too tempting to pass up. Van Helsing vs. Robyn Hood has all of the characteristics of being an exceptional story, but with an origin suspended in reality and artwork at times too bright to view, it is uncertain as to how it will proceed. However with a cliffhanger splash page promising a story which can only get better, this is one title which I look forward to, but at time same time, I am cheering for both sides to win.

Van Helsing vs. Robyn Hood is shaping up to become something with the appeal of a hunt, but with the novelty and need to protect their friendship. We have seen this type of conflict shown before, two compatriots on opposing sides, however it is not often when they are done so against their own morality. Even as we watch the drama unfold, the anticipation of seeing the inevitability come to a head only makes the waiting all the more painful. Now with the series half over, who can guess what is waiting – will Robyn give into the hunger or can Liesel save her friend before it happens? Why does a month always have to be so long?

As we conclude this penultimate issue, you begin to wonder if we can truly have a satisfactory conclusion. Robyn has been exposed to the temptations of the night, Liesel is scared for her friend and the impossibility of a cure and Von begins to see his dream of a vampire army now realized, but which ones will come true? Of course, we want to see Locksley return to her snarky self, but is she too far gone for even Van Helsing to bring back? I cannot but think something will change within the Zenescope universe, but at the same time, will it be for better or worse … and do we want to know the results? Next month will be the key – and it will unlock undeniable possibilities.

Van Helsing vs. Robyn Hood had all of the distinction of prominent pedigrees from two of Zenescope's most well-known heroines, but a shallow story leaves the reader with an empty satisfaction due to a telegraphic narrative.

I love Shand's other Zenescope works, but this one falls short due to the familiarity.

Although this issue is falling into the same trap, Claretti's artwork does salvage the re-introduction of the Dark One. Why else would they bring in the main power player of the Grimm Universe if this is not leading up towards something major? Or am I reading too much into the storyline? Guess we'll find out next month with the introduction of a new villain too!

Of course, Claretti's artwork was over the top, especially the page with Bloody Bones's first full appearance. I always thought that the Dark One was creepy, but he's nothing compared to this guy!

This is going to be a good arc for us … probably not so much for the students!

The introduction of a new character is always a welcome passage for a book, but when she is a heartbreaking heroine like Mary Medina, the joy and sorrow of such an introduction leaves one with mixed feelings. This new blood to Arcane Acre may add more chaos to an already tumultuous concoction of teenage angst and mistrust, but it can also lead to a path for the new pupil on how to best use her gifts. It may be a bumpy road, but it is through that journey that true understanding is born.

It seems like this story is the final step to re-introduce some old villains to the school, but how their schemes will affect the plans of Bloody Bones? Or was it always his intentions to invite them to play with these children? After all, the Dark One is gone and that leaves a power vacuum in the Grimm Universe, so who will step forward to fill that void? Or is there anyone who would dare? Guess we'll find out next month!

Bloody Bones has made his move and the outcome for Arcane Acre looks bleak. Most are trapped within a nightmarish realm and the only ones who might have been able to help them are incapacitated. As if things couldn't get worse, we know that Shand and Mendonca will be saving the worst for last. But is that a good thing for us? Can't wait to see!

Bloody Bones might have been the antagonist, but the Warlord was the one whose actions cut the deepest. Belinda now knows how she can never leave her past behind, no matter how truthfully she may try to apologise for her actions. But it is now that she will be tested the most earnestly while trying to comfort those who have lost more than a child. Who can say which is the more grievous injury, but it is at times like this when the temper of a person is tested to the utmost; whether they succeed or fail is due to the calibre of their will and I cannot wait to see how Belinda's will prove its mettle.

The issue might have seemed to be a farce on the surface but it dramatically shows how Wiglaf is far too concern for outward appearance and that pettiness put everything into perspective in the end. These calming moments between the action driven tension of the series makes them all the more cherished when they appear and frame the characters in a way that nothing else could thematically. It is too bad that they happen too seldom and aren't a mainstay for the series, but the rarity just make them all the more welcome when they do emerge.

As we are awe struck by this remarkable story of Bloody Bones' past, we cannot dismiss that it was Karen who made it all possible. How was such a little girl is able to deconstruct the defences of Maka when Shang could not leaves us to wonder how she will affect the future of Arcane Acre. It will be a pleasure to see how Shand and Johnson will gingerly escort us into this brave new world.

Skye and Lance appear to have found the answers they were seeking, but will they be able to achieve what they want " the destruction of their monstrous foe? Nothing is as easy as it seems, and you can be certain that he will not stand by while these children bring about his end. And now that they have found sanctuary, how easily can they sleep when they know that he has been hunting them down? We can only wait for the answers and keep our fingers crossed that no one else will have to die to bring about his downfall.

This wonderful balance of a moving story and visual appeal helps to bring the issue alive more than either one could ever hope to do alone. Skye and Ali, both students are being talked down by their superiors without ever knowing what is wrong, but then the teens are keeping themselves isolated by never expressing before acting out their intentions. The teens may regret for disappointing their mentors, but neither side ever wants to admit that they were wrong in fear of acknowledging that they made a mistake. They may think they are now ready " and woe be to those who would stand in their way. But will anyone survive to celebrate the aftermath or the punishments to follow soon thereafter?

Everything is culminating to what ultimately will be a magnificent ending for this battle, the pawns have been chosen and the line has been drawn. Bloody Bones knows that his soldiers are loyal while Skye and Lance have faith in their friends. Who will claim victory can only be judged by their actions, but to have confidence over mistrust, the first step perhaps has already been taken.

The time has come for the students of Arcane Acre to live with their choices, for no one can be blamed but themselves. Everything is coming to completion and the end is in sight, but we cannot but help but wonder and hope that they will not regret the decision. For we have come to know them as if they were our companions and not some drawings on a page, but we all know that sometimes we cannot help those we care deeply for, no matter how hard we may try. It is almost as if we are shouting at the movie screen, yelling for the actor not to open the door, but we know the script has something else in mind. Let's just keep our fingers crossed for the last two issues and hope Shand won't be too cruel to our mutual friends.

The conflict with Bloody Bones has claimed many victims, but this one seemed to hit the hardest. Shand was able to direct the emotion while Cuffari and Arciniega were able to materialize it into a tangible form to shake us with the passing like never before. While we know the end is only one issue away, how you not feel that this will be only the beginning … and we will enjoy the finale like nothing ever before? I for one, cannot wait!

Grimm Fairy Tales is the foundation of the Zenescope mythology, and as such, to see a close to this series is tantamount to a symbolic passing of the torch to the next generation of titles. Every character within the Grimm Universe owes their existence to Guardian Sela Mathers and her big red book, for without her there would be no one to tell their story or give them a purpose within the Realms. She is the cornerstone of Zenescope, and though Belinda was at first her foil, she eventually became a trustworthy friend, with the pair becoming the standard for the originality and cutting edge interpretations of classic faerie tales. This issue may signal the completion of one pilgrimage, but with it we are exposed to a new nexus and new worlds, never-ending into infinity. The singular phrase on the last page says it all " The End. But, I don't like to think of this an ending, for nothing is truly over, but a new beginning to grander worlds and even more awe-inspiring adventures.

This premiere issue may have its faults but the presentation of an interesting story and breathtaking artistry allows readers to ignore this stumble and hope for the best in the future. Grimm Tales of Terror Presents: The Bridgewater Triangle has a solid foundation which permits this fantastic team to create unique ideas that are unexpected for the series by basing the title within a real place and thus grounding the stories partially in reality. While the narrative may fall back on clichd premises, it is the promise of authentic lore and history that allows us to hope for more effective thrills yet to come.

Grimm Tales of Terror Presents: The Bridgewater Triangle continues to surprise readers with stories which are hauntingly moving as we experience it through the actors, and yet the brutality is not dependent on gore to get its point across, instead relying on psychological thrills for the chills. Then add the excellence of an artistic team that knows how to amplify the nuances of environmental scenery, and we have a series that continues to surprise with visual sophistication on par with any modern horror film. While the stories may sometimes rely too much on those same movies for foundational inspiration to anchor the reader to old tales of Hockomock Swamp, one cannot deny the mixture creates a unique landscape which never forgets the audience must relate with the characters in order to have the sense of suffering which connects us all to these unforgettable tales.

While Grimm Tales of Terror Presents: The Bridgewater Triangle may have begun with an interesting premise for the title, however somewhere along the way it became sidetracked via tangential stories instead of being dominated by what could have been a more memorable foundation. However with amazing imagery and spectacular colors, one cannot deny the series still was able to keep our interest until it was maneuvered back onto the right course through this morbid swamp, allowing the reader to become mired within the fear contained within. With the premise now set, we can only hope a welcomed sunset will greet us once again over the horizon for a chilling welcome back into the stories of a forgotten but wondrous place of true horrors.

Monster Planet has a promising foundation even if the premise sounds familiar, but it is the mistrust displayed within the cast which projects a sense of unease which makes one wonders if the story will succeed beyond the first issue. To force foes together for survival sounds shaky, but it is the fantastic illustrations and wonderfully somber color palette which projects the reader into this uncertain world whereby allowing us to witness its success or failure firsthand, allowing us to feel the growing anticipation as to what will happen when tension is so fertile for an explosive result. While we may not hope for much with such sincere animosity, it is only natural that the curiosity which drives us to explore the unknown also fuels our desire to watch what will happen if only for the primal enjoyment of seeing others fail as to make ourselves feel better for our own minuscule gains.

Monster Planet may attempt to retell a classic tale of foes allying to fight a greater evil, and yet this definition becomes transient once you consider the hatred pent up within monsters over the centuries. One cannot blame them for the mistrust of this cooperative mission, but thanks to a mutual cause the foundation is set, but one wonders how long it will survive. But thanks to a spectacular display of unvarnished illustrations and inspiring colors, this series will be something to look forward to due to the emotion tension which they prompt from each memorable page.

Monster Planet is quickly becoming a worthwhile title now that the balance of prejudices has come to the forefront – with both monsters and humans being seen as equally in danger. And yet while Blaire may now truly understand the danger of failing her mission, it is too bad humanity itself may be the cause for her likely failure, but at the same time it is this flaw that makes the upcoming stories all the more satisfying for a moral sense. With artwork that continues to amaze, this series is quickly growing in tension, so much so one cannot wait to see what happens next, all as we expect this alliance will quickly implode before it has a chance to succeed.

Monster Planet has rapidly surpassed my initial judgment in thinking this would be a formulaic story of unwanted alliances, instead emerging into the light as a tale of needed relationships for the betterment of all. But as we near the complicated conclusion for this moving series, a change in art styles and shift in coloring techniques makes this issue seem misplaced within the overall excellence of the title, and I can only hope it will be settled once the dust settles in the end. And yet this stumble is insignificant as we look forward to a finale that will hopefully supply readers with a finish that is meaningful to those who have become invested within these dynamic female leads.

Through beautifully depicted artwork and enticing selection of colors we are carelessly dive into this courageous world, allowing us to forget the truth behind the battle for just minute, all while making us question who are the true monsters with this series. And while there we a few missteps within the series, one cannot deny this story was a refreshing departure from our stereotypical tale of good versus bad, with the reader constantly guessing which side we should be on and whether it truly deserves to survive in the end.

Mystere may have a noteworthy premise, but the need to constantly remind us of what has happened before in order to set the stage of what is to come bogs down pages with needless history which could have been more effectively utilized by expanding the current atmosphere. While some may embrace this tragedy to better understand the character through repetition, for those who know her story a strategically placed Editor's Note would have sufficed even if it allows a re-connection of past to present. Hopefully, now that everyone has been brought up to speed we will be allowed to proceed with what will certainly be the forefront of what we expect for this dynamic woman, with imagery and colors that emphasize her independence but also promote her promise to help those in need which connect to painful memories.

The gradual build-up of momentum within Mystere permits the reader to take pace of what is unfolding within Mary's new life and yet as we watch with fascination the subtleties of this moving story steer us toward an inevitable conclusion – you can never leave the past behind. While this painful reality is only now being accepted by this courageous woman it is the splendid visual depictions and powerful palette which unfold the difficulties and materialize the harshness of cruelty made manifest. But as we are finally confronted by this new phantom of pain one cannot but want for Medina to embrace the truth and return to what she knows … accepting everything within her life no matter how much she may wish it to be forgotten.

As we escape the sheltered presentation of prior issues, one cannot deny it is the caring nature of Mary which is emphasized within this story and reminds us why Mystere makes such a forceful impact upon our need to watch her succeed. With her want of escaping the responsibilities of being a hero, it is pleasing to see Mystere has not forgotten the weight of her powers and how they are not a burden but a sincere chance to help those less fortunate, all as she faces the nightmare of another who wishes to force their will upon others without respect to the suffering they may cause. And with magnificent artwork and fantastic colors to emphasize each and every memorable scene, I cannot wait to see how Medina will face the future and the pain she must endure to seal the selfishness of the corrupt.

Mystere is a tale which has lures the reader into a menacing world of apprehension, with the hope of fulfillment to help those less fortunate, but resulting in being held captive within the depravity of human greed and a desire of not letting go, but ends with a warm feeling which we all desire.

Red Agent: Island of Dr. Moreau is proceeding in normal fashion for the pattern fashioned from prior titles of the franchise " with Britney and Avril being asked to infiltrate some malicious organization, and that is where the problems arise " it is all too predictable.

Red Agent is the series which Britney deserves and her fans have been wanting. The team of Iovino and Galino synergistically compose the medley of destruction in which will hopefully unfold her hidden potential. The first issue has established her mission and now, we just have to wait to see if she will survive or succumb to the machinations of her possibly insurmountable foe. Why does a month always have to be so long?

Red Agent is building the suspense as Iovino and Galindo craft their series into a story which makes us become invested in the characters which inhabit this universe. As each issue passes, the interaction between the readers and the characters engulfs us in the narrative, and it is in this reality which we find ourselves lost in the workings of The Circle and wishing we could help Britney and Avril in their pursuit of justice. But with this first meeting, we know it will not end well, but it is that infuriating craving that makes us come back for even more.

Red Agent: Island of Dr. Moreau is finally beginning to take shape as a story which takes advantage of Britney and Avril's inclination for bringing trouble to whoever crosses their path and allows their tempers to explode with a vengeance.

The team of Iovino and Galindo continue to draw the readers further into the passion of trying to free Eve before she succumbs to The Circle. But which each step we take, they tease us with another crumb to draw us further down that path. With only two issues left, we draw closer to the end, but how can they accomplish a rescue without it feeling rushed? We only need to wait until next month, but you have to wonder what will be release next?

Red Agent: Island of Dr. Moreau continues to portray our favorite blonde team within a carefree story which lacks the urgency of prior titles, instead relying on a predictable plot and clichd situations to propel the narrative forward until we meet the title villain. Additionally while the artwork may be wonderfully executed, the portrayal of Britney and Avril lacks any underlying fierceness that we expect from these women, with only the gorgeous colors providing any weight to the images. Hopefully as we draw near to the quintessential confrontation these problems will be solved, and yet it seems that possibility may be unlikely for the time being.

As Red Agent: Island of Dr. Moreau surprises us with a stunning depiction of a woman bent on revenge and showing the superiority her creations, one cannot but wonder why it took so long for this reveal when the series is almost over. And yet thanks to wonderfully detailed images and colors which solidify the cruelty of this scientist, readers cannot but be rewarded for their agonizing wait to finally witness how someone so beautiful can be so ugly inside. And yet as Britney and Avril come to terms of how the rules of this warped world are not so different than the twisted insanity that is man, who will truly be the Queen of the Jungle and will justice finally prevail?

With only one issue left, Iovino and Acunzo have built the tension so that we know the inevitable conflict between the two forces will be the final conclusion. The Highborn Initiative versus The Circle, good versus evil, the sane versus the madness of world domination " each one has its own story to tell and we have plunged head first into this conflict, with marvelous results. Who knows who will win, but that conclusion will be one which will leave us wanting more. We can only hope that the final battle will not be straight forward and the end will be unexpected, but that resolution will be a month in the waiting, and I for one cannot wait for the end!

Red Agent has unfolded a new light on the personality of the woman named Britney Waters. She is no longer a flaxen beast of a hero, but someone who cares for her fellows equally touched by powers from other realms. While it would have been interesting to see the ferocity from previous series, this departure created by Iovino, Acunzo and Grostieta adds a new facet to her glittering persona and thus a shine to one of the foundations in the Zenescope mythos. While this arc may be at an end, it opens new possibilities for Red Agent and her magical partner for many adventures yet to come. Let us hope it won't be long for us to wait!

Red Agent: Island of Dr. Moreau may have begun as an interesting premise based upon a well known novel, however as it develops, it quickly becomes superficial so as to avoid the deeper meaning of this cautionary tale, only wishing to provide a fundamental foundation for the uninspired story.

Van Helsing vs. The League of Monsters begins in a rousing manner to set the foundation for this fantastic title – presenting the players of both sides and allowing the reader to recall how each has been influenced by the one man at the center of it all … Dracula. And yet as the brilliance of foreboding images and chilling colors breath life into this story driven by revenge, one cannot but forget the suffering of Liesel's friend who struggles to chose the right side in this ageless conflict. Hopefully as we continue this haunting journey, the light will guide the way out of this veil of darkness.

Combine this gripping narrative with the alluring beauty of both friend and foe alike, all amplified with the seductive shadows of captivating colors and we are left with a title that thrills with each image even as we are terrified by the indisputable allure of corrupt strength made manifest.

While the series has grown due to these wonderful adaptations, one cannot but question if the pacing has been impaired after a change in plot points which seem unattached to Liesel's past actions and the introduction of an underpowered character, who may be hiding more than we ever knew.

As Van Helsing vs. The League of Monsters continues to fascinate with a fulfilling story of intense passion and excitement, the event which loyal readers greedy anticipate finally rears its ugly head due to overt disgust: witnessing the moment from which Angelica is finally able to confront her ignoble tormentor – Dracula. With spectacular artistry and sensational colors to depict this memorable turning point, we are able to delve into the issue with complete abandon and allow ourselves to surrender to the conflict churned from the battle we knew would come, and yet it is the conclusion which was a bit disappointing due to one side's overwhelming power and an ultimate surrender. But even as we relish the future, the obligatory wait can become too much as we ponder what this monstrous cadre may have waiting for our heroes and if this may be their last sunset upon this Earth.