Any lasting effect of Secret Empire is wiped out until an infuriating cliffhanger that anyone with a brain saw coming. There's no redeeming value in this book, this is an exercise in pointless event excess to the highest degree, even the artists are bored.

Infinity Countdown: Daredevil is a blatant event title cash grab and suffers due to the fact it's an uninteresting slog to read through with art that isn't eye-catching at all. It's basically a story that didn't need to be told and accomplishes nothing all for the price tag of $4.99.

In summary don't waste your money. Marvel just charged everyonefor a delayed solicit to the line of NOW! Books, which have already released anyway,disguised as a wrap up to an awful event comic. DC's Convergence, and Marvel'sown Axis, was War and Peace compared to this title.  Chalk up Civil War as an event that shouldn't evenbe enjoyed in an ironic way like a bad movie might be because it's worse thanthat. If Marvel thinks there getting any money out of me for Monsters Unleashedor any future event title after this stunt they are so wrong I can't even beginto think of an analogy to compare it to. If you wan to look at the bright side at least the art was good right?

Overall, if you enjoyed DK III and thought the series had you asking for more, keep waiting because I'm not exactly sure what this book is supposed to be but it doesn't feel like any Dark Knight book I've read previously.  This read like a fever dream with little to no narrative thread linking thought together and will make me question any future Dark Knight purchases in the future. This is more Frank Miller Superman Year One than Frank Miller Dark Knight.

This Legacy issue is a barely comprehensible story for newcomers, too goofy to be carrying the Avengers title on its cover, while providing little to no answers within its pages about our villain and why we should care about this situation anybody find themselves in at all. The art present in this title deserves a story worth being told that just isn't here.

My thoughts after reading the FCBD issue of the Amazing Spider-Man were that it appeared the new direction for Peter was to have him live with Boomerang, fill the book with awful humor for Spidey, and make it mimic the Disney XD cartoon in feel and appearance. I hope I'm wrong but if this is a sign of the future to come I don't think Ill enjoy this much at all except for looking at the pretty pictures.

Overall, Ghost Spider #1 is a very passable first issue, that doesn't do much to make the first arc appealing for new fans, and old fans of the character have to be sick of the constant shuffling of this characters main title. Gwen is attending school in the 616 now and fighting Giant Rats. If that sounds like your bag of tea your local comic shop should have a copy for you for $3.99, however except for some decent art, I think I'll wait until next time this character comes back around again to try it out again.

When Marvel does Star Wars well (which having read all their new output I'd estimate is about 75% of the time) we get material such as the Han Solo mini-series - which is what this series should be aiming to emulate - or Shattered Empire where we got to know Poe's parents. When it goes badly though we end up with trash like this issue thrown at us, which was a consistent result from the Darth Vader title and books like Dr Aphra and large parts of the main Star Wars book. After last month's high point in the Poe series- with the moving funeral scenes - the fall in quality seems so much further in this book.

While Immortal Men has the benefit of having some of the bigger creative names in DC's stable on the book, I found myself more excited after reading and finishing New Age of Heroes books like Damage, the Terrific's, and Silencer. The story is decent, and the art is solid, but I didn't find a hook or character in the book that really grabbed my interest and ran with it.  I'd say maybe peek at a friends copy and see if it's for you.

Immortal Men continues to limp out of the New Age of DC Heroes gate and hasn't done much to get readers attention after two issues. New characters are introduced before current characters are even developed in the least, especially Caden, which for the books focus so far is unforgivable.  These first two issues can be boiled down to 40 pages of Caden running from things so far. If you're in the mood for a slow burn, with new characters in the DC U, this might possibly be up your ally, but so far to me, I haven't seen enough to recommend it's worth jumping into at all just yet.

I don't recommend the Immortal Men after three issues and actually, find each issue more frustrating than the one that came before it as the series progresses.  We have an under-explained, extremely slow-paced form of storytelling, that no longer has the draw of Jim Lee art to bring people in.  I don't anticipate this title hanging around long, no matter how many Batman Who Laughs cameo's Tynion is going to include ... 2 in 3 issues if you're counting at home.

Tyler Kirkham provides a boost to the art duties, lending a big name to the New Heroes titles that had seemingly all but vanished, but doesn't give the book enough of a boost to make it worth a look see unless you're already invested in what's going on here.  The story is still mixing in origin tales after four issues, while largely ignoring the 'chosen' character of the title, in favor some wow moments with displays of power. While we get a decent ending the Immortal Men just don't seem long for this world. 

Immortal Men shows all the signs of a dead series and canceled book.  The already tough to digest story is only harder to chew on here as it becomes truncated and almost nonsensical at points. Even the art is far from the artists involved best work.  There's very little here to celebrate and if I ever see the Immortal Men again after next issue it will be too soon.

I love other things these creators have done but this is far from one of them. Why would someone continue with the New Age of Heroes if they've only picked up this book? The story is a mess, it concludes a six-issue run with a non-ending, the art looks very unfinished even rushed at points, and you can barely tell what's occurring through dialogue or the pictures half the time. Avoid this at all costs even if you have bought the previous five issues.

SpectacularSpider-Man is filled with hit and miss humor, leaning heavily towards the missend of the spectrum, while also not offering up much in the story department sofar, other than a semi intriguing cliffhanger, and barrage of never endingjokes that progress the story forwards. Artistically this issue is also veryaverage, and looks very rushed in spots, especially when compared to the FCBDissue released just last month.

Spectacular Spider-Man continues to miss the mark continuing a story involving the Tinkerer for about 8 issues to long. The title is crowded with guest stars who never go away and what I thought was supposed to be a more grounded Spider-Man title has turned into Aliens taking over the world … I'm out until a creative change.

While this is nothing more than another one of Marvel's overpriced andoverhyped event comics it does manage to avoid total disaster with a premisethat has the potential to be very interesting. While the release schedule and sheeramount of tie-ins scare me away from engaging fully into the narrative I willpay attention to the main title to keeps tabs on how our heroes bring their onetime greatest ally to justice.  

There are things I like here but where the zero issue played a clever game of moving chess pieces around the game board for the reader to see, Secret Empire #1 stalls that momentum, and just wants you to believe things happened, like America has given up under Hydra control, moves forward united, all simply because of a leap forward in time.

Overall I'mjust not in love and committed to repeatedly paying $4.99 repeatedly multipletimes per month for another overly long event comic book series from Marvelcomics again. Unless it was Nick Spencer knocking my socks off of course whichSecret Empire so far is still far from doing.    If you're a fan of Sorrentino's art style,that is where most of your enjoyment will be found in this issue.

If you'resolely invested in this main Secret Empire title so far you've spent $18.96(cover price) on a total of four issues that feel like they could have beenshortened and cut down to two.  The paceis awful and this book is becoming less and less intriguing with each passingissue … wake me up when something actually happens.

Secret Empire continues to be the worst kind of event comic, a dull one, much like its predecessor Civil War 2. The art is a step up this issue from the last couple in the series but the overall story is in love with hearing itself speak and preach to the reader showing little in terms of progress after five issues.

Ill sum up Secret Empire #5 in one sentence, I feel asleep three times reading this book, itsjust flat out boring. It continues the trend of revealing very little, progressing the story even less, just about turning into the over bloated messwe all feared it would be at the start. Tie-in'sappear to be telling too much of the story, while the main event book feelslike a series of uninteresting random scenes that just aren't keeping myattention anymore. To many questions, too few answers, and a poorly thought out,and now expanded idea, make this a low point for Marvel event comics since Fear Itself. Honestly I think I liked Civil War II more and Im saying that with acompletely straight face.

Was anybody was in the mood for Civil War 3? No? Me either! This is again your standard Marvel Cosmic Cube nonsense, combined with uneven tone and storytelling, accompanied with a corny narration the entire way through that just doesn't raise the provoking thoughts Nick Spencer feels it should. With everyone after a giant reset button to begin with, at least the end is on the horizon, and we can all forget this ever happened soon enough … kind of like the events of Civil War 2 and Axis. At least your eyes will enjoy themselves.

The audience for Secret Empire knew what this ending would be before issue #0 was even published. If you're interested, and want to confirm what you most likely thought all along anyway, buy and read this issue. For the rest of us with any common sense, Im sure we can find something better to do with your time, avoid this disaster porn altogether, its a waste of time and money. 

Overall, Batman's Grave is off to a mysterious start that doesn't provide the reader much detail yet but comes packed to the brim with some great looking art to keep your attention for now.  The Alfred and Bruce/Batman relationship gets some spotlight here as well, however other than these overall snapshot observations, I'm not entirely sure of the start to this series at the moment, and how hooked readers of this will be going forward. In all honesty, in searching for comparison to this, it has a bit of a feel of the True Detective TV show to it at the moment, being so shrouded in mystery. Good, but definitely not great ... yet.

As a whole, Batman's Grave Chapter Two lacks any sort of hook or intrigue to really grab a reader's attention. There are the beginnings of a deeper mystery at play here, but this issue moved by so fast, with large sections of its text free, it never provides any further insight into anything I found too interesting.  Right now we have a bunch of names that don't mean much, Alfred drinking himself in an early grave, and Batman exchanging blows with random murderers, but why?   Hitch on art is a blast to look at, and if that is why you're here, you may find the book worth a look, otherwise save a few bucks Christmas is coming.

Overall, Batman's Grave continues to provide very little reason to check in on this title from a month to month basis.  Issue three mimics issue two in many respects, and if you enjoyed issue two that would be great, but I did not. There is no reason yet provided to be interested in the characters moving this story forward, and while it feels like Ellis is trying to set up a mystery here, I don't know what the question is to that mystery to attempt to solve it myself, making feel totally disconnected from the story at play here. Hey, at least Batman looks good doing it right?

I'm still not sure what the entire purpose of this series even is yet, outside Batman still attempting to solve a couple random murders, but what makes these special, and why should I care? Four issues in and the creative team have still not established much at all which is a huge problem for me.  Art aside, there are just many better options on the stands currently to try out than to keep hoping for better here based on reputation alone.

As a whole, the decision to add a paper thin DCeased tie-in story, to an event that has already started to wear thin with this reader, was a confusing choice. On top of that the story had a very strange tone, which only served to add reference laden comedy to a dour zombie tie-in story. Tom Taylor, who I'm usually a huge fan of, misses big with this tie in. If you're in the mood for a book filled with Tom King callouts, than this one might be up your ally, however it doesn't do much for DCeased as a whole.

Overall, Spider-Man Annual was a bit of a miss, that failed to truly capture the essence of the character Spider-Ham in an attention grabbing matter, or even continue traction the character may have picked up from the Into the Spider-Verse movie. The art was nice enough to provide the book with an animated touch, but there are some transition issues in the beginning of the book that really throw the reader for a loop, before settling back into a groove. If you absolutely need Spider-Ham right now, grab one of the True Believer centered around the character for a better value.

After apromising start to the issue, the story spends too much time repeating the sameevents over and over, making this a pointless one shot with too high a pricepoint to recommend. I still have no idea what Generations is other than randommeetings between heroes I wanted to care more.

Generations:Jean Gray is another forgettable Marvel cash grab that doesn't provide much ofa story to enjoy but does find success artistically. Grab this 'Generations'Marvel imprint at your own risk and only if you are a completionist ofcharacter collecting.

 Amazing Spider-Man #1 provides a great jumping on point for new readers interested in the world of everyone's favorite web-head.  If you're more of a seasoned reader that has stuck with this book some of what you read might feel a bit retreadish but necessary in a way to set the stage for whats to come. Regardless of where you stand you have to like the old relationships rekindled here. I'm interested to see where this goes for awhile.

Amazing Spider-Man issue two follows the formula and style of the first issue and to me, while still finding its footing, is more of a mixed bag again. I love MJ and Peter back together for now, and the art continues the long trend of great art on the Spider-Man titles, but Spencer's style and reliance on his go to tricks aren't really hitting home with me, with his humor walking the line of consistently below average.

Nick Spencer appears to be writing a Spider-Man 'for the children', as the topics and answers given here, veer close to becoming what's found on the Disney XD channel each week. There was a cool appearance by a classic Spidey villain which is overshadowed by the what feels like a completely childish story other wise and just isnt hitting the notes for me right now.  The art is this books saving grace at this point in time, but some transition issues from last issue, leave a few of our answers this issue feel unearned.

There are interesting things at play here in this series, but Nick Spencer doesn't feel like focusing on those at the moment. Instead we're moving into the third issue, of a childish retelling of a Freaky Friday-ish story, laced with awful jokes, and don't forget Tri-Sentinel's. Hopefully this arc wraps up next issue and we can address the more interesting elements of this series, with even Ottley seeming bored by the over abundance of talking heads here, as the art takes a mild step back too.

Amazing Spider-Man's first arc of the fresh start relaunch comes to a very predictable and tired close. Nick Spencer's by the numbers writing style and attempts at comedy this arc have really dragged this series down after a positive launch issue. With the only saving grace right now coming in form of art I'm not sure Ill be sticking with this childish version of the Amazing Spider-Man very much longer.

The Damage Annual takes place in entirely flashback scenes, making the books stakes very limited, while not revealing much followers of the series wouldn't already know.  The art does it's best to distract one from whats occurring but doesn't make the issue worth a look. This should have been the series introduction and feels more aimed for new people to jump on.

I have some complaints about this first issue, mainly that this series feels like it will be heavily dependent on upcoming tie-in books, based on the Loki act of the story, and the rest of the surprises came off either flat or telegraphed. If you're in the mood for a tie-in heavy, cosmic summer comic event series, this might be up your ally, but it really feels very much like a cash in event book Marvel doesn't want to admit to at the moment.

In summary, I expected this issue to push onwards and upwards after a rather stagnant last issue. Instead it undermined the expressly stated goals of the book in two ways. The science angle was turned into a bit of a joke (way beyond suspension of disbelief) and the crackpot G.I.R.L. team was bailed out by a dude. I still hold out hope for a title which had shown itself to be a lot of fun in the first 4 issues; but it needs to start doing better again, and fast.

We get an average issue, thats pretty typical of this Flash series and run to date, with one more issue to fill out the arc to come that I'm not over excited for, even with Grodd as our villain. The main story revolves around poorly built devices that move the issue forward with little explanation, rhythm, or reason most times. I just wish Barry wasn't so frustratingly wishy-washy about his family relationships. It feels like he's either mad at, or making up with someone, every issue. I'd recommend this only for serious Flash collectors, or Rebirth series regulars, otherwise wait it out until Flash War hopefully reinvigorates this titles direction.

The Venom Inc story comes to a silly and strange conclusion. This whole thing came off more like a Saturday morning Disney XD Spider-Man cartoon than a story you'd find in the pages of a true Amazing Spider-Man book. Other than a glance at the art present throughout the series I don't recommend this crossover and the extra investment it involved.

I had a fun entertaining enough time reading the issue and its contents, coupled with some great art, but do have some problems with the overall story, its character direction, and price point of entry. I would recommend this to huge Spider-Man and Venom fans in the mood for a classic feeling low stakes conflict but not many others.

The art looks great, has a classic Marvel feel to it almost, and if this was 3.99 I'd say go for it for it based on that alone. But the classic characters I want to see aren't here, and if we're following the characters on the last splash page, that I haven't cared much about since All New All Different kicked off, I'm leaning towards just being out on this altogether, and I'll read a Wiki when it's all over with to see what happened and why. Wake me up when things go back to normal again … that's the point Im at with some of this Marvel stuff right now, that's not a focused solo adventure I'm already enjoying. I'll be saving my money for Infinity personally, which will be the Marvel event Im focused on, until I see what's next, because for Marvel, much like Winter in Game of Thrones, a relaunch is coming.

The Prelude to the Wedding issues overall have been passable because there have been a few times each issue that you can look back on and think, "that was a nice moment for the Bat Family".  However this issue is missing any of those moments, has little connectivity to the wedding really at all other than just being casually mentioned, and art is off compared to the book's tone. It's mostly passable as a whole but bigger Batgirl fans than myself may find more enjoyment in it.

Believe it or not its the second half of this title, the shorter back up story, with some great art, that really steals the show here in this book. However, it's just not enough to push it over the top into something I would recommend to anyone, except the biggest of Harley fans.

Although the premise of this story is just over the top enough to be enjoyable, it doesn't have a lot of meat on its bones, or even stick around very long, becoming a little to bit predictable by the end. However paired with some good art by Brett Booth, the Joker/Daffy crossover's first story is worth a glance, but the second story is a pass, making the whole package may be not worth it for $4.99.

Edge ofVenomverse does a decent enough job of providing an intriguing first issue but doesn'tmake the overall point of the story being published overtly clear justyet.  In a crowded summer comic bookmarket it's tough to make a case for this mini-event to warrant much attentionjust yet, unless some must see moments happen quickly, recapping a version of X-23's origin isnt that just yet ... but hey at least its not $4.99!

Hunt for Wolverine #1 is ultimately a cash grab that might have been the best issue of X-Men Gold I've read in a long time but far from quenched my appetite for the real Logan, who I'm not sure is even featured in this book at all.

If you were super invested in the Costa and Bagley run before Cates and Stegmen took over, wondering how a few things may have been wrapped up, well well well do I have a book for you ... Venom: First Host! However if you've moved on and are sticking with whats more current this feels safe to ignore and skip, although not offensive, it doesn't feel worth the investment right now.

The second issue of this weekly series dives into the Kree solider and his connection to the symbiote a bit further however has still has failed to hook me feeling just a bit to run of the mill in a crowded Venom market lately to standout.  The art is strong and looks good throughout but doesn't elevate this issue above average.

I'm all in on Damage after issue #1 because this book has the perfect combination going for it so far of intrigue and action, all while looking beautiful on the page. I highly suggest you give this a shot, ignore the obvious Hulk comparisons, and dive in. This is as good a jumping on point for newbies as there may ever be and something that might reinvigorate long-time readers.  

Damage #2 is a little bit of a mixed bag story wise this month, failing to deliver yet on a few of the questions raised in issue one about this new character, and meandering a bit in the middle of the book.  However, the art is certainly a huge draw and adds to the story being told in a way I'm on board with right now.  I just hope for some more character development next month.

Damage #3 comes in with another strong effort, and while very heavy on action, manages to be compelling enough to keep me coming back.  Ethan/Damage, and the cast around them, have a lot of issues to sort out and deal with on their plates all setup in this quick three issue arc and I look forward to seeing that dealt with. Despite all I like I would eventually like to see the creators tackle some of the plot points more going forward and dial the fighting back just a touch but its still a lot of fun.

Damage #4 is a step backward in a series I was enjoying up until this point a whole lot.  Losing Tony Daniels on art duties is a huge blow to this title and the replacements just don't bring Damage to life or make him very menacing at all. This issue is also light on the story too and tries to compensate by giving you more to read about Ivy's current state in the DC Universe. I'd rather see storytelling efforts be more focused on Damage confronting Jonas for her misdeeds, or even the cliffhanger from the last issue, instead of this flavor of the month villain road trip, this is turning into.

Damage is holding my interest for now as the story continues to trickle out in between the slugfest of the month.  The Ethan/Damage dynamic is something I'll probably see through to its conclusion, but I'm not sure its unique enough for mass appeal, despite the obvious care put into its development thus far.  Art also recovers a bit but its still not up to the standards Tony Daniels set in the characters debut issues.  

I'm still hoping Damage can rebound with a better effort next month that makes me really enjoy reading this book again. After the first three issues, I was pretty sold on what I was being given, but the next three issues mirrored what we were given previously too closely, only with a lesser product on art (Grodd has never looked worse), all with a story that's beginning to become too predictable as a whole.  There were some brief moments of enjoyment in this issue but not enough to recommend it as a solid buy.

This issue is definitely my jumping off point for this series. This book is firmly entrenched in its villain of the month battle formula, as the story remains in the background, moving at a snails pace each issue. Worse than just being a beat em up month in and month out, the story beats and twists are telegraphed from page one here, ruining any fun or mystery setup in previous issues.

While I still don't think Damage is quite up to the quality level the early issues of the series were able to obtain this issue seems to show a bit of rebound effort in getting the series focus back on track.  The brief appearance of our title character artistically gets the character back to the size and scale of earlier issues as well. Overall combined together this effort at least makes me look forward to next weeks annual and seeing where this story moves from there.

Damage brings some closure to the Col. Jonas events we've been dealing with since issue #1 of this series.  While that brings a level of newness to the events coming I hope the book attempts to allow Damage to stand on his own some more and get away from the barrage of guest stars to carry a stories momentum.

There just never is much going on in the Damage title to tell others about other than explain who the character is punching this month because the reason why has yet to change ten issues into the series. If you've loved what the Damage has provided so far you'll have fun here, but I've grown tired of the same old formula ... oh look shiny cover!

Damage shows up again this month to punch the latest batch of guest stars around that appear in this title. While the art looks good, and the ending sets up a mildly intriguing issue next month, I don't think any of it will solve the main issue with this book ... there isn't much story left to tell.

Damage gets close to being a complete book this month, exploring some interesting concepts, but in the end is still too action heavy, and reliant on guest stars, to really hone in on telling a compelling story.

Damage isn't offensive, it's always a quick read, and the art is fun to look at, however that's about all we get pretty consistently from Damage as a series. Not really any giant risks are ever taken to grab your attention. This issue he knocks around a tad out of character Batman a bit, before continuing onto the next step on his journey, hopefully to fight some dinosaurs. I'm here for some of that despite the weird circumstances of how we got here.

This maybe the shortest review I've ever written, mostly because the content provided here is paper thin until page fourteen on this issue. Damage issue fourteen may possibly be attempting to make history as the quickest comic book reading experience going. It just seems like with the exception of art duties the creative arm responsible for a story forgot to do their homework.

As a whole, this issue of Damage seems to have found a bit of footing, it's just a bit too late in the lifespan of this series for anyone to really bother at this point.  If Damage was able to get to Monster Rock earlier in its run, to give this book more of a purpose moving forward, it would have been very good for the characterization of Ethan. At the least, you can anticipate a solid original send-off for Ethan/Damage, which is something I wouldn't have said before this final arc began.

This is adecent but not jaw dropping start to a mini-series bringing Peter and Milesback together to investigate the cliffhanger from the first series.  While the first issue didn't tackle thisproblem head-on and running enough of my interest was piqued for a return visitto this series especially with Pichelli and Ponsor on art duties.

Spider-Men 2 #3 continues to tread water and is still looking for a purpose as a whole three issues into a five issues mini series.  This idea for this title feel strangely rushed, and five years too late all at the same time, this is nothing I'd recommended even to the most loyal Spider-Man fans.

R.L. Stinedoes an excellent job of setting the tone and establishing the premise for the beginningof this story raising a few questions along the way I'm excited to find theanswers to.  Both art teams present on thestories in the book do a great job of capturing the tone and emotions presentmaking this something I wholeheartedly recommended to any fan of ahorror/comedy type of comic book.

Man-Thing hasbeen a hit so far with R.L. Stine, a proverbial childhood author for a largegroup of readers, penning an action packed, mystery/horror story supported withgreat art. Mini-series sometimes don't get the attention they deserve but thisis just different enough to warrant your attention.

Man-Thingseems to have stalled while inexcusably going back on the progress anddecisions our hero previously made in the story.   I'mnot sure what happened from last month to this month but there are charactersjumping in and out of the title all over the place and the story in general just seems to havelost its footing in a race to a conclusion.

With storybeast that feel completely random and a character that's becoming difficult toroot for I'm not sure what crowd this book is aiming to please. While not whollyunenjoyable there is not enough I find to like that make me recommended this toothers.

Man-Thingstarted pretty intriguing as a mini-series but ultimately morphed into a randomseries of events for the story to reach a ho-hum conclusion.  The art looks pretty, and can get trippy whenthe characters are in Nexus, but there's nothing special that make this issue orseries ultimately worth it as a whole to check out.

I'm glad Jason Aaron gets to continue a long run on Thor and at this point I almost cant imagine anyone else writing the character, or the entire cast really, going forward he has the voices down so well. Aaron can make you have feelings for 'gods' in a fictional universe which is hard to pull off. Unfortunately as a personal taste he's paired with Del Mundo, whose art might be the only negative of this issue for me right now. It's just not kind to my eye balls and action scenes at times can be very muddy and confusing, but I know thats a matter of personal taste so I dont dock it too much.

Thor #2 has a decent enough story still setting up the threats were dealing with alternating in just enough action to keep the book interesting.  If you're unfamiliar with the characters you may get more mileage out of this issue than I did, but if you have a history with the cast the exposition most likely wont do much for you.  The art style continues to baffle me as transitions, coloring choices, and character designs just aren't what I enjoy. I hope there may be a change coming in that department in the near future.

Thor continues to be alright, but unless your a long time follower of the title there isn't much here that is very intriguing for new readers to jump into.  There's a lot of characters to juggle in this series so far, and each cliffhanger adds to the madness, so the background is necessary to fully be invested in all the events occurring.  Combined with suspect art in spots, and muddy transitions, Thor is still passable but not all that recommendable right now.

While I enjoyed a few of the moments this issue, all the developments come at a hectic and fast pace then end before they get a chance to be appreciated, leaving the book feeling like too much time was spent developing threats, with little to no pay off by issues end, obviously with the exception of one big last swerve at the end. One of Marvel most consistent titles seems to be taking a dip, and with the art continuing to be muddy and un-enjoyable, this isn't a title I'd recommend to anyone but the biggest Thor fans right now. 

Jason Aaron brings some interesting concepts to the table in his continuing efforts addressing Thor's future eons from now. Guest artist Christian Ward is a relief on art duties, and as a whole I'm excited this resumes next issue, but wonder how newcomers to Thor will take this break from the War of Realms so soon.

X-Men Gold#1 brings a more classic group to the forefront, in an issue filled with enoughcallbacks to please any easily satisfied X-Men fan who's seeking a nostalgia trip.So far though if you're looking for something with more of a fresh feel to itinvolving this group of much maligned heroes some of the future books may bemore up your ally.

While theart is decent enough to appreciate for what it is, the X-Men in action, the storyis just too random, scattered, and even worse treading into uninteresting territory for my tastes.  There are no bombastic X-Men: Gold team adventuresto be found here, just poorly done politics, and a 'been there done that'feeling.

X-Men: Goldis a book that I find to be telling just generic X-Men stories, with aboveaverage art, and not really having a solid storyline going forward I findmyself investing in or committing to purchase twice per month. Now that ouropening three part story is out of the way I hope we can get down to more seriousbusiness highlighting the strengths of the characters on our team movingforward.

X-Men: Goldcontinues to provide pretty to look at cookie cutter X-Men stories that aren'ttaking any risks or even developing the relationships between team members muchat all. It's tough to suggest you invest in a book that releases twice a month,at the price it does, when there isn't much to write home about just yet.

X-Men: Goldrebounds a bit this week in the story department with a nice twist on Sentineltechnology run amok. The art however is starting to show signs of a bi weeklyrelease schedule.

New Challengers has a story paced a lot like other New Age of DC Heroes titles released already featuring teams, the Terrific's mixed with the Immortal Men is how I would describe it, which to me isn't a ringing endorsement to rush to buy the book just yet. Unless you've enjoyed both those titles thoroughly of course, which I haven't.  For now, unless you have a connection to the Challengers stories of the past, this is a pass with the possibility of becoming better in the future, if it hits the right notes. I mean the first splash page was interesting enough I just need a lot more of that.

Issue two of New Challengers is a step-up from the introductory issue by showcasing a slightly more interesting character this time around and revealing some interesting happenings.  There are a couple twists and turns brought to the forefront this issue I got some enjoyment out of and the art, when not restricted to smaller panels, is a good pairing for this story. If you didn't enjoy issue one I'd suggest a peek at two and you may begin to change your mind a bit about the concept.

Having no history with previous teams of the Challengers of the Unknown is giving me a  hard time really getting invested into this series full steam ahead.  My favorite parts so far, are again this issue, the origins and learning about the New Challengers prior to coming into the crazy world they've been drafted into. The rest is kind of flying over my head and possibly rushed along because the series has a limited life span.  If you have a connection to the teams of the past I'd say give it a shot otherwise your interests probably lie elsewhere.

New Challengers has deemed itself to be worth a look see if you're interested in the New Age of Heroes lineup DC is offering, or even have a past connection to the Challengers of years past.  Some great action shots by the art team push the book into an area of over the top levels of fun almost worth the price of admission alone.

New Challengers seems to rush a bit to a conclusion for next issue, but also makes me feel a tad like I missed an issue in between numbers four and five in the process, even though I've read all of the series so far. The focus seems to come back around in the end, and the art continues to be a joy to look at, which has me excited for a thrilling conclusion.

The story introducing the New Challengers fails a bit at the end under the weight of the concepts at play but some strong art and good character work at the beginning of the series make it worth a glance for those interested, or if you have a pension for the Challengers of old.

I didnt mind what I read in the pages of Darkhawk but Im not 100% sure I would also recommened it to anybody but Darkhawk fans. There are a few issues towards the books conclusion almost like this book is missing a few pages but as a one shot introduction its effective enough.

Deadpool returns to kill everyone again and the title doesn't necessarily feel like a directfollow up to the initial mini-series its spawned from, just another go aroundwith the same concept. If you're a truered blooded Deadpool fan Im sure this may be something you find enjoyment inbut a casual Marvel reader will get more bang for their buck elsewhere.

I want to love Fantastic Four but each issue always feels like something is missing. This issue it is the family dynamic that is MIA and while Dan Slott tries to wow us in different ways, I just couldn't get into it.

Overall this is an entertaining action filled romp thatshould hold the attention of people reading the Clone Conspiracy event.  

Bits and PiecesAfter a fascinating start to the series, the Prowler as a stand-alonebook is struggling to find an intriguing conflict for our hero to really sinkhis teeth into.  Combine all that withfighting skills that seem sub-par and an unlikable demeanor, especially thisissue, and this maybe something to avoid until it can steer clear of tie-instatus and truly allow the character to flourish … if it gets that chance.

Pairing Ryan's twists in story telling with the art team of JamalCampbell & Javier Saltares makes this a tie-in worth checking out foranyone invested in the Clone Conspiracy story as a whole. If you are howeverlooking for an independent Prowler tale there may be better options out there available for the money.

Overall there isn't a whole lot to say to summarize about this one shot story as a whole. The whole thing moves pretty quickly, involving mostly one long chase scene, with the highlight being the art on the splash pages where a few punches are exchanged between Spidey and the Lizard. Other than that, the issue ends rather uneventfully albeit with a slight emotional twist but if you've been enjoying these callouts to the bygone era of Marvel Comics, you'll find more of that enjoyment here.

Overall, Superman: Year One, is an interesting look at the beginnings of what formed a young Clark Kent into the eventual Superman he would become, and its an utter joy to read about and see unfold on the page. A little like a Superman Breakfast Club with a twist. Miller takes a very different approach to this title than I ever expected from him, bringing some genuinely touching moments to the page, that anyone having gone through similar situations either now, or in the past, can really relate to.  Romita is great on art duties too making this another Black Label title to come back too and check out for issue two.

Overall, Superman Year One got off to a nice low key start and I looked forward to jump into issue two to see where that took us from here. However our main character goes from spending his last nights before military life discovering his purpose, and sneaking in and out of Lana's house, to having dinner at the bottom of the sea with Sebastian and Flounder, while dating Mermaids. I'm just here wanting to read a Superman story not written by Bendis and I'm not sure that what this is anymore either. While I can see the craziness enticing to some it's turning out to not be my bag of chips.

Clone Conspiracy Omega #1 is an issue that, new and long-timeSpider-Man readers alike, will find aspects to enjoy. There's a decent story toread through and take in here albeit with some flaws. At the same time buyers arealso treated to a few teases about the future of Spider-Man and where he'sheaded next which is sure to draw some interest.

If you're a fanof the classic Venom stories of the 90's which consistently featured Spider-Manthis is a callback of sorts to those times establishing the connection thosetwo used to share.  The cover delivers onthe promise it sets up in an interesting way.

An oversizedVenom #150 Issue Spectacular for $5.99 is filled with a throwback feel to howthe character used to operate which seems to be the way this series is progressing. This may be a development to upset long time followers of Venomthe last few years after some interesting forward progress for the symbioteitself as a character. The art from the middle story featuring Sandoval remainsmy favorite way Venom has been rendered plus you gotta love that classic cover style!

Venomcontinues to answer some questions about why the symbiote is acting the way itis while throwing Venom into a new adventure versus Stegron.  The book remains an action heavy titleanybody who enjoys the Spider family lineup of books will undoubtedly enjoy.

It difficult not to compare this crossover to the one done by James Tynion IV and Freddie Williams but it's really two totally different animals altogether. Batman/TMNT Adventures has a much more kid friendly feel than its predecessor at this point, which is ok. However if you're an adult here looking for enjoyment from the crossover, it would be primarily for the art because the story beats provided, up to this point, need to pick up. 

Batman TMNT Adventures puts out another strong issue with someclever humor bits that stole the show for me personally (see Robin and anybody).The art continues to be a reason to also consider purchasing this title becauseif you're a fan of either cartoon series represented here there is plenty tolook at and enjoy overall.

There were a few unexpected surprises in issue four Ipersonally enjoyed that brought some new life into a paint by numbers crossoverstory.  The art continues to be carry thebook and make it worth the price of admission especially for fans of the cartoonproperty its borrowed from.

Thepenultimate issue of Batman/TMNT Adventures is the most fun in the series I'vehad so far.  The story finally cametogether, the homage and art style was spot on, and it's truly a book parentscan appreciate for nostalgia, while sharing and reading along with their kids.

Batman TMNT Adventures concludes with a thud, throwing in what felt like an afterthought of an issue, to a story that already felt mostly complete. Unless you need the final issue of the series or need more of this art style this is an issue to avoid.

While I came into this issuenot expecting much I was pleasantly surprised by what was delivered. I had afew issues with the art, it wasn't enough to lower my score for this book. Itwas a fun read full of humor and action and with the way that this book ended Ican't wait to see what Duggan has to offer us with this ongoing Guardians book.

Guardians of the Galaxy wraps up in a kind of ho-hum way as more a prelude for things to come than more of a true conclusion.  Your excitement level for this issue depends a lot of whats yet to come so if your fine with that you'll be fine here, but I was slightly let down.

Overall, when going into this crossover, you have to askyourself a few questions. Do you enjoy the characters in this comic book? Are you in the mood for a little bit of over thetop, crazy, crossover fun? If your answers are "yes" to these questions thenthis title is for you even if you may think you're too old for the likes of thePower Rangers. Tom Taylor, a WeirdScience favorite, and Steven Byrne have established a shocking tone, to go withan interesting premise in the first issue, and all the characters together earlyto make it a crossover I want to read going forward.

Overall issue two remains decent, albeit a little similar tothis series' first outing last month, but what I'm most excited about, now thatthe formal introductions are out of the way, is that we can finally get down tochewing gum and kicking ass now … I'm not even sure they sell gum in Gotham so that'sgood news for us readers here for the action.

Justice League Power Rangers #3 is another suitable issue ina crossover that's so far had a solid story with great art.  I really think this maybe a better book ifyou're a parent and have a preteen aged child interested in either propertiesor attempting to get into comics. However for a regular monthly reader of avariety of different, as well as related properties, to this title it's failingto hold my attention.

Bits and PiecesThe JusticeLeague/Power Rangers fourth issue continues the trend in the series of providingan entertaining crossover to sink your teeth into with some great art fans ofeither property highlighted will appreciate.

JusticeLeague/Power Rangers is a paint by numbers crossover title but not in a bad way.The story is decent enough, and the art looks great, but this isn't really thebook I expected however it is something I'd recommend more for younger readers into these teams.   

The story felt like a pretty generic crossover, that reached the natural conclusion you thought it might by the end of the story. However coupled with some great art by Byrne the overall product is an above average effort keen for a younger audience.

Ennis does a good jump of setting up a tense conclusion to this mini series, which has some cool looking and seriously gritty art, that accompanies a war story very well. However if the concept intrigues you I would recommend you start fresh from #1 and not jump into the middle of this series.

Bits and Pieces If you're following the Clone Conspiracy event this is amust read for the backstory of “Jackal” alone. If this is an issue you may have an interest in as a stand-aloneSpider-Man story wait things out until the event is over because it's become atrue tie-in to the event … enjoyable but still just a tie-in story.

Amazing Spider-Man continues to be the best of the tie-inissues that accompany the Spider event Clone Conspiracy. This issue spotlights acloned Gwen Stacey and Peter Parker who take the reader through a worthy andenjoyable trip down memory lane. However to see this story all the way through,and make it truly worth a purchase, an investment in the event would benecessary.

I wont rush to revisit this event again soon but I did like seeing the journey and will be back for the Omega issue next week ... why not? 

How much do you love Spider-Man, because Marvel sure istesting that love with a ten dollar price tag for issue twenty-five. Althoughthere are stories to like within the pages of this extended issue only abouthalf of them will truly please even the most hardcore Spidey lover.

My interesthas been luke-warm so far with at the start of this latest Goblin arc, inthe pages of the Amazing Spider-Man by Dan Slott, mostly because its been heavy on action, fuzzy on character motivations for its stars, and very light on providing important information needed. Although the art is the highlight of the issue,I'm finding the pages colored way too dark lately for my liking, sinceClone Conspiracy, and hope the second half of this story returns this book to alighter color palate and tone overall.

The AmazingSpider-Man #27 has some great action while making progress to the overall story(as the title settles to prepare for its Secret Empire crossover). However thethreat of the Green Goblin has felt hallow and impersonal throughout this arcand not much is done here to improve upon that.    

Spider-Manwraps up the latest Norman Osborne storyline in exciting fashion and provided ussome of Dan Slot's most exciting and well-paced story in a while. The new artteam officially gets me onboard this issue with some creative paneling andsharp artistic choices.

Spider-Man/Peter and his corporation are in for some trouble down the road and the ground workfor the ivory tower to come crumbling down is laid here in this issue. Despite the tie-in status between art and afew of the important story beats present this issue is worth a look.

Spider-Man/PeterParker goes back to basics by the conclusion of this issue, which is a little sadto me in the long run of this story as a whole. However Slott did a good job withthis action oriented tie-in story while also moved the Spider-Man narrative atlarge forward in a big way for the Legacy initiative.

Issue #789 was enjoyable, and very new reader friendly, but having read Spider-Man for years this issue to me just feels get a very generic superhero one shot when it's all said and done. I just expected more of a hook, and a less cookie cutter approach, to keep me wanting to read the Legacy version of the Amazing Spider-Man title as a whole. As it stands for now, after one Legacy issue, the art is more appealing than the overall direction.

The story just seems like a good guys hunt down and beat up the bad guys eventually sort of tale with a variety of Venom type symbiotes as the villains currently. I think so many Venom focused stories the last six months have really taken the shine off an already average crossover. The art deserves a second glance though.

Overall, DCeased continues to be a very enjoyable book, with the story being an interesting take on the typical zombie infestation in a Super Hero world. There are even a few creative developments that happen in this issue, very much in the vein of Taylor's Injustice books, that have me very invested going forward, Black Canary's change for example. My only real complaint here is my enthusiasm for the art doesn't match my enthusiasm for the story, yet it still works as a total package, due to the gritty nature of the story at play. Definitely still worth a buy as a whole. 

Overall, while DCeased's general story as a whole hasn't moved forward too much over the course of the last few months, I am still having a great time with the story because of the solid character moments each month.  I still look forward to continuing to follow where this book ventures off to from here, and find the art, especially in the battle sequences, works well with the story at hand ... I just also wish the characters besides Superman would get off the roof and do something to help out here. 

Overall, DCeased is a pretty average story overall that continues to trudge along without making much headway again, until the last few pages of this issue. Some of the stories emotional punches, while handled in typical Tom Taylor fashion, feel lacking the impact they should due to an artistic mismatch, leaving those moments overall feeling just hallow. DCeased is good, but after four issues its far from great, and even echo's Taylor's Injustice story a little too closely for my liking.

DCeased #5 as a whole shows some slight improvement in the art category, captures a few standard Tom Taylor moments that hit you in the feels, yet muddles attempts to make this individual issue standout from the other issues so far, mainly the more entertaining tie-in from last month featuring Constantine. DCceased may be selling well, but it seems like something that otherwise will be quickly forgettable, with too few chances taken other than shocking death, which by the fifth time it's used as a cliffhanger, has worn its welcome out.

Overall, an over-sized DCeased finale hits some of the right notes but lingers on a lot of the same things over and over to fill that extended page count.

Injustice 2 puts out a recommendable Annual issue for its fans that fills in some back stories for a few of the female centric characters featured in the story at large. The first story has much more meat on its bones than the second one, but I found both enjoyable on their own. The price however is a bit of a burden compared to what Injustice fans are normally used to.

This is an event story after all so it isn't perfect by anymeans but the plot elements are doing enough to keep me on the edge of my seatand I'm excited to see what, or who in this case, is around each corner. Thingswill be coming to a roaring conclusion in the coming months and I can't imaginehow all this will wrap up because after the reveals this issue I'm out ofguesses of whose left.

The story as a whole continues to be interesting, and well-drawn,which has taken Peter/Spider-Man on an emotional journey, testing the foundational beliefs of him as a person established at a young age. I appreciate the story at its core, which feels like a more traditional Spider-Man tale than more recent events, like Spider-Verse. If you felt like Peter (Spidey) has been a little too much like Tony(Iron Man) lately, Clone Conspiracy might be the righting of the ship you've been looking for.

Clone Conspiracy #5 ends in lackluster fashion continuing thetrend of strange Spidey related clone saga shenanigans that have preceded it.  This story also continues the Marvel eventstrategy of ending things with non-endings forcing you, a reader, further intoa currently convoluted Marvel lineup, you may end up regretting … but hey atleast Clone Conspiracy looked good doing it. Right?!         

While it'snot without its flaws this story continues to be a worthy addition to DarkKnight lore for this Batman fan.  If you'vestuck around for this long in the series, through the delays, you're treated toan epic battle issue, light on Batman, but heavily featuring Wonder Woman andthe Amazons in all their glory. 

The DarkKnight III: Master Race wraps up with a satisfying conclusion featuring a bunchof cameos from characters from throughout the series both in the main title andmini-comic companion pieces.  This was avery worthy addition to the Dark Knight trilogy for me.

Overall the start to this 'Edge of Spider-Geddon' series was just a story about a day in the life of Spider-Punk on Earth-138 than about truly revealing any information about Spider-Geddon. If you're okay with that you'll most likely find some enjoyment out of this title that mixes punk culture tropes with a Spider-Man twist. I had some fun revisiting Spider-Punk enough to take a peek at the title but milage may vary.

The second issue in the Edge of Spider-Geddon series remains a pretty high quality affair, but does suffer a few hiccups when it feels like a tad too much is crammed into the pages of a one shot, such as Ven#m added in and left lingering.  If I knew we'd get some answers to the mysteries in this one shot moving forward into Spider-Geddon I would be more on board, but right now as Peni/Sp//dr move on to other things, and if it is like Spider-Verse I'm not sure when or if that will happen.

The Infinity Countdown series as a whole has suprised, in a good way, more and more with each issue providing plenty of story, filled with internesting developments, to make it worth a spot on your pull list. It certinly bucks the trend of recent Marvel events, that have varied in quality level, with a great pacing and a smooth consistent art style setting the stage for big things to come at an exciting clip.  I recommend taking a peek if you have any anticipation for this summers event (Infinity War) to come.

Infinity Countdown #5 ends on a bit of a let down with very few developments coming this issue with it serving as more of a recap, of who has what at this point in time, not doing much to make it worth the dollar value it calls for price wise. I'm still excited to see what Infinity Wars the series is like but this issue didn't do much to help build anticipation other than looking decent as a whole.

A worthwhile effort from some of Marvel's best talent hopefully providing Marvel a roadmap easily followed to draw some inspiration back into their Universe. The title is far from perfect, but the right amount of fun, and good art make it worth a look.

As of rightnow out of the three X titles out this is the one to read. The pacing is good,the art is fantastic and it is extremely new reader friendly, so if you're notpicking this book up you should be.

X-Men: Blue delivers a run of the mill issue giving us more of the same we've seen from Mojo in the previous issues of this crossover.  Not bad but nothing I'd run to the comic store to pick up.

Ben Reilly:Scarlet Spider was my surprise title of the week as I really appreciated thejourney Peter David has begun going in a very non-traditional direction notnormally seen in mainstream super hero comic books.  Mark Bagley on art duties doesn't hurt mattereither making this title an easy recommendation especially for long time BenReilly fan boys.

So far BenReilly: Scarlet Spider by Peter David has been a slow, intriguing burn, that I'llsee through to the end of the first arc to make my ultimate judgement to keepreading or let go.  The art by Bagley hasbeen awesome so far and is worth checking out. However if Ben/Kane arecharacters you're new to there might be some issues for you with this title.

Although theissue ultimately reaches a very 'fan service-y' conclusion, with not muchhappening that adds to the overall narrative of the story moving forward, Davidand his art team of Bagley and company do a great job sucking the reader intoan intriguing world I keep wanting to revisit. 

Ben Reilly:Scarlet Spider is a book with several lingering plot threads that have done agood job of keeping me intrigued going forward complimented with some of Marvelbest monthly art on any title this year. Any fan of Spider-Man's clone family would enjoy this new take on thecharacters.

Issue six takes some time to introduce some new story elements while recapping what's gone on in the series so far for newer readers.  While David does a nice job of weaving an effective narrative this month Sliney taking over art duties is a bummer especially transitioning from Bagley to kick this series off.

Scarlet Spider comes out with a crazy issue, that goes about things the right way in repairing the image of one Ben Reilly.  Light on action but heavy on surprises this is a must buy for any long time Scarlet Spider fan or anyone who soured on the character in Clone Conspiracy.

While nothing out of this world, or really too exciting, happens in this issue I get the sense it will please a lot of long time Captain America fans to know the Steve they love is back.  The art by Samnee puts the issue over the top to make it something to recommended. I would say see if you like #695 and possibly continue going forward but the simplicity might not be for everyone.

Gotham CityGarage comes out of the gate firing with a cool concept then building a worldaround it I want to continue reading more about going forward.  If any part of this concept soundsinteresting to you jump on and enjoy the ride.

Gotham City Garage is a high octane hit! Chapter 2 (of the possible biweekly series?) is just as strong an issue as the debut all while answering just enough of the lingering questions I had. I really look forward to the coming conflict, and mystery of Kara's history, there's a ton going right here … check it out.

Gotham Garage #3 is a fun action heavy issue that continues to unravel this world we're being introduced to in fun ways. There's changes here in the point of view the stories being told from, and artistically, that may throw people off who've read from the start, but the book remains strong regardless.

Gotham City Garage concludes its first arc by introducing a likable character, in a very interesting and mysterious corner of the DC Multiverse, that has me interested going forward. So far this series has been an enjoyable hero's journey to follow.

Gotham City Garage takes us back to the Garden for awhile before providing us a Harley origin story that initially felt tacked on but came full circle Tarantino style in the end.  The art, although it's changed throughout the series, gets its best showing yet in this issue.

Gotham City Garage issue six is a giant fight between the Harley, Batgirl, and Batman that doesn't do much to move the story forward but provides enough eye candy to action fans to make it worth a look.  This felt more like a throw away issue in the series when I'm begging for more of this world to be unraveled.

G. Willow Wilson continues to keep Ms. Marvel in her own self-contained story within the Marvel Universe with this issue. This arc is a palette cleanser after what happened in the previous arc and I do find Kamala struggling internally with being Ms. Marvel interesting, but her jealousy over Red Dagger's quick popularity to be way over the top. If you enjoy the usual silliness of Ms. Marvel filler issues, you'll enjoy this one, especially with beautiful art from Olortegui to show it.

This was a quick read with some hilarious dialogue and I thoroughly enjoyed this issue. There wasn't any forced romance with Red Dagger, just self re-evaluation for Kamala's character. As a filler arc, I didn't love it or hate it as a whole. In the way she stopped the train, she could have done it when it was only going at a snail's pace, but we wouldn't get to see her make a decision and be responsible for it and I liked that aspect of her character, so I'll overlook that. I'm looking forward to seeing our hero put away the costume and focus on being Kamala Khan for Legacy.

The first Legacy branded issue for Ms. Marvel reminds me why I enjoy this book - it's just fun - even without the main character or her alter ego found within these pages. This is a great jumping on point for new readers who want to get an understanding of why fans of this title read this book. The art is great and it's always nice to catch small details that just adds to my enjoyment.

All in all, this is a pretty straight forward issue and the plot moves forward a bit. The mystery of Kamala Khan is intriguing and The Inventor's twisted scheme with the senior citizens has yet to be revealed. There wasn't as much fun to be had in this issue, as opposed to the last, but there's enough here to warrant a buy for the next one.

There was a lot ofaction packed into this issue and at the end of the instalment Rocket has beenleft in a tailspin employing some of Earth's finest swear words. As always witha Rocket Raccoon book we get some laughs. The plotline is insane and the art isgood. It is not gonna break any conventions, or scale any new heights in theworld of comics - but guess what? It is a fun series, and that's why we all gotinto this comic business in the first place - fun. I'm happy with the return onthis book and am looking forward to see how Rocket schemes his way out of hispresent difficulties. Enjoy!

Overall, Savage Avengers continues to play the long game with its cast and it's a quest to take down Kulan Gath. The connections to the wider Marvel Universe are starting to show themselves, and with the puzzle starting to take shape, I find this simply to be a story I unapologetically enjoy for many reasons. Path Zircher and Java Tartaglia take over the art duties here and do a great job of continuing to give this book a great looking action-centric feel picking right up where Deodato left off. While its not overly new reader/lapsed reader-friendly, if this is a ride you've been on, there is plenty to enjoy again this month.

Silver Surfer: Black kicks off the new mini for the character, providing a trippy ride that digs deep into the psyche of the Silver Surfer, and makes you wonder what's in store for the character going forward. Donny Cates continues to bring his unique touch to the Marvel Universe, with Tradd Moore's art and Dave Stewart on colors, he's in good company to make sure his vision comes to life. Certainty a must read for anyone enjoying the current Guardians run.

Spirits of Vengeance gets off on the right foot introducing everyone to its intriguing cast of characters and sending them off on their way.  Not many answers so far but the quality seems there enough to keep me coming back for now.

Overall Duggan, MacDonald, and Bellaire bring life to an interesting team-up (Wolverine, Loki, and an ex-con) and give readers a story with a little bit of action, cosmic adventure, and just enough funny to keep your attention throughout the series entirety.  This was a nice mini-series that renewed my interest for anything with the Infinity tag for now.

Overall it feels like this beginning story arc is being usedas a way to establish each characters role inside the family.  Peter is of course who he's always been justmore fatherly, Mary Jane comes across as a character fans have been beggingfor, and Annie is getting opportunities to develop into a hero that shows promise. Its cliche to say but there really is somethingfor everyone to enjoy in this title if you're not looking to take it toseriously and just enjoy a continuity free ride.

Bits and PiecesAlthough the story has been stuck in neutral, this issue wasmy personal favorite of the three we've been given so far, providing informationon a young Annie May readers previously weren't privy to.  There is something for everyone in this titlehumor, action, even heart felt family moments, you could share this book withyour girlfriend and she might not hate you. If you're someone still upset aboutBrand New Day this title may help ease that pain.

Renew Your Vows continues to be a fun, family driven title,about watching a young hero find her way, under the guidance of a Marvel legendwho also happens to be dear ol' dad.  There'senough humor, action, and even a few heart stealing moments in this issue tofind something for everyone to enjoy here. Aside from a few pacing issues this arc overall this is truly a Spider book to sharewith the family.

I recommendthis issue and series to anybody that wants a little bit of family flavor addedinto their super hero lineup each month. This really is Marvel's best answer to the Superman lineup that DC putsout and is really equally as enjoyable.

The story isgripping and moves at a perfect pace, the art is fantastic and attentiongrabbing, there really is very little not to like found inside the pages ofthis title. This is how a Spider book should look and feel and I wish the main AmazingSpider-Man title would take a few notes from its B title counterpart.

Renew YourVows continues to provide a fresh take on a different version of the Marveluniverse while highlighting the plights, fun, and drama of Peter fighting crimewith his family.  Action, laughs, andsome great art, and fun stories have propelled this to a Marvel must have.  

Renew Your Vows continues to hit the high points of Spider-Man lore, keeping readersengaged in a well done elseworlds tale.This was a setup issue for the arc to come, and had some good moments highlightingM.J.'s plight, with great art to compliant the series as usual.

As a final send off issue from the original creative team, this was a very heart warming and a touching conclusion. You don't get many happy ending stories like this, so this was a special one. With this final arc, the book focus seems to shift from a Spider family centric book to more about their daughter and I'm sure we'll get to see more of it with the new creative team of Jody Houser and Nick Roche. The art was a bit of a downer for me coming from Level's previous issue, but Aburtov's colours make it all better. This was a proper love letter ending to the full year we've received of Renew Your Vows and I'm all in for teenager Spiderling and her adventures.

The new creative team and direction of this title seem to have sent this book backwards as far as my enjoyment level goes. Everything feels off and it has really affected my overall opinion of this book at the moment. Who knew Legacy was also a good jumping off point.

Overall, Curse of the White Knight is another very strong start to the White Knight mythos, and something you should get your hands on if you are a fan of the first series. Sean Gordon again tackles both writing/art duties and neither area suffers as a result of the man taking on a double work load here.  From great character designs, to a unique feeling and setting, with a creative story expanding on a great Batman elseworld tale its all here. $4.99 can be spent in much much worse ways.

Overall, Batman: Cures of the White Knight continues to expand on the ideas established in the first run of the series.  Despite being more of a continuation than a fresh jumping on point the story touches on plenty of new ground, with the introduction of some past connections, while letting some of the older conflicts continue to bubble to the surface naturally.  Murphy's art continues to be a draw for me personally as well, and while the book gets a little too into local Gotham politics at times for me to wrap my head around, it has plenty of positives going for it to keep it on my must read pile.

Overall, Curse of the White Knight takes a break from the faster pacing of issues one and two, to dig into the mystery at hand, and really examine how all the different pieces fit into this puzzle from past to present.  Sean Murphy again does both scripting and art duties, showing equal care in crafting a tale that remains visually interesting, and intriguing to fans of the Worlds Greatest Detective.  The series as a whole continues to be a nice break from a typical Batman story, that may miss the mark at times with a few of the 'chances' it takes, yet still manages to find a good combination of familiarity with originality by the end.

Overall, Curse of the White Knight slows down mysterious reveals in the overall story a bit this issue, albeit to tackle last issues huge cliffhanger ending, hitting some emotional notes in the process, especially when it comes to capturing how different people in someones life might handle grief they're experiencing.  It moves on to setup another huge conflict to kick off next issue, that coupled with some amazing art yet again, proves to be one of the most consistently good books on DC shelf at the moment.

Overall, Curse of the White Knight has been a bit of a middling sequel to date, yet issue five seems to have rediscovered the intrigue the original series had in spades, to bring this follow up home to an exciting conclusion, worthy of its predecessor.  Murphy's art is always great, but the final page reveal steals the show here, really hammering home his unique style, reinforcing why I love this idea so much to begin with. While I haven't enjoyed every issue of the Curse of White Knight so far, Murphy seems to be back in the flow of things in issue five, getting the story back on track for a great finale.

Overall,  Batman: Curse of the White Knight is a little bit more of a mixed bag this month. As a whole it comes out more on the positive side of things than the negative however, it leaves one wondering what is really left to explore for another two issues at points. Sean Murphy's art is still incredible each and every issue which almost makes the series worth it to me personally right there. I just can't shake the feeling this sequel is missing a bit of the magic that made the first iteration so gripping.

Overall, the art remains fantastic and consistent throughout the series, however I think this story is really starting to feel like six issues was the sweet spot to tell it, and eight feels entirely too long. Even with the extended length poor Azriel doesnt really get the shine he deserves as the big bad who forces Bruce to reveal his identity to Gotham. I still look forward to the finale here but I wouldn't say this issue really did much to ramp up that excitment.

Overall, Batman: Curse of the White Knight wasn't a bad sequel but also didn't feel very necessary at the same time.  I think a little more time to think this story out might have been needed here instead of DC rushing things to market (from what it felt like) because the initial series was a surprise hit and retroactively attached to DC Black Label. I can't say enough about Sean Murphy's art throughout the series it kept my interest even when the story might have lacked in areas and is worth the price of admission alone.  As a final thought, Curse of White Knight is worth a read overall but its fails to live up to the quality of the initial outing.

Overall, He-Man & the Masters of the Multiverse takes some bold and interesting choices in its debut issue. It's a series that will definitely have a Spider-Verse feel and flavor to it, so if you're in the mood for that type of story, and have a background with Eternia and He-Man characters, I think this is something you'll find fun in. That is a very specific crowd, so if you pick this up and don't recognize the references, or know the characters well, you may come out of this feeling like you got a little less than a huge fan would. Enjoyable, but slightly slow start.

Overall, He-Man & the Masters of the Multiverse continues to be a fun jaunt through He-Man's past, present, and future type universes, with an interesting team of heroes, set up to take us on this journey. This issue mimicked the firsts issue in style and pacing a bit making everything a bit less of a surprise here, but enjoyable none the less.  If you're a He-Man fan that understands every single callout made regarding New Adventures of He-Man though I think you get slightly more out of this issue than I did.  I'm still siked to see where this story progresses and suggest He-Man fans, especially very well versed ones, check this out.

While I think some of the references may be going over my head a bit, I've enjoyed digging into where they come from and learning more about them. This book has a great concept  and I can't wait to see played out more.

Overall, issue four may be the most fun I've had reading this series since the first issue, which is a good sign as the series enters its home stretch.  The trip to cartoon Eternia helped renew my interest and bring a little hope back into the series while supplying a few surprises along the way. The multiversal explanations are still a bit heavy at times, which bogs the overall story down a touch, but if you've been enjoying the ride so far I think this issue will settle any concerns you may have of it starting to feel stale and bring some excitement to the end journey. 

Overall this was an entertaining issue of Spider-Man/Deadpool that provides plenty of jokes and gags that hit the mark, while the art on the title continues to be something to follow, and a worthy selling point. However we have a Peter Parker/Spider-Man in this series making decisions that feels very out of place,and although I understand it's only part of his story, and crisis he's going through, I don't buy they're decisions he'd ever consider making from years of reading the character.

Brothers from other mothers, Spider-Man and Deadpool, takingon the likes of Itsy-Bitsy continues to be enthralling, but its releaseschedule is less than ideal, taking another break until MAY! However Kelly andMcGuiness, when present on the title, make it worth paying attention too. Therevolving door of guest writers, outside that main team though, make it hard torecommend on a month in and  month outbasis when they're absent too often. 

Overall, Snyder and Jock craft another gripping issue of the Batman Who Laughs, however, one that I found to be possibly my least favorite of the mini-series so far, mostly due to some of the scenes repetitive nature, and tendency to linger a bit too long. Although the story is structurally sound this issue, I found it lacked that a big wow moment, like last issues real Joker and Batman conversation, which when the heroes are down and out can get your hopes back up a bit. Hopefully, DC asking Snyder to extend the series, most likely due to such high sales, won't slow the pacing down that I was previously enjoying so much.

Overall, the Batman Who Laughs beings to come to close in a way that really makes you wonder how will Batman find his way out of this one, which is always a way I like to find myself going into the final issue of a series, especially a Batman book. Scott Snyder seems to be having a lot of fun telling this story of putting Batman through the ringer, coupled with Jocks art, I'm having a heck of a time reading it, and cant wait for the conclusion to hopefully continue to impress.

Overall, the Batman Who Laughs wraps up this month in pretty satisfying fashion, with Scott Synder syncing up this title to his other current works occurring at DC at the moment.  The issue isn't without it's flaws, mainly a few transitional art hiccups, and where this title falls within the timeline of the more current DC 'events'. Yet the good far outweighed the bad throughout the mini, as it became one of the more solid and recommendable Batman titles, to come out on a consistent basis for a few years.

While Donny Cates at Marvel hasn't disappointed on a title yet the topics this issue touches on and introduces feel like paths we've been down with Venom and the Symbiote multiple times before making this relaunch have a bit of a Ground Hogs Day feel to it.  Despite that I trust Cates enough to have things coming that will change my mind keeping me on board for now. There is an awesome horror feel to the art throughout the book that makes it very close to a must buy for any Venom fan boy.

Venom #2 is a solid issue by Donnie Cates with great art by Stegman but it also spends a lot of time dancing around the actual information the reader is waiting for from this title.  My main concern is issue two is raising more questions than its answering right now, and as it begins tying SHIELD into everything, its obviously setting up a crossover very early in a Fresh Start title which I cant put a stamp of approval on, if the answers never actually come from this book. Marvel again pulls my interest away from a Venom title by insisting to cross it over with other books however the attention to detail here put in by the creative team is noticeable.

It took me until issue three but I think this is a comic book Ill see through until the end of Cates and Stegman's run together.  The art is absolutely beautiful and worth picking up the book alone for.  Cates, although moving the story a little slower than I would like, for now has me intrigued enough that I want to see how Venom solves this massive problem he's dealing with, and if it changes him for the foreseeable future.  As a whole this issue builds on an intriguing mystery coupled with great art.

Venom takes a time out from focusing on the heroes to dive deep into the origins of Knull exploring his distant past, more recent past, and reveals why he's so powerful and back on a mission of redemption in his own mind. Cates and Stegman continue to deliver a high quality product that should please any new, or long time Venom fan ... hell even a regular run of the mill horror fan would have fun here to be honest.

Venom remains the cant miss series out of the Marvel Fresh Start relaunch and one of the most high quality books either of the big two comic companies are churning out on a monthly basis.  The layers to the character Venom continue to get pealed back in this issue, keeping this series as enjoyable as it's ever been. Ryan Stegman and company continue to make this book a must buy with nothing less than incredible art too.

Venom continues it's hot streak possibly bringing some sort of conclusion to the battle between Venom and Knull but who's to say for sure.  Stegman's pencils continue to push this series into must buy territory, combined with the storytelling of Cates, this is almost unquestionably Marvel's consistently best book.

Overall, Wolverine: Exit Wounds, is a nice nostalgia trip, that brings creators and artists from Wolverines past together again. Growing up in the late 80's and early 90's these are the creative teams I was reading, so I personally had a nice time revisiting their takes on the character here. While I can see how some newer readers to the character might be put off a bit, I find enough here worth a purchase, for the trip down memory lane alone.

Overall, X-Force #7 takes its time to setup what looks like is going to be a pretty exciting finale to this series. Ed Brisson does a great job giving some characters a bit of shine we haven't heard from much in the book up until this point, and Burnett and company provide some awesome art, to keep your eyes glued to the page. Warning glancing at a morphing Cable for too long might haunt your nightmares. Basically if you've been enjoying this book so far I think you'll be pleased about where this is headed.

Overall, Batman/Teenage Mutant Ninja Turtles III's first issue does a great job of bringing the reader into this universe and building this world. Tynion even has a few surprises in store for fans of the series from the beginning they wont see coming and I know I certainly didn't.  Williams and Colwell are always reliable as an art team really coming through with some truly excellent character designs here. Don't let this being the third arc, in cross company crossover series, discourage you from jumping in cold here, there is plenty to enjoy for everyone.

Batman/TMNT II kicks things off with a bang, presenting an action packing issue, with some intriguing story beats I cant wait to see addressed in future issues.  There's something about the free spirit attitude of the Turtles mixed with the dark and broody Batman I really dig, so sign me up for 6 more issues of this right now.

While this issue is largely a setup for what's to come, now that Bane has assembled an army, between the art and top notch character interactions I find the series continues to be worth a definite look. True care is put into seeing these two properties work together and I'm excited for more.

Overall, Batman/Teenage Mutant Ninja Turtles III #2 is a comic book I think you absolutely must be reading, even if you haven't read the previous two iterations yet.  James Tynion is putting together multiple different universes, and art styles, into a creative blender, then using that for a story that is altogether different, and a unique to close out a trilogy. The entire art team is working in collaboration flawlessly as well, with Williams and Eastman really blowing me away artistically. All in all the third volume in a crossover between two companies properties is shaping up to be my book of the summer.

Issue three of the hit sequel mini-series doesnt necessarily slow the action down any but is a little more heavily focused on plot really setting the stage for a huge coming conflict.  Freddie Williams comes through in a huge way with some interesting venom influenced TMNT character designs fans need to see.  The last three issues should be a blast. 

Overall, Batman/TMNT III continues to be a very fun conclusion to the crossover trilogy and is so far shaping up to be the best of the bunch.  With everyone realizing what is at stake, what they have to do, and recruiting who they need to get there I look forward to how the creative team will bring this series home.  The entire creative team has brought some luster back to the old trilogy ending.

The series while still mildly enjoyable has just devolved into a series of over long fights, that look great, but don't lead to much actually happening in the issue besides some interesting cliffhangers again.  Williams art is always a treat to behold even if Bane is over the top Kiju levels of huge.

Overall Batman/Teenage Mutant Ninja Turtles III continues to be way more fun than even fans coming into the series would anticipate it could be.  The art by the always reliable Freddie E Williams II is a blast to look at and revisit. The next two issues wrapping up this series should be a blast after what these first four have setup.

Batman/TMNT II is fun just not as much fun as its predecessor was with a plot that feels like it wore out it welcome.  Bane might be just too one note of a villain to in his portrayal here to carry the mini series however the cliffhanger brings a little bit of that promise back I had before this all kicked back off. Freddie Williams continues to render some pretty great looking work each month.

Overall, Batman/TMNT III #5 is a bit of a down issue, however it sets up some necessary pieces in place to wrap up whats going on throughout the series in the finale.  I look forward to seeing how everything concludes next month but at the same time I think the concept here has also run its course.

Overall, Batman/TMNT III started out as a great concept but in the end either didn't really get much time to generate a proper conclusion, or lingered in other areas too long forcing a rushed feeling in spots, as things conclude in a whirl here in issue six. The art carries the series throughout the trilogy, I just love the art styles, and takes the art team have on these characters.  Just another fun romp, this time with a little multiverse flare, that ultimately just falls short of coming all the together in the end.

The finale to Batman/TMNT II actually hits the right notes and gives this crossover a very solid conclusion making it a crossover fans of the properties will have some fun with.  Freddie Williams art is always great something I really enjoy looking at and a trilogy of this series wouldn't be frowned upon by this reviewer. 

Cougar and Cub is a brand of comedy satire I can get behind andlove how it's being told. Nick Marino and Daniel Arruda Massa have put outanother creative little ditty here, in line with previous works, only this onehas a throwback feel involving super hero ‘affairs' of simpler times … with atwist of course.

The comedyhomage title, Cougar and Cub, continues on moving forward with a greatpremise and art style which sets our heroes up to face their final conflictthat could possibly reunite them (and their passions) after all.

The penultimate issue of Cougar and Cub continues to hit the right comedy beats,while being accompanied by some beautiful art, and ultimately concluding this issue with the 'Rouges' winning the day, setting the stage for an interesting final showdown and a much earned conclusion to this comedic satire romp I find nothing but a lot of enjoyment in.

I wholeheartedly recommend this series to any fan interested in Action Lab Danger Zone'sofferings who's unsure what to checkout next. This is a story with a sense ofhumor at play here that perfectly captures the whole late night adult cartoontype feel and is deserving of your attention.  

The Deadpoolseries, despite its tie-in status, is capitalizing on an interesting premise,dragging Deadpool's personal life and decisions, into a line wide event in avery intriguing way.  The art complimentsthe story telling very well, with Act 2 of the issue, being a very impactfulfight scene that will have implications going forward for Deadpool as a whole.     

Williams and company get new and old readers on-board quickly, before heading off to a world of Marvel wackiness only Gwenpool can show us, and I cant wait for more.

Batman'steam pursuing the kids' Ra's has kidnapped has really grabbed my attention. Thisseries, which continues to put out high quality issues week in and week out, isa must read for anyone even remotely interested in the Injustice concept, novideo game experience needed.

Injustice 2 chapter 20 starts a little off balance but by the conclusion of the issue I was back on board and begging for more like always. Plus, this issue contains a cliffhanger that'll put a smile on any DC fans face.

Chapter 21 is another solid addition to the Injustice 2 series. We get some forward momentum towards our heroes mission and an awesome boxing glove arrow cameo " all well worth $.99.

Chapter 22 is a fantastic issue with a great cliffhanger, building on the continued momentum, story wise, going forward.  The art never has a down week as all characters and backgrounds look excellent consistently. Check this out if you have any interest.

Tom Taylor and company keep up the unrelenting pace, action, and drama in a great issue this week. The highlight of a long gone character from this series is a welcome addition to a crowded cast I'm becoming very attached to.  

Injustice 2 Chapter 24 wraps up the saga in Ra's Sanctuary and moves the story forward setting up a new conflict and enemies from here. The art continues to be consistently amazing making this a must buy each week for me digitally.

The story jumps back to dealing with the Supergirl situation on Kahndaq as we get an interesting mix of characters interacting in some cool ways.  The art change does a good job of holding the quality set by the team before them. Continues to be a great value read for $.99 a week.  

Injustice 2 puts out a great issue highlighting the genuine goodness in Supergirl and the best written Damien in all of DC Comics. This may have been my favorite issue of the series to date.

Issue #26 is a setup heavy issue, for long time readers, seeding threads to be explored further in the next arc of the story. Not a lot happens, but the developments are interesting enough to check out, especially for Booster and Beetle fans.

Injustice 2 #28 plays a few clever tricks, to get what could be a dull setup issue about Batman's entire plight, into a genuinely good read you'll have to go through twice. The art continues to wow as do the consistently great cliffhangers.  

The story of late has lacked the focus and weight of the previous 22 issues as it settles into developing the story and teams that are being reformed throughout the universe.  While the overall book still remains enjoyable, and art continues to be out of this world, I'm ready for some big time things to start shaking out again.

The Kara Supergirl intermission continues as she is essentially just still a pawn in a Black Adam's larger scheme.  Theres good stuff to be found in the issue but I have preferred the stories on Earth to be more engaging thus far. The art never fails to impress.

Supergirl continues to shine in the latest arc of Injustice 2 #31 as the adventure on Themyscira wraps up and is now headed elsewhere.  I like what happens here just eager to get back to Earth now.

Injustice 2 #32 shifts the focus of this issue to Barry Allen literally and figuratively on the road to redemption. Tom Taylor uses every page of this digital comic to deliver an emotionally impactful issue that can be enjoyed by series regulars, Barry Allen fans, or even just anybody who finds joy in comic books.

Injustice 2 really gets back on track here this issue with a focus on the villains plans and Harley, which Tom Taylor writes fantastically.  If you've fallen off with the snippets that have been taking place lately this will get you back on board.

Injustice 2 comes through once again with a great issue developing a new threat, really putting our heroes backs against the wall, and even sly dropping an awesome cliffhanger on us to wrap it all up in style. Don't be scared of the stigma 'video game' books have ... Try this out.

This weeks Injustice 2 sees Batman and his crew attempt to counter Ra's most recent moves which have tipped the scales in his favor. Tom Taylor remembers some forgotten heroes, we may have all forgotten about, to drag back into this fight. Couple all that with some fresh new art on the series and I'm sold again this week.

Injustice 2 fans can take solace in the fact Tom Taylor continues to bring the funny, action, and drama each and every week.  While the overall story doesn't move forward very much this issue some HUGE things happen in these pages … including my new blossoming love for Plastic Man.

Injustice 2 is crazy as a superhero book, with a coherent story, can be right now and I say that in a very positive way. I love the stakes at hand, I love how anything can and will happen, and I'm always looking forward to Tuesday to keep reading. This is a digital first done right close to 38 times in a row.

This was an action packed but slightly less exciting issue than we've been getting lately, largely because the last act and ending of the story left me really confused. Other than that the series continues to interest me as Im really invested in the story at large which always has a consistently great look.

Injustice 2 slows the pace down a bit as Batman goes on a few different quests to solve a singular current problems hes dealing with but the issue is filled with tension making it an enjoyable read. The art team continues to put out great work week in and week out, you have to love the team's winter outfits.

While the book takes a break in the middle of this week's issue to really get a bit crazy, the rest of the issue itself looks great, and remains very enjoyable as a whole. I'm eager to see all the villains (so to speak) at each others throats and how this will wrap up. 

Injustice 2 #43 is an action packed extravaganza that settles the battle for Gorilla City, at least momentarily.  With the evil force now united and a final plan in motion I cant wait to see how the heroes respond, the book always looks great telling its kick ass story too boot.

Injustice 2 I'm a little bit down on this week, with a heavy setup issue, getting our pieces into place for an epic battle to come.  This title however still looks consistently great and I have faith in Tom Taylor to deliver an epic conclusion to come. Not a place to jump on for newbie but good setup for long time readers.

What an introduction to this series! I have to say that it's a good read despite the titular character's absence. The art was very well done (and what a beautiful cover!). I feel confident in saying we can look forward to a good looking book going forward. We get a very good introduction to what I expect to be a major villain going forward and I can't wait to continue the ride.

Overall, while not my favorite issue of the Dead Man Logan series, we still get a strong effort here reintroducing readers to the Wastelands in a pretty brutal way. Logan eventually comes into contact with some story threads that have been left lingering since he left to venture off in Battleworld and Earth Prime, between that and the introduction to a new threat by the end of the issue, I was back on board and excited to see Dead Man Logan go out on a high note when the time comes.

Overall, Dead Man Logan continues to be one of my favorite guilty pleasures going at Marvel Comics, with Ed Brisson, Mike Henderson, and Nolan Woodard giving the character a very worthy sendoff. It's weird because while I'm usually a bit let down a character I enjoy will be ‘going away' I feel its a fitting conclusion for this character, and have never wanted to see someone fictional get what they wanted so badly. One more Sabretooth fight for good measure wouldn't hurt either though.

Overall, I was very satisfied, as a long time Old Man Logan fan with the way this series concluded. I thought Brisson and Henderson did a great job of handling this series from start to finish, giving it two very distinct and different arcs, as a long form goodbye to a character I had a blast with but had run his course, what with the ‘real Wolverine' back in action. The last issue here is a quick, brutal, and emotional read and I recommend it to anyone who has a remote interest in the character.

Overall, Spider-Man: Life Story #3 covers what seems to both be a dark time in Spider-Man's and the surrounding communities life. Zdarsky does a great job of touching on each topic here just long enough to keep the reader engaged, while providing the information necessary, yet not making it seem like a clip show he's breezing though. Its some great work overall and paired with Bagley, Dell, and D'Armata's art this book is really worth the little extra investment when all put together.

Overall, Spidey Life Story continues to be a very enjoyable ‘What If' take on what would happen to the Spider-Man story/mythos in real time, mixed with a bit of real world super hero flavor. Zdarsky does a great job of mixing old and new continuity up, making it much more than a run of the mill retelling, and into an idea I'd like to see altogether expanded to include other ‘heroes' or ‘villains'. Bagley and Hennessy continue to be an excellent team considering the project at hand, especially when it comes to showing character age, and emotion. All around something truly unique that deserves a look.

Overall, Spider-Man: Life Story is a great mini-series that does a pretty good job of expanding on some of the classic What if one shots from back in the day in mini series form.  However there are moments where some very interesting things are brought up or mentioned that we never really see that are beginning to add up a bit throughout the five issues in the series so far.  Regardless the art team does a great job of setting the mood and capturing the emotion in this title making it something Spider fans should see through and find worth in.

Overall, Spider-Man: Life Story concludes with some fun action, a couple nice surprise twists, and a few heartfelt emotional moments making the series worth checking out as a trade down the line if you've been holding out.  While the issues always seemed to get off to a slightly strange start, that seemed largely due to the concept of the theme at play here, because second read through are definitely a benefit with some knowledge going in. Bagley can still draw Spider-Man comic with the best of them and the art team as a whole did a steller job the entire run.

Thor #700 throws a lot at you throughout the 50 plus pages of story both artistically and story wise while Jason Aaron continues his Thor epic and sets the stage for the future of the title going forward. Despite a few hiccups I'd recommended this to long time fans of the book title as well as newcomers.

Bits and Pieces  Please forgo all your judgements and preconceptions you haveabout this character/title. Just spend a little money and I guarantee you'llhave yourself a good little bit fun because there's a ton to enjoy here in thisbook.

The second arc of Gwenpool concludes with the patented comedy it's known for now just with a touch of feeling in the end this time which was unexpected and very welcome. The conclusion sets our 'hero' up for step two of her journey into the Marvel Universe and I continue to look forward to what will be in store for our hero.

This one shot issue provides a nice little jumping on pointfor anyone who may want to dip their toes into the waters of Gwen Poole (akaGwenpool).  As you've come to expect fromthis book the laughs are abundant, the art is on point, all coming together toprovide a quick enjoyable story any comedy comic fan would enjoy.   

The Unbelievable Gwenpool is a comedic superhero title thatis among the best being published today by any company.  Christopher Hastings paired with Gurihiru area creative team I can't get enough off. To top it all off their latestadventure, a spoof on RPG dungeon crawlers,  with a self-aware hero whose played ElderScrolls once or twice, is the best story idea to date making this a must readfor anybody still on the fence.

Although the conclusion to this two part dungeon crawl arcfelt a little rushed to make way for the coming stories there is still, asalways, plenty to enjoy within the pages of Gwenpool.  This has been and remains one of the mostconsistently enjoyable and funny books on my pull list. The art is also always treatto behold.

This is anothersolid outing from Christopher Hastings and the rest of the Gwenpool team thatfans of the series will undoubtedly continue to enjoy. However to the outsiders this isnt an issue that has all the magic in place and I dont think it will convert the haters or anybody on the fence with theGwenpool concept.

This issue finally begins to shed some light on Gwen's history and backstory with an introduction to her family and life prior to becoming Gwenpool. There are some interesting twists and turns any follower of the title will be sure to take note off and I for one can't wait until next month when we hopefully get some answers to some long lingering questions.

Gwenpool firmly earns its place on my pull list month in and month out. This issue like many in the series before it is a fun read providing action, laughs, and perfectly interesting storytelling remaining a must purchase for me each month.  I'm always eager to see what Hastings and company have up their sleeve next.

Injustice vs Masters of the Universe gets off to a very well paced start with some big surprises in store for fans of both parties involved here.  There's some shout-outs to past stories involving the other He-Man mini's, providing these series their own on-going continuity I personally loved, adding some stakes to the story. Plus with the art team of Freddie E. Williams II and Jeremy Colwell your visual senses are in for a treat.  I definitely recommend this to anybody with a hole in their pull list.

Injustice vs Master of the Universe continues to steal my comic book heart with issue two picking right up where issue one left off. There's action, comedy, great storytelling, and some excellent callbacks to He-Man's past, even Orco gets a little hero play. If you need a book with a little of something for everyone, at any level of comic fandom, this might be a perfect match.

Injustice vs Masters of the Universe in the hands of Seeley continues to be a joy to read through each month, filled with callbacks, nostalgic moments, and tie-ins to a video game universe that gives fans of both properties a lot to chew on. Throw in a mountain full of twists this issue and we have another winner on our hands coupled with some jaw-dropping art team.

Injustice vs Masters of the Universe resumes in an action-heavy setup issue as the series nears its conclusion in the coming months. He-Man continues to battle on Earth, while Darkseid puts on a full offensive in Eternia, although the later story is a bit less enjoyable it's necessary to move things forward. Freddie Williams art continues to pop off the page, and for my money, is one of the most visually enjoyable artists working in comics today. Overall worth a look. 

While not the best issue in the series so far the penultimate effort is still a very entertaining affair finally bringing all sides into the same confrontation.  Tim Seeley continues with the 'didn't see that coming' surprises, which coupled with Freddie Williams on art, keeps this series high on my recommendation list, and worthy of a trade purchase in the future. 

Although the ending feels like it all comes a bit abruptly, wrapping everything up but in a messy way, the series as a whole I still had a lot of fun with. With an ending hinting at a possible future, I'm very excited about the possibilities to come. These creators all look like they had a blast doing this and it shows on the pages and those are the comics I want to read ... more, please. 

Overall, the kick off to Wolverine & Captain America: Weapon Plus was a surprisingly exciting read, packed with enough action, intrigue, and story beats to satisfy a $4.99 price tag, not something all Marvel books at that price point always do. The art team does a great job of keeping the readers eyes glued to the page with some creative paneling layouts really making this something I was very pleasantly surprised by, even as a huge Wolverine fan. I'm very excited for more and that's really all you can ask for.

Overall the He-Man/Thunder Cats crossover continues to impress me all the wayfrom the cover to last cliffhanger page each and every issue so far.  It may be one of those rare crossovers thatyou don't necessarily have to be a fan of the properties,  He-Man and Thundercats, to enjoy because its just a damn good comic book at this point.   

This “silly” crossover, between two 80's TV/toy properties,continues to be an enjoyable story and is entering into the territory of beingbetter than it has any business to be. Even if your aren't a fan of the He-Manor Thunder Cat lines there is no denying the art is incredibly pleasing to lookat making this comic well worth its cover price.

He-Man/Thunder Cats continue to bring what the fans want tothe table despite a few minor hiccups. If you're a fan of these properties andyou've come this far along in the series issue five is truly a book to lookover twice. Make sure you don't miss anything fun, important, or even severalthrowbacks to your childhood straight from creators who care. 

He-Man and Thunder Cats provides a satisfying conclusion toa pretty epic mini-series, while also continuing to acknowledge these character‘share' the Multiverse with fellow DC characters, a nice little callback, ifyou ask me, for following He-Man stories DC has published.  Come for the characters you loved as a childstay for the great story and fantastic art.

Overall, Superior Spider-Man continues to be a great read, even with it being pulled into the War of the Realms for a temporary tie-in scenario. This issue straddles the line of parody perfectly, mostly due to the team up with the West Coast Avengers team, with Ock's seriousness meshing well with some of the more ridiculous moments involving Gwenpool and the rest of the cast. Coupled with the art by Medina, Smith, and Troy this has been one of my favorite tie-ins I've read in a long time.

Overall, Superior Spider-Man throws out an issue that hits some emotional notes, about what a hero goes through when all the excitement passes and they're left with their thoughts and the results at hand. Otto's surrounding cast shines in this issue and while we dont get a typical action packed Spidey issue here sometimes the emotional breaks in between can be just as enjoyable. Hawthorne and company continue to provide the title a unique look I hope continues.

Overall, the Black Widow mini-series, headed by the Soska Sisters, was another one of the Marvel mini-series of late that has really really impressed me, while also introducing me better to characters I don't know all that well. There's something with the shorter form stories, that the publisher is putting out that have really grabbed my attention, what with their tight pacing, and entertainingly told messages of a wide variety. Coupled with strong art throughout the entirety of the book, the Black Widow concludes in fantastic fashion, with the combination of violence, action, and a whole bunch of heart you've come to expect from this title. This is something I highly recommend.

Dr. Strange comes out firing with a strong Legacy issue by Cates, Hernandez Walta, and Bellaire and one of my favorite single issues efforts so far for this latest Marvel Comics marketing initiative. While Loki takes the title of Sorcerer Supreme Dr. Strange still has a presence and both characters are more interesting for it.  

Everything in this free book looks amazing so despite its cheap price tag all creators involved still appear to have put some hard earned blood sweat and tears into their work here, so you're getting several high quality featurettes. If you're a fan of X-O or just interested in getting a better taste of the Valiant universe as a whole do yourself a favor sneak out Saturday and pick this lil' guy up.

Darkhawk continues to be the runaway hit of Infinity Countdown in my book and I hope the series finds a good ending, and hopefully some life, outside of this event book when its all said and done.  If you have an nostalgia love for Darkhawk or even think he just looks cool, which I cant disagree with, give this book a look see you'll enjoy what you're given.

Overall, as a whole, the four issue mini series tie-in to Infinity Countdown, Darkhawk was one of the most enjoyable cosmic books I've read in a long time.  The events pick right up from Darkhawk #51, the Legacy one shot, and things don't calm down until the conclusion of this issue. With an art team that remained consistent throughout this is something Ill happily add to my collection and anyone who enjoys the Cosmic aspect of the Marvel Universe should do the same.

This is a series I highly recommended to any Spider-Man fan or even someone interested in discovering more about Mysterio for the upcoming movie.

Overall, as a whole, Symbiote Spider-Man has been my favorite Peter Parker Spider-Man story going at the moment, with issue three doing nothing to change that in the immediate future.  While initially the ‘story from the past' concept threw me off, admittedly before trying this, the idea in no way has handicapped the story being explored here.  It's very cliche to say but the creative team here is putting out something that deserves the attention than a B level Spider book garners.

Donny Cates, with the art team of Dylan Burnett and Antonio Fabela, have put out two greatly entertaining issues of a Cosmic Ghost Rider and seem to be a great match. This issue manages to balance comedy, action, and enough outrageousness in a single story to please just about anyone. Cates continues to prove worthy of any trust earned thus far with Marvel fans, producing another runaway hit, I support with my highest approval.

Light on story this issue, but huge on imagination and bombastic spectacle, the Cosmic Ghost Rider continues to please and entertain anybody that picks up this book. Aside from the book moving at the pace of Frank Castle on a cosmic speed bike there is very little that goes on I don't thoroughly enjoy. Check this book out if you've been on the fence.

This is thebest individual issue of a team X-Men comic book I've read in a long time. Withan action heavy start the issue does an excellent job of bringing a teamtogether all while revealing to the reader the threat this rag tag group ofX-Men will take on. The start of this series shows a lot of promise and is arare case of, dare I say it, #1 Marvel issue being worth $4.99.

While the Marvel Legacy lineup as a whole has been a bit hit and miss to me this may be the book above all I recommended everyone check out. The story, characters, cameos, and art all combine to make this an instant hit with that classic Fantastic Four feel.

Only two issues into the series Chip Zdarksy, and a killer art team of Jim Cheung, John Dell, Walden Wong, and Frank Martin, are able to capture the classic Fantastic Four look and feel, while also adding the perfect about of heart, missing from a lot of titles of late. If you're forced to only by one Marvel series right now, this would be it, hands down.

The series finale of the Ultimates 2 wraps up in high style as Al Ewing brings all his threads toa very satisfying conclusion. To anybodywho waited for just one more person to recommend they check this series out wait no more and catch up you won't regret it and your eyes will have as much fun as your brain.

Overall, Batman: Last Knight on Earth is a fantastic addition to the DC Black Label lineup, taking its time to establish the characters and surroundings that make up this very different universe.  If you've read Snyder's previous work on Batman, it does nothing but add to the mystery and mystique at play here, however, doesn't exclude you at the same time if you come in fresh here.  This had to be the type of titles DC had in mind when the Black Label was thought of and I'm very happy to shout my recommendation for this title from the Gotham rooftops.

Overall, Batman: Last Knight on Earth seems to be the runaway favorite of the Black label titles so far to give the White Knight series a run for its money.  Its dark, moody, fun, and twisted and I'm having a blast with Snyder and Capullo wrapping up their run on this character. Joker in a Jar, who I didnt look forward too coming into this book, even outright steals the show at points.  Black Label had a rough start with some bad press, but has recovered into an imprint at DC becoming my main form of comic entertainment from the company, this is something I highly recommend.

X-O is back with a vengeance which is something long timeand new readers will enjoy equally. Thisis Valiant, Kindt, and the art team of Giorello and Rodriguez at their best, abook for comic book fans in general, and a treat that needs to be seen to be believed.

X-O Manowar#2 continues to bring what comic fans want to the table and I'll be back forthirds next month and fourths the month after that.  The story, the art, and the action it's allhere and it's with my strongest recommendation you give it shot.      

X-O Manowarcontinues to be the comic book I look most forward to reading, re-reading, andjust absorbing all month long.  There's agreat story being told accompanied with stunning art. If you're on the fenceabout trying this come on down its cooler down here.