This is truly one of the best character studies I've ever read in a comic. This is the sort of comic that you'll instantly want to re-read and revisit for years to come.

Amazing character dynamics, amazing dialogue, amazing structure, amazing art, and an amazing setting. Do not let this book pass you by, as it is easily in the top five, maybe top three, of the entire relaunch. If there is any justice in the universe, this book will be the one to make Fialkov and Sorrentino's respective careers.

Brilliant. The best first issue of the year thus far. This issue is naked proof that Kieron Gillen is a name you need to know.

I'm by no means a Steve Rogers fanboy, but this was the best single issue of Cap since Reborn.

Truly, a comic for Daredevil fans. If you've ever been even remotely curious about DD but have never read one of his comics, now is the time.

What's Not-So-Good: Towards the latter half of the issue, it started to feel like a bit of a quick read. Honestly though, it's so good that when I finished, I immediately wanted to re-read it.

Quite possibly the best single issue I have read this year.

As far as Fables goes, it doesn't get any better.

A truly great send-off for a character that never feels tacky. That said, there's also plenty more to like this month. It's a big comic book that's well worth your four bucks.

A perfect ending to a fantastic run. Forever has proven that if Marvel gives it's next big event story to anyone but Hickman, they will be sorely, sorely mistaken.

Thrilling, page-turning, breathless, desperate, and ultimately, a punch to the gut. In other words, it's another great Brubaker/Phillips comic.

If I could hug a comic, this would be it.

At $2.99, you need to give this book a shot. Marvel is really trying something different here, and it's brilliant, with a creative team that is working at their absolute peak. This doesn't just meet expectations, it exceeds them.

Nothing short of a revelation, this has emerged as one of the best books at Marvel. If you like Waid's Daredevil, buy this. If you just like great comics with two talented creators making the most of the medium, you must read this.

No joke, I was grinning from start to finish while reading this issue. You need to be buying this comic.

Radical's best comic. Alice Hotwire is among the best characters in comics today and her world is similarly top tier. Whatever the format you choose, this is a book you need to be reading.

One of the best single issues of Invincible, this is without a doubt the biggest shocker/development since Omni-Man revealed his true nature. The series seems to be ready to take a darker turn, and I'm all for it. I'm just not sure if I'm emotionally prepared for what's to come.

Absolutely outstanding and exactly what an anniversary issue should be: a creative celebration.

Heartfelt, gripping, hilarious, emotional, and sincere with great artwork and great character-work. What more could you ask of a comic?

Pure dynamite. This is Nick Spencer and Joe Eisma at the very top of their games.

An astonishingly good comic that shows what can be done with 22 pages. This may very well go down as oneof the best single issues of the year.

Comics bliss… This should satisfy even the most stalwart Bendis-hater.

This is a comic that grabs by the throat, squeezes, and does. not. let. go.

This is among the best single issues of the year.

Brilliant art, brilliant character work, and sophisticated storytelling by all involved. This is an absolutely top tier comic and I'm more than a little pissed that it's been canceled….let alone canceled for sure to be vapid, immature dross like a Daniel Way/Steve Dillon Thunderbolts book.

A heady mix of anger and sadness, this is the sort of piss-and-vinegar blend that is Scalped at its very best.

Elegantly constructed, thoughtful, and action-packed, this is a rousing success and everything I'd hope for from a Superboy book.

A wonderfully gripping read that was also highly intellectual if you wanted it to be.

The Not So Good: This is an amazing book and there's really nothing lackluster here at all. If I really, really tried to find something to whine about, I suppose three or four of the smaller panels looked a little rushed.: A concept like no other, solid artwork, and writing that is intelligent idea-wise and impressive in technical execution, this is a comic not to be missed and this is a perfect first issue. It is just astonishingly good. Vertigo potentially has a big hit on its hands here. It's also only $1.00 for this double-sized issue, so you really have absolutely no excuse not to give it a shot. One issue in and for me, this is already the best new series of 2009. Buy this book!

A perfect ending to what's been an amazing run, giving us a little bit of almost everything that made this series a keeper.

Aaron does the impossible: he has written a Wolverine comic that has me gasping at its creativity. A truly unsettling horror comic with Logan as you've never seen him before.

Excellent characterization, atmosphere, and a little bit of good old action make for some of the best Atlas we've gotten in some time, proving that Atlas is at its best when allowed to do its own thing.

An absolutely amazing issue that will definitely be remembered for a long time to come.

This issue of Chew is “fricken” good. Sorry, couldn't help myself.

No sophomore slump here. If you liked the first issue, you'll like this.

Worth every damn cent. If you're turning this book down, you don't like comics.

This is heavy, heavy stuff that'll give the “comics should be fun” guys fits. Then again, I always hated those guys. Make no mistake, this is haunting, grade-A quality, can't miss stuff.

This is what you signed up for when you added DMZ to your pull-list, whenever-a-go.

All-around, a fantastic issue.

Art problems just barely keep this from a perfect score.

This is Fables doing what it does best and doing what it's supposed to do, and that's a very, very good thing.

Another really, really good issue of Hickman's Fantastic Four that's guaranteed to leave you wanting more.

Lots and lots of fun with several big, memorable moments.

It's an appetizer, certainly, but Fatale is most definitely a book to be excited about. This isn't one to trade-wait, let alone miss.

Another fantastic issue of Fatale. As unbelievable as it may be, this series just keeps getting better.

Another excellent issue of Fatale. What a shocker.

A smart read with great characters that nonetheless brings the laughs. In other words, it's Hickman's Fantastic Four/FF doing its thing.

An absolutely outstanding issue. I wish all filler issues between major story-arcs could be this good.

Really fun with both the Barry Allen and Flash portions delivering the goods, albeit very different goods.

Hell yeah! THIS is what I signed up for with Flash: Rebirth. A great issue that totally rewards you for sticking around, as long as you don't mind the change of what's been established in the Flash folklore.

A rocking good time.

Great action, unbelievable art, and increasingly likable characters come together in a fantastic comic. If you haven't read Hotwire, you should. This weird and yet oddly perfect hybrid of hard science fiction, cyberpunk, noir/detective fiction, and horror continues to be a real winner.

Fraction's Iron Man continues to be one of the best reads at Marvel. Witty, emotional, well-balanced, and with twists and turns aplenty, this isn't one to miss.

Is anyone hotter than Nick Spencer right now? Buy this book! I will be very angry at all of you if this ends up as another quick sales casualty.

Two issues in, this is set to take a place among the very best comics out of Marvel. I hope people are reading it.

All told, Journey into Mystery is a fantastic book that you really should be reading, particularly if you're at all partial to fantasy, Thor, or, well, good storytelling in general. It's laughs, adventure, and above all else, very strong character-work with stunning artwork to back it all up.

Are you reading this? If not, you really should be, because I can guarantee that this comic is better than a good chunk of whatever's on your pull list. That's certainly the case for me.

A brilliant issue with nothing but huge, emotionally evocative moments…even if you'll hate Gillen for it.

This is quickly becoming one of the best books that DC has to offer. In fact, I'd put it in the top three.

This comic really was a pitch-perfect and an enjoyable experience throughout. It has everything that got Xanadu to the Eisners. Wagner scores high with what is by far the most enjoyable issue of Madame Xanadu in a very long time. The ending will have those who've been on-board from the start gasping.

The best issue of New Avengers to come along since the first arc of this relaunch. Those who stuck out the last arc are really, really well rewarded.

Possibly the best single issue of New Avengers this year.

Very minor quibbles aside, this book is simply awesome.

Freaking great. Just don't make me wait another 5 months.

The Punisher comic I've wanted for years and one that, for this reviewer, makes Frankencastle look even dumber in retrospect.

Having a great first issue is one thing, but in many ways, it's the second issue that counts the most when it comes to getting idea of how things are going to go long-term. After this issue, it's clear that Rucka's Punisher is the real deal.

A fantastic, psychological read of how the Punisher myth erodes one man's identity. So far, the smartest read of the week.

A really, really fantastic read that manages to pull the reader in and get him/her truly involved. Issues like this only make me more upset about this series' cancellation due to poor sales. Seriously, what's wrong with you people?

Welcome back, Frank.

Forget that Frankencastle foolery. This is a Punisher comic.

One of the best issues of Jason Aaron's PunisherMAX thus far, if not the best. With two astounding issues in a row, this title has returned with guns blazing.

It's hard to believe that we live in a world where we have not one, but TWO excellent Punisher books, both of which are among the very best comics that Marvel publishes. Issues like this validate PunisherMAX's claim to that title.

This is the start of something really, really big. The hype is justified. Do not miss out. Get in on the ground floor because I can guarantee that if you don't, you'll just end up reading the first six trades and jumping in at issue 30-something after this series becomes the “it” book. I could be wrong, but this feels like a classic in the making, much like Y.

Scarlet finally works for me. A fantastic comic.

A fantastic, epic sci-fi experience with stirring heroics in words and deed and truly brilliant artwork. Who'd have thought that a tie-in issue lacking both the regular artist and the regular cast could be so damned good?

Forget Dark Avengers, this is the real blockbuster.

The best issue since the series debut. If you're not reading this, you are really missing out.

Sweet Tooth remains consistently one of the best books on the racks.

Mr. Lemire, you make good comics. The best issue of Sweet Tooth in a while.

The fact that this was just a little bit better than your standard issue goes to show that Sweet Tooth truly is one of the best books on the stands right now.

A really deeply touching issue and one of the best issues of the series. And this is coming from a guy who thinks landscape comics ought to be burned.

It seems that there are only two types of issues when it comes to Sweet Tooth: fantastic, or absolutely fantastic. This one's the latter.

Solid plot progression in an issue that yet again promises great things to come. This is a smart, enjoyable mystery that literature buffs, philosophy geeks, and Sandman/Lucifer/Books of Magic fans need to get in on. This is quite possibly the best non-superhero comic out there right now. If you're not reading this, you better have a really good reason. And no, an empty wallet is not an excuse!

As long as you go in knowing that this is a break from Taylor, this is yet another mind-blowing good issue of the most intelligent book on the stands.

An issue that is a fun read on surface level and deceptively clear cut, but packed with philosophical ideas and very readable on a deeper level. The book is nonetheless enjoyable on both sides.

The Walking Dead #63 contains all things that a good horror comic should have. Pick it up! It's good to see TWD returning to its visceral, generic roots.

An absolutely fantastic read that entertains on all levels: drama, comedy, action, and great art. This issue does it all.

The best issue of Uncanny in quite a while. Why can't they all be like this?

The little logic holes can be forgiven. This is a really, really great issue.

All told, a beautiful book and likely the pick of the week for me.

By far the best issue of Wolverine and the X-Men in quite some time. Great character dynamics and lots of tugging on the heart-strings

I can't go into much more detail without spoiling this issue's laughs, so I won't. Suffice it to say, when I finished reading this, I realized that my face was literally sore because I had apparently been smiling the entire time.

Still incredibly experimental and creative, with a cool grindhouse flavor added in, this one's a keeper.

The best DC annual that I've read in some time. I wish DC would do this more often for the Annuals: use them as an excuse for the title's usual creative team to do something different instead of calling up some B or C list creative team to do something underwhelming and unrelated.

Agents of Atlas #6 is a much more nuanced, subtle issue. Which isn't a bad thing. Certainly, a more intelligent story is the best way to get readers to accept a simpler creative method (one artist and one story instead of two of each).

A big-time Marvel comic that was both ominous and fun. One of my favourite issues of this Avengers title thus far.

Minor quibbles aside, this was a really good issue. More than that, it was a really good issue where Bendis and Romita Jr. managed to eliminate, or at least minimize, their usual weaknesses.

Bendis does something different, and it ultimately pays off in a big way.

A complete and utter surprise and everything you could hope for out of a big event. If the rest of the series can keep this up, we are in for one heck of a ride.

I wasn't overly thrilled about last issue, but this one rights the ship. Really great stuff, AvX is the most fun I've had with a Marvel event in a VERY long time. The Architects continue to make it more about the characters than anything else and it's paying off in spades.

Against all odds, AvX #6 gives us plenty to be excited about. If you've been unhappy with AvX thus far, give this issue a chance; Marvel promised that this was the start of “Act 2″ and that last month really changed the game, and they've delivered. This is a very different book from what we've been getting for the past five issues.

It's not a terrifically smart read, nor is it one that'll take you a lot of time to get through, but it's boatloads of fun and, in the end, isn't that be what reading big Marvel event comics all about?

No effort was spared on this book and the result is a very fine product.

Slowly but surely, Captain America is returning to what we expect from the book, which is a very, very good thing.

Cap fans can rest easy; this might just end up being pretty good. An action-packed, emotional ride and hopefully a sign of things to come.

Despite its underwhelming start, Brubaker has really turned Reborn around.

A very good main feature and absolutely fantastic back-up in a book that would reach an A grade, were it not for all the damn filler.

After this issue, it's clear that Diggle's run won't be any weaker than those of his predecessors, which is saying quite a bit.

Mark Waid and Paolo Rivera give us a perfect blend of fun and characterization, all while continuing to challenge pre-conceived notions of Daredevil and “Daredevil comics.”

Waid continues to do test the limits of the “Daredevil comic” to great success. A fun issue with a goodly amount of heart.

It's great to read, it's great to look at. Last issue, we got a fantastic Ant-Man comic but this month, Waid really cuts to the core of who Matt Murdock is and why Murdock and Foggy's friendship matters. The result is straight-up good comics.

Despite my minor quibbles, it's actually a very strong issue of Dark Avengers. It's not quite as good as last month, but it's pretty much all you can hope for out of a Dark Avengers comic.

Next to #4 (the Michael Lark illustrated Dr. Strange issue), this was probably my favourite issue of Fraction's Defenders thus far.

Jarring artwork aside, I really liked the emotional notes and big ideas that Fraction hits here. I have no idea how the hell he's going to wrap this up next month though.

Awesome art, a cool villain, and some foreboding hallucinations lead to another fantastic issue.

Still a fantastic book, this time focusing more on charaterization, making me love Kate Kane even more.

It's agreatissues with amazing art and the back-up is the best yet, but that still makes it a great issue following amazing issues.

A hard-hitting examination of psychological manipulation and cult construction in a warzone that is, and promises to be, tragically beautiful in its unfolding.

If you're patient and can appreciate the big picture, this is a great issue.

Brian Wood gives me what I'm looking for: thoughtful, heart-wrenching, hard-hitting comic goodness.

Ex Machina readers will enjoy this very solid build-up issue. If you weren't interested in this story last month, you definitely will be now. The biggest crime of this issue is it's making you rabid for answers as it sucks you into its manifold mysteries.

Yup, this is definitely an Ex Machina comic. A smart blend of the everyday and the weird with fantastic character-work and one hell of an ending.

Another issue of Ex Machina doing what it does best.

A really solid issue of Fables that does little wrong, as it sticks to the formula that's made the series a success.

A solid and promising start to what will hopefully be nice run.

Pure fun and what a comic should be, I'm completely thrilled to be reading the FF again.

The conclusion to the battle is a bit of a mess, but the rest of the issue is absolutely outstanding, with the ending being one of the finest moments I've seen in an FF comic in quite some time.

Lots of fun, Hickman's FF is back in shape. If you've got kids interested in comics, I imagine they'd love this.

A nice break from Hickman's usual insanity that is sweet (up until the epic cliffhanger) but never contrived. Also, see if you can spot the rather funny Easter egg cameo by Stan Lee and Jack Kirby!

About as non-new reader friendly as possible, but an issue that shows that if Marvel had any sense, there really is only one correct choice for the writer of their next big event, and that's Jonathan Hickman.

Matt Fraction has an actual story to tell, which means this is a hell of a lot better than Siege #1.

A really fantastic and exciting read that puts on display all the fun to be had in a big, superhero comic. Oh, and for what it's worth, I thought it was significantly better than Flashpoint #3.

Glimpses of the future show very promising things as Jonathan Hickman continues to carve his place among the best FF writers of all time.

A real blast and an absolute must if you're looking for a light-hearted good time.

A little comedy and a lot of action, this was big, epic fun.

Excuse me, I'm busy collecting my jaw from the floor.

When the reader's experience mirrors that of an iconic character, you're doing something right.

Incognito remains an example of one of the top writers in comics today doing what he does best with complete freedom.

About as fast a read as you can get, butdefinitely a goodone.

An outstanding issue of Invincible. Hopefully we won't have to wait long for the next one.

A strong, if surprising, outing.

Something for everyone. You get the talky battle of wits and the Pepper Potts action scenes. Invincible Iron Man readers are going to have to get especially grumbly to find major fault with this one.

A really good, really powerful issue that stamps home how high the stakes are in Fear Itself and left me wanting more.

He may not have shown it in Fear Itself, but Matt Fraction is an excellent writer. I'll have to double-check my longbox, but I think this may have been the best issue of Invincible Iron Man to come out this year.

A great battle, or game, of wits that intensifies with each issue. A fantastic read, this issue only continues a trend that sees this arc get better with every month. This is a real return to form for Fraction's Invincible Iron Man.

Jam-packed with content, big moments, and tons of excitement, Invincible Iron Man continues the roll it's been on lately, double-shipping be damned.

After a transitional issue last time around, this issue shows up in a big way, delivering satisfying action and introducing more elements that are sure to please long-time readers.

A lot of the negatives I list are really entirely due to Journey into Mystery's sky-high standard. Taken on it's own, this issue is absolutely fantastic and not at all a bump in the road or a misstep.

Even with underwhelming art, I think it says a lot about the quality of the script that I still absolutely loved this issue.

Man, am I glad to be done with the flashbacks.

A very, very good comic that falls a hair short of an A-grade.

Fantastic characters and great art make for another excellent issue of Madame Xanadu.

A by-the-numbers ending doesn't stop this from being a great issue. Ms. Zarcone is also a real find who I hope will get more work with Vertigo.

Great issue that sees Moon Knight and its creators living up to their potential. It's just such a damned shame that there are only two issues left.

A really fun, exciting issue of Moon Knight with a really nasty twist towards its end.

A rock solid conclusion to a series that saw Bendis and Maleev at their best.

After just one issue, I'm addicted.

Mr. Stuffins continues to be one of the funniest comics I've ever read. With it's lead character and its “family drama” backstory, it plays out like a Pixar movie. This is a book that will make even the most hardened “mature comics” reader feel like a kid again.

A really solid New Avengers issue that truly succeeds as a “superhero team” comic, where every member of the team has their own unique moment and gets their own time to shine, even despite Son of Satan's highly entertaining presence. This is the most enjoyable New Avengers issue since #49.

One annoying character in such a large cast is thankfully not enough to ruin a good comic. It's a fun superhero yarn that is everything your standard, monthly Avengers comic should be.

A really great book that feels worthwhile and significant as a tie-in.

It's hard to imagine New Avengers, especially without New Avengers, any better than this.

This book totally exceeded my expectations and delivered the fun.

There's not much to say about this comic that I didn't say about the last issue – it's absolutely excellent for all of the same reasons that last month's issue was excellent. This is a very different sort of Bendis book with fantastic artwork. The difference between last issue and this one, however, is the addition of that fantastic new guest star, which raises the book to another level. I imagine some might begrudge this book's featuring no Avengers or X-Men whatsoever, despite the admittedly misleading cover. That may be true….but it's still a great comic.

This is just about everything that was fun or good about Bendis' Avengers. Of course, that also makes it very “Bendis”, so if you hate that…well, why the hell are reading issue #31 anyway?

“Consider us Odin's wolves, here to send you to your nailed God.” That's just a sample of the cerebral badassery on offer here.

A fun revisiting of an old character that can be enjoyed both as an accessible actioner and a more complex take on the nature of myth and legend.

Bendis and Oeming continue to plant seeds for what should be another amazing run.

Looking for another Marvel book? This one's a prime candidate. Man, is it great to have Greg Rucka back on the stands.

A really good issue and one of the best of Aaron's run thus far.

Man, it's really great to have this series back. It appears that Aaron has also finally settled on the tone that suits him best.

Another really strong issue of PunisherMAX. This is quickly becoming not just a must-read, but a comic that, when all is said and done, will most likely be on many shortlists for "best Punisher comics of all time."

Scalped is an awesome series, and this is another really solid outing. I can't wait for next month's installment.

Has there ever been a bad issue of Scalped? No, not really.

If you gave up on this comic,come back! It's really starting to deliver on those expectations.

To everyone who dropped Secret Avengers, disappointed by the first arc: come back! This is the book you wanted!

Everything a good tie-in should be. Solid character-work, a message that's powerful but not cheesy or sappy, and a really good representation of everything Fear Itself should be about. Very well done, and hopefully more than enough to keep a few Brubaker fans on-board for the time being.

Despite the lack of Nicola Scott, this was my favourite issue of Secret Six in a while. Long live Black Alice!

The best issue of the Six to come around in a while.

This book is at its best when the kids are at the forefront, as they are this month. Though still not perfect, Vitti is also coming into his own.

Surprisingly good, Hickman does quite a bit to restore hope for this series.

A really excellent conclusion, but also won that makes you wistful for what could have been.

Certainly miles better than Siege #1, this was a fantastic start.

The Bottom-line: The best issue of one of the best limited series of 2009 thus far. Epic, beautiful, and harsh, this is one to pick up. Better still, it's 2.99 for a 50-page issue with heavy paper and a glossy cover. Can't argue with that.

An artistic master-piece with deeply introspective writing. This is the definition of promising.

Kirkman and Howard have a really good comic on their hands here. If you spent the mornings of your childhood watching cartoons and your afternoons playing with the action figures from those cartoons, you need to read this.

Yup, no sophomore slump here. Jeff Lemire is quickly establishing himself as a fresh new voice in superhero comics.

Yup, no sophomore slump here. Jeff Lemire is quickly establishing himself as a fresh new voice in superhero comics.

Atmosphere and mood are what this book is all about. Thoroughly barren and broken with a beautiful glimmer of hope, this is a fantastic debut issue.

With a direction now firmly in place, this is looking to be a moody and atmospheric book with the potential to be both rollercoaster and sprawling epic.

This is basically the best possible pitch Sweet Tooth can make while playing its B-game. Thankfully, that's still one great comic.

A daring choice by Lemire, but one that prevents this from being an unremarkable filler issue.

Writing-wise, my only niggling concern is just how necessary this whole crossover is. Right now, there are just too many disparate elements, which leads to some things being left forgotten on the backburner. The Jack Frost segment was just weird and out of place and needs to be made relevant FAST. Also, having Kevin Thorn and Mister Dark as adversaries at the same time is just odd, as focusing on one leads to the other's being forgotten, and the existence of one threatens to dilute the threat of the other. It seems the comic has chosen to focus more on Thorn, but that leaves Dark as the elephant in the room, and it's awkward. For instance, Bigby is revealed to become more feral when in the same state as Mister Dark. This issue, he's right in New York City but experiences no difficulties whatsoever. Huh?The Bottom-line: Despite my nagging, as an individual issue, this is fantastic. It's witty, funny, and clever as all hell and it's Mark Buckingham drawing. As a Fab

Really good, this did a lot to restore my faith in Fraction's Mighty Thor.

An excellent Thor-verse comic that's a nice counterpoint to Fear Itself.

It's early at this point, but I think that this may very well be the best Thor we've ever gotten from Fraction.

Carey and Gross go three for three in the best new series of 2009.

Didn't like the art as much as usual, but it's still a great book.

A really flashy, enjoyable issue of Thor that shows there is life after JMS.

The best issue of Guillen's short run and probably the most fun issue of Thor in some time.

Weaker than last month's issue in some ways, stronger in others, but still all-around awesome.

Still one of the best books at Marvel. Needs more Volstagg though, although even issues that feature Volstagg need more Volstagg.

Marvel NOW is off to a rock solid start with this one. A character-driven, introspective read with a gigantic wtf of a final page.

A fantastic issue of a fantastic comic. Give it a go. Better still, even if you've not been reading from issue 1, this is a very accessible place to jump on.

Even if you've not read anything Age of Apocalypse related, you'll still really enjoy this issue of what is by far the best X-book on the stands.

A really big, hard-hitting issue and a major moment for the team. It has just about everything that you got you into this book in the first place.

A creative reversal of the usual dynamic between good guy and bad guy combines with great character-work for Psylocke, a hilarious Deadpool moment, and excellent use of time-travel. From Psylocke dreaming of Warren to Deadpool poking fun at Castle, this is one of those great “you'll laugh and you'll cry” issues.

A really good issue of Uncanny accompanied by refreshingly vibrant, characterful artwork

I have to dock points for just how crammed and rushed this is, but Dysart's success under these circumstances wins out.

Great art and a great villain make for a great first issue of what will hopefully be a really strong arc.

As is the usually the case with Winter Soldier, it's really not a question of what's good and what's bad, but more one of simply “how good?” While it may not be the loudest book in Marvel's line-up, it's been nothing less than solid for 11 issues now and once again, I find myself with nothing to really complain about.

Daniel Acuna comes to the rescue, basically. An effective and moody ride that has me once again, looking forward to Aaron's Wolverine.

Jason Aaron doing his thing, basically. A great example of why this book, when at its best, isn't just Wolverine; it's Jason Aaron's Wolverine.

Another great Weapon X issue. This continues to be a comic that”ll make you fall in love with Wolverine all over again.

Jason Aaron closes out Weapon X in somber style.

Schism remains a winner.

A really fun romp. Not much more I can ask for.

A really fun comic. The Spider-Man/Atlas dynamic is no small amount of fun and the action sequences are definitely enjoyable. I'm really looking forward to the very logical conflict with Namor next issue. With Namor and Dark Reign, it makes a lot of sense. That said, with this issue, I can't overstate how much I missed having a 1958 story. I feel like the comic, while still having the same great characters, has lost a part of what made it special.

A team comic unlike any other at Marvel, it's another solid book for Atlas.

As an all-around experience, this was probably the most solid issue yet of the main Avengers title.

A fun start to a promising new arc.

My quibbles are really nit-picking, for the most part. Overall, this is a story that needed to be told and it managed to serve its purpose in a way that managed to feel both fun and integral to Fear Itself. It also served as grounds for Bendis to try something a little different.

Spends more time with the fun and less time on the stupid, leading to a much more enjoyable issue. The amazing, lush artwork also makes this one worth a look.

I liked this issue, but again, I think your enjoyment might be affected by whether or not you've been reading New Avengers of late. Regardless, I thought it was a lot of fun; it was an issue of big action sequences and great villains.

It's not the greatest comic in itself, but there's something innately satisfying about this issue that feels like a weight's been lifted by the end of it.

A really solid outing for Cap that left me wanting more.

Sharon manages the heavy lifting this month in a comic where classic art meets classic script.

I can't believe I'm recommending it, but if you don't demand your comics to take themselves at all seriously, this is actually pretty good.

An issue of set-up and gags, but I genuinely laughed more than a couple of times, and that gets any comic a good amount of points from me.

Another solid outing for Diggle's continuing ninja adventure.

This issue does so much right – the art is awesome and the idea of a Daredevil horror story is a great one…but that was a pretty big gaffe with respect to Foggy.

While it's pretty much all talking, this issues brings together Dark Avenger's best aspects.

A good issue that's solid throughout, before a rather questionable final scene.

Another solid outing in the DMZ.

Wood is at his best with one-shots and shorter arcs, and this issue of DMZ does not buck that trend.

Slow, but nonetheless a return to form in content and quality.

Thank goodness the Crossover is over. This could be foreshadowing of good things to come.

A really fun book save for one baffling, inexplicable component. Best to just pretend that that one speech bubble doesn't exist.

It's not all gold, but I really like this Super Team idea, which is what's important, given that it's the meat of this new story-arc.

Enjoyable for what it is, but it creaks a little at times due to the weaker art and Hickman's obvious motivations.

Good, clean fun. Hickman's FF is one of the best Marvel reads.

While Hickman plays it safe this month, this is still a very good issue.

Though I've come to not expect much from prologue issues, this was pretty good.

FF continues to be a very, very solid read, month in and month out. For this reason, it remains a comic that I consistently recommend.

FF remains a book that is a consistently solid read.

All this said, Sosa and Sotomayor once again do incredible work and do their best to salvage the art. Sotomayor's colors are absolutely brilliant, full of life and charm, while Sosa's thick inking is loaded with character. These are two names I'll definitely keep an eye out for in future. Bobillo's artwork does its damndest to work against Hickman's script and was the only thing keeping this book from an A-grade.

A comfy, ho-hum issue, nothing much to see here until BAM….smashing you in the face with awesomeness in its last few pages.

Still a definite recommend for anyone's pull-list.

The only part of this book that wasn't fun was how long I had to wait for it to be released.

I really do love this current status quo for the Rogues, which is tons of fun. Bring on the Annual! And keep feeding me that Manapul artwork.

The Bottom-Line: A much more enjoyable read than last time. Still by no means perfect, but it's an improvement, and with it's fantastic ending, a sign of further improvements to come. Don't lose hope on this series! A solid issue.

Great for newer fans, fairly pointless for older ones.

A solid book that works well as a denouementfor the last arc at the expense of leading into the next one. That said, I'm sure this menacing portrayal of the Guardians will pay dividends during Blackest Night.

The best issue of GLC in a while, but I can't help feeling a little soured by the missed opportunity.

A bit of a falter for this fantastic series but hey, a weaker issue of I, Vampire is still pretty bloody good.

There are huge problems here that I can't totally ignore, but I can't deny that I had a LOT of fun reading this.

A surprisingly solid issue of Incredible Hulk, which is enough to make it Aaron's best issue in quite a while.

The book's pacing is a bit of a mess, but the strength of its characters and the sheer number of developments in its pages more than makes up for that.

Bland Viltrumites aside, this was a really fun outing with awesome art that continues to surprise me with how much I'm enjoying it.

Bland bad guy aside, this was a solid outing for your favourite characters with art that's guaranteed to make you wince. In a good way.

Overall, it's satisfying. That said, it's the Michael Bay movie of comic books: epic, explosive, pretty, with some awesome moments, but not without narrative corner-cutting.

Enjoyable for what it is, but admittedly a bit on the drier side.

It may not blow your socks off, but it maintains the series' high standard.

Pacing issues aside, this was really solid as far as tie-ins go, with a balanced model that I wish more writers would use when writing these sorts of issues.

One failed joke, even if it drags on through the whole issue, isn't quite enough to snuff out strong character work.

While this issue isn'tquite up to the sky-high standard of the past few installments of Invincible Iron Man, it's still very solid.

I love where Fraction is going with Tony in this arc and can't wait to see what's in store.

Another very solid outing for one of Marvel's best series, even if it is a bit guilty of being a chapter in a trade paperback more than an issue in an ongoing series. Still, lots of cool stuff here.

Some parts work better than others but at this point, Fraction and Larroca's Invincible Iron Man can do little wrong.

I really hope readers give this book another chance. This was a much better issue and carried much of the energy that the first issue should've had.

While the art still isn't my favourite, Exiled is really coming together now with this issue featuring another clever game-changer.

The start of a story that feels much more like JIM in its element, both in script and art. A good issue and I think it'll only get better from here.

Great art, great atmosphere, and a great tone, but the parallel story structure finally breaks down a bit.

Who knew psychics could be this cool, gritty, or slick?

For a seeming filler issue between major story-arcs, this is pretty good actually. Spencer and Eisma's talents carry an issue and make what could have been disastrous into something pretty enjoyable.

The New Avengers doing what they do best.

Mixed feelings about that death aside, this is a fun issue that provides a strong finish to an at times uneven arc.

I enjoyed it, but I imagine that this issue could be something of a divisive one.

While my inner Doom-fanboy was a little peeved but honestly, this was a really good issue.

Against all odds, we get a pretty good conclusion to what has been an absolutely horrible arc.

A solid issue of New Avengers. I continue to enjoy how Bendis is using these tie-ins to give us a more personal vantage on such a massive, universe-wide event.

Excellent artwork in a very different sort of Bendis comic. If anything, this issue just showed how badly we need an Iron Fist/Immortal Weapons/K'un Lun comic. It's a fascinating area of the Marvel Universe that needs and deserves attention.

Another fantastic issue of the Punisher. If you're not reading this, you really should be.

There really isn't much to say here. This isn't a bad issue by any means and it's competent in both art and script. But it's not anything more than that. It felt as though Rucka was running in place here. This is the first stumble this series has had but, given that this issues entire problem was a lack of significance or real meat on the bones, I imagine it'll be quickly forgotten.

It's a great comic, one that confirms that Jason Aaron is bringing his own talents to the table, not just Ennis'.

If you're the right kind of reader, you'll like this. If you're not, why the hell are you reading Punishermax?

It's not quite as brooding as previous issues, but it makes up for it with spades of fun.

Jason Aaron and Steve Dillon continue to deliver a Punisher comic unlike any that has come before.

A really fun Secret Six issue, but if you're here for Blackest Night or the Suicide Squad, you may as well skip this.

While it isn't the most earth-shattering installment of the series, Scalped has never had a bad issue and this month doesn't see a buck in that trend.

A really good issue of Scalped, no surprise there, but ultimately one that will read better when collected.

Scarlet finally gives me something to grab onto.

Not quite at the same level as the last couple of outstanding issues, but still quite a bit better than that disappointing first arc.

An enjoyable Steve Rogers adventure.

A rock-solid issue with a really creepy tone and brilliant art.

The big swerve is great and while it doesn't truly break the mould, this was definitely a fun ride.

An enjoyable issue of the Six doing their thing. And Ragdoll's never been better.

It may be strange and inexplicable, but it's still a good time.

It's still a good issue and a fantastic comic, but it's hard not to see this as a transitional comic, setting up a crossover and a Dark Reign-related conflict. It's a book that'll read better as a chapter in a trade. Also, Vitti, while good,isn't in Casselli's league.

A really good issue in and of itself, but doesn't do much to alleviate my concerns about how Hickman is going to finish this beast of a series.

The quintessential comic blockbuster that brings much promise for the Marvel U.

After issue 1, I forgot about this book. After this issue, I'll be taking a look at issue 8. Call it a win.

It didn't feel quite as fresh or jaw-dropping as last month, but that's more to do with how good last month was. And hey, the price is dropped down to $2.99!

A strong issue, but not the guaranteed pick of the week that Sweet Tooth usually is.

It may not be an Eisner-contender, but it's still a hell of a good time.

A big improvement over last month and a solid experience overall.

It's very much a transitional issue, but it still retains the flavour that's made the crossover a success thus far and it ends on a huge high note, which seems to ensure that the next installment will be vital. Also, Alan Davis art is never a bad thing.

A quiet issue, butexplosive in terms of action, this is another solid issue of the Sword. Frankly, I don't think there's ever been a bad or disappointing issue of the Sword. Stunning art, awesome combat, and a really cool ending make thisa comic that will definitely please the Luna-devoted.

A change of pace, but a generally good one that shakes up the whole series.

A cataclysmic twist balances disappointing character work.

A solid tie-in overall that Volstagg and Kelda fans should enjoy. And what Thor reader doesn't like those two?

A uniquely fantasy comic and the best issue of Thor in a while.

A return to form of sorts. It may not be the most intellectually challenging book and it may have a bit of a rough start, but once things get going, it's a hell of a lot of fun.

It's a strong issue of Thor, but it's not the finale it claims itself to be.

A solid character issue and a satisfying book overall, Diggle is recovering well from the Deadpool-crossover fiasco.

A fairly decent issue held back by off-putting artwork.

A great issue that makes me feel that Diggle's leaving too soon. It's too bad that so much is undone.

Still a great book, but needs more actual X-Force.

The best issue of this arc with solid work all around, particularly if you want to see something different out of Deadpool. That said, it isn't the A-quality, in story or art, that the previous arc most definitely was.

Another solid entry in what is one of the best team books on the market.

Another solid outing for Uncanny X-Force. If there's one thing this book is, it's consistent, and as everything comes together and Remender brings his run full circle, back to his very first arc, it's still a guaranteed good read.

Readers may wonder where the X-Men went and find this issue a little strange, but I enjoyed Gillen's taking an issue out to do something a little outside of the box.

Another satisfying, rock solid issue of Venom with fun art from Kev Walker.

Another solid outing for Venom and the Savage Six. The artwork, while not at all bad, is a bit forgettable, but otherwise, you'll find much of what you enjoy about this book in these pages.

While I feel that there's only so high I can grade a book whose greatest strength, and majority of content, is action sequences, this was a really fun ride in an arc I've had mixed feelings about thus far.

Despite Mystique's 10-mile long health bar, this was a back to basics issue for Wolverine that does a lot to get this book back on track.

A rock solid experience that both Wolverine and Jason Aaron fans will enjoy.

My grumbling about thematically understandable but still odd creative decisions aside, this is a really well-written comic with solid action scenes that I generally quite enjoyed.

It's action-heavy and not particularly revelatory, groundbreaking, or emotionally evocative, but I cannot deny that this was a really fun comic that sees Jason Aaron clearly operating within his comfort zone.

Right now, this is probably the best Wolverine comic on the stands, and at issue #2, the most accessible. With tThat said, fans of Aaron's breakthrough “Scalped” will also find a lot to love. In Logan's rough demeanor and alcohol-swilling ways, the ties are quite clear and it's more obvious than ever that Jason Aaron was the right man for this job.

A huge shift from previous issues in the arc, but still a lot of fun.

Weapon X continues to be a very strong series, despite a somewhat light first half.

An interesting issue, though not quite up to the ridiculously awesome standard set by this arc thus far.

I liked this more than Superman #601. It has a definite life to it and much promise for the future.

A generally good debut that should please Zatanna fans.

A lead feature that goes down easy, yet it is unfortunately paired with a weak back-up… Make no mistake, the main is good and expertly executed, but it's just a preview.

Great character moments in a flawed issue that sadly hints at future story-arcs that probably will never come.

An A for effort, but still a prologue, and perhaps one that's a little overexcited.

An issue that's sure to be divisive. Despite the complete lack of plot development, I enjoyed it and found it a unique read as far as Marvel superhero comics go. Certainly, reading this comic, there's no way anyone but Bendis could've written it.

A decent enough issue with solid artwork and its heart in the right place.

On the one hand, it underachieves a bit. On the other hand, it's better than expected due to wonderful art and solid narration.

A decent starting point, but precious little more than that, to a promising plot and a nice chance to relax and unwind, which may not be every reader's ideal way of spending money.

Well, it really did nothing at all to set up AVX, so this issue didn't really do what it was meant to and may, to some, even feel pointless as a result. Aaron's Hope story is also a bit dull, even if it picks up at the end. That said, the art is gorgeous and Bendis' Scarlet Witch story is absolute dynamite, delivering in spades in action, bombasity, and soap opera drama.

Kind of a mixed bag of an issue. The scenes with Spider-Man and Emma were very strong, but the earlier portions were a bit dull.

This book is not necessarily a disappointment and certainly not a failure, nor is this issue's grade a sign of things to come. This series will be great; I got that feeling profoundly from this issue. But I can only grade what I have in my hands, which is merely an introduction.

More fun than the last few issues, this chapter in this arc promises more great issues to come. Still, there are some jitters.

Fun, but it needs more Bucky and less attempts at being “relevant.”

While the core plot may be uninspired, there are a lot of elements going into it that hold a lot of promise.

Appropriately enough, Chew's quality is entirely a matter of taste.

It's by no means a bad book, but it's hard not to be aggravated by Diggle going back on what made his first issue so great.

It's hard not to look forward to Shadowland.

Nothing ground-breaking, but a pretty solid issue nonetheless. The ending is necessary and potent, though not particularly revealing nor profound. Still, I like the increasingly psychological turn.

A good issue, but I expected a little more.

Strong characters carry an issue held back by middling artwork and excessive ambiguity. Still, this is clearly a set-up issue, so I expect it to be all uphill from here.

A couple of bits of sloppy writing, but this was generally a good set-up for the story-arc to come.

I'm happy to once again find myself excited for the next issue of Fables.

Miles better than last month's illustrated essay, but not up to Hickman's usual A-grade.

Improved, but still inappropriate artwork mixes with a solid script with satisfying high spots.

A good issue, but not quite of the same level as last month's issue. Apparently even the fastest man alive can suffer from “middle-of-the-arc” syndrome.

A first issue that sees its writer getting comfortable with his new book, this is a worthy addition to the Vertigo crime lineage.

A solid issue that feels a little scattered. Neverthless it's still fun issue.

A generally enjoyable 22 pages of chaos with a nice surprise ending.

Some really good ideas and character-work mixed with a messy potpourri of art and some slightly undercooked elements.

Some solid character moments in what is otherwise a 22-page preview. Nevertheless, it still manages to tantalize.

Good, but not $5.99 good.

Detroit Steel may be boring, but the rest of the cast isn't. This issue promises big things to come.

Pepper Potts saves the day, making something generally enjoyable out of an otherwise humdrum issue.

It's a decent issue, but clearly a transitional one. Still, a transitional issue of one of the best superhero comics on the stands is better than the majority of what's out there.

I liked it less than last month's book, but War Machine fans may very well feel differently.

I like the characters and I feel a ton of potential here, but at the moment, it's just that: potential.

Despite it's simplicity and some minor growing pains, it's a fun book. Geoff Johns fans need not panic.

One of the best-looking comics of the year with a script that can't quite keep up. Vertigo needs to get Zullo on an ongoing.

A fun action comic that turns the tables on what we normally get from New Avengers.

Overall, a fun outing with the Avengers.

Overall, if you enjoy Bendis Avengers, this is the kind of solid experience youve been picking up for years. If you dont like Bendis Avengers, this wont change your mind.

Again, your mileage will vary depending upon your immediate reaction to the twist. For me, it didn't work. That said, the art is gorgeous, even if it won't give you happy feelings.

The New Avengers, and their readers, get their reward, though it's a bit drawn-out.

A good issue that would've been great were it not for those damned solicitations.

A very solid Remender Punisher issue with lots of action, hard-biting Frank Castle one-liners, and awesome artwork. With that said, while the action is explosive, those expecting a “final showdown” will be disappointed, as this issue really doesn't resolve a lot. Rather, it lays seeds for the future. Of course, while I am a little miffed, it's clear that Remender is setting the Hood as Frank's continued arch-nemesis, which I like.

Not at all bad, but by no means fantastic. Still, it's an enjoyable experience that is completely inoffensive.

It's an entertaining issue with very solid character work, but it could've been more.

As an actual comic book, this, frankly, kind of sucks. But the world and the characters are so awesome that I actually enjoyed it and wanted more. I'm not quite sure how that works, but frankly, that's how I feel about much in this comic, and yet, work it does.

A hard issue to grade, really. It's unmistakably a high quality product with excellent writing and artwork on a technical level, but it's all marred by very odd creative decision. I feel like I'm still waiting, albeit excitedly, for the first issue.

The issue is a bit of a resetting for Fraction – he goes back to basics while also teasing us with great potential in the Donald Blake/Enchantress plot. Let's hope that he capitalizes on that potential this time around, as he's not had a great track record for doing that in his tenure on Thor thus far.

While one plot is stronger than the other, this is a good issue that follows up on the promise of the last issue. Let's hope that Fraction and Larraz keep up the momentum.

By no means a bad conclusion, but it wasn't quite as personal as we've come to expect.

A good issue with an absolutely fantastic overall theme and atmosphere, but it falters on some of the little things.

A giant improvement over last month and the beginning of a promising new direction. Unfortunately, this issue still had to show what was being left behind.

A bit safer than previous issues, this wasn't bad, but it didn't reach the creative heights of Fraction's prior issues.

Despite my gripes, this is really only a slightly weaker issue from an exemplary series.

A fairly good issue with Greg Land drawing it.

It's actually a pretty good issue of Uncanny, and mainly because Magneto rules!

Enjoyable for what it is, this issue still feels a little thin due to its not striving to be anything more.

An enjoyable story meets atrocious art.

Not a bad issue, but it's weighed down by forgettable artwork that merely gets the job done.