This is truly one of the best character studies I've ever read in a comic. This is the sort of comic that you'll instantly want to re-read and revisit for years to come.

The best DC annual that I've read in some time. I wish DC would do this more often for the Annuals: use them as an excuse for the title's usual creative team to do something different instead of calling up some B or C list creative team to do something underwhelming and unrelated.

A lead feature that goes down easy, yet it is unfortunately paired with a weak back-up… Make no mistake, the main is good and expertly executed, but it's just a preview.

Captain America's reasons for attacking Atlas are still weak at best. Sure it “makes sense,” but it doesn't have anything at all personal behind it. Furthermore, Cap is written terribly in this issue, coming across as an incredibly bland and even bumbling character. Cap fighting Atlas just looks absurd and it isn't convincing. Atlas is just doesn't fit in the central Marvel Universe, and as a result, you get unintentional comedy like Captain America getting sucked up by a flying saucer's tractor beam or Cap whining about a “Day the Earth Stood Still-esque” robot's arms hugging him too tightly. It just looks ridiculous and doesn't work in the slightest.The Bottom-Line: The 1958 side of the issue is lots of fun, but the modern day portion is a laughable mess. That said, this is still a relatively enjoyable issue in an incredibly unique title and the art is more gorgeous than ever. That said, considering how bad Cap was, I'm really not looking for

A really fun comic. The Spider-Man/Atlas dynamic is no small amount of fun and the action sequences are definitely enjoyable. I'm really looking forward to the very logical conflict with Namor next issue. With Namor and Dark Reign, it makes a lot of sense. That said, with this issue, I can't overstate how much I missed having a 1958 story. I feel like the comic, while still having the same great characters, has lost a part of what made it special.

Agents of Atlas #6 is a much more nuanced, subtle issue. Which isn't a bad thing. Certainly, a more intelligent story is the best way to get readers to accept a simpler creative method (one artist and one story instead of two of each).

A team comic unlike any other at Marvel, it's another solid book for Atlas.

Excellent characterization, atmosphere, and a little bit of good old action make for some of the best Atlas we've gotten in some time, proving that Atlas is at its best when allowed to do its own thing.

Great character moments in a flawed issue that sadly hints at future story-arcs that probably will never come.

Being the best issue of an uninspired arc still means being trapped in a field of mediocrity.

An A for effort, but still a prologue, and perhaps one that's a little overexcited.

While not overly impressive, it's an improvement and, more importantly, it's an improvement that looks to continue.

Turn your brain off, ignore the intricacies of the time stuff, and there's fun to be had.

As an all-around experience, this was probably the most solid issue yet of the main Avengers title.

A fun start to a promising new arc.

A big-time Marvel comic that was both ominous and fun. One of my favourite issues of this Avengers title thus far.

Minor quibbles aside, this was a really good issue. More than that, it was a really good issue where Bendis and Romita Jr. managed to eliminate, or at least minimize, their usual weaknesses.

A bit of a stumble in what has thus far been a really good arc. While it succeeds in the little things, the major components have got some issues.

Bendis does something different, and it ultimately pays off in a big way.

An issue that's sure to be divisive. Despite the complete lack of plot development, I enjoyed it and found it a unique read as far as Marvel superhero comics go. Certainly, reading this comic, there's no way anyone but Bendis could've written it.

A decent enough issue with solid artwork and its heart in the right place.

A bunch of poorly timed, poorly executed, and poorly reasoned Spider-Woman love.

My quibbles are really nit-picking, for the most part. Overall, this is a story that needed to be told and it managed to serve its purpose in a way that managed to feel both fun and integral to Fear Itself. It also served as grounds for Bendis to try something a little different.

Despite the bright spots in this issue, the giant, glaring gaps in this storyline weigh it down quite heavily.

Spends more time with the fun and less time on the stupid, leading to a much more enjoyable issue. The amazing, lush artwork also makes this one worth a look.

On the one hand, it underachieves a bit. On the other hand, it's better than expected due to wonderful art and solid narration.

Timeless artwork is paired with a story that, while technically sound, is problematic plot-wise.

I'd say it's an improvement over last issue, though there are character issues and your mileage may vary on the art.

A complete waste of time for everyone involved.

A decent starting point, but precious little more than that, to a promising plot and a nice chance to relax and unwind, which may not be every reader's ideal way of spending money.

Well, it really did nothing at all to set up AVX, so this issue didn't really do what it was meant to and may, to some, even feel pointless as a result. Aaron's Hope story is also a bit dull, even if it picks up at the end. That said, the art is gorgeous and Bendis' Scarlet Witch story is absolute dynamite, delivering in spades in action, bombasity, and soap opera drama.

A complete and utter surprise and everything you could hope for out of a big event. If the rest of the series can keep this up, we are in for one heck of a ride.

I wasn't overly thrilled about last issue, but this one rights the ship. Really great stuff, AvX is the most fun I've had with a Marvel event in a VERY long time. The Architects continue to make it more about the characters than anything else and it's paying off in spades.

An issue that's book-ended by quality moments, but between those moments, there's just a whole lot of wheel-spinning.

A bunch of vapid pages that serve no purpose but to kill time, all leading up to a giant stinker of a twist. But hey, it's definitely not one you'll see coming?

Against all odds, AvX #6 gives us plenty to be excited about. If you've been unhappy with AvX thus far, give this issue a chance; Marvel promised that this was the start of “Act 2″ and that last month really changed the game, and they've delivered. This is a very different book from what we've been getting for the past five issues.

It's not a terrifically smart read, nor is it one that'll take you a lot of time to get through, but it's boatloads of fun and, in the end, isn't that be what reading big Marvel event comics all about?

Kind of a mixed bag of an issue. The scenes with Spider-Man and Emma were very strong, but the earlier portions were a bit dull.

I liked this issue, but again, I think your enjoyment might be affected by whether or not you've been reading New Avengers of late. Regardless, I thought it was a lot of fun; it was an issue of big action sequences and great villains.

It's not the greatest comic in itself, but there's something innately satisfying about this issue that feels like a weight's been lifted by the end of it.

This book is not necessarily a disappointment and certainly not a failure, nor is this issue's grade a sign of things to come. This series will be great; I got that feeling profoundly from this issue. But I can only grade what I have in my hands, which is merely an introduction.

Great art and a great script still make for frustration. Go figure.

A relatively solid conclusion to a solid series that suffers a bit for trying to be too much. The simple concluding battle we were all expecting was fantastic. However, the big twist we were expecting wasn't so great. While not bad and ultimately satisfying, it's still a bit of a mixed bag as a result.

More fun than the last few issues, this chapter in this arc promises more great issues to come. Still, there are some jitters.

Considering how awesome “Dear, Billy” was, this limited series is a little disappointing. It's not bad, it just lacks the depth of the previous two Battlefields stories.

No effort was spared on this book and the result is a very fine product.

An absolutely amazing issue that will definitely be remembered for a long time to come.

While the Saint Walker tale is still the best, this week's offering is a better overall package than last week's.

The book certainly looks good and it's well-written, but the emotional attachment and investment just isn't there.

Fun, but it needs more Bucky and less attempts at being “relevant.”

A really solid outing for Cap that left me wanting more.

I'm by no means a Steve Rogers fanboy, but this was the best single issue of Cap since Reborn.

Sharon manages the heavy lifting this month in a comic where classic art meets classic script.

An underwhelming effort by two very, very good creators with a lot that feels rushed or slapped together

While the core plot may be uninspired, there are a lot of elements going into it that hold a lot of promise.

Slowly but surely, Captain America is returning to what we expect from the book, which is a very, very good thing.

I've been really hard on this issue and I've perhaps made it seem worse than it is. I suppose I'm just irritated to see one of my favourite writers half-assing it like this and turning out such mediocre work. And that's just what it is – not horrible, just completely mediocre and forgettable.

I never thought I'd truly say this about an issue of Brubaker's Captain America: “This sucked.”

Cap fans can rest easy; this might just end up being pretty good. An action-packed, emotional ride and hopefully a sign of things to come.

Despite its underwhelming start, Brubaker has really turned Reborn around.

It's good, old fashioned fun, but it's also damaged goods.

I can't believe I'm recommending it, but if you don't demand your comics to take themselves at all seriously, this is actually pretty good.

Appropriately enough, Chew's quality is entirely a matter of taste.

This issue of Chew is “fricken” good. Sorry, couldn't help myself.

Too little space means too many missed opportunities.

An issue of set-up and gags, but I genuinely laughed more than a couple of times, and that gets any comic a good amount of points from me.

If it ain't broke, don't fix it, I suppose. That said, this was pretty derivative.

A very good main feature and absolutely fantastic back-up in a book that would reach an A grade, were it not for all the damn filler.

It's by no means a bad book, but it's hard not to be aggravated by Diggle going back on what made his first issue so great.

After this issue, it's clear that Diggle's run won't be any weaker than those of his predecessors, which is saying quite a bit.

Another solid outing for Diggle's continuing ninja adventure.

It's hard not to look forward to Shadowland.

The same core problems as last month means the same grade as last month. Better than Shadowland #2, though.

Truly, a comic for Daredevil fans. If you've ever been even remotely curious about DD but have never read one of his comics, now is the time.

No sophomore slump here. If you liked the first issue, you'll like this.

Mark Waid and Paolo Rivera give us a perfect blend of fun and characterization, all while continuing to challenge pre-conceived notions of Daredevil and “Daredevil comics.”

A fun crossover completely undercut and shot to bits by a terrible conclusion. Seriously, the Omega Effect may as well have never even happened. This entire crossover achieved nothing. But hey, on the plus side, that Marcos Martin cover is totally wicked.

Waid continues to do test the limits of the “Daredevil comic” to great success. A fun issue with a goodly amount of heart.

Merely okay artwork and a script that, while it has its high points, is really just a do-over and proper conclusion of something that should've been wrapped a month ago.

It's great to read, it's great to look at. Last issue, we got a fantastic Ant-Man comic but this month, Waid really cuts to the core of who Matt Murdock is and why Murdock and Foggy's friendship matters. The result is straight-up good comics.

This issue does so much right – the art is awesome and the idea of a Daredevil horror story is a great one…but that was a pretty big gaffe with respect to Foggy.

Bland and uninspiring. Reading Frank Miller's run on the title and his later retelling of DD's origins were some of my best comic experiences as a kid. However, until a good creative team revives the Daredevil franchise, I'm gone.

Nothing ground-breaking, but a pretty solid issue nonetheless. The ending is necessary and potent, though not particularly revealing nor profound. Still, I like the increasingly psychological turn.

Neither smart nor good, thiswas a big and stupid comic thatmade me wish for a regular issue of Dark Avengers instead.

Despite my minor quibbles, it's actually a very strong issue of Dark Avengers. It's not quite as good as last month, but it's pretty much all you can hope for out of a Dark Avengers comic.

It's cool getting to know Victoria, but outside of some neat work by Horn, the rest of the book is a bit of a wash.

It's Dark Avengers, it's fun, and barring a wardrobe malfunction, Victoria Hand is a great character, but this issue has its weaknesses.

A lot of “meh” concluded with a slap to the forehead. I can't wait to hear from you in the comments section.

While it's pretty much all talking, this issues brings together Dark Avenger's best aspects.

Solid artwork and an engaged writer with his heart in the game nonetheless give us an issue built around poorly explained plot elements and ham-fisted, out of the left field retcons.

Next to #4 (the Michael Lark illustrated Dr. Strange issue), this was probably my favourite issue of Fraction's Defenders thus far.

Jarring artwork aside, I really liked the emotional notes and big ideas that Fraction hits here. I have no idea how the hell he's going to wrap this up next month though.

What's Not-So-Good: Towards the latter half of the issue, it started to feel like a bit of a quick read. Honestly though, it's so good that when I finished, I immediately wanted to re-read it.

Awesome art, a cool villain, and some foreboding hallucinations lead to another fantastic issue.

Still a fantastic book, this time focusing more on charaterization, making me love Kate Kane even more.

It's agreatissues with amazing art and the back-up is the best yet, but that still makes it a great issue following amazing issues.

Worth every damn cent. If you're turning this book down, you don't like comics.

A surprising mediocre and insubstantial read. A lot of moodiness and nice art, but little else.

I can't imagine a scenario where a combination of Tony Daniel getting political and DC experimenting with new ways to hit deadlines leads to a good comic.

A hard-hitting examination of psychological manipulation and cult construction in a warzone that is, and promises to be, tragically beautiful in its unfolding.

This is heavy, heavy stuff that'll give the “comics should be fun” guys fits. Then again, I always hated those guys. Make no mistake, this is haunting, grade-A quality, can't miss stuff.

A good issue that's solid throughout, before a rather questionable final scene.

It's an eventful issue, but Wood falls prey to needing “good guys” and “bad guys.”

Another solid outing in the DMZ.

If you're patient and can appreciate the big picture, this is a great issue.

Wood is at his best with one-shots and shorter arcs, and this issue of DMZ does not buck that trend.

A good issue, but I expected a little more.

Brian Wood gives me what I'm looking for: thoughtful, heart-wrenching, hard-hitting comic goodness.

Slow, but nonetheless a return to form in content and quality.

This is what you signed up for when you added DMZ to your pull-list, whenever-a-go.

The Bottom-line: The same great writing we've come to expect is accompanied by a parodic, slapped together version of the art we've also come to expect. Considering how long this took, it's a bit shameful. Vaughan's always excellent writing saves this from being a total disaster and makes this issue stillworth picking up if you're an Ex Machina fan, but I pray to God that Harris pulls himself together.

Ex Machina readers will enjoy this very solid build-up issue. If you weren't interested in this story last month, you definitely will be now. The biggest crime of this issue is it's making you rabid for answers as it sucks you into its manifold mysteries.

Yup, this is definitely an Ex Machina comic. A smart blend of the everyday and the weird with fantastic character-work and one hell of an ending.

Another issue of Ex Machina doing what it does best.

All-around, a fantastic issue.

Art problems just barely keep this from a perfect score.

Quite possibly the best single issue I have read this year.

Strong characters carry an issue held back by middling artwork and excessive ambiguity. Still, this is clearly a set-up issue, so I expect it to be all uphill from here.

From aplotperspective, this issue is a waste of time. Nothing moves the major conflict forward, and there are just too many damnedminor issues going on at once. However, if you are a Jack of Fables readeror are looking to be one, skip this issue. I've never said this before. Skip it. You don't want to see Jack as a rapist, as it will ruinthe character for you.

Fables is a cute, fairly amusing comic that has little to do with the crossover of which it claims to be a part of, having pretty much nothing of importance occurring within its pages.

Thank goodness the Crossover is over. This could be foreshadowing of good things to come.

Totenkinder's transformation is awesome, but really, this isn't a particularly exciting comic. Also, I need more Bufkin!

This is Fables doing what it does best and doing what it's supposed to do, and that's a very, very good thing.

A really solid issue of Fables that does little wrong, as it sticks to the formula that's made the series a success.

As far as Fables goes, it doesn't get any better.

A couple of bits of sloppy writing, but this was generally a good set-up for the story-arc to come.

A really fun book save for one baffling, inexplicable component. Best to just pretend that that one speech bubble doesn't exist.

I'm happy to once again find myself excited for the next issue of Fables.

It's not all gold, but I really like this Super Team idea, which is what's important, given that it's the meat of this new story-arc.

A solid and promising start to what will hopefully be nice run.

Pure fun and what a comic should be, I'm completely thrilled to be reading the FF again.

The conclusion to the battle is a bit of a mess, but the rest of the issue is absolutely outstanding, with the ending being one of the finest moments I've seen in an FF comic in quite some time.

Enjoyable for what it is, but it creaks a little at times due to the weaker art and Hickman's obvious motivations.

Good, clean fun. Hickman's FF is one of the best Marvel reads.

The first misstep in a run that's been phenomenal thus far. I can forgive that.

Miles better than last month's illustrated essay, but not up to Hickman's usual A-grade.

Lots of fun, Hickman's FF is back in shape. If you've got kids interested in comics, I imagine they'd love this.

A nice break from Hickman's usual insanity that is sweet (up until the epic cliffhanger) but never contrived. Also, see if you can spot the rather funny Easter egg cameo by Stan Lee and Jack Kirby!

While Hickman plays it safe this month, this is still a very good issue.

Another really, really good issue of Hickman's Fantastic Four that's guaranteed to leave you wanting more.

A truly great send-off for a character that never feels tacky. That said, there's also plenty more to like this month. It's a big comic book that's well worth your four bucks.

About as non-new reader friendly as possible, but an issue that shows that if Marvel had any sense, there really is only one correct choice for the writer of their next big event, and that's Jonathan Hickman.

Lots and lots of fun with several big, memorable moments.

A perfect ending to a fantastic run. Forever has proven that if Marvel gives it's next big event story to anyone but Hickman, they will be sorely, sorely mistaken.

Proof that you really can't win them all and what seems like a good idea may not quite pan out upon execution.

A mediocre, poorly developed script meets art that's merely passable. I have a feeling that Hickman's Fantastic Four/FF work post-Fantastic Four #604 (when Hickman wanted to end his run, but for Marvel's insistence) will be treated much like Rucka's final arc, “Cutter”, on Batwoman's Detective Comics. That is, it'll probably end up being largely overlooked and forgotten. Well, hopefully with the exception of that awesome “Ben Grimm in the future” done-in-one one and the hilarious “Annihilus on the toilet” issue of FF.

It pains me to say this, but this was bad. It's the firmest proof yet that Hickman does not have enough material to last from when his run was supposed to end to the Marvel NOW relaunch. Not by a long shot. Of course, that's Marvel's fault and not his.

It's an appetizer, certainly, but Fatale is most definitely a book to be excited about. This isn't one to trade-wait, let alone miss.

Thrilling, page-turning, breathless, desperate, and ultimately, a punch to the gut. In other words, it's another great Brubaker/Phillips comic.

Another fantastic issue of Fatale. As unbelievable as it may be, this series just keeps getting better.

Another excellent issue of Fatale. What a shocker.

Matt Fraction has an actual story to tell, which means this is a hell of a lot better than Siege #1.

A really fantastic and exciting read that puts on display all the fun to be had in a big, superhero comic. Oh, and for what it's worth, I thought it was significantly better than Flashpoint #3.

Not awful, but certainly the weakest issue of Fear Itself thus far.

Though I've come to not expect much from prologue issues, this was pretty good.

Glimpses of the future show very promising things as Jonathan Hickman continues to carve his place among the best FF writers of all time.

FF continues to be a very, very solid read, month in and month out. For this reason, it remains a comic that I consistently recommend.

FF remains a book that is a consistently solid read.

I'm honestly not sure why I had to read this. Worst issue of FF by far, but then again, I'm not sure whether this even counts as an issue of FF.

Thank God this disastrous storytelling decision on Hickman's part is over, with the comic I actually subscribed to returning next month. The fact that this two-part digression even saw release is proof to me that Marvel's editors have given Hickman a very, very long leash. Excessively so.

Improved, but still inappropriate artwork mixes with a solid script with satisfying high spots.

All this said, Sosa and Sotomayor once again do incredible work and do their best to salvage the art. Sotomayor's colors are absolutely brilliant, full of life and charm, while Sosa's thick inking is loaded with character. These are two names I'll definitely keep an eye out for in future. Bobillo's artwork does its damndest to work against Hickman's script and was the only thing keeping this book from an A-grade.

You probably can get by without picking up this issue, but if you're a Hickman FF devotee, you probably will anyway.

A comfy, ho-hum issue, nothing much to see here until BAM….smashing you in the face with awesomeness in its last few pages.

A real blast and an absolute must if you're looking for a light-hearted good time.

A smart read with great characters that nonetheless brings the laughs. In other words, it's Hickman's Fantastic Four/FF doing its thing.

Great artwork can't change the fact that so much of this issue is just repackaged material.

If I could hug a comic, this would be it.

Still a definite recommend for anyone's pull-list.

A good issue, but not quite of the same level as last month's issue. Apparently even the fastest man alive can suffer from “middle-of-the-arc” syndrome.

The only part of this book that wasn't fun was how long I had to wait for it to be released.

An absolutely outstanding issue. I wish all filler issues between major story-arcs could be this good.

Really fun with both the Barry Allen and Flash portions delivering the goods, albeit very different goods.

There are glimmers here and there, but this was…kind of a mess. The amazing artwork just barely carried it through.

I really do love this current status quo for the Rogues, which is tons of fun. Bring on the Annual! And keep feeding me that Manapul artwork.

The Bottom-Line: A much more enjoyable read than last time. Still by no means perfect, but it's an improvement, and with it's fantastic ending, a sign of further improvements to come. Don't lose hope on this series! A solid issue.

Hell yeah! THIS is what I signed up for with Flash: Rebirth. A great issue that totally rewards you for sticking around, as long as you don't mind the change of what's been established in the Flash folklore.

Great for newer fans, fairly pointless for older ones.

Fantastic ideas and solid artwork hampered by Fear Itself and some at times sketchy writing.

A first issue that sees its writer getting comfortable with his new book, this is a worthy addition to the Vertigo crime lineage.

This book is currently confusing, as it reads like an ambiguous mess. There's just not much here. Gianfelice's amazing work saves this from a worse grade.

A little comedy and a lot of action, this was big, epic fun.

A solid book that works well as a denouementfor the last arc at the expense of leading into the next one. That said, I'm sure this menacing portrayal of the Guardians will pay dividends during Blackest Night.

A solid issue that feels a little scattered. Neverthless it's still fun issue.

A generally enjoyable 22 pages of chaos with a nice surprise ending.

The best issue of GLC in a while, but I can't help feeling a little soured by the missed opportunity.

The relationship and interactions between the two brothers may save this book, but I'm not sure, given that most of these flaws are at fundamental, conceptual, and creative levels.

At $2.99, you need to give this book a shot. Marvel is really trying something different here, and it's brilliant, with a creative team that is working at their absolute peak. This doesn't just meet expectations, it exceeds them.

Nothing short of a revelation, this has emerged as one of the best books at Marvel. If you like Waid's Daredevil, buy this. If you just like great comics with two talented creators making the most of the medium, you must read this.

No joke, I was grinning from start to finish while reading this issue. You need to be buying this comic.

Excuse me, I'm busy collecting my jaw from the floor.

When the reader's experience mirrors that of an iconic character, you're doing something right.

A rocking good time.

Radical's best comic. Alice Hotwire is among the best characters in comics today and her world is similarly top tier. Whatever the format you choose, this is a book you need to be reading.

Great action, unbelievable art, and increasingly likable characters come together in a fantastic comic. If you haven't read Hotwire, you should. This weird and yet oddly perfect hybrid of hard science fiction, cyberpunk, noir/detective fiction, and horror continues to be a real winner.

Amazing character dynamics, amazing dialogue, amazing structure, amazing art, and an amazing setting. Do not let this book pass you by, as it is easily in the top five, maybe top three, of the entire relaunch. If there is any justice in the universe, this book will be the one to make Fialkov and Sorrentino's respective careers.

A bit of a falter for this fantastic series but hey, a weaker issue of I, Vampire is still pretty bloody good.

Incognito remains an example of one of the top writers in comics today doing what he does best with complete freedom.

Some really good ideas and character-work mixed with a messy potpourri of art and some slightly undercooked elements.

Not bad, but nothing to really get excited about either. Aaron's take on the Hulk is getting better, the boar brothers are amusing, but I'm still waiting for this book to live up to, and capitalize on, those glimmers of potential that it so clearly has.

Another glimmer of potential that I'm still waiting to be capitalized upon.

There are huge problems here that I can't totally ignore, but I can't deny that I had a LOT of fun reading this.

Well, it sure is pretty, but in the end, it's an issue largely composed of meaningless punching.

A surprisingly solid issue of Incredible Hulk, which is enough to make it Aaron's best issue in quite a while.

One of the best single issues of Invincible, this is without a doubt the biggest shocker/development since Omni-Man revealed his true nature. The series seems to be ready to take a darker turn, and I'm all for it. I'm just not sure if I'm emotionally prepared for what's to come.

About as fast a read as you can get, butdefinitely a goodone.

Some solid character moments in what is otherwise a 22-page preview. Nevertheless, it still manages to tantalize.

This book was obviously needed to move things along, but that doesn't make it thrilling to read. Allen the Alien rules though, and is a definite selling point.

There's fun to be had, but overall, a surprisingly mediocre read.

The book's pacing is a bit of a mess, but the strength of its characters and the sheer number of developments in its pages more than makes up for that.

Bland Viltrumites aside, this was a really fun outing with awesome art that continues to surprise me with how much I'm enjoying it.

Good, but not $5.99 good.

Bland bad guy aside, this was a solid outing for your favourite characters with art that's guaranteed to make you wince. In a good way.

An outstanding issue of Invincible. Hopefully we won't have to wait long for the next one.

Overall, it's satisfying. That said, it's the Michael Bay movie of comic books: epic, explosive, pretty, with some awesome moments, but not without narrative corner-cutting.

Enjoyable for what it is, but admittedly a bit on the drier side.

It may not blow your socks off, but it maintains the series' high standard.

Detroit Steel may be boring, but the rest of the cast isn't. This issue promises big things to come.

Absolutely outstanding and exactly what an anniversary issue should be: a creative celebration.

A strong, if surprising, outing.

Something for everyone. You get the talky battle of wits and the Pepper Potts action scenes. Invincible Iron Man readers are going to have to get especially grumbly to find major fault with this one.

A decent issue, but one that was held back by having Fear Itself shoehorned into it.

A really good, really powerful issue that stamps home how high the stakes are in Fear Itself and left me wanting more.

Pacing issues aside, this was really solid as far as tie-ins go, with a balanced model that I wish more writers would use when writing these sorts of issues.

One failed joke, even if it drags on through the whole issue, isn't quite enough to snuff out strong character work.

Pepper Potts saves the day, making something generally enjoyable out of an otherwise humdrum issue.

He may not have shown it in Fear Itself, but Matt Fraction is an excellent writer. I'll have to double-check my longbox, but I think this may have been the best issue of Invincible Iron Man to come out this year.

A great battle, or game, of wits that intensifies with each issue. A fantastic read, this issue only continues a trend that sees this arc get better with every month. This is a real return to form for Fraction's Invincible Iron Man.

Fraction's Iron Man continues to be one of the best reads at Marvel. Witty, emotional, well-balanced, and with twists and turns aplenty, this isn't one to miss.

Jam-packed with content, big moments, and tons of excitement, Invincible Iron Man continues the roll it's been on lately, double-shipping be damned.

While this issue isn'tquite up to the sky-high standard of the past few installments of Invincible Iron Man, it's still very solid.

I love where Fraction is going with Tony in this arc and can't wait to see what's in store.

Another very solid outing for one of Marvel's best series, even if it is a bit guilty of being a chapter in a trade paperback more than an issue in an ongoing series. Still, lots of cool stuff here.

It's a decent issue, but clearly a transitional one. Still, a transitional issue of one of the best superhero comics on the stands is better than the majority of what's out there.

Some parts work better than others but at this point, Fraction and Larroca's Invincible Iron Man can do little wrong.

After a transitional issue last time around, this issue shows up in a big way, delivering satisfying action and introducing more elements that are sure to please long-time readers.

I'm glad Kirkman wrote this issue, but it's not as engaging as it should be.

Is anyone hotter than Nick Spencer right now? Buy this book! I will be very angry at all of you if this ends up as another quick sales casualty.

I liked it less than last month's book, but War Machine fans may very well feel differently.

Spencer writes really good comics. Morning Glories is fantastic. THUNDER Agents is fantastic. His Fear Itself tie in for Secret Avengers, the first issue of which came out this week as well, was surprising in just how good it really was. So what the hell is the problem here? Once again, it feels like Spencer is flailing.

I like the characters and I feel a ton of potential here, but at the moment, it's just that: potential.

I really hope readers give this book another chance. This was a much better issue and carried much of the energy that the first issue should've had.

It's hard for me to really bad-mouth this series though because I love the characters, I love the concept, I love the world, and I love the art, but as of right now, Roberson's storytelling is holding this series back.

Great ideas again hindered by amateurish storytelling.

Abetter issue in what has thus far been a lackluster crossover. It's focused, smart,and the comedy is definitely a high point. I just wish that we'd see a bit more forward momentum.

There are a few laughs here and there, but this is a lifeless and rushed issue in an increasingly tiresome crossover.

A laugh here and there, but if you're short on cash, feel free to skip it.

Jack and Robin are fun in their respective scenes, but even with a decent action scene, a boring lead character leads to a dry issue.

It'sa touch better than last month, but this is still somewhat bland.

Having been on-board since issue one, I'm sad to say that I'm done with this series.

Brilliant. The best first issue of the year thus far. This issue is naked proof that Kieron Gillen is a name you need to know.

Two issues in, this is set to take a place among the very best comics out of Marvel. I hope people are reading it.

All told, Journey into Mystery is a fantastic book that you really should be reading, particularly if you're at all partial to fantasy, Thor, or, well, good storytelling in general. It's laughs, adventure, and above all else, very strong character-work with stunning artwork to back it all up.

Are you reading this? If not, you really should be, because I can guarantee that this comic is better than a good chunk of whatever's on your pull list. That's certainly the case for me.

A lot of the negatives I list are really entirely due to Journey into Mystery's sky-high standard. Taken on it's own, this issue is absolutely fantastic and not at all a bump in the road or a misstep.

Heartfelt, gripping, hilarious, emotional, and sincere with great artwork and great character-work. What more could you ask of a comic?

Gillen and DnA took some daring creative risks for this issue, but they did not pay off at all. You can't win them all.

While the art still isn't my favourite, Exiled is really coming together now with this issue featuring another clever game-changer.

The start of a story that feels much more like JIM in its element, both in script and art. A good issue and I think it'll only get better from here.

A brilliant issue with nothing but huge, emotionally evocative moments…even if you'll hate Gillen for it.

Even with underwhelming art, I think it says a lot about the quality of the script that I still absolutely loved this issue.

This is a bad comic that still has hope for its run, given that none of it is Bagley or Robinson's fault.

Utterly appalling. Don't even give this a chance.

Despite it's simplicity and some minor growing pains, it's a fun book. Geoff Johns fans need not panic.

Not a bad issue, but there's still some growing pains and lazy storytelling.

Half the comic is fun, the other half isn't. What to do?

Better than last month's dire affair, I guess.

This is quickly becoming one of the best books that DC has to offer. In fact, I'd put it in the top three.

Great art, great atmosphere, and a great tone, but the parallel story structure finally breaks down a bit.

This comic really was a pitch-perfect and an enjoyable experience throughout. It has everything that got Xanadu to the Eisners. Wagner scores high with what is by far the most enjoyable issue of Madame Xanadu in a very long time. The ending will have those who've been on-board from the start gasping.

Man, am I glad to be done with the flashbacks.

A very, very good comic that falls a hair short of an A-grade.

Fantastic characters and great art make for another excellent issue of Madame Xanadu.

A by-the-numbers ending doesn't stop this from being a great issue. Ms. Zarcone is also a real find who I hope will get more work with Vertigo.

A great story is hamstrung by terrible art.

One of the best-looking comics of the year with a script that can't quite keep up. Vertigo needs to get Zullo on an ongoing.

Who knew psychics could be this cool, gritty, or slick?

Great issue that sees Moon Knight and its creators living up to their potential. It's just such a damned shame that there are only two issues left.

A really fun, exciting issue of Moon Knight with a really nasty twist towards its end.

A rock solid conclusion to a series that saw Bendis and Maleev at their best.

After just one issue, I'm addicted.

Pure dynamite. This is Nick Spencer and Joe Eisma at the very top of their games.

For a seeming filler issue between major story-arcs, this is pretty good actually. Spencer and Eisma's talents carry an issue and make what could have been disastrous into something pretty enjoyable.

Mr. Stuffins continues to be one of the funniest comics I've ever read. With it's lead character and its “family drama” backstory, it plays out like a Pixar movie. This is a book that will make even the most hardened “mature comics” reader feel like a kid again.

A really solid New Avengers issue that truly succeeds as a “superhero team” comic, where every member of the team has their own unique moment and gets their own time to shine, even despite Son of Satan's highly entertaining presence. This is the most enjoyable New Avengers issue since #49.

A decent book with an interesting set of characters, but unfortunately the Avengers themselves play second fiddle. An interesting ending can't change the fact that this arc's purpose was to sell a new series.

A solid issue that suffers from a few irritants and some curious artwork.

A fun action comic that turns the tables on what we normally get from New Avengers.

One annoying character in such a large cast is thankfully not enough to ruin a good comic. It's a fun superhero yarn that is everything your standard, monthly Avengers comic should be.

Overall, a fun outing with the Avengers.

It's fun, but familiar.

A really great book that feels worthwhile and significant as a tie-in.

It's hard to imagine New Avengers, especially without New Avengers, any better than this.

This book totally exceeded my expectations and delivered the fun.

The New Avengers doing what they do best.

Overall, if you enjoy Bendis Avengers, this is the kind of solid experience youve been picking up for years. If you dont like Bendis Avengers, this wont change your mind.

Mixed feelings about that death aside, this is a fun issue that provides a strong finish to an at times uneven arc.

I enjoyed it, but I imagine that this issue could be something of a divisive one.

While my inner Doom-fanboy was a little peeved but honestly, this was a really good issue.

Despite my other complaints, the biggest problem here is that it flies by way too fast and ends up a bit insubstantial. A shame, since what we do get is pretty good.

The worst issue of New Avengers since the relaunch. Sorry, folks.

An improvement over last month's issue, but I still feel like this is an arc that keeps shooting itself in the foot and neglecting its potential.

Against all odds, we get a pretty good conclusion to what has been an absolutely horrible arc.

The best issue of New Avengers to come along since the first arc of this relaunch. Those who stuck out the last arc are really, really well rewarded.

A solid issue of New Avengers. I continue to enjoy how Bendis is using these tie-ins to give us a more personal vantage on such a massive, universe-wide event.

I find it unbelievable that this story exists. If you had a sneaking suspicion that this was a re-run of various elements from Dark Reign, you're only half right: it's Dark Reign, recycled, but only dumber and more unbelievable than last time.

It's amazing to see Bendis do wrong in one issue what he does right in another issue…in the same week. But that's where we are.

Excellent artwork in a very different sort of Bendis comic. If anything, this issue just showed how badly we need an Iron Fist/Immortal Weapons/K'un Lun comic. It's a fascinating area of the Marvel Universe that needs and deserves attention.

There's not much to say about this comic that I didn't say about the last issue – it's absolutely excellent for all of the same reasons that last month's issue was excellent. This is a very different sort of Bendis book with fantastic artwork. The difference between last issue and this one, however, is the addition of that fantastic new guest star, which raises the book to another level. I imagine some might begrudge this book's featuring no Avengers or X-Men whatsoever, despite the admittedly misleading cover. That may be true….but it's still a great comic.

Again, your mileage will vary depending upon your immediate reaction to the twist. For me, it didn't work. That said, the art is gorgeous, even if it won't give you happy feelings.

Possibly the best single issue of New Avengers this year.

This is just about everything that was fun or good about Bendis' Avengers. Of course, that also makes it very “Bendis”, so if you hate that…well, why the hell are reading issue #31 anyway?

The New Avengers, and their readers, get their reward, though it's a bit drawn-out.

An astonishingly good comic that shows what can be done with 22 pages. This may very well go down as oneof the best single issues of the year.

“Consider us Odin's wolves, here to send you to your nailed God.” That's just a sample of the cerebral badassery on offer here.

Very minor quibbles aside, this book is simply awesome.

A fun revisiting of an old character that can be enjoyed both as an accessible actioner and a more complex take on the nature of myth and legend.

Comics bliss… This should satisfy even the most stalwart Bendis-hater.

I have to respect any book that even uses the inside back cover, but despite this and the awesome art, I still wish there was a bit more meat to its narrative.

Bendis and Oeming continue to plant seeds for what should be another amazing run.

A good issue that would've been great were it not for those damned solicitations.

Freaking great. Just don't make me wait another 5 months.

This is a comic that grabs by the throat, squeezes, and does. not. let. go.

A very solid Remender Punisher issue with lots of action, hard-biting Frank Castle one-liners, and awesome artwork. With that said, while the action is explosive, those expecting a “final showdown” will be disappointed, as this issue really doesn't resolve a lot. Rather, it lays seeds for the future. Of course, while I am a little miffed, it's clear that Remender is setting the Hood as Frank's continued arch-nemesis, which I like.

The Punisher comic I've wanted for years and one that, for this reviewer, makes Frankencastle look even dumber in retrospect.

Having a great first issue is one thing, but in many ways, it's the second issue that counts the most when it comes to getting idea of how things are going to go long-term. After this issue, it's clear that Rucka's Punisher is the real deal.

Looking for another Marvel book? This one's a prime candidate. Man, is it great to have Greg Rucka back on the stands.

This is among the best single issues of the year.

Another fantastic issue of the Punisher. If you're not reading this, you really should be.

There really isn't much to say here. This isn't a bad issue by any means and it's competent in both art and script. But it's not anything more than that. It felt as though Rucka was running in place here. This is the first stumble this series has had but, given that this issues entire problem was a lack of significance or real meat on the bones, I imagine it'll be quickly forgotten.

A fantastic, psychological read of how the Punisher myth erodes one man's identity. So far, the smartest read of the week.

A really, really fantastic read that manages to pull the reader in and get him/her truly involved. Issues like this only make me more upset about this series' cancellation due to poor sales. Seriously, what's wrong with you people?

Brilliant art, brilliant character work, and sophisticated storytelling by all involved. This is an absolutely top tier comic and I'm more than a little pissed that it's been canceled….let alone canceled for sure to be vapid, immature dross like a Daniel Way/Steve Dillon Thunderbolts book.

Welcome back, Frank.

It's a great comic, one that confirms that Jason Aaron is bringing his own talents to the table, not just Ennis'.

If you're the right kind of reader, you'll like this. If you're not, why the hell are you reading Punishermax?

It's not quite as brooding as previous issues, but it makes up for it with spades of fun.

Forget that Frankencastle foolery. This is a Punisher comic.

A really good issue and one of the best of Aaron's run thus far.

Man, it's really great to have this series back. It appears that Aaron has also finally settled on the tone that suits him best.

One of the best issues of Jason Aaron's PunisherMAX thus far, if not the best. With two astounding issues in a row, this title has returned with guns blazing.

Another really strong issue of PunisherMAX. This is quickly becoming not just a must-read, but a comic that, when all is said and done, will most likely be on many shortlists for "best Punisher comics of all time."

Jason Aaron and Steve Dillon continue to deliver a Punisher comic unlike any that has come before.

It's hard to believe that we live in a world where we have not one, but TWO excellent Punisher books, both of which are among the very best comics that Marvel publishes. Issues like this validate PunisherMAX's claim to that title.

A really fun Secret Six issue, but if you're here for Blackest Night or the Suicide Squad, you may as well skip this.

This is the start of something really, really big. The hype is justified. Do not miss out. Get in on the ground floor because I can guarantee that if you don't, you'll just end up reading the first six trades and jumping in at issue 30-something after this series becomes the “it” book. I could be wrong, but this feels like a classic in the making, much like Y.

While it isn't the most earth-shattering installment of the series, Scalped has never had a bad issue and this month doesn't see a buck in that trend.

Scalped is an awesome series, and this is another really solid outing. I can't wait for next month's installment.

A heady mix of anger and sadness, this is the sort of piss-and-vinegar blend that is Scalped at its very best.

Has there ever been a bad issue of Scalped? No, not really.

A really good issue of Scalped, no surprise there, but ultimately one that will read better when collected.

A great concept, but this felt like a #0 issue stretched to 29 pages.

Scarlet finally gives me something to grab onto.

Scarlet finally works for me. A fantastic comic.

Solid art and a glimmer of potential from what is, unfortunately, an utterly unremarkable comic.

If you gave up on this comic,come back! It's really starting to deliver on those expectations.

To everyone who dropped Secret Avengers, disappointed by the first arc: come back! This is the book you wanted!

Not quite at the same level as the last couple of outstanding issues, but still quite a bit better than that disappointing first arc.

Not at all bad, but by no means fantastic. Still, it's an enjoyable experience that is completely inoffensive.

An enjoyable Steve Rogers adventure.

Everything a good tie-in should be. Solid character-work, a message that's powerful but not cheesy or sappy, and a really good representation of everything Fear Itself should be about. Very well done, and hopefully more than enough to keep a few Brubaker fans on-board for the time being.

A rock-solid issue with a really creepy tone and brilliant art.

A fantastic, epic sci-fi experience with stirring heroics in words and deed and truly brilliant artwork. Who'd have thought that a tie-in issue lacking both the regular artist and the regular cast could be so damned good?

Wonderful art and a wonderful setting clash with a sadly forgettable story that is a substantial drop from the “last stand” awesomeness of last month's narrative.

It's not a bad issue, but it's a disappointment. As a conclusion, Remender acts as though this was a much longer, better established arc than it is, while the loss of Breitweiser's colours is a letdown.

The big swerve is great and while it doesn't truly break the mould, this was definitely a fun ride.

This issue was one that was just kind of….there. Normally, I'm not this harsh on Secret Avengers but I guess I'm just wishing that it were more than it is. It's still fun, I just wish it had a little more depth and heart to it.

Despite the lack of Nicola Scott, this was my favourite issue of Secret Six in a while. Long live Black Alice!

An enjoyable issue of the Six doing their thing. And Ragdoll's never been better.

It may be strange and inexplicable, but it's still a good time.

The best issue of the Six to come around in a while.

Forget Dark Avengers, this is the real blockbuster.

It's still a good issue and a fantastic comic, but it's hard not to see this as a transitional comic, setting up a crossover and a Dark Reign-related conflict. It's a book that'll read better as a chapter in a trade. Also, Vitti, while good,isn't in Casselli's league.

This book is at its best when the kids are at the forefront, as they are this month. Though still not perfect, Vitti is also coming into his own.

Way better than last month, but seriously torpedoed by bad artwork.

Surprisingly good, Hickman does quite a bit to restore hope for this series.

Good, but not great. Blame Marvel.

While the artwork is fantastic, I really have no idea what the hell Hickman was thinking with this one.

A really good issue in and of itself, but doesn't do much to alleviate my concerns about how Hickman is going to finish this beast of a series.

A really excellent conclusion, but also won that makes you wistful for what could have been.

Certainly miles better than Siege #1, this was a fantastic start.

Frustratingly mediocre.

A bland slab of Marvel Comic void of soul in, ironically, a tale that should be all about the soul.

The Bottom-line: The best issue of one of the best limited series of 2009 thus far. Epic, beautiful, and harsh, this is one to pick up. Better still, it's 2.99 for a 50-page issue with heavy paper and a glossy cover. Can't argue with that.

“Seven years in the making” somehow manages to mean “slapped together.”

The quintessential comic blockbuster that brings much promise for the Marvel U.

It's an entertaining issue with very solid character work, but it could've been more.

After issue 1, I forgot about this book. After this issue, I'll be taking a look at issue 8. Call it a win.

An artistic master-piece with deeply introspective writing. This is the definition of promising.

It didn't feel quite as fresh or jaw-dropping as last month, but that's more to do with how good last month was. And hey, the price is dropped down to $2.99!

I've really enjoyed Spider-Woman thus far, but this is issue is feels a little phoned in.

Kirkman and Howard have a really good comic on their hands here. If you spent the mornings of your childhood watching cartoons and your afternoons playing with the action figures from those cartoons, you need to read this.

As an actual comic book, this, frankly, kind of sucks. But the world and the characters are so awesome that I actually enjoyed it and wanted more. I'm not quite sure how that works, but frankly, that's how I feel about much in this comic, and yet, work it does.

Elegantly constructed, thoughtful, and action-packed, this is a rousing success and everything I'd hope for from a Superboy book.

Yup, no sophomore slump here. Jeff Lemire is quickly establishing himself as a fresh new voice in superhero comics.

Yup, no sophomore slump here. Jeff Lemire is quickly establishing himself as a fresh new voice in superhero comics.

Atmosphere and mood are what this book is all about. Thoroughly barren and broken with a beautiful glimmer of hope, this is a fantastic debut issue.

With a direction now firmly in place, this is looking to be a moody and atmospheric book with the potential to be both rollercoaster and sprawling epic.

The best issue since the series debut. If you're not reading this, you are really missing out.

Sweet Tooth remains consistently one of the best books on the racks.

A strong issue, but not the guaranteed pick of the week that Sweet Tooth usually is.

A wonderfully gripping read that was also highly intellectual if you wanted it to be.

This is basically the best possible pitch Sweet Tooth can make while playing its B-game. Thankfully, that's still one great comic.

A daring choice by Lemire, but one that prevents this from being an unremarkable filler issue.

Mr. Lemire, you make good comics. The best issue of Sweet Tooth in a while.

The fact that this was just a little bit better than your standard issue goes to show that Sweet Tooth truly is one of the best books on the stands right now.

A really deeply touching issue and one of the best issues of the series. And this is coming from a guy who thinks landscape comics ought to be burned.

It seems that there are only two types of issues when it comes to Sweet Tooth: fantastic, or absolutely fantastic. This one's the latter.

Not the strongest issue, but that last page ensures that this rare misstep for Sweet Tooth won't be a lasting one.

A hard issue to grade, really. It's unmistakably a high quality product with excellent writing and artwork on a technical level, but it's all marred by very odd creative decision. I feel like I'm still waiting, albeit excitedly, for the first issue.

Writing-wise, my only niggling concern is just how necessary this whole crossover is. Right now, there are just too many disparate elements, which leads to some things being left forgotten on the backburner. The Jack Frost segment was just weird and out of place and needs to be made relevant FAST. Also, having Kevin Thorn and Mister Dark as adversaries at the same time is just odd, as focusing on one leads to the other's being forgotten, and the existence of one threatens to dilute the threat of the other. It seems the comic has chosen to focus more on Thorn, but that leaves Dark as the elephant in the room, and it's awkward. For instance, Bigby is revealed to become more feral when in the same state as Mister Dark. This issue, he's right in New York City but experiences no difficulties whatsoever. Huh?The Bottom-line: Despite my nagging, as an individual issue, this is fantastic. It's witty, funny, and clever as all hell and it's Mark Buckingham drawing. As a Fab

Nothing earth-shattering that will change your mind about this crossover, but at least it isn't hideously bad or outright frustrating like the past issues.

Really good, this did a lot to restore my faith in Fraction's Mighty Thor.

An excellent Thor-verse comic that's a nice counterpoint to Fear Itself.

It may not be an Eisner-contender, but it's still a hell of a good time.

Decent, but plays it safe.

Much like last month, this is a mixed bag, which I guess is inevitably going to be the case when a writer tries to cover so many disparate narrative threads. Some quite good and some mediocre bits combine with very pretty artwork.

A big improvement over last month and a solid experience overall.

I love Thor. I've picked up all the issues since JMS started his run. This may be my last issue for a while, which should tell you all you need to know.

The issue is a bit of a resetting for Fraction – he goes back to basics while also teasing us with great potential in the Donald Blake/Enchantress plot. Let's hope that he capitalizes on that potential this time around, as he's not had a great track record for doing that in his tenure on Thor thus far.

While one plot is stronger than the other, this is a good issue that follows up on the promise of the last issue. Let's hope that Fraction and Larraz keep up the momentum.

It's early at this point, but I think that this may very well be the best Thor we've ever gotten from Fraction.

It's very much a transitional issue, but it still retains the flavour that's made the crossover a success thus far and it ends on a huge high note, which seems to ensure that the next installment will be vital. Also, Alan Davis art is never a bad thing.

A quiet issue, butexplosive in terms of action, this is another solid issue of the Sword. Frankly, I don't think there's ever been a bad or disappointing issue of the Sword. Stunning art, awesome combat, and a really cool ending make thisa comic that will definitely please the Luna-devoted.

By no means a bad conclusion, but it wasn't quite as personal as we've come to expect.

A change of pace, but a generally good one that shakes up the whole series.