To close out the spooky season, Marvel releases a horror driven Norman Osborn tale that doesn't have enough meat or development for the character to warrant this title's $4.99 price tag.

It doesn't entice the reader to want to pick up more, especially for fans who have followed the previous Spider-Verse events that did the same exact story tactic.

The Infected: Deathbringer #1 tries to use Donna's convoluted history to its strength, but with Quinn putting so much weight on this unstable foundation, the issue easily crumbles.

At the start of "Rebirth," Wally West was one of the most promising characters of the universe, but his arc suffers as DC continues to stall to solve the mysteries of their new world.

This six issue miniseries continues to spin its wheels with its nebulous direction, and this speedster is running out of time to tell a concrete, meaningful story.

He does a solid job at showcasing the large scale that the series sets up to explore, but that's also the problem with Flash Forward's last issue - the story has too much set-up and not enough resolution for a finale.

Overall, there are elements for a really great issue in here that are muddled with so many subplots that none of them are able to truly stand out.

Young Justice #14 introduces a lot of great personalities to the Wonder Comics' universe, but the creative team doesn't give these characters enough breathing room to allow readers to fully enjoy their appearances.

Green Lanterns #36 doesn't add anything new as Seeley struggles to find his voice on this series.

Green Lanterns #37 doesn't have enough interaction between Simon and Jessica, and sadly didn't get me invested in the mystery building on Planet Ungara.

Green Lanterns #38 has the components to create an intriguing story, but needs stronger character work to get there.

Tim Seeley continues to struggle to find his voice on this series, and doesn't bring the personality that Green Lanterns had previously established with Sam Humphries' run.

Let's hope that the next issue of Action Comics delivers on the potential of the relationship between Superman and Naomi with stronger character beats.

By the end of the issue, Dark Fang #1 delves deeper into the series' mythos (taking some noticeable calls from Dracula's playbook), but the main character's lack of personality and the issue's off-beat opening makes this series hard for me to recommend.

Event Leviathan #4 doesn't leave you with more clues, just more characters to juggle.

Gwen Stacy #1 doesn't electrify quite as much as her interdimensional counterpart, but let's hope her and her father's underworld investigation gives Gwen a larger voice for issues to come.

Harley/Joker Criminal Sanity #1 has a very unique premise, especially in a comic landscape flooded with Harley titles, but the story's stagnant dialogue and execution makes for a lackluster debut.

Legacy of Mandrake The Magician #1 shines the most with its superhero elements - from her character design to Mandy's powerset, but Schultz fails to translate that intrigue into Mandy's characterization and high school life. The series plays it a bit too safe for this to be a memorable debut.

The comic tries to add too many elements from the television show, but instead should be taking the time to figure out its own identity.

Tales of the Dark Multiverse: Blackest Night #1 proves that not all great stories have to be revisited, as these Elseworld narratives continue to fumble.

Tales of the Dark Multiverse: Death of Superman #1 puts Lois Lane in the spotlight, but makes her too much of a reactionary character for her superpowered story to truly shine.

Avengers #678 marks the end of "No Surrender's" long-winded first month, which continues to suffer from the arc's weekly format.

Avengers #681 has more character cohesiveness than past issues, but still struggles with a crowded roster.

Invincible Iron Man's slow burn approach hasn't given me enough anticipation for the return of Tony Stark.

. Invincible Iron Man misses a good opportunity to explore Riri and Doom's relationship with Tony, and continues to keep "The Search for Tony Stark" at a standstill.

Injustice 2 Annual #1 had the potential to tell an origin story as powerful as Superman's, but misses the mark.

She-Hulk #159 gives Jennifer Walters a fresh start with Marvel Legacy, but loses the emotional punch of Tamaki's earlier issues with the series' transition from Hulk back to She-Hulk.

She-Hulk #160 doesn't have much to offer as it gives too much panel time to a lackluster side-villain, and not enough on the hero or main villain.

She Hulk #161's saving grace is its cliffhanger, which will hopefully lead to Jen taking a deep dive back into the psychological story that originally got me hooked.

She Hulk #162 has a huge tonal problem. It doesn't know if it wants to focus on the funny, breaking the fourth wall character from the 80's or the series' angsty character from Mariko Tamaki's Hulk run.

Nightwing #36 suffers from a lack of connection to the villain, and should have better utilized the series' supporting cast to make this narrative more personal for Dick Grayson.

Batwoman #11 is a one-shot that solidifies the series' greater flaws.

Spider-Man #235 has some solid artwork and sleek action sequences, but no real substance to go along with it.

Spider-Man #236 doesn't have much substance, and the ending reveal feels like it comes too late in the story arc to tell a satisfying conclusion to Bendis' long run on Miles Morales.

Spider-Man #237 sets up some potentially powerful, heated moments between family members, but because of Bendis and Bazaldua's execution "Sinister Six Reborn" continues to fizzle.

Adventureman #1 may not be the strongest premiere, but it has the building blocks to become a better series.

Ant-Man #1 brings plenty of humor, but in exchange for a lack of a moving father/daughter story years in the making.

Archie is a great character to show this renaissance period for music, but Riverdale feels like an afterthought. Archie and his supporting characters just don't radiate the personality needed to make this an enticing premiere.

Backways #1 tries to build a mystery around Anna and Sylvia and the world of the Backways, but the characters are too mysterious for us to get fully engrossed into the story.

Billionaire Island #1 sets up an intriguing concept, but needs to work on its characters if it wants to be a truly extraordinary series.

Overall, I’m interested to see where Gwenpool Strikes Back will take Gwen’s narrative as she moves through these untapped Marvel stories, but I hope there are some stronger character beats for the rest of this limited series. The balance between heart and comedy will make or break this title. As this issue spells out, it will also dictate the future of the character and her “existence” in the 616.

Overall, If you wanted more of Harley Quinn after watching Margot Robbie's version of the character, then Harley Quinn and The Birds of Prey #1 will be able to whet your appetite, but this may not satisfy fans solely looking to fill the void for a Birds of Prey series.

Raven: Daughter of the Darkness has potential, but Wolfman needs to develop the villains as well as he has Raven's other supporting cast members.

This premiere issue focuses so much on trying to be original that it forgets the key elements of what made Rugrats a great cartoon, which ultimately makes for an underwhelming premiere.

Sara Pichelli's artwork is the strongest aspect of this issue, and does a great job at displaying the Abramses' cinematic style of storytelling, but even this Spider-Man superstar artist isn't enough to forgive all the negative comic book tropes this series relies on to tell its story.

Spider-Man #2 is a step in the right direction, but there is still no element that makes this series a must-buy.

There's a good balance between action and character moments allowing for some dynamic artwork - however, Spider-Men II #1 doesn't work in a post-Secret Wars Marvel universe, and turns you away from the once-interesting question of "Who is the other Miles?"

Overall, The Clone Conspiracy Omega doesn't redeem the underwhelming ending of this Spider-Man event.

Venom #159 is a fun read for hard core Venom fans, but doesn't have much else to offer past that, not even for Spidey fans.

The issue uses this character to try and pull at readers' heartstrings, but the plot is too scattered to fully feel engrossed into Diana and Socialite's friendship.

In concept, bringing every Super-person into a Superman book should be a fun adventure, but sadly "Multiplicity" tells its story with such super-speed that readers might struggle to catch up. Three issues were far from enough to tell the heavy story Tomasi tried to build in this short story arc, making this conclusion fall short from its iconic inspirations.

Superman #36 is a disappointing issue that rushes months of build up with Lex's character, seemingly for the sake of the series' upcoming crossover with Super Sons and Teen Titans.

Superman #38 has a slow start when focusing on the current Teen Titans, but the rest of the issue revs up its engines for a promising finale.

This issue seems more like a filler as the Superman stories inch closer to Action Comics #1000 and Brian Michael Bendis' run on the character.

Detective Comics #957 puts an interesting twist on how vigilantes should approach heroism in Gotham City, but Stephanie’s characterization makes it hard to fully enjoy the issue. This spotlight story misses an opportunity to fully convey Stephanie’s motivations, which hurts the issue’s character moments.

Detective Comics #963 doesn't have a lot of plot progression, and sadly weighs Stephanie's character down even further as she continues toward her downward spiral.

Detective Comics #964 is a very slow burn, and sadly doesn't do any justice for the characters the issue spotlights.

Detective Comics #965 gives our first true glimpse at Mr. Oz's lair, ending with a striking twist - one that adds even more mystery behind DC's "Rebirth."

Hopefully these side stories start connecting better to the main story before people lose their interest.

The Beauty #19 does a better job at connecting the different arcs, but the series' story still feels too choppy to fully enjoy the world Haun and Hurley have been creating.

X-Men Blue #1 gives us a promising ending, but the relationship between the team is lacking. The series needs to work on the balance of fun nostalgia and team building.

X-Men Blue #20 focuses too much on over explaining its timeline and not enough on the team's character beats.

Overall, Absolute Carnage: The Immortal Hulk #1 is worth reading for the seeds it plants for the future of both titles, but doesn't warrant its own issue.

The Amazing Mary Jane might feel like a disconnect from Nick Spencer's take on the character, but the moviemaking angle gives the series a unique enough spin to give the second issue a shot.

Amazing Mary Jane still struggles to find its voice, but has a unique point of view for the superhero genre as it explores the day-to-day hiccups that come along with set life.

With the series third installment, the title continues to struggle to find an identity for itself. It injects action for the sake of it being a superhero book, but the quicker it figures out it's not the stronger the series will become.

Overall, James Tynion IV and Peter J. Tomasi's storytelling didn't deliver the emotional punch that should come along with the death of one of DC's most prominent characters.

This first installment of Cable has an intriguing cliffhanger, but just doesn't do enough to allow the title to stand out.

If Charmed television fans need their fill of the Halliwell sisters, then Dynamite's Charmed #1 is a good issue to whet your palate, but if you are looking for this comic to bring something new to the franchise, then you'll be sadly disappointed. Charmed #1 does a great job at showcasing the lovable chemistry between the sisters, but brings a generic villain along for the ride.

The finale is almost here, and the clock is about to hit midnight " but I just don't know if the series has enough time to stick the landing.

Doomsday Clock is a love letter to Watchmen from Geoff Johns' scripting to Gary Frank's use of nine-panel grids, but it isn't a love letter to the current landscape of DC.

Edge of Venomverse #1 would have been a stronger issue with a more emotionally driven plot, but has some fun nods for hardcore Laura fans to enjoy.

Road to Empyre: The Kree/Skrull War #1 delivers visually, but narratively focuses too much on set-up and not enough on character.

Free Comic Book Day: Fresh Off the Boat is a great comic in concept, but a bit clunky in execution.

This number one had a few missing elements for a well-rounded debut but carves a unique space in mainstream comics for a potentially promising overall series. Getting it Together #1 displays a variety of unique voices into the slice of life and romance genre, but doesn't give enough characterization outside of the main characters' romances to get the reader fully hooked.

Ghosted in L.A. #3 does a great job at giving the series' supporting cast layers that will hopefully influence Daphne to be a better friend and, overall, better character.

Harley and Ivy Meet Betty and Veronica #1 centers around a group of women with outstanding personalities, but sadly with this premiere issue that energy never comes to the surface.

Ivy and Harley's villainous reasoning for staying in Riverdale is still a bit weak, but thankfully this issue gives the right dose of fun to help the series finally find its footing.

Harley & Ivy Meets Betty & Veronica #5 loses its fun as this mini-series is overstaying its welcome.

Jessica Jones #16 doesn't have perfect pacing, but the emotions needed for a final arc are presented well.

Bendis' biggest strength and weakness is decompression, and, sadly, for Jessica Jones this style makes this story falter.

Jughead: Time Police #5 isn't as strong as the series' previous issues, but it's still a fun ride.

Outcast #33 ironically starts to find its identity by using a bit of flavor from Kirkman's other famous comic book property.

Overall, Outcast is a slow burn to the end, and with only three issues left, it looks like the title will be going out with a whimper rather than a bang.

Relics of Youth struggles to find an identity as it tries too hard to be like its YA comic book predecessors, but the plot delivers a strong enough cliffhanger to entice me to read more.

Overall, King builds a potentially intriguing mystery between these two timelines, but doesn't supply the audience with enough breadcrumbs to create the necessary tension to truly get sucked into the mystery.

This issue brings improvements to the Superwoman series, but it still feels like the reader doesn't have enough information about "Superman Reborn" and the DC Rebirth mystery to fully enjoy the story.

Superwoman #13 is one of the best issues in the series to date, celebrating Lana's past while also looking towards the character's future.

Superwoman #14 tries to juggle too many characters, and fails at exploring the most important story element - the relationship between Lana and Kara.

Superwoman #17 raises some interesting points about heroism, but sadly the narrative comes off as broody instead of inspiring.

Superwoman #18 closes the chapter on Lana's time as Superwoman on a clich note, which is ironic because this series started out with so many surprises.

The last part of The Clone Conspiracy suffers from a jammed packed narrative and a slightly ambiguous ending, but the character moments between Gwen and Peter shine throughout the issue.

The Normals #6 might have been a solid cliff-hanger for an on-going title, but falls short as a miniseries finale.

Batgirl and The Birds of Prey #17 delivers a good conclusion to a one-off story arc that allows one of the most iconic female teams to partner up with some of the other big female names of the DC Universe.

If you are a Grayson fan you may enjoy this, but for Batgirl and the Birds of Prey this one-shot doesn't offer too much in story or art.

Batgirl and the Birds of Prey #19 is a good set up issue that does a seamless job at balancing Barbara's role as Batgirl and Oracle.

Future Foundation doesn’t introduce the team perfectly, but does a good job at showcasing what threats they will be going up against, and how they will be working as a unit to fight these encounters. The cliffhanger of the issue presents a very promising place to explore not just for the Fantastic Four, but the Marvel universe as a whole. Future Foundation #1 is a fun, high-energy premiere that has a lot of promise if it figures out what elements to focus upon.

Future Foundation's first arc has been a bloated one, but still has many sparks that showcase that this can be a potentially great series.

Overall, Future Foundation's penultimate issue leaves fans on an interesting cliffhanger, but there aren't enough emotional moments to allow this story to be truly memorable.

Following a sudden cancellation, Whitley and Firmansyah wrap up the series as cleanly as they can by leaving many interesting threads for future titles to pick upon, while still delivering closure for fans of this title and their characters.

Defenders #8 is worth buying for the dynamic art style, but takes a few missteps with the story.

The Defenders #9 had a lot of potential, but is still a stagnant read as Bendis reaches closer to his finish line.

The Defenders as a series never fully met its potential, but the finale leaves an open door for more exploration.

Captain Marvel #11 is a moody issue with an appealing tone, but the villain/hero dynamic between Star and Carol still feels too hollow for the amount of attention Marvel has given their rivalry.

Captain Marvel #12 is a successful first installment to this exciting arc, as it jumps right into the action all while building a fascinating mystery surrounding Carol Danver's new dark path.

Super Sons #12 leaves future Tim Drake's storyline on an unsatisfying note, but gives us strong enough character interactions to make this an entertaining read.

Marauders has a ton of potential with the series' roster and plot points, but needs to deliver stronger character beats.

Overall, Marauders has a lot of potential to be one of Marvel's best titles, but it needs to dive deeper into some character work to get there.

Overall, it was nice to see a different side of Marauders as the series sets up the pieces for a larger war for power amongst the Hellfire Club's royalty.

Overall, Marauders #5 spreads itself a bit too thin as it tries to balance action with politics, but finds strength in the small moments it gives between the series' leads.

Marauders #6 gives more panel time to the team, but could have benefited if it focused more on the series' central conflict.

Overall, Gerry Duggan and Stefano Caselli deliver a gutsy issue that keeps us tensely on the hook from the last issue's major cliffhanger.

Batgirl #14 is a nice issue for Barbara Gordon and Dick Grayson fans. It develops a solid plot that will hopefully dig up some interesting secrets from their past as the arc continues.

Batgirl #19 doesn't have the most original plot, but Larson keeps the story entertaining as she does a good job at utilizing her nicely developed world of Burnside.

The plot is weak, but Hope Larson's examination of Batgirl's connection to Burnside and further exploration of her eidetic-memory makes for an entertaining read.

Batgirl #47 isn't a perfect redemption story for the infamous '80s Batman tale, but it does allow Barbara to take charge of her Women in Refrigerators moment, making this a worthwhile pick-up.

Wonder Woman #36 could have been a great issue if Robinson focused more on the emotional dynamic between the estranged siblings.

Wonder Woman #38 is a nice start to a complicated villain story.

Wonder Woman #39 is an action packed issue that puts character work at the center of its narrative.

Wonder Woman #40 slows its narrative down with some repetitive storytelling, but Lupacchino's glossy visuals make this a smooth read.

Wonder Woman #41 has a few good character moments, but not enough to warrant Darkseid's stay as the series' villain.

Rescue 2020 is a nice return to Pepper Pott's narrative, but the underwhelming visuals prevents it from being a must-buy.

Batman #21 is the perfect set-up for two of DC Comics’ best detectives (Batman and the Flash) unraveling DC Rebirth’s mystery. The best aspect of this issue is figuring out how the clues piece together and how they connect to the overall mystery of DC Rebirth and Watchmen. This gives reason for you not only to pick up the issue, but to analyze the story further through multiple readings.

Batman #85 is a rushed story that desperately wants to say "happily ever after" with none of the fight to get there.

Overall, Batman #86 is a solid debut that gives us a peek at Tynion's unique voice for Gotham, while still staying in tune with past Bat creators.

Betty & Veronica Vixens #3 showcases the strength that comes with femininity as the girls find their individual prowess through their newly formed motor cycle gang.

Hellmouth #1 feels like a classic Buffy season finale, and it's hard to believe that this is only the set-up for things to come.

Elektra #4 is a fun action issue that focuses on Elektra's strength as a fighter, but sadly the issue doesn't give much room to progress the story's plot.

Family Tree #1 presents a world that is ending not because of war but because of nature, as the creative team ably balances ambiance with character study.

Family Tree #7 continues to only tease Josh's grander role as it focuses more on the larger consequences of Meg's transformation.

While the second chapter of "The Button" is not as strong as the story arc's electrifying premiere, but still delivers an interesting narrative for Barry Allen fans.

Overall, Dauterman and Hickman tell a very compelling narrative that hopefully will weave through into the upcoming Giant-Size one-shots.

The Immortal Hulk #22 sets up the pieces for an epic gamma ray battle, but is a rather somber issue that puts more of a focus on the series' haunting visuals and relationships.

The Immortal Hulk #23 could have been your average action issue, but does a great job at giving a human element as Al Ewing gets to further develop his new cast member to the Hulk mythos.

Immortal Hulk #26 shows that Bruce Banner is just as horrifying as the monster inside.

This is a very action-heavy issue that artist Joe Bennett uses to fully embrace the series' monster movie aesthetic, adding to the title's already compelling horror elements. It doesn't progress the plot too much, but the issue creates for some interesting character beats, especially taking into consideration the political tension writer Al Ewing has been building with his last couple of issues.

Jughead: The Hunger's pacing was stronger in the one-shot, but the ongoing's premiere issue still introduces enough fun and daring elements to get me excited to dive deeper into this world.

Justice League/Power Rangers #2 is a bit light on plot, but provides a hightail adventure one would expect when bringing these two teams together.

Long Lost #3 takes a dive into its mysterious world, but the electrifying dynamic between Frances and Piper becomes "lost" as they travel deeper into the woods.

Overall, Peter Parker: The Spectacular Spider-Man #1 introduces a promising story for nostalgic Spidey fans who've missed the "friendly neighborhood" aspect of the character, but the premiere issue proves that there are still some kinks to work out before the series can truly become great.

As a potential catalyst to an ongoing title, Power Pack #63 is a solid issue that is a nice throwback to the original series, but if the team doesn't get an ongoing it will be disappointing to look back at how we didn't get a chance to see the other Power Pack members in the present. This makes Power Pack #63 a bit of a mixed bag, but hopefully this one-shot is just the start to something even greater.

Overall, Power Pack: Grow Up #1 isn't the most memorable story, but is a fun nostalgic trip down memory lane " focusing on a team that doesn't get nearly enough spotlight.

Overall, Vampironica: New Blood #1 is a solid set-up to building Archie's larger horror universe.

Venomverse should be a fun event if it continues to not take itself too seriously.

Overall, We Are The Danger is a fun slice-of-life, musically driven comic book that finds its strength through the band's intricate dynamics and their layered arch-nemesis.

Hack/Slash cs. Vampirella #1 screams formulaic "set-up" issue, but has enough personality to keep me coming for more.

Hack/Slash Vs. Vampirella #3 is the mini series' best issue to date as it not only gives fans what the title promises, but manages to create a more intriguing villain in the process.

If you are a fan of Cassie Hack or Vampirella this is a comic worth picking up. Shawn Aldridge captures the personality of both characters perfectly.

The Magnificent Ms. Marvel #6 is a step in the right direction, as the new creative team returns to the character's roots.

The Magnificent Ms. Marvel goes back to basics with the best installment of Saladin Ahmed's run yet.

Overall, what could have been a powerful character driven narrative becomes just another filler story about corporate zombies.

Magnificent Ms. Marvel #9 is one of the series' stronger issues, as it does a better job at balancing Kamala's personal drama with her superhero responsibilities.

Overall, The Magnificent Ms. Marvel #10 deals with more grounded themes, but focuses too much on her fight with Mr. Hyde to have these emotional moments fully resonate.

Jung has some great comedic timing, especially when it comes to the costume dilemma.

The Magnificent Ms. Marvel #12 feels like a classic Ms. Marvel tale with a lingering taste of nostalgia, as Kamala and Bruno once again have a secret all to themselves, just like the early days of G. Willow Wilson's run.

Generations: The Mighty Thor & The Unworthy Thor #1 lays the ground work for future storylines including Marvel Legacy #1, but misses the heart previous Generations issues delivered on.

Generations: Iron Man/Ironheart has a few nice goodies with the appearances of The Next Avengers and Sorcerer Supreme Tony Stark, but this still isn't enough for the book's $4.99 price tag.

Generations: Wolverine & All-New Wolverine #1 keeps the Generation one-shots feeling fresh with a new perspective. If you are a Wolverine fan, this is a must-read issue that delivers an emotional, character-driven story that won't leave a dry eye in the house.

Generations: Hawkeye & Hawkeye #1 is a fun issue that reestablishes Kate's relationship with her mentor, and reminds us why these two characters work so well together.

Generations: Ms. Marvel & Ms. Marvel is a much needed one-shot that gives Kamala a new view on what it means to be a legacy hero.

Generations: Phoenix and Jean Grey #1 does exactly what you want with a book starring a telepathic superhero " it gets into her head.

Crowded #8 does a good job at "raising the ante" for Charlie and Vita's relationship and the assassins they are destined to fight along the way.

Overall, Crowded #10 is a sexy, action-packed comic you need to pick up.

Crowded begins to truly ramp up as the creative team raises the strakes for the threats that target Vita and Charlie internally and externally.

Mighty Morphin Power Rangers takes its time to tell a hidden story that sure will shake the world of the present Power Rangers. It raises the stakes of the franchise, allowing the title to reach a new level of storytelling not previously tapped into.

Mighty Morphin Power Rangers #22 is a bit of a disappointment after the strong introduction of Grace and the first Power Rangers.

Mighty Morphin Power Rangers #23 embraces the franchise's classic tone with its "villain of the week", but doesn't progress the plot enough to build the necessary tension for "Shattered Grid."

Mighty Morphin Power Rangers #24 is a by the numbers set up issue that shines with its character moments.

Mighty Morphin Power Rangers #41 builds some great groundwork for an even larger narrative, as Parrott continues to ace the series' character work.

Mighty Morphin Power Rangers continues to build a world of depth from the series' exciting mythology to its extraordinary character beats.

Mighty Morphin Power Rangers #47 slowly builds tension as Kiya's villainous plans start to unfold, but the heart of the book is Trini's connection to her old and new teammates as she navigates her duties as an Omega Ranger.

Overall, the creative team continues to find their strength in character, making Mighty Morphin Power Rangers #48 a fun installment as we ramp up towards the conclusion of "Necessary Evil."

The slow-paced story gives a realistic portrayal of living with a mental illness in everyday life, and shows a side of Jen Walters readers don't get to see nearly enough.

Mariko Tamaki has done a great job at exploring how Jen's psychological trauma is affecting her day-to-day life, even if the issue loses a little bit of momentum with Maze's return and the on the nose comparison of Jen and Maze's internal demons.

Overall, Tamaki continues to create an important emotional dialogue with Hulk #6 as Jen Walters starts to figure out what type of hero she wants to be, embracing the consequences of her trauma.

Hulk #7 continues to give Jen a powerful psychological narrative while also introducing a more personal villain - making this a great start for the series' second arc.

Hulk #8 isn't the strongest psychological issue compared to the rest of the series, but is still a good set-up to allow readers to feel invested in the current arc.

Hulk #9 has slow plot progression, the artwork is inconsistent, and it lacks the great character depth presented in previous installments, focusing too much on side characters and not enough on the book's main star.

Hulk #10 is a solid ending to this arc as it brings back Jen's psychological narrative in full force.

Hulk #11 is a good set up for She-Hulk's journey into "Marvel Legacy," but the issue needed stronger pencils to match Tamaki's innovative script.

Invincible #136's main plot is a slow burn, but the issue has some solid action and character moments to keep fans entertained.

Invincible #140's setting makes it hard to enjoy the battle, which is disappointing since this is a fight many Invincible fans have waited years to see, but the ending raises the stakes for what should be an interesting next issue.

Invincible #141 brings the series back to its roots as it raises the stakes for the title's final issues.

Invincible #142 has it all - action, character moments, and drama as Robert Kirkman inches closer to the final conclusion of his long-running superhero comic book.

This issue isn't exactly the lead-in I was looking for, but still establishes a good story before Invincible's final goodbye.

Jughead The Hunger #2 introduces some good character moments, but is too scattered to fully enjoy.

Jughead The Hunger #3 does a better job at exploring the world's mythology, while also sprinkling good character moments throughout the issue.

Motor Crush #8 is a nice set up issue that digs deeper into the mystery behind Crush.

Motor Crush #10 is strongest with its emotional beats, but there are too many elements surrounding these cherished moments that bog the issue down.

This issue gives good character narratives to both Adrian and Molly as they uncover more about the world of Regression on different sides of its spectrum, but their dynamic and chemistry is missed with their separation.

The issue is more conversational based, but Danny Luckert's pencils are expressive enough to allow the story to not feel stunted. Regression builds an interesting world, but is not the best executed exposition issue.

Amazing Spider-Man is always at its best when the series includes Peter's supporting cast, and this issue does this in stride as it continues to ramp up the title's drama.

The Amazing Spider-Man #30 is not only a solid "Absolute Carnage" tie-in, but also a great Spider-Man issue as it continues to develop the mystery of Kindred and brings the Red Goblin back to the forefront.

Amazing Spider-Man #31 succeeds as it delivers on classic Spidey angst that will hopefully lead to a strong Kindred identity reveal sooner than later.

Amazing Spider-Man #43 promised to be ground-breaking, but ends up being forgettable.

Combined with a fun twist on Annie's precognitive powers interacting with Cerebro, The Amazing Spider-Man: Renew Your Vows #6 is a strong story for the Parkers, but is also a great team up between the Spider-family and classic X-Men.

Amazing Spider-Man: Renew Your Vows #8 sets up for an interesting and strong story as the side effects of the Venom symbiote tests MJ's will to be a superhero.

The Amazing Spider-Man: Renew Your Vows #9 is not only a strong issue for Mary Jane, but also for her relationship with Peter. It's their connection with each other that allows MJ to harness enough strength to fight against one of Spider-Man's deadliest foes.

The Amazing Spider-Man: Renew Your Vows #10 misses a few beats with Normie Osborn's characterization, but is a fun filler issue when focusing on Peter and Annie's father/daughter dynamic.

The Amazing Spider-Man: Renew Your Vows #12 is a nice story touching upon a different side of the Spider/Goblin dynamic, even if it feels similar to stories already told in the Spider mythos.

The Amazing Spider-Man: Renew Your Vows #16 touches upon some classic Spider-Man themes, but still struggles to find its own voice in the mix.

One of the greatest aspects of Joss Whedon's properties is his ensemble cast, and Angel #3 does an excellent job at reestablishing our favorite Angel heroes for new and old fans alike.

Angel #6 isn't the strongest tie-in, but it was nice to see the title take Angel's absence as an opportunity to put a spotlight on the book's supporting characters.

Five Years is one of Moore's most ambitious stories, and he's doing a smooth job at putting together all of the pieces.

Five Years #6 slows things down to put the Mooreverse's diverse personalities on display, and reminds readers how fun it is just to spend time with these characters and see their day-to-day lives.

The Mighty Thor #19 brings in the Phoenix at just the right time as this issue feels like a "rebirth" for the series. After looking death in the eye, Jane has a new evaluation on her priorities, which brings in some new and interesting roles for a few of the series' characters.

The Mighty Thor #700's execution is messy and too scattered to be new reader-friendly for the "Marvel Legacy" lineup and to warrant its $5.99 price tag.

The Mighty Thor #704 proves that Jane Foster is worthy enough to be her own god as she faces the true struggles of what it means to be human.

The events of this issue forces the Titans to face their inner demons head on, which in the end creates for an even stronger team.

Titans #19 has solid character moments, but falters from bad timing.

Titans #20 touches upon all the members of the Titans post breakup, while putting Roy at the center, in an issue that embraces all the fun tropes from previous Titans' volumes.

With Batman: White Knight #2, Murphy succeeds in telling an interesting Elseworlds story that has enough twists and familiarity to keep you wanting to come back for more.

Batman White Knight #3 is mostly a set up issue, but still has enough twisted character moments to make this an entertaining read.

Batman: White Knight #4 begins on a jarring political note, but ends with the fun twists on the Batman mythos that made me first fall in love with the series.

The standout moments of this issue is the interactions Batman has with his family and Harley as he tries to figure out Jack's true evil motives. It's a hard accomplishment, but through these scenes Murphy is able to play with Batman's familiar dynamics in a new and fresh way.

Black Magick #6 is a solid return that helps readers adjust back into the story after months of the series being absent on their pull list.

Black Magick #7 establishes a slow build, but has some interesting character developments to keep the reader interested.

Black Magick #9 will probably be a better read in trade, but still has enough character moments to make it worth reading in a single issue format.

The birth of Morgan and Annalee's baby has been an anticipation since the series' first issue, and Black Magick #10 doesn't disappoint on its "delivery".

Even under a new title, the Spider-Gwen creative team continues to create a unique spider tale that puts character work at the forefront. It takes a lot of inspiration from Marvel’s Spider-mythos, but Miyazawa and McGuire put their own spin on the title — which is the very element that has made Spider-Gwen such a successful franchise to begin with. Ghost Spider #1 doesn’t prove it needed a relaunch to tell this story, but is a great next chapter for readers who followed the creative team’s run on Spider-Gwen: Ghost Spider.

Ghost-Spider #2 does a good job at creating the building blocks that will certainly lead towards some entertaining drama with Jonah's son on her earth and Jackal on Earth-616.

Ghost Spider #3 is the calm before the storm, as Seanan McGuire continues to build Gwen's antagonists in the background to become even bigger threats.

Ghost Spider #5 moves the story from point A to point B with some rather forgettable character beats, but succeeds when playing with recognizable Spider tropes.

Ghost-Spider #6 is the perfect balance of slice-of-life and action, delivering the best issue of an already incredible series.

Ghost-Spider #7 is a good build-up issue that has me very intrigued to learn more about this world's version of the famous Storm siblings.

Following a long hiatus, McGuire finds strength in her exploration of Earth-65's mythology, but this causes this Outlawed tie-in to feel even more out of place.

Batman: Curse of the White Knight #1 already has a very interesting world to play with, and hopefully Murphy uses this sequel to hone in on the themes that made the original so great.

Batman: Curse of the White Knight #4 is one of the best issues of the franchise as it balances action and emotion as the Bat-Family mourns Jim Gordon. They explore the weight of what he meant to Gotham and, most importantly, each other.

The White Knight franchise continues to be a promising line of books that's reminiscent of the iconic worldbuilding of Batman: The Animated Series - just much darker.

Detective Comics Annual #1 is one of the series' more cohesive stories, showing the strength behind showcasing one character instead of trying to squeeze the whole cast into a single issue.

Injustice 2 #1 revels in character moments, making for an exciting premiere issue.

Injustice 2 #16 is the first time I can say that this probably read better digitally.

Injustice 2 is such a pleasure to read because Taylor has a chance to play with all the toys in DC Comics' toy chest as he delivers surprising twists and wonderful character moments.

Injustice 2 #19 is an extra dose of pleasure as Taylor focuses on characters we haven't seen in this universe, and have also been noticeably missing in DC Rebirth.

Injustice 2 #20 has a wobbly start, but picks up to give an emotionally driven story.

With this premiere issue Simone does a good job at introducing the two main characters’ differing personalities and the stakes they leave behind when they switch bodies. Crosswind #1 is a slow set-up, but leaves the reader with a lot of potential as the series enters its exciting incident at the end of the issue.

Crosswind #2 captures Juniper and Cason's personalities perfectly as they both deal with each other's very different lifestyles. Gail Simone is already allowing them to grow as characters and we are only on the second issue of the series.

The most appealing aspect of Crosswind #4 is not only Cason and Juniper navigating each other's lives, but the main leads learning more about themselves through this experience.

Crosswind #5 is lacking when trying to squeeze in the series' long-winded mythology, but the issue finds its strength when exploring Juniper and Cason's character journeys.

Crosswind #6 is a satisfying ending that puts a twist on your average body switching story.

Ms. Marvel has always been great at reinventing the superhero genre, and this arc is no exception. The secret identity trope may feel overused to some readers, but this issue presents this old trope in a fresh, new way. Wilson uses technology to build the suspense of the villain's motives as the troll's attacks hit close to home, making this enigma even more menacing.

Overall Ms. Marvel #16 is one of the series' strongest issues to date, fleshing out Kamala's supporting cast while in the process creates a menacing villain for the arc.

The story seamlessly weaves a great commentary on technology, identity, and community, while also providing an interesting twist on the superhero secret identity trope.

Overall, Ms. Marvel #18 does a good job at giving an opportunity to explore one of Kamala's supporting characters, but with Bruno's emotional arc only touching the surface, the issue can't help but feeling a little bit like filler.

Ms. Marvel continues to be one of Marvel's strongest series as G. Willow Wilson continues to plumb new depths with her fan-favorite heroine. With civilians and politics making Jersey City almost a character unto itself, Ms. Marvel #19 pushes Kamala on a personal level and tests her perseverance as a hero.

Ms. Marvel #20 is a solid set-up issue for what's becoming a strong character-driven story arc.

G. Willow Wilson continues to make every new installment of "Mecca" more personal for Kamala, while also building supporting cast members Aamir and Josh. Ms. Marvel #21 is not only action packed, but an emotional roller coaster as Kamala is forced to break down the barriers she has created to keep her superheroic identity a secret.

Ms. Marvel #22 was a bit of a letdown as the conclusion to an otherwise great arc. The issue focuses too much on Lockdown and the community, and not enough on the emotionally driven rivalry between Kamala and Josh.

Ms. Marvel #23 nicely balances Kamala's civilian life with her adventures as Ms. Marvel as the Red Dagger arrives as a new exchange student and unexpected hero of Jersey City.

Ms. Marvel #24 could have been a straightforward one-and-done adventure about Ms. Marvel saving the day, but the team's exploration of the parallels between Ms. Marvel's adventures and Kamala's personal struggles that gives the issue substance.

Ms. Marvel #25 embraces all the themes that make this title one of Marvel's best, even without the series' star in the issue.

Ms. Marvel #26 brings back a lackluster villain, but this plot point doesn't take away from the shining character moments of Zoe, Red Dagger, Nikia, Mike, and Gabe as team Ms. Marvel.

Ms. Marvel #27 truly embraces the meaning of legacy for Marvel's namesake event.

Spider-Gwen #18 is a disappointing conclusion to the much-hyped romantic story arc between Gwen Stacy and Miles Morales. With little added to the scant fireworks from the first issue of the arc, this crossover sadly feels like a cash-grab because of the forced romantic plot between the two popular Spider-heroes, rather than playing up the organic and engaging friendship between these two popular characters.

Spider-Gwen #20 is a packed issue that finds a nice balance between action and character-driven narrative. This series is always on top of its game when focusing on character and world-building, and this issue does both perfectly.

Spider-Gwen #21 has some solid character interactions between Harry and Gwen, but the issue is stunted by the plot's repetitiveness.

Spider-Gwen #22 has some interesting character moments, but the plot progression still seems stagnant.

Spider-Gwen #23 is a breath of fresh air as Latour and company get ready to jump into the darker story of Gwenom.

Spider-Gwen #24 shakes the very foundation of the series in one of the book's most powerful issues to date - leading into the perfect set-up for "Marvel Legacy"'s Gwenom arc.

Spider-Gwen #26 encompasses everything Latour and Rodrguez has been building since Edge of Spider-Verse #2 from Gwen's emotional build up to the actions of Gwen's great supporting cast.

Spider-Gwen #27 is a solid, slow burn issue that intensifies Gwen's moral turn.

"Gwenom" continues to expertly explore new levels of the Venom symbiote that hasn't been previously touched upon in the Spider mythos.

Spider-Gwen #29 continues to make Gwen face her own demons and this becomes all too real by the end of the issue.

Birthright #29 is a solid issue that utilizes the series' greatest elements to its advantage.

Birthright #30 does a great job at balancing Mikey fighting the devil inside, while still including his family in the narrative.

Overall, Jean Grey continues to be a great character-driven story, but I'm fearful the series will start becoming formulaic as Jean continues to visit different members of the Marvel universe to help her understand the mysteries of the Phoenix force.

All the important players for the Phoenix are here as Dennis Hopeless goes into the next part of this story arc with guns blazing.

Saga #49 returns with organic commentary on relevant social topics, and has a good dramatic set-up for its new arc.

Your Pal Archie #1 is a solid issue for fans who miss classic Archie storytelling, but still want a sprinkle of modern flare.

With some truly unsettling bits of gore and morality, Basketful of Heads is a gripping "final girl" story that you don't want to miss.

Overall, Bellaire delivers the strongest narrative since the start of the Hellmouth crossover event, as she uses Buffy's absence to her strength.

I'm sad to see Copperhead coming to an end, especially with the series now being at its best, but it's better that the series is ending on a high note rather than it fizzling out.

Copperhead #18's pacing suffers from the intervention of the series' supporting characters, but when Clara is on panel it's hard not to enjoy this series as Faerber has created a very complicated, multi-layered protagonist.

From visuals to script, Dead Day #1 stands out from your average zombie story, while still keeping the elements we love about the genre intact.

It's really impressive how Humphries and Joe Quinones continue to reinvent the way we think about comic books with their run of Dial H, and this issue is no exception.

Eat, and Love Yourself is a wonderful debut by writer/artist Sweeney Boo that delicately dives into difficult topics like binge-eating, bulimia, and self-worth. It’s a story that shows that loving yourself takes time. It’s not a change that happens overnight, and you’ll have to do a lot of soul-searching to begin navigating through that tough terrain. You must love yourself before you can start loving others.

Free Comic Book Day: The Loud House is a must-read for Loud House fans, but is also a great jumping-on point for potential new fans.

Overall, Friendly Neighborhood Spider-Man #11 is a great showcase of the many facets of Mary Jane Watson, and is a warm issue that nicely matches the tone of the rest of the series.

Hack/Slash Resurrection brings your favorite final-girl-turned-monster-hunter back to the pages of Image Comics with the return of Cassie's sass and, of course, her baseball bat in a book, proving that no matter how hard Cassie tries, she will never be able to escape her past.

Hack/Slash Resurrection continues to perfectly capture Tim Seeley's original vision with the franchise, while also adding enough original flavor to have this be an entertaining read for both new and old readers alike.

Harley Quinn and Poison Ivy #1 doesn't only take a deep dive into their relationship, but it also plants the seeds to explore more of The Green and how the events of Heroes in Crisis affected this side of DC's mythos. It's a great follow up to the event as it gives time for these characters to breathe. I'm happy to see DC lending this couple the much-needed spotlight that they deserve, and using Ivy's drastic/controversial change as a positive catalyst to more emotional storytelling about Ivy and Harley's love for each other.

Invisible Woman #2 does a great job at setting up Sue's main mission, all while displaying some fun, espionage scenarios to showcase Sue's true skill set.

Invisible Woman #3 is a true nailbiter with a perfectly paced mystery to boot.

While like its title character, Invisible Woman may be easy to overlook, but Waid and De Iulis are doing strong work showing the true strength of the Fantastic Four's leading lady.

Lady Killer 2 #4 hits all the right notes needed for a penultimate issue " it builds up the stakes for a hopefully explosive finale.

After a few months' delay, Lady Killer 2 doesn't skip a beat with its heart-pounding finale.

Ranger Slayer #1 tells a very satisfying one and done story, while also leaving more than enough room for future creative teams to explore the multidimensional world of the Coinless Universe.

Motor Girl is a unique story that focuses on psychological trauma, while also giving a view of the possibility that we aren't alone in the universe.

Overall, Motor Girl #5 is a good issue when focusing on Sam and the psychological aspects of the story, but the series needs to start building a stronger voice for the mysterious government like group if they are becoming more important for the alien plot.

Motor Girl #6 is a great character-driven issue helping the reader better understand Sam's state of mind.

Motor Girl #7 when focusing on Sam is a powerfully important psychological story, but the issue loses momentum when it switches to the alien narrative.

Combined with another interesting psychological layer as we learn Sam doesn't want to get the surgery to help her recover, Motor Girl #8 better progresses the series' alien story, and continues to create a captivating psychological narrative for our Marine veteran.

Motor Girl uses a story about alien invasion to showcase the true emotional beats of a veteran trying to find her way home in a penultimate issue that promises a great conclusion.

If you are a fan of stories with teenagers fighting crime, this comic should be considered a must-read.

Overall, the final issue of Night Owl Society feels abrupt, proving that a three-issue arc wasn't enough space to tell this character-driven story.

Nightwing: The New Order #6 has some rushed sections pertaining to Lex Luthor's plot, but overall sends a meaningful message to longtime Nightwing fans.

Red Mother #1 brilliantly takes a slow-burn approach to focus on character work to allow the audience to fully connect to the series' main lead and build tension for the dangers that lie ahead.

Overall, Red Mother #2 is a great second installment. The series takes a deep dive into character study as the story allows the haunting elements to slowly creep into the pages - creating the perfect tone for this horrific title.

Red Mother is one of the best horror books on stands because it's not afraid to take its time " creating a slow burn, helping the story build tension as the title character creeps around the corner.

Second Coming #2 is a successful new installment as Russell and Pace continue to find the most humane and relatable pieces of God's narrative.

Chip Zdarsky and Mark Bagley truly ace these emotional beats, making Spider-Man: Life Story a true celebration of the character's publication history that I can see becoming a modern classic in the years to come.

Although some of the characters' features still feel overexaggerated, Teen Titans #35 does a beautiful job at giving an emotionally raw narrative to Roundhouse allowing him to become much more than the comic relief.

X-Men #5 shows that the A-Listers are not the only characters that will be dealing with the consequences of paradise.

Overall, the artwork needs some attention to detail, but the old-school tone to the book makes this issue a must-read.

Overall X-Men Gold #1 brings a nostalgic feel needed for the X-Men franchise, while also presenting a freshness through Kitty's leadership.

Fence: Rivals is a seamless next chapter for the once-ongoing series that not only builds tension from the actual sport of fencing, but also the potential romances blossoming between the teammates.

Fence #1 kept me entertained with its character building and peek into the world of fencing, but got me totally hooked with the issue's cliffhanger and what this ending could mean for Nicholas and Seiji's rivalry.

Fence #3 gives me all the elements of a great sports story that makes me feel fully embraced into the world of fencing.

Fence #4 does this and more in one of comics' best current sport stories on the stands.

Snotgirl #6 helps build the series' supporting cast, but the mystery behind the most interesting character, Coolgirl, is still a slow burn.

Snotgirl continues to break down our social media-obsessed culture in a clever narrative that forces you to question the reliability of the series' narrator.

O'Malley with every issue digs deeper into a superficial character that should have no depth, in one of comic's best psychological thrill rides. Lottie's unreliable narration gets you hooked!

Snotgirl is a hyper-realized story about our own relationship with social media, and #14 beautifully continues to tell this almost horrifying tale. It explores how the mask we create online can never live up to who we are in real life, and how this affects our own interpersonal relationships and psyche.

Snotgirl #15 is a perfect return to form for the series, making it very easy to jump back into Lottie's vapid world.

Witchblade #1 is a great, character -driven narrative that literally gets inside the main character's head, but the series needs to work on its structure if it wants to meet its full potential.

Witchblade #2 builds the character of Alex Underwood nicely, but doesn't provide enough Witchblade action to make this a top pick.

Witchblade has its strongest installment yet as it keeps the focus on Alex Underwood's voice while she starts to warm up to the idea of being the Witchblade's host.

All New Wolverine #25 is a solid issue that successfully tells a story about the past without feeling repetitive.

All-New Wolverine #26 has a nice balance of humor, emotion and action " making for a solid second installment for the series' "Legacy" arc.

All-New Wolverine #29 is a satisfying addition to one of All-New Wolverine's most entertaining arcs.

All-New Wolverine #31 makes a filler issue a must buy!

Archie #20 proves that "Over the Edge" can live up to the arc's own hype. Juggling long-standing dynamics but injecting their daily routines with some surprisingly high stakes, it's an introduction that leaves the reader wanting more, and provides long time Archie fans with great character and relationship work " which is all you can ask for from a slice of life comic.

Archie #21 mixes normal hijinks with emotional storytelling in a slightly unbalanced part two for "Over the Edge."

Archie #22 builds up all the emotion needed for one dramatic reveal that will change Riverdale and Betty's life forever. This issue showcases one of the most important aspects of Archie - Riverdale as a community - so that when one person suffers the whole town suffers. "Over the Edge" continues to be one of the series' strongest arcs as it gives permanence to the normally light-hearted world of Archie.

Archie #23 focuses on Betty's trauma from an outsiders' perspective, which should make Betty's narrative even stronger when the story hopefully shifts to her point of view.

Archie #24 perfectly expresses how strong-willed Betty is as a character, but the real striking moments of this issue is when Mark Waid and Audrey Mok shows the complicated feelings Betty is struggling with behind closed doors.

Archie #25 is at its strongest when focusing on the genuine relationships Betty has with her friends, but loses its footing when trying to add unnecessary drama.

Archie #26 isn't a perfect issue, but still has strong enough character moments to make this a good addition to one of Archie's most emotional arcs.

Archie #27 modernizes the franchise's classic love triangle in a story that shows the true reality of the complications that come with relationships and teen romance.

Archie #28 tries to balance a few too many stories, but still delivers an overall solid character story.

Overall, Hawkeye #7 is a strong character-driven issue that gives the reader a glimpse at how Kate's family situation drove her to become a hero.

Hawkeye #8 is at its strongest when focusing on Kate's relationship with her father. This interaction makes the mystery surrounding the Bishop family even more intriguing as Kate spirals deeper and deeper into her own family drama. While some of the other plot elements can read as somewhat distracting compared to the intensity of Thompsons' father-daughter drama, there's still plenty to show that Hawkeye remains on target.

Hawkeye #9 has its fun moments, but isn't as strong as the previous issues in this arc. The story puts too much emphasis on Kate's friends - characters who still need growth to hold their own story. This panel time could have been used to expand upon Kate's father and his connection to Madame Masque, a story that could have paralleled stronger with the closing of Kate's current father/daughter case.

With this issue the team does a great job at giving a fun new narrative for the arc's main villain, while also giving readers panel time with the Kate Bishop we know and love, leading to a well-balanced issue that allowed the team to stretch their creative muscles by keeping regular Hawkeye readers on their toes.

Hawkeye #11 tests Kate's limits as a hero as she proves that she is more than her father's sins.

Hawkeye #12 is exactly what readers needed in between two major story arcs. It's a fun read without skipping any beats from the emotional Madam Masque storyline, and it's a perfect set up for what's to come. This issue proves that not all team-up stories have to be fillers.

Hawkeye #13 has it all: an intriguing mystery, an electrifying team-up between the Hawkeyes, and creative action sequences. This is a great start for the series' Marvel Legacy arc!

If you are looking for a funny, but dynamic story then Hawkeye #15 is a must read.

Strangers in Paradise XXV #1 revs up its engines for a wild roller coaster ride that fans of the series have come to expect.

Bettie Page #5 is the series' best issue to date as it finds the perfect balance between Bettie Page's sass and espionage action.

Bettie Page is a book spy fans should not miss!

Bloodshot Salvation #3 biggest strength is its character moments; Jeff Lemire, Lewis LaRosa, and Mico Suayan beautifully chart the paths that brought Magic and Ray together and tore them apart.

Bloodshot Salvation #4 didn't give me the Bloodshot story I expected, but that's what makes this series so fresh.

Bloodshot Salvation is the perfect gateway into the world of Valiant!

Go Go Power Rangers is a breath of fresh air for fans looking for a more lighthearted, but still serious Power Rangers series. BOOM!'s Mighty Morphin Power Rangers story centers on building the mythology of the original team, whereas this new title is more about building the characters - proving that there is room for two Power Rangers ongoing series.

Go Go Power Rangers #2 is another great installment, which continues to build the world of the Mighty Morphin Power Rangers. This is not just a retelling of the Power Rangers' early days, but a necessary, character-driven story that gives the franchise more depth.

Go Go Power Rangers continues to gracefully develop the Power Rangers and their supporting cast in a pulse-pounding issue of the series. With this installment, tension is rising, as Rita raises the stakes in her game with the Power Rangers - threatening everything they have in-and-out of their costumes. This creates for a truly well-balanced Power Rangers comic book, and a series you urgently need to put on your pull list.

Go Go Power Rangers is one of my favorite comic books on my pull list, as Ryan Parrott and Dan Mora deliver the perfect balance of Power Ranger action and characterwork in every issue.

This series continues to be one of my favorite comic books on stands!

Go Go Power Rangers #7 has less ranger action than previous issues, but this series still has some of the best character work on comic book stands.

Go Go Power Rangers #22 isn't the most memorable issue from the lot, but has some good build-up for future installments.

Go Go Power Rangers #23 is the perfect balance of old school fun, character development, and huge plot progression.

Go Go Power Rangers #24 could have easily been a filler issue to just act as a breather between the action-packed story of "Necessary Evil," but Parrott and Bayliss deliver a whole lot of heart to allow this issue to stand out from the pack.

Overall, Go Go Power Rangers #26 nicely puts the pieces together for the bigger picture of "Necessary Evil."

Overall, Go Go Power Rangers #32 is a perfect bookend to the Power Rangers' humble beginnings.

The Archies #3 does a stupendous job at embracing the franchise's slice-of-life style of storytelling, while also adding a nice dose of musical flavor.

The Archies continues to portray a realistic story that showcases the struggles that come with chasing your dreams. Hopefully things start looking up for the band

Valkyrie: Jane Foster #1 is seamless superhero storytelling. It’s the perfect introduction - from Jane’s new journey as a Valkyrie to her job as a morgue assistant, it all intertwines into superhero greatness, which is made all the more impressive given the long-form evolution the character has already enjoyed the past few years. This story sets up for a very promising title and an intriguing new evolution for Jane Foster, and hits all the notes a new #1 issue should be hitting.

Jane Foster: Valkyrie continues to be a must read " the series challenges what readers expect from a superhero adventure and cranks the dial to 11, creating one heck of a fun issue.

Overall, Jane Foster: Valkyrie is still a magnificent series, but would've been stronger if the issue had a more consistent art team.

Valkyrie: Jane Foster continues to redefine superhero comic books by reveling in the genre's classic tropes while adding its own modern twist.

Jane continues to bring a human perspective to some very complicated concepts, and this central theme is why Valkyrie: Jane Foster is one of the best superhero comic books on stands.

Valkyrie: Jane Foster continues to prove itself as one of the best superhero titles on stands as Jane brings a fresh perspective to the genre.

With Paper Girls #11, the series returns from its hiatus with a great start to its new story arc. Introducing new players to the story, Brian K. Vaughan and Cliff Chiang make sure to continue building up Paper Girls' protagonists and mysterious world, delivering a coming-of-age story that relies on symbolism and character development to unravel their deep and imaginative world.

This new arc of Paper Girls has a necessary slow burn to help the readers learn more about the two new female characters, and to examine the deeper relationship forming between the girls. Our main characters are stuck in a weird, mysterious world, and Vaughan uses this physical setting to explore the next stages of their adolescent lives.

Overall, Paper Girls #13 is a great addition to the series. It expands the mysterious world of Paper Girls more than previous issues, but the strongest aspect of the story is still the relationships forming between the main girls.

Paper Girls #14 continues to do what the series does best - the perfect balance of character and world building. The issue uses new characters to help expand Vaughan's mysterious world, but the story's biggest strength is with K.J.'s subtle emotional arc as she puts together the puzzle pieces of her own identity.

The third arc of Paper Girls focused on giving K.J. a strong narrative, a character that hadn't had enough spotlight up to this point. Paper Girls #15 is propelled by some great characterization that gives K.J. multiple shining moments as she passes the narrative baton to Tiffany's character for the series' fourth story arc. While some readers may grit their teeth at the lack of closure, hopefully this shift in narrative and setting will give readers more answers regarding the world of Paper Girls.

Paper Girls #17 is a forgivable exposition issue. It gives valuable information about the series' world, while injecting the perfect amount of impactful character moments.

Paper Girls #18 continues to prove why this series is a must read!

Paper Girls #19 gives you a little bit of everything: mystery, biblical allusions, the evils of technology and " of course " character work that injects some wonderfully pure emotions.

Vaughan and Chiang's view on future technology makes for such a creative world, but this world building is just used as decoration because the series' real story is the relationship that is formed among the girls. This is a refreshing take from many other comic books.

Runaways #1 may not have all your favorite Runaway characters in the premiere, but the issue still shines a great spotlight onto Nico and gives the Runaways a real, emotionally-driven reason to become a team again after years of separation.

Runaways #2 is a bit of a slow burn, but an issue that is still a pleasure to read as it establishes Rainbow Rowell's seriousness towards following and connecting the Runaways' somewhat scattered continuity with her vision of the series. This story is for long time fans who over the years have asked, "Whatever happened to the Runaways?" " as we are finally getting the answers we deserve.

Runaways #3 gives small teases of the encompassing plot for "Find Your Way Home", but the series' strength continues to be with its realistic portrayal of growing up. People change, and that means relationships also change. Can this group of orphans run away forever - and do they even want to?

Runaways #4 not only does a good job at focusing on the return of Molly Hayes, but also the emotions that come with a broken family.

There are such a wide mix of emotions developed in this issue, and Anka aces all of them. Runaways #5 reminds us that you can never run away from family, no matter how hard you try.

Runaways #6 makes a battle with cats feel threatening as Rowell gives a refreshing take on the definition of an evil parent.

Runaways' plot may be stagnant, but the character arcs are strong enough to drive the series and make this issue an enjoyable read.

Runaways #24 is just plain old fun, and sometimes that's all you need in a comic.

Runaways #25 has everything a landmark issue should have: drama, comedy, and a nice twist ending that leads the Runaways to well"run away. It brings the series into a bold direction, while celebrating everything the creative team has done up to this point.

Runaways #26 is a fun set-up issue as the series moves forward in embracing its connection to the superhero genre.

Issue #27 proves Runaways to be a splendid character-driven series that is able to consistently reinvent itself.

Runaways #28 brilliantly digs deeper into Gert's insecurities, all while developing the larger plot of Doc Justice's menacing motives.

Runaways #29 is a fun story that revels in the classic superhero tropes we all know and love, but at its heart it's a narrative about not needing superpowers or a psychically-linked dinosaur to be a hero.

Overall, Runaways #30 is a solid build-up issue for what can be a promising/explosive conclusion.

Babyteeth #7 continues to do what the series does best as it further develops its mythology and characters.

Babyteeth #8 delivers an issue filled with twist and turns, but keeps the characters at the heart of the story, doing a great job at analyzing a mother's relationship with her child.

Dial H for Hero #5 not only is a wonderful spectacle, but it's also a story with a ton of heart.