While I was more than content when the original Bloodlines crossover series ended, the conclusion of the miniseries simply left me wanting more. Fortunately, the end does have a group of the new heroes heading to Metropolis, hoping to get help before they also fall under the control of the parasites inhabiting them. I hope it doesnt take another 23 years to follow it up this time.

Perhaps this comic is not quite for everyone. Perhaps if you take no joy in life, you will not be able to revel in the wonderful madness and dive on in through the obscure characters. If so, I pity you.

So dont waste any more time reading this review. Just go out and buy the book. Your life will be better for it. Or at least, more entertaining.

This book is about the character of Forager, yes. But far more than that, this book is about the joy one can have in reading comics. It finds humour in old, serious stories but not in a mocking way. Rather, Bug " The Adventures of Forager is about the delight that one can have swimming around in the wonderful worlds of Jack Kirby.

I have decided there is one really horrible, sad, soul killing aspect to this series, though. Its only a miniseries. Whatever will I do when it ends? My life will feel empty.

This is another perfect issue, as fulfilling as it is possible to be. And as a sucker for the use of board game layouts in comics, the final page had me squealing in delight.

Just buy it. Yes, it will mean more if you are well grounded in Kirbys DC work, but you really ought to be. If you arent, then buy this and read it and THEN go dig out everything that gets referred to. Its really a win-win situation.

Had this only been a one shot I would have been content with it. As a six issue miniseries, I am bursting at the seams for the next issue to come out.

Although of course it would help to have a familiarity with the Fourth World stories to fully appreciate this miniseries, I believe the strength of the characterization, and the enjoyable execution of the art and story, would make this an entertaining book for those who had never experienced the Female Furies before.

This book really is a must read. Pick it up if you arent already doing so.

Whether she does or not, this remains an excellent companion piece to Tom Kings Mister Miracle miniseries, and a book that is eminently readable on its own merits.

So if you feel threatened by the idea of strong women fighting against oppression, then this is not the book for you. I dont know what is. Nor do I care. For anyone who enjoys well told and well illustrated comics, ones with something to say, and a real flair for how to say it, Female Furies is a winner.

This miniseries proved to be so much better than I was expecting. So much better than it needed to be. If there were a literary equivalent, I would be giving Castellucci and Melo a standing ovation.

Although this one shot is just meant as a re-introduction before the Ray joins the Atom and Vixen in a new JLA, it really made me hope he will once again get his own book. Especially with Orlando and Byrne at the helm.

When I saw the cover of this issue, I really wanted to write a rave review. I am so happy that the story lived up to my high expectations.

All in all an excellent reboot, combining classic elements with some of the better touches from the TV series.

The art is excellent, the writing is fun and engaging, and the ending was the cherry on top. A really enjoyable Rebirth, giving me high expectations for the new series.

If you enjoy Justice League Dark, you cannot miss this story. If you havent been reading Justice League Dark, you really ought to be, and should probably pick this up, and the first three issues, before you get too far behind.

Sadly, I have been, more or less, waiting for this to get cancelled for a while. The series that I really enjoy never seem to make it. And Dr. Fate has only two more issues to run. I hope he gets Rebirth-ed.

Wow after wow after wow. McCarthy gets to go psychedelic and cosmic, and it's all so lush to look at. Every single page in this issue could just pull you in to its dreamworld.

Another group of villains gets assembled at the end of the issue. All major players, from a variety of different books, and people not really seen since Flashpoint. Im not sure where all the cards will land, but even from this starting point it is clear that this miniseries will be intimately connected to Rebirth as it plays out.

The one and only caveat I have is that Amanda Waller is looking a bit too svelte, especially on the last page. Rebirth brought back the heavy woman we all knew and loved/hated. Please dont make her a Barbie doll again.

The moment that struck me the most, though, was Supermans reaction, when Amanda Waller reveals that Maxwell Lord is the one they need to be dealing with. There can be no doubt, from the intensity of his expression, that in this reality Max took control of Superman, the way he did back in Sacrifice storyline.

Suffice it to say that, as many great fight scenes as this miniseries has already hosted, next issue promises to top them.

Most of the rest of the League are the pawns of Lord and Eclipso by this point. Batman is safe, with the other members of the Suicide Squad, and Cyborgs artificial side is able to withstand Eclipsos possession, long enough for him to lay out the situation to the few remaining who can take action to stop it.

And we find out who was really behind everything. Who masterminded all the events of this series, and who benefits from it. That I will leave unspoiled. Its far too good.

This is not only a book I truly enjoyed reading in pure fanboy style, this is a book that looks to be one I can be proud of as well.

The focus on action means there is a lack of development. As I said, that does not bother me, I trust the story, but it does mean that I preferred the first issue to this one. But all that really means is that one shouldnt dive in with issue 2. Start with issue 1. Now. Go do it. Im serious.

Its quite the tightrope to cross. I am so very pleased to be able to say that, three issues in, this book is not merely walking across that rope, its jumping and dancing and making it look like the easiest thing in the world. And there is nothing more difficult than that.

On a personal note, I wouldnt mind finding out more about Canada in this reality. Or, for that matter, more of the rest of the world in general. I suppose that will have to wait, though. The team has enough on their plate to deal with in this miniseries.

For that matter, so is the big villain we are introduced to, although in a different sort of way. I wont spoil that surprise, so just go buy the issue now.

Hard to believe this book is already halfway through its run. I am certain that another six issues will not exhaust the potential this series has. So there will have to be another miniseries afterwards. Or an ongoing series. Or a movie. That would be good, too.

This is an extremely promising first issue, one that made me genuinely excited for the run.

Things are still getting started in this book, but everything indicates that Tynion has put a lot of thought into the characters he is going to use, and how to most effectively play with them.

Though the story does reach a resolution, there is a lot of groundwork that has been laid in these first three issues, an awful lot to explore and develop. I really hope this book is enough of a success to see the concepts get mined to their fullest extent.

A great build up for the Witching Hour, expanding the cast, increasing the stakes in the situation, and leading strongly into the next chapter.

Issue 5 marks five great issues in a row for this book. And it looks like the next one will be just as good.

This is such a well crafted book. The characters are interesting and distinctive, and the book has done an impressive job of balancing the cast and the wide selection of guest stars so far.

While I am finding Justice League Odyssey intriguing, and Justice League a heck of a lot of fun, both books are blown out of the water by Justice League Dark.

This is, by far, the best magic team book that DC has released. And I was a big fan of Shadowpact, so thats saying something.

Its clever, funny, makes the most of its concept, and is a damn good read. What more could you want from a book?

This is darn close to pushing out Shadowpact as my favourite DC magic team. All it has to do is conclude this first big storyline with a solid finale.

Every single month this series turns out well crafted, intelligent, disturbing, and hugely entertaining stories. Its a genuine pleasure to review it, which is not something I can say about every book that I cover.

This book just keeps topping my charts month after month. It can do no wrong.

I loved the first year of this series, it far exceeded my expectations. So I have little doubt the promise made my this issue will be excitingly fulfilled as the year goes on.

There is a vast amount of potential here, and I am really excited to see how it gets developed.

Its already been leaked that Robin will be joining the Legion, and the moment Superboy learns that there is a Planet Gotham in this future era, its easy to see how this is going to come about. Thankfully, this plot thread develops quickly, rather than being dragged out to its obvious conclusion.

Plus, it helps that I am really enjoying this story as it unfolds. I like Cosmic Boy's apparent unfitness for the leadership, the details about Dawnstar, and Mordru's schemes. Crav Nah is just the icing on the cake.

Out of all the DC/Looney Tunes specials that were released this week, I would say the Catwoman/Sylvester and Tweety one is the best, but the Lex Luthor/Porky Pig special runs a very close second, and the lead story is the one that really stayed with me after I read it.

Rather than stick a bunch of anthropomorphic animals into the story, Weeks evokes them while giving them human form. The Bugs Bunny character in the first tale has the head shape of the rascally rabbit, and his teeth, but is undeniably human. This is a big risk. If it didnt work, it would have felt awful. But each of the Looney Tunes characters who show up in the first part are easily recognizable, despite not looking anything like they do in the cartoons. Such re-imagining is a hallmark of a talented artist.

This isnt the best of the Looney Tunes/DC books this week, but its certainly worth a look.

Ive been missing the Legion since they lost their own book during the New 52. A new series seems in the offing, from developments in Rebirth. Until that comes into being, this special has satisfied my cravings.

Perhaps because Thibert is doing the inks, this really looks like a jump back to the pre-Flashpoint Superman as well. For a story in which there is little dynamic action, there is plenty of variety and creativity in the art.

There are also three Kirby reprints, all installments of the Young Gods of Supertown feature that ran in New Gods. Two of the stories feature Fastbak, and one centres on Vykin, of the Forever People.

While it is true that only the Batman story reads well on its own, DC Nation is definitely more than just an ad for things coming up. And geez, its free, so its not like you are losing anything by reading it.

Now, I said that was the final story in the issue, and thats true, but I did save the best for last. The Harley Quinn framing sequence, of a huge party for the various DC characters, is funny and wild, very creative, and is what puts this volume over the top as a truly great Christmas special. Written by Paul Dini, with art by Elsa Charetier, my favourite moments include Black Canary and Zatannas performance of the Twelve Days of Christmas, Flash and his villains carolling around the piano, and Menor-antlers.

A very enjoyable collection of unusual stories, all bound together by a hapless Rip Hunter. Fun for one and all.

Ways storytelling is excellent, and I found the tale at all times odd and entertaining. High marks also go to the artist, Nick Derrington, who creates a solidly real world for the characters to exist in. One that serves to emphasize the more unusual elements of the series.

Deringtons art does a lot to help make this work. His renderings of familiar characters are spot on, Robotman looks great, and he was so precise in the location Casey winds up in towards the end that I knew exactly where she was before the big reveal. At the same time, we get such wonderfully strange shots, like the cat licking up the fluid Robotmans brain is sitting in. And it all feels very casual and real, even when we are completely outside reality.

And so would Keith Giffen, I think, from the Existential Crisis page, which sure looks like it features Blotto the Clown from the Uh Oh Squad, a character never before seen outside of Ambush Bug stories.

Weird and wonderful. Fun and frantic. Everything one wants (or ought to want) from Doom Patrol.

And for me, well, I can tell you that I am guaranteed to give a glowing review to any story that includes Flex Mentallo radiating the words Hero of the Beach. So I guess I am stuck having to rave about this book. I dont mind that at all.

I also an really enjoying the slow development of Sam, Caseys partner in Danny the Ambulance. Sam more or less takes the role that Joshua Clay had in Morrisons run, the normal person thrust into the middle of the Doom Patrols insanity. His friendship with Casey started him down this path, but we have seen his relationship with his unusual son, and in this issue we meet his missing wife, one of Janes cult members.

So many revivals of Doom Patrol have been well intentioned, but heavily flawed, attempts. Somehow, Gerard Way makes writing this book look easy as $#!+.

Im really not sure where Way is going to be taking this plot. All I know is that bad $#!+ is on the way.

Its difficult for me to imagine how this all would read to someone unfamiliar with the team, though I expect if they had any sense of fun they couldnt help but enjoy it. Still, for those who have been around, there are always great little gifts, like the t-shirt with Beast Boys image on it, in this one.

If I had to pick out something that disappointed me in this issue it would be that Mr Nobody doesnt get as much play as I had expected he would. But that is such a minor quibble. Its not like I could find a single panel in this story that would have been better served with Mr Nobody.

I truly hope that the collected editions of this series sell well enough to warrant a return. I need Doom Patrol in my life. We all do. Even Mr Nobody.

I really hope that the remainder of the team pop up again, and this is not just some weird new version of the Doom Patrol. I have loved the group in most of their incarnations, but this is not what I want out of the title. Not at all.

There is no question that Way really understands what the Doom Patrol is about. And James Harvey seems to be a perfect visual accompaniest.

Its all so weird and bizarre and downright fun. This is Doom Patrol at its best, no two ways about it.

I feel fairly confident asserting that anyone who reads this annual will feel compelled to pick up the Flash War. How could anyone resist?

Frankly, I wasnt expecting anything quite so good out of this issue. It was a pleasant surprise, and thats always something nice to be able to say.

While some elements of the plot do get resolved, this is more of a midway point. Or a turning point. The story is clearly nowhere near over, but after this annual, a new direction has emerged, and the situation has changed for good.

Francis Manapul and Marcus To have to be commended for the art, which demands that they render a wide variety of characters, and the pair pull this off exceptionally well. For all the chaos, there are very strong, emotional visuals that really impact one.

A hugely enjoyable issue.

In brief, I found No Justice to be everything I wanted it to be.

While I treasure John Ostranders version of the team, every incarnation that has come since then has felt like a pale imitation. Taylor is adding something new, taking a different angle, yet maintaining enough of a sense of continuity that this should not push away longtime fans.

I have loved the Suicide Squad through good incarnations and bad ones. Its far more fun when I can truly enjoy the book. And by the looks of this issue, the new series is one I will be proud to be a fan of.

Batman summons his crew, Batwoman, Nightwing, Orphan, Spoiler and Clayface, and gives each specific duties, while he faces off for some really well drawn action against the monster. Though the other heroes get small roles, they are tidily and effectively characterized, and I am consistently enjoying watching Clayface using his powers for good, and challenging their limits.

Mikel Janin does a very good job with the art. Santa Prisca looks as deadly from the water as it does from inside the prison, and Batmans physical exertions are so well drawn you can feel his muscles tighten.

Overall, I have been very impressed with how Rebirth has been playing out. It seems that DC really thought about what they were trying to do, quite the opposite of how the New 52 came off. I have faith in the company again, which I was losing a few years back.

More questions to answer for this storyline, but it feels so masterfully handled that I am not fearing a let down when it concludes.

I enjoyed this comic so much that I am hesitant to say too much and spoil things. There is a truly stomach churning death scene that worked perfectly. And Alfreds actions while Swamp Thing is having tea were another one of the pleasant bright spots in the tale.

While this issue might very well have concluded once the mystery was solved, King spins things into an even wilder direction, and I cannot even begin to guess how this story arc is going to resolve. But I do know I am going to enjoy the ride.

Every so often a team takes on Batman, and finds a new way to view the character, new things to do with him. Thats far from an easy task, more than 50 years after the character was created, and with so many talented writers and artists having applied their skills to his adventures. But with each issue of this run, Tom King is showing himself to have achieved a new pinnacle with the dark knight.

Mister Miracle also tends to be a very dialogue heavy book, in relation to the action, but at least Miracle and the others move from spot to spot, or the action cuts between them. Even in Kings run on Batman there has been a significant use of flashbacks to show action. But he does like to script like a playwright, and delve into conversation. I have defended this before, but for once, I have to take the other side of the argument.

Bravo to all involved. You executed an issue beyond my wildest expectations.

The art is beautifully rendered, both on the people and on the location. The house in a well done gothic is essentially a character unto itself, and Lan Medina imbues the edifice with life and menace.

All the plots and high emotions reach their climax as this issue comes to a close, and there are some very effective pages where the art goes wild. Im really looking forward to how this all plays out in the finale.

While I am not sure that there is any need to revisit the characters from this story, I certainly would not be averse to reading another Deadman miniseries like this. And of course, it would HAVE to be titled Sinister House of Secret Love.

I really cannot rave about this first issue enough. Something old and something new, a shiny new toy in a well trod playground.

But no matter what, I am still looking forward to the match set up on the final page, taking place in the next issue.

I find myself already hoping that this miniseries either spawns a direct sequel, or has elements that will carry over into a new Legion of Super-Heroes book.

Orlando is creating a really fun series here, and now that all the groundwork has been laid, I expect the last two issues to go through the roof.

And with each issue, there are more and more little teases towards the world of the Legion. I kind of wish there were more teases about the world of Kamandi, but that is in the past for these characters. Still, I admit I longed to see Prince Tuftan in the ring.

But really, either way works for me. I would enjoy reading more adventures with these characters, or I could happily view this as a chapter in the future history of the DC universe, since it has turned out to be a vital part of that.

Snyder, Cheung and Morales seem to want to bring back popular elements from previous Leagues.

The existence of the other new Leagues is slightly referenced, enough that it is clear that there will be some overlap between the books, and I suppose between the League and the Titans as well, given the events of the Titans Special. That takes co-ordinating to pull off effectively, but the payouts can be great when it works.

While I really did enjoy Steve Orlandos time on the League, this is the best the book has been since before the New 52.

Thats not a bad thing, and the art does make the most of it. The tale ends with a particularly eerie illustration by Jimenez. The colouring, by Alejandro Sanchez, is critical for pulling off the mood of the finale.

I am so glad that I can just rave about Justice League, without any qualifications or doubts.

The best super hero stories have the good guys overcoming overwhelming odds. And I had to admit, that is the situation they face right now.

But that is far outweighed by all the good things in this issue, in this storyline. And the excitement I feel about upcoming issues, and the explanation of who their mysterious visitor will turn out to be.

Mikel Janins art is very interesting. That sounds like a hedged compliment, but I mean it in a positive way. On the one hand, it feels very precise and restrained. But that quality simply serves to highlight the moments when it becomes extreme. The evil Batmans tongue scene, for example, and the great use of changing camera angles when Cheetah is in pursuit.

In a way, this issue is a pause in the larger storyline. But that is hardly a negative. The latest issue is just as much fun, and just as much of an exploration of the League, as the most action packed tale could be.

A good issue, but more of an Aquaman lead-in than a Justice League adventure.

An excellent chapter all around, doubly so for advancing two different story arcs at the same time.

I have consistently been impressed with this new volume of Justice League. Drowned Earth was handled very well, and having a Legion of Doom issue before turning the book back over to the titular team was a very good idea. It immerses the reader back into the main storyline, and gets us all revved up for where the story is going to go next.

Even though this issue is a bit low on action and big on talk, it was entirely compelling, and I found myself just breezing through it.

The main story should be feeling as if it is dragging, or has been abandoned. The major plot threads should feel as if they are getting in the way of the overall arc. But none of that is happening. I'd tip my hat (if I wore one) to the skilled plotting of Snyder and Tynion.

Still, the issue is definitely worth reading, if only so that you can get your own take on this conundrum.

As much as I hate the phrase, I have to admit this is a perfect jumping on point for new readers. You will get all you need to know about what has been taking place in the book, and be ready for the clearly major events that are about to unfold.

The Young Animals books definitely deserve to be given a chance, or a second chance. The Milk Wars succeeded in creating a really fun story that will, hopefully, pay off with increased readership.

The world has become a darker and more dangerous place since the US elected a misogynist Nazi and his homophobic Bible thumping veep. They want to shove their white milk culture down our throats. We all need a Shade, the Changing Girl to remind us we need to stand up for ourselves, and not just passively become Wonder Wives.

There is a lot of meta stuff in this, which works exceptionally well. I love the discussion on how the archetypes of Wonder Woman and Batman are more universal, and thus more malleable, than that of Superman, who has repeatedly proved resilient to change.

It really comes down to this. If you liked Shade, the Changing Girl, you will love Shade, the Changing Woman. If you hadnt read the first series, you ought to, and may as well start picking this one up.

Shade, the Changing Woman will not be a book for everyones tastes. But it isnt trying to be. The bravura storytelling is its own reward.

Some of the images from this issue really resonated with me. Seeing Shade as a heartless scarecrow will probably stay with me forever.

Its only four issues in, but Shade, the Changing Woman is already a reliable and powerful read.

So geez, stop reading my review and just buy this already.

And although I am sad that the series was so brief, it told a tight and powerful story, and lasted exactly as long as it needed to. Bravo.

No one is completely honest and open in this book. No one, not even the hero, can be trusted completely. Paranoia and manipulation pervade this book, and make it an exceptionally enjoyable read.

I really hope this miniseries does well enough to launch a new Captain Atom book. Its been a great Rebirth for the hero.

I really hope this series does well enough to warrant an ongoing book. The political climate seems so well suited to a comic book about fake news, lies, backstabbing, and questionable military actions.

I never thought I would say it, but Wonder Twins is a must-read book.

I am very impressed by this issue. Its really the last thing I expected from a book devoted to the Wonder Twins.

Wonder Twins is not that. At least, not this time around. But since Russell and Byrne showed what they are capable of, I am going to hold them to the standard they themselves have set. So this issue is good, but not quite good enough.

Some groundwork is also laid for a larger plot thread, which is developing as the book goes on.

If you arent picking this book up, you are doing yourself a disservice. This is super hero comedy on a scale to rival Giffens Justice League, and Im serious about that.

This book was only meant to be a six issue miniseries, and this would have been the final issue. While it certainly would have worked as one, I am thrilled that the run has been extended to twelve issues, and that Zan and Jayna will be back in a couple of months for more adventures. This is an excellent series, and deserves not merely twelve issues, but an indefinite ongoing run.

The story is frenetic in its pacing, picking up the characters along the way, and assuming some familiarity of the reader with them. Perhaps a little more in the way of clear action and situations might have helped. But I admit that, when I finished my first read of the issue, I was so fanboy pumped that I didn't really mind. I only spot the weakness looking through a second time for the review.

The first two issues have unfolded really well, with interesting twists, some good moments of humour, and excellent art to carry it all.

The story is unfolding well, and I am eager to see how it all plays out.

I am also a bit hazy on the seven Crises that are being referred to throughout this series. I read an awful lot of books now that I am reviewing them, and its entirely possible I have missed or forgotten something, but I sure would like a clear listing of which seven events are being cited. Thankfully, the next issue blurb refers to this directly, so perhaps my confusion is about to be cleared up.

A really well done introduction to the new incarnation of Young Justice. While it is not firmly placed into the core of the DC Universe, the mere fact that it is not, and actively deals with the mystery of where these kids have gone, and why they are not all part of continuity, makes it feel like it will be a very important book going forward.

I wouldnt say this is one of the more important issues of the run. Nothing major is resolved or revealed. But its absolutely enjoyable nevertheless. A fun chapter, and there is nothing wrong with that.

I was a bit surprised to see Lois and Clark teaching their son poker, but I suppose a level of deception is a skill that a young super powered child needs to acquire.

The mysterious opening of the previous issue does get explained in this one, and we find out who the big villain will be for this storyline. Kid Amazo has only a thematic connection to his father, but has strong potential as a villain for the young duo.

The subplot with Alfred and Lois Lane is simply the crowing touch. The reminder we need that these are children. As clever and powerful as they may be, they are not meant to be running off for midnight missions without supervision.

This book is so much fun to read it is very easy to ignore how well told it is. That is truly a credit to the creative team.

Superboy does not become a full member of the Teen Titans in this outing, but certainly the ground work gets laid to bring him into that group. And I sure hope that happens!

Jimenez also does a great job rendering the Faceless Hunters, who look far more menacing than they did back in the 60s.

The story leaves open the possibility of return for the young heroes that Robin and Superboy worked with. I have to admit, I dont really care whether they come back or not. They didnt get on my nerves, but there also wasnt a single character among them that really stood out for me.

Although I am not quite sure where this story arc is going, by the end of the issue it becomes apparent that this is a really major story, and I am quite excited to see what develops.

So this doesnt go the way I had thought it would, but I am not at all bothered by that.

Considering that this issue is really just a set-up for the storyline about to start, it reads very well in and of itself. A lot of fun, promising more to come.

The mothers come off well also. Lois Lanes role is nothing out of the ordinary, but Talia gets some interesting development.

A strong and fun story, setting up what looks to be a great finale.

A complex, nuanced Green Arrow in a city that serves as a microcosm of Trumpland could prove to be a brilliant and effective springboard. I certainly hope the book lives up to this promise.

The Flash and Green Arrow do find a balance and work together by the end of the issue, and another major guest star is broadly hinted at for the following chapter.

Although Metal is just getting started, the Gotham Resistance story arc has been a well told crossover within the larger tale, and the high point so far, in my eyes.

I felt such satisfaction when the story was over, I was ready to applaud, buy some popcorn, and come back for another showing.

Marcio Takara does the art on this issue, and it is perfectly suited to the tale. Grim and gritty, Green Arrow is placed into a wasteland of ruins, and all of the characters look like they have seen better days. One can feel the dirt and sweat on all of the characters.

Now normally, that would not bode well, implying a really clean and easy resolution to the tale. But that is not what gets delivered. Yes, things do work out better than I expected them to. And the resolution is clean, in that the story comes to a very clear ending. But the larger issues, those of the way people wind up pawns in power games of major forces that simply want to exploit them, are not shunted off to the side, and are integral to the way the tale plays out.

But what the heck, this issue looks so damn good that it is worth picking up, even if the following issues dont pan out the way I would like.

This issue manages to do both, to provide a fully entertaining comic book adventure, while at the same time dealing with some larger ideas, and not giving simple solutions to them.

A solid story, building to a very good tease for the next issue.

A very good story, well told, with dynamic and engaging art.

While on the one hand it feels strange to recommend a story that is bound to make the reader miserable, the quality of it cannot be disregarded.

This is solid storytelling with strong visuals. A down to earth, yet fulling engaging, issue.

But given everything the Bensons have done with the series, my expectations going forward are very high.

But thats the one and only thing I can complain about with this story, and I fully admit to it being a niggly fanboy thing. So for everyone else who isnt such a nerd about things, you should have a ball reading it.

The issue even comes with a good twist ending, setting up what will almost certainly be another fight to rip your heart out in issue 50.

Its only a matter of time before Oliver Queen gets another book. I hope its as strong as the last few issues of this run have been.

Its funny and frenetic, and exactly what I want from the Super Sons.

If you want crazy, silly fun, with sharp and witty dialogue, unexpected twists and pure joy permeating each page, then pick this book up.

Solidly entertaining, once again. Nothing less than I have come to expect from the Super Sons.

Tomasi and Barberi have really hit their stride on this book. I really hope that, once the miniseries is over, the Super Sons return in an ongoing monthly. This is far too much fun to end.

Another fun and funny adventure, even if the main storyline, the Rex Luthor plot, is more or less put on hold this issue.

The actual story for this issue is pretty low key, although the villains do show up before its over, and Superboy and Robin are in a very bad situation at the climax of the tale.

Buy it now, and see if Damien going solo works for you.

So buy it. Buy two. Three would work as well. I need the Super Sons in my life.

The robotic Jonah Hex really commands this issue. Tomasi makes him sound like his human predecessor, giving him a voice and viewpoint much more jaded than the young heroes, so it contrasts very well. Perhaps because he is dealing with someone even more cynical than he is, Robin comes off a bit muted this time around.

It does make me fear that this might be the last we see of the Super Sons. If that is the case, at the least the duo are going out on a high note.

But no matter where Robin and Superboy go from here, Tomasi an crew have created a miniseries worthy of their old series. The dynamic between the two boys, their dialogue, is always fun. And Barberi and Santorelli brought the chaos to life so very well. Suitable for younger readers, fully entertaining for older ones, the Super Sons have made their mark. Bravo.

Its an impressive first issue, and hopefully bodes well for an interesting ongoing book.

In life, you do not fight battles because you intend to win. You fight them merely because they need to be fought.

It was fun, it looked great, I had a ball reading it. Isnt that what really matters?

Dog Days of Summer is at its best with the Killer Croc, Animal Man, and Batcow outings, but even though I didn't love all the tales, I hugely enjoyed the volume as a whole.

The family dynamics in the annual really give the story its impact, while Air Wave helps out in the action parts, as he and Hal try to get them all back to reality, from the weird zone they find themselves in.

Its a bit of a low key story, and gently paced. That makes the resolution all the more effective.

A good finale, and a good overall purpose to the crossover storyline, one which opens new doorways for both Wonder Woman and Justice League Dark.

Believe me, if you have never read either of these much reprinted tales, The Rocket Lanes of Tomorrow and The World of Thinking Machines are alone worth picking up this volume for.

Whether I am right or wrong, I really dont even care. This is a truly wonderful book, brilliant in both art and story.

Its a credit to him, and to the wonderful artwork by Gerards, that despite this sense of disappointment I still enjoyed the final issue, and am committed to coming to a greater understanding of the entire series.

I believe in this book 100%. The creative team have a solid grasp on the character. If Naomi is this interesting when nothing much is happening, it will be amazing once things get going.

So its kind of hard to gauge this right now. I am enjoying the book, but that could all turn sour, depending on what next issue has to tell us.

Big revelations are clearly still to come, but the picture is getting clearer.

Next issue promises a conclusion to Naomis introductory story. I didnt have very high expectations for the book when it began, but now I find myself eagerly awaiting the resolution.

I really didnt expect very much from this miniseries when it launched. I certainly didnt expect to grow to care about the character, and be eager for her return. The fact that I am is clear evidence that Bendis and company have achieved their goal.

I will admit that some of the deaths in this issue hit hard, taking out villains that I had loved, and who I still feel have potential. But overall this is just bloody swamp soaked fun, with Waller at her coldest and most manipulative.

Power Girl, Raven and Wonder Girl each share memories that flesh out both Tims character, and their own. Considering the series is coming to an end, about to be Rebirth-ed, its with mixed feelings that I note how very interesting the members of the team have become.

No, ok, no lies. I love Joystick as a villain. Comes down to a silly name. Im so ashamed.

Oddly, the back-up stories, the Kirby reprints, are not of Sandman. Instead, this book reprints the Tales of the DNA Project shorts which ran in the pages of Supermans Pal, Jimmy Olsen. The DNA Project would, in later continuity, be known as Cadmus.

A good reboot, promising an enjoyable run for the series.

A fully satisfying re-introduction to the team, and I am eagerly awaiting Titans 1.

The story reads well as a one shot on its own, even if one had not been following Year of the Villain at all, which is another plus.

Is this book worth the cost? For me, the answer would have to be yes.

So I guess my advice is to rip the cover off, burn it, and pretend it never existed. Then youll enjoy Adam Strange #1 far more.

And though I do prefer the Adam Strange parts to the Hawkman parts, overall this was a satisfying read.

An excellent chapter all around, this also features a really funny encounter between a naked Katar Hol and Adam Strange. The art remains firmly family friendly, but Adams observation about where the hair grows on Hawkmans body gives the reader a definite mental image to fill in the blanks.

The series reaches a fulfilling conclusion, but it also leaves a big door open for the story to continue in another book. I certainly hope it does. I always enjoy Marc Andreykos storytelling, and would eagerly follow a continuation of this tale.

Without giving the ending away, I will state that it makes me fairly certain that the next issue will be vastly more interesting than this one.

There are a couple of good twists in the story, pertaining to Dr. Carver of S.T.A.R. Labs, and to the Flash himself. The final page is, once again, one that I cannot really talk about. But it uses a standard line from the strip in a strong and effective way.

What is really shocking, and heart breaking, is the revelation of Godspeeds identity. I never do spoilers, and I am being careful not to reveal too much. But its a worthy revelation, one that Williamson spent time building up, so it pays off very effectively.

Some new elements are explored with the speed force. Godspeed has some horrifying notions on how it can be used to extract information, while the Flash understands more about how it got spread among so many people in Central City, and how it is trying to pull itself back together.

But I would have to say its Wally West who winds up running away with the issue. He finally gets a Kid Flash costume, and it looks great. We also learn a bit more about what motivates Wally. The first Wally West had idolized the Flash, and so was eager to jump into the sidekick role. This Wally has a different hero to emulate, though the end result is much the same.

The tale closes with a wonderful tease. Spoiler worthy, so I wont say anything.

And it is that question of hope that makes me think this is part of the bigger picture, part of Rebirth. The Shade has lost something, and I think part of what he lost was Jay Garrick. And after all, whose helmet was seen at the end of the previous issue? Is the return of the classic JSA imminent?

It turns out that while the Shade really intended to live happily ever after with his new love, the thirst for the criminal life was too much for him to give up. The shadows that the Shade had controlled for so long began to take a life of their own, and took Hope away from him. The shadows also grab Iris West, and by the end of the issue Williamson has laid the groundwork for what looks to be an exciting battle in the following issue.

Gianfelice does a very good job with the art on the story. I really like how he draws Kid Flash, and his shadow realm stuff is also very effective.

Its been a strong first few months for the Flash rebirth, and the conclusion of this issue assures me that things are about to get even better.

When the Rogues are around, you know that the reader is in for a lot of twists and surprises, and this story looks to fill that bill quite nicely.

Fun and fast paced, and leaves you ready for the next issue.

A number of other Flash villains have cameos as the story comes to a close in Iron Heights. The Rogues may be defeated, but the Flashs words to Captain Cold prove to have inspired a new direction for Len Snart.

Im probably wrong. I almost always am on these kinds of mysteries. But thats my guess.

Its a great feeling when one is able to recommend a work for its ideology, as well as its entertainment value. House of Whispers is definitely worth a visit.

Back on Earth, the changing status of the House of Whispers has had some major detrimental affects on those who were worshippers of Erzulie, and even though these are not significant characters, its great to see the larger effects spreading.

So while not on par with the first two issues, this issue is still rewarding and entertaining.

So although this issue did not quite grab me the way that I had hoped it would, I still found it an entertaining read, and am still fully engaged with the book as a whole.

But I trust this book, and am willing to take the journey that Hopkinson and Stanton are taking me on.

This series is powerful, and the imagery really stays with one afterwards. And even though I always get the feeling that I am missing something, all that does is make me go back and read it again.

I hesitate to use an overworked phrase, but this issue really would be a perfect jumping on point, a well executed tale that is bound to make one want to pick up the next issue.

Clever, engaging, and sometimes downright scary, House of Whispers once again delivers.

Art-wise, I guess I would have to admit that this issue is a tiny step down. A very tiny step. I say that only because no single page or panel really stood out and grabbed me. I have come to expect some very dynamic visuals in this book. Yes, it still blends realism and fantastical art exceptionally well. There is not one page that isnt of high quality. But Stanton has already set a very high bar with the art on this book. I really cant complain if it doesnt surpass itself.

As I said, there is a big event in this, a spoiler I wont spoil, which leaves me eagerly awaiting the next issue.

It took a while for this series to get its bearings. Or perhaps I should say, it took me a while to get this series bearings. But now Ive caught its tide, and am happily sailing away with it.

Excellent art on both stories, and I am also quite pleased at the contrast between them. Most Wanted must have had a successful run to warrant this new book, and I am looking forward to seeing how both stories play out.

So even if the Katana story fails to hold my interest in the long run, I have no doubt that the Suicide Squad Black story will easily carry me to the end of the miniseries.

And, as with the previous two issues, the Suicide Squad Black story is so much fun its worth the price of the book alone.

I was giving the comic positive reviews just based on one of the two tales, so I am glad I can now honestly endorse both of them.

Ive said it before, but I would gladly read a regular Suicide Squad Black book, and really hope we get to see this offshoot team again.

Suicide Squad Black Files was definitely a notch above the Most Wanted miniseries. And it left me really longing for Suicide Squad Black to return.

But overall, I have to admit I was more than pleased with the first issue of Wacky Raceland, and eager for more issues, and to see more of the other racers in the competition.

I am very tempted to give this issue a perfect rating, thats how much I loved it. I havent really talked much about the actual race that takes place, but it is replete with tension and grisliness, and has some good twists towards the end. The only thing that strikes me about this book is that it really feels more designed for adult readers. I think if I had read this story at the age at which I was watching Wacky Races it would have traumatized me.

Although there is no formal race taking place in the story (except at the outset), it still culminates in a chase with Biblical overtones at the conclusion.

Another superb issue, and once again, I cannot wait for the next one.

It's also worth noting that the back-up story features operatives of Kobra, a recurring opponent of the Suicide Squad, and seems to be laying the groundwork for that villain to return in this run. At least, I hope that is the plan.

Only one detail sounds believable to her, and its the one detail that harmonizes with the established origin of the character. Seeing the very young Digger Harkness sitting in the dusty street of his small outback town, carving boomerangs and hoping his missing father will one day come back. Reis makes this panel just heart breaking. Too much of it would have made the story sappy, but as it is, its the perfect note to contrast with the rest of the tale.

Katana has never been one of my favourite characters, and though I have read a couple tellings of the death of her husband, and how she claimed the sword that now holds his soul, it had never really moved me. Maybe Im just a cold hearted bastard. This telling of it I found far more engaging and emotional than earlier ones I had read, and it concludes with a decent tease at a bigger picture.

Its a much more serious and intense portrayal of Harley than usually appears in this book. Or her own book. Her boundaries and her loyalties are not always the clearest, but as this story proves, that is part of what makes her such a compelling character.

The Croc back-up story continues the high quality of these pieces. Amanda tells Croc information she has learned about his past. While Croc likes to play the mindless beast, Amanda knows he is not, and we get a tragic tale from his childhood. The piece does not get maudlin or try to tug the heartstrings, and succeeds all the more for that.

Now named Caitlin Snow, to match the character from the Flash tv series, Killer Frost is the latest inmate sent to Belle Reve, and the newest recruit for the team. We follow Frost as she enters the prison, gets introduced to the other members of the team, and has her first meeting with Amanda Waller. Its not a bad story in any way, but neither tale in the issue really felt like an introduction to the upcoming crossover. I would have been more pleased with this issue if no mention had been made of the Justice League at all.

The only caveat I have about this issue is the art, which just doesnt feel quite on par with either the normal run of the book, or the current miniseries. But its not bad, not at all. Just a bit of a step down.

And the total downer ending does function exceptionally well as a coda to the miniseries. Amanda Waller always wins. No matter what the cost.

More surprising is Captain Boomerang, partying hard, or trying to. His return from the dead has caused a change in his personality, one that he is not able to control. Try as he might, Boomerang is no longer able to be a crude sleazeball. Its downright tragic.

By the end of the issue, all of the Squad have been questioned about Amanda's death, as all of them are suspects. The conclusion seems to reveal who the killer is, but I am as positive that far more is going on here than it appears.

As for the ending of the issue. It was both a surprise, and something I had expected all along. Suffice it to say, I was very happy, and I believe other readers will be as well.

As always, I long for something a bit more political out of this incarnation of the Squad, but aside from that, I am enjoying it immensely.

Still, as much as I enjoyed this issue, I do continue to bemoan the lack of political commentary in the book. The entire notion of the Squad is so well suited to that kind of thing. With the insane developments emerging daily from the US, turning a blind eye to it all seems downright negligent, if not outright complicit.

The issue feels really fast. I was surprised that I hit the end when I did. Thats not such a bad thing, really. The issue never had a dull moment. And its very clear that this is spinning into something completely out of the Squads control.

Art wise the issue is good. Not great. Edwards does a fine job, and the battle scenes are dynamic. He doesnt seem too strong on faces, though, particularly for characters who are not the main focal point of the panel.

Williams is definitely not on par with this issue. Fortunately Gus Vasquez does a really solid job with the art, particularly in the action scenes on the mission. Gotta love what happens with the airplane. So even if this is a disappointing read, its easy on the eyes.

The story is really just a set up for what is bound to be a nastier conflict in the next issue. I am hoping, or guessing, that Waller is counting on Batman to get her out from under Karlas thumb.

So I really ought to have enjoyed this story more. I wanted to. Was it the art, then, that was the problem? Perhaps it was. I simply didnt feel like I was reading a continuation of the previous issue. It jarred me so much I just never got my grounding enough to have fun.

At least the final page excited me. It was the only page of the issue that did, but it left me with hope for the next storyline.

A surprise cameo closes out the issue, and sets up the finale, in the next issue of Green Arrow. The cameo really was a genuine surprise, and a welcome one, so I wont spoil it for you!

I wish I could heap loads of praise on the art, but I cant. Its good. Mostly. Sometimes very good. But thats about the best I can give it. This book needs a permanent art team.

Perhaps it is simply that, for me, Suicide Squad needs at least a touch of politics. This story, more than most in the current run, has ample opportunity for opening that door. Weve got secret government conspiracies leading back to the 50s. That is ripe territory for political commentary.

The art on this one is ok, but nothing to write home about. I am not sure why there is such difficulty getting a regular art team on this title, and the quality varies widely. True, the mood remains intact despite the change, thats a positive thing. But I long for better visuals.

I wish Eaton had been on board for this entire storyline, but I am glad, at least, that they had a strong artist suited to the strong finale this tale comes to.

The rest of the Squad are shown, but largely from the mans perspective, and only have small roles in the tale. Still, most of them get good moments along the way, and Spurrier looks like he has a good sense of how to handle them.

Still, I was more than pleased with this tale, which had all the deceptive scheming that Suicide Squad requires.

Had the cover been done by a decent human being, I would highly recommend this issue. If you have no problems with Nazis, go for it. But if you do, perhaps you could spend your money better.

A really fun issue, building to a great cliffhanger ending.

A really fun issue, and as dark as a Suicide Squad tale ought to be. Now can we get some political commentary, please? With the US descending into fascist authoritarianism so quickly, it really needs to be addressed, and this is the best book to do so. Ostrander never shied away from it.

The story does seem to go by awfully quickly, though. Seems like we are just getting down to the good stuff when its abruptly over.

I always seem to be complaining about this book. And yet I do enjoy it, and look forward to each issue. I guess its one of those cases in which something is very good, but could be better, and you just keep hoping for it to be perfect.

This issue is, in every way, a worthy successor to Ostrander. Its the Suicide Squad that I have always wanted to read.

All the signs look promising for this to be a tense and exciting storyline.

A really fun issue, setting up a promising one to come.

A strong issue, carrying the story forward, and leaving Batman and Deadshot in quite the cliffhanger.

Astoundingly, this story even comes with a happy ending, a rarity for a Suicide Squad tale. Yet it works, and does so perfectly.

The issue leads directly into the next issue of Aquaman, where the action really gets going. But its a fun start with a good twist at the end.

The stakes just keep mounting in this storyline, and Mera gets a great scene to close out the issue, and lead in to the next Aquaman issue.

This story is, frankly, good enough that it makes me want Boomerang to get his own series, even though I know full well that such a book would not be able to sustain itself. All I can hope for is that there will be another Suicide Squad issue that puts the spotlight on him.

Issue 50 is coming up. That would be the perfect time to make some big changes. So I remain in hope. But its not so tragic, when the stories are fully enjoyable anyway.

So I am more than willing to give this issue a pass, and keep my hopes up for the next one.

Where will the team go from here? I admit, I am worried. This book seems to be a difficult one to write. Williams has set the bar pretty high. It wouldnt surprise me a bit if, a year down the road, I am looking back to these issues as the good old days.

The conclusion reveals the master villain that the team will have to face. While it is not someone that the Teen Titans have dealt with before, the villain does fall very firmly into the pattern of many of the great Titans foes.

Percy does a great job with the dialogue for the characters. Damian inspires a lot more mockery than respect from his teammates, and that pushes the boy to even more outrageous actions. While the issue is, to a degree, formulaic, the writing keeps it fresh, and the art is entertaining and dynamic.

The story ends with Damian making a sacrifice that, frankly, seems a bit out of character, considering that he has only been dealing with these teammates for a couple of issues so far. But it does serve as a good tease for the next issue.

And though its dealt with very quickly, this issue also has Kid Flash, the only one of Damians recruits who had not been part of any previous line up of Titans, come to feel that he truly is a member of the team. I expect this will get touched on again, and not too far down the road.

And Damian seems to be maturing a bit as well. Hopefully not too much. He does say please in this story, and astonishingly this does not kill him.

This is not the greatest issue of Teen Titans, but it is a good Starfire tale, one that was needed.

Looks like this will be a fun storyline, and I always enjoy tales that centre on Beast Boy.

A very good story, and as Beast Boy is one of my favourite Titans, one I highly enjoyed.

A solid ending for an entertaining incarnation of the Teen Titans. And a good lead in to No Justice to close it all out.

The story is tightly told, and the art is energetic and fun. But there is no mistaking that this is continuing a dark tone, as the last couple of pages shockingly reveal.

So not a bad issue, but definitely not as hard edged as the book had looked to be.

The plot of this issue kind of weaves around a bit. Thats the real reason that Golden Glider doesnt get the play the cover implies she will, because there are too many other plot points to touch on. The story really only gets a focus in the last couple of pages, but that does bode well for the next issue.

So the book is progressing reliably. While I cannot say I was thrilled with this issue, I was certainly not disappointed, either.

This is definitely one of the better issues of Glass run. Even the epilogue doesnt lose any of the tension that has been built throughout the rest of the story.

But even if the Roundhouse tale is weaker, this issue still packs a punch, and is a must read for anyone interested in the book.

In the meantime, this issue is a nice diversion for the out of the loop members of the team. And it even gives us a scene between Alfred and Damien. Those two could mount their own comedy routine, I swear.

Teen Titans is coming along very nicely so far, especially in comparison with Titans.

But I wont say any more than that. This is a very good first chapter, and even though I often dont read Deathstroke, the conclusion of this issue ensures that I have to pick up the next chapter of the crossover.

This series is so well balanced, character and action, comedy and intensity. I remember being very impressed with Glass first stories, then it feeling a bit shaky, but finding its footing soon after. Now this has become a book I am comfortable relying on.

The situation is not resolved by the time the issue ends. The team winds up distracted by a surprise guest appearance, which will continue in the next issue. I say its a surprise, though in truth Ive been waiting for it for quite a while now.

The fact that the problems rending the team are still causing friction just raises the stakes for the following issue. The Teen Titans are barely able to stand each other, yet have to work together to survive Lobos next assault. I expect it will be another winner.

So this two parter functions as part of that larger event, but is still primarily a big battle extravaganza. I wouldnt say this is my favourite storyline since Glass and Chang took over the book, but it was still highly enjoyable.

As with the first issue, I am not entirely certain where this story arc is going, but I really dont mind not knowing the direction when the ride is so much fun.

Manapul gives us a little of the outside world, enough so that we get a loose grip on what is going on. There is just enough being explained to keep a reader happy, while the overall mystery is a pleasurable puzzle.

Another fun chapter, which cannot help but make one eager for the next issue.

All in all an excellent issue, which leaves one eager for the follow up.

All in all, these first six issues show a writer and artists at the peak of their game, with a lot of intelligence and subtlety to the storytelling.

The only real problem I have, and its a minor one, is that everything is still in flux in Wonder Womans book. That all played well in the first story arc, as Wonder Womans uncertainty as to the truth of her background and the Amazons fed into the Black Mercys hallucinatory world. But in this case, Circe seems to have a solid background with her nemesis, and I wonder how that can be, when her connection to the Amazons has yet to be revealed. Ah well, the problems of tight continuity in a changing reality are bound to pop up from time to time. Perhaps this will even tie directly in.

All in all, not a great issue. Filler and build up more than anything else. But it is pleasantly executed.

I really loved Manapuls first story arc on this book, and everything in this issue indicates that another fun ride is coming up. A scary one.

It's a fun issue, fast paced and action packed. Not much time for any depth of characterization, though Manapul's dialogue still manages to evoke the different heroes very well, and the Flash gets a strong moment of nobility.

Funny, now that I am writing about it I can find elements to pick at, but I certainly did not feel that way while reading it. It could be a darker story, in both art and writing. But this is Trinity, a super hero book. So I have to say its fine just the way it is.

Now some might take issue with this, as Wonder Woman does not generally act like she was possessed by a demon. But I see the line as the kind of friendly barb that good friends fling at each other. Its not an insult, its the banter that reveals how close the two are.

While this is not an issue that provides any great depth or insight into the three main characters, it does remain a fun and entertaining story. A trifle, I suppose, but one that no one would regret reading.

A shame. It was a strong story arc overall, and deserved a stronger conclusion.

Not a brilliant story, but a solid and entertaining one.

I am not going to spoil the big ending, but it does feature a character not seen in quite a while. There is even a damn good teaser hint that the heroes encounter along the way. And I am so looking forward to the next issue, which is the best thing one can say about the opening chapter to a story.

A real treat for fans of Warlord, Trinity 18 is perfectly capable of standing on its own three legs (six legs?) as well.

Yes, if one is familiar with Warlord this issue will hold more resonance, but even without that, this is a great rollicking adventure.

Had this story tried to tell us what huge peril the three heroes are in, I probably wouldnt have cared for it nearly as much. Having the heroes feel they are fighting the same old same old as they strive to find Steve makes it all so much more fun.

A fun outing, particularly for fans of Warlord, and a great cliffhanger that makes me excited for the next issue.

That is not really the fault of the creative team, as much as of the editorial decision to bring an end to the book. True, it was never a must-read, as the three heroes all had their own books, which were the cores for any development of the characters. Overall, I enjoyed Trinity, though. It might have been nice to have had something change in their relationships to each other. Something that gave a reason for the series to end.

And last but not least, we get an Element Dog introduced. Seriously, how can you go wrong?

I really love how much fun the artists are having with this one. Metamorpho and Plastic Man, as well as Algon and the Element Dog, go through such bizarre physical states that every page deserves a second look, just to appreciate how well all of it was rendered.

But that is really the only complaint I have of the issue, and the Tom Strong part was so well done that I am in a forgiving mood.

While I wouldnt mind a little more depth to this book, I am finding it all such a fun ride that Im entertained throughout. And besides, Tom Strong would probably find it improper for me to criticize a story based on what it doesnt do, rather than evaluate what it does.

Still, I completely enjoyed reading the issue, so that has to count for something.

Perhaps this issue isnt quite as crazy as some that have come before. I admit it is not my favourite issue of the run to date. But it functions as it is meant to, and certainly makes one eager to see what happens next.

Almost one year in, and this series have achieved everything I hoped for it, and gone far past.

It feels like the next issue will be the one to bring the team back together. And though I am looking forward to that moment, this issue did a superb job handling them individually.

Another easy breezy issue of this lemon squeezy series.

A very good resolution to a very good storyline, and I am also glad about the new characters that have been brought onto the team. Thumbs up all around.

I did enjoy this issue. And I hope it continues to achieve the heights that the first 14 issues did. Its not exactly the same book it was before, but for now, its close enough.

The book is still entertaining, and I am not about to give up on it so soon. This team has to be given time to form the Terrifics into something special again. I have no idea how they will do so. Im not certain they can. But I will stick around to find out.

So while the book has definitely taken a step down, its still a satisfying, and entertaining, read.

To be honest, I just dont see this book living up to its first year. But I am also not dropping it from my reading list.

The pay-off is excellent, reminiscent of the conclusion to one of DCs big crossover series from the 90s. And it sets up the final issue, an epilogue to the whole sad saga of Earth 2.

While I would be overjoyed to see them back, I will admit that this version has also gained a place in my fanboy heart.

I do not want to lose these characters. But I want the real JSA back as well. Dont let me down, DC, find a way to have both versions, in some fashion, in your reborn universe.

Despite that, its a good issue, well written, with very nice art. But as each issue of this apparently final storyline goes on, I wonder more and more what is meant to become of this world, and this comic, as Rebirth plays out.

I enjoyed every single page of this story. But at the same time, I found it lacking. Im ready for the grand finale. Bring it on!

Again, I dont really blame the creative team on the book for this. I have the feeling that they were working to the demands of the higher editorial staff, who wanted this book to last until the new Justice Society get introduced. And maybe that got stretched out a little longer than original expected.

The issue ends with a bit of a surprise, bringing back a dangling plot thread from the New 52 version. Its a bit jarring, but only a little. We will have to wait for the next issue to see how Orlando harmonizes things, but it seems that he has subtly laid the groundwork. Its so hard to talk about this without giving anything away. But I will not use spoilers!

But the middle part of the book pretty much stole the show for me. Cat Grant consumes her part of the story the way her character eats others for breakfast. Making an appearance at Karas high school, she delivers a speech about starting up Cat Co, the media conglomerate she runs on the television show. Once again I really have to credit Orlando. I could almost hear Calista Flockhart delivering these lines of dialogue, particularly when she berates Kara for doubting herself. Once again, Supergirl is dealing with someone who is both a threat and an ally, with good intentions that may not be the best thing for her.

The big battle between Supergirl and her father has plenty of action, but is also really sad, with the failure of good intentions to equal benevolent actions.

Steve Orlandos dialogue is crisp and effective, and Brian Ching keeps the visuals fascinating. Its amazing how much emotion can play on a cyborgs face.

A little of this, and a little of that. But not quite enough of anything to make the issue stand out.

There is one very interesting revelation, that the Emerald Empress herself is being manipulated, having come back in time to kill Saturn Girl, but discovering that the visions she was given were a lie. Is this all tied to Rebirth? Id certainly put money on that.

But by trying to evoke the tv show, without going all the way and duplicating it, I think the series as a whole is being weakened.

Sometimes a story is so well written that I forgive sub par art. In this case, the art really is strong enough to cover a largely sub par story. This issue is worth picking up, just to look at. And I hope those who read it find the story more engrossing than I did.

I also sort of cringed at the next issue blurb, which announces a villain called the Evolutionist. I know this is an American comic, but are we really going to descend into Creationist nonsense now? Pandering to Trump sucking Christians may be good for the market in the Bible thumping areas, but its repulsive to anyone with a brain.

I recently read Steve Orlando discussing this book, and why he is proud of it. It was a good piece, and made me want to like the book more than I have been. This issue made that goal much easier to achieve.

Im a sucker for action and battles, but when a smaller scale story is told as well as this one is, I appreciate it all the more.

Its been quite a rollercoaster ride the past few years with Supergirls book(s), but things are really on track and roaring along now.

Aside from that, I really havent anything else to say about the issue. Lovely to look at, fun to read.

Supergirl doesnt really acquire any new information about Rogol Zaar, but by the end of this issue she has reached the remains of Krypton, the scene of the crime, so to speak.

Three decent enough stories. But somehow I feel I ought to have liked this issue more. The brevity of the first tale was probably what pulled this down in my eyes. I needed more revelation and/or explanation.

So I am much happier reading an entertaining space romp that brings back some classic characters, ones with a lot of unused potential.

Its a fast and fun story, building to a great tease for the next issue.

It makes me kind of hope they dont just send her back to Earth at the end of this. There seems to be a lot more potential to the character the further she gets from Superman.

Andreyko has made his run a vital part of the larger picture, while at the same time developing Supergirl herself more effectively than many writers have.

Things are bound to change once the storyline ends, but I suspect this period of the book will remain a highlight of the run for many years to come.

An excellent crossover issue, as this long story arc builds towards its finale.

So many things to appreciate about this issue, but I think what makes it most impressive is that it appears so easy and light. The visuals and narrative are all so clean and precise that it comes off as one of those tales that writes itself. It didnt, of course, and it takes skilled artists and writers at the top of their game to pull off such an achievement.

The three writers have certainly set themselves a challenge with this debut issue. The series could go on to blow ones mind, or it could sink into suckiness really fast. Not sure which one will happen, but I am happy to take the ride and find out.

Still not sure where the book is going, and still not bothered by that in the slightest. Which is basically the best I could wish for from a series called The Unexpected.

Art wise there are some really great camera angles that are used, and though I am incapable of specifying why, some of the work feels a bit like Mignola. It doesnt look anything like Mignolas work, which is why I am not certain that I get that sensation. But its a compliment, nevertheless.

I guess one could say that is a big credit to the overall book. Four characters that dont really excite me, art that failed to thrill me, and yet somehow I really enjoyed this issue.

All in all, this is a fun issue, no matter whether it felt like an issue of Hawkman or not.

Because this book is fun. Its a bit like Space Mountain. A roller coaster ride in the dark, where one has no idea what direction the car will go in next.

Im consistently impressed with this book. It just keeps taking itself in directions I wasnt prepared for. Hard to keep that sort of thing up, issue after issue, but so far, so good.

While it may be too late to start picking up this book, I would still recommend grabbing the collected edition, certain to show up in a few months.

Its not like one is going to learn any new secrets about Batman from these files, but they do make for a decent read.

And an honourable mention goes to the Zatanna tale, for the delightful Halloween decorations in the margins of the page, by Mark Buckingham.

The issues closes out with a great reprint, the Neal Adams Batman story that sees him spend Christmas singing carols with the Gotham police.

There are two Kirby reprints. The first is a Young Gods of Supertown story from New Gods, which features Big Bear and Serifan, from the Forever People. The other is a fun science fiction story from Tales of the Unexpected.

Denys Cowan does some excellent art on this, which really helped carry me through the parts of the book I found a bit less engaging, in terms of story.

This first issue contains the first two chapters, so we get one cliffhanger set up by Didio and Kirby, and then the resolution by Dan Abnett and Dale Eaglesham. Giffen is great at creating art that is evocative of Kirby, and while Eaglesham doesnt even try to go that route, his renderings of Kamandi and the tigers is just beautiful.

I love the almost random use of the Manhunters towards the end of the story. This miniseries is a big DC playground.

The Kamandi Challenge is definitely coming together much better than the first DC Challenge did, back in the 80s. Keeping the focus on Kamandi, and allowing the different teams to explore his world makes this a more centred experience, and all the more fun for it.

Perhaps I am being silly. As I write this review, and look back over the issue, I realize that, had that one character been given a different name, I would be writing another over the top, oh my gosh I love this Kamandi is the greatest thing ever review, as I am prone to do.

And, you know, once you have the audience smiling and enjoying the tale, its so much easier to cut their heart out.

Particularly towards the climax of the issue, when Mishkingrad rises, it just doesnt look very good to me. I was disappointed, much as I hate to admit that. And the cliffhanger to close out the issue didnt quite feel on par, either. A shame, because the start and middle of this issue were really fun.

There is a solid cliffhanger to close out the issue. Indeed, there is really nothing I can find to criticize in this story. But sadly, there is also nothing that really kicks it above what has come before. I guess thats a bit of a problem when there have been so many excellent issues in this Challenge already.

There is one touch that feels odd, given the earlier issues, a page that visually recaps a number of adventures from the original comic. By and large, this series has presented a story completely independent of that one, right down to the way Renzi was used and introduced. The flashback page in this issue is difficult to reconcile with this, but I suppose such problems could be expected when a different creative team executes each chapter.

Tom King is rapidly becoming one of my favourite writers, from his work on Batman and Mister Miracle. This issue of Kamandi Challenge just increases my admiration of his talent. While I cannot say that I enjoyed the story, its far too heavy and dark for that, I certainly admired and appreciated it, and it will likely stay in my head much longer than the other issues of this book.

Ah well, I guess the upside is that next issue will have a brand new team, and I can just ignore this one.

OK, so, knowing all that, there is a small chance you will find the conclusion of Kamandi Challenge more interesting. But I cant guarantee you will like it.

All in all, this is an impressive collection. The Batman and Zatanna stories are both so good that they are worth the cost of picking it up.

Its the second chapter of a larger story, which means that there are some explanations, and some set-ups. A fair bit of action, and Nightwing does get to be the one to discover that there will be four monsters in total. But for me, it was Spoiler, and Gotham Girl, who stole the show.

All in all, this story arc has avoided the problems that often plague the crossover Batman tales, of having too many tie in issues, so the story just keeps moving sideways, instead of forwards. Each issue of this series so far has directly advanced the plot, which is clearly approaching a resolution.

A dark but fun story, totally worth picking up, even if this is your first exposure to the character.

The issue is well written, and contrasts so strongly with the Titans Special that preceded it. I am glad they were released in this order, as it makes this volume stand out all the more.

I do wish there had been at least one story by the real team behind the Terrifics, but the annual is still an entertaining read.

I just feel cheated because it was the end of the run, and promise of the series was never fulfilled.

Aside from that one point, this is an enjoyable re-launch for the character.

Im still a fan of the book. I just hope the next issue will be better.

Its still early enough to get in on this book from the beginning, and I would highly recommend doing so.

But that might be a lot to be tossing at the series for issue 4. Whatever. I am enjoying it, and liking where it seems to be going. Nuff said.

While I wish a bit more had happened during this issue, the blurb for the next one informs us that Tims trip to the Dreaming will have consequences. Since more is to come, I will reserve judgement on that.

But thats it. I have spent a lot of time complaining about one element of the story, and its not that big a deal, really. This is still a good read, better than you might be thinking from the disproportionate amount of time I spent on the one flaw I found.

But I am engaged enough to keep going and find out.

There has been more than a little doom and gloom pervading this series, and I was happy to take a break from that with this issue.

Its the grounded nature of this run that is making it work best. And making the magical parts stand out so much stronger.

Orlando brings the issue to a strong finish, a great teaser than guarantees the reader will have to pick up the following issue. With only one regular issue and the Rebirth special under its belt, Justice League of America has already blown the other Justice League book out of the water.

This has been so well constructed, a great grouping of old and new Leaguers, set up through an excellent miniseries and some very good one shots. Id wager money that DC has a winner with this book.

So while this may not provide the sheer delight that those two previous chapters did, it remains a solid, well-told issue, which wets the appetite for what it to come.

The scene between the Ray and Dreamslayer is also quite interesting. I have always found Dreamslayer the most interesting of the Extremists, and this incarnation carries that on. His motivations do not precisely line up with those of Lord Havok, but will that make Dreamslayer an asset to the League, or a greater danger to come?

Finally, I was both surprised and delighted by the return of someone. Didnt expect that at all. And of course, I wont spoil it.

And the villain himself is entertainingly introduced. We only get a bit of sense of the character, but the mythologically themed weaponry he is having produced certainly bodes well for the rest of the story arc. I can hardly wait to see it in action.

The solution to the towns economic problems, the root of the troubles in this storyline, also seemed a little too quick and easy. The benevolence of millionaires is hardly something to base an economy on, as the current world situation so clearly demonstrates.

The rest of the team get only small parts in the issue, though all of those are quite good. Black Canary not only gets stuck in a bar brawl with Lobo, as he fights against a version of Mr. Scarlet that looks a lot meaner than the Fawcett character originally bearing that name, but also gets a decent discussion about relationships with Killer Frost towards the end of the issue.

The story comes to a strong and effective ending, and I have the sense that I will enjoy what is coming up in this storyline far more than this opening chapter. And, you know, thats not a bad thing at all.

Would Makson, who is not a being with some major super powers, really be able to go toe to toe with the League for as long as he does? He is, basically, Tarzan. As savage and intent as he is in the fight scene, I found it difficult to credit that the League would not have taken this guy down in a panel or two, unless there was some distraction, someone weakening them, magic, 5th dimensional imps, or SOME form of explanation to balance the wildly divergent power level.

The best I can say for the issue is that I hope the next one is stronger.

The finale is enough of a tease that I have faith in the remainder of the storyline, that Orlando will deliver some more interesting twists and turns along the way. But I have to admit, with Reis executing the art, I wont even mind if he doesnt.

Black Canary and the Ray stay back on Earth, and have a scene that sets up what will likely be the next story arc. They briefly discuss the Rays personal issues. Thats certainly nothing new for this book. The pairing of Ray and Black Canary did bring to mind that brief period in the 90s when different incarnations of the two characters had a fling. Whether or not the scene was intended to do that, it did make me reflect on how much things have changed, and improved, in the way both of them are now written.

Ray Palmer does finally show up, in his classic uniform, on the final page. This time its not a decoy tease, as it had been a couple of issues earlier.

The one thing that really really does not work for me is the final page. Without any spoilers, some characters are left looking at something that really shocks them. What are they looking at? Well, I guess we will find out next issue. I definitely would have preferred a stronger ending that a group of stunned looking people, who can see something that I cannot.

When the story is all over, and one can read it all as a single tale (or as a collected edition) I suspect that the problems I am feeling with this issue will be negated. But having to review this specific issue on its own merit, it just doesnt hit the mark for me.

I know a number of people really didnt care for this storyline. I can understand that, it did drag at times, but now that the overall purpose behind it is clear, I feel it was time well spent. Ryan Choi proved worthy of adopting the role of the Atom, and considering that Ray Palmer is not returning in any active capacity, the length of this tale gave the readers time to see what his life has become.

I always enjoy well crafted tales that tear a team asunder. They can play so effectively with the varying personalities of the members, and allow for some character development that works into the plot, when done right. And here, it is done right. Of all the characters to freak out and bolt, the Ray was the one I thought least likely, so it was all the more powerful to see him lose it.

Now that we are further into the run, it is clear to see how Orlando has been weaving his webs, laying in plot threads whose purpose only becomes clear later on. Thats the kind of storytelling that can take a while to pay off, but comes with so much more satisfaction when it does.

Its so hard not to talk about the character that shows up on the last page. Not someone I ever expected to see in a Justice League story, seriously. Even more exciting are the other guest stars implied to be in the next issue. I knew this was a fun story, but had no idea just what treats Orlando had waiting in the wings!

I did enjoy this issue, I just expected more from it.

More than anything, I was glad that this story served to weave together everything Orlando had been crafting in this book.

While this may not be the most action packed or dramatic issue of Justice League of America, it does read extremely well for the sincerity of the character exploration.

I would have liked to have enjoyed this story, but it made so little impression on me, its not even worth disliking.

I wish the bulk of the League were given more to do, but its still a darn good Atom vs Chronos tale.

One can only really feel disappointment in a story when it comes so close to being really good. I have enjoyed the line-up, the storytelling, most of the villains, and the art on this run of Justice League of America. But the brevity of the run prevented this book from being all that it might have been.

But that is really about all I can say. Phil Jimenez's art and writing are top notch from beginning to the very shocking end. Whats so shocking? Suffice it to say, the last page of the issue makes one realize that the story you thought you were reading was not at all the story you were actually reading.

But the moment that really stuck in my mind was a great personal detail. Lana is uncertain of who is real, and who might be an illusion or a clone at one point in this issue. When Steel comes to help her, she demands that he tell her something that only he would know. And so we find out that Lana likes watching John Henry Irons playing bongo drums when he is naked. Its so intimate, and so absurd, that it feels completely real.

Superb art and storytelling. With each consecutive issue Jimenez knocks Superwoman right out of the ballpark.

Enjoyable as always, and every issue goes in a direction I didnt expect. Jimenez just keeps hitting the ball out of the park with this title.

On the down side, this issue is a lot of talk and explanation, building up to a fight that is too brief, although the conclusion of it does create an interesting situation. I am eager for the story to finally take us to the big Ultrawoman/Superwoman battle that has been building up.

As much as I enjoy the big super hero action, the suspenseful finale, the lovely art and the overall concept, what has stood out for me in each and every issue of the book so far has been the narration. Lana Langs internal monologue reveals an intelligent woman who feels that she is out of her depth, but who persists nonetheless, against overwhelming odds. It honestly wasnt until I started writing that sentence that I suddenly thought She was warned. She was given an explanation. Nevertheless, she persisted. It suits this storyline perfectly.

Its really only the final page that puzzles me. I am certain that at least part of my confusion is intentional, and I trust Jimenez to explain it all in time. So far this book has vastly exceeded my expectations, and I see no reason to think it will not continue to do so.