4
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Hell Yeah #1 |
Mar 9, 2012 |
If "Hell Yeah" #1 spent less time worrying about telling us about the past and more time telling us the story, it would be a much more entertaining and engaging read. Instead, it begins well, drags in the middle and spends the rest trying to play catch up. It's an all-too-typical first issue offering enough glimmers of potential to warrant coming back for a second. |
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8
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The Boys #64 |
Mar 8, 2012 |
Where exactly "The Boys" will go after the current story ends next issue is anyone's guess, but it's doubtful superheroes and mockery of them will play a large role. The series has been moving towards a larger exploration of power, the morality of a group like the Boys and brilliant character work. It's been one hell of a ride and if the remaining issues are as good as this one, it will be a shame to see it end. |
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6
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Uncanny X-Men (2011) #8 |
Mar 8, 2012 |
Some might accuse Gillen of decompressed storytelling and dragging this story out. Normally, the events of this issue would be crammed into a few pages; by giving them the room to breathe, Gillen shows a different side of the team and allows the characters to reveal more of themselves. |
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8
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Spaceman #4 |
Mar 5, 2012 |
It's easy to write off "Spaceman" for being "boring" and not as "exciting" as "100 Bullets," entrenched in language games and a future where nothing is explained easily. Really, it's Azzarello and Risso at their very best, using all of their skills to create a fully formed world and cast in an exciting crime story. When the first issue came out, I said it was a 'must buy' at one dollar. At three times that price, nothing has changed. |
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8
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Ultimate Comics: Ultimates #7 |
Mar 5, 2012 |
Since relaunching "Ultimate Comics Ultimates," Jonathan Hickman, Esad Ribic and Dean White have produced one of the best comics at Marvel. Free of continuity concerns, it's been a comic where boundaries are pushed and the unexpected happens every issue. Issue #7 begins a conflict between two advanced groups, both with abilities and resources that dwarf S.H.I.E.L.D. and the Ultimates. The Children killed the Asgardians, while the People toppled a nation and installed themselves as rulers in the span of a month. Now, they begin a war to kill one another. You're a fool if you're not reading this comic. |
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9
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Prophet (2012) #22 |
Feb 27, 2012 |
Amidst the critical acclaim of "Prophet" #21, some wondered if the issue was praised so heavily because it's wasn't a superhero comic. This issue clearly demonstrates the praise was merited because "Prophet" is a very good science fiction comic. Graham and Roy use familiar tropes and ideas as a base for much of what they do but how they build upon them and create a full and complex, unique world is astonishing. There's something new and exciting on every page, a rarity in comics. |
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7
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Secret Avengers #23 |
Feb 27, 2012 |
What really impresses is the art. Hardman's high-contrast style doesn't use a lot of shading and lends itself to Breitweiser's colors. There's a sense of bright lights even when it's dark. The way Hardman approaches his pages is relatively simple, yet effective: he uses grid layouts until he tilts things, throwing the action askew to a degree. On the final page, this really works, making that startling last image stand out even more. Both the writing and art come together at the end quite well, making the next issue a hard one to miss. |
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4
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Avengers (2010) #22 |
Feb 20, 2012 |
Despite the inter-Avengers Norman Osborn crossover humming along nicely both here and in "New Avengers," "Avengers" #22 is a definite step backwards quality-wise. With the Avengers captured, the story is in a holding pattern until the escape or prison break from Osborn and H.A.M.M.E.R. It would be unearned and bad storytelling if the heroes were captured then immediately escaped, defeating their captors. It makes this issue necessary for pacing purposes -- but not much else. |
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8
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New Avengers (2010) #21 |
Feb 20, 2012 |
Ensemble fights can be downright dull in superhero comics, simply replaying the same battle over and over again. Surprisingly, Bendis and Deodato deliver a smart and entertaining fight issue hot on the heels of a battle royale against Norman Osborn's Dark Avengers. More knock-down, drag-out fights are a given for the future and "New Avengers" #21 is a good sign things will stay fresh with a high level of innovative thinking. |
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8
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Wonder Woman (2011) #6 |
Feb 20, 2012 |
"Wonder Woman" #6 seemingly does away with one threat (or delays it) and introduces another in a fairly smooth transition. Azzarello's writing is playful and wonderfully structured with plot movement coming from characters instead of external events. Six issues in, "Wonder Woman" is still one of the best titles of the New 52. |
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8
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Frankenstein, Agent of S.H.A.D.E. #6 |
Feb 12, 2012 |
"Frankenstein, Agent of S.H.A.D.E." #6 delivers the best of both worlds in storytelling: a self-contained story and the first part of a multi-issue arc, showing off how Jeff Lemire can balance the two. Both revolve around exploring S.H.A.D.E. and the organization's past in its own way, ending with an intriguing cliffhanger. |
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9
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PunisherMax (2009) #22 |
Feb 12, 2012 |
"Punishermax" ends on a near-perfect final issue. In telling the rise and fall of Wilson Fisk, Jason Aaron and Steve Dillon also exposed Frank Castle in ways no one expected, leading to the only fitting conclusion: his death. This final issue struggles to say what that death means and, ultimately, it doesn't mean anything. Frank Castle killed thousands of people and died in the process. The war is over. |
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8
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Defenders (2011) #3 |
Feb 6, 2012 |
The chaotic, unknown approach seen in "Defenders" #3 makes for an energetic comic. Fraction and the Dodsons utilize quick cuts and fragmentary scenes, building towards a rousing climax. In interviews, Fraction has said that this is the work-for-hire comic most like "Casanova." The way that both comics have that 'everything but the kitchen sink' approach to storytelling is never in doubt. Since the plot is so chaotic and muddled, it can best be seen from afar and, with each issue, that long view becomes clearer and clearer. |
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8
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Men of War #6 |
Feb 5, 2012 |
With the departure of Ivan Brandon, "Men of War" will stagger on for two additional issues, but this feels like the true conclusion of the series. The confrontation of Rock with the face of endless war calls back to the first issue perfectly. "Men of War" was one of the best titles of the 'New 52' and it will be missed. |
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8
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Winter Soldier (2012) #1 |
Feb 1, 2012 |
In many ways, "Winter Soldier" #1 picks up right where the previous volume of "Captain America" left off. Brubaker and his artistic collaborators know these characters so well, they don't miss a beat. There's a noticable shift from the bright and shiny blockbuster action of superhero comics to the shadowy world of espionage, but fans of the Brubaker-invigorated Bucky Barnes will no doubt love this. Finally, the Winter Soldier has his own series, and it's everything you'd hope for. |
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3
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Batman: The Dark Knight (2011) #5 |
Jan 29, 2012 |
Since this story is obviously art-driven, it's disheartening to see what little Finch does with what's here. The Scarecrow is a melon-headed comedy act and Batman cowers most of the issue until he becomes a mass of muscles attacking Superman awkwardly. For Batman's hallucinations, Finch draws simple montages of villains and allies, nothing that seems particularly scary, even knowing the inner workings of Batman. Like or dislike Finch's art, it's rarely boring to look at it, and that's what it is here. It seems like someone going through the motions of both a Scarecrow story and a Superman/Batman fight. There's nothing new or exciting. |
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7
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The Mighty Thor #10 |
Jan 29, 2012 |
On the surface, it seems like Fraction is rushing through "The Mighty Tanarus" and, while there are areas he could explore further, the quicker pace makes for a more entertaining read. So many stories take a long time to play out and, since this one has a somewhat predictable end point, getting to the point sooner rather than later seems wise. Fraction has really found his groove on this title. |
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6
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Justice League Dark #5 |
Jan 28, 2012 |
It seems unfair to praise a comic for its boldness and willingness to subvert conventions before condemning it as a dead end issue for the series. But, that's exactly what "Justice League Dark" #5 is. Any sort of follow-up will seem disappointing after a finish like this, like a surrender of principles set out here against the entire concept of the comic. A natural jumping off point. |
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7
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Avengers (2010) #21 |
Jan 23, 2012 |
H.A.M.M.E.R. attacking the Avengers and catching them off guard isn't an original idea, and, yet, Brian Michael Bendis and Renato Guedes pull it off through intelligent pacing, structure, characterization, and good art. It goes to show that, even if something has been done before, good execution can win out. |
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8
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Daredevil (2011) #8 |
Jan 23, 2012 |
There wasn't much doubt that the conclusion to this crossover would be good given the first part and the quality of "Daredevil" so far. Still, to have a comic live to up to expectations and not disappoint is a victory in and of itself. |
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7
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Uncanny X-Men (2011) #5 |
Jan 23, 2012 |
That said, it's hard to complain too much when Gillen writes these characters so well. In fact, if every issue was simply Gillen writing characters having conversations with one another, "Uncanny X-Men" would be one of my favorite comics. |
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8
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Amazing Spider-Man (1999) #677 |
Jan 15, 2012 |
For fans of "Daredevil," this crossover is almost like getting two issues this month, while regular readers of "Amazing Spider-Man" get a taste of what makes "Daredevil" such a great comic. The plot here is one that allows Waid and Rios to focus on the characters, which isn't often the case with crossovers. Usually, the plot drives things to the point where characters get lost; it's refreshing that that isn't the case here. This comic shows that Waid knows what the coolest parts of crossovers and team-ups are: seeing your favorite characters interacting. Frankly, after this issue, I'd be happy to read a Spider-Man/Daredevil team-up book every month. |
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9
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Scalped #55 |
Jan 15, 2012 |
"Knuckle Up" is a story arc that's pushed a lot of characters towards the end of the series and no issue does more of that than this one. The fight between Dash and Shunka is a definitive one and, somehow, isn't the biggest, most surprising part of this issue. This is one of those mythical 'nothing is the same' issues that publishers promise often and rarely deliver upon. Drawn by anyone, this would be a good comic, but, in the hands of R.M. Gura, it's a great one, one that ensures that "Scalped" makes many 'best of 2012' lists already. |
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8
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Secret Avengers #21 |
Jan 15, 2012 |
"Secret Avengers" #21 is a thematic conclusion to Warren Ellis's six-issue run on the title, bringing together ideas from the previous five issues and using a larger cast. In some ways, it's the issue that best demonstrates Ellis's approach to the title, summing up everything that came before and different types of stories that can be told under the banner "Secret Avengers." And, of course, the art is fantastic. It's a shame to see this run end. |
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6
|
Avengers (2010) Annual #1 |
Jan 7, 2012 |
"Avengers Annual" #1 raises some interesting points and seems to be a part of a larger story Bendis is telling about the public turning on the Avengers. Wonder Man's argument against the Avengers has some merit and doesn't get the follow-through it warrants, especially in the response from the Avengers. Hopefully, Bendis will return to the ideas raised here and develop them further. |
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7
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Avengers: X-Sanction #2 |
Jan 7, 2012 |
Halfway in, "Avengers: X-Sanction" is proving an entertaining read. Cable taking down the Avengers one by one has had some nice surprises and the storytelling's directness and clarity is refreshing. Jeph Loeb's previous experience writing Cable is one of the reasons why the writing is so sincere and direct. He knows the character and doesn't need to work his way into his head or get to know him as he writes the story. This series was sold as Cable vs. the Avengers and, so far, it's living up to that hype. |
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4
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Annihilators: Earthfall #4 |
Jan 2, 2012 |
"Annihilators: Earthfall" was a big enough story to warrant more than four issues, something that was apparent early on and no more so than in this final issue where rushing to the finish undercuts the entire story. Everything continues along at the same pace it always has and, then, it's suddenly done. With no new Annihilators comics or any cosmic books from Abnett and Lanning on the horizon, it's a disappointing way for their time on the cosmic books at Marvel to seemingly end. |
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8
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Godland #35 |
Jan 2, 2012 |
A surprising amount of plot resolution happens in "Gdland" #35 and, with only a couple of issues left possibly, things are definitely prepping for the big finale. Even still, nothing in this comic remains static. For all we know, the danger presented at the end of this issue will be dispatched in a couple of pages before something even bigger reveals itself. The release schedule may be lax, but every issue of "Gdland" is a source of joy, excitement, and entertainment. |
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8
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Haunt #20 |
Jan 2, 2012 |
"Haunt" ends 2011 with a pair of strong, entertaining issue from Joe Casey and Nathan Fox. The new direction is surprising and entertaining. At this rate, "Haunt" may be one of the best comics of 2012. |
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9
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Vengeance (2011) #6 |
Jan 2, 2012 |
For me, this was the comic that a longtime Joe Casey fan was waiting for. Going back to "Cable" and moving forward, he touches on almost everything he's written for Marvel in one way or another. It's rare that a writer can do that and it not feel like an exercise in playing with his own private toys. It's not Casey pulling a box out of storage; he adds new characters to the mix, and tells a compelling, entertaining story with a fantastic artist on board. "Vengeance" is the best event comic Marvel published this year, hands down. |
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8
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Captain America (2004) #625 |
Dec 30, 2011 |
2012 brings a new "Winter Soldier" series, leaving questions about "Captain America & Bucky" and the purpose it could serve. Originally, it seemed to provide a series for James Barnes now that Steve Rogers is Captain America and, with his return in "Winter Soldier," that left this title looking like the odd one out. If this issue is any indication, "Captain America & Bucky" could just be the best Captain America comic available, exploring new territory both in the past and present with one of the best artists in comics on board. In a week of three Captain America comics, this is the one that's a 'must buy.' |
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7
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Captain America (2011) #5 |
Dec 30, 2011 |
Ending the year with "Captain America" #5 is an appropriate choice. The story that ends here isn't a hard ending since it sets up the story that begins (or continues) in issue six, raising ideological questions for Steve Rogers that will no doubt drive much of what happens in 2012. The familiarity of the territory for the title and character is offset by Ed Brubaker's approach to it. Rooting the story in Rogers' past so deeply is both a liability and strength where the skill of execution gives the latter the edge over the former. |
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7
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Captain America (2011) #6 |
Dec 30, 2011 |
"Captain America" #6 manages to follow up on the previous story and begin a new one in an entertaining and lively manner. The questions about the state of America take the back burner to Rogers's concerns over his powers and Brubaker smartly calls back to the "Steve Rogers: Super-Soldier" mini-series he last year to add on the tension. There's a strong sense of direction in this issue and Alan Davis joining the book on art is gravy. |
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6
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Avengers (2010) #20 |
Dec 22, 2011 |
For what it is, "Avengers" #20 is an entertaining issue. The awkwardness and silliness in play is charming and grounds a story that seems primed to fly off into the 'gravest of threats to ever face the Avengers' territory. The inversion of the surface and reality of Osborn's attacks is interesting: the one that seems the strangest is the most effective, while the rest are so obviously set up to fail that one wonders why bother -- aside from the prospect of Spider-Hulks, of course. With this story still in the opening barrages, it's hard to take it too seriously when the stakes are likely to get higher in upcoming issues. For now, "Avengers" #20 is an entertaining superhero pop comic. |
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9
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Batman, Inc.: Leviathan Strikes! #1 |
Dec 22, 2011 |
The fate of "Batman, Incorporated" was one of the big questions when DC relaunched its complete line in September. "Leviathan Strikes!" begins with a disclaimer that it takes place before "Flashpoint" and the resulting relaunch . That gives Morrison license to push things further. It may not 'count,' but "Batman, Incorporated: Leviathan Strikes!" is the best comic DC has published in the latter half of 2011. The wait for "Batman: Leviathan" in 2012 is already too long. |
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5
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The Boys: Butcher, Baker, Candlestickmaker #6 |
Dec 21, 2011 |
If this were just another issue of "The Boys," it probably wouldn't disappoint so much. As the finale to what's been a strong mini-series, it doesn't have the weight or sense of necessity to stick the landing. Too much of the issue is devoted to Butcher playing the role of Hughie in his own way that it feels like a simple retread of what we've seen before. Part of the appeal is no doubt meant to be seeing Butcher in that role, but he's so confident in himself that the differences between him here and in the present aren't pronounced enough. |
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7
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Frankenstein, Agent of S.H.A.D.E. #4 |
Dec 19, 2011 |
One of the nicest surprises of the DC relaunch has been "Frankenstein, Agent of S.H.A.D.E." and its focus on absurd ideas and an action-driven story. It's appropriate that, next month, it will enter into a short crossover with "O.M.A.C." since both comics share a similar sensibility. |
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8
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Journey Into Mystery (2011) #632 |
Dec 18, 2011 |
Christmas issues in superhero comics don't often work. They're too sappy (or cheesy) or seem like a fill-in that doesn't matter; "Journey into Mystery" #632 avoids those problems. There's heart to this story, but not so much that you want to throw up, and it genuinely feels like the 'next issue' of the series, not one where the holiday theme has been forced upon it, derailing it for a month. If Christmas comics were reread every year like TV specials are rerun, this issue may be a candidate for earning a permanent spot in that rotation. |
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7
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S.H.I.E.L.D. #4 |
Dec 18, 2011 |
The plot doesn't advance a great deal in this issue, which is a little disappointing after an issue-long fight last issue. However, that's balanced out to a degree in how things happen here. This isn't a straight linear, cause and effect comic, and the storytelling reflects that. It applies some smart concepts to how it tells the story and, with three distinct timelines in this issue, what happens next is anyone's guess. |
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7
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Sacrifice #1 |
Dec 17, 2011 |
Exactly what is happening in "Sacrifice" #1 is not entirely clear. Has Hector travelled back in time? Is it all in his head? Either way, what it all means is unknown and is an intriguing and gripping mystery. Where it will go is anyone's guess, but the confident storytelling on display here by Humphries and Rose makes it easy to trust that they have a plan and it will pay off. |
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5
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Action Comics (2011) #4 |
Dec 11, 2011 |
In the end, "Action Comics" #4 is necessary to the story that Grant Morrison is telling, but that doesn't make it as lively or energetic as the first three issues. The action is determined by an external force rather than the characters themselves, and that sucks a lot of the drive out of the issue. Things happen because they happen and Morrison doesn't seem to find that any more interesting than we do. Hopefully, this issue is just a hiccup in an otherwise strong run. |
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8
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Moon Knight (2011) #8 |
Dec 11, 2011 |
Everything about "Moon Knight" #8 seems like an improvement over the previous seven issues. The level of ease and comfort is noticeably higher, as is the strong sense of direction. It's not just Maleev that looks like he's hitting his stride on this title, it's Bendis as well. There's always a period of getting to know characters and becoming comfortable with them and their world, and it seems like Bendis and Maleev have passed that point. This is a tight, entertaining issue, possibly the best of the series to date. |
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7
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Breed III #7 |
Dec 10, 2011 |
"'Breed III" ends on a high note with Starlin's best art in years and a smart use of his hero. After such a hard-fought battle, the ending itself is slightly anticlimactic and the 'lie' that the issue is titled after isn't shocking (or even surprising) in the least. Starlin leaves the door open to revisit Stoner as he embarks on a new-but-related mission. With this series, he's seemed to have gotten his groove back and, hopefully, it won't be too long before Starlin graces us with some more creator-owned work. |
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6
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Avengers Origins (2011): Thor #1 |
Dec 4, 2011 |
If you've never read the story of Thor, "Avengers Origins: Thor" is an entertaining and coherent read until the final scenes. Kathryn Immonen writes the characters with depth and Al Barrionuevo matches her on art. Unfortunately, this story isn't simply an old one that's been told numerous times, it's been told numerous times recently in numerous mini-series and one-shots from Marvel. With a plethora of recent Thor stories about his youth, this comic stands out amongst the "Avengers Origins" books as the one that seems unnecessary. |
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7
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Haunt #19 |
Dec 4, 2011 |
In "Haunt" #19, Joe Casey and Nathan Fox make an effort to please both existing readers of the title and newcomers, succeeding for the most part. The art is gorgeous and is worth poring over again and again to see exactly what Fox is doing. Casey glosses over a lot, but also provides a clear direction of where the book will wind up soon. The end of the issue is pure insane violence and leaves things in a very interesting place. |
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7
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Ultimate Comics Hawkeye #4 |
Nov 27, 2011 |
As a tie-in to what's happening in "The Ultimates," "Ultimate Hawkeye" effectively expands upon a subplot and gives it the necessary room to be its own story, but, as a story centered around Hawkeye, it's less effective. On the whole, though, this series, and this issue in particular, has showed off Jonathan Hickman's strengths at creating interesting, thoughtful characters and situations. What he does with the Celestials and Eternals going forward is an exciting question to think about. |
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9
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Secret Avengers #19 |
Nov 26, 2011 |
"Secret Avengers" #19 is 20 pages of a superhero comic you've probably read before. The story isn't original or that different from many that have come before. What makes it so compelling and entertaining is the execution. This is a lesson is how style and skill can turn even the most basic of stories into something refreshing and new. |
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7
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The Mighty Thor #8 |
Nov 26, 2011 |
The Thor-centric epilogue to "Fear Itself" disappointed me, but Matt Fraction has turned my opinion around. In "The Mighty Thor" #8, he and Pasqual Ferry set up a lot of interesting plots like Tanarus, the new (or old) God of Thunder, Asgardia, Loki's schemes, and Thor possibly not being as dead as we thought he was. That this issue so clearly draws upon Fraction's work to date is encouraging, as well. Once again, "The Mighty Thor" is an exciting read and I can't wait to see what happens next. |
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3
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Red Hood And The Outlaws #3 |
Nov 21, 2011 |
What should be an illuminating issue of "Red Hood and the Outlaws" is more of a turn-off issue. It's clear what Scott Lobdell is going for and the way he writes the comic makes this a lackluster issue. In an issue that should make readers understand the protagonists more and make us want to root for them, he accomplishes the opposite. |
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2
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Catwoman (2011) #3 |
Nov 20, 2011 |
It seems that the only way for stories to 'mean' anything or for heroes to gain 'meaning' is for a death to happen. Well, here it is, and it's an empty, calculated death that carries no emotional weight whatsoever. You'd think we would be done with pointless, obvious deaths of secondary characters that exist only to die, but I guess we're not. |
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5
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Batman (2011) #3 |
Nov 16, 2011 |
I've spoken of the "third issue slump" before and how it seems that comic series' third chapters tend to be the weakest, when the teases of the villain have grown weary and it's too early to fully reveal what's going on, leaving only necessary plot moments devoid of life and energy. Unfortunately, that's what "Batman" #3 amounts to. It handles many of those necessary plot points competently, but doesn't make them memorable or turn them into anything more than scenes to get through. The issue does end on a clever revelation regarding the Court of Owls, with Snyder managing to tie together several threads of the story inventively, showing promise for the future of the story. Otherwise, it's Batman does things you've seen a thousand times before, and that's fine, I guess. |
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1
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Fear Itself #7.2 |
Nov 10, 2011 |
What makes "Fear Itself" #7.2 feel so empty and lacking in story is that its sole function is to introduce plot points that, should you pick up "The Mighty Thor" #8 or "Journey into Mystery" #631, will no doubt be recapped. The manner in which they're introduced here are not more interesting or entertaining than reading a two-sentence recap of what happened. That's the biggest failure of this comic: it's nothing more than 20 pages of epilogue that's really a two-sentence prologue for another story. "Stories end. Stories begin." None are actually told here. |
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4
|
Magneto: Not a Hero #1 |
Nov 10, 2011 |
"Magneto: Not a Hero" #1 is an okay first issue. The plot is obvious and facilitates the necessary conflict to showcase Magneto as both an X-Man and as someone with his own agenda. Scottie Young has Magneto's voice down and Clay Mann draws him well. The reveal at the end of the issue is a logical one and provides for an interesting antagonist going forward. |
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2
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New Avengers (2010) #18 |
Nov 10, 2011 |
If you skip to the end of this comic, you'll see all you need to: the new Dark Avengers. How Norman Osborn recruits them is unnecessary and is a waste of space in this comic. Aside from names, none of the characters are introduced and none join for any reason other than wanting to help Osborn take down the Avengers. Adding names above each character on those final two pages would have accomplished the exact same thing that the previous 18 pages did. This is a tedious comic that betrays one of the worst tendencies in Bendis's storytelling style. |
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8
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OMAC (2011) #3 |
Nov 6, 2011 |
Conceptually, "O.M.A.C." seemed like it would feature a Spider-Man sort of hero where O.M.A.C. complicates Kevin Kho's personal life. That happens to a degree in this issue, but the focus is much more on delivering lots of superpowered brawling. Giffen's art is perfectly suited to that and the writing specifically enables that approach. More than a lot of the new DC relaunches, this is a comic that you can just look at the art and still understand what's going on. Not many superhero comics rely on fights like this anymore and it's a shame since it's so compelling and entertaining. |
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7
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Stormwatch (2011) #3 |
Nov 6, 2011 |
Not a fantastic comic yet, "Stormwatch" continues to improve since its first issue. The shift in how Cornell writes the characters helps a lot and Sepulveda shows moments of visual brilliance, though most of his art is buried under horrible computer effects. At this rate, this may become the premier big budget superhero action team book. |
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8
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Uncanny X-Men (2011) #1 |
Nov 1, 2011 |
While some purists may complain about the relaunch of "Uncanny X-Men," this issue makes a strong argument for the new direction of the title and deftly illustrates what sets it apart from the previous volume. Cyclops and the X-Men look to be changing mutants' role in the world in a manner different from Xavier's vision, and as such, the break makes sense. This first issue sets up the new status quo well before diving into the plot, resulting in an entertaining, action-packed, smart comic. |
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5
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Annihilators: Earthfall #2 |
Oct 31, 2011 |
Conceptually, "Annihilators: Earthfall" #2 is smart, playing the Annihilators and Avengers against one another in a manner that makes sense and would seem out of place if it didn't happen. The art doesn't carry its share of the load for the fight scenes, though, which is disappointing. An entire issue of the Avengers fighting the Annihilators could have been a visual feast and, instead, it's merely a good comic. |
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7
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Captain Swing and the Electrical Pirates of Cindery Island #4 |
Oct 31, 2011 |
"Captain Swing and the Electrical Pirates of Cindery Island" took longer than expected to finish and the wait was somewhat worth it. Ellis' writing is wondrous and magical in the right places, harsh and cold in other appropriate spots, and Caceres' art brings the world to life with its detail. This series fits into Ellis' body of work seamlessly and, yet, still stands out as a strange piece of work that meanders a bit and acts as a prologue, of sorts, to "Gravel" and "Doktor Sleepless." With the collection coming out soon, fans of Ellis' work and weird sci-fi should give it a look. |
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6
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Journey Into Mystery (2011) #630 |
Oct 31, 2011 |
Overall, "Journey into Mystery" #630 is an amusing, entertaining comic that begins the follow-up to "Fear Itself." Volstagg's role in the event is surprising, and his reaction lends itself to a fun comic. The only problem is that the writing and art don't go far enough to make Volstagg's story a fantastic tall tale, walking some middle ground that leaves you wanting more. |
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8
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Ultimate Comics: Ultimates #3 |
Oct 30, 2011 |
Normally, you read a comic where the heroes are up against a force so dominant and you're sure that the good guys will pull out a win somehow. In "The Ultimates," there is no guarantee of that happening since the status quo is able to change so freely. Hickman is taking advantage of the freedom given on a book like this. Best jump aboard "The Ultimates" now, because, the way this story is going, the team may not be around much longer. |
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9
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Spaceman #1 |
Oct 27, 2011 |
"Spaceman" is a nine-issue mini-series that Azzarello and Risso plan to come back to in between other projects and, already, the possibilities seem endless. Orson isn't your typical sci-fi hero with his childish intelligence, monstrous appearance, and utter lack of purpose. With the first issue priced at only a dollar, how can you not give it a shot? |
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9
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Deadpool MAX II #1 |
Oct 24, 2011 |
The wait may not have been long, the book may not be any different, and the relaunch may be entirely arbitrary, but everyone in the world is made a better person for the return of "Deadpool MAX." That Marvel continues to publish this comic is the surest sign of the publisher's intelligence, so willing to allow mockery of itself and its characters out into the world when the quality is so high. If we're lucky, David Lapham and Kyle Baker will never depart this book and we'll eventually get volumes three through, like, twelve. |
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8
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The Boys: Butcher, Baker, Candlestickmaker #4 |
Oct 24, 2011 |
The events of this issue are not surprising and they still manage to connect. There's a sense of dread throughout the issue that grows as you read and just smacks you in the face. Ennis is a master of this technique and, with Robertson, pulls it off expertly here. You know what's going to happen and it's worse than you think you know. |
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7
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Ultimate Comics Hawkeye #3 |
Oct 24, 2011 |
The final issue will help determine how 'conventional' "Ultimate Hawkeye" turns out to be; the ending to this issue suggests that, along with what's going on in "The Ultimates," big things are happening in the Ultimate Universe. The concept of what a superhuman is and what it does appears to be changing. A couple of moments in this issue are surprising and, hopefully, point to the future of this line. What began as a supplement to "The Ultimates" could be essential if this issue is any indication. |
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4
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Superboy (2011) #2 |
Oct 17, 2011 |
"Superboy" #2 shows that the book has potential, but it doesn't seem to know what it wants to be yet. Is it about the redemption of a superpowered clone as he learns to be human? Or is it a dark comedy about an evil bastard clone that likes to kill folks? Either approach would be fine, the book simply needs to settle on one. |
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6
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The Unexpected #1 |
Oct 17, 2011 |
Fans of great art will find "The Unexpected" a treat even if the stories are mostly obvious twists and poorly constructed. |
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7
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The Unwritten #30 |
Oct 17, 2011 |
"On to Genesis" provided a window into Wilson Taylor's past that also shines some light on Tom, especially if he has an older brother who shares the same relationship with fiction that he does. The end of the issue sets up the big story that begins next month when the title begins shipping twice a month, but it will have a hard time topping this story. |
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7
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Who Is Jake Ellis? #5 |
Oct 17, 2011 |
As the end to a high-energy thriller, "Who is Jake Ellis?" #5 succeeds. The answer to the title's question isn't one that will blow you away; it makes sense and facilitates character work, which is exactly what you want. If you didn't buy the series, give the trade a look. |
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7
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Avengers 1959 #1 |
Oct 9, 2011 |
"Avengers 1959" #1 delivers on everything that fans of Howard Chaykin would want: a simple, straight forward story with fantastic storytelling and line work. When the 1959 Avengers team showed up in "New Avengers," the idea was too good to let rest and, thankfully, Marvel thought so, too. |
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8
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Green Arrow (2011) #2 |
Oct 9, 2011 |
"Green Arrow" #2 is, paradoxically, a difficult book to fully grasp because it's so remarkably simple. Superhero comics are never this uncomplicated and direct. There is no subtext, only text: Oliver Queen is Green Arrow because he's a good person and he fights villains that are bad guys because they're bad people. The only flaws are when motives are forced into the simple reality of the comic. Otherwise, "Green Arrow" #2 is as pure a superhero comic as you can get, for good or ill. |
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7
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Action Comics (2011) #2 |
Oct 5, 2011 |
For the first time in a long time, Superman is a vibrant, engaging character thanks to "Action Comics." His core values haven't been lost, merely shifted to different targets than traditional for the character, harkening back to when the character debuted in "Action Comics" in the late '30s. It's a bold reworking of the character and, so far, it's made for some highly entertaining comics. |
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9
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Casanova: Avaritia #2 |
Oct 5, 2011 |
"Casanova: Avaritia" is a different comic from "Luxuria" and "Gula," and that's a great thing. The first issue was a little hard to absorb because of expectations, but this issue doesn't have those problems. It hits the ground running and packs in so much that one read isn't going to do it. More than that, it's an improvement over the first issue as the expectations aren't as high for Fraction and company. The pressure is off a little and it shows in a more relaxed, skillfully done issue. I can't wait for number three. |
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2
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Detective Comics (2011) #2 |
Oct 5, 2011 |
Much like the first issue's 'shocking' cliffhanger, this issue ends on a moment that will surely get people talking. And, much like last issue's end, it comes off as cheap and something meant for the moment but will be forgotten quickly. "Detective Comics" #2 doesn't deliver a Batman comic that's engaging and entertaining, it's too mired in sickness and grime without cleverness. |
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5
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X-Men: Schism (2011) #5 |
Oct 5, 2011 |
Despite an entertaining action scene, "X-Men: Schism" #5 does little to dispel the idea that this was an 'event' book without any true purpose other than where it finishes. It was a means to an end. An interesting new status quo is put in place while also creating some new enemies for the groups, but that is a status quo known before the series even began, leaving this series as more a 'connect the dots' necessity than a story that stands on its own merits. |
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8
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Deadpool Max #12 |
Oct 2, 2011 |
"Deadpool MAX" #12 both ends the first year/season of the book and sets into motion the premise for "Deadpool MAX II," which begins next month. Finally, Deadpool and Bob come together as the comic book secret agent bosom buddies they were always destined to be. It's a shame about all of those folks in Cincinnati. Really. |
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5
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The Mighty Thor #6 |
Oct 2, 2011 |
The end of "The Galactus Seed" winds up disappointing because of the number of plot elements that wind up being nothing more than teases. The seed, Thor's injury, even the promise of the Destroyer in this issue -- they all add up to nothing. Some great character work and Coipel's art save the issue from total disappointment. |
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9
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Prison Pit Book 3 #1 |
Sep 23, 2011 |
The only bad thing about "Prison Pit" Book 3 coming out is that it will be another year until Book 4 is released, especially with the cliffhanger that this volume ends on. Ryan shows himself to be an inventive cartoonist, never satisfied with staying in the same place even while dealing with similar subject matter to the first two volumes. Nothing here feels like simple repetition, which, with extreme violence like this, is hard to pull off. |
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4
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Captain Atom (2011) #1 |
Sep 22, 2011 |
There are suggestions of an interesting hook for "Captain Atom" except it's buried under a typical, average superhero comic. The art points to something unique about the character and his relationship to the world, while the writing only mentions that in a long expository scene about his powers. Maybe this comic will become more of a stand-out as it progresses; unfortunately, that possibility isn't certain and isn't presented in this issue. |
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8
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Frankenstein, Agent of S.H.A.D.E. #1 |
Sep 16, 2011 |
"Frankenstein, Agent of S.H.A.D.E." was a title I was planning to skip until it became one of the comics I was reviewing this week. That was my lucky break, because it's a high concept, entertaining comic with great looking art and writing that manages to introduce the characters, the plot, and how they all fit together without seeming heavyhanded. Consider "Frankenstein, Agent of S.H.A.D.E." added to my pull list. |
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3
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Grifter #1 |
Sep 15, 2011 |
So much is left undefined in "Grifter" #1 that it doesn't function well as an introduction to the character and has changed so much about the character that those familiar with him will be left scratching their heads over who he is at this point. With a big mystery at the center of the book, questions over who exactly the protagonist is are not needed. |
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5
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New Avengers (2010) #16 |
Sep 14, 2011 |
"New Avengers" #16 has a very straight forward and obvious reason behind it: put Daredevil on the team. It accomplishes that, partly by selling the reader on the greatness of the character. Ultimately, it's a comic that seems more like a means to an end than an organic story. |
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7
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Men of War #1 |
Sep 11, 2011 |
Mostly an introduction to Corporal Joe Rock and his new mission, "Men of War" #1 does a great job of making sure we know exactly who Rock is and what kind of man he is. It also makes sure to give lots of combat, while raising the question of what effect superhumans have on combat zones. Judging from this issue, it could prove to be one of the more interesting books in the DC relaunch. |
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7
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Moon Knight (2011) #5 |
Sep 11, 2011 |
Trying to read "Moon Knight" #5 like any other superhero book, even one written by Bendis, doesn't work. It's too skewed, almost written so close to the craziness of its characters that the reader needs to step back and see them for the quasi-losers and weirdos they are. It's not a book about proving one's self or making good, it's just a comic about a screwed up guy who dresses up in a bright white costume and thinks he's awesome. |
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7
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The Boys #58 |
Sep 10, 2011 |
Nothing much about "The Boys" #58 will make you uncomfortable in its usual way. The underlying emotions and cruelty on display may; the unexpected turn towards the end of the issue is the big surprise, beginning the push towards the end of the title. It's not a typical issue of "The Boys" despite beginning, on the surface, in a manner that people would expect from the title. But, look a little deeper and the truth of the situation is apparent. The time for snickering at superheroes looks to be at end; now the real business can begin. |
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4
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Stormwatch (2011) #1 |
Sep 8, 2011 |
From odd editorial decisions to a vague mandate, "Stormwatch" #1 isn't exactly the best introduction to the team, its role in the new DCU, or its members. Despite some clever ideas, like one of the new characters, the Projectionist, and Sepulveda's art, Cornell's writing doesn't get past imitating Warren Ellis and actually giving readers a reason to care about this book. Why read it over any other random superhero team book besides a lingering fondness for Wildstorm characters that aren't the same anymore? I don't know, and that's a question this comic should have answered. |
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3
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The Big Lie #1 |
Sep 8, 2011 |
The veracity of Veitch's arguments isn't my concern; that they're presented in a comedic fashion, however unintentionally, does both add and detract to this comic. If it were a dry argumentative piece, it would be boring, but the farcical nature of the book undermines all of the arguments made. It's a catch-22 that makes "The Big Lie" unsuccessful at its goal. The ideas raised here deserve more consideration than many will give them because they seem ludicrous on the surface and the presentation here doesn't give them much weight. |
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2
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Journey Into Mystery (2011) #626.1 |
Sep 3, 2011 |
The best 'point one' issues have been the ones that manage to introduce the concept while also offering something new for regular readers of the comic. With an unnecessary 'between the panels' story from an earlier issue by people who don't do the comic regularly, "Journey into Mystery" #626.1 ranks among the worst. It embodies all of the possible negatives in the 'point one' comics in its redundancy, questionable choice of creators, and hasty production values. |
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6
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Ultimate Comics Hawkeye #1 |
Aug 31, 2011 |
Overall, "Ultimate Hawkeye" #1 provides a good introduction to the problem in the S.E.A.R. and why Hawkeye is there. The problem is, it doesn't make a convincing argument for why this story deserves its own series and why Hawkeye is so essential to it. Why are we focusing on this particular event instead of the other two introduced in "The Ultimates" #1 and why is Hawkeye the agent for the job? Those are questions that this series needs to answer quickly in order to avoid becoming the unessential expansion of a story people can read the "good parts" of in another comic. |
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9
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Infinite Kung-Fu #1 |
Aug 29, 2011 |
"Infinite Kung-Fu" is so entertaining and big and just plain fun to read that its large scope never drags it down. It's like the best kung-fu movie you've ever seen, unimpaired by time or budget constraints, willing to take everything about kung-fu that everyone loves and throw it all together. McLeod basically shows how it should be done here. |
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7
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Ultimate Comics: Ultimates #1 |
Aug 23, 2011 |
It would help to have read Hickman's contributions to "Ultimate Fallout" before "The Ultimates" #1, though not essential. The comic is still exciting and sets up a large story that, right now, seems like it could easily end with the destruction of the team. A first issue that starts with its foot on the gas is exactly what's called for. |
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8
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Daredevil (2011) #2 |
Aug 20, 2011 |
The word I'd have to use to sum up "Daredevil" #2 is 'enjoyable.' This is a pleasant, fun, enjoyable read. Excellent craft, a smart approach, a strong take on the character, and art that stands out stylistically and in storytelling. There's a reason why the first issue was so heavily praised and it's on display in the second issue. |
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4
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Ultimate Fallout #6 |
Aug 20, 2011 |
Looking back on the series as a whole, it remains a puzzling offering from Marvel, so inconsistent in quality and content that, unless you were already sold on the new Ultimate books and wanted to get a taste of what's to come, you weren't buying this. For those looking for closure to "Ultimate Spider-Man" before the Miles Morales era begins, "Ultimate Fallout" #6 offers some of that. It doesn't do a whole lot else. |
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7
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The Red Wing #2 |
Aug 14, 2011 |
The second issue of "The Red Wing" is a good follow-up to the first, grounding the story in the characters a bit more, and ending with a fantastic revelation. The final three pages make for one of those cliffhangers that dare you not to pick up the next issue. And, like most Hickman books, it's hard to tell where this is going or what the final scope will be. Right now, it's just a fun ride. |
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2
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T.H.U.N.D.E.R. Agents #10 |
Aug 13, 2011 |
The pacing and structure of this arc was a risk that didn't pay off. The '60s back-ups didn't add much to the story, filling in gaps implied elsewhere with not much besides Dragotta's art to make them worthwhile in any way. Meanwhile, this issue builds to an emotional climax without the emotional basis for that climax. After an impressive, audacious opening arc, this follow-up is baffling for its choices and shunting of the team to the side. This issue ends the first volume and the series returns in November with a new first issue. Based on this story arc, though, I won't be picking that up. This story so killed my enthusiasm that I went from writing such glowing reviews that they were quoted on the cover of the comic, to wanting nothing to do with it. |
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6
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S.H.I.E.L.D. #2 |
Aug 7, 2011 |
"S.H.I.E.L.D." remains an interesting book with enough quality to warrant reading every issue; it simply hasn't lived up to the pre-release hype or the potential exhibited at its best. Too often, a brilliant page will be next to a lackluster one. This issue offered a little consistency thanks to its simple, direct plot, and that still wasn't enough. |
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8
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Severed #1 |
Aug 7, 2011 |
The biggest flaw that stands out in "Severed" #1 is the possibility to setting up too much of a horror, something that Snyder, Tuft, and Futaki can't deliver on. That opening scene grabs you right away, but it also promises something so horrifying as to warrant the reaction from the older Jack. Basically, this is a very impressive comic and it sets a high standard for the series after this point. I guess that's the nasty underbelly of a first issue that's a great read. |
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8
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The League of Extraordinary Gentlemen (Top Shelf): Century: 1969 #3 |
Aug 1, 2011 |
Part fun fiction exercise, part straight up adventure story, "The League of Extraordinary Gentlemen: Century: 1969" is a flat-out fun book to read. Underneath all of the references and allusions is a very easy-to-follow story that has all of that other stuff built up all around it. If you don't know who people are, it still works, and that extra knowledge is a rewarding bonus for those in the know, or who have read Jesse Nevins' annotations. As well, the ending is a perfect cliffhanger that makes the final volume in the story, "2009," seem much too far away. |
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3
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Brightest Day Aftermath: The Search for Swamp Thing #2 |
Jul 31, 2011 |
A go nowhere plot predicated upon a nonsensical problem wouldn't be so bad if not for the horrible character work. Were it not for the art of Renato Arlem, this would be a candidate for the first comic series to receives two zero star ratings in two consecutive issues. Here's hoping he returns for issue three or it may be a 'return to form' next month. |
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7
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Captain America (2004) #620 |
Jul 31, 2011 |
What makes this comic necessary as an ongoing series instead of a mini isn't clear yet. What is clear is that the character work and art are both top notch, making that question moot to a degree. As far as 'soft launches' go, only one issue in, I think we can consider "Captain America and Bucky" a success. |
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7
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Flashpoint: Project Superman #2 |
Jul 31, 2011 |
When you add in the comparison to the regular DC Universe, the humor becomes more apparent. Instead of a tragic turn for the worse, what happens here seems more like one of those issues of "What If...?" where the goal was to explore the 'darker' side of the Marvel Universe and wound up, many times, delivering over the top comedies. It may not be intended, but "Flashpoint: Project Superman" #2 delivered more laughs than any comic this week. |
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7
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Secret Warriors #28 |
Jul 30, 2011 |
"Secret Warriors" only lasted for two-and-a-half years and, in that time, it became a steady assurance of quality every month. It was a book that demanded patience and thought, active readers who were willing to follow Hickman where he wanted to go, and not expect immediate explanations. It was a slow burn that ultimately paid off. It will be missed. |
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4
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Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us ab #1 |
Jul 29, 2011 |
Too much of the book is taken up with dramatic veering between history lessons and light readings of comics that offer only the most cursory of critical interpretation. The loose four-age structure is a good starting place for providing order, but neither Morrison or his editor went far enough. Looking at the subtitle "What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us about Being Human," I'm left wondering exactly what they can teach us about being human. Was this book meant to be an argument? A history? A critical reading? An autobiography? It seemingly tries to be everything and winds up doing very little of it as well as it could. |
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7
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Batman: Gates of Gotham #3 |
Jul 24, 2011 |
The story of the past and the strong character work in the present keep "Batman: Gates of Gotham" #3 lively and entertaining. Explorations of the past can be dry or seem irrelevant and that's hardly the case here. The various elements come together and enhance one another. I can't wait to see what happens next. |
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3
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Invincible Iron Man #506 |
Jul 24, 2011 |
The role of tie-in books during events is a tricky one. Some are left with large gaps that can be filled, while others are constrained by the mechanics of the event. What's sadder is when there's the potential in a comic to fill some of those big gaps and, instead, it spends an issue mostly treading water, running out the clock until it's able to pull the trigger on a 'big moment.' |
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1
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Thor: Heaven & Earth #1 |
Jul 24, 2011 |
There was an accusation when Marvel released a slate of Thor comics that Marvel was flooding the market, one that I always argued against, finding most of the comics quite good. Had this one come out then, I wouldn't have argued so fiercely. Uninspired with grotesque, laughable art, "Thor: Heaven & Earth" #1 is a tedious, unnecessary comic. No new ground is covered, no new insights, no entertainment, and no point. |
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5
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Ultimate Comics Avengers vs. New Ultimates #6 |
Jul 16, 2011 |
In the end, "Ultimate Avengers vs. New Ultimates" #6 shows some of Mark Millar's usual tricks: The unstoppable villain brought down by a cheap, stupid stunt, the final letter/narration that sums it all up, and the general sense that things are somehow worse than they began. Except, this time, the luster has worn away and the same tricks the fifth time around don't wow so much. It isn't even good spectacle anymore and, without that, what's left? |
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7
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Ultimate Fallout #1 |
Jul 13, 2011 |
As a single comic, "Ultimate Fallout" #1 feels incomplete and ill-suited to the format it has been placed in. Nonetheless, what happens in this issue is some strong character work and storytelling as those that loved and knew Peter Parker react to his death. Thankfully, we won't have to wait long for the rest of this story with issue two shipping next week. |
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8
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X-Men: Schism (2011) #1 |
Jul 13, 2011 |
Nothing shocking happens in "Schism" #1. Instead, Jason Aaron plants the seeds for a story that makes mutants once again hated like they once were, one that Cyclops and Wolverine are at the center of, and raises a lot of questions of what will happen next. Most of all, there's an energy and excitement inherent in this comic that hasn't been seen in the X-books in a while. This is how you kick off an event: by putting the story first and letting the spectacle follow naturally. |
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7
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SVK #1 |
Jul 12, 2011 |
Despite being BERG's first comic, they deliver great production values and some interesting extra like a foreword by William Gibson and essays by Jamais Cascio and Paul Gravett. Even the ads included are fun and make use of the UV ink. "SVK" delivers an entertaining story with a cool gimmick that done about as well as anyone else is likely to. When BERG get more in stock, give "SVK" a look. |
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4
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Moon Knight (2011) #3 |
Jul 10, 2011 |
It's hard to believe that a Bendis and Maleev comic is this bland, but "Moon Knight" #3 practically drowns in it, mostly because of its leading man. Marc Spector doesn't seem to have any character except a little bit of craziness and a stereotypical TV producer personality that's probably a sad little act. While many comics have managed to be great without a strong, compelling lead, this issue shows just how much of a problem that could be heading forward. |
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8
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Our Love is Real #1 |
Jul 10, 2011 |
There's a simply joke at the heart of "Our Love is Real," but the way it plays out adds extra levels and humor. This story is an introduction to an odd future, one where sexuality has evolved (or devolved depending on your view) in strange ways. Hopefully, this isn't our only visit to this world as it seems like one that could be explored in more depth. |
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8
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Vengeance (2011) #1 |
Jul 10, 2011 |
That parts of the comic aren't clear isn't much of a worry. This is the requisite set up issue and Casey has decided to throw as much at the reader as possible, leaving explanations for later. Instead, it's about whetting the appetite and letting Dragotta strut his stuff. As always, Casey's annual return to Marvel starts well and promises even better to come. |
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8
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Butcher Baker: The Righteous Maker #4 |
Jul 4, 2011 |
From the cover on, "Butcher Baker, the Righteous Maker" #4 looks nothing like pretty much every other superhero comic available. It's loud, crazy, energetic, and doesn't even try to reflect the real world. It's just fun and cool and awesome. Exactly what it's striving for. |
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8
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Scalped #50 |
Jul 4, 2011 |
"Scalped" #50 is both a celebration and a reminder of the book's consistent level of quality. While Jason Aaron has spoke of an end point, it's hard to not want at least 50 more issues now. But, for now, why not just recognize one of the best ongoing monthly comics there are? |
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0
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Flashpoint: The Canterbury Cricket #1 |
Jul 3, 2011 |
If comic companies want people to stop mocking and dismissing event tie-in books, they need to stop publishing muddled, sloppy, awful comics like "Flashpoint: The Canterbury Cricket" #1. It's a complete waste of time, money, and paper. |
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6
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All Nighter #1 |
Jun 27, 2011 |
David Hahn begins "All Nighter" #1 incredibly well and can't quite live up to that first page. The rest of the comic is entertaining, bolstered by the protagonist and his strong art, but it never gets going completely. Right now, it meanders from scene to scene, looking for direction. There's enough promise in this first issue that the second warrants a look, though, and, hopefully, with the introductory stage over, the plot can get moving then. |
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6
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Captain America (2004) #619 |
Jun 26, 2011 |
"Captain America" #619 falls short in a few ways and is a weak ending for both "Gulag" and the Bucky-as-Cap era of the title. Still, Brubaker writes some nice character moments and clearly has the makings for a good story, it's just one that doesn't quite fit into this comic. Where the characters go from here will be interesting as, next month, the title splits in two with a new "Captain America" #1 and "Captain America and Bucky" #620. It's a shame that this issue doesn't provide a clearer ending and idea of what's coming next. |
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7
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Flashpoint: The Outsider #1 |
Jun 26, 2011 |
The first extended view of the Outsider is an intriguing one. We've seen him go about his business and get into a big superhero-y fight. What remains to be seen is how much depth there is to the character and if he has legs beyond "Flashpoint." If this issue is any indication, he does. |
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5
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Avengers Academy #15 |
Jun 19, 2011 |
There are some good moments peppered throughout "Avengers Academy" #15 that try to rise above the melodrama and clichs inherent to the premise of young superheroes 'going off to war.' It's an entirely appropriate plot for a "Fear Itself" tie-in, but Gage's writing can't escape the inherent limitations. Like I said at the beginning of this review: competent yet unremarkable. |
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3
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Flashpoint: Deadman and the Flying Graysons #1 |
Jun 19, 2011 |
It's hard not to view "Flashpoint: Deadman and the Flying Graysons" #1 as a textbook example of an event tie-in book that exists because this event needs some tie-in books. The plot is nonexistent and only two characters get any real sense of characterization. The comic does end with a cliffhanger and an indication that a plot will commence next issue, but that's not good enough. It's insulting that this is a comic that's nothing more than 'Boston Brand is self-centered and Dick Grayson loves his family while the troupe is stuck in Europe.' Well worth the $2.99 cover price. |
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6
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Daken: Dark Wolverine #10 |
Jun 18, 2011 |
The opening scene of "Daken: Dark Wolverine" #10 seems like a battle cry, a declaration that this series will do crazy things and not worry about spoon-feeding everything. And, then, the issue decides to spoon-feed everything. The explanation of how Daken got to wearing a Captain America mask and using a bazooka is far less interesting than him doing that. Hopefully, Williams realizes where his strengths lie, because they're not in the second half of this comic. |
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7
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Avengers (2010) #14 |
Jun 17, 2011 |
"Avengers" #14 does what a good event tie-in should: it tells a story unique to the title that manages to expand upon the main story of the event. A whole issue of the newly Worthy Thing and the Red Hulk fighting in Manhattan fits the bill. |
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4
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Alpha Flight (2011) #1 |
Jun 13, 2011 |
As far as first issues go, "Alpha Flight" #1 is unremarkable. The fight is serviceable and does its job, but it's hard to say you'll remember anything about it a couple of days later. So much is going on that none of it gets a chance to make an impact except for the odd thing. The issue does end on a strong, interesting note and that may be its one saving grace. That cliffhanger is a hard one to not want to follow up on. |
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6
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Annihilators #4 |
Jun 12, 2011 |
Not everything works in "Annihilators" #4 and it's the weakest cosmic title from Abnett and Lanning in a while. After "The Thanos Initiative," this feels like a breather more than anything. A light romp lacking in cosmic consequences. That's a smart approach, but one that does hold the comic back to a degree. With "Earthfall" on the horizon, hopefully this was just a bump in the road instead of an indicator of a larger problem. |
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8
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PunisherMax (2009) #14 |
Jun 12, 2011 |
It's hard to read "Punishermax" sometimes, because of the terrible reality of the protagonist. He's a man that was ruined by a war only to find himself a new war. Here, we see him between wars and after he's lost faith in himself and that new war. It's unsettling, and Aaron and Dillon play it just right. |
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6
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Flashpoint: Secret Seven #1 |
Jun 6, 2011 |
I'm not sure that "Flashpoint: Secret Seven" #1 holds together completely and is little more than a series of crazed moments that entertain in the moment. Those moments, though, are very entertaining. More than anything, this is an interesting comic that you wouldn't see DC publish normally and using "Flashpoint" as the chance to try something a little out there is great to see. |
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6
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Halcyon #5 |
Jun 5, 2011 |
"Halcyon" was an ambitious series, one loaded with potential, and it never reached it. The idea was so big that five issues couldn't do it justice and the shift to a much more personal story gives the series a lopsided imbalance. What actually happens in this issue is clever and makes for a strong ending " of Sabre's story. But, this wasn't never just Sabre's story and that's the problem. |
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8
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Flashpoint: Batman Knight of Vengeance #1 |
Jun 4, 2011 |
It's a shame that "Flashpoint: Batman: Knight of Vengeance" is only three issues long. Already there seems enough depth in this Gotham and its protector that it could easily carry an ongoing series. |
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3
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Daken: Dark Wolverine #9.1 |
May 29, 2011 |
Maybe "Daken: Dark Wolverine" #10 will be a better 'jumping on point' with it actually beginning the new stage of Daken's life. This issue is nothing more here than him saying "I'm not going to copy my father anymore; I'm moving to Los Angeles." See how easy that was to express? Lingering on the point only produces a hollow, unsatisfying |
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2
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Kirby: Genesis #0 |
May 29, 2011 |
The concept of a one dollar preview book is a good one as many publishers have shown, especially balancing the book between comic and bonus materials. "Kirby: Genesis" #0 fails on execution, providing little hint of what the series will actually be about besides 'throw Kirby characters together and see what happens.' Not much of a concept and not much of a comic. If Kirby's name wasn't in the title and his concept art wasn't in the back, I wouldn't know this had anything to do with him. |
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6
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The Mighty Thor #2 |
May 29, 2011 |
The end of the issue is a strong one and, coupled with Coipel's art, helps make this issue a good one overall. Fraction's plotting and pacing aren't the best here, but he does write the characters well in the quiet moments, including a short and strong scene between Odin and Heimdall that shows a side of Odin that Fraction hasn't written yet. If this issue had been combined with the first in a larger debut, it would have been the right way to kick the series off; as it is, it's the end of the second issue and only now does the plot get going. |
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5
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Heroes for Hire (2010) #7 |
May 23, 2011 |
"Heroes for Hire" #7 is an entertaining comic on the whole and has a good dynamic. Spider-Man's inclusion seems somewhat random when there are plenty of others heroes who could fill a similar role. But, contrasting him with Paladin works for the point that Abnett and Lanning are trying to make. Disposable fun that would have been at home as an issue of "Web of Spider-Man." |
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3
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Justice League of America (2006) #57 |
May 23, 2011 |
From a plot and structure standpoint, "Justice League of America" #57 is solid. The Justice League regroups while Eclipso advances his plans to destroy Earth, giving off a sense that everyone is screwed while balancing the two halves of the issue well. The execution falls down with cluttered pages that seem to do everything they can to make the reader lose interest and look away. There's potential here, but it's not reached. |
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5
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T.H.U.N.D.E.R. Agents #7 |
May 23, 2011 |
"T.H.U.N.D.E.R. Agents" #7 tries to deliver an intriguing beginning to the new arc focusing on Colleen and her mother, the former villain Iron Maiden, but it devotes so much space to Iron Maiden and Dynamo being captured in the '80s that there's no real substance to the issue. Even the Silver Age 'back-up' feels out of place set apart when Spencer demonstrated in the first arc that he can interweave flashbacks so effortlessly and cleanly into the main story. The art is gorgeous and carries the day, something that this title hasn't needed yet with Spencer's strong writing. |
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5
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Outsiders (2007) #39 |
May 22, 2011 |
If "The Outsiders" #39 had more space or a more specific focus, it would be a stronger comic. So much is going on that nothing gets enough space or attention with numerous plots ended before they have a chance to begin it seems. Since the book is ending next month, the rush to wrap everything up is surely a factor and that's a shame, because there was potential here for the sort of simple, entertaining superhero comic book that you don't see too much these days. |
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4
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Total Recall #1 |
May 16, 2011 |
From a plot and conceptual standpoint, "Total Recall" #1 is in a good place. It picks up where the film left off very naturally and creates new stories that flow from there. The actual dialoguing and art, though, are so workmanlike and to the point that the comic isn't entertaining, it's functional. |
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4
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Breed III #1 |
May 15, 2011 |
That "'Breed" is finally being collected and concluded is good closure on one of Jim Starlin's lesser known works, but the debut issue of the third series is not a strong one. The structure Starlin uses, having the lead character tell a story instead of simply presenting it while it happens, hampers things and sucks all of the energy out of the comic. Artistically, Starlin's compositions are as good as always, but the line work and colors leave a lot to be desired. |
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7
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New Avengers (2010) #12 |
May 15, 2011 |
What exactly the two stories have to do with one another is still a mystery. Part of me can't help but hope that they're unrelated, presented together like this as a means to help Chaykin and Mike Deodato with deadlines by spreading out two short arcs over a longer period of time. But, with the Nick Fury story in the past mostly done with, next issue looks like it will be dominated by Deodato and the present. Giving this issue so much space to show the raid on the Red Skull's base was a smart choice and allows for a lot of great-looking Howard Chaykin art. |
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7
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The Unwritten #25 |
May 15, 2011 |
After a big expository arc and a one-off self-contained story, "The Unwritten" getting back its core characters together and telling a straightforward story is a bit refreshing. There's a hint that the book is gaining some clear direction and, if so, that's what it's been missing so far. Still, this is the sort of issue that reminds you why you like a comic so much. |
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7
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Irredeemable #25 |
May 9, 2011 |
Beginning its third year, "Irredeemable" is still going strong with compelling stories, great character work, and strong art. It's become a more serialized comic than when it first started and Mark Waid is doing his career-best work. Like a lot of great comics, it's easy to take "Irredeemable" for granted, but, sometimes, it's worth stopping and remember just how good it is. |
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3
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Jennifer Blood #3 |
May 9, 2011 |
After three issues, it's not too hard to see that "Jennifer Blood" isn't working. Tonally, it can't find a place that works and the way that the idea of a vigilante housewife out for revenge is handled is so by-the-numbers and obvious that nothing surprises. Ennis is usually a 'must buy' writer; not this time. |
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5
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The Boys #54 |
May 9, 2011 |
More than most issues of "The Boys," this will be a hit or miss one. Some will call it boring, others will be entranced by Mallory's story, and I fall somewhere in the middle. Parts of it work well and Ennis is great at writing these sort of moral characters that make bad choices because of their morality or the influence of or simply because they're too dumb to see reality. That doesn't make the entire tale well-written or engaging. It drags far too often. But, at the end of the day, it is a necessary issue and one not to be missed by faithful readers of the series. |
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7
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X-Men: Prelude to Schism #1 |
May 5, 2011 |
The biggest flaw in "X-Men: Prelude to Schism" #1 is that nothing really happens. A threat is heading straight towards Utopia, but we don't know what it is and Cyclops doesn't make a decision about it in this comic. Still, that adds to the anticipation and the depressed, hopeless mood. By heightening the emotional context, Jenkins could be providing a stronger lead-in to "Schism" than by simply setting up the plot in ways that may or may not line up with what Jason Aaron has planned. |
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3
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Age of X: Universe #2 |
May 2, 2011 |
Ultimately, "Age of X Universe" didn't add much to the larger story and comes off like an extraneous project added on after the actual story was fully formed. Within that framework, some interesting things could have been done, but what happens here is a clichd 'change of conscience' that doesn't work really. |
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3
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New Mutants (2009) #24 |
May 2, 2011 |
"Age of X" began well and with a lot of promise, but the second half of the story has been a big letdown thanks to a less-than-stellar reveal in the fifth part, and, here, a finale that spends so much time on something that doesn't matter before delivering an obvious finish. |
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4
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Secret Avengers #12.1 |
May 1, 2011 |
"Secret Avengers" was a book without a strong purpose or direction aside from 'fighting the Shadow Council' and this issue doesn't inspire confidence in the concept working without that large enemy standing opposite the group. As debuts, and 'point one' issues, go, this is a disappointment. |
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3
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Malignant Man #1 |
Apr 26, 2011 |
I hope "Malignant Man" can escape the set course it's on, because that's what drags this first issue down. Take out the specific cancer-based elements and you have dozens of other stories almost beat-for-beat. The hook this series has is good, but even it can't overcome the general sense of 'been there, read that' that this comic inspires. |
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8
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Deadpool Max #7 |
Apr 25, 2011 |
The subtle emotion that Baker is able to depict in Deadpool is surprising. For a man in a full body suit and mask, Deadpool emotes throughout the issue in a way that wouldn't be possible if he were drawn by a lesser artist. That skill helps sell the writing where Deadpool's sincerity and pseudo-maturity are at the center of the issue. After six issues of showing himself to be a mercurial and immature character, his dedication to what he thinks is his family is almost admirable. Sure, he's insane, but his insanity is well-placed here. |
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6
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Avengers (2010) #12 |
Apr 21, 2011 |
The first five issues of this story didn't quite blow the doors off, but "Avengers" #12 finishes things well. Not everything works, especially the first scene, and, yet, it's satisfying. The art is great-looking and the final pages are smart. |
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3
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Doc Savage #13 |
Apr 18, 2011 |
After a strong arc by Ivan Brandon, Brian Azzarello, and Nic Klein, "Doc Savage" #13 is a big step down. Jones gets the details right, but not the feeling, while Qing Ping Mui's art is a messy of lines and distorted perspectives and figures. |
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3
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X-Men: Legacy (2008) #247 |
Apr 17, 2011 |
Barring an amazing turnaround in "New Mutants" #24, the "Age of X" looks like a bit of a bust given this issue's revelations. Part of the problem is sheer number of moving parts that Carey uses to make this story work and how not everything adds up. Definitely a disappointment after four very strong issues. |
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8
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Journey Into Mystery (2011) #622 |
Apr 14, 2011 |
The debut of the new "Journey into Mystery" is definitely the sort of comic that Thor fans will love. Gillen writes a fantastic Loki and sets the book on a smart course for the future. A title starring Loki may not be the first book that springs to mind as a logical spin-off from "Thor," but is proves in one issue that it should be. |
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6
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Annihilators #2 |
Apr 11, 2011 |
"Annihilators" continues to be a great value with two full-length stories for $4.99, and the second issue is an improvement over the first. Still, the Rocket Raccoon and Groot feature holds the comic back as it flails about for direction and finds none. The Annihilators' story definitely picks up and, hopefully, the direction that both stories get in this issue will mean that next issue will be another improvement. |
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3
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First Wave: Special #1 |
Apr 11, 2011 |
In a line of books that's been very hit or miss, it's not too surprising that "First Wave Special" #1 is a miss. It is surprising that Starr and Winslade are the team that lead to one. Not up to the standard either has set in their previous First Wave works, the special is a disappointing read with a baffling conflict at its core. |
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8
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Nonplayer #1 |
Apr 7, 2011 |
Where exactly "Nonplayer" is heading is a little bit of a mystery, but Nate Simpson's art alone is well worth the price of admission. That his writing shows skill and confidence beyond what you'd expect from someone writing his first comic is a fabulous bonus. Definitely one the best surprises of 2011. |
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6
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Uncanny X-Men (1963) #534.1 |
Apr 7, 2011 |
Kieron Gillen makes an impressive debut as writer of "Uncanny X-Men" with strong character work on Magneto, but is hampered by generic, mundane art that leaves little impression beyond a whirl of sickly glowing neon lights. If Gillen continues to have a good handle on the characters like he displays here, "Uncanny X-Men" looks to be in good hands. |
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4
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Scarlet #5 |
Apr 4, 2011 |
"Scarlet" #5 concludes the first book of the series and, rather than a strong conclusion to the title's opening chapter, it reads like a set-up for the next. The plot moves characters mechanically into place, ready for issue six to pick them up and put them into new motions. The final three pages, though, contain some very strong writing by Bendis that shows this is a book that's about more than just the broad plot. There are characters here and it's a shame they didn't come out much in this issue. |
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4
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Secret Avengers #11 |
Apr 4, 2011 |
"Secret Avengers" provides some interesting glimpses into John Steele and his history, but doesn't reveal anything Earth-shattering. As the first of two issues focused on Steele, this feels like a set up for the real revelations next issue. |
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3
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Thor (2007) #621 |
Apr 3, 2011 |
Taken alone or as part of the whole, "Thor" #621 is a disappointing and baffling end to the Matt Fraction/Pasqual Ferry run. After a huge build-up, the conclusion to the story is anti-climactic and simplistic, relying on the convenient storytelling trick of 'it happens, because it happens' rather than actual logic or reasoning. Hopefully, now that everything seems to be where Fraction wants it, "The Mighty Thor" can deliver on the promise he showed in his "Ages of Thunder" one-shots and the "Secret Invasion: Thor" mini-series. |
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9
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Butcher Baker: The Righteous Maker #1 |
Mar 31, 2011 |
If "Butcher Baker, the Righteous Maker" can live up to the reputations of the comics I compared it to at the beginning of the review is hard to say. The first issue is an excellent start. It's a comic that revels in being a comic, taking advantage of the medium to both inhabit and comment upon its dominant genre, the superhero. |
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3
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Daken: Dark Wolverine #7 |
Mar 28, 2011 |
Concerned more with plot mechanics than character, "Daken: Dark Wolverine" #7 downplays the title's strength: Daken's character. Ever since "Wolverine" became "Dark Wolverine," Daken's mercurial personality has been the appeal of the title and pushing him to a background player in his own title takes away the best part of it. All that remains is empty posturing and bad melodrama. |
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9
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Batman, Inc. #4 |
Mar 27, 2011 |
"Batman Incorporated" #4 reads like something of a return to Morrison's earlier "Batman" work as he merges the present with the past to both craft a new story and fold a part of Batman's continuity into that narrative. With Burnham and Fairburn, the original Batwoman fits into the current continuity without losing any of that Silver Age charm that made her old stories so fondly remembered. If anything, Morrison shows how her influence on Batman helped create that lighter tone. And, if that weren't enough, it's an issue full of action and thrills. One of the single best issues in Morrison's tenure on the character yet. |
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4
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Thor (2007) #620.1 |
Mar 24, 2011 |
"Thor" #620.1 is a fine self-contained comic, but a 'jumping-on point' that falls between issues 620 and 621 of "Thor" it is not. Within that context, this issue is a baffling choice by Marvel in an initiative that has had a few stumpers already. |
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8
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Hulk (2008) #30.1 |
Mar 20, 2011 |
"Hulk" #30.1 manages to not only deliver a strong jumping-on point by establishing clearly who the Red Hulk is and introducing a new adversary, it also provides a major turning point in the title. It's an issue obviously designed to hook new readers and impress old ones. |
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7
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Loki (2010) #4 |
Mar 20, 2011 |
"Loki" #4 not only wraps up the plots that have been set up, it provides the culmination of Aguirre-Sacasa's portrait of Loki, moving through his petty jealousies and desires to be as liked and loved as his brothers through to his ultimate desire, his true nature, to simply destroy everything around him. Just because he can. It's an interesting portrayal of the character and, hopefully, one that informs how he's written in the future. Along with the "Siege: Loki" one-shot, this is the essential guide to the character. |
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7
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Ultimate Comics Avengers vs. New Ultimates #2 |
Mar 20, 2011 |
Taken alone, it makes for a solid issue of Fury gathering some people to stop the sale, the mission taking an unexpected turn, and them still accomplishing the mission. In the larger context, it's the other side of the first issue and further sets the Avengers and Ultimates on a collision course, a conflict that's been coming since Fury announced his intentions to regain his former post as director of SHIELD at the end of "Ultimate Comics Avengers" #6. This is shaping up to be an entertaining capstone to Millar's tenure on this corner of the Ultimate universe. |
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6
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Fear Itself: Book of the Skull #1 |
Mar 17, 2011 |
If you were excited for "Fear Itself," "Book of the Skull" won't dampen that excitement, but it certainly won't increase it. It's an entertaining superhero story that follows a plot that has been done many times before, both in Ed Brubaker's "Captain America" and elsewhere. Both the art and writing feel inessential to "Fear Itself," nothing that can't be covered in a line of explanation. |
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5
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Captain America (2004) #615 |
Feb 27, 2011 |
"Captain America" #615 is a disappointing end to "The Trial of Captain America" story arc with a courtroom scene meant to be both moving and surprising and, instead, has uncharacteristic swerves and theatrics that fall flat. While the final page provides potential for future stories, the means by which the series gets there is the first major misstep it has had in a long time. |
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7
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X-Men: Legacy (2008) #245 |
Feb 27, 2011 |
"Age of X" gets off to good start with "X-Men Legacy" #245 with Carey both establishing the status quo of this alternate reality and beginning the main plot, which seems to revolve around the nature of this world. Some hints and clues appear about things not being right, and it's impressive that he's able to pack so much in without it feeling dogged down by details. |
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4
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Iron Man 2.0 #1 |
Feb 24, 2011 |
The art problems are unavoidable, but the writing is what lets this comic down most. Spencer shows he can handle James Rhodes when he's talking to Tony Stark, and then the book loses any sense of individuality when Stark disappears. It literally reads like "Iron Man 2.0" in the sense that this could just be a second Iron Man title, no War Machine necessary. That may change, of course, but there not being a compelling reason for a new War Machine coming in the first issue of his new comic is a pretty big strike against the series. |
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7
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Incorruptible #15 |
Feb 23, 2011 |
It took a while for "Incorruptible" to completely find its footing and it's nice to see that it has. Waid and Takara make a great team and are able to keep the book's identity firm despite featuring characters from "Irredeemable" heavily. It never feels like an additional issue of "Irredeemable," always its own thing. |
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5
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Soldier Zero #5 |
Feb 21, 2011 |
"Soldier Zero" #5 may welcome a new writing team, but there's no big change in tone or focus. DnA make an effort to continue on what Paul Cornell started, for both good and bad. For new readers, there's everything you need to know and, for old ones, there's a lot of rehashing and repetition with Application Nine. |
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7
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The Boys #51 |
Feb 21, 2011 |
"Proper Preparation and Planning" is the turning point story arc of the series it appears with this finale living up to the title as both sides begin to work behind the scenes for the inevitable conflict between the Boys and the Seven. Other superheroes may come and go, but it's all about the Seven for Butcher " and for Vought-American. That Ennis has V-A executives begin to admit that there is a time coming when they'll be willing to take the Seven off the board is a big shift, one that changes the rules of the conflict. If V-A decides to simply end the conflict by having both sides exterminate one another, what happens then? I can't wait to find out. |
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8
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Wolverine (2010) #6 |
Feb 20, 2011 |
"Wolverine" #6 has been a long time coming with Jason Aaron addressing the idea of a mind controlled/possessed Wolverine and how those around him would react after it keeps happening. This issue is all set up, but it's entertaining with a rare meeting of the X-Men and supernatural characters like the Ghost Riders and Hellstorm. And, the end of the issue is one hell of a cliffhanger, the sort that ensures that you'll read the next issue. |
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6
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Amazing Spider-Man (1999) #654.1 |
Feb 16, 2011 |
As an introduction to the new Venom, "Amazing Spider-Man" #654.1 is a fine comic. The plot is generic and allows for Flash to be both suave and an action hero, playing upon his lost legs and his double-life especially well. While this may not be the fantastic new 'jumping on point' for "Amazing Spider-Man," it is an effective way to sell the new "Venom" series to readers. |
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9
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T.H.U.N.D.E.R. Agents #4 |
Feb 14, 2011 |
"T.H.U.N.D.E.R. Agents" #4, like the three issues that preceded it, clicks on every level to create a dynamic, entertaining superhero comic. There is no reason not to read this comic, aside from hating well-crafted comics. |
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9
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PunisherMax (2009) #10 |
Feb 13, 2011 |
It's rare that a book that falls off the schedule like "Punishermax" did is actually worth the long wait, but this issue is. Whether it's Bullseye delivering a monologue dissecting Frank Castle while killing thugs or Frank playing on the fear of terrorists to distract the police, this issue is not just entertaining, it's thought-provoking and shocking. I can't wait until next issue's conclusion of "Bullseye" and am thankful the wait won't be quite so long. |
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5
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Ultimate Comics Captain America #2 |
Feb 13, 2011 |
The idea behind "Ultimate Captain America" is a good one and there are some good scenes, like Danvers purposefully putting Rogers into a position where he will go rogue in the final scene of the comic. Jason Aaron doesn't seem to have as much of a handle on Ultimate Captain America, or least enough of one to actually have him come across as someone worth rooting for. Then again, was he ever? |
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6
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New Avengers (2010) #9 |
Feb 12, 2011 |
The larger picture of this "New Avengers" arc isn't entirely apparent by the end of the issue, but there are enough interesting moments and some great art to carry the day. The teases of what this arc could be about are interesting, especially the cover for issue 10. As far as a set-up issue goes, it's effective and, hopefully, should read better as part of the whole. |
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6
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SpongeBob Comics (2011) #1 |
Feb 12, 2011 |
For a debut issue, "SpongeBob Comics" is effective at capturing the tone of the show and allowing the creators to present their own takes on the characters at times. It suffers sometimes from not being able to rely on the strengths of animation and, hopefully, will take advantage of the things that comics can do that animation can't, adapting its style to this medium more. Me, I'm just wondering what sort of look I'm going to get when I add it to my pull list on Wednesday. |
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7
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Ultimate Comics Avengers vs. New Ultimates #1 |
Feb 11, 2011 |
It's a slow, quiet start to the finale of Mark Millar's work on the Ultimates and its large cast, and to "The Death of Spider-Man," but it's also a good start. With a traitor inside SHIELD exposed, there's sufficient cause to begin five issues of mayhem and carnage. With Leinil Francis Yu's art looking better than ever, this could be one hell of a mini-series. |
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7
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Batman: Odyssey #6 |
Feb 7, 2011 |
Despite assurances otherwise, "Batman: Odyssey" #6 continues the thrown together feeling of the series and that's a big part of its charm. Neal Adams seeming tosses out any idea that comes to him, ignoring logic for energy and cool things to draw. For some, it is no doubt a torturous read; for me, it's a wildly entertaining and joyous read. |
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3
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Wolverine: The Best There Is #3 |
Feb 7, 2011 |
Reading "Wolverine: The Best There Is" #3 is like reading a checklist of the superficial elements of Garth Ennis's bibliography, but none of the depth or wit that manages to hold together the stupid bits. The idea of an over-the-top Wolverine comic drawn by Juan Jose Ryp was enough to keep me on board for a few issues, but Huston's overwrought writing kills any sense of entertainment this comic has. |
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3
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Thor: For Asgard #6 |
Feb 6, 2011 |
The final issue of "Thor: For Asgard" is a disappointing conclusion, because it lacks one. An attempt is made to present a different sort of victory for Thor, but it's one that doesn't obscure that little has changed since the first issue. Maybe if a sequel series is released, this issue will seem less of a disappointment. Still, even that would hardly justify this lack of conclusion. It's a final issue that undermines the entire series, retroactively taking away from what came before. |
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5
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Ultimate Comics Thor #4 |
Feb 6, 2011 |
If Hickman is given a chance to follow-up on what he started here, "Ultimate Comics Thor" will not be quite the dead-end prequel it is now. As it stands, this final issue is disappointing in its desire to simply fill in a few gaps around "The Ultimates," coming down from the frantic pace of the first three issues to a highlight reel of Things We Already Knew. The addition of Balder tries to give it all some higher meaning, some unseen subtext, and it doesn't work. It's a mundane note to end this lively series on. |
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5
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Invincible Iron Man #500.1 |
Feb 2, 2011 |
In one respect, "Invincible Iron Man" #500.1 is a strong character study of Tony Stark with an emphasis on Matt Fraction's mastery of his voice and Salvador Larroca showing off his cartoony skills. In other, it's an obtuse and vague comic that doesn't seem to relate to the current title or offer much reason to pick up the next issue, which is supposed to be the reason for these '.1' issues from Marvel. It's a fine self-contained story, just not an arresting comic that demands you come back next month. |
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4
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Ultimate Comics Avengers Vol. 3 #6 |
Jan 31, 2011 |
"Ultimate Comics Avengers 3" never came together as a story. The vampire threat never paid off and the ending feels abrupt. Part of the problem is the mixing of a story and artist that don't fit, another is that it was paced so horribly that the final conflict was pushed so far back that the only ending that could happen would be an abrupt, unsatisfying one. It's the sort of writing that led to "The Ultimates" series getting extra pages and added issues, except here we have one issue with 22 pages. |
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7
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Avengers (2010) #9 |
Jan 30, 2011 |
"Avengers" #9 finally exposes the Illuminati and reveals how the Hood began his quest for the Infinity Gems. It's an issue driven by characters, something that Bendis and Romita both excel at. For some, like me, this issue has been a long time coming, and it delivers. |
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6
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Secret Avengers #9 |
Jan 30, 2011 |
Still, "Secret Avengers" #9 does deliver some great action scenes and a tease of future fights between Rogers and Steele. The purpose and role of the Shadow Council continues to unfold and their claim of looking at the bigger picture is interesting. Are they the bad guys or not? That question hasn't been answered and, I imagine, when it is, it won't be quite so simple. |
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7
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Age of X Alpha #1 |
Jan 26, 2011 |
The main story of "Age of X" doesn't get going in "Alpha," but this different world is established, as are some of the different takes on familiar characters. The first and final stories are the most effective, and the framing sequence packs in a lot of information. Think of this issue as a primer for when the story kicks off next month in "X-Men Legacy" #245 and a good one at that. |
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7
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Do Androids Dream of Electric Sheep? Dust to Dust #8 |
Jan 23, 2011 |
Fans of Dick's novel should definitely track down "Dust to Dust," a story that fits into that world perfectly and delivers a strong, surprising conclusion with this issue. Personally, I'd like to see Roberson return to the surviving characters, especially Reed, that's how much I liked this series. |
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7
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Memoir #1 |
Jan 23, 2011 |
"Memoir" #1 doesn't hit the ground running with a quick plot, preferring to take its time, an approach that has its advantages and disadvantages. The biggest disadvantage is that, by the end of the first issue, not much is new for anyone who was aware of the comic before picking it up. But, that's a negative in the short term. On the whole, it's an engrossing read that sets the stage well. Hell, I want to know what happened in Lowesville and isn't that the point? |
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7
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Superman / Batman (2003) #80 |
Jan 22, 2011 |
"Superman/Batman" #80 is a fun, entertaining comic, and one that has me convinced that Roberson's "Superman" is worth a look. He demonstrates a clear handle not just on the characters, but their broader ideals and shows an affection for them that comes through, making the comic better. |
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7
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Thor (2007) #619 |
Jan 21, 2011 |
So far, "Thor" hasn't managed to live up to the promise of Fraction, Ferry, and Hollingsworth's first issue, but it's definitely on the right track, recovering from issues of stagnation. The World-Eaters are here and they look to present a serious threat to the Aesir, while Thor's decision to bring back Odin already seems like a bad one. It may have taken some time, but "Thor" is entertaining and engrossing. |
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9
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Deadpool Max #4 |
Jan 20, 2011 |
Who knows, at this point, if "Deadpool MAX" will cohere into something grand and amazing, but, right now, it's a funny, moving, stupid, insane, ridiculous, ludicrous, messed up, over-the-top, weird comic that has me wondering if the Pynchon connection is just me or if anyone else is seeing it. Not that that matters, because it's a great comic and you should read it. |
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5
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Red Robin #19 |
Jan 16, 2011 |
"Red Robin" #19 is an entertaining comic when looked at on a scene-by-scene basis, though some scenes are weighed down with exposition. As a whole comic, it never feels consequential. Part of that seems to be the plot, and the rest is execution. If this plot is supposed to matter, it should come across as such. Still, if you like light, action-based superhero comics with a little bit of silly fun thrown in, this makes for a good read. |
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7
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Doc Savage #10 |
Jan 14, 2011 |
As far as 'time out' issues go, this is one of the better ones I've read. Stopping the story mid-arc to tell a related interlude is risky, but Brandon and Winslade make it work by focusing on telling an entertaining action story, and highlighting the relationship between Savage and MacKenna. These scenes easily could have been flashbacks interspersed in a regular issue, but, by putting them all together as a single story, there's more cohesion and impact. |
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8
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Thor: The Mighty Avenger #8 |
Jan 14, 2011 |
"Thor the Mighty Avenger" may be over, but it ends on an emotional high note with Thor demonstrating his growth over the course of the series. When the book began, he was a hothead, thinking about himself and solving problems exclusively with his fists. By the end, he still has those instincts, but they've been tempered with some humility. Genuine humility. In that area, "Thor the Mighty Avenger" has done something with the origin story of Thor that I don't think I've seen: had him learn the lesson he was sent to Earth to learn. It's a shame we won't be able to see him go the rest of the way, but I'm happy we got to see this much. |
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9
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Infinite Vacation #1 |
Jan 12, 2011 |
The idea behind the series is strong enough that, when this story is over, many, many more could be told. But, the focus on a strong protagonist is exactly what's required. A lot of information is thrown at the reader and grounding it all in a very flawed human that could be the reader makes the book accessible, both intellectually and emotionally. "Infinite Vacation" #1 is as smart and engaging a comic as you could hope for. |
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7
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Jonah Hex (2006) #63 |
Jan 10, 2011 |
I don't pick up every issue of "Jonah Hex," but, when I do, I always enjoy the comic. It's not a 'set the world on fire' sort of read, it's a solid, entertaining one. The sort that you read and put away and some day find a stash of when we've forgotten you had them. This issue fits the bill perfectly and manages to add that extra level of personal involvement to the story. |
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7
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Who Is Jake Ellis? #1 |
Jan 9, 2011 |
Instead, the personalities of the two are shown through their interactions, Jon more carefree than Jake. The issue doesn't slow down too much, always on the move with action and thrills. It reads very quickly, but leaves you wanting more. Honestly, I picked it at my shop because I was reviewing it. That won't be the case with issue two. I'll be buying it because the first issue left me wanting to know what happens next. |
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3
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The Thanos Imperative: Devastation #1 |
Jan 6, 2011 |
If you're planning on picking up "The Annihilators" in March, "Devastation" seems utterly inessential unless you absolutely have to see Cosmo gather the team. It's not worth an entire issue and comes off as filler between the end of "The Thanos Imperative" and the beginning of "The Annihilators." It's excessive and indulgent and simply not worth it. |
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5
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S.H.I.E.L.D. #5 |
Jan 3, 2011 |
"S.H.I.E.L.D." isn't like any other comic on the stands, but that isn't just a good thing. There's almost appalling lack of plot or consistent character work, focusing more on hints and allusions to a larger picture. It drifts in and out of events, and delivers powerful and affecting scenes when it focuses like the discussion between Stark and Richards here. But, do those fragments add up to anything? That remains to be seen. For now, this is another piece of a puzzle that's beginning to not seem worth the effort. |
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7
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Secret Warriors #23 |
Jan 2, 2011 |
As "Secret Warriors" heads towards the end, Hickman stops and gives us a breather issue, giving us a good look at Sebastian and that he's able to live up to his potential more than we've seen. It fits into the larger context of the title while standing alone. It's a pleasant issue, one for the fans. |
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4
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Ultimate Comics Avengers Vol. 3 #5 |
Jan 2, 2011 |
"Ultimate Comics Avengers 3" #5 doesn't leave much hope for next issue's finale with much to accomplish and so little having occurred to date. Millar's decompressed storytelling and misdirections are self-parody at this point. |
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7
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What If? (2010) #200 |
Dec 31, 2010 |
"What If?" #200 may have been preceded by some clunkers of issues, but it ends the month strongly with a twisted lead story, a fun back-up strip, and some fantastic bonus features. If you're a fan of "What If?" this issue is a fitting celebration of the title's sporadic 33-year history. |
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8
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Red: Eyes Only #1 |
Dec 29, 2010 |
Fans of "Red" will not be disappointed with Cully Hamner's writing and they'll be blown away by his art with Val Staples. The writing doesn't seek to reinvent the idea of the book or character, and the art is Hamner's best to date. If the absence of Ellis made you nervous, don't be. "Eyes Only" is exactly the sort of prequel that any fan of "Red" would want. I honestly can't wait to see what Hamner will do next. |
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3
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What If? (2010): Dark Reign #1 |
Dec 23, 2010 |
"What If? Dark Reign" #1 is another in a month of disappointing "What If?" issues that have shown a surprising lack of imagination and scope. Given the broad question of "What if Clint Barton killed Norman Osborn?" Jason Henderson delivers just about the least interesting answer possible with a clichd 'man on the run' story mixed with some bad political commentary and a puzzling ending. |
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8
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Batman, Inc. #2 |
Dec 22, 2010 |
As far as an introduction to the Batman, Incorporated concept goes, this opening two-parter is very strong: a new hero that readers can get behind, a villain that's bad for the sake of being bad, plus some fun interplay between Batman and Catwoman. Morrison and Paquette get it all right. |
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7
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Superman / Batman (2003) #79 |
Dec 22, 2010 |
"Superman/Batman" #79 returns to the 853rd century and puts that version of the World's Finest up against a villain that runs circles around them. Epoch is treated again like a major threat, using his time travel knowledge and time-based powers in clever and logical ways. The issue is smart and energetic, and definitely worth checking out. |
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6
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Thor: Wolves of the North #1 |
Dec 22, 2010 |
"Thor: Wolves of the North" #1 is the sort of comic that fans of the character will enjoy. It's hurt to a degree by the plethora of Thor material available now where it becomes 'just another Thor' release instead of having a chance to stand out as something different from the ongoing series. Mike Perkins and Dan Brown kill on art, and it's fun to see Perkins return to the Marvel universe, if only briefly. |
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7
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Loki (2010) #2 |
Dec 19, 2010 |
So far, "Loki" has been a pleasant read where the art overshadows the writing. Aguirre-Sacasa has a strong grasp of the trickster, but has chosen the one Loki-centric story that's been done to death. He tries to add original touches and succeeds at times; it's simply that Loki killing Balder somehow is not as inherently interesting as almost any other Loki story could be. Still, as far as Loki mini-series go, this is pretty good. |
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6
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The Unwritten #20 |
Dec 19, 2010 |
The character moments in this issue are good, but it feels like this is 'getting towards the end' issue with Tom questing after the white whale. The ending is very promising, especially for us literature geeks. Still, "The Unwritten" is one of Vertigo's most consistently entertaining and thoughtful titles. |
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7
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Thunderbolts (2006) #151 |
Dec 19, 2010 |
"Thunderbolts" #151 reveals an origin for the Ghost that explains a lot about why he acts as he does, but does take away a little bit from the character's innate mystique. By basing his former life in something so mundane and executed in a somewhat clichd fashion, it does detract in a small way. On the whole, though, it's a story that livens up the Ghost and the aura he projects. |
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4
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What If? (2010): Spider-Man: Grim Hunt #1 |
Dec 16, 2010 |
But, it's hard to look past the writing in "What If? Spider-Man" #1, where Peter Parker crosses a line and quickly decides that, since he's already past it, may as well go hog-wild. It's a lazy, intellectually devoid path to take in a story like this, one that's been done to death, and offers nothing new but ill-conceived clichs. With any luck, this is the last time such a story will see the light of day, but I doubt it. |
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4
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First Wave #5 |
Dec 13, 2010 |
"First Wave" #5 is the worst issue of the series yet and doesn't engender much hope for the finale, especially if the art manages to deteriorate even more by then. Hopefully, Azzarello's writing can pull the various plot strands together for a satisfying conclusion. |
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8
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Thor: The Mighty Avenger #7 |
Dec 12, 2010 |
"Thor the Mighty Avenger" #7 ends on a cliffhanger, leading into next month's finale. The book will be missed, but it's hard to feel too down after reading the latest issue, because the quality is so overwhelming. Soon to be a back issue bin treasure no doubt! |
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8
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T.H.U.N.D.E.R. Agents #2 |
Dec 10, 2010 |
"T.H.U.N.D.E.R. Agents" #2 slows down the brisk pace of the first issue and begins to introduce us to the new agents with the help of ChrisCross on art. The writing and pacing is very tight for a 30-page comic and Henry's story is engaging. "T.H.U.N.D.E.R. Agents" has proven, two issues in, that it's a comic that belongs on your pull list. |
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7
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Halcyon #2 |
Dec 9, 2010 |
Overall, "Halcyon" #2 is a much more intriguing and compelling issue than the first, but it's still too soon into the story to get a solid read on the title. It has the potential to be a unique, imaginative story that explores a very fascinating post-superhero world, but it could also turn into just another supervillain plot that needs to be foiled. I'm hoping for the former and, so far, "Halcyon" hasn't disappointed. |
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6
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Thor (2007) #618 |
Dec 8, 2010 |
Though not yet living up to the promise of the opening issue of the run, "Thor" #618 shows that the book is moving in the right direction and beginning to find its feet. The threat of the World Eaters seems more urgent and the Asgardians are beginning to come out of their holes. That the book is reverting to a previous form instead of moving forward is a concern, but, hopefully, the larger plan will pan out. This issue may be the turnaround that the book needs. |
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6
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Bring the Thunder #1 |
Dec 1, 2010 |
"Bring the Thunder" #1 is a solid beginning to the Alex Ross-created comic about a US soldier in Afghanistan turned into a superhuman. So much of the issue happens without a proper context, though, that it's hard to get too hook yet. The art is strong and Ross and Nitz make an effort to write the lead as a unique character. If the larger context is entertaining and works, this series could turn out to be a pretty good comic worth checking out every month. |
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8
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Supergod #5 |
Dec 1, 2010 |
"Supergod" also acts as the third book in a loose, thematic trilogy of comics about post-humanity done by Ellis for Avatar, following up on "Black Summer" and "No Hero." It stands as the most thought-provoking and challenging of the three books, concerned with tackling an almost impossible idea: how does something not human think and act? Ellis succeeds in laying out some theories and providing a hint of where to go for future writers. "Supergod" may not work completely as a story, but as an argument, a theory for post-human stories, it's a brilliant piece of work. This conclusion is depressing and challenging and frustrating and disturbing. It's the sort of comic that sticks with you and changes the way you think about superhero comics. |
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2
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What If? (2010): Iron Man: Demon In An Armor #1 |
Dec 1, 2010 |
"Demon in an Armor" has a strong hook, but the approach taken by Michelinie and Layton is unimaginative and doesn't seem to use the characters we're familiar with as its starting place. Neither Von Doom nor Stark truly resemble their Marvel universe selves. While that's partly the point of "What If?" stories, the departure here is so far that it's hard to understand why Marvel went with this concept. A truly disappointing way to begin this year's batch of "What If?" titles. |
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6
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Wolverine: The Best There Is #1 |
Dec 1, 2010 |
There's a lot of potential in "The Best There Is" #1 to set itself apart from regular Wolverine comics the way "Deadpool MAX" has set itself apart from regular Deadpool comics, but there's a hesitancy to pull the trigger and really let Huston and Ryp loose to create an over-the-top comic that's legitimately not for kids. If the book could settle on a tone, it would be much more successful and entertaining. As it is, it's a slightly above average beginning with a strong cliffhanger. |
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7
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Secret Avengers #7 |
Nov 28, 2010 |
Even with that small problem, "Secret Avengers" #7 continues to be an entertaining comic with lots of action and mysteries. Brubaker builds the title around Steve Rogers and the mysterious Shadow Council with a final page that suggests that a confrontation between the two is coming sooner rather than later. I, for one, can't wait. |
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5
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Thunderstrike #1 |
Nov 25, 2010 |
"Thunderstrike" #1 manages to continue on from where the original left off and merge with the current Marvel universe. Kevin's personality isn't what you'd immediately expect, but makes for a good conflict, especially with the surprise end to the issue. If you've seen the previews that show Thunderstrike returning, he does, just not the way you think. It's a strong cliffhanger that will have me back next issue to see what DeFalco, Frenz, and Buscema do with it. |
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1
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Astonishing Thor #1 |
Nov 24, 2010 |
"Astonishing Thor" #1 is astonishingly bad. There's barely a story, groan-inducing dialogue, stiff art, faux-painted colors, and it makes for an unimpressive start. While not tying directly into current continuity, this comic does rely on Marvel continuity heavily and is meant to be the Thor of the Marvel universe, but doesn't sound or even act like him. Of the current crop of Thor titles, this is, by far, the worst. |
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8
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Detective Comics #871 |
Nov 24, 2010 |
"Detective Comics" #871 begins Scott Snyder's tenure as writing of the title strongly with an intriguing mystery and very good character work, putting Dick Grayson and Jim Gordon at the center of the book. With Jock, David Baron, and Francesco Francavilla on art, the comic is absolutely gorgeous. If you want a Batman comic with the emphasis on the detective and a classic Bat-comic feel, Snyder and company deliver the issue for you. |
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9
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Hellboy: Double Feature of Evil #1 |
Nov 22, 2010 |
If you've never read a Hellboy story before, this is your sort of book. Both the lead and back-up require almost no prior knowledge of the character and there's the gorgeous Richard Corben art. Both stories seem constructed to work with Corben's strengths as an artist and, at 70, the man can draws a fantastic comic page. |
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6
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Zatanna #7 |
Nov 22, 2010 |
"Zatanna" #7 may not be the next issue in Paul Dini's run on the book, but Adam Beechen and Chad Hardin provide an entertaining fill-in story. The story is light, the characterization is spot-on, and it's definitely worth a look. |
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7
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The Traveler #1 |
Nov 18, 2010 |
Beginning with some cheesy wordplay and imagery about time, "The Traveler" #1 picks up the pace, delivering a lot of action and not much else. It's a breezy, entertaining read and provides a lot of hints that Waid and Lee have some big plans, but not enough information about the eponymous hero is given to make us care. That said, the all-action, no slowing down approach is an effective one and has me wanting to see what happens next. |
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8
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Batman: The Return #1 |
Nov 17, 2010 |
Though the art is a mix of good and bad, Morrison's writing is spot on to make "Batman: The Return" the exciting first chapter in a new era for the hero and his allies. A larger mission, a new enemy, and plenty of new ideas are provided, but they all adhere to the same basic concept of Batman. "The Return" is a brisk, entertaining read that kicks off the Batman Incorporated era with style. |
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8
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Deadpool Max #2 |
Nov 17, 2010 |
"Deadpool MAX" #2 wallows in the muck and filth, building its comedy on the sort of material that polite people don't laugh at with grotesque drawings. You probably won't like it. But, me, I love this comic. |
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6
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Soldier Zero #2 |
Nov 17, 2010 |
"Soldier Zero" #2 is an improvement on the first issue, getting into the meat of the story, but it's also very exposition heavy. Cornell's character work is good and grounds the story in some semblance of reality. Sadly, after two issues, it's still too early to tell if this book will be worth reading on a regular basis. Two issues in and the story is barely going. |
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7
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Ultimate Comics Thor #2 |
Nov 15, 2010 |
This issue drives the story forward and definitely makes the second half look interesting. Hickman's Loki is the focus and is a very intriguing interpretation of the character. With so little of the Ultimate versions of these characters defined in hard terms, Hickman and Pacheco take advantage and move away from the traditional Marvel universe versions of the characters. |
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5
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Thor: For Asgard #4 |
Nov 14, 2010 |
It's not unusual for the fourth issue of six-issue minis to be less compelling than what came before; Rodi tries to work against that problem, but provides more of the same. Instead of raising the stakes, most of the issue maintains the same general level of threat to Asgard. The final page does take things to another level, following up on an idea introduced in a previous issue, suggesting that issue five will get things back on track and pushing strongly to the conclusion. |
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5
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Halcyon #1 |
Nov 12, 2010 |
"Halcyon" has a strong, interesting idea behind it, but this first issue spends far too much time getting there. It's all world building, but doesn't come off as essential world building. Only a few characters get any memorable panel time and the final pages are the most engaging and exciting. Like I said at the beginning, this issue feels more like a teaser than a strong debut. Instead of leading with the book's most interesting idea, it postpones it. I'm interested to see what the second issue does with it. |
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4
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Knight and Squire #2 |
Nov 11, 2010 |
The concept of "Knight and Squire" #2 is solid, but, after a promising, smart opening scene, the issue becomes a boring, flat read. The wit and energy of the characters displayed in their appearances in "Batman" and "Batman and Robin" is replaced with passive action that leans heavily on British cultural references. Except, all that's here are the references, something Cornell accomplished much more effectively in "Captain Britain and MI:13" by balancing those references with lots of excitement and bold storytelling. No, this comic left me completely cold and wondering what the point is besides having a British superhero book for the sake of having a British superhero book. |
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9
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Batman: The Return of Bruce Wayne #6 |
Nov 10, 2010 |
Despite the challenges of the issue, it's a very simple story at its core, one that goes back to the beginning of Batman and shows, again, how skilled the character is. This issue is pivotal to Morrison's work on the character and outlines the next step. Intellectually provoking, so much of the issue is also driven by passion and emotion. It's not just Batman trying to outthink a god, it's his friends doing everything they can to help him save the world and his own life. The issue may be late, but it was worth the wait. |
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9
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T.H.U.N.D.E.R. Agents #1 |
Nov 10, 2010 |
"T.H.U.N.D.E.R. Agents" #1 is a strong debut that establishes the concept of the book by showing it instead of simply telling. You need to go with it a little and trust in Spencer and CAFU, because they know what they're doing. As far as first issues go, it's one of the best I've seen in a while and is a sign that "T.H.U.N.D.E.R. Agents" may be the next must read comic. |
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10
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The Art of Jim Starlin: A Life in Words and Pictures #1 |
Nov 9, 2010 |
An oversized hardcover clocking in at just over 300 pages, "The Art of Jim Starlin: A Life in Words and Pictures" is a gorgeous book showcasing the art of one of the somewhat overlooked masters of the last 40 years. Starlin defined and shaped the concept of 'cosmic comics' through his experimental and bold visuals. Despite most of the focus lying on the first half of his career, the second half shows that Starlin is still an artist interested in pushing the limits. Open this book to any page and you'll see something amazing. |
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4
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Scarlet #3 |
Nov 8, 2010 |
"Scarlet" is a bold comic, one that stinks of effort to be that way. In the pursuit of pushing the envelope, convenient storytelling shortcuts are taken: Scarlet is much better at this than an amateur should be, Brandon hops on board without any argument, and, so far, everything is far too easy. But, it's only three issues in and these problems may not seem so bad in a larger context. Right now, though, it's a hard book to take seriously. |
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7
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Sweet Tooth #15 |
Nov 8, 2010 |
Lemire's art is attractive and rough with angular lines and a bold use of inks. He's malleable enough to allow his line work to shift from character to character, letting his art give cues to the type of people the characters are. This issue is light on plot, but the mood is compelling and stark. It's a comic that I kept coming back to throughout the week to flip through and look at, and that says something. |
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7
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Batman / Catwoman: Follow the Money #1 |
Nov 3, 2010 |
A fun, campy story, "Follow the Money" is worth checking out for 44 pages of Howard Chaykin art and a gloriously fun and stupid story centering on a gloriously fun and stupid villain. Not grim, not gritty, just entertaining and skillfully done. |
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3
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Iron Man / Thor #1 |
Nov 3, 2010 |
"Iron Man/Thor" #1 is a bland, mediocre comic that only strengthens the argument that movies mean a flood of forgettable comics that don't warrant reading. What little story is here isn't compelling or interesting; Everything is held back for the 'shocking' final page that isn't much of a cliffhanger. It's disappointing work from everyone involved. Thankfully, I probably won't remember this comic at all by tomorrow. |
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5
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Warriors Three #1 |
Nov 3, 2010 |
"Warriors Three" #1 shows promise and Bill Willingham has a great grasp of the eponymous trio, but doesn't use them nearly enough. Sadly, he spends too much time on plot details that don't involve the Asgardians and the comic suffers for it. |
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8
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Avengers (2010) #6 |
Nov 1, 2010 |
"Avengers" #6 a fitting and smart ending to a very strong opening story for the relaunched "Avengers." If Brian Michael Bendis hadn't already cemented himself as one of the title's top writers, his work here with John Romita, Jr. definitely does the job. I can't imagine a better way to kick off this book or the "Heroic Age." |
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8
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Do Androids Dream of Electric Sheep? Dust to Dust #6 |
Nov 1, 2010 |
"Dust to Dust" is a surprising treat in the way it takes some of the basic ideas of "Do Androids Dream of Electric Sheep?" and "Blade Runner" and plays with them, twisting them. Roberson latches onto the idea of emotions, how they affect humans and how androids function without them, and is getting a lot of mileage out of it. Throw in some action, compelling, unique narration from the three main characters, and great art, and you've got a comic worth reading each month. |
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8
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Captain America (2004) #611 |
Oct 31, 2010 |
"Captain America" #611 finally deals with issues that the book has danced around since Barnes returned as the Winter Soldier and, then, took up the mantle of Captain America. No easy answers are given, but the contrast of how problems like this are usually handled with how Barnes is treated here is very interesting. Despite this story being a longtime coming, nothing about this issue felt predictable or obvious. A great start to this story! |
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5
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Incognito: Bad Influences #1 |
Oct 31, 2010 |
"Bad Influences" #1 is a skillfully constructed comic, but it's lacking a pulse. I wouldn't go so far as it say it's like Brubaker and Phillips are going through the motions, but, by the end, it's clear that the real heart of the story lies ahead and this is simply the necessary exposition that's required. The new status quo is really the old status quo without the charm. The end of the issue holds promise and Brubaker and Phillips have earned some leeway, so this series is worth continuing with, just not based on the strength of this issue necessarily. |
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8
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Gravel #21 |
Oct 28, 2010 |
I'm sad that "Gravel" is ending as this large story has been some of Ellis's most engaging writing of the last few years. A basic quest story with obvious obstacles, how Gravel has overcome them provided a lot of entertainment. More than that, the book has been a continuation of some of the ideas about England that Ellis has approached elsewhere, most notably in his short run on "Hellblazer." "Gravel" was rooted in England and its culture with old grudges based on location raised, and the lead always looked down upon by his 'betters.' Even if the character never returns, the ending here is a fitting one and, to be honest, where do you go after King of English Magicians? |
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8
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Vertigo Resurrected #1 |
Oct 26, 2010 |
"Shoot" is the selling point of "Vertigo Resurrected" #1, never before published and never seen in color at all, and, together with a slew of shorts, it definitely makes this book worthwhile and of interest. There's a little bit for everyone here. Plus, given the rarity of most of these stories, they may be reprints but, to many, they may as well be brand new. With Vertigo's large back catalogue of anthology series and hard-to-find minis, I definitely want to see more of "Vertigo Resurrected." |
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8
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DV8: Gods and Monsters #7 |
Oct 25, 2010 |
Readers won't have to wait long with the final issue of "DV8: Gods and Monsters" scheduled to ship on November 3 and, after this issue, a longer wait would be difficult to live with. Wood and Isaacs have built to this issue and, then, brush everything aside for an even larger threat that shows just how useless and stupid the actions of the group have been. They've spent the story thinking they were better than the people they've ruled over, but they're just as weak and helpless as they are. It's a powerful cliffhanger to lead into the conclusion. |
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7
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X-Files/30 Days of Night #4 |
Oct 23, 2010 |
Despite that, this series is entertaining and demonstrates how two different properties can cross over without it being cheesy or forced. Niles and Jones manage to make the two worlds mesh without any problems, while Mandrake delivers strong, dark, moody art. I may be buying for my girlfriend, but I find I'm reading it for me. |
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6
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Loki (2010) #1 |
Oct 21, 2010 |
"Loki" #1 offers a different perspective on the god of lies, one that may be him succumbing to his own gift for deception. However, there's not enough depth in the issue to truly grab the reader. Both the writing and the art skim along the surface too much, not able to go beyond and truly explore Loki or offer much more than a hint that such an exploration may happen in the remaining three issues. |
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8
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Punisher MAX: Tiny Ugly World #1 |
Oct 21, 2010 |
David Lapham writes crazy and disturbing better than most and "Tiny Ugly World" shows that skill off very well. He takes a traditional Punisher story and twists it for maximum effect until a final scene reveals the true role of the Punisher. More than that, he manages to work in some dark comedy and not many writers can make a 'penis in a jar' gag work. Lapham does and that's a special thing. |
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6
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Magnus, Robot Fighter #2 |
Oct 19, 2010 |
"Magnus, Robot Fighter" #2 is a comic that pulls in a couple of directions, but is entertaining nonetheless. The approach is somewhat antiquated and that separates it from most other comics. There's a simplicity to the comic that makes it fun to read. |
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2
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The Last Phantom #2 |
Oct 19, 2010 |
"The Last Phantom" is a bad comic, so bad that one can't help but hope that the title is also a promise. |
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5
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Doc Savage #7 |
Oct 18, 2010 |
"Doc Savage" #6 heralded a strong, new run on the book and this issue doesn't follow-up as well as it could. The beginning is a little too confusing, but it does begin to recover through the second half and ends on a high note. Maybe it's a case of an issue that will read much better as part of the whole story, but, taken alone, it's a let down unfortunately. |
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7
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Hellblazer: City of Demons #1 |
Oct 18, 2010 |
"City of Demons" #1 is an entertaining beginning to a spin-off mini. If there's one character that can carry the occasional mini-series or one-shot outside of his ongoing series, it's John Constantine. Si Spencer and Sean Murphy set a good example and the conclusion of this issue shows a promising premise for the remaining four issues. |
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2
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Pilot Season: Forever #1 |
Oct 18, 2010 |
Pilot Season books tend to go for high concepts and twists on the familiar. "Forever" doesn't deliver a twist, it just delivers the familiar and does so without anything new or interesting. Definitely the most disappointing and forgettable first issue of this Pilot Season. |
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7
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Thor: The Mighty Avenger #5 |
Oct 18, 2010 |
There's a lot to love about each new issue of "Thor the Mighty Avenger" as it presents a self-contained adventure each issue, building on the idea of a Thor new to Earth and the Marvel universe. The pairing with Namor here is an interesting inversion of the way both characters are usually portrayed and definitely has me wanting to see what superhero will show up next. |
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8
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Thanos Imperative #5 |
Oct 14, 2010 |
With the shocking-but-not-surprising final page cliffhanger, what happens next is anyone's guess. In this issue, DnA manage to deliver some payoff after months of build-up by centering on the characters that have driven the cosmic books for years. I've said it before, but it still stands: this is what an event comic should be. |
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9
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Batman: The Return of Bruce Wayne #5 |
Oct 13, 2010 |
"The Return of Bruce Wayne" #5 uses the detective genre to position Bruce Wayne closer to his true identity than ever before and draws upon everything that's come before in Morrison's Batman work. Morrison balances between Bruce as detective and the larger picture very well, making sure each part is given adequate space and focus. Though Ryan Sook doesn't draw the entire issue, Pere Prez manages to replicate his style remarkably well. This issue was definitely worth the wait. |
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6
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Batman: Odyssey #4 |
Oct 8, 2010 |
Not the Batman readers are used to now, it's easy to see why Neal Adams' "Batman: Odyssey" would turn off some readers. It's very hit or miss at times, especially with the plot, but the messiness of the emotions and art give the comic a powerfully compelling energy. Sometimes, it's laughable, but "Batman: Odyssey" is infinitely readable. |
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5
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Greek Street #16 |
Oct 8, 2010 |
"Greek Street" may be a lost masterpiece, done in before its time, but the 16 issues released don't suggest that. Instead, they present an ambitious comic that was too lost in its intellectual games to deliver compelling and engrossing characters and stories. It wandered, looking for something to latch onto, always promising an endgame that would make it all worthwhile, and that final point never came. Instead, there's another convention, another intellectual game... "A winged bloody chariot." |
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8
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Deadpool Max #1 |
Oct 7, 2010 |
Some may wonder if so many Deadpool comics are necessary, but, after one issue, "DeadpoolMAX" certainly proves that it offers a different sort of Deadpool comic. It plays up the absurd adult humor well and keeps the eponymous lead off panel for most of the comic to make his presence more impactful. It's one of the strangest and most screwed up comics of the year and I'll definitely be back next month! |
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7
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Ultimate Comics Thor #1 |
Oct 7, 2010 |
"Ultimate Comics Thor" #1 sets up the remainder of the series with a Nazi invasion of Asgard in 1939, while also delving into Thor's early days on Earth after seemingly being created by Professor Braddock. Hickman drives the plot using the differing points from the regular Thor, while Pacheco's visuals are dynamic and fit the look of the Ultimate Universe. |
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5
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Pilot Season: Crosshair #1 |
Oct 6, 2010 |
"Crosshair" #1 is a promising issue with lots of potential. The complex conspiracy at its heart is a little underdeveloped for what could be the only issue of the series we'll ever see, while the art is very inconsistent between two different but solid styles. Despite these problems, the creators did accomplish one important thing: I want to know what happens next. |
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9
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The Boys #47 |
Oct 6, 2010 |
It's hard to read the second half of "The Boys" #47, because Ennis writes the scene with just as much emotion and pain and cruelty as the eventual confrontation between Hughie and Annie always implied. Their relationship has been a grounding part of the comic, something to draw the readers in and make them care. And, as expected (and dreaded), it all breaks apart, showing that "The Boys" is much more than superhero jokes and extreme violence. It's a comic that can break your heart, even when you can see it coming a mile away. |
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7
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Bullet to the Head #4 |
Oct 4, 2010 |
"Bullet to the Head" #4 reenergizes the story to a degree after it came dangerously close to slipping into complex obscurity with too many characters with too many connections. Last issue and this one clear the decks somewhat to provide a renewed focus and easier to handle cast. You don't often see stories switch gears like that in the middle, but it works very well here. |
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2
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Green Arrow (2010) #4 |
Oct 3, 2010 |
Given the proper focus or time, the plots in "Green Arrow" #4 could possibly be engaging and interesting, but neither are given the chance. They're fragments of nonsense where even the characters shrug and wonder what just happened before walking away, content that the mystery will solve itself some day. Not the best way to create interest or interesting, good comics. |
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2
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Wonder Woman (2006) #603 |
Oct 1, 2010 |
"Wonder Woman" #603 is a disappointing issue that provides a pointless detour from the main story, one that detracts so much that it questions the necessity of this change in the status quo. Why bother if this is the sort of story Straczynski wants to tell? The final pages are strong in the lead-in to next issue and that just reinforces how much a waste the preceding pages were. |
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3
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X-Men: Legacy (2008) #240 |
Oct 1, 2010 |
From a conceptual point of view, "X-Men Legacy" #240 has a lot going for it: a threat powerful enough to take down two powerful mutants and a young mutant needing to prove himself to save them. Then, it gets derailed by stock characters and a roadblock that's absurdly cheesy. |
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7
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First Wave #4 |
Sep 29, 2010 |
Despite delays, "First Wave" #4 continues to build on the previous issues as it combines the seemingly disparate narratives into a cohesive one. The construction of this series has been interesting to watch play out and, with two issues left to go, how Azzarello and Morales tie everything together by the end will be exciting to see. |
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9
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Incredibles #14 |
Sep 29, 2010 |
A fantastic mix of short stories and larger plot, "The Incredibles" #14 shows both mixing and coming to a head at the same time. There's a great mix of humor, action, and drama that focuses on the characters. Every issue is a joy to read and I can't wait until #15. |
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6
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Dracula: The Company of Monsters #2 |
Sep 27, 2010 |
There's potential in "Dracula: The Company of Monsters," especially if the end of the issue indicates that Vlad will be used to help run the company, so it can crush its competitors. Shifting his skills from the field of battle and the monarchy to the board room could be very entertaining. Where a character like Evan fits in isn't clear, though. If anything, he seems redundant and a distraction right now. He brings the reader into the story, but loses his function after that's accomplished. All in all, this is a solid book with plenty of potential. Hopefully, that potential will be realized. |
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3
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Power Girl (2009) #16 |
Sep 24, 2010 |
The joy of "Power Girl" was its light tone that managed to humanize Kara, while still presenting her as a competent hero worth rooting for. None of that is apparently in this issue where she's presented as somewhat stupid and presented with a lazily 'serious' and 'dark' plot that's uninteresting as it is overdone. |
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5
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Secret Avengers #5 |
Sep 24, 2010 |
A compilation of familiar concepts and hints of the 'good old days' of Nick Fury that never cohere completely, "Secret Avengers" #5 is a disappointing issue from this creative time. It's serviceable in the explanation of how Max Fury came to be working with the Shadow Council and does pick up on a thread from "The Marvels Project" that makes the secret group working against Rogers's Avengers more interesting. It's a fine comic that doesn't satisfy completely if only because of the high standards set by the creators previously. |
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7
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Nemesis #3 |
Sep 22, 2010 |
"Nemesis" #3 contains a wonderfully violent action sequence from Steve McNiven that ranks among his best work before he does the 'quiet' scenes with great skill. Like many blockbusters, the writing and story are almost beside the point with the visuals and spectacle taking over. What will remain with you is Nemesis hunched over a dead body and bathed in blood, not the plot details. |
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8
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Thor (2007) #615 |
Sep 22, 2010 |
"Thor" #615 has been a longtime coming and it meets expectations. Fraction introduces the key ideas for the initial story arc, while Ferry and Hollingsworth establish a strong visual look for the run. There's a tension in the comic as it pushes into new directions, while honoring the past and what came before, creating an issue that will win over new readers and satisfy the longtime fans. |
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6
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Velocity #2 |
Sep 22, 2010 |
"Velocity" #2 showcases the eponymous heroine's abilities and problem-solving abilities as she's left with the task of saving herself and her Cyberforce teammates from a deadly virus in under an hour. It's a fun, breezy read with gorgeous art. |
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8
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Joe The Barbarian #7 |
Sep 20, 2010 |
This issue pays off the build-up of Joe winning the support of the enemies of King Death and leading them against the dark master, while also finally reaching the bottom of the house. The final page delivers a strong cliffhanger, mixing the two worlds in an interesting way. "Joe the Barbarian" #7 is an entertaining and engaging read, because Morrison and Murphy work in concert so well together, kicking things off with some stunning action before hitting us with the heart of the story. I can't wait for the finale. |
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8
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Thor: For Asgard #2 |
Sep 20, 2010 |
"Thor: For Asgard" is surprising in its dark tone and how much that tone works. It doesn't come off as dark and brooding for the sake of it, but is rooted in an integral piece of the Asgardian story. Rodi and Bianchi continue to present the decay and collapse of Asgard as Thor watches helplessly, unsure how to turn things around. |
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5
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Pale Horse #4 |
Sep 16, 2010 |
"Pale Horse" would have benefited from a larger, more expansive story, but there's an appeal in focusing specifically on Cole's quest for revenge. The price is that the larger story of a plot to overthrow the Union and its failure doesn't cohere into the main narrative. However, the art is strong and suggests that Christian Dibari is a name to watch for in the future. |
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8
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Steve Rogers: Super Soldier #3 |
Sep 16, 2010 |
He may not be Captain America or even a Super-Soldier when this issue starts, but Steve Rogers is definitely incredibly capable and dangerous. Ed Brubaker and Dale Eaglesham deliver a fun, exciting superhero comic using a classic plot device that effectively makes Rogers look as fantastic as he's always described. Lately, there's been a lot of talk of how good Rogers is and this issue shows it. |
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7
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The Unwritten #17 |
Sep 16, 2010 |
"The Unwritten" #17 is an ambitious comic, but it never achieves that ambition by abandoning the concept behind the issue partway through, leaving most of the story to be read like a linear, regular story, only with a lot of flipping back and forth throughout the comic. Still, the issue is a fun one that sheds light on Lizzie and furthers her story. Numerous variations on her past are provided, giving a broad view of the character and leaving it all in the readers' hands as to what 'counts' and what doesn't. Ultimately, it's a comic that's more interesting in theory than execution. |
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10
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Prison Pit Book Two #1 |
Sep 15, 2010 |
Thuggish, brutal violence for 113 pages may not be for everyone and that's what "Prison Pit" Book Two. It's over-the-top, extreme, uncompromising, and very, very funny. It's the sort of book you can't put down even after you're done; you just keep jumping around and admiring the stark viciousness that jumps off the page. |
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2
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Greek Street #15 |
Sep 9, 2010 |
"Greek Street" comes to an end next issue and its final story arc looks like a half-hearted attempt to wrap things up quickly and cram in part of the larger, long term plans for the book. It's not successful, especially as a follow-up to a three-issue departure arc that left almost every character from the book off-panel. It's a jarring read and a pretty good argument for why the book should end, no matter what the sales chart says. |
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5
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Amazing Spider-Man (1999) #641 |
Sep 8, 2010 |
There's a symmetry to how "One Moment in Time" ends after it began by using and adding to "Amazing Spider-Man" annual #19 with this issue rewriting scenes from "Amazing Spider-Man" #545, the finale of "One More Day." Joe Quesada shows off a bit with dialogue that uses the same phrasing with small changes and it's effective enough, though lacking in an organic flow at times. "One Moment in Time" does answer all of the questions it promised to address and Paolo Rivera's art has been fantastic throughout. Still, in the end, the story can't help but feel like it exists just to answer questions that didn't necessarily need to be asked ever again. Nothing presented here makes the Spider-Man universe a more interesting place. |
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8
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Doc Savage #6 |
Sep 8, 2010 |
The news that Brian Azzarello and Ivan Brandon would be writing the second arc of "Doc Savage" was enough to warrant giving the book another chance, but with artist Nic Klein, they've produced a comic that grabs you from panel one and doesn't let go. It's quick, disarming, creepy, and utterly compelling. Definitely a comic worth checking out and adding to your pull list for the foreseeable future. |
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9
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Irredeemable #17 |
Sep 8, 2010 |
Somehow, "Irredeemable" manages to keep upping the ante and the surprises. This issue reveals some big pieces of information and does so through great dialogue and art. Waid and Krause make this title a top-of-the-pile-read-right-away comic every month and this issue is no exception. But, maybe, just in case, leave time after for a shower if you're easily disturbed to scrub the 'ick' away. |
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8
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New Avengers (2010) #4 |
Sep 8, 2010 |
Even though this story is built on events from the first "New Avengers" series, it stands alone well here with the premise clearly presented and explored through entertaining action and character interaction. Dr. Strange steps out as the point man for the heroes, setting up the surprise at the end of the issue. I can't wait to see what happens next. |
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7
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Thanos Imperative #4 |
Sep 8, 2010 |
This issue kicks things up a notch by raising the stakes and the heroes' hopes. "The Thanos Imperative" continues to be an inventive and imagination series that is an example of how to do an event book right. |
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7
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Thor (2007) #614 |
Sep 8, 2010 |
I have to admit that I'll miss Kieron Gillen on this book. He took a bridging fill-in stint on the title and crafted a solid, entertaining 13-issue run (if you include "Siege: Loki" #1 and "New Mutants" #11). He definitely made the most of his time on the book and characters, and this issue ends the run strongly. |
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7
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Ultimate Comics Avengers Vol. 3 #2 |
Sep 8, 2010 |
Despite these positives, this is a pretty slight issue. The premise is established, a couple of scenes are delivered, and it's over. That slow, sparse pacing has been a flaw with "Ultimate Comics Avengers" in previous stories and last issue looked like it had that problem out of the way for this story, but apparently not. What's here is well done by everyone, aside from a very lame joke involving Millar himself, but it goes by so quickly that it doesn't feel like a complete comic. It should be a great thing when everyone involved hits their stride, if that happens. |
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6
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iZombie (2010) #5 |
Sep 6, 2010 |
Ultimately, reading "iZombie" #5, I'm left with one question: why should I care? The comic never answers that or gives me a good reason to come back next issue aside from some good dialogue and great art. But, without a solid emotional core or intriguing plot, those positives just hang there and don't seem as appealing. On the surface, this is a pretty good comic, but it's lacking something underneath. |
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6
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CLiNT #1 |
Sep 4, 2010 |
"CLiNT" #1 is definitely a Mark Millar production with a tone that matches his work, both in the articles and the other comics, and that most of the issue is comics content is a good sign. Not everything lands and not everything is new, but the magazine is still a slick periodical with a lot to offer. |
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7
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Hawkeye & Mockingbird #4 |
Sep 4, 2010 |
Going into this issue, I'd heard a lot of great things about "Hawkeye & Mockingbird" and they're all true. McCann is writing a fun, character-driven book that throws in some great action scenes by the Lopez Brothers. |
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8
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Iron Man 2: Agents of S.H.I.E.L.D. #1 |
Sep 4, 2010 |
As a concept, "Iron Man 2: Agents of S.H.I.E.L.D." #1 may not appeal to a lot of readers, but it's a pretty great artist showcase book. Joe Casey writes three stories that add to the S.H.I.E.L.D. agents we see in the movie, while the three artists all deliver different visual styles that will blow you away. This is one of the best-looking comics you're going to find on the shelves this week. |
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5
|
Young Allies #4 |
Sep 3, 2010 |
"Young Allies" has a lot of potential, but it's just not there yet. This issue is so focused on the Bastards of Evil that the book's stars get lost a little in the shuffle. What the book lacks is a clear purpose and identity, especially given the other young heroes team books Marvel is putting out right now. |
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4
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5 Days to Die #1 |
Sep 2, 2010 |
While the idea behind "5 Days to Die" is interesting, Schmidt is in such a rush to get the story going that it loses a lot of its impact because of a lack of context. Maybe future issues will fill in the gaps more, but, right here, it's hard to properly connect with the protagonist or get the main idea behind the series without it being spelled out in a text piece. |
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6
|
Green Hornet Annual #1 |
Sep 1, 2010 |
For fans of the current "Green Hornet" series, this Annual adds an interesting and necessary part of the story, showing what happened between some of the scenes of issue three. Anyone thinking that this is a chance to give the book a try, though, may want to look elsewhere. |
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8
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Incorruptible #9 |
Sep 1, 2010 |
With its third arc, "Incorruptible" comes closer to "Irredeemable" again and shows a glimpse of Max the villain. The contrast between Max then and now is stark, but not as great as you'd think, putting the past eight issues into a different light. While this isn't the first time we've seen the old Max, it hits harder. And, Waid shows some of his twisted side with the issue-ending cliffhanger that surprised the hell out of me. |
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7
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Thor: For Asgard #1 |
Sep 1, 2010 |
Bianchi's art lives up to expectations and is a great match for the characters and world, while Robert Rodi sets up an intriguing story. There's a strong sense of how wrong things have gone in the world, culminating with the scene involving Thor and his hammer that is somewhat shocking. If you like your Thor with a healthy dose of fantasy influence, "For Asgard" is your book. |
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8
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Scalped #40 |
Aug 30, 2010 |
Most of "Scalped" #40 is struggle and pain and misery, and it's done very well as usual, but it doesn't stand out like the playful, fun four-page scene between Red Crow and Wade. Jason Aaron and RM Gura continually produce fantastic comics and it's easy to take them for granted, so they like to remind us all how good they are by mixing things up like they do here. Forty issues in and this series is still a constant surprise |
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4
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Ani-Max #1 |
Aug 28, 2010 |
"Ani-Max" #1 has its charms, but the concept is blatantly unoriginal (doubly so if you consider Animal Man), not just in the powers the character has, but in the way he obtains them. If you ignore what came before, this is an entertaining comic, though the art has some noticeable rough patches and the origin story seems crammed in. It will be interesting to see if this continues as a comic series and how the story develops since a pilot/origin is limiting to a degree. |
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7
|
Captain America (2004) #609 |
Aug 26, 2010 |
As "No Escape" moves towards its conclusion next issue, Ed Brubaker writes a great confrontation between Captain America and Baron Zemo. Zemo is your typical confident, five-steps-ahead-villain, while James shows he's not as adept at being a superhero as he thought. This story arc has been a definitive one for James and this issue keeps up the quality. |
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8
|
Secret Warriors #19 |
Aug 26, 2010 |
With "The Last Ride of the Howling Commandos" kicking off the second half of this series, Hickman sets up a rather hopeless feeling for Fury and company's chances against Hydra and Leviathan. But, he does in style with Vitti in one of the issue's most affecting and powerful issues to date. |
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8
|
Avengers (2010) #4 |
Aug 25, 2010 |
"Avengers" #4 manages to up the ante after three issues of action. Bendis and Romita are going all out in this arc to create a larger than life time travel story for the Avengers and, so far, they're knocking it out of the park. And, if the final scene is any indication, issue five should be another winner. |
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7
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Batman #702 |
Aug 25, 2010 |
Not quite the worthless throwaway it might have seemed upon first glance, "Batman" #702 provides some key elements for Grant Morrison's ongoing Batman story, specifically the current "Return of Bruce Wayne." His writing here is poetic and purposeful, and continues his work to elevate the character beyond the limitations of a simple urban vigilante. |
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6
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Punisher MAX: Happy Endings #1 |
Aug 25, 2010 |
If it weren't for Ryp's art, much of this issue would fall flat, but he makes the uninspired plot much livelier and funnier than it has any right to be. Milligan's writing does pick up in the third act as he delivers an unexpected ending, making for a solid overall issue. |
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5
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Witchblade: Due Process #1 |
Aug 21, 2010 |
"Witchblade: Due Process" has a really great hook, but the need to bring in supernatural elements bury the point somewhat and detract from the emotional core. As well, not enough is done with Pezzini and her truly confronting her mistake. She never really gets past the 'I'm so sorry' stage and truly trying to make amends. If anything, "Due Process" seems like it should be a much larger story that's constrained by genre conventions and format restrictions. |
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8
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The Boys: Highland Laddie #1 |
Aug 19, 2010 |
As well, McCrea and Burns are a nicer fit here than they were on "Herogasm" with a strong ability to draw characters just sitting around, talking and drinking. This comic plays to their strengths while also subverting the expectations of an Ennis comic where three guys go out drinking. "Highland Laddie" #1 shows a different side of Hughie and builds nicely on what's been going on in "The Boys." This is exactly what you want out of a spin-off mini. |
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6
|
X-Files/30 Days of Night #2 |
Aug 19, 2010 |
While "30 Days of Night" fans may still find this series a little light on the vampires, "X-Files" fans should really enjoy this issue. The story is unfolding nicely and Niles and Jones clearly have the characters' voices down. |
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4
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Age of Heroes #4 |
Aug 18, 2010 |
What "Age of Heroes" #4 boils down to is an 11-page Black Panther story that fans of the character would, understandably, be hesitant to pay four dollars for, a fun quasi-Captain America story, and then two teaser 'stories' for low-interest characters. Again, I'm not sure who the target audience for this comic is. On an individual level, most of the stories are well done and offer something for those interested, but there's no overriding theme or idea that ties them together, making this comic work as a whole. |
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6
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Amazing Spider-Man (1999) #640 |
Aug 18, 2010 |
It's still not entirely clear why this story is necessary, but Quesada and Rivera are certainly making it an interesting read. This issue sags more than the previous two, because the idea of a loved one of Spider-Man being targeted once he reveals his identity has been so built up and discussed that actually seeing it happen is tedious. And, there's an element of this story that simply feels like Quesada is checking off the boxes of plot points instigated by "One More Day." The identity becomes secret again, and Mary Jane and Peter break up? Check back next issue. |
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6
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Avengers and the Infinity Gauntlet #1 |
Aug 18, 2010 |
Fans of the original "Infinity Gauntlet" may miss the cosmic characters or the stronger focus on Thanos, but "Avengers & the Infinity Gauntlet" #1 sets up the premise well with a focus on the Marvel heroes that a wider range of readers would be familiar with. Some of the choices Clevinger and Black make may raise some eyebrows, but it's clear that they're telling their version of the story and have a plan. Plus, Churilla drawing Thanos! I cannot stress that last point enough. |
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8
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Steve Rogers: Super Soldier #2 |
Aug 12, 2010 |
Normally, mini-series like this are forgettable or unnecessary, but Ed Brubaker and Dale Eaglesham are quickly making "Steve Rogers: Super-Soldier" a must read for anyone that's a fan of the character. By building a story on the character's origins, the duo root the story in Rogers's past, but also use it to help show who he is now that he's no longer Captain America. And the end of the issue is one hell of a cliffhanger: the sort that dares you not to buy the next issue. |
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6
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Thanos Imperative #3 |
Aug 12, 2010 |
The weakest issue of the series so far, "The Thanos Imperative" #3 still has some very good positives as the two groups of heroes prepare to strike against the Cancerverse forces. While the explanation of how the Cancerverse came to be is a smart idea, the execution is lacking and doesn't delve into how Mar-Vell could turn so easily enough. Otherwise, a solid, quiet issue before the coming storm. |
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9
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Thor: The Mighty Avenger #3 |
Aug 12, 2010 |
I hoped going in that "Thor the Mighty Avenger" would be as good as it looked, but it's even better. Roger Langridge writes stories and characters that are entertaining and recall the early days of the Marvel universe, while Chris Samnee delivers art that looks deceptively simple. This comic is quite possibly the best new superhero title of the year and is exactly what any lover of superheroes should be reading. |
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5
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Hack / Slash: My First Maniac #3 |
Aug 11, 2010 |
"Hack/Slash: My First Maniac" #3 is a fun horror comic and it's easy to see why the "Hack/Slash" series has such a strong following. Tim Seeley writes Cassie very well and makes it easy to root for her, while creating an entertaining case for her to deal with. This issue bridges the gap between her coming to town and next issue's conclusion to the story. While underdeveloped in places, it's definitely worth giving a look if you like horror, if you haven't already. |
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8
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Morning Glories #1 |
Aug 11, 2010 |
The double-sized debut issue of "Morning Glories" works in a large part because it bucks the usual trends for books like this. Nick Spencer embraces the odd mysteries and unseen darkness of the school, throwing it in our and the characters' faces, a tactic that only raises more questions. His writing is fearless here and makes me wonder what's in store as the series continues. |
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7
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Ultimate Comics Avengers Vol. 3 #1 |
Aug 11, 2010 |
"Ultimate Comics Avengers 3" gets off to a quicker start than the last arc with Millar introducing both Blade and the new Daredevil in this issue while setting up the premise of the arc with an unexpected twist at the end of the issue. This series of series continues to be fun and bold with Millar on his game. |
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6
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Sparta U.S.A. #6 |
Aug 10, 2010 |
That's a problem, too, because the end of the issue doesn't feel like a conclusion, it's more an open ending for future stories, and I would have liked to see something a little more definitive, but there are only 22 pages. That does mean that "Sparta, U.S.A." doesn't end as well as previous issues suggested, but it's still a good ending. With any luck, Lapham and Timmons will get a chance to follow-up on the promise of that final page. |
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5
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Greek Street #14 |
Aug 6, 2010 |
While I will be disappointed when "Greek Street" ends in two issues, this issue doesn't present much of an argument for the series continuing. This issue is a downturn for an otherwise solid story arc and definitely fits in with some of the early issues of the series. |
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8
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Supergod #4 |
Aug 6, 2010 |
"Supergod" #4 has a stronger narrative push than past issues, but it's only following through on the ideas set forth in the first three issues. Ellis and Gastonny give a vision here of superhumans as alien beings created by humanity but not thinking like humanity. It may not seem like it at the time, but this could be one of the most worthwhile superhero comics on the oncoming decade. |
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7
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Spitfire (2010) #1 |
Aug 5, 2010 |
Fans of "Captain Britain and MI:13" will no doubt delight at this issue, but it functions well as a solo (or team-up) story for Spitfire with Cornell and Casagrande doing a great job of making the story all about her. New readers shouldn't have any problems jumping in and having fun with Lady Jacqueline as she and Blade hunt down a vampire traitor in New York. |
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7
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Thor: The Rage of Thor #1 |
Aug 5, 2010 |
Marvel's string of "Thor" one-shots showing the character in the times before he became the superhero most are familiar with provide an interesting subtext to the character, focusing on his harsher roots. Milligan writes that version of the character well, delivering a sequel book with Mico Suayan that manages to outdo the first by quite a bit. |
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7
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Amazing Spider-Man (1999) #639 |
Aug 4, 2010 |
So far, "One Moment in Time" has surpassed expectations with Quesada sticking to strong character work and Rivera's gorgeous pages. The explanation for Mary Jane and Peter never marrying but remaining a couple is a serviceable one and plays rather well thanks to the raw emotion on the page. It should be interesting to see how the next two issues explain the events surrounding "One More Day." |
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8
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Avengers Prime #2 |
Aug 4, 2010 |
Despite the odd and problematic reveal at the end of the issue, "Avengers Prime" #2 is a fun, entertaining issue with a fantastic creative team all working in harmony. This is how superhero comics are done and it's a shame that issues only come out every two months. |
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5
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Batman: Odyssey #2 |
Aug 4, 2010 |
Whether the farcical and comedic elements of "Batman: Odyssey" #2 are intended, they're hard to miss. Adams's storytelling is downright silly and absurd at times, while the story seems intended to be serious. It's a fun comic that won't be to everyone's taste, but looks like Adams is having fun creating. It's pretty fun to read, I must admit. |
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7
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Ultimate Comics Avengers Vol. 2 #6 |
Aug 4, 2010 |
It's a shame that the art doesn't hold up completely in this final issue, but Millar's writing is at its best of the entire series, giving a nice balance. The art problems are also limited to a few pages at the end with most of the comic showcasing the stellar Yu/Alanguilan/McCaig art that's graced the previous five issues. Overall, a solid finish to this story arc that leaves a few subplots hanging for "Ultimate Comics Avengers 3," which begins next week. |
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8
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First Wave #3 |
Jul 29, 2010 |
The slow build of "First Wave" is beginning to pay off despite much of the story still remaining a mystery. But, the central focus is almost apparent and the characters are all mired in interesting and intriguing stories. With half of the series over, it will be interesting to see how Azzarello pulls it all together for a satisfying payoff. |
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4
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Thor (2007) #612 |
Jul 29, 2010 |
After a strong finish to last issue, the lack of action isn't just a disappointment in and of itself, it makes this issue feel somewhat disconnected from the previous. They don't flow well with this issue seeming like a shift in tone. Some of the elements work well like Gillen's character work or Braithwaite's Disir, but, overall, this is one of the weaker issues of Gillen's run so far. |
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5
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After Dark #1 |
Jul 28, 2010 |
"After Dark" #1 does somewhat feel like a movie pitch with its clich plot and ensemble cast, but Peter Milligan throws in some nice, dark touches that make it worth giving a look if a 50-page comic about a post-apocalyptic world appeals to you. With Leonardo Manco scheduled to do the art for the second issue, things should be more consistent on that end in two months. |
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9
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PunisherMax (2009) #9 |
Jul 28, 2010 |
"Punishermax" #9 continues the strong roll the series has been on for the past few months where it went from being good to great to, then, being essential reading. An impressive, inventive, original comic month after month with both Jason Aaron and Steve Dillon doing stunning work. Buy this comic. |
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7
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Secret Avengers #3 |
Jul 28, 2010 |
While the issue is slower than I would like and doesn't move things forward as much, the individual scenes are all very entertaining and the ending of the issue has a genuine 'we're all screwed' feeling. "Secret Avengers" is shaping up to be a really solid superhero team book with both Ed Brubaker and Mike Deodato showing that they can do more than grounded, dark stories by playing against expectations with a grandiose cosmic adventure. |
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5
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Wonder Woman (2006) #601 |
Jul 28, 2010 |
It's understandable why this issue kicks off with the destruction of Paradise Island, but since that's a known factor, the specifics don't matter as much. What does matter is who this version of Diana is and what kind of person she is, and we barely get a glimpse of that. This issue is somewhat of a letdown and a surprise considering that Straczynski normally places a strong emphasis on getting across his view of the character and that doesn't happen here. But, the execution otherwise is solid on the issue and suggests that there's a good, thought-out plan in place for future issues. |
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8
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Darkwing Duck #2 |
Jul 26, 2010 |
Silvani also blends his work well with Brill's writing, getting across visual jokes like the grumpy look of the retiree or the insanity of Quackerjack when Negaduck is mentioned. They're a very smooth team, working in harmony to make "Darkwing Duck" another winner for BOOM! The company continues its track record for great comics based on films and TV shows. I can't wait until next issue! |
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8
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DV8: Gods and Monsters #4 |
Jul 24, 2010 |
While the overall thrust of "DV8: Gods and Monsters" isn't entirely clear, it is coming into focus with each issue. Brian Wood's approach to the book is familiar in its highlighting one character each issue, but unconventional in its slowness and patience. Rebekah Isaacs's art shares a similar patient quality, of not being in a rush, while still having a strong energy. It will be very interesting to see how the second half of this mini-series plays out. |
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7
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Amazing Spider-Man (1999) #638 |
Jul 21, 2010 |
Not the train wreck comic that people thought it would be based on "One More Day," the first part of "One Moment in Time" blends the classic story of Peter and Mary Jane's wedding with new events to show how history was changed. It's a small, subtle change and the shifting art styles is a little distracting, but the overall package is good. This issue is a good sign for the rest of the story. |
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7
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Atlas #3 |
Jul 21, 2010 |
"Atlas" #3 is a good superhero comic where the art outshines the writing a little. Parker crafts an interesting, entertaining story, but his dialogue is flat. It's easy, though, to see why so many love the book. |
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8
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Red Mass for Mars #4 |
Jul 21, 2010 |
Hickman's minimal writing allows Bodenheim to carry the issue and he does so ably, delivering art that befits the epic scope of the action of this issue. While the wrap-up to "Red Mass for Mars" is surprising in its restrained writing and focus on the battle, something Hickman's Image work has avoided to a degree, it works very well as an action book, showing the final stand of superhuman against a superior force, and putting forth his philosophical point in action. Fans of his Marvel work should definitely look for the trade in October. I mean, only if the idea of Superman and Batman teaming up with every other superhero to fight off an alien invasion in space sounds cool to you, of course. |
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6
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X-Factor (2005) #207 |
Jul 21, 2010 |
"X-Factor" #207 is a little too busy in the plots it's juggling, but the execution is good nonetheless. Some of the moments between characters are a little too cute, like the use of Layla, and the reveal of the true identity of the man who took Hela's necklace comes out of left field, this is an entertaining issue. |
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10
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Daytripper #8 |
Jul 19, 2010 |
"Daytripper" is a comic that's surprised me. I knew that Moon and B working on a book together would be great, I just didn't expect this level of poetry and humanity, the sort of comic that can break my heart with its final words even if I see them coming. This is a masterpiece and we're all lucky to be here as it comes out one issue at a time, month after month. |
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8
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Officer Downe #1 |
Jul 19, 2010 |
"Officer Downe" is a fun comic that revels in its violence and simplicity. Joe Casey adds the right mix of absurd situations and dialogue, while Chris Burnham's art steals the show. This is exactly what you want from a one-shot featuring a new character. |
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6
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Predators: Preserve the Game #1 |
Jul 15, 2010 |
If you liked the movie, this comic is such a natural outcropping that it will feel like a lost fourth act. Lapham picks up on a natural conflict between Royce, Izzy, and the Predators and plays it out exactly as you'd expect. |
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6
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The X-files / 30 Days Of Night #1 |
Jul 15, 2010 |
Only the introduction to the story, "X-Files/30 Days of Night" #1 sets up the presence of vampires and the reason for Mulder and Scully to be around. With five issues left, both sets of fans should be pleased when the two parties cross paths. |
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6
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Superman (2006) #701 |
Jul 14, 2010 |
"Grounded" gets off to a somewhat mixed start, but leaning in the positive direction. Eddy Barrows shows the right instinct to make sure the emotional aspect of the comic is apparent in the art, but overdoes it, while Straczynski alternates between great and cornball dialogue, especially with Superman. There's also the question of how well this sort of story will work as it progresses since one issue of Superman cleaning storerooms and reminding people not to run red lights is fine, but could easily become tedious after a few more. |
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10
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The Playwright #1 |
Jul 13, 2010 |
Together, Wright and Campbell give us a window into the life and world of The Playwright, a man who creates great works of art, but doesn't actually participate in life. Despite the distance in the narration, there's a great emotional impact as the book progresses, underscored by Campbell's art. "The Playwright" is a touching and masterful work that is definitely one of the 'must own' graphic novels of 2010. |
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9
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Godland #32 |
Jul 10, 2010 |
"Gdland" has always had its 'trippy' or ambiguous moments, but none more so than this issue where both Casey and Scioli experiment with their craft to present both a battle and a revelation. What exactly it means isn't 100% clear, but it shouldn't be and it makes for one of the best issues of this consistently fantastic series. |
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6
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Sparta U.S.A. #5 |
Jul 10, 2010 |
The concepts of "Sparta, U.S.A." are strong and interesting, especially the basis for the underground where the Spartans have been raised in subterfuge since birth, but the execution of this issue is scattered and rushed with individually strong scenes not fitting together as a cohesive unit. I'm very interested in seeing how it plays out in next month's finale. |
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9
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Batman and Robin (2009) #13 |
Jul 7, 2010 |
The first issue in "Batman and Robin Must Die!" has a similar feeling to the beginning of "Batman R.I.P." where everything is starting to fall apart and you just have to know what happens next. Paired with an artist as talented as Frazer Irving, Grant Morrison's writing takes on an even more ominous and depressing feeling, like, this time, maybe the bad guys may have a chance. I can't wait until issue 14 to find out. |
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5
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Batman: Odyssey #1 |
Jul 7, 2010 |
It's too early to call Adams' return to Batman a success or failure, obviously, but this first issue isn't the 'knock it out of the park' return to the character that many fans were clamoring for. Adams' art isn't as clear as it once was and the writing is fairly mediocre, but there's something compelling about this issue that will have me buying the second. |
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10
|
Demo, Volume 2 #6 |
Jul 7, 2010 |
In the text piece at the end of the issue, Wood suggests that more "Demo" may happen again in the future and I certainly hope so. I'm not one to insist that writers and artists do work they don't want to do, but I hope that Wood and Cloonan return the series at some point, if only for another six issues, because these short visual stories have been the highlights of whichever Wednesday they've come out on. |
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8
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The Boys #45 |
Jul 7, 2010 |
Some may groan at Ennis coming back to the idea of religion, but the topic is only introduced here with it taking a backseat, for now, to the ongoing subplots of the title. It's some of Ennis's best character writing on the series to date, while Russ Braun joins the book confidently and looking like he's been drawing it all along. And, most of all, the final panel of the comic is the sort that makes you curse and scream that the next issue isn't out for another month. |
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7
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The Great Ten #9 |
Jul 7, 2010 |
It's a shame that "The Great Ten" had to finish one issue short of its promised run, but it does so strongly with some of the best narration of the series. Tony Bedard and Scott McDaniel made these characters come alive over the last nine issues and, hopefully, other creators will pick up where they left off and the Great Ten will make appearances in other DCU books. Their position is unique and, now, who each member of the team is is clear. All in all, it was a good, solid series that showed Tony Bedard's ability to take some simple concepts and flesh them out, and Scott McDaniel's ability to draw energetic, lively superhero comics. |
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8
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Thor: The Mighty Avenger #1 |
Jul 7, 2010 |
It may not be the regular Marvel universe Thor book, but "Thor the Mighty Avenger" #1 is an interesting take on the character and gives you a good idea of what kind of person he is while focusing on Jane Foster as our POV character. Langridge and Samnee work extremely smoothly and well together, like a duo who have been a team for years. If you want a Thor book free of continuity that's just fun, great art, and dynamic character work, give this a look. |
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8
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Abe Sapien (2008): The Abyssal Plain #1 |
Jul 5, 2010 |
You're not likely to find a better looking comic this week than "Abe Sapien: The Abyssal Plan" #1 and the art alone makes it worthwhile. |
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5
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Deadpool Team-Up #892 |
Jul 5, 2010 |
"Deadpool Team-Up" #892 doesn't wow, but it's got a solid premise with some good gags throughout. The biggest problem is that none of them are followed through entirely with Deadpool acting a little too one-note. But, it's an entertaining issue nonetheless. |
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8
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Do Androids Dream of Electric Sheep? Dust to Dust #2 |
Jul 5, 2010 |
I wasn't expecting to like "Dust to Dust" since prequel comic series for novels, TV shows, and movies tend to be pretty bad, but this series has started off strong. Roberson's decision to have the android hunters be an android and an empath give that plot a unique feel, while Robert Adler's art jumps off the page, demanding to be poured over. Fans of Dick's work should read this series. |
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7
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Captain Swing and the Electrical Pirates of Cindery Island #2 |
Jul 2, 2010 |
"Captain Swing" #2 is an issue that throws a lot of information at readers with two of the most important details just slipped in there for fans of Ellis to pick up on. It's still unclear where the plot of this series is going, but it's intriguing and Raulo Caceres draws some gorgeous pages. Many of the ideas aren't new to Ellis comics, but he does approach them from a different perspective, making this a solid addition to his body of work. |
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8
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Thor (2007) #611 |
Jul 2, 2010 |
With Gillen expanding his run to accommodate the delay in the new creative team's run, there was a worry that this storyarc would be nothing but filler, but it comes out of "Siege" effortlessly, acting as an epilogue to the events there. Gillen's shown a great ability to take ideas from previous stories and use them in new and interesting ways, building on what J. Michael Straczynski did on the title and, now, building on his own work. So far, it makes for a nice little run that I'll be sad to see end. |
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7
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Bullet to the Head #1 |
Jun 28, 2010 |
"Bullet to the Head" #1 has the first 26 pages of "Du Plomb dans la Tete" with the main focus on the killing that sets the story into motion. It's an entertaining issue that stops at a somewhat random place and, will no doubt, read better in collection since that's its original form. But, fans of crime comics like "Criminal" should give this a look as it's a looser, more relaxed story so far with a brief spurt of violence carried mostly by two characters just talking about shoes and women. |
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8
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Joe The Barbarian #6 |
Jun 28, 2010 |
While not a work that affects me emotionally greatly, "Joe the Barbarian" is nonetheless an entertaining and intriguing comic. Grant Morrison's writing has depth, while Sean Murphy is making a name for himself that has people talking about him as an artist to watch since he can only get better. |
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6
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Incorruptible #7 |
Jun 25, 2010 |
More than that, there isn't a clear direction in the book. Max Damage becoming a hero is so vague that even the character doesn't quite know what to do. Already, the book suffers from not being entirely sure what to do next, or so it appears. Hopefully, this is just a planned bit of uncertainty as Max finds a narrower focus as there is a lot of potential in this book as the first arc showed. |
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8
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Secret Warriors #17 |
Jun 25, 2010 |
While most of the regular cast (if there is such a thing) doesn't appear in this issue, this arc looks like it will focus on Fury and the Howling Commandos more than anything, and that's established clearly. It's not entirely clear what's happened, but Hickman and Vitti set up an intriguing situation, providing a good mix of lightness and dark, often shifting from one to the other to great effect. Despite the lack of knowing where things are headed, the execution is strong on a single issue level, balancing the needs of the larger story and the immediate serialization. |
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6
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Ultimate Comics Avengers Vol. 2 #4 |
Jun 24, 2010 |
This issue marks a pause before the big fight with the Ghost Rider and it focuses on the team as they prepare. While some parts work, others are too excessive in making their point. All in all, this continues to be an entertaining series that's definitely helped by the quick release schedule. |
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8
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Batman: The Return of Bruce Wayne #3 |
Jun 23, 2010 |
Ultimately, it's hard to go wrong with 'Pirate Batman,' and the team of Morrison and Paquette manage to deliver a better comic than you'd expect. So far, "The Return of Bruce Wayne" has been entertaining and surprising. With this issue completing the first half, there's still a long way to go before Bruce Wayne is back being Batman and I, for one, cannot wait to see what happens next. |
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4
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Azrael (2009) #9 |
Jun 21, 2010 |
While the ideas are fantastic in "Azrael" #9, the execution falls down as the story is cut short. I would have loved to see a longer, more complete presentation of the idea of faith as the eighth deadly sin and Azrael as its embodiment. |
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2
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Dark Wolverine #87 |
Jun 21, 2010 |
"Dark Wolverine" is at its best when Daken and the story have a purpose. When it languishes in these pointless interludes and one-off stories, it descends into pseudo-poetic storytelling that never amounts to anything entertaining or meaningful. |
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7
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Joker's Asylum II: The Mad Hatter #1 |
Jun 21, 2010 |
You won't gain any new insight into the Mad Hatter in this one shot, but it provides everything you do need to know about him. By focusing on what makes him such a madman, Walker gives an easy reference point for the character, and the combination of Giffen and Sienkiewicz on the art reflects the writing perfectly. |
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8
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The Boys #43 |
Jun 20, 2010 |
"The Innocents" has been a mostly jokey arc with Super-Duper as the team of nave superheroes that are fun to laugh at, but it also highlights the heart of "The Boys" in Hughie, a sweet, caring guy that isn't out to hurt superheroes, but is really out to punish those that aren't doing the job they're supposed to. As the series progresses, it's clear that Hughie is Ennis's ideal of a superhero: someone who does the right thing no matter what. It happens to be mine as well. |
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8
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New Avengers (2010) #1 |
Jun 16, 2010 |
"New Avengers" #1 is a continuation of the previous volume, but also a new chapter with Luke Cage setting up his team in Avengers Mansion. No longer on the run, Cage and company now get to be the sort of Avengers team that longtime fans will recognize and gain a sense of legitimacy as a result. A fun, strong opening issue that dives into the action by the end. So far, "The Heroic Age" is off to a very good start, especially in the Avengers' corner of the Marvel universe. |
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8
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The Unwritten #14 |
Jun 15, 2010 |
Things are changing in the world of "The Unwritten" and you never know what will happen on any given page. Carey and Gross have created a world that's malleable to instant changes where they have the freedom to suddenly shift gears and throw a major curveball. Two issues into the second year, they've really begun to use that tool to make this book a genuinely exciting and surprising read. |
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5
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Robert E. Howard's Hawks of Outremer #1 |
Jun 13, 2010 |
Despite its historical setting, "Hawks of Outremer" isn't a large departure from other Robert E. Howard properties like Conan, Solomon Kane, or Krull. The hero at the center is a violent man of action with somewhat heroic motives, surrounded by cowards and decadent rulers. If the entire issue was like the second half, this would be a much stronger read, but the slow start really hampers things. |
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8
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Spider-Man: Fever #3 |
Jun 11, 2010 |
Despite it being published under the Marvel Knights imprint, "Spider-Man: Fever" #3 wraps up a series that reaches back in time and presents a classic team-up story with something for readers of all ages. Brendan McCarthy captures the magic of the Silver Age Marvel books and filters that magic through his sensibilities for one of the most fun and exciting reads of the year. |
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8
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Captain America (2004) #606 |
Jun 10, 2010 |
"Captain America" #606 doesn't change too much from its usual routine, but the addition of Butch Guice to the art gives it a fresh feeling. His blending of different styles and elements make for a visually interesting and compelling comic, while Ed Brubaker's character work is, as always, stellar on this title. |
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7
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Ultimate Comics Avengers Vol. 2 #3 |
Jun 10, 2010 |
After three issues, the second "Ultimate Comics Avengers" book is finally heading in a direction. Two issues of recruitment was a bit much, but this issue introduces the enemy well and sets up the fight for the next three issues well. |
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5
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Batman #700 |
Jun 9, 2010 |
"Batman" #700 has an entertaining story at its heart with a fun gimmick. The three timelines don't mesh together entirely and the fact that Frank Quitely couldn't do all of the pages in his chapter hurts it somewhat, but this is a fun Batman anniversary story. The problem is the packaging that doesn't quite justify the five dollar price tag. Considering the regular $2.99 price, this comic isn't worth |
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6
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Predators #1 |
Jun 9, 2010 |
"Predators" #1 is a slight, but interesting debut to the prequel mini-series for the upcoming movie. The lead story is a series of violent deaths one after another, while the back-up is more character based, but still containing brutality. It will be interesting to see how both stories play out and tie in to the movie, but it is off to a solid start. |
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8
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Avengers Prime #1 |
Jun 2, 2010 |
"Avengers Prime" #1 begins the work of repairing the damage done to the relationship of the three heroes most consider the core of the Avengers: Steve Rogers, Tony Stark, and Thor. Bendis and Davis get things off to a great start by addressing their problems and moving on to the big action stuff and a classic Avengers villain. |
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6
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Avengers: The Origin #3 |
Jun 2, 2010 |
Some may consider books like "Avengers: The Origin" a waste of time, paper, and talent, but Joe Casey and Phil Noto bring a strong level of craft to the material and manage to introduce a few moments that make it rise above the 'expanding on a story everyone knows' level. Casey's Ant-Man or Noto's Asgard are great things that wouldn't happen were it not for this project. I can't wait to see what other intriguing or stunning moments that come out of the two remaining issues. |
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7
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Greek Street #12 |
Jun 2, 2010 |
What stands out most about "Greek Street" #12 is the refreshing nature of the book stepping outside its regular cast to show another person reliving Greek stories. Whether or not Alex will tie into the larger story or if any other of the familiar cast will show up is unknown, but it definitely makes for a nice change of pace. |
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8
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Irredeemable #14 |
Jun 2, 2010 |
In many ways, this issue is just another example of the title's high level of quality, but it also shows a different side of many of the heroes. Their determination and skill in a difficult situation, and their drive to protect the world even if some view them as threats. For a series that's focused on the shortcomings of heroes, this issue is a rare example of a focus on the heroes being heroes, stepping up to do what's necessary and right no matter what. Those threads have always been there, but an entire issue devoted to the idea is needed after so much time wallowing in how heroes can go wrong and fail to live up to their callings. "Irredeemable" is probably the best work of Mark Waid's career and the complexity of the world and its characters is why. |
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7
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Thanos Imperative #1 |
Jun 2, 2010 |
With a better artist, perhaps one that had handled these characters before, "The Thanos Imperative" #1 would have gotten off to a stronger start. The writing of Abnett and Lanning is bold and confident, but hampered by the muddled, cluttered art. |
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5
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Vengeance of the Moon Knight (2009) #9 |
Jun 2, 2010 |
Coming on the heels of the strong Sandman story in "Amazing Spider-Man," this one is a disappointment as it doesn't deliver anything new or different -- except for Juan Jose Ryp, of course. His art translates well to the Marvel style as he's always shown himself very able at detailed characters and backgrounds, and strong action scenes. Hopefully, his talents get put to better use soon. |
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8
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Scalped #38 |
Jun 1, 2010 |
How this issue will affect the larger picture of "Scalped" isn't entirely clear, but the end of the issue shows us, in part, how Wade relates to the rest and he's a very important character --probably the character most wondered about since the series began. As always, "Scalped" is an emotionally turbulent read and a wonderful one at that |
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7
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Do Androids Dream of Electric Sheep? Dust to Dust #1 |
May 27, 2010 |
"Dust to Dust" #1 doesn't do anything dramatically different or wild with the world of "Do Androids Dream of Electric Sheep?" but it introduces some key elements of the world and a similar plot of hunting down rogue androids. The hunters, though, are definitely unique and provide a window into the world that hasn't been seen yet. Fans of Dick's work should enjoy this expansion of the novel. |
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3
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WWE Heroes #3 |
May 27, 2010 |
"WWE Heroes" #3 continues to the ridiculous story involving ancient immortal brothers, a hostage situation, and wrestlers fighting to the death, but it does revel in the insanity at times, allowing for some enjoyment. The final page of the comic is a perfect example of a purely dumb, ridiculous moment that can't help but make you laugh since it is so over the top. |
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8
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7 Psychopaths #1 |
May 26, 2010 |
Fans of European comics, war comics, or Sean Phillips' art should give "7 Psychopaths" a read as it presents a novel idea to the heavily worn concept of assassinating Hitler. The idea and character work demonstrates a lot of promise for the remainder of the story and I'm sure I'm not the only one very interested to see how this mission plays out. |
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8
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Secret Avengers #1 |
May 26, 2010 |
Some disparities between writing and art aside, "Secret Avengers" #1 hits the ground running and never slows down. A great mix of action and intrigue, fans of Brubaker's "Captain America" will no doubt find this comic a great companion book, especially with the plot twist he introduces at the end of the issue. |
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6
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Azrael (2009) #8 |
May 24, 2010 |
A solid superhero book, on the surface "Azrael" #8 doesn't look like it can stand up to a lot of other books on the shelves, but, upon a closer reading, it's compelling and interesting. Plus, the ending is absolutely wonderful. One of the best final pages I've read all year. |
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5
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Creepy Comics #3 |
May 24, 2010 |
The issue is closed out with a very short story about werewolves that's easy to overlook and the reprint story, which is interesting in the question it raises: why would a man so against killing make a disintegration gun? The ending somewhat answers the question, but not really. But, it's a serviceable story in a serviceable issue. Fans of horror comics should find something here, but it's not a comic worth seeking out otherwise. |
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8
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DV8: Gods and Monsters #2 |
May 24, 2010 |
While we don't get an extensive look at the geopolitics of the various tribes, Bliss' story is a good start with the final pages of the issue pushing to another member of the team, Powerhaus. "DV8: Gods and Monsters" #2 builds on the potential shown in the first issue with good writing, great looking art, and a clear direction that's both entertaining and interesting. |
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7
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The Anchor #8 |
May 20, 2010 |
As Hester writes at the end of the comic, "The Anchor" was originally pitched as a graphic novel or six-issue mini-series, so it ending its attempt as an ongoing book at issue eight doesn't deviate from his plans much. As it stands, "The Anchor" was an entertaining action series with some intriguing mysteries -" and it ends well. Hopefully, it will return again in the future since there's definitely potential in the characters for future stories. |
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8
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Avengers (2010) #1 |
May 19, 2010 |
"Avengers" #1 does exactly what it needs to: heralds the beginning of "The Heroic Age" with the reformation of the Avengers. Bendis's writing has the appropriate weight to it and Romita on art helps a great deal in getting the epic feeling across. This is the title that some fans have been clamoring for ever since Bendis wrote "Avengers Disassembled" and it's a fantastic debut. |
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6
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Ultimate Comics Avengers Vol. 2 #2 |
May 19, 2010 |
The idea of a man whose body was weak and feeble finding such liberation in the Hulk formula is an interesting one, but it's barely tossed out here before subsiding to action. Like the first issue with the Punisher, there isn't a whole lot here that necessarily warrants a whole issue. The action is fun, but it's drawn out along with Williams' origin, which is somewhat obvious and tedious in its telling. Thankfully, the end of the issue finally reveals the mission for the Avengers in this arc, so maybe next issue will have things move past the recruitment stage. |
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7
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First Wave #2 |
May 17, 2010 |
Though somewhat scattered still, a growing picture of the plot of "First Wave" is becoming apparent, particularly with the bold and somewhat creepy ending of this issue. Azzarello and Morales make a better team than I thought they would, working in harmony very well. It will be interesting to see where this series goes from here. |
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8
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The Unwritten #13 |
May 16, 2010 |
I nearly gave up on "The Unwritten," but the beginning of its second year is as strong as the beginning of its first. With some basic relationships and foundations laid, Mike Carey and Peter Gross push things forward at a breakneck pace, making for the most exciting issue of the series to date. |
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8
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PunisherMax (2009) #7 |
May 14, 2010 |
The Aaron/Dillon run continues on with the second part of "Bullseye" and it's a very good comic. This version of Bullseye is entertaining and completely mad, and I can't wait to see what he does next in his effort to kill Frank Castle. |
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7
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The Marvels Project #8 |
May 13, 2010 |
The end of the issue offers some hint of future stories springing out of this series and I look forward to that. The best parts of "The Marvels Project" have been when Brubaker has used the bare bones of these characters to craft new stories. Overall, this issue is a solid conclusion to a solid, entertaining series. |
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8
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Dark Avengers #16 |
May 12, 2010 |
Everyone knew "Dark Avengers" wouldn't last forever and it goes out strongly with nearly every character getting his or her moment, and Bendis contributing a final goodbye essay to close things out. For fans of the book, this issue is satisfying and the right way to close the book on Norman Osborn's Avengers. |
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9
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New Avengers Finale #1 |
May 12, 2010 |
While "New Avengers" may be relaunching next month, this giant finale issue seems appropriate and is touching. After so much time hiding, the team finally gets a big victory and shows that they can stand alongside any other Avengers team. The issue also provides closure on the Hood's story, which has been an integral part of the book for the past 30 or so issues, allowing the book and its cast to begin again next month. It's everything you could want from a conclusion to Marvel's premier book of the past five years. |
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3
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Siege (2010) #4 |
May 12, 2010 |
Clocking in at an expanded 30 pages of story, "Siege" #4 feels like it needed more pages at the end to really bring the event and the events of the past five years to a stronger conclusion. Bendis provides some nice feel good moments, but nothing firmly final. That's been his problem with these event books in the past and it continues here, sadly. |
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6
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Zombies vs. Robots Aventure #4 |
May 12, 2010 |
As far as artist showcases go, "Zombies vs. Robots Aventure" #4 is a very solid one with good writing from Chris Ryall that allows each artist to show off his skills best, and each doing so ably. All three artists have a lot of potential and I look forward to seeing their work again in the future. |
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7
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Nemesis: The Imposters #3 |
May 9, 2010 |
With a lot of questions remaining, "Nemesis: The Imposters" #3 sets up the finale well, but, if "Final Crisis Aftermath: Escape" was any indication, not everything will get answered. But, that's okay, because Brandon's writing is bold and confident, unafraid to leave parts of the comic to the reader to fill in. Maybe just asking the question is enough. We'll see. |
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8
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Sparta U.S.A. #3 |
May 9, 2010 |
"Sparta, U.S.A." continues to be a comic that pushes things, combining fantasy elements with social commentary with gossipy intrigue. It's unpredictable and confident in its presentation, an entertaining and insane read. |
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8
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Spider-Man: Fever #2 |
May 9, 2010 |
"Spider-Man: Fever" #2 has both Dr. Strange and Spider-Man progress on their quests, the issue ending with an odd revelation about Spider-Man that should make the final issue very interesting. |
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6
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iZombie (2010) #1 |
May 5, 2010 |
You can't go wrong with a one dollar first issue and "I, Zombie" #1 isn't one to grab your right away, but with art from the Allreds and a few interesting moments, this issue shows that the series has potential. |
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6
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Artifacts #0 |
May 3, 2010 |
It may not be a strong story, but "Artifacts" #0 does introduce the centerpieces of the upcoming Top Cow event and gives readers the necessary information to pick up the first issue. As well, by giving information on all 13 artifacts, there is a mix of known objects and new ones for Top Cow fans to learn about here. All in all, a solid issue to lead into the event. |
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6
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Detective Comics #864 |
Apr 29, 2010 |
That said, this issue of "Detective Comics" follows up on a logical point with Jeremiah Arkham as the Black Mask, exploring how to reconcile that idea with the Arkham that's been a feature in the Bat-titles for years. It's a solid issue with some clever writing in places. |
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8
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Siege (2010): Secret Warriors #1 |
Apr 29, 2010 |
"Siege: Secret Warriors" is mostly an issue of fighting and action, but it has a strong purpose in its connection to the slain Ares and his son. More an epilogue/sequel to "God of Fear, God of War" than a "Siege" tie-in, this issue is a can't miss for fans of "Secret Warriors" as we see a side of Alex that we haven't encountered before |
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6
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Ultimate Comics Avengers Vol. 2 #1 |
Apr 29, 2010 |
The recruiting of Castle is accomplished through interesting means and leads to the return of a costume design no one thought would be seen again. That it shows up here as a somewhat serious change to the character's appearance makes me wonder how much of the issue is meant to be tongue-in-cheek. It's a slow start to this arc, more a Punisher solo comic without a lot of plot than anything else. Hopefully, things pick up next issue with the second new recruit of the team. |
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7
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Conan the Cimmerian #20 |
Apr 28, 2010 |
"Conan the Cimmerian" #20 is a solid issue that continues to tell one of the most popular Conan stories: his greed and pride leading to his downfall. However, with some gorgeous art and Truman's capable writing, it's still entertaining and, even, surprising in places. |
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3
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Green Hornet #3 |
Apr 28, 2010 |
"Green Hornet" #3 is just another issue in this story that will see Britt Reid, Jr. step into his father's shoes and take up the mantle of the Hornet, his father's death the requisite tragedy to make it happen. It's a little clucky and clichd, but the art is dynamic in places and the issue ends on a cute joke. |
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4
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Iron Man 2: Public Identity #1 |
Apr 28, 2010 |
If you're curious about what happens between the two Iron Man movies, give this comic a look. The plot has potential and the characters' voices are spot-on with the movie versions. While the lack of likenesses to the actors is a little off-putting, the art also suffers from inconsistency, but the storytelling is strong. It's a solid comic that's overwhelmed by small problems. |
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5
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X-Force (2008) #26 |
Apr 28, 2010 |
So far, "Second Coming" has mostly been an action-driven story and it's succeeded as such. There's been a nice build as each side has its little victories, but this issue looks to offer Bastion's forces a pretty big win and it doesn't seem earned " for him or the story. It will be interesting to see where the story goes from here with two thirds of it left. |
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9
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Do Anything Volume 1: Jack Kirby Ripped My Flesh #1 |
Apr 26, 2010 |
"Do Anything" may not be like Ellis's other comics writing, but that wasn't the point. Its charms are its own and it's a unique view of a particular period in comics history through the perspective of one of the medium's top talents. For those that read it when serialized and didn't care for it, it reads much better as a whole. If we're lucky, Ellis will come back for another round as his writing here is marvelous and insightful. |
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7
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DV8: Gods and Monsters #1 |
Apr 22, 2010 |
"DV8: Gods and Monsters" #1 sets up the premise of the series well, but doesn't quite deliver on showing the characters interacting. However, the plot set up at the end of the issue suggests that the lack of confrontation between characters will be remedied sooner rather than later. Fans of the original series will no doubt enjoy this and it is new reader friendly for those that missed the original. |
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2
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Superman / Batman (2003) #71 |
Apr 22, 2010 |
"Superman/Batman" #71 brings the "Our Worlds at War" tie-in story, "The Big Noise," to a conclusion with nary a hint of "Our Worlds at War" and a generally inconsistent, sloppy issue. The characters don't seem like themselves, while the plot ends weakly, and the art is messy and increasingly bad as the issue progresses. It's a shame to see a story arc that had a nice, slow build end with such a crash. |
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7
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Captain America: Who Won't Wield The Shield #1 |
Apr 21, 2010 |
(Check out the art in this book! It's some good-looking stuff!) |
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5
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Doomwar (2010) #3 |
Apr 21, 2010 |
Fans of Dr. Doom may want to check out this issue since Maberry does a nice job with the character and sets up an interesting tension for the rest of the story surrounding him, but that's only part of this issue. The remainder is nothing new and reveals little about the characters. Not a bad read, but somewhat dull. |
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6
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Kato Origins #1 |
Apr 21, 2010 |
"Kato Origins" #1 is a good beginning to the series and offers a clear, confident take on the character. The art works best when taken one panel at a time and the narration doesn't come together at the end, but it's engaging and shows promise for the series as a whole. |
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8
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The Spirit Vol. 2 #1 |
Apr 21, 2010 |
"The Spirit" #1 is definitely a comic for art fans with the writing working in service of the art. You won't be disappointed with the likes of Moritat and Bill Sienkiewicz. |
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2
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Deadpool Team-Up #894 |
Apr 16, 2010 |
Given that much of the appeal of both Deadpool and FrankenCastle is the big stupid violence that each gets into, the lack of that here is questionable. The joke that the issue ends on should come at the midway point, because what it suggests next would be entertaining to read. This comic, not so much. |
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4
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World War Hulks: Hulked Out Heroes #1 |
Apr 15, 2010 |
I'm not sure what the logic behind this comic is, but it's definitely one meant for fans of Deadpool, not anyone looking for a bunch of their favorite heroes Hulked out and smashing things. It's still entertaining in a chaotic, stupid way, but has little to do with "World War Hulks" and doesn't deliver on its promise. |
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6
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Doc Savage #1 |
Apr 14, 2010 |
While the "Justice, Inc." second feature outpaces the lead story, "Doc Savage" #1 is a thrilling ride of an issue that doesn't slow down. It follows up on the promise of the "Doc Savage/Batman" special and "First Wave" #1 nicely. |
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7
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Green Hornet: Year One #2 |
Apr 14, 2010 |
"The Green Hornet: Year One" is shaping up to be a better read than Dynamite's pumping out of Green Hornet titles would suggest. Matt Wagner is treading similar ground to his excellent work on "Sandman Mystery Theater," while Aaron Campbell has raised his art to a whole new level. |
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4
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Siege (2010): Captain America #1 |
Apr 14, 2010 |
"Siege: Captain America" is a solid, but forgettable, issue. It's a textbook example of a tie-in issue that adds little to the main crossover, but tells an entertaining story. For "Siege" readers curious about Steve Rogers and James Barnes that aren't reading "Captain America," this could be worth a look, but, for anyone else, it's easily missed. |
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8
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Demo, Volume 2 #3 |
Apr 11, 2010 |
"Demo," though, is still a very welcome addition to the shelves for its brief return. Each issue delivers something new and unexpected, always executed with great skill. Both Wood and Cloonan push themselves on this book to do different types of stories, rarely repeating themselves and that's refreshing. It's one of the books I look forward to most each month. |
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7
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Greek Street #10 |
Apr 11, 2010 |
Those that have stuck with "Greek Street," hoping that the patience would pay off are rewarded in this issue and the last as the series is coming together. While a true sense of direction isn't readily apparent, enough of a connection with the characters has been established that Milligan can play with expectations and their actions carry weight. It's rare that you can say that a comic improves with each issue, but this one does. |
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6
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The Great Ten #6 |
Apr 11, 2010 |
Which is, of course, ironic, since Bedard purposefully keeps her mysterious. The focus on Ghost Fox Killer makes this one of the strongest instances of "Great Ten" telling the story of one of the heroes, but that formula takes away from the larger plot somewhat. Hopefully, it will all tie together nicely in the end, but, here, just past the midway point, things seem on the verge of unraveling. |
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7
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Nemesis: The Imposters #2 |
Apr 9, 2010 |
"Nemesis: The Imposters" is shaping up to be a strong sequel to "Escape" with both Ivan Brandon and Cliff Richards delivering great writing and art. Paranoia in the heart of the DCU makes for an interesting read and the final page manages to turn everything upside down once again. |
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6
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Avengers: The Origin #1 |
Apr 8, 2010 |
It's hard to say if this book is aimed just at continuity nerds or it's meant to be a window into the Avengers' past for newer readers brought in over the past few years by Brian Michael Bendis, but it's a good issue either way. Both Casey and Noto have a flair for combining the bombastic elements of these old stories with modern styles and trappings. There are a few things that don't work, but it's an entertaining read that gives the story of the Avengers' formation a little bit more room to breathe. |
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3
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Vengeance of the Moon Knight (2009) #7 |
Apr 8, 2010 |
"Vengeance of the Moon Knight" #7 has the right elements to be a great comic, but the focus is skewed so that the boring, clichd parts get the emphasis, while the interesting ones are obscured. Instead of using Deadpool to highlight the fractured psyche of Moon Knight and his inner conflict, Deadpool is merely a comedic foil to Marvel's answer to Batman. Well, guess what, there are already Batman comics if people want to read them; This issue shows potential to be something different and good, but isn't. And that's a shame. |
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5
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Electric Ant #1 |
Apr 7, 2010 |
"Electric Ant" #1 is an interesting comic, especially for fans of Philip K. Dick like myself who can compare it to the story and debate over which changes work and which ones don't, but it doesn't offer anything new or different. The story of a man who discovers he's an android is one that people are familiar with; The draw of this story is how Dick plays with that later in the story, so the opening chapter is sure to be the weakest. I'm curious to see how Mack and Alixe handle the rest of the story and think people should stick with it since it should get much more interesting. |
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8
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Incorruptible #4 |
Apr 2, 2010 |
While the 'villain becoming a hero' concept is an inversion of "Irredeemable," Waid also inverts the focus by sticking with Max here while revealing him in a similar manner to the way the Plutonian's true nature has been revealed. It's not a simple case of a bad guy seeing the light, but his selfish desires being directed toward a different goal. This book is an interesting case where the change of character is possibly only superficial, making it a great complement to "Irredeemable." |
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6
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Realm of Kings: Inhumans #5 |
Apr 2, 2010 |
This is a good conclusion to this mini-series, one that sets up events seen in "Guardians of the Galaxy" and puts the Inhumans and Kree in the right place for "The Thanos Imperative." The end of the issue is especially strong, as Abnett and Lanning move past the somewhat clichd morality debates and emphasize Medusa's role as leader. |
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2
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X-Men Forever #20 |
Apr 1, 2010 |
"X-Men Forever" offers up limitless possibilities, but still manages to feel out of touch and restrained while having a hint of insanity below the surface. With a more energetic artist and a restrained writing style, Claremont could be crafting some ballsy comics each month that would blow readers' minds. Instead, he writes comics that are a chore to read and offer nonsensical plot twists. |
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5
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X-Men: Second Coming #1 |
Mar 31, 2010 |
"X-Men: Second Coming" #1 is a good comic taken alone, but, as the beginning of an event crossover, it lacks a necessary flair and feeling of something big happening. Yost and Kyle clearly know these characters and write them well, but the plot is lacking. Hopefully, it's a case of saving the best for later and not indicative of how the story will play out over the next few months. |
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9
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Shuddertown #1 |
Mar 29, 2010 |
The pacing of the first issue is somewhat relaxed and dreamlike. Hernandez seems to drift through it in a daze of pills and mental problems. Is he responsible for the deaths he's investigating? Is he even fit to be a cop? Is he lying to us? "Shuddertown" #1 is a comic that requires close reading and attention and, hopefully, will pay off big time over the course of the series. Nick Spencer continues to be a writer worth watching and Adam Geen makes a great impression here. |
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8
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Supergod #3 |
Mar 29, 2010 |
"Supergod" #3 continues the fascinating series that acts as a template almost for the next batch of superhuman writing, exploring the idea of superhumans as alien, as gods, as something other than the all-too-human characters we're accustomed to. It's one of the most thought-provoking and interesting things Ellis has done. |
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8
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Captain America (2004) #604 |
Mar 26, 2010 |
"Captain America" #604 is another very good issue of the series that builds on what came before without being beholden to it. The story is interesting and I can't wait to see the conclusion after the final page reveal of 1950s Captain America's plan. It's big and crazy in that classic supervillain kind of way and works perfectly. |
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5
|
Avengers: The Initiative #34 |
Mar 24, 2010 |
There's a general sense of padding about the issue, that it's there to simply show what happens between the panels of "Siege" #3 where the important, essential actions happen. This is the leftovers, at least in the second half. It doesn't stand up against other tie-ins that manage to carve their own little corner of the story, showcasing something unique about the event. While the beginning of the issue does that, the second half is largely a repeat of "Siege" #3. It's a decent, solid issue, but somewhat redundant placed so closely to the main "Siege" series when it clearly has more unique ideas and characters to focus on. |
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8
|
Incredibles #7 |
Mar 24, 2010 |
"The Incredibles" definitely makes good use of the cast of characters from the movie and offers a fun, entertaining superhero book free of excessive violence and full of heroism for the sake of heroism. It manages to combine old fashioned superhero fun with modern sensibilities and, sometimes, offers fantastic moments that stand with the best of Marvel and DC. |
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5
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Uncanny X-Men (1963) #522 |
Mar 24, 2010 |
Where the issue ends is exactly where you think it will, although with a twist or two to keep things interesting, and that's fine. The journey there has some nice moments, but becomes a little too focused on making that ending happen no matter what and is hampered by art that doesn't match up to the writing, particularly at the end of the issue. |
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5
|
Breaking into Comics the Marvel Way #2 |
Mar 23, 2010 |
Like the first issue, this one is hit-or-miss, but with a little more miss. Though, the good stories and artists make it worth looking at because some of these artists look like they'll have bright futures. |
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6
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Battlefields: The Firefly and His Majesty #4 |
Mar 18, 2010 |
The idea of a small German unit with depleted supplies fighting against larger forces through skill and superior weaponry is an interesting one, but it's only introduced in this issue. Otherwise, this is a fairly typical Garth Ennis war comic, which is still pretty good, just not up to the standards that he's set. |
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6
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Dark Avengers #15 |
Mar 18, 2010 |
Acting as a supplement and explanation, of sorts, for the Sentry's behavior in "Siege" #3, "Dark Avengers" #15 works to a degree. It continues Bendis' storytelling pattern of dropping hints and presenting incomplete scenes that are answered and filled in later, but this issue doesn't provide enough oomph to really give a payoff. |
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5
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Nova (2007) #35 |
Mar 18, 2010 |
That actually sums up this issue of "Nova" well: no style. It's a mediocre, generic superhero book that lacks the flair of other DnA-penned books. The ending of the issue is the only place where the comic has any real sense of drama and embraces the imaginative skills of the duo. The rest is solid and good, but not anything special. |
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6
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Realm of Kings: Imperial Guard #5 |
Mar 18, 2010 |
One of the biggest strengths of this issue is Abnett and Lanning's ability to find small character moments, giving the series its own, albeit limited, sense of wholeness. Beyond that, it's an action comic that progresses the larger story of the Marvel cosmic universe as it heads towards "The Thanos Imperative," meeting up with one of the subplots in "Guardians of the Galaxy" by the end. As far as perfunctory books go, though, it's pretty good and definitely worth it for that cosmic fan that doesn't mind spending a little extra cash to get a view of the bigger picture. |
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6
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Guardians of the Galaxy (2008) #24 |
Mar 17, 2010 |
"Guardians of the Galaxy" has set a high standard over its two years and this issue falls short a little, but still maintains the entertaining charm that's made it such a joy to read. |
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6
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Breaking into Comics the Marvel Way #1 |
Mar 15, 2010 |
"Breaking into Comics the Marvel Way" #1 offers a look at six artists that may be drawing your favorite books in the coming years and while not all of them look ready for that just yet, all show potential. |
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9
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Daytripper #4 |
Mar 15, 2010 |
"Daytripper" slowly, somehow, continues to improve with each issue, revealing more of Brs' life, always ending with his death. Moon and B craft these small, touching, poetic comics that resonate with one another, building up emotions, and drawing the reader in more and more with each passing page, each passing panel. It shouldn't work, but it does. Boy, does it. |
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8
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PunisherMax (2009) #5 |
Mar 14, 2010 |
The first story arc of "Punishermax" has been a resounding answer to those that thought that Garth Ennis 'ruined' the Punisher for future writers, as Jason Aaron told an emotionally powerful and impactful story using, of all people, Wilson Fisk. And the story's not over as this issue concludes with a set-up for the next arc: "Bullseye." I can't wait. |
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8
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S.W.O.R.D. #5 |
Mar 11, 2010 |
Though it's run was brief, "S.W.O.R.D." told a very entertaining story with the space version of S.H.I.E.L.D., firmly establishing the group within the Marvel Universe and setting up future appearances. The end of this issue features the perfect callback to the first issue and concludes the story (and series) on a sweet moment. If you haven't, you should pick up the complete series at your first chance. |
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7
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Twelve: Spearhead #1 |
Mar 11, 2010 |
While the plot is a little light and typical, Weston's character work and art are superb. "Spearhead" makes for a nice treat to make the wait for more issues of "The Twelve" a little less difficult. |
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3
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Prelude to Deadpool Corps #2 |
Mar 10, 2010 |
If the idea of a kid Deadpool amuses you, this is the comic for you. Gischler doesn't really take advantage of the different world to any strong degree aside from his very good use of Xavier. The writing isn't bad, but the art is such a mismatch for the characters that it drags the comic down a lot. |
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5
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Detective Comics #862 |
Mar 8, 2010 |
While the main story is questionable and unsatisfying despite the good art, the second feature of "Detective Comics" #862 picks up the slack with humor and action. |
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7
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Forgetless #3 |
Mar 8, 2010 |
"Forgetless" continues to surprise, particularly with the twist at the end of lead story in this issue. It's never quite what I expect it to be, and the contrast between the two stories in each issue is interesting. Definitely worth checking out. |
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8
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Sparta U.S.A. #1 |
Mar 5, 2010 |
"Sparta, U.S.A." won't be for everyone as it requires patience and a little effort on the reader's part to understand. However, if Lapham's previous work is any indication, that patience and effort will pay off big time by the time the series is done. |
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3
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Mighty Avengers #34 |
Mar 4, 2010 |
"Mighty Avengers" #34 offers the conclusion to a long-running subplot in the book, but it's rushed and not executed strongly. Loki's presence is required in "Siege" and that story takes precedence, understandably. The issue ends with a big cliffhanger that offers hope for future issues, but this issue is sloppy and a let down. |
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7
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Stephen King's N. #1 |
Mar 4, 2010 |
Like Marvel's other Stephen King adaptations, the creators involved are top notch and that skill translates here. Horror is a very tough genre to do effectively in comics and this issue falters in places because of the static nature of the medium, but Guggenheim and Maleev create tension through N.'s words and how he reacts to what he encounters to get across the frightening elements of the story. It's a great use of a character to stand in for the reader and allow him or her to experience the events of a comic through said character. |
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6
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First Wave #1 |
Mar 3, 2010 |
"First Wave" #1 is a good starting place, but is too scattered to be effective. Given the number of characters and plot threads that Azzarello is looking to introduce, this issue reads like the beginning of a big event book somewhat. The plots that are here look promising, but this issue doesn't offer much more than a taste. |
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6
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Thunderbolts (2006) #141 |
Feb 27, 2010 |
While a clever idea fuels this initial "Siege" tie-in issue and manages to play to the Thunderbolts concept well, too much time is spent on these unlikable characters talking as the vast majority of the issue is spent that way. A small taste of their antagonistic banter is great, but Jeff Parker pushes it too far here and, by the end, it's simply annoying. |
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8
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Usagi Yojimbo #126 |
Feb 26, 2010 |
The end of the issue is a little too cutesy and obvious, but the storytelling to that point is fantastic. If, like me, you haven't yet picked up an issue of "Usagi Yojimbo," #126 is a great way to come to the book and sample Stan Sakai's fantastic art and storytelling skills. |
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6
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Captain Swing and the Electrical Pirates of Cindery Island #1 |
Feb 25, 2010 |
As far as first issues go, a lack of strong plot development is expected, but this one is lighter than most. "Captain Swing and the Electrical Pirates of Cindery Island" #1 is still entertaining and bold in its fearless presentation, unafraid to throw a lot of contextual, historical facts at the reader and hope that he or she can keep up. The mixture of comics and text is effective and, hopefully, is maintained throughout the series. Overall, this issue makes me want to read the next one and that's what matters most. |
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7
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Dark Wolverine #83 |
Feb 24, 2010 |
By building on a lingering idea from a previous Thor story, the "Siege" tie-in arc of "Dark Wolverine" looks like it will work tangentially to the event, existing mostly on its own, expanding on Daken's appearances in "Siege," but also telling its own story. As far as tie-ins go, it's a smart approach that works quite well, especially with Giuseppe Camuncoli on art. |
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7
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Irredeemable #11 |
Feb 24, 2010 |
With the issue dominated by the two scenes focusing on the past, there isn't much room for plot advancement and what little there is seems rushed and incomplete. The issue ends with the promise of revealing Bette Noir's real secret about the Plutonian and, while alluring, it's also a cheat given that this issue revolved around that secret, conveniently postponing it until next issue. "Irredeemable" #11 is another very good issue in the series, but it's bursting with characters and plot strands to the point where it's noticeably straining to include everyone. |
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4
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Spider-Man: The Clone Saga #6 |
Feb 24, 2010 |
While not as satisfying as the concept claimed, "Spider-Man: The Clone Saga" has acted as a nice trip down memory lane (albeit in an altered form) by revising Ben Reilly, Kaine, and the other elements of the original Clone Saga. The final issue delivers a new, different overarching plot explanation and doesn't end completely satisfying, but it is an interesting issue full of action. |
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7
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The Marvels Project #6 |
Feb 23, 2010 |
That said, as a single unit, "The Marvels Project" #6 is a stunning array of dynamic, gorgeous visuals, and interesting narration and character work. As well, the final sequence at the end of the issue is very good and, hopefully, provides some guidance as to where the final two issues of the series will be heading. |
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5
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Superman / Batman (2003) #69 |
Feb 21, 2010 |
Three issues in, the plot of "The Big Noise" is finally picking up as Casey sets up an interesting story with Superman and Batman on one side and an alien shapeshifter on the other. How it plays out should be interesting. |
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2
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Deadpool (2008) #19 |
Feb 19, 2010 |
Given the high standard set by Joe Kelly and Eric Canete four months ago, a return meeting of Deadpool and Spider-Man no doubt has some fans excited and this issue is a let down with a lame plot and even lamer jokes. |
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8
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Power Girl (2009) #9 |
Feb 18, 2010 |
This is a fun, entertaining issue of "Power Girl" that reminds me of a Spider-Man comic if you ignore Kara's lack of romantic problems. Her personal life is a mess and her superhero life isn't much better. To anyone who claims to hate the overly violent and darker superhero comics out there: this is the book for you. |
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6
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Spider-Man 1602 #5 |
Feb 18, 2010 |
"Spider-Man 1602" #5 wraps up this fun and light series strongly with a lot of action and adventure, though the final pages push the 'cutesy' envelope a bit far. Otherwise, if you just want an entertaining adventure comic to read, this book does the job ably. |
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7
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Spider-Woman (2009) #6 |
Feb 18, 2010 |
"Spider-Woman" #6 is one of the strongest issues of the series yet as Bendis and Maleev move the character from self-loathing and living in the shadows to fighting in the day and building her confidence. Jessica Drew is starting to look like the cool superspy/superhero that Bendis has been saying she is for years. |
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7
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Joe The Barbarian #2 |
Feb 17, 2010 |
Morrison's writing isn't bad here as he choreographs many of the changes that Murphy and Stewart pull off so well, but the effectiveness of those techniques is mostly in the hands of the artists. Morrison's development of the fantasy world and its story is very basic, the sort of thing that you've seen before in numerous fantasy stories. While it is the sort of world that a boy Joe's age would think of, not much of it is surprising or up to that level often associated with Morrison. His writing is effective at creating an interesting fantasy story with a neat twist, but without as skilled an artist as Murphy, it wouldn't read nearly as well since, so far, the story hasn't progressed beyond its clever premise yet. |
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6
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Anchor #5 |
Feb 14, 2010 |
Not only does "The Anchor" #5 mark the beginning of the second story arc, it also ships on the same day as the first trade, which collects the first four issues of the series. It may be somewhat stagnate for the beginning of a new story arc, but that also makes this issue a great jumping on point for new readers. |
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9
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Chocolate Cheeks #1 |
Feb 14, 2010 |
If sound effects like "SNEEZEBLOOD!!" or prayer fights make you laugh, "Chocolate Cheeks" by Steven Weissman is definitely up your alley. More than that, Weissman's fantastic art is worth giving this collection a look even if you haven't read previous "Yikes" books. |
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8
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Ultimate Comics Spider-Man (2009) #7 |
Feb 11, 2010 |
The focus on Rick Jones takes away from the promising crammed Parker household and a chance to see what a house with four teenagers (three of them with superpowers) is like. That said, the Jones story is interesting and it allows Bendis to show a side of May not seen. "Ultimate Spider-Man" #7 is entertaining and fun, exactly how a teenage Spider-Man comic should be. |
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8
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Batman and Robin (2009) #8 |
Feb 10, 2010 |
A fun, action-oriented issue that propels the reader forward throughout, "Batman and Robin" #8 plays off the ground work set by Morrison in previous stories effectively and ends with some plot threads hanging for the conclusion of the story, which, thankfully, will be released in only two weeks. I, for one, cannot wait. |
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3
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Human Target (2010) #1 |
Feb 10, 2010 |
All in all, "Human Target" #1 seems like an attempt at DC to cater to the TV show's fanbase, but the execution doesn't replicate anything that makes the show interesting or worth watching. Wein's writing is plodding and slow, especially the narration, and lacks much of the wit and charm without the show's three stars. |
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7
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Ultimate Comics Armor Wars #4 |
Feb 10, 2010 |
"Ultimate Comics Armor Wars" was a fun story and it ends as such. Ellis' Ultimate Tony Stark is a wonderfully entertaining character, one that I could read about every month. |
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9
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Scalped #34 |
Feb 5, 2010 |
"The Gnawing" was promised a game-changer of a story and, with this week's conclusion, it was proven as such. Both Jason Aaron and R. M. Gura delivered their best in this issue by showing just how far Dash and Red Crow will go to save themselves, solving their immediate problems by creating new ones that will have to be dealt with in the future. "Scalped" remains a shocking, gripping comic and the best Vertigo book currently being published. |
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8
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Demo, Volume 2 #1 |
Feb 4, 2010 |
While not a 'knock you on your butt' issue, the debut of the second volume of "Demo" is a very good comic and a worthy continuation of the first series. The comic itself also keeps the same format of the original series with back matter material, including Wood and Cloonan telling us everything we need to know about the first series, process material, and a preview of the next issue. |
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7
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Rise of the Black Lanterns: The Question #37 |
Feb 4, 2010 |
The return of "The Question" for this "Blackest Night" tie-in is an entertaining and clever read, but can't escape the formulaic pattern of every other tie-in issue. Taken alone, it reads much better than when put in context with the event. For fans of the Question (either one), it will surely entertain. |
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6
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Indomitable Iron Man #1 |
Feb 3, 2010 |
The majority of "Indomitable Iron Man" #1 features gorgeous, stunning art by Will Rosado and Howard Chaykin that's well worth the price of admission. After seeing how well the character lends itself to that visual style, you may wonder if Iron Man even needs the reds and golds he's so often associated with. |
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5
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Zorro: Matanzas #1 |
Feb 3, 2010 |
While "Matanzas" doesn't exactly fit together with the ongoing "Zorro" comic stylistically, it makes a good introduction to the characters. The writing just needs a lighter touch and to get to the plot a little quicker. |
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5
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Daredevil (1998) #504 |
Jan 29, 2010 |
Diggles writing doesnt keep up. His scene to scene work is good, but the plotting in this issue is mechanical and clichd. Hopefully, he plans to go somewhere interesting in the future and subvert the story conventions hes falling prey to and this issue will take on new meaning in retrospect, but, taken on its own merits, its not good plotting. |
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7
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Secret Warriors #12 |
Jan 29, 2010 |
Despite the many positives of this issue, its hard to view it as a singular cohesive whole when its so informed by what came before and the scenes included lack the drama and entertainment value they possess for someone whos read every issue. The focus of this series shifts so easily that which characters are shown seems random until the eventual payoff, which may not be for some time. Its a great series to read, but not necessarily one issue at a time. |
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7
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New Avengers #61 |
Jan 28, 2010 |
Overall, a strong issue, but not necessarily one that some readers will be expecting and one that doesnt look close to providing some conclusiveness to the fight between the Hood and the Avengers. |
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7
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Unknown: The Devil Made Flesh #4 |
Jan 28, 2010 |
Waid ends this mystery and case in this, but seems more interested in the larger story of Catherine's obsession than providing a definitive conclusion, leaving some questions unanswered as the final page teases a return to one of the settings of the first series. Getting there, he does show a spark of cruelty by explaining how Catherine, a woman supposedly with only six months to live, has lived over a year now. It's a harsh fate for the world's greatest detective and is the driving point of the next series. In trying to both wrap up "The Devil Made Flesh" and lead into the next series, Waid divides himself and the issue too much, weakening the conclusion, but also ending on a strong teaser that should ensure readers will come back for the next installment of "The Unknown." |
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7
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Transformers: Last Stand of the Wreckers #1 |
Jan 27, 2010 |
"Last Stand of the Wreckers" #1 is a good start as Roche jumps between harsh, decadent, violent scenes and lighter, comedic ones that culminate in the two tones meeting head-on by the end. Longtime fans will be both surprised and happy with the final page of this issue, which is handled with enough skill to win over new readers as well. If the rest of the series follows through on the potential glimpsed here, "Last Stand of the Wreckers" may turn out to be a class Transformers story. |
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6
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Thor (2007) #606 |
Jan 26, 2010 |
The final pages, in particular, read like Gillen is working too hard to set up other stories and not ending this one in its proper place. A less than satisfying ending, though, cant cover for the strong beginning and resolution to the Asgardians fight with Doom. I cant wait to see how Gillen handles these characters over the next three issues during Siege. |
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7
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Rasl #6 |
Jan 25, 2010 |
While the main plot progresses a small amount, the strong focus on Tesla does make this issue feel slighter. Smith's art continues to be top-notch, but, hopefully, March's issue moves things forward more with the background material remaining more in the background. |
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6
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The Darkness (2007): Shadows & Flame #1 |
Jan 25, 2010 |
"The Darkness: Shadows & Flame" takes advantage of the dynastic nature of the Darkness character to tell an interesting and entertaining horror story. While obvious in places, it is nonetheless a well-crafted issue and something for horror fans to keep their eyes out for. |
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2
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Outsiders (2007) #26 |
Jan 21, 2010 |
This isn't exactly an auspicious debut of the DiDio/Tan era on "Outsiders." The writing is dull and bad, while the art is inconsistent and puzzling. The big reveal at the end shows some promise of redemption as it's an interesting idea that could cause further dissension in the group, but considering the state of the Superman books, one has to wonder if the timing is right -- a question that's disheartening considering that the writer of this comic is DC's executive editor. |
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4
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Superman / Batman (2003) #68 |
Jan 21, 2010 |
The comic ends on a high note with an action scene that sets up the next issue well. Hopefully, the story will pick up and continue to only relate to "Our Worlds at War" peripherally. This hasn't been the best way to begin a new run on a title, but it has the promise to deliver a strong story in the long run. |
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4
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Dark Avengers #13 |
Jan 20, 2010 |
Ultimately, Deodato's success can't cover up Bendis' failure to provide strong new insights into the Sentry or his past. The technique of structuring stories so that one or two issues are devoted to filling in the blanks from previous stories is one that Bendis has used several times in the past and it has one big weakness: by the time you reveal the solution to the big mystery, expectations are high and the payoff better be great. It's not here, as most of the time is spent recounting known parts of the Sentry's past and the new revelation is the sort that will make many wonder exactly what Bendis is thinking. |
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7
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Incorruptible #2 |
Jan 20, 2010 |
Two issues in, "Incorruptible" is setting itself apart from the book it has spun out of by taking a more ground-level approach to the world, focusing on the effects of the Plutonian's rampage on a human level. The plot set in motion at the end of the issue is an engaging cliffhanger/teaser for next issue. |
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5
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Nova (2007) #33 |
Jan 20, 2010 |
The art and the writing are a match in "Nova" #33, both very inoffensive, competent, and safe. No new ground is broken, not even much character development of Nova or Darkhawk is advanced, but a lack of originality and stylistic flair are the only faults this book has. It's a perfectly enjoyable, mundane superhero comic, though that's something that Abnett and Lanning haven't produced many of lately. That's what makes this one somewhat disappointing. |
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8
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Muppet Show Comic Book #1 |
Jan 19, 2010 |
While the series of mini-series suggested that "The Muppet Show Comic Book" would be out each month anyway, the launch of an ongoing series by Roger Langridge is a wonderful guarantee. If you like funny jokes, some vaudeville routines, and lovely, gorgeous cartooning, you definitely need to buy this comic. |
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7
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S.W.O.R.D. #3 |
Jan 18, 2010 |
It's sad to see that "S.W.O.R.D." won't be given much of a chance to find its feet or an audience as it has improved with each successive issue. Kieron Gillen and Steven Sanders work very well together and this is the most entertaining that Hank McCoy has been since Grant Morrison was writing him. |
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3
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Weekly World News #1 |
Jan 18, 2010 |
If you try to take "Weekly World News" #1 on its own terms, it doesn't succeed as it doesn't seem to know what it wants to be. By tying together various elements of the tabloid paper, it lacks a central story and reads like a comic version of stupid comedies like "Date Movie" or "Epic Movie" where the point is to cram in as many parody jokes as possible, screw the story or... well, the jokes. It's disappointing because Ryall has shown that he can write weird, funny comics in the past and this isn't up to those standards. Though, the offering of two versions (color or black and white newsprint) and the additional backmatter material do help. |
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7
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Absolution #6 |
Jan 17, 2010 |
The second half of the comic isn't just a let down because of the art, as the writing falls short there as well. While the initial discussion between John and Chris is powerful and some of the best work I've read of Christos Gage, the complexity and reality of the situation is pushed aside for a far more simple and open-ended conclusion. Not entirely a failure, the final pages certainly lack the maturity and fearlessness of the opening pages. Unfortunately, those final impressions are what the reader is left with of "Absolution," a book that came close to being great but settled for being good. |
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5
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Conan the Cimmerian: The Weight of the Crown #1 |
Jan 14, 2010 |
Given Robertson's lack of writing experience, a more minimalist approach to the narration would have worked better than what's done in "The Weight of the Crown" where the only scenes that really rise above the level of mediocre tedium are the battles. |
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4
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Nation X #2 |
Jan 14, 2010 |
"Nation X" #2 is a mixed bag anthology issue that should deliver for longtime X-fans, but lacks the space to really deliver on the promise of some of the stories. |
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5
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Amazing Spider-Man Presents Jackpot #1 |
Jan 12, 2010 |
There are a couple of interesting asides that give the book some value: the idea that Ehret is deliberately underachieving, by only going after regular, unpowered villains; the fact that she's a superheroine who is also a mother; the look at her time spent with The Initiative; and the application of her training, with the question of whether it's really adequate. Any of these things could have been turned into a strong center for a Jackpot series, but instead it's a fairly generic story in the Spider-Man format, and a bit of a wasted opportunity for it. |
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6
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Jonah Hex (2006) #51 |
Jan 12, 2010 |
"Jonah Hex" #51 is a pleasant read that won't be making any 'best of the year' lists, but also won't make you wish you'd spent your three bucks on something else. |
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4
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Spider-Man Noir: Eyes Without a Face #2 |
Jan 12, 2010 |
The number of plots intertwined in this comic is rather large, which works against it somewhat, overcomplicating things too much. It seems that every aspect of both Peter Parker and Spider-Man's lives relate, somehow, to the experiments of Dr. Octavius on African Americans, too large a coincidence to dismiss. Both his personal and professional lives are caught up in this plot through various links like Robbie Robertson or the underground club he happens to bust being a storage facility for the heinous acts. |
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5
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The Great Ten #3 |
Jan 8, 2010 |
For some, "The Great Ten" #3 will seem like a 'fun' comic thanks to its purposeful patterning of Thundermind on Superman in virtually every detail (even the choice of occupation as a school teacher suggests numerous similarities to a journalist), but it is too purposeful to be anything except cute and somewhat misguided. |
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3
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Deadpool Team-Up #897 |
Jan 7, 2010 |
Fans of Deadpool will find something to enjoy in this comic (namely, Deadpool) and, perhaps, fans of Ghost Rider will as well but, for anyone else, this is nothing more than a mundane team-up book that fails to reach the expectations set by the quick, one-sentence summary of "Deadpool and the Ghost Riders fight a demonically possessed |
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5
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Siege: Embedded #1 |
Jan 5, 2010 |
"Siege: Embedded" #1 provides two plots for future issues to follow up on, both of which show potential. This issue, unfortunately, presents neither well. The Urich plot is fuelled by coincidence and a sense of unavoidability, while the Keller plot doesn't have a chance to get going. Hopefully, as "Siege" moves forward, the possibilities presented here will be exploited. |
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5
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Star Trek: Deep Space 9: Fool's Gold #1 |
Dec 28, 2009 |
Honestly, this issue is mostly mediocre storytelling from the writers and artist aside from any use of Odo who seems to be the only character anyone involved truly understands and can use to good effect. Perhaps, when this is over, the creative team should just work on an Odo solo story since that's where their strengths lie. Until then, "Fool's Gold" is fairly average, but does have an intriguing mystery to be solved. |
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8
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Guardians of the Galaxy (2008) #21 |
Dec 23, 2009 |
"Guardians of the Galaxy" is the book you want to be reading if you want action, excitement, drama, and a sense that anything can happen. Two issues ago, half of the team died and, in this issue, it looks like another death may not be far off. This title is consistently one of the best superhero comics Marvel produces. |
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7
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The Last Days of American Crime #1 |
Dec 23, 2009 |
"The Last Days of American Crime" #1 is a good first issue that sets up the world and the crime at hand well. If you enjoy "Criminal" and other crimes books, you'll probably get a kick out of this. |
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8
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Uncanny X-Men (1963) #519 |
Dec 23, 2009 |
On the whole, this issue makes Scott Summers look more impressive and able than ever, while also establishing Magneto as an equally capable ally. Definitely one of the strongest issues of Fraction's run that I've read. |
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7
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Powers Vol. 3 #2 |
Dec 22, 2009 |
While new readers may come to this book expecting lots of police action, this issue breaks from that element of the series for much of it, delivering old school superhero action that's very well done. Too much of the issue is given over to that without much actual payoff, but it's still quite entertaining. And the issue ends with a fantastic cliffhanger. |
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1
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What If? (2009): Spider-Man: House of M #1 |
Dec 22, 2009 |
"What If? Spider-Man: House of M" looked to be one of the strongest books in this year's crop of "What If?" titles with a strong emotional hook that wasn't explored before, but, in the first story, it's shunted to the side in favor of a reality-in-peril tale that isn't specific to these characters and, in the second, is rushed to the point of being nonsensical. Do yourself a favor and don't buy this comic. |
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1
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Hulk (2008) #18 |
Dec 19, 2009 |
It's hard to do insightful when the message of the book is forget intelligence and embrace big stupid fighting and your artist is known for pin-ups not storytelling. Perhaps if there were a stronger case presented here for why Samson takes this ill-advised turn, this issue would be more tolerable, but it comes across as undoing much of the work done by previous writers and striping the character of the elements that make him interesting. Then again, if "Hulk" was lacking anything, it was angry, stupid guys who just want to fight. |
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7
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Power Girl (2009) #7 |
Dec 19, 2009 |
A solid, intriguing issue that simply lacks an original plot to really make it shine. Working with the limitations and clichd nature of the story, Gray, Palmiotti, and Connor get as much entertainment and humor out of it that they can, but it's not as much as they're obviously capable of. But, the issue ends on a strong cliffhanger, so I'll make sure to be back next month and all of you should join me. |
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7
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What If? (2009): Daredevil vs. Elektra #1 |
Dec 19, 2009 |
Fans of Daredevil should enjoy "What If? Daredevil vs. Elektra" #1 as it provides a stark contrast to what actually happened and throws in a lot of Easter eggs for the knowledgeable reader. It also happens to be a pretty good read. |
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9
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Godland #30 |
Dec 17, 2009 |
As "Gdland" approaches its end, the stakes get raised in story, and surrounding the story, as metaphysical and metafictional questions get asked. Let's just hope that the universe survives long enough for the answers. |
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5
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The Authority: The Lost Year #4 |
Dec 17, 2009 |
As with last issue, Darick Robertson's art is butchered by the sketchy, rough, heavyhanded, ugly inks of Trevor Scott. The shark on the first page of the issue is, sadly, the best-looking drawing in the entire comic as even the basic compositions of most characters and scenes look rushed by Robertson. That incomplete look of the art matches the writing well since it means that everything about this comic screams wanting to just get this story done with, which is a shame, because this was a story with lots of potential. At least, it had potential when Grant Morrison and Gene Ha left it at the end of issue two. Maybe now that the initial story arc is done, Giffen can further escape Morrison's shadow and influence and tell the stories he wants to. |
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7
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Dark X-Men #2 |
Dec 16, 2009 |
"Dark X-Men" is a good comic, but the slow pace makes it drag a little. However, Cornell and Kirk's strong character work nearly makes the slower pace worth it as we get to spend more time with this diverse cast and get inside their heads a bit |
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7
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The Unwritten #8 |
Dec 15, 2009 |
While an interesting issue, "The Unwritten" #8's deviation from the main plot hurts it, as what we learn regarding the warden isn't extremely revelatory. We already knew he had issues with Taylor because of his children, all that's expanded here is how extremely devoted his children are to the Tommy Taylor books. It's still a good read, but not as strong as other issues. |
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1
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Magog #4 |
Dec 11, 2009 |
"Magog" #4 offers little entertainment value since it is devoid of character development, a plot that engages, and aesthetically-pleasing or technically competent art. When this series was announced, many wondered why oh why DC would publish a Magog comic series. After reading this issue the only answer I can offer is because they can. |
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6
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X-Men Forever #13 |
Dec 11, 2009 |
"X-Men Forever" is clearly for a specialized audience and it hits the right beats. It doesn't match up with Claremont's best "X-Men" work, but very little does. The freedom Claremont exercises here gives the book a feeling that anything can happen, allowing the cliffhanger to come out of nowhere and work well. A fine, solid read for those that miss comics like they used to be. |
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6
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Pilot Season: Murderer #1 |
Dec 9, 2009 |
"Pilot Season: Murderer" #1 has a strong hook, but doesn't develop the protagonist enough, nor does it depict his power to hear/see thoughts effectively. However, it does make me want to see more as the concept is good and I'm curious what a series about Jason would be like. |
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6
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Existence 3.0 #1 |
Dec 8, 2009 |
With the strong immediate hook of the first series, "Existence 3.0" #1 gets off to a slow, less engaging start. Ron Salas's art is still very fluid in conveying action, and he does a fantastic job with the opening, but after the two-page spread that completes the sequence, the issue sinks. Hopefully, things pick up since the concept is good and these creators delivered last time. It would be a shame for this to turn out to be the bad sequel that shouldn't have been made. |
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4
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Glamourpuss #10 |
Dec 8, 2009 |
While the issue does make an attempt to tie together Drake's marriage to Bunny with the strip and the larger concept of an artist meeting and becoming involved with a real person who resembles/embodies his creation, it isn't a strong enough concept to pull everything together. Sim's own morality can't help but come through strongly, particularly when he responds directly to Woody Allen's quote "The heart wants what the heart wants." After nine fantastic issues, "glamourpuss" delivers a bit of a dud, but still remains a unique and stimulating comic. |
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8
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The Boys #37 |
Dec 7, 2009 |
After a long string of serious stories with a joke thrown in here or there, "The Boys" #37 a good break issue where the Frenchman tells Hughie a possibly true, possibly false story of his past that is sweet, sad, and very funny. It plays to the comedic strengths of both Ennis and Robertson, giving a full-on showing of how funny they can be, which we've gotten tastes of throughout the series, but, finally, a full issue devoted to it. |
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8
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Dark Avengers Annual #1 |
Dec 2, 2009 |
Despite the added dollar price tag, "Dark Avengers" Annual #1 is a must for any fan of the title or Noh-Varr, and is a very good comic otherwise. And, as an added bonus, the final page of this issue may just turn out to be the most talked about page from Marvel this week. |
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8
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Siege (2010): The Cabal #1 |
Dec 2, 2009 |
As a prologue to "Siege" and the turning point of "Dark Reign," "Siege: The Cabal" works quite well. While there are some convenient storytelling choices, like never seeing how Osborn's secret weapon is directly, it's a good way to kick things off. "Siege" is apparently the last of the big Marvel events for a while and it's looking good so far. |
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9
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Criminal: The Sinners #2 |
Dec 1, 2009 |
"Criminal: The Sinners" #2 is a very good comic, although I must admit that the end of this issue has the plot twist in a way that I'm not sure about. Then again, this title has never steered me wrong and it doesn't look like it will start soon. |
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4
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What If? (2009): Secret Invasion #1 |
Dec 1, 2009 |
Overall, the first of this year's batch of "What If?" titles is disappointing in its focus on Norman Osborn, a character who was only important at the end of "Secret Invasion," it lack of imagination, and its generic, dull art. |
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5
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Skaar: Son Of Hulk (2008) #17 |
Nov 29, 2009 |
While not a strong issue on the whole, the scene between Hiro-Kala and Galactus makes this issue much better and makes the appeal of the upcoming "Realm of Kings: Son of Hulk" series more apparent. Most readers may not know much about Hiro-Kala, but this issue clearly shows that he will be making an impact over the coming months and will be a fine addition to Marvel's cosmic characters. |
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9
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Chew #6 |
Nov 26, 2009 |
So, in summation, I was wrong. "Chew" #6 is a very good, very funny comic book, and I am a very stupid man sometimes. But, I'm also glad I was wrong in this case, because it means that "Chew" is a comic worth reading, one that I plan to read monthly now, and that's a pretty great thing. If, like me, you avoided this book for whatever reason, go buy this issue and join me in hopping on the "Chew" bandwagon... better late than never, right? |
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8
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Fantastic Four (1998) #573 |
Nov 26, 2009 |
With this done-in-one issue of "Fantastic Four," Jonathan Hickman blends big ideas and smart character work to deliver a great read that takes a somewhat boring concept like Nu-Earth and adds a twist to it that sets it up as another unique and alien location in the Marvel universe. |
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7
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Thor: Defining Moments Giant-Size #1 |
Nov 25, 2009 |
I won't comment on the preview to next week's issue of "Thor," leaving that to whoever reviews it, but Kieron Gillen and Billy Tan have their work cut out for them, as Straczynski leaves the book he relaunched in the top ten and does so with class in an issue that acts as a reminder of the quality of his run. |
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5
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Star Trek: The Next Generation: Ghosts #1 |
Nov 24, 2009 |
On the whole, "Ghosts" #1 isn't an inspiring beginning since it reads like the first act of a fairly forgettable episode, but it does show some potential and very well could turn out to be a classic "Next Generation" story. |
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5
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The Authority: The Lost Year #3 |
Nov 22, 2009 |
"The Authority: The Lost Year" #3 is, as I said earlier, not a bad comic, it's a mediocre one that would normally fade into the background with the rest of the mediocre comics that litter the racks had it not such a storied history and the potential of an unrealized alternate run to compete with. Perhaps the series will recover as time goes on and it distances itself from what might have been, and Keith Giffen distances himself from direct comparisons to Grant Morrison, but this issue doesn't inspire confidence. |
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3
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The Brave and the Bold (2007) #29 |
Nov 22, 2009 |
So far, Straczynski's "The Brave and the Bold" run has been one misfire issue after another as he writes patronizing stories that offer little entertainment or insight. If this is meant to be a modern spin on mismatched superhero team-ups that also instill morals in kids, maybe he is right and we should long for the '60s. |
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7
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Dark Reign: The List (2009): Amazing Spider-Man #1 |
Nov 19, 2009 |
The end of the issue is a little hokey, but still satisfying as Slott manages to keep things from getting too out of hand. Also included is a reprint of "The Pulse" #5, which featured Norman Osborn's public outing as the Green Goblin in a confrontation between Spider-Man and Luke Cage. The juxtaposition of Osborn then and now is fun to see as it's only been a few years since then. Overall, this is a strong conclusion to the "Dark Reign: The List" one-shots and teases Osborn's downfall in "Siege" well, showing the first big chink in his armor since "Dark Reign" began a year ago. |
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9
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Irredeemable #8 |
Nov 19, 2009 |
While "Irredeemable" may have began as a simple 'Superman turns evil' story (or, at least, appeared as such), it has become a complex and nuanced examination of what being a hero requires and what happens if someone isn't capable of living up to that standard. Mark Waid is doing career-best writing and Peter Krause is proving that he will be a fan-favorite artist some day. This is simply one of the best comics month after month. |
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7
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The Good, the Bad and the Ugly #5 |
Nov 17, 2009 |
(Ladies and gentlemen, CBR's preview of Esteve Polls' art!) |
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8
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Supergod #1 |
Nov 13, 2009 |
Less a proper narrative and more a history lecture, "Supergod" #1 is about ideas, not characters. How much you can get interested in those ideas will determine how much you'll enjoy this book. Ellis' writing is inventive and unique and, if this series continues with the ideas introduced here, "Supergod" may be a template, of sorts, for numerous superhuman stories in the near future. |
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8
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PunisherMax (2009) #1 |
Nov 12, 2009 |
"Punishermax" #1 can't help but draw comparisons to Garth Ennis's work on the title, and Jason Aaron never seems to try and escape those comparisons. Ennis is the elephant in the room, but, after a few issues, his presence will fade, particularly because Aaron and Dillon deliver a great first issue here and it doesn't look like they'll stop with the quality anytime soon. Once again, the mature readers Punisher comic is a must read. |
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5
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Batman / Doc Savage Special #1 |
Nov 11, 2009 |
Included after the story are sketches by Rags Morales for "First Wave" with descriptions by Azzarello and, honestly, these do more to entice than the comic itself. It's hard to judge how "First Wave" will read with the full, larger cast, but if this special is any indication, expect mediocrity. |
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3
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Amazing Spider-Man (1999) #610 |
Nov 10, 2009 |
As a fan of Ben Reilly and the Clone Saga, I had high hopes for "Who is Ben Reilly?" but it's a go-nowhere story that collapses under its own overly complicated plot, much like the original Clone Saga. Marc Guggenheim has done some good work on "Amazing Spider-Man" over the past 20 months and it's a shame that this is how he leaves the book. |
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6
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Greek Street #5 |
Nov 10, 2009 |
While a good issue, it's disappointing that, after five issues and one story arc, what "Greek Street" is all about and where it is going isn't entirely clear. The ambition of the book is laudable, but without interesting, complete stories along the way, that ambition may not get realized. |
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7
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Captain America: Reborn #4 |
Nov 9, 2009 |
This series has been building to the return of Steve Rogers and this issue takes things one step closer. It's more mechanical than previous issues, but it's still a great read and the Hitch/Guice art is simply gorgeous as you can see in the preview pages. If only most event books were as good as "Reborn"... |
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4
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The Boys: Herogasm #6 |
Nov 7, 2009 |
If "Herogasm" had been four issues, it would have been much stronger and this conclusion wouldn't come off as weak and anti-climactic as it does. But, for a six-issue story, it needs to end on high note, on something that leaves things changed, and that doesn't happen. A throwaway fun "Boys" story is great, just not six issues great. |
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8
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Act-i-vate Primer #1 |
Nov 5, 2009 |
In a book of this sort, it's hard to pick out best and worst strips since that will depend on what genres and types of stories you enjoy, but, as I said earlier, there is plenty here that everyone will enjoy. An eclectic, sprawling anthology, "Act-i-vate Primer" showcases the best that Act-i-vate's got and, as Warren Ellis notes in his foreword, at the bare minimum, you can think of this as helping some cartoonists keep putting out quality work online for free -" and get plenty of great comics in the process. |
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7
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The Great Ten #1 |
Nov 4, 2009 |
Despite the art, "The Great Ten" #1 is a strong start to this series as Bedard sets the stage for a conflict between the China of old and the China of the twentieth and twenty-first centuries with a split within to the Great Ten itself to mark the conflict. The issue ends on a strong note, introducing a new enemy that could give the Great Ten considerable problems. It may be a few years late, but the Great Ten's series is a winner. |
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8
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Ignition City #5 |
Nov 1, 2009 |
"Ignition City" #5 concludes with a caption that says "The end," but it would have been fitting to see the words "A beginning" since this issue ends with the setting up of a different status quo for the former space heroes and Mary Raven, one that makes sense and introduces some good story possibilities. While Ellis has said that he doesn't plan to follow up on "Ignition City" in the near future, hopefully he will revisit the concept since it has potential for future mini-series. |
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4
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Blackest Night #4 |
Oct 28, 2009 |
If this were a tie-in issue to "Blackest Night," I would be kinder since it is a generally competent, inoffensive comic, but as the fourth issue in the main series, it lacks drama and a genuine feeling of importance until the final pages. "Cool, right?" Not really, no. |
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8
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Dark Reign: The List (2009): Wolverine #1 |
Oct 28, 2009 |
"Dark Reign: The List " Wolverine" isn't essential reading for those following "Dark Reign," but it is a fun and entertaining read as Jason Aaron and Esad Ribic team up two of Grant Morrison's Marvel creations and just let them go wild. It is definitely worth picking up. |
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7
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Ultimate Comics Armor Wars #2 |
Oct 28, 2009 |
"Ultimate Comics Armor Wars" #2 shows the beginning of Tony Stark's quest to retrieve his stolen technology and, as such, is more a plot function than entertaining story piece, but Warren Ellis' writing is sharp and witty enough to carry the issue through the more subdued plot. |
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6
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Ultimate Comics Avengers #3 |
Oct 27, 2009 |
Halfway through the book's first arc, all of the pieces have finally been put in place after last issue gave us the origin of the Red Skull and this issue gives us the introduction of Nick Fury's Avengers team. Millar's writing may not be for everyone, but that this black ops group truly is a darker version of the Ultimates is a smart move and seems like a strategy Fury would use. |
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7
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Underground #2 |
Oct 25, 2009 |
While not as engaging as the first issue, "Underground" continues to be a very good read as the issue ends on a cliffhanger and the art knocks my socks off. |
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5
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Dark Avengers #10 |
Oct 22, 2009 |
Despite the various problems of this issue, the second half does show improvement and the ending is very promising -" and in a way that Bendis has to follow-up on next month. "Dark Avengers" has been a solid, above average book so one lackluster issue isn't something to get too worried about, but this one is a misfire. |
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1
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Dark Wolverine #79 |
Oct 22, 2009 |
After a very good first story arc, "Dark Wolverine" looked like this year's front runner for the 'best comic that looked like a lame cash grab but is actually rather good' award, but this arc is drawn by a terrible amateur who hasn't come close to mastering the basics and features a story that has no clear purpose or point. What happened? |
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8
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Final Crisis Aftermath: Dance #6 |
Oct 21, 2009 |
While one subplot is resolved in a somewhat odd and unbelievable fashion, "Dance" #6 is a strong conclusion to the series as Casey brings his exploration of this young superhero team to its logical endpoint, while also suggesting a bright future for the group. With any hope, they won't be absent from comic shops for very long. |
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7
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Spider-Woman (2009) #2 |
Oct 21, 2009 |
Not quite at the level of quality most would expect of a Bendis/Maleev book yet, "Spider-Woman" #2 is an improvement on the first issue and, hopefully, that trend will continue. The plot is intriguing and Jessica Drew's character is being given chances to show who she is rather than telling us, it makes for an entertaining read. |
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8
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Scalped #32 |
Oct 17, 2009 |
Like most middle chapters, this part of "The Gnawing" is mostly about moving things along, but Aaron and Gura do that with great skill, embracing the speed with which things are happening now, piling it all up so it can fall over in future issues. It's not just treading water, padding things out, as the issue ends with a few big changes as a new alliance is formed and trouble continues to approach the reservation. If you're not reading "Scalped," what are you reading and how is it better? |
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7
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Final Crisis Aftermath: Escape #6 |
Oct 14, 2009 |
While the conclusion of this series doesn't live up to its potential, there are still plenty of intriguing concepts and ideas that suggest that the Global Peace Agency and Tom Tresser will play a big role in the DCU's future, and that both Ivan Brandon and Cliff Richards are creators that should be watched. |
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7
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Gravel #14 |
Oct 14, 2009 |
Ending the second story arc of the series, "Gravel" #14 does a good job of putting what came before behind it while also building on it for the next story. This book has brought the character a long way from simple SAS officer who moonlighted as a combat magician for beer money and the next arc looks like it will be even more surprising. |
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7
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Sweet Tooth #2 |
Oct 11, 2009 |
With "Young Liars" ended, it is nice to see that Vertigo has introduced another book driven by a singular creative vision and Jeff Lemire's work is strong and confident, and not exactly what you'd expect from Vertigo, in a good way. |
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6
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Ghost Riders: Heavens On Fire (2009) #3 |
Oct 9, 2009 |
(Roland Boschi and Dan Brown do good work. See for yourself in CBR's preview.) |
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8
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Dark Reign: Zodiac #3 |
Oct 8, 2009 |
Hopefully, this isn't the last we see of this new Zodiac and his gang as this series shows a lot of promise for a villain that's in it just to screw with people and cause destruction for the sake of destruction, especially now that the bad guys are the good guys and the good guys are, well, still good guys. |
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7
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Project Superpowers: Meet the Bad Guys #2 |
Oct 8, 2009 |
The character work on the Fighting Yank, in contrast to that of the Revolutionary, is strong, this issue acting more as a spotlight for him than the Revolutionary. Along with Jim Krueger and Doug Klauba's two-page origin story at the end of the issue, the Fighting Yank's past and character are explained very well. With him set up so well and the Revolutionary just introduced, this issue reads more like the first issue of a longer story. Hopefully, that story will be told sooner than later as it has the potential to be a great read. |
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4
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Strange Adventures (2009) #8 |
Oct 8, 2009 |
Those who've stuck with Starlin through "Mystery in Space," "Rann-Thanagar Holy War," and, now, "Strange Adventures" receive little payoff as the story is left in limbo for a possible return in the future or for some other writer to pick up. |
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8
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Planetary #27 |
Oct 7, 2009 |
This final issue acts as an epilogue, part finale, part reunion show, one last piece of unfinished business, one last chance to see these characters interact, and for the fantastic team of Ellis, Cassaday, and Martin to collaborate. In some ways, it's superfluous, just an issue for the fans, but what's wrong with that? A story as big and sweeping as "Planetary" deserves one last send-off, 28 pages of story wrapped in the beautiful fold-out cover by Cassaday and Martin that manages to work in the entire series in its own way. I, for one, cannot wait to finally reread the entire series -" so if DC could hurry up with that second Absolute volume, I would appreciate it. |
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7
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Sherlock Holmes #5 |
Oct 5, 2009 |
"Sherlock Holmes" #5 wraps up "The Trial of Sherlock Holmes," bringing together all of the loose threads and ending in a typical Holmesean fashion. An entertaining and interesting read. |
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3
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Haunt #1 |
Oct 4, 2009 |
As I said at the beginning of this review, if this book appeals to you because you're a fan of McFarlane and his work, you'll probably enjoy "Haunt" #1. If you're not, you'll most likely find this a pointless comic that never really offers anything new and feels like a bad joke. |
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8
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Secret Warriors #8 |
Oct 1, 2009 |
As always, "Secret Warriors" surprises and builds to a cliffhanger conclusion that doesn't feel forced but makes you want to come back next issue to see what happens. With "Dark Reign " The List: Secret Warriors" shipping next week, the wait won't be long, thankfully. |
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3
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Die Hard: Year One #1 |
Sep 30, 2009 |
A disappointing debut, "Die Hard: Year One" #1 falls victim to overwritten captions that slow the issue down, while the plot doesn't actually get going until the final pages. There's, honestly, not a lot here that says that the second issue is a must read. Worst of all, the tone here doesn't match up with that of the "Die Hard" movies, and isn't that the point of this comic? |
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5
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Spider-Man: The Clone Saga #1 |
Sep 30, 2009 |
Six issues of this story may be too much for some, but this issue suggests that they may not be enough to allow this story to be told at a smoother pace. This issue feels like the story is on fast-forward as Mackie and DeFalco try to cram it all in. Ironically, the first Spider-Clone Saga went too long and "Spider-Man: The Clone Saga" looks like it will be too short. |
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7
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Thor (2007) #603 |
Sep 30, 2009 |
Straczynski and Djurdjevic deliver a solid, good issue of "Thor" as it approaches the end of Straczynski's tenure on the book. Loki's intricate plot move towards killing Thor once and for all, and the issue ends with a cliffhanger that gives hope that all is not lost yet. |
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8
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Existence 2.0 #3 |
Sep 29, 2009 |
"Existence 2.0" #3 concludes this series with lots of action, shocking revelations, numerous double-crosses, and then comes screaming to an end that will rip your heart out. With "Existence 3.0" on the way, I'm left wondering how Spencer and Salas can follow this up, but I'm eager to find out. |
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8
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Detective Comics #857 |
Sep 24, 2009 |
"Detective Comics" #857 continues to thrill with bold, inventive art from both the main team of Williams and Stewart, and the second feature team of Hamner and McCaig. Rucka writing both gives the issue a uniformity, but the artists are the stars here. |
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8
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No Hero #7 |
Sep 24, 2009 |
The second part of Ellis's superhero trilogy of works for Avatar, "No Hero" concludes in a disturbing combination of violence and horrible consequences. |
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2
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Superman / Batman (2003) #64 |
Sep 24, 2009 |
Maybe now that this issue is out, we'll find out what "The Big Noise" is, but, until then, this comic is a bit of a mystery -" and not a compelling one. |
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9
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Bart Simpson's Treehouse of Horror #15 |
Sep 23, 2009 |
An unexpected delight, "Bart Simpson's Treehouse of Horror" #15 is a must read if you want to spend half an hour laughing as the indie comics scene injects some much needed humor and weirdness to the concept. |
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6
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Spider-Woman (2009) #1 |
Sep 22, 2009 |
Divorced from the impetus for this series, "Spider-Woman" #1 isn't as powerful as it could have been, coming off as overly melodramatic based on the way that Jessica Drew has been portrayed since the end of "Secret Invasion." The added pages for this issue help as the second half is better than the first as Jessica leaves her self-pity behind to focus on her mission at hand. Hopefully, future issues will continue in that direction as this constant 'My life is so bad' narration doesn't work without some actual evidence of hardship. |
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8
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Unthinkable #5 |
Sep 17, 2009 |
The conclusion of "Unthinkable" #5 leaves the door open for future stories in a chilling fashion. Hopefully, this isn't the last we see of Mark Sable and Julian Totino Tedesco's creation as this series has been surprising, fast-paced, inventive, and brilliantly executed. A smarter, more chilling version of "24." |
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5
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Batgirl (2009) #2 |
Sep 16, 2009 |
"Batgirl" #2 has many of the right components for a quality book: interesting characters with unique perspectives and motives, a solid art team, and a great overlying concept. But, the pacing of the issue makes it hard to find an entrance point and leads to confusing, jumbled scenes. If Miller would slow down a little, I'm sure this could be one of DC's better books. |
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7
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Ultimate Comics Armor Wars #1 |
Sep 16, 2009 |
While the idea of redoing this Iron Man story again may not appeal to some, the writing of Warren Ellis should assuage doubts. His writing of Tony Stark is top-notch and he introduces the plot well, assisted by Steve Kurth's realistic art. This series looks to be an entertaining read. |
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8
|
Lone Ranger #18 |
Sep 15, 2009 |
Believe the hype with "The Lone Ranger," as it's a very good read, a strongly visual one that demands you slow down and appreciate the gorgeous art. Sergio Cariello and Marcelo Pinto do fantastic work as a team, giving "The Lone Ranger" a unique, stunning look. |
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4
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Thor (2007) Annual #1 |
Sep 15, 2009 |
"Thor" annual #1 fills in an unexplored area of Thor's psyche after killing his grandfather and provides the return of Seth, both great ideas, but they're executed in the bland, boring fashion that one would expect from an annual. Ultimately, this issue is forgettable. |
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9
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The Unwritten #5 |
Sep 12, 2009 |
If you thought "The Unwritten" was an English lit major's dream comic before, this focus on Rudyard Kipling -- partly a celebration of his writing, partly a damning critique -- solidifies that sentiment. Thankfully, this comic is so much more than just an illustrated essay or biography, it's a story first and foremost. And it's a very good one at that. |
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7
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The Marvels Project #2 |
Sep 10, 2009 |
Still in the early stages, "The Marvels Project" #2 may read too scattershot, but it's clear that Brubaker is building to something and, with Epting on art, it's hard not to give him the time he needs. |
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8
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Dark Avengers/Uncanny X-Men: Exodus #1 |
Sep 9, 2009 |
With so many characters and three months of build-up, "Exodus" could easily have imploded under its own weight, but Matt Fraction and his trio of artists don't just pull it, they surpass expectations. "Utopia" may have been slow-moving at times, but the conclusion is strong and leaves both the X-Men and the Dark Avengers in different, unexpected places than they were when the story began. |
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4
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Red Robin #4 |
Sep 9, 2009 |
"Red Robin" #4 concludes the opening story arc of Tim's search for proof that Bruce Wayne is somehow still alive for no reason other than he thinks it must be so. In other hands, the concept could be executed in a manner that explores the effects of death and the huge events that superheroes, even the urban vigilante types, must deal with on a day-to-day basis, but, here, it's tedious and presented poorly. |
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7
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Thunderbolts (2006) #135 |
Sep 9, 2009 |
Fights, chases, secrets, double-crosses, and one hell of a final page, "Thunderbolts" #135 is a fun, exhilarating read. Andy Diggle keeps you guessing throughout and it seems a new twist is always just a page-turn away. |
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8
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Incognito #6 |
Sep 8, 2009 |
While Brubaker and Phillips are returning to "Criminal" next, "Incognito" #6 sets up future stories very well and puts Zack in an interesting place for them. It's hard to say where the two will take these characters next, but, based on this opening story, wherever that is, count me in. |
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10
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Young Liars #18 |
Sep 8, 2009 |
That's that then. The show is over. The show must go on. "The Death of Good" indeed. |
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7
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Exiles (2009) #6 |
Sep 1, 2009 |
Its hard to pinpoint what doomed this relaunch of Exiles to a quick death, but it certainly isnt the quality of work by Parker and Espin; This is the best issue of the series Ive read since Judd Winick was on the book. Its a shame that its the final issue. Maybe in a few years, people will be ready for the concept again. If Jeff Parker is on board then, I know I will be, too. |
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9
|
Strange Tales (2009) #1 |
Sep 1, 2009 |
There's so much quality in "Strange Tales" #1 that there's too much to discuss in a review like this. Trust me when I say that there is something in this comic that will please everyone, but the five dollar price tag may turn some off, but, for over a dozen features spread over 47 pages, it's well worth it. |
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8
|
The Boys #34 |
Aug 31, 2009 |
Primarily the fight between the Boys and Stormfront, "The Boys" #34 is brutal and nasty and a great read. Ennis also introduces some interesting elements into the ongoing subplots involving the Seven and Vought-American. "The Self-Preservation Society" concludes having accomplished the goal of kicking the story into high gear and setting the characters down harsher, darker paths. Plus, it's got 'Nazi Superman' getting wailed on -" and who doesn't love that? |
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7
|
Unknown #4 |
Aug 29, 2009 |
"The Unknown" ends on a positive note, but maintains much of the mystery that drove the series forward. It is equally frustrating and strong, but definitely worth a look. Mark Waid really challenges himself and, while he doesn't fully succeed, I can't say that he fails either. |
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4
|
Buck Rogers #3 |
Aug 27, 2009 |
"Buck Rogers" #3 presents some interesting and engaging ideas with a fantastic set up initially, but, as the issue progresses, it's hard to maintain interest as nothing seems dangerous or to matter a great deal. Beatty seems to be attempting to capture the awe and wonder of past Buck Rogers stories, while also grounding it in 21st century sensibilities of realism, and the two clash heavily, creating a mishmash of storytelling. |
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8
|
Avengers: The Initiative #27 |
Aug 26, 2009 |
"Avengers: The Initiative" #27 is a fantastic done-in-one issue that compresses a two-part story into a single issue without feeling rushed. If you haven't tried this book yet, this issue is completely new reader friendly and definitely worth paying three bucks for. |
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9
|
Batman and Robin (2009) #3 |
Aug 26, 2009 |
While this issue moves quickly, barreling towards the conclusion of the opening "Batman Reborn" story, Morrison and Quitely still find room for the small moments like Batman and Commissioner Gordon talking things out or Alfred going about his duties. It's hard to believe that this issue is only 22 pages they pack in so much. "Batman and Robin" #3 is an excellent comic with twisted writing, art that more than keeps pace, and all of the excitement you want from a Batman and Robin comic book. |
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5
|
Dark X-Men: The Beginning #3 |
Aug 25, 2009 |
"Dark X-Men: The Beginning" #3 is the best issue of the series, but it's still not great. The format and structure of the book limits what the creators can do and takes a lot of the surprise out of their stories. Maybe if this series led up to the revelation of the Dark X-Men, but watching Osborn recruit people when you know what's going to happen next is tedious. Also, a minor complaint, but the solicitations promised Humberto Ramos artwork, which doesn't appear here at all, which is a let down. |
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7
|
Incredible Hercules #133 |
Aug 25, 2009 |
Through the seventh smartest person in the world, Van Lente and Pak find a relatable and interesting character in Amadeus Cho. This issue provides readers with a quick catch-up on who Amadeus is and what he's gone through, making this a great jumping on point. As well, the final page is one of the best cliffhangers of the year. |
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5
|
Punisher (2009) #8 |
Aug 19, 2009 |
Ultimately, this issue of "The Punisher" highlights why Frank Castle doesn't really work in the Marvel universe as much anymore: the only villains he gets to kill are losers, which makes killing them meaningless and the Punisher a bit of a joke. We're supposed to think that the Punisher is a force to be reckoned with and these nobodies are the cream of the crop when it comes to his superpowered victims? Call me when he kills someone whose name I'll remember in two weeks. |
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7
|
Punisher Noir #1 |
Aug 19, 2009 |
"Punisher Noir" provides a few surprises and does a good job of differentiating itself from the regular Punisher story. However, there isn't much in this issue except for set-up, which is done very well, but doesn't take the place of a good plot, something we only see a brief glimpse of. |
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6
|
Punisher: Frank Castle #73 |
Aug 19, 2009 |
I hate to continue the Ennis comparisons, but this plot seems so much like the sort that he would come up with that it's impossible to ignore. Gischler clearly has talent and he's paired with a great artist, but he needs to take a page out of Ennis' book and make with the funny a little. The MAX Punisher title has been trying to escape Ennis' shadows since he left the book and doing a story clearly influenced by him isn't the best way to do that, so why not embrace Ennis? There's a reason why his run was a classic -" and this story could be, too. |
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7
|
Swordsmith Assassin #1 |
Aug 18, 2009 |
However, as I said already, the execution of that journey is strong and worthwhile. Future issues will really determine how different and original this series is now that we've been told Toshiro's origin, but if the storytelling is as good as it is here, it will be worth it no matter what. |
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8
|
Wednesday Comics #6 |
Aug 12, 2009 |
Six weeks have passed with six to go for "Wednesday Comics," and the quality remains high, if not higher than when it began. While the novelty may be wearing off for some, it's not for the people behind these strips as many continue to experiment and surprise readers. I can't wait for to see what's in store for the next month-and-a-half. |
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6
|
Incredible Hercules #132 |
Aug 11, 2009 |
While not as great as hyped up to be, "Incredible Hercules" #132 is an entertaining and enjoyable issue. Not every joke works, but those that do are funny " and that there's a superhero book trying for this fun, light, funny tone is admirable, and worth a look. |
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8
|
The Marvels Project #1 |
Aug 11, 2009 |
While only an introduction to the players of this story, "The Marvels Project" #1 already demonstrates that the hype on this project may also be the reality. Not to be missed. |
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7
|
Ultimate Comics Avengers #1 |
Aug 10, 2009 |
Along with "Ultimate Comics Spider-Man," "Ultimate Comics Avengers" marks the renewal of the Ultimate line at Marvel and this issue is a very good start to things. Quick-paced, gorgeous art, and a cliffhanger that will have you coming back for more. |
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5
|
Uncanny X-Men (1963) #514 |
Aug 10, 2009 |
Extended storyarcs always feel a little empty in the middle, but "Utopia" in particular offers up little actual substance in its fourth chapter beyond promissory notes that payoffs are coming, so come back next time. The small scenes between characters are handled nicely and read well, but this issue is lacking a singular moment or focal point to tie things together, and actively make readers want to pick up the next issue with confidence that they'll receive something more than a 'maybe something will happen in the next part!' |
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7
|
Absolution #1 |
Aug 5, 2009 |
"Absolution" has a lot of promise and may very well turn out to be a great examination of the effects that being a superhero can have on a character over an extended period of time. The ideas are there, but the execution just doesn't match them yet. |
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9
|
Frankenstein's Womb #1 |
Aug 5, 2009 |
"Frankenstein's Womb" is not what many would expect from Warren Ellis at this point, but, like his other Apparat graphic novellas, he indulges in areas he's not normally known for, and once again proves that he's one of the most versatile writers in comics. And, for at least one moment, proves "Wizard" correct in calling him the 'next Alan Moore.' |
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7
|
The Good, the Bad and the Ugly #2 |
Aug 5, 2009 |
I was skeptical about Dynamite's second attempt at adapting/creating new stories with Leone's characters after the first series turned me off so much, but Chuck Dixon and Esteve Polls are doing very good work with this series. |
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8
|
Detective Comics #855 |
Jul 29, 2009 |
Youre not likely to find a better looking superhero comic on the stands than Detective Comics #855 with J.H. Williams III and Cully Hamner delivering career-best work in already stunning careers. That is, until issue 856 comes out next month. |
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5
|
Fantastic Four (1998) #569 |
Jul 29, 2009 |
The finale of the Millar/Hitch run ends with neither on the book completely, but I don't think that would have helped this mediocre, convoluted story since Millar still plotted it and Hitch is replaced by an artist very much his equal. It's a shame that this 16-issue run couldn't end with more of a bang, but it does have some rather good moments. |
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2
|
Dark X-Men: The Beginning #2 |
Jul 27, 2009 |
(For the first three pages of each story, check out CBR's preview!) |
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5
|
Gotham City Sirens #2 |
Jul 23, 2009 |
All of the characters act consistently with previous portrayals, and the plot is interesting, and, no doubt, many readers will walk away satisfied, but the lacking energy or indefinable quality that elevates a book from workmanlike to great or brilliant is missing. Guillem March draws his ass off, but even that can't save this issue from being completely forgettable once that final page has been read. |
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8
|
Guardians of the Galaxy (2008) #16 |
Jul 23, 2009 |
"Guardians of the Galaxy" continues to be one of Marvel's top titles, consistently delivering quality stories and characters, and this issue is no exception. When Jack Flag yells, "Swear to god, I hate cosmic stuff!" here, you can't help but disagree because Abnett and Lanning are writing one hell of a book. |
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8
|
Final Crisis Aftermath: Dance #3 |
Jul 22, 2009 |
In "Dance," Joe Casey and ChrisCross are at their best, delivering action, thrills, laughs, and even the odd moment of introspection. And, in this issue, a very San Diego appropriate issue that will make some long to be at the convention and, others, glad they're at home. |
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7
|
Dark Wolverine #76 |
Jul 21, 2009 |
Since Daken is still relatively unknown to readers and characters, Way and Liu use that to their advantage, keeping both groups off balance here, no one quite sure what Daken is really up to. However, he is turning out to be a far more interesting character that the title "Dark Wolverine" would lead you to believe. |
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9
|
Immortal Weapons #1 |
Jul 21, 2009 |
(Fat Cobra! Who doesn't love Fat Cobra? CBR's preview has lots of Fat Cobra!) |
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4
|
Project Superpowers: Chapter Two #1 |
Jul 21, 2009 |
Fans of the first series and three minis will, no doubt, enjoy this issue, which picks up right where those stories left off. Everyone else may have a bit of work ahead of them, but the core ideas here are solid and may lead somewhere interesting. |
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7
|
The Art of Top Cow #1 |
Jul 19, 2009 |
Top Cow has a certain artistic reputation and, while justified in many ways, "The Art of Top Cow" demonstrates that the company is far more than many think. For lovers of art, this gorgeous hardcover coffee table book is sure to earn a spot on your shelf. |
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7
|
Final Crisis Aftermath: Escape #3 |
Jul 16, 2009 |
Of all of the books to spin out of "Final Crisis," "Escape" is the most experimental and, in many ways, truest to Morrison's sense of storytelling, clearly drawing on elements of his non-superhero work like "The Filth" and "Invisibles" here. Whether or not Ivan Brandon and Marco Rudy can stick the landing is what we'll have to see, but, halfway through, this book is very impressive and one that demands multiple reads to fully appreciate. |
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8
|
Captain America (2004) #601 |
Jul 14, 2009 |
While it doesn't tie into the current "Reborn" story, this 'lost annual' does feature Steve Rogers as Captain America again, which seems fitting. And, after the celebration of Captain America's history in issue #600, Gene Colan illustrating the book also seems fitting. His art really overpowers the writing and makes this a must buy. |
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7
|
Dark Avengers #7 |
Jul 13, 2009 |
Matt Fraction is proving his A-list chops in "Utopia," writing a compelling crossover that seems almost too full of characters and ideas rather than needlessly drawn out. He's taken what could be a lame, redundant concept in the Dark X-Men and made it interesting, and not simply a copy of the Dark Avengers. With "Utopia" half done, the second half is sure to be equally impressive. |
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7
|
The Killer #9 |
Jul 13, 2009 |
It's not too late to jump on board "The Killer" since this issue is easy to follow. You may not know the details of what happened in the past, but Matz and Jacamon make sure you know enough and are entertained along the way. An entertaining thriller that's sure to lead to a bloody conclusion in issue ten. |
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8
|
Do Androids Dream of Electric Sheep? #1 |
Jul 12, 2009 |
All in all, this is an experiment that works and also contains a fabulous essay by Warren Ellis that introduces Philip K. Dick in a broader way. All in all, a great package ideal for newcomers and fans alike. |
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7
|
Poe #1 |
Jul 12, 2009 |
(Dean Kotz and Digikore Studios do some very nice work here as you can see in CBR's preview!) |
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9
|
The Unwritten #3 |
Jul 11, 2009 |
In this issue, Carey and Gross make it clear that "The Unwritten" is going to be more than just Tom Taylor and it looks like this series is Vertigo's new 'must read' monthly. |
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7
|
The Good, the Bad and the Ugly #1 |
Jul 9, 2009 |
As a special treat, Dixon provides a fantastic essay on the Spaghetti Western that looks at the subgenre, going beyond Leone, and plenty of film suggestions. He obviously knows his stuff, is paired with a great artist, and has delivered a solid first issue that seems to be leading somewhere interesting. I can't wait for the second. |
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4
|
Batman #688 |
Jul 8, 2009 |
The image of "Batman" as the secondary Bat-title is not helped here with this issue repeating scenes from "Batman and Robin" #2, a move that effectively sabotages Judd Winick as he's forced to contend with Grant Morrison. The lighter tone sets Winick apart, but isn't enough for this book to stand by itself. |
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8
|
Wednesday Comics #1 |
Jul 8, 2009 |
However, since "Wednesday Comics" is clearly meant to showcase the art, the weaker writing is easy to overlook and should be forgotten when these stories can be read as a whole. Until then, this is an interesting and beautiful book that makes you want to buy two copies so you can rip it apart and put pages up on your walls. Definitely a reason to hit the shop every Wednesday if you weren't already. |
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6
|
Greek Street #1 |
Jul 5, 2009 |
(You can check out CBR's preview of the issue, but the comic is only a buck, so just go buy it instead!) |
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8
|
Captain America: Reborn #1 |
Jul 2, 2009 |
"Reborn" easily could have turned off new readers since it stems so heavily from the pages of "Captain America" and the four-year story Ed Brubaker has been telling there, but everything you need to know is here in this first issue -- and it's a good one! |
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7
|
Irredeemable #4 |
Jul 1, 2009 |
"Irredeemable" is shaping up to be a good examination of what would happen if Superman were to turn evil, but Waid is also managing to avoid most of the pitfalls a concept like that has. So far, it's been an enjoyable, darkly funny, and engaging read. Well worth checking out. |
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3
|
Deadpool: Merc with a Mouth #1 |
Jun 30, 2009 |
When "Merc with a Mouth" was announced, various online commentators remarked on how unnecessary a second Deadpool title is and this debut issue does nothing to quell those opinions. |
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9
|
The Muppet Show #4 |
Jun 26, 2009 |
With this issue spotlighting Miss Piggy and a psychic, Roger Langridge ends his "Muppet Show" series strongly, maintaining a high quality throughout the four issues. One can only hope there will be a sequel sometime down the road, because this cartoonist and these characters were made for each other. |
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5
|
Berserker #1 |
Jun 24, 2009 |
"Berserker" still hasn't shown all that it can do, but the hook here is strong, and the juxtaposition between former soldier Farris and high school student Aaron could lead to some interesting situations should they meet. Hopefully, next issue will begin fleshing out these characters a bit more now that the groundwork has been laid. |
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7
|
Secret Warriors #5 |
Jun 24, 2009 |
While this issue does lack a certain depth that the previous four have delivered with some great character work by Hickman, this one also delivers a confrontation that's been building for the entire series. If anything, "Secret Warriors" #5 again proves that this is a book that is unafraid to move the plot forward quickly and to change the status quo issue to issue. |
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6
|
Dark Avengers #6 |
Jun 23, 2009 |
(Norman Osborn versus Namor in CBR's preview!) |
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6
|
Dark Avengers/Uncanny X-Men: Utopia #1 |
Jun 23, 2009 |
(Judge the art for yourself in CBR's preview!) |
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6
|
Thor (2007) #602 |
Jun 23, 2009 |
(See Marko Djurdjevic's interior pencils for yourself at CBR's preview!) |
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6
|
The Boys: Herogasm #2 |
Jun 21, 2009 |
Though an improvement over the first issue, the second issue of "The Boys: Herogasm" is still so mired in sex and drug jokes that aren't funny or were at one point until beaten into the ground that it still seems a lesser addition, a watered-down version of the monthly book. The plot does pick up the pace a bit here and, hopefully, it will continue in that direction. |
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10
|
Young Liars #16 |
Jun 19, 2009 |
Back in my review of issue 12, I wrote, "If year two is anything like year one, David Lapham is truly on his way to producing a masterpiece." This issue solidifies that that is, indeed, the case. "Young Liars" is an absolute masterpiece. The competition for 'best issue of the year' begins here. |
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7
|
Madman: Atomic Comics #16 |
Jun 18, 2009 |
(Play spot the musicians game on the first page of CBR's preview of this issue!) |
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4
|
Thor: The Trial of Thor #1 |
Jun 18, 2009 |
The ending, as well, is very rushed. While the story, as a whole, feels drawn out and too long, the ending is very abrupt, although, as I said, the final page is great. Compared to last year's string of Thor one-shots, this just can't compare. If Milligan ever wants to write a "CSI: Asgard" book, I would give it a look, I must admit. |
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8
|
Incognito #4 |
Jun 17, 2009 |
"Incognito" is a compelling story with some of the best art you're going to see this month. Brubaker and Phillips, as always, work in perfect harmony. |
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7
|
Groom Lake #3 |
Jun 16, 2009 |
"Groom Lake" is a funny, cynical book that may tell a story we've all read before, but in a different way thanks to Chris Ryall and Ben Templesmith's off-beat sensibilities. |
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8
|
The Comic Book Podcast Companion #1 |
Jun 16, 2009 |
All in all, though, "The Comic Book Podcast Companion" is a great introduction to the world of comic book podcasts, providing insightful interviews and overviews of nine of the most well-known and popular shows. As well, for those interested in producing their own podcasts, Houston includes details on the equipment each podcast uses, and a helpful index of other podcasts beyond these nine. |
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7
|
Anna Mercury 2 #1 |
Jun 11, 2009 |
If the first series and this issue are any indication, "Anna Mercury 2" will be action-packed with some witty dialogue and thoughtful scientific and sociological concepts. High-concept blockbuster movie comics at their best. |
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8
|
Final Crisis Aftermath: Escape #2 |
Jun 11, 2009 |
"Escape" #2 is a difficult to sum up since so much of what makes it great is in how its executed, not what actually happens. What happens is unclear and part of the ongoing mystery, but the manner in which Ivan Brandon and Marco Rudy tell it is marvelous and far different what you normally find in superhero comics. It's not for everyone, but good on DC for trying something new and different. |
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7
|
Absolution #0 |
Jun 10, 2009 |
Some might see the advertising that says this is "the king of masked hero mayhem that only Avatar can deliver" and assume it's all swearing, nudity, and graphic violence, but this issue stays away from being too explicit. Of course, the sort of events that it would take to drive Dusk into this sort of dark territory would be horrifying and not for squeamish readers, but Gage and Viacava do well to keep most of it off-panel. A great introduction to what, hopefully, turns out to be a great series. |
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7
|
Wolverine (2003) #74 |
Jun 10, 2009 |
Both of these stories are perfectly fine Wolverine stories, not too good, not too bad, pretty entertaining. Tapping Way and Aaron, and pairing them up with artists of Edwards and Kubert's caliber is the perfect way to conclude this series before it morphs into "Dark Wolverine" and shifts focus next month. |
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5
|
Sherlock Holmes #2 |
Jun 8, 2009 |
In individual issues, "Sherlock Holmes" reads slowly with unnecessarily long and entirely unrelated scenes. Not only that, but scenes that do contain vital information are crammed into pages with six or more panels, while those unnecessary scenes are given large, open, four-panels-or-less pages. It's a sort of baffling storytelling that, hopefully, makes sense by the end of this series " but, for the moment, is the true mystery. |
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6
|
Skaar: Son Of Hulk (2008) #11 |
Jun 4, 2009 |
With the popularity of "Planet Hulk" and "World War Hulk," this "Planet Skaar" storyline should attract some new readers who want to see the Hulk and his son destroy everything around themselves to get at one another, and this issue seems to cater to that by setting Skaar up in a similar manner as the Hulk. The big surprise, though, is the art of Dan Panosian whose drawing is reminiscent of John Romita, Jr.'s art, and acts as a visual callback to "World War Hulk," which is a lovely touch. |
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9
|
Batman and Robin (2009) #1 |
Jun 3, 2009 |
With expectations high, "Batman and Robin" #1 could have easily disappointed, but it not only meets those expectations, it exceeds them. No one could have asked for a better introduction to the new Batman and Robin. |
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5
|
Captain Britain and MI:13 (2008) Annual #1 |
Jun 2, 2009 |
"Captain Britain and MI:13" Annual #1 doesn't match up to the brilliance of the main book, but it does shed some light on some important events, including leading into the next chapter of "Vampire State." |
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3
|
Dead Run #1 |
Jun 1, 2009 |
"Dead Run" reads like an unproduced film treatment -" one that was unproduced for a reason. The concept is uninspired, the characters vague and lacking depth, but the art is well done. |
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4
|
Punisher MAX: Naked Kill #1 |
Jun 1, 2009 |
If cheap, gratuitous violence with hints of equally cheap sex is your thing, then "Naked Kill" is definitely your book of the week. If not, well, the art alone makes this book worth checking out. |
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8
|
Ignition City #3 |
May 30, 2009 |
"Ignition City" walks the same line that "Planetary" did in providing both insight into the fictional world and characters' pasts and delivering a story with plenty of forward momentum. Like "Planetary," Ellis has chosen a mystery plot, which allows for plenty of both and it works for a very nice balance. |
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4
|
Final Crisis Aftermath: Ink #1 |
May 28, 2009 |
What could be a promising idea, a staunch skeptic of superheroes becoming one himself in a crime-ridden city, is lost in an unoriginal plot and awful coloring. Wallace does manage to raise some interesting points on the downside of being a superhero and how becoming one doesn't happen overnight, so hopefully things will improve as he has a chance to explore those ideas. |
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6
|
New Avengers #53 |
May 27, 2009 |
You'd expect this issue, at times, to feel like it's stalling for time until it can reach that final page and deliver the big reveal of the next Sorcerer Supreme since Bendis is known for decompressed storytelling, this issue is one of his more packed ones. He manages to get some solid characterization in and balance it out with action, even if it is mediocre. Billy Tan's art looks very rushed here, but he has next issue to end his run on the title on a positive note. All in all, a solid read. |
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6
|
Battlefields: The Tankies #2 |
May 26, 2009 |
"The Tankies" may be on the lower end of Ennis' war comics, but it's still a good, entertaining read. The subject of tanks in war isn't one often explored and Ennis demonstrates that tanks can lead to as many mistakes and horrible situations as anything else. |
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3
|
Wolverine Origins #36 |
May 26, 2009 |
Where this story leads to will surprise no one since that's been advertised since day one and, if the journey to that endpoint were more interesting, it wouldn't be a problem. However, nothing indicates that the goal here was anything other than reaching the end, even if getting there was a boring trip. |
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8
|
Final Crisis Aftermath: Dance #1 |
May 20, 2009 |
"Final Crisis Aftermath: Dance" looks like it could be the best of the bunch with Casey and ChrisCross at the helm, building on what Grant Morrison set up. They even work in a funny Aquaman being useless joke that sheds some light on the team dynamics. A funny, engaging read -" it's only one issue in and I want an ongoing series already. |
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6
|
Star Trek: Alien Spotlight: Romulans #1 |
May 20, 2009 |
(Give Wagner Reis's art a look in CBR's preview.) |
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6
|
The Boys: Herogasm #1 |
May 20, 2009 |
While there isn't a lot going on here beyond variations on the same joke, "Herogasm" #1 is a brisk and entertaining read. Hopefully the amount of time spent on mining "superpeople having lewd sex" here means the plot will pick up next issue. |
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6
|
Fantastic Four (1998) #566 |
May 19, 2009 |
The end of the issue is a bit of a surprise and sets up the Marquis as a real threat and, hopefully, Millar and Hitch can follow through on the promise the character holds. |
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8
|
Young Liars #15 |
May 14, 2009 |
Only three issues left after this and it looks like Lapham is heading in an absolutely unknown direction since the final pages of this issue change everything. Again. It's superbly crafted and one of the best monthlie |
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6
|
Strange Adventures (2009) #3 |
May 13, 2009 |
After a rough start with its first issue, "Strange Adventures" is living up to its name with weird plots that show the goofier, creative side of Jim Starlin. Each issue is an improvement on the last and the addition of Rafael Albuquerque on the Bizarro story's art is a great move by DC. |
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3
|
The Man with No Name #10 |
May 13, 2009 |
The writing is adequate, but the lack of visual flair and style really hampers this comic since Sergio Leone's images define much of what people love about this world, and it looks like there wasn't even an attempt to live up to that challenge. |
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9
|
The Unwritten #1 |
May 13, 2009 |
It's often frustrating when a company spends so much money and effort into promoting a substandard book, so it's refreshing that "The Unwritten" is a fantastic read. At only one dollar, there's no excuse not to give it a look -- except facing the burden of another book on your pull list. |
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6
|
Unknown #1 |
May 12, 2009 |
"Unknown" #1 may not lay out the complete concept of the series, but it's a solid start that ends with an intriguing mystery. What Waid and Oosterveer do so well here is establish the two lead characters, allowing the rest of this series to show how they tackle the mystery of what lies beyond this life. |
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6
|
Unthinkable #1 |
May 11, 2009 |
"Unthinkable" #1 does what a first issue should: it makes you want to see what happens next. Sadly, it also reads more like a briskly-paced prologue than the proper start of this story, rushing through events to get to those final pages where things really get going. That said, it's an entertaining debut and shows a lot of potential. |
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0
|
Bang! Tango #4 |
May 10, 2009 |
Actually, there is one redeemable thing about this comic: Howard Chaykin's cover. Give it a look and then move on, I say. "Bang! Tango" #4 has set the standard for "worst comic book of 2009." Needless to say, I won't be picking up issue five. |
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5
|
Cerebus Archive #1 |
May 7, 2009 |
People looking for some insight into "Cerebus" will be left wanting, but, otherwise, "Cerebus Archive" is a solid beginning to Sim's career in comics, showcasing some of his earliest work. With "glamourpuss," Sim seems very interested in the history of comics, both his own "- as a result, some real insight into independent Canadian comics in the '70s -" and others, and, for those with a similar interest, this is just what you've been waiting for. |
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8
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Amazing Spider-Man (1999) #593 |
May 6, 2009 |
As I said before, McKone's art is at its best here. His Spider-Man is almost always shown in motion, giving the character a real dynamic feel not always gotten across. This is a fast-paced issue and the art more than keeps up. Waid and McKone seem perfectly in sync, working to make the other seem stronger. Together, they've produced a fun, thrilling comic book "- pretty much what "Amazing Spider-Man" should be. |
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8
|
FCBD 2009: Avengers #1 |
May 6, 2009 |
An all-out brawl between the two Avengers groups is only teased here and the "putting aside our differences to face the greater threat" is a bit cliched, but, otherwise, Bendis and Cheung make what could be a continuity mess very simple and accessible. Plus, you can't beat the price. |
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7
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Irredeemable #2 |
May 4, 2009 |
(Check out the first few pages of this issue in CBR's preview and, then, pick it up. It's good.) |
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8
|
Madman: Atomic Comics #15 |
May 2, 2009 |
The ending of the plot is a little predictable and quick, but saved with cute and funny dialogue. It may be my first issue of "Madman Atomic Comics," but it certainly won't be my last. |
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8
|
Rasl #4 |
May 2, 2009 |
While more "Rasl" would be a great thing, Smith's slower pace of three 30-page issues each year is producing some spectacular work. |
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2
|
Batman: Battle for the Cowl: The Underground #1 |
Apr 29, 2009 |
The only reason to buy this comic is if you're already buying every issue relating to "Battle for the Cowl" and, in that case, this one won't disappoint, because there's that big "Battle for the Cowl" logo on the cover and a pointless plot that fits in perfectly with the main book. Mystery solved. |
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6
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Dark Avengers #4 |
Apr 29, 2009 |
(Mike Deodato draws some pretty pictures in CBR's preview of this issue!) |
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4
|
Sherlock Holmes #1 |
Apr 27, 2009 |
While the issue ends well and almost makes me want to read what happens next, the same can't be said for everything leading up to it. Fans of Holmes will surely disagree, loving the adherence to the format of Doyle, but what works in prose doesn't always work in comics, and this issue is a clear example. |
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9
|
Ignition City #2 |
Apr 26, 2009 |
"Ignition City" is turning out to be as good as everyone hoped it would be as Ellis and Pagliarani deliver a very personal story but set against a larger world, one that they could get lost exploring -- and, yet, never seem to. Last issue hinted that they might, but this issue is more focused. Often brilliant and heartbreaking, you should be reading this book. |
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9
|
Scalped #28 |
Apr 26, 2009 |
A major issue in the ongoing plot of "Scalped" as not only do we know who is behind the two murder cases driving much of the story, it looks like the characters will know soon as well. Putting the cases at the centre of this issue instead of a character is a smart move on Aaron's part, highlighting their importance and, finally, providing a few answers. Of course, these answers do raise a question: what happens next? It should be fun finding out. |
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10
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Ghost Rider (2006) #34 |
Apr 23, 2009 |
If you didn't buy this issue this week, buy it next week. If your shop doesn't have a copy, demand they order you one. If they say no, find another shop. All over this comic, because it's that damn good. |
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7
|
Thor (2007) #601 |
Apr 20, 2009 |
Beyond the comedy, Straczynski lays on a few more surprises for the characters as Balder makes the decision regarding Asgard's future and Thor finally learns why Sif didn't appear along with the other Asgardians. It's great to see that Straczynski's new status quo continues to work just as well as the previous one. Now, all it needs to do is get back on something approximating a monthly schedule. |
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5
|
Air (2008) #8 |
Apr 17, 2009 |
As a follow-up to last issue's attempt to bring in new readers, I'm not sure how successful "Air" #8 is, as it attempts to drive home that what's happening is Very Important without accomplishing that goal. It's really a forgettable comic, neither bad nor good, it lies somewhere in the middle. |
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9
|
Godland #27 |
Apr 17, 2009 |
What's left to say about "Gdland" that hasn't been said already? It's a book that gets read last whenever it comes out, because not many books can follow it. It may have lost its way (both in plot and schedule) a while ago, but it's back to being one of the best books you can read. I'll say it again: "Gdland" is cosmitastic! |
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7
|
Uncanny X-Men (1963) #508 |
Apr 17, 2009 |
A very solid issue of "Uncanny X-Men" that has me thinking that, maybe, I should be picking this series up every month. It's not groundbreaking, but it is the best "X-Men" comic I've read since Morrison left the titles. |
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7
|
X-Files #6 |
Apr 15, 2009 |
"The X-Files" six-issue mini series has been a well-executed book with this issue ending things well. The use of three writers doing two-issue stories with one artist is a great format for a licensed book like this, and, if anything, is an idea that should be stolen by others. This issue also had a very impressive few pages by Brian Denham where he broke from the typical look of "The X-Files" to use a technique that the TV series never could, and, in the process, hinted that a future series could take advantage of the medium more than this one did. I hope it gets the chance. |
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4
|
Wolverine Noir #1 |
Apr 14, 2009 |
Stuart Moore and C.P. Smith both try to raise "Wolverine Noir" above the absurd exercise in combining two genres for no reason other than 'just because.' Fans of Wolverine won't get anything here that they can't get elsewhere -" and the same goes for fans of noir. "Wolverine Noir" is a case where the end product is less than the sum of its parts. Do yourself a favor and just go read "The Maltese Falcon" since this pale imitation with elements of "Origin" thrown in isn't worth it. |
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8
|
Doktor Sleepless #12 |
Apr 9, 2009 |
While some dismissed "Doktor Sleepless" as a pale imitation of "Transmetropolitan" and the ideas and themes Ellis explored there, it's since established its own space, differentiating itself from his other work. There are obvious overlaps, but this book is its own beast, and it's a damn fine read. Don't be surprised if, years from now, people are talking about how great this book was and you find yourself playing catch-up via trades. |
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7
|
Ignition City #1 |
Apr 8, 2009 |
Hopefully, this is just the first series of many for "Ignition City" as there is obviously a lot of potential material for future stories provided in this issue alone. After nearly three years, Ellis' concept of "Where did the space heroes go to die?" has arrived and it's a good read. |
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3
|
Timestorm 2009 / 2099 #1 |
Apr 8, 2009 |
(Eric Battle's art fails to impress on numerous levels, but check out CBR's preview and see for yourself!) |
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7
|
Jersey Gods #3 |
Apr 7, 2009 |
Each issue of "Jersey Gods" sees Brunswick and McDaid grow in confidence and skill. While not quite a 'must read' yet, it's well on its way. |
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6
|
Ultimate Wolverine vs. Hulk #4 |
Apr 6, 2009 |
"Ultimate Wolverine vs. Hulk" is a lot of stupid fun, always in danger of going too far, but never quite. Lindelof's over-the-top writing is clearly the work of a man normally restrained but, here, free to do as he pleases for good or ill. It's hard to take this book too seriously, because no one involved seems to -" and that's a good thing. |
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7
|
Glamourpuss #6 |
Apr 2, 2009 |
"glamourpuss" #6 is a necessary breather issue as Sim steps back a little to examine advertising comics as a context for his upcoming discussion of Stan Drake, and it sheds some light on part of comics' past that I wasn't aware of. "glamourpuss" continues as a unique read, quite unlike anything else on the shelves and a must for anyone with any interest in art and comics history. |
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7
|
The Boys #29 |
Apr 2, 2009 |
(Robertson is back and CBR's preview proves it!) |
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5
|
Invincible Iron Man #12 |
Apr 1, 2009 |
The centerpiece of this issue, Iron Man versus Namor, plays out pretty much how you would expect it to in this "parade of enemies" story, but Fraction throws in a few curve balls in the other plots. Fans of the comic will no doubt dig this issue since it isn't all that different from what came before, which is a shame, because the series has shown small bursts of brilliance, even one or two in this very issue. Just not many. |
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9
|
Seaguy: Slaves of Mickey Eye #1 |
Apr 1, 2009 |
Fans of the original series are treated to numerous, small callbacks (Doc Hero finally gets that beer he asked for!), but "Slaves of Mickey Eye" is new reader friendly, too. Without the constraints of corporately-owned shared universes, Morrison and Stewart deliver an absurd and insane comic with just about the strangest (and yet most earnest) superhero of the twenty-first century. Here's hoping it won't be another five years until this trilogy concludes. |
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9
|
Secret Warriors #3 |
Mar 29, 2009 |
Each issue of "Secret Warriors" has been a step up from the previous with Hickman, Bendis, and Caselli upping the ante with each issue. This issue includes a surprise or two that readers won't see coming, but should have. Intriguing characters, a fantastic concept, enthralling action, and the odd "Oh my god!" moment -" "Secret Warriors" has it all. |
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1
|
The Death-Defying Devil #4 |
Mar 26, 2009 |
If the goal of "The Death-Defying 'Devil" was to give readers a glimpse into who this character is, then it was a failure. With an opaque protagonist and no real insight, only unanswered questions, this series really comes down to one question: what was the point? |
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6
|
Batman: Battle for the Cowl: Commissioner Gordon #1 |
Mar 25, 2009 |
"Batman: Battle for the Cowl: Commissioner Gordon" isn't a bad story and does an able job of demonstrating the police's role in a Gotham without Batman. It's also worth it to see Gordon in action, a role he isn't provided nearly enough. Though, it is odd to see the police act so helpless without Batman considering this isn't the first time he's disappeared. After all, he was gone for an entire year during the run of "52." Ignoring that, this issue might have been better served as a back-up story or splitting the duties with a story focusing on another cop like Bullock. Otherwise, a decent read. |
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8
|
Captain America (2004) #48 |
Mar 25, 2009 |
With great art, lots of action, and solid character work, "Captain America" #48 continues the series' unbelievably consistent and fantastic run. Brubaker and a trio of artists finish up James Barnes' first big adventure since establishing himself as Captain America and it's quite the success. |
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7
|
New Avengers #51 |
Mar 25, 2009 |
(Chris Bachalo! Billy Tan! Compare and contrast via CBR's preview!) |
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9
|
The Surrogates: Flesh and Bone #1 |
Mar 25, 2009 |
"The Surrogates: Flesh and Bone" is a spectacular read, both for fans of the original series and newcomers. Venditti and Weldele take a pretty basic science fiction concept and build an engrossing story around it, delivering a complex world that mirrors our own in many ways. |
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2
|
Caped #1 |
Mar 24, 2009 |
Have you read "Brat Pack" or "The Boys"? Then you've read "Caped," except with more wit and entertainment value. The high concept here has promise, but the execution is nothing new and very bland. |
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7
|
Hotwire: Requiem for the Dead #2 |
Mar 24, 2009 |
Highly entertaining, "Hotwire: Requiem for the Dead" mixes horror and sci-fi concepts well, and also contains a compelling mystery. Pugh's work here will certainly turn heads. |
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6
|
Punisher (2009) #3 |
Mar 19, 2009 |
While the goofy and comedic "Punisher War Journal" didn't quite work, "Punisher" succeeds with a more serious tone akin to "Daredevil" or the MAX book. Remember, Opena and Brown are a great team (see "Fear Agent"), working harmoniously, but the book suffers from the lack of its strong protagonist with the Punisher presented more as a thug-for-hire than the driven vigilante we're used to. |
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7
|
Dark Avengers #3 |
Mar 18, 2009 |
Together, Bendis and Deodato are doing good work on "Dark Avengers" with the occasional great scene like the one between Norman Osborn and the Sentry that begins the issue. If future issues continue the dark, psychological interplay between these deranged characters, then "Dark Avengers" will be a must read each month. |
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7
|
X-Files #5 |
Mar 18, 2009 |
"X-Files" continues to be a very solid and enjoyable book, kept consistent by Brian Denham's art through three different writers. Fans of the eerie, dark "X-Files" type of story will love the shift from the first two stories here. With any luck, next issue's final issue will end strong and leave readers wanting more -" and Wildstorm has proven they can deliver. |
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6
|
Charlatan's Ball #6 |
Mar 12, 2009 |
This issue finished the first season of "Charlatan Ball," so who knows when the next issue will come out " but Casey promises it will. Hopefully, when it does, things will tighten up a bit and Casey will find a way to inject a little wit and characterization into the fun. |
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9
|
Young Liars #13 |
Mar 12, 2009 |
Despite having numerous callbacks to the first year of the series, "Young Liars" #13 is a good place for new readers to jump aboard as everything they need know is forgotten by page one. As Johnny remembers Danny, gaps are filled in for him and new readers. Jump aboard now and experience the insanity that is "Young Liars," quite possibly the best book on the stands! |
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9
|
Scalped #26 |
Mar 11, 2009 |
As much as I mass Dashiell Bad Horse as the focus of the series, it's hard to complain when "Scalped" is this good as an ensemble piece with the focus roams according to its own whims. What's more, I'm simply astonished at how well Jason Aaron and Davide Furn tell a self-contained, stand alone short story here that is gripping and sucks the reader in. |
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8
|
Captain Britain and MI:13 (2008) #11 |
Mar 9, 2009 |
(Or, at least read CBR's preview pages!) |
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4
|
Strange Adventures (2009) #1 |
Mar 7, 2009 |
"Strange Adventures" is an odd book, lacking in direction and purpose, and, seemingly, demand. Why does this book exist? Is it just to feed some of our Starlin addiction or is there more? Sadly, this first issue doesn't answer those questions. |
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6
|
Jersey Gods #2 |
Mar 5, 2009 |
It seems wrong to fault this book, because it isn't what I expected, but since those expectations were built by the creators, I don't know what else to do. With any hope, the book will kick it into high gear and move past the clich god war, and to the domestic comedy promised. But, make no mistake, this is still a fun, good read, one that Brunswick and McDaid should be proud of. |
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7
|
No Hero #4 |
Mar 5, 2009 |
"No Hero" continues, though, to move at a glacial pace and doesn't read as well in single issues as it no doubt will as a whole. After all, it is billed as "a serialised graphic novel," but even in issue-format, it's gripping and entertaining. The comedic moments in this issue really help it from going too overboard into melodrama, and help break the tension a bit. It's better to laugh at the guy with no skin than to cry for him, right? |
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6
|
Dark Reign: Fantastic Four #1 |
Mar 4, 2009 |
(Go see Sean Chen's preview pages to judge his work for yourself! I mean, I could be wrong, right?) |
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8
|
Secret Warriors #2 |
Mar 4, 2009 |
With Caselli's art and Hickman's writing, "Secret Warriors" is shaping up to be one of Marvel's best books after only two issues. These characters showed potential in "Secret Invasion" and look to be fulfilling it here. Hopefully, this book will make it through the 60 issues Hickman has planned. |
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5
|
Grim Furry Tales: Seeds #1 |
Feb 28, 2009 |
"Grim Furry Tales: Seeds" is a little too unfocused and random, relying on existing fairy tales to provide some of the more entertaining stories. Future installments of "Grim Furry Tales" are planned and, hopefully, Brandt provides clearer direction and purpose in those volumes, because there is promise here, it's just intermittent and far too infrequent. |
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2
|
Thunderbolts (2006) #129 |
Feb 26, 2009 |
Instead of helping Norman Osborn move past his checkered past, all this issue does is point out, quite blatantly, how insane he is and that no one in the story seems to notice is conspicuous and baffling. It's hard to remember how great this book was just one year ago. |
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4
|
War Machine (2009) #3 |
Feb 26, 2009 |
(Leonardo Manco's art is beautiful and, thanks to CBR's preview, everyone can see it!) |
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5
|
New Avengers #50 |
Feb 25, 2009 |
This issue is saved from being just another typical issue of "New Avengers" by the guest artists and Bendis's writing some witty and funny dialogue (at least, some of the time). The plot twist and ending are both clever, and point to Bendis having some long-term plans with the current "Dark Reign" status quo. |
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6
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Youngblood (2008) #8 |
Feb 25, 2009 |
It's a shame that just when Casey and Donovan were hitting their stride, Liefeld has returned to make the book return to its early '90s roots. The lack of explanation for readers as to the two differing versions of the characters or the future of the book is disheartening, but not surprising. But, hey, there is an Obama cover, so who cares what's inside the comic, right? |
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8
|
Sam's Strip: The Comic about Comics #1 |
Feb 22, 2009 |
Though it lasted less than two years, "Sam's Strip" was a pioneering strip whose use of characters from other strips continues to this day with various crossovers between strips. "Sam's Strip: The Comic about Comics" is a must for any fans of comic strips, and includes very insightful introductions by Mort Walker and Jerry Dumas. Once again, Fantagraphics delivers a stellar package |
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6
|
X-Files #4 |
Feb 20, 2009 |
Next issue will begin the third and final story of this series with only artist Brian Denham as the constant throughout. His work was improving, but this issue is his weakest art since the first issue. It's a real shame, too, because, last issue, he really delivered and, this issue, his art drags down an otherwise solid issue. Though, I'm sure my girlfriend won't complain. |
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8
|
Ghost Rider (2006) #32 |
Feb 18, 2009 |
(Angels versus Spirits of Vengeance in CBR's preview!) |
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9
|
Godland #26 |
Feb 18, 2009 |
My only complaint? Issues don't come out quick enough! It's been ages since #25 and this latest "Gdland" issue proves once again how brilliantly cosmitastic this comic is. |
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7
|
Robin (1993) #183 |
Feb 18, 2009 |
"Robin" may be over, but this issue clearly tells the readers that Tim Drake has a long and exciting future ahead of him in the Bat-books, and that he's definitely grown-up over the past 183 issues. |
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3
|
Berserker #0 |
Feb 12, 2009 |
"Berserker" #0 offers an interesting preview of the series, but at $2.99 for eight pages, it's really not worth it. When other publishers offer similar previews in far more cost effective manners, there's no excuse for such a giant rip-off from Top Cow. Not to mention that the majority of this comic is promotional material for non-"Berserker" comics, which results in the one "Berserker"-related promo interview being truncated, while an interview for the "Witchblade/Darkness" crossover is given more space. All in all, a decent preview packaged in a horrible manner. |
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9
|
Young Liars #12 |
Feb 12, 2009 |
This issue ends the first year of "Young Liars" and the book could not be more different from where it began. Who would have thought that 11 months later, the seeming book about club-hopping twenty-somethings and a girl with a bullet in her head would be a book about warring truths, and an invasion of the Spiders from Mars. If year two is anything like year one, David Lapham is truly on his way to producing a masterpiece. |
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8
|
Batman #686 |
Feb 11, 2009 |
While the style may differ, like Moore's ode to Superman, Neil Gaiman and Andy Kubert deliver the first part of what looks to be an homage to the past seven decades of Batman stories. The mystery of what's going on may drive the plot, but the stories of how others view the Dark Knight are the real core of this story. Fans of Morrison's run will certainly enjoy what's going on and, hopefully, everyone else will, too. |
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9
|
Captain Britain and MI:13 (2008) #10 |
Feb 11, 2009 |
Chad Nevett |
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4
|
Youngblood (2008) #7 |
Feb 5, 2009 |
"Youngblood" #7 has all the ingredients for a fun and compelling comic, but something doesn't click. I honestly don't know what that something is. I've spent far more mental effort into figuring it out than I care to admit and now all I want is for the cursor to stop blinking. |
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3
|
Age of the Sentry #5 |
Feb 4, 2009 |
(Hey, look, in CBR's preview it's Legion of Su "- the Silver Age Guardians of the Galaxy!) |
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5
|
Invincible Iron Man #10 |
Feb 4, 2009 |
All in all, neither the writing nor art make me want to continue reading this series despite the cliffhanger ending. You can't say I didn't give "Invincible Iron Man" a fair shot, though. |
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6
|
Jersey Gods #1 |
Feb 4, 2009 |
I do wish that the series began with Barock and Zoe already married and the details of how they met given in flashbacks or even saved for later in the series. The concept for this book is so intriguing that starting off slowly instead of in medias res seems an odd choice, and maybe not the best. |
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7
|
Hotwire: Requiem for the Dead #1 |
Feb 3, 2009 |
"Hotwire: Requiem for the Dead" #1 is a very engaging read with a lot of wit and action. Steve Pugh builds on Warren Ellis's concepts in the best way and illustrates them in a striking and energetic style with unique coloring. Definitely worth checking out. |
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8
|
Final Crisis #7 |
Jan 28, 2009 |
Ultimately, "Final Crisis" is one hell of a read. It may not be the "event comic" that people expected or wanted, but that's only because Grant Morrison decided to give us something better. |
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8
|
Glamourpuss #5 |
Jan 28, 2009 |
This issue not only offers some improved fashion magazine parody contents, but also concludes Sim's thorough analysis of and theorizing on Alex Raymond's photorealistic style (and its evolution over the years). That doesn't mean Sim is done, just that he's ready to move past Raymond and onto those who Raymond not only influenced, but those who took Raymond's techniques and made Raymond evolve to keep up. |
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7
|
New Avengers #49 |
Jan 28, 2009 |
(Billy Tan's artwork continues to get better each month as demonstrated in CBR's preview!) |
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8
|
Captain America (2004) #46 |
Jan 26, 2009 |
(Steve Epting is back and CBR has http://www.comicbookresources.com/?page=preview&id=1915&disp=table" target="_blank">the preview art to prove it!) |
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7
|
X-Files #3 |
Jan 22, 2009 |
Marv Wolfman's writing is improvement over that of the first two issues and he's matched by a continually growing Brian Denham on art. Fans of the series will no doubt enjoy this issue. |
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9
|
Final Crisis: Superman Beyond 3D #2 |
Jan 21, 2009 |
(While everything falls apart, Doug Mahnke's art remains fantastic in CBR's preview!) |
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5
|
Punisher: Frank Castle #66 |
Jan 21, 2009 |
(Michael Lacombe draws pretty pictures in CBR's preview! Check it out!) |
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3
|
The Brave and the Bold (2007) #21 |
Jan 21, 2009 |
(Dough Braithwaite's art is breathtaking and a very good reason to see CBR's preview of this issue!) |
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4
|
The Death-Defying Devil #2 |
Jan 18, 2009 |
Actually, I figured out what this book has that no other comic does: a superhero wielding a boomerang. So, if that is something you're hankering for, why, you'd be stupid not to pick up "The Death-Defying 'Devil" #2. As for everyone else, you'll probably have an enjoyable yet forgettable reading experience. |
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7
|
Faces of Evil: Prometheus #1 |
Jan 14, 2009 |
(Federico Dallocchio's unique art is almost worth the price of the comic alone, so give it a look in CBR's preview!) |
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8
|
Gravel #8 |
Jan 14, 2009 |
This issue is a great jumping-on point for readers, with a new story that recaps and builds on the previous one, and the return of co-writer Mike Wolfer on art. "Gravel" continues to be a surprising, witty, and fun read " "Hellblazer" were an action story and all John Constantine wanted was beer money. |
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3
|
Deadpool (2008) #6 |
Jan 13, 2009 |
Turning "Deadpool" into a darker book was a choice that made a lot of sense considering his job as an assassin but, instead of gallows humor, Daniel Way opts for gratuity and senseless violence. The opening three pages actually show some promise of wit, but the remaining 19 pages reveal them as nothing more than an aberration. |
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1
|
Kick-Ass #5 |
Jan 10, 2009 |
(John Romita Jr.'s art is great to look at, but just don't read Mark Millar's words in CBR's preview of "Kick-Ass" #5.) |
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7
|
Anna Mercury #5 |
Jan 8, 2009 |
This five-issue series already has a sequel in the works and its ending is another allusion to an Ellis work: "The Authority" #4 where the question of right and wrong is measured in a body count. Were more people saved than died? The Authority were content with the answer while, here, we get a different answer, a more heroic one. Saving the day may be all that matters, but that doesn't mean you can't do it better next time. A wonderfully optimistic message if I've ever seen one. |
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5
|
Eternals (2008) #7 |
Jan 8, 2009 |
The action in this issue really works, mostly because of Eric Nguyen's wonderful art and the ideas presented showing a lot of promise. But the Naufs' execution falls flat, leading to boredom and a wandering mind. Because, really, what is up with those space shuttles? It's really bugging me. |
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7
|
Secret Six Vol. 2 #5 |
Jan 7, 2009 |
(A hooded villain obsessed with bricks who uses a crutch? Check out that oddball in CBR's preview!) |
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7
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The Boys #26 |
Jan 7, 2009 |
(He may not but Darick Robertson, but John Higgins is the next best thing in this issue of "The Boys," which http://www.comicbookresources.com/?page=preview&id=1823" target="_blank">CBR has a preview of!) |
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9
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Scalped #24 |
Jan 2, 2009 |
Two years of "Scalped" comics have come out and each builds on what came before to tell an intricate and complex story, this issue is no exception. While he my have began as an easy-to-hate villain, Red Crow is now a complex man who stirs up conflicted responses. Is he hero or villain? He's neither, because that's not the way things work. Jason Aaron and RM Gura simply present him as a man who tries to do what he thinks right even if those things are wrong. Simply brilliant. |
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8
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Captain America (2004) #45 |
Jan 1, 2009 |
(James Barnes fights the Man with No Face in the past and present in CBR's preview!) |
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6
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Incognito #1 |
Jan 1, 2009 |
(Who doesn't love Sean Phillips's art? Well, check out a whole bunch of it in CBR's preview!) |
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7
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Punisher War Journal (2006) #26 |
Jan 1, 2009 |
(Andy MacDonald's Punisher looks pretty stupid with his big gun on Christmas in CBR's preview!) |
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1
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Rann-Thanagar: Holy War #8 |
Dec 27, 2008 |
I would say that the best thing about this issue is that this series is over, but with "Strange Adventures" on the horizon, neither DC nor Starlin have gotten the message that it's not that no one cares, it's that anyone who did care has simply stopped. |
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7
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What If? (2008): Spider-Man Back in Black #1 |
Dec 26, 2008 |
The final pages are chilling, but also deliver exactly what a "What If?" story should: shocking change that makes you question if what "really happened" was the better story choice. That is the second crucial element, because if the reader isn't wondering that, what was the point? Thankfully, Steven Grant comes through here and provokes that question. I'm not sure what the answer is, but I do want to see a "What If? Spider-Man Back in Black" #2. |
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8
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Batman #683 |
Dec 24, 2008 |
(Neal Adams's bare-chested Batman returns courtesy of Lee Garbett in CBR's preview of the issue!) |
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8
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Thor (2007) #12 |
Dec 21, 2008 |
(Olivier Coipel draws a mysterious, frightening and alluring Hela in CBR's preview!) |
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7
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Doktor Sleepless #10 |
Dec 18, 2008 |
The identity of the suspect and what happens when Preston Stoker interferes will have possibly grave consequences for the good Doktor, and has Singer confronting the reality of what it means to be a cop in Heavenside. Warren Ellis and Ivan Rodriguez are doing strong work on "Doktor Sleepless" and people should start paying attention. |
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8
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Thor God-Size Special #1 |
Dec 18, 2008 |
(Check out Dan Brereton's luscious painted art and Doug Braithwaite's tight pencils in CBR's preview!) |
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6
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X-Files #2 |
Dec 18, 2008 |
(Artist Brian Denham's storytelling is strong, but what's up with the distorted faces? See for yourself in CBR's preview.) |
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6
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Mighty Avengers #20 |
Dec 17, 2008 |
(Lee Weeks on art? Yes please! Check out his wonderful flashback scene in CBR's preview!) |
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5
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The Remnant #1 |
Dec 16, 2008 |
All in all, not a bad start, but a generic one. Where this story goes is anyone's guess, but the opening issue doesn't promise much beyond some solid entertainment. |
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5
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The Death-Defying Devil #1 |
Dec 11, 2008 |
(Give Edgar Salazar's art and the great John Romita Sr. variant cover a look in CBR's preview!) |
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10
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Young Liars #10 |
Dec 11, 2008 |
Harsh, brutal, uncompromising, and, of course, unpredictable, "Young Liars" #10 continues in the grand tradition of previous issues. While the contents may be depressing, the fact that such a comic comes out every month is reason enough to get happy. |
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9
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Captain Britain and MI:13 (2008) #8 |
Dec 10, 2008 |
(Ever seen a demon beat with a paper sword? No? Well, check out CBR's preview of this issue then!) |
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8
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Punisher: War Zone (2008) #1 |
Dec 9, 2008 |
(Get your first look of Garth Ennis and Steve Dillon's return to the Punisher in CBR's preview of this issue!) |
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4
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Charlatan's Ball #5 |
Dec 4, 2008 |
Sadly, Casey just can't make this simple story work with his off-the-wall bits of dialogue and not-so-subtle pop culture references. Five issues in and there's no sign of improvement. |
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10
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Criminal Vol. 2 #7 |
Dec 4, 2008 |
A strong end to a typically strong story that proves, yet again, that "Criminal" is one of the best comic books out there, both in its craft and its content. Brubaker and Phillips grab you from page one and don't let go, even after the final page, as that final panel will stay with you for a while. |
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8
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New Avengers #47 |
Dec 3, 2008 |
The tie to "Secret Invasion" #8 comes at the end and is even more powerful here than it is in that issue. By focusing on the connection between Luke Cage and Jessica Jones, and the importance of family, Bendis makes a heartbreaking moment even more so, which is quite the feat. |
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7
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Secret Invasion (2008) #8 |
Dec 3, 2008 |
While it doesn't provide the best story ever told like everyone no doubt hopes it will, "Secret Invasion" #8 does conclude the story well and sets up the next stage in the Marvel universe in an appropriately surprising and compelling manner, choosing to focus more on character than big plot movements " which is how it should be when you think about it. |
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7
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Thor: Man of War #1 |
Nov 27, 2008 |
(Check out some of http://www.comicbookresources.com/?page=preview&id=1444" target="_blank">the gorgeous art in CBR's preview!) |
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7
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Glamourpuss #4 |
Nov 26, 2008 |
Not a perfect comic by any means, "glamourpuss" #4 does continue the tradition of being very unique and interesting as a process comic, exploring Dave Sim's current obsessions. The big weakness is still the fashion magazine parody elements, but even those have their worthwhile moments. |
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7
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Transhuman #4 |
Nov 26, 2008 |
(See a vision of a possible future by checking out CBR's preview of "Transhuman" #4!) |
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2
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Trinity #26 |
Nov 26, 2008 |
(Check out CBR's preview of the issue and see if it makes more sense to you!) |
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6
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Dragon Prince #3 |
Nov 25, 2008 |
(Check out CBR's preview and see just how easy it is to hop on board this book!) |
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3
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X-Files #1 |
Nov 20, 2008 |
(But, hey, maybe you'll disagree... Check out CBR's preview and see for yourself!) |
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8
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Pax Romana #4 |
Nov 19, 2008 |
Hickman says that this is the first of many stories he hopes to tell in the Pax Romana universe and, hopefully, he produces another series soon, because this alternate history looks to be an interesting one. |
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9
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Scalped #23 |
Nov 19, 2008 |
The art and words work best in emotional scenes, like Dino on the phone with his parole officer. The panic and angry frustration in his words is matched perfectly with his body language and facial expression. Aaron and Guera are perfectly in sync here to the point where it's hard to tell who does his job better sometimes. They are fast on their way to being one of the top collaborative teams in comics today, just as "Scalped" is just about the best book coming out monthly. |
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10
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Aetheric Mechanics #1 |
Nov 18, 2008 |
The solutions to the explicit and implicit mysteries are the same and very quite ingenious on Ellis's part as the revelation both exposes the utter lack of depth in Raker and pushes him to grow beyond himself. "Aetheric Mechanics" may seem simple on the surface, but it is one of the best things Ellis has written in recent years, mixing a sentimentality not often seen with his obsession with emerging technology to a wonderful effect. He and Pagliarani create a world that is intricate, detailed, and not easily dismissed. |
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6
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Ghost Rider (2006) #29 |
Nov 16, 2008 |
(And get your first taste of this brawl by checking out CBR's preview of the issue!) |
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9
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Young Liars #9 |
Nov 13, 2008 |
Lapham's writing is so strong in this book that it's easy to overlook his art, but so much of the story is told there. Since Lapham writes and draws "Young Liars," he has the added advantage of conveying subtle character traits through the art. Simple panels just showing characters sitting around expose their personalities quicker and more effectively than words could. He uses a four-tied page layout effectively, playing within those boundaries and often shifting perspective panel to panel, making for an incredibly confident presentation. Lapham obviously knows exactly what he wants, both in his writing and art, and that's exactly what makes "Young Liars" so effective a book. Not many writers or artists are so sure of what they're doing and so willing to take risks, but Lapham is and it pays off big time. Numerous plot points may not be clear yet, but that Lapham knows what he's doing is never in doubt. |
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8
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Captain Britain and MI:13 (2008) #7 |
Nov 12, 2008 |
(To see some of the great writing and art in this issue, check out CBR's preview.) |
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7
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Gravel #6 |
Nov 12, 2008 |
"Gravel" #6 acts as a slight breather after five-and-a-half issues of Gravel fighting magicians, and as a chance to focus on who he is. It's almost comical to see a man who is not surprised by undead horsemen coming to kill him squirm under the idea of "inheriting" wealth and social class. |
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5
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Station #4 |
Nov 9, 2008 |
However, Carvalho's small flaws aren't what hold "Station" back from being great. His art and Stokes' writing are both competent and not very ambitious. Not that there's anything wrong with that, as it does make for an entertaining albeit forgettable read. |
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6
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Cable (2008) #8 |
Nov 6, 2008 |
(Check CBR's preview of the issue, too. ) |
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8
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Invincible Iron Man #7 |
Nov 6, 2008 |
And if that didn't convince you to pick up this issue, maybe CBR's seven-page preview will. |
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6
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Justice Society of America #20 |
Nov 5, 2008 |
The small character moments in this issue make up for the lackluster, cliched plot, although the two-page history of the multiverse by Starman stops the issue dead. The look on Mr. Terrific's face upon seeing his wife alive, the problems between Huntress and Robin, and both Power Girls' attempts to find out where they belong are just a few of the parts that make this comic better than its whole. |
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5
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Back to Brooklyn #2 |
Nov 4, 2008 |
Ennis and Palmiotti do get things right in making "Back to Brooklyn" #2 very new-reader friendly and explains everything someone who missed the first issue would need to know to follow along. Sadly, the plot isn't likely to keep said new reader engaged, or make him or her want to read issue three. |
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7
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No Hero #2 |
Oct 31, 2008 |
The end of the issue points to the series speeding things up a little, but even the leisurely pace here isn't a big problem. Ellis and Ryp aren't just telling a story here. They're working to create a world that's believable, and are doing a good job at it. |
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4
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Rann-Thanagar: Holy War #6 |
Oct 31, 2008 |
Nothing in this issue seems substantial enough to carry it, not even the supposedly epic Synnar origin, which is a familiar Lucifer-esque story with no fresh insights. Like the rest of this series, there are some interesting ideas, but nothing to really carry the book. |
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7
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The Boys #24 |
Oct 30, 2008 |
The rest of the team keeps itself busy with various tasks, none of which add up to much yet, but suggest payoffs in future issues. This is one of the slighter issues of "The Boys" with so much of it taken up with Hughie and G-Whiz, but there are also a few funny moments, including the final page where G-Whiz arrive at the G-Men's mansion to find them at the door posing in a ridiculous fashion. Again, Robertson's art is the perfect match for Ennis's writing as he poses the G-Men in some of the most cliche and absurd poses. The Boys is a joy to read if only because of the creative cohesion between Ennis and Robertson, and this issue is no exception. |
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