Valiant‘s summer event is off to a cracking start, and I can't wait to see how it proceeds in the coming weeks and months.

4001 A.D #2, to quote a famous fictional character, belongs in a museum art gallery. It is an absolutely visual treat with some of the best artwork you're likely to see in a comic until the next issue.

Thankfully, 4001 A.D. #3is as well written as it is drawn, with the comic moving along at an incredible pace (although when the art looks this good, you may want to stop and sniff the roses every now and then).4001 A.D.has been a fantastic read,and I'm really intrigued by the events in this issue (that I won't tell you about – because you should read it). 30-ish days will be a long wait to the next one.

Between Divinity II and this series, Matt Kindt has written some of the best comics I've read all summer, and his conclusion to 4001 A.D. solidifies the story as one of my favourite event style stories I've read in a long time.

If you're reading 4001 A.D.this tie-in has a window into the consequences ofFather‘s actions (he's dismantling New Japan – a sattelite country that orbits the Earth), and is certainly worth a look.If you're not following4001 A.D.you should still read this comic; it's probably the best4001 A.D.comic released so far.

Houser and Roberts have come together to co-write a comic that introduces some pretty interesting new characters to theValiantUniverse, and I hope that we see more of them going forward; and depending on the reception to this comic, I think that could be likely in the coming months and years.

If War Mother is the future of Valiant, then based on this comic, the future is incredibly bright.

A&A #3 is one of the most entertaining comics you'll read this month, but there's more to this issue (indeed, this series), than the surface would show you. WatchingArmstrong's emotional attachment to his booze is something that will actually make sense about half way through the issue. Despite the fun here, there's a deeper message to be gleaned from the comic's pages, and one that I may be interpreting entirely wrong " I may also be seeing something that isn't there, but at the end of the day, what you take from a comic is entirely down to you, and for me A&Ahas been a brilliant story that reminds me not that anything can be important to somebody no matter what others may think of that item.

A&A: The Adventures Of Archer And Armstrong #4 is an absolutely phenomenal comic, and a brilliant end to the first arc in the current series. Read this, or jump on for #5, either way this simply must be on your pull list.

Pick this up before you leave your local comic shop next time you're in. you'll not regret it.

The entire issue is a fantastic middle finger to the type of by the numbers storytelling that can be commonplace in comics, but it's a bird that's flipped with love " and I enjoyed every page.

There isn't much more for me to say about this issue (but there is a talking bear!), other than I really hope you go out and start reading this series. Whether you begin with this arc or not, when you pick up A&Abe prepared to find your new favourite comic.

If you're looking for a new series to add to your pull list, then look no further. This is one of Valiant's best titles right now.

Not the best comic in the series, but it's still one I enjoyed more than most of the other comics I read this week. Take that however you want.

With only two more issues leftRoberts doesn't have to worry as much about attracting new readers, and instead gets to tell a pretty off the wall story that's a breath of fresh air. It'll be a shame when this series ends, but I'm going to cherish every issue till then.

Although A&A #11 doesn't really add anything new to the formula that's been followed so far in the previous ten issues, what we do get is a comic that's nothing short of entertaining from cover to cover; this isn't the time to reinvent the wheel, this is the time to deliver a great comic " and that's exactly what fans of this iteration of A&A are getting here.

As a concluding issue, this really was everything I could have hoped for. The art was awesome, and the dialogue witty and on point. To say I'll miss this series would be an understatement, but at least it ended with a great bloody bang.

As you may or may not be aware, I also write the weekly “DC Rebirth Recap and Review” where we look at how easy it is for new readers to pick up the week's issue with very little backstory, so it should come as no surprise to you that I'm a big proponent of the recap page. Although there was a recap page here, it wasn't overly necessary to enjoy the comic itself – yes it helped establish why Laura and Gabby were doing what they were doing at the outset of the comic, but the following issues are set up more with the appearance of Ironheart than any previous events, which makes this ideal for new – or returning – readers.

One of the more interesting things to me about Armstrong was that due to the nature of how he became immortal, he always knew it would end at some time, and so it's brilliant seeing his casual nonchalance about the potential imminent end he's facing whereas Archer is less than thrilled. Given that a lot of the stories around the pair tend to have Armstrong acting as a damage sponge in darkly humorous ways, I'm looking forward to following the series to the conclusion of the arc.

I've enjoyed the first two issues of this series immensely, and in more ways than one it's like coming home to visit an old friend.

You really can't go wrong with any book featuring Archer and Armstrong together, but when they're written well, holy shit, is that a comic that you should be reading. Archer & Armstrong Forever is a book where the characters are written really well don't miss this.

I ended the review last month with this: "you really can't go wrong with any book featuring Archer and Armstrong together, but when they're written well, holy shit, is that a comic that you should be reading. Archer & Armstrong Forever is a book where the characters are written really well don't miss this. Ultimately that's still entirely true even with the falter (and you know, there's every chance that I read this on an off day I'll happily admit that), this is still a comic I'll be adding to my physical collection.

Armorclads #1 is a rush, and serves to remind us all of why Valiant should always be on your radar whenever they're releasing a new series.

Armorclads #2 remains a happy diversion from life for the ten or so minutes it'll take you to read. Ultimately, I can't ask for more than that.

Armorclads #3 is good; it's really good. The setting isn't something I would usually aim for in my reading, and if it wasn't for the fact it was a Valiant book I'd probably not have read it. If nothing else, the series is helping this crotchety old man expand his reading horizons.

Armorclads #4 begins to bring the story to its conclusion, but after this issue all I can say is I want more. More mech battles, more details on the world's history that we've only begun to scratch into, and more of the spunky Ironclads who are too stubborn to know when they're outclassed. Thankfully there's another issue next month.

Armorclads #5 isn't the conclusion I had hoped for, given the number of threads left dangling, but it's still going to be a satisfying enough ending to the first trade; here's hoping the next part won't take too long to turn up.

Everything else is just the cherry on top of a wonderful sundae.

If you've never played an Assassin's Creed game, or read one of the other comics being published by Titan, then don't worry. While it certainly helps if you have some background to the universe, it's not required for you to enjoy this series. If you're a fan of the AC universe, or characters like the Shadow, then this is a series that you're going to want to get in on from the ground floor.

Rarely do I read science fiction comics I enjoy as much as I have Astro Hustle. All the hallmarks of a great story is here, from the commentary about privilege, punishment and corruption for those willing and wanting a deeper story, but there's also a flat out exciting story if you just want to be entertained.

Whilst I doubt this book will be read by those who haven't seen the movie, if you fit into that category then you'll still be able to enjoy the book. Obviously, having seen the movie will allow you to really dive in and enjoy the comic (especially if you liked the movie).

It's a comic that's worth reading if you're interested in a unique take on a hero's end of days.

On the whole I was impressed with the first issue, and the second issue has built on the promise of the first. Grant, Alves and Ferreira have created a deeply intriguing series, one that's well worth adding to your pull list if you're interested in a unique take on a hero's end of days, and the train wreck he's causing as he goes out in a blaze of glory

Batman #5 is strong conclusion to an arc that has certainly had its problems, but none big enough to hamper one's enjoyment of the story "including within this issue " but we're getting a different version of Batman than we have in the last few years,which when combined with the moments of brilliance within the series so far more than compensates for the odd crack in the wall.

With this being the first issue, there's a bit of a slow build to the inevitable occult madness, but Dorkin and Dyer set the pace of the comic really well – building slowly toward the following chapters where the shit (and probably blood) will surely hit the fan. Beasts Of Burden: Occupied Territory #1 is another fantastic entry into the series lore, and I cannot wait for the next issue.

If you want to read something unique this week, with some great water color style artwork, then you can't go wrong with this comic.

When it comes to any story written by Jeff Lemire, I usually find there's a slower start (though that doesn't mean I'm not normally hooked within the first issue or two), but that's not the case here. The opening salvo to this story grabbed me by the scruff of the neck and screamed: “READ ME!” So I did. And I'll continue to read this series until it's over.

When it comes to any story written by Jeff Lemire, I usually find there's a slower start to where the writer establishes his setting – that wasn't the case last issue, and with the slower pace in Berserker Unbound #2 I can't help but feel that this is a deliberate choice to illustrate the mundanity and hopelessness of the Mongrel King's new situation – Lemire is the kind of writer that has a long game in mind, and I have every intention of sticking around to find out what that is.

I thoroughly enjoyed this comic, with its mixture of fantasy and the modern world working together in a way that adds a unique twist to a well used trope. I'd expect nothing less from a writer of Lemire's caliber.

Add it to your pull list today, and I promise you you won't regret it.

Make no mistake, I will be buying this when it's released next month.

Bloodshot #0 is probably the best comic in the series so far. It is successful as a bridge between stories, as a single issue standalone story and as an introduction to Bloodshot #1 and the character as well. All in all, that's a home run for the zero issue, which is far more than I expected from an issue which has often been little more than a stop-gap between the numbered issues.

Make no mistake, I will be buying this when it's released next month.

It's a very fun book, and sometimes that's all a comic needs to be.

It's a very fun book, and sometimes that's all a comic needs to be.

This comic is a brilliant start to the new arc. It's a fantastic introduction for anybody intrigued by the movie trailers. So far, you really can't go wrong with this series.

I said last week that you really can't go wrong with the series if you're looking for a fun action-based comic – and I stand by that. This isn't a revolutionary book, and there are arguably deeper comics out there – some even from the same publisher – but there are very few books on the racks that are as much fun as this one.

Bloodshot remains one of the series I look forward to reading each month. This wasn't the best comic I've read this week, but it still comes with a big fat stamp of approval from me.

Bloodshot remains one of the series I look forward to reading each month. This wasn't the best comic I've read this week, but it still comes with a big fat stamp of approval from me.

Every time I open an issue of Seeley's Bloodshot, it reminds me why I love reading comics; it's fun, looks great, and there's always more meat to the story on the second and third read through as you pick up on the subtleties of Seeley's dialogue and the details in the art. You can't go wrong with this book – it's a must-read for all the right reasons.

Bloodshot #9 aside, reading an issue of Seeley's Bloodshot has always been a great reminder of the excitement I used to have reading comics, and while this issue doesn't have the same nostalgic magic that previous issues have had, it is still one that's worth reading if you're following the series. But it won't be the best place to start reading the series.

Bloodshot #10 is a return to the series previous energy and flow, kicking off another arc that should allow new readers to hop into the series with relative ease. What isn't captured in the recap you can figure out from exposition in the dialogue. A return to form after last issue, which is always good news for any jumping on point.

Bloodshot #11, the penultimate chapter in the current arc before the series goes on hiatus, is another enjoyable book that gives fans what they've come to expect from Seeley's run with the character; a fun, fast paced story that never quite gives you time to breathe (until it does). Honestly, this isn't my favorite Bloodshot story, but I'm still really enjoying it all the same.

Seeley wraps up this series with Bloodshot #12 satisfactorily. He pulls on aspects of Lemire's run without revealing specifics, which is perfect if you've yet to read those issues after getting a taste of Bloodshot with Seeley's run. It was a solid run, albeit one that was certainly impacted by the shifting release schedule, but I think it was a step in the right direction for the character, aligning the comics with the movie whilst still entertaining the hell out of me. I'm curious where the character will be headed in the future – and we won't gave long to wait, all things considered, as Bloodshot will return in 2022.

Bloodshot USA #1 isn't about balls-to-the-wall action, but rather getting the reader engrossed in a zombie-style story as onlyValiantcan do – and that it does exceedingly well. If the publisher's track record is anything to go by, you'll want to pick this series up. It's going to be bloody, brilliant, and well worth the read.

Bloodshot USA #2wasn't a perfect issue, but it was good enough for me to tune out the world for twenty minutes, and that's all I ever wanted in a comic.

WasBloodshot USA #3the finest issue in the miniseries so far? In a nutshell, yes it absolutely is. It's a page turner from start to finish, and it's not bloody long enough.

Bloodshot USA is one of the highlights of the Bloodshot story so far, and a large part of that is this conclusion.

Whether you're going to pick this issue up ultimately depends on whether you're already a fan of Bloodshot; if you are, this is a fun interlude that adds some background to some characters that previously hadn't had as much time devoted to them. If you're not already a fan then you can still enjoy this issue because Rahal's take on the men-out-of-time angle pulls at the heartstrings in more ways than one. Despite this being a oneshot in the Bloodshot world, it's still a really well written story that stands on it's own remarkably well.

It's just not required reading if you're already invested in the series.

This is a typically solid start to an arc, which is what you can usually expect fromValiant, but I've noticed that some (perhaps too many) of Valiants arcs tend to havea strong start tapering off to a slightly weaker ending, so I'll keep my expectations lower for now. However the story ends, though, this is a great jumping on point if you're curious about ol' Bloodshot.

Bloodshot Reborn #15 is an excellent second chapter in Bloodshot Island, surpassing the first with ease on every level; the entire issue was a joy to read from start to finish.

Bloodshot Reborn #16 is one of, if not the, best comic so far in the series. Lemire is firing on all cylinders, with the plot getting very interesting, and his dialogue between the newest Bloodshot and Bloodhound being a particular highlight. But it's the art from Mico Suyan and colourist David Baron that steals the show yet again. The comic is quite possibly one of the best on the racks this week, rivaled only by Valiant's 4001 A.D. #4, and is a pleasure to read.

Bloodshot Reborn #17is, so far at least, the best comic I've read this week (and I'm about 80% through my stack), which,honestly doesn't surprise me. However, if you're new to the series, this isn't the place to start – either wait for the trade containingThe Analogue Manand start there or look forBloodshot Reborn #1,otherwise you'll be a little lost.

Don't get me wrong this is a good issue – and the art is superb – but it's not exactly a comic that's a must read in terms of additional story content.

This comic has surprised me. Obviously I hoped to enjoy it, but I never honestly expected it to turn into a must read book. Next month is too far away…

At this point there's very little here for existing fans, whereas new readers will have a wealth of things to discover with the character " and if Bloodshot: Rising Spirit is their gateway to Bloodshot and Valiant in general, then that's no bad thing.

Bloodshot Rising Spirit #3 gives us yet another variation of Bloodshot's origin and his memory implants which does lead to a somewhat amusing Man-Out-Of-Time scenario, but that's not nearly enough to elevate the comic into being a must buy. At the end of the day, there's just not enough here to earn my recommendation, which has been consistent for the last two issues. There's a reason that this series has fallen off my pull list.

If you haven't been reading the series thus far, then this is as good a place to start reading as any. Largely because it's one of the better issues thus far, but also because you don't need to know much about the previous events to enjoy an action packed Bloodshot: Rising Spirit #4.

The best thing I can say about this series after five issues is that because it's a prequel, you won't need to read it in order to follow Bloodshot's story from Reborn, USA Island and Salvation which is good because you're really not missing much. When it comes to reading this series, one could (perhaps should?) be asking "what's the point?"

Overall, this represents a strong increase in the quality over previous issues " whether that's due to Eliot Rahal and Rags Morales joining the team or not I'll leave up to you. After the struggles the series has had thus far, it's refreshing to see that there's still hope that Bloodshot: Rising Spirit can end on a high note.

At the end of the day, this isn't enough to redeem the series. Rahal will end the series on a high note if he keeps going like this.

When it comes down to judging the comic on its own merits, I think that Bloodshot: Rising Spirit #8 is a solid read, and I'd almost recommend you picking up the final three issues; but when you look at the series as a whole, I'm left feeling somewhat empty. It just isn't that great of an eight issue run.

It's no mean feat that Valiant have been able to put together such a compatible creative team; there's no weak link here " each person creating this comic is producing some of their finest work.

If you missed the first issue then you'll be happy to know that you can pick this up and get into the story pretty easily – there is literally no excuse for you not to read this (unless you're not too fond of action comics with some incredibly intelligent story telling and plot building). Seriously, in a time when comics are being accused of retreading the same old ground, this series is a breath of fresh air.

Between Lemire's writing and the phenomenal art,Bloodshot Salvation #3is a nigh on perfect comic. If you're tired of the typical formulaic spandex superheroes, then this is the nanite fueled adrenaline shot you've been waiting for.

Bloodshot Salvation #4is a bit of a break from the story running though the first three issues, but it's one that teases out the cliffhanger of the previous issue with a fleshing out of characters that, ultimately, needed a bit of fleshing out. How this will play into the rest of the series, well we'll find out sooner or later, eh?

There's a reason I think Bloodshot Salvationis a must read series, and this issue is a perfect example. You will be hard pressed to find a better comic released this week.

A comic that, through no fault of its own, struggles in comparison to an issue that 90% of you won't have read yet (but you will next month) is still a very good read nonetheless. Start reading this story now, and be prepared for one of the best issues of the year next month.

Whether you're a fan of Bloodshot, or Valiant, or you're not,Bloodshot Salvation #7is a book you'll want in your collection as an example of a master craftsman at his very best, producing a seminal work of art that transcends conventional wisdom of what makes a comic work.

Bloodshot Salvation #8had a hell of a task to match up to the previous issue, but it's a task the comic meets with a nanite fueled punch in the eye. You won't read a better comic this week.

It's not a must-read comic in terms of the story, but you will kick yourself if you miss this wonderful example of sequential art.

Bloodshot Salvation #11does stumble out of the starting gate, however upon reflection some form of recap was needed (I just don't think we needed as much of it as we got),but the penultimate issue of the series leaves us with a great set up for an explosive finale. For me, the good far outweighed the annoyances in this issue (I'm not saying “bad” because nothing here was bad – just a little too familiar), which leaves us with a compelling comic chock full of some amazing artwork and a few eye opening moments as Lemire brings the series home.

Ultimately,Bloodshot Salvation #12just doesn't have the page count to allow it to end as well as it could have, with the standard number of pages leading to a truncated ending, and the unanswered question of what could have been had Lemire and the others been allowed another five to ten pages.

As an introduction to the character, this is as good a place as any to start; I mean, really when it comes to an action book, there's not much more that you can be looking for. Bloodshot Unleashed #1 is a bloody fine comic.

The rest of the comic is decent, if unspectacular. And I think that's the biggest gripe I have here; nothing is done poorly, but itnor does ever really threaten to be anything other than decent.

What we do get is quite enjoyable, and all the elements are in place for a great story, butthey neverquitecome together.Blue Beetle Rebirth #1 isn't a bad comic, but it's not the best to have come out ofRebirth,either. Here's hoping we have a series that gets better with every issue because the potential of the comic is just beneath the surface – and it's huge.

Book Of Shadows is only the first issue, and while I can't help but compare it to the earlier story Book Of Death because of the name, the new series is already starting to pull itself away from anything the Valiant universe seen yet. With this creative team at the helm, Book Of Shadows has earned its place as one of the series I'm most excited to read over the next few months.

For a comic that's achieved a significant amount of hype over the past few months, even going so far as to sell out of the first printing at the distributor level, you'd be forgiven forexpectingthe comic to fail to meet the buzz that's been building around it – but that's not the case here;Valiant‘sprestige format miniseries supposedly featuresa better quality of printed comic, which was certainly the case withDivinity II, but the review pdf that I have access to obviously doesn't allow me to judge that side of things (I'll update the review once I've picked up the physical copy my comic shop has for me).

While this is the first chapter in the third volume, one can start reading here with only minimal trouble; most of what you need to catch up is given to you in the recap page, and the rest you can pick up through the dialogue and narration as Axia navigates his way through ancient Rome. Ultimately, well worth checking out if you're looking for something different from your traditional superhero fair.

AlthoughPeter Milligandelivers a really solid story, the highlight of the comic for me is the art ofJuan Jose Ryp. His hyper-detailed style fits the period, effortlessly captures the Roman citizens in the civilized brutality that we often associate with the time period (and especially the Colosseum), but the way in which Ryp captures Nero's facial expressions hints toward a level of madness and paranoia not seen before in the series. As good as Miligan's story and Ryp's art are separately, the combination of the two elevates this into a must buy comic, whether you've read the first volume or not.

With Britannia #2,Peter Milligan delivers a comic far removed from the superhero fare that fills many of the racks at your local comic shop, but it's also far better than most of those comics.We're halfway through the miniseries now, and I've loved every page so far.

As the series hits the mid way point, we're treated to one of the better offerings in Axia's story thus far, which I'm hopeful is an upward trend in quality and not the the peak.

Look, it may seem as though I'm being overly harsh on the comic, but with the promise shown both during the first miniseries and in the synopsis of this series… I just feel like there's a better story beneath the flaws of this issue. I don't know whether we'll get it at this point. Ultimately, this is still worth reading if you've read this far into the series, but just be aware that it's not as solid as previous issues in the series.

Britannia: Lost Eagles Of Rome #3has this miniseries on pace to be the best yet of the three in Peter Milligan's story – and was the first in which I wasn't waiting for the cameo of another Valiant character. Ultimately, if you're already reading this series then you're going to be happy with this issue. If you're not partaking inBritannia, why not?

It's not often I find myself enjoying a horror-tinged comic as much as I have been withBritannia, and I can't recommend it highly enough to you.

Britanniawas quite unlike anything I expected going in, and I bloody loved every page. Another home run from one of the best comic book publishers around.

At the end of the day the issue does have some minor problems; theScooby Dooesque conclusiondoesn't work as well within the general context of the story as I'd have hoped, and had the line “and I would have gotten away with it if it wasn't for that pesky Detectioner!” appeared I wouldn't have been surprised. But I think I would have laughed.

I thoroughly enjoyed the series, and hope that Milligan and Valiant have another in the works for us.

Markisan Naso and Jason Muhr are probably my favorite writer/artist combination in comics, and at this point they've earned my trust when it comes to whatever new series they're putting out, and this comic just reinforces that trust. You're doing yourself a disservice if you're not reading By The Horns. The next issue of By The Horns: Dark Earth will come out in July and while I've already got it on my desktop, I still can't wait to get my hands on the physical copy.

By The Horns #1 is another blinder of a comic by Naso, Muhr, and Tabacaru. Get to your shop and make sure to grab a copy.

By The Horns #2 is probably the best issue to come from this creative team, which surprises me because my expectations were sky high already. Naso, Muhr and Tabacaru are one of those rare teams where everything just clicks into place, and we end up with a fantastic comic book.

Markisan Naso and Jason Muhr continue to go from strength to strength as a creative force, and are one of the few teams I'll pick up anything they put out (and I literally mean that despite being given review copies, I own the floppies and trades of their previous works). By The Horns: Dark Earth #2 is awesome a chapter that's going to work beautifully in the collected edition, but one you shouldn't wait to read. This series is fresh, exciting, and head and shoulders above anything else on the racks right now.

At the risk of sounding like a broken record, you REALLY can't go wrong with this series; it's so much fun and yet emotionally heavy at the same time.

By The Horns #3 is a genuinely fantastic comic. If you can find the other two issues, then you're in for an absolute treat. If not, then it'll be well worth grabbing the trade when it releases. This is probably the book I look forward to most every month, and I've yet to come even close to being disappointed.

Overall, By The Horns #4 is another check in the win column for this exciting creative team. The series was just picked up as an ongoing by Scout and I'm not at all surprised because the quality of the comics; Naso, Muhr and Tabacaru deserve all the success with this series.

At the risk of sounding like a broken record, you REALLY can't go wrong with this series; it's so much fun and yet emotionally heavy at the same time.

Overall, By The Horns #5 is once again evidence as to why Naso, Muhr and Tabacaru are a team to keep on your radar. Scout have an excellent series here, and I hope that we get to see a lot more of Elodie and Sajen in the future (note that this isn't the end of the series, just my personal wish that the ongoing continues for a long time).

At the risk of sounding like a broken record, you REALLY can't go wrong with this series; it's so much fun and yet emotionally heavy at the same time. With the next issue coming out in March, the wait is going to be a long one.

The story builds upon the previous issue's cliffhanger, and while the flashback nature doesn't push the plot forward per-se, it does ramp up the emotional tension and connection the reader has for the characters – which for me at least has the effect of investing me more in the story than I already was. And that's a hell of an achievement for any comic , let alone a silent comic. I can't wait for the next issue.

Naso and Muhr have structured the comic in such a way that it's an illustrated journal from E

You're doing yourself a disservice if you're not reading By The Horns #7.

You're doing yourself a disservice if you're not reading By The Horns. The next issue will come out Spring 2022. I can't wait.

By The Horns: Dark Earth #8 really advances the plot in the seriesPosted on April 26, 2023by Alex K CossaLeave a comment

Campisi: The Dragon Incident is another book that upholds Aftershock's reputation as a quality comics publisher; if you see a comic that half interests you with the Aftershock logo, you can have confidence that at the very least it'll be a good book that's worth reading. Whether it's up your alley is something else, but you're not likely to find an Aftershock comic you don't like because its creative team were having an off day.

Because let's face it, unless you're already a fan of the character, you're reading this in advance of the movie to get a handle or refresher on the character. It's what I did. My friends, let me tell you happily that Captain Marvel: Braver & Mightier #1 is ideal for that. You really can't go wrong with this. It's easily the best book of the week for me by a country mile.

I wasn't sure what to expect from the first issue of this series, but now that I've found what could easily be one of the better comics from Action Lab, I'm looking forward to the second issue. Cold Blood Samurai took me by surprise – a wonderfully elegant surprise.

Even having never read a Conan The Barbariancomic from whenMarvelheld the licence, I still found this to bean enjoyable comic.

Conan The Slayer #1is ideal for those who have a passing interest in the Cimmerian; the comic opens with an effective display of how dangerous Conan is, before taking a more self-reflective and introspective tone (well, as far as Conan gets, anyway). The comic is well paced, and the story doesn't feel as though it's crammed into the pages given (or stretched out to make page count), rather it strikes a fine balance between the two. Now while the issue more than stands alone on it's own merits, it also succeeds in making me want to come back for more next issue.

Dead Man Logan #4 is a great read, and while the series has an epic feel to its scope and potential, there are a lot of great nods and touches that leave the comic a very accessible feeling. It's odd, really, that the two sides of the story blend so well, but I'm not going to complain. This is a solid comic, and one well worth picking up (it's also one of the best Wolverine series I've read in a long time). I can't wait to read the next issue.

The only issue I have is how long it takes from the initial set up of the joining of Howard andDeadpool to the act itself – we clearly know it's going to happen, so why take your time doing it?

Overall this is a solid start to the miniseries, reintroducing you to the world of Dunwall, or giving you just enough to get you hooked, but its not spectacular – yet. Stick with the series, though, because I have a feeling that's going to change.

This is an utterly brilliant comic in every way.

Divinity IIstarts stronger than the previous series did, and I can't wait to see how this story plays out over the next three issues.

In a summer where both DC and Marvel are putting out some heavy hitting event stories Valiant are on pace to deliver the best of them all with Divinity II.To say that I am absolutely loving this series would be a bit of an understatement; even only two issues in there has been so much to enjoy.Divinity IIis reminding me why I love comics all over again, and I can't get enough of it.

If you're not reading Divinity II, I genuinely feel sorry for you. You're missing out on the best comic of the year.

I may not have wanted a sequel to Divinity, but I'm sure glad that I got one. This is a book that only gets better with each read through.

As a first issue, this comic is pretty much perfect.Without a doubt, this isValiant‘s best comic of the year – don't be surprised when you see this bringing home the awards.

I just can't accurately convey how awesome this comic is; the creative team are on one hell of a streak with this series, andDivinity III #2is another brilliant chapter in what's shaping up to be one of the best event stories of the year.

With only one issue left in this miniseries, I can't wait to see how Matt Kindt is going to wrap this up (I was going to say I wasn't sure he'd be able to, but… I'd be lying if I said I didn't trust the man to wrap this story up with a single issue).

Divinity III: Stalinverse #4 is so much better than I expected it to be – rarely have I read a story that concludes as strongly as this did.

But, let's be honest, this comic is not required reading for your enjoyment o fDivinity III. That doesn't mean it isn't worth your money, though, and will give you a deeper understanding of the character in this universe.

As a tie-in comic this is pretty good, but when you read this as an Archer and Armstrong comic then itwill reinforce everything you thought you knew about the characters in a story that'll make you want to read it several times over.Rahal‘s understanding of the two unlikely heroes is awesome, and really comes across in the story – if he were given a shot at an ongoing series featuring Archer and Armstrong then I'd be all over that like sprinkles on a donut.

For X-O fans this is bordering on a must-read comic, for those reading the main series, you'll want to check this out for the moment mentioned above, and for the rest of you? Well, that's on you. This is a well written, wonderfully illustrated one-shot comic from one of the most exciting publishers around right now.

Of the three tie-ins released so far in conjunction with Divinity III, this is the only one that I feel genuinely adds to the story as a whole; the others are good comics, dont get me wrong, but if you didnt read them then youre not missing anything integral to the story (of course were only two issues into the main arc, so things could easily change). If youre reading Divinity III, then youre going to want to get your hands on this.

Whether this is your first time reading a Doctor Mirage or you're returning to the character then you're going to find a very compelling story. The creative team have delivered far above what I was expecting from the comic; in a week with some great reads hitting the racks, this is one that may get missed by too many people. Which is a shame because it's one of the best that I've read so far.

Quite possibly one of the most exciting things on the shelves today – I urge you to check this out.

I've loved literally every page of this series so far. While I've been reviewing them based on a review pdf, it's the physical comic that shines so well. I say this because I have also been buying the series, in part because I wanted to see the art without a watermark on it and in part, because I will always try to buy the books I enjoy in order to support the series.

Vissaggio's pacing has been great throughout the book. As the penultimate issue in the series, she's set this book up for a wonderful finale. I can't wait.

For a comic I didn't expect to enjoy all that much, Doctor Mirage has become one I'll return to time and again.

Just because it's an all-ages comic, doesn't mean it's for kids. It means kids can enjoy it along with their parents. This is an exciting, fresh new story from one of the best publishers around. Don't miss what is sure to be one of the must-read books this quarter.

I'm one of those people who tend to shy away from all-ages comics because they're usually not part of the main continuity of whatever universe I'm following, but with Doctor Tomorrow being another Valiant book that just happens to be all ages, that excuse to avoid the comic has gone. And I'm happy about that, because if I missed this then I'd miss a slice of fun and brightness that we all need right now.

The one downside with reading new-to-me comics and rereading older books, especially older Valiant books, is that this doesn't stack up quite like I hoped it would. If you've been reading the series, you'll know more or less what to expect from the comic. However, if you're thinking of picking it up for the first time, then you'll not find anything here that'll set you world afire, but you should still enjoy the store so far.

After the dip of the third issue, Doctor Tomorrow comes roaring back for the finale that will likely add a new twist to a battle we've already seen several times in the series so far, and I fully expect to be launched into that fight almost immediately as Doctor Tomorrow #5 opens up.

Doctor Tomorrow #5 brings this story to a close whilst also establishing a baseline for future stories with these characters " something that most miniseries from Valiant have been doing over the last year or two. On it's own merits, though, the series was an interesting take on the traditional superhero/sidekick dynamic, and will be one that Valiant should mark firmly in the Win column. It may not have been as action packed as Bloodshot or as deep as Rai, but Doctor Tomorrow is just plain fun, and you really can't go wrong with a good comic that's entertaining.

At the end of the day, if you're a fan of Gilad Anni-Padda then you're going to want to read this. If you're not, and you want to learn a little about the immortal warrior, then read this. Hell, if you just want to read a good comic, then this one-shot will allow you to scratch that itch.

The way Kindt is able to weave both the far cosmos into a grounded and relateable tale whilst being able to make some theoretically unrelatable godlike beings very human is something to behold. Given my love and admiration of the first three Divinitybooks,I had some huge expectations for this series, and honestly I am shocked that Kindt, Hairsine, Winn and Baron have been able to exceed them. There's a reason thatDivinityis so critically acclaimed – it's time you find out why.

Yet despite the comic taking place as far from Earth as you're likely to get in the Valiant universe, it's also one of the most intensely human and relatable stories the company have published recently.Eternity #3is a nigh on perfect comic in a series that brings the focus of the franchise back to Divinity, and the very human soul wielding godlike power and away from the alternate realityStalinverse.As much as I enjoyedDivinity III,Eternityis shaping up to be a much stronger story in almost every way.

Eternity #4lives up to the high standards set by the creative team's previous offerings in the saga, as it brings the miniseries to a powerful conclusion. For me, this is an early contender for book of the year, and is an absolute must-read for any who have been reading the series, those looking for something a little different, or those who want to experience a comic that sets a high bar for the rest of the industry in every way imaginable.

Add this series to your pull list and find out whyyou should be reading this comic; becauseit's the kind of comic that all superhero fans should be reading.

I used thisJody Houser quote in my review of the first issue, but it's a great quote, so I'll end with it today: “[Faith] represents a group of people not featured in comics very often is important, but its not the most interesting thing about her. People want to see themselves in comics, but they dont want to see a character who is just one aspect of themselvesthey want to see a fully-fledged person.

If you read comics, or you're involved in geek culture in anyway, then this is the series for you. Faith reminds me why I love comics every month, and I can't thank Jody Houser, Pere Perez, Andrew Dalhouse and Maugerite Sauvage enough for that.

To claim thatFaith #4is anything but a light hearted fun comic would be a fallacy, yesthere are still little jabs at comic book tropes, but over all this isa beautifully illustrated comic that's justfun to read.

Whether you agree with them or not, make sure you do exercise your right to vote on November 8th. You can find your local polling place through Rock the Vote.

With Faith #6 the creative team have hit another home run " this comic is the best thing I've read all week.

Overall, I'm intrigued by the direction this story is taking, and I'm looking forward to the next issue.

Now, despite me having just spent the better part of the review picking holes in the comic, if you're already reading the series then you'll want to read this issue because it does lay some groundwork for the future, and despite my hang-ups it's not as bad as I've probably made it sound –I don't regret buying the issue at all.

Faith #9 is less about Faith than it is about the people she works with and how the feel working with a superhero. It's honestly a really interesting story for fans of the character, but it will also make a very interesting read for fans of other superheroes who works at a newspaper like career who haven't revealed their identities to those around them; imagine it as an Elseworlds or What If? story

Unfortunately, this issue just didn't click for me this month, but seeing as how this is the first time that Jody Houser has faltered in fourteen issues withFaith across both the miniseries and the ongoing, I'll be back with bells on for the next issue.

I've no idea where the story line will be heading next, but my faith in Faith has been restored.

If you've heard good things about Faith and you want to check the series out, then start with either of the first issues from the mini or this series. Just don't start here, because the most exciting thing about this issue was the preview text. And it grieves me to say that about one of my favourite series.

If you can find a copy, grab it. Grab it and find out why Faith is so amazing.

Ultimately, this issue has everything you want in a good comic; it makes you genuinely think while providing enough humour and action that you may not even notice yourself doing so. I hoped I'd enjoyFaith And The Future Force #1, but I didn't think I'd enjoy it as much as I did.

As far as time travel style comics go, this is an enjoyable diversion from your daily life for however long it takes you to read it. If you're in you're LCS in the next couple of days and you see this there, take a chance on the series.Faith and the Future Force #2is a fun story that explores the intricacies of time travel and a hero's willingness to save the world.

As far as time travel style comics go, this is an enjoyable diversion from your daily life for however long it takes you to read it. If youre in youre LCS in the next couple of days and you see this and the first two issues there then take a chance on the series.Faith and the Future Forceis a fun story that explores the intricacies of time travel and a heros willingness to save the world at any cost.

Ultimately the comic, and series as a whole, triumphs over the flaws in this issue – and while this could have easily been another arc within the ongoingFaithseries, you're not going to be lost if you've never touched the previous material asFaith And The Future Forcestands alone as an entertaining story with a meta message.

Faith: Dreamside #1took me by surprise when I read it (so much so that it took me a week to finally sort my thoughts out on it). I always try to go into each comic without any expectations, but I'm only human –Dreamsideexceeded the expectations I had for it. This book was a genuine pleasure to read from cover to cover, and reminded me once again why I love reading comics.

Faith: Dreamsidehas become a fun diversion in the Valiant Universe after the rather chaotic and at times lackluster results ofHarbinger Wars II, reminding fans and readers alike just what the company is capable of when not trying to write the next Epic Crossover event. Within this issue we see some brilliantly subtle nods to pop culture (and some pretty overt ones as befits the characters of Faith and Animalia), a condensed yet suitably epic journey and confrontation with a conclusion that sets up the fourth and final issue in the series magnificently. I can honestly say I didn't expect to enjoy this story as much as I currently am.

Houser's run on Faith has been a personal highlight, and while I genuinely and sincerely hope she continues, if she doesn't then this is a great way to move on (but seriously, Jody, please don't go anywhere!). The hallmarks of a great Faith book are all here; the references to pop culture, Faith's unique way of dealing with a situation that flies in the face of established tropes, and a genuine happiness that emanates from the pages; regardless of the story content, reading this comic just made me feel happy. This is what comics can do for you; push away the blues and remind you why you fell in love with comics in the first place.

As a launching point for a new miniseries, this is a really good comic. But Fallen World #1 is also a launching point for a new era of Valiant's future time line – and it takes that challenge and [insert random sports analogy here denoting massive success]. This issue has me genuinely excited for what comes next.

My expectations were pretty high coming into the second issue, especially given how I felt about the first (as a side note, Fallen World #1 was the first comic I bought two copies of because I liked the covers – usually I buy a couple copies if one is a blank sketch variant). This issue is one of those comics that narrows down the scope and focus of the story, and ends up making the entire premise that much stronger.

Although Fallen World #3 didn't quite grab me the same way the other two issues did, this is still a solid comic by a creative team who are for the most part firing on all cylinders. This event is shaping up to be something special.

That said, this series is still buoyed by two remarkable issues at the outset of the series, and another pretty good one right in the middle. While there has been a downward trend appearing, we've still got an issue left that will allow Abnett, Pollina and co to course correct for a much better finale than the fourth issue implies we'll get. But, after a disappointing fourth issue, I'm still cautiously optimistic about the fifth.

Although the series didn't end as strongly as it started, the was a significant upswing in terms of quality from the previous issue. Overall, as a reintroduction to Rai and the cast of the 4001 Fallen World was an unreserved success. As a standalone story? Well, as I said, it's a great introduction to kick off the next chapter of Valiant's future timeline.

Farlaine The Goblin #5is another brilliant chapter in the goblin's journey to find a home, and it's one that you really need to check out. There is no reason for you not to be reading this. This issueis available now, with the sixth on the way soon

The Free Comic Book Day special also includes an interview with each writer, which serves as another way to hook you into the upcoming stories (as if the two preludes weren't enough). If this wasn't free, I'd tell you to go buy it.

Both stories feature art from two of the most visually exciting artists around; Tomas Giorello and Juan Jose Ryp on the first and second story, respectively. Given that this is a free comic, one could almost have expected Valiant to give the stories to a couple of up and coming artists, and not ones of this caliber. The effect of this is that despite there being two distinct art styles within the book, they're both wonderful to look at and each artist adds a lot to the story despite the reduced page count.

This series, after one issue, is looking incredibly promising. I just hope we don't get the story from the previews.

I'm not typically fond of this style of art, but here's an exception to that; without the shift, I don't think the comic would be as strong as it is. Generation Zero #3 is an overall enjoyable comic. It's not the best one I've read this week, but it's far from the worst " the story is furthered, plot details emerge" and the issue builds upon the previous issue in the series very well. I think that once this story is collected in trade, it's going to be a fantastic read.

I'll be back next issue, but largely to see where the subplot leads. Hopefully the rest of the comic picks itself back up.

This issue sees a tense confrontation between Generation Zero and the Rook Police Department, as well as shedding some light on earlier events that's going to make you want to reread the series so far if you feel you've missed a few things.

Fred Van Lente is building to something fantastic here, and we're starting to see glimpses of it now. In a series where a slow burn hasn't always been welcome, we start to see some pay off with the sixth issue.

Generation Zerohas been an interesting run so far, but the more I read this series, the more I like it.

I may have scored other comics higher this week for other reasons, but I promise you in terms of absolute overall enjoyment,Generation Zero #8took me by surprise. It is exactly what you want to read after a long day at the Daily Grind.

While this won't be an ideal place to start reading the series (although you can do it but will miss a lot of the nuances and references in #9), it's a great way for it to end. Although there are one or two scenes that don't make immediate sense, have faith in Van Lente because by issues end you won't question them. In terms of the story, this is a solid issue – and at the risk of being a little spoilery, the comic comes full circle with the conclusion giving readers a satisfying ending that leaves the next chapter in the lives of these characters wide open.

With Giantkillers giving us a look at three different stages of Akron's life, you're left with just enough to tantalize. Just enough to leave you wanting needing more from this world. Bart Sears hasn't quite crafted a masterpiece, but he has written a bloody fine comic that is worth every penny of the $7.99 that you should spend on this.

Giga has the potential to be the kind of generational story that's talked about for decades. Don't miss the first issue.

Giga #4 isn't the issue to jump into the series for new readers, it continues the series consistent quality; if you haven't read Giga yet, you're in for a treat. Every issue is absolutely brilliant.

If you haven't read this series, then you're missing out on one of the best stories in fiction this year.

Godkillers #1 really wasn't my cup of tea. At the same time, I know that just because it didn't resonate with me doesn't mean it's a bad comic. The opposite is also true sometimes, as well. It just means it didn't strike a chord. I can still appreciate the art, and the idea behind the story without being unfairly harsh to the comic.

This issue is one of the stronger comics in a series that is one of DC's best since Rebirth hit all those months ago (it may not be that long, I guess).If you're looking for a place to start reading this series, then look no further; this is going to be one of the most accessible points for at least an issue or two.

Hot damn, but do I love this series. The writing and the art combine to give you the perfect blend of Hellblazer and Howard the Duck with a side of the Dresden Files, making Grumble  one of the series to keep your eye on as the year progresses. If your shop didn't get this series in, then correct that; it's still available from Diamond (or it was when my LCS ordered a couple copies in), and it's such a good read.

Hot damn, but do I love this series. The writing and the art combine to give you the perfect blend of Hellblazer and Howard the Duck with a side of the Dresden Files, making Grumble one of the series to keep your eye on as the year progresses. If your shop didn't get this series in, then correct that; it's still available from Diamond (or it was when my LCS ordered a couple copies in), and it's such a good read.

I've praised the series before, and rightly so, but this issue is a huge payoff for those having read the previous ones. It's a brilliant comic because of how Roberts and Norton build upon everything in the series so far and present a fully formed story that we're only now beginning to figure out.

Truly one of my favourite series on the racks right now" one could easily say it's a magical experience.

Time will tell if The Harbinger will live up to expectations, but the creative team (rounded out by letterist extraordinaire Hassan Otsmane-Elhaou) are off to a cracking start.

The Harbinger as a series has delivered two really good issues so far, which is giving me a lot of excitement for to see how the creative team (rounded out by letterist extraordinaire Hassan Otsmane-Elhaou) continue Peter Stanchek's journey. As I said, I'm a sucker for a redemption story, and so far this is delivering in every way.

Valiant have hit three for three with The Harbinger #3, and whether Peter Stanchek's new direction is here to stay or not is to be determined, but I'm loving the ride.

The Harbinger #4 answers more questions than it asks, and while there are still lingering threads that Kelly and Lanzing are able to pull at for the rest of the series, the Be Better arc comes to a strong character driven conclusion that positions the book to be one of the rare “traditional” superhero comics from Valiant.

The Harbinger #5 keeps the series chugging along at a consistent quality – but what gives it the extra little steam whistle is that Kelly and Lanzing keep referring back to previous events which serves to remind readers that the Valiant Universe is all interconnected. This is something that Valiant's books have been missing of late, and so it's refreshing to see familiar faces and be reminded of events I read years ago, which makes this book another check in the win column.

Ultimately this is another really solid entry to the series, and while it won't set the world on fire, it's checking every box of a good comic.

Kelly, Lanzing et al are certainly consistent issue to issue, and because of that you can always expect at the very least a good comic. The series has had its moments of brilliance, but when it's not delivering those it's still a damn fine read. The visual design may not be everyone's cup of tea, but it's certainly a style I'm enjoying. The Harbinger may not be my favourite Valiant book on the racks right now, but it's a step above some of the offerings we've had from the publisher over the last year.

Kelly, Lanzing et al have been executing this comic on a consistent quality, and The Harbinger #8, the series finale, is no exception to that. The inevitable collected edition is going to be one hell of a story to read all in one go.

As far as opening salvos in top billed events go, Valiant have a nigh on perfect offering here. I can't wait to see where the pieces fall as the story unfolds.

The story may be struggling, but if you're looking for a reason to buy this book, it's the art. Matt Kindt, and Valiant, have earned enough trust over the years that one dodgy book which, in fairness, is still a better than average read – Valiant have a strong reputation for a reason, and the second issue of their big summer event isn't their best offering this week. It happens. Just not typically to this publisher.

As the third chapter in the four issue event, we're left with a lot of the plot addressed, or set up for closure in the fourth, but there's very little to make this comic an absolute must read; oh it's good, it's very good, but without the context of the other two issues it falls a little shy of the “oh my shit, you have to go buy this yesterday!”… but if you're already invested in the series, you won't be disappointed here.

To say I am disappointed this series ended this way would be true, but there's always hope for theAftermath, right?

To be clear this isn't a bad comic, and it is worth reading " if you have read the event. If not? The parts of this comic that will prove relevant in future series will doubtless be recapped within those comics which makes this a comic for completists and collectors, and not necessarily one for everybody else.

As a prelude comic, I honestly can't fault this in any way, and that surprises me. The writing and art are very on point. If this isn't enough to get you excited forHarbinger Wars, I don't know what is.

With the zero issue designation Harbinger Renegade #0 is technically taken out of the numbering sequence, although the story would have allowed this to serve as the next sequentially numbered issue – but that's a very minor and ultimately irrelevant point.Suffice to say that this issue is one of Roberts stronger ones, although if you're not reading the series as a whole then a lot of the hints and half answered questions may mean nothing to you – essentially what I'm saying here is that this may not be an ideal jumping on point, but it's a damn good comic.

Harbinger Renegade #1does two things; it gets you thoroughly invested in the series (which isexactly what you want), but it also tells a complete story. If this was a one-shot, I'dbe happy with the comic, but as the first issue on the journey toHarbinger Wars 2, I'm as happy as a pig in shit with this comic.

You may think that nothing much happens in this issue, I did the first time I read it, but there's a lot of character exploration here, which allow us to get into the minds of Kris, Tamara, and to a certain extent Peter.We also get a glimpse at the man who will more than likely be the “villain” in the story as the series progresses. I use quotation marks, because even Toyo Harada wasn't as evil as you'd think, so I'm curious how Roberts will set the new guy up.

Harbinger Renegadeis a departure in tone and style from the other book Roberts was writing forValiant, the dearly departedA&A, but it's every bit as good as you want it to be, and then some.

Overall, this was a solidly entertaining book that left me wanting more. I can't ask for more than that in a comic.

If you're a Valiant fan, whether of the publisher in general or of this property, then you're going to want to read this. Be prepared for it to be a little disappointing given all the buzz, but I also expect this to fly off the shelves because of the warning on the cover.

My only complaint with Harbinger Renegade #6 is that because it's an interlude story, we probably won't revisit the time period again.

If you're reading this series, then it's worth at least flicking through Harbinger Renegade #7, but ifyou want to start with Valiant's comics, then you can do a lot better than starting here.

Overall this is a really enjoyable read that builds upon the catastrophic events of issue five in a very natural way; nothing seems forced or out of the natural flow of the story, and while I'm still not completely on board with with art it has improved. A better comic than the previous issue, and a perfect distraction when I needed one the most – and isn't that what comics should do? Help us forget the real world for twenty or thirty minutes?

Look, it's pretty clear that Harley Quinn #5 isn't my cup of tea, but if you've enjoyed the series so far then you'll probably like this one quite a bit. Me? Not so much.

Vault Comics have been publishing some absolute corkers recently, and Heavy #1 is another on a growing list of Must Read comics.

All I really know about this book is that you need to read this comic.

As it is, this is one of the most exciting, and awesome, series on the rack right now. Every issue has been a banger in all the ways a comic should be. There's a reason this series has had multiple printings per issue.

Is this essential reading to understand any of the characters involved? No, but that really isn't why you should be reading this; The Immortal Brother: The Tale Of The Green Knight marks the first time in quite some time that we've seen the Anni-Padda brothers in the same comic together, and it's a brilliant piece of escapism that will take you to a different place – if only for a short time.

I'm normally hesitant when it comes to multiple writers on the same project as in my experience aside from Eliot Rahal and Donny Cates on The Paybacks, the results are usually average at best. At best. With Incursion #1, however, Diggle and Paknadel have delivered a comic that's every bit as good as I hoped it would be, if not more so. For some context, the series I've read featuring the Eternal Warrior as a prominent character (Book of Death and Wrath of the Eternal Warrior) are some of my absolute favourite so my expectations are naturally higher for any comic with the character as a focal point. And yet, I loved this issue, and am happy to say that Incursion #1 is a great comic.

Incursion #2 is, once again a great comic. The series is on pace to end up as one of my very favorite Valiant stories " and certainly one of Valiant's very best.

Incursion #3 is, once again a great comic. With one issue to go, there's a better than average chance that this will be hailed as one of Valiant's top offerings from the last couple of years.

Incursion #4 rounds out a fantastic four issue series, one that keeps the stakes high in regarding the consequences of Gilad's failure, but never once feels as though he has any choice but to act (almost) alone. I thoroughly enjoyed this story, and hope that we get to experience the next step on the Eternal Warrior and the Geomancer's journey very soon.

This is an incredibly interesting and entertaining issue that has me more excited for the next issue than a lot of other, uh, generational comics that are also coming out at the moment. In fact, I made the comparison to a friend recently that InferNoct #1 would be the museum full of comic book art and history compared to the blank wall of the other comic. This has a unique freshness about it that pulls me in like no comic has since I read my first Valiant comic some three years ago. I'm all in for this series.

Regardless of your religious beliefs, and assuming you're at least passingly familiar with who Judas is (as in he's the dude who betrayed Jesus for thirty pieces of silver, which led to the Crucifixion), then you'll be able to appreciate the comic's study of the man who sold out Jesus, and the effect that act (whether preordained or not) had on him. Is this a man deserving of forgiveness, or redemption? Has he been unfairly judged by people in the two thousand odd years since the betrayal? I'm looking forward to seeing how the series handles these questions in the coming issues.

Killadelphia #1 was a…. well not exactly pleasant, but it was certainly a nice surprise to read this week. I wasnt expecting to enjoy an urban fantasy comic as much as I did. Certainly worth checking out if youre curious about an urban fantasy style horror comic.

Killers #1 is a book that spins out of Ninja-K, but it can also be read as a standalone story without any trouble. It's a comic that has a unique flavor to its art, the work of Dagnino with Jose Villarrubia supporting him on colors is powerful, smooth and enjoyable to read. Without a doubt, it's the highlight of the book for me.

This deserves to be on the pull list of anybody wanting a change from spandex and superheroes.

This deserves to be on the pull list of anybody wanting a change from spandex and superheroes.

As an action comic, you really can't go wrong with this issue. The surprisingly positive side is that it's also pretty new-reader friendly too, assuming you're okay to accept certain aspects of the characters capabilities.

At the end of the day, as a finale, this comic isn't great. It's good, but it's not great. It lacks a sense of closure, opting instead to ensure we all know the door is open in the future for the story to continue. As a finale, it's less than satisfying, but as a bridge book, it does its job very well. How you feel about the comic once you've read will depend largely on what you wanted from the final issue of a miniseries.

This is, frankly, a fantastic comic book. I can't wait for the second issue (I also can't wait to see this in print, either).

Despite the intelligent use of colour this issue, Livewire#2 is a book that lives in the moral grey area. It delights in making you question your point of view and your sympathies with the main character. Whether she's a hero or a villain is still largely in the eyes of the reader, but I can't wait to see where the creative team take us.

Livewire #3 is another strong comic in a series that's focusing on one of Valiant's, indeed all of comics, more complex characters; we're three issues in now and I still don't know whether I'd consider Livewire a hero or villain. It's this ambiguity and Ayala's ability to stay in the moral murkiness that's such a strong point for this series, and why this book is firmly lodged on my pull list.

Livewire #4 takes a bit of a stumble along the way, but it's still worth reading. So far, this book is the exception to the rule when it comes to the quality of the series, and as such I'm hopeful for a return to form with the next issue.

Livewire #5 is a return to the quality that Ayala established early in the series, and it's a comic that adds a lot to the Valiant universe when you look at the potential opened up by Ayala in this issue. A new arc means a new jumping on point, which means potential new readers; thankfully, with this comic those new readers are going to be able to embark on a fantastic journey with one of Valiant's more complex characters.

Livewire #6 is a strong, cerebral issue that adds a lot to the story by focusing on the title characters mental and physical assets. Livewire may be an incredibly powerful psiot, but she's also more than capable without her powers. This issue reminds you of just how compelling that combination is.

Livewire is one of the rare series Valiant has right now that has more than five issues, and Ayala is proving why a longer run with a character can pay dividends in the long run. This is an incredibly enjoyable comic on every level, and it comes highly recommended from yours truly.

Livewire is one of Valiant's stronger series, and it's one that has been gaining momentum in the quality department as Ayala crafts a fantastic tale about a very grounded and human superhero which makes for some great comics.

Livewire has been one of Valiant's better series over the last few months. It's one that has been gaining momentum in the quality department. So it can afford a stumble or two without and loss of faith from yours truly. Really, this stumble is entirely down to arguably the most subjective aspect of the comic. Ayala's willingness to play with the superhero tropes whilst continuing to write a compelling story should not be missed.

I'm still in a strange place with the art and the writing; on one hand I want to like the art, but I'm not there yet (there are certainly positives to it, but Ford and Fitzpatrick don't compliment each other as well as other pairings have in the series), and on the other I'm really intrigued by the story. Your mileage will obviously vary, but for my money (because I will also buy this book), this comic is still well worth buying.

Livewire #11 is, on the whole, a really solid comic with an interesting angle on the way politicians and public figures manipulate the general public's perception and thoughts.

Livewire #12 specifically, though, is a strong book. Both as the finale and as a standalone comic. Ayala comes out of this series on a high note, and I am sure that their star will continue to shine in comics.

I say strong, when I really mean “interesting enough to get you to turn the page without hating yourself for buying this comic.” Major X isn't a bad comic – but neither is it close to being a must read book. It's just… an above average comic with a derivative X-Men themed name that takes far too long to get to the point, but looks pretty good whilst doing it.

All in all, Marvel Comics Presents #2 is a win. Easily one of the more fun comics for Marvel right now., unencumbered by continuity and story constraints as it is.

Objectively, this may not be the best Spider-Man comic you'll ever read, but it was exactly the comic I needed to read today. It doesn't hurt that it's also very good, but the impact for me was immeasurable. Sometimes the right comic (or song or whatever) can lift you, and Miles Morales: Spider-Man #2 has done that for me. So thank you, Saladin Ahmed. Thank you Javier Garron. Thank you David Curiel. Thank you for being the bright spot in a day that was, up until the opening of this comic, pretty shitty.

With the launch ofNinja-Kand the ongoing publication of Bloodshot SalvationandX-O ManowarValiant have found themselves in a very enviable position of having three books that stand head and shoulders above anything else on the racks.

Christos Gage‘s script is great, but it's when you see Tomas Giorello‘s art and the muted vibrancy of Diego Rodriguez‘s colours that the comic becomes a shining example of what is possible within the medium.Ninja-Kis perfect for readers who want an intelligent thriller that doesn't hand feed you the details (and yet doesn't make them obscure enough that only hardcore fans can figure them out). Frankly, this is one of the top series on the racks at the moment, and you're doing yourself a disservice if you don't it.

Yes, my friends, I am more than happy to say that without a doubt,Ninja-K is currently one of the best series currently being published by any publisher, and is an absolute must read. This is a prime example ofwhat a comic should strive to be.

Ninja-K #4 is, to borrow a sports analogy, a solid scoring triple. A few seconds from a home run, but damn close (I don't do sports much " was that right?)

After the first arc, Ninja-K remains among the best series currently being published by any publisher, and is an absolute must read. Add this to your pull list today.

This series has been consistently brilliant, and is one of the jewels in Valiant's very bedazzled crown. Miss this and miss out on a great action comic.

As you can tell, I don't have too much to say about this issue; it's a good read, brilliant to look at, but it didn't generate an awful lot of loquaciousness within your humble reviewer. Essentially, if you've enjoyed the series so far then you'll enjoy this.

The plot itself is fairly straight forward, and barely needs any space to talk about other than to say that this is a comic where the art is the focus – I'm not saying the plot is bad, far from it, because this action packed issue is the result of the slower paced Ninja-K #7, and I wouldn't want it any other way. But the most exciting thing about this comic, for me? Well that'd be spoiler I won't be giving – you'll just have to read right to the end to find out what had me grinning from ear to ear upon finishing Ninja-K #8.

Christos Gageclearly wanted to let the artists shine, and in doing that they pull a comic that suffers in the plot department into must buy territory; Gage's plot could easily be simplified down into a single line (but then if you can breakLord Of The Ringsdown to "people walk a long way to return stolen property" you can break everything down quite a bit, so this is a meaningless criticism, and I am aware of that). But it's a single line that brings back one of my favourite Valiant characters, sets up an interesting new faction in the Valiant Universe and leaves our hero surprisingly vulnerable while providing some freaking amazing visual set pieces.

Christos Gage has been writing some of the bet Ninjak I have ever read – this issue is a great example of that, and a great gateway to character for new readers.

And ultimately that is something to get excited about with your comics; something that makes you think about what the characters are doing, and whether you're comfortable agreeing with their choices.

Ninjak-K #12has the potential to be a divisive comic based on the art, and while I enjoyed the visuals of the comic I can understand why you may not. Fortunately, the story more than makes up for any shortcoming you may see in the art. If you've been reading the arc so far, then there's no reason for you to stop.

Ultimately, despite some questions on the art, this is a book that is well worth reading, and fans who have read thus far are going to bevery happy with the final product. Whether it's worth picking this up just for the standalone story, well personally I think it is. This comic give you enough context (yay recap page!) that you are more than capable of enjoying the story within without any fear of feeling lost or confused as the events unfold across the page. We've already said “so long” to another Valiant series this month asQuantum And Woodygave us perhaps the best farewell issue I've ever read, but Christos Gage andNinja-K #14sure gave it a run for its money.

Interestingly enough despite this issue wrapping up one writer's take on the character and introducing another,Ninjak #0is brilliantly positioned as an excellent entry point to the character for new and returning fans. Where as Kindt's story gives you a great base understanding of the character, it's Gage's tale that will make you want to pick up the new series in November. Ultimately, a successful issue.

Overall, this is one of the stronger issues ofNinjak I've read in some time, and as the opening chapter to a new story arc, it's a very accessible one to new readers. Whether the arc continues to build on the promise shown here only time will tell, but I'll be along for the ride.

Overall, this is a solid issue of Ninjak. It's far from bad, but I can't help but feeling there's a little missing.

But when my main complaint with the issue is that it's not long enough, I'd say the arc has ended on a high note, wouldn't you?

Again, there's nothing I really dislike about this issue, but it just didn't have the magic within its pages that the publisher's other release does this week. Hopefully, next issue will be stronger, and this is the weakest in the arc.

Ninjak #19brings in story element and characters that were previously introduced in the series,rewarding readers who have been around for a few issues – something that I'm a little partial to. This is yet another issue ofNinjakthat didn't deliver on it's promise – a shame, because when the series is on its game, it'sone of the best around.

Overall, Ninjak #20 is better than the previous issue, coming much closer to the quality of comic that I've felt has been missing for several issues in the series. A welcome return to form.

Like I said this was never a bad issue, it just wasn't as great as I hoped.

Trust Valiant to put out the one silent issue I actually enjoyed.

As a jumping on point this far into the series, you can't go wrong starting here if you're willing to dive into a story that's the culmination of the series so far (and, amazingly enough, you really can). I can't wait for the next issue.

Dodgy use of a British slang term aside, this is an incredible comic from everybody involved, and easily my favourite story we've had in the series to this point (when weighed against the first two issues of each arc so far). I'm beyond impressed with what Valiant have going on here, and this is one of the best issue in the series so far.

While this isn't going to be ideal for new readers, it's an excellent excuse for you to go read the previous two.

As with almost any Valiant comic, this concluding part toThe Seven Blades Of Master Darqueis surprisingly easy for new readers to pick up (although it started in #23 if you want to go back a few issues), given to the way the comic is structured as Ninjak explains the mission to his MI6 handler Neville, along with some slight alterations to the truth, although if youwant to start reading the series, the final issue may not be the best place to start.

I'm biased because of my love for the character, but Ninjak #1 is a welcome return for Valiant's purple hero.

I'm aware that I'm going into this comic wanting to love it, and perhaps because of that the things I see people unhappy with on social media genuinely don't bother me. I'm really enjoying the added artistic diversity that Pulido brings to the Valiant universe, and I'm hoping we see more in the future.

You'll see the first few pages above to get an idea of just what Pulido is capable of; at first glance the style seems like an overly simplistic one at first, but the depth of storytelling he delivers is fantastic.

That said, at the end of the day, I thoroughly enjoyed the book as it is, and ultimately that's what is important when it comes to reading comics.

Not every book from Valiant is a winner, and this is one of the rare misses.

Ultimately, this is a much better representation of the quality the creative team are capable of and a far more interesting entry in the story than the debut issue. It's still not perfect, but if the series follows this trajectory then we may just get there in the end.

Ultimately, although this series isn't going to be winning any major awards, it's not bad as a primer for the web-series.

Hopefully the webseries that this is adapted from will be better than the series, but after having read the comics I'm not holding out much hope of anything more than a brief diversion.

Although not an unreadable comic, there's nothing here to justify your purchase.

It's also worth pointing out the first time I read this comic from the review copy Marvel provided to Graphic Policy I wasn't too fond of the art, but when I picked up the physical copy (Old Man Loganis the last Marvel comic I still pick up in physical form) the art popped, and seemed to translate better from a physical comicthan when it was on the screen.Though that could just be the screen I read it on. Either way, this was an enjoyable comic that keeps the consistency of the series so far. It's not a spectacular issue, butOld Man Logan #14was good enough to hold my interest and get me excited about #15.

At the end of the dayOld Man Logan #19is a solid entry in the series thus far – it's just not one of my favorites.

Whether Marvel is getting ready to retire Old Man Logan in favor of the younger model returning or not, this issue continues a trend of high quality entertainment for the series, and is well worth your time and dollar.

Look, I'm not going to lie to you; I read the comic and was thinking of giving it an overall rating of around 7.5, but then when I started thinking about the issue, and the series in general, I couldn't find anything that justified that score – especially when I enjoyed this more than almost any other comic I've read this week. Sometimes it really pays to think about what you've just read – and when this series is released in trade, I urge you to check it out because it's awesome (but you've got one more issue to wait for before the trade will be collected). Possibly one of the best series from AfterShock right now.

If you're looking for something new to read that has a unique twist on the superhero story, then you can do a lot worse that Peter Cannon Thunderbolt #1. This book is easily my pick of the week, and has been added to my pull list going forward.

Despite some flaws, this is a solid first issue that has me wanting to read the next chapter; at the end of the day, that's all I want in a comic.

I wanted to enjoy this comic more than I did, so while it didn't quite leave me desperate for more, I'm still not done with the series yet; the aforementioned promise still feels as though it's lurking just behind the next tree.

Yup. This is a genuinely fun, light comic that's well worth adding to your collection when you want to feed your inner child.

Do you need to readClone Conspiracy to enjoy this? No.The Prowler #1is a solid comic about a man finding his place in the world that happens to also be a tie-in. Whether you're reading the Spider-Man story or not, this is worth a look.

Psi-Lords #1 doesn't require any real knowledge of the original series, but the plot doesn't really stand out either. It's a comic that is visually fantastic, but with a plot that barely rises above average. Whether it's worth reading is up to you, but for me it wasn't worth the wait.

Psi-Lords #2 is a step above the previous issue. If it keeps trending this way then it's going be an absolute must-read within a couple of issues. Keep your eye on this one.

Psi-Lords #3 was easily the best issue so far. Not only was it really good, but the clarity it provides on the previous issues cannot be understated. As I said last month, this is going be an absolute must-read story. Keep your eye on this one.

Psi-Lords #4 was easily the best issue so far, finally establishing this series as a sci-fi epic.

Psi-Lords #5 is an interesting read; a captivating story that serves as a bridge from one arc to the other surrounded by some utterly stunning visuals make for a must read comic for me. Which I find surprising because I usually steer away from comics set in space because they never quite grab me the same way as a comic set in the past or present day. And yet, this has found its way to becoming one of the most anticipated books on my pull list.

Psi-Lords #6 is an awesome comic book; a story that builds upon the previous five issues without ever overburdening new readers – a delicate place to balance any story, but Van Lente has found the sweet spot here. Psi-Lords has captured me in a way I never expected it too; but when you've got a comic that's as exemplary as this, that should come as no surprise.

Psi-Lords #7 is another awesome comic book; a story that builds upon the previous issues without ever overburdening new readers – a delicate place to balance any story, but Van Lente has found the sweet spot here. Psi-Lords has captured me in a way I never expected it too; but when you've got a comic that's as exemplary as this, that should come as no surprise.

Psi-Lords #8 has the task of closing out the series after eight issues whilst still leaving enough for readers to want more. That makes it feel more like the end of the second chapter to an as yet untold story than an actual ending. It does leave off at a satisfying place, which is all I can hope for in a series that ended earlier than I hoped it would.

I can't judge this as a Punisher fan, but as a fan of the show who wants to read Punisher comics, this was an excellent place for me to start getting into the character's comics. It doesn't hurt that this would be a really interesting story regardless of the lead character, but that it stars Frank Castle is the cherry on top of the sundae. The next issue can't come soon enough.

To borrow from the character's name, like any great punk song the comic grabs you by the scruff of your neck and screams at you. It takes you on a journey through viscous cannibals, spirits and possession within the first third of the comic. It's fast, it's dirty and it's fucking awesome.

Punk Mambo #2 is very akin to the impact punk music has on those tired of the mundane over-produced music of today. Punk Mambo #2 is a breath of fresh air, followed by a shot of adrenaline. The reader is encouraged to be lost in the music (or the comic) and get taken along on a musical trip. Cullen Bunn, Adam Gorham and colorist Jose Villarrubia have produced one of the freshest feeling comics I've read in a long time. Don't miss this.

I'm not normally a fan of magic based stories unless there's a healthy dose of sword with my sorcery, but there's something about this character, and this comic, that just has me excited. Punk Mambo has that X factor that so many comics just fall short of, and it is glorious. For a great comic, and a series that may be read through independently of any of her previous appearances. Punk Mambo #3 is easily one of the best comics I've read this month – don't miss this book.

The issue pulls the threads of the series together in a way that sets up a what should be a satisfying conclusion to the story.

If anything, it gives me hope that we'll get more of the character sooner than later.

Gimmick covers aside, the content of the comic itself does more than enough to pull you in for the second (and possibly third) issue on its own merits. A successful return for the worlds worst superhero team, and one that doesn't require any familiarity with the two.

Ultimately, this issue was a genuine surprise for me; a comic that over delivered on my expectations with a script that has an intelligence and deceptively deep plot hidden just bellow the surface all wrapped into an art style that packs enough visual humour to keep you smiling without overpowering the quality of the book itself.

Quantum And Woody #3is an interesting comic that should appeal to those already reading the series, but may not be a great place for new readers to hop into the story itself – even if the comic itself is more than accessible to anybody picking it up, and the quality is certainly there. As an introduction to these characters, you can't go wrong with this touching exploration of what happens when you get a little bit longer with a formerly deceased family member – the brother's reactions give you a great feel for who they are, and it's that feeling that will help you understand where they're coming from in the issues ahead.

It doesn't matter if you're unfamiliar with the characters when starting this series (I was), as by the time you get to the fourth issue you'll have fallen in love with the self aware story telling that's going to leave you aching for more. A brilliant read all around.

I didn't honestly expect to enjoy this issue as much as I did, but it is remarkably easy to leave this comic with a nice warm feeling in your stomach and a smile on your face. If you want a series to take your mind away from the real world then you can't go wrong withQuantum And Woody.

Moving away from the trip down memory lane, I was genuinely surprised by how much I enjoyed this comic. Rahal comes out of the gate swinging, Francis Portella, Andrew Dalhouse and Dave Sharpe produce a wonderful visual experience, and Valiant once again have a brilliant comic on the racks.That the comic is also an ideal jumping on point for new readers is also a bonus.

Pick this book up, pop your feet up and get settled in for an utterly fantastic read.

Whether you're a new reader or you've been with the series for the last seven issues, you're going to find a lot to love about this comic, and try as I might, I genuinely can't find any flaw.What this buddy-cop superhero comic does right, it doesveryright. There's no reason to miss this issue.

Quantum & Woodywas a good series in the hands of its first creative team, but with Rahal spearheading the direction now, the series is dangerously close to becoming one of my favourite Valiant series.

Rahal questions reality in this book, and how one's perspectives can change based on what you are and are not aware of. And he does this while showing that even the worst of us can be heroes, no matter who writes you off as useless – which seems to be an underlying theme of the series since Rahal has taken over. Maybe that's why I love this issue so much, or maybe I'm over thinking things. I suppose it depends on my perspective, eh?

Ultimately with only one issue left in the series (and that issue being a one-shot story), Rahal is on pace to end his tenure with the Henderson's on a high note. A very high note.

When it comes to Quantum and WoodyValiant certainly saved the best for the last, and it's a shame to see the series end on such a brilliant story. All I wanted after finishing this issue was to count down the days to the next issue – but that, ultimately isn't going to happen. Like I said, it's a shame.

I didn't expect to be so thoroughly taken with Quantum and Woody #1, but here we are. An almost complete story in one issue, but with enough left open that you'll want to come back. With a creative team like this how could you not want to come back? I'm already excited for the end of this month – because then I get to reread this in print. Join me, won't you?

I'll make no apologies for the love-letter to Quantum & Woody #2 that this review has become. I frankly don't care. This comic is utterly fantastic in every way. Genuinely gutted that we're only getting four issues of this creative team at this point, but these four issues are on pace to be some of the best comics featuring the World's Worst superheroes I've ever read.

It's absolutely a perfect way to distract yourself. It's a pretty stand alone book you can enjoy this without reading the first two issues. I'm going to be reading those three comics a lot over the coming months. Join me, won't you?

If every comic that I read after Diamond started delivering again was half as good as this, I'd be happy.

Powered by some atmospheric artwork by Cafu and colour artistDave Lanphear this comic is an issue you should treat yourself to if you're a fan of machine-led science fiction.Rai #13 is a brilliant comic that will stand alone if you've only got a fleeting familiarity withRai,Valiant and their universe, or if you have no intention of reading the rest of the4001 A.D.story arc. I presume there will be a second chapter in this tale withRai #14and I can't bloody wait.

WithRai #14effectively forming both an effective standalone tie-in to the main4001 A.D., as well as the continuation of theRai series with alook at a chapter in New Japan's past. It's a well written comic that can be read independently of the series it's tying in to – if you're already readingRai. If you're not, then this may not convince you otherwise, but for thse of us who are already regular readers this provides an interesting insight into the history of New Japan.

Rai #15 should appeal to many a sci-fi fan, but especially to those who have been following the character's appearances since Valiant Entertainment debuted in 2012 regardless of whether they're reading the summer event. Not only are Valiant delivering on fans expectations and giving us a great summer event, they've been slaying the tie-in comics as well. Rai #15 is no exception to that.

Rai #16 is a solid issue, and for those who have been reading the series from the beginning I suspect it will be one of the best you'll have read.

Rai #1 is one of the best comics I've read all year. This is a comic that has (almost) everything you could want in a comic. I say almost because there's always something you can nitpick with any issue, though I have yet to find anything to moan about with Rai #1. I cannot recommend this book enough.

Rai #1 was one of the best comics I'd read all year, and much to my surprise the second issue is every bit as good as the first. Welcome to your new favorite series.

As a series, Rai has transcended any expectation I had for it; this is a gem of science fiction storytelling and a damn fine comic. Please, don't miss this series.

At this point, if I could only read one comic a month, then it would be Rai.

I said about Rai #5 that “at this point, if I could only read one comic a month, then it would be Rai.” The same is every bit as true with this issue. Rai is easily the book I look forward to most each month.

Rai was THE book I was waiting for once comics began shipping again, and I can happily say I wasn't disappointed in Rai #6 after the long wait. Abnett's Rai is easily the one of the very best things being published right now. If you're not reading it, why not?

Rai #7 is, if you haven't guessed, a really good comic. It may not be the key issue everybody will be hunting in one, three or seven years, but that doesn't mean that this isn't a book that demands attention. If you buy comics for good stories, then this is a series you need to be reading.

Is Rai #8 a perfect comic? No, but it's damn close. I don't know that I could find any fault in the story, art, or presentation if I tried – and I tried (I try to make sure I'm not being too blinded by a comic, after all). Again, this is the one book I am most excited for each month, and each month I've never been let down. Truly one of the very best books on the racks.

With RAI #9, Abnett, Ryp, Dalhouse, and letterer Dave Sharpe have, yet again, delivered a phenomenal comic; if you've not been reading the book so far, then this is an excellent time to pick up the trades and find out what you've been missing.

This series has become one of my absolute favourites, and I can't wait to see what comes next. I just hope I don't need to wait too long.

Rai: The History Of The Valiant Universe #1 is a decent comic with totally different sides to attract new and existing fans of Valiant's comics. It's a comic I'm happy to add to my collection.

This is the second comic from Valiant that I've read this week, and it's also a blinder.

I genuinely enjoyed this issue; the story and the art were both on point, and combine for a comic that's greater than the sum of its parts.

Once again,Andrew Dalhouse‘s colouring is wonderful, and truly bring the Deadside to life (pun not intended). The art team ofCafuwith Roberto De La Torre gave Dalhouse some fantastic virgin art to work with, and the end result is a comic that is utterly wonderful to look at. But it's not just wonderful to look at;Matt Kindtonce again delivers a solid script, driving the plot forward without rushing the development of the story – Kindt is truly a master of his craft.

Rapture #4does bring a satisfying conclusion to the miniseries, and it does so in spite of the villain fading into the background a little – though if you toldme that the highlight of this issue in terms of the story wouldn't be the final confrontation with Babel but rather the character interactions and the echoes of things yet to come then I probably wouldn't have believed you. But, here we are. Ultimately this is still a solid story, and one that fans of both Ninjak and Shadowman should find quite compelling.

Make no mistake, this is a comic about Red Hood first and the Outlaws second, but given the series title that's to be expected. Red Hood And The Outlawshas been like a reliable old Ford pickup; solid and reliable, but unlikely to set the land-speed record.

So is this book worth buying? I'm not sure – I enjoyed it quite a lot, and if there was more content and/or a lower price point I wouldn't hesitate to tell you to pick this up. As it is? As much as I enjoyed the book, I wouldn't want to pay $4 for it.

Return Of Wolverine #4 is a comic that's far from bad, but struggles to be anything more that pretty good. At the end of the day, for the price of this comic, I expected more.

Ultimately a fun book, and one that Valiant fans should pick up. Whether it'll attract new readers remains to be seen.

At the end of the day, this book is still a fun read. There's a bit more to unpack for fans of Roku or readers of Ninjak, but either way, there's more than enough here to pull you back for the third issue.

At the end of the day, this book won't convince you to pick up the series if you haven't already, but it won't feel like a waste of your money, either. Contrary to how it sounds, I did enjoy it – but not as much as other books I've read this week.

When it comes down to brass tacks, Roku hasn't been a groundbreaking series. It has been somewhat predictable and hasn't done much beyond setting up Roku for the future. But that doesn't mean I didn't enjoy it; the introduction of Ember-1, the Minister of Blades and Marybeth and their journey across Europe was a fun read. Is it essential reading? No; but skipping it will deprive you of a solid four issue story.

It may seem that I wasn't a fan of this book, but that's not the case; I really enjoyed Ronin Island #1, and aside from a few minor things, which may very well never be an issue again in future issues, now that we've gotten to know the characters a little more. This is a fun read, and certainly one worth checking out if you're curious.

I had high expectations for the first issue ofSavage, and I can honestly say that the first issue smashed them with an opening to the story that will pull you in and beat you over the head with a bone club. Based on the first issue, I'd sayValiant have another hit on their hands; if you're even remotely interested in the series pick the first up if you have a chance " you'll not regret it.

The only downside to the series thus far is the feeling that this is an excellent set up for a long story about the characters involved, but as this is (at least as far as I know) only going to be a four-issue miniseries, I worry that the page count won't be long enough to do the story justice.

As tragic as the comic feels, however, it's wonderfully eye catching withLarosa and Dalhouse the art team on the present, and Henry and Reber handling the past. The comic is as beautiful as it is brutal.

That isn't to say that it was so good I couldn't believe it was over, but rather I'd read it far faster than I expected – more than likely because of the lack of any significant dialogue or narration boxes apparent asB. Clay Mooreallowed the art to tell much of the story. Indeed, it felt a little strange to see the older version of Savage to say so much during the issue, having been largely a silent character up until this point. At the end of the day, I didn't find this issue had as satisfying a conclusion as I had hoped for, and rather than close out the firstSavageminiseries with the strength of a T-Rex's jaw,Savage #4left me feeling as though I had just read an extended – albeit very good – prologue for what was to come next…

The first time I read Savage #1, while I enjoyed it, it was far from a comic I was looking forward to going back to " but having done so (twice now), Bemis' story is growing on me and I have a genuine appreciation for how Stockman and Farrell are working together " over the course of three readings, I've found myself upping the final score by a solid point and change. Savage #1 may not be the best comic you'll read, but there's something glorious about a man fighting dinosaurs with a little knife that just has me grinning from ear to ear. It's a bloody comic at times, and I love it.

The comic looks great, from top to bottom. I wasn't expecting to laugh during this comic, but there's an undeniable streak of humor throughout Savage #2 that never quite stays in its lane, swerving between slapstick, dark, and often the downright silly. It doesn't overpower the story, which is fantastic, but rather adds another layer of fun to an already enjoyable book. I love it.

Ultimately your mileage will vary, but based on this issue, I really want to see Max Bemis take a crack at writing either an Archer and Armstrong or a Quantum & Woody series in the near future because although the level of humor may not have sat quite right with me in Savage #3, I think it'd be perfect for one of the duos.

This isn't a terrible series, but it was one of Valliant's rare misfires.

Honestly, this wasn't my favourite of Alterna's newsprint comics. It was good, and I did quite enjoy it, but it didn't grab me the same way as other comics in the newsprint line – though that should be taken more as a compliment to the overall quality of the newsprint product than a knock on this issue. At the end of the day, this is a solid buy for $1.50, and one that I highly recommend you checking out for at least an issue or two.

UltimatelySecret Weapons #0 Nikki's Storysuffers because of the strength of the originalSecret Weapons.As creatively interesting a book as this is, it's just not as strong as issues 1-4, and isn't really required reading for fans if they're not

Secret Weapons #1isn't the explosive issue that will draw you in with a bang right from the first page, but it is the comic that sets up what looks to be one hell of a story – and based on one issue of each, looks to be the superior story starting with the word Secret that's being released this year.Secret Weapons #1is an intelligently crafted, beautifully illustrated opening chapter in what looks to be another home run for Valiant.

I said in my previous review that this was shaping up to be another home run for Valiant, and I'll stand by that.Secret Weaponsis without a doubt the best comic with the word Secret in it's title this summer; whether you're a Valiant fan or not, make sure you're reading this.

This is where I add a cliched "if you're not reading this"" statement where I try and push you into reading Valiant comics. But honestly? You don't need to be familiar with Valiant to appreciate just how good this is. Don't ignore this series " it's absolutely fantastic.

Try as I might, I can't find any fault within these pages;Heisserer,AllenandMartinhave produced one of the best stories to come from Valiant this year – and considering how good Valiant's output has been this year, that's high praise indeed.

And yet despite my misgivings about the plot, Seven Swords #1 is a competent comic that has me curious enough to come back for the next issue – hopefully, there'll be a little more time spent getting to the meat of the story, because that looks to have a lot of promise.

Despite this, though there's a glimmer of hope throughout Sh*tshow #1. It's something that you can cling to, a light in the darkness that may be barely visible but is still unmistakably there holding the darkness at bay. For me, this is a comic about hope in the deepest pits of despair and depression, about a person's fight to beat back their demons and get back to where they want to be. I don't know where the journey will end, but I'm along for the ride.

If you're still on the fence about this book, then I wanted to end with this line from the writer taken from the preview text “On the one hand, his story represents the promise of America. On the other hand, it shows the worst of it.”

Getting back to my expectations, although they were high,Shadowman #1didn't fall too short. The quality of the comic is of a high standard, and I have no doubt the series will go from strength to strength after this issue.

At the end of the day,Shadowman #2is a really solid comic, but unfortunately I really don't have much to say about it other than you should read it if you've even half an interest in the character or publisher. You don't need to know everything about Shadowman to enjoy this comic, though I'm sure it helps, because Diggle, Segovia and colourist Ulises Arreola have delivered a comic that is a wonderful addition to any pull list.

Although it's not a perfect comic, it is still very enjoyable.

If this is the style of story that we're going to get with this arc, with Jack bouncing through various historical Shadowmen (and the cover certainly indicates this is the case) then I'm even more excited to see where Diggle takes the Shadowman.

That being said, what we do get is fantastic; a post Civil War era story set in the American West with a character that could easily live in your nightmares.Andy Diggleweaves a wonderful script thatDoug Braithwaiteillustrates masterfully. The only niggle with the art work comes withJose Villarrubria‘s colours that occasionally seem to wash out the art – now one could argue that's a depiction of the bright sun in the specific scenes, and I could be convinced of that. But ultimately… it still bothered me enough to take me out of an otherwise fantastic comic.

Shadowman is a very rich character, with some deep history running through his veins, and now we get to see how deep.

Shadowman #7 is the kind of comic that you should show to new readers as an example of what can be achieved within the medium.

Unfortuntely, aside from trying to convey a senses of awe and wonder at the art, I really don't have a lot to say about this comic. As I said, I've added it to my collection, not just for the art, but I did put my money where my mouth is.Shadowman #8is a brilliant addition to the Valiant library – and is one of the best visual experiences I've had in comics in a long time.

There's a touch more development when it comes to the plot with this issue than last, and once again the comic is visually spectacular. I said it last month and I'll say it again – some of the pages here should make non-comics folks rethink their definition of fine art. Ive every intention of adding this to my collection on release day, becauseShadowman #9is another brilliant addition to the Valiant library and is once again one of the best visual experiences Ive had in comics.

Ultimately what bothered me mot about the book may not be on your radar at all (like I said it's an annoying desire), and so being aware of that I tried not to let that influence my judgement of a comic that propels the story forward into what promises to be at the very least an interesting and powerful conclusion that will set Shadowman up for some freaking amazing stories in the future.

As a conclusion to an eleven issue run, this is a strong comic. Diggle puts a cherry on top of a run that's added a lot to Shadowman's lore whilst wrapping up the story satisfactorily. Although you're not likely to buy this issue if you haven't at least read the final arc, you can at least rest assured that once you've caught up, this is a really solid cap to a brilliant run. I'm looking forward to seeing what Andy Diggle has in store for us next.

The answer is an unequivocal yes. Shadowman #1 is an absolute fucking triumph of a comic. It was absolutely worth the wait.

As a series, Shadowman is easily one of the best things Valiant has put out in a long time, and for my money is the best thing on the racks right now.

As a series, Shadowman is easily one of the best things Valiant has put out in a long time, and for my money is the best thing on the racks right now. This series gets better every issue.

Shadowman is simply amazing in every way. There's not much else to be said.

If you've never read a Shadowman comic, then this is a better place than most to start what has been one of Valiant's better series in recent years. Shadowman #5 is simply amazing in every way. There's not much else to be said.

The second part of The Deadside War reinforces the stakes that Shadowman is facing, and reintroduces a couple of familiar faces that readers will recognize from earlier volumes of Shadowman published since Valiant's relaunch in 2012 (that it was ten years ago is slightly blowing my mind, I won't lie). Bunn pulls on threads that make the comic feel much more connected to the Valiant universe than we've seen in awhile as more than a few of the miniseries released could have existed in their own world. That Shadowman is bucking this trend with a story that, we're told, will have huge implications for the publisher's comics as a whole whilst still being a fantastic read for anybody who picks the comics up has me feeling really excited for what comes next.

Now in the third chapter of The Deadside War, Shadowman #7 takes everything that the series has been building toward and just lays it out in one solid conflict. The narration is brilliant – short, sharp bursts of oddly poignant moments from Shadowman as he talks about the conflict and the hopelessness of it. The Deadside War was never going to be a typical comic story, and this issue reinforces just how good of a grasp Bunn has on the character. The series is utterly fantastic.

At the end of the day, the final chapter of The Deadside War did what I had hoped it would, and took everything that Bunn had been building and wraps almost all of it up brilliantly. I say almost everything, because there's the deliberate loose ends that will be chased in the next arc – Book Of Shadows – and I'm looking forward to that even more than I was before I read this issue. For my money, Cullen Bunn's Shadowman has earned its place as one of Valiant's top books since the relaunch a decade ago.

Although Shadowman Rae Sremmurd #1is a fun diversion it doesn't add a whole lot to Shadowman's story postRapture, so whether this is a must buy is up to you – but the art more than justifies you reading this book.

Shazam #4 isn't a must read comic, but it's a damn fun one that serves as a decent introduction to the series for new readers.

If you're looking for an excitingly fresh, albeit brutal, story then you need look no further thanSink.

Sonitus#1,being only $1.50, is well worth buying. It's not often you can get a comic for this price that's this reasonable, which almost makes the purchase worth it alone, but when the $1.50 comic is as good asSonitus #1is then there is absolutely no reason for you not to buy this. A must read regardless of your genre of choice.

As a break from the spandex crowd, this book delivers; there's groundwork laid here that should pay off down the road, and just enough to hook the reader back for the second issue.

It has taken me far too long to review Suicide Jockeys #1, but with any luck you'll be able to find the first two issues on the racks at your LCS. This is a really interesting comics and the debut leaves me excited for the second issue.

I won't lie; I picked Sun Eater #1 up because I was morbidly curious what a story created by Dylan Sprouse would be like, and I'm more than happy to say that it left me impressed. As the first issue in a longer miniseries (it was originally billed as nine, but I think it may have increased to twelve now), the creative team has delivered exactly what you want in the opening chapter of a story. Sun Eater #1, published by Heavy Metal, is a fantastic read. Whether you're just into capes and cowls, or you like to dabble in fantasy, this is a comic you really need to check out.

If you're looking to read a Spidey story free from the weight of continuity that also features an upcoming movie villain, you can't go wrong with this. Symbiote Spider-Man #1 is a great diversion to your morning (or afternoon or evening), and one that's worth reading for new or long time fans of the character.

This may sound like I didn't enjoy The Edge #1, that I'm ragging on it just to rag, but the book isn't actually bad " it's just that for me it is not a particularly exciting comic, but it is one that's worth a read if you're interested in a superhero team book from an indie publisher. Hopefully, things click a little more for me in the second issue.

Ultimately, this is a solid first issue, although there's still room for the series to get better, this is still a worthy addition to your pull list – whether your a Valiant fan, or you just want a comic about a tough, sarcastic character. This isn't a must buy, not yet, but it is worth your time and money.

Ultimately, this is still a solid entry in the series, though it falls far from being a Must Read, it is still worth checking out if you've read the first issue. Yes, there's still room for improvement over the next two issues, but even if things continue as they're going, Forgotten Queen will remain an above average read.

The Forgotten Queen #3 has none of the quibbles I had regarding the previous issue, instead surpassing my expectations with what I thought would be possible with a series focusing on War Monger. If you're a Valiant fan, then it's absolutely worth reading this series – whether War Monger will play a larger part in the future of Valiant, I don't know, but it never hurts to gain an additional insight into a character that hasn't had the spotlight in recent years.

The Forgotten Queen #4 has none of the quibbles I had regarding the previous issue. Instead it surpasses my expectations with what I thought would be possible with a series focusing on War Monger. If you're a Valiant fan, it's absolutely worth reading this series. Whether War Monger will play a larger part in the future of Valiant, I don't know. But, it never hurts to gain additional insight into a character that hasn't had the spotlight in recent years.

The Goddamned #4may not have a feel-good tale at it's core, but it sure does have story that's worth reading.The Goddamnedisanything buta happy comic, and it probably isn't for everybody (especially young readers), but for those whodecide to pick it up, you're not going to be disappointed.

I don't know what I expected when coming into The Goon #1 but it certainly wasn't this – I loved the supernatural tinged depression era story that never once left me feeling as though I was jumping into a story 20 years in the making with no idea of who the Goon is (although I totally am). The Goon #1 is the kind of comic you can read without any preconceived notions, nor any need to worry about understanding the rules of the universe – it's fun, entertaining, and offers the reader a great example of good comics.

Although it's still too early to call this series a masterpiece, if the quality remains consistent for the next five issues, then I won't have any hesitation in doing so. Is it the best place to start reading about Toyo Harada? Probably not, but this is a shining light on 2019 the comic book landscape, and firmly establishes the miniseries as a solid early contender for this reviewer's Best of 2019 list.

Although it's still (probably) too early to call this series a masterpiece, I'm getting a lot closer to using that word as an actual descriptor for this book. The Life And Death Of Toyo Harada is a series to make other publishers jealous.

This is currently the front runner for my miniseries of the year, because The Life And Death Of Toyo Harada is a series that highlights what comics are capable of.

I don't know what you're reading this month. If it isn't The Life And Death Of Toyo Harada then you're missing out on a comic that all comics fans should be reading. Because this is a series that highlights what comics are capable of; telling a great story whilst also exploring some very interesting themes about saviors, hope and the government military machines.

It's actually kinda hard to explain in words just how awesome this series is; both as a capstone to Dysart's run with the character, but also as a standalone series about a man who knows he's destined for greatness. The series as a whole has risen from strength to strength, and with one issue left, I'm already earmarking this as being an early favorite for my top comic of 2019.

This has been a fantastic journey from beginning to end. If you haven't read Dysart's full run with the character, I highly suggest you do so. That way you'll get the full impact of this story. If you haven't, and you don't want to, then you should still read The Life And Death Of Toyo Harada. It's the kind of comic that other publishers wish they had; this has been the jewel in Valiant's cap this year, and comes at a time when the publisher is just getting their feet under them once again after a couple of misses in 2018. Utterly phenomenal.

Ladies and gentleman,The Paybacksare back. And they're fucking amazing.