Craig Neilson-Adams's Comic Reviews

Reviewer For: Big Comic Page Reviews: 751
8.1Avg. Review Rating

If South Parks Trey Parker and Matt Stone wrote a sequel to The Goonies, itd probably be a lot like 4 Kids Walk Into A Bank. Rude, crude, hilarious and with a surprising amount of heart, this is an absolutely essential purchase.

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That minor niggle aside, this is still a pretty damn perfect ending to yet another stunningly impressive series from Black Mask Studios. Obviously the release problems have hampered the flow of the series significantly, but if you get a chance to pick up the collected edition, you really owe it to yourself to do just that. You can thank me later. Its razor-sharp, hilariously relatable and surprisingly heartfelt, and if it werent for a certain homeless noir series, would stand alone as the unquestioned jewel in the Black Mask Studios crown. Highest of recommendations for this one, folks.

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In summary, the fact that it contains one of the best Bat-stories Ive read for quite some time is more than enough to justify the $4.99 cover price, and the opportunity to see Scott Snyder pouring out his creativity in such an unrestricted arena makes for absolutely essential reading.  You can count me in for all thirteen issues of this one, thats for darn sure.

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All-Star Batman continues to deliver a fascinating look at the Dark Knights rogues gallery, providing a fresh new interpretation of Two-Face in the main story while shining an extra storyline spotlight on new sidekick Duke in the “backup” strip. Since it was first announced, the hype generated by the, yes, all-star creative team almost seemed to be setting the bar a little too high, but to this point in the series, Snyder, Romita Jr, Miki, White, Shalvey and Bellaire have somehow managed to exceed expectations, resulting in an absolutely essential purchase for any and all Batman fans.

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This latest arc has seen Snyder weaving contradictions into every aspect of his story. Its wildly improbable yes relentlessly logical. Epic on a global scale, but still deeply personal. Its not a Batman story, but at the same time, its the Batman story. And, in spite of his critically acclaimed New 52 run alongside Greg Capullo, its All-Star Batman that really feels like Scott Snyder painting his masterpiece. Highest possible recommendation for this series, folks.

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While AN OLYMPIC DREAM is a fairly difficult read at times due to the inherent  tragedy of the story, its also an incredibly important one, and provides some much-needed humanity to what can otherwise seem like a faceless problem.  Highest of recommendations for this one, and another glowing testament to the provocative and thought provoking  work of SelfMadeHero.

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Overall then, while this first issue doesn't really give us any indication of what direction the series is going to take as it moves forwards, it provides what is easily one of the most utterly intriguing and skilfully executed opening chapters to a new series this year. With its ability to make you recoil in horror, snort with laughter and feel a lump in your throat practically simultaneously, Animosity is an absolutely essential purchase.

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Five years removed from its initial release, I still cant find anything to fault about ApocalyptiGirl: An Aria for the End Times. The narrative is tight, the characterisation is spot-on, and the artwork while frequently unconventional in its approach is truly a feast for the eyes. MacLean has managed to weave a tale filled with humour and emotion with a powerful message at its core, and I simply cant recommend this book highly enough.

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This is easily the best issue of the post-Rebirth series so far, and a fitting conclusion to what has been one of the most enjoyable Aquaman arcs in years.  Abnett continues to cement his role as Rebirth MVP, managing to generate the same level of excitement about the character as Geoff Johns way back at the beginning of the New 52.  Highest of recommendations for this one.

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It's always great to see a comic living up to its impressive hype, but in all honesty, I think BARBARIC may have actually exceeded it. From the legitimate belly laugh on page five to the air-punching violence throughout to the the eyebrow-raising final page, this is a perfect example of exactly why I read comics. To be entertained. And if entertainment is what you're after, I really can't recommend this series highly enough.

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This is a story about fathers and sons, vengeance and justice, life and death, and its unquestionably one of the best single issues of a Batman comic Ive read in a long, long time. This is the Batman I want to see, this is the Swamp Thing I want to see, and this is the creative partnership I want to see working together time and time again. A fantastic issue from two creators who seem custom-made to collaborate with one another, and one deserving of my highest possible recommendation.

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Much like the interaction between Selina and Damian in the last prelude issue this one is made so perfect by the last pages with Bruce and Dick. Again we see how the Batfam feel about this new addition and how they care for their surrogate father, providing a truly beautiful and meaningful moment in a fantastic set up to the big day.

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For a company perhaps best known for their licensed content, IDW are doing some absolutely stellar work with their Originals creator-owned line, and this new series deserves a place near the very top of that list. Feeling like Sylvanian Families meets Dexter, this is a beautifully disturbing concept executed to absolute perfection. Highest possible recommendation.

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I honestly can't stress how much I'm enjoying this series. And while it's only technically going to have two issues published in this calendar year, it's already rocketing its way to the top of my “Best of 2023” list. Blending cutesy animals and twisted psychopaths into a weirdly compelling mixture, this series once again gets my highest possible recommendation.

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As we head into the final chapter next month, and what promises to be something of a reckoning for all concerned, it's worth reiterating just how fantastic this series has been from start to finish. In blending two seemingly disparate genres, Horvath has certainly baited his hook effectively, but this high-concept premise would be wasted without a thoroughly compelling story at its heart, and in that respect Horvath has delivered in spades. Samantha Strong is an utterly compelling protagonist, and this series serves as yet another unmitigated triumph for IDWs Original imprint. Absolutely mesmerizing.

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A chilling, unsettling read from start to finish, BLACK EYED KIDS provides one of the most gripping opening issues to a horror story that Ive read in years. Quite how the series will hold up once we start to learn a little more about the titular kids remains to be seen, but for now, Pruett and Kudranskis creation stands as a true masterpiece of tension and atmosphere, and a book that should creep its way right to the top of any self-respecting horror fans must buy list.

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Theres also a fantastic sensation of just sitting back and letting this monumental series unfold, safe in the knowledge that Remender and Scalera have at least fifty issues (at least!) plotted out, and that every character will be given their own unique arc to explore. This is multi-layered science fiction world building of the highest order, perfectly executed by a creative team at the absolute top of their game.

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Black Science continues to cement its reputation as one of the finest comics on the shelves today, providing a surrealist, genre-defying science fiction opus wrapped around a handful of utterlycompelling characters. This isnt the time tojump intothe series, but I highly recommending grabbing the first three trades as soon as humanly possible and getting on board with this one. Trust me, you wont regret it.

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Okay, lets cut to the chase. Black Science is, for my money, the most consistently brilliant series on the shelves today, an accolade it has held in my opinion, at least for the best part of three years now. Remenders work has honestly never been better, and his seamless collaboration with Scalera continues to redefine just how well a writer and artist should be working together. If you havent been following this series until now, you really, really need to pick up the first four trades and get caught up right away. You can thank me later.

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It's definitely a good sign when the first issue of a comic is already an oversized thirty-two pages long and it's still not even close to being enough to satisfy you. A triumph of world-building, scene-setting and dark fantasy excess, Briar takes the familiar and makes it unfamiliar, twisting the safe ‘happily every after' world into something dark and deadly. Highest possible recommendation.

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The final pages hammer how just how much Hum and Serka's life has changed from when we last saw them, and with them both finding themselves drawn into their own (shudder) “quests”, it's going to be really interesting to see how the rest of this series unfolds. Whatever happens though, I'm going to be right there every step of of the way yet again, because like a drunken reunion with an old friend, Coda's triumphant return ticks every chaotic, subversive box you could possible hope for.

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If you missed the first four-part volume of this series, I suggest you remedy that immediately. Bold, creative and utterly sublime, Coffin Bounds second arc shows no signs of squandering the freight train momentum of its first. Highest possible recommendation.

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Simply put, Watters is a genius, Dani is a magician and Coffin Bound is one of the best books being published right now. What are you waiting for?

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If youre not already picking this book up, then theres probably nothing else I can say now that I havent said already that will change your mind. Simply put, this is one of the finest, most original, most disturbing horror series' of all time. Yeah, I said it. Colder deserves to be held in that level of regard. While the story may be over, I have a feeling itll be sticking with a lot of us for a long, long time, every time we see a person mumbling in the streets, every time we fold up a paper aeroplane, and every time we see a group of goddamn pigeons. As I've said before, this is horror as an absolute masterclass.

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Honestly, I could rant and rave about this book all day, but the best way to experience it is to pick it up for yourself when it goes on sale next week. Wildly ambitious and relentlessly creative, Crossover may end up being the coolest thing Cates and Shaw have ever done, which is certainly saying something. I loved absolutely everything about this comic, and I hope you will too.

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DIE is a book packed with nuance, depth and imagination, and while its (admittedly concise) description as Goth Jumanji feels fairly accurate, it also doesnt even begin to convey just how rich, detailed and utterly addictive the world that Hans and Gillen have created truly is. Highest of recommendations yet again for one of the best books of the year.

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So yes, Ill be on board with this series for as long as Jason Aaron is.  Serving as an utterly captivating introduction to the world of the Sorcerer Supreme, this is as close to a must-buy first issue as you could hope for.  Never had any interest in Doctor Strange before?  Doesnt matter.  By the Hoary Hosts of Hoggoth, this is your new favourite Marvel series.

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For me, the best sci-fi is always the kind that impacts you viscerally in the first instance, but then lingers in your mind long after youve walked away from it. And in that respect, Eugenic hits the sweet spot beautifully. Its dark, troubling and thought-provoking science fiction of the highest order, and comes with my strongest possible recommendation

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Easily the best issue of the series so far, and featuring perhaps my favourite Faith moment of all time, this is pretty much essential reading. I absolutely love Faith, and if you pick this comic up I guarantee you will too.

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I absolutely loved the first issue of God Country when it dropped last month, and Im going on record right now as saying that not only is this second issue even better, but that this series is going to be one of the absolute cant miss titles of 2017. You have been warned.

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Overall, while the meat of the big picture is clearly still to come, the development of the characters and the well-structured variety of the monster of the week format is working extremely well for Gotham by Midnight thus far. A wonderfully scripted book brought to life by some of the finest visuals on the shelves today, this is a shadowy corner of the DC Universe that deserves a hell of a lot more light to be shed on it. So take a little peek under the rock that is Gotham By Midnight. I guarantee you wont be disappointed.

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While itd be easy for me to hang my head and feel despondent about the upcoming final issue of this series, Im adopting a glass half full approach here. This is a series that is undoubtedly going to stand the test of time and be looked back on in years to come as one of the truly tragic comic book cancellations. Its better to burn out than to fade away, as they say, and if thats the case, then Ferreyra and Fawkes are poised to unleash an absolutesupernova of a final issue that's going to make a lot of people feel pretty damn stupid for missing out on this one.

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Its truly powerful stuff, and a fitting to end to a series Im absolutely gutted to see finish. Once again, pats on the back all round to everyone who hasworked on Gotham by Midnight over the last year, and lets keep our fingers crossed that we get to revisit this particular title somewhere down the line. Even if this is the end, however, I think Im due one last attempt to try and recommend this one to as many people as possible… seriously folks, if you havent picked it up yet, the first trade is available now (and you can win yourself a signed copy over on our Facebook page!) and the second arc shouldnt be too far behind.This is atruly unique book that provides a brilliantly twisted look at one of the comicbook worlds most famous cities. R.I.P. Gotham by Midnight, youll be sorely missed.

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Unquestionably one of the best comics of the last two years, Grass Kings takes all the good and bad things about society andshrinks them down intoone single, insular community. Sharply written and gorgeously illustrated, this is series I honestly cant recommend highly enough, and this final issue provides about as perfect an ending as any of uscould have hoped for.

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With Apocalyptigirl and now this, MacLean has cemented his place as an absolute must-buy creator for me, and Im already starting to get withdrawals until my next quarterly Norgal fix. One of my favourite reads of the year, even if the three-month wait between issues is borderline cruel. Darkly humourous, gloriously illustrated and boundlessly entertaining, Head Lopper is a book you truly owe it to yourself to pick up.

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Highest of recommendations for this one then, and with the concluding issue not set to hit shelves for another three months, theres plenty of time for you to get caught up in the utterly unique world of HEAD LOPPER.

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Ultimately, Head Lopper continues to confound expectations, creating a nuanced fantasy storytelling experience that Robert E. Howard would be proud of and wrapping it up in a bright, vibrant and highly stylised visual package. I honestly cant recommend this series enough.

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At the end of the day, any horror story is only as good as the characters involved, and in Sarah Winchester and Warren Peck, we have been blessed with two utterly compelling protagonists, each with a truly relatable aspect to their personal trauma.  While there are historical and factual aspects to this tale, Tomasi should be applauded for weaving such a gripping fictional narrative around them, and Bertrams stunning visuals round out what has to be considered one of the truly unique, genuinely disturbing horror titles of 2016.

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Without a doubt one of the most deliciously twisted, yet unrelentingly fun, books on the shelves today, I HATE FAIRYLAND remains an abso-fluffin-lutely essential purchase.

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INFIDEL is to horror comics what GET OUT is to horror movies; a perfect example of the genre viewed through a remarkably socially aware lens. The entire creative team should be immensely proud of what theyve created here, fleshing out a million dollar elevator pitch like racist ghosts into something utterly unforgettable.

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Honestly, this is a difficult book to review simply because its so personal. Sure, the technical execution is impressive, and the use of different artistic styles and metanarrative devices is certainly engaging, but your individual mileage here will undoubtedly vary based on your own experiences, mindset, and empathy, I guess? For me, Im not sure I can remember the last time a graphic novel hit me quite as hard as this one did. Deeply moving at some points, and actually kinda uplifting at others, Zoe takes us on a brief but memorable journey alongside her for six months of her life, giving the reader a firsthand insight into the mind of a troubled but supremely talented creator.

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I've been a massive fan of Aaron and Asrar's run with this character since the very first issue of Conan the Barbarian back in January 2019, and seeing them reunited for this limited series has filled me with a real joy. The island-based drama with Thoth-Amon and the malevolent Princess Prima has delivered a thrilling swords and sorcery read to this point, but the Conan versus Conan storyline has elevated this series to all-time great status. Highest possible recommendation.

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One of the absolute best comics on the shelves today, this second series has somehow managed to actually improve upon its Eisner-nominated predecessor, providing a gripping story, subtle character development and some of the best artwork youre likely to see in a comic today. Get it bought

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In summary, this is a finale which is more than worth the wait, and, as Ive said before, Lady Killer remains one of the absolute best comics on the shelves today. Slick, stylish and toe-curlingly violent, this is a series which comes highly, highly recommended.

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Every so often a comic comes along that grabs you from the get-go, either with its unconventional creativity, its striking originality or its passionate execution. Or, in the case of LITTLE BIRD, with all three. An utterly fascinating, gorgeously illustrated opening salvo in what promises to be a savage assault on the senses, this is a new series I simply cant recommend highly enough.

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For my money, Mindset is one of the best books being published right now, and this is the strongest issue of the series so far. It continues to take an extreme look at the increasingly insidious nature of social media, but does it with such seemingly effortless flair that it's difficult not to find yourself completely and utterly sucked into the story from the moment you turn the first page of each issue. Absolutely essential reading.

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Kaplan, Pearson and Otsmane-Elhaou are a creative triumvirate that I'm hoping we haven't seen the last of. Pulling off some outstanding narrative misdirection and delivering a thoughtful look at the insidious nature of technology and social media, Mindset is, for my money, the glittering crown jewel in Vault's already stellar library of titles.

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For me and heres some of the hyperbole Ive been trying so hard to suppress to this point every arc of this series goes further and further towards cementing its masterpiece status. Blending popcorn action with incisive literary acrobatics, Once & Future is like absolutely nothing else on the shelves today, and gets my highest possible recommendation.

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Another belter of a title from the folks at Comixtribe, and proof if proof were needed that John Lees is right on the cusp of taking the step from local best-kept-secret to one of the most exciting new writers in comics' (assuming that step hasn't already been taken) . Chilling, gripping and utterly unmissable, this one is going to be another runaway hit, mark my words.

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As I mentioned above, Pride of Baghdad is a book that will stick with you long after youve put it down, and the themes and emotions explored within these pages still feel every bit as relevant today as they did a decade ago. Vertigo Comics have made their living by producing inventive, thought-provoking works of art, and if youre putting together a list of their most affecting releases over the last twenty-five years, Pride of Baghdad has to be right at the top. Highly recommended.

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Wrestling fan or not, Ringside is a title that any self-respecting comic mark owes it to themselves to pick up. Taking a long, unblinking look at the violent and gritty world outside of the ring, Keatinge and Barber have created something truly special here, and one of the most exciting new series of the year.

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While its ostensibly a quote-unquote wrestling comic, Ringside is actually far more than that, providing both a gripping crime drama and a collection of nuanced character studies about the men who have dedicated their lives to the professional wrestling business. Brutal and emotional in equal measure, Ringside is a series that will appeal to die hard wrasslin' fans and disinterested bystanders alike, and I have no hesitation once again in giving it my highest possible recommendation.

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For me, Roche Limit: Clandestiny is a fairly tough series to review, as its a book that really needs to be experienced first-hand in order for to get the full effect. In theory, some of the concepts may seem a little daunting, and those looking for a swashbuckling sci-fi romp are pretty much guaranteed to go home disappointed. However, readers who take the time to absorb the overall message and peel back the intriguing layers of mystery will find themselves faced with one of the most intelligent and gripping sci-fi comics on the shelves today, and dare I say it one of their new favourite titles.

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While penultimate issues have a tendency to be used as a brief pause to take stock before an all-out finale, Moreci seems to have gone in the complete opposite direction here, putting together as action-packed and frantic an issue as I can remember from him. It all works beautifully however, and as he finally pulls back the curtain on his bigger picture with a shocking flourish, this issue cements Roche Limit as one of the most inventive, engrossing and unpredictable scf-fi comics in recent years assuming that wasnt obvious already.

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If youre already a fan of Starks work then this is an absolutely essential purchase, but even if you arent, an eclectic blend of old-timey martial arts movie excess, perfectly-pitched humour and wonderfully authentic hobo culture makes Rock Candy Mountain one of the finest books on the shelves today. Get it bought!

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If you somehow missed out on the first arc of this series, then you really need to rectify that as quickly as possible. Rock Candy Mountain is the cult classic martial arts movie you didn't realise you were missing out on until right now. It's also a book I can't recommend highly enough, so make sure to grab your bindle and get ready to ride the rails when it goes on sale this November.

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Without wanting to give anything away, this is a perfectly poignant ending for what has been one of my favourite comics in recent memory, as well as a living, breathing testament to the fact that comics dont need to be intricately detailed or packed with eloquent, flowing prose in order to really resonate. Highest possible recommendation for this one, folks.

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I love a good mystery, and thats exactly what Snow Blind is a fast-paced, utterly engaging tale that asks a lot of important questions about the fragile nature of trust, and is sure to keep the reader guessing until the very last page. Razor-sharp dialogue and wonderfully rendered artwork gives this noir thriller the extra edge if needs to really get under your skin, and the cliffhanger at the end of this issue is going to make the next four weeks a long, painful wait. Highest of recommendations for this one.

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Dark, violent and just a little bit twisted, this is easily the most polished and inventive title I've seen from Action Lab so far, and the entire creative team deserves all the credit in the world for bringing such a genuinely brilliant premise to life. This is one of the strongest debuts for a new title in 2017 so far, and is a series that deserves to be seen by as many eyes as possible.

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Dark, powerful and far more poignant than any story about a giant talking panther detective has any right to be, Spencer and Locke is set to become one of the sleeper hits of 2017, and I absolutely cannot wait to see where this story goes next.

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A stunning achievement of both ambition and execution, Step by Bloody Step is a near flawless offering from a creative team at the absolute top of their game. Highest possible recommendation for this one, folks.

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To messrs Eastman, Waltz, Curnow, Santolouco, Smith and anyone else who has worked on this series over the last four-plus years, I tip my hat to you.  You guys and gals have put together something truly special, and I hope you realise how much us Turtle fanboys and girls out here appreciate it.  I think I speak for everyone when I say that I absolutely cannot wait to read the next fifty issues.  Turtle power!

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It's no secret that IDW have been going all-out for months with the hype for this new series, and I'm happy to confirm this is one of those rare occasions where the final product more than lives up to that hype. I don't throw the word perfect around a lot, but this is an absolutely perfect first issue. Highest possible recommendation, and I absolutely can't wait to see what the upcoming artists – Rafael Albuquerque, Cliff Chiang and Chris Burnham – bring to the other three brothers.

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While it started off with an interesting hook – a sexually transmitted disease that can make you beautiful, but which comes with a hidden price the strength of its characterisation has pushed THE BEAUTY to a whole new level, and with near-limitless potential as the story expands to the larger world, this is set to become one of the absolute must-buy books of 2016.

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On the surface, THE BEAUTY is a high-concept thriller about a virus that makes you beautiful, but scratch that surface just a little and you'll find a rich, multi-layered world filled with intriguing characters and complex moral dilemmas. Hurley and Haun are taking great pleasure in exploiting the potential of their million-dollar premise, and if the subsequent guest artists perform as impressively as Huddleston, this is shaping up to be one hell of an arc. Highest of recommendations for this one.

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This is undoubtedly the strongest issue of the series so far, and serves as a true testament to the creative synergy of both writer and artist. Everything is measured, everything is controlled, but that only makes the unfolding horror all the more unsettling as events play out with an almost morbid certainty. Will Iris survive the demons of his past as they come looking for him? Does he even deserve to? Simply put, THE DARK AND THE BLOODY is one of the most utterly compelling horror titles on the shelves today, and deserves to be seen by as many wide, terrified eyes as possible.

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The denouement is powerful and shocking without straying into melodrama or overwrought exposition, and the creators give a little wink to the reader on the final page, leaving the door open like all great horror stories do. All the way through the series, The Dark & Bloody has deftly tiptoed the line between unsettling horror and captivating characterisation, and this final issue once again contains both in equal measure. There are no easy answers to be had here, no clean and tidy solutions, and – for my money – the story is all the better for it. Beautifully scripted, genuinely unsettling and surprisingly cerebral, The Dark & Bloody is a horror story that more than holds up the fine traditions of this iconic publisher.

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I've read some truly brilliant comics this year, but Department of Truth is sitting right at the very top of that list. And with four months left of the year, its going to take something very, very special to knock it off first place.

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One of the most accomplished debuts of 2017 so far, The Dregs provides an utterly unique twist on an established genre while also putting forth a socially relevant message about the way we look at the world of poverty and substance abuse. Highest of recommendations for this one.

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Beautiful, poignant and utterly unique, The Dregs is like absolutely nothing else on the shelves right now, and comes with my highest possible recommendation.

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Honestly though, theres only so many different ways I can praise a series that feels like it was written and drawn specifically for me, but this is pure poetry, man. A heady blend of hard-boiled detective fantasy and stark, unapologetic reality, The Dregs is hands-down one of the best books Ive read in a long, long time.

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The Dregs is gripping, powerful and through-provoking stuff, and as Ive been saying since the very first issue is my runaway pick for the best comic of 2017. Lets just say that its going to take something truly special in the next six months to knock The Dregs off its perch. Hats off to everyone involved in helping to bring this series to life, and I can only hope that it reaches the level of audience that it clearly deserves.

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Those seeking a behind the scenes look at the rise of the Beatles are likely to come away disappointed, as this is instead a deeply personal character study of one of musics most enigmatic and visionary characters. As Epstein himself says, The bullfight is both a celebration of life and a meditation on death, which is about as perfect a summary of the Fifth Beatle as you could possibly hope for. A powerful and fascinating book which is clearly deserving of all the praise which has been heaped upon it, The Fifth Beatle is an essential purchase for fans of music, fans of comics and for any of us who have ever been interested in the subtle nuances of the human condition.

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Another utterly fantastic debut for a new Image Comics series then, and a welcome return for this particular creative partnership; a team who clearly havent lost a step since the conclusion of Scalped over three years ago. Brutal, unrelenting, disturbingly beautiful and in-your-face from the opening page, The Goddamned is an absolutely essential read.

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Once again its probably worth clarifying that no, this is not your grandmas bible story, but for a stark, brutal dose of violence and brutality along with a truly compelling protagonist who maybe, just maybe, is finally showing a little bit of heart the Goddamned remains an absolutely essential purchase. Is it too late to add this one to mybest books of 2015?

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Overall then, while it's bleak, unrelentingly violent approach is undoubtedly what makes it stand out, The Goddamned is turning into a damn fine character piece. Aaron andGura are two of the truly transcendent talents in their individual fields, but when you put them together, the result is nothing less than sheer visual poetry. Once of the most engaging and shocking series in recent years, and an absolutely essential purchase for all. Let's just hope the wait until issue five isn't quite as long.

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The final pages kick things into a whole new gear in classic Tynion style, tying this new story seamlessly into the previous arc and completely and utterly erasing any of my aforementioned fears about this feeling like an ‘unnecessary retread'. Delivering all the nuanced character work of the first series while throwing in some delicious twists, turns and jaw-dropping revelations for good measure, The Nice House By The Sea is already looking like an absolutely note-perfect sequel, and as such, gets our highest possible recommendation.

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Honestly, this is easily the best opening issue to a series that I've read for quite some time, and delivers a perfect execution of a high-concept bait and switch that takes something normal and turns it into something else entirely. Most excitingly of all though, this series is getting the longform treatment with no less than twelve (count 'em!) issues, so there's almost no way of knowing just how far this wild premise is going to be pushed in the months to come. One thing's for sure though, I'm going to be right there every step of the way to find out, and I strongly recommend you do the same.

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Simply put, The Paypacks is absolutely bloody hilarious, and its difficult not to be drawn in by how much fun the creators seem to have having with it. Its easy to imagine them grinning, laughing and high-fiving as the put this bad boy together, and the sheer joy involved makes it nearly impossible not to read it with a smile on your face.

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Arguably the funniest comic on the shelves right now, with some truly inspired gags peppering what's actually a pretty damn intriguing superhero mystery series, The Paybacks is another absolutely essential purchase from Dark Horse Comics. Buy it. Buy it now!

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Even if this is the end though, Cates, Rahal,Shaw and Affe deserve the highest of praises for putting together this wonderfully compelling take on the superhero genre; a funny, exciting and in the end pretty damn moving series. Pats on the back all round then, although Im going to be keeping my fingers crossed that the report of the Paybacks demise has been greatly exaggerated.

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Honestly, I cant recommend this series highly enough. The potential that this premise has for hilarity, drama and air-punching awesomeness simply cannot be understated, and with a noticeably more structured plot this time around, I can only hope that The Paybacks finally receives the commercial success it truly deserves. Ill be sticking with this team every step of the way, thats for damn sure.

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For me though, the most enjoyable part of The Paybacks is the fact that it never quite degenerates into all-out parody, still maintaining a strong storyline structure and impressive dramatic beats amidst all the hilarity. Yes, its conceivable that the quirky humour and offbeat tone may not be to everyones taste, but quite frankly, if you dont love this series with the fire of a thousand suns, youre dead wrong, and also quite possibly mentally flawed in some way. Just sayin.

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This is another absolutely stunning debut from Vault Comics; a literary horror series that provides a visceral, haunting depiction of what happens when you change the world through art, and I absolutely cannot recommend it highly enough.

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Every now and again, a comic comes along that grabs your attention and simply refuses to let go, and THE SEEDS is a perfect example of that. It isnt flashy and it doesnt lean too heavy on the broader aspects of its premise, but theres something truly mesmerising about the way Nocenti and Aja work together seamlessly here to bring this fully-realised, utterly captivating world to life. A masterclass in precision and understatement, THE SEEDS is a new series you need to add to your pull list as soon as possible.

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Featuring religion, politics, war and both the good and bad sides of human nature, all blended together with care and respect by a creative team at the absolute top of their game, I have no problem saying that Sheriff of Babylon is hands down the best comic book series of 2016.

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Cards on the table, Ive never really been much of a fan of the Teen Titans until now, but this issue paints them in such an utterly intriguing light that its difficult not to get excited about the prospect of watching this team no, this family come together again in the weeks and months to come.   Full disclosure, I was kind of hoping that DCs Rebirth would serve as a good point for me to clear some titles from my already bloated pull list, but with every week that passes, another stellar series manages to creep its way into the buy pile.  So while my bank account may not necessarily be all that happy, my love of exciting, engaging, well-written comics most certainly is.

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Chilling, shocking and utterly compelling, Unfollow is your new favourite series, even if you dont know it yet. An ensemble thriller of the highest order, Unfollow has leapfrogged its way to the head of Vertigos current pack no small feat, given the sheer quality of titles being released and has cemented its place on my pull list for as long as Williams and Dowling care to keep making it.

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Honestly, Unfollow is pretty much a textbook example of fleshing out a high-concept premise into a thoroughly gripping story, and both Rob Williams and Mike Dowling should be immensely proud of what theyve created here. This is a fantastic conclusion to a series that has surely cemented its place in the upper echelon of Vertigos storied back catalogue, and one that comes with my highest possible recommendation.

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If you've ever even remotely considered taking the advice of a random online comic reviewer, this would be the time. Wasted Space is the real deal, folks. And with each issue improving on the last and expanding this raw and cynical space opera in new and exciting ways, you really owe it to yourself to start picking this one up. Trust me, you won't regret it.

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Limited series it may be, but youre going to want to get in on the ground floor of this one before it blows up to become yet another global critical and commercial juggernaut. Years from now, when people are clamouring for first issues on eBay and reminiscing about where they were when they first picked this one up, youll be able to smile, nod, and say yup, told ya.

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While it was undoubtedly the writer who encouraged me to gravitate towards this series, the stunning visuals and focused nature of the story are absolutely second-to-none, providing a rich, sprawling backstory to what is being painted as a deeply personal conflict for Amber. While it might not have the same standout visual set-pieces as the mech takedown from issue one, or the same dialogue to match the Superman speech from the first chapter, We Stand on Guard is still head-and-shoulders above the vast majority of titles on the shelves today, and is as close to essential reading as you can possibly get. Get it on your pull list now.

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Some may be frustrated by the slow paced opener, but for me, this is exactly the first issue that a six-part miniseries needs.  The creators establish the setting, introduce a new dynamic, and lay the groundwork for what promises to be another riveting genre mash-up series.   Simply put, Abnett and Culbard are a match made in creative heaven, much like the pairing of anthropomorphic animals and Invasion of the Body Snatchers-esque sci-fi they have created here.  The highest of recommendations for this one.

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My only complaint about this series is that it isn't the 99 Sidekicks of Trigger Keaton, because I seriously don't want it to end!

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Honestly, this series has been an absolute blast from start to finish, something which was pretty much guaranteed given the pedigree of its two creators. If you've been here since issue one, then this conclusion is definitely not going to disappoint, and if you're new to the series but enjoy hilarious dialogue, kung fu action and cheesy TV references, this series should be considered a must buy once the trade paperback hits shelves in January.

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If the purpose of a first issue is to completely and utterly draw the reader into the world being created, then Above Snakes should be considered a massivesuccess. A darkly humorous tale of Western vengeance with a supernatural twist, this is a series you owe it to yourself to pick up.

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If you havent been exposed to the Super Sons yet, this is the perfect time to start. Packed with humour, heart and high-concept shenanigans, Tomasi is quietly carving out one hell of a niche for himself with these characters, and this new series delivers more of the same unbridled awesomeness as the original. Its the Summer of Super, everyone! What the hell are you waiting for?

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While it doesnt necessarily advance the overall storyline in any significant way, this for me is easily the best issue of the series so far. Its beautifully laid out, strikingly illustrated, and blends humour and drama into what is an utterly enjoyable read.

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Definitely the strongest issue of the series so far, and one which pushes the narrative – as well as the level of peril that our unfortunate protagonist finds herself in – to a whole new level. I can only hope that poor Alice finally gets some sort of reprieve from her seemingly endless torment, one way or another, during next month's finale. Dark, gripping and packed with visual and narrative flair, this series comes highly recommended.

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Beautifully rendered with a sense of frantic, claustrophobic horror throughout, Dead Orbit provides a welcome return to the terrifying grass roots of the Alien franchise.

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Ultimately, Dead Orbit provides a welcome return to the haunted house horror that made Ridley Scotts movie such a runaway success while proving that, in the right hands, it isn't necessary to reinvent the wheel in order to produce a compelling Aliens comic. We can only hope that this isn't the last time Stokoe is allowed to play in this particular sandbox.

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While the full scope of the story is only truly revealed during the final pages, Wood and Jones have crafted an impressively strong opening chapter for this latest Dark Horse Aliens series. While the bare bones may not be particularly daring, the strength of the lead character and the crisp, confident execution of both the storyline and the artwork make this an absolutely essential purchase for fans of the franchise, or simply for fans of science-fiction horror in general. Bring on issue two! Oorah!

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As an actual story, this new series is clearly still in its incubation stage waiting for the right time to reveal itself, but as a slice of pulse-pounding Aliens horror, Dust to Dust is a veritable chestburster of frantic terror, and as such comes highly recommended.

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Ultimately, Angelic is nothing less than an utterly fascinating series packed with an almost tangible sense of adventure and rebellion, all wrapped up in a beautiful, pastel-shaded package. So be a goodmonk and pick this one up as soon as you possibly can.

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One of the absolute best comics on the shelves today, Angelic is a rarity in that it can boast genuinely universal appeal. True, now is perhaps not the greatest time to jump on board, but if you can get your hands on any back issues, Id highly recommend picking them up as quickly as possible. Trust me, you wont regret it.

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Boasting dynamic storytelling with real-world relevance and a wonderfully engaging cast of characters, Animosity has been one of the absolute best comics of the last few years. And with this miniseries, Marguerite Bennett has proven that her absolutely genius central concept can be adapted and expanded upon in a variety of interesting, creative ways. Lets all keep our fingers crossed for more Animosity spin-offs at some point in the future.

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In my review of the last issue, I said that while it wasnt necessarily for me, I absolutely loved the fact that comics like Another Castle were on the shelves. Well, after this latest issue, Im starting to think that this comic might actually be for me after all. Its sharply written, gorgeously illustrated and packed with humour, intelligence and important messages that never come across as preachy. Seek this one out, check your preconceptions at the door, and thank me later.

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Smartly written, lovingly illustrated and poignant without ever feeling preachy, Another Castle is a remarkably uplifting series that deserves to be seen by as many people as possible.  If I had a child, boy or girl, this is exactly the kind of comic book Id want them to be reading.

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Serving as a mixture of epilogue and prologue, this issue provides an impressive transition from one story arc to the next, all while introducing an intriguing new threat. Dan Abnetts Aquaman is fast becoming the jewel in DCs Rebirth crown, and the series is starting to display an impressive level of consistency that is going to make it an essential fortnightly read.

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Aquaman has been always one of the better written titles in the post-Rebirth DC Universe, but after twenty-five issues, it finally has what feels like the perfect artist to work alongside Abnett on this dark, politically charged story. Highly recommended.

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For my money one of the absolute best books on the shelves today, Assassin Nation is a sleeper hit that truly deserves to be on your radar. Combining Starks knack for grin-raising violence and humorous gags with the sheer delight of Hendersons Squirrel Girl-looking ultraviolence, this is a pure joy to read. Highly recommended.

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As youll no doubt have realised, were serious horror fans here at the Big Comic Page, and with all manner of evocative and thrilling books being released from publishers all over the world on a weekly, Vault Comics continues to stand out from the bulk of the crowd with titles like this. I absolutely cannot wait to see what happens next.

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Oh, and in case you missed the memo, 2017 is now officially Donny Cates year, folks. Get used to it.

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Over the last twelve issues, BABYTEETH has gradually evolved from an intriguing high-concept elevator pitch (single mother gives birth to the antichrist) to a fascinating and multi-layered story packed with intriguing characters and an enjoyable blend of humour and gravitas. If you havent picked this one up yet, then Id wholeheartedly suggest grabbing the first two trades and joining us in the Red Realm as soon as possible. Seriously folks, this is one of the best books on the shelves right now.

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Ultimately then, it's safe to say that Cates, Brown and co. stick the landing with style here, wrapping their hellacious teenage pregnancy story up in truly satisfying fashion and bringing the story of Sadie Ritter full circle. Hopefully the fourth and final collected trade will follow shortly (along with one of AfterShock's suitably chunky omnibus editions, perhaps?) to give those readers who drifted away during the break a chance to experience the whole cracking narrative. Fantastic stuff from all concerned.

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Kindt is a writer whose track record all but guarantees that going to at least check out everything new he releases, but even with that said, I had absolutely no idea I was going to enjoy BANG! as much as I did. Ive been waiting for my first new series to get really excited about in 2020, and I think BANG! may well be the one. Next month cant come quickly enough.

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Its probably no secret that I was going to love this one, but seeing Kindt and Jenkins tackling a whole new subject matter in a whole new genre is truly delicious. Theres also an enjoyable blend of humour, drama and high-concept espionage here that makes this an extremely easy series to recommend. With this new series, Tyler Jenkins and Matt Kinds have earned their making another fantastic comic badge with style.

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While it could have very easily have ended up feeling like a cheap, superficial or slightly tacky gimmick crossover, this is actually anything but, with Lemire and Walsh putting together a sharp, thoughtful opening issue that promises much for the rest of this story. The world of Black Hammer has offered up some of the absolute best comics of the last few years, and this series has the potential to end up right there at the top of that list.

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At the end of the day, Black Hammer clearly hasn't lost a step during its six month hiatus, hitting the ground running with this new chapter and providing the same fantastic characterisation, razor-sharp homages and wildly expressive artwork that made the original series such a runaway success. But perhaps more than anything else, its just an amazing feeling to know that youre reading a comic that future generations are going to be looking back on with wide-eyed reverence. An all-time classic in the making.

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The final pages give our hapless protagonists a new direction to travel in, and as I said above, it's impossible not to find yourself completely drawn into this violent, murky and darkly comic fairytale reimagining. Another home run for BOOM! Studios' creator-owned slate of comics then, and series that once again gets my emphatic recommendation.

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It's always a challenge to stay invested in a series when there's such a significant gap between story arcs, let alone when that delay comes with a fairly substantial change to the creative team, but Briar has handled the transition beautifully, expanding on its dark, irreverent mythos in exciting new ways and setting up what promises to be one hell of a second arc. If your like your fairy tales dark, twisted and gloriously foul-mouthed then this is most definitely the series for you.

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A fantastic addition to the wider Walking Dead world, the long-awaited return of a fan-favourite character, and a supremely talented cartoonist at the absolute top of her game. Highly recommended.

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While the real meat of this five-part story is yet to fully reveal itself, the groundwork laid in this first issue is nothing short of impeccable, throwing out several intriguing storyline hooks and doing a fantastic job of establishing the latest version of this classic villain, with plenty of teases and hinted cameos to please long-time G.I. Joe fans. A violent and ambitious reimagining of the classic Saturday morning cartoon baddie, and another thrilling addition to Skybound's Energon Universe.

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About as far removed from its Saturday Morning Cartoon roots as you can possibly get, this series is another absolute triumph for Skybounds Energon Universe, and I cannot wait to see what comes next.

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While I loved the inclusion of the Transformers in Skybound's Energon Universe, I'll admit to being a little skeptical coming in about just how much they could do to ‘freshen up' the worlds of G.I. Joe and Cobra, given how well-established they are. Turns out, I needn't have worried. Taking the familiar and tweaking it just enough to feel different and energized (no pun intended), Williamson and Milana – and indeed all of the Energon Universe creative teams to this point – have done an absolutely fantastic job with this new shared comic book universe, and I absolutely can't wait to see where it goes next in the pages of their upcoming Destro and Scarlett miniseries next month.

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Its confusing and unconventional, both narratively and artistically, but theres no denying the fact Cold War is a new series that flat-out demands your attention.

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This minor niggle aside, Ferreyra and Tobin are as perfectly-suited a partnership as you could possibly hope for, feeding off one anothers twisted ideas to create something truly special; a horror comic that not only shocks and entertains but also creeps under your skin, lurking there in your subconscious as it waitsfor the lights to go out. It should probably go without saying by now, but Ill say it one more time you need to buy this comic, as well as the previous two volumes. Trust me, you won't regret it.

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At this stage, its difficult to say anything about this series that I havent said already, but allow me to summarise: Nimble Jack is undoubtedly one of the finest horror creations in years, and his actions in this series only serve to solidify that position; Paul Tobin and Juan Ferreyra are a creative partnership made in heaven or, yknow, hell, depending on how you look at it; and Colder, with its disturbing visuals and truly unnerving moments of psychological horror, is the very definition of a must buy title.

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Honestly, if youve read any of the main series, youre likely already picking this one up. Cosmagog brings the best qualities of its leading man to the page, making for a fantastic read. Its touching and exciting and confusing and pretty much essential reading for any Black Hammer fan out there. Dont miss it.

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A scintillating start to what looks set to be a triumphant return to Marvel by the worlds most famous barbarian. By Crom, you truly owe it to yourself to pick this one up!

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As introductions go its a punchy, aggressive affair that tells you everything you need to know about the man himself. Conans encounter with the Kozaki plants the seeds for some interesting stories as the series progresses, and Bunn and Davilla combine to provide an emotive, visceral take on the iconic barbarian. Highly recommended.

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With this series, Cates and Burnett have managed to make things just the right amount of crazy, with a mixture of humour and epic-scale storytelling that really hits the mark. Providing a heavy metal dose of full-throttle insanity, Cosmic Ghost Rider is one of the most unashamedly bonkers comics on the shelves today, and for that reason alone, it's a new series that I have no problem highly recommending.

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As a 21-page establishing shot, this first issue does a terrific job of showcasing the massive potential of this series, and takes its time in introducing us to the two compelling leads. Beautifully illustrated and with a fresh take on a fairly worn-out trope, Crosswind is a fantastic new series from two creators working in perfect synergy, and I really cant wait to see how it plays out in particular the moment where Cason, in Junes body, meets her dick of a husband. Its gonna be glorious.

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Ultimately, this very much a set-up issue for the next arc, but with so much fantastic world-building at play, its still a thoroughly enjoyable read. Soule and Browne are onto something truly special here with their entertaining mix of magic, humour and fantasy drama, and with a willfully unconventional approach, Curse Words is all but guaranteed to make you yell Abraca-DAMN-bra!. Sorry Ill get my coat.

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A million-dollar concept executed to absolute perfection, Dark Ark manages to twist the established story of Noah in a thoroughly unexpected way. Filled with interesting wrinkles, colourful characters and a surprising amount of heart and humanity, this is a series that you really need to add to your pull list as soon as possible.

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Its often the case with high-concept stories that the writer doesnt actually bother to include any real story, happy to let their headline-grabbing idea to all the heavy lifting. Thankfully, in the case of Dark Ark, Cullen Bunn has simply used the premise as a backdrop to what is fast becoming a tense, gripping ensemble drama with some utterly mesmerising artwork. Don't miss the boat on this one, folks. You have been warned.

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Overall then, for a book that managed to have both dizzyingly high and worryingly low expectations, DKIII: The Master Race explodes out of the gate with a barnstorming first issue that manages to capture the edge and intriguing of the original while avoiding the heavy-handed political agenda of its sequel. Pats on the back for all involved then, and consider me firmly on board for the rest of this series.

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The final pages see the stakes raised significantly for Tyler and his family, and ensures that any reader picking up issue one is all but guaranteed to want to pick up issue two. A character-focused thriller that taps into some stomach-churningly primal fears, this is a series you owe it to yourself to check out. Snyder and Sherman are a match made in creative heaven, and the Dark Spaces anthology continues to deliver banger after banger. Highly, highly recommended.

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While it perhaps doesn't have the same shock factor of the first issue, there's absolutely no doubt that Snyder and Sherman are crafting something truly memorable here, and if you're a fan of slow-burn ing psychological horror with a sickening hook, I truly can't recommend this series highly enough.

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A slow burn of a first issue, no pun intended, which takes its time establishing this intriguing cast of characters before the real meat of the story gets going in the final pages. Snyder, Sherman and Pattison do a stellar job of gradually ramping up the tension of what promises to be a thrilling pressure cooker of a heist that I simply cant recommend highly enough.

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Wild, humorous and boasting some full-on heavy metal artwork, Deaths Head is your new favourite Marvel Comic, yes?

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While its ostensibly a series about demons, Demonic actually digs a lot deeper into the helpless feeling of surrendering your own free will and then having to live with the terrifying consequences of your actions. Chilling, unsettling and utterly compelling, Demonic is a story that will keep whispering in your ear long after you put the book down. Highly, highly recommended.

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Theres a hell of a lot going on here, both on the surface and beneath it, and Die is most certainly a series that will reward repeat readings. Whats more, this feels like a genuine passion project from everyone involved, and that level of investment and affection is difficult not to become sucked in by, particularly in what is starting to feel at times like an increasingly disposable comics industry. Gripping, emotive and profoundly moving, this is a new series I cant recommend highly enough.

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A note-perfect manipulation of the fantasy RPG setting, featuring enough layers (or sides, I guess) for die-hards and casual gamers alike, DIE is like absolutely nothing else on the shelves right now and as such, is a series that comes highly, highly recommended.

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Were sixteen issues in and this series still hasnt missed a beat. Simply put, Die is an absolute masterpiece that will either have you pining for your lost D&D days, celebrating your current D&D days, or wishing you had D&D days to get excited about. Highly, highly recommended.

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I love wrestling, and I love wrestling comics that clearly share that love, embracing the spectacle and the sacrifice without feeling the need to poke fun or roll eyes at its more eccentric qualities. More than just a series of flashy spots though, this series also shows some much-needed psychology, adding a generous dose of that vital personal drama to the mix. Simply put, if you're a wrestling fan, or just love kick-ass artwork, this is an absolutely essential purchase.

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If youre already a Black Hammer fan then this should be viewed as an absolutely essential purchase, but given the strength of both the writing and the artwork, this could also be looked at as an equally enjoyable stand-alone series. Highly recommended either way.

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Ultimately, this is pretty much a perfect jumping-on point with an exciting new creative team and a bold new direction for this iconic character. Cates, Walta and Bellaire are working in perfect harmony here, and the mixture of humour, drama and sorcerous shenanigans make this an easy series to recommended.

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If you havent jumped on this particular bandwagon yet, now is the perfect time. Mixing superhero shenanigans with real life issues, and packed to the brim with humour, drama and excitement, Faith is all but guaranteed to become your new favourite superhero.

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Overall, this is yet another fantastic issue that takes what could otherwise be a fairly generic situation – a supervillain capturing a hero for nefarious means – and puts an unmistakably Faith-y stamp on it. Charming, relatable, funny and with a worthy message at its core about never feeling the need to change yourself to please people around you, Faith continues to be one the most fiercely likeable superhero comics on the shelves today.

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Overall then, while this is first and foremost an introductory issue that sets out to establish the status quo for our beloved character, there are enough intriguing plot threads being dangled here to all but guarantee that this series is going to be a hit.  Faith is yet another utterly brilliant character from a company that seems to thrive on brilliant characters, and this is an upbeat, positive and above all a truly fun book that deserves to be seen by as many eyes as possible.

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While the mainstream focus still seems to fall squarely on the big two of DC and Marvel, its becoming more and more apparent than Valiant are rapidly becoming the go to publisher for truly great superhero stories. And amidst an already stacked roster of characters, Faith Herbert continues to push her way right to the front of the line, making every story involving her an all but essential purchase.

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Ultimately then, this feels like yet another win for Kindt and Jenkins. A tasty, supernatural-tinged mystery with a strikingly unconventional art style. As I mentioned above, this is very much a slow-burner of an opening chapter, and while the narrative is yet to fully embrace the potential of its premise, there are enough hints here not to mention the stellar pedigree of the creative team to ensure that this is an incredibly easy title to recommend.

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After a bit of a shaky start, this first issue sinks its hooks in impressively, painting a rich, vibrant picture of a world on the brink of destruction, and a population doing whatever they have to in order to survive. Williamson is always at his best when hes allowed to gradually develop his own world, and in Frostbite, he may well have crafted one of his most impressive works to date. Raw, tense, violent and utterly chilling, Frostbite is a well-timed science fiction series with a razor-sharp edge. Highly recommended.

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Whether you're a long-time G.I. Joe diehard or a curious newcomer, this action-packed series comes highly recommended. And if you've been following the Energon Universe to this point, then it should be considered downright essential reading. Go Joe!

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At the end of the day, Gideon Falls is a mesmerizing read, offering up question after question without even hinting at any answers at least not for the time being and drawing us deeper and deeper into the secrets of this seemingly ordinary small town. For some this may be incredibly frustrating, and there definitely isnt a huge amount of substance in this first issue., but with Lemire at the helm, theres absolutely no doubt in my mind that the series will end up delivering on its potential, and Im more than happy to let this slow-burning horror crawl under my skin and linger there for as long as its creators see fit.

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This is one of the most exciting and captivating first issues of an Image Comics series that Ive read for quite some time, which is definitely saying something. Cates and Shaw are working in perfect harmony here, creating an intense, grounded world thats about to be blown apart in the most gloriously celestial fashion imaginable. Highly, highly recommended.

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Spurrier does a fantastic job of rapid-fire world building here, fleshing out this bizarre reality and populating it with its own unique slang terms like nogody and relict, making it instantly feel far more real than it probably has any right to. Ennay and Smudge are both intriguing, multi-layered protagonists, and the artwork is packed with expression and detail throughout. So, while its undeniably an odd premise for a story, the creative team flat-out manage to make it work, resulting in a new series that serves as a testament to the sheer creativity of creator-owned comics. You can count me in with the rest of this one, thats for god-damn sure.

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Fascinating, gorgeously illustrated and beautifully executed, Grass Kings is a series that flat-out demands your attention. While this is definitely a patient, understated opening issue, Kindt and Jenkins are working together in perfect synergy here, creating an almost palpable level of excitement as this all-too-believable story is gradually revealed. Highest of recommendations for this one.

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Its definitely a slow burning start, and as such might not necessarily be to everyones tastes, but Grass Kings has had me hooked from pretty much the very first page. This is very essence of restrained storytelling, with nuanced character development and beautifully unconventional artwork coming together to transport us to a town that, while we may not quite want to live there, we certainly dont mind spending a little time in.

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Packed with great character development and several compelling mysteries that all seem to be intertwined within the same small, insular community, Grass Kings continues to be an absolutely gripping read. It's the latest in a long line of comics that feel like like they would work perfectly as TV shows, but vitally, Grass Kings feels like it's being written as a comic book first, rather than as an extended small-screen pitch. Highly, highly recommended.

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As strong as the story undoubtedly is though, it wouldnt work nearly as well without the fantastic characterisation of the Knights themselves, and in that respect Landis deserves the ultimate credit for creating such intriguing and relatable characters. A fantastic series packed with twists, turns and razor-sharp dialogue, Green Valley comes highly, highly recommended.

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Ultimately then, the narrative style is undoubtedly effective and the story, while certainly familiar, is truly gripping, but its the world class artwork that makes Harleen an absolutely essential purchase. If ever there was a perfect character for Sejic to sink his teeth into its Harley, and this series seems poised to deliver a tragic and nuanced retelling of this immensely powerful origin story.

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Id imagine this might be a bit of a tougher sell for readers who arent already massive fans of the character, but hey, those people dont deserve good comics anyway. Simply put, this is Into The Spider-Verse for He-Man fans, and if that's not enough of a recommendation, I really don't know what to tell you.

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Easily the best issue of the series so far then, and Messrs David, Goldfine and Williams are building up some serious momentum here as we head into the concluding chapter. After a bit of a shaky start, the series is finally delivering on its massive potential, and while the artwork has been uniformly fantastic from the very first page of the very first issue, the writing is finally starting to catch up, providing us with the kind of air-punching awesomeness that a series like this demands.

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Overall, while some casual passers-by may sneer and turn up their noses at the comic based on the cheesy 80s cartoon series, what theyre actually doing is denying themselves the opportunity to pick up one of the most dramatic, unpredictable and visually striking fantasy comics on the shelves today. Abnett and Mhan have the power, and this issue is undeniable proof of that.

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Even if I wasnt a lifelong He-Man fan which I most definitely am I would still be absolutely enamoured with this book. The Eternity War is bold and dynamic, packed with twists, turns, and air-punching moments of awesomeness. Plus, just when you think you know the answers, the creative team change the questions, yanking the wheel and sending things careering off into a wildly unexpected direction. One of the most consistent titles in DCs roster at the moment, even if some people still turn up their nose at the perceived tacky cash-in for the camp 80s TV show, He-Man: The Eternity War is for real, folks, and you owe it to yourself to at least give it a chance.

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Overall then, this is a perfect send-off for what has been an absolutely fantastic series. As a lifelong He-Man fan, I often longed for the day where I could read a monthly comic that not only paid its respects to the classics of the past but also helped push this captivating universe forward in new and exciting ways, and for the last year and a half, thanks to Messrs David, Abnett and Mhan, thats exactly what I got. So, while its sad to see the series come to an end, Im definitely hopeful for the future, and if whoever picks up this mantle down the line can carry it half as far and half as well as this particular creative team has, were going to be in for an absolute treat.

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The final pages set things up for the story to come, and with the true horrors of the Crimson Tower seemingly only just beginning, this latest arc promises to be yet another bold, in-your-face and beautifully illustrated chapter of the most metal comic on the shelves today.

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A spellbinding feminist drama that delivers an utter masterclass in tension, drama and satire, HEX WIVES is a series that comes highly recommended. If you somehow managed to miss out on it to this point, you really owe it to yourself to pick up the trade as soon as it becomes available. You can thank me later.

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A historical horror story that is guaranteed to crawl under your skin, HOUSE OF PENANCE is uncomfortable, unconventional and thoroughly unmissable. Dark Horse continues to cement its place as the absolute pinnacle of horror comics, and with a gripping first issue, both visually and narratively, I honestly cant recommend this series highly enough.

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In summary, Cates' Midas touch continues here, working seamlessly alongside Ottley's dynamic artwork to deliver what could be a Hulk story for the ages. Highly recommended, both for Hulk fans and those who love hard-hitting, high stakes comic books in general. Bring on issue two!

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Art the end of the day, this series is to the Hulk what Cates and Dylan Burnett's Cosmic Ghost Rider was to the Spirit of Vengeance. Your individual mileage will no doubt vary, but I have to say, I absolutely loved what the entire creative team came up with here. A brash, bombastic and aggressively ambitious story with some scintillating artwork, this latest Hulk series has been an absolute rollercoaster from start to finish. And with things switching gears for the upcoming Hulk versus Thor “Banner of War” event, it's safe to say that things are going to get a lot wilder before all's said and done.

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After a blistering setup, the overall premise we're left with – where the monsters of the world of are directed towards the Hulk and urged to destroy him by the Mother of Horrors – is pure gold, and I absolutely cannot wait to see where this story goes next. Johnson and Klein have SMASHED it out of the park with this dark, horror-filled tale, and this is one hell of an opening salvo in what promises to be a gruesome, terrifying series. Highly recommended.

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Once again, its worth clarifying that the style and approach isnt going to be to everyones tastes, but for fans of slow-burning, intelligent drama that creeps under your skin, INDOCTRINATION is a fascinating, gripping series which comes highly, highly recommended.

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Slow-burning, gripping, and with a premise that could have been ripped directly from the headlines, Indoctrination provides a masterful look at the current climate of terrorism and asks some interesting questions about the nature of free will and whether we can ever truly break free from our apparently pre-determined paths. Highly, highly recommended.

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With new science fiction comics being released on a weekly basis, it really takes something truly special for a new story to push its way through the crowd and stand out on its own. Thankfully, special is something INVISIBLE KINGDOM has in spades, and whether it's brash action, quiet contemplation or the way these two themes come crashing together, this is a new series that deserves your full attention.

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No Justice takes the traditional DC summer event, breaks it down into its component parts and puts it back together in a far more pleasing formation. Highly, highly recommended.

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Inventive, unconventional and like absolutely nothing else being published by Marvel Comics right now, Ka-Zar and the Savage land is a series that comes highly recommended. And, if you've happened to miss the five-part story as single issues, then I'd wholeheartedly suggest picking up the collected trade paperback as soon as it becomes available. You can thank me later.

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With TChalla frequently feeling like the least interesting character in his own stories, Im incredibly grateful that Marvel have opted to put a little focus on such a fascinating character, and the fact that Killmongers story is being delivered by such a supremely talented creative team is just the icing on the cake. This is an attention-grabbing and visually dynamic look at one of the most intriguing characters in the Marvel Universe, and you can definitely count me in for the rest of the journey as this story continues to unfold.

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A captivating start then, with an intriguing protagonist being thrust into a bewildering situation, and some of the best artwork youre likely to see on a monthly comic book. There are certainly far more questions than answers at the moment, but isnt that how all good mysteries begin anyway? Highly, highly recommended.

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This minor niggle aside, the flair with whichJolle Jones executes the story – not to mention the legitimately world-class artwork – makes this an absolute joy to read. The first series of Lady Killer started off with an intriguing, attention grabbing hook (a housewife assassin!) before gradually unveiling a tense, dramatic and darkly comic character piece, and this second arc has all the hallmarks of delivering exactly the same captivating experience. Highly, highly recommended.

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While Lady Killer may have initially made its mark with its brilliant premise and beautifully violent artwork, this second series has added a far more polished narrative, and Jolle Jones is to be truly commended for continuing to push herself as a writer and telling a considerably more engaging story this time around.  Highest of recommendations for this series, as always.

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Ultimately, this serves as a gripping and horrifying opening chapter of what promises to be one hell of a new series. Lazaretto makes you want to break out the hand sanitizer as soon as you put the book down, and is guaranteed to make you look a little differently at the next person you see coughing in a public place. Highly, highly recommended.

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As I said in my review of the first issue, Lazaretto is a comic that makes you want to go and wash your hands as soon as youve put it down. Tense, shocking and utterly gripping, its like Lord of the Flies with actual flies buzzing over actual diseased and dying college students. Highly recommended.

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A face-peelingly awesome finale which sees Chapman and Levang effortlessly stick the landing, providing a conclusion that, while it may not necessarily be happy, is certainly incredibly memorable. Lazaretto is one of those rare things in the world of comics – a fascinating premise that actually manages to live up to its potential. Highly, highly recommended.

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The perfect antidote for the bland, repetitive superhero comics which are flooding the shelves these days, SURVIVING MEGALOPOLIS is bold, inventive and about as subtle as an assault rifle butt to the jaw. Highly, highly recommended.

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Overall though, I honestly cant sing the praises of this series highly enough. By turns hilarious, shocking, moving and absolutely bat-shit crazy, Simone and Calafiore have created a world like no other, and a city that while Id damn sure never want to live there I definitely look forward to visiting every month. Bring on the finale.

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If the primary objective of the first issue of a new series is simply to hook the reader into picking up the second issue, then Made Men succeeds on all counts. And whether its the gripping opening, the thoroughly intriguing protagonist, the surprising twist or the eyebrow-raising final page, this new series ticks all the boxes, and reanimates the fairly lifeless crime revenge genre with a satisfying jolt.

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While it originally made its mark as a high-concept, monster-centric reimaging of Lewis and Clark's iconic voyage of discovery, Manifest Destiny has gradually evolved into something far more; an ambitious, gripping, character-based historical fantasy series featuring a group of mismatched, desperate men and women pressing on through a seemingly never-ending spiral of pain, loss and suffering. It's also one of the best, most consistent ongoing comics on the shelves today, in case you weren't already aware.

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Stripped-down storytelling at its absolute finest, Mazebook is a captivating mystery that isn't in any hurry to share its secrets. Lemire pretty much can do no wrong in my eyes, and this is another worthy addition to his considerable catalogue.

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Ultimately, what we have here is a beautiful, thought provoking and genuinely moving conclusion to what has been truly unique comic book series. Mazebook takes an experimental and unconventional look at the nature of grief, wrapping those themes up in a tightly structured mystery tale, and I absolutely loved it. With the likes of Sweet Tooth, Black Hammer and Descender already under his belt, it's safe to say that Lemire's creator owned credentials are pretty much unquestioned at this point, and with the Canadian cartoonist recently signing an exclusive deal with Image Comics, I honestly can't wait to see what he comes up with next.

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This is a character-driven, slow-burning masterpiece, no pun intended. Buccellato, Simeone and Otsmane-Elhaou deliver a story of everyday heroism that promises to become truly extraordinary before all's said and done. Highly recommended.

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Honestly, this is fantastic. Striking, inventive and deeply relevant in today's technology-dependent world. And if this stellar first issue is anything to go by, this may end up being one of the true standouts in Vault's already impressive library of titles for quite some time.

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This is a slice of high-concept, perfectly-pitched superhero fun that blends established tropes into a fresh, enthusiastic love letter to comic book excess.It's an opening issue that makes you immediately want to pick up the next one, which – as someone who reads waaay more comics than he probably should on a daily basis – definitely isn't always the case. Pick up this issue as soon as you can and get the rest of it added to your pull list right away. You can thank me later.

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As before, the tone is kept fluid here, switching from drama to comedy and all stops in between, and it's that fluctuating approach – not to mention the clear affection for the genre from the entire creative team – that really helps this series sing. Effortlessly dispatching the concept of ‘superhero fatigue' one exploding Rubik's Cube at a time, this is a fantastic follow-up series that demands your immediate attention.

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Honestly, I'm loving this series already. Rose-tinted nostalgia and present-day relevance, weary cynicism and a wide-eyed sense of adventure, Misfit City has it all. This is a positive, upbeat series with an almost tangible sense of adventure, and whether youre a girl, a boy, a Goonies fan or just someone who loves a great story, Misfit City comes highly recommended.

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A lot of the time, ‘all-ages' can pretty much become shorthand for “just for kids”, but with Misfit City, Smith, Lusgtarten, Franquiz and Peer have created something that I'd wager will appeal to pretty much everyone in one way or another. So whether you're a tween, a teen, or a cynical thirtysomething horror-loving male (*cough*), Misfit City is all but guaranteed to bring a smile to your face. And honestly, with some sizzling banter, a frantic chase scene and some epic doggy heroism, what more could you possibly want?

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So then, another fun and exciting issue for a series that seems to be ramping up to full speed again after a brief dip in pace last time out. Humorous dialogue, an intriguing mystery and some brilliantly rendered characters help make Misfit City a series that comes highly recommended for anyone with at least a little adventure in their heart.

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Being able to deliver a genuinely engaging horror comic is a real accomplishment, but doing so without utilising unnecessary gore or schlock is even more impressive. Snyder and Francavilla are a dream creative partnership for a pot of people, myself included, and watching them work together seamlessly to bring the chilling tale of the Ghoul to life is a real treat. An impeccably crafted, genuinely unsettling horror tale packed with depth, twists and real narrative depth. Highly recommended.

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Ultimately then, while No 1 With A Bullet is far from a comfortable read, its still an impressively engaging one. And with the stalker storyline escalating in terrifying fashion at the end of the issue an issue where were forced to watch Nash Huangs life fall apart in excruciating detail – its clear that things are really going to kick into high gear as this remarkable story continues to unfold.

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Part social commentary, part tense thriller, No. 1 With A Bullet delivers on both counts, providing a gripping and worryingly relevant read that comes highly, highly recommended.

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Honestly, this is a fantastic start. Gillens confident structure and snappy dialogue paired with Mora and Bonvillains lively, expressive visuals make this a book that you simply cannot afford to miss. Mixing humour and earnest, high-concept fantasy into a heady potion and pouring it right into the modern world, Once And Future is a new series that comes highly recommended.

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Easily one of the best single issues of a Transformers comic that I've read for quite some time, and that's even before the gut-punch of a finale. Barber and Zama deserve all the credit in the world for putting this one together, and as an example of just how far IDW's Transformers property has evolved beyond its “giant robots shooting each other” roots, you need look no further than this latest issue.

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The final pages introduce the first of the five beasts in gloriously over-the-top fashion, setting the scene for what promises to be a similarly outlandish battle in issue two. While Ill admit that it was the name on the cover that first drew me in, Stokoes singular talents and clear affection for what hes doing ensured that I was well and truly hooked by about the third page. If you like your tales of revenge to be packed with dynamic enthusiasm and immaculately illustrated, this is most definitely the book for you.

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Simply put, this new series is fantastic, and provides a perfect platform for Stokoe's striking visual style and quirky sense of humour. My only minor niggle about this issue is that we don't get a glimpse of (or even a hint at) the second beast, but that's more my personal greed and impatience talking. Ultimately, if you like action, humour, over-the-top violence and cracking artwork, I honestly can't recommend Orphan and the Five Beasts highly enough.

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Warner and Velasco each have a firm grasp on the inherent appeal of the Predator franchise, and deserve all the credit in the world for managing to pay homage to that while simultaneously flipping the entire ‘hunter and prey' dynamic on its head. A fantastic start to a brand new series then, and a welcome return to the sweat-soaked, pulse-pounding blend of action and horror that made the classic 80s movie such a runaway success.

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While this doesn't quite hit the dizzy heights of the first issue, it's still another fiercely strong issue that has all the winning components of its fan-favourite parent series. For me, “irreverent fantasy” is a really tricky genre to crack. Pull back too much and you've basically just got plain ol' fantasy, but push the envelope too far and you run the risk of becoming out-and-out parody. Thankfully, Moreci, Howell and co. continue to land right in the sweet spot, delivering a cracking new series packed with dark humour, dark fantasy and sexually inappropriate swordplay. Highly, highly recommended.

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While it may be aimed squarely at the young adult market, I can see any pet owner who has lost a beloved friend too soon getting a lot out of Rocket and Andy's story. It's a fun, uplifting tale that frequently delves into some fairly complex emotions, and seems perfectly pitched at the 12-18 year-old market (and, as I mentioned, anyone who's ever had to say goodbye to a pet). Another massive success from AfterShock and the entire creative team, and an emphatic statement of intent for Seismic Press. Highly recommended.

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Redline is a fantastic new series that comes highly recommended, although given its unconventional approach to genres, it's also a fairly difficult one to categorize. Imagine a cross between Sheriff of Babylon and Total Recall, only with way more dick jokes, and you're probably in the right ballpark. Either way, this is one of the funniest books on the shelves and is definitely worth a small chunk of your hard earned money every month for as long as it's being made.

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Redline remains one of the best books on the shelves right now by virtue of its humour, its drama, and the balance it strikes between the two. Holman, McCormack and Fitzpatrick are working together as one hilarious and gloriously profane unit here, and I absolutely cannot wait to see what happens next.

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For me, its fantastic to see the rich pool of Celtic mythology and the innate appeal of Glasgow the sexy, dirty jewel in Scotlands dark crown – being utilised so impressively. While deftly managing to avoid clich or parody, RED THORN digs its nails into the dark world of Celtic fantasy, providing a truly gripping series filled with humour, drama and glorious, foul-mouthed violence. You can count me in for the rest of this one, thats for damn sure.

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Since late 2015, Ive been singing the praises of Vertigos recent output to anyone whos willing to listen, and with books like Unfollow, Sheriff of Babylon, Clean Room, The Dark & Bloody and Suiciders: Kings of Hell.A in their arsenal, its safe to say that the iconic publisher is undergoing something of a renaissance in 2016. Of all their titles however, few have resonated with me as deeply as Red Thorn. Maybe its the Scot in me, but the heady blend of Celtic fantasy, human drama, sex, violence and debauchery flat-out appeals to me, and seeing two creators working in perfect synergy on a book that feels like a passion project for both makes for a truly captivating read.

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It actually almost feels more like a prologue than a first issue – a tense, memorable introduction to the witches themselves as they make their presence felt at the expense of the utterly dislikeable Redlands police officers. And while this opening chapter only vaguely hints at the promise to come once the witches actually take over the town, as emphatic statements of intent go, youre really not going to find much better. Scintillating stuff, and a new series that comes highly recommended.

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While at first glance this might look like just another vampire tale, Redneck is actually a story about family and the struggles involved in trying to break an age-old cycle of violence and hatred. Its also all but guaranteed to sink its teeth into you from the very first page. Highly, highly recommended.

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Redneck is a truly gripping series, and feels a lot more like a Southern ‘family feud'-based drama than a quote-unquote Vampire story at this point. This latest chapter does a stellar job of gradually bringing the already tense situation to the boil, revelling in the strained interactions between the different generations of the Bowman family before erupting into life in the final pages. Highly recommended, and in case you missed the memo: Donny Cates. 2017. His year.

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A tense, violent family drama packed with twists and turns that hit you like a stake to the chest, Redneck is a series that comes highly recommended, and this latest arc shows no sign of losing the fantastic momentum of the first. If youre not already on board this bandwagon, pick up the first trade and this issue as soon as you can. You can thank me later.

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Redneck continues its almost supernatural consistency here, providing a violent and dramatic look at warring families and the bonds of blood. Oh, and one of the families just so happen to be vampires. Its gripping and entertaining from start to finish, providing a vampire story for people who dont necessarily like vampire stories, and comes highly recommended as always.

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Overall, Ringside remains one of the most exciting new debuts from Image this year which, given the incredibly high level of their 2015 output, is not an accolade I give away lightly. Readers expecting a bright, bold rockem sockem wrestling series are going to be bitterly disappointed, but for fans of grim, violent crime drama, this could be exactly what the doctor ordered. Once again, this is a book that comes highly recommended.

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Existential science fiction is a relatively untapped genre in the world of comics, and in a market increasingly filled with dumbed-down‘shoot the aliens, save humanity' type sci-fi yarns, it's truly refreshing to have such a boldly ambitious series as Roche Limit out there on the shelves. Head-scratching it may be at times, and the lack of explanation for what we're seeing in this first issue could potentially frustrate less patient readers, but I think it's safe to say that if a reader has made it this far into the series, they should share my same confidence that Moreci is going to deliver the goods over these final four issues. Either way, the uncertainty of the conclusion and the sheer wanton creativity on display here is more than enough for me to recommend this series to anyone who'll care to listen.

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To this point, Monadic is shaping up like a wonderful amalgamation of Anomalous and Clandestiny, possessing the intriguing street-level noir of the former alongside the frantic action of the latter. And while its still offering up a lot more questions than answers to this point, Im actually rather enjoying the mystery of it all, with these first two issues leaving me feeling like Im right there alongside the lead characters as they struggle to tear down the walls of their false reality. Once again, I cant recommend this series highly enough, providing youre willing to open your mind just enough to let Morecis existential sci-fi masterclass blow your mind.

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With a striking aesthetic and a heady blend of humour and action, Rock Candy Mountain provides a hobo-themed love letter to the classic martial arts movies of old, and given Starks impressive pedigree as a creator, this should be viewed as a pretty much essential purchase.

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At the end of the day, Rock Candy Mountain remains one of the absolute best things on the shelves today, and while this issue may not necessarily be the best place to jump on the series for the first time, theres absolutely no excuse not to go and pick up the first trade right now – assuming you havent done so already. Seriously, you can thank me later.

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A tale of loss, family and the power of imagination from one of the most talented cartoonists in the business today, Salamandre comes highly, highly recommended.

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It's a simple premise and, as I mentioned above, is ultimately an exercise in world-building rather than providing any real unsolved mystery (we know where her dad is, after all). But watching Lemire and Rubin working together to add yet more flavour to one of the better developed comic book worlds in a long time is nothing less than an absolute joy. More Black Hammer is always a good thing, but with Lemire and Rubn at the helm, pouring their passion into this project, this new series is poised to become a great thing.

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The final pages provide a little more insight into the events of the robbery itself, reveal the source of Luke's possibly fatal gunshot wound, and leave us with a eye-widening cliffhanger to make us immediately want to tune in to the next “episode.” Smoothly delivered noir with a beating heart of emotion and an almost tangible tension, this is a new series that demands your attention.

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Overall, this is an utterly captivating first issue of what promises to be a tense, unpredictable series. A gripping, noir-soaked mystery which is every bit as chilling as the snow-filled landscape that serves as its backdrop, Snow Blind is a series that comes highly recommended.

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With the likes of Faithless and Once & Future already on the books this year, BOOM! Studios are undergoing something of a renaissance in 2019. And based on the strength of this first issue alone, Someone is Killing the Children has the potential to become the best of them all. Like a tense, terrifying blend of Hack/Slash and Stephen King's IT, this new series comes highly recommended.

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Boasting a genuinely interesting premise packed with emotional heft and stunning visuals, Strayed is an impressive new series that will appeal to cat owners and sci-fi fanatics alike. Highly, highly recommended.

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While the characters themselves arent quite fleshed out just yet, the world itself most definitely is, and Bermejo and Vittis creative partnership hits you like a brick to the face, providing a shocking, visceral introduction to this bleak and violent world. Highest of recommendations for this one, folks.

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Overall, while it's pretty far removed from a quote-unquote “superhero story”, Supergirl: Being Super is easily one of the most enjoyable titles I've read so far this year. A powerful coming-of-age drama with some truly gorgeous artwork, this is a book you really owe it to yourself to try and pick up.

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A coming of age drama wrapped around a superhero origin story, Supergirl: Being Super comes loaded with relatable emotions and impressive character beats. It almost feels at times like a Smallville-esque take on Supergirl, which may perhaps be oversimplifying the impressive work that Tamaki, Jones and Fitzpatrick have done here, but should at least give you a rough idea of what to expect. And, as Ive said before, this is a Supergirl comic that puts the super on the back burner and focuses squarely on the girl, providing one of the most enjoyable alternate origin stories Ive read for quite some time. Highly recommended.

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Overall then, the story is solid, and does an impressive job of advancing the post-Rebirth Supermans character, but that artwork?Man. The artwork is something else entirely, and instantly pushes this annual from a meh, maybe to a buy it right now!, particularly for fans of Swamp Thing, of which I am mostdefinitely one.

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Sure it's a little absurd at times, and readers looking for a more straight-laced superhero pal story are likely to be bitterly disappointed, but I absolutely defy anyone to make it all the way through this first issue without at least cracking a smile. Fraction and Lieber are about as perfectly suited a creative partnership as I can think of, and the way they continually play off each other here makes this nothing less than an absolute joy to read.

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SUPERMAN: AMERICAN ALIEN continues to provide a wonderfully unique look at the formative days of the Man of Steel, shifting both visual and narrative and styles with every new issue, making for a truly captivating read. Personally speaking, the Superman character has always felt a little direct, a little larger-than-life for my tastes, but these fleeting snapshots, delivered with emotion and humour, are going a long way towards changing my mind. Landis is creating something truly special here, and the addition of Lee for this particular chapter is simply the cherry on an already mouth-watering sundae. Highly recommended.

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Overall, it's reassuring to see this series finally building some storyline momentum, as well as capturing some of the epic scale that the first two issues were sorely lacking. While some aspects of the story are a still little underdeveloped for the time being – Sheriff Fox's investigation into the whole Lazlo Wormwood situation in the Bayou, for instance – the main thrust is truly gripping, and as I mentioned before, the series still looks absolutely stunning courtesy of Jones' sublime visuals. As a Swamp Thing fan, I'd honestly be happy to have any book featuring my favourite character on the shelves every month, but with two creative juggernauts like Wein and Jones at the helm, I have the feeling that this mini-series is on the verge of turning into something truly special. Next month can't come soon enough.

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At the end of the day, if youre a Swamp Thing fan this should be viewed an absolutely essential purchase, as both King and Fabok show a great level of affinity and passion for the iconic character. The Wein strip feels a little hollower, even if its always a treat to see Kelley Jones artwork, although there may be an aspect of grief and frustration thats stopping me from fully investing in the story. Either way, lets hope this Winter Special does well enough to spark some line-wide interest in Swamp Thing, as theres simply too much potential in the character for him to be relegated to a series of fleeting cameos.

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Ultimately then, while its perhaps not necessarily essential reading in order to keep up to date with the ongoing story, this is still an absolute masterclass in character development, and features some truly jaw-dropping artwork. Its been far too long since Eastman, Waltz and Curnow shone a light on this particular relationship, and Im certain that fans of either character or of great storytelling in general, to be honest will absolutely love this issue.

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This is yet another exciting, lively, action-packed issue, and continues what has been a surprisingly enjoyable Mutanimal-heavy arc. Consistency has long been the calling card of IDWs TMNT series, and this latest arc proves that almost six years on, its still setting the standard for licensed comic book properties.

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Honestly, it seems like every month I come out and sing the praises of this series, not just for its impressive storytelling and artwork, but for the sheer consistency that has seen it maintain such a blistering pace for almost six years now. If you're not already on this bandwagon then you really need to remedy that, and if you've ever shown any kind of affinity or affection for the ‘heroes in a half-shell', then this is most definitely the series for you.

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The Trial of Krang provides yet another showcase for the genius of Eastman, Waltz and Curnows ongoing series now currently the longest-running TMNT book of all time where storyline seeds can be planted years previous before being gradually nurtured and brought to bloom, transforming into full-fledged arcs like this one. And with our four brothers set to embark on a dramatic, in-your-face bout of cosmic witness wrangling in the weeks and months to come, this latest arc has the potential to be one of the most enjoyable TMNT storylines for quite some time. Here's to the next 73 issues

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All in all, this is an incredibly enjoyable package, and – as I mentioned above – is definitely one of the best issues of the TMNT Universe series to date. Boss gets to showcase his visual comedy chops and Allor brings us a story that is both blindingly simple and brilliantly inventive. Highly, highly recommended.

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Call it a hard-boiled crime thriller, call it a tragic romance, call it a war story whatever you call it, Tet is a title that is going to resonate with you long after youve turned the final page. Gritty, engaging and filled with an almost uncomfortable level of realism, this is a series that comes highly, highly recommended.

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Another gripping issue then, with a tense cliffhangerthat throws the next step in this series into significant turmoil. A shining example of a brilliantly inventive premise being executed to absolute perfection, The Beauty continues to ask some truly challenging questions while still retaining all the tension and drama of the conspiracy thriller at its heart.

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This could probably be called a slow-burner of a first issue, but Thomson and De Iulis don't waste a single panel along the way, introducing us to a relatable group of friends, each with their own drama, quirks and trauma, and slotting them into a shockingly unexpected situation. With Thompson continuing to go from strength to strength as a writer and De Iulis delivering a striking visual style, The Cull has the potential to be the next big hit from Image Comics, and is a new series you really owe it to yourself to pick up.

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It feels like horror comics are a dime-a-dozen these days, but horror comics which genuinely unnerve you, creeping under your skin and lurking in your subconscious, are far rarer beasts.  While Aldridge and Godlewski arent giving too much away just yet, the groundwork has been laid here for a truly terrifying rural horror tale, and a chilling testament to the fact that every action has a consequence.

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While rural horror seems to be a bit of a growth industry in todays world of comics, rarely has the genre been handled as confidently as it is here. Godlewski and Aldridge have crafted a truly unnerving tale that will shock, excite and captivate readers, all the while almost daring them to keepwatching as the horror unfolds. Highly recommended.

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Over the course of the last issue and a half, THE DARK & BLOODY has gradually shifted from a tense, unnerving rural horror to something altogether more in-your-face, with one of the most gruesomely unsettling antagonists in a long, long time (seriously the beak!). While it may ask some intriguing moral questions about blame, responsibility and consequences, at the end of the day this is pure horror through and through, and can easily stand shoulder-to-shoulder with some of the very best in the genre right now. Highly recommended, yet again.

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Ultimately though, this is every bit as gripping and captivating as the original series, and its always great to see this particular creative partnership making magic together. Providing a dark, unsettling take on this traditional bible story, The Virgin Brides proves to be more than worth the wait, and while my excitement is tempered with no small amount hesitation for the welfare of our two leads, I absolutely cant wait to see where this story goes next.

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As I mentioned in one of my earlier reviews, this is definitely not your grandmas bible story, but over the last five issues,The Goddamned has also gradually evolved into something far more interesting than simply an ultra-violent religious adaptation. Highly recommended.

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With Remender and Fiumara at the helm, this series has the potential to cement itself alongside the Sagas and Black Sciences of this world in terms of A+ science fiction comics. With a few thinly-veiled allusions of what's still to come in the post-comic notes, this is a truly fantastic start to a new series that I cannot recommend highly enough.

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Overall, while may have taken its foot off the gas ever so slightly following that first issue, The Sheriff of Babylon remains a gripping, immersive read.  Rather than your run of the mill gung-ho war story, King and Gerads have created something altogether more cerebral; a complex, fascinating and shockingly brutal look at a troubled chapter in history through the eyes of three flawed yet utterly fascinating protagonists.  Highly recommended.

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Ultimately, while the story itself may not progress too much here, the characters themselves most certainly do, and for a title which is all about providing different perspectives on the same harrowing events, this may actually be the strongest issue of the series so far. King and Gerads have crafted something truly special here; a tense, gut-wrenchingly realistic military thriller based around a trio of utterly compelling characters. Highly, highly recommended.

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Overall, the Troop is undoubtedly one of the most exciting titles to be published by Titan Comics in a long, long time and continues to set itself apart from the deluge of bland, forgettable superhero comics on the shelves today with itsstrong characterisation, shocking visuals and unapologetically edgy approach. Count me in with this one for the foreseeable future.

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With this latest release marking his fiftieth issue with the character, Im ready to call Jason Aaron the greatest Thor writer of the modern era, and I cant think of anyone who would realistically be able to argue with that assessment. Aaron just flat-out gets the character, and yet at the same time he isnt afraid of making bold, sweeping, game-changing adjustments in order to tell a better story. This latest series puts the former God of Thunder in a wholly unfamiliar position, and revels in the violence and desperation which ensues. And, at the risk of making a fairly obvious pun, theres no denying the fact that Aaron, Copiel and Wilson are more than worthy of telling this latest chapter in the God of Thunders story.

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A measured beginning to what promises to be yet another cracking series. Abnett and Culbard bring back their ‘A.A. Milne meets H.G. Wells' series with a triumphant fanfare, and as before, the blend of engaging characters, high-stakes drama and gorgeous artwork makes this a series that comes highly, highly recommended.

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While the bulk of DCs Rebirth books have provided bold, fresh and exciting new status quos for their title characters, few have done it with such unabashed heart as Titans. As I mentioned in my review of the Rebirth issue, this isnt a super-team Ive ever really had any interest in until now. As things stand, Im officially on board with this title as long as DC keeps publishing it, and I can guarantee Im not the only one.

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Dan Abnett is fast becoming the MVP of DCs post-Rebirth universe, and this series is a glowing testament to that fact.  With his writing here, not to mention his work on Aquaman, he has shown the ability to balance humour, action and epic-scale storytelling while still keeping his characters feeling multi-dimensional and utterly relatable.  The artwork by Weeks here is the cherry on the sundae, and with the beginning of a new arc and a fresh start for our heroes, Titans seems destined to remain at the forefront of DCs post-Rebirth output for quite some time.

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Skybound's Energon Universe continues to go from strength to strength, with Johnson and Corona delivering a blistering new storyline and a fresh take on your favourite Robots in Disguise. With a new status quo for the Decepticons and more tantalising sub-plots than you can shake a Fusion Cannon at, this series once again comes highly, highly recommended.

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Once again, UNFOLLOW remains an absolutely essential purchase, for its sheer wanton creativity and unpredictability if nothing else. Were now seven issues in, and theres a feeling that weve only barely scratched the surface of whats to come. This is absolutely note-perfect ensemble storytelling, blending humour, violence, human drama and horror into one truly addictive cocktail. Buy it. Buy it now!

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Theres a worrying trend with high-concept stories like this where the writer rapidly runs out of momentum once the initial intrigue of the premise wears off. Well, Im happy to report that this is definitely not the case with Unfollow, as Rob Williams continues to pile on new layers of intrigue to what may very well be his finest creation. Oh, and Williams has Ferrell drop a (thankfully metaphorical) bomb on the final pages that promises to change everything. And I mean everything. Unmissable stuff, and the highest of recommendations for this series as always.

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Honestly, I absolutely love this series, and its going to take a misfire of cosmic proportions from the creators to change my mind on it at this point. Each issue adds more tension, intrigue and humour to the proceedings, and the blend of character-focused drama, epic scale world-building and masturbation jokes ensures that Wasted Space is like nothing else on the shelves today. Pick up the first two volumes as soon as you can, and hop on board this gloriously irreverent space juggernaut!

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Slotting itself into my Best of 2019 list with ease, Wasted Space is showing absolutely no signs of letting up as it surges forwards into 2020. And while weve taken a rather spectacular detour from the main storyline, I could quite happily read this comic every single month for as long as Moreci, Sherman, Wordie and Campbell keep making it.

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I'll freely admit that I was initially a little skeptical about how Ewing could continue his narrative in a compelling way following the conclusion of the first arc, but he and the rest of the team simply haven't missed a beat here, and the shift in pace has added even more depth and intrigue to this already fascinating world. A richly textured, gorgeously illustrated sci-fi comic that gets my highest recommendation.

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For me, this is the best science fiction comic since Image's Black Science, and if you know me in any way, you'll know that's not a comparison I throw around lightly. Ewing and di Meo continue to reinvent their narrative, taking the story in unexpected new directions and keeping the reader on the edge of their seats throughout this wild journey. If you haven't already got on board with this series, I fully recommend you do so as soon as possible so you can enjoy this final arc as it happens.

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Another banger of a first issue from Image Comics then, as Rosenberg and Boss effortlessly recapture the magic of their previous collaboration, delivering a fresh take on the post-apocalyptic genre. The themes of record collecting and music as a whole tie into the adolescent experience beautifully, and the way these themes are framed in a world where groups of kids battle for survival in an adult-free wasteland is likely to speak to a lot of readers on a lot of different levels. I'm well and truly hooked anyway, and can't wait to see where this story goes next.

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Pushing that to one side, theres no denying that this is an absolutely fantastic series that showcases the strengths of its entire creative team beautifully. Rosenberg gives us fully rounded, believable and relatable characters; Boss gives us stylish, evocative layouts and note-perfect moments of visual comedy; and Hassan Otsmane-Elhaou keeps the story flowing throughout with his trademark immaculate lettering. A gripping story that's in no hurry to give its bigger secrets away, this is a wonderful series that I can't recommend highly enough.

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A measured beginning to what promises to be yet another cracking series. Abnett and Culbard bring back their ‘A.A. Milne meets H.G. Wells' series with a triumphant fanfare, and as before, the blend of engaging characters, high-stakes drama and gorgeous artwork makes this a series that comes highly, highly recommended.

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Given my well documented love affair with the previous three volumes, it was unlikely that I wasn't going to thoroughly enjoy this new release. However, putting my obvious bias aside, this is still a truly fantastic story, blending two seemingly disparate genres – old-school sci-fi horror and… well… talking animals – into a genuinely thrilling comic book series. I mentioned in my first review that I initially had some reservations that this release may not even be truly necessary given how well the first arc wrapped up, but honestly, this is matching the original series step for step in terms of stakes, tension and emotional investment. Highly, highly recommended.

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Overall then, while the story still hasnt quite ratcheted itself into high gear, the subtle character development and glorious artwork still makes The Enemy Within an absolutely essential purchase for any and all fans of sequential storytelling. Yes, its talking animals battling aliens, and yes, I know that does sound odd, but just trust me on this one. Give it a try, and Im supremely confident that youll love it.

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While its not guaranteed to appeal to everyone, theres something about the unusual blend of talking animals and Victorian-style alien invasion carnage that truly appeals to me. The fact that this brilliant conceit is being executed by one of my favourite creative partnerships ismerely the cherry on the sundae, and following on the heels of fantastic stories like The New Deadwardians and Dark Ages, my lifelong vow to pick up any title where Abnett and Culbard work together is looking like itll be a fairly easy one to keep. Highly recommended, folks in case you hadnt worked that out already.

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Alright, so if you haven't picked this one up yet, then this is most definitely not the place to start, but those of us who have been following this series – and the previous series, for that matter – are in for an absolute treat with this penultimate chapter. Tensions are heightened, battle lines are drawn and hearts are broken. Wild's End remains one of the most consistently gripping titles on the shelves today, with an inspired twist on worn-out “alien invasion” tropes and some of the best use of phrases like “Gord ‘elp us!” that you're ever likely to see.

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Overall then, while there are certainly aspects of the book that are likely to cause some controversy, I found this to be a bold, exciting re-imagining of the story of greatest female superhero of all time. Not the definitive origin perhaps, but undoubtedly smart, provocative and wrapped up in a truly mouth-watering visual package. Whatever way you look at it, Wonder Woman: Earth One is a book which deserves to be read, discussed and debated for years to come.

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A delightfully fresh take on the legendary swashbuckler, and a series that does a fantastic job of showcasing Murphy's skill as both writer and artist, this series is definitely going to leave a (hopefully not Z-shaped) mark on anyone who decides to pick it up. Highly recommended.

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If youve been enjoying the 24: Legacy TV series, then this is an absolute no-brainer, but even if you hate it with the fury of a thousand suns, this is still a comic thats worth a few quid of your hard-earned money. Tense, dramatic and utterly gripping, Rules of Engagement improves on the television show in almost every conceivable way, giving us a thoroughly intriguing look at the formative years of Eric Carter.

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A strong start from a must-watch creative partnership then, blending the same expressive artwork and charming character work of Alice in Leatherland with a far more dramatic, energetic and action-packed story. Zanfardino and Romboli are a team you really need to keep an eye out for, and this is a new series that you need to add to your pull list right away.

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The final pages establish the direction of the story moving forwards, and with two likeable leads, two supremely talented creators and a lot of open road ahead of us, I'm well and truly hooked on this series.

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Overall, in spite of my minor niggles, A-Force stands as one of the most enjoyable Secret Wars series that Ive had the pleasure of reading, and I cant wait for the ongoing series to still come. Its a little disappointing that Bennett wont be returning for volume two, but I have no doubt that the series will continue to flourish in Wilsons capable hands. Definitely one to pick up the trade of, if you happen to have missed out on the single issues.

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Another bright and lively chapter then, and a wonderful companion piece to the similarly bright and lively CBS television show. While its not necessarily pushing the envelope all that much, at least for the time being, theres no doubt that this series is doing exactly what it set out to do so far. Fans of the show will absolutely love this, although theres still a lot of enjoyment to be had for relative newcomers like myself. Well worth a look, folks.

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A dark, grown-up sequel that takes a twisted look at what happened next for Alice. Panosian, Spalletta and Mascolo each do a stunning job of bringing this tale to the page, and I absolutely can't wait to see just how far down the rabbit hole this story is going to go.

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Another strong issue for this thoroughly intriguing series then, and with the mystery at its heart still tightly under wraps for the time being, it's the overall fascination – not to mention the strong reader investment in the sweet, optimistic but clearly broken Alice – that's keeping the pages turning for the time being. Definitely one to add to your pull list if it isn't there already.

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While humorous and sex-positive stories of love and misfortune might not necessarily appeal to every comic book reader, they most certainly appeal to this one, and the charm and energy that the creators inject into this tale make it an easy series to recommend. Sweet, wholesome, honest and funny, this is the LGBTQIA+ sex comedy you didn't know you needed in your life.

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The final pages feature something of a transformation for the series as it moves forwards, and the immense likeability of Alice as a protagonist continues to carry the load and ensure that anyone picking this issue up will be guaranteed to want to read the next. Blending wholesome fun with sizzling sexuality, Alice in Wonderland continues to be a series I have no problems recommending.

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As it stands now, this is still a thoroughly immersive read, focusing heavily on atmosphere rather than plot, and featuring some impressively detailed and utterly dynamic artwork. Highly recommended.

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At the end of the day, Dust to Dust does a great job of taking the Aliens franchise back to its stripped-down horror roots, and while this final issue sees the scale ramped up to almost ludicrous proportions at times, the focus on character and the frantic, almost primal sense of fear throughout makes this easily one of the best Alien books Dark Horse has released for quite some time. Highly recommended.

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While science fiction comics are a dime a dozen these days, genuinely interesting sci-fi is a far rarer beast. And, as I had hoped from the moment I heard the creative team for this new series, All Against All has the potential to become something something truly memorable. An intriguing premise executed with real creative flair, it's going to be fascinating to see what direction Paknadel and Wijngaard take this story in as it unfolds. Consider me well and truly hooked.

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The final pages give us another brief snapshot of the scale of the problem, before seeing Vin and Reynolds setting out in unified direction with a shared mission. It's a simple enough premise at its heart, but the execution here is admirable and all the pieces fit together extremely well. Honestly, I'm a sucker for a creature feature, and everything about this series, from the characters to the location to the skittering menaces themselves, hits the mark for me. Highly recommended.

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Spencer gives us another cliffhanger to end things on, and I'm thoroughly enjoying the pace, scale and emotional complexity of this event so far. This is certainly a solid enough issue to move things along, but perhaps lacks the punch of the bombastic event opener. Regardless, I'm still well and truly hooked, and not only is this event well and truly rekindling my love for Spider-Man in general, it's also making me want to pick up some of the older issues to fill in all the gaps. Well played, Marvel. Well played.

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It's almost impossible not to find yourself becoming drawn deeper and deeper into PD121928's plight as he battles through rejections, anxiety and writer's block, and there's an offbeat sense of humour to some of the prose that feels vaguely reminiscent of Douglas Adams' The Hitchhiker's Guide To The Galaxy, albeit with a slightly darker, slightly more twisted 2000AD-style feel. Overall then, while it's not necessarily a 'comic' in the truest sense of the word, An Android Awakes is a boundlessly creative, proudly eccentric read that will have you hooked until the final page. Definitely well worth a look.

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The mystery only promises to deepen as the series continues, and this latest issue ends with a fairly shocking change of demeanour from a small group of established characters. Bennett continues to add layer upon layer to her richly developed Animosity universe, and while the Evolution series is definitely more of a slow-burner than the main title, theres still more than enough of the same blend of drama and emotion on display here to make this a highly recommended purchase.

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Overall then, while its not necessarily the kind of thing I would pick up myself, I absolutely love that there are comics like this out there on the shelves. Perfect for little girls who like princesses, little boys who like princesses, and grown adults who like goddamn princesses, this is a progressive, positive and gloriously fun series that deserves to be seen by as many eyes as possible.

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In the increasingly diverse world of comic books, its reassuring to know that younger readers picking up this book are being taught some valuable lessons. Namely, that heroes can show weakness, that the people we think of as monsters can sometimes be every bit as heroic as the rest of us, and perhaps most importantly that princesses can kick some serious ass. And I think youll agree thats a message we can all get behind.

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An intriguing character piece that looks set to evolve into a thrilling, twist-filled adventure, Antarctic is a new series that most certainly deserves your full attention. Well worth a look.

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Overall then, this is a fine opening issue that takes its time to establish the new status quo before throwing a Manta-shaped spanner into the works and letting all hell break loose.  For the time being, the threat against Aquaman is fairly conventional (if impressively well-orchestrated), and itll be interesting moving forwards to see whether Abnett can inject anything truly ground-breaking into this series.  Ill definitely be hanging around long enough to find out, thats for sure.

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Overall then, while it still feels more like a continuation than a quote-unquote Rebirth, I actually rather enjoyed Abnetts run on the New 52 Aquaman, and that enjoyment has most certainly translated to this new series. Abnetts Arthur Curry has a strong, confident voice, and if youve always viewed Aquaman as something of a lesser superhero (damn you, Robot Chicken!) then this series is all but guaranteed to change your mind. Definitely one of the highlights of DCs Rebirth so far, and a series with a huge amount of potential as it moves forwards.

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Overall then, while the niggles surrounding the artwork remain, Abnetts story is proving to be more than enough to keep this books head above water. The political drama of a King trying to bring his people onto the world global stage while being beset on all sides by attempts to derail him makes for utterly gripping reading, and from a pure storytelling point of view, this may very well be the best post-Rebirth issue of the series so far.

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While it may have started a little slowly, this is a series which is building some serious momentum over the last half dozen or so issues, and which now stands as one of the most consistently enjoyable titles in DCs lineup. Highly recommended.

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The final pages ramp up the mystery even more by throwing a grim little curveball into the proceedings, and while this latest story definitely serves as a noticeable departure from the high-stakes political machinations of the early arc, this still remains a reasonably intriguing underwater horror diversion. Not quite Aquaman at his finest, but still a thoroughly enjoyable read.

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All too often the end of a writer's extended run on a title can be viewed by long-time readers as a “perfect jumping-off point”, but I'd strongly advise against that course of action here. True, this isn't your typical Aquaman tale, but DeConnick and co. have put together a fresh and inventive look at the character, and in the wake of forty-six issues of Dan Abnett's epic-scale “underwater Game of Thrones”, it's strangely exciting to be presented with something so markedly different here.

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At the end of the day, theres little I can fault about Archangel 8, save for a slight deviation from my expectations. Providing a bleak and violent introduction to this world of hired killers, Moreci, Smith et al do a great job of laying the groundwork for what promises to be an entertaining series. With an enigmatic leading man and a twisted succession of feints, twists and shocking violence, this is a new series you really ought to be checking out.

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Overall then, Artful provides an even-handed adaptation of Peter Davids popular novel, and while there are some rough edges along the way, the strength of the premise and the charm and eloquence of the dialogue make this an utterly intriguing read. If nothing else, reading this first issue has made me want to go and pick up the original novel to get the full experience, but Im also going to be sticking with the rest of this series to see how the comic book version plays out. Well worth a look.

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At the end of the day, if youre a fan of either creators previous work, you really owe it to yourself to pick this series up. Blending John Woo-esque balletic violence with crass humour and action movie excess, Assassin Nation ticks a hell of a lot of boxes, and does so with style.

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With a diverse blend of humour, drama and mystery, Assassinistas has exploded out of the gate with a strong opening issue. We instantly care about the characters, and with such a compelling story being dangled in front of us, you'd be hard pressed to find a reader who didn't instantly want to pick up the second issue after reading this one.

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Aside from a minor stumble midway through, this first issue serves as a truly impressive return for a title Ive been waiting for ever since I devoured the first series. Spencer and Rosanas are telling a small story (no pun intended) filled with heart, humour and excitement, and are clearly having the time of their lives doing it. Highly recommended.

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Six issues in and Babyteeth is losing none of its early momentum, and this tale of teenage motherhood, demons, assassins and shadowy conspiracies only promises to get better and better in this thrilling second arc. Cates and Brown are both firing on all cylinders here, and while this issue does admittedly feel like a brief pause for breath before the real action of the second chapter starts, it's still packed with both memorable and shocking moments. Highly recommended.

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A fun bout of irreverent swords and sorcery fun, and one which will likely serve as a gateway drug to the glorious main series for a lot of readers. I'm loving the idea of bringing new artists into the rapidly-expanding world of Owen and Axe with these one-shots, and while this isn't quite an essential read in order to follow the Barbaric continuity, it's still a bloody fun one. Well worth a look.

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If you've been following the sadistic escapades of the Batman Who Laughs since his debut in Dark Days: The Casting this is an absolutely essential purchase, and if you love a good superhero horror mystery story, you definitely owe it to yourself to pick this one up.

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If the idea of Bane leading the Foot Clan, Bebop and Rocksteady into battle against Batman, Damian and the Teenage Mutant Ninja Turtles doesnt fill you with giddy excitement, then you might want to check your pulse. This is loud, bombastic fan service of the highest order, and I absolutely love it.

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This is a stripped-down, street level Batman detective tale with a genuinely disturbing denouement, but it doesnt quite feel like the first issue of a series just yet. Whatever direction this is going, Ellis is clearly keeping his cards close to his chest so far, although the solicitation info suggests that the aforementioned denouement is likely to have a profound effect on the psyche of the Dark Knight moving forwards and rightfully so. So at the end of the day, youre even remotely a fan of Batman the detective, this is definitely worth a look.

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An enjoyable read then, almost in spite of itself, and a solid set-up for the third and final act when it comes.

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Beautiful Canvas is a story impressive in its ambiguity, with a compelling lead and a slick visual style. It's not what you I thought it was going to be when I started reading, but that's okay, because Lindsay and Kivela have aggressively grabbed my attention here, and I absolutely cannot wait for the second issue to find out just where the hell this story is going.

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There is also an emotional gut-punch near the end of the story that jerks the wheel in a whole new direction, displaying the full extent of the power and fury that Theresa had been previously trying so hard to block out, leading to a powerful, explosive and surprisingly poignant finale. While it may sound like a cookie-cutter teen mutant story on paper, Behemoth has an impressive amount of emotion and depth behind it, and both Kipiniak and Woodward should be applauded for managing to handle this story in such an impressively unique way. Highly recommended.

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In a world of relentless marketing, press releases and solicitation info, its a rarity that I go into a comic completely blind, but boy am I glad that I did on this occasion. And while its unlikely youll be afforded the same opportunity, Id still highly recommend picking this new series up, and enjoy as it delivers a cracking blend of frantic fantasy violence and high-concept intrigue.

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Its going to be interesting to see where the story goes next, but Im truly grateful that Lemire has opted for intriguing character drama rather than fish-out-of-water comedy, and Deodato Jr. and Martin's artwork alone is more than worth the cover price every month. Highly recommended.

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A simple story beautifully executed, Berserker Unbound tells a gripping tale of loss, acceptance and wordless camaraderie, and as such comes highly recommended.

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Described by Kaplan as “a love letter to artists and creatives”, Beyond Real is delivering all that and more, and with a shifting tone and visual style from issue to issue, there's no possible way to anticipate what's coming next. Unpredictable, multi-layered and visually arresting, this series is set to be yet another unconventional triumph from Vault Comics.

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Overall then, while its not exactly reinventing the wheel, this is an affectionate and enjoyable pairing of two iconic 80s characters, packed with quotable dialogue, chuckle-worthy moments and bigtime action set pieces. And really, what more could you want?

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At the end of the day, Black Badges is still an easy book to recommend though, and whether its the striking artwork or the sheer creativity of the premise (Black ops boy scouts? Whats not to like?), theres absolutely no reason you shouldnt be picking this BOOM! Studios series up every single month.

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That minor criticism aside, it feels like this series is finally starting to pick up some real momentum, with Kindt throwing all manner of complex conspiracies – something of a calling card of his – into the mix. The final page suggests that the conflict between the Black Badges and the “Honor Society” has only just begun, and it's going to be fascinating to see how this whole situation plays out in the issues to come. Another highly recommended issue of what has become a ‘must buy' series.

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Black Canary has cemented itself over the last seven issues as one of the brightest, boldest and most original books currently on sale from DC Comics, and with an almost painfully tantalising cliffhanger, there's absolutely zero doubt that I'll be picking this one up once the next arc kicks off. I'd strongly advise you to do the same, and if you haven't got on board yet, make sure to grab the first trade when it hits shelves on March 2nd.

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While its far from essential reading for fans of the main Black Hammer story, this one-shot still comes highly recommended, telling a touching story of Lovecraftian teenage angst and introducing us to a young girl lost in the shadows of the relentless, larger-than-life heroes versus villains conflict.

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Overall then, while its clearly focusing on character ahead of story for the time being, Blood Blister gets off to a strong start here with an impressive hook thats guaranteed to crawl under your skin and fester. The opportunity to see a swindling, backstabbing, morally reprehensible human being getting his comeuppance is definitely an alluring prospect, but I cant help but think that the creators here have something a little more unconventional in mind for poor Brandon Hull. Ill definitely be sticking around to find out, thats for sure.

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All in all, this is yet another cracking adaptation of the source material from the folks at Titan. Translating the creeping unease of the hugely popular video game to the printed page was never going to be easy, but in the hands of Bunn (and Ales Kot before him) and Kowalski, Titan keep hitting the mark time and time again. Captures the haunting tone of the game so vividly you can almost hear that accursed melody playing in the background while you read.

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This issue manages to emphatically erase my main criticism of the series so far (namely the lack of cohesive narrative), serving as a bridge to bring the various storyline threads together. Once again, the mood and look of this series is going to be a real treat for fans of the video game source material, but even if you've never picked up a controller and taken to the streets of Yharnam yourself, this is still a horror series that comes highly recommended.

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With their track record on historical reimaginings already pretty damn strong, Bunn and Colak are clearly onto another winner here with The Brothers Dracul, providing a sharp and wickedly unconventional look at the formative years of Vlad the Impaler. A patient start to what promises to be another fantastic series from AfterShock then, and definitely one to keep an eye on as the story slowly unfolds.

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If you like your historical retellings with just a dash of supernatural horror, then you really need to sink your teeth into Brothers Dracul. Bunn and Colak are carving out one hell of a niche for themselves with this particular subgenre, and I cant wait to see where this story goes next.

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An exciting reimagining packed with plenty of the classic Buffy charm, The Last Vampire Slayer is a new series that comes highly recommended.

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A solid opening chapter then, and while the monster slaying and potential showdown with rival hunters is all well and good, its Kate herself who Im ending up wanting to know more about. Visaggio, Howell and Pinto are working together seamlessly here, and if the idea of an ass-kicking, sword-wielding, monster-slaying woman kicking some serious ass appeals to you in the slightest, this is definitely the book for you.

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Theres no denying that Catwoman has had something of an uneven comic book history in terms of quality writing and artwork, but in the hands of Jolle Jones, it feels like Selina Kyle is finally going to get the solo focus she richly deserves.

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Its another solid issue for sure, although its starting to feel like the artwork is doing the bulk of the heavy lifting to this point. Dont get me wrong, there are some interesting storyline elements at play here, and the new villain is definitely worthy of your attention, but it doesnt feel like the story has quite made it into full gear just year. Regardless, Jones track record should be considered pretty much impeccable by this point, so theres absolutely no reason not to pick this latest issue up.

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Ultimately, while for now it feels primarily like a harsh look at the desperate nature of social interactions, the horror undertones of the story – particularly once the reader turns the final page – are definitely more than enough to make this new series stand out. Taking a long, hard look at body image and the deeply ingrained desire for approval and connection, Come Into Me is a new series that's guaranteed to get under your skin. Definitely one to keep an eye out for next month, folks.

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Part Kung Fu movie, part twisted fairy tale, Coyotes is a thoroughly original new series, and while there are definitely a lot of unanswered questions here, the strength of the leads and the striking visual style makes this an easy first issue to recommended.

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This isn't what you might think it is, and in this case, that's definitely a good thing. Klein and Beem deliver a wonderfully nuanced look at the complex nature of addiction, set in a world where superheroes are a part of everyday life, which was not necessarily what I was expecting when I first picked this comic up. A high-concept ‘heroes and villains' drama grounded in a gripping personal struggle, this is a series that comes highly recommended.

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Ultimately then, while this latest chapter doesnt quite hit the heights of the first issue, this is still a series that comes highly recommended, with Soule and Browne combining to create something truly unique, from the artwork to the lead character himself. And, providing it can decide whether it's a fantasy with dashes of comedy or a comedy with hints of fantasy, this could wind up becoming something truly special. I'll definitely be sticking around to find out, that's for sure.

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Ultimately then, while it does lose a little of its uniqueness during the sequences in the Hole World, there's no denying that Curse Words is still a fun, funny and visually striking read. Soule and Browne continue to work in perfect harmony here, and the sheer enthusiasm that these two creators clearly have for this title make it almost impossible not to enjoy.

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With bright, manic visuals and the distinct brand of crazy that has become synonymous with Curse Words over the last year, this Holiday Special is well worth a look if you like your magic sprinkled with a dash of day-glo insanity. Its also pretty much worth the cover price alone just to see Sizzajee in a Christmas jumper. Happy Meatmeet, everyone!

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For me, the only real stumble in this first issue happened on the final page, with the reveal of a slightly hokey new villain who inadvertently conjures up images of a certain Jim Carrey movie. Youll know it when you see it. Aside from that, however, this is an impressively confident start as we get to watch Soule and Garney stamp their own unique mark on this iconic character.

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While I was immediately hooked on Dark Ark from the first issue by virtue of its million dollar premise (a second Noahs Ark for all the worlds monsters? I mean, cmon), I always had a faint niggling doubt in the back of my head about just how Cullen Bunn would manage to keep the story going in a satisfying fashion. Well, as it turns out, pretty damn well, with this latest issue delivering a paradigm shift that takes the story in a fresh and exciting new direction.

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For me, this perhaps wasnt quite as strong an issue as the opener, taking the focus away from loveable and disarmingly human Francis in favour of the admittedly rather entertaining Director. It certainly helps to establish the increasingly twisted tone of the story though, not to mention the looming drug war that seems poised to engulf NYC, but I'd have liked to see a little more of Darling himself here. It's still a fantastically unique slice of sequential art, and a story I'm definitely going to be following until its conclusion.

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That said, this is a comic book that is anything but flimsy, and is packed with all manner of big ideas and smaller details that will most definitely reward repeat readings. If you're looking for a fun blend of humour, sci-fi and the savage lampooning of society's rapidly spiralling social media addiction, this is most definitely the comic for you.

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The final pages ramp up the action, putting Destro right in the midst of a warzone and showcasing his slightly more unhinged side – something we also got to see earlier in the issue with him having a frank, honest (and worryingly two-way) conversation with the statues marking the graves of his Scottish ancestors.Another fantastic blend of cartoon excess and gritty Energon Universe drama, and given how well these series have been integrated to this point, a fairly essential purchase if you want to stay up to date.

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Okay, so your individual mileage on this one will most certainly vary depending on your prior affection for Chester Gould's iconic creation, but if you're looking for a dark, hardboiled detective comic from a creative team that is clearly having an absolute blast, you could certainly do a lot worse than picking this new series up.

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The issue whips along at a brisk pace, with Lona trying to seek out a tag partner for herself ahead of the tournament, and ends with a jaw-dropper of a final page that I don't think anyone will have seen coming. Another gripping issue then, and with the stage well and truly set for the series to come, I can't wait to see what sort of teeth-clenching insanity awaits once the Tag Tournament itself begins. Pure unadulterated enthusiasm and creativity crammed into lycra and unleashed onto the printed page for your viewing pleasure.

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The final pages see our heroes-slash-fugitives being captured, which seems like the only logical conclusion given the expertise and resources being aimed at them. However, the final page throws an interesting new wrinkle into the proceedings with an unexpected addition to the story (unless of course you've checked out any of Skybound's preview and hype material for the series.) As I mentioned above, I'm well and truly invested in this new story, and the Energon Universe as a whole, and can't wait to see what comes next.

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A lively opening issue then, and with the final page throwing an intriguing wrinkle into the group dynamic, Ill definitely be coming back next month to see just what brought our cast of characters to this point. It's perhaps still a little too soon to tell exactly how this story is going to play out, but as introductions go this is definitely a strong one, and is well worth checking out if you love fantasy as much as this creative team clearly does.

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I've been a big fan of IDW's Saturday Morning Adventures releases so far, and this latest offering certainly pays homage to the classic kids cartoon while adding some fun new wrinkles to these much-loved characters. Highly recommended.

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The final pages see an exciting shift in the status quo as youngster Robbie finally decides what to spend his wish on, and considering we're only eight days into the wish-pocalypse, I'm already absolutely hooked on this series and desperate to know what happens next. High concept carnage from a creative team that are clearly having an absolute blast. What more could you wish for?

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By the end of the issue, we're a total of eight years removed from “G-Day”, with our sprawling cast of characters each finding unique ways to survive in the new world. It's going to be interesting to see how Soule and Browne tie everything back together in the final two issues, but given the growing friction between the different sanctuaries, you can bet that when they do, we're going to get a finale that goes beyond our wildest dreams (or should that be wishes?) A fantastic premise executed with an almost giddy flair once again, and if you haven't picked up this series yet, you should definitely try to remedy that before it wraps up this coming February.

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The first issue of Exit Generations was always going to be a tough act to follow in my mind, but Read and Oliveira have done a solid job here of building and expanding upon their stellar opening chapter. The pace is a little slower than in issue one, which is probably a wise decision, but the final panel leaves no doubt in anyones mind that things are going to be ramped up significantly in issue three and, having already read the final two issues, I can gleefully confirm that this is most definitely the case. Brilliantly creative sci-fi filled with flash, style and humour, Exit Generations is a title you truly owe it to yourself to pick up.

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Ultimately then, as a straight-up Christmas story, Faith in Wonderland definitely ticks all the boxes, providing a fun, fantastical tale with an uplifting message about the importance of imagination at its core. However, as an actual Faith comic, it doesnt quite deliver the way it should, hampered slightly by an unfamiliar version of our favourite Valiant heroine. Whatever way you look at it though, its still well worth a look if youre in the mood for an upbeat, eye-catching slice of festive fun.

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Ultimately, while theres definitely something repetitive about this issue, its also clear thats pretty much meant to be the point, and the gradual escalation of the situation in every conceivable way makes picking up the next issue a fairly easy choice. And, while there are some off-putting, continuity-referencing moments, for the most part this miniseries remains entirely standalone, and with Houser at the helm, this genuinely creative series looks set to go from strength to strength as it reaches its tense, epic conclusion.

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The latest in a long line of rock solid Faith offerings from Houser then, and with some fantastic contributions from Kim, Bellaire and Sharpe, this series serves as a perfect microcosm of just what makes this character so special. Charming, dorky and with a heart a mile wide, this is a superhero whos difficult not to love.

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If youre a fan of Guillorys work on CHEW, this should be viewed as an absolutely essential purchase. FARMHAND has the same blend of twisted humour and enjoyable character work as the multi-award winning epic, and its fantastic to see Guillory flexing his writing muscles here and providing us with a fascinating world packed with mystery, intrigue and trees growing human arms. What more could you want?

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A tightly-structured and entirely self-contained story that fits effortlessly into the existing Firefly continuity, The Sting is well worth a look for fans of the cult series, or simply those of us who like a good crime caper with some likeable, interesting protagonists.

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If you like your comics dark, gritty and realistic, you should probably give Fu Jitsu a wide berth. If on the other hand you're willing to take a chance on a story packed with eccentricity and willfully unconventional ideas, then this new AfterShock Comics series is definitely well worth a look.

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Overall, while theres a feeling that weve only just scratched the surface, this first issue still has a lot of incredibly cool stuff going on, no doubt about it. Science fiction, adventure, humour, nefarious villains and bold, larger than life heroes. While it may not be as quote-unquote “edgy” as a lot of comics these days, that's actually part of its overall charm. This is a wonderful throwback to some fantastic cartoons and a more innocent, un-cynical style of storytelling. Exciting, dramatic and just plain fun from start to finish, Future Quest is the Saturday morning cartoon you never knew you needed until right now

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Overall, while the artwork compliments the stories to differing degrees throughout the collection, the unquestioned brilliance of the author guarantees that at least one of the stories here will creep into your subconscious and burrow in, waiting to manifest itself at a later date. And while the prospect of adapting such a descriptive prose style into a sequential art format may be fairly daunting to some, Moore, Reppion and their assembled artistic talent have proved to be more than equal to the task here. Highly recommended.

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While Kingdom Kong felt like a bit of a blunt instrument, telling a familiar story in a familiar way, Dominion feels like a scalpel as it carves out the most interesting facets of Godzillas true nature and presents them in a fresh and interesting way. Highly recommended for Godzilla, Swamp Thing and giant monster fans alike.

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The final pages hint at things going from bad to worse for our two leads as they head off to their next sale, leaving a trail of mutated customers (and one poor unfortunate squirrel monster) in their wake. I'm not sure if “Redneck Body Horror” was a genre before, but it damn sure is now. Nadler, Erman, Rodriguez et al have crafted something completely and utterly unique, and I can't wait to see where this story goes next.

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Proof, if proof were needed, that big two comics can still retain that edgy, indie feel in the right hands, of course. Definitely one to pick up, assuming youre not already doing so.

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Ultimately then, this is an impressively paced issue that allows us to take a deep breath before hurtling headlong into the finale next month. The sheer consistency of Grass Kings has perhaps been its greatest selling point over the last thirteen issues, and neither Kindt nor Jenkins miss a beat here as they line up the crosshairs for what promises to be an absolutely stunning conclusion.

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Regardless of whats still to come, theres no denying that this second issue shows a marked improvement on the first, leaning into the terrifying nature of the drug-induced hallucinations in a move that really helps to showcase the distinctive skills of its artistic partnership. And at the end of the day, whatever Miller, Whynot and Cunniffe have in mind for the remainder of this series, its safe to say that Gravetrancers has me well and truly addicted, to the point where I simply have to know what happens next.

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That said, theres still a heck of a lot to like about this series, not least of which is the fact that it provides an engaging, accessible entry point to the world of Green Arrow.  Plus, when you have an artistic tag team like Oscar Schmidt and Juan Ferreyra providing the visuals, you can pick this one up safe in the knowledge that youre buying one of the best looking comics available today.  Itll be interesting to see where the conclusion of this arc leaves us moving forwards, but Im definitely on board with this series for the foreseeable future.

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Overall, this first arc has righted itself impressively after a fairly jumbled start, and while some of the dialogue can still feel a little clumsy at times, the strong premise and jaw-dropping artwork makes Green Arrow one of the more highly recommended titles in DCs Rebirth lineup.  The final page lurches the story into a wildly unexpected direction, and with Oscar Schmidt set to take over on artistic duties for the next three issues, the potential is high for this series to continue its impressive improvement in the weeks and months to come.

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I mentioned in my review of the previous issue that it felt like this series was running out of steam after an impressively strong start.  Well, Im happy to report that this issue marks a welcome return to form, and that Percy and Ferreyras energetic, vibrant take on the character hits you like a Boxing Glove Arrow to the face.  Its not flawless by any means, but it is a hell of a lot of fun, and if this trend continues is definitely worth a couple of your hard earned quid every fortnight.

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Overall then, this is definitely a great jumping-on point for Green Arrow, and provides an intriguing, accessible and character-focused standalone issue. While there isnt a huge amount of meat on those storyline bones just yet, the pieces are definitely being put in place for what should be a fun series, and the artwork is almost worth the $2.99 cover price alone. You can definitely count me in with this one – for the time being, at least.

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While this second issue doesnt necessarily have the same razor-sharp banter or emotional gut-punch of the first, it still goes a long way towards establishing these interesting, three-dimensional characters and laying the groundwork for what promises to be a thoroughly entertaining series. Oh, and if the final pages are anything to go by, the fantastical aspect of this fantasy series may be about to take center stage in a major way. That said, knowing Landis and how closely to his chest hes playing this one, I wouldnt want to put money on predicting just where this story is heading.

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Another intriguing new series from BOOM! Studios then, and while this is certainly more of an appetizer than a main course, there are enough intriguing storyline seeds being sown to make anyone picking this first issue up feel fairly confident about forking out for the second. A sharp, stylish take on the afterlife, this series has a ton of potential and is well worth a look.

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As something of a lifelong ‘rassling fan, I'm always going to have my interest piqued by any new wrestling comic that hits the shelves, and while the quality of such offerings has definitely fluctuated over the years, it seems like we could be onto a real winner here. Blending gruesome crime, tense drama and the over-the-top glitz and glamour that goes hand-in-hand with pro-wrestling, this is a high-octane new series that comes highly recommended.

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Simply put, this is pure, unadulterated fan service from start to finish, and I absolutely love it. If youre a fan of He-Man in his many and varied forms, you really owe it to yourself to pick this one up.

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Bold, dynamic, in-your-face and unashamedly fun, this series serves as yet another fantastic addition to DCs rapidly-growing He-Man canon, and provides the first look at what is hopefully going to be long, enduring comic book love affair with the inhabitants of Thundera.

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If youre looking for complex character work or nuanced storytelling youll probably end up disappointed, but if you want a comic that makes you feel like a kid sitting wide-eyed in front of your TV again, this is definitely the series for you.

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At the end of the day, this is an interesting story featuring two larger-than-life franchises being brought together in about as fun a way as you could hope for. Unfortunately, a noticeable lack of polish in the writing – the dialogue in particular – really holds this one back from becoming something truly special, which is a real shame when you consider the fact that it features some of the best illustrations of these iconic characters that you're ever likely to find.

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So much more than mere nostalgia, this is a fantasy series that has proven that it is more than capable of standing on its own two feet, and even if you never picked up any of the toys or sat in front of your TV watching the cartoons, He-Man: The Eternity War still comes highly, highly recommended.

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Honestly folks,forget your pre-conceptions about the perma-tanned blonde haired bodybuilder from the toys and cartoons. He-Man: The Eternity War is a fantasy series that deserves your attention for its artwork, its dramatic twists and turns, and for the sheer excitement that it elicits. Get on board, people. You wont regret it.

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For all of its ups and downs, this is a fairly difficult issue for me to review impartially. For dedicated He-Fans, Id likely give this issue a 4.5/5 for its epic (there's that word again) scope and Easter Egg-laden artwork. For more casual readers, itd probably be more like a 3.5/5, with an engaging narrative that occasionally leans a little too heavily on fan service. In the interests of fairness, lets split the difference and call it a 4. Regardless of the rating however, theres no denying that this is yet another solid issue of one of the best franchise comics on the shelves today, with a truly climactic showdown that leaves some fairly massive questions hanging over the future of the series.

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While it continually finds itself balancing on the knife-edge between silly and serious, Head Lopper is an utterly enjoyable read with a striking visual style, providing a decidedly original take on the swords and sorcery genre.

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At the end of the day, Her Infernal Descent manages to reimagine an iconic work of literature in a strikingly creative fashion, and as such comes highly recommended. There are some minor flaws in the early delivery, but the latter stages of the book see things kicking into high gear, and Im already finding myself deeply invested in this grief and guilt-stricken mothers journey to reach her family.

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HOBO MOM features a seamless collaboration between artist and writer as the pair combine to deliver a stripped-down story packed with nuance, emotion and understatement. Sometimes an unexplained longing for independence and freedom can be a painful experience for all involved, and while this isnt a romanticized story with a tacked-on happy ending, the stark reality of the situation and the beautiful complexity of the characters still makes it a thoroughly rewarding read.

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A solid start for the new series then, but for me, it doesn't quite capture the same magic of the original – at least not yet. That said, there's a huge amount of twisted, day-glo fun to be had here, and fans of the original series will be over the fluffing moon about the return to this crazy fairytale world.

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As much as I love IDWs ongoing TMNT series, Ill fully admit that I picked this one up with a healthy dose of scepticism. Im never really a fan of these kind of gimmicks, and was concerned about the creators abilities to tell a compelling story in just one issue. Well, as it turned out, I neednt have worried. Allor and Daniel work together incredibly well to deliver an immensely satisfying snapshot of an alternate future, letting us know that however bad things may get, Clan Hamato will always be there to battle for the forces of evil. And I think thats something we can all get on board with.

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Ultimately then, while its playing its cards fairly close to the chest from the time being, Infidel has more than enough intriguing storyline concepts as well as some truly striking artwork to help it stand out in the bloated world of modern day comic book horror. And while blending aspects of horror and racism isnt exactly a unique approach (see Jordan Peeles Oscar-nominated Get Out, for instance), Pichetshote and Campbell have done it in a terrifyingly believable way here. Definitely a new series to keep an eye on.

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Like most crossovers, theres a certain suspension of disbelief required about exactly how these two worlds are colliding in the first place, although I usually find it best to simply gloss over whatever shennanigans the writer employs and focus on the story itself. And in that respect, Injustice vs. Masters of the Universe delivers a jolt of gloriously unsubtle storytelling packed with copious amounts of fan service and some cracking artwork, which isall you can really ask for from a crossover like this. Well worth a look.

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At the end of the day, your enjoyment of this series is going to depend greatly on just how much of a fan of each of the two properties you are. Theres a lot going on here that relies pretty heavily on fan service and nostalgia, and while the story on its own is solid enough, its pretty obvious that fans of He-Man or Injustice are going to get far more out of this series than those just picking it up out of curiosity. That said, theres something here for everyone, and Seeley and Williams are putting together a fast-paced, character-heavy sprint of a series that shows no sign of letting up over the next four issues. Well worth a look if you like your heroes ripped and your artwork stunning.

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While its probably about as far removed from highbrow as you could possibly expect a comic to be, Jeff Steinberg: Champion of Earth once again succeeds in what Im assuming is its primary aim making the reader laugh. Broad slacker jokes mixed with subtler gags and lively artwork make this a thoroughly enjoyable read, and I honestly cant wait to see how the story wraps up next month. Oh, and as a side note, Rolo needs a spin-off. Rolo – Champion of Earths Best Friend. Hell, it practically writes itself.

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Ultimately, Jenny Finn is an uncomfortable, unsettling read that offers up way more questions than answers – for the time being, at least – but given Mignolas unquestioned pedigree and the fresh, disturbing feel of Troy Nixeys full-colour art, this new series still comes highly recommended.

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Ultimately, while it's perhaps a little too early to tell exactly how this series is going to unfold, this first issue goes a long way towards allaying any concerns that die-hard Labyrinth fans may have had. Quite whether we need to know more about Jareth's origin is a separate question, but it's clear from this opening chapter that Spurrier and Bayliss are treating the source material with the respect it deserves, and have done an impressive job of capturing the charm, humour and all-ages fantasy that made the 1986 movie such a well-loved classic.

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At the end of the day, its nothing short of a crime that this series isnt getting the full live-action Jim Henson treatment, because Spurrier and Bayliss are practically exploding with great ideas here. Coronation serves as a welcome return to a much-loved word, but also stands as a terrific story in its own right.

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Its a thought-provoking and gently delivered story that works well to showcase the distinctive artistic style of Jenkins, and comes with an underlying moral message the hallmark of all good fairytales. Jenkins is one of the few artists working today that Ill happily follow anywhere, and on this occasion he proves that hes every bit as talented a writer as he is an artist. Highly recommended for fans of fantastical storytelling and beautiful watercoloured artwork.

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Overall, this is just a lovely read, full of joy, love and just the right amount of adventure – and on top of all that, it carries a wonderfully effective message. With that said, whilst one can of course acquire, read and enjoy the book as a grown up, if youve small humans in your life, this is most certainly a book that you can and should share with them, especially if youre looking for something other than the grimndark capesncowls. The only shame I can think of is that Nolan isnt going to be a continuing writer/artist – but such is the nature of anthology series such as this. Im definitely looking forward to next months.

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Ultimately, while its a slow-paced opening issue for sure, it's obvious that Mignola, Golden and Reynolds havent lost a step since their previous, critically acclaimed Joe Golem collaborations, and that this is shaping up to be yet another gripping foray into the world of everyone's favourite Occult Detective.

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In terms of fun, colourful DC dino action, this does exactly what it says on the tin. And if you're looking for puns, gags and prehistoric versions of your favourite DC heroes and villains, you're really not going to get much better than this.

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Ultimately then, while its clearly still ramping things up story-wise, this first issue proves that this latest JLD resurrection is going to be a worthwhile one, with a blend of interesting characters and a passionate creative team who are clearly planning on shedding a little light on some of the darker corners of the DCU. You can count me in for the foreseeable future, thats for sure.

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As a slice of bold, ambitious storytelling, No Justice provides exactly what youd want from an event like this. Subtle it definitely aint, and characterization is sacrificed somewhat at the altar of plot (with a few notable exceptions), but when large-scale, high-stakes ensemble carnage looks as a good as it does here, you definitely owe it to yourself to check it out.

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While this is very much an issue that is here to help to bridge the gap between the stellar ‘Conan versus Conan' showdown and what promises to be a stunning finale, there's still a lot of great content here. Aaron and Asrar is a partnership made in comic book heaven, and their work on Conan over the past few years has been damn near faultless, in my eyes at least. As such, this issue still comes highly recommended, although if you've read any of their previous Conan collaborations, you're pretty much guaranteed to already have it in your pull list.

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In Kingsway West, Greg Pak has created a truly compelling protagonist and dropped him into a rich, detailed and complex setting. Having a Western set in an alternate version of our own world – a version where Chinese and Mexicans wage war for natural resources in the wastelands of America – is intriguing enough, but throwing in the added fantastical aspects like dragons and magic really gives this series the potential to become something truly special. A great set-up issue for what promises to be a gripping and gorgeously illustrated series.

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All in all, Im a fan of this series. Pryor is a likeable protagonist, and his complicated family situation established via a rather endearing exchange with his older sister only helps to cement that. Minor niggles about the pacing of the reveal aside, its clear that this series is really going to hit its stride from issue two onwards, and if you want to read a supernaturally charged tale of a failing stand-up comedian and the near-death experience that gives him his big break (and who doesnt?), this is just the book for you.

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For my money, Lab Raider is the best thing Black Mask Studios have released in quite some time, and deserves to be seen by as many eyes as possible. Boasting strong characters, striking artwork and an impressively tight structure, this is an animal rights activism series with a dark, violent edge, and I absolutely cant wait to see where this story goes next.

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Things are clearly moving towards a definite conclusion, but with the virus itself behaving in some thoroughly unexpected ways its going to be interesting to see what sort of resolution Chapman and Levang have for us in the final issue. Ill wager that unlikely to be an uplifting finale with smiles and high-fives all round, and Im already bracing myself to see what the pair have in store for us next month. Whatever happens though, theres no denying that Lazaretto has been one of the most impressive BOOM! Studios books of 2017, even if it is gradually morphing into something different from what I was initially expecting.

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Overall then,while this is undoubtedly a set-up issue first and foremost, Simone and Calafiore have introduced some truly intriguing plot threads here, and while it may not quite have the same attention-grabbing punch of the previous series at least not yet, anyway " theres still something utterly compelling about the city of Megalopolis. One thing's for sure, you can count me in for as long as theykeep making books set in thisutterly gripping world.

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That niggle aside, theres no denying the fact that Surviving Megalopolis has been an absolute joy to read, and remains one of my definite highlights of 2016 so far. Comic books taking swipes at some of the all-too-familiar superhero tropes arent necessarily all that new or inventive these days, but few manage it with such irreverent flair and in-your-face bravado as Surviving Megalopolis. Im definitely going to be keeping everything crossed that we get another series of this wonderfully twisted tale somewhere down the line.

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So, while the core concept isnt exactly revolutionary, the execution is nothing less than impeccable, with a wonderfully relatable protagonist and some striking artwork throughout. Yet another new BOOM! Studios series to keep an eye out for then, and I absolutely cant wait until next month to see where Lucy's dreams take her next.

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It remains to be seen just how this one will play out, but in spite of how great its going to undoubtedly look, Ill confess that my excitement has been dampened just a little by the way the creators have left things here. Either way, Im definitely going to be checking in again next month to see if Bemis and Dialynas stick the landing of what has been a creative, visually striking series.

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The Eisner Award-winning Tobin's writing chops are pretty much unquestioned, and with what looks set to be a mixture of “mission of the week” and an overarching revenge conspiracy, this feels like your new favourite TV show that hasn't quite been made yet. In lesser hands, a “reanimated special ops unit led by the descendant of the Frankensteins themselves” could feel more than little hokey, but Made Men is delivered with an impressively straight face, making it a book I have no problem recommending.

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Delivering a thrilling blend of B-movie horror and razor-sharp social commentary, I honestly can't recommend this series, and its two predecessors, enough.

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Once again, its clear that Dingess and Roberts deserve the highest of praise for creating one of the most gripping adventure horror series on the shelves today. Yes, this is a slower issue than most, but it still packs a significant storyline punch, and as always, this is a series which about the journey rather than the destination, in more ways than one.

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The final pages throw a spanner into the works of the peaceful diplomatic mission, ensuring all manner of action and intrigue in the issues to come, and as is the case with almost anything He-Man related Seeley turns his hand to, I'm finding myself well and truly hooked right from the get-go.A fascinating new story set in a previously untapped period of Eternian history, and an absolutely essential purchase for any self-respecting Masters of the Universe fan.

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For my money, this is shaping up to be Dark Horse's best MOTU comic book offering to date. Which, given their stellar track record to this point, is quite a statement. Packed with thrills, action, drama and plenty of clever nods to previous source material, this is a series you owe it to yourself to check out.

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The final pages draw the battle lines effectively for this series' final conflict, and give us some interesting possibilities as all the separate plot threads prepare to combine. I've said it before and I'll say it again this is, for my money, the best MOTU comic book series that Dark Horse has produced so far, and a lot of that comes down to Seeley and co. opting to tell a clean, coherent He-Man story with a simple narrative, rather than trying to pack too much into too little space. Well worth a look, and I absolutely can't wait for the final issue next month!

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If you're a He-Man fan, this should absolutely be viewed as an absolutely essential purchase, as it most likely captures everything you love about the fan-favourite toy and cartoon franchise. Highly, highly recommended.

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This is a fascinating idea executed with a real passion and enthusiasm. Your mileage on each individual story will definitely vary, but watching Seeley throwing He-Man into a variety of unusual styles and situations is going to be well worth the price of admission. Highly recommended for any self-respecting He-fan.

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Another fascinating issue then, featuring two strong yet utterly distinct stories. I'm loving getting to see all these established creators provide their own spin on the world of He-Man, and with things promising to get a little darker and conflicted – if Zodac's final words are anything to go by – in the issues to come, this series may be destined for even greater things as it continues. Highly recommended.

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Ultimately though, if you're in any way excited about the Netflix show, this should be considered an essential purchase. While it doesn't really give anything away about what to expect on July 23rd, it does provide some additional background and historical information that may prove to be invaluable when the show goes live. At any rate, more He-Man comics are always a good thing, and while this one doesn't exactly try to reinvent the wheel, it does make for an enjoyable appetizer for the main course to come.

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Ultimately then, while the whole Orlax storyline appears to have been pushed to the side in favour of what actually feels a little more like an "origins" themed anthology series, I'm actually kinda digging the approach that Smith, David et al have adopted here. Fleshing out of the backstory of characters like Skeletor and Evil-Lyn, while cementing the new canon for the likes of King Grayskull has made for fascinating reading, and while I'm sure the vocal minority of the "fandom" will disagree, it's actually making me more excited for the second part of the Netflix series. I can't wait to see how they wrap things up in the fourth and final issue next month.

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I'm not going to dig too deeply into the story itself to avoid spoilers (although anyone who has watched the Netflix series knows where this particular relationship is going to end up), but suffice to say that I'm absolutely loving that the creative team have put together a story that shines a light on the formative years of one of the best bad guys ever created. And, as I mentioned above, as a Horde fan I'm in absolute heaven here. A new series that expands the world of the Netflix show in exciting new directions, this is – and stop me if you've heard this one before – another absolutely essential purchase for MOTU fans from Dark Horse Comics.

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Ultimately though, as an introduction to the title character, her strengths and her flaws, this first issue definitely gets the job done. Featuring a female editor encouraging two supremely talented female creators as they tell the story of one of the most intriguing women in modern history Mata Hari is a new series that comes highly recommended.

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An enjoyable opening chapter then, and I honestly hope this series does as well as it clearly deserves to, leading to a fully fledged Mera solo series, because to be perfectly honest, shes one of the most interesting DC characters not to already have one. Well worth a look if you've ever been curious about the character, and an absolutely essential purchase if you're already following the main Aquaman series.

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As a series, Mera: Queen of Atlantis is continually proving itself to be much more than a lazy Aquaman spin-off, providing some fantastic characterisation for one of the best kept secrets in the DCU. Packed with twists and turns, this series manages to blend the Underwater Game of Thrones intrigue that has made the main Aquaman series such a success with some genuinely intriguing character development as Mera and Orm continue struggle with the burden of their responsibility. Well worth a look.

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At the end of the day, there are more than enough intriguing beats here for Andolfos story to sink its claws into me, and while there are definitely a variety of different directions the narrative could be taken from here, at this point, pretty much any of them are appealing enough to make me stick with this series moving forwards. Definitely well worth a look, and absolutely essential reading if youre a fan of Andolfos previous work.

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So, while its undoubtedly a slower issue, the charm, humour and sense of adventure that has typified the series to this point is still very much present here. As a single issue it may feel like a bit of a dip, but as part of an overall narrative, this is a much-needed reduction in pace. And with a lot of different storyline threads heading for a dramatic intersection (including that cliff-hanger), its obvious that well be back to that fast-paced, quick-witted adventure story again in no time.

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With Moonshine finally tipping its hand, its going to be really interesting to see where Azzarello takes the story from here. The pieces as damaged and unlikeable as they ultimately are have all been placed on the board, and now its time to see how this bizarre and intriguing situation unfolds. One thing's for sure, though, with sharp characterization, an authentically grounded feel and a wonderfully executed horror twist, Moonshine is a title that flat-out demands your attention.

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You can probably knock half a point off my score if youre not already a fan of the character,but while its clear that the larger story is still waiting to be told, this is still an undeniably attention grabbing opening chapter. Rosenbergs wit and enthusiasm works wonderfully alongside MacDonalds fluid artwork, and the strength of Jamie Madrox as a leading man (or should that be men?) makes this an easy series to recommend.

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If ever there was a book that was perfectly suited to telling a story about the season of giving, then well uh, its probably not Muchkin, to be honest. That said, this is still pretty damn funny, and provides yet another impressive use of the brilliant characters and world of the Steve Jackson Games juggernaut. Featuring some bright, colourful artwork and some brilliant comedic moments (the Tiny Tim wedgie tickled me in particular), Deck the Dungeons is a Christmas special that any self-respecting comic fan would be lucky to find in their stocking this year.

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This is most is definitely a book that anyone reading it is going to have an opinion on. Love it or hate it, theres no denying the fierce passion behind Runs work, and his undeniable artistic talent is visible on every single page. In a lot of ways, MUTAFUKAZ feels like a drive-by shooting for the senses, providing an intense injection of visual insanity and offbeat storytelling that's like nothing else on the shelves today. Demented and uplifting in equal measure, this one is definitely well worth a look, if for no other reason than to feast your eyes on the glorious vision of one absolutely twisted creative genius.

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A solid opening then for what promises to be an exciting mystery series, although it remains to be seen just how Miss Drews inclusion is going to affect the tone and style of the story, if at all. Definitely one to keep an eye on, regardless.

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Perhaps what works best about this first issue is just how relatable the horror is. We've all felt out of place in new surroundings, so having the creative team underscore that with a creeping sense of dread and the aforementioned finale that could be ripped directly out of a lot of people's nightmares makes for a thoroughly engrossing read. Packed with eye-widening horror and believable personal drama, this feels like an A24 horror movie in comic book form, and I absolutely cannot wait to see what's coming next.

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Niggles aside, this is a great jumping-on point to a series that seems poised to undergo a new lease of life with this particular creative team at the helm.  While its admittedly mostly set-up thus far, the seeds of the mystery have definitely been planted and the eyebrow-raising cliffhanger should do more than enough to ensure readers pick up the next issue.   Familiar yet fresh, patient yet dynamic, this is a fantastic opening salvo from the Seeley/Ferreyra partnership, and I for one cant wait to see what kind of twisted ride theyre going to take us on in the issues to come.

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Overall then, theres no denying that Seeley and Ferreyra are a match made in creative heaven, injecting the series with a distinctive sense of humour – albeit humour tinged with sporadic bouts of violence. The pace looks to be picking up significantly from here on in, and the more I read of this series, the more I fun I seem to be having. You can count me in for the foreseeable future, thats for sure.

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Its an incredibly strong package visually, and while the story is clearly going to take a little while to get going, theres already a lot to like about this new series. Sitterson and Ossio have introduced us to our key players, and now all we have to do is sit back, relax, and watch this striking blend of Dragon Ball excess and midlife crisis drama unfold. Definitely well worth a look.

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Ultimately, No. 1 With A Bullet boasts a fascinating and legitimately worrying core concept surrounded by genuinely intriguing characters and a slick, eye-catching artistic style. And if thats not enough to make you want to give this new series a try, then honestly, Im really not sure what to tell ya.

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Ultimately then, while it's not quite in the Kyle Starks “A Tier” alongside Sexcastle or Rock Candy Mountain, at least not for me, this is still a lovingly rendered and downright hilarious genre mash-up, bringing two of my favourite things – basketball and cheesy monster movies – together into a thoroughly enjoyable 120 page read. Highly recommended.

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With a heady blend of snappy, unmistakably British banter and epic fantasy, Once & Future is a series I have no problem recommending. Managing to avoid either taking itself too seriously or devolving into parody, it lands right in the Buffy the Vampire Slayer sweet spot, and I absolutely cant wait to see where Gillen, More and Bonvillain take us in the upcoming second arc.

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Would trying to expand this story work? Would it dilute the awesomeness? Cheapen the narrative? Oh, me of little faith. This second arc has only added to the fantastic premise, throwing exciting new wrinkles into the story of the reluctant monster hunter and his bad-ass gran. Blending humour, action and high-stakes fantasy into a thoroughly enjoyable read, this is a series that comes highly recommended.

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Overall then, while its position as a jumping-on point is questionable, Barber and Zama are crafting a detailed and complex character study of one of the most intriguing Transformers of all time, and are doing so by blending a myriad of different genres and styles together. Yes, the pace is glacial for the time being, and the onslaught of characters and backstory may feel intimidating or suffocating to some, but Im definitely planning on sticking with this new series for the long haul, and Id heartily recommend and would-be reader to do the same.

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After a bit of a wobble, it looks like IDWs Optimus Prime series is well and truly back on track here with a far more focused approach and some great character-based moments along the way. Quite whether this first arc will be able to resolve itself satisfactorily in just one more issue remains to be seen, but for a series with so much potential, itd be a crime not to at least check back in and find out. See you all next month.

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This latest chapter definitely feels like a transitional issue, but is no less enjoyable a read for it. John Barber gives us time here to take stock of recent events while simultaneously setting things in motion for the future, and the introduction of Priscilla Tramontano gives the book a fresh new aesthetic as we move into the next arc. Highly recommended.

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As utterly sublime as Stokoe's work is here, it's hard to give this issue a perfect rating because of its deeply frustrating ending. Yes, the visuals are world class, and the story is just the right side of out-and-out-madness (you can decide for yourself what side that is), but it ends with a whimper rather than a bang. And while I'm sure the subsequent issues and remaining three beasts will more than deliver on the promise of this story, I still can't help but feel a little let down here.

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In an increasingly bloated science fiction market, it can sometimes be difficult for new titles to stand out from the pack, but with its measured approach, solid world-building and jaw-dropping visuals, Paradiso has managed to do just that. Definitely one to keep an eye out for.

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At the end of the way, probably the best way to describe PETALS would be to say that it feels like one of those award-winning Pixar shorts, albeit in comic book form. An emotionally arresting tale of friendship and sacrifice, this is an easy book to recommend.

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With a fun premise and an impressively tongue-in-cheek execution, this first issue serves as a brilliant introduction to the crazy world that Lopresti has created; a world of villainous Nazis and their moronic henchmen, a world of imagination and excitement where anything is possible. Power Cubed is a book where you can feel the enthusiasm of the creator bursting out of every page, and with the polished visuals and constant stream of humour, is nearly impossible to read without a smile on your face.

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The Predator franchise has been tweaked and adapted so many times over the years that it's honestly difficult to do much that feels fresh at this point. However, while there are obviously some familiar tropes at play here, Brisson, Walker and the team do a fantastic job of injecting this series with an authenticity and enthusiasm that keeps the pages turning and the reader engrossed from start to finish. Highly recommended.

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As an opening chapter, Predator: Life and Death does a solid job of establishing the larger world before digging its hooks in emphatically during the final few pages.  While it isnt necessarily tipping its hand too early about the larger story, its clear that Abnett absolutely gets the world hes playing in, providing an authentic Predator experience without things ever feeling too derivative.  A somewhat restrained start then, but given Dark Horses track record with these particular franchises, you can most definitely count me in for the rest of this event.

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This minor niggle aside, the final page delivers a moment of air-punching fan service joy, and offers up some genuinely thrilling possibilities for the remainder of this series. Brisson's Theta is already firmly entrenched in the upper echelon of Predator protagonists, and this new series looks poised to give her the send-off she truly deserves. Highly recommended.

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The final pages throw a shocking twist into the proceedings, effortlessly answering my question about how Orlando and co. could spin a whole series out of this premise, and making my picking up of the second issue an absolute certainty. A powerful opening then for a series which injects new life into a familiar trope and puts an intriguing, smoke-and-mirror slant on the worlds greatest superhero. Definitely one to look out for.

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Ultimately then, Prometheus: Life and Death adds a truly intriguing slant to the enigmatic, god-like Engineers while managing to balance tense horror, frantic action and character-based drama incredibly effectively. As I've said before, Dark Horse Comics seem to be able to do no wrong with these franchises, and you can most definitely count me in for the rest of this event.

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Overall then, Dark Horses Life and Death event seems to finally be hitting its stride, with the inclusion of some familiar places " and faces giving the series a much-needed injection of life as it surges forwards. My cautious optimism is gradually giving way to genuine excitement, and if this issue is anything to go by, the rest of the Prometheus arc is going to be an absolute treat.

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Another cracking issue from this impressively rejuvenated series then, and in all honesty, its probably worth the cover price for Hannahs opening rant alone. Trust me, its a thing of foul-mouthed beauty.

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While the overzealous gore and violence may turn off some potential readers, I'd still heartily recommend dipping your toe into Piskor's crimson-coloured waters. And with ten more issues to go, it's going to be fascinating to see how many interesting situations he can wring out of this depraved setting. I'm definitely going to be turning in to see what comes next, that's for sure.

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Overall then, while the overall pacing has been a little uneven thus far, this issue manages to bring everything together effectively, setting the table for what should be a brutal and dramatic showdown. Sonja is undoubtedly a character whose appeal can ebb and flow depending on the writer behind her, but in Marguerite Bennett, the She Devil has found an exciting new voice and a wholly unfamiliar situation to thrive in. Highly recommended for any and all fans of this iconic character.

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As a finished arc, its also far easier to appreciate the journey the characters have undergone, and I can say now that this is undoubtedly a story which is going to read a lot better in a collected volume than in single issues. Its not perfect, and the series has had its ups and downs along the way, but this final chapter delivers a strong denouement which, while not exactly ground-breaking or revolutionary, definitely keeps the pages turning right until the very end. A boldly unconventional take on the She-Devil then, and hopefully the start of a long, enjoyable relationship between Red Sonja and Marguerite Bennett.

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As a first issue, Red Thorn does exactly what its supposed to; namely, making me immediately want to get my hands on the second. Isla is a truly intriguing protagonist, and seeing a supernatural horror mystery unfolding on the very same streets where I grew up gives this story an added level of emotional investment for me. With the series promising more demons, monsters and supernatural horror as it moves forwards, theres absolutely no doubt Im going to be sticking with it for the foreseeable future, and its safe to say that Baillie and Hetrick have created a tense, gripping addition to Scotlands rich history of dark fantasy tales.

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Overall, while it may not necessarily have the same ‘edge' as some of Vertigo's other recent offerings, the intriguing fantasy trappings and engaging characters make Red Thorn yet another highly recommended purchase from the iconic publisher. Baillie and Hetrick are working together seamlessly to weave this modern day tale of Scots mythology, and are doing so in a captivating, exciting fashion. Fables may have come to an end last year, but the spirit of the landmark title lives on in Red Thorn, albeit with a slightly more Celtic slant.

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Regardless, with a second trade paperback on the horizon, I heartily recommend anyone who missed out on this one to pick it up as soon as it becomes available. Sex, violence, profanity and fantasy with an unmistakably Scottish slant. What more could you ask for?

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Initially, Ill freely admit that this one felt like a bit of a tough sell to me. I mean, who wants to read a series about a bully bullying people and generally being horrible to everyone? Thankfully however, DeFalcos clever twist on the narrative and Jarrell and Fitzpatricks bright, lively artwork make this an absolute pleasure to read, and while its not quite reinventing the wheel, it definitely does a great job of breathing some new life into what was previously a fairly stagnant, one-dimensional character. Definitely well worth a look.

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An interesting premise boldly executed, this series puts a genuinely disturbing spin on the world of hypnotism and past-life regression, and with a horror maestro like Bunn at the helm, its pretty clear that this story is only just getting started.

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All that aside, theres no doubt in my mind that Roche Limit: Clandestiny is an absolute shoe-in for a great many peoples Best of 2015 lists, myself included, and that the powerfully unique structure of Michael Morecis opus all but guarantees its place in the annals of classic comicbook sci-fi for years to come.

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A slight lull then, hallway fight aside, but only because Starks has set the bar so incredibly high to this point. As a single issue theres a hell of a lot to like here, but as the conclusion to the first arc of what has been a stellar series, it does fall a little short. Still comes highly recommended, though.

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While there are a lot of comics out there that have put a fictional spin on historical characters, few have done it with such unbridled flair as Rough Riders. Glass, Olliffe and Eltaub are working together seamlessly here, and while this latest arc is developing rather slowly, the strength of the characters involved ensures that this is still a thoroughly enjoyable read.

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As I mentioned, the final pages seem to confirm Dimitrovich's initial suspicions that something more sinister is afoot, and it's difficult to imagine a reader not becoming well and truly drawn into this tangled web by the end of the issue. A triumph of scene setting featuring a pair of intriguing lead characters, Sanction is the Soviet-era crime comic we've all been waiting for.

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Its a solid, engrossing tale that really kicks things up a notch in the final pages, with Bernstein and Dorman combining to provide a brilliant denouement that ties everything together perfectly, providing a fresh new perspective on the events of the book. So if you like your Christmas stories to have murder, mystery and lashings of noir-soaked violence, then Santa Claus: Private Eye will be right up your street or right down your chimney, as it were.

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Despite going in with zero expectations or prior knowledge, I had an absolute blast reading this one. Delivering a cool modern twist on the Tarzan/Turok trope, with a creative team clearly loving every second of their work, Savage is a new title I have absolutely no problems recommending.

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At the end of the day, this is a fun series that crackles with excitement and enthusiasm from the entire creative team. For my money though, it's the final page twist that really kicks things into a whole new gear, guaranteeing that I'll be picking up issue two as soon as it goes on sale. Well worth a look, even if you're a MCU Conan denier like myself.

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Overall, Jordan and Moustafa have crafted an intriguing opening chapter here, dangling a lot of hooks throughout the course of this first issue to snag the readers interest. It still remains to be seen just what kind of story Savage Things is going to end up being, but however it ends up, theres no denying that the foundations have been laid here for what promises to be a thoroughly enjoyable series.

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The closing pages see Cain finally revealing his endgame, and its every bit as twisted and vengeance-fuelled as you might have expected. This is definitely a series that will read a lot better in a single sitting, with the pacing feeling a little broken up by the month-long delay between issues, but if Jordan and Moustafas intention was to create a thrilling, dynamic and unashamedly violent action movie in comic form, then theyve succeeded in every possible way.

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The final pages see miss O'Hara off on another potential suicide mission to prove her worth to the Arashikage, and promises more slick espionage action from Thompson and Ferrari in the issues to come. Delivering a heady blend of spycraft, ninja action and familiar G.I. Joe faces, this series gives the fan-favourite character a fresh coat of paint an exciting new direction. Highly recommended.

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Overall, this is an ambitious and cleverly structured start to the series, and knowing Peposes track record, I have absolutely no doubt that the onslaught of plot points will sort themselves out into a thoroughly enjoyable series in short order. Packed with action, drama and an undeniably clever premise, this one is definitely worth earning your Read Dangerously badge with.

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At the end of the day, while I was expecting something soul-damningly blasphemous or a mean-spirited affront to Christianity, what I got instead was a fairly humorous look at the return of Jesus Christ and the way his teachings and ethos have been woefully misinterpreted by the majority of the modern world. Its a great first issue which sets out its stall impressively, and honestly, if the worst thing about a religious-themed comic is Jesus healing bad guys “because they're in pain” as an overzealous superhero punches them through windows , I think our eternal souls are gonna be just fine.

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Dark, demoralising and utterly captivating, SHANGHAI RED is a wonderfully atmospheric revenge thriller that you need to add to your pull list right away.

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All in all, while I could certainly have opted for a gentler reintroduction into the world of Spider-Man, I'm still glad that I chose this particular moment to hop back onto the bandwagon. I'm also fairly relieved by the fact that, including the prelude issue, this “event” is only going to run for eight issue across two titles, which is far more palatable than some of Marvel and DC's other events in recent years. A fun, action packed start to what promises to be a hell of an event.

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A powerful and oft-overlooked chapter in one of the most historic campaigns in modern warfare. By turns uplifting, heroic and tragic, the story of The Battle of Graignes is one that deserves to be told, and in the hands of these respectful and passionate creators, DC Vertigo have done a truly impressive job of bringing it to life here.

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Ultimately then, while its clearly still ramping up its momentum, Skulldigger and Skeleton Boy is an exciting new addition to the Black Hammer universe. Zonjic and Lemire are telling an interesting story that once again plays with established comic book tropes in exciting ways, and once the story hits its full stride this has the potential to become something truly special.

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Ultimately then, while the story itself isn't exactly evolutionary, Slots boasts an utterly intriguing leading man and a distinctive visual style, both of which make it a new series well worth taking a gamble on.

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That said, this is still an impressive opening chapter. While the story itself isnt really established just yet, this first issue does a solid job of (re)introducing us to the younger versions of these familiar characters in an exciting, accessible way. For fans of the show, this is a pretty much essential look at how their favourite characters got to where they were at the beginning of episode one, and for casual readers, this is still a thoroughly entertaining tale packed with beer, bikes and bare-knuckle brawling. Definitely one to keep an eye on as the series progresses.

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While the vast majority of horror comics today rely on shock value and disturbing visuals to make their impact, Sons of the Devil takes an unusually grounded look at the darker side of human nature, providing an utterly compelling read, and one of the best comics on the shelves right now.

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If you havent been listening to us and have somehow missed out on this series, have no fear, as the first collected volume will be released this November. I honestly cant urge you strongly enough to pick it up if you havent been following this series so far.You can thank me later.

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So, does Spell on Wheels manage to pass my meticulously researched (and not at all just thrown together) first issue test? Well lets see, shall we? Interesting characters that dont feel like one-dimensional cardboard cut-outs? Check. An intriguing story with enough meat on its bones to justify the rest of the series? Check. And, most importantly, does it make me want to pick up the second issue? Hell to the yes! Leth, Levens and Louise have put together a charming, funny and intriguing story with some fantastically realised main characters, and I for one cant wait to see where the rest of this series takes us.

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Perhaps my only real disappointment about Spell on Wheels at this point is the fact that its only set to run for five issues. This definitely feels like a story that could be spun out for quite some time with our witches traveling the country trying to reclaim their stolen goods. As it stands however, were just going to have to enjoy these wonderful characters while we can, and let Leth, Levens and Louise take the wheel for the rest of this wildly entertaining ride.

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Honestly, I'm loving this series so far, and Leth's knack for witty, natural-sounding dialogue featuring in a supernatural road trip comic is about as perfect a partnership as you could hope for. It's fun, it's diverse, it has something so say and it features some brilliantly-realised characters. Spell on Wheels is the new weekly TV series you didn't realise you needed to be made until right now.

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I know I've said it before, but honestly, Im loving this series. It has charm, humour and some effortlessly likeable lead characters. Plus, the revelation in the final few pages sets things up for what should be a fairly intense conclusion in the final issue, and I for one cant wait to see how this one plays out.

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That said, at the end of the day, this first issue provides a little sci-fi, a little horror, and a cracking cliffhanger that promises a lot from the series as it unfolds. Sure, theres nothing particularly groundbreaking here, but theres something to be said about good, well-structured science fiction, and in STARCRAFT: SCAVENGERS, thats exactly what Houser and Guzman have delivered.

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Also, while it could perhaps be easy for the casual comic book reader to turn their nose up at this series, dismissing it as a tacky, superficial action romp without any real substance to it, Sitterson and Laiso have instead crafted a dynamic, scintillating series that brings out the best in each of these titanic franchises.  Yes, the action is very much at the forefront of the story, but as lifelong WWE fanatic Sitterson will readily attest to, sometimes the best storytelling in the world can happen just by seeing two distinctive, intriguing characters going blow-for-blow.  You can count me in for the rest of this tournament, thats for damn sure.

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Overall, while it isnt necessarily all that refined and doesnt perhaps feature too much in the way of subtle character development or nuanced storytelling, for a wonderfully entertaining bout of air-punching, grin-raising escapism, you really couldnt ask for anything more than this. The quarter finals are next, and with the undercard effectively out of the way, each of the upcoming bouts is going to be given a larger page count to develop, meaning more action, better psychology and storytelling, and hopefully that Snake Eyes versus M. Bison matchup that everyone really wants to see. You can count me in for the rest of the way, thats for damn sure.

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An intriguing premise executed pretty much to perfection and a great example of a creative team working together seamlessly. Featuring a blend of relationship drama, murder mystery and magical realism, String is well worth a look.

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Overall, while the tone remains a little inconsistent, the quirky charm of the lead character keeps the pages turning and the lingering sense of ambiguity gives the book an intriguing hook as the story progresses. Could Drus crazy theory actually turn out to be accurate? Are her recurring dreams ofheroismsome sort of premonition or suppressed memory, or merely the vivid delusions of a bored young girl? A couple of months in, nobody could ever accuse Aftershock Comics of playing things safe, and in a sea of bold, dynamic, even ground-breaking titles, Super Zero may end up being the most unconventional of them all, depending on just where Connor and Palmiotti are ultimately going with this one. Either way, its going to be a lot of fun figuring things out, and you can definitely count me in with this series until we find out for sure.

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Whatever way you slice it, SUPER ZERO is definitely starting to hit its stride, and with a lead character as utterly likeable as Drusilla Dragowski, there's no denying that the series has a firm foundation to build upon.  There's definitely more of an edge here than the cartoony, all-ages aesthetic may suggest, and I'm now officially on board with this series for the long haul, no matter which direction Conner and Palmiotti decide to take it from here.

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While it has the potential to be somewhat divisive given its total departure from the approach of the previous, critically-acclaimed DC runs of Snyder and Soule, as something of a Swampy aficionado I definitely got a kick out of the return to the classic horror origins of the character.  Long-time Swamp Thing fans will be in absolute heaven here, and casual readers looking for a wonderfully old-school horror comic are in for an real treat.

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Ultimately then, while its truly fantastic to see Swamp Thing returning to his old-school horror roots, a few significant niggles are preventing this story from becoming something truly special. Thankfully however, even during those moments where the story or pacing are somewhat lacking, we still have the absolutely stunning artwork of Kelley Jones to feast our eyes upon. And thats not too shabby, as consolation prizes go.

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Featuring a strong, well-rounded female protagonist and a truly intriguing backstory not to mention that artwork Switch is all but guaranteed to be another runaway success for both Sejic and Top Cow. Definitely one to consider picking up this week, folks. Millions of DeviantArt fans cant be wrong.

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The exposition is handled smoothly, the characters are relatable and interesting, and the final page provides an eyebrow-raising cliff-hanger to spur the reader on to the next issue. Colour me impressed then, as Bowers and Sims make some bold storytelling choices to give what is ostensibly a video game tie-in the potential to be something much, much more. Well worth a look.

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Overall, Im not sure why I ever doubted that this series would recover from the minor speedbump of issue #46. This creative team have proved themselves time and time again, and IDWs stellar run with this series remains one of the most consistently impressive licensed titles on the shelves today. Essential reading for TMNT fans or simply for fans of dynamic, action-packed storytelling in general.

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While it doesnt necessarily have any significant standout moments (although the sheer scale of the Mouser/Flyborg threat probably qualifies), this issue serves as the latest instalment of an incredibly consistent series, and one that doesnt seem to be showing signs of losing momentum any time soon. Mixing nunchuk-twirling cowabunga action with emotional heft and eyebrow-raising plot twists, TMNT is one of the finest licensed comics available today, and is absolute essential reading for any Turtle fans out there.

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If you're a TMNT fan and you're not already reading this series, then you're doing yourself a major disservice.  Equally appealing to die-hard fans and curious casuals alike, IDW's stranglehold over the licensed property market remains firmly in place here, and with a mouth-watering double sized 50th issue coming next month, there's never been a more exciting time to be a fan of this particular franchise. Cowabunga indeed.

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While the pace has understandably slowed right down, this is still a solid chapter in the ongoing story, and without wanting todetract from the work of Santolouco or Smith,Im absolutely loving the change in artistic style. If youre a TMNT fan, youre most likely picking this one up already, and if youre not, these last couple of issues might just be the perfect time to start. As close to a reboot as you could hope for without a renumbering and a pointless all-new tagline, this is a breath of fresh air for the TMNT franchise, and a bold new direction for everyones favourite heroes in a half-shell.

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Above all, the most impressive aspect of IDW's ongoing TMNT series is the fact that, fifty-eight issues in, it still feels like one single, flowing story.  Yes, we may dip in and out of different character's lives, and yes, certain events may be pushed into the background or foreground as needs be, but all the changes, twists and turns along the way really mean something.  The cast of characters that the creative team has assembled are as rich and varied as any book on the shelves today, and the sheer confidence of the plotting from issue to issue, arc to arc, is truly something to be applauded.

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Overall then, while this issue sees a bit of a change of pace from the last couple of bright, bold, cartoony arcs, the confidence and steady-handedness of the creative team continues to steer this ship smoothly. While there have certainly been other licensed comics that have provided inventive, engaging and respectful incarnations of classic characters (Burnham and Schoenings Ghostbusters, for instance), few if any – have done it as consistently and for as long a period as IDWs Teenage Mutant Ninja Turtles series. Essential reading if youre a TMNT fan, and highly recommended even if you arent.

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In summary then, if youre looking for dynamic action scenes or dramatic storyline developments, this probably isnt the issue for you. But if youre in the mood for reading one of the better character-focused issues of IDWs ongoing TMNT series for quite some time, youre in for an absolute treat.

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One of the better issues for a while then, and with what promises to be one hell of a showdown in issue sixty-four, IDWs TMNT series feels like its ramping up the pace again after a few slower, more contemplative issues.

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Overall, its great to see the storyline which was set in motion all the way back in issue #50 finally starting to pay some real dividends, and with what could potentially be viewed as a massive paradigm shift taking place in this issue, Im genuinely excited to see how this fascinating yet uncomfortable situation is going to play out.

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A mixed bag of an issue then, but one where the good far outweighs the bad.  A new immediate threat has been introduced, with a far more menacing one lurking on the periphery, and providing the writers can avoid re-treading old ground too much with our bickering brothers, this could end up being yet another truly enjoyable story arc.

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Ultimately then, while the actual progression is fairly minimal here, this feels like an almost tangible slowing down of things after the cartoony chaos of the Triceraton Invasion. It also serves as a welcome return to the great character work and multi-layered storytelling that has made this series such a runaway success for the past six years, and I cant wait to see where this new arc leads.

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A pleasantly focused conclusion to what has been a solid, enjoyable arc, then. And, in spite of the Pantheons involvement, this has felt like a far more grounded, far more Turtle-focused chapter of this ongoing saga, and a welcome departure from the silly, spacefaring shenanigans of recent months (Hakk-R notwithstanding). More of this, please! And more Dave Watcher, while youre at it.

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If youve made it all the way to issue 85 then youll already be familiar with the hallmarks of this series, and the blend of sheer consistency and impressively nuanced storyline development ensures that this series feels as fresh now as it did all the way back at issue one. Another solid issue then oval heads notwithstanding.

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Its perhaps not an essential read in terms of ongoing continuity, but its still a thoroughly enjoyable festive-themed issue that gives us a much-needed reminder that behind his current role as the unflinching, frequently ruthless leader of the Foot Clan, Splinter is still the same loving father and conflicted patriarch he always has been. Great stuff.

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Theres not too much in the way of action here (although we do get a little), with the bulk of the issue is focused on character development and letting each of the key characters adjust to post-Armageddon Game life. As I mentioned above, I'm firmly in favour of this approach, and even though this is very much a ‘catch your breath' kind of issue, there's still more than enough tantalising new plot threads being introduced and intertwined to keep the pages turning throughout An intriguing new status quo for IDWs cornerstone title, and a perfect jumping-on point for curious new readers.

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At the end of the day, while its perhaps not quite essential reading for those following the main ongoing series, theres more than enough great content and important character beats here to justify the cover price. Rat King is always great value, and getting to check in on Oroku Saki, Karai and the hideously intriguing Leatherhead/Krang symbiotic partnership, this an annual I have absolutely no problems recommending you pick up.

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At the end of the day, if youre even remotely interested in the newest Ninja Turtle on the block, then you owe it to yourself to pick this one up. Packed with emotional beats, intriguing character development and fluid action, this is a legitimately essential purchase for Jennika fans.

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At the end of the day, the story so far is definitely cause for optimism, but its the legitimately world class artwork from Santolouco that makes this an absolutely essential purchase for TMNT fans. Highly, highly recommended.

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Honestly, it's always a tricky thing reviewing a single chapter of a sprawling event like this, as each issue really only gives you a snapshot of such a rapid-fire succession of events. And, as with so many of these events in the past, theres certainly a little ‘hit and miss' at play here in terms of the different storyline threads. Thankfully however, with so many ideas being thrown at the wall and such an extensive cast of characters, theres guaranteed to be something here to satisfy any TMNT fans tastes.

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The final pages lay the groundwork for the 'Foot Clan versus Dog Star Clan' battle to come, introducing a mysterious new antagonist in the form of Yoshi, who seems to have his own vision for the future of Japan and who, based on the events of this issue, no longer sees the Foot as a legitimate threat. It's fantastic to see this creative team returning to the ranks of the Foot Clan after all these years, and this first issue is packed with all the action, drama and jaw-dropping artwork you could possibly hope for. Highly recommended.

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Overall then, while the tone and artwork provide a marked departure from the established TMNT style, thats sometimes not a bad thing, and watching Lees and Pitarra working in perfect synergy here to craft a truly unique story based around a cult favourite character like Wyrm is thoroughly captivating. Great stuff, and hopefully this isnt the last we see of these two creators playing in this particular sandbox.

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While the premise itself isnt groundbreaking, the execution here is absolutely spot-on, and Allor and Tucker have crafted an utterly compelling tale of love, death and war. The creative narrative structure and the mystery at the heart of Tet give it real substance, and with the true horrors of the Tet Offensive still to come, its going to be interesting to see how this particular creative teams focus holds up when recreating one of the most brutally violent conflicts in modern war. You can count me in for the rest of this series, thats for sure.

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More of a compelling character study than a quote-unquote war comic, Tet does a fantastic job in its second issue of capitalising on the momentum of its first, drawing us deeper into the life of Eugene Smith and providing a chillingly honest recreation of one of the most brutal conflicts in modern history.

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Overall though, in spite of its occasional flaws, and the fact that this is definitely a book that requires more than one read-through to fully wrap your head around, theres no denying that Starlins mixture of dense prose and mind-expanding, poetic storyline beats " not to mention the absolutely jaw-dropping artwork " make THANOS: THE INFINITY FINALE a truly memorable and highly recommended experience.

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A textbook example of not judging a book by its cover – not that the cover in this case is anything short of fantastic – The Cold Ever After is a lovingly crafted dose of “Arthurian Noir” packed with twists, turns, violence, sex and intrigue. Highly recommended.

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A well-balanced, emotionally involving first issue with a great protagonist and some striking artwork, The Curse of Brimstone is the undisputed high point of DCs New Age of Superheroes, and I for one cant wait to see where this new story leads.

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This first issue follows a lot of familiar tropes, but does so with a gentleness and confidence that prevents it from ever feeling clichd or derivative. And, at the end of the day, if the intention of an opening issue is to make you care about the leading character and want to find out what happens next, then The Girl In The Bay succeeds on both counts. A slick, emotive story that deftly treads the line between drama and horror, this is an easy new series to recommend.

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An intriguing opening chapter of a story that clearly has a huge amount of layers still to be revealed, particularly when it comes to our leading lady herself. Visually stunning and packed with clever ideas, this is another fascinating collaboration from one of the hottest creative teams in the business today. The least you can do is give it a look. Sorry, couldn't resist.

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At the end of the day, and considering the fact that I wasnt previously familiar with the source material at all, The Magicians: Alices Story succeeds in a lot of different ways. It confidently adapts Lev Grossmans source material to the comic book format, it serves as both a welcoming entry point and fresh reinterpretation of the first novel, and perhaps most importantly it provides a fun, exciting and thoroughly unpredictable fantasy tale. Well worth a look.

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The final pages deliver the meat of the story moving forwards, and while it's not exactly a surprising destination, the journey to get there is well worth the cover price. Much like Middlewest, the synergy between Young and Corona is fascinating to watch, and this new series promises to evolve into a hauntingly beautiful tale of fear, discovery and love.

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Overall, while it doesnt necessarily advance the ongoing storyline very much, at least not until the final few pages, this is still an issue that a lot of fans are going to really enjoy (and Im including myself in that statement) simply because were finally getting to see the latest incarnations of these iconic creations go head-to-head. Aaron and Dauterman just flat out get these characters, and hopefully assuming it hasnt happened already – the days of people viewing female Thor as a mere novelty or publicity stunt should be all but behind us. You can count me in for the rest of this series, thats for sure.

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Fun, upbeat and wonderfully diverse, this modern twist on the legend of King Arthur looks set to be a massive hit, and given the track record of its creative team, this promises to be one hell of a ride going forward

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Ultimately, while this is clearly something of a transitional and scene-setting issue (as second issues tend to be), the strength of both the characters and the artwork make this is a thoroughly enjoyable read from start to finish. There's a lot of exposition here, but it's clearly exposition that's going to pay off down the line as the stakes continues to raise, and the innate likeability of our upbeat and diverse protagonists make this an easy title to recommend.

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Overall then, while some of the themes and dialogue are perhaps a little on the nose, there is more than enough tension and drama to keep the pages turning rapidly throughout. A thrilling pressure cooker of a disaster comic that will keep you hooked from start to finish.

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Loaded with razor-sharp wit and overflowing with creativity, The Paybacks is essential reading for anyone who ever wondered what would happen if superheroes had to deal with debt collectors.  Which, Im assuming, is all of us.

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This is a first issue that would almost work perfectly as a standalone one-shot, but it's clear that Kelly and Lanzing have bigger plans in store for the “good” Doctor, including gradually moving him from the outskirts of civilization to the court of the City King himself. You can consider me well and truly hooked, and while I'm not sure how successful Doctor Jakob Eyes' attempts to “cure death” altogether are going to be, you can bet your ass that I'm going to be right there waiting to find out. Boasting stomach-churning visuals and a deeply unsettling premise, this series is one hell of a statement of intent for Magma Comix, and deserves your immediate attention.

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The final pages offer up an interesting wrinkle to the proceedings as Triton's love for Dragons perhaps goes a step too far, potentially placing both he and new his partner in serious danger. Im honestly not sure Ive ever read a bad Steve Orlando comic, and watching him work seamlessly alongside Huang on this surprisingly dark tale that feels like Training Day with dragons is an absolute joy. Another brilliantly executed idea from the folks at Magma Comix, who are rapidly becoming a must-read publisher.

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Visually stunning and with a genuinely intriguing hook, the Corpse-Makers is yet another thrilling addition to the storied history of this iconic character.

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Ultimately then, this latest series serves as a solid addition to the rich Spirit mythos, and sees Francavilla stamping his own distinctive mark on the iconic crimefighter. An intriguing story with some legitimately world-class artwork, this is a series that comes highly recommended for fans of pulp crime mysteries.

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A violent, uncompromising teen superhero drama wrapped up in a mystery that simply begs to be solved, Clarke takes great pleasure in pushing the envelope in his comic book debut, making The Troop pretty much essential reading for anyone who likes their super comics with a bit of an edge.

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At the end of the day, while it does feel at times like a four-part series dragged out to six, the sheer visceral impact of Jack T. Coles artwork makes it easy for me to recommend The Unsound. If youre looking for conventional structure or a clean, neat conclusion then you might want to consider looking elsewhere, but if you feel like having your mind messed with for 132 pages or so, this is well worth a look.

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An exciting premise solidly executed, and the groundwork has been laid here for what could potentially turn into one hell of a series. The only reservation I have so far is that sometimes in these situations, the reveal doesnt quite live up to the suspense, and after such an intriguing opening chapter, its going to be interesting to see how this series fares once Torquemada draws back the curtain to reveal the bigger picture. Im definitely planning on stick around to find out though, thats for sure.

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Overall, while it hasnt quite peaked yet for me, at least This Damned Band is finally starting to live up to its promise, delivering a humorous and intriguing issue which opens up a lot of possibilities for the rest of the series.  Its worth mentioning that in my previous review, I mistakenly mentioned that this was a four-part series, and want to clarify that this is actually set to run for six issues, giving me a far more positive outlook about the pacing thus far.  If you like you outlandish rock and roll depravity with a slightly supernatural twist, then This Damned Band is definitely worth checking out.

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If the first couple of issues of this series were the equivalent of Spinal Tap wandering endlessly through the bowels of the stadium, these last two chapters have seen them finally take the stage to belt out a roof-raising performance of Tonight Im Gonna Rock You Tonight, laying the groundwork for what should be one hell of a finale.

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While I'm still somewhat against the whole ‘Secret Wars' idea in principle, if it means I get to read some truly inventive comics like this one, then I guess I can't be too mad. Aaron, Sprouse and Sudzuka have put together a wonderfully original concept here, combining the world of gritty, street-level policework with the familiar Asgardian grandeur. Highly recommended. 

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The final pages feature an intriguing twist on the story, taking the Lazarus Contract in a wholly entirely unexpected direction as it moves forwards. As set-ups go, this is a commendable opening issue, and my interest has certainly been piqued about just how this situation is going to play out. Another enjoyable chapter in the ongoing Titans saga then, and the introduction of Deathstroke as an antagonist only sweetens the deal.

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Ultimately, while the story itself isnt necessarily anything to write home about, Sakai handles this reunion with care and affection, providing an energetic and ultimately rewarding crossover that fans will absolutely love. And, if you consider yourself a fan of either the rabbit bodyguard or the heroes in a half shell, this should be viewed as an essential purchase.

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A lively, enjoyable stand-alone story then, and while reading the first chapter of the Trial of Krang arc is definitely recommended before picking this one up, its by no means essential. So, with four more issues, four more planets and four more witnesses to be rounded up, this is shaping up to be an incredibly enjoyable supplementary series. Well worth a look.

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Ultimately however, this is another enjoyable stand-alone tale that can tie into the overarching narrative as much or as little as you want it to. Farinas and Freitas deliver their moral-laden story with gusto, and Dialynas brings a light, airy aesthetic to the proceedings with some striking, expressive characters. And, while its still not quite an essential read, its certainly a highly recommended one.

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If youre a Transformer fan, particularly one with an affinity for the 80s comic series or the cult favourite cartoon, I honestly cant recommend this enough. Faithfully created and lovingly embellished, this is series which proves that theres always more than meets the eye, even when it comes to classic stories.

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At the end of the day, there's no denying that the Transformers tie-in was enjoyable, and helped give the new incarnations of these characters a decent anchor to hold their story in place. However, if this series has done nothing else, it has managed to convince me that this is a franchise that has a huge amount of potential in the modern comic marketplace. I mean, surely an ongoing Visionaries series cant be too far away? Whatever happens though, there's no denying this has been a hugely entertaining mini-series, and not just for '80s nostalgia junkies like me.

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The final pages reveal the real meat of the story, hinting that Cliffjumper may be poised to become an actual hero rather than merely a crimson facsimile of one, and absolutely hooking me for the remainder of this particular arc. Its always fascinating to see what new creators do when theyre given access to the Transformers toy box, and Leth, Edenfield and Milne have come together here to create something packed with humour, drama and relevant real-world parallels. Highly recommended.

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Alongside DC Zoom, DC Ink has been set up as a gateway to the wider comic world for a new generation of readers, and Im absolutely loving the approach the creators have taken here. This is an accessible, stand-alone tale that confidently tackles the kind of issues teenagers can relate to, and does so without any unnecessary schmaltz or sugar-coating. If I had a child, this is exactly the kind of book Id love for them to be reading.

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That minor niggle aside, this is still a great start to what promises to be another fantastic series from Vertigo. For a publisher with such a storied, iconic history in the comics world, its truly exciting to see a rejuvenation like this, with bold, ambitious storytelling featuring some of the most exciting creators on the scene today. Williams and Dowling have crafted a masterful character-based thriller here, anda storythat promises to examine full spectrum of the human condition, as well as the oddly menacing nature of social media.

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Overall, Unfollow is a series with an undoubtedly brilliant hook which, while it may have taken a little longer than expected to finally its full stride, finally seems poised to deliver on the potential of its premise. The basic concept offers up a lot of unique moral and societal questions, something that " given the diversity of the 140 (or should that be 139?) characters, ranging from podgy businessmen to skilled hunters " I'm expecting to be fully explored in the issues to come. Slick, tense and wonderfully scripted, Unfollow is a truly gripping series thus far, and with it surely only being a matter of time before things break down into a social media-inspired Battle Royale, you can definitely count me in for the rest of this twisted journey.

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The legend of King Arthur is a story that has been told to death over the years, but in the hands of Bunn and Colak, Unholy Grail manages to stand out from the pack with its troubling, horrific re-imagining of this usually heroic and virtuous tale. An encouraging start then to what should be yet another impressive new series from Aftershock Comics.

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This is a beautifully written issue, both in terms of dialogue and narration, and the artwork truly shines during the more supernatural beats of the story. As I mentioned in my review of the first issue, the legend of King Arthur is a story that has been flogged to death over the years, but this subtle tweak to the established mythos has given it a new lease of life, and I genuinely cant wait to read more of this bleak, twisted tale.

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Ultimately then, as a first issue, this feels like it does more than enough to get its hooks into the reader. It's going to be interesting to see how the story unfolds and whether the premise can sustain itself once we delve a little deeper into the mystery, but for now, beautifully rendered art, a brilliantly relevant premise and a thoroughly likeable protagonist make UNNATURAL an easy new series to recommend.

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While its reach does exceed its grasp a little at times, the sheer confidence of the world building on display makes Warlords of Appalachia a highly recommended purchase. And while I'm still a little anxious about just how well Johnson is going to pull everything together for a satisfactory conclusion in the next issue, I'll definitely be picking this one up to find out, and I heartily recommend you do the same.

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Its a slow start for sure, but the characterisation is strong and the basic premise is sound. It also looks fantastic, so theres absolutely no reason not to pick this first issue up and gradually immerse yourself in what promises to be a fascinating look at the fragile nature of faith through the lens of dystopian sci-fi.

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If you like your science fiction raw, cynical and rough around the edges, I honestly cant recommend WASTED SPACE enough.

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As Ive said before, if you like your sci-fi more than a little rough around the edges, Wasted Space is definitely the comic for you. Nothing about it is clean or straightforward, from the artwork to the dialogue to the flawed character choices, but theres something about it that just draws you in issue after issue. The next arc cant come soon enough, thats for sure.

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While the series has had its ups and downs thus far, there's no denying that Bermejo has done a truly stellar job of opening up this truly intriguing corner of the DC Universe, and that the premise of the series – a motley crew of disillusioned, highly motivated youngsters wanting to keep up the good work of the now-absent Batman – is absolute gold. A solid issue then, filled with character rather than storyline development, and an absolute belter of a cliffhanger. Definitely a series worth checking out if you haven't done so already.

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This is a creatively structured opening issue that does a fantastic job of setting the table for what should be a cracking new series. The prospect of Snyder's boundless creativity running completely unchecked was always going to be a bit of a risky proposition, but watching him absolutely nail the bulk of this story is a real treat. Plus, the tone both he and the rest of the creative team set throughout this opening issue – that of a foul-mouthed, bombastic action adventure with an immensely likeable protagonist – makes this a new series that I'd definitely recommend seeking out.

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Another impressive offering from AfterShock Comics then, with strong character motivations and an intriguing premise ensuring that readers picking up this first issue will be absolutely hooked from the outset. Taking a look at the end of the world through the innocent eyes of a child, We Live provides a fresh take on the post-apocalyptic genre, and as such is an easy series to recommend.

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An impressive first issue which actually exceeded my expectations coming in, West of Sundown takes the familiar and makes it lively and fresh, sinking its teeth into the reader from the very first page. Another impressive addition to the Vault Comics library, and a series I'm going to be paying close attention to moving forwards.

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If Ive said it once Ive said it a hundred times, horror is one of the most difficult genres to get right in the world of comic books. Thankfully, with Niles and Sampson taking their turn at the steering wheel, this disturbing road trip is all but guaranteed to be worth the journey.

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I always enjoy digging into BOOM! Studios event-themed WWE anthologies, and for my money this might be their most consistent offering yet. Nothing here is less than great, and with Ferriers writing in the last story and Kims artwork in the first not to mention a deliciously weird look at the childhood of Taker and Kane this is definitely a fitting celebration of the Granddaddy of Them All.

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Ultimately then, while some of the choices of strips are a little puzzling, this is still an impressive collection that pays homage to some of the most memorable (Shawn and Razor, Daniel Bryans underdog victory) and most underwhelming (Triple H and Jericho) Wrestlemania moments. Highly recommended for WWE fans, and a perfect way to whet your appetite for the Ultimate Thrill Ride this weekend.

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Overall then, while the undercard is a little inconsistent at times, Hopeless and Moras main event delivers in spades, providing an intriguing and impressively illustrated look at one of the most shocking moments in recent WWE history. And, while the prospect of a WWE comic book may have even diehard wrestling fans rolling their eyes and looking elsewhere, the clear affection that the creators have for the subject matter and the impressively earnest execution, in the main story at least make this a truly worthwhile purchase.

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Ultimately then, while its a little hit-or-miss at times, theres no way I can give anything featuring an awesome strip like "In The Mandible of Madness" anything less than four stars, so that's what I'm going for. And, based on this, Ferrier, McCormack and Cunniffe clearly deserve an opportunity to dip into the WWE Universe on a more regular basis. But until then, their brilliant Mankind-based strip is pretty much worth the cover price on its own.

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An impressive opening then, with the creative team which includes the dynamic-yet-unobtrusive lettering of Aditya Bidikar working together seamlessly as they take full advantage of every inch of every single page to tell their story. A story of magic, secrets and the fear which comes with being true to yourself, Wynd is a new series which comes highly recommended.

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While the real meat of the new storyline hasnt been unveiled just yet, this first issue does a great job of establishing the new status quo and providing a perfect jumping-on point for curious readers keen to see what all the fuss is about. Its going to be interesting seeing how this new storyline develops, and as a lapsed reader, its safe to say that this has proved more than enough to draw me back in.

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I love both the idea and the execution here. The moral dilemma of Wills gifts makes for an intriguing premise, and his reluctance due to his complex family situation and, well, being a teenager only enhances things. When you're talking about creative teams whose names will immediately draw me to a book, Romboli and Zanfardino are right at the top of the list, and this looks set to be another cracking new series in the making. A fascinating blend of moral dilemma, coming-of-age drama and magical fantasy. Well worth a look.

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A dark, unsettling feast for the eyeballs, A Town Called Terror grabs your attention from the first page with its striking visual style, and while we're not quite there yet story-wise, I have no doubt that this series is going to take us to some truly horrific places before all's said and done.

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Fun, lively and colourful, this first chapter is definitely going to appeal to fans of the CBS series, even if it is painfully slight. This is definitely a title that's going to read a lot better a few chapters at a time, but as a quick introduction to the character with some eye-catching visuals and a snappy cliffhanger, I don't think you could do much better in this limited page count. Definitely a title to keen an eye out for, especially if you're a fan of the show.

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At the end of the day, if youre a fan of the characters then youll definitely enjoy what Tomasi and co. serve up here, and if youre looking for a funny, lighter-hearted DC series that doesnt insult the your intelligence, then Super Sons comes highly recommended.

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The final pages ratchet up the tension considerably as the ‘discovery' starts to thaw and Zasha, Batya's young daughter, finds herself on the run. It's clear that all hell is about to break loose, and I'm definitely planning on sticking around to find out what happens next. Sure, there's perhaps nothing too groundbreaking at play here yet, but there's enough atmosphere and intrigue to keep the pages turning throughout the course of this first issue. A chilling new chapter in Marvels Alien saga, and a first issue that's still well worth a look.

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All in all, while it perhaps takes a little while to find its feet, All Guts, No Glory ultimately delivers a creative, enjoyable twist on the ‘monster hunter' trope, all wrapped up in a pleasing visual package. Definitely one to keep an eye on as the story unfolds.

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Ultimately, AmeriKarate is a book which is under absolutely no delusions about what it really is, and is all the better for it. Its a broad, crass and gloriously unsubtle love letter to 80s movie excess, and while the jokes dont necessarily all land, theres still a lot of fun to be had here in a switch off your brain for a few minutes and enjoy the madness kind of way.

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While its essentially one long action sequence, theres a lot to like about this issue, and about this series so far as a whole. The final pages offer an intriguing new direction and potential obstacle, and while some of the flaws from earlier in the arc remain Black Mantas side story still feels superfluous, although its clear that Abnett is merely keeping the situation simmering away until its time to bring it to the boil this can definitely be viewed as strong opening arc which impressively establishes the new status quo for Aquaman in the post-Rebirth world.  We just need to sort out those darn faces.

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At the end of the day, this is a thoroughly enjoyable collection that shines a light on several members of the Avengers roster that a lot of readers – myself included – may not be hugely familiar with. With the likes of Sunspot, Cannonball, Hyperion, Smasher and Starbrand all stealing the spotlight from Cap, Iron Man and Thor, this is a well-rounded and (mostly) character-focused collection that, while the quality of writing and artwork does ebb and flow slightly throughout its five hundred-plus pages, I have absolutely no problems recommending.

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At the end of the day, what we have here is a fast-paced, straight-faced, sword and sorcery adventure. It isn't trying to subvert or reinvent anything, feeling instead like a love letter to the genre in all its glory. And while there isn't necessarily anything here we haven't seen before, the confident execution and clear affection from the creative team ensures that this is still a thoroughly enjoyable read.

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In terms of capturing the bleak, unsettling tone of the source material, Bunn and Kowalski do a stellar job. And aside from a few minor niggles, this is still a series I'm fully planning on sticking with until its no doubt tragic and upsetting end.

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While some of the “fish out of water” stuff is a little on the nose at times, the tone stays pleasingly light throughout, giving the whole issue an engaging, ‘Saturday morning cartoon' vibe. Fans of Bruce Lee (which Im assuming is pretty much everyone, right?) are in for an absolute treat, and while it doesnt perhaps have a huge amount of meat on those storyline bones just yet, this is a definitely an enjoyable opening chapter for what is a truly intriguing comic book project.

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It feels like there's a “twist” which is being fairly heavily signposted given the apparently Batman parallels, although that remains to be seen. Regardless, this is certainly an intriguing opening chapter for a series that feels like it hasn't quite hit its full stride yet. The groundwork has been confidently laid though, and with some striking artwork, an engaging tone and an eyebrow-raising cliffhanger, this is definitely a series I'm going to be keeping an eye on.

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I'm getting some serious Stephen King vibes from the faintly insidious small town setting, which is most definitely a good thing, and the final pages ramp up both the horror and the intrigue while still managing to provide way more questions than answers. It's still too early to tell exactly where this story is headed, but you can consider me well and truly hooked. Another solid addition to the ‘Dark Spaces' series.

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Ultimately, Dead of Winter is an enjoyable and inoffensive read, but with the exception of the few points I mentioned above, there isnt really a huge amount of new ideas being brought to the fore here – although Ill freely admit that the events of the final few pages may go a long way towards remedying that. Perhaps not quite an essential read then, but if youre a fan of zombies, awesome dogs or Plaid Hat board games, this is definitely well worth a look.

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While it's certainly using a lot of established tropes, there are more than enough fun ideas and snappy artwork here to make this a comic that's well worth a look. IDW are churning out a ton of top quality creator-owned books, and Dead Seas has the potential to be right near the top of that list as it progresses.

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The opening and closing pages hint at a wildly chaotic story, and now that the nuances of Philo's personality (i.e. he's an asshole) have been well and truly laid out, I can't wait to see Jordan and Delay actuallygetting to tell it. It's going to be interesting to see whether this ends up being a road to redemption and reassessment for Philo, or merely a cautionary tale for the reader, but whatever it is, there's a huge amount of potential here for Death of Love to become one of the most inventive and irreverentValentine-themed comics ever made.

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An essential pickup for fans of the character then, but Im not sure if this one has quite managed to do enough yet at this early stage to entice new readers into the fold. Only time will tell, but as beginnings go, this is definitely a solid foundation for what should be an intriguing new series.

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Nobody writes a comic book quite like Jonathan Hickman, for better or worse, and while the exposition here is delivered in a typically unwieldy fashion (read: chunks of text and intentionally confusing, encyclopaedia-style excerpts slotted in between chapters), the striking artwork and strong characterisation of our two female leads is more than enough to keep the pages turning, and in my case, at least to make sure I come back to check out issue two. Well worth a look, particularly if youre already a fan of Hickmans distinctive style.

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It's certainly far from essential reading, but The Feast of the Moon delivers an enjoyable slice of swords and sorcery, and provides a fun introduction to the characters of Honour Among Thieves before the movie hits cinemas at the end of the month. Worth a look for the curious, the impatient, and those who just love some good honest fantasy action.

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The final pages throw yet another Forgotten Realms stalwart into the mix, along with the promise of a lot more swashbuckling action in the issues to come. And, while there's nothing particularly revolutionary at play here in terms of the story, if you're a fan of either the cult classic cartoon or D&D in general, you're definitely going to love watching these two worlds collide in such a fun, energetic way. Well worth a look.

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The final pages take things in a fairly unexpected direction, providing some more much-needed character development for our young Barbarian and throwing up some intriguing storyline possibilities for the remainder of the series. Once again, the surprise appearances and cameos are fun, and serve as a nice way to connect the cartoon version of Dungeons & Dragons to the main Forgotten Realms continuity, but I'm far more interested in our six teenagers (and one unicorn) and how they navigate this dangerous new part of world. Thankfully, Booher and Kambadais seem to be of the same mind, and the next couple of issues have the potential to deliver some sweeping changes for our youngsters.

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Overall, while it hasn't quite managed to maintain the momentum from its stellar first issue, Exit Generation continues to provide a lively, gripping read, balancing lighthearted banter and swashbuckling space awesomeness with moments of genuine emotion, and making it a worthy purchase for any self-respecting comic fan.

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Ultimately, as a Max Max analogue, Freeway Fighter does its job admirably. Theres something impressively unapologetic about the way it pays homage to its inspirations, and while this is definitely a first issue that places style over substance, the groundwork has been laid for what should hopefullybe an enjoyable series. Im also quietly keeping my fingers crossed that this new title does well, opening the door for even more Fighting Fantasy adaptations down the line.

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Ultimately, Freedom Fighter provides a fun, if slight, post-apocalyptic yarn with some top quality artwork, and the fact that its based on some of the most iconic childrens books ever (screw you, Harry Potter) only makes it even more enjoyable. Lets just hope this opens the floodgates for more comic book adaptations of the Fighting Fantasy back catalogue, as theres a huge untapped vein of stories just waiting to be poured out onto the page.

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After an incredibly strong opening chapter, things take a noticeable step back here, leaving Frostbite balancing on the precipice of becoming just another post-apocalyptic science fiction book. However, with Williamson and Alexander at the helm, Im supremely confident that the ship will be able to quickly right itself, and that well be back to capitalising on this fascinating premise again before too long.

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Full disclosure, I was never really the biggest G.I. Joe cartoon fan growing up (loved the toys though), but watching this creative team sprinkle a little of their Ghostbusters fairy dust onto this classic franchise is a real treat. This is definitely a series I'm going to be sticking with for the next three issues.

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Ultimately, while the real meat of the story is only being hinted at for the time being, this first issue does a great job of establishing the unsettling tone of the series. It introduces us to our protagonists, building up a little emotional investment before launching them headlong into a genuinely horrifying situation. And, in spite of some familiar tropes, Gravetrancers proves to be one hell of a weird, disturbing and genuinely uncomfortable trip, and I honestly can't wait to see where Miller, Whynot and Cunniffe take this story as it unfolds.

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That said, this is still an otherwise enjoyable issue, buoyed by Schmidts kinetic artwork and always pushing things forwards at a brisk pace. Another minor stumble in what has been a fairly solid series to this point then, although Im confident that the conclusion of this arc and the fallout from the events of the closing pages should make for a truly fun read.

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Ultimately then, while it's likely not going to be everyone's tastes, GWAR: Orgasmageddon provides a sensory overload of violence, excess and in-your-face visual insanity, throwing subtlety well and truly out the window as we take a ridiculous ride with one of the world's most unusual rock bands

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Overall then, this is a new series that perfectly mirrors Harley herself; Bright, bold, colourful, just a little bit crazy, and almost guaranteed to evoke both love and revulsion in equal measure in its readers. Me? Well, as I said before, Im somewhere in the middle. Not great, not awful, but well worth a look if youre a fan of this particular gal.

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At the end of the day, while this is likely to be something of a tough sell for Harley haters, as well as bearing little-to-no resemblance to its big screen counterpart, fans of the character and Palmiotti and Conners iconic take on her are going to be in absolute heaven. Even as a self-confessed Harleyskeptic, I still found myself chuckling at a lot of the gags here, and Conner and Mounts action sequences are almost worth the cover price alone.

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If anything, it feels like this series will fare better moving forwards if it keeps flying fairly close to the ground, rather than trying to soar too high towards a payoff it hasnt necessarily earned. Still well worth a look, though, particularly for Hawkfans.

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Story wise, this issue starts off in a fairly by-the-numbers fashion, picks up in the middle with some fantastic action, and ends by throwing an interesting curveball into the established He-Man mythos. Ultimately however, while the levels of fan service are off the charts, this feels at times more like an enjoyable slice of fan-fic than the polished, boundary-pushing comic that Eternity War was. Freddie E Williams II ensures that things look absolutely gorgeous throughout, but as a lifelong fan of these two franchises, I cant help but find myself craving something a little more… substantial. Fingers crossed that things pick up once the inhabitants of Thundera arrive, which by the looks of it may be sooner rather than later.

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Ultimately then, while Im thrilled that this comic actually exists in the first place, I still cant shake the feeling that the fans of both franchises deserve more.  Sure, its great to have such gorgeously illustrated pages featuring the inhabitants of Third Earth and Eternia going blow-for-blow, but with a little more storytelling creativity and dialogue polish this series could be something truly special rather than merely the entertaining diversion that it is.

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So, while it feels like Heroes in Crisis is going to be a divisive comic for as long as people are still talking about it, I can say with a fair amount of certainty that I've enjoyed the ride. The whole "superheroes struggle with mental health too" theme is well executed, the artwork is terrific throughout, and even though the "murder mystery" we were promised at the beginning ended up being a bit of a damp squib, I honestly can't be too mad about the way things turned out.

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Well worth a look, and while I had a few minor niggles with the execution, the overall message is deeply relevant and Ill definitely be sticking around to see how the rest of this series plays out.

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As a cool standalone one-shot, this is an enjoyable read. 20 years of IDW is no small achievement, and its fun to see the classic team a lot older. Ultimately, the creators give us a glimpse at an intriguing potential future here, albeit one that doesnt seem to tie in to the grander scheme of the Ghostbusters comic universe. And if you're able to take that into account and view this as a self-contained story removed from the wider GB continuity, this one's definitely worth a look.

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Ultimately then, while it doesnt quite satisfy as an ending to a story, or even to a chapter, this is still a fun, enjoyable and frequently hilarious read. With the way Fialkov and Fleecs have left things, it would be an absolute tragedy if this series doesnt continue somewhere down the line, and all the indicators here suggest thats exactly whats going to happen. Ill definitely be picking up whatever comes next, thats for sure, and Id highly recommend you do the same.

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Ultimately though, while its a solid enough opening issue, there really isnt anything here to make either the story or the artwork stand out. Sure, its cool that the story features characters wed normally associate with high school hijinks, but as that novelty rapidly wears off, its going to be interesting to see whether Tieri and the Kennedys opt to steer this story into uncharted waters or play it safe with another enjoyable, inoffensive werewolf yarn.  Im definitely going to be sticking around to find out, for the next issue at least.

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Ultimately, your enjoyment of this issue is going to boil down to your prior familiarity with the character. If you know the deal with Vixen, theres not a huge amount of new material here, although its worth mentioning that the artwork in the second half of the issue is probably worth the cover price on its own, that splash page in particular. If nothing else, its clear that Orlando and Houser have a firm grasp on the character, which is going to make her inclusion in the JLA all the more interesting. Lets hope shes isnt lost in the inevitable shuffle of a team comic, as theres a tremendous amount of untapped potential here.

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Overall then, while the bloated world of comic book science fiction is a tough nut to crack, there are just enough positives in this first issue to suggest that Khaal may very well do just that. The story structure is strong and the artwork is luscious, and while theres always a risk that these kind of titles can crumble under the weight of their initial premise, this is definitely a series to keep an eye on as it develops.

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So, while its still not quite as fiery as Id have hoped, the central point of this issue is delivered effectively, and the positive message contained within these pages makes this a comic Id heartily recommend for younger readers. It's going to be interesting to see whether this series manages to resolve itself satisfactorily in just one more issue, but for a light, enjoyable and relentlessly positive read, you could definitely do a lot worse than spending a little time with the inhabitants of Ladycastle.

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Overall, while there's perhaps nothing particularly fresh or original in the storytelling here, with evil monsters trying to take over the world and masked heroes trying to obtain artefacts to stop them, the fusion of these familiar tropes with the larger-than-life world of lucha libre makes for an intriguing combination. As a storytelling gimmick it definitely works, and Mysterio's inclusion alone should hopefully draw a lot of new eyes to this series, but it's going to be interesting to see if the story holds up once the initial novelty wears off.

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At the end of the day, and while there may be some peaks and troughs along the way, LUCY DREAMING is still a series thats well worth a look, featuring some creative ideas about the power of imagination, some smile-raising humour, and some cracking artwork from one of the best kept secrets in the business today (for my money, at least). Definitely worth picking up once the collected edition goes on sale.

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Perhaps its an unfortunate drawback of splitting a story into an episodic format that wasnt originally intended as such, but for me, this first issue didnt quite pop like I hoped it would. The characters are solid enough, but theres nothing in the premise yet that we havent seen a dozen times before. Yes, the artwork is as spectacular as you might expect, but Im going to reserve judgment on Mae until I get a chance to see where Ha is planning on taking his story.

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This is an action heavy first issue which beautifully showcases the skills of the art team while introducing us to our likeable leading lady and the difficult situation she finds herself drawn into. The story itself perhaps feels a little flimsy for the time being, but the overall package is intriguing enough for a total newbie like me to still want to pick up the next issue. Which, at the end the day, is probably the main things a first issue should be hoping to achieve.

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Overall then, this is probably the weakest of the issues so far, although Rubn's work on the second story is almost worth the cover price on its own. I'm still absolutely loving the fact that we're getting regular He-Man output from Dark Horse, and Seeley's clear affection for the franchise shines through on almost every page, from the overall feel to the deep-cut cameos and references. I can't wait to see what he comes up with for the final chapter next month.

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All in all however, this series has been a real treat for He-Man fans, delivering some fascinating and unconventional takes on this well-established universe. While a lot of the stories have suffered slightly due to the constraints of the format (i.e. the low page count allotted to each one), this series should be considered an essential purchase for fans who want to see their beloved franchise taken in some new and unexpected directions. Here's hoping we get more of this kind of thing in the future.

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Ultimately, while it doesn't really advance the story much, or add any real new context to the Revelations animated series, there are still some fun ideas being explored here. And, while I'm personally not a huge fan of the possibilities offered up here, the execution is admirable and the enthusiasm for the franchise shines through on pretty much every page. The final pages promise to take the story in a new direction, and – with early apologies to the fans who are already seemingly in uproar about the lack of He-Man in the Netflix series – it looks like we're going into an Evil-Lyn focused issue next time out. I absolutely can't wait though, although I hope we do get a little more advancement of the Orlax story in the process.

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Ultimately then, as a cohesive four-part narrative I think it's safe to say that this series has been a bit of a bust, only loosely hanging together with the "Orlax" storyline repeatedly failing to hold the attention. However, as an anthology-esque series which helps to provide context, depth and character motivation for the events of the Netflix animated series, this definitely hits the mark.

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The premise is great, the characters are interesting enough to care about, and there are more than enough intriguing subplots introduced here to make the prospect of picking up the second issue sound pretty damn appealing. Sure its a little rough around the edges, but MediSINs mix of human drama and unapologetically realistic superhero combat makes for a thoroughly enjoyable read.

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Ultimately this is another enjoyable issue, with the grounded tone now firmly established and the hooks of the mystery – such as they are – now well and truly embedded. It's just a shame the leads aren't more likeable, because the way things stand now it's difficult to really get invested in what's going on and the stakes, while undeniably high, don't really feel all that urgent. Definitely one to keep an eye on though, that's for sure.

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That said, the relentless energy and violent, chaotic vibes definitely keeps the pages turning throughout, and if you're a fan of reading stories where groups of strangers are pitted against fiendish traps and each other for the amusement of an invisible audience, this is definitely the comic book for you. Well worth a look, but hopefully the next issue will start to draw back the curtain on the reasons behind these horrors.

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Ultimately, in spite of what may seem like unnecessary nit-picking, Im still absolutely loving this series. Semahn and Corona are telling a story that truly needs to be told in this day and age, but are doing it with a flair for the dramatic and a strong sense of characterisation that keeps the pages turning throughout. I only hope that they dont end up trying to cram too much in and ruining the fantastic potential of this series as a result, but based on what Ive seen so far, I really have no reason to doubt this particular creative partnership.

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While the story itself isnt exactly reinventing the wheel, the execution is definitely to be applauded, and the enthusiasm with which Tieri and Okunev are attacking the subject matter suggests that this series may very well end up being a hell of a lot more fun than it realistically has any right to be.

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Promisingly, the final pages hint at a stronger thematic link to the original Black Hammer series, but for the time being this feels like a slight misstep from a property that has pretty much redefined the world of creator-owned superhero comics. Ill still be sticking around to see if things improve, though. The pedigree of the creators justifies that, at least.

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At the end of the day, while it isnt exactly reinventing the wheel, Birth of the She-Devil is a confident and dynamic look at Red Sonjas formative years, and features more than enough blood, booze and intrigue to keep the pages turning.

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Ultimately then, the first issue of this new series provides a fun swipe at the absurdity of big two cape-and-cowl comics, but perhaps lacks a little of the smart, subversive approach that has become synonymous with Rick and Morty over the years. There are definitely some laughs to be had here, but it feels like its missing that spark of creativity to elevate it from just another Rick and Morty story to the realm of something truly special. That said, its still well worth a look if youre a fan of the show although that's something that could pretty much be said for all of Onis Rick and Morty output so far.

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Fun, authentic, but not quite reaching those Szechuan sauce levels of must have just yet, this is still a great way to indulge your Rick and Morty fix while youre waiting for the third season to premiere at the end of the month.

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As an amusing parody of Pokemon-style mobile games, Pocket Like You Stole It does an admirable job, but as a Rick and Morty parody of Pokemon-style mobile games, it doesnt quite meet the high standards youd normally associate with the property.  Not yet, at least.  That said, the creators all clearly have a firm grasp on the appeal of the source material, so its surely only a matter of time before they bring it all together and this series starts to deliver on its near-limitless potential.

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Ultimately then, while it's definitely pitched more at the younger end of the “all-ages” spectrum, there's a heck of a lot of fun to be had here, and the chemistry and back-and-forth banter between Pogo and Rex is probably worth the cover price alone. Another enjoyable addition to the KaBOOM imprint then, and a book that Id highly recommend picking up if you have a young comic fan in your life.

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Ultimately, and much like the first issue, its the quieter moments of Savage Things that really resonate.  Jordan has done an impressive job with his soldier school for sociopathic children backstory, and the ultimate showdown between Cain and Abel is likely to be a gripping as a result, but the action sequences definitely feel more than little derivative and uninspired at times, which detracts somewhat from the overall package.  Still definitely one to keep an eye on though, for sure.

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Ultimately then, against all expectations, Scooby Apocalypse manages to present a bright, lively and creative first issue that while being a little exposition-heavy in places sets the table admirably for the series to come.  And while the Scooby Purists (that's a thing, right?) may balk at the very concept, theres no denying that, when you get right down to it, this is actually a hell of a lot of fun.  Zoinks indeed.

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Describing your comic as “Blade Runner meets Oceans Eleven” is almost setting your readers up to be disappointed, but I'm happy to report that Starr, Talaji and the rest of the creative team absolutely nail that lofty claim. And while the “heist” portion of the story is yet to come, the scene-setting and character development in this first issue ensures that when the sparks do start flying, there's going to be a lot more of an emotional investment in what happens than if we hit the ground running from the get-go. Another interesting, well considered new book from Magma Comix that's well worth a look.

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Ultimately though, while the significant events of this issue can essentially be boiled down to one single splash page, the journey to get there is undeniably entertaining, and the spectacle of Spider-Man being forced to take on so many bad guys at once gives this event a really unique feel. We're back here in a fortnight for more Sinister War, and I'll definitely be checking in to see where this story goes next.

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Ultimately then, while it's likely going to prove to be an invaluable chapter in the long-term, providing some much-needed context to the events of the series as a whole, theres no denying that this is still a fairly dry, exposition-heavy issue. That said, with all the backstory now hopefully out of the way, we can finally start digging into the real meat of the story, and the prospect of seeing Stanley Dance lacing up the gloves and returning to the ring should provide more than enough encouragement for readers to pick up the next issue.

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Its still a great-looking book, and as Ive mentioned above, Stanley Dance is a fantastic creation, but I cant help but find myself hoping that the spotlight is once again allowed to fall squarely on our roguish leading man as the series nears its conclusion. Either way, I'm still all in with this one.

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A promising start to what has the potential to be another great series from BOOMs all-ages imprint then, and while this first issue does a solid enough job of introducing our two leading ladies and establishing the unusual premise, the real test of this quirky heist tale is going to come as the story gradually unfolds in the upcoming issues.

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However, while it's slightly disappointing to see Boba Fett effectively becoming a supporting character in what was marketed as his event, there are enough cool moments of excitement and fan service here to keep the pages turning. And, whether it's an intense exchange between Darth Vader and Jabba the Hutt or Boba Fett and Chewbacca going at it hand-to-hand, there should be something here to satisfy pretty much any self-respecting Star Wars fan.

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With an interesting twist thrown in at the end for good measure, this new Suicide Squad series is certainly off to a strong start. The idea of having Task Force X effectively merging with a group of super-powered freedom fighters adds an intriguing dynamic to the proceedings, and both Taylor and Redondo are doing a great job so far of bringing these familiar (and not-so-familiar) characters to the page. Well worth a look.

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It has been a solid few opening issues for sure, but with the bulk of the narrative now seemingly hinging on new Waller Lok a character who has shown himself to be blindingly one-dimensional to this point it remains to be seen whether Taylor can keep this books head above water as its run continues. Either way, Im definitely going to be sticking around for at least a few more issues to see how this all plays out.

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The final pages deliver the showdown the issue had been building up to, and – very possibly – feature the death of yet another Squad member. After a strong introductory mission, Taylor is really starting to stamp his mark on this particular arc, and the more invested we become in these new faces, the harder its going to be to watch the inevitable happen (hey, we all know how this comic tends to go, right?). Either way, the series has the same blend of humour, drama and slightly over-the-top violence that has made these characters so damn enjoyable to read over the years, and Im definitely on board with this new run for the long haul. Well worth checking out.

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A fun, lively start to a new superhero action comedy series, and while the final page reveal is perhaps a little obvious (especially with anyone who has seen any of the preview material or read the solicitation info), the execution throughout is admirable. Definitely a new series to keep an eye out for, and now that weve got the big reveal out of the way, Im definitely keen to find out where the creators take their story next.

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Overall then, while Swamp Thing fans will no doubt find plenty to like here, there's no denying that – to this point, at least – the story itself isn't quite delivering like it should.  The final panel offers hope that things are fixing to become a hell of a lot more exciting as the series moves forwards, as well as asking all kinds of interesting questions that only Wein and Jones know the answers to.  As a diehard Swamp Thing fan I'm thrilled just to have a title featuring my favourite character on the shelves right now, but as a comic book reviewer, it's paining me ever so slightly that this book isn't managing to set the world on fire like I know it could.  I'm definitely hopeful for the remaining four issues though, and if nothing else, it's looking more and more likely that this may end up being one of the most visually impressive Swamp Thing runs of all time.

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Overall then, DCs latest Swamp Thing series continues to be something of a mixed bag. Yes, its an absolutely gorgeous-looking book, but its also one with its fair share of flaws; flaws which are sadly stopping me short of calling it an essential read. If youre a Swamp Thing fan then youre clearly already picking this one up, and rightfully so, but for the casual reader this may be a little harder for you to fully appreciate.

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Ultimately, this is an unapologetically silly and incredibly superficial festive romp, and should be viewed accordingly. Its entirely skippable if youre of the bah humbug persuasion, but is well worth a look if youre not.

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I mean, its not a bad issue per se, but it does feel a bit like Ive accidentally picked up an entirely different comic, save for the final page. Im all for trying something different to flesh supporting characters out, and the overall experience isnt exactly an unpleasant one, but as an issue of IDWs ongoing TMNT series, this falls down significantly and is far from essential reading as a result.

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Ultimately then, while its fun to take a peek at a larger universe filled with aliens, talking trees, humanoid triceratops warriors and genocidal pink blobs, it does feel like IDWs TMNT ongoing series is a book that flows a lot more smoothly when it keeps its feet on the ground. A fun diversion then, and one that leaves a lot of interesting unanswered questions, but I'm definitely looking forward to seeing the Turtles getting back on terra firma in the weeks and months to come.

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That said, the final page throws an interesting wrinkle into the mix, suggesting the welcome re-integration of yet another previously dangling plotline, and the dynamic between the different parties of which there are now four has the potential to make for a genuinely exciting arc. Definitely a storyline to keep an eye on, Turtle fans.

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The Triceraton Invasion arc has been, for me, a bit of an ordeal, but in its conclusion Im left feeling positive again about the immediate future of the series. The Cosmic TMNT diversion finally seems to be at an end, leaving us to focus once again on the street-based drama and conflict that has been this series defining quality over the last six years. Plus, if this issue is anything to go by, the eventual showdown between Clan Hamato and the Splinter-led Foot Clan is going to be absolutely epic, and simply cant come soon enough.

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It definitely looks the business, but the story is clearly treading water a little here before this latest arc really kicks into high gear, and the tonal inconsistency makes it a slightly uneven read. Its still well worth a look though, and a thousand miles removed from the nonsense of the Triceraton Invasion.

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If you're a long-time reader of IDW's TMNT series you'll be familiar with these sorts of issues. A deep breath before the next big plunge, where Waltz, Eastman and Curnow subtly shift their playing pieces into position for the upcoming storyline. In that respect this issue certainly delivers, and while it may not provide the same level of excitement as other recent single issues, its impact in the long run is likely to prove invaluable. Definitely worth a read, particularly if you're in this one for the long haul.

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The anticipation is definitely being ratcheted up here, and the sheer consistency of IDWs ongoing TMNT series, even in the down issues, continues to be its greatest strength.

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While the inclusion of the middle issue drags this collection (and my final rating) down considerably, it is bookended by two really high quality offerings that serve to showcase the growth of the Rat King character over the last 30-odd years, as well as his innate appeal as we head into Armageddon Game. These offerings alone already make this one of the most essential of IDW's TMNT "best of releases, and the first issue in particular almost justifies the cover price on its own.

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At the end of the day, The Last Ronin was always going to be a tough act to follow, and while there are some undeniably intriguing storyline threads being introduced (or reintroduced) here, the basic question of is this series really necessary? still remains. Im going to reserve full judgment until I see where Eastman and Waltz are taking things, but for the time being this feels like a solid, if slightly superfluous, expansion of what is, for my money, one of the best TMNT stories of all time.

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A slight dip in both quality and originality then, but the strength of the first issue gives me hope that Jordan and Tan will be able to right the ship before things end up going too far down the cookie-cutter troubled superhero road. Its also worth reiterating that it still looks fantastic, and is worth the cover price on the strength of the artwork alone particularly the sections which feature Brimstone cutting loose with his dangerous and unpredictable new powers.

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At the end of the day, theres definitely a great story waiting to be told here, and hopefully once we get to venture a little deeper into the Los Spinoza Convention centre, Meconis and Coleman will get a chance to tell it. As it stands now, The Long Con is a winning elevator pitch with quality gags and some lively artwork, which while not exactly setting the world on fire just yet should be more than enough to ensure that people who pick up this first issue stick around to check out the second.

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In terms of what the creators set out to do in this first issue, this has to be considered a success. Yes, it's a lot of groundwork laying, and yes, other than the characters themselves there's nothinghere we haven't seen a hundred times before. But given the track record of the writer and the obvious talent of the artist, this is definitely a series that's well worth checking out. A solid enough opening then, but I'm eager to start getting into the real meat of the story now that the introductions are out of the way.

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Honestly, I have no idea what I just read, but I know I want to read more. I'm all for comics that take established tropes and twist them into something fresh and new, and in that respect, The Pedestrian most definitely delivers. Next month can't come quickly enough.

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A solid opening then, and while the full scope of the story is still to be revealed, the emotional impact of the final page and the confident delivery throughout is more than enough to draw this particular reader in. Ill definitely be picking up the next issue when it goes on sale, and for readers looking to delve a little deeper into the world of Geralt of Rivia, this new series comes highly recommended.

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The concept is solid, but the series feels like its visibly trembling under the burden of expectation right now, and the sooner we get some cohesiveness to the narrative rather than it just feeling like a series of seemingly unconnected events the better. It's a great idea with some great moments, but the creators really need to start pulling things together before its too late.

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Overall then, while the characters themselves are intriguing, amusing and wildly entertaining, theres still something thats preventing This Damned Band from realising its true potential. Flicking back and forth between Spinal Tap-esque rockumentary hilarity and supernatural devil worshipping sounds like a great idea in principle, but to this point, the execution has beena littlejarring. That said, theres no denying the fact that the good still outweighs the bad so far, and this is definitelystill a series with a lot to like about it, particularly as it heads into what should be, one way or another, a truly memorable finale.

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Overall though, Parker and Cornell have given us an enjoyable ride, with some memorable characters and more bizarre moments than you can shake a plectrum at. So, while it never did quite manage to turn itself all the way up to eleven, This Damned Band is still a series thats well worth picking up when the trade eventually drops

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At the end of the day, this series, much like its stars, is likely to be something of an acquired taste. If youre a fan of cheesy gags, wild action and little-to-no characterisation or logic, then this is definitely going to be right up your street. Utterly, utterly bonkers. But in a good way, I guess?

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Overall, your enjoyment of this series is likely to hinge on your familiarity with the wider IDW Transformers universe. For newcomers, its still a solid story with some lively artwork, but for those who have already immersed themselves in the ongoing Cybertronian narrative, this one is going to be a real treat.

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That said, while this is undoubtedly a sharp, engaging story which delivers a satisfying conclusion, in the grand scheme of Sakais Usagi Yojimbo back catalogue, it pales in comparison with some of the other tales the legendary creator has spun over the years.  Even so, this is well worth a look for newcomers to the character and long-time fans alike.

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On paper there's certainly a lot to like here, but if I'm being honest, the bulk of my excitement about this series is based on the track record of its creative team, as opposed to what actually happens in this first issue. Dont get me wrong, its not bad in any significant way, its just a little bland, particularly when you compare it to the creators' previous work, both individually and together. One to keep an eye on if you're a hardcore fan of the creators, but this definitely isn't setting the world on fire.

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Minor niggles aside, this is still a solid first issue, although itll be interesting to see how the story plays out over the rest of the four-part series to hopefully avoid it falling into the realms of clich. Carmacks sheer passion for the project gives me a lot of hope, however, and the intriguing and captivating nature of the mysterious serial killer is going to make picking up the second issue an absolute necessity for me. Dark, grimy andpossessing a truly unique visual style, Victorie City has the potential to be something truly special. Count me in for the rest of the series, anyway.

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Ultimately however, theres a fine line between leaving your audience wanting more and failing to deliver a satisfying conclusion to a story, and its a line that Warlords of Appalachia comes perilously close to crossing here. If theres going to be a follow-up series then I suppose the conclusion here may be a little more forgivable, but thats never a guarantee in the world of comics, and I would personally have preferred more of a line drawn under the current situation rather than all the focus being on a fifth issue that may never arrive. As a self-contained story, this leaves way too many questions unanswered, but as a potential first step into a larger world, Warlords of Appalachia is undoubtedly a rich, enjoyable read.

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This is an enigmatic, slow-burner of a first issue that provides a lot more questions than it does answers for the time being, but the worldbuilding is absolutely top notch and the sleepy, Western vibe of the storytelling is guaranteed to draw you in. Promising to deliver a tale of regrets, secrets and possibly even a little bit of redemption, this looks poised to be yet another thoroughly intriguing new release from the fine folks at Mad Cave, and is certainly well worth a look.

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In spite of a cracking premise and an impressive creative team working smoothly together, it's safe to say that this series hasn't quite hit its full stride just yet. Don't get me wrong, all the pieces are most definitely in place, but we're still just fleshing out the actual story at this point. I have no doubt that this is going to turn into hell of a series though, and if you're a fan of serial killer tropes or Kyle Starks' distinctive sense of humor (or both!) this is most definitely the book for you. Just keep one eye on the Fuckmaster at all times, yeah?

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For me, horror comics are all about mood and character. And while the latter may be a sorely lacking for the time being, the former is being executed to absolute perfection, with a genuinely unsettling aesthetic and an willfully unconventional style. Unfortunately, as striking as Sampsons artwork undoubtedly is, theres no getting away from the fact that Winnebago Graveyard still only feels like half a story.

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Ultimately, this is very much a set-up issue, and the gradual pace means its difficult to give a definitive prediction of just where this series is heading, or a conclusive scorecard for its new creative team. But, while Fontana and Andolfo are definitely going for a noticeably different tone and style to Rucka, Sharp and Scott, theres still a heck of a lot to like here.

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Again, its probably worth pointing out that its fairly unlikely that this series is going to appeal to anyone other than existing WWE fans, as there isnt quite enough substance here to reel in new readers. That said, for those of us who are already familiar with the whole Seth Rollins saga, this adds a lot of interesting behind the scenes flavour to what was already a pretty interesting storyline. And while it definitely showcases both the good and bad side of licensed properties, this is still a hell of a lot of fun, and a highly recommended purchase for WWE-inclined comic book fans.

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At the end of the day, theres nothing particularly ground-breaking here, but as always, the charm in BOOM! Studios WWE series comes from seeing the kayfabed behind the scenes moments which led up to the on-screen storyline twists and turns. If you're a fan of KO, Sami or the WWE in general then this is, as always, well worth a look, but those expecting to find any fresh insight to one of the more enjoyable heel turns in recent months may end up disappointed.

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At the end of the day, if youre even remotely familiar with BOOM!s WWE output, youll know exactly what to expect here. And while the fun in this series usually comes from seeing the fictional, fully kayfabed behind the scenes sequences that take place away from the cameras, the strongest story here is the one which is fixed squarely on the in-ring action. Yes, the first and last stories dip ever so slightly, but the middle two are more than worth the cover price on their own, and if youre a fan of the WWE particularly a younger fan then this latest anthology is definitely well worth a look.

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Like most of these one-shots, and indeed the Year of the Villain as a whole, this really isnt required reading unless youre a fan of the character, although it does open up some interesting possibilities for the Riddler moving forwards. I hope theres some sort of payoff down the line, and while we dont get to see him at his Riddler-y best, this is an enjoyable, slightly meta look at a character who has been dismissed by a lot of people for far too long. Nothing ground-breaking, but still well worth a look.

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At the end of the day, while it doesnt quite elevate itself into must read status, A Sparrows Roar – featuring a pair of comic book newcomers delivering an engaging young adult fantasy tale, a likeable cast of characters and an eye-catching visual style is still definitely worth a look.

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Ultimately, if you enjoyed the first volume of Angel Catbird then youll definitely enjoy the second as it delivers more of the same feline-themed shenanigans and zany world-building, all wrapped up in a bright, colourful package. Is it perfect? No, not by a long shot. But for an easily consumable slice of high-concept all-ages fantasy packed with cat puns and feline trivia, you could definitely do a lot worse.

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These issues aside, Abnetts underlying storyline – Arthur trying to advance Atlantis onto the world political stage – has some real legs, so it's doubly disappointing to see this latest issue derailed by some frankly lacklustre artwork.  While its certainly not enough to write off a series that has undoubtedly impressed during the early months of DCs Rebirth, it does however serve as a disappointing stumble for what was shaping up to be an impressive new story.

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Okay, cards on the table, my expectations for this series were ridiculously low, so the fact that it hasnt turned out to be a complete car crash thus far is almost reason enough for me to recommend it. That said, if youre willing to fight through your misgivings (assuming you actually have them and arent whipping yourself into a fanboy frenzy at the prospect of these characters meeting face-to-face something I probably should be doing myself), theres actually a pretty fun story here with some chunky, dynamic artwork and a Batmobile-load of potential. Definitely worth a look if youre curious, but it doesnt quite do enough to qualify for the essential reading category. Not yet, anyway.

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That said, this is still very much worth a look for fans of Adams or Batmans classic heyday, and inclusion of Deadman livens things up considerably (even if he doesnt necessarily do much besides hopping from body to body), but I cant help but feel that the clunky dialogue is limiting this new series as being something merely serviceable rather than something truly special.

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Theres a still a hell of a lot to like about this series – and this issue, for that matter – but I cant help but feel a slight twinge of disappointment that Pruett and Kudranski have tipped their hand in such an inelegant fashion here. Moving forwards, this is a book which is absolutely rife with potential, providing it can somehow manage to replicate the creeping unease that made the first issue such a jaw-dropping success. For now though, while Id love to be able to approach the upcoming issues with optimism, the sense of dread I previously felt for the Black Eyed Kids is now directed at the series itself.

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In the end, CLANDESTINO is a fun but ultimately flimsy read with a fairly by-the-numbers story and protagonist which finds itself being lifted from mediocrity by virtue of its impressive artwork and the sheer enthusiasm of its creator.  Those looking for any sort of nuanced storytelling or multi-layered character development will find themselves bitterly disappointed, but those of us who can appreciate a mustachioed hero dispatching a squadron of corrupt military police in a shower of blood, bullets and eyeballs are in for an absolute treat.  Make of that what you will.

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Overall though, this is still an enjoyable slice of offbeat horror which is likely to give fans of the franchise exactly what theyre looking for, while also providing a decent pick up and read thrill for newcomers like myself. Niles and Mitten work together seamlessly throughout, and while it didnt quite grab me like I hoped it would, theres still a hell of a lot of like about The Third Child.

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While there's undoubtedly a lot to like here, and a lot of potentially great storytelling to come, the niggling gaps in the exposition and an overall lack of urgency slightly derailed my enjoyment of the first issue. That said, I'm still planning on sticking with this series as it unfolds, if only to see whether my many, many questions are going to be answered. Worth a look, but dont expect a lot of information or context right away.

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Its not overly original, nor is it particularly ambitious, but Giants manages to land right in that halfway point where the pages keep turning without the reader particularly feeling the need to sing the books praises. Its a solid read with some intriguing protagonists and a striking visual style, but it really needs to try to dig into all the things that make it different if its going to stand a chance of surviving the harsh, unforgiving and overpopulated sci-fi comic wasteland.

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Im a big fan of the God of War franchise as a whole, and the pedigree of the creative team is enough to convince me to stick with this one, but Id have liked a little more meat on the bones of this first issue to really get my excitement flowing. Ultimately, this is a solid introductory issue that doesnt quite find its feet before it ends, and Ill definitely be checking out issue two to see how Roberson and Parker build on the story they've started here.

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Overall though, I still have high hopes for this series as it moves forwards.  As I mentioned, some of the themes brought up have some real meat to them, and the fact remains that it looks great (something which is only going to continue when Ceej favourite Juan Ferreyra starts tagging in from issue four).  It remains to be seen whether the clunky dialogue and full-sprint narrative flow can resolve themselves, but based on the strength of the Rebirth issue, Im willing to call this a minor blip rather than hitting the eject button for the time being, at least.

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Don't get me wrong, I'm definitely going to be sticking around to see what the slightly puzzling cliffhanger means for Tan and her story, but I would completely understand if other readers found themselves drifting away in search of series with a bit more urgency and bite.

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Its a solid enough story, and new face Vazilek is definitely an intriguing addition, but it all just feels like Ruckley is playing things a little bit too safe for the time being, proving an affectionate but ultimately underwhelming addition to the Highlander lore. Theres potential here for sure, but unless youre a die-hard fan of the franchise, your fantasy itch could probably be scratched far more satisfyingly elsewhere.

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Overall then, this is very much a book of two halves, with a gripping opening and a somewhat bewildering finale. Jack The Ripper is still well worth a look though, particularly for those with a taste for Victorian thrillers, and for those of us who appreciate truly great artwork.

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Overall, while there are a few uneven moments here and there, the central premise is solid if a little clichd and theres a wonderfully old-school British sensibility to the writing that adds some definite charm to the proceedings.  Perhaps not quite an essential purchase just yet, but definitely one thats worth keeping an eye on, particularly if youre a fan of zombies, Nazis or classic stiff upper lip war stories.

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Another solid addition to The Storyteller back catalogue then, and an introduction to a new artist who I'll definitely be seeking out in the future. Well worth a look, particularly if you have any sort of interest in Asian folklore.

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Putting the questions about whether we necessarily needed a John Wick comic in the first place to one side, what we have here at the end of the day is a fairly enjoyable action thriller with a solid, if slightly unremarkable storyline. If youre a fan of the movies then youll definitely get a kick out the extra content here, but if you arent already familiar with Keanus critically-acclaimed big screen bad-ass, then this new series is probably worth skipping.

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The finale introduces some familiar big-screen faces, and while it doesnt quite bridge the gap completely between the existing continuity and the recently-released movie, it does go a long way towards fleshing out the hollow earth theory and adds some interesting new threats and wrinkles into Kongs ongoing saga. Well worth a look if youre a bigtime King Kong fan, and certainly well written, but for me, the artwork was too much of a hurdle for me to fully recommend this one.

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Overall then, while this latest issue has its fair share of dynamic moments and a final panel that hints at a deeper story to be told, I still cant shake the niggling feeling of disappointment at just how by-the-numbers Klaus has been so far. Those looking for an enjoyable, inoffensive fantasy romp about hunter becoming Santa Claus should probably give this a look, but those of us hoping to see Grant Morrison weave more of his trademark magic are likely to end up with the comic book equivalent of a lump of coal in their stocking.

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Ultimately then, while the artwork is truly top-notch, the story is just a little too weird to land with any sort of authority. Its not quite on the lump of coal end of the spectrum, but nor does it deliver on the near-limitless potential of a story based around a sword-wielding, ass-kicking Santa Claus. That said, this is well worth a look for fans of Morrison, fans of great artwork, or simply those who like their festive fables to hit them like some sort of weird, disorienting, alien-filled acid trip.

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Overall, this is a solid opening for what should hopefully be a thoroughly enjoyable series. Im just keeping my fingers crossed that Dawson decides to hit the strengths of her story the humour, the feminism, the intriguing characters a little harder as the series progresses, otherwise Ladycastle could end up being a massively wasted opportunity of an otherwise five-star premise.

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Was I blown away by this first issue? Perhaps not, but there was definitely enough of an interesting hook that I'm seriously considering picking up the second issue when it goes on sale to see how Nicholas' story develops.A solid enough opening chapter then, albeit one which treads a lot of familiar ground and takes quite a long time to get to where it's going. But hey, who doesn't love a foul-mouthed and surprisingly dark Santa Claus retcon at the end of April? Definitely worth a look.

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That said, business is clearly about to pick up in a major way, and while the visual side of the comic is definitely in safe hands, I really hope Rahal is able to stamp more of his unique personality on the series as it continues, otherwise this could end up being a missed opportunity of the highest order.

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A bit of a stumble then, and while the enthusiasm of the execution is commendable, the overall effect is diminished by some flat characters and a fairly predictable story — for the time being, at least. I'm keeping my fingers crossed for the rest of this series (and for the rest of the “Life and Death” event as a whole), but this isn't exactly the start I'm sure a lot of readers were hoping for

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At the same time, I have the utmost faith in both Dark Horse as a publisher and Dan Abnett as a writer, so whatever happens, Im in this one for the long haul. Im just keeping my fingers crossed that things pick up sooner rather than later, or this event could end up becoming a damp squib of epic proportions.

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The final pages set up a future conflict that Im fully on board with, and in spite of the at times overly bombastic approach, Im still fully planning on picking up issue #2 to see how this story pans out. Well worth a look if youre a fan of the characters, or if over-the-top superhero silliness is your bag.

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At the end of the day, Sabrina fans – particularly those who have already picked up the previous series – will find a lot to like here, although there's just about enough for new readers to entertain themselves with too. I'm hoping that once the series picks up some momentum and the more spooky aspects of the story are pushed to the forefront this could becoming something great, but for the time being this is still a serviceable beginning to the latest chapter in the life of everyone's favourite Teenage Witch.

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While it may not necessarily be the most balanced or well-handled insight into the racism present in Mississippi in the 1920s, Strange Fruit still provides a uniquely intriguing take on the Superman trope, and features some of the most impressive artwork youre likely to find on the shelves today.  Id say its definitely worth a look, although that will clearly depend on your reasons for picking it up in the first place.

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If it sounds like I'm being unduly harsh, it's because I absolutely love the character, and also because this particular creative team had the potential to deliver something truly special, rather than – as it turned out – a beautifully illustrated, ultimately unsatisfying diversion. Dont get me wrong though, this isnt a bad series or a bad issue – by any stretch of the imagination. Its just nowhere near as good as it could, and should, have been.

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Ultimately though, as a what if? yarn which asks a fairly intriguing question, Tales from the Dark Multiverse does a solid enough job of spinning a dark, disturbing tale out of the Knightfall saga. And while the story itself never really gets past the realms of superficial spectacle, if nothing else, this oversized one-shot has introduced me to the immense talents of Javier Fernandez, an artist Im going to be keeping a close eye on from now on.

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After sixty issues, its almost inevitable that IDWs TMNT series is going to have the occasional wobble, and sadly thats exactly what we have here. It features fantastic artwork from start to finish, but this an issue which is marred by a couple of storyline concessions that are a little difficult to swallow. Once again, it's worth noting that there are numerous seeds being planted for future stories, but its also fairly disappointing to see one of those very same seeds that had previously been cultivated so lovingly wither on the vine here.

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Don't get me wrong, this is still an enjoyable enough story in its own regard, but there's no ignoring the fact that it does feel like a slight step back in quality from some of the previous arcs. Worth a look if you're a fan of the series, but not essential by any means.

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Ultimately, this is a fairly bloated first issue, bogged down slightly by the kind of constraints that frequently go hand in hand with licensed properties. Hopefully now that all the (re)introductions are out of the way, Scott can start actually telling his story, although the fact that Tongs artwork is so damn pretty makes this a first issue thats still worth picking up. If youre a Tekken fan, this is probably already on your pull list, and if youre not, this is definitely a concise and well-illustrated introduction to the world of the Bandai Namco video game.

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All in all, this is difficult to rate as a single issue because the story is so sprawling that its hard to feel that weve made much forward movement in this one chapter, but I definitely enjoyed it. If you can plug in, this is a dark, intense romp which veers between space opera and horror story and should be of interest to fans of both genres

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However, with all that said, Im still going to be sticking with this series as it unfolds. Partly because good fantasy comics are hard to find these days, and partly because of the unquestioned talent of the creators involved. Plus, with this issue being merely the set-up for the story to come, Im happy to give these characters a chance to evolve from the one-dimensional versions of themselves presented here. And if nothing else, Federici is going to ensure that whatever happens next is going to look utterly fantastic. Well worth a look, but its probably worth tempering your expectations somewhat – for the time being, at least.

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Ultimately then, artistic niggles aside, this first issue provides an enjoyable reintroduction to the world of the Jim Henson classic, setting up an intriguing new status quo and giving fans of the original movie a whole new reason to be excited.  And hopefully, with the exposition now out of the way, the story can start to build some real momentum and deliver the sequel weve all been hoping for.

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So, to summarise; the characterisation is sound, the artwork is solid, and the story is well paced and intriguing enough " for what it is. It's just frustrating that this first issue doesn't really touch on the book's unique selling point, leaving The Wicked Righteous as a polished but ultimately forgettable post-apocalyptic romp. I'll definitely be sticking with it to see how the rest of the series pans out, but I'm not sure if a great many casual readers will be doing the same, which is a real shame.

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While the premise is absolute fried gold, the execution thus far has been a little bit off, meaning that while This Damned Band is an undeniably enjoyable read, it hasnt quite lived up to its potential just yet. However, with a little tweaking over the final two issues, I have no doubt that this wonderfully offbeat rockumentary-with-a-twist can catapult itself into must read status, and as Cat mentioned in her review of the first issue finally turn this bad boy all the way up to eleven.

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Simply put, for a light-hearted, accessible dose of Transformers action, you're unlikely to find anything better.

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Simply put, this is a series that is under absolutely no pretensions about what it really is; a wonderfully light-hearted take on the Transformers Universe that is bound to appeal to younger readers.  While there are definitely more involved, complex and dramatic titles available in IDW's Transformers catalogue, this is undeniably one of the most fun, and while it may not necessarily be everyone's cup of tea, no-one can argue that this is a series that hits the all-ages mark beautifully.

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At the end of the day, as a first issue it establishes the premise of the series well, but I'm definitely worried that Vampironica might not have enough here for the reader to sink their teeth into. Things could definitely pick up in the issues to come, but this does feels like it has the potential to be a bit of a missed opportunity for what is an undeniably cracking premise.

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While Cassagrande ensures that the comic looks great, I would have loved to see more of the actual story Phillips promised us in this first issue, and as such, I could see a lot of people being put off and potentially discarding this new series before it has a chance to really get going.  Which would be a real shame.

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A solid enough start then, with a faithful recreation of the distinctive Games Workshop Warhammer 40k aesthetic. The story hasnt really done much to stand out yet, but the pieces are in place for what has the potential to be a genuinely enjoyable dose of large-scale sci-fi action.

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That said, at the end of the day this nothing less than a faithful continuation of the live-action source material, and delivers some colourful, bawdy fun that fans of the movie and Netflix TV series will definitely get a real kick out of.

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It's a solid enough opening issue that takes quite a while to get to where it's going, but the final few pages offer some promise that we're going to venture into some far more exciting waters as the series unfolds.I'm definitely looking forward to seeing how the creators lean into the horror aspect of the story, so I'll be tagging along at least as far as issue two. This series has lot of potential for sure, but let's call it unrealised potential for the time being.

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I'm slapping on an extra half star for the potential of the premise, but as a first issue this feels like a bit of a missed opportunity. There are great ideas here, along with great characters and a writer who clearly knows how to deliver a top-notch Aliens story, but it just doesnt all seem to be coming together just yet, for whatever reason. Ill probably pick up the second issue out of loyalty to the franchise, but Im really hoping for a marked improvement in terms of tension, urgency and some real stakes if this series is going to keep me reading much longer than that.

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If you're a fan of the board game then you'll likely get a kick out of this, but its going to be a really hard sell for casual readers given the fairly uninspired and safe story. The artwork is well worth a look, but that's about as far as I'm willing to go, and in a world of exciting and inventive comic books based on licensed content, Blood Bowl: More Guts, More Glory finds itself getting sacked before it has even crossed the line of scrimmage.

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Ultimately, there's definitely an intriguing idea here, and there have been genuine flashes of greatness throughout the course of the first three issues, but Colossis flawed pacing and lackluster character development are really starting to hurt the series now, to the point where its going to be difficult to justify sticking with it for too much longer.

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Ultimately then, while it's an interesting enough premise, there just isn't enough meat on the storyline bones yet to make this a truly satisfying read. That and the uneven and untidy nature of some of the artwork makes Death be Damned a difficult title to fully recommend, although there's some real potential here that will, hopefully, be tapped into as the series continues. One to keep an eye on for sure, but perhaps not one to get too excited about just yet.

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It isn't great, it isn't awful, it just" is.

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Honestly, after an impressive reveal to set it up, the Island of Scars storyline has been a bit of a non-starter, and in DCs current quick-fire release schedule, should be viewed as entirely skippable. Fingers crossed that the series manages to regain some of its early momentum as the team heads back to Seattle, otherwise this is a book that could find itself being rapidly culled from a lot of bloated post-Rebirth pull lists.

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Ultimately, Highlander: The American Dream remains a fairly frustrating read. Ruckleys dialogue is enjoyable, the story is serviceable and Muttis visuals are typically polished, but theres just something utterly uninspired about the overall package that makes it difficult to get too excited about. Im remaining hopefully that things will pick up as the series nears its conclusion, but at this point, unless youre a die-hard Highlander fan, theres really not much to keep you interested here.

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A rare misstep from Aftershock Comics then, and while its likely that the series will pick up some momentum once the real meat of the story comes to the fore, based on this first issue, I dont know if Ill be sticking around to find out.

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Dont get me wrong though, this isnt a bad comic, and what Sheikh does she does very well, with bright, lively colours and eye-catching characters; its just that there are a lot of other similar all-ages titles out there that are either sharper written or better illustrated (or both), and while Luna isnt without her occasional moments of charm, there just doesnt seem to be enough of a hook here totruly reel readers in.

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Ultimately then, while its clear that theres an intriguing idea at the heart of this series, its one which is struggling to make itself heard at the moment. Yes, this first issue has a few flashes of greatness along the way, but with some sketchy exposition and a fairly lacklustre leading character, its going to be a bit of a tough sell to expect readers to persevere until the second instalment.

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Overall, the jury is still out on Narcopolis: Continuum for me, at least. While a time-travelling murder mystery set indystopian world where drugs are legalised for corporate gain is an undoubtedly intriguing backdrop, the actual story being told – as well as the characters themselves – feels more than a little bland to this point. Ill stillbe checking out the second chapter, as the pieces are definitely here for a compelling sci-fi yarn, but based on this first issue, Im going to be approaching it with caution.

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It's a shame too, because the first three issue of the series, while undeniably dense and rapidly paced, still took at least a bit of time to let some of the storylines breathe a little. That isn't the case here, sadly, with each intertwining subplot meaning less and less as the unrelenting barrage of exposition and Hasbroverse interconnectivity becomes almost too much to bear. It's doubly disappointing because there are some aspects of the series – the street-level crime story set four million years ago on Cybertron, for instance – that really work, but there's just no getting away from the fact that the overall execution and structure is really starting to drag this series down.

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Overall then, this feels very much like a filler issue where the plot developments, such as they are, could easily be obtained by the reader simply glancing at the front cover. Theres also an unmistakable feeling that weve seen everything here before, and with the inclusion of the Fire and Stone characters only serving to highlight just how much more exciting and dynamic the previous shared universe event was, Im sure Im not along in saying that its about time Life and Death finally shook itself out of the doldrums and actually started living up to its incredible potential.

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Ultimately though, when you strip away the nostalgia and the fact that you'll likely be humming the theme tune in your head all the way through this first issue, there really isn't much more here than an enjoyable, inoffensive, middle-of-the-road children's comic. It's not bad by any means, but nor is it particularly memorable. Plus there's no Angelica (for the time being at least), and I think we can all agree she was pretty much the best thing about the show, right? It's still worth a look for a dose of nostalgia, or to give to a younger reader who has already blown through the rest of BOOM!'s stellar all-ages back catalogue, but that's about all, sadly.

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There are plenty of good ideas in here, and the beginnings of what could be an intriguing new series. For me though, the story and pace just never seemed to click into gear. The reveal at the end left me unsure of where this is heading, and it feels like it could be quickly moving away from the original premise.

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Ill be honest, Ive never really been a huge fan of the Suicide Squad in the past.  Thats not to say I ever had anything against them necessarily, I just never felt the desire to pick up many of their comics.  Like a lot of people, its a combination of the Warner Bros movie and DCs strong Rebirth track record that made me want to jump on board with this new series.  Sadly however, after this first issue I honestly cant see any reason for me to continue with this one, save for the unquestioned pedigree of its two supremely talented co-creators.

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Ultimately however, for one of the most consistent ongoing titles of the past six or seven years, IDWs TMNT series definitely feels like its treading water here. The mixture of nuanced storytelling and big-time blockbuster action has been replaced by what feels like an uninspired attempt to flesh a simple misunderstanding out into a full-fledged arc, and while there are some decent moments along the way, I honestly cant wait for this arc to end a sentence I never thought Id write about this particular series.

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Honestly, there's not really too much to get excited about here at least not yet. Sure, Medel and Myer do an impressive job with the artwork, but as far as the story is concerned this feels about as generic as you could imagine at this point. I'm hopeful that things get a little more creative as the series unfolds, but for the time being this is already starting to feel like a bit of a missed opportunity.

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Ive made no secret of my opinion that Dan Abnett has been the unquestioned MVP of DCs post-Rebirth universe, and I still stand by that claim. However, Im also forced to admit that this latest Titans arc is in severe danger of tarnishing that reputation, and unless we start seeing some of that trademark Abnett creativity and emotion again, these next few issues could end up being something of a train wreck.

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While the idea does have potential, this first issue just didnt pop like it probably should, and while it did just enough to feel authentic enough to the Adventure Time world, it just felt like a bit of a missed opportunity to me. Flat, uninspired and ultimately disappointing, ICE KING is an unexpected blip on BOOM! Studios otherwise stellar Adventure Time output.

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Overall, while it features an undoubtedly strong premise and some lovely artwork, Dead Vengeance doesnt quite manage hit the ground running in this first issue, stumbling on its way out of the blocks and providing a disappointingly flat first issue as a result.  Hopefully now that the exposition portion of the story is out of the way the series can start to build some momentum, but in terms of serving the main purpose of an opening issue to hook the reader enough to make them want to read the rest of the series this one feels more like the body in the tank than the reanimated man.

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Overall, it's difficult to figure out why this comic even exists. At a stretch, I could see kids who enjoyed the movie potentially wanting to pick it up for more Garfield adventures, but with the grumpy feline barely appearing in half of the page count, I'm not sure there's much to make them come back. If you've exhausted the decades of Jim Davis' classic strips that already exist then there's certainly worse things you could read, but there's not a lot here to get too excited about, unfortunately.

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Artistic inconsistencies aside, LIVEWIRE isnt necessarily a bad comic as such, its just a fairly forgettable one, and one which completely fails at delivering on its brand new jumping-on point! claim. Theres clearly some interesting history between the main characters here, but without a prior knowledge of backstory which provides the main thrust of the narrative, theres pretty much zero reason for new readers to pick this one up.

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While M.A.S.K. may not have been my number one cartoon and action figure franchise growing up (He-Man 4 life, yo!), I do have a lot of fond memories playing with the toys and singing that oh-so-catchy theme song on my bedroom floor. Unfortunately, the first issue ofthis new ongoing series doesnt manage to capture any of the magic that made the original franchise so appealing to youngsters, providing instead a fairly dull, paint-by-numbers good guys versus bad guys comic book featuring characters who just so happen to be wearing masks. Im hopeful that the series can improve as it progresses, capitalising on some of the limitless potential of its subject matter, but for the time being, its not looking hopeful. Still there's no sign of T-Bob so far, so I guess I cant be too mad.

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Ultimately then, while some of of the backup material is entertaining enough, the lingering question about this release is similar to the main question surrounding its freaky rubber ball inspiration — what's the actual point?

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Okay, so while this isnt exactly a first issue thats going to set the world on fire, its Cullen Bunn for gods sake, so I know there has to be more to the story than this.  As I said, the solicitation blurb gives me hope for the series as it moves forwards, but unfortunately Im not reviewing the blurb, Im reviewing the first issue, and as it stands, this is currently little more than a bland, generic and ultimately unengaging slasher yarn. In fact, the only thing keeping me holding on at this point is the unquestioned horror pedigree of its writer.  Fingers crossed for issue two, then.

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A major missed opportunity then, and while this first issue is potentially worth considering for Albaquerques artwork alone, the lack of story, characterisation or any semblance of emotional investment make it a really tough sell.

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Ultimately then, in spite of the strength of its premise, Revolutionaries is completely and utterly suffocated by its reliance on exposition and its dangerous overcrowding, with what should be a fairly straightforward first issue ending up as a bloated, jumbled mess as Barber struggles to keep all his plates spinning at once.  Its not unreasonable to predict that things may pick up once the series is given a little time to breathe, but for now, there are far better Revolution-based titles on IDWs slate for you to throw your money at.

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The defining characteristic of IDWs TMNT run has always been, in my opinion, its consistency. So after almost eighty issues, its perhaps understandable that wed eventually hit a low point like this. On the plus side, the whole thing seems to be drawing to a close, which is definitely a welcome prospect at this stage, and the track record of the series still has me excited about what we can expect from it in the future. Just no more space invasions, yeah?

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At the end of the day, while it does introduce a potentially intriguing concept to the DCU, it does so in a cramped, bloated way that really misrepresents the stellar abilities of its creative team. An uninspiring start then, and not one that I imagine will be encouraging many new readers to pick up issue two.

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Ultimately then, while there are definitely some interesting ideas at play here, the overall delivery is utterly flat, and the overwhelming question of “why?” hangs over the series like a dark cloud. Simply put, The Jetsons could pretty much be any other bland science fiction comic released over the last decade or so, and without any real unique selling point – aside from the nostalgic appeal of its cartoon namesake – its really hard for me to recommend this one.

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Ultimately then, while I'm sure die-hard Warframe fanatics will get a real kick about seeing their beloved FPS getting the comic book treatment, the comic itself is, unfortunately, a little on the flimsy side. Perhaps once the story kicks up a gear and we get a genuine sense of character development from our leads (or ‘lead', as I think the Tenno is about as developed as he's ever going to get at this point) it'll be a more enjoyable read, but as things stand now, it's difficult to really recommend this one.

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Honestly, after seeing Sonja being portrayed in Volume 3 as a truly inspirational figure with a sharp head on her shoulders and a complex moral compass, watching her being reduced to a confused, ditzy Victorias Secret model here is damn near heartbreaking. Exploitative artwork and a two or three-page story (at most) being dragged out to no less than eighteen pages makes this an utterly avoidable release, and while Im a big fan of some of Chus previous work, based on this underwhelming opening I honestly dont think Ill be back to see how this particular fish out of water tale pans out.

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While theres quite possibly the beating heart of a solid idea trapped in here somewhere, the lacklustre execution unfortunately leaves BOY-1 as an instantly forgettable slice of ultimately pedestrian sci-fi. Nowadays in particular, with so many brilliantly inventive, beautifully characterised science fiction titles hitting the shelves on a weekly basis, thats just not going to cut it.

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Essentially, what we have here is a 32-page version of the previously on G.I. Joe section that you would expect to find at the beginning of any issue.  As a perfect jumping-on point, this is anything but, and I only hope that the actual Cobra World Order Event features some actual content, otherwise this is going to be a long, painful slog.   I may check in on it, but more to satisfy my own nostalgic curiosity than because of anything done by this particular issue.

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