Alexander Jones's Comic Reviews

Reviewer For: Multiversity Comics, The Beat, Comic Book Bin Reviews: 638
7.3Avg. Review Rating

"X-Men: The Wedding Special #1 celebrates the Krakoan era and serves as a strong coda to "Immortal X-Men.

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Marvel's "Doom #1 features beautiful artwork with a narrative keeping readers at arm's length from it's title character.

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Men" #34 finds clever ways to navigate a few lingering plot threads for the ongoing series before the final curtain falls on Krakoa.

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"Fall of the House of X #4 has a moment for every X-Men fan.

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X-Men #33 is a clever issue breaking up the monotony of recent issues by setting the action in Madripoor.

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"Web of Spider-Man #1" is an uneven anthology comic book with clever teases of upcoming narrative elements in the publishing line.

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Ultimate X-Men #1 utilizes bold artwork to craft a unique X-Men debut.

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Ultimate Black Panther #1 packs a cool villain in a derivative script.

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Adventureman: Ghost Lights #1 melds strong visuals and characters with a forgettable plot.

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X-Men Red #18 ends a strong series with a blaze of glory!

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Venom #28 expands the scope of the series while telling an endearing storyline.

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Carnage #1 is an impressive debut that finds a compelling hook for its protagonist.

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Outsiders #1 utilizes clever dialogue to launch an ambitious new series.

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Thanos #1 is an endearing comic book series with a shockingly small scope.

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Uncanny Spider-Man #2 melds Spider-Man and X-Men concepts together in creative ways.

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Jennifer's relationship with Jack of Hearts is tested in "The Sensational She-Hulk #1!

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City Boy #5 evokes nuanced characterization for Swamp Thing and Cameron Kim.

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"Realm of X #2 is a character-focused follow-up exploring the true intentions of Saturnyne.

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The ghosts of Steve's past return in "Captain America #1!

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Astonishing Iceman #2 expands on Bobby Drake's relationships and teases the grand return of Orchis!

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The Incredible Hulk #3 tests its dual protagonists with tense and horrific scenarios

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Final Verdict: 8.5 The bleak, psychological aesthetic from “Knight Terrors: Detective Comics” #2 captures the full potential of DC's “Knight Terrors” premise.

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"Loki #3 utilizes Marvel's vast mythology to craft an expansive narrative with wonderful art.

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A strong creative team continues to implement a unique vision to DC's "City Boy #3.

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Star Wars: Hyperspace Stories #6 asks questions about the alien who shot Han Solo.

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"The Vigil #3 captures incredible emotion with beautiful subtlety.

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Taylor and Henry examine the complicated morality of the "Injustice: Gods Amongs us property in Adventures of Superman: Jon Kent #5.

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DC's latest chapter of "Green Arrow #3 starts answering questions about the mysterious status quo of Oliver Queen!

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Marvel's latest Incredible Hulk #1 series focuses on strong characterization and horror elements to deliver a subversive debut issue.

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Venom #20 is an endearing comic book that moves Eddie Brock into the next status quo with intrigue.

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Doctor Strange #3 is a subtle issue that avoids cliches with nuanced plot threads.

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Action Comics #1055 is loaded with fascinating content that fleshes out the world of Metropolis vividly in the Dawn of DC era.

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"Cosmic Ghost Rider #3 has a great sense of humor and finally pushes the plot of the series forward.

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"Immortal X-Men #11 features adept characterization and hints at greater consequences for Sins of Sinister.

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Doctor Strange #2 tells an intriguing, self-contained story featuring Moon Knight!

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The unexpected tension between heroes in X-Men #21 is puzzling but complex.

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"Captain America: Sentinel of Liberty #11 concludes a decisive battle and teases an upcoming crossover story with enthusiasm.

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"Superman #2 showcases an incredible number of villains without feeling repetitious.

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Marvel has done a great job adding more subtext to Norman and Peter's relationship but Red Goblin #2 crafts a beautiful layer of subtext between Normie and Norman. "Red Goblin #2 enriches a young character in The Marvel Universe and strengthens relationships from "The Amazing Spider-Man.

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Scarlet Witch #3 offers stunning art and an in-depth characterization for Wanda and Lorna.

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"Hallows' Eve #1 utilizes plot threads from Spider-Man to characterize Janine Godbe with nuance.

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"Betsy Braddock: Captain Britain #1 gives Betsy a focused series that her character needed all along.

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The Invincible Iron Man #3 manages to balance the tone of the series nicely with dynamic scenes showing how Tony Stark is slowly rebuilding his life.

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"Bishop: War College #1 utilizes remixed elements of mutant continuity to tell a thrilling new X-Men tale.

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"Captain America: Sentinel of Liberty #9 is a clever issue that distorts the reality of Captain America to deliver one of the most fascinating issues of the series to-date!

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Dark Web: X-Men #3 offers an unexpected resolution for a key piece of Marvel's Dark Web crossover.

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"Mary Jane and Black Cat #2 is a great issue that adds so much context to Black Cat and Dark Web!

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"Avengers Assemble Alpha #1 is a monotonous, decompressed kick-off to an important Avengers story.

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Batman vs. Robin #3 hosts beautiful artwork and contrived plot beats.

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scale return to one of Marvel's most interesting modern story ideas.

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"Wild Cards: The Drawing of Cards #4 is finally able to move past the premise and tell a beautiful, character-based story.

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"Legion of X #6 uses the confines of a crossover to flesh out critical character beats with precision.

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A.X.E. Avengers #1 utilizes a tie-in issue setting to explore Tony Stark's newest mistakes.

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Iron Man #23 has a strong script with visuals holding back the more complex elements of the story.

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All-Out Avengers #1 is a good idea with poor execution.

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"Superman: Son of Kal-El" #14 utilizes nearly every plot point of the series to head into a thrilling battle.

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The morose script and art of Dark Crisis on Infinite Earths #3 captures the promise of a dark event storyline.

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The Flash #784 utilizes the best aspects of the entire Flash franchise to tell a strong story.

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"Dark Crisis: Worlds Without A Justice League Superman" #1 pushes the Aquaman franchise forward but stumbles to characterize Superman properly.

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"Black Panther #7 transcends familiar storytelling tropes with thrilling elements of espionage.

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"Moon Knight #12 is the cathartic release of meticulous planning.

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"Do a Powerbomb" #1 is a gorgeous but rushed opening issue.

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Flashpoint Beyond #2 continues exploring a dark and violent world from DC's past.

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Robin #14 challenges readers with a large cast of characters and meticulous script.

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Writer David Pepose and artist Carlos Magno utilize unique elements from their specialized cast to explore a new team of heroes.

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Superman: Son of Kal-El #11 balances plotting and characterization with the utmost care.

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"Carnage #2 begins subverting character tropes to tease curious plot developments.

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"Captain America #0 is an underwhelming first taste of two important upcoming Marvel comics.

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"Eternals #11 gracefully ignites the flames of Judgment Day!

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The Amazing Spider-Man #93 successfully closes the 'Beyond' era of Spidey and starts to hype upcoming plot beats with grace.

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X Deaths of Wolverine #5 carries major ramifications for an important character.

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"Eternals: The Heretic #1 enriches the main story with additional context and vivid art.

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tinged introduction to an adorable group of sad little vampires.

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"She-Hulk" #2 opens up an intriguing noir element into the series.

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Final Verdict: 5.4 " ""Aquamen" #1 struggles to find focus between the dual protagonists.

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"Venom" #5 fleshes out the backstory of the symbiotes and new villain with an incredible amount of suspense.

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"Fantastic Four: Reckoning War Alpha" #1 is a confident start for a packed storyline tasked with fusing so disparate cosmic plot threads together.

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Final Verdict: 9.0 " “Avengers Forever” #2 offers a dizzying Avengers revelation that evokes the greatness of the original series!

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"Angel" #1 is a confident opener to the new era of a franchise that has room to grow in terms of tone.

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"Daredevil: Woman Without Fear" #1 feels more like a derivative Daredevil issue rather than a special event tie-in story.

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"Wonder Girl" #6 charts an important moment in Yara Flor's development.

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"Robin Annual" #1 is a great retrospective on the intriguing supporting cast established for the new series!

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"The Flash" #776 dissects the entire medium of comics with a powerful collaboration.

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"Robins" #1 crafts solid character dynamics and teases greater ambition for future chapters for the last page.

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"The Death of Doctor Strange: Avengers" #1 is a creative way to expand the scope of a promising Doctor Strange story.

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"The Darkhold: Blade" #1 is a creative tie-in issue lacking in execution.

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"Nubia and the Amazons" #1 is an important but bland reintroduction to Nubia and the current Themyscarian power structure.

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"Inferno" #1 is the most foreboding comic book event debut issue you will read all year.

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"Aquaman: The Becoming" #1 is finally able to identify a place in DC's current continuity for Jackson Hyde.

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The absurd number of tired genre cliches in "Telepaths" #1 derails the goodwill earned from the solid artwork.

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"Spider-Man: Life Story Annual" #1 is able to capture an entire lifetime of a Spider-Man supporting cast member with a refreshing level of honesty.

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"X-Force" #22 is a creepy look into a dark mirror of a Swamp Thing-style character interpreted through the world of X-Men.

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"Suicide Squad: Get Joker!" #1 is a surface-level story that may intrigue new readers but not seasoned fans of the property.

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"The United States of Captain America" #2 isn't afraid to carve a unique perspective alongside a bombastic superhero narrative.

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The experimental art and intriguing narrative in "Ninjak" #1 makes for one of the best Valiant comic books of the modern era.

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"X-Men" #1 is a carefully paced issue bursting with intrigue about the X-Men's intergalactic efforts.

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"Daredevil" #31 is a frustrating, unfocused issue with vivid art.

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"Supergirl: Woman of Tomorrow" #1's fantastic visuals are sold short with a script prone to violence that misunderstands the protagonist.

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"X-Men" #21 celebrates the best parts of Krakoa and teases the future of the mutants.

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"Green Lantern" #3 is a solid issue that takes risks to push the series closer to greatness.

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"The Witcher: Witch's Lament" #1 is a smooth read that catches readers up to Geralt's current misfortunes quickly.

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"Heroes Reborn" #2 struggles to connect with readers due to a derivative premise and poor execution.

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"Hellions" #11 deconstructs the mind of Mister Sinister with a terrifying sense of glee.

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The quality of the artwork and backup story in "Justice League" #60 is held back by a weak script in the main feature.

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"Batman: The Detective" #1 finds an intriguing direction for a different kind of Batman.

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The cutthroat violence of "Suicide Squad" #2 will haunt my nightmares until the next issue comes out.

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"The Other History of the DC Universe" #3 is an unflinching look back on the life of an important DC hero.

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"Firefly: Brand New Verse" #1 expands the world of a beloved property in a whole new context.

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"Nightwing" #78 moves past recent continuity fumbles to tell an emotionally potent next chapter for Dick Grayson.

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"Taskmaster" #4 is an irreverent spy story with great pacing.

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"Buffy the Vampire Slayer: Faith" #1 is a clever reinvention of one of the most interesting Buffy characters with solid writing and artwork.

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"Savage" #1 is a disappointing new outlet for a newer Valiant hero with solid artwork.

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"Future State: Kara Zor-El, Superwoman" #2 contains beautiful art alongside a generic script and strong ending.

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"The Legend of Shang-Chi" #1 is a solid done-in-one martial arts tale to introduce readers to an underrated Marvel mainstay.

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Mark Russell and Steve Pugh draw satire out of modern politics to show off Superman's compassion in "Future State: Superman vs. Imperious Lex" #1.

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Final Verdict: 9.5 " “Eternals” #1 masterfully ressurects a dormant Marvel franchise bursting with potential.

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"The Comic Book History of Animation" #1 spins a bleak narrative about the desperation of early animation pioneers.

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A hum-drum holiday turns into a compelling case of body horror for Marvel's First Family.

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"Suicide Squad" #11 is a near-perfect finale for a series brimming with humor and espionage.

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"Teen Titans" #47 is a hopeful finale to a bleak series that was never afraid to explore the dark nature of teenage DC heroes.

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"Excalibur" #14's slow pacing muddles the script's solid character beats.

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Bad humor and a derivative nature sours "U.S.Agent" #1's creative irreverance.

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"The Department of Truth" #2 digs deeper into the fractured mind of Cole Turner and reveals his fondness for pancakes.

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If Tony Stark's self-effacing jokes in "Iron Man" #2 don't melt your heart, Patsy Walker's subtle jabs will.

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"Dark Nights: Death Metal" #4 is an apocalyptic issue that combines several plot threads together to craft a new direction for the event.

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"Justice League" #54 is a delightfully subtle "Dark Nights: Death Metal" tie-in with strong execution from both the art and script.

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Dark Nights: Death Metal Multiverse's End" #1 is a wild, Multiverse-spanning ride that loses focus.

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"Black Magick" #14 is subtle and haunting.

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"Batman" #99 is a solid issue of Batman with the promise of something greater on the horizon.

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"Buffy the Vampire Slayer: Willow" #3 carries the subtext and magic to make the setting of Abhainn finally seem interesting.

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Unzip your preconceived notions and enjoy the "Sex Criminals: Sexual Gary Special!"

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"X-Factor" #2 is a well-written title with some visual inconsistencies holding the quality back.

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"Thor" #6 is an essential Marvel issue that will leave readers talking for months.

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"Marauders" #11 has a few great emotional beats with a flimsy plot device undermining the goodwill of the issue.

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"Giant-Size X-Men: Fantomex" #1 unearths a few decades in the life of a mutant thief.

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"Suicide Squad" #7 is a strong deconstruction of Floyd Lawton as a hero and father.

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"Justice League Dark" #24 resolves key character moments resourcefully while leading up to an impending battle.

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"Empyre" #1 is an intriguing but methodical start to an important Marvel storyline.

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"Adventureman" #2 is a well-written and drawn superhero adventure story that is pleasant but derivative.

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"Buffy the Vampire Slayer" #15 is a passable issue that feels like it is on the cusp of transitioning into a bold comic book again.

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"Empyre #0: Avengers" loses sight of being a good comic in order to give readers an in-depth recap of key "Avengers" stories.

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"Valkyrie: Jane Foster" #10 is an emotional finale to an arc that pushes Jane Foster to her limits as a hero.

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"Excalibur" #10 is a visually stunning reintroduction to the comic with an ambitious but flawed script.

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"Shazam!" #12 is a solid interlude bridging readers into the next era of the title.

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"Wonder Woman" #755 carries confident art with a contrived story.

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"X-Men" #9 provides a pulse-pounding script with sleek art and a cliffhanger that will leave you counting the days until the release of the next issue.

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"Hellions" #1 is a solid debut outing for Marvel's band of merry Mutant villains.

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"Teen Titans" #40 is a strong test of resolve for each hero making up the team.

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"Superman" #21 is a great example of how decompressed storytelling can ruin the momentum of a fascinating story premise.

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The Namor-focused story of "Sub-Mariner: Marvels Snapshot" #1 carries bold art and solid writing that adds nuance to one of the original Marvel heroes.

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Lois Lane" #9 is packed with clever dialogue and serene silent sequences.

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The elegant interior art and stark script of "Buffy The Vampire Slayer" #13 achieve beauty.

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"Wonder Woman" #752 depicts Diana acclimating her supporting cast to the modern world and seeds greater dangers lurking in the cracks of the issue.

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"Leviathan Dawn" #1 teases the next steps of Leviathan's mission with an emotionally cold script.

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"Marauders" #8 tells the worse case scenario of a cautionary tale.

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"Wolverine" #1 makes a solid case for Logan to have yet another ongoing series during the 'Dawn of X.'

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"Thor" #3 is another solid chapter for the new direction in the Odinson's continuing adventures.

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"Batman" #88 comes out of the shadow of the previous run and proves that Tynion and March can collaborate exceptionally well on DC's flagship series.

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"Suicide Squad" #2 is a personal and wacky exploration of DC Universe criminals in a covert setting.

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"Green Lantern: Blackstars" #3 pays off ambitious plotting with an emotional final script.

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"Excalibur" #6 is an evolution of the work that brings significant change to core characters and the overall story for the better.

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"Far Sector" #3 gracefully executes an ambitious premise through clear artwork and scripting.

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"The Question: The Deaths of Vic Sage" #2 presents a horrifying lesson for Vic Sage to learn about himself.

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"Iron Man 2020" #1 is a boring, emotionally distant debut for what should be a triumphant new direction for an irreplaceable hero.

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If you can overlook a cluttered script, the art and personality of "Gotham City Monsters" #5 is intriguing.

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"Doctor Who: The Thirteenth Doctor: Year Two" #1 packs a clever script and elegant pencils into a non-linear script.

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"2099 Omega" #1 is a disappointing way to follow-up the previous work with Marvel's 2099 one-shots but still captures a few important plot moments.

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Marvel ushers in a dark new era for Miguel O'Hara in "Spider-Man 2099" #1 despite a puzzling art direction.

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"Annihilation " Scourge: Fantastic Four" #1 is a forgettable Annihilation one-shot that serves its purpose by bringing the Fantastic Four into the cosmic story.

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"20XX" #1 is a tense thriller that grows more intriguing as the issue progresses.

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"New Mutants" #2 is irreverent, intergalactic bliss.

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"Tales from the Dark Multiverse: Infinite Crisis" #1 explores an important DC story with a dark yet slightly derivative twist.

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Hazel and Cha Cha fans are finally getting their due with a solid Holiday special in "Hazel and Cha Cha Save Christmas: Tales from the Umbrella Academy" #1!

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"Rai" #1 is an ambitious but flawed start of a brand new chapter for the protector of New Japan.

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"Superman" #17 builds on the foundation of past ideas in the series while exploring every aspect that makes Superman truly great.

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"Fallen Angels" #1 is unable to achieve the greatness of the premise and creative team.

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"Legion of Super-Heroes" #1 is a solid introduction to a property brimming with characters.

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"Batman and the Outsiders" Annual #1 adds more context to the relationship between Tatsu and Jefferson but doesn't rise above a dull premise and art direction.

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"Tales from the Dark Multiverse: The Death of Superman" #1 introduces a surprising twist to an important time in Superman's life.

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"Avengers" #25 has good intentions and plotting but falters in execution and humor undercutting the emotional core premise.

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"Black Adam: Year of the Villain" #1 is a derivative superhero battle with elements of political tension enhancing the script slightly.

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"Justice League" #34 is a focused yet wildly expressive entry into the 'Justice/Doom War' storyline.

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Final Verdict: 6.3 " "Metal Men" #1 is a decompressed first issue that isn't able to deliver on the best aspects of the franchise.

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Final Verdict: 7.9 " “The Batman's Grave” #1 establishes a strong tone and murder case with an inspired visual direction.

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"The Green Lantern" #12 refocuses the series to deliver a chilling final battle and cliffhanger.

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"House of X" #6 carries the answers you crave and asks a few fascinating questions along the way.

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"Amazing Spider-Man" #30 brings out elements of Peter Parker's personal life to deliver a formidable tie-in story.

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level Marvel team together by end of the debut.

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The beautiful script in "Valkyrie: Jane Foster" #3 keeps focus despite carrying four different teams of artists.

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Man" #1 is a different take on Peter Parker's life that doesn't capitalize what makes the property great.

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"Young Justice" #8 packs a lot of ideas but doesn't contain enough space or focus to explore all of them.

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"Starcadia Quest" #1 is a cute but inconsequential comic book debut.

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"House of X" #4 carries pulse-pounding action, beautiful art and a massive amount of comic book death.

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The melancholic tone of "Thor" #16 evokes sheer beauty.

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"Spider-Man: Life Story" #6 reflects the continuity of modern Spider-Man titles in a harrowing new light.

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"Vampirella" #2 is a study in how adult themes are not the only elements of a great comic book.

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"Transformers '84" #0 is a joyous exploration into the history of the Transformres.

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Deadpool Annual #1 carries a fascinating message beneath the cringe-laden, surface-level Deadpool humor.

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"Second Coming" #2 is a predictable yet insightful commentary on superheroes and religion.

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"Fantastic Four" #13 is a heart-warming and action-packed new installment of the series.

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"The Green Lantern" #10 prepares the series for an endgame with a legion of Multiversal Green Lanterns.

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"Transformers" #10 finally provides a balance between big action and discenting political agendas.

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"Justice League Dark: Annual" #1 features a thrilling, creative expansion to the Swamp Thing property undercut by a script littered with unnecessary dialogue and captions.

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Final Verdict: 6.8 " “Sonic the Hedgehog: Tangle and Whisper” crafts an engaging narrative centered around the two newest heroes of the Sonic Universe!

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Avengers #22 lays the groundwork for an entertaining story but doesn't deliver any payoff for the past year of Avengers-centric Ghost Rider stories.

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Hickman gives Silva a lot of opportunities in the script to tell a sequence in visually instead of deferring to exposition alone. I hope Hickman will be able to continue that trend and I found Silva to complement his script really nicely. I don't think I liked some of the text sequences quite as much as House of X #1, but there was still some much-needed additional context and worldbuilding in those pages.

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"Dial H for Hero" #5 continues to utilize the history of the DC Universe to tell a thrilling new story about the timeless H-Dial.

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"Archie" #706 recaps the most recent Riverdale Summer with an emphasis on a secret romance.

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"Spider-Man: Life Story" #5 sheds light on the later years of Peter Parker's life as Spider-Man as an older adult.

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"The Life and Death of Toyo Harada" #5 adds context to one of Valiant's most deadly villains.

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The rushed script in Age of X-Man Omega #1 lends little context for upcoming X-Men stories and barely resolves the Age of X-Man crossover.

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"Avengers" #21 is an enjoyable, character-focused diversion and a great place to jump onto Aaron's run.

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Final Verdict: 7.8 " "Bitter Root Red Summer Special" #1 explores short stories relating to the property with ambitious new artistic directions.

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"Justice League" #27 starts to pay off important plot threads but carries an incohesive artistic line-up.

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"Superman: Up in the Sky" #1 is a staggeringly shortsighted creative misfire on all counts.

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"The Flash #73" is a frenetic comic book that fills in some of the gruesome details behind Barry Allen's first days as The Flash.

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"Action Comics" #1012 enriches "Event Leviathan" with minor details and a spooky tone.

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I'm horrified to report that I enjoyed a Spider-Ham comic. I resent the full creative team for crafting a story involving ham with supernatural powers that appealed to me.

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After recent events in the main Thor title, I was left devastated and wasn't ready for War of the Realms. The event had the difficult task of navigating me towards what was left for the property and did an extremely good job getting us to the final moments of Aaron's Thor run. This entry won me over and has me excited to read the finale of Aaron's Thor.

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"Aquaman #49" provides the subtext that will carry the title to a climactic anniversary issue.

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The confusing script and artwork in "Psi-Lords" #1 start readers off on the wrong foot.

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I think this issue improved upon the debut in almost every way. The team dynamic was better established and the villains are a lot more captivating here.

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The ambitious, but muddled artwork and script behind Wolverine: Infinity Watch #5 disappoints.

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"Superman" #12 achieves a surrprising level of cohesion.

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laden premise but still carries a mysterious personality.

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"Deathstroke" #44 melds recent DC continuity with the irreverent and bleak tone of past installments with great effect.

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"Buffy" #5 keeps the narrative interesting while the title gears up for an emotional climax.

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"Superman: Leviathan Rising" #1 is a fascinating prelude to what is coming next for "Event Leviathan" and the "Superman" line of comics.

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The dull script and artwork for "Angel" #1 lack the charm of the beloved television series and sister title.

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"War Of The Realms Strikeforce: The Land Of Giants" #1 is a solid done-in-one issue that adds context to the event.

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"Transformers" #5 is slow-paced but the cliffhanger hides a surprising final twist.

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"Sabrina The Teenage Witch" #2 explores several important plot points from the debut and features a solid cliffhanger.

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From my vantage point this is everything you could ask for in a tie-in crossover. There is solid writing and art and a hokey premise tailored to an event like War of the Realms.

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"Supergirl" #30 addresses a huge character flaw for Kara with a fascinating plot beat.

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Fans who are devoted to the Avengers property could find a lot to like here. The odd script in the first segment is as dull as the artwork in the second. Each half of the issue has a glaring flaw. I still enjoyed my time with the issue because of the really crazy ideas but hardly find this chapter essential.

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You can SKIP this entirely. Marvel's Free Comic Book Day offerings are underwhelming. The issue is too silly in one section and too bleak in the other.

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"The Green Lantern" #7 delves deep into a heady sci-fi concept with spooky aliens and beautiful art.

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"Beasts of Burden: The Presence of Others, Part One" reintroduces the concept of the series with grace and throws in a few creatures that go bump in the night.

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Savage Avengers #1 is a STRONG BROWSE that can fall in the buy or browse category at any moment going forward!

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"Dick Tracy Forever" #1 is an expertly written and drawn adventure into the world of a noir icon.

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Continued below(adsbygoogle = window.adsbygoogle || []).push({});Final Verdict: 8.4 " "The Wild Storm" #22 doesn't sacrifice great character sequences for bombastic superhero action.

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With so many titles on the shelves it is really difficult for me to see past this issue's flaws. I would definitely have been more interested in this story if it were contained within the main book.

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"War of the Realms" #2 carries a majestic art direction and script filled with the tension of Malekith's war.

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Even with incredible artwork, "Justice League" #22's tedious script will leave readers wanting more.

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Avengers: No Road Home #10 is a solid conclusion to a mini-series that underwhelmed.

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"Hawkman" #11's strong writing and art allows for potent emotional beats gearing up for the end of a long-running storyline.

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"The Life and Death of Toyo Harada" #2 is a powerful follow-up to a subversive debut issue.

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This is the first War of the Realms tie-in published and also a completely non-essential SKIP that can be disregarded. I hope future installments and tie-ins of the event will be more interesting.

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"Avengers No Road Home" #8 is a bland middle chapter of the weekly event series.

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"The Terrifics" #14 is an effortlessly endearing and wild send-off for writer Jeff Lemire and artist Joe Bennett's time on the title.

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"Shazam!" #4 takes huge risks with the structure and ideas within the property that makes the issue feel like something special.

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"Age of X-Man: Nextgen" #2 is a welcomed turning point for the formulaic Age of X-Man crossovers.

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"Teen Titans" #28 melds the dark tone of two ongoing series together to kick off an exciting crossover.

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If you haven't played the PS4 game, Marvel's Spider-Man City at War #1 is an easy BUY. If you have already played the game, the comic book doesn't qualify as essential, but still merits a BROWSE!

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"Cover" #6 is a poignant finale to a wonderful mini-series.

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The pleasant but sleepy script in "Transformers" #1 loses some of the goodwill the property is known for.

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Age Of Conan: Blit #1 is a surprisingly beautiful depiction of Blit's fractured mind.

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"Young Justice" #3 boldly fleshes out the context and narrative behind Kent's return to the DC Universe.

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"Ronin Island" #1's compelling script and artwork kick off the series on the right foot.

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This comic has me really worried about the future of Cosmic Ghost Rider and I hope we don't get overexposed to the character.

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"Sideways" #13 is a well-paced, emotional finale that finally delivers on the full potential of the series.

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"Peter Cannon: Thunderbolt" #2 is a wildly creative and beautifully rendered sci-fi superhero story.

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Captain America #8 is building towards what could potentially be a fascinating plot development but has not yet achieved greatness.

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"Miles Morales: Spider-Man" #3 is a comic on the precipice of telling a truly compelling story marred by subpar characterization and familiar genre elements

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"Incursion" #1 is a strong shake-up to the traditional Tama and Gilad story thanks to an intergalactic twist.

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McGuire and Frigeri present a slightly unlikable and derivative alternate version of a fan-favorite mutant in Age of X-Man: The Amazing Nightcrawler #1. Seeing the narrative bring nothing new to the character marked a definitive low point for the crossover this far. Frigeri's art is lacking in polish. Nightcrawler's life feels eerily similar to the regular version of him due to the fact that his real life are famous in their own right.

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"Thor" #10 establishes an interesting rift between father and son but loses some of the nuance Aaron and Mundo's past works are known for.

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"Savage Sword of Conan" #1 is a solid, yet familiar debut for Conan's second ongoing series.

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Huge Avengers fans will not be disappointed by this frenetic sequel series supplanting a sophomore slump!

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"Age of X-Man: The Marvelous X-Men" #1 brings an unsettling level of intrigue and paranoia to the 'Age of X-Man' crossover.

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"Red Sonja" #1 is a unique, intriguing take on the character that sets up an endearing antagonist.

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Uncanny X-Men #11 is a down for Scott Summers. Seeing the ambition and hyper-focused nature of Uncanny X-Men Annual #1 give way to this rushed script is disheartening.

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"Doctor Strange" #10 is a wonderful celebration of the hero worthy of the milestone numbering placed on the cover.

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"The Flash Annual" #2's heavy references to previous continuity will reward longtime Flash readers but may alienate new fans.

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I would give the issue a BUY for being so ambitious and endearing with the plot and concept. Marvel should be willing to experiment with established characters like this on a more consistent basis.

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While "Man Without Fear" #4 can be tedious, the issue does a competent job re-establishing the status quo between Matthew Murdock and Wilson Fisk.

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Continued below(adsbygoogle = window.adsbygoogle || []).push({});Final Verdict: 8.5 " “Aquaman” #44 pays off huge questions while enriching the mystery of Arthur's new status quo.

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For hardcore X-Men fans, Uncanny X-Men Annual #1 is a definitive BUY!

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"Hawkman" #8 sets the stage for a pulse-pounding finale to the Deathbringer storyline.

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"Conan The Barbarian" #2 lends the title hero a strong sense of characterization and vivid artwork.

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Despite a simplistic plot, "X-23" #8 enriches a complicated family dynamic.

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"The Green Lantern" #3 is a weird, wild and wonderful exploration Hal Jordan's morality.

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"Winter Soldier" #2's grounded and violent narrative shows the progression of Bucky's character in The Marvel Universe.

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"Archie" #701 does a great job exploring Archie's post-summer break status quo.

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Fantastic Four #5 is everything you wanted it to be and more thanks to the stellar artwork and scripting.

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Infinity Wars #6 is an intriguing and flawed conclusion to the event series. I hope some of the big changes in the issue will affect the Marvel Universe status quo going forward. For big Marvel cosmic fans or people who are intrigued by the films, it is worth reading through a slightly obtuse story for the charming personality and wild tone of Infinity Wars.

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"The Witcher: Of Flesh and Flame" #1 is a pleasant return to The Witcher Universe marred by an average script and interior artwork.

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"Electric Warriors" #2 is loaded with pulse-pounding fight scenes and intriguing intergalactic drama.

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"Bitter Root" #2 expertly follows-up on the cliffhanger from the debut to widen the scope of the story.

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If you overlook minimal artistic detail and convenient plotting, "Uncanny X-Men" #4 is a solid, high-stakes issue.

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"Die" #1 ends shortly after establishing the premise for the series offering little payoff and lots of setup.

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I liked this issue. I feel like it had lofty goals and a ton of ambition, succeeding on multiple levels.

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Buy this book for solid writing, interesting art, and an intriguing new direction for a beloved character.

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Despite inconsistent artwork, "Justice League Odyssey" #3 briskly establishes relationships between the cast members of the team and a new conflict.

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"DC Nuclear Winter Special" #1's strong framing device and obscure characters are more than the sum of their parts.

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For a story that had a tough job at making some kind of finality and last statement on the character in a really short amount of time, Soule did an excellent job pulling the rug out from underneath readers at the last minute.

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"Marvel Knights" #2 is a paranoid exploration into the gritty underbelly of Marvel's street-level heroes.

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off for a dense shared Universe of comics that will be missed.

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"Fantastic Four" #3's emotionally potent script is made all the better thanks to the issue's gorgeous artwork.

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Thanks to a solid script and good artwork, "Firefly" #1 is a solid return to comics for the beloved television series.

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"Transformers Lost Light" #25 is a strong finale to a fan-favorite Transformers title packed with great character beats and resolutions to old plot threads.

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This is a great new Inhumans mini-series.

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"Extermination" #4 is a solid superhero title and evolution for the X-Men despite a few contrived story beats.

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"Doom Patrol" #12 is a touching final chapter to the series that may not deliver everything fans were looking for.

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I think you can safely tuck this one under the welcome mat and serve your Trick-or-Treaters some real candy.

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"Action Comics" #1004 boasts an honest interpretation of Lois and Clark's relationship and beautiful illustration work.

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While "Dead Kings" #1 carries an interesting personality, the script fails to make a strong first impression.

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The issue is an ending, not a beginning. I definitely would not advise anyone to start reading here. I think this is a pretty strong script capping off another interesting Moon Knight run. While I wish some of these runs would be longer.

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"Venom Annual" #1 carries a good idea and strong artwork with subpar execution.

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"Lucifer" #1 excels thanks to an excellent set of pencils paired with a grounded script and sharp sense of humor.

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"Captain America" #4 carries fast, fluid fight scenes and the series' best script to date.

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"Avengers" #9 is an fine prelude to a new direction for the franchise.

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This is aggressively mandated corporate-owned comics that don't care if you are having a good time.

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"Wonder Woman And Justice League Dark: The Witching Hour" #1 is an ambitious and beautiful next chapter of "Justice League Dark" taking on a larger scope.

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"Justice League Dark" #3 is a creepy, strongly written and drawn conclusion to the eventful "The Last Age of Magic" storyline.

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filled fun for fans of the original incarnation of the Star Trek and Transformers properties.

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"Thor" #5 is a striking dystopian tribute to two of the greatest heroes Marvel ever published.

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"Justice League" #8's fascinating portrayal of Lex Luthor makes for a solid, more contained entry into the series.

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Brown and Ahmed mine interesting story content from an infamous moment in the past via Amazing Spider-Man Annual #1.

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"Infinity Wars" #3 is a wild, mismatched and slightly tedious issue that still manages to entertain and carry a lot of momentum for the overall direction of the title.

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"Archie 1941" #1 is a modest and sobering representation of the early days of Archie Andrews.

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Fantastic Four #2 feels like a first issue and does an excellent job introducing each member of the cast and filling the issue with an unabashed sense of delight. From every conceivable metric of quality, Fantastic Four #2 is excellent.

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"Batman" #54 is an impressive and emotional exploration into one of the most overlooked aspects of the relationships between Bruce and Dick.

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"Cover" #1's gorgeous artwork and strange sense of humor make the title a wonderful addition to Jinxworld!

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Thanos Legacy features a pair of interesting stories worthy of a BUY for Cates fans looking for the next chapter of the 'Thanos Wins' story.

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"X-23" #3 effortlessly connects the dots from previous issues while adding an impressive level of intrigue to the narrative.

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"Scarlet" #1's unconventional storytelling decisions and artwork is a great way to launch the second title of Jinxworld.

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While "X-Men Red" #7 only advances the plot slightly, the issue's unrelenting pace and action sequences are sublime.

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"Beasts of Burden: Wise Dogs and Eldritch Men" #1 is a solid reintroduction to the cast which also happens to feature phenomenal illustration work.

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Even though "Justice League" #6 is filled with too many caption boxes, the strong art and pacing make this installment a solid contribution to Snyder's run.

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"Astonishing X-Men Annual" #1 is loaded with great visuals and fascinating characterization.

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"Hawkman" #3 is a slightly dull, but well-paced next chapter into one of DC's most consistent ongoing series.

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Man Annual" #1 teases a bright future for Miles Morales stories.

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I think right now this is essentially Fantastic Four Rebirth and right where these characters need to be at the moment. This issue was adequately grounded for me and had all the feels.

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"Cosmic Ghost Rider" #2 is another wonderfully absurd entry into the series.

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"Adventures of the Super Sons" #1 bears an excellent tone and cheesy villains.

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It is more of a guilty pleasure for me at this point though. It is a giant stew of everything I love. If Duggan does not narrow his focus in the coming installments and really start to give out a motivation and story structure, even I may not be able to hang on much longer.

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Overall, this latest Marvel Rising outing is an imperfect jaunt, but hopefully is starting to get everything lined up for the final issue of the run.

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"Teen Titans" #20 is a troubled, generic and cynical start to a new era of the title.

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Infinity Wars: Prime #1 is the most fun you can have with a Marvel event.

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"Batwoman" #17 picks up the pacing of the series and introduces readers to a fan-favorite DC antagonist.

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"The Wild Storm" #15 pushes the boundaries of comics with a wild action sequence you can't miss!

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"Sideways" #6 is a great new installment featuring an ending that could change Derek's life forever!

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"Transformers: Unicron" #1 is a dull debut lacking focus and personality an event comic needs.

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This is without a doubt one of the strongest debuts I have seen from Marvel following 'A Fresh Start.'

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"Transformers Bumblebee Movie Prequel: From Cybertron With Love" #1 breaks the tradition of the films and offers quality Transformers entertainment!

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Cates and Burnett's Cosmic Ghost Rider #1 gives the fan-favorite hero his time in the spotlight!

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"Thor" #2 is a solid but quiet follow-up to the debut issue, lacking the tension of the Jane Foster-led series.

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"Detective Comics" #983 is a slightly derivative start to a brand new era of "Detective Comics."

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"Peter Parker: The Spectacular Spider-Man Annual" #1 carries an innovative and hilarious main feature worth the price of admission.

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"The Flash" #48 is a heartfelt next chapter into the 'Flash War' storyline with a powerful finale.

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"Plastic Man" #1 has a couple great moments for Eel O'Brian but fails to deliver a story worthy of his charm.

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The end of Hickman and Weaver's Marvel masterwork will keep you guessing until the final page.

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"Captain America" #703 is a heartbreaking look at the terrifying quest for Jack Rogers embarks on to save his son.

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"Death or Glory" #2 starts the build-up towards a deadly confrontation and continues to feature excellent artwork.

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I really like Waid's direction and Saiz's artwork, but I hope the team establishes a strong supporting cast and a more compelling emotional hook in the issues to come.

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Ewing and Bennett do a solid job reinventing the character with a new tone, but the direction wasn't enough to win me over as someone who is not a Hulk or horror fan. If EC Comics, horror or The Hulk is your bread and butter, I would encourage you to give this a try.

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"Super Sons/Dynomutt and Blue Falcon Special" #1 is equal parts heart-wrenching and horrifying yet always fascinating!

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I think bad is probably too harsh for the entry, but mediocre seems like a fair assessment. I would say unless you are heavily invested in The Amazing Spider-Man #800 this comic embodies the attributes to make it a SKIP.

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"Batman Prelude To The Wedding: Robin Vs Ra's Al Ghul" #1 adds the context for the Selina and Damian relationship missing from the "Batman" ongoing series.

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Even with disappointing artwork, X-Men Red Annual #1 is a BORROW thanks to a script filled with great energy and a haunting finale!

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"Hunt For Wolverine Mystery In Madripoor" #1 is a slightly enjoyable but inconsequential next chapter in the "Hunt for Wolverine" event storyline.

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"The Terrifics" #4 is an ambitious shift in scope for the title bearing astonishingly detailed artwork.

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Coates definitely won me over here and showed me what he has learned about comics since he started writing at Marvel. Acuna is a great choice for the issue making the title a BUY for me. This is how you craft a good debut script.

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"Infinity Countdown: Daredevil" #1 is an oddly endearing Infinity Countdown rabbit hole starring someone who will likely not play much of a role in the series' larger context.

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"Justice League: No Justice" #2 is a chaotic, endearing follow-up chapter to DC's ambitious new Justice League storyline.

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The lack of any clear purpose or narrative thrust makes following the adventures of Matt Murdock a frustrating endeavor to say the least.

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Quicksilver: No Surrender #1 is an entertaining first issue about a complicated protagonist. This series spins out of the events of Avengers: No Surrender, but is still perfectly accessible for new readers (like me), and only briefly mentions previous events before getting into its own story. It's a solid beginning for the series.

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To sum this all up for me, the X-Men franchise desperately needs to stop being a nostalgia act and a find way to move forward while honoring the past.

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"Hunt for Wolverine: Adamantium Agenda" #1 is a light and enjoyable contribution to the "Hunt for Wolverine" storyline.

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For devoted DC Comics readers "The Flash" #46 is a delightfully dense continuity paradox centered around Wally West.

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While I may be turned off from some of the more juvenile aspects of the book, there is a stronger than needed story here that will please longtime fans and tickle their funny bones with violent glee. Thanks for the laffs, Gerry!

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Rise of the Black Panther" #5 has a few interesting lessons for T'Challa to learn.

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Even with an absurd premise, "Hunt for Wolverine: Weapon Lost" #1 is a delightfully strange tribute to some of the weirdest street-level heroes at Marvel.

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"Dr. Strange Damnation" #4 is a formidable finale to one of Marvel's more risky and condensed crossover series!

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"Avengers" #690 is a charmingly intimate, yet large-scale sendoff for the bulk of the cast up making the weekly 'No Surrender' storyline.

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This could have been much, much worse than what it was. If you are a big X-Men fan or seriously in invested in Marvel continuity, feel free to pick this up. Otherwise, this is a browse.

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The powerful script and wonderful artwork lead The Mighty Thor #706 to the gates of Valhalla and into Marvel's ISSUE OF THE YEAR (so far).

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"Daredevil" #601 is a fantastic introduction to the new status quo of Matt Murdock's life as the mayor of New York City.

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"Optimus Prime" #18 is a dark, dreary origin story for a fascinating new/old Transformers antagonist arriving just in time to finish the continuity!

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This story has entertained me every step of the way. The high points are the interlude and epilogue and I'm fascinated to see how all of this will tie together with the main Guardians plot thread.

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Thanos" #18 Smartly closes out a wonderful arc of the series and the Thanos ongoing title. This is a fairly essential read if you interested in this character.

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All the dominoes are falling into place in the pages of "Detective Comics" #978.

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The main story was fantastic and hit the right emotional beats for me but reading the backup and being disappointed upon closing the issue is definitely not the emotion the comic was trying to elicit from me.

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Even with good intentions and great energy, Domino doesn't shine above the rest of Marvel's crowded roster of titles.

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"Marvel Two-in-One" #5 is an enjoyable diversion into an odd, unwieldy alternative Universe with an expertly illustrated level of polish.

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Rather than being the fresh start the series needed, "Mother Panic: Gotham A.D." #1 continues to be a vague but well-drawn alternative-flavored superhero series.

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"Shadowman" #1 feels like a generic, mundane superhero comic with competent art.

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Despite troubled art, "Doctor Strange: Damnation" #3 is a fun chapter providing plenty of insight into Marvel's resident oddballs.

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With the most focused and concise issue to date, "Cave Carson Has An Interstellar Eye" #1 has reached an unprecedented level of quality.

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The Mighty Thor #705 is a heartbreaking climax to one of the greatest Thor epics ever told.

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"Peter Parker: The Spectacular Spider-Man" #301 is boldly irreverent and irresistibly beautiful.

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"Sideways" #2 adds a greater sense of ambition to the series' overall formula from an artistic and scripting standpoint.

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I think this issue is coming from the right place. I think it does the right things and I'm willing to give it the benefit of the doubt and a light BUY mainly because the ending was executed perfectly.

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I appreciated Adam Gorham's art and how natural the series feel overall, but the comic is a little loose artistically. Lots of the lines and edges are rounded off and there are tons of strange angles which were difficult for me to look at.

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"Shade, the Changing Woman" #1 doesn't change all that much different from the previous series and continues to be one of Young Animal's brightest stars!

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It isn't like every issue of the comic needs to be incredibly exciting but this felt particularly dull to my eyes. The art just wasn't up to normal standards for Immonen either.

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All the elements in the story are unwieldy, huge, bombastic and amazing.

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Lockjaw #1 toys with a couple neat ideas but leads me to wonder if I need to come back for the next issue of the series.

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Peter Parker: The Spectacular Spider-Man #300 offers a mildly amusing story but doesn't bring the substance Marvel readers are looking for.

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I enjoyed the fact his story mixed up those elements and brought out those ideas but was disappointed in how sort of pedestrian it was. Something I wasn't disappointed in was how each artistic contribution brought something wholly unique and different here. Daniel Acuna's work was majestic and wonderful while Perkins was able to really dig into the finer aspects of Priest's script and Lashley brought out the regal elements of T'Challa in his contributions.

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Infinity Countdown: Prime #1 is a humorous, yet bleak and epic entry that will defy all of your expectations for the upcoming Marvel event!

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"Xena" #1 is a pleasant but inconsequential debut issue with beautiful art.

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"Rise of the Black Panther" #2 is a great retelling of Black Panther's origin story with a solid foundation and inconsistent artwork.

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This was a huge winner on so many levels and I wouldn't hesitate to recommend it to anyone even somewhat interested in the character.

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"Superman" #40 is an impressive way for Robinson to join DC's flagship title.

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X-Men: Red #1 is an expertly-drawn and tightly scripted next step for the line.

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"Tales of Suspense" #101 is a fantastic second outing for the series only slightly marred by a predictable ending easily forgiven thanks to beautiful artwork and an amusing sense of humor.

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"Deathstroke Annual" #1 plays off Deathstroke's corruption of character and explores how he has damaged those surrounding him.

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Jean Grey #11 has good ideas but doesn't properly follow-up on the twist seen the last issue and also fails to justify why having two Jean's is a good idea.

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Phoenix Resurrection #5 has good intentions and two wonderful scenes but carries lots of baggage & struggles to answer why Grey had to come back.

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"Thanos" #15 has a wicked sense of humor and a bleak outlook on the villain who almost won. Read this book.

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"Avengers" #677 is a focused comic providing additional beats with Quicksilver while retaining forward momentum from past issues.

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If you are at all interested in seeing the end of a status quo for the Inhumans make sure to pick up this epilogue to Royals.

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There's certainly enough goodwill bought in these pages to merit this comic to be a BUY for me. Going forward, I would love for the team to shoot for the moon and keep their strong focus.

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The penultimate chapter of "Generation X" #86 is also the series' finest installment yet!

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"Optimus Prime" #15 fills readers in on politics, mythology and a villain ready to punch some Autobots.

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Avengers #676 through a ton of plot into the ether and took some big changes"don't miss this one!

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The pieces of this title are all interesting, but the characters are so similar in their dialogue that they start to drown each other out, making this an even bigger disappointment than it would have been otherwise.

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"Battlestar Galactica vs. Battlestar Galactica" #1 packs a strong script but doesn't live up to the potential baked into the premise.

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Avengers #675 may not be the most exciting debut ever but this is an interesting experiment Marvel is taking with the Avengers franchise and I'm excited to see where the publisher could be going next.

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This is more worthy of a follow-up to Old Man Logan than anything Marvel has published since the Secret Wars mini.

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"Captain America" #697 slightly mixes up the tone and pace of the book for a more immediate story filled with danger and fantastic artwork!

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"Transformers vs The Visionaries" #1 is a solid next step into the Transformers world, filled with tense political intrigue.

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A well, constructed and fitting end for this run, sprinkled with fantastic art, this issue of Guardians of the Galaxy closes the door on one era while opening one for the next.

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Rise of the Black Panther #1 is a whole lot more fun than your average history lesson.

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X-Men fans are not going to want to miss this promising debut.

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"Transformers: Till All Are One Annual" #2 finally strikes the perfect balance between the intrigue of a post-Starscream Cybertron and the politics of robots.

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There were many great moments in this comic, and I want people to check it out. If they want to go the extra leap, they should be ready to invest in something which may not meet their expectations!

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Tales of Suspense #100 is filled with espionage and Hawkeye's trademark sense of humor.

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X-Men: Grand Design is the type of bold, creator-driven project that Marvel needs right now.

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"Action Comics" #993 is crass and absurd but the nostalgic attitude and artwork make for an engaging read.

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"Faith's Winter Wonderland Special" #1 is a festive look into Faith's solo adventures which should please old and new readers alike.

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Ward's fully realized insane locales paired with his great facial expressions and composition of the page continues to put me in awe of what this book has achieved with characters so few creators can get right. Black Bolt is so complex and beautiful but every month when I read it, it seems so effortless. Don't make the same mistake I did and miss out on one of the best comics currently published at Marvel!

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Whether you are a huge fan of the character or not, as long as you go in with some movie knowledge and understanding Kate is a younger Hawkeye not related to Clint I think this is a great comic to hook new readers on. This is something I wouldn't have a problem giving to open-minded comics readers.

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"Moon Knight" #189 redefines Marc Spector and his personalities while pitting Spector against a captivating new villain.

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For fans of any Logan related ephemera, this book is a winner on so many levels. The art is unparalleled in its sense to break from the norm, the writing conjures and encompasses the best of noir and Yakuza literature, and the little details will keep readers coming back for me. Old Man Logan #31 is a triumph of mainstream comic artistry.

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"The Demon: Hell is Earth" #1 shows off the horror-infused pencils of Brad Walker and introduces Andrew Constant's sharp dialogue writing to the DC Universe.

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"The Mighty Thor" #701 mixes up the formula with big action that doesn't quite capitalize on the series' consistent level of sustained greatness.

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"The Wild Storm" #9 switches up the series' familiar formula for a thrilling and violent diversion.

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"Generation X" #8 brings equal parts weird, X-Men and drama to hold the book together as one of the most delightful series to emerge from the ResurrXion.

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"Master of Kung Fu" #126 is a cute, slightly problematic take on Shang-Chi wrapped up in magnificent artwork.

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Daredevil #595 stumbles and takes a couple of bombastic leaps of logic in the new storyline which still features fantastic art and the classic current vibe of the book.

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This isn't the dark ages anymore (we all live in that reality every day). So, why not just sit back, relax, and enjoy the antics of Shang-Chi for a humorous ride of thrills and martial art buffoonery?

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Moon Knight #188 was a haunting debut which kept me on my toes with chilling art and a script loaded with surprises.

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"Astonishing X-Men" #5 will keep readers guessing until the final page and hits an emotional high with both of the dual storylines"what else can you ask from a serialized comic book?

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Final Verdict: 8.5 " “Deathstroke” #25 is an anniversary issue loaded with fascinating story elements and action that make the issue and series prove why this milestone has been earned.

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All-New Guardians of the Galaxy #146 is a welcome but inconsequential diversion for the series that maybe was mismatched by the amount of hype that readers have to surround the book and the big event storyline that the comic book is supposedly leading into.

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Overall, Power Pack #63 was a fun, if insubstantial, issue. There's not much too it, but for those that crave more adventures with the Powers' kids, then this will be a good one for you.

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"U.S.Avengers" #11 is whirlwind of cool comics ideas doled out in a rapid clip that doesn't stick.

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This is a great issue of Black Panther, and while we don't see the hero appear until the end, we know that all the time leading up to clash between Klaw and BP will be worth the set-up. Klaw's collected sociopathy is tangible from the first panel, and though there isn't catharsis to his deeds in this issue, I sense that something truly special will happen in upcoming weeks.

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"Detective Comics" #967 continues to evoke an emotional high for the series other comics can only dream of.

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Even as a lapsed fan, Silver Surfer elicited a strong emotional response"if you quit reading the run early, make sure to circle back to the end!

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"Transformers: Lost Light" #10 is a devastating portrait into the aftershocks of PTSD.

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This issue contains a flair courtesy of Henderson, but Logan and Deadpool's interactions need to have more weight if their conflicts going forward are to have an effect on readers.

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Final Verdict: 7.9 " “Superman” #33 has a point to make about Lex Luthor and is using the New Gods to say it!

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The Mighty Thor #700 is a beautifully illustrated and written anniversary issue which celebrates why readers love Marvel's Gods of Thunder.

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"Daredevil" #27 pushes the story surrounding Blindspot to a tense, nail-biting pressure point further instilling the book's strong sense of tone.

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Final Verdict: 6.8 " “Wonder Woman” #32 is an enigma, teasing a premise and threat that feels opaque.

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To put it simply, Amazing Spider-Man #789 is inspired work from each member of the full creative team.

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Overall, this is a solid beginning of a new Deadpool storyline. But there isn't anything here that would turn new readers into believers; it's tried and true Deadpool.

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"Hawkeye" #11 closes out the series latest arc with heart while opening up potential new stories for later issues.

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"Batman: White Knight" #1 has a twisted sense of ambition and beautiful art but spins an underwhelming narrative.

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"Infamous Iron Man" #12 offers a smooth finish to a series-wide storyline and finally delivers on the promise of the strong idea at the core of the book.

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"Rom Vs Transformers: Shining Armor" #3 dials up the tension with two groups of villains closing in on the Autobots and Spaceknights.

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"Avengers" #11 is full of complex character dynamics and an undying enthusiasm for the mundane.

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"Batman: The Red Death" #1 is a fun Elseworld's style story presenting an interesting solution when everything in Batman's world goes horribly wrong.

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Generations: The Marvels #1 has beautiful art and teases an incredible premise but doesn't have the pages or concentration to follow-through on the big ideas.

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Unlike the disappointing first installment of the title, "Dark Nights: Metal" #2 starts to push the plot of the series forward while introducing both comedic and horror elements of the tale to the forefront.

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While it may not reach the exciting heights of the debut issue, "Inhumans: Once and Future Kings" #2 is still so good the comic will make you care about the Inhumans.

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"Black Magick" #7 is a back-to-basics issue of the series catching readers up to the series' supporting cast while promising some big moments in the near future.

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Generations: The Archers #1 is a success in displaying the vitality of the Generations concept.

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The tale may be light on surprises but with a story this well drawn containing such a strong emotional punch, I'm willing to look the other way and be happy with how this mega-event turned out. The publisher took one hell of a chance with this comic and watching how the story unfolded proved to be more entertaining than any event since the masterful Secret Wars.

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Final Verdict: 8.4 " “Daredevil” #25 continues to spin a wild new status quo shift directly into the ongoing series and maps out the next phase of the title.

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"Astonishing X-Men" #2 is a wild journey into the astral plane worthy of the "WTF" cover.

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Everything about this issue was wonderful from the emotional stakes to the relationship quickly established between the two characters. Going forward Generations must live up to the strong level of quality established by this installment. Knowing the next chapter in the story is centered my favorite ongoing in the Marvel Universe makes me all the more excited.

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"First Strike" #1 is a cluttered reintroduction to the sprawling Hasbro Shared Universe.

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I think for a Generations title this does everything it needs to. I would give the comic a solid buy. This issue is a great place for someone with a passing interest in the X-Men to really get in touch with what is currently going on in Jean Grey's life while getting the chance to touch on an old favorite version of the character. When you wrap the package up in R.B. Silva and Rachelle Rosenberg line-art and colors I am a happy Marvel fan.

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If you give Inhumans: The Once and Future King #1 your time and money you will be rewarded by complex writing and art and a fascinating look at the early days of the Inhuman royalty.

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The newest installment of "All-New Guardians of the Galaxy" offers readers a deeper look into the tortured mind of Drax the Destroyer.

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"Robotech" #1 takes on too much and doesn't accomplish enough in the series's debut issue.

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"Doom Patrol" #7 is a strong change of pace giving readers a chance to breath in a done-in-one issue featuring the indelible Michael and Laura Allred!

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Even with too many artists and a muddled story, "Secret Empire" 6 still has enough great Iron man moments to enchant even the most cynical comics reader with awe.

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"Rom Vs Transformers: Shining Armor" #1 is the first bold example to make an argument for the existence of IDW's shared Hasbro Universe.

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Despite falling into the same potholes as previous installments, "Amazing Spider-Man" #30 is the best single issue of the comic in years thanks to Slott's deft writing and Immonen's slick and vivid art.

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"Optimus Prime" #9 is a haunting look at what could have been for the emotionally devastated Earth-based Transformers team.

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Despite some good intentions and solid art, "Superman" #26 prefers to tell instead of show.

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"Ash Vs. The Army of Darkness" #1 finds a brand new aspect of Ash Williams' personality and style while delivering the hits even if it is a little light on the chainsaw hands.

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Waid and Mundo tell a solid one-off story with The Mighty Thor before settling into Secret Empire insanity in Avengers #9!

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So, while I was disappointed with what I view as wasted potential for a first issue, I'm looking forward to see how Deadpool dispatches our favorite heroes in the weeks to come.

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Despite stellar work from David Marquez, "Defenders" #2 is out of touch with the individual personalities of Marvel's Netflix heroes.

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"Wonder Woman" #25 closes out a massive run with a near perfect ending.

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"The Wild Storm" #5 pulls disparate threads of the past few issues together to show off the fascinating ensemble cast filling out this great new series.

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After a strong prequel issue, "Swordquest" #1 stumbles at the gate instead of kicking off what's next for Pete and the quest.

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THE MIGHTY THOR #20 is a bleak and fascinating new direction for the Thor franchise.

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"Generation X" #3 promotes a new team of X-Men to the forefront!

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"Dark Days: The Forge" #1 asks the right questions and doesn't give away too much.

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"Deathstroke" #20 executes the first steps of a new status quo and paints a bleak picture of the Wilson family along the way.

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Iceman is pleasant but doesn't stand out on a crowded rack of comics.

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"Magnus" #1 shows off a foreboding vision of the future.

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"Thanos" #7 takes a chance but doesn't commit to the interesting new direction.

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Williams and March bring out the dark side of the DC Universe that you've been waiting for!

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There's an unprecedented level of fun in Cable #1 that calls for your attention!

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Final Verdict: 7.7: “Wonder Woman” #23 delivers quality narrative and visuals but is a structural oddity.

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Venom #150 is a disappointing milestone in the life of Eddie Brock.

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"Secret Empire" #2 is filled with creativity and passion, getting readers ready of the next steps of the Marvel Universe.

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"The Sovereigns" #1 brings home a pulse-pounding, neo-noir look at a group of classic heroes.

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Christina Strain and Amilcar Pinna bring the fun and the weird back into the X-Men with their new take on Generation X and the Xavier Institute for mutants who can't do powers good.

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"Transformers: Lost Light" #5 brings action, great character moments and answers all in the span of one issue in the series thanks to the talent of James Roberts and Jack Lawrence.

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"Renato Jones Season 2" #1 is a visual feast oozing with violence, style and a razor-thin plot.

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After a slow first half, "Hawkeye" #6 gets into gear with an interesting supernatural mystery from Thompson and Walsh.

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"Tekken" #1 tries to do to much in one issue and is bogged down by creators still learning their craft.

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Black Bolt #1 is an exciting new start to a book bursting with lots of untapped potential.

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Jean Grey #1 misses a couple of big character moments and looks like set dressing until the comic teases a big character moment. A mixed bag that huge X-Men and Victor Ibanez might really enjoy.

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Secret Empire delivers as Spencer and McNiven devote the time and attention to their craft to deliver on the absurd premise baked within this massive crossover.

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"The Mighty Thor" #18 is still an effortlessly fantastic series made stronger (and stranger) this week with the epic scope and inclusion of Quentin Quire.

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Ben Reilly's newest solo series is one of the weakest Marvel debuts I've read in recent memory. Reilly's characterization is unflattering while being both generic and boring.

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"Britannia: Who are About to Die #1" is massive leap forward for the quality of the overall series.

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"Archie" delivers a good story marred by small blemishes and a lack of ambition in the series' 19th installment.

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Soule and Laming introduce readers into some bleak, introspective territory in "Daredevil" #18, calling on the very core of the blind lawyer.

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Monster's Unleashed "unleashes" another bland ongoing into the Marvel publishing slate.

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The dominoes start falling in this meticulously planned issue!

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Browse. Tynion seems almost ready to pump the gas towards a big conflict with the current League of Shadows storyline.

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Sit Bendis' final issue of Guardians out and hope Marvel takes more chances with the launch of "All-New Guardians of the Galaxy" in May.

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Black Panther & The Crew is an interesting look at Misty Knight and the Marvel Universe's take on Harlem that doesn't stand out in a crowded market.

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There's nothing about this X-Force clone separating it from the pack.

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While this issue is very, very far from perfect, X-Men fans are not going to want to miss this surprising back half of X-Men Blue #1.

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"Captain America: Steve Rogers" #15 is an essential piece in Secret Empire that pays off a huge plot thread of the series and features stunning work from Guinaldo, Pina and Spencer.

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Royals isn't the series to convert new Inhumans fans, but it could invigorate the franchise in future issues.

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Comics fans might say they want a back-to-basics approach with the X-Men, but this issue in particular doesn't take enough risks. There's not enough development in this issue pushing the franchise forward and showing what's next for these characters. This team of X-Men so closely resembles the Claremont and Cockrum/Byrne X-Men team that readers might be tempted to dismiss X-Men Gold #1 as a cover band playing the hits. Guggenheim and Syaf need to convince fans that the X-Men are still Uncanny.

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The "Suicide Squad/Banana Splits Annual" #1's wild, irreverent tone will demand your attention thanks to the beautiful art and surreal writing.

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Colin King's latest adventure is getting started on the right foot in "Ninjak" #25

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I have no clue what lies ahead for the Royal family and what this issue means for the Inhumans as a whole.

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There's a few status quo shifts and some nice art here, but I'm still looking for a reason to invest in these characters again.

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Francavilla delivers on the promise of incredible craft that comes with working on The Spirit even though his plot is undercooked in this follow-up issue.

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Doom Patrol #5 continues the wonder and charm this series evoked since the first issue!

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While this mini-series ultimately didn't take the Odinson where I wanted him to go after over a year of patience from readers, it still delivered on the promise of a good story with some really solid artwork.

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Waid and Woods continue to craft a series that is truly for all-ages in the newest issue of "Archie".

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With an unbalanced first half and an interesting take on futuristic politics, Broxton and Cornell kick off a wild story in "Vampirella" #1.

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Monsters Unleashed stumbles at the finish line with an uninspired storyline

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The "Transformers 2017 Annual" #1 brings home character moments ranging from tedious to beautiful in both story and art.

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Orlandos physically daunting villains dont take advantage of what this new Justice League of America team is capable of, as Watanabe has the impossible task of filling the shoes of Ivan Reis.

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Soule and Lemire close out their Inhumans and X-Men event with an emotional finale.

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"Death of Hawkman" #6 ratchets up the tension of the series, paying off the journey of previous issues with a deadly conclusion.

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Brokenshire, Kirkbride and Knave immerse readers in the duality of fantasy and everyday life with a thoughtful tone in "The Once and Future Queen" #1.

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You can go ahead and let your clone read this one.

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Barber's messy "Revolutionaries" #2 script is a still a breeze to read with slick Ossio's visuals.

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"The Kamandi Challenge" #2 is a surreal visual feast where Adams and Tomasi seem to find delight in chaos!

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Whitley's dialogue heavy script makes Champions #1.MU a snore while Brandt and Stein feel like they are developing an interesting style.

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Elektra #1 steals the show thanks to Owens' tortured script and Cabal's lovely art.

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Ewing provides little closure and the art awkwardly shifts hand in the finale of "U.S.Avengers'" first story-arc.

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I'm not sure why Monsters Unleashed hasn't applied this comics' fun and frenetic action to the overly-serious main series.

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Between Dead No More: The Clone Conspiracy's been-there, done-that premise and muddled final issue, there's only so much room for the compelling plot and art Slott and Cheung have built a career out of.

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"The Wild Storm" #1 succeeds where others have failed with great character interaction and dynamic art, but the creative team arguably bit off more than they could chew with a huge supporting cast of characters.

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Wilson and Gill find a new way to establish Shadowman in the Valiant Universe as Kindt and Ryp get the chance to haunt your dreams.

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Sherman steals the show, but Wood and Coxs minimalistic script in John Carter: The End needs to pick up in future installments.

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Kingpin #1 feels like the perfect platform for Rosenberg and Torres in the Marvel Universe. The writer is truly able to channel some dark thoughts into a complex narrative that isn't quite as simple as the character's Civil War II mini-series. Torres gets to utilize style with unsettling psychological horror that will show readers how great of a talent he is in the first place. This Running with the Devil series is a wonderful intersection of art and style in the Marvel Universe.

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This is the closest a tie-in issue has come to delivering the goods from Monsters Unleashed.

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Bullseye almost nails the landing with a solid, but not perfect debut issue.

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All-New X-Men #1.MU can't rise above the issue's low production value.

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The Unstoppable Wasp doesn't skip a beat in a second issue loaded with sleek visuals and undeniable charm.

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Roberts and Lawrence take a middling detour on the Lost Light crews battle to get their ship back.

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Spider-Woman's immediate charm is infectious, even if this issue does a cheepen past plot points.

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"Optimus Prime" finds a solid groove but forgets to push the plot forward.

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You should take a look at this issue on Marvel Unlimited or at your shop for the wonderful talent of Sean Izaakse.

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Do. Not. Miss. The Marvel Universe is paying off a HUGE storyline in this issue!

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This is a nice story even if it wears a little thin by the end outstaying its welcome.

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Barber and Ossio's second try at expanding the Hasbro Universe is the charm!

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While this first issue certainly isn't bad, the package feels unsubstantial and sort of meaningless for the high volume of cash this comic is priced at.

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This new volume of Captain Marvel glides right by Civil War II, attempting to move Carol Danvers' life in a more classic direction but not introducing anything noteworthy about the character.

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The debut of the 'The Seventh Day' lives up to the epic title as Charles Soule finally plays some of his best hidden cards.

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I read some painfully half-baked and underdeveloped comic book events in 2016. I read storylines that were close to breaking chains of logic or stories that had too many characters or factions of team to convey a focused idea. I read events that were not paced correctly, stories that had nothing new to say about characters and events that missed key moments of drama that would have made an event storyline excel. Inhumans Vs. X-Men has not fallen into any of those traps yet and really has a unique potential to push both franchises forward" and it has wonderful artwork!

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This volume of Amazing Spider-Man seems so unfocused and adding Spider-Gwen to the mix makes this comic meander towards nothing-ness in a lacking, uninspired manner.

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While this issue is perfectly accessible to new readers of The Mighty Thor, why would you want to miss an issue of my favorite Marvel comic currently on the stands?

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I just assumed this concept would aggravate me, yet Deadpool the Duck made me a believer.

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Highest possible recommendation. Buy it twice.

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Give this one a shot, you won't be sorry.

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There's plenty of other exciting things going at Marvel and big, exciting new books to enjoy to be overly disappointed in this finale, read on!

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Hulk #1 gives Jennifer's life a new direction and personality and I can't wait to explore more of her post-Civil War II state of mind.

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Rocket Raccoon delivers biting satire on modern culture that likely won't connect with every reader in his new ongoing series.

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There's potential in this troubled debut.

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Despite the fact that the first issue is stuck in the confines of a premise devoid of logic and features another hero acting slightly out-of-character, I can't help but see the potential and beautiful artwork in Star-Lord amounting to a solid series in either the next issue or in the immediate future.

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This issue only offers the slightest hints at Carol's psyche" something that I'm truly yearning to dig deep into as Civil War II winds down. Thus, unfortunately, at this moment in time, it's hard to call this comic anything but perplexing and strange. The losses of Civil War II are adding up and the person who should be effected the most is Carol Danvers.

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The bottom line is that this book is wonderfully crafted with some of the best, most heartfelt flashbacks to Steve's childhood that I have ever read. Spencer has established some really interesting ground to move and shake around Rogers' character and while I can't wait to see what happens next, the author must proceed with caution and add plenty of new layers and aspects of this series to really flesh things out.

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Everything in the story is a wonderful prelude to a disturbing last page"saying anymore would spoil an entirely fun chapter of this quirky and exciting book. This character has been considered a joke in certain circles of Marvel readers, but perhaps as fans move towards this issue, his frayed reputation will be altered.

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Civil War II #0 is a really nice issue full of sweet and interesting character moments" if Bendis can add just enough plot to the proceedings, readers will be in for a treat in the months to come.

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There is nothing inherently with Cloonan's narrative in The Punisher #1, but I worry that this comic has nothing new to say about Frank Castle or The Punisher. It feels like the book is drowning in its influences.

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The plot in this issue moves far too fast and the individual characters don't get enough story beats to establish where their personal journeys are beginning. On some level, I'm curious to know if Zub is crafting the narrative like this with intent, as the story reads as 90s as Malin's art looks.

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If you missed the middle like me, have no fear and jump in" this is just like the ending of a major Marvel Cinematic Universe film" it reads slick and looks pretty.

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Moon Knight #1 does a lot of things right, especially in how the comic characterizes the lead hero while asking some interesting new questions about him. The comic takes the impeccable sense of style and presentation that went into the last run and weaves a new story thread out of it. This comic book does not seem like a brand new take on the character that avoids all previous continuity, but it does shake things up within the context of what came before.

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Flip through it for the pretty pictures.

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While this comic is only a one-off, getting the Starman creative team to sign off on a Star Wars ongoing series would be a blessing from the publisher after reading this comic.

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Marvel's new Gwenpool ongoing is derivative, but perfectly viable for current Deadpool readers looking for an additional fix.

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In the tradition of writers like Jason Aaron, Roy Thomas, Don McGregor, Stan Lee, Reginald Hudlin, Jonathan Hickman and Christopher Priest, Coates is able to channel that classic voice of T'Challa and further expand his world in an exciting and unique within this brand new story arc.

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While this story might be missing a little something, I wouldn't mind digging into this corner of the Star Wars Universe monthly. With the last page cliffhanger, there's always room for next month's issue to really mine the conflict from the story. Chris Eliopoulos' extra story was extraordinarily charming and worthy of the additional page count in the series.

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While this isn't a bad start for Bowers, Sims or Firmansyah " I can't help but hope that Marvel is going to push this series further into the unknown, places that these characters have never been pushed towards in the Marvel Universe. With the writers of this issue already blending concepts from the traditional X-Universe and creating new villains, maybe readers are only a few issues away from some groundbreaking material. I know I'm waiting with bated breath.

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Mockingbird #1 is overloaded with personality and unique approach to storytelling. I'm tempted to call Cain a rising star over at Marvel, but her fiction output extends into the '90s with a litany of novels" to that extent, I think it makes sense why this comic reads like it's written by someone with confidence even though she has only a few credits in the comics medium.

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It's never been easy to follow Starlin's grandiose Thanos saga, but this is close to a breaking point for me. If next issue doesn't start clearing up the narrative I'm dangerously close to checking out and just waiting for The Infinity Finale.

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Avengers Standoff is great fun. Pick up this issue and continue reading the Marvel books you've already been reading that are involved in the crossover.

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Add to the pull box. This is what comics are supposed to be.

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Wonderful art, smart writing and a fulfilling premise.

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I'm not really sure what I just read, and to be honest, it wasn't bad. Unfortunately, this is not the version of Nightmask and Starbrand for me.

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If you like good comics you like Weirdworld.

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Much like the recent Hercules, this ongoing may need the reader to get invested before they can see the heart at Black Knights's center.

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Ms. Marvel is in a good place right now " author G. Willow Wilson has a great handle on her solo adventures.

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Dennis Hopeless' Spider-Woman series has a new angle " it's even adding that new angle into the old angle.

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Humphries has a unique angle on Star-Lord " Garron's art is lovely.

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Jason Aaron's Thor saga has been the strongest take on the character since J. Michael Straczynski's " an issue proving that Jane Foster is just as interesting as Thor herself.

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My once a year obligation to reading a Deadpool #1 has been fulfilled.

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This issue isn't unlikely to offend anyone, but I don't necessarily know who this is aimed at, either. Even fans of CM Punk may not find enough nuance to get interested in the adventures of Drax.

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If you're looking for all the answers to your continuity problems, search elsewhere. If you are invested in the X-Men as a whole, this series is worth a look. The comic is probably not where new readers should be advised to start, either.

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This book needs a few more issues to get into the Olympian heroes' new adventures.

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Zdarsky and company's new #1 with the character continued all the ongoing plot threads and barely introduced anything to readers who are just jumping on right now, making this a poor "first issue" read.

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This is a strong first showing " I'm happy to read what's next.

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I guarantee this new version of The Vision will keep readers guessing until the last page.

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Steve Epting, Frank D Armata, and Rick Magyar once again convey the bleak world of New Avengers in an interesting way. The art sells many of the very dark and dramatic scenes of the issue. The black backgrounds are very eerie, and the characters demand your attention when they speak behind them. The Black Panthers eyes always contain a creepy, unsettling blue that Armata makes interesting. At times faces can look somewhat strange coming from Epting. All around the art team continues their consistently stellar job on the title.

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When a comic book truly utilizes the medium a masterpiece like Batman and Robin #18 is created. For any writer to evoke a sense of loss this devastating is truly incredible. A perfect score is awarded to the best collaboration between Tomasi and Gleason on a Batman title.

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This issue of Green Lantern was very effective in setting up the endgame of the series and still remaining interesting.

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With an incredibly familiar story Age Of Ultron has a lot to prove in the next few issues.

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Guardians Of The Galaxy 0.1 will haunt your dreams and leave you incredibly excited for the next issue. In serialized storytelling where a new issue is published monthly there is nothing more that you could possibly ask from a series. Get in on this Comic Book from the ground floor and discover this new cosmic side of the Marvel Universe.

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The Green Lantern franchise has continued to evolve into something rife with potential and incredible. Geoff Johns along with writers Pete Tomasi and Tony Bedard have made this side of the Green Lantern universe endlessly exciting. Artist Doug Mahnke has crafted very unique imagery that will stick with the franchise in this next evolution and for years to come

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Then to top off this spectacular issue the audience is treated to the return of Mystique and the Raven in possible a more intimate manner. This story angle is touched on in the cover to next months issue of the title. With Marquez staying on art and Bendis staying on scripting duties for this marvelous comic readers have nothing to worry about anytime soon.

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Playing up Marvel Now! continuity and referencing the death of Charles Xavier is nothing short of genius. I look forward to this current band of New Avengers going to the ends of the universe to find the hiding spot of the last infinity gem and assembling the one and only infinity gauntlet. Luckily we have Jonathan Hickman and Steve Epting taking us along on their ride through the impossible.

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The Black Panther goes through a character arc in these mere 24 pages. He starts a man skeptical to the ways of Steve Rogers and the rest of these New Avengers but leaves with a sense of purpose. A new villain shows up and threatens the nation of Wakanda while leaving the Panther nothing short of desperate. The Panther fails to even pursue the evil pair of unnamed super villains that threatened his home. Hickman impresses further by giving the book a touch of graphic design which makes his comic feel cinematic. Pages like the reveal of the name of his first New Avengers arc not only are a well placed breath from the story but also serve as a stunning sight to behold. Many Marvel books could take away some of these new sensibilities from Hickman. Overall New Avengers #1 is a stunning book to behold and a Marvel Now! book to watch in the future.

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There is a reason that Dan Slott the current writer of Amazing Spider-Man has received death threats from fans. Fans that have been following the title for the last few issues could have seen this issue coming. Therefore what particularly matters at the end of the day is the execution of Amazing Spider-Man 700. Unfortunately this is where the issue falters. Humberto Ramos is not doing Spider-Man any favors. Ramos makes the issue forgettable dry and dull. Slott's script is not up to par either.

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Vast problems still lie in this new Spider-Man universe. Yost has shown readers a way that The Superior Spider-Man could possibly work as an ongoing title. The more jaded comic book fan would still have the opinion that after 700 issues there is a better way to start the title fresh than killing Peter Parker and having Doctor Octopus butcher the legacy of Spider-Man. A new character would have served the title just fine along with the legacy of the comic book.

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Once again the gorgeous visuals that Immonen renders only turns the comic into a truer work of art. All New X-Men is a can't miss title for any fan of the current Marvel Universe.

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The rest of the issue centers on a meeting between Tony Stark and Steve Rogers discussing the future of the Avengers. It is a flashback to the past and a tried and true concept of putting a huge team together. While issues like this frustrate some the motivation of each character joining the Avengers should be appreciated. Something that will interest most readers is the strange elusive Avengers machine in which the characters spoke of. A clever reader might refer back to this specific arc of Avengers being called Avengers world and wonder if the Avengers machine ties into the idea or story arc. While many fun character moments are had this issue slowed things down a bit and smelled the roses of the first issue. However there is no need to worry until next month. For now enjoy this era of Avengers written and drawn by forward thinking people.

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In spite of that fact this issue is simply great. Emma Frost arguing with Cyclops about her stance on the state of things in the Marvel Universe is enchanting. Magneto finding the true intentions within a lying Cyclops is also a deep introspective and engaging character moment. Another incredibly smart idea is enhancing the mutations for all of the X-Men in general. Even though an X-Men may not believe this, it is an inherent fact that a power or mutation would be an extent of an individuals personality. During an interview Bendis stated that regardless of what people think when going through a drastic change in your life your appearance changes along with you. Knowing the costumes of the Cyclops team of X-Men will soon change seems incredibly appropriate. The present and future are finally looking bright for readers of X-Men this title is every bit as exciting as we could have hoped for. Although for the X-Men themselves dark times lie ahead.

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One of the more somber scenes of the book was seeing the Lizard. While he claimed to be healed Connors decided to stay in prison to protect the people he loves. Another incredible tense scene was waiting for the villains to break Spidey out of prison. Slott has some great moments in this issue and the wait for Spider-Man 700 is almost unbearable. It is only a few weeks till The Amazing Spider-Man 700 and The Superior Spider-Man. Spidey fans need not wait much longer.

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The content of the comic while wordy is still fantastic. The classic X-Men are very naive and scared. The notion of innocence being swept away into the future is great. Examining the ramifications on Wolverine and seeing him being put to sleep like commonplace dog is a shining moment in the script. The two Icemen also have a scene stealing moment when they look into each others eyes. The classic X-Men also think that Utopia is heaven itself. Then they steal a Quinjet and are whisked away into another adventure. With the impending doom that is present day Cyclops next issue and the fun to be had in this issue as well this series is highly recommended.

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Even though Fraction's run on Defenders is an underappreciated gem it is not one to be missed by anybody. Do yourself a favor and read this series.

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While Leinil Yu has some slick ultra detailed pencils the storytelling is not completely there in the talking head sequences which pretty much comprise most of the book. The action scenes are explosive and are rendered fantastically. Black and white preview pages for the series will make the reader appreciate the comic more because you can see every individual line that Yu carefully drew in. Even though the comic reads like a mission state from Bruce Banner there is some fun to be had here. Given Mark Waid's track record as of late it is worth trusting him to take you along for the ride. Even though this first issue isn't great it is bursting with potential.

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The supporting cast gets a nice moment to shine here and in many cases those parts are the strength of the issue. Mary Jane has fun bouncy dialogue and has opened a new nightclub. Aunt May is suffering from minor health issues. The conversation piece of the issue itself lies in the end. Spider-man emerged from the previous story arc scathed. Spidey has been possessed by the mind of Otto Octavious. Which changes virtually everything and explains why the arms play such a prevalent role on the covers to upcoming issues of The Amazing Spider-man. While the cliffhanger is a new spin on the series it is hard to imagine that Spider-man will be possessed by Doctor Octopus for much longer. The only thing true believers can do at this point is speculate and wait for the next issue.

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Cyclops escaping from prison so soon is a jarring transition, but if he indeed is serving as the antagonist for the book then Bendis indeed has a lot to play with. The two new mutants introduced are also endearing. The ending of the comic, which features the original X-Men being sucked out of time makes for an interesting dynamic between characters. Fortunately we need only wait a few weeks for the continuation of the story. Overall this is an incredibly solid issue even if it offers little in the way of surprise.

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With Frazer Irving coloring and inking his own art there isn't a panel in the comic book that looks strange. His art is extremely consistent and colored in a superb fashion. The only true nitpick of his style is the fact that the images lack fluidity in most cases. In the sense that they seem static as if nothing is moving.The series has already built a strong foundation in a big important villain, if execution can stay this dynamic we could be looking at the He-Man reboot that finally sticks.

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While The Scarlet Witch whisked away all of the Avengers and killed many mutants, her persecution by the X-Men feels slightly heavy handed. However, the animosity between Rogue and Scarlet Witch leads to formidable dialogue. The slap delivered by Rogue is a bit much and paints her character in a strangely immature light. Thankfully an explosion bursts out which features the fantastically creepy group of villains brought to fruition by Remender's twisted mind. The last page is a haunting cliffhanger that will give a good scare. If this debut is any indication of what Uncanny Avengers will be then we may have something special among the Avengers titles.

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The most disappointing thing about this issue is Adam Kubert's pencils. They are very inconsistent. Some scenes flash true greatness such as the scenes with Scarlet Witch and Hope have great facial expressions. Some are just lacking like the scene with Cyclops in jail. This finish is exactly what we needed. It houses a few twists and interesting revelations and leaves the Marvel Universe in an interesting place for Marvel Now.

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