A solid issue! There are a few too many storylines in motion right now, but TWD is in an entertaining place right now.

For this issue, I choose to look at the positives and appreciate the masterful second half of this issue. Nicely done…

A messy issue… There is almost no momentum asstorylines seem to be randomly mushed together. There are about 4-5 really nice character moments that are getting lost in the plot mayhem. Why not let us enjoy those moments a little bit?

It seems like things are starting to move forward. There are some red flags in this issue, but I'll reserve judgement until we see what Kirkman is doing with them.

A very solid first issue. If you're into post-apocalypse fiction, this is worth checking out.

Finally,the story moves into gear… Unfortunately, it seems headed to a very familiar destination.

TWD is still a very solid comic. Well written, nicely illustrated, it really drives home how much some of these characters have evolved since issue #1. The pace is a little slow though and there isn't much “WOW!” anymore. I'm sure it will come, but for now you're buying this comic with an eye towards a payoff in 20 issues.

Zero Year is still going very strong. But it is still going.

Some really solid stuff, but some things to be concerned about too. If the comic is going to involve the men in the story, they need to be developed a little more.

This second cycle is off to a really strong start. It's so nice to have a consistently strong comic like AV back in our lives.

Who knows if it'll be great, but it is a very solid start and it doesn't have any of those edgy Millar tropes that bother some people.

The new direction is the same as the old direction. Smoothly written and expertly drawn as always.

A strong issue that is still in Act II of the overall story.

A very strong issue to wrap up the first arc of the series. The characters have all moved away from their initial stereotypes and some interesting storytelling possibilities lie ahead. The art is tremendous.

Probably my favorite new-ish series of the last few years has another wonderful issue. The pieces are clicking together. Everything about the issue is deliberate and excellent.

After this dull thud of a conclusion, Kirkman has to re-earn some trust before The Walking Dead returns to the most anticipated list.

A puzzling issue, but the answers are there if you work at it. The Unwritten is probably the best thought-out series I've read in a long, long time.

Zero Year is powering to an excellent ending. The story is entertaining, beautiful and even touches on some real-world problems. Bravo!

Another wonderful issue. AV is really back with a purpose. It is so gratifying to pick up a comic and have zero doubts about the contents being excellent. There is never a clumsy sentence or unsteady panel and the story ideas and complex and interesting.

A typically strong issue of Manifest Destiny adds what might be a compelling over-arching story of alien-invasion at the turn of the 19th Century.

A little disjointed and all over the place. Too many monologues and fake deaths… This event has so far shaped out to be basically entertaining if you aren't too demanding.

A strong issue that advances the plot quite a bit. Not as much fantastic action as other issues, but I guess we can't always eat ice cream.

A nifty and unsettling issue that teaches a lesson about getting into cars with strangers. Not sure if I'm that intrigued enough to keep reading though.

A nice issue that doesn't necessarily bend your mind, but effectively pivots from Act I to Act II of the story.

Solid storytelling, interesting story possibilities, despite the art having trouble keeping up with the schedule…

Just a glorious issue. My life is richer because of comics like this.

A great Batman story keeps getting better. The creative talent on this comic is as good as it gets.

A very emotionally strong first issue. If the whole of the Millarverse is this good, we're in for a treat.

Velvet is just a wonderful comic series. The story is accessible and it is just enough of a twist on a classic spy story to keep it fresh. You really don't feel like you've read this before. The illustration is superb.

A really strong issue that hits both the funny and touching notes that this series is known for while also re-calibrating the “big story”.

A nice recalibration for TMP. This series has more weird and interesting characters than any other ongoing series. These guys would be both exhilarating and exasperating to hang with.

Great issue. This series seems to be a little inconsistent, but it has the potential to hit a 10/10 issue and you can't say that about every series.

Another very good issue of a wonderful little series. This is a story of things going horribly wrong. It's about to get very Hobbesian.

This issue is mostly set-up. Other than getting a little to close to explaining the science of zombies, this issue is perfectly fine.

The most complex ongoing story in comics is really, really back. Although it is welcoming to new readers, it doesn't flinch from plowing right along with the main story. Every time you stop to think more about The Unwritten, the story makes MORE sense.

Another interesting issue of Manifest Destiny. There is lots of weirdness going on and it isn't entirely clear what our protagonists have gotten themselves into. I'm enjoying this series a lot.

Some signs that we might be headed for a climax in the story. That's welcome because I think it's time to begin Act 3 of the tale.

If you want something different, give this a try. This first issue didn't blow my socks off, but it has a TON of potential to do so. I love the setting, the types of characters and the storytelling style. And the visuals are kinda arresting.

Holy sidekicks! A really sharp issue that injects some new possibilities into the Batman story. Great guest art from Dustin Nguyen and team.

Factual problems aside, there is a lot of positive momentum to the plot right now. That's a good thing because this story has been in-place for a long time. However, the factual problems and story non-sequiturs do prevent this issue from getting the highest marks.

Even in a quiet issue, Lazarus shows it's power and how well Rucka knows how to tell a story about class and inequality. There are a few pieces that don't connect yet, but is there really any doubt that they will? It's nice to be able to trust the storyteller….

Another very good issue. It's a great story with art that is 70% of what it needs to be.

This series is off the road and stuck in the ditch. Why you would create a comic series about a crew that hops between realities and then spend more time on the love-lives of the characters and pre-adventure back-story is beyond me. Still salvageable because the art is strong and the basic ingredients are in place, but I think the Remender is just interested in different things than I am.

A good issue. I'm just hoping that the small amount of humor that we're sacrificing for the sake of story is worth it in the end.

A powerful return to the themes that made The Unwritten great and a great jumping on point. While other comics are fiddling with Legos, The Unwritten is playing with the big-boy toys.

In the end, I don't think it's possible for Batman stories to get much better than this. Simply glorious…

Finally, an eventful issue that advances the story.

Not the most eventful issue, but still very strong. If you're interested in thought-provoking comics, this is one to keep at eye on because the creators are interested in the right sorts of questions.

A very strong issue. Probably my favorite so far because it focuses so heavily on story and character.

If you like your Blaxploitation to be 100% silly and 0% serious, this is the comic for you. I'm just not sure I understand the point of spoofing a genre about social misfortune if you don't bother to remind what that social misfortune was.

A good issue… I'm just not sure it was a good Sheltered issue. Let's see how the story develops.

This series is much stronger when Michael Walsh is doing the art. It is a perfect nostalgia trip for lovers of the TV series.

This comic really has it all. The ideas, dialog and art are all top-shelf stuff. I can't imagine anyone not enjoying it.

An interesting twist and a change in the dramatic flow of the War. Definitely entertaining…

Still a strong series, but I can see why people prefer to read Terry Moore in trade sometimes.

TMP returns to what it does best: characters, zany situations and the outlandish.

The Massive is still frustrating. There are glimpses of an excellent story, but for the most part we get something a lot more boring.

A strong second issue and another interesting world to explore. Just be careful with the stereotype characters that are all pulled from the Nerd Fantasy textbook.

Enjoyment of this issue may be hampered by not remembering the story. I'm probably not the only one.

A very solid second issue. This is a series to keep an eye on if you like comics that make you think.

Another very solid issue. I love learning more about this world with the confidence that Greg Rucka has probably got the whole thing already figured out.

A textbook example of how to avoid the transitional issue. Snyder and Capullo… Powering through quicksand that would swallow lesser creators"

A weird and substandard issue. Almost incompetent in some ways" Like they let their children handle parts of the issue. It's like the Axe Cop version of TWD. Let's just ignore this issue and hope that we return to our regular level of quality in a few weeks" The creators have earned that trust.

There's not much point to this issue or series. It isn't doing anything adventurous and isn't asking any deep questions. The art is average. Skip it.

How glorious is it to have comics like this on the market? It's a competent and confident piece of work by creators who know what they're doing.

A pretty good Monster-of-the-Week story (that will be told over two months). It's entertaining, but the art change doesn't do the issue a service.

The most exciting new #1 issue in quite some time. Incredible art. Really….. And the story is imaginative and shows some maturity if you're willing to scratch beyond the surface layer.

A very solid issue that advances the plot with nothing head-shaking moments for the reader.

A very high quality issue even if there are no major events.

A solid, but unremarkable issue of TMP. It's nice to see the story develop an actual plotline.

Another great issue of Batman. You won't find better art in a comic book and it's amazing to think that Capullo has been grinding at this series for 2 years now. He's kinda lapping the field at this point.

Just enjoy the action and go with the flow! There are a few glaring story problems and theywillbother you if you slow down to think about them. But you could do that, or you can just enjoy Negan's plight.

The comic is trippy and weird and very pretty to look at. Not sure there is enough story to keep me interested in the long term.

A potentially great series. We'll have to see what the creators do with future issues, but this has potential to fill that void of thought-provoking comics that has been vacant since Fashion Beast and Punk Rock Jesus ended and since The Unwritten kinda went awry. Definitely check it out.

This issue is a classic illustration of being in for a penny, so you're in for a pound. Taken alone, this issue doesn't have much to offer, but we don't have much further to go on Kick-Ass' journey… I'm eager to see how everything finishes.

A really good issue and a series not to be missed if you enjoy apocalypse fiction.

Good and troubling at the same time.

The story in Rachel Rising is really engaging right now. If you dropped away while this book was in its teens, it's probably a good idea to come back now.

Not the hottest issue of Chew, but as this series develops more of an ongoing story, transitional issues will happen sometimes.

A pretty strong issue of TMP. Joseph Oppenheimer is a very sick dude.

Man! This storyline needs to get on with it!

A STRONG return to top-of-the-stack status for Batman. Do more of THIS.

Meh….this series doesn't seem to want to address the really deep questions. It would rather show a Godly battle with tanks and other Gods. What's more, it doesn't seem to have that hard edge that I associate with a Hickman story. He usually has some point and he is going to poke you right in the eyes with that point…..but I'm not sure what he's trying to say here.

Uber keeps telling its own story. I like how the focus is on the impact of a new weapons system rather than on “great power” and “great responsibility”. We've had plenty of THAT, so it's nice to just have a clinical evaluation of how great power can change warfare.

A few tweaky nitpicks aside, this issue is a great example of why creator-owned comics are so exciting: It's because the creators themselves are more excited about doing them and that passion spills over onto the reader. I can't imagine Lazarus ever dropping off my pull list.

Very nice. There are some nifty concepts in here and this story could have totally been done without the Fables interlopers.

It depends. If you're a long-time reader of The Unwritten, you'll find some of the complex storytelling that the series was known for before the yucky Fables crossover. However, it isnotas complex and thought-provoking as Volume 1 at its best. Whether this is a sign that Volume 2 will be dumbed-down or whether it is merely designed to lure new readers remains to be seen. For new readers, it is a very convenient entry-point to The Unwritten – although Volume 1 is tremendous, you needn't have read that first.

It still feels just like the X-Files. If you loved the TV series, you'll love this too.

Save your money. Completely unnecessary.

I think this might now be my new favorite comic. Edgy, provocative and unafraid. Check it out.

A great issue that reveals more depth to the series than I had previously appreciated.

More plot, less fun. I've asked for more plot in this series before. Maybe I should take back that sentiment.

Not bad. This is a comic that will appeal a little bit to people reading Zero Year and it does feature a different spin on The Riddler. Villains' Month is still kinda silly though.

An issue that shows that the last few issues were nothing more than spinning the tires. It's really patronizing when a comic does that after so many issues. Get on with it!

Love how the funniest comic in production is developing a great story too.

Overall, there is a lot of potential in the concept. This first issue just establishes the overall scenario, so I really have no idea (yet) whether this will be an edgy comic of just something that is derivative of a Big 2 superhero work that uses gods as bad guys (since they're in the public domain). It may turn out to be nothing, but at least the potential for boldness is present.

This is a must read if you are someone who had to readeverythingwith the word Batman on the cover. For the rest of us, it isn't a poor comic, but it is extremely skippable. This is precisely the type of comics I wish Marvel and DC would stop shoveling at us.

This crummy crossover continues to be very underwhelming. I appreciate the attempt to connect two of Vertigo's worlds but this really isn't the type of storytelling that fans of The Unwritten want.

A troublingly poor issue concludes an initially promising story-arc. I'm very discouraged that this series cannot seem to get any momentum.

Another very solid issue. Even though the themes are a little cliche, it's a very enjoyable comic while we wait for Rucka to drop a big plot twist on us.

A wonderful anthology without a weak story. Well worth the price tag and a great appetizer for those of us eager for AV to return to regular publication.

Another slightly troubling issue of Creepy where the reprinted classic story puts the modern stories to shame.

A pretty good issue. I think this story is going to be challenging for long-time Batman readers just because we've read too much and it's hard to lever this story into what we already know. New 52 be damned" On the other hand, if you can shrug off that baggage, it is a pretty good issue. And the back-up is aces (how often can you say THAT about a back-up story?).

Not the meaty resolution that we probably wanted, but a very taut issue nonetheless. TWD creates some wonderful atmosphere with the talents of Charlie Adlard.

Not a very strong issue. There is a huge sense of sameness here. I don't doubt that Millar has some interesting stuff to come, but those interesting bits were not in this issue.

I guess this issue is a bit of a mixed bag. There are a few things I want to know a LOT more about: Einstein and Oppenheimer. There are a few things that I don't care if I ever see again: Gagarin and Daghlian. This might be a case of “different strokes for different folks”, but I doubt it. Some characters are just more interesting than others. The art is all great and there's a lot of humor to be had too.

This is easily the best of the GI Joe titles and this issue is an example of why.

A very worthwhile series keeps trucking forward. I appreciate the alternate-history feeling of this story and also the sense of unpredictability.

Hey look! It's an annual that is (a) self-contained, (b) introduces an interesting new character and (c) shines new light on a familiar Gotham landmark. That's really all you can ask from an annual (especially considering how lousy annuals sometimes are). The art is fine even if it isn't excellent enough to merit a higher grade.

A light and enjoyable little comic. Maybe “cute” is the word? Unfortunately, the ongoing Unwritten story has been completely derailed by this crossover and replaced with a story that belongs more in the pages of Fables. This story haszeroof the maturity and heft that we are used to from The Unwritten.

Another very strong issue of Lazarus. It doesn't quite have the originality of the first issue, but the creators deserve credit for moving onto the main story so quickly rather than just playing with their “world” for 5-6 issues. Highly recommended.

A little overpriced and the extra material isn't much, but this issue showed me something new about the series and I didn't think that was possible after 50 issues.

Another snappy issue that makes you feel like you're right back to watching the TV show on Sunday night. It feels authentic. I'm less enthusiastic about a story that dives back into the quagmire of Scully's baby though.

Whether you enjoy the story or not, comics like Scarlet are important. We want creators to feel like they can tackle controversial subject matter and we want them to publish comics that feel personal. I like Scarlet a lot. It's well done, looks nice and scratches the anti-establishment itch in a way that might even make you feel uncomfortable. Those are all very good things.

An okay issue. The art is lovely and you won't see more three-dimensional female characters anywhere in comics. But, this series is starting to show big “writing for the trade” problems and I wouldn't fault anyone who switches to trade on this series (even if that's not how I prefer to enjoy a story).

Another great issue. This story arc started building Chew from more than just a bundle of laughs into a real story. Still the funniest comic on the market.

A very technically strong comic that isn'tquitelighting my socks on fire the way I want it to.

The first “Oh Shit!” issue of TWD in a few months! I have a feeling things will get really nasty next issue.

Just stay away. It's not good. Watch the TV show.

This is going to be a matter of personal preference: Do you like Matt Fraction when he is being really wordy? Are you unbothered by Howard Chaykin's faces on the sides of heads? If so, you might like this comic a lot. However, if you DO like it, we probably just shouldn't give each other comic advice anymore…

Avoid like the plague. This storyline didn't advance anything and the art was poop.

This issue was an abrupt and welcome switch from the search for that missing ship. I'd be find if that missing ship ended up in the same dustbin of unexplained comic stories along with whatever is in Scarlet Witch's closet.

Why? Nobody asked for this crossover and this first issue does nothing to validate this storytelling direction. If I wanted to read an issue of Fables, I would have bought Fables.

A great first issue. This is both Greg Rucka and Michael Lark at the top of their games.

The story is great, the art is bad.

A very strong first effort. It feels like the X-Files. You will hear the lines being spoken by the original actors as you read. The only thing that'll kill the series is if they stretch each story out over 5-6 issues. No decompression, please. It never took Scully and Mulder 6 episodes to solve the mystery of the haunted carnival or get to the bottom of those pesky bigfoot sightings.

Okay–I guess. I'm still curious to see how Brooks resolves the vampires' food shortage, but there wasn't any snap to this issue.

A wonderful issue. Whether you are a longtime AV reader who needs to wet your whistle OR someone who hasn't ever read a page of AV, there is a lot to recommend this issue.

Half of the issue reminds me of waiting for a status bar to fill. The other half reminded us what a crackling character Negan is.

A really good opening issue. Just don't make my mistake and try to slot the story into all the other Bat-stories that you've read.

Same as always with RR; the art and characterization are sublime, but the plot is moving very slowly.

A thought-provoking ending to a very challenging series. I really look forward to a reread because I'm sure this is a story that will just get better and better.

I'm glad to have the series back. If you push past all the violence and outrageous stuff, Millar and Romita are really just showing that it is hard to be a hero and therefore, heroes should be admired.

Surprise! Another very strong issue of Elephantmen. This is probably my favorite science-fiction themed comic being published. Pretty amazing that this comic is still chugging towards it's 50th issue. How many series hit that milestone today?

Not as funny as normal, but the plot is advanced quite a bit.

An issue that makes a lot of sense once someone explains it to you.

This series continues to confound. I love this peri-apocalypse setting that Brian Wood has created, but I'm starting to wonder if Callum Israel's story is the most interesting thing to watch therein.

The best GI Joe book being published. It is totally devoid of fan-service and just tells a modern and mature espionage story.

A solid issue that brings back a favorite antagonist. Not looking forward to the Fables crossover.

Make sure to check this out. Even if the story is vaguely familiar, Corben gives it a few twists. Plus, its amazing to see how a masterfully Corben is able to perfectly calibrate the emotional reaction between horrifying and merely unsettling.

If you want to turn a friend onto GI Joe comics, don't hand them this. This is decompression at its worst, combined with timid storytelling choices. Oh, and the art is lousy too. Yo Joe!

I'm not sure if this wasn't a great comic or if it just wasn't for me. To me, it comes off as feigning depth that the story hasn't earned yet, but I've said that about comics before and had hipsters tell me that I was wrong.

The art is off-the-charts; the story is almost non-existent.

Really, really good. This is how a “hero vs. villain” story should be: Get in, do your business for 2 issues and move on. GLORIOUS artwork by Capullo.

A lame first half and a very strong second half. I guess that averages out to “good”.

Templesmith can't save this derivative story. Unless you are super-into demonic possession and hard-boiled PIs, I can't see much to recommend in this tale. I can appreciate people wanting a dose of Templesmith art in their life, but just go buy one of his other classics.

Still quality, but not close to the stellar quality of the last two issues.

A very intriguing series even if each individual issue is a little odd. The world created by Brian Wood is much more interesting than the plot or the characters.

A solid issue. Most of the really deep stuff takes a break this month in favor of pushing the plot forward. Sometimes a series like The Unwritten needs to do that just to make sure that a segment of the readership isn't being left behind.

A strong second issue. A few things start to make sense, but there is a lot more to wonder about. It's rare to see a comic book with this much charisma.

A solid issue without any technical flaws. The only problem is that the series is a little slow. We're taking the country road to the final destination and sometimes it would be nice to hop on the interstate for the final bit of the journey. Go faster!

“Unfulfilled promise” would be the unflattering pull-quote. The creators and the concept are there, but the execution is slightly lacking.

An issue that perfectly illustrates why I love Chew so much. These guys know right where the line between funny and offensive exists. They are unflinching in their approach to the line, but they never cross it.

A strong restart for the title that has always been IDW's best GI Joe book. If you like murky espionage intrigue, you'll enjoy Cobra.

From any other creative team, this issue would be cause to clap maniacally and toss the creators a fish treat! Unfortunately, Snyder and Capullo have spoiled us rotten with mindbending Bat-stories and this isn't quiteup to their lofty standards. It's still good, but it doesn't have thatsnap to it. Keep an eye on the back-up though!

Not a bad issue, but not much happens either. There's no hook to this issue. This is one of those interludes between the big and bloody events; and while I'm looking forward to the payoff, the creators need to be careful that the action doesn't become too dispersed.

One of the deeper comics being published right now. There's plenty here to think about if you set your mind to it.

An interesting twist on the bad guys having superhumans during WWII. The art isn't terrible, but it is confusing enough that it holds the issue back in some places. Worth checking out if you want variety in your comic reading.

Even a relatively straight-forward issue of The Unwritten has some pretty deep stuff if you're willing to sit and think. This is pretty easily the most thought provoking comic being released right now.

A confounding issue. There are no answers here, but the readership should know by now not to expect answers…yet. VERY clever fourth-wall breaking and a stubborn commitment to telling a story on their own terms make it impossible for me not to love this title even if I don't love every individual issue.

Really good. I didn't understand everything in this first issue, but I don't think I was supposed to. Hickman has created a fabulous world and teased several things I really want to know the answers to. Dragotta's art isfantastic.

A great issue of Elephantmen that explains a lot of the action so far in the series.

This series is going to struggle if it looks like this. $3.99 for a decompressed story with poor art is not going to move many units of the second-tier GI Joe book.

Kinda a dull first issue from a story standpoint, but with this creative team's track record, I think it's safe to stick with the title, especially because it looks so nice.

Kinda a weird issue. It does show us even more of the broader world and that's good. But, we step away from some of the bigger philosophical questions that TWD has been playing with–and that's bad.

By the standards of this series…..not the best. All should be fine when the regular artists return.

Not a “bad” comic, but not a particularly compelling one either. Perhaps interesting to people who enjoy watching stories about gambling.

The only negative for this issue is that I don't enjoy the subject matter all that much. But, it's a testament to the creators that they're making me mostly enjoy a comic about fashion and transvestites. In all seriousness, it's nice to read a comic that rewards you for thinking. With most stories, there is nothing more than a surface layer or a clumsily done subtext; with Alan Moore, you never reach the bottom.

This is one of my favorite series. Honestly, it's right up there with Saga. This was another great issue.

The story is really humming in this ambitious issue. If the art were remotely exciting, this would be an “A”.

Another strong issue. Not great, but pretty strong. I wish this wasn't a $3.99 title. Pushing a button that says $3.99 on my iPad hurts my soul.

This series has hit the point where I'm having a very difficult time remembering any of the nuance to the story from month to month. That makes it hard toanticipatethe next issue because I can't really remember what happened last time. But the uniqueness and quality of the art will keep me coming back for awhile.

Snappy story that takes the Joes in a fresh direction, but this art is extremely borderline for a $3.99 book. How can the same company that publishes this line of “artist editions” that are homages to the best the comic industry has ever seen continue to be cheap on the art in a flagship book like GI Joe?

A very strong issue of Creepy. Because this series only comes out quarterly, a couple of mediocre issues will leave a pretty bad taste in our mouths. THIS issue really hit the ball out of the park. It kinda refilled the heath bar for the series. The stories were all in that A- range and it's rare for an anthology to avoid having a single stinker.

This issue is typically Morning Glories in that it gives the appearance of providing answers without really explaining much. By now, you either like that approach or you don't. I DO enjoy it. Plus, the issue gets bonus points for focusing on one of its more interesting characters.

A very fitting end to the Death of the Family story. The only flaws are those inherent in working within the confines of classic villains who must live to fight another day.

Not the most exciting issue, but Kirkman starts a number of small fires burning. Now let's see how he nurtures them into blazing bonfires over time. Lots of subtlety going on here!

I've heard other internet commentators appreciate different aspects of this issue, but for me the star was the finale which features a touching story and stunning art.

The brevity of this review reflects the direct nature of this comic. It's mostly good and if you enjoy crime comics, this is well worth checking out.

A nice ending to this chapter of the Kick-Ass universe. If you love watching Hit-Girl kill folks, this will be fun for you.

Even in an uneventful issue, Terry Moore's quality shines through. I wish the story would move past this middle phase a little faster, but I can't deny the craft of this comic.

A nice issue that cleans up a kinda messy story arc.

Brilliant meta-commentary on modern popular culture. This is a comic that keeps revealing more and more the longer you think about it.

An ambitious comic that isn't all it could be.

This comic has moments of brilliance, but it also trips itself up sometimes. This is a great example of how there are two different types of "B" comic books. There are those where the A-level elements average out with the C-level elements. Then there are those that are good, but unremarkable. I'd much rather consume comics that have an chance to be extraordinary and Bedlam still fits that bill.

The upshot is: Perfect jumping on point. If you're into “indie” comics, you may have heard of Mind Mgmt because it has gotten a lot of critical buzz. Don't feel like you have to start at Issue #1. This is a perfectly fine place to start.

One of the best ongoing comics being published turns away from the darkness for a fun and black-humored new storyline.

A splendid issue in a great series. More people should read Witch Doctor. Trust me, you'll like it.

A very well done comic. I won't be continuing with it because it's not quite my “thing”, but it makes me smile that Image provides a publishing avenue for this sort of material about an awkward little boy.

No need to catch up. Just dive back in. It's a great series.

Another excellent Batman issue by the Snyder/Capullo/Glapion/Plascencia team. Just appreciate the excellence.

Ringuet is doing a lot of nifty artistic things in this issue and the story itself is useful if you're into a Ghostbusters-type of tale.

A fun and irreverent comic. It won't win any Eisner awards, but it'll probably make you chuckle a few times and that's worth something.

A very strong finale to a beloved series. The only downside is that it teases us with what might have been. The stories in this issue could easily have been expanded to fill 100 issues.

Well, we were overdue for a non-eventful issue.

VERY snappy art and a clever main character. I'm still struggling to find a main story though.

A wonderful ending to a series. I loved this and wish we had more comics that were so ambitious. Even though I'm looking forward to Murphy's upcoming collaboration with Scott Snyder, I'd almost rather Murphy got to tell another story of his own again next time.

I'm enjoying the weirdness a LOT more than the actual story and the delayed publication schedule isn't doing this series any favors.

A very strong issue. Snyder and Albuquerque could have made this a maudlin and reflective story, but instead they chose to look toward the future. I'm very much looking forward to what AV brings us when it returns.

A comic book about volleyball? The fun lies in wondering what Brian Wood will do with this scenario because he almost always has something to say in his comics.

There are some good elements here, but the plot is smashed into your brain with a club. In case you didn't already know, “with great power comes great responsibility”. Demerits also for using non-essential back-matter to jump the price up to $7.99.

I hate to call things “must read” because internet hyperbole is annoying, but Witch Doctor is as good as it gets in comics right now.

Every “jumping on point” is also a “jumping off point”. The art isn't bad, but it is a change for the worse from Nathan Fox and the idea of crossing this title over with Spawn doesn't excite me at all.

It wouldn't hurt my feelings if the story picked up the pace a little, but it's hard to argue with Terry Moore's delectable artwork and character building.

High quality storytelling. Unlike a lot of other comics, I don't even mind too much when I get lost. The Unwritten is already earmarked for a reread or two due to its complex and ambitious storytelling.

The introduction of Gerry Brown a few issues ago has helped this series find it's legs. I'm really enjoying Brian Wood's world-building, but am still wondering if there will ever be a central plot to this series.

An effective story that serves as a vehicle for a unique artist to get his work out there.

If you like stories that are made impenetrable just for the hell of it, be my guest. The art is quite good and could be in a much better comic, but isn't enough to save the day.

An outstanding and scary Joker story with fabulous art that is sandwiched around adysfunctionalfamily bickering about secrets.

Very, very strong. Kirkman and Adlard have turned this Negan into a very scary and powerful villain. Rick wasn't in this issue and I didn't miss him at all.

Not a bad comic and if you're really into possible apocalyptic settings, this might be worth a look. But it isn't a great comic either.

Very promising. The art is the big selling point, but it's also fun to have a comic with a useful female protagonist (even if she is kinda sexed up for a mostly male audience).

Ramos' art saves the day. Slott's story is better, but still buggy as hell.

A little frustrating after a gangbusters first issue, but this series still has a lot of good karma because that first issue was SO good.

Confusion aside, I couldn't be happier with this issue. Pretty rare to find a laugh-out-loud comic.

This is another great issue. If you like post-apocalyptic stories, don't be scared off by the alien setting. Garing just put his characters on an alien planet rather than having Earth ravaged by a virus or zombies or whatever.

A very fitting end to the first half of the AV story. I'm looking forward to the coda in issue #34.

A nice gritty, time-jumping story. This issue does a nice job of laying out the basics of the story and there will surely be twists and complications in future issues.

A capable issue and if you're a fan of clones or Juan Jose Ryp, you might want to check it out.

The story is really clicking right now. I have a handle on it, it makes sense and it really entertaining. If you haven't been reading this series, it is highly worth catching up on.

I hate to pee on something that some people will doubtless find “very cool”, but this just wasn't very good.

This is the best comic being published right now. From a writing/art standpoint, it might have a few equals, but the fact that Murphy actually has something to say puts it in another class.

This issue has some basic Spidey fun as we watch the Hobgoblins taking turns fighting with each other and trying to kill Peter and Max. Of course, Peter is a little hamstrung because he doesn't want to divulge his secret identity to Max. But, since Max knows that Peter is designing tech for Spidey, Peter can use all the Spidey equipment as Peter. It isn't really clever, but it is kinda clever. However, this concept also shows some of the weakness of the issue: We've seen this sort of thing before, so no matter how well you do it, it'll have a hard time being GREAT.

What a surprise! Another strong and disturbing issue of Batman!

Some pretty big events for Carl in this issue portend explosive action to come.

No hyperbole needed as this is a very middle-of-the-road comic. If you're looking for a slightly sunny, female character comic, this might be worth checking out. If not, you can certainly skip it.

This is fine. It isn't great and it isn't bad either. If you're desperate for some science fiction in your comics reading or if you're a huge Doug Braithwaite fan, it may be worth a look.

Another really strong issue that begins to tell a bigger story with these characters we've become fond of.

Even if the ending is a little expected, it is stillverywell done. Lemire is able to provoke stronger emotions with his work than most creators.

Another splendid issue. If you like non-Big 2 comics, this is must read stuff. And, it is coming out very regularly, so there's no reason to wait until it is over.

A solid ending to a very solid series. The conclusion is satisfying and hopefully they'll sell enough of this in trade that Vertigo will get this guys to creator more.

This was a smoking first issue. It's twisted and unsettling and completely unpredictable. LOVE the art.

A great issue. Several years of great character work with Skinner Sweet pays off in this issue.

Competent. You decide for yourself if that is worth $3.99.

Some very fascinating work that sandwiches a middle that isn't very interesting.

A wonderful issue that shows off the excellence that has been a hallmark of the series.

Chew is one of those comics where the overall story doesn't really matter. It's more like watching a good stand-up comedian than reading a comic book.

Very, very good issue. Action packed, creepy and full of splendid art.

A lot of good character work, but “not a lot happens”. Not a particularly happy issue either.

Very disappointing. This was a series I was looking forward to since it was first rumored a year or so ago. The story is okay, but specific elements of the art are holding this back.

Another very solid issue. This is a very enjoyable series and if you haven't been reading this single issues, it'll make a great trade when it finishes.

A good, solid and pretty standard issue of Morning Glories. Lots of opaque allusions to time-travel and things like that. At this point, you either like the series or you don't and aren't surprised when you don't get all the answers in a single issue.

What a wonderful comic! It's enjoyable just on a surface level and features exquisite art. The depth of the story sets it apart from most other comics on the shelf.

The story aspects of this issue are crackling good, but it gets a few demerits for the lesser back-up an the awkwardness of the forced crossover. The Director's Cut of this issue would be an “A”, but until we get that issue…

This was a pretty solid issue. If anyone was wondering if this title had lost its juice after that mediocre Alpha story, this should put those minds at ease.

Even if you aren't a card-carrying member of a Cthulha cult, you can enjoy this issue that pays tribute to Lovecraft. The art is sublime for the most part even if they stories aren't going to light your socks on fire.

Not the most awesome comic ever (yet), but the craft that went into this issue is unmistakable. Percio's art is pretty incredible too.

An effective issue, but it did leave me a little sad for material that the series clearly will not be addressing given that it ends in two issues.

Not very good. It's hard not to assume that Slott has bigger/better plans for the Alpha story just because weknowthat he is a better writer than this issue shows. However, even if this is a midpoint, it is a pretty flawed one.

Not the most happening issue of TSG, but the art is wonderful and I'm sure it's just a matter of an issue or so until the action picks back up.

Another wonderful issue. The mysteries and the story are compelling and the art is outstanding.

A very nice issue".especially if you've been itching to see Morrison doing something a little more visceral.

Another wonderful issue. I really can't recommend this series highly enough.

Nothing wrong with this issue that an editor couldn't fix. The subtle interpersonal relationship work is outstanding.

A good first issue, but not the greatness I'd hoped for. The creators are reason enough to stick around for issue #2.

Another great issue. The AV franchise is not showing any weakness as it chugs towards it's 3rd anniversary.

A nice issue that could probably be skipped for longtime Bat-fans, but is very worthwhile for anyone new.

A transitional issue like this is a tall-order for a first-time writer, but Murphy pulls it off pretty well. It isn't quite as smooth as the first couple of issues of the series, but he got the job done and can now drive this story to its conclusion. It also doesn't hurt to have stellar art on a transitional issue.

Ugh"not the best. Surely there is a point to this story beyond introducing a loathsome new character and having a bunch of morality plays for the slower readers? Thank goodness for Ramos and company on art".

A solid issue. We're just marking time until the final events of this series that will doubtless be horribly sad and uplifting at the same time.

A very good first issue that feels very "Alan Moore" even if it isn't a traditional Moore comic book.

A pretty cool issue that introduces some new characters and gives some half-truths.

Not an awesome issue, but a very good one. Abnett and Culbard have created a fascinating world even if they aren't always exploring the more interesting portions of it.

A few little quibbles hold this back a bit, but it's still a darn fine comic from an outstanding series.

This is a great comic. It does everything a first issue should do and the art is superb.

I can't recommend this series and issue more. In just three oversized issues, Ken Garing has created a very believable and functioning world and some interesting characters. Must read"

Not the bestissue, but that's probably because some of the complexity flew over my head. All the goodies are probably there, but I do have to deduct a few points of lack of accessibility.

Let's give Slott the benefit of the doubt and trust that the story of Alpha won't veer into predictable territories.

Endings are really hard and this issue falls a little short of being a perfect cherry on top a wonderful series. Still, I can't wait to go back and reread the entire series in its entirety and start giving the trades away to people as presents. Thanks Messrs. Aaron and Guera! It's been a wonderful ride. We'll always have the tension of those early arcs with Diesel threatening to blow Dash's cover, the brutality of that one-armed Hmong dude, thatincredibleissue with the old couple, Dash and Carol standing on a snow-covered road with her struggling to tell him about her pregnancy, the tragic story of Shunka, the shoot-out between Dash and Catcher in the cab of a pickup.

A little rushed feeling, but at least we got an ending and the art is glorious.

A nice conclusion to a pretty good Lizard story. Drop out the hand-wringing about death and it would be a lot better.

A fun, humorous and fast-paced crime story with art direction that demonstrates that "multiple artists isn't" something to be afraid of.

Maybe the group didn't have the crisis of leadership that I expected this issue, but I enjoyed reading every page as it unfolded. After 100+ issues, this series keeps my on my toes even when it isn't being outstanding.

Murphy has created a bunch of interesting characters and maneuvered them into positions where they'll have to make some choices. The rest of this series should be a joy.

I'm not dropping this series. Brian Wood has told me too many entertaining and challenging stories for me not to give The Massive the benefit of the doubt. But this series isn't working at all yet. No need to keep reviewing it until it turns the corner.

I can see this being a polarizing issue. If you're just a Godzilla fan, I'm not sure it's going to do that much for you because the story is pretty routine (so far). But, if you're a fan of unique and incredible comic art, it's a "must buy" because Stokoe is just that cool and special.

A very solid first half that has great art and introduces a cool new character. Unfortunately, the execution on the last few pages kinda drops the ball.

Gosh"a crime story that isn't trying to mix in any cults or demons or ghosts! Mix that with good art and you have a winner.

Another wonderful issue. Honestly, if you're a fan of Vertigo ongoing series, there's no excuse to not be reading this.

A fairly satisfying conclusion to a pretty solid series. Given the circumstances of this series, this was probably the best we could hope for.

Even though it feels a little rushed, this series is still hitting a lot of solid notes. It's also causing the reader to think and speculate in a way that few comics do.

Pretty good issue. Disappointed to not get a glimpse of zombieland England, but really enjoying the work that Abnett and Culbard are putting into the story.

Buy it. It's $3.99 and even ifyou don't love it".you can say your horizons were broadened.

Not bad, but nothing great either. Rossmo's art is kinda neutered by the coloring. The story will serve some people just fine, but I didn't find anything wonderful enough to come back for issue #2.

Dan Slott seems to have really enjoyed writing this issue. Lots of fun even if the art can't quite keep up.

Another one of those months where I could almost use a Control-V for my review: American Vampire is great and this is another example of why it's one of the best ongoing series on the market. It hasn't had an issue that was even "just okay" yet.

Very different from the usual fare. This is not only a major change of pace from superhero comics, it's also quite different than most material published by other "major indie" publishers like Image and Vertigo.

A very solid issue. It isn't great, but you won't remotely feel ripped off by it. It'll make a great summer movie one day.

A very good issue that answers a lot of questions.

Every time I get a little bored with The Unwritten, it cranks out an issue where it recaptures its mojo. This was that issue. We learn a LOT about how various events from the series tie together and are also treated to some wonderful art.

I wanted to love this, but it's a big, fat "meh". This blending of old and new is foolish detracts from both. I'd really rather see Dark Horse consolidate their new material in one publication, rather than smearing it across two series and including old material to fill out the issue.

A great capstone toan all-time classic Batman story.

In a very tight race, thismightbe pick of the week. I'll have to review my notes because there are so many good comics this week. What sets this issue apart are (a) Snyder's deft handling of "Dracula" and his powers and (b) Nguyen's diverse and excellent art.

A wonderful first issue. The basic concept for this story is clever and inventive, but Murphy has gone a level beyond that to create a tapestry of rich secondary characters.

This was the brutal issue that we knew was in Kirkman's quiver. Powerful and filled with images that will stick with us for a long time.

Some good elements, but the delay has kinda killed the story momentum. Still, the series has enough built-up good will and the creators are talented enough that this series deserves some flexibility.

Some good, some mediocre.

A wonderfully fresh and novel series keeps chugging. I can't wait to see what happens next.

Another strong issue of MG. True, it isn't answering all of the questions and is tossing out a lot of misleading things, but that's kinda how real life works too. I'm still waiting for another "knock my socks off" issue, though.

A few little flaws hold this back from the highest grades, but the overall story is interesting and I don't really know what'll happen next. That's always a good thing. Plus, there are some bonus points for not having a weepy wrap-up issue to Ends of the Earth.

Fans of the Hernandez brothers were probably already aware of this, but if you're looking for something a little different, you could do worse than sampling a 4-issue story from a modern master of indie-comics. Heck"even if you don't LOVE it, you'll get some street cred with the cool kids at the comic shop who won't touch an X-Men comic.

Another wonderful little issue. If you aren't reading this, it's well worth checking out.

A very comfortable issue that returns us to a familiar set of characters in a setting from the first AV story cycle.

Maybe not the definitive ending I'd hoped for in this penultimate issue, but still a masterpiece of violence.

A wonderful series keeps chugging along.

Outstanding production values and pretty art, but it still feels a little disjointed from what's been going on in recent issues.

Not really feeling it, to be honest. If you are, I'd love to hear it in the comments below. This series has "lost me" before only to rise back up, so it wouldn't surprise me if everything feels more squared away in 4-5 issues. But, for now".it's not great.

This issue was mostly reminding us of a bunch of characters who will probably die in issue #100. It's all prologue.

A pretty strong issue that wraps most of the Ends of the Earth plotlines (nothing on the MJ thread though").

A very worthy first issue. Ken Garing has created an interesting world and the art is tremendous. Check it out.

Another great issue. Not sure how this twist on the Wayne family will play out in the future though. Of course, there's always a chance that Snyder is pulling our chain.

Great issue. There isn't a single flaw in the book. Great art. Great story concept. Great pacing. Great writing. Satisfying for new readers and established readers alike. Reviewing AV is like grading the homework of the gifted children at school: you expect more but they still impress.

A frustrating first issue. We have a neat setting and some interesting characters, but I need a better sense of what the characters aredoing before I can get really excited. Still, given Brian Wood's track record, I'm not too concerned about the series.

At this point, there isn't much reason for new readers to hop onboard. But, if you're an existing reader, you'll find this issue to be pretty much like the rest of the series: Too many interesting characters for the pages allotted with wonderful art keeping you interested.

A very well-done comic that might have killed the wrong character. Brave.

A good issue with wonderful guest art, but I question the need for a flashback issue as the series is wrapping up.

Leaving value judgments aside, Dave Sim continues to show why the world is a more interesting place with him in it.

Even though I wish this series would snap to it a little more, it remains one of the best comics on the stands. Don't "wait for it to come out in collected edition". Read it now.

This is another wonderful issue of Deadwardians. Even though it lost some of it's differentiating cleanliness, it is still a very good comic. Why is this just a miniseries? I'd love a 30-issue run of this stuff.

A nice capstone on a 2-issue story that introduces some new critters to the AV universe.

Another a strong run of issues for TWD. We're building to something big and bloody here, but that shouldn't let us think that characters can only die in issue #100.

Wonderful first issue. This is why I read comics.

Very good. Excited to see how this story ends after the plot twists herein.

A very strong first issue. If you're looking for some modern-day espionage fun, this is a book to check out.

Not the most eventful, but it's still a quality "advance the story" issue. Lots of series fumble the ball on the middle issue of a story arc, but that didn't happen here.

Only two more issues to go. These characters aren't going to get a Shawshank ending.

A few hiccups, but still a pretty fine issue.

Lots of plot development in this one. No big explosions of action, but any TWD reader knows not to expect that until issue #100.

Formatting weirdness aside, this issue does a splendid job of wrapping the last year's worth of action and sets the stage for future stories.

Not an awesome issue, but still pretty strong, The path forward for Spidey and friends is very clear for the rest of this story arc.

This remains to be a good series to pick up for a non-comic fan who enjoys Game of Thrones. By playing the material and the art very straight, it will give new readers what they expect and perhaps make them fall in love with comics.

Pretty good comic. It isn't a new story and it is formulaic, but they execute on it well. Plus, I kind of appreciate that they're not trying to trick us into believing that a classic story is "new" by adding some twist.

The execution is a little lacking, but the art and story concept are strong and that is a good place from which to start. But, it's hard to enjoy a story when you don't know who some of the characters are.

Some hiccups in the visual storytelling are holding this story back. We shouldn't have to work so hard to tell characters apart.

I'm really enjoying this world. It's a very fresh take on the zombie apocalypse.

A wonderful issue that opens up some exciting new avenues for the AV story. The timing is great as well as we're about 2 years into the series. Just the right time to jiggle the status quo a little in case the readers were getting too comfortable.

A kinda quiet issue that takes time to develop a few characters while also giving us a big cliffhanger at the end.

This is clearly going to be a sharp series for Hickman and gang. Hop on now and enjoy!

A really good issue that dials back the crazy a little bit to give us more background on the central character.

Another really sharp issue of Prophet. Probably notquitethe tour de force that the first three issues were, but it's no slouch either. Can't wait to see where this series takes us.

The story makes a LOT more sense than the last several issues and the addition of Ramos on art turns a "meh" book into something that is very good.

A great kick-off to the event that plays “Aliens” to the previous arc's “Alien”. Incredible art (again).

Even though nothing really happened, TWD has a positive direction and a looming danger for the first time in year or so. That's good enough.

Haunt has found it's second wind after the departure of Kirkman and Capullo. It isn't the "greatest comic on the stands" but it's enjoyable every month and Fox's art is just tremendous. If only the story would stick in my brain after I close the book"

This is nice. If you're looking for a unique superhero story with swell art, this might be for you. But, it doesn't look like there's any hint of greatness here and I could do without the attempt to make statements about society's tastes in entertainment.

Lots of good elements, that don't quite come together to match the excellence of previous Pauly Bruckner stories. Doubtless there are readers who connected the dots better and enjoyed it more. This issue was like a joke where you didn't understand the punchline and therefore feel left out.

The pitch for this was probably: James Bond + Wanted + Kick-Ass. If you enjoy those, you'll probably come to enjoy this series even though the first issue was mostly introduction. Plus, quality art from a classic artist we don't see enough of nowadays.

The hook is set! Due to its skillful use of pliers and Hickman's past track record, there's no reason not to come back for the second issue. Violence and conspiracies are a powerful mix!

It may be disappointing that we didn't get a more powerful send off for the series as a whole, but this was still an outstanding ending to this story arc. I'll miss Northlanders a lot.

The art is stunning and Sim has some things to say too. It's not a comic story in the traditional sense, but spending $3 on something like this that will never be sucked into an "event" and gives you a glimpse into the mind of one of our greatest living drafts people is well worth it. This comic makes a lot of other comic art look like garbage. It's also an intensely person comic. You get the idea that Sim is just making this and doesn't give a damn if anyone even buys it.

A nifty little issue. I'm not sure it was what the series really needed with only a handful of issues left, but it is what it is"

There are nice moments in this issue. Al Gore getting punched in the face was sweet. But, those nice moments aren't enough to overcome the problems presented by a very stale set of villains. Can't Spidey fight against someone new instead of fighting these guys for the upteenth time? We know how this turns out so there is no drama.

This series just keeps on trucking. Lemire has concluded another chapter with a bittersweet moment and left a lot of room for future stories.

And, that is part of the problem with this new Creepy series. Jennifer was first published in 1974 in Creepy #63. Dark Horse has been consistently plucking gems from the old Warren Publishing Creepy Magazine and I can't fault them for that too much. I DO have the issues, but most people don't and it probably encourages people to buy the collected editions. But if you cherry-pick masterpieces like "Jennifer", they make the modern stories look "meh" in comparison. In some ways, it isn't really a fair comparison because "Jennifer" was better than most of the contents of Creepy back in 1974 too. An interesting issue. The new material has some bright spots, but the hands-down star is an almost 40-year-old work. I'm not sure publishing current stories with all-star material from day's past is the best publishing move.

A really strong issue of Elephantmen that ties together two eras of storytelling and opens a lot of exciting possibilities for the future.

If you're a Templesmith fan, it's probably worth checking out this series in trade since he doesn't do a lot of comic work anymore and the dude has a very unique style. But, for a single issues reader, it's really hard not to give this issue massive demerits due to the delays that sapped any emotional resonance that might have been there.

Vertigo has another winner. I'm a little disappointed that this is only an 8-issue series because I'd love to see more of how Edwardian London would deal with the zombies.

The AV team brings this arc to a rousing conclusion that is fun and adds to the AV mythos. Nice job (again).

I guess this was okay. I mean, I'm not in any danger of dropping TWD, but this issue (and other recent issues) are going to be really disappointing for us folks telling fans of the TV show, "You have to read the comics. The comics are so much better."

Another great issue. Even if I have a hard time describing it, I don't have any qualms about recommending it.

This was a pretty good ending to this miniseries. I like these characters and I enjoy the story. Plus, it's nice to see someone who is such a veteran of the industry pointing out how foolish superheroes really are while also telling a "never give up" story.

Well-worth checking out unless you're just opposed to apocalypse stories on principal. This has all the mystery and danger that make these sorts of stories fun and it is drawn by an outstanding artist. It's hard to go wrong with that combo.

Another great example of IDW giving Rocketeer fans some great material. It's hard not to be impressed with the respect that IDW gives to properties like the Rocketter.

This story overcomes a lot of things with me (derivative story, art more realistic than I typically like, etc.) to be a very satisfying first issue. I'm very eager to see what happens with Millar's gang of criminals as they try to pay back the mob. My only complaint is that the comic has atouchof plastic-y, artificialness to it" As if an excellent meal was prepared from a recipe" But the execution on this issue is impossible to ignore.

It makes me sad that I don't like this more and can't say nicer things about it. I wanted to, but the comic just didn't give me much to work with. The art of Denys Cowan will keep me around for a few issues to see if the story starts to click, although lovers of New Orleans voodoo culture may love this.

This was a nice first issue to a story arc, but that's it. It's probably not as good as I'd hoped for, but that's to be expected when I'm not really digging on the art. But, that's a personal taste issue more than anything else.

Another very strong issue. Probably not as powerful as issues 5 and 6, but for the sake of drama we needed a calm moment before whatever crazy finale the guys have in store for us this summer. Isn't it splendid to justknowthat it'll be awesome?!?

This is a really hard comic to review every month because the story kinda defies description; there aren't "major events" to discuss or worry about spoiling. The art is tough to review too. While all the art is wonderful, it's hard to drill down on an artist when each guy is only doing 2-3 pages. But". if you're not reading this, you're missing out. Just the craft in this comic is incredible and it makes you angry that more comics can't exhibit this type of professionalism. I can't decide if Kalvachev is the next great cover artist or the next great managing editor.

Great climax to a story that has been holding my interest for several years now.

Just a great issue. It tells a wonderful story that is full of power and subtlety. And Zezelj is one of those artists to look out for because he brings his A-game every issue.

Go buy this because it's great. I really can't think what else I'd want this comic to do. It starts with a modern myth (DB Cooper) and winds a funky story around it. I kinda hope this is what really happened with Cooper because it's much cooler than thinking he merely died in the wilderness after jumping from the plane.

This story arc is almost over and it's time. It has some interesting ideas, but we when a publisher screws up the length of the arc, you DO have to work to see the positives. Why must everything be long? How many times in comics have we said, "Gosh! That ended too fast!" and even if that DOES happen, the publisher can always revisit the material later. Still, I think the Joe books are worth checking out. They're entertaining and have stakes and that's enough for me.

Another great issue. This is rapidly becoming on of my "top 5" comics due to the art and intriguing mysteries.

Hey, guess what? Another very strong issue of Amazing Spider-Man! Going back to #600 (including the two .1 issues), they've had 77/84 be really strong. That's quite a run!

A really good issue. This sets things up for a pretty powerful finale as just about all of our characters are in perilous spots.

A very nice miniseries comes to an end. It turned out to be a very good and beautiful Young Avengers story. I'm a little disappointed that it didn't become a great Marvel Universe story, but I probably got my expectations too high. Well worth checking out!

A very promising first issue. The idea of Hickman toying with the lost secrets of WWII research is tantalizing AND there is that whole "other plot twist" thing that introduces some conflict to the story. This should be a very good series.

I wish we could have Orc Stain every month, but that's just not going to happen. So, we just have to enjoy the beautifully illustrated adventures of One-Eye whenever James Stokoe chooses to grace us. This is an excellent and unique artistic showcase.

A few, jaunty issue of ASM that has a few little teasers of events to come.

A little slow. I know there'll be a big explosion of stuff around issue #100, but I really don't want to wait 6 more issues for something to shake this book up. I need an appetizer before the meal. Nevertheless, a weaker issue for TWD is still pretty good.

It's bitter sweet. The series is about to end and I don't want it to go, but it looks Aaron is very committed to giving the characters a proper sending off.

I'm still not sure what the heck the main story is about, but I quite enjoy the flashbacks to comics from a simpler time when children were allowed to read whatever they wanted, back before parents and government officials worried about the damage being done to their poor minds! Wonderful and unique art too.

Another very strong issue. Itisissue 3 out of 4 in this story arc, so it doesn't have any stunning revelations but that's to be expected. But, it is well-written, well-conceived and well-illustrated. If you aren't reading AV, you're doing it wrong.

Every time the GI Joe books cycle back around to Cobra is a high point for the overall story. The bad guys are just more interesting than the good guys. Honestly, I wouldn't mind just reading about Cobra a la Secret Six.

Another very solid issue. Sure, it gives us more mysteries just as it is answers questions that we weren't asking, but that's kinda the point of the series and we are slowly getting some answers about what the Morning Glories Academyisn't. Check it out.

Image has a hot one here! Unless you are slavishly devoted to "superheroes only" or cannot enjoy a comic without photorealistic art, I can't imagine anyone not enjoying this comic.

How to get it:It's probably too late for a comic shop to pre-order the issue from Diamond, but you can check with your comic shop and have them set aside any issues they've ordered for the shelf. Or you could be all modern about things and read it on a digital device where Image is doing same-day digital releases.

The art is incredible. You won't find better realistic linework in comics today. If artists are going to draw in a realistic fashion, THIS is what is needs to look like (unfortunately, most artists aren't as talented as Mr. Sim). And the story is just the biggest pile of nutty that you're going to find. If you like comics to be a little different, you really should spend $3 every couple months when Glamourpuss comes out.

Batman is almost defining it's own grading scale for me. I actually think this isbetterthan Batman #5 because it lacks gimmicks and succeeds purely on its comic brilliance. This is the best superhero comics I'm reading right now.

The story is pretty straightforward, but the art is a big improvement from last issue. These are difficult issues to draw and the addition of a separate inker seems to have helped the final product.

While I wish this series would pick up the pace a little bit, this is another high quality issue. It will be interesting to see how the final few issues of this War of the Words arc play out.

This comic has all the proper elements to be successful: excellent writing talent and snappy art that is appropriate for the subject matter. The only thing holding it back for me is the subject matter (cerebral thieves), but your mileage may vary.

A very solid issue that basically takes a classic clash between the old man of the family and the young buck and transports it into Viking times. Wonderful art from Zezelj. I wish we got more art like this.

A great finale to this miniseries. I hope we haven't seen the last of these characters and creative team. You won't find a better told and illustrated pure horror story in recent comics.

A funny comic with some nice cartoony art. The humor isn't really my style, but I know a lot of people will problem enjoy it. The more problematic issue was that the story spent more time on less interesting things instead of showing us the protagonist (who has potential). That's the type of thing that can be address in later issues if folks stick with it. I'm dropping this for now, but could be talked into reading future issues if the story-telling structure improves. Not a bad comic, but (as I said) this comics landscape is SOOOO crowded that there is no call for reading books that don't have a spark of excellence or that stumble in certain areas.