There are some interesting twists in Jackpot and Black Cat, but there remain quite a few stumbles along the way.

The eighth issue of the series is a light and breezy read, which capitalizes on the humor of the Cryptids and how you can't always be sure what to expect when Ahoy lets creators loose on these urban legends.

Taking the chance to release a new series at comics' hottest new publisher DSTLRY, Spectregraph #1 features the horror writer as his scariest and most disturbing depths to date.

W0rldtr33 has the legs to be the best horror comic ever created and I can't wait to see where it goes in the future.

While the Batman/Superman Annual might have started the story, it isn't essential to enjoying the beginning of this new arc. World's Finest continues to be the gold standard of current super hero tales.

Blaze and his ally also felt like a bit of an afterthought here, but still Final Vengeance is working well on revving the engines of an interesting premise.

War Journal remains my favorite Green Lantern comic book on the market today and here's hoping that John continues to fly high far into the future.

It's a good enough series overall, but it never sprints as fast as Adams' past work with Wally West.

Justice Ducks is a light, breezy read that is able to capitalize on its characters but ultimately feels a tad lacking when it comes to creating something that could be more than its window trimmings.

Lotus Land is able to stick its landing as the mini-series brings its story to a satisfactory conclusion, if not a conclusion that is both life affirming and somewhat unsettling at the same time.

Boom has found a niche for itself in creating some of the best horror comics on the market today, and The Displaced earns its place amongst them as it continues to pitch twisted curveballs at its readers.

Spectacular Spider-Men feels like a gift to both old and new fans of the web-head and it's not to be missed.

Mutant Menace is a fun romp despite the troubles and tragedies facing Marvel's mutants and I look forward to see where Ms. Marvel goes next in this series.

Tomasi and Georgiev give readers, in my opinion, the best issue of the series focusing on the sons of General Zod and Sinestro to date with this one.

It's no easy to task to add nuance and character to a villain that has long since been dead, while also placing shackles on a creative team that they can only work with said character during a specific time in his life. Luckily, Marvel found the right creators for the job as Greg Pak, Adam Gorham, and Paul Fry are able to weave an interesting look at Vader while planting some interesting seeds for the future.

Redcoat is one of the wildest, most unbelievable comic books I've read in some time, and I'm still trying to figure out if that's a good thing.

Ultimately, this issue's biggest strength, and greatest weakness, is its adherence to Spidey-lore as those looking for a story that elicits that 1960s feel will find what they're looking for here. Unfortunately, the biggest hang-up is the fact that this book would hit harder if you were to read proceeding chapters from DeMatteis that came out almost decades prior to this one.

Ultimately, Cemetery Kids Don't Die is one of the horror comics to watch right now, and I'm anxious to see where the spooky story goes with its remaining issues, especially considering the skin crawling finale here.

Jackpot & Black Cat has the bones to be a solid superhero outing, but it needs to lay additional foundation on the structure of this issue to make it a real winner.

If you're a big fan of villain tales, this is an issue to grab, especially when it comes to capturing the true menace of the Joker and what other villains do in the face of that.

There are many moving pieces in War Journal but they are moving in unison to create the best Green Lantern comic book available today. Here's to hoping that John will have his own solo series for some time to come.

. Should the final issue stick the landing, the mini should be looked at as one of the best noir comics in recent memory.

Ultimately, Midlife needed a spark to differentiate it from the crowd, but it's a spark that felt missing in many instances.

It feels like "John Crow" and "The Monster In The Window" scratch the surface of their premises but refrain from exploring their worlds, to the issue's overall detriment. Still, this new Project: Cryptid is a light, breezy, and fun read.

The new horror book from Boom is examining some interesting angles of this creepy setting and I'm interested in seeing what the creative team has in store now that all their pieces are on the board.

Ghost Rider: Final Vengeance #1 is a strong enough start for this new era of the Spirit of Vengeance. There are a few dents in the cycle that stop it from being a timeless classic in Ghost Rider's arsenal but there's enough from Percy and Kim to have readers on board.

Ultimately, Sinister Sons is still continuing a good enough opening salvo, but needs to stick to one artistic identity moving forward.

The ending comes a little out of nowhere in terms of setting the stage for a new mystery, but it's a solid outing thanks to the writers and artist Scott Godlewski.

With what I've read so far in the premiere issue, Wiesmann and Ramos might have the premiere Spider-Man comic when it comes to the main Marvel universe on their hands.

Garrick's latest series is one that manages to cross the finish line, but is missing a major spark to help it find its way into the Speed Force.

Jeff Parker and Ciro Cangialosi are able to juggle quite a few moving pieces here, giving Negaduck a finale that works well for his villainous personality.

I'd be anxious to see what the creators could do with a third volume, but this second outing doesn't stick the landing by any stretch of the imagination.

Now seems like a fantastic time to be a comic book fan who has been dying to see more horror in the medium, and The Ribbon Queen acts as a nice brick in the overall foundation.

The final pages inject more horror into the proceedings, but pound for pound, W0rldTr33 still has my vote for the best horror comic book on the market right now.

World's Finest continues to live up to its name and I find myself continuing to think of new ways to praise the creative team on a regular basis.

Cemetery Kids Don't Die is a strong start for this miniseries. It's not perfect, but it does a fantastic job of dragging readers into its world while giving comic and horror fans alike quite a bit of grotesque eye-candy along the way.

There are more than a few interesting angles in John Stewart's solo series, I just wish that the comic would focus far more on those angles specifically moving forward.

It's a strong series and one that proves that Boom is having a golden age of running the gamut on different genres that aren't focused on nearly as much as they should be in the comic book world.

Like a snowball rolling down a hill, Midlife appears to be growing bigger and more confident in its story, and I hope that this trend continues.

Ahoy's anthology series is an experiment of ups and downs, as the stories themselves vary when it comes to the quality of the tales focusing on the beasts of legend. Luckily, the sixth issue of the series is a strong one, as the Chupacabra and Bigfoot get energetic, and often creepy, stories that do well at representing both.

It's another strong showing for Boom and shows how the publisher is able to rely on originality to make some of the best comics on the market today.

"Gang War" continues with a fast-paced, energetic story that both finds its strength and weaknesses in its reckless abandon-like structure.

With Jonathan Kent and Damian Wayne not hanging out with one another as much as they once did, thanks to the former's growth spurt, Sinister Sons has captured the feeling of fun that the Super Sons had in spades.

A fascinating beginning for the makings of another successful Boom horror story.

If you're a fan of any of these characters, and want a light-hearted romp that has quite a bit of hilarity in its pages, this is definitely worthy of your time.

We're saying goodbye to Avengers Inc. far too soon, but luckily, the now mini-series goes out with a bang. Nearly all the subplots are wrapped up here in a neat little package, while planting the seeds for this new team of Avengers, and Hank Pym's Lethal Legion, to have roles in the Marvel Universe in the future.

In reviewing the World's Finest comic book franchise, I have said time and time again that this remains the pinnacle of superhero storytelling for DC Comics in our modern age, and the Batman/Superman annual doesn't buck this trend. The annual issue works on a number of different levels, with the originator of the World's Finest umbrella, Mark Waid, planting the seeds of the wild challenges facing the Dark Knight and the Man of Steel in the future. What the issue also does is traverse the lesser-known corners of the DCU with a modern flair.

Ennis and Burrows' penultimate issue starts peeling back, pun intended, the lore surrounding the Ribbon Queen and in doing so, injects some of the strongest horror beats of the mini-series so far.

Titans: Beast World was a good example of how a comic book crossover should be done in this modern era and has a strong enough finale to rank as one of DC's most solid.

I originally thought that W0rldt33 had a fine ending with the conclusion of its fifth issue, but the creative team is finding a strong second arc here, while sowing some unnerving seeds at the same time.

There are a few chuckles to be found in this opening salvo, and the story works well as an all-ages read, but I just can't help but think that the new Justice Ducks series could have been more.

Lotus Land might only be six issues, but here's to hoping that we'll see more of this environment in future stories from Boom.

While the art from the third and final story might be enough to sell this issue on its lonesome, there isn't a lot else here worthy enough to help sell this fifth issue.

Ultimately, while this issue might feel like one of the weaker of the series so far, it still makes for a fascinating read that is able to focus on the strengths of this Titans-focused crossover.

Batman/Superman remains the pinnacle comic book to recommend for superhero fans and it doesn't seem as though that will be changing any time soon.

Ultimately, I do wish the storyline from the Revenant Queen was a bit stronger, but the series' heart remains as strong as a Green Lantern battery here.

Jay Garrick: The Flash doesn't run as fast as Adams' previous time with Wally West and that's a shame, though it does hit a few sprints along the way.

Abbott works so well at mixing the mudnane and with the supernatural, and even if you aren't familiar with the character's previous mini-series, this is a comic to give a shot.

Buccellato and Simeone give readers one of the strongest issues of Midlife so far by revealing some hidden layers to the world's newest superhero.

Beast World remains a solid outing for DC Comics in its roster of crossovers. Taylor has such an in-depth knowledge of this super hero universe that he is able to seamlessly use characters, old and new, when it comes to weaving a story that, on paper, sounds a little ridiculous.

Sometimes, thinking outside of the "kitty" box can work wonders, and while Marvel Meow isn't necessarily a home run, it's a solid enough entry for fans of both the Marvel Universe and felines in general.

The Beast World Tour perhaps doesn't need to make so many "stops" along the way but there's luckily at least some diamonds in the rough with it.

It's sad to see Ewing and Kirk only being given so much time with this ingenious premise, but it certainly does seem as though they're aiming to end the series with a bang and I'll be here for it.

This issue is heavy on dialogue, and when that works, it works, but it also tends to suffer thanks to it.

On its face, Beast World has a ridiculous premise, but luckily, much like Bucky being brought back from the grave in Captain America, Tom Taylor is able to lend enough creativity to make it a hit.

W0rldtr33 continues to earn its title as a comic book must-read for horror fans.

This comic book is a masterclass on big superhero battles and characterization and in a perfect world, the series would march on for eternity.

War Journal makes for a solid entry in following a Green Lantern who doesn't get the spotlight nearly as much as he should.

Jay Garrick's series works well as a follow-up on Jeremy Adams previous Scarlet Speedster run that focused on Wally West, only it's not quite as strong at the end of the day.

Darcy Van Poelgeest and Caio Filipe have something really special on their hands with Lotus Land, as the second issue helps expand on the interesting setting of the premiere outing and lets it breathe.

I think Kill More remains fine enough, but it needs a spark to really get the engine running with its unique premise that feels like its stalking the reader around each corner, but doesn't deliver the killing blow.

While I think that the second issue doesn't quite live up to its predecessor, mostly when it focuses on the animalistic heroes and villains, the second issue only stumbles slightly in its full sprint.

While I do wish this did a bit more to get new readers up to speed, this definitely is a fun and light read that works well within the parameters of the hilarious concept of Beast World.

Mark Waid truly has created something special with the "World's Finest" line and I hope that the excellent ending of Teen Titans, and the issues proceeding it, will open the floor to more modern takes on DC's Silver Age.

Midlife tends to stumble in its story, and it's a shame that the tale following Ruben's superhero career isn't as hot as the fires he is attempting to put out.

As is the case with the first two issues, Parker and Cangialosi have a great grasp on the doppelganger and what makes him tick.

Nights feels like a dark horse must read for 2023 and it deserves your attention.

Ultimately, the Beast World Tour is solid enough but could have used a little something extra to justify its cover price.

Dynamite's Darkwing Duck had its ups and downs, but I'd be anxious to see more from the world of St. Canard.

Steelworks pays homage to John Henry Irons as a character and it lays the groundwork for plenty of interesting territory to cover should DC decide to do so.

The Titans represent a perfect mix of down-to-earth storytelling and the "gods walking amongst men" feel that the DC heroes exude in these pages, suggesting an incredible crossover ahead.

Whether you're an Avengers fan or simply a fan of all things Marvel, Avengers Inc. delivers a worthwhile read when it comes to interesting detective work, something that we don't see that often in the superhero realm.

World's Finest is, simply put, superheroes at their finest and it's a strong recommendation for fans old and new.

War Journal is a series worthy of one of the greatest Green Lanterns so far.

While this issue does continue to lay the groundwork for the current mystery surrounding the Garrick family, it also falls a little short when it comes to following up on the series' premiere.

Boom's latest cyberpunk noir story, Lotus Land, creates a fantastic setting for what is looking to be an emotional story with shades of Blade Runner.

I had an absolute blast with this issue and didn't expect this to be one of the funniest comics of 2023.

Sometimes it can difficult to think of new ways to sing the praises of DC's World's Finest series, but World's Finest: Teen Titans can often make it easy with its dynamic storytelling and fresh ideas.

Sometimes it can difficult to think of new ways to sing the praises of DC's World's Finest series, but World's Finest: Teen Titans can often make it easy with its dynamic storytelling and fresh ideas.

Issue two feels like a slight step up from the premiere issue and I'm excited to see where the rest of this series goes when it comes to following the life of Abbott.

When all is said and done, these mini/maxi series work best at following the Joker and they do well at giving DC fans some interesting takes on the premiere Bat-villain.

It's possible the series could turn things around, but these first two issues fail to hit the mark.

This issue is a celebration of a bygone era, and whether you're a fan of that time period or not, it's worth your time to pick up this Anniversary Special.

Ultimate Universe #1 is a squeaky wheel that gets the car past the finish line but definitely could have used more grease. The future seems bright for Hickman's new universe, but this isn't a roaring success.

Black's Myth ends strong, once again showing how the series is one of the best offerings that Ahoy Comics is currently putting on the market today.

Some of the creepiest scenes make for some great horror fare, but it feels like Kill More has a few too many cooks in the kitchen to deliver a salient blow in the spooky season.

While I wish they went into a bit more detail about Negaduck's character and backstory, Parker and Cangialosi have carved out a fun part of the Darkwing universe for themselves.

Savage Squad 6 had the bones of a solid enough action story, but unfortunately never told a story to drag readers kicking and screaming into its world. The story of the 6 is one best forgotten.

I'm really rooting for Steelworks and issues like this are why.

With the series now halfway through, here's to hoping that The Ribbon Queen is able to continue to push the boundaries and lean further into its strong horror strengths when all is said and done.

Ewing especially really shines here, not only giving some great characterization to the trio of Avengers helming the series, but mining the deep ore of Marvel continuity to spin an interesting yarn in Avengers Mansion.

I've said a number of times in my past reviews that World's Finest is creating DC's best comics and World's Finest continues to live up to that statement.

Johnson and Montos have a girm hold on the character of what many consider to be the greatest Green Lantern and with a series like this, they're helping to prove it.

If you must pick up one Halloween anthology comic this year, this is without a doubt your best bet and here's hoping that Dark Horse will continue the tradition for many years to come.

While the premiere issue doesn't necessarily have a major hook to reel fans in, Jay Garrick and Flash fans will find a worthy spin-off series to run alongside one of the Justice Society's biggest members here.

First issues are really difficult because as a reviewer, you're reviewing a small part of a whole and while this first outing doesn't necessarily hit a home run, it does hit a double.

It's a fun breezy issue, though it isn't able to hit the higher standard that was set by the series' initial outing.

Hot on the heels of the success of Across The Spider-Verse, Spider-Man: India is simply a disappointment for what could have been a much better introduction to the character.

Waid is firing on all engines here when it comes to characterization as well as thinking of interesting ways to bring Silver Age elements into the present seamlessly.

Abbott: 1979 works to explore an interesting world that blends the mundane with the supernatural via the perspective of an even more interesting protagonist.

The artwork and battles taking place are interesting, but ultimately, the Annual feels like it is lacking meat on the bone and might have worked better in a story that spanned a few pages rather than a full, extra-length issue.

At $9.99, the single issue does justify its price with more good than bad here and if you feel like getting into the Halloween spirit with the DCU, you can't go wrong with Ghouls Just Wanna Have Fun.

This penultimate issue feels like one of the series' weakest to date, but that's more thanks to some of the interesting moments we've seen in the series so far.

It's a delight to see Drake bouncing off other characters here, hero or otherwise, and the storyline seems to be ramping up into some interesting directions.

Considering 75% of the issue takes place in a drab office building for most of its fight scenes, this take on Marvel's wallcrawler simply falls flat with what it ultimately could be.

While Ribbon Queen might not be the best horror comic of the year, it's a strong contender.

The series as a whole is worth a read for its characterization, art, and integration into the DCU, but a smaller scope would have vastly elevated the Wildstorm reboot.

The conclusion of the latest flashback arc feels like the series' weakest to date, but that doesn't stop it from still being one of the best books that DC Comics is printing in the superhero world today.

Here's hoping that Black's Myth has a long future ahead of it at Ahoy as the universe of Strummer and her fellow detectives clearly have a vast, interesting universe to explore.

War Journal feels like a great new introduction to John Stewart while working with a new status quo for the Lanterns that ups the ante for the superhero.

Savage Squad 6 is an easy one to avoid that is riddled with problems and fails to justify its existence when all is said and done.

As first issues go, Avengers Inc. delivers and sets the stage for stories that think outside of the Avengers' box.

It's not a perfect opening salvo, but it's captivating enough to warrant sticking with the series to see where Colonia is headed.

Whether you're a fan of Darkwing Duck or not, this first issue has enough to enjoy when focusing on one of St. Canard's greatest villains, even if you haven't been keeping up with the main series.

Ultimately, Echoes feels like a worthy tale for die-hard fans of the original Trek, though might not do the trick for those who are looking for a new entry into Star Trek lore when IDW currently has so many more offerings to expand on the sci-fi universe.

Whether it be through Batman/Superman or with the Titans, Waid's new imprint simply can't miss and remains a strong recommendation for those who are looking for one of the best superhero comics on the market today.

The Joker: The Man Who Stopped Laughing #10 is another worthy addition to the series, though it stumbles a tad with the heroes' side of the equation as it feels like there simply isn't much for them to do here. Ultimately though, this latest story focusing on the Harlequin of Hate is a compelling read and weaves a tale worthy of the Joker.

Ultimately, Project: Cryptid justifies a buy for only $3.99 but the flaws are a little tough to ignore.

Steelworks can be rough around the edges at times, but makes for a worthy addition to John's superhero resume.

Even if you're a hardcore Spidey fan, Spider-Man: India is an easy pass, with this issue feeling like the worst of the mini-series so far.

Even if you're not a Riddler fan, Year One is a subversive, cerebral thrilled that demands your attention.

WorldTr33 fires on all cylinders and this comic series makes for a horror fan's dream when it comes to creating a comic book that is both terrifying and compelling. This is 100% the horror comic to watch.

Black's Myth is the one to recommend from Ahoy's arsenal and it's a solid recommend for comic fans looking for something outside of the box.

In relying both on the original series' continuity and spirit, while injecting new humor into the arc, Darkwing Duck finds its footing where it stumbled in the past during its short Dynamite tenure.

Dead Romans is a recommend for those die-hard enthusiasts of Roman history, but doesn't have much else to offer the comic reading populace.

This is an easy skip unless you're looking to add all the "Knight Terrors'" tie-ins to your comic collection.

The Ribbon Queen is an unsettling read but worth checking out if you're looking for a horrific comic to add to your horror collection.

World's Finest has become the gold standard at DC Comics, with Mark Waid possessing a thorough understanding of what makes the comic book line's biggest heroes and villains work.

If you're looking for a light, story packed one-off focused on Marvel's Merry Mutants, this might be worth your time.

Ultimately, the series simply falls flat in getting readers to care about the characters and in doing so, misses the mark on conveying its interesting world.

Knight Terrors: Zatanna simply doesn't have enough going on to justify the series' existence with its conclusion, though Baldeon is able to give the limited series some just via the artwork.

Ultimately, there's still plenty to dig with what Rosenberg, Segovia, and Derenick are doing here, the series could just be so much more than what we're given.

Once again, World's Finest remains the gold standard for DC Comics and I'm crossing my fingers that the trend continues.

While the issue, and series, ends with a thud, that doesn't stop this "Knight Terrors" tie-in from justifying its existence more than a few times over.

Steelworks feels like a worthy return to John Henry Irons and re-invigorates his place in Metropolis, it could have just used some fine tuning to get rid of some of the chinks in its armor.

Avengers Beyond is a sloppy, confusing mess that should have never seen the light of day. Avoid at all costs.

If you're a fan of the Titans, this might be worth your time to explore their psyches a bit more, but otherwise, it might be a tie-in worth skipping if you're not a "Knight Terrors" completionist.

This feels like a Spider-Man story that we've seen all too many times before and by not breaking the wheel, misses out of some exciting territory for Prabhakar in the process.

While the premiere issue is dialogue heavy, it works well in terms of what the creators are going for and definitely worth a shot if you're looking for a great horror comic.

W0rldTr33 takes an interesting scary concept and perfects it.

World's Finest has its heroes and villains as larger than life and the conclusion of this latest arc once again cements the series as DC's best superhero book on the market. Juggling so many heroes and villains can be a scary trial but Waid and Mora make it look easy.

Black's Myth, to me, is Ahoy Comics' strongest outing yet.

As mentioned in earlier reviews, Dynamite's Darkwing Duck both exceeds and lags in its adherence to the original series, but this latest issue certainly tends to stray more into the former than the latter.

Dead Romans has its ups and downs as a mini-series but there's certainly more to like here than the admonish.

While Zatanna's spells here don't break the mold in terms of originality here, and fans unfamiliar with both characters might be a bit confused when it comes to the ghosts of their past making a comeback, it's a worthy entry for this nightmare-fueled event.

Dark Horse Comics latest gun-slinging post-apocalyptic series offers a serviceable premiere issue, but little outside of that.

There is a lot happening in WildC.A.T.s and in that, the series can often buckle under the weight of the sheer amount of subplots and elements that are happening at any given time.

This feels like a book that is simultaneously tailor-made for old and new fans alike and demands your attention.

If there's one "Knight Terrors" book you should give a read, it's probably this one.

There were some shining moments in this final issue but Mosely ultimately fell under the weight of the grand ideas that it was trying to convey over focusing more on its characters and what could make them work to the reader.

If I had to choose between this and the first issue, I would say this edges out Steelworks #1 thanks in part to its interesting character back and forths and much stronger conclusion.

Avengers Beyond simply doesn't justify its own existence and is a mini-series that you can easily avoid.

While there are some interesting swerves here, the sixth issue buckles under the weight of the sheer amount of characters that are dropped into the battle.

This issue is amazingly disturbing but it's one that definitely could be tough for traditional comic readers to connect with.

If you're a horror fan, this is the book to watch.

Waid and Mora are telling a superhero story for the modern age that both modernizes and pulls on the classic elements that make the DC Universe work.

The Key To His Heart is a fantastic re-entry into one of Ahoy's biggest series and might work as a better story than its predecessor.

Dead Romans is able to find some footing here, so hopefully, this issue is foreshadowing of what's to come and can maintain this level of quality.

Now is just about the best time ever to bring back Spider-Man India following the juggernaut that is Spider-Man: Across The Spider-Verse. Unfortunately, the Pavitr Prabhakar here lives in a world that doesn't feel close to as alive and vibrant as his cinematic counterpart.

There's a lot to like when it comes to this new series focusing on one of Wildstorm's biggest teams, but there are also just as many chinks in the armor when it comes to Grifter and company.

It's time for Jeremy Adams run on the Scarlet Speedster to cross the finish line and in this "Celebration of Wally West," you couldn't ask for a better swan song.

While this issue feels like one of the weaker of the series, that's only thanks to the high bar that the creators have set for themselves.

Steelworks has some chinks in its armor, but it's a solid start and a definite buy for both Superman and Steel die-hards alike.

Avengers Beyond is an absolute trainwreck and I dread each release date when I have to open the next issue's pages.

W0rldTr33 is hitting all the right notes to conduct a malicious symphony and I'm anxious to see where the mini takes readers.

Deibert has an excellent handle on all the characters of St. Canard, and this series feels tailor-made to die-hard Darkwing fans, though your mileage may vary if you weren't originally a fan of Disney Afternoons.

With the series only having six issues in total, Dead Romans needs something in quick order to spice things up.

World's Finest is able to take on the monumental task of not just combining the Superman and Batman families, but exploring the DCU at large and Waid and Mora do so seamlessly.

All the artist shifts this time around can be a little jarring but the latest Flash entry does well at capturing some major universe-trotting moments.

At the end of the day, Mosely has me thinking what could have been rather than what it currently is.

This series feels like its having one of the biggest identity crisises in the comic book world this year and luckily, it's one that you can avoid.

Story-wise, it could use a little more "meat on the bone" but this feels like more of a feast for the eyes in this alternate history story. If you're a history buff or are looking for a solid story that plunks readers into the story of Rome, this might definitely be worth your time.

While the story of the future Riddler might have some "serial killer tropes" in its pages, Dano and Subic are able to weave an excellent, and downright creepy, story of how one of Gotham's biggest villains was born.

Run, do not walk, to read World's Finest.

Ultimately, this latest iteration of the terror that flaps in the night is solid enough, it's just lacking a certain oomph that the previous Boom Studios comic had.

While this latest issue doesn't break the wheel, I found myself smiling throughout and certainly the hilarity of introducing a character named "Reverse Grodd," Gorilla Grodd wearing the Reverse Flash costume for the record. Sometimes, making a reader smile throughout can be more than enough.

Horror is tough to capture in a comic book format, but this premiere issue feels like its doing just that with righteous abandon and a narrative that seems terrifying for all parties involved.

WildC.A.T.s almost requires the reader to have an in-depth knowledge of their previous universe to appreciate what is happening with the characters now, but the story still has some worthy nuggets making it worth checking out.

"The One-Minute War" isn't a perfect story, but it's an incredibly good one all the same.

The Man Who Stopped Laughing remains a fantastic outing for the Joker and justifies its existence in following his reign of terror thanks to Rosenberg and Di Giandomenico.

For a series that prides itself on one man fighting against hordes of heavily detailed, wild automatons, the heart of Mosely finds itself when the titular character is able to have simple interactions with his loved ones.

There's some things to like in this story, but it misses the mark so often that it's simply difficult to recommend this even to the most die-hard of Avengers fans. This one's an easy pass.

A solid end to a solid series.

Pak and Garcia have created an interesting, worthwhile finale for Marvel's emerald bruiser and should the two never return to Banner's world, this makes for a beyond-satisfying send-off.

World's Finest remains the top superhero book for DC Comics and its main competition is itself in comparing each issue to the last and so on.

Dead Romans needs a big hook in moving forward and I'm crossing my fingers that there's more than meets the eye here.

This issue does have some rough edges, especially when it comes to the jarring artistic shifts and the idea that all the damage the Fraction has done will be hand-waved. Still, I have to bring attention to the jaw-dropping final page which might be one of the biggest DC shockers of the year.

Luckily, Deibert and Lauro are moving away from this and injecting some interesting story beats into the life of Drake Mallard while bringing back familiar supporting characters.

The Last Barbarians is simply a chore to get through and I don't know the best way it can change course.

The latest WildC.A.T.s feels like the weakest in that the lack of Grifter means that the massive cast shoulders the responsibility of the storytelling here.

Adams continues the "One Minute War" by injecting some fantastic superhero action with this latest entry, much of it focused on Wally West's speedy daughter Irey, with an assist by the original Flash, Jay Garrick.

The Joker is a character who many might think, and rightfully so, that he wouldn't be able to sustain his own solo title, but I'm happy to say that those readers would be proven wrong with this latest outing.

Gilded City remains a prime example of how to take a video game tie-in, add interesting, original elements, and run with it as Narcisse and Abel are able to do once again via this solid issue.

An amazing character study that will hopefully go down as one of the best Riddler stories ever put to paper. I cannot recommend this one enough.

Seeley and Kotian do a solid job with the parameters they are given, even if the Forgiven feels like a team that time has long since forgot.

Waid is joined by artist Emanuela Lupacchino for this latest issue, which departs from the "Boy Thunder" arc and gives us a hilarious outing that is definitely one of the best issues to date. Considering the heights that the series has hit over its run, that's really saying something and World's Finest remains a must read.

This second issue has plenty of laughs to be found, while also introducing some interesting elements when it comes to Darkwing Duck's future, while humorously revealing how Drake Mallard has been surviving over the years when his only job is to patrol St. Canard's skylines.

One of the stronger issues so far, I'm anxious to see how Adams and Cruz bring this arc to a close and the lasting ramifications it has on Team Flash.

Worldbreaker is an epic mini-series that can stand toe to toe with its predecessor in the original "Planet Hulk" and with this latest issue, it's clear that Pak and Garcia are amping up for an explosive finale.

The Ones is a story that is able to highlight both the strengths and weaknesses of writer Brian Michael Bendis. When it comes to dialogue and the connections that characters have with one another, Bendis is able to shine, but when it comes to a story's resolution, it almost feels like an after thought.

Overall, the mini-series is still a energetic and interesting read, I just wish it had been able to stick the landing.

I think that once Mosley finds its footing, it could make for a great series on the same level as Chew, though it might be some more issues before we see it.

I hope The Last Barbarians can turn things around as the series continues but this introduction doesn't make for a world I want to return to any time soon.

An exceptionally strong fourth issue for the series that is definitely worth your time, WildC.A.T.s fan or not.

Ultimately, there are some pieces of this moving tapestry that are worth eyeballing if you're a diehard Scarlet Speedster fan, have been digging Jeremy Adams' take on Wally West and family, and/or want to see more ancillary material to pad out the One Minute War, but at the end of the day, this does feel like material that isn't a necessity in understanding the grand picture of the latest Flash crossover.

Much like the issues before it, the past storyline far exceeded that of the present, but the series justifies its existence enough times to make it a worthy addition to DC's comics library.

If you want what is effectively a brand-new episode of Darkwing Duck, warts and all, this is the comic for you.

The series remains a fun romp that smashes together more than a few interesting concepts, though it could have used just a tad more meat on the bone to really make it great.

Boy Thunder's story arc comes to an end with another stellar issue from the creative team of Waid and Mora, proving once again why World's Finest should be regarded as the number one comic book DC is printing today.

While the landing was shaky, Fortress' last issue did find its footing in more ways than one.

While the final page of the issue is a little eye-roll-inducing, with a villain that I can only describe as an antagonistic swiss army knife of tropes, it's another solid entry for the Scarlet Speedster overall.

Crashing is a fantastic comic book and I hope we have the opportunity to revisit this world down the line.

There are some interesting concepts at work here and Bendis, to his credit, is able to take the traditional idea of fighting against the big bad devil known as Satan, and flip it on its ear.

Grifter remains the heart of the series and is the best part here once again, though I feel like the book should choose between whether it wants to be more his book or the CATS themselves.

It's an interesting premise with a compelling preliminary issue and I'm looking forward to seeing where the story goes from here.

From when this series was first introduced in the precursor to The Man Who Stopped Laughing it was hard to think of how a Joker series might work but this latest issue shows how the Harlequin of Hate can hold his own with a solo title.

With the story, as Guillory puts it, coming from his dislike of the rapid advancement of technology in our modern society, the Boom Studios comic has its fair share of ups and downs as it might have tried to do too much, too fast in its debut outing.

Pak is clearly firing on all cylinders with this return to Planet Hulk and I'm looking forward to seeing what the writer has in store.

This tie-in continues to be a more than worthy story to not just explore Gotham's present in this video game universe, but its past as well.

Book of Slaughter works both as a story unto itself and great ancillary material to Something Is Killing The Children, acting as a solid recommend to old and new readers alike.

There are some scenes in this that will absolutely take your breath away and Riddler: Year One is a story that works entirely on its own, perhaps giving us one of the best stories revolving around the Gotham villain in quite some time.

Batman/Superman remains the best team-up between the two DC heroes in recent memory and this title is one to watch.

Adams has found this pitch perfect formula that can harken back to the past of the Flash while also carving out an interesting future, and I hope that Wally and his clan continue helming the book as the Flash continues to outrun any potential mediocrity.

3Keys remains a feast for the eyes and it's a bonkers universe that is certainly worth visiting.

The series tackling addiction, the harsh regiment we put doctors through, along with superpowers manages to knock it out of the park once again by tackling all three in this latest issue.

There's a lot to love here as Greg Pak returns to the world that helped make him a legend in Incredible Hulk lore, presenting us with a Bruce Banner whose rage won't just release a green monster but might also bring about the destruction of an entire planet.

There is a lot to really enjoy here whether you're a fan of the original team or not, and WildC.A.T.s feels like a worthy addition to the DC Universe that is also able to make light of its characters along the way.

Rosenberg's latest series is spinning quite a few plates and it can get a little lost when it comes to the sheer amount of characters that are introduced here. While it's certainly fun interjecting the likes of the Secret Society, it might be a bit too much at the end of the day.

While the time jumps might throw some readers for a loop, they do work well in painting a picture and I'm interested to see where the comic moves to in the next chapter considering the humorous ending.

If you're a fan of the original "Planet Hulk" story or are a Hulk fan in general, this is a must-buy as the creators have done something that many might believe is impossible in creating a worthy sequel to a timeless Marvel story.

This anthology does well at celebrating the many heroes and villains that have been a part of the Wildstorm universe, with too many amazing writers and artists to count.

Fortress is firing on all engines with this latest issue and both Whitta and Robertson are as well.

Gilded City might not tie into Gotham Knights as much as it could, but it acts as a solid spingboard to a fascinating tale of Gotham City itself.

All the creators involved here, Tynion, Rosenberg, and Scmidt, are clearly having a blast and that fun is infectious, making for a solid penultimate issue.

It's a shame as the series' story is perhaps at its strongest here but there are simply too many artistic mistakes that stop Forever Forward from finding some solid footing along the way.

The final issue of Captain Marvel feels like a farewell letter from Peter David to the character that he helped forge for Marvel decades ago.

World's Finest does such an amazing job of reveling in DC's history while injecting new characters and elements that it all feels fresh. Cannot recommend this one enough.

Crashing remains one of my new favorite series in 2022 and here's hoping that it maintains this pace as the series continues.

You Have My Word feels like the standard for what stories in the Cyberpunk world should be.

The Flash operates, to me, on the mantra of "if it ain't broke, don't fix it" and this latest issue is a breezy, fun-filled romp.

Ultimately, New Blood might be worth it for Overwatch die-hards but it stumbles way too many times throughout to make it a recommendation to average comic readers.

3Keys is a roller coaster and its one that I can't wait to continue riding.

There are some worthwhile moments to be found in this one shot, but not enough to outweigh its weaknesses.

A solid start for Wildstorm's latest return.

While this new series in the Milestone Universe has plenty of action to bring its "first season" to an end, it, unfortunately, isn't able to stick the landing as well as it could have.

The Man Who Stopped Laughing is a worthy follow-up to Tynion's original maxi-series and hasn't missed a beat so far.

It's an interesting enough concept to reward readers with witty dialogue and a hook that will most assuredly bring fans back to issue #2. Bendis' key humor is on display here and helps move the story along in tandem with Edgar's art.

Ultimately, the latest issue might not have hit the same height as its predecessors, but it still has plenty to like from both Witta and Robertson.

Narcisse has a good understanding of the Bat Family here and while the premiere issue might have some rough spots such as the "Fear of Missing Out", Gilded City pulls itself above and beyond normal video game tie-in comics.

The sheer spectacle of this supernatural series works well in its favor and I look forward to seeing if the creators can stick the landing while throwing more unexpected curveballs at readers.

Whether you're a fan of the latest Dark Knight film or are simply a fan of all things Batman, The Riddler: Year One offers a fresh perspective on Gotham City and devilishly details how a mind becomes twisted by its surroundings.

World's Finest remains the best superhero book coming out from DC today, and it doesn't seem as though it's hot streak will be ending any time soon.

Crashing remains a major new entry in 2022's comic book roster and if it keeps up this pace, it'll definitely be a strong contender for one of IDW's best of the year.

While The Flash might not be the very best series in DC's roster, it goes a long way toward preserving a sense of whimsy that might be missing from a lot of comics these days.

Whereas the first issue had a strong enough start, this issue feels dragged down by choppy artwork along with worlds that seem not quite interesting enough to keep readers' attention.

It's a strong start to the sequel of a strong series and definitely worth your time.

There's not a lot new here but the pieces on the board are being set up for the grand finale of the mini-series. This feels like the weakest issue, mostly thanks to the overall lack of characterization, as the dialogue seems to take a back seat to the events that need to fall in a specific order.

It feels by the numbers and there are avenues that the series could have taken with this latest story that feel unexplored. I'm not angry, just disappointed.

Plenty to enjoy here and I'm definitely looking forward to seeing what surprises Fortress has left in store. Luthor's "Presidential Armor" is worth the cost of admission alone.

This series has lofty ambitions but buckles in attempting to get everything out of the way to set up the next big conflict and could have really done so much better by letting things settle.

If you're looking for a series to get you into the Halloween spirit, DC Vs. Vampires has hit a point where it's a worthy comic in this regard.

This new Captain Marvel feels like a breezy extension of the Genis-Vell book that came before and while it doesn't explore new territory when it comes to the characterization and plotting of the previous series, it feels like readers who loved this iteration of the character can return for a new adventure while also allowing for new readers to buckle up for the ride.

Waid and Mora haven't missed a beat following their initial arc and here's hoping that they're sticking with Batman and Superman for some time to come.

Crashing is absolutely worth your time and you'd be doing yourself a disservice if you didn't give this one a look.

The Flash family staying upbeat in a dire scenario works well here, and while there are some foibles with the artwork here, it's ultimately a worthy read if you're looking for how the hero community is operating in a world without the Justice League.

This issue is a mixed bag, but at the end of the day, it's a fun experiment and if you've been following along with Dark Crisis, this is a worthy addition to it.

While Baptiste does have an interesting background, the case of mistaken identity that has the two at one another's throats feels a bit tired when it comes to comic book tropes and in a mini-series with five issues, having one that feels like a "filler" isn't a great look.

This horror story had a solid enough premise but simply couldn't build a foundation at the end of the day.

There's one too many moving pieces in this horror series, but there's definitely a solid story beneath the waves.

Ultimately, Blackout just isn't able to hit the heights as its predecessors.

Twig is a feast for the eyes and 100% deserves your attention.

This Annual doesn't break the wheel for Keystone's Finest but it certainly strengthens it.

As an opening salvo for the series, this introductory issue does well at setting the stakes and introducing us to the world of this time-traveling science fiction journey but does hit a stumbling block from time to time in chronicling the adventure of Dr. Lewis Moody and company.

Another fun issue in a worthwhile mini-series.

Whether you're a fan of Genis-Vell or not, this comic is definitely worth your time.

Batman/Superman #6 is part of one of the best series DC Comics is currently publishing takes the opportunity to study a time-displaced Dick Grayson, a.k.a. Robin.

Ultimately, there's plenty to enjoy here and it makes for a worthwhile tie-in to Dark Crisis.

Overwatch: New Blood doesn't break the wheel but it does tell a worthwhile story in this game universe.

It's hard to recommend this issue to old and new fans as you simply feel bewildered once you put down this one-shot, unable to get whatever message the creative team is attempting to shoot your way.

A Town Called Terror isn't a terrible story, it's just one that is severely rough around the edges.

The series hurls a lot of different super-powered characters your way, but the story would have ultimately benefitted from spending more time with the core characters.

Basilisk feels like an interesting concept that has been stretched past its limit.

While not perfect, the story remains a fascinating and engaging piece of Bat-lore and certainly is one of the best Batman stories of the year pound for pound.

With the final pages introducing an interesting twist, it certainly helps up the ante for the remainder of the series.

While the guilty pleasure series wherein heroes could be killed at any moment might have had a shaky start, it seems as if the comic pitting heroes against creatures of the night has found its footing.

The Scumbag ends with issue #14 and with it, a confusing, ham-fisted entry that ultimately isn't able to convey humor and/or hit as hard as it is attempting to with its message.

Twig has really earned its place as one of the best comics on the market right now, not just thanks to its stellar artwork, artistic perspectives, and radiant colors bursting off the page, but also with its heartful characters.

The creative team is able to lay some very interesting ground work across the board and I'm looking forward to seeing what surprises they have in store.

Unfortunately, One Dark Knight isn't able to overcome some of the problems that have lingered throughout its first two issues, as Jock supplies readers with stellar artwork but seems to be beleaguered with the dialogue and story beats.

Even if you never got into the original series and have never read about Genis-Vell before, there's plenty here to love.

World's Finest remains the strongest superhero comic on the market today, treating its heroes like the demi-gods that they are and weaving a story that pays perfect homage to the lore of the DC Universe.

. There's still plenty to enjoy here but this does not make for a promising direction.

There's a lot to like here in this multiverse excursion featuring the main speedsters of the Flash Family, especially when it comes to some fun concepts such as "Night Flash" and Barry Allen piloting a big rig in a Mad Max scenario.

Maybe when the series draws to a close, more will be revealed that is able to flip the story we've read so far on its head but this issue simply isn't able to convey what Niles is going for.

The issue starts as a very solid entryway into the world of Overwatch and does a worthwhile job of balancing its characters, putting some meat on the bone to the ones that we see. A strong start for the mini-series.

Scharf continues killing it on the artwork for the series with both the unique take on flashbacks and the modern-day slamming together but it feels like it ultimately isn't enough to shoulder a series that has already pushed past its prime.

It's clear that this series has a firm grasp on its characters and is a very enjoyable romp that definitely feels like the best Bat story running in DC Comics today.

With the series ratcheting up the stakes, this is definitely a comic that you can sink your teeth into when all is said and done.

The artwork here remains beyond solid and while the series wasn't able to end as strongly as it began, it definitely is a worthwhile series when it comes to a number of Gotham residents.

Twig makes for an absolutely fantastic all-ages comic and I'm crossing my fingers that we see more from this world following the end of this mini-series.

Whitta and Robertson are able to put together a strong follow-up issue to the introduction of Batman: Fortress, as the world struggles not just with the loss of Superman, but power as well.

Ultimately, the issue feels weightless, as though its a story that didn't need to be told outside of the main series, making it a step below the other comic that explored Damian Wayne as a bloodsucker of Gotham City.

World's Finest has captured the best aspects of superhero storytelling and condensed them into an amazing series that can be recommended to anyone.

Comic book crossovers are sometimes something that a reader has to put up with when it comes to titles that they are following, as they can completely divert a story that was in the works for a certain hero. Luckily, such isn't the case with The Flash and Dark Crisis, as the latest issue is able to really play on the strengths of not just Wally West, but the Flash Family as a whole while Barry is bouncing around the multiverse.

There simply isn't enough meat on the bone here to truly pitch this horror concept in the right way, though I'm still crossing my fingers that there will be a big enough hook to turn things around before the end.

Blood Syndicate: Season One does a great job of re-introducing this Milestone property to the world and it's certainly worth reading if you're looking for a new take on the world of superpowered beings.

There are a lot of moving pieces here and they simply don't work in conjunction with one another.

This second issue continues the strength of the series' first and while this issue might only be six issues, I'm certainly left crossing my fingers that we'll see more of these prehistoric superheroes in the future from this creative team.

Ultimately, there are some interesting ideas presented here, especially when it comes to the idea of virtual death and how one person can see that as a godsend while another can be reduced to a weeping mess as a result. Arturo and Al-Beta are interesting enough on paper, but they don't feel as interesting as they could and maybe that's a result of the dialogue heavy writing imposed here.

Road to Dark Crisis is a mixed bag and while it has some neat emotional beats, it doesn't feel essential in prepping fans for the major crossover.

Batman: Fortress doesn't break the wheel in terms of revealing new hidden truths about Bruce Wayne or unforeseen secrets about the history of Gotham City, but what it does do is tell an enjoyable story of the Dark Knight facing a problem that isn't usually in his wheelhouse and sometimes, that can be enough.

Rosenberg and Googe are able to tell a solid enough story with this spin-off that falls under the weight of some of its continuity issues.

While I wish the characters were a little richer here when it comes to the leading characters, the world itself makes for an interesting read and I'm interested to see where it goes moving forward in this secret town populated by monsters and ghouls.

If you haven't read World's Finest, you're doing yourself a disservice not picking it up.

The Flash doesn't break the wheel but it sure does play to its strengths.

Blood Syndicate didn't grab me as much as I wish it had, but I'm interested in seeing where it takes its story next.

There are some interesting ideas, but there are no characters to really root for here and the premiere issue is simply bogged down in presenting its ideas by its weaknesses.

Killing Time feels like a big superhero mystery that isn't perfect but it certainly is able to give readers some great Bat-moments while continuing to swim around the heads of some of Batman's greatest villains.

Twig #1 takes some big swings and for the most part, it hits them out of the park, primarily allowing its stunning artwork to do the heavy lifting and introducing bold new concepts on every page.

Tynion does a fine job of explaining Bane's part in the story, as well as ratcheting up the tension while further exploring Gordon's psyche here.

It's a story that is based on humor but it's one that isn't able to really add anything new to the conversation and that's a shame.

I feel like this is one of those legendary runs that will be talked about for quite some time.

Jeremy Adams has a firm grip on the Scarlet Speedster of Central City and the relationships he holds, and I hope that Wally remains in the driver's seat for some time to come, along with artist Fernando Pasarin.

It's a shaky first issue but the premise is sound, and I'm looking forward to reading more, just hopefully with issues that let the art work breathe.

Elektra #100 just doesn't have a lot of gravitas to it when all is said and done, presenting some light and breezy stories that aren't able to really live up to the idea of this big anniversary issue.

Flashpoint Beyond #0 can be a little confusing, as its a sequel story to not just Flashpoint, but Doomsday Clock as well, but if you can wrap your mind around some of the continuity here, there is an extremely solid story from Johns and Risso.

While the story itself can be a tad "scattershot" by jumping from numerous time periods, almost with each passing page, but it does help in establishing a worthy mystery when all is said and done.

The artwork and bones of this story works, but there's so much else that simply stumbles along the way.

With the early issues setting up the pieces, it seems that the maxi-series is set to put into action its apocalyptic series of events that will surely see more heroes either transformed into creatures of the night, or dying in the heat of battle.

While the flashback sequence in this issue isn't as solid as the outings of the past issues, the main storyline is able to carry the heavy lifting this time around once again, and creating another solid issue for Basilisk.

Batman/Superman: World's Finest is an absolute smorgasbord of all things DC Comics and works as a stellar introduction to a series that certainly isn't original in concept but goes the extra mile in building a story that fires on all cylinders through the strengths of these two legendary heroes and the worlds they call home.

Ultimately, the tie-in to Earth-3 events works here as a strength rather than a weakness and is definitely worth your time.

While Jed MacKay has proved himself to have an excellent handle on Mr. Knight, Sabbatini on art feels somewhat misplaced in a story that is meant to be grim and gritty within a maximum-security prison. It's a minor quibble considering that the story really works here, but giving this tale a darker approach when it came to the art would have elevated it to new heights.

While this latest issue doesn't lean into the series' strengths, there's still plenty to like here.

Killing Time is an action-packed series with plenty of action and mystery that is able to focus on the best of Gotham City that arrived just in time as a solid companion piece to the new movie.

The issue is action packed to start, giving us a fantastic battle between Daredevil and Kraven but unfortunately other elements in the story drag down the last issue of an otherwise stellar mini-series.

A light affair that definitely highlights the strengths of DC's heroic roster.

It's a solid issue that could have benefited from each story having the same amount of pages to work with.

Acting as a precursor to the Justice League/Legion of Super-Heroes crossover, the annual buckles under its own weight, but has some interesting ideas along the way.

The Clown Prince of Crime's ongoing series is one that is able to really give readers an insight into the mind of Jim Gordon, taking the opportunity to unravel the mystery of who has been hunting the Joker.

There are certainly some big steps forward that the series took in terms of its story, but it needed to readjust some of its story beats to be a strong example of what this horror series brings to the table.

There's a lot to like here but there are certainly a number of edges that could have used some shaving if this wanted to go down as one of the best Black Panther stories.

Chicken Devil is an unexpected crime thriller that is one of the best to hit the world of comic books as of late, and I can't wait to see what other twists and turns that series has up its sleeve.

Zdarsky clearly has a good understanding of Elektra as a character, taking readers into her mind as she struggles with her new role, while throwing in a few twists that some might not expect coming from a former assassin who can be shrouded in secrecy.

Cyberpunk's latest game might be rife with problems, but its world certainly isn't, and You Have My Word is another testament of just how rich the universe can be.

DC Vs. Vampires paints an apocalypse of a different color and does well at having everyone guessing, including readers.

There are ways to balance the stories of the Silver Age with some modern flair and I feel that this latest story of the Scarlet Speedster wasn't able to live up to its predecessors, especially when it came to the side plot following Wally and Linda's kids.

Run, do not walk, when picking up this latest series from Jeremy Bastian at Boom Studios, as this is a fever dream you most certainly want to experience for yourself.

This tie-in story doesn't break the wheel but its a fun romp into some of the lesser seen character of the Marvel Universe and definitely a must for readers who are fans of these heroes across the pond, though X-Men fans might find the issue a tad lacking.

Daredevil: Woman Without Fear works well as a story all its own, so even if you're not a fan of Elektra or Devil's Reign, this opening salvo might change your mind on both fronts. Don't let the banner of this being part of a crossover event stop you from reading one of the best comics of 2022 so far.

If anything, this mini-series could have gone even further in exploring Robin's early days, but is definitely a series that I cannot recommend enough.

The series itself is still one of the strongest titles in DC's roster but this definitely feels like one of the weaker issues of the series so far.

Bunn and Scharf are able to give us one of the strongest issues to date, weaving Hannah's past with the present that sees the revenge-minded protagonist nearly getting the drop on the Chimera.

The series has gotten better with every issue released and I look forward to see if this remains the case for Tynion, Rosenberg, and Schmidt.

The Scarlest Speedster's book remains good old-fashion superhero shenanigans and sometimes, that can be enough.

If you're a fan of Jock's artwork, Batman: One Dark Knight puts his strengths on impressive display as an artist, but on the other side of this coin, it highlights his weaknesses as a writer when it comes to dialogue and specific story beats. This miniseries debut is the definition of a mixed-bag, but I'm willing to see where it goes and see what tricks Jock still has up his sleeve.

What really sells this issue is its final page, which is one of the most jaw-dropping endings in comics in 2021 and it's hooked me into seeing where this all goes even more. Do yourself a favor and check this one out.

Eat The Rich feels like something that was dragged from the past days of EC Comics, and it's tough to tell whether this would have benefited from a longer run, or a shorter series overall. Regardless, as a whole, the series is a fun romp that takes some interesting ideas and projects a bloody tale that you can't help but feel a little satisfied with.

This issue acts as a deep character study for Robin and Batman alike, and easily is one of the best issues of DC this year, let alone all of comics.

It's a solid issue but its one that isn't able to compete with the prior entries we saw from Tynion, Rosenberg, and Francavilla.

Picking up this issue isn't exactly a must, but each story is fun in ringing in the holiday cheer.

Ultimately however, the series still needs a better hook to wrap readers in the tale from Boom and while its appreciated that our star is given more backstory here, it feels like something is missing overall.

While the final pages might wrap things up just a tad too conveniently when all is said and done, Made In Korea definitely earns its place as one of the best mini-series of the year when it comes to comic books.

This is definitely a series that I want to see out until the end, but for now, it needs a spark to stand out from the rest.

If you've been following Dark since its latest volume's inception, there might be some things here for you to enjoy but this Annual is definitely one that was not made for new arrivals to the series so be forewarned.

If you're a fan of stories like The Long Halloween, this makes for a fantastic companion piece.

Black's Myth is easily one of Ahoy's best books and while the final issue stumbles a bit, I'd love to see the team work on a sequel series in the future.

The finale might be a little hard to believe for some fans of the superhero, but the series revels in its dark humor and it's clearly building up to something big, though the journey definitely stumbles along the way at times.

If I could recommend one Flash book this year, it would definitely be this issue.

Black And Gold simply is one of the best Wonder Woman series around and while this issue might not have hit me as hard as some of the previous takes, its an anthology that has something for everyone.

This second issue feels more like filler than an instrumental part of T'Challa's life.

The more we are able to explore the characters in the quieter moments, the harder the horror hits and Eat The Rich certainly seems as its looking to end its story with a bang.

At the end of the day, this series is for die-hard fans of both characters, but might be confusing to those outside of the fanbase.

I have absolutely positively no idea where Chicken Devil is going with its story, but I cannot wait to find out.

Robin and Batman #1 feels perfect, wherein I was wracking my brain looking for faults but wasn't able to find any. The story of Dick Grayson has been told countless times before, but this feels like one of the best retellings of Robin's early crime-fighting career beside the Batman.

Tynion's characterization is still on point and Stefano Raffaele's art here is a grand slam, but the issue loses the forest for the trees when it has one too many balancing acts taking place.

DC vs Vampires is a decent enough start and it works well at following in the footsteps of DCeased in presenting a world where the heroes might not manage to save the day, I just wish it was able to do so in a manner that was less muddled in its presentation and threw in a bit more detail when it came to its backgrounds.

Even if you're not a fan of the Amazon, these stories might change your tune as not only do the stories seem timeless, but they are able to use the "Black and Gold" aspect of the series to great effect. I'd be hard-pressed to think of which issue is the best, but the series remains a classic.

Ultimately, the biggest hindrance for the series is that lack of detail that comes from its artwork, but it doesn't hinder readers from enjoying this unique tale.

Eat The Rich has gotten progressively better with each passing issue, as it breaks away from the predictable status quo of its first issue and starts diving into how each of these characters is a unique beast of their own.

It's clear that the creative team is having a blast here, but the story could have used just a bit more cohesion in terms of juggling the sheer amount of characters and elements at play here.

Made In Korea continues to be a worthy addition to Image's roster.

Legends is a good read for comic readers looking to learn more about T'Challa but it has a few rough edges that stop it from being truly great.

The issue itself is still solid and a quick read, but its one of the weaker entries of the series so far that really has been quite the thrill ride to date.

Champions hasn't been the best title in Marvel's roster, but this latest issue definitely is one of the better examples of the ten issue series to date.