Much like a horror movie remake confirms the potential of the original concept, Steve Niles continues to show the strength of his original book's concept, making the familiar territory somehow feel fresh.

Alien #1 is taking its time with its narrative, seemingly understanding that the inclusion of the more memorable elements of the franchise requires appropriate timing.

This issue kept us entertained and engaged, at least, as we're curious about where this storyline could go, so while it wasn't necessarily wowing us, being intriguing enough to keep us flipping the pages is still a stronger start than some Alien adventures.

The standout element of this issue is its artwork, as it blends together the gloss and sheen of expected sci-fi fare with a unique grit and realism to accurately reflect the cinematography of the various entries into the Alien movie series.

The closest comparison is that this book is doing some weird stuff on par with Alien: Resurrection, attempting to deliver something new and fresh, even if weird or not entirely thrilling

The strong suit is the narrative pacing the book is starting to establish, which opens with exciting action that resolves the cliffhanger from the last issue's ending, some conventional sci-fi banter, and then a tease that the book could break new ground. It's not the most ambitious formula, but it's one that's surely working for Alien.

There had previously been glimpses of ways in which this series could evolve the beloved franchise, only for that potential to almost entirely be squandered. Instead, we're given a montage of vaguely sci-fi scenes of monsters ambiguously fighting humanoid figures, leaving us to wonder what the hook of this narrative was meant to be in the first place.

Fans will instantly connect with Maxon and his similarities to Newt from Aliens and writer/artist Gabriel Hardman appears to be giving readers the horrific sci-fi story they've been clamoring for, with the first issue putting the series in a good place to terrify even the most hardened Colonial Marine.

Fans have regularly seen the creatures stalk through a variety of dark and claustrophobic spaces, yet this issue sets the stage for the next chapter in the story to open up the world of the journey and offer readers unexpected frights.

Given that this series title is "Dust to Dust," the reader is going to see a lot of dust flying around. Unfortunately, the series suffers from its messy depictions of the inclement weather, making it difficult to understand the chaos and terror of the tense sequences.

Devout Alien fans might be happy to have any comic book material to enjoy, but the book feels like a failed experiment that never knew what it wanted to do with the iconic sci-fi franchise.

There's promise in Aliens: Resistance, so let's hope the creators make good on this initial tease.

While Aliens: Resistance might not be bringing much new to the table just yet, it will surely hit all the required notes of devout fans of the franchise.

Devout Alien fans might enjoy seeing a story being told competently, given the various other lackluster comics as of late, but those same devout fans might be even quicker to pick up on the redundant vibe of the story.

What the future holds for the character is yet to be seen, but we're thrilled to see him back for this adventure not only for a narrative that is tonally reminiscent of the movie, but also offers up a compelling aesthetic that feels both fresh and familiar.

While most Alien comic books inject expected horror and intergalactic carnage into their narratives, this book marks an instance in which we almost wish we got more dialogue and character dynamics than anything else, given how hilariously wormy the story has been in the preceding two issues. Luckily, none of the action or narrative tension is poorly executed, it's just a testament to how fun it has been to see Burke having to survive in a world where karma came back to bite him.

If the final issue manages to stick the landing, this What If...? series will go down as one of the best Alien comic series in as many years. -

This miniseries as a whole might make for an entertaining read for devout Aliens fans, yet won't appeal to many readers outside of that demographic. Perhaps this was a "What if?" that would have been left better off unanswered.

Like the best elements of the Evil Dead franchise, Army of Darkness Forever #5 continues to focus less on a cohesive or linear narrative and more on delivering an experience that can do anything, anywhere, at any time, jumping from a variety of characters in various centuries, often to a confounding degree.

Like a cross between Kill Bill and Bob's Burgers, Assassinistas has seemingly settled into its groove, delivering readers both a humorous and at time heartwarming story of hired killers having to reunite after attempting to put the past behind them.

We're certainly being kept on our toes, but the book is also exploring so many different directions that it feels as though the narrative will come to a close before getting invested enough in any of these storylines to make for a fulfilling conclusion.

The quality of the installments range from riveting and complex to entirely forgettable, which will surely satiate the curiosities of readers who were drawn into the book by the more well-known characters.

Much like the debut installment of this series, this entry is another mixed bag, starting off strong and getting progressively lackluster.

Another month, another installment of Batman: Urban Legends in which the first two stories are complex and engaging, while the back half of the book falters and merely just exists.

There's only so many pages in a single issue of an all-new series that can sink their teeth into a reader, so while the book relatively effectively sets the stage for the adventure that's about to unfold, we have yet to be given anything that confirms this is a series worth delivering to longtime fans.

The visual style and the overall campy tone, which faithfully honors both the cinematic series and comic adaptations of the concept, help keep the reader engaged with this compelling world that is set before the original Planet of the Apes film. However, this second installment, much like the premiere issue, did little to excite us about what this storyline could uncover, as we're merely given a handful of scenes of characters talking to each other in a familiar setting, as opposed to offering substantial glimpses about why this story begged to be told.

Given the relatively droll initial issues that managed to capture the tone of the franchise yet not bring anything especially new to the table, we're hoping that was just the calm before the incoming storm that kicked off with this issue so that Beware the Planet of the Apes can earn a more bombastic sendoff.

This miniseries makes not only a satisfying read for devout Planet of the Apes fans but also for newcomers who are excited for the upcoming sequel, while also being a rare book that only gets better as it goes on.

It's fun, silly, low stakes, and charming the whole way through, which will surely excite younger readers about the characters and add layers to the well-known heroes for more passionate devotees

While this issue might not have quite as much of Bill and Ted's antics, the actual storyline begins to take shape, making for a necessary installment that's not quite as satisfying, but is still far from being a failure.

This issue still didn't have a number of charming moments, despite being more scattered throughout the story, and the final moment set up the book to end on a high note, yet this installment merely set the stage as we wait for them to make their final moves.

Sure, there's plenty of fun to be had throughout the four-issue series, but for a story that is ignited by the title characters wanting to return to their former glory as a metal band to end with a figurative shrug in regards to resolving this concept, this finale doesn't quite stick the landing, despite there still being a lot to enjoy.

As a single issue, it's adequately entertaining, though it leaves us wanting more instead of delivering us a fulfilling installment in the series.

Adolescent action, humor, and violence is the concept of the book, with this issue delivering all those things and checking off all the boxes, despite doing little else worth noting.

Devout fans of the book might be satiated by the action in the issue, though it will likely come as a struggle to many other readers.

The issue serves as a good reminder that these deadly agents are still kids, though it offers little to excite the reader or drive the story forward in any substantial way.

While the issue itself was serviceable, if spending less time with your main characters is considered a strong suit, the future doesn't bode well for the consistently uneven Black Badge.

Violent shoppers on Black Friday have been parodied enough that any story setting itself in that world seems like it would have little room for invention, but this debut issue's tease of something much larger or cosmically horrific has us at least intrigued about what the future might hold, though it might merely be buying itself time before delivering us everything we're expecting.

The result is a lackluster blend of horror and comedy that doesn't particularly succeed at either, though this chapter's writing does hold promise for the future.

Fans of indie horror will surely appreciate this gritty and gruesome entry into the genre, which manages to leave readers fulfilled while also keeping the door open for more adventures.

This issue didn't have many major revelations, but our interests are officially piqued at the direction this story is taking.

Exciting and mysterious, we already can't wait for what the next chapter holds.

This second installment in the current storyline might not be pushing the narrative forward tremendously, but it does start the wheels spinning on what the book could be offering readers, as it connects the past to the future without having to lean too heavily on the exposition.

Even with that slight stagnation, if the pacing of this installment is any indication, the book could be on the rise with subsequent issues.

The art is as strong as ever and the characters are still engaging, we just feel like the story has been spinning its wheels for multiple issues in a row, leaving us wishing we could feel more narrative momentum.

Regardless of how engaged and entertained we might be on any given page, once we jump to a new set of characters, it's easy to lose track of who we're spending time with now, ultimately making for a jarring experience.

Given that the entire premise of Blood Hunt has featured vampires and monsters and many of the darker corners of Marvel, this final issue delivers all the pulpy goodness you could have expected from such a premise, though understandably not all fans of Marvel have been as excited by the event.

While we're only one issue into the series, Blossoms 666 is off to a sexy and Satanic start.

The narrative didn't drive forward too much, the issue's only shortcoming, yet this just leaves us with more places to go, with this chapter remaining engaging and entertaining.

The book continues to walk the fine line between being a straightforward horror story and a campy adventure, which is a highly entertaining delight for all fans of the darker side of Riverdale.

Despite the slight stagnation of the narrative momentum, we're still delivered a creepy and charming story exploring the seedier side of Riverdale, making for an entertaining read for all fans of the darker interpretations of Archie Comics.

The narrative takes readers through expected beats, though the events of the book feel somewhat ambiguous and underwhelming as the storyline seemingly comes to a conclusion. The dialogue between the characters feels authentic and engaging, yet the events of the actual book feel as though the storyline ran out of steam and serves more as a collection of scenes than an organic ending.

The issue suffers from having to set the stage for the entire series, yet now that we know the premise, we're looking forward to where the story goes from here.

Visually and narratively, the book walks the line of unsettling and engaging, making for an evocative and disturbing tease of what could become a truly horrifying adventure.

While it might only be two issues in, this series is shaping up to be quite promising in all its creepy glory.

Rather than being a delivered a library of horror-story tropes, each issue finds ways to surprise and creep us out, both with its twisted story and unsettling art. We still have no idea what direction this frightening series is going, but we're happy to go along for the ride.

Given the potential of the concept, we wish we could have gotten just a bit more insight into the overall experience, as things felt both rushed and unresolved with just these four issues.

Anyone interested in the overall concept of Carnage and less invested Kletus Caday will surely be entertained with the book, while those who are already exciting for the new Carnage series will have even more chaos to sink their teeth into.

The first story alone makes the book worth reading, and the secondary story doesn't take away from its accomplishments while also being at least moderately entertaining in its own right.

While the two stories aren't without their setbacks, this issue still marks another satisfying embrace of the Creepshow franchise.

While many Creepshow stories feature a moral twist at the end of their narratives, the twist in this experience comes relatively early on, instead depicting how living with an expiration date allows you to appreciate what you have while you've got it, resulting in a grotesque yet life-affirming excursion.

This story largely makes good on the Creepshow expectation of a morality twist, though what really stands out is just how bizarre and specific the story is, thanks to its department-store setting and the igniting incident being the refusal to return a shopping cart.

While the first story is definitely the standout of this installment, it almost feels like the flow overall would be improved had the stories swapped order so that this volume could have ended on a much stronger note, but looking back on this five-issue run, it shows a triumphant return for Creepshow that we hope returns imminently.

Combined, neither story necessarily reinvents the lore of Christmas but make for creepy and campy outings that honor both Creepshow and the Christmas spirit.

While many Creepshow stories feature some type of morality twist or surprise ending, Wolverton Station marks a pretty straightforward experience, that is, once you accept it's possible for a train to be full of werewolves. In that sense, it feels a bit underwhelming that the connection between collecting monster memorabilia and becoming surrounded by werewolves doesn't have as much thematic significance as other, shorter Creepshow stories, but both the story and the pages of canine carnage are still a delight to revel in, if not entirely justifying its extended page count.

The book is setting the stage for the toll the aging process takes on even the mightiest of warriors, a narrative thread which could be explored to a fascinating degree, though it's possible we'll just get a storyline that is "Badass Female Warrior, but Older."

This chapter in the journey goes through a number of expository beats, none that are especially engaging or surprising, yet there's something to be said of offering readers the traditional tropes of such a story, with the book's final pages potentially setting the stage for more exciting over the horizon.

While each panel might be competent enough on its own, the overall trajectory feels like the events of this installment were created by throwing a dart at a wall full of typical sword and sandals tropes, resulting in a lack of any narrative cohesion or fresh perspectives on the formula.

While this issue marks for an improvement on the narrative moment of its preceding issues, it's still only barely staying afloat, as it's hard to ignore the stumbles of what came before it.

We won't get ahead of ourselves and assume every installment in this revival will be as impressive, but even if future installments are a step down in quality, it'll still be more compelling than most other sci-fi and horror titles out there.

Given that this issue, in particular, didn't feature any otherworldly creatures, fans of '50s horror comics might be left disappointed with the series' camp factor, but Crypt of Shadows has the potential to go down countless dark and disturbing paths to satiate the most devout of horror fans.

Over the course of 10 terrifying tales, the individual stories have highlights, like Zatanna's journey on a haunted hayride, and lows, like Wonder Woman confronting a mermaid monster, with each story offering readers more macabre stories than usual in one horror-themed compilation.

While there might not be much to sink your teeth into with this debut issue, it's off to a promising start to both pave the way for the third The Conjuring while also merely being a standalone spooky tale.

The terrors of the storyline are effectively and organically being ramped up, slowly depicting Jess' decaying emotional state, not only within the narrative but also through the ominous and unsettling imagery presented in the book.

The book feels more like a spin-off from the latest The Conjuring film, as it feels fully fleshed out and treated as its own deserving story instead of a cash-in on the franchise, all while feeling frightening and compelling, in addition to mimicking the tone of the popular film series.

Even without the previous three issues, this installment finds the perfect balance of real-world and supernatural threats, making for a harrowing experience.

The overall The Lover series ends up being a worthwhile endeavor for any The Conjuring fans to embark upon, as it manages to blend the horror and heart of the series in an effective way, which also ends up strengthening the events of The Devil Made Me Do It.

The story itself does little to offer audiences anything that new or exciting for long-time Evil Dead fans, up until the final pages, which could set the stage for a more engaging narrative in future issues. This isn't to say that the book is disappointing, as it honors the tone of the franchise, but it largely just goes through the expected motions.

As strange as it might seem to say, this second entry into this series has as hoping for more backstory and world-building than Ask Williams quips, which the final moments of this chapter luckily tease, setting the stage for the story to possible explore uncharted territory in the franchise.

The further this story progresses, the more it feels like Evil Dead fan-fiction that does little more than put familiar characters in new situations, yet lacks the ambition or creativity fans come to expect from the franchise.

The art style is gorgeous and captures the dream-like state of the narrative, and while the book hasn't quite leaned into abject horror, we won't be surprised if things get darker before they get lighter as we embark on this journey.

Fans of Bucky Barnes will surely want to check out the book to see a more mystical look at the character, though fans who prefer the gritty and grounded version of the character might not connect with the experience as strongly.

The story and artwork perfectly pair together for a pulpy and blood-soaked adventure that will appeal to Marvel readers more drawn to the horror side of the publisher's spectrum.

Even though the characters featured in this issue don't immediately seem like an obvious assemblage, seeing Daredevil lend assistance both physically and emotionally to Bloodline before Dracula recruits her for her most challenging mission yet somehow works on every imaginable level, marking for one of the best installments in the entire "Blood Hunt" event.

What makes this issue feel especially underwhelming is how promising those first two issues are, so while issue #3 is far from abysmal, we had higher hopes for this concluding chapter.

Elvira fans won't want to miss this title, which teases many more exciting encounters with horror icons.

The narrative fully embraces (pun intended) the concept that Elvira is far more than just a goth version of the male gaze, but a sex-positive figure who refuses to be just an object and happens to have an interest in the macabre.

This issue marks the first time the series begins to feel redundant, as it began repeating the same structure displayed in the first two issues (including some fourth wall-breaking bits of dialogue from Elvira herself referencing the repetitive nature), though the final act of the storyline offers some insight into what's causing the chaos.

The book leaves readers wanting more while also hitting the necessary beats that draw people towards the horror host.

The narrative feels in line with what a reader would expect from such a title, but given that Dynamite is publishing another Elvira comic that proved to be more effective and ambitious in its first issue, Shape of Elvira leaves a lot of room for improvement.

It's possible that future issues of the book could turn things around, but it currently feels as though the creative team isn't entirely tapped into the innocent flirtations of the character and is heading into a full-blown sex comedy, which will likely turn off devout fans of the character.

All of the elements of an entertaining Elvira book are present, yet nothing has allowed it to rise above mediocrity.

The book does little to excite readers, though it also doesn't fall short of expectations; we're left with a fully satisfactory issue that merely kicks the football further down the field for other books to be tasked with resolving.

For lack of a better term, this debut issue of Evil Ernie is immensely dorky, not only due to its main character demonstrating such qualities, but also due to the tone being used in the ways it depicts a "heavy metal rock" nightclub, as well as its more sinister components.

As opposed to the previous installment, the campiness is throttled down a bit to walk a more even-keeled tone that is aware of its inherent silliness yet isn't going into embarrassing levels of camp.

Tonally, the book feels as though its starting to find its footing when it comes to humor, horror, and campiness, which makes for a much more palatable experience than previous installments.

Faithless fans will be thrilled to revisit its fascinating characters in Faithless II but, while far from being a disappointment, the issue doesn't offer readers much to entice them to return for the next issue, other than for Llovet's gorgeous art.

The exploration of sex, mysticism, and art continues to be the primary theme, with the final pages of the book hinting at something much more horrific and setting the stage for exhilarating reveals in coming issues, while also making the narrative meandering of the first issue more focused in hindsight.

This chapter gives readers the blend of sex and sorcery they're likely after, despite the narrative somewhat pulling its punches.

What makes this issue a success is that, despite being stripped from a variety of otherworldly elements, it still makes for an engaging story, even if we're left with just as many questions at this chapter's conclusion as we had at its start.

Other than what readers learn about Solomon, this installment does little to propel the story forward and merely feels like we're being bludgeoned by surrealist imagery that grows tiresome.

Readers who love creative expressions of tortured artists or with an interest in the supernatural might be satiated with this book, but anyone hoping for any actual narrative momentum or resolution will be left frustrated and disappointed.

While the book has plenty of melancholy, there are also glimmers of hope, as well as heaping helping of monster mayhem, which will surely satiate fans of the beast.

This installment might be a step down from its debut issue due to its expository nature, putting necessary figures on their own trajectories, though this is the necessity of the ambitious story that still has a lot to love.

Whether you're a devout Shazam fan who wants to see the status quo shaken up or a casual fan who's merely interested in the "Future State" premise, this book surely paints the iconic character in an all-new light.

The story was entertaining in its own right, though its final pages surely deliver a letdown.

With G.I. Joe: Sierra Muerte, writer and artist Michel Fiffe taps into the spirit of childhood doodles in the notebooks of burgeoning Joe fans to deliver readers all the action-packed goodness you can imagine to an overwhelming degree.

he events of this issue are more streamlined than in the debut issue, yet the pacing of the narrative is somewhat stilted, with the story itself lacking cohesion. From one page to the next, the reader has a hard time grasping where in time and space those panels are taking place, in addition to not knowing how they relate to the story at hand.

Devout G.I. Joe fans will likely enjoy the entertainment value of the book, though even lukewarm readers might not be as entertained by the book that felt more like an opportunity to deliver a "Greatest Hits" of the franchise.

Even if the first half of the book isn't especially impressive, in addition to offering a new visual interpretation of iconic figures, it feels like it captures the spirit of the source material and a relatively clever concept.

Even if the stories themselves might not be entirely groundbreaking, this compilation manages to both honor the legacy of these beloved characters while also putting a fresh spin on them, making for a worthwhile experience for Marvel fans of all ages.

The book isn't a complete wash, as devout Godzilla fans will appreciate getting to see beloved figures duking it out in the comic book medium, though the experience doesn't bring anything new to the table that hasn't been explored in a more satisfying way in dozens of movies.

We won't count the series out entirely just yet, yet this debut installment did little to evoke any real excitement about what could be waiting for us in future chapters.

The aesthetics of the book could appeal to GodzIlla fans who also share an interest in skater culture, but outside of that, we're still scratching our heads about what the point of this book is in the first place.

The madness of the book goes off the charts to a dizzying degree, ultimately detracting from the simple joys of Gutt Ghost gabbing with ghouls, but the book still cements itself as one of the weirdest and wildest stories you'll read this year.

It's hard to ignore any comparisons a reader might initially make between Haha and the many other clown characters in pop culture, and while the initial premise might mirror iconic trajectories, readers will surely be won over by what looks to be a more nuanced and sophisticated exploration of Bartleby's desperation that won't have to rely on gimmicks or gags to delight its audience.

This story could have full descended into a cliched outcome, and while it might not be entirely surprising, there's enough nuance and heart to really sell the experience, which will surely make you question what every clown might be hiding behind their makeup.

While the almost entirely visual storytelling on display is engaging, there are a still some lulls that makes the storyline difficult to discern, which is the only thing holding it back from being a complete triumph.

Surely the ambling narrative might fall short with some readers who might have been expecting more gruesome tales centering around jesters, likely missing the biggest lesson this issue attempts to instill in fans, "Some things are a mystery, sweetheart. I always told you."

Despite the more macabre subject matter of previous issues, this one is less unsettling and more bittersweet, reminding us that there are people underneath those jovial exteriors and, rather than hiding who they really are, instead enjoy embracing the sillier and more joyous parts of life.

This final chapter isn't necessarily superior to any of the stories that came before it, with audiences likely to connect more strongly with some narratives than others, yet it does manage to wrap up the entire concept of HAHA in an effective and fulfilling way, sending the series out the disturbing, enlightening, and entertaining note that we have come to expect from the twisted premise.

While Lost Ones already feels like a warm hug, we can't help but be nervous that it will ultimately prove to be a demonic stranglehold.

While it might not be as macabre as other titles, the charm and atmosphere of the title still remain, making for a fresh perspective on the spooky series.

It's too early to tell if this book will surpass its predecessor, but it's already off to a strong start.

Delivering both exposition about the book's future and an engaging, spooky battle, this month was another exciting entry into the burgeoning series.

This issue reveals that this series will be less of a spinoff from the proper Harrow County series and ties more directly into the events of that narrative, which will likely delight some and potentially disappoint others.

The streets of the city might not feel like the swamp, but the overall sense of unease in the narrative and the steamy illustrations are evocative and unsettling, mirroring the tone of previous tales in the franchise.

This third issue is the series' low point, possibly stalling readers' excitement about the title, though the creative talent behind the book will surely swing the excitement pendulum back the other way for the rest of this arc.

Writer Cullen Bunn and artist Emily Schnall continue to prove their mastery of tone and narrative momentum, teasing out just enough details about the story's trajectory while also offering an enthralling standalone chapter.

Even if there aren't many shocking reveals or revelations, this issue has all the eerie charm that fans would expect from the series, as it also teases plenty of excitement just over the horizon.

As if the book going out at the top of its game, it also comes with the tease of what the future holds for the franchise, having us even more excited about a possible return to Harrow County proper.

A thoughtful and creepy adventure for sure, just not necessarily an integral chapter in the overall Harrow County lore.

What has always made the Harrow County stories so compelling is that, while dealing with the most macabre of subject matters, it always embraces the notion that "evil" is only a matter of perspective and the things that many might consider being scary also bring emotional relief to others.

This issue is pretty wordy without much action, but the few moments of Hester's violence we witness are pretty horrific, getting us quite excited for the upcoming showdown and the revelations it's sure to bring about Emmy's history.

The story didn't advance the narrative too much further, as this issue is clearly helping set the stage for a massive finale.

The series is entering its crescendo in ways that will satisfy fans of both the books characters and its evil exploits, as this issue builds our anticipation further.

Not only does this issue give a fulfilling and emotional conclusion to Emmy's story, but it also hints that terrifying events haven't concluded in Harrow County and something could possibly call Emmy back to the place she fought with her life to keep safe.

While there's no telling where the adventure will go in the second issue, the visuals alone warrant a purchase.

This book, much like Hellboy himself, is short and sweet, while also making good on the franchise's signature darkness and demonic presences, resulting in this two-part story one of the best ways to honor the upcoming Halloween festivities.

For those looking for some lighthearted exploits of beloved characters, this Heroes at Home collection is worth adding to your shelf.

Given that this installment features a major showdown between a variety of foes, it largely comes across as melodramatic and with many phrases and threats you'd expect to see in a final battle, the effectiveness of which depends entirely on how engaged you were in the narrative leading to this showdown.

As Infidel continues, we expect to have our fears called into question and decide if we are more horrified by the supernatural or the racist reality we live in.

This issue skimped on some of the racial themes introduced in the first issue to focus more on the pure fright, amping up the stakes to surprising levels that are sure to entertain horror fans.

While we might not have seen many otherworldly horrors in this chapter, the hatred in the hearts of others prove to be the real terrors.

Readers are finally getting answers about the forces at play in this issue, which are much more straightforward than we were led to believe. There isn't as unique of an explanation for what's happening in the book, which some readers might find disappointing though some readers will enjoy for its familiarity.

The final issue delivers on what readers would expect from a horror comic while also interjecting the politics of hatred and racism, yet the series didn't entirely stick the landing.

We have no idea where Into the Unbeing is going, but it's off to such a strong start that we almost don't want to see what the future holds, in case it isn't as effective as the debut issue. Still, even if future chapters don't match the heights of this premiere, it'll still likely be one of the most compelling genre comics of 2024.

We don't really know where this series could go, but it's such a dizzying and ominous experience that we don't dare back out of it now.

Not only do our protagonists in Into the Unbeing plumb further into the depths of the unknown, but so do we as readers, as we never quite know what each successive panel will deliver us.

The newest iteration of the series, from writer Chip Zdarsky and artists Carlos Magnos and Butch Guice, teases a long-brewing battle that reminds us no matter what physical injuries we can suffer, some emotional damage causes irreparable damage to our entire beings.

The book may have faltered slightly from the first issue, though there is surely much more over the horizon that will excite fans.

An entertaining issue, yes, but we're still left wondering how this series could change the status quo for the Invaders.

The issue closes with a looming threat that Namor might face, though we hope the book continues to explore the emotional angle than merely be another exploration of Namor's war on humanity, as these elements have been far more engaging than the action-oriented elements have been in the series.

The creative team is proving that the best stories require investing in complex characters, rather than finding arbitrary reasons for them to beat on one another.

After multiple installments in the series that told us more than they showed, this chapter paid off some of that building tension between Cap and Namor and delivered us some surprising results.

This arc might not start off as strongly as the series' debut, but there's plenty of room to improve from a familiar concept.

The book might be entertaining, but it utilizes a few too many familiar tropes for its narrative.

The book jumps from one scene of characters arguing with another to the next, offering us very little to keep us engaged in the plodding narrative.

Die-hard fans of James Bond or classic spy stories will surely enjoy the arenas this story is beginning to explore, but the casual fan will surely be asking why this series exists in the first place.

The series has potential, though there's not much to sink our teeth into just yet.

The book is an amalgam of caricatures and concepts seen in other horror books featuring monsters, with this debut issue doing little more than offering up a premise. That's not to say it's a complete bomb, as everything in the story and in the artwork is all relatively engaging, it just hasn't done much to especially impress us just yet, though we're hoping future issues can elevate the formulaic premise.

We've got undead monsters, massive demons, bloodthirsty soldiers, and a bizarre cult, yet what specifically sets the book apart is a relatively lengthy focus on the inner workings of the corporation that has unleashed these terrors.

Like the previous two issues, this conclusion to the story brings together all the staples of sci-fi action from '80s movies, including ambiguous military figures, nefarious corporations, blood, guts, and vulgarities, making for an experience that's sure to satiate even the most bloodthirsty genre fans.

While technological innovations might not be the impetus of either story in the book, its tone honors a specific vibe of books like Strange Tales and Adventures into Weird Worlds, breathing life into a classic comic book genre.

We have more months ahead of us before we learn the significance of this book, but the action looks great and the characters feel authentic to their on-screen representations, building our anticipation for the saga even further.

While the last issue felt refreshing, merely because we got to experience any content about our heroes since Star Wars: The Last Jedi, there isn't much narrative momentum in this installment, feeling more like issue 1.5 instead of issue 2.

It's absolutely entertaining to watch Poe and Finn improvise their way out of trouble and see more displays of Rey's fighting skills and growing abrasive attitude, but nothing about the story feels necessary for any of these characters.

For fans who just can't wait to see the new film, this series will help satiate those desires while also offering exposition about what the Resistance has been up to since we last saw them, filling in the holes of the upcoming narrative which likely won't elucidate on the status of the Resistance.

From car chases to weird crime bosses to sewage monsters, readers are delivered their money's worth in this chapter of the series, with the only drawback being the density of the experience.

This chapter, and the series as a whole, managed to deliver all of the things you come to expect from a Judge Dredd book, though had the time we spent trudging through the convoluted dialogue been spent enjoying the sci-fi action, it would have been a much more fulfilling experience.

Serving both as an effective conclusion to a narrative and teasing what's in store for the darker corners of Riverdale, this issue will fulfill your hunger.

Even without Riverdale's resident werewolf, we're given a campy and creepy chapter in what could potentially be a standout series in the world of Archie Horror Comics.

The book is worth the cover price for the art alone, so if the story can elevate in the next issue, it could become a standout series.

A majority of the book is just a collection of fight scenes and requisite exposition, interspersed with cheeky dialogue, the final pages deliver a truly unexpected reveal that not only makes sense to justify this story, but also many other of the horror-oriented Archie Comics, which makes the book worth the price of admission.

The book's art, from Pat & Tim Kennedy and Joe Eisma continues to be its strength.

Readers are taken through a number of universes, witnessing a variety of action sequences, only to earn a surreptitious climax that feels like it ends before we've realized the series is concluding.

Even though a majority of the issue feels quite bland, there are reveals in the final pages that do circumvent our expectations of the origins of this lineage that have us intrigued about what's just over the horizon, so when it comes to delivering a premiere issue that encourages you to pursue a storyline, the book succeeds on that front.

Thanks to the debut issue of Kill All Immortals getting the stereotypical exposition about immortal Vikings out of the way, this second chapter in the story can cut to the chase to embrace the inherent bloodshed of such a storyline.

Even the art features lots of big panels with generic backgrounds, feeling more like filler than an opportunity to tell a unique story, so while we can't give up hope on the concept entirely, it's surely off to an underwhelming, albeit inoffensive, start.

What's especially frustrating, in addition to the predictable premise, is that the art continues to barely exist outside of character designs, as a number of panels appear greyed-out or merely have rudimentary objects in the background, which ultimately amplifies a feeling of laziness with this entire endeavor.

Even if you're not familiar with the Detroit rockers, you're given a promising first installment in a zombie story, with a handful of tweaks to the well-worn apocalyptic narrative tropes, making for a strong premiere chapter, which we hope will amplify its accomplishments in subsequent installments.

Other zombie books might had more sophisticated storylines, but this book makes for an entertaining and action-packed experience for all readers, no matter how familiar you are with band.

Unsurprisingly, this book is atmospheric and some might say "spooky," thanks not only to Mignola's narrative but also illustrations from Rachelle Aragno and colors by Dave Stewart.

We're given something that is so brief and full of so many ideas and, at the same time, ambiguous lulls that a clear vision for the experience never really comes through.

Locust might not offer much escapism at the moment, but it's off to a strong start and will have readers swarming for more.

We both know exactly what is going on and still very little, making The Locust an unexpected post-apocalyptic horror story that's building up some compelling mythology for itself that we can't wait to learn more about.

Part of what has made Locust compelling is its lack of exposition and how it allowed the minimalism of the story to keep the audience engaged, with this history lesson about the main figures not feeling entirely fresh, but still being competent and engaging.

Even though Lore: Remastered #1 feels less like the first act in an expanded storyline and more like an amuse-bouche of the nightmare that's about to unfold, it's a meal we think will be worth sinking your teeth into. The artwork alone is well worth the cover price, and horror fans with predilections towards the struggles between good and evil and those tasked with keeping that peace will find a lot to like in the cosmic-leaning horror.

Whether you want to or not, Lore #2 will make you lose a little bit of your mind, making for a journey not quite like any other horror comic currently out there.

Both beautiful and bizarre, Love Romances will warm even the coldest of hearts with its engaging encounters.

Devout fans of Llovet will surely savor every panel, as each illustration offers everything readers love about her work, but newcomers might be tougher to win over with the book's ambling narrative.

This issue is just as gorgeous to look at as the debut of Luna and offers some insight into what's really going on, but it struggles with how much of its story it shows vs. how much it tells.

This installment likely also sets the stage for what Teresa (or should we say Luna) is headed towards, while also retroactively clarifying the steps that led to this point, making us even more excited for the future.

Part of what makes Luna so compelling is the way Maria Llovet wavers back and forth between the real and the unreal, seamlessly weaving them together so the reader is transported into a fugue state that resembles what the characters are going through.

The book might not be as dark or disturbing as some of her other genre efforts, but it still depicts a colorful and bombastic land of cosmic fantasy.

While this new iteration of Mars Attacks! might not be a home run for all readers, it delivers a cacophony of campy and comical carnage we expect from the title, honoring both Burton's film and the trading cards that burned images of Martian mayhem into our brains.

Instead of a, "Wow, isn't it funny to see Conan in the future?" their approach was far more existential and introspective, making for an engaging and thought-provoking narrative that will surely satisfy Conan fans.

The book deliver about as much as excitement as possible with its concept, though the premise is inherently flawed, likely only appealing to a certain subset of readers.

This issue might not have offered new insight into the concept, but we're given a compelling story depicting a post-apocalyptic world where one of the "villains" is given humanity, ultimately depicting the horrific lengths supposed heroes are willing to go to in hopes of ensuring the species wins the day.

Phillip Kennedy Johnson and Leonard Kirk's book manages to not only find ways to disturb us with its visuals, but also introduces compelling mythology to add even more layers to the concept, making for a strong debut entry into a promising series that also has one of the most exciting last-page reveals in a Marvel book in quite some time.

These robots make sense for the purpose of the story and serve merely as a speed bump towards a larger adventure as opposed to becoming the new focal point, which serves more as a strength. Add to that some exciting zombie-attack splash pages and the series is setting itself up to be one of the best Marvel Zombies storylines in years.

From images of hordes of undead heroes to shocking revelations, each page is more engaging than the next, leaving us not only satisfied by this issue but also excited for how the whole story will conclude with the upcoming final installment.

Resurrection arguably is as strong as the very first macabre Marvel Zombies series back in 2005, leaving us to hope that future iterations can tap into this series' precise blend of emotional motivations for our characters with heaping helpings of unsettling imagery sprinkled throughout.

Paving a new approach to the lore, setting the stage for exciting developments, and delivering compelling imagery, Marvel Zombies: Resurrection could become the most effective incarnation of the series since its debut.

Even if the dialogue doesn't win you over, the images are as ominous as ever, allowing the artwork to stand on its own as engaging material.

From start to finish, this issue delivers readers a "Greatest Hits" of mobster-era tropes, from bootlegging to jailbreaks to femme fatales igniting carnal desires, though the delivery of these sequences, as entertaining as they are, result in a disorienting experience.

Still, like with many middle chapters into an overall arc, this issue fails to get us any major reveals or inciting incidents to really push the narrative to new heights, serving more as a good opportunity to connect with Lou and hopefully set the stage for what he will endure in the back half of this storyline.

The werewolf adventures are gruesome, disturbing, and compelling, making for some of the most excitement and unsettling scenes in the book in quite some time, all while falling within the overall look and tone of Moonshine.

No matter what your connection to Morbius might be, this adventure has a clever concept that reminds readers of how timeless the Living Vampire is and what makes him so appealing.

In concept, tone, and narrative potential, Nailbiter Returns is off to an exciting and disturbing start.

Part of what made the debut issue of this sequel series so compelling is that you didn't need much knowledge about its predecessor to get caught up on the state of things, with this issue helping to fill the gaps on how the notorious Nailbiter could still be alive. In that regard, the narrative lulls a bit given the amount of exposition being delivered, but it still manages to keep the reader engaged with a number of gruesome panels depicting heinous crimes.

More than just being a rollercoaster ride, the book does also just enough insight into the upcoming journey to fulfill fans, making for an issue that is both narratively and visually rich.

Those hoping for more substance in the narrative, however, might be left disappointed, as this installment leans heavily on the action and keeps the overall story progression to a minimum.

This installment strikes a good balance of narrative momentum and violent chaos, both of which are what draw readers into this title, though neither component is necessarily stronger than any previous issue, resulting in this chapter largely feeling like an expository necessity to further the actual story being told.

We don't really know where Nailbiter Returns is going, but we're happy to sit back and enjoy the ride.

The book's creators clearly let this installment go off the rails to lean fully into the macabre nature of the concept and, even if we're left with little narrative momentum, the book would be just as strong without a single bubble of dialogue.

With each panel, the audience is just as invested in unearthing more about the mystery unfolding as the characters themselves, with the creators of the book working in perfect harmony to reveal just enough details about the adventure with every flip of the page without exhausting us with exposition, hinting at a major revelation just over the horizon.

As one would imagine with a Nailbiter book, that backstory is sufficiently unsettling and twisted, though also somewhat underwhelming, but we're still invested enough to be interested in how the story wraps up.

With this being the final issue of this series, we won't spoil any of its reveals, but it surely ends with some surprising decisions by our main characters that fans likely weren't expecting.

The book is quite niche and manages to lean into its conceit effectively enough, though it never succeeds beyond its wacky premise.

The middle part of the "Invasion" storyline is all about getting each piece on the chess board into place before the infiltration can begin, yet the issue does manage to fit in some solid character bits.

This issue wasn't necessarily action-packed, but it offered some nice emotional bits for our characters who so desperately need things to go their way for once.

While it's far from being any sort of recap, this issue really helps get readers caught up in the world this story is unfolding in while also offering brief hints of what's to come in the future.

With the end of the series in sight, this month's installment is slowly moving all the chess pieces into place to prepare for checkmate, though it's unclear which faction will come out on top.

The issue itself might not have been outstanding, but it's just another reminder that the end of the series is on the way and the events of this issue were necessary to set the stage for the epic conclusion.

This issue might not have been jam-packed with action, but it was evident that the pieces are being moved into place for the book's finale, making fans eager to devour each issue in hopes of understanding what it all means.

Much of the issue involves characters standing around and talking, and not about anything all that important, which gives it a serious case of the "wheel spinnings."

Possibly because we know the crew is doomed, the characters were only ever conceptualized as one-dimensional stereotypes, but this efficient character creation doesn't do the book itself any favors.

Devout fans of Overwatch are sure to appreciate the conclusion of this story and the ways in which it enriches the world of the video game series, adding more emotion and complexity to the dystopic world.

This debut issue has largely just set the stage for the future of the series, and while we don't know what direction it could go into, it's off to a strong start.

With this second installment in Panya: The Mummy's Curse, there's a lot more telling than showing, resulting in lots of complex exposition that doesn't do much to move the narrative forward (or so it seems).

Rather than necessarily being a fulfilling narrative in its own right, this chapter similarly showcases how writer Mike Mignola has a mastery of mythology, injecting each encounter with lore and gravitas that makes every character Panya meets worthy of their own book.

While the series was frustrating, at times, fanatics of the franchise will fully be rewarded for taking a trip back in time to learn more about Panya.

The imagery is evocative and the tone of the writing is mysterious, making us all the more exciting for what awaits us just over the horizon.

Surely creatives will be able to sympathize with our mysteriously lead character and the sacrifices they have made for notoriety, though for all other readers, you'll be given what feels like an homage to Hellraiser, for better or worse, making for a promising start to this new anthology series, as we're given a succinct and surrealist nightmare.

Given the experience of Hill and Immonen, however, we won't be surprised if Plunge sets the standard for horror comics that explore the darkest parts of the planet, both literally and figuratively.

Much like the debut issue, this second chapter into the series continues to blend a number of polar, aquatic, and undead horror tropes into a compelling new narrative, though this installment was much wordier than its predecessor, which Joe Hill fans will likely appreciate while other riders might find it difficult to digest.

Sadly, this installment suffers due to the onslaught of information we're given, making us feel similar to the characters in how overwhelmed they are by the information being presented to them.

The book has finally found its groove and has set itself up to conclude with both unexpected and horrifying reveals, potentially staging itself to be one of the best new horror books of the year.

While the previous issue took the narrative into unexpected directions, this installment felt reminiscent of the predictable nature of earlier issues, running the gamut of various plot points from the best sci-fi stories in history.

If you've made it this far into the series, you'll surely enjoy this conclusion, even if the book ultimately feels like an homage to prolific storytellers that offered us more surprises.

After only one issue, the stage is set for Predator Hunters II to deliver readers all the sci-fi action that they've come to expect from the property, making this an incredibly promising title.

Much like the original Predator film had messy military politics, Predator: Hunters II is delivering similarly, proving there's more to this franchise than just terrors in the jungle.

If the next three issues deliver unbridled mayhem, it will surely appease a certain set of fans, but if you're looking to invest in any characters, no matter how quickly they meet their demise, this debut issue will surely be a disappointment.

Here's hoping this issue proves to be the beginning of some upward momentum for the series, as the familiar setting and characters could make this something worth reading for Predator fans.

While the story may not have had much narrative progression, the introduction of these other demons could lead to some horrific encounters in the future, with Blacky Shepherd's art being disgusting and evil to honor the time-honored creature design of Pumpkinhead.

Fans of Rainbow Brite are sure to appreciate what the upcoming journey will entail while readers unfamiliar with the character will appreciate the hopeful outlook in a world which currently has darkness around virtually every corner.

This new series is off to a strong start, delivering not only hand-to-hand combat to appease the action-orientated readers, but also the promise of more strategic warfare, in addition to Sonja herself acting like a total badass.

Sword and sandals fans will want to add this book to their pile, but those hoping for more Red Sonja action can sit this one out.

We don't know where this book could be going, but this twisted debut issue sure has us morbidly curious.

With the heavier bits of exposition out of the way, hopefully the next issue can offer readers something deserving of Romero's legacy.

The issue is ultimately fine, as zombies are the most interesting things the book has going for it, but caring about anyone's fate would likely improve the narrative.

If you prefer your zombie fare to be light on narrative and heavy on gore, then Road of the Dead: Highway to Hell is for you. If any manner of compelling story is your predilection, then maybe keep this one in your rearview.

Writer John Arcudi and artist David Rubin have seemingly dared one another to include as many fantastical details into this issue as possible, resulting in an overwhelming experience.

Despite the narrative sometimes lacking cohesion, artist David Rubn gives the reader the most bang for their buck, with every panel virtually overflowing with imaginative and detailed depictions of strange occurrences.

While we can't say this book is a sure-fire hit for everyone who might stumble across it, anyone hoping to see the Cimmerian return to his brutal glory will surely take comfort in the book, made all the more sweeter with a backup prose story that dives further into Conan's magical and mystic world.

If you're not reading The Savage Sword of Conan, you're missing out on one of the most fun new books of 2019.

While the narrative momentum may have slowed down slightly, the depictions of Conan's strength feel as though the burst off the page, putting Conan's impressive physique ahead of any need for compelling plot twists.

It's tough to see how the creative team could top themselves with a finale, but we can't wait to see what they pull off

The book makes good on the savagery of its title, in addition to delivering plenty of humor and a surprising amount of heart, which may or may not be at risk of suffering the effects of a wizard's poison.

The narrative might feel predictable because it's such a classic and effective structure, allowing Finch and Ross to deliver something familiar and fresh all at once, capturing both the fantastical and brutal nature of Conan himself.

The details of the game ultimately leads us to a more action-packed second half of the story, making the more mundane explanation of the card game seem somewhat necessary, though the exciting second of the book isn't impressive enough for make up for the dour first half, resulting in a mediocre chapter into the Savage's journey.

The final issue in this arc wraps up an engaging adventure featuring the Barbarian, which might not reinvent the series, but ends with enough bloodshed to appease Conan fans.

Coming off of the previous arc of the book, which was overly convoluted, this new chapter in the Barbarian's story delivers battles, double-crosses, and fantastical dialogue, which is just about everything you want from such a book.

While it might be a strong Conan book, it's not an entirely fulfilling experience for all readers.

The story featuring Vampirella is the standout, as it offers audiences the character's signature sense of humor alongside the blood and beasts.

Finding the right blend of the playful and macabre, Shadecraft is setting the stage for a frightening story, regardless of whether those horrors come from the real world of navigating high school or from a darker realm of existence.

The book isn't entirely playful, however, as it culminates with a potentially game-changing reveal for our hero, which has us counting down the days until the next chapter debuts.

While previous issues leaned more heavily into the emotions and reactions of a high-schooler, this issue allows them to emerge much more organically, deftly blending together drama with humor to create a page-turning mystery.

With readers largely being as confused by Zadie's situation as she is herself, this issue finally answers some burning questions while still keeping the future of the narrative an enigma.

This issue, and the arc as a whole, is dark, spooky, hopeful, and charming, with Zadie sure to earn throngs of fans desperate for more Shadecraft.

For fans of superhero comics who prefer seeing protagonists grapple with a darkness that's not only overt but also more conceptual in nature, the voodoo spin on the supernatural subject matter offers unconventional iconography for familiar plot structures, making Shadowman one of the most promising horror revivals to hit the shelves in quite some time.

While there's surely an overall narrative to this issue, the main highlight is seeing Shadowman going head to head with a ghastly beast, which is as creepy and entertaining as a fan would like.

Knowing writer Cullen Bunn's history and previous work, all of this disorienting information will surely build towards something that will make it all make sense in retrospect, but, much like the main character himself, this issue will leave you feeling like you're still stuck in the shadows.

This helps to retroactively contextualize the horrors that came before this chapter, while also priming the reader for some truly exciting encounters, all while witnessing Shadowman's attempts to do what's right in the face of seemingly insurmountable and malevolent odds.

We hope the future of the series can offer slightly more efficient storytelling, though this new storyline is already off to a strong start.

The chess pieces are being put into place, yet it's not entirely exciting this month to see the hand that moves those pieces.

Cullen Bunn's dialogue is as poetic and dense as ever, which will surely excite some fans but potentially disappoint others who might have been hoping for more narrative urgency, but even if this book was entirely wordless, Pedro Andreo's work on the book is nothing short of jaw-dropping, with panel after panel of kinetic and fantastical action.

Our cravings for supernatural adventures between demonic forces are surely satiated, and the book stands out above its competitors in the genre, yet by merely being "pretty good," we're still left feeling a bit underwhelmed with the resolution.

The book is fine, but it looks like it will need many more issues at really hook readers at this pace.

There's no winking at the audience here, which might come as a surprise to fans of Space Ghost's '90s talk show, but for those who are unfamiliar with the character or who were looking to see the character go back to his roots, this new Space Ghost title is everything you've been asking for, and while this storytelling sensibility might not sustain itself in the long-run, its earnestness is refreshing to see in a world dominated by sarcastic comic titles.

What's truly a marvel about this book is how well its tone is handled by writer David Pepose, who manages to tap into the campy spirit of the original series while avoiding being ironic or sarcastic.

Against any expectations, Space Ghost continues to be one of the most thrilling and whimsical sci-fi series of the year.

This installment easily feels like the most fast-paced entry in this series, which makes the adventure breeze by but at the cost of feeling chaotic.

It's entirely possible that the potential narrative that this initial sets up is what makes it so rewarding, with subsequent issues possibly falling short of those expectations, it's clear that McFarlane wasn't kidding about all Spawn roads leading to this, as it's primed to be the Spawn to end all Spawns.

For Spider-Man: Life Story, writer Chip Zdarsky and artist Mark Bagley subject the wall-crawler to the biggest punishment of all: the all-too-human horrors of aging.

Life Story remains a fascinating and entertaining experiment in how to reimagine key components in a character's storied history, though the moments where it feels like it could really break new ground for the character, those familiar elements creep back in, stifling the book's unlimited potential.

The series' final issue delivered on both fronts, offering audiences buckets of blood and grotesque sci-fi atrocities despite not pushing the story into unexpected territory.

The issue itself might not be exceptional, but the book's final panels manage to build excitement about what's in store for these characters, making this chapter, and arc, an important emotional adventure that helped cement our heroes' place in the overall Rebellion.

This arc is sure to see our heroes engage in espionage, which is a return to form after the more emotional journeys of the previous one.

There's little to offer in the way of plot, with the art's shift from cartoonish to photorealistic being incredibly jarring in this issue, making readers question if Salvador Larroca really created it all.

The previous arc leaned much more heavily on the emotional journeys and evolutions that the characters needed to go through, with this arc feeling more like an adventure akin to the Millennium Falcon's crew sneaking onto the Death Star to rescue Leia.

This issue didn't feature many dramatic advancements in the covert story arc that's underway, though it also didn't offer any sequences that ground the forward momentum to a halt.

The penultimate issue of this arc was relatively disappointing, as the Rebel spies' mission was pulled off effectively, only to lead to underwhelming results. Epic action was teased for the next issue, though this issue failed to deliver any compelling action or dramatic reveals, making readers wonder why it has taken five issues to advance the story to this point.

The overall arc never really paid off on its promising beginnings, though the conflict between X-Wings and Star Destroyers saved the adventure from being a total dud.

Much of the Star Wars comic series has seen the Rebels going on covert missions, with this arc teasing that the Galactic Empire has a few tricks up their own sleeves. Additionally, the Rebels are often depicted as a ragtag group of survivors, with this issue depicting what the full force of the Rebellion looks like, made all the more impressive by Salvador Larocca's art.

The action and excitement of the issue plays to artist's Salvador Larocca's strengths, delivering readers some of the best artwork the book has seen in months, conveying infantry battles and outer space dogfights with dazzling depictions.

The issue might not have much narrative momentum, but it delivers a lot of intense action that this series has been missing for a while, which is sure to delight fans that feared the storyline was stagnating.

Earlier issues in this arc got off to a rough start, but with the break-neck action finally unfolding in a series of exhilarating space battles, artist Salvador Larocca is this arc's biggest strength, delivering explosive action by balancing precision with chaos.

With one issue left, this arc could be the book's strongest in recent memory.

Narratively, this arc ended on a somewhat underwhelming note as things wrapped up a little too nicely, with the story teasing a familiar face briefly teaming up with our iconic trio.

It's quite early in the arc, but we are already enjoying this return to form for the series.

The arc is clearly building to something, which is unknown this early on in the run, but merely getting to spend some time watching our heroes banter with one another still made for an entertaining read.

The issue did lack some narrative momentum though, if the duo keeps up their synchronous storytelling, this arc could raise the bar for the book's future.

The narrative sets the stage for a big conflict more than it delivered a fulfilling storyline, yet we do get a Han Solo blaster duel that perfectly encapsulates the charming scoundrel, which helps tip the scales of the issue firmly into the "fun read" column.

Admittedly, the issue felt like it was an organic ending to this adventure, so having one more issue in the arc is perplexing, though it makes us highly invested in seeing how the arc comes to an "official" close in the final issue.

There's humor and the promise of action, making for a fun-filled experience which will hopefully set the tone for Kieron Gillen's final issues in the Star Wars series.

Were the narrative to be as strong as the artwork, this book would be unstoppable.

While this chapter might not have been a flat-out masterpiece, the strength of this installment bodes well for how writer Kieron Gillen will conclude his run on the Star Wars comic.

The art in the book continues to be fantastic, though the story offers readers little to generate excitement

Whatever the future holds for the Star Wars series of books, Gillen has ended his run by setting the bar quite high.

While it may be tough to tell how the storyline will pan out, the book is off to a good start under experienced storytellers.

Phil Noto's artwork continues to look gorgeous, with Luke's introduction to another Force-user who doesn't seem to align with the ways of the Jedi or the Sith potentially setting him up for some interesting self-reflection.

Luke's journey was the standout storyline in this issue, reminding us that, at this point in his story, he is still desperate to learn as much as he can about the Force, even if it means taking advice from possible criminals.

What makes this issue feel like a disappointment is that previous installments were so strong, a more methodically-paced issue fails to meet the expectations set by previous issues, yet is still a relatively entertaining read, even if it's not full of much excitement.

With only a handful of issues to go, it's clear that the pieces of this puzzle are finally coming together and, while we know what fate awaits our heroes, knowing that their reunion is just over the horizon adds an extra element of joy to the isolated issues, leaving us to hope the book concludes in a fulfilling way.

This issue might not have featured any major revelations and, while we know that this book leads into the events of Star Wars: The Empire Strikes Back, the stage is set to send this series out with a bang that is worthy of the more than 70 issues that came before it.

While this Star Wars title has delivered some of the best comic stories in the new canon to audiences, it's also been a mixed bag of excitement, with this final installment reflecting those frustrating elements with a lackluster conclusion.

This Annual is far from essential, but Luke Skywalker fans will enjoy seeing him follow in his father's footsteps.

If you're looking for four strong Star Wars stories covering all corners of the mythology, then Star Wars: Empire Ascendant will make a worthy addition to your collection, though if you were hoping this book would tie up the loose ends of various other Star Wars titles from Marvel, you'll likely be left frustrated.

Thanks in large part to an action-packed dogfight, in addition to Luke coping with the discovery that his father was Darth Vader and questioning everything he knew about the Jedi, the stage has effectively been set for not only engaging adventures, but a compelling emotional journey for the burgeoning Jedi.

Luke's inner turmoil, which he will ultimately conquer to deem himself a Jedi Master, will likely prove to be the more exciting way the book enriches the events of the original trilogy, though all heroes' journeys will prove entertaining.

The book might be missing Han, but Lando's dynamic adds a compelling new cog into a well-oiled machine, making for an exciting experience.

This installment in the narrative is really everything a Star Wars fan could want from such a book, as it delivers action-packed excitement, deeper dives into the mythology seen in the live-action films, and teases of entirely unexplored corners of the galaxy far, far away.

These exceptional moments and the overall excitement of the book elevates the material above what is ultimately a low-stakes installment.

With fans knowing that the High Republic era of mythology would be emphasized going forward, it's hard to tell whether its historical inclusion was due to publishing initiatives or organically emerged, but this concluding chapter of the arc felt not only like a fulfilling end to this specific journey but also sets the stage for the continuing narrative to go in a variety of exciting directions.

Despite its overall place in this new storyline, the story is quite compelling and paints Zahra as a captivating villain, with subsequent issues hopefully taking full advantage of her complexities.

While the book might not come with any game-changing reveals or shocking outcomes, merely being an exciting and inventive chapter within the overall universe is all it takes for a comic to be a success, which this installment aptly accomplishes. -

Where the story goes from here is anyone's guess, but even being a serviceable premiere issue for a storyline is better than being a complete dud, with this chapter bringing us that relief, at least.

This chapter strikes the right balance between embracing familiar dynamics between beloved characters while also exploring new and unseen mythology in the wake of Star Wars: The Empire Strikes Back.

The word "filler" seems like the most apt description of this installment, but filler in the galaxy far, far away can still be entertaining.

Delivering a charming story with both new and familiar characters offers us a nice respite from the chaos of the current Star Wars storyline, while also adding gravitas to their situation.

While we won't expect major ramifications for this new storyline, we can't wait for the fun that's being established in this title-spanning event.

Given how surprising and exciting the debut issue of the proper Star Wars: War of the Bounty Hunters series was, this serves as a good way to catch our breath while still delivering an engaging bit of exposition.

In some respects, being at all connected to the War of the Bounty Hunters hindered the book, making us wish we could get a series of standalone books that follow this formula, delivering high-octane combat across the galaxy during the Galactic Civil War.

Luckily, the art from Ramon Rosanas and colors from Rachelle Rosenberg beautifully capture some iconic sequences from Star Wars: The Empire Strikes Back, managing to recreate the mood of these encounters if not being photorealistic recreations, so while the story leaves some room for improvement, even without many storyline reveals, it's a gorgeous book to look at.

Given the controversial explanation of L3-37's fate in Solo: A Star Wars Story, this explanation might not entirely patch things up for frustrated fans, but any attempt to smooth over those decisions is better than no attempt whatsoever.

Given that most of this book is merely two characters having a conversation, it could be easy to dismiss this issue as nothing more than an exposition dump, but with those two characters being who fans assume to be the loves of Han Solo's life, it's an encounter that fans have been wondering about ever since we met Qi'ra in Solo: A Star Wars Story.

This marks a strong start for the upcoming arc that will surely help assuage fans' hesitations who may have been disappointing in the sprawling "War of the Bounty Hunters," as Charles Soule gets to lean more into his strengths with this straightforward adventure.

hile maybe not the most action-packed issue of the Star Wars series in recent months, it's somewhat impressive to see the series take such an existential detour to explore alternate paths for Luke, his connection to the Force, and figures that have no direct impact on the current narrative trajectory.

A largely contained story, this adventure makes for a welcome break from the main narrative of Star Wars, shining a light on an underutilized character while also offering a compelling story of espionage.

While we do get to spend some time with Leia and Chewbacca, it's the characters whom we haven't been spending time with for more than 40 years that compel us to keep reading.

This current arc is a must-read for fans new and old, and we can't wait to see how it wraps up.

This arc really goes out on a high note, showcasing some of the best that Star Wars comics have to offer by blending together well-known characters with relative newcomers, all while honoring the spirit and spectacle of the original trilogy.

Consisting of multiple short stories, all written by Charle Soule, readers get to witness pivotal moments in multiple characters' lives. While all four are entertaining, the first entry focusing on Obi-Wan Kenobi describing why the concept of the lightsaber hasn't been expanded to Anakin Skywalker answers a question fans often also wonder about the franchise, reminding us of their compelling dynamic and also elucidating on the honor of the Jedi Order.

Kicking off a new narrative for the book, we're given one of the most exciting launches in Star Wars comics in recent years, managing to honor beloved characters while also helping elucidate on lesser-seen figures from the galaxy far, far away.

While our heroes might not become staples of the galaxy far, far away, we're looking forward to where this adventure takes them.

While it might not be an outstanding excursion, it's an exciting glimpse into an untold chapter in Luke's many heroic moments.

Add in some references to the era of The High Republic and a tease of their mysterious future, and you get an engaging and exciting experience for readers.

There's surely opportunities in the future for the book to return to more repetitive ground, but this chapter surely has us excited for the more bizarre and unconventional paths ahead of us.

The book succeeds at keeping our attention, even if we aren't treated to anything particularly compelling, though by merely keeping the momentum of the mysterious arc moving forward, it can be considered a relative success.

Surely not all readers will appreciate the more oddball antics of this narrative, but it makes for a nice change of pace from other more oppressive struggles our heroes have faced.

Continuing to embrace the spirit of sci-fi stories of the '70s and alternate dimensions, this arc of the Star Wars series manages to feel like a harmless deviation from the core narrative of the Rebellion's battles with the Galactic Empire, while also hinting at larger overall concepts that will be explored in upcoming storylines.

Whatever ends up coming of Luke's journey, it could potentially shed some major insight into the Jedi Master we meet in Star Wars: Return of the Jedi, so we're fine with a relatively uneventful issue that could lead to some bigger payoffs.

The book does deliver some interesting backstory for the nature of lightsabers and kyber crystals in general, some of which plays a pivotal part of the lightsaber Luke debuts in Star Wars: Return of the Jedi, but as a narrative chapter in the Jedi's journey, it reads less like prose and more like a reference book for lightsabers.

Feeling more tonally in line with TV series like Star Wars: Andor or Star Wars Rebels, it's a refreshing change of pace for the mythology that also manages to succeed in what its attempting with this reminder that the galaxy is at war, even when protagonists aren't in immediate peril.

This debut chapter in the upcoming Dark Droids event only hints at some of what's to come in the future, and given that the story doesn't focus on any of the more iconic droids from the franchise (yet), our interest has been piqued in regards to how Lobot's future will impact the overall franchise.

Given that this issue features a flashback in which Lobot is seen wearing a big, purple wig, it's clear that this series is leaning into the absurdity of the Dark Droids crossover event, even if other titles are taking things a bit more seriously.

While the whole Dark Droids event has embraced intensity and pulpy storytelling over mythology-changing reveals about beloved characters, this issue does fall in line with the overall goal for the crossover event, yet by being all style and no substance, this issue helps showcase what has been so underwhelming about the Dark Droids event in the first place.

A definitively transitive issue, this chapter helps leave Lando's solo aspects behind while also attempting to shed light on his history with Lobot. The former is more successful than the latter, with the book proving to be more successful at teasing what could be in store for our heroes' future than it is at justifying the events that led to this point.

With how overall underwhelming the Dark Droids event has been, the biggest relief of this issue is knowing that the saga is behind us (at least in the Star Wars title) and that something a bit more compelling might be on the horizon.

The issue teases that Luke will be trapped in the crystal forever, and while we know that's not true and this undercuts the stakes of the adventure, it feels like such a relief compared to the event that preceded it, as this one chapter teases a more compelling blend of superficial excitement with more mystical elements than anything in "Dark Droids."

While this installment explored necessary steps along Luke's path to the Jedi he would become in Star Wars: Return of the Jedi, it's not necessarily the most thrilling chapter, given it all unfolds within a world where nothing really seems to matter.

We won't give up on the storyline just yet, but we're off to a relatively middling start.

It feels akin to something like Law & Order: Star Wars, which is sure to delight fans and at least intrigue plenty of others. The drawback is that the characters do a lot of telling more than a lot of showing, so it's heavy on dialogue in a way that can be overwhelming, but even if the event doesn't end up being as explosive as others, it will likely end up offering more insight into the mindset of characters we've known for quite some time.

The issue is fine enough in its own right, though we hope it has at least some overall impact on the trial itself, which is proving to be a bit less thrilling than we had hoped for.

We can't quite say the entire arc was a failure, as we were given interesting glimpses of the inner workings of the Rebel Alliance, more that this final issue was a definite disappointment.

We won't give up hope for a satisfying sendoff to the series based solely on this issue, but whatever this narrative might be, it's not off to a particularly strong start.

These last few issues of Star Wars, as well as other comics in the galaxy far, far away, leave us with mixed feelings, as we know that we shouldn't anticipate any major ramifications in the narrative, no matter how dire a situation might appear. Star Wars #49 is no different, and while it is exciting to see a compelling villain return, it ultimately all feels like a moot point, as this storyline's conclusion is right around the corner.

Had this issue been an Annual or any other type of one-shot, it would have gone down much more satisfyingly, but as a sendoff to the series that has no current plans to be revived, we're left feeling a bit somber about what could have been.

Fans of Han and Chewie will surely enjoy watching their various exploits in this book, but the compilation feels merely like a random assortment of short stories as opposed to being a fully realized tribute to Life Day festivities.

Seeing this specific duo and their antics should be a delight to fans of the Star Wars saga, but it felt like they were reenacting some of the franchise's greatest hits.

With fans still reeling over the conclusion of Star Wars Rebels, seeing our heroes partake in more casual adventures reminded us of why we connected with the characters in the first place.

Similar to the previous story, there's an air of darkness to this tale in a book intended for younger readers, which IG-88 fans are sure to appreciate.

While this comic is geared towards younger readers, the story featuring Han and Chewie was a little out of character for the duos, as one scene depicts them saying they should blast their pursuers into space dust, only to offer their assistance when it seems as though 4-LOM and Zuckuss could suffer actual injuries.

The continuing story of Han, Chewie, 4-LOM, and Zuckuss being stranded on a remote planet came to a satisfying conclusion as the pilots of the Millennium Falcon used their wits to outsmart the bounty hunters.

Prequel fans will certainly want to grab this issue and, based on the Anakin and Padme cliffhanger, the next one as well.

The story itself wasn't much to sink our teeth into, as a group of gangsters pursued a young Max, though we did get to see how the musician became indebted to Jabba, which was really all the story offered.

The overall issue might not be ground-breaking, but the enjoyment of the stories lay in their simplicity.

As is a common occurrence, C-3PO unwittingly has a hand in their potential safety, with this story offering little narrative excitement, other than perhaps delivering an anecdotal incident of a droid saving our "heroes."

The narrative delivered action, excitement, and helped demonstrate Kaz's abilities as a spy and as a pilot, making the experience as a reader feel both fun and important for the overall Star Wars saga.

The issue as a whole has its ups and downs, though the overall lighthearted tone and action-packed storylines ultimately make it a success.

The story leans into the goofy nature of Jar Jar but, given that this is a book that aims to deliver exciting stories to young readers, is fun and silly enough to entertain those that it is intended for.

Had the second story been as effective as the first, it could have been a rock solid issue, but the backup adventure offered audiences little excitement.

Both stories accomplish what this series seemingly aims to, which is entertain while educating readers about important life lessons, with this month's entry being a worthy chapter in the series.

The dynamic between all of the major players in the Star Wars saga is the major selling point, though this story honing in on Luke and Han allows us to witness their playful banter, Han's tendencies for deception, and Luke's heroism, offering an amusing and action-packed story.

Despite being geared towards younger readers, fans of all ages will love this issue.

The first half of the book is a joy, but the second half doesn't follow through on the high marks of what came before it.

Star Wars Adventures often delivers young readers exciting tales that embrace the more wholesome corners of the galaxy, with this installment only delivering moderately entertaining tales, though Poe and Maz fans might find more to enjoy in their exploits.

Unfortunately, we aren't given a story that's especially exciting and, while fans of the two characters will surely enjoy seeing them embark on any adventure, the narrative itself doesn't feel like one that was begging to be told.

Featuring a number of supporting characters that never earned much screen time, it's a difficult story to engage with, yet still relatively entertaining.

Another launch of a new arc, this story, and issue as a whole, is a delightful read for fans of both the original and sequel trilogies alike.

With the next entry into the series set to wrap up both of these narratives, there's still the potential to surprise the audience.

Fans of droids will surely enjoy the book more than your average fan, with the overall experience being mostly forgettable.

With Emil typically being used in other issues of Star Wars Adventures merely to set up a variety of tales, longtime readers of the book will likely enjoy seeing him out in the world, even if his journey offers nothing more than a family-friendly adventure.

Sadly, this second story just feels like filler, as there isn't much of a lesson to be learned nor is anything exceptionally exciting unfolding, though with one more part to the story on the horizon, it could conclude in a more fulfilling way. Luckily, the first story is so strong that it still makes this a worthwhile chapter in the series.

Set before the events of Star Wars: The Rise of Skywalker, the narrative helps fill in the gaps on Leia Organa's call for help at the end of Star Wars: The Last Jedi and the cavalry that appears at the end of the final chapter of the Skywalker Saga, shedding light on groups throughout the galaxy who might not be directly invested in the war, but are still willing to fight for what's right.

From start to finish, this Annual offers lighthearted adventures that are entertaining for readers of any age, while also incorporating references dating back to Naboo and going all the way to Canto Bight, subtly connecting all corners of the Star Wars saga together.

If this debut issue is an indication, this new Star Wars Adventures line could rival anything that Marvel puts out under the franchise's banner.

Kylo Ren fans will surely appreciate the insight into the compelling character, but its accomplishments are marred by the predictable nature of the first half of the book.

Front to back, fans of Star Wars: The Phantom Menace will surely appreciate spending more time with its focal points, as the book blends nostalgia with fresh perspectives to make an enthralling read for all ages.

The conclusion of Qui-Gon and Obi-Wan's adventure on Life Day concludes with the action and whimsy one would expect, thanks in large part to the Wookiees.

While the narrative is engaging and interesting, it's unclear what the overall intent with the story is, other than somewhat humanizing the members of the Galactic Empire, though not in a way that adds complexity to the fascist organization.

Written by Katie Cook and illustrated by Cara McGee, they capture the whimsy and charm of seeing these characters in love as they demonstrate just how competent they are, in any situation, as they're also adorably rendered, which is sure to win over fans of this love story.

The conclusion does make some sort of sense and this book sees the appearance of some underused sequel trilogy characters, but the journey itself is dense and convoluted, dragging down the issue as a whole despite how fun the first half of the book is.

Luckily, the back half of the book doesn't drag down the entire experience like with other installments in the series, making for an overall entertaining experience from start to finish.

While the Star Wars Adventures series is geared towards younger readers, this narrative marks for a promising setup towards a longer storyline, as opposed to merely being a standalone adventure.

Given that this series is aimed at young readers, the intended audience will surely connect with the lighthearted escapade, even if it might not leave a strong impact on their parents.

Longtime fans might appreciate exploring those hidden chambers, especially in such a fun art style, but the actual adventure is largely nonexistent.

Taking both stories into account, this overall issues managed to capture the spirit of the original trilogy, albeit while being toned down slightly for younger readers, making for one of the more entertaining issues, front to back, of the current run of Star Wars Adventures.

The book is a relatively entertaining read, though fails to leave much of a lasting impact on the reader with either story.

We enjoyed a sighting of Callus from Star Wars Rebels, but this backup story fails to match the quality of the first half, resulting in an overall mediocre experience.

Fans of the Clone Wars era will surely be delighted at the lighthearted adventures of beloved heroes, while also making a good introduction to younger fans who want to jump into the world of Star Wars comics.

The moral message delivered to young readers is a positive one and there are no actual flaws to the storytelling or art on display, but the focus of this specific group of characters might make it more difficult for fans of the main heroes of the saga to engage with it.

The events unfold on a dark, muddy planet, adding a moodier atmosphere to the entire ordeal, while also featuring the concept of clones being hunted for sport by Trandoshans, a much more mature reveal than what you'd expect from a kid-oriented book. These slight tweaks manage to make the book all that more compelling and help it become a stand out entry into this miniseries.

The elements in which the story leans into the concept of fighting for your family as opposed to fighting for whoever is giving you the orders feels a little mature for an all-ages book, which is also likely why it holds back from fully leaning into the elements that would have made this book more compelling.