Criminal Macabre: The Third Child #1 missed the mark for me and I highly doubt I'll be back for a second issue. The flat characters and lack of hook left me feeling like I was simply reading a story go through the motions and I was completely detached. The series very well may turn around from this start point, and for fans of the series I hope it does quickly. Niles and Mitten are veterans who can spin a tale, but this installment of Criminal Macabre wasn't for me.

Lobo #3 is a comic that feels like it is trying to find it's way, and the net result is a generic story that lacks punch. Bunn can write grit, I've read it, and I get a strong feeling that Lobo would benefit from more of that and less of the space-pirate-with-a-team-of-pals-rolling-through-the-galaxy take. A clearer focus may allow Reilly Brown to really cut loose and not have to straddle multiple tones as well.

S.H.I.E.L.D. #3 is the weakest chapter in the series so far, with a story that is too basic to stay interesting with the addition of some banter. This issue fell into some of the traps one shots typically face and I'm hoping we see some of the aspects that make Agents of S.H.I.E.L.D. work in this comic in the near future.

Savage Wolverine #5 was, sadly, a weak ending to the story Frank Cho has been telling. His art is strong, but that's all there is in this comic.

Sadly, T.H.U.N.D.E.R Agents lacks any of the energy, excitement and flair this title should be providing. Fans looking for nostalgia may find it within these pages, but any new readers will be disappointed by a serious lack of thunder.

Overall, 1872 #1 is a failed attempt at crafting something exciting using tropes that have been beaten to death. Simply replacing a few names isn't going to cut it, and the unnecessary slurs take away from the strong artwork by Virella. Marvel has a strong Western book out right now, Big Thunder Mountain Railroad, that 1872 could have taken some tips from but this first issue was very disappointing.

Iron Patriot #1 is a subdued and very slow first issue for a well known character who is equipped with an Iron Man suit. Readers looking for War Machine-style action aren't going to find it in this issue, and we can only hope the pace picks up and we get a storyline that drives forward in the future. Characters who have spent years in a backup role to a heavyweight such as Iron Man need to storm out of the gate with a new angle and some thunder, but Iron Patriot #1 barely works up to a crawl.

Malin's art is the strongest part of this book. Without Liefeld co-penciling this issue, Malin could really implement a style that felt more comfortable to him. Rather than being a straight up Liefeld copy, Malin proves he has some artistic chops in this issue, which has featured his strongest work in this series. I hope for the sake of the book that Malin is left to his own devices more often, if for no other reason than to keep this title interesting.

Avengers Standoff: Assault On Pleasant Hill: Alpha #1 was a let down of a story, as it features no assault and very little progression from the surprise ending of Welcome To Pleasant Hill. The concept has yet to be developed into something that captures my attention and the take on characters like Maria Hill left me annoyed by this comic as much as anything. The visuals were not a let down, but the story as a whole had me questioning my future reading Standoff.

Catalyst Prime: Incidentals #1 isnt a bad comic, per se, there just isnt a lot of originality here yet, and the art isn't dynamic enough to differentiate this story from something we've all read a hundred times. At the outset of any Universe, and especially any team book, the series will live and die by what happens after the initial setup issue. The Catalyst Prime Universe has the diversity and pieces to become something special, heres hoping Incidentals takes off in some original directions with issue #2.

Convergence: Plastic Man And The Freedom Fighters #1 isn't a bad comic, but there's not much to that is exciting, either. It lacks a lot of the spark that many other Convergence tie-ins have had, and I doubt I'll be revisiting this mini. Plastic Man is a character that can go some crazy places, or at least have some fun, and there's none to be found in this comic.

The net effect of a reserved take on these characters coupled with muted colours and generic pencils is a very average comic. Deathstroke is the kind of character that creators need to go a little crazy with, and Daniel has before, but there is none of that here. Here's hoping the conclusion of the story in the ongoing brings some noise.

FBP: Federal Bureau of Physics #2 suffers from some slow pacing, vague-to-the-point-of-aggravating dialogue and inconsistent art, but does show a glimmer of hope for issue #3. Those who enjoy paranormal investigation agencies may want to give this a shot, if only to see if the seeds planted in issue #2 pay off down the road.

Father's Day #1 is a comic that is alright, but nothing exceptional. While the framework is there to build upon, I will admit I wanted something much less generic than what was written and penciled. Leaning on stereotypes can get readers up to speed to launch into something bigger, but when that execution is not performed correctly what is left is a bland tale waiting for a spark. Hopefully that spark comes very quickly, and Father's Day blows up into something memorable.

The debut issue of this volume has its flaws, but I am willing to try it again. Hopefully subsequent issues will be a little more focused and give this new series reader a greater glimpse of what this team is about.

Justice League #2 does not steer this ship onto a corrective course, but sadly takes the series even further down the river of mediocrity. There is nothing in this issue that screams “MUST READ” or indicates that it is the flagship DC team book in any way other than the roster of characters. This is proof that the roster along cannot make a story work, and while both Hitch and Daniel have each been a part of some very big comics in the past, Justice League has yet to meet my expectations.

Star Wars Legacy Vol. 2 #18 brings the series home, even if the impact isn't all that satisfying at times. The issue seemingly tries to cram in a ton of story in some haphazard ways, and while some readers may be happy just to see how it ends, it is sad to see it leave on this note. This creative team has done stronger work than this issue and despite what I read in #18, I do wish I could read some more adventures of Ania Solo and crew in the future.

Terminal Hero #2 is an issue that feels like it is setting the table for something that could be interesting going forward, but it cuts so many corners along the way that the story suffers. This issue fails to hit home on any level below the surface and, at this point, there is next to know reason to connect to the main character at all. This issue (and series) needs a huge injection of character building and emotion, and probably a slower pace, to really become something that is memorable.

X-Men: Worst X-Man Ever #1 didn't hit the mark with me, both in concept and execution. The crux of the issue is feeling sympathetic and rooting for the kid, and he just didn't grab my attention. There's really just not a lot here to move the story along or make me care.There was a couple chuckles, but there wasn't enough to keep me reading Bailey's adventure. I wish the kid all the best, though.

Infinity Hunt is a fine concept that does not get out of the gate on the right foot. A tournament involving the top youth heroes (outside of Avengers Arena) has a ton of potential, it just needs a huge shot of energy in the arm to pick up the pace.

Infinity: The Hunt #2 is a middle of the pack book that is still lacking a spark to make it's mark on the Infinity event and the Marvel Universe in general. The artwork is solid, but the dialogue is flat considering the characters involved and the situation they are in.

Flash Gordon #2 is full of quips and gags, but too many missed the mark for me. The characters were generic enough that I didn't overly care what occurred in the story, and, no matter how campy and joke-filled a story is, it needs to strike something in me to make me care that the good guys will defeat the bad. The art was fine, and at times I quite enjoyed it, but that lack of a single character standing out and taking this issue over made it fall flat for me. A good ol' fashioned radio-style space opera is all well and good, but it only flies if the characters are charming enough to make me care. In this issue of Flash Gordon, it just didn't happen.

Neverboy #1 trips a bit out of the gate and spends a long time setting up some final pages that needed some extra room to breathe. The hook was attempted but it was too brief to get me really excited, though I may return to see where this story goes from a visual perspective. If nothing else, we may get to see Jenkins and Fitzpatrick cut loose in some psychedelic ways that are worth the price of admission.

Jim Butcher and Mark Powers deliver a solid script that I feel is let down by some generic artwork with The Dresden Files: Down Town #1. This is a story that will, most likely, read best as a graphic novel, as the pacing is similar to that of a novel and therefore the ending of this chapter just sort of "occurs" rather than getting readers ecstatic for more. This story could use a punch of style, visually, and some flair that fits the characters better than the generic representations they are currently stuck with.

Avengers & X-Men: AXIS is an event that has been fraught with issues and this newest installment is no different. Based on this issue, it feels like the story needs to slow down and ground itself before continuing so that the dramatic reveals actually have some weight and don't feel like they are randomly occurring.

Avengers & X-Men: AXIS #8 is taking some steps in the right direction as far as the story is concerned, and there are elements now in play that have me intrigued. This is the strongest issue I've read in the series so far, and I will be back for #9. I can see some interesting tie-ins being spawned from some of the events in this issue, and hopefully the upward trend continues for the event heading into the final issues.

Alice Cooper #1 has a lot more going for it than any other “rock n' roll” comic I've ever read, and Harris and Casallos plant some interesting seeds in this first issue. While the first issue won't blow your mind, but the deeper this series gets into the twisted world of Cooper the more interesting it will become. If you're a Cooper fan, spin a record backward and start reading – you'll dig it.

This issue is an example of a time when a fantastic artist can elevate a script and make the total package better than the story warrants

Conan/Red Sonja #1 gives readers some solid back and forth from Simone and Zub, and Conan and Red Sonja fans will most likely enjoy seeing the icons meet their match. For readers contemplating picking the issue up based on the strength of the creative team, I'd recommend taking a look at the previews or taking a quick peek at the issue. The dialogue is snapping from the start, but hopefully subsequent issues will feature some extra depth in the story for the banter to sit upon.

Detective Comics: Futures End #1 features a few very subtle nods to the current run by Buccellato and Manapul, but lacks the dynamic energy found in that title. The combination of artists hurts this issue, and the story feels like it has very little to do with the Futures End concept at all. I found the conclusion to be hollow, sadly, as some of the banter throughout the issue is very solid, but in the end this issue of Detective is very average.

This is a decent read for long time G.I. Joe fans, or those who are looking for a classic, straightforward comic, but doesn't add a whole lot of value for readers looking for their G.I. Joe stories to dig a little deeper. In the end this issue is a standard set up for further stories going forward, only time will tell what Dixon & Rosado do with the seeds they have planted.

Inhumanity #2 pushes the crossover event forward and drives the story closer to Inhuman, but in the end the struggle Medusa is going through does not come through with much emotional heft. The Inhuman race is in a time of turmoil and it was entertaining to read them progress forward, but it does feel like this comic just didn't hit the mark to fully flesh out this story. Inhuman fans will definitely enjoy the focus on Medusa and the build-up of what is to come in the following issues of Inhumanity.

The Thrilling Adventure Hour: Sparks Nevada: Marshal On Mars #1 is a decent debut for a comic that has some potential but just doesn't quite hit the mark to launch it into stardom. There's some laughs and the potential for more laughs down the line, and that's always a good thing.

Superman/Wonder Woman #7 is a prologue issue for a crossover, and therefore doesn't build up a ton of momentum for the characters. The most interesting parts of the issue are simply setting the board for events to occur in Superman #30, rather than build the story of Superman/Wonder Woman in any major way. After such an explosive conclusion to issue #6 this comic loses steam fairly quickly, even though the writing and art are not poorly done. Readers who are invested in the Superman/Wonder Woman relationship will enjoy the softer moments of this issue, but if you aren't looking to dive into the Doomed crossover there isn't a whole lot here for 4 bucks.

The Fox #1 starts off this volume by setting the board for a series that has some promise, but there are some issues in this comic. While being accessible, it lacks a killer hook to make me want the second issue badly, and the design choices surround the the primary female character in the issue sat wrong with me. Haspiel and Waid have crafted a comic that has potential for some entertaining stories down the road, but the first issue doesn't fully deliver.

Despite my confusion I will be giving The Ravagers a second chance, if for no other reason than Churchill's art. Hopefully as the book progresses the cloud of confusion may begin to leave my brain and this book will really find it's own voice.

I think this title is in solid artistic hands, it would just be nice to see them be able to really show off their skill.

I wanted to enjoy this book, I was fully prepared to give it the benefit of the doubt considering the random characters being throw together, but at this point I have no reason to read another issue to find out if this storyline is going anywhere.

Thunderbolts #15 does a solid job of walking the line between maintaining series independence and tying into an event. Soule delivers a comedic tale getting primed for some explosive action. Art issues exist but don't damn the book, but any readers coming simply for Infinity action may as well wait for issue #16.

Thunderbolts #16 is a solid event tie-in that stays true to the primary series. Soule does an excellent job of keeping this book true to its core while integrating the events of Infinity, and he infuses some delightful dark humour to give the book a unique feel. Palo's artwork lacks some of the subtleties I feel make the script strong, but overall it is one of the strongest issues of Thunderbolts I have read.

More than anything, the art in this issue made me sad because it doomed a fantastic script to be just a mediocre comic.

Overall, this issue of The Incredible Hulk is quite a bit better than the books from the past arc. Aaron's writing has been strong for the entire series and continues to be, with the art finally taking steps to catch up with him.

Age of Ultron #3 in and of itself is an average comic, but if you've read #1 and #2 it is really just more of the same except for the final page. I'm still optimistic for the series as a whole, but issue #3 left a lot to be desired.

Age of Ultron #6 turns the pace up a huge notch and adds a fantastic element of tension to this series. The implications of the final few pages will be very interesting to see and I look forward to more AoU.

In the end, Age of Ultron #8 was another solid entry in an event that has really been growing on me. This is more than heroes fighting machines, and I like the angle Bendis has approached with these past couple issues. Count me in for #9.

Age of Ultron #9 has come close to derailing this series completely for me and while I will return for #10 just to see how this has wrapped up, it will not be the first thing I read on that Wednesday by any means. The second last issue is not the one where you want the winds to leave the sails, but that is the case here.

With any event, the end must justify the means to get to this point, and this is where Age of Ultron #10 falls short. It is not a bad comic per se, but it does not provide the conclusion a ten issue event warrants. There is the potential for some very interesting stories to come from this event and there is some absolutely fantastic art within this issue, but those two factors aren't enough to save issue #10 and the event as a whole.

Batman: The Dark Knight #22 is a comic filled with some great artwork and a generic script. The visuals alone may be worth the price of admission for many, but the story came up short in many ways. Here's hoping the two sides of the creative coin both strike hard in issue #23.

Captain Britain And The Mighty Defenders #1 has a concept that intrigues me, some solid characters that are fun to have around again, and some rather boring artwork. Davis' work isn't bad, but it didn't wow me at all and it deflated a lot of the momentum of the issue. I'll be back for Ewing's take on Faiza, but I'm not expecting to be astounded by the artwork in this series.

I do get the impression that this is a tale that will only get stronger as it goes, and this #1 was laying down framework and introducing us to this new universe, but for a #1 issue judged only on it's own merit, it is fairly unfulfilling. Don't get me wrong, I will read on, the dialogue is sharp and this title has great potential and is worth keeping an eye on.

Ghost Racers #1 is a fun thrill ride that, despite some inconsistent artwork, is a must read for fans of the Riders, especially Robbie Reyes. Smith put enough fun and thrill in here to keep me in for another issue, and hopefully Gedeon's artwork keeps pace. Fast, furious, and hellfire everywhere, Ghost Racers #1 may not be the strongest Secret Wars issue yet, but there is an interesting framework to build from, for sure.

Miami Vice: Remix #1 is a generic story told with dazzling artwork. It is the buddy cop tale you'd expect from a book with this title, but Mahfood's electric visuals give it life. If you are a Mahfood fan, or nostalgic for the Miami Vice characters, I'd say this is a sure bet to check out for you. If you aren't a fan of the franchise, take a look at the previews out there in the wild and see if Mahfood's visuals grab you. His work will make or break the book for you.

The Legends of the Guard series is built with die-hard Mouse Guard fans in mind, and those readers will most likely enjoy this comic quite a bit. The middle story, especially, adds quite a lot to the mythos and world of the Guard, and is probably worth the price of admission itself. I'll be back for more Legends, as I enjoy exploring this world whenever possible, but as of yet the anthology won't be at the top of my read pile.

Original Sin #5.2 features a solid story that is undermined by sub-par artwork. Thor: God of Thunder and Loki: Agent of Asgard readers will notice a definite decline in the quality of artwork telling the story here, and while the Tenth Realm is described in the story as being majestic, the visuals in this issue do not reflect that. This has the potential to be an epic story and if the artwork can rise to the level of the story this series will bring the thunder for Thor fans.

In the end, I believe the visuals put too much of a burden on the script, and because the issue was not visually engaging at all, the script started to lose interest factor as well.

In the end, this book is a solid issue focusing on the Red Hulk. Non-fans of the character won't find much in this one, nor is it essential reading for Avengers Vs. X-Men, but it is a decent comic in its own right.

Avengers #33 is a fun comic in the middle of an arc rounding it's way in to what could be an extremely interesting finish for Bendis. Avengers fans will find a lot to love in this book, and I am eagerly anticipating reading the next issue.

1602: Witch Hunter Angela #1 is a good read but plays things too safe to be a great read. Angela & Serah in the 1602 landscape is almost too on the nose to feel exciting and new, and in this Secret Wars landscape that hurts the book. The characters are strong enough and the book is executed well enough that I'll be continuing with the next issue, but a little more sizzle wouldn't hurt.

Gage and Moline deliver a solid start to the newest arc of Buffy The Vampire Slayer Season 10, continuing to capture the tone of the Whedonverse well. Buffy fans should find a lot to enjoy in this issue, and I'll be back for the next installment to see where they are headed with this one.

Convergence: Aquaman #1 is a darker take on the event and Bedard and Richards give readers a brooding Aquaman that operates at Batman levels of grumpiness. This darker take works, for the most part, and when the art is on, the issue excels. When the art is lacking the emotional wallop it could have, it is a middle of the pack read but I will be back for more of this take on Aquaman when the second issue drops.

Convergence: Aquaman #2 gives readers more of the one-handed Aquaman they've been missing for years, and a pretty satisfying conflict with Deathblow. This isn't the most dazzling Convergence tie-in you'll read, but if you are an Aquaman fan and are looking for a tale with the King from outside the New 52, Bedard and Richards have you covered.

Convergence: Justice League of America #2 tells the tale of some b-listers hanging on and fighting the good fight until the cavalry can blow the fight wide open. Nicieza & ChrisCross entertained me as the wound this one down, and more cranky Vibe is just good for comics.

Dark Skullkickers Dark #1 is, by no means, a bad comic. It is not the best in the Skullkickers‘ series so far, but has its entertaining moments. More Skullkickers is always a good thing, and I'll be returning for Tavern Tales.

This issue is a slow burn, which helps build an eerie tension that exists throughout the issue, but it hinders the ability of the story to really pull readers in. There are some really wild science fiction comics in the industry right now, and I couldn't help but feel that Deep Gravity‘s story was too tame at points to really hook readers. There are some questions posed that are intriguing, but the “oh my god I need issue #2 now” hook has yet to present itself. The writing is strong enough to warrant giving this series a couple more issues, but out of the gate I'm not yet craving more story set in this unknown world. The foundation is there for something interesting, and only time will tell if the series uses that foundation well. If your tastes lean toward science fiction, thrillers, or books with the shadowy specter of corporations, Deep Gravity is worth a look.

The Stalinverse is an intriguing place and I am curious to see where the creative team takes this. The challenge in front of the freedom fighter is a difficult one and if the pencils can even up with the writing, Divinity III could be a lot of fun.

Eternal Warrior #1 is proof that Valiant is doing many things right and making strong choices. Pak's rock solid script sets up some interesting situations to build on going forward. The artwork is not the best we've seen from Hairsine, but shows promise for the action heavy aspects of this book going forward. This is a solid debut for a series I will be following to see where Pak takes us next.

On art detail is Carmine Di Giandomenico, an artist I have virtually no ties with, but was impressed by. There is serious skill in this art, and it is to be noted that Giandomenico pencils both the bizarre magic worlds of Asgard and the suburban apartment of the New Mutants. Polar opposites to pencil, yet skilfully completed. I'm curious if nothing else to see more from Giandomenico.

I've heard Hickman's run be criticized as being difficult to access for new readers, what with all the moving pieces constantly building on each other, but that time is over. This Fantastic Four is highly accessible, extremely entertaining, and a fantastic read.

In the end, this isn't a bad comic, but there is nothing revolutionary within the pages either. Die hard fans of Thing will enjoy some moments of it, but other than that it is a rather generic read.

Traviss and Kurth have built the framework for a strong series going forward with G.I. JOE #1, and I recommend giving it a shot to see if the tone is right for your tastes. Fans of Mike Costa's G.I. JOE/Cobra work will be right at home here and I look forward to reading more.

Infinity Heist #1 kicks off what could be a really interesting series going forward with a different focus than what we typically see in tie-in books. Tieri's concept is strong and his characterizations show the potential to be quite entertaining and with some more consistent art this series could really surprise readers. Infinity Heist #1 is definitely worth giving a shot, even just for a different look at how the wide impact of Infinity is affecting the Marvel U.

In the end, I will be continuing with JLA because I am intrigued by the story Johns is telling, but I do hope for a dramatic improvement in the visuals department. The strong backup story gave this issue a boost as well, and I'll be looking forward to the next backup as well.

Deadshot's origin is well told by Kindt and he is backed up by superb art in this Forever Evil tie-in. The subtle comparisons to Batman's well known origin are appreciated and I highly recommend Justice League of America #7.1: Deadshot to anyone looking at Villains Month as a time to try out new books & characters.

Black Adam slams into the DCU with a thunder in one of the strongest issues of Villains Month. Johns, Gates and Salazar throw in one hell of a cliffhanger at the end of the issue and the remainder of Forever Evil has got to be interesting based on what we've been given in this issue.

Justice League of America #9 is a bit of a mixed bag with one strong character analysis combining with a weaker storyline to keep the series from progressing at a very rapid pace. The artwork, while not poor, is not remarkable either and does little to make this issue memorable in any way.

For readers who are not Stargirl fans, there isn't a whole lot for you here. This issue does nothing to build the Forever Evil event, and feels like it is treading water. Stargirl is written to have the potential for star power, but the storyline, sadly, takes the wind out of her sails.

Aaron and Garney execute this brutal tale well, but I will argue that they go too far at points. There is a long sequence in this comic that left me feeling like the proverbial horse, beaten to prove a point that was already obvious, and subsequently unnecessary. The events of the issue have thoroughly damned the primary character to the point where I have no interest in seeing him on the page, which may keep me from coming back for a second issue. Gritty violence for the sake of shock or simply to showcase intensity is not enough to drive this forward for me, and while the cliffhanger does create a potentially interesting scenario, I will admit this is probably not the series for me. These are talented creators telling a gut-punching tale, but this story is definitely not for everyone, and I'm afraid I'll most likely be sitting the rest of this one out despite the storytelling skills of these two creators.

Overall, I will be coming back for more Nowhere Men, without a doubt. The first half of the book was strong enough to overcome the pacing of the second half for me, and I hope my comments about the second half come back to bite me down the road. Stephenson has set up the framework for what could be a really interesting series and has great co-conspirators on board with Bellegarde and Bellaire.

Peanuts #25 is exactly what I expected it to be, which I appreciated. The spirit of this comic is very true to the source material and Peanuts fans will get a kick out of this one. It is a fairly quick read, which is probably to be expected, so if you're on the fence about whether or not to get it, recognize that this is a Peanuts book that is crafted in a strip-like manner. With that in mind, I'm pretty sure you'll get a few smiles and maybe even some chuckles out of this issue.

Rai #1 is missing the elements that have made every other Valiant title successful thus far. X-O, Harbinger, and the rest of the line have focused on the dynamic characters in the Valiant Universe and the explosive personalities they possess. Rai, however, is a lifeless look at a dark future that leans too heavily on a worn out class struggle and characters that, as of yet, have no depth at all. The spark that has been in each Valiant #1 is missing here, and I hope for the sake of the title, and character, that it is found soon.

This issue is a decent start to a series that will ultimately be defined by the twists and turns of the next few issues. I'm locked in for the next one and then we'll see where it goes"

In the end, this OGN entertained me, especially when looking at it as a contained story and not a part of any continuity. The ties to continuity did not enhance this OGN at all, though I would argue the primary fan of this tale would be looking for continuity ties anyway. Starlin's Thanos is entertaining and his take on the Mad Titan will feel right at home for readers of Infinity Gauntlet. I will note again this is not the Thanos from Infinity or Thanos Rising, but if you are looking for a return to the “good ol' days”, you will most likely enjoy this tale. I'll be giving this one multiple reads, as the concepts are definitely worth visiting more than once, and any time Mr. Starlin wants to return to write and pencil Thanos I will be back to read more.

Chilling Adventures of Sabrina #1 is a solid start to a dark take on this character. Fans of Afterlife With Archie should dive in feet first, and I'm guessing they will be very happy. While I wasn't floored by any specific moments in the issue, I will admit that the eeriness stayed with me well after reading. You've never read Sabrina like this, that's for sure.

I have a very strong feeling that this is going to be a solid series as we get deeper into some of the vagueness that existed in this first issue. There's a lot to work with here and Johnson's art certainly sells this character, hopefully the subsequent issues will have her really branch out and become a unique character. There is huge potential for this character once we get past the introductions phase and I will definitely be back for the second issue.

This issue was a great continuation of the vibe of the Transformers: Regeneration One series. It may be tought to swallow paying $3.99 for what is essentially a 90s book, but for Transformers fans looking for a fix or resolution from the old storylines, this should be right up your alley. Issue #83 isn't the best comic I've read this year, but it did impress me enough that I'll come back for more, for nostalgia's sake if nothing else.

The future ofGreen Lantern is bright, and issue #22 does a great job of focusing on what makes Hal Jordan a great hero. This issue has a strong script, strong art and sets up some great plot lines for the future, and is a must read for any Green Lantern fan.

Fans of Green Lantern and Black Hand, especially, will find a straightforward story they will enjoy in these pages. The event at the very end of the book will have an impact on Hal Jordan going forward, but for the most part Green Lantern #23.3: Black Hand is a showcase of what the character can do and little else.

Green Lantern #39 is the first step down what promises to be a very entertaining adventure. Venditti and Tan are telling a tale that is very relevant and the layers of subtext within this issue give it a whole other level of depth. This team is solid and the comics are reflecting that, and Green Lantern #39 is a solid jump on point and intriguing direction for this title. Green light for Green Lantern!

Green Lantern #41 was an enjoyable read that set up what Hal's role in the galaxy is now while leading up to a wild cliffhanger. The ending has me more excited for the series than I was up until the last page, and I'll be diving into Green Lantern going forward. Venditti and Tan are a good team and if ring slingin' is your thing, Green Lantern #41 is rock solid.

Green Lantern #48 suffers from being a middle chapter in an arc that isn't taking many chances thus far. Bringing Hal to Earth is certainly not a bad idea, but this issue does little to make the conflict unique to this character or much more than a “find the bad guy and punch him” story. While the storytellers avoid the “heroes smashing heroes” cliche with Hal meeting Batman, the interaction lacks the fire readers are used to when Green Lantern ventures to Gotham. Overall, Green Lantern #48 is a middle of the pack, middle of the arc issue.

To boil it all down, Green Lantern #50 is oversized and also overpriced. I'm all for extra pages and of course that costs more, but this is a story that could have fit in a regular sized comic without trimming any necessary details which is quite disappointing. Hal vs. Parallax is a main event worthy brawl, but the execution doesn't live up to billing with this one.

Batman & Robin Eternal #2 continues the entertaining story from the first issue and has me even more intrigued by this weekly. I enjoyed the first Eternal weekly and this series is matching up nicely to the quality of it so far. I'll be back next week and I'm happy I only have to wait that long to see what happens next.

Batman & Robin Eternal still has my attention after this fourth issue, though the “curse” of the weekly title and rotating artists is already starting to rear its head. This story is well written and the art gets the story told, but I'll be hoping for some more dynamic visuals in issue #5.

Batman And Robin Eternal #6 steadies the ship nicely and brings it back onto a course I am game to read. The return of Daniel on art and Tynion's work to tie together pieces of the script bring this series nicely back in line and I'm excited for issue #7 and the continued quest to find Mother.

Batman And Robin Eternal #15 is a fun read that is very well executed. No corners are cut here with the writing or the artwork and this is one of my favourite issues in the series so far. Tynion IV and Snyder are crafting a very interesting story that Lanzing and Kelly execute well and Christian Duce and Gabe Eltaeb brought some seriously great art to the table this week. Issue #16 has big shoes to fill and I'm continually more excited about where this team is taking Batman And Robin Eternal.

Batman & Robin Eternal #19 is a disappointing chapter in a weekly series that I have enjoyed on the whole. Weaker chapters are to be expected throughout this journey, and #19 suffered from some seemingly rushed artwork and a story that was very straightforward. Here's hoping there's some stronger visuals in store next week.

Batman And Robin Eternal #20 caps off this chapter in the ongoing saga of Bat-family vs. Mother and brings a new dynamic into play that could be very interesting. This single issue is just fine, though it highlights some aspects that are becoming repetitive could become problematic as this series progresses. Here's hoping the final page brings good tidings for Batman And Robin Eternal going forward.

This is one of those great issues where the script and pencils mesh well and I look forward to issue #23.

I don't often comment on covers but I want to give a shout out to Arthur Adams and Laura Martin for one of the most visually engaging superhero covers I've seen in awhile.

All in all, this book is a shining example of what I consider to be the worst points of the Avengers Vs. X-Men event. This issue only connects to the main event in the loosest sense, drawing on an iconic character for virtually no reason and drawing some major characters into a fray away from the main event. This arc has to pull a serious 180 to save itself.

This storyline still vexes me somewhat in terms of the main event, but this issue has kept Secret Avengers in my pull list and has me very optimistic for what Remender can do with this book going forward.

Secret Wars: Battleworld #1 takes readers deeper into the Battleworld and Secret Wars and for anyone who is loving the wild world that Doom has built, this is a nice read. These writers and artists nail these first stories and Secret Wars: Battleworld #1 is good, solid fun.

As with any comic featuring two completely different stories, there's a chance one will work and the other won't. One of these worked for me and the other didn't, so the score reflects this one as being a middle of the road issue on the whole. I'll gladly take more work from the team of Walker and Kirby, as the fun leaped from the page in that story, but tired gladiator tales are just not something I'm into. It will be interesting to see if Ross becomes a larger player down the line, here's hoping if he does there's also some big moments for Nico.

This is by no means a bad comic, it's just not as strong as it's predecessors and therefore let me down a little.

So once again I am completely torn by this book, as one half was absolutely amazing and another just felt all wrong to me. Hate it when that happens".

Futures End #1 is a strong debut issue, setting up what should be an entertaining thrill ride that will drive us into the September event. The writing team, with strong art from Patrick Zircher, kicks off this 52 week adventure with one hell of a bang and I'm ecstatic I only have to wait until next week to devour more.

The New 52: Futures End #5 is one of the slower issues in the series so far, but the writing maintains it's strength. New story angles are introduced while others become more complex and while the artwork isn't jaw dropping, the storylines do progress in this issue. A different blend of storylines may make for more dynamic issues down the road but issue #5 does an adequate job of moving the story along while giving readers who are interested in these particular arcs some more to chew on.

Futures End #6 is the strongest chapter since the first issue in this weekly series, throwing down some information that gives the story as a whole more energy and momentum going forward. Packaging these three storylines together was a smart move by the creators and editorial, and Patrick Zircher more than held up his end of the bargain with some very strong artwork. My interest was waning but issue #6 has pulled me back in, and I'll be seeing what goes down next week in issue #7.

This series has taken some time to really pick up speed, but it is officially a rapid moving train and it is a great time to be on board. I'd argue some high profile additions to the art stable could take this from a B-series to an A-list knockout, but I can't help but come back each week so something is definitely working. #14 was a solid chapter of these stories. I'm in for more.

The New 52: Futures End #43 is setting the board for something big, but very little of note occurs in this issue. The art is relatively generic and doesn't compensate for the slow pace of the story, but I am still looking forward to when this series explodes and we get to see the the conflicts that have been brewing for so long.

My last comment will be to praise editorial and/or the writers or whoever is responsible for the play-by-play comments throughout the issue. They really give the book the feel of an old school boxing or wrestling match and help keep this book focused on being a riot rather than an in-depth psychological take on these characters. Marvel is selling this book as what it is: a battle royale and I applaud them them for keeping things light and creating a fun issue.

This is one hard issue to put a number to, seeing as it is a combination of two polar opposites, but here we go….

Archer & Armstrong fans will find a ton of things to love in Archer & Armstrong: The One Percent #1. This comic sets up an interesting organization to muck things up in the Valiant U going forward, and Fawkes & Eisma did a solid job capturing the spoiled-brat nature of these characters…and then added in a homicidal streak for fun. I'd recommend any Valiant fans give this one a read, you will be entertained.

Burning Fields #1 is an intense horror/thriller that hits hard and never stops attacking. The comic bleeds intensity and for those who are fans of graphic and intense books, there is a lot to enjoy in Burning Fields. I will admit that it isn't what my tastes typically gravitate toward, but for what it is I found it to be executed well.

Deathstroke #2 surprised me, and delivered more than I expected to. The humour balances the violence well, and there is definitely action worthy of the character in this one. Fans of the character will be very happy with this interpretation and I think many people who have never cared for Deathstroke (like myself) will be pleasantly surprised if they give this one a go. Big explosions, big action, some good laughs – the DCU has an action-movie-comic in Deathstroke.

Divinity #1 entertained me and I will certainly be back for more, if for no other reason than to find out more about this mission and who the hell this guy is. The artwork could use a little more sizzle for my taste, but it certainly could be worse so I'm going to hold out hope that Hairsine falls into a stronger groove with this book as it progresses. Matt Kindt's work at Valiant continues to impress and I'm intrigued to see where he takes Divinity.

The Flash #3 was entertaining and I think this book is starting to pick up some serious steam. Williamson and Di Giandomenico have set the foundation for what could be an explosive finale and I appreciate the tone they've set for this serious. While it isn't sunshine and rainbows, it isn't mired in darkness either. I think this team has the storytelling chops to give these characters their due, and issue #3 really locked me in as a Flash reader going forward.

The Flash #30 is a solid start to this arc and Ill definitely be reading more. When Googe is on, the book is great and I hope to see more of that in the The Flash #31.

The Flash #52 is a solid jumping on point for new readers and continues the trend of quality storytelling that Joshua Williamson has been delivering over the past couple years. As with any start-of-the-arc story we've got more of a launchpad here than a story with any resolution, but I'm intrigued to find out what's coming next.

Issue #21 of Green Arrow is yet another strong issue in what has been a series redefining run from Lemire and Sorrentino. The mystery is unfolding and becoming more interesting as we go, and you definitely want to be reading Green Arrow.

Lemire and Sorrentino successfully create a monster in Green Arrow #23.1, but at the end of the issue I found myself wanting much more than the generic story that was told. This is a story of brutality and abuse, but one that could be applied to any number of super villains with hardly any modifications. This reduced its impact significantly and left the issue feeling hollow despite some gut-wrenching artwork. This issue is not for the faint of heart, with some brutality and dark subject matter that is definitely not typical for superhero books in the DCU.

Green Arrow #25 continues what has been a stellar run and ties into Zero Year with a finesse that is to be commended. It is a Green Arrow book at it's core with nods to the Bat-centric event that readers will enjoy, and it is worth the price of admission for Sorrentino's art alone. Green Arrow is one of the strongest superhero comics in the DC line and issue #25 is another example of what this creative team is doing right.

Iron Man #1 is a fine example of what Marvel NOW! is meant to be. This has the potential to be a very strong relaunch of a high profile book for Marvel, and Gillen certainly shows he has the skill to be writing a character as visible as Iron Man. The art did detract from my overall enjoyment of the book in places, but certainly didn't doom the entire issue. This is a solid start to what I hope is an enjoyable series.

Gillen and Ross had a tightrope to walk for this jump on issue of Iron Man, and I believe they did it well. A strong foundation is built for the arc going forward and the relevant parts of the past issues are touched upon to bring new readers up to speed. This creative team has the potential to do some special things with Iron Man and I recommend any lapsed or on-the-fence fans give this one a shot. I highly doubt you'll be disappointed.

Ellis and Masters stay very true to the source in this first issue of Bond and, for the most part, it works. They play off of the excitement of there finally being James Bond comics while also maintaining the structure of how a Bond film plays out and I am curious to see where they take this arc. I'll be back for more, with the hope of seeing a stronger Bond personality shine through as the plot gets thicker.

Judge Dredd #24 is an entertaining finish to the Black Light District arc that plants some seeds for some fun storylines down the road. Daniel's artwork sets a unique visual tone for the book that compliments Swierczynski's dark humour and I'll be back for more down the line.

Liberator #1 is a comic with a strong voice filled with passion. The creative team has a lot of interesting directions they can take the story going forward, and the issue kicks off the series very well. This is definitely worth picking up, I'd bet solid money you'll be back for issue #2.

Revolutionary War: Alpha #1 sets a solid tone for the event going forward. While the story is somewhat straightforward and filled with a lot of information for new readers, these creators definitely do these UK heroes justice and this series has my attention.

Zub, Suriano and Beavers have got a fun thing going on in Samurai Jack #12. Fans of the show should love this comic, and it's a safe read for younger audiences as well. That's not to say it's explicitly for kids, it's just safe for all ages and extremely accessible. They pulled me in enough to have me coming back for issue #13, and I need to know what happens to this broken blade!

Bendis has been on fire with his books that have come out of the X-office, and Uncanny X-Men #6 is another great offering. The story suits Irving's talents well, and it will be interesting to see where this goes next based on the final page reveal.

Issue #8 of Uncanny X-Men ends on an energetic high note, though the issue as a whole feels like it spends a large amount of time walking a path it has been down before. The events of issue #8 are obviously building toward something bigger, and it is never a bad thing to see Bachalo penciling this well, but this isn't the strongest issue of the series so far.

Wolverine #1 is a solid first issue for what could be a strong series. I will definitely be picking up #2 to see where this goes, and what Cornell & Davis have planned for this new take on Logan.

Convergence #1 features some excellent artwork and a story that is good enough to make the issue work as a whole. I think the series will need to pick up to really take off in the future, but the foundation needed to be built for this main book and all the tie-ins, so that is what we've got from issue #1. If I can get more artwork like this from Carlo Pagulayan I will be a happy camper, and I'm looking forward to issue #2 of Convergence.

Convergence #5 is the strongest issue of this “main” event book that we've seen since the first and Earth 2 fans will still be very intrigued by this comic. The issue does change the game for Convergence as a whole, and justifies it's worth as a main event book. There are some parts of the issue that seem to fit awkwardly into the plot but overall this I found the issue to be entertaining. There's a new baddie on the block, kids…time to see what he's got in store for the cities of Convergence.

The board is set for explosions with Convergence #6, and issue #7 could be a ton of fun. This series has benefited from the focus on Deimos as the big bad, and King, Lobdell, Benes and Pansica seemingly had a good time with this one. They've got a ton of characters to work with and, overall, they did that well. I'm in for #7, bring on the brawl.

Convergence #8 ends the event in a satisfying way that stays true to the intent of the event. King and Lobdell handle the huge cast well and the art crew, for the most part, execute their task well. Convergence was a fun event and there is optimism in this issue, which I appreciated. Moving the DC offices led to some good stories, so if they decide to swap coasts again, I won't complain.

This is by far and wide the strongest issue of The Flash so far and Manapul and Buccellato are really in sync. I can't wait to see where they take the speedster next.

The Flash #34 is an issue that moves at a rapid pace (ha!) diving through storylines at a good clip and accomplishing a fair amount. The first half of the issue is eclipsed by the latter half, but the end goal of preparing for Futures End is certainly achieved. The Flash is in good hands and I look forward to seeing more of what this crew has in store for Barry, and maybe even more so, Wally West.

Venditti, Jensen and Booth are crafting a quality Flash run here, and issue #38 is another good comic. The trio have a solid voice for Barry (both of ‘em) and the looks within the Speed Force intrigue me. I'll certainly be back for #39.

Justice League United #0 is a fantastic debut issue from a creative team that is already obviously in sync. Lemire has a great voice for these characters and McKone does a great job of handling this large cast and giving each character a strong personality. This is an excellent jumping on point for anyone looking to dive into a Justice League book without the burden of continuity, and I highly recommend you give this comic a shot.

Justice League United #2 is a bit of a misstep in what has been a solid series so far, and hopefully returns to being with issue #3. The characters are dynamic as a group but the story as a whole is force fed to readers in a manner that makes it boring and simplistic. Lemire has proven in his other DC work that he can tell a tale and he has a very strong art team with McKone, Vines and Maiolo, so I will be back for more…and hopefully some twists will spice things up.

Justice League United #3 drives the story forward at a steady pace and gives readers a nice balance of heavy and light moments. JLU feels like the Justice League book that you can read to escape heavy continuity while still enjoying some of the most entertaining characters in the DCU. This series is getting interesting, folks, and I'm in for #4.

Justice League United #9 drives this arc toward its final chapter and really, if you haven't read the arc up to this point, this isn't the best time to jump in. While it wouldn't be impossible, with a cast this size it would not be easy to follow if you haven't read any JLU to this point. Lemire's carving a different path through the DCU with this title and, for the most part, it's working for me. These characters don't make the most sense together, but that's part of the zaniness and I do like a bit of zany in my life. I'll be back for #10 to see how this rounds out.

Justice League United #11 is definitely worth a look for anyone who strayed from the book despite liking some of the characters. Parker and Foreman have an intriguing concept here and this first issue is executed well. This comic features some great characters who are well written and Travel Foreman's artwork has some serious pop at points. I'm definitely in to see where this book goes and JLU is back on my radar.

New Avengers #9 is a stellar issue in what has been a fantastic event so far. Hickman is wasting no time increasing the stakes and the payoff of several storylines that started 9 months ago are finally in readers' hands. Anyone reading Infinity must read this issue.

New Avengers #10 is another extremely strong issue in this Infinity event from a very skilled creative team. It is a must read for any Infinity readers, even as a setup issue, as it lays the groundwork for things that are going to be huge going forward. Quite simply, another win for Hickman.

New Avengers #11 is a fantastic read for anyone who has been enjoying the series to this point, and for anyone reading Infinity. Big forces are in play and Hickman does not shy away from shaking things up in this issue, adding new factors into the event and seeding some interesting stories for down the road. This is one of the best books Marvel is putting out and an excellent chapter in this event.

New Avengers #13.INH is the sad victim of one half of the comic book equation failing the other. New Avengers readers will want to read this issue for the information regarding the incursions and some huge details for the story going forward, but the art will most likely disappoint, especially when compared with the strong work from Mike Deodato.

New Avengers#19 feels like what it is: a filler issue before an eruption. The big fight is coming and this incursion is gonna be a biggie, but you aren't going to find the battle royale in this issue. Valerio Schiti delivers some top notch artwork to bail out the very slow script and keep this one interesting, giving readers a huge final page that will pull them back for #19 without a doubt.

New Avengers #23 is a well crafted comic that, with the final pages of the issue, has maintained it's “must-read” status. There are events occurring within these pages that will reach out into damn near every book in the line, and when a comic is filled with characters and events that affect things on that large of a scope, you can't help but be excited as a reader. This is a great primer for the Time Runs Out storylines kicking off next month, and I definitely recommend giving this one a shot.

New Avengers #25 is a rock solid comic. This story is growing more complex and enjoyable as Hickman unravels the mysteries of what the hell has happened over the past 8 months, and the whole situation is very exciting for Avengers fans. I have questions that I want answered right now, and I will admit Hickman has got me hook, line and sinker. I highly recommend Avengers fans grab this comic.

New Avengers #26 slows things down a bit heading into Avengers #38, but gives readers some very important information about what has occurred, and what is on the horizon. We've got some solid plot progression and great character work here, and that's a win.

New Avengers #29 takes the baton from the strong Avengers #40 and just keeps running with it, adding more layers to Time Runs Out and building the momentum toward Secret Wars. These are strong characters that are written and penciled well, and, as has been the case for the vast majority of the run, you can't go wrong with New Avengers.

New Avengers #30 is a mind melter featuring big concepts and some pretty hefty continuity. If you've followed Hickman's epic saga this far, you're already in, but I'm not sure this issue quite hits the mark it should. Heading into Secret Wars the stakes are extremely high for…everything and while this issue left some things to be desired for me, I can't wait for the next installment in this grand story.

New Avengers #31 is a fantastic chapter for fans who have been around from the beginning. Hickman's epic story, that has now been in motion for years, is about to blow up in a big way and this issue feels like the match that has been lit that is moving toward the powder keg to blow this all wide open. Rabum Alal is here, y'all.

Hickman and Deodato have taken the game to a new level as Time Runs Out nears its conclusion, and I'm more excited about Avengers and New Avengers than I think I have ever been (and that's saying something). This story is massive and New Avengers #32 shows that Hickman and Marvel aren't playing this safe: huge events occur with primary characters in the Marvel U and if you've been enjoying these books, there's another fantastic chapter in the saga here with New Avengers #32.

New Avengers #33 had a ton of promise but hits with a mediocre thud as the issue circles around itself and digs deep into some odd aspects of the storyline. The artwork is middle-of-the-road at best and not Deodato's best work by any means, which detracts from the momentum of this issue and it's ability to close out the volume of this series and drive readers into Secret Wars. New Avengers stumbles along until its conclusion and I hope to see better in Secret Wars.

Simon Roy has the task of keeping a desert caravan visually interesting, something I suspect no penciler would find easy. Roy keeps the issue interesting with a variety of layouts and a new visual take on the aliens John is encountering. These are not typical ‘alien species' that we see in other comics, this caravan is a bizarre place and Roy takes that concept and runs wild with it. The detail in the caravan is superb and while there were times I had no idea what I was looking at, I found myself investigating to find out what it was due to my increased fascination for where this creative team had put John. Prophet appears to be in very strong creative hands and I look forward to finding out what happens to John next. If there is one thing this issue and Extreme re-launch has taught me it is to expect the unexpected.

The art by Farel Dalrymple suits the script well. Dalrymple has a difficult task, creating a truly alien world and he excels at it. This world is visually engaging in its foreign nature and Dalrymple does a good job of keeping the narrative flowing when the internal monologue of Prophet isn't fleshing the story out. Dalrymple definitely suits this title well and would be a great long term artist on this book.

Aquaman #19 is one of those issues that simply tries to do too much, and all aspects of the story suffer. I am definitely in for issue #20 and onward based on the strength of the run so far, and hopefully all these loose threads start to weave together in some strong issues going forward.

Aquaman #26 is a strong jumping on point and Parker's initial Aqua-offering gives a good, energetic shot in the arm to this title. It was one of the best in the DCU under the reign of Geoff Johns, and there is no indication in this issue that the quality of Aquaman is going to slip at all under Parker & Pelletier's watch. Justice League fans, or anyone who has been enjoying Action Comics by Greg Pak will be right at home with this comic, and I highly recommend giving the book a shot. My guess is you'll be pleasantly surprised, and that Aquaman will be a mainstay in your pull going forward.

Aquaman #31 is another strong chapter in an excellent series. Jeff Parker and Paul Pelletier give readers an interesting story featuring the titular character and Swamp Thing, and Alvaro Martinez works well with Parker to continue the Mera storyline. This is a solid issue from start to finish, and I highly recommend Swamp Thing readers pick it up to see how the crossover begins. They just might become Aquaman readers…

Aquaman #38 is a rock solid comic book. Parker writes these characters well and his work with Paul Pelletier has made Aquaman feel like a strong stand-alone story in the DCU. They are forging forward without being pulled into much in the way of crossovers and have carved their own little space to do some fun things in. I'll be along for the ride as long as this pair is on the book, and I can't wait for the next issue to continue this adventure.

Aquaman #39 is another fun issue in what has been a very strong series for many months. Great character work, big action and strong artwork are the highlights and I definitely recommend this comic to anyone who likes grand adventure tales that span across large kingdoms. This title has been in its own world for a long time now and it works. No other parts of the DCU are needed, issue #39 has got all the right elements to make this story fly with just Aquaman and co.

Aquaman #40 is a rock solid comic and a great ending to what has been a fantastic run by Parker and Pelletier. One of the strongest solo series in the DCU, Aquaman has been strong month in and month out and issue #40 is another example of how awesome a well crafted Aquaman book can be. I raise my glass to Parker and Pelletier, it's been one heck of a run and here's to more good times for Arthur and Mera post-Convergence.

Aquaman #41 by Bunn and McCarthy is a solid start for a new direction for the comic. McCarthy's artwork sells the new angle and this pair have me intrigued enough to continue. Aquaman has been rock solid for 40 issues to this point and I think this arc has the potential to continue that streak. I'll be checking back for in for #42.

Guardians of the Galaxy #8 is a great comic by two great creators. It is a sharp witted, entertaining and exceptionally well drawn issue that does a great job of riding the fence of being an event book and a Guardians book. People reading for either reason will find a lot to love in this issue, and I haven't been this pumped to read more Guardians since before the series began.

Guardians of the Galaxy #14 provides a solid jump on point for readers looking to dive into Guardians and gives people a couple of really good shorts to add bang for the buck. Bendis has kicked off a major storyline in this issue and planted the seeds for some good ones going forward.

Guardians of the Galaxy #16 will be an enjoyable read for people who have read Guardians up to this point. The artwork, as a whole, does not rise to the level of Bendis' scripting, which is a shame. Going forward, hopefully there is more consistency in the tone of the book as the story is going interesting places. Introducing Carol Danvers to the team gives the title a nice shot of energy and the final page alludes to an upcoming battle that will be a must-read.

Guardians of the Galaxy #17 is one of those issues that resets the deck and kicks off some events that may pay off nicely down the road. It ends on a somewhat awkward note, considering the next issue deals with what happened to Richard Rider in the Cancerverse, but the pieces are in play for a solid next arc.

Guardians of the Galaxy #18 is a rock solid comic that brings readers closer to the answers of what happened to the original Nova and how Thanos came back on the scene to wreak the havoc that was Infinity. It doesn't get more A-list than Bendis and McGuinness and the two bring their best to this issue. It is a must-read for Guardians fans and anyone who has read the Cosmic titles in the past decade. That last page will grab you, and I know I'm itching for #19.

Guardians of the Galaxy #19 is a rock solid action romp that fans of Rich Rider and Star-Lord will enjoy a lot. This look back at the Cancerverse has been an entertaining trip down memory lane and this story only becomes more interesting as more details come to light. Who knew trapping Star-Lord, Nova, Thanos and Drax in a twisted alternate reality could yield such entertaining results…

Guardians of the Galaxy #21 surges forward all guns blazing and readers who were turned off by the Original Sin tie-in will be happy to know that business is back to usual in GOTG. Bendis and Schiti are a very strong team and this book has never looked better than it does now. People looking for a space adventure with the same charm as the film have got it right here and I heartily recommend you give this one a look.

Guardians of the Galaxy #27 is a rock solid comic featuring some great character work and astounding artwork. The wait until after Secret Wars will be hard, but I'm looking forward to what Bendis and Schiti have in store for my favourite misfits in the new Marvel U.

Action Comics: Futures End #1 is well told story that brings an interesting focus on the current state of Clark Kent in Futures End. This is not the most explosive issue of the event thus far, but it enriches the Futures End experience by providing a welcomed look at the void and internal conflict of the world's most powerful hero. At the end of the issue I found myself far more invested in the status of Superman in the weekly title, so I'll call that a win.

This is a book I was completely on the fence about and tried solely due to a recommendation and I was impressed enough to add #2 to my pull list. This is more than a gimmick, there is a high quality story to be had here.

Avengers #0 is a mixed bag of teasers, with some winners and a couple that missed the mark for me. I will be trying several of these titles out when the #1s drop, and if you're looking for a taste of what is to come for the Avengers line, give #0 a look.

Amazing Spider-Man: Renew Your Vows #1 is a solid first issue that has a great hook at the end. Slott and Kubert are veterans that work very well together to tell the tale of this family and as someone who has always been a fan of the Peter/MJ relationship, I was very happy with what I found in Renew Your Vows #1.

Aquaman Annual #2 is a solid comic and a well done annual. Fans of the series will enjoy the consistent writing from Jeff Parker and some resolution for the Giant Born storyline. The King of Atlantis and Wonder Woman throwing down on some monsters. ‘Nuff said.

Aquaman #1 is acts as a jump on point for new readers, but at this moment I'm not sure it is a title I'm all that eager to dive into. The team falls short on highlighting the any of the strongest aspects of what makes Aquaman who he is, and the net result is a very straightforward superhero tale that could have featured damn near any one of the Justice Leaguers with a setting change to the U.N. and any stereotypical villain looking for revenge. I have hope that this creative team can head somewhere new and different with this book, I've read better comics with their names on them so I know they are capable, but this is not the best first lap of the pool for Aquaman.

Aquaman #9 is an issue that I enjoyed overall, but the script was held back by pencil work that is just too plain to make a statement. Abnett's keeping some interesting storylines afloat here, but here's hoping at some point the artists really cut loose on this title and give Aquaman a visual identity that is less generic and differentiates him from the rest of the heroes in the DC stable. That said, I'll be reading more and I'm intrigued to see where Abnett & co. take these storylines.

Aquaman #28 is a must-read. This is one of the best super comics on the market, with a veteran writer pairing with a dynamic artist to deliver a great final package. Aquaman is a unique character and this team is dialled into what is best about him and his world and we are lucky to be reading in such a great era for the title.

Aquaman #30 is the next fabulous chapter in what has been an excellent series since the arrival of Stjepan Sejic on art duties. Abnett and Sejic are telling one hell of a tale here, and you dont want to miss out on the jaw dropping action in this issue. Its beautiful, the story is epic and big things are coming. Bring me more Aquaman as fast as I can get it.

Arkham Manor: Endgame #1 is not essential reading to understand the events of Endgame, but it does supplement the primary event nicely. The tone is spot on and, like the backups in Batman, this comic really drives home the madness that The Joker can cause. He's an evil bastard and the fury that his image can unleash in the minds of the already dangerous is driven home well by this comic.

The total package of Batman/Superman #21 is quite good. This is a well written comic with solid artwork that left me entertained and wanting more. Superman's new status quo mixing with the changed landscape of justice in Gotham is just fun comics, and I'm game for more Batman/Superman as soon as I can get it.

The quality of the art has never been an issue with this series, and I'm happy the script is driving forward again.

Bloodshot Reborn #10 is a fun read. Sure, the post-apocalyptic-wasteland deal has been done before, but Lemire, LaRosa and Reber do it well enough that it doesn't feel tired here. If anything, this book is full of excitement and any readers looking to jump onto Bloodshot have a great opportunity here. I'll certainly be back for more.

Captain Marvel #4 is a strong chapter in what is rounding into a very solid arc. DeConnick and Lopez introduce some very entertaining characters into a book that is inherently optimistic and fun. There is a real spirit of adventure in this comic, with Carol exuding an Indiana Jones style, dive-in-head-first, attitude (meant in the best way possible). Carol Corps members will be happy as can be with this issue and if the quality of the title stays as high as what readers are getting in issue #4, the Corps is going to be growing larger each month.

The second half of this dynamic creative duo, Becky Cloonan, brings some strong art to this book that aids immensely in the story Wood is crafting. Many times in work that is not creator owned it feels like the artist and writer are out of sync but that is not the case with this book. Wood knows Cloonan's strengths and leans on her capable hands to tell a lot of story through the nuance of a panel with no dialogue or only inner monologue while the events of the “real world” drive the story forward. Cloonan's art style is a great fit for this story and this is a prime example of two creators that are in sync and telling an enjoyable tale.

Convergence: Green Lantern Corps #2 wraps up a nice little two issue tale for Guy fans with some solid writing and very good artwork.

Convergence: Green Lantern/Parallax #1 is another solid Convergence tie-in that has some fun moments and utilizes this “battling cities” situation well. Parallax cutting loose is a visual that is worth the price of admission and I'll definitely be back for the second chapter.

I'm fully in for this whole Convergence concept and I'm finding this very fun, so Convergence: Hawkman was right up my alley. The look at these classic characters in this interesting mash-up is yielding some fun stories to explore and I think Parker and Truman set a great tone in this Hawkman issue.

Convergence: Justice Society Of America #2 wraps up this two issue mini nicely and drives home what makes these JSA characters special. This is an entertaining issue and I certainly wouldn't say no to seeing this kind of take on the characters more often. They add a richness and legacy to the DCU that is something special.

Its a challenge for a first issue of an independent book to build a world and introduce characters plus add a hook all in 20 some pages. This issue does it well, and the world built is very robust. Its nice to see something so unique in tone and temperment on the stands; this story could easily have been very dour and dark, but thanks to the art and the dialogue, theres quite a bit of life on each page, and more than a few laugh-out-loud moments. Hopefully in the coming issues, the story has a little more room to breath, with a little less exposition and a little more show not tell.

Death of X #3 is the strongest chapter in this four part series and I'm excited to see how this transitions fully into IvX. Soule, Lemire, Kuder, Garron and the rest of the crew have my attention…here's hoping issue #4 sees an Inhuman giving Cyke the business end of a new power for a few pages.

All in all, I enjoyed my first foray into the world of Doctor Who, and I will definitely be back for more. This didn't immediately jump to the top of my read pile, but there is a lot of potential for this to be a really entertaining comic series.

Earth 2: Society #1 gets the series off to a solid start that has me very intrigued to read more. Some of the spirit of the first arcs of Earth 2 has been rekindled, and this book is definitely at its best when worlds are being built rather than destroyed. Wilson and Jimenez are going to be a good team to take on this challenge if this issue is any indication, and I'm definitely in for a few more issues.

Empire: Uprising #1 sets the board for what could be a very entertaining series down the line. There is a lot to be explored in this world that has been conquered by Golgoth, and I'll be back for more down the line.

Figment #1is a solid debut issue from a talented writer and an artist that is perfectly suited to this kind of story. Readers with no prior knowledge of the Figment character will not be missing any information required to enjoy this issue and I can vouch that this is safe to read with children of any age. There aren't a lot of comics that can be enjoyed by different age groups and I highly recommend if you've got kids that you pick this one up and share it with them. Zub and Andrade are going to take us on a magical adventure and I'll happily be along for the ride.

Figment 2 #1 is a fun, magical comic with that truly captures the spirit of imagination. These characters are in an interesting situation and Zub and Bachs continue to foster their great personalities. This is a fun read for all ages and it is worth your attention on Wednesday.

Venditti, Jensen and Booth deliver a strong issue in The Flash: Futures End #1. This issue deals with the concept of Futures End well while not betraying the current series. Get me the next issue, stat….I have a need….for speed.

Gates has me interested in the fate of A.R.G.U.S. and Steve Trevor more than I ever have been before, and I will definitely be continuing with this series. This is a solid debut issue that has the potential to tie up a lot of Forever Evil loose ends and seed many storylines into the DCU and I recommend giving it a shot. This series has a lot of avenues to explore and based on his work in issue #1 I think Gates is going to take readers to some interesting places.

Goran Sudzuka's art keeps up with Williamson's brisk pace extremely well. He does a good job of keeping the art light and somewhat campy while showing some very intense imagery. The pencils are sharp and suit the tone of this comic very well. Sudzuka shows some serious chops throughout this first issue, defining a tone that I hope stays with this series. It is Sudzuka's artwork in this issue that really makes Williamson's energetic characters leap off of the page and these two creators really seem to gel even at this early point in this series.Ghosted #1 follows in the line of extremely strong #1s from Image over the past year or so. This series has some serious potential and features strong writing and some solid artwork. Ghosted is a great read for anyone who likes their comics with some wit and a little creepiness, and I'll definitely be back for issue #2.

The team of Keatinge and Campbell did a very solid job refreshing this title and making it accessible for new readers. Glory is shaping up to be a wild ride with action and brains, a combination that is hard to find.

Groot #1 is exactly what I want to see in a comic headlined by the best damn tree in comics, and Loveness and Kesinger have a fun issue ready for fans to pick up. This creative team will have fun with this character and this charming comic is definitely worth giving a shot.

Gutter Magic #1 is an impressive debut that has a lot to accomplish. It had to build a brand new world while making me care about a new character I have no tie to and hook me with an adventure in just 1 issue. It did, and that's impressive. Douek, Barkley and Rivera have a solid fantasy adventure comic here with Gutter Magic #1 and if you enjoy The Autumnlands, Steampunk worlds or a The Dresden Files, I'd definitely recommend you check this out.

Hellboy And The B.P.R.D. #2 is a strong early-arc issue that Hellboy fans will enjoy immensely. The look and feel is unmistakably “Hellboy” and Maleev and Stewart deliver rock-solid artwork that is pitch perfect for the script from Mignola and Arcudi. This is an eerie mystery that is just firing up, and I'm happy that I'm along for the ride.

For the most part, Hellboy And The B.P.R.D. #3 is a well crafted issue by talented creators. It has a major problem with pacing, but on the whole I was entertained. The pieces are in place for an explosive finish and I am excited to see how Hellboy's first mission wraps up.

The Immortal Hulk #5 has twists in it that have me hooked and thats not an easy thing for me when it comes to a Hulk book. I like the vibe Ewing, Bennett, Jose, Mounts and Petit have going on here and Ill be back to see where they take this story.

Justice League Of America #12 is a solid jump-on point for the series and a good start for the arc. I'm more interested in the Microverse than I can ever attest to being in the past, so Orlando, Reis and Maiolo definitely did something right there. This is a team book that has the right dynamic of fun in it, considering the powerhouse characters, and I'm enjoying where Orlando is taking this story.

Little Nemo: Return to Slumberland #1 is a great all-ages fantasy tale featuring some wonderful artwork that elevates this story to the next level. The plot is easy for children of all ages to follow, and the whimsical nature of this story is delightful. This is definitely worth trying if you have little ones to read with, or if you want to experience some great Gabriel Rodriguez artwork.

This comic isn't earth shattering, but it is a lot of fun. It is a great pulp adventure tale and I look forward to delving deeper into Lobster Johnson's world.

Ewing's Mighty Avengers #1 has a great tone and unique voice in the Avengers stable of books. It's impact on Infinity isn't felt in the first issue, but the framework for an entertaining series is set up in this first issue. Land's art doesn't exactly wow throughout the issue, but it is consistent and doesn't let the book down by any means. The sharp lines and excellent colour work will make this title stand out and I recommend giving issue #1 a shot.

To put it simply, Mighty Jack And The Goblin King is an entertaining read crafted by a team of creators who know their audience and how to weave a visual story for them. This is a slam dunk for young folks in your world who love a good fantasy story and probably a solid bet for you to enjoy as well.

In the end, Mind The Gap will most likely be judged by the rest of the series moreso than this number one. That said, McCann, Esquejo and Oback have definitely created a solid foundation for this series with this first issue.

Anderson and Garbowska deliver a rock solid issue of My Little Pony: Friendship is Magic this month. This comic really has everything you can expect from an issue of MLP, and fans of the series will find a lot to like within these pages. This cute story is a lot of fun, and sometimes that is just a good thing.

My Little Pony: Friendship Is Magic #26 is pure joyous fun from cover to cover and I highly recommend it for any youngins in your life. You'll have fun, they'll have fun, and it's a great value. I've seen many readers lament the lack of quality all-ages comics in the world these days – they'd best be giving MLP their attention. This is a great gateway book that has some entertainment value for everyone and 26 issues into the series it is still going strong.

Optimus Prime #1 is a heavy chew, which can be both good and bad. This is not a #1 designed for a casual Transformers fan who recognizes the iconic Prime in any way, but for someone who is relatively current with the ongoing Transformers books there is quite a bit offered here. Im going to give it a few more shots to see where the creative teamtakes the political aspects of this tale, at the very least.

Overall, I really enjoyed this issue. Barber has a great voice for these characters and Ramondelli really nailed the story-within-a-story that is told in Optimus Prime #10. Zama and Burcham contrasted Ramondelli's style nicely, easily demarcating past and present without losing the tension that runs through the issue constantly. Devout Transformers fans have a lot to digest with the canon proposed here and even casual fans can find a lot to enjoy in this issue.

What struck me as I was reading this comic was just how“punk” it is. This feels like an indie punk album transformed into the comic medium and I applaud Murphy for getting that feeling across.This is quite an end to the critically acclaimed mini-series and while it is not material for younger readers or the faint of heart, it is a very well crafted comic. Murphy does not hold back even though he is in controversial territory, and the story is strong because of his candor. Punk Rock Jesus is definitely a book that I expect to turn up awards lists come Eisner time.

Roche Limit #2 is a solid follow up to a strong debut for the creator-owned series that feels like it is going all out…and succeeding. Moreci and Malhotra are building a world and telling a character driven story all at once, an ambitious goal that they are achieving so far. The design of this book is great, with integration of corporate-style infographics juxtaposing with Malhotra's artwork well, giving Roche Limit a very unique feel. If you are a noir fan, or someone who enjoys gritty comics with a bit of a scientific flair, I highly recommend Roche Limit. Moreci and Malhotra are delivering some of their best work I have ever read.

Cons: Art isn't as sharp in some places as others, but that said, Mulvey really gets into a zone toward the end of the issue.

Silk #4 is another enjoyable chapter in what has been a very strong first arc for one of Marvel's newest teen-ish heroes. Anyone who has been enjoying Ms. Marvel should be giving this comic a shot and issue #4, while arguably maybe not in the league of the first three issues as far as visuals are concerned, is by no means disappointing. Robbie Thompson has a good handle on this charming web slinger and you can't go wrong trying out Silk #4.

Bunn and the art team have crafted a strong issue with Sinestro Annual #1, giving the entire Corps a greater depth going forward. I want to know about these lunatics as much as I do some Green Lantern Corps recruits, and that is saying something. This is an annual that is worth the price of admission for Lantern fans.

Sonic Universe #66 rounds up the arc well and gives Flynn some room to move in the next storyline that should be entertaining. This is a well crafted all-ages adventure featuring some lively characters, and it is definitely worth checking out.

Sonic The Hedgehog #269 is a fun ride. The second chapter of the Champions arc, Sonic fans young and old can find a lot to sink their teeth into and enjoy in this issue. This is all-ages comics as they should be, with big entertainment and lighthearted fun to capture the attention of any reader no matter his or her age. Quips, action and adventure await you – catch up with the fastest thing alive!

Spider-Man #1 is a solid introduction of Miles Morales into the "main" Marvel Universe. Bendis, Pichelli and Ponsor are a great team and Miles is still a great character. If you are unfamiliar with Spider-Man, now is the time, for the era of Miles has taken a step onto a larger stage. Bring on #2, let's do this.

Spider-Verse #1 is a very strong anthology that fleshes out even more of the Spider-Verse. While it does not necessarily strengthen specific characters like Edge of Spider-Verse did, it really drives home the core concepts that make a Parker a Parker. While I can't really say this is essential reading to understand the Spider-Verse event, at least as we currently know about the event. Spider-fans will find a lot to enjoy in these pages, but those looking for the kickoff of an event will be much happier grabbing last week's Amazing Spider-Man. You aren't going to find Spider stories from these talented creators anywhere else, and that alone makes this comic something special.

Spider-Verse #1 captures the best aspects of the Spider-centric event and brings it to Battleworld with a solid dose of mystery and a seedy undertone that ripples under the dialogue at all times. That mystery will drive things along nicely and Costa, Araujo and Rosenberg have set up what could be a really fun series going forward. This is just the kind of fun the dynamic of Battleworld and Secret Wars can bring and if you enjoyed the event in Amazing Spider-Man, you have to pick up Spider-Verse #1.

Squadron Sinister #1 is a first issue with two vets taking on dastardly versions of some tried and true archetypes. Guggenheim and Pacheco know how to weave a tale and I'm intrigued by this one. I'll be giving it another go, and if you like your archetypes with edge to spare, then you should try Squadron Sinister too.

A comic like this only works if the whole team is working as a single unit, and that's what readers get to see with Darth Vader #1. This series kicks off with a bang and wastes no time diving into the rage, pain and hurt that are Darth Vader's first days. I'm all in for more of this, bring it on!

Darth Vader #4 brings the iconic character's first conflict with a Jedi in this series to a close, but I have to admit the final pages of this issue left me wanting more…and not in the “I need the next issue right now” kind of way, but in the “oh, that's it?” kind of way. The story is not poorly executed, there just isn't a whole lot to it other than showing Darth Vader is angry and powerful, which the team does convey well. This timeframe is ripe with storytelling possibilities for the Dark Lord, so here's hoping the next issues take a less straightforward path.

On art detail, Agustin Alessio impresses. This is my first time seeing his work and I have to give him props for setting a great tone in the issue with his art. His Vader is imposing and exudes the awe-inspiring characteristics that he is so well known for in the film. When he appears in the issue Alessio's art was so epic and convincing I heard the Vader theme play. I'm focusing on a very small part of the issue, but the impact of those moments shows what Alessio is capable of and I will definitely be checking out the next issue to see what visuals he has in store for readers.

Rucka and Checchetto are a top flight team tasked with handling the mammoth task of blazing a new trail toward Episode VII. They are the right pair for the job and this is just a good ol' fashioned, fun Star Wars comic. Great characters, fun story, some impeccable art…Shattered Empire #2 is a must read for Star Wars fans.

This issue is an example of how great a good Superman story can be, and Johns and Romita are at the outset of an arc that could be really special. There is a ton of heart in this comic, and it was a really entertaining read. This is a Superman I want to read more of, and it is a pleasure to read a Superman book that is worthy of flying off the shelves.

Superman #3 continues what has been a refreshing start to this run. I like Bendis take on Supes and Reis, Prado, Albert, Sinclair and Reed deliver strong visuals that are quintessentially Superman. The total package is an enjoyable chapter in what has been a solid arc so far.

This is a strong issue that features the debut of a character that has some huge potential in the DCU. Snyder's strong storytelling is on display and Lee's art is more than competent to tell the tale well, even at less than what we know he is capable of at times.

The Bridge is a great OGN for anyone interested in history or architecture and it is an all-ages friendly read. Tomasis passion and fascination with the iconic bridge is evident throughout the entire story and DuValls strong pencils, coupled with solid colour work from Eltaeb and Kalisz leads to a great read from start to finish.

The Dream Merchant #1 is a very interesting and intriguing debut issue that sets up quite a world for the six issue mini-series. Edmondson and Novosadov have great chemistry in this comic which is a worthwhile pickup for anyone who has been keeping tabs on the awesome Image #1s that have been coming from the publisher in the last year.

All told, this is a great start to a series that could be a huge hit with cosmic-book fans. Great concept, great creative team, and a very fun read.

Thumbprint, due to its subject matter alone, is not for everyone, but it is a well crafted comic, especially with respect to artwork. I look forward to seeing much more from Malhotra going forward, and I'll be back for Thumbprint #2.

Thunderbolts is a truly unique team book in the Marvel Universe and I highly recommend it to anyone looking for an enjoyable adventure featuring some dynamic and entertaining characters.

Scott and Stone have proven themselves as a dynamic Transformers creative team with this Windblade mini-series, and their solid work continues in issue #3. From a quality perspective, it is very easy to argue an ongoing should be in the works for Windblade, but even if that doesn't happen, providing this team can stick the landing readers have a very special mini-series to read at the very least.

I'd happily have Peterson and Ribic work together on more Ultimates, it is a very easy issue on the eyes.

Usagi Yojimbo: Senso #1 features the same great artwork we all know Stan Sakai for, and an equally entertaining script that will delight anyone who has read Usagi Yojimbo before. He's taking this series in an interesting direction, and I look forward to issue #2 and some more Sakai magic.

Usagi Yojimbo: Senso #4 continues the series at a nice pace and Sakai leaves himself a lot of territory to explore in issues #5 and #6. The master-storyteller weaves a fine tale and I look forward to seeing how this arc of Usagi Yojimbo wraps up in a couple months.

We Are Robin #2 is a good lookin' comic with an intriguing story. I'm already hooked by the mysterious circumstances as to how these kids are coming together to deliver some good ol' fashioned vigilante justice to some loser criminals. Bermejo writes these kids well, and Corona gives this book some pizazz with the visuals. The artwork in the backup by Khary Randolph is solid as well and I will definitely be back for issue #3.

X-Men: No More Humans is a solid original graphic novel that shows a lot of potential for OGNs being able to fly in the continuity of the Marvel U. Carey, Larroca and Ponsor deliver an entertaining story featuring some timeless characters that grows the current continuity well while staying accessible. There are some issues from the shared environment but they do not heavily impact the overall story. I recommend X-fans check this book out, it's worth the time and money.

This is a solid relaunch issue with an intriguing storyline that will definitely have me coming back. The Hickman era is here, Avengers fans, and if it keeps up with the pace set in issue #1 we are all in for a treat.

Weaver's art is solid throughout the issue, and at times phenomenal. His Captain America is the first I have seen that doesn't look awkward in the redesigned costume, and each character is penciled with precision and care. Weaver is an artist who can pull off the grand plans of Hickman, as proven in S.H.I.E.L.D., and the huge moments in this issue are well represented by his art. If the final pages of this issue are any indication, the New Universe will be well served by Dustin Weaver. Sadly, his extremely strong artistic efforts were somewhat dampened by the dialogue and pacing of the issue, and kept this comic from getting top marks.

Avengers #16 is a fantastic example of why Avengers is the flagship book of the Marvel Universe. There is no bigger comic in the publisher's line at the moment, and the drive toward Infinity is getting more interesting by the page. Spencer's work with Hickman's overarching plan is some of the best he has done in the Marvel U, and Caselli's art takes the comic to the next level. This is a must read comic for readers looking for the most epic book Marvel has to offer.

Avengers #19 does everything right. Individual characters are given the right moments, tension is built up even higher than before, and a huge cliffhanger provides the perfect finish to a brilliantly crafted issue. Hickman is on fire and his work with Yu is proving these two need to do something together after Infinity concludes.

Avengers #20 is one of those comics that will most likely read stronger in trade format when the wait for the next chapter is minimal, but as a single issue mid-way through an event it is extremely slow. The impact of the previous chapter is diminished heavily by this issue and while the momentum of this series is not stalled completely, it is slowed and that is a shame. The events within this issue will play major roles as this event progresses but as a single issue it falters. Readers of the entire Infinity event will still want to check this issue out for the events that will no doubt erupt down the line.

Huge events, massive consequences, pitch perfect writing and solid art. Avengers #21 is a damn good comic in what has been a stellar event so far, and an absolute must-read for anyone keeping up with Infinity or the Avengers titles. Hickman is on fire and it doesn't look like he's going to cool off anytime soon.

Avengers #22 is a filler issue that feels like it was less than 10 pages of story stretched to make a full issue. This is neither creator's strongest work, by any means, and the issue doesn't add a lot to the event. Maybe down the road I'll be proven wrong and some plot points will build from the dialogue in this issue, but on it's own Avengers #22 doesn't have a lot going for it.

One heck of a script, brought down fairly dramatically by some extremely inconsistent art makes Avengers #23 a difficult comic to classify. The energy going into issue #6 of Infinity is extremely high and Hickman's writing is strong so this is definitely a must read for anyone who has been keeping up with Infinity.

Avengers #24.NOW is a solid start to the next phase of Avengers and Hickman does not appear to be slowing down one bit after the huge events of Infinity. Avengers fans have a jam packed issue of things to love within these pages, with some great art and fantastic storytelling. ‘Nuff said.

Avengers is firing on all cylinders again and there is an aura in this comic that Hickman is priming for something big again. This is an issue over 40 in the making when you consider New Avengers, and it was really satisfying to read this conflict. Avengers #28 is a tense bit of character work, but Hickman and Larroca do it very well and I highly recommend you check this issue out.

Hickman and Yu have dropped a bombshell on the Marvel Universe with Avengers #29, throwing one hell of a curve at the end to keep readers on their toes, and take this series in an unanticipated direction. This is not Civil War 2.0 (yet) but the emotions are running just as high and I can't wait to see where this is going. Avengers is a must-read again, and if Original Sin leads to comics this strong across the board, this will be the best Marvel event in a very long time.

Avengers #31 is an extremely strong chapter in what is building to be a fantastic arc. Hickman and Yu are crafting one of the best time travel stories I've read in a very long time and all Avengers fans need to be along for this ride. How it all affects Original Sin is yet to be known, but regardless of it's ties to the main event this is a strong issue in a long line of quality work from Hickman.

Avengers #32 is a heavy issue that is very Hickman-esque, for lack of a better term. This is time travel with all it's excitement and, depending on your tastes, pitfalls, but I will say that Hickman is doing time travel right. The inclusion of the guest star makes this issue soar for long time Hickman readers, and there are small moments in this comic that will make you laugh despite yourself. Get your thinking cap on and give this one a read, Avengers is most definitely building toward something big.

Avengers #34 strikes a great balance of conceptual time travel chaos and character driven story as the book heads toward Time Runs Out. Hickman is building toward something of an Infinity-level scope again, and I can't wait to see what it is as the events of the end of this issue start to have an impact on the Marvel Universe as a whole. There are big things coming, Marvel fans, and they start right here in Avengers.

Avengers #35 is a wild ride that will have you scratching your head in the best way possible, waiting for Hickman to bring together his master plan and blow your mind. This issue is full of small details that are going to culminate in something huge, and launching this title into the future really kept me on my toes. There is an energy that emanates from this comic, an excitement that is on every single page concerning how the world got this way and what the hell is going on…and I can't wait to learn those answers. Avengers fans, it's time to Assemble, Jonathan Hickman is building another epic event!

Avengers #36, despite some excellent artwork, slows the momentum of Time Runs Out and issue #35. Some of the big reveals of last issue are completely ignored and to focus on this primary storyline right out of the gate vexes me slightly. In Hickman I still trust, but I will admit this issue was a let down. It is obvious that big things are on the horizon, so I'd argue this is still a must read for Avengers fans, even for Caselli's art alone.

Avengers #37 is a rare oddity for a book that is this high profile and with a pair of veterans working on it like Jonathan Hickman and Mike Deodato. Hickman's writing is rock solid, but Deodato's artwork pulls the rug out from under this script. Avengers #37 should be read from a plot perspective, but this artwork is not up to Deodato's typical standard, and certainly not befitting a comic that costs this much and is as high profile as Avengers. Am I still excited for time to run out? Oh, hell yeah, I am….as long as these powerful women can return to being powerhouse heroes and not plastic objects…

Avengers #38 takes the brimming tension of the past couple issues and cranks the dial to 11. Hickman and Caselli are a dream team and they work together brilliantly, delivering one of my favourite issues of Avengers in the past few months. The world of Time Runs Out is becoming clearer and damn, do I ever want more as fast as I can get it. Someone get me a Sunspot ongoing, stat!

This is a pivotal issue of Avengers, and the ending will shock most readers. If you've been keeping up with the Hickman era, this is a must-read. You're going to get more of what you've enjoyed, with some fantastic artwork from Stefano Caselli. Avengers is a top flight book right now when the art and script gel like they do in #40, and I can't wait to see what is coming next.

Avengers #41 has got a lot to like within its pages for fans of the Ultimate U and the 616. This really feels like an epic battle for the ages is coming and after reading this comic I am more excited for Secret Wars and Battleworld than I ever have been. Ring the bell, let's get this fight started!

Avengers #42 is a rock solid comic featuring a huge cast and some strong lead-up to what is hopefully going to be one hell of a finish. Hickman and Caselli are on the top of their games with this issue and if you are interested in Secret Wars, go snag some old issues of Avengers and don't blink until you've finished #42. The stinging in your eyes will be worth it – it's a damn fun ride.

Avengers #43 sets the board for a pretty huge conclusion, and features some explosive events but inconsistent art and some odd pacing make this issue stumble rather than fly. As part of the larger picture, the story is fine and features some interesting callbacks to elements found earlier in the run, but the artwork is lacking and the issue is very average when looked at as an individual comic.

Avengers #44 brings the volume to a close with a bang and acts as quite the prologue for Secret Wars. While it isn't possible to say that Hickman's work on Avengers is really done as this series will rely on Secret Wars to provide an actual conclusion, I can definitely say this Avengers volume closes as large in scope as Hickman began it. There are parts of the issue that feel a bit drawn out for the sake of fleshing out the scope of this event, but overall it is a well crafted comic. This is a big picture book and the flagship of the Marvel Universe, and I am more excited for Secret Wars than I have ever been. Bring on the mayhem, Hickman. I'm ready.

Avengers World #3 is arguably the strongest issue in the series so far, despite it's lack of Avengers or examination of the larger scope of this book. That said, the Shang-Chi story is so strong that the comic cannot be criticized for focusing so closely on a single character. This is a great comic by talented creators and you should get your hands on this as soon as you can.

Spencer and Caselli are on fire and Avengers World is one of the strongest and most consistent titles coming from Marvel. Issue #7 adds some very interesting elements to the overall story and Marvel U as a whole and I am very excited to see where this book is going. The quality of this title rivals Hickman's Avengers, and this issue is a must read for anyone who is interested at looking at the Marvel Universe as a whole rather than pieces.

Avengers World #9 is a riot that also manages to drive the story forward. Cannonball and Sunspot fans will adore this issue, and for readers who aren't as familiar with the characters, especially as Avengers, this is a great intro. Spencer and Caselli are one of the strongest creative teams in comics right now, and Avengers World, while being one of a myriad of Avengers books, is one of the best team comics there is. I highly recommend this issue for anyone who was a fan of Kelly Sue DeConnick's Avengers Assemble, and if you haven't tried Avengers World, I have a feeling this one will hook you in.

Issue #11 fizzles out from the start due to some very inconsistent artwork that does not reflect the script well. While the story is arguably essential reading for people looking to keep up with the series, it's hard not to wonder how this comic would have looked with Caselli at the helm. Here's hoping #12 is stronger, as this series will falter fast if plagued with these kinds of inconsistencies.

Spencer and Checchetto are a killer creative combo that knock Avengers World #12 out of the park. This title is right up there with Hickman's titles for top Avengers books each month when Checchetto or Caselli are involved and Spencer's skill at maintaining strong stories with this huge scope is amazing. If broad scope team books are your jam, Avengers World is made for you. I can't wait for the next installment.

Spencer and Checchetto close out this exceptionally long (yet great) arc with a strong, thundering issue that will please fans greatly. This creative pairing is very strong and, even though I once thought a book like Avengers World might be superfluous, I find myself happy to be proven wrong. 14 issues in, this is as strong as any book in the Avengers line and I can't wait for more Avengers World.

Avengers World #18 is a great look back at a gap in the overarching story of Avengers that has been occurring if you are a reader that HAS to know everything that has happened, but for readers who have simply accepted that Roberto bought A.I.M. it doesn't add a whole lot to the overall story Hickman is telling with Time Runs Out. Barbiere's writing is fine, and Checchetto & Mossa's artwork is strong, but this book suffers from being faced with the task of examining a time that I'm not sure I overly cared to see examined. If you enjoyed the look back in issue #17 this will probably be right up your alley.

That said, this comic is worth the price of admission for the Fernando Pasarin art. There are some great pencils in this book, from small emotional moments to full on, blazing, ring-slinging splash pages. Pasarin does a great job throughout the issue of maintaining Guy's younger look and making the character look like a naive version of his older self. For me, the art is what stood out in this book, and took a somewhat mediocre story and kept me interested. Many artists have done stellar work on Green Lantern and Green Lantern Corps in the past several years, and Pasarin's art stands up well to their legacy and he is yet another strong hand in the DC stable.

I had high hopes for Green Lantern Corps #21 and the creative team blew them away. Jensen, Venditti and Chang appear to be on the outset of what will hopefully be a stellar run to rival that of their predecessors. Anyone doubting the Green Lantern line post Johns/Tomasi, look no further than Green Lantern Corps #21 to cast aside your doubts.

Green Lantern Corps #24 is a strong entry in the Lights Out event and is filled with an energy and excitement of the Green Lantern universe being under a new regime. Any awkward feelings of transition are over and done – this is a new age and one damn entertaining crossover book. Give this one a read and I challenge you to not want to continue the event.

Green Lantern Corps #38 is a solid issue that narrows the focus of the title back down to one human Lantern and a merry band of recruits we've grown to know pretty well over the past year+. Jensen writes them well, and the art team delivers some really steady visuals throughout to keep the issue interesting. I'll be back next month without a doubt.

Green Lantern Corps #39 is a solid story that is building toward a very strong conclusion for this volume of GLC. This is a classic John Stewart story that gives readers some great story time with John's band of ring slingers and I will be back for issue #40 with bells on. Jensen, Chang and Maiolo are a great Green Lantern team and issues like this showcase why.

Green Lantern Corps #40 is the end of an era, and a fitting one for these characters. The creative team says goodbye with this issue and they do it in a very strong way by telling a good story. This is John Stewart at his best with some really interesting Corps members that we've seen come all the way, Van Jensen and Bernard Chang have done quite a job with Green Lantern Corps.

Guardians of the Galaxy #1 is a nice ease back into the lands of Marvel cosmic post-Secret Wars and I really like the roster changes that have been made thus far. Bendis and Schiti are a top flight creative team and the Guardians are in good hands to say the least.

Brian Michael Bendis, Valerio Schiti and Richard Isanove are a top flight creative team working with dynamic characters, but Guardians of the Galaxy #2 falls into the “pretty, but light on content” category of comics. I was entertained by this comic, but it was easily the fastest read of the week for me by a mile. There is a lot to love here from a visual perspective but the story as a whole suffers in light of all the huge splash pages. I have a hard time expressing dissatisfaction over artwork this amazing, but fewer double page splashes in the future could allow some more room for plot development.

Guardians of the Galaxy #5 is a fun cosmic brawl with great action and great quips, well executed by our cosmic hosts Brian Michael Bendis, Valerio Schiti and Richard Isanove. I really like the current team dynamic and roster, and this first arc since the relaunch has been fun. Bendis' humour and Schiti's excellent pencil work make this one worth the price of admission and I'll be back for #6.

Guardians of the Galaxy #15 could probably be rebranded as a Thing one-shot, but as Ben has made himself a member of the Guardians through this volume it does feel like a proper send off for the character, at least for now, I dont know if this is permanent. Bendis, Schiti and Isanove deliver a great look at one of the most iconic characters in the Marvel Universe and throw down some serious storytelling clobberin time with this one.

Martian Manhunter #1 is a strong debut for the series and this creative team has got me excited for this series going forward. Williams has an interesting take for the character and he and Barrows have established a very intriguing tone for the series. This is a book that is worth trying out if you like heroes with a bit of sci-fi and horror built in, and I'll definitely be back for issue #2 without any hesitation.

This issue drives home the feeling that, even only two issues into the series, this is one of those underrated gems of a series that I hope does not get overlooked. Williams and Barrows are on the same page creatively and they are cooking up a solid sci-fi superhero mystery. I've always been partial to the character but he's growing on me even more and this issue shows the potential that exists with him as a leading man. Taking J'onn out of the context of a team and placing him directly in the middle of a mega war, as dark as it sounds, is kind of fun and I'll be back for Martian Manhunter #3.

Martian Manhunter #3 is another solid issue that gets crazier by the page. This is not a typical Martian invasion, and Martian Manhunter is not a typical character. Williams and Barrows have got a good thing going with this series so far and I'm definitely in for the upcoming issues. Martian Manhunter is all the right kinds of weird.

Martian Manhunter #8 is a wild and crazy comic that was a ton of fun to read. Williams, Barrows and Eltaeb aren't holding back when it comes to making this story big and there is a blazing conclusion on the horizon, if issue #8 is any sort of indication. This comic is not your standard super hero fare, and I'm excited to see where the team takes this story next.

Martian Manhunter #12 is the grand finale for a mega arc that was ambitious and well executed as a whole. While I found this issue was better at setting up a future that we don't know will be built upon rather than closing this series out, it did what it had to do in order to finish this tale off with the space provided. Williams, Oliver and Eltaeb are a good team, and I hope there is room in Rebirth for a book or two like this.

Original Sin #0 is a solid Nova comic, but I don't feel it fills much of a purpose as a prequel to Original Sin #1. Nova readers will enjoy seeing Uatu and Sam hanging out again, but that's about all this comic accomplishes. I'm not craving the first issue of Original Sin any more than when I started reading issue #0, and that is a big miss for Marvel as the door was wide open to get readers revved up for their big event of the summer.

If you've been keeping up with comic book news for the past few months there isn't a lot in the Original Sin #1 that will surprise you, but Aaron and Deodato tell a strong story nonetheless. This issue feels like a powder keg has just been lit, and the fireworks are going to start flying around the entire Marvel U. This event's first issue features a very strong mix of interesting characters that are written and penciled very well, with a mystery and situation that could lead to some fantastic storylines. Original Sin #1 succeeds at setting up what could be an extremely strong event, and I'm definitely coming back for the second installment, as soon as I can.

Original Sin #2 is a solid follow up to the first issue. The story is moving forward, there is a very interesting reveal at the end of the issue and Aaron and Deodato are building a very good mystery. The ramifications for the Marvel Universe as a whole are yet to be seen, though it is obvious that the consequences from this series will be far reaching. This is a big story and the second chapter builds well on the first and if you enjoyed Original Sin #1 then this second issue is a sure bet. It's early, but so far Aaron and Deodato are building a winner.

Jason Aaron and Mike Deodato have pulled the pin on a massive grenade with issue number 3 of Original Sin, and it's going to be very interesting to see where this event goes next. This issue is definitely the strongest chapter yet, and with the shocking final pages I'll admit to having no clue where this is going….and I'm loving every second of it. For anyone on the fence about this event, this issue is a biggie and there is information in this comic that will affect every corner of the Marvel Universe. This event officially matters as of this issue, and I can't wait to see what these creators are going to throw at us next.

Original Sin #4 is the strongest issue of the series so far and the focus on the black ops team was a strong choice by the creative team. The issue closes on an extremely high note and has me craving #5 just as badly as I wanted #4, and I applaud Aaron and Deodato for having me genuinely confused as to what is going to be thrown at me next. It's not often a major event can keep readers on their toes like this, but Original Sin is not a regular event. This dark, brooding tale is exciting and dynamic and everything I could ask for from a major event book.

Readers looking for extreme amounts of fireworks may not find them in Original Sin #5, as much of the issue is a look back at what Fury has been doing for decades. The momentum of the series is shifted, but Aaron plants many seeds for storylines to grow and there is definitely more than enough mystery surrounding this series to keep it going. This is a great look at what makes Nick Fury who he is, and any time Aaron gets the chance to write this legendary character I will be all over it.

Original Sin #6 is not a bad comic, by any means, but it isn't a top tier comic like the previous issues to this point have been. Aaron and Deodato have the pieces on the board to set up one hell of an issue #7, that hopefully doesn't suffer from the slow pacing of issue #6. As we near the conclusion of the series things are bound to explode, and it feels like this issue may have been crafted to be the calm before the storm. If for no other reason than the final page of issue #6, I'm still in for #7 and whatever Aaron and Deodato have in store for this crazy mystery.

Original Sin #7 is an entertaining, action packed comic that is full of huge moments befitting an event this large. Aaron and Deodato are primed for a big finish, and I can't wait to see how they wrap this one up.

Original Sin #8 does not fully stick the landing, but it doesn't blow it by any means, either. The focus on Nick Fury is higher than ever, but considering the story so far, it makes sense. Readers get some answers amidst some huge action, and there will be ramifications (and some exciting storylines) to come in the Marvel U for quite some time. I'll admit that I'm going to miss Original Sin, and I think the event was a success as a whole, and I'll be in for any event helmed by Aaron or Deodato in the future.

But a script is only half an equation, and the visuals don't disappoint, either! Steve Parkhouse keeps the visuals of this book easy on the eyes and perfectly represents the quaint town lifestyle. Nothing moves quickly here, nor does it need to, and Harry, while an alien, is exceptionally expressive. This is one of those great creative pairings: Hogan and Parkhouse are in sync on Resident Alien and the reader gets to reap the reward of their hard work.

This is a solid issue in the middle of this mini-series and it drives the story forward well. For fans of murder mystery shows with a twist, Resident Alien will be right up your alley. Issue #2 is well crafted and a strong issue for readers to dive into. Resident Alien is as strong as ever, and fans of the first series will be right at home with this issue.

If you haven't been reading Resident Alien, start. This is a great finale to the first volume of the series that I hope to see more of very soon.

All-New Inhumans #2 is an entertaining read featuring some solid writing and great artwork. The Inhumans are an interesting group and Marvel is definitely putting some weight behind their brand with a creative team like this. I'm definitely in for issue #3 and I'm really enjoying seeing this deeper look at Inhumanity.

This comic was entertaining and I'm pumped to see where Crystal's team goes next. There's a really interesting hook with one of the ongoing plot threads and the more predictable storyline has lead to something I'm game to read. All the right pieces are in place for an explosive end to this arc.

Amelia Cole #13 is an energetic, fun, adventurous comic that will leave you with the feeling that everything in this world could change dramatically very soon. For $0.99 it is probably the best value you will find in comics as this endearing story is more skillfully produced than most of what is out there. A truly all-ages story (and I mean that in the best way) with solid artwork and strong writing, Amelia Cole is a comic you should be reading right now….you'll be glad you did.

Amelia Cole #15 is the best bang for your buck that you are going to find on any Wednesday. Clocking in a $0.99, readers are getting a comic that is arguable better than many that cost 3 or 4 times as much. This issue is a great continuation of the story and each time there is a new issue of Amelia Cole it feels like heading back to a fun, comfortable world. Even when things are going wrong everywhere the comic has a lot of humour and heart that combine with a great sense of adventure to make for a very entertaining read. I highly recommend you pick up this comic, and head back to #1 if you are unfamiliar with the series. You won't be disappointed.

Batman and Wonder Woman #30 isn't a game changer for the series, but it is a very strong character inspection and, if nothing else, it's another chance to read Tomasi and Gleason working together. The quest continues next month, and I'm excited to see where this team is going with this story.

Tomasi and Gleason kick as much ass with this issue of Batman And Robin as the big guy does in that slick new suit. Action packed, great character work and a creative team that is on fire, this is a Bat-book that isn't to be missed. That last page alone is worth the price of admission and it's time for a showdown that is going to (hopefully) be nuts.

Captain America #6 is a strong issue driving the series to the conclusion of it's first arc. I look forward to seeing how this all wraps up, and what the lasting effects of Cap's actions will be going forward. I was hesitant about this creative pairing when the Marvel NOW! shuffle was announced, but I am all in now.

Remender and Pacheco are a strong team whose strengths compliment each other well. Remender is kicking offa big story in issue #22 and it is obvious Pacheco is up to the challenge. When the first arc with Zola ended I was happy to leave Dimension Z, but I find now that it has returned I am excited about what stories could unfold from this. I'll be back for issue #23 as soon as I can get it in my hands.

Remender, Pacheco and Renaud deliver a very strong chapter in the tale of Captain America with issue #24. As the title marches toward AXIS you can't help but get excited and the character specific emotional beats that Remender is working into the title while building toward the massive conflict makes this book flat out entertaining.

Captain America #25 isn't the most high octane issue you're going to read this week, but that's not it's purpose. This comic is meant to pass a torch, and it does so quite well. The epilogue for this volume of Captain America will have you craving All-New Captain America, and I found this issue was filled with something we aren't seeing often in superhero comics these days: hope. The darkness of this volume has led to some light and for that I applaud Remender & co. for delivering a different pace and style of issue than what we've seen in Captain America. The future is bright, and I want All-New Captain America right bloody NOW!

Last words in this review are props to cover artists Ed McGuinness, Dexter Vines & Javier Rodriguez – this is a great cover. If I was in the business of picking top covers each week, this one is the clear winner of the 08/29 releases, hands down.

If you aren't picking Captain Marvel up, you are missing a title that really was the first Marvel NOW! book. Even though it lacks the banner, it embraces what the initiative is meant to be, and has maintained a very high level of quality for five issues.

Cons: Art was a little below Parker's usual standard on a few pages, but still above the standard of many artists.

In the art department, Tony Parker provided solid art in the previous issues and he has only gotten stronger. These pencils are tight, consistent, and there are some great visuals in this issue. This is an extremely dynamic and unique world and Parker is doing an excellent job of giving Pak's words life. Minor spoiler coming, but the “Blood of Angels” page gave me chills and Parker really is hitting his stride in this series.

Inhuman #2 is a solid issue in a series that will hopefully not be overlooked despite the gap between issues. Dante is a character with a ton of potential and the Inhumans look fantastic by Madureira's hand. Soule and Joe Mad are a strong creative team working to rebuild one of the great empires in the Marvel U, and I'll definitely be coming back for issue #3.

Inhuman #7 is a strong comic with a very entertaining plot. With each issue, this series seems to be finding it's space in the Marvel U a bit more and if Soule and his artistic collaboratorscan continue with this level of storytelling, Inhuman will be one of the strongest comics in the Marvel stable. I heartily look forward to issue #8.

Invincible Iron Man #1 is a big budget action movie in comic book format and does a great job of being accessible to every level of fan regardless of their knowledge of Iron Man continuity. Bendis, Marquez and Ponsor are a power team that isn't rivaled by many in comics and they deliver a rock solid story here. I was entertained, the cliffhanger shocked me, and I'll be back for issue #2 without question.

Invincible Iron Man #1 is a big budget action movie in comic book format and does a great job of being accessible to every level of fan regardless of their knowledge of Iron Man continuity. Bendis, Marquez and Ponsor are a power team that isn't rivaled by many in comics and they deliver a rock solid story here. I was entertained, the cliffhanger shocked me, and I'll be back for issue #2 without question.

Bendis and Marquez are a great team and I thoroughly enjoyed Invincible Iron Man #2. With these first two issues, this series already feels like a flagship or anchor book, a top flight piece of the Marvel Universe that is a top 10 worthy comic. This is a fun superhero book with entertaining dialogue and marvelous art and I can't wait for issue #3.

Invincible Iron Man #5 is a really good superhero comic. This team is strong and they know how to weave an entertaining tale. Bendis' character work is fantastic and Marquez and Ponsor deliver on the visual side to create a total package that is worthy of being a top 10 book. It's been awhile since I was excited to read an Iron Man comic, but this team has changed that for me.

Invincible Iron Man #6 is not a bad comic, but it is a downgrade from what we've seen in the series so far. The writing and art battle to control the tone of the comic, and Bendis' work is the strongest part of the equation. Deodato's work actually detracted from the story for me, which hurts the issue on the whole. From a character & writing perspective this is still a must-read for me, but I'll be looking for stronger artwork in issue #7.

This comic is damn good. Justice League: The Darkseid War: Green Lantern #1 is a mouthful of a title but what you'll find inside is an entertaining comic that is well written and looks great. King, Shaner and Sotomayor work well together and this comic is one of the gems of the week, for sure.

Overall, I found this issue to be a mixed bag. The storyline spent a long time lingering in areas that didn't intrigue me much at all, nor did it have any kind of massive impact like what we've been witnessing in Justice League. There were aspects of the story that entertained me and the artwork is solid throughout, but I can't shake the feeling that this comic felt like a missed opportunity and an unnecessary tie-in to a mega event that had been flawless thus far.

Superior Spider-Man #28 is another solid installment in this series that is priming to explode very soon. Slott doesn't waste any time driving the event forward and increasing the stakes with each page, and I'm very excited to see what he has in store for Otto, Peter and the gang going forward. This is an absolute must read for Superior fans, and Spider-Man fans in general as game-changing moments for the wall-crawler are definitely coming.

Superior Spider-Man #31 closes out the series with a bang and will bring fans closure as the series transitions to Amazing Spider-Man. Peter Parker is back, and while many grew to be very fond of Otto, Slott writes Peter so well that you won't be able to hold back from continuing on with the series. The future looks to be very bright for this series as Peter has to deal with the consequences of 30 issues of Otto being at the helm of his life, and the rebuilding has the potential to be very interesting. This issue is a very well done finale to what has been a fantastic chapter in the story of Spider-Man, and I can't wait to get my hands on Amazing #1 to see where this all goes next.

My final thoughts on The Ray is that at the halfway point for this title I find myself thinking it is better than at least half of the New 52 titles I have read. Hopefully the sales are strong and we get to see an ongoing title, as these first 2 issues of the series are worthy of one.

In keeping with the quality of the past two issues, Jamal Igle adds a unique flair to the book with his sharp pencils. This book is as visually bright as it should be, the title character is a living being of light, and the art does that fact justice. The Ray #3 is a great example of excellent superhero art and is one of the most visually impressive books I've seen from DC this month.

On the art side of the coin Frank Cho is brilliant. This series needed to be kicked off by a heavyweight artist and he delivered on all fronts. The panel designs are excellent and his splash pages are full of the kind of widescreen action this title deserves. Both of these leading women are conveyed with complexities that only a great artist can provide: they are strong, vulnerable and both unsure of what the future holds. Marvel editorial made the right choice with Cho for this lead-in issue as his art only adds to the anticipation of what is coming and the final panel of the issue is as ominous as it gets. Cho's work is always solid, and the art in this issue is as good as you will find in a superhero comic anywhere.

In the end, the issue is a strong start for an immense series that promises to be absolutely explosive. The final pages are a fanboy's and fangirl's dreams come true and this book definitely has something to satisfy any long time superhero book readers.

In the end, this is a good comic. The art is not terrible, but it does keep Avengers Vs. X-Men #2 from being a greatcomic. Definitely still an enjoyable read, but I'm counting down the days until I get to see Coipel take the reins of this event.

If you've enjoyed the past two issues, Avengers Vs. X-Men #3 is a lock for you to read. It has the same high-octane feel of the past two issues and launches the story in unexpected and fun directions.

This is by far and wide my least favourite issue in the series so far, especially considering it undermines what has been strong about the other issues in what had been a stellar series so far. Here's hoping the confusion and format that muddied this book gets worked out for act two of AvX.

This issue restored my faith in the quality of this event. In a series that is this high profile there was bound to be blips, but I am happy to say all is once again well in AvX.

This is, hands down, the best issue of Avengers Vs. X-Men so far. I can't wait to see where they are taking this book next.

This roller coaster of Avengers Vs. X-Men is firing on all cylinders with issue #7 and I hope the ride continues at this quality level the rest of the way.

Art duties are handled by Adam Kubert in this issue and at points the art rivals Coipel's, and at other times appears unsteady. Kubert is a seasoned veteran, there is no doubting his artistic chops, but a couple of very large awkward panels through me a little. Had this issue followed JRJRs work, I would be singing its praises left, right, and center. With Coipel coming before Kubert the bar was raised a little higher than Kubert met with this issue, though I do look forward to seeing more. His layouts are fantastic, this issue flows brilliantly, and the all out brawl with Namor and virtually every Avenger was a fantastic set of pages to behold. In the end, the art is very solid in this issue and there are moments, as with all Kubert books, that are flat out fantastic. I'm hoping the next Kubert issue continues the strong finish in the final pages of this issue.

This comic has a great script, fantastic art, and continues what has been a very strong event so far. If the quality stays this high, this very well could be my favourite event of the past decade.

Adam Kubert's art is straight up fantastic. I'm a Kubert fan, I'll get that out there right now so you can judge my bias, so when Adam is doing what Adam does best, I am a happy camper. The art in this issue just gets stronger from the start until the end and you can feel Kubert's comfort level with these characters growing the more he pencils them. The action scenes and the large splashes were fantastic, but what stood out to me was how well Kubert evoked emotion in this issue. Characters whose faces are largely covered by masks were obviously confused and shocked, which is not an easy thing to visually portray. This level of art is what this event deserves and my mind reels at how visually epic this event could have been with a Kubert/Coipel tandem from the beginning.

In the end, this issue vexes me somewhat. Momentum that was built has somewhat ceased and I honestly have no idea what to expect from issue #12, which may be a good thing. If nothing else, I definitely want to know how this beast of a series ends.

Avengers Vs. X-Men has been a polarizing series for many, and perhaps expectations for what it could do were impossibly high. What the 5 writers and 3 artists have given readers is an explosive denouement for years of Marvel storylines. The Phoenix has once again provided a stage for rebirth, and it will be very interesting to see where Marvel goes from here. I know after reading the final pages of this issue, I'm more interested in what is coming next than I have been in months.

The art component of this issue is executed brilliantly by Mike Deodato and Will Conrad. Deodato is in the zone with these characters and you pretty much know when you see his name on the cover you are going to get an issue with consistently solid pencils. Issue #22 features some of the best work I have seen from Deodato in recent months and his use of shadows in some of the later layouts is excellent. I personally do not like the expression, but there are multiple pages in this comic that were jaw-droppers. This title is in fantastic artistic hands and there is really no disputing Deodato is one of the best Marvel has.

And a huge reason why the weight of those concepts comes through is the artwork of Mike Deodato. Deodato is a rock-solid talent in Marvel, able to draw the big splash pages with tons of characters and also those quiet character moments between a 3 person family unit. Deodato's work in New Avengers #24 heavily outshines the artwork in Avengers Vs. X-Men #1 and this book of a high enough quality that it feels like it should just be AvX #2 rather than a tie-in. This issue is an example of an artist really locked in with his characters and knowing how to make the story shine.

I heartily admit I am biased with this review and, that said, I enjoyed this book a lot. Even more than the blatant enjoyment of an Iron Fist tale I was floored by amazing art and enjoyed reading a new wrench being thrown into this Avengers Vs. X-Men event. It will be very interesting to see where Bendis takes this book next as it definitely feels like he is preparing to leave with a bang.

Sadly, lost in this timing mess and lack of action is some really great art by Mike Deodato. Deodato is one of the best Marvel has working for them, hands down, and the pages where he focuses on Xavier are brilliant. He pencils haggard characters so well and his Cap is stoic, yet broken all at once. I wish for his sake he could have broken up the dialogue panels with some great action sequences, but given the storyline of this issue, he made the issue as visually impressive as it could be.

This is one of the strongest tie-ins I have read in the AvX series as Bendis chose to hang out in the periphery of the ‘big fight' and create some great moments that readers of New Avengers have been waiting for. The ending of this issue leaves the future of a major character in limbo, and I know for certain I'll be picking up next month's installment to find out what happens next.

4001 A.D. #1 is a solid first issue in what has the promise to be a very entertaining event. Kindt & Crain are a solid team and this event has the right elements to be big and impressive. Valiant is doing a great job building a cohesive universe that is robust, and books like 4001 A.D. #1 are proof that their hard work since launching X-O Manowar #1 has been building toward some big stories. I'm in for #2 without any hesitation.

This comic reads like a muscle car about to start a street race. The first half of the issue is idling, rumbling, brimming with tension and when Smith and Moore cut it loose in the second half there is nothing but tires screeching and roaring power. All-New Ghost Rider is looking to be a high octane book with a ton of potential and a relatable lead character with some absolutely jaw dropping art. The first issue is a thrill ride, and you're going to want to give this series a try before the first printing is sold out.

Amazing Spider-Man #3 is a solid comic from start to finish that features a ton of members of the Spider-cast, and some entertaining moments with Peter dealing with Otto's legacy. This arc has the feeling of a classic Spider-Man arc which makes it easy for anyone who snagged one of those 500k copies of issue #1 to follow and enjoy. While Amazing may not be as revolutionary as Superior was at this point, it's still rock solid and it is nice to have Peter back.

This is a great comic and the best issue of Amazing Spider-Man in this volume so far. There is a level of excitement akin to the issues of Superior Spider-Man here, and I'm excited to see more of this new character and Peter interacting in the future. Give Amazing #4 a shot, I highly doubt you will be disappointed.

Amazing Spider-Man is a solid comic that does a great job balancing the revelation of Cindy's existence with the storyline that was ongoing prior to the Original Sin tie-in. Slott balances all the moving pieces well and the art team of Ramos and Delgado light the issue up and make it leap from the page. Amazing Spider-Man is a ton of fun right now, and worthy of the huge sales numbers it is bringing in.

Amazing Spider-Man #6 is a rock solid Spidey tale featuring some very strong characters. I am enjoying the introduction of Silk very much, especially with how Slott is treating her character as an equal (and better, at times) of Peter, and I am glad that the end of Superior did not mean the end of Anna Maria. She provides the story with the grounding that was once brought by Aunt May, and Peter needs that. Black Cat is strong as ever, and it is a great time to be reading Spider-Man right now. The energy from the return of Peter is still palpable and this creative team is showing no signs of slowing down. With big things on the horizon for Peter, now is a great time to get on board the Spider-train and enjoy the ride.

Amazing Spider-Man #11 keeps the entertainment flowing in this excellent Spider-Verse event. Spider-Man super fans have got to be losing their minds over this one, as its quality is simply fantastic. Slott & Coipel are on fire and are showing how you can make mega events work within the scope of a corner of the Marvel U. This is an event done right and I definitely recommend you give Spider-Verse a shot.

Amazing Spider-Man #12 continues the streak of strong Spider-Verse issues and Dan Slott, Giuseppe Camuncoli and Justin Ponsor are bringing their A-games to this event. This issue features a solid story, great art and an intriguing cliffhanger that may be polarizing, but I'm excited to see what it brings. The madness of this event doesn't seem to be dying down, and I'm loving every page of it.

The Amazing Spider-Man #14 concludes what has been my favourite Spider-Man event of all time. Marvel took a major risk telling a story this complex and with this many characters, as it easily could have fallen off the rails into madness. With strong work from Dan Slott, Olivier Coipel, Giuseppe Camuncoli and Justin Ponsor it stayed strong from start to finish and entertained me to no end. I'm very curious to see the fallout of this event and I am more excited for Silk and Spider-Gwen's respective ongoing titles than I have ever been before. This is a great time to be a Spider-fan and I cannot recommend this issue, and event, highly enough.

Amazing Spider-Man #15 provides a solid conclusion to the Spider-Verse event and acts as a nice launching pad for several series and the next arc of ASM. Slott weaves in some strong action to balance the good-byes and plants seeds for some interesting storylines down the road. Camuncoli's work is rock solid and he handles the multi-Spider action very nicely, rounding out the issue with some classic Spidey shots. Amazing Spider-Man is firing on all cylinders and this is a must-read for anyone who has enjoyed the crazy antics of Spider-Verse.

Amazing Spider-Man #18 is a bit of an odd issue in that the backup story eclipses the primary tale, even though the main story includes events that should be surprising and thrilling. Those events unfold in a manner that is a little too straightforward and the main story lacks pizazz, but I'd argue the backup makes up for it. Secret Wars is coming and who knows what the effect on ASM may be, but I'm looking forward to the eventual battle between Felicia and Peter.

Lemire and company definitely took a gamble with this issue, but they executed the issue well and it paid off for them. I can't wait to read #7.

Avengers #7 makes me happy as a reader for a few reasons. 1) I like the constant thread through this volume of these “original” Avengers that Odin assembled. They are dynamic and interesting. B) Fire. Hellfire + Mammoth. 3) This creative team knows how to make plot beats drop at the right time with the maximum impact, and it shows throughout this issue.

Avengers A.I. #1 is a very entertaining read with a lot of energy, humour, and a huge amount of potential. This is unlike any other team book Marvel is putting out and I highly recommend any Hank Pym or Vision fans diving into this book head first: you won't be disappointed.

Axe Cop: President of the World #1 is most likely not for everyone, but I strongly suggest you find this book and give it a shot or at least check out the free Axe Cop strips online. You won't find anything else like this in any form of entertainment….