Gargoyles: Quest #1 brings us into a new storyline for new and old readers alike.

Hercules #1 is well-written and designed, but I'm unsure if the character will resonate with modern audiences.

Ms. Marvel: Mutant Menace #2 is an excellent book for younger audiences that could be a gateway to get them into comics as an art form.

Ultimate Spider-Man #3 has its best moments when Peter Parker acts as a fantastic father to his daughter and a nephew to his uncle while he takes over the Spider-Man identity.

X-Men '97 #1 hits the nostalgia feels while also appealing to my storytelling sensibilities as a 90s kid.

X-Men Forever #1 finally answers some questions to the reader that will provide needed insight into what is going on.

Ultimate Black Panther #2 has a predictable narrative arc accentuated by fantastic art.

Black Widow and Hawkeye #1 had an excellent premise but did not focus on what I wanted as a reader.

Fall of the House of X #3 finally leads to the conclusion of Orchis versus Krakoa, and while that feels good, it has some questionable narrative decisions.

Giant-Size: Spider-Gwen #1 is an excellent comic that sets up many potential storylines for the future.

Ms. Marvel: Mutant Menace #1 provides a depth of character that plays well to the X-Men themes while keeping Kamala unique.

Ultimate X-Men #1 explored themes I wasn't prepared to handle, but it still delivers a deep, well-thought-out story.

Resurrection of Magneto #2 is a book that causes the reader to evaluate their opinion on Magneto. Is he a hero, a villain, or something more?

Avengers Twilight #3 is an excellent comic that shows the power of storytelling in unconventional settings.

Critical Role has built a company off of a tabletop game. They have pushed successful content for years now. However, this iteration of the story doesn't have a place, and I think this could have been a great series with a more robust vision.

Ultimate Spider-Man #2 plays on all the correct sensibilities to tell a complete story I can relate to.

Rise of the Powers of X #2 slows us down to be a little more understanding of the complex themes, but even still, the story and art can be overwhelming.

Zawa + the Belly of the Beast #4 has excellent art and linework but lacks the strong characterization that previous issues had.

Deadly Hands of Kung Fu #3 wasn't given the page count and resources to shine with these complex ideas they were exploring.

Petrol Head #4 suffered from middle-issue syndrome and didn't make the most engaging plot choices for my taste.

Scarlet Witch and Quicksilver #1 provides a nuanced commentary on their strained relationship, setting the foundation and tone for the rest of the series.

Fall of the House of X #2 applies too many plot points for the reader to keep up with and lacks the characters' reactions to situations to create more nuance in the conflict.

X-Men #31 sets up a beautiful yet tragic conclusion to Synch and Talon's relationship that makes me grieve for the characters.

Ultimate Black Panther #1 appeals to my sensibilities and presents a complex world that balances conflict, plot, setting, and characterization.

Avengers Twilight #2 is a fascinating exploration of Old Man Captain America in a dystopia but has a lot of themes that are too prevalent for modern events.

Deadly Hands of Kung Fu #2 shows how Shang-Chi can solve problems while respecting Chinese philosophy.

Dead X-Men #1 presents a complicated concept that isn't easily digestible, and the creative team is doing their best within the boundaries they have to work within.

Dungeons and Dragons Saturday Morning Adventures #1 introduces two iconic characters but still manages to keep the focus on the kids.

Astonishing Times: Rise of the Kokin #1 falls on many tropes that many comic readers will enjoy.

Zawa + the Belly of the Beast #3 slows the pacing and destroys the momentum from previous issues.

Schlub #6 is an excellent conclusion to the story's first arc, but I still have many questions I want answers to!

Resurrection of Magneto #1 takes on the perspective of the iconic character, Storm, and humanizes her in a way I haven't seen in a while within recent X-Men Comics.

Daredevil #5 seemed to change the tone of the previous issues, which made it feel like a filler despite being part of the narrative arc.

Sonic the Hedgehog: Fang the Hunter #1 has a compelling premise that only scratches the surface of what the story could be.

Cable #1 creates an engaging antagonist but feels out of place in the larger continuity.

X-Men #30 goes into dark themes that disrupt the pacing of the overall event. Despite that, this comic as a singular issue is well-written and well-drawn.

Petrol Head #3 introduced too many side characters when I wanted to see more characterization of the protagonist. Regardless, the concept and art are still worth your money.

Disney Villains: Cruella de Vil #1 fails to deliver an engaging narrative or captivating characters for the reader to latch onto.

Rise of the Powers of X #1 tells a complex storyline that dehumanizes the X-Men to be something that Orchis and mankind would fear.

Critical Role Tales of Exandria II: Artagan #1 will only be attractive if you are familiar with the character Artagan from the web show.

Fall of the House of X #1 ushers in the themes of the next era of X-Men. And those themes are survival and war.

My Little Pony #20 shows the meaning of sisterly love through an engaging narrative arc.

Immortal X-Men #18 is engaging, but there is so much going on that it is challenging to keep up.

Deadly Hands of Kung Fu: Gang War #1 is a solid idea that doesn't have the page count to bring it fully to life.

Uncanny Avengers #5 didn't feel like an X-Men or Avengers story but a Captain America one, despite being part of the Fall of X event.

Uncanny Spider-Man #5 is an excellent comic that plays well to both Nightcrawler and Spider-Man tropes.

Zawa + the Belly of the Beast #2 picks up where the first book left off and continues to improve.

Syphon Volume 2 #2 makes some difficult characterization choices for me to grasp, but it is still an excellent story with an engaging plot.

X-Men Red #18 brought an action-packed conclusion to an intricate storyline in a compelling way.

Daredevil: Gang War #1 has excellent artistic direction and narrative structure but introduces a bad guy who feels out of place with what the introduction promised.

Luke Cage: Gang War #2 has all the right ideas but not enough page count for proper execution.

Spider-Gwen: Smash #1 is well drawn, has a strong sense of narrative direction, and will do well in the hands of the right person.

Daredevil #4 provides consistent work for the series while still pushing great characterization of Matt as he balances his life as a devil and a priest.

Petrol Head #2 has gripped me in a way that engages me fully.

X-Men #29 excels as an individual issue but feels sluggish in the larger event's context.

The Schlub #4 is an excellent comic but is sometimes visually busy on the page.

Luke Cage: Gang War #1 hooks you right into the event with dynamic ideas and a political element.

Ms. Marvel: The New Mutant #4 feels like a missed opportunity for the character, but it still manages to tell an engaging story.

X-Men Origins: Blue #1 provides a new backstory for Nightcrawler that seems like a bold decision for little reason at this point in the game.

Syphon Volume 2 #1 provides an intellectual but entertaining story about the power of emotions and how they affect everyday life.

Daredevil #3 invested me in the story, and now I will pick up the rest of this story arc with no questions asked.

Uncanny Avengers #4 did not give the time to the subplots I wanted, but that doesn't diminish the book's strong writing.

Arcade Kings #5 provides a great conclusion to a fantastic miniseries where you have to pick up your jaw from the floor based on how great the art is.

Conceptually, Dark X-Men #4 has some great ideas, but the execution in this issue falls short.

Petrol Head #1 checks off all the boxes of what I want from a first issue with great skill and finesse.

Zawa + the Belly of the Beast #1 doesn't have the page count to get us attached to the characters, but the setting shows a ton of promise.

Uncanny Spider-Man #3 introduces complex plots and complex art that borders on being overwhelming.

X-Men Red #17 speeds through significant plot points without giving them the time to breathe.

My Little Pony #18 has a great story providing solid characterizations of Zipp and Pipp.

X-Men #28 offers significant insight into Firestar, yet I just want the next phase of this chapter to come.

Uncanny Avengers #3 features a heartwarming speech that I believe will play a significant role in the Fall of X event.

Ms. Marvel: The New Mutant #3 is an excellent portrayal of a well-established character exploring X-Men themes.

Uncanny Spider-Man #2 offers an intriguing amalgamation of the Nightcrawler and Spider-Man characters, providing an excellent interpretation of their combination.

Realm of X #3 boasts commendable writing and art individually; however, their fusion into a cohesive unit remains challenging.

Dark X-Men #3 has a ton of failure without the emotional weight needed to make the loss enjoyable.

Daredevil #2 is a page-turner that elevates Matt's relationship to his old identity compared to his new one.

The Invincible Iron Man #11 doesn't naturally fit within the Fall of X event but still tells a decent story.

X-Men #27 is needed in the larger narrative arc but is a little boring as a standalone issue.

Immortal X-Men #16 is a masterful book, but I still feel confused about what will happen next.

Belle Cursed is an action-packed novel that fails to deliver any emotional resonance to the situation.

Realm of X #2 works in the scheme of a larger story, but as a standalone, not much happens.

Schlub #2 provides an exciting insight into the human psyche, offering some food for thought about the human condition.

Ms. Marvel: New Mutant #2 presents a lot of clichs that work well due to the strength of the title character.

Dark X-Men #2 has some fascinating ideas that could pay off in future issues.

Uncanny Spider-Man #1 provides a unique insight into the headspace of Nightcrawler in a way that helps the reader interpret the Fall of X event.

Daredevil #1 has solid character design and is visually attractive. Elektra looks great in her Daredevil outfit, and the coloring is excellent. Despite some layout design concerns, this book has good art and solid writing.

Saint John #1 provides an exciting insight into an incredible city and what it truly means to be altruistic.

Children of the Vault #2 is a well-made comic that provided a philosophical conversation I was not expecting.

Silk #5 provides engaging ideas that seem to make Albert the protagonist rather than Silk.

X-Men Red #15 confused me with the introduction of Arakko storylines that I did not quite understand.

Quest #2 has a lot of heart and soul that falls into classic fantasy tropes with a Southeast Asian aesthetic.

Immortal X-Men #15 has some pacing concerns but still appeals to my senses for writing a well-thought-out story.

X-Men #26 explores complicated themes of trauma, revenge, and guilt but is surprisingly silent about the rest of the X-Men team.

Arcade Kings #4 adds a level of depth missing from previous issues in a fantastic and thought-provoking way.

Moon Knight Annual #1 had interesting artistic choices, but the story lacked anything for me to grab onto.

This is precisely what I desired from a new Kamala Khan comic. I wanted her themes to persist while allowing exploration of her newfound identity. I was concerned that all the X-Men plotlines might overshadow the narrative, making it feel like an X-Men solo book, but this isn't the case.

The Schlub #1 introduces a character you aren't sure you're supposed to like and follows his interactions with the world.

Robyn Hood #100 effectively showcases the evolution of Robyn Locksley over the years; however, it falls short of offering substantial new content or developments beyond that.

Realm of X #1 boasts a plethora of promising concepts but may feel overshadowed when positioned alongside other X-Men comics within the context of the Fall of X event.

Jean Grey #1 revisits an existing narrative rather than introducing innovative concepts.

Marvel Voices: X-Men #1 presents a plethora of unique stories, infusing humanity into these larger-than-life characters.

Sirens of the City #2 is visually stunning and elevates the whole story to a new level.

Disney Villains: Hades #1 failed to capture the distinctive voice and charisma of the title character.

Uncanny Avengers #1 does an excellent job motivating every character to be there, regardless of whether they are good or bad guys.

X-Men Red #14 is intriguing due to its engaging plot but lacks clear character development direction in these early issues.

Dark X-Men #1 has a ton of promise but introduces too many characters for the page count it has been given.

Mech Cadets #1 has a fascinating premise but feels like a continuation of the 2017 title.

Silk #4 remains loyal to the character's thematic elements but lacks the enchantment required for genuine captivation.

Immortal X-Men #14 introduces a multitude of storylines that lay the foundation for compelling comics. Nonetheless, the risk of overpromising and underdelivering in future installments looms.

Strange Academy: Miles Morales #1 introduces two great titles that hold a lot of promise but lack character depth in the introduction issue.

X-Men #25 is an outstanding comic that emotionally engrosses me, leaving me wanting more.

In Astonishing Iceman #1, I feel we focused too much on the elements we like about the Iceman character while failing to emphasize the tragedy of the Hellfire Gala.

Pathfinder: Wake the Dead #2 shows the strength of the Pathfinder lore but needs a little more character depth.

Silk #3 is an enjoyable comic that reads exceptionally well and uniquely combines art and writing.

X-Men: Hellfire Gala 2023 #1 kept me on the edge of my seat, and I can't wait to see what happens next for the mutants of Krakoa.

Arcade Kings #3 introduces an engaging point of view character, offering us a unique insight into the world and setting.

Moon Knight: City of the Dead #1 is a whirlwind of fast-paced and captivating ideas that will excite any reader, but it sometimes runs the risk of overwhelming them.

X-Men Red #13 brings back that OG X-Men vibe with its familiar themes.

The Hunger and the Dusk #1 is a strong pick for fans of the high fantasy genre, as it skillfully explores and revitalizes old fantasy tropes, promising an engaging and exciting read.

Sirens of the City #1 delves into complex themes, which can sometimes overwhelm the reader with too many characters and ideas.

Savage Squad 6 #1 starts with dynamic characters, making it an excellent start. However, the overarching plot hasn't grabbed my attention just yet.

With a simple yet impactful storyline, My Little Pony #14 imparts a valuable lesson, making it an ideal read for young audiences.

X-Men Before the Fall: The Sinister Four #1 delivers a masterfully crafted storyline, blurring the lines between good and evil. The comic's exceptional writing compels readers to sympathize with morally ambiguous characters.

Despite an intriguing and engaging plot, Daredevil and Echo #2 fails to establish a strong connection with some of its characters.

X-Men Before the Fall: Heralds of the Apocalypse #1 lays a strong groundwork for the next phase in the history of Krakoa and Arakko.

Arcade King #2 is an outstanding comic that reads quickly. Check it out if you enjoy action-packed comics with a unique premise.

The Incredible Hulk #1 provides a captivating premise for what could be a thrilling series, although it's important to understand that it incorporates significant horror elements.

Spider-Man India #1 kicked off the series with a compelling introduction to the story. It left me impressed and engaged. However, moving forward, I hope the creators maintain the character's distinctiveness and avoid relying too heavily on predictable choices.

Rogue and Gambit #5 deliver engaging character development, but unfortunately, the plot doesn't quite hit the mark for my personal tastes.

X-Men Red #12 introduces a new antagonist from Arakko, but my concern lies in the potential entanglement of their storyline with Orchis and the ongoing Krakoan problems.

Black Panther #1 introduces intriguing new ideas but stumbles when delivering the necessary exposition.

Bishop: War College #5 provides a satisfying conclusion to the series, but it is better suited for reading as part of a trade rather than as a standalone issue.

X-Men: Before the Fall - Mutant First Strike #1 elegantly weaves a tale while hinting at future events.

Pathfinder: Wake the Dead #1 faces initial challenges in transitioning from its original tabletop game format to the comic medium. However, now that this initial obstacle has been surmounted, I have high hopes for the future of the series.

Robyn Hood: Spawn of Nyarlathotep skillfully executes nonlinear storytelling but falls short in providing sufficient page count to cover the entire narrative arc.

Bishop: War College #4 intensifies the tension for the overall arc, although it did not function well as a standalone issue for me.

Storm #1 did not engage me, and I struggled to connect to the content. If you read X-Men titles in the 80s, then this will be enjoyable for you.

Daredevil and Echo #1 did not have the familiar marks that define these characters.

Hulk Annual #1 engages the reader with its unique themes but falls short of engaging side characters.

Arcade King #1 has a ton of promising elements and spectacular art.

Dragon Age: The Missing #4 does everything a comic book storyline of a video game should do and does it exceptionally well.

Rogue and Gambit #3 doesn't pay the best homage to this complex and unique relationship, instead favoring plot development over character development.

X-Men Red #11 shows a conflict between Storm and Professor X that I wasn't expected to be addressed in such a dynamic and thrilling way.

Silk #1 introduces a new plotline unfamiliar to the character but told with great skill and much love.

X-Men Before the Fall: Sons of X-Men #1 prepares for future events but weakens the development of significant characters.

Immortal X-Men #11 is a dynamic book that resolves lingering feelings from the Sins of Sinister event.

My Little Pony #12 is a story that is too complicated for extremely young readers but too simple for older readers, leaving a gap in its target audience.

Deep Cuts #1 is a fantastic experience as the creative team dwells deep into the history of Jazz music.

Sins of Sinister: Dominion #1 concluded a complicated storyline with extreme skill and set up future storylines.

Bishop: War College #3 has difficulty balancing the two main storylines but continues to have fascinating and complex ideas.

Storm and the Brotherhood of Mutants #3 is one of the best showings in the Sins of Sinister event, and I wished we had kept this pacing up in earlier issues.

Teenage Mutant Ninja Turtles/Usagi Yojimbo: WhereWhen #1 plays to Stan Saeki's strength, which is the characterization of Usagi and his crew.

My Little Pony #11 backtracks on the characterization of Pip that slowed down the momentum the series had initially built up.

Immoral X-Men #3 explores the complex characterization of Sinister without giving the new revelations the time it needs to create impact.

Junk Rabbit #1 has a ton of exposition to understand the setting, but once you make it past that, you have an engaging premise with a ton of promise.

Rogue and Gambit #2 show us the difficulty of marriage in a superpowered world, a theme I don't often see in the X-Men universe.

Planet Hulk: Worldbreaker #5 did not meet my expectations but provided beautiful pages and a conclusion to the miniseries.

Strange Academy: Finals #5 initiates the final battle between students in a fast-paced action comic book!

Dragon Age: The Missing #3 has an excellent balance of plot, characters, settings, and conflict that shows a great understanding of the fantasy genre.

The Ambassadors #1 asks us unique philosophical questions but doesn't introduce a protagonist for the audience to latch onto.

Dungeons & Dragons: Saturday Morning Adventures #1 has many excellent ideas but lacks character depth within its opening issue.

Storm and the Brotherhood of Mutants #2 manages to expertly capture the devastation and history of the world without compromising the impact of the plot.

TMNT: The Last Ronin Lost Years #2 is an excellent show of mature writing and character development while keeping the nostalgia factor of this older title.

Tiger Division #5 provides an excellent conclusion and resolution to Taegukgi's past. However, the inclusion of Doctor Doom weakened the climax of the story.

Star Wars: The High Republic Adventure #3 combines strong crew dynamics with science fantasy Star Wars adventure exceptionally well.

Bishop: War College #2 does an excellent job showing us a complex story, but it lacks thematic unity between all the story beats.

Immoral X-Men #2 provides excellent ideas that haven't been seen in the Sins of Sinister event.

Nightcrawler #2 is an excellent story that suffers from too much explanation of the world around them.

X-23: Deadly Regenesis #1 is an excellent study on engaging new and veteran readers to a new plot line.

New Mutants: Lethal Legion #1 failed to grab my attention but showed potential for the remaining miniseries.

This comic ends the Discord story arc, and the Mane 5 gained a powerful ally. But with the theme of unity ingrained in the series, a chaotic lord will indeed cause trouble. My Little Pony #10 provided great food for thought and complex ideas. With all this characterization, I am thrilled to see who the creative team introduces as the next antagonist.

Tiger Division #4 works within the context of the trade paperback but struggles as a standalone book.

Planet Hulk: Worldbreaker #4 struggled to find its pacing, leaving the reader confused and a bit frustrated.

Immoral X-Men #1 had many good elements and sections I was lukewarm about. The premise is good, but the application is rough in parts.

Strange Academy: Finals #4 provides excellent insight into the new isolation of Emily Bright and how her characterization shows her becoming the villain of this story.

Dragon Age: The Missing #2 hits the nostalgia factor well with exciting art and engaging characters.

Eve: Children of the Moon #5 is an excellent premise that falls short in its pacing due to too many ideas for its page count.

X-Treme X-Men #3 was visually captivating, but the art and the action were too much to understand the nuance of the complicated plot thoroughly.

The Last Barbarians #1 gives me everything I want from a new comic with stunning art and complex but not overbearing writing.

Nightcrawlers #1 takes the philosophical questions of current Nightcrawler comics and tries to jam-pack them into a short event to decent success.

Space Jobs #1 tries to subvert expectations but fails to nail the landing in my eyes.

Stranger Things: Tales from Hawkins #1 fails to set the right tone for the type of story it is trying to tell.

On paper, Storm and the Brotherhood of Mutants #1 is an excellent idea, but there aren't enough pages to clear up some of the confusing sections.

Bishop: War College #1 has creative commentary on Bishop's aggressive teaching style and promises an engaging plot line.

My Little Pony #9 is an excellent narrative storyline and story points that make this story a solid pickup.

Legion of X #10 expresses a ton of complex plotlines in a way that informs but doesn't overwhelm the reader.

Dragon Age: The Missing #1 hits that nostalgia factor but may not be a good entry point for those unfamiliar with the fandom.

I am intrigued by the ideas in TMNT The Last Ronin: Lost Years #1. There is a ton of complex ideas here for a darker-themed story. And now that the exposition is complete, I want to know more about what happens next.

Sins of SInister #1 provides an excellent backdrop as Sinister returns to his villain role.

Hexware #2 hits its stride and finds an engaging conflict to propel the story.

Eve: Children of the Moon #4 makes bold creative choices that reinvigorate the miniseries finale.

Immortal X-Men #10 is a fascinating comic that portrays complicated writing ideas in an accessible way.

Crashing #5 has a thrilling conclusion to complicated themes in an accessible way.

Star Wars: The High Republic Adventures #2 is an excellent all-ages story that balances order versus chaos.

Tiger Division #3 slowed down the pacing too much with nonlinear storytelling but still promises a reasonable conclusion with the development of these characters.

Legion of X #9 is a complicated idea with many potential moments, but it feels rushed in its execution.

My Little Pony #8 is an excellent comic for its target audience and gives a healthy reminder of simple lessons.

Planet Hulk: Worldbreaker #3 introduces many Hulk characters for the sake of including them, which distracts from the story's central themes.

X-Men Red #10 provides a satisfying conclusion by wrapping up several major plotlines and presenting a unified front on Arakko.

Shang Chi: Master of the Ten Rings #1 is an excellent conclusion to Gene Luen Yang's saga and repairs some of the problematic interpretations of the past.

Midnight Suns #4 sets up the final issue but doesn't stand well outside the context of the series.

X-Treme X-Men #2 successfully combine multiple plot points in a digestible and entertaining way.

Break Out #4 did a fantastic job within the short four issues it had and is a good pick-up when the trade comes out.

Strange Academy: Finals #3 remind us of the emotional power of teenagers with superpowers intelligently and incredibly.

Sabretooth and the Exiles #2 gives an insight into some new characters that could be significant players in future X-Men titles.

Mary Jane and Black Cat #1 have a lot of exciting ideas that aren't executed because of its role in the larger event.

X-Men Annual #1 does an excellent job of introducing the complexity of Firestar's situation.

Legion of X #8 has a ton of complex motifs presented in a digestible way that does threaten to overwhelm the reader.

Assassin's Apprentice #1 has the difficult task of adapting a novel to comic book form but does so with great skill and interpretation thus far.

Planet Hulk: Worldbreaker #2 doesn't provide a solid protagonist and instead introduces many characters that hog the spotlight.

Hexware #1 tries to do many cool things to set up the series but sometimes overwhelms the reader.

Immortal X-Men #9 sets up the next issue but doesn't give Kate Pryde the attention I was expecting based on previous issues.

My Little Pony #7 failed to engage my daughter and me as it usually does.

Tiger Division #2 sets up a lot of intrigue for Taegukgi that provides some unique characterizations for the Tiger Division team.

After a concerning couple of issues, X-Men Red #9 has again grabbed my attention with its intricate political plotlines and dynamic characters.

X-Treme X-Men #1 checks all the right boxes with a balanced plot, setting, and conflict-driven characters.

Star Wars: The High Republic Adventures #1 provides an excellent start to a light-hearted story.

Koshchei in Hell #1 reminds the reader about the Hellboy mythos and sets up the narrative arc but doesn't bring in new ideas quite yet.

Planet Hulk: Worldbreaker #1 shows us the legacy of Planet Hulk that promises a ton of action and a return of the Hulk to Sakaar.

Strange Academy #2 perfectly depicts a lighthearted style to a grim dark tone that shows the well-rounded personalities of these characters.

Robyn Hood: Last Stand seems to be trying to set up a future storyline rather than focusing on making this comic great.

Star Wars; Yoda #1 tells a well-thought-out story but doesn't present any new ideas about the Star Wars Universe or the title character.

Eve: Children of the Moon #2 uses excellent writing techniques to make an engaging story.

Hitomi #2 presents some incredible concepts but doesn't have a solid plotline to engage a casual reader.

Midnight Suns #3 provides many good moments that make you want to know more about the character's interpersonal relationships.

Once Upon a Time at the End of the World #1 nailed the unity between setting, plot, and characters.

Trve Kvlt #4 did a fascinating job presenting complex ideas in an easy-to-understand way.

Gambit #5 had a lot of love and consideration for the title character and supporting cast.

Crashing #3 combines high emotional action with intimate drama in an artistic way.

Immortal X-Men #8 uses Mystique as the point of view character, but she still doesn't feel like the main protagonist of the comic.

Legion of X #7 presents a riveting new story arc that continues the remarkable story seeds from the previous volume.

X-Men Legends #4 didn't fulfill the promises I interpreted from X-Men Legends #3, leading to a disappointing conclusion.

Sabretooth and the Exiles #1 proved to have nuance in the characters and plot that I was not expecting.

X-Men Red #8 takes us away from Arakko and Storm and into the perspective of Cable, which does a disservice to the comic title as a whole.

Antioch #2 provides a new superhero world with complex themes and modern concerns executed masterfully.

The Ones #1 has a massive cast of characters that develops into a complicated story. But with only four issues, can the series follow through on the literary promises it made in the first issue?

Tiger Division #1 introduces an incredible new Korean team and provides a rich context of who these heroes are.

X-Terminators #2 is a fun issue growing more nuanced as the story progresses.

X-Men Legends #3 is an excellent comic for people who enjoyed the original Mojoverse introduction but may fall flat for the new reader.

Iron Cat #5 wraps up all story points well, albeit safely.

Wild Cards: Drawing of Cards #4 tries to tell a complicated story that I am unsure if it sticks the landing.

Strange Academy: Finals #1 sets up an engaging conflict between Emily and Doyle in a splendid but unexpected way.

TRVE KVLT #3 has a quirkiness that presents a unique reading experience unlike anything else on the current market.

Crashing #2 incorporates Rose's monologue to provide new insight into her battle with addiction in an engaging way.

Eve: Children of the Moon #1 takes a promising new direction to the series that promises to tell a good story.

Midnight Suns #2 has a fascinating concept that may live up to its full potential if the creative team can nail the protagonist's characterization.

Punisher War Journal: Brother #1 makes me want to check out the main title and find out what is going on with Frank Castle.

Gambit #4 does a great job developing the character of Gambit but rushed aspects of the plot and story.

Hitomi #1 provides a great start to the plot, but I lacked a connection to the characters.

Immortal X-Men #7 details Nightcrawler's psyche, but I wasn't 100% on board with this creative decision.

Legion of X #6 is a thrilling interlude that provides insight into one of Krakoa's most volatile characters.

X-Men Red #7 took an unexpected direction for Storm but allowed an excellent farewell for Magneto.

Wild Cards: Drawing of Cards #3 points us in a new direction by introducing a new character but doesn't give the reader enough to connect to the previous two issues of the comic.

Briar #1 has excellent ideas that I hope the creative team can pull off throughout the series.

Gambit #3 shows the abilities of Gambit as a leader, fighter, and thief but lacks the interpersonal moments I saw earlier in the miniseries.

Legion of X #5 explores complex ideas that unite Krakoa and Arakko in an incredible way.

X-Terminators #1 features adult themes and skimpy outfits that go from one action scene to another.

Crashing #1 made us attached to the main character and created empathy for her complex situation.

X-Men Green #2 had many visual and plot elements to manage, and the creative team did a fantastic job wrapping up this complex storyline.

TRVE KVLT #2 tells a compelling story of Marty, who has pissed off the wrong people.

X-Men Red #6 has many dramatic moments that force you to pay attention to the scene on the page.

Ms. Marvel and Venom #1 has a youthful personality as Ms. Marvel teams up with the scariest Marvel hero!

Midnight Suns #1 does a great job introducing the plot and inciting incidents but doesn't have enough page count to connect me to the characters.

Immortal X-Men #6 reminds the reader why Sebastian is on the Quiet Council and what he can contribute.

Antioch #1 doesn't have the charm of Frontiersman but promises a great adventure regardless.

Obi-Wan #4 explores the relationship between the Jedi and the military and the dark decisions Obi-Wan and Anakin had to make.

Break Out #3 is a great story that suffers from a long publication schedule.

Gambit #2 provides depth to a fan favorite character and a new perspective about his loyalty to the people he cares about.

Wild Cards: Drawing of Cards #2 has excellent action scenes but doesn't give the reader a lot of emotional attachments to engage them.

My Little Pony #4 does a great job exploring the relationship between technology, influencers, and their audience.

Beware the Eye of Odin #3 is a spectacular fantasy comic that dives deep into the three main characters.

Shang-Chi and the Ten Rings #2 presents new ideas that could make or break the story arc.

Spider-Gwen: Gwenverse #5 wraps up the character development of Spider-Gwen thoughtfully and respectfully.

This series doesn't have the excitement or magic I usually get from Spider-Verse titles, but it is getting there. With an assortment of talented writers and artists, I am excited to see where the plot line goes.

Iron Cat #3 has excellent complex ideas intermingled with a fair amount of fun.

Trve Kvlt #1 is a solid start to what could be a great series.

Ms. Marvel & Moon Knight #1 lacked the page chemistry to make this issue from good to outstanding.

X-Men Unlimited: X-Men Green #1 has a terrific premise but lacks the proper execution to get the story up and running.

I think Stonehenge #2 will read best as a trade paperback. There is so much going on, and it feels complex and engaging. Non-conventional stories like these are right up my alley.

Ghost Rider: Vengeance Forever #1 does a magnificent job paying tribute to all incarnations of the Ghost Rider.

X-Men Legends #1 sets up an excellent premise but makes some interesting choices that don't hit that nostalgia pull for me.

Ms. Marvel & Wolverine #1 has excellent artwork and compelling characters but lacks a potent antagonist to pit the title characters against.

Edge of Spider-Verse #1 has a lot of fun ideas but leaves me confused about the main threat.

Legion of X #4 is a thrilling story exploring the philosophy of religion between Arakko and Krakoa in a spectacular way.

Immortal X-Men #5 impressively sets up how the mutant nation of Krakoa will handle the Judgement Day event.

Beware the Eye of Odin #2 shows the power of a well-written comic working in tandem with the art.

Iron Cat #2 provided excellent background information but didn't move the plot forward. However, the use of color was exquisite.

My Little Pony #3 returns to the episodic one-shots you would expect from the series and does so in an engaging way.

Gambit #1 has an excellent premise but suffers from an imbalance between text and visuals.

Wild Cards: The Drawing of Cards #1 does an excellent job taking us into the mind of George R.R. Martin to see his world of superheroes.

Belle: Return to Scylla failed to challenge the protagonist, which led to a poor narrative arc.

Spider-Gwen: Gwenverse #4 sets up what is sure to be a dynamic Finale next issue!

Maestro: World War M #5 wrapped up the story points but failed to excite the reader.

Shang-Chi and the Ten Rings #1 is an excellent hook for a new story arc focusing on how Shang-Chi handles power.

Overwatch: New Blood #1 does a great job showing us the personality of a fan-favorite character.

Norse Mythology III #6 lacked a protagonist for me to root for, making me disinterested in the story.

Immortal X-Men #4 provides excellent characterization for Emma Frost in an engaging way.

Impact Winter #1 provides an excellent context for the source material and makes me want to learn more about Darcy and this crazy world.

X-Men: Hellfire Gala #1 is an excellent comic that creates a lot of hype for future mutant storylines.

Captain America: Sentinel of Liberty #2 presents a lot of good plot hooks that threaten to overcomplicate the story.

Legion of X #3 promises significant conclusions but gives a depressing vibe within this specific issue.

Strange Academy #18 explores the themes of protest and standing up for oneself, but it takes a dark turn.

Captain America: Symbol of Truth #2 makes interesting decisions that seem to go against the theme of the story arc.

Iron Cat #1 provides depth for Black Cat, who often felt like an attractive love interest and thief rather than a real character.

Obi-Wan Kenobi #2 is an excellent example of how to tell a good one-issue story.

X-Men Red #4 explores complex themes with great care and skill.

Beware the Eye of Odin #1 provides an excellent start to a promising new miniseries.

Magic: The Hidden Planeswalker #3 has a pleasantly good narrative arc that provides a great story despite initially being a card game creature.

Maestro: World War M #4 had some excellent components but didn't emphasize the main plots or characters.

My Little Pony #2 takes great strides to provide depth in the narrative arc and the protagonists.

Kieron Gillen does a great job writing an engaging script for every character he introduces in the story.

Norse Mythology III #5 sets up the final issue wonderfully but doesn't tell us much as a standalone comic.

Spider-Gwen: Gwenverse #3 is an excellent book for a younger audience or anyone interested in the character.

X-Men Red #3 has cool, unique ideas that are engaging on the comic page.

Hulkling and Wiccan #1 managed to show that love overcomes in a well-paced and colored story.

Savage Avengers #2 provides engaging narration in a style that appeals to what I want out of my comics.

Fortnite X Marvel: Zero War #1 pays excellent tribute to both franchises but spends a lot of time catching up on previous events.

The Never Ending Party #1 has many confusing elements that take a few read-throughs to understand.

Zodiac didn't have the page count to explore the nuance of the story it was trying to tell.

Cyberpunk 2077: Blackout #1 goes into a dark theme with great care that provides a thought-provoking comic book.

Miles Morales: Spider-Man #38 tries to tackle too many ideas too fast, making the pacing rushed.

Jonathan Luna does a fantastic job paying homage to Image Comics in his new one-shot, The Phalanx.

The Storyteller: Shapeshifters #4 tells a unique story that is darker than the previous issues in the series.

Magic: The Hidden Planeswalker #2 explores the character of Vess in detail at the expense of pacing. However, the art is spectacular.

My Little Pony #1 is a remarkable story for a younger audience that tells an important lesson.

Legion of X #1 has a lot of great ideas, but they were too numerous for a successful exposition to a new series.

Devil's Reign: Omega #1 does a great job telling a concise story while providing exposition for future Marvel storylines.

Belle Labyrinth Oneshot is an action-packed story filled with cool easter eggs but lacks the intelligence and wit that the character has.

Vox Machina Origins III #6 seems like an exposition for the next series rather than a thrilling conclusion to the current one.

Immortal X-Men #2 is an exceptional comic that shows us the strength of Hope Summers.

Silk #5 provides a satisfying conclusion to a phenomenal series.

X-Men Red #2 does a great job exploring exciting plot points and seeing how they interact with the new planet of Arakko.

Break Out #2 is the perfect amalgam of excellent writing and detailed art.

Robyn Hood: Heart of Darkness seems to focus more on establishing the villains than setting up an engaging story.

Assassin's Creed Valhalla: Forgotten Myths #3 tells an engaging reinterpretation of myths that appeal to my modern sensibilities.

Eight Billion Genies #1 does an excellent job setting up the rest of the series by introducing the essential characters and establishing them before introducing their exceptional inciting incident.

Captain America: Symbol of Truth #1 has vivid imagery and dynamic action but didn't hook me into the plot.

Frontiersman Lock-Up Special shows us the storytelling potential of the modern adult superhero.

Star Wars: Obi-Wan Kenobi #1 tells a simple story with a master's expertise.

The Storyteller: Shapeshifters #3 isn't a comic that you read for colossal action sequences and dramatic moments. It is a love story between a man waiting for his wife. The best part of this story is that the characters' small actions have significant development for the characters.

Maestro: World War M #3 shows a depth for the secondary characters we don't find in Maestro.

Giant-Size X-Men: Thunderbird #1 at its base level works. The art is well drawn and colored, and the writing offers a lot of great ideas. I just think the execution could have been a little tighter.

Silk #4 was not as strong as the rest of the issues in this story arc, but I remain optimistic that this issue will lead to an exciting conclusion.

Knights of X #1 looks like a really engaging plotline, but it is difficult to know based on what information we got. Regardless, the art style is solid, and the writing nicely sets up the whole series.

Magic: The Hidden Planeswalker #1 makes ambitious choices that work well on the comic page.

Assassin's Creed Valhalla: Forgotten Myths #2 tells a great story that steps away from the traditional Norse Mythology to tell something new.

Spider-Gwen: Gwenverse #2 moves at a fast pace. Too fast for my liking.

The Good Asian #10 provided a respectable conclusion to an amazing series.

Love and War #1 is a solid story that immediately attaches you to the protagonist.

Norse Mythology III #3 had many solid elements, but some of the themes put a damper on my experience.

X-Men '92 #1 is an excellent idea on paper but didn't live up to its potential.

Break Out #1 is a great introduction that successfully combines science-fiction, coming-of-age, and a heist story.

Cult of Ikarus #2 is a coming-of-age story that has us focusing on the art to push the story forward.

Jim Henson's The Storyteller: Shapeshifters #2 shows an endearing tale of an Apache woman that connects well to the reader.

Devil's Reign #6 cements the partnership of Elektra and television in a super engaging way.

X-Men Red #1 is a great new plot twist that adds depth to the current drama on Krakoa.

Mystere: Divinity shows us an introduction to another hero but fails to provide depth to the supporting cast.

Silk #3 portrays the struggle of Cindy Moon as she tries to balance work, superhero responsibilities, and sleeping.

Immortal X-Men #1 made an excellent decision having Minster Sinister be our perspective. His inner monologues are engaging and worth a read.

A King's Vengeance #2 is a bloody action comic that is beautifully drawn and presented.

Godzilla vs. Mighty Morphin Power Rangers #1 is a fun crossover that doesn't take itself too seriously.

Maestro: World War M #2 lacks the depth in Maestro as a character that the story once had.

The Clay People: Colossus One-Shot is an excellent story about a kid who is dealing with a plethora of responses that provides a ton of death with your kin.

Assassin's Creed Valhalla: Forgotten Myths #1 provides a great story that features an integral part of the lore in the game.

Eternals: The Heretic #1 shows a depth of character through a single conversation between two major villains.

Impossible Jones #4 gives a great conclusion to this series and a hook into the next one.

Devil's Reign: Superior Four #3 gives us fun, quirky character designs that are engaging to look at on the page.

Spider-Gwen: Gwenverse #1 is an excellent comic that provides depth to Gwen Stacy's character.

Soltaic #1 shows us a great new series that explores the relationship between an overprotective mother and her daughter.

The Good Asian #9 does a splendid job setting up the conclusion in the next issue.

Devil's Reign #5 shows us how far Fisk is willing to go and changes the tone and direction of this Marvel event.

Jim Henson's The Storyteller: Shapeshifters #1 is consistently good and deserves more attention for the ability to tell a simple story incredibly well.

Devil's Reign: Spider-Man #1 sets up a strong story that shows that a good team is not hard to find.

Robyn Hood: Shadows of the Past is an excellent culmination of Robyn Hood as a character as she finally gets her footing in the world of magic.

Rogue Sun #1 introduces a simple plot drawn and colored beautifully by the creative team.

Arrowsmith: Behind Enemy Lines #2 proves to be a well-written series that will be one to look out for in 2022.

Impossible Jones #3 is an excellent premise with a great protagonist but suffers from some pacing issues, in my opinion.

Villains for Hire #2 has exceptionally created depth and excitement in minor characters.

Silk #2 offers us a new mythos featuring superheroes that deserve more space in the Marvel Universe.

Distorted #1 introduces a fascinating world that trusts its readers to read between the panels to understand the characters.

Superior Four #2 has an excellent premise that doesn't deliver on the promises of the Devil's Reign event.

X-Men #8 has excellent small character moments and solid art but felt a little lackluster due to the choice of villain.

Cult of Ikarus #1 tells another vampire slayer story with an engaging and intense art style.

Norse Mythology III #1 does an excellent job presenting the older works positively and refreshingly.

Secret X-Men #1 assembles a team with a certain level of quirkiness that is engaging on the page.

Devil's Reign #4 shows us how unhealthy obsession is and its ramifications on a person's mind and attitude.

Maestro: World War M #1 continues the Peter David run of Maestro with a ton of moving plot points to engage the reader.

New Masters #1 provides an excellent foundation for what is sure to be a fantastic story.

X-Men Legends #11 was a poor representation of what this creative team can do. It didn't give the reader much to grasp and relate to. Ultimately, this issue only provided some background context to the older run of New Mutants this comic is based on.

Black Panther Legends #3 doesn't give me the conflict I wanted for this comic issue.

I could not grasp the themes of Sabretooth #1 and therefore lost interest as the story progressed.

Devil's Reign #3 does a great job focusing on the Kingpin and Daredevil while giving the rest of the cast solid moments in the spotlight.

X-Men #7 makes exciting choices that set up a different storyline than what I expected in the X-Men universe.

Mary Jane & Black Cat: Beyond #1 is all over the place and doesn't seem to know what it is trying to do.

Frontiersman #5 feels like a well-established hero has been around for decades, and this is remarkable hard to achieve in only five issues.