M1sf1r3's Profile

Prelude: Iron Man 2020 didn't start off too well with its first tie-in so let's see how Force Works goes. The Good: I like the team. The Bad: Some S.H.I.E.L.D continuity errors It's a bit boring. Conclusion: The premise is good, the execution however is lacking.

Prelude: I found the first issue of 2020 Force Works good in premise but rather lackluster in execution. Hopefully, this will be a better issue. The Good: The art is good. I enjoy the team. The Bad: It was rather boring. Conclusion: Better then last issue, but not by much. Still isn't passable.

Prelude: So far Rescue 2020 has been passable for a tie-in to the Iron Man 2020 event. Let's see how Iron Age goes. The Good: Second story had some interesting parts to it. The Bad: I found the first story rather boring. I do have a clue of what I read for the third story. Conclusion: Some good, lots of bad but I don't know why I read this in the first place.

Prelude: I've not been that big of a fan of the tie-ins to Iron Man 2020, so let's see how Riri fares with 2020 Ironheart. The Good: I like how it ties into Outlawed. The Bad: It feels a bit cliche? Conclusion: A nice albeit a bit cliched story.

Prelude: Sigh.... it's time for the 2020 Iron Man tie-ins. Let's be optimistic then and see how Machine Man goes. The Good: Art is good at least. The Bad: Both stories are quite frankly boring. Conclusion: I just have no desire to continue reading. Thank god, it's only 2 issues.

Prelude: I found the first issue of Machine Man 2020 really boring so hopefully this issue is better. The Good: I actually found this issue to be entertaining enough. Art is still good. The Bad: It's all side characters that I have very little interest in. Conclusion: It's much more entertaining then the first issue but the biggest problem is the lack of importance for the whole story.

Prelude: Time to see how Pepper goes in this mini. The Good: I like Pepper in this. The Bad: There isn't much substance. Conclusion: It's a passable story but not much is happening.

Prelude: Time to read the Robin 80th Anniversary Issue. As such my normal Anthology system will apply. The Good: Really enjoyed "A Little Nudge". It's a classic tale but Woflman makes it work so well here. It's fast but I did enjoy "Aftershocks". "Team Building" was a nice enough story to show off Dick's leadership skills. "The Lesson Plan" was amazing. One of my favourites from this issue. "More Time" was just... it was so great. Winick knows how write Jason beyond the edge we usually get. "Extra Credit" is passable. It fits Tim and it's written well enough but doesn't explore him too much. "Boy Wonders" serves well as a Tim story but also as showing off the other main Robins. "Fitting In" was a nice story and it is so great seeing DC remember that Steph was Robin for a brief bit of time. "My Best Friend" was a great story about Damian and brings back some of that wonderful Super Sons action I've been missing. The Bad: "Bat and Mouse" was the only story I didn't like. It just feels disappointing and wasted potential. Conclusion: Asides from "Bat and Mouse" this was a great Anniversary issue. Loved it throughout.

Prelude: Absolute Carnage is here! Let's see what Cates and Stegman have in store for us. The Good: Carnage looks absolutely amazing. Love him in this issue. Love the Venom parts. The whole Spider-Man scene was great. Interesting pick up from Red Goblin. Stegman's art is great. The issue is so long and I love it. Each chapter feels unique. The Bad: Nothing. Conclusion: Cates and Stegman instantly knock it out of the park with this first issue. Sets up the event and gets the ball rolling in such a perfect fashion. The perfect first issue for an event.

Prelude: Cates absolutely blew me away with the first issue of Absolute Carnage. Question is, can he follow it up? The Good: Can I just say everything? It feels like it's everything. The art, Cates' storytelling, this feels like an event despite the relatively low amount of players. A nice switch from recent events such as the War of the Realms though I expect it to pick up in September with the tie-ins ramping up. The Bad: Bit jumpy but I think I just got so engrossed with what was happening everything started speeding up. Oh and I got confused at points with Norman and Cletus, sometimes a bit hard to tell them apart. Conclusion: Cates is going all out on Absolute Carnage and I couldn't be happier. Though the art confused me a bit with Cletus and Norman and the issue seemed to jump a bit, Absolute Carnage is looking to be down right amazing.

Prelude: Many of the tie-ins for Absolute Carnage have been failing for me so I'm hoping that changes for this issue. The Good: The main hook in this is the exploration of what happened to Leonard Elkhart due to the Venom symbiote. It's really interesting to see how one event can completely change your life. It's much more of a personal story as well and I love character focused stories. The Bad: Doesn't feel like it's much of a tie-in for Absolute Carnage. Some character decisions feel too extreme and instead serve to move the story forward but feel clunky as a result. Conclusion: An interesting story in of itself but I question it as a tie-in for Absolute Carnage. Though it's still one of the better tie-ins for the event.

Prelude: Another Absolute Carnage tie-in, but is it like most of them or is it on par with Cates'? The Good: Quite an interesting issue and it serves two purposes. The first was to feature the symbiote stuff from Absolute Carnage, the other to get ready for Ghost Rider. I like the Ghost Rider stuff in this issue as well. The Bad: Not really instrumental to the story but it is a tie-in. It's more of a set up to Ghost Rider #1. Conclusion: It's arguably more setup for the upcoming (as of writing) Ghost Rider series and it has me intrigued on that front. As a Absolute Carnage tie-in, it's passable but nothing to rave on about.

Prelude: Back to the main title! Woo! Been loving Cates' writing on.... pretty much anything I've reviewed and I've been loving Absolute Carnage too. This ought to be good...... (I'm still not over Superman #15 am I?) The Good: IMMORTAL VENOM HULK! Bit of a quieter issue this time around but it's more character focused. Really like the focus on Venom and Eddie and how they differ. Venom is getting real desperate right now. Art is great but come on, why wouldn't it? The Bad: Yeah, I'm blanking here. Conclusion: While it was a quieter chapter as you would expect at #3 of 5, Absolute Carnage still delivers. IMMORTAL VENOM HULK!

Prelude: While I haven't been reviewing it here, Immortal Hulk has been utterly amazing. Add Absolute Carnage to that and let's see how this story shakes out. The Good: Loving the exploration of the Hulk and all his alternate forms. It's character based and I always love that. Love the Hulk team. The Bad: I'm not a fan of the art especially coming to the end of the issue. Didn't add much to Absolute Carnage at all. Conclusion: While it does have it's downsides regarding Absolute Carnage itself, it is a strong Immortal Hulk story. Shame though that it is meant to be a tie-in.

Prelude: Wow, reviewers didn't like this one. Well, let's see how I find it. The Good: Yeah, there's nothing that stands out as good, just mediocre. The Bad: Continuity is off, especially with Cap and his own story currently. Art is pretty poor. The symbioted people don't line up with what's established in the other books, especially the main story. It's a chore to read. Conclusion: Yeah, reviewers were right but due to my scale it's a 5. Nothing outright offensive to the characters but it's just a mediocre story.

Prelude: Absolute Carnage has been an absolute blast so far. But we're near the end now so Cates will have to stick the landing here. The Good: It's great seeing Eddie be his own hero rather than rely on Venom. I also love Eddie's connections to all of the cast but especially with Peter. That scene was great. This issue really ties together many of the tie-in series'. Miles' is a bit confusing, see below, but I'm happy that it's being done. Surprise, surprise, Stegman's art is great. The Bad: Vulk does get taken down pretty easy. As predicted, there are some continuity issues with Miles and his own tie-in series and like I said on that review, that blame is going to that book. But I'm letting it be known here too. Bit of a predictable story structure here. Conclusion: A slight dip compared to past issues but Absolute Carnage remains strong. Bit more of a final set-up for the last issue though so let's see what that brings in a month's time.

Prelude: Well... I wasn't expecting this tie-in one-shot. Makes sense though with Cates' Venom. Let's see how this issue goes. The Good: The military aspect of this is the main pull and it works well. There are some twists and turns that work well. The characters were interesting to watch as the events unravelled before them. The Bad: It is a simple premise with a predictable overall story. Doesn't add much to Absolute Carnage. Conclusion: While it is a basic and predictable story that doesn't add much to the core event, Weapon Plus provides a unique perspective that isn't seen in Absolute Carnage.

Prelude: Another tie-in to Absolute Carnage on the week it ends. Great. The Good: Let's cut to the chase and say nothing. The Bad: There is no point to this story. It's boring. Conclusion: As you would expect, it's a boring issue that contributes nothing to the event whatsoever.

Prelude: It's the conclusion to Absolute Carnage. Can Cates and Stegman stick the landing on this impressive event? Let's see. The Good: I like the brief look into Eddie before he was more heroic. All the tie-in characters are here. Yes, they don't do much but it is nice to see them. Interesting choice from Eddie here and creates the ending I did not expect to happen. Absolutely wonderful art from Stegman by the way. Those Knull scenes were especially great. We're going to have some fallout in Venom due to this event especially with Dylan. The Bad: Doesn't tie up fully but we've got Venom for that I guess. Still, a bit annoying. Conclusion: A masterful finish to Absolute Carnage. Wonderfully done in every way. The only problem I have with it, is that it feels like the event isn't fully tied up.

Trade Summary: A wonderful event that keep you on the edge of your seat. Donny Cates and Ryan Stegman bring their A-game for this story and it shows. Gripping from page one to the end.

Prelude: I wasn't the biggest fan of the last issue. Let's see if that has changed. The Good: Liking the jokes this time around. Also I can actually tell what's happening. The Bad: Random goons sent to kill someone that we know will survive trope. Conclusion: It's better than last issue that's for sure. But still only a pass grade from me.

Prelude: It's the final part of Absolute Carnage vs. Deadpool. While this book has been very mediocre, maybe this last issue will change that? The Good: This series is over! The Bad: How is Norman fighting here? He should be over in the warehouse with the main story. Hell, Spider-Man should be there too! Voices are off. Humour isn't funny again. It's boring. Conclusion: It's back to the old boring stuff from the first issue. Add poor dialogue and continuity problems and I'm happy that this series is finished.

Prelude: Well, unlike the core storyline, Absolute Carnage's tie-ins haven't hooked me once yet. With that in mind, let's see what Lethal Protectors has in store. The Good: It's downright creepy throughout and that's the main selling point here. Cults, Carnage and much more. Definitely the right materials. The Bad: Nothing sat... right with me. Though better than the other tie-ins, it still doesn't have that vibe I get from the core series. Conclusion: Whilst Cates has been writing up a storm in the core series, Lethal Protectors keep the ongoing theme of me being uninterested in the tie-ins.

Prelude: Well it's a Maximum Carnage reunion... only that the team didn't show up last issue.... In a three issue mini-series. See the problem? The Good: Hey, the team is finally together. That's something, right? The Bad: Pretty much everything else. It isn't offensive but it isn't interesting nor exciting either. Conclusion: With one issue left, my thoughts on this story is "meh".

Prelude: Lethal Protectors... well, it's been a thing that's for sure. Well, let's see how this tie-in series ends. The Good: Some interesting character decisions. The Bad: Art was poor as well as the dialogue. Not much happened throughout the entire story. If you so wanted to, this series could have worked as a one-shot. Impact on Absolute Carnage was absolutely minimal. Conclusion: It exists but that's pretty much it. Like most tie-ins to Absolute Carnage, I would give this one a pass on buying.

Prelude: Miles received some pretty big ramifications from Absolute Carnage #2. Does this series add any more information or can I just skip it like every other tie-in? The Good: Some nice art here though noticeably bright for Absolute Carnage. Also have a few interesting interactions but it's nothing we haven't seen before. The Bad: God, the continuity is shocking here. Asides from the bare bones of what happened in the core series, everything is different putting everyone that isn't Mile in a terrible light. Nothing really new either, just a typical fight with Scorpion before the Absolute Carnage stuff begins and I've already voiced my complaints on that part. Conclusion: A cliche first half followed by a out of continuity second half. I have hope for the following issues if Absolute Carnage doesn't cover it but as has been shown here, Ahmed's continuity is terrible and the issue takes a severe hit from it.

Prelude: The first issue was.... quite boring with many problems. Hopefully those are rectified in this issue. The Good: The characterisation is pretty good and the conflict within Miles is somewhat interesting. The Bad: It's boring as hell. Also the continuity with Absolute Carnage is absolutely non-existent. This story does not fit into the core story Cates is telling at all. Conclusion: While there are some positives, they do nothing to stop this issue from it's mediocrity and horrendous continuity.

Prelude: Miles Morales' tie-ins have been failing for the last two issues. Now that it's issue 3, here's hoping for improvement. The Good: Miles trying to use the symbiote for good can be interesting but I'm concerned for the main series. Love Miles' interactions here. The Bad: There's a lot of snap decisions that don't work. Continuity with Miles and his symbiote. Does not work with Absolute Carnage at all. Conclusion: It's better than the last two issues but I'm very concerned with how this will work with Absolute Carnage's main story and if it fails, I'm putting that on this book.

Prelude: I didn't like the last issue of Scream but here's hoping this issue proves me wrong now that the setting up is done. The Good: Resisting the symbiote is interesting to see. Shows the larger scale of the event. The Bad: Spends quite some time recapping the main event. Art is overly complex making it hard to understand what is happening. It's boring. Conclusion: Nothing too bad to note, but nothing good either. It exists.

Prelude: It's the final issue of Scream so let's see how it goes. The Good: It's over. The Bad: There's no reason to read this. I have no clue what's happening at all. It's boring as hell. Conclusion: Let's make this quick. There's no reason to buy this series and it's a pain to read.

Prelude: Bendis continues his street level story in Action Comics, but does this issue stand by itself? The Good: Still liking the street level stuff as people start making their plays. Get a bigger focus on the Planet which I always love. Bendis tying his stories together is always interesting and fun. The Bad: Bit... not convoluted but with both the Invisible Mafia and Leviathan the story feels a bit cramped. Bendis continues writing for the trade as progression slows once more. Conclusion: Good enough for a pass, this issue doesn't move much along but his focus on the street level Superman stories is still entertaining for me.

Prelude: Only one Bendis book this week! Plus it's one of the better ones too. Let's see how that goes with Naomi showing up. The Good: Having never seen Naomi before this review, I enjoyed her enough as a character. Got some potential. Red Cloud was interesting too. Art was pretty good as well. The Bad: Dread it, run from it. Bendis-Speak still arrives all the same. Conclusion: Really while individual parts are good, the total sum creates a passable issue.

Prelude: Bendis' Action Comics has remained one of his better books but let's see how that holds up this issue. The Good: I do like the grounded view that this issue brought with it. The Bad: Surprise, surprise, there was some horrendous dialogue here. Batman's voice was WAY off. Which is weird since Bendis writes Batman well in Batman: Universe... same thing happened with Robin in Event Leviathan compared to Superman... hmm. Well, the INVISIBLE Mafia aren't so invisible anymore. Great. Conclusion: While I do like having a more personal aspect to stories, shown within Metropolis' population here, the decent art and horrific dialogue and poor characterisation just ruin the story for me.

Prelude: Bendis' Action Comics took a dive last issue, so let's see how he goes now that Invisible War has started. The Good: Nothing. The Bad: Wow, John Romita Jr's art is bad in this. Got a lot of Bendis-Speak. Continuity doesn't make sense either, especially with Justice League. All of the Legion of Doom asides from Apex Lex should be incapacitated and Lex shouldn't be there since he's with Perpetua currently. Plotting doesn't make any sense here. Conclusion: While the story is horrendous, there isn't much in the character ruining department. Nevertheless this gets a 4 for it's quality.

Prelude: First Bendis book of the New Year. Let's see how if he has improved (Yes, I get that this was written about 6 months back). The Good: Did you really think there was? The Bad: Holy ---- this art is bad. How.... how did this get approved? BENDIS SPEAK!!!!!!!!!!!!!!!!! That origin. Nope, don't like it at all. The continuity of this doesn't make sense. Surprise Leviathan!!!!!! Conclusion: 2020 Bendis, same as 2019 Bendis. Enough said.

Prelude: Bendis. Action Comics. Bad. Let's go. The Rare: Nothing at all. The Usual: Rubbish art. Bendis-speak. "The Event Leviathan" Continuity. Leviathan Island. It's boring as hell. Conclusion: Thank god it's over.

Prelude: I'm tired, let's just get this done. The Good: Nope. The Bad: JRJR. Dialogue. Continuity with Clark and Conner. Hang on, one of these panels is #1012's cover. No seriously, JRJR. Leviathan. Conclusion: What do you think? Horrible art, plus your usual Bendis problems but to the max degree.

Prelude: Well, I've been flat out sick of this current arc of Action Comics, let's hope this issue improves that but..... I'm not hopeful. The Good: Nothing. The Bad: I usually don't mention the covers but this is just a bad cover. The perspective of the main characters, drawing, it's just not good at all. God what is this art? It's just awful. Bendis-Speak. It's still boring. Conclusion: While this concludes the Metropolis Doom arc, I could not be more bored if I tried. This did not need to be so long and so poorly executed.

Prelude: Well.... Metropolis Burning was definitely.... something. Let's hope The House of Kent is better. The Good: It was nice seeing the Kents again. The Bad: Continuity is rather weird with Connor and Clark. Characterization of Brainiac-5 is way off. JRJR art just isn't working for me still. Conclusion: That was an issue. I just feel rather meh about the whole thing.

Prelude: Finally picked up All-New Wolverine as to expand my X-Men collection beyond current Hickman era titles and Taylor is one of my favourite writers (Note to self: Get X-Men Red). Let's see how this first issue goes. The Good: In one issue and with very little knowledge of Laura beforehand, Taylor sells me on both Laura and her role as Wolverine. I love Laura's interactions namely between her and Angel as well as the flashback between her and Logan. The art from Lopez and Navarrot is great. The clone angle is an interesting one to see where it goes. The Bad: It's ever so slightly confusing. Conclusion: A strong start for All-New Wolverine. Didn't blow me out of the water but a very compelling first issue that hooked me onto the series.

Prelude: I really enjoyed the first issue of All-New Wolverine, let's see if Taylor can hold that here. The Good: I love seeing Laura at the top of her abilities, showing off her mastery of her skills against both Alchemex and the Sisters. Liking the Sisters so far, especially Gabby. Navarrot and Lopez's art is good. The Bad: Nothing. Conclusion: This issue ramped up the story for me in all the best ways possible.

Prelude: All-New Wolverine has been a lot of fun so far, let's see how this issue goes. The Good: Okay I really love Gabby. Lopez and Navarrot's art is great as always. Interesting set up for next issue. It's very entertaining. The Bad: Nothing. Conclusion: A great, fun and entertaining issue. This series is really starting to pick up track now.

Prelude: All-New Wolverine has been amazing so far. With Dr. Strange now in the mix, how will this issue fare? The Good: I really like the exploration of the Sisters and how they're compared to Laura. Gabby is still freaking great. Lopez and Navarrot's art is still great. Liking the cliffhanger too. The Bad: Nothing. Conclusion: Another great issue from Taylor, really getting into exploring the Sisters while having a fun and enjoyable adventure of an issue.

Prelude: All-New Wolverine has been amazing for me so far. Let's continue our trip to see the next character on the list, Wasp. The Good: I love the Sisters so much. Seeing Belladonna start to cry, it makes me so happy and tear up myself. The art from Lopez and Navarrot is great as always. So, so much emotion. The Bad: Nothing. Conclusion: I have a rule. Make me cry and I will give the issue a 10. Well played Taylor.

Prelude: It's the final part of the Four Sisters. Let's see how it goes for Laura and her crew. The Good: I love it when Laura is smart and shows that she is at the top of her game. The plan is so wonderful and it works both in story and for the readers too. Gabby was great as always. Really interesting potential with Belladonna. The art keeps up the great standards from past issues. The Bad: Nothing. Conclusion: An amazing end to the first arc of All-New Wolverine. As always when it comes to Taylor's writing, I love what he is doing with this title.

Prelude: Whilst I haven't been reviewing Spencer's Amazing Spider-Man run (Yet. Compare dates for when I do), this is a tie-in for Absolute Carnage. So, while Miles is failing in his tie-in series, it's time to see how Peter goes for his two tie-in issues. The Good: This issue really puts into perspective how much damage Norman has done for Peter's life. Still moves the core story forward while doing a tie-in. It's still new reader friendly though. Strong art from Ottley. The Bad: There isn't too much Absolute Carnage in here. Story structure can be a bit confusing. Conclusion: A strong first part to Amazing Spider-Man's Absolute Carnage tie-in. It's not too much of a tie-in but instead uses that to further it's own story.

Prelude: Last issue was a strong start for the Absolute Carnage tie-in so let's see how this second and final part goes. The Good: It's an exploration of Norman Osborn and man is it great. That's where the rating comes from. Art was also great. Love Ottley's work. Peter was amazing as well in this issue. The Bad: Doesn't move much of Absolute Carnage forward but I'm fine with that. Conclusion: There isn't much to say since it can be summed up pretty easily but this tie-in, while moving very little was great to explore Norman Osborn and set up for future Amazing Spider-Man stories.

Prelude: Well, time for another Ant-Man mini-series. Let's see how this one goes. The Good: It's a pretty wacky adventure. I like how Scott and Cass interact. Expanding to other insects is fun. The Bad: Art is a bit off. Conclusion: A good start but one that I need to see more of. It has potential.

Prelude: The first issue was good enough but this one needs to sell the series to me. The Good: The recap page was funny. It was a fun issue. I liked the differing bug aspects. The Bad: Cassie was a bit too much against Scott for my liking. Conclusion: This was a really fun issue. Looking forward to where this goes now.

Prelude: Ant-Man has been an entertaining read so far so let's see how this issue goes. The Good: This was a fun issue. It's interesting seeing Scott's place in the MU. I enjoyed the continuity on this one The Bad: I'm not sold on the art. Conclusion: This was a fun issue to read that tied into past events. It'll be interesting to see where this mini goes as it picks up steam.

Prelude: Ant-Man has been really good recently. Let's see how this issue of World Hive goes. The Good: It's a fun enjoyable read. Burnett's art is good here. The Bad: Nothing. Conclusion: While nothing much to really rave on about, it is a good solid and enjoyable issue from Wells.

Prelude: Well... it's time to finally review Johns' Aquaman. Let's see how it holds up. The Good: First and foremost, the art is superb. Reis' work is always great but it's out of this world here. Johns is challenging the Aquaman is a joke misconception head on and I love it. Johns' characterisation for Arthur and Mera is great here. The Bad: The Trench.... I'll have to see more honestly but currently there's very little to work off of. Just concerned they'll be generic strong villain group that the hero has to take down. Conclusion: A very strong start to Johns' Aquaman. His characterisation is spot on, the art is superb and this is the exact direction for Aquaman that I've always wanted. My only concern is the choice of villains which is odd considering how much Johns loves his villains. But ultimately I believe in Johns and the future of this run.

Prelude: Johns' Aquaman started off strongly but I did find the choice of villain lacking. But since The Trench are on the cover, they might get some development. The Good: The Trench are a bit more interesting. Still one-dimensional but there's an element of survival that I like from them. Arthur and Mera's interactions were great. I like that Johns is continuing how everyone finds Aquaman a joke and is challenging that. Ivan Reis' art was beautiful especially the double spread page. The Bad: Honestly, I didn't find much to fault. Conclusion: While Johns lets off a bit on challenging the Aquaman is a joke trope, he managed to introduce an element to The Trench to make them more interesting. I doubt they will be stand out opponents for Aquaman but they are at least entertaining to read.

Prelude: Johns is doing a great job on Aquaman and according to the solicit, this will give the backstory to the Trench which are the weakest part of his run so far. The Good: Stephen Shin is a really interesting character. His morally grey area will definitely come into problem sometime later on in this series. Reis' art, as to be expected was great. I loved finding out about the Trench or rather their capabilities. While their motive is simple, they are quite dangerous and Johns supplies the knowledge to make them so. The Bad: I did find the Federal Officers to be a bit too much of a dick to Aquaman. Just grated wrongly with me but it does continue the No one respects Aquaman motif. Conclusion: This was a needed issue to set up the threat of the Trench and provide a bit of backstory and motif. While that in of itself isn't big, it's the way Johns does it that makes this a good issue.

Prelude: It's the final issue of the initial "The Trench" arc in Johns' Aquaman. Let's see how he wraps it up. The Good: The Trench are an interesting choice of villain. They're trying to survive and help their Queen survive which ties into the royalty and current aspects of Aquaman. He's a former King here trying to survive in a world that finds him a joke. I like that Arthur is forced to make the hard decision. It's so heartwarming seeing the kid talking to Aquaman. Also they have a dog! A dog on the heroes side improves their rating. Reis' art especially underwater was great. The Bad: Nothing. You could complain about the Trench but I liked them enough to put them in The Good. Conclusion: While it is a good conclusion to The Trench, it feels a bit like set-up for a later point. Though I still love this issue and series so far.

Prelude: Now that The Trench has been concluded, where does Johns take Aquaman next? Well, it appears to be the desert. Let's find out how this issue is then. The Good: I love the split story of present and past/future and present(?). It gives a sense of mystery throughout the issue. We've got some Atlantean plots from this and I'm intrigued. Reis' art was like always great. The Bad: I'm.... not sure... It just feels like a drop in quality. Conclusion: While I can't pinpoint why I dislike this issue compared to the past four, I do feel like there was a slight drop in quality.

Prelude: Johns' Aquaman took a bit of a quality hit after the first four issues so let's see if Mera's solo issue is better than Arthur's. The Good: I like seeing parts of Mera's origin and her time before Arthur. Something this issue does tremendously well is show how much Mera is a fish out of water with humans. "The absence of water is not my weakness. It's all of yours." This issue is a lot more focused on the human aspect and I love it. The art was great here. Prado and Reis did a great job continuing through the series. The Bad: Bit of drastic escalation at the start of the issue. Conclusion: While the start of the issue did escalate a bit too fast and in an unnatural way, I loved this issue. It shows off Mera's raw strength and prowess but also her inability to understand humankind. It's great character work.

Prelude: It's time for a brand new arc after the Trench and the previous two solo issues that focuses on Aquaman and Mera's character. Let's see what Johns does with it. The Good: Black Manta is ----ing awesome! I really like what I'm seeing from the Others. Reis' art as to be expected is really strong. Aquaman has been his best work to date. The mystery aspect in this is nice especially since we feel what Mera feels in this situation. The Bad: It did go a bit fast but I'm unsure if that's a good or bad thing... Conclusion: Johns has set The Others off to a great start. Intriguing with brilliant characters, I can't wait to read the next issue (He says while reading the trade).

Prelude: Johns started the Others (or is it The Other League? Oh well, it doesn't matter that much) greatly last issue. Let's see how he and Reis tackle this issue. The Good: Seeing parts of Arthur's origins before formally becoming Aquaman was cool to see. I really love The Others here. This ties into the previous point, but they work so well at showing Arthur's past and present characteristics with some kick-ass powers. As expected, Reis' art is phenomenal. The Bad: I've got no problems with this issue. Conclusion: Even without Black Manta directly in the issue, Johns delivers perfectly. This arc is holding up to not only introduce Black Manta effectively again since Death of a Prince but also showcase how the New 52 Arthur has progressed as a character from his origin to now.

Prelude: So far The Other League has been absolutely great with Johns and Reis really delivering. The Good: I loved the development on the Atlantean Relics. Prisoner was really cool to watch. I love his power and what we know of his backstory. Speaking of, Reis really highlights all of this in his art which is done to great effect. This is why I love Black Manta. Threatening as hell and his relationship with Aquaman is so unique. Some good exploration of Shin's character and Arthur's past. The Bad: Look, I still haven't found anything. Conclusion: Another great issue. Johns and Reis keep knocking hit after hit out of the park.

Prelude: While Johns and Reis did a great job on The Trench, The Other League has topped that. Let's see what this issue holds. The Good: Like all the other members of The Others shown so far, I really like the Operative. There's just so many unique characters shown here. I know I mention it every time but Reis' art, man. It just looks great. I just love every panel Manta is in. Johns just writes him so darn well. Some more information about Arthur and Manta's past which I loved. The Bad: The issues do sort of feel like they're similar in structure. I'll need to see the next few issues to find out if this changes up. Conclusion: While the structure feels a tad repetitive, I loved every other aspect in this issue. The art, team, story, Black Manta, it all works so well. Johns is the guy you go for to rebuild a character and he has done it on Aquaman.

Prelude: Now that the solicits have jumped back to calling this arc The Others and we reach part five, let's see how Johns and Reis go. The Good: Some great work with the Relics and The Others' past. Shin's character development here is really good. It's interesting seeing past and present Arthur/Aquaman and seeing how they differ yet coincide. Reis' art is great but here it's got an other worldly mystic vibe which works for the issue. Without doing much of anything, Manta grows even more threatening and I'm talking before the cliffhanger. The Bad: Since the structure has been switched up, we're back to me struggling to find a fault in the story. Conclusion: Everything starts to intersect in this issue and I'm loving what Johns and Reis have been doing for Aquaman and Black Manta in The Others.

Prelude: The conclusion to The Other is here! Wait a second.... <Looks at #13's solicit> It says here that #13 is the finale of the Others. Oh well, let's see how Johns and Reis go on this issue. The Good: Manta was bad ass here. Reis' art really came to life. I really liked Vostok here. Interesting character and a nice sense of depth for his character. The Bad: Ya'Wara is a bit too grating for me. Didn't feel like much progress was made. Conclusion: While I loved Black Manta, Reis' art and Vostok in this issue, it did suffer from Ya'Wara's dialogue and the lack of progress.

Prelude: The origin of Aquaman is here in this #0. It'll be interesting to see where Johns will be taking Arthur since he has been mentioning and showing some of Arthur's backstory in Aquaman: The Others. [Note: I am reading this in the Aquaman: Throne of Atlantis trade] The Good: Man, Reis' art is godlike here. I like how Arthur's telepathy is more of a primal instinct currently. It's more so a reaction to try and survive, especially in such an unknown area. Yes, this issue is an exposition dump. But it's as much for Arthur's benefit as it is ours. He is completely unaware of Atlantis so it makes sense within the story. The Bad: A bit of it has already been shown previously, but this is a very minor point. Conclusion: It's a set-up issue but what #0 isn't? As we focus more onto Atlantis in Throne of Atlantis, this part of Arthur's origin was going to be needed sooner or later. Reis' art also works wonders for this issue.

Prelude: It's time for the actual final issue of The Others arc. Though last issue dipped in quality, let's see how Johns and Reis go for the final issue. The Good: Manta still remains threatening this issue while setting up the next arc. I'm sounding like a broken record, but Reis has not pencilled poorly this entire series, let alone this arc. Mera's talk with Arthur was great. Really showcases the two characters. I'm really intrigued on the next arc of the series. I loved Prisoner's ending. It's simple but it works so well. The Bad: The Others did change a bit fast on current Arthur in my opinion. Conclusion: While The Others did change their opinion a bit fast, it doesn't detract much from the story at hand. Another great issue that concludes this arc in a satisfying way while also preparing for the next one.

Prelude: It's the start of Throne of Atlantis. Let's see how Johns goes with his Aquaman/Justice League crossover in this initial issue. The Good: I really like the past perspective in 1820. It showcases the human hate for Atlanteans and Atlantis' justification. Orm is quite good here. He's portrayed as the good king which is good for readers to be sympathetic. While short, Black Manta was great here. It's a scene that I love and will remember. The art from Pete Woods and Pere Perez is done very well here. It's different from Reis' but I quite like it. Orm and Arthur's conversation was done extremely well. The Trench are back! The Bad: I didn't find anything to fault. Conclusion: A great starting issue for Throne of Atlantis. It sets up our players and make them compelling to read.

Prelude: Throne of Atlantis started tremendously in Justice League. Let's see how Johns goes with Pelletier. The Good: Johns is keeping with the blockbuster feel from the last issue and I am loving it. Pelletier's art is great here. Similar to Reis and commands the same vibe. Arthur, Orm and Mera were great in this issue. Perfect characterisation. The Bad: Batman and Superman was a bit too strong for my liking but it's needed for the plot. Conclusion: Another great issue from Johns. Batman and Superman came across a bit too strong for my liking but overall I greatly enjoyed this issue.

Prelude: Throne of Atlantis has been utterly amazing so far. Now that we're back onto Aquaman, let's see how this issue goes. The Good: I like the through line on Cyborg's relationship with his tech and likewise, Johns is continuing the public questioning Aquaman motif he has been using in his run. This was a good Aquaman/Batman team up. Johns' Batman was quite good here. Seeing the Reserves was some nice fun. Pelletier's art is great in this issue and it rivals Reis' at points. I actually like the twist here. It's left field sure, but sort of expected and I'm sure Johns will explain it. The Bad: Nothing. Conclusion: Throne of Atlantis continues to be entertaining in every way possible. It's styled as a cinematic event and it pulls that off wonderfully.

Prelude: While it's included in the Aquaman: Death of a King trade, Aquaman #17 works as the epilogue for Throne of Atlantis. Let's see where Johns takes this. The Good: I love how Johns deals with the fallout from Throne of Atlantis. The Surface is on edge, understandably I would say, and Atlantis is struggling with Arthur as King who is a major change from Orm. I liked the art in this issue from Paul Pelletier. It worked well for this issue. I'm intrigued with the cliffhanger. The Bad: It is a much slower paced issue with a lot less happening but that is also what the series needed. Conclusion: While the progression itself is low, this is a strong issue after Throne of Atlantis dealing with the fallout from that volume.

Prelude: It's officially the last arc of Johns' Aquaman, Death of a King. Johns has been killing it so far so let's see how he starts this final arc. The Good: I like the inner turmoil within Atlantis regarding Arthur. It's interesting that Mera's crimes earlier in this series is coming to root now, but it ties together with humanity's worry about Atlantis. The Atlantis cast is really interesting from Murk, Tula and Vulko. Pelletier's art is good but it struggles to stand up to Reis'. The Bad: Bit concerned for the unknown villain currently. Conclusion: This is another strong issue from Johns that shows the scars from Throne of Atlantis. However, I am concerned with this arc's choice of villain but it is early days still for that.

Prelude: Last issue was quite strong but Johns needs to sell me on the Ice King. Luckily though, this issue looks to be about him so let's see how it goes. The Good: This is a really great issue for worldbuilding. Topo, Swatt and Xebel are the main ones here and they work to great effect. The Orm side-plot is interesting especially from both sides. Pelletier's art was good this issue. That cliffhanger looks promising. The Bad: Arthur feels like a side character this issue. It's a small problem but a problem nevertheless. The Ice King still isn't interesting but we've seen very little of him. Conclusion: Johns uses this issue to progress Atlantis' worldbuilding but at the cost of the Ice King and Aquaman's stories.

Prelude: After that skip of #20 that I won't be covering, let's continue with Death of a King. Hopefully Johns fixes the problem of Arthur and the Ice King (apparently Dead King now?) being barely featured in this issue. The Good: I do like the Xebel sub-plot and exploration. It's very overwhelming (See The Bad) but I think it's designed to be that way. Arthur is King now and has to deal with the consequences of his actions or inactions unlike when he was just a superhero. It's good that Vulko knows whats going on and that if Arthur talked to him first, he could have better dealt with the Dead King. Pelletier's art was good like always. He's a consistent artist and it shows. The Bad: We've got too many plots running at the same time. There's the Dead King, Orm's Rescue and Scavenger's Attack. It just feels like too much. Conclusion: While I do really like this story, it feels too crowded. I think the Scavenger is just a bit too much to have at the same time.

Prelude: Things are heating up now for Arthur and Mera in Death of a King, so let's see how Johns goes in this issue. The Good: The Dead King is interesting to see. He's definitely an interesting foil to Aquaman. Also it's very interesting that this arc is focused so much on kings. We have Arthur, Orm, The Dead King and Scavenger (who wants to be King) all in one arc. Atlantis' reaction to the attack is interesting, especially since most of their main figures are elsewhere.' Pelletier's art is good like usual. Some really impressive splash pages. The Bad: Nothing. Conclusion: It's a return to form for Johns' Aquaman. Things are starting to tie together and the theme is becoming present.

Prelude: It's the fifth chapter of Death of a King so with three more issues left in Johns' run on Aquaman, let's see how Johns goes in this issue. The Good: Wow, I did not expect that cliffhanger but it works so well. Some good progression with Tula's character. She's proving herself to be quite interesting. Amazing art from Pelletier in this issue. I especially love the spreads. The Bad: Nothing. Conclusion: Death of a King has really shaken things up at the end of this issue. Just when you think you understand where the story is going, it throws you in the opposite direction.

Prelude: And we're back from Villain Month, something that I yet again won't be reviewing unless it gets covered in the relevant trade. Anyway, it's the second last issue of Johns' run on Aquaman so let's look at this issue after that time jump. The Good: I like the reflection between Atlan and Arthur. Atlantis' past is great to see as well as the revelations it brings regarding Arthur and the tribes of Atlantis. Pelletier's art is great here. The Bad: Nothing. Conclusion: While it is effectively an origin story, Johns fills in the past of Atlantis before it sunk and does it tremendously well.

Prelude: This is it. The last issue of Geoff Johns' Aquaman run. Let's see what he does with this final issue. The Good: Arthur resumes responsibility for Atlantis because he is the only one that is capable for the job. While short-lived, it was nice seeing Atlan's Atlantis. Even if it never happened, I do like the credit scene of Nereus and Orm promising to deal with the Seven Seas. If only Johns was to write that story sometime in the future, that would be great. Pelletier had some great artwork in this final issue. The Bad: Nothing. Conclusion: A great conclusion to Johns' run on Aquaman. While it definitely didn't reach the heights that Throne of Atlantis did, it was still a great read.

Trade Summary: With wonderful art, character work and challenging misconceptions about the characters, Aquaman Vol 1: The Trench is a wonderful first volume.

Trade Summary: Aquaman: The Others takes the problems from The Trench and improves upon them. While it does lose some factors from the previous volume, namely the misconceptions that the public have with Arthur, Black Manta is a big step up from the Trench as the main villain. But Reis' art and Johns' writing is still just as great, if not better.

Trade Summary: An absolute masterpiece of storytelling from Geoff Johns. It's cinematic and looks it too plus the characters are great, especially King Orm who already has to compete with Black Manta. There's a reason this was the source material for the Aquaman movie.

Arc Summary: While I consider it the weakest of John's four volumes on Aquaman, Death of a King still provides a strong ending to Johns' run dealing with the origin of Atlantis. However, early on in the volume the story is too busy for my taste.

The Good: Aqualad is finally back again. Boy have I missed him The interactions especially between Jackson and Arthur are great as always. Loving the Lovecraftian influences on this All the mythology stuff with the sea gods is still fun The Bad: Art was slightly shaky but nothing major The Atlantis subplot isn't drawing me in Lex was... off. Lex's gift was just a bigger Manta suit? Albeit with Manta's father's conscience but still. Conclusion: Main story is really strong and that's where most of the score comes from. Really the major detractors are in the end with Lex and Manta otherwise the score would be higher. I understand why these books have to tie into the Year of the Villain but boy does it take away from the stories sometimes.

Prelude: Kelly DeConnick has been writing up a storm in Aquaman recently. Let's see if that continues. The Good: So this issue continues on the Lovecraftian influences from last issue and I still love it. I also like how Kaldur is still learning to be a hero and I reckon Arthur will need to help him. Art was good, better than last issue. The Bad: Lovecraftian beast was just there to take out. Though it does look like it'll be more interesting in the next couple of issues. Manta is getting more interesting but he's still a ways to go. Conclusion: While it improves from the last issue, there are still some slight problems that need to be fixed. Overall though, it's still a pretty great issue and series so far.

Prelude: Amnesty has been great so far with DeConnick at the helm. Let's hope that this issue keeps above water. The Good: Maurer's backstory is quite interesting and I like the direction it's heading in. Mera and Arthur have reunited! Both were written immensely well here. Rocha's art has been great recently and this issue is no exception. Black Manta is here and he feels threatening. Now that I know he's going to appear now rather than later makes me much happier with his involvement so far. The Bad: Murer's characterisation doesn't sit right with me right now but I'm sure that can change overtime. Continuity with Justice League is a bit confusing since Mera and Arthur are meant to be helping with the whole Justice Doom War right now. Conclusion: Another solid issue but the continuity is a harsh point against it. I'm not sure where this is being placed within the larger DC Universe.

Prelude: Aquaman has been surfing the waves well with DeConnick as it's captain (I wonder when I'll run out of sea jokes), but Year of the Villain hasn't been all too crash hot with me, especially with the Doom Signal. This will be an interesting issue in that regard. The Good: The Doom Signal is really creating the world it seeks. In most other stories, it generally feels like a normal story but this ones is actually impacted by Year of the Villain. This issue also shows really well why it's so hard for Gods and Humans to live together. Some good art here as well. The Bad: Continues the past issues' problems with continuity. Mera is missing as well as this story taking place after Amnesty. It's a questionable choice to do so. Conclusion: A Year of the Villain tie-in that also works within the wider Aquaman story that DeConnick is creating. Main problems within this is the interruption with the current story with this one taking place afterwards.

Prelude: It's heating up now in Amnesty Bay as Mecha Manta attacks. Let's see how DeConnick goes with this part of the story. The Good: I liked the backstory on Black Manta. Manta is a tricky one to give backstory to, due to his past and that it is usually better to leave it shrouded in mystery, but it works here. Manta is really menacing here and that is great. I love the focus on farther figures. Manta and his father but also Aqualad, his son. The Bad: Cliffhanger is very basic. Continuity is all over the place. Conclusion: A strong issue that continues well with DeConnick's run. While I love the focus on Black Manta, the cliffhanger is very basic and continuity continues to be a problem as such with every other Year of the Villain title.

Prelude: DeConnick's Aquaman has been a big departure from the Aquaman stories we've grown accustomed to. Let's see how she goes with this final issue of Amnesty. The Good: Manta's Mech questioning and rebelling against it's programming was an interesting side-plot to this issue. I loved Mera and Aqualad this issue. Great stuff from both characters. Rocha's art is fantastic this issue. The Bad: With the Amnesty Trade Hardcover coming out this week, I am concerned for how this will read in the future. Half of this arc will have been split between two trades but I guess we'll see. Conclusion: I'm loving this take on Aquaman. While I usually dislike having movie synergy in the comics, DeConnick is at least making it good and enjoyable.

Prelude: Well, it's time for a filler issue from Kyle Higgins. Let's see how it goes in-between of DeConnick's Aquaman. The Good: I like Aquaman, Mera, Wonder Woman and Batman just hanging out in public. Plus I get to see Batman's Rebirth suit again. While we know it's a foregone conclusion due to where we are in the story, it is interesting seeing Arthur and Mera debating about having children and what it means for them. The Bad: The Trench were pretty basic. Conclusion: A good issue though The Trench's role is basic. The best parts were the calmer areas of the issue in the bar and with Mera and Arthur talking.

Prelude: Well, it's time for Aquababy! Let's see how DeConnick goes with this issue. The Good: Great to see Dolphin again. I love Arthur in this issue. Aquababy! Really liked Rocha's art. The Bad: Nothing. Conclusion: A very simple issue with not much happening but it doesn't need do so. It's great for set-up for the next arc and finishing this one off. Just hoping we don't have another Death of a Prince situation on our hands.

Prelude: Well, time to explore how Andy changes things up. The Good: Love the slice of life offered in this issue. Rocha's art is great as always. The Bad: On principle, I don't like time jumps in my comics or obvious dating. Conclusion: It's a good issue, there's a lot of neutral in it, Orm, the cliffhanger and Vulko especially. Don't feel strongly for either side currently, hopefully that improves.

Prelude: DeConnick's Aquaman has been consistently good recently, so let's see how this issue goes. The Good: I enjoyed Arthur and Orm's talk. Rocha's art is good here. Interesting development with Aqualad. The Bad: Black Manta is used yet again. Misleading cover and synopsis. Conclusion: It's good but I'm tiring over using Black Manta again so soon.

Prelude: Time for me to review Snyder's Batman. Let's see what he has in store. The Good: I really like how this issue is structured with Bruce's speech about Gotham laid over his villains and what Gotham means to him. Everyone is written perfectly. Greg Capullo's art is fantastic. I love Bruce doing detective work. Even if we know it's not completely true, it is an interesting cliffhanger. The Bad: Nothing. Conclusion: A great start for Snyder's run on Batman. There's a lot of mystery for our villain but the work done otherwise is great.

Prelude: Snyder started his Batman run with a great start on Issue One. Let's see how that continues in this issue. The Good: Talon is freaking great. Really interesting and powerful. I love how powerful Bruce is shown to be here. Love the technological upgrades here. It was alluded to in Issue One, but I love seeing new Bat-tech. Capullo's art continues to impress me, doing a better job than last issue. Love the detective work here. The history work on Gotham is really cool to me. The Bad: Nothing. Conclusion: Now that the ball is fully rolling, Snyder meets and exceeds my expectations from last issue. A perfect second issue.

Prelude: I loved the last issue of Batman, so let's see how Snyder fares on this one. The Good: Love the historic part with Alan Wayne and how it ties to the Owls. I like how Snyder is showing the Gotham Underground with the Whisper Gang. I love how Snyder portrays Batman and Bruce and how they differ. The knowledge that his Batman uses is great. Greg Capullo's art is absolutely wonderful. His layouts, his pencils, everything. The tie between Alan and Bruce is an interesting one that Snyder seems to be exploring. Despite being barely in the issue, Talon's threat is felt throughout and it's great. The Bad: Nothing. Conclusion: Another perfect issue from Snyder and Capullo. The Court of Owls has been amazing so far.

Prelude: Snyder's Batman has been great so far. Now that we are past the proving three, let's see how things go. The Good: Love Bruce's ingenuity at the start of the issue. Snyder has a great voice for each character and they work so well. As always, love Bruce doing detective work. Interesting development for Bruce as a kid. Greg Capullo's art is absolutely great. Love that ending. The Bad: Nothing. Conclusion: Another great issue from Snyder and Capullo. It works on so many levels and appeals to me so much.

Prelude: The Court of Owls has been utterly amazing so far. Now, let's see how Bruce fairs in the labyrinth. The Good: Love the bat-signal part at the start. I love how insane this issue feels. Capullo's art. Great as always but having it flip put it on another level. Such a great moment at the end. The Bad: Nothing. Conclusion: This was one trippy issue but man was it great. Having the panels flip around as Bruce goes more and more insane was a great choice.

Prelude: It's the second last issue for Batman: The Court of Owls. Let's see how Snyder and Capullo go it as we near the finish. The Good: Love Bruce's ingenuity here. I love how Capullo's art represents The Court of Owls. Very interesting cliffhanger. The Bad: It's very brief especially with what progress was made. Conclusion: A very good issue but considering how much progress was made, the issue was way too brief.

Prelude: Coming in with a rare seventh issue in the arc, it's time for Batman: The Court of Owls to wrap up. The Good: I've always liked Harper and it's good to see her start here. I liked the opening scene. It's great that Bruce is still healing from his experience with the Court. As always love the detective work. It's a very interesting development for Dick. The Night of Owls has begun. Capullo's art is, like always, phenomenal. The Bad: Nothing. Conclusion: A perfect conclusion and a really interesting one at that for Bruce and Dick going forward.

Arc Summary: A perfect start for Snyder's run on Batman. I love the Court of Owls and Talon so much. Bruce is intelligent and does detective work but still has his faults. Capullo's art is great as well.

SPOILER WARNING!!! (But the New York Times already did so...) Can I just ask a question? Why the hell did we just sit through 26 or so issues of books (And those preludes) about Catwoman and why Batman deserves her to NOT get married? I'm someone who trade waits usually and I'm annoyed at how much money people have lost on this trip to nowhere. There's some nice art in the book, but there's also some nice art on the internet somewhere so it doesn't redeem the book for me. Selina's reasoning is stupid (There's a reason why Robin exists DC. Hint: To sure that Bruce can be happy and isn't all doom and gloom) and in the final page King ignores his own continuity along with some characters that shouldn't be there. All in all, I am just flat out annoyed and angry at DC for doing this in what seems to just be a cash grab. Edit: Linking points from my comments on a review site that apply and provide a bit of my perspective of King's run in general I was on board for King's run during the "I am" trilogy, The Button and War of Jokes and Riddles. One of the main problems for me is that I am reasonably new to the DC universe, only really jumping into comics last year. I still knew some basics, mainly the ones everyone knows (Clark Kent is Superman with these powers, Bruce Wayne is Batman) and that was pretty much it. Hell, I didn't even know who the Flash's identity was, his other job or that he was blond, just that he ran fast. What I'm trying to get at is that while I was on board for King's run, it just isn't hitting anymore especially after this issue. If King is going for a 100 issue run and this is halfway then I am not looking forward seeing that he is ignoring his own continuity and this rate.

Well.... this is going be a divisive issue and whilst my points and score may not match up, it is what I believe the issue deserves. No more delaying let's get into it The Good: The art. God, this is both Tony Daniel and Mikel Janin at their A-game. If only they were given a better story. Interactions between Damian and most other people. Lacks a bit with Gotham Girl but otherwise good showing of Damian and his thoughts on Thomas, Bane and Alfred. The Bad: Your typical King-isms we've learnt to expect from this run. Gotham Girl is still questionable and repeats to herself. Where did Damian learn magic? Not important apparently. Gotham in danger? Time for some shopping! You know, the normal stuff from King's run. Alfred... well what happens to him. Maybe it's due to everything that has happened in this run but what should be such an emotional moment and is played out as one just... doesn't do anything for me. Also, we know he'll be back anyway this is comic books we're talking about. Just shock value which King seems to love doing in his recent works. Conclusion: Brilliant art and some good character writing wasted with the normal plagues this run has created. When I can just tie up the problems into one statement as "typical King-isms we've learnt to expect", it's a sign your book isn't doing so well. All I hope this reads better in the trade but at this rate who knows or even cares enough for that?

Prelude: Well... last issue was something alright. Let's see how things are shaping up for Bruce in this interlude. The Good: I've got some Batman in my Batman comic. I.... actually like the dialogue this issue. I'm surprised too. Great art as well but it's Clay Mann, so that's nothing new. The Bad: This isn't much of a City of Bane issue but that's fine with me. The fact that City of Bane is happening while Bruce is hanging out with Selina is a bit annoying. Conclusion: While this issue doesn't tackle the core events in Gotham, it's nice to unwind a bit with Bruce and Selina in this interlude.

Prelude: King's run has been very divisive especially recently in City of Bane. The first part of this interlude worked for me, but will the second half deliver? The Good: One thing I can never fault with any of King's run is the art. Like last issue, Clay Mann creates a masterpiece of pencils. I like the calmer pace of this interlude like the last issue The dialogue... isn't as good as last issue, but it ain't the usual pain it would be either. The Bad: The connectivity to City of Bane is quite poor and when it is done, it isn't too believable nor is it well done. Progress has stalled again but not as much as usual. Conclusion: While slightly worse than last issue, I still enjoyed this issue quite a bit. I probably couldn't read another issue like this but that's why it's an interlude.

Prelude: It's time to take back Gotham. We're 6 issues away from the end. This is the final part of Tom King's Batman run before he does Batman/Catwoman. The Good: I felt the rush of adrenaline while reading this issue as Bruce and Selina win fight after fight. Batman and Catwoman are back and they aren't messing around. I'm usually not a fan of John Romita Jr's art but it works for me here. The Bad: Dialogue is very.... Tom King, let's say. Art is choppy in some certain spots. Conclusion: I feel like City of Bane is finally picking back up again. As I read, I got an adrenaline rush so I think that qualifies for a better rating. However, while the art was overall good, it did have it's rough patches that looked bad and the dialogue is what King typically uses and fails with.

Prelude: King's Batman has been improving recently so here's hoping that trend continues. The Good: Nope. Nope. Nope. The Bad: WHAT THE ACTUAL ----! Batman actively teaches his kids how to interpret his punches when he hits them? WTF! God, this stinks of BatGod. Art has dipped as well. How can Thomas beat the Bat-Family here, let alone Orphan who is a BETTER FIGHTER THAN BRUCE HIMSELF! Thomas is roughly 60, he shouldn't be able to take actual trained vigilantes. Dialogue was pretty poor, especially without knowing who was speaking. Also what the hell is that Clayface twist? Naked Harvey Bullock. Do I need to say more. Conclusion: Just as Batman was getting good again, King throws that all into the drain.

Prelude: King has usually been better at the annuals then the main series so let's see how he goes for Annual #4 (even if he has only written three). The Good: It's a look into the life of Batman and it works well. We usually see the big plots, jumping from arc to arc. This is what happens in between those and it's just great. Both Jorge Fornes and Mike Norton's art is great. I didn't even notice the switch. The Bad: Nothing Conclusion: It's a very simple premise but King delivers on it. This is why King can be such a great writer, with an issue limit and the right editors King can deliver on some amazing work. This Annual is one of them.

Prelude: Well, Batman and City of Bane was improving all up to last issue when it fell all the way back down again. Let's see if this issue improves on that. The Good: Mikel Janin's art is great in this. Really well done. Bruce's manipulation of Bane works well. The Bad: This blatant playing up of Catwoman at the cost of detracting Batman and Bane is infuriating. This isn't Catwoman's city, she isn't the main character, the story isn't meant to revolve around her actions. Also King continues to misunderstand Bane and his power. Bane is one of Batman's smartest and toughest villains. He should have seen this coming. Thomas continues to be overpowered and out of character. Conclusion: While the art is strong and Bruce's intelligence is shown well here, Bane, Catwoman and Thomas are all majorly out of character due to King's lack of understanding.

Prelude: King's Batman has really fluctuated in quality throughout his entire run but especially in City of Bane. Now that we are on the ninth chapter, let's see how it goes. The Good: Bruce's emotional reaction this issue is great. Mikel Janin's art is also wonderfully done. Alfred's lines were greatly done. The Bad: Using a poem doesn't make you look smart. I would know, that's how I would write my English assignments and it didn't go so well. Bruce planning on committing suicide when he was younger doesn't add much to his story in my opinion. Though it will probably differ from those who have gone through that process. Not much happens within this issue. We all know in the grand scheme of things, Alfred's death won't stick. Thomas still makes completely no sense on why he is doing this. Conclusion: Yes, there were good parts to this issue but King fails with his premise. Especially when we are so close to the end of this run yet are still so clueless or angry about these characters. Best I can give it is a 4.5 due to the character butchering and the like.

Prelude: Hey, I'm finally caught back up to the week I'm in. Anyway, this is the second last issue of Tom King's Batman and an important one apparently. Seeing as there are many questions that are yet to be answered, let's see how this issue tackles at least one of them. The Good: Jorge Fornes, I am so sorry that your art was wasted here because it is absolutely phenomenal. The Bad: Ok, so I understand Thomas' logic. It's very shitty logic but it is logic. So that helps I guess. Why is Eobard messing with Thomas? I guess it makes a certain sense due to Flashpoint but Thawne only screws with the Flash's lives. Colouring is incorrect for a VERY crucial panel. Just takes me right out of the story... It's not even like Red and Yellow can be confused for the same colour! Wow, the dialogue here is awful. Somehow Flashpoint Selina is the same as Prime Selina... somehow. Well, that's how King has it. Flashpoint Selina was actually more alike to Barbra as Oracle. Um.... King? Flashpoint Cobblepot is the security chief of Wayne Casinos and is Thomas' main source of information on the criminal underworld. Not the Penguin. Also Bruce's death wasn't like how King presents it, especially Thomas and Martha's reactions. Conclusion: Come on DC! YOU HAVE EDITORS FOR A REASON!!!!!! CONTINUITY!!! ESPECIALLY FOR AN EVENT BOOK WHICH MORE PEOPLE WOULD HAVE READ!!!!!!! King writes the story as if he head a kid talk about Flashpoint while in recess and based the whole thing off what he heard.

Prelude: Well, it's the last issue of Tom King's run on Batman. A series that showed so much potential at the start but lost it at #50 and never got back to that level. Let's see how this final issue goes. The Good: It finally happened. Janin's art is great in this issue. The Bad: The pacing is completely broken. Batman in his MAIN SOLO SERIES doesn't defeat the villain, Catwoman does and in the same fashion as she has done before. Still didn't tie the series up with what King had set up earlier. Conclusion: Look, it's just so lackluster. The pacing is extremely off, the defeat feels like a cop out, and King doesn't tie it all up. Add the fact that half of the issue isn't even mentioned in this review due to it's mediocrity says something.

Prelude: King's 85 issue Batman run is now over. After three and a half years of King, let's see how Tynion's Batman goes. The Good: I like the idea of Bruce using Alfred's death as a motivation to improve Gotham. It feels like a Batman book. It's good seeing how tactical smart Bruce is but also how he is still reeling from City of Bane. Selina's part of the story was interesting. Tony S. Daniel's art was great. The Bad: Nothing. Conclusion: Nothing too revolutionary but it didn't need to be. It's getting the main Batman book back to being just that and Tynion has done a great job so far.

Prelude: Tynion had a great start on Batman last issue. Let's see if he can keep this up. The Good: I like how Tynion is building up the Designer. Bruce's designs for Gotham is absolutely great. Love it. The action is great in this issue. Always love the ten steps ahead villains and I love Penguin and Deathstroke in this issue. March's art is great this issue. The Bad: Not too happy with this Riddler especially considering YotV. Conclusion: My only problem with this issue is Riddler. The whole look and being back to Riddler despite promised change in YotV just doesn't work with my perception of the character. Otherwise a great issue.

Prelude: I've been loving Tynion's Batman so far so let's see how he goes on this issue. The Good: I like the conspiracy with The Designer and how the four players of Penguin, Joker, Riddler and Catwoman come into play. The end is interesting. Love the tech. March's art is great. The Bad: Nothing. Conclusion: Another great issue from Tynion.

Prelude: After his death in City of Bane, let's see how Pennyworth R.I.P. fares to honour Alfred. The Good: I like the stories from each Robin and Barbara. Art is generally good. The Bad: I know Alfred just died but everyone did feel too edgy to me. Conclusion: A passable issue. I like it when the BatFamily comes together but the voices are quite off for this issue even when regarding the recent events.

Prelude: So far I've been loving Tynion's Batman. Let's see how he fares in this issue. The Good: I did find Gunsmith and Mr. Teeth to be cool one-shot villains. I enjoyed the Selina/Harley team up. March's art is great. The Bad: Man, Designer's costume is so stupid. Not sure on how I feel about Joker War yet. Conclusion: It's a very good issue, just that there are some creative choices that fall a bit flat or just trip completely.

Prelude: Well, I'm slightly late this week but let's check out Batman #90. The Good: I love Jimenez's art. Love the Designer and his whole shtick. Good background on the Designer. The Bad: Still don't like that design. Conclusion: It's the simple issue design of explaining Designer's background. It worked quite well for me actually.

Prelude: I've been loving Tynion's Batman and as we head towards Joker War, let's see how the series goes. The Good: I rather like Joker's opening monologue. Jimenez's art. Man it's just so great. Bruce's reaching out to Slade was really well done and a great insight into his mind. The Bad: Nothing. Conclusion: While there is a lot of things I don't have a strong opinion about, this is still a great issue.

Prelude: I've been loving Tynion's Batman so far so let's jump back on the train so I can catch up. The Good: Enjoyed Riddler here. The Penguin and Bullock scene was nice. March's art was rather good this issue. I'm really starting to like Punchline more and more. Intrigued to see where next issue goes. The Bad: Nothing. Conclusion: Another wonderful issue from Tynion. It really is working for me in all the right ways.

Prelude: Absolutely loved the last issue and as we gear up for Joker War, I am so ready for what comes next. The Good: Love how Designer ties everything from the original meeting together with his overarching plan to the current events unfolding. I'm enjoying the difference between Harley and Punchline. March's art is great yet again. The Bad: Bit annoyed at the Designer twist. Conclusion: It's still a great issue, I just wish Designer had a bigger role to play then just being complete set-up for Joker.

Prelude: It's the final issue of Their Dark Designs. As we head into Joker War, let's see how this arc finishes off. The Good: I love how all the stakes are against Bruce. Really enjoyed seeing more of Early Bruce. Catwoman is really well done here. Love the Cool Room. The Bad: Okay, now that is just a straight up misleading cover. Conclusion: Another great issue. Misleading cover asides, I'm loving this whole series and the tone Tynion is going for.

Prelude: A new Batman and Superman team up series continuing from The Batman Who Laughs Mini-Series. I'm intrigued by this so let's see how the opening issue shapes up. The Good: Good art here from Marquez. Rarely a bad panel. Loved the interactions between Bruce and Clark. Gordon's interactions also were good. The flashback to the Batman Who Laughs Earth concerning Superman was really good but it did retcon what was established to have happened in Tynion's one shot origin. The Bad: A lot of this was shown in the previews which did worsen the experience for me. Conclusion: A good issue that was spoilt by the previews. Has the bones for a strong series.

Prelude: The first issue did a great job setting up this new series. Now, I can only hope Williamson continues this going forward. The Good: Loved King Shazam throughout the issue. The threat of the Batman who Laughs is present and really strong. Even when you know who the Infected are, this threat still feels challenging and overwhelming for our heroes. That cliffhanger as well... damn that was great. Also liked the character work in this issue. It's the World's Finest and they work exactly as they should with each other. The Bad: Yeah, there really isn't any is there? Conclusion: A great issue with really no negatives. Has to get a 9/10 though due to what I've decided gets a 9.5 or 10.

Prelude: I have been loving Williamson's Batman/Superman so far. After last issue's cliffhanger, let's see if Williamson can keep up the quality. The Good: The interrogation scene was so well done. We're left unsure how much each player is controlling the situation and it is a blast to read. I know people are getting tired of him by now, but I am still loving the Batman Who Laughs. A lot of this is also about Batman's insecurities with his teammates. It's a side that we don't usually see with his planning and contingencies. Everything within the Jim Gordon scene was spectacular. Of note were the conversation between Bruce and Jim and the reappearance of Rookie. Just when you think that Batman and Superman are winning or turning things around, the whole situation flips on it's head. The Batman Who Laughs and Lex are preparing for their confrontation in Hell Arisen and part of that is alluded to here. The Bad: Seriously? Conclusion: I've been loving this series so far with every single aspect for it. I'm still on the fence though on whether to give it a 9.5 or a 10 based on my scoring system.

Prelude: Williamson's Batman/Superman has been great and as this arc heats up, let's see how it all goes down. The Good: It's a smart choice to reveal the remaining members in this issue then slowly revealing them. Even though we already knew the Infected, it was cool seeing them in action and the events unfold to create the 6th. Williamson is tying this to Dark Nights: Metal in an interesting way. I love the characterisation for everyone in this issue. Williamson gets the characters and it shows. The Bad: Nothing. Conclusion: Another fantastic issue from Williamson. I've been loving this series and this issue represents those aspects extremely well.

Prelude: It's the final part for this initial first arc of Batman/Superman. Let's see how Williamson goes with this issue and prepping Tynion for Hell Arisen. The Good: I liked the interactions between the Secret Six and the World's Finest. Even the ones between Batman and Superman were great. I do love it when Clark cuts loose and it ties to the core theme of this arc so well. The Bad: It's a bit basic of an issue. Your typical final issue of an arc issue if you will. Conclusion: It's a good fun issue. Bit basic but the interactions are what makes this series great.

Prelude: It's time for the aftermath of The Infected. Really, it's the final part but oh well. Let's see how Williamson goes with this. The Good: I love how Wonder Woman is reacting to all of this. Similarly, I like how the rest of the heroes are reacting to these events. I can't wait to see where that cliffhanger goes. Marquez's art is great and I love his layouts. I love the ties to Bendis' Superman and Tynion's Batman. The Bad: Nothing. Conclusion: Another great issue. It serves well as the aftermath showing the fallout of the arc as well as providing a way forward. Top notch stuff.

Prelude: Time for a new arc and Nick Derington is doing the art for it. Can't wait. The Good: I love how this picks up from Man of Steel. Every party's motives are justifiable. Derington's art is great. The Bad: I'm not sure Ra's would go into the field so personally. I don't like Zod quickly becoming a villain again. Conclusion: My main problem with this lies in Ra's and Zod and how they are portrayed. Otherwise it's a pretty good issue.

Prelude: After a good start to Kandor Compromise, let's see how Williamson finishes off this two part arc. The Good: I enjoyed Zod's motivations here. I like Bruce's speech in this issue. Nick Derington's art was great here. The Bad: Nothing. Conclusion: A great issue that deals with the emotional fallout of Kandor. While it doesn't set up anything particularly new, it was a very enjoyable read.

Prelude: Shit, I forgot to write the prelude to this.... Um... Batman and the Outsiders has been a mixed bag so let's see how this issue goes. The Good: Great art from Dexter Soy. Liked the conversation between Katana and Black Lightning The Bad: Each issue feels like it's repeating the past issues structure just in a different locale. Went really fast, annoyingly so. Doesn't feel like much has been achieved. Conclusion: Maybe it'll read better in trade, but this issue feels repetitive and gains little ground in the story.

Prelude: It's a Duke and Cass centric issue. Let's see how it goes. The Good: It's focused on Duke and Cass. We need more issues focusing on them. Loved Dexter Soy's art. The Bad: Why do we always get Shiva with Cass? I get that their dynamic is interesting but if Cass gets someone big to face, it's always Shiva. Cass is a better fighter than Batman. She should not lose a fight to anyone asides from Shiva. Issue was a bit of a chore to read. Conclusion: While I like the idea behind this issue, the execution is sorely lacking. A lot of weird choices really, that made this feel like a chore to read.

Prelude: Katana is on the team so naturally we must have a Soultaker story. Let's see where this first annual for Batman and the Outsiders leads. The Good: I do like the extension on Katana's backstory here. It's a Soultaker story done well. Jefferson and Katana have a really good dynamic. The Bad: I'm a bit tired of every book Katana is in, having a Soultaker based story. Conclusion: It's a strong annual, while lacking a bit in the initial idea, the execution is done well.

Prelude: Though the annual was an improvement, Batman and the Outsiders has been dipping recently in quality. Let's see how this issue goes. The Good: Orphan was badass here. It all falls apart for our team. Some interesting developments. The Bad: Some twists don't make any lick of sense. Art is a bit house style. Conclusion: It's an improvement over last issue for sure. The story is progressing and everything is falling apart.

Prelude: Batman and the Outsiders has struggled to maintain a consistency within the title so far. Let's see if this issue changes that. The Good: I do like how Duke knows that the League is trying to play him. I do like how Bruce and Katana are interacting with Sofia. Dexter Soy's art is good in this issue. The Bad: Continuity is a bit rough here. Conclusion: Some firm ground for Outsiders as a series this issue but not for the team. The cliffhanger can be interesting but this story has to play out first.

Prelude: So far Batman and the Outsiders has been of passable quality but only just. Let's see how Hill goes with this issue. The Good: I do like the aspects of the story concerning our characters. Dexter Soy's art is great here. The Bad: Progression is a bit slow. Characters are very heated but especially Bruce. Conclusion: Like the series, it's passable with highlights such as the varying aspects that our characters are struggling with and Soy's great art but the problems of slow progression and heated characters has been consistent throughout the series.

Prelude: Batman and the Outsiders has been passable so far but can this issue improve upon that? The Good: Found Sofia interesting in this issue. Liked Soy's art like always. Bruce was cool using both sides of the coin here. I'm interested to see where this goes. The Bad: Nothing. Conclusion: A great issue for me. It just works.

Prelude: Batman and the Outsiders has improved recently so let's see if it continues. The Good: I'm quite interested in where Sofia goes from here. Really like Soy's art here. Interesting set-up. The Bad: Misleading cover and synopsis that isn't accurate in the slightest. The cliffhanger has me a bit unsure. Conclusion: My main issue is to do with the cliffhanger, but otherwise a really good issue of Batman and the Outsiders.

Prelude: Batman and the Outsiders has been picking up recently so let's see how the end of A League of Their Own goes. The Good: I really love all the individual conversations held. Soy's art is great. Interesting move from Ra's. The Bad: Nothing. Conclusion: A reset of the board as A League of Their Own finishes. I'm really interested in seeing where this goes now from this issue.

Prelude: Sean Murphy started Batman: Curse of the White Knight with a bang, let's see if he can continue that through in this issue. The Good: First and foremost, damn the action in this was amazing. Especially coming to the end of the issue, it had my heart pumping just from reading it. Similarly Murphy has seriously brought his A game in both writing and art. Loving the world building and historical parts that this book is doing. I love seeing the historical versions of places we know so well. Azrael. How did it take me so long to get to Azrael? First of all, that design is amazing. He's chilling, threatening and has the religious vibe that I love from Jean-Paul. I'm just going to write every part of this issue here aren't I? Screw it. Love the Batgirl reveal and fallout due to it, here's hoping Murphy continues to show this throughout. Also the realistic implications for Bruce revealing himself as Batman. Whilst Harleen only appeared for a page, she still was felt throughout the issue and her surprise whilst expected still has huge ramifications for the story. Conclusion: Murphy has brought a sequel to White Knight that surpasses it in ways I thought were impossible. A masterpiece of writing, art, colours, pretty much the entire team, I have nothing to point out against it.

Prelude: I freaking loved the previous issue of Curse of the White Knight. Can Murphy live up to that hype in this issue though? The Good: I am loving this series. I can't just say everything when I'm talking about the good can I? Any scene with Harley in it is amazing. The standout being the interrogation scene. I love the historic flavour that this series brings with it. Speaking of, Murphy's art was amazing this issue. Top notch stuff. Azrael is freaking wicked right now. I've got a soft spot for him and man, he has been killing it. Ha. The Bad: There is not a single panel that I don't love. Conclusion: I thought Batman: White Knight was good but too much of a tall task for Sean Murphy to overcome when making the sequel. However, Batman: Curse of the White Knight has proven me wrong at every point. Even though I don't buy in hardcover (I prefer paperback), I will have to make an exception when this becomes a trade.

Prelude: The Good: Damn, that flashback scene hit hard. I love how Gordon's death just causes Bruce to break down. Really shows the relationship between the two. As always, the historic events are really well done. Even if this one is set a lot closer to present, it is still poignant. Babs is out for blood. Usually these aren't done well, but here it's done effectively and you can feel sympathetic for her. But it isn't without cost either. The showdown between Batman and Azrael was superbly done. Murphy's art is great for many a thing but it's in action pieces that it comes alive. The Bad: I have to wait until December the 11th for the next issue. Conclusion: Another stunning issue from Sean Murphy. A carefully constructed story that makes perfect sense after White Knight that gives you enough but leaves you begging for more.

Prelude: This will be interesting. A tie-in to Curse of the White Knight and as such it's the first issue not to be drawn by Sean Murphy, instead being done by Klaus Janson. The Good: Klaus Janson's art is great here. It's different from Murphy's but similar enough to not be too much of a contrast and put readers off. I love the personal touch Sean and Klaus gave it from their own experiences. Victor's backstory is tremendously well done here. I love every aspect of it and the history aspects, like the main story, is one of the more interesting parts of the issue. It's also a nice look into Victor, Nora, Thomas and Martha's lives before the story we know. The Bad: Nothing. Conclusion: A great backstory to Victor and some likewise great world building for the White Knight Universe. Murphy continues to surprise me with this series.

Prelude: Batman: Curse of the White Knight has far exceeded the original and with Murphy starting to write Beyond the White Knight, this now trilogy is shaping up excellently. But, let's see how this issue fares. The Good: Gordon's funeral was well done and I love that this is how Barbra becomes Oracle. As always, I love how rich this story is with the historical past. It's just something I can always get behind. Jack and Harleen. Man that was great this issue. Holy shit it's Bane! We're fully going Knightfall!!! (Look at that other suit. Jean-Paul might be getting an upgrade.) THAT IS A ----ING WONDERFUL INTERROGATION METHOD! Shocking and psychopathic but damn is it great. Sean Murphy's art is still amazing by the way. The Bad: Seriously, I couldn't find anything. Conclusion: Man... what a ride. I freaking loved this issue. Batman: White Knight is already on my basic recommendations list and Curse of the White Knight looks like it is going to be there too.

Prelude: I'm just realising how many Batman issues are coming out this week. Anyway, I've been loving Curse of the White Knight so let's see how Murphy goes with this issue. The Good: Like always I love the historic aspect. Love Azrael but that's a given for this series. Murphy delivers some amazing art. I love the twist and turns in this issue. It's just really entertaining. The Bad: Nothing. Conclusion: As has been par for the course so far, Murphy knocks it out of the park again. I love every single aspect of this book and can't wait for the next issue as we reach the end of Curse.

Prelude: Curse of the White Knight has been great so far but we're nearing the end. Let's see ho Murphy goes with starting to wrap this up. The Good: Great emotional moment off the bat. Really like Bruce here. Azrael is desperate now. Really nice moment with Barbara. I love the unmasking scene. As always Murphy's art is great. This really is setting up Beyond the White Knight. The Bad: Nothing. Conclusion: Another wonderful issue from Murphy. He continues knocking it out of the park every issue.

Prelude: I've been consistently loving Curse of the White Knight. Let's see how this final issue goes. The Good: I love the action in this issue. It feels so much like a blockbuster film and I love it. Murphy's art is amazing. Dynamic and action paced. I loved the emotional parts of this issue. Jason!!! Plus an interesting finish that makes me intrigued for Beyond the White Knight. The Bad: I don't like the BrucexHarley relationship. It's written decently enough but it's something that I am personally against. Conclusion: A great finishing issue that is fast paced and resolves its own plots well. It also leaves me intrigued for where the story will go in Beyond the White Knight.

Prelude: Man, it has been forever since the previous issue of Batman: Last Knight on Earth. Let's see how Snyder and Capullo go with landing this final issue of their Batman. The Good: Something that this issue highlights so well is Batman's relationships with his family, enemies, allies and himself. I love the post-apocalyptic world that Snyder has crafted in this series. This series pays issue to every arc in Snyder's run and it is great. Omega is an interesting twist. He was interesting enough and stood as a good parallel for the Last Knight Batman. Capullo's art is fantastic in this issue. A great conclusion to Snyder's tenure on Batman and Capullo's time on the title for the New 52. The Bad: Nothing. Conclusion: A great conclusion, not just to Batman: Last Knight on Earth but to Snyder's Batman as a whole.

Prelude: Lucky for me, Three Jokers #1 hit iBooks in Australia today. Well, this has been in the making since Darkseid War so there's a lot of hype for this. Hope this delivers after the long wait. The Good: Wow.... can I just say everything? I love the introductions for each character with the captions and flashbacks adding more layers. Always love a detective scene. Fabok's art is godlike. Speaking of, Brad Anderson's colouring is so freaking great. That final scene.... goddamn that was great. Seeing all Three Jokers interact was so satisfying and great to see. The Bad: I'm offended that you thought there would be anything. Conclusion: It's been such a long wait but it's so freaking worth it. Johns and Fabok knock it right out of the park.

Prelude: Unlike other Bendis books, I have been really enjoying Batman: Universe so far. Now that we're off-world and in the more cosmic side of DC, does Bendis' writing hold up or will his flaws with the cosmic side of DC and Marvel show themselves here too? The Good: Loving the odyssey feel from this series, and this issue took it to a whole new level. Like always but I still need to mention it, Nick Derington is doing amazingly on art. I'm liking how Bendis is writing his Batman, bit different from the norm but I still like it. The Bad: There's some Bendis-speak, but it actually isn't too bad. Continuity continues to be weird for this series. Conclusion: Bendis knows how to write street-level characters and while the story isn't exactly street-level anymore, he still proves himself well in this issue. Some amazing art and the Bendis tropes are less than usual, which I will take happily.

Prelude: Well, now we're in the Wild West. Let's see how Bendis handles this issue. The Good: Still loving this lighter in tone Batman. Had some real fun with the Wild West aspect to it. Nick Derington's art is godlike. One of the best parts of this series. The Bad: Both problems I had with the previous issue were either fixed or I got over it (those being Bendis-Speak which this issue was better on and continuity which I just decided to embrace it within it's own universe). Conclusion: This issue improves on the last and provides an immensely enjoyable read. While I am critical of Bendis' other work, Batman: Universe is easily his best work here at DC.

Prelude: It's time for the only Bendis series I've been enjoying so far. Let's see how this issue of Batman: Universe stands up. The Good: Nick Derington's art, like always, is great. Absolute mastery of his craft. Especially for the fight scene, it's something that he can pull off greatly. Nightwing! Boy, have I missed some good Nightwing and Bendis delivers here. Still loving the tone of the story and everything relating to it. White Lantern Batman. The Bad: Dialogue... it had its good and bad parts this issue. I'll put it here though. Conclusion: Bendis delivers on another issue of Batman: Universe. It's just a fun comic book really and I've been enjoying the ride.

Prelude: I just read Batman #84, please Bendis give me a good Batman issue, please. The Good: Bendis-Speak wasn't bad this issue. The look into the White Lantern Ring was interesting. While confusing (See The Bad), I did like the Batman-less Bruce Wayne scenes. I just wish Bendis communicated these better. I loved Vandal and Batman's fight through time and space. I like that the entire series was tied together in this issue. Nick Derington's art was absolutely great, not only in this issue but throughout the entire series. The Bad: The story can be a tad confusing at parts. Conclusion: A great conclusion to Batman: Universe. An odyssey of adventure going across the universe and time, Bendis and Derington did a phenomenal job here which is much better than I can say about Bendis' other works.

Prelude: Well, it's time for the Agents of Wakanda. Let's see how this goes. The Good: Characters feel right. It's also an interesting team we've got here. Very animal focused. Cliffhanger is interesting. The Bad: But the cliffhanger can lead to some poor judgement in writing due to power levels. The issue didn't grab me completely. Conclusion: While it definitely has ways to go, it's a passable first issue for Black Panther and the Agents of Wakanda

Prelude: While the first issue of BP and the Agents of Wakanda was passable, let's see how this issue goes. The Good: I liked the introspective into our cast. Sentry was interesting. The Bad: Quite boring of a read. Not sure why Thor is there all of a sudden. Conclusion: It's a step down from Issue 1, that's for sure. While there were some interesting parts, it is largely boring and some choices feel odd.

Prelude: Black Panther and the Agents of Wakanda have been... okay, I guess. Let's see what this issue holds. The Good: It's a bit of fun using Black Mercy, I mean whatever this green thing is. Mockingbird is interesting to see here. The Bad: Black Panther doesn't sound like Black Panther at all. Even though it's a team book, it didn't feel like it. Conclusion: Slightly better than before, Agents of Wakanda has an interesting idea behind it but fails in it's execution.

Prelude: Agents of Wakanda fell below my pass grade last issue so let's see how this one fares. The Good: It's a bit interesting. The Bad: Wow, that was a boring issue. Conclusion: Had some interesting points but at the end of the day it was a pain to read.

Prelude: BP & AoW has been quite mediocre in my opinion. Now at #5, let's see if that changes at all. The Good: Deadpool was good in this. Team is cool too. Interesting cliffhanger. The Bad: Bit boring of a read. Conclusion: A good issue even if it is a bit boring at points.

Prelude: It's no secret that BP & AoW has been floundering for me but it did pick up in the last issue. Let's see how Zub goes with this issue. The Good: Love Deadpool in this. The Bad: It's a bit boring. Conclusion: It's a bit fun but also a bit boring. Let's just cut it in the middle and say it's passable.

Prelude: BP and the Agents of Wakanda keeps being inconsistent for me. Here's hoping this one is on the better side. The Good: I liked T'Challa and Okoye on Asgard. The Bad: The fight scene didn't work too well for me. Conclusion: It's passable but I'm tiring of this series.

Prelude: Wow, reviews are really split on this one. Time to give good ole Cable a shot. The Good: OG Cable is back!!! Looks like we're prepping for X of Swords. I like Cable in this. The Quarry is an interesting side of Mutant Society. The Bad: Not sure on Noto's art just yet. Conclusion: Great first issue that leaves me wanting more, the only problem so far is the art which I'm not sold on yet.

SPOILER WARNING!!! (I mean Batman #50 didn't help did it?) Writer: Joelle Jones Artist: Joelle Jones After the fiasco that was Batman #50, Selina must go back to her old ways of being on the streets. But with increasing pressure from authorities how will Selina fare? Is Joelle Jones's first issue on Catwoman a good one? First things first, forget about the wedding. By disregarding it, you can appreciate the story that Jones's is crafting her with the cards dealt to her. But onto the book. From the beginning we can tell that this will be good run, with Selina being in her civilian identity whilst the wife of the local governor seeks for the press to be more optimistic and hopeful. This is interchanged with what appears to be Catwoman escaping from a mall, yet it can't be Selina because she's busy in a casino right now. This Catwoman proves to be ruthless and takes down the two mall cops chasing her with a pistol, which is soon directly juxtaposed when Selina leaves and is discovered by the police who immediately try to arrest her. Selina shows why her approach is different and shows off her skills, just barely making an escape from the cops. Straight after this, we find out that the wife of the governor wasn't actually the wife and obviously someone standing in for her, before the Catwoman from earlier shows up, revealing herself to basically just be no-one which plays into the core character of Catwoman in that, to most people she is no-one. The two mall cops get discovered to be dead and the detective who previously tried to arrest Selina and who I think is the Governor but I'm not too sure state that this is now personal. Selina arrives at a place to lay low and introduces two new characters that seem to be her supporting cast who own the shop at the front and they do fine. One looks like she is going to be the comic relief to the group whilst the other maintains the front they need. Getting into her room Selina catches up on the Catwoman story from earlier and recieves a parcel from Alfred with his usual wit behind it, giving her the Catwoman costume, which Selina decides to use straight away to apprehend the other Catwoman. The idea of what is Catwoman and can Catwoman be anyone seem to be the messages in the comic currently and I love it. Selina quickly finds the murderous Catwoman and chases her down, noting how out of practice she is. But just as Selina is about to capture this Catwoman, she chases her into a room of twelve more and at least 7 more masks that aren't being used implying even more that aren't shown. Joelle Jones starts her Catwoman book on a strong foot, providing a Catwoman who is smart but slightly out of practice. The new characters all have an aspect of Selina in them and bring the themes to the forefront. All in all, I am looking forward to where his goes in the future. Pros: Themes - The themes behind this story of who is Catwoman, do the skills matter and can anyone be Catwoman look to be strong themes and thought provoking for the character. Art - Joelle Jones's art is strong throughout the issue and works well with the comic Character Choices - The character choices, make sense especially Selina's and the introduced characters looks like it will create an interesting dynamic against Selina so far. Cons: Continuity - Some continuity problems, namely Selina not wearing googles but that is mainly to distinguish her from the other Catwomens. Issue Summary: Picking itself up from a fall Score: 9/10

Prelude: This brief interlude has my interest piqued but I wonder how long I'll stay on that train. The Good: Characterisation is good throughout, especially for Selina. Liked the references as well. The Bad: Story wasn't for me, found it a bit tedious to read. Conclusion: While there were some interesting aspects in the story, I did find it tedious to read which greatly ruined my experience.

Prelude: Joelle Jones is back on the book so let's see how this issue pans out. The Good: The art from Jones is really good. I'm also intrigued with where Selina is heading. The Bad: But otherwise it all falls apart. It's a bore to read, I generally hate character reversions and none of this makes much sense. Conclusion: Some intrigue and good art from this issue but it fails in every other area.

Prelude: Catwoman hasn't been too good recently. But with Year of the Villain, does that change? The Good: Joelle Jones' art is pretty darn good here. I liked the look into Selina's past and how she has played both sides. The cliffhanger is very interesting. The Bad: I'm not happy with Raina Creel or the Lazarus Pits. Conclusion: While the actual villain is failing in this issue, Selina does well in her Year of the Villain issues.

Prelude: Joelle Jones' Catwoman has been a mixed bag but picked up last issue. Let's see how it goes here. The Good: I did like Selina and Zatanna's interactions with each other. Jones art was great especially for the fight scenes. The Bad: This story is moving way too slow. Likewise, we're still dealing with Creel. It feels like we're moving nowhere with this. Conclusion: While the fight scenes, interactions and art was good, this story is moving too slowly and it feels like progress has never been made in this series despite being eighteen issues in.

Prelude: It's now been 19 issues of the Creel story. Are we going to get any progression here? The Good: Nothing of note. The Bad: Wow, that was boring as hell. Conclusion: Well that was very boring. It's been 19 issues and nothing has really happened.

Prelude: Catwoman has been stalling for quite some time. Let's see how this issue fares. The Good: Nothing. The Bad: I don't like Blanco's art. Let's throw away the new suit just as we get it! Sure, why not. Conclusion: The story exists and quite frankly, I just don't care.

Prelude: Jones' Catwoman has been struggling big time and it looks like it has reached its endpoint. Let's see how it fares. The Good: Nothing. The Bad: Way too fast. It's boring. If your 21 issue run works so much better with only the first 6 issues, you might need to check your story. Conclusion: The art is fine I guess. This just outstayed its welcome and sits as wasted potential.

The Good: First of all the art is superb. Fornes showcases how well he can elevate what is already a great story into an excellent one. A style that reminds me of Aja yet has this Batman: Year One feel to it. Really works for Daredevil. I'm also loving this current direction. Matt being Daredevil whilst not being Daredevil, choosing to step in when required but also using his more Catholic version of his costume. Excellent showcase of his powers and hearing as well as the showdown. Everything ties itself together for the final issue of this arc and sets up for the next one in great fashion. The Bad: I'm struggling to find something bad here. Conclusion: Zdarsky is really creating a Daredevil run for the ages. Another phenomenal chapter in what is shaping up as a run I'll recommend in a heartbeat

Prelude: I have been loving what's Chip Zdarsky has been doing on Daredevil. Now though, we have to go through hell. Let's see what that's like. The Good: The art is great as always. Really sells the story well. Love the aspect of copycat Daredevils. It's a concept that I find interesting. Really, every part of the story works well. The copycat, the Libris family, Matt's personal progression, the Detective North story and everything that's in-between. There's so many moving parts in this, yet they feel natural as they intertwine with each other. The Bad: I don't have any complaints. Conclusion: Zdarsky has carefully constructed a series that I enjoy on every level. Nothing to fault in this issue of an already must-read run.

Prelude: Zdarksy has been killing it on Daredevil so let's see if he can keep it up. The Good: Matt was so good this issue. Really liked his plan and everything feels natural with what's happening. Also we have some more Elektra which promises some good future issues. This arc has been focusing more on Fisk then usual and I loved what was done here. Absolutely amazing. Art was fabulous. Not a single bad panel. The Bad: Nothing. Conclusion: Zdarsky has really proven himself on Daredevil and this issue is no exception. I'm really running out of praise to give this book since I've been repeating myself so often.

Prelude: Last issue has brought an interesting cliffhanger that I can't wait to see explored. Hopefully Zdarsky brings his A-game like always to this issue. The Good: Loved the Daredevil being trained by Elektra scenes. Really well done. Fisk ruled this issue. Perfectly well done, tactical and smart. The Owl scene was also really great. That cliffhanger is amazing. I can't wait for the next issue. Oh, and the art is utterly amazing but that really doesn't need to be mentioned. Checchetto's artwork is great and consistent between these issues. The Bad: Nothing... at all. Conclusion: Holy ---- this issue was amazing. Every frame was done perfectly and I cannot wait for the next issue.

Prelude: This issue shows a lot of promise after last issue's cliffhanger. Hopefully Zdarsky can land it. The Good: I was hoping the conversation scene was going to be good and Zdarsky delivered. Plus some useful backstory and development for Cole. Interesting development with Fisk, can't wait to see where this goes. Both sides of the Libris Family story was interesting to see, but it's what they will do in the future that creates the anticipation. Matt is stepping up his game now. I like this development and it'll be interesting to see how this pays off. Oh and the art is absolutely great too. The Bad: Nothing. Conclusion: An amazing issue that furthers the story in interesting ways. It's a set-up issue but one done right.

Prelude: Daredevil has been consistently knocking it out of the park. Let's see how Zdarsky does with this issue. The Good: Wow, a comic actually made me sympathetic for Wilson Fisk. That's a first. I love Matt and Elektra's dynamic in this issue. Matt is back to prowess and in style too. The story is tying together. Checchetto and Mobili's art was great in this issue. The Bad: Nothing. Conclusion: Another great issue from Zdarsky and the team. Everything is coming together and the characters are done flawlessly.

Prelude: It's the final issue of Daredevil: Through Hell. Let's see how Zdarsky lands it with returning artist Jorge Fornes. The Good: I love what's going on with Matt, especially the stealth scene. The interrogation scene was great, hell pretty much all of the scenes with Matt, Fisk and Elektra are great. The sideplots are still progressing well and heating up. I like where this is heading. Fornes' art is great. The Bad: Nothing. Conclusion: A great conclusion to Through Hell. Quiet but it doesn't need to be loud. Zdarsky proves every issue that he understands Daredevil and his entire supporting cast.

Prelude: Turns out, Through Hell isn't over. Anyway, Zdarsky has been doing great work on Daredevil so I'm looking forward to this issue. The Good: I love that opening scene dealing with Matt's murder and forgiveness. Izzy's scene was freaking great. Hell, the entire crime subplot is too. It's always great seeing how Matt's faith impacts him. Love the scene with the Stormwyns. That cliffhanger. Bullseye is coming! Jorge Fornes art was absolutely great in this issue. The Bad: Nothing. Conclusion: Another wonderful issue from Zdarsky. I'm loving his Daredevil to bits.

Prelude: Despite what the cover may proclaim, we're past Through Hell now and in Target: Daredevil. Zdarsky has been doing a great job so far, so let's see how that turns out here. The Good: Thomas' actions make sense and there are actual reprecussions for them. Same for Mindy. I love this unstoppable gang war that's about to unfold. Every side is running at each other right now and I love it. Cole was great in this issue. Everything Matt did this issue, especially the standoff was perfect. That cliffhanger! Even if he was there for a small bit, Kingpin was great. Fornes' art as always is superb. The Bad: Nothing. Conclusion: This was just too perfect of an issue. Loved it all.

Prelude: Time for this two parter of Inferno. Let's see what Zdarsky has in store for us with Daredevil this time. The Good: Love the all-out street war. The civilians becoming Daredevil was great. DAREDEVIL IS BACK!!!! Checchetto's art is phenomenal. Stilt-Man was almost threatening there. Typhoid Mary. I was not expecting that reveal. The Bad: Nothing. Conclusion: This was an amazing issue. So much happened and it was great.

Prelude: It is here. Death Metal, the finale (hopefully) to Scott Snyder's Cosmic Saga. Let's see how it goes. The Good: This is an extremely enjoyable read. Just lots of fun. I love the new designs of the Trinity. Hell, everyone really. It reminds me a lot of Hickman's Secret Wars with the new DCU. And I love it. Capullo's art is amazingly great. It All Matters. From Doomsday Clock to Flash Forward, everything matters. The death. I am so happy it happened and interested where this story goes. Very intrigued with the ending. Looks like we'll be tying into Last Knight on Earth and Snyder's Batman run. The Bad: Nothing. Conclusion: An absolutely metal start to Dark Knights: Death Metal. It's crazy, it's fun, everything matters, I am so on board for this.

Prelude: Snyder blew me out of the goddamned water with Death Metal #1. Let's see if the ride continues here. The Good: JSA!!!! That's always a point from me damnit! This is all completely crazy and I love it. I'm not actually that mad at the Darkest Knight. Loving how much DC continuity is shown here. Capullo's art is just amazing. Great job on every panel. The Bad: Nothing. Conclusion: Another amazing issue. Death Metal has been a blast and it's only Issue 2.

Prelude: It's another anthology so anthology rules apply here. Also wouldn't this have made more sense to be released next week/in the actual week Valentine's Day is in? The Good: "More than Maybe" just makes it into The Good. I enjoyed "The Crimson Bomber". "The Prettiest Thing" was good enough. "Reflections of the Heart" was pretty cool. The Bad: "Pulling Punches" makes it into here. It.... exists. Likewise with "Secret Admirer". "Out of the Past" also does nothing. Again, and this seems to be recurring, "One Last Dance" just exists. While it's a DickBab story which I would normally love, there's just too much wrong with "(K)night falls in Bludhaven". Yet again with "Can't Buy Me Love". Conclusion: There's a reason why I don't like anthology issues and it is especially shown in Crimes of Passion.

Prelude: While Tom Taylor has been killing it on the main story for DCeased, this one-shot seeks to explore the other facets of the story and how it's affected heroes outside of the main story. Let's see if he can pull it off. The Good: First of all, it's great to get this perspective on the fallout outside of the main story as it's very localised within that. Seeing how the other heroes have reacted and are attempting to deal with these events is something I find very interesting. As always, Taylor nails the character's voices and their interactions. Scott's veggie plate, Constantine's..... everything. The Bad: Structure is quite predictable, especially once we catch up with Constantine. Still tells a darn good story despite this though. Conclusion: Ultimately a good character based chapter that's on the outskirts of DCeased. While the story itself is predictable what makes this great is the character work from Taylor.

Prelude: As we near the end of DCeased, how is it all holding up for Earth's heroes? The Good: Look, I have a rule. If you can get me to tear up reading an issue, it's an instant 10. Tom Taylor did it here. Onto the more substantial stuff. Taylor is a character writer and it shows here. It really does. The issue starts out optimistic which is good but as you start believing that there's hope, Taylor does a complete 180. There's a reason why this issue is called "Hope Lost". Barry was really treated well power level wise which as a Flash fan, I love to see. Anything to do with Superman was great. Lex, Jon, Lois, Martha, Clark himself. Every single moment. Art was solid too. Rarely a mistake. The Bad: I've got nothing. Conclusion: A tear jerking issue that is driven by its characters. Superman and his family were the highlights of this issue. Can't wait to tear up again when the final issue hits.

Prelude: It's the final issue of DCeased. Tom Taylor has a big job now to land this story after last issue. The Good: Taylor knows how to write characters. Green Arrow and Green Lantern were some of the best but Jon, Damian and Lois also get that award too. Wonder Woman's actions make sense. She is an Amazon and is prepared to fight with any tactic. You would think our heroes would be able to turn it around. Nope, they lose in every meaningful way. Art was great from the team as well. Welp, just like last issue, I'm getting teary-eyed. The Bad: The Green Lantern Corps feels like a bit of a cop out. Also they could have used the Lasso of Truth earlier but I feel that's a bit pedantic. Conclusion: While there are some plot holes, Taylor really lands this issue and series. The art was strong but it's in the characters that this story shines. Amazing work from this whole creative team.

Prelude: DCeased has been great and here's yet another series for it. Let's see how this one goes. The Good: Jimmy is a great character to get some outsider perspective through. Nguyen's art is great. Really good character moments. The Bad: Small thing but DC, can you stop it with the "[Name] War"'s? Conclusion: It's a very emotional issue showing a more civilian side to DCeased. Great job from Taylor.

Prelude: I really enjoyed Taylor's DCeased, so let's see how the spinoff, DCeased: The Unkillables goes. The Good: Jason was great in this issue. I know some people have issues with the art, but I like it. Great character work as always from Taylor. The Bad: Nothing. Conclusion: A good start from Taylor. I need to see just a small bit more to call it great, but so far it's easily very good.

Prelude: DCeased: The Unkillables started off well, so let's see how this issue fares. The Good: I love the character work in this issue. Still enjoying the art. I know it's very polarising but I'm liking it. The montage was real fun. The Bad: Nothing. Conclusion: A great issue from Taylor and I can't wait for the final issue.

Prelude: DCeased: The Unkillables has had some strong two issues so let's see how the third and final issue goes. The Good: Look I have a rule. If I get teary eyed/cry when reading an issue, it's an instant 10. No ifs, no buts. Love the Mary reveal. All of the pairs are great here. Still enjoyed the art. Really interested in where this leads on in Dead Planet. The Bad: Nothing. Conclusion: Love this issue and even if I didn't have my rule, I imagine I would've given this a 10 anyway. It's.... it's just so great.

Prelude: It's a new Deadpool series so I figured I might as well check it out. Let's see how Thompson goes. The Good: Deadpool being the King of Monsters has potential. I'm liking the monster cast. Elsa was cool too. The Bad: Art was a bit confusing at points. I'm not sure if this direction fits Deadpool. Conclusion: An interesting start to Thompson's Deadpool. While the cast and premise is set-up well, I need to see more to decide if I like this direction.

Prelude: Thompson started Deadpool off to a good and interesting start in it's first issue. Let's see how it goes here. The Good: I liked Steve's speech The novelty is still interesting. The Bad: Not a fan of the art. Conclusion: It's good but nothing overtly great. I'm warming up to the key premise but it still needs to utilise it more effectively to retain my interest.

Prelude: Deadpool has been good but so far it's just that. Let's see if Thompson can change that in this issue. The Good: I liked Wade here. The Bad: Bit boring. Conclusion: A bit of a nothing issue but enough to keep my attention and enjoy the ride.

Prelude: Deadpool fell a bit short last issue, so let's see if this one can improve on that. The Good: I'm still interested in this direction especially as Wade is embracing it. Some cool set-ups. The Bad: Art is still not working for me. The fight wasn't too captivating. Conclusion: It's passable but that's mostly on the premise and the promises it's been setting up.

SPOILER WARNING!!! (Glad they announced that new book, Robin: Son of Deathstroke now) Writer: Christopher Priest Artist: Carlo Pagulayan and Jason Paz Christopher Priest continues his Deathstroke vs. Batman arc, finally bringing Robin into the mix. Will Priest continue his good streak or will his famous characterisation bring him down to the ground? Between this issue and the last its obvious that Slade and Damian have met each other again since they are both in disguise driving somewhere, talking about if the tests were faked. This back and forth really works, and to great effect. Despite Priest's misuse of Damian and his character in the past, this time it works well, which may be due to it better suiting the story rather then The Lazarus Contract. Actually, this dynamic was one of the best parts of the issue. Throughout this issue we get Slade's hatred for Damian and how he is just waiting for Batman to play his hand, thinking that this is part of said plan. Amongst this Priest flasbacks to issue 4, stating that Damian has known this whole time and never mentioned it to Bruce or Tim. After seeing that Damian had a troubled childhood, through the form of him constantly being alert. We head to Bob's Bikes, where we meet a formal Spyral agent, just ignore the fact that you can't leave Spyral, who is hiding a weapon and employed Slade to keep it safe. Nightshade shows up and wants to take this weapon, and takes Damian into her realm in which Damian shows that his greatest fear is that Deathstroke could be his father. After Slade takes Damian out of this realm he puts two and two together and head off for the next issue. Pros: Art The Deathstroke and Damian relationship Cons: Continuity Issue Summary: Daddy Issues Score:8/10

Prelude: With Priest's run nearing it's finale at #50, let's see how these final issues tie up Slade's story. The Good: Priest continues to be interesting in a Post-Slade (although temporarily Post-Slade at that) world. All of the pieces are coming together now in a crash course that can only end up badly. Loved the interaction between Emiko and Rose, highlight of the issue. I'm also intrigued by this other Slade that has appeared. It'll be interesting to see where Priest goes with this The Bad: Time to be a broken record and rant about Year of the Villain again. While it works here, I feel that the story could have been served better if it wasn't there. Jericho is being a bit too holier-than-thou for my liking. Conclusion: An interesting chapter that sets up for the upcoming issues in the story rather than compelling in it's own right. For me, some of the choices made aren't what I'd have wanted but Priest still has my attention.

Prelude: We're near the end of Priest's Deathstroke. Now it is time to stick the landing. The Good: Loving what we're seeing from both Slades here. Shows the difference and similarities between these two characters. Jericho is also a highlight and his descent against his will. I especially loved his interaction with Lex. Despite barely being in the issue, Rose was a strong impact for me. Art was great as well. The Bad: This is the first issue for this week I'm reviewing but it looks like the Doom insignia is happening on every book... Still undecided on how I feel about that. Conclusion: Priest is finish Deathstroke with a bang. An amazing series with a spectacular issue.

Prelude: It's the second last issue of Priest's Deathstroke. His run has been amazing throughout so how does this issue shake up? The Good: I love Jericho in this issue. His whole approach, realising his faults and philosophical thoughts. It's great. Art is good here too but that's nothing new. Other Slade and Billy's reunion was really nice to see. It's Deathstroke vs Deathstroke in the next and final issue. The Bad: Nothing. Conclusion: An utterly amazing issue from Priest and the team. As Deathstroke reaches #50, I cannot wait for it.

Prelude: It's the final issue of Priest's Deathstroke. Will Priest be able to land this series or will he falter so close to the finish line? The Good: Interesting that Priest incorporates the Dark Multiverse into this story but I quite liked the origin of Dark Slade. Dark Slade and Slade are such great parallels for each other, showing what might have been their life if their choices were different. I love this exploration of Slade. That's what this series has been about and it is great seeing that all come to light fully here. This ties up Jericho's arc up pretty well too. We get a look into how good Slade's life could but in the end, he has to be Deathstroke and that goes before the family. Art was great in this issue. Pagulayan and Pasarin brought their absolute A-game for this issue. The Bad: Priest's run is over. Conclusion: Easily one of Priest's best issues in the entire run. Hits all the thematic notes and motifs and ties the whole series up with a nice bow.

Prelude: Time for my first Hickman indie. Let's see how it goes. The Good: I really like the worldbuilding done here. HICKMAN INFOGRAPHICS!!!!! The art is really great. The Bad: Ok, it is quite confusing on the first read-through. Conclusion: Hickman starts off really well and has me hooked. The only problem is that it is rather hard to interpret the first time around and requires a few rereads.

Prelude: Tomasi has dumped Bruce out of a plane onto a deserted island. Let's see how Bruce gets out of this one. The Good: Though cliche, I do like the backstory here. The Bad: Damn Year of the Villain again! I hope this improves when we finally get Mr. Freezes story later this year but currently it's just pointless set-up. Deadshot seems... off here? I don't know what it is. Conclusion: While this issue is readable, it isn't too great of one. I really can't find much to talk about.

Prelude: I've had mixed feelings about this island story Tomasi has been doing so let's see if he fixes that in this issue. The Good: Man, is it good to see caring Bruce again. Tomasi really understands Batman and that's apparent here. The Bad: Deadshot is pretty weak in this, seems like it could be any other assassin in the same role and the story would stay the same. Conclusion: It's a pretty standard story but Tomasi pulls it off with his character work on Bruce. Solid chapter but nothing to rave on about.

Prelude: Mr. Freeze is finally here! About time. After all that teasing and setting up for this arc, time to see how Tomasi goes with actually writing the story now. The Good: I like how methodical Freeze is in his plan. Also with a tinge of creepy. This issue is weirdly funny, which is only added to with how morbid the issue is. Art from Doug Manhke is great throughout the issue. The Bad: Continuity is weird. So it's before Batman #77 for obvious reasons but during Year of the Villain so logically it should be City of Bane/#75+. Not only that but Batman has been on poor terms with the GCPD since #59 and the Bat Signal was destroyed in #60. So everything surrounding that makes no sense. Also the Batman Who Laughs series has happened at this point, virtue of editor note so absolutely none of this is plausible to happen within the same period of time. Not too much happened in the issue. Conclusion: A good start to this arc however, it is stalled a bit by little happening and majorly for confusing continuity.

Prelude: Tomasi started his Freeze arc off well last issue, so let's see if he can continue it. The Good: Loved the opening scene. Batman scaring thugs never gets old. Alfred's Flash mask was amazing. I really like Freeze this issue. Also that cliffhanger is going to be interesting going forward. Doug Mahnke's art was superb here. The Bad: Continuity feels weird here. Did Freeze try to bluff Batman or was he telling the truth? I don't know. That headpiece on the fire suit. Nope. Conclusion: Another great issue with some minor muck-ups. Ultimately this is looking to be a very strong arc.

Prelude: After last issue's cliffhanger, this issue has a lot to deliver. I only hope Tomasi can land it. The Good: I absolutely love Victor and Nora in this issue. It shows how far Victor has gone for his wife and her adaption to this new Victor Fries. Art is usually good in the issue. Some hiccups but overall, good. The Bad: Bruce is a bit of a side character this issue, but I'm mostly fine with that. This is Freeze's issue, not Bruce's. Conclusion: It's Mr. Freeze's issue and that's apparent. However, I believe this was done quite well and effectively. It will be interesting to see where Mr. and Mrs. Freeze go from here.

Prelude: Tomasi has been doing a great job with Cold Dark World but now it's time to break the ice... I could fit some ice puns in here come to think of it. The Good: I actually like Nora stepping out and becoming her own villain. Also the question of is this Nora's will, Victor's or Luthor's serum is very interesting. Vise versa I'm enjoying that Victor knows he is over his head and comes to Batman for help. Even if it's a team effort, I do like Bruce using his intellect rather than just fighting the entire time. The Bad: Continuity is the main one with the Bat-Signal and Lucius fully knowing Bruce's secret. Conclusion: Another strong issue and I'm enjoying the direction it is going in.

Prelude: It's the finale to Cold Dark World, I've been enjoying this arc so let's see how Tomasi lands it. The Good: It's a flip on the classic tale and I like it. Tomasi logically explains why Nora is acting this way and it works well. Nora is interesting to watch knowing how she is acting. The Bad: Art is a bit off at points. Doesn't fully feel like the arc is over even though it is. Conclusion: An interesting end to Cold Dark World that I like but it doesn't feel like it's the end of the arc weirdly enough.

Prelude: Taylor takes a go at Detective Comics in this issue. It'll be interesting to see how this goes especially after his Batman Annual 3. The Good: Let's address the main issue some people may have right out of the gate. Lucius replacing Alfred. While it isn't what I exactly would want, Alfred is out of the picture for the foreseeable future and Lucius is pretty much the only one that could fulfil Alfred's role. Taylor understands Bruce. He isn't a complete douche who beats people up, he has a heart. It's these stories that make me love the character the most. Fernando Blanco's art is quite good here. The Bad: Nothing. Conclusion: While it's not a typical Batman styled issue, Detective Comics #1017 doesn't need to be. But it truly is a Batman story, something that works so well for Bruce and Taylor obviously understands the character.

Prelude: Time for a Christmas themed issue of Detective Comics.... on New Year's Day. The Good: I do like the Christmas theme, even if it's a week too late. Love the detective work in this issue. The Bad: Nothing of note. Conclusion: A Christmas themed detective story that's already interesting. I'm looking forward to the next part.

Prelude: Tomasi had a good start with the last issue but as we move further and further away from Christmas, how does this stand up? The Good: Always like Bruce doing detective work. Art was good. The Bad: Story was hurried and wrapped itself up way too fast. The end got a bit boring. Conclusion: There isn't much to talk about. Stuff happens but it doesn't feel too important or that there's any danger.

Prelude: This'll be an interesting annual especially after Alfred's death. The Good: Really enjoyed the first story. The Bad: On the other hand, pretty much everything of the second story failed for me. Conclusion: I'll give it a passing grade due to the first story though the second weighed it down quite a bit.

Prelude: After a two parter of varying quality, it's time to tackle Two-Face. Let's see how this goes. The Good: Some good moments with Harvey. Walker's art is great. I like the detective work of Bruce. The Bad: Some continuity concerning Harvey and City of Bane. Not convinced on the religion angle. Conclusion: It's good but I need to see much more of it.

Prelude: Ugly Heart started out with a good first issue, let's see if Tomasi can carry that through to this issue. The Good: Liked Two-Face's inner turmoil. Walker's art is very good here. Reminds me of the Arkham games. The Bad: Basic cliffhanger that I know won't matter. Conclusion: A very good continuation of Ugly Heart, my only problem is with the cliffhanger. Just too run of the mill for me and not how I like to see cliffhangers.

Prelude: It is time for Doom. Let's see how it goes. The Good: Man, Doom is great in this. Absolutely great. Menacing, smart, wise yet flawed. Also I love the glimpses we get of Latveria Art is also on point throughout the issue. That cliffhanger. It leaves so much open for this series and I love this direction. The Bad: None. Conclusion: An amazing start for Doctor Doom. I can only wish that it continues this momentum.

Prelude: Cantwell started with a great first issue but can he keep this up? The Good: Doom is written extremely well here. Really love what is being done. Cantwell is bringing in many different characters but they all work. That cliffhanger! Man, seeing what next issue is, I'm excited. Art is really strong yet again. The Bad: Nothing. Conclusion: Another great issue from Cantwell. I'll admit when I heard the premise I was skeptical but I'm fully on board now.

Prelude: While the previous two Doctor Doom issues were good, this one will be interesting to see since it goes in a completely different direction. The Good: The future timeline aspect is interesting especially for Doom. While little, I did like what they did with Doom in Hell. The events in Latveria are interesting too. The Bad: Mephisto is in Vegas right now, not Hell. I feel like Cantwell could have told a better story by leaving Doom in Hell for a few issues. It just seems squandered here. Conclusion: A noticeable drop in quality due to wasted potential and continuity errors. However, Cantwell can improve upon this next issue.

Prelude: I've been enjoying Doctor Doom a lot, however last issue took a dive in quality. Let's see what Cantwell does this time. The Good: I like the talk between Doom and Kang. The Latveria aspect is still interesting. Larroca's art is good. The Bad: It feels a bit too full. Conclusion: While the pieces are good, in the assembly the issue feels bloated and that there are too many things happening at once.

Prelude: The final issue of.... Pottersville..... anyway, Cantwell has done a very good job so far with Doctor Doom so let's see how it wraps up. The Good: Interesting work on Doom's character. I like the political aspect. Kang is cool. The Bad: I do think things are rather convenient for the plot to happen. Conclusion: A very good issue though the plotting could use less convenience to move forward.

Prelude: Doom has been fluctuating a bit in quality. Let's see how it goes now that Pottersville is over. The Good: I like the premise behind the issue. The Bad: The dialogue doesn't work for me here. Conclusion: It's okay but nothing like how it was originally.

Prelude: Wait, another issue finally came out? About time. The Good: Everything is starting to tie together with all the parties making their moves. "Past" events are tying in with the on-going story. By "past" I mean the current DCU with Bendis' Legion of Superheroes. Gary Frank's art is just... beautiful isn't good enough to describe it and Brad Anderson's colours work tremendously like every issue. The Bad: This is basically a exposition issue to get us ready for the final issue. It feels like there is too much for Johns to tie up in a satisfying way in one issue, even if it's over-sized. Bit annoyed that Ozymandias is the villain again. Conclusion: While the delays really have been killing this book, I'm still heavily invested in this book. However, I'm concerned on how Johns plans to wrap all of this up within one issue.

Prelude: Doomsday Clock started in 2017 and now, two years later the twelfth issue is finally here. Let's see how Johns goes landing this series after so many delays. The Good: Wow, this is a lot to unpack. I really like the resolution with the Watchmen characters. It feels right in a weird way. Gary Frank's art is utterly amazing. The absolute focus and reverence on Superman was fantastic. The characterisation is great in this issue. JSA! There were some really tear-jerking and flat out enjoyable scenes in this issue. It sets up a lot and it's quite interesting. The Bad: I have to say it, the delays really killed this book. I'm not sure how it stacks up as one series. Conclusion: While it is a great issue in of itself, I do wonder how it would read in trade as a whole and the delays really killed this series.

Prelude: I haven't read Mark Waid's previous Doctor Strange run yet, but with a new relaunch let's see if he can sell me on the book. The Good: I like the Surgeon aspect that Waid is going for here. I'm liking Kev Walker's art in this issue. The Bad: The Wrecker is a bit simple villain wise. Conclusion: A good start from Waid. It has a neat angle that it goes for with Strange being a Surgeon. However, the actual Sorcerer Supreme aspect is a bit lacking in my opinion.

Prelude: Dr. Strange started off well in it's first issue. Let's see how Waid goes with this one. The Good: I still like the human side of things for Strange. Dr. Druid was interesting. Walker's art was good enough. The Bad: Wrecker and Thunderball are pretty basic. It can be a bit boring for me in this issue. Conclusion: A passable issue from Dr. Strange. The human aspect is the best part of the story and it was overlooked here.

Prelude: Dr. Strange fell a slight bit last issue but maybe this one can make it more consistent. The Good: I love the surgeon side to this issue. Also liked the magical aspect. Walker's art was good. Cool cliffhanger. The Bad: Nothing. Conclusion: A great issue this time around. I only wish that the book was more consistent.

Prelude: Dr. Strange has had very little in the way of consistency so far. Let's see how it goes here. The Good: I really love the surgeon side to this. Walker's art was good. Dr. Druid and his backstory was cool. The Bad: Nothing. Conclusion: Another great issue of Dr. Strange. If only it could be like this all the time.

Prelude: Empyre is coming and as such, it's time for me to prepare myself. Especially as I have zero knowledge about any of the areas the event will be tackling. The Good: Even though I haven't read it, I like that they used the characters from Meet the Skrulls here. Really good way of catching up on past events for Empyre. I love the chaotic story, how we're never quite sure what is happening which leaves for the perfect cliffhanger to kick Empyre off with. The Bad: The art whiplash was a bit much for me. I understand why they did it, but it just messed with me too much. Conclusion: A very good introduction to Empyre. It lays the foundations well and drives the plot forward to prepare readers for the event.

Prelude: Event Leviathan as really been a mixed bag throughout but as we near the finish, does it finally get it's act together? The Good: Alex Maleev's art has been improving every issue and it's great here. Characterisation is mostly good. The Bad: Boy, do we have some Bendis tropes here... Got some wonderful Bendis-speak with many characters sounding the same and/or going against their previously established characterisation in their dialogue. Continuity problems as well, mainly concerning Kate Spencer and Oliver Queen. Wasn't Kate just a lawyer before this series and hadn't started Manhuntering yet? Likewise she didn't know Ollie's identity either as Green Arrow so this is another case of Bendis ignoring continuity. Story is going at a snails pace and we're nearing the supposed "end" Conclusion: While this story is meant to be reaching the end soon, it's still moving too slowly and the main Bendis tropes are all here so if those are normally jarring, they will do so again. It just seems that Bendis wants to be the one to do all of these landmark changes that he will be remembered for.

Prelude: Well, it's that time again. Time to read another issue of Event Leviathan. Please tell me it improves. The Good: Art is good. That's it. The Bad: Boy, we're in for a ride here. General Lane's death is pointless and he's in Doomsday Clock which is even more boggling. Why does everyone have to talk to each other using their full names? Hang on Bendis, since when were "average run-of-the-mill international arms-dealing organization", groups that kidnapped people in key positions, slowly overtaking Gotham as they corrupt more and more people? It's the penultimate issue and we still don't know who Leviathan is! Odds are it was a former Manhunter but where have the clues been? Oh and a good dose of Bendis-Speak too. Conclusion: Wow, what a mess of a series. I'm giving it the boring 5. For reference to get anything lower than a 5, you need to do something offensive to a character and what they stand for. Think HiC or Ric. Luckily Bendis avoided that here.

Prelude: Well, so far this has been a whole lot of nothing that could be condensed into half the issues used so far. Let's see how Bendis wraps this event up. The Good: I mean the art is decent enough... The Bad: It's League of Assassins Talia, Assassins not Shadows. Yeah, it's someone who we don't care about at all. Woo. Also he was already in Doomsday Clock so.... BENDIS-SPEAK!!! WOO! IT'S AN EVENT WHOSE PURPOSE IS TO DISCOVER THE VILLAIN'S IDENTITY AND THAT'S IT!!!!!!!!! IT'S NOT EVEN OVER! Conclusion: Screw it, I'm done with this.

Prelude: It's time for the first Dawn of X series I'm concerned about. Tini Howard's writing isn't usually my cup of tea, but I'm optimistic for this issue. The Good: Apocalypse being a sorcerer fits well with his character. Not sure why this wasn't done earlier. I have a soft spot for England and its myths so those get a point from me. There's some nice art in this issue. I like these character progressions with Rogue and more importantly Betsy. The Bad: Apocalypse's new name. How do you pronounce or even interpret --|A|--? The infographics.... they don't work for me here. Maybe they'll grow on me overtime but for now, they're ineffectual. Conclusion: The weakest Dawn of X title so far but it has potential. British mythology and magic are both interesting topics for me, so if Howard plays her cards right, this book can become one of my favourite Dawn of X books.

Prelude: Excalibur started off well enough last issue. Let's see if it improves or not. The Good: I like that the Dawn of X books have these quick cameos with each other. Really helps with it being an interconnected world. I'm loving the British mythology and fantasy aspect to this. I liked the infographics more this issue than the last. I also liked the dive into our character's concerns and fears with those dream sequences. Also the art here is great. Marcus To is doing a great job. The Bad: Surprisingly nothing for me. Conclusion: This issue really boosted Excalibur for me. It boosted what I liked about the series and took away/didn't mention the problems I had with the last issue.

Prelude: Excalibur was able to prove itself last issue, so let's see if it continues that trend. The Good: Rictor's story is interesting but I'm unsure how he will relate to the over-arching story. I really liked the infographics this issue. I loved the Otherworld aspect of this issue. That cliffhanger is interesting and could lead to a good story. Marcus To's art is great here but it has been the entire series. The Bad: Yet again, nothing. Conclusion: Excalibur proves itself once again within Dawn of X. I am loving the mythological side to this story and the art is superb.

Prelude: Excalibur has really been proving itself in these last two issues. Let's see how Howard and To go on this issue. The Good: I like the political side of this issue. Some funny Brexit jokes too but the talks of Britain and Otherworld was really great. The Druids keep the magical vibe of the series. They're interesting especially with Rictor. The cliffhanger is very interesting. Marcus To's art was great this issue. The Bad: The Druid conversion seemed a bit too fast for my liking. Conclusion: Another great chapter from Excalibur. When Dawn of X started, I was worried about this series but it has been quickly proving itself to be a great story.

Prelude: I've been loving Excalibur so far, so let's see what Howard can do with this issue. The Good: I like the Rogue scenes in this issue. Cliffhanger is really interesting. Like always, Marcus To's art is great. The Bad: Apocalypse was a bit much this issue. I get that it's... well Apocalypse but still. Things are wrapped up too fast with the threat. Conclusion: Bit more a lackluster issue than the last few, some interesting progress especially with Rogue but it does have its faults with Apocalypse and pacing.

Prelude: Excalibur has been very good so far so as we hit the final issue of the first arc, let's see how Howard lands this. The Good: Interesting use of the Resurrection Protocols. Interesting infographics in this issue. Love all the fights that happened in this issue. The endings of this. Great set-up for future issues. Rogue brings up an interesting point. Marcus To's art is great like always. The Bad: Nothing. Conclusion: An almost perfect end to this first arc of Excalibur.

Prelude: Excalibur has been one of my favourite Dawn of X series, especially recently so let's see how this issue fares now that the first arc is over. The Good: Love the hunt. Like the view into Britain here. Jamie was fun although brief. He's no Marcus To but Santos does a good enough job. The Bad: Nothing. Conclusion: Another great issue from Excalibur. It's different yet the same and I love it.

Prelude: Recently, Excalibur has been great. Let's see how Howard goes with this issue. The Good: It's always great seeing how everyone is reacting to Krakoa. The infographics were good. Good art from Santos. Some nice threads for X-Factor. The Bad: Not the happiest with Cullen's writing. Conclusion: While Cullen was a bit off, it was still a great issue of Excalibur.

Prelude: Excalibur has been consistently great recently, so let's see how this issue goes. The Good: The Starlight Citadel looks interesting. I liked the infographics in this issue. To's art is great as always. The Bad: Nothing. Conclusion: A very good issue that helps move the plot forward and sets up areas of intrigue.

Prelude: The Dawn of X series I'm worried the most for. Let's see how Bryan Hill goes on this. The Good: It is an interesting premise but I'm unsure of it's place in Dawn of X. I think Kudranski's art is pretty good. The Bad: Feels like this story could have happened without Dawn of X or HoX/PoX. Dialogue and characterisation, especially with Sinister, Laura and Cable is definitely off. Conclusion: It's an interesting premise of a story but one that could be done without Dawn of X. Meanwhile the dialogue and characterisation is off. It's passable but it needs to improve or I'll quickly get bored of it.

Prelude: Fallen Angels had a passable start but it desperately needs to improve otherwise I will lose interest in it. (Look, I'll still review it, I mean I'm still reviewing Bendis' Superman aren't I?) The Good: I'm still interested in the overall story and idea. The Bad: Kudranski's art was poor in this issue. It might be the inking but it just looks worse. The infographics here don't work for me. Dialogue and characterisation is still off. Conclusion: While I remain interested in the story and premise, the poor art, infographics and characterisations do make this a harder read.

Prelude: Fallen Angels has so far been my least favourite title of Dawn of X so this issue needs to prove the series to me fast. The Good: It's starting to make sense why Hill chose Psylocke, X-23 and Cable to create this team. The Bad: The characters don't make sense considering their past. Laura already knows these lessons. Still don't like Kudranski's art. Infographics aren't working for me either. Conclusion: Fallen Angels better improve soon because my interest continues to wane every issue.

Prelude: Fallen Angels has been my least favourite Dawn of X story. Let's see how this issue goes. The Good: I do like the theme behind this issue and series. The Bad: Art is still poor. Characterisation is still off. Apoth isn't working for me. Infographics are boring. Bit of a chore to read. Conclusion: A bit of a nothing issue despite so much moving forward. I do like the theme but pretty much everything else here falls short.

Prelude: Well, Fallen Angels has been pretty miss so far. Let's see if it improves. The Good: Magneto was cool. I did like the "disconnected" scene and the Betsy scene. The Bad: Bit annoyed that the cliffhanger from last issue wasn't Apoth. Still not liking Kudranski's art. The rest of the cast didn't do much. Conclusion: While the Betsy stuff is mediocre at worst and good at best, the rest of the cast of X-23, Cable and their team didn't do much of note.

Prelude: It's the final issue of Fallen Angels until it goes onto hiatus. Let's see how it wraps up. The Good: Nothing. The Bad: Art is pretty weak. It's boring. Conclusion: Unfortunately Fallen Angels #6 is what every comic fears to be. Mediocre.

Prelude: So we have Captain Old, Ninja Heat Wave, whose next for these weird and wacky designs? Oh and Barry's in this too. The Good: Always like tying past arcs together and we've got a taste of it here. Sandoval really does Speedster art well and it shows here. The Bad: Year. Of. The. Villain. God, it's just clickbaiting covers for only a page or two that could have been used on much better things. Yay, we have Avery and Wallace in this story! Oh wait, they just got written out of the story. Damnit. Conclusion: Willamson finally puts some direction into the Flash but I fear it took too long. My usual grips with YotV are here too but I hope Williamson can step up on his writing. It's the Death of the Speed Force but I'm worried it's the Death of my Interest in this Run.

Prelude: This has been a bit of a mixed arc for me so here's hoping Williamson improves on this issue. The Good: Man, the art in this is absolutely amazing. Really loving Sandoval's work on this book. I've come to terms with Year of the Villain and these sideplots so I'm enjoying The Rogues recruitment trip a lot more now. Really interested in the main plot as well as how things are going to go from here. The Bad: Plot still feels a bit slow. Conclusion: Plot, while slow, is picking up now and I'm getting interested. My main gripes are now becoming the highlights so I hope Williamson keeps this up.

Prelude: This recent arc has been a mixed bag for me but it's been improving recently. Let's see how it's going. The Good: Didn't expect to see Hunter return but I'm happy for it. I always like the whole "desperate times call for desperate measures" idea and it's being used well here. I really liked Glider's chapter in this issue. Quite interesting to see and I wonder where this will go. Art was great again. The Bad: These Rogue costumes really don't work for me. I could go with Captain Cold's and Heatwave's but none of the rest look good or anywhere near it. Wally and Avery are doing jack all. Conclusion: Another strong issue, however the new costumes for the Rogues aren't that good at all and Wally and Avery have for all purposes been written out of the story.

Prelude: Recently Williamson's Flash has been improving but with the reintroduction of Hunter Zolomon this book is back on rocky ground. Let's hope Williamson proves me wrong. The Good: There's still that level of dread which I've been loving. Hunter was quite interesting and has a lot of potential going forward. I actually enjoy Kolins artwork and this issue was no exception. The Bad: Forever Force... Yeah, not feeling it. Goddamnit Barry. Conclusion: It's definitely a shift from the last few issues but I believe it works. But it's at the end that this issue starts to lose its momentum.

Prelude: Williamson has a lot to prove this issue. Bringing in another Force and it's the conclusion to Death of the Speed Force. The Good: This is Hunter's issue and it shows. Ultimately he's the hero and the twists are based on him or his actions. That said I do like these twists in the issue though their impact may be small due to the nature of comics. The Bad: Avery and Wally are barely in this. Everything that has happened with them in this entire arc has been about one issue's worth. Continuity is a bit of a problem but all of these main Justice Leaguers books have that fault, so since that's editorial I should just ignore that. Conclusion: A passable issue. Kolins' art was ok but nothing to mention in either section. It's a shame that this arc fell apart at the end because it was doing so well at the start.

Prelude: It's time for Rogues Reign! After the Death of the Speed Force, let's see how Barry and co deal with this new threat. The Good: I really love when "Villain controls city" ideas work well and it is great here. King Cold is menacing and we finally get the Captain vs Commander fight we've been waiting for. Rafa Sandoval's art is amazing. Even though I associate it best with Flash's speed, Sandoval proves his art is much more than just that. I love the Insurgents and how everyone is dressed. The Bad: Continuity continues to be off with Year of the Villain. Characterisation for the Rogues is really off. I get that this is the story Williamson wants to tell but the Rogues are very OoC here. Conclusion: While it is a very strong start to Rogues Reign, I do question the Rogues' characterisation here.

Prelude: Rogues' Reign started out strongly last issue, so let's see how Williamson goes on this issue. The Good: The prison scene and subsequent escape was cool to see. The twist there was expected but it was great seeing it unfold. King Cold has definitely gone more unstable as you can tell from the story he was giving. It'll be interesting to see if he returns back to normal and reacts to what he had done. The twist at the end, amazing. It's lovely to see the destructive prowess of the Speed Force and with time now being broken, it explains how all of these events are happening at the same time. Sandoval's art is great too. Really well done. The Bad: Nothing. Conclusion: I am loving Rogues' Reign so far and this issue amps that up. I can't wait for more.

Prelude: Rogues' Reign has been an absolute blast so far so let's see how Williamson goes on this issue. The Good: I like the progression with the Speed Force this issue. The Rogues are interesting and it's nice with how they are realising Cold isn't much of a Rogue anymore. I liked that cliffhanger. Duce's art was good here. He's definitely a fly under the radar artist but it worked well here. The Bad: Not much progress this issue. Conclusion: This story is shaping up really well but I wish there was more progress within the actual issue itself. It'll probably read better in trade though due to that.

Prelude: I've been really enjoying Rogues' Reign so far so let's see what Williamson has in store in this issue. The Good: I like how Cold is here. He's menacing, not the Cold that we know but one that is ruthless. The Barry and Lisa scene was cool. Duce's art is good. The Bad: Nothing. Conclusion: It dropped off a bit from last issue in quality but I'm still enjoying this arc.

Prelude: It's the last issue of Rogues Reign before it's aftermath. Let's see how Williamson goes with this issue. The Good: I'm always a fan of everyone working together. I love Barry going all out That's an interesting cliffhanger though I'm concerned for how long it lasts with The Flash Age coming up. I loved Sandoval's art. Duce was good but Sandoval is one a different level. The Bad: It's a typical finale issue. Conclusion: While the story is really good, I do feel like it is a typical ending issue of an arc.

Prelude: Flash has been quite good recently as Rogue's Reign reached it's end. Now we're in the aftermath as we race towards The Flash Age. The Good: I do find it interesting about what's happening with the Speed Force. Paradox has a nice lead in here. Duce's art is good here. The Bad: I don't like how Cold and Flash's relationship is portrayed here. The Lisa Barry thing doesn't even make sense. Conclusion: It's good enough but it could have been done a lot more effectively especially since the main problems had to do with Snart and could have been fixed together.

Prelude: The first part of The Flash Age starts here with the origin of Paradox. Let's see how Williamson fares in this prelude to The Flash Age. The Good: Paradox's backstory is interesting. Nice ties to Williamson's prior stories. Great art from Howard Porter. The Bad: Nothing. Conclusion: As far as origins go it isn't too bad actually. I'm intrigued on where this story is going.

Prelude: It's basically an anthology issue here at Flash #750. Let's see how these creators go. The Good: A good start off for "The Flash Age". I'm interested in seeing where this goes. LOVED "Beer Run". Absolutely great story about Captain Cold. "Why You" was also a cool story. "At the Starting Line" was similarly a good story and some of the new timeline. I really liked "Flash Forward: Epilogue" and can't wait to see where things go from there. The Bad: Man, I really didn't like Wolfman's story. Conclusion: Asides from one story, I loved this issue. A great celebration of the Flash, albeit slightly brief.

Prelude: So far, I've really enjoyed The Flash Age. Let's see how it continues. The Good: Paradox brings up an interesting point. Cool cliffhanger. Some really interesting hints of where the story is going. Duce's art is quite good in this issue. The Bad: August's "betrayal" was rather obvious. Conclusion: Another great issue. Yeah, August could've been better but it's still a great issue to read.

Prelude: The Flash Age has been wonderful so far, so let's see how it continues in this issue. The Good: I'm really interested in where this story is going. Porter's art was great throughout. The Bad: It's more of a setup issue. Conclusion: A good issue but not much happens in it. It's moreso to get Barry from Point A to Point B so Williamson can do the Reverse Flash stuff.

Prelude: Last issue of Flash was good but it was mainly set up for these interludes. Let's hope these do well. The Good: I loved the quick look into all of Eobard's death. Interesting tie-ins to the past issues. Love the confrontation at the end and how powerless Barry is to it all. The art was good throughout the issue. The Bad: Progress is slow because it focuses on the other events within the title. I'd have preferred if it purely focused on Barry and Eobard. Conclusion: It's a very good issue but the inclusion of the Paradox and Iris stuff does take the quality down for me. However, it looks like next issue purely focuses on Barry and Eobard.

Prelude: Well, the last two issues were okay but they were really leading to this issue. Hopefully it's good or I'm going to be annoyed. The Good: Duce's art is passable. I do like the novelty of Barry and Eobard teaming up. The Bad: The dialogue felt really off this issue. The lettering and colouring was completely wrong not once but twice. It's sort of boring. Conclusion: It's not good. There's just too much that I just find meh to read.

Prelude: Ok.... Heroes in Crisis was a thing, can't forget that apparently. Well, let's see how Wally is doing after getting some Tom King treatment. The Good: Art is better than I expected from Booth. I... I usually don't see that good of art from him, personally, I think it's dependent on the inker really. The Flash works in this cosmic setting and Wally is the one it's for. I'm also happy that it does still remember HiC (even though I hated that story) and hasn't thrown it away. We can get some good progression out of this. The Bad: I feel like the story could still have been down even without HiC. Who put Wally in normal prison? Especially Blackgate of all places. Conclusion: It's a good start for Lobdell and Booth to Flash Forward. However, some decisions, though some aren't at fault for the creative team, do leave me scratching my head.

Prelude: Lobdell had a good start on Flash Forward last issue. Here's hoping that continues into this one. The Good: Booth set a pretty high bar last issue with his art and he surpasses it here. This was a very fun issue. That cliffhanger. Oh Lobdell is going to pull on our hearts isn't he? The Bad: Wally's mood swings were a bit much. Seems Lobdell wants to return him back to our Wally but still has to remember King's HiC. Conclusion: A very fun issue to read and this series is shaping up well to bring back Wally West.

Prelude: Flash Forward has been quite good so far, let's see if Lobdell keeps up the pace. The Good: It's great seeing Wally so fast again but also wondering where his newfound speed is coming from. Roy was great this issue and his mini-arc with Wally was really well done. Art is quite good. It's nice to see that Lobdell is continuing Wally's arc for redemption after being King-ed. The Bad: Story doesn't move much in this issue. Conclusion: While we get very little progression in the larger story, this was a great issue for Wally's personal arc and exploration of his powers.

Prelude: Flash Forward has been really enjoyable so far so let's see how Lobdell goes with this issue as we near the sixth and final issue. The Good: Wally has his kids back! For now anyway, I have very little hope of DC keeping that. Booth's art is good. It was nice having him interact with a Linda. The Bad: The issue doesn't feel like it's moving much which is concerning with how little issues the series has. Conclusion: A good issue but I'm concerned for the overall story as we only have two issues left. Add the Mobius chair and the other parts of the story, and I fear for Lobdell to finish this well.

Prelude: Flash Forward has been a steadily good book so far but as we near the finish line, Lobdell will need to tie the series together. The Good: Lobdell is pulling my heart strings too much here. Booth's art is great as is consistent with the series. I like the explanation the Mobius Chair offered. The Bad: Why can't Wally just be happy? Conclusion: A great issue from Lobdell and Booth. I'm just concerned for the final issue due to Wally's recent history.

Prelude: Well, thanks to the leaks, I know what's going to happen in this issue by the end. Let's see how Lobdell goes with taking us there though. The Good: I'm actually intrigued by Wally's new future. THE KIDS ARE BACK!!!!!!!!!!!!!!!!!!!!! And Linda remembers too. I enjoyed Brett Booth's art. The Bad: Nothing. Conclusion: I. Loved. This. Issue. Emotional, intriguing and I've come to terms with Wally's transformation and are interested to where it goes.

Prelude: Been a while since the last issue but Venditti has been hammering home the American identity recently. Let's see if he continues on what is so far an excellent series. The Good: Eddy Barrows just makes his art sing. I always loved his work on Detective Comics but here he's gone to even greater heights. I'm also loving the continued focus on the American people even as a non-American. The Bad: Not too much in plot progression, in fact the issue went by very fast. Conclusion: Whilst this is a smaller chapter in Venditti's story, he's been continuing his theme of the character of the American people and it shows in this issue.

Prelude: Freedom Fighters really has been a sleeper hit but can Venditti keep it up? The Good: Love the human angle that the factory workers provide. Likewise I like how Black Condor is shown to have a flaw. Makes him more human which is needed for this type of story. Eddy Barrows art, like every issue, is amazing. I also liked the interrogation scene. The Bad: Yeah, there isn't anything really unless you want to dive into semantics. Conclusion: Freedom Fighters continues with it's efficiently done story. No real negatives to it, but I do have to keep to my own scoring system.

Prelude: The revolution is here. It's the third last issue of this maxi-series so it's time for Venditti and Barrows to land this series. Let's see how they go. The Good: Uncle Sam is proving his strength here. I love seeing the Spirit of America growing to stop the Nazis. Oh, and I'm not even American. Art is freaking great but of course it is. Our heroes are flawed and they have doubts but so do some of our villains. Well, mostly. Either way I like seeing these as it shows they're human. The Bad: It's a bit predictable of a story at this stage. Conclusion: While the story structure may be becoming too predictable, every other aspect of this story is shining to great effect. Can't wait for the final two issues.

Prelude: As we reach the second last issue of this series, can Venditti land it? Let's find out as we stow our tray tables, return our seats to their up-right position and fasten our seatbelts. The Good: The American spirit is coming alive! Man, those pages at the start were great. Barrows did an amazing job this issue. That Phantom Lady spread sticks out in my mind. Venditti's Uncle Sam is utterly amazing. The Bad: Hitler III unleashes the "Final Option". Just seems like random escalation without it being worthwhile. Conclusion: Freedom Fighters race to the finish line but it works so well. Amazing art and character work from the team have created this sleeper hit.

Prelude: It's the final issue of Freedom Fighters. Let's see how Venditti goes with wrapping this maxi-series up. The Good: Out of everyone, I loved Uncle Sam the most of the Freedom Fighters. I love the National Avatars. Eddy Barrows. His art was amazing throughout the series but especially here. The Bad: Not sure how I feel about that last page. Doesn't seem right to me. Conclusion: Your typical happy ending that was to be expected but I wouldn't have it any other way. Only part I'm questioning is the final page.

Prelude: This will be interesting. I have basically no Ghost Rider knowledge nor have I been reading what's on the checklist for the road to this series. Let's see how it goes then. The Good: I really like the whole idea of a Hell Civil War. The character work was also intriguing to see. Good art too, bit house style but I liked it enough to put it here. The Bad: Characters are all being an arse to each other. Doesn't sit right with me. Plot feels a bit.... well, convenient isn't the best word but it works well enough. Conclusion: A strong start to this series, I feel like the groundwork is there, it just needs some tightening up in future issues.

Prelude: Last issue surprised me with its quality so let's see how Brisson goes on this issue. The Good: I really like the dynamic between Johnny and Danny. It's an interesting look into what being King of Hell means. Art was better this issue and more unique. The Bad: The Hell Civil War was sidelined quite a bit in this. Conclusion: Brisson improves on what was already a strong start. I didn't expect Ghost Rider to be so good but it is.

Prelude: Ghost Rider has really taken me by surprise so let's see how Brisson goes on this issue. The Good: I like the Native American Ghost Rider for what little we saw. It's an interesting development for Danny so it'll be nice to see where he goes from here. That's an interesting cliffhanger. I'm looking forward to see where it goes. The Bad: The Hell Civil War is still being sidelined. Conclusion: Brisson keeps up the pace this issue. While it mainly serves as set-up, the progression is interesting even if the Hell Civil War isn't being covered as much as I would like.

Prelude: Ghost Rider has been pretty great so far so let's see how Brisson goes with the last issue of The King of Hell. The Good: Limbo and everything there is cool. Johnny was great this issue. The Bad: Continuity with Mephisto was a bit off. I'm unsure about the new persona for Danny. Conclusion: A good issue but the continuity and future for Danny did throw me a bit. I'll have to see more though to make proper judgement.

Prelude: Well, last issue shook things up. Let's see how it goes now. The Good: It's cool having Wolverine and Punisher even though they are in this for only a small bit. Love the showing of Danny as the Spirit of Corruption. Johnny and Mephisto's part is cool too. The Bad: Nothing. Conclusion: It's a very good issue but nothing really stands out to make it great.

Prelude: I've really been enjoying Ghost Rider so far so let's see how this issue goes. The Good: Liking the Danny side of the story, I'm liking what I see from the Spirit of Corruption. Johnny's story is heating up too, getting some Spawn vibes currently. Frigeri's art is nice. The Bad: I think Strange could've deescalated the situation a bit better but Johnny and Mephisto as well... so maybe not completely feasible. Conclusion: A very good issue with no real faults. Can't wait to see where this series goes.

Prelude: I've been looking forward to these Giant-Size X-Men one-shots and I love Dauterman's artstyle so let's see how this goes. The Good: RUSSEL DAUTERMAN'S GODDAMN AMAZING ART!!!!! It's become synonymous with Dauterman's art but Matthew Wilson's colours are freaking amazing and work with Dauterman's art so well. Love the homage to New X-Men #121. I love how Hickman and Dauterman convey a story with most of the issue being silent. Really cool development in the story here and set-up for Giant-Size X-Men: Storm. Dauterman manages to convey character so well through these pages. The Bad: Nothing. Conclusion: Man, that was amazing. It works on so many levels and with so little dialogue too. Just wonderful.

Prelude: I loved the first Giant-Size X-Men one-shot (that's a lot of hyphens) so let's hope this issue with Nightcrawler is just as good. The Good: I like the Cypher progress with his plot. Davis' art was good. The Bad: I wished it focused more on Nightcrawler then it did. Conclusion: While the progress on the Cypher front was nice, and the art was good, I wish it focused more on Nightcrawler.

Prelude: It's time for Morrison's The Green Lantern. Let's see how this goes. The Good: I like how confident Hal is. He's saved the universe so many times, it makes sense he's on top of it all by now. Some cool Silver Age elements here from the GL's to the ending with Controller Mu. Didn't expect that Doctor Manhattan reference. Liam Sharp's art perfectly fits the story. The coming soon page looks promising. The Bad: I don't like how Morrison ditched the ending of Hals n Pals immediately. Conclusion: Look, it's a great start in of itself but regarding the recent events of Hals n Pals, it does weaken the issue a bit.

Prelude: The Green Lantern started off greatly in it's first issue. Let's see how Morrison goes in "Darkness Visible". The Good: The Green Lanterns Morrison uses are absolutely great, especially Volk. The interrogation was great. Evil Star was great. Liam Sharp's art. Man, it was great. That cliffhanger. Love it. The Bad: Nothing. Conclusion: Morrison ramps up the story and I'm fully on board.

Prelude: Well, last issue definitely finished on a cliffhanger. Let's see how Morrison goes in "Slave Lords of the Stars". The Good: I love the auction. Love how Hal commands the lanterns in the field. The Shepard is really cool. Interesting cliffhanger. Sharp's art was amazing. The Bad: I do dislike how large of a scale this is. I don't know, it just feels to be too big for a solo series as far as Earth is concerned. Conclusion: A great issue but I do have problems with how large scale it is.

Prelude: Well that was quite a cliffhanger in "Slave Lords of the Stars". Let's see how Hal goes in this issue with "The Cosmic Vampire's Beautiful Daughter". The Good: Loved Hal in this issue. Countess Belezebeth was interesting to. Liam Sharp's art was amazing as always. The Bad: The stories being told by Hal and Belezebeth was just.... ok I guess. Conclusion: It's an interesting issue since I like it quite a bit, the best parts are the framing outside of the main stories being told.

Prelude: Now it's time for "Blackstar at Zenith". As the story starts to intertwine, let's see how Morrison and Sharp go with this issue. The Good: "I've fought armies of the dead, I've beaten down Gods and cosmic tyrants. I was possessed by a monster called Parallax. I've lived. I've died. I've been reborn. I've relived my Dad's death and every betrayal a thousand times. I'm a founding member of the Justice League of Earth, so let's get serious. I don't do do inner demons and I don't do regrets." Blackstar Parallax! I know I say it every time but I love Liam Sharp's artwork. Adam Strange! The Bad: Nothing. Conclusion: Man, this was a great issue. I loved every single bit of it.

Prelude: It's the final part of The Green Lantern: Intergalactic Lawman. Let's see how Morrison wraps up the first half of this season in the mid-season finale, "Under Strange Skies". The Good: I love Controller Mu in this. The duel was fun. Loved the ending confrontation. Myrwhydden! That cliffhanger in general is amazing. Can't wait for "Emerald Sands". Liam Sharp's art was beautiful here. The Bad: Nothing. Conclusion: The perfect mid-season finale for The Green Lantern. I loved the whole thing.

Prelude: We are back in "Emerald Sands". After Morrison's mid-season finale "Under Strange Skies", let's see how Hal is holding up with Myrwhydden. The Good: Wow, this is very unique. I love this narration. That is a wonderful cover. Liam Sharp's art is great like always and how his layouts work with Morrison's narration is great. It's a concept we've seen time and time again but Morrison elevates it to a whole new level. The relationship between Hal and his ring is the highlight of this issue. Love it. The Bad: Nothing. Conclusion: An absolutely wonderful tale about Hal and his ring. It's stylistic, reads great and it just works. Great work from Morrison and Sharp.

Prelude: I've been waiting for "Space Junkies" since #1 when Morrison teased it at the end. Let's see if it lives up to that. The Good: I love Morrison's Green Arrow. Xeen Arrow. Love Liam Sharp's art. Sinestro?! The Bad: This feels a bit too much even for me. Conclusion: It's a bit too wacky but still a good issue.

Prelude: The last couple issues have been of varying quality, but this should put us back onto track. The Good: Interesting start. I like the medieval planet Hal is on. Love that his ring talks to him now. The Abin Sur twist was good. The Mutliverse of Green Lantern's looks really cool. As to be expected, Liam Sharp's art is crazily great throughout. The Bad: Nothing. Conclusion: Another great issue from Morrison and it feels like we're back on track for the main story. It sets up this second half well and it's up to the future issues to tie it back into the first half of the season.

Prelude: The ball has started rolling so let's see how Morrison goes with ending Season One in this issue, "Guardians of the Multiverse". The Good: First up, I really like all the differing Green Lanterns. I like how everything is tying itself together. Liam Sharp's art is amazing. The Bad: Nothing that stands out. Conclusion: As we near the end of this series, everything is starting to come together and I love what Morrison is doing.

Prelude: I've been enjoying Morrison's run so far, albeit with some confusion with the concepts. Let's see how this issue goes with that. The Good: Still loving all of the past Silver Age stuff in this. Green Lanterns of the Multiverse are still really cool and those oaths... man, those are good. Character interactions were on point. Morrison really has everyone's voices down. Liam Sharp's art is still amazing. The Bad: Plot felt like it jumped around a bit without the connections needed. Zundernell was a bit weak and confusing as a character. Conclusion: A strong issue with some great character work. However, Morrison is getting a bit too caught up in his references to the Silver Age, damaging the book's readability.

Prelude: It's the end of the first season of The Green Lantern. Let's see how it lands. The Good: It ties the first season up quite well. Also provides some intrigue for what's coming up. Art is great as well. Oh, and Anti-Matter Sinestro is a really interesting character. The Bad: There isn't anything really. Conclusion: Return of the Qwa-Man ties up the series nicely and prepares us for Season Two and the upcoming Blackstars miniseries.

Prelude: We're back for Season Two of The Green Lantern. "Young Guardians" is our season premiere so let's see how Morrison starts the season off. The Good: Liam Sharp's art is great. Love Hal's ceremonial clothing. Rykaktoro is fun. The Bad: Hang on, aren't these Guardians still pretty new? Or am I remembering Hals n Pals wrong? Conclusion: A good start though a bit confusing.

Prelude: Season Two started off well enough, let's see how things unfold here. The Good: Sharp's art is really good. The Bad: I'm sorry, I just can't understand anything in this issue at all. Conclusion: The art is of the usual standard but the writing and everything else, it just falls apart for me.

Prelude: Last issue was...... certainly an issue. I hope at the very least this issue makes sense. The Good: Very different art here from Sharp. I weirdly like it. The Bad: Plot's a bit confusing. The series feels rather disconnected, especially when compared to Season One. Conclusion: It's an alright issue. I'm feeling like Morrison is just being experimental for the sake of being experimental now without any concerns for the story.

Trade Summary: A very different Green Lantern book then we've ever had before but it works. Morrison applies his usual tricks and creates a compelling story in episodic format before tying it up for his mid-season finale. Liam Sharp's art is also amazing.

Arc Summary: An interesting set of stories with two one-shots of varying quality before getting back onto the main story. While the tie to the first half of the season only comes in near the end, I really enjoyed the ride. Great characters and Liam Sharp's art is great.

Prelude: Grant Morrison's Green Lantern has split the fanbase on it's quality but I've been enjoying it. The Good: I love alternate universe stories and this one is done well. Still love Morrison grabbing all aspects of Green Lantern lore. Controller Mu and the Blackstars are really interesting here. The Bad: Bit confusing at points with the only way Morrison can do. Conclusion: A strong start to Green Lantern: Blackstars however if you haven't been liking Morrison's The Green Lantern, you won't like this either.

Prelude: In what turned out to be a divisive issue, I enjoyed Issue 1 of Green Lantern: Blackstars. Let's see how Morrison and Xermanico fare with this issue. The Good: I love how Morrison riffs on his own work but also the current problems with the DCU, with Snyder, King and Bendis' works. That is where this issue shines. I liked Belzebeth's backstory for this universe. It's interesting and fits her character. Xermanico's art was done greatly this issue. The Bad: It dragged on a bit. Conclusion: The highlight of this issue was easily the mockery of the current DCU. But outside of that too was interesting especially for Season Two. However, it did drag a bit mainly in the backstory section.

Prelude: It's the last part of this between season story of Green Lantern: Blackstars. Let's see how Morrison and Xermanico go with it. The Good: It's interesting what Jon says in this issue. I love how ruthless and smart Belzebeth is. Hal is freaking great in this issue. The confrontations between Belzebeth and Hal was great. Xermanico's art was great throughout the issue. The Bad: Nothing. Conclusion: That was great. Loved the issue throughout. Season Two here we come.

SPOILER WARNING!!! (Did you know that The Imperial Empire invaded the universe in this issue?) Writer: Dan Jurgens Artist: Mike Perkins After Seeley's run on Green Lantern, people have asked many questions. Will Dan Jurgens bring it back to its former glory, will this book be able to withstand being the only Green Lantern ongoing after Hal Jordan and the Green Lantern Corp #50, and how many similarities can one book have to Star Wars? Find out in this mega-sized issue of Green Lanterns. We start out with a lone Guardian doing his daily meditation and stretches before realising a presence he hasn't felt in a long time as well as a notice that this takes place after Hal n' Pals #50 which is a while off and spoils the story a bit. We then cut to John Stewart who is investigating a wreckage before his ring notes him of a threat that it deems "managable". This threat? Apparently the Imperial Empire which has jumped from lightspeed with ships that appear like Star Destroyers and the Tantive IV combined with an X-Wing. Yeah, this fight isn't "manageable". Stewart gets quickly overpowered whilst trying to alert the Guardians, but his ring isn't working for whatever reason. Whilst this is happening we arrive in Section 2814, on the planet Nideesi with Guy Gardner and Kilowog, who are visiting a high priestess who is worried about the world now that the source wall has been broken. If the name Nideesi rings a bell, then L'call should definatly if you've read Jurgen's Action Comics run, who appears to be dying after being attacked. While Guy does and Kilowog do this, they receive a notification to find John. Also meanwhile is Jessica and Sara Cruz in a night club, talking about Jessica's improvement with her anxiety and having fun, but then Simon and Kyle decide to ruin it all for training. They charge their batteries and head off to Mogo. I do feel like the characterisation of Kyle, Simon and Jessica are quite off and doesn't jive with what we have already received. On Mogo, the Guardians have a feeling of unease and hope it isn't emotion because god forbid if they feel emotion! They then summon John because they probably want to talk about this unease and order some takeaway for lunch. Finally we jump back to John who is still losing this fight against this mysterious figure stating that he is Eon and that John is not of the one. Like A New Hope, John forgets about tractor beams and the guys on the ship chat about him being there and if they should worry. Jessica, Simon and Kyle land on Mogo which is currently experiencing a hurricane and destroying buildings, especially the local McDonalds. Jessica's ring warns her that she should priotise herself and guard her trust. Basically after this issue, I don't trust the rings. Guy and Kilowog find John and head off for Mogo to send him into Med Bay. Lanterns are also trying to stop the buildings falling especially a one Soranik Natu, who is currently meant to be leading the Sinestro Corps. Jessica goes to a fallen building to scan for life forms whilst Simon and Kyle help out elsewhere, but her ring scans two life forms before correcting itself down to one. This one casualty is the Guardian from the beginning with Simon holding him, whilst Jessica's ring informs her that he was murdered and not to trust anyone. All in all it was a good start to Jurgen's run even if he is re-using some characters from previous runs. I personally didn't enjoy the art and found it obstructing. Pros: Using the Earth Lanterns - All bar Hal Interesting story so far - Also allows for Jurgen's to take this where he wants it to be. Full of intrigue - Leaves you wondering what will happen next Cons: Art - Hindered my reading Reusing plot threads - Literally last two issues were about Jessica being framed for murder and now it seems the same for Simon Return of the Empire - Drawing some parallels to Star Wars Spoiling Hal n' Pals - Soranik's apparent return to the GLC Issue Summary: Star Wars Episode 10 Score: 7.5/10

Prelude: It's time for Donny Cates' Guardians of the Galaxy. After Thanos Wins and Cosmic Ghost Rider, Cates has made quite a name for himself in Marvel Cosmic. Let's see how that fares here. The Good: This is an interesting follow up to Infinity Wars and the Final Gauntlet is interesting. Geoff Shaw's art is really well done. Cosmic Ghost Rider was great. Hela is an interesting villain for this. The Bad: It's lacking on the Guardians side of things. Conclusion: A great start from Cates, though it does lack in the Guardians department but that should pick up soon.

Prelude: Cates started Guardians of the Galaxy with a great first issue. Now let's see how things go in this one. The Good: I really like Peter's struggle with Gamora and their past. It's basic but I do like how Cates shows the team and how they aren't getting along. Shaw's art is pretty darn good throughout the issue. I like this other Guardians that is forming. The Bad: Nothing. Conclusion: Keeping in quality with last issue, we get the much needed focus on our new Guardians as well as their adversaries.

Prelude: Cates' Guardians has had a great first two issues, let's see how things go now. The Good: Eros brings up an interesting point about him and Thanos. I do like the small connection to Knull in this issue. The team banter is well done here. The Bad: Shaw's art is a bit off here or at least noticeably so. Conclusion: A good issue though it drops in quality a bit. Dark Guardians and Hela stuff didn't impact me and Geoff Shaw's art was a tad off.

Prelude: We're past the halfway point of the first arc of Guardians. Let's see how Cates and Shaw go with it. The Good: I really like Gamora in this issue and to a similar degree Nebula, due to their capabilities in the fights they choose. Rocket and what he did concerning the Guardians is a plot thread that shows promise so far. Geoff Shaw's art is great here. The Bad: Cliffhanger is pretty basic and I doubt anyone believes it. Conclusion: Still a good issue throughout but I doubt that the cliffhanger was impactful in any way possible.

Prelude: Guardians has been either very good or great so far. Let's see if Cates can bring the great standard the series had in it's first two issues back. The Good: I like the ties to Cates other stories. Beta Ray Bill and Lockjaw were great. I like Hela's show of strength. About time she was back in the story. Shaw's art like most of this arc is great. The twist was good. The Bad: Nothing. Conclusion: Cates brings the series back to where it was before and exceeds it even. A great issue that I loved the whole way through.

Prelude: It's the final issue of The Final Gauntlet. Let's see how Cates wraps up his first arc of Guardians with Geoff Shaw. The Good: I like the big team set-up and how they're all working together. Shaw brings some of his best work for this issue. Interesting development for Frank. Likewise, it'll be interesting to see where Thanos goes with this recent development. The Bad: Nothing. Conclusion: As we race towards The Death of Rocket and Faithless, Cates finishes The Final Gauntlet with great effect.

The Good: Rocket's backstory. I confess I don't know much about the Guardians themselves let alone their origins but damn is Rocket's represented here extremely well. Perfectly in character and that double page spread. That was a work of art. Also talk about subverting expectations. We all thought Rocket betrayed the team in some way during a crucial point. Nope, just decided to leave. Brilliant story writing from Cates. Interactions. As always with a team book, the story lives or dies on the interactions. Like he has proven so many times already, Cates gets the Guardians and more so for this issue nails Rocket's and Groot's friendship and what Rocket means to the team. Also Cosmo and Lockjaw were hilarious. The Church of Truth. A classic Guardians villain who have ramped up their goals a ton. Instead of the stories of the past, they feel like threats again just like in Abnetts run. The Bad: There really is none. Only reason I'm not giving it a 10 is that I usually reserve those but boy does it come close. Conclusion: Cate's shows he knows how to write a damn great Guardians book and it's obvious here. This is most definitely a book you should pick up even if you only like one of the characters.

Prelude: While it's wrapping up soon to make way for Ewing, Cates still needs to finish this arc of GotG. Is he up for the task? The Good: Cliffhanger is interesting, that's for sure. I enjoyed the whole "Peter vs. the World" dynamic in the issue. While they are misguided, I do like the Universal Church of Truth's justification here. The Bad: Look, if you have to explicitly state who the cliffhanger is to ensure audiences aren't confused on who it is or why it's important, then you haven't written it well.... What do you mean I usually don't care for this exact scenario when reading Justice League? Really? Oh well, it's here anyway but no points lost then. You happy with that? Solicits are here for the new Guardians of the Galaxy series under Ewing and guess who I spot on the cover? Rocket. Guess this whole "Death of Rocket Raccoon" stuff doesn't take. Also, a lot of what makes Guardians great are the characters and there isn't much here. Conclusion: It's a solid story that is ruined slightly by Ewing's approaching time on the book. Having Peter as the sole survivor does bring in some highlights but ultimately harms the issue moreso than help it.

Prelude: I've been loving Cates' Guardians of the Galaxy, so let's see if Cates can keep up this momentum. The Good: Seeing the Magus was good and his current backstory is definitely an interesting situation. Much more interaction between the team which I loved. I'm interested in this old Drax we've got. Rocket's death does seem to be coming and serious though... The Bad: We all know Rocket isn't going to die. Also there isn't much plot development. Conclusion: Bit of a weaker issue this time around but it's mostly set-up for the final two issues of Cates' run.

Prelude: It's the second last issue of both Faithless and Cates' run on Guardians of the Galaxy. Let's see how it goes. The Good: Loved Moondragon in this. Cates shows her power and her fragility with Drax. While Rocket is obviously safe, it is comics and Ewing's Guardians show he's alive, I am interested to see how he gets out of this mess. Just when you think the rest of the Guardians will be saved for a massive fight next issue, Cates turns the story back around. The Bad: I do wonder how they will resolve this in a satisfying way next issue. Conclusion: Another great issue of Guardians but I am concerned with how Cates will land this ship in #12.

Prelude: It's the final issue of Cates' run on Guardians of the Galaxy but it's also the end of his time on Cosmic Marvel. Let's see how it goes. The Good: Rocket was great in this issue. Pretty much every scene he was in was great. Moondragon's scene with Drax. Man, that was good. I love how Cates tied this story to his other books. It's something he always pulls off well. Those last couple spread pages. Those were great from the creative teams of those books. The Bad: Nothing. Conclusion: A fitting end to Cates' GotG and Cosmic Marvel as a whole. It's a shame it had to end but we're also getting Ewing on the title next so I'm hyped for that.

Trade Summary: A great first arc from Cates of his two. Shaw's art is mostly great throughout but the best parts of this trade comes from the characters and their interactions with each other.

Prelude: It's time for Al Ewing's Guardians of the Galaxy. Let's see what he can do. The Good: I really like the Guardians in this issue. The Olympians are really cool. I love how tactical everyone is. Juan Cabal's art is great. Cliffhanger is interesting. I like the ties to recent events. The Bad: Nothing. Conclusion: A perfect start for Ewing's Guardians of the Galaxy. Can't wait for more.

Prelude: Ewing started GotG off perfectly last issue. Let's see if he can do it again here. The Good: Love Peter in this issue. Feels like Abnett Star-Lord, less MCU Star-Lord. I love the Olympians in this issue. Really liked Heather and Phyla-Vell's moment. That ending was great. Loved Cabal's art. Works so well. The Bad: Nothing. Conclusion: Ewing, you've done it again.

Prelude: I've been loving Ewing's Guardians of the Galaxy so far, so let's see how this third issue goes. The Good: I enjoyed the I Am dialogue even if it could've been conveyed better. The Drax and Moondragon scene was nice. I enjoyed seeing how Gamora is reacting to Peter's supposed death. Cabal's art was great yet again. The Bad: Nothing. Conclusion: A completely different paced issue then last time but it conveys its story well. Another great issue from Ewing.

SPOILER WARNING!!! (The Darkstars are coming!) Writer: Robert Venditti Artist: Rafa Sandoval and Jordi Tarragona Whilst we are technically in a new arc, it is basically a continuation of the last one, which served to set up the conflict. Will the GLC hold off the Darkstars or will they die out? Now that the set-up is finally over and the threat has been established, the Darkstars finally start their war on the Green Lantern Corp, with a frontal attack on Mogo. Meanwhile we get reintroduced to our group and lay out a plan and catch up on what each was busy doing. The best part of this was Hammond changing the scenery and appearances of each of our heroes, going from a birthday party to a baseball game to the beach, all complete with appropriate clothing. John also establishes that the Green Lantern Corps have been issued a no-kill order. On Mogo, Tomar-Tu and Kilowog fight it out, stating their perspectives on the issue which is done really well, before the Darkstars teleport to the Sciencells which have been moved to avoid the criminals being killed by the Darkstars. This leads to more fighting between the two factions which looks amazing with the art in this issue, like usual. Meanwhile Kyle, Guy, Orion, Arkillo and Zod creating an elaborate distraction for the other quarter of the team. Like always the constructs from Kyle and Guy are amazing and fits into their characters so well. Whilst this happens, Kilowog and Tomar-Tu continue brawling before the Guardians decide to step into the fray. After all of this fighting on both fronts, it is revealed that Hal and Hector are at the Darkstars base and seek to unplug the Controllers now that all of the Darkstars are either at Mogo or attacking the other part of the team. We finally get the fight between the GLC and Darkstars which while it takes up most of the issue, looks beautiful and portrays the perspectives of each side extremely well. Pros: Art - Hal n' Pals is known for its excellent art and this issue is no exception Perspectives - The perspectives laid out during the fights are done really well Cons: Pacing - Vendetti is known for his slow pacing but I don't mind too much Issue Summary: All-out war Score: 8.5/10

Prelude: It's time. It's freaking time! Stjepan Sejic's Black Label book is here! The Good: I love character driven stories and this fulfils that to a tee. Harleen is very human and well-written. She's believable as a character. I love Sejic's interpretation of the Joker. Oozing charisma but if you cross him, the devil comes out. Speaking of, goddamn this art is brilliant. Sejic really nails it. But the writing is tightly written and plotted tremendously. The Bad: Some slight mistakes in art around the edges. Just something you notice if you look closely at the art. Conclusion: I loved Sejic's work on Sunstone (Yeah, I said it) and he doesn't disappoint here. The only flaws I could find were if I looked ever so closely at the page. It also meets my rating criteria as well.

Prelude: Stjepan Sejic started Harleen with barely a flaw last issue. Let's see how it goes at the halfway 2nd issue. The Good: The Joker is great in this. Perfectly done and oozing charisma. I'm also a fan of this Two-Face. It's similar to his past origins but fits the universe. Hell, the Executioners are interesting too and what they mean for the GCPD and Gotham as a whole. Harleen's time at the GCPD is also a pivotal point of the story, showing the consequences for the GCPD and Batman's take on Gotham's criminals and his code. Harleen is done so well, showing her character and her attempts to avoid her life from spiraling. Sejic's art is also done superbly well. The Bad: Art is slightly off around the edges. Conclusion: Despite some slightly off artwork and that's if you pay close attention, Harleen #2 is utterly amazing. Every aspect works well, the writing is tight, characterisation's are amazing and it asks the right questions. Easily my favourite Harley origin and the series isn't even done.

Prelude: It's the final issue of Harleen so let's see what Sejic has in store for us this time. The Good: I usually don't like starting off reviews talking about the art since it looks like I'm grasping for straws but come on! Sejic's art, his layouts, everything on that side is utterly amazing. The characters are great and believable. Hell, I even believe Harleen's descent into Harley Quinn which was also going to be the hardest sell for this book. Two-Face was amazing. I love what Sejic did with his character. There are some of Sejic's fan made Harleen comic in here and I loved those scenes. Though little, the Batman scenes do reinforce the world this exists in. Joker was great. Charismatic but ditched Harley the moment he could. Perfect and consistent characterisation. I do love what little was saw of Ivy. Reinforces the theme and sets up for possible storylines if DC gives Sejic more (Please do!) I can see how the time jump rubbed people the wrong way but I liked it. It doesn't matter to this story what happened in those years, it's purpose is to show Harleen's descent into madness and becoming Harley Quinn. The Bad: Nothing. Absolutely nothing. Conclusion: It's a set of perfect 10's across all three issues. It's tremendous writing and artwork from Sejic. DC, PLEASE GIVE SEJIC MORE ISSUES OR SERIES' TO CONTINUE THIS!!!

Prelude: While I've read Fraction's Hawkeye, I haven't seen much else from Kate. A friend loaned me his copy of Hawkeye (Though this one says Private Eye for some reason) so I figured I might as well read and review it. The Good: I really like Kate and Thompson writes her extremely well. Perfect understanding of her voice. Romero does some great artwork here. It has this charm to it that works brilliantly. Kate's private investigations continues from Fraction's Hawkeye and is looking to be a main focus here and I'm loving it. The Bad: Nothing here Chief. Conclusion: Thompson has Kate onto a great start with this #1. It's funny, entertaining, looks great and has good promise for the future. The only reason it isn't rated higher is due to my rating system.

Prelude: Thompson's first issue of Hawkeye had a strong start so let's see how this issue goes. The Good: Loving the P.I aspect of this book. Romero's art is great. Really like his "Hawkeye" vision he does for Kate. This is an interesting group Kate is putting together. The Bad: Nothing. Conclusion: Thompson keeps up the momentum from the previous issue here. Kate Bishop is lovable and entertaining to read.

Prelude: Hawkeye has been really good under Thompson so far. Now that we've reached Issue 3, let's see how it goes. The Good: I'm getting some Madame Mask vibes from this group and sticker. The P.I aspect is still the best part of the series. Romero's art, like the last two issues, is great. Really liked Kate this issue. The Bad: Still nothing. Conclusion: Thompson has really been proving herself on Hawkeye. It's fun and entertaining from all angles.

Prelude: It's the end of Kate's first "arc". Let's see how Thompson goes with finishing it. The Good: Kate is freaking great in this issue. Romero's art backs up this issue extremely well. Some interesting developments. Loved the cliffhanger for the next issue. The Bad: Nothing. Conclusion: A great showcase of Kate's character. I love what Thompson has been doing with the character and her supporting cast.

Prelude: It's time for the two part Jessica Jones arc. Let's see how Kelly Thompson goes here, with artist Michael Walsh. The Good: The P.I angle is really played up here. It's been my favourite part of Hawkeye so far, so it works brilliantly here. Walsh's art is really well done. Similar to Romero's and keeps the feel of the book. I loved Jessica here. She really plays off of Kate well. The Bad: A dragon is a bit of an escalation for this series. Conclusion: Though the unexpected dragon did throw me off, this issue utilises the Private Investigator theme extremely well. Jessica and Kate's dynamic is great and Walsh's art is too.

Prelude: Thompson has been going extremely well on Hawkeye so far. Let's see how she goes at the end of this first trade. The Good: Kate and Jessica's back and forth was great here. A real highlight of the issue. I do like that so far Kate has taken both main opponents down through peaceful methods. Pizza Dog is here! Walsh's art continues to be strong. The Bad: Don't like the Inhuman tie. Marvel just keeps forcing that one down and I don't agree with it. Conclusion: While I don't like the Inhuman tie as it feels like Marvel is forcing that on a bit too much, this is still a great issue. Kate and Jess' dynamic is wonderful and I really like how Kate has faced her foes so far.

Prelude: It's time for the second main arc of Thompson's run on Hawkeye. Let's see how Bishop and Thompson go with this first issue of Hawkeye: Masks. The Good: I love the personal side of this issue. It really highlights Kate with her past and present. Likewise, the story is structured to both let you think you know the path and question it at the same time. Romero's art is great in this issue. He always draws action greatly but it's done exceptionally well in this issue. The Bad: Nothing. Conclusion: A great personal issue to start off Masks. This looks like this arc is where the main story will progress and I can't wait for more.

Prelude: Thompson started Masks to great success last issue. Let's see if she and Romero can continue that in this issue. The Good: I really like the double story within this issue. Always interesting seeing events unfold in two different times that correlate with each other. Got the P.I side of the story back. Romero's art is good. The Bad: I feel like the issue is a bit too overstuffed. Conclusion: Strong within parts but there are too many to play with at once here. Overtime this would improve as they intertwine but currently it feels like too much.

Prelude: Last issue was a bit of a drop for me due to the overly packed issue so let's see if Thompson rectifies that in this issue. The Good: The two part side story worked well here. Cliffhanger is interesting as we 99% know who it is. Loving Kate and all the differing friendships she has. Her supporting cast is quite interesting. Romero's art is great again. The Bad: Nothing. Conclusion: It's a slower issue but it does serve to show Kate's character and prepare herself for the rest of this arc. So far been loving Thompson's Hawkeye so I hope that continues.

Prelude: Hawkeye: Masks has been great so far so let's see if Thompson can keep that up. The Good: I do like a look into Fake Kate as it shows the difference in our protagonist and antagonist. Perception is a powerful tool and it's used well here. Romero's art is great here. It's great seeing Kate think on her feet. The Bad: Nothing. Conclusion: A very fast issue but a very important one in that. It explores the difference in our hero and villain and how each perceives the other.

Prelude: It's the final issue of the current Hawkeye arc concerning Madame Masque. Let's see how it all fits together. The Good: Some great writing for Kate in this issue. I haven't mentioned it recently but Thompson writes Kate to a T and it definitely shows in this issue. It sets up the next arc well and it feels organic. Romero does some great art in this issue. Thompson continues the theme of Kate trying to defuse the situation peacefully... in the end this time but still. The Bad: Feels slightly unresolved. Conclusion: While it feels a bit unresolved this is still a great issue and story for Kate Bishop. Thompson understands the character and you can tell that.

Prelude: A side story with Laura and Kate. What could go wrong? The Good: I love Kate and Laura's dynamic. It's a simple plot but it works so well with Kate's recent events and Laura and Gabby's own origins. Walsh's art was good, similar to Romero's but it served it's purpose. I loved that cliffhanger. Can't wait to see what happens. The Bad: Nothing. Conclusion: Let's face it, most of the score comes from the character interactions but it works so well. Seeing these three react was great and that cliffhanger makes me excited for what's to come.

Trade Summary: Two great stories from Thompson's first trade on Hawkeye, though I prefer the second and shorter one of the two. Highlights are easily Kate herself, the art from Romero and Walsh as well as the Private Investigator angle that Thompson is utilising. Really strong first trade.

Trade Summary: The second half of my (loaned) copy of Hawkeye: Private Eye, this story focuses on Kate and her relationships and continues a couple motifs that Kelly Thompson has been using throughout the run so far. Plus the last issue is just a bunch of fun.

Prelude: I'm always up for more Hawkeye stories and with Otto Schmidt on art, I'm looking forward to this. Haven't read anything from Rosenberg but let's see what he can do with Hawkeye: Freefall. The Good: Rosenberg's voice for Clint is spot on. Absolutely love it. I really like the team-up here. Schmidt's art is great. Ronin is really cool. The Bad: Nothing. Conclusion: A great start for Hawkeye: Freefall. Rosenberg gets Hawkeye and it shows throughout the issue.

Prelude: Rosenberg started Hawkeye: Freefall with a great first issue. Let's see how that holds up for the second issue. The Good: It's cool having so many different characters interacting with Clint. Ronin is cool. That cliffhanger. Otto Schmidt's art is great The Bad: Bit confused on the continuity with Tony showing up. Conclusion: Another great issue with my only problem dealing with continuity. Can't wait to see where it goes.

Prelude: Hawkeye: Freefall has been pretty great so let's see how Rosenberg and Schmidt go on this issue. The Good: Clint is always great at dating. Interesting idea for Clint and how he's trying to protect it. Things are heating up. Loved Schmidt's art. The Bad: Nothing. Conclusion: Another freaking great issue. I just love this series so much.

Prelude: I've been loving Hawkeye: Freefall so far so let's see how this issue goes. The Good: I like the humour in this issue. It's all setting up for massive failure for Clint. Schmidt's art is great like always. The Bad: Nothing. Conclusion: Another great issue of Hawkeye: Freefall. This mini has been great so far and I can't wait to read it in trade.

Prelude: Hawkeye: Freefall has been consistently great. As we reach the penultimate issue, let's see how Clint fares. The Good: I really enjoyed the Fisk scene. Schmidt's art is great as expected. Clint's rampage against Parker was fun to read. Always enjoy the whole "everything goes wrong" styled stories. Even Night Nurse gets a great scene. The Bad: Nothing. Conclusion: A wonderful issue with great scenes. Can't wait to see how this series ends.

Prelude: Venditti has been killing it on Hawkman which remains a real underrated title but let's see how it goes with good ole Year of the Villain. The Good: Really like the focus on the relationship between Carter and Shade. Likewise, we can see that Hawkman is becoming a bit more unhinged. Maybe he's come down with a bit of a cough? The Bad: Shadow Thief is quite one-note in his actions and motive. Conclusion: Hawkman uses Year of the Villain well here to move it's story forward and it looks like it'll be joining another event soon as well. Venditti is doing amazing work on this title though so I trust him to use these effectively.

Prelude: As we continue into Hawkman's Year of the Villain story, does it all wrap up properly? The Good: Sky Tyrant has a lot to work with and can be quite interesting. I loved the conflict between Shade and Carter. The Bad: Shadow Thief was ok but really could have been much better. Conclusion: It's a strong enough story overall but as we now transition to the Infected, I wonder if Hawkman can survive all of these tie-ins.

Prelude: It's time for the Sky Tyrant! I'm excited and interested to see how Venditti deals with the Infected so let's jump in. The Good: I really like Sky Tyrant in this. Twisted and seeks the immortality, Venditti ties him so well to the established Deathbringer mythos. Sheyera is here! I loved the spiritual battle. Reminded me of Superior Spider-Man. The Bad: Nothing. Art is a bit rough but nothing major. Conclusion: A great start for Sky Tyrant and Venditti portrays the contrast between him and Hawkman so well.

Prelude: Venditti has done a great job with the last issue and the start of Hawkman's "The Infected" arc. Let's see how this issue unfolds. The Good: I really liked the Shayera vs Sky Tyrant fight. Sky Tyrant is interesting here especially how he relates to the greater Hawkman mythos. The Bad: The Black Journal just seems to be another cheap item. Conclusion: Another good issue, bit of a drop from the last one though.

Prelude: It's been an interesting time with Sky Tyrant. Let's see what Venditti does in this issue. The Good: Sky Tyrant is still cool and I like his motivation. Finally an explanation on how Hawkman was infected. I like this team that Hawkwoman is forming. Ties the run together quite well and pays homage to Hawkman's past. The Bad: I'm starting to learn that I shouldn't think about continuity anymore since so many stories don't make sense with each other. Conclusion: Another good issue of Hawkman, only real problem with it is continuity but we get some needed explanations and some good plot movements.

Prelude: Hawkman has been doing well recently so as Sky Tyrant continues his reign, let's see how it all goes. The Good: Love the teamwork between Strange, Hawkwoman and Atom and the lengths they will go to to save Carter. Art was good. Carter and Sky Tyrant's chats were funny. The Bad: Nothing. Conclusion: Yet another great issue for Hawkman. I'm loving how Venditti is tying this editorial event to his own story.

Prelude: Hawkman has been great so far with it's Infected storyline. Let's see how it continues. The Good: Love Carter fighting back. Shayera is great in this issue too. Can't wait to see where things go. Really good art here. The Bad: Nothing. Conclusion: A wonderful issue that is just put together so well. Can't wait for when Hawkman comes back.

Prelude: Hawkman has been consistently great as of late. Let's see how Miasma of Fear goes. Also, man poor timing Venditti. Wrote this back in October, but still, poor timing. The Good: I love the idea of one of Carter's lives be a plague doctor. Really good insight into the times and how Hawkman and Hawkwoman work within it. Love the art in this issue. The Hawks are back together. Really intrigued in the cliffhanger. The Bad: Nothing. Conclusion: A wonderful issue that really highlights the strength of the title. The Hawks are back, the history is strong as ever and I'm really interested to see where the next issues take us.

Prelude: I've only read Zeb Wells' Ant-Man which I've been enjoying so let's see how he does with some mutant based stuff. The Good: Sinister is always fun to read. I like the look into the more evil side of mutantkind. The infographics are great, really show off Empath and Hellions. Segovia's art is good. The Bad: Nothing. Conclusion: While the cliffhanger leaves me a bit confused, this was a great first issue of putting the team together. It's a matchstick pyramid and I can't wait to see how this team deals with that.

Prelude: The halfway mark for Hickman's House/Powers of X story. How is it all shaping up at this point? Let's find out. The Good: It's all coming together now. Powers of X is impacting on House and man is it good. Emma Freaking Frost. She ruled this issue and the courtroom scene is the highlight in what is already a flawless issue. Maybe it's because I prefer simpler stories but I really liked this issue's simplicity The X-Men work as a fully competent team at last. I love that everyone at Orchis know they're screwed. Conclusion: While I've always loved Hickmen's HoX and PoX, he has kicked it into high gear this issue.

Prelude: Hickman has been killing it on House of X which has been my favourite of the two books. After last issue's cliffhanger, let's see how the X-Men are holding up. The Good: Can I just say everything? No? Damn. Characterisation was on point especially for Cyclops, Nightcrawler and Wolverine. Really love the talk between the last two. Due to the issue being more action focused we only got one new infographic but it was great. Ties extremely well with this issue and helps greatly for new readers to understand the X-Men universe. Art was amazing but that really should go without saying. Larraz is bringing their A-game to this book. Seeing the X-Men work together as a coherent team was great to see. Actually made the issue more impactful The Bad: Nothing. Seriously, I've got nothing. Conclusion: Hickman is revolutionising the X-Men universe and I couldn't be any more happier with what he has done.

Prelude: Back to House of X we go. Nothing against Powers of X but I have always found House the better title. I pray that this continues. The Good: WHAT THE HOLY ----! Goldballs. ----ing Goldballs is important. What the ----! And the process that they introduce. It's freaking amazing! This flips everything on it's head, after everything has already been flipped on it's head. The characters really get to shine here, throughout the issue. Though I cannot knock the cultish vibe that permeates Krakoa right now. Time for some token positives that every issue knocks out of the pack. The art and the infographics are great. Both of this issues infographics were beyond great. I love the worldbuilding that these two brought us this issue. THEY ARE BRINGING LITERALLY EVERY MUTANT TO KRAKOA. EVEN APOCALYPSE! The Bad: You're joking, right? Conclusion: Why does it have to be out of 10? Can I, just this once, go to 11 or something? I wish I could.

Prelude: It's the final House of X issue. One more after this one. It's time for Hickman to stick the landing before Dawn of X. The Good: Xavier's speech to humanity was so good and it had the added bonus of tying this story fully into the current continuity. The First Meeting of the Quiet Council. Man, that was so ----ing great. I loved every single aspect of it, the whole fleshing out aspects of Krakoa. Man, so good. Which brings us to this issue's infographics. I loved the Government one which revealed the entire Quiet Council bar one (which benefit of hindsight helps me with), and the laws one. Laws were simple but really showed where things stand within Krakoa. Oh, and as a modder for Civilization VI creating Superhero Civs/Leaders, the last one will be very useful. The characters all feel so right here. They aren't how they traditionally are but they fit the story insanely well. Seems that the Mutants are having a good time at that party at the end. A very good time and I'm very interested to see where that line goes. The Bad: Look, do you expect me to put something here? Conclusion: House of X wraps up in stylish fashion. Everything I could possible want from it and more. With Powers of X finishing up soon, I'm plenty excited for Dawn of X.

Prelude: I haven't been fully keeping up with Immortal Hulk but the issue says it's before #14 which I've read past so I should be fine. The Good: I really liked the dynamic between Peter and Bruce. Loved that scene at the end. Comedy was good. Molina's art was good as well. The Bad: Nothing. Conclusion: A really good one-shot. Taylor is always great with his characters and it shows here like always.

Prelude: It's time to read Fraction and Brubaker's Immortal Iron Fist. Two writers I have loved reading and a strong art team. Hopefully that will balance my extremely low knowledge of Iron Fist. The Good: I love the historical aspect to this issue. It let's me get a sense of history with the character and it intrigues me. Without knowing anything about Danny, I'm intrigued in his character here. David Aja's art is good here. The Bad: Story feels a bit off and confusing here. Conclusion: While I'm definitely intrigued by the story and it's possibilities, I'm left a bit too confused from this issue and it feels a bit off. That's my impression at least. But otherwise some good art from Aja and the historical aspect makes me excited for the future of this series.

Prelude: Brubaker and Fraction have definitely gotten me intrigued about this series with their first issue, but have yet to fully sell it on me, which I think is due to my lack of Iron Fist knowledge. The Good: Another great look into the past Iron Fists. It's small but I like how Civil War is influencing the comic. Ooh, I love that cliffhanger. Aja's art is great here and I see parts of his future Hawkeye work slipping in, but the style works wonders for Iron Fist. The Bad: Nothing. Conclusion: Fraction and Brubaker improve from their first issue greatly. I'm fully on board with this historic view of Iron Fist as well as how this creative team is juggling multiple stories at once.

Prelude: Last issue sold me on this new series, so let's see what Fraction, Brubaker and Aja have in store this time. The Good: Still loving the historical aspect. The story is starting to tie together now and it works well. Aja's art works for Iron Fist so well. The Bad: It's pretty much just set-up. Conclusion: It's a slower issue but one that is needed. All the pieces are starting to come together and the halfway mark of this first story.

Prelude: After a bit of a rocky start, Immortal Iron Fist has been an entertaining read. Now that we're past halfway for the first arc, let's see how Brubaker and Fraction go. The Good: Orson and Danny are interesting in this issue. As a contrast, I'm interested with Davos and his relation to our two main characters. Aja's art is great. The Bad: I'm a bit unsure with where the story is heading. Conclusion: While I am slightly unsure with the story, I am still having a blast. Aja has amazing art and the three main characters are really interesting.

Prelude: The Good: Loving what I saw from Orson this issue. Really like the mystical side of this issue and expansion with the Immortal Weapons. Aja's art is great as always. I do like the Defenders getting involved in this. The Bad: Nothing. Conclusion: A great issue as we near the end of this arc. I especially liked the worldbuilding done in this issue.

Prelude: It's the last issue of "The Last Iron Fist Story" (I doubt it), so let's see how Fraction and Brubaker go with finish this arc. The Good: Orson's death is done well and sets up Danny for future stories. Hell, Orson was generally great this issue. I do like this cliffhanger we have here. David Aja has some utterly amazing art here. The Bad: Nothing. Conclusion: An amazing conclusion to this first arc. A great story in of itself but I can't wait to see what Fraction and Brubaker have prepared next.

Prelude: For this standalone issue, we're off to Pinghai Bay to see Wu Ao-Shi. After seeing her briefly in The Last Iron Fist Story, I'm intrigued for this issue. The Good: Wu Ao-Shi is an interesting character. I do like how it ties into the sense of duty and if being Iron Fist is a curse. The Bad: Art is off a couple times. Conclusion: A good simple story. Nothing too big or challenging just a nice story to read.

Prelude: It's time for the Seven Capital Cities of Heaven. Brubaker and Fraction did some great set-up in #6 for this, so let's see how it goes. The Good: Wendell's story is interesting. Good to see that nothing has stopped from the last arc just because a new one started. The Immortal Weapons and the whole tournament is really interesting. David Aja's art was great. The Bad: Nothing. Conclusion: A great issue of Immortal Iron Fist to start off a new arc. It's straight forward enough but juggles it's many stories well.

Prelude: It's time for the first and only annual of Immortal Iron Fist. Let's see how things go without Aja. The Good: I do like a further look into Orson's life. The Bad: The art really isn't working for me. It's quite boring and that's especially a problem for an annual. Conclusion: While a further look into Orson's life is a great idea, I found the annual boring to read and the art didn't help with that either.

Prelude: The Seven Capital Cities of Heaven started out strong last issue. Let's see how it fares here. The Good: I really like the mystery in this story. Loved the fight between Iron Fist and Fat Cobra. Orson's daughter is really interesting so far. Aja's art is great like always. The Bad: Nothing. Conclusion: Another great issue from Fraction and Brubaker. This series keeps getting better and better.

Prelude: The Seven Capital Cities have been great so far. Let's see if Brubaker, Fraction and Aja can keep that up in this third part. The Good: Love the Wendell part of the story. The tournament aspect is still fun to read. I like how people are reacting to Danny's absence. Likewise, it's great seeing the inner workings in K'un-Lun society. The Hydra and Heroes for Hire subplots retain their interest. Aja and Kano bring some great art to the table. The Bad: Nothing. Conclusion: Brubaker and Fraction take Immortal Iron Fist to new heights in this issue. One thing that the series needs to be commended on, is it's ability to juggle multiple stories effectively.

Prelude: The Seven Capital Cities of Heaven has been a pretty great arc so far so let's see if Fraction and Brubaker bring the fire to the fourth part of this arc. The Good: I like how things are tying in together with the subplots into our main plot. Likewise, the focus on Davos was really well done. David Aja's art was great in this issue. The Bad: Nothing. Conclusion: A simple issue but an effective one. Events are tying together and our villains are getting the backstory they deserve.

Prelude: Time for the fifth part of the Seven Capital Cities of Heaven. Brubaker and Fraction have ensured this has been a blast so far, let's see how it continues. The Good: The Prince of Orphans was bad ass. Wendell is an interesting twist and it shows the difference between him, Davos and Danny. Aja, Kano and Pulido's art is good but it is a drop from the last couple of issues. The Bad: Nothing. Conclusion: Thought the revolution aspect needs time to grow on me to have an impact on either side, I enjoyed this issue. Can't wait to read the next one.

Prelude: A brief break from The Seven Capital Cities of Heaven (man, I'm not liking how this complete collection is structuring the issues but ok), with Orson Randall and the Green Mist of Death. With Fraction by himself, let's see how this issue goes. The Good: I like the continued expansion on Orson's time as Iron Fist. The character work is really good. Art team is good, some better than others. I like the tie to the main series. The Bad: Nothing. Conclusion: A very good story about Orson and the Prince of Orphans. Helps explain why he's helping Danny in the main series.

Prelude: Immortal Iron Fist has been great so far. As we near the end of The Seven Capital Cities of Heaven, let's see how Fraction and Brubaker go. The Good: I'm liking the revolution here and Iron Fist standing up to Nu-An. It's funny how everyone reacts to Danny having a plan. I loved the fight between Lei-Kung and Davos. Wendell's part of the story was great. Aja and Kano's art was great in this issue like always. The Bad: Nothing. Conclusion: Just when I think that Immortal Iron Fist couldn't get any better it proves me wrong, yet again.

Prelude: It's the Seventh Issue of The Seven Capital Cities of Heaven.... oh, I see what they did there. Well let's see if Fraction and Brubaker can land this story. The Good: I like Wendell and Orson's reunion. Some interesting plot lines and developments revealed in this. The art from the team is good but a step down from Aja's. Danny was really good in this issue. The Bad: Nothing. Conclusion: A great finish to The Seven Capital Cities of Heaven. Brubaker and Fraction tie the many plot threads together and weave new ones for upcoming issues.

Prelude: So close to the end of Fraction and Brubaker's run on Immortal Iron Fist and with that, Fraction brings another issue of a past Iron Fist. Let's see how this one fares. The Good: I like the historical aspect of it. Bei Bang-Wen was an interesting character. The Bad: I don't see the necessity of this issue. It can be a bit boring. Conclusion: An interesting issue but it's a bit boring and I don't see the need for it.

Prelude: The final issue of Brubaker and Fraction's Immortal Iron Fist presented by Matt Fraction for this last issue. The Good: Love the progression with Danny, contrasting him from the start of the series. He's learnt from these two sets of stories. It really is a great wrap up issue. Still deals with it's core history of Iron Fist's. Love the Heroes for Hire ties. Aja has some truly wonderful art here. The Bad: Nothing Conclusion: A celebration of Fraction and Brubaker's run on Immortal Iron Fist, a perfect way to end the series.

Well, that was short. I'm not giving it full review but it's interesting enough as a catch up.

Trade Summary: A great opener for Immortal Iron Fist from Brubaker and Fraction. While it can be slightly confusing at points, it is a great story that celebrates Iron Fist's past. David Aja's art is also truly amazing.

Trade Summary: A great story that is seriously let down by a lackluster annual. Great art otherwise and the story telling is amazing. Brubaker and Fraction create and maintain many different stories happening alongside one another and keep them entertaining before tying them all together.

Trade Summary: The backburner of Immortal Iron Fist. It mainly serves to tell you the stories of three other Iron Fist's and then tie up Danny's own adventure from The Seven Capital Cities of Heaven. A good read but nothing too great.

Trade Summary: Immortal Iron Fist. This was my first time reading Iron Fist and it didn't disappoint. While I loved the first two trades of "The Last Iron Fist Story" and "The Seven Capital Cities of Heaven" as well as it's finale in #16, it falls in it's supporting issues of an annual and one-shots talking about Iron Fists of the past. David Aja brings great art that grows into his style for Hawkeye, and Fraction and Brubaker do some great work to the table with Danny.

Prelude: Incoming aims to solve a murder mystery while showcasing the Marvel Universe going into 2020. Let's see how it goes. The Good: It was nice seeing how the entire Marvel Universe is going right now. The Bad: The detective story fell flat. It is boring at certain points which isn't helped by the length of the issue. Conclusion: If you want a catch up on the Marvel Universe, this works well. However, it is just set-up and falls flat in it's main selling point.

Prelude: Full disclosure, I haven't read any of Slott's Iron Man so let's see how this goes. The Good: I like Arno here. I like the focal point of AI vs. Humans. Interesting cliffhanger. Woods' art is great. The Bad: Bad guys on the human side feel unnecessarily evil or over the top evil. Conclusion: A very good start to Iron Man 2020. While I can definitely see why people wouldn't like this, I really enjoyed this first issue.

Prelude: I actually enjoyed Iron Man 2020's first issue so let's see how it goes for its second. The Good: I do like the intro showing the Robot Rebellion. The heist was cool. I like Pete Woods art. The Bad: Human side still feels overly evil. Conclusion: Like the previous issue, it's good but the human side of things feel too villainy for what should be an even split type of story.

Prelude: I've been enjoying Iron Man 2020 so far, so let's see how it goes here. The Good: I like Woods' art. The Bad: Mark One's death didn't do much. Conclusion: It's passable. That's it.

Prelude: Jessica Jones: Blind Spot is finally in print and that means I can review it now... Also, I started reviewing books way after this was released digitally.... anyway, let's see what Thompson has in store for Jessica Jones. The Good: I like Luke and Jessica's relationship and how it is shown here. I love the interrogation scene. Everything about it was great. Mattia de Lulis art was great in this issue. The Bad: Cliffhanger is basic and we know it won't pay off. Conclusion: A really good start to Jessica Jones: Blind Spot. Hits the notes that it needs to.

Prelude: Jessica Jones: Blind Spot had a good start so let's see if that continues into this issue. The Good: I like all the cameos in this issue. The art is pretty good. That's an interesting cliffhanger. The Bad: Nothing. Conclusion: It's a very good issue but that's it. It is interesting though that a lot of new mini's have this idea of going throughout the Marvel Universe.

Prelude: So far, Jessica Jones: Blind Spot has been very good. Let's see if Thompson can keep this trend going. The Good: Liked Elsa here. I like the mystery and investigation aspect. Art is good. The Bad: Nothing. Conclusion: Another good issue from Thompson.

Prelude: Jessica Jones: Blind Spot has been consistently good. Let's see how this issue fares for that. The Good: Everything is tying togther. I find the powers Dia has very interesting. Quite Monkey Paw based. Still liking the trip around the MU. Art is still good as well. The Bad: Nothing. Conclusion: This issue starts tying everything together and I'm really enjoying it.

Prelude: Jessica Jones: Blind Spot had a great issue last time, let's see how it goes here. The Good: Reality warping always makes for a fun story in my book. Mattia de Lulis' art is good. The Bad: Wait, it's over but there's another issue? Feels a bit weird. Not sure how I feel about Evil Jared. Conclusion: After some good and great issues, this series sort of ends the main arc with an okay issue. It's passable but it doesn't quite standout. Also there's still one issue left.

Prelude: While Blind Spot fell down a bit last issue, it didn't feel like a sixth issue was needed. Anyway, let's see what this one-shot holds. The Good: A nice look into Jessica's trauma. I loved the slice of life this offered. Really interesting lead-in to Purple Daughter. Good art from Takara. The Bad: Nothing. Conclusion: A great issue after the lackluster issue prior. I'm really interested in how Purple Daughter is going to go.

Prelude: Well, I've just finished reviewing Harleen #2 and here's another Black Label Joker story. I trust Lemire and Sorrentino though, so this should be interesting. The Good: Joker is so creepy in this. Despite a similar setting to other books, Killer Smile sets itself apart. Sorrentino's art is amazing. I did not expect it to be this good. Not knowing what is happening fully is worrying and it works so well. Mr. Smiles. The Bad: It's not too much of an original premise. Conclusion: While it is similar to other on-going series such as Harleen and other past books, Killer Smile manages to set itself apart. A great read that leaves me wanting more.

Prelude: Lemire and Sorrentino started Joker: Killer Smile with great effect in it's first issue. Let's see how this creative team goes in the second issue and the books halfway point. The Good: Man, Lemire nailed the creepy tone of this series on the head. Sorrentino's layouts. The art is great don't get me wrong but his layouts are what makes it great. I loved that twist. We've been led to believe Arnell is at least a decent narrator so we believe his perspective and Lemire flips that but allows the story to question his perspective in the very first place. The Bad: Nothing really. Conclusion: Lemire and Sorrentino pick up the pace for this second act and it works wonderfully. I love what this story is doing.

Prelude: Joker: Killer Smile has been great so far. With news of a one-shot coming out later in the year, how does Lemire go with ending this main part of the miniseries? The Good: Love the narration. Sorrentino's art is great as always. Ben's story is compelling. The Bad: Nothing. Conclusion: It's actually a very simple story but it is told so well but Lemire and Sorrentino.

Prelude: After some prologue from Aquaman, it is time for Throne of Atlantis to kick off. Let's see how Johns and Reis go with this first part. The Good: I love the blockbuster vibe that this issue gives. It feels like a movie and I love it. We're continuing the Justice League ideas with Clark and Diana but also Cyborg and his technology/father. But likewise, Aquaman's story and his motifs from his series is being continued here. Reis' art is absolutely phenomenal. He really sells this issue. The Bad: This isn't a single panel done wrong. Great across the board. Conclusion: This issue was outstanding. Not only does this beat Johns already strong Aquaman but stands alone as a masterpiece of modern comics.

Prelude: I've been loving Throne of Atlantis so far so let's see how this issue of Justice League handles the arc. The Good: Orm is ----ing amazing here. I absolutely love the way Johns is portraying him. Sympathetic and reasonable but menacing and powerful. Reis' art just makes this so cinematic. Great work here as always. I love the control the Atlanteans have this issue. It feels thought out and actual strategy. The cliffhanger is so good. I always love these scenes so it being done here earns some points. The Bad: Nothing. Conclusion: Throne of Atlantis has been utterly amazing and this issue only improves upon that.

Prelude: It's the final issue for Throne of Atlantis. As is fitting both Reis and Pelletier are pencilling this issue so let's see how Johns wraps it up. The Good: First of all, this art from Reis and Pelletier is amazing. They really capture the sense of war that this arc requires. Arthur and Orm's battle was great. It really highlighted their perspectives on Atlantis, The Surface World and each other. "I AM YOUR KING!" Vulko's actions and motives are believable. He does think he's doing the right thing and it's interesting to see a character like that. Ultimately, this story is about people making sacrifices to achieve a greater good. This crossover will have consequences for both series, but most definitely Aquaman and I love it. The Bad: Nothing at all. Conclusion: A great ending to Throne of Atlantis which also helps to set up the future for Justice League and Aquaman. It's just a modern masterpiece really.

Prelude: The Justice/Doom War is here! Wait did I just start writing the solicit? Anyway, this is the climax of Snyder's run so Snyder and his team must land this arc. Do they live up to the hype? The Good: THE FREAKING JSA ARE BACK! Ok, got that out of my system. Also Kamandi is here too! I love Time Travel so I'm loving this and the alt timelines. Everyone is ready for war on both sides. Although Lex has made a few assumptions on some players who may not be completely on his side. Speaking of teams, Jimenez is drawing a life changing story. His pencil work has never looked better. The stakes have never been higher and it's felt throughout the issue. The Bad: More of a note on the whole Year of the Villain thing. I think it would have worked out so much better if it started a couple months early. So we had the YotV arcs now rather than in a couple months time. That way they would line up with these issues. Conclusion: Utterly spectacular from Snyder, Tynion, Jimenez and quite frankly the entire team for this issue. The perfect capstone to Snyder's run on Justice League.

Prelude: JSA! JSA! JSA! Sorry, still very happy to see their return. But does Snyder live up to last issue's hype? The Good: JSA! Ok, I'll stop. Seriously, every single thing about the JSA in this issue was amazing, the interactions, callbacks, everything. Meanwhile Snyder and Tynion are having fun with Hypertime with all the potential futures DC has. We've seen Kamandi and Justice Legion A, who knows what else we could get? Batman Beyond? Kingdom Come? There's so much potential. Likewise what they're doing with Pearl Harbour and WW2 feels so right..... that doesn't sound good. But it's peak comic books what they're doing here. Goes without saying at this point but Jimenez's art is on point here. Also that cliffhanger. Did not see that coming. The Bad: I do have questions however, on how the cliffhanger fits into continuity which is something that Justice League has had with this same character. Conclusion: Snyder, Tynion and Jimenez are creating a masterpiece of a story here, a comic akin to Avengers: Endgame. High praise but it's the exact feel I'm getting from it.

Prelude: Scott Snyder and James Tynion IV have been killing it in the Justice Doom War. But now that the art has changed, can they keep up? The Good: You know I would say it. JSA! Still love everything that is happening in the past and future. Love the issue's ending. Art is still good. Less so than last time but it still keeps my attention. The Bad: Similar to last time, I do question Aquaman's involvement due to the timeline and continuity. Oh well. I'm not completely sold on Perpetua yet. Conclusion: While this issue stalls a bit compared to the past two, it is by no means a bad issue. I just wish that some things were cleared up and Perpetua started feeling more important. Which is weird considering how over-hyped she has been.

Prelude: The Justice Doom War has been utterly amazing so far. As we reach part four, are Snyder and Tynion able to keep up? The Good: JSA! (Look, I'm going to mention it every time we see them in this series. It's been too long.) That cliffhanger. Oh, I am so excited. Really like the character development in this issue. Also they explained why Aquaman is here. Sort of. I'll take it. The Bad: Perpetua and the Ultra-Monitor. Yeah, it doesn't work for me. Conclusion: Snyder and Tynion continue on their Justice Doom War and it is still amazing for me. Unfortunately the main threat is still underwhelming which is a concern.

Prelude: Justice League has been immensely strong throughout the Justice Doom War so as we reach part five, let's see how Tynion and Snyder go. The Good: Loved seeing all the heroes come together in this issue. Art was strong even with a change halfway. Original Anti-Monitor is back! The Bad: Kendra was really stupid this issue. Also how the teams got the totality pieces wasn't clear. Conclusion: While it isn't as great as the other issues, this issue was still very strong. However, I hope Snyder and Tynion can stick the landing because this issue makes me feel a bit uneasy on that front.

Prelude: Justice League has been amazing in the Doom War so far. But as the scales tip towards Doom (and screw up every other book's continuity), how does this issue fare? The Good: I do love the multiversal scale this has and how the wider DC Universe realises how screwed they are. It's all doom and gloom and it's appropriate for this issue. We're going to reach Hell Arisen and the DCU isn't going to be in a good shape. Francis Manapul's art was superb. The Bad: Man, I hate to say it since Snyder is usually good with this but continuity. Not only is Aquaman's continuity confusing again (plus every other leaguer due to their own solo series) but the Justice League Dark shot is messed up due to events with Swamp Thing (and Tynion is co-writing this!) and EARTH 3 IS NOT AN EARTH ANYMORE GUYS!!! IT WAS ERASED BY THE ANTI-MONITOR IN FOREVER EVIL AND THE REST OF THE CRIME SYNDICATE WERE KILLED EITHER IN FOREVER EVIL OR AT THE END OF DARKSEID WAR!!!!!!!! PLUS THAT ISN'T SUPERWOMAN OR JOHNNY QUICK! Perpetua isn't threatening. The Anti-Monitor has destroyed Earths, threatened and collapsed the multiverse. Yet one Earth takes considerable effort. Conclusion: The multiversal aspect and the designed gloomy and desperate vibe of this issue was done really well in my opinion. However, the continuity really lowered my score. Also Perpetua isn't threatening or interesting to me which is concerning.

Prelude: While the Justice/Doom War started off tremendously, it has faltered recently. Let's see how Snyder, Tynion and Manapul go with this issue. The Good: I like Lex's conflict within himself and Martian Manhunter coming into assist. The Trinity have always been great with their speeches and this one is no exception. Manapul and Porter's art is great. I actually didn't notice when the art changed. This battle just got turned up to 11 at the end. The Bad: Perpetua, for all her power still isn't compelling or interesting to read. Conclusion: A return to form for the Justice/Doom War. I'm loving the character work here and it's pure comic book vibe. However, Perpetua is completely ineffective in every possible way as the villain here.

Prelude: Snyder and Tynion's Justice/Doom War has been great but it was at it's height with Jimenez on art. But, now he's back! So let's see how this issue pans out. The Good: First up, Jimenez's art is amazing. I do love the wackiness that this issue has to it. Hawkgirl and the World Forger's scenes were great. The Bad: Perpetua still isn't interesting. There are quite some continuity errors within this issue, especially with the Justice League Dark but I'm willing to overlook these. Conclusion: A return to form for Justice League. It's just some wacky comic book fun with some incredible art. Basically a blockbuster film.

Prelude: It's the supposed finale of Snyder's Justice League so let's see how it pans out. The Good: I liked Shayne's sacrifice. It's a nice look into Snyder's run on the title. Jimenez's art stole the show here. The Bad: Apex Lex just isn't good this issue. Still don't like Perpetua. Conclusion: My main concern with the title is that I really don't like the choice of villain here. The overall concept and messages is great but it's in Perpetua and Apex Lex that this story falters.

Prelude: It's the final issue of Scott Snyder's run. But after everything that has happened, can it conclude itself in a satisfying way? The Good: Loved J'onn's speech. The tying together of everything was great. It's going to be interesting to see where things go from here. Jimenez's art is great. The Bad: It doesn't really end. Also it ends on a loss. Not sure how I feel about that. Conclusion: Hmm... this was a hard one. It was good but it's not really concluded is it?

Prelude: Snyder's Justice League is over, now it's time for Venditti's a name a didn't expect to see on Justice League. Let's see how he goes. The Good: Sodam Yat is cool to see again. Interesting choice to put him in. I like Mahnke's art here. The Bad: Can be confusing at points. Conclusion: It's pretty basic Justice League but after Snyder's run, I feel like that's what we need right now.

Prelude: I found the first issue of Venditti's Justice League good enough, so let's see how he goes for his second. The Good: Mahnke's art is good. The Bad: Quite a bit boring. Conclusion: The problem with this issue isn't the bad, it's moreso the lack of good. It exists and that's it.

Prelude: Venditti's Justice League hasn't been working for me so far, but I'm happy to see if that changes here. The Good: I liked how smart Barry was. Mahnke's art was good. The Bad: Story isn't working for me. It can be boring. Conclusion: It's an improvement but not by much.

Prelude: While Venditti's Justice League improved last issue, it really needs to prove itself here. The Good: Mahnke's art was good. I liked Clark's speech. The Bad: Continuity is confusing. Even though I know it won't last it's annoying that Eradicator was killed off. It's boring. Predictable story as well. Conclusion: There were some good aspects to it but ultimately it was a boring and predictable story.

Prelude: Just finished an excellent issue of Venditti's Hawkman, now for the other, weaker title he's doing currently. I found the first arc of Venditti's Justice League rather boring so hopefully this arc goes better. The Good: The action and team dynamic is good. Xermanico's art is good. The Bad: I'm not a fan of the characters arguing against each other to create a rift trope. Spectre seems out of character here? The timeline doesn't make sense with Justice/Doom War and Death Metal. Conclusion: It's an alright issue, it just feels weird and off to me.

Prelude: Last issue was rather subpar so let's see how this issue goes. The Good: The action was really well done. Liking the plot. I really enjoyed Barrows' art. The Bad: Nothing. Conclusion: For maybe the first time, I actually enjoyed an issue of Venditti's Justice League.

Prelude: No longer just an hour, the Witching War is upon us. Despite less set up than Snyder's Justice/Doom War, does Justice League Dark deliver a promising issue? The Good: Maybe it's the fact it's magic. Maybe it's Tynion's writing (Probably). But the stakes like always feel high. The Legion of Doom Dark? Injustice League Dark? Whatever, I'm really like Circe's team. Magic is weird and wacky and we get that from the team. Also the sudden obsession with the moon made sense by the end and boy am I loving this. Art is great as always. Goes a bit underrated but it's always great on this book. Diana's and Zatara's conversation was wonderfully done. Loving what this book is doing with all of it's characters. Conclusion: Whilst having two war stories this week, they both work well including the Witching War. Circe's Legion of Doom are shaping up as a big threat whilst the Upside-Down Man hangs over our heroes.

Prelude: Justice League Dark has been amazing so far and with the Witching War upon us, let's see how this all turns out. The Good: Circe is outmaneuvering the JLD at every turn. She's got her plan and she's executing it flawlessly. Also love what Wonder Woman did with the magical items. She's the retaliation to Circe's plans but she can't keep up. Loving what Nelson and Khalid are doing now. Still proving valuable to the team without Fate. I got some real Immortal Hulk vibes from one panel. You know the one. Damn, that body horror was great. Art was consistently great throughout as well. The Bad: Look above. Do you think there's problems in this? Conclusion: A perfect chapter in the Witching War. I am amazed at Tynion's skill to pull this off but he has done it.

Prelude: Tynion has always been this sleeper writer that I've known as good but not legendary but when I look at his work it's been fantastic. It's time to see how this part of the Witching War goes. The Good: Eclipso is so threatening here. It's something Tynion just pulls off with ease with so many characters. Circe too. She gets sidelined quite often recently but she has power and man, she uses it here. Especially with the trippy Wonder Woman confrontation. Small detail but huge props to Alvaro Martinez and Raul Fernandez. Speaking of, their art and layouts do not disappoint. A staple of JLD that is done so well. So much world building for the world of magic and it just works. Bobo is figuring out what's gone wrong and just when he does, Circe out-tricks them all again. The Bad: I cannot fault this issue for a single thing. I'm loving this ride and I don't want to get off. Conclusion: Another out of this world issue from Tynion and co. Justice League Dark remains one of DC's best books. Every frame of this issue was a masterpiece.

Prelude: Justice League Dark has continuously been one of my favourite titles, so let's see how this issue goes. The Good: Circe's origin here was really well done and her temporary deception was cool too. Bobo as always works out what's gone wrong. Also that scene shows how Circe sees Wonder Woman and it shows the difference between the two. THAT WAS FREAKING DARK ZEE! Goddamn! Upside-Down Man is back!!!!! Fernandez's art was phenomenal this issue. The Bad: I freaking loved this issue. So no, there isn't anything bad. Conclusion: Another interstellar issue from Tynion and Fernandez. Creative, well-written and drawn, this series is easily one of DC's best books.

Prelude: It's the fifth part of the Witching War. Let's see what Tynion has in store for us this month. The Good: I love Constantine's "plan". The Upside-Down Man was great. That cliffhanger!!! That is some great art and layouts from Bueno and Fernandez. The Bad: Nothing. Conclusion: Another great issue from Tynion. I am loving the Witching War and this issue easily shows why.

Prelude: It's the conclusion to The Witching War and Tynion's run on Justice League Dark before he begins his handover to Ram V next month. Let's see how it goes. The Good: Love Kirk's question and framing at the start of the issue. How everyone sees magic in it's own different way but still something negative and to be feared. Constantine's idea of magic sounds right. Triple Wonder Woman! We have Hecate, Lord of Chaos and Traditional Wonder Woman. Way to tie the series together. Why can't Tynion write Wonder Woman's solo? He understands her so well. It'll be interesting to see where things go from here. Alvaro Martinez Bueno's art is great. The Bad: Nothing. Conclusion: A wonderful conclusion to the Witching War and Tynion's run on the series. All that's left to do is the passover to Ram V.

Prelude: Time for the handover between Tynion and Ram V. Let's see how this goes. The Good: Animal Man is always good. I enjoyed Hotz's art. The horror vibe is cool I really like how this plays off of Tynion's run. The Bad: Weirdly enough, I feel like something's missing. Conclusion: It's a great issue, don't get me wrong. It just feels like it's missing something.

Prelude: Justice League Dark has started off greatly with the addition of Ram V. Let's see how this issue goes. The Good: Abigal's story is very interesting here. I'm intrigued in where it will go. Bueno's art is great. Especially with the mystical side with Constantine and Zatanna's part of the story. I always love trippy art in this book. The two main stories are handled very well, even with the Animal Man aspect moving slower. Even though it was very weird at first, I loved that Queen reference. The Bad: Nothing. Conclusion: Another great issue. Ram V has proven to be a great addition to the title and is keeping up to Tynion's pace in the script.

Prelude: JLO has been shaping up well recently but this is a whole new arc now so Abnett must prove himself in this new chapter. The Good: Getting a big Guardians of the Galaxy vibe from this new team which I'm not complaining about, I loved Abnett's Guardians. I also like Jess' new powers and I'm not mad they brought her back already. Darkseid's presence is felt really strongly here and I love it. The Bad: Jess is a bit too overconfident. Maybe it's due to her recent rebirth but it doesn't sit well with me. In general there's a lot of arguing in this issue. Conclusion: Abnett brings together a new team akin to his earlier work on Guardians of the Galaxy with Marvel. However, this does bring the same problems they faced with constant arguing and some characterisation in this issue does feel off.

Prelude: Justice League Odyssey has been interesting but also constantly shifting in quality. Let's see how that goes for this issue. The Good: The reveal was good although predictable. It's a character driven issue and I feel like it did a good enough job. The Bad: Off the bat, the art is shocking. Sorry to say that but it is. Jessica is way too forceful for how she should be. I'm wondering if that's due to the Omega Force but for now, it'll be in this section. Oh look, a big bad monster as the cliffhanger! Such innovation. Conclusion: It's a bit of a subpar issue. Yes, some parts were good but art, Jessica and the cliffhanger do force this below a 7.5 score to a 6.5 one instead.

Prelude: JLO took a dive last issue in quality but hopefully this issue can rectify those mistakes. The Good: Woo! Jessica sounds like herself again! Art is also back on track. Dex-Starr was great this issue. You know the scene. I'm intrigued with that cliffhanger. The Bad: It's a basic issue but that's not too much of a fault. Conclusion: All the problems I had last issue is gone and the parts I liked are improved upon. It's a simple issue but it works well.

Prelude: Justice League Odyssey hasn't had the best ground to stand on so let's see how Abnett goes this issue. The Good: I like how Orion believes it has to be Darkseid no matter what. Blackfire and Dex-Starr were fun this issue. The story is coming together now. The Bad: Orion is quite weak. Weaker than he should be. Conclusion: While Orion is much weaker than he would reasonably be, I do like how the issue is tying the story together.

Prelude: Justice League Odyssey has been climbing back up recently. Let's see how Abnett fairs with this issue. The Good: Gamma Knife is a lot of fun. I still like the Cyborg and Jess part of the story. Conrad's art was good. That's an interesting cliffhanger. The Bad: The villainy is a bit basic. Conclusion: Though the villainy outside of Ping was quite basic, this was a good issue. JLO is showing itself to be worthwhile in this new arc.

Prelude: Justice League Odyssey has been improving as of late so let's see how Abnett goes with this issue. The Good: Love the Jess and Victor stuff. Epoch is cool. Rewriting time is a cool concept and can help with the continuity issues. Conard's art was good. The Bad: Nothing. Conclusion: A really good issue from Abnett. I really like Epoch and it's an interesting direction for the story.

Prelude: Recently, Justice League Odyssey has been really good, so let's see how that unfolds in this issue. The Good: The New Gods are cool and interesting even if 1/2 of them are just cannon fodder. Epoch's approach is interesting. Conrad's art was good. The Bad: Story feels like it's moving slowly. Conclusion: It's a very good story but I feel like it's moving a bit too slow at times.

Prelude: Justice League Odyssey has been rather consistently good recently. Let's see if it can keep that up. The Good: I like the light Time Travel used here. Jess is great in this issue especially with the comparison to the earlier issues of the story. Conrad's art was good. The Bad: Nothing. Conclusion: Another good consistent issue. While nothing groundbreaking, Justice League Odyssey is providing an engaging story that I look forward to every week it's in.

Prelude: It's Jason Aaron's last Thor story. King Thor. I'll be honest, while I like the character of All-Father Thor, I've never enjoyed his stories and can never remember which granddaughter is which. Hope that improves here. The Good: Art is great but it's Ribic. It wraps around from Thor: God of Thunder brilliantly. While the War of the Realms have taken up most of Aaron's run, the first two arcs of Thor: God of Thunder and King Thor work great as bookends. Hey, I'm finally learning which daughter is which! The Bad: Loki seems to be a bit... off? But it's a bit of a moot point with how far in the future this is. Conclusion: As Aaron's time on Thor ends with Cates fast approaching, King Thor appears to be the perfect end to the run, mirroring it's beginnings at the end.

Prelude: King Thor started majestically in its first issue. But now that the story has started rolling, will Aaron keep this quality up? The Good: Loki is a lot better now than he was before. Bit of a combination between last issue's Loki and the one we all know. Gorr's motive is logical considering what he has seen I liked the Thor and Loki moments. Art was strong throughout the issue. Ribic is going all out here. The Bad: The Girls of Thunder basically did nothing this issue. Conclusion: Another strong chapter for King Thor. I'm loving this series and can't wait to see where it goes next.

Prelude: King Thor has been going wonderfully so far, let's see how Aaron goes on this issue. The Good: The Goddesses of Thunder are back and boy is it great. I loved seeing the Gods of Answered Prayers. Such a great callback and something that makes sense with Aaron's themes in this series. Ribic's art was great in this issue. The Bad: Gorr is becoming a bit too much, "Look what I can do now". He's getting too overpowered for this story for my liking. Conclusion: While it continues the great trend of writing from past issues, Gorr's power levels are getting a bit too nonsensical for me.

Prelude: This is it. The final issue of King Thor and the final issue of Jason Aaron's Thor epic. Let's see how Aaron and Ribic go on this issue. The Good: A wonderful end to Thor the All-Father. Really like what Aaron did with this alt future. I loved the library scenes. One especially made me tear up. The many reborn Thors was great to see and a wonderful payoff that started all the way back in God of Thunder. The art is spectacular here. Props to everyone involved. The Bad: Nothing. Conclusion: A godlike end to Aaron's entire Thor epic. Man, this issue just makes you tear up. Truly the end of an era in Thor history.

Prelude: The Legion is back! Sort of. Not really. Instead let's follow Rose and Thorn into the future. By Bendis. That Brian Michael Bendis? Yes, that Brian Michael Bendis. The Good: Hmmm.... ok, this will be hard... The art is good as you would hope from an all-star team that Bendis can get... what else. Oh, I also like when we see possible futures so that's something in the books favour.... Anyway, onto... The Bad: Where to start? Bendis Speak is aplenty. You know when it appears in the first panel, it's going to be there the whole story and man, it hurts to read. Continuity problems, mainly in the art but not that big of an issue. The Legion don't even appear in their own first issue. Characters are out of character but then again, I'm not sure what I expected. Conclusion: Bendis proves yet again that he is tackling too many books at once and that he does not understand the cosmic side of comic book universes, see his Guardians of the Galaxy. Though it has clunky dialogue, OOC characters, continuity issues and the Legion don't even appear in the issue, this issue commits the worst sin a comic can commit. It's boring and forgettable.

Prelude: Bendis got off to a... let's just say bad start last issue. Hopefully, this one improves. I mean, it can't get worse can it? The Good: I was wrong, it could get worse. Art is good. That's it. The Bad: Welcome to Easter Eggs: The Issue. Where nothing of importance happens but look at this reference. Ain't it neat? The Legion, which I remind you are meant to be the big characters of this series, it's their book, appear on the second last page. One panel. That's all they get. There's so much else like Bendis-Speak and how boring this issue was to read that I was scan reading it. I just don't want to cover it anymore. Conclusion: Look the only saving grace here is the art. Every single other aspect is horrendous which is annoying since Bendis can write. Oh well.

Prelude: Oh great, it's time for Legion of Super-Heroes #1. Let's see how it goes shall we? The Good: I'm warming up to the idea of having Jon in the Legion and the 31st Century. Aquaman's trident is an interesting artifact to choose. It'll be interesting to see where things go from here. The art from Ryan Sook was great. Really well done and captures the Legion well. The Bad: Look I get it. Legion is generally a lot of information at once and there's no real good way of doing exposition unless you want to either dedicate an issue to it (boring) or slowly give it overtime (convenient information). It's just so overwhelming here, I don't feel like I can breathe. The Bendis-Speak ranges on the lower quality side of the spectrum here. Also what is this characterisation? There are so many characters yet they all sound the same. Conclusion: While there are some interesting elements within the 21st Century aspects, everything in the 31st is too overwhelming with poor characterisation and dialogue.

Prelude: Bendis didn't get off to much of a good start in the first issue of Legion of Super-Heroes. Let's see if he can turn that around. The Good: The worldbuilding is a tad interesting. Sook's art is pretty good here. The Bad: Wow, everyone still sounds the exact same. Speaking of... Bendis-Speak. That cliffhanger is... stupid. Conclusion: Wow. That somehow got worse. I'm holding out for some improvement but the quality really dropped from Bendis' side of things.

Prelude: Well, time to read another issue of Legion of Super-Heroes. Let's see what Bendis has in store. The Good: I do like the Robin and Superboy stuff... well, while it lasted. Sook's art is great. The Bad: Still overly convoluted when the Legionnaires are together or speak. Personalities are likewise non-existent. Evil Damian thread has been done too many times already. Conclusion: It's just a bunch of overly convoluted mess. The art is great but other than that, the issue takes great steps to go against the only part I was enjoying.

Prelude: Time for more Bendis and the Legion. Let's see how it goes. The Good: As always Ryan Sook's art was great. Getting some backstories is good. The Bad: Bendis Speak. Everyone sounds the exact same. Rather boring too. Conclusion: Usual Legion stuff but it was nice to get some origins here.

Prelude: While Legion of Super-Heroes has been boring for most of it's issues, it did improve in Issue Four. Hopefully this continues. The Good: The art is great as always. The Bad: Bendis-Speak. Man, this is insanely boring. Calling Jon the one true Superman. Conclusion: Look there's probably more things wrong with this issue but it's boring me so much I can't be bothered to dig deeper.

Prelude: Well, Event Leviathan was god awful. Let's hope this sequel is better. The Good: Maleev's art is good for the story. The Bad: Bendis Speak. DO NOT CALL IT YOUR/OUR EVENT LEVIATHAN. THAT DOESN'T MAKE ANY SENSE ON A SENTENCE STRUCTURAL LEVEL!!!!!!!!! Characters are out of character here. Especially Talia. Conclusion: Nope. I'll give 0.5 for the art and that's it.

Prelude: Rucka is killing it right now with Lois. Let's see how he goes in this issue. The Good: Loving this look into Lois' life. Lois' and Clark's interactions were really good. Everything to do with Renee and Vic is great. The Bad: Really don't like that cliffhanger at the end. Just doesn't sit right with me. Feels like Rucka wants to write a Question book instead. Conclusion: While it seems like Greg Rucka would prefer to write a Question book instead, he's still doing well with Lois. Though I really dislike the cliffhanger.

Prelude: Previously on the Question. Ok, serious mode now. Lois Lane has been interesting and one of my favourite new books from DC so let's keep up the momentum. The Good: I loved both conversations happening in this issue. Both Jon and Lois' and Vic and Renee's. Also the truth talk afterwards was really interesting. Art was great from Perkins. Really hitting his stride. I'm fine with this being a Question book now. The Bad: Yeah, I'm not finding any. We needed a downtime issue and we got it. Conclusion: It's a slower and less action based issue but it's all about characters here and how they react to events forced upon them tied nicely with a final conversation on truth. I'm loving this series.

Prelude: Lois Lane has been a pretty strong series so far. Let's see how this issue fares. The Good: I really like the focus back onto reporting within this issue. It's something that sets this book apart and I really like it. Meanwhile Renee's part of this story is equally done well. It really shows the terror Renee can bring and her Gothamite background. Art is pretty good here too. Not great but still good. The Bad: Nothing. Conclusion: This issue brings the tension back and focuses on what makes these characters good. Stellar work from Rucka

Prelude: While the core story of Rucka's Lois Lane has been good, it is time to take a break and focus on the fallout from Event Leviathan. The Good: The main part of this issue comes from Lois and Sam's interactions over the years and they are great. Perkin's art sells the issue. The Bad: I'm a bit annoyed that this story has to be interrupted to deal with Event Leviathan but it is important to Lois. Conclusion: While there isn't much to mention, Rucka showcases Lois and her father's relationship to great effect and Perkin's art communicates that well. However, I am a tad annoyed that the story was interrupted.

Prelude: Rucka's Lois Lane has been on solid ground so far. Let's see if he and Perkins can continue that trend in this issue. The Good: I still like the reporter aspect here. Some teasing around the Superman identity was nice. Perkins' art is good like usual. The Bad: I'm unsure on that cliffhanger. Very little progression. Conclusion: While I am unsure with the future of this series, it was a good issue. Keeps with it's themes but I wish it wasn't so slow.

Prelude: Lois Lane has been a good book but has struggled with being swept up with whatever is happening in Superman currently. Let's see how that fares with this issue. The Good: I did like the Superman scenes. Perkins' art is good but not at the level it has been. The Bad: Kiss of Death is pointless, could literally be anyone else. Conclusion: Passable but the best parts of the story are Superman related which is a slight problem in a Lois Lane focused book.

Prelude: While Lois Lane started out well, it has taken a dip recently. The Good: Batman was cool. The Bad: Maybe I'm just getting used to it, but I'm not liking the art as much as I used to. Going occult isn't a good idea for a Lois Lane story. I feel like we've strayed too far from what the story was originally about. Conclusion: There are some good and bad but it feels like this is a whole different story or arc than where the series started out and that's concerning for a 12 issue mini.

Prelude: Lois Lane has become a rather weird book then what it originally set out to be. Nevertheless, let's see how this issue goes. The Good: Nothing. The Bad: Why is a Lois Lane comic going into multiversal stuff? Conclusion: There's nothing really good that stands out, nor much bad. I'm just left confused why a LOIS LANE TITLE is dealing with THE MULTIVERSE. This book has jumped off it's original premise so much it's not funny.

Prelude: It's time for the first non-Hickman Dawn of X series. Add to that, it's mutant pirates and Marauders has a lot to prove. The Good: Right of the bat, really interesting problem for Kate. This will definitely be a point of contention going forward and I'd love to see where it goes. This issue is called "I'm on a Boat". I freaking love Kate in this. Absolutely amazing. Infographics are continuing in non-Hickman Dawn of X books! More Sinister Secrets are what I'm excited for the most but the other, more casual ones are great too. It's great seeing the fallout on a public scale for the foundation of Krakoa. I loved Emma Frost as well in this. The Bad: Nothing matey. Conclusion: It's an absolute great start to Marauders, rivaling the main book, X-Men as well. Every aspect of this issue worked tremendously well and I cannot wait for the next issue.

Prelude: Marauders has been one of my favourite Dawn of X books with the first issue so far. Let's see how this issue goes. The Good: Interesting to see the Cuckoos, but I found the brief conversation interesting. Loving the business side of Krakoa and the Hellfire. The Marauders continues to be fun throughout this issue. Speaking of, I love Lolli's art here. The infographics are also great, especially the Hellfire one. That cliffhanger. Absolutely beautiful. Yes, those tattoos are awful... I love it. The Bad: Nothing. Conclusion: I absolutely loved this issue. It's entertaining, looks wonderful and intriguing. Easily one of my favourite Dawn of X books, maybe even my number one pick.

Prelude: I absolutely loved the previous issue of Marauders so let's see what Duggan has in store for us this time. The Good: I loved the focus on the Shaw's this issue. It showcases each of them greatly. It's interesting to see how the outside world views Mutants and Krakoa. Art is really good here. I enjoyed the infographics in this issue. The Bad: Less of a focus on the Marauders but that barely takes any points away. Conclusion: Even though it focuses mainly on the Shaw's, I really enjoyed this issue and it expands on Sebastian from what we had seen in #2.

Prelude: I've been loving Marauders so far so let's see what Duggan has in store for us this issue. The Good: Kate and Bishop really do make this issue great. The idea of Mutant "cults" that worship the mutants is a really interesting idea. Homines Verendi is an interesting parallel to the Hellfire Club. It'll be interesting to see them moving forward. The Bad: Nothing really. Conclusion: A slower paced issue than the last three but no less enjoyable. It sets up some interesting concepts for the future and moves the plot forward.

Prelude: So far Marauders has been my favourite Dawn of X book tied with X-Men. Now with it's fifth issue and penultimate for the first volume, Duggan will have to start tying everything together. The Good: I like how Kate and Emma are getting along. The organisation and structure of the Hellfire Trading Company is really cool. The talk between Bobby and Christian is interesting. I love the Red Keep. The Marauders are just so tactically well done. I always love it when our heroes are actually competent. Poor X-Desk Guy. On a serious note, loved both infographics. Lolli's art is amazingly well done. The Bad: Nothing. Conclusion: Another great issue for the Marauders. Things are heating up as all of the set-up ties together.

Prelude: It's the final part of the first arc of Marauders. It's been great so far so let's see how Duggan lands it. The Good: Really liked the take down from both sides in this issue. Yellowjacket was great. Damnit Shaw! Well, that part was done greatly but it makes me so mad, even knowing it's temporary. Lolli's art like always was great. The Bad: Nothing. Conclusion: Ties the story together, sets up the next one and uses the themes it has already established. A perfect issue of Marauders.

Prelude: Marauders has been one of my favourite books so let's see how it goes now after that last issue. The Good: I liked Callisto. Verendi is interesting still. Can't wait for Shaw to get his comeuppance. The Bad: It does feel like it's missing some soul to the book. Conclusion: It's a good issue but it feels like it's missing something. Kate really did add a lot to the book.

Prelude: Marauders took quite a considerable drop last issue, I'm hoping it's improved from that. The Good: I love how everyone is reacting to Kate's death in their own way. Really shows these characters off. Caselli's art is great. The infographics were great. Always love getting Sinister Secrets. The Bad: Cliffhanger doesn't do much for me. Conclusion: A return back to form for Marauders. I love how everyone is reacting to Kate's death and can't wait for Shaw to get what he deserves.

Prelude: While people have been disliking Marauders recently, I've been enjoying it a lot especially after last issue. The Good: I really like how the Marauders took down Yellowjacket. Lolli's art was great. Interesting development with Kate. Love Emma here. Infographics as always are great. The Bad: Nothing. Conclusion: While I want Kate to come back, the book is performing well again in her absence. Loved this issue.

Prelude: Marauders has consistently been one of my favourite X-Titles currently, so let's see how this issue goes. The Good: While I understand the disagreement, that scene is so in character for Emma. Continuing the developments with Kate and I enjoyed the infographics. Caselli's art was good. The Bad: Nothing. Conclusion: The issue doesn't do much but it doesn't need to. Just some nice plot movement as things head on forward

Prelude: Wow, it's been a while since I've read Martian Manhunter (Ok, I know it's monthly, memory can be a bit hazy with those books). Let's see if this issue brings me on board with this series because I'm still struggling. The Good: Hey, the art ain't too bad this time! I think I just generally dislike Rossmo's art but it wasn't too bad this time. Either that or I'm just getting more used to it. Finally we get Meade's backstory. It's what you would typical expect for the most part but I love the twist that was thrown in there regarding J'onn. The Bad: Plot is moving at a snails pace. I get it's 12 issues but progression feels really slow. Lessened this time but we're still in the circle of Meade shouting at J'onn. But at least it looks like this should be the last of it. Conclusion: Whilst it finally feels like we're moving somewhere after 7 issues of repetition, the plot is still not moving at a worthwhile pace. I hope this improves though as the book has been doing so for me overtime.

Prelude: I seem to be one of the people who haven't been enjoying this story. Nevertheless, I hope that this issue improves upon that. The Good: I've been getting better at adapting to Rossmo's art but the thoughtopsy section was really great. Likewise Orlando's writing was great for the thoughtopsy. I'm looking forward to the next issue with that cliffhanger. Diane is starting to grow on me. The Bad: Nothing. I'm surprised with myself. Conclusion: Well, this issue did it. Maybe it's because it has been too long since I read Martian Manhunter, maybe it's because I was more open-minded. But this issue ruled and I'm back on board for this series. Hell, I'll probably have to redo my old reviews for this anyway.

Prelude: Orlando recently turned me around on this series, so let's see how he goes on this issue. The Good: I loved the look into J'onn's fractured mindscape. I enjoyed Rossmo's art here. It works for the story but it isn't something I would usually like. It's nice to see Orlando have some fun with the mindscape idea. The Bad: We're not getting much progress on the Ashley/Charnn main story but I'm fine with it this issue. Conclusion: While little progress was made in the grand scheme of things, I enjoyed this issue and the look into J'onn's mind which Rossmo compliments with his pencils.

Prelude: Orlando has been a great job recently with Martian Manhunter, so as we reach the penultimate issue, let's see how it goes. The Good: I like J'onn's inner struggle here. Charnn is quite cool especially near the end of the issue. It took it's time but I like Rossmo's art. The Bad: It's a bit of a typical styled issue for a non-typical series. Conclusion: While it can be a bit of a typical styled issue considering where it is at in the story, this is a really well done issue. I enjoyed Rossmo's artwork and our protagonist and antagonist are really interesting as we near the finish line.

Prelude: It is the final issue of Martian Manhunter. Let's see if Orlando and Rossmo can land this story after all that they've done. The Good: Loved J'onn moving forward from his past. Ashley is great and finally being used beyond plot. Loved Rossmo's art. I liked the conclusion. The Bad: Nothing. Conclusion: A great finish to Orlando's Martian Manhunter. I really need to get the trade to properly review the starting issues again.

Prelude: The impossible book to review. Does it hold up? The Good: Even though I'm not knowledgeable in Marvel History, I found the story interesting throughout, especially Ewing's. It was for that story that most of my praise comes from. Though that's not to say that the rest were bad, mostly mediocre but there were some really great issues. The Bad: For me, this screams cash grab. After DC's success with Action Comics #1000 and Detective Comics #1000 (which were earned), Marvel has tried to justify their own #1000 with none of the impact. A lot of these issues just felt like padding. Yes, it's a celebratory issue, but so many of these stories didn't land for me. Conclusion: An issue I would still recommend, it does suffer from the overwhelming cast of creative teams and has all the clues of a cash grab. Yet, there still is #1001. Like that's needed.