This ninth issue reveals the true horror that lie in the minds and actions of normal people and that could very well prove to be the most terrifying idea of all.

With plenty of shout outs to ships and a heap of good-natured ribbing, All-New All-Different Avengers Annual #1 is a delightful love letter to the new generation of Marvel fans.

Don't let the "grocery store comics" reputation of this issue's first run fool you, Batman Universe #1 is the real deal.

Cross-company titles are always a novelty, but I am hard-pressed to think of one as true to itself and its sources than Black Hammer/Justice League: Hammer of Justice. Leaning into the cinematic weirdness of Black Hammer, which is itself a sort of a love letter to the various subgenres of comics, as well as the mythic stakes of the Justice League, Jeff Lemire and Michael Walsh somehow pay loving tribute to both. All while delivering a welcome entry point for both franchises. Quite literally the best of both worlds (or multiverses?), that's Black Hammer/Justice League: Hammer of Justice #1.

Bloodshot Reborn Annual 2016 #1 is like reading a beautifully curated intro to Bloodshot's regular title, and stands as yet another example of Valiant Entertainment's dedication to delivering accessible and fun comics.

Fans of Lethal Weapon and shows like Life on Mars will find a lot to love about the Green Lantern/Space Ghost Annual. James Tynion IV, Christopher Sebela, and Ariel Olivetti really go for the gusto here and it pays off big time thanks to their tight scripting, snappy banter, and sweeping science fiction visuals. Team-up books like this are usually a mixed bag, but thankfully the Green Lantern/Space Ghost Annual #1 quickly stakes a claim to being the exception to the team-up slump.

Brandishing an epic, reality-spanning scope, emotional character moments, and a surprising reader-friendliness to its multiversal yarns, Dark Knights Rising: The Wild Hunt #1 might just be Dark Night: Metal's first truly unmissable tie-in issue.

With blood to spare and a strong human element at its center, Demonic #1 is a winner from start to finish. Christopher Sebela has taken the pilot one-shot and completely ran away with. Running along side him are Niko Walter and Dan Brown who nail the both the horror and mundane elements with equal aplomb, making this debut strong not only narratively, but visually. There are many horror books on shelves right now, but Demonic #1 is one that more than deserves your attention.

Blessed with the raw energy and wry comedy of old-school comics, Fantastic Four: Grand Design #1 is an entertaining trip down memory lane for Marvel and Scioli.

With its creature-feature hook and its blunt focus on the dark things women are subjected to in Hollywood, Glitterbomb #1 is a triumph. While titles like Satellite Sam and The Fade Out take a more genre centric look at the seedy side of entertainment, Jim Zub, Holly Raychelle Hughes, Djibril Morrissette-Phan and K. Michael Russell present their story as straight-faced as possible, warts, misogyny, and all. Real horror comes from a human place, and even with the monsters and the murder, Glitterbomb #1 feels almost too human, and that is what makes it so scary and so scary good.

Sassy, smart, and more than a little pissed-off, Goddess Mode #1 is another thunderous debut for the new era of Vertigo Comics. Zoe Quinn, Robbi Rodriguez and Rico Renzi build up a rich, expansive world, chock it full of ideas, and throw a trash-loving mess of a woman into the thick of it - and the result is a beautiful blast to read from start to finish. There are a lot of great comics hitting shelves this week, but I'll be damned if Goddess Mode #1 isn't the best of the bunch.

Hellboy in Hell #10 is big, powerful, and a fittingly poignant end for one of comic books' most enduring characters and his prolific creator.

Like the issue’s introduction states, Wilson Fisk has done horrible things, but after Kingpin #1, you may be convinced otherwise. Matthew Rosenberg, Ben Torres, and Jordan Boyd’s quietly entertaining debut sneaks up on you and quickly pulls you into Fisk’s new world, keeping you just as off balance and curious as Sarah is. Standing as a compelling mixture of crime story and tale of courtship, Kingpin #1 has the potential to be Marvel’s next dark horse blockbuster.

Capped off by the latest grittily poetic Turok backup to tease his upcoming title, Magnus #1 keeps the Gold Key revival on track with suspense, science fiction, and smarts.

As Casey said, strange deserves a shot, and this finale really made that shot count.

War is hell, but hell is Darkseid, and after Mister Miracle #2, Scott may be closer to him than he ever thought possible. Capitalizing on an ambitious first issue, Tom King and Mitch Gerads go even bigger while at the same time keeping it laser-focused on their cast all meticulously set into a taut nine-panel grid. Believe the hype and submit to Anti-Life. You’ll be glad that you did.

Equally hilarious and heartfelt, albeit with an raunchy attitude all its own, Motherlands #1 could very well be Vertigo’s next standout hit. It certainly has all the makings of a hit, what with the talents of Felipe Sobreiro, Rachael Stott, and Simon Spurrier on full display and an obscenely funny, but still affecting opening gambit. If you like your comics bristling with ideas, stocked with gorgeous artwork, and more than a few well-placed F-bombs, then take a trip down to the Motherlands and have yourself one hell of a time.

Melding cyberpunk, haute couture, and bloody cricket bats, Motor Crush #1 is a high octane debut from a group of top tier creators. Image Comics has a well earned reputation for allowing a mainstream creative team room to explore whatever ideas and visuals they wish and Motor Crush #1 is another example of how good of a book that kind of mentality can produce. Brenden Fletcher, Cameron Stewart, Babs Tarr, and the whole production team of this series have made their world and now they get to play in it. And we, as the readers, are the real winners for it.

Nightmarish and thought-provoking, No Longer Human is a worthy tribute and representation of the singular original work. Though not nearly as "monstrous" as his past original works, Junji Ito reveals a whole new depth and realism, both in his artwork and writing. Just don't expect to feel too sunny after reading it.

If you want your crime comic books cleanly drawn, with tonally rich colors, and starring a female protagonist that can absolutely, positively get s@#$ done, then head to your local comic shop this week and ask for her by name - Normandy Gold.

While the other tie-ins were fun, but disposable, Rai #14 is a can't-miss affair for those following Valiant Entertainment's sprawling superhero epic.

Renato Jones: The One% #1 is beautiful, engaging, and very, very pissed off. Comic books can be powerful weapons of satire and that is exactly what this debut is and why its just so damn good.

When the main "NickToons" line of shows went off the air, an entire generation of latchkey kids cried out in anguish. Thankfully, BOOM! Studios have heard our cries and have not only revived one of the mainstays of the line, but did it in such a way that it feels like it never left. Filled with plenty of snort-inducing laughs, both visual and scriptwise, and aesthetically accurate and pleasing artwork Rocko's Modern Life #1 is a triumphant return for Rocko and the gang.

Winter is the cruelest season, but the Swamp Thing Winter Special never lets the cold slow it down as it eulogizes Swampy's creators the best way it knows how; with a one-shot that perfectly encapsulates the character's artistry, horror, and emotion. Though the void left by the loss of Wein and Wrightson is a big one, Tom King, Jason Fabok, and Brad Anderson do the swamp and its keepers proud with a truly superb one-shot.

With engaging characters and a surely well researched plot, Image Comics has another hit on their hands with The Black Monday Murders #1.

The Superior Foes of Spider-Man was a surprise hit, but The Fix #1 isn't just going to take you by surprise - it's just going to make you laugh your ass off. Nick Spencer, Steve Lieber and Ryan Hill have struck raunchy gold here with this new Image Comics debut and they confidently show that that weird little book about Spider-Man villains wasn't just a one-hit wonder. The Fix has it all; compelling yet morally corrupt characters, a hilarious script, and more than a few visual gags that are sure to reward repeat readers. Bottom line, you need The Fix, whether you know it or not.

Building to a true gut punch of an ending that completely took me by surprise, The Fix #3 shows that Nick Spencer's most incendiary and affecting work isn't with the man with a shield, it's in the seedy world of Hollywood.

Leave it to comics to completely knock out of the park the long gestating sequel to a beloved Jim Henson production. Though being attached to a well known IP certainly doesn't hurt, the work that Simon Spurrier and the Matthews turn in here are teeming with new ideas and new visual designs that are informed by the original movie but not chained to them. By melding both the new and the recognizable, The Power of the Dark Crystal #1 is a bold experiment that could very well turn into a bold hit.

Film fans, crime enthusiasts, and history buffs will find a lot to love about The Prague Coup. But at the same time, I feel like this is a book that has a broad appeal for readers looking for something different this release week. Packed with enough historical accuracy and intrigue to sustain a whole series, The Prague Coup is a substantial and satisfying read from start to finish.

Superhero noir is a strange beast, but The Shadow/Batman #1 and its talented creative team pull together a debut that makes it look easy. Armed with wit, history, and two timeless leading men, Steve Orlando, Giovanni Timpano, Taylor Esposito, and Flavio Dispenza see and raise Orlando's first team-up as it throws down weirder villains, a boy assassin, and a vast empire of crime to dismantle, all for our reading pleasure.

Hitting harder than a right hook from the Dark Knight and moving faster than a .45 from The Shadow's holster, The Shadow/Batman #3 is another winner from the Dynamite/DC Comics co-production.

With an eye for charm and armed with a boatload of pulpy mood, The Corpse-Makers #3 keeps Francavilla's auteur solo effort going strong.

Honestly, that should be the lasting legacy for The Walking Dead - consistency. Consistent shocks, consistent stakes, and consistent surprises. It was only fitting that their last one be the finale. And wouldn’t you know it, even that is a rock-solid experience, paying loving tribute to the universe it created and its characters. They say part of the journey is the end, and Robert Kirkman, Charlie Adlard, and Cliff Rathburn made both worthwhile. Putting a heartfelt capstone on an incomparable achievement in creator-owned comic books, The Walking Dead has more than earned its time to rest in peace.

Believe the hype, Midgardians, Valkyrie: Jane Foster #1 is wall-to-wall awesome.

Spurrier's script coupled with the visuals of Dylan Burnett and Triona Farrell, who manage to throw in some truly funny business names that would make Chip Zdarsky proud among the neon, grime, and blood, take Weavers from good to great with confidence.

By keeping a firm handle on its tone and by employing the same kind of wit and inclusiveness that has made "New Riverdale" such a delight thus far, Josie and the Pussycats #1 succeeds on more than a few levels. Marguerite Bennett, Cameron Deordio, Audrey Mok, and Andre Szymanowicz all meld together to deliver a fun and focused female-led title that not only respects its characters and audience, but also takes elements of what came before and uses them to the title's advantage. Though it just started, I predict that Josie and the Pussycats will rock Riverdale for a long time to come.

While New Riverdale has enjoyed the name recognition of Archie and Jughead, Josie and the Pussycats #2 proves that Josie, Valerie, and Melody are poised to be your new favorite Riverdale teens.

Jam packed with heart and laughs Josie and the Pussycats #3 continue to keep the Pussycats dominating the charts.

Rick and Morty is a property that is quickly becoming a sure thing, but as this eleventh issue shows, all the jokes in the world don't amount to much if you don't care about the characters telling them. Pamela Ribon clearly cares about Rick and his dysfunctional family and she wants us to care to, so she delivers a story where they are more than just joke machines, they are people; weird, semi-broken, and wanting people. Aided by the show accurate colors and pencils of Ryan Hill and Marc Ellerby, Rick and Morty #11 is the kind of story that would be right at home on your TV screens and one that you give to any reader on the fence about this property and have them be converted.

If I've said it once, I've said it a thousand times, Rick and Morty is the real deal, and #12 is yet another example of its raw and hilarious commitment to telling great stories.

Packed with laughs and sharp one-liners, Rick and Morty #16 makes a strong case for being the best comedy title on shelves this week.

Ending with an appropriately inappropriate "Pocket Mortys" tie-in back up from Mac Ellerby, Rick and Morty #18 continues to be the best possible extension of the Adult Swim hit.

Made complete with a violent Christmas themed back up from Marc Ellerby, Rick and Morty #20 is a prime example of how to make the most out of a standalone issue.

It's a great time to be a Batman fan because we keep getting books like All-Star Batman #8. Capped off by another moody installment of "The Cursed Wheel" from Snyder and Francesco Francavilla, this latest issue continues the title's offbeat hot streak and stands as a true testament to the thematic and artistic malleability of this series. If you like your Batman comics to be a little more Grant Morrison and a little less Doug Moench, then All-Star Batman #8 is the issue for you.

All-Star Batman continues to surprise as Scott Snyder and company give us a superheroic pirate adventure starring Alfred Pennyworth and yes, you read that correctly.

Tom King's Batman run has run hot and cold for readers since it started but as Batman Annual #2 proves, there is no denying the very real emotional core that lies at the center of his take on the Dark Knight. Buoyed by his heartfelt, emotional focus on Bruce and Selina's relationship and some fantastically human artwork from Lee Weeks and Michael Lark, Batman Annual #2 continues the series' streak of wearing its dark heart on its sleeve.

Batman purists and casual fans alike will find a lot to love about Batman Annual #3 thanks to its accessibility, its emotion, and its innate understanding of Alfred Pennyworth and his commitment to Bruce Wayne.

Handled by a powerhouse group of creatives like Andy Kubert, Mairghread Scott, Steve Orlando, and many more, Secret Files #2 turns the focus on the villains as "City of Bane" comes to the anthology title. And in that focus comes real strength and chilling fun with the Joker, Bane, Hugo Strange, and the Psycho-Pirate all taking center stage in stories that cut right to the core of their villainy and their relationship with the Batman.

Flexing with a Legends of the Dark Knight-like energy and making great use of a uniting theme, Batman: Secret Files #3 is an impressive showing.

Even if you missed the debut series, Britannia: We Who Are About To Die #1 is a wonderfully dark and twisted return to the crime infested pre-fall Rome.

By keeping one foot in classically inspired Roman epics and the other in more pulpy genre affairs, Britannia #1 stands as an wildly entertaining mix of high and low culture. Peter Milligan heaps mood, monsters, history, and blood onto the readers plates and after this sizable first helping, you will be begging for more. Juan Jose Ryp, Jordie Bellaire, Raul Allen and Patricia Martin also go for the gusto with culturally inspired art and a more tactile and focused take on the main pages, keeping very much in line with the high and lowbrow scripting. They say you can’t be all things to all people at once, but Britannia #1 makes a valiant attempt at being precisely that.

Helmed by a steadily-improving writer who has no problems delving into the political ramifications of superheroes and their world and an art team who understands Cap and his dynamic movements, Captain America #1 is a triumph for one of Marvel's A-listers who was in dire need of image rehab. Cap may be unsanctioned (again), but the dream is still alive and in good hands, despite the impossible.

Graced with driving action and well-deployed pathos, Captain America #11 is a winner. Ta-Nehisi Coates is still playing a longer game with “Captain of Nothing,” but the single issues to get there have been a ton more fun to read, thanks to his new pacing and Kubert and Milla’s keen artwork.

Simply put, Doctor Who: The Eleventh Doctor #2.11 is a treat both narratively and visually, and should be enjoyed by as many people as possible.

The walls are closing in for the Doctor in The Eleventh Doctor #2.14, but rarely has his desperation been this fun to read about.

Opening with an emotional flashback from original series artist Adrian Alphona, G. Willow Wilson puts Kamala's guilt about Bruno front and center this week along with her increasing doubts about her squad's predictive justice crusade. This all adds up to an emotional growing experience for the young hero and an interesting, personal feeling rumination on the human cost of big event comics.

Though the plot of Kamala staging a fake crime with Canadian ninjas in order to open Basic Becky and Carol Danvers' eyes to the dangers of predictive justice would be enough to make this issue a good one, G. Willow Wilson pushes it into great territory with plenty of emotional fallout from the earlier issues.

Ready made for a black light or maybe even some sick van art, Silver Surfer: Black is a rollicking, mind-altering debut.

While Donny Cates' profile has been steadily on the rise for the last couple of years, I think it may be reaching a new peak with Silver Surfer: Black. In teaming with Moore and Stewart, two artists well acquainted with weirder runs, Cates seems to have found the best synthesis of his theatrical voice and expansive scope. We still have three more issues to see if I'm fully right, but after Silver Surfer: Black #2, I am pretty confident I am.

While film has fumbled with the story of Lou Ford, comic books provide a reverent stage for The Killer Inside Me. Devin Faraci, Vic Malhotra and Jason Millet provide an almost direct translation of Jim Thompson’s work, never once shying away from the more unpleasant aspects of the original work, and using Thompson’s own prose as a weapon instead of a crutch to be relied on. You never know what is lurking in the mind of those around you, but The Killer Inside Me #1 shows you exactly what Lou Ford is thinking, and while it isn’t easy to take it, it is impossible to look away.

The heat may be off Lou Ford for now but The Killer Inside Me #2 shows readers the real monster hiding under his easy smile.

The plains are weird in the world of Shaolin Cowboy but if this new #1 is any indication, the journey through them will be quite the trip.

It is truly, truly crazy, but exactly the kind of crazy we have come to expect from Darrow, giving this second installment a new favorite bit of lunacy and continuing this volume's commitment to delivering satirical surreal displays of comic book storytelling.

We don't have many issues of The Vision left, but this creative team is making sure that every issue until the title's end hits as hard as possible.

This series has been a critical darling since its debut, but Vision #11 elevates it from critical success to full blown masterwork.

Though clearly marketed toward diehard fans of the television show with its teasing glimpses of the story within the story of season one, there is a lot to love about Penny Dreadful #1 for fans and non-fans alike. Krysty Wilson-Cairns and Louie De Martinis use the solid base of the show's established characters and narrative to deliver an adaptation and side story that isn't afraid to stand on its own as a single story, instead of using the show as a crutch to be relied on throughout. And it does so confidentially thanks to the attention from the writers, blood soaked visuals, and an imprint that goes out of its way to deliver unto fans exactly what they love about the show, just in a different medium. While Penny Dreadful became an unlikely hit for Showtime, there is nothing unexpected about the quality of this debut issue from Titan Comics.

Adaptations of television shows and movies as comics are a dime a dozen on shelves these days, but none of them capture the source material as lovingly as Penny Dreadful #2.

Though Penny Dreadful #3 doesn't advance its own plot forward by much, this installment is still a must-read for fans clamoring for a bit more time in its grim world.

Though IDW Publishing has delivered rousing Trek stories in the past few have touched on the narrative themes and characterizations as well as Star Trek: Waypoint #1. By deftly bouncing between eras with respect this anthology presents the franchise in a light that is more entertaining than dry, while still staying true to what made it last for fifty years in the first place. If you like your Star Trek with a more moral quandaries and character centered storytelling and less red alerts and photon torpedoes then Star Trek: Waypoint #1 is the series for you.

By balancing both fun and pathos Star Trek: Waypoint #2 is a great example of the lasting power and emotional scope of this property.

While it doesn't contain the propulsive energy of a ongoing plot, Star Trek: Waypoint #3 still delivers its own brand of compelling Trek storytelling. Backed by a full bench of talent and using the backdrop of two well established pillars of the Trek franchise, this third issue Waypoint continues to stand confidently apart from the rest of the line thanks to the creative freedom it gives its writers and artists.Star Trek: Waypoint #3 again shows what creatives are capable of when they have so much unexplored space around them.

Mark Waid once again endears us to Archie as he struggles against his own innate sense of right and wrong and displays that famous Archie clumsiness during a particularly hilarious scene of his short-lived job at the local paper.

Archie #9 is a big turning point for Veronica. Before she was a sassy foil for Betty and very much defined by her relationship with Archie. However, now Mark Waid, Veronica Fish, Andre Szymanowicz, and Jen Vaughn show her in a new and surprisingly flattering light that allows her to stand apart from Archie as her own character, though the ginger did provide a strong push toward the development. Relationships are all about compromise and now with Archie #9, Veronica is finally at a place where she can comfortably do that for the man she loves.

Though relationships are strained in Riverdale, Archie #12 continues the title's commitment to examining these characters with clear and heartfelt eyes.

Riverdale gets its own low-key Freaky Friday in Archie #15. Mark Waid and Lori Matsumoto take a novel approach to the old plot, providing a heartfelt foundation to the humorous circumstances while also taking the time to provide the coolest kids in school with more layers beyond their core identities. Along with finely detailed pencils from Joe Eisma and colors that cultivate the grounded tone of the script from Andre Szymanowicz, Archie #15 is another winning installment from a consistently entertaining book.

When Archie is on, it is really freaking on, and #18 exactly that level of great.

While some readers might be turned off by this new meditative and emotional take on Michael Cray, this first issue offers more of the same super-espionage that makes the main title so fun, but with a heaping helping of poetic character work for good measure. You wouldn't think that you would identify emotionally with the loneliness and despair of a guy named "Deathblow," but I will be damned if The Wild Storm: Michael Cray doesn't make you feel something, adding a much-needed warmth to the coldness that is The Wild Storm.

While disconnected somewhat from the main title, Bryan Edward Hill, Dexter Vines, N. Steven Harris, and Dearbhla Kelly take a simple pitch, "WildStorm hitman takes out contracts on DCU heavyweights," and turn it into a diverse, clever, and thrilling side story that keeps injecting genuine character and pathos into the coldness of The Wild Storm. And if this issue's cliffhanger is any indication, Michael Cray has a lot more crazy in store for us before its 12-issue run is concluded.

If you have been sleeping on or trade-waiting throughout The Wild Storm, Michael Cray #3 will be the issue that wakes you up. Armed with a strong point of view, the incideniary spark of indie comics, and a hard as nails, but engaging protagonist The Wild Storm: Michael Cray #3 is the best kind of winner " a daring and responsible one.

The Wild Storm may be all about big moments and big ideas, but Michael Cray #4 continues to find strength in the smaller moments along with its killer hook. A hitman with a code isn't exactly groundbreaking when it comes to comics, but The Wild Storm: Michael Cray #4 continues the title's streak of being more than just a sum of its own parts with grace, grit, and a consistent focus.

We are five issues into Michael Cray and just when you think you have it figured out, they do a Shadow Over Innsmouth riff starring Aquaman. Spinning gold out of the unexpected, The Wild Storm: Michael Cray #5 is another dark delight.

Daredevil #2Written by Chip ZdarskyArt by Marco Checchetto and Sonny GhoLettering by Clayton CowlesPublished by Marvel ComicsReview by Justin Partridge‘Rama Rating: 9 out of 10

It probably didn't need to take five issues to get here, but Daredevil #5 is a brutally entertaining finale for this new volume's first arc.

I will admit a certain apprehension for Zdarsky's take on Daredevil, but the more time he spends with Ol' Hornhead, the better it gets.

Though this run of Daredevil has been steadily improving from the start, #10 shows there might not be a ceiling on just how good it can get.

Down-to-earth and filled with crime drama realness Daredevill #11 keeps this volume firmly on the right track.

With high drama and even higher emotions, Daredevil #18 continues Ol' Hornhead's hot streak.

Another chapter closes for Matt Murdock in Daredevil #20 and it does so in a grand, highly effective fashion. But while this finale is a showy one, Daredevil #20 also brings to the table some great development, both for Matt Murdock and the title as a whole as it prepares to enter its next arc.

Stories about religion and our relationship with the divine are always a thorny prospect, but I feel Afterlift finds a good balance between entertaining and preachy. Thanks to the droll charm and bold emotions of the script and the consistently impressive artwork this comiXology Original stands as a sweet, effective binge-read for these uncertain times.

Though annuals are sometimes known for flashy theatrical storytelling, All-New X-Men Annual #1 succeeds by aiming for the heart rather than the big action fireworks. Sina Grace and Rex Ogle both delve deep into characters deserving of center stage, but instead of trying to make them superstars, they make them real people with relatable fears and emotions, showing readers new compelling aspects to their lives as X-Men during the M-Pox crisis. This annual also soars thanks to cinematic artwork and full-bodied colors from two art teams that lean into the grounded stories presented. While mutants thrive as a group, All-New X-Men Annual #1 scores by going small.

Though you’ll have to wait until November to fully experience it, know that Vertigo Comics’ crime bonafides are in great condition thanks to the incoming debut of American Carnage. Helmed by a rising star around the DC offices and an art team that has a keen eye for character, violence and mood, this Vertigo debut continues their strong efforts from original, creator-driven series with a bracing dose of socially conscious mayhem.

With its subversion of a well-known genre and its powerful female lead, Angel City #1 is a boldly entertaining debut for the new Oni Press title. Janet Harvey, Megan Levens, and Nick Filardi take what readers love most about noir and filter it through an unapologetically feminist lens with fantastic results. Armed with both hard knuckles and soft emotions, Angel City #1 is a noir tailor-made for today's progressive reading audience.

Though a bit slow going in the start Angel City #2 keeps the title deeply rooted in cinema history and the mystery genre.

If you've ever wanted to marry the humor of What We Do In The Shadows with the sexy supernatural intrigue of Anne Rice's Vampire Chronicles, then Anno Dracula #3 is the comic for you.

Ushering readers through a very specific time period in a richly historied Europe with a honed understanding of the genre it inhabits, Babylon Berlin is another well executed and beautifully brutal yarn from Hard Case Crime and its comic publishing patron.

I've always said that horror needs more heart and armed with said heart and a sneakily large scale, Babyteeth #1 makes AfterShock Comics two-for-two when it comes to great comics of the spooky variety.

With heart and chutzpah to spare, The Backstagers #1 soars as a sincere love letter to the unsung heroes of the theater world.

Spy stories aren’t exactly a rarity in creator-owned comics, Bang! stands out from the pack. With reverence to the genre, but at the same time a willingness to poke fun at it Matt Kindt, Wilfred Torres, and Nayoung Kim deliver something truly strange and striking. With both a foot in the past of the genre and an eye toward a more forward-thinking future, Bang! portends a new, irreverent era for spy fiction in comics.

Fun, flirty, and armed with fantastic visuals, Barbarella/Dejah Thoris #1 is a far-out winner.

While this may be just an ordinary Tuesday in Gotham City, both Jim Gordon and Bruce Wayne stand at crossroads that are anything but ordinary. The people's Batman may be at death's door thanks to his first proper rogue, while the genuine article stands at the edge of the abyss, willing to dive in once again to save his city and reclaim his crusade no matter what the personal cost. Scott Snyder and his art team, while consistently entertaining, don't rest on their laurels with this eighth part of "Superheavy." They started this arc big and they intend to end it even bigger.

Though the understudy has had his time and the real star of the show has once again graced the stage, Batman #50 is one hell of curtain call for Jim Gordon. While the exploits of Bruce Wayne are mainly wish fulfillment, Scott Snyder, in putting Gordon in the suit even for a little while, gave us a Batman that could be us and in doing so, reminded us why Batman matters. Gordon himself even comes to realization as he faces down the horror of Bloom; "He's the superhero who sees in us the heroes that we can be." Superheavy may be remembered for its fantastic artwork or its terrifying new villain, but for me, it will always be the story that showed that anyone could be Batman, and that is worth its weight in Batmantium.

Though DC as a whole is headed for a Rebirth, Scott Snyder and Greg Capullo can hold their head high after delivering a thematically rich finale to cap off a stellar run with the Dark Knight and his wonderful and terrible city of his birth.

Made whole with Plascencia's rich colors, the debut of Batman/The Shadow is a moody and engaging trek down the darker path with two of comic's darkest heroes.

With a script that builds well on the debut issue’s character work and artwork befitting of the heroes of the night, Batman/The Shadow #2 uses the tools and visuals of the past to bring new life to a vigilante icon and a vintage edge back to the World’s Greatest Detective. Steve Orlando, Scott Snyder, Riley Rossmo and Ivan Plascencia have tapped into something wonderful, and strange with Batman/The Shadow, and one can only hope they continue this streak to the bitter end.

With an eye toward bigger narrative spaces and blood on its knuckles Bitch Planet #9 is a worthy return for the hit series. Kelly Sue DeConnick, Valentine De Lando, and Kelly Fitzpatrick prove that the time between issues hasn't dulled their focus on the cast nor their sharp storytelling. #9 positions the title to go from big to grand as it expands its scope, armed with a diverse compelling cast and Margaret Atwood level satire. The fight for the ACO may be ongoing but Bitch Planet #9 is a decisive victory in the name of non compliance.

Though the Inhuman titles have had a rocky win/loss record as of late, Black Bolt #1 looks to be just the home run they need in order to shift the odds in their favor.

Though not as flashy as some debuts, Black Hammer #1 is still a great debut from a creative team that seems to be in lock step about the kind of story they want to tell. Unhindered by the need to delve into what it means to be a hero or the tendency to poke fun at Silver Age silliness, Jeff Lemire, Dean Ormston and Dave Stewart deliver a debut that is structurally sound and packed with the kind of dark allure that one would expect from Dark Horse Comics. Simply put, Black Hammer #1 isn't blockbuster filmmaking, but the indie drama that stays on your mind long after the credits have rolled.

Though the central mystery of the series is still shrouded, Black Hammer #4 shows that its real strength lies in its characters.

Though readers in the loop know where this story ultimately ends, World of Wakanda #4 shows that there are many more tales to be told beyond the throne and the king who occupies it.

Allowing a fine humanity into the usually cold, detached genre of cosmic horror, Black Stars Above #1 is a sterling example of elevated horror in comics. It both delves into the weird, but it’s not afraid to make its characters real people rather than doomed mouthpieces to be dashed into insanity. It doesn’t handwave away the racial politics of the era, nor does it engage in blatant racism like genre’s most prolific contributor. Instead it makes the racial strife at the center of this family text, tempering the insolation and tension of the cosmic horror with timely social horror. Armed with brains, heart, and a dark soul, Black Stars Above #1 is a nightmare well worth having.

Just the right amount of poetic and unsettling, Black Stars Above #2 avoids the sophomore slump.

"All-ages" can be a dirty word to some readers, but Canto #1 takes a number of influences and mixes up a truly entertaining and striking modern fairy tale.

If you like your Captain America tales with more period flair and a hefty dose of Nazi-punchin’, then the Captain America Annual #1 is the comic for you. Given a beating heart and fantastic characterization by Tini Howard and classic war comic visuals by a stocked roster of talented artists, inkers, and colorists, this annual cuts right to the core of what makes Captain America such a resonant character both then and now.

Armed with sharp visuals and a deep well of heart, Cave Carson Has An Interstellar Eye #1 is another big win for DC's Young Animal.

A lot of hype has surrounded Cry Havoc #1 as it approached its release, but after finally being able to read it, I can happily report that it backs up every bit of it.

While the debut issue was all about laying groundwork, Cry Havoc #2 is all about expanding on the groundwork with a funny, blood soaked, and entertaining second issue.

Every once in awhile, these DC anthologies will surprise you, and I am glad to see that the DC Nuclear Winter Special #1 rises above it's bleak premise and delivers some truly great holiday superhero stories.

The first issue of Metal is still a month away, but Dark Days: The Casting #1 gives us a prelude that really sells the hell out of the upcoming event and gives us juuuuust enough to tide us over until that first issue drops. Batman may have learned to master the dark and instill fear in his foes, but after Dark Days: The Casting, the Caped Crusader may start to fear what lurks in the dark.

Armed with a fun accessibility and dynamic visuals throughout Dick Tracy Forever #1 returns to the streets, ready for action.

Chocked full of canny gamer culture in jokes and darkly funny characters, Die #2 levels up the series, providing major buffs to fun and a higher entertainment modifier.

Divinity II #1 puts the drama back into superhero drama in grand fashion. Though packaged as a science fiction yarn with engrossing visuals, Matt Kindt, Trevor Hairsine, Ryan Winn, and David Baron take the genre and warp it to include themes of responsibility to the state, self-actualization, and cold logic in the face of death. Divinity II #1 shows what superhero comic books can be when they are given a chance to be something more than what they are expected to be, much like Valentina Volkov herself. Underestimate this debut at your own peril.

Divnity II #4 shows that in the right hands, comics can do it all. They can, in equal parts, provide thrilling action and heady narrative ideas while also engage in emotional storytelling. Valiant Entertainment has had a great many wins under their belt as of late but Divinity II stands above them all with grace, energy and heart.

Armed with plenty of style and fast-paced action, Doctor Who: The Eleventh Doctor #3.1 starts the Doctor and Alice's 2017 off on a high note.

Doctor Who: The Fourth Doctor may have taken a while to well and truly kick off, but the fourth issue sets up the mini-series for a thrilling conclusion worthy of the classic serials.

By capturing the wit, charm, and high concept storytelling of the Tom Baker era, Doctor Who: The Fourth Doctor #5 ends another worthy chapter in Titan Comics' ever-expanding Who canon.

Standing as a sort of Valiant Entertainment crossover for the Anglophile set, Doctor Who: The Lost Dimension-Alpha is an expansive, charming, and gorgeous opening for the Time Lord's latest epic.

While light on plot Doctor Who: The Third Doctor #1 is a tonally perfect and kinetic start to Titan Comics' newest Classic Who series. Paul Cornell adds another incarnation of the famous Time Lord to his growing collection with a fast-paced first issue with huge implications for the rest of the series. Artists Christopher Jones and Hi-Fi keep pace with Cornell, keeping the visuals just as in tone with the classic series as Cornell's script. Though the stars await the Doctor, The Third Doctor #1 shows that there is plenty of adventure to be found on planet Earth.

Though the Third Doctor is best known for things like his hand-to-hand combat and his beloved Bessie, Doctor Who: The Third Doctor #3 shows that the Doctor is still the same compassionate Time Lord we all know and love even when he is chopping necks and giving the Brigadier grief. Paul Cornell, drawing from a vast font of canonical knowledge and emotional intelligence, turns in his most pathos filled issue to date while keeping the fun and action of the series intact. Helping keep that action on point is the art team of Christopher Jones and Hi-Fi who continue to improve with each issue, giving the series a slick vintage look filtered through a vibrant lens. Strengthened by heart and engaging artwork Doctor Who: The Third Doctor #3 is a treat for both the eyes and mind.

While it may not be as witty or as action packed as the previous issues, Doctor Who: The Third Doctor #5 still stands as a confident thesis for the franchise's offbeat yet engaging style of storytelling, and is another strong showing from one of Titan's most consistently cool art teams. As a fan, I have to admit, it is sad seeing Paul Cornell leave the TARDIS and head for other characters and IPs. That said, I am glad to have gotten the stories I got from him and even more so that his last foray stayed true to both the content and tone of the Doctor Who that fans want. So long, Paul Cornell; thanks for all the fun, and for The Third Doctor #5.

Capturing the energy of a well plotted campaign is no easy feat but Frost Giant's Fury #1 is so fun you can practically hear the dice roll.

A treat for longtime fans and new converts Elric: The White Wolf is an all around winner for the infamous elven emperor.

Eternity Girl’s frank emotion and dreamlike structure won’t be for everyone, but that doesn’t lessen its power or artistry. Backed by an imprint that thrives on risky, but necessary storytelling and armed with a creative team with genuine heart, skill, and drive, Eternity Girl #1 feels like exactly the kind of comic that this forward-thinking imprint should be doing.

Mileage may vary with audiences and some may just outright disagree, but the artistry and ideas behind Factory #1 cannot be denied, and the best part is, it won't let you deny it. At least not without a fight.

Calling to mind more smaller scale runs like Roberto Aquirre-Sacasa's Marvel Knights run, Fantastic Four: 4 Yancy Street #1 is a satisfying side tale for the Thing and his super-family. Blessed with the wit and heart of Gerry Duggan and a wonderful roster of artists, this one-shot holds the standard of the Richards' family and Yancy Street well, giving us a fun window into their new street and HQ. Proving you don't have to head to the starts to have fun 4 Yancy Street #1 is a block party waiting to happen.

All three tales are charming in their own right (through none reach the heights of a drunk Crystal and She-Hulk smashing "puny self-esteem issues"), taking what could have been a rote anthology into a fun entry into the F4's new canon.

Not all of Spidey’s adventures have to be sprawling epics or have world-ending stakes. And it is that understanding that makes Friendly Neighborhood Spider-Man #1 such a charming read. Tom Taylor, Juann Cabal, and Nolan Woodard zoom in on Peter’s new building and the (relatively) normal people living there to show how Peter keeps being a hero even when Thanos or the Green Goblin isn’t around. A welcome change of pace from the faster-paced, more theatrical main title.

Armed with the perfect mixture of heart and humor, Friendly Neighborhood Spider-Man #6 is an absolute winner.

Never in a million years did I think that I would see Dr. Zin and his army of walking eyes grace the pages of a major comic publisher, but Future Quest #1 granted that wish and did so in the middle of a truly great and infectiously fun debut issue.

Against all odds Future Quest #2 avoids the sophomore slump and is quickly establishing itself as one of DC Comics' most unlikely of hits. Though the team hasn't taken a solid form just yet, Jeff Parker continues to make full use of the Hanna-Barbera canon while injecting an unexpected pathos amid all the craziness. Along with Parker's epically fun script, Future Quest #2 continues its artistic hot streak with a team that keeps the pages consistent, both in tone and energy, tied together by one of the best colorists working in comics right now. Even if you don't know every little detail about the Herculoids or if Space Ghost Coast to Coast is your own exposure to the phantom of the space-ways, Future Quest #2 still offers a lot to love for both fans and newbies.

Though certainly not as flashy as the previous issues, Future Quest #8 still delivers thrills akin to dumping a whole trunk of action figures at your feet and coming up with the biggest, craziest story you can for them.

Packed with action, humor, and more than a little pathos, Generation Zero #3 stands as the best issue of the series since its debut and a gleefully weird use of another title’s visuals and tone. Though not quite as punk rock looking as the previous installments, #3 still impresses and shows a whole other side to artist Derek Charm, one that isn’t afraid to render burger joints and psiotic blasts with equal attention and brightness. But while Charm delivers an unexpected new set of visuals to the title, Fred Van Lente continues his streak of insane science fiction tempered with genuine emotion and compelling lead characters with understandable motivations all their own. Thanks to vintage visuals and a big heart to go along with them, Generation Zero #3 continues to get better and better.

With plenty of gallows humor and a few more of Rook's mystery's coming to light, Generation Zero #4 continues to be a dark treat.

Filled with slick art and plenty of sass, Ghostbusters Annual 2017 is a top-to-bottom blast.

Standing as a clear entry point for new and returning fans, Go-Bots #1 could arguably be this week's dark horse pick of the week.

Though armed with plenty of kaiju action Godzilla: Rage Across Time #2 reveals that this series might have more on its mind than just awesome Godzilla action.

With stories ranging from his selflessness in the face of innocents in danger to a story about sexy vampires that is sure to launch the ship to end all ships thanks to John Constantine's shamelessly hitting on Agent 37, Grayson Annual #3 is everything that made the title fun month-after-month, distilled into one fantastically entertaining annual.

Gryffen: Galaxy’s Most Wanted #1Written by Ben ‘Bee’ KahnArt by Bruno Hidalgo and James PenafielLettering by Sal CiprianoPublished by SBI PressReview by Justin Partridge‘Rama Rating: 9 out of 10

Al Ewing heads to the stars in the funny yet cosmically grim Guardians of the Galaxy #1.

Though edged with a dark undercurrent Guardians of the Galaxy #2 is another solid entry for the new Guardians.

If you like your pulp with plenty of hooks and just a touch of steaminess, then Breakneck #1 is the book for you. Armed with a real down-to-earth tone and a tense ticking clock gimmick, Duane Swierczynski, Simone Guglielmini, Raffaele Semeraro, Lovern Kindzierski, and Chris Chuckry hold the Hard Case Crime standard high while also delivering a pretty damn entertaining first issue of a comic. It is win-win for crime and comic fans alike.

Filled to the brim with magical realism and genuine heart, Her Infernal Descent #1 is another gut-punch of a winner for AfterShock.

If films like Crimson Peak or true weird tales of history strike your fancy, then House of Penance #1 is certainly the book for you. Even the staunchest of genre fan will find something to love about this Dark Horse debut because it is so singularly weird that it demands that you take notice of it. Peter J. Tomasi, Ian Bertram, and Dave Stewart fully commit to this dark tale of an American heiress, gripped by grief and use it as a firm base for this creepy tale of woe, bullets, and stairs that go to nowhere. Horror fans, get your pre-orders in now. The House awaits.

Deliberate and grim, House of Penance #3 once again establishes the title's dominance as one of Dark Horse Comics' premier horror stories.

It has kind of become rote at this point, but believe the hype, House of X continues to be the real deal.

While I am sure this is just the beginning of the end for whatever these series have to offer, as we've hit the midpoint of the "two series that are one," House of X #3 is another winner for this new era of X.

Though comparisons to Lemire's Black Hammer will be expected, this new Inferior Five displays a much weirder, much more DC-specific kind of take on these fun Z-listers.

If you haven't read Injection before now, this sixth issue will welcome you with its weird and darkly funny arms wide open.

After checking in with England's new head "Breaker," sewing that thread up for next time, and ending with a bold proclamation that "Injection Will Return At The End of The Year," adding a nice serial-like coda onto the issue, Injection #10 ends its second season with a confident and contained finale that will leave fans counting the days until these weirdos return to shelves.

Warren Ellis described this new arc as Doctor Who starring a pissed off woman of color and judging by the quality of Injection #11, that is a regeneration I can completely get behind. By taking a surprisingly new reader-friendly approach, but still keeping the same level of visual acumen, this newest issue shows that the title is willing to work with new fans while still delivering the same experience die-hards have enjoyed. It is a fine line to walk but walk it Injection #11 does with plenty of sass and style.

Though slightly delayed Jade Street Protective Services #2 proves that the delay hasn't lessened the title's fun or charm.

James Bond #2 proves empirically that Dynamite Comics' grand experiment with Ian Fleming's master spy isn't a fluke. Instead its a bona fide hit with a creative team behind it that fully understands the character and world that he inhabits. Warren Ellis, Jason Masters, and Guy Major may have slowed this second issue way down, but their talent still shines brightly through making this another engaging issue. If you loved Spectre and needed another pure fix of Bond or even if you hated Spectre and want to see Bond done right, Dynamite's spy series is tailor-made for all kinds of fans, both of Bond and of good comic books.

Though it took four issues to get there, James Bond has finally achieved must-read status. The issues that proceeded this month's were good, but even the best of the first three pales in comparison to this latest one. Warren Ellis, Jason Masters and Guy Major have all hit there stride in a big way with #4 as each element of their work just flat out works. If you are looking for a tension-filled spy drama, James Bond is the book for you. If you want bone crunching action, James Bond has that for you as well. But above all, if you are looking for a stellar single issue of comic books that hits notes other comics just dream of, then James Bond #4 is the book you both want and need.

As this first arc barrels toward its conclusion it once again proves itself to be one of Dynamite's consistently entertaining and well put together series, armed with strong characters and consistently beautiful artwork.

While the format and unexplained connections to the first arc may prove too much for some readers to fully engage with, there is no denying that James Bond #7 delivers, proving that the perfect Bond experience doesn't always have to be on the silver screen or in the yellowing pages of a vintage novel.

Though the Ellis, Masters, and Major era of James Bond is nearing its end, issue #9 promises that it will end with a bang.

While the issues we have left with this arc are growing perilously few, issue ten proves that this creative team has no intention of ending this series with a whimper.

James Bond: Service, to me, is the best possible version of Moore's attempts, providing a Bond for the world we live in now, racist warts and all. Dynamite Entertainment has made great use of the Bond license so far, and Service proves that they have no intention of slowing down quite yet.

James Bond may not have a biological family, but M may be the closest thing to a father he has, and Solstice shows just how far he is willing to go for his surrogate parental figure. Fueled by an energy and respect that only a fan could muster, Ibrahim Moustafa delivers classic Bond thrills for the more character minded audience of a new generation and provides the best of both worlds for both new and old Bond fans.

If you are disappointed or let down by recent teen titles, then look Jem: The Misfits and they will show you the rock-and-roll way.

For my money there will never be another story about Judas and Christ's relationship as good as the musical Jesus Christ Superstar, but Judas #1 comes real damn close.

Though I still have a full "season" and a half to catch up on, Oni Press did me and others who missed out a great service with its Square One Marketing push and the $1 edition of the stellar Kaijumax #1.

Karnak #3 is grim, stars one of the most nihilistic heroes I've ever seen, and yet, is an absolute blast to read.

Though probably the darkest current Marvel title by a long shot, Karnak #5 presents the other side of Karnak's philosophy with engaging results.

It wasn't exactly timely and it wasn't exactly sunny, but Karnak #6 ends its run as it began, as a darkly funny, beautifully drawn, and sometimes troubling exploration of one of Marvel's most enigmatic figures. As Warren Ellis aims to unleash a Wild Storm on us all, he ends his time with Marvel with an biting and weird Strange Tales-like story of his own, one set just on the fringes of the 616 in the dark areas no one likes to talk about. Though he was just a linchpin in a line wide event, Karnak #6 shows that his everyday life is so much more complicated.

Backed by confident and moody artwork, Kill or Be Killed #1 zigs when you expect it to zag in the best way and stands as another strong debut issue from a consistently great creative team.

With razor sharp scripting and moody and beautiful artwork, Kill or Be Killed continues to be a title to watch.

Armed with two leads that are sure to become fan favorites and a firm understanding of the kind of story it wants to tell, Kim & Kim #1 is a fantastic debut from Black Mask Studios.

Modern pulp stories are a tricky thing. Often times they come across, at best, as empty parody, or at worst, unabashed aping of previous stories. Thankfully the team behind Lobster Johnson: The Glass Mantis are talented enough to sidestep all those pitfalls, while making the story feel and look fresh thanks to an inspired choice of artist. Mike Mignola, John Arcudi, and Toni Fejzula waste no time getting to the meat of the story and then it is done before the audience is allowed time to catch its breath. The Glass Mantis is pulp done right; no frills, no grand set-up, just a cool character, some diamonds and two .45's.

We may be no closer to knowing who is behind it all, but Lois Lane #2 shows that the path to find out is going to be a fun, well-constructed walk on the mean streets of the DCU. With rich detailing and even richer leading ladies, Lois Lane #2 continues to be a glowing showcase of our favorite intrepid reporter and her fan-favorite vigilante co-worker.

With a strong sense of history and a quiet sense of poetry, Lois Lane #10 might be the comic to beat this week.

With its eye set on social commentary and armed with a strong connection between its leads, The Lone Ranger/Green Hornet #1 is a debut with both brains and heart. Michael Uslan, Giovanni Timpano and Pete Pantazis deliver an unexpected treat with the debut, one that rises above its marquee team-up to present a comic that is more than just spectacle and vintage adventure storytelling, though it does have its fair share of those as well. The Lone Ranger/Green Hornet #1 gets you in the door with the promise of a team-up for the ages but leaves you mulling over emotional and political themes you couldn't possibly have predicted.

With a tone that straddles the line between classic and modern, Lone Ranger/Green Hornet #2 stands as another well-constructed installment for the heroes of yesteryear.

It's been years since readers have seen Vertigo's Lucifer, but this debut makes it feel like he never left at all. Holly Black not only picks up the baton from the original series, but runs with it, tempering the charm and style of the character with a metaphysical detective story sure to hook readers of all stripe. Black's script coupled with Lee Garbett and Antonio Fabela's stylish pages and colors makes for one hell of a good time that can only get better from here. The Devil may go by many names, but after this week, he will go by another one: the leading man of yet another hit series.

Chock-full of death rays, imposing flying saucers, and actually funny edgy humor, Dynamite’s new Mars Attacks is a real winner for the property and imprint. Kyle Starks, Chris Schweizer, and Liz Trice Schweizer have really found a neat take on the franchise, imbuing it with relatable family drama which gives it stakes and another deep well of comedy to draw from. All that plus the destructive return of some of the meanest, best-designed aliens fandom has to offer, and you have a relaunch that is more than worth your time.

Though certainly not perfect, as it suffers from the dreaded first issue "Mystery Box" that comic books tend to suffer from nowadays, Marvel 2-In-One #1 is ultimately a fun and affecting opening chapter in the greater Fantastic Four saga. In many ways, this book feels like an answer to DC's "Rebirth." It's a trip down memory lane - even if it's a memory that brings happiness and pain in equal measures - but more importantly, it's a way forward. The past can trap us, but it can also set us free - and thanks to the bonds of time and friendship, Marvel 2-In-One is the kind of throwback that could define Marvel's "Legacy."

Though I would have loved a bit more time with the returning Mad Thinker, Marvel 2-In-One #3 continues to keep the Fantastic Four's brand and tone alive with humor and a sunny disposition.

It may not be the FF, but at least it's a FF as Marvel 2-in-One continues to keep the First Family's light alive.

The Four might be back, but Marvel 2-in-One is still telling great stories with just half of the cast.

I am sad to see Marvel 2-in-One go as it was a consistently great and engaging take on a classic Marvel title, but I am happy to see it ended in such a sweeping and fun way thanks to Chip Zdarsky and Ramon K. Perez and their clear love of the Fantastic Four.

Delivering both human drama and rousing old-school superhero action, Sub-Mariner: Marvels Snapshots #1 is a real blast from the past. Unafraid to face the reality and personal cost of the Second World War and written with a boisterously vintage voice, this debut issue melds the earnest charm of the Silver Age with the rich thematics of the Modern Age of comics. We will have to wait to see if the rest of the line can run with this particular baton, but for now, Marvels Snapshots is off to a great start.

Keeping the action intimate and hard-hitting are artists Aco and Hugo Petrus both of whom keep the style and punches coming as they break up pages with tiny inset panels of certain important visuals amid the chaos of Midnighter's newest mission.

Though Kareem Abdul-Jabbar writing a story about a Victorian rouge might sound like a gag, Mycroft Holmes #1 shows that his scripting and sense of humor is anything but a joke.

New Avengers has always been fun, but never has it been this much fun.

Writer Jeff Lemire lightens up Logan's quest to save the future with some great Kate banter, but also casts the best Hawkeye as the one person in the series so far that is asking the right questions about old Logan's temporal hit list.

Red Sonja has always been a fan favorite but with this new volume, I predict a massive, and well-deserved, surge in the She-Devil's fanbase. Marguerite Bennett, Aneke and Jorge Sutil may be taking a less action-oriented course, but their character-first approach to this first story as well as the knowledge that Sonja's sword doesn't stay sheathed very long makes me think that this new series is going to get very big very quickly. Plus with Bennett's new layered take on Sonja herself, all signs point to Red Sonja continuing Dynamite's sword-and-sandal hot streak in grand fashion.

In a cheekily-placed double-page ad for the series, sandwiched between the wall-to-wall action of the debut issue and the rest of Kaare Kyle Andrews' beautifully satire starring real-life models, the comic asks "How Do You Feel About Anarchy?" After Renato Jones, Season 2: Freelancer #1, I feel pretty $%@$ing good about it, and I think you will do. The world at large right now feels strange and alien, and we need our art to reflect that. Renato Jones aims to do just that, showing that comics can and should be just as dangerous as the world they inhabit.

With its numerous touchstones to previous series and a moody eldrich mystery at its center, Rise of the Black Flame #1 is a rare example of a worthy prequel.

Filled with sass, crime, and dames that are also otters, Rocket #1 is a silly but deceptively competent return to the life for our favorite gun-toting furball.

Blessed (or perhaps cursed) with huge ideas and an unconventional way of telling the story, S.H.I.E.L.D. #5 is too rare to live, but too weird to die.

Supported by a boatload of sex workers on the production side, Tina Horn and Michael Dowling have put the time and effort into building this world and cast, making SFSX #1 incendiary and fun social science-fiction.

If you have been wishing for more Sabrina stories, but less of the "Chilling" sort, then Sabrina the Teenage Witch #1 is the book for you.

Valiant Entertainment and its “Future of Valiant” initiative has been on a roll as of late and with Savage #1 it shows little sign of slowing down. B. Clay Moore, Clayton Henry, Lewis LaRosa, and Brian Reber deliver bloody action and riveting drama in equal measure rendered with an eye for visual flair. Throwing members of the elite into the wild isn’t a new narrative, but Savage #1 looks to reinvigorate the genre with rich thematics and bloody precision.

If you like your Conan stories more horror-inspired, then The Savage Sword of Conan #5 has the pulp you crave.

While I am not sure it is worth all the controversy surrounding it, I can for sure say that Second Coming #1 is hilarious for sure.

Taking cues from misfit team books like the West Coast Avengers and Valiant's own Generation Zero, this debut issue takes Harada's "disappointments" and puts them on the road to stardom with a charming, heartfelt debut that also just happens to be a blast to read.

Though its approach to its story is much more direct than expected Shade the Changing Girl #1 keeps Young Animal's 1990s Vertigo approach to comic book going with another strong debut. More than that Cecil Castellucci delivers a very real and respectful female focused debut that cuts to the heart of issues that readers could be dealing with. Couple that humanist approach with Marley Zarcone and Kelly Fitzpatrick dynamic visuals and vibrant colors and you have another high point for the fledgling imprint. Being a teenager is rough no matter what world you live on and as Shade the Changing Girl #1 shows, sometimes you have to embrace the madness in order to find who you really are.

Continuing the title's commitment to stylish visuals and emotional teen centered storytelling Shade, the Changing Girl #2 continues to be a standout entry for DC's newest imprint.

With classic and more than a little heart, Shazam #1 brings Billy and the Shazam Family back to shelves in grand, old-school style. Geoff Johns brings back that grounded, emotional style that made his career in the first place, and teaming up with Dave Eaglesham, Mayo "SEN" Naito, and Mike Atiyeh, this creative team taps back into the magic of the title for a fun and beautiful first issue.

I am happy to report that I was dead wrong in my assumptions and Sherlock: A Study in Pink #1 injects new, wholly unexpected life into one of pop culture's most widely known properties.

Shipwreck might not be the first title readers think of when they think of new Ellis works, but after #5, I have a feeling that that could (and should) change.

This new debut is the best kind of entry point into the series for new readers, yet familiar enough to keep readers who have been around since the first #1 satisfied.

Snotgirl #1 delivers everything you want from a Bryan Lee O'Malley book, but also gives you something unexpected to hook you in deep, making it so much more than another story about millennial angst.

Sure, it isn't the classic Gold Key or even one of the many attempts at a reboot, but The Sovereigns #1 plants its flag confidently as the new Gold Key standard.

Melding science fiction action, Mexican culture, and mysticism Space Riders: Galaxy of Brutality #1 stands as yet another wholly singular but wildly entertaining experience. Fabian Rnagel, Jr. and Alexis Ziritt clearly just created a book that they would want to read and it just so happens that that book is really cool, looks tremendous, and is, arguably, one of the most punk rock comics on shelves. Black Mask Studios has built a reputation of being a company in the business of taking chances on books like this and many others. Space Riders: Galaxy of Brutality #1 makes that a chance worth taking.

IDW and its Deviations one-shots now stand 2-0 thanks to Star Trek Deviations. Donny Cates, Jason Lewis, and Josh Hood completely tear down the history of Trek and in its place build a stirring, action-packed tribute to the core ideals and aspirations of the Federation as well as what it represents to both the characters and the fans that love it. This one-shot could have coasted on its killer central idea, but instead it became something more, just like franchise from which it takes its name.

Star Wars: Forces of Destiny - Rose & Paige may not be for you, but it is certainly for somebody and that is what comics, and Star Wars, really should be about.

Though I expected a breezy tale starring one of Star Wars' comedic lead, what I read was so much more, and so much better, than I ever could have hoped.

While the television show has moved on to grander stages like outer space and Gem homeworld prison ships, Steven Universe #1 shows what kind of fun you can get up to while keeping your feet firmly planted on the ground. Melanie Gillman, Katy Farina and Whitney Cogar take the reigns of the beloved property and treat it with the utmost respect while still extrapolating what makes it so loved in the first place and funneling it into a sweetly funny opening story. As far as returns go, the latest return to store shelves for Steven Universe is pretty much the best-case scenario.

I've used the term "old-school" a few times in this review and the more I think about it, the better I feel it describes Swamp Thing #2. Len Wein, Kelley Jones and Michelle Madsen stripped away all the superhero trappings that made the previous title so engaging and have returned the series to a dark and disturbing place. Modern horror comic books often resort to disturbing ultra-violence or nihilistic gags that keep the audience gasping, but not Swamp Thing #2. No, Team Swamp Thing is determined to make your skin crawl without the modern tools of horror. For Wein, Jones, and Madsen, the old school is the best school, and Swamp Thing #2 is their stylishly weird proof.

Genuine dramas are a rare breed in comics, but Teeter Topple goes out of its way to add to the conversation while never sacrificing what makes comics dynamic in the first place. Offering up a work of true vision and heart, Karl Slominski wears his heart on his sleeve as does his book and us, the readers, are all the better for it. While it may not have the bloody angle or crime basis that people might want, Teeter Topple is the kind of brutally honest human story we need more of in comics.

Vault Comics has been in the conversation here recently as the heir apparent to Vertigo Comics. To me, Test might be the best evidence for this argument. Armed with a killer science fiction hook and punk rock energy, Christopher Sebela, Jen Hickman, and Harry Saxon deliver an assured, immensely readable debut, one that establishes a whole world and lead character with confidence.

While the wait for this issue may have gone on a bit too long, this creative team makes sure that this issue feels and reads well worth enduring its absence.

Respectful of the previous Sandman entries, but never too reliant on them, writer Simon Spurrier, along with the wickedly talented Bliquis Evely and Mat Lopes, pay loving tribute to the realm of stories, breathing brand new life into Neil Gaiman's characters for a whole new generation of readers and dreamers anxious for the Dream King's return.

Sharply funny and densely rendered The Dreaming #10 continues to be a worthy extension the Endless' tale.

While I never would have guessed that out of all the books on shelves The Flintstones would be the most satirical and affecting, I am very glad that it is, proving that even classic cartoon reboots can have something to say.

With its heady ideas and heartfelt approach to storytelling, The Flintstones #5 keeps the title fresh and funny.

Only time will tell if they can channel the dark cult classic energy of the original series across a whole line of titles, but for now, The Sandman Universe #1 is a gothic delight for dreamers, both old and new.

Though the Odinson hasn’t been on the scene that much as of late, Unworthy Thor #2 puts him back in the spotlight in large scale and unexpected way. Re-adapting to his voice with ease, Jason Aaron swings for the fences in a big way, both in terms of plot and character and through he’s only two issues into this latest story, he’s already displaying a high batting average even after all the time detailing Jane Foster’s adventures. Along with the pencils ready made for a heavy metal album cover from Olivier Coipel and rich colors by Matthew Wilson Unworthy Thor #2 proves that age old adage that the first time is luck, but the second time is skill.

While I am curious about how the two-part structure of this series will sustain over time, The White Trees #1 is a gorgeous, thematically rich debut issue. One that helmed by a new generation of creatives aiming to breath new life into a tired genre of comic books. We will have to see if they stick the landing, and have further plans for the lands and heroes of Blacksand, but for now The White Trees #1 is a worthy adventure waiting at this week’s comic shelves.

If you have been missing the adventures of the Spectral Knights or if you just want to give these 'Visionary' characters a shot, then Transformers vs. Visionaries #1 is the main event you have been waiting for.

Armed with a sharp script and genuinely unexpected emotions, Transformers: Till All Are One #11 is truly more than meets the eye.

Comic books are a long way from "This A on my head doesn't stand for France!" and The Ultimates2 #100 proves that with cosmically grand style.

AfterShock Comics may not be a household name like other third-party imprints, but if they keep producing titles like Unholy Grail, that kind of notoriety may be coming sooner than we could have imagined.

Usually when readers see the word "crime" on a cover of a comic book, the image of dingy alleys, rain soaked trenchcoats and flying bullets instantly pops into their heads. However Violent Love #1 offers a much sunnier and much more humanist take on the genre, focusing on the person before the taint of crime and allowing readers to fully understand one of the leads before the dam breaks. Frank J. Barbiere, Victor Santos and Dylan Todd take things slow, but not slow enough to make this debut a durge. While we know where the story ends, they work to make the journey to get there as vibrant and as affecting as possible. Not all stories have happy endings, but Violent Love #1 starts this one off on the right foot.

Armed with clever cinematic tricks and a breakneck pace, Violent Love #2 avoids the sophomore slump with style.

While the pace of the issue is faster than a surprise Money in the Bank cash-in and the art styles clash a bit, especially the lovably wacky New Day jaunt through time, WWE: Then. Now. Forever. #1 is a well-produced treat for wrestling fans and non-wrestling fans alike.

This WWE WrestleMania 2018 Special is the perfect warm-up for this Sunday's festivities.

In summation, if you are a mark, smark, or even if you have no idea what I just said, there is fun to be had with this year's WrestleMania Special.

But some occasional slowness cannot sink the heavy metal fun that is War of the Realms #1. Armed with a bombastic script from Jason Aaron and expansive, richly colored artwork from Russell Dauterman and Matthew Wilson, this opening issue swings for the fences and largely clears them. Could it have lost a few pages in the middle? For certain " but even with its occasional pacing hiccups, War of the Realms #1 is one of the rare excellent starts for an event. While it's impossible to tell what this war will bring in future installments " especially given the numerous tie-in books for this event " this debut heralds big fun and even bigger stakes for the mythic side of the Marvel Universe.

Weird Detective #1 does what many comics and Lovecraft adaptations have failed to do, make the seminal weird fiction balls out fun. By fleshing out their original short story into a double-sized debut issue, Van Lente, Vilanova, Gonzalez and Wallace are allowed the page count to let their plot breathe, add much needed dynamics and depth to the characters, and fully revel in the monster and supernaturally power filled weirdness of the world they have created. All the while delivering a by the numbers buddy cop story complete with banter and straight up comedic beats. Lovecraftian genre tales are a dime a dozen in popular culture, but Weird Detective #1 stands above the lot by displaying a vast knowledge of the source material along with a keen eye for funny, engaging ways to present that material.

Though it isn't nearly as Cthulhu-flavored as the debut issue Weird Detective #2 still revels in its own weird brand of humor and Lovecraftian pulp tone.

Reveling in craziness from the very start, Weird Detective #5 is an ending befitting of Dark Horse Comics' strangest hit series.

So as forces gather on both sides of =[A]='s External Gate, X of Swords: Creation #1 heralds one hell of an incoming epic; the first crossover event of this new era of X-Men. Packed with energy, new lore, new threats, and some shocking turns and returns (just wait for the final page, True Believers), X of Swords: Creation #1 sets the X-Men up beautifully for their first post-Krakoa crossover.

With a dual middle fingers proudly held above its head, Young Terrorists #2 is exactly the kind of pissed-off spectacle we deserve right now.

By melding drama, smarts, and bleak morality tales, Immortal Hulk is off to a really strong start.

Immortal Hulk mucks about and delivers its first stone cold classic issue with #3.

While the title overall seems to be moving away from "one-and-done" stories and into longer sustained arc, Immortal Hulk continues to be a dreadfully entertaining experience.

Immortal Hulk is shifting gears now, and something tells me that it is about to kick into overdrive.

Immortal Hulk ended up on a lot of Best of 2018 lists, and if #11 is any indication, it may have a shot at the 2019 lists too.

Al Ewing, Joe Bennett, Ruy Jose, and Paul Mounts seem to have a very clear vision for their era of Hulk and, if the multiple printings are any indication, people are clearly responding to it. #16 is just another great example of how grimly entertaining this series continues to be.

Managing to be both a horror book and stunning deconstruction of the Hulk mythos, Immortal Hulk #18 continues to play to the series' strengths.

Chock to bursting with dread, body horror, and tremendous turns of phrase Immortal Hulk #24 is another stone cold classic issue for the consistently impressive series.

With a horrifying audacity in its script and doubly horrifying surrealist quality in its artwork, Immortal Hulk #25 delivers yet another monster issue for the lauded series, one that takes an unexpected yet tonally sound track heading into the title's final act.

This continues Immortal Hulk's strong streak of characterization and narrative as it barrels toward its conclusion. Come for the monster fights, but stay for the compelling script in Immortal Hulk #29.

Continuing its commitment to character and plot Immortal Hulk #31 is another winner for the Immortal Era of Hulk.

While it might not have the same drive as the previous issues, Immortal Hulk #32 is just as weird and creepy as you would expect.

But even with this visual misstep, the sequence itself is incredibly harrowing, made even more so by the art team's expansive, hard-hitting layouts and Ewing's pitched dialogue. As the Hulk tries to defend himself, giant tears in his eyes, Gamma Flight takes the fights right to him, pinning Ol' Jade Jaws down and leading Crusher Creel to take on a major power upgrade. To spoil it would be to give away the issue's biggest moment, but trust me when I say, it's much more than just a run-of-the-mill comic fight. With a sharp darkness and eye-grabbing, unsettling artwork, Immortal Hulk #36 returns to its main story with a bang.

Chock full of existential dread and dynamically emotive artwork, and further armed with a tremendous cliffhanger, Immortal Hulk #38 makes a very strong case for being one of the best issues of the whole series. Keeping the consistency of Marvel's heaviest titles hovering between good and great, Immortal Hulk #38 is another standout issue for the standout series.

Al Ewing and Joe Bennett continue to deliver with Immortal Hulk #39.

And so while the main story of Immortal Hulk #40 might seem a bit low scale, the character texture, narrative implications around the Hulk's new system hood, and artwork continue the title's solid run of issues as of this latest arc. And if this issue's cliffhanger is to be heeded, Immortal Hulk is only going to get more revoltin' in the future.

Al Ewing's Immortal Hulk run is among Newsarama's best Hulk stories of all time.

While a more low-key affair than we are used to seeing from the series, Immortal Hulk #43 still comes to the table with a great deal of power, both visually and narratively. Bolstered by Al Ewing's attention to character and the art team's terrifyingly good synchronicity and handle of the title's visual tone, Immortal Hulk #43 stays strong as the title heads into its final issues.

No Road Home certainly has the talent, the cast, and the potential to succeed, topped off with a high fantasy hook that is tailor made for serialization. Eyes front, True Believer, because Avengers: No Road Home #1 is Marvel Comics in their purest form.

Avengers: No Road Home #6 could have been a real mess. It could have been a rote team-up, made only to move readers to the new Conan line or to give the series that "Wolverine Bump" just with a Barbarian instead of the Ol' Canucklehead. But the team here really rises to the occasion, for the audience and the story, making Conan's modern Marvel debut feel like the moment it should be. By Crom, I can't wait for more.

No Road Home continues to be a trip worth taking for fans of old-school superhero action.

Weekly series storytelling is a tough needle to thread, but somehow Avengers: No Road Home managed to do it. Though it will surely stand up better as a collected read, each issue of this series has either thrilled, moved, or entertained - and sometimes accomplished all three. I had high hopes for the finale and it more than delivered.

Filled with dread and plenty of recognizable foes from the franchise Dark Souls: Winter's Spite #1 is another gloomy winner from Titan Comics.

With three gorgeous standalone stories and a strong ongoing thread connecting them, Dark Souls: Legends of the Flame #1 is a strong example of having your cake and eating it, too.

Though I never could have guessed that From Software's dark and broody trilogy would be rife for adaptation, Dark Souls #2 defies expectations and shows that you can take what makes a game great and present it in a new accessible light without losing what made it great in the process.

Anthologies are a tricky business and adaptations are doubly so, but thankfully, Titan Comics' Dark Souls offerings got gud early on and provided stories that both fans and newbies could enjoy by the warm light of a Blighttown bonfire.

The table is set and the pieces are moving but in Dark Souls: Winter's Spite #3.3 the winter is anything but a wonderland.

Once again capturing the mood and tone of the fan favorite game trilogy, Dark Souls #3 is a dark trek into an entertaining world of swords and sorcery.

Writer George Mann succinctly wraps up the central murder mystery at the heart of the story with a patented Doctor speech, showing once again that he's at least five steps ahead of the side-characters at all times.

With smooth pencils, dynamic character work, and flatted yet evocative colors from colorist Alexandre Siquera, Doctor Who: The Twelfth Doctor #2.9 is a warmly fun return for one of Titan Comics' most consistent Doctor Who artists.

With an intensely fun new companion and smooth new look Doctor Who: The Twelfth Doctor #2.11 starts this new story off on a very strong note.

Leave it to Team Grayson to kick "Robin War" into high gear.

Grayson was already a pretty entertaining book beforehand, but this sixteenth is on a whole other level of charming. If you have friends that are on the fence about Dick's new status quo, give them this issue and stand by for major feels, laughs and thrills.

As a longtime Nightwing fan, I balked at the announcement of Grayson. Seeing Dick trade in his wings for a drab uniform and a gun rubbed me the wrong way. But the story that Tim Seeley, Tom King, and Mikal Janin told ended up being much more entertaining and much more narratively rich than I gave it credit for, adding up to more than just a new costume, co-stars, and setting. Now with Grayson #20, Jackson Lanzing, Collin Kelly, Roge Antonio and Jeromy Cox deliver a finale that not only stayed true to the spirit of the title that Seeley, King, and Janin started, but also stayed true to Dick Grayson himself.

We will see where this month's cliffhanger takes us, but for now, The Green Lantern continues to be a knockout read.

Strange, fun, and anchored by the gruffly hilarious dynamic between Hal Jordan and Ollie Queen, The Green Lantern #8 is another odd winner for the series.

Even as it heads into its "season finale," The Green Lantern #10 shows the commitment the title has to being as weird and as big as possible.

Though the gallows humor and frank emotion of the main series are absent here Rick and Morty: Lil' Poopy Superstar #1 is still a treat for fans and a confident start for the title's first spin-off. Sarah Graley and Mildred Louis, along with a backup story drawn by series regular Marc Ellerby, take two well liked side-characters and poise them as stars with their own adventure armed with plenty of heart and visual gags. We still don't know what Mr. Poopybutthole's whole deal is, but Lil' Poopy Superstar #1 makes me very curious to find out.

By keeping with the show's heart first then jokes approach to storytelling, Rick and Morty: Lil' Poopy Superstar #2 continues to stand as a worthwhile spin-off series.

Though not a particularly earth-shattering finale, Sarah Graley delivers a final and hefty dose of heart and comedy.

Hot on the heels of another tremendous debut issue, Star Trek: Boldly Go #1 proves that IDW's new Trek titles are forces to be reckoned with.

Armed with big action and even bigger political implications for Starfleet Star Trek: Boldly Go #2 keeps the new series in the fight.

Though Kirk's friends may be scattered across Starfleet, Star Trek: Boldly Go #4 shows that the characters and stories are still in good hands with IDW.

Making something old feel new again is one of the hardest things you could do in any medium. That said, Chip Zdarsky and Erica Henderson make it look easy with Jughead #4, a comic that takes story beats and characters that have been around since the '40s and makes them feel brand new and vital to the new landscape of comics. Jughead #4 is clever and a fun read, but its major strength will always be its respect for the stories that came before and the care it takes to make those stories feel new again. Jughead may have been around for decades, but this creative team is taking great strides to make sure that it feels like he and the gang never left.

Things may be getting darker in Riverdale, but Jughead is still at the top of its game in terms of quality.

As a single issue Jughead #6 works, but as the culmination of Zdarsky, Henderson, and colorist Andre Szymanowicz's first (and only) arc in New Riverdale, its a satisfyingly funny and heartfelt conclusion to Jug's first big adventure.

While it doesn't quite illicit the same belly laughs as the earlier issues, Jughead #8 is still a fine enough ending note for Chip Zdarsky's time with Jughead and company.

While the departure of the original creative team usually portends a dip in quality, Jughead #9 shows no sign of slumping as it heads into its new arc. Ryan North and Derek Charm adhere to the title's original tone and sense of humor while not playing it safe with their storytelling and developing Jughead past his love of food and aloof nature. Magic is in the air and if Jughead #9 is any indication, North and Charm will have many more spells to cast on readers before their time is up.

Though Jughead's brush with dating was fun while it lasted, Jughead #10 puts him in a teenage witch's crosshairs to deliver laughs and all sorts of fun.

While not exactly the all-out magic fest that readers may have been expecting, Jughead #11 is still an emotionally affecting and chuckle inducting finale to Sabrina's long-awaited debut in New Riverdale.

Finding strength in silliness Jughead #12 is another winner for everyone's favorite burger lover.

Though I applaud Valiant's continued insistence on accessibility, that same accessibility proves to be 4001 A.D.'s biggest strength and weakness. Make no mistake however, this debut is bold, stocked with crazy slick visuals, and presents an epic entry point into an universe that is quickly and confidently holding its own against established imprints and household name characters. Minor missteps aside, 4001 A.D. #1 offers an ambitious new title that is tailor made for readers either looking to take a chance on a new imprint or those looking for a respite from the standard tights and fights of a traditional summer crossover event.

Further strengthened by strides in character building, 4001 A.D. #2 establishes the series as arguably the summer's biggest and best event.

As a recent convert from Valiant newbie to full-tilt fan, A&A: The Adventures of Archer and Armstrong #1 is exactly the kind of book I want as a reader. Though the duo have been a staple of Valiant's line for a long while, this new #1 presents them almost as brand new characters, unmoored from their own continuity. Rafer Roberts, David Lafuente, Ryan Winn, and Brian Reber show those unfamiliar with the characters exactly what their world is like and why their dynamic has stood the test of time. Valiant Entertainment may have a slew of heroes under their umbrella, but A&A #1 shows why these two knuckleheads are two of their most popular and entertaining characters.

Though Archer and Armstrong have long been a staple of the Valiant Universe, this new title makes them read, feel, and look better than ever.

Though it is only their first proper date A&A: The Adventures of Archer and Armstrong #5 makes me curious to see what the next one will look like and just how painfully cute this pair can get.

If you like your comic books just slightly, or perhaps way off-center, with plenty of humor to boot, then The Adventures of Archer & Armstrong continues to be the comic for you.

A-Force #2 reads like a Sleater-Kinney song sounds: all confident bravado and a relentless pace. While the original series was inescapably tied to a company wide, Kelly Thompson, G. Willow Wilson, Jorge Molina and Laura Martin quickly cast off those ropes of continuity to let these ladies stand on their own and get down to the important work of punching weird stuff and giving each other sass. Teams are a dime a dozen in comics, but very rarely do you get a team like A-Force; one stocked with fan favorite powerhouses with a creative team with the talent to give them stories worthy of their station. There's the All-New All-Different, the New, and even the Uncanny, but make mine A-Force.

Every team in Marvel's history has had to endure some sort of trial by fire and A-Force #3 is this team's first beautiful crucible.

While the rest of the imprint's output is more flashy, Cave Carson has a Cybernetic Eye #3 grounds, quite literally, its weirdness with great results.

Though the world is still a bit tough to crack, Cave Carson #5 still has plenty of character to keep it interesting.

The League of Shadows may be a myth, but the Bat-Family is finding out just how real and deadly focused they are in Detective Comics #951.

Detective Comics has been a consistently entertaining title since its renumbering, but only time will tell if it can continue to sustain itself through this new "lonely place of living."

Tim Drake might be losing touch and the team may be headed for another breakdown, but Detective Comics #970 keeps the title going strong.

The Bat-Family may be on the ropes, but Detective Comics #980 continues to come out of the corner swinging, thanks to its attention to character and its commitment to heartbreaking set pieces.

The Bat-Family is a collection of special men and women, but this run of Detective Comics and the characters it assembled will always hold a special place in the heart of this era of the DCU.

With an eye on character, a compelling thesis, and a genuine mystery to solve at its core, Detective Comics #983 can comfortably be called a success.

While the introduction of a fan-favorite video game character winds up a surprising fizzle — in that regard, this does have a lot in common with the introduction of Rogol Zaar in Action #1000 — the rest of Detective Comics #1000 is more than worth your time and money. Stocked with all manner of veteran creatives and packed with classic, emotional, and highly entertaining Batman stories, this feels like a fitting celebration to the Caped Crusader. Exploring both the darkness and light of Batman, Detective Comics #1000 has something for every kind of Batman fan.

If you have been wanting a street-level mystery from the new era of Detective Comics, then #1006 will be a breath of fresh air. Not only that, but it serves as a larger-than-life return for the Spectre, one handled by a creative team who understand how fun and weird his inclusion can be. If you have fallen off of Detective Comics here lately, then #1006 is a great place to pick back up.

While I would have liked a bit more headway as to what Luthor's "Offer" really entails, Detective Comics #1008 was a fun side-story as the Year of the Villain starts up in earnest.

And therein lies the real strength of Detective Comics #1027. It's just really damn fun to read. Offering readers a vast range of what Batman and Detective Comics can offer as a title, Detective Comics #1027 stands as a worthy tribute to the issue that launched the Bat dynasty.

The world has grown colder in the wake of Doctor Strange #6, and the embers of magic are quickly dying. While Jason Aaron started this new solo title with a comedic edge, it seems that he is turning a corner with its first major story arc. Aaron has brought Strange as low as he can go in the opening issue and even though we know there has to be a triumph at the end, things look very dire right out of the gate. Armed with an art team that refuses to give anything but their best Doctor Strange #6 is exactly the kind of start you want for your first big major story; one that digs its hooks into readers deep and refuses to let them go.

Doctor Strange #10 puts a bombastic cap on the title's first arc and sets up for very interesting things down the line.

Even if you didn’t catch the epic “Last Days of Magic”, Doctor Strange #11 still offers a fun and engaging entry point into the world of the fallen Sorcerer Supreme. Armed with wit and a magic ball bat, Jason Aaron provides an engaging dual look at the magician and sets the title up to head in more interesting directions after going big and bold with the first arc. Artists Kevin Nowlan and Leonardo Romero, along with Jordie Bellaire, bring Aaron’s double-tracked plot to life with their own stylish duality and sharp color palette. The road ahead will be hard for Stephen Strange, but he still invites us to walk it with him, one spell at a time.

rmed with one of the weirdest cadre of foes in comics and a clever hook Doctor Strange #13 is another strong showing from a consistently strong solo title.

With a lightning-fast pace, an epic scope, and a script that takes full advantage of what makes each modern Doctor fun and compelling, Doctor Who: Supremacy of the Cybermen #1 is the series in its purest and most entertaining form. While I would have loved even the tiniest hint of the Ninth Doctor taking shots at his more foppish regenerations or possibly even finding a kindred spirit in the rough and tumble Twelfth Doctor, the creative team have only just begun, starting this event off with a metric ton of promise. As Titan Comics prepares for its latest Doctor Who Comics Day, they have another crowd-pleaser on their hands with this latest multi-Doctor event series.

Though things look bleak for the Doctors and their companions now, Doctor Who: Supremacy of the Cybermen #4 promises plenty more action and out there science fiction before this series has had its final say.

Titan Comics' Ninth Doctor series started off on a slightly stiff note, but the third issue of the ongoing shows that this series can get loose and fun, just like its TV counterpart.

Though we are headed back to the past next issue, Doctor Who: The Ninth Doctor #5 made the most of its time in the present.

Though Faith and Archer are still recovering after their first fight, Faith #3 puts them back in each other's good graces with a breezy jaunt through the world of comic conventions.

Packed with charm and plenty of tasteful pop culture references, Faith #6 is still one of the most human superhero books on shelves.

Faith Herbert may be one of Valiant's most likable characters, but Faith #7 shows that even the happiest people have demons and sometimes, they aren't just in their head.

Though Valiant Entertainment is mainly known for high-flying action and gritty science fiction, Faith continues to shine by leading with its heart instead of its fists.

Hal Jordan and the Green Lantern Corps #15 may have a lot of plates spinning at once, but at least it makes it look fun as they spin.

A big return marks big things for Hal Jordan and the Green Lantern Corps and suddenly the dream of the 90's is alive in the DCU. Robert Venditti, Ethan Van Sciver, and Jason Wright have taken their slice of the universe and steadily expanded it while never forgetting what makes these characters heroes to start with. And now, the "Torchbearer" has returned, and maybe now, hope won't be far behind.

While that last bit might sound a bit much, Hellions #1 really is a lot of fun. Thanks to the droll wit of Wells’ characters, emotionally dynamic artwork, and the meaty, carefully laid out concept, this opening has a lot to work with. It would have been nice to see that potential in action fully, but despite that Hellions #1 is a rich opening gambit from the misfits of Krakoa.

Though the length of time between these first two issues has been frustrating, I truly think Hellions #2 was worth the wait. Chock full of wonderful, darkly wacky character moments, a rich team dynamic, and story hook that continues to pay out dividends (now made even more richly complex thanks to Pryor's return), Hellions #2 continues to be wholly it's own thing and by doing so, absolutely stands out amid the Dawn of X pack.

If you want your superhero comic books big, loud, and with inter-dimensional stakes then Justice League #49 is exactly what you've been searching for.

While not as bombastic as the previous 50 issues, Justice League #51 succeeds with solid artwork, an easy-to-follow plot that firmly connects it to the New 52's early days, and compelling characterizations.

With its diverse cast, firm understanding of western story tropes and a rich world just waiting to unfold, Kingsway West #1 is an action-packed and engaging opening gambit for Dark Horse's new series. Greg Pak, Mirko Colak, and Wil Quintana not only deliver a great story, but also a world that hasn't even broken the surface of what it has to offer in terms of story potential. It may not take much to deliver a great western, but it takes a whole lot more to deliver an alternate history that feels as rich as this one does. Thankfully, Kingsway West #1 certainly delivers that and more.

With real emotions and more bloody fun action, Kingsway West #2 builds well on the fantastic groundwork left by its first issue. Greg Pak, while clearly having a blast with the fantasy western setting, still manages to make these characters feel real with genuine pathos wired through all the gunplay and adventuring. Right along with him are the art team of Mirko Colak and Wil Quintana, both of whom shift well between quiet moments and loud set pieces, giving equal attention to both. Though there are still many miles to go for Kingsway Law and Ah Toy, Kingway West #2 stays committed to its action-packed and emotional journey.

Pitting giant robots against giant shark men is all well and good, but doesn't mean a thing unless you care about the characters in the fight. Thankfully Issue #4 does exactly that, adding up to another substantial installment for BOOM! Studios' breakout adaptation.

The Morphin Grid may be shattering but Mighty Morphin Power Rangers #25 keeps the series from scattering as it heads into its headline-grabbing new event.

Moon Knight has had his fair share of #1's here lately, but this one looks to stand out above the rest thanks to yet another fresh, yet studied, take on the character.

Part three of Jeff Lemire, Greg Smallwood, and Jordie Bellaire's opening "Welcome to New Egypt" arc still hasn't gotten closer to showing its hand as to the mental state of Marc Spector, but its that uncertainty that fuels the title's manic energy.

Kate Leth, Brittney L. Williams and Megan Wilson go for the gusto with this debut issue. They seem just as dedicated as Hellcat to fighting the good fight, and doing it in the most fabulous way possible. Patsy Walker, a.k.a. Hellcat may not be for everyone, but for many, it is the breath of butt-kicking fresh air that they have been waiting for.

Though its lately been hampered by the dark clouds of the Civil War, Patsy Walker, AKA Hellcat! #15 gets the title back on the sunny and funny side of life.

I was excited about this new debut issue, but now, I'm just straight-up terrified of Cloonan, Dillon and Martin's Punisher.

There are two kinds of Punisher stories and depending on who you ask, you'll likely receive a different answer as to which one truly captures the spirit Frank Castle. But for my money, Punisher #218 is exactly the kind of self-aware and entertaining Punisher story we need right now.

We may be only getting this title for three issues but Nelson Daniel, Aubrey Sitterson, and Ryan Hill seem to be hellbent on making each of these issues hit as hard and look as good as they can until the bitter end.

Though the series only has one more issue to go, you would never know it reading Scarlett's Strike Force #2. Armed with a strong foundation of characters, a great sense of humor and fun, and frenetic, richly colored artwork, this era of G.I. Joe seems to be winding down while still staying true to itself and the tone its enjoyed from day one, haters be damned. Where else can you see villains debating dinosaur entomology and a vomiting T-Rex? Scarlett's Strike Force #2, that's where, and it's just as fun as it sounds.

If you have been wishing for more diverse female-led supernatural stories with some of the industry's top talents behind it then consider your wish granted with Spell on Wheels #1. Kate Leth, Megan Levens, and Marissa Louise conjure pure comic book magic with this first issue, hooking readers with a tight down to earth script and fantastic body positive artwork. Though readers will have to wait for #2 for the actual road trip to start in earnest Spell on Wheels #1 is a fantastic first outing for the Sister Witches and the trio of talented ladies behind them.

By expanding the cast's capabilites and pitting them against Buffy the Vampire Slayer-like problems of the week, Spell on Wheels #2 continues to be an arcane and female-focused delight.

Boldly going with the writer's room approach and "television season" model Star Trek: Year Five #1 starts off in the right direction. Armed with bright, cinematic artwork and a beating heart armored in great characterization, this opening issue delivers all the fun, thrills, and science fiction intrigue of Star Trek. All promising an even larger story just by the second star to the right and straight on till morning.

Punchy, fun, and filled with the kind of heart fans expect from Star Trek, Year Five #2 ends the publisher's new title's first arc on a fantastic note.

Filled with old-school Trek thrills and substantial, binge-worthy storytelling, Star Trek: Year Five #7 is another winner for the IDW line.

Rising above the level of usual licenced comics fare, Star Trek: Year Five #8 continues to deliver impressive Star Trek action and storytelling.

New York has been the setting for a myriad of stories across all kinds of mediums but Strange Attractors #1 not only uses the city as its setting, but gives readers a fascinating well-researched look beyond the concrete, injecting into an energy beyond surface level "characterization", given visual life by the work of Greg Scott, Soo Lee, Art Lyon, Matthew Patz, Felipe Sobreiro, and Robert Saywitz. BOOM! Studios have made a bold move with this reprint. In breaking Strange Attractors from its OGN format, it has given it a whole new energy and feeling of suspense as well as introducing a new crop of readers to a largely overlooked work from one of comic's rising stars.

Though the debut issue soared by using paranoia and deep thinking to its advantage, Strange Attractors #2 puts a human face onto the science and the series is all the better for it.

We still don't get the whole scope as there are still 9 issues left, but Jimmy Olsen #3 finally shows that this new series isn't just mindless fun (even when it is just mindless fun).

Though the chaotic energy and comedy of Jimmy Olsen is still here, this tenth issue would be better served as a part of a collection.

If you'll forgive the pun, The Dregs #1 isn't exactly the meatiest of debuts, but what it does deliver satisfies enough to start this series on a compelling note. Melding social issues, horror, and mystery Zac Thompson and Lonnie Nadler set their dirty little crime story apart from the pack and give Black Mask Studios another solidly entertaining debut issue under their belt. Along with the expressive and cleverly constructed artwork from Eric Zawadski and Dee Cunniffe, The Dregs #1 is a lean slab of bizarro noir just waiting for readers to try a bite.

Though The Dregs started strong, it's only gotten stronger, as this creative team delivers another poetic and engaging installment.

Though the wildly different art styles takes a bit to adjust to, The X-Files: Origins #1 is a solid start for the new youth-centered series.

With its dual storylines and focus on the feelings of its characters The X-Files: Origins #3 continues to rise above expectations.