When I was finished, I literally thought, "Wait, it's over already?!" It's so expertly crafted. More than anything, Steve Rogers actually stands for something again, and we would do well not to take it for granted.

There are so many underlying themes throughout even just this issue, but they're handled so well and presented so clearly that there is never any mess or confusion, only a thrilling and engaging story.

Champions continues to impress me more and more with each passing issue. This annual edition, which serves as a bridge between two different arcs, is easily one of the best issues of the entire series.

Cosmic Ghost Rider is exactly what you'd expect: delightfully delicious mayhem.

With each page, Cosmic Ghost Rider only gets more and more insane.

Cosmic Ghost Rider is wacky in all the right ways, and every panel is nothing short of thoroughly enjoyable.

The emotional impact of CGR has never been felt as much as it is in this issue, with the story of a father wrestling with his shortcomings being brought to the forefront.

Wonderful finale for Cates and company.

A top tier monster book with a heavy, near-perfect ending.

There are two stories in this issue, one that follows the rise of a serial killer and another that deals with a demonic possession cult. Both are absolute home runs that you will be thinking about for days. What a disturbing little treat this book is.

Good golly gracious, Dwellings is just the cat's pajamas.

These issues continue to be as entertaining as possible.

This issue acts not only as a love letter to Cage's legacy, but to the joys of parenthood.

I'm interested to see where it goes from here, and how quickly readers gravitate towards it, but this series has the potential to be the next truly great book from Image.

Marvel Rising is much more than just a fun action series, and you should get on board as soon as possible.

This book is crazy in every sense of the word, and it's worth much more than the price of admission.

Think about putting the brutal violence of Mad Max: Fury Road into the world of James Gunn's Guardians of the Galaxy movies. That's the playground where Thanos resides. This is the definition of heavy metal.

Thanos #18 is both a blessing and a curse. It's another great issue in an already stellar run of a wild story. What's a little disappointing is that this is the last issue of the series.

As far as annuals go, Thanos wins.

The Goon is an absolute blast from start to finish, whether you read any of the original series or not.

What a wonderful D&D story G. Willow Wilson is crafting here.

This book is a D&D player's dream. You definitely don't have to be into Dungeons & Dragons to enjoy it (these characters can connect with anybody) but those who do love to sit down with a role-playing adventure will find all sorts of ways to fall for The Hunger and The Dusk.

Wilson, Wildgoose, and the rest of the team are firing on all cylinders.

The Hunger and The Dusk knows exactly who these characters are at their core and it uses that knowledge to craft a brilliant tale that never ceases to be compelling.

G. Willow Wilson's fantasy epic is so effortlessly reflective, delivering personal and touching stories with nearly every character. It's always an absolute joy to read.

Who knew that one of the most profound statements about the duality of life would come in a Regular Show comic book? I certainly didn't, but I'm immensely glad that I read it. You should too.

Even for someone who has never seen an episode of Regular Show, this series will hook you in your soul and never let you go. Just go read it.

This book finds ways to explore the fears of getting older, and the difficulties of letting go of your past. Fortunately, for fans of the actual show, the comic doesn't miss a beat and looks like it was pulled straight from the screen and put on the page.

Aging and life-changing events are difficult things to accept and experience, but this comic charges into that terrifying abyss with an incredible amount of bravery and transparency.

Taking an outside look at our fears is a great way to reminds ourselves that we chose to surround ourselves with specific people for a reason, and this issue does a wonderful job of doing just that.

It was a joy and honor to review Regular Show: 25 Years Later over the past few months. Not only was it fun, but it also helped me reflect on some of my biggest fears. At the end of the day, what more can you ask of a great comic? Please read this book if you haven't already. I promise you'll be better for it

It's hard finding new and exciting ways to explain just how good Champions really is. This is Marvels finest team-up book currently in print. Period.

Everything about Champions works, on every possible level, and superhero comics just don't get much better. I'd be fine if this series never ended.

I'm running out of ways to say that Champions is one of best books of the year. That's it; that's my whole review. Just go buy it and read it and love it.

It's rare that a team of young heroes is this relatable and written this well, this consistently.

I don't know if I can love this book more.

From Kamala Khan to Victor Alvarez, every single character gets their time in the spotlight and helps make Champions one of Marvel's best ongoing series, month in and month out.

Champions is wonderful in every sense of the word.

Sam Alexander has never been better, which helps a lot in the absence of Kamala and Miles.

This thoughtful character study masquerading as an action team-up is just as superb as it when it first began, if not more so.

All in all it's still a very satisfying end to an even more satisfying story. Hopefully these characters won't be away from the spotlight for too long.

All-in-all, this is a promising start to potentially one of the best Ant-Man and Wasp team-ups we've ever seen.

It's a beautiful and impactful tale that I certainly didn't expect, but I'll surely be reading again.

This book rises above the tropes while simplifying things down to molecular levels. It's a fantastic read, just in time for its big screen counterpart.

A genuinely exciting story mixed with bright colors and smooth artwork makes for another A+ installment to this series.

The Deviant #1 satisfies on multiple fronts. If you're just looking for a murder story set at Christmastime, the comic book delivers that ten times over.

The Deviant is just a dynamite outing from everyone involved.

This creative team is firing on all cylinders. -

Every letter, line, and brushstroke is exactly where it needs to be to make this relentlessly dark tale one of the most fascinating reads on the shelf.

What a fun and fleshy debut from a team that is poised to do great things with Marvel's monsters.

An issue of an Incredible Hulk series that doesn't even feature the Hulk until the final page might sound like a drag, but this backwoods zombie revival is as thrilling as any Marvel comic could hope to be.

When all is said and done, this is going to pair nicely with Immortal Hulk as a delightfully demented one-two punch.

The Incredible Hulk is firing on all cylinders.

I'm in a consistent state of wonder about The Incredible Hulk, always curious about where it could possibly go next.

As if The Incredibly Hulk wasn't good enough on its own, bringing a Ghost Rider into the mix only makes it better.

A grim and gory spectacle befitting both beloved characters.

The Incredible Hulk is firing on all bloody, twisted cylinders.

New Orleans is a perfect place to take this Incredible Hulk story, as it continues its gruesome and fabulous run.

The Incredible Hulk feels a lot like Hellboy or Eric Powell's Hillbilly, in that it just finds ways to bring in all sorts of interesting supernatural lore.

The Incredible Hulk is the last Marvel title any comics reader should be sleeping on right now.

This is undoubtedly the most important issue of Redneck's brief, yet exciting history.

Despite being a little less intense than the previous issue, Redneck #12 is still a great installment to the series, which is heading in a potentially fascinating new direction.

However, even in a set-up issue like this, the series finds a way to add even more layers to the characters you already love, and delivers a brilliant final page that leaves you craving next month's edition.

Just like each of the 13 issues that have come before, this month's Redneck feels like the most genuine and well-written work in Cates' current library, and that's saying a lot.

If you've been reading Redneck from the beginning, you surely won't be disappointed.

Redneck #16 is one of the more profound issues of the entire series, allowing for the smaller, more intimate relationships in the family to shine through.

It's profound and beautiful in more ways than one, and reminds you just how important family can be.

As much joy as the previous issue of Redneck brought readers, this one is an absolute gut punch.

You'd have to go out of your way to not care about these characters, and the new direction that their story takes in this issue is one that will get you even more excited for what's to come.

Twenty issues in, Redneck remains a brilliantly executed and paced series that deserves much more attention than we're giving it.

Redneck continues to be an emotional, gruesome, insane journey through 21 issues. Somehow, someway, this book has never once let its foot off the gas pedal.

There are a couple of sweet, intimate conversations in this issue that take place in the middle of potential world-ending chaos and they will probably leave you a little choked up. Redneck seriously has it all.

This issue is as excellent as any we've seen in the past and the future for the series has never been brighter.

There are two lines of dialogue in this entire book and it's one of the most well paced issues of the series.

Donny Cates is writing a ton of comics lately, churning out hits over at Marvel with A-list characters like Thor and Venom. But its the little book named Redneck that remains his best work.

Donny Cates continues to do his best work when he's telling stories about vampires in Texas.

Even in an issue like this one, which can be seen as a filler sort of situation to set up the bigger confrontation ahead, it's hard to take your attention away from the Bennett clan.

The best issues of Redneck make you sit in their darkest moments, keeping you uneasy and on-edge from page to page. This issue still does that to an extent, but not to the level which we've come to expect from Redneck over the years.

There is a lot left to happen in these final five issues, but knowing where it all ends up surprisingly makes it all the more exciting.

Redneck is possibly Cates' career-best work, and he continues to deliver great dialogue for his layered characters, but it's also shaping up to be his most devastating.

Dawnrunner is by far the closest we've come to a worthy Pacific Rim successor.

This issue may not feel like classic Manifest Destiny, and the book has certainly been more exciting in the past, but this take on a thrilling political coup is a great installment nonetheless.

This is one of the best issues of an already stellar comic, worth picking up and reading even if you haven't read any of the prior installments.

It's a wonderful exploration of the character that only adds to his current (wonderful) canon. Plus, it has me genuinely interested in the new Defenders series. So, mission accomplished.

Zdarsky writes the hell out of Namor, who is about as damaged, serious, and complicated as you can get in the Marvel universe. He does so with a precision and depth that is slightly unexpected, but completely refreshing when dealing with a character that has often been underutilized.

All told, this book is a solid read for the teen or preteen comic fan in your life, but it's nothing worth getting excited about.

If every issue of Champions were more like this one, leaning more on the quality of the relationships than the quirky teen jokes, the book would have a lot more people talking.

This issue sets up a great ride for the Champions going forward.

Champions #20 is a solid issue on many fronts, no matter how old you may be.

This book is quickly becoming a must-read for any and all comics fans.

While the title will never carry the same weight as the Avengers, these Champions are starting to become the premiere team-up at Marvel, and more people should start paying attention.

Thankfully, however, we at least get little moments with each Champion at some point in the book and, although the ending is a bit messy, it's still another exciting edition to an already stellar series.

This is a wildly emotional book, and everyone should buy it, read it, and share it with someone else. Everyone.

I've said it once, and I'll say it again, because it's worth repeating: Champions is one of Marvel's best team-up books. If you're not already, you should be reading it.

No doubt about it, this is a really great read that will keep you engaged at every turn.

Champions is a perfect blend of the wackiest stuff comics has to offer and the importance of genuine teenage friendships.

All said, this is a great debut for the first post-Willow Kamala Khan series. The names of Kamala and Wilson will forever be intertwined, but Ahmed proves in this book that he's got plenty of story to tell, keeping our attention with the greatest of ease.

What Kamala Khan needs is more exciting and innovative sagas to call her own, adventures that highlight her strengths and abilities and continue to set her apart from the other heroes. That's exactly what Ahmed is doing here, and it's a ton of fun to read.

Saladin Ahmed has a gift when it comes to writing narration. Don't get me wrong, he's a great writer all-around, but the choice to have Kamala's mother narrate her story in this issue provides such a beautiful and gut-wrenching juxtaposition to what's actually happening on the page.

With a great new side character in the mix, Magnificent Ms. Marvel is only getting better.

This series is truly magnificent and there's just no other way to put it.

Ahmed and Vazquez continue to churn out a wicked fun Ms. Marvel adventure with this latest issue.

Even while the story is lacking just a tad, it's still a pretty fun read, better than most of what you'll find on shelves at the moment.

Most of this issue is spent exploring the anxiety and fear of a hospital waiting room and it could not be more interesting.

Mixing family dynamics and superheroics has been Ahmed's bread and butter with Ms. Marvel and it's still working wonders.

In all honesty, it feels like the book is getting even better as time goes on.

Perhaps the best thing this Ms. Marvel series has going for it is that all of Kamala's fears and concerns feel equally important, making the book compelling no matter what is going on.

One of Ahmed's best Ms. Marvel issues to date, hands down.

It's all about playing catch-up, but this issue of Ms. Marvel does so in a way that's both interesting and exciting, using the imagination to set up the story to come.

I keep waiting for Ms. Marvel to fall off like so many other great books have after the first couple of arcs, but this book and this creative team just refuse to compromise.

Ahmed knows exactly what he's doing here; he's just getting better and better as he picks up steam.

While engaged in an ongoing war against authoritarianism, Kamala Khan decides to go ahead and tackle capitalism while she's at it. Just another reason that Ms. Marvel and Saladin Ahmed are a match made in heaven, and perhaps the most important storytelling duo in all of Marvel.

It's sad to see this The Magnificent Ms. Marvel end. It has truly been one of the best books Marvel has produced during its run. But this ending is as perfect as the writer and character partnership that built it.

As he has done many times in recent years, Cates is able to find the delicate balance between a story that's just off-the-rails mental, and one that earnestly and wholeheartedly connects to its readers. It's as jaw-dropping as it is thoughtful and compelling. You don't find that often.

Everything in Absolute Carnage #2 works in unison to provide an immensely enjoyable read and a harrowing story that you won't want to miss.

Ryan Stegman was born to draw Absolute Carnage. Page after page is stunning and he continues to prove that there was no one else up to the venomous task at hand.

Absolute Carnage continues to be a rowdy, twisted event that leaves you craving more after each and every page.

After a long wait, Absolute Carnage ends pretty abruptly.

I like a lot of Marvel Comics that are being written right now, but none of them are as good as this one. Long live the Immortal Hulk.

The issue's ending takes everything back up to an 11, promising that Marvel's best current series is only going to get better.

The artistry of Immortal Hulk knows no bounds, as this issue, like each one before it, is filled with beautiful pages.

This series is impossibly well-crafted.

It's not that anything is bad, but the arc's conclusion comes to a fairly muddled and confusing conclusion.

Stegman brings out the best in Cates, and vice versa. They make a formidable duo capable of telling some of the most imaginative and death-defying stories in the modern era of superhero comics, even when the premise seems simple to start.

The premise is simple but it's executed wonderfully, and Ryan Stegman remains the king of all things gnarly.

You may lose some of the book's magic if you spend too much time thinking about every little detail, but this is a damn fun ride, just how event books should be.

I can't remember enjoying an event this much in a very long time.

King in Black is bananas. It's big, explosive, and bordering upon absurd, when you really think about it. It's also excellent, an exercise in how much fun a comic can be when everyone involved fully buys into its vision.

The title may not have a big, attention-grabbing descriptor attached to the front like other Spider-Man comics have in the past, but that's OK, because words like "amazing" and "spectacular" wouldn't really do it justice.

As promised, this book focuses on a much more "Brooklyn-level" villain and story, which is a perfect direction for Miles now that he's the focus of millions of fans around the globe.

For the first few pages of this issue, Captain America seems like a totally unnecessary companion for Miles and his story. However, once the duo clicks, things get real good, real fast.

This issue is more of a one-off story, but that's OK with a book like this.

I know I've said it before, but I'm going to say it again: Saladin Ahmed is a perfect fit for Mile Morales. His take on the character has all of the charm and innocence that we've come to love with Miles, but with added layers of anxiety and responsibility that you'd expect with a high school kid.

An already solid debut sets the stage for even more excitement ahead.

Throw in some absolutely wonderful colors and Ms. Marvel once again has a book every other hero would be jealous of.

Ahmed delivers again, continuing to make this new Ms. Marvel adventure a true triple threat.

A lot of exposition was needed at some point to help the antagonist's story take off, and this issue is as good a time as any.

Once again, a Ms. Marvel arc absolutely nails its ending.

The result, at least in this week's debut issue, is a fantastic exploration of a character readers have known for years, making him seem both brand new and entirely familiar.

Only two issues in and this is already shaping up to be a fantastic run.

Ewing's Black Panther continues to be the kind of serialized, satisfying story we all love to read.

It gets a little denser than previous issues, but it's still leagues ahead of other current superhero sagas.

This comic book continues to both impress and surprise.

This character's journey is layered, engaging, and gives even more weight to the rich history of Wakanda.

There's a scene in this issue where T'Challa has to directly wrestle with the fact that he has only spent real time in a small part of the country he once led, which sends him on an assignment to experience live in a different corner of Wakanda. Yes, this is in an effort to make him a better Panther, but it's the core of what this entire series is about as well.

The story isn't necessarily as tight as it was when this new series first started, but Ewing's study of T'Challa as a mannot as a king or leaderis as fascinating as ever.

Black Panther is wading into the waters of much bigger Marvel stories, and it's unclear so far just how well the series is incorporating those ideas.

For a series that was so grounded for the majority of its run, the finale of Black Panther felt like such a strange way to bring it all home.

Wolverine isn't always great as a featured character, but Ms. Marvel might be the perfect partner for him. Really, Kamala is the perfect partner for anyone, and Jody Houser does an excellent job showing just how much she can bring to the stories of other characters.

Jody Houser is very good at writing Ms. Marvel, and honestly just as good at writing Venom. Both characters fire on all cylinders in this book.

While this kind of team-up book could sell copies just because of the characters involved, Houser elevates to something wonderful.

Crowley is a deeply lived-in character that never ceases to earn your attention and adoration. The supporting cast is as good as ever. And the narration is top-notch, as always.

David Dastmalchian's Count Crowley: Reluctant Midnight Monster Hunter may be a much more meta, much less fantastical approach to the wild horror concepts that Dark Horse has been known for over the years, but it's still a very enjoyable introduction to what could be the publisher's next great, twisted hit.

What a delightful throwback to pulpy TV monsters.

If there was a new issue of Count Crowley every month for the next hundred years I would gladly pay up every month until I died.

This issue of Crowley leans more on the action than advancing the story, but that's totally okay when the action is this fun and gnarly.

This book will be an absolute blast when it's collected and you can actually sink your teeth into large chunks at a time.

The story of the series needs to start going somewhere soon, but the ride is enjoyable nonetheless.

The action slows down in this issue, but the character beats make up for it in multiple ways.

Dastmalchian has also developed a real knack for balancing multiple story threads and knowing exactly when to pivot between them for maximum effect.

Count Crowley ends its first arc just as well as it started.

Count Crowley continues to be one of the most enjoyable comics on the shelf every month.

All-in-all, this first issue is a solid introduction for the character, providing a fun read for comic nerds and newcomers alike.

Everything with Sideways feels very intentional, and it's clear that the creative team is giving their all to this kid. You should too. It's time to jump on the Sideways hype train.

What's even better is that the art matches the quick and exciting personality of the character, making for an adventurous read for anyone who buys it.

In Sideways #4, the story finally starts to get stale, as the main character finds himself in a bit of a loop.

This is the best issue of Sideways to date, and, if it's a sign of what's to come, the series is only going to continue getting better.

If you're not reading Sideways, you need to start, because it's really taking off.

All in all, another solid issue of Sideways, which remains one of DC's best new titles.

Sideways #8 would be incredibly confusing for a first-time reader, but for those that have been reading since issue #1, this series is only getting more enjoyable.

What has made Sideways such a great series over the course of its run is its focus on a genuinely relatable, likable lead. Unfortunately, this issue puts so much more focus on the strange world around him, making Sideways the the B-story of the book, despite all of the intriguing things happening in his life.

Equal parts action and character, this is what Sideways should always be.

This isn't the most charming or exciting issue of Sideways we've seen so far, but it might be the most complete and it definitely provides the clearest picture of what this creative team is going for.

Sideways remains a solid superhero series, plain and simple.

Sideways has been a mostly wonderful comic from start to finish.

Yelena's desire to live her own life in a new town and explore her own mind is, at times, reminiscent of the Matt Fraction-written Hawkeye series we've all come to love. It's not doing exactly what that series did, but White Widow is breathing vibrant and compelling new life into its lead character.

This is such an excellent exploration of Yelena Belova, especially when kept separate from the grander Black Widow lore and history.

The fights are brisk and the monologue is breezy, leading to an issue that's as fun as both of its predecessors.

White Widow's balance of a team element and Yelena's own inner monologue made for a fantastic read from start to finish, and this final issue ties a wonderful bow on the entire series.

This is a fun, fresh start for Power Girl.

A very solid outing from start to finish, and another chapter in a series that's shaping up to be a great one.

This Power Girl series continues to be one of the better character studies DC is publishing at the moment.

Setting up an ongoing, ever-evolving saga with a nemesis is helping elevate the character of Power Girl to even higher levels.

It's a remarkably breezy adventure with almost no dialogue, and it's probably one of the most delightful comics on the shelf this week.

Seeing how Power Girl exists in this new world is the enticing hook that sets up the rest of the arc, especially after learning that she has lost her powers. There's a lot of fun to be had as Power Girl continues, and issue #6 does exactly what it needs to in order to set up that exciting future, even if that means not being terribly exciting in its own right from time to time.

Sometimes comics forget they can be fun. Yes, certain stories require a more hardened approach, but there's a beauty to knowing exactly how to take readers on an adventure. Leah Williams has that superpower in droves.

This Black Cat run continues to surprise.

This issue was smart, and sometimes powerful, even if the story was at a bit of a stand still.

Against all odds, Cyber Force has found a way to do what its other old school Image counterparts like Savage Dragon and Spawn have always failed to accomplish: be relevant and interesting in the 21st century.

Cyber Force #2 is a lot more world building that you might want out of a second issue, but it's an enjoyable read and it seems like the payoff will be worth the wait.

This is how Damage should look, feel, and read, each and every month. It's a bit sad that that doesn't happen.

Christopher Priest's mind is one of a kind.

Eve Stranger is essentially a millennial version of Jason Bourne with even more hints at secrets layered in its first chapter.

Real American Hero #252 is a fun, breezy standalone issue that makes for a great read, leaving you hoping for more stories like this in the future.

Throw a Crossroads Devil on the train and you've got the recipe for another great addition to this already stellar Hulk story.

It's a shame that such a good great cast of characters is being wasted in a Wolverine-centric event.

This second issue proves what I noted after Weapon Lost #1: this is far and away the best of the Hunt for Wolverine series of minis.

With a couple of great twists and callbacks to Marvel Comics of old, this issue is high on my pull list this week.

It would be really nice to see these four get together in another book down the line, because Soule knew the exact way to balance the group, and it worked on nearly every level.

Some of its elements may seem familiar, but there's enough soul and originality throughout the pages of the first issue that it consistently feels fresh and exciting.

It's got dark humor in droves and a character at the heart of the story that you can't help but love, in spite of her own absurdity.

It's honestly a brilliant way to show people, both young and old, that being yourself is the best thing that you could possibly be. Share this comic with other people.

This entire one-shot is light on content, and may be disappointing for those who had their hopes up about it potentially beginning a new series. While it definitely accomplishes that, it's more of a teaser than an actual book.

Low has been and remains a beautiful book to read. The premise of the story is old, but the way Remender tells it is brand new, breathing new life into the sci-fi/fantasy genres.

Steve Orlando has been fantastic with his 2099 universe and that good run continues here.

Even when the story feels rushed, Moon Girl shines, and that's ultimately the point here.

Those who have craved a true Old Man Logan story will undoubtedly be pleased with the annual.

This is a very fun brand of dark, gnarly sci-fi, one that certainly lends itself to a much larger story in the future.

Planet of the Apes #1 is a more-than-serviceable relaunch of the comics saga, laying the groundwork for a story in a pivotal segment of the Apes timeline, though it's sometimes a little more focused on setting the stage than delivering an exciting issue.

Planet of the Apes is taking the methodical approach to its story, but it's been excellent so far.

This is the best possible way to move Apes to the comics medium and still have a story worth telling.

It's disappointing that Planet of the Apes is only a five-issue run, because this is a fantastic addition to the franchise's lore.

It's a shame this comic book is only a limited series; it's been such an interesting journey through a previously unexplored period of Apes history.

This one-shot is spot on.

Ringside #15 brings an end to the introspective wrestling series, wrapping the whole story in a poignant and emotional bow as it bids goodbye to the characters.

This grounded thriller is absolutely worth keeping an eye on as it unfolds.

As the layers get peeled back, the story gets even more compelling.

There's enough at play right now that the plot could absolutely get lost in the coming months, but Brisson and company haven't shown any signs of slipping just yet.

This mystery has its flaws, but it has become rather enthralling in the lead-up to its final issue.

A solid, dark, thoughtful conclusion to what was a surprisingly interesting limited series.

While just a one-off story, Quest of the Jedi quickly establishes itself as one of the more intriguing entries in this High Republic era.

This annual captures the spirit of what IDW and the High Republic team have been hoping to accomplish with this series.

Takashi Okazaki brings such a vibrant life to this corner of the Star Wars universe, keeping you engaged from start to finish.

It's an insightful look into the mind of the Mad Titan, and it definitely gets you excited for what's to come with the storyline going forward, especially given the massive cliffhanger at the end.

It could use a little more pace at times, but a delightful one-shot nonetheless.

It's a lot to wrap your head around at times, but it's a beauty of a debut.

The series ratchets up the intensity in its second issue, without sacrificing much of the emotional core that made its debut so impactful.

While the story from issue to issue does feel a tad disjointed, it's hard to care too much when each one is such a good read.

The final act of the issueand the series as a wholeisn't quite as thoughtful or exciting as the rest of the run, but it will sit with you for a while.

The quick cuts and interweaving stories are used beautifully here, making The Ward an absolute page-turner.

Conrad's return may have taken a long time, but it was well worth the wait.

I'm truly shocked by how fun this book is. The mix of characters is absolutely perfect, and the overall tale is worth reading.

This is already shaping up to be one of the better Wonder Woman runs in recent memory, and that's saying something.

This is an example of how truly great the character can be when someone thoughtful and sincere, with a mind to make real change in the world around them, is given the keys to the kingdom.

I was really digging this new Wonder Woman, but things take a turn here, and not for the better.

Wonder Woman has been up and down with this latest run, but I really dig what Willow and the team are doing here.

As the book starts dipping its toes into the supernatural, it becomes even more compelling.

With yet another final page twist, this book continues to impress.

Sins of the Black Flamingo is at its best when it really dives into its supernatural and other-worldly elements.

While the heist and supernatural elements of Sins of the Black Flamingo often took center stage, this turned out to be a love story at its core. In that regard, it delivered a wonderful ending.

Soule once again finds a new nugget of intrigue within the inner workings of the Force, something that seems more improbable each time he does it.

A lot of ground is covered here and almost every inch of it is interesting.

Bell and Burryaga are a surprisingly fascinating pair to follow in a story like this, and the compliment one another perfectly.

The great part about Shadows of Starlight is that it uses its anthology style to get you up to speed on where things stand in the High Republic era at a given time.

A Force sensitive monster hunter tracking down alien beasts around the galaxy? Yes please.

This book as been a delight so far and I hope to see that continue as it progresses.

Seeing Ty explore her inner voice and faith is a great way to spend an issue.

All around a solid conclusion to what has been a rather enjoyable arc.

This first issue peels back the curtain on the Symbiotes, letting the readers know that there is so much more to the history of this race on Earth than we ever knew, all while setting the stage for a Lovecraftian mystery that one would never expect in a Venom series, but is more than a welcomed change of pace.

This book is wild as hell and I love every second of it.

Stegman and Cates continue to present a perfect balance, as Venom is one of the most all-around complete works Marvel is publishing.

This issue of Venom rewrites, and in some cases reveals, the entire history of Symbiotes. That sounds incredibly boring, but it's not. In fact, it's utterly fascinating.

Venom #5 is another solid entry for Cates and Stegman, though I will admit that it slowed the story down just a tad.

This Venom series is one of Marvel's best current comics.

Venom #7 does a fantastic job of following the agonizing cliffhanger in #6 with an issue chock-full of information.

This short "side-story" period of Venom is honestly a little frustrating, even though it remains solid in its overall quality.

Things are a bit downhill from there as the issue continues, but it's still a strong entry in a very strong book, and it's certainly worth the read.

Aside from all the doom and gloom, it is so wonderful and refreshing to see Stegman back penciling Venom on a regular basis. No one can illustrate this story quite like he can.

It's still one hell of a ride each and every week, and the final twist in this issue is sure to spice things up even more.

Cates' Venom run started with action and heavy set pieces, then dove into some more emotional, internal struggles for Eddie and his Symbiote. That was a wise way to get us all invested, but that doesn't mean this slower, in-depth arc is any less fascinating.

Really solid outing that does make me want to dive into the rest of War of the Realms.

The story is fun at times, but it's the artistry of these two that keeps it engaging throughout.

It's a solid conclusion to this mini arc, and Bunn and his team have done a solid job, but I'm ready for the reigns to be handed back to the usual Venom squad.

The fact that Cates has gotten Eddie to a point that the internal battles within his soul are more compelling without his other involved goes to show you how special this book really is. I can't wait to see what's next.

With great pacing and some really wonderful-looking pages, Venom remains a great read, made even greater by the event it's tying in to.

This may just be a small part of a much grander story, but it's a wonderful and somehow touching piece of the journey.

The shift in Venom to focus on Dylan has been a very welcome change in the midst of the "Absolute Carnage" event.

The future of the Venom franchise couldn't be more exciting after Absolute Carnage and this issue gets things off to a great start.

Even without Stegman's work, Venom remains one of the more interesting and engaging Marvel Comics in 2019.

Venom #22 starts off a bit slow but when it finally picks up the pace, it really kicks things into high gear.

Ultimately, another fun and frantic entry for Cates and company.

Venom #24 is far from the strongest individual issue of Cates' run. It's oddly paced and seriously missing Ryan Stegman.

It may not be the prettiest issue of the run, but Venom #27 brings plenty of fun to the table.

In a world where everyone is symbiotic, the illustrations need some style, identity, and definition. This book lacks all three and it's distracting.

The past can be haunting, and this issue delivers just enough of that to keep it entertaining throughout.

There's certainly hope for King in Black, considering Absolute Carnage was solid, but this issue doesn't instill a ton of confidence for what's next.

If you're reading King in Black, this isn't much more than filler.

Venom #32 is Coello's best work on the Cates Venom run, and it's really not all that close.

At long last, Eddie Brock gets the moment that he's been needing since Donny Cates took over Venom.

While there's certainly a lot of fun to be had in this issue of Venom, it really only works well as a companion to the final installment of King in Black.

A great final issue to a phenomenal run that will likely become synonymous with the character himself.

The story of Patrick is a little off-putting at its start, but it morphs into something rather compelling by the end of this first issue.

This mystery continues to unfold with great pace.

It's as fun to look at as it is to read, and it's only getting better.

The debut of Weapon H provides quite the conundrum. While many comics, movies, TV shows, etc. suffer from being a great idea with poor execution, Weapon H is exactly the opposite.

Weapon H is weird, wild, and wonderful all at the same time, making for one of the most fun comics you'll read this month.

After three issues, Weapon H continues to be one of the most enjoyably comics on the shelf.

Weapon H is an unexpected sensation of a comic, and you need to get on board.

This is probably the weakest issue of Weapon H to date, but it still remains one of Marvel's better books this week.

There's just nothing really worth remembering once you put it down.

Despite the changes in style and substance, Weapon H remains one of the more intriguing Marvel titles on the shelf.

The new setting and new characters work beautifully in contrast with Weapon H, and the inclusion of the lead character's family continue to make his motives feel grounded and authentic.

Weapon H continues its streak of weird decisions and story turns, but the new direction in this issue actually seems to be for the better.

Weapon H embraces Weirdworld in the best ways, without losing the charm and heart that made this comic great in the first place.

I've been a massive fan of Weapon H from the very beginning, and I don't want to say that the book is starting to lose its way, but it is starting to feel like exactly that.

This is a pretty ridiculous, enjoyable ride.

Everything about this comic seems like a home run, especially for me, so why was it such a letdown? Don't get me wrong, Avengers #1 is a solid book. But with all the hype Marvel is putting behind it, solid isn't quite enough.

I had my reservations about the new Avengers series after the first issue, and the second installment did a lot t alleviate that. However, it also did a couple of things that got me worrying even more.

All-in-all, Avengers is heading in a potentially exciting direction, but the road to the finish line is riddled with pot holes.

Jason Aaron did well to split the Avengers up with this issue, as he finally got the chance to highlight the character work that makes his writing so special.

The bigger this Avengers series gets, the more absurd it becomes.

Avengers #6 finally brought the Final Host saga to an end, but its conclusion is so muddled and messy that I almost feel more joy that the arc is over than contentment for having read it at all.

This is the kind of series he was meant to write, and I'd love to see more of it.

This is finally shaping up to be the Avengers book that I'd been hoping for when Aaron and McGuinness signed on.

The first arc of Avengers was clunky, dull, and lacked a compelling villain. With one issue, Jason Aaron has turned all of those problems around and set Avengers on the right path.

This is a very fun book with a couple of final act teases that will get you genuinely excited for what's to come.

There's a lot to like about what happens in this Avengers, and no reason why it couldn't spawn several spinoff series.

While I've enjoyed the Avengers as of late, Aaron can reach another level when he's really focusing on a single character and their journey.

From vampire mythology to Ghost Rider's demonic history, Aaron knows exactly what to do with these darker properties. Every moment works.

Nothing especially fantastic going on, but any comic that puts Robbie Reyes at the forefront is going to be exciting.

Maybe I'm just a sucker for vampires and demons in comics, but this Avengers arc is really working.

Avengers remains one of Marvel's biggest roller coasters, as some issues are absolute home runs while others struggle to land on two feet.

There are times where it's hard to be invested because you're dealing with characters you don't really have any attachment to, but the satire of the issue makes it all worth it.

One of the strengths of this series is its ability to give a voice to characters we aren't use to hearing from.

There are some faulty steps at the beginning and end of the issue, but all around well-written, well-illustrated, and a good deal of fun.

That's what makes this book so solid, its ability to bring these different pieces together for a coherent and enjoyable experience. Plus, any comic with all of the Avengers goofing off in a hot tub gets bonus points in my book.

Nothing ever dives too deep below the surface, but it's a wonderful ride nonetheless. Can we get this version of the Avengers all the time?

There's a lot going on in this latest issue of Avengers, and most of it is off the rails in the best possible way.

Despite the story not really moving too much, you'd be hard pressed to find a more fun and frantic team up than Aaron's latest.

It's hard not to be excited for what's to come, even if not much has happened over the last couple of issues.

It's not always exciting nowadays when a great book pulls the "now we're going to space" card, but it really works for Aaron here.

Jason Aaron really enjoys playing in space, and he makes great fun for readers out in the great unknown.

With some rad new character designs and Aaron's impeccable take on Silver Surfer, Avengers #29 is a great entry to the series.

The Starbrand has been overused in Marvel team books for too long, but Aaron takes the idea in an entirely new direction here.

Between his big ideas and Geoff Shaw's grounded work, it's easy to buy into what Crossover is selling.

The narrative is solid and the art is great, but the hook gets too distracting throughout this issue for it to be as excellent as its predecessors.

Cates really starts to find a more concrete voice as the narrator in this issue, and it absolutely does wonders for the book.

Just as the series starts to slow down a little much in its fifth issue, Cates and Shaw ramp up the excitement and keep everything engaging.

This issue is an absolute hit parade of some of the post popular characters from Image's history, and they all have a fun part to play.

An essential read for anyone who considers themselves a creative.

It's easy to see how this could get into "jumping the shark-meta" territory in the not too distant future, but it's entertaining enough for the time being.

I think there's still a little too much going on for a monthly series, but the individual plots continue to get more interesting.

Crossover borders on being too self-indulgent about half the time, and issue #10 largely falls into the wrong half of that equation. It's entertaining, but it does little to move the story along.

Despite the ultra-meta narrative spiraling out of control, Cates' character work is as fascinating as ever.

Seeing Negan come face to face with Robert Kirkman (and call him out for the death of Glenn) is a wonderful exchange to witness.

Crossover might be entirely too self-indulgent, but it hits a sweet spot for creators.

This isn't your granddaddy's Doctor Strange, making for a fun and enjoyable read with a lot of promise going forward.

Between Aaron, Cates, and Waid, it's easy to see that we're in the middle of pure resurgence of Strange, and that my friends is an incredible feeling.

Doctor Strange #3 is a wonderful example of how to keep a great series standing on its on, while also dropping some slight ties to the connected universe at large.

Waid attempts to use some non-linear storytelling to aim the story in a new direction, and it takes a few pages for the technique to finally work. However, once the story figures out where it's going, Doctor Strange gets firing on all cylinders, and reinvigorates the excitement that fans found in its first issue.

Doctor Strange continues to be one of the most interesting Marvel books on the market right now.

Still, despite the changes, this book is a lot of fun to read, and the sleek, colorful art style remains the perfect vehicle for the antics of Stephen Strange.

Doctor Strange in space was a really fun, enjoyable comic series. However, two issues into this "Two Doctors" arc, a lot of that fun is already starting to disappear.

This new run of Doctor Strange started out very strong, and the tale of his space travels was a fantastic followup to Cates' Earthbound story. However, things started getting lost in the shuffle with the "Two Doctors" story, and they only get more convoluted here.

Nothing really happens in the book when all is said and done, but it will stand out as one of Strange's more interesting character studies.

Mark Waid and a talented horde of artists (led by Jesus Saiz) have created a wonderful issue that encapsulates everything Stephen Strange should be, while also setting up for what could be a fantastic arc in the coming months.

This issue of Doctor Strange is both a high and low for this series. Everything about the book, from its art to its less-than-stellar conclusion, feels entirely too rushed.

Waid and his creative team are attempting to flip that notion on its head, and the first issue is quite promising. We'll see where it goes from here, but I'm genuinely intrigued. Job well done.

All in all, this is a middle of the road outing for the Sorcerer Supreme, but there seem to be brighter days ahead.

Doctor Strange is always fun when he's off in another realm and dealing with creatures that are beyond the comprehension of our space and time. That's exactly what's happening here and it works extremely well.

Doctor Strange #15 is a beautiful issue to look at. The splashes of Dormammu and Galactus' joint destruction are spellbinding. The story, however, doesn't exactly hold up to the art.

Things wrap up in a slightly surprising, entirely somber way that may or may not have you wanting more.

If this book can keep its simplicity, it will keep its charm.

I'm not sure this new direction for Doctor Strange is an exciting one or if we're being set up for a total bore. Either way, the journey there is pretty exciting.

There is definitely a point where My Bad could be "too much," but the first issue doesn't crash through that ceiling just yet.

These satirical takes on iconic comics keep up their entertainment value from the first issue, which may come as a surprise given how fast these ideas can tend to fizzle.

Most of the one-liners hit and the art evokes the classic comic vibes it needs to while still finding ways to help the jokes along. My Bad works.

One of the funnier books on the shelf any given month.

Once again, My Bad is funny and searing throughout, but its best joke actually arrives before the first panel.

This is an absolutely fascinating direction for The High Republic. Not only does this new series move further back on the timeline, it also spreads into different corners of space, allowing for more interesting characters and locales than we're used to.

Even when the story slows, these intriguing characters keep you invested.

There's a lot going on in the front half, and it takes a little while to drive its point home, but all-in-all The High Republic has delivered another solid issue.

That wouldn't always be a compliment, but that's the case with The High Republic. It's just a downright good time.

There's a lot going on in this High Republic story, and it often gets too busy for its own good. When it allows itself to slow down, however, it's a very compelling character study.

This penultimate issue gives so many different viewpoints of the Force and its place amongst people throughout the Galaxy, examining different angles thoroughly and making each of them equally as exciting.

This is also a comic that never overstays its welcome, closing at just the right time, leaving you satisfied but also making you wish there was just a little bit more.

The first issue of a comic has to give you something to latch onto, some kind of hook that will bring you back. A Thing Called Truth seems like it wants that hook to be its mystery, which ultimately feels a little underwhelming.

The characters at the center of the story are a joy, and the book as a whole will go as far as they can carry it.

I'm so much less concerned with where this is going than the journey it takes to get there, so it's nice to see the series take time to stop and smell the lavender.

While the final pages are satisfying, there's a lot more left in the tank.

Reckoning War Alpha #1 is a solid comic book, and utilizing multiple art styles feels necessary when juggling the different stories. In spite of that quality, the issue has moments where Reckoning War already starts to feel like a bit of a chore.

Ben Grimm has been the best part of the current Fantastic Four relaunch and this one-shot does even more to prove that.

Titan's debut issue of Conan the Barbarian may not be the very best we've seen from Conan over the years, but it's much closer to the character's best than his worst. It's a strong, if uneven first issue that plants the seeds for some exciting adventures ahead.

This take on the character doesn't bring anything new to the table, so it's easy to feel like maybe you've read it before.

The third issue of Titan's new Conan series is a major step forward from the first two. None of them have been bad, but this issue shows off the potential that a Conan story can possess.

The start to this issue feels somewhat rushed and abrupt after the last arc concluded, but Zub really finds a great rhythm here once he gets going.

Mixing the old school, barbaric violence with green and ghoulish supernatural elements is just a killer combo for Conan.

The Conan character work is what worked so well in the early issues of this series. The more recent issues have excelled at delivering on some fantastic supernatural elements. Conan the Barbarian #7 brings those things together for arguably the most compelling issue of the series so far.

Zub knows what was so enjoyable about the Conan of the past and continues to find ways to tell new stories with the character.

Steve Orlando already did more than enough to prove he's got a great vision for the 2099 world of Miguel O'Hara, and this latest adventure is just further confirmation that he's the writer for the job.

These 2099 character reinventions continue to be fantastic.

This is probably the weakest issue of this Dark Genesis run, but it's also the bloodiest and most action-packed.

Spider-Man 2099 has always been a beloved figure, but the new versions of Blade, Ghost Rider, Moon Knight, and several others continue to impress.

There's a lot happening in the final issue of this Dark Genesis arc, maybe just a tad too much for its own good.

The part of this comic that focuses on the rest of the Teen Titans is your average, run-of-the-mill DC team up book. Things get a little more interesting, however, when Beast Boy is flying solo.

This issue is definitely one of the stronger installments in the Teen Titans series.

Overall, it's a good ending to a good series.

It's obvious that this arc is meant to give the Teen Titans a criminally dark side, but that notion doesn't feel at all necessary, if not completely forced.

I'm still not totally sold on this dark, dreary turn for the Teen Titans, especially the abysmally angry Robin, but the light and humorous monologue from the group's most out of place member provided a wonderful balance to the entire issue.

I haven't exactly loved this new iteration of the Teen Titans, but this issue stands out as the best of the bunch so far.

This new Teen Titans run has already proven to be an inconsistent affair, especially when it comes to the way the teenagers themselves are written.

Amazons Attack #1 is a wonderful start to a new chapter in tale of Wonder Woman's storied people. It has some room to grow moving forward, but it wouldn't surprise me in the slightest if readers look back on this entry as the start of a brilliant new era for Queen Nubia and the Amazons.

It's not often a companion book is as good strong as its flagship, but Amazons Attack comes pretty close.

Amazons Attack does an incredible job of keeping tension bubbling below the surface, even when there is so much happening right in front of you.

An already engaging saga gets even more intriguing as it digs deeper into the mystery beneath the surface.

The messaging of Amazons Attack continues to impress, perfectly toeing the line between subtlety and over-explanation.

Amazons Attack never stopped being poignant and powerful, keeping its aim true from beginning to end. That said, its end is a bit weaker than its start, but it sticks the landing better than most limited runs do these days.

The future Green Goblin design might be the weakest and least interesting of this series, but the book itself is a fitting and exciting end to what has been an enjoyable journey through 2099.

This new era of Spider-Man 2099 kicks off with a bang, in an Alpha primer issue that does a lot of legwork to set up this story for new readers.

This issue is almost entirely about Winter Soldier 13, not Spider-Man, but that's totally fine because it rules from start to finish.

Exodus acting as a series of one-shots to set up new characters in the 2099 timeline has been something of a breath of fresh air.

But once again, the characters are the strength of this book, and the 2099 iteration of Moon Knight is such a fascinating lead for the issue.

The pieces of 2099: Exodus are starting to fall into place.

If you want a fun book, this is it.

Bendis flexes the same muscles he used when creating Miles Morales, and proves that he can still write teenage characters as good as anyone.

Bendis is doing some pretty awesome things with Young Justice.

What the book is lacking in substance this time around, it makes up for in charm and visual flair, keeping you invested in the story to come.

If you're not on board with Fantastic Four yet, it's time to reevaluate your relationship with comics as a whole, because you're missing something fantastic.

Once again, Fantastic Four manages to be one of the most fun, feel-good, exciting comics Marvel is publishing.

It is a very, VERY long issue, but the pacing helps it move pretty quickly, and the dialogue is second-to-none. Fantastic Four continues to be one of the most marvelous books around.

Reading this book, it's easy to see why so many people fell in love with the Fantastic Four.

How does one find anything negative to say about Fantastic Four? It's beautiful to look at and one of the purest comic stories we've seen in a long time. More, please.

Combine Doom with the unconventional storytelling taking things back and forth in time to preserve the surprise, and you've got another hit on your hands. I'm ready for more of this.

With issue #6 being the conclusion of an arc, FF has a hard time wrapping the story up neatly, but it's not quite as noticeable thanks to some great character work and dialogue.

This is easily the weakest installment of this new Fantastic Four series to date, but that's okay because Slott has raised the bar pretty high to this point. The crossover is just a small misstep on a nearly perfect series. That all said, it's still a mostly enjoyable read.

A perfect blend of action and comedy: the perfect balance for the FF.

Dan Slott has done a great job in bringing the characters of Fantastic Four to life over the last 11 issues, but none more so than Ben Grimm.

You'll smile ear to ear on multiple occasions, which makes this book well worth your time.

Going into the past is often a bad idea in the world of comics, but this is most definitely an exception.

With a blend of classic FF antics and new space-age characters, this is a great kick off to a seriously exciting ride.

Is it possible the Fantastic Four are just as compelling (if not more so) when they're stranded a totally unknown part of the universe on a seemingly perfect world governed by fear and vengeance?

It's incredibly gratifying to see them get back to the basics of what made them such beloved heroes in the first place.

This remains one of the most exciting Fantastic Four stories in some time.

This final installment of the "Point of Origin" saga was truly a great way to end the story, giving all parties closure while also setting up a great new direction for the next arc.

From start to finish, this Fantastic Four run has been, well, pretty fantastic.

Dan Slott has proven over the last year that he's a great Fantastic Four writer. The problem here is that the Fantastic Four are only in their own book for a few pages.

The saving grace here is that some of the tertiary FF characters that Slott has made great over the last several issues play prominent roles here, and it's exciting to see them flourish.

Let's chalk it up to a bland crossover experience and move on, yeah?

When there aren't event books happening, this remains such a fun read.

This one's a must-read for Marvel fans.

It could be an incredible launching point for stories from all over the universe, a device that connects the rich history of the Fantastic Four.

Franklin Richard's losing his powers is one of the best decisions Slott has made with the FF.

Nothing about the Fantastic Four should ever be traditional, and the last issue of this arc broke from tradition in the best of ways.

Crossovers hardly ever capture the essence of the characters the tie-ins are supposed to represent, but Slott finds an interesting way to tell this FF story as a parallel to previous King in Black issues.

Tie-ins are rarely ever as good as the main book their spinning from, and that's definitely the case here.

This series is playing the long game with Reed and Ben's relationship, and it's absolutely working.