Action Comics continues to be a great place for Superman readers. Waid and Henry are definitely "All In on this. It's strong enough that it almost doesn't matter that the Supergirl story is lackluster- well, don't tell that to Supergirl fans. Action Comcis #1076 continues to be a bright spot for DC Comics and Superman!

Batman and Robin: Year One #2 improves on last month's debut issue and shows where this series is headed. It's a combination of nostalgia, timelessness and solid storytelling from the creators. It yields a lot of fun and the excitement one expects from a super-hero comic book. Put this at the top of the list with Action Comics, the two best titles that feel All In!

Absolute Superman #1 is the best of the first three Absolute titles. From the original assignment, it gets it most right. The changes to Superman's lore fit with the idea of a universe influenced by Darkseid energy. The changes feel organic as to how they come about due to other factors. It's a more cohesive effort overall all. I don't know that it's enough to bring me back for a second issue, but this is the most well conceived effort of the Absolute Universe so far. So while the score is 3.5/5 (7/10), it's more like a 7.5/10.

Despite the drawback of the Supergirl story, Action Comics #1074 is actually better than the last issue. Waid continues to use Silver Age concepts and update them with quality writing. Superman is in great form in Action Comics and it feels like it's a new high watermark for the character. This is a must for Superman fans, and probably the best book so far under the All In initiative.

Overall, Birds of Prey #15 isn't that it's bad, it's just not that good. It's uneven with positives and negatives that balance each other. While Thompson gets some things right with type of story and some quality covert action, characterization is way off and the story is cluttered with pointless characters. Issues #14-16 could easily be condensed to two issues (this is doable despite not having read #16 yet!) if all the chaff were separated out. This would solve one of the problems with the story. There's probably no hope for the characterization.

JSA #1 is mixed bag. I want to love it, but half the issue focuses on inner conflict that seems to come from nowhere and isn't set up effectively if it is all part of the villain plot. Olortegui does a nice job with the storytelling and Lemire references a whole lot of history. It's not hard to see the multiple specific eras he is referencing. I hope this issue can be reassessed as this first arc unfolds.

Sometimes less is more and that's what Waid is doing so well with Action Comics. While he incorporates a number of Silver Age elements the emphasis is on telling a fun story. The reader doesn't have to know all the references. Waid provides enough as needed information for the story to be enjoyed. For the reader in the know, it adds an additional element.

Poison Ivy/ Swamp Thing: Feral Trees #1 is a great comic. The art is beautiful and the story is though provoking and touching as Wilson gets some exceptional deep character moments. While this issue may not be part of a larger story, it is a great read.

Absolute Wonder Woman #1 is better as a comic than a Wonder Woman comic. It really feels like this is a comic for readers who don't like the traditional Wonder Woman. Thompson has (in story) removed all the essential aspects that define Wonder Woman. That leaves Diana as a shell in this issue with a lot to be filled in. Thompson could rise to the occasion and do this, but like Absolute Batman #1, the overall concept is not that compelling. Unlike Absolute Batman, it's genuinely more interesting as a new unique character than an Elseworlds version of Wonder Woman.

Action Comics #1072 is another great outing for Superman. Waid's love of the character and his history is tantamount to enjoying this story, especially for old readers. Hopefully, new readers will find something to love about Mon-El and the friendship between these two Legionnaires. The Supergirl story is stumbling a bit, but looks great. Overall, Action Comics is still a great read!

Nightwing #119 is a very good start for Dan Watters and Dexter Soy. It doesn't try too hard, but what it does works extremely well in continuing what's been working for the character. There's some throwback to the Bronze Age and to other eras of Nightwing without feeling derivative. Refreshingly, this issue is a solid "comic booky tale that doesn't forget what it is or why people like Dick Grayson (and Barbara Gordon!).

The sort of "can't tell verdict on last issue is swayed by the poor quality of Power Girl #14. It seems like it really is just bad writing (and complete and utter lack of understanding and respect for the character) on Williams' part that Power Girl #13 appeared to provide hope for a good turn. Williams must be blackmailing people at DC for this book to still be published. It's expiration point was after the first arc that ended in issue #4. Williams is well beyond her skill as a writer to depict Power Girl. She's connected the dots on some of the plot elements, but overall this series is a disaster of almost unparalleled proportions.

Action Comics #1071 is, once again, a fun, exciting and entertaining comic book that you should be reading. There's enough classic mixed with the current status quo to make this a Man of Steel that is accessible to all readers. Waid doesn't leave anyone in the dust. It's easy enough to jump in on both stories.

Batman and Robin: Year One #1 is a great start to the series. Waid and Samnee deliver as expected on a simply great comic that is designed to be just thata great comic without any ulterior motives. It retains enough of the classic while addressing a few appropriate updates. Any fan of Batman will want to read this.

Despite the "Negatives section, Green Lantern #16 is a very good issue. It's the hangover from the Green Lantern Civil Corps Special that lingers that informs the "Negatives. Even that isn't so much about the story in the Special, but the other things it builds on. Green Lantern #16 has great art from Xermanico and Adams works his magic with character and interesting creative story ideas involving DC Universe connections. It's the interruptions and unhelpful connections that are the "Negatives for this series.

Even if Nightwing #118 is a bit of a fast ending to "Fallen Grayson, like the rest of the run there's a lot of heart (no pun, again!) and character work that remains the strength of Taylor's writing on the series. This is a story arc you'll want to reread in one sitting, and it will assuredly assert your own desire to see Dick and Babs get married and start their own family together. Hopefully, Dan Watters got the memo and the tone and emotional center of the series continues with issue #119.

If DC Comics could see how bad series like this negatively impact the overall line, Tom King would never have had the opportunity to write Wonder Woman #14. The little good he does with this issue is overwhelmed by his poor decisions on story and characterization, perhaps he's just oblivious to the deeper meaning behind Diana's actions. Unfortunately, Sampere and Morey's art is wasted on a series that should've never seen publication.

Overall, Absolute Batman #1 is technically a well executed and crafted first issue. There is a question of "why we should care about Bruce and why is Alfred more interesting? While the Easter Eggs and references should reassure the reader, there isn't a strong enough core concept for this version of Batman to bring me back. Maybe the violent, over the top approach is what some readers are looking for. Or, perhaps, it's what appeals to the creatives in the Absolute Universe. I don't think the majority of fans are looking for a recapitulation of the same ideas that Alan Moore and Frank Miller first utilized in the '80's and '90's. DC seems to have a desire to reinvent the wheel instead of just telling great stories that move established characters forward.

Action Comics #1070 is a fun and entertaining read. It depicts a Superman that fits into the current status quo, but is at the same time undeniably classic with Silver Age elements used to great effect. Supergirl gets a solid outing as well in a story that features fantastic art from Skylar Patridge. Action Comics is a series you should be reading!

Overall, Absolute Power #4 is pretty boring. It was never that interesting from the beginning and the need to read all the tie ins takes away from whatever impact this series had potential to have. Waid seems handcuffed by the approach to this series and he had very little plot to work with throughout. This is one of those pointless series that never needed to happen

While Birds of Prey #14 does show signs of improvement from previous issues, it also continues to expose Thompson's weakness as a writer in the DC Universe. She just doesn't know the characters well enough and can't distinguish the good from the bad in terms of previous stories. Her characterization remains surface level at best. It's a mediocre start for the first issue under the "All In banner. If this is the best Thompson's got, it's not a lot to get excited about.

Like its design as a flipbook to be read in both directions, DC All In Special #1 is a real dichotomy of execution. As a stand alone comic, it's great. If you read it, you'll enjoy the content that's there and the art and storytelling are excellent from all sides. It's even going to be worth reading a few times to catch all the references. The other side, though doesn't really do the job of grabbing the reader for what comes next in Justice League Unlimited or the Absolute Universe titles. Certainly the spectre of ANOTHER event is enough to dissuade readers from becoming too attached to what's going on.

As a goodbye to Stargirl, Justice Society of America #12 functions as a sweet and touching moment. It wraps up things for Courtney as she finishes this chapter of her life. For Johns, it's a goodbye that must feel difficult. It functions well for what it is, but at the same time is a bit anti-climactic after last issue's wrap up of storylines.

With both three part stories concluding in Action Comics #1069, there's a palpable energy to the issue. They go together in a unique way as they focus on different aspects of Superman's life, both personal and public. It's a great time to be reading Action Comics and I think any Superman fan would find this a great three issues. Stories don't always land, but in the case of this issue, but that's not the case here, as both of these adventures of the Man of Steel have something to say and say it well. Indeed, this is in fact the strongest of the three issues. It's quite easy to image just reading this issue and feeling the impetus to go back and get the other two.

Omen #1...er, Power Girl #13 is such a bizarre issue. It's either written incredibly poorly and awkwardly, or it's really setting up something sinister with Omen. If it's the former, thenwe've experienced this beforeif it's the latter, well this may be the best issue of the series so far. As such this issue has to fall right in the middle. This is one of those instances that only through hindsight will we really be able to judge it. At the very least, it's interesting even if I'm reading it incorrectly and adding more than Williams intended to be there.

Green Lantern #15 has three storylines that are all connected in some fashion and rely on a strong focus on character. Be it the established relationships, or the core elements, character comes first and it far surpasses the premise of Absolute Power. I don't know that as a lead in to "All In Absolute Power will really be effective. Conversely, this comic, perhaps, more than any other DC book right now, demonstrates that it's not events or universe shaking catastrophes that make the best comics, it's simply great character driven stories.

The biggest problem with Absolute Power #3 is that you just don't feel like you're getting all the story. And, you're not- it's in the tie-ins and other mini-series. This issue really suffers for that. It's hurried, herky-jerky, cursory and repetitive. Dan Mora's art is not enough to get this one over the halfway mark. It feels terrible to give Waid, a writer I've enjoyed immensely over the years a low score like this. He's confined to four issues. Part of the blame falls on poor planning for the publication strategy for this story, despite the overall concept being underwhelming. It may be closer to a 4.5 out of 10, but the overall feeling from the issue is .

Birds of Prey #13 is yet another disappointment. Thompson has had plenty of opportunities (13, so far) to make this series into something, and she just can't land this as a Birds of Prey series. She's got elements of Doom Patrol (wild wacky extra dimensional shenanigans), and an independent creator owned series with the focus on Maia and Cela. Writing a Doom Patrol series would be fine. A book about Cela and Maia would probably be really good, it's clear that's where her passion lies. This is just another superficial series with style over substance and none of the characters people are here for (Barbara, Dinah) show any real depth. Somehow, the resolution is better than the previous issue.

Personally, a comic with my two favorite teams in the same issue, it's hard to beat Justice Society of America #11. Marco Santucci does an outstanding job, and shows you why you should want him on your favorite title. Geoff Johns also shows why he's one of the best comic book writers of his generation. He's still got a lot of stories to tell. Whatever negatives might exist, delays, desire for MORE story, the fun, nostalgia and excitement culminate in a great issue that is tough to beat. Limited with only scoring out of 5, it's not fair to give this issue less than a perfect score anymore than it's unfair to give it only a 4.5/5.

Power Girl #12 shows how this series has settled into a pattern of bad dialogue and jokes that some would call "quirky and fun. In reality, it's really just bad writing that is almost completely superficial and juvenile. So juvenile it seems beneath what I believe is the intended audience.

This is an anniversary issue that all readers who appreciate the DC Universe will enjoy. Jurgens and Marz craft a story and develop a feel in Zero Hour 30t Anniversary Special that take readers back to the time of the event, but also teases readers with a world with exciting possibilities. This issue is fun, entertaining and thought provoking. It's hard to imagine this not being one of the best comics of the month!

Nightwing #117 is a bit of a step back in terms of this arc. After the surprise ending of #115, and the excitement of the prospect of Bruce filling in as Nightwing at the end of last issue, it feels like this penultimate chapter treads water just to get to the final page "surprise. There are some strong moments between Boston and Dick, but the second half of the issue moves too quickly for it to stay with you. Overall, it's certainly not a bad issue, just one in which the opportunities stay with you longer than the successes.

Action Comics #1068 is WELL worth your attention. It's got enough classic Superman in it while at the same time addressing a more modern look at the Superman/ Lois dynamic. There's character work both subtle and direct throughout the issue. There's great action and Eddy Barrows delivers on the visuals. This issue is better than the previous and it genuinely feels like a good time to be reading Action Comics.

Green Lantern #14 is a balancing act between two main stories with a number of subplots thrown in for good measure. While it would be nice to have more space devoted to Adams' ongoing Green Lantern story, he executes the crossover assignment extremely well. If you're enjoying Absolute Power, this book is probably even better.

Absolute Power #2 is a disappointment in that what it seems to set up is left on the table with a complete right turn that is nowhere near as interesting. It appeared that this issue was going somewhere and improve upon last month's outing. It's far more interesting and exciting to see the heroes fighting back instead of another full issue of them getting beaten by a lame villain like Amanda Waller. Still, the issue does promise some things in the future.

This story arc has been disastrous and Birds of Prey #12 does nothing to change the course. If anything, Thompson shows that she doesn't really know these characters, especially Barbara, and she doesn't have anything significant to say. Her take on Birds of Prey has been a bust since the first issue as the core concept of Birds of Prey has escaped her. Birds of Prey is something Barbara Gordon does, it's not simply a team of women heroes. There's a Venn diagram somewhere showing where these ideas cross over, but Thompson is not inside it.

The cover by Yanick Paquette and the first bit of the comic with art by Adriana Melo elevates it at the outset, but the story choices, wretched dialogue and the awful characterization that continue to plague Power Girl drag the issue down with an unbelievable weight.

Nightwing #116 is easily the best of the "Fallen Grayson arc so far. Taylor's script pulls in so many elements from the entire run that it makes the noose Heartless is tightening around Dick's neck believable and extremely intense. How WILL he get out of it? There are some great character moments in cameo's by the Bat-family and the Titans that remind the reader of how Dick is perceived by the superhero community. But, it all seems to pale in comparison to the surprise ending. The next issue will be something no one's ever seen before. We are adding an extra 1/4 to the score (4.75)extrapolated, this is a 9.5/10.

Lacking context, Simone's story is a little unsettling. One one hand, it's great to have Bronze Age/ throwback tale with influences from different iterations of Superman, but perhaps more will be explained. As a throwback tale it's a ton of fun and very enjoyable. Rowell's story takes a more serious approach that is a nice contrast to the fun in the main story.

Jeremy Adams continues to demonstrate why he is probably DC's best writer currently. He knows how to connect his stories to the current and historical DC Universe and come up with unique and intriguing plot elements to push the book forward. He's on his way to making Green Lantern as great a book as his run on The Flash. The art is fantastic and he's able to jump over the obstacles DC throws at him with their poorly timed events. You can't go wrong with Green Lantern #13 whether you care about Absolute Power or not.

Overall, Absolute Power #1 is a decent comic. The art is great and Waid has some good moments. He's trying really hard to make this a big event with some startling moments. However, there's nothing behind them that is interesting enough.

Birds of Prey #11 somehow isn't the worst issue of this series. There is some fun to be had with the action and some satisfaction with the brief confrontation with Maia at the end, but the tone, dialogue and superficial quality to the story fail to make any deeper connections. Thompson is using a deep cut villain with Velvet Tiger (Maia's mother), but there's no substance to the connection and it's emblematic of this series and issue- style over substance. "Oh, isn't that clever! No, it's not. It's disappointing. See Tom King's Wonder Woman for more disappointing style over substance comics. Too many female led titles are suffering from poor writing- Power Girl, Wonder Woman and Birds of Prey can they get some help here?

Justice Society of America #10 brings some of the various plot elements together as Johns does appear to have something in mind for his finale with issue #12. There are lots of elements in this run that can and deserve to be explored further. No matter how much Johns leaves on the table when he departs, what he has included has been an example of how to write good comics by touching on history with substance and making it fun. The art by Santucci and Janin compliments the writing perfectly.

Like last issue, Power Girl #10 has some details that distract and detract from the experience, but overall it's one of the better issues of this series. The symbioship sub-plot moves forward, Power Girl gets a little agency, despite Leah Williams characterization continuing to demean the character.

Nightwing #115 could easily be ruined by spoilers. This tension ratchets up and it's the best issue of this series in a while. If Nightwing #114 calmly set things up, #115 puts things into high gear with Heartless' plot revealed leaving Dick in a really sticky situation. This final arc by Taylor and Redondo is now rolling and appears that it will not disappoint.

Green Lantern #12 ratchets things up a notch! Great art from Xermanico and both micro and macro story movement from Adams come together perfectly. There's still a lot of story to come, and you can feel. The anticipation is on the precipicethe fate of the Green Lantern Corps is at stake, and it seems like either they or the UP will fall!

Birds of Prey #10, outside of Cela's information dump is just so much nonsense. Barely more happens than last issue, but what does is meaningless. The very thin plot doesn't serve the characters that well, and the characters themselves feel secondary, which is again the opposite of the Birds of Prey concept. The plot itself has a lot of contrivance and the REASON Cela's sister is after Barbara couldn't be a more overused idea and underwhelming idea.

Overall, Power Girl #9 is much more enjoyable than previous issues of this series. With elements that hurt the series downplayed there are not as many distractions. There's just enough with the action and the surprise at the end that make it readable. It's by no means good, it's just not quite as bad as most of the issues have been.

Alan Scott: The Green Lantern #6, like the entire series, is uneven. There are moments that really work and are quite compelling, but it all seems to be in service to retconning Alans sexuality as opposed to be in service of Alan as a heroic character. Sheridan tries to get the reader there, but the end is just unsatisfying in almost every way. If hes supposed to be bi-sexual thats a different story. If hes a gay man with a strong will power to live his life as he is then why would he lie and misrepresent himself to women? Its not heroic, its notnice. It highlights how forced changing Alans sexuality is. It feels like DC wants to have its cake and eat it too. The character ends up being weaker for it.

Nightwing #114 is a solid start to Taylor and Redondo's final story arc. It includes many of the elements that have made their run successful over the past three years. Redondo is in fine form as he returns to the title and the story points towards a big wrap up for what comes across as a longform graphic novel.

Green Lantern #11 takes a turn into the interior of Carol's struggle. The creative team does an exceptional job adding this layer to the storytelling by developing this subplot further setting it up for the next big part of this story. Jeremy Adams continues to be the best writer at DC Comics these days understanding the balance of action-adventure and character.

Birds of Prey #9 strays further from the what makes the Birds of Prey the Birds of Prey. Ill suited humor and a tone and milieu that resembles the Doom Patrol are the biggest culprits. Coupled with the fact that the story barely moves forward, the issue is relies on the out of place elements to carry it. There's little substance to what transpires and it seems to set up a meandering arc that will end in a "surprise.There are some elements that have potential, but not in within the pages of Birds of Prey.

While Nightwing 2024 Annual has some interesting ideas, the pacing of the story and amount of twists make it difficult to create the right connection with Bea. The idea of giving her her own story is solid, but it would've been stronger if the tale had been centered around her and the Quartermaster instead of turning her into a near super-spy. The story is unbalanced with too much plot and not enough of Bea herself. The art is strong and Moore's effort on the project is clear.

The art from Pansica and Ferreira want to make you like it. It's effective in that way, but unless an audience embraces this iteration it feels hopelessly at odds with what people have always liked about Power Girl, and this issue gives the reader very little of that. As a Power Girl fan for nearly the entirety of her existence, this issue continues to disappoint. The art is able to raise this issue a bit, surprisingly.

Nightwing #113 is a wonderful set up for the final Taylor/ Redondo arc. Taylor reinforces the focus on character and relationship (including some not mentioned above), but prepares the reader for what will surely be a massive encounter between Dick and Heartless. To top it off the issue is rounded out by a well conceived and beautifully illustrated story by Conrad and Porter, respectively.

Green Lantern #10 continues to ramp up the excitement. It took a little while to get to this moment but it seems that this title is now where Jeremy Adams has been heading since issue #1. Something big is just around the corner and the scope has expanded nicely to encompass not only the recent continuity but older events as well.

After an improvement last issue, Birds of Prey #8 slides backwards. The tone isn't right, the plot feels forced and the mystery isn't playing out in an interesting manner. Putting Barbara Gordon in danger has been done before, and done better- "The Hunt for Oracle. Thompson still doesn't seem to get what makes Birds of Prey work as a concept. The time travel works against it, the lack of character focus is missingat least the art in this issue is nice.

Williams' lack of understanding of the character and inability to write an interesting story (she abandoned the interesting stuff in the first arc) give no hope for Power Girl fans.

Johns has certainly been doing the best job of presenting DCU history changes between this title and the related mini-series (Jeremy Adams is a close second in Jay Garrick: The Flash), and this issue is a prime example of that. The biggest question remains is if it is being done well enough for readers to embrace it. Justice Society of America #9 presents a number of ideas and it still feels like there's not enough space to give resolution to all of them. Perhaps, the point is not to reveal everything, but set things up for them to be developed elsewhere and elsewhen. This issue though is quite wonderful.

Fables #162 ends not quite with a wimper, but certainly not the bang that one would hope for with the ending of such an impressive and lauded series. That said, there's a lot of good stuff in the issue that can be enjoyed. A single read of all twelve issues will give the best experience for the reader and that may have to be good enough.

Green Lantern #9 brings a number of plot ideas together. It feels like the lynchpin to this series and everything will pivot off this issue going forward. The deep cuts are really exciting, as are the potentialities suggested in this issue with the Green Lantern Corps, Jessica Cruz and the United Planets.

Overall, Wesley Dodds: The Sandman #6 is a really good comic. there are some really fun moments as well as thrilling ones. It's clear that this series is deserving of an ongoing by this creative team. There's plenty more stories to tell and more to be done with Dian and Wesley, and eventually Sandy. The hiccups mentioned don't detract in a big way, but just distract for a bit.

Birds of Prey #7 is easily the best issue of the series so far. The inclusion of Barbara Gordon and thus connecting the book to the core Birds of Prey concept makes it feels right. This issue doesn't feel as derivative as feared with the time travelling killer plot that seems so similar to the first arc in the current Justice Society of America series. Things seem to be going in the right direction as long as future issues can wrap up the killer plot and move beyond connections to the first arc.

The first five issues have been an awful experience and Power Girl #6 doesn't really change that. This is probably the worst issue of the series, friendship is not magic in this case.

Nightwing #111 feels like a return of sort. The plot gets back to Heartless which brings the reader back to where Tom Taylor's run began back with Nightwing #78. Perhaps, Taylor has moved past the events which have been interrupting the DC Universe and Dick Grayson will soon face off against Heartless in a definitive if not final confrontation.

The appeal of this series is to readers who are easily impressed by superficial ideas and manufactured drama and for those who aren't really familiar with Wonder Woman and her supporting cast and world, readers who are just familiar with the idea of Wonder Woman. I guess that describes King as well, since that's what he's given us. For those fans of Wonder Woman who know what a Wonder Woman story is supposed to be like I recommend the previous run by Becky Cloonan and Michael W. Conrad or the post-Crisis George Perez era.

Like comics published by Ahoy Comics with which this title shares a kindred spirit, Boris Karloff's Gold Key Mysteries #2 is entertaining and nostalgic, but also modern. With this issue it's clear that there's a lot of mileage in the concept and as a vehicle for comics in the mystery/ horror genre. Not everything has to be superheroes, and this title provides something different while also being comforting and familiar.

Green Lantern #8 is a solid read that promises a large drama that will unfold in this series. There are a number of interesting moments in the issues and it really feels like something is beginning in both the stories.

Wesley Dodds #5 sets up a finale that may hold further surprises or simply wrap up the story. Either way, this series has maintained a consistent quality as it's progressed. It's just plain good with some moments of brilliance.

While the ending of Birds of Prey #6 indicates there may be some hope for this title in future issues, the finale of this first arc reinforces the notion that Thompson isn't all that interested in the Birds of Prey concept. It's a disappointing first arc for the relaunch of a Birds of Prey title. The magic, mystical and time travel elements push the title further away from that core concept of the grounded, hand-to-hand combat, espionage, undercover mission that is central to the Birds of Prey concept. It would be better for Thompson to create a new team without damaging the Birds of Prey. A complete restart is the best option for this series, either as a proper Birds of Prey title, or a new team concept that fits what Thompson actually wants to write about.

It may seem like it would be difficult for DC to screw up what is essentially a pin-up book for Power Girl, unfortunately DC manages to do just that with Editor Brittany Holzherr spearheading the effort. It all boils down to this current incarnation being so terrible. Even with a book that could've just been the covers with some innocuous narration, we have to be reminded of all the missteps that've been made by Leah Williams and overseen by Brittany Holzherr. If you don't read the pages with "story, Power Girl Uncovered #1 is actually a better experience.

This series is not for fans of Power Girl, that's obvious. It's not quite clear who it's for. Maybe there's an audience for it...I'd love to know if it has found an audience that likes this Power Girl.

If one were reading Fables #161 in a collection, there's no way the reader couldn't finish it out the last chapter. This issue has that kind of narrative intensity. It's hard getting that feeling right at the outset since it's been two and a half months since the last issue. Do yourself a favor, when the final chapter comes out, get all your issues together and have a Fables-fest and read all 12 in one sitting.

Overall, Birds of Prey #5 is a better issue than #4. It may not seem like it when breaking down the details, but there's a stronger through line with the plot and the conflict building. This is still not a Birds of Prey comic by any stretch of the imagination despite the title. If anything, with Megaera it would be more at home as a Wonder Woman or Zatanna story, or perhaps Justice League Dark or Madame Xanadu.

Justice Society of America #8 is another excellent issue and in some ways perhaps the best of the series. Mikel Janin turns in another wonderful job on art and Geoff Johns continues building his world with interesting and engaging character aspects for Ruby, Helena and Alan. It's a can't miss issue with the Legionnaire reveal at the end.

If Leah Williams had an editor that was competent and given some direction, this storyline could be salvaged into something VERY apropos for Power Girl. As it stands it's the equivalent of amateur hour. Pansica's depiction of PG may be off, but the storytelling is solid and there's a look to the book that is enjoyable.

Green Lantern #6 is just a really, really good comic. It's as simple as that. The creative team exemplifies the "back to basics approach. It's working extremely well for Hal and Co. and there's no reason to think it will end. Character comes first as it should!

Wesley Dodds: The Sandman #3 is another great issue. There's a physical and emotional conflict for Wesley with the theft of his formulas and Venditti lays it our for the reader to suffer along with Wesley's conscience. Rossmo and Plascencia add the right details to make the story interesting visually and they add up to being the kind of book DC Comics needs more of.

If you've spent money on issues #1-3, you may feel really cheated with the plot developments in Birds of Prey #4. It not only exacerbates the lack of reasoning on Dinah's part in not even attempting to contact Diana for help, it just becomes clear that Thompson literally lost the plot for this arc in the very beginning. Things just don't make sense from a character standpoint, and there are just too many things that just are because Thompson wants them that way instead of them making logical sense based on character and the known world of the DC Universe.

Power Girl #3 gives hope that the REAL Power Girl may return. Williams gets to this point by getting inside Power Girl's head just a bit for the first time. There's still an uneven quality to the series, but this issue the best of it so far. Perhaps, the quote on the final page, "Paige is gone, means more than just what it seems to in the scene, maybe Paige Stetler IS gone and Karen Starr will be back by the end of this story arc, and with that the Power Girl fans love.

Justice Society of America continues to be a fun read for fans of these characters. Johns likes to include as much history as possible and reference bits that expand the overall scope of the story. There's been a lot of world building since issue #1 and Justice Society of America #7 continues to add to it. It's clear with this issue that the history of the DC Universe and the Justice Society has changed and readers can't always count on what has happened before still being included. It's nice that Johns tries to remind readers of what is still canon.

Nightwing #108 is another solid issue in this run. The surprises surprises and they suggest some deeper developments to come. This whole "pirate storyline has been interesting from the first time the Hold was introduced. There's a lot of heart in this issue between both stories, which is one of the strengths that is a part of this title.

Taylor presents a different approach to how super-heroes interact with their world. It may not be for everyone, but comics have always reflected the world in which they are produced, and this particular aspect suggests something not only different, but pertinent in our own world. It provides a different kind of connection as well as showing that saving the world can have a different meaning.

Tom King continues to tear down the heroes of the DC Universe one character at a time. He's clearly more interested in showing the terrible aspects of human nature and the world instead of the optimism and hope that heroes are designed to elicit. I don't think King actually likes heroes or believes in heroes. Or, at the very least believes that anyone's heroism can ever be separated from the totality of their nature.

Green Lantern #5 is a "how to balance character, story and action. Not only does it focus on character, it get the character parts right. These characters feel like the characters they are supposed to be, and that's not something that's happening enough in comics today. Adams had a great run on The Flash and after escaping the distraction of Knight Terrors, it's really coming together in Green Lantern, as well.

Wesley Dodds: The Sandman #2 is even better than the premier issue. The plot moves forward, the mystery deepens and the characterization is effective as Venditti and Rossmo recapitulate the world of the early days of the Sandman. There's nothing Earth shattering about this series, it's just THIS type of story done really, really well. It should come as no surprise with Venditti's track record on Hawkman. It's a classic noir detective story in the 1940's at the birth of the mystery men of the DC Universe. Plus, it seamlessly incorporates a consistent characterization and tone. Damn near perfect!

Birds of Prey #3 is not a good Birds of Prey comic, however, it is a pretty good Harley Quinn comic. If you're here for Harley and how great she is then you will flip that score around, probably. If you're a fan of the Birds of Prey, this isn't it.

With the depiction of Power Girl as insecure, dependent upon Superman and Super-family, inexperienced living on Earth, it's probably OK to refer to her as Paige, as she's absolutely nothing like the Karen Starr Power Girl we know and love or the one we've seen before. You might be able to enjoy some of the art in this issue, but it's a real struggle to connect with this iteration of the character.

Diana seems to take a back seat as it's all seen through the Sovereign's point of view. Any appeal for this series is like a car crash- you want to see the outcome with the hopes that some people will survive. Nothing really feels new or interesting, and the characters are already twisting into unrecognizable versions. King hasn't put in the work to get the reader to this point in the story to make it believable.

Fables #160 brings some of the plot threads together as Pan's villainy seems to hold no bounds. Tink's reluctance as his ally continues to be an interesting idea while also suggesting ideas of master and servant that will hopefully be explored in the final chapters of "The Black Forest. Additionally, as Cinderella is proved right, she suffers consequences of not being "political which brings up another subtle commentary. As always, the art team brings the world of Fables alive.

Nightwing #107 is another fine entry in the series. If you've been enjoying this there's no reason to think that you won't enjoy this issue. Character reigns supreme and there's an intriguing story developing in the lead tale. That sense of character continues in the second story and ties the issue together. Hopefully, you're here for Dick Grayson, the person and not simply the punch ups and actions.

Titans #4 bogs down a little bit despite having some really interesting and satisfying moments. There are lots of good ideas at play in this series, but the Suicide Squad pages in this issue could've been used more effectively. Overall, it's satisfying to see the Titans feel like old friends readers have grown up with.

Horror, nostalgia, comics history, clever storytelling and evocative art are all present in Boris Karloff's Gold Key Mysteries #1. It's fun, it's dark and a little gruesome. Perfect for the Halloween season or anytime you just want a little dread in your life. It's entertaining as well as an exciting re-start for Gold Key Comics!

It feels like Wesley in this series is the same Wesley Dodds that readers are familiar with. That's not something that can be said for all the books in the Dawn of DC initiative. Venditti understands that it's important to put character first instead of altering a characters just to tell the story the writer wants to tell. On top of that, the issue hits all the points needed in a first issue.

Harley Quinn ruins everything she's in. She doesn't play well with others and it's no different in Birds of Prey #2. She doesn't mesh well with the rest of the team tonally. Her ridiculousness detracts from what at times begins to feel like a Birds of Prey comic. There's far too little time spent on character which leaves too much time for Harley. Thankfully, Romero does a really nice job with the art on this issue. Script-wise it feels messy and cobbled together, you just sort of want to get through it so the plot can move forward. It's definitely a step backwards from last issue.

If you're a fan of Power Girl, I suggest you don't buy this or read it, it'll just make you upset.

Nightwing #106 is a great start to a new story arc with a balanced approach between plot and character. This issue continues to prove why this comic continues to be one of DC's best. Hopefully, this will be the start of an uninterrupted run of tales. As Dick says in this issue, "We've had a lot going on. But, it's finally time to askWhat's in the box?

Titans #3 is a strong outing with great art and intriguing story. The character work is great by both Taylor and Scott. The classic Church of the Blood connection brings a classic feel to the story and the there's real nuance to Garth's role and concerns for the environment.

Overall, it's not a strong start to this run outside of Samperes exceptional art.

Green Lantern #3 is a good issue that suffers from having to overcome the Knight Terrors event. It has to work a little harder to get the momentum going again after the great first two issues that this Green Lantern relaunch built. While there remains an awkwardness, the issue does reset the focus and bring Hal into contact with his greatest nemesis, Sinestro. The triangle of Hal, Carol and Sinestro isn't a love triangle, but an interesting intersection of lives that is unique in comics.

Next up we have Big Barda. Barda is definitely a heavy hitter. For a fight she's a good choice, but on the stealth side of things, maybe not. She could've learned some things from husband, Scott (Mr. Miracle) Free in this area. Even so, she's the muscle of the team and that works well enough. This is a solid start to the team and the path that Dinah takes to recruit these two is done well, especially as it continues to rely on Dinah's relationship to the target, Sin.

Justice Society of America #6 is an exciting start to a new story arc. It's character focused and sets the stage for what's to come. The fate of the Lost Children has been an intriguing plot line since the beginning of Stargirl: The Lost Children. Their story naturally continues here. The emotional tension between Bruce and Helena is fantastic and it's great to see Helena and Karen's friendship as the cornerstone of the future of the JSA!

While Jaime's family rallies around him, Jenny's aunt, Victoria has no redeeming qualities and is literally out to get Jenny, pushing her closer to the Reyes family. This contrast is subtle, but a well executed use of the family theme. The importance of the family shakes out differently than in most superhero fare, Jaime's family knows his secret and it becomes essential to Jaime's character.

Despite the quick ending, Justice Society of America #5, there are lots of details that are satisfying with the resolution. Additionally, the big picture view is a fun and exciting look at a special corner of the DC Universe that relies on character, nostalgia and compelling plot lines.

Going into Knight Terrors Nightwing #1 already knowing what Insomnia's endgame is detracts from the issue greatly. The creative team gives a great showing with what they have to work with, but this issue would've worked so much better had the audience not been privy to what was going on and Dick had to figure it out. That said, there are some really compelling ideas from Cloonan and Conrad that have the potential to play out epically next issue and Di Nicuolo gives a great showing on the horror aspect.

Eduardo Pansica does a nice job delivering on the visuals as he delves a little into the horror and gives Hal some terrified looks as he faces down his "fears. Knight Terrors: Green Lantern #1 also contains a Sinestro story that appears to pick up from his surprise appearance in Green Lantern #1. Sinestro also appears to be affected by Insomnia's attack and he has his own fears. There's some real irony here as Sinestro is known for operating in fear. At its core this back up seems to he more interesting than the lead story due to this irony and that there's a lot more potential for revelatory storytelling with Sinestro. Readers know a lot about Hal Jordan including the biggest obstacles he's faced in his life.

The plot pieces seemingly all fall into place and this propels Fables #159 unlike any other issue since the relaunch that began with issue #151 over a year ago. You can almost feel the bus speeding up! The "contest between the forest god, Bigby and Greenjack give some context to things and the mystery of Peter Pan and Tinkerbell deepens. These central plotlines converge here to take us into the home stretch of a the arc with art that never falters from Buckingham and Leialoha.

Get out a few tissues for the tears you'll have to wipe away as they roll over your smile as we say good by to Batgirls. Batgirls #19 goes out with an inspiring and thoughtful message coupled with some great action, excellent art and beautiful colors. Perhaps, one day we'll meet again, this could be just the beginning.

Nightwing #105 is a guide in how to make a great modern comic book. Quite literally it has everything- an exciting story that's character driven, maintains the fun but, also makes a statement that elevates, beautifully illustrated and colored, creative in its storytelling, fits into the overall run while also being enjoyed as a one-off and is accessible to new readers.

Titans #2 opens with a flashback to the younger version of these characters as they prepare to take on Brother Blood, this sequence is great because we get to see Dick as Robin, Donna in her classic red Wonder Girl attire as well as Garth in his original Aqualad look. It immediately recalls the Wolfman/ Perez run of New Teen Titans that catapulted this group of characters to the top of the comic industry in the '80's. The splash page is also an homage to the cover of New Teen Titans #1. These touches are additional elements that build on the accurate character beats.

"Whatever Happened to the Warrior of Truth? Part Two is a loving look at Diana and her relationships with her super-powered friends. It will make you smile and remind you why Wonder Woman is important and special.

DC Comics may not be smart enough to keep Jeremy Adams on The Flash, but at least they are keeping him on something! Green Lantern #2 is only the second issue of this newest volume of Hal Jordan's adventures, but it's already proving to be the full package. The beautiful art supports a character driven story that draws the reader in with its familiarity and attention to the complexity in Hal's character and relationships.

Fire and Ice is so short and unfocused it's really hard to gauge what's coming next for the duo. Based on this tease, I'm not sure what readers could be looking forward to in a series. However, there's a chance that the forthcoming Fire and Ice series could be good, since there's not a lot to go on in Power Girl Special #1. Both stories have something going for them in the art department, but it doesn't always work.

Justice Society of America #4 is a solid issue that moves things forward with an interesting discovery by Helena. The tease of the friendship to come between her and Power Girl is welcome as it promises what we know from the past will now come to pass in the future.

Overall, the negatives in Nightwing #104 are minimal at best and the "Rise of the Underworld story arc concludes with a strong look at Dick Grayson's character. Initially, while Neron seemed to fit as a villain for the Titans, he doesn't seem like a proper antagonist for Nightwing. Despite this the finale provides a character driven story that does fit what makes Nightwing tick. The issue also utilizes the deep history between Dick and Clark to add depth to the events.

Batgirls #18 is an interesting issue with a fun plot that provides an interesting idea for the relationship between the citizens of the Hill and the Batgirls. There's really strong images as well and the issue leans into its strengths of relationship and characterization even down to the small details.

There's a lot of heart in this issue as Scott communicates it through the characters faces and body language and Taylor wisely plays off the established history of these characters. It began way back in Brave and the Bold #54 with Robin, Aqualad and Kid Flash, the sidekick proteges of the Justice League of America. It then started again with the New Teen Titans in 1980 by Marv Wolfman and George Perez. Titans #1 begins the latest series to feature these friends who've grown up together. Certainly the journey will be fun and exciting, but the heart of this issue as well as the popularity of this group of characters is their friendship and shared experiences that continue on just like real life.

Wonder Woman #799 allows the reader to reflect on not only what Diana means to her friends and allies, but also what Wonder Woman means to the reader. It's a lovely touch that works so well because Cloonan and Conrad understand the core themes that are part of the character, those that have been there since the beginning and those that have been added on and BECOME a part of the character over the years. However, the use of Golden Age motifs allows for a particular kind of nostalgia and as the reader hits the final page revealing the title, it all makes sense as chapter one really does echo the tone and theme of Alan Moore's classic, "What Ever Happened to the Man of Tomorrow?

When Stargirl: The Lost Children began, the premise of the series raised a lot of questions about continuity. As it conclude with issue #6, Geoff Johns has given the reader a lot of answers and as can be seen on the last page there's still more to come in the pages of Justice Society of America #6. At the beginning I wasn't sure how I wanted to series to end, and after reading it I'm still not sure if this is the right way for it to have concluded. The execution is good, and there's some good character bits with Corky, Android Hourman and Courtney, but it's a waiting game for the apparent fate of the Lost Children. Nauck definitely delivers on the art throughout the series.

Despite the two month wait since issue #157, Fables #158 does a solid job of catching the reader up on the state of events. Furthermore, the issue is a pretty important plot mover. There's a culmination of plotlines that get the story to point where it feels like things are about to take off. A refresher will do the reader some good as there's a lot to consider concerning the ever expanding cast. There's just got to be more to Peter and Tinkerbell being villains, right?

As DC Comics advertises the "Dawn of DC initiative in their comics this month, it feels incongruous with development of the world building in Stargirl: The Lost Children #5. "Dawn of DC seems to be eschewing the foundations of character development in favor of "new and "different approaches. Johns' corner of the DC Universe continues to embrace its past and legacy. Nightwing appears to fit more along these lines as it reinvigorates The Titans, and certainly Jeremy Adams' soon-to-end run on The Flash goes right along with what Johns is doing. There's a clear sense of connecting with the past in Stargirl and Justice Society of America which alone contributes to the sense of character growth and development as well as the exploration of the DC Universe.

Batgirls #16 strikes the perfect balance between action, plot, character, nostalgia and emotion. We shouldn't be surprised that it's yet another great issue in this series. Inductive reasoning should tell us that! We didn't even get to mention the fun use of all the expected Alice in Wonderland motifs one would expect in a Mad Hatter story!

Justice Society of America #3 is another fantastic chapter in "The New Golden Age. The execution is great, and the nostalgia is still strong. The character and world building makes this an engaging series as the JSA and Huntress come together to stop longtime foe, Degaton. Like most great stories, it's a journey. If the DC Universe is going to continue to grow it will be because series like this expand beyond the real of the Bat-Family, and this is a great place to start.

Stargirl: The Lost Children #4 may be the best issue of the series so far. We get a lot of backstory from Corky in the issue, but it moves things along quite well and the surprise at the end is fantastic. With the right amounts of character wrapped in an outstanding cover. It's simply a fantastic comic that even a new reader could follow. These may not be your favorite characters, but they could easily become that!

Nightwing #101 works around the appearance of Jon Kent pretty effectively. The main story does a great job of setting the reader up for a heavy hitting confrontation for the Titans. The character work is great as usual, and it's a real joy to read them all interacting together. There's a big chunk of nostalgia with this, but what comes next promises to be great as well!

Wonder Woman #796 demonstrates why this has been a consistently great series over the past two years. While it can deliver on the action, there's always something bigger at play with the characters and emotional beats. Bellaire and Ganucheau do this in the second feature, and it's a hallmark of the main storyline. This more thoughtful approach is nuanced and nostalgic.

A high level of disparate emotions makes Batgirls #15 an excellent exploration of relationships. That's what really matters, right? The people in our lives? This title makes this consistently important and therefore, consistently quality storytelling. This is a unique and special title, and the tease of the Mad Hatter in the subsequent storyline is something to be excited about.

Swamp Thing: Green Hell #2 morphs from a "last Swamp Thing story to a continuation of The New 52 era of the character. Along with the concepts developed in The New 52 Animal Man, there's some real meat in this issue. Lemire is sure to include classic Swamp Thing themes, but it's just as exciting to see what happens with the Green, the Red and the Rot. With the fate of humanity, Abby and Tefe hanging in the balance, this series is already one of the great Swamp Thing stories.

The world building continues as Johns, Janin, Ordway and Kolins deliver another great issue of this new series. The details bring out so much in the story as the nostalgia anchors the new elements. This book looks great, it's fun and by having Helena on a journey of discovery, it allows readers to see things through her eyes. So if you don't know what's going on, neither does she and even a new reader can discover this corner of the DC Universe with her.

Batgirls #14 gives readers the "silent treatment in a a unique chapter of the current story arc that began in Batgirls 2022 Annual. The story is an emotional journey, but Jonathan Case does a stellar job in his storytelling and coloring. It's a special issue that will be even more significant when this story wraps up. It can also be enjoyed as a one-off, and it's hard to imagine it not drawing new readers in who are checking out the title for the first time!

For fans, Fables #157 is fun and still contains the "magic that makes it an outstanding series. It's a bit awkward though, with the break between issues and the time jump. The size of the cast doesn't help either. There's no doubt that this issue will play perfectly in the collected edition, but as a standalone issue, it's definitely not for first-time readers, and could prove troublesome for new fans of Fables.

Though we're just a couple months into 2023, it's not hard to imagine that Nightwing#100 is the single best issue of the year. It's that good. It's possible that this creative team may top themselves in the following eleven months, but this entry can easily win that prize. This has it all for Nightwing fans, and it also feels essential to the DC Universe. It demonstrates why Dick is so important to the DC Universe both inside continuity and for fans. It works on both levels and it brings all the emotion possible.

It's fun, and there's nothing wrong with that. You can still have a great comic even if it isn't earth shattering or genre melting. Stargirl: The Lost Children #3 is a fun comic that can be enjoyed by all ages. It has the right elements that recall the great comics of the Bronze Age. Not only does this series throwback to older characters, but it utilizes storytelling and tone that is from a less complicated time.

Wonder Woman #795 is even better than last issue and this story arc is not only moving forward in an interesting and exciting manner, but the creators are working at a very high level to deliver balanced action and character and something extra, too. The surprise appearances in both the main story and the back up, Adventures of Young Diana, work well. This issue should provide something for everyone!

Nightwing #99 slows things down a bit to allow Melinda to get some closure and for her and Dick to get a breath. The art is wonderful as usual, and the Heartless storyline continues to develop around the edges. There's a reset here for Bludhaven and it genuinely feels like Dick has made a positive impact on the city for the benefit of the people. But, make no mistake, Bludhaven continues to hold more secrets.

Stargirl: The Lost Children #2 is "more fun than issue #1. After the drama of the setup, Emiko and Courtney's visit to the Arrow Cave as their journey begins gives the issue a light-hearted start. The plot moves along as the duo finally gets confirmation that they are on the right track. It's the right combination of fun and adventure with a touch of drama and world-building that is geared toward the Golden Age/ legacy fan.

Character driven comics will never go out of style. They may not always get the headlines or the hype, but they are substantially better on the whole. There's just more to enjoy, and Batgirls #13 gives the reader a lot to chew on and think about. Some comics are better when you think about them and let them sink in, others deteriorate as soon as you start thinking on a deeper level. Batgirls, is of course, the former, a series that is ultimately about people and relationships and gets better as it sinks in.

Wonder Woman #794 on the surface is a good issue. Some time with it reveals it is full of insight and care. I ask you, reader to not just read it, but think about what is going on. Think about Barbara M. and what she's going through. There's an exciting and fun story of Greek Gods executing a plan of mayhem and subversion on the people of the Earth, but beneath the surface there's something even more substantial and gratifying. Not many comics can do this, and it's not only here, but done incredibly cleverly with all the nods to the Golden Age.

The Batgirls 2022 Annual is for the sensitive reader. When I say that I mean it is for a reader who is able to connect with the characters and relationships. This isn't a loud blockbuster, but it's not without an interesting and exciting plot. However, the attention to character and relationships is what elevates this, although the twists in the setup and plot are really cool as well! More comics should be like Batgirls. Even if you weren't a fan of Steph and Cass when the series started, it's hard to imagine how you can't be now after just over a year of the series.

Justice Society of America #1 is important. Much like All-Star Comics #3 and The Flash #123, this comic establishes something new. For longtime readers, it may seem like re-establishing something, but that's because it draws on so much of what has come before. This series can easily be the beginning of an aspect of the DC Universe that doesn't rely on Clark and Bruce as the foundations. Sure, their shadows loom, but Helena, PG, and the rest of the JSA and their legacies are a draw independent of the mainstream DCU. But, what happens here is foundational to the whole of the DC Universe. We are in for a real treat based on the quality of this first issue. Mystery, emotional depth, nostalgia, fun, unique characters- this is great stuff. Period.

There's a balance of tone between the stories as well, the shorter tales take a bit of the sting out of the lead feature. It's nice to cleanse the brain with some fun and heartwarming content after the wrenching origin of Heartless.

Nightwing #98 is a fun comic. Despite what may appear to be outwardly silly, Taylor, De Nicuolo, Lucas and Abbott deliver a story that works on multiple levels. The meta aspect of Nite-Mite's observations is probably the most satisfying though Dick going up against demons, a truly formidable task for a non-powered hero show his heart, much like Tom King's Up in the Sky depicts this attribute that Superman shares with Dick Grayson. Somewhere, Silver Age Batman is having the time of his life seeing Dick get his own imp.

If you liked last week's The New Golden Age #1, then Stargirl: The Lost Children #1 is a perfect follow up. Fans of the Stargirl TV show will find something familiar, even if some aspects aren't familiar, it's hard to keep the spunky Courtney/ Emiko duo away from an intriguing mystery! The nostalgia for Golden Age legacy goes beyond the simple emotion that is evoked but adds something that's been missing from the DC Comics comic book universe for too long, a tangible sense of history and interrelated characters and stories.

The New Golden Age #1 is a heck of a fun issue! The pages drip with multiple forms of nostalgia while setting up a few mysteries. There is a heavy focus on character, and not just Helena Wayne, but all along the way the issue is peppered with moments that lend some sort of insight. The Who's Who pages at the end do the same. It's hard not to be interested in every single one of these "lost characters on some level. It's been too long since the Justice Society has had a prominent role in the DC Comics Universe. This first issue feels like things are on the right track. It's hard to judge what this does for readers unfamiliar with the concept save for the solid set up and character bits. For longtime fans, it's about as good as one could expect without Roy Thomas coming back to pick up where he left off in 1986.

Despite all of that, Wonder Girl 2022 Annual is a great issue that adds to the slowly growing history of Yara Flor and the Esquecida. The connections to Brazilian folklore and myth are brilliant and exciting, exciting enough to stand on their own as concepts. Additionally, the issue follows up on some of the dangling elements form the cancelled Wonder Girl series. This issue is an argument for putting Yara Flor's series back on the monthly schedule.

With The Swamp Thing #16, this run of everyone's favorite "muck-encrusted mockery of a man, culminates in it's 18th issue (counting Future State) with a deeply thought provoking finale to a deeply thought provoking series.

In a 12-issue story arc, some of the middle chapters can get bogged down. With chapter 4 of "The Black Forest, Fables #154 is the opposite. The first three issues set us up with the characters and this issue sends the Wolf children and the new Jack-in-the-Green on their (mostly) merry way. We know something terrible and dangerous is just around the corner (but, which corner?!), but that doesn't mean we can't have fun! As always, Buckingham, Leialoha and Loughridge bring Willingham's script to life, imbuing the characters themselves with life.

The first time I really felt like I wanted to give a 6/5 as a score on a comic occurred when reviewing Injustice 2 Annual #2. Nightwing #95 has so many similar elements, even if it leans more into the fun than the psychological. It should come as no surprise both these issue are by Tom Taylor and Bruno Redondo. Is there any doubt that Nightwing is DC's best mainstream superhero title?

There is a broken record that plays throughout my reviews of this title, and that's the emphasis on character. Ultimately, it's what makes or breaks a title. Batgirls #9 is a perfect example of how characters drives a story and keeps a reader engaged. It's these characters' lives we here for, right? That's what counts. That's what keeps readers coming back.

Wonder Woman #790 is yet again, another thoroughly enjoyable comic book. I must confess to head scratching at the criticism levied at this series. I can only imagine that those who aren't enjoying it just aren't on the same page. The series is blending elements from Diana's many eras quite well into something all its own. Something special is going on in Wonder Woman. You should check it out.

The Swamp Thing #15 is another fantastic issue of a fantastic series. V's writing is at times beautiful and at times moving. As one would expect, it's hard to believe we're down to one issue. This continues to be great comics. If the way we get great these books has changed and they're going to come in storylines, as opposed to a continuous series that run for years and years, then The Swamp Thing is an example of how to do it right. It would be nice to see this creative monthly on an ongoing Swamp Thing series, though!

Artemis: Wanted #1 is a mostly disappointing postscript to "Trial of the Amazons. The idea of Artemis being Hippolyta's killer was intriguing until Artemis' motives are revealed in this issue. When they are it is not only lackluster and contrived, but it puts a black mark on the already shaky "Trial of the Amazons. Quite honestly, you don't really need to read this comic. It's a bit of a mess. You might even be happier not knowing why Artemis killed Hippolyta, knowing only highlights the petty squabbles between the tribes of Amazons.

It's not worth following this series. There's literally nothing of interest going on and there's almost no chance anything of significance will happen.

This title should feel magical, and Fables #153 does, but it does so in some of the most human ways. The real magic comes from the pens of Buckingham, Leialoha, Loughridge and Willingham. One can feel the excitement building, it's just a shame it takes a month between issues.

Nightwing #94 has a couple surprises and provides some satisfaction for villains getting their due. As always, the characters carry the issue with their relationships interweaving with the villain plot the give the series a "slice of life feel. You'll thrill, you'll smile, you'll cheer, you'll worry! And, I didn't even mention the new Police Commissioner!

I'm just sort of stunned. This is a wonderfully complex title with fun and touching relationships. The series gets the details right, the details that make the characters engaging and relatable to the real world. You're pulling for these guys! Not just Dick and Babs, but Steph and Cass as well as they are sort of carving out their own superhero family as a subset of the larger Bat-family. The overall vibe is one of positivity, and it's lovely.

Wonder Woman #789 is an issue that succeeds on multiple levels. On the surface it's an interesting adventure with a mystery that keeps you guessing while showcasing the camaraderie between Diana and her allies. At the same time there's a lot of subtext about the history of the Wonder Woman character that connects to pertinent political and social themes. It's more than your ordinary comic and it makes you think.

The Swamp Thing #14 demonstrates the deeper themes that Ram V brings to his comics. It's easy enough to be excited by a classic good vs evil story even if there are conflicted/ambiguous characters, but this comic takes it even further by getting to the core of the theme of man vs nature. It's both cerebral and emotional at the same time which is truly a magnificent feat. It will make you think and feel.

Being able to recapture the magic of a series that's been on hiatus can be difficult. It's probably a good thing that the creative team had a chance to step away and come back fresh and renewed. It doesn't always work. However, Fables #152 shows that it's working here. I'll quickly run out of superlatives for the relaunch of this much-lauded and award winning series.

Wonder Woman #788 is an interesting issue as it takes classic themes first present in the Golden Age feature and modernizes them. The approach and content calls back to a lot of Golden Age aspects. It's an astute move and it adds an extra layer or three to the storytelling. There are multiple levels on which this can be appreciated. It's pretty darn FUN too!

Batgirls #7 is just that kind of comic that always makes me smile. It's that good. It's been that way all the way through the series so far. Fans of Nightwing should definitely be reading this, it's the obvious companion book in content, quality and approach. Seer has been a part of the narrative since Batman #115 and she's finally getting the spotlight. The next issue looks to be another fun adventure with Steph, Cass, Babs and Dick!

We certainly can't get to The Swamp Thing #14 without The Swamp Thing #13, but that's exactly what this issue is- a transitional issue. Within the context of the greater story it works fine, but it's not going to bring in any new readers. That said, there's still a lot of ideas that keep this series at the top of DC's titles right now.

The Fox: Family Values #1 is without a doubt a fun issue with some heart. It's little more than a tease as it is a one-shot and there is only one more archival Toth story to track down. Nevertheless, the Toth reprint is worth it for this issue alone, and the new material is a fun and entertaining. It's not your standard super-hero comic, but we need variety in comics, don't we?

Fables #151 is like coming home for existing fans. This first issue indicates it's going to be just as excellent as it's ever been. For new readers, Willingham has the right amount of new characters like Jack-in-the-Green to love and learn about as well as some existing mysteries. It's going to be an adventure for old and new alike as Fabletown and the Mundy World learn to get along which new and existing readers should find intriguing immediately. And, all readers will enjoy the art.

Batgirls #6 is another great issue. It wonderfully balances some humor with action/ adventure and plot with character. The bottom line is FUN. I can't stress that enough. And, if you're paying attention it will make you feel good as well.

Long ago, comic book stories were mostly short, quick foe of the month tales. Over time they've developed into chronicles of a character's life. Wonder Woman #787 demonstrates this. Every day isn't saving the world. Sometimes you have to come back to your life after an interruption and that's what happens this issue. There a few balls still in the air as mysteries aren't always solved immediately and one's personal life is often complicated. This is Diana's life and we're getting the full spectrum of her experiences, including the formative moments from her youth.

All in all, Aquaman/Green Arrow: Deep Target #7 is a fun issue with a little bit of heart. It gets the job done, though it leaves a lot of room for a stronger final act. It's a nice way of celebrating the 80th Anniversary of these two who are a strange pairing, but who've historically been linked since their first appearances in More Fun Comics #73. They shared many issues of that title as well as Adventure Comics through the end of the Golden Age and much of the Silver Age.

The Swamp Thing won 2021 by getting an extended life of six additional issue for a "season two in 2022. This issue exemplifies why this happened- the creative team understands the character, his world and how to tell stories that touch the reader while connecting to the past and pushing forward with new ideas that are germane to the concept.

Trial of the Amazons #2 is a bit of a mixed bag. There are some really great details, but some glaring omissions and missed opportunities as well. In a crossover events you're goint to have launching points, but the Altuum and Artemis plotlines just feel unresolved. "Trial of the Amazons lands on the right foot, however, with the three tribes of Amazons united and prepared to go forward together with their disagreements put behind them.

Trial of the Amazons: Wonder Girl #2 is a standout issue of art and storytelling. It also has the honor of revealing one of the crucial plot resolutions for the Amazonian event. There's a lot to like in the issue and can be enjoyed out of context of the rest of the series as well. It may even be the issue that will get readers to go back to the previous chapters if they haven't bee following the storyline all along.

Wonder Woman #786 does a great job of reframing the nature of "The Trial and turns it into core Amazonian concepts. It suggests that these contestants, not combatants will come through "The Trial not only changed but closer and possibly bringing the three tribes of Amazons closer in the process. At least that's where I hope it goes

At the beginning of the series it was obvious Thorne was going for something different with the run of Green Lantern. Now that we've come to Green Lantern #12 we can see how he's delivered. Often, new takes on concepts destroy. Thorne has disrupted a lot, but in the end we have a Corps, or rather multiple Corps that have a lot of gas in the tank. This is a great launching point for a myriad of series.

Batgirls #5 is another fine example of why this is a special title. It's not rocket science either. Babs, Cass and Steph are three women working together to help people. The series follows not only Cass and Steph's maturation as women and crime fighters, but it highlights what makes all three of them special. This issue is definitely focused on Babs, but we've seen that focus switch in the first five issues of the title. It's the characters, it's always the characters.

Edgar Allan Poe's Snifter of Death #6 is a strong finish to this run of the Poe Snifter series. The stories are genuinely humorous and entertaining and say something significant about their subject matter. If you've been dismayed at American politics or felt unable to escape social media you'll find yourself in this issue.

The Swamp Thing is one of those series that even the bits in the "Negatives section don't actually affect the rating. There's interesting character bits, a theme that relates to anyone and everyone and some exciting plot points all delivered in some truly beautiful and evocative art. You really can't ask for anything more. And, it's not like the creative team is ticking boxes, it's simply a creative team at a pinnacle of their comic book making abilities.

Joelle Jones does a marvelous balancing act as she adds a bit more to Yara Flor's story as she gets into Cassie's investigation of Hippoylta's murder. The personal approach to both Yara and Cassie in Trial of the Amazons; Wonder Girl #1 is the key to making both aspects work, and the art is just glorious. While it's hard to not wish we simply got Wonder Girl #8, Jones makes it all together.

As we get close to the finale of "Shadows of the Bat," Detective Comics #1057 provides the reader some surprises as well as some exciting execution in the writing and art from the creative teams on both stories. This chapter doesn't disappoint as it not only brings plot threads together, but also teases the long game.

Wonder Woman #785 maintains a strong focus on Diana and thus succeeds in being a very good issue. The endgame for "Trial of the Amazons" is still shrouded in mystery and therefore the plot movement makes me feel very suspicious. Comics have a reputation of promising huge changes that are subsequently undone down the road so they lose any weight. The issue is still mostly about Diana and her personal reactions to the events on Themiscyra and the death of her mother and that makes all the difference in the world with this issue.

Batgirls #4 is a perfect example of the type of comic book series this is. It successfully recalls some of DC's best series of the past with a broad appeal with the right amounts of humor. It feels like a complete title that delivers the action/ adventure as well as human moments that will keep readers around as they get to know and love these characters.

Except for Harley Quinn's unwelcome appearance, Detective Comics #1056 is yet again another fantastic installment of "Shadows of the Bat." It's intimate at times and gets the reader involved emotionally at the outset. And certainly by the end its not hard to see that the end is nearing as"well, no spoilers!

Trial of the Amazons #1 takes a couple of big chances. The execution suffers though in a couple of areas and it's questionable if this is the story Wonder Woman readers want. Are we to see the Amazons come together or be split apart? It's unclear in this issue how things will go and unfortunately, the death of a major character holds little weight in today's comics.

Detective Comics #1055, while being more plot driven like last issue focuses just enough on some of the individuals of the Bat-family as well as moving the plot forward in a significant way. Furthermore, the second feature continues to be an interesting look at (presumably) Nero in the context of Batman's know past.

Edgar Allan Poe's Snifter of Death #5 is a bit of a mixed bag. There are some interesting big ideas but the details don't play out as one might like.

The "Warworld Saga," has been a rollercoaster, with more valleys than peaks, but Action Comics #1040, which almost feels like a one-off issue is a remarkable homage to John Carter of Mars. Indeed much of the "Warworld Saga" owes something to John Carter, but this issue in particular evokes the nostalgia while also doubling down on those aspects that are common to both the Warlord of Mars and the Man of Steel.

Aquaman/Green Arrow: Deep Target #5 may be the best issue of the series. Brandon Thomas takes the hook out of the reader's mouth as he reveals Scorpio's motivations, but we're willing to stay around because the creative team has developed a fun and exciting tale rife with classic science fiction references.

Batman vs Bigby#6 finishes up this Fables mini-series in fine fashion with some very interesting storytelling from the art team and details that remind the reader why Fables is such a good series. This certainly whets the appetite for the return of Fables coming in May! This has been a fun series and shows that there is potential for more crossovers with traditional DC Universe concepts.

Detective Comics #1054 is an average chapter in "Shadows of the Bat." It does its job to get the reader from point A to point B, but not much else. It's necessary to do this, but there's nothing special about this one. That doesn't mean to say you should skip this issue, rather just take it for what it is. I found "House of Gotham" to be the stronger of the two stories in this issue with its use of continuity creating a certain feeling of connectivity with the bigger picture of Batman's past.

As "Shadows of the Bat" is just over the midway point, it's clear that it's a series that has increased in complexity while never losing sight of the importance of the relationships of the characters be it the Party Crashers or the Bat-family. It's a series that's playing the long game and it's working extremely well.

Green Lantern #11 is another chapter in an exciting series that never loses sight of the importance of character even in the cosmic shuffle of new gods and Green Lanterns. The creative team is giving its all to make us believe in not only DCU icons like Hal Jordan and John Stewart, but seamlessly bring to the forefront new characters like Jo Mullein and it's all on display in this issue.

While Supergirl: Woman of Tomorrow #8 isn't the best issue of the series, it is not far off the pace. It's really just some of the technical aspects of King's ending, because the content works wonderfully, connecting the reader to both Ruthye and Kara. As expected, the art is as stunning as ever and gives the reader a taste of what could come for Kara in her future. While the series connects the reader with the frailties of the human psyche, it also offers hope and the satisfaction of persevering through the difficult moments in life while revealing one's own inner strength.

Batgirls #3 is another fine issue that is of a certain type of comic we don't get nearly enough of. Between quality and quantity of content focused on character, it's one of those comics that you really enjoy reading and makes you feel good as you share the lives of Barbara Gordan, Stephanie Brown, and Cassandra Cain.

Detective Comics #1052 continues to build, utilizing character and an engaging dynamic for the Bat-family told in a unique narrative style. Both "Shadows of the Bat" and "House of Gotham" hit with surprises to keep the plot rolling. With the Penguin making appearances in both storylines, one can't help but wonder if Cobblepot will end up being the lynchpin to tie them together.

Like it or not, "Trial of the Amazons" is on the way- there's no stopping it! However, the unmasking of the Shining Knight and Dr. Psycho's continued plotting will provide Diana with more challenges either in "Trial" or in the story arc after the crossover. Wonder Woman #784 functions well enough to get the reader to "Trial" even if some of the possibilities raised in the issue seem to be more compelling on a personal level for the Amazing Amazon.

Detective Comics #1051 demonstrates that "Shadows of the Bat" is sophisticated storytelling. In the literary tradition of William Faulkner's The Sound and the Fury. Tamaki utilizes different points-of-view and a character driven approach to lead the reader along. This isn't a cosmic event in which "character" is lost and degenerates into battle scene after battle scene. This is an exciting and absorbing story that requires the reader to put a little something in to get even more out of it.

Character is the strongest element of the Superman story in Action Comics #1039. Johnson nails this page after page, even if Superman's not quite fitting into a John Carter of Mars story as one might expect he would. The Martian Manhunter story continues to build up with an interesting reveal. The art across the issue is at a high level, Melo is great on J'onn J'onn, but Federici is exceptional on the Superman tale. All in all, this is a step up from last issue.

Four Chapters in and this is easily the best issue of an already great story arc. The cover advertises this as the "Landmark 1050th issue" and the story inside Detective Comics #1050 delivers, and it's especially satisfying for Dick Grayson and Huntress fans and those who see this assemblage of heroes as a family as Dick indicates in the opening panels of the issue.

Aquaman/ Green Arrow: Deep Target #4 maintains the fun of the previous issues of the series. It has some emotional depth to distinguish itself from the typical Silver Age stories it homages. Additionally, the continued references to other comics/books/movies elevates the fun factor. For a fun, escapist read with some nostalgia thrown in for seasoning it gets the job done.

Superman '78 #6 is everything you want it to be and need it to be. Many have wished that Christopher Reeve had made more and better Superman films, and this is the perfect way to do that. Originally, Lois and Clark were going to get married in Superman V ". So I guess I'm suggesting a timeline of Superman: The Movie, Superman II, Superman '78, Superman III (we've already seen Richard Pryor's Gus Gorman in issue #5), Superman IV: The Quest for Peace and then Superman V". V for Venditti?

Wonder Girl #7 provides some satisfying moments for Yara Flor's origin, but leaves additional threads open for exploration that may or may not be seen due to the cancellation of the series. If this issue doesn't quite land, I think a reread of the entire series in one sitting will prove helpful, though it won't flesh out all of Yara and the Esquecida's history.

Edgar Allan Poe's Snifter of Death #4 is a really good issue with different types of stories, each landing in its own way. There's a lot to like in the issue and the series to be geared toward a different type of comic book reader.

Batman vs Bigby! #5is the perfect penultimate chapter in a 6-issue mini-series. Coupled with some really exciting visual moments it lands as the best issue in the series, and obviously at the perfect time. Next moth's finale should prove to be not only nostalgic for fans of Fables, but an enjoyable conclusion to this unique crossover.

Detective Comics #1049 remains at a high level of quality as the mystery unfolds a bit with interesting developments. The art on both stories from Ivan Reis, Danny Miki and Fernando Blanco is top-notch. "Shadows of the Bat" continues to be an interesting story that doesn't rely on "even hype" as it's strongest element.

With the two storylines coming together in Green Lantern #10, we seem to be approaching a big finale. There's clearly some unanswered questions left as well as an action packed showdown. It's all set up here in this issue though as the visuals are stunning from Chriscross, Castro, Santucci and Atiyeh.

Supergirl: Woman of Tomorrow #7 is yet again, in broken record fashion a stunning issue both visually and story wise. It has depth, it has emotions, it has a literate sense that rises above what we have come to expect in great comics. As long as the story lands the ending, this will go down as a benchmark in the medium, and if it doesn't, the art won't suffer the same fate, Evely and Lopes are an iconic artistic pairing.

What, you thought Wonder Woman #783 was suddenly going to fall apart? This is simply (or maybe not so simply) great super-hero comics from this creative team.

Like the last issue, Batgirls #2 is a joy to read. The focus on character and interesting technical execution make it another must-read issue. These are characters you'll love if you give it a chance. If you're enjoying Nightwing, it's the perfect book to flesh out the Bat-verse. It definitely feels like the companion title. They are both character-focused and they both draw the reader in to the world in relatable and life-affirming ways that accentuate love, family and friendship.

Wow! Detective Comics #1048 is another great issue in Mariko Tamaki's run! This chapter makes it clear that despite Batman's absence from Gotham, the deeper themes being developed are directly related to the Dark Knight. Additionally, there's an exciting mystery the Bat-family has to unravel with the reader coming at it from a more insightful perspective because of the point-of-view of the narrator (literary terms- not that one of the characters is narrating this tale).

Detective Comics #1047 is a fantastic start to "Shadows of the Bat." The Bat-family and the mystery are plenty good enough to make the reader forget that Batman isn't present. We do get the Dark Knight in the second story, but the little boy is the main character. Tamaki continues to explore Gotham City in an interesting manner with a strong emphasis on character that's always engaging.

Buy this one for Tedesco's variant cover and the Marian Manhunter second feature. Action Comics #1038 isn't without merit, it's just probably not the merit you were banking on. It's still a difficult time for Superman, but it's nice that there's more to this title than the lead Superman story.

Aquaman/Green Arrow: Deep Target #3 loses none of the fun as it finds some deeper connections both in character and Silver Age nostalgia. Three issues in it's clear that this book has a unique feel to it as it explores this timeline that has been altered by Scorpio. One wonders if that's part of the effect, or simply that the creative team is working very hard at creating something singular.

Detective Comics #1046 is a wonderful lead-in to next month's "Shadows of the Bat." It features an outstanding focus on character and genuine feeling of family and relationships between the Bat characters. Gotham may "need" Batman, or maybe it's vice versa, but there's an incredibly competent group of heroes to safeguard the city in his absence.

The '70s are back with a vengeance as the creative team take the opportunity to pepper this plot driven issue with bits and pieces to which children of that decade will thrill. It all goes hand in hand in developing the look and feel of the series as a continuation of the films. And, it only really works if the book can conjure up the notion that it actually comes from the '70s.

Swamp Thing: Green Hell #1 sets up an interesting take on Swamp Thing as a defender of Humanity, this time defending it from the Parliament of Trees itself! There's a bit of nostalgia interwoven with the world-building setup that also has a familiar feel to it. All in all, a strong first issue of this Black Label series.

Batman Vs Bigby #4 comes together wonderfully as background details are filled in. Interestingly, Bookworm jumps out as the star of this issue as the extent of his competency is revealed. It is also gratifying to see Batman and Bigby finally working together, even if they maybe haven't got it all figured out just yet. It is clear though, that the last two issues will be barn burners!

It's almost an afterthought, but this issue sets up what is clearly the end run of the series. And, it's a great moment at the end when Supergirl finally confronts Krem. It's a real testament to the quality of the issue, that this excitement is overshadowed by the beautiful exploration of Kara's character. This is an issue one could read without any context and still "get it." And, then you'd have to get the rest"!

Another good issue from the team at Ahoy Comics. You can't skip the text pieces in these comics! You also can't put these in the same creative box as your average superhero comic. So learn how to laugh through the fear with Poe and Co.!

Batgirls #1 comes out of the gate at the top. It hits in places that many comics don't. Not enough comics focus on characters and their relationships with one another. Tom Taylor and Bruno Redondo are doing this over in Nightwing and it's beautiful. And, that's what Batgirls #1 is- simply beautiful. This issue's filled with lots of positivity, and it stays with you. People are what are important in life and that message comes through loud and clear. This is the kind of comic that deserves to be a top seller and is of the quality to make good on it.

Wonder Girl #6 is a good issue with the plot elements coalescing , but it still feels like the story is rushing along too quickly. There's a lot of unrealized potential with Yara's story that appears will be lost in the shuffle of the upcoming "Trial of the Amazons." Yara has to be ready to participate in that, but at the expense, perhaps of her inaugural story arc.

Wonder Woman #782 is a fine example of why this title has been so good. We not only get multiple plot elements that are "connected," but the characters never get shortchanged. It's balanced. Plus, there's just enough of Wonder Woman's history intertwined to make it feel classic while also being new.

Both storylines feel like they are barreling towards something fairly quickly now and one can't help but wonder if there is a finale in coming quickly, and if the two storylines will link up. It doesn't necessarily have to because it's so effective having two separate stories that utilize the characters and concepts in different ways while both feeling like they are part of a greater whole. It sounds like a cliche, but you really shouldn't be missing this comic as the creative team is nailing it month in and month out!

The Swamp Thing #10, thankfully doesn't wrap up the series. Readers will be treated to another 6 issues! However, when we last saw Levi at the end of issue #9 he was in a bit of a mess. You'll have to read it to see how he gets out, but when you do, you will enjoy it! This is simply one of DC's best title's right now if not THE best.

Action Comics #1037 is a mixed bag. The best parts don't get the focus, and the Martian Manhunter second feature has a clearer direction even if everything isn't obvious at the start. However, Miguel Mendonca and Adriana Melo combine for a strong artistic outing across both stories. Once again Julian Totino Tedesco provides an exceptional variant cover- what a story that would be! Perhaps, once we get past this second "death of Superman" Johnson can explore the interesting concepts he's introduced.

While seeming a little rushed, Wonder Girl #5 delivers some significant plot development. Along with some beautiful art by Adriana Melo, it's a solid issue. There's just a feeling that there could be more, but it seems likely the creative team is doing the best it can in overcoming the delays that are beyond their control.

Wonder Woman Annual 2021 is a solid comic that does a nice job of giving us a cinematic approach to the Amazing Amazon which also acknowledges Gal Gadot's performance as Diana on the silver screen. It's a little early to judge "The Trial of the Amazon," but this is definitely an interesting lead-in.

The work by Thomas, Cliquet, Arreola and Reed is subtle at times and it's refreshing to have a fun story that reminds us of a "simpler" time that celebrates the history of these characters while not deconstructing them. We've seen that deconstruction in other places, and that's not what this series is about. So, come enjoy these two DC stalwarts in a fun tale behind a dynamic cover by Marco Santucci!

Detective Comics #1045 wraps up its storyline in a satisfying fashion, not just giving Nakano a change of heart, but demonstrating why he would have one. The more personal approach to the characters has been a strength of Tamaki's run so it's only logical this storyline's conclusion would hinge on it. The Fear State event doesn't spoil the story and that's a feat in and of itself.

Superman '78 #4 is once again a fun comic that perfectly captures the feel of Superman: The Movie. Lex shines in particular in this issue, but it's the pacing that really drives the issue. You can feel what's coming just around the corner, and it's going to be one of those iconic moments in a blockbuster comic book film. Just wait" Look! Up in the Sky!

Green Lantern #8 is a balanced issue between plot and character. John faces perhaps his greatest challenge as he must view things differently. This theme underlies the entire issue creating a cohesive theme. The surprises are here as well with both storylines suggesting that we must change our perspective to see the truth.

While this issue seems to slow down, it provides some important character moments for Ruthye and indicating she may be on the verge of a sea change in her reason for living. While Kara gets some character reinforcement it's her connection to the greater DC Universe that is significant, and not just the contemporary DCU, but perhaps a more traditional DCU. Could this story be part of any incarnation of Kara Zor-El? And, of course it's in a beautiful package as Evely and Lopes demonstrate again why they are one of the premiere art teams in comics.

The mystery gets a bit more complex as does the exploration of Batman's "fairy tale." It's subtle at times, but it really does promise something special to come when Batman has to accept a giant talking wolf. Take a moment to enjoy the art as well as it emphasizes the aspects of Batman as a "fairy tale."

Chilling Adventures in Sorcery #1 straddles the line between horror and the Archie characters. While the book maintains the horror theme it never loses sight of the fun. If you're a fan of the characters it's an enjoyable issue. If you're looking for the darker horror elements this will be lighter and not quite as chilling as its sound alike title featuring Sabrina. All in all it's a solid issue that demonstrates the potential of Archie Comics in the genre.

If last issue was over-the-top, laugh-out-loud, Edgar Allan Poe's Snifter of Death #2 is a more understated humor experience, though there are some wild moments in "Angle of the Odd." Overall, it's an entertaining read with Richard Williams cover producing another endearingly horrifying holiday image. One can only imagine what's to come for future issues around Valentine's Day and Easter!

Action Comics #1036 is very uneven. Daniel Sampere and Adriano Lucas' art are the most consistent aspects on the issue. The story doesn't spend enough time on the best part and most interesting aspect- the Phaelosians. We don't expect Superman to die, so the stakes don't feel that high for his impending encounter with Mongul. And, in the end, the Phealosions' backstory is far more interesting than a bait and switch on Superman's "death."

Wonder Woman is back on Earth and Wonder Woman #781 is quite literally a perfect super-hero comic. The villain plot is interesting and linked to a relevant theme both in story and in the real world. The issue is character focused and you care about the relationships. The various plot lines fit into the larger story that's being told. There's even a mysterious cliffhanger that dares you not come back for more. Shame on you for not reading Wonder Woman!

With Superman '78 #3 it's clear that this series can be "seen" as an alternate third Christopher Reeve Superman "movie." It's heavy on the nostalgia, but that's what really sells it. It completely embraces the world of the films and lives there with them. The story moves along with all the proper beats including the surprise at the end which, of course fits perfectly with the characters involved.

The Swamp Thing #9 feels like an issue that is deigned to remind that reader that this series is something special. It has that same feeling of innovation that Steranko's work did. Perhaps it's not as earthshattering and new as Steranko's stuff, but there's no doubt that this is a high point in comic book storytelling. Swamp Thing has always seemed to attract the best creators, so it's no surprise that this series evokes great stories of the past.

This is a fun issue, with a fun premise that is more of a celebration than any sort of deep exploration of character. Fun comics are great and important. It doesn't quite hit the highest nostalgia moments, but it does show that Thomas is aware of the history of these characters. You'll enjoy Aquaman/ Green Arrow: Deep Target #1 in the way you enjoy an old Silver Age comic or adventure romp.

Detective Comics #1044 maintains its intimate focus as we see how the ongoing story fits within Fear State. If you've been following this series and enjoying it, this issue is no different. In addition to the lead story delivering, the second feature is a unique tale that moves into the horror genre in an engaging and creepy fashion.

The story really gets going as the truth behind the mystery becomes more apparent, but the art stands out in this issue. Jones, Melo and Bellaire all demonstrate their prowess in the comic art field. If Roy Licthenstein were around today he'd be swiping from them instead of Jerry Grandinetti.

Come to a different world, a Gotham that is both different and familiar. Any fan of Fables will get what's going on and feel those same emotions that Willingham delivered in Fables. For readers that aren't well-versed in superhero comics, this is a series that will give you a fresh look as well. Rife with bits and pieces from Fables and Batman's multimedia appearances, Batman vs Bigby ! A Wolf in Gotham #2 builds on it's many foundations.

There are times when characters or concepts need to get a refresh, or simply an approach from a different direction. Green Lantern is taking the familiar concepts and characters and opening them up to explore things in a different way and from a different point of view. With issue #7, we get the first inkling of how things might come back together, and at the same time continue to enjoy the journey without having the feeling that we are ready to return to "normal."

Chilling Adventures of Sabrina #9 is another outstanding comic book. Each issue has built on the previous to take the reader down a dark and mysterious path with Sabrina Spellman. If you like horror comics with a heart and brain, this is a series you should be reading. This is one of those series that transcends the medium and it deserves that extra 6th rating out of 5. Now, if Jon Goldwater can just chain up Roberto Aguirre-Sacasa and Robert Hack in a basement somewhere so they can knock out about 25 or 30 more issues".

The Adventures of Young Diana goes beyond simple storytelling and gives the reader a significant message through a lesson that Diana learns. Story and art come together wonderfully to communicate this. If you're looking for more Young Diana there's a tale to be found in the Wonder Woman 80th Anniversary 100-Page Super Spectacular AND, more importantly the final page of this comic promises more to come in 2022!

If you are a fan of Adam Strange I cannot recommend reading Strange Adventures #12. Everything you've feared since issue #1 is basically true. There is no hero. There is no satisfying resolution. Everything just falls apart. It's better just to think of it unfinished.

Wonder Woman #780 is a wonderful issue with a wonderful change of pace. It's full of joy and hope. We know there are challenges for Diana coming, because"comics", but for today, enjoy it. It's ok to feel happy. Celebrate as a citizen of the DC Universe and when you turn to the person next to you to hug in joyful reverie, pray that it's Donna Troy and not Darkseid!

You can't go wrong with the Wonder Woman 80th Anniversary 100-Page Super Spectacular. It's wonderful in every way. It's an example of comics being fun and providing sheer unadulterated joy on every page. Wonder Woman is the iconic female super-hero, and she will always be important. Even if you don't necessarily like her or her stories, one should at least understand her significance and respect that. Diana easily has another 80 years in her, but this issue is a beautiful celebration of her first 80 years. Need another 6/5 rating for this issue.

Edgar Allan Poe's Snifter of Death #1 is a fantastic, funny and insightful start to the third volume in the Snifter series. Despite a baseball gaff, absolutely everything in it is delightful. The Halloween themed cover is a harbinger of what's inside- irreverence, humor and intelligence. For the discerning comic book reader, you won't be disappointed to take a drink from this issue!

The Swamp Thing #8 brings us closer to the conclusion of this limited series. We get some revelations that push the story further about Levi's origins and his brother, Jacob. The religious allusions work extremely well in making Levi a different kind of Swamp Thing. Perkins and Spicer continue to deliver one of the most beautiful books out there. Still hoping this turns into an ongoing, it's definitely deserving of an ongoing.

Johnson and Sampere deliver a heartfelt issue that continues to build on the Lost Kryptonians storyline. The character work is outstanding and is truly making Action Comics a great title. It's not hard to relate to Lois and Clark's situation, even if the particulars are otherworldly, plus the Moses analog adds another dimension to Superman's story. While Jon holds things back a bit, he's not in the way to drag things down too much. Coupled with the potential in the second feature, Action Comics #1035 is another great issue.

Get yourself in that Fables space- and then pick up Batman vs. Bigby! A Wolf in Gotham #1. It might even help to read a story arc from Fables beforehand to get you there. While this issue starts off leaving the reader feeling a bit unsure, the potential is here. I have no doubt that "unadulterated brilliance" will be with us soon, but all stories have to start somewhere".

Venditti and Torres perfectly capture the look and feel of Superman: The Movie in Superman '78 #2- I mean that's why you're here right? I'm not sure how this plays with an audience who isn't a fan of Christopher Reeve's Superman films. I'm not sure if that matters, but if you are a fan, this will bring you much joy, and you'll want to read it again, because you don't want that honest joy to end.

It's no secret that Tom King relies on his previous experiences in the CIA for some of the emotional content in his stories. It doesn't always work- see Identity Crisis. However, this series as evidenced in Supergirl: Woman of Tomorrow #4 is a high watermark of comic book storytelling which sees King translate those experiences masterfully.

"Afterworlds" ends in Wonder Woman #779 thoughtfully and with a provocative resolution. The good news is that Cloonan and Conrad will be on board next issue to explore Diana's return to Earth and guide her adventures. Perhaps, this is all just the groundwork for something even bigger are more monumental. It is certainly implied that something is coming to Diana's future that we have to believe is part of her destiny and a valid interpretation of her character, something just as valid as a classic iteration. There's also a question posed in this issue, "Can characters really change, permanently or will a significant contingent of fans always decry such things?"

New approaches work on classic concepts- sometimes! Green Lantern #6 is the latest instalment of an example that works very well. There's no shortage of character work or engaging art, either. This has been a great new title since issue one and this issue promises there's even more to come. Don't miss out!

While this issue fits into the larger story being told in Green Lantern, it also stands on its own as it introduces and examines some really intriguing themes that set up something further down the line. It's a great character focused issue that just doesn't stop. Just when you think you've figured it out, it goes a bit further and gives a whole new way of looking at Jessica and Hal Jordan. The ideas here go far beyond the current Green Lantern comic or the concept as such in the DC Universe. Fear is something we all understand and something that the world has been dealing with rather prominently in various ways in recent years.

If you're picking up The Swamp Thing #7, it's clear you're not going anywhere. Somewhat surprisingly, this issue is also not a bad place for a new reader to jump on. If you weren't sure about The Swamp Thing, this issue does a good job of recapping where things are while also giving an interesting look at Levi's character. Of course you should go back and get all the issues, but this isn't a bad place to jump in to one DC"s best series.

Overall, the Aquaman 80th Anniversary 100-Page Super Spectacular is a solid issue that commemorates the character if not the different eras always effectively. The covers will get you through on that count, but it could get expensive if you wanted to collect 'em all! There's a lot to enjoy and a couple stories serve as portents of things to come that appear to be quite good. It's just sort of ironic that Black Manta and Jackson Hyde seem like they are poised to take Aquaman and the Aqua-Family's place.

Even if you haven't been keeping up in Action Comics, Midnighter 2021 Annual #1 is able to be read by a new reader and understood. It's an exciting and thought-provoking finale to a series that's been dynamite since chapter one. "The Passenger" concludes with the surprises and insightful character components that have made it stand out.

The build up of intensity in the two stories in Action Comics #1034 promises to spill over"soon! Superman's bold move suggests so much more than discussed above. This feels like a truly important moment in the life of the Man of Steel and his relationship with the people of Earth and his friends in the Justice League (Aquaman was not happy at all!) It's a great theme that should be exciting to see explored. Midnighter's got his hands full as well as this second feature proves to be just as interesting as the Superman lead.

Sometimes a second feature will overshadow a lead, and this is what happens in Detective Comics #1042. That's not saying that Tamaki, Bogdanovic, Hernriques, Bellaire and Bidikar did a bad job, but rather Rosenberg, Raynor, Rodriguez and Leigh matched them batarang for batarang and pulled a little something extra out of the utility belt as well (no, not Bat-Shark Repellent!) You can't go wrong with this issue! Might as well pick up the whole run while you're at it!

While Wonder Girl #3 doesn't have the same impact as either of the first two issues, it has some beautiful art by Jones and Melo. It does move the story forward enough while setting up what comes next with the surprise on the final page. It may be a bit uneven in this, but it seems like it has more to do with the outstanding quality of Wonder Girl #1 and Wonder Girl #2. This is far from an indictment as the overall story is still as exciting and engaging.

Wonder Woman #778 is yet again another fantastic issue with depth, emotion, fun and even nostalgia. What's more, the ending promises that return to Earth I've been asking for! Although, the real satisfaction is in the journey, and what a journey this has been. Continue to count this as one of DC's best books and an instant classic Wonder Woman!

Quite simply, Supergirl: Woman of Tomorrow #3 feels like an Eisner Award winning "Best Issue." Top to bottom, front to back, inside and out it is simply immaculate. It exemplifies everything great about comics as an art form and it also exists as a sample of how literate and artistic comics can be. This is the kind of issue that creators strive to make. Whatever I've said in the review about, it doesn't do the issue justice. So, do yourself a favor and buy this issue. You don't have to buy the rest of the series, but if you get this issue I think you'll have a hard time not getting the rest.

Detective Comics is another example of character and story triumphing over events. It's proof that it can be just as large in scope and just as significant. The entire creative team is doing a magnificent job of telling entertaining and engaging stories that bring Batman, his allies and enemies and Gotham City to life. Don't miss out! Detective Comics #1041 is a great place to jump on if you aren't already riding this train!

Wonder Woman #777 is another great issue providing yet another milieu for the Amazing Amazon. She's been getting around a lot and the variety has been entertaining and provocative. Emanuela Lupacchino, Wade Von Grawbadger and Jordie Bellaire provide beautiful visuals to round out the top-notch execution, and Young Diana delivers with an exclamation point to end the issue. You're already reading this series, right?

Green Lantern #5 is without doubt, the best issue of the series so far. While advancing the two plotlines, it is best at remaining character focused. Unbelievably, the entire creative team keep this at the forefront. While Thorne's story is the driver, MacDonald's depictions of Keli's constructs emphasize things about her character that work to subtly reinforce the narrative. Similarly, the emotional exchanges by Raney and Santucci between John and the people of Sergilion and John and the rest of the Quest Lanterns help the reader experience the conflict John feels. You SHOULD be reading this book and this is a perfect point to hook a new reader to get hooked by the characters!

If you thought they would falter on the back half of this series, you were wrong. The Swamp Thing #6 is another amazing issue that is not only beautiful, but thoughtful and touching. I'm running out of superlatives, finish the series already so it can be enshrined alongside other Swamp Thing classics. It will be a shame when this series ends, so enjoy it now!

Action Comics #1033 is another wonderful issue. Both the Superman and Midnighter stories have built over the past few months into simply fantastic comics. Interestingly, the both do a lot of the same things well while at the same time being completely different. These stories will obviously end soon, but right now they are combining to make Action Comics one of the books you should be reading.

Batman Secret Files: The Huntress #1 demonstrates the varied storytelling opportunities in the DC Universe and highlights how deserving of a series the Huntress is. Helena has been an intriguing character for a long time and Tamaki, Lapham and Mulvihill capture that in this issue and leave the reader wanting more of Ms. Bertinelli.

Detective Comics #1040 keeps the train chugging along on this run! It's a change of pace issue that wraps up a few ideas while at the same time teasing some new ideas. Amongst it all is a clever story and multiple moments that address Bruce Wayne's character.

The execution is par excellence in both writing and art in Strange Adventures #11. The sole possible negative still awaits the conclusion in the next and final issue. Don't stop now, but this isn't the place to jump on either. The conclusion will determine the ultimate assessment of this series. The storytelling has been fantastic and a wonderful entertainment experience, but its legacy remains to be revealed.

Diana gets a change of pace issue as she enters Faerie land on her way back home. It's a beautifully illustrated issue that doesn't give away anything, but suggests many possibilities as to how "Afterwolrds" will play out. Wonder Woman #776 continues Diana's incredible journey with this issue having a unique feel and flair in Elfhame and due to the art of Jill Thompson.

Supergirl: Woman of Tomorrow #2 is a stunningly good issue. The art by Biquis Evely and Matheus Lopes is beautiful and stunning and worth the cost of the book alone. Capping it off is Tom King's untraditional writing approach that allow for multi-level interpretation. If you choose to skip this series you are really missing something remarkable.

Detective Comics #1039 is a wonderful finale to the "The Neighborhood" story arc. Throughout, the issues have focused on character driving the story with the back up tales fleshing out different aspects of the larger story. The inclusion of the the larger Bat-family and nostalgia they bring with them raises the fun quotient in a significant way. This is another example of substance and character triumphing over event and hype.

Like many of the titles published by DC Comics currently, Wonder Woman is on fire! Wonder Woman #775 continues to push the story forward with intriguing characterization through thoughtful writing and exciting art. It's excellent storytelling on all levels and compels the reader to consider the big picture and broader meaning. The Young Diana back up feature is just as a significant journey for the juvenile Amazon, as well. As promised above"5/5!

Green Lantern #4 is another great installment in the newest Green Lantern series. John Stewart and Jo Mullein are getting some exposure and they the creative team is doing a wonderful job with these Lanterns. The high concept for this series continues to work well with just enough character moments to balance it and be a well-rounded tale. There's a lot going on and there are multiple mysteries to be solved. It's fun and exciting and it feels fresh. It's a different take on the Green Lantern concept, but one that is working very well.

Since the end of Future State, DC seems to be publishing generally high quality books all around. It's been since Rebirth that it's been this way. The Swamp Thing is not only one of the best, it may very well be the best! It's easy to see with an issue like The Swamp Thing #5. There's just no drop off issue to issue as the series has a deep thoughtfulness that resonates well beyond a comic book story. It's a hallmark of the character and these creators are doing a spectacular job of following in some big footsteps.

The Mighty Crusaders: The Shield #1 promises a lot and delivers on just enough to be good starting point. Rob Liefeld's story and art introduces the new reader while not overwhelming. This overall approach allows the reader to focus on one character and one concept while at the same time understanding there's a lot of history behind these characters. It's a good entry point for readers unfamiliar with any version and a fun bit of nostalgia for those with some level of previous knowledge. Let's all go out and buy this so Archie Comics will continue the series!

Phillip Kennedy Johnson seems to have his writing on firm footing with Action Comics #1032. As long as Johnson stays on this track, he will provide readers a really great run on the Man of Steel. A focus on character create a truly engaging experience for the entire book. Additionally, fantastic art accompanies both the Superman and Midnighter stories making Action Comics an exciting and clever read.

Unsurprisingly, Detective Comics #1038 is again a great read that exemplifies what is enjoyable about the comic book medium. Not only is the main mystery gripping, and the characters interesting with truly engaging aspects, the little details bring moments of unadulterated joy. For a great Batman comic, add Detective Comics to your reading list. You won't be disappointed!

There's a really great run on Wonder Woman right now. The creative team is providing a unique, engaging story that is constantly supported and led by character. Don't find yourself asking how come you didn't know about this. You won't be disappointed with Wonder Woman #774.

Supergirl: Woman of Tomorrow #1, is a great start to what seems to be a pivotal story for Kara Zor-El. It's a great spotlight on this iconic character in what appears to be a significant point in her life. The art is simply outstanding and along with the lettering, the visual appearance of the book is a joy to behold. It's an 8-issue journey that promises to surprise and enrich the reader.

Detective Comics #1037 continues to challenge Batman's detective skills as he finds himself wanted for the murder he's trying to solve. The Huntress and Oracle provide the highlight of the issue as they assist Bruce. The back ups could be stronger this issue, but it's great that DC is doing back up stories at all. More Huntress, please!

Despite the pacing issues of this series, I can't recommend Far Sector enough. Overall, it's a wonderfully interesting, entertaining and challenging series. Jemisin will make you think! Jemisin will also make you feel. The series was shockingly topical at times as the Summer of 2020 provided the United States with some social unrest that resonated with the plot Jemisin had already written for the issues that were released at that time. Far Sector #12 may feel a bit unsatisfying on its own, but the series is definitely worth a read, and it will probably be even better experienced as a whole.

Wonder Woman #773 is darn near perfect! It's fun and entertaining and even thought provoking. And, it looks like Wonder Woman's got her head on straight just in time to figure out what's going on in Olympus. There's a lot more story to come, it's a great time to be reading Wonder Woman!

Green Lantern #3 is a fun, interesting issue that echoes some well-loved science fiction, borrowing obliquely if not liberally. Thorne is focusing on two characters that have very different challenges, but their particular stories seem to suit them. Additionally, it's a creative solution to addressing a concept and story that have such a grand scope. This is a different direction for Green Lantern, but it's interesting and feels both new and familiar all at the same time.

The Swamp Thing#4 is a glorious journey through the Green. The pacing is incredible as it allow Ram V to go wide and deep as Levi beings to learn what it means to be the Swamp Thing, but also what it means to be human. The art by Mike Perkins and Mike Spicer is simply gorgeous and evocative of many emotions. As times the colors seem to weave their own magical message as they are there for a purpose other than keeping this form being a black and white comic. Don't make a mistake and pass up this series. The character has a legendary pedigree of creators-Wein, Wrightson, Moore et al..- and the current team is producing work at that same level. Remaining character focused, The Swamp Thing is one of the best books out there, and probably DC's very best.

Like the previous two issues in Mariko Tamaki's run, Detective Comics #1036 blends a great mystery with good characterization and exciting art. The creative team make it look easy, but it has to be anything but. It relies on great storytelling as opposed to an event gimmick. Don't pass this one up, especially for fans of the Huntress.

Give this one to your friend if they aren't reading Action Comics. Both features are being produced at a high level and will keep you coming back for more. Interestingly, both features are doing the same things well. Character, mystery, surprise and excellent pacing and storytelling make for an extremely strong issue. Jon may not be finding his way, but Superman is feeling nearly perfect and Midnghter is right there with him.

Stargirl Spring Break Special #1 is a comic that revels in fun. It's a comic that hits all the right notes with the material it presents. It will probably the most fun you have reading comics so far this year.

The positives outweigh the negatives here as the technical aspects ofStrange Adventures #10 manage to outweigh the portents of Adam's chicanery. Additionally, the negatives are fueled by conjecture and expectations based on Kings other work. Even if one is unsure of Kings story direction, its undeniable that Gerads and Shaner do everything they can to sell book!

Wonder Girl #1 is a great start to a new series. There's so much potential in the character of Yara Flor and the Brazilian Amazons. This issue is just the start, but Jones and Bellaire indicate that the are capable of exploring Yara's story. There's so much in this issue in both content and execution, and it all goes back to character and world building. Go ahead and prepare to plot down your fiver for this book. It doesn't matter if you have any interest in Wonder Woman or not, Yara Flor is her own woman and there's an interesting and exciting journey to be found here.

A solid and strong focus on character makes Wonder Woman #772 and indeed the entire story arc a beautiful and engaging read. It's simply great fiction and a chapter that should prove to be another iconic run on Wonder Woman. The small ties to the DC Universe keep the character grounded and keep the reader invested in the outcome. It's not too late to get on board this title to see one of the most enjoyable of the "Infinite Frontier."

Even better than last issue, Green Lantern #2 demonstrates that there's a lot of room in the Universe for the concept and a lot of new ground to be covered in this series. The Green Lantern concept has operated on the notion that it's not just one single individual. Hal Jordan may have been the focus for many of the characters' 80 plus year history, but this series shows that there's more characters and ideas to be explored through the core concept of a sentient being with a power ring fueled force of will.

There are some comic book runs that are nearly perfect. It may seem premature to say that this one of them, but The Swamp Thing #3 indicates the opposite. V, Perkins, Spicer and Aditya seem intent on giving it their best effort to make it one of those all-time "perfect" runs. At the very least, it's one of the best comics being published. It's time to get on board at the beginning if you haven't already.

Happy Hour is smart, funny and insightful. It discusses the human condition in a unique and entertaining manner quite unlike anything else. Happy Hour #6 ends with a brilliant ending that works on multiple levels and keeps the reader thinking long after the reading is over. Don't miss this special comic, even if you have to wait for the collected edition. It doesn't get much better than this.

Action Comics #1030 is another mixed bag of sorts. However, the positives are outweighing the negatives in a more significant fashion. Despite the basic premise of the Superman story feeling generally uninteresting, the surprise at the end and the great character moments make it an enjoyable read. Additionally, the surprise at the end gives it the feeling of real potential. The second chapter of the Midnighter tale is the icing, as the concept and characterization are equally engaging. This gives every indication that it's going to be something special!

This is a comic you should be buying. The creative team understands what it takes to tell a good Batman story, one that isn't an event, but rather one that utilizes character and world building to draw the reader in. There's no shortage of surprises either. All this spills over into the Huntress feature as well.

While the pacing of this series sometimes feels off, there's no doubt this will be an incredible read as a single volume. For the most part the deficiencies can be worked through as there are so many fantastic elements in this series. That doesn't mean don't buy Far Sector #11, but rather a reminder to collect them all so they may be read together at the reader's pace like a novel not beholden to publishing schedules.

Despite Brian Michael Bendis's impact on this book, Green Lantern #1 is a very good start to a new era of the Green Lantern Corps. Thorne executes the big ideas well and presents an intriguing situation for John and the rest of the Corps. There's a lot of information in the issue and it all goes towards developing the main idea and giving it an authentic feeling. That said, Teen Lantern feels out of place and it's not clear why she's included.

Make no doubt about it, The Swamp Thing #2 is proof that this is one of DC's best books in the "Infinite Frontier" era. The creative team is doing it the old fashioned way, they aren't trying to re-invent or destroy the wheel- they are letting character drive the story, pepper in a couple solid mysteries and wrap it up in magnificent art and colors. You won't be disappointed!

Edgar Allan Poe's Snifter of Blood #6 once again provides clever and funny takes on the writer's works and life. Like so many of the titles published by Ahoy Comics, this is for the more discerning reader. Well beyond the average super-hero fare, these stories provide something more. They are truly entertainment for a more thoughtful reader. And, let's not forget there's some awfully good text pieces in their comics as well. Don't be afraid! This is another winner.

Strange Adventures #9 refocuses the reader on the main themes as the final leg of the series begins in the final three issues. While there are still lots of questions that remain unanswered, King, Gerads and Shaner have developed an intensity and immediacy to the series that is nearly unparalleled. Even if you haven't read the first eight chapters, this issue is enough to get a new reader on board.

Action Comics #1029 is a mixed bag. The Midnighter story is the highlight with a really interesting premise and twist that should provide some good character work and engaging storytelling. The Superman tale feels a bit flat and haunted by Bendis's additions to the mythos which don't add anything positive to the characters. Fan or not, the Midnigther tale is a good read and may be worth the price of admission alone.

It should come as no surprise that Happy Hour #5 doesn't disappoint. If anything, it could be the strongest issue of the series. This penultimate issue takes things to a new place as it also emphasizes the greater theme of the series. There aren't many series that are able to provide such a thoughtful statement on the human condition, but Happy Hour seems to do it easily and with a strong emotional component that is palpable.

The Green Lantern: Season Two #12 wraps up the series with nods to whats come before, but it doesnt feel as unifying as it should. The art is fabulous and is probably worth the price of admission alone. If you want to see how this series wraps up, youll want to get this issue, but its not going to convince you to go back and buy the rest of the series.

Like their other work on Swamp Thing, Ram V and Mike Perkins do such a great job of storytelling it doesn't matter if this issue is the story you wanted. The focus on character and making the reader relate to Levi make it easy for the reader to go with it and enjoy this new take on a favorite. It doesn't always work, but the execution in this first issue of The Swamp Thing promise that this will be a great series!

Clever and brilliant, Edgar Allan Poe's Snifter of Blood #5 is a masterclass on satire. You may not cry, but you will laugh and laugh out loud. You will also think. You will absolutely think as these tales challenge the reader to look at aspects of the world differently as well as the inherent holes in the traditional detective story. Above all, it is gloriously entertaining !

If you are going to buy Future State: Suicide Squad #2 for the wonderful art in the Black Adam story then you will be satisfied. Unfortunately, both stories themselves are short on character development, and overwhelmingly plot heavy. It certainly feels like six or so issues have been condensed to accommodate the page space with only the basic plots remaining. Even if Conner Kent or Black Adam is your favorite character, this is not going to be a very satisfying read.

Beating a dead horse would be funny to the happy police in the world of Happy Hour, but I'm doing it here because it bears repeating: Happy Hour is simply a fantastic book! If you like great stories about well-developed characters that provide insight into the human condition…well, go buy it! Happy Hour #4 satisfies on every level of comic reading!

This two-issue series is essentially an advertisement for Teen Titans Academy. Unfortunately, it doesn't portend what a new Teen Titans series should be about. It doesn't really fit in this respect. Unfortunately, it also causes Future State: Teen Titans #2 to feel incomplete in its storytelling. Despite some well executed art from Sandoval, Ferreira and Sanchez the book leaves me wanting- wanting it to be something else entirely. It's an apocalyptic story where the winners still feel like they've lost and there is little hope, the new properties of the H-Dial symbolizing that.

The Green Lantern: Season Two #11 sets the table for the finale next month. Morrison has connected the dots along the way so that Hal is at a showdown with the Majistry and a crossroads with the Young Guardians. Sharp's art continues to be stunning, though it almost feel like this crossroads should've come earlier in the series so that it could be developed and explored.

Far Sector #10 continues to surprise and present relevant socio-political themes that are not often found in comics. These raise the level of storytelling to a higher level than even the average “great comic.” This is the way it's been with Young Animal Comics. The series in this imprint have always contained a deeper theme. Far Sector is obviously no different. This is a highly recommended series, there is just far more to this than the average comic, which is not only indicative of the best comics, but also so the Young Animal imprint.

PositivesAs "Future State" is a finite thing, these two issues featuring Swamp Thing do a marvelous job of telling a complete story that is both intellectually engaging and emotionally moving. It's a true achievement that V and Perkins can explore, even is just briefly the notion of "soul" and what it means to people and how it separates humans from other organisms on the planet. Like and great work of literature it inspires the reader to think by making him or her to also FEEL. Despite the inherent sadness surrounding the incidentals, this is a beautiful story .

Edgar Allan Poe's Snifter of Blood #4 doesn't quite have the punch as previous issues. It's not bad, but it's not as striking as some of the stories we've seen in previous issues. "Winston" has a unique subtlety to it, but it doesn't stand out as much as I would like it to. Keep reading though"

If you're not already a fan of these concepts there's not a lot here to see in terms of the Suicide Squad and Black Adam. While there appears to be a bizarre synergy between the two stories, the execution leaves a lot to be desired. This probably won't bring in any Conner Kent fans either. Both tales seem to lack a significant direction. Definitely not one of the better "Future State" issues.

King, Gerads and Shaner reveal a bit more about what happened on Rann and it's incredibly enticing! Batman and Mr. Terrific display a great working relationship as they try to discover the reason for the Pykkts invasion and destruction of Phoenix. So far, all the pieces don't add up, but the journey is executed wonderfully!

Overall, Legion of Super-Heroes #12 is just as erratic as the entire run has been. It's as if Bendis can't tell his good ideas from his bad ideas. Clearly, he's had some good ideas for this series, but they seem to get the short shrift in favor of his bad ideas. It's easy to see this in this issue as Imra's character is much more intriguing than the botched characterization of Mon-El or the almost impressively boring Rogol Zaar storyline. Who would've thought Bendis would hinge his entire Superman run on this lame character? While Legion of Super-Heroes has been better on the whole than either Superman or Action Comics, these twelve issue are still disappointing. Jon should've been the hook for this series, but Bendis never really allows the reader into Jon's head. Jon is just one of a cast of 33(?) who get a bit of page time. While the end of the issue touts Future State: Legion of Super-Heroes as the continuation of this tale, one has to wonder how it will function.

Future State: Teen Titans #1 is a compelling issue. It may not be where we want to see the DC Universe, but as a two-issue event this book is a great read with lots of interesting moments. It works really well as an introduction to the new Teen Titans Academy launching in March. Overall, it also has a bit of an Injustice feel as well. It's not the DC Universe you know and love, and it may not be a DC Universe you want to learn to love, but it is well executed and captivating. This "Future State" thing might prove to be a winner after all.

Happy Hour continues to be an interesting and thought provoking series from Ahoy Comics. Milligan and Montenat deliver the goods again! There's so much in this issue that takes the story in new directions, an already great series just got even better! It's not too late to jump in!

Whether this book ties into the forthcoming Swamp Thing series or not, it's an intriguing and thoughtful issue that invokes classic greatness, be it Alan Moore or Rod Serling (yes, Serling wrote the orginal script for Planet of the Apes.) It works completely on its own without prior knowledge of the character or concept, and may even work a little better if the character is new to the reader. This already promises to be one of the best books of the Future State event.

Action Comics #1028 slows things down to try and bring Bendis's entire run to some sort of conclusion. Unfortunately, despite some nice character moments that carry this issue, Action Comics #1028 is also a reminder of all of Bendis's shortcomings as a writer. It's a real shame that DC let Bendis go unsupervised on their flagship character. And, if he was actually supervised, that person should be fired. There's years of fixing in the works for Superman. It's like waking up form a nightmare only to realize that it was real. I pity the subsequent writers who have to manage the baggage of Bendis's terrible ideas. This is the first time I've thought the idea of the “retcon” was a good thing.

While it's disappointing that this is Tomasi's last issue of Detective (and one assumes Walker as well) that doesn't mean it's not a really good issue! This team will be missed! As the future appears quite uncertain for Bruce, Tomasi, Walker and company deliver a moving and emotionally significant story to close out this era of Batman. The real human emotions deliver on another level and are what separate good comics from great comics.

Edgar Allan Poe's Snifter of Blood #3 provides the reader with something more than the average superhero comic. It's smart, it's funny, it's exciting to look at and even provides a few moments of inspiration. It's not a roast of Poe, but rather a celebration of his life and work, warts and all presented in a creative manner. Don't be afraid to try something different! So, tilt that snifter back and get a little taste of that blood"you'll be glad you did!

Color me pleasantly surprised that despite being chapter four in a multi-part crossover Aquaman #66 reads amazingly well as the next step in Aquaman and Mera's life. For Aquaman fans worried about an interruption, there's no need to skip this issue. Plus, for those following “Endless Winter,” you might find yourselves interested in learning more about the erstwhile King and Queen of the Seven Seas- Arthur and Mera…and Andy too!

Its wonderful to see The Green Lantern: Season Two get two really great issues back to back. This would've been a fitting end for the series, but we get two more! The character work is outstanding and it meshes so well with the story that Morrison is telling. The Star Sapphire of Earth-11 is so compelling I would sign on for an ongoing series. There's a lot to Hal's relationship with Carol that is ripe for exploration, maybe this is how to get to it!

There's just a positive, feel good element to this series as Bruce works to be the head of a family of crimefighters. It's not overly emotional, but one can't help in recognizing the difficult relationships in one's own life that are echoed in Bruce's relationships with the members of the Bat-family. We know he loves them, but it's nice to see him say it, especially to his biological son. Now, if we can just get them to bury the hatchet!

The high concepts in Far Sector continue to be exciting, interesting and thought provoking. This mitigates some of the pacing issues of the book. Jo continues to be a conundrum, far from the perfect hero, but she has all the potential to be a breakout character for DC Comics. Her indiscretion with Councilor Marth still haunt her and she may be blind to his machinations. As the story enters the last quarter next issue, it feels like big things are about to happen.

Overall, Strange Adventures #7 is another excellent chapter in this series. Though the issue raises some serious concerns about the treatment of Adam's character, it's extremely well written and beautifully illustrated by Shaner and Gerads. The deepening mystery is a plus, and one can't help liking Alanna more and more as this series continues. One hopes that Adam will not be destroyed in the process.

Like last issue, Peter Milligan tells the story through his characters and the reader is completely invested in them. Happy Hour #2 is even better than #1. Milligan is not afraid to add a little bit of humor to make the reader smile, and despite the protagonists own reactions to happiness, it's an incredibly clever device. Even though Jerry and Kim seem to feel they should be, you can't be miserable all the time, can you? Examining genuine emotions, this issue is another winner from your mates at Ahoy!

It's hard for a Bendis Superman comic to be much more than mediocre, and Action Comics #1027 is no different. Bendis can never seem to get out of his own way. As soon as he introduces something interesting, he botches it with the execution. Next month sees the end of his tenure on Superman. At the very least we will all know where things stand. Maybe the big reveal will be Lois was from a parallel Earth and every time they had sex it was a Superman robot standing in for Big Blue, as corny as that sounds, it's really preferable to either of the other two outcomes.

Tomasi's run on Detective has been absolutely wonderful, and it doesn't seem to matter who's drawing! However, Bilquis Evely is a real treat to see drawing Batman. This title is nothing short of fantastic and Detective Comics #1031 is just another example of why- intelligent writing and gorgeous art. This series is about stories, not events. If you're not reading this title, I can't imagine why?

The Positives definitely outweigh the negatives. Legion of Super-Heroes #11 is one of the best issues of the run, so far. The series has a real chance if it continues to move in this direction. Despite some questionable characterizations that don't provide an affability with these versions, there's enough here to be excited about. Though, there's an equal amount of concern for the next issue as this series has been erratic.

Edgar Allan Poe's Snifter of Blood #2 is everything entertainment should be. It's a true escape through words and pictures. By providing something different, Ahoy succeeds, reminding us that comics are not 32 page 5-minute reads of long underwear characters. They are channeling a format seemingly past, but this issue proves that not only is it still viable, it makes a serious challenge to what people think of as "comics." Think I'll have another taste from that snifter"

While it's nice to see Arthur and Mera finally married (this was teased way back in DC Universe Rebirth #1), the journey has been a bit underwhelming (The best character work was with Jackson and grandpa Jesse). The idea that Atlantis is moving forward with a different political agenda is interesting and would've made for a better story than returning Orm to the vengeful brother for another confrontation for the throne with Arthur. It's worth reading this issue for the small forward movements, but it's a headscratcher when one realizes the missed opportunities.

Tomasi leans hard into character with Detective Comics #1030 letting it drive not only Bruce and the family, but also Detective Nakano and the most likely, soon to be prodigal son, Damian. Throw in the exceptional work of Bilquis Evely and it's a no-brainer! If the character work doesn't get you, the mysteries will- this is the Batman title you should be reading!

As the roller coaster heads up the hill again with The Green Lantern: Season Two #9, one can only hope that there is no crest ahead. We don't want to come back down to the bottom of the hill. If Morrison continues to work the characters then he should keep the reader on a plateau and perhaps take us a little bit higher by the end of Season Two.

Hawkman #29 is simply beautiful. That's the easiest way to describe it. Venditti not only wraps up his run, but gives the reader a “final look” at the character in much the same way Alan Moore did with Superman in “Whatever Happened to the Man of Tomorrow?” While there are always more stories to be told, this last arc gives the Hawks a satisfying ending as Moore's tale does for the Man of Steel. Hawkman will be back some day, but it's hard to imagine it being better than this. Thank you Robert Venditti, Bryan Hitch, Jeromy Cox, Will Conrad, Jeremiah Skipper, Pat Oliff, Richard Starkings, Rob Leigh, Tom Palmer, Fernando Pasarin, Oclair Albert, Wade Von Grawbadger and anyone else I've missed- your work is greatly appreciated! Now where's that 6/5 rating???

It's been a long time since I looked forward to the next issue of Action Comics. However, with Bendis's run ending in December, the mysteries presented here should be mostly revealed as Action #1028 serves as a wrap up. The majority of the middle of Bendis's run is still ultimately skippable, but if one were to read the first and last arcs of his Action Comics, it may prove to be interesting or even mildly enjoyable. However, the next issue should cement the notion if this is all above average, average or below average, or simply a huge mess to be forgotten.

Peter Tomasi continues to write some great Batman material. He's always paired with great art teams even if the art teams themselves vary in style. Tomasi is setting up a big mystery that should incorporate the Mirror, the anti-vigilante movement and the missing Black Casebook. Great stuff here, don't miss this!

Legion of Super-Heroes #10 is above average, but not without it's faults. This iteration of the Legion has been as such. There are moments that are really good, but many more that either just feel off or are just not executed well. While there is some excitement in “the coming darkness,” which could now be Rogol Zaar, Mordru, or both, the revelations about Mon-El are just disappointing and there's absolutely no fire in the “coupling” of Imra and Jon.

With Aquaman #64, we've almost come full circle from where we were at way back when in Aquaman #24. It's been a long detour, but Aquaman has nearly shaken off the Jason Momoa influence. DeConnick shows that she's got some classic Aquaman in her with this issue and it feels right. The larger cast will clearly play a role in upcoming issues as Vulko and Cetea appear to come to a detente.

While the reveal of the killer could've been more engaging, there's a lot in this issue to digest. Tomasi sets up what's coming next rather well as Officer Nakano's story will clearly lead to something. The art from Scott and Mulvihill is really enjoyable as Batman moves beyond “Joker War,” perhaps into his past with the lead in to this issue referencing The Black Casebook!

This second season of Grant Morrison's Green Lantern has not been nearly effective as Season One. The Green Lantern: Season Two #8 takes things a step backward as it doesn't quite deliver on things as effectively as it could. Issue #6 remains the high point of Season Two,with issue #7 coming in at a close second. Morrison aims high with issue #8 but doesn't quite connect with the audience. There are seeds of greatness therein, however the form distracts from the message instead of enhancing it.

You didn't think think this last arc would go out with a whimper did you? Venditti and Company make Hawkman #28 an exciting lead in to the finale with beautiful art and a great character driven story that takes the character back to his origins in Flash Comics #1. It serves as not only a statement on Hawkman's history, but also his connection to Shiera/Shayera. Even if you haven't read any of the previous 27 issues, Hawkman #28 will make you a believer!

For the past few issues, each subsequent issue has surpassed the previous one. It's the case with Strange Adventures #6 as well. King has set up the reader to believe one thing and then turned things around to something unexpected. The use of real human emotion is what makes this series so engaging. These are emotions that anyone can relate to that has nothing to do with the ostensible science fiction genre. Do yourself a favor and pick up this series. It's not too late.

Legend of the Swamp Thing Halloween Spectacular #1 is not only a fitting issue for the Halloween season, but a literate and beautiful example of the variety that comics can provide. Take a step into the swamp and let yourself be scared and enthralled by the stories here…you'll be glad you did!

Because character holds a lot of weight with me, this issue gets a higher rating than maybe it should. The minimal story and apparent forthcoming rehash of "The Great Darkness Saga" is underwhelming. The last thing we need is a retelling of one of the Legion's greatest stories. However, the character spotlights give readers a chance to get to know the Legionnaires in this incarnation, that after nearly a year in to the title is sorely lacking.

As a single issue, Action Comics #1025 is Bendis at his best on Superman. Taken as part of his entire run it's frustrating and some of the implications are unacceptable. Because, essentially, Bendis has pulled the Shakespearian “bed trick” on Superman. It's a shame that Bendis regards Superman so poorly. He doesn't seem to know how to treat the character with respect and dignity. Haha, aren't you funn! (NOT!) Whoever signed the papers on Bendis's contract for DC should be fired…wait…maybe he already has….? In all fairness, this issue is very good, just hope the next creative team is able to erase this era from the mythos…or perhaps, Bendis has left that loophole in his own story….???

If you enjoyed Aquaman #62, then Aquaman #63 is a must! These two issues are more satisfying that the majority of DeConnick's run on the title. Jordan Clark does a great job of developing Jackson Hyde's character and hitting all the right story beats for a compelling turning point moment in the life of a young man. Even if you aren't reading Aquaman, these two issues are an entertaining read and an example of how good comics can be. Let's see if we can't get a Jackson Hyde series by this team!

$10 is a lot of money for one comic. However, there's a ton of material here and it is all good to great. Overall, it has a fantastic focus on character and it's just plain fun front to back. If you like Batman and DC Comics it's worth checking out even if you aren't reading Detective Comics on a monthly basis (and why aren't you…). I have to recommend this as a must buy. There are some of these stories you will want to read again…even a few warm fuzzies here and there, plus a little bit of inspiration…!

As a single issue, The Green Lantern: Season Two #7 is easily the best issue of the series. Reading of the first seven issues (and Season One?) may be necessary to reveal how Morrison is connecting the dots. Nevertheless, this issue goes deeper and provides an insight heretofore unseen in this series. Morrison is bringing the bits and pieces together to make something thoughtful and exciting.

Hawkman #27 is a must buy issue for fans of the Justice Society of America. You won't be disappointed. Hopefully, this is the introduction of the JSA for a new ongoing series by Robert Venditti. It would be especially wonderful if it took place in the '40's. Perhaps, there is a place for a new World War II era continuity. It's hard to let the original go due to the work put in by Roy Thomas in the '80's on All-Star Squadron, but if anyone can do it, I trust Venditti.

This is without a doubt the most intellectually engaging comic DC has published since Watchmen. It's execution is at an extremely high level and is just as beautifully illustrated. Strange Adventures #5 may not be the turning point of the story, but it is the moment that proves to be the most balanced on either side of the verdict on Adam Strange's guilt or innocence.

One might find events grander and more exciting, but there's nothing more satisfying than a character focused issue that makes the reader think about a “villain” in a new way. Often cast more as “misunderstood monster” than true villain, Killer Croc gets his moment in the spotlight with a bit of understanding from a truly humanistic Batman. This Batman is the Batman who comes across as a caring human being trying to save others. He's not blinded by rage or vengeance, but rather directed by the notions of salvation and succor. This Batman saves victims…and prevents further pain and anguish.

If you're a fan of Jackson Hyde, you've got to buy Aquaman #62! Jackson gets the spotlight and along with a lot of excellent character work, there's a looming plot thread established for a future issue. Most importantly, Jackson comes across as a real person with genuine concerns and doubts and needs. Even Black Manta gets a little bit of sympathetic treatment. You can't help but feeling bad for him as his past unfolds slowly. In some ways, the Manta family may be overtaking the appeal of the Aqua-family! Don't call it a fill-in, it's so much more than that!

Crossovers may not be your thing, but there's still some interesting character moments for Batman and Batwoman in Detective Comics #1025. Tomasi reminds the reader of the complexity of these characters, especially Batman as he has to work with someone just as headstrong as he is. This is a good issue with a few lighter moments to alleviate some of the mayhem of “The Joker War.”

Morrison gets things together with The Green Lantern: Season Two #6 in a big way. Instead of feeling like an unconnected tale of Hal Jordan, Space Cop, this issue brings back the scope that worked so well inSeason One.Furthermore, Morrison references the past with the notion of the dead Hal Jordan and perhaps his turn as the Spectre as well. There's a lot to enjoy!

Over the past two years, Robert Venditti has been exploring Hawkman's new status quo. Along the way we've learned about all of Hawkman's past lives and how he's reincarnated through time and space. Hawkman #26 wraps up the storyline with the Lord of the Void, but also ties a bow on the first 26 issues as Hawkman and Hawkwoman defeat the Lord of the Void. This issue brings everything together beautifully in a satisfying manner while also setting the Hawks off in the next step of their lives, or is it just earlier in their life?

N.K. Jemisin and Jamal Campbell continue to deliver a compelling and original Science Fiction story. The world building reaches new heights with this issue as Jo learns about the non-biological race, the @At up close. Jemisin makes them feel truly alien, and it's a real triumph. Far Sector #7 continues to impress as it proves it's not only unique and different, but also wildly compelling in concept and themes. The potential for Jo's ring is positively captivating!

Strange Adventures continues to be truly outstanding in its depth and breadth, as well as with the mystery at its core. There's no shortage of character moments as Strange Adventures #4 plays a little more to Michael Holt. It's really his issue. While not told entirely from his point-of-view, he shines brightly. What really did happen on Rann? Is Adam a hero or something else….

There are no complaints on the art in Legion of Super-Heroes #7, despite Sook not being able to keep up with a monthly schedule. Byrne fills in admirably and Bellaire's colors hold it all together. Unfortunately, Bendis just keeps adding elements that don't progress the narrative. Much like issues #4 and #5 which told the origin of the Legion, the Legion leader vote in this issue detracts from the story arc. There's a real lack of narrative flow. The constant barrage of ideas without satisfactory explanation don't serve the story effectively. It's like a movie with good scenes assembled terribly. It really appears that it's too much for Bendis to manage. Some streamlining would do wonders for this series.

While the majority of page space in Action Comics #1023 is more or less enjoyable with the extended Kent family facing a problem together and the Invisible Mafia getting much needed exposure, the issue really falls flat as the Red Cloud lacks any real depth and Superman's actions at the end of the issue just don't fit the character we. Two years into Bendis's run, this is probably about the best one can hope for. The title is too mired in erratic characterization and overextended storylines that don't always have a satisfying payoff. There are moments, but they hold little depth.

It should be no surprise that the creative team led by Peter J. Tomasi and Brad Walker deliver a 5/5 review score. Not only am I personally entertained by the musical references, this take on Batman is absolutely perfect. And, it's just another example in Tomasi's run on Detective Comics. Brad Walker isn't always paired with Tomasi on this title, but Detective Comics #1024 reminds the reader that he should be. This is Batman at his best. Don't be afraid to check it out!

DeConnick brings it (almost) all together (where's Caille?) with Aquaman #61. If you were in doubt about this title, this is definitely time to get back to the King of the Seven Seas! It's of course fitting for Mera to be just as significant as Arthur, since their original wedding back in Aquaman #18, Volume 1- 1964, the couple have functioned best together. It's a testament to Mera's strength as a character (GO MERA!). The feel here is just perfect as political intrigue once again takes center stage. Despite the absence of Caille, my new favorite Aqua-character, I'm all in on Aquaman #61! Aquaman may not even be necessary… .

Strange Adventures #3 is another excellent installment of the latest comic to feature the adventures Adam Strange. It's wonderfully illustrated by Mitch Gerads and Evan “Doc” Shaner. Their work alone is worth the price of admission. Tom King is genuinely writing a fantastic comic. However, and it is a potentially significant “however,” one can't help but be perplexed by the anomalies in King's script. His track record with Heroes in Crisis shows he's not afraid to permanently damage a beloved character. Adam Strange's reputation is hanging in the balance with this series. So far, even if King assassinates Adam's character, the journey is a thousands time more enjoyable and well execute than Heroes in Crisis.

The surprises in this issue are well placed reminders of Batman's recent history and serve to connect these events to a run which has had such a classic tone and feel. Detective Comics #1023 is exactly what you expect from Tomasi, Walker & company. Not only is it still character centered with Batman's commitment to helping Harvey Dent, the intensity that comes through is palpable.

Thematically, Doom Patrol: Weight of the Worlds #7 wraps up the series in a beautiful way. The Doom Patrol has always been a different kind of title, but this run under Gerard Way's Young Animal imprint has been especially satisfying. With the delays to this title, one should undoubtedly go back and read all 7 issues in one sitting to get the full effect. Thanks to all the wonderful creators on this title, especially Way, Nick Derington and Tamra Bonvillain who started it all in Doom Patrol #1 way back in September, 2016! Missing you already…

Liam Sharp's art holds this issue together as Morrison's script isn't quite balanced. Sharp's homage to Jack Kirby fits perfectly and is a joy to behold. The potential in Morrison's story causes it to be more disappointing in what is lacking rather than fulfilling with what is there. It could be so much more. There's still a lot more to come in The Green Lantern: Season Two, but at nearly the halfway point, the series should be heading somewhere with a more obvious purpose.

The horse is dead, I can't beat it anymore. Hawkman is easily the best comic being published by DC. Period. There's a depth and universality to Venditti's writing that is striking and meaningful. Jeromy Cox maintains a cohesive look to book whether it's Fernando Pasarin, Marco Castiello or Marcio Takara providing the pencils- and they're all great pencillers! Tell your friends, tell your enemies, they should all be reading Hawkman. It's a win-win situation. If you are not reading Hawkman you are missing out.

Green Lantern 80th Anniversary 100-Page Super-Spectacular is an extremely fun trip through the history of the wielders of the green ring. Outside of the Alan Scott tale, they all deliver that nostalgia and sense of of scope of those who have worn the Green Lantern power ring. Most importantly, they focus on character. They not only remind the reader of a particular time or era, but reconnect the reader with why the Green Lantern concept is transferable to so many different individuals. Unfortunately, Alan Scott's story is unable to do the same thing, feeling like something new rather than something familiar. Oh, and G'nort (see above) wonders where his story is!

As a plot mover, Aquaman #60 is quite satisfying. Dolphin and Caille get the character moments in this issue and it works well. Previous issues have locked Arthur back into his recognizable characterization and the supporting characters getting some attention help expand the scope of connecting with the larger cast. The tension is pulled tightly when it seems possible Arthur will be too late for the wedding “tomorrow.” Arthur…don't be too late!

All the parts are present inThe Green Lantern: Season Two#4, but they are not coming together as well as they should. Overall, it leaves one feeling a little disappointed. Hopefully, this series will take a turn for something bigger and more cohesive. Morrison is capable of making the far out and bizarre work. It feels like he's holding back here. The tease for next issue does hold some promise…

It's too easy to say again that this is the best ongoing comic DC is publishing, but it's still true. There is a depth to Venditti's writing that is missing from too many comics. Wonderfully, the art is just as striking. They fit together perfectly as the art team builds on the character and depth of story to present a really unified whole. Sometimes, comics have great writing and passable art, or beautiful looking pages under an abysmal script, but with Hawkman you get the whole package…if, only each issue could be double length!

Strange Adventures #2 may be even stronger than issue #1. By bringing Mister Terrific in with a significant character focus, King, Gerads and Shaner make this book about two heroes instead of one! Gerads and Shaner do exemplary work in the art and color department in this issue and really enhance King's script. This is great comics! But, only the complete story will deliver a verdict on King's motivation, treatise on morality in war or the destruction of a classic hero?

We get the wrap up of the first storyline, but it's not really very exciting. Perhaps, Legion of Super-Heroes would be a better title if there was a stronger focus on character like issues #4 and #5. The Aquaman's Trident storyline wasn't very interesting to begin with and it has played out as such. Legion of Super-Heroes #6 is prettyto look at, but overall there's so much more that could be done with the book and cast of characters.

Surprisingly, just when it seemed Bendis and Romita were going to run Action Comics straight into the ground, the pair with apparently a lot of help from Danny Miki right the ship mostly in Action Comics #1022. Even if one has to suffer through the terrible status quo changes wrought by Bendis on the Super-family, the actual content is a huge step up from the “Doom” arc. Danny Miki is the star of the art as his inks on Romita, Jr. breathe new life into the look of the book. And, Bendis finally has something interesting to say about the Invisible Mafia for the first time in nearly two years. Two years! In the long run, it's too little too late, but perhaps he can at least finish his first story arc..finally?

If you've been enjoying Tomasi on Detective, you know this is the real thing. I've you're still not sure…this is a fine issue to give a try! The entire creative team show what they're capable of in Detective Comics #1022. The classic approach goes a long way, and the emphasis on character is superb! It captures Batman, Gotham and its denizens in a meaningful, emotive and timeless manner!

Far Sector #6 is powerful issue. It develops some of the themes that have run through the entire series in a deeper way. Despite Jo's questionable decision to give in to her emotions, the exploration of emotions is smart and insightful. Every issue can't be like this, but it's great when it happens. The release of this issue coincides with a pivotal moment of civil unrest as well, amplifying the impact even more so.

Now, where's that underwater barber of which Aquaman is so desperately in need? Maybe for the wedding….

The Green Lantern: Season #3 tops the first two issues of the series easily. Perhaps, it's the more recognizable characters and familiar mileu of the Air Force Base so recognizable from Geoff Johns' important run on the character. More likely is Morrison's more intimate tale of Hal returning to the scene of so many victories and defeats. With that, comes the soul of the man who must reconnect with friends and colleagues. Morrison really makes it his own, however, when he has Hal threaten “Herc” with arrest…Hal is a policeman after all…

Great runs on comics manage to balance action, character and world building. Robert Venditti has shown that he's a master of character driven stories that reveal something about human nature along the way. Hawkman #23 is an example of one of those issues that puts character and world building at the forefront. Moreover, the thoughtful reader will take time to examine what's being said and the issue will get better. That's when you read it again. You should probably buy it again as well. Prepare, yourself to be moved emotionally and intellectually when reading this issue!

Though the original Titans story in Titans Giant #2 is good, it's overshadowed by the reprints. Overall, though, the issue is worth it, especially if you haven't read the Teen Titans or Starfire reprints. Even the Super Sons reprint from Adventures of the Super Sons #2 is outshone by these other reprints. This is probably one of the most balanced of the Giants in its selection of reprinted material.

Aquaman Giant #4 is an excellent issue! The reprints are all grea, with the “Throne of Atlantis” and Mera chapters being obvious standouts, the Teen Titans reprint is a real treat! However, the two original stories are the real gems as they both do a wonderful job with character. They also go deeper than the average story while also appearing to be building something. Aquaman Giant #4 is currently available at Walmart. Originally solicited to arrive in comic shops on May 13, it will most likely be delayed.

Overall, this issue is a good read. DC needs more books like this that feature some of the characters from DC's past. This take on the Unknown Soldier certainly has a lot of mileage left in it. Additionally, more stories based on real-life events like's Giunta's could provide a lot of interesting and enlightening material. I still think James Robinson and Phil Winslade's George Saint, SAS is a character worthy of additional development. Show DC you want more issues of Our Fighting Forces Giant!

With too many plot lines, Bendis single best idea is not only unrealized, it has been diluted with other ideas that are also having trouble finding a footing.

It's hard to find fault with a classic and timeless approach to Batman. Some portrayals of the character favor a slightly mentally unbalanced depiction of the Caped Crusader. However, this even tempered Batman that is a skilled detective, mysterious and startling yet still a caring, well-rounded human being is much more satisfying. Tomasi, Walker and Hennessey remind the reader of things that everyone loves about Batman. And, at the same time, there's no shortage of character development as Batman again attempts to help his friend Harvey who is himself in a mental battle.

This might be the best issue of Far Sector, so far. Understanding where Jo has come from is significant. But, so are the things we learn about The Nah, The @At and The Keh-Topli. Perhaps, the most satisfying aspect is that things are coming together and not only in terms of understanding more about the “people” of City Enduring, but how important this assignment is to Jo. She's at a crossroads in her life and is clearly in search of direction and meaning.

Bendis finally show that he really is the Legion fan he's claimed to be, even if it's masked in characters that aren't always visually recognizable. This may not be your grandfather's Legion, but, perhaps, it could be YOUR Legion!

It doesn't seem to matter who Robin is, the concept of the character persists because each iteration has become a fan favorite over the years. Despite readers often preferring the Batman as a lone Dark Knight, Robin has earned his place in Batman's mythology. This issue both celebrates the characters and demonstrates the importance of a Robin's place in Batman's life.

Two months ago, Aquaman #56 detailed a story that took place in the past and was a stark reminder of what we've been missing with Arthur Curry. Aquaman #58 shows every sign of integrating that characterization into the status quo that's developed for Arthur's supporting cast in Kelly Sue DeConnick's run. This issue is a great extension of the emotional content of Aquaman #56, and appears to indicate that Aquaman's ship has been righted and is headed in the proper direction…. Now if we could only get him that shave!

Season Two seems to be off to a slow start, although, this issue is much more enjoyable on a second reading. Dropping the reader right into the drama is too disorienting. It works sometimes, but not as much as it needs to in this case. However, the art by Liam Sharp in his “full Wally Wood” style is supremely enjoyable. We all know this series is worth sticking with, remember, Season One took a few issues to really get going as well. Perhaps, Hal next step will be the one that gets the larger story going.

Well? What did you expect? Hawkman #22 is another great issue by Venditti and Pasarin! Don't delay get your issue of Hawkman today! There's a nice emotional element that will surely be developed for Shayera and the camaraderie between these characters is delectable! The overall theme of redemption that has been central to this run on Hawkman is both interesting and meaningful! It demonstrates Venditti's strength as a writer, allowing character to drive the story.

The Mystery in Space #75 Facsimile Edition is a time capsule into the past. Not only does the reprint include the landmark first meeting of the JLA and Adam Strange, it has significant connections to the new Black Label Series, Strange Adventures by Tom King, Mitch Gerads and “Doc” Shaner. While it's not necessary to read one to understand the other, the connections provide a continuity. Adam Strange has always been a different character, a “modern” extension of Edgar Rice Burroughs' John Carter of Mars archetype. Adam uses his brain first. Not something every comic character does. Give this facsimile edition a chance and see if it doesn't present a unique character! And don't forget, the creative team is a Comic Book Hall of Fame lineup!

The positives outweigh the negatives here as the technical aspects of Strange Adventures #1 manage to outweigh the content. Additionally, some of the negatives are based on conjecture and expectations based on King's other work. Adam does seem COMPLETELY sure that he isn't guilty of the charges brought against him. Even if one is unsure of King's story direction, it's undeniable that Gerads and Shaner do everything they can to sell book!