This is the redefining moment for Lois and Clark's relationship and it's flat out terrible. Bendis seems to have written an excuse in order to claim that technically, Lois and Clark are not broken up. But, how can this be true when they are living in different cities and Lois doesn't seem to want any type of life together? Nothing really seems right about it, from Lois's immature and selfish actions, to Superman's willingness to accept what she says when she does nothing but hurt him emotionally from start to finish. What happened to their love?

With too many plot lines, Bendis single best idea is not only unrealized, it has been diluted with other ideas that are also having trouble finding a footing.

Despite being an avowed dissenter of rebooting the Legion of Super-Heroes again, I entered this new #1 with a bit of hope, believing that some of the promise seen in Superman #14 & #15 might pay off. Unfortunately, Legion of Super-Heroes #1 reads like a mess. Instead of building on any characters or concepts, more ideas are introduced. Bendis has already proven he can channel some classic Brainiac as was seen in Superman #15, yet none of this comes through in this first issue. The Legion were hardly seen in Millennium, and unfortunately, this issue feels more disappointing. There's not a lot in this abysmal issue to bring the reader back for issue #2.

If you're a fan of Power Girl, I suggest you don't buy this or read it, it'll just make you upset.

The first five issues have been an awful experience and Power Girl #6 doesn't really change that. This is probably the worst issue of the series, friendship is not magic in this case.

The cover by Yanick Paquette and the first bit of the comic with art by Adriana Melo elevates it at the outset, but the story choices, wretched dialogue and the awful characterization that continue to plague Power Girl drag the issue down with an unbelievable weight.

Power Girl #12 shows how this series has settled into a pattern of bad dialogue and jokes that some would call "quirky and fun. In reality, it's really just bad writing that is almost completely superficial and juvenile. So juvenile it seems beneath what I believe is the intended audience.

Alan Scott: The Green Lantern #6, like the entire series, is uneven. There are moments that really work and are quite compelling, but it all seems to be in service to retconning Alans sexuality as opposed to be in service of Alan as a heroic character. Sheridan tries to get the reader there, but the end is just unsatisfying in almost every way. If hes supposed to be bi-sexual thats a different story. If hes a gay man with a strong will power to live his life as he is then why would he lie and misrepresent himself to women? Its not heroic, its notnice. It highlights how forced changing Alans sexuality is. It feels like DC wants to have its cake and eat it too. The character ends up being weaker for it.

Birds of Prey #3 is not a good Birds of Prey comic, however, it is a pretty good Harley Quinn comic. If you're here for Harley and how great she is then you will flip that score around, probably. If you're a fan of the Birds of Prey, this isn't it.

Birds of Prey #9 strays further from the what makes the Birds of Prey the Birds of Prey. Ill suited humor and a tone and milieu that resembles the Doom Patrol are the biggest culprits. Coupled with the fact that the story barely moves forward, the issue is relies on the out of place elements to carry it. There's little substance to what transpires and it seems to set up a meandering arc that will end in a "surprise.There are some elements that have potential, but not in within the pages of Birds of Prey.

Birds of Prey #10, outside of Cela's information dump is just so much nonsense. Barely more happens than last issue, but what does is meaningless. The very thin plot doesn't serve the characters that well, and the characters themselves feel secondary, which is again the opposite of the Birds of Prey concept. The plot itself has a lot of contrivance and the REASON Cela's sister is after Barbara couldn't be a more overused idea and underwhelming idea.

This story arc has been disastrous and Birds of Prey #12 does nothing to change the course. If anything, Thompson shows that she doesn't really know these characters, especially Barbara, and she doesn't have anything significant to say. Her take on Birds of Prey has been a bust since the first issue as the core concept of Birds of Prey has escaped her. Birds of Prey is something Barbara Gordon does, it's not simply a team of women heroes. There's a Venn diagram somewhere showing where these ideas cross over, but Thompson is not inside it.

It's not worth following this series. There's literally nothing of interest going on and there's almost no chance anything of significance will happen.

If Leah Williams had an editor that was competent and given some direction, this storyline could be salvaged into something VERY apropos for Power Girl. As it stands it's the equivalent of amateur hour. Pansica's depiction of PG may be off, but the storytelling is solid and there's a look to the book that is enjoyable.

Williams' lack of understanding of the character and inability to write an interesting story (she abandoned the interesting stuff in the first arc) give no hope for Power Girl fans.

The sort of "can't tell verdict on last issue is swayed by the poor quality of Power Girl #14. It seems like it really is just bad writing (and complete and utter lack of understanding and respect for the character) on Williams' part that Power Girl #13 appeared to provide hope for a good turn. Williams must be blackmailing people at DC for this book to still be published. It's expiration point was after the first arc that ended in issue #4. Williams is well beyond her skill as a writer to depict Power Girl. She's connected the dots on some of the plot elements, but overall this series is a disaster of almost unparalleled proportions.

Tom King continues to tear down the heroes of the DC Universe one character at a time. He's clearly more interested in showing the terrible aspects of human nature and the world instead of the optimism and hope that heroes are designed to elicit. I don't think King actually likes heroes or believes in heroes. Or, at the very least believes that anyone's heroism can ever be separated from the totality of their nature.

The appeal of this series is to readers who are easily impressed by superficial ideas and manufactured drama and for those who aren't really familiar with Wonder Woman and her supporting cast and world, readers who are just familiar with the idea of Wonder Woman. I guess that describes King as well, since that's what he's given us. For those fans of Wonder Woman who know what a Wonder Woman story is supposed to be like I recommend the previous run by Becky Cloonan and Michael W. Conrad or the post-Crisis George Perez era.

The biggest problem with Absolute Power #3 is that you just don't feel like you're getting all the story. And, you're not- it's in the tie-ins and other mini-series. This issue really suffers for that. It's hurried, herky-jerky, cursory and repetitive. Dan Mora's art is not enough to get this one over the halfway mark. It feels terrible to give Waid, a writer I've enjoyed immensely over the years a low score like this. He's confined to four issues. Part of the blame falls on poor planning for the publication strategy for this story, despite the overall concept being underwhelming. It may be closer to a 4.5 out of 10, but the overall feeling from the issue is .

Overall, Absolute Power #4 is pretty boring. It was never that interesting from the beginning and the need to read all the tie ins takes away from whatever impact this series had potential to have. Waid seems handcuffed by the approach to this series and he had very little plot to work with throughout. This is one of those pointless series that never needed to happen

Bendis's unimpressive run on Action Comics continues as the plot spreads out and makes the whole storytelling style questionable. The slow pace makes it hard to find much of interest especially as those things are left by the wayside in the next issue. One wonders what won't be addressed in the next issue that could've potentially been interesting. Superman and Lois's relationship continues to be a low point for the Superman titles as the direction just doesn't make sense for the super-couple either in tabloid suggestions of infidelity or Lois's continued secretive behavior.

Despite some technical positives, Action Comics #1016 is a bit of a mess. If you're all in on Bendis you're probably buying two copies, but the more astute reader will see the flaws right away. While the Red Cloud could be a compelling challenge for the Man of Steel, Robinson Goode comes off as underdeveloped and somewhat forgotten. It doesn't help that Bendis seems more interested in validating Naomi than telling a good Superman story or making sure Batman appears in character. You should like Naomi because…, not because she's actually unique or interesting.

While DeConnick and Ayala have the right idea in slowing things down for a day in the life story of Amnesty Bay, this also turns out to be the issue's biggest weakness. It forces DeConnick and Ayala to focus on Aquaman's character, and the dense, slacker of Jason Momoa's portrayal in the DC Extended Universe films just doesn't feel right at all. Instead of giving the reader a warm fuzzy with Aquaman and the people around him, it begs the question, “when will the real Aquaman return?” And can we get that guy in the movies, too?

Artemis: Wanted #1 is a mostly disappointing postscript to "Trial of the Amazons. The idea of Artemis being Hippolyta's killer was intriguing until Artemis' motives are revealed in this issue. When they are it is not only lackluster and contrived, but it puts a black mark on the already shaky "Trial of the Amazons. Quite honestly, you don't really need to read this comic. It's a bit of a mess. You might even be happier not knowing why Artemis killed Hippolyta, knowing only highlights the petty squabbles between the tribes of Amazons.

Harley Quinn ruins everything she's in. She doesn't play well with others and it's no different in Birds of Prey #2. She doesn't mesh well with the rest of the team tonally. Her ridiculousness detracts from what at times begins to feel like a Birds of Prey comic. There's far too little time spent on character which leaves too much time for Harley. Thankfully, Romero does a really nice job with the art on this issue. Script-wise it feels messy and cobbled together, you just sort of want to get through it so the plot can move forward. It's definitely a step backwards from last issue.

If you've spent money on issues #1-3, you may feel really cheated with the plot developments in Birds of Prey #4. It not only exacerbates the lack of reasoning on Dinah's part in not even attempting to contact Diana for help, it just becomes clear that Thompson literally lost the plot for this arc in the very beginning. Things just don't make sense from a character standpoint, and there are just too many things that just are because Thompson wants them that way instead of them making logical sense based on character and the known world of the DC Universe.

While the ending of Birds of Prey #6 indicates there may be some hope for this title in future issues, the finale of this first arc reinforces the notion that Thompson isn't all that interested in the Birds of Prey concept. It's a disappointing first arc for the relaunch of a Birds of Prey title. The magic, mystical and time travel elements push the title further away from that core concept of the grounded, hand-to-hand combat, espionage, undercover mission that is central to the Birds of Prey concept. It would be better for Thompson to create a new team without damaging the Birds of Prey. A complete restart is the best option for this series, either as a proper Birds of Prey title, or a new team concept that fits what Thompson actually wants to write about.

After an improvement last issue, Birds of Prey #8 slides backwards. The tone isn't right, the plot feels forced and the mystery isn't playing out in an interesting manner. Putting Barbara Gordon in danger has been done before, and done better- "The Hunt for Oracle. Thompson still doesn't seem to get what makes Birds of Prey work as a concept. The time travel works against it, the lack of character focus is missingat least the art in this issue is nice.

Birds of Prey #11 somehow isn't the worst issue of this series. There is some fun to be had with the action and some satisfaction with the brief confrontation with Maia at the end, but the tone, dialogue and superficial quality to the story fail to make any deeper connections. Thompson is using a deep cut villain with Velvet Tiger (Maia's mother), but there's no substance to the connection and it's emblematic of this series and issue- style over substance. "Oh, isn't that clever! No, it's not. It's disappointing. See Tom King's Wonder Woman for more disappointing style over substance comics. Too many female led titles are suffering from poor writing- Power Girl, Wonder Woman and Birds of Prey can they get some help here?

Birds of Prey #13 is yet another disappointment. Thompson has had plenty of opportunities (13, so far) to make this series into something, and she just can't land this as a Birds of Prey series. She's got elements of Doom Patrol (wild wacky extra dimensional shenanigans), and an independent creator owned series with the focus on Maia and Cela. Writing a Doom Patrol series would be fine. A book about Cela and Maia would probably be really good, it's clear that's where her passion lies. This is just another superficial series with style over substance and none of the characters people are here for (Barbara, Dinah) show any real depth. Somehow, the resolution is better than the previous issue.

This book is not for those who feel there is already too much violence in comics. Even the hardcore Harley and Batman fans will probably find this a waste of time.This book is reaching for readership. If I bought it for the Harley and Bat-appearances, I would be disappointed.

VerdictIf this issue is the actual facts, Detective Comics #1004, has just derailed what was shaping up to be a nice arc. The incidentals of Astrid's origin are so unreal that it calls into question the veracity of the story itself. It feels like there should be something more underneath the surface. While that's always possible, taken for what it is, Detective Comics #1004 comes across like a bad movie script for a comic adaptation from the '90's…bitten by a radioactive insane asylum or some such… what did you think was going to happen when the girl's playmate is the Joker?

While this issue added a couple more pieces to the puzzle, the next issue seems to promise a big payoff. Hopefully, it will because it also could be the breaking point for readers. Ive been a fan of Levitz for years and would like to see the next issue explode! Im feeling 50/50, right now which is where this issue fell. 2 1/2.

This issue fails to build on the new chance that was give Earth 2 at the end of Convergence. Its eschewed the hopefulness found in Convergence and thrown the Earth 2 characters back into the fire. Even the landing of the refugees on new Earth 2 is turned into a tragedy. It doesnt really feel like a new chance, but rather another story of a doomed planet. 2 .

Pass on this. I now dont care if Barry gets out of the Speed Force. I dont frankly care about anything going on in the book. If youve got to know what happens it might be more satisfying to read a recap after the story arc ends.

If you're not already a fan of these concepts there's not a lot here to see in terms of the Suicide Squad and Black Adam. While there appears to be a bizarre synergy between the two stories, the execution leaves a lot to be desired. This probably won't bring in any Conner Kent fans either. Both tales seem to lack a significant direction. Definitely not one of the better "Future State" issues.

This two-issue series is essentially an advertisement for Teen Titans Academy. Unfortunately, it doesn't portend what a new Teen Titans series should be about. It doesn't really fit in this respect. Unfortunately, it also causes Future State: Teen Titans #2 to feel incomplete in its storytelling. Despite some well executed art from Sandoval, Ferreira and Sanchez the book leaves me wanting- wanting it to be something else entirely. It's an apocalyptic story where the winners still feel like they've lost and there is little hope, the new properties of the H-Dial symbolizing that.

If you are going to buy Future State: Suicide Squad #2 for the wonderful art in the Black Adam story then you will be satisfied. Unfortunately, both stories themselves are short on character development, and overwhelmingly plot heavy. It certainly feels like six or so issues have been condensed to accommodate the page space with only the basic plots remaining. Even if Conner Kent or Black Adam is your favorite character, this is not going to be a very satisfying read.

Video gamers who are enjoying the game will most likely enjoy seeing howthe story transitions to Injustice 2. As it stands on its own, Injustice 2 doesn't have the strength of likable characters, or a completely novel approach to make it compelling. In terms of character development it is very superficial and mostly deals with the most basicaspects of character. While it has a long way to go and certainly could become something more, as a first issue, it feels very average and cliched, and doesn't have enough to bring meback.

There are no complaints on the art in Legion of Super-Heroes #7, despite Sook not being able to keep up with a monthly schedule. Byrne fills in admirably and Bellaire's colors hold it all together. Unfortunately, Bendis just keeps adding elements that don't progress the narrative. Much like issues #4 and #5 which told the origin of the Legion, the Legion leader vote in this issue detracts from the story arc. There's a real lack of narrative flow. The constant barrage of ideas without satisfactory explanation don't serve the story effectively. It's like a movie with good scenes assembled terribly. It really appears that it's too much for Bendis to manage. Some streamlining would do wonders for this series.

With the depiction of Power Girl as insecure, dependent upon Superman and Super-family, inexperienced living on Earth, it's probably OK to refer to her as Paige, as she's absolutely nothing like the Karen Starr Power Girl we know and love or the one we've seen before. You might be able to enjoy some of the art in this issue, but it's a real struggle to connect with this iteration of the character.

This series is not for fans of Power Girl, that's obvious. It's not quite clear who it's for. Maybe there's an audience for it...I'd love to know if it has found an audience that likes this Power Girl.

The art from Pansica and Ferreira want to make you like it. It's effective in that way, but unless an audience embraces this iteration it feels hopelessly at odds with what people have always liked about Power Girl, and this issue gives the reader very little of that. As a Power Girl fan for nearly the entirety of her existence, this issue continues to disappoint. The art is able to raise this issue a bit, surprisingly.

It may seem like it would be difficult for DC to screw up what is essentially a pin-up book for Power Girl, unfortunately DC manages to do just that with Editor Brittany Holzherr spearheading the effort. It all boils down to this current incarnation being so terrible. Even with a book that could've just been the covers with some innocuous narration, we have to be reminded of all the missteps that've been made by Leah Williams and overseen by Brittany Holzherr. If you don't read the pages with "story, Power Girl Uncovered #1 is actually a better experience.

Fire and Ice is so short and unfocused it's really hard to gauge what's coming next for the duo. Based on this tease, I'm not sure what readers could be looking forward to in a series. However, there's a chance that the forthcoming Fire and Ice series could be good, since there's not a lot to go on in Power Girl Special #1. Both stories have something going for them in the art department, but it doesn't always work.

If you are a fan of Adam Strange I cannot recommend reading Strange Adventures #12. Everything you've feared since issue #1 is basically true. There is no hero. There is no satisfying resolution. Everything just falls apart. It's better just to think of it unfinished.

Only a must read for the fans of this Superboy run. I don't even think the die hard Future's End fan would find this book relevant. It's a very tenuous tie-in as it takes place five years in the future and references the events of Future's End, but seems to have little to do with the plot. It's really just a goodbye to Kon's first run in the New 52.

Trial of the Amazons #1 takes a couple of big chances. The execution suffers though in a couple of areas and it's questionable if this is the story Wonder Woman readers want. Are we to see the Amazons come together or be split apart? It's unclear in this issue how things will go and unfortunately, the death of a major character holds little weight in today's comics.

This was unremarkable, but not unreadable. In trying to play the diversity card, the execution leans too far into the stereotypical. The only really likable character is dead. Its an uphill battle for the creative team to get some empathy for Donny going. Weak start to this mini-series.

Vigilante: Southland #2 shows a little bit more promise than issue #1, but without making the lead character more interesting, the supporting characters will always draw away the focus from Donny. There's very little inspiring about Donny, so there's an uphill battle for sympathy every step of the way. Perhaps there's an audience for this book, but it is an elusive one.

Casagrande and Brusco's work gives this book the 2 star rating alone. Not sure what this book is really supposed to do but secure he copyright for the Vigilante concept again. DC should probably try a different take on the character, perhaps a return to the Greg Saunders incarnation.

Diana seems to take a back seat as it's all seen through the Sovereign's point of view. Any appeal for this series is like a car crash- you want to see the outcome with the hopes that some people will survive. Nothing really feels new or interesting, and the characters are already twisting into unrecognizable versions. King hasn't put in the work to get the reader to this point in the story to make it believable.

If DC Comics could see how bad series like this negatively impact the overall line, Tom King would never have had the opportunity to write Wonder Woman #14. The little good he does with this issue is overwhelmed by his poor decisions on story and characterization, perhaps he's just oblivious to the deeper meaning behind Diana's actions. Unfortunately, Sampere and Morey's art is wasted on a series that should've never seen publication.

Absolute Wonder Woman #1 is better as a comic than a Wonder Woman comic. It really feels like this is a comic for readers who don't like the traditional Wonder Woman. Thompson has (in story) removed all the essential aspects that define Wonder Woman. That leaves Diana as a shell in this issue with a lot to be filled in. Thompson could rise to the occasion and do this, but like Absolute Batman #1, the overall concept is not that compelling. Unlike Absolute Batman, it's genuinely more interesting as a new unique character than an Elseworlds version of Wonder Woman.

This issue really feels like it has bogged down. There is certainly a better way in which some of the surprises could've been revealed, and as such, this issue feels like nothing happened. To top it off, the best part featured Batman. Which isn't bad for a Batman comic". The story only moves forward in the last two pages when Lex shows up, and that's very minimal movement.

This issue continues to introduce more ideas while not moving the plot much further. Despite the reveal of The Red Cloud's identity, it doesn't feel like this issue moves the plot along enough. It's not really that surprising a reveal, and it actually makes a lot of sense considering the character's actions in previous issues. After last issue's awkward and terrible reunion between the super-couple, It feels like the story line is settling down into classic mediocrity, the positives seem to be superficial with little substantive content.

VerdictBendis is playing the long game with "Leviathan Rising" and despite some nice details in Action Comics #1011, the apparent direction of the arc is uninspired. It is proving to be both too long and a "game." Referencing the weakest elements of his run on Action so far are not helping. Epting's work is still nice, but the pretty pictures can only elevate the story so much. Stay tuned, I'll let you know when all this blows over and we start getting some proper Superman comics again"

If you're looking for part two of "Metropolis Doom," it's not really here. Instead, Action Comics #1018 picks up plot lines from a year ago. Despite feeling dropped in out of nowhere, there are some positives to these elements. Unfortunately, the confounding elements of the issue take over and raise more questions than are actually answered, but not in a good way. Lack of planning makes the things that do happen in this issue feel awkward and ham-fisted.

While the majority of page space in Action Comics #1023 is more or less enjoyable with the extended Kent family facing a problem together and the Invisible Mafia getting much needed exposure, the issue really falls flat as the Red Cloud lacks any real depth and Superman's actions at the end of the issue just don't fit the character we. Two years into Bendis's run, this is probably about the best one can hope for. The title is too mired in erratic characterization and overextended storylines that don't always have a satisfying payoff. There are moments, but they hold little depth.

It's been a long time since I looked forward to the next issue of Action Comics. However, with Bendis's run ending in December, the mysteries presented here should be mostly revealed as Action #1028 serves as a wrap up. The majority of the middle of Bendis's run is still ultimately skippable, but if one were to read the first and last arcs of his Action Comics, it may prove to be interesting or even mildly enjoyable. However, the next issue should cement the notion if this is all above average, average or below average, or simply a huge mess to be forgotten.

It's hard for a Bendis Superman comic to be much more than mediocre, and Action Comics #1027 is no different. Bendis can never seem to get out of his own way. As soon as he introduces something interesting, he botches it with the execution. Next month sees the end of his tenure on Superman. At the very least we will all know where things stand. Maybe the big reveal will be Lois was from a parallel Earth and every time they had sex it was a Superman robot standing in for Big Blue, as corny as that sounds, it's really preferable to either of the other two outcomes.

Overall, Birds of Prey #15 isn't that it's bad, it's just not that good. It's uneven with positives and negatives that balance each other. While Thompson gets some things right with type of story and some quality covert action, characterization is way off and the story is cluttered with pointless characters. Issues #14-16 could easily be condensed to two issues (this is doable despite not having read #16 yet!) if all the chaff were separated out. This would solve one of the problems with the story. There's probably no hope for the characterization.

Despite falling into a predictable pattern, Collapser #6 retains the potential for a lot more stories. Though the series doesn't feel really Young Animal, the basic concept deserves further development. Unfortunately, this final issue portrays Liam James in an all too familiar way. We've seen this story before, and this issue is unable to take it somewhere else. Though the story is wrapped up, and Liam learns how to be a hero, his mom's story may in fact be more intriguing.

While next issue promises a big reveal, it's been a little rocky along the way. Battle issues tend to be a bit of a snoozer and this one suffers from that. It reads like a delay before getting to the payoff in the finale next issue. Except for the insinuations about Deadman's soul, not much of real importance happens.

Despite the beautiful visuals, this is a difficult series to read, and with the final issue it gets no better. Very little attempt is made to explain what's going on. This will probably be the end of the line for many readers. Send DC a message " "Get Adams a scripter!" His visuals deserve better.

Overall, The Green Lantern: Season Two #1 is an average start to a new story arc. While the main idea of the Young Guardians is intriguing and potentially concept shattering to the Green Lantern Corps, it doesn't go very far here. Coupled with the exposition on Mother Juna, the issue comes across as establishing shots of the larger story to come. I have no doubt that it will improve, but this is a lackluster start to Season Two.

This issue is a bit of a mixed bag. While there's certainly a lot of interesting new Lanterns introduced and a serious threat at hand, the characterization of Hal is a little contrived. At the end of Robert Venditti's run on Hal Jordan and the Green Lantern Corps, Hal and Carol seemed like they had come to an important moment in their relationship that would be ripe for exploration. Venditti's run was so strong on character, moving away from that moment without a mention is a bit jarring. Hal's characterization has reverted back to an iconic, yet unenlightened portrayal. This issue is probably more enjoyable read cold without the knowledge of what's come just before in Hal Jordan and the Green Lantern Corps.

This second season of Grant Morrison's Green Lantern has not been nearly effective as Season One. The Green Lantern: Season Two #8 takes things a step backward as it doesn't quite deliver on things as effectively as it could. Issue #6 remains the high point of Season Two,with issue #7 coming in at a close second. Morrison aims high with issue #8 but doesn't quite connect with the audience. There are seeds of greatness therein, however the form distracts from the message instead of enhancing it.

The Green Lantern: Season Two #12 wraps up the series with nods to whats come before, but it doesnt feel as unifying as it should. The art is fabulous and is probably worth the price of admission alone. If you want to see how this series wraps up, youll want to get this issue, but its not going to convince you to go back and buy the rest of the series.

I surmise that Harley Quinn fans will find a lot to like in this comic. If you aren't really into the character, though, or aren't ready for some very coarse humor, I don't think there's a lot here for you. As a long time Birds of Prey fan, the comic doesn't really deliver. Like the film, it's a Harley Quinn vehicle with Helena conforming to a portrayal that fits what is in the film as opposed to a depiction that is congruent with the comics. Technically, Conner and Palmiotti get the job done, but the concept is unwanted from the beginning. These two intellectual properties don't belong together and there's nothing to bring the reader back for #2.

JSA #1 is mixed bag. I want to love it, but half the issue focuses on inner conflict that seems to come from nowhere and isn't set up effectively if it is all part of the villain plot. Olortegui does a nice job with the storytelling and Lemire references a whole lot of history. It's not hard to see the multiple specific eras he is referencing. I hope this issue can be reassessed as this first arc unfolds.

Eduardo Pansica does a nice job delivering on the visuals as he delves a little into the horror and gives Hal some terrified looks as he faces down his "fears. Knight Terrors: Green Lantern #1 also contains a Sinestro story that appears to pick up from his surprise appearance in Green Lantern #1. Sinestro also appears to be affected by Insomnia's attack and he has his own fears. There's some real irony here as Sinestro is known for operating in fear. At its core this back up seems to he more interesting than the lead story due to this irony and that there's a lot more potential for revelatory storytelling with Sinestro. Readers know a lot about Hal Jordan including the biggest obstacles he's faced in his life.

We get the wrap up of the first storyline, but it's not really very exciting. Perhaps, Legion of Super-Heroes would be a better title if there was a stronger focus on character like issues #4 and #5. The Aquaman's Trident storyline wasn't very interesting to begin with and it has played out as such. Legion of Super-Heroes #6 is prettyto look at, but overall there's so much more that could be done with the book and cast of characters.

Overall, Legion of Super-Heroes #12 is just as erratic as the entire run has been. It's as if Bendis can't tell his good ideas from his bad ideas. Clearly, he's had some good ideas for this series, but they seem to get the short shrift in favor of his bad ideas. It's easy to see this in this issue as Imra's character is much more intriguing than the botched characterization of Mon-El or the almost impressively boring Rogol Zaar storyline. Who would've thought Bendis would hinge his entire Superman run on this lame character? While Legion of Super-Heroes has been better on the whole than either Superman or Action Comics, these twelve issue are still disappointing. Jon should've been the hook for this series, but Bendis never really allows the reader into Jon's head. Jon is just one of a cast of 33(?) who get a bit of page time. While the end of the issue touts Future State: Legion of Super-Heroes as the continuation of this tale, one has to wonder how it will function.

While Nightwing 2024 Annual has some interesting ideas, the pacing of the story and amount of twists make it difficult to create the right connection with Bea. The idea of giving her her own story is solid, but it would've been stronger if the tale had been centered around her and the Quartermaster instead of turning her into a near super-spy. The story is unbalanced with too much plot and not enough of Bea herself. The art is strong and Moore's effort on the project is clear.

Power Girl #3 gives hope that the REAL Power Girl may return. Williams gets to this point by getting inside Power Girl's head just a bit for the first time. There's still an uneven quality to the series, but this issue the best of it so far. Perhaps, the quote on the final page, "Paige is gone, means more than just what it seems to in the scene, maybe Paige Stetler IS gone and Karen Starr will be back by the end of this story arc, and with that the Power Girl fans love.

Overall, Power Girl #9 is much more enjoyable than previous issues of this series. With elements that hurt the series downplayed there are not as many distractions. There's just enough with the action and the surprise at the end that make it readable. It's by no means good, it's just not quite as bad as most of the issues have been.

Like last issue, Power Girl #10 has some details that distract and detract from the experience, but overall it's one of the better issues of this series. The symbioship sub-plot moves forward, Power Girl gets a little agency, despite Leah Williams characterization continuing to demean the character.

Omen #1...er, Power Girl #13 is such a bizarre issue. It's either written incredibly poorly and awkwardly, or it's really setting up something sinister with Omen. If it's the former, thenwe've experienced this beforeif it's the latter, well this may be the best issue of the series so far. As such this issue has to fall right in the middle. This is one of those instances that only through hindsight will we really be able to judge it. At the very least, it's interesting even if I'm reading it incorrectly and adding more than Williams intended to be there.

Overall, it's not a strong start to this run outside of Samperes exceptional art.

Overall, Absolute Batman #1 is technically a well executed and crafted first issue. There is a question of "why we should care about Bruce and why is Alfred more interesting? While the Easter Eggs and references should reassure the reader, there isn't a strong enough core concept for this version of Batman to bring me back. Maybe the violent, over the top approach is what some readers are looking for. Or, perhaps, it's what appeals to the creatives in the Absolute Universe. I don't think the majority of fans are looking for a recapitulation of the same ideas that Alan Moore and Frank Miller first utilized in the '80's and '90's. DC seems to have a desire to reinvent the wheel instead of just telling great stories that move established characters forward.

Overall, Absolute Power #1 is a decent comic. The art is great and Waid has some good moments. He's trying really hard to make this a big event with some startling moments. However, there's nothing behind them that is interesting enough.

Absolute Power #2 is a disappointment in that what it seems to set up is left on the table with a complete right turn that is nowhere near as interesting. It appeared that this issue was going somewhere and improve upon last month's outing. It's far more interesting and exciting to see the heroes fighting back instead of another full issue of them getting beaten by a lame villain like Amanda Waller. Still, the issue does promise some things in the future.

For this run of Action Comics this is one of the weaker issues. The overall concept of this story still gets high marks, but this episode seems to stall out until the final sequence. However, this does make it an ideal issue for new readers to jump aboard. The arc remains promising as it seems that Superman will be faced with a real moral quandary.

Things are different all over again for Superman and family. With this identity mystery over, the title will have to shift to a new approach. Returning to a status quo for Superman while understandable is not without some disappointment. Keeping ideas newis important for characters that have the history that Superman does. This "Reborn" journey was not as great as the year leading up to it.

Despite the familiarity of the Superman Revenge Squad's motives and methods, this is a solid issue strengthened by Zircher's art and the continuing saga of the Lane/Kent family. To be a better story this arc needs either a greater emotional impact on Superman or present him with a significant psychological challenge, and there are a few seeds planted which could become fruitful.

This is a solid issue with a promising lead in to what should be a mighty showdown between the Superman Revenge Squad and Superman's own Super-squad. While not overly remarkable, it is enjoyable as it presents a classic looking Man of Steel and we get a little bit below the surface of Superman's character.

This issue is uneven at best. While it has great art and exciting concepts, it doesn't move the plot along very far and the details are given short shrift. Perhaps, the most interesting ideas are left on the floor while the plot inches forward. The razzle dazzle distract for a bit, but at least it looks nice.

VerdictI guess it's important to state that this issue does bring together all the subplots from the last year and finally make it feel like one big story. It's taken a long time to get here…. Unfortunately, not all of it really works. The Invisible Mafia still have a lot of potential, and Rose could be a breakout character, but Lois and Clark are really suffering. Not only are they mostly on the sidelines, their story is tabloid gossip as opposed to something meaningful.

As Bendis develops his Superman epics both in Action Comics and Superman, it becomes more and more clear that all his titles are interrelated. Naomi's appearance on the last page of Action Comics #1014 and the Legion of Super-Heroes appearance at the end of this week's Superman #14 demonstrates that he's developing his own corner of the DC Universe and you have to be “all in” on his titles. It's a double edged sword. While one can admire the planning it takes to bring all these disparate storylines into one grand cohesive tale, if you're not really digging some of the basics, it's hard to get worked up about the big picture. Despite Lois and Clark's relationship appearing to normalize a bit more, the inconsistency of its portrayal and multiple subplots which suffer from lack of attention casts a shadow of doubt on how well the overall story will hold together.

There are technical aspects of this issue, and all of Bendis's Superman and Action Comics runs that are executed well. He really wants to work on character, and that's great! However, the content is almost always unenjoyable.

Fellow DCN reviewer, Derek McNeil messaged me that this issue was “a hot mess!” I don't know that that is an entirely accurate description as Bendis is able to make something feel exciting with Superman in Action Comics #1019. The idea of the anti-hero is intriguing and Luthor's plot to kill Superman is engaging. Certainly, his identity reveal has played out over in Supermanas a non-story. (If there's no impact to this reveal, why do it in the first place? Answer= Bendis has no idea what he's doing.) While this issue is actually pretty good, its context within the larger scope of Bendis' run begs the question, why didn't some of this happen sooner? A roller coaster ride of quality continues in Action Comics #1019, though it never gets over the biggest hills.

Action Comics #1028 slows things down to try and bring Bendis's entire run to some sort of conclusion. Unfortunately, despite some nice character moments that carry this issue, Action Comics #1028 is also a reminder of all of Bendis's shortcomings as a writer. It's a real shame that DC let Bendis go unsupervised on their flagship character. And, if he was actually supervised, that person should be fired. There's years of fixing in the works for Superman. It's like waking up form a nightmare only to realize that it was real. I pity the subsequent writers who have to manage the baggage of Bendis's terrible ideas. This is the first time I've thought the idea of the “retcon” was a good thing.

Action Comics #1029 is a mixed bag. The Midnighter story is the highlight with a really interesting premise and twist that should provide some good character work and engaging storytelling. The Superman tale feels a bit flat and haunted by Bendis's additions to the mythos which don't add anything positive to the characters. Fan or not, the Midnigther tale is a good read and may be worth the price of admission alone.

Action Comics #1036 is very uneven. Daniel Sampere and Adriano Lucas' art are the most consistent aspects on the issue. The story doesn't spend enough time on the best part and most interesting aspect- the Phaelosians. We don't expect Superman to die, so the stakes don't feel that high for his impending encounter with Mongul. And, in the end, the Phealosions' backstory is far more interesting than a bait and switch on Superman's "death."

Action Comics #1037 is a mixed bag. The best parts don't get the focus, and the Martian Manhunter second feature has a clearer direction even if everything isn't obvious at the start. However, Miguel Mendonca and Adriana Melo combine for a strong artistic outing across both stories. Once again Julian Totino Tedesco provides an exceptional variant cover- what a story that would be! Perhaps, once we get past this second "death of Superman" Johnson can explore the interesting concepts he's introduced.

Buy this one for Tedesco's variant cover and the Marian Manhunter second feature. Action Comics #1038 isn't without merit, it's just probably not the merit you were banking on. It's still a difficult time for Superman, but it's nice that there's more to this title than the lead Superman story.

Mercifully, the "Year of the Villain" tie-in is negligible, which means it will probably come to fruition next month. Despite a heavy focus on character this issue, Aquaman #50 has trouble rising above mediocre because of content. While technically it's an extremely well done issue, the details leave a lot to be desired. It's hard to tell if last year's feature film is informing the comic editorially or through DeConnick's own story direction. Never the less, it's not coming across successfully. No one wants Jason Momoa in the comics"let's leave that for the questionable movies and let a classic Arthur Curry and Mera have a place to thrive. Or you could just buy back issues".

The strength of this issue lies in DeConnick's skill in characterization, even if Aquaman himself falls too far from the mark. If you're ready for the "new" Aquaman then this title is now for you, but if a classic take on Arthur Curry is what you want, it appears that ship has sailed... Go buy some Skeates/Aparo books...

This issue is evenly balanced between the good and the bad. While the technical aspects of DeConnick's writing are hitting on all cylinders, it's very hard to feel right about the depiction of Aquaman. It's a far cry from Geoff Johns' “New 52” run or Dan Abnett's “Rebirth” issues. There's clearly an editorial directive here that is pushing DeConnick in a direction. While Aquaman feels like a stranger for the most part, Jackson Hyde is a truly enjoyable character to explore. The mystery of Tristan Maurer pushes things slightly over the middle. One might have to muddle through until reason returns and the Aquaman we know and love actually returns.

As long as Aquaman is “not himself,” this title will struggle. While Mera carries this title, it may not be enough. When Mera is front and center, Aquaman is a better comic. As long as Arthur is portrayed as unlikable, he will be a distraction from the good things in the book. It's well past the time to get things back on track.

While it's nice to see Arthur and Mera finally married (this was teased way back in DC Universe Rebirth #1), the journey has been a bit underwhelming (The best character work was with Jackson and grandpa Jesse). The idea that Atlantis is moving forward with a different political agenda is interesting and would've made for a better story than returning Orm to the vengeful brother for another confrontation for the throne with Arthur. It's worth reading this issue for the small forward movements, but it's a headscratcher when one realizes the missed opportunities.

What this issue lacked seems like it can be easily recaptured in the series. With more space and narrative it should be easy to get Barbara and Dinah exhibiting the friendship they once had. Helena will be an unknown quantity for a bit as she is new to this version of Birds of Prey. My only trepidation is that Batgirl and the Birds of Prey will stick close to the most recent versions of the characters and they wont exhibit the same camaraderie that existed in the classic version. It was not the basic concept that made Birds of Prey so good in the pre-Flashpoint DCU, it was the relationships between the characters that were developed by Chuck Dixon and Gail Simone most notably.

If youre reading this storyline, you certainly dont want to miss this. It sets up the next chapter, but is not all that exciting on its own. However, it does present enough interesting ideas that if you were to pick this up on a whim, youd be drawn in to the situation and have a hard time not coming back next month.

The first half of this 26 issue series was a lot of mystery unraveling and solidifying the Bat-family. They were in the dark, confused, but now the second half of the series seems to be shaping up as an offensive against Mother both in the present and the past.

An easy to jump into issue over 1/3way through the series, which is remarkable. The book feels like a good Batman story and it incorporates so many elements which make the Bat-Mythos so enjoyable. There is a lot to like and a lot to digest, but the creative team does a good job with it all. The direction of the development with the family dynamic is a feel good aspect to the book which makes it very likable. This may also point to the meaning behind the title of the series. By creating a family and not a team Batman will in fact become eternal. This is really 3 1/2 Daily Planets.

This is another good issue of Batman Eternal despite the change of pace and characters from recent issues. Its a big story that continues to get bigger. There is a unique completeness to it with the through line that is Jade, despite two cliffhangers with Batgirl and Catwoman. The art is neither here nor there, nothing really remarkably great or awful about it, just somewhat average. If youre reading this title, youre going to get this issue. If youre not it might be a bit harder to jump in to the story here, though theres certainly enough going on to pique ones interest.

Settling in with series on a weekly basis has its pros and cons. It does move a bit slower than your average series, but the scope of the story is certainly much larger. While touted as turning point, and certainly it was, it seems things slowed down a bit this issue- Hush is barely mentioned. This is certainly worth reading, but a new reader will be not only confused, but left wondering if this is the pace of each issue. The varying pace is necessary for the gravity of the issue, but one hopes that the next issue will pick up the action and push things forward a little bit faster.

Plot advances to keep the ball rolling, but mixing of genres may make Batman Eternal a tough nut to crack for some. If youve made it this far no sense in stopping now. The emergence of the Spectre is much anticipated, and teasing him is the way to bring the reader back for the next issue. 3 1/2 Daily Planets.

Overall, this was a weaker episode of Batman Eternal. It fits into the bigger picture as a set up for the finale, but on its own it is a bit meandering. It closes out some of the story points from the previous issue, butseems to stall out as it approaches the end of this Bat-Epic.

Next up we have Big Barda. Barda is definitely a heavy hitter. For a fight she's a good choice, but on the stealth side of things, maybe not. She could've learned some things from husband, Scott (Mr. Miracle) Free in this area. Even so, she's the muscle of the team and that works well enough. This is a solid start to the team and the path that Dinah takes to recruit these two is done well, especially as it continues to rely on Dinah's relationship to the target, Sin.

Overall, Birds of Prey #5 is a better issue than #4. It may not seem like it when breaking down the details, but there's a stronger through line with the plot and the conflict building. This is still not a Birds of Prey comic by any stretch of the imagination despite the title. If anything, with Megaera it would be more at home as a Wonder Woman or Zatanna story, or perhaps Justice League Dark or Madame Xanadu.

While Birds of Prey #14 does show signs of improvement from previous issues, it also continues to expose Thompson's weakness as a writer in the DC Universe. She just doesn't know the characters well enough and can't distinguish the good from the bad in terms of previous stories. Her characterization remains surface level at best. It's a mediocre start for the first issue under the "All In banner. If this is the best Thompson's got, it's not a lot to get excited about.

This is a solid Catwoman story that places her as the protagonist, but not asa hero. It provides the opportunity for the exploration of her character. For a fan of the character its a good story that promises some sort of payoff, presumably next issue.

If you thought Cave Carson Has A Cybernetic Eye was psychedelic and trippy, you ain't seen nothing yet! This first issue is a uneven in tone and content. Where it should be fun it feels tempered by a darkness. The short back up story comes across better than the main tale.

So far, Cave Carson Has An Interstellar Eye has been up and down. For the most part it seems the pacing is just not there, yet. There's not enough of the good stuff in each issue and the down issue have been either awkward or slightly inaccessible. That means #4 should see an upswing again. The saving grace is that when it's all said and done this arc should read quite well in collected form.

Almost smack dab in the middle, Collapser #3 is a story with two halves, but Ilias Kyriazis' art pushes it over the halfway mark on the rating. Be very excited about the interesting and unique concept of the sentient black hole and Liam's father's journey, but be prepared to be disappointed in Liam's cliched behavior once his celebrity status rises. Although, next issue's tease of “Louder than Bombs” bodes well, especially if you're a fan of The Smiths….

If you havent been following along the past 7 weeks theres not much reason to jump on board now, but I wouldnt jump ship either. Theres enough teased for the finale to keep one around for one more week. The fate of DCs history hangs in the balance- is this a farewell or welcome back?

Neal Adams' art is always beautiful. This does not change. However, the story is a bit of a mixed bag. While the surprises keep things interesting, there may not be enough pages left to finish this story off in a satisfying fashion. This could be the turn off issue for some, but there's enough potential in the concept to stick around for the last two issues.

Exploring Batman's past is a lot of fun. Reaching back to Hugo Strange is a nice touch that connects the story with the history of the character. What seemed to be a trip right back to Detective Comics #27 veers off this path a bit and the Demon is not a character one usually associates with core Batman characters. Wedging Silas Stone into Batman's origins feels a little off as it distracts from the history trip that it appeared this story would be. Despite this the final page suggests a real confrontation between the Batman and the boy who would become the Bat which IS at the center of Batman's narrative.

VerdictWhile the mechanics of this story are solid, Astird's motivation and background make her a forgettable character. Batman and Robin shine, though as Tomasi continues to have fun with this one-of-a-kind father and son duo. Don't be surprised to find a smile on your face as a little bit of camp goes a long way. Though Astrid escapes interment at Blackgate, let's hope she just keeps out of trouble and Detective Comics finds some better Bat-villains.

Doctor Fate #2 moves the plot along with some significant moments and it expands the mystical/ mythological elementsin the story. It doesnt quite explode yet, but it certainly feels as if it will soon.

This issue finally hit upon what could drive this book- character. These Wonders all have a story to be told. With more issues like this, Earth 2: Society could quickly launch to the best in the line, however the labyrinthine and stygian plot in the year after planetfall time frame are holding back the title from breaking out.

All in all this issue continues to be a step in the right direction for this book. Its not quite there, but it seems like it has the chance. Wilson needs to find a likable character on which to focus. It seemed like he had found that character in Lois/Red Tornado last issue, but neither of those characters has historically sold a lot of comics beyond Supermans Girlfriend Lois Lane in the 50s.

A decently entertaining issue, while mired in a bad concept and an extremely slow pace. If they could only get out of this situation and get things actually moving. Its hard to believe this series is still being published, hope is truly eternal. Its not so much bad as just ill-suited to these characters.

Another good issue from the team at Ahoy Comics. You can't skip the text pieces in these comics! You also can't put these in the same creative box as your average superhero comic. So learn how to laugh through the fear with Poe and Co.!

Edgar Allan Poe's Snifter of Blood #4 doesn't quite have the punch as previous issues. It's not bad, but it's not as striking as some of the stories we've seen in previous issues. "Winston" has a unique subtlety to it, but it doesn't stand out as much as I would like it to. Keep reading though"

Edgar Allan Poe's Snifter of Death #5 is a bit of a mixed bag. There are some interesting big ideas but the details don't play out as one might like.

For fans, Fables #157 is fun and still contains the "magic that makes it an outstanding series. It's a bit awkward though, with the break between issues and the time jump. The size of the cast doesn't help either. There's no doubt that this issue will play perfectly in the collected edition, but as a standalone issue, it's definitely not for first-time readers, and could prove troublesome for new fans of Fables.

If one were reading Fables #161 in a collection, there's no way the reader couldn't finish it out the last chapter. This issue has that kind of narrative intensity. It's hard getting that feeling right at the outset since it's been two and a half months since the last issue. Do yourself a favor, when the final chapter comes out, get all your issues together and have a Fables-fest and read all 12 in one sitting.

I'd like to see Flash get back home and sort out the messes in Central City, but nothing made me care too much in this issue about the characters. If you're reading the Flash you won't want to miss this, but it's not a jumping on point. Too many ideas make this a muddled issue and it doesn't progress very far, if at all. 3 Daily Planets might be generous.

Grayson #9 is a solid start to the next chapter in Dick Graysons life with Spyral. Its fun from the first page and an easy read to a new reader. And even if you dont intend on sticking with it for the long haul, Seeley and King have again successfully told a complete story in a single issue while building on a larger narrative. 3 1/2

If youre finishing out this series before Dick heads back to his Nightwing identity, then youll certainly want to pick this up so you dont get lost along the way. But if you want to try an issue of Grayson for the first time, Id probably skip this one and go back and get last months.

Three issues in, The Green Lantern is a bit of a jarring shift from the Green Lantern comics of the last 15 years. While the aliens and intrigue are engaging both visually and storywise, there is a clear lack of character work missing. So much so, that it may be difficult to get this to feel like a Green Lantern comic. The humor in the issue leans towards satire and it's not clear if that's good or bad, but it was clever and enjoyable and was probably the best part of the comic along with Sharp's Woodesque aliens.

All the parts are present inThe Green Lantern: Season Two#4, but they are not coming together as well as they should. Overall, it leaves one feeling a little disappointed. Hopefully, this series will take a turn for something bigger and more cohesive. Morrison is capable of making the far out and bizarre work. It feels like he's holding back here. The tease for next issue does hold some promise…

We all know something big is coming next issue…and The Green Lantern #11 gets us there. It's just not as outstandingly as it could be. Still, there's strong characterization. The examination of the Hal/Carol dynamic is worth the read alone. Next issue should be a doozie as it pulls together the three different plot lines that have been going since issue #9.

If you've been following Metal and all it's tie ins, this is no doubt a book you will want to read. If you aren't that interested in Metal then you can skip this issue. Despite Venditti doing the best he can with the tie-in, it's really not necessary to read unless you are trying to read all the Metal tie-ins. It's more of a distraction from the great work that's been going on in the book. It feels disjointed from the rest of the series and would be best enjoyed by those all in on Metal.

There's a lot of potential in this first issue to grow into something significant. There's just not enough here to tell if it will, or even what direction it will take. There's a lot still hidden from the reader that should be interesting to discover. While not overwhelming, it's a solid start, despite a lack of identification with any particular character, as none have been individualized to stand out as the lead. It's worth a try, and there's enough here to try next month as well.

If you love Harley Quinn and Batman then this is an issue you will cherish. There is some great character work with Batman that would be at home in any incarnation of the Dark Knight. The Harley Quinn part makes the issue uneven, despite moving the story forward. Too much Harley can be too much to take.

What makes this anthology work is the variety of genre in the book. While ostensibly they are all super-hero comics, they all utilize different styles within the individual features. Firestorm is the most straight forward Super-Hero type story. Metamorpho invokes a lot of sci-fi themes and trappings. Sugar and Spike definitely utilizes a humorous approach to tell the embarrassing moments of the Worlds Greatest Super-Heroes. Metal Men tries to be a fun comic with a deeper sense of emotional need. However, the one thing all these features have in common is the focus on character. None of these stories is about a single solitary individual who is alone in the world. That ensemble approach is something that is true of this comics TV counterpart. This anthology is a winner.

Overall, Millennium is not bad, but it isn't great either. The strength of some of the ideas and the focus on Rose's character are engaging, but the lack of narrative leave this reader wanting. A strong plot would've elevated this issue. Moreover, it would've seemed that Rose, having lived through all these disparate futures would've been able to make some sense out of them for the reader, giving them context and meaning.

There seems to be some hope for Legion of Super-Heroes fans in this Fourthbooted iteration of the team. However, under Bendis's pen it may take some time to materialize as his track record at DC has shown him to take far too long to get to the point. Legion of Super-Heroes: Millennium is a perfect example of this. While Rose's character may be interesting, it really has nothing to do with the Legion. Bendis is going to try and tie it all together, but like “The Unity Saga,” one fears it will be a long drawn out tale with a lackluster finale. Thankfully, the art is consistently good in Legion of Super-Heroes: Millennium #2, even if the “story” is yet more set up.

Legion of Super-Heroes #10 is above average, but not without it's faults. This iteration of the Legion has been as such. There are moments that are really good, but many more that either just feel off or are just not executed well. While there is some excitement in “the coming darkness,” which could now be Rogol Zaar, Mordru, or both, the revelations about Mon-El are just disappointing and there's absolutely no fire in the “coupling” of Imra and Jon.

I guess it all comes down to the fact that the mystery of the break in is a lot more interesting than Midnighter himself. The characterization of Midnighter left me cold, but on the whole the issue was decent. It was certainly well executed for a first issue. I think it just comes down to taste.

A strange end to this arc. It raises more questions than it answers and not in a good way. While there is certainly a set up for a new angle, there's a lot of unresolved issues that may muddle what comes next.

The wrap up seems a little forced as there are still many unanswered questions in both of Violet's realities. About the best we can do is hope for another series with Mother Panic. She's proved to be more interesting as her own person rather than a fill in for the Dark Knight. Perhaps, she'll get her due down the road.

Surprisingly, this issue was easily understood by this first-time reader. Despite being a newer title, it offers easy entry into the world of Task Force X. Overall, its very uneven. The basic Suicide Squad concept is intact, and there are a few good character moments, but theres not a sense of team yet, outside of Lawton. Harley may too much of a loose cannon, but there does seem to be potential with Manta and Boomerang. The Man-Bats do provide a wildcard element of fun to the team and oddly more predictable than Harley. Its sort of a middle of the road book. If you like the characters then this is probably for you, but it wasnt enough to make me want to come back. Three Daily Planets may be a bit generous, but 2 is a bit low.

Despite moving the story along, this issue felt like a misstep. It failed to present much character work that has been so strong in this arc. The Run-Offs could've helped save the day here instead of bailing on Dick. Additionally, Dick once again seems all alone in his fight without a friend to turn to.

Prez #6 is a decent wrap up of the first half of the storyline. While often it is fun and humorous, at times it seems to tackle situations that require a little more heart and may not always be fodder for satire. Overall, its somewhere in the middle, not the best of the first 6 issues. Its important to keep in mind that we are dealing with some situations that sometimes accurately reflect the world in which we live. I think the thing that this book succeeds at the most is finding a way to comment on our world while not seeming to be about it at all. Because, even the notion of electing a president via Twitter is just as odd as electing a president as the electoral college.

A good start for the series that definitely shows promise. The big questions this series raises are applicable for the main character as well as us humans. The mature reader tag might keep some teens from this title, but it feels like a book with a lot of appeal to teens.

At least the surprise in Lex's box still has the potential to put Lois and Clark to the test when the figure out how to address that information. The only question will be in what comic the story continues after Superman: Villains #1?

Not a bad end to this mini-series, but a bit incomplete. This may have more to do with editorial than the creative team.

This issue has a lot and it slows the arc down overall, and while the main threat is Lena, Lois's fate is the most important aspect that we continue to get very little on. It's a little unbalanced, but not bad.

Overall, this was an uneven issue. There were a few moments of really intriguing stuff, yet it was unfortunately balanced by some very run of the mill super-hero comic filler. For a newer reader this probably wont bother you.

This is a solid comic. Its a fun one and done that ties in smoothly with Robin War. Theres clearly a lot of potential here and a great tease for the future with the appearance of Brother Blood. This may not re-invent the medium, but it holds its own without being overwhelmed by the Robin War tie-in. 3 1/2

As always with Morrison, theres a lot going on under the surface and between the lines. He puts a lot of references in both direct and indirect. It makes for an enjoyable experience, even if it feels like this issue slowed the progress of the over-arching narrative down. He saves it with Batmans insight about the comics. But there is something unsettling here that makes it feel off-kilter. Perhaps, that what Morrison wants the reader to feel, a little uneasy, a little unsure. I have no doubt that when read all together it will fit seamlessly with the rest of the story, but standing alone it did not come across as strong as last months Society of Super-Heroes. 3 1/2 Daily Planets.

Wonder Girl #6 is a good issue with the plot elements coalescing , but it still feels like the story is rushing along too quickly. There's a lot of unrealized potential with Yara's story that appears will be lost in the shuffle of the upcoming "Trial of the Amazons." Yara has to be ready to participate in that, but at the expense, perhaps of her inaugural story arc.

Overall, the Aquaman 80th Anniversary 100-Page Super Spectacular is a solid issue that commemorates the character if not the different eras always effectively. The covers will get you through on that count, but it could get expensive if you wanted to collect 'em all! There's a lot to enjoy and a couple stories serve as portents of things to come that appear to be quite good. It's just sort of ironic that Black Manta and Jackson Hyde seem like they are poised to take Aquaman and the Aqua-Family's place.

Absolute Superman #1 is the best of the first three Absolute titles. From the original assignment, it gets it most right. The changes to Superman's lore fit with the idea of a universe influenced by Darkseid energy. The changes feel organic as to how they come about due to other factors. It's a more cohesive effort overall all. I don't know that it's enough to bring me back for a second issue, but this is the most well conceived effort of the Absolute Universe so far. So while the score is 3.5/5 (7/10), it's more like a 7.5/10.

This is another solid issue. The pacing is to a point where we need a break for a bit and a little more information to hold on to. Theres no doubt that Supermans world has changed and his son is his greatest liability and greatest joy, but every issue cant have the same menace. If the next issue is the same, I fear reader exhaustion.

Please, Mr. Jurgens, can we be done with Doomsday and get to solving some of the mysteries? Who is Mr. Oz? Who released Doomsday? Will Superman and Luthor become allies? Who is this Clark Kent that is not Superman? I know this is Action Comics, but the questions raised have far more potential than Superman vs. Doomsday Round 17. The interpersonal relationships continue to be the aspects of this book that are the most exciting and answering those questions will bring about some resolution to this the best part of the drama.

If you like what's been restored, then this is an enjoyable issue. If you miss what's been lost, then you will feel lost. This issue tips slightly positive, overall for me. While this is a necessary diversion, moving ahead instead of revisiting the past is more important. Like Superman, there remains an uneasiness in the merging of the histories as I know not everything jives with what was published. There's no easy way through this. Hopefully, Mr. Oz and the Superman Revenge Squad that assembles by the end of the issue will provide a quality threat for the Man of Steel in ensuing issues.

The classic approach to Superman is a welcome direction. However, there does seem to be a lack of depth in the plot. The off beat approach to trying to reconcile the two Supermen at the beginning of this run produced a more interesting challenge for both the reader and the Man of Steel. Though a step up from last issue, it's good, but not great.

This is a solid issue, but suffers just slightly from being more or less a fill in between story arcs. The finale certainly whets the appetite for the upcoming reveal of the Mr. Oz story line in subsequent issues. The strongest aspect continues to be Superman's challenging relationship with Lex Luthor.

Action Comics #1030 is another mixed bag of sorts. However, the positives are outweighing the negatives in a more significant fashion. Despite the basic premise of the Superman story feeling generally uninteresting, the surprise at the end and the great character moments make it an enjoyable read. Additionally, the surprise at the end gives it the feeling of real potential. The second chapter of the Midnighter tale is the icing, as the concept and characterization are equally engaging. This gives every indication that it's going to be something special!

Character is the strongest element of the Superman story in Action Comics #1039. Johnson nails this page after page, even if Superman's not quite fitting into a John Carter of Mars story as one might expect he would. The Martian Manhunter story continues to build up with an interesting reveal. The art across the issue is at a high level, Melo is great on J'onn J'onn, but Federici is exceptional on the Superman tale. All in all, this is a step up from last issue.

Lacking context, Simone's story is a little unsettling. One one hand, it's great to have Bronze Age/ throwback tale with influences from different iterations of Superman, but perhaps more will be explained. As a throwback tale it's a ton of fun and very enjoyable. Rowell's story takes a more serious approach that is a nice contrast to the fun in the main story.

Solid issue that pushes the story forward and sets up the next act of the larger narrative. There's enough here for a new reader to jump in and get a good sense of what's going on, as well. Aquaman continues to be a strong title for DC in the Rebirth era.

This is a fun issue, with a fun premise that is more of a celebration than any sort of deep exploration of character. Fun comics are great and important. It doesn't quite hit the highest nostalgia moments, but it does show that Thomas is aware of the history of these characters. You'll enjoy Aquaman/ Green Arrow: Deep Target #1 in the way you enjoy an old Silver Age comic or adventure romp.

The work by Thomas, Cliquet, Arreola and Reed is subtle at times and it's refreshing to have a fun story that reminds us of a "simpler" time that celebrates the history of these characters while not deconstructing them. We've seen that deconstruction in other places, and that's not what this series is about. So, come enjoy these two DC stalwarts in a fun tale behind a dynamic cover by Marco Santucci!

Aquaman/ Green Arrow: Deep Target #4 maintains the fun of the previous issues of the series. It has some emotional depth to distinguish itself from the typical Silver Age stories it homages. Additionally, the continued references to other comics/books/movies elevates the fun factor. For a fun, escapist read with some nostalgia thrown in for seasoning it gets the job done.

All in all, Aquaman/Green Arrow: Deep Target #7 is a fun issue with a little bit of heart. It gets the job done, though it leaves a lot of room for a stronger final act. It's a nice way of celebrating the 80th Anniversary of these two who are a strange pairing, but who've historically been linked since their first appearances in More Fun Comics #73. They shared many issues of that title as well as Adventure Comics through the end of the Golden Age and much of the Silver Age.

So far, Batgirl and the Birds of Prey does a better job of reintroducing the Birds of Prey concept than the New 52 version. However, it is a bit of a mixed bag in that the characterization of the individuals doesnt fit as well as the dynamic between the characters. This issue was stronger than last months Rebirth issue, but the "DCYou" characterizations are distracting and remind the reader that this is not the classic Birds of Prey and that something is just not quite right.

Get yourself in that Fables space- and then pick up Batman vs. Bigby! A Wolf in Gotham #1. It might even help to read a story arc from Fables beforehand to get you there. While this issue starts off leaving the reader feeling a bit unsure, the potential is here. I have no doubt that "unadulterated brilliance" will be with us soon, but all stories have to start somewhere".

This is another solid chapter in the Batman Eternal saga. No reason to jump ship at this point. For a new reader it might be a bit confusing to start this late in the game. There is a sense we are on the verge of figuring out the big bad very soon. 3 1/2 Daily Planets.

Birds of Prey #7 is easily the best issue of the series so far. The inclusion of Barbara Gordon and thus connecting the book to the core Birds of Prey concept makes it feels right. This issue doesn't feel as derivative as feared with the time travelling killer plot that seems so similar to the first arc in the current Justice Society of America series. Things seem to be going in the right direction as long as future issues can wrap up the killer plot and move beyond connections to the first arc.

While Jaime's family rallies around him, Jenny's aunt, Victoria has no redeeming qualities and is literally out to get Jenny, pushing her closer to the Reyes family. This contrast is subtle, but a well executed use of the family theme. The importance of the family shakes out differently than in most superhero fare, Jaime's family knows his secret and it becomes essential to Jaime's character.

Issue #2 of Cave Carson Has An Interstellar Eye fares better than last month's debut. The tone is beginning to shift back to a more familiar one and the mystery Cave is unearthing seems like the thing he needs to bring him back. Hopefully, this also leads to Chloe finding balance in her choices.

Chilling Adventures in Sorcery #1 straddles the line between horror and the Archie characters. While the book maintains the horror theme it never loses sight of the fun. If you're a fan of the characters it's an enjoyable issue. If you're looking for the darker horror elements this will be lighter and not quite as chilling as its sound alike title featuring Sabrina. All in all it's a solid issue that demonstrates the potential of Archie Comics in the genre.

I think the real sell for this series is directly proportional to how invested one is in the DC Universe in total. It finally feels like DC is making something directed at readers like me. With that said it feels like Two Thumbs Up! This could preclude newer DC readers who have only come aboard in the past few years. However, I would remind readers of The Flash (Vol.1) #123 and Justice League of America (Vol. 1) # 21 that looked back at DCs past and engaged new readers with older characters. With the re-introduction of so many iterations of DC characters, this could happen again with Convergence.

This special is a fun romp that does everything it's supposed to do. For fans of Jonny Quest, seeing Jonny and Team Quest appear in such a classic approach is a real treat. This book won't set a new standard in comics, but it's an enjoyable tale that evokes the right tone and mood.

If last issue was over-the-top, laugh-out-loud, Edgar Allan Poe's Snifter of Death #2 is a more understated humor experience, though there are some wild moments in "Angle of the Odd." Overall, it's an entertaining read with Richard Williams cover producing another endearingly horrifying holiday image. One can only imagine what's to come for future issues around Valentine's Day and Easter!

You've got to figure out which character you like in Everafter: From the Pages of Fables.Bo? Peter? Connor? Hansel? They all present a different type of character. The challenge is for Justus and Sturges to get them all working together and creating that chemistry which was so effective in Fables.

The plot and concepts are truly interesting and exciting! However, the cast is growing so quickly, it's hard to latch on to anyone for long. I would like to see this book explore the concepts more completely before introducing another great idea. I want to enjoy the great ideas fully, before something else replaces it.

Fables #160 brings some of the plot threads together as Pan's villainy seems to hold no bounds. Tink's reluctance as his ally continues to be an interesting idea while also suggesting ideas of master and servant that will hopefully be explored in the final chapters of "The Black Forest. Additionally, as Cinderella is proved right, she suffers consequences of not being "political which brings up another subtle commentary. As always, the art team brings the world of Fables alive.

Fables #162 ends not quite with a wimper, but certainly not the bang that one would hope for with the ending of such an impressive and lauded series. That said, there's a lot of good stuff in the issue that can be enjoyed. A single read of all twelve issues will give the best experience for the reader and that may have to be good enough.

While the pacing of this series sometimes feels off, there's no doubt this will be an incredible read as a single volume. For the most part the deficiencies can be worked through as there are so many fantastic elements in this series. That doesn't mean don't buy Far Sector #11, but rather a reminder to collect them all so they may be read together at the reader's pace like a novel not beholden to publishing schedules.

Despite the pacing issues of this series, I can't recommend Far Sector enough. Overall, it's a wonderfully interesting, entertaining and challenging series. Jemisin will make you think! Jemisin will also make you feel. The series was shockingly topical at times as the Summer of 2020 provided the United States with some social unrest that resonated with the plot Jemisin had already written for the issues that were released at that time. Far Sector #12 may feel a bit unsatisfying on its own, but the series is definitely worth a read, and it will probably be even better experienced as a whole.

Theres a lot going on in this issue. From the nanocytes introduced in Blackhawks #1 3 years ago, to the word play with Dick being a Spider-Man, if you pay attention closely, youll be rewarded. Grayson continues to be an enjoyable book. However, this issue will read better as part of the overall story arc.

I make no apologies- I am a fan of the Arrow TV show. This new direction appeals to me. I was never a huge fan of Ollie pre- New 52. The show reinvented the character for me and the ensemble cast is a huge success. Even though I thought the Lemire/Sorretino run was a high watermark for GA, for DC to move the book closer to the show makes sense to me. I like this direction for the comic. It is a gamble, though. If you are liking the show then you will probably like the comic.

Green Lantern #3 is a good issue that suffers from having to overcome the Knight Terrors event. It has to work a little harder to get the momentum going again after the great first two issues that this Green Lantern relaunch built. While there remains an awkwardness, the issue does reset the focus and bring Hal into contact with his greatest nemesis, Sinestro. The triangle of Hal, Carol and Sinestro isn't a love triangle, but an interesting intersection of lives that is unique in comics.

Green Lantern #8 is a solid read that promises a large drama that will unfold in this series. There are a number of interesting moments in the issues and it really feels like something is beginning in both the stories.

Green Lantern #14 is a balancing act between two main stories with a number of subplots thrown in for good measure. While it would be nice to have more space devoted to Adams' ongoing Green Lantern story, he executes the crossover assignment extremely well. If you're enjoying Absolute Power, this book is probably even better.

With the tension at 11 this issue did its job in getting us to the one-on-one confrontation between Hal and Sinestro next issue. You'll be coming back for more, but how many more “final showdowns” between Hal and Sinestro can there be? With no chance at detente between the two, at some point there will have to be a final resolution, maybe this is that story….

While an exciting issue with some really nice character moments, this is mostly a prolonged battle between the GLC and the House of Zod. However, the set up for a showdown between Hal and Zod is in place for next issue.

This issue really sets this series in the right direction. After a dismal and annoying first issue, Injustice 2 #2 has added back in a sense of hope and goodness to this world with a rogue Superman. It's going to be an uphill battle, but it seems that it will be possible to pull for the good guys again. While there's nothing exceptional here yet, this issue does show the promise that it will be an exciting series with perhaps some potential for character moments if the pace of the plot slows down enough to breathe.

Injustice 2 #22 is a solid issue that continues to develop Damian's conscience while looking forward to an eventual intersection with his father. There's a bit of hope here, but the world of Injustice is tainted, and it's hard to tell if this hope is genuine or just misdirection that will make the failure of the heroes more devastating.

Going into Knight Terrors Nightwing #1 already knowing what Insomnia's endgame is detracts from the issue greatly. The creative team gives a great showing with what they have to work with, but this issue would've worked so much better had the audience not been privy to what was going on and Dick had to figure it out. That said, there are some really compelling ideas from Cloonan and Conrad that have the potential to play out epically next issue and Di Nicuolo gives a great showing on the horror aspect.

Because character holds a lot of weight with me, this issue gets a higher rating than maybe it should. The minimal story and apparent forthcoming rehash of "The Great Darkness Saga" is underwhelming. The last thing we need is a retelling of one of the Legion's greatest stories. However, the character spotlights give readers a chance to get to know the Legionnaires in this incarnation, that after nearly a year in to the title is sorely lacking.

A winner in characterization, Nightwing #1 overcomes the drawbacks of the reused undercover plot and an unprepared Dick Grayson. Dick Grayson continues to be one of the most likeable and accessible characters through his appealing disposition and grounded relationships.

Not sure where I come down on Dick and Shawn being together, it's a wait and see how it plays out situation. The conclusion to the arc is mixed. Dick's personal growth was right on target, but the resolution to the mystery was a bit flimsy. However, Dick has been properly reintroduced to Bldhaven and it gives Dick his own town to cover as opposed to being just another Batman. It worked 20 years ago and it seems like it will work again.

Nightwing #117 is a bit of a step back in terms of this arc. After the surprise ending of #115, and the excitement of the prospect of Bruce filling in as Nightwing at the end of last issue, it feels like this penultimate chapter treads water just to get to the final page "surprise. There are some strong moments between Boston and Dick, but the second half of the issue moves too quickly for it to stay with you. Overall, it's certainly not a bad issue, just one in which the opportunities stay with you longer than the successes.

By all accounts, theres no way back for Holland. It appears that Cable has stolen his powers and will be allowed to use them for his own gain. As Holland is swallowed up by the earth on the final page, it becomes clear that the horror will continue. Perhaps, Holland will be granted a new lease on his Swamp Thing life by the Parliament of Tress as he descends into the ground. The story continues to entertain and present a twist on the traditional take on the horror of being Swamp Thing.

Swamp Thing: Green Hell #1 sets up an interesting take on Swamp Thing as a defender of Humanity, this time defending it from the Parliament of Trees itself! There's a bit of nostalgia interwoven with the world-building setup that also has a familiar feel to it. All in all, a strong first issue of this Black Label series.

Titans #4 bogs down a little bit despite having some really interesting and satisfying moments. There are lots of good ideas at play in this series, but the Suicide Squad pages in this issue could've been used more effectively. Overall, it's satisfying to see the Titans feel like old friends readers have grown up with.

Trial of the Amazons #2 is a bit of a mixed bag. There are some really great details, but some glaring omissions and missed opportunities as well. In a crossover events you're goint to have launching points, but the Altuum and Artemis plotlines just feel unresolved. "Trial of the Amazons lands on the right foot, however, with the three tribes of Amazons united and prepared to go forward together with their disagreements put behind them.

Overall, Wesley Dodds: The Sandman #6 is a really good comic. there are some really fun moments as well as thrilling ones. It's clear that this series is deserving of an ongoing by this creative team. There's plenty more stories to tell and more to be done with Dian and Wesley, and eventually Sandy. The hiccups mentioned don't detract in a big way, but just distract for a bit.

While seeming a little rushed, Wonder Girl #5 delivers some significant plot development. Along with some beautiful art by Adriana Melo, it's a solid issue. There's just a feeling that there could be more, but it seems likely the creative team is doing the best it can in overcoming the delays that are beyond their control.

Wonder Girl #7 provides some satisfying moments for Yara Flor's origin, but leaves additional threads open for exploration that may or may not be seen due to the cancellation of the series. If this issue doesn't quite land, I think a reread of the entire series in one sitting will prove helpful, though it won't flesh out all of Yara and the Esquecida's history.

Like it or not, "Trial of the Amazons" is on the way- there's no stopping it! However, the unmasking of the Shining Knight and Dr. Psycho's continued plotting will provide Diana with more challenges either in "Trial" or in the story arc after the crossover. Wonder Woman #784 functions well enough to get the reader to "Trial" even if some of the possibilities raised in the issue seem to be more compelling on a personal level for the Amazing Amazon.

Wonder Woman Annual 2021 is a solid comic that does a nice job of giving us a cinematic approach to the Amazing Amazon which also acknowledges Gal Gadot's performance as Diana on the silver screen. It's a little early to judge "The Trial of the Amazon," but this is definitely an interesting lead-in.

Make no mistake. If the New 52 Superman wasnt your cup of tea, give this book a try. Jurgens makes it easy to understand whats going on for new readers and provides a lot of moments for nostalgic readers all while setting up a couple mysteries worthy of the Batman.

While this new threat is taking over the narrative, the lingering subplots continue to push the larger story forward. Jurgens seems to understand we are on a journey and parts of the story will unfold at different paces. This makes the storytelling enjoyable on different levels and holds your attention for the long run. The pacing is just right on all counts and I can't imagine not coming back month after month to Action Comics.

Despite revealing the identity of Clark Kent in the main story, this back up is the better of the two. It is a good idea to split up the story lines into distinct stories, but it could've been more effective with better pacing. Perhaps, a extending the tension of the reveal through a harder search and let the back up stand on its own in a separate issue. Overall, the story line maintains the reader's interest, but the execution is uneven.

While this easily could've been a run of the mill fight issue, the inclusion of Zod's personal indignation at Superman's family adds a unique element to their conflict. Clearly Zod is missing his own family and it intensifies his hate for the son of Jor-El.

With a bit of a surprising ending, this issue wraps up the "Revenge" storyline without loose ends, but with future plans for Zod and family. The continued tease of Mr. Oz maintains the link to the bigger picture. All in all a satisfying ending with some well-placed surprises.

While this story presents Superman with a real challenge on an emotional and philosophical angle, the depiction of Jor-El just doesn't ring true. Jor-El = Hydra-Cap? Despite the provocative nature of the story, Jor-El in this role seems out of place and undermines what could be great with a different character in this role. It will make you think, but you might hate it, too.

An even mix of action, fun and character make this issue another solid chapter in the post-Rebirth era of Superman. It may not come quickly, but it seems certain Superman will get his answers about Jor-El and Oz. But first, there's more time travel fun to be had next issue as the Eradicators will certainly not be welcome in the 25th century. As Superman's future was threatened this issue, it appears that Booster's existence will be challenged next.

Plenty of action in this title as it approaches issue #1000, and the resolution to this story line is sure to be a doozy as this issue leaves Superman, Lois and just about all the good guys apparently dead. While it's clear that this is not how this arc will end, the build up to the finale is reaching an almost unbearable tension!

All in all, a satisfying conclusion to the "Booster Shot" story arc. Despite feeling just a little hurried, the issue wrapped up all the dangling plot lines and gave Booster Gold some well deserved moments. Action Comics #1000 and a new era is just around the corner. The past couple years have introduced a lot of changes to the Superman mythos in both Action Comics and Superman. And, it's not over yet".

As Bendis leans into the ground level espionage aspects of this tale, it's clear these are the types of stories he's better at writing.It's another improvement on his run this month, as Epting again delivers a great turn at the drawing board again. Adam Strange's appearance is a treat as is Jimmy, Lois and Clark acting like the people they are supposed to be. It's still not clear why Lois is back at the Planet acting like herself and not some weird alien in disguise- although that may still be a possibility, eh, Jimmy?

VerdictOverall, this is the best issue of Bendis's Action Comics run in a while. The plot moves forward as we learn something significant about Leviathan and Superman begins to put some pieces together. For once, Superman and the reader are on the same page and Superman isn't the last to know. There's no set up, just forward movement. Luthor's revelation to Robinson Goode falls in the same category.

As a single issue, Action Comics #1025 is Bendis at his best on Superman. Taken as part of his entire run it's frustrating and some of the implications are unacceptable. Because, essentially, Bendis has pulled the Shakespearian “bed trick” on Superman. It's a shame that Bendis regards Superman so poorly. He doesn't seem to know how to treat the character with respect and dignity. Haha, aren't you funn! (NOT!) Whoever signed the papers on Bendis's contract for DC should be fired…wait…maybe he already has….? In all fairness, this issue is very good, just hope the next creative team is able to erase this era from the mythos…or perhaps, Bendis has left that loophole in his own story….???

Action Comics #1068 is WELL worth your attention. It's got enough classic Superman in it while at the same time addressing a more modern look at the Superman/ Lois dynamic. There's character work both subtle and direct throughout the issue. There's great action and Eddy Barrows delivers on the visuals. This issue is better than the previous and it genuinely feels like a good time to be reading Action Comics.

With both three part stories concluding in Action Comics #1069, there's a palpable energy to the issue. They go together in a unique way as they focus on different aspects of Superman's life, both personal and public. It's a great time to be reading Action Comics and I think any Superman fan would find this a great three issues. Stories don't always land, but in the case of this issue, but that's not the case here, as both of these adventures of the Man of Steel have something to say and say it well. Indeed, this is in fact the strongest of the three issues. It's quite easy to image just reading this issue and feeling the impetus to go back and get the other two.

Action Comics #1070 is a fun and entertaining read. It depicts a Superman that fits into the current status quo, but is at the same time undeniably classic with Silver Age elements used to great effect. Supergirl gets a solid outing as well in a story that features fantastic art from Skylar Patridge. Action Comics is a series you should be reading!

Action Comics #1071 is, once again, a fun, exciting and entertaining comic book that you should be reading. There's enough classic mixed with the current status quo to make this a Man of Steel that is accessible to all readers. Waid doesn't leave anyone in the dust. It's easy enough to jump in on both stories.

Action Comics #1072 is another great outing for Superman. Waid's love of the character and his history is tantamount to enjoying this story, especially for old readers. Hopefully, new readers will find something to love about Mon-El and the friendship between these two Legionnaires. The Supergirl story is stumbling a bit, but looks great. Overall, Action Comics is still a great read!

Sometimes less is more and that's what Waid is doing so well with Action Comics. While he incorporates a number of Silver Age elements the emphasis is on telling a fun story. The reader doesn't have to know all the references. Waid provides enough as needed information for the story to be enjoyed. For the reader in the know, it adds an additional element.

This is a solid issue that gets at the heart of both Superman and Lex's characters. While not portrayed as "the hero of his own story" Luthor's complexity in his modern incarnation continues to be interesting and challenging. Hopefully, this portrayal will continue to be developed and explored and not rejected in favor of the more one-dimensional traditional approach.

Aquaman #1 is an exciting and effective first issue for this new series. Framing Aquaman in terms of a world politics is a smart and logical approach. The particulars are ideal because it allows Aquaman to have both a personal as well as public stake in his endeavors.

This is a very good comic. There is a nice balance between story, action and character. Abnett and Co. are developing characters and broadening Aquamans mission for the modern world. Its a good time to read Aquaman and a great time for Aquaman fans. Aquaman is no joke. Its not too late to jump on board.

Aquaman continues to be a strong title and Abnett is challenging the characters with conflict that forces them to reveal something about their quality. There's also some innovation with the particular storylines. While Aquaman has always dealt with some of the same themes over the years, Abnett has found a way to embrace the traditional take on the character but tell a new story with some different angles.

A nice conclusion to the two-part Shaggy Man story. Aquaman takes something away from this encounter to improve himself. A good balance on action and character,Aquaman continues to be a very good read.

Aquaman continues to be a great comic and this interim story between arcs utilizes strong characterizationto build this fictional world. This issue allows for a solid recap of the status quo and what will be the next conflict both personal and external for Aquaman and Mera.

As with any part one of a new story arc, there are lots of unanswered questions. The potential is there for a great story that moves Aquaman even further into the realm of a political thriller. It's been a theme from issue #1, and it seems that it will continue for the good of the character.

Kelly Sue DeConnick does some great character work with Black Manta in Aquaman #54. Black Manta is no longer a man with misdirected vengeance, but the victim of poor parenting from a father that didn't know how to raise his son without his mother around. An unconscious Aquaman proves to be the best method of improving this title. Let the supporting cast have their moments, and perhaps when Arthur is recognizable again, he can be allowed to lead his title.

Two months ago, Aquaman #56 detailed a story that took place in the past and was a stark reminder of what we've been missing with Arthur Curry. Aquaman #58 shows every sign of integrating that characterization into the status quo that's developed for Arthur's supporting cast in Kelly Sue DeConnick's run. This issue is a great extension of the emotional content of Aquaman #56, and appears to indicate that Aquaman's ship has been righted and is headed in the proper direction…. Now if we could only get him that shave!

Now, where's that underwater barber of which Aquaman is so desperately in need? Maybe for the wedding….

If you're a fan of Jackson Hyde, you've got to buy Aquaman #62! Jackson gets the spotlight and along with a lot of excellent character work, there's a looming plot thread established for a future issue. Most importantly, Jackson comes across as a real person with genuine concerns and doubts and needs. Even Black Manta gets a little bit of sympathetic treatment. You can't help but feeling bad for him as his past unfolds slowly. In some ways, the Manta family may be overtaking the appeal of the Aqua-family! Don't call it a fill-in, it's so much more than that!

With Aquaman #64, we've almost come full circle from where we were at way back when in Aquaman #24. It's been a long detour, but Aquaman has nearly shaken off the Jason Momoa influence. DeConnick shows that she's got some classic Aquaman in her with this issue and it feels right. The larger cast will clearly play a role in upcoming issues as Vulko and Cetea appear to come to a detente.

Color me pleasantly surprised that despite being chapter four in a multi-part crossover Aquaman #66 reads amazingly well as the next step in Aquaman and Mera's life. For Aquaman fans worried about an interruption, there's no need to skip this issue. Plus, for those following “Endless Winter,” you might find yourselves interested in learning more about the erstwhile King and Queen of the Seven Seas- Arthur and Mera…and Andy too!

Aquaman/Green Arrow: Deep Target #3 loses none of the fun as it finds some deeper connections both in character and Silver Age nostalgia. Three issues in it's clear that this book has a unique feel to it as it explores this timeline that has been altered by Scorpio. One wonders if that's part of the effect, or simply that the creative team is working very hard at creating something singular.

Aquaman/Green Arrow: Deep Target #5 may be the best issue of the series. Brandon Thomas takes the hook out of the reader's mouth as he reveals Scorpio's motivations, but we're willing to stay around because the creative team has developed a fun and exciting tale rife with classic science fiction references.

This was a great character driven conclusion to an opening arc that continued to improve issue to issue. The Birds of Prey are back and have bonded in this Rebirth era whilst keeping intact most of the dynamic that worked so well in their pre-Flashpoint incarnation.

This is a great start to a new story arc. The opening sequence hits all the right notes as Oracle and the Birds are in classic form. The story itself raises some serious moral dilemmas that should prove captivating as Barbara attempts to sort out what's happened. It appears that Helena will do some growing as well as she has reached out to her mother.

With the team back on the same page, the Birds are poised for the end run of this series as Batgirl and the Birds of Prey sadly faces cancellation in the next few months. The set up seems that it will leave the team intact and closer than ever, ready for another outing, hopefully in a short time.

Over the past two years, this series successfully grew out of the “New 52” into theRebirthera to embrace both modern and dare I say the classic Birds of Prey into a formidable title that gelled into an amalgam of all eras. It never felt derivative, only inspired. This series will be missed. Please, show your support and make this a “must buy” this week.

Character driven comics will never go out of style. They may not always get the headlines or the hype, but they are substantially better on the whole. There's just more to enjoy, and Batgirls #13 gives the reader a lot to chew on and think about. Some comics are better when you think about them and let them sink in, others deteriorate as soon as you start thinking on a deeper level. Batgirls, is of course, the former, a series that is ultimately about people and relationships and gets better as it sinks in.

A high level of disparate emotions makes Batgirls #15 an excellent exploration of relationships. That's what really matters, right? The people in our lives? This title makes this consistently important and therefore, consistently quality storytelling. This is a unique and special title, and the tease of the Mad Hatter in the subsequent storyline is something to be excited about.

Batgirls #16 strikes the perfect balance between action, plot, character, nostalgia and emotion. We shouldn't be surprised that it's yet another great issue in this series. Inductive reasoning should tell us that! We didn't even get to mention the fun use of all the expected Alice in Wonderland motifs one would expect in a Mad Hatter story!

Batgirls #18 is an interesting issue with a fun plot that provides an interesting idea for the relationship between the citizens of the Hill and the Batgirls. There's really strong images as well and the issue leans into its strengths of relationship and characterization even down to the small details.

Batman and Robin: Year One #1 is a great start to the series. Waid and Samnee deliver as expected on a simply great comic that is designed to be just thata great comic without any ulterior motives. It retains enough of the classic while addressing a few appropriate updates. Any fan of Batman will want to read this.

This is someones one chance at telling a Batman story. It is the best of both worlds- a goodbye to Gotham for this creative team and a satisfying examination of what is essential about Batman. Its Batman and Gotham City and Commissioner Gordon and Alfred. Its all the possibilities for danger. As the journalist indicates, the city is changing. Batman is making a difference. Hes changing what was into what can be. And in that change, sometimes the city itself can make a difference, and when it looks darkest, sometimes Batman is not needed. This could also be someones first Batman story, and in that Snyder and Capullo communicate what a new reader needs to know about Batman. And if you can, track down Detective Comics#567 while youre at it.

This is the fourth arc in this title since its launch. The arcs that featured the Earth 2 Batman and Superman were both very strong. The one with Toymaster and Mongul fell a bit flat for me. This arc is definitely in the same league as the Earth 2 stories. This is a new type of threat for Superman- a Batman type villain with superpowers that are a match for the Man of Steel. This arc seems to be setting up a situation in which Superman will at some point have to use some of Batmans methods to defeat this killer. This is shaping up to be a very strong story.

A great start to this weekly series. Batman and Robin Eternal #1 gives all indications that this will be a must read series like its predecessor, Batman Eternal, and it will utilize the strengths of the weekly format featuring cliffhanger endings and a strong ensemble cast.

Awesome is awesome. With a weekly series its easy enough to have a slow issue, but this is not that issue. Batman and Robin Eternal #2 delivers the goods in almost every way. Dont think you can skip this series. Drop something if you have to and get on board the Dick Grayson train in the form of Batman and Robin Eternal!

The mystery, the characterization and the interaction between the members of the Bat-Family make this an extremely enjoyable series. Only three issue in it certainly seems like Batman and Robin Eternal will be a defining moment for this Bat-Era. Plus, it builds on Dick Graysons status as the equal of Batman.

This issue pushed the story forward just enough. It adds to the mystery of Mother and Orphan and solidifies the deep bond between Dick and Barbara. Bringing in the Robins and Batgirl was a nice touch. The Bat-Family works well in this format and expanding it adds to the overall approach. This story is about family at its heart and all families continue to expand over time.

Tim is not happy. He feels Dick is endangering his parents by exposing them. It ends with Tim accusing Dick of being just like Bruce and feeling betrayed by Dick. Dicks reasoning is sound- knowing Tims past he had to find out if what he knew about Tim was true. This has set Tim against Dick and with last issue surprise ending, it puts Tim as an outsider in the Bat-Family.

Dick and Jason continue their discussion, to determine the next course of action. Dicks got Harper and Cass in a safe house. Jason calls him on it- the second time in two issues a Robin has accused Dick of being too much like Batman. Jason and Dick pick Cass and Harper up on their way to Prague, and we get a tantalizing glimpse of Mother who is quite happy about the course of events. 4 1/2

Second would be the photo realistic ballet backdrops that appear a few times in the issue that have been executed with a different technique. He also does a nice job of showing the Prima for what she really is as she is revealed in a mostly silent sequence. 4 .

Clarity. Mother is the villain and Bruce has been misrepresented at some point. What exactly transpired between the two is still unclear. Scarecrow is still in the mix and whatever happened in the past is more significant than simply Bruces encounter with Mother. Bruce was investigating something in Prague from which he tried to protect Dick.

The creative team is crafting a multi-faceted story with some great character moments and surprises and they are not showing their cards.

Each group of characters is left in a quandary. Jason has escaped with a Tim Drake whos had Azrael put visions in his head. However, it appears that the effect is not unlike the Scarecrows fear toxin. Hes behaving quite similarly to how Dick Grayson was acting, including the Weve failed Bruce dialogue. Speaking of Bruce, it certainly appears that hes biting on Mothers offer, but I still believe we are looking at misdirection. Im thinking Bruces reasons for hiding the case from everyone is more about failure to stop Mother instead of Bruce throwing in with Mother. Lastly, it appears that Harper is about to find out more about her past, stuff of which she had no inkling. Next issue should provide some more answers.

This moment is particularly telling. Dicks urgency upon hearing Batmans name really indicates how important Batman is to him. It ties directly into the main theme of this series- the relationship between Batman and Dick, the other Robins and the very concept of Robin. One final hit. This issue is excellent.

This issue really went deep. The emotional strings it plucked take this issue to a 4 .

Back in the past in Cairo, Batman picks up a gun from a trashcan in an alley in Cairo. He disappears into the darkness with the pyramids in the distant. A lone gunshot.

In the present, Dick and Helena are called to the roof as Tim and Jason show up and are greeted as unfriendlies by Spyral. Meanwhile, Harper uses the ID she pinched to sneak in and see Orphan. The verbal sparring leads to Orphan taunting Harper with his knowledge of Cassandras visit to Gotham and her intended target. Cullen?

Another great issue in this highly enjoyable series. The character moments are truly the best parts of this book, but the story continues to be engaging. While Mother has become a lot more vulnerable throughout this series, the threat she poses still gives the Robins a big challenge.

This issue can be enjoyed by any fan of good comics. Its that accessible. Maybe the best issue of the series so far. Tony Daniels art is particularly welcome in that it is familiar and hes been associated with Batman for nearly ten years if not more. It fits very well. Just like New Teen Titans #38 featuring Who Is Donna Troy? This issue can be enjoyed out of context of Batman and Robin Eternal. But it doesnt hurt to get the other 20 issues.

A great issue for characterization. Seeing Batman in this light makes me itch to have Bruce return to the cowl and make an appearance by the end of this series. However, it may be something that works best as something that the Robins have to finish without Bruces involvement.

At this point, this book is a must read. Theres enough here for even a new reader to jump on for the 3 issue finale. Go for it!

Anticipation is high for the final issue- Dick and Mothers showdown, Harpers choice and the future of the Bat-family. And a lingering question- Will Bruce make an appearance? Gotta be back for the finale in Batman and Robin Eternal #26!

This is a great story for fans of Batman and any one of his many Robins and protgs. It succeeds at getting to the heart of the character and in a fun and sometimes surprising way. This is a must read for all fans of Batman and Dick Grayson. And Harper Row. It ranks high in this reviewers estimation of the Greatest Batman Stories Ever Told. 4 3/4.

Come to a different world, a Gotham that is both different and familiar. Any fan of Fables will get what's going on and feel those same emotions that Willingham delivered in Fables. For readers that aren't well-versed in superhero comics, this is a series that will give you a fresh look as well. Rife with bits and pieces from Fables and Batman's multimedia appearances, Batman vs Bigby ! A Wolf in Gotham #2 builds on it's many foundations.

The mystery gets a bit more complex as does the exploration of Batman's "fairy tale." It's subtle at times, but it really does promise something special to come when Batman has to accept a giant talking wolf. Take a moment to enjoy the art as well as it emphasizes the aspects of Batman as a "fairy tale."

Batman vs Bigby#6 finishes up this Fables mini-series in fine fashion with some very interesting storytelling from the art team and details that remind the reader why Fables is such a good series. This certainly whets the appetite for the return of Fables coming in May! This has been a fun series and shows that there is potential for more crossovers with traditional DC Universe concepts.

The highlight was easily the Spectre and the destruction of Arkham the most troubling aspect. It seems this will lead to some overplayed Bat-tropes- Arkham escapees, Gotham (or parts) reduced to rubble. I think only time will tell how well this part fits into the overall story. As a single issue it was one of the best of this series. The smaller cast and tighter action really made this a great single issue read that didnt rely on knowledge of the overall story.

This was a really fun, fast paced issue with great Alfred action. This is an issue that can easily be read alone or in the context of the overall story. This is a good issue to pick up if youve been wondering about this title. It wont be hard to figure out whats going on. Its easy to feel the momentum building with this issue. Cmon Wednesday

Great issue this month. Hush has upped the ante on Batman and its clearly going to take a supreme effort to not only save the city, but save his reputation as both Batman and Bruce Wayne. As long as the side plots are able to wrap up or dovetail into the main plot, this will continue to be a great read.

Batman Eternal continues to please and excite. This issue is an easy jump on point for new readers, the tight story and smaller cast allow a new reader to get involved and excited about the direction without feeling lost. This is certainly a difficult thing to do in a weekly series in its 33rd installment.

Again the smaller cast this issue and the tighter plotting make this issue feel accessible to the new reader even if it is picking up in medias res. The set up for the next act is daunting enough to draw a new reader in. Batman Eternal continues to be a great Batman series with big ideas and quality execution.

We are finally here, set for the last act of Batman Eternal. It is shaping up to be a classic showdown, and these two have had many an epic confrontation. Tune in next week Bat-fans, same Bat-time, same Bat-channel!

Batman Eternal has run almost a year and Batman has been put through nearly everything. Trying to find out how it was all orchestrated seems like a story for another series. As this title concludes it seems hard to imagine explaining it all in the short time left. Amazingly, this book was accessible to a new reader. Despite being at the end of a year run, anyone could pick this up and appreciate the character moments even if the reveal at the end was not anticipated for the past 50 weeks.

Horror, nostalgia, comics history, clever storytelling and evocative art are all present in Boris Karloff's Gold Key Mysteries #1. It's fun, it's dark and a little gruesome. Perfect for the Halloween season or anytime you just want a little dread in your life. It's entertaining as well as an exciting re-start for Gold Key Comics!

Like comics published by Ahoy Comics with which this title shares a kindred spirit, Boris Karloff's Gold Key Mysteries #2 is entertaining and nostalgic, but also modern. With this issue it's clear that there's a lot of mileage in the concept and as a vehicle for comics in the mystery/ horror genre. Not everything has to be superheroes, and this title provides something different while also being comforting and familiar.

While this may not be a book for everyone, a real love of Jack Kirby's work comes through. It's a book that focuses more on fun than anything else. The story may seem nonsensical at times, but the humor compensates.

Bug! The Adventures of Forager #5, promises a no holds barred ending next issue where anything is possible. It's been a fun ride so far. This issue simply reinforces the genius of Jack Kirby and the love that the Allred's have for the King and fun comics.

A little weird, a little nostalgic, a little confounding.

There is a nice balance of quirkiness, nostalgia and humanity to this title. While it embraces all the nostalgia of the original strip, this modern take has the benefit of utilizing contemporary storytelling techniques. And as good comics always do, this book is able to find a way to really make the reader care about the main characters and root for them both in their external as well as internal conflicts.

Like all the Young Animal titles, Cave Carson Has A Cybernetic Eye is doing something very different in its approach while at the same time fitting into a recognizable genre. Ostensibly, a sci-fi/adventure book, the underlying theme of family is strong enough that it permeates the narrative making this title about how families relate. The emotional impact hits the right beats to keep it from just being characterization and brings it to the forefront.

Cave Carson Has A Cybernetic Eye #10 is a fun romp that finds those emotional character moments that drive the heart of the series. There's no slow down as the team and plot push forward, with only a brief moment to catch your breath at the beginning of the issue and an eagerness for more with the surprise ending. Keep 'em coming back!

This issue swings back up as the wackiness falls in the right place between plot and character. Cave Carson is at it's best when it finds a balance. This issue does just that. The plot surprises as Star Adam and Bulldozer return and it adds an element of hope while promising some cooperation in next issue's finale. The roller coaster ride that is Cave Carson Has An Interstellar Eyeappears poised to finish with a flourish and at the top.

Collapser #4 turns things back in the right direction as the possibilities open up for Liam James. He is apparently in charge of his own destiny, or at least he's being led to believe so. A star can't be bad though, can it? There's enough here to make Collapser more than your average comic book.

Character trumps story and Convergence #2 is well worth the read. Even if one missed #0 and #1, this book is easy enough to understand, and especially engaging through the focus on character. Nicely done, Mr. King. This issue was a bit of a step up from issue #1, give it 4 and 1/2.

The continued focus on character makes this story enjoyable and accessible to all readers. The meaningful death is in line with the character development in the issue. King is building towards something, and it is enjoyable. The nostalgic components are a bonus.

I feel deeply connected to this mini-series, and relate very closely to the characters and basic concept that is being explored. It is strong on character and allows this to drive the story. Keeping this event small is a stroke of genius and allows for readers to get involved easily without feeling overwhelmed with the vast scope of the consequences. 4 1/2.

Just when it seemed like Convergence was going to go one way, King and Co. have managed to push it in a different direction. Its similarity to Crisis is more along the lines of nostalgia rather than retelling. Bringing in the current New 52 characters to the narrative adds an element that may have been missing for some. With only 2 issues left, Convergence has brought us along with character and nostalgia to the doormat of the finale. The post-Convergence DCU is just around the corner.

Its clear that Peyer has found a way to tell a different story with this book than relying so much on the Convergence set up. Barracuda was dispatched way too quickly for that to be the big challenge for Ray and Ryan. This focus on character makes this a real treat for fans of the DCU.

Like its design as a flipbook to be read in both directions, DC All In Special #1 is a real dichotomy of execution. As a stand alone comic, it's great. If you read it, you'll enjoy the content that's there and the art and storytelling are excellent from all sides. It's even going to be worth reading a few times to catch all the references. The other side, though doesn't really do the job of grabbing the reader for what comes next in Justice League Unlimited or the Absolute Universe titles. Certainly the spectre of ANOTHER event is enough to dissuade readers from becoming too attached to what's going on.

This book operates on different levels. On the surface it functions as hot women in World War II fighting Nazis. That might work for some. But on a deeper level it examines the multitude of the human experience. Many examples are anachronistic for the era, but viewed through a modern lens, they say something about our current human experience. Its complex.

There's not a better looking DC comic out there on the stands. For that alone, Deadman is worthy of your purchase. Most importantly, though, Adams is able to rekindle what made the original run of the character work so well- the agony of the spirit. There's no one better than Neal Adams to provide Boston Brand with some closure.

There's a lot to digest with this issue, and there a few really great stories along with some good ones. There are only a few that seemed a little odd or just didn't quite hit the mark for a celebration issue. It's a solid anniversary issue for celebrating the Dark Knight, but not perfect. However, “The Legend of Knute Brody” is worth the price of admission alone. There's a lot to enjoy, as well as different types of stories presenting something for everyone. And, “Medieval,” while not standing out by itself, does do a good job of whetting the appetite for the next arc in Detective Comics,which starts next month in issue #1001!

Detective Comics #1002 is a very good issue that doesn't telegraph its punches. It would've been easy for the Arkham Knight, having already displayed disdain for Batman and his methods to come at him with everything right away. There's more to the Arkham Knight just as there's more to the Batman, and this issue suggests that they may end up realizing this about each other.

I just don't want to see Nora turn out to be bad. Freeze's emotional arc is selling this story right now, and how it concludes will determine the quality of the entire story line. Nora's turn to the dark side is troubling, but for now it builds the emotional tension. Definitely, don't miss the conclusion!

Tomasi continues his outstanding run on Detective Comics with the conclusion to the two-parter, “Dead of Winter.” Tomasi, Godlewski and Baron balance the right amount of emotion, character development, detective work and action. This really feels like a high watermark for Batman in this title. Don't just believe me, go out and buy the comics!

While the reveal of the killer could've been more engaging, there's a lot in this issue to digest. Tomasi sets up what's coming next rather well as Officer Nakano's story will clearly lead to something. The art from Scott and Mulvihill is really enjoyable as Batman moves beyond “Joker War,” perhaps into his past with the lead in to this issue referencing The Black Casebook!

Peter Tomasi continues to write some great Batman material. He's always paired with great art teams even if the art teams themselves vary in style. Tomasi is setting up a big mystery that should incorporate the Mirror, the anti-vigilante movement and the missing Black Casebook. Great stuff here, don't miss this!

While it's disappointing that this is Tomasi's last issue of Detective (and one assumes Walker as well) that doesn't mean it's not a really good issue! This team will be missed! As the future appears quite uncertain for Bruce, Tomasi, Walker and company deliver a moving and emotionally significant story to close out this era of Batman. The real human emotions deliver on another level and are what separate good comics from great comics.

Detective Comics #1037 continues to challenge Batman's detective skills as he finds himself wanted for the murder he's trying to solve. The Huntress and Oracle provide the highlight of the issue as they assist Bruce. The back ups could be stronger this issue, but it's great that DC is doing back up stories at all. More Huntress, please!

Detective Comics #1039 is a wonderful finale to the "The Neighborhood" story arc. Throughout, the issues have focused on character driving the story with the back up tales fleshing out different aspects of the larger story. The inclusion of the the larger Bat-family and nostalgia they bring with them raises the fun quotient in a significant way. This is another example of substance and character triumphing over event and hype.

Detective Comics #1044 maintains its intimate focus as we see how the ongoing story fits within Fear State. If you've been following this series and enjoying it, this issue is no different. In addition to the lead story delivering, the second feature is a unique tale that moves into the horror genre in an engaging and creepy fashion.

Detective Comics #1045 wraps up its storyline in a satisfying fashion, not just giving Nakano a change of heart, but demonstrating why he would have one. The more personal approach to the characters has been a strength of Tamaki's run so it's only logical this storyline's conclusion would hinge on it. The Fear State event doesn't spoil the story and that's a feat in and of itself.

Detective Comics #1054 is an average chapter in "Shadows of the Bat." It does its job to get the reader from point A to point B, but not much else. It's necessary to do this, but there's nothing special about this one. That doesn't mean to say you should skip this issue, rather just take it for what it is. I found "House of Gotham" to be the stronger of the two stories in this issue with its use of continuity creating a certain feeling of connectivity with the bigger picture of Batman's past.

Detective Comics #1055, while being more plot driven like last issue focuses just enough on some of the individuals of the Bat-family as well as moving the plot forward in a significant way. Furthermore, the second feature continues to be an interesting look at (presumably) Nero in the context of Batman's know past.

Except for Harley Quinn's unwelcome appearance, Detective Comics #1056 is yet again another fantastic installment of "Shadows of the Bat." It's intimate at times and gets the reader involved emotionally at the outset. And certainly by the end its not hard to see that the end is nearing as"well, no spoilers!

There are many comics that have revelatory moments and feature turning points. This is one of those books. It actually questions how long DC has had Rebirth in mind. It all seems to fit and mesh in this issue, one week before Rebirth. For any fan of the original Earth-Two and Ken Nelson, this is a real treat and for the rest a fitting conclusion to the first year of Doctor Fate.

Often, a comic book series will suddenly change direction and become something entirely different- Saga of the Swamp Thing by Alan Moore for example. Doctor Fate #13 has a few indicators that it is an attempt by DC to recreate the Starman phenomena 20 years later. Levitz is an experienced writer whos no stranger to Golden Age characters. The reintroduction of legacy into the DC Universe with Rebirth certainly makes this an obvious title to benefit. Its only one issue, but this may be an opportunity to get in on the ground floor of something special, or at the very least incredibly nostalgic. If nothing else, it certainly feels like a DC Comic of yesteryear. I mean that in a good way.

Sometimes it feels like the world's been turned upside down and that is when we have to be like Casey and keep trying to be the light. It's not often I recommend re-reading a series in one sitting, but these first sixissues demand to be read together to mitigate the shipping delays. There's something special in this series, but the non-traditional style makes it a little difficult to find it. By itself, this issue seems a little disjointed and obtuse, but read all together, Doom Patrol #6 caps off the first arc by reassembling the team through a meaningfulexploration of self-identity and friendship.

It's nice to be back in this world. It's a bit of a challenge, but the likability of Casey, Cliff and the Reynolds makes it easy to jump back in. The story telling style is unique but exciting.

This book continues to be wacky and fun. It's unique narrative style entertains and challenges the reader from numerous angles. The only drawback is the erratic publishing schedule. You never know what's going to happen next. Not many books are able to pull this off consistently.

The conclusion to the Nada arc is effective and imaginative. It's only held back by the delay between issues. Imagine if things were published in proper order and "Milk Wars" came immediately after instead of between #10 and #11.

I've been moved. But, that's been the hallmark of the Young Animal Comics line, every title has found a way to delve deeper and addresses universal themes in the context of super-hero comics. As this issue wraps up this run of the line, it reminds me that there is always hope for the future.

Thematically, Doom Patrol: Weight of the Worlds #7 wraps up the series in a beautiful way. The Doom Patrol has always been a different kind of title, but this run under Gerard Way's Young Animal imprint has been especially satisfying. With the delays to this title, one should undoubtedly go back and read all 7 issues in one sitting to get the full effect. Thanks to all the wonderful creators on this title, especially Way, Nick Derington and Tamra Bonvillain who started it all in Doom Patrol #1 way back in September, 2016! Missing you already…

This is the time to jump on this book. Its in a totally different direction from the original original Earth 2 concept when it was launched under James Robinson 4 years ago. Whatever editorial mandates have contributed to its unevenness, it seems like this is the point in which the concept becomes relevant. However, with Rebirth on the horizon, one questions the future of this version of Earth 2.

Edgar Allan Poe's Snifter of Blood #3 provides the reader with something more than the average superhero comic. It's smart, it's funny, it's exciting to look at and even provides a few moments of inspiration. It's not a roast of Poe, but rather a celebration of his life and work, warts and all presented in a creative manner. Don't be afraid to try something different! So, tilt that snifter back and get a little taste of that blood"you'll be glad you did!

Edgar Allan Poe's Snifter of Death #4 is a really good issue with different types of stories, each landing in its own way. There's a lot to like in the issue and the series to be geared toward a different type of comic book reader.

Edgar Allan Poe's Snifter of Death #6 is a strong finish to this run of the Poe Snifter series. The stories are genuinely humorous and entertaining and say something significant about their subject matter. If you've been dismayed at American politics or felt unable to escape social media you'll find yourself in this issue.

With this being a mini-series, this issue wrapped up the story line effectively and explored the importance of choices one makes in one's life and the impact those choices have on one's own happiness. This is some real high level thinking and clearly an analog for situations people face in the real world. Everyone has crises in their lives and often making the right choice is important, and sometimes it has to start with just getting up out of bed every morning.

If you are a fan of Fables, this is definitely a book you should pick up. This first issue sets the stage for whats to come with a tasty mystery and a shocking ending. The world of Fables is back and this first issue seems like its on the right track.

This is the best issue so far of Everafter: From the Pages of Fables. After setting up things in the first two issues, this entry in the seriesdoes a little twisting to change the perspective and push forward with the promise of new characters and complex moral challenges.

Despite the two month wait since issue #157, Fables #158 does a solid job of catching the reader up on the state of events. Furthermore, the issue is a pretty important plot mover. There's a culmination of plotlines that get the story to point where it feels like things are about to take off. A refresher will do the reader some good as there's a lot to consider concerning the ever expanding cast. There's just got to be more to Peter and Tinkerbell being villains, right?

N.K. Jemison and Jamal Campbell get off to a good start in Far Sector #1. Lead character Lantern Mullein paves the way for the reader through this strange world as she investigates her first murder. The final twist on the last page is enough to bring the reader back, even though Mullein's character, alien races and the city of Platform Ever Forward are more compelling. There's solid world building and character work right from the start!

Far Sector #2 is a solid installment of this 12 issue mini-series. The world building is effective, and Jemisin really lets the reader learn along with Green Lantern, Jo Mullein. There are a few doubts about how the sci-fi references will function in the long run, but at this point they are working adequately. As this case develops, there is a real sense that there will be a massive twist/ reveal that will elevate this story to a different level.

Far Sector #3 is another effective addition to Jo Mullein's story. There's just a hint that it's moving a tad too slowly with a bit of confusion over the alien places and names. However, there are deeper themes that Jemisin is bringing. They not only expand the scope of the tale, but provides a real world element to the unfamiliar outer space world that is this books milieu.

This might be the best issue of Far Sector, so far. Understanding where Jo has come from is significant. But, so are the things we learn about The Nah, The @At and The Keh-Topli. Perhaps, the most satisfying aspect is that things are coming together and not only in terms of understanding more about the “people” of City Enduring, but how important this assignment is to Jo. She's at a crossroads in her life and is clearly in search of direction and meaning.

Far Sector #6 is powerful issue. It develops some of the themes that have run through the entire series in a deeper way. Despite Jo's questionable decision to give in to her emotions, the exploration of emotions is smart and insightful. Every issue can't be like this, but it's great when it happens. The release of this issue coincides with a pivotal moment of civil unrest as well, amplifying the impact even more so.

N.K. Jemisin and Jamal Campbell continue to deliver a compelling and original Science Fiction story. The world building reaches new heights with this issue as Jo learns about the non-biological race, the @At up close. Jemisin makes them feel truly alien, and it's a real triumph. Far Sector #7 continues to impress as it proves it's not only unique and different, but also wildly compelling in concept and themes. The potential for Jo's ring is positively captivating!

There's some palatable emotion packed in this issue as well as some exceptional visuals. Together, they make this issue a solid follow up to last month's inaugural chapter. It builds upon last month's set up with a deep emotionally plunged dagger. Nazi's are easy to hate, but can you find that American Spirit inside yourself?

This well paced series continues to introduce the Freedom Fighters and their world to the reader. While Sam doesn't make an appearance his presence is felt. It's an exciting thing to see a comic find the ideals of America and explore them without seeming preachy. This issue may not lean into that as much as last issue, but Berlin's “God Bless America” indicates that the Spirit of America is an important theme underlying the Freedom Fighters themselves.

This title continues to provide a deeper look at the meaning of freedom and how it impacts the world. The notion of Uncle Sam as the Spirit of '76 is an idea that is worthy of more exploration. Venditti is not afraid to show the mistakes made by the United States in its history, and it feeds right into the idea of freedom in 2019. Venditti finds a truth that is present in the philosophical ideals, despite the errors of humans.

VerdictFreedom Fighters #7 continues to stir a positive sense of connection to the American Spirit. While Freedom isn't solely an American notion, Uncle Sam thrives on it! The character development continues to engage the reader with additional exploration of Phantom Lady. Her hope helps drive an optimistic outlook despite the situation they are in.

It's a real joy to feel the character of the Black Condor come alive in Freedom Fighters #8. This powerhouse of character exploration easily overpowers any shortcomings of the plot movement or scope of the issue. The intimacy of Condor's story makes this an issue you'll want to read. I have a feeling it will fit into the pacing of the full 12 issues marvelously, even though on it's own it's a little unsatisfying plot-wise.

Since issue #1, this series has been a book for a thinking reader. There are lots of big ideas presented here that aren't always easily explored in the super-hero genre. Freedom Fighters #12 is no different. While there is the sense that it would've been great to learn more about each individual character, or have a bigger, more significant resolution, what we got is a finale that extends beyond the bounds of the comic itself and into the real world. Perhaps, there's something to be learned from this series.

Future State: Teen Titans #1 is a compelling issue. It may not be where we want to see the DC Universe, but as a two-issue event this book is a great read with lots of interesting moments. It works really well as an introduction to the new Teen Titans Academy launching in March. Overall, it also has a bit of an Injustice feel as well. It's not the DC Universe you know and love, and it may not be a DC Universe you want to learn to love, but it is well executed and captivating. This "Future State" thing might prove to be a winner after all.

Fun, fun, fun. This has long been my barometer in judging a comics quality. This issue was better than the last and it certainly bodes well for what comes next. The throwback storytelling- single issues that fit into a larger story make this title an easy one to jump into. Along with the character work its still a good time to give Grayson a try if you havent already. As long as Dick can remain true to himself and not get lost in his environment, this will be a winner month in and out.

Fall in love with Dick Grayson all over again. He proves in this issue why he is the heart and soul of the DC Universe. He proves why he is respected by everyone at the highest level, even Superman. Heart and Soul. Give me New Teen Titans #38 for a better story featuring Mr. Grayson.

Whatre they going to do with that brain anyway?

This series is very strong overall. Great characterization and great relationship building between the characters make this an easy book to like. It seems fitting with it being Dick Grayson, though. He was introduced as a gateway character for younger readers 75 years ago. Its no different now. Hes easy to like because he has such fun doing what he does. Seeley, King and Janin are able to convey that month after month. It doesnt seem to matter if its Robin, Nightwing or Agent 37, theres just something about Dick Grayson done right that works.

No reason to leave this title now, we are in the end run as the series approaches its finale. Nightwing is on the horizon.

This issue is the penultimate chapter of Dick Grayson, International Spy. But, it fits seamlessly into the overall depiction of the development of Dick Grayson the Man.

The Green Lantern: Season #3 tops the first two issues of the series easily. Perhaps, it's the more recognizable characters and familiar mileu of the Air Force Base so recognizable from Geoff Johns' important run on the character. More likely is Morrison's more intimate tale of Hal returning to the scene of so many victories and defeats. With that, comes the soul of the man who must reconnect with friends and colleagues. Morrison really makes it his own, however, when he has Hal threaten “Herc” with arrest…Hal is a policeman after all…

There's a lot to unpack, as with much of Morrison's writing, but the shift in genre really makes this issue stand out and it is echoed in Sharp's artwork. While it fits in with the run so far, the horror element adds something different to this classically sci-fi oriented concept. Sharp and Morrison both do a fine job despite the awkward reveal by the Guardians regarding Hal's secret mission. Despite this, the issue finally addresses some significant character elements as Hal faces Adam Strange on the final page, with a clear payoff next issue.

Morrison gets things together with The Green Lantern: Season Two #6 in a big way. Instead of feeling like an unconnected tale of Hal Jordan, Space Cop, this issue brings back the scope that worked so well inSeason One.Furthermore, Morrison references the past with the notion of the dead Hal Jordan and perhaps his turn as the Spectre as well. There's a lot to enjoy!

As a single issue, The Green Lantern: Season Two #7 is easily the best issue of the series. Reading of the first seven issues (and Season One?) may be necessary to reveal how Morrison is connecting the dots. Nevertheless, this issue goes deeper and provides an insight heretofore unseen in this series. Morrison is bringing the bits and pieces together to make something thoughtful and exciting.

VerdictAfter a tilting entry point, The Green Lantern #9 really picks up as it layers the plot with Multiversal references, including Morrison's own Society of Super-Heroes. The mystery of the dead super-beings is just the first aspect, but it goes beyond that as Morrison weaves in his penchant for DC Comics lore and the Multiverse. It's going to be a weird, fun and nostalgic ride!

The Green Lantern: Season Two #11 sets the table for the finale next month. Morrison has connected the dots along the way so that Hal is at a showdown with the Majistry and a crossroads with the Young Guardians. Sharp's art continues to be stunning, though it almost feel like this crossroads should've come earlier in the series so that it could be developed and explored.

VerdictThe Green Lantern Annual #1 does what an annual should do these days: it tells a story outside the regular arc; reintroduce an old character; and provide some insight into the character as well as create a launching point for future stories. While ticking off these boxes, the ideas mix together for an extremely fun single issue tale.

Despite Brian Michael Bendis's impact on this book, Green Lantern #1 is a very good start to a new era of the Green Lantern Corps. Thorne executes the big ideas well and presents an intriguing situation for John and the rest of the Corps. There's a lot of information in the issue and it all goes towards developing the main idea and giving it an authentic feeling. That said, Teen Lantern feels out of place and it's not clear why she's included.

Green Lantern #4 is another great installment in the newest Green Lantern series. John Stewart and Jo Mullein are getting some exposure and they the creative team is doing a wonderful job with these Lanterns. The high concept for this series continues to work well with just enough character moments to balance it and be a well-rounded tale. There's a lot going on and there are multiple mysteries to be solved. It's fun and exciting and it feels fresh. It's a different take on the Green Lantern concept, but one that is working very well.

There are times when characters or concepts need to get a refresh, or simply an approach from a different direction. Green Lantern is taking the familiar concepts and characters and opening them up to explore things in a different way and from a different point of view. With issue #7, we get the first inkling of how things might come back together, and at the same time continue to enjoy the journey without having the feeling that we are ready to return to "normal."

Green Lantern #8 is a balanced issue between plot and character. John faces perhaps his greatest challenge as he must view things differently. This theme underlies the entire issue creating a cohesive theme. The surprises are here as well with both storylines suggesting that we must change our perspective to see the truth.

At the beginning of the series it was obvious Thorne was going for something different with the run of Green Lantern. Now that we've come to Green Lantern #12 we can see how he's delivered. Often, new takes on concepts destroy. Thorne has disrupted a lot, but in the end we have a Corps, or rather multiple Corps that have a lot of gas in the tank. This is a great launching point for a myriad of series.

Green Lantern #6 is just a really, really good comic. It's as simple as that. The creative team exemplifies the "back to basics approach. It's working extremely well for Hal and Co. and there's no reason to think it will end. Character comes first as it should!

Green Lantern #9 brings a number of plot ideas together. It feels like the lynchpin to this series and everything will pivot off this issue going forward. The deep cuts are really exciting, as are the potentialities suggested in this issue with the Green Lantern Corps, Jessica Cruz and the United Planets.

Green Lantern #10 continues to ramp up the excitement. It took a little while to get to this moment but it seems that this title is now where Jeremy Adams has been heading since issue #1. Something big is just around the corner and the scope has expanded nicely to encompass not only the recent continuity but older events as well.

Green Lantern #11 takes a turn into the interior of Carol's struggle. The creative team does an exceptional job adding this layer to the storytelling by developing this subplot further setting it up for the next big part of this story. Jeremy Adams continues to be the best writer at DC Comics these days understanding the balance of action-adventure and character.

Jeremy Adams continues to demonstrate why he is probably DC's best writer currently. He knows how to connect his stories to the current and historical DC Universe and come up with unique and intriguing plot elements to push the book forward. He's on his way to making Green Lantern as great a book as his run on The Flash. The art is fantastic and he's able to jump over the obstacles DC throws at him with their poorly timed events. You can't go wrong with Green Lantern #13 whether you care about Absolute Power or not.

Green Lantern #15 has three storylines that are all connected in some fashion and rely on a strong focus on character. Be it the established relationships, or the core elements, character comes first and it far surpasses the premise of Absolute Power. I don't know that as a lead in to "All In Absolute Power will really be effective. Conversely, this comic, perhaps, more than any other DC book right now, demonstrates that it's not events or universe shaking catastrophes that make the best comics, it's simply great character driven stories.

Despite the "Negatives section, Green Lantern #16 is a very good issue. It's the hangover from the Green Lantern Civil Corps Special that lingers that informs the "Negatives. Even that isn't so much about the story in the Special, but the other things it builds on. Green Lantern #16 has great art from Xermanico and Adams works his magic with character and interesting creative story ideas involving DC Universe connections. It's the interruptions and unhelpful connections that are the "Negatives for this series.

Morrison does a great job providing misdirection from Hal's actual endgame. It sets up his twist wonderfully and allows Hal to pull out a victory all stemming from the character traits that define Green Lantern 2814.1. Green Lantern: Blackstars #3 is a worthy finale to the interlude between seasons one and two of The Green Lantern.

Thankfully, Soranik's role in this conflict makes this installment of GLC vs SC feel different and position of the Sinestro Corps as the Universe's law enforcers makes this situation new for the Rebirth era of Green Lantern. Additionally, this issue is very new reader friendly, the status quo may be surprising, but it is all very understandable and exciting.

It seems unlikely that Hal or Sinestro will perish in this story, but perhaps this could be a victory for Hal in which Sinestro is beaten and loses his will to fight again. Venditti has me “all in” for whatever the outcome.

There's no rest for the weary as the GLC will next face off against Brainiac. Moving Hal's fate to a sub-plot is a clever move as the focus of the book shifts to John and the Corps and their confrontation with Brainiac. Lastly, this issue is another easy access book for a new reader.

Another fine issue as this space opera continues to expand and bring more surprises. It seemed like the journey was over last issue, but it is clear there isn't a clear ending in mind as new possibilities continue to pop up, much to my surprise and pleasure.

Something big is on the horizon, and this issue gives just a teaser. It does, however, make effective use of Guy Gardner and Arkillo's two-issue story line. There's a lot going on in this title and it all works well together, this issue exemplifies this.

Like all good serial fiction, this issue provides an ending and a starting point. Kyle's discovery will certainly prove to be the basis for another exciting story line in the coming months. The final chapter of this arc allowed each Lantern to exhibit their unique approaches and provided Hal with some insight on those approaches. Most importantly, these elements allow for character driven stories that manage to include epic battles with the highest stakes.

Despite the Sinestro Corps breaking the alliance with the Green Lantern Corps, this is a solid issue. The unconventional resolution is welcome and there are some nice character moments. Things aren't done for good between the Corps though, as Sinestro himself will soon be back.

Don't go away now! The final showdown between the Corps and Zod awaits. More or less since the birth of the DC Universe and the destruction of Krypton back in Action Comics #1, this story has been building. (well, sort of implicitly) This issue slows things down a bit and resets things with a little humor and angst. Be back for next month's showdown!

If you weren't thrilled with last month's debut, come back for Hex Wives #2, it seems to quickly find its stride as well a creating some sympathy for Isadora and her friends. This is a really positive turn and signals a lot of potential. The last page reveal and the focus on character throughout indicate this series could be good for a long time. These were elements that made Fables, another Vertigo series,one of the best series of all time.

If you liked the first two issues of this series, or at least found them intriguing, this issue sets the course for what comes next. You probably aren't pulling for the husbands, so you'll be glad to know at least one of the wives gets a win in this issue There's a complexity here that should it remain, will make this not just a really good series, but an excellent series.

With this issue, the series is poised to head in a different direction as the women have learned what they can do and are not happy with their station in life. It's been a slow reveal so far, but the witches will certainly take it directly to their “captors.” How they do it remains to be seen, but hopefully they will not succumb to stereotypes and cliches.

What could easily be a "phone-it-in" tie-in comic has become an engaging examination of these characters in an extreme situation. How does Batman maintain his moral compass in the given situation? How does one define "greater good?" It tries to paint the difference between big picture vs little picture, which is a moral dilemma one faces in life.

A solid chapter for the title, despite little plot movement. The real win is the way in which the reader is drawn into Wonder Woman's character while knowing she's really one of Batman's enemies.

This issue utilizes emotions from an angry Oliver to self-doubting Ma and Pa Kent to tell the story. While it's not looking good for Batman and his allies, it doesn't feel like it's gotten completely away from them. However, they've got to have a real win soon, otherwise it may be too late for the human race. Ra's plans keep escalating as Batman and team seem to be clutching at straws.

This necessary issues reveals a real turning point for Damian as he appears to maybe be about to turn back to his father, the Batman and away from his grandfather, Ra's al Ghul. The other players on the board get some movement as well and Kara is positioned to be a new hope, but on which side will she fall, if on anyone's side at all.

Hope is alive and well in the world of Injustice,it's been slowly building and seems break out full-fledged in this issue. Certainly, the war with Ra's al Ghul is not over, as it's been clear he will stop at nothing to achieve his vision. But, how will the alliance against Ra's take shape? Will the heroes be able to put differences aside and support, not one, but two characters wearing the reviled Superman's "S" shield?

While much of this issue is simply set up for the finale, there are some wonderful emotional moments and some intriguing decisions made by characters. While this issue seems to exist more as connective tissue to the finale, the creative team makes the most of it with some personal moments and some existential allusions.

So very often people clamor for the Classic 7 JLofA. This is certainly the modern version of that situation. It plays exactly as one might expect a JLofA movie to begin. It is a full steam ahead story that presents something the JLofA have never faced, and it appears to be a story like none other. Make it 4 .

Justice Society of America #4 is a solid issue that moves things forward with an interesting discovery by Helena. The tease of the friendship to come between her and Power Girl is welcome as it promises what we know from the past will now come to pass in the future.

Despite the quick ending, Justice Society of America #5, there are lots of details that are satisfying with the resolution. Additionally, the big picture view is a fun and exciting look at a special corner of the DC Universe that relies on character, nostalgia and compelling plot lines.

Justice Society of America #6 is an exciting start to a new story arc. It's character focused and sets the stage for what's to come. The fate of the Lost Children has been an intriguing plot line since the beginning of Stargirl: The Lost Children. Their story naturally continues here. The emotional tension between Bruce and Helena is fantastic and it's great to see Helena and Karen's friendship as the cornerstone of the future of the JSA!

Justice Society of America continues to be a fun read for fans of these characters. Johns likes to include as much history as possible and reference bits that expand the overall scope of the story. There's been a lot of world building since issue #1 and Justice Society of America #7 continues to add to it. It's clear with this issue that the history of the DC Universe and the Justice Society has changed and readers can't always count on what has happened before still being included. It's nice that Johns tries to remind readers of what is still canon.

Justice Society of America #8 is another excellent issue and in some ways perhaps the best of the series. Mikel Janin turns in another wonderful job on art and Geoff Johns continues building his world with interesting and engaging character aspects for Ruby, Helena and Alan. It's a can't miss issue with the Legionnaire reveal at the end.