Alan Scott: The Green Lantern #6, like the entire series, is uneven. There are moments that really work and are quite compelling, but it all seems to be in service to retconning Alans sexuality as opposed to be in service of Alan as a heroic character. Sheridan tries to get the reader there, but the end is just unsatisfying in almost every way. If hes supposed to be bi-sexual thats a different story. If hes a gay man with a strong will power to live his life as he is then why would he lie and misrepresent himself to women? Its not heroic, its notnice. It highlights how forced changing Alans sexuality is. It feels like DC wants to have its cake and eat it too. The character ends up being weaker for it.

It's not worth following this series. There's literally nothing of interest going on and there's almost no chance anything of significance will happen.

If you're a fan of Power Girl, I suggest you don't buy this or read it, it'll just make you upset.

With the depiction of Power Girl as insecure, dependent upon Superman and Super-family, inexperienced living on Earth, it's probably OK to refer to her as Paige, as she's absolutely nothing like the Karen Starr Power Girl we know and love or the one we've seen before. You might be able to enjoy some of the art in this issue, but it's a real struggle to connect with this iteration of the character.

Power Girl #3 gives hope that the REAL Power Girl may return. Williams gets to this point by getting inside Power Girl's head just a bit for the first time. There's still an uneven quality to the series, but this issue the best of it so far. Perhaps, the quote on the final page, "Paige is gone, means more than just what it seems to in the scene, maybe Paige Stetler IS gone and Karen Starr will be back by the end of this story arc, and with that the Power Girl fans love.

If Leah Williams had an editor that was competent and given some direction, this storyline could be salvaged into something VERY apropos for Power Girl. As it stands it's the equivalent of amateur hour. Pansica's depiction of PG may be off, but the storytelling is solid and there's a look to the book that is enjoyable.

This series is not for fans of Power Girl, that's obvious. It's not quite clear who it's for. Maybe there's an audience for it...I'd love to know if it has found an audience that likes this Power Girl.

The first five issues have been an awful experience and Power Girl #6 doesn't really change that. This is probably the worst issue of the series, friendship is not magic in this case.

Williams' lack of understanding of the character and inability to write an interesting story (she abandoned the interesting stuff in the first arc) give no hope for Power Girl fans.

The art from Pansica and Ferreira want to make you like it. It's effective in that way, but unless an audience embraces this iteration it feels hopelessly at odds with what people have always liked about Power Girl, and this issue gives the reader very little of that. As a Power Girl fan for nearly the entirety of her existence, this issue continues to disappoint. The art is able to raise this issue a bit, surprisingly.

Overall, Power Girl #9 is much more enjoyable than previous issues of this series. With elements that hurt the series downplayed there are not as many distractions. There's just enough with the action and the surprise at the end that make it readable. It's by no means good, it's just not quite as bad as most of the issues have been.

Like last issue, Power Girl #10 has some details that distract and detract from the experience, but overall it's one of the better issues of this series. The symbioship sub-plot moves forward, Power Girl gets a little agency, despite Leah Williams characterization continuing to demean the character.

The cover by Yanick Paquette and the first bit of the comic with art by Adriana Melo elevates it at the outset, but the story choices, wretched dialogue and the awful characterization that continue to plague Power Girl drag the issue down with an unbelievable weight.

Power Girl #12 shows how this series has settled into a pattern of bad dialogue and jokes that some would call "quirky and fun. In reality, it's really just bad writing that is almost completely superficial and juvenile. So juvenile it seems beneath what I believe is the intended audience.

Omen #1...er, Power Girl #13 is such a bizarre issue. It's either written incredibly poorly and awkwardly, or it's really setting up something sinister with Omen. If it's the former, thenwe've experienced this beforeif it's the latter, well this may be the best issue of the series so far. As such this issue has to fall right in the middle. This is one of those instances that only through hindsight will we really be able to judge it. At the very least, it's interesting even if I'm reading it incorrectly and adding more than Williams intended to be there.

The sort of "can't tell verdict on last issue is swayed by the poor quality of Power Girl #14. It seems like it really is just bad writing (and complete and utter lack of understanding and respect for the character) on Williams' part that Power Girl #13 appeared to provide hope for a good turn. Williams must be blackmailing people at DC for this book to still be published. It's expiration point was after the first arc that ended in issue #4. Williams is well beyond her skill as a writer to depict Power Girl. She's connected the dots on some of the plot elements, but overall this series is a disaster of almost unparalleled proportions.

Overall, it's not a strong start to this run outside of Samperes exceptional art.

Diana seems to take a back seat as it's all seen through the Sovereign's point of view. Any appeal for this series is like a car crash- you want to see the outcome with the hopes that some people will survive. Nothing really feels new or interesting, and the characters are already twisting into unrecognizable versions. King hasn't put in the work to get the reader to this point in the story to make it believable.

Tom King continues to tear down the heroes of the DC Universe one character at a time. He's clearly more interested in showing the terrible aspects of human nature and the world instead of the optimism and hope that heroes are designed to elicit. I don't think King actually likes heroes or believes in heroes. Or, at the very least believes that anyone's heroism can ever be separated from the totality of their nature.

The appeal of this series is to readers who are easily impressed by superficial ideas and manufactured drama and for those who aren't really familiar with Wonder Woman and her supporting cast and world, readers who are just familiar with the idea of Wonder Woman. I guess that describes King as well, since that's what he's given us. For those fans of Wonder Woman who know what a Wonder Woman story is supposed to be like I recommend the previous run by Becky Cloonan and Michael W. Conrad or the post-Crisis George Perez era.

If DC Comics could see how bad series like this negatively impact the overall line, Tom King would never have had the opportunity to write Wonder Woman #14. The little good he does with this issue is overwhelmed by his poor decisions on story and characterization, perhaps he's just oblivious to the deeper meaning behind Diana's actions. Unfortunately, Sampere and Morey's art is wasted on a series that should've never seen publication.

While DeConnick and Ayala have the right idea in slowing things down for a day in the life story of Amnesty Bay, this also turns out to be the issue's biggest weakness. It forces DeConnick and Ayala to focus on Aquaman's character, and the dense, slacker of Jason Momoa's portrayal in the DC Extended Universe films just doesn't feel right at all. Instead of giving the reader a warm fuzzy with Aquaman and the people around him, it begs the question, “when will the real Aquaman return?” And can we get that guy in the movies, too?

Artemis: Wanted #1 is a mostly disappointing postscript to "Trial of the Amazons. The idea of Artemis being Hippolyta's killer was intriguing until Artemis' motives are revealed in this issue. When they are it is not only lackluster and contrived, but it puts a black mark on the already shaky "Trial of the Amazons. Quite honestly, you don't really need to read this comic. It's a bit of a mess. You might even be happier not knowing why Artemis killed Hippolyta, knowing only highlights the petty squabbles between the tribes of Amazons.

This book is not for those who feel there is already too much violence in comics. Even the hardcore Harley and Batman fans will probably find this a waste of time.This book is reaching for readership. If I bought it for the Harley and Bat-appearances, I would be disappointed.

It may seem like it would be difficult for DC to screw up what is essentially a pin-up book for Power Girl, unfortunately DC manages to do just that with Editor Brittany Holzherr spearheading the effort. It all boils down to this current incarnation being so terrible. Even with a book that could've just been the covers with some innocuous narration, we have to be reminded of all the missteps that've been made by Leah Williams and overseen by Brittany Holzherr. If you don't read the pages with "story, Power Girl Uncovered #1 is actually a better experience.

Fire and Ice is so short and unfocused it's really hard to gauge what's coming next for the duo. Based on this tease, I'm not sure what readers could be looking forward to in a series. However, there's a chance that the forthcoming Fire and Ice series could be good, since there's not a lot to go on in Power Girl Special #1. Both stories have something going for them in the art department, but it doesn't always work.

Only a must read for the fans of this Superboy run. I don't even think the die hard Future's End fan would find this book relevant. It's a very tenuous tie-in as it takes place five years in the future and references the events of Future's End, but seems to have little to do with the plot. It's really just a goodbye to Kon's first run in the New 52.

This was unremarkable, but not unreadable. In trying to play the diversity card, the execution leans too far into the stereotypical. The only really likable character is dead. Its an uphill battle for the creative team to get some empathy for Donny going. Weak start to this mini-series.

Vigilante: Southland #2 shows a little bit more promise than issue #1, but without making the lead character more interesting, the supporting characters will always draw away the focus from Donny. There's very little inspiring about Donny, so there's an uphill battle for sympathy every step of the way. Perhaps there's an audience for this book, but it is an elusive one.

Casagrande and Brusco's work gives this book the 2 star rating alone. Not sure what this book is really supposed to do but secure he copyright for the Vigilante concept again. DC should probably try a different take on the character, perhaps a return to the Greg Saunders incarnation.

Next up we have Big Barda. Barda is definitely a heavy hitter. For a fight she's a good choice, but on the stealth side of things, maybe not. She could've learned some things from husband, Scott (Mr. Miracle) Free in this area. Even so, she's the muscle of the team and that works well enough. This is a solid start to the team and the path that Dinah takes to recruit these two is done well, especially as it continues to rely on Dinah's relationship to the target, Sin.

Harley Quinn ruins everything she's in. She doesn't play well with others and it's no different in Birds of Prey #2. She doesn't mesh well with the rest of the team tonally. Her ridiculousness detracts from what at times begins to feel like a Birds of Prey comic. There's far too little time spent on character which leaves too much time for Harley. Thankfully, Romero does a really nice job with the art on this issue. Script-wise it feels messy and cobbled together, you just sort of want to get through it so the plot can move forward. It's definitely a step backwards from last issue.

Birds of Prey #3 is not a good Birds of Prey comic, however, it is a pretty good Harley Quinn comic. If you're here for Harley and how great she is then you will flip that score around, probably. If you're a fan of the Birds of Prey, this isn't it.

If you've spent money on issues #1-3, you may feel really cheated with the plot developments in Birds of Prey #4. It not only exacerbates the lack of reasoning on Dinah's part in not even attempting to contact Diana for help, it just becomes clear that Thompson literally lost the plot for this arc in the very beginning. Things just don't make sense from a character standpoint, and there are just too many things that just are because Thompson wants them that way instead of them making logical sense based on character and the known world of the DC Universe.

Overall, Birds of Prey #5 is a better issue than #4. It may not seem like it when breaking down the details, but there's a stronger through line with the plot and the conflict building. This is still not a Birds of Prey comic by any stretch of the imagination despite the title. If anything, with Megaera it would be more at home as a Wonder Woman or Zatanna story, or perhaps Justice League Dark or Madame Xanadu.

While the ending of Birds of Prey #6 indicates there may be some hope for this title in future issues, the finale of this first arc reinforces the notion that Thompson isn't all that interested in the Birds of Prey concept. It's a disappointing first arc for the relaunch of a Birds of Prey title. The magic, mystical and time travel elements push the title further away from that core concept of the grounded, hand-to-hand combat, espionage, undercover mission that is central to the Birds of Prey concept. It would be better for Thompson to create a new team without damaging the Birds of Prey. A complete restart is the best option for this series, either as a proper Birds of Prey title, or a new team concept that fits what Thompson actually wants to write about.

Birds of Prey #7 is easily the best issue of the series so far. The inclusion of Barbara Gordon and thus connecting the book to the core Birds of Prey concept makes it feels right. This issue doesn't feel as derivative as feared with the time travelling killer plot that seems so similar to the first arc in the current Justice Society of America series. Things seem to be going in the right direction as long as future issues can wrap up the killer plot and move beyond connections to the first arc.

After an improvement last issue, Birds of Prey #8 slides backwards. The tone isn't right, the plot feels forced and the mystery isn't playing out in an interesting manner. Putting Barbara Gordon in danger has been done before, and done better- "The Hunt for Oracle. Thompson still doesn't seem to get what makes Birds of Prey work as a concept. The time travel works against it, the lack of character focus is missingat least the art in this issue is nice.

Birds of Prey #9 strays further from the what makes the Birds of Prey the Birds of Prey. Ill suited humor and a tone and milieu that resembles the Doom Patrol are the biggest culprits. Coupled with the fact that the story barely moves forward, the issue is relies on the out of place elements to carry it. There's little substance to what transpires and it seems to set up a meandering arc that will end in a "surprise.There are some elements that have potential, but not in within the pages of Birds of Prey.

Birds of Prey #10, outside of Cela's information dump is just so much nonsense. Barely more happens than last issue, but what does is meaningless. The very thin plot doesn't serve the characters that well, and the characters themselves feel secondary, which is again the opposite of the Birds of Prey concept. The plot itself has a lot of contrivance and the REASON Cela's sister is after Barbara couldn't be a more overused idea and underwhelming idea.

Birds of Prey #11 somehow isn't the worst issue of this series. There is some fun to be had with the action and some satisfaction with the brief confrontation with Maia at the end, but the tone, dialogue and superficial quality to the story fail to make any deeper connections. Thompson is using a deep cut villain with Velvet Tiger (Maia's mother), but there's no substance to the connection and it's emblematic of this series and issue- style over substance. "Oh, isn't that clever! No, it's not. It's disappointing. See Tom King's Wonder Woman for more disappointing style over substance comics. Too many female led titles are suffering from poor writing- Power Girl, Wonder Woman and Birds of Prey can they get some help here?

This story arc has been disastrous and Birds of Prey #12 does nothing to change the course. If anything, Thompson shows that she doesn't really know these characters, especially Barbara, and she doesn't have anything significant to say. Her take on Birds of Prey has been a bust since the first issue as the core concept of Birds of Prey has escaped her. Birds of Prey is something Barbara Gordon does, it's not simply a team of women heroes. There's a Venn diagram somewhere showing where these ideas cross over, but Thompson is not inside it.

Birds of Prey #13 is yet another disappointment. Thompson has had plenty of opportunities (13, so far) to make this series into something, and she just can't land this as a Birds of Prey series. She's got elements of Doom Patrol (wild wacky extra dimensional shenanigans), and an independent creator owned series with the focus on Maia and Cela. Writing a Doom Patrol series would be fine. A book about Cela and Maia would probably be really good, it's clear that's where her passion lies. This is just another superficial series with style over substance and none of the characters people are here for (Barbara, Dinah) show any real depth. Somehow, the resolution is better than the previous issue.

While Birds of Prey #14 does show signs of improvement from previous issues, it also continues to expose Thompson's weakness as a writer in the DC Universe. She just doesn't know the characters well enough and can't distinguish the good from the bad in terms of previous stories. Her characterization remains surface level at best. It's a mediocre start for the first issue under the "All In banner. If this is the best Thompson's got, it's not a lot to get excited about.

Overall, Birds of Prey #15 isn't that it's bad, it's just not that good. It's uneven with positives and negatives that balance each other. While Thompson gets some things right with type of story and some quality covert action, characterization is way off and the story is cluttered with pointless characters. Issues #14-16 could easily be condensed to two issues (this is doable despite not having read #16 yet!) if all the chaff were separated out. This would solve one of the problems with the story. There's probably no hope for the characterization.

Overall, Absolute Power #1 is a decent comic. The art is great and Waid has some good moments. He's trying really hard to make this a big event with some startling moments. However, there's nothing behind them that is interesting enough.

Absolute Power #2 is a disappointment in that what it seems to set up is left on the table with a complete right turn that is nowhere near as interesting. It appeared that this issue was going somewhere and improve upon last month's outing. It's far more interesting and exciting to see the heroes fighting back instead of another full issue of them getting beaten by a lame villain like Amanda Waller. Still, the issue does promise some things in the future.

The biggest problem with Absolute Power #3 is that you just don't feel like you're getting all the story. And, you're not- it's in the tie-ins and other mini-series. This issue really suffers for that. It's hurried, herky-jerky, cursory and repetitive. Dan Mora's art is not enough to get this one over the halfway mark. It feels terrible to give Waid, a writer I've enjoyed immensely over the years a low score like this. He's confined to four issues. Part of the blame falls on poor planning for the publication strategy for this story, despite the overall concept being underwhelming. It may be closer to a 4.5 out of 10, but the overall feeling from the issue is .

Overall, Absolute Power #4 is pretty boring. It was never that interesting from the beginning and the need to read all the tie ins takes away from whatever impact this series had potential to have. Waid seems handcuffed by the approach to this series and he had very little plot to work with throughout. This is one of those pointless series that never needed to happen

Absolute Wonder Woman #1 is better as a comic than a Wonder Woman comic. It really feels like this is a comic for readers who don't like the traditional Wonder Woman. Thompson has (in story) removed all the essential aspects that define Wonder Woman. That leaves Diana as a shell in this issue with a lot to be filled in. Thompson could rise to the occasion and do this, but like Absolute Batman #1, the overall concept is not that compelling. Unlike Absolute Batman, it's genuinely more interesting as a new unique character than an Elseworlds version of Wonder Woman.

I'd like to see Flash get back home and sort out the messes in Central City, but nothing made me care too much in this issue about the characters. If you're reading the Flash you won't want to miss this, but it's not a jumping on point. Too many ideas make this a muddled issue and it doesn't progress very far, if at all. 3 Daily Planets might be generous.

Pass on this. I now dont care if Barry gets out of the Speed Force. I dont frankly care about anything going on in the book. If youve got to know what happens it might be more satisfying to read a recap after the story arc ends.

I surmise that Harley Quinn fans will find a lot to like in this comic. If you aren't really into the character, though, or aren't ready for some very coarse humor, I don't think there's a lot here for you. As a long time Birds of Prey fan, the comic doesn't really deliver. Like the film, it's a Harley Quinn vehicle with Helena conforming to a portrayal that fits what is in the film as opposed to a depiction that is congruent with the comics. Technically, Conner and Palmiotti get the job done, but the concept is unwanted from the beginning. These two intellectual properties don't belong together and there's nothing to bring the reader back for #2.

JSA #1 is mixed bag. I want to love it, but half the issue focuses on inner conflict that seems to come from nowhere and isn't set up effectively if it is all part of the villain plot. Olortegui does a nice job with the storytelling and Lemire references a whole lot of history. It's not hard to see the multiple specific eras he is referencing. I hope this issue can be reassessed as this first arc unfolds.

Eduardo Pansica does a nice job delivering on the visuals as he delves a little into the horror and gives Hal some terrified looks as he faces down his "fears. Knight Terrors: Green Lantern #1 also contains a Sinestro story that appears to pick up from his surprise appearance in Green Lantern #1. Sinestro also appears to be affected by Insomnia's attack and he has his own fears. There's some real irony here as Sinestro is known for operating in fear. At its core this back up seems to he more interesting than the lead story due to this irony and that there's a lot more potential for revelatory storytelling with Sinestro. Readers know a lot about Hal Jordan including the biggest obstacles he's faced in his life.

Trial of the Amazons #1 takes a couple of big chances. The execution suffers though in a couple of areas and it's questionable if this is the story Wonder Woman readers want. Are we to see the Amazons come together or be split apart? It's unclear in this issue how things will go and unfortunately, the death of a major character holds little weight in today's comics.

Trial of the Amazons #2 is a bit of a mixed bag. There are some really great details, but some glaring omissions and missed opportunities as well. In a crossover events you're goint to have launching points, but the Altuum and Artemis plotlines just feel unresolved. "Trial of the Amazons lands on the right foot, however, with the three tribes of Amazons united and prepared to go forward together with their disagreements put behind them.

Overall, Absolute Batman #1 is technically a well executed and crafted first issue. There is a question of "why we should care about Bruce and why is Alfred more interesting? While the Easter Eggs and references should reassure the reader, there isn't a strong enough core concept for this version of Batman to bring me back. Maybe the violent, over the top approach is what some readers are looking for. Or, perhaps, it's what appeals to the creatives in the Absolute Universe. I don't think the majority of fans are looking for a recapitulation of the same ideas that Alan Moore and Frank Miller first utilized in the '80's and '90's. DC seems to have a desire to reinvent the wheel instead of just telling great stories that move established characters forward.

What this issue lacked seems like it can be easily recaptured in the series. With more space and narrative it should be easy to get Barbara and Dinah exhibiting the friendship they once had. Helena will be an unknown quantity for a bit as she is new to this version of Birds of Prey. My only trepidation is that Batgirl and the Birds of Prey will stick close to the most recent versions of the characters and they wont exhibit the same camaraderie that existed in the classic version. It was not the basic concept that made Birds of Prey so good in the pre-Flashpoint DCU, it was the relationships between the characters that were developed by Chuck Dixon and Gail Simone most notably.

This is a solid Catwoman story that places her as the protagonist, but not asa hero. It provides the opportunity for the exploration of her character. For a fan of the character its a good story that promises some sort of payoff, presumably next issue.

This issue fails to build on the new chance that was give Earth 2 at the end of Convergence. Its eschewed the hopefulness found in Convergence and thrown the Earth 2 characters back into the fire. Even the landing of the refugees on new Earth 2 is turned into a tragedy. It doesnt really feel like a new chance, but rather another story of a doomed planet. 2 .

This issue finally hit upon what could drive this book- character. These Wonders all have a story to be told. With more issues like this, Earth 2: Society could quickly launch to the best in the line, however the labyrinthine and stygian plot in the year after planetfall time frame are holding back the title from breaking out.

All in all this issue continues to be a step in the right direction for this book. Its not quite there, but it seems like it has the chance. Wilson needs to find a likable character on which to focus. It seemed like he had found that character in Lois/Red Tornado last issue, but neither of those characters has historically sold a lot of comics beyond Supermans Girlfriend Lois Lane in the 50s.

A decently entertaining issue, while mired in a bad concept and an extremely slow pace. If they could only get out of this situation and get things actually moving. Its hard to believe this series is still being published, hope is truly eternal. Its not so much bad as just ill-suited to these characters.

This is the time to jump on this book. Its in a totally different direction from the original original Earth 2 concept when it was launched under James Robinson 4 years ago. Whatever editorial mandates have contributed to its unevenness, it seems like this is the point in which the concept becomes relevant. However, with Rebirth on the horizon, one questions the future of this version of Earth 2.

What makes this anthology work is the variety of genre in the book. While ostensibly they are all super-hero comics, they all utilize different styles within the individual features. Firestorm is the most straight forward Super-Hero type story. Metamorpho invokes a lot of sci-fi themes and trappings. Sugar and Spike definitely utilizes a humorous approach to tell the embarrassing moments of the Worlds Greatest Super-Heroes. Metal Men tries to be a fun comic with a deeper sense of emotional need. However, the one thing all these features have in common is the focus on character. None of these stories is about a single solitary individual who is alone in the world. That ensemble approach is something that is true of this comics TV counterpart. This anthology is a winner.

I guess it all comes down to the fact that the mystery of the break in is a lot more interesting than Midnighter himself. The characterization of Midnighter left me cold, but on the whole the issue was decent. It was certainly well executed for a first issue. I think it just comes down to taste.

Surprisingly, this issue was easily understood by this first-time reader. Despite being a newer title, it offers easy entry into the world of Task Force X. Overall, its very uneven. The basic Suicide Squad concept is intact, and there are a few good character moments, but theres not a sense of team yet, outside of Lawton. Harley may too much of a loose cannon, but there does seem to be potential with Manta and Boomerang. The Man-Bats do provide a wildcard element of fun to the team and oddly more predictable than Harley. Its sort of a middle of the road book. If you like the characters then this is probably for you, but it wasnt enough to make me want to come back. Three Daily Planets may be a bit generous, but 2 is a bit low.

Prez #6 is a decent wrap up of the first half of the storyline. While often it is fun and humorous, at times it seems to tackle situations that require a little more heart and may not always be fodder for satire. Overall, its somewhere in the middle, not the best of the first 6 issues. Its important to keep in mind that we are dealing with some situations that sometimes accurately reflect the world in which we live. I think the thing that this book succeeds at the most is finding a way to comment on our world while not seeming to be about it at all. Because, even the notion of electing a president via Twitter is just as odd as electing a president as the electoral college.

At least the surprise in Lex's box still has the potential to put Lois and Clark to the test when the figure out how to address that information. The only question will be in what comic the story continues after Superman: Villains #1?

Overall, Millennium is not bad, but it isn't great either. The strength of some of the ideas and the focus on Rose's character are engaging, but the lack of narrative leave this reader wanting. A strong plot would've elevated this issue. Moreover, it would've seemed that Rose, having lived through all these disparate futures would've been able to make some sense out of them for the reader, giving them context and meaning.

Despite being an avowed dissenter of rebooting the Legion of Super-Heroes again, I entered this new #1 with a bit of hope, believing that some of the promise seen in Superman #14 & #15 might pay off. Unfortunately, Legion of Super-Heroes #1 reads like a mess. Instead of building on any characters or concepts, more ideas are introduced. Bendis has already proven he can channel some classic Brainiac as was seen in Superman #15, yet none of this comes through in this first issue. The Legion were hardly seen in Millennium, and unfortunately, this issue feels more disappointing. There's not a lot in this abysmal issue to bring the reader back for issue #2.

There seems to be some hope for Legion of Super-Heroes fans in this Fourthbooted iteration of the team. However, under Bendis's pen it may take some time to materialize as his track record at DC has shown him to take far too long to get to the point. Legion of Super-Heroes: Millennium is a perfect example of this. While Rose's character may be interesting, it really has nothing to do with the Legion. Bendis is going to try and tie it all together, but like “The Unity Saga,” one fears it will be a long drawn out tale with a lackluster finale. Thankfully, the art is consistently good in Legion of Super-Heroes: Millennium #2, even if the “story” is yet more set up.

Legion of Super-Heroes #3 is the best issue so far. The reveals under the layers of onion are interesting and have the potential for interesting developments. However, there is a real concern that this will plod along as Bendis tries to put too many plot threads on the table at a time, thus diluting the good ideas he has injected into the series. Things could easily go the other way next issue.

Legion of Super-Heroes #4 is without a doubt the best issue of the series so far, and that's not saying much, really, however, Bendis FINALLY leans into the characterization and makes Imra, Rokk and Garth feel real. This should've been done in issue #1. With this issue, Bendis FINALLY creates a connection for readers and promises some hope for the future.

Bendis finally show that he really is the Legion fan he's claimed to be, even if it's masked in characters that aren't always visually recognizable. This may not be your grandfather's Legion, but, perhaps, it could be YOUR Legion!

We get the wrap up of the first storyline, but it's not really very exciting. Perhaps, Legion of Super-Heroes would be a better title if there was a stronger focus on character like issues #4 and #5. The Aquaman's Trident storyline wasn't very interesting to begin with and it has played out as such. Legion of Super-Heroes #6 is prettyto look at, but overall there's so much more that could be done with the book and cast of characters.

There are no complaints on the art in Legion of Super-Heroes #7, despite Sook not being able to keep up with a monthly schedule. Byrne fills in admirably and Bellaire's colors hold it all together. Unfortunately, Bendis just keeps adding elements that don't progress the narrative. Much like issues #4 and #5 which told the origin of the Legion, the Legion leader vote in this issue detracts from the story arc. There's a real lack of narrative flow. The constant barrage of ideas without satisfactory explanation don't serve the story effectively. It's like a movie with good scenes assembled terribly. It really appears that it's too much for Bendis to manage. Some streamlining would do wonders for this series.

Because character holds a lot of weight with me, this issue gets a higher rating than maybe it should. The minimal story and apparent forthcoming rehash of "The Great Darkness Saga" is underwhelming. The last thing we need is a retelling of one of the Legion's greatest stories. However, the character spotlights give readers a chance to get to know the Legionnaires in this incarnation, that after nearly a year in to the title is sorely lacking.

Legion of Super-Heroes #10 is above average, but not without it's faults. This iteration of the Legion has been as such. There are moments that are really good, but many more that either just feel off or are just not executed well. While there is some excitement in “the coming darkness,” which could now be Rogol Zaar, Mordru, or both, the revelations about Mon-El are just disappointing and there's absolutely no fire in the “coupling” of Imra and Jon.

The Positives definitely outweigh the negatives. Legion of Super-Heroes #11 is one of the best issues of the run, so far. The series has a real chance if it continues to move in this direction. Despite some questionable characterizations that don't provide an affability with these versions, there's enough here to be excited about. Though, there's an equal amount of concern for the next issue as this series has been erratic.

Overall, Legion of Super-Heroes #12 is just as erratic as the entire run has been. It's as if Bendis can't tell his good ideas from his bad ideas. Clearly, he's had some good ideas for this series, but they seem to get the short shrift in favor of his bad ideas. It's easy to see this in this issue as Imra's character is much more intriguing than the botched characterization of Mon-El or the almost impressively boring Rogol Zaar storyline. Who would've thought Bendis would hinge his entire Superman run on this lame character? While Legion of Super-Heroes has been better on the whole than either Superman or Action Comics, these twelve issue are still disappointing. Jon should've been the hook for this series, but Bendis never really allows the reader into Jon's head. Jon is just one of a cast of 33(?) who get a bit of page time. While the end of the issue touts Future State: Legion of Super-Heroes as the continuation of this tale, one has to wonder how it will function.

Doctor Fate #2 moves the plot along with some significant moments and it expands the mystical/ mythological elementsin the story. It doesnt quite explode yet, but it certainly feels as if it will soon.

While this issue added a couple more pieces to the puzzle, the next issue seems to promise a big payoff. Hopefully, it will because it also could be the breaking point for readers. Ive been a fan of Levitz for years and would like to see the next issue explode! Im feeling 50/50, right now which is where this issue fell. 2 1/2.

There are many comics that have revelatory moments and feature turning points. This is one of those books. It actually questions how long DC has had Rebirth in mind. It all seems to fit and mesh in this issue, one week before Rebirth. For any fan of the original Earth-Two and Ken Nelson, this is a real treat and for the rest a fitting conclusion to the first year of Doctor Fate.

Often, a comic book series will suddenly change direction and become something entirely different- Saga of the Swamp Thing by Alan Moore for example. Doctor Fate #13 has a few indicators that it is an attempt by DC to recreate the Starman phenomena 20 years later. Levitz is an experienced writer whos no stranger to Golden Age characters. The reintroduction of legacy into the DC Universe with Rebirth certainly makes this an obvious title to benefit. Its only one issue, but this may be an opportunity to get in on the ground floor of something special, or at the very least incredibly nostalgic. If nothing else, it certainly feels like a DC Comic of yesteryear. I mean that in a good way.

If you're not already a fan of these concepts there's not a lot here to see in terms of the Suicide Squad and Black Adam. While there appears to be a bizarre synergy between the two stories, the execution leaves a lot to be desired. This probably won't bring in any Conner Kent fans either. Both tales seem to lack a significant direction. Definitely not one of the better "Future State" issues.

Whether this book ties into the forthcoming Swamp Thing series or not, it's an intriguing and thoughtful issue that invokes classic greatness, be it Alan Moore or Rod Serling (yes, Serling wrote the orginal script for Planet of the Apes.) It works completely on its own without prior knowledge of the character or concept, and may even work a little better if the character is new to the reader. This already promises to be one of the best books of the Future State event.

Future State: Teen Titans #1 is a compelling issue. It may not be where we want to see the DC Universe, but as a two-issue event this book is a great read with lots of interesting moments. It works really well as an introduction to the new Teen Titans Academy launching in March. Overall, it also has a bit of an Injustice feel as well. It's not the DC Universe you know and love, and it may not be a DC Universe you want to learn to love, but it is well executed and captivating. This "Future State" thing might prove to be a winner after all.

This two-issue series is essentially an advertisement for Teen Titans Academy. Unfortunately, it doesn't portend what a new Teen Titans series should be about. It doesn't really fit in this respect. Unfortunately, it also causes Future State: Teen Titans #2 to feel incomplete in its storytelling. Despite some well executed art from Sandoval, Ferreira and Sanchez the book leaves me wanting- wanting it to be something else entirely. It's an apocalyptic story where the winners still feel like they've lost and there is little hope, the new properties of the H-Dial symbolizing that.

PositivesAs "Future State" is a finite thing, these two issues featuring Swamp Thing do a marvelous job of telling a complete story that is both intellectually engaging and emotionally moving. It's a true achievement that V and Perkins can explore, even is just briefly the notion of "soul" and what it means to people and how it separates humans from other organisms on the planet. Like and great work of literature it inspires the reader to think by making him or her to also FEEL. Despite the inherent sadness surrounding the incidentals, this is a beautiful story .

If you are going to buy Future State: Suicide Squad #2 for the wonderful art in the Black Adam story then you will be satisfied. Unfortunately, both stories themselves are short on character development, and overwhelmingly plot heavy. It certainly feels like six or so issues have been condensed to accommodate the page space with only the basic plots remaining. Even if Conner Kent or Black Adam is your favorite character, this is not going to be a very satisfying read.

While Nightwing 2024 Annual has some interesting ideas, the pacing of the story and amount of twists make it difficult to create the right connection with Bea. The idea of giving her her own story is solid, but it would've been stronger if the tale had been centered around her and the Quartermaster instead of turning her into a near super-spy. The story is unbalanced with too much plot and not enough of Bea herself. The art is strong and Moore's effort on the project is clear.

There's a balance of tone between the stories as well, the shorter tales take a bit of the sting out of the lead feature. It's nice to cleanse the brain with some fun and heartwarming content after the wrenching origin of Heartless.

This book definitely feels contemporary. And despite that I liked it. It echoed things of Titans past while being completely different- and that was not what I was expecting. Its easy enough to jump in. Theres enough allusion to whats already transpired that the reader doesnt feel lost. As one of the few re-launches of original New 52 titles, this book is on the right track. Its worth your time to give it a chance.

Overall, this was an uneven issue. There were a few moments of really intriguing stuff, yet it was unfortunately balanced by some very run of the mill super-hero comic filler. For a newer reader this probably wont bother you.

This is a solid comic. Its a fun one and done that ties in smoothly with Robin War. Theres clearly a lot of potential here and a great tease for the future with the appearance of Brother Blood. This may not re-invent the medium, but it holds its own without being overwhelmed by the Robin War tie-in. 3 1/2

Absolute Superman #1 is the best of the first three Absolute titles. From the original assignment, it gets it most right. The changes to Superman's lore fit with the idea of a universe influenced by Darkseid energy. The changes feel organic as to how they come about due to other factors. It's a more cohesive effort overall all. I don't know that it's enough to bring me back for a second issue, but this is the most well conceived effort of the Absolute Universe so far. So while the score is 3.5/5 (7/10), it's more like a 7.5/10.

This is the fourth arc in this title since its launch. The arcs that featured the Earth 2 Batman and Superman were both very strong. The one with Toymaster and Mongul fell a bit flat for me. This arc is definitely in the same league as the Earth 2 stories. This is a new type of threat for Superman- a Batman type villain with superpowers that are a match for the Man of Steel. This arc seems to be setting up a situation in which Superman will at some point have to use some of Batmans methods to defeat this killer. This is shaping up to be a very strong story.

If youre reading this storyline, you certainly dont want to miss this. It sets up the next chapter, but is not all that exciting on its own. However, it does present enough interesting ideas that if you were to pick this up on a whim, youd be drawn in to the situation and have a hard time not coming back next month.

While Jaime's family rallies around him, Jenny's aunt, Victoria has no redeeming qualities and is literally out to get Jenny, pushing her closer to the Reyes family. This contrast is subtle, but a well executed use of the family theme. The importance of the family shakes out differently than in most superhero fare, Jaime's family knows his secret and it becomes essential to Jaime's character.

Chilling Adventures in Sorcery #1 straddles the line between horror and the Archie characters. While the book maintains the horror theme it never loses sight of the fun. If you're a fan of the characters it's an enjoyable issue. If you're looking for the darker horror elements this will be lighter and not quite as chilling as its sound alike title featuring Sabrina. All in all it's a solid issue that demonstrates the potential of Archie Comics in the genre.

Deadman has always been a bit of an offbeat character, and Adams utilizes this to the best of his ability. Adams recreates the feel of those original stories masterfully while creating a new mystery for Boston Brand to solve.

The beautiful art by the legendary Neal Adams is a treat. The story while seemingly disjointed reflects an earlier style that is still enjoyable if only slightly troubling at points. There is a lot of promise in what comes next and there's certainly the feeling that ANYTHING could happen. No telegraphing here, Adams is in complete control.

There's not a better looking DC comic out there on the stands. For that alone, Deadman is worthy of your purchase. Most importantly, though, Adams is able to rekindle what made the original run of the character work so well- the agony of the spirit. There's no one better than Neal Adams to provide Boston Brand with some closure.

Neal Adams' art is always beautiful. This does not change. However, the story is a bit of a mixed bag. While the surprises keep things interesting, there may not be enough pages left to finish this story off in a satisfying fashion. This could be the turn off issue for some, but there's enough potential in the concept to stick around for the last two issues.

While next issue promises a big reveal, it's been a little rocky along the way. Battle issues tend to be a bit of a snoozer and this one suffers from that. It reads like a delay before getting to the payoff in the finale next issue. Except for the insinuations about Deadman's soul, not much of real importance happens.

Despite the beautiful visuals, this is a difficult series to read, and with the final issue it gets no better. Very little attempt is made to explain what's going on. This will probably be the end of the line for many readers. Send DC a message " "Get Adams a scripter!" His visuals deserve better.

I make no apologies- I am a fan of the Arrow TV show. This new direction appeals to me. I was never a huge fan of Ollie pre- New 52. The show reinvented the character for me and the ensemble cast is a huge success. Even though I thought the Lemire/Sorretino run was a high watermark for GA, for DC to move the book closer to the show makes sense to me. I like this direction for the comic. It is a gamble, though. If you are liking the show then you will probably like the comic.

Going into Knight Terrors Nightwing #1 already knowing what Insomnia's endgame is detracts from the issue greatly. The creative team gives a great showing with what they have to work with, but this issue would've worked so much better had the audience not been privy to what was going on and Dick had to figure it out. That said, there are some really compelling ideas from Cloonan and Conrad that have the potential to play out epically next issue and Di Nicuolo gives a great showing on the horror aspect.

Wonder Woman Annual 2021 is a solid comic that does a nice job of giving us a cinematic approach to the Amazing Amazon which also acknowledges Gal Gadot's performance as Diana on the silver screen. It's a little early to judge "The Trial of the Amazon," but this is definitely an interesting lead-in.

This is a fun issue, with a fun premise that is more of a celebration than any sort of deep exploration of character. Fun comics are great and important. It doesn't quite hit the highest nostalgia moments, but it does show that Thomas is aware of the history of these characters. You'll enjoy Aquaman/ Green Arrow: Deep Target #1 in the way you enjoy an old Silver Age comic or adventure romp.

The work by Thomas, Cliquet, Arreola and Reed is subtle at times and it's refreshing to have a fun story that reminds us of a "simpler" time that celebrates the history of these characters while not deconstructing them. We've seen that deconstruction in other places, and that's not what this series is about. So, come enjoy these two DC stalwarts in a fun tale behind a dynamic cover by Marco Santucci!

Aquaman/Green Arrow: Deep Target #3 loses none of the fun as it finds some deeper connections both in character and Silver Age nostalgia. Three issues in it's clear that this book has a unique feel to it as it explores this timeline that has been altered by Scorpio. One wonders if that's part of the effect, or simply that the creative team is working very hard at creating something singular.

Aquaman/ Green Arrow: Deep Target #4 maintains the fun of the previous issues of the series. It has some emotional depth to distinguish itself from the typical Silver Age stories it homages. Additionally, the continued references to other comics/books/movies elevates the fun factor. For a fun, escapist read with some nostalgia thrown in for seasoning it gets the job done.

Aquaman/Green Arrow: Deep Target #5 may be the best issue of the series. Brandon Thomas takes the hook out of the reader's mouth as he reveals Scorpio's motivations, but we're willing to stay around because the creative team has developed a fun and exciting tale rife with classic science fiction references.

All in all, Aquaman/Green Arrow: Deep Target #7 is a fun issue with a little bit of heart. It gets the job done, though it leaves a lot of room for a stronger final act. It's a nice way of celebrating the 80th Anniversary of these two who are a strange pairing, but who've historically been linked since their first appearances in More Fun Comics #73. They shared many issues of that title as well as Adventure Comics through the end of the Golden Age and much of the Silver Age.

An easy to jump into issue over 1/3way through the series, which is remarkable. The book feels like a good Batman story and it incorporates so many elements which make the Bat-Mythos so enjoyable. There is a lot to like and a lot to digest, but the creative team does a good job with it all. The direction of the development with the family dynamic is a feel good aspect to the book which makes it very likable. This may also point to the meaning behind the title of the series. By creating a family and not a team Batman will in fact become eternal. This is really 3 1/2 Daily Planets.

This is another good issue of Batman Eternal despite the change of pace and characters from recent issues. Its a big story that continues to get bigger. There is a unique completeness to it with the through line that is Jade, despite two cliffhangers with Batgirl and Catwoman. The art is neither here nor there, nothing really remarkably great or awful about it, just somewhat average. If youre reading this title, youre going to get this issue. If youre not it might be a bit harder to jump in to the story here, though theres certainly enough going on to pique ones interest.

Settling in with series on a weekly basis has its pros and cons. It does move a bit slower than your average series, but the scope of the story is certainly much larger. While touted as turning point, and certainly it was, it seems things slowed down a bit this issue- Hush is barely mentioned. This is certainly worth reading, but a new reader will be not only confused, but left wondering if this is the pace of each issue. The varying pace is necessary for the gravity of the issue, but one hopes that the next issue will pick up the action and push things forward a little bit faster.

Plot advances to keep the ball rolling, but mixing of genres may make Batman Eternal a tough nut to crack for some. If youve made it this far no sense in stopping now. The emergence of the Spectre is much anticipated, and teasing him is the way to bring the reader back for the next issue. 3 1/2 Daily Planets.

The highlight was easily the Spectre and the destruction of Arkham the most troubling aspect. It seems this will lead to some overplayed Bat-tropes- Arkham escapees, Gotham (or parts) reduced to rubble. I think only time will tell how well this part fits into the overall story. As a single issue it was one of the best of this series. The smaller cast and tighter action really made this a great single issue read that didnt rely on knowledge of the overall story.

This was a really fun, fast paced issue with great Alfred action. This is an issue that can easily be read alone or in the context of the overall story. This is a good issue to pick up if youve been wondering about this title. It wont be hard to figure out whats going on. Its easy to feel the momentum building with this issue. Cmon Wednesday

Great issue this month. Hush has upped the ante on Batman and its clearly going to take a supreme effort to not only save the city, but save his reputation as both Batman and Bruce Wayne. As long as the side plots are able to wrap up or dovetail into the main plot, this will continue to be a great read.

Batman Eternal continues to please and excite. This issue is an easy jump on point for new readers, the tight story and smaller cast allow a new reader to get involved and excited about the direction without feeling lost. This is certainly a difficult thing to do in a weekly series in its 33rd installment.

Again the smaller cast this issue and the tighter plotting make this issue feel accessible to the new reader even if it is picking up in medias res. The set up for the next act is daunting enough to draw a new reader in. Batman Eternal continues to be a great Batman series with big ideas and quality execution.

This is another solid chapter in the Batman Eternal saga. No reason to jump ship at this point. For a new reader it might be a bit confusing to start this late in the game. There is a sense we are on the verge of figuring out the big bad very soon. 3 1/2 Daily Planets.

We are finally here, set for the last act of Batman Eternal. It is shaping up to be a classic showdown, and these two have had many an epic confrontation. Tune in next week Bat-fans, same Bat-time, same Bat-channel!

Overall, this was a weaker episode of Batman Eternal. It fits into the bigger picture as a set up for the finale, but on its own it is a bit meandering. It closes out some of the story points from the previous issue, butseems to stall out as it approaches the end of this Bat-Epic.

Batman Eternal has run almost a year and Batman has been put through nearly everything. Trying to find out how it was all orchestrated seems like a story for another series. As this title concludes it seems hard to imagine explaining it all in the short time left. Amazingly, this book was accessible to a new reader. Despite being at the end of a year run, anyone could pick this up and appreciate the character moments even if the reveal at the end was not anticipated for the past 50 weeks.

Very often, huge epic stories like this leave something to be desired in the conclusion. Batman Eternal is not like that. Perhaps, it's the length allowed Snyder and Co. to tell their story. Is Batman fundamentally different after this? No. But, he has been given a psychological makeover and sets him on different footing that we haven't seen in his portrayal in decades. Moreover, this change occurred in story and not as part of a reboot of the character. With this, Batman is Eternal. If you missed this series, just get the trades, you'll be glad you did.

Swamp Thing: Green Hell #1 sets up an interesting take on Swamp Thing as a defender of Humanity, this time defending it from the Parliament of Trees itself! There's a bit of nostalgia interwoven with the world-building setup that also has a familiar feel to it. All in all, a strong first issue of this Black Label series.

Swamp Thing: Green Hell #2 morphs from a "last Swamp Thing story to a continuation of The New 52 era of the character. Along with the concepts developed in The New 52 Animal Man, there's some real meat in this issue. Lemire is sure to include classic Swamp Thing themes, but it's just as exciting to see what happens with the Green, the Red and the Rot. With the fate of humanity, Abby and Tefe hanging in the balance, this series is already one of the great Swamp Thing stories.

Wonder Girl #1 is a great start to a new series. There's so much potential in the character of Yara Flor and the Brazilian Amazons. This issue is just the start, but Jones and Bellaire indicate that the are capable of exploring Yara's story. There's so much in this issue in both content and execution, and it all goes back to character and world building. Go ahead and prepare to plot down your fiver for this book. It doesn't matter if you have any interest in Wonder Woman or not, Yara Flor is her own woman and there's an interesting and exciting journey to be found here.

While Wonder Girl #3 doesn't have the same impact as either of the first two issues, it has some beautiful art by Jones and Melo. It does move the story forward enough while setting up what comes next with the surprise on the final page. It may be a bit uneven in this, but it seems like it has more to do with the outstanding quality of Wonder Girl #1 and Wonder Girl #2. This is far from an indictment as the overall story is still as exciting and engaging.

The story really gets going as the truth behind the mystery becomes more apparent, but the art stands out in this issue. Jones, Melo and Bellaire all demonstrate their prowess in the comic art field. If Roy Licthenstein were around today he'd be swiping from them instead of Jerry Grandinetti.

While seeming a little rushed, Wonder Girl #5 delivers some significant plot development. Along with some beautiful art by Adriana Melo, it's a solid issue. There's just a feeling that there could be more, but it seems likely the creative team is doing the best it can in overcoming the delays that are beyond their control.

Wonder Girl #6 is a good issue with the plot elements coalescing , but it still feels like the story is rushing along too quickly. There's a lot of unrealized potential with Yara's story that appears will be lost in the shuffle of the upcoming "Trial of the Amazons." Yara has to be ready to participate in that, but at the expense, perhaps of her inaugural story arc.

Wonder Girl #7 provides some satisfying moments for Yara Flor's origin, but leaves additional threads open for exploration that may or may not be seen due to the cancellation of the series. If this issue doesn't quite land, I think a reread of the entire series in one sitting will prove helpful, though it won't flesh out all of Yara and the Esquecida's history.

Make no mistake. If the New 52 Superman wasnt your cup of tea, give this book a try. Jurgens makes it easy to understand whats going on for new readers and provides a lot of moments for nostalgic readers all while setting up a couple mysteries worthy of the Batman.

Im trying to imagine someone reading this comic and saying, Nah, I dont care what happens next. I simply can't! This issue uses episodic storytelling to the fullest as it moves things along just enough and keeps the questions unanswered for the time being. It also balances the line between action and story. Often, big fight issues lack any depth. This is not the case with Action Comics # 958. Go buy this comic – thats the final verdict.

This is another solid issue. The pacing is to a point where we need a break for a bit and a little more information to hold on to. Theres no doubt that Supermans world has changed and his son is his greatest liability and greatest joy, but every issue cant have the same menace. If the next issue is the same, I fear reader exhaustion.

Please, Mr. Jurgens, can we be done with Doomsday and get to solving some of the mysteries? Who is Mr. Oz? Who released Doomsday? Will Superman and Luthor become allies? Who is this Clark Kent that is not Superman? I know this is Action Comics, but the questions raised have far more potential than Superman vs. Doomsday Round 17. The interpersonal relationships continue to be the aspects of this book that are the most exciting and answering those questions will bring about some resolution to this the best part of the drama.

This issue manages to be both large and small all at the same time. It feels intimate and personal while dealing with huge ramifications for Superman and the entire DC Universe. If you've only passing interest in Superman, there's no way you can read Action Comics #963 and not get caught up in the excitement and intrigue. If you're a fan you cannot miss this issue and this story line.

This is another great issue in the Rebirth era of Action Comics. All the Superman titles are strong right now and it's a great time to be reading Superman comics. If you're not already, this is an issue that is easy to jump in to. All the exposition is there to catch the reader up easily. Jump in! You'll be glad you did.

Action Comics #965 rings with an intensity that makes this a must buy. The Super-books have benefited greatly in the Rebirth era, none more than Action Comics. Rebirth has allowed new kinds of stories to be told about Superman that don't rely on the challenge to be overcome by his super powers. Superman and Lois won't win the day with heat vision and super strength, it's going to take intelligence, ingenuity and some Batman-level detective work. Action Comics #965 is about as good as it gets.

Action Comics is hitting on all cylinders right now. This is what great comics are supposed to be! It doesn't hurt that it features the first and greatest comic book super-hero of all time. This is a Superman that is relatable and engenders all the wonder and excitement he's been known for in his 78 years of existence.

While this new threat is taking over the narrative, the lingering subplots continue to push the larger story forward. Jurgens seems to understand we are on a journey and parts of the story will unfold at different paces. This makes the storytelling enjoyable on different levels and holds your attention for the long run. The pacing is just right on all counts and I can't imagine not coming back month after month to Action Comics.

For this run of Action Comics this is one of the weaker issues. The overall concept of this story still gets high marks, but this episode seems to stall out until the final sequence. However, this does make it an ideal issue for new readers to jump aboard. The arc remains promising as it seems that Superman will be faced with a real moral quandary.

This is how to tell a Superman story. This title doesn't need to turn into a buddy book starring Luthor and Superman, but presenting these two as competitors instead of outright enemies has created new story telling potential. Jurgens is making the most of it as he gives Superman a real challenge, a true job for Superman.

This issue is a page turner. We are now set up for what must be the finale next issue. Has Superman changed his stance? Is he viewing Luthor differently? Are his preconceptions about Luthor being used by L'Call and Ch'Aar? The moral dilemma is just too good to pass this issue or arc by. I actually want to see Luthor redeemed. It's this possibility that makes this one of the best Superman arcs in a very, very long time.

Action Comics is on a furious pace with lots of great character moments and dramatic conflict. The tension in this story line continues to intensify and the surprises are always resolved in a satisfying manner while staying true to the characters.

It's ironic that Action Comics which features the pre-Flashpoint Superman has just wrapped up an arc that redefines his relationship with Lex Luthor that would not be possible if this Superman hadn't been erased with the "New 52" relaunch. Recasting Luthor from a different angle re-invigorates their dynamic and provides new opportunities for stories. It is no surprise that this arc also epitomizes the character of Superman.

Action Comics #974is another great chapter in the Rebirth era of Superman. There's the dangerous tease of the return of Blanque, a few nice moments in the domestic life of Superman and Lois and the psychological crisis of the "other" Clark Kent.

Despite revealing the identity of Clark Kent in the main story, this back up is the better of the two. It is a good idea to split up the story lines into distinct stories, but it could've been more effective with better pacing. Perhaps, a extending the tension of the reveal through a harder search and let the back up stand on its own in a separate issue. Overall, the story line maintains the reader's interest, but the execution is uneven.

Things are different all over again for Superman and family. With this identity mystery over, the title will have to shift to a new approach. Returning to a status quo for Superman while understandable is not without some disappointment. Keeping ideas newis important for characters that have the history that Superman does. This "Reborn" journey was not as great as the year leading up to it.

With all the unanswered questions after the "Superman Reborn" story line, there needed to be a clarifying issue or two. Action Comics #977 goes a long way in assuaging some fears. Hopefully, the next few issues continue to fill in the gaps. However, the emotional response to this issue is a resounding "Yes!" If you were worried, don't be. Action Comics continues to be be a top-notch Superman title, managing to communicate the new amalgamated status quo inSuperman's history while also teasing the mystery that is still out there.

If you like what's been restored, then this is an enjoyable issue. If you miss what's been lost, then you will feel lost. This issue tips slightly positive, overall for me. While this is a necessary diversion, moving ahead instead of revisiting the past is more important. Like Superman, there remains an uneasiness in the merging of the histories as I know not everything jives with what was published. There's no easy way through this. Hopefully, Mr. Oz and the Superman Revenge Squad that assembles by the end of the issue will provide a quality threat for the Man of Steel in ensuing issues.

I would never have imagined the Oblivion Stone coming into play again, nor the reveal of Hank Henshaw's past as Cyborg Superman being in play, though it was referenced last issue. What happened to him?!?! Action Comics #979 gets back on track as it barrels forward with an action packed issue with the promise of more while re-setting the status quo for Lois and Clark in a classic setting. It's almost like the "New 52" never happened!

Despite the familiarity of the Superman Revenge Squad's motives and methods, this is a solid issue strengthened by Zircher's art and the continuing saga of the Lane/Kent family. To be a better story this arc needs either a greater emotional impact on Superman or present him with a significant psychological challenge, and there are a few seeds planted which could become fruitful.

The classic approach to Superman is a welcome direction. However, there does seem to be a lack of depth in the plot. The off beat approach to trying to reconcile the two Supermen at the beginning of this run produced a more interesting challenge for both the reader and the Man of Steel. Though a step up from last issue, it's good, but not great.

This is a solid issue with a promising lead in to what should be a mighty showdown between the Superman Revenge Squad and Superman's own Super-squad. While not overly remarkable, it is enjoyable as it presents a classic looking Man of Steel and we get a little bit below the surface of Superman's character.

While this easily could've been a run of the mill fight issue, the inclusion of Zod's personal indignation at Superman's family adds a unique element to their conflict. Clearly Zod is missing his own family and it intensifies his hate for the son of Jor-El.

With a bit of a surprising ending, this issue wraps up the "Revenge" storyline without loose ends, but with future plans for Zod and family. The continued tease of Mr. Oz maintains the link to the bigger picture. All in all a satisfying ending with some well-placed surprises.

This is a solid issue, but suffers just slightly from being more or less a fill in between story arcs. The finale certainly whets the appetite for the upcoming reveal of the Mr. Oz story line in subsequent issues. The strongest aspect continues to be Superman's challenging relationship with Lex Luthor.

There's a lot of relevance to the real world in the attitudes that Oz is trying to nurture. It's easy to blame those attitudes and outlooks on an outside force. However, it's us in the real world that are to blame. Superman will have a much easier time defeating Oz in the comics than we will of turning around those xenophobic and selfish outlooks in our world. This issue makes one think. It's disguised as a super-hero comic, but it's really about the challenges we face in our own world.

While this story presents Superman with a real challenge on an emotional and philosophical angle, the depiction of Jor-El just doesn't ring true. Jor-El = Hydra-Cap? Despite the provocative nature of the story, Jor-El in this role seems out of place and undermines what could be great with a different character in this role. It will make you think, but you might hate it, too.

This has been the best chapter in the "The Oz Effect." Getting Jor-El and Jon together has humanized Jor-El and it may point to his downfall in this arc.

Prepare to think a little bit about our own world as we see similarities to it in Action Comics #990. Though not a new idea, it is particularly effective in this case as Superman must try to get everyone to get along in order to stop the machinations of his(?) terrorist sponsor father.

This issue gets at the heart of Superman's character, despite placing him in an extreme situation. To challenge Superman effectively, the writer must find a way to make it about emotion or philosophical outlook. This issue manages to do both. As we approach Action Comics #1000, it is particularly appropriate that this story arc addresses the core of Superman's values and motivation.

"Aftermath" plays better than "The Oz Effect" itself as Superman acts on the mystery at hand and moves closer to the answers he needs. With the support of friends and family, Superman will certainly run headlong into some answers, maybe here, maybe elsewhere.

Where "The Oz Effect" felt very heavy and depressing, this story line's first chapter seems to offer something more in keeping with Superman's nature. It also seems to promise a definitive answer to Superman's questions about Jor-El. It's also at the heart of the Doomsday Clock/Rebirth/Watchmen storyline that's been unfolding for the past year and a half. These elements are critical to the DCU and Superman. It feels like a tale that shouldn't be missed!

An even mix of action, fun and character make this issue another solid chapter in the post-Rebirth era of Superman. It may not come quickly, but it seems certain Superman will get his answers about Jor-El and Oz. But first, there's more time travel fun to be had next issue as the Eradicators will certainly not be welcome in the 25th century. As Superman's future was threatened this issue, it appears that Booster's existence will be challenged next.

This arc has deftly changed focus from Superman to Booster while retaining the theme of fathers. Not only is Superman still troubled with Jor-El's fate, but Booster is brought face to face with a father he wants no more of. Couple that with Lois trying to save her father from a firing squad and Superman's empathy with Booster's mom as a parent, there's a lot of interesting and diverse thematic elements in this issue. And, let's not forget that Booster himself is the father of Rip Hunter. (Does he even remember that?) Well, done!

Uncannily, Dan Jurgens continues to surprise and entertain with new angles. The Rebirth era run on this title commenced with some really interesting situations. It became almost pedestrian with the merging of the two Superman's and Lois's histories. With this story line, the title has achieved a new high watermark as the Super-family shines brightly as individual. Time Travel is always a win and Superman and Booster Gold make for an interesting pairing. Oh, and Earth's war with Krypton? What're you talking about Skeets?

Plenty of action in this title as it approaches issue #1000, and the resolution to this story line is sure to be a doozy as this issue leaves Superman, Lois and just about all the good guys apparently dead. While it's clear that this is not how this arc will end, the build up to the finale is reaching an almost unbearable tension!

All in all, a satisfying conclusion to the "Booster Shot" story arc. Despite feeling just a little hurried, the issue wrapped up all the dangling plot lines and gave Booster Gold some well deserved moments. Action Comics #1000 and a new era is just around the corner. The past couple years have introduced a lot of changes to the Superman mythos in both Action Comics and Superman. And, it's not over yet".

This is a great character focused issue that not only addressed a deeper moral dilemma in the humanity of Phantom Zone imprisonment, but the everyday relationships between family members. Those can be complex and multifaceted, but at the end of the day, Sam and Lois and father and daughter and that should override everything else. They can find a way. This issue stands well on its own and is a perfect emotional lead in to next issues anniversary spectacular 80 years in the making- Action Comics #1000!

Action Comics #1000 is a fun, and at times emotional celebration of Supermans 80 years in Action Comics. Fans of the character and of Comics in general will enjoy this loving tribute to the character who started the super-hero craze in comics. Its going to be hard to pick which cover variant to get!

This is a good issue, but far from Earth shattering. The ambiguity of Lois's larger role in the story is a little off-putting. However, the new villains appear to be intriguing and should provide a good challenge for Superman. There's a fair amount of story in this issue, which allows for some of the supporting cast to get panel time. Hopefully, Bendis will explore these new characters, but not at the expense of Lois and Jon.

So far, Action Comics in its second millennium is a book going in two directions. Superman's characterization, the mystery of the Invisible Mafia along with many of the little details feels spot on and pretty darn interesting. However, the Lois Lane subplot feels so out of place that the book would be better if it was excluded entirely.

This issue really feels like it has bogged down. There is certainly a better way in which some of the surprises could've been revealed, and as such, this issue feels like nothing happened. To top it off, the best part featured Batman. Which isn't bad for a Batman comic". The story only moves forward in the last two pages when Lex shows up, and that's very minimal movement.

This is the redefining moment for Lois and Clark's relationship and it's flat out terrible. Bendis seems to have written an excuse in order to claim that technically, Lois and Clark are not broken up. But, how can this be true when they are living in different cities and Lois doesn't seem to want any type of life together? Nothing really seems right about it, from Lois's immature and selfish actions, to Superman's willingness to accept what she says when she does nothing but hurt him emotionally from start to finish. What happened to their love?

This issue continues to introduce more ideas while not moving the plot much further. Despite the reveal of The Red Cloud's identity, it doesn't feel like this issue moves the plot along enough. It's not really that surprising a reveal, and it actually makes a lot of sense considering the character's actions in previous issues. After last issue's awkward and terrible reunion between the super-couple, It feels like the story line is settling down into classic mediocrity, the positives seem to be superficial with little substantive content.

Bendis's unimpressive run on Action Comics continues as the plot spreads out and makes the whole storytelling style questionable. The slow pace makes it hard to find much of interest especially as those things are left by the wayside in the next issue. One wonders what won't be addressed in the next issue that could've potentially been interesting. Superman and Lois's relationship continues to be a low point for the Superman titles as the direction just doesn't make sense for the super-couple either in tabloid suggestions of infidelity or Lois's continued secretive behavior.

Hands down the best issue of Bendis's run on Action so far, but it's still not perfect as Bendis seems incapable of finding the right voice for Lois or how to handle the Lois and Clark relationship. That said, there's a lot more good in this issue as there's some real attempt at relationship exploration between Lois and her dad, plus the Jimmy Olsen bits are great and the art from Steve Epting is top-notch. Superman and Co. are still not safe from Bendis yet, but at least this issue is interesting and there was some genuine emotion.

As Bendis leans into the ground level espionage aspects of this tale, it's clear these are the types of stories he's better at writing.It's another improvement on his run this month, as Epting again delivers a great turn at the drawing board again. Adam Strange's appearance is a treat as is Jimmy, Lois and Clark acting like the people they are supposed to be. It's still not clear why Lois is back at the Planet acting like herself and not some weird alien in disguise- although that may still be a possibility, eh, Jimmy?

After a terrible character arc in the first 6 issues of his Action Comics run, the current story is not only interesting, the character moments finally feel like they are accurate. Bendis is no longer trying to make Lois and Clark into something they're not, he's leaning in to what makes them work as a couple. That's not to say it's going to last…but, enjoy it while you can.

This issue is uneven at best. While it has great art and exciting concepts, it doesn't move the plot along very far and the details are given short shrift. Perhaps, the most interesting ideas are left on the floor while the plot inches forward. The razzle dazzle distract for a bit, but at least it looks nice.

VerdictBendis is playing the long game with "Leviathan Rising" and despite some nice details in Action Comics #1011, the apparent direction of the arc is uninspired. It is proving to be both too long and a "game." Referencing the weakest elements of his run on Action so far are not helping. Epting's work is still nice, but the pretty pictures can only elevate the story so much. Stay tuned, I'll let you know when all this blows over and we start getting some proper Superman comics again"

VerdictI guess it's important to state that this issue does bring together all the subplots from the last year and finally make it feel like one big story. It's taken a long time to get here…. Unfortunately, not all of it really works. The Invisible Mafia still have a lot of potential, and Rose could be a breakout character, but Lois and Clark are really suffering. Not only are they mostly on the sidelines, their story is tabloid gossip as opposed to something meaningful.

VerdictOverall, this is the best issue of Bendis's Action Comics run in a while. The plot moves forward as we learn something significant about Leviathan and Superman begins to put some pieces together. For once, Superman and the reader are on the same page and Superman isn't the last to know. There's no set up, just forward movement. Luthor's revelation to Robinson Goode falls in the same category.

As Bendis develops his Superman epics both in Action Comics and Superman, it becomes more and more clear that all his titles are interrelated. Naomi's appearance on the last page of Action Comics #1014 and the Legion of Super-Heroes appearance at the end of this week's Superman #14 demonstrates that he's developing his own corner of the DC Universe and you have to be “all in” on his titles. It's a double edged sword. While one can admire the planning it takes to bring all these disparate storylines into one grand cohesive tale, if you're not really digging some of the basics, it's hard to get worked up about the big picture. Despite Lois and Clark's relationship appearing to normalize a bit more, the inconsistency of its portrayal and multiple subplots which suffer from lack of attention casts a shadow of doubt on how well the overall story will hold together.

There are technical aspects of this issue, and all of Bendis's Superman and Action Comics runs that are executed well. He really wants to work on character, and that's great! However, the content is almost always unenjoyable.

Despite some technical positives, Action Comics #1016 is a bit of a mess. If you're all in on Bendis you're probably buying two copies, but the more astute reader will see the flaws right away. While the Red Cloud could be a compelling challenge for the Man of Steel, Robinson Goode comes off as underdeveloped and somewhat forgotten. It doesn't help that Bendis seems more interested in validating Naomi than telling a good Superman story or making sure Batman appears in character. You should like Naomi because…, not because she's actually unique or interesting.

If you're looking for part two of "Metropolis Doom," it's not really here. Instead, Action Comics #1018 picks up plot lines from a year ago. Despite feeling dropped in out of nowhere, there are some positives to these elements. Unfortunately, the confounding elements of the issue take over and raise more questions than are actually answered, but not in a good way. Lack of planning makes the things that do happen in this issue feel awkward and ham-fisted.

Fellow DCN reviewer, Derek McNeil messaged me that this issue was “a hot mess!” I don't know that that is an entirely accurate description as Bendis is able to make something feel exciting with Superman in Action Comics #1019. The idea of the anti-hero is intriguing and Luthor's plot to kill Superman is engaging. Certainly, his identity reveal has played out over in Supermanas a non-story. (If there's no impact to this reveal, why do it in the first place? Answer= Bendis has no idea what he's doing.) While this issue is actually pretty good, its context within the larger scope of Bendis' run begs the question, why didn't some of this happen sooner? A roller coaster ride of quality continues in Action Comics #1019, though it never gets over the biggest hills.

With too many plot lines, Bendis single best idea is not only unrealized, it has been diluted with other ideas that are also having trouble finding a footing.

Surprisingly, just when it seemed Bendis and Romita were going to run Action Comics straight into the ground, the pair with apparently a lot of help from Danny Miki right the ship mostly in Action Comics #1022. Even if one has to suffer through the terrible status quo changes wrought by Bendis on the Super-family, the actual content is a huge step up from the “Doom” arc. Danny Miki is the star of the art as his inks on Romita, Jr. breathe new life into the look of the book. And, Bendis finally has something interesting to say about the Invisible Mafia for the first time in nearly two years. Two years! In the long run, it's too little too late, but perhaps he can at least finish his first story arc..finally?

While the majority of page space in Action Comics #1023 is more or less enjoyable with the extended Kent family facing a problem together and the Invisible Mafia getting much needed exposure, the issue really falls flat as the Red Cloud lacks any real depth and Superman's actions at the end of the issue just don't fit the character we. Two years into Bendis's run, this is probably about the best one can hope for. The title is too mired in erratic characterization and overextended storylines that don't always have a satisfying payoff. There are moments, but they hold little depth.

As a single issue, Action Comics #1025 is Bendis at his best on Superman. Taken as part of his entire run it's frustrating and some of the implications are unacceptable. Because, essentially, Bendis has pulled the Shakespearian “bed trick” on Superman. It's a shame that Bendis regards Superman so poorly. He doesn't seem to know how to treat the character with respect and dignity. Haha, aren't you funn! (NOT!) Whoever signed the papers on Bendis's contract for DC should be fired…wait…maybe he already has….? In all fairness, this issue is very good, just hope the next creative team is able to erase this era from the mythos…or perhaps, Bendis has left that loophole in his own story….???

It's been a long time since I looked forward to the next issue of Action Comics. However, with Bendis's run ending in December, the mysteries presented here should be mostly revealed as Action #1028 serves as a wrap up. The majority of the middle of Bendis's run is still ultimately skippable, but if one were to read the first and last arcs of his Action Comics, it may prove to be interesting or even mildly enjoyable. However, the next issue should cement the notion if this is all above average, average or below average, or simply a huge mess to be forgotten.

It's hard for a Bendis Superman comic to be much more than mediocre, and Action Comics #1027 is no different. Bendis can never seem to get out of his own way. As soon as he introduces something interesting, he botches it with the execution. Next month sees the end of his tenure on Superman. At the very least we will all know where things stand. Maybe the big reveal will be Lois was from a parallel Earth and every time they had sex it was a Superman robot standing in for Big Blue, as corny as that sounds, it's really preferable to either of the other two outcomes.

Action Comics #1028 slows things down to try and bring Bendis's entire run to some sort of conclusion. Unfortunately, despite some nice character moments that carry this issue, Action Comics #1028 is also a reminder of all of Bendis's shortcomings as a writer. It's a real shame that DC let Bendis go unsupervised on their flagship character. And, if he was actually supervised, that person should be fired. There's years of fixing in the works for Superman. It's like waking up form a nightmare only to realize that it was real. I pity the subsequent writers who have to manage the baggage of Bendis's terrible ideas. This is the first time I've thought the idea of the “retcon” was a good thing.

Action Comics #1029 is a mixed bag. The Midnighter story is the highlight with a really interesting premise and twist that should provide some good character work and engaging storytelling. The Superman tale feels a bit flat and haunted by Bendis's additions to the mythos which don't add anything positive to the characters. Fan or not, the Midnigther tale is a good read and may be worth the price of admission alone.

Action Comics #1030 is another mixed bag of sorts. However, the positives are outweighing the negatives in a more significant fashion. Despite the basic premise of the Superman story feeling generally uninteresting, the surprise at the end and the great character moments make it an enjoyable read. Additionally, the surprise at the end gives it the feeling of real potential. The second chapter of the Midnighter tale is the icing, as the concept and characterization are equally engaging. This gives every indication that it's going to be something special!

Give this one to your friend if they aren't reading Action Comics. Both features are being produced at a high level and will keep you coming back for more. Interestingly, both features are doing the same things well. Character, mystery, surprise and excellent pacing and storytelling make for an extremely strong issue. Jon may not be finding his way, but Superman is feeling nearly perfect and Midnghter is right there with him.

Phillip Kennedy Johnson seems to have his writing on firm footing with Action Comics #1032. As long as Johnson stays on this track, he will provide readers a really great run on the Man of Steel. A focus on character create a truly engaging experience for the entire book. Additionally, fantastic art accompanies both the Superman and Midnighter stories making Action Comics an exciting and clever read.

Action Comics #1033 is another wonderful issue. Both the Superman and Midnighter stories have built over the past few months into simply fantastic comics. Interestingly, the both do a lot of the same things well while at the same time being completely different. These stories will obviously end soon, but right now they are combining to make Action Comics one of the books you should be reading.

The build up of intensity in the two stories in Action Comics #1034 promises to spill over"soon! Superman's bold move suggests so much more than discussed above. This feels like a truly important moment in the life of the Man of Steel and his relationship with the people of Earth and his friends in the Justice League (Aquaman was not happy at all!) It's a great theme that should be exciting to see explored. Midnighter's got his hands full as well as this second feature proves to be just as interesting as the Superman lead.

Johnson and Sampere deliver a heartfelt issue that continues to build on the Lost Kryptonians storyline. The character work is outstanding and is truly making Action Comics a great title. It's not hard to relate to Lois and Clark's situation, even if the particulars are otherworldly, plus the Moses analog adds another dimension to Superman's story. While Jon holds things back a bit, he's not in the way to drag things down too much. Coupled with the potential in the second feature, Action Comics #1035 is another great issue.

Action Comics #1036 is very uneven. Daniel Sampere and Adriano Lucas' art are the most consistent aspects on the issue. The story doesn't spend enough time on the best part and most interesting aspect- the Phaelosians. We don't expect Superman to die, so the stakes don't feel that high for his impending encounter with Mongul. And, in the end, the Phealosions' backstory is far more interesting than a bait and switch on Superman's "death."

Action Comics #1037 is a mixed bag. The best parts don't get the focus, and the Martian Manhunter second feature has a clearer direction even if everything isn't obvious at the start. However, Miguel Mendonca and Adriana Melo combine for a strong artistic outing across both stories. Once again Julian Totino Tedesco provides an exceptional variant cover- what a story that would be! Perhaps, once we get past this second "death of Superman" Johnson can explore the interesting concepts he's introduced.

Buy this one for Tedesco's variant cover and the Marian Manhunter second feature. Action Comics #1038 isn't without merit, it's just probably not the merit you were banking on. It's still a difficult time for Superman, but it's nice that there's more to this title than the lead Superman story.

Character is the strongest element of the Superman story in Action Comics #1039. Johnson nails this page after page, even if Superman's not quite fitting into a John Carter of Mars story as one might expect he would. The Martian Manhunter story continues to build up with an interesting reveal. The art across the issue is at a high level, Melo is great on J'onn J'onn, but Federici is exceptional on the Superman tale. All in all, this is a step up from last issue.

The "Warworld Saga," has been a rollercoaster, with more valleys than peaks, but Action Comics #1040, which almost feels like a one-off issue is a remarkable homage to John Carter of Mars. Indeed much of the "Warworld Saga" owes something to John Carter, but this issue in particular evokes the nostalgia while also doubling down on those aspects that are common to both the Warlord of Mars and the Man of Steel.

Lacking context, Simone's story is a little unsettling. One one hand, it's great to have Bronze Age/ throwback tale with influences from different iterations of Superman, but perhaps more will be explained. As a throwback tale it's a ton of fun and very enjoyable. Rowell's story takes a more serious approach that is a nice contrast to the fun in the main story.

Action Comics #1068 is WELL worth your attention. It's got enough classic Superman in it while at the same time addressing a more modern look at the Superman/ Lois dynamic. There's character work both subtle and direct throughout the issue. There's great action and Eddy Barrows delivers on the visuals. This issue is better than the previous and it genuinely feels like a good time to be reading Action Comics.

With both three part stories concluding in Action Comics #1069, there's a palpable energy to the issue. They go together in a unique way as they focus on different aspects of Superman's life, both personal and public. It's a great time to be reading Action Comics and I think any Superman fan would find this a great three issues. Stories don't always land, but in the case of this issue, but that's not the case here, as both of these adventures of the Man of Steel have something to say and say it well. Indeed, this is in fact the strongest of the three issues. It's quite easy to image just reading this issue and feeling the impetus to go back and get the other two.

Action Comics #1070 is a fun and entertaining read. It depicts a Superman that fits into the current status quo, but is at the same time undeniably classic with Silver Age elements used to great effect. Supergirl gets a solid outing as well in a story that features fantastic art from Skylar Patridge. Action Comics is a series you should be reading!

Action Comics #1071 is, once again, a fun, exciting and entertaining comic book that you should be reading. There's enough classic mixed with the current status quo to make this a Man of Steel that is accessible to all readers. Waid doesn't leave anyone in the dust. It's easy enough to jump in on both stories.

Action Comics #1072 is another great outing for Superman. Waid's love of the character and his history is tantamount to enjoying this story, especially for old readers. Hopefully, new readers will find something to love about Mon-El and the friendship between these two Legionnaires. The Supergirl story is stumbling a bit, but looks great. Overall, Action Comics is still a great read!

Sometimes less is more and that's what Waid is doing so well with Action Comics. While he incorporates a number of Silver Age elements the emphasis is on telling a fun story. The reader doesn't have to know all the references. Waid provides enough as needed information for the story to be enjoyed. For the reader in the know, it adds an additional element.

Despite the drawback of the Supergirl story, Action Comics #1074 is actually better than the last issue. Waid continues to use Silver Age concepts and update them with quality writing. Superman is in great form in Action Comics and it feels like it's a new high watermark for the character. This is a must for Superman fans, and probably the best book so far under the All In initiative.

Action Comics continues to be a great place for Superman readers. Waid and Henry are definitely "All In on this. It's strong enough that it almost doesn't matter that the Supergirl story is lackluster- well, don't tell that to Supergirl fans. Action Comcis #1076 continues to be a bright spot for DC Comics and Superman!

I think the real sell for this series is directly proportional to how invested one is in the DC Universe in total. It finally feels like DC is making something directed at readers like me. With that said it feels like Two Thumbs Up! This could preclude newer DC readers who have only come aboard in the past few years. However, I would remind readers of The Flash (Vol.1) #123 and Justice League of America (Vol. 1) # 21 that looked back at DCs past and engaged new readers with older characters. With the re-introduction of so many iterations of DC characters, this could happen again with Convergence.

Character trumps story and Convergence #2 is well worth the read. Even if one missed #0 and #1, this book is easy enough to understand, and especially engaging through the focus on character. Nicely done, Mr. King. This issue was a bit of a step up from issue #1, give it 4 and 1/2.

The continued focus on character makes this story enjoyable and accessible to all readers. The meaningful death is in line with the character development in the issue. King is building towards something, and it is enjoyable. The nostalgic components are a bonus.

I feel deeply connected to this mini-series, and relate very closely to the characters and basic concept that is being explored. It is strong on character and allows this to drive the story. Keeping this event small is a stroke of genius and allows for readers to get involved easily without feeling overwhelmed with the vast scope of the consequences. 4 1/2.

Just when it seemed like Convergence was going to go one way, King and Co. have managed to push it in a different direction. Its similarity to Crisis is more along the lines of nostalgia rather than retelling. Bringing in the current New 52 characters to the narrative adds an element that may have been missing for some. With only 2 issues left, Convergence has brought us along with character and nostalgia to the doormat of the finale. The post-Convergence DCU is just around the corner.

If you havent been following along the past 7 weeks theres not much reason to jump on board now, but I wouldnt jump ship either. Theres enough teased for the finale to keep one around for one more week. The fate of DCs history hangs in the balance- is this a farewell or welcome back?

Well, after the past two months it's finally over, and the DC Universe will never be the same. Where do we go from here. This week's Convergence: Detective Comics # 2 suggests that there are still stories to tell in the Multiverse and if that's the result of Convergence, that makes me very happy.

If you thought Cave Carson Has A Cybernetic Eye was psychedelic and trippy, you ain't seen nothing yet! This first issue is a uneven in tone and content. Where it should be fun it feels tempered by a darkness. The short back up story comes across better than the main tale.

Issue #2 of Cave Carson Has An Interstellar Eye fares better than last month's debut. The tone is beginning to shift back to a more familiar one and the mystery Cave is unearthing seems like the thing he needs to bring him back. Hopefully, this also leads to Chloe finding balance in her choices.

So far, Cave Carson Has An Interstellar Eye has been up and down. For the most part it seems the pacing is just not there, yet. There's not enough of the good stuff in each issue and the down issue have been either awkward or slightly inaccessible. That means #4 should see an upswing again. The saving grace is that when it's all said and done this arc should read quite well in collected form.

The father/daughter dynamic is worth sticking around for. This series will most likely end up on a satisfying note. The journey may be a bit of a struggle. As long as the focus remains on Cave and Chloe's relationship, this series will be a great read.

This issue swings back up as the wackiness falls in the right place between plot and character. Cave Carson is at it's best when it finds a balance. This issue does just that. The plot surprises as Star Adam and Bulldozer return and it adds an element of hope while promising some cooperation in next issue's finale. The roller coaster ride that is Cave Carson Has An Interstellar Eyeappears poised to finish with a flourish and at the top.

There can't be any reason not to finish up this series if you've been here all along. If you haven't been sure about this series, then this series will read excellently in a single sitting. So go to your comic shop and get all 6 issues. The conclusion to Chloe and Cave's character arc is touching and complete.

Overall, The Green Lantern: Season Two #1 is an average start to a new story arc. While the main idea of the Young Guardians is intriguing and potentially concept shattering to the Green Lantern Corps, it doesn't go very far here. Coupled with the exposition on Mother Juna, the issue comes across as establishing shots of the larger story to come. I have no doubt that it will improve, but this is a lackluster start to Season Two.

This issue is a bit of a mixed bag. While there's certainly a lot of interesting new Lanterns introduced and a serious threat at hand, the characterization of Hal is a little contrived. At the end of Robert Venditti's run on Hal Jordan and the Green Lantern Corps, Hal and Carol seemed like they had come to an important moment in their relationship that would be ripe for exploration. Venditti's run was so strong on character, moving away from that moment without a mention is a bit jarring. Hal's characterization has reverted back to an iconic, yet unenlightened portrayal. This issue is probably more enjoyable read cold without the knowledge of what's come just before in Hal Jordan and the Green Lantern Corps.

Season Two seems to be off to a slow start, although, this issue is much more enjoyable on a second reading. Dropping the reader right into the drama is too disorienting. It works sometimes, but not as much as it needs to in this case. However, the art by Liam Sharp in his “full Wally Wood” style is supremely enjoyable. We all know this series is worth sticking with, remember, Season One took a few issues to really get going as well. Perhaps, Hal next step will be the one that gets the larger story going.

Three issues in, The Green Lantern is a bit of a jarring shift from the Green Lantern comics of the last 15 years. While the aliens and intrigue are engaging both visually and storywise, there is a clear lack of character work missing. So much so, that it may be difficult to get this to feel like a Green Lantern comic. The humor in the issue leans towards satire and it's not clear if that's good or bad, but it was clever and enjoyable and was probably the best part of the comic along with Sharp's Woodesque aliens.

The Green Lantern: Season #3 tops the first two issues of the series easily. Perhaps, it's the more recognizable characters and familiar mileu of the Air Force Base so recognizable from Geoff Johns' important run on the character. More likely is Morrison's more intimate tale of Hal returning to the scene of so many victories and defeats. With that, comes the soul of the man who must reconnect with friends and colleagues. Morrison really makes it his own, however, when he has Hal threaten “Herc” with arrest…Hal is a policeman after all…

All the parts are present inThe Green Lantern: Season Two#4, but they are not coming together as well as they should. Overall, it leaves one feeling a little disappointed. Hopefully, this series will take a turn for something bigger and more cohesive. Morrison is capable of making the far out and bizarre work. It feels like he's holding back here. The tease for next issue does hold some promise…

Liam Sharp's art holds this issue together as Morrison's script isn't quite balanced. Sharp's homage to Jack Kirby fits perfectly and is a joy to behold. The potential in Morrison's story causes it to be more disappointing in what is lacking rather than fulfilling with what is there. It could be so much more. There's still a lot more to come in The Green Lantern: Season Two, but at nearly the halfway point, the series should be heading somewhere with a more obvious purpose.

There's a lot to unpack, as with much of Morrison's writing, but the shift in genre really makes this issue stand out and it is echoed in Sharp's artwork. While it fits in with the run so far, the horror element adds something different to this classically sci-fi oriented concept. Sharp and Morrison both do a fine job despite the awkward reveal by the Guardians regarding Hal's secret mission. Despite this, the issue finally addresses some significant character elements as Hal faces Adam Strange on the final page, with a clear payoff next issue.

Morrison gets things together with The Green Lantern: Season Two #6 in a big way. Instead of feeling like an unconnected tale of Hal Jordan, Space Cop, this issue brings back the scope that worked so well inSeason One.Furthermore, Morrison references the past with the notion of the dead Hal Jordan and perhaps his turn as the Spectre as well. There's a lot to enjoy!

This is one of those issues that is better on the second reading. All of Morrison and Sharp's indications of the truth are clearer with the knowledge that Pengowirr is the sentience of Hal's ring. This opens up a completely new manner of depicting Green Lanterns and their rings. It fundamentally changes the way Lanterns interact with their rings, and goes a long way in explaining how Hal is able to constantly put his life with the Corps ahead of his relationships on Earth. Is Hal more committed to Pengowirr than anyone else? Does this explain his actions? Or, is it all how Hal imagines his ring as he faced a near death experience".?

As a single issue, The Green Lantern: Season Two #7 is easily the best issue of the series. Reading of the first seven issues (and Season One?) may be necessary to reveal how Morrison is connecting the dots. Nevertheless, this issue goes deeper and provides an insight heretofore unseen in this series. Morrison is bringing the bits and pieces together to make something thoughtful and exciting.

This second season of Grant Morrison's Green Lantern has not been nearly effective as Season One. The Green Lantern: Season Two #8 takes things a step backward as it doesn't quite deliver on things as effectively as it could. Issue #6 remains the high point of Season Two,with issue #7 coming in at a close second. Morrison aims high with issue #8 but doesn't quite connect with the audience. There are seeds of greatness therein, however the form distracts from the message instead of enhancing it.

VerdictThe Green Lantern #8 is a fun nostalgic trip as Hal Jordan and Oliver Queen reconnect their long-time friendship. The issue is packed with references from stories that remind the reader of DC Comics long history and great creators like Jack Kirby and Neal Adams. Sharp is in fine form as he homages Adams in this tale and Morrison makes the reader feel glad to see Hal and Ollie palling around again, especially when it means that Xeen Arrow is still around.

VerdictAfter a tilting entry point, The Green Lantern #9 really picks up as it layers the plot with Multiversal references, including Morrison's own Society of Super-Heroes. The mystery of the dead super-beings is just the first aspect, but it goes beyond that as Morrison weaves in his penchant for DC Comics lore and the Multiverse. It's going to be a weird, fun and nostalgic ride!

As the roller coaster heads up the hill again with The Green Lantern: Season Two #9, one can only hope that there is no crest ahead. We don't want to come back down to the bottom of the hill. If Morrison continues to work the characters then he should keep the reader on a plateau and perhaps take us a little bit higher by the end of Season Two.

The Green Lantern #10 embraces the fun in comics with some nostalgia and high concepts. While there may be minor character moments in the set up, next issue's conclusion of this two-parter promises to bring more as Morrison has teased the DC history that will surely play out. It won't just be Hal Jordan, but a team of Lanterns that saves the day!

Its wonderful to see The Green Lantern: Season Two get two really great issues back to back. This would've been a fitting end for the series, but we get two more! The character work is outstanding and it meshes so well with the story that Morrison is telling. The Star Sapphire of Earth-11 is so compelling I would sign on for an ongoing series. There's a lot to Hal's relationship with Carol that is ripe for exploration, maybe this is how to get to it!

The Green Lantern: Season Two #11 sets the table for the finale next month. Morrison has connected the dots along the way so that Hal is at a showdown with the Majistry and a crossroads with the Young Guardians. Sharp's art continues to be stunning, though it almost feel like this crossroads should've come earlier in the series so that it could be developed and explored.

We all know something big is coming next issue…and The Green Lantern #11 gets us there. It's just not as outstandingly as it could be. Still, there's strong characterization. The examination of the Hal/Carol dynamic is worth the read alone. Next issue should be a doozie as it pulls together the three different plot lines that have been going since issue #9.

The Green Lantern: Season Two #12 wraps up the series with nods to whats come before, but it doesnt feel as unifying as it should. The art is fabulous and is probably worth the price of admission alone. If you want to see how this series wraps up, youll want to get this issue, but its not going to convince you to go back and buy the rest of the series.

The Green Lantern #12 is a true culmination of the previous 11 eleven issue. While the larger story is not over, this chapter or “season” is. Continued in Green Lantern: Blackstars, Hal Jordan's predicament will be revealed. This issue is a masterful segue and summation. Morrison proves he is still one of the best writers in comics.

This is a solid issue that gets at the heart of both Superman and Lex's characters. While not portrayed as "the hero of his own story" Luthor's complexity in his modern incarnation continues to be interesting and challenging. Hopefully, this portrayal will continue to be developed and explored and not rejected in favor of the more one-dimensional traditional approach.

This is someones one chance at telling a Batman story. It is the best of both worlds- a goodbye to Gotham for this creative team and a satisfying examination of what is essential about Batman. Its Batman and Gotham City and Commissioner Gordon and Alfred. Its all the possibilities for danger. As the journalist indicates, the city is changing. Batman is making a difference. Hes changing what was into what can be. And in that change, sometimes the city itself can make a difference, and when it looks darkest, sometimes Batman is not needed. This could also be someones first Batman story, and in that Snyder and Capullo communicate what a new reader needs to know about Batman. And if you can, track down Detective Comics#567 while youre at it.

A great start to this weekly series. Batman and Robin Eternal #1 gives all indications that this will be a must read series like its predecessor, Batman Eternal, and it will utilize the strengths of the weekly format featuring cliffhanger endings and a strong ensemble cast.

Awesome is awesome. With a weekly series its easy enough to have a slow issue, but this is not that issue. Batman and Robin Eternal #2 delivers the goods in almost every way. Dont think you can skip this series. Drop something if you have to and get on board the Dick Grayson train in the form of Batman and Robin Eternal!

The mystery, the characterization and the interaction between the members of the Bat-Family make this an extremely enjoyable series. Only three issue in it certainly seems like Batman and Robin Eternal will be a defining moment for this Bat-Era. Plus, it builds on Dick Graysons status as the equal of Batman.

This issue pushed the story forward just enough. It adds to the mystery of Mother and Orphan and solidifies the deep bond between Dick and Barbara. Bringing in the Robins and Batgirl was a nice touch. The Bat-Family works well in this format and expanding it adds to the overall approach. This story is about family at its heart and all families continue to expand over time.

Tim is not happy. He feels Dick is endangering his parents by exposing them. It ends with Tim accusing Dick of being just like Bruce and feeling betrayed by Dick. Dicks reasoning is sound- knowing Tims past he had to find out if what he knew about Tim was true. This has set Tim against Dick and with last issue surprise ending, it puts Tim as an outsider in the Bat-Family.

Dick and Jason continue their discussion, to determine the next course of action. Dicks got Harper and Cass in a safe house. Jason calls him on it- the second time in two issues a Robin has accused Dick of being too much like Batman. Jason and Dick pick Cass and Harper up on their way to Prague, and we get a tantalizing glimpse of Mother who is quite happy about the course of events. 4 1/2

Second would be the photo realistic ballet backdrops that appear a few times in the issue that have been executed with a different technique. He also does a nice job of showing the Prima for what she really is as she is revealed in a mostly silent sequence. 4 .

Clarity. Mother is the villain and Bruce has been misrepresented at some point. What exactly transpired between the two is still unclear. Scarecrow is still in the mix and whatever happened in the past is more significant than simply Bruces encounter with Mother. Bruce was investigating something in Prague from which he tried to protect Dick.

The creative team is crafting a multi-faceted story with some great character moments and surprises and they are not showing their cards.

Each group of characters is left in a quandary. Jason has escaped with a Tim Drake whos had Azrael put visions in his head. However, it appears that the effect is not unlike the Scarecrows fear toxin. Hes behaving quite similarly to how Dick Grayson was acting, including the Weve failed Bruce dialogue. Speaking of Bruce, it certainly appears that hes biting on Mothers offer, but I still believe we are looking at misdirection. Im thinking Bruces reasons for hiding the case from everyone is more about failure to stop Mother instead of Bruce throwing in with Mother. Lastly, it appears that Harper is about to find out more about her past, stuff of which she had no inkling. Next issue should provide some more answers.

This moment is particularly telling. Dicks urgency upon hearing Batmans name really indicates how important Batman is to him. It ties directly into the main theme of this series- the relationship between Batman and Dick, the other Robins and the very concept of Robin. One final hit. This issue is excellent.

This issue really went deep. The emotional strings it plucked take this issue to a 4 .

One of the nice things about a weekly series is that the creative team has the freedom to veer off into different directions with different characters while not losing too much focus on the main story. Batman and Robin Eternal #13 is like that. This issue could well be called "The Secret History of Cassandra Cain," and yet it fits so seamlessly into the overall story that it doesn't seem like a fill in or deadline emergency.

A physical embodiment of fear. A symbol, something more than human. To Dick, Bruce is a man. He gets hurt, he bleeds, he questions. He is a man. As Dick says, its his greatest strength and his greatest weakness. This is no Bat-god. Bruce is a man for good and bad. But at the end of the day, he is a good man at the head of a family. Family, remember that. Oh, so close to 5…4.75.

The first half of this 26 issue series was a lot of mystery unraveling and solidifying the Bat-family. They were in the dark, confused, but now the second half of the series seems to be shaping up as an offensive against Mother both in the present and the past.

Back in the past in Cairo, Batman picks up a gun from a trashcan in an alley in Cairo. He disappears into the darkness with the pyramids in the distant. A lone gunshot.

In the present, Dick and Helena are called to the roof as Tim and Jason show up and are greeted as unfriendlies by Spyral. Meanwhile, Harper uses the ID she pinched to sneak in and see Orphan. The verbal sparring leads to Orphan taunting Harper with his knowledge of Cassandras visit to Gotham and her intended target. Cullen?

Another great issue in this highly enjoyable series. The character moments are truly the best parts of this book, but the story continues to be engaging. While Mother has become a lot more vulnerable throughout this series, the threat she poses still gives the Robins a big challenge.

This issue can be enjoyed by any fan of good comics. Its that accessible. Maybe the best issue of the series so far. Tony Daniels art is particularly welcome in that it is familiar and hes been associated with Batman for nearly ten years if not more. It fits very well. Just like New Teen Titans #38 featuring Who Is Donna Troy? This issue can be enjoyed out of context of Batman and Robin Eternal. But it doesnt hurt to get the other 20 issues.

A great issue for characterization. Seeing Batman in this light makes me itch to have Bruce return to the cowl and make an appearance by the end of this series. However, it may be something that works best as something that the Robins have to finish without Bruces involvement.

At this point, this book is a must read. Theres enough here for even a new reader to jump on for the 3 issue finale. Go for it!

Anticipation is high for the final issue- Dick and Mothers showdown, Harpers choice and the future of the Bat-family. And a lingering question- Will Bruce make an appearance? Gotta be back for the finale in Batman and Robin Eternal #26!

This is a great story for fans of Batman and any one of his many Robins and protgs. It succeeds at getting to the heart of the character and in a fun and sometimes surprising way. This is a must read for all fans of Batman and Dick Grayson. And Harper Row. It ranks high in this reviewers estimation of the Greatest Batman Stories Ever Told. 4 3/4.

Horror, nostalgia, comics history, clever storytelling and evocative art are all present in Boris Karloff's Gold Key Mysteries #1. It's fun, it's dark and a little gruesome. Perfect for the Halloween season or anytime you just want a little dread in your life. It's entertaining as well as an exciting re-start for Gold Key Comics!

Like comics published by Ahoy Comics with which this title shares a kindred spirit, Boris Karloff's Gold Key Mysteries #2 is entertaining and nostalgic, but also modern. With this issue it's clear that there's a lot of mileage in the concept and as a vehicle for comics in the mystery/ horror genre. Not everything has to be superheroes, and this title provides something different while also being comforting and familiar.

Its clear that Peyer has found a way to tell a different story with this book than relying so much on the Convergence set up. Barracuda was dispatched way too quickly for that to be the big challenge for Ray and Ryan. This focus on character makes this a real treat for fans of the DCU.

Like its design as a flipbook to be read in both directions, DC All In Special #1 is a real dichotomy of execution. As a stand alone comic, it's great. If you read it, you'll enjoy the content that's there and the art and storytelling are excellent from all sides. It's even going to be worth reading a few times to catch all the references. The other side, though doesn't really do the job of grabbing the reader for what comes next in Justice League Unlimited or the Absolute Universe titles. Certainly the spectre of ANOTHER event is enough to dissuade readers from becoming too attached to what's going on.

This book operates on different levels. On the surface it functions as hot women in World War II fighting Nazis. That might work for some. But on a deeper level it examines the multitude of the human experience. Many examples are anachronistic for the era, but viewed through a modern lens, they say something about our current human experience. Its complex.

Edgar Allan Poe's Snifter of Death #1 is a fantastic, funny and insightful start to the third volume in the Snifter series. Despite a baseball gaff, absolutely everything in it is delightful. The Halloween themed cover is a harbinger of what's inside- irreverence, humor and intelligence. For the discerning comic book reader, you won't be disappointed to take a drink from this issue!

Edgar Allan Poe's Snifter of Blood #2 is everything entertainment should be. It's a true escape through words and pictures. By providing something different, Ahoy succeeds, reminding us that comics are not 32 page 5-minute reads of long underwear characters. They are channeling a format seemingly past, but this issue proves that not only is it still viable, it makes a serious challenge to what people think of as "comics." Think I'll have another taste from that snifter"

If last issue was over-the-top, laugh-out-loud, Edgar Allan Poe's Snifter of Death #2 is a more understated humor experience, though there are some wild moments in "Angle of the Odd." Overall, it's an entertaining read with Richard Williams cover producing another endearingly horrifying holiday image. One can only imagine what's to come for future issues around Valentine's Day and Easter!

Edgar Allan Poe's Snifter of Blood #3 provides the reader with something more than the average superhero comic. It's smart, it's funny, it's exciting to look at and even provides a few moments of inspiration. It's not a roast of Poe, but rather a celebration of his life and work, warts and all presented in a creative manner. Don't be afraid to try something different! So, tilt that snifter back and get a little taste of that blood"you'll be glad you did!

Another good issue from the team at Ahoy Comics. You can't skip the text pieces in these comics! You also can't put these in the same creative box as your average superhero comic. So learn how to laugh through the fear with Poe and Co.!

Edgar Allan Poe's Snifter of Blood #4 doesn't quite have the punch as previous issues. It's not bad, but it's not as striking as some of the stories we've seen in previous issues. "Winston" has a unique subtlety to it, but it doesn't stand out as much as I would like it to. Keep reading though"

Edgar Allan Poe's Snifter of Death #4 is a really good issue with different types of stories, each landing in its own way. There's a lot to like in the issue and the series to be geared toward a different type of comic book reader.

Edgar Allan Poe's Snifter of Death #5 is a bit of a mixed bag. There are some interesting big ideas but the details don't play out as one might like.

Clever and brilliant, Edgar Allan Poe's Snifter of Blood #5 is a masterclass on satire. You may not cry, but you will laugh and laugh out loud. You will also think. You will absolutely think as these tales challenge the reader to look at aspects of the world differently as well as the inherent holes in the traditional detective story. Above all, it is gloriously entertaining !

Edgar Allan Poe's Snifter of Blood #6 once again provides clever and funny takes on the writer's works and life. Like so many of the titles published by Ahoy Comics, this is for the more discerning reader. Well beyond the average super-hero fare, these stories provide something more. They are truly entertainment for a more thoughtful reader. And, let's not forget there's some awfully good text pieces in their comics as well. Don't be afraid! This is another winner.

Edgar Allan Poe's Snifter of Death #6 is a strong finish to this run of the Poe Snifter series. The stories are genuinely humorous and entertaining and say something significant about their subject matter. If you've been dismayed at American politics or felt unable to escape social media you'll find yourself in this issue.

VerdictThe Green Lantern Annual #1 does what an annual should do these days: it tells a story outside the regular arc; reintroduce an old character; and provide some insight into the character as well as create a launching point for future stories. While ticking off these boxes, the ideas mix together for an extremely fun single issue tale.

DC Comics may not be smart enough to keep Jeremy Adams on The Flash, but at least they are keeping him on something! Green Lantern #2 is only the second issue of this newest volume of Hal Jordan's adventures, but it's already proving to be the full package. The beautiful art supports a character driven story that draws the reader in with its familiarity and attention to the complexity in Hal's character and relationships.

Green Lantern #3 is a good issue that suffers from having to overcome the Knight Terrors event. It has to work a little harder to get the momentum going again after the great first two issues that this Green Lantern relaunch built. While there remains an awkwardness, the issue does reset the focus and bring Hal into contact with his greatest nemesis, Sinestro. The triangle of Hal, Carol and Sinestro isn't a love triangle, but an interesting intersection of lives that is unique in comics.

Green Lantern #5 is a "how to balance character, story and action. Not only does it focus on character, it get the character parts right. These characters feel like the characters they are supposed to be, and that's not something that's happening enough in comics today. Adams had a great run on The Flash and after escaping the distraction of Knight Terrors, it's really coming together in Green Lantern, as well.

Green Lantern #6 is just a really, really good comic. It's as simple as that. The creative team exemplifies the "back to basics approach. It's working extremely well for Hal and Co. and there's no reason to think it will end. Character comes first as it should!

Green Lantern #8 is a solid read that promises a large drama that will unfold in this series. There are a number of interesting moments in the issues and it really feels like something is beginning in both the stories.

Green Lantern #9 brings a number of plot ideas together. It feels like the lynchpin to this series and everything will pivot off this issue going forward. The deep cuts are really exciting, as are the potentialities suggested in this issue with the Green Lantern Corps, Jessica Cruz and the United Planets.

Green Lantern #10 continues to ramp up the excitement. It took a little while to get to this moment but it seems that this title is now where Jeremy Adams has been heading since issue #1. Something big is just around the corner and the scope has expanded nicely to encompass not only the recent continuity but older events as well.

Green Lantern #11 takes a turn into the interior of Carol's struggle. The creative team does an exceptional job adding this layer to the storytelling by developing this subplot further setting it up for the next big part of this story. Jeremy Adams continues to be the best writer at DC Comics these days understanding the balance of action-adventure and character.

Green Lantern #12 ratchets things up a notch! Great art from Xermanico and both micro and macro story movement from Adams come together perfectly. There's still a lot of story to come, and you can feel. The anticipation is on the precipicethe fate of the Green Lantern Corps is at stake, and it seems like either they or the UP will fall!

Jeremy Adams continues to demonstrate why he is probably DC's best writer currently. He knows how to connect his stories to the current and historical DC Universe and come up with unique and intriguing plot elements to push the book forward. He's on his way to making Green Lantern as great a book as his run on The Flash. The art is fantastic and he's able to jump over the obstacles DC throws at him with their poorly timed events. You can't go wrong with Green Lantern #13 whether you care about Absolute Power or not.

Green Lantern #14 is a balancing act between two main stories with a number of subplots thrown in for good measure. While it would be nice to have more space devoted to Adams' ongoing Green Lantern story, he executes the crossover assignment extremely well. If you're enjoying Absolute Power, this book is probably even better.

Green Lantern #15 has three storylines that are all connected in some fashion and rely on a strong focus on character. Be it the established relationships, or the core elements, character comes first and it far surpasses the premise of Absolute Power. I don't know that as a lead in to "All In Absolute Power will really be effective. Conversely, this comic, perhaps, more than any other DC book right now, demonstrates that it's not events or universe shaking catastrophes that make the best comics, it's simply great character driven stories.

Despite the "Negatives section, Green Lantern #16 is a very good issue. It's the hangover from the Green Lantern Civil Corps Special that lingers that informs the "Negatives. Even that isn't so much about the story in the Special, but the other things it builds on. Green Lantern #16 has great art from Xermanico and Adams works his magic with character and interesting creative story ideas involving DC Universe connections. It's the interruptions and unhelpful connections that are the "Negatives for this series.

This book has a unique voice and sits in a special place on the fringes of the DC Universe, yet far enough off center that it can be different. Violet's character is complex and damaged, and every issue lets the reader in a little further. Pushing forward, how much can the reader take?

Mother Panic #9 is another issue with some great character work and a lot of emotion. It's dark and sinister with just the barest bit of hope shining through. Hopefully, Violet will come out on the other side of it as she continues to overcome her tragic and grueling childhood.

The last quarter of this issue makes up for the first three-fourths. While everyone loves a mystery, sometimes a more direct story telling approach is needed. The more we learn about Violet's past, the better, but at some point she's going to have to begin to move forward.

While Violet has always had to face the demons of her past, now that they are coming back into her life in material form it creates a different kind of challenge. Before, it seemed that her confrontations were mostly physical, now if she's able to escape Gala she has to deal with the mental and emotional trauma of Lucy's betrayal. While this was a bit of a slower and emotional issue, it introduced a most difficult challenge for Violet.

A strange end to this arc. It raises more questions than it answers and not in a good way. While there is certainly a set up for a new angle, there's a lot of unresolved issues that may muddle what comes next.

Reconnecting with old friend is always a joy, and this issue is just that- a pure joy. Jurgens and Weeks make these familiar characters relatable and instantly likable. The situation into which theyve been thrust is unique and will certainly provide Lois and Clark many jobs for Superman and Supermans girlfriend (now wife), Lois Lane. Perhaps each generation gets a slightly different iteration of these iconic characters, but this version just feels right. Superman: Lois and Clark #1 is a great start to this series. Maybe, this is Superman #715 after all.

While at the same time, the creative team manages to make the reader recall the glory days of the pre-Flashpoint/post-Crisis Superman. Well done. The intergalactic subplot is almost forgettable. The rest of the book is that good.

For a bit of diversity in character while staying inside DCs top tier of characters, Superman: Lois and Clark is a different sort of book. There continue to be surprises and a fair amount of tension as the danger of their exposure is always there. This type of set up can be used for long time if utilized correctly. This book has the potential to stay around despite its solicitation as a 10 issue mini-series. No matter, this is a solid book with familiar characters and nice characterization, the perfect series for those readers who miss the pre- New 52 line and those who are looking for something a little different, but familiar.

This series continues to be thoroughly entertaining. Perhaps, with Rebirth looming DC Comics sees the potential for a Superman series set in the pre-Flashpoint continuity. Anyway you slice it, the characterization is fantastic and the story compelling. It certainly adds some variety and diversity to the super-hero line, even if it feels familiar. In a good way.

The Oblivion Stone- as I thought about what powers this object might contain, it occurred to me that this may play into DC Universe: Rebirth which is fast approaching. Oblivion might be the fate of some of the characters during the event. If you check out Junes Superman solicits it may reveal who that is. It might be a good idea to stick around Lois and Clark to see what it's all about. 4 1/2.

Once again, the team has done a very nice job conveying the humanity of Superman and managed to focus on the character elements while telling the action side of a Superman story as well. This Super-family seems to be the future of the Superman franchise, so you might want to check it out.

Not a bad end to this mini-series, but a bit incomplete. This may have more to do with editorial than the creative team.

This is a great opportunity to see a giant in the field work on the most well-known super-hero of all. Neal Adams still executes at a high level and its just plain exciting to see it in a current book. It also allows readers to experience a version of Superman that is quite different feeling from current continuity. Do yourself a favor and experience two legends for the price of one.

This comic does a great job existing in the world of Superman without featuring Superman. Much like Captain Americaafter his death a few years ago, Superwoman is doing a wonderful job telling a story with an ensemble cast with the main hero absent from the equation. And like Ed Brubaker's Captain America, it succeeds on the strength of characterization and a mystery which are just as compelling if not more than the absent hero.

This is one of those books that takes place in the Super-world without directly being about Superman. For years, it's been known that Clark's supporting cast could hold its own in a series. Superwoman is not what most probably had in mind, but this title is very well done and it's is taking the characters we already care about and giving them a story line that is not dependent on Superman.

This book succeeds on great character work and a sympathetic approach for a top tier villain. Throw in the spirit of Lois Lane and you've got a completely unique, fun and well executed title.

Superwoman continues to be a great Super-title! There must be some resolution with the Lois subplot with either an explanation Lana can live with or an acceptance on her part. Surely, the bizarro holds the key, and what happened to Lex? There are still lots of unanswered questions to bring a reader back.

This issue has a lot and it slows the arc down overall, and while the main threat is Lena, Lois's fate is the most important aspect that we continue to get very little on. It's a little unbalanced, but not bad.

In addition to being visually and atmospherically stunning, this title gives hope that there could be a place for similar books in DCs publishing line. Its certainly a throwback, but thats one of the reasons why its so good. Theres also a little bit of EC Comics horror in here as well, just like the two wonderful horror books Archie Comics is producing though not on a consistent publishing schedule. Theres no reason DC cant do the same. There are a number of characters that would fit easily into the milieu that Wein is building in Swamp Thing.

By all accounts, theres no way back for Holland. It appears that Cable has stolen his powers and will be allowed to use them for his own gain. As Holland is swallowed up by the earth on the final page, it becomes clear that the horror will continue. Perhaps, Holland will be granted a new lease on his Swamp Thing life by the Parliament of Tress as he descends into the ground. The story continues to entertain and present a twist on the traditional take on the horror of being Swamp Thing.

Wein and Jones continue to tell a surprising, horrific and entertaining story. Swamp Thing and DC Supernatural fans from any era will appreciate this book.

You cant miss this issue if youve been following the previous 5. This series has been a wonderful take on Swamp Thing. It has combined the look and tone of the original series from the 70s while maintaining the continuity of the New 52. The series ultimately shows Alec Holland coming to terms with his life as Swamp Thing and that he sees it as a responsibility as well as a burden he must carry, if for no other reason than it allows him to help others. Ultimately, this series serves as a nice introduction to the character for new readers while revisiting themes for the initiated. It stands as a reminder that the supernatural and horror genres are under represented at DC currently.

The Fox: Family Values #1 is without a doubt a fun issue with some heart. It's little more than a tease as it is a one-shot and there is only one more archival Toth story to track down. Nevertheless, the Toth reprint is worth it for this issue alone, and the new material is a fun and entertaining. It's not your standard super-hero comic, but we need variety in comics, don't we?

Its no secret that Diana just appeared in a feature film for the first time in March. Its no secret that she going to appear in her own film next year. This series perfectly piggy-backs on that without telling the same story. Its clear that theres a synergy going on here. Certainly, this wont spoil anything for the movie, but at the same time I think it sets the reader in the right frame of mind. Additionally, this doesnt seem like an editorial directive, but rather creators that have drilled down to the essence of the character in all her incarnations.

This is a fun, all-ages book that is not juvenile in its approach. Theres a hope and positivity in this Wonder Woman that hits the mark on the core of her character. In The Legend of Wonder Woman, Diana comes across as the iconic character she is and the story is good enough to match the tone. 4 .

The Mighty Crusaders: The Shield #1 promises a lot and delivers on just enough to be good starting point. Rob Liefeld's story and art introduces the new reader while not overwhelming. This overall approach allows the reader to focus on one character and one concept while at the same time understanding there's a lot of history behind these characters. It's a good entry point for readers unfamiliar with any version and a fun bit of nostalgia for those with some level of previous knowledge. Let's all go out and buy this so Archie Comics will continue the series!

Like most of Morrisons work, The Multiversity #2 asks a lot of the reader. For those willing to invest the effort it is exquisite. His exploration of the fourth wall and meta-textual storytelling is singular.

There's a lot of heart in this issue as Scott communicates it through the characters faces and body language and Taylor wisely plays off the established history of these characters. It began way back in Brave and the Bold #54 with Robin, Aqualad and Kid Flash, the sidekick proteges of the Justice League of America. It then started again with the New Teen Titans in 1980 by Marv Wolfman and George Perez. Titans #1 begins the latest series to feature these friends who've grown up together. Certainly the journey will be fun and exciting, but the heart of this issue as well as the popularity of this group of characters is their friendship and shared experiences that continue on just like real life.

Titans #2 opens with a flashback to the younger version of these characters as they prepare to take on Brother Blood, this sequence is great because we get to see Dick as Robin, Donna in her classic red Wonder Girl attire as well as Garth in his original Aqualad look. It immediately recalls the Wolfman/ Perez run of New Teen Titans that catapulted this group of characters to the top of the comic industry in the '80's. The splash page is also an homage to the cover of New Teen Titans #1. These touches are additional elements that build on the accurate character beats.

Titans #3 is a strong outing with great art and intriguing story. The character work is great by both Taylor and Scott. The classic Church of the Blood connection brings a classic feel to the story and the there's real nuance to Garth's role and concerns for the environment.

Titans #4 bogs down a little bit despite having some really interesting and satisfying moments. There are lots of good ideas at play in this series, but the Suicide Squad pages in this issue could've been used more effectively. Overall, it's satisfying to see the Titans feel like old friends readers have grown up with.

Taylor presents a different approach to how super-heroes interact with their world. It may not be for everyone, but comics have always reflected the world in which they are produced, and this particular aspect suggests something not only different, but pertinent in our own world. It provides a different kind of connection as well as showing that saving the world can have a different meaning.

Though the original Titans story in Titans Giant #2 is good, it's overshadowed by the reprints. Overall, though, the issue is worth it, especially if you haven't read the Teen Titans or Starfire reprints. Even the Super Sons reprint from Adventures of the Super Sons #2 is outshone by these other reprints. This is probably one of the most balanced of the Giants in its selection of reprinted material.

This book is both accessible to new readers and exactly what old fans have been wishing for. Additionally, it pushes the mystery of the missing 10 years forward just enough and gives the team a renewed purpose. The Rebirth story line will continue in Titans. Its only appropriate that Wally spearheads this as the post-Rebirth DCU finds its footing.

If you are following Robin War, you will definitely no want to miss this issue. If you are unsure of “Robin War,” this is not a bad issue to try out. It gives enough information for a new reader that one wont feel lost going in. This is a wonderful chapter in a crossover that is celebrating Robins 75th Anniversary. Theres something for almost every comic reader here- character, mystery and an engaging story.

Despite all of that, Wonder Girl 2022 Annual is a great issue that adds to the slowly growing history of Yara Flor and the Esquecida. The connections to Brazilian folklore and myth are brilliant and exciting, exciting enough to stand on their own as concepts. Additionally, the issue follows up on some of the dangling elements form the cancelled Wonder Girl series. This issue is an argument for putting Yara Flor's series back on the monthly schedule.

The Adventures of Young Diana goes beyond simple storytelling and gives the reader a significant message through a lesson that Diana learns. Story and art come together wonderfully to communicate this. If you're looking for more Young Diana there's a tale to be found in the Wonder Woman 80th Anniversary 100-Page Super Spectacular AND, more importantly the final page of this comic promises more to come in 2022!

Perhaps Im just a sucker for the alternate versions of Superman and Batman, but I think this is a great first issue. It connects the characters back to the first issue of the Earth 2 title and gives greater insight into the world from which the previous main characters, Power Girl and Huntress, came. Levitz has enough exposition in Lois/Red Tornados introductory remarks that make it easy to jump right in to the story. This is a must for a fan of Earth 2 or any fan of mulitversal stories. Go buy it now! 4 Daily Planets- 4 is not quite enough!

Get yourself in that Fables space- and then pick up Batman vs. Bigby! A Wolf in Gotham #1. It might even help to read a story arc from Fables beforehand to get you there. While this issue starts off leaving the reader feeling a bit unsure, the potential is here. I have no doubt that "unadulterated brilliance" will be with us soon, but all stories have to start somewhere".

Come to a different world, a Gotham that is both different and familiar. Any fan of Fables will get what's going on and feel those same emotions that Willingham delivered in Fables. For readers that aren't well-versed in superhero comics, this is a series that will give you a fresh look as well. Rife with bits and pieces from Fables and Batman's multimedia appearances, Batman vs Bigby ! A Wolf in Gotham #2 builds on it's many foundations.

The mystery gets a bit more complex as does the exploration of Batman's "fairy tale." It's subtle at times, but it really does promise something special to come when Batman has to accept a giant talking wolf. Take a moment to enjoy the art as well as it emphasizes the aspects of Batman as a "fairy tale."

Batman Vs Bigby #4 comes together wonderfully as background details are filled in. Interestingly, Bookworm jumps out as the star of this issue as the extent of his competency is revealed. It is also gratifying to see Batman and Bigby finally working together, even if they maybe haven't got it all figured out just yet. It is clear though, that the last two issues will be barn burners!

Batman vs Bigby! #5is the perfect penultimate chapter in a 6-issue mini-series. Coupled with some really exciting visual moments it lands as the best issue in the series, and obviously at the perfect time. Next moth's finale should prove to be not only nostalgic for fans of Fables, but an enjoyable conclusion to this unique crossover.

Batman vs Bigby#6 finishes up this Fables mini-series in fine fashion with some very interesting storytelling from the art team and details that remind the reader why Fables is such a good series. This certainly whets the appetite for the return of Fables coming in May! This has been a fun series and shows that there is potential for more crossovers with traditional DC Universe concepts.

With only one issue, Collapser appears that it will be another well done, thoughtful title in the Young Animal Comics imprint. There's plenty of characterization and mystery for the comic book reader, but, also, the promise of something more that has become a hallmark of the Young Animal Comics. Comics for dangerous humans? Comics for thinking and feeling humans".

The character building and mystery surrounding Liam's powers are executed at a very high level making it difficult to imagine a reader wouldn't want to return next month.Collapser#2 makes some unusual choices that really pay off in making Liam an interesting character with an even more interesting power problem. Don't let this series get too far along before jumping on!

Almost smack dab in the middle, Collapser #3 is a story with two halves, but Ilias Kyriazis' art pushes it over the halfway mark on the rating. Be very excited about the interesting and unique concept of the sentient black hole and Liam's father's journey, but be prepared to be disappointed in Liam's cliched behavior once his celebrity status rises. Although, next issue's tease of “Louder than Bombs” bodes well, especially if you're a fan of The Smiths….

Collapser #4 turns things back in the right direction as the possibilities open up for Liam James. He is apparently in charge of his own destiny, or at least he's being led to believe so. A star can't be bad though, can it? There's enough here to make Collapser more than your average comic book.

Collapser is at its best when the unexpected and different are utilized. Way and Simon need get away from the elements with which the reader is familiar. The world around Liam is calling to be explored, Baron Throe and Mr. Edgar (the black hole) are first and foremost. As long as Liam is stuck on Earth, he will most likely be stuck in the cliches, perhaps next issue will release him"

Despite falling into a predictable pattern, Collapser #6 retains the potential for a lot more stories. Though the series doesn't feel really Young Animal, the basic concept deserves further development. Unfortunately, this final issue portrays Liam James in an all too familiar way. We've seen this story before, and this issue is unable to take it somewhere else. Though the story is wrapped up, and Liam learns how to be a hero, his mom's story may in fact be more intriguing.

It feels like Wesley in this series is the same Wesley Dodds that readers are familiar with. That's not something that can be said for all the books in the Dawn of DC initiative. Venditti understands that it's important to put character first instead of altering a characters just to tell the story the writer wants to tell. On top of that, the issue hits all the points needed in a first issue.

Wesley Dodds: The Sandman #2 is even better than the premier issue. The plot moves forward, the mystery deepens and the characterization is effective as Venditti and Rossmo recapitulate the world of the early days of the Sandman. There's nothing Earth shattering about this series, it's just THIS type of story done really, really well. It should come as no surprise with Venditti's track record on Hawkman. It's a classic noir detective story in the 1940's at the birth of the mystery men of the DC Universe. Plus, it seamlessly incorporates a consistent characterization and tone. Damn near perfect!

Wesley Dodds: The Sandman #3 is another great issue. There's a physical and emotional conflict for Wesley with the theft of his formulas and Venditti lays it our for the reader to suffer along with Wesley's conscience. Rossmo and Plascencia add the right details to make the story interesting visually and they add up to being the kind of book DC Comics needs more of.

Wesley Dodds #5 sets up a finale that may hold further surprises or simply wrap up the story. Either way, this series has maintained a consistent quality as it's progressed. It's just plain good with some moments of brilliance.

Overall, Wesley Dodds: The Sandman #6 is a really good comic. there are some really fun moments as well as thrilling ones. It's clear that this series is deserving of an ongoing by this creative team. There's plenty more stories to tell and more to be done with Dian and Wesley, and eventually Sandy. The hiccups mentioned don't detract in a big way, but just distract for a bit.

If you are a fan of Fables, this is definitely a book you should pick up. This first issue sets the stage for whats to come with a tasty mystery and a shocking ending. The world of Fables is back and this first issue seems like its on the right track.

You've got to figure out which character you like in Everafter: From the Pages of Fables.Bo? Peter? Connor? Hansel? They all present a different type of character. The challenge is for Justus and Sturges to get them all working together and creating that chemistry which was so effective in Fables.

This is the best issue so far of Everafter: From the Pages of Fables. After setting up things in the first two issues, this entry in the seriesdoes a little twisting to change the perspective and push forward with the promise of new characters and complex moral challenges.

This was a satisfying ending to the first arc as it brought together both Peter and Bo's stories. Additionally, both story lines have untold ramifications and possibilities for future storytelling.

The plot and concepts are truly interesting and exciting! However, the cast is growing so quickly, it's hard to latch on to anyone for long. I would like to see this book explore the concepts more completely before introducing another great idea. I want to enjoy the great ideas fully, before something else replaces it.

The wold of Fables, while being huge and at times complex, seems to work best when issues are concise. That is the case with this issue. Like it's predecessor, Everafter has the potential to build it's vast world through these concise character driven issues. There have been a few so far and they stand out from some of the other issues that have a little too much going on and are a little more plot driven. More issues like this will make Everafter similar recognition that Fables garnered.

Overall, this is a well-balanced issue that adds nicely to the plot and character development as well as the introduction of a new fable type. Lots of mysteries to be solved in the coming months, and issues like this will continue to pushEverafter: From the Pages of Fablesin the right direction. It may be that Bo and Peter will have to share the spotlight with characters like Ms. Bass who are interesting in their own right.

Fables #151 is like coming home for existing fans. This first issue indicates it's going to be just as excellent as it's ever been. For new readers, Willingham has the right amount of new characters like Jack-in-the-Green to love and learn about as well as some existing mysteries. It's going to be an adventure for old and new alike as Fabletown and the Mundy World learn to get along which new and existing readers should find intriguing immediately. And, all readers will enjoy the art.

Being able to recapture the magic of a series that's been on hiatus can be difficult. It's probably a good thing that the creative team had a chance to step away and come back fresh and renewed. It doesn't always work. However, Fables #152 shows that it's working here. I'll quickly run out of superlatives for the relaunch of this much-lauded and award winning series.

This title should feel magical, and Fables #153 does, but it does so in some of the most human ways. The real magic comes from the pens of Buckingham, Leialoha, Loughridge and Willingham. One can feel the excitement building, it's just a shame it takes a month between issues.

In a 12-issue story arc, some of the middle chapters can get bogged down. With chapter 4 of "The Black Forest, Fables #154 is the opposite. The first three issues set us up with the characters and this issue sends the Wolf children and the new Jack-in-the-Green on their (mostly) merry way. We know something terrible and dangerous is just around the corner (but, which corner?!), but that doesn't mean we can't have fun! As always, Buckingham, Leialoha and Loughridge bring Willingham's script to life, imbuing the characters themselves with life.

For fans, Fables #157 is fun and still contains the "magic that makes it an outstanding series. It's a bit awkward though, with the break between issues and the time jump. The size of the cast doesn't help either. There's no doubt that this issue will play perfectly in the collected edition, but as a standalone issue, it's definitely not for first-time readers, and could prove troublesome for new fans of Fables.

Despite the two month wait since issue #157, Fables #158 does a solid job of catching the reader up on the state of events. Furthermore, the issue is a pretty important plot mover. There's a culmination of plotlines that get the story to point where it feels like things are about to take off. A refresher will do the reader some good as there's a lot to consider concerning the ever expanding cast. There's just got to be more to Peter and Tinkerbell being villains, right?

The plot pieces seemingly all fall into place and this propels Fables #159 unlike any other issue since the relaunch that began with issue #151 over a year ago. You can almost feel the bus speeding up! The "contest between the forest god, Bigby and Greenjack give some context to things and the mystery of Peter Pan and Tinkerbell deepens. These central plotlines converge here to take us into the home stretch of a the arc with art that never falters from Buckingham and Leialoha.

Fables #160 brings some of the plot threads together as Pan's villainy seems to hold no bounds. Tink's reluctance as his ally continues to be an interesting idea while also suggesting ideas of master and servant that will hopefully be explored in the final chapters of "The Black Forest. Additionally, as Cinderella is proved right, she suffers consequences of not being "political which brings up another subtle commentary. As always, the art team brings the world of Fables alive.

If one were reading Fables #161 in a collection, there's no way the reader couldn't finish it out the last chapter. This issue has that kind of narrative intensity. It's hard getting that feeling right at the outset since it's been two and a half months since the last issue. Do yourself a favor, when the final chapter comes out, get all your issues together and have a Fables-fest and read all 12 in one sitting.

Fables #162 ends not quite with a wimper, but certainly not the bang that one would hope for with the ending of such an impressive and lauded series. That said, there's a lot of good stuff in the issue that can be enjoyed. A single read of all twelve issues will give the best experience for the reader and that may have to be good enough.

There's a lot of potential in this first issue to grow into something significant. There's just not enough here to tell if it will, or even what direction it will take. There's a lot still hidden from the reader that should be interesting to discover. While not overwhelming, it's a solid start, despite a lack of identification with any particular character, as none have been individualized to stand out as the lead. It's worth a try, and there's enough here to try next month as well.

If you weren't thrilled with last month's debut, come back for Hex Wives #2, it seems to quickly find its stride as well a creating some sympathy for Isadora and her friends. This is a really positive turn and signals a lot of potential. The last page reveal and the focus on character throughout indicate this series could be good for a long time. These were elements that made Fables, another Vertigo series,one of the best series of all time.

If you liked the first two issues of this series, or at least found them intriguing, this issue sets the course for what comes next. You probably aren't pulling for the husbands, so you'll be glad to know at least one of the wives gets a win in this issue There's a complexity here that should it remain, will make this not just a really good series, but an excellent series.

This issue allows Izzy to make a start at discovering her true nature. It's strange, comparing her introduction in issue #1 as an evil witch to now rooting for her to find herself is an interesting journey for the reader. Amping up the horror element is appreciated, as it seems to foreshadow the direction of the title. There's still the slightest suggestion, that Aaron's heart may not be all in…has he actually fallen for Izzy?

With this issue, the series is poised to head in a different direction as the women have learned what they can do and are not happy with their station in life. It's been a slow reveal so far, but the witches will certainly take it directly to their “captors.” How they do it remains to be seen, but hopefully they will not succumb to stereotypes and cliches.

Izzy and her friends have finally discovered their true natures and see their future ahead of them as an exploration of the past. As good as the first 6 issues have been, it seems that this series is still on the rise. It's clever and imaginative, and always leaves the reader wanting more.

If you've never read Mother Panic, then this new #1 is a great place to start. This issue provides a bit of recapping so the reader is not totally in the dark, but since this new world is mostly a mystery to Violet, it's a world the reader can discover with her. This dark and grim concept offers a couple of interesting mysteries that should be satisfying for Violet to solve, not the least of which is "What happened to Batman?"

Two issues in, Mother Panic: Gotham A.D. is building a post-Batman Gotham with some deeply hidden mysteries that should prove to be challenging for Violet to uncover. She may be reluctant at first, but she going to get some help from the Gotham City Sirens to take down Madam Gala and the Collective.

This is an extremely technically well executed issue especially in terms of plot. It pays off not only advancing the story and raising the intrigue, but it reads so easily and and has a completeness to it not often found in comics today. It's like seeing the painter's brushstrokes while being consumed by the whole painting.

The mysteries of this future Gotham are intriguing and entertaining, but they seem to be at the expense of the title character. While this book is interesting and well executed, one can't help but wonder what's missing. Violet is a different and compelling character, but she suffers at the expense of Batman's shadow too often. There's nothing really wrong with this issue, it's just a shame that there isn't less Batverse and more Mother Panic.

Mother Panic shifts between too much Batman and just the right amount of Batman. Mother Panic: Gotham A.D.has struggled more than it's previous incarnation. Despite having a little too much Bat-verse, this issue is quite satisfying because it insinuates questions about parenthood. Still, more Violet and less Bruce would make Mother Panic: Gotham A.D. a 5/5.

The wrap up seems a little forced as there are still many unanswered questions in both of Violet's realities. About the best we can do is hope for another series with Mother Panic. She's proved to be more interesting as her own person rather than a fill in for the Dark Knight. Perhaps, she'll get her due down the road.

If you liked last week's The New Golden Age #1, then Stargirl: The Lost Children #1 is a perfect follow up. Fans of the Stargirl TV show will find something familiar, even if some aspects aren't familiar, it's hard to keep the spunky Courtney/ Emiko duo away from an intriguing mystery! The nostalgia for Golden Age legacy goes beyond the simple emotion that is evoked but adds something that's been missing from the DC Comics comic book universe for too long, a tangible sense of history and interrelated characters and stories.

Stargirl: The Lost Children #2 is "more fun than issue #1. After the drama of the setup, Emiko and Courtney's visit to the Arrow Cave as their journey begins gives the issue a light-hearted start. The plot moves along as the duo finally gets confirmation that they are on the right track. It's the right combination of fun and adventure with a touch of drama and world-building that is geared toward the Golden Age/ legacy fan.

It's fun, and there's nothing wrong with that. You can still have a great comic even if it isn't earth shattering or genre melting. Stargirl: The Lost Children #3 is a fun comic that can be enjoyed by all ages. It has the right elements that recall the great comics of the Bronze Age. Not only does this series throwback to older characters, but it utilizes storytelling and tone that is from a less complicated time.

Stargirl: The Lost Children #4 may be the best issue of the series so far. We get a lot of backstory from Corky in the issue, but it moves things along quite well and the surprise at the end is fantastic. With the right amounts of character wrapped in an outstanding cover. It's simply a fantastic comic that even a new reader could follow. These may not be your favorite characters, but they could easily become that!

As DC Comics advertises the "Dawn of DC initiative in their comics this month, it feels incongruous with development of the world building in Stargirl: The Lost Children #5. "Dawn of DC seems to be eschewing the foundations of character development in favor of "new and "different approaches. Johns' corner of the DC Universe continues to embrace its past and legacy. Nightwing appears to fit more along these lines as it reinvigorates The Titans, and certainly Jeremy Adams' soon-to-end run on The Flash goes right along with what Johns is doing. There's a clear sense of connecting with the past in Stargirl and Justice Society of America which alone contributes to the sense of character growth and development as well as the exploration of the DC Universe.

When Stargirl: The Lost Children began, the premise of the series raised a lot of questions about continuity. As it conclude with issue #6, Geoff Johns has given the reader a lot of answers and as can be seen on the last page there's still more to come in the pages of Justice Society of America #6. At the beginning I wasn't sure how I wanted to series to end, and after reading it I'm still not sure if this is the right way for it to have concluded. The execution is good, and there's some good character bits with Corky, Android Hourman and Courtney, but it's a waiting game for the apparent fate of the Lost Children. Nauck definitely delivers on the art throughout the series.

A fun issue that chips away at the surface of the potential of the parallel earth concept. I think it has something for almost everyone. Even if you don't care about the whole of The Multiversity the characters are interesting, engaging and moving along in a quick paced plot that will entertain. In that sense it can stand on its own much like an old EC science fiction story stands on its own. Make it 4 and 1/2 Daily Planets.

As each issue of The Multiversity has offered glimpses of different worlds and genres this issue is no different. Thunderworld presents a more black and white approach to super-hero comics and a real trip into the past. Capturing the look and feel of Golden Age Captain Marvel comics this issue maintains the fun of comics that Morrison is playing with throughout the series, but this book is a special treat for those fans who have missed the original Captain Marvel. 4 Whiz StationsI mean Daily Planets.

Like the rest of Multiversity, Mastermen is a thoughtful, engaging comic. It challenges the reader and really questions the nature of Superman and explores his self-image and psyche. It belongs on the shelf next to Morrisons best Superman work, All-Star Superman.

Morrison has managed to combine the notions of Innocence and Experience in the comic. In a very real way, it is a statement on the development of comics in their 80 plus year history. Ultra has an innocent approach to a world that is the very definition of experience as he himself utters when he realizes that evil has won. Is that a pessimistic view? Or is it a meta-texual commentary on comics. Morrison wont tell you outright, youve got to read or not read Ultra Comics to figure it out.

Everyone should read this comic. Period. Every comic fan should read this. It is that well done on every level. However, depending on ones taste, I dont think its for everyone. Everyone wont come away liking this issue. Some may actually hate it. Im not even sure how I feel after two reads. However, I think it is easy to agree that Morrison and Quitely have done a fantastic job at creating a comic book. It's like reading Will Eisner, love it or hate it you cannot deny the skill at which these creators operate in the art form. It's that good.

As always with Morrison, theres a lot going on under the surface and between the lines. He puts a lot of references in both direct and indirect. It makes for an enjoyable experience, even if it feels like this issue slowed the progress of the over-arching narrative down. He saves it with Batmans insight about the comics. But there is something unsettling here that makes it feel off-kilter. Perhaps, that what Morrison wants the reader to feel, a little uneasy, a little unsure. I have no doubt that when read all together it will fit seamlessly with the rest of the story, but standing alone it did not come across as strong as last months Society of Super-Heroes. 3 1/2 Daily Planets.

Aquaman #1 is an exciting and effective first issue for this new series. Framing Aquaman in terms of a world politics is a smart and logical approach. The particulars are ideal because it allows Aquaman to have both a personal as well as public stake in his endeavors.

This is a very good comic. There is a nice balance between story, action and character. Abnett and Co. are developing characters and broadening Aquamans mission for the modern world. Its a good time to read Aquaman and a great time for Aquaman fans. Aquaman is no joke. Its not too late to jump on board.

As good as the first 2 issues have been, Aquaman #3 has gotten even better. The choice to develop the political drama has enable the book to go beyond the basic comic and comment on the world in which we live.

When was the last time an acknowledged member of the Justice League was branded as a terrorist and identified as the leader of a hostile nation? Never? Aquaman is probably the only member of the League that could fit that description. If that alone doesnt draw you in, the exploration of Aquaman and Meras characters and their relationship should. Go buy this comic. You will enjoy.

This was a strong finish to the opening arc in the Rebirth era of Aquaman. The Sea King is at a cross roads that he must find a way to navigate. Aquaman has been through this a few times before, but never quite like this. He seems to be painting himself as the Black Sheep of the Justice League almost out of spite. This struggle appears it will keep Aquaman and Mera busy above and below the surface. Black Manta is still out there lurking, consolidating power and will continue to make things more difficult for Aquaman.

Solid issue that pushes the story forward and sets up the next act of the larger narrative. There's enough here for a new reader to jump in and get a good sense of what's going on, as well. Aquaman continues to be a strong title for DC in the Rebirth era.

Aquaman continues to be a strong title and Abnett is challenging the characters with conflict that forces them to reveal something about their quality. There's also some innovation with the particular storylines. While Aquaman has always dealt with some of the same themes over the years, Abnett has found a way to embrace the traditional take on the character but tell a new story with some different angles.

A nice conclusion to the two-part Shaggy Man story. Aquaman takes something away from this encounter to improve himself. A good balance on action and character,Aquaman continues to be a very good read.

Do not underestimate the appeal and potency of Mera! One does not miss Aquaman at all this issue, despite having been left in very bad shape in the previous issue. What is the truth of this prophecy? Is Mera really going to destroy the surface world? While it seems unlikely, what comes next cannot be missed for fans of great comics.

Aquaman #11 is another chapter in a wonderful take on Aquaman that establishes the character as powerful and significant. His position as King of Atlantis makes him vulnerable in ways unlike the other super heroes in the DC Universe. This series is taking full advantage of those opportunities.

If you aren't reading Aquaman you are missing some great comics. Abnett has laid such wonder groundwork on these characters that it makes this action/military story work and they character moments are a seamless part of the overall narrative. Don't miss the opportunity to read a unique and exciting Aquaman tale!

This story line continues to move at a rapid pace while building the tension throughout. There is no shortage of excitement, but it will get even better when N.E.M.O. is revealed to the world the U.S. and Atlantis can get over their misunderstanding.

For Aquaman fans, Aquaman hasn't been this good for this long since the Skeates and Aparo days. If you're not an Aquaman fan, I can only ask: "Why not?" Become an Aquaman fan"you'll be glad you did!

This was a satisfying conclusion to the war between the U.S. and Atlantis that featured a powerful and capable Aquaman. This puts Aquaman in a different light and certainly future Aquaman stories will be informed by this take on the character. Aquaman has been taken into the realm of world politics.

Aquaman continues to be a great comic and this interim story between arcs utilizes strong characterizationto build this fictional world. This issue allows for a solid recap of the status quo and what will be the next conflict both personal and external for Aquaman and Mera.

As with any part one of a new story arc, there are lots of unanswered questions. The potential is there for a great story that moves Aquaman even further into the realm of a political thriller. It's been a theme from issue #1, and it seems that it will continue for the good of the character.

If you are a fan of Mera, then this is an issue you can't miss. Not only does it focus on her character and highlight her attributes and status, it connects to her recent self-titled mini-series. The prospect of the “Drowned Earth” event is harrowing, but Mera seems capable and willing to thrown in with the Justice League to make a go against the aliens.

Mercifully, the "Year of the Villain" tie-in is negligible, which means it will probably come to fruition next month. Despite a heavy focus on character this issue, Aquaman #50 has trouble rising above mediocre because of content. While technically it's an extremely well done issue, the details leave a lot to be desired. It's hard to tell if last year's feature film is informing the comic editorially or through DeConnick's own story direction. Never the less, it's not coming across successfully. No one wants Jason Momoa in the comics"let's leave that for the questionable movies and let a classic Arthur Curry and Mera have a place to thrive. Or you could just buy back issues".

The strength of this issue lies in DeConnick's skill in characterization, even if Aquaman himself falls too far from the mark. If you're ready for the "new" Aquaman then this title is now for you, but if a classic take on Arthur Curry is what you want, it appears that ship has sailed... Go buy some Skeates/Aparo books...

This issue is evenly balanced between the good and the bad. While the technical aspects of DeConnick's writing are hitting on all cylinders, it's very hard to feel right about the depiction of Aquaman. It's a far cry from Geoff Johns' “New 52” run or Dan Abnett's “Rebirth” issues. There's clearly an editorial directive here that is pushing DeConnick in a direction. While Aquaman feels like a stranger for the most part, Jackson Hyde is a truly enjoyable character to explore. The mystery of Tristan Maurer pushes things slightly over the middle. One might have to muddle through until reason returns and the Aquaman we know and love actually returns.

Aquaman #53 is better than the previous issues in the arc, carried by Tristam Maurer's life-story. While bringing the plotlines together benefits the issue overall, not addressing Mera and Arthur's conflict keeps a hopeful feeling at bay and casts a long shadow over one of the classic love relationships in comics.

Kelly Sue DeConnick does some great character work with Black Manta in Aquaman #54. Black Manta is no longer a man with misdirected vengeance, but the victim of poor parenting from a father that didn't know how to raise his son without his mother around. An unconscious Aquaman proves to be the best method of improving this title. Let the supporting cast have their moments, and perhaps when Arthur is recognizable again, he can be allowed to lead his title.

If you've missed the real Arthur Curry, look no further than Aquaman #56. It may only last this one issue, but this flashback is a great reminder of what he's like. Even if it leaves you more disappointed with what you're missing, it's definitely worth it to check out this (mostly) stand alone tale.

As long as Aquaman is “not himself,” this title will struggle. While Mera carries this title, it may not be enough. When Mera is front and center, Aquaman is a better comic. As long as Arthur is portrayed as unlikable, he will be a distraction from the good things in the book. It's well past the time to get things back on track.

Two months ago, Aquaman #56 detailed a story that took place in the past and was a stark reminder of what we've been missing with Arthur Curry. Aquaman #58 shows every sign of integrating that characterization into the status quo that's developed for Arthur's supporting cast in Kelly Sue DeConnick's run. This issue is a great extension of the emotional content of Aquaman #56, and appears to indicate that Aquaman's ship has been righted and is headed in the proper direction…. Now if we could only get him that shave!

Now, where's that underwater barber of which Aquaman is so desperately in need? Maybe for the wedding….