I'm passionate about this book because I'm a big Mr Terrific and JSA fan. While it's nice to see this character get some love from DC, it stinks that they wouldn't put a stronger creative team on this book. DC has alluded that this is the first Earth-2 book, which may feature more JSA members (and Huntress, which is currently out), but if all the books are on the same level as this one, I don't want them. While I enjoyed the foreground art and the end of the issue, I essentially hated everything else. This may have become my least favorite book of the new 52... featuring one of my favorite characters.

There's a question going through my mind, over and over again: "Will Rocketeer fans like this?" My opinion is one thing, but will the fanbase this is geared toward enjoy this? I read a lot of Doctor Who comics and a few of them are pretty bad. However, Whovians will like them. It's just the general public that won't. With ROCKETEER: HOLLYWOOD HORROR, I really don't think Rocketeer fans will like this.This book is too weird and out there. Sure, J Bone does some nice work on the book, but that's going to save this book.Overall, I do not recommend this issue.

I had high expectations for this issue, but overall, it was a let down. The concept for the new book is fantastic, but the execution was a let down. The issue is not new reader friendly and not incredibly interesting to boot. The art is a bit clunky and characters are unrecognizable. This is a series I really want to be successful, but this first issue was a bit of a mess. Overall, I do not recommend this issue.

The second issue of ALL NEW ULTIMATES is a bit of a disappointment. There's still a lot of potential here but the execution doesn't hit the mark. There's problems within the art and the one-liners dialogue and the fact the story just isn't that interesting; however, there is a glimmer of hope that this could be a good series, as this team is still new and learning to work together and that shows in this issue. But for now, I do not recommend this issue.

ALL-NEW ULTIMATES is the biggest disappointment of the post-Cataclysm era. Both the story and the art are a flop, and while a street-level super-hero team, in the Ultimate Universe, is a fantastic idea, it falls so flat here and miss its mark by a long shot. While the cover is really cool looking and the new vigilante character looks cool, everything else about this issue is a pass.

I desperately wanted to like this comic. I truly did, but there's just too many contradictory elements straying from the original character for me to enjoy it. If this wasn't a Before Watchmen book, and the main character wasn't Eddie Blake, this book would work a bit better. I really like Brian Azzarello's writing and J.G. Jones' art most of the time. The art was good here, but the writing wasn't nearly as solid as it usually is.

Overall, it's a tough read to get through. While I really like the fact this story is available to Who fans, the story itself just wasn't any good. I did like the new color work in the issue since it kept with the times and made the story a bit more fun to look at, and classic Doctor Who fans will enjoy this since they get to see reprints of the comics from the magazine for the first time in decades. I thought the story was a really tough read, even by 1986's standards and it didn't offer anything I haven't seen in a Doctor Who story before. Lastly, I really didn't like the art, especially the ink, which became so heavy at times that I couldn't tell what was going on. Overall, I can't recommend this issue unless you're a Doctor Who fan and really want to reread these old comics.

Here's the thing with Epic Kill. I wasn't a fan of this book, but that doesn't mean it's bad. There's so many elements of this issue that are right down the middle that it doesn't fit into a "good" or "bad" category. With Image Comics putting out so many great new series, I had high hopes for this issue, but I ended up being extremely disappointed.

The art is good, the writing is good, the character is really cool, but this story is dull. Alongside that, everything else about this book is "blah," like a McDonald's Cheeseburger at 2A.M. after a long night of drinking. In concept, it's a great idea, but halfway through, you'll wish you made yourself a bowl of cereal at home. This is far from the worst of the New 52, but it's also far from the best. I do not recommend this issue. Here's to hoping the next story is a good one.

Out of all the Infestation 2 books, I was least excited to read this one simply because I know nothing about the series, and I had a feeling for me it would be the hardest to follow. The book isn't for me, and I'd recommend the main Infestation series and the Transformers tie-in far and above this one, unless Dungeons and Dragons is a series you currently follow. I loved the last six pages of this issue and the overall art and look, but I found that fantasy books really aren't for me, and I felt a bit lost with this world and it's characters.

It's not a bad book, but it's not great either. It's a little bit less than "down the middle." Legion isn't the most accessible comic, and this book doesn't really help at all. In fact, that's my major complaint. I've wanted to get into L.O.S.H. for a while, and every time I pick up an issue I'm utterly confused. The art style is great, and the actual dialogue is good, but this the story is so jump and it's a disappointing first issue. Let's just see how the next couple issues turn out.

While the idea of Mars Attacks Ghostbusters is extremely cool, it just doesn't work too well on paper, especially in this one-shot format. I enjoyed the opening here, and Burnham's writing was fun, but the pacing was a too quick, and I think this book would have worked a whole lot better in a 3 issue mini-series in order to slow down the pacing a bit, and to give this story a real sense of danger. I also had a problem with the inking in the last act of the book. It got a bit too heavy on the faces of some of the guys, and in a few cases, it didn't match the light source.Overall, I do not recommend this issue.

Overall, I do not recommend this issue.

I really wanted to like this book. I will continue to read the next couple issues to see how this all turns out, but I'm pretty bummed that this brand new series is ok at best. Another quick note: I read the Grifter, right before this issue, which features a "jump out of a plane moment." This issue features that same moment. Two books in the same week featuring the main character jumping out of a plane, except Grifter did it much better. It's not a good jumping on point, and frankly, there are much better books than this one out this week. Resurrection Man wasn't horrible, but it just wasn't good. I do not recommend this title.

This is a mini-series that is truly for its fans and its fans only. It's a book that gets its characters and art style directly from the source material, and it doesn't really do much for new readers who may be interested this mini-series. That's not necessarily a bad thing though. There's a couple really cool moment in this issue, but overall, it was a bit of a letdown. I am a Voltron fan but don't know much about Robotech, so I really felt out in the cold here.

Hopefully, this first issue is just opening to something larger and something a lot cooler because what readers are left with is the same Terminator story we've seen numerous times with a bit of a twist. The actual dialogue writing and art aren't bad at all, but the story feels so redundant that it's really hard to get excited the reader feels like is very similar to its predecessors. Keep your eye out for the continuation of this book but bare in mind this first one is a rough start.

Fans of these characters will be a bit let down because this issue feels like it reads solely for readers who have no clue who any of these characters are. That's the big disappointment since DeMatteis did such a good job with THE PHANTOM STRANGER. It almost feels like a lighter, carefree book presenting a very light plot to the reader. The art is middle-of-the-road and doesn't help nor hurt the book. While this issue really didn't like up to its potential, there's still a bit of hope on the horizon.

This was my first adventure into Warlord of Mars, and while I can't say it will be my last, I can say that I just didn't enjoy it. Now, I don't have a love for John Carter like so many other people do and have had for years, so take that into account, but this book simply did not impress me. I loved the fact this book was action-packed, but that's about it. I don't understand why the women in this book are pretty much naked, I thought the story was incredibly boring, and the art was sub-par, minus a couple of panels which really stood out. Overall, I cannot recommend this book.

It's not the best of the Flashpoint series, but it certainly isn't the worst (that honor goes to Secret Seven). This issue contains some great moments, like the relationship between General Lane and Kal, and the Krypto fight scene, but overall, for me, it falls a bit flat because of the story and the artwork of Gene Ha. I'm right down the middle on this one, and while I can recommend it for the big Flashpoint fans, I'm can't say the same for the casual reader.

While it is a fun book, it's not really a great one. If you've been reading a lot of the Flashpoint mini-series, then you're probably also noticing the Flashpoint Mini-Series Formula by now. While the character of Superman is really cool, I felt like I've read this before because I did when I read The Outsider, and that book was a lot better at hiding the fact it follows the formula. Maybe I just have event fatigue, but I could really go for a two-part story that has no effect on other books.

GUARDIANS OF THE GALAXY #21 does not get off to a good start, but on the bright side, there's a ton of promise and potential to this story. This isn't a bad issue, but it is a big disappointment. Bendis isn't a bad writer, but this issue leaves readers feeling like they missed out on something. Luckily, the art on this book is worth the price of admission alone. "Planet of the Symbiotes" will hopefully be a great story, since it's a story that should be told.

As The Planet of the Symbiotes closes up, it was easily one of the stories I was most excited for this year and one of the biggest let downs of the year. We get some great art and Venom in a cool, new costume which actually makes him fit on the team a whole lot better, but that's about it. This issue is a rushed information dump of everything Symbiote in order to progress to the next issue. This was a story that I wanted to be great, and it wasn't. If it weren't for the art, this would be rated a bit lower. Disappointment aside, if you want to see how Venom gets his new suit, saddle up. Otherwise, skip out on this one.

What this issue does well with jumping forward into the future and giving the reader a "where are they now" update is the same thing that hurts the main series. Aquaman's new outfit is really the highlight here and while the book was just ok, this is one of two parts and I'm intrigued to see how this plays out in the Aquaman & the Others issue. If you're an Aquaman fan and reading the main series, you'll want to pick this up. However, if you're not, pass this one up.

ARMOR WARS was a solid opening but not without its bumps in the road. It feels more like a What If story over anything else, which is really cool, but it does drag a bit because of some heavy dialogue that is mainly all about setting up this world's Tony Stark. At the same time, there's some hiccups in the art and the color work is decent, but the armor coloring and the facial coloring are too contrasting here. The last page will make you want to keep reading, so this gets a mild recommendation. It's pretty fun and there is a lot of potential here.

Kind of a bummer of an issue. I REALLY wanted to like this book. I enjoyed the first issue a lot, but not so much the second issue, so I was hoping this would be a dynamite issue. Issue 3 of AvX just glides by. It's not bad, and it's not great.

I enjoyed reading this book, but I want more out of it. I liked the first two "acts" of this issue, and I love the two-page art spread towards the beginning. I also like seeing another character, who has his own book, make a cameo in the issue, but that last story really rubbed me the wrong way because Babs freaks out and seems so emotionally unstable. Overall, I mildly recommend the issue. Three issues into Batgirl, I feel the series is right down the middle for me.

Overall it's a good book and Captain Atom is a great character with amazingly cool abilities. I'll be reading the next few issues of this one for sure, especially if we keep going deeper into Captain Atom's powers. While I liked how Captain Atom was drawn, I did not like the rest of the art. It was two very distinct styles clashing. I'm excited to see the next few issues of this book, and I give this a mild recommendation.

This is a fantastic start to this Marvel event. This #0 issue does a fine job at setting up the main players for the book, except for Iron Man, and it delivers a pretty interesting story. We have some idea of where this is all headed, but we don't have all the answers, so we're hooked in. The art is completely fitting for something of this magnitude and this is a book you need to check out this week.

The second issue of Civil War II is a bit of a letdown. While the first issue didn't blow us away, there were some interesting developments. Issue #2 doesn't live up to the hype, and while it does offer up some incredible and colorwork that keeps the issue interesting. The high stakes this book presents just don't feel that high. We'll see how the rest of this story plays out but this is just a bit of a letdown.

CONVERGENCE AQUAMAN isn't bad, but it is a disappointment. The issue spends so much time explaining what happened to Aquaman and why he's in Metropolis, but the problem is more with the situation that he's in rather than the writing. The final pages of this issue are where this book really kicks off and it leads the reader to believe that the second part of this book is going to be awesome, so while this issue gets a mild recommendation, it leads to what can be an awesome conclusion.

Overall, I give this a mild recommendation. Who fans will really enjoy two of the stories, but the average comic reader probably won't understand this book

Not an amazing start to this series, but an enjoyable read nonetheless. I think future issues will be a lot better, as it gets more into the over-arcing story, but there's enough here to keep the reader interested and on board for next month.The writers have Hartnell's voice down here, and they even got a "HMMM" in. We get a fun little Doctor Who story that really fits in the Hartnell era that is pretty cut and dry.On the down side, I felt like the over-arcing story should have been played up a bit more because this feels way too much like a one-shot IDW story and not enough like a mini-series. And although it's a new series, I felt like I dived right into issue 4 and not issue 1. Lastly, I wasn't too keen on the art here.Overall, I give this issue a mild recommendation.

It's another down the middle issue of this series. It's pretty fun and I enjoy seeing each issue cover a different incarnation of the Doctor from the series, but this issue fails to make a good connection to the overall arcing story we're supposed to be in. While the art does feel a bit dated, I do like that the robots and other characters feel like they came from that era. It was a nice touch, leaving everything the same.Overall, I give this issue a mild recommendation.

DOOMSDAY.1 #1 is a decent start to a series with an immense amount of potential. The concept of this book is so fantastic, and while this was an overall, decent issue, Byrne's ideas alone have me roped in for the next issue. His art works well for the story, and he has some incredibly well-paced action sequences as well. On the downside, the dialogue is pretty rough. There's a couple instances of odd character interaction and speech. Also, it seems we spent more time reading about this world than being shown. However, Byrne is a legend in the industry, and this book is a good indication that he still has some amazing ideas and solid stories. Overall, I give this book a mild recommendation.

Overall, I mildly recommend this book.

All-in-all, ATOMIC ROBO & FRIENDS is a pretty decent Free Comic Book Day offering. The main Atomic Robo story is the star here, providing fun and actual laughs with a cool, quick little plot. The Bodie Troll was a bit of a hit and a miss. While the art was incredibly cool and nicely stylized, the story was geared more towards kids and will lose older readers, especially with the way too over-the-top dialogue. Lastly, Haunted just doesn't give readers enough to get them interested in the on-going series. Sure, the art is pretty and the lettering is nice, but that's all it really offers. So overall, if you're interested, pick it up, but don't go out of your way to grab this one.

FLASH ANNUAL #4 adds quite a bit to the mythos that is Professor Zoom while progressing the story forward. There's a few overall ideas within the book which feel overused and dated, but overall, it's an intriguing issue that builds on the main story and introduces some pretty cool characters. If you've been enjoying the main series, you're going to want to check this one out.

This was my least favorite issue of the main series, thus far. I have a feeling that the last issue is going to go out with a bang, so I say hang in tight. I love some of the new characters introduced in this issue, and I loved the writing and the art, but the issue felt like nothing but a bunch of set-up for the last issue. Only a few points were really consequential in issue number four. Aside from that, I feel like I am ready to move on after all the DCnU ads in all the comics. It's overkill. Finally, the pacing was worse than the (your local crowded highway, I'll use 290) during rush hour. I did overall like the book, and I'm more excited to see how the book ends more than anything else. I'd say borrow it from a friend.

It's not the best of the Flashpoint tie-ins, but Frankenstein is an awesome book. There's a lot more to it than just monsters smashing things. The book has a heart and incorporates great back-stories to help set the mood and pace. I'm very excited to see the last issue of this mini-series, and I can't wait for the upcoming on-going series. The only problem I had with the issue, which was a big one, was that halfway through the book, a different artist jumped on and to me the art styles clashed quite a bit. I recommend the book, and even though it's only three stars, it is well worth your time.

As I said in the last review, this mini-series is not my cup-o-tea, but this issue is immensely better than the first one because it covers a few other characters, instead of just one or two. I'm very disappointed that this book is taking a completely different turn than I thought it was being presented in the first issue, but it looks like the last issue should be a lot of fun. I just think there's way too much going on in this new universe in this three-part series for people to enjoy. Issue three should be pretty decent though. Borrow it.

There's a lot about FOREVER EVIL that was disappointing, even within this delayed issue, but all-in-all, FOREVER EVIL #7 delivers an action-packed, fun issue that does a fine job at telling an over-arcing story. It's a really fun book that will get readers excited about the future of the DCU, but you cannot forget the fact that it leaves loose ends dangling in the wind, especially Dick Grayson. The art is fantastic and the Luthor-driven narrative is well written, but it feels like there's a lot of spite in the writing towards the Bat-characters of the DC Universe. Overall, I recommend this issue though. It is a very fun book with some big problems.

This new volume of G.I. JOE turns everything up-side down and not necessarily in a bad way. Sure, the team is now public, which I'm not too sure about, but I am sure it will make for interesting stories in the future.While I like the story here, the G.I. Joe fanboy in me is having problems with the team going public. Van Lente does a lot of solid work here with story and dialogue, and he's given me a new book on my pull list. The art was down the middle here though.It was a tad inconsistent, and there was a big problem with perspective and showing depth. I found myself really disliking the character Hashtag, although the rest of the team was pretty awesome.Overall, I give this book a mild recommendation.

I'm really on the fence with this issue. I loved the art and some of the action scenes in this book, and I loved the book ending with the plot, but I felt lost the entire time I read the issue, and for a new reader, that's not a great thing. I give this book a mild recommendation, and I truly hope this is a series I can keep reading and not feel lost.

It's an ok start to a series that seems like it has a lot of promise. I'm glad the series was rebooted, and it makes sense to do so with this story. I really liked the lead character of this book, Boxer, and how it reads like an over-the-top 90s action film.

I'm incredibly split on this issue. I liked a lot of aspects about it, but disliked just as many. I feel like this was a throw away issue, given to a creative team that could have a decent run on the book. While the story played off as a fun summer action film, it had the same over-the-top cheesy moments of a summer action film. The attention to detail, with the art, in Green Arrow was amazing, but it lacked in every other character. This one is a borrow. Characterwise, it doesn't matter if you like Green Arrow or not, this book is more for the summer blockbuster action fan than anything else.

Green Lantern Corps #62 feels like a throw-away one-shot from the 90s. There's been so many great and epic things happening in the Green Lantern universe for the past 5 years, and this issue feels like a giant leap away from that. If you enjoy a love story between Kyle and Sora, as they fight a Star Sapphire, then this is the book for you. For some of us, it's going to feel like a big disappointment from such an amazing series. I do not recommend this issue, and it's extremely hard for me to say that.

Overall, I'm very bummed this is the last issue, but unlike a couple of other final issues I've read from DC this month, this one is actually a good read, and it doesn't feel like a throw-away issue. The writing, by Scott Kolins, is great and he has a good grasp of the characters, but overall, the Kyle Rayner story is by far the best. I recommend this issue, but I can't say you NEED this in your collection. It's a nice send-off for the series, but it leaves you wanting more, which, in this continuity, we will never get. Green Lantern Corps #1 revamps on September 21st.

GREEN LANTERN: LOST ARMY feels like it ended too early and the last issue could have easily been stretched to two, giving that final battle a more epic feel. The overall issue isn't bad, but it is a tad underwhelming and can be a bit bland. The concept of this book is fantastic and the opening installments were a great read, but this final issue left me a tad disappointed.

I'm a bit down the middle on this issue. Overall, I did really enjoy it on its own, but when compared to the other two-part stories, it was a bit disappointing.

Jurassic Park: Dangerous Games is my new guilty pleasure book. I'm not saying it's a bad book by any means. It's a middle-of-the-road book that makes up for its not-so-great elements with an immense amount of fun. Did you like the movie Jurassic Park? Do you like people riding dinosaurs? Do you like survival stories? Do you like raptors taking the elevator? (Yes, that happens in this issue) If so, you truly will like this book. It's a book you can read while sitting in the easy chair and sip a glass of your favorite drink. While it's only a 3 out of 5, I recommend this book.

I didn't expect every single new 52 book to be a home run. While this book may be an amazing place to start reading JLI, meaning you need almost no background info to enjoy it, readers may find a bit of fault in the dated art and writing, even though I personally like the writing. If you love Booster Gold, you'll definitely like the part he plays in the book; however, you'll miss out on the Booster/Ted Kord dynamic from the older series. Everything comes together a tad too quickly in this issue, and while it was fun overall, it left me feeling like I missed out on something. I recommend this book, but be aware it's not the hit many of us hoped for.

Overall, Justice League Rebirth offers a pretty good starter issue for those who have been out of the DC loops for the past few years. However, longtime readers will find this issue to be "more of the same," with very little pushing the new series forward, aside from new members joining the team. It tells a story that feels a bit too large for one issue. It's a down the middle of the road book. It's not bad. It's not great, but it does make us very curious as to where Hitch is going to go from here, and that's a good thing.

Oh boy. This one was a tough one for me. I'm a KISS fan, but I just didn't like KISS in this comic. I like the concepts and ideas, but seeing the band didn't feel right. There's an incredible amount of creative talent on this book from Igle and Rydall.

Obviously, expecting a big, in-depth story from a one-shot is a lot, especially if it's one of these "Li'l" books. However, this issue, while it was a ton of fun, failed to hit the mark and is down the middle of the road. Seeing Art and Franco take control of these characters was really cool and it was very entertaining, but there's not much to it. If you're an Art and Franco fan, pick this book up; otherwise, you may want to pass.

LOBO was a little bit of a let down. I was very excited for this new series, and while what was presented wasn't bad by any means, it didn't live up to expectations. However, there is a ton of potential in this series and it's worth picking up at least the first half of this arc to see how things go. I'll give this a recommendation, but with the hope this is going to be great because of Bunn and Brown are the creative team here.

Men of War, overall, is one of my personal favorites, but just the Men of War story. I don't care for the Navy Seals back-ups. I love the fact DC has some non-super hero/non-mystic comics, even though we get a taste of meta-human making their way into the book, which strangely I enjoyed. I feel like this book is very new reader friendly and caters very well to people who don't understand military terminology. I'm very excited to continue reading this book, even though I didn't like this one as much as the first issue. I recommend this book.

Every ounce of the Old Man Logan fanboy in me wants to love this book. I was incredibly excited to jump right into this book and while the art was nothing short of brilliant here and the world that Millar originally created is just as brilliant, the character of Logan is completely different from the original and the story here feels forced and not worth the effort of the main character. If you're looking for a book with great art, check this out. Otherwise, you may be a bit disappointed once the fanboy excitement fades away.

Right down the middle on this one. While I enjoyed the idea of the house being it's own character that can hear and see and kill if need be, the overall story was a bit boring and a bust for me overall. It is something we've seen before, and this version is a tad boring compared to the others.

In my years of reading, this is the most frustrating single issue I've read because it says it's the first issue of a series, and it's not. It' took me a couple read-thrus to understand fully what was going on, but you have to read issue zero to get a full scope what is going on here. This was my biggest complaint about the book and it really hurt my enjoyment in reading this book.

SCARLET WITCH #1 is a decent start that shows a lot of potential. The story seems like it could be great and while this book will have rotating artists, Del Rey does some great work here. The problem with this first issue is that it's dry and a tad dull. It will play fine to readers who are new to the character, but overall, I'm more excited about where this book is headed.

SECRET SIX's story and scripting are some of the best we've seen from Gail Simone. She nails this first issue. Everything from the set-up to the final page moves so smoothly and it really will keep you wanting more. However, it's really hard to overlook all the problems within in the art. The inconsistencies, rushed feeling of those final pages, and trading off of two very different inking styles is a big speed-bump on this issue. This issue is so close to a 4/5, but it's really hard to overlook some of the problematic art. The story and characters have a tremendous amount of potential though and hopefully, the art problems will be ironed out. Even though this book is a 3/5, I highly recommend picking this one up for the story.

The book was delayed and the art is sub-par, but there's something about SECRET SIX that is extremely appealing. That something is the writing of Gail Simone. There's a lot of love for these characters (mainly Catman, obviously) and this book takes a slower approach to the story in order to really work on developing the characters and how they interact with each other. Slow stars aside, these characters are great and the story is pretty interesting, especially all the Catman captivity stuff. We have one issue left with the current artist until Convergence, then Dale Eaglesham takes over. Understandably, art is not an easy thing to accomplish, but Lashley's just isn't right for this book. Keep reading SECRET SIX or Catman will apparently pee on your ashes.

Annuals are a mixed bag, as always, and SINESTRO CORPS ANNUAL plays well to the hardcore fans while trying to push the mythos of these characters and a new story forward. There are some great moments here that will have fans excited, but the overall book is a bit rough since the story really picks up right when it ends. On top of that, there's a few times where the artists of the assigned origin stories just don't fit the book or the character. If you've been a fan of this series, you're going to want to read this but overall, this gets a mild recommendation.

Not a bad book by any means, and it seemed like, even though I missed the first part of this arc, it was a solid conclusion to the story. I liked how well this book meshes with the movie from a couple years ago, which is the most familiar version of the Trek-Universe to me. This story had a great classic feel to it, and I could see it working in a half an hour episode on television. Writer Mike Johnson does a great job at capturing these characters voices as well. I didn't like the fact that I jumped into the middle of a story arc and felt a tad lost towards the beginning, and frankly, the book was a bit of a bore for me. Lastly, Spock's face was inconsistent when it came to medium and wide shots. Overall, I liked it and I'd recommend it to any Trek fan. For everyone else, it's going to be hit and miss.

Overall, it was a decent book. I think more than anything I'm excited to continue reading this. I'm loving the character redesigns and Harley Quinn stepping away from Joker. On the downside, the multiple artists bugged me out and I really just didn't enjoy this issue overall. I also don't feel this is a solid book for new readers. I mildly MILDLY recommend this book only because I think it's the foundation for a good upcoming storyline and nothing else.

Suicide Squad not bad by any means, but for people that were excited for this book, it's disappointing this didn't reach the bar. Hopefully, as this book continues, it can get a bit more out of the shadow of the film and become its own series. There's a lot of potential here, but the first issue just doesn't grab the reader the way it should, considering the talent that is on this book.

I was very split on this book. It's almost a 4 but because this book seems to do so much backtracking, it just didn't make sense. It still is a solid read and what's being done with Superman and Wonder Woman here is interesting and could lead one awesome conclusion. Overall, this was an ok read and I mildly recommend it.

Superman: Rebirth wasn't as good as we hoped, considering where we were left off during "The Last Days of Superman," but there's a ton of potential here for the future series. The art is fantastic and while there's not a whole lot happening here, aside from what feels like catch up meets a eulogy, it's a pretty good issue that leaves readers wanting more.

SURVIVE does a great job at setting up one aspect of the new Ultimate universe, but falters with almost everything else. Cataclysm went out with a whimper and while this is a step in the right direction, it's only a small step. Monica Chang's story is the standout in the issue, but the problem is that there's a bit too much going on here for a one-shot, and while this book is supposed to set-up the new Ultimate series, it feels like SURVIVE would do better as a fully realized bridge between CATACLYSM and the new series rather than a doorway.

I'm pretty split on this issue. I think the idea and the story are fantastic and a good start to the book. Matthew Wilson's colors are great, and at times, Adams' art is wonderful. The problem is that his art is a bit inconsistent in this book. One panel will look great and another can look like it came from a bronze age book.

I'm down the middle on this one. Overall, I liked it, but I expected so much more. There's lots of set-up and establishing of characters, which is done very well, and the character has been a bit more simplified. Cinar's splash pages are fantastic and so are Buccellato's color work. Simone's writing is spot-on, but I wish she also did all the plotting. The end of the issue feels a bit rushed, and I felt like they waited to introduce Firestorm way too late. I recommend this book, but only because I feel it's only going to get better.

I'm a bit down the middle on this issue. It's a tough call. I can tell it's a good issue, but I just couldn't find myself enjoying it or connecting to it, until the end. The scenes with Tony and his father were the stand out scenes of this issue, as well as Buffagni's art. Edmondson's slower start to this issue was solid, but it could have had a little something more to draw the reader in.

It's a pretty mediocre issue, but has some good reveals in it to keep you interested. I'm hoping the conclusion picks up a bit because this started off with a bang, but for now I'd give it a mild recommendation.

Overall, I'm down the middle on this one. I think there's a lot of potential here for greatness, and this issue features a lot of great stories within a larger one, but it really doesn't flow together. Everything feels a tad disjointed. I really hope and believe this will all come together nicely because it's a dynamite set-up for Red Skull.I gave X-Men: Legacy 1 the same score, but if you have to choose between those two, you should definitely go with this one. Uncanny Avengers has much more potential for greatness here. There's a lot of good here, but there's just as much bad. I give this a mild recommendation, but I wouldn't say the average person should pick this up on a whim. I'm a bit disappointed, since I am a fan of Cassaday's and Remender's work in the past. We'll just have to see how this plays out in the future.

UNCANNY X-MEN #11 is a visually stunning book with an ok story. The biggest problem here just lies within the fact the art and the writing mesh poorly and there's an art switch-up for a few pages within the middle of the book. The reveal page here is the big kicker, which will really get you excited for future story lines, including the upcoming "Battle of the Atom" story line. This is not a bad book by any means. It's just another down the middle of the road issue.

The VALIANT UNIVERSE HANDBOOK gives readers all the info about the Valiant universe they could ever need. However, is it too much information? Will they be turned off to the rest of the series because they already know what happens? Otherwise, this is a good way to catch up and see if there's stories that interest you. This is a very conclusive and thorough look into all of Valiant's characters and teams. It's a pretty solid read for fans and new readers alike, but it's not really a comic book, as the title suggests.

Overall, this was a decent book, but it did not meet expectations. It's easy to see there's a tremendous amount of potential in this new series, but this opening offering simply didn't balance well and there's too many questions on the reader's mind by the time it's all end. We get to see Flash Thompson as a more defined hero in space and the art is great, but all-in-all, this is a middle of the road issue.

X-FORCE is off to a bit of a slow start. The story is a good deal of fun and shows an immense amount of promise, but the art is incredibly rough in numerous aspects. He-Kim's colors are fantastic within the issue, but the layouts, set-ups, and figures are muddled and tough to read. Cable looks a bit silly, and everyone's eyes are gigantic. It's hard to take anyone really seriously. Spurrier does give the reader something to really look forward to, though. He gives us a book that is very new reader friendly and a story that shows potential to be something epic. While I wasn't the biggest fan of the narration coming from Marrow, the rest of the dialogue was great, and I'm looking forward to what they have in store for us next.

X-MEN: LEGACY 1 is an interesting opener to a series. I think there's a lot of potential here for future stories and issues. As a stand-alone opener, it was good, but nothing amazing for me. It may be a bit tough book for new readers to enjoy, and at times, the art worked against itself. I do this there is a lot of promise here, as an on-going book, and more than anything, I'm extremely excited to see where this book goes next.Overall, I give this a mild recommendation. However, this is a book that I've appreciated more and more on a second and third read-through.

No, this book isn't as good as Green Lantern, but it does stand out on its own as a good book. Will it be able to continue as an on-going? I'm not too sure yet, but if the art and writing stay as solid as they were for this issue, then yes, it should work out. This is the perfect place to jump on for any new reader, but beware hardcore fans because you'll be hit over the head with stuff you already know. I don't think I like the new goal of the Red Lantern corps, but frankly, it's better than having no purpose at all. I recommend this book.

The Red Lanterns finally seem to be coming a bit more into their own. There's a definite separation from the other Corps, and they have a sense of purpose. It's a great one-shot story that ultimately will set the tone for the rest of the series. The "reveal" at the end will completely change the dynamic of the Corps and give it a bit more personality. Ed Benes art on this issue is fantastic, especially when he does splash pages. My only complaint was that there was no Dex-Starr in this issue. I'm still a little leery with how this book will do in the long run, but for now, I've really enjoyed both issues. I recommend this issue.

This issue is straddling between a 3 and 4 for me. Ed Benes' art has been the driving force of this book, especially with the great splash pages he has. We get to know Bleez a little better in an interesting little flashback, and I like the dynamic between these two characters. However, this issue felt like it could have been half the length, and I'm getting impatient with where the book is supposedly going. Lastly, just make the human a Red Lantern already. All things said, I recommend this issue.

Man oh man... This book is taking a turn for the worse. This is a great creative team and some great new DC characters, but something is not working, and I'm not sure how much longer this can last. I really like the Jack Moore character and seeing the team slowly start to come together, but I couldn't stand the fact there was a fill-in artist whose art did not mesh well with Benes. This book really isn't going anywhere and I'm getting a bit bored. I do not recommend this issue.

This is a decent issue of RED LANTERNS, but not the greatest of tie-in issues. It doesn't add much to the main story and to fully appreciate what it going on, you have to read the last part of the story line, which took place in GREEN LANTERN: NEW GUARDIANS, but you should be reading that if you're invested in Godhead already. There are some great fight scenes in here and Simon Baz teaming up with Guy Gardner is promising, but overall it was a bit of a let down. It's still good, but not on par with the rest of the issues of Godhead thus far.

I fumbled between giving this issue either a 4 or 5. I really, REALLY want to give this book a 5, but I don't think a lot of people will like the book as much as I did. I've always wanted to know more about this character, and I didn't have high hopes for the book at all, but it did blow me away. Be aware that this book is all back-story and set-up, like many of the new 52 #1s are, but it's solid set-up, and it's great to see Deadman get a shot in the spot-light. Deadman fans may be put-off a tad though. I highly recommend this book to new readers, and I just "regular" recommend this to Deadman fans.

Overall, I am enjoying this series and story. DC Universe Presents: Deadman #2 gives us an interesting look into Gotham's super-natural society. It's a fun book and the story has been pretty interesting. I was confused about Deadman's abilities and non-abilities though, and I felt like that this book wasn't new reader friendly at all. I recommend this book, and I also recommend jumping into people's bodies and controlling them.

I enjoyed the issue and the new story, but it isn't without it's faults. Didio brings a big update to a classic and awesome series but he stays true to many of the book's roots. The book includes some of the classic characters and it looks like it's going to pan out to be a great story. On the downside, this book feels a bit more mystical than science fiction and I'm not a fan of Jerry Ordway's art style. It doesn't fit the book. Overall, I'd give this issue a slight recommendation.

Solid start to a new book! While I'm a little bummed it's a Fear Itself tie-in, this issue actually works pretty well in that story, even if I don't know why Ghost Rider is there. I'm excited to see that Johnny Blaze is still a part of the book and who he will be teaming up with, and for once, I actually loved the back-up story explaining the origin of the new rider. However, the costume was something I was truly not digging and I have no clue why a skeleton body has breasts. Minor complaints aside, this is a great start to a new series. It's the perfect place to jump on and I highly recommend the issue.

I'm torn.I like Ghost Rider, and while I like many elements of this issue, I dislikejust as many. I'm sure as the story continues, more will be revealed, andhopefully, we'll get away from the Fear Itself madness, so this story can growon its own.

It's a bit of a bummer because overall, I really like this book, but this one was a bit of a let down. It's still a good issue, and overall, I think will be a great addition to the overall story, but the ending of the issue, along with the 4 page cut and 1 extra page of nonsense tie-in brought it down a few pegs. I can not wait for the annoying little fly that is Fear Itself to end so many of my favorite Marvel books can go back to normal. Once it's over, I think this book will shine, as long as this great creative team stays on it.

While I liked this issue, I was a bit disappointed in it. Both of the main creators on this book (Bendis and Acuna) are people in the industry whose work I love and respect, but they just didn't work together on this issue. I loved watching the strategy and planning that went into trying to take down the Avengers and I thought the pacing was great in this issue. Sadly, one of my favorite artists, Daniel Acuna, just didn't work well on this issue and it seemed like a clash of styles. Overall, it's a good read and I mildly recommend it.

This was one awesome issue. I loved this story and it reminded me a lot of some of my favorite Silver Age Avengers stories. I loved that I could jump right in to this issue and completely understand what was going on. Norman Osborn getting super-powers working incredibly well, and I loved the ending of this issue and story arc. The only real problem I had was that I felt Acuna's work, while extremely awesome, wasn't a great fit for the Avengers. I highly recommend this issue though. It was tons of fun.

Some of the best issues during the Convergence event stand on their own because they tell their own stories in this world without letting the overall event take control of the book, and that's exactly the case with this issue. This is a really fun story made for Booster Gold fans. Sure, there's moments where some readers may be a little confused, but what this issue does really well is take the reader on a journey with some characters that may not fit extremely well into this whole event. Check this issue out for sure if you're a fan.

Overall, CONVERGENCE BOOSTER GOLD is fun but at times, can be a little rough for casual fans of the character that don't follow all of Booster's adventures. The story with Booster and Blue Beetle is a ton of fun and pretty emotional at times, but the secondary material with Rip and the other Booster against the Legion of Super-Heroes falls a tad flat. It's not bad, but it's really overshadowed by the Blue and Gold story. All-in-all, if you're a fan of Booster Gold, this is probably going to be some essential reading for the character's future, so you may want to pick this up.

CONVERGENCE GREEN LANTERN/PARALLAX hits on a lot of characters and notes from DC's history that will get a lot of fans excited for this two-part tale. It's also a solid read for new readers, since Bedard does a great job summing up everything that's happened to Hal around the Zero Hour story line. This is one of the few CONVERGENCE stories that gets right into the fight, instead of spending a giant chunk of the story setting everything up, which was incredibly refreshing. It's not the best of the tie-ins, but it's certainly one of the better ones and worth checking out.

Convergence: Parralax/Green Lantern is a fun issue and nothing more. It falls victim to the Convergence formula which ultimately either leaves the reader a bit disappointed and wanting more because each story feels so rushed or wondering why the story exists in the first place. The dialogue is fine and the battles are fun with some solid art, but in the end, it's a two issue story featuring some great characters that ultimately falls flat because it's as trapped within the formula as the characters were within their cities. If you like these characters, for sure, check this issue out, but this wasn't as essential a read as I originally projected.

Fantastic first issue of this Doctor Who run. This is the Doctor Who comic that fans deserve! It fits extremely well into the Who Universe, and it feels like a great episode of the television show.

DOCTOR WHO 2 is an ok issue. As far as Doctor Who comics, as a whole, go, it's better than the majority. I think this issue, and the first, will lead to much bigger things in this series. Andy Diggle does a phenomenal job here and he really has a great understanding of this world and its characters. I'm very excited to see where this book goes, and I like the idea of a larger arc in this book, much like the television show.

It's hard to read any book about zombies without comparing it to WALKING DEAD; however, EMPIRE OF THE DEAD is a great start to a new series that follows the earlier works of George Romero, but still keeping the book new reader friendly. It explores some areas of Romero's work that I'm not the biggest fan of, but it does so in a way that gets me on board. The final page was a bit weird, but overall, Romero and Maleev have the start of something extreme fun here. It's also nice to see Marvel do something a bit more out of the box as well.

Overall, EMPIRE OF THE DEAD #2 is a bit of a disappointment. If it weren't for the fantastic art here, it would be a 2/5. There's way too much going on in this book and way too many side stories. Two of these many side stories are good and the other ones fall flat. There isn't enough room for all of this to grow from issue to issue. Hopefully, this series gets a bit better because right now, it's not meeting expectations.

So far, HUNGER has been interesting. It's been a pretty solid mini-series and a good follow-up to the events of AGE OF ULTRON. Issue #3 of HUNGER was ok, but it was a bit of a let down. The over-powered Galactus is very cool and Rick returning to Earth was also a very nice moment, but the book feels a bit jump, and there's a lot of high expectations going into this and readers may feel a bit let down. Overall, I say continue on with the book if you're a fan of the Ultimate universe, just to see how this all plays out.

HUNGER #4 delivers the fun and excitement of Hungry Hungry Hippos without the anger or palm blisters. When you look at the bigger picture of what's happening with the 616 and Ultimate Universes, HUNGER is an awesome story. It's a fun piece that moves the event forward and prepares fans for CATACLYSM. While readers know most of what is going to happen with this issue because the next event starts in November, there's still a few twist and turns along the way. Fialkov and Kirk do a great job with making this large scale event and battle feel epic. Overall, it's a great read for Ultimate Universe fans. I highly recommend this issue.

Issue one of LOST VEGAS is a very solid start. It's an interesting concept that is executed extremely well. The story may be a little much to handle, but overall, it's very intriguing. McCann and Lee have what seems like to be a top notch book on the shelves here. I love the story and the concept, and the art is brilliant, even if I had a few problems with it here and there.Overall, I highly recommend this book.

LOST VEGAS is a science fiction series with some brilliant ideas that has the same problem many other science fiction series have, and that's throwing too much foreign ideas at the reader too quickly. There's this very fine balance with sci-fi where you need to over-explain things to a certain extent, but not too much where we feel overburdened with exposition. This issue did both of those things. It's a tough genre to master, but this is still a good book overall. It's compelling and there's a few concepts in here that I love.

Not the best start for a new series, but a pretty good issue none-the-less. The writing is extremely solid and fun, and the art does it justice. I like this version of Morbius, but I don't like the fact the arrogant part of him has disappeared. This is a great jump-on point for new readers and not just because it's the start of a new series. This issue gives a quick recap of the character's origin and history. My biggest complaint is that the first issue didn't really grab me, but regardless, this issue is on my pull list now, and I am excited to see this series progress.Overall, I mildly recommend this issue.

While I may be a bit down the middle on this story and the world Morbius has stepped into, I have to say this is an incredibly interesting book. Yeah, it's a bit farther off than what we're used to for a Marvel book, but it's good, and it's a new take on the world of Morbius. The creative team on this book is strong, and it's on my pull list for sure. The only real problem I have with this issue is I'm just not sold on it. I don't really know where it's heading or what this is going to be about. Is this a vigilante book or is it going to be something bigger?Overall, I recommend this issue.

This particular issue hit me in a much different spot than it will hit other readers. I love Native American folklore. I love when well established characters can be placed in another genre and it really works. While there will be a lot of people that have a bit of a problem with this first issue because it's unknown, at this time, whether or not this will have the same impact as ORIGIN, take this first issue for what it is and enjoy it. It's a ton of fun and Gillen, Kubert, and Martin hit a home run here. Overall, I highly recommend this issue.

ORIGIN II #2 moves the story along, and while it really doesn't have the same impact as the first issue did, it's still an enjoyable issue. Essex and Creed are a large part of this issue and story, and while the final reveal was a bit much for me, the overall story still has me on board. Kubert and Martin really drive this book home with some fantastic art and great page set-ups. Hopefully, this story continues to be a bit of fun. Overall, I recommend this issue.

If you love Adam Kubert's art and Frank Martin's colors, pick this book up because they take some chances here in page layout and set-up. It's a workshop for artists to take a look at how differently you can set up a page and invoke emotion from the reader. The problem with the issue is that it doesn't do much. It's hard to figure out what direction this is taking and unlike the original ORIGIN, this book is not much more than a moderately fun and violent Wolverine book.

What really kills this issue and mini-series as a whole is that the first issue not only had a completely different tone and feel from the rest of the book, but it was exhilarating and a breath of fresh air. It continues to be one of my favorite single issues within a mini-series. However, this issue is incredibly disappointing and does not do the mini-series justice. As a Wolverine and ORIGIN fan, it's a punch in the gut, especially when the creative team are all fantastic at their craft. This was not a good follow-up and not a good final issue.

RAI is off to a killer start. It's wildly different than expected, in the best way possible. RAI reads more as a science fiction mystery than anything else, and while it's a giant leap away from the rest of Valiant's books, it still feels like it fits in the Valiant universe, but far, far in the future. Matt Kindt is crafting a very cool book, and while, at times, all these new concepts can get a bit confusing, since not all of them are explained enough to the reader, the overall book has this fantastic, cinematic feel. The highlight of the issue truly is Clayton Crain's artwork and colors. This is a book you really need to check out. Never read a Valiant book before? Don't worry, any new reader can jump on and feel right at home. Overall, I highly recommend this issue.

All-in-all, this issue was a bit of a disappointment, coming off that amazing first issue. However, it's not all bad. RAI presents itself as a solid detective book here, but the problem was that the issue wasn't that exciting and came off a bit dull. Crain's art looks amazing in some places and lacks polish in others. It feels rushed. RAI shows a lot of promise but it needs to pick up a bit more to stand toe-to-toe with the rest of Valiants books. Overall, I'd give this issue a mild recommendation.

Wow. This book was a surprise. A solid start to a new story featuring a character I'm usually not to fond of. I love the set-up of Carter trying to put his past behind him only to be dragged right back into battle, and the book had solid writing from Tony Daniel. Phillip Tan and Sunny Gho's art was fantastic throughout the book, and Hawkman's new outfit is pretty awesome. I still don't understand the NTH metal business nor Hawkman's power-set or who he is. Lastly, the black alien liquid that becomes a monster just reminds me of Marvel's symbiotes, and there's no way around that. This was a solid start to a new series, and I recommend the book!

It's a down the middle book. Not bad by any means, but not my favorite. I love the new villains in this issue, and their motives are pretty cool and not the same old "I have to beat the good guy" slant we've dealt with forever. I really liked Philip Tan's art on this book, especially the fire. However, I'm not too interested in Carter's home life, but that's mainly because I am so much more interested in Hawkman and his mythos.

Overall, I highly recommend this issue.

For some reason, a 3 star review, on this site, is scene as "the reviewer hated it!" I'll be very clear. I like this series, and I liked this particular issue. It has its ups and downs, sure, but it's not bad. I still recommend picking this up. I had high expectations for the book because Trinity War has been a blast, I've really been enjoying Ray Fawkes writing, and the tie in issues to Trinity War have been great as well, especially CONSTANTINE, but this one fell a tad flat. If you've been enjoying Trinity War or you enjoyed the first issue of this series, give this book a read.

Seriously awesome issue. It's one of the few new 52 issues to be just as good as the first issue. I love Damien, and this book is right up my alley. The art is great, and does so much more than just tell the story. Bruce and Damien are finally working together pretty well, and there's an interesting set-up for future issues. The only thing that kind of bugged me was that I wanted a bit more, especially in the fight scene department. This is still a great jump-on point for new readers as well. i highly recommend this issue.

Move over DETECTIVE COMICS, BATMAN, and DARK KNIGHT, this is the Batman book to read. It's a great team/duo book that focuses just as much on team dynamic as it does on story. It's a well balanced story, and the book has really helped further develop Damian as a character. Nobody, the new villain trained by Ducard, who trained Batman, is a great addition to the Rogue Gallery because of his fighting ability and his intelligence.

While the overall story of what Batman is trying to achieve in this story is the best part of the issue, the rest of it falls flat. The Aquaman team-up feels a bit pointless and way too coincidental. He also doesn't really look like Aquaman, but more like a beefed-up version of the New 52 version of Arthur Curry. While there are a lot of problems with this overall issue, the larger story is incredibly intriguing and worth the reader; however, I cannot recommend this issue.

This is a very solid zero issue that does a great job at telling the origin story of Khaji-Da. It's engaging and it has the potential to be great for new readers, as long as new readers are willing to pick this book up. I liked how the issue catches readers up to where the current BLUE BEETLE volume leaves off, so new readers can jump right in.

I like this book, but it's a down-the-middle of the road book for me. I like the fact that DC has a character that focuses on the life of being a teenager, something many Marvel fans are accustomed to and love. It was a bit tough as a new reader to jump onto this book. I understood some aspects very easily, but I had trouble with the larger, overall book. The biggest problem with BLUE BEETLE is that there is was too much going on in this series. Overall, I give it a slight recommendation.

Blue Beetle has dragged me back in! The first few issues were hit or miss, but this final issue of this story was great. A very solid conclusion to this storyline with some great fight scenes. I loved the art on this issue and thought the colors, inks, and pencils worked very well together to create a familiar but very unique style. The only thing I didn't like about the issue was how the fight ended. I recommend this series and this issue.

CABLE AND X-FORCE is a book that is definitely going on my pull list. Out of all the Marvel Now books I've read thus far, this one is a close second to ALL NEW X-MEN. I've always been a Cable fan, and a Summers family fan in general, so I was pleased with how this issue turned out. I really enjoyed Larroca's are here, especially a few of the splash pages. While I loved the characters on this team, I was a tad bummed it focused mainly on Cable and not the other members of the team. In addition, Havok's body looked so jacked that I'm just waiting for an issue of him working out because that seems to be the only thing he does.Overall, I was incredibly pleased with this first issue and I would highly recommend it.

Overall, I enjoyed the issue, but I had some larger problems with it. If we had half stars, this would fit perfectly into the 3.5 category. The art on this issue is fantastic, as it usually is, but I had a big problem with the repetition of panel layouts and the over-use of medium and close-up shots.I thought the story for this issue was fantastic. I loved seeing the plan for this team come together and Forge's scene was probably my favorite part of the issue, including seeing through his eyes how he uses his powers. I didn't like Hope's treatment here though.Overall, it was pretty solid, and I recommend it.

CABLE AND X-FORCE has a lot of promise. There's a lot of cool elements to this story, and I like most of these characters. The art team here is great, and I really enjoyed the dialogue and banter between most of the characters.The problem is that the overall story falls flat. I never felt anything was at stake and all these stories feel so disjointed. I really want this book to work, and while there is a lot of good here, there's just as much that frankly isn't working.

As a stand-alone book, CONSTANTINE is awesome. Sure, some HELLBLAZER fans may not be happy because it's a "PG-13 or Water-Downed Constantine," but this isn't the Constantine from Vertigo. This is a different character for all intensive purposes. So before you read this book (or complain about it without reading), take a minute to separate the DC Constantine from the Vertigo Constantine in your mind. This is a character based off its Vertigo counterpart. It's not the same character. Also, go in with an open mind, like you should with every comic you read.I was surprised with how much I liked this first issue. I was a tad hesitant, but it won me over right away. Fawkes and Lemire do a great job with setting this new series up, and it's a great place to start for new readers. Also, it doesn't hurt that the art is beautiful.Overall, I highly recommend this issue.

CONSTANTINE #2 delivers a fun issue that reminds me a bit more of an 80s adventure movie than a comic book. I love what DC is doing with their Dark books, and I love the fact this comic is a fun read. The Mister E redesign is pretty cool and I like how he's being integrated here. The art team is what really stands out here. I cannot wait to what this book has in store in the future.Overall, I recommend this issue.

CONSTANTINE is fine series. This wasn't the best issue in the series, but overall, it's still a very solid read. The first half of this book is a bit slow and it feels a bit like filler, more than anything else. However, the second half of this book is fantastic and the reveal page is pretty darn exciting. If you enjoyed the last issue of CONSTANTINE, you're going to want to pick this up. Newcomers, this may not be the best place for you to jump on. Overall, I give this a mild recommendation.

I loved the hell out of Deathstroke 7. I've heard a few people bag pretty hard on this book, and I don't see it. This book has everything I'd want out of a Deathstroke book and a whole lot more. I loved the crazy amount of action and violence in this issue and this book proves just how awesome Deathstroke is. The art team is stellar and so is the writing. I loved the ending of this issue and I really couldn't find anything I disliked about this issue. I highly recommend this issue.

A great ending to a great run by this creative team. They truly made this a character that was accessible to new readers in the DCnU, and I applaud them for paving the way for the future creative teams and building on an already well developed character.

While I enjoyed reading this issue, it's a huge step down from the last eight issues. I enjoyed pieces of Liefeld's writing here, but overall, I was not a fan of the story he's setting up. There is lots of great action sequences and this book is paced incredibly well with a great balance between action and story.

Although I feel this should have been a stand-alone issue (as an annual) and not a tie-in to everything else in the GLU, which you really need to read to understand everything else going on in this book, I was incredibly satisfied with this issue. So much happens here and I loved every second of it. There's some great moments with the Guardians of the Universe and the Guardians of the Chamber of Shadows, and also with Black Hand facing off against Hal and Sinestro. We get some cool new concepts in this issue and a great set-up for the next story line. The only other part I didn't like was that at times, members of the Third Army looked a bit dopey.

Events from the big two have been pretty dang mediocre, and while event fatigue has taken its toll on all comic book readers, Godhead is one of the few events in recent memory actually worthy of a read from start to finish. Venditti and crew truly knew what they were doing here and while there were some bumps along the road, overall, this was a fantastic event and a finale worthy of the story. Sure, the Highfather turn seemed to be handled a tad hastily, but all-in-all, this was a wonderful story both in concept and execution.

All-in-all, GREEN LANTERN ANNUAL #4 is decent. For those who want to know a bit more about Hal before the Corps disappeared, this is a solid read. It doesn't really add anything to the current arc, but there are some threads at the end of the issue that will most likely be picked up later. The biggest problem with the issue is the inconsistency in the art. It feels rushed and there's lots of tiny bumps in the road which are a huge bummer considering that Pascal Alixe's style is pretty fantastic. If you're really into Green Lantern, I'll mildly recommend this to you.

My first venture into SUPERMAN was a satisfying one. This was a great "smash it up" issue, and since I'm a big Forth World fan, I was pretty excited to jump right in. While this may be a tough issue for new readers because we're in the middle of a story, you can get the gist of what's going on in a second read through, but it's best to pick up issue #19 as well. My only other problem was some of Orion's dialogue which was a bit too comical for the book. However, this was a ton of fun. Lobdell and Kuder do an amazing job here, and for the first time in years, I can say I'm on board with a Superman book.

Superman and I have never really been the best of friends, but I found the Men of Tomorrow story to be a wonderful arc that has roped me back into reading the book full time. The issues comes to a natural conclusion and while this issue really feels like it's pushing a new Superman power on the reader, at least it's surrounded by a pretty awesome story that is well-executed. I highly suggest checking this issue and arc out.

As a whole, the idea for the issue, along the lines of Superman trying to understand his new powers and getting help from the Justice League, shows a great amount of promise. The problem is that the execution isn't there. These characters don't have their essence here and having the Justice League trying to bond over beers feels really forced. The art team does some great work, but the dialogue and second half of the book simply do not work.

The art may be a bit rough, but the story for ULTIMATE FF #1 is one tremendous start. As far as the Ultimate universe goes, it's a bold, new direction, featuring a team of characters which a few have never really been in the spotlight. It's off to a great start and shows a lot of promise. It's a new team, a new start, and so far, is the best out of the Ultimates books. Overall, I highly recommend this issue and series.

It's weird and at times silly, but this issue of ULTIMATE FF is fun, if nothing else. There's a new artist on board and while the art did get better, it's still the weakest part of the book. What readers do have to look forward to is Josh Fialkov having a field day with the Ultimate universe and as many puns as possible in the next couple of issues before the series ends. The last page is what really sells the finale of this book.

While the story is out there and it took 5 issues to really find a footing, ULTIMATE FF #5 is a hit. Sadly, it's coming to an end soon. Fialkov has a field day and throws as many animal puns into the issue as possible, and the issue ends in a very creepy/scary way, especially if the reader is a man. Flat-out, I like what's going on here, as an Ultimate fan. While it's no MILES MORALES, ULTIMATE FF, right now, is a ton of fun and a worth picking up.

This is my pick of the week, obviously. It may not be the best jumping on point for new readers though. We're 11 issues in, but so far, this volume is really one story line. However, it's a book you have to read, Wolverine fan or not. This issue in particular really floored me. It's lets you know a little bit more about the Red Right Hand, which is turning out to be a solid group of villains. There's little-to-nothing I dislike about this issue, and I believe it is highly under-rated. If you're not reading Wolverine, then you may be crazy. Yes, I said it.

I'll say it again, "Wolverine is my favorite on-going series at Marvel comics right now. I never thought I'd be writing that, mainly the Wolverine part." I mean every word of that. It's a story that sounds pretty cheesy, but when you take the time to sit and read it, you'll love it. The writing and art are the tops, and this issue is one of my favorites from this series. I've been reviewing this book on and off since issue one, and you haven't bought it and read it yet, then you're really missing out on something special. Yes, it's a Wolverine book, but it's a darn good Wolverine book.

Regardless of what I thought about this particular issue, Jason Aaron's run on this book has been fantastic so far. In this particular issue his writing was spot on and the art team of Guedes, Magalhaes, and Wilson was outstanding. For me, the actual story in this issue was a bit of a let down, but believe it or not, I still recommend you pick it up. It's been a great story so far, and while it may not have been my favorite, it's still worth the money.

I cannot wait to see what happens in the next story arc now that this one is over. This is the best Wolverine has been in years. Overall, it's an amazing wrap-up to a story I was very skeptical about, at first, but all the pieces fell into place and it was awesome. The art and writing are spectacular on this issue, and that includes the cover. I highly recommend this issue and this story arc.

The first issue of this new story line is a pretty big miss, unless you're a fan of Dr Rot during Jason Aaron's Weapon X run. On the up side of things, we got to see Doop hanging out for a panel, and this issue is filled with some great action and violence.

Wolverine 311 is a pretty disappointing issue with a creative I really like behind it. On the plus side, I really enjoy all the colorists separately, and Simone Bianchi's art is great. I like the idea of Sabretooth being back in comic books, and the lettering on this issue is great.

ACTION COMICS #22 is a pretty good issue. Nothing really blew me away here. Lobdell's work is much stronger on SUPERMAN, but I have a feeling this issue was put together a bit quicker than usual since the creative team changed. Kirkham's art is really the stand-out here, and I found myself really enjoying the brief moments we had of Clark Kent being an average, everyday person. I wasn't into the Pax Galactica, although I really enjoyed the Battlestar Galactica reference thrown in at the end.

I'm not a Superman fan, but ACTION COMICS #25 was incredibly pleasing. Pak's vision of a young hero really grabbed me, and it didn't hurt that the art of Kuder and colors of Prianto were nothing short of amazing. Superman just didn't become Superman overnight. He had to learn how to be that role model for the world. There's going to be this transitional phase where the character is emotional, immature, and sometimes makes rash decisions. That's what we see here, and I loved it. Overall, I highly recommend this issue.

It's an interesting start to this new story line, but it's down the middle of the road story. The opening pages are brilliant, and I really enjoyed Baka, but the rest of the book was a tad troublesome. The changes in art between Hawnthorne and Kuder simply did not work, but Silva's art in the opening was great. It's a bit of a mish mash of an issue, so overall, I'll give it a mild recommendation.

Kal-El's books have seen quite a few creative changes since the reboot, but this is the first time where one of his series feels to have a strong foothold on a good story with a writer who has a firm grasp on what makes the character tic. ACTION COMICS not only has Pak doing a splendid job with the characterization, but he also has the strong art team of Kuder and Quintana backing him up. Superman is a tough character from me to get excited about, but issue #28 really changed my mind about him. Overall, I highly recommend this issue.

DOOMED continues to be one of the better Superman story lines since the start of the New 52. Greg Pak does a fine job of really making the reader feel for Superman and understanding the struggle he's going through. The standout character here is actually Steel though as he rises to the occasion to help out a fellow here. The art is crisp and brilliant and the issue leaves the reader at quite the shocking end point. The world is really changing around Superman, especially when it comes to how other governments handle him, so ACTION COMICS #32 does its job of moving the story forward while entertaining the reader.

ACTION COMICS #33 is not a bad issue by any means, but it feels a tad out of place and doesn't move the story forward as the rest of the issues in this event. Pak does do a wonderful job with SuperDoom's narration throughout the issue to a point where it feels poetic. The art team, as always, does a great job as well, but all-in-all, it's just an ok issue. If this is on your pull list, keep it on because Doomed is still the best Superman story of the New 52, regardless of one or two decent issues.

Superman: Doomed has been a back and forth story for me. At times, it's a complete home run and really moves the story forward and at other times, it feels like a bit of filler. All three Doomed issues this week were great, but ACTION COMICS was really the stand-out for me. This issue worked on numerous levels and was incredibly captivating. Both the art team and the writing are wonderful and that cliffhanger has me hooked. Overall, I highly recommend this issue.

Superman is in a very different place right now, and while Superman fans may have trouble transitioning into this story, Greg Pak and Aaron Kuder know what they're doing. We're seeing Superman challenged by things that normally wouldn't be a challenge to him and that is what makes the debut issue of "Truth" exciting. I can totally get down on a story or two about Superman being a street-level hero. The only problems with this book were minor and had to do with a scene or two of art towards the end of the book, but aside from that, this is a great start to the new storyline.

Overall, ACTION COMICS' story was about par. It does a lot of set-up work for potential future stories, but this issue, along with the rest of the story, was just ok. However, there are great moments scattered throughout the issue, but the highlight of the issue is truly the art. It wasn't a bad issue, but really didn't feel like this creative team's strongest.

While it's great to see a story, before Rebirth, that isn't just trying to quickly wrap everything up and actually gives the readers something worthwhile, while sowing the seeds of the future of the Superman titles. There is a bit of redundancy here, for those who haven't been reading the other parts of this story, but overall, this is a satisfying and fun read and does what every comic should do: it makes you want to read more. Regardless if you've read the other parts of this story, I would recommend checking this issue out.

The art, hands-down, is the best thing about this issue. It's a good start to a new series, but it doesn't really allow brand new readers to jump on because there's still a bunch of Green Lantern information each reader may need to know to understand everything in the issue. The issue does a decent job of catching up the reader, but not good enough. This is a promising new series, from the look of the first issue, but let's be honest, the Green Lantern comics at DC, in the past 6 years, have all been dynamite.

I loved the first issue of this series, but the past two issues have been extremely rough. It was my least favorite of all the Lantern books. This issue gets the reader back on track and gives some great explanation for these new villains, who are much cooler than they seem. I love the introduction of Martian Manhunter and Stormwatch to this issue, and I'd love to see more of this team in the GLC book.

This is a down the middle of the road issue for me. GREEN LANTERN CORPS is an ok book. I think Tomasi's writing is pretty solid, and he does well with the dialogue, but I felt the most compelling part of this issue, John's story, was so brief and it overshadowed Guy's story which was just alright for me. The art was, again "alright," but I had big problems with the face we saw numerous pages with the exact same panel set up.

GREEN LANTERN CORPS #36 is a mixed bag. Folks not reading every part of Godhead may find this issue a lot more enjoyable than those reading everything because this issue feels so similar to last week's GREEN LANTERN #36. The formula being used for the issue becomes glaring and while the story is fun at parts, overall, it's a tad dull. Luckily, the art team pumps out some amazing artwork to elevate the book. This is the point where I'm a tad worried about Godhead and how it's going to continue to play out. We're not even halfway through the story and I feel like this issue and the last issue were a bit of a drop in quality of story.

This was easily one of the better issues of Godhead, which overall, has been really good. It feels like there's real advancement in the story here and numerous moments worth checking out. The only downside of the issue is the separate art team which kicks in halfway through the book. The new team isn't bad but the switch is startling and each artist draws these characters in different ways. Aside from that, Jensen nails this issue of Godhead and it opens the door for some great things in the upcoming issues. I highly recommend this issue, unless you aren't reading Godhead. Then, you'll be in the Land of the Lost.

With everything going on in this series and how it was tied into so many other events in the Green Lantern universe, it was safe to say fans had event fatigue from the past couple of years. What GREEN LANTERN CORPS #38 does well is break that fatigue and give readers something a bit more grounded. Van Jensen is setting up something dipped more in horror and lore than anything else and it feels like a science fiction story rather than a super-hero book, which is a fantastic way to get readers excited for this series again. This may be a two or three issue story, but if you've enjoyed any of the Green Lantern books in the past, you're going to want to pick this one up.

There are a ton of these short, throw-away stories going on as DC moves into Convergence, but what GREEN LANTERN CORPS offers is a cool story that gives these characters some more development and humanizes them. Here, they're less "space cops" and more caring beings the reader can sympathize with. The Daggle parts of the story were alright, but the star of the show is John and Feska's story, along with the amazing art. It's going to be sad to see this book go, but at least we get one more issue.

Obviously, we don't want to give away too much with this first issue, but what we can say is that it was a great start to a new series. AVENGERS WORLD focuses on just what you think it would, the Avengers helping out the rest of the world. Writers Hickman and Spencer mesh incredibly well together as a writing team. I love the team we see here, and the art is wonderful. On the downside, this isn't a new reader friendly book. Sure, you could just pick it up and give it a go, but it's better to read a bit of the last volume of AVENGERS. AVENGERS WORLD is exciting and shows a lot of promise. Overall, I highly recommend this issue.

AVENGERS WORLD #2 is pretty dang fun. It feels like an Avengers book while giving the reader something new, and while this issue really focuses around Smasher, she's a pretty awesome character. We get a nice glimpse into her past and her connection to her grandfather, although I really didn't like her costume design at the end of the issue. This series has me roped in and while it's isn't amazing, it certainly is a very fun read.

There's not too much you can say about the overall issue for AVENGERS WORLD #3, since it is one long fight scene. However, the issue really plays out nicely and it is a lot of fun to read. Hickman and Spencer, along with the great visual storytelling of Caselli, have put together a book that really compliments Hickman's AVENGERS run, while expanding into a new world that is pretty accessible to new readers.

AVENGERS WORLD is a book that is hit or miss issue to issue. It hasn't had a bad issue yet, per se, but this along with a previous issue was a middle of the road book. This is a series that truly feels like a great read as a trade, but struggles a bit from issue to issue because there is simply way too much going on within this book to contain within a single issue. Manifold is the center of this issue and he is a very cool character that brings a lot to the Avengers table. A.I.M. moves their plot further here and Hickman and Spencer have done a great job at redefining this once goofy team. However, overall, it's just an ok issue.

While there's a lot to like with this issue, there's also a lot of things that rubbed me the wrong way. The overall story with future Flash is phenomenal, but the Wally West scenes here were a tad aggravating and make it seem like Wally is a bit of a idiot. This book is still worth reading though. The art is great and Van Jansen and Robert Venditti are both great writers, especially in the long-term sense, so overall, I'd give this a mild recommendation.

I was incredibly surprised with how well this final issue turned out, considering so many stories feel a bit rushed this month because of CONVERGENCE. The art is downright stunning here and while the speed force world story wasn't my favorite thing to come out of this book, the impact it had on the overall arc and the finale was wonderful. The creative team on this book is doing some awesome things and I cannot wait to see what they have planned after the upcoming DC event.

THE FLASH is headed in a very interesting direction and building on the Annual issue and even the story arc prior to it. It all really works and steps forward towards the inevitable final battle between Flash and Zoom's Acolytes. Although there were some minor problems with the figures for the characters, this book is still a lot of fun and shows promise towards an epic finale.

This arc is turning out to be one heck of a ride. Barry is up against something that seems unstoppable and by the end of the issue, he seems trapped and Central City seems doomed. The creative team on this book is doing a fabulous job and the pacing here is wonderful. There are a couple of moments that don't work here, mainly the dialogue between Wally and Barry, but overall, this was a very solid issue and you should check it out this week when you pick up your books.

Jump in on the next issue because a new storyline will be starting, and it's most likely going to be all mystical related stories. It should be pretty good, but as for this issue, you're really not missing too much other than the death of a character.

I loved this issue, tie-in or not. There's some great new history to the world of Iron Fist added in here, and I love where the story is going. The art is stellar throughout the issue, and you'll want to read it over and over just for that. This is also a great tie-in to the overall arc of AvX. It's not essential info, but it gives a nice background to where we think AvX may lead us.

AMAZING X-MEN #3 is a bit of fun, but it doesn't really do much else. There's some cool things happening here, but overall, it's a bit of a let down because it feels so silly. Aaron and McGuinness don't mesh to well as a team, with this story. Maybe it's because I am a big Nightcrawler fan and expect something a bit more serious and down to Earth for his return. While this book looks great, it's just ok. Nothing more, nothing less.

AMAZING X-MEN offers what could really be a fantastic story. Part of me is dying to see Cain Marko and maybe even a new Juggernaut, but what Yost delivers is much more about the mythos of Cyttorak, which fits really well here. The art is a bit of a miss and feels very rushed at certain moments, but overall, this is a great jumping on point for new readers and a great start to this run. I recommend you check this one out, especially if you're a Juggernaut fan.

AMAZING X-MEN flips the script on readers and leaves them with a fantastic ending. "The Once and Future Juggernaut" has been, thus far, a really great story line that on the surface is the fun race to grab a gem, but aside from that, it's a lot about Cain Marko trying to redeem himself and fight for his family, in a sense. Yost does a great job with Marko in every aspect, except for the fast he got rid of Cain's beard. This has been one of the best stories in this volume and I highly recommend checking it out.

The finally of this Juggernaut-filled story really delivers and the conclusion really pays off and sets up the next story line extremely well. In fact, this is easily the best issue of the run and Juggernaut fans may not love the final costume they see at the end of the issue, but they'll certainly love how this story plays out. I cannot wait to see what comes next in this series.

The final issue of AMAZING X-MEN, before the SECRET WARS break, was a little bit of a let down. This issue swung between a 3 and 4 for a while. It feels like filler. However, we are treated to one spectacular fight and Fornes really coming into his own as an artist. This issue will read incredibly well in trade as a cap to the Gem of the Cyttorak arc and overall, this story was a blast. If you've been loving this storyline, (how could you not?) you need to pick this issue up!

BATMAN ETERNAL is four issues in and it feels like a solid direction to the new weekly series. This book is much more about Gotham than Batman and it really shows here as the issue splits time between the Gordons, Batman, and Stephanie Brown. The art style keeps this issue a bit more light-hearted, which is the perfect match since it's a pretty depressing issue, with what is happening with James Gordon. Normally, I'd say to be very cautious of weekly series, but so far, this one has been top notch. Overall, I highly recommend this issue.

We're five issues into BATMAN ETERNAL and this book continues to do a fine job at building on the world of Gotham while continuing to tell and interesting story. Tim Drake truly is the star of this issue, and in some ways, bests Batman through Tim's detective work. The art is fantastic, but it's the colors that really make the art. Overall, this is a very satisfying weekly series, so far. The only real downside to the issue is that the Vicki Vale story feels completely overdone as far as stories go. This is especially apparent if you watch House of Cards. However, this is still a highly recommended series.

BATMAN ETERNAL isn't bad, but there are problems with the direction of this book. It feels like they're just topping more and more and more story on top of one another without resolving or building on anything else. For the past three issues, there have been numerous new plots introduced within each issue. This issue, on its own, is a pretty good read, introducing the reader to new characters and elements within the world of Gotham. The art is solid and the color work is fantastic. While this particular issue didn't hit it out of the park, it was still a solid read and this series is still worth picking up every week.

This issue is a step back in the right direction. We're starting to see the growth of some earlier stories set up in previous issues and finally, there's a fuller-scope to this story as Falconi's grip slowly turns Gotham into what it once was, before Batman came around. March's art is really cool on here and gives this issue a pretty intense feeling. The only real downside was that the color palate was a bit to brown for the book. However, it's still a great on-going series and I highly recommend it.

BATMAN ETERNAL continues to prove it's a worthwhile, weekly book. It has a strong writing team and strong artistic team behind it. While there were some bumps in the road in previous issues, issues #8 and #9 make this book feel like it's right on track. The big reveal with this issue is very interesting and promises some interesting changes in the book coming down the road. The big question is whether or not to put this book on your pull list, since it's technically 4 books a month. It's pretty easy to say that this book is worth your time and money, since it's a pretty strong Bat-title.

BATMAN ETERNAL #11 contains three stories, two of which are good, and one of which is a bit bland. On top of that, the art can be pretty rough in places and doesn't mesh well with the overall issue or its characters, even though, without a doubt, this artist has a great amount of talent. Once again, it's a decent issue from this series, but it doesn't really "wow" the audience. The biggest drag on this particular issue is the art though. If you're enjoying the series, keep reading it as it does well as a weekly series. However, chances of it being one of your favorites is very slim.

Sometimes, a story is just so dang good that you can overlook some minor problems. CATACLYSM #0.1 is a very emotional story which is a great bridge between two story lines. It's pretty rare that an issue can evoke real emotion from a reader, and this issue nails that. Fialkov has a lot of love for these characters and this universe and it really shows here. While the art switch became a tad distracting, even though all three artists were great on their own, this story was just so appealing to me as an Ultimate fan. If this issue doesn't get you excited for CATACLYSM, check your pulse because you're probably dead.

There's been a lot of hype around this book because it may or may not destroy the Ultimate Universe. That being said, this book does live up to the hype. It's an all out war and incredibly satisfying throughout the issue. We get a larger scope of what's going on here as the book splits its time between the Ultimates fighting Galactus and Miles Morales saving people on the ground. The writing and art are incredibly solid, for the most part. I did have one gripe about how Bagley was drawing Ganke and Miles because they looked quite a bit different, especially in Ganke's case, from their main-series counterparts, but overall, I was very happy with this first issue and you will be too.

CATACLYSM: THE ULTIMATES LAST STAND #2 provides an extremely exciting story that fires on all cylinders. Bendis takes us on one thrilling ride as we watch Galactus stomp his way through the Ultimate universe. As of right now, this series, including the tie-ins is 4 for 4. Every issue is more than a worthwhile read. Put this book on your pull list make sure you pick it up. This is going to be an event fans will talk about for years.

CATACLYSM: LAST STAND #3 is a really good 8 page story, dragged on for 20 pages. This issue really missed its mark. The overall story has been very good, and this issue moves the story forward, but not at the pace of everything else. The issue feels like filler. This has been the weakest issue of the story thus far, so if you're already reading it, pick it up, otherwise this is a mild recommendation which you could easily skip.

The last issue of this event was a bit of a bump in the road, but issue #4 really gets this story back on track. The introduction of the X-Men works well here and the scenes with Jean Grey are one of the many highlights of the issue. While Galactus is the villain here, the reader will get to feel for the character, as he's truly just lost in this world. Writer Brian Michael Bendis has crafted a very fun story with a lot of peril and suspense. The only real complaint here is a bit of inconsistency with Bagley's art, but aside from that, this was an excellent issue.

Here's the thing about Cataclysm as a whole: it's good with moments of greatness. Spider-Man's and The Ultimates' tie ins are utterly wonderful, and the overall main story is a lot of fun, but when something has this much hype around it, it becomes incredibly hard to live up to it. This last issue of the story falls short of the hype and expectations of the readers, which is a bummer because this is a book fans were dying to see succeed. Hopefully, this reads much better in trade because the writing and the art didn't make this issue bad, the hype did.

JUDGE DREDD 1 is a fantastic start to a new series that embraces the old and adds a dash new to the series. If you've ever been interested in getting started in the world of Judge Dredd, this is a good place to jump on. It's extremely new reader friendly. The writing is very solid on both stories and so is the art.

Just like issue one of JUDGE DREDD, the first story was fantastic, but the back-up had a few problems in the art department. I really like how this book has two stories in it, and how it's gradually building the Dredd world for new readers. Both stories are incredibly fun, and the art in Cover Me was awesome.I made this book a book to watch on Top of the Pile and I stand firmly by that, since I think Sweirczynski is doing some awesome things here. Overall, I recommend this issue."Cover Me" - 4/5"The Good Parts" - 3/5JUDGE DREDD #2 gets 4 Drokks out of 5

I'm a big fan of this new JUDGE DREDD series, but this issue is by far the best yet. Both stories were incredibly enjoyable and both had some fantastic art. I was a little confused by the time line for both stories and I wasn't a fan of the cat meme reference. However, I thought the look through Judge Tarjay's eyes was a compelling story, and I cannot wait to see next month's issue.Overall, I highly recommend this issue and series.

IDW's JUDGE DREDD book is a great way to introduce American readers to this character. It's essentially a Dredd gateway drug. We get two very good stories by writer Duane Swierczynski, that take a look at different sides of the future way of life in Mega City One."We've Got You Now" - 3/5"Fugitive Daze" - 5/5Overall, I still highly recommend this issue and this series, but if you're new jump on at issue one, and if you can't get that one from your LCS, pick up issue three.

JUDGE DREDD has been a fantastic series so far, and I really like what Swierczynski is doing with this property. While I wasn't the biggest fan of the back-up story here, the art was fantastic, and the same goes with the opening story as well. This is a great book for old and new Dredd fans alike.

The issue was a bit of a disappointment for me. The JUDGE DREDD series has been on quite the roll, and while I enjoyed the overall issue, I felt it was a tad disjointed and trying to hard to jump back to an unresolved story that happening in issue 3. It was something I didn't really remember and I needed a refresher. However, Swierczyski's writing is solid. I like his dialogue and overall tone in the issue and I love Daniel's art. This is a great creative team.

While I really enjoyed this book, it's not really a standout book. Sure, it's fun and a tad campy, in a good way, but it's not what I was hoping for, especially because the main character seems like a pivotal character in this new universe. I really enjoyed seeing the origin in this issue, and I love how much fun I had reading it.

PHANTOM STRANGER 1 was a ton of fun. I like the mixture of classic and modern comic book style here. This was one of the new wave books I was unsure about, especially since the zero issue was a bit down the middle for me, but I really think this series has legs. Dan Didio does a great job at keeping this issue new reader friendly because although this is Phantom Stranger's first appearance in the new 52 (I'm not counting zero issue for some reason), he's been around for decades. This book does what New 52 books should do, bring in new readers and introduce them to some great comics and characters.

THE PHANTOM STRANGER is a book I really like. It's a book I now look forward to every month. However, PHANTOM STRANGER is not everyone's cup of tea. The art, can be rough, at times, even thought I find it a unique mixture of the old and new. It's the weakest aspect of this book.This can be a tough character for readers to latch onto; however, it's a character and book people should give a shot. It features some incredibly cool and interesting characters from the DCU that you may or may not know, and the events that happen here may eventually lead to some answers of what happened after Flashpoint.This issue isn't as strong as the first one, but it's still pretty good. I give this issue a mild recommendation.

THE PHANTOM STRANGER is one of those books I'm drawn to. I find it so interesting on so many levels, and I feel like, for once, I am right in the trenches with other Phantom Stranger fans, since this is a character I've always wanted to know more about. I love the dynamic between Stranger and Constantine here. I can't wait to see where it fully goes.On the down side, I didn't like how Constantine knew everything about Stranger, and some of the dialogue, later in the issue, didn't work and was awkward to read.Overall, I really enjoyed issue four of THE PHANTOM STRANGER, and I'd recommend it, but I highly suggest picking up issues 0-3.

I love this book. Sadly, I keep forgetting to put it on my Top of the Pile list every month, but it's one of my favorite reads. It's a book I get excited about because I know it's an aspect of the DCU I've never known too much about and I feel like I'm on the same page with the rest of the DC fanbase.This was probably one of my favorite issues from this series, thus far. I love the Spectre, and even though he's not the Spectre I am used to, I still really like the character. I love the story and art, and I always like talking dogs... Well, almost always. Overall, I'm a big fan of this book, and I recommend it.

I've said before that this book is a guilty pleasure of mine, and I said on a recent Super Massive Podcast that it's moved away from that status because I just really enjoy everything about this book. That being said, this is a slow issue, and it may be a bit tough for new readers to get through. Yes, Jack Ryder's dialogue is weird and he's a hard character to digest, but to me, that's part of the charm of THE PHANTOM STRANGER. It's a book that's out of place because the character is out of place. Overall, I recommend this issue. THE PHANTOM STRANGER continues to be one of my favorite DC reads.

While I didn't know how to feel about Dematties completely taking over the writing duties on this book, simply because I'm not too familiar with his more recent work, I was extremely happy with how this issue turned out. It actually got a bit better. This is still one of my favorite DC series, and this is a book you want to jump on, especially because the Trinity War is coming up. PHANTOM STRANGER may be a bit different from the rest of the DC books, but that doesn't mean it's not as good, if not better (which it is) than most of its "capes" books.

While it's really not a new reader friendly book, regular readers of THE PHANTOM STRANGER should love this issue. It's an emotionally heavy issue for the Stranger. He has to make a tough decision by the end of the issue which may or may not change the character in the future drastically. Artist Fernando Blanco and writer J.M. Dematteis are doing a phenomenal job on this series. I, for one, can't wait for the Trinity War and to see where Phantom Stranger goes next.

PHANTOM STRANGER #11 is a fantastic tie-in to the Trinity War as well as a great issue on its own. This isn't a must read for Trinity War fans, but this is something you should really pick up. Batman, Phantom Stranger, and some others find themselves in the afterlife, which is a big problem for Phantom Stranger (see previous issues). The story is a ton of fun and Dematteis has made this one of my favorite reads. Do yourself a favor and treat yourself to a large PHANTOM STRANGER #11 covered in hot fudge*.

This is a great start for A TOWN CALLED DRAGON. Aside from the fact that you're getting more than 50 pages of story for the price $3.99, the art is wonderful and the story is fantastic. Do you like dragons? Then you should read this. Even if you're not a fan, Winick does an awesome job at setting this all up. Overall, I really enjoyed this issue and so will you.

A+X #3 was pretty good, surprisingly good, in fact. I like the concept of this book and both stories were a nice read. Overall, I give this issue a recommendation.

What I love about this book is that we get short stories about the world Superman lives in. It harkens back to the Silver Age of comics where a single issue would contain up to four stories featuring that character. The creative teams on these issues are incredible, and they all gave us a Superman story in their own, unique voices. This is a book you'll want to read, even if you don't like Superman.

The last page really had me pumped for the continuation of this book. While the book title leads you to believe it's just about Ultrons and Zombies going at it, the book is much more than that. James Robinson is building a pretty cool story up here and having Steve Pugh and Jim Charalampidis do art on this book gives it a pretty eerie tone, when necessary. I wasn't expecting much, but I got something I really enjoyed. I highly recommend checking this issue out.

ALL-NEW, ALL-DIFFERENT AVENGERS is a solid team book that feels like it has great potential. It's hard to say that this issue really gives the book an identity, but it does stand out from the two other Avengers-team books we've seen so far (I'm considering ULTIMATES an Avengers book). Both artists really fit a nice role for the stories they tell and once again, Waid delivers something pretty fun, even though these two stories don't really build together or play off each other. I highly recommend you check this one out.

This Avengers series works because it's so different than the other Avengers books on the shelves. It's unique and has its own voice. When the story centers around the younger members of the team, it's a wonderful reading experience. The problems come from the story being wrapped up so quickly. It's ok to say that overall, this story isn't finished for good, as Kang(s) is still out there. Regardless, this is still a really fun read and I recommend checking it out.

Yes, everyone in Robbie's life is the worst person imaginable. They're thugs, murderers, potential rapists, and folks you don't want to deal with. However, that's the only part of the issue that was problematic. We're still learning about Robbie and why he is now the Ghost Rider. This issue, while a bit depressing, is still a ton of fun. Moore's and Staples' art really shines here and this is quickly becoming one of my top Marvel series, which is saying a lot since they're putting out quite a few great books. Overall, I highly recommend this issue.

ALL NEW GHOST RIDER is still pretty new, but it really doesn't disappoint. While there is a question to where this book is headed, the writing and art are fantastic. There's a great sense of justice for Robbie Reyes here as the Rider gets his revenge on those than wronged Reyes. Tradd Moore's art truly continues to be the star of this show, and if you have room on your pull list, this is a book you need to add to it.

ALL-NEW GHOST RIDER continues to be an incredibly fun book that has some brilliant art in it. Robbie Reyes is a very compelling character and the only real downside of the issue is that I wish they spent a little more time on Reyes and Morrow rather than going through the Grumpy and scientist story. Overall, though, this is still a top book and continues to impress me. I highly recommend it because it's a wild ride... pun intended.

The first arc wraps up in an action-packed finale that is an incredibly fun read. While there is some frustration with knowing where this series is headed and what's going on with Eli, the overall issue provides some beautifully crafted art and a non-stop action thrill ride. I'm really glad that the new Ghost Rider book took this direction. It feels fresh and so different from previous incarnations. This is a series you should check out.

ASM #10 wasn't as big as a hit as issue #9, it still delivers a ton of fun. Dan Slott loves this character and it shows. Yes, at times, it's a fan service book, but that's not such a bad thing in this case because it's involved in a very interesting story, conceptually. Luckily, it's also executed well too, and the art team is top notch. While this issue left me feeling like something was missing, overall, it's an awesome issue and I'm loving this arc.

This was a great Annual issue. It's a nice one-shot story about the connection of the Red and the Green and how the Rot once tried to take on the world, over 100 years ago. Fantastic writing, as always, by Jeff Lemire, and I really enjoyed the art by Timothy Green II. Animal continues to be one of DC's best books.

I've read a few of the Annual issues that were launched this week, and this was my favorite one. Just like with most annual issues, this really caters to people who have been reading the book the entire year, and while I feel like a new reader could pick this issue up and really enjoy it, those who have gone through Cliff's death, with Buddy will appreciate this on a whole other level. It was great to see Travel Foreman back on the book as well. I love how creepy and unsettling his art can be. Overall, I really loved this issue and so will you.

ANT-MAN ANNUAL #1 was like a breath of fresh air. It was a nice little break from everything going on in SECRET WARS and was a highly entertaining read. This series really has a "little less wacky SUPERIOR FOES" feel to it and it was really cool to see two generations of people who wore the Ant-Man mantle working together. The issue will put a smile on the faces of Ant-Man fans or just comic fans in general. I haven't had this much fun with an Annual issue in a long time. I highly recommend it.

This first issue may not be the best jumping-on point for new readers because the focus is more geared towards Atlantis rather than exploring just who Aquaman is, but it's still a great read. Aquaman fans will find themselves enjoying this book, as it plays better to people who have a prior background knowledge of the character and his world. It's a solid issue, and I recommend picking it up.

AQUAMAN & THE OTHERS #1 is quite a bit of fun, and it really starts to flesh out some characters created in the New 52 that haven't been around. The reason these characters are teamed up does not feel forced and the story Jurgens presents the reader is something that will keep this book going for a while. Overall, this is an impressing start to a new series.

Aquaman Rebirth feels geared more towards newer readers than to those who have been following the series for the past few years. That's fine, as the issue does give insight into where the series is headed. However, Aquaman fans may find a lot of the recapping to be a bit dull. Regardless, the series integrates that classic Atlantian lore and mythos into the book, making it feel more like a fantasy than a superhero comic, which will really set it apart from the other DC titles. It's not a perfect start, but there's a lot of potential here.

ARKHAM MANOR is surprisingly enjoyable. By way of the solicits, the idea did seem a tad silly, but the way Duggan sets everything up here makes this book feel like it's going to be a very fun ride. Obviously, the idea of Batman and "fun" in the same sentence may be a turn-off to most people, but this isn't DEADPOOL or NOVA. This isn't a funny or zany book. There is a lot of emotion here as we see how important Wayne Manor is to Bruce and the lengths he'll go to in order to keep it from becoming a complete mess. If you're a Batman fan, check this one out for sure. If the character is normally a bit too much for you, then this is really a Bat-series for you.

ARKHAM MANOR: ENDGAME isn't a must read for anyone reading BATMAN, but it is a really solid tie-in issue that gives readers a glimpse into the rest of Gotham while Endgame is happening. There are some minor problems in the art department during a few scenes, but it doesn't hinder the overall story. I was really surprised with the fact that a tie-in to an event could stand on its own so well and just be this much fun. Overall, I highly recommend this issue.

Overall, this was a great start to the new series. Keep in mind, there's a decent amount of recap early on, which readers of the last volume will feel is a bit tedious and at times, the book drags, but the rest of the issue and set up for this storyline is fantastic. Spencer, Rosanas, and Boyd continue to deliver a highly underrated title that I highly recommend.

There's a lot to love in the All-New, All-Different Marvel, and this is one of the top books in the new line. It's a comic written for people who love super-heroes but want to get more inside the day-to-day lives of these characters. It also delivers a good amount of humor, without making the book all about the jokes. I highly recommend picking up this series.

ASTONISHING ANT-MAN continues to be a fun and insightful series, giving readers a closer look at what makes Scott Lang tick on his journey towards redemption. The writing and art are top notch and I'm interested to see how this story builds and where its going. I highly recommend picking this series up.

AVENGERS UNDERCOVER is a great book, especially if you're looking for something that's a bit depressing and isn't just good guys battling bad guys. This issue and series deals with a lot more than stopping the Wrecking Crew from robbing a bank. It deals with character who were forced to do some terrible things and how it has affected their lives afterwards. If you didn't like the first issue, chances are you'll not be too enthused with this one as well; however, there's a lot of meat to this book and one you should try out. Overall, I highly recommend this issue.

BAD ASS was a pretty fun read. It really nails the reader over the head with the "Check this out! It's a parody of Deadpool and American comics!" to the point of the reader wanting to pass out, but it's still a very satisfying read. It was a bit more fun than funny, and it was an issue I strangely couldn't put down, even though I had a few problems with it. The color and art are fantastic and while there's something about this book that really bugs me, overall, I really enjoyed it. I recommend trying this issue out for yourself.

BATMAN & ROBIN ETERNAL is another great start to a weekly series. There is a ton of stuff going on here and it just makes you want to read more. Tynion, Daniel, and Snyder set this first issue up in a way where there are clues trickling over every page, as the book sets its hooks in. This is the most impressive opening issue for a Bat-title in years. I highly recommend picking this issue up.

All three issues of this series have been truly awesome. BATMAN & ROBIN ETERNAL has all the makings of a truly memorable weekly series. The story is slowly coming together and what makes this book so great is that it takes all of the fans favorite sidekicks and puts them in the role of Batman, the world's greatest detective. This issue was a bit slower than the previous couple, but it still was a fantastic read and I highly recommend checking it out.

Regardless, BATMAN & ROBIN ETERNAL continues to be an intriguing and worthwhile book. It's a month in and I'm just as engaged with the story as I was with issue one. The team really comes together to help each other out here and finally, all of the "children" of Batman are working together. They've got a great read and I cannot wait for next week's issue.

BATMAN & ROBIN ETERNAL has hit a small bump in the road. This issue wasn't bad but wasn't on par with previous issues. It offers a great fight scene but there's not too much build towards anything else. With a mystery this big, you come to expect things during each issue and while this was a fun book to read, it didn't deliver much in the way of hooking the reader in.

There's a couple huge reveal moments in this issue that really hook the reader in, making for an overall really solid issue of this weekly series. BATMAN & ROBIN ETERNAL continues to be a great week-to-week read for those who are fans of all the Batchildren of Gotham. There's enough mystery and intrigue here to keep readers invested. If you've missed out, this is a series you should check out as this book continues to be worth the investment.

Not every issue of this book is a revelation and it shouldn't be, but issue #14 of BATMAN & ROBIN ETERNAL does give the reader insight into Scarecrow's work and what makes him the character he is. Tynion does a nice job giving the reader a human look at the character and while there isn't anything huge revealed at the end of the issue, which is a nice change, the overall issue was a great read, minus a couple art missteps, and this weekly series continues to be a great read.

BATMAN & ROBIN ETERNAL is still solid and storywise, this is one of the bigger standouts of the series, giving readers more of a glimpse into Jean-Paul Valley. We get a cool fight sequence and there is a bit more about Mother and Scarecrow's past here. This series continues to be impressive and the best weekly series ever put out.

If you're a fan of Clayface, you're going to really enjoy this issue, and if you've always wanted to delve into the mind of Clayface, you're in luck because that's exactly what this issue does. John Layman provides a good issue that lets fans get inside the mind of Clayface, to see what makes him tick. It's great for both new fans and long time readers alike. On the down side, the art was just ok and the cover seemed very rushed. Overall, I recommend this issue.

This is what Before Watchmen should be. JMS is great at building upon Moore's world here and adding more to this iconic character. I loved seeing this issue play out and Daniel grow into the character, even though I felt major moments were cut a bit short. The art, aside from a couple of inking issues, really works well here and is a great mixture of classic and contemporary styles.

There hasn't been another licensed book I've been more excited about, but Powell, Churilla, and Garland nail it here. It's a great follow-up to the film and Powell really nails the voices of these characters extremely well. While there are times where the tone gets a bit too silly, the overall story is pretty awesome and fits well compared to the film. It's a bit of a surprise that this book was enjoyable as it was considering licensed books tend to be not so great. The biggest problem this book will have to overcome is that it isn't as new reader friendly as it should be, but don't let that stop you from picking this up.

Fans of the movie will be fans of this series. It has a great sense of adventure that the film had, and while the sense of danger may be a bit lost, this book is pretty awesome and worth a pick up. This issue really lets the reader know where the series is headed and all-in-all, it's a fun read. Powell proves he has a great grasp of these character's and this world here, which can be hard. Adapting a world from one piece of media to another is a tough job, but Powell nails it.

BIG TROUBLE IN LITTLE CHINA is a hit. It's like if the movie got a Saturday Morning Cartoon that didn't get cancelled after a couple months. It's a series I, as a fan of the original film, really look forward to reading every month. Powell is doing one hell of a job of adding to the legacy of Jack Burton and this is one of the few times in my decades as a reader where the comic lives up to the license. If you're a fan of the movie, and you're not reading this, a pox on your house.

If you enjoyed BOOM!'s last offering, then this will be right up your alley. Heck, if you liked Bill & Ted at all, this is something you should check out. Sure, there's a few problems with a lot of rehashing from the movies and the last volume, but overall, this ends up being a really fun read and the issue has a great hook to keep the reader invested.

The first issue of BILL & TED's MOST TRIUMPHANT RETURN isn't as sensational as the title makes it out to be, but it's still a fantastic venture into this new book. More than anything else, it's great to see these characters back in action, even if the first issue leaves the reader wanting a little bit more in the story department. The book is easily a hit with its target demographic, and it will put smiles on fans faces, just excited to see Bill & Ted travel through time again.

Bill & Ted have a special place in many people's hearts and what's great about this new offering from BOOM! Studios is that is captures the essence of these characters and their world and expands on it but with a bit more cartoony-style, and it actually works incredibly well. The second issue's story is a lot stronger and the reader will make a better connection with the titular characters. If you love the movies, you should really check this book out.

BILL & TED'S MOST TRIUMPHANT RETURN is a solid and fun series for those who loved the movies. It plays extremely well to its fans and manages to capture the tone of the films, which translates exceptionally well to comic books. What makes this issue exceptionally excellent is the fact the hook at the end is leading to bigger and better things, something the first couple of issues didn't really do for readers. This book is on the up and up and if you're looking for a fun read, then check this issue out.

Where is this series going? It's something I keep asking myself, and it's really my only complaint about the book. It feels like we've been treated to a series of stellar one-shots, but not real over-arcing story yet. Hopefully, Edmondson has some bigger things planned down the road (I'm sure he does). BLACK WIDOW truly impresses. It's suspenseful and intriguing, with some brilliant looking art. While many of Marvel's new series are must reads, from me, this one tops the list. I highly recommend this issue.

As someone who vaguely remembers the New Bloods, there weren't a lot of high hopes for this issue. However, BLOODLINES plays well to the reader's sense of nostalgia all while delivering a fun opening issue that revamps this team. It's lot a flat book, completely relying on people who liked this team over 20 years ago to buy it. The biggest downside is that it could have used some extra pages to really deliver the full story in one punch. It's big, bold, and will put a smile on older reader's faces. If you got some extra cash this week, give this book a shot.

It's great to see Booster Gold back in action! There were a few times where the overall issue was a tad confusing, but it's a character travelling across multiple dimensions, so it's bound to be a bit out there. Dan Jurgens needs to be writing and maybe even drawing a Booster Gold on-going, as long as it's as fun as this little adventure was. There's a ton of the FUTURES END books to choose from, but this was one of my favorites.

It's still relatively early, and there's still a lot of world and character building being worked on, but overall, C.O.W.L. is a very solid and entertaining read. Higgins, Siegel, and Reis are providing a very fresh look on how super-heroes can function within the world, and the focus is so much more on the individuals, rather than what the individuals can do. This issue does move a bit slow because there is so much to explain to the reader because it's a different concept, but all-in-all, it's a very intriguing piece and one you'll want to put onto your pull list.

We don't have a new costumed Falcon, but we get the new character's first adventure with Captain America. The issue is solid and a good read, but I'm much more interested to see how this all plays out against a whole bunch of villains in snake outfits. The art team does a great job here, but the main problem I have is the werewolf Cap story. It's not my cup of tea. Regardless, Spencer continues to do a great job on this book. I recommend picking this issue up.

This is a really fun and beautifully drawn book. This is a great creative team-up and a very solid mini-series thus far. I can't wait to see the plan in action fail (well, I hope it does), and Clayton Crain's art is the star of this book. Zeb Wells' writing is great and he has an amazing handle on writing Spider-Man. Overall, I highly recommend this mini-series. It's tons of fun.

I'm loving this mini-series. This issue may feel a tad bogged down with filler and exposition, but over-all it's dynamite. Clayton Crain's art is amazing.... actually, it's super-amazing, and I love that Zeb Wells is giving little pieces of info out about the symbiotes to make them more than a virus, but an actual species or being. Overall, I highly recommend this series.

While it may be sad this series is over, at least it went out on top.

CATACLYSM: ULTIMATE COMICS SPIDER-MAN #1 seems to be a very nice edition to the current Cataclysm story line. While the vast majority of the issue doesn't have much to do with what is actually going on in Cataclysm, it's a really fantastic wrap-up to the last volume of ULTIMATE SPIDER-MAN. Seeing as how the last issue was a bit of a let down, this issue makes up for the recent problems in the main series. The transition between the last volume and this new story line is fantastic. New readers may have a bit of trouble jumping right into this story, but overall, this was a fantastic read.

Every issue and tie in to Cataclysm, so far, has been nothing short of brilliant. This is the event to read for 2013. Bendis does a great job with this issue in particular, and even though it feels a tad like filler, so we can get to the reveal, the ride to that point is a ton of fun. Marquez does some bang-up work here as well. If you've ever enjoyed ULTIMATE SPIDER-MAN, then you need to be reading this.

Cataclysm is firing on all cylinders. It's an event of epic proportions where the tie ins are just as good as the main story, which is normally completely unheard of in comic books. There's a lot to love in this X-Men tie-in. What it does really well is shows the reader what's happening to the team on their terms. They're not being forced into where all the action is happening in the main story. They have their own problems to deal with, and here, it's the Gah Lak Tus swarm. Ultimate fans should really be reading this. Marvel fans, in general, should be reading this. Overall, I highly recommend this issue.

Overall, this is a pretty good issue. I'm really enjoying what's going on here, even though this particular issue didn't move forward too much. The team dynamic is kicked up a notch and they're really work well together here. Fialkov has these guys working like a unit, which is really the first time we've all seen the X-Men get along in over a year. This is probably the weakest of the Cataclysm issues, but it's still easily a fun read. I highly recommend this issue.

CHANGE #1 is a weird read, but an interesting one at that. Sure, it's tough to understand what's going on because the book is a bit all over the place, but I was strangely drawn to it just to see what happens next. I liked Ales Kot's use of caption boxes here as well as his dialogue, and Morgan Jeske's opening pages were beautiful and insanely memorable.It's weird. It's confusing. It's odd. However, I really enjoyed CHANGE. I highly recommend picking this one up and giving it a shot.

The first issue of CONSTANTINE: THE HELLBLAZER is a promising one. It is extremely new reader friendly and brings the adult element back to the character and book. The first issue sets up an interesting story and the art here is pretty fantastic and fitting for the tone Doyle and Tynion are setting here. I cannot wait to see what's next for the character and find out why it's his fault all the ghosts that follow him are dying. I highly recommend checking this first issue out. It's extremely promising and a very solid issue.

CONSTANTINE: THE HELLBLAZER has its own voice and its own feel, apart from a lot of what DC comics is going and that's what makes it such a stand-out book. Readers are really getting to know who this character is and where he comes from and this series feels like its in its own little pocket of DC, without anything else touching it. Essentially, it's a grounded series and that's what makes it great.

Again, for like the third time, this is the best issue to come out of CONVERGECE yet. It may not be a great read for everyone, but this book really captures a specific era in the DCU's lifespan, following one of its characters who wasn't treated exceptionally well. Ellis and Gallaher prove that you can have a tie-in to this event, but still tell a great story.

As far as this goes for a Guy Gardner story, it's awesome. It's a really fun issue, even though it doesn't live up to the first part of this two-part story. Guy's journey is what fans will love and they'll really be rooting for him. The issue does start off in the middle of a fight, which could make readers feel like they missed something and the overall issue does feel rushed because of restraints for this book, but overall, this was a really fun read and if you loved the first issue, you should check this one out at well. It's a fun read for fans, but just an alright book overall.

It truly was great to see at least a few of the members of the JSA back together again, fighting the good fight. Abnett had a great handle on who these characters are and alongside Derenick, Scott, and Kubina, they executed an issue that will bring fans of the team back to a time where the JSA was one awesome team. If you're a fan of the team, you'll want to pick this issue up. If not, I'll give it a mild recommendation, especially if you just want to see a fist fight for a whole issue.

The opening issue of Cryptocracy is a big undertaking, delivering a whole lot of world-building within one issue. However, it feels like a labor of love and the creative team is having a fun time. The key to the first issue is that there's a ton of potential for an amazing series. While the first issue dumps a lot onto the reader, the comedic tone is the driving force which will keep readers coming back. It feels like Van Jensen and Pete Woods are both in their element. The first issue is good, and it feels like it's about to get a whole lot better.

This chapter of Black Vortex, in the long haul, is a mere stepping stone, but the events within it really give some great development to Cyclops as a character as he literally grows into adulthood in this issue. It isn't a must read in the grand scheme of things for Black Vortex. However, it is a must read if you love Cyclops and his series.

What happens when two worlds collide? Well, you have a book that's a bit comedic and a bit seriously, but it works well. This issue is a lot better than the first issue since we finally get to see Ash work his magic in the series. Overall, it's shaping up to be a very interesting story, and I really enjoyed the art. Danger Girl and Army of Darkness fans are going to love the book, and I could see those who aren't as into either of those worlds enjoying the series as well.

DARK KNIGHT III: THE MASTER RACE offers a solid and entertaining read. It didn't blow me away, but it shows an immense amount of promise for greatness. Miller's world opens up even more as Brian Azzarello steps in to work with him and the artistic team is a wonderful fit for the first issue. DKIII doesn't feel like something that's trying to be DKR. It is its own story that pushes this world forward. If you're a Batman fan, then this is something you need to pick up on new comic day.

Image Comics puts out another killer mini-series. Debris will be running 4 issues, and I plan on staying on for the run. I loved the setting and the story here, and the action sequences in this issue are great. I loved the art in this issue, but I did have a small problem with things, artwise, becoming a bit muddled in the beginning of the issue.

Overall, Debris is an imaginative, unique, yet familiar book that will have you smiling the whole way through.Wiebe and Rossmo make a fabulous team on this book and they are awesome at developing this entire world around the main character Maya. This book feels like a really fun RPG for Super-Nintendo, so it feels like home for me.

I kept bounding back and forth on DETECTIVE COMICS: FUTURES END between a 3 and a 4, and while there are problems with the art and with the connection to Futures End, I ultimately really enjoyed the team-up between Riddler and Batman. It's an issue of Batman that ends up being a lot of fun and a solid one-shot story that has connection to the recent annual. It's not a story that changes anything we already don't know about the world, but it is a fun ride.

Annuals are hit or miss, but DETECTIVE COMICS ANNUAL #3 is a big hit. It feels like a great introduction to the on-going series and presents a ton of elements fans are familiar with. TEC ANNUAL gives fans a taste of the main book, while getting deeper into the Gotham criminal underground. Most importantly, to me, Calendar Man makes his mark in an actual comic and not just stuck in the back ads. Overall, this is a really fun issue and great annual.

I really had no intention on picking this one up, but I'm truly glad I did. SEEKERS OF THE WEIRD is a really fun book and a brilliant collaboration between Disney and Marvel. This is a fantastic start to an adventure comic that is very reminiscent of earlier, live-action Disney films. There's a lot of creativity and imagination in this book, and I'm glad it's around. If you feel like having a bit of fun this week, I recommend picking up this first issue.

I was really surprised with this issue. I've read a few of the Classic series books in the past, and either they're bad or just ok. This was overall a great and fun read. If you're a Doctor Who fan, you'll really enjoy these revamped stories from the old Doctor Who magazine. "Tide & Tide" may be the stronger story, but "Follow that TARDIS" was a fund read. Major props to colorist Charlie Kirchoff who did a great job on this issue.

This DOCTOR WHO SPECIAL is a book for Doctor Who fans and no one else. That sounds mean and cruel, and it's not supposed to come off that way, but it's true. Fans of the series will love this 2013 Special. It's really a love letter to the fans and the series. In fact, it's one of the more fun issues of DOCTOR WHO I've read since IDW recently relaunched it. There's not a lot of books coming out this week; however, if you have some extra cash or you're a Doctor Who fan, you really should pick this book up. It's a ton of fun.

This is Titan Comics' first jump into Doctor Who books, and out of the two they released this week, The Tenth Doctor was on overall stronger single issue. Whovians will really enjoy how much this feels like and episode of the series. On the downside, the issue is a bit jumpy and feels like jumping into the middle of the series. However, overall, this is a fantastic start to a new series.

Doctor Who is rolling on strongly. The story is pretty interesting and the art is fantastic. This issue gets way too into the ideas of over-explaining jargon to the point where it's tough to get through. However, overall, this issue and series are building up to be a hit. I'd say give this issue a shot.

The ARMOR HUNTERS SPECIAL is a great offering for those who are interested in the Valiant universe but haven't gotten around to pick up any of their books. You're getting introductions to three different books, one of which is brand new. As for up-to-date Valiant fans, you may be disappointed that you're only getting 5 new pages of story and a few art pages, but overall, this book is good for Valiant fans and great for new readers. It's a great lead in to ARMOR HUNTERS.

FANTASTIC FOUR ANNUAL offers an awesome complimentary story to the main volume. It's full of tons of extremely well-executed dialogue and the story has a great pace to it. I had a bit of a problem with how Valeria spoke, but a lot of that may come from my own ignorance of the character. Regardless, it still was problematic for me in this reading experience. Aside from that minor issue, I really enjoyed this issue and almost everything about it. I highly recommend checking this one out if you've been enjoying the main series

FIGMENT is a delightful romp through the world of imagination that will please audiences both young and old. You may not know the character, but that really doesn't matter, since Writer Jim Zub gives you a very solid opening issue and introduction to these characters and the adventure they're all about to take. The art here is also fantastic as well. While there's a few very minor problems with the issue, dealing with medium shots and who the book is intended for. Overall, this is an incredibly fun ride and I highly recommend it.

Flash #6 is a really solid issue that opens the door for the rest of the arc. While the last issue had many readers with their jaws hitting the floor in shock, this issue moves forward rather than lingering on that moment. A few things are wrapped up nicely, but it may feel like the Wally West portion of the issue is a bit forced. Regardless, this is a solid issue building towards what could be a great next issue.

Flash #6 is a really solid issue that opens the door for the rest of the arc. While the last issue had many readers with their jaws hitting the floor in shock, this issue moves forward rather than lingering on that moment. A few things are wrapped up nicely, but it may feel like the Wally West portion of the issue is a bit forced. Regardless, this is a solid issue building towards what could be a great next issue.

If you've been reading these Rebirth titles, then you probably know the name of the game by now. It's all about getting new readers and creating books that anyone could pick off the street and enjoy. That's the same thing with The Flash. Yes, longtime readers may find this issue a tad boring, but this issue is much better at giving longtime readers something to enjoy than some of the other titles. It doesn't give too much away for the upcoming series, which is both good and bad, so what we're left with is a solid issue that stands on its own.

Although it didn't pack the same punch as the first issue, Flashpoint: Batman - Knight of Vengeance #2 is an extremely awesome book. There's a lot of set-up for the finale, but it is page turner. The writing and art in this issue are solid and these two guys make a great team. Sadly, if you're not reading Flashpoint, you will be completely lost. In fact, if you missed out on the first issue of this, you'll still be a bit lost. I recommend this issue highly, and recommend everyone pick up the first issue of this, even if you're not reading Flashpoint.

Do you like awesome tie-ins? I hope so because as you may have guessed, this is awesome. It's a lot of set-up for the last issue, and it moves incredibly fast, but it's a fun read, and if you're a Rogues fan, then you'll love the issue. You don't have to read this issue to understand elements of the main Flashpoint book, but don't let that stop you from reading it. I highly recommend this issue.

This wasmy favorite, overall, of all the tie ins for Flashpoint. This book had so manygreat things happening for it, but for me, what made it amazing was that theartist/writer has a genuine love for these characters and it shows in the book.Sure, he kills many of them off, but it doesn't feel malicious. It's the pointof the story. I'd love to see more of the history of this character and theFlashpoint Rogues in a mini-series down the line, but in the form of a prequel,obviously. There's a lot more story that could be told here and I couldn'timagine anyone but Scott Kolins doing it. I highly recommend this issue.

As I said earlier, it's not the best of the Flashpoint tie-ins, but it is for sure the most fun. How could you not love pirates with super-powers? Well, modern-day pirates, none of that Pirates of the Caribbean garbage. Not only that, it's super-violent. At least that's a plus for me. This isn't a must have Flashpoint tie-in, unless you hate fun. I don't know how much more clear I could make it. Did I mention Warlord yet?

Romance is alive with FRESH ROMANCE. While I was pretty excited about this new book when the Kickstarter launched, the actual book lives up to the hype and will be a delight for those interested in this genre of comic storytelling. The first issue contains a plethora of incredibly talented creative folks from the industry and while the first story didn't grab me as much as the rest of the book, overall, this first issue is a smashing success.

This was a really fun issue and annual. I loved the story and I thought it was paced out very well. It was cool to see the story revolve around a member of the Crimson Guard. This book and story is everything I loved about the cartoon I watched when I was a kid. I enjoyed the fact that the writer of the original Marvel series is the writer of this book as well. I didn't like the fact that Zartan spends a bunch of time holding people hostage in automobiles and the inking on this issue was rough at times. Overall, I recommend this book. It's tons of fun, full of action, and has a great sense of humor.

My first dive into this series was worth it, and it had a great pay off in the end. I loved the set-up in this issue for the new story. It flows incredibly well and it's very interesting. Antonio Fuso's art really stands out here, especially the opening with Ronin kicking all sorts of butt. Great opening scene. I loved the new benefactor for this team, and I think it's going to play out extremely well.

What a fun issue! I was a bit cautious about this series, but after reading it, I found myself loving it. Erik Burnham does a fabulous job with writing a fun issue, and he really captures the character's voices well. I loved the art style and loved that last page reveal. The only downside I had with this issue was that this was not a good jump-on point and it took a little while for me to fully understand what was going on. Otherwise, I recommend this issue!

I'm officially hooked on IDW's Ghostbusters on-going series. It has a great creative team on it, and I especially like the art style. In this issue, Venkman playing psychiatrist with a ghost that's taken over his body was pretty cool and incredibly entertaining. The overall story arc was a lot of fun, and this issue wraps up nicely. The only real problem I have is that this isn't too new reader friendly, since it's the last issue of a storyline, but I still think that new readers could jump in here to get a good feel for the book. Overall, I highly recommend this issue and this series.

Out of all the Godzilla books, this one is my favorite. It's a straight forward book and story, and Godzilla: Kingdom of Monsters is one giant barrel of fun. Things get smashed, buildings fall down, and everyone freaks out. New writer, Jason Ciaramella, jumps on this issue and it's a easy transition to adjust to. The story balances action and drama very well as well. This is a book I personally love reading every month because it's simple but fun.

This was a fantastic Annual issue, and I love the fact it's not a stand-alone issue and that it ties into a bigger story arc. This really is the issue we've been waiting for as the Guardians and the Green Lanterns go head-to-head. The battle is fun and fulfilling, and the page layouts for the actual battle were pure eye candy. Lastly, the lead up to the next story arc is pretty darn good and it got me very excited to see where this series is going and how it will end.. On the down side, I wasn't a big fan of the Manhunter redesigns, and I would have liked to see more from the Red Lanterns.Overall, I highly recommend this issue.

I really enjoyed this story as a whole. It's not part of a giant event, and it has that great Silver Age feel to it. Seeing Batman and Guy working together was really cool and we got to see how great Guy's power truly can be. On the downside, we get no closure to the team or the book as a whole and you feel a bit in the dark as the book ends. I do recommend this issue to anyone because frankly, it's the only issue in the entire run of any of the three Green Lantern books where you don't need any background info. It's a fun, self-contained story.

Another 5/5 DC book in one week? Yep. I loved everything about this book, and even though I was a bit confused on when the Kyle joining the Corps took place because I wasn't sure if they rebooted that or not, everything else in this book was wonderful. It's a great intro to Kyle for new readers, and the other Corps, even though I think brand new DC readers may have trouble understanding the different Corps at first. Kirkham's art is all poster worthy, and Ruffino's colors on the constructs are wonderful. I highly recommend this book.

Overall, I enjoyed the issue, but it was no where near as good as issue one. I'm loving the Kyle Rayner story as Ultimate Ring-barer, and I want to know how his powers will change. I'm glad that some of these B-List and C-List space characters have a place to call their home, and I loved the art on the splash pages. What I didn't like was the Ultimate Ring-barer costume Kyle wears at the end of the issue, and how every page just seemed dedicated to showing off how cool a character in the book was. Lastly, this issue completely changes the character of a Green Lantern staple, and it was a bummer for me. I recommend the series and issue though.

You have four Lantern books to choose from: GREEN LANTERN, GREEN LANTERN CORPS, NEW GUARDIANS, and RED LANTERNS. If you can only pick two of them, you should read GREEN LANTERN and NEW GUARDIANS, even if you're not a huge Kyle Rayner fan. This book is jam packed with everything a lantern corps fan could want. There's a few really cool plots revealed in this issue, the Blue Lantern Corps' powers have been changed, so they're a bit more useful, and so have the rest of the other corps powers. The only bad part of the book, which is just more confusing than anything is that I don't know when this takes place compared to the RED LANTERNS book. Overall, this is my second favorite of the Lantern books, and I highly recommend it.

I'm still loving this series, and it is my favorite of all the Lantern books. It has a stellar art team, and the splash pages are beautiful. I loved the fight scenes in this issue, especially when they involved Arkillo. Invictus is a cool character, but I had a problem with him on my first read through because I felt he was like every other bad guy the Corps have faced before. Overall, I really like the series and this issue. I recommend it.

Green Lantern: New Guardians does what many books fail to do well, take over another writer's mythos and work with it perfectly while continuing to build onto it. Bedard and Kirkham are a great team and I love what they're doing with this book. There's the start to a great story line as the Reach and the Blue Lantern Corps go at it here and I love how powerful the Reach truly are. This is the start to a great cross-over.

I have a lot of love for this book because it's incredibly fun and builds well upon a greatly developed universe. I love how Sayd is portrayed in this issue and the explanation for her losing it. Levitucus finally grew on me as a character and the conclusion of that part of the story was really satisfying. I loved the action sequences and writing here, and the art is top notch.

GREEN LANTERN: NEW GUARDIANS #35 is a huge hit. It's a great issue for readers to jump in on, but the issue doesn't spend the whole time catching said new readers up. It adds a lot of the overall story and most importantly, it's a really fun read. Jordan provides us with a story that adds a lot to the arc and gives the reader new insight into the New Gods, who aren't really the villains here, that we know of. If you've been enjoying Godhead, this is a must read, even if you've missed out on GLNG.

GREEN LANTERN: NEW GUARDIANS#37 is a solid issue for Godhead but feels a tad like there's too many cooks in the kitchen. There's a pretty obvious line in the sand between the things Justin Jordan wanted to put into the book and the things he had to put into the book to move along the story. What we're left with is a decent issue that is by no means the worst part of this event, but a pretty middle of the road issue that serves the purpose of connecting a group of lanterns with each other. I'd still give this a mild recommendation because it is a lot of fun to read, but just a bit weaker than other Godhead issues.

Where this book started and where it is at now are two insanely different things. GREEN LANTERN NEW GUARDIANS is an evolving book, which is something extremely cool about this series. However, this issue leaves the reader wanting something a bit more. The way it's set up is that we're going to have a one and done battle with a familiar face. The writing is good, the art is great, but the story is a bit disappointing. While this story has the potential to take some incredibly interesting turns, which Justin Jordan is easily capable of, this first issue falls relatively flat. If you loved Kyle's part in Godhead, then pick this one up for sure. There's some nice resolution here, but if you've fallen off the book, this won't rekindle your love for the series.

Green Lanterns #1 is a very solid opening offering. The issue gives readers a good idea of what's coming down the pipeline, without distracting the reader from the action on the page. The issue is geared more towards longtime readers, which is great, since so many other books are gearing more towards newer readers. The only real problem is that it feels like it gets into the story a bit too quickly. There is some character development, but it might have been nice for things to have a bit slower pace. Regardless, this is a solid opening issue.

GUARDING THE GLOBE 4 is a ton of fun and a perfect book for INVINCIBLE fans looks for something a little extra on the side. This is a great wrap up issue that leads on to something much bigger. The issue has quite a few big reveals in it, so it will keep you on your toes. Writer Phil Hester does a great job from start to finish here. Todd Nauck and John Rauch's art is great on this issue as well. While I felt a bit lost as a new reader, scenes like the one featuring Outrun and Best Tiger really made me feel comfortable while reading this issue.Overall, I highly recommend this issue. It was tons of fun and a book I plan on continuing reading.

Overall, the first official issue of this series is a solid start. The Lantern books haven't been on the same page for quite some time, so it's nice to see Venditti and company bring everything back together. There is easily enough of a hook here to keep readers coming back, and it's leading to some interesting places. Plus, the Green Lantern Corps is finally back. Everything feels right again.

Pilot Season: Hardcore is a fantastic issue, and one I'd like to see continue. It has a great concept and storyline, and I loved the idea of having an assassin's mind to into the body of someone else. Brian Stelfreeze's art is great here, and this book was filled with a lot of fun and fast paced action sequences.

HINTERKIND delivers a fantastic opening issue to a new series. If you're a fan of stories set in a dystopian future where humans are struggling to survive, but the rest of the world is doing fine, then this is the book for you. If you really enjoy creatures and monsters from lore and myth and always wondered how they'd interact if they really existed, then again, this book is for you. Edginton and Trifogli deliver a Vertigo book that fits into the Vertigo imprint. It has elements of storytelling we've all grown up with but put into a more adult context. If you're looking for something new and interesting to read this week, then HINTERKIND is your book. Overall, I highly recommend this issue.

Is it weird to say that the interview alone is worth the $3.99 price tag? This issue is a great wrap-up to an amazing 5 year run on Incredible Hulk. The storyline itself was just ok for me, but the ending is what really made this a great issue. The elements Pak has created over the years are still in play. No "reset" button was hit so a new writer could have their way with the Hulk-iverse, but enough was wrapped-up where the reader doesn't have lingering questions. I highly recommend this issue.

Point blank, you should be reading this. This is currently the best that Marvel has to offer. It's a great book with a great story with a bit of role reversal. Hulk doesn't come off as the villain in this one, but Banner does. That being said, the mild "insanity factor" that Banner has in this series has been really cool. Also, Silvestri's art is reason enough to pick this series up. The only problem I had with this book was that there wasn't a great balance of action and story. It was way too action heavy. Do yourself a favor and pick this book up. I highly recommend it.

So close to a five for me. I love Jason Aaron's take on this character and the direction this book is going. It stands out on its own and is not in the shadow of Greg Pak's run. Banner works so well as the antagonist in this book, and I love the ending of this issue, which I will not spoil here. Although Silvestri is not the artist on this issue, Whilce Portacio takes over and does a heck of a job. On the bad side of things, there were a few panels where I hated the art, mainly on facial expressions. They were distorted and ugly. Lastly, I have no clue why Amanda Von Doom is in this issue. She just doesn't help progress or do anything within the story. Overall, again, this is my favorite ongoing Marvel book, and I can't recommend this book enough.

While I am really not digging the art on this issue, I can look past it because I love this series. Jason Aaron has completely stepped out of the shadow of Greg Pak's run and made Incredible Hulk his own, unique book. I love the mixture of ideas from other works into this story, and I really enjoyed the origin between the Banner/Hulk split. You really should be reading this series. This story just keeps getting better and better. I highly recommend this issue.

I'm still loving this series. It's a fresh story to an age old character and this issue leaves the reader on a cliffhanger. I loved the description of the tech Banner was using, and the fact that Hulk really isn't the bad guy here since he's saved Banner numerous times. I loved the transition between past and present in this issue, but I still have a problem with the art because to me it's a bit inconsistent in the faces. Overall, I highly recommend this series and this issue. You will not be disappointed.

It's a right down the middle issue. I was a little bummed with a few things, but I was surprised by a few others. I enjoyed the reverse side of the Banner/Hulk world here as we only see the world through the eyes of the Hulk as he tries to figure out what crazy old Banner has been up to.

So far, this is my third favorite of the Infestation 2 tie-ins, behind TMNT and G.I. Joe. Although it may be quick, this book does a great job at combining these two different worlds in a creative way. I've always been a fan of 30 Days of Night and I've been enjoying Infestation 2 immensely.

As for the Infestation 2 tie-ins, this is my second favorite behind Teenage Mutant Ninja Turtles. While the story is starting to feel formulaic, like the rest of the tie-ins, I really enjoyed it, and I liked the idea of the creatures infecting the Vipers. I really enjoyed the art on this issue, and the conclusion to this issue was by far the best part of it because it was just full of some awesome action scenes. Overall, I'd recommend not just to G.I. Joe fans or Infestation fans, but to anyone looking to branch out a bit more. G.I. Joe H.P. Lovecraft = A really cool book. That's some solid math for you.

I've always loved the idea of all the IDW books crossing over, but I wasn't too keen on the first Infestation series because I'm annoyed with zombies being tossed into everything. So far, I really like the second volume of Infestation, and even moreso, I really like the Transformers tie-in. I thought HP Lovecraft and Transformers is a bold, unique, and incredibly unconventional combination that works very well on the page. It is a great read, and I found myself loving the art over everything else. The only real down side was that there was too much explanatory dialogue for my liking, which included character mumbling to themselves... underwater. I truly enjoyed this book and would recommend it, but try to get a copy of Infestation 2 number 1 before diving in.

INJECTION is easily one of the weirder books I've read this year. At first, I couldn't make heads or tails of it, but as I digested the contents of the piece, I began to start to see what makes this issue something readers should throw on their pull list. Seeing Ellis, Shalvey, and Bellaire working together again is a breath of fresh air and while this first issue didn't blow me away, it's something I am really want to continue reading, and that's what matters. This is some of Shalvey and Bellaire's best work to date, so while INJECTION may not be a book that appeals to everyone, I highly recommend checking this first issue out and sticking with it to see how it plays out.

The series is off to a promising start and while it's a bit slower-paced and it feels like the book is holding too much information back from the reader, overall, it's a really fun read and a series I'm fully invested in already. Marquez and Ponsor do some phenomenal work on the book as well. This is a solid, fun issue and I highly recommend it.

IRON FIST: THE LIVING WEAPON is a bit different than the other Marvel books on the shelf, which many have taken a more light-hearted and fun approach to story telling. This book is dark and sad, without over-doing it. Danny Rand's past is explored and he has a lot of demons in his past which still haunt him to this day. This is an Iron Fist for a new generation of Marvel readers and Andrews is doing a fine job at putting together a first story arc which isn't just strong. It's also shaping who Danny Rand is now in the Marvel Universe. Overall, I highly recommend this issue.

IRON PATRIOT #1 does a fine job of establishing this character and world he lives in. It also gives readers a fine look into the direction this book is heading. Kot focuses more on the Rhodes family and Rhodes connecting more to his home country. Brown's artwork isn't exactly traditional, but for the most part, it really works well in this issue, along with Charalamidis' colors, except with straight-on close-ups of Rhodes, which look a tad awkward. All-in-all, this is a promising start to a new series, and while it won't blow readers away, it will easily keep them invested in the character and the future issues of the series. Overall, I recommend this issue.

Kot, Brown, and Chralampidis provide readers with a book that's one-part family, one-part fighting the system, and one-part eye candy. This book is surprisingly good, considering it features a character that has had a few struggles in the past with his own on-going. This may not be the best jumping-on point, but this is still a series that is worthy of being on fans' pull-lists. Overall, I highly recommend this issue.

JSA LIBERTY FILES: THE WHISTLING SKULL 1 is a very cool book. It has this very unique sense of style in the art and in the story. Harris' art is something that will keep you coming back for more, as well as some of these characters. The downside to this issue is that you may have to give it a couple read throughs to fully capture this story, since it is a first issue and there's a lot being thrown at you right away.Overall, I loved this issue and I highly recommend it.JSA Libery Files: The Whistling Skull gets 4 Whistling Skulls out of 5

I feel that by the time this Whistling Skull section of this comic is finished, and I can sit down and read it all in one sitting, it will be a no brainer 5/5 for me. As this stands as a single issue, I have a few small problems with the story and it's a bit jumpy for me. However, this is a fantastic issue, and a big departure from the other DC books on the shelves. It's brilliant in so many ways. If we could give half stars away, it would be a 4.5/5.Moore and Harris make a wonderful team, and overall, I highly recommend picking up this issue, as well as the first one.

The first issue of Jeff Steinberg: Champion of Earth is an entertaining read. While it does pull from a lot of familiar elements, overall, this book speaks to an older comic reader in ways most series don't. It's an issue that shows a couple of creators having fun and including the reader in said fun.

Trinity War has been a very satisfying event, thus far, and JUSTICE LEAGUE OF AMERICA #7 delivers a fantastic part to this overall story. Writers Geoff Johns and Jeff Lemire continue to present the reader an interesting and compelling read. While there were a ton of inkers and colors on this book, there was only one problematic page because of it and Doug Mahnke's art was overall very solid work. If you've been enjoying Trinity War so far, you'll really enjoy this issue as well.

DARKSEID WAR: BATMAN was interesting, to say the least. It really delves into the mind of Bruce Wayne and what he'd do with absolute knowledge. There are some moments that are a little bit of a head scratcher and un-Batman-like, but it's hard to make a final judgement on that because we don't know what the Mobius Chair does to the people sitting in it. Overall, this is a nice addition to one of the best Justice League stories in years.

The Darkseid War Special was fun and gave a lot more depth to both Jessica Cruz and Grail. You don't have to read this if you're following the main storyline, but it's highly recommended, as it fleshes out Grail and Cruz as characters, while building a little bit on the plot. The art is great but Sinclair's colorwork is the shining star here. If you've been loving Darkseid War, check this issue out.

Whether you're into KISS, trying to get your kid into KISS, or you're bored, KISS KIDS is an incredibly fun read for all ages. The creative team on this book is fantastic, and while it's a bit jarring that these stories are only one to two pages long, in the end it's a very strong all ages book. However, you don't have to be a KISS fan to appreciate this title. If you're looking for a fun read, then this is the book for you.

KLAUS is an intriguing concept that delivers a fun story, with some darker undertones. Grant Morrison and Dan Mora provide an entertaining and thrilling issue that continues to build the mythos of Klaus. BOOM! Studios has something awesome here that is great to read for the holiday season.

LI'L VAMPI is a ton of fun. Sure, there's some folks out there who don't like the "li'l-cizing" of their favorite characters, but those folks just don't know how to have a good time. Dynamite has something special here, and this is something I'd love to see as a mini-series or on-going, as long as Agnes Garbowski is attached. Pick this up for yourself of you kid, they'll have a ton of fun with it. Overall, I highly recommend this issue.

LOKI: AGENT OF ASGARD isn't without its faults. Sure, the story may feel a tad forced and just a way for the hyper-popular Loki to get his own book, but I found myself really loving what is going on, and I'm normally not a fan of anything Asgard. This was an incredibly fun read, and while it be pretty easy to toss this book a 4/5, I can't remember the last time a creative team made me enjoy a character I normally couldn't care less about. Ewing and Garbett deliver a very new reader friendly book with an ending that will have readers very excited. It's easy to get hooked on this book, if you're new. Overall, I'd recommend this issue.

While the last issue was a 5/5 for me, this one gets a 4, even though I liked it more than the first issue. The problem is that the tone feels so different from that first issue and readers are missing out on what the last issue left us with. However, if this series keeps in tone with this issue, Ewing has a dynamite series on his hands. Try this book out. It's a lot of fun and has an extremely interesting concept.

LOKI: AGENT OF ASGARD #3 isn't a bad issue by any means, but it's a bit of a lull in the series. Those who picked up this issue, who aren't well-versed in everything Asgard may feel a bit lost in the shuffle, and Loki's history being rewritten is a bit tough to swallow. However, the overall series shows a ton of promise, so while this issue wasn't one of my favorite reads because I'm one of those people that isn't a huge Asgardian fan, this is still an incredibly intriguing book and one to keep on your pull list.

MAGNUS: ROBOT FIGHTER #1 is a great start to a new series that is a ton of fun to read. Van Lente does a phenomenal job at setting this book up and readers will really love how this issue, as a whole, plays out. Obviously, Magnus is fighting some robots here, which many people will be looking out for, but what's most important is that this is a great start to a brand new series. Overall, I highly recommend this issue.

Mars Attacks is a fun book. That's the best way to describe it. While I truly enjoyed this front to back and had a dumb grin while reading it, Mars Attacks simply entertains the reader. I loved the tongue-and-cheek feel to this book and I really enjoyed the narration. This issue is a great set-up for future issues and I loved how this book revolves around one of the Martians and not a human.

MASKS 1 is a great start and what's even better is that anyone can pick this up and read it. You don't need to be reading GREEN HORNET, THE SHADOW, ZORRO, or THE SPIDER to fully appreciate these characters and this story. I really like the collaboration between Roberson and Ross here. I think they're a perfect fit for this world and story. It was great to see Alex Ross work on interiors again, and I loved his design of the Agents. However, I felt like the team coming together was a tad forced, especially when The Spider popped in.Overall, this issue was brilliant and I highly recommend it.

There's always a little worrying when a beloved property gets picked up to become a comic book series; however, Power Rangers is off to a tremendous start. Aside from providing an interesting and very cool story, the issue is fun, and I want more now. This is obviously a labor of love for Kyle Higgins, and it shows. The only problem comes from the artist side of things, where the outlining style gets a little weird at times, but aside from that, I highly recommend checking this series out. A quick note: Kimberly never says "Oh no, Puttys!" It's a bummer but forgivable, since this issue was awesome.

Out of ALL the recent on-going titles relaunched at Marvel, including today's release of Punisher, this is by far the best of the litter. It has one of the best art and writing teams at Marvel, it delves into the life of a not so popular Marvel character but takes him to a whole new level, and frankly, the book is a lot of fun. '

I've said this is my current favorite on-going book at Marvel, right? If not, I'm saying it now. I love this book. Bendis and Maleev are the only creative team ever to work on a Moon Knight book where I thought to myself, "I couldn't ask for anything more." I love Maleev's consistent and solid art work on this issue. The introduction of the real Captain America, Spider-Man, and Wolverine lead to a really cool one-page reaction from Marc Spector. There's not much Moon Knight in this issue, and the book feels a tad unbalanced because it focuses mostly on Maya and Marc's relationship, but other than that, it's a great read. I highly recommend this issue.

Moon Knight is a weird book, but it's a wonderfully nice break from the current Civil War II storyline happening throughout the majority of Marvel's monthly books. It's different. It tells its own story without being roped into whatever else is going on. It's has a unique voice as a comic that tells a story in ways we've never seen before at Marvel. It's not perfect, but it's one of the coolest series of 2016, right up there with Tom King's Vision. Lemire and companies take on Marc Spector isn't traditional, but don't let that scare you away from this fantastic book.

A great first issue. I loved Paul Grist's art in this book because it was so stylized, and Bill Crabtree's colors (colours). I also really liked that it takes place somewhere other than America because a change of scenery can be very nice. It's a fun and familiar story you will enjoy; however, it may feel a bit redundant because we've all read so many super-hero stories before. I recommend this book though. You'll have a good time.

Here's the weird part. I would have never, in a million years, read this book if I wasn't assigned to review it; however, I'm really happy I did. I've never been a hater of the Brony movement or the show in general. It's just something that never appealed to me. I feel weird saying this, but this comic appeals to me. It's fun, zany, and it put a big, dumb smile on my face. I could sit back in my chair, give it a read through, and have a good time, and that's what reading comics should be about.I don't know how I feel about recommending this to the masses, but heck, if an old, cynical, heartless jerk like myself can find enjoyment in the wonderfully-drawn book, then everyone else should be able to as well, right?Overall, I learned that friendship is magic, and I highly recommend this issue.

The debut to NAMELESS is a bit out there and some of its concepts are a tough swallow at times, but it's a solid start to a series. There's a lot to love about this book and the first issue is intriguing. However, it almost feels like the reader is jumping into the middle of an arc of another book and things could be explained a bit better. This is obviously something that will read a lot better in trade. However, it's a solid issue to read and reread again and the visuals in this issue are stunning and memorable.

OLD MAN LOGAN was a solid start to the series. I'm glad we get to see Logan in the MU during that 8 month "blank" period. It will be nice to see how his story plays out. Lemire, Sorrentino, and Maiolo really do a fine job in this opening issue and if you enjoyed the original Millar and McNiven story, you'll really like this book.

There were a lot of doubts about this book, as Marvel seems to be jumping from event to event; however, this #0 issue is extremely interesting and a ton of fun. Waid gives this book a ton of heart, with an underlying depressing story about a boy trying to find his father. As far as the creative team goes, there's a lot of big talent on this book, coming together to make a fantastic introductory issue. Overall, I highly recommend this issue.

ORIGINAL SIN #6 isn't a bad read at all, and overall, the event has been pretty good. However, this past issue felt like 16 pages of recap and 4 pages of progression. So much of this issue relies heavily on characters telling each other what they already know, the story thus far of ORIGINAL SIN, and while it's all done very well, it's incredibly frustrating to not have this book more forward, especially after last issue's story which revealed a ton of stuff about Nick Fury. Keep reading this event though. It really is a ton of fun and this "ok" issue is not a reflection of the entire event.

There's a great sense of adventure in PLANET HULK that we don't get to see in a lot of comics, which hearken back to adventure films of the past. There's a lot to love about this issue, including the gorgeous art and the fact this story really stands on its own merits and doesn't rely heavily on what's going on in the main SECRET WARS book. The only downside is that there isn't too much going on in the issue. I have a feeling it's something that will read much better in trade rather than as a stand alone. Overall, I highly recommend this issue.

PLANET HULK continues to be incredibly fun, which is exactly what readers want to see in a big summer event which can get a bit too serious for some people. Humphries delivers a cool adventure story accompanied by some awesome art from Laming and Boyd. It's a great re-imagining of these characters and the ending will leaving you wanting more.

Poison Ivy isn't one of those characters I'm "gaga" over nor am I a fanboy in any way, but this opening offering of POISON IVY: CIRCLE OF LIFE AND DEATH was a tremendously wonderful start. Chu, Mann, Mann, and Arreola are redefining Ivy, which seems to be a bit more caught up in the wacky adventures of Harley Quinn, even though Ivy is a great character on her own. We get to see a lot of depth here as well as an intriguing story. I was truly surprised with how much I enjoyed this.

Once again, here's the first episode of the show to wet your whistle.

This was a fantastic issue and a great start to this event. What I liked most about this issue is that it's easily accessible to new readers and writer Ron Marz does a great job explaining the world and characters to new readers. The art team on this book is wonderful. There's a lot of great detail and the colors really pop off the page. This is one solid cross over so far.

This book has been awesome so far, and it's cool to see these characters, from different books, interacting each other in a singular story. This book is the perfect example of how a crossover book doesn't have to be just for dedicated fans. Anyone can pick up, read, and enjoy Prophecy. Walter Geovani keeps each page fresh with his art by mixing up the composition and layouts, and on top of that, the art looks pretty and sets a great tone. The only problem I had with the issue is that the faces could get a little blurry in medium shots, but it was a big deal.

I loved this book. I may have never read a Prophet book before, but I feel like I didn't need to. This is the coolest science-fiction comic I've read in a long time, and I loved the story and the design of the book. I was confused about why this series starts on issue 21 and not #1, and the colors of the book sometimes became muddled and it was hard to know what I was looking at. I highly recommend this story.