James Ferguson Comic Reviews

'68: Rule of War provides a continued look at the alternate history of the Vietnam War filled with zombies.  As with previous volumes, the creators include some facts about the elements they pulled into the story, so you get the historical significance to the plot.  It's not like they just made this all up.  Now what do we have to do to get this taught in schools?  It would probably help kids pay a bit more attention to this event in class, no?

We've heard the story of 30 Days of Night before, but not like this. This series is a reboot and writer Steve Niles is taking it in new directions that show how to do a proper retelling. Hollywood should be paying attention. The end result is an unpredictable series that is as surprising as it is terrifying.

30 Days of Night was already a quintessential vampire comic. This remake reinforces that standing and provides a new look at the now classic tale. The ending is a bit abrupt, but there's more than enough to enjoy here with some incredible visuals that any horror fan will enjoy.

30 Monsters or Less has an incredible premise and there's definitely a good story in here. It just doesn't stick the landing. For example, the opening pages show the initial monster invasion, which is then followed up with a huge block of text giving you a history lesson as to what is going on and what you're about to read. That kind of stuff should be weaved into the plot and dialogue to give you an idea of what's going on while also moving the story along. The whole thing also raises the question as to how much a pizza costs if this is what someone has to go through to get it to you.

7 Days of Death gets you comfortable in a setting before pulling the rug out from under you.  It does so in such a satisfying way that makes for a really interesting story and one I can't wait to explore further.  It presents a very real feeling as a man is given the chance to be with his wife, who he thought was gone forever.  Who wouldn't move heaven and earth for a chance at reuniting with a lost loved one?  In Robert's case, he'll have to fight monsters and demons, but he's proven more than capable of doing so in spectacular fashion.

Fearscape is one of the most unique and riveting comics to hit stands in recent memory, so it's no surprise that its follow up, A Dark Interlude, is continuing that trend. This book stretches the boundaries of storytelling in the comic book medium. More importantly, it conveys real emotion and outright hatred because Henry Henry is a vile human being.

A Frozen World can be purchased directly from the creator via the official website.

A Walk Through Hell scratches my favorite horror itch. The idea that you can't trust what you see or that reality itself is altered in some way is horrifying and more than a little maddening. This is a comic that will most definitely get under your skin in the best way. It's going to stay with you for some time and I can't wait to see what happens next.

A Walk Through Hell is like the horrifying cousin of Law & Order. Agents Shaw and McGregor crossed a line, but do they deserve to be put through this maddening gauntlet? Will they make it out alive? If they do, will they still have their sanity? These are the questions that make this book a gripping read.

A Walk Through Hell grabs you from the jump and never lets go. It's possibly the most unpredictable comic on the stands today. The scares come not from monsters or blood and gore, but with a slow build in tension that will have you looking over your shoulder as you flip through the book.

This segment works so well because of the build up we've had up until this point. This is the equivalent of a thousand jump scares. You can cut the tension in A Walk Through Hell with a knife. It's this white-knuckled ride where you just know something horrible is waiting for you around every corner, but you have to keep going. Curiosity is pushing you forward, even if that means certain death. That is such a great feeling for a horror comic.

A Walk Through Hell is a terrifying and unpredictable comic. Anything can and will happen as these two agents descend into madness. It delivers some of my favorite horror that really gets into your head. Yes, it has an occasional jump scare or creepy image, but the real terror comes from the elements of the story from the real world, showing the horrible things everyday people are capable of.

Abbott hooked me with a great premise. It's about a journalist investigating supernatural crimes that may be tied to the disappearance or death of her husband. It delivers on that and more with a gripping narrative and incredible artwork. If you want a new Foxy Brown where she deals with monsters and demons, this is the comic for you.

Writer Saladin Ahmed has created an intriguing and powerful character in Elena Abbott. You can't help but get wrapped up in her life and her pursuit for the truth. This puts her in danger and she's not going to back down any time soon. We get a ton of information in this issue about this case and it's done in an organic way that never feels like an exposition dump. Abbott is a solid detective story mixed with just the right amount of supernatural terror.

The monsters hit the page like they just ripped through a dimension into our world.  Jason Wordie's colors create this eerie mist around them, taking the form of misshapen demons, as if they were followed by death itself.  Abbott feels like it has a lot of ground to make up in a very short amount of time.  This is the penultimate issue, so hopefully things get tied up nicely by the end.  Since Elena has some personal experience dealing with the supernatural, I expected her to be more attuned to this kind of story, handling it more like classics of the genre like John Constantine, Cal McDonald, or Mr. Rhee.

Abbott left me with more questions than answers. While it is a visual masterpiece, the story falls short. Elena is certainly an interesting character and there's a lot that can be done with her. I'd welcome further issues to explore her world and properly flesh out her destiny and her newfound abilities. As it stands, this final issue leaves something to be desired.

Although light on scares, Abbott 1973 is oozing with cool. It's a sleek supernatural thriller that's just getting started. This is a seamless reintroduction to this world and it's clear there are quite a few terrors in store for us.

Abigail and the Snowman is an all-ages comic that delivers. It's fun for kids and adults alike without dumbing down the content. Langridge's visuals offer a great approach to introduce your children to the wide world of monsters.

I could spend hours singing the praises of Absolute Carnage and still wouldn't get to them all. This book is absolute dream for any Venom or Carnage fan. If you haven't been following Venom since its relaunch, shame on you, but this is a great way to jump in and quickly get up to speed. Absolute Carnage is hands down the best horror I've seen in super hero comics.

Absolute Carnage is nothing short of terrifying. It's a pulse-pounding thrill ride of an adventure through the lens of pure, unbridled horror. This book will grab hold of you from the very first page. There were times I had to remember to breathe as I was so enthralled with this book. This is top tier stuff.

Absolute Carnage has been a roller coaster of terror. We're not strapped in with a secure harness; we're holding on for dear life and our grip is loosening with each twist and turn, ready to throw us into the abyss. The tail end of this issue provides a glimmer of hope with one of the best cliffhanger endings in recent memory. You know that moment in Evil Dead when Ash picks up the chainsaw? That's the feeling I got at the end of Absolute Carnage #3. We're in for some awesome shit.

Absolute Carnage has quickly become a standout Marvel Comics event and not just because it's full of frightening horror. It is an incredible story full of jaw-dropping moments, awesome artwork, and a villain that would scare even the fiercest killers of the horror genre. It also happens to redefine and elevate Venom to levels heretofore unseen. People will be speaking about this character in the same breath as Spider-Man, Iron Man, and Captain America by the time this series is through.

Absolute Carnage is epic and incredible. Venom's stock was already on the rise in the Marvel Universe and now it's through the roof. You might wonder how this can possibly be topped. Fortunately, we're given a glimpse at the terror on its way and I can't wait to see how writer Donny Cates tackles this next obstacle, not to mention Eddie's continued growth as a character and as a father.

Everyone is clamoring for some Absolute Carnage action. In the case of Deadpool, he may not realize what he's gotten himself into, which is sure to be an interesting setup. These two can and will tear each other apart. They've done it before. The only difference this time is that it might lead to the awakening of an eons-old alien monster god. No pressure.

I've actually been following the story of The Accelerators for a few months thanks to the I Sell Comics podcast. It was here that the creators took their idea and made it into an actual comic. Everything from printing costs to distribution was discussed, so I was excited to check out this book. Fortunately, the comic delivered. This is now a ten-issue series and I'm definitely in it for the remainder of the story because I have to see where it goes next.

The Accelerators pumps up the action with the second issue but doesn't answer many of the burning questions that began with the previous chapter.  Fortunately, the story is exciting enough to pull you in and make you want to find out more about this bizarre world in which the characters have found themselves.  What happened to make America the "capital of the fourth world"?  And what's the fourth world?

While this series marks the first Archie comics I've read, I'm very impressed by them.  Putting zombies into this world could have been a complete joke, but it's being taken very seriously.  Aguirre-Sacasa has drafted a true horror story with this comic.  Francavilla's artwork certainly doesn't hurt.  It's gory, bloody, and there are true life-and-death stakes amongst some classic characters. Plus, this comic almost made me cry...twice.  That might go on my tombstone.  "Almost cried during an Archie comic."  I'm kind of OK with that.

Afterlife with Archie is a solid comic that manages to balance terrifying horror with pure emotion.  Although my experience with Archie comics is limited only to this series, I feel like I've known these characters forever.  I have a vested interest in seeing them survive.  They're not just cannon fodder for the zombie horde.  As such, I eagerly await what will happen next as the series heads into its second story arc.

Afterlife with Archie was already a solid and emotional zombie comic.  This issue expands it into further areas of horror in an organic way, setting it apart from its rivals.  From the looks of things, the creators are just getting started.

Afterlife with Archie keeps getting better. At first it may have seemed like a basic zombie story set in Riverdale, but it soon became so much more. This is a truly human book dealing with terrifying horror elements. As with many stories of this nature, the real monsters may not be the shuffling dead but the man or woman shivering in the cold next to you.

Afterlife with Archie is not your traditional zombie comic.  It's far from it.  There are way scarier things at work here and the evil plan is starting to come together.  This issue's focus on Reggie is a glimpse into the mind of someone detached from reality.  He's broken and the dead walking certainly didn't help matters.  What's scarier is that there's a part of Reggie that thinks he's doing the right thing, which makes him an even more diabolical villain.  If you thought the undead and Cthulhu were to be feared, just wait until you see what Reggie Mantle has in store.

While I'm curious as to how Josie and the Pussycats will play into the other horror elements of the book, I'm more interested " and anxious " to get back to Archie and the gang.  I'm fully invested in those characters, so this issue feels like new ones being crammed down my throat, like the debacle that was the second season of Lost.  If you're an existing Josie fan, I'm sure this will be right up your alley.

Afterlift is a wholly unique horror thriller. It has high-stakes action, terrifying monsters, and solid character development all wrapped in a killer premise. You don't want to miss this.

Alabaster: The Good, The Bad, & The Bird mixes an epic story of good and evil with some top notch artwork.  At the heart of it all is Dancy Flammairon, a strong woman that takes no shit from anyone, alive or dead.  Despite being in a defenseless position, she never asks for help or complains.  She just marches on, ready to do what's right.

I had hoped this would finally be my way into the Alien franchise, but for all its promise, this is a bland entry that follows the same basic formula as all the stories that came before it. It doesn't help that the artwork is either flat and boring or downright stolen.

Aliens: Dead Orbit is a testament to great storytelling. It shows how effective mood can be in a horror comic. You don't need jump scares or over-the-top gore. You can fill a reader with fear with the right pace and setting. Sure, xenomorphs help and I'm betting we'll get plenty of blood and guts in future issues, but for now, this is a fantastic introduction that stands on its own for new and old fans of the franchise.

The tension never lets up. Even the scenes where the crew gets to catch their breath are filled with uneasy foreboding. Stokoe is a master at building the terror, using the story, art, and lettering together in such a cohesive way. Aliens: Dead Orbit is the kind of comic you read with fists clenched, fearful of what's waiting on the next page. This is an unforgettable book and a must-read for any fan of Aliens.

Stokoe brings that tension to the lettering as well, with a jagged font that makes the dialogue (mostly grunts and breaths) appear pained. It's like it's a struggle for Wascylewski to even make a sound, let alone put a few words together. Screams are particularly expressive with letters changing in size to coincide with the volume. Aliens: Dead Orbit will leave you with white knuckles and clenched fists. This is the best Aliens comic I've ever read and gave me a newfound appreciation for the franchise. James Stokoe's work is absolutely gorgeous from beginning to end and I hope to see more of it very soon.

Although the colony is rather large, it feels suffocating as these two struggle to escape.  The whole place seems to be falling apart with smoke and debris going everywhere.  Colorist Rain Beredo adds to this feeling with some great shadow work.  This works especially well to hide the xenomorphs.  Aliens: Dust to Dust takes a familiar concept and adds a personal touch to it.  Maxon is an innocent kid caught up in complete pandemonium.  Dozens of xenomorphs are swarming the colony and his own mother is about to give birth to one herself.  This poor child is about to grow up very fast.

Aliens: Dust to Dust hits with a breakneck pace. You don't have a moment to catch your breath as these poor people are put through trial after trial just to stay alive. Their journey is far from complete, as the threat of the xenomorphs looms ready to tear them apart and feast on their insides.

Aliens: Fire and Stone wastes no time setting events in motion. Although the characters are now on a familiar planet, I'm not yet sure how this book is going to tie into the other comics. I'm very intrigued by the overall concept and I'm looking forward to where it's heading. This crossover has reignited my interest in the Alien series.

The xenomorphs worst enemies haven't been predators or Danny Glover. They've been strong women, and you don't get much stronger than Vampirella. While the humans will most likely serve as cannon fodder, I'm looking forward to seeing Vampirella tear into some of these aliens. This might start out with some predictability, but I'm intrigued as to how it will all pan out.

I've never yearned for a reboot before, but after referencing the worst Spider-Man storyline in recent memory, it's worth asking for.

If only there was a way to put it all in one place instead of spiraling out into a bunch of side issues...

"Last Rites" begins with more questions than answers, but at long last we learn who is behind Kindred's mask.

How has Kindred's plan affected the extended Spider family? Black Cat and Mary Jane get pulled into this tangled web as the Sin-Eater rises once again.

Picking through continuity to tell a new tale and break a deal with the devil. How does this shape up?

More plot threads are added to this already crowded storyline, but to what end?

The Spider Family heads into Peter Parker's dreamscape to save the web-head as "Last Remains" gets more complicated. Can great artwork and quippy dialogue save a convoluted plot?

We finally get a peek under the mask of Kindred, but it's too little, too late. Since everyone but Peter Parker knows who he is, does this really matter?

Seriously, what is Kindred's deal? Tell us already!

Oh my God! They killed Spider-Man! Again and again and again. All this violence and yet we still don't know why Kindred is all up in the wall-crawler's business.

We still have no idea as to why any of this is happening as this series continues to walk in place. At least the art is good.

I keep reading this hoping we'll get some sort of closure for the many plot threads hanging out there and it just never happens.

Another month, another issue that goes nowhere, but hey, looks like we got a Spider-centric super hero team now. Based on the dialogue in this issue, it feels like the creators are just messing with us at this point.

Martin Li holds off his evil other half as a fight breaks out with Aunt May caught in the center. Yet another new plot thread is introduced in an already crowded series. Would it kill them to tie a few of these up?

While not a bad issue on its own, Amazing Spider-Man #59 is pulled down by the tons of open plot threads, most notably Kindred that are just left hanging. Wilson Fisk takes up the mantle of the Big Bad, but to what end?

Peter Parker confronts his trauma in a touching monologue, although we're still light on answers as we return to the mystery of Kindred. Hope is on the horizon with a huge cliffhanger that could have some dire consequences for the wall-crawler.

With a new costume to help in his hero work and a fat check from Threats and Menaces, Spider-Man deals with some mid-tier villains as a new threat looms in the shadows.

Adorable little Gog is under attack and only Spider-Man can save him. Although Kindred is still sidelined, some dangling plot threads start to come together in exciting fashion. Plus, check out Spidey's new suit in action!

A romance right out of a soap opera mixes with the action / adventure of Spider-Man's latest story. Some sharp artwork makes for a dynamic reading experience that raises the excitement in a packed issue.

Relationship troubles lead to an all-out gang war with Spider-Man stuck in the middle. The supporting cast takes center stage in this issue as a few plot threads look closer to wrapping up than ever before.

The unlikely duo of Robbie Robertson and Tombstone find common ground as fathers. Meanwhile, Spider-Man teams up with the Syndicate to help save the day as yet another storyline looms in the distance for this crowded series.

General maintenance is the name of the game as Amazing Spider-Man cleans up some loose ends and prepares for its next story arc. It's fine.

The Lifeline Tablet storyline wraps up, not with a bang, but a thud. Inconsistent artwork hampers this overwritten story, leading up to a cliffhanger that falls flat. At least a few loose ends are tied up in this extra issue.

The Sin-Eater's quest for his own form of justice continues, but are we just treading water? Or is the storyline moving forward?

An Unkindness of Ravens has a great premise that never really gets off the ground in this debut issue. The promise is there, however it doesn't deliver. We'll see if this picks up in subsequent chapters, but for now, it's more of a misguided and mediocre teen drama with a pinch of the supernatural, lacking intrigue and mystery.

Free Comic Book Day can be hit or miss with some titles.  Many end up as reprints of old stories or all-too-brief introductions to a story that is way far away.  ComixTribe released a great middle ground with this book, supplying a nice addendum to an already amazing mini-series and offering a fantastic introduction to an upcoming one.  There's also a teaser for a third title.  If this doesn't make you want to go through the publisher's back issues, nothing will.

Angel is back and better than ever. He's seamlessly brought into this day and age with a new, refreshing take. It's safe to say that BOOM! Studios has another hit on its hands. Most importantly, it's also new-reader friendly. If you're not familiar with Angel from his TV show, you can still jump right into this series and pick up on everything. This is more like a re-imagining than a continuation of the show.

There's still a fair amount of brooding in Angel, of course. That's a key part of the character after all. It's balanced out by this unsettling story and an increasing cast of supporting characters. Writer Bryan Edward Hill is crafting not just a great Angel story, but a great supernatural story. Anyone can pick this book up and dig right in...or I guess I could go for the pun and say they can sink their teeth in. In any case, this is super accessible and entertaining. It's a solid vampire detective book.

While the Hellmouth crossover event is every bit as epic as it set out to be, Angel & Spike really shines in these closer, personal stories. We get to the heart of these characters and what connects them. As dysfunctional as this group can be, they're still going to stick together and fight for one another, even if what binds them together is still fresh. This has set out on its own path separate from the TV show it's based on and it is better for it. These is a unique story full of possibilities.

This is a bold step for this series and I am excited to see where it goes next. Angel & Spike has been able to take what made the TV show so great and modernize it without losing any of the core essence. It's moody and eerie with a pinch of humor. In short, it's fun and well worth checking out.

I'm excited to see where Angel & Faith goes under new management. I think it will take a few issues for Gischler and Conrad to sort through the remaining plot points from Season 9 before they can really nail down the path they want to take. The pixies took me a bit by surprise, but there's the same real emotion in these pages that previously fueled the book. These characters are deeply flawed, and unlike Buffy they don't have a support system in place in the form of several supportive friends. They're on their own and that's what makes them interesting.

Angel & Faith continues to delve into the minds of the two anti-heroes. They spent last season coming together for a common cause, now they're working separately to build their own lives back up to some level of normalcy. They don't have the benefit of a Scooby Gang like Buffy, so they seem to be struggling to come to grips with the new status quo now that magic has been re-introduced to the world.

Angel & Faith has been missing that heart that it had in Season 9, but I'm hoping that after the title characters have spent some time apart, they'll eventually find their way back to one another. They can pull in the other stray dogs in the Buffyverse and have their own weird version of the Scooby Gang. In many ways, this season of Angel & Faith is reminding me of last season of Buffy, in which the main character was struggling to find her purpose in a new status quo. With luck, these two will find their stride heading into the next arc.

The current arc, Death and Consequences, wraps up this month.  Angel's quest to resurrect Giles takes some major leaps forward but they don't come cheap.  It's only a matter of time before he runs himself ragged.  I don't know where the book will go after Eyghon, but I'm looking forward to finding out.  Angel & Faith is easily the stand out Buffy book.

This issue also sets up the season finale with Angel's forces preparing to battle Whistler, Pearl, and Nash, and prevent a magical apocalypse. I've said it several times before, but Angel & Faith is so much more exciting and interesting to read than the main Buffy book this season. This is where the action is. This is what matters. Whether or not Buffy can hold down a job at a coffee shop pales in comparison to the life and death struggles that these characters are about to go through.

Since Dark Horse began running two series with every season of Buffy, there's usually been one good and one lackluster book every season. It flip flops between the two. This time around, Angel is on the low end with a story that, while full of action, doesn't accomplish much in the way of character development or interest.

Angel Season 11 is a run-of-the-mill swashbuckling story, but lacks the signature wit and gravitas that we've come to expect from the Buffy universe. It doesn't live up to the name. You could change the names of the characters and it would be a generic story with pirates and zombies. I have to wonder where this is going and what ramifications " if any " it will have for Angel. Right now, it doesn't look like much and we're past the halfway mark.

Angelica Reigns establishes itself as a great occult comic with a solid foundation. There's clearly a lot going on in this world, as writer Brian Hawkins drops clues to the bigger picture throughout the issue. I'm very interested to see where it goes from here, as it ends on an exciting cliffhanger that's rife with possibilities.

Animosity presents a frightening reality that hinges on just one element being changed in our world. Talking animals have never been more terrifying.  If anything, it will cause you to be nicer to any creature, big or small, that you see, because if they do gain the ability to speak, they're going to have some choice words for you if you've wronged them.

Anno Dracula presents an intriguing premise that is off to a very slow start. I hope with the introductions out of the way, the book can pick up some speed and flesh out the characters a bit more as it has some great potential. At the bare minimum, it's exposed me to this series which I'll have to explore further with the novels to learn more about.

Every time I think there are enough zombie stories out there, I find another with an interesting take. Appalachian Apocalypse is a historical humor horror book which scratches a few itches. There's more than enough to dig into here, or rather, to sink your teeth into.

Archie vs. Sharknado is the kind of comic where you know exactly what you're getting into when you pick it up. If you've even heard of the Sharknado franchise, you'll have an idea of what to expect. It's weird and silly and not to be taken seriously at all, but ultimately it comes across as lackluster. Having this title come out so soon after the recently wrapped Archie vs. Predator series probably hurt it too, as we've just seen a similar but far more interesting gorefest over in that book.

Archie vs. Predator is a very fun comic.  If you've ever wanted to see these beloved characters get torn limb from limb, then look no further.  This is only just beginning.  Place your bets as to which member of the Riverdale folks will get eviscerated by the Predator.  Oh!  I almost forgot!  This comic contains the line "I'm a gosh-darn sexual Tyrannosaur", so shut up and give Dark Horse your money.

Archie vs. Predator is the most fun you'll have reading a comic.  If you have even a passing knowledge of these characters, you'll find a lot to enjoy here.  If you hate them and want to see them all die, you're going to absolutely love it.  Alex de Campi pulls no punches with the mayhem raining down on Riverdale and coupled with Fernando Ruiz's artwork, it's a glorious thing to witness.

Archie vs. Predator is a great comic for any fan of either franchise. I'm not fully up to speed on my Archie history. Fortunately, it's somewhat unnecessary to enjoy the comic. The characters aren't really cannon fodder, but they're also not delving into their extended histories. If you have any basic understanding as to who these people are, you'll be fine. At the very least, you can enjoy watching them literally get ripped to shreds by this alien warrior in increasingly elaborate and hilarious ways, leading up to an ending that's perfect in its strange nature.

This is a comic relaunch I can get behind. It takes a great character and sends him to a place he does not belong, but skips over the tired "fish out of water" idea, instead focusing on the ridiculousness of the situation and playing it up to great effect. It pokes fun at the sci-fi genre, while also paying homage to it. Army of Darkness is an all-around fun comic that delivers laughs, scares, and a hint of nostalgia.

Army of Darkness: Furious Road takes a moment to catch its breath before heading into the final chapter.  Instead of setting up for a large battle, it packs in a ton of needless background information about a number of the characters that bogs down the book.  At the end of the day, if you're a hardcore Army of Darkness fan, you'll probably find something to enjoy here.  If you're just a casual fan, you will have a tougher time.

Artifacts continues to be an epic comic dealing with very real human emotions.  There are also giant monsters that would make the worms in Tremors cry.  Progeny is just getting started here, but it's looking to be a very painful journey for some of these characters.  Some things are unforgivable and others are just too despicable to even comprehend.  Jackie is walking a fine line between the two.

Ash vs. The Army of Darkness has an interesting premise, but feels like an old man trying way too hard to stay relevant.  It's like that meme of Steve Buscemi floating around from 30 Rock.  "Hello, fellow kids."  This is one step below a Looney Tunes cartoon.  It's a bummer because I really like this franchise and character.

There's a nice twist towards the end of the book that could have great effects for Ash's role as the Chosen One in the battle against the deadites. I'm very curious to see how this will play out. At the bare minimum, I hope that it provides a respite from the corny gags that have been peppered through the book so far. Ash vs. The Army of Darkness has the potential to do some cool and interesting stuff with the character.

Athena Voltaire and the Volcano Goddess is a great jumping on point for the character.  You get a quick breakdown of her life and what she's capable of without sitting through blocks of text explaining a backstory.  You don't need it here.  Just open the comic and enjoy.  If you like games like Uncharted or Tomb Raider, you'll dig this book.

The Autumnal will get into your brain and stay there. It has a haunting quality to it that really shines. This first issue has a dynamite cliffhanger and cements the unsettling nature of the story in such a way that you will be dying to learn more. Do not miss this book.

The Autumnal will engulf you. It seeps into your bones. The characters are so relatable that we have quickly become invested in their lives. This makes the dangers they face all the more harrowing. We're just getting started with this book, but it's already become one of my favorite comics of the year.

The Autumnal hits with small-town horror in a big way. It shows how dark and tragic life out in the boonies can be and the lengths locals will go to protect this way of life, even with its heartbreak. Despite being born here, Kat is an outsider, so she sees this place for what is really is. That will undoubtedly put her in danger. It's clear we're just getting warmed up in this series and the scares are only getting bigger.

The Autumnal is one of the most unsettling comics on the stands today. It will leave you on the edge of your seat as so many elements come together in a beautiful and terrifying manner. It's a tense book that's paying dividends in scares.

Avengers #1.MU is an unnecessary tie-in to Monsters Unleashed.  If you're reading the main book, there is no reason for you to pick this one up.  You will not miss anything and you'll probably be thankful that you didn't have to drop five bucks on a comic that includes nearly the same pages you had in the main event book.  This isn't a knock against the creative team, as they did a fine job with some great artwork and characterization.  It's just that there's no real reason for this comic to exist aside from a cash grab.

Avengers is digging into some horror angles and Hell itself with this arc and I am here for it. This storyline looks like it's made for new and old Ghost Rider fans alike and I can't wait to see how this plays out. With all the terrifying monsters big and small the Avengers have taken on, there's no reason they can't also fight the underworld.

Avengers #45 serves as the bridge between King in Black and what's coming next for Earth's Mightiest Heroes. It's like a touch base for these characters to reset before heading into their next big adventure. The vampire angle is intriguing, especially with the history this title has with Dracula and even putting Blade on the team in the first place. I cannot wait to see this explored further, whether it's in this series or another.

I'm all for horror in super hero comics and the Avengers Halloween Special is a good first step in getting into the spookier side of the Marvel Universe. I would love to see these stories expanded upon, as each one is presented with so many possibilities. As mentioned above, they stop just when they're really getting started, so the comic leaves something to be desired. Hopefully that means we can get a sequel to this next year with some follow-ups or maybe even a spinoff one-shot or mini-series. Fingers crossed.

The design for the Axmaniac is simple yet effective. He's massive in size and clad all in black. A dark mask covers his face, preventing us from learning anything about his features or emotions. He never speaks or even makes a sound as he stalks his prey. This is a not-so-subtle homage to Jason Voorhees and it's perfect.The co-eds run for their lives in a futile effort to escape from this masked killer. Along the way they encounter a series of slasher tropes that will make any longtime fan of the sub-genre smile. The victims check off every box in the stereotype list like the slut, the jock, and the innocent girl.Axmaniac is most definitely a fitting tribute to the classic slasher movies of a bygone era. It's fun, gory, and absolutely relentless. If you grew up watching Friday the 13th movies, this is a must read. The comic has a satisfying conclusion, but the door is left open just wide enough to continue the story at a later date. I certainly hope we get more.At the time of this writ

Babyteeth is off to a helluva start. Cates writes characters that feel like actual people you've known all your life, then puts them into horrifying situations that would make any normal person break down. Coupled with Brown's artwork and Englert's colors, this is set to be an incredible series. If this is how the world ends, it's just beginning.

Babyteeth is damn good. It has been a consistently solid read since the first page of the first issue and shows no sign of stopping. This poor young girl is about to get wrapped up in pure evil and all we can do is watch. This issue builds to a monumental final page that ups the ante considerably.

Every issue of Babyteeth has pulled me in deeper and deeper and this one is no exception. It is a riveting story with real, relatable characters. This is what makes for powerful, pulse-pounding horror. It looks like it's just getting started and I cannot wait to see where it goes next.

This is the end of the first arc of Babyteeth. It will be the final chapter in the first trade paperback. If this is where the comic is starting, I cannot wait to see where it goes next. The creators have set up a compelling, unique story that grabs you from the jump with such a brilliant premise. What if a teenage girl gave birth to the Antichrist? We know that all that follows is bad news, but we don't know how we get there. That journey is full of possibilities and it's what is making Babyteeth one of the best comics of the year.

Babyteeth always leaves me wanting more. Each issue ends and I cannot wait for the next. It's a gripping read that is a testament to great storytelling. Just buy this book, OK? You will thank me later.

Babyteeth feels like it's moving at a breakneck pace now. We got through the introduction of the characters and the situation they're in. Now we're quickly flying forward and not missing a beat. This is hands down one of the best comics on the stands today.

This is the issue of Babyteeth that is not to be missed. Granted, every issue has been pretty great and you should be reading it if you like awesome comics. I mean that it is integral to the story, as there are a ton of revelations and some major movements in the plot. It's amazing to watch as characters start out one way and then slowly evolve into the complete opposite, flipping from a helpful ally to a horrifying enemy. This right here is one of the best single issues in recent memory. Babyteeth is firing on all cylinders with compelling characters and brilliant artwork. Damn, this is good.

Family is what elevates Babyteeth, making it such a tense and exciting comic every month. This shouldn't come as a surprise, as it's a definite strength of writer Donny Cates (see also Redneck and God Country). This character-driven drama is amplified by the over-the-top and relentless action these people find themselves in. I am continually amazed at the level of quality this comic displays. This is a top-tier book that everyone should be reading, horror fan or not. It's just so friggin' good.

Babyteeth's high level of quality is rivaled by few in horror comics outside of maybe Harrow County. The characters are so well defined and relatable, so seeing them go through such terrifying situations is riveting. Everyone should be reading this comic, not just horror fans.

Seriously guys, just go buy this comic. Buy it every month because Babyteeth is consistently one of the best comics out there. Where else are you going to read about a young girl and her Anti-Christ baby trapped in a hell dimension? You're not going to find that in Oprah's book club.

Babyteeth has been nothing short of incredible since it started. This issue does the impossible and takes it to even new heights. I seriously cannot believe how great this comic is and it's only getting better with each new chapter. Writer Donny Cates packs this book with so much heart and incredible character moments that propel it forward at a breakneck pace. We're so invested in Sadie's life and in the lives of those around her that we can make a jump to a place like the Red Realm without even batting an eye.

It can be tough to do such a text heavy issue, but the creative team pulls it off in a spectacular fashion. There is not a boring moment in this book, as I was glued to the page every step of the way. This is an incredible story that has some crazy twists and turns in this chapter. It builds to an impressive, jaw-dropping cliffhanger and I cannot wait for more. I don't know how many ways to tell you that Babyteeth is one of the best comics on the stands today. It seamlessly blends horror, comedy, drama, and more into this amazing package. Buy this book with confidence.

Babyteeth left me with my jaw on the floor with this issue. I cannot wait to see what comes next in this amazing series. It sets such a high bar in scares because of the time the creative team took to develop the characters. I read this book with anticipation and trepidation, as I'm worrying what will happen to Sadie and her loved ones. This poor girl just wants to raise her kid. Is it her fault that he's the Anti-Christ?

You know the story about the apocalypse, right? Four horsemen riding to destroy the world and all that? Well, Babyteeth puts that to shame. It changes the very idea of the Antichrist by going bigger and badder. That, coupled with the terrific character work, has made the wait for these last four issues of Babyteeth worth it. With the stage set, I can't wait to see how this story wraps up. I'm prepared for fire and brimstone, but I'm sure there will be some surprises along the way.

The Backstagers: Halloween Intermission isn't going to give you any nightmares any time soon, but it does serve as a solid and spooky holiday tie-in. It works like a Halloween episode of a sitcom with the same flow and humor throughout. I really hope this becomes a yearly tradition not only with The Backstagers, but with other comics as well.

Baltimore isn't a character that jokes around.  He's very serious when it comes to vampire slaying.  His entire life is dedicated to finding Haigus and exterminating him.  Despite this one-track goal, his conscience constantly pulls him to help others and stop monsters that are lurking nearby.  In that respect, he's a reluctant hero but still somewhat noble.  This is what draws me to the character each time and leaves me wanting more.  I want to see Baltimore reach his goal and finally get some closure but all he knows is suffering so I don't think it will ever happen.

Mark Markz struggles to figure out who he is on Earth, while in the future, he's imprisoned on Mars. How do these two timelines converge?

Mark Markz wrestles with the conflicting aspects of his life as this fascinating character study continues.

Mark Markz struggles with his identity and a Martian bounty hunter as this riveting character study continues. This comic resonates for everyone and should not be missed.

The Black Hammer Universe always delivers and Barbalien: Red Planet is one of the most impressive entries in the line. This is an amazing character study about finding yourself shown through the lens of an alien from two worlds.

Writer Cullen Bunn is laying the groundwork for Basilisk in this debut issue. There are obviously quite a few open questions, as we're just getting started, however there's more than enough to grab onto and pull you in for more. It's a supernatural take on a super hero mystery story and I'm here for it.

Basketful of Heads has demonstrated a huge amount of character development in its first issue. I feel like I've known Liam and June for ages instead of just a single chapter of their story. Again, this makes their imminent danger all the more impactful. I hit the final page of this comic with eyes wide and bated breath. More importantly, I'm begging for more, which is exactly the kind of feeling you should have when you hit the end of a comic like this.

Basketful of Heads is still gaining momentum. Even though we've had a beheading, it feels like the early climb of a roller coaster. This is getting traction and my enjoyment of the series is only growing. The characters are well defined in both the plot and the artwork and the story is riveting from beginning to end, not to mention how downright terrifying it is. This book is awesome.

Basketful of Heads shows that every town has its fair share of secrets. Things make look pristine and quaint on the surface, but that could be hiding sinister intentions ready to bubble up with one big storm or a swing of an ax. It's a bloody, tense ride made even more so with well-defined characters full of life...and a bit of death. This is easily one of the best horror comics of the year.

This issue could be Clownhunter's first steps towards redemption and dealing with the pure rage that has fueled his war on Joker and his goons up until this point. He's right in that these folks need to pay for their crimes, but does that mean with their lives? There's some introspective stuff at play in this issue and it's helped set this character apart in Tynion's run on the series so far. It's clear there's a lot more to Clownhunter and I'm very interested to see where he goes next.

Writers Steve Orlando and Tom King have brought a little slice of horror to Batman's world.  The Night of the Monster Men is just beginning and this is one exciting and creepy way to kick it off.  If this is how they start, I can't wait to see where they go next.  Plus, I mean, where else are you going to see the Dark Knight fight a giant baby?  Somehow I doubt that's going to be the story in the next movie.

Batman already has one of, if not the best rogues galleries in comics. This issue adds another potential villain to the mix that is more chilling than most of the bad guys in that lineup. And yes, I understand that there's a guy in there literally called Mr. Freeze. You know I didn't mean chilling in that sense. Anyway, this is something that could give Batman pause, forcing him to rethink his actions both as a crime-fighting vigilante and as a billionaire playboy.

Batman is embracing darkness like never before. There are many moving parts in the storyline so far as all of these elements begin to build and build. I'm full of anticipation as we see each piece come into place for this giant macabre picture. From the looks of things, we're just getting started.

I was already all in on this latest iteration of Batman, but this issue just knocked my socks off. It works on so many levels, properly introducing us to the Designer, filling in some gaps in the timeline, making The Joker look just as terrifying as ever, and setting up the story in the present day, all wrapped in some of the best artwork you'll see on the stands today. This comic is awesome and I cannot wait for more.

Batman has been a non-stop thrill ride since this arc began. It has continued to grow in size and scope. We're in the middle of the crazy roller coaster ride now, hurtling down steep drops and plunging into the unknown and I could not be more excited. The horror elements are blending perfectly with the super hero aspects to make a real powerhouse comic. This is awesome.

This arc in Batman was unsettling to say the least. It has shook the Dark Knight to his core and now it prepares to put him through a gauntlet like never before. It's not just a solid super hero book. It's one full of terror at every turn from one of the most heinous villains ever to appear on the comic book page.

"Joker War" is in full swing and chaos is reigning down upon Gotham City. This is a fantastic blend of action and horror that delivers on every front. Batman has been through some crazy battles before, but never like this.

Batman #106 also features a backup story focused on Damian Wayne as he searches for his new place in this world. Writer Joshua Williamson, artist Gleb Melnikov, and letterer Troy Peteri show Batman's son venturing to Markovia to face his mother and battle the mysterious League of Lazarus. This is a great complement to the main story. I'm not entirely sold on Damian's new costume, but that mainly comes down to the mask, as it has these little ear flaps that kind of make his head look like a fish. The cloak and everything else looks great and it's even better in action.

There's a lot going on in this book right now and it's absolutely riveting. With all this around to unpack, it's clear there's a ton in store for the Dark Knight and Gotham City. Starting off this next phase with the Scarecrow and the heightened tension of the city is a great choice. You really get the feeling that this place is a powder keg and that's the perfect place for fear to spread.

I thought the Batman Who Laughs mini-series brought horror into the world of the Justice League. That is small potatoes compared to Batman/Superman. This is a universe-spanning epic following the deranged methods of a murderous lunatic. The Dark Knight and the Man of Steel are already a few steps behind and will have to work extra hard to catch up.

It's very clear that this is a dangerous game. With five other heroes out there as ticking time bombs, Batman and Superman have to keep this quiet. You know how secrets like this tend to go, right? It's what has to be done since they can't trust anyone. They could be playing right into the Batman Who Laughs' hands. This leads to some desperate measures from the heroes. You have to wonder how far the World's Finest are willing to take this. It could push them past the point of no return.

If this is what we can expect from DC Black Label, sign me up for every book that's scheduled. Batman: Damned is a top-notch comic, providing something new for a character that's been around for decades and I'm not just talking about his junk. Batman must not only investigate the murder of his greatest enemy, but he has to rule himself out as a suspect. That's something he doesn't have enough evidence to do just yet, so the great detective soldiers on along a path of madness and the supernatural.

It's been said that it's constantly night time in Gotham City. That's the tone you get from this place. The sun may never shine. That is certainly the vibe in Batman: Kings of Fear. There's a feeling of dread that comes through every page as Batman's evening gets worse and worse. We know that the Scarecrow is going to play a major part in this mini-series, so that will play up the horror angle considerably. Unfortunately, he's not in this issue all that much. It looks like that will definitely change in the near future, leading to some terror-filled adventures.

Batman: Kings of Fear highlights one terror-filled night for the Caped Crusader. The Scarecrow is like his evil conscience, pointing out all his flaws and weaknesses along the way. There are times you want to see Batman just punch him right in his scrawny neck, but that could mean the death of a hostage and that can't be risked. It will make the Scarecrow's eventual comeuppance all the sweeter.

Writer Scott Peterson is presenting an interesting dynamic between these two characters. I always knew the Scarecrow was a fierce foe in Batman's rogues gallery, but this book puts him on a new level of psychological horror. He literally brings the Dark Knight to his knees and he never even had to throw a punch.

Comics mainly consist of the second act of a never-ending story. We've seen the beginning long ago and we rarely see an end. Batman: Last Knight on Earth feels like an end and it's an amazing one. With all that Bruce Wayne has been through, he deserves one epic sendoff and that's what this is. This is big, scary, and so very awesome. Plus, it's super accessible so anyone can jump in and enjoy, even if you only have a passing knowledge of Batman.

Batman: Last Knight on Earth is a fascinating and exhilarating road trip through a broken and battered DC Universe. It simultaneously serves as a riveting standalone story as well as the culmination of the impressive run from Snyder and Capullo. Batman is forced to face his biggest failures, questioning his never-ending war on crime through a dark, horrific lens.

Ultimately, Batman: Three Jokers tries to tie together aspects of the origins of these characters in a way to make some cool connections, but feels way too forced. It's ok to have some unanswered questions. If you spell it all out, it will never live up to that mystery that's been built up for decades.

There's a part of every comic fan that thinks it would be cool to see Batman take out everyone in the DC Universe, proving he's the ultimate badass. His fight against Superman in The Dark Knight Returns is an absolute classic. The Batman Who Laughs is a horrifying take on that idea. It pushes the Caped Crusader past all limits and into true super villain territory. After seeing a comic like this, the DC Universe must hope and pray that Batman never goes through such a life-shattering experience. Someone should be assigned to hug him at least once a day.

Every time a new Beasts of Burden comes out, I'm reminded of how great this comic is and how I desperately want more. Writer Evan Dorkin crafts a well-paced, frightening tale starring animals that are more human than most people. The Presence of Others is a great read that feels like the beginning of something more. I certainly hope that's the case.

Beautiful Canvas is a book that will surprise you.  It's a testament to a creative team that works well together, bringing out the best in one another.  This is a great mix of crime, action, and drama with compelling characters and jaw-dropping artwork.  Buy this book.

Avery, Owen, and Jamie don't check off boxes in a stereotypical horror story trope list. They're unique individuals with interesting qualities, making them more relatable, which in turn makes us more invested in their lives (and hopefully not deaths). This solid character development elevates the story and the scares contained within. Bedtime Games reminds me of a good Stephen King tale. Here are three kids who set out on an adventure and end up with something very different.

In my review for the first issue, I pointed out how much Bedtime Games reminds me of Stephen King's work. That is definitely still the case here, if not more so. Writer Nick Keller is crafting a story that will get under your skin. It's a compelling and chilling tale that speaks to the curious child in all of us.

Two bodybuilding bros fight against corrupt cops and sleazy landlords in this stellar comic from Kickstarter. It's a comic with a clear message that can be a little too direct at times, but more than makes up for it in the fun and bombastic artwork.

While there are some fascinating ideas introduced in Before Houdini, it takes too long to really get going and ultimately doesn't come together in the end. I don't know that we needed as much backstory before digging into the real meat of the story. Once we get into the MI6 pieces, the book takes off like a freight train, however some important elements are glossed over and not fully explained. There is definitely room for growth and more ideas that can be explored in this series.

Belle: Beast Hunter is like Batman crossed with the B.P.R.D. The title character has a plethora of gadgets and gizmos at her disposal, plus years of training. She'll have to put all of those to the test as a monster-filled conspiracy is beginning to play out around her. This first issue hits the ground running by quickly introducing Belle and her world.

Belle's introduction is enough to get a good understanding of the character and pull you in. We get a glimpse of what she's truly capable of here, especially since all of her bells and whistles have been stripped away. Belle: Beast Hunter is a great addition to Zenescope's line of female adventurers, such as Robyn Hood and Van Helsing. You have to admire a woman who can wield an ax like this.

Bettie Page: Unbound is a fun trip through the heroines from Dynamite Entertainment. We've seen Red Sonja and now Vampirella with more to come. This one plays with the horror genre, turning it on its ear and playing with the aspects of the genre we love. Bettie has an infectious enthusiasm about this adventure, so it's easy to get wrapped up in this, even when she's drinking blood.

You might pick up Big Girls for the kaiju action, but you'll stay for the intriguing characters and fascinating world. Creator Jason Howard raises some great questions about what's right and the lengths some will go to protect themselves. This is the Godzilla-like story I've always wanted.

It's clear that Ember's doubts are not unusual, as there's an underground resistance of sorts that's picking up steam. Some of this is explored in Big Girls #3, adding another layer to this ever-growing story. The Preserve are definitely painted as the oppressive regime, the evil empire if you will. How far does this go? And what lengths will Ember and the resistance go to put a stop to it? Perhaps more importantly, what price will they pay? This is the kaiju-sized action comic I need in my life.

Big Trouble in Little China jumps right into the action.  I didn't think I wanted a sequel to the 1986 film, but after reading this issue, I realized that I was wrong.  I want to see what other hijinks Jack Burton is going to get into and it looks like Carpenter and Powell are ready to deliver. 

Birthright is a damn near perfect comic book. It packs an emotional punch and instantly creates a world that I want to explore with countless additional chapters. Williamson puts a great spin on an old classic, looking at it from a different angle that casts the fun adventure films of my youth in a whole new light. Plus, there is one helluva cliffhanger that will have you begging for the next issue.

Birthright continues with a uniquely human spin on a tried and true fantasy element. It's dark at times but also emotional, as this family is turned upside down by the sudden reappearance of their young son whom they had presumed dead. Now their boy is a muscular warrior that has returned to our world literally haunted by a force of evil.

Birthright manages to mix emotional family drama with incredible action and an epic fantasy world.  It's a damn good story with gorgeous artwork.  There's so much heart contained within these pages, which makes the characters' adventures that much harder to witness.  I've become attached to these people and I'm truly concerned for what the future holds for them, as the forecast is rather dark.

Birthright is a dynamite story about family wrapped in an epic fantasy adventure with creatures ripped right out of a horror movie.  Writer Joshua Williamson can make even a seemingly hospitable conversation between two old friends appear tense and full of excitement.  Old grudges and disagreements bubble up to the surface, as they know just how to piss the other off.  All the while, it might not even matter if pure evil escapes.

The epilogue of this epic fantasy series begins and it's full of just as much emotion and family as ever. With the God King Lore defeated, what's next for Mikey?

You can't go to war with a fantasy realm without having at least a little trauma. Mikey and Boomer share a drink and some stories as Birthright approaches its grand finale.

Mikey and Brennan finally reconnect and get a moment to grieve after all they've lost. The bombastic magical action scenes are matched with somber emotional beats.

Just when you think you've figured out Bitch Planet, writer Kelly Sue DeConnick turns the tables on you. This issue builds up to a top-notch ending that will have you re-examining how you view the story. It's far from your typical women-in-prison comic. There's weight to it. There's a message here but it's not preachy. You don't come out of it feeling bad for yourself, but you might think twice before making that cat call.

Bites of Terror presents a number of questions as to how this food-based world works, but you just kind of go with it. Yes, an egg can cut itself in half, and "devil" its insides. Yes, a melon can plant its remains in the garden and have a second chance at life. The premises are weird, humorous, and macabre. It's an interesting mix that would make for a fun conversation piece, however I'm not certain you'd revisit it very often.

Bitter Root brings something new to the idea of a monster hunter. While we've seen things like Buffy the Vampire Slayer and Supernatural, this is an entirely unique spin. It's filled with fleshed-out characters, gorgeous artwork, and an incredible mythos. The creators are building towards something big, moving multiple pieces onto the board at once. We're just getting started too as we've barely scratched the surface as to the overall story just yet.

Bitter Root grows by leaps and bounds with this issue. This is a world that feels lived in, with deeply rooted lore. It has a ton of potential with an infinite amount of story possibilities. This one is already pretty exciting and we're only just getting started. This is most definitely a comic to watch. Do not miss it.

Bitter Root takes some twists and turns by the end of this issue, upping the ante considerably. This is not just a family hunting monsters. We're talking end of the world here. It will be interesting to see how the rival factions of the Sangeryes work together to combat this threat.

Bitter Root blew my mind with this issue, firmly establishing the landscape and mythos around it. This is much more than just a monster-hunting family. This provides a deep look at hatred, what it means, and how it's linked to pain. It's a fascinating look at the human psyche mixed with some great horror elements.

While I love this collection, I would have been equally satisfied if each of these stories appeared as backups in the main series. The anthology serves to further establish the vast mythos at work, however it's not very accessible to new readers. That being said, if you're even casually interested in this series this offers a good primer as to what to expect, along with a nice variety of impressive artwork. It's like a sampler for you to get psyched for what I hope is a second volume coming soon.

Black Betty is off to a nice start with just the right amount of intrigue. At its center is a compelling character that we don't know a lot about yet. This is not her origin story. We're dropped into her world and we get up to speed pretty quickly. We don't need to know how she got to this point right now. We can enjoy how effective she is at fighting monsters.

Black Betty is a badass monster fighter that just won't quit. She's not bogged down by personal drama or an annoying supporting cast. (I'm looking at you, Buffy.) This issue shows her take down a creature twice her size without missing a beat. This series is shaping up to be pretty friggin' cool.

In the scheme of things, I didn't need an origin story for Black Betty, as writer Shawn Gabborin dropped us into her world with deft precision. That being said, this issue really rounds out the character and makes her more relatable and sympathetic. She can fight all these monsters for the rest of her life, but she can never undo that first time. It shows how she's distanced herself from other people, more for their safety than anything else. Black Betty is in a whole new class of monster hunters.

I'm hoping now that Black Betty has secured her financing, we can get to the monster fighting. After an ominous and frightening opening, this issue meanders quite a bit. Writer Shawn Gabborin leaves off with a great cliffhanger that gives us a glimpse as to what might be pulling the strings in Edgecliff. Hopefully Betty has been paid enough to deal with it. Otherwise that deaf kid is on his own.

I'm very curious to see how the twist ending of this issue will play out. This is a frantic ride through a town filled with murderous people. Every turn Betty takes could be her last and she has to stay one step ahead of all of them if she wants to stay alive. The overall tone of this issue has the same feeling as Supernatural, which is definitely not a bad thing.

Reading Black Cat #2 made me realize how much we need a horror heist movie. Has that ever happened? This King in Black tie-in mixes the fun of Black Cat's heists with the horrors of Knull's invasion. It shows that this event isn't all doom and gloom.

Anyone that's worked in retail has their own fair share of horror stories. Black Friday takes those to the extreme with a terrifying idea lurking just beneath the floor tiles and florescent lights. It will certainly have you thinking twice before taking that next trip out to the store.

All of the heroes of the Black Hammer Universe are a bit tragic, but Golden Gail is more tragic than most. Learn the story of the hero trapped in the body of a young girl that's just as moving and poignant as ever.

I've seen enough horror movies to know that nothing good comes out of a trip to the woods. Black Hammer: Visions #2 provides yet another reason to stay indoors. You never know when you might stumble across a mysterious cabin and get sucked into different worlds. Horror comes to the Black Hammer Universe.

Getting older is never easy and it's even tougher for Abraham Slam when a young upstart takes on his super hero persona. He can't swing as hard as he used to, but that doesn't mean he's not a hero.

Black Magick may have taken a break from the current story to provide some background on the main character, however it doesn't come across as a history lesson.  It doesn't even lose much in the way of momentum.  If anything, it has the opposite effect, making us care more about Rowan and her life so that when Rucka and Scott come back with the next issue, we'll be even more emotionally invested with her.  This is how you do great character work which in turn, translates to compelling horror.

This whole sequence is some top notch horror. Since we've become so deeply invested in Eulalie's life by this point, seeing her in possible danger is incredibly frightening. I was clenching my fists between pages as something began lurking outside her tent. I have no idea what could be coming for this poor girl, but I'm terrified of the possibilities. Do not sleep on Black Stars Above.

There is something truly terrifying within Black Stars Above. The unsettling tone is unmatched and I'm still cringing a bit at some of the moments within. That being said, I'm not entirely sure what I just read and will definitely have to peruse this book again from start to finish to take another crack at it. It's a surreal reading experience.

Although Blackbird is more in the fantasy aisle than horror, there are a number of spooky and unsettling elements to the story that make it worth checking out. Nina's life is at times unbelievable and frightening as she struggles to deal with the terrors of what is lurking beneath the surface of our world. The idea that something sinister is happening right under our noses is a chilling one.

Blackwood is like Harry Potter mixed with Deadly Class. It keeps all the supernatural elements and ups the danger factor considerably. If this is just a taste of what this series has to offer, I'm very excited to see where the creators take it next. It's a well-rounded horror book.

The creepiness of Blackwood goes up considerably in this issue. There's something terrifying lurking behind every turn and I have no idea what to expect next. Writer Evan Dorkin is crafting a non-stop ride of horror as these students literally descend into the bowels of the school to find even more frightening artifacts. A monster dean is one thing, but that is just the start. Now we've got so much more, including a two-headed mummy monkey. I'm going to write that out again because that was a lot of fun. Two-headed mummy monkey. Let's see the Boy Who Lived do something about that.

Blackwood is a fun read with some great characters, deep mythos, and awesome artwork. Unfortunately, it feels like it ends right when it really starts to get going. This is maybe the first few days of this new class and they've already been through so much. Imagine what the rest of the school year could entail.

Blackwood: The Mourning After picks up right where the previous story left off. I'd say that it hasn't missed a beat, but that would be doing it a disservice. It's building on everything that's come before with some massive expansions, even more scares, and some dynamite artwork.

Blood & Gourd is the kind of comic where you kind of know what you're getting into from the jump.  It's a crazy story about pumpkins attacking human beings in increasingly violent and vicious ways.  The humans don't take this sitting down and are quick to go on the defensive, taking the fight right back to those pesky gourds.  If like me, you're tired of all this pumpkin flavored crap that comes out every fall, this book is for you.

Judd Glenny is a character capable of standing toe-to-toe with the legends of the vampire genre. I'd love to see him make Dracula sit down with a glare. He's a great person to build a story around and there's a helluva tale coming here. This is an ideal first issue, as it introduces mystery and intrigue in such a way that will have you begging for more. The final page is easily one of the most badass images you'll see all year.

Blood & Dust takes an epic leap forward with this issue and works to redefine how vampires are seen in comics since 30 Days of Night.  This is not a Dracula or Twilight-esque bloodsucker.  You might compare it to True Blood in the Southern setting, but that's where the similarities end.  Here is a man who wants to do right by his family.  It just so happens that he has to drink blood to do that.  He's got a code and he lives... or un-lives by it.

Blood Bowl is based on a popular board game that I have no experience with. You don't need that in order to enjoy this comic. It's like Space Jam, but instead of a team of cartoons going up against a team of awkward monsters, it's a rough group of humans (one of which has a hook for a hand) against snarling beasts capable of ripping out a man's throat. Oh, and it's football instead of basketball. OK, I'm not that good at comparisons like this. In any case, if you've ever watched a sports movie and wanted it to include orcs, giants, or other assorted monsters instead of some rich blonde kid from the '80s, Blood Bowl is for you.

Blood Brothers is a downright fun comic.  The stakes (DO YOU SEE WHAT I DID THERE?!  HAR HAR!) are high, but it never feels like things are out of control because you're along for the ride with Nick and Tree.  I could easily see this turned into a feature film.  It would work so well, as it's a smart and funny take on the vampire genre.  Get on that, Hollywood.

Blood Brothers is a fun comic about vampires.  Gagerman and Waller could have parodied countless bloodsucking stories out there.  Instead they've created an original, humorous tale about two buddies that have been partying non-stop for years.  They just happen to need blood to survive.  It should come as no surprise that this comic has already been optioned for a big screen release.  This is the kind of stuff I hope to see more of.

Blossoms 666 is a slow burn in the same vein as The Exorcist. It has a constant feeling of dread through every page. While the scares are light in this debut issue, it is one of the most riveting openers in recent memory. Writer Cullen Bunn pulls us into this creepy version of Riverdale and I am transfixed by what might come next. Archie Comics has been on a roll with its horror line and Blossoms 666 is sure to be another hit.

This is the kind of expert pacing that writer Cullen Bunn can deliver. The guy knows a thing or two about horror comics and Blossoms 666 is another solid book. It helps that we're so familiar with these characters, but that's only part of it. This would be a gripping read on its own. Adding Archie and the gang only elevates the terror.

Bone Parish is like a paranormal version of The Wire. Instead of Stringer Bell and Avon Barksdale, we've got the Winters family, struggling to keep up with an ever-increasing demand while rival gangs start to hone in on their turf and the feds are circling like vultures. Writer Cullen Bunn is delivering a solid crime story that is amplified by the chilling horror angle.

Bone Parish works on many levels. It's a touching family story dealing with loss and a Breaking Bad-esque tale of drug dealing mixed with some truly unsettling horror that will stay with you long after you put the book down. This issue serves as a conclusion, but also as a first step for the Winters into a bold new era. They're making their mark and it's going to have some major repercussions.

Bone Parish has already established itself as a creepy supernatural comic. What sets it apart is how well developed the characters are and how invested we are in their lives. This is a low key chapter that's packed with a sense of foreboding. The Winters have already been through so much and their lives are not going to get any easier any time soon.

This is just part of the fun of Bone Parish. You'll have segments like that one moment and powerful dramatic scenes like something out of The Sopranos or The Wire the next. Writer Cullen Bunn is spinning many plates to push the overall narrative forward. Each character gets some time in the spotlight and every single one of these threads is riveting.

Bone Parish was already a compelling read, but the past few issues have really taken it to a new level. This is a top-notch thriller mixed with riveting family drama with a supernatural thread weaved through every inch of it. It's seamlessly blending multiple genres into an eye-popping comic that will leave you begging for more.

Book of Death is rife with possibilities.  It's an event book that carries the gravitas that most tout but rarely deliver.  You get the sense that the status quo is about to change in a way that actually matters.  This isn't a situation where a character will get a new costume for a little while and then everything will go back to normal.  It's going to be tough to come back from some of this, and things are going to get a lot bloodier before it's through.

Although Book of Death has been filled with an ominous terror throughout its run, this issue is packed with heart.  It's an inspiration to see how far someone will go to do the right thing.  It has similarities in tone and theme to Hellboy: The Storm and The Fury, which certainly puts it in good company.  It's the kind of book that I wish more event comics strived to be.  This is a self-contained, easily accessible story that holds deep, meaningful ramifications for the entire Valiant Universe that will take it into an entirely new phase.  It hits like a punch to the gut and pulls at all the feels.  This is a solid read and easily one of the best books of the year.

Books of Magic gives us a man-on-the-street entry point into the Sandman Universe. Tim is an average, awkward kid, just like so many of us, so seeing him suddenly get caught up in the wide world of magic with all of its risks and consequences is riveting. He could save the world or destroy it and that will all be dictated by where he goes next.

Books of Magic is a harrowing read as Tim is on a razor's edge. On one side is untold levels of greatness for the world...and on the other is its utter destruction. This tension is a driving force in the book and it's absolutely riveting.

Border Town is off to a tremendous start. It's established the main characters and thrown them into utter chaos thanks to an encounter with an insane and frightening monster. This issue closes out with a jaw-dropping image giving us an idea of the caliber of supernatural creatures we can expect from the rest of the series. Plus, eagle-eyed DC fans will find several references to other properties like Sandman, Wonder Woman, and more, so you get a fun Easter Egg hunt as a bonus to all the terror.

Border Town is equal parts terrifying and relevant. Comics have long been a vehicle for exploring political issues and this one delves into racism in a way that really puts things in perspective. I realize I'm far from an expert with that, as I'm a white man, however there are several eye-opening scenes in this issue that show just how frightening the real world can be for people with a different skin color. It's saying something when the monsters aren't the scariest thing featured.

Bosco & Fleet: Detectives of the Occult Sciences lays the groundwork for what I hope leads to many more comics.  The artwork is gorgeous.  The story is intriguing.  Although this is a self-contained tale, there are hints at what may be coming down the line, including a Moriarty-like villain, pulling strings behind the scenes.  It's tough for a comic set in London in 1890 starring a pair of detectives as it will instantly be compared to Sherlock Holmes.  Bosco & Fleet carves its own niche, away from the literary icon, in a supernatural corner that he would never dare tread.

There are some good ideas introduced in Bottoms Up: Hard Liquor, but they're overshadowed by stereotypical characters without depth and mismatched artwork. Obviously, every story needs some character development, however this feels more like treading water than moving anything forward. At the very least, it will have you second guessing taking a swig from a strange bottle.

Although the full story is still taking shape, there's more than enough in Breathless #1 to pull you in. The characters are well developed and the artwork is incredible. Shand does a brilliant job of dropping you into this world and quickly establishing the rules around it. This is a horror comic to watch.

Breathless delivers a healthy mix of real world terror and crazy monsters. At its center is a smart, badass woman who is ready for a fight. She's been battling her own body her entire life, so she's used to a struggle. These big pharma executives don't know what they're up against.

Breathless brings up some great points and drops us into a world of possibilities. This final issue wraps things up a little too quickly. I would have liked a little more space to flesh this out, although as it stands, we do get a complete story. The status quo is shifted greatly by the end of this tale and it's something I'd love to see explored further. Just imagine what other monsters are out there and how they can be incorporated into this crazy world.

Britannia shows the brutality of Ancient Rome with a supernatural twist.  If I learned about this kind of stuff in history class, I would have paid a lot more attention.  Of course, if my teachers had taught this, they would all be fired.  This book is worth reading for Juan Jose Ryp's artwork alone.  It is finely detailed with an energy that is unparalleled in the industry today.

Britannia carries a constant feeling of dread as Antonius Axia heads down the path of madness.  He may find out who's killing these Roman soldiers, but he'll be driven insane as a result.  This book is worth reading for Juan Jose Ryp's artwork alone.  He's one of the best in the business and way too underrated right now.

Broken Moon presents a dark version of the future for those living in it and a pretty awesome one for anyone reading that loves monsters. I can't wait to see what other creatures the creative team has in store for the rest of the series. Will these beasts learn to live in peace with some sort of monster version of the United Nations? Or will they squander it all like we did?

The one drawback to Legends of the Deep is that it doesn't stand entirely on its own.  You can make your way through it, but if you haven't read the first Broken Moon series, you will be missing a lot of context, especially towards the end of the issue.  This is an awesome and terrifying world that's clearly going to get worse before it gets better.  A small group of people have managed to survive and carve out some semblance of a life for themselves, despite overwhelming odds and the very real possibility that they'd be eaten by some form of monster.  Although there's a bevy of beasts, we see once again that humankind is capable of standing toe-to-toe with the likes of werewolves and mutant fish men when it comes to violence.  Go us?

Broken World tugs at the heartstrings as a woman faces the very real possibility that she'll be permanently separated from her family and there's not much she can do about it.  This isn't a matter of getting a divorce and moving across the country.  Her husband and son are heading into space and she may not be able to join them even as an asteroid descends on a collision course towards the planet.  This drama is played out with the backdrop of the end of the world in a tense ride.  It leads up to a final page that is entirely unexpected and will leave you screaming for more.

Brothers Dracul is a dark and violent journey through the life of one of the most evil men of yesteryear. It joins other AfterShock titles like Pestilence and Unholy Grail in a solid niche of historical horror, blending fact with fiction.

Brothers Dracul is another in a growing list of solid horror-themed historical fiction. It just feels like it left some stuff on the table. I hope that means that we'll get to see more from these characters soon, especially since the word "End" on the last page has a question mark after it. As it stands, their story is unfinished, but it leaves a bloody trail through the history books.

Yes, Keanu Reeves co-wrote a comic book, but is it any good? An immortal man rampages through enemy soldiers for the bulk of the debut issue, filling the pages with blood and gore. Vandal Savage meets Wolverine with a bit of John Wick mixed in.

A new Buffy series is going to come under a lot of scrutiny, as the TV show is near and dear to so many people. I'm happy to say that this book delivers on everything you know and love about the show and then some. It has the same witty dialogue, action-packed fight scenes, and fun characters, but with a fresh, new take. It's sure to delight new and old fans alike.

Buffy the Vampire Slayer is off to a tremendous start. It's moving at a mile a minute, picking up all of our old favorites from the TV show and displaying them in a brand new light. This creates a renewed appreciation for all of them. It helps that the artwork is gorgeous and the story and dialogue can go toe-to-toe with some of the best from Joss Whedon. This is required reading for any Buffy fan.

Buffy the Vampire Slayer has been getting better and better with each issue. The creative team is firing on all cylinders, delivering some fantastic work across the board. Even if you're only a casual fan of Buffy, you'll find a lot to enjoy about this series. Longtime fans will love this reimagining of the story and all the new elements that have been added in. It's poised to become something big.

Buffy the Vampire Slayer continues to raise this franchise to new heights. It weaves through the main characters, pulling them together and tearing them apart. Every issue ends in a solid, jaw-dropping moment that will leave you begging for more. I hope this relaunch runs forever.

Bellaire is building something special here and we're seeing the seeds of further elements planted in this issue. I am eager to see how this will play out and lead up to the first crossover between this series and Angel later this year with Hellmouth. This comic has reinvigorated my love for this franchise.

The issue leads directly into another storyline that's bound to kick up some drama, especially on the "Spuffy" front. These characters are facing a dark evil unlike anything they've ever seen, and that's not the most interesting thing going on in the book. At this point I would read an entire issue where they were all just hanging out in their apartment building talking. Gage takes characters that we already cared about and reminds us why we liked them so much to begin with. This, coupled with Isaacs' terrific artwork, makes Buffy a must-read.

Buffy Season 10 seems to be ending not with a bang, but a whimper. It's tough to sympathize with Buffy and the Scooby Gang because they brought all this on themselves. While it's been over a decade since the show went off the air, this comic is set only three years after the series finale. That would put these characters right in their mid-twenties and like most people in that age range, they're making poor life choices. Instead of backpacking across Europe to find themselves or getting a tattoo they'd regret later in life, the fate of the world hangs in the balance with these decisions.

Buffy the Vampire Slayer: Season 10 comes to a close with the characters in a happy place that hasn't been seen in ages. Maybe that's the issue with it. I'm used to Joss Whedon pulling the rug out from under us every time someone gets a little too comfortable with their life. From the looks of things, they're in no danger of that happening, even with Buffy and team taking on a new and exciting challenge.

One of my main criticisms of Buffy Season 10 is that it seemed like the title character is stuck in an advanced adolescence, refusing to accept the responsibilities that come with being an adult. I'm happy to see that this season is off to a great start with the exact opposite. Buffy is grabbing hold of this problem with both hands, refusing to accept the new status quo. What makes things doubly challenging is that this enemy is not something that she can punch or stab. She's fighting the United States government while also possibly evil, is unlike any other opponent she's faced.

As mentioned, Buffy Season 11 is delving into some very serious issues, showing how the government could react " or overreact " to a supernatural terrorist attack. Was a vampire responsible for the dragon that destroyed San Francisco? Probably not, but that's not going to stop them from being imprisoned along with any other non-human in the area. This book packs a political punch without banging the message over your head. It puts things into perspective.

Buffy is more sure of herself than she's been in some time. Sure, she's saved the world a few times and has always been dedicated to the cause, but this is taking that to another level. It's also putting her in a completely new scenario. She's up against the government and not like she was in Season 3. It's a public thing now and the full force of all three branches are working against her. She has to fight an organization, not a big monster. She can't just punch it in the face and be done with it. This requires planning and strategy, tact and brilliance. That's coming through in spades and it's so very exciting. This is a must read for any Buffy fan.

This season of Buffy the Vampire Slayer has been absolutely stellar. It's one of the best yet, with a compelling story, gorgeous artwork, and undeniable excitement. Every single chapter ups the ante and shows just what made this series so special.

Buffy Season 11 is approaching its final chapters and we're going deeper and deeper down the rabbit hole. The Scoobies are digging into a conspiracy that goes to the top of the government and puts the entire supernatural community at risk from casual Wiccans and slayers to vampires and demons. We don't yet know who was behind the attack on San Francisco that started this whole mess, but I'm sure it will be uncovered soon. From the look of determination from Buffy and crew, I almost feel sorry for whoever"or whatever it is.

Buffy Season 11 delivers a final battle that's right up there with the classic showdowns of the series. The reveal of the Big Bad's identity falls a little flat, but it's made up for with the action movie-level fight scenes that follow it. There's one chapter left in this season and I cannot wait to see how it's going to wrap up.

Spike: Into the Light offers a brief look into the life of a fan favorite character from the Buffy franchise. This graphic novel exists between episodes of the TV show, providing you with some more development as Spike learns to be a good guy. He's still the anti-hero that we all know and love, but he's not going to bust into a local store to steal or ruthlessly kill someone to satisfy his hunger.

Burning Fields has a few more moving parts than the creative team's previous project, Curse, but the strong character development is the same. These are people that you can instantly identify with. You'll find yourself wondering what you would do in a similar situation. They're underdogs and they're about to come into contact with something dark and evil. The bulk of the issue is spent giving you an idea of who these characters are, with some strong indications of the horror that is lurking just below the surface. This is an impressive first issue that hits the ground running with blood-curdling imagery.

Burnouts is a downright fun comic. It borders on absurd as it mixes two genres that I'd never thought would go together and comes out with something truly fantastic. I never knew I needed a teen comedy / alien thriller, but now that I have one, I don't know what I did without it for so long.

Burnouts is as fun as it is unpredictable. Who do you trust when everyone you meet could be secretly possessed by an alien? Writer Dennis Culver brings a ton of heart to this issue while maintaining the same level of humor and horror. This is a breakout book.

Bust has several great elements to it that will pull you in.  You'll want to find out what this plague was and how it came about, plus more about Jack and how he's carving a life out in this post-apocalyptic world.  There's a lot crammed into this first issue that could be a bit more streamlined for story purposes.  I'm curious where Cook and O'Toole will take the series next.

Bust is a post-apocalyptic story running at a million miles an hour.  It takes a hard turn into Mad Max territory with this issue.  Although it's rather exposition heavy, the character work stands out, pulling you in to Jack's life.

Butcher with a Smile could have some real potential. It's about time we get something like The X-Files again. As it stands, the comic feels a little rushed and could do with another pass to clean things up from top to bottom. We're not invested with these characters or this monster, so there's no emotional backing to the story.

Camping is an indie comic with a great twisting ending, but it's bogged down by lackluster artwork and rough lettering. If the latter was redone, it would be a significant improvement. That hook is enough to give it a second read through, as it will be done with a new set of eyes.

Although I made comparisons to zombies throughout this review, understand that Cannibal is far more terrifying than that tired genre.  It's almost akin to the werewolf in that the infected has no control over his or her actions once they've contracted the virus.  They're forced to watch as they commit these monstrous actions, powerless to do anything but satisfy their hunger for human flesh, no matter what the cost.  This is southern brewed horror with a dose of heartbreak.

Captives has the look and feel of a classic fantasy comic.  Unfortunately, it takes too long to get going.  If this was a movie, I would have been checking my watch a few times.  The artwork alone is worth the price of admission to soak in the awesome monster-on-man battle royale.  As this is the first issue, hopefully the story tightens up a bit in subsequent chapters.

Carnage: Black, White & Blood is a solid anthology through and through. Its focus on such a terrifying character makes for some crazy stories and this issue is a perfect example of that. I hope we get to see much more of these kind of books in the near future as the Marvel Universe embraces horror.

There are some good ideas within Cascade but they get bogged down by some basic horror pitfalls and cliches.  The length of the story hinders it as well.  Since the first issue is all travel, the end feels rushed, as if the page count suddenly caught up to author Chris Canibano.  If there was a third issue or even a few extra pages, it would have helped flesh things out a bit more.  As it stands, the ending seems very strange and doesn't make much sense.

Centipede is an impressive expansion to the classic video game.  Most folks probably didn't think twice about what the story behind the game could have been while they were popping quarters into the arcade machine.  Here we've got a gripping tale of the last man on earth and his epic struggle against the giant flying centipede that tortures his mind, body, and soul.

On the surface, Centipede is about one man's quest to rid the world of the giant monster that's destroyed humanity. It could have been just that with some great visuals and occasional gags. Instead, it does something more, taking you on a crazy ride that's part psychedelic and part pure insanity. It's way more than just an Atari game now.

Chainsaw Man introduces us to a world of monsters, forcing its main character to become one in order to live there. It has a tremendous amount of potential if it can avoid the groan-worthy juvenile humor it seems to divert so much attention to.

Up until now, Chainsaw Man has been playful with pieces of gore thrown in. It's about this fun-loving guy who turns into a chainsaw creature and tears through demons. Fujimoto pulls the rug out from under us with this volume, showing the real stakes for these characters and what they must be willing to do to keep the world safe. It's a major step up for the series.

The Super Sons are back with a new pint-sized adventure! What kind of hijinks will the son of Superman and the son of Batman get into next?

The Doom Scroll picks Wonder Woman as its next target and the Super Sons must save her life before time runs out!

Rora stands revealed, but that giant monster is more pressing at the moment. The next generation of the World's Finest continue to try and figure things out in this gorgeous digital-first issue.

Vandal Savage has waited 5,000 years to fight the Super Sons and he's kind of pissed. He's never fought someone like these two though. The boys' time-traveling adventures continue in this latest chapter.

Revenge is a pretty basic emotion. It's something that anyone that's ever been wronged can understand. Fighting zombies is quickly becoming another basic emotion, so putting the two together is a no-brainer (no pun intended). This is probably why Champions of the Wild Weird West works so well. It's a fun comic that touches on a variety of supernatural creatures in a short amount of time without feeling too cumbersome. I would watch a cartoon based on the book in a heartbeat. The authors left more than enough room for a sequel and I definitely want to see more.

Chastity is getting off to a slow start.  I would have preferred more time spent on the vampire element and less on the boring details of her family life.  Hopefully with that out of the way, the comic can continue on with the girl's new status quo now that she knows vampires are real and are very much interested in the blood coursing through her veins.

Chastity is back and up against a villain more heinous than ever. She's used to fighting vampires, but this is something else entirely. We're re-introduced to this character and what she can do. It's easy to understand that there's a lot more bloodshed in her future.

This arc is wrapped up with a solid ending, however the door is left wide open for more as the creative team teases a darker evil behind all of this mayhem. It's something I very much hope we get to see explored further, but with Chastity popping up in the upcoming Vampirella spin-off series, Sacredsix, I'm not sure that we'll get the opportunity. As it stands, this is a solid, blood-soaked adventure full of supernatural carnage.

Chew / Revival is the kind of comic I wish happened more often.  Two books that don't seem to totally mesh together on the surface have found a way to weave their storylines through one another.  I'm not expecting them to make this a regular occurrence or even to do it again.  The fact that it happened at all is pretty awesome.  There's even a nod to another popular Image comic in the issue.  This does beg the question: What other crossovers can the publisher get through?  Can we get a Ghosted / Hoax Hunters mash up?  What about Walking Dead and '68?

The long-awaited and much-anticipated Children of the Atom kicks off with one of the most impressive debuts of the X-line. This powerful issue takes a look at identity in the world of mutantkind in a really meaningful way.

Chum presents you with intriguing characters, an interesting setting, and a riveting plot.  These folks have been living in what passes for harmony in what should be paradise.  Now it's all about to spiral out of control despite some best laid yet hastily made plans.  This is dark.  This is cool.  This is just so damn good.

Chum is a book tailor-made for any fan of film noir or pulp novels.  It's the epitome of cool.  At its center is a woman with nothing to lose and everything to gain.  If that means that she has to take out a few of the locals that have been bringing her down all these years, so be it.  There's one issue left and this one ended in such a powerhouse move that I cannot wait to see how the creative team wraps this up.

Cinderella: Serial Killer Princess is a wet dream of violence.  Every other character is cannon fodder for the star, as she literally cuts through them like a hot knife through butter.  If you're a newcomer to Cinderella and by extension, Robyn Hood, these deaths will lack any real meaning, as you won't know who anyone is or why they're important.  If you want to see a beautiful woman murder a number of people in increasingly elaborate ways, this is for you.

Cinderella: Serial Killer Princess is a fun, gore-filled romp through the Zenescope Universe. It cements the title character as the publisher's version of Deadpool, quick with a blade and a lame joke. If you've ever wanted to see some of your favorite Zenescope characters horrifically murdered without any consequences or affecting any real story, now is your chance.

Clarkville has some good ideas within its pages, but it comes through as clunky.  It could be streamlined a bit more to get to the scares, which would allow more room to explore the ghosts' backgrounds and the hotel in general.  Why is it haunted?  Is management in on it?  What was up with Eric's pills?

Clean Room is a damn satisfying read.  This is a book that will grip you from the first page and never let go.  It helps that it's scary as hell.  This is a horror fan's dream comic.  Instead of yelling "Don't go into the basement!" you want to warn whatever is lurking down there to be wary of Astrid Mueller.

I love everything about Clean Room.  It's a book that fires on all cylinders with a riveting story, incredible artwork, and more than a few "Holy crap!" moments.  It's the kind of comic where you get to the end and immediately look up the release date of the next issue.

Clean Room kicks off a new arc in style, working with the new status quo, moving the characters into position to explore the mystery even further.  Intrigue is bursting from the seams of this comic.  You've got monsters, amazing characters, and a terrifying baby.  What more could you ask for?

Clean Room never fails to deliver.  It's a near-perfect horror comic that provides scares of all shapes and sizes.  You can try to look away, but your eyes will always be drawn back.  You just have to see what happens next...and then what happens after that...and so on.  Every time you think you've seen it all, the book twists again and plunges you deeper into the abyss of terror.

There's a reason I called Clean Room the #1 horror comic of 2016. It's moving into 2017 without missing a beat as it continues to deliver solid storytelling with jaw-dropping artwork. It's creating horror on another level. This isn't just people getting cut up by a slasher or some demonic creature stealing souls. This is terror in the truest sense of the word.

If this is the end of Clean Room, it is an incredibly satisfying conclusion. Writer Gail Simone ties up a number of loose ends, pulling everything together in a nice finale. I obviously hope to see much more of this amazing series that has terrified and delighted me for eighteen solid issues. All too often a story can keep you excited in the beginning and middle, but fall short in the end. I'm happy to say that that is not the case here. Clean Room delivers on all fronts.

This will undoubtedly be explored and cleared up in the remaining chapters along with some other questions that have popped up. As it stands, Clodagh #1 is a solid opening salvo for this dark fantasy / horror series.

The end of this issue finds some of the prisoners in a no-win position that creates an immediate sense of excitement for the reader. How are they possibly going to get out of this mess alive? This rag tag group has to work together if they hope to survive against all of the odds that are stacked against them. I have no idea where it'll go next, but I can't wait to see what Brisson and Couceiro have in store with this series. Cluster is a perfect example of space prison sci-fi done right.

After reading Cold Spots, you'll be thinking twice the next time you feel a chill. There are still many questions about this world and what these translucent beings are, however there's more than enough here to pull you in and scare the crap out of you. This is grade A terror.

Cold Spots reaches a conclusion with this issue, but it's clear it's just getting started. This opening arc is like an origin story for a world of terror that I can't wait to see explored further. It's a gripping tale that shows how far one man will go to save his daughter, even if that means facing down evil spirits from the afterworld ready to suck the life right out of him.

Colder: The Bad Seed is a welcome return to insanity. It's a horror book unlike any others that are currently available on the shelves, filled with pure terror and real human characters. This is the kind of comic that you would read under your covers with a flashlight and then have nightmares about.

Colder: The Bad Seed is a welcome expansion to the original series. It's not bogged down by exposition or needless explanations of the new villain or Declan's past. Instead, it's an immersive experience that surrounds the reader with terror that crawls right up your spine.

Colder: The Bad Seed is easily the scariest comic on the stands right now. This is terror that will creep up your spine and make you cringe. You'll want to look away but you can't. Once it wraps its long, claw-like fingers around you, you're trapped. It excels at visually exploring insanity as one woman fights her way through all manner of crazy to get to the love of her life, but she might not be happy with what lurks in Declan's deep, dark past.

Colder: Toss the Bones is filled with the kind of horror that seeps into your skin, spreading to every fiber of your being until you're too frightened to turn the page.  You can't help yourself though.  You have to see what happens, even if that means going down the rabbit hole of insanity that is Nimble Jack and the Hungry World.  While this is the final chapter in the Colder trilogy, creators Paul Tobin and Juan Ferreyra are just getting started. Read this on the toilet because it may scare the crap out of you.

Colder: Toss the Bones is an unsettling, disturbing read, but it's one that you can't help but be pulled into.  You'll devour every page and beg for more.  It's the kind of horror that stays with you long after you've finished reading it and will have you looking over your shoulder for hours.

Collapser is unpredictable and insane. You never know what's waiting for you around each corner. It could be something that brings a smile to your face or scare the living crap out of you...or both. This is like One Flew Over the Cuckoo's Nest meets world-ending catastrophe.

What's next for our cosmic hero with the shattered mind? Get ready for another fascinating character study in the Black Hammer universe.

This fascinating character study continues, taking us through time and space to show how Colonel Weird got to the breaking point.

Colonel Weird finds what he was missing and it's a game-changer. As he bounces between one tragic moment from his life to another, he may have found the piece that will set him back on track in this gorgeously illustrated comic.

Come Into Me is a disturbing read, blending body horror with technology in a way we haven't seen since The Fly. Everyone seems to agree that we're spending too much time with social media. This might just be the push you need to stay off of Facebook for a little while, as it presents a dark and scary possible future.  Writers Zac Thompson & Lonnie Nadler have made some really creepy stuff here.

Come Into Me is the most unsettling comic I've read this year. Writers Zac Thompson and Lonnie Nadler have crafted something that gets under your skin by design. The very thought of becoming a prisoner in your own body is horrifying. This book plays with that concept in a very intriguing way. You're not going to get something like jump scares in Come Into Me. Instead you'll get a horror comic that will scare you to your core. This is taking body horror to a new level.

Come Into Me was already a solid horror title, but this issue catapults it to new heights. It is hands down one of the scariest comics of the year and it's not over yet. I cannot wait to see how this wraps up.

I could go on and on about Come Into Me, as it's easily one of the best horror comics of the year. This is a terrifying book and this final issue is gripping from beginning to end. Writers Zac Thompson and Lonnie Nadler have stretched the boundaries of this medium, creating something that I should not have read right before going to sleep.

Do we need a brand new super hero universe? If it's Commanders in Crisis, I'm going to go with "Yes."

Starting a whole new super hero universe from scratch isn't easy. You need some more foundation laid.

Who killed Empathy? The Crisis Command may not like the answer as they try to save this planet from being destroyed like the others in the Multiverse. If you thought you can't do anything new in super hero comics, you need to read Commanders in Crisis.

A quieter chapter unfolds as the Crisis Command figures out its next move. They'll have to move fast as the fate of the world and the multiverse hangs in the balance. This series adds more compelling ideas to the often tired super hero genre.

Writer Ed Brisson crafts an unsettling and emotional horror story in Contagion. We're already invested in these characters from decades of comics. Now we're seeing them getting torn apart by something they don't understand and can't see. It all happens in moments too, so it's tough to prepare for such a shock. This is a great opener and fortunately, we don't have to wait long to see it play out.

Copperhead has all the makings of a great sci-fi western saga.  This may be a small town, but there's death and corruption and laser blasters.  Clara Bronson aims to clean this up.  The artwork is solid and the story is top notch with plenty of mystery involved to keep me coming back for more and more.

Corktown has a great hook that grabs you early on.  A ghost cop is trying to stop her vampire corpse from killing people.  It presents a slew of possibilities, each of which comes with its own set of questions that I can't wait to see explored further.

Corktown's premise of a ghost solving her own murder as her corpse walks the earth as a vampire is a good one. It's solid and intriguing, pulling you in with the elevator pitch. This issue was a bit of treading water, as it didn't really advance the story and filled in history that we didn't really need. In the end, you could skip this issue and dive into the next without missing anything.

I had no prior knowledge of Cosmic Ghost Rider before jumping into this issue. Now he's one of my favorite Marvel characters. The comic opens with a brief recap of his life up until this point, told in defining images and one word captions that instantly gets you up to speed. I most definitely have to go back and read Cates' run on Thanos where this character is introduced. That's what I can do in the time before the next issue arrives because I need some more Cosmic Ghost Rider right now.

It's impossible to read Cosmic Ghost Rider and not smile. This has quickly become one of my favorite comics. It's a quirky and absurd concept that works so incredibly well. It's an absolute shame this is only a mini-series because I would totally read about the ongoing adventures of Cosmic Ghost Rider and baby Thanos traveling through space on a sci-fi motorcycle. There is no part of that idea that I dislike.

Cosmic Ghost Rider already established itself as one of my favorite comics of the year. This issue raises the bar even higher. It is such a fun, wacky ride that plays like a hilarious comedy. Frank set out to do something good that might make up for all the horrible things he's done in his life, but he might have made it a whole lot worse instead.

I'm so sad that this mini-series has come to an end. I could read this forever. Writer Donny Cates has done wonders with this character, so I'm glad to see that he's sticking around in the upcoming Guardians of the Galaxy relaunch. For now, this is a solid read that melds all these corners of the Marvel Universe into one awesome being. If you would have told me that a book called Cosmic Ghost Rider would have me screaming from eye-popping action one moment and nearly in tears the next, I wouldn't have believed you. This comic delivers on so many levels and it is an absolute must read.

So does Counter Terror deliver on the "Ghostbusters meets 24" logline?  Absolutely.  This is a dense first issue, but you will be fully entrenched within this world and everything about it.  Tyler James and Joe Mulvey have produced a paranormal blockbuster packed with action, horror, and heart.  The phrase "Ain't afraid of no ghosts" does not apply in this scenario.  

Counting Down from One is like Final Destination with time travelers. You're not supposed to mess with time, so fate intervenes and starts killing them all. In this case, fate isn't a mysterious force, but someone pulling strings from the shadows. This issue makes for some momentary fun, however doesn't have much to pull you in for more from this universe.

Iron Spirit is a typical Cal McDonald mystery.  It's very short, clocking in at just 34 pages, the length of your average comic.  This is presented as a hardcover on its own though.  I would have liked a bit more to it because it's pretty light on content.  The style is a nice change of pace with the prose telling the story instead of your basic speech balloons.  It's an homage to old-school pulp novels from the likes of Dashiell Hammett and Raymond Chandler...but with ghosts and giant robots.

There are some twists and turns by the end of this issue and I'm sure we're in for a shock for the fourth and final chapter of this series. It does feel like this story is wrapping up just as it's really getting going, so it's a bummer that it's ending soon. Cal McDonald always comes back and I certainly hope that's the case again because his unlikely adventures as a down-on-his-luck supernatural detective are always entertaining. Criminal Macabre: The Big Bleed Out is no different.

Critical Hit begins with a bang..and a wonk, crash, and a whole mess of explosions. It's a comic with a message, although I'm not entirely sure how effective it is at this point. If the book does go down the territory of human hunting as the official description describes, it will get a whole lot scarier as Jeanette and Sarah are put in the shoes..err...hooves of the deer that they were trying to save in the first place.

Croak is further proof that people should avoid the woods.  Leave them for bears and other animals.  You never know what's going to pop out at you when you venture through the trees.  Sure, you may be prepared with a sleeping bag and a first aid kit, but no amount of cotton swabs is going to help you clean up a dead body.

Croak is a terror-filled tale of monsters lurking behind every tree trunk.  We don't need to have much information or development of the main characters.  What we need to understand is their fear of what they're going through and that comes across in spades.  It's easy to identify with someone that is literally running for the life with a creepy bird / lizard creature right on their heels.  I dare you to read this before a camping trip and tell me it doesn't give you second thoughts.

Croak was originally meant to be a short film from writer Cody Andrew Sousa.  You can see how this could easily translate to the screen.  This is a stellar adaptation to the comic medium that keeps the same breakneck pace and tense action you'd expect from a movie, yet it's all on the page.  The monsters are terrifying and rival those found in modern cinema.  Although this is the end, I'd be curious to learn more about these creatures and what other terror they cause for those foolish enough to venture into these woods.

Crossing is a great debut with an intriguing premise.  Although it deals with some serious themes like suicide, it's presented mostly as a comedy, albeit a dark one.  It's definitely not like a sitcom with a ghost.  Instead, it's a more relatable story about two characters thrown together by tragedy and how they're working through it.

At the time of this writing, writer Enrica Jang is currently using Kickstarter to raise funds for the release of Crossing #2 and #3.

Cry Havoc has a strong opener that grabs you from page one.  That might be because the first page is also the beginning of the end of the story.  It doesn't stop there though; it pulls you in with each new thread of the plot, weaving a well-rounded and personal werewolf tale with a relatable, interesting character at its center.  The artwork is clean and gorgeous with just the right amount of terror to keep you on your toes. 

I am so excited for Cult Classic to expand into more stories. From the looks of Creature Feature, the creative team is going big. This is some top notch sci-fi horror that's just getting started. It's like Godzilla meets Happy Days through the lens of Junji Ito.

Cult Classic: Creature Feature is a solid and terrifying horror comic with a pinch of quirky humor. It's a tense read that will have you afraid to turn the page, but longing to do so to see where this story goes next. The book is filled with solid character development that only amplifies the scares. Do not miss this comic.

Cult Classic: Creature Feature is a horror fan's delight. You'll invest time with characters before seeing them go through hell with no guarantee of survival. Every time you think you know where it's going, the creative team pulls the rug out from under you and scares the crap out of you. That's some solid spooky storytelling right there.

We had a tremendous amount of build-up for Cult Classic: Creature Feature filled with real characters and unsettling monsters. The ending feels a little abrupt and it's far from a nice and tidy happy one. Writer Eliot Rahal leaves us begging for more from this world and these characters, however I have to wonder what else the town of Whisper can endure after this. Cult Classic: Creature Feature is unsettling, otherworldly, and all kinds of scary. Most importantly, it's unpredictable and truly unique. There are no other horror comics like this one. It will keep you guessing until the very end.

This issue ends on an incredible cliffhanger that raises the stakes for the story considerably. There is already a solid premise going in, but the final page pushes it to the next level. In many ways, Cult Classic: Return to Whisper reminds me of Stephen King. It has that same emotional connection, baiting you in with compelling characters and a unique setting, then throwing in a twist that reels you in. This is a fantastic way to start a shared universe.

Cult Classic: Return to Whisper is a great, character-driven comic with a nice mix of humor, drama, and scares. Although I can't tell all the kids apart yet, I'm very much along for the ride based on how real they come across and how relatable their lives are. Granted, I never discovered buried treasure as a kid, but I totally dreamed of doing that. Who hasn't? This makes the troubles and bloodshed that fills their present day lives all the more gripping.

Cult of Dracula introduces some interesting ideas, although they don't quite come together in this debut issue. Obviously, it's laying some groundwork for the rest of the series, however it's unclear as to what this is trying to achieve. For example, if you didn't know up front that this is pulling from Bram Stoker's Dracula, you wouldn't know it. There's no reference to it or even vampires for that matter, so it misses the mark.

Curb Stomp comes off like an exploitation film, but empowers the women featured within it. This is a gang that's tough as nails and backed up with a lot of heart. It's the kind of comic that you want to read while blasting punk rock music.

Curse is off to a great start.  This is the kind of origin issue you want from a new story.  There's just enough information to make it worth your $4, with enough questions to make you want to come back for more.  The shots of the werewolf are sparse, but the scares come from the fact that that Griffin is taking the first steps down a dark path and he doesn't even realize it.

Although the werewolf is not the main character in Curse, it never lets you forget how dangerous it is and can be.  It can symbolize what we're all capable of when our backs are against the wall. This finale is one of the best single issues I've read this year. Curse is solid tale that despite some predictability, surges forward with pure emotion and unbridled horror.

Avengers: Curse of the Man-Thing is the first chapter of a bold new path for the protector of the Nexus. It has the potential to redefine the character, putting Man-Thing on the map in a big way. This story sets a high bar right out of the gate and it's clear we're in for an epic adventure, bringing all kinds of horror into the Marvel Universe.

The story gets supernatural by the end, further expanding the mythos behind the Man-Thing in new and interesting ways. I'm very curious how this story will wrap up with the X-Men in the next chapter. Man-Thing is frequently compared to Swamp Thing over at DC, but it's less regarded, perhaps because the character hasn't had a breakout story to really put it on the map. This could very well be that story.

Curse of the Man-Thing is a great re-introduction to this character as it celebrates its 50th Anniversary. It's redefined Man-Thing and put him squarely in the horror side of the Marvel Universe. Although this story is done, the door is left wide open for more and I certainly hope we get the chance to see this revisited soon.

If you sit in the middle of the Venn diagram of super hero fans and horror fans, Cursed Comics Calvacade is a must-read for you. Show this comic some support because I desperately want to see more like it, and not just every October. Can you imagine an ongoing anthology comic like Creepy or Tales from the Crypt set in the DC Universe? I'd be all over that and I'm sure I'm not the only one.

Cutter presents a pretty basic horror story that we've seen many times before. What has yet to be seen is how the creative team puts their own spin on it. The truth behind Emily's death and return has yet to be revealed, but it better be something epic to make the comic stand out amid the clichs of the genre.

Damage Inc has some real potential, it just lacks the polish it needs to make it a solid read through. This chapter ends right when the action gets going and Burton ups the ante considerably by that point, so I'm curious as to where it goes next. The pencils and lettering could be tightened up to make for a cleaner comic.

It's clear there's much more story left to tell for Tommy and Eva and I sincerely hope we get to see more from them. Dame from the Dark has an intriguing premise that lends itself to tons of story possibilities. It also serves as a nice complement to Lonesome Days, Savage Nights, another supernatural detective book from TKO. Now that's a crossover I'd love to see.

Danger Doll Squad is like a pop culture fueled Tron with boobs. It's an adventure through cyber space starring three of Action Lab: Danger Zone's signature characters. It's over-the-top and completely bonkers, but it's constantly fun.

Since this issue is largely setup, it gets by on all the crazy violence. The story is a little light as it's basically just putting Amalgama in position to head back to Earth and start a fight. If this is what she does to get started, imagine what she'll do when she reaches her target. We've dealt with witches, zombies, vampires, and other supernatural creatures in this universe and now we're getting a real sci-fi adventure. It's dripping with just as much blood as the other titles so I'm curious as to where Amalgama will go next.

There's more than enough to dig into for your average sci-fi fan. The horror elements are a little lighter so far, but they're making their presence known by the end of the issue in a rather disturbing way.

Daphne Byrne will get under your skin in the best possible way. It's a horror that creeps up on you, sending a shiver up your spine with each turn of the page. This young girl is getting pulled into the depths and the only one there to help her is pushing her head down below the surface.

This slow burn continues to delight as Daphne Byrne solidifies itself as one of the most unsettling comics on the stands today. This poor girl is trying to find her place in the world, haunted by a mysterious creature making quite a case to embrace the strange and unknown powers she seems to possess. Writer Laura Marks leaves just enough open to interpretation so there's a part of me that wonders if this is all in Daphne's head and I absolutely love that feeling.

Daphne Byrne continues its spiral into sheer, unbridled terror. Things get darker and grimmer for our main character as the horrors mount around her, both from the real world and the supernatural.

I'm not sure how long into the forty days Dark Ark is set, however spending any amount of time cramped on a boat with a bunch of supernatural creatures is bound to be a tense experience. Somehow, with all these monsters, the human element shines through. The comic delivers a one-two punch with terrifying beasts and personal, relatable characters. It sets a very high bar right out of the gate.

Dark Ark grabbed me with the first issue. This is where it tightens its grip. The stakes are raised considerably as we see just how quick the monsters are to violence. We may have started with one corpse, but it is not the only one by the end of this chapter and I'm sure there will be plenty more before the series is through.

Every issue of Dark Ark has left me wanting more. Writer Cullen Bunn is telling a terrific story that is only getting better with each chapter. The mix of monsters in an enclosed space provides an environment of great tension and terror.

Dark Ark presents an exciting new spin on a biblical story we all know well. It does so with intrigue, mystery, and a fair-amount of monsters. The very idea of an ark filled with all manner of supernatural beast...and a couple of unicorns... is pretty great. In the hands of writer Cullen Bunn and artist Juan Doe, it's an awesome, tense comic well worth your time.

Dark Ark takes some awesome and terrifying turns as it begins its second arc. Shrae has survived a vampire mutiny aboard his ship but now has to keep the humans on Noah's ark safe or his entire family will perish. That's a pretty tough job when there are even scarier monsters swimming beneath the waves.

Dark Ark delivers a solid balance of terrifying monsters, tense drama, and incredible characters. This is the kind of comic that will make your jaw drop. Writer Cullen Bunn crafts a white-knuckled ride through the Great Flood with all kinds of untold horrors waiting both over and under the surface.

Dark Ark continues to up the ante with every issue. Each time I think writer Cullen Bunn has topped himself with an incredible twist or outstanding reveal, the next chapter reaches new heights. At this point, I have no idea how Shrae or Noah are going to survive the rest of the Great Flood.

You'd think that a series about a boat would end once they reached land and got out. Fortunately, the story is not over, as there is still plenty to explore with these characters, the monsters, and this world. There was one big question left unanswered with Dark Ark and I'm glad to see it as a main focal point in After the Flood. This comic is going biblical with horror and I'm here for it.