Great way to humanize these villainous title characters. Lots of tension built up. The world feels even bigger now.

One of the best stories to come out of the Big 2 in years. It's smart, heavy, and doesn't hold the reader's hand, instead letting them project their own interpretations and ideals onto the characters.

Completely different from what you'd expect from a Marvel book. It starts off with a creepy suburban atmosphere where you know straight off the bat that something's wrong, and it pays off at the end. The most promising ANAD book so far.

A very grounded and personal story that takes its time to re-unite the old and the new, while also delivering a metanarrative that reminds readers why they loved superhero comics in the first place.

This is going to make people soooo mad.

Thoroughly entertaining, with a nice share of satire that sometimes hits a bit close to home.

Imagine if Spencer's ASM was even a fraction as good as this.

Deep, thoughtful, and introspective examination of DC's history. Racists are apparently mad that the writer is black. A shame.

LOL they straight up called out Deathstroke for being a pedophile. The Comicsgaters are gonna be maaaaad.

This series explores how different perceptions and opinions may form. Too bad idiots are review bombing it because they can't handle a different opinion.

From the same writer of Prez, Flintstones turns its premise on its head and becomes a sharp satire on the failings of modern society. A must-read.

Consumerism hits bedrock. This is one of DC's best books, and is up there with Superwoman for book of the week.

The usual chuds are going to be outraged over this being "political", just like they did with Hellblazer. Glad Spurrier is telling them to fuck off.

Possibly the best comic DC is putting out right now, now that Hellblazer is over.

The bootlicker is going to be ass-blasted over this.

Who are the idiots calling Ram V "green"? The man's been dishing out instant classics for years now.

Holy shit, are people ass-blasted at the slightest hint of any theme. This is what happens when you get all your political opinions from child-molesting Youtubers.

Fantastic character work and world building here. Looks to be one of the best books of Rebirth hands down.

A good thematical setup for what should be another memorable Batman saga. Great use of visuals to convey the changing of the seasons. Duke should make a fine sidekick, as King has a great handle on his character, as seen in Robin War. Probably the best of the Rebirth issues.

Excellent writing debut for Cliff Chiang. Already better than all those shitty 2000s writers that people on this site slurp off.

Forget the god awful Deathstroke runs of the past. This is a deep and challenging book that examines the morally gray role of a self-serving mercenary in a world torn by political conflicts. This is DC's top anti-hero book by far.

Easily the better issue between the two Batbooks this week. Makes a clean transition between Grayson and Nightwing, while injecting the book full of heart, and keeping readers' interests.

Strong issue that fleshes out all of the different characters that will be involved in the Robin War. Some (like Tim and Jason) are better here than in their own series. Duke makes for a strong and relatable protagonist. It's a considerable step up from Batman and Robin Eternal.

Overall, it's a strong finish, despite a few loose ends not being completely addressed. The character arcs for Duke, Damian, and Dick are done very well, with their contrasting viewpoints of what the Robin mantle mean to each character. It does feel a bit rushed at times, with not every plot point from previous issues being fully fleshed out, and the artwork is inconsistent due to all the different artists. Still, it's one of DC's better events, and certainly worth a read (tie-ins notwithstanding).

LMAO the Biden Derangement Syndrome is real

LMAO the bootlicker is ass-blasted

It's a clever way to tie the Secret Six to the supernatural side of the DCU. There's a lot to look forward to here.

It's a shame that the Amazing Spider-Man will never be half as good as Zdarsky's Spider-Man. Spencer fans be mad

Feels like a proper Superman title.

Anti-vaxxers getting ass-blasted over this is the funniest thing yet, and actually improves the reading experience.

I can't imagine the lengths of self-oppression one has to go through to be offended by the slightest hint of political themes.

LOL bootlickers are so mad

What is the bootlicker butthurt over this time?

Solid writing and characterization all around. Tomasi really knows how to make his characters come across as real people. A great Jim Gordon story.

Excellent issue that brings in Jim Gordon's skills as a detective and experience as a father to light. A great little two-part filler arc that does exactly what it needs to do.

The opening is a bit contrived, but the interactions between Grayson and Gordon are nice. This feels mainly like a bridge issue to set up the next major beat of the crossover.

Smart narrative about morality and revenge that cohesively weaves itself through multiple timelines without missing a beat. If you want a story that holds your hand and treats you like an idiot, I'm sure there are other books out there.

I wonder if that terminally online "professional" reviewer is going to get butthurt at everyone who disagrees with him again.

lol the anti-vaxxer is triggered

LMFAO the pedophile is butthurt at me again. I must be living in his head rent-free.

lol people are butthurt over the "Truth, tolerance, and justice" line. There perpetually outraged strike again.

Great and incredibly creative use of AUs. I'm sure the usual outrage crowd is still ass-blasted over the "Truth, Tolerance, and Justice" line.

Strong art, writing's okay.

A smart and realistic Batman book that actually explores the details of its world. It's what Batman Earth One would be if it were written by someone competent.

Need more Batman comics from these excellent creative teams.

The plot and villains were forgettable, but the action and the team-up was a lot of fun. And that's what this book is: a fun action series with lots of snarky banter that doesn't make its characters one-dimensional.

Interesting twist that really solidifies that central message of this series so far: that Midnighter knows everything there is about fighting villains, but is weak and vulnerable as a human being.

There's a lot of setup to feel like a #1 issue, but there's just enough plot and action to set a hook for the next chapter. Seeley has a strong character dynamic with a small roster, and Ferreyra's artwork is gorgeous.

Fun, silly, and light-hearted. Starfire is presented as culturally unaware, but still capable and with a big heart.

A very action-packed issue that shows Kori's more heroic side, and what she's capable of when the people close to her are in danger. "Beware the nice ones" indeed.

A fun, cute issue that finds time to amuse but also establish strong character work. There is a plot point that kind of comes out of nowhere, but the writers will presumably follow up on that.

At its core, this book is slapstick comedy stuffed with visual gags and the occasional sci-fi action, but there's a surprising layer of maturity underneath. What seems like an obvious setup for a love triangle sidesteps the cliched drama, and all characters come out for the better. Differences between the characters' motivations are conveyed clearly without being too heavyhanded.

A fun and heartwarming goodbye issue. Excellent portrayal of Starfire all in all.

It's an origin story that's been told before, but the setting, characterization, and execution are done so masterfully.

Decompressed as it may be, there's a lot of character and thematic depth being explored here and Rucka makes each panel worth it. There's more substance in each issue here than there is in many other "quick read" books, like Suicide Squad or Red Hood or Justice League.

Great character-driven issue that lets the readers get to know Barbara Ann.

One of the best issues yet. Maps meets a Robin, and is enthralled with a story about the first. Some major plot development, too.

Better than the current Justice League, and Injustice, and all that crap.

A fun and vivid issue that successfully captures the heart of each of its characters. A real glimmer of hope for the Teen Titans franchise, and a major step-up from Percy's usual work.

"Wahhh I want muh Joker!"

Idiots who are bawling their eyes out over not getting enough Joker wank are pathetic. Edit: lol here comes my mentally deranged stalker who is obsessed with me.

Smart, engaging story. Not for those still butthurt over this not being a Joker-wank.

Mainly a setup issue, but there's a lot of spywork being done, and several plot threads being lined up against each other.

Another excellent issue that examines what it truly means to be Robin, and what Dick Grayson is willing to do to keep everyone safe. Each of the Robins is written very well, and gets time to show off who they truly are beyond a single dimension.

Rushed, but ultimately a decent ending that ties previous threads together.

The plot and villain were rather weak, but this arc had a lot of heart overall

Good stories from King, Snyder, and Orlando. Dini's story was a letdown.

The mentally ill guy with his alt accounts is really telling on himself here.

Kevin Conroy's story alone is better than all the nostalgia pandering crap that DC publishes from over-the-hill writers that peaked a decade ago

Smart issue full of intrigue and espionage.

Well-plotted and paced, though it suffers a bit too much from exposition dumps towards the end.

This series needs to get back to main story arc, instead of fishing for sales numbers.

There are interesting ideas at play, but the execution falls flat under Priest's disconnected pacing. Now that this sales gimmick is over with, let's get on with the real story.

This book is back on track now that it's examining Slade's psychosis and continuing from where it left off before the Deathstroke vs Batman gimmick.

It's a good comic, which means that pedophile-supporter Ethan Van Sciver is blubbering into a webcam somewhere.

Does a solid enough job looking at Damian's insecurities, and giving some fun but meaningful interactions between Damian and Selina. Was a bit more wordy than it probably needed to be.

lol the guy who simps for Scott Lobdell and his pedobait is crying about people having different opinions. This is what being an anti-vaxxer does to you, kids.

Powerful, tense, and full of action. Feels very much like Batman to the core, while still fresh at the same time. An issue that seems to have gone over quite a few people's heads.

Deals with the emotional impact from the previous issue, while setting up the greater plot. Lots of intrigue, and little nods to classic Batman stories.

Provides a great deal of backstory and character depth to the Gothams, while still moving the plot brusquely along with minimal handholding. Easily among the best Rebirth books.

Strong and emotional conclusion to the first arc, although its cliffhanger get is awkwardly integrated.

An entertaining start to a crossover, even if it's not as good as the regular book.

Very smart, well-drawn issue that serves as both a character study and an examination of how the legal system works with Batman.

Excellent self-reflective issue. People need to learn about how jury trials work.

Kind of pathetic that people are making alt accounts to review bomb this.

This run has been so middling enough that I can't imagine how the terminally online could actually get worked up over this. Or why that "professional" reviewer has to go attack everyone who disagrees with him.

It's sad that Red Hood fanboys are still harassing and trying to cancel Chip Zdarsky over Urban Legends. I know some of them got banned from this site for unspeakable and perverted things.

LMAO the idiot who harassed me and then blocked me is randomly screeching about Tim being black in a TV show. Poor guy has me living in his head rent free apparently. This is what happens when you let yourself get brainwashed by idiot Youtubers.

It's sad that mentally ill Red Hood fans are review bombing this with their sock puppets.

Is that brain-damaged Red Hood fan still review-bombing every Bat book with his alts?

A fulfilling comic with a ton of story packed into 20 pages, and plenty of surprises. Art is very clean, and despite having so many panels, the storytelling does its job very well.

Decent collection of stories, more good than bad.

It's an inventory issue, but it's an issue that nicely captures what this whole book is about. The character interactions are handled well, and Fawkes conveys a firm understanding of who Damian is, and why he's trying to be. The artwork captures the frantic action of the story well enough.

A strong Rebirth issue that is packed with both action and heart, and plants the seeds for a first arc.

Eh. Could be better.

Shows a lot of promise and understanding of Superman. People can put their pitchforks down.

There's a setup to an overarching mystery, and this issue takes its time, while dropping hints everywhere. It's a book to follow for the long haul.

Dallied around a bit too much. Feels more like a setup issue for things to come.

Clunky issue, with too much exposition, and poorly paced plotting.

Very strong issue that moves multiple plots forward. Gordon gets some very nice moments, and the other storylines begin to come together nicely. There's an interesting cliffhanger there as well.

A rather introspective and self-aware issue that questions the value of fleeting tranquility, before racing towards an exciting climax. While this story arc has had a few lulls, there's no doubt that Snyder has managed execute a strong and character-driven story arc out of a status quo that had some shaking their heads.

It's a very emotionally heavy issue. The glimpses of future (or Elseworld) Batmans play nicely with the present-day story, and Snyder unexpectedly brings in a Chekov's gun to complete the arc for some meaningful closure.

Chip Zdarsky deserves better. Lol that weirdo Red Hood fanboy is seeeeething

lol Red Hood fans are SALTY AS HELL over at CBR. They want their Mary Sue back. edit: lol my stalker is back

I expect I'll get death threats again but's sad and pathetic that mentally-deranged morons are slandering Chip Zdarsky for writing Red Hood as a human character with flaws instead of whatever Mary Sue crap he was before.

LMAO Chip Zdarsky writes Red Hood as an actual character instead of a Mary Sue, and it's made that one mentally ill Red Hood fan super salty.

And of course, terminally online Red Hood fans and their alts are slandering Zdarsky for daring to write a good story instead of a Mary Sue fanfic.

lol the Twitter incels are ass-blasted over a comic they didn't even read Edit: Even funnier, the folks with the parasocial relationship with Jason Todd are once again slandering the best writer he's ever had.

Good setup, but very decompressed.

LOL of course the guy (and his alts) who blocks people for saying "molesting children is wrong" is triggered.

Everything is pretty solid here except the coloring. Don't know what nepotism hire DC made here, but the shit I took last night was a better coloring job.

This issue is going to get negative review bombed by those with parasocial relationships with pedophile YouTubers (The Quartering, Yellowflash, etc). Wow, DoorMan and Mingthemerciless are really eager to defend pedophilia to the death. I wonder why.

The series has gotten stronger, though this was mainly setting up Robin War.

Who was the idiot who looked at Brett Booth's art and thought, "this is acceptable for a professional artist"? Nepotism is not good, folks. lol Brett Booth's friends getting salty

Strongest start to a Batgirl book post-Flashpoint so far.

Mostly fun story that's somewhat held down by an oddly forced romantic subplot.

More fun than any actual Injustice book.

Book of the week. Excellent character-driven issue that continues to explore Nightwing's psyche.

Explosive finale with a few interesting developments. Still very character-rich.

Maintains a consistent tone from the previous crossover issue.

Rushed storyline that is more of a setup than a full arc. Still better written than Percy's Green Arrow, though.

Writing is fine for a status quo setup that the writer won't be bothering with.

Expect little more than predictable cliches and dry exposition. Nepotism is killing DC.

Scott Lobdell fans are LIVID lmao Edit: decided to raise it half a point just to trigger them some more

What are the Twitter incels outraged over this time? Something about this being offensive to rich people?

LOL the guy with a hardon for pedo-bait writer Scott Lobdell is blocking everyone who has a reasonable opinion. Just as bad as the anti-vaxxer.

Wow, the pedophile with the alts is really offended over "Happy Holidays", huh? What a thin-skinned snowflake.

A good intro with an explosive start.

Crossover's been okay. Decent enough, nothing special.

Strong start for an event, with a healthy amount of worldbuilding.

A strong start that looks the establish the core dynamic between the characters while diving deep into their history. Very promising #1 issue.

Mainly just an Aquaman 101 issue. Decent, but a bit wordy.

It's sad that this is ending so soon, but there are some really great plot developments in this issue, and it looks like it's heading towards proper closure.

It's a very predictable and "safe" Catwoman story. The art's well-done, and the writing doesn't overextend itself. Nothing bad about it, it just doesn't live up to what came before.

lol the anti-vaxxer is butthurt again

Heavily fragmented story that moves at a clunky pace, and doesn't really hook the reader in until the end. JRJR's art is a poor fit here.

Less disjointed than the first issue. A pulpy fun mess is what it is.

Manapul's artwork steals the show here. The script is mainly a setup for the one-shots, but the art is just gorgeous.

A weak issue overall. This event started off strong, but is dragging its feet. Plot twists are haphazardly thrown around with no substance, and most of the characters are just standing around doing nothing.

A dull and overly drawn-out conclusion that has to reiterate every little thing on the page, so that readers don't get confused.

A good, fun lead-in to Titans.

Interesting idea, though it feels like it hits some too familiar beats.

Mostly mediocre issue that just shows Superman being a jerk. Doesn't bring in any new development for the character.

Powerful issue that goes deep into what makes Hal Jordan tick, explores his drive and his flaws, and ultimately reconstructs him as a truly likeable hero in spite of everything.

Just meanders without doing anything. Losing the fun that the Future State issues had.

Fun political satire.

Lots of fun, full of entertaining cameos. Exactly what you'd expect out of a crossover like this.

The art was really good, but the writing feels really forced. And the whole "dark secret that Batman is hiding from everyone" plot has been done too many times.

Really good character interactions all around, better than the first issue. Flashback sequence was really good, too.

Good for entertaining Batfamily interactions.

Weaker than the last two issues. The fight scene feels cluttered and goes on for too long, and the Batfamily interactions feel disjointed. Highlight was Dick giving a lecture to the new Robins.

Rather clumsily handled. Feels like Tynion wasn't sure how to handle Tim's origin, so he scrapped together an ill-conceived background, and left Orlando to fill in the blanks.

Solid issue with some nice flashback moments, although the plot continues to be contrived and uninteresting. Characterization was strong though. Even Jason Todd is written as a tolerable person, something that his own series is missing.

A weak and mediocre issue that spends too much time developing a subplot that ends up being meaningless, and shallow banter between two one-dimensional characters. Eternal seems to have fallen back into filler mode.

A surprisingly sound character-driven issue that sees Jean-Paul Valley turn over a new leaf, and Jason truly deal with his own death. The latter hasn't seen anything like that in his own series, so it's nice to see this, given that DC has essentially distanced itself away from everything that made pre-N52 Red Hood work.

A solid start that doesn't move the plot forward, but does give the main characters time to settle in.

Reads a lot better than what the Bensons did with Batgirl and the Birds of Prey. The plot was kind of pointless.

A rushed plot that leaves makes the whole entirely mostly forgettable, outside of the setup for the New Justice books.

A straight-forward action flick. Hitch handles widescreen panels well, but struggles with close-ups and faces.

This was mediocre, but 10 because it pisses off the JK Rowling simp.

It's fine, whatever. I'm sure there will be a crowd that will be outraged over it.

The most useless of the Superman books. Guest appearances are really shoehorned in. Greg Pak's Action Comics is much better.

Long exposition monologues that serve no purpose, awful cringe-worthy jokes, broken postures, and disjoined paneling. Who thought Scott Lobdell or Brett Booth were good ideas?

Better than the current canon.

Has some fanservice, but overall just weak and clumsy dialogue. Easily the weaker of the two Batman books.

A slow issue, but unlike other "slow" issues (see: Wonder Woman), but the plot has been utterly unremarkable. Second issue of this arc, and it's stuck with characters talking about their backgrounds to one another. And then throw in some Tim/Steph fanservice that seems to be in there just for the sake of pandering to Tim fans. Seems like Detective Comics just continues to be the "Batman book that's nowhere as good as the main Batman book".

A slightly-better-than-mediocre Bat book. There isn't much to this issue outside of a plot twist that was telegraphed well in advance, and makes very little logical sense. Clearly the weakest among the double-shipped Bat books, but not quite terrible. Best treated as a fanservice book.

Blandly written issue with very little momentum thanks to non-stop exposition

Some good stuff, some bad stuff here. Most of this issue flowed well, except for the contrived writing that leads to the cliffhanger. The only reason there's any tension to the cliffhanger is because of the rumors of a certain character being killed off. Barrows is back on art, and his work is considerably weaker than Martinez's.

In some ways it delivers, but it can't help but hit some really tired cliches. The ending cliffhanger is a mess that brings to the surface the ever-present problem with Big 2 comics: that their individual stories are often getting derailed by the "big picture".

Overall, it's a decent conclusion to an underwhelming crossover that tries to be too many things at once. This issue provides a big bombastic finale but it isn't quite able to find its thematic conclusion. We're better off resuming the storylines of two excellent Batbooks and a decent Detective Comics run.

A bit wordy, but a much stronger start to a new arc than previous issues.

Best issue of Detective Comics yet.