Tony Stark's demons come back to kick his ass. I don't know if Vicentini is the right choice for a story with this atmosphere.

Fantastic! That Quiet Council hallucination scene was nightmare fuel...

Convoluted dialogues and horrendous art.

Heh, not that good. It's confusing at times and too plot convenient (Druig is a giant idiot!). Also, reading a Fortnite's reference in a X-Men comic is just... No. But it's ok and it gives us some other explanations for the Eternals' motivations.

Best part of the series. Though, Earth being reset by a button? If only!

Mind numbing for most part... but I like the premise and the last pages. "Death to the mutants" it is, huh?

Yeah, ok.

I really loved this. Narration and action are perfectly balanced and every group has the right space and motivations. Also, Valerio Schiti is a wonderful artist (reminds me of my boy Patrick Gleason!). I just don't get Moira's hatred. Ok, she has every right to be mad at Xavier and Magneto... but becoming Anti-Mutant Hitler is maybe too much.

I was like "ok, good issue but nothing memorable"... Then came the last page. Holy fucking shit.

Kieron Gillen is quickly becoming my favourite X-writer alongside Ben Percy! Judgment Day keeps being great in every way.

This truly feels like a war and something that will have serious consequences on Marvel Universe. Will it last? Let's see.

DUN DUN DUUUUUN! The mutants can actually resurrect humans! Or do they? P.S. It was so satisfying seeing Captain Marvel die a awful death.

Weirdest (in a good way) ending I've seen for a Marvel event. Perhaps words are truly stronger than swords?

The greatest Spider-Man story ever. Dialogues, art, atmosphere... Everything is perfect.

This is probably Green Goblin's greatest story, alongside ASM 121 (obviously) and PPSM 25, which is a direct sequel to this issue. If you thought Norman Osborn was evil, just read this. Chilling.

SHAMEFUL. OFFENSIVE. This is literally a bad episode of The Bold and The Beautiful with Spider-Man characters. Affairs, secret children, out of character actions and sensationalism. JMS and Quesada should be BANNED forever from a Spider-Man comic.

Awful. Screw Straczynski and screw Quesada. These two are responsible for the worst stories in the whole Spider-Man history: Sins Past (atrocious) and this garbage. This is not Peter Parker, this is a middle finger to all the fans. SCREW THIS TRASH.

Really like this Sin-Eater return storyline. Gritty and dark, with a great writing and visual drawing.

This keeps going in a great way. A Sin-Eater army filled with hateful and frustrated people? Sounds like social-media in a nutshell. The atmosphere is great and Norman Osborn is the next target of the haunting villain!

Very hyped about next issue! Sins Rising is easily Spencer's best Spider-Man story yet, but I don't know about the ending of this issue. Seeing Peter's reaction to Osborn's possible demise was very interesting, but the Spider Army? We'll see.

A very good story, after all. Maybe a little too long and rhetorical (the Spider Gang's dialogues over freedom of choice), but the core (Spider-Man and GobLin team up) was great. Kindred is coming and he'll be revealed soon, so that's probably the most interesting part (still think he's Harry Osborn). There is also a little reference to the infamous Sins Past storyline and if Spencer is able to retcon or erase that garbage from existence he will instantly become my favorite Spider-Man writer ever!

Yep, I guessed it right. Kindred is exactly who I thought he was, but that's ok as it makes perfect sense. The story is very thrilling and lots of things happen, so you will be glued to the pages considering that it's told in non-chronological order. Let's see what's next and what are Kindred's real motivations! (But is he really THAT GUY? Could this be a huge fakeout or red herring?)

I like this. Norman's scenes are top notch, absolutely great. The rest... Yeah, not so much but these "LR" issues are not about Peter, so I'm fine.

Spencer, if you are going to do what it looks like you're going to do... Man, I love you. The story is well written and the art is great, but the most important thing is what will happen NEXT. The ending is a bomb. We'll see, this could be a gem or a train wreck. (Still don't like the whole "Spider-Totems" BS, JMS I hate you)

Spencer starts introducing other characters into this story-arc, but it's not necessarily a good thing as this feels over-crowded: Spider-Man, Norman Osborn, Kindred, Sin-Eater, Order of the Web and now a long known character I won't spoil. Fortunately we see what happened to Sin-Eater and his followers, because it looked like Spencer left the plot hanging.

Holy crap! I haven't been so excited about a story-arc in years. Kindred is really trying to destroy Peter Parker's life and I've rarely seen a more twisted villain. If this fixes the most infamous Spider-Man story ever, this whole new series will be 10/10.

After the shocking #52, this feels more relaxed and focused on dialogues. Norman's scenes are the best ones.

Nothing happens here, except for a obvious call on the infamous storyline "One More Day", that Spencer is clearly going to address or (hopefully) erase from existence.

I don't know. This feels like a completely different story. It's not as creepy as the Kindred tale and the Sin-Eater & Morlun arc looks basically useless. You can almost skip this entire issue.

I see a lot of disappointed people and I can get why: this feels a little slow and dragged if read on weekly basis. It will probably look better in a collector edition. Still, the story is brutal and very well written and Spider-Man will have to face some serious consequences after this!

Best .LR issue of all. The menaces are all coming for Peter: Kindred, Norman, Kingpin... How is it going to end?

The problem here is that I really like SOME parts (Kindred as a character, the atmosphere...) but sometimes this all feels pointless. Spencer is the best Spider-Man writer in decades, but it looks like he kinda lost control of this. To be clear, this is not a story arc ending.

Don't get me wrong: the writing and the art are always very good because Spencer and Bagley are the best you could wish for now. The problem with this whole "Last Remains" is simply the hype, as most readers were expecting something else. There was NO revelation and NO answers to what Kindred is really trying to do. It's always a "we'll see what's next".

If you're still pissed off by the last issues... You won't like this. Or will you? Spencer starts teasing something new here, including Carlie Cooper in the mix. Of course there are still more questions than answers, but I'm not expecting much anymore. Also, there is a very satisfying moment that I won't spoil. All in all, a good issue.

Well, well, well. Kindred is behind bars (kind of...) and Peter can have a little brea... Of course not. I really like the fact that Martin Li used Sin-Eater to get rid of his Mr. Negative persona. The issue is very entertaining and I'm glad that the Kindred plot is still present (we finally discover the reason behind Fisk's hatred for him). Let's see what's next, Nick Spencer! P.S. A Green Goblin hideout in Liz Allan's house? Didn't see that coming. Also, wasn't Normie red haired like his father and his grandfather? Since when he's platinum blonde like his mother?

I'm taking half point off because of Ferreira's way of drawing Harry and Norman. I never understand who's who, they are freaking identical! The story is fine, nothing great nothing bad.

Is this a real issue? A whole issue about... Nothing? Nothing happens. And when it does it looks out of place. The MJ story-arc smells like sh*t. The only redeeming part is the last page (no spoiler).

Considering that the Kindred affair has been apparently pointless, I'm very happy we're back to the funny and colourful Spidey from the first Spencer issues. Peter working as a "vlogger" for Norah Winters and J. Jonah Jameson was hilarious and I want to see what's next!

Glad to see that Spencer keeps up with the characters he's been using (Gog, Boomerang, Beetle...). It looks like the series has got back to the light-hearted tone of the first part of this run and I like to see Peter in a more "normal" life. VERY intrigued by the Robbie storyline! Also, Kindred is always there in the background and I think Spencer is waiting for a milestone issue to put him back on track.

Doesn't look or sound like Spider-Man honestly, but the issue was decent. Kindred's references are still the most enjoyable part, while the "Romeo & Juliet" angle kinda feels ridiculous and forced knowing Robbie and Lincoln's backstory (the usual "Hey, what if the most implausible thing happens?"). Not interested in the Kingpin and Tablet story anymore, it was already established previously.

Man this series took a nosedive recently. Honestly, after the main Kindred arc I feel everything is there just to be there. I liked the "classic" atmosphere during the Kingpin/Boomerang arc, but now even that is completely gone. So what do we have? ANOTHER villain back to life (The Rose, I mean, The Rose...) and Betty Brant being pregnant (everytime a pregnancy is shown in a Spider-Man arc things get horrible). Yeah, ok.

Good issue. Unfortunately I just can't get too excited about this series anymore, because of the latest story-arcs that felt like a time waste (Boomerang being a jerk and Kingpin unleashing chaos in the streets... Yeah, ok). I'm curious about this Clairvoyant thing, but the umpteenth return of Ned Leeds from the dead is meh. Also, as I said, pregnancy in Spider-Man stories has always led to horrible results (Yeah, you know exactly what I'm referring to).

First of all, I really dislike the art here. This Manga-like style is definitely not for Spidey. Speaking of the story... I don't mind this Clairvoyant mystery that's linked to The Foreigner and Betty Brant. However, I'm not in the mood for another "mystical return from the dead" by Ned Leeds. So now we discover he's been alive for a decade and was brought back by a random dose of Goblin serum he got in a Osborn hideout in Europe? The heck is this. I hope it's a red herring or I'll be seriously annoyed.

Spencer is losing control of what he created with this series. There are too many plots that were thrown in the mix during these three years and it just feels overcrowded. Also, the dialogues in this are simply terrible (and Spencer has always been brilliant with dialogues).

What? My Spider-Sense is feeling some quality, finally! Yes, the issue is pretty good. No waste of time, the art is good once again and Kindred is back! Am I happy for The Sinister Six's 656487th return? Absolutely not, but it looks like we're finally getting the answers we were supposed to get after the "Last Remains" arc!

Great dialogues, great atmosphere... But the art is atrocious. Why is Bagley only doing covers? Where is Gleason? This is literally the climax of Spencer's run! Anyway, this would be a 9/10 issue if we hadn't already read "Last Remains", because it's the same exact story and topic. Hope the Kindred mystery is ending on a high note, I still trust you Spency!

Hell, I don't know. On one hand, we have the usual "all questions no answers" from Spencer, but on the other hand this looks REALLY important as a twist. The revelation about Norman Osborn's past is controversial (I won't spoil it), but what scares me the most is the fact that Kindred may not be Harry Osborn in the end. And given the fact that we saw a European house, cloning tubes and numerous references to "sins"... I think this has something to do with two characters we all hoped were gone forever: The Stacy twins.

I didn't think this day would ever come... SINS PAST IS OVER. GONE. ADIOS. Nick Spencer destroyed one of the most disgusting things ever written with ONE SINGLE ISSUE. Not only that, his retcon makes even more sense than that garbage original one (ok, not everything works but... yeah). The twins are now interesting characters without that shadow of Gwen's infidelity (Spencer even takes a shot at JMS) and we'll see what happens in the final issue, considering Mephisto will play a big role. IF (and I'm saying IF) Spencer manages to address OMD after retconning Sins Past, he'll be my idol for eternity.

Oh, people will be disappointed. And so am I. I'm not rating this 5/10 or less because the issue is actually good (except for the art that's sometimes dreadful). Yeah... this doesn't address One More Day in any shape or form. It looks like it was all about Harry's tormented soul and the Stacy twins in the end. So, what did Kindred want actually? Why did they hate Peter considering he saved them during Sins Past? Why did Harry spent like 50 issues saying it was all "Peter's fault" considering it was Norman who sold his soul to Mephisto? Why did Mysterio say that all of the chaos was triggered by "something Peter and MJ did"? Spencer, this is not a red herring, it's straight lying to your readers. This story's biggest sin is being a Osborn saga where Spider-Man looks like a side character. Anyway, I actually liked the issue, but it's clear that the board changed Spencer's plans and the ending was rushed, because nothing happened for 20 issues before this and then they release a 80+ pages story. Goodbye Spencer, I still think you are one of the best Spider-Man writers in history.

I'm both excited and scared about this new run, I think it's either TOP or FLOP and no in between. I appreciate the fact Zeb Wells acknowledged what happened in the ending of Sinister War (with Harry's death and everything else) and I mostly liked the issue. It's fun to see two Spider-Men interact and the concept of a corporation owning Spidey's identity is definitely something new and original. We'll see: it's more Yes than No as of now.

"Hell yes, Spider-Man". This issue improves last issue's weak points and finally shows us more about Peter and Ben's relationship. Will Ben be a "superior Spider-Man"? Or will Beyond Corp. ruin everything only for Peter to get back and save his twin's ass?

Huge stepback, honestly. Not much happens and I really don't like Sara Pichelli's art here (she was way better on Ultimate Spider-Man). Ben and Janine are unhappy with Beyond, Peter is comatose and we see a glimpse of Black Cat. And... there is nothing left to say. Hope next issue is better.

Average. Not bad, just average. P.S. Peter reacts to Felicia and not to MJ? Shit, he's screwed once he wakes up.

Ok, ok... This was fun. Now I'm totally sold on the Daughters of the Dragon.

I'm not a huge fan of Beyond, for now. It's not bad, but it looks like nothing is evolving: Ben is always in doubt, Beyond is shady, Peter is in a coma and that's it. I like seeing classic villains coming back and I really like the art in this issue. We'll see.

The problem with this Beyond arc is that the issues are almost conclusive. The scheme is: A) there's a threat, B) Ben manages to defeat the enemy while almost getting killed (he's nowhere near as powerful as Peter, even with that suit, C) the issue ends with him going back to Janine and Beyond saying "oh Ben we were worried, just do what we ask for!". It's getting a little tedious, but I like the art and the situations so it's ok, I think. And the May-Otto part... Eh eh.

Fun story, happy to see Peter back and curious to know what he will do next (help Ben Reilly? investigate on Beyond Corp?). Just, please, spare me those sexual innuendos between May (who suddenly looks like a old super-model) and Octavius. Is Superior Spider-Man coming back? Looks like Reilly will have to deal with both Otto and Miles!

Spider-Man Beyond still runs short in my opinion. This is another one of those issues that show very little and repeat the "Beyond is bad but we won't show why / Ben is oblivious" cycle. Even with its many flaws, Spencer's run had me on the edge of my seat for almost every issue, this looks just... too generic. It's never bad, it's just so average.

What the hell just happened? A horror take in Spider-Man Beyond? I liked the issue, but it's an incredibly fast read and I now understand why they're getting released every week. Also, the Daughters of the Dragon are back... And it makes me happy!

Thank you, Patrick Gleason. After I don't know how many bland and forgettable issues of Ben and Beyond doing nothing, Peter is back in action (yeah, kinda) and we finally have a great artist to feast our eyes on. I love Gleason's art and I liked his writing here. The issue is actually preatty linear, but it's what I want from Spider-Man: drama, funny sequences and Peter overcoming the odds. This has all of it! Please Marvel, give Beyond to Gleason and I'll be grateful.

Well, well, what do we have here? A story going forward! And I think it makes perfect sense for Ock to be mad at Beyond, considering he created Parker Industries and they basically bought it for cheap. When will we see what's behind Beyond (no pun intended)? P.S. Ben Reilly is a giant dumbass in this run, the hell happened to him?

So it's finally happening. Ben is going to discover some pretty bad truths about the company he works for (it was about time!). Also, I'd like to see Maxine Danger's head on a stake (but the lady got style 😄). P.S. I've just realized that Otto is furious with Beyond for using his ideas... that he had while controlling Peter's body.

Holy freaking crap! This issue was amazing. Took them twelve issues to get to an interesting twist, but Zeb Wells knows how to do it. Will Ben snap or will Peter come back and help him? Also, genuinely surprised they mentioned Clone Conspiracy after the backlash it got from the fans.

Most important thing: I love Carlos Gomez's art, he's becoming one of my favourites! And this issue is absolutely amazing. Peter training with Cap and Felicia is a very fun read, especially the Cat robbing a bank in front of the other two. The highlight of the issue was Peter's "I'm not Daredevil" T-shirt by the way. Also, Ben is being reprogrammed by Beyond and things are getting ugly for him. It's been two great issues in a row, let's keep it that way, please!

Ben dropping MJ's ass with a clearly deranged super villain made me laugh out loud (but Peter will likely want to decapitate his twin now). Also, this issue confirmed the fact that I would very happily be a slave for Maxine Danger, and I mean that in a sexual way.

Hobie Brown gets kicked out of his company by Amazon basically and he gets mad. But I don't think all the managers in the world react by wearing a purple costume and sneaking into the corporation's headquarters. Fun issue anyway, it's good to see Beyond being a menace to other people besides Ben and Peter.

Holy crap, this issue was amazing (no pun intended)! Queen Goblin is not the greatest character, but her hypnotic Goblin Gaze is a genius thing: Bagley's art of Felicia's negative thoughts was fantastic and it helps characterising her even more. And... PETER IS BACK with a little help from Janine (I laughed a lot to Felicia sticking Peter in webs).

Peter makes fun of Matt Murdock's blindness - Ben calls Peter "bro". Of course it's a 9,5/10!

Peter and Ben fighting chickens. Horrible writing (the dialogues are completely out of place) and I really don't know what happened to Pichelli's art (it sucks badly here). Giant step back from the great previous issues.

I'm giving this a 7/10 ONLY for that Doug story. The rest... Meh.

Not bad, but also not an ending. Look, I'm not a huge fan of Spider-Man Beyond to being with as I think the potential was mostly wasted due to multiple writers and artists working on it at the same time. This kinda has very good moments (Peter vs Ben was interesting), but it's also rushed and I'm sure I will forget it in two weeks once ASM #1 comes out (I mean, fucking Romita Jr. is on board!). So, yeah, but also "meh".

Great in every single way. This builds up ASM 850 and gives us TWO major plot twist regarding Norman Osborn and the Ravencroft. Funnily enough, Sin-Eater has ended up in the background despite the story arc title. Spencer is a very talented writer and reading this as a huge Spider-Man fan is even better, as I can recognize lots of references and easter eggs.

Uhm... what? Two final plot twists that are surely shocking, but make little sense honestly.

Wait... The heck just happened? No no no, we're not good with this, Spencer. Was this written by a 7 year old who said "yey let's put dozens of villains and things happening at the same time"? Nothing works here! The dialogues are so generic, the art is terrible and I really don't get this hype about that stupid ass character Teresa Parker. Jesus Christ, I have a headache now.

Oh crap this is not easy. Let me get this straight: I love Romita Jr's art and Spider-Man being broke and always on the run. This story kinda took me back to late '90s Spidey, and that's a huge WOW. I'm also intrigued by this Soprano/Breaking Bad/Mafia storyline with Tombstone and The Rose (yeah, he came back during Spencer's run... remember?). But those plot twists with Aunt May and Mary Jane basically telling Peter to fuck off? MJ having kids (or that's what it looks like) with a random guy? It will probably lead nowhere and she'll break up with him or something like that, but I think we're all tired of Marvel ruining her character and keeping her from Peter. Also, the heck happened between Spider-Man Beyond and this? They look like completely disconnected stories. In the end, of course I'm reading this... But I can't rate it any higher for the moment.

I'm pissed off. I accepted Issue 1's weak points and negative parts because I liked the Mafia story and JRJR's art, but this is way worse. Peter has become an insufferable jerk and his actions almost look like they're made out of anger or revenge (Peter Parker? The man who forgave murderers of the worst species?). Also, the dialogue between him and Rabbit is the dumbest thing I've ever read in my life. But most important: Norman Osborn being in touch with his nieces? How? Why? I get he was cleansed, but why on Earth would Liz Allan be ok with a psycho hanging out with her kids? What was the point of Peter babysitting them if we didn't even see the interactions? Why is Norman Osborn walking free and without a worry in the world? Why does Spider-Man hate Tombstone so bad he lock himself in a truck to beat the crap out of him? WHY DOES THE COVER FEATURE MARY JANE IF SHE DOESN'T EVEN APPEAR IN THE WHOLE ISSUE? I'm pissed off, Zeb Wells. The only way I see this making sense is a parallel universe considering the ending of Spider-Man: Beyond.

Surely better than Issue 2, but I'm still extremely confused. How is Peter locked by simple handcuffs? He should be able to completely destroy them and kick all of Tombstone's goons in the face. I liked Lonnie's memory tale (and I think it's a new side of it that was never shown) and the glimpse into Randy and Janice's vacation. But that's it. Romita's art is the worst I've seen since the first Issue (I'm a big fan) and Tombstone's plan is stupid, considering he looked perfectly fine with Randy dating his daughter. Paul paying Peter's bills? Convenient, but I think that mystery is going to be a loooooong storyline. In the end, I have very mixed feelings. Hope I can express this without some genius reviewer coming here telling me not to read my favourite hero's comics.

Well... Hahahaha ok ok! I have to say I kinda dig this. Tombstone literally made The Rose look like a giant wimp. And Peter did his dirty work without even knowing it. Romita got back to his best after a bad issue and this took me back to the best JMS stories (with Spidey hanging from the ceiling and kicking The Rose's goons right in the face). I'm kinda lost as to how Tombstone was able to get Spider-Man literally under a Rose hideout without him noticing a single thing, but I guess this is what it is. And thank God Tombstone is actually changed and he wasn't really trying to kill Robbie or Randy, because that would have been a slap to Nick Spencer's run! The MJ-Felicia angle was ok, we still don't know enough to judge.

Another good issue, finally. Issue 4: Tombstone screws Spider-Man / Issue 5: Spider-Man screws Tombstone. I feel Peter's mysterious situation is leading to him being more reckless and aggressive. The scene of his confrontation with Tombstone is very weird for the "classic" Spidey, but his plan involving Digger is a great idea. Unfortunately, I think this storyline is done after this issue, and Zeb Wells will focus on something else for ASM #900. Please Marvel, keep this quality.

I am speechless. I don't really know what to say. I'm just sad about the state of Spider-Man right now. This is awful. Worse, it's embarassing to read. Every character acts like it's a parody. The Birthday scene is terrible, it isn't funny and it feels completely out of place. Felicia being mad at Bobbi makes no sense considering the last 10 years of stories. Flash acts like a jerk for no reason. The Sinister Six are directly taken from the '60s, as if the characters never aged or evolved. The whole "Living Brain" thing is laughable. Spidey's monologue about "responsibility" is so didactic and explicit it sounds ridiculous. And his final kiss with Felicia is pointless, out of context and pathetic considering Spencer's run and the MJ situation. I have never felt so downcast and embittered by a Spider-Man comic (ok, Sins Past and One More Day take the cake). This is terrible. It looks like something a 14 years old with no knowledge of continuity would write. I am lost for words.

I'm really confused. At every page I'm like "hey this is interesting" and then immediately "the hell am I reading?". So Paul and Peter got in a fight? Norman is free and he's rebuilding Oscorp, even if he was locked in a asylum mere months ago? Peter is working with him? And I'm even more lost on that Vulture storyline. I can't do anything but follow this, hoping Zeb Wells will prove me wrong... but I'm very disappointed in this new run, for now.

Still not sold on this. At all. It's always 50/50 good and terrible. I love the art, but the story is meh: I can't take this Norman storyline seriously, not after what he did to Peter, Gwen and MJ in the past. And I can't believe he's free after all his crimes and being locked up in Ravencroft less than a year ago. Why and how is he running a new Oscorp? Also, why is Peter so damn weak suddenly? He can't beat Vulture without a new high tech suit by the Green Goblin? Also, what was the point of this Vulture story? Did Peter actually sell him to Tiana? And if he didn't, why didn't he tell Toomes? Why do I always have 100 questions after every single issue?

Ok issue to kick off Judgment Day and show some more tension between Peter and Mary Jane.

I'm giving this a 6 only for the final hint at a crazy Norman. But everything else is mediocre at best and terrible at worst. The art is HORRENDOUS, it looks unfinished and doesn't work at all with a story this serious. And please, please, please... Leave Gwen Stacy alone. Stop beating that dead horse! It's not touching, it's just annoying and boring.

What am I seeing? A story going on? Incredible! I don't actually know who this Hobgoblin could be. Ned Leeds would be obvious and I don't see a real reason for it. Anyway, let's hope this is a good mystery storyline just like Spidey has shown us multiple times over the years.

Rehashing things we've seen 100 times, but it's somehow entertaining. P.S. Norman seeing Spidey vs Hobgoblin on a live stream made me chuckle.

How can someone rate this more than 7 is beyond me. Dialogues are mostly bland and JRJR is getting worse each issue. Nothing is particularly memorable or shocking (I saw that plot twist coming a mile away, just look at ASM 11's cover closely!). Probably the most mediocre Amazing Spider-Man run I can recall as of now.

This is not good. Not rating it 4/10 just because it's the first part of a new event and I want to give it the benefit of the doubt. I just don't like this new Spider-Man run and I surely don't like this new Ben Reilly or whatever he's called now. Enough with these characters, we've seen them a thousand times! Marvel is completely out of ideas and I'm already fed up. P.S. "Hallow's Eve"? Is this a joke or what? The hell did I just read?

Does Dark Web make any sense? Nope. But this issue was fun and I love Ed McGuinness. I suppose we have to take this as it is: a cartoony mess crossover. Ok.

THIS is a shame. I can clearly see it being great, with the demons and the cartoony aspect of the story. But NOT with this premise and Ben Reilly acting like a psycho. They nailed 50% of it, but the other half is completely misconceived.

So bad it's so good? Kinda. As I said, I'd rather have this story if it was not connected to Ben Reilly and all that's happened before. But sure, at least it's fun (and it's not something to be taken for granted in this run)!

I honestly don't care anymore. I will keep reading ASM because it's always been my favourite series, but this is just... Nothing. I'm not even mad as I was with ASM 900 or other terrible books. This story is just meh. Ben Reilly is ruined forever, you can't go back after this Chasm phase. Peter is the usual supposedly smart guy who gets constantly kicked in the face. Maddie just did a U-turn to quickly end this story arc. It has its funny moments, but we really are at rock bottom.

It would be great!... Except it's not. Peter acts like the usual idiot from Wells stories, Felicia is a completely different character from what we've seen in recent years and, of course, let's randomly put MJ and Paul here. Could be fun with the Glass Onion-ish story, but it's just a disappointment. ASM is literally the worst series I'm reading at the moment, can't really understand the hype I see on this website.

I swear, I understood absolutely nothing. It's like watching indefinite colored spots do random things. What kind of useless trash has this series become? And people were complaining about Nick Spencer! The final dialogue is the equivalent of a kick in the balls for a Spidey fan.

So, this is it! I actually liked this first issue because it's directly linked to the ending of Spider-Man Beyond. However, does Marvel really expect me to remember a villain from Grim Hunt BACK IN 2008? Had to look it up.

First thing first: Romita JR. is so inconsistent it hurts my eyes. I love the guy, but Jesus Christ those faces sometimes... Anyway, this is fine. Just like the last issue. It makes me chuckle to think that this whole big mystery revolves around a villain from 15 years ago that almost nobody remembered.

I liked the pace of this issue. I really did. But that's about it. So, we have: - Peter freaking out and acting out of character just to keep this story going. If he stopped for 5 seconds, the F4 would have helped him. Captain America was punched in the face for asking what the problem was. Does it sound like something Peter Parker would do? - Things happening way too fast. Two explosions in Pennsylvania and a buried Spider-Man costume in the middle of a desert. Two hours later, THE FREAKING FBI is hunting Peter. For what? What's the accusation? - People treating Norman Osborn too well. Aunt May wouldn't accept him in her house, especially considering she has no clue about the Sin Eater situation. I just want this run to end.

Listen, Zeb Wells... Shut up. Not only that final "plot twist" is absolutely ridiculous and predictable, but I'm SICK of Spider-Man acting like a completely reckless idiot who can't stop for a second and use his fucking genius mind to solve a problem. What in the bluest of blue hell is this garbage? And people said that the Gang War arc was bad...

It's happened, in the end. Zeb Wells managed to completely throw me off my favourite superhero's comic book. It's not even right to rate this thing, as misconceived as it is. This is not a story: this is just a rage bait for the fans so they'll talk about it and Marvel gets free promotion. Nothing makes sense, everything just goes the way this pathetic writer chose to because he thinks he's so smart he can piss on beloved characters and do whatever the hell he wants. I don't even know if I'll keep reading it. This looks just like the kind of garbage that will be retconned in a couple of years.

You know, I could stand here spewing the worst insults about Zeb Wells and Marvel and it would all be perfectly fine. But, honestly, I will try to be serious and explain my reasons. First of all, what's the point of this whole story? Seriously. Rabin is a terrible villain and nobody will remember him in a couple of weeks. Peter doesn't do a thing that changes his character. The F4 and Norman Osborn are just there. The character of Mary Jane is completely twisted for no apparent reason and behaves in an incomprehensible way just to irritate the reader. Paul is a useless jerk with no personality. To top it off, Ms. Marvel's death was announced earlier, making reading this issue completely optional. At this point, I think it is clear for all to see that the only motivation behind this horrendous antics is to divide, once again, Peter and MJ. A couple who had painstakingly reformed after a 4-year run. Swept away in 26 issues, one worse than the other. I know many Spider-Man fans cyclically claim that the character is finished and boring, but I didn't believe it. Honestly, after this story arc I feel drained of the desire to follow my favorite superhero. I've never read anything more depressing and pathetic, above all because of this incomprehensible desire to irritate and annoy fans in every way.

The absolute bare minimum or even lower. Somehow Peter is now Felicia's "boyfriend" out of the blue and Doc Ock's characterization of the last 10 years was thrown in the bin, making him the "Arr Arr Arr big evil" again. Also, Peter is the most depressing character ever as of late and I'm tired as hell of the Gold Goblin storyline.

So bad it's laughable. Looks like something out of Scary Movie.

Bland, lifeless and useless ending to a decent crossover. Lee Price was completely wasted as a character...

It's fine. I still can't stand Wanda tho, and I don't get why she's still around as a character.

A very classic Avengers vs Evil aliens. Okay!

I really like these weird villains.

Fun and action packed, this issue welcomes a new Avenger (and... It's a weird one).

The story is meh, but the ending is HOLY FUCKING SHIT!

The dialogues of both Bane and Batman are cringe. And the villains getting kicked in their face in loop is ridiculous.

The story arc has gone downhill in the end, but it's still a good one.

SKIP.

Fantastic idea, but I'm not convinced yet. This could be a 10/10 or a trainwreck.

Is it me or Joker is acting out of character? He's too serious. Calling Falcone on the phone? It's weird. Besides that, I like the rest.

I'm very confused... This is the weirdest comic I've read in a long time. What's the story? Why is everything happening off-screen? Why is Joker depressed? Why does Tom King skip extremely important events? Where's the war? What is Batman doing?

Heh, at least it's not whatever the last two issues were.

Weird and frankly off-putting. Looks like something written by a drug addict who likes Batman mythos but Batman himself.

Terrible. Worst part of this saga. The kites scene is something out of a bad parody and the dialogues are horrendous.

"It could be deep or philosophical... but who cares?" - Catwoman describing this whole story arc. Disappointment and boredom at its peak. Dialogues are still horrendous.

Dreadful and unnecessary dialogues, good art and action.

Fantastic. Just great.

Maybe a little too much convoluted and implausible, but creepy as hell.

Why? Skip.

Most pointless comic book issue ever?

I don't know if this is pure genius... or one of the most idiotic Batman comics I've ever read.

Nope, still don't know what to think of this.

Tom King's recurring delirium. 6 is for the amazing art.

I hate unexplained in medias res storylines. WTF is this storytelling?

Dreadful script and dialogues. Sometimes it looks like Tom King is writing a parody of Batman.

Tom King is actively trying to look like Batman's worst writer ever. You're not Tarantino, mate, quit these crap dialogues!

I won't rate this. What were you expecting? Just like Marvel won't make Peter happy, DC will never make Bruce happy. Of course, the monologues are touching and I love the different artworks throughout the issue... But it's a joke, honestly. Hyping this up for a philosophical mess that leaves nobody really satisfied.

Wait, what?! A story that's actually interesting by Tom King? Something happening instead of endless weird dialogues? Hey, I'm in!

This is great! Tell them, Bruce!

Yeah, maybe this is a weird story for Batman, but I personally loved it. The theme of miscarriage of justice is very important to me, so this hit in the feelings.

When Tom King acts like a normal human being, he can write good stories like this.

As much as I liked the first two parts, this is unnecessarily violent and grotesque. Also, why does this Batman act so recklessly? He almost got beaten to death...

7 is all for the amazing art. The rest is Tom King blabbing about something only he knows.

This is EXACTLY the kind of issue that makes me want to drop this whole run. Talk, talk, talk... And nothing happens. Also, CUT THIS FREAKING BAT-CAT LOVE ANGLE. We get it, Tom, you love Selina Kyle. But we're at a point it feels like you have abandonment issues or something like that. It's not fun, it's not interesting, it's not what Batman should be like.

Tom King gets basically ridiculed by a character he wrote. The rest of the story is useless.

Imagine writing and publishing this thing. The "Knightmares" title is a reference to the fact I'm literally falling asleep reading this run?

I'm probably being drugged and forced to experience my nightmares just like Batman. What is this? A terrible rehash of the Super Friends great story? Tom King trying to look cool writing Clark and Bruce as boring idiots and Lois and Selina as """"""""funny"""""""" independent women?

Finally, a good issue.

I'll give it a 7, but if what Thomas is implying is true... It's a 3, maybe less. I just hope it's babbling from the character.

This run is one of the weirdest things I've ever read.

Convoluted as hell. I can feel King thinking "I am a genius" while reading this. 6 is for the art.

I'm still not a fan of villains working together like in the War of Jokes and Riddles. Especially the Joker, that King clearly doesn't understand and can't write. I'm curious about this storyline, but the best parts of the run are a far cry.

I don't know. It always feels like King has no clear goal for his stories. I hate the way he writes villains and I'm fed up with his convoluted dialogues. I'm still here for the art and because I want to get over with his run.

I mean, there are some very good parts as Thomas vs Damian or Bane killing Alfred. But there's also that thing with the villains looking like a parody and Bruce and Selina always flirting and not doing much else.

"Cat! Bat! Cat! Bat!" and so on.

I completely skipped the last part of King's run as I was literally falling asleep. But this, this looks fun!

A little too convoluted at times, but I'm into this kind of mysteries.

Don't get the criticism. This storyline has it all: thrills, action, twists and comedy.

Even if I feel Tynion's Batman is a little too talkative and aggressive, this is the best story in a long time.

Tynion does in a single issue what King tried to do in 85.

I loved the story, but this ending is just... Meh. Batman leaving Joker to die? Joker escaping at the last second? Joker always coming back in weird ways? It's just safe and... Bland. Also, a lot of thins were left hanging. What about the theatres? How is Bruce back at Wayne Enterprises in a couple of days? I'm kinda disappointed.

Weirdest Batman story in recent years.

Batman vs Hipsters vs Elon Musk. Fun read.

This PEACEKEEPER guy sure is a son of a bitch!

This long storyline confirms that Batman's problem had a name: Tom King. If you compare this to garbage like The War of Jokes and Riddles or City of Bane, the results are laughable.

I really love this story arc. Don't get the hate.

Nope, this is not ok. I loved the entire story arc, but we're jumping the shark here. A machine that can erase trauma? Scarecrow stealing it and taking an enormous web of computers in the sewers without anybody noticing? Ivy's underground world being found out of nowhere with a simple scan? Why ruin this with useless crap?

A little better than last issue, but it's still too over the top for me now.

Meh. All that buildup to see Poison Ivy save Gotham and Batman doing a moralistic speech to Molly? Saint gets arrested with no resistance after he basically destroyed the city with a army of robots? Looks safe and rushed.

Art is outstanding, story is intriguing. Great!

Hell, this is rushed. Like three or four plot twists in three pages... It's a shame because I really liked the other issues. This is just not complete.

Terrible. I get the point, but this is horrendous storytelling. Also, did DC literally throw the Abyss storyline in the trash? It's not finished, the guy escaped and this is a filler. Next issue there's a new writer and a new storyline. So? What is this?

I almost loved this. Almost. I'm curious to see if this good start doesn't go downhill quickly as previous Batman runs did.

Holy shit. Batman is fucked. I even liked the Catwoman story. Great start!

It's not a 10 because of Catwoman's story that has an unnecessary twist I didn't like. The main story, though? Fire!

Best Batman run since Snyder and Capullo back in 2011.

A little too much. Gotham being destroyed AGAIN and Batman in space are just a little too much. Loved the back up story, tho.

Why can't you have a decent ending to Batman stories? Joker War, Fear State and now this. Is it DC cutting short and changing plans on the run? Or do screenwriters invent absurd things and then don't know how to get out of it in an acceptable way? Batman coming to Earth falling from space and not even getting a scratch? And what's more he lands just a few feet away from Robin and Superman. Dunno, maybe I should really flatten the expectations to zero level.

Not a fan of this. I'm already fed up with this run...?

Ridiculous. What is this? Why would I care about this alternate Gotham? Why is Bruce Wayne indestructible? Holy crap this took a nosedive.

Are you even trying, Chip? Because it doesn't look so.

Really, I couldn't care less about this story. It's boring to death and I don't understand what sense it has or what use it should have in the long run. And please, no more multiverses! I've had enough.

Boring convoluted fan service marathon with a open ending. Boy, this run has declined fast. I really don't give a crap about the future of this right now!

At last a good issue.

Great, a story I can't fully understand if I don't get two other series. I hate these things. Anyway, why would the Batfamily stop Batman considering he's doing what he's always done?

It's potentially good, but Joker again? And Batman kinda looks dumb and too impulsive. What I'm really looking forward to is Zur decapitating Joker!

Zdarsky's Batman becomes ages better when Failsafe is there and it involves planning and brutal fights. Keep it that way, Chippy!

Zdarsky's Batman is simply not interesting anymore to me. This was convoluted and weird, I felt completely disconnected.

Never read Batman Beyond, but I really dig this neon/cyberpunk/noir tone and the detective story.

Still too many characters, but the stories are always thrilling.

Things are getting heated for Batman Inc. I really didn't expect this series to be this entertaining.

Yes and no. I really liked this series and I'm sad to see these characters go, but the ending to Ghost-Maker's story is bland as hell.

Tom King writing a good Batman story? Finally.

If you don't like this jumping narrative, you'll hate this.

Amazing writing, but confusing "Inception" ending. Still, this is King's best Batman work without a doubt.

Weird, but I like it.

Only read the Batman story, and it was one of the creepiest things I've ever read.

Fantastic story. A milestone that inspired dozens of late works!

Very interesting start, but I don't know it this is going to be a milestone or a train wreck. I fear for the worst. Touching a character like The Joker is always risky.

I'm very curious about the next issues. These projects always intrigue me! Good script, good art (but I find it completely out of place for a story set in the '90s, during the Clone Saga). There won't be huge twists (we're talking about a flashback story after all), but I'll keep going for sure.

This is just very good. The atmosphere is perfect, really takes me back to the '90s Clone Saga!

Yeah, this is kinda fun. But seriously, MJ with a Black Cat dress climbing a skyscraper and jumping off it like it's nothing? Tombstone keeping a demon in a safe? Liked the dialogues, but that's pretty much it. (I can see why wankers liked it that much, tho).

This is it? This was "The War College"? A three pages fight with a couple of Nazi douchebags and a all-black mutant alternate universe? What's the point of this? You can totally skip this miniseries and nothing would change.

Story is convoluted, art is terrible. Not a great start.

Nothing happened through the whole event. So Bucky was a spy and Ian runs Dimension Z? Wow, what a shock. Honestly mediocre and forgettable.

This is bold. Basically, it's Retcon City... But I kinda dig it.

The twist makes no sense as of now. Why would Bucky join the Outer Circle all of a sudden and leave Steve to his fate? He wants revenge? Why not investigate alongside Steve?

Really liked this. This started slowly, but it's getting there.

My head hurts.

Fight, fight, fight. Nothing else happens and the event is already coming to an end.

Still very bland and forgettable.

Art is simply breathtaking. The story does what it's made to do: kick off this new chapter of Captain America's history.

This is fantastic. I think I'm starting to like Sam Wilson more than Steve Rogers.

Weirdly, I liked this series more than the other Cap one (Sentinel of Liberty). Unfortunately, the more it goes and the more this declines and the other gets better. This is never bad, it just feels rushed and sometimes overcrowded: Deadpool, Von Doom and now Black Panther?

Still kinda weak and rushed. I like the ideas, but the execution is meh.

Nothing happens, just an explanation of a backstory.

I still don't get what story they're trying to tell. Every issue has a different atmosphere and it looks like it's not progressing.

Let's be honest: there's nothing new under the sun here. BUT the story looks very promising, the atmosphere is perfect and the characters look like their TV-series counterparts. Also, I love Checchetto's art.

Zdarsky is great ad always, but Sharma tries to be Bagley... And fails miserably.

Weird. In a great way.

Best issue yet. The writing is exceptional. Just read this!

I'm taking TWO points off a great issue because of Mindy Libris. What an awful character. Hope she won't be a big character in this series.

This comic is a rollercoaster! What an amazing issue. Kingpin and Murdock are in opposite situations, but will it last? I love Zdarsky's writing!

This time our dear Devil is facing a threat he can't easily beat. Money and power.

HOLY CRAP. Absolutely fantastic issue.

Eh, the Spider-Man part was weird. I'm curious to see where this goes.

I never rate a comic 10. But this is simply perfect.

And it's ANOTHER 10. Zdarsky has created the greatest comic book I've read in the last 5 years and more!

Bland and weak. Is this The Exorcist now?

I really don't get this. Is it a parody? Ben and Janine with Halloween costumes and NY becoming a horror circus? But it's also serious, with Ben confronting Norman and Peter mourning Harry. So... What the hell is this? And now we even have classic Venom, because Madeleine Pryor brainwashed him! Of course! I'm giving it 6.5/10 only because of Adam Kubert's art that's fantastic. I really hope he can be the main artist on Amazing Spider-Man.

This ranges from bad joke to forgettable story. I'm sincerely embarrassed by this Zeb Wells run for now... I can't remember one single truly great issue. It looks like he's not even trying.

Nothing really happens beside a "Spider-Man and his Amazing Friends" reunion.

Redheads fighting.

The story is pretty good, but really... What's the point of this Dark Web event? This is literally the writers shouting "We could have ended it in two issues". Anyway, very emotional moments between the Greys.

Holy hell. I love this Jack The Ripper-y atmosphere!

Man this went downhill quickly. The first issues were awesome, but now it turned into a bad Lord of the Rings ripoff that has nothing to do with the premises. Boring and dull.

It all started greatly (with a plot twist and very good spin-offs about the character's motivations)... And the ending is just so bland and dull. Everything is back to normal, people who looked dead are alive and Tony Stark saves the day with generic hero sentences. Not much to talk about. Big crossovers are always disappointing as of late.

You think you know everything about Empyre? This issue hits you with a giant twist. Also, I really like Hulkling and Billy as characters. Best part of the entire event, maybe (and it's not even in the main series)!

Another plot twist and another mystery in the Marvel universe. Fun read and great writing for the Fantastic Four and their new members!

This is it? Scarlet brings millions of dead mutants back to life and... this is it? Yeah, we had Explodey Boy's funny scene with his undead-self, but other than that? Some cringe dialogues between Hordeculture and Angel, some weak fight. There is an alien invasion, guys! No, that's it. Ok.

Wait, this is a joke right? RIGHT? The mutant series were not stopped for this... RIGHT?

What a mess. I really liked the first part of the Krakoan era, but this "fall" storyline has been so convoluted and mind numbing. Basically, if you don't follow and read every single mutant series, this will be a massive headache. They have fundamental facts happening in 385325 different series and then get referenced in these events. It's a chore.

Convoluted as hell.

Most of the time I'm "???"

Convoluted: The Comic Book.

Half of this is great, half is meh. Seeing Norman snapping because he literally sees Gwen's ghost taunting him is something I never knew I needed.

As much as I appreciate Medina's art and I truly believe Cantwell is doing his best, this is not very good. Apart from Norman's memories and guilt, the rest is mediocre and the dialogues are bad. Also, it feels so rushed (how did Ben get into Oscorp? How did Norman get back to a safe place?).

Terribly rushed storytelling. It has good ideas, but they're drowned in bad dialogues and random events.

Awful art drags a potentially good story down in the dirt. Also, Cantwell keeps rushing everything and it's quite annoying. This doesn't even feel like it's connected to other stories, it's the weirdest thing I've read recently.

Yawn... Did they really get to 5 issues of this boredom? It's the same story retold 5 times.

The "Lethal Weapon" atmosphere is still here! Good start.

I really like the rhythm of this series, it's very fresh and action packed.

Way more average than the previous issues, both in term of the rushed storyline and the honestly mediocre art.

It's cheesy sometimes, but I'm really starting to get along these two new lanterns.

This series is criminally underrated. It would be perfect for the Green Lanterns TV Series!

This Phantom Lantern sure is creepy.

Whoever approved this series should be fired from Marvel and never return. There are dozens of continuity errors and the characters have NOTHING to do with their original counterparts. Leave Gwen Stacy dead.

I like the Green Lanterns series more, for now. Anyways, it's always good to see my boy Hal Jordan.

Guy is THE guy.

Great story, but I wonder what it adds to the series.

The weirdest freaking idea about The Hulk, even more than Immortal. Also, Ottley is a chef's kiss.

Yes... And no.

Good but incredibly rushed ending due to Cates' personal issues (I hope you're ok, Donny!). This is becoming way too common for comic books, unfortunately... But Ryan did the best he could!

Incredibly fun and, surprisingly, not dumb.

HOLY CRAP, THIS IS EXTRAORDINARY. I didn't write anything about this series, but this issue is absolutely fantastic. The art, the dialogues, the atmosphere... it's perfect. I really liked the previous issues already, but now I'm totally interested in the future of this.

Absolutely fantastic. Best Marvel series right now.

HOLY. FREAKING. CRAP. The ending is confusing, but it's terrifying. This series is pure gold.

Almost perfect. Everything in this issue is gold.

Another huge plot twist and wonderful writing by Al Ewing.

Ewing wraps like 5 or 6 storylines together in a heartbeat. This guy is a genius.

A shadow from the past comes back to help Bruce Banner and... it's perfect. Al Ewing does a spectacular job here.

Great! I have a feeling this could be a true star in the Mutants' lineup.

Convoluted with bad art.

Basically everyone is a piece of shit in the Quiet Council.

Between the Mutant Cold War and Essex's comical scenes I can't decide what's best. I really think this is the best X series alongside Wolverine and X-Force.

Amazing storytelling. Judgment Day couldn't have started better.

Finally we see someone who's usually in the shadows - Sebastian Shaw and his creepy secrets.

Very useful insight as to what the hell happened with Krakoan resurrection protocols lately.

Mutants basically searching for Jack the Ripper.

Weird! X-Men meet Deathloop.

There is genius in this issue! Unfortunately, it's like 5 stories crammed together in a tiny space, the storytelling gave me headache. Also, I find it alarming that I'm starting to hate the whole Quiet Council... They are all written like psychos and dictators. Is it Gillen's plan? If so, he's great. If not... Well, let's say he should change his ways.

The art is amazing as it's similar to the great Mark Bagley's. I'm also curious about this new storyline, considering the previous one was cut short due to the writer's personal issues.

One of the best atmosphere and art I've seen in years.

The art couldn't get any better. This reminds me of some of the best issues of Dylan Dog.

Basically a sequel to House of X and a conclusion to Hickman's run. I'm really curious to see what's going to happen after THAT twist (How? Why?) and I can say Schiti is easily one of Marvel's finest artists.

Despite some convenient twists and coincidences, this is probably the best story to end the run. I love the political intrigue and the plot twists are powerful. Keep it up!

My man Hickman is back! His events are fantastic (while his series are meh, at best). "Inferno" is blowing my mind, everything is perfect: writing, colours, art... Best event since House of X! And this makes me wonder how this is the same man who wrote that garbage of X of Swords...

Twists, twists and other twists! Great event and sweet farewell to Hickman. He surely changed X-Men.

This could be potentially amazing!

The real Elon Musk vs Mark Zuckerberg.

Too heavily connected with other series and it feels weird to read.

Convoluted as hell, but kinda entertaining. Still not into this Stark mutant war thing.

It's fun, but the magic from the first issues of this new run is gone. Also, keeping track of this "Fall of X" event is a pain in the neck and if I read "Invincible Iron Man" I could be just looking for Tony Stark, not the mutants.

It sure got boring.

Convoluted and not particularly fun.

Fun.

Honestly, not very good. Dialogues are dreadful and the fact the Suicide Squad can actually fight the Justice League and not pathetically lose... I mean, come on.

Way better than last issue.

Heh, looks fun. Basically King Arthur with mutants in a demonic realm. Yep.

Another continuity hell where 15376 characters talk about 53578 past events.

Very interesting "origin" story. Hulkling is a complex character and the almost-explicit homosexual scenes are something you don't always see in comics, but it's time to change. Wiccan and Teddy's relationship is greatly written, so thumbs up!

Quoi and Mantis dialogue hits in the feels and everything is perfect for new readers who don't know Marvel history. Not great, but a solid issue.

Interesting. This issue is all about Quoi and Swordsman's past and their motivations to start the Empyre war. Also, it shows the dark sides of human nature once again. Not very entertaining or funny to read, but a decent story.

Somehow, this series never gets bad. It's never gold, but it's always interesting at least.

Absolutely fantastic. Exploring the theme of hatred for different races or people is very important right now. Also, we discover a new side of a secondary character. Thumbs up!

Is this issue bad? No. Did I like it? No. Interrupting everything that was going on in the various X-Series for a 22 parts big event is CRAZY. I'm basically forced to follow every single series now because every issue is fundamental. I loved New Mutants before, but this feels completely useless. Makes no sense.

Awful "X of Swords" is finally over and the new creative team can focus on storylines that actually matter. Not much happened here, but we'll see what's next for the young Mutants and the Shadow King, who's obviously plotting something sinister.

The art is superb!

LSD Trip: Comic Book version.

This is... Weird but interesting?

I can't lie: this was touching and emotional. Little Illyana was a very cute character and I liked the story. Thumbs up!

I'll be honest: half of this was incomprehensible to me.

Creepiest Spider-Man story I can remember. The atmosphere terrified me as a kid.

The issue is very classic, but works great. Is this the end of One More Day? It looks so, as Mysterio clearly refers to "something about Peter and MJ that started all of this chaos"... So now it's up to Doctor Strange to defeat Mephisto and save Peter and MJ's memories, apparently. I'm still not convinced of Kindred's true identity, he may not be Harry after all (who is the guy jailed with Carlie Cooper?). The only things I didn't like are the MJ-Mysterio connection (it's ridiculous and it uses the old "Peter gets betrayed by ever person he loves") and Bagley's art in this single issue (it looks like he made it in a hour or so).

Here we go again! Another Spider-Man issue that gives me headache. Who thought this was a good idea, exactly? 26353 villains trying to kill Spider-Man while Kindred babbles about "hell" and "sins" and whatever the hell is this storyline, Jesus Christ. I literally couldn't keep track of the events because it was so freaking rushed! I'm just waiting for this run to talk about the elephant in the room, but the other things have completely went downhill.

Nothing happens. I'm serious, you could completely skip this issue and you wouldn't miss a single thing. The concept of villains fighting each other while trying to kill Spider-Man is funny, but that's it. And for the love of God, could Kindred stop babbling about sins and responsibilities and bullshit for at least ONE ISSUE? Thanks.

Crap. There is no other way to describe this. It's crap. Not only that, it's a pointless crap that makes no sense. Spider-Man didn't change at all during this story arc and his life was never "ruined" as Spencer tried to imply. Nothing happened, actually... Nothing! And the way Spidey manages to get out of trouble is so idiotic I think it was written while Spencer was shitting in Marvel's toilets the day the story was approved. Thank God this garbage is over, now we only have two issues left to understand what the heck is Kindred trying to do.

It's very good. That's it. I want to see everything being explained in the next issues.

Criminally underrated. The writing, the art, the atmosphere... Everything is great. Paolo Rivera's masterpiece, in my opinion.

I'm not into this. Don't get me wrong: the idea of Spider-Man's story through the decades and real events is intriguing, but the execution is poor. I don't even get what the target is for this. Hardcore fans will know 3/4 of the things here and new fans will be confused by all the references. Everything is too quick, if you're not a huge fan you will feel lost because the pace is terribly rushed.

Nope, not my cup of tea. I really don't get all the 9 or 10 this is getting. This is a weird alternative life for Peter and, as I said for #1, it just feels rushed and basically useless. Read the original stories instead.

A very good issue, with enough explanations for this complex storyline and a final plot twist that caught me off guard.

Best issue of the series yet.

JRJR in the house, baby!

Quinn and Flag having sex? Could have lived without seeing it.

You know, I'm starting to get bored on dead characters never being dead. Beside that, great freaking issue.

Man what a terrible ending. All the hype for these idiots to just... Win and own the Justice League? With people going free as if nothing happened? Also, of course, a giant AD for a spinoff series nobody gives a crap about.

Ha! Weird one.

I remember reading this in 2017 and thinking it was absolutely amazing. Back to it now and it's still one of the best Marvel ideas I've ever read. This would make a great movie for MCU.

Fun, but it has nothing to do with the U.S.Avengers.

Absolutely amazing. Even if I'm not currently following the mutants series, Duggan managed to perfectly tell a great story with all the references. Let's see who this new Captain Krakoa is!

All the good from last issue thrown away. Art is terrible, storytelling is mediocre and everything feels rushed.

How to throw a good series to trash for cheap nostalgia. Eddie Brock's return makes no sense like this.

Holy shit, Venom can FLY?!

Oh crap, that plot twist caught me off guard.

Serious horror vibes here!

Not a fan of Hitch, but I think the storyline could lead somewhere interesting.

Weird as hell.

Venom tries to save the Sons of Anarchy, but he's attacked by a giant and monstrous Santa Claus... Basically.

Real fun and something unusual for a Venom storyline.

Best issue of the run? Looks like Predestination with Eddie Brock as the main character.

Be sure to take notes, it's as convoluted as Lost. But it's great.

The Sleeper Agent looks kinda ridiculous, to be honest.

A bit too much. It's turning into a mindfuck and I'm not the biggest fan of it.

Dark Web looks TERRIBLE, but I liked this issue. Still hope someone replaces Hitch.

8 for the story. 4 for that terrible cover.

Not the biggest fan of this part of the story. It's a little random and generic, but not necessarily bad.

Dark Web elements drag everything in the mud.

Unexpectedly great. The final scene is both epic and ridiculous (in a good way).

I really liked this. It's incredibly complex yet so entertaining.

Percy, you have my attention. The two stories in this issue are everything a Wolverine story should be: dark, mysterious and with a little bit of twisted humour. Love the art by Kubert, perfect for this series.

I love this, it's even better than the first issue. The new villain is incredibly ominous and creepy and Wolverine's character is perfectly written. Keep going!

Wolverine's past demons come back to haunt him. And you're not on his side necessarily. Very interesting.

The story is very good and funny (Wolverine helping some rebel vampire kids) until Hickman comes in and literally steals Wolverine for his 22 issues story-arc "X of Swords".

Great story, but I'm still mad for the fact I need to read every single X-Series to understand what the hell (no pun intended) is going on. Anyway, Percy's writing is awesome.

"This is beyond bullshit. What are we even doing here?". Wolverine himself reviews X of Swords.

FINALLY Ben Percy can focus on the previous storylines and put Wolverine on the track of the numerous threats to Krakoa. Still love the atmosphere and Kubert's art.

Give me more Wolverine issues!

I love this story arc. That's simple: it has mystery, violence, ethical questions and action. THIS is what Wolverine and X-Force should always be!

I really really like this run. I dropped out for several months, but the "crime/mysterious" atmosphere is still here and the writing of both Logan and Bannister is great. Shame that Kubert left as he was perfect for this.

One point off for the art, but the story is pretty good.

Almost filler-y issue, but it's fantastic. You want to know the essence of Wolverine? Read this.

Holy crap this was awesome!

It's real fun and with solid action.

It's good. I don't have much to say. If you like Wolverine and Deadpool, read this.

Creepy, disturbing, funny and entertaining all at the same time.

Still the best.

Pretty convenient plot twist. But the dialogues and the art are always great!

If Beast doesn't get his ass kicked out of Krakoa after this, I don't know what will.

Despite a mediocre art, this series continues to be one of the most interesting. Beast has basically become the biggest villain of the mutant world and I'm sure the final plot twist will be twisted even more.

Beast is doomed, but X-Force members have been complete idiots. They should have arrested him when they discovered he had a secret lab.

Amazing! This series never fails to entertain.

Basically, the end of Krakoa.

Completely skippable issue about Wolverine and Cap taking back mutants' resources.

Oh. Fuck.

It really is Wolverine's most violent story!

Fantastic.

I'm not sold on Moira becoming a villain. Especially with a sudden twist like this.

The Moira weird stuff ruins the mood of an otherwise great ending.

Yes, THIS has my attention.

For now, a great great great story. Read Wolverine's solo series, trust me!

Could turn out to be great, but as of now... Too many things. Too many references. If you're not a die-hard X-Men fan you won't get many things. Also, this event comes out of nowhere. There was not a reference in the previous X-Men issues. I don't know, I'm really getting tired of Hickman's fantasies and master plans.

Still don't get the excitement for this event. Yeah, it's a battle of armed mutants with magic swords. Hickman is still a genius planner and a mediocre storyteller.

I love this new X-Force series, but I think these last 4-5 issues are going downhill. Xeno is nowhere to be found and it looks like Percy is dragging this for too long. Characters are always greatly written, anyway.

There are no good sides in X-Force. Percy is slowing building up Beast as the big bad in this story, killing innocents and abusing his power. Also, the XENO mystery is interesting and creepy. X-Force is still the best mutant series in my opinion.

Why isn't this in Wolverine solo series? This is not X-Force. The story is good and the art is even better, but looking at the series it just looks like a sequel to Wolverine #6.

I'm officially done with this trash. Hickman & Co think they're smart and funny, but this is offensive. Stopping all the main stories to show the fans mutants competing in arm wrestling, food competitions and drink games? THIS IS ABSOLUTELY PATHETIC.

Are terrible dangers coming? Probably. Is this issue overcrowded with ideas and plots? Surely.

You see, THIS is what always gets me about X-Force. Darkness, creepiness... But also humour and mystery. Still think this is the best Mutant series running.

I'm catching up with the series and it's still the best Mutant one. Man this story arc is creepy!

The hell did I just read? In a good way.

Wolverine surfing on a deadly wave. Phoebe breaking up with Quentin with a mental projection. Mysterious mutants stealing babies. What?

Way better than last issue. XENO is back, finally!

The cold war between Sage and Beast is something that had to happen. Hank is completely insane and needs to be stopped.

X-Force rarely disappoints.

Terrific!

"Judgment Day tie-in" my ass: there's no link to the event. Anyway, good issue with Deadpool "mentoring" Omega Red and... Kraven?

Sage and Beast are COMPLETELY insane and the whole X-Force situation is not going to end well.

A vegetable made Deadpool fighting Kraven on Krakoa. Beast running from a dinosaur in a 3D projection. This series is nuts.

Ok, but how did Kraven survive this exactly?

Could be a easy 9/10, but Beast still leading X-Force after the mess he made in the latest issues is frankly ridiculous. Also, the whole XENO thing should have been addressed a year ago or so. Anyway, very good story and a shocking final plot twist.

Really liked this, I'm a "whodunnit" guy. Also very curious about this "Max", hope he'll be an important character from now on. Two things I dislike: - Beast's situation was too easily solved. He should have been thrown into prison, but he's still the boss of X-Force. Why? - The mystery was dragged for too long and this villain hasn't really been a threat for mutants... He was there, plotting in the dark, but I almost forgot about XENO at times.

It should have been the epic final showdown... and it just feels like the ending of a normal story. Maybe Percy has dragged this for too long and it has lost its momentum.

This is incredibly... bad. The Quiet Council just lets Beast go unpunished? He literally almost destroyed Krakoa, he murdered Wolverine and cloned him to create an evil army! What the hell is Xavier thinking? And I'm also not into Laura and Piotr joining X-Force.

Percy is unable to write a bad story, but this was easily skippable.

I'm starting to get sick of these hyperconnected stories that are basically incomprehensible if you don't read 26 different series. What the hell happened at the Gala? How is Omega Red alive again?

Maybe I grew tired of X-Force after 44 issues. Or maybe this Mikhail plot has been going for so long I almost forgot about it. Percy has been amazing on this and Wolverine, but it's clear he's not good on long plans.

Misleading solicit.

Percy can't stick the landing. He already did this rushed ending thing before.

Beast is a... Beast. And I have a feeling he will be the trigger to Krakoa's inevitable downfall.

Holy hell, this was an incredible issue. Magneto destroying Cotati like he's eating breakfast and Exodus being this mysterious cult leader are the highlights of this month's mutant comic.

I have to be honest: I think this series is the weakest among all the mutants ones. Hickman is probably a genius (he creates universes and species with scientific details in this series), but almost all his stories feel... Empty. We read of all these characters (Xavier, Magneto, Apocalypse, Wolverine, Summers family, Jean Grey...) but nothing happens. Flashbacks, metaphors, ideas. I personally think that New Mutants and especially X-Force are definitely more interesting and less bland.

Bland issue. X of Swords is a very long story arc that has had great parts (Wolverine's journey to hell), but this is almost useless. Unfortunately, the "main" X-Series is going downhill (X-Force and New Mutants are still way better). Hickman created a great start, but he's losing his way.

This looks like a dead-end. Nothing is happening. Hickman has been telling the same things for months. There is no action and the narrative sections are so convoluted and specific they just feel boring.

X-Men vs Elon Musk! Wait... What? Also, X-Men creating Jaeger Armors with scratches! A man standing in the shadows plotting against mutants! Ok, let's say Pepe Larraz's art is fantastic and everything else is... Fine? I'll be in touch.

First of all, I can't stress enough how much I love Larraz's art. It's perfect. Also, this story is actually very interesting with that final twist. Are the mutants' secrets going to trigger their downfall?

I'm still not entirely sold on this, but the action sequences and the hints at future (very important?) plots are enough for now. I find it funny the X-Men are shown eating in a different country every issue, after fighting. Is this Mutants Vs Food or what?

I actually liked this one, but yeah: almost nothing is happening in this "main" comic. I dropped Hickman's run for the same reason, so I hope the main story will start and be great!

Same as last issue, but worse. Please don't let me down, Gerry!

Uhm... What? Did I miss something? The writing here is too cryptical. So Cyclops died AGAIN off-screen and he was forced to create a new identity to hide the secret of mutant resurrection? I had to read it twice to understand something. P.S. I liked Feilong's story tho.

I was completely lost with this "asymmetric" narration, but this issue explained the plot holes X-Men #6 left hanging. And I can never say no to a mystery, so I'll be reading this to know who the hell this Dr. Stasis is.

SKIP.

SKIP.

"Oh crap, Laura and Deathstrike are falling from space to their deaths! Only Rogue can save them! It's dramatic!... So we won't show you the actual scene and jump cut to something else!". Anyway, good issue.

There are some good moments (and I love the art), but it's mostly bland, predictable and mediocre. Gameworld's fate was a joke.

Useless: The Comic Book.