I've often been a strong proponent for all-age comics. That doesn't mean that's all we want or need. This is a perfect example of what a Mature comic should be. There is plenty of gritty situations but it fits perfectly with the story and never comes across as gratuitous. The gang's all here in bringing us back to the 100 BULLETS universe yet you do not need to be well versed in the previous series. It's a perfect new-reader friendly story but will only be enhanced with the anticipation if you are familiar with Lono. If you're looking for something with an edgy gritty feel or have read Azzarello's 100 BULLETS, you will not want to miss this.

Snyder and Lemire take a bit of a risk with this project, and it pays off. Lemire's art and colors are fantastic to see, but having Snyder's prose allows the story to go much deeper. It's a great mix, and the story fully grabs your attention. This isn't a book you just read, you experience it.

This issue shows that comic books can have different kinds of story and different ways to tell them. Told without actual dialogue, we get a pretty powerful story involving Abe Sapien. After big cataclysmic events in comics, we don't often see how it affects the everyman and what they go through afterwords. Mignola and Allie do just that. The story takes a slightly dark path and there will be some surprises that just might catch you off guard. Max Fiumara's art with Dave Stewart's colors complete the vibe and atmosphere the story requires. It's not often a comic can deliver this kind of emotion. The story might be a little off-putting but it's definitely something you should check out. Don't miss this issue.

If you've read any comic from James Robinson in the past, that likely won't even prepare you for this book. Robinson lets it all out (literally) and tells the semi-autobiographical story of a low point in his life. Packed with raw emotions and a heaping serving of profanity, nudity, and drug usage, this is a comic pretty much unlike any you've seen. There will be moments that will shock you as well as ones that will make you laugh. Greg Hinkle's art is brilliant. A fantastic look at James' world is being set up in this issue. You will see things you never thought you'd see. There are some bold and gutsy things being done here. You'll be entertained in way most comics can't. This is a different sort of comic and that's a great thing to have on the store shelves.

It's not often I read a comic and have to stop to take it all in. The story of Eva Bell is both fantastic and tragic. Brian Michael Bendis has taken the concept of time traveling to add some huge character development to Eva. There's no going back to who she was before. Even if you read the first part of the story in UNCANNY X-MEN ANNUAL #1, you won't be prepared for Andrea Sorrentino's art and Marcelo Maiolo's colors. The art here will make you want to weep with joy. This comic is more than just a read; it's an experience.

All Star Batman is off to a great start, and you'll be on the edge of your seat waiting for the next chapter.

For a character that's been around close to 80 years, we've seen countless different stories take place. Scott Snyder has been writing the character for the past few years, yet he keeps finding new ways to approach the storytelling. Snyder and Romita are delivering a high-action story with different twists and turns. The back-up story gives us more on Duke Thomas and continues to flesh him out. If you want a Batman story crammed with action where he's taken out of his element, this is the one for you.

Looking back at this arc, Snyder and Romita have delivered an over-the-top and action-filled adventure. This isn't your typical Batman story, and that's a good thing. Snyder set up a lot, and Romita cut loose with each scene. I actually found myself going back and looking at each page, panel by panel. People have different opinions on Romita's art, but I find it fascinating looking over the different areas of detail contain within each panel.

Jimmy Palmiotti and Justin Gray have done it again. We've seen some strange gatefold covers on the DC Comics this month but this one makes sense. We've seen crazy crossovers before but the appearance of Booster Gold here opens up more questions rather than answer the ones since his disappearance in the New 52. Watching the events unfold is just one of the charming aspects of this issue. In an age where Western comics may not be at the top of readers' lists, Palmiotti and Gray show us that doesn't have to be the case. With the various connections we're seeing to the modern continuity, you get a feeling of anything goes even though certain events still need to be set in stone. Moritat continues to capture the vibe of the series. There's no telling what may happen next and that's the fun part of the series.

It's the end of an era. Jimmy Palmiotti and Justin Gray have chronicled over one hundred issues with Jonah Hex. It's a sad day to see it all come to an end. Normally I have difficulty reading the final issue of certain series but I felt I owed it to the team and character to ride this final adventure with them. Joined by Darwyn Cooke and Dave Stewart, there is a visual feast to go along with this last story. There has been someone masquerading as Hex and Jonah has to decided if he'll do something about that. The ending may not be what some might want. I felt it was fitting considering how long the series has hovered on cancellation. It's been a fight to get this far and the Jonah Hex fans have stuck it out. This is our chance to bid farewell to Jonah. Hopefully someday we'll see his return.

I didn't think I was going to like this story. I didn't think it would matter or be important. I was wrong. Clearly the creative team had a huge influence on my decision to buy this without having any idea what we would get. Waid, Robinson, and Dell'Otto take us away on an incredible adventure full of action, intrigue, mystery, and even espionage. It's definitely a different kind of Spider-Man story and that's part of what I enjoyed so much. I did roll my eyes over the idea of Peter Parker having a long-lost sister but Waid and Robinson showed me it could be a great thing. Does this fit into regular continuity? Could it fit in? I absolutely hope so. This is a highly enjoyable stand alone Spider-Man story unlike what you're used to.

This is a mini-series by Scott Snyder and Dustin Nguyen set in Snyder's AMERICAN VAMPIRE universe. There really isn't much else to say. Focusing on the vampire hunting group, the Vassals of the Morning Star, we get a different focus for the series and the implications of what happens here is mind boggling for the series. I love the fact that Snyder somehow manages to write these AV mini-series while still delivering great stories in the main series as well as BATMAN. This series is an example of what Vertigo is about and knows how to do. It's a great issue and it's only the beginning.

If you've been reading AMERICAN VAMPIRE, you should be overjoyed to know it's back and just as great as you hoped it would be. Scott Snyder and Rafael Albuquerque are back with a vengeance. You've had time to get caught up and now is the time for the next chapter to begin. This is a series that has been consistent from the beginning and it's great to see the entire story moving forward, amping up our excitement even further.

AMERICAN VAMPIRE continues to surprise and impress with each issue. I've said it several times when reviewing previous issues, it's surprising to have a vampire series that can be so impressive and fresh. Scott Snyder keeps giving us new situations and takes the story in different directions which keeps us hooked. If that wasn't enough, Rafael Albuquerque's art and Dave McCaig's colors will blow you away. How often do we get such a compelling story with superb art? AMERICAN VAMPIRE never disappoints.

We're seeing some dark times for Pearl Jones and Skinner Sweet in the pages of AMERICAN VAMPIRE. Scott Snyder and Rafael Albuquerque have introduced an even deadlier threat as we witness the havoc and destruction unfold. Snyder's story and Albuquerque's art form the perfect combination and the action keeps you on the edge of your seat. You know things are bad for your character when they're forced to work with their former enemy against something even worse. The only bad thing is having to wait for the next issue to see what's going to happen next.

Don't you hate it when you get a comic and you zip right through it? That won't be the case here. Scott Snyder decided he had so much story to tell, half of the issue is in prose. Detailing pages from an old miner's journal, we get a vivid description of past events tied to the current timeline and get to actually use our imagination in visualizing the creepy events going on. There is some great art by Matias Bergara with color by Dave McCaig. This issue might not pick up directly from the previous but it's an incredibly ambitious installment and you more than get your money's worth in terms of story.

It's an American Vampire book. I have not been let down so far. While the issue starts out a little light on the action, discovering more about other types of vampires and the hints to a bigger world of them boggles my mind. There's the potential for other miniseries focussing on the other types (but my wallet begs to please let this not be the case). Scott Snyder makes writing comics seem easy. He always has a big elaborate story going on and you can't help but wonder if the main characters will survive.

Justin Gray, Jimmy Palmiotti and Amanda Conner are back together again. This is Wonder Woman as you've wanted to see her. The combination of storytelling accompanied by Conner's art and Mounts' colors make this such a wonderful package. As a "digital first" comic, it's well worth the $0.99 price tag. We can assume the entire three-issue series will become available in printed form later but you're not going to want to wait. If you're a fan of the creators or Wonder Woman, you need to check this out. Digital comics like this make me happy I bought the new iPad.

Aquaman has been consistently good. This is Aquaman as he should be written. Also, it's not just issues of Aquaman kicking butt left and right, there's a genuine great story going on. The introduction of the Trench last issue and this issue is setting the stage for a grand adventure. The ocean is a vast area and you can only imagine what other unknown creatures might be out there waiting to be discovered. Geoff Johns and Ivan Reis are the perfect team for this book and Aquaman has moved to the top of the reading list each month when it's released. There's plenty of fun, adventure, violence and mystery to satisfy every comic reader.

Regardless if you've never read an Archie comic before or if you're a long time fan, Mark Waid and Fiona Staples' ARCHIE is such a delightful read. With a great mixture of of the core essence of the characters combined with a fresh and modern twist, it's easy to see why this title has risen to the top of our reading lists. Forget what you know about the Archie characters or embrace it all. Either way, you're going to dig this series.

Archie and the world of Predators. It's almost hard to believe this is real. One might expect a pure parody with the two combining but that is not the case. Alex De Campi, Fernando Ruiz, Rich Koslowski, and Jason Miller make it work completely. Capturing the essence of ARCHIE comics and giving some minor tweaks, the story is a natural meshing between the two franchises. The first issue shows us there will be blood but it also won't be an over the top slaughterfest. At least not yet. If you have any interest in the Archie characters or Predator, you'll want to check this out. This book is a brilliant execution (no pun intended).

ART OPS has skyrocketed to the top of my reading list. It's easily become one of my favorite series to read. I'm having to restrain myself from gushing on and on about how much I love the story and art. Shaun Simon, Mike Allred, Matt Brundage, and Laura Allred are creating something truly wonderful with this book. Set in a world where art can come alive, I find myself almost wishing I could go into this world just to take in all the splendor. There's a strange mix going in the story. I have no idea what's going to happen and I absolutely love that. Each issue has been like a treat or reward. You really need to do yourself a favor and get on board with this series. It's not like anything else out there. I just can't get enough.

Any week an issue of The Children's Crusade comes out is a happy week. Allan Heinberg and Jim Cheung shine with each issue as we wait to see what the future holds for Scarlet Witch. The story and art compel you to turn each page. There are so many characters in this issue but it doesn't feel like their appearances are forced. There is a lot riding on the outcome of this series, I only hope each change we are seeing will not be magically reverted so that the status quo existing before this series began is left when the mini-series concludes. It's not just the Avengers' future that will be affected but pretty much all of the Marvel Universe. The only downside is the bi-monthly schedule makes it hard to wait but that wait is indeed worth it.

Each issue in this series has been a blast. The return of Scarlet Witch is something that will impact the Avengers, Young Avengers, X-Men and pretty much the entire Marvel Universe. There is a feeling that things will end with a return to the status quo before this series started but of all the characters involved, it's hard to think there won't be a lasting effect. Heinberg and Cheung are phenomenal together. Having to wait two months in between issues is hard but with each new one, you forget all about it. We still have two issues left and the way things progress here, I can't imagine how it can get any more insane.

AVENGERS: CHILDREN'S CRUSADE was a great story that did justice to all the characters involved. I can't wait to read the next story on the same level of awesomeness as this one.

I have to admit, I'm becoming more and more a fan of the OGN releases from Marvel. It's a great feeling being able to read a complete comic story all contained in one collection. Rick Remender has a powerhouse creative team handling the art and colors and pulls out all the stops with a story jam-packed with Avengers. Without being locked into the continuity of the regular titles, this is a book anyone can dive into and devour. The action builds up to a crazy level and despite seeing a bit of different Ultron stories recently and currently, this one will remind you just why he is an incredibly dangerous foe for the Avengers. Get ready to sit back and enjoy an epic Avengers story. This is what an Original Graphic Novel should be like.

Hobgoblin may have started out as a Green Goblin clone but he has long since proven he is his own character. With the different versions and variations we've seen over the year, Hobgoblin as a motivational speaker promoting others to become heroes is pretty crazy yet you'll be hooked from the first page. Kevin Shinick does a great job showing how Kingsley is adapting to the new status quo in the Marvel Universe and Javier Rodriguez's art and colors are perfect for this. It's unfortunate the series is only three-issues but hopefully each one will be jam-packed with fun and excitement. I just want more and more of this.

While not being fully on board with the notion of the FUTURES END stories, this is one that caught me by surprise. Gail Simone knows and cares about the Barbara Gordon character. She ends her run on the series but showing us a possible future and puts her through the wringer. Usually future stories are full of despair but Simone's take on Batgirl and her legacy offers some hope. Along with Javier Garron's art, we get some cool designs and you can't help but want to see more of this corner of the "five years from now" timeline. The events of this story may never come to be but you'll definitely want to see what Gail Simone has given us. You'll definitely want to thank her the next time you see her at a convention.

Each issue of BATMAN: LI'L GOTHAM is a joy. Each issue is a breath of fresh air. Comics these days can get pretty dark and dreary. That's great for telling "mature" stories but there are times we simply need pure entertainment. That's what Derek Fridolfs and Dustin Nguyen do in each issue. They take the essence of what makes Batman and all his surrounding characters so great and add a sort of magical touch to them. Set in its own continuity, this is a "universe" I can't get enough of. With the availability of the 'digital first' format, picking up an issue is easy without having to worry about venturing out. It's the perfect comic to read while you're in your pajamas on a Sunday morning. Everyone needs to be reading BATMAN: LI'L GOTHAM.

With each issue of BATMAN: LI'L GOTHAM, you're pretty much guaranteed a great time. For only $.99 an issue, Dustin Nguyen and Derek Fridolfs pack in all the reasons we love Batman and his associated characters. Leave it to these two to figure out a way to continue their holiday-themed storytelling and figure out how to use Daylight Saving Time in an issue. We get some great "guest stars" that fall far from what you might possibly expect. This is the joy of the "Digital First" format. You can easily pick up the latest chapter (at a great price) where ever you have a wifi connection and know you'll be entertained.

If you've never read a chapter of BATMAN: LI'L GOTHAM, you need to rectify that immediately. You definitely need to check out this final chapter (plus it's only $0.99!). Dustin Nguyen and Derek Fridolfs have done an amazing job on this series. Each chapter has been delightful, fun and flat out amazing. It's rare to see a comic, especially a Batman one, with so much heart. While there are still the printed issues and collected trades coming, this marks the end of a great thing. This was an brilliant issue and series. It gets me a little misty-eyed to think that this is it. All I can say is thank you to Derek and Dustin, as well as everyone at DC that allowed this series to happen.

Betty and Veronica is a comic everyone can jump into. If you've never read an Archie book before and are here for Adam Hughes writing and art, you'll get a great sense of who they are. Hughes isn't just writing the book, he's writing the characters. We get to see a day in their life along with how they interact and get along with each other. Along with the gorgeous art, there's plenty of substance to show us what Riverdale is like for these kids.

I didn't think I'd fall in love with this movie. It just couldn't be helped.

Joshua Williamson has delivered another phenomenal debut issue. I first read this with no idea what the story was and seeing the twists unfold makes a spectacular reading experience. Getting caught off guard by a twist in a comic is fun but when there's more than one, it's a whole new game. You know you should not get comfortable or think you know what's coming next. Andrei Bressan's art fits the story perfectly. The layers to the story are intriguing and you can tell this is going to be a thrilling series.

I could go on and on about this book. This was everything I wanted in a BLACK WIDOW comic. Nathan Edmondson comes out of the gate running. He has a great take on Natasha and reading this issue will immediately make you want more. Phil Noto's art is insanely good. He creates a fantastic mood full of energy and makes Natasha look great without over sexualizing her. This is a comic anyone can easily dive into. Buy an extra copy or two and give them to your friends or loved ones. This is the book Black Widow and comic fans deserve. How many days until issue two?

Black Widow is not a character you want to mess around with. Nathan Edmondson and Phil Noto are showing us exactly what she is made of. With an evil organization targeting her, she's turning the table around and taking the fight to them. The results are glorious moments showcasing what she can do. Each of these fourteen issues have consistently delivered great story and art. It's not often a series can maintain this kind of momentum. BLACK WIDOW is a series everyone should be reading.

Nathan Edmondson and Phil Noto continue to impress. Black Widow's tale against Chaos takes a strange turn. Before that can be fully explored, we get a flashback into Natasha's youth. We're familiar with her past but it was a nice treat seeing her before she was completely affected by her time in the Red Room. With Secret Wars coming up, the future of this series is uncertain. Let's hope there's plenty more Black Widow adventures by Edmondson and Noto to come. I can't get enough of this book.

It's unfortunate that this series is ending. Given this final story, we get a slightly sad but satisfying ending. Edmondson and Noto have done a consistent and remarkable job throughout the entire twenty issues. All good things come to an end and this is a prime example. I can't wait to re-read the entire run.

Black Widow is once again getting the series she deserves. Mark Waid, Chris Samnee, and Matt Wilson have shown us how well they work together, and that's carrying over into this new series. The storytellers waste no time in showing us just how much action and butt-kicking we can expect in this volume. Black Widow versus just about all of S.H.I.E.L.D. is a fantastic way to start a new series. You might read through the issue fairly quickly, but you'll find yourself going back to the beginning to read it again. This is exactly the Black Widow book you've been wanting. I figured with this creative team I'd be happy with this first issue. They've delivered more than I could have hoped for. It's not often I find myself on edge after reading an issue, ready to start counting how many days until the next one. If you want a crazy amount of action and butt-kicking with a looming mystery hanging overhead, you absolutely have to read this book.

The action and intrigue continues in the latest issue of Black Widow. Chris Samnee, Mark Waid, and Matthew Wilson have made this one of my favorite books to read month after month. Black Widow is getting the attention she deserves, and it's all presented in a great package. If you haven't been reading this series, do yourself a huge favor and rectify that. Track down the issues and gobble them up. Reading this book is such a joy.

It's always fun to read a brand new comic series. Having it turn out to be a great read is a bonus. As a fan of both Bendis and Bagely, the idea of the two on a creator-owned book is refreshing. From the way the series has been described, they have big things planned. We're always looking for a new series to read and because this is a completely new comic world, anyone can jump right into this issue. The idea of superpowers not existing until a group of college kids discovers a way to create them ins intriguing. You can imagine things won't necessarily go smoothly. I can't wait to see how Bendis and Bagley explore this notion.

Sam Wilson is Captain America. This is something I've struggled with a little inside by my stubbornness that he should be Falcon and Steve Rogers should be Cap. Nick Spencer takes Sam to a different place as Cap and it really feels true to the character. He's the kind of guy that will stand up for his beliefs and do what he can to help the everyman By alienated so many, he's now forced to try to take a new approach to being Cap and it reminds me of the old Captain America stories I loved as a kid. Daniel Acua's art captures the beat of every scene whether it's average people having a conversation or intense action. I wasn't sure what to expect with this title but after reading it, I am 100% on board. I can't remember the last time a comic has completely caught me off guard in such a way. Thank goodness I didn't wait until later to read this book.

This is a book you have to read. It's a book you're going to want to read. As soon as I read it, I had to stop everything to write up this review. Mark Millar knows how to craft a fine tale and does a great job in introducing and fleshing out the new characters you'll immediately fall for. The art by Sean Murphy will immediately knock your socks off. Matt Hollingsworth's colors are phenomenal. I pretty much never do this but as soon as I read this issue, I read it all over again. It might be a time travel story but the subtle touches in the story throughout makes you realize it's not the simple time travel story you may have seen before. The only problem you'll have with this book is trying to figure out how to fit it into your pull list. Be sure to let your comic shop know you're adding it.

If you're looking for a great series with insane and over the top action and adventures, you really need to be reading CHRONONAUTS. Mark Millar and Sean Murphy throw out the traditional rules about time travel and pretty much let it all hang out (just look at the cover). Sean Murphy's art is incredible. I just can't get enough of this series. It's unfortunate there's only one more issue. Hopefully we'll see more really really soon. If you're not reading this book, you need to fix that right away.

CIVIL WAR is like a witnessing some close friends become engaged in a big argument. You feel bad for listening in but you can't pull yourself away out of concern and curiosity. The original Civil War arc was a brutal and spectacular story. This series continues the fight and takes it to a completely different level. Things have gotten really ugly between Captain America and Iron Man. Charles Soule and Leinil Francis Yu are doing wonders with this book. Civil War was one of those arcs you never felt needed to be explored further. Soule and Yu have easily convinced us we need to see it continue and they are just the ones to do it.

This isn't the best issue to start with obviously. I would highly recommend tracking down this entire series if you've been missing out. It's a refreshing story with a different take on time travel.

If you have any sort of fondness for Shazam (Captain Marvel), Mary Marvel, and Captain Marvel Jr., you won't want to miss this book. The Convergence titles have been forced to follow a certain formula but Jeff Parker finds a way to slightly work around that and deliver a fantastic story, true to who the characters are. Doc Shaner's art and Jordie Bellaire's colors will make you wish we could spend an even longer period of time here. If you think you've seen all the Convergence titles have to offer, you haven't seen this issue. Just a warning, you might find yourself unable to resist cheering out load for the heroes.

It's not often you get a comic that is fun, entertaining and a delight to read. COW BOY by Nate Cosby and Chris Eliopoulos is a treat. People read comics for different reasons. There are several different types. This is a comic anyone could read. You'll immediately be drawn to Eliopoulos' familiar art style and you'll become engrossed by Cosby's stories of the young bounty hunter.

There was a lot riding on Rebirth. It felt as if some books were in a holding pattern the past few months. We may have come to terms with certain changes in the New 52, but that doesn't mean they can't be tweaked. Geoff Johns is giving many fans what they want. New developments are being set up to set up to drive other titles forward to exciting places. This issue just really hit the right notes with me. There were some emotional surprises, and I didn't realize how much I had been missing certain characters. If this is any indication as to what we can expect in the Rebirth titles, it's going to be a fantastic time to read DC Comics.

Its another All-New Marvel NOW! success. It may be a new #1 but if youve been reading Mark Waid and Chris Samnees DAREDEVIL before, you know exactly what youll be getting here. Although, with Daredevil now in San Francisco, hell have some new problems to deal with. Were off to a great start, but then again, Waid and Samnee have been working on DAREDEVIL for a while so it should not be a surprise how much youll love this issue. New York City is a great city but its going to be really refreshing to see some action in a new city. The fact that it happens to be San Francisco is just a huge coincidence.

DEAD LETTERS was a comic I hadn't heard about until I laid eyes on it. It's great being able to dive into a new comic and not have to worry about anything that happened before. Our main character has no recollection who he was before he woke up and the action gets pretty crazy. The art and colors captures the mood of the story and gives it a different feel from your typical comic. Do yourself a favor and check this book out.

Get ready to read your new favorite comic. It's a great feeling getting your hands on a fantastic new series. We've seen many takes on all the different genres but Jeff Lemire and Dustin Nguyen's take in the sci-fi arena is a glorious and gorgeous trip. Right from the beginning you get a sense of how large in scope this series and its world can be. We are introduced to some likable characters that make us eager for more. It's always difficult to add a brand new series to your (likely) overflowing pull list. Adding DESCENDER to your pull list will be something you won't regret.

Lemire and Nguyen are proving to be a great creative team. I often find myself a picky when it comes to Sci-Fi stories, especially in comic form. The first issue saw a ten year time jump and thankfully we do get some flashbacks to add to the characterization. We get to see more of Tim-21's story and if you didn't already love the character, you won't be able to resist the emotions that start bubbling towards the surface here. You won't even realize that many of the characters introduced in the first issue don't even appear here as you'll be glued to Tim-21's plight as he fights for survival. DESCENDER is really growing into something special.

The first arc may be over but clearly the story is just beginning in DESCENDER. If you're looking for a cool sci-fi comic with a different look and feel to it, you need to be reading this book. Jeff Lemire is building a big "universe" and Dustin Nguyen's art and colors keeps getting better and better. Just when you thought you had an idea where the story would be going, we get a pretty interesting twist at the end. I love it when I'm reading a book and have no idea what might be coming next. Each issue keeps you on the edge of your seat and I'll definitely be back for the next one.

Buy this comic. It ties up all the loose ends in the "Hungry City" storyline. We find out (have updates) on Tiger Shark, James Gordon Jr and Sonia Zucco. Reading a Scott Snyder story, you can easily see how meticulously he has had everything set up. Each issue makes you wonder what he could possibly have in store for us next. As insane as this issue gets, I can only imagine what next issue will bring. Snyder and Jock are a perfect pairing for this story. There will be some lasting repercussions from this arc. The new villains Dick is developing are going to be keeping him busy. This issue is definitely a game-changer.

There's no Batman here, Dick or Bruce, but who needs them? Scott Snyder and Francesco Francavilla team up to bring us the next installment on 'is James Gordon Jr evil or not' and it is quite a ride. The story that has been building up for the past few issues continues as we see a side of Commissioner Gordon that we don't often see. This is such a heavy struggle for him and you can really feel the weight of the possible repercussions lying on his shoulders. There is such a vibe of suspense and the pacing of the story along with panel layouts, art and color truly deliver a stunning tale. All this and more insanity with the Joker, who has never looked creepier, thanks to Francavilla.

How many have I mentioned that Detective Comics has been my favorite Batman series? We've been getting intense stories, new and old villains and a great depiction of Dick evolving beyond the skillful hero he was as Nightwing into a truly worthy successor to Bruce as Batman. The story of James Gordon Jr. has been frightful and intense without having to go for obvious shock value we often see elsewhere. Being that the possibilities hit so close to home with Commissioner Gordon, the storytelling and suspense will keep you glued to the pages as you slowly turn each one.

It's Scott Snyder's Detective Comics. I can safely say this will most likely be my pick of the week. Snyder's run has been phenomenal and this was the perfect ending. You can see everything that he's worked towards in setting up and referencing past events. I had questioned the use/return of James Jr for about five minutes and now I couldn't be happier to see the dark path he's taken. James Jr. needs to be elevated to being one of the top villains in Batman's rogues gallery. Snyder's run has been accompanied by amazing art from both Jock and Francesco Francavilla. It's fitting that both handle the art duties in this oversized issue. Normally I'm bothered when the art changes mid-action but the story and mood set up will suck you in and you won't even notice until you read the issue again...and you will want to read it more than once.

Detective Comics is off to am extraordinary start. James Tynion IV, Eddy Barrows, Eber Ferreira, and Adriano Lucas are spoiling us from the beginning. I am so excited to see where things go from here. Because we've read countless Batman stories over the years, it's refreshing to see a major title take a new approach and deliver a new vibe. This is a comic I can't put down. It should be made clear, this isn't just a Batman book. There are so may great characters here I would be surprised if there wasn't something for everyone. This book is definitely going to be a blast.

Detective Comics is a Rebirth title that hit the ground running. While some of the other books are focusing on setting up their new direction, James Tynion IV delivers an incredible mix of action, storytelling, and character building. Having a bigger cast of characters sets this apart from your typical Batman comic. It's amazing how easily Tynion devotes plenty of time in developing each character while also pushing the story forward. Having superb art by Eddy Barrows and Eber Ferreira and colors by Adriano Lucas makes a great book even better. If you're looking for action, suspense, and developing storylines, you won't want to miss this book.

Each issue of Detective Comics has been a fantastic read with the Rebirth relaunch. James Tynion IV is shaking things up for Batman and his allies and keeping readers on their toes. With juicy twists and turns and a fast pace, you can't be sure what to expect. The art team of Alvaro Martinez, Raul Fernandez, and Brad Anderson will put you in awe. What makes reading Detective Comics even better is the fact we get it twice a month. It's a tough wait between the issues, and as soon as you finish, you'll be hungry for the next installment. I have to say, I love this book.

Detective Comics concludes its first arc with a powerful ending. James Tynion IV, Eddy Barrows, Eber Ferreira, and Adriano Lucas have consistently delivered a great Batman story with the Dark Knight taking a new direction. We've seen the different characters fleshed out without getting lost in the crowd, and the action moves the story at a brisk pace. The finale will grab your attention and leave you speechless as you reach the final page. Tynion and company are doing great things here. This is a book you shouldn't miss out on.

This isn't your regular Batman comic you might be used to. By having Batman ally himself with others in the Bat Family, there is so much more to see explored and developed. Barrows, Ferreira, and Lucas are doing an amazing job with the art and color. How many different Batman stories and titles have we seen over the years? James Tynion IV and crew make Detective Comics stand out from the others.

This is an issue not to be missed. Scott Snyder, Gene Luen Yang, and Geoff Johns are changing everything we know about Batman, Superman, and the Justice League. Don't dismiss this as a novelty comic for Free Comic Book Day. This is the real deal. These pages are essential to readers of the regular series. The writing and the art on each part was truly amazing. If you haven't gone to your local comic shop yet and are sitting there reading this, you need to get there right away and get yourself a copy. Everything is changing.

*Note: Strangely, the digital version has a character named Francesco Francavilla while the printed version calls him Frankie Falcone.

I want more comics like EAST OF WEST. It shouldn't be a surprise being that the comic is from Jonathan Hickman. Teaming up with Nick Dragotta once again and with Frank Martin's colors, it not only is a captivating read, the art and color will make your eyes happy. With a futuristic/sci-fi Western feel, this comic stands apart from the others on sale. There's something for everyone here. All you need to know is this is not a comic you should miss out on. It's the next big comic people will be talking about. It's a comic you'll be happy you read.

If you've read CAPTAIN MIDNIGHT or BRAIN BOY, you're gonna dig this book. Seeing these two characters forced to team up is handled perfectly. They're from different time periods and have different outlooks on things. Fred Van Lente does a superb job on the dialogue and bickering between the two. When the action kicks in, you'll be in awe over Michael Broussard's art. They have to fight a giant enhanced gorilla! What more could you ask for? Newer readers will be able to dive into this issue and should get a good taste of what they've been missing. Dark Horse does a great job in showing what their Project Black Sky line of books are about.

This is what anniversary issues should be about. Often with these over-sized, 100-page issues, we tend to get reprinted/classic material. This is all 100% pure brand new Fantastic Four material. Hickman has been pioneering the characters since he came on board with issue #570 (which I reviewed here in video format). You can see how everything that has happened has been building up to this point. There is a reason for what's been going on and even prior events are still having an impact. The story is not over yet. Don't dismiss this celebration due to the high price tag. It's worth the purchase and there is still plenty more of the story to be told. Try to read this before you discover any of the spoilers. Even if you do, seeing what happens before and after will satisfy your comic reading desires. If Hickman set out to become the premier Fantastic Four writer of this generation, it's safe to say he has achieved that.

It's great when a writer can stay on a title for a while. It's even better when you get to see them take the book in the direction they wanted and tell the stories they have in mind. Nearly all of Hickman's run has maintained a high quality feel and you could see how everything he's done has been leading up to this point. We can look back now at past issues and see how everything happened for a reason. We sometimes see subplots developed that get lost or forgotten but that isn't the case here. Steve Epting's art makes this explosive issue even better by delivering exactly what we want and expect from him. We may not always get to see Epting and Hickman together but when they are, it's a definite treat. Hickman's run just makes me proud to be a fan of the Fantastic Four. I have no idea how he can top this massive story but chances are he's already busily working on the next big adventure.

There's been a lot of action in this series lately. Jonathan Hickman (with Ron Garney and Jason Kieth on art and color) give the characters a chance to catch their breath. These types of stories are great to see once in a while as action after action can get overwhelming and possibly monotonous. When it's time for the action to slow down a bit, this is where writers have to show their versatility as well. What begins as a simple trip into the future (only in comic books can you say going to the future is simple), the story soon takes off and Hickman shows us why so many of us have been enjoying his run on the series. His stories often go in directions we're not expecting and his ability to surprise us comes across as genuine rather than feeling forced. I've been a fan of FANTASTIC FOUR since I first started reading comics and I'm loving everything that Hickman is giving us.

This comic made me happy in so many ways. I didn't think I would care too much for the 'point one' issues of FEAR ITSELF. I was satisfied with the ending and we already had a bunch of 'epilogues' in the final issue. With the creative team of Ed Brubaker, Butch Guice and Bettie Breitweiser, there's no reason to pass this by. Brubaker deserves to be the one to deal with Bucky after his death and it was great to final see it dealt with. Regardless if you liked or didn't like FEAR ITSELF, fans of Captain America and Bucky absolutely must read this issue. With the end of Bucky's story and the new storyline coming up, do yourself a favor and read this before anyone can spoil any of what goes on here. There were a couple moments that should have had me shaking my head but they are far too easy to overlook due to the end results. Bravo to all involved.

The fact that we have a comic book sequel to Fight Club feels incredibly surreal. Before it was announced, I had no desire to see one happen and thought it wouldn't work or be necessary. With Chuck Palahniuk continuing the story of the characters he created along with Cameron Stewart's art, you'll soon realize just how badly you do want to see this sequel happen. Seeing where the story picks up after all these years and with the visual freedom Stewart takes full advantage of, we get an amazing piece of work. If you've never seen the movie or read the book (shame on you), do so immediately. You do not want to miss out on this.

Do you know who Flash Gordon is? Whether you're familiar with the character and property or don't know a thing about him, this comic will give you all that you need to get hooked. With a feeling of a grand adventure set in the 1930s, this is what a Flash Gordon story should be like. Eric Trautmann does a great job setting everything up for new and old readers and Daniel Indro's art is something that should be seen by everyone. It's great having a comic you can jump into and not have to worry about loads of other titles having ties to the story. In a sense, it's a great escape. With the first issue at a dollar, it's the perfect opportunity to try something different. Dynamite has done it again with this revival of an old familiar franchise. I can't wait to read more.

An action packed issue marking the halfway point of Flashpoint. This issue has some crazy moments, some kick-ass scenes and even a moment of sadness. Geoff Johns and Andy Kubert continue this amazing ride as we see the events of this different version of the DC Universe unfold. Everything is beginning to make sense and all the pieces are falling into place. I had some suspicions before and it's great to get some confirmations (or denials). Readers shouldn't pass on this series in the plans of just picking up DC comics in September with the relaunch titles. There is a lot going on here and some great and fun storytelling.

Future Quest is a book for everyone. It doesn't matter if you grew up with the various Hanna-Barbera characters or are seeing them here for the first time. We're given a grandiose story that hits all the right marks. We have an incredible creative team and the book is offering everything I could have asked for. I don't just want to read the next issue, I need to read it. The fact that this series now exists makes me extremely happy.

Things will never be the same. We hear that a lot, especially with event stories. The recent issue of Green Lantern: Emerald Warriors may have caused confusion as that should have been released after this issue but based on what happens here, I can totally overlook that shipping goof. War of the Green Lanterns was an enjoyable arc. It did have some low points but overall I dug it. The conclusion here went above and beyond what I was expecting. At the end of the day, that's what is most important. This issue is setting up major changes for the future of Green Lantern and I haven't been more excited. Bravo to everyone involved with this issue and the decision made.

This is how events should start off, with a humongous bang. It feels like we've seen a lot of events and crossovers lately, even in the Green Lantern titles. This one is off to a fantastic start (should I say "Van-tastic' in honor of Van Jensen?). As a big Green Lantern and New Gods fan, holy cow does this deliver pretty much everything I could ask for. Don't let the fact that this is the "first act" fool you. There's a lot going on and if this is indicative of the rest of the arc, we're in for quite a treat. The issue is full of great writers and artists and it shows. Don't miss out on this one.

I can easily say HANK JOHNSON, AGENT OF HYDRA is one of my favorite books for the month. David Mandel crams in a lot of humorous moments and situations that don't make the story feel like a parody of the Marvel Universe. Michael Walsh and Matthew Wilson's art and colors are perfect for the story. You'll find yourself laughing at the funny parts and cringing at the inappropriate parts. It's unfortunate this is just a one-shot. I would absolutely love to see more. The Marvel Universe needs more Hank Johnson and so do we.

This just might be my favorite FUTURES END issue. Amanda Conner and Jimmy Palmiotti know how to cook up crazy and fun adventures for Harley. Having them joined by the regular team of Chad Hardin and Alex Sinclair is the icing on the cake. It's a great issue with bizarre situations but we wouldn't expect any less from Harley. Does she actually marry Joker? You'll have to read to find out. You'll be happy you did.

If you've ever read a Hellboy comic or even watched either movies, you have to read this arc. This is big stuff in the world of Hellboy and you won't want to miss out. Past story arcs have been great but this is at a completely different level. WIth a feeling that it's been in the works for a while, this story absolutely changes things. Mignola's writing is top notch and you have to see Fegredo's art complimented by Stewart's colors. After reading it, I had to read it again. I can't remember the last time I felt so much over a Hellboy story. Bravo to all involved.

If you have kids in your life or are a kid at heart, you need to read HEROBEAR AND THE KID. Mike Kunkel is back with the characters he created and all we can say is it's about time. This is a book great for everyone. It may be suitable for kids but that doesn't mean it's only for kids. Comics don't have to be full of despair, suspense and terror. Comics can be fun and enjoyable. If you can't appreciate the nature of this comic, you might want to schedule an appointment with a cardiologist to see if there's a cure for your blackened heart.

In a time where we're subjected to a lot of negativity and hatred, HUCK comes in like a beacon of hope. Huck is the hero we've been waiting for. Mark Millar and Rafael Albuquerque have introduced us to a hero unlike any other that is special in many ways. Living a life to only help others, he's placed his biggest secret in the hands of the town he lives in. You might feel a slight need for more in this first issue but everything is set up nicely. You'll get such a warm feeling reading HUCK and will likely fall in love with him before you reach the end of this first part.

If you're interested in what impact Infinity arc will have on the rest of the Marvel Universe, this is a great example. You're taken away from the main portion of the action and are treated to an interesting story. Plus, you'll want to see how much butt the Silver Surfer kicks. If you've never read an Infinite Comic, you need to check this out.

INHUMANITY has begun. As a result of INFINITY, the face of the Marvel Universe is undergoing a pretty big change. It's not just the Inhumans we know that are being affected. This is definitely not an issue that should be missed. Matt Fraction lays out the groundwork for what we can expect. Even if you haven't read INFINITY, everything you need to know is here. Olivier Coipel's art makes this even better. Matt Fraction has done something I didn't think was possible - I now care about the Inhumans and can't wait to see what's coming next. With the changes coming, if you're reading Marvel Comics, you need to read this.

Iron Fist is back like you've never seen before. It's some dark times for Danny Rand and that means we can expect some high octane action and adventure. Kaare Andrews cranks up the intensity while giving us a different take on the usual upbeat Iron Fist we've seen so many times. It's a great change of pace and gives us an enticing first issue. Most of the new All-New Marvel Now! relaunch series have been wonderful and Marvel has another hit on their hands. Iron Fist is a great character that has been underused for too long. This is a great time to get to know him all over again. You'll feel the excitement oozing from the pages.

You might think life is fun and sweet for Iron First but that isnt the case. As a character that has gone through some rough and dark times, the tone of this book shouldnt be a surprise. Seeing Iron Fist in action against a horde of ninjas is an incredible visual. Kaare Andrews is hitting all the marks with the script and art. This may not be the most upbeat comic youll read as some of the events are like a punch to the gut. You will appreciate the great storytelling and visuals. This is the sort of comic that makes me thankful Im reading comics.

It's not everyday we get a comic release suitable for all ages. Sometimes all-age books have an almost watered down feel as they have to be safe for younger readers. The tales in Jim Henson's Storyteller manage to capture the Henson feel and feel they'd be perfect for the original television series. There is a wide range of today's top comic creators involved here. Whoever is responsible for gathering all the talent and putting this together should be commended. Everyone involved here has made the comic industry a little bit brighter. Traditional comics are great but it's nice to have something a little different that has such a warm feel to it. Keep an eye out for this book. Ask your comic shop to order it. Visit your local bookstore. If you're looking for some fun, light-hearted tales that the entire family can enjoy, you must track this book down.

It's hard to believe we've been reading KICK-ASS for only six years. It's harder to believe that this is the final issue. We've seen the characters come a long way. Kick-Ass and Hit-Girl have grown. They've suffered many losses and it looks like they can final get some peace. It's hard saying goodbye to characters and seeing a series end. I wasn't quite sure where the series would go when I read the first issue. It's been a blast seeing the characters grow through their highs and lows. Mark Millar and John Romita Jr give us a great ending. It's been a fun ride, but all good things must come to an end.

There are times you need to simply try a brand new comic. LADY KILLER needs to be that comic. With a strange mix of a 1960s wholesome vibe and a some serious violence, this is a refreshing book that gives you something delightfully different. Things do get messy but because of the art and colors, it doesn't really feel gratuitous. Okay, maybe just a tiny bit. This book might not be for everyone but there is something pretty spectacular about it all. This may be just be a five-issue miniseries but I truly hope we can get more. I am so incredibly curious to see everything we can about the world of LADY KILLER.

LADY KILLER is the type of comic you haven't really seen before. We're introduced to a new world taking place in the 1960s. Jolle Jones and Jamie S. Rich are creating the perfect mixture of the innocence of the 1960s "wholesome" feel with the deadly world of a killer for hire. Jones' art with Laura Allred's colors are simply fantastic. It's hard to prepare yourself for the glory and gruesomeness of this wonderful book. I can't get enough.

Anniversary issues are often hit or miss. With Marvel's 75th Anniversary special, we get a taste of some of the great things they've given us over the years. While it's obvious so much more could have been included, we get a nice variety of stories, pin ups, historical notes and more. This comic may not change the face of today's comic market but it's a great look at some of the characters we love by several great creators. The opening story by James Robinson and Chris Samnee should definitely win you over. After that, there's plenty more to bring a smile to your face. This is a 'celebration' issue done right. Even if you only just "like" Marvel Comics, you'll want to check this issue out.

I actually care about Skeletor's character now. I always felt he was a dorky character but Fialkov and Iriving have made him interesting. This isn't the cackling buffoon seen in the old animated series. This is one with a more vicious nature. It's a spooky and compelling origin. It's unfortunate the story couldn't be longer. It felt as if it had to be rushed a tad in order to be contained in one issue. I now wan to see what's next for Skeletor. I may even go back and re-read the current printed and digital MASTERS OF THE UNIVERSE issues since I now look at Skeletor in a different light. If you've ever had the slightest interest in Skeletor or He-Man, you need to check this out.

MONSTRESS is a heavy book. Don't let the gorgeous imagery on the cover fool you. Marjorie Liu and Sana Takeda are not messing around with the heavy themes and situations presented. You'll be captivated by the story that transpires but you'll also feel like you're prying into the personal struggles of the main character. If you're looking for a heavy story with gorgeous artwork along with a big struggle and plenty of action, you'll want to check this out. At $4.99 for sixty-six pages, it's quite a bargain. The story is the kind that will sit with you on your mind and heart well after you finish reading. It's a bleak beginning in a far-from-happy world but you won't be able to turn away.

Horror and thriller comics aren't easy to do. Because of the comics medium, they often fail to truly deliver the chills and suspense the creators are trying to convey. Joshua Williamson and Mike Henderson show us they have a pretty damn good idea how to do it right. It's a joy to see a dark story make its point without relying on over-the-top or gratuitous scenes. With a big mystery and a killer (or killers) lurking about, you won't know if the main characters will survive for many issues. The tension created in this first issue sets the tone for the series and you won't be able to resist coming back for more. Just be prepared for a cliffhanger that will keep you waiting in anticipation until the next issue.

We've seen what Joshua Williamson is capable of so far in this series but with issue #6, he takes a slight departure to show us another layer of creepiness in the town of Buckaroo, Oregon. Rather than focus directly on the story of a serial killer, we witness another aspect in the fascination with the killers as they gain notoriety. Williamson and Mike Henderson know how to deliver a creepy and disturbing tale. You might feel a slight weird feeling in the pit of your stomach but that's just because Williamson and Henderson are doing their job. Pick up the first trade (also on sale today) if you haven't been keeping up. This is a captivating and disturbing comic without feeling gratuitous. You'll find yourself unable to look away.

I've never been the biggest Wizard of Oz fan but the current Oz books from Eric Shanower and Skottie Young have made me a fan. With this series by Angelo Tirotto and Richard Jordan, it's immediately made clear that this isn't just another take on the story. Tiny elements are taken from the original but from the first couple pages you'll know this is a different story. The main character, Dee, is far from the young and innocent Dorothy we might be expecting and the darkness that is seeping beneath the surface of her hometown will be enough to get you hooked. It's a good thing to take a chance to try a new series and it's great when that series delivers. This isn't The Wizard of Oz and it's a good thing that it's not being presented that way. NO PLACE LIKE HOME is off to a great start. It's hard to say where the series is going but I definitely want to see what happens next.

If you have it in you to take on a dark and disturbing comic, this is indeed the one for you. There won't be any frolicking or cheerful times here but what you get is an intriguing story. Robert Kirkman does a great job setting up this new world and characters. Paul Azaceta's art is perfect for the story and Elizabeth Breitweiser's colors completes setting up the vibe and atmosphere of the story. You'll feel a slight knot in the pit of your stomach even though there isn't anything overly gratuitous about this book. That just shows that they know what they're doing. Read this issue and you'll get hooked. That really shouldn't come as a surprise.

PAPER GIRLS is jammed with a special kind of innocence but doesn't shy away some slightly mature themes. You'll be hooked from the beginning. The fact that it's an oversized first issue for only $2.99 will make you feel like it's your birthday. This is a great start to a new series. I may not know what's coming up but I know I'm going to love every minute of it.

You may know what's going to happen in this first issue but there's no telling what comes next. Jeff Lemire and Emi Lenox do a wonderful job setting up the story. As this is the first issue, it's what necessary. We need to find out who the main characters are and they do a remarkable job showing us and making us become invested in what they're about to face. If that wasn't enough, we also get a cool back up written and drawn by Lemire. Don't miss the party on this one. We have a great set up and I can't wait to see the story soar from here.

Power Man and Iron Fist is a comic that doesn't try hard to accomplish its goals. We're so used to seeing big gimmicky action or twists to make a comic feel it has an explosive amount of energy. David Walker and Sanford Greene instead focus on telling a story with some cool characters. The interactions and actions have a natural feel to them. This subdued approach really makes you appreciate the storytelling aspect of the book. By the time you finish reading, you'll discover that the fate of the Marvel Universe may not be hanging in the balance, but you will be hooked and want to see what happens next.

The Punisher isn't usually high on my reading list. He's a guy that kills bad guys with guns. I have enjoyed many many Punisher issues over the years but he isn't someone I'd choose to read about right away. Greg Rucka is doing a great job in making the Punisher interesting. It might be in part that we don't hear Frank talk. He is completely focused and doesn't have a need to say anything. Checchetto's art sets up a chilling mood that fits perfectly with Rucka scripts. This Punisher isn't someone you'd want to mess around with. He's being set up to face a villain that appeared in another character's book and he's not the first villain I'd think of to be paired with the Punisher. That does make it more interesting and gives another reason to check out the next issue. But with Rucka and Checchetto on board, another reason to read this book isn't needed.

Part one was great and, no surprise, this one is as well. Punisher, Spider-Man and Daredevil have different tactics and views but with all their past run ins, they can easily put them aside when necessary. Rucka and Checchetto have made this a great series and this crossover has been a welcomed and complete surprise. It is unfortunate that each part of the story takes place in a different comic. It's even more unfortunate that this will only last three issues. PUNISHER is a great series and this crossover is continuing to be a blast to read.

Reading this final issue was a great way to start off the new year. Get ready for the end. There will be answers, shocks and surprises. We've seen a lot happen over these six issues. Sean Murphy has done a remarkable job on both the writing and art duties. When I first heard about the concept I thought it was a novel idea. Murphy has shown us how well he has thought out and planned the events in each issue. Just when you think you know what's going to happen, a curve ball is thrown at you. The only downside is the printed format sadly makes the art look a little faded. The crispness of the digital format really makes the art shine and lets you appreciate every detail of Murphy's art. This is a heavy series and with the themes, violence and language won't be for everyone. It is comics like this that makes you happy to have a publisher like Vertigo. I loved every bit of this series.

RED LANTERNS continues to shine brighter than ever. Charles Soule is doing a great job taking these odd characters and making them fun to read. He's taken a book and characters I cared very little for and turned it all around. With this issue packaged with GREEN LANTERNS #28, you get two comics for the price of one. It's a great deal and you essentially get a double-sized complete story that will have a big impact on the GL, RL and SUPERGIRL titles.

This book is an example why we should all cheer for the comics in our lives. Skottie Young's writing and art sets the perfect tone for Rocket Raccoon's solo adventures. Don't assume this is going to just be a fun romp of an adventure featuring the lovable Rocket. You will find plenty of attitude and mayhem Rocket's been known to generate. Many of today's comics have the same feel to them and Skottie Young brings a breath of fresh air to our reading list of comic books. A Skottie Young book about a space-fairing talking raccoon-ish creature with big guns and a bigger attitude may not be for everyone. I would highly encourage those to give this a try. It's safe to say, you're going to have a blast reading this book. I love the fact that this comic exists.

We have something new and something different. It's also something with a lot of potential. There was a lot of hype surrounding this title prior to its release. Some of that excitement stayed with me as I was reading. It is a first issue and has to introduce us to all the characters, situations and locations but the choice was to do so as the story progresses. This could cause a little confusion for some but knowing who is behind this title, we just need to be a little patient and enjoy it all as it happens. Be aware that this is a mature title and your little brother or sister probably shouldn't be checking this out. It's great to get a new series that fills you with awe. This is just the beginning and I'm already looking forward to a long run. It's comics like this that will put a smile on your face.

I first had the chance to read this a few months ago. Since then, I have read it a couple more times. It's an intriguing introduction that has me hooked to the overall story. Visually stunning. An insightful, yet horrific look into cults and the bonds that connect family. We're just getting a glimpse into the overall story. Brian Buccellato and Toni Infante have created an intriguing new world. You'll hang onto every word and Infante's art pulls you into the story. Simply put, I want more. You will as well.

Han Solo #1 will hook you from the beginning. With the vast number of comics available and the cost of maintaining a massive pull list, it can be difficult to commit to a new title. Marvel makes the decision easier by putting together the stellar creative team of Marjorie Liu, Mark Brooks, and Sonia Oback. It would be easy to just slap the Star Wars brand on a comic and have the familiar characters running around doing something. Liu convinces you this is Han. You'll believe this story is really part of the character's history. Liu, Brooks, and Oback do a brilliant job making the story feel modern and nostalgic at the same time with a mix of the vibe from the old and new Star Wars comics. This is the solo comic Han and Star Wars fans deserve.

This is an emotional look Krypto when Superboy died. That's all you really need to know. Kurt Busiek gives the perfect balance of setting up the relationship between Krytpo and Superboy and what happened afterwards. Krytpo is a cute and cuddly superdog but you can't just throw him in an issue and expect it to be a hit. Busiek must have done some sort of mindmeld with a dog in order to capture and convey the true nature of a dog suffering a loss. Rick Leonardi has proven his artistic skills over the years. While I wasn't crazy about the way Krypto looked on page one, the portrayal throughout the issue matched Busiek's script perfectly. I haven't even made a dent in this week's stack of comics but I know I can safely say this is my pick of the week.

Despite already knowing how Clark's childhood story ends, Landis, Dragotta, and Guimares are making this a fascinating read. We all know the story but we're getting to see what it was like for Clark, as a child, to go through the changes of his emerging powers along with the insecurities and fears he had to deal with. If you're looking to just escape and see an early chapter of Superman's life, this is definitely worth checking out. You'll be reminded why you love Superman so much.

Superman: American Alien is a fantastic Superman story anyone can read. With each issue, I love this series more and more. Each issue is an excellent example as to how great of a character Superman is. Max Landis is doing a remarkable job and Francis Manapul's art is top notch. Some of the moments in Superman's life told here might not completely jive with everything we know or have seen before, but it's been a joy to read. We need more Superman stories like this.

Think you know everything about Alec Holland and Abby Arcane? Think again. Scott Snyder, Scott Tuft and Becky Cloonan give us a great "lost story" that makes sense and is fascinating to read. Knowing how deeply their past is rooted is what makes them and the 'universe' they reside in that much better. We may be in the midst of the Rotworld story but this has a clear connection yet also stands alone as a great annual-type story. Annuals should be able to stand on their own and seeing this story from the past was a great choice to be featured here. Cloonan does an amazing job bringing the the characters to life and leaves you craving for more.

If you're looking for something new and something different, you owe it to yourself to check out Francesco Francavilla's BLACK BEETLE. If you're familiar with Francavilla's art, you know what to expect here. His art and colors will amaze you as you witness the dawn of the adventures in Colt City. It's great to be able to jump into a new series and enjoy the adventures of a character without having to worry about what happened before. Because we are used to having answers, not knowing Black Beetle's past is also something you'll find yourself wondering occasionally. BLACK BEETLE is the type of comic anyone can get into. If you like good comics with great art and storytelling, you really need to pick up BLACK BEETLE. Don't miss out on it.

Get ready for a new take on an old character. The set up for THE BLACK HOOD is great. It feels like we're reading something new. It's something we haven't necessarily seen time and time again in the past. Duane Swierczynski does a great job in creating a new character in Greg Hettinger and fleshes him out nicely. We know superhero origins often involve tragedy but Swierczynski gives us one with a different perspective. Michael Gaydos' art along with Kelly Fitzpatrick's colors are perfect in topping off the tone of the book. If this is any indication in what we can expect in future Dark Circle comics, we have a lot to look forward to.

This is your chance to check out what is brewing in the mind of Joshua Hale Fialkov. By creating an interesting cast of characters set in a bizarre situation, you'll find yourself wondering what's going to happen next as you take in all the details. Joe Infurnari does a remarkable job on the art and adding color to this printed edition is like getting desert after you just had desert. This is truly a case of doing yourself a favor if you pick it up. Even though I read the digital chapters, I dug the story so much I just had to read it all over again.

Note: if you read the first issue, check out the commentary podcast with Josh and Joe HERE.

THE BUNKER is one of my favorite current series. Josh Fialkov and Joe Infurnari are cooking up some crazy and interesting things. Whenever time travel or future knowledge is involved, things often get tricky. That's one of the cool aspects of the story. Infurnari's art is breathtaking. Simply put, this is a series you should be reading.

THE BUNKER is simply a treat to read. Joshua Hale Fialkov and Joe Infurnari are creating a story that is more of an experience. Fialkov keeps things moving and throws twists at you that you won't see coming and Infurnari's art is a wonder. The trade collecting the first four issue has also been released so do yourself a favor and make sure you're reading this series.

Archie Comics and Roberto Aguirre-Sacasa have given us another comic that shows Archie comics are not 'just for kids.' In a darker telling, we get to find out who Sabrina Spellman is. Whether you're familiar with the character or not, you'll get a slight sinking feeling as you become immersed in this different setting and get a taste of what's to come in the rest of this ongoing series. Robert Hack's art establishes the mood from the very first page. There are a couple moments of inconsistency but the art and colors will let you know you should be prepared to be a little freaked out by this book. Forget everything you know or think you know about Archie Comics. This is a book you should keep an eye on.

It's time to reconfigure your comic buying budget as the latest new series from Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser is calling out for you. As you would expect, this is a pure story with amazing visuals. It's a great look at this dark time period in Hollywood during the late 1940s and you'll immediately find yourself hooked. You've read any of Brubaker and Phillips' previous series, you pretty much know exactly what to expect. If you haven't read any of their work before, you are indeed in for a treat. Bottom line: buy this book.

Jonathan Hickman strikes again. His work on FANTASTIC FOUR and FF have been great but there is something about creator-owned work where you get to see them really cut loose. Taking historical elements and adding a huge twist is a brilliant twist and offers a great deal of possibilities for future issues. There are plenty of developments that will get you hooked and make you hunger for the next issue. This is something new. It's something different. It's the perfect issue if you need a break from superheroes and tights. It's definitely plot driven but is crammed with glorious art by Nick Pitarra. I simply cannot wait for the next issue. I love when I get to read a comic that gets me this excited.

MULTIVERSITY is finally here and it's a trip and a half. Grant Morrison is just showing us the tip of the iceberg of the DC Multiverse. There's a big threat on the horizon and with so many different characters and worlds, there's no telling what might happen next. Ivan Reis and Joe Prado set the stage in a glorious way. This is a comic you won't want to miss. Morrison is setting up some big things here and it's going to be a fun and crazy ride.

I try to encourage readers to try something different once in a while. This is the perfect candidate. I went into it without knowing what it was about and that amped up the excitement. If you've ever read anything by Brian K. Vaughan or have seen Marcos Martin's art, you know you're in for quite a treat. You don't need me to tell you how great this is. Give it a try. Visit the website and name your price. You'll be happy you did. This is what happens when creators decide to take a risk. You owe it to yourself to take a risk as well and check this out. You can thank me later.

SANDMAN is back and it's everything you'd hoped it would be. Neil Gaiman is the only one that could pull this off and he does effortlessly. J.H. Williams III art and Dave Stewart's colors are phenomenal. We may have been waiting a long time to return to these characters and world but it feels like it was just yesterday we last saw it all. Gaiman does a great job bring us back into the story and never misses a beat in the storytelling. We get a great set up with the mystery building as the story progresses. It will be hard to wait for the next issue but we've already waited this long. SANDMAN was a great series and Gaiman once again reminds us why with this first issue.

We've had to wait a bit since the last issue but once you start reading, you just might find yourself willing to overlook the wait. It's hard to say what's more beautiful here between Neil Gaiman's writing, J.H. Williams III's art, and Dave Stewart's colors. It all goes together so wonderfully. It's been hard waiting but this is definitely a comic worth waiting for. We should all be happy a comic like this can be made.

Brian Michael Bendis and Michael Avon Oeming are back together with a new series. I went into this issue without knowing a single detail as to what it was about. The reality is, you don't need to. You're probably familiar with the work from these two and that pretty much tells you all you need to know. Seeing a world with the mob having a big influence in the United States makes an interesting backdrop and we're getting to see a lot of cool new characters. With details being revealed and a great twist at the end, I am definitely onboard this series. You'll want to make sure you jump on this series now rather than try to catch up later.

THE UNITED STATES OF MURDER INC is one of my favorite new series this year. Brian Michael Bendis and Michael Avon Oeming have proven in the past what they can do together. They're doing it again with a fascinating take on the world of mobsters. There's plenty of action, violence, and suspense to be found. This really is a series you'll want to check out. You'll be happy you did.

THE UNITED STATES OF MURDER INC. has fast become one of my favorite ongoing titles. The team up of Brian Michael Bendis and Michael Avon Oeming is one we're familiar with and their take on the world of mobsters is full of action, intrigue, and suspense. Bendis keeps the action going while also fleshing out the backstory of this world while Oeming's art captures it all perfectly. The only downside is having to wait until the next issue when you reach the end.

Scott Snyder and Sean Murphy have developed a following for their work both separately and together. Seeing the two creators reunite is enough to get readers excited. For a new series with a new concept, THE WAKE does a great job in setting up the story and characters. You almost feel as if Snyder and Murphy are teasing you because we've barely scratched the surface to what must be coming up next. The little we do see of the cast of characters is enough to make you want to see more. You can almost envision the possibilities of this crew investigating whatever mysteries are headed our way. We have a great story with great art and color. It's refreshing being able to read a comic that doesn't follow the traditional comic book formula. Don't wait to pick this issue up.

Buying and becoming invested in a new series or miniseries can always be tricky. With Scott Snyder and Sean Murphy (and Matt Hollingsworth), it becomes a lot easier. This is the type of series that shows we can have and enjoy something new rather tan just rely on new stories with existing characters. We've been introduced to several new characters as well as a mystery that will hook you into the series. This is the type of comic you'll want to sit back and enjoy as you devour each issue. We truly are getting something different and it's a blast reading each issue to find out what's going to happen or be revealed next.

With each issue of THE WAKE, it feels less like a comic you read but more one you experience. Scott Snyder has a crazy story cooked up and there's no telling what's coming next. Having Sean Murphy on art and Matt Hollingsworth on colors is like we're getting an extra special treat. There will be a little wait until the next issue but, like they say, "good things..."

What the heck is going on? Scott Snyder is giving us a crazy story that will completely suck you in. We were left with a big cliffhanger last issue only to find the events of the story jump forward 200 years. As we see the far off aftermath of the attack from the sea creatures, we are introduced to a new world that still has a huge threat hanging over everyone. Sean Murphy's art and Matt Hollingsworth's colors makes a great story even greater. It's not often we get an intriguing story accompanied by such beautiful art. THE WAKE is the whole package. With the way Snyder keeps shaking things up, there's really no telling where the story is going to go.

There's so much to see in the latest issue of THE WAKE. Scott Snyder, Sean Murphy, and Matt Hollingsworth are packing it all into these issues. With the slightest hints, we can feel just how big this comic world is and have to wonder how much detail Snyder and Murphy have laid out in their notes. It's crazy to think there are people out there that haven't read this series yet. I have to say I envy them for the fact that they will be able to enjoy all the issues for the first time still. I don't want this series to end but I cannot wait for the next issue.

From the beginning, seeing Scott Snyder and Sean Murphy's name attached to this series should have been all the reason you'd need to dig into this series. It's been a crazy ride and it's both great and sad to see the conclusion to this story. Snyder's vision and Murpy's art have created an incredible world that leaves you hungry for more. We get some answers and a crazy cliffhanger that will make sure you won't miss the final issue. It's great to have comics like this.

Scott Snyder and Sean Murphy's THE WAKE has come to an end. This is the sort of book you'll want to read over and over. There is an interesting feeling reading a comic with a finite pace. That still doesn't quell the desire to see more from this amazing new comic world. Snyder and Murphy make a phenomenal team. We've had an amazing story, we get plenty of answers, and Murphy's art is enough to make you drool. Hopefully we will see more from this world in the future. There's plenty more in to explore in this world. Bravo to Snyder and Murphy.

I've struggled through X-Files comics in the past and if this first issue is an indication of what we can expect, I couldn't be happier. Joe Harris has the task of taking these characters beyond where the television series left off. With Chris Carter on board, you know the characters and stories will go in the direction they are supposed to go. Michael Walsh's art is great and establishes the perfect mood for the series. As a long time X-Files fan, I am ecstatic for this series and cannot wait to see what's next. You will believe an X-Files comic can be a great read.

This is a must read for anyone that has ever watched an episode of The X-Files. Joe Harris and Chris Carter are doing what every fan of the show has been craving, extending the story with the characters. So much is being thrown at us and it's amazing how much we're seeing happening in just these first two issues. Michael Walsh's art and Jordie Bellaire's colors creates a great vibe for the story. You will be amazed at what happens in this comic. Things are definitely changing and we're seeing some great surprises here. There's no telling what might happen next and that's a great feeling - knowing that there are loads of twists and turns awaiting in the next issue.

If you've ever watched an episode of The X-Files, this series is a must-read. Series creator Chris Carter and Joe Harris have brought the characters back with a vengeance. We're seeing many familiar characters return (some in shocking ways) and the story continues to build the excitement with each issue. Michael Walsh has captured the essence of the characters and is bringing them to life along with plenty of X-Files action that we would expect. Bottom line, if you enjoyed the show, you're going to love this comic. Don't miss out on it.

You can't (or shouldn't) have a comic book death without seeing the reactions of those close to the character. I highly enjoyed the Death of Spider-Man story arc despite being tired of the numerous comic book deaths we've been seeing. Bendis simply made it work. He should us how heroic his version of Spider-Man could be and made his death matter. Because this is the Ultimate Universe, death here isn't the same as it usually is. If Ultimate Peter Parker does somehow return, he's going to do some tricky maneuvering to make his return work. Brian Bendis made me get emotionally attached. You might have an idea what type of reactions you'll see and how they play out but that doesn't lessen the impact. Combined with Bagley's depiction of the emotion on each character's face, this truly was a touching issue.

Ultimate Fallout had some high and low points. For the most part, it did succeed in showcasing everyone's reaction to the death of Spider-Man. Because Spider-Man has been made into the heart and soul of the Ultimate Universe, his death has been shown to have an affect on everyone. This is the end of an era and the upcoming Ultimate Comics Reborn will show us the next chapter. Despite being the end of this story, it also manages to set the stage for many characters. Things won't be the same and that is what you would want from a comic book death story. You get the feeling his death does matter. The team of writers and artists have excelled in convincing us it's real...or at least as real as it can be for fictional characters.

Fans of Eva Bell, aka Tempus will love this issue. While I was simply lukewarm to her character before, this issue has opened my eyes to who she is and who she has the potential to be. The idea of Eva spending some years in other time eras is a fascinating one. Others may cry out, "called it" but I didn't see the events from this issue coming. Andrea Sorrentino's art is a welcomed treat here. He captures the essence of the story perfectly. The only downside is we have to wait for ALL-NEW X-MEN ANNUAL #1 to find out what happens next.

You can't walk into a comic shop without seeing issues containing crossovers. They're all around but Valiant gives it a different approach. This is a story that anyone can easily jump right into. The stakes are high and it's made perfectly clear within the first few pages. Matt Kindt builds up the action and suspense as the story progresses and Doug Braithwaite's art is top notch. Many comic book crossovers have an almost flamboyant feel. UNITY is a more than just an event - it has the makings of a great story. There's no flashy gimmicks necessary. With a focus on that story and the characters, you know we'll be treated right with what is delivered. Do yourself a favor and pick up this issue to find out what you've been missing.

This is a series that will make you want to personally thank Ed Brubaker for coming up with. It's always great to have a comic series that stands apart from the others on the shelves. Getting some variation in our reading is crucial and Brubaker gives us a different sort of spy story. Rather than focus on the unstoppable secret agent, we actually see someone else in the organization take the spotlight. It might be easy to think that just because we have a new espionage series with a female lead that things would get overly sexual. Brubaker shows that isn't the case. Velvet is not your typical female comic character and in just a few pages, she shows she can kick all sorts of ass. Steve Epting's art and Elizabeth Breitweiser's colors put this over the top. You can tell right away this is going to be a great series to read and enjoy. It's time to make room on your pull list because this is one that deserves to be on it.

Should you be reading VELVET? We often see people complain about buying/reading the same thing over and over again each month. Ed Brubaker, Steve Epting and Elizabeth Breitweiser are giving us something different. As a spy thriller with a female lead, we're getting plenty of action and intrigue as we discover what Velvet is all about. This comic delivers a great story with great art and phenomenal colors. The question shouldn't be should you read it; the question is why aren't you reading it?

Reading Vision has quite an effect on you. Tom King's take on the character is both joyous and heartbreaking at the same time. King is delivering and creating multiple layers on the book and character which are fantastic and surprising. You almost have to stop and catch your breath after reading, as if you just got done running a marathon. Michael Walsh's art along with Jordie Bellaire's colors are absolutely brilliant. They capture every beat of the story in a glorious fashion. This is easily my favorite book of the week. I need more.

This is an absolute must-read. It's not often a comic can deliver so many emotions. This book has been an eye-opener and has become one of my top-recommended series.

Ed Brubaker laid out the groundwork for this new direction for Bucky. Getting "killed" during FEAR ITSELF was the best thing that could have happened. His time as Captain America was a great read but after his years as the Winter Soldier, espionage should now be where he excels. With a story that started in the pages of CAPTAIN AMERICA, Bucky (along with Black Widow at his side) are on the hunt for other sleeper agents he helped train. The colorful costumes are gone and now it's time to go undercover. We should be visiting new and different areas in the Marvel Universe. Brubaker is joined by the perfect creative team with Butch Guice and Bettie Breitweiser perfectly capturing the mood this book deserves. The series is off to a great start and if you're not already sold on this direction, you will be by the time you finish the first issue.

People buy comics for different reasons. If you dig Bucky and Black Widow, you need to get this issue. If you follow creators and love Brubaker's writing, Butch Guice's art or Bettie Breitweiser's colored art, you need to get this issue. If you love stories with an element of espionage mixed with superheroes, you need to get this issue. Bottom line, if you enjoy quality comics filled with fun and excitement, you're going to find that WINTER SOLDIER will easily rise to the top of your reading list. This is the story that Brubaker's been setting up for years. We've seen the seeds of the hidden sleeper agents back in the pages of CAPTAIN AMERICA and now Bucky (and Black Widow) are on the trail. Bucky feels responsible for having helped train them (while he was brainwashed) plus the safety of the world is at stake. If you haven't already, track down the first issue (it was on sale two weeks ago). WINTER SOLDIER is the perfect meshing of the superhero and spy genre.

It's the end of the first arc but the story's actually not quite over yet. The creative team of Brubaker, Guice and Breitweiser makes this a great and fun read while looking amazing each month. The opening scene with Doctor Doom, Nick Fury and Bucky was a joy and Brubaker delivered plenty of action for this team-up you never thought you'd see. As much as I've enjoyed this series so far, I've never been a fan of the Red Ghost and Lucia Von Bardas hasn't won me over yet either. Besides the action, there's also plenty of set up to see the consequences of the events that occur here. WINTER SOLDIER impresses me each month. It has a great disconnected feeling while still being heavily rooted in the Marvel Universe. This is the perfect atmosphere for a comic featuring Bucky as the Winter Soldier and while the world believes he's dead. It's no surprise that this title has remained at the top of my reading list each month.

The more Brubaker-written issues I read of Bucky, the more I love the character. I could not imagine anyone else attempting to write this story right now. Brubaker's stories always feel like they've been brewing for months, if not years. It was way back in CAPTAIN AMERICA #619 where the seeds of this story were first planted. What makes it all even better is Brubaker manages to get a great creative team to help him tell the story. Michael Lark was the perfect choice and I can never say enough nice things about how much I enjoy Bettie Breitweiser's colors. It's no surprise that WINTER SOLDIER continues to be one of my favorite titles month after month. Brubaker has me hooked and I can never get enough.

A timeless story featuring Wolverine that isn't just another of the numerous one-shots we've seen over the years. With Nick Fury as the only other character we know, there aren't any other relationships or storylines that you need to worry about. The story dealing with Wolverine trying to repay a debt captures the essence of who he is. As we all know, he will go to any means to hold true to it. The art and colors enhance the feel of the story, truly making it fit in the 70s era in which it takes place while also keeping it a timeless story that can be enjoyed at anytime. The only complaint is that this is a one-shot. It would be great to see more from this creative team. This is what one-shots should be about. An entertaining story with amazing art and colors. This may not change anything in Wolverine's mythos but sometimes you just have to treat yourself to an enjoyable comic.

If you're a fan of Scott Snyder and Jock, getting this new series is a no-brainer. This is a great first issue that introduces us to new characters and clearly establishes what horrors we can expect to see. This is the sort of comic you'll want to read during the day. There are some definite creepy moments without it ever crossing the line into graphic or grotesque imagery. Be prepared when you pick this issue up. Let your comic shop know to order you a copy. Orders are due by Monday. You don't want to miss out on this one.

Comic can't always be bright and cheerful. Scott Snyder, Jock, and Matt Hollingsworth are taking us down a dark path while introducing us to a different world of witches. It's not often a comic can reach inside you and affect your emotions. We have the feeling of some really bad and gruesome things coming even thought this isn't a super violent or gratuitous comic. If you want a comic that's going to take you to a darker place, you'll want to read this. We are becoming immersed in the lives of an innocent family and it's been so easy to actually care what happens to them. If you're looking for a book that will give you goosebumps or fill you with dread, get on board with this one. Each month I feel hesitant to open the book and turn the pages but at the same time, I can't resist. Just try not to read it alone at night.

WYTCHES is more than just a comic, it's a journey. Scott Snyder, Jock, and Matt Hollingsworth are taking us down a dark and slightly disturbing road. We're being presented with some dark and twisted ideas and visuals. That makes this the perfect comic to creep you out without any gratuitous moments. This is a comic you'll find yourself slowly reading as you take in each moment and all the detail in the art. I've said it before and I'll say it again, don't read this comic when you're home alone.

It's not often a comic book story leaves you with a disturbing sinking feeling in the pit of your stomach. That's what happens with WYTCHES. Scott Snyder and Jock are keeping us on the edge of our seat as we see the events unfold. Horror comics rarely capture the atmosphere needed to properly cause chills but WYTCHES hits you in the right place. You're sucked into the story but you become almost afraid to turn the page. The first arc is almost over and who knows what horror the next issue will bring.

It's hard to digest the ending of this first arc. This ending has definitely given the series a pretty big turning point. Twists in stories, especially horror stories, are common. Scott Snyder manages to pull one that punches you in the gut. Snyder, along with Jock on art and Hollingsworth on color, have taken us to a dark and creepy world. With a surprising and satisfying conclusion to the first arc, we can't help but wonder how we'll managed until the next arc begins. Be sure you have a happy place to go to after reading this book.

X-MEN: THE WORST X-MAN EVER is an X-Men comic unlike any we've seen before. Max Bemis gives us a different take on what it's like to discover you're a mutant. There is plenty of twists, action, and humor all contained in this first issue. Michael Walsh's art is fantastic, as always. It may be separate from the current continuity but that's part of what makes it so enjoyable. This is the sort of comic you can just dive into and enjoy. I'm still laughing over Beast's explanation of Bailey's powers. This comic put a great big smile on my face. I can't wait to see what's next.

We've been waiting for Rick Remender and Wes Craig's DEADLY CLASS for months and it was absolutely worth the wait. Rick Remender turns away from the big superhero and sci-fi action by giving us a story that feels like it could exist in the 'real world.' Wes Craig's art and Lee Loughridge's colors will bring a smile to your face and make you feel like a kid in a candy shop. We're almost getting spoiled here with the story and art. Don't miss out on this new series. You'll definitely regret it if you do.

I had high hopes for this series and the second issue is even better than the first. If you've ever wanted to jump into a fresh new series, Rick Remender and Wes Craig are making an extremely compelling argument to completely fall in love with this series. With so many characters in the background, there's no telling who will step forward or where the action will go. We're seeing there is more to the story and lead character than we thought. On top of all the fun, we get another extended issue because that's just how cool Remender and Craig are. There's nothing more to say except, buy this book.

There's something about this series that is simply fascinating. Rick Remender is taking the concept of a school for assassins and fleshing it out in an interesting way. Previously we got a glimpse at some of the other students and in this issue we focus more on the main character, Marcus, and one of his classmates. With the story focusing on just the two of them, there is a slight isolated feel. The nice thing is it does slow things down a little to give the characters a more realistic feel. Wes Craig's art and Lee Loughridge's colors are a treat and really compliment the story, giving it a fresh feel. There might be a little less action in this issue but we get a pretty explosive ending.

Its hard to believe that a book about a bunch of kids going to school to learn how to be assassins can be so endearing. Rick Remender and Wes Craig set out to deliver a sort of coming of age story with a dark twist. They are absolutely succeeding. The book takes us into dark corners and theres no shying away from what they might do or want to do. Craigs visuals keep up with the pace of the story as it switches from high and low moments. All the while, you feel something even darker headed towards the kids. Were only four issues in but this is a series Im glad to have been reading from the start. I cant imagine not reading this book.

DEADLY CLASS is a crazy and intense series. Rick Remender is clearly not holding back in the scenes he comes up with for the characters. This issue marks the end of the first story arc and it almost feels like theres no end to the violence and mayhem. Wes Craigs art and layouts are extraordinary. Combined with Lee Loughridges colors, DEADLY CLASS is a great comic to read and look at. Youll find yourself having to stop to take in all the details. This comic is not for the feint of heart. Each issue gets me more excited for the next.

School's still in session. With the death of a fellow student, Marcus and his friends have been trying to maintain a semblance of a normal life, despite the fact they're all in a high school for assassins. We still have the mysterious killer from Marcus' past making plans in the background and it looks like things might be about to get even worse for all involved. Rick Remender does a great job giving humanity to a cast of killers. You can totally see them as typical high school kids but then you're reminded that they're much more than that. Wes Craig's art and Lee Lougridge's colors continue to amaze me. Month after month, DEADLY CLASS remains one of my favorite books.

DEADLY CLASS remains one of my favorite new series. We have an interesting cast of characters and the mix between 80s teenage drama with aspects of training to be an assassin keeps readers on their toes. Rick Remender has created a remarkable world and Wes Craigs art with Lee Loughridges colors are top notch. I have to assume youre reading this book already. If youre not reading DEADLY CLASS, you really need to fix that.

DEADLY CLASS is back with a huge bang. Despite the previous arc reaching a conclusion, there's no slowing down. Rick Remender takes the characters and immediately thrusts them into another deadly situation. We Craig's art and Lee Loughridge's colors are amazing. There is a great vibe going on. Simply put, I can't get enough of this series. I love the world of DEADLY CLASS but there's no way I would ever want to actually visit it. This is non-stop action and violence with plenty of substance.

We've seen teen angst stories and dramas many times but this takes it all to a different level. Remender doesn't pull any punches in his storytelling. Wes Craig's art doesn't skip a beat. This is one of those types of stories where you want to look away when you know something really bad is coming but you just can't help but keep your eyes glued to each page. The main character, Marcus Lopez, keeps digging himself in deeper and deeper. You'll be guessing how this issue could possibly end as the pacing gets cranked up towards the end. It's going to be a long wait until December when the next arc begins. That gives you time to catch up if you haven't been reading. The fact is, I love this book so dang much.

DEADLY CLASS remains at the top of my list of favorite comics. Each time a new issue is released, it's among the first I'll dive into. Rick Remender and Wes Craig are giving us the perfect blend in storytelling with plenty of action, character development, drama, and tragedy. If you haven't been reading this title, you really need to fix that. Go back and pick up the trades. Get caught up. I just love this book so dang much. I can't get enough of it.

How could something so wrong feel so right? It didn't seem like crossing ARCHIE characters and zombies could fit together but Roberto Aguirre-Sacasa and Francesco Francavilla make it work perfectly. It could be easy to dismiss the idea as a gimmick to cash in on the zombie genre but the zombie craze isn't what it used to be. Instead, we get a fascinating meshing of these two worlds and, as horror stories should, it will make you feel completely uneasy in the pit of the stomach. If you're even slightly familiar with Archie and the gang and enjoy a good horror or zombie story, you owe it to yourself to check this out. You'll definitely want to sink your teeth into it. Just be sure to keep it away from the children.

I am still completely sold on this concept. We've seen plenty of zombie stories. We've even seen zombie stories cross over with established characters in comics. This is a different pairing that was completely unexpected. The idea of the clean and wholesome Archie characters facing death and mutilation is bizarre. Roberto Aguirre-Sacasa easily makes it work. The key to zombie survival stories is caring about the survivors. Because of their nature, you won't want to see any harm come to these characters. That's what makes it more compelling and gives you that slightly sick feeling in the pit of your stomach. Francesco Francavilla's art is a perfect fit for the dark and suspenseful tale. You haven't seen an Archie story like this and you won't want to miss it. Just be sure you're not too squeamish and be sure to keep it away from the kids.

AFTERLIFE WITH ARCHIE has become a book I look forward to each month. It's hard to imagine this being an ongoing series but that makes it all the better. Archie Comics took a big risk with crossing over the beloved characters with such a dark and deadly tone. That risk is paying off in a big way. Roberto Aguirre-Sacasa and Francesco Francavilla are doing a remarkable thing. The Archie characters have never felt so alive despite the fact that characters are actually getting killed. This isn't the Archie Comic you're used to. This isn't a cheap zombie gimmick. AFTERLIFE WITH ARCHIE has a great story with character development and superb art that will give you chills.

Roberto Aguirre-Sacasa and Francesco Francavilla are making something unforgettable with AFTERLIFE WITH ARCHIE. This is far from a gimmick. It's not just another zombie story. It's not even just another Archie story either. The seemingly innocent characters we all know, whether you've ever read an Archie comic or not, are being transformed to another level. Aguirre-Sacasa is making careful effort to develop these characters in a way that will open your eyes. You can see where they're coming from and the horrible situation they now are in. Fracavilla's art is both beautiful and disturbing at the same time. There is such a sense of dread and trepidation that really puts this comic over the top.

It's the end of the first story arc and thankfully we still have some of the beloved Archie characters around. It's no surprise why so many people are talking about and enjoying this series. Roberto Aguirre-Sacasa is brilliantly laying out the groundwork for this ongoing series. Francesco Francavilla's art manages to keep the characters separate enough from the all-ages familiar Archie look but not so much that you can't tell who everyone is. His style also captures the dark and dreary mood of the story. You can see and feel the hopelessness some of the characters are feeling. This issue marks the end of the first arc but feels more like a set up for the next issue. We don't get too much closure and because this is ongoing, you wouldn't really want too much of that. If you haven't been reading this, you need to fix that right away.

AFTERLIFE WITH ARCHIE continues to 'wow' us with the story and character development. This isn't just "Archie with zombies." There is much more to this series than that. It's a tale of survival along with the opportunity to get to know these characters for the first time in a different setting. Roberto Aguirre-Sacasa and Francesco Francavilla have created a wonderful new comic world that manages to punch you in the gut with each emotional development. With this the beginning of a new story arc, new readers could jump in, but readers should truly track down the previous issues or trade to get the full story. It's absolutely worth it. Seeing the Archie gang in this comic is so wrong but it's also so good to read this book.

I say the same thing with the release of each issue, you really need to be reading this series. We've seen plenty of zombie apocalypse stories but there is so much more here. A good story of survival relies heavily on the characters. Roberto Aguirre-Sacasa brilliantly captures and sets up situations for them that makes you feel a connection to them. You have no choice but to care and be concerned for them. Francesco Francavilla's artwork is perfect for the series. He sets up the atmosphere needed and gives the characters a unique look while they still maintain a tiny resemblance to their original counterparts. This series is taking things seriously. We have some heavy themes going on. It's the perfect blend of horror and suspense with plenty of character building and moments of awe. The wait in between issues is harsh but any month we get a new issue is a great one.

Having all our comics interrupted by a zero issue might have seemed like a bad idea but this issue makes you wish it could last for more than a month. We thought we knew all about Bruce's days before becoming a crime fighter in his YEAR ONE days but Scott Snyder manages to give us a story that goes above and beyond what you would expect from this time. The kicker is the situation Bruce puts himself in and who he ends up confronting. Getting an early look at these characters along with Jim Gordon's take makes you hunger for a separate series showing us all the detail from this time. Scott Snyder and Greg Capullo continue their winning streak of great issue after great issue. Throw in an amazing back up by James Tynion IV and Andy Clarke, this is the kind of issue Batman fans want.

Reading this issue made me giddy as a kid reading comics for the first time. With Snyder, you know there is so much underneath the surface and even if you can't see what's there, knowing that they're there will amp up your level of excitement. Readers that have never picked up a Batman issue can easily step in here and know what's going on. It's great for both new and old readers. Neither should feel frustration as the issue appeals to both. I could go on some more but I think I'll just give the issue another read instead.

Snyder often crams in hidden details and plotlines in the story that you don't realize until you go back months later. Batman is a great character but somehow Scott and Greg are making him even greater. Without even coming close to reading the rest of the comics this week, I can easily say this is my pick of the week. It's just that good. The story is building up and it's going to explode like an atomic bomb.

A new adversary, a new mystery, action, detective work and revelations and a cliffhanger is all crammed into this comic. Snyder and Capullo do a superb job deliver another great issue. This issue doesn't have as much action as issue #2 but there is a lot going on. Batman is supposed the world's greatest detective and we get to see some of that detective work. The idea that a secret organization could have existed in Gotham for decades without Batman having any knowledge is almost absurd but incredibly scary at the same time. Batman is discovering that he doesn't have all the answers. He can't always be prepared for everything. This is a new type of Batman story. It's a great ride that you're going to want to sit back and savor every tiny bit. Reading this series just makes me happy to be a Batman fan.

Scott Snyder and Greg Capullo are taking us and Batman to a place he's never been before. Reading each issue is like walking on thin ice. There is so much intensity sitting beneath the surface. We have been seeing things that Batman hasn't, such as the Talon and possibility of the Court of Owls. This is something Batman refuses to accept and you know it's going to explode in his face, just as the tripwire did at the end of the last issue. Batman is so focused and sure he knows what's going on, the thought, for us readers, that he could actually be wrong is a scary one.

It's not often I find myself re-reading a comic book more than three times before even writing a review. Even the best issues rarely get a second read immediately. This is an issue of BATMAN you won't soon forget. Snyder and Capullo are putting Batman through the ringer and you almost get the impression that they despise the character (which they don't). The first time I read this, I had a heavy feeling in my chest. It was a feeling where I had to let out my breath and say "whoah..." It's an added treat that the issue is laid out in an unconventional manner.

BATMAN by Scott Snyder and Greg Capullo is becoming an addictive read. You'll find yourself slowly savoring each and every detail on the pages and will regret when the final page arrives. Since Snyder and Capullo joined forces on this series in "The New 52," each issues has been amazing. I've found myself saying, "This is the best issue Snyder has written. There's no way he can top this." And then what happens? He somehow delivers an issue that's more of a killer the next month.

Month after month Scott Snyder delivers an amazing issue of BATMAN. At the end, we're left in awe and start to wonder, is it possible for him to top this issue? The answer since the "New 52" started is 'yes.' Snyder has been unraveling an epic story. Reading each panel carefully gives the feeling as if there are layers and layers hidden beneath the surface. Each issue of BATMAN is what comic books are supposed to be about. The story exists on so many levels. You'll find yourself reading and re-reading each issue to make sure you don't miss any hidden clues. And then you'll find yourself re-reading the past issues once again to see that there were many clues in plain site. To make it all even better, Capullo attacks each page with his art. The worst part of this issue is it means we have to wait another whole month for the next issue.

With Snyder, the presentation, storytelling and overall presentation has been varied from issue to issue. You might think you know where the story is going to go but Snyder manages to throw curve balls at you each time.

The story continues as does the brilliance of Snyder and Capullo along with Tynion IV and Albuquerque in the back-up. Night of the Owls roars to life and we're seeing Batman fighting for his life in a way he hasn't had to before. Somehow Snyder has kept the pacing and action cranked up for the past nine issues. I've said it before and I'll say it again, Capullo is a beast when it comes to giving life to Snyder's script. As the main part of the Night of the Owls, there's a lot to see here and the back-up adds even more to an already great issue. If I was only allowed one comic to read each month, it would definitely be BATMAN.

Scott Snyder continues to deliver the insane levels of storytelling he is now known for. Reading this will open your eyes to how the entire series (since the "New 52" started) has been laid out. Whenever Snyder lays his cards out on the table, you can see and appreciate how far back the story elements go. Snyder doesn't do things for shock value or on the fly. You can really see the intricate details he puts into his stories.

Now we can finally catch our breathe. It's been a crazy ride and the action and revelations really amped things up these last couple issues. Scott Snyder made a bold move with the direction of Lincoln March. I won't comment whether or not there's a clear and definitive conclusion to his claim but there is plenty to make the argument for both sides. There was also a touching scene between Bruce and Dick that plays out nicely. The two of them have been through a lot and we don't often see them able to simply talk. The conclusion to the back up story further sheds light on the past and brings about another touching scene. There is a grand feeling of closure despite certain questions still hanging in the air. If DC ever felt they needed to cancel BATMAN, this would be a fitting and appropriate way to end the series. But clearly that can and never should happen.

Scott Snyder shows us he can tell different types of Batman stories. One thing that wasn't mentioned in order to avoid spoilers is the important message here. If nothing else, hopefully a certain sequence of events will open people's eyes.

This is off to an incredibly dark beginning. That's exactly what we'd want from a major Joker story. Don't look for an uplifting story here.

Make sure you're in a happy place when you read this issue. We've seen many incarnations of the Joker over the years. We've seen many battles between Batman and Joker. None of that can prepare you for what Scott Snyder and Greg Capullo deliver in this issue. Joker is a beast as his plans against Batman unfold. This is a cold and calculating Joker that wants one thing, to rid Batman of all his excess baggage. He wants Batman all to himself. With that notion stuck in his head, he has targeted pretty much everyone around Batman. Throw in the question of whether or not he knows Batman's secret, it's a deadly game on any levels. I don't know how Synder and Capullo (and Glapion and Plascencia) do it month after month. I don't need to know how. Just as long as it keeps happening, I'll be happy. The Joker is a vicious bastard and you'll love every minute of it.

It's hard to believe that a story stacking the odds against Batman can be so captivating. That's what Snyder does best, he sets up stories with Batman taking a beating, to remind us that he is a non-powered human. Everyone jokes how Batman should always win but Snyder shows it's not an easy task. We get to see some insight into how Batman's mind works. I can't recall seeing this sort of depth into how he thinks or reflects on a simple matter.

We're getting a lot of Joker stories though out this Death of the Family event. This is where we get to see how twisted and ruthless Joker really is. Luring Batman to Arkham Asylum is the perfect setting for what may be the final act in his crazy scheme. It's not often you feel sorry or tired for Batman. That's the feeling you get here. Scott Snyder sets up a disturbing scenario and environment and Capullo, Glapion and Plascencia do an extraordinary job of creating the visuals for it all. You almost have to wonder who is more twisted, Joker or the creators for being able to come up with the all the visuals.

Focusing on just the story told in the pages of BATMAN, this is exactly the story I'd want with Batman and Joker. Joker has done some horrible things in the past but he plays on a different level compared to villains that are simply willing to kill.

I will admit there were some deeply emotional scenes here. This made me really think over the rating for this issue. I'm not sure if I was so touched due to personal loss I'm currently going through in my family. But it does show Snyder's ability to make you feel Batman's pain.

Having the story shift back some days before the opening gives us that tease of a feeling knowing where the story is going to go but not being really sure how it will get there. Seeing Batman do more detective work is always a welcomed sight. James Tynion IV and Alex Maleev begin an interesting back up story that shows us why Batman works so well with a particular other character. Snyder and Capullo continue to show us you simply can't go wrong with BATMAN. You're always guaranteed a good time.

Batman vs. Bruce Wayne. With Greg Capullo's art and FCO Plascencia's colors, it's a visual treat. Scott Snyder has taken Clayface and taken him to another level. Unfortunately with the numerous other Bat-titles, this Clayface story felt too close after his appearance in DETECTIVE COMICS. The main story was really good as was the back up but it almost feels like we're just biding our time for the beginning of next month's Zero Year.

If there was any doubt that pulling Batman out of modern continuity and exploring his early days could work, this issue immediately proves it does. Seeing Bruce Wayne starting his career, going up against the Red Hood Gang and just the fact that some crazy stuff is going down, I can easily see this lasting eleven issues. Zero Year is off to a great start and right away, I don't want it to end. There's a deep mystery bubbling on the surface and the glimpses we get into Gotham in this time period is fascinating. Capullo, Miki and Plascencia make the visuals shine. This is not your typical Batman story and it shows. We get a great backup by Snyder, Tynion IV and Albuquerque that is highly enjoyable and makes the issue fun. Zero Year may be a visit to the past but I am on board with this being an extended stay. Snyder may have taken a risk by setting a long story in the past but it completely works. It's comics like this that make me excited to be a Batman fan.

The first chapter of Zero Year was great and you can see that it gets even better with the second. This is not just a retelling of Bruce's early days. While we do see how he started becoming the hero we know and love today, there's so much more to this story that makes it feel completely new at the same time. Every single creator involved is in top form here. You get the impression they are really putting their all into this issue. The writing, art, colors, lettering...it all looks so good. We're only in the second part and I'm already looking forward to buying this again in a hardcover format because I'm enjoying it so much. This is definitely going to be a story I will re-read over and over. It may be Batman's origin, in a way, but there's simply no telling what's going to happen next.

If you thought Zero Year couldn't get any better, you were mistaken. Scott Snyder is taking Bruce Wayne on a rough journey as he is on the verge of becoming Batman. You can see the story meticulously being laid out. We may not be used to seeing this less experienced hero but we are seeing the determination and tenacity that will shape him into the hero we know and love. A certain key scene is laid out with such extraordinary care, you'll be in awe as it plays out. Greg Capullo's art with Danny Miki's inks and FCO Plascencia's colors continue to make this a visual feast for our eyes. In the backup, Snyder, James Tynion IV and Rafael Albuquerque show us a remarkable chapter in young Bruce's life. I didn't think I could like a BATMAN comic more than I have before until I read this one. It just keeps getting better and better.

It's possible the wacky and...odd nature of the story was intentional because we're talking about the Joker. Maybe I'm missing the point. With so many Villains Month titles fighting for our dollars this month, this was a little disappointing.

With each chapter of Zero Year, I find myself surprised at how much I crave to see a story in this time period be told. This is supposed to be the main Batman title and it might be a little odd not to be taking place in the current time but that's perfectly okay with me. There is a great sense of isolation as Snyder and Capullo are able to tell the story they want to tell without having to worry about other events or crossovers. We all know Batman's origin, or at least we thought we did. Snyder shows that there is more to tell. He's giving us a story that is filling in the gaps when we didn't even realize there were these many gaps that could be filled. This is an issue you'll want to read over a few times to take in all the tiny details in the text and images to make sure you don't miss anything. Thankfully Zero Year is not over. Even with an oversized issue, I'm still craving more.

Scott Snyder's journey through Batman's memory lane continues. Zero Year shows there are still moments from Batman's early days we might not be aware of plus the fact that tweaking other moments serves to strengthen the mythos. With Greg Capullo on art and FCO Plascencia on colors, everything looks amazing. We get to see some things and people for the "first time" and revisiting the past has never been so much fun. We are also trated to a cool back up by Snyder, James Tynion IV and Andy Clarke. Zero Year is not over and I couldn't be happier. Zero Year continues to be a must-read for Bat-fans.

Zero Year continues to be a thrilling ride. With each chapter, we're discovering that we don't know everything about Batman's early years like we thought we did. Scott Snyder is carving out a new piece of history and the art team of Capullo, Miki and Plascencia is spoiling us. It's an exciting time for Batman and we're getting to see him like we don't often get to. This is the type of story you can dive into and just turn everything around you off. Zero Year is a time period I don't want to leave.

This is Batman like you've never seen. We're used to Batman being prepared for anything and able to take on anyone. We all know Scott Snyder loves Batman but, man, he is giving him the beating of a lifetime. The whole Bat-team of Capullo, Miki and Plascencia are in top form, as usual. It's great getting a different kind of Batman story. There's plenty of mysteries being laid out and revealed. Reading Zero Year has been a blast.

I didn't want to look forward to this issue. I've been trying to not get excited over the idea of BATMAN ETERNAL and I didn't want to see Zero Year interrupted. This issue offers a great tease as to the epic craziness we can expect. Big things are happening in Gotham City. It's not going to be a picnic. Scott Snyder and James Tynion IV are cruel in how they show us so much only to leave us hanging for months. If this is any indication of what we can expect in BATMAN ETERNAL, it's going to be a fun new series. It's great seeing Dustin Nguyen and Derek Fridolfs back on a regular issue. LI'L GOTHAM will be missed but you can see they're just warming up here. It'll be nice if this is just the beginning of their time in the New 52 Bat Universe. And hopefully you managed to avoid spoilers about this issue before you read it.

Oversized Zero Year issue? Yes, please! This issue really makes you appreciate the creative team. We often praise Scott Snyder for his amazing story and developments. Greg Capullo is a beast when it comes to the pencils. Danny Mikis inks and FCO Placencias colors help knock the comic out of the park. Besides being a great story, it looks fantastic. Im am completely digging Zero Year and cant wait for whats coming next. This is the kind of comic that sucks you in and makes you forget everything else around you. Despite being an oversized issue, I still want more.

Zero Year continues and Savage City is giving us and Batman a Gotham City unlike any seen before. Batman is still early into his career and it appears Riddler is more formidable than anyone thought or realized. Snyder story continues to have a big epic feel and the art and color by Capullo, Miki, and Plascencia is astounding. Some may say this doesn't feel like a typical Batman story but that's what makes it stand out. We're seeing Batman and Gotham City in a new light. Despite being set in the past, there's still no telling what will happen next. Zero Year continues to be an explosion of fun.

Some may feel Zero Year has been going on for too long. I couldnt disagree more. Too often big comic stories have a rushed feeling but here, were getting to see all aspects of the story get built up and fleshed out. Too often Batman is shown to easily solve any problem. Getting the chance to see a younger Batman has been fascinating as we get to see the man and hero he will become. Scott Snyders story has kept me captivated month after month. The art team of Greg Capullo, Danny Miki, and FCO Plascencia makes everything look so dang good. Ive wondered this before. How will they top this story next?

Zero Year, how much do I love thee? This has been a long running and fantastic story. I hate to see it end next issue. Scott Snyder, Greg Capullo, Danny Miki, and FCO Plascencia have been doing a stellar job in deliver a fantastic Batman story completely separate from everything else. With Batman, in particular, it's often difficult to see the character not pulled into other storylines and events. The showdown with the Riddler is heating up and this is yet another issue you'll want to immediately gobble up.

Batman: Zero Year comes to an end. This is the sort of story that makes you want to stand up and applaud. We've seen countless Batman origin stories throughout his seventy-five years of publication but Snyder, Capullo, Miki, and Plascencia have given us the definitive one. Zero Year is going to be a great collected story you'll want to read over and over. The entire Bat creative team have outdone themselves here. If for some reason you haven't read Zero Year, you need to fix that immediately. I can't wait to read this all over again.

Batman is back in the present and is on the hunt for an unknown killer. Anytime we get to see Batman hit the streets and use his skills to track down a threat is a treat. Scott Snyder is joined by Gerry Duggan and Matteo Scalera in bringing us this story focused on a single killer. Those that have complained about the longer story arcs should rejoice in seeing Batman get to the bottom of this mystery. Scalera's art perfectly fits the story and definitely leaves us wanting more from him. Despite the story being a self-contained one, you get a sense that there is something else going on. Don't miss out on this one.

DC Comics and Scott Snyder have managed to keep the focus of Endgame a secret for months. It's rare to be able to read a comic with a big shocking twist and not have any elements of it leaked out before you get a chance to read. Snyder and Capullo are setting up a pretty big story, even if it's only a six-issue arc. For a 'part one' issue, there's a lot going on. It's crammed with action that should bring a smile to any Bat-fan's face. The reveal at the end will make your smile grow even more. If the main story wasn't enough, we get a back up written by James Tynion IV with art by the legendary Kelley Jones. Just when you think Scott Snyder and the rest of Team Batman couldn't top the previous story they gave us, they manage to blow us away all over again.

I would say, even if you just 'like' Batman or Joker, you won't want to miss this issue. You can see and feel the enthusiasm and fun Snyder and Capullo are having on this story. Joker is back in Batman's life and Snyder is out to make sure the action and storytelling are cranked up higher than ever before. We often feel sorry for Batman when Snyder puts him through the wringer. Snyder and Capullo have been consistently delivering great and solid Batman stories. I can't help but be eager for the next issue. This story is pretty nuts and I'm having a blast reading it.

Joker is back and he's done with the jokes. We've seen Scott Snyder and Greg Capullo give us a Joker story before but now, Joker is back with a vengeance. The stakes have been raised. Gotham City has been infected and Batman is struggling to keep up with Joker's plan. With some new developments on Joker, things are about to get even worse. Scott Snyder has said he's writing this as if it was his last Joker story and you can tell. If you thought you'd seen all the Joker stories there were to tell, you haven't seen this one.

There's no letting up in the action and suspense with Endgame. Scott Snyder is not letting up with Joker's attack against Batman and Gotham City. It does indeed feel like the end is coming. Snyder is pushing the confrontation between Batman and Joker. It's hard to tell what's scarier, what Joker might do or what might become of the revelations about Joker. The art and color adds to the creepy and suspenseful mood of the story. Batman: Endgame is not a story you'll want to miss. It's already proving to be quite the game-changer.

All too often comics have an underlying feeling of being safe. The bad guys are always defeated and the good guys always win. Scott Snyder is known for beating down the beloved Batman. He puts him in situations that knock him apart so we can watch him crawl is way back to the top. We've seen many incarnations of Joker over the years but what we're seeing now is borderline disturbing. Snyder, Capullo, and the others are going all out in this arc. There's a feeling things are going to get even worse before they get better. Hopefully Batman will survive this. He has to, right? He's Batman. Don't miss this story.

Weve seen Batman fight the Joker many many times over the years but this is the fight to end all fights. There is no holding back as Jokers plan rushes to its ultimate fruition. Neither Batman nor Joker can afford to hold back. This is the stuff Bat-fans have been hungering for. Scott Snyder constantly sets the bar high for himself. Big things have been set up here and we get an epic conclusion, one most people might not expect. Greg Capullo, Danny Miki, and FCO Plascencia continue to deliver the glorious details and action the book demands. This isnt a story youll soon forget. There are repercussions and youll be haunted by some of the imagery. Snyder, the creative team, and Batman and Joker dont hold anything back.

The reports are true. We have a new Batman that operates in a completely different fashion. It's an exciting time as Scott Snyder and Greg Capullo are almost writing a brand new book with these changes. There are still some familiar elements and we all know this can't last forever. It's a risky move and I'm incredibly fascinated to see how this turns out. If you have faith in the creative team and love the idea of Batman being taken to a different level, you'll want to pick up this issue. It's BATMAN, but it's also something new for the series. I can't wait to see how this plays out.

Once again, we're getting a lot of the unknown and unexpected thrown at us. It's understandable that some readers might have difficulty accepting the current changes but Snyder and the Bat-team are showing us how it's possible to give a new take on the character without veering too far off the path we're familiar with. We're still seeing a lot of the same players. Even the scene with Alfred and a certain guest star carried loads of information for us to digest. We had about forty spectacular stories with Bruce Wayne and now Snyder, Capullo, Miki, and Plascencia are taking us down a fascinating side route. I love reading this book and having no idea what might be coming up around the corner. We're all assuming things will revert eventually but I am going to enjoy every single moment of this "new" Batman while it lasts.

BATMAN #44 is the comic you didn't realize you wanted. No one digs when we have a fill-in issue interrupted a story arc. Scott Snyder takes the idea of a fill-in to a whole new level. Joined by Brian Azzarello, Jock, and Lee Loughridge, BATMAN #44 is a superb stand alone issue which actually does tie into the current Superheavy story arc. If you've been missing Bruce as Batman and the early detective days, you just can't miss this issue. The story is heavy and will give you a slight punch in the gut but you'll love every minute of it.

After last month's flashback issue dipping into the story of Mr. Bloom, we're back in the present with Jim Gordon fighting for his life. Some may be patiently waiting for Bruce Wayne to somehow return to the bat-cowl but having a new Batman adds a new twist to the story and keeps throwing the unexpected our way. Snyder, Capullo, Miki, and Plascencia are keeping the 75+ year old character fresh but throwing different things at us. This issue does feel like it's still setting up pieces to the bigger story. We're getting closer to seeing the full wrath and capabilities of Mr. Bloom. There's no doubt things are going to get pretty crazy next issue.

The seeds of the Mr. Bloom story arc continue to be planted. Seeing him in action is the stuff of nightmares. Jim Gordon, as Batman, is definitely going to have his hands full. Seeing the further adventures of Duke Thomas as well as Bruce Wayne in his new life adds to the mystery of the arc. Scott Snyder and Greg Capullo have been shaking things up and there's no telling what they'll throw at us next.

Superheavy still has a few issues left but you can feel it all building towards an explosive ending. Scott Snyder and Greg Capullo have made me a fan of Jim Gordon as Batman. Along with Jim, we're really seeing Duke Thomas fleshed out into a great character and you can't help but be intrigued as Bruce Wayne tries to figure out what's going on. The creative team on this continues to maintain its hot streak. You'll find yourself glued to each page and cringe at the thought of having to wait to read the next part.

It's always amazing when you're pretty sure where the story is going to go or where it has to go and the creative team still manages to surprise and captivate readers. It's easy to guess what has to happen in Batman #50 but Scott Snyder is shaking up how exactly certain events will happen. Scott Snyder and James Tynion IV deliver a fantastic story that truly leaves you hungry for more. Yanick Paquette's art and Nathan Fairbairn's colors are truly amazing. We expect certain things in a Batman comic, but this book shows it doesn't always have to take a conventional route. I'm even more excited for what's coming up than I was before.

With the conclusion to Superheavy, all is almost as it should be in Gotham City. Scott Snyder and Greg Capullo have delivered another stellar issue. We have some amazing scenes and several moments that will put a big grin on your face. It's hard to think of this creative team leaving the title, just when things are returning to normal. Superheavy was a risky story, but these guys made it a completely satisfying read. This issue just goes to show us how much we'll miss seeing Snyder and Capullo together. We still have one more issue to go so the celebration is not over yet. If you haven't read Superheavy yet, you're in for a treat. Only Snyder and Capullo could make a risky story concept work in such a glorious fashion.

BATMAN #51 is the perfect ending to Scott Snyder and Greg Capullo's run. There's a bittersweet feeling as you enjoy the issue, knowing it will all be over soon. The issue does help celebrate past five years, and that's a key thing to keep in mind. Nothing lasts forever, and we've had a helluva ride for fifty-one issues. At the same time, there's a feeling of new beginnings. Exploring what Gotham is and seeing various characters planning their next schemes reassures us the city's story is far from over. We owe the creative team a huge thanks for all the great times and issues they've given us. It will be exciting to see what they'll all give us next.

How does this issue fit in with the rest of the series? It's hard to say. It is almost an epilogue of sorts. James Tynion IV delivers a fun and intriguing story with plenty of heart. Maybe it's a little upbeat for what we've had previously in this volume. That isn't necessarily a bad thing. Why not end the volume on a positive note? Perhaps it's because we just had a self-contained epilogue-type story last month, this feels a little out of place as a final story. I do like what Tynion and Rossmo do there. I'd just rather see it (and more of it) elsewhere. This issue easily stands on its own and shouldn't be missed.

I had extremely high expectations for Fraction and Aja launching a new Hawkeye series. He's always been a favorite character but hasn't always had the best of luck in comic series. This one will change all that. Fraction and Aja give us more of Clint Barton rather than Hawkeye. This isn't just a guy in purple with a bow and arrows. This is a highly skilled man that can't help but be a hero.

I've never loved purple as much as I do when I read an issue of HAWKEYE. Matt Fraction and David Aja (with Matt Hollingsworth) have created a great little corner of the Marvel Universe for Clint to hang out in. Having Kate Bishop appear is a great mix and adds a different dynamic. I wasn't completely thrilled with the 'villains' in this issue but I definitely welcome the repercussions that will result from this fiasco.

HAWKEYE has quickly become one of my top favorite series. Matt Fraction and David Aja deliver a comic about an Avenger that clearly stands apart from the numerous Avengers-related series. Fraction can take simple ideas, mix them into Hawkeye's world and make it a hilarious treat. David Aja and Matt Hollingsworth do their part to make the issue a feast for your eyes. This isn't the typical Marvel superhero/Avengers comic. That's a great thing. It's a combination of humor, action, suspense and pure entertainment that makes me look forward to each and every issue.

This is a comic reflecting some real-life events that is handled perfectly. Seeing both Hawkeye and Kate Bishop act as heroes during a disaster shows how great of characters they are. Matt Fraction gives a glimpse to what disasters like this can be like. The comic is executed in a way that doesn't come across as too forced or preachy. It's showing what people could do and the reaction to these sort of events. Having it illustrate that even heroes like Hawkeye who has faced incredibly powerful supervillains is still at the mercy of Mother Nature. Along with this heavier tone, we still get some great humorous scenes. If you've been reading HAWKEYE, you know what you're getting here. It's always a great time. We have some different artists filling in since there was a quick turn around to getting this comic made quickly. There are a couple moments where the art isn't perfect but it's a great story that deserves to be read. And it's for a good cause as well.

HAWKEYE is the comic you absolutely should be reading. The team of Fraction and Aja continues to deliver great stories month after month. With a slightly more grounded take on the Avengers world, you get completely pulled into the story and you'll savor every moment of it. We may not get big crazy superhero battles but that's not what this series is about. This is about a guy with a bow and arrow and the people in his life. That may not sound like much but it's all about the execution that Fraction and Aja managed to pull off in each issue. I wish more comics were like HAWKEYE.

It's Matt Fraction's HAWKEYE. Fraction has been consistently entertaining us month after month. If you're at all concerned over the lack of David Aja art, there's no need to fear, Francesco Francavilla's art, color and layouts adds a great vibe to the story. For a book that many enjoy for the fun and jokes, there are some definite dark times headed our way. There's a downward spiral happening and you won't be able to look away. With the suspense and twists, you just might find yourself applauding Fraction after reading this issue.

Matt Fraction is continuing to shake things up instead of just telling the same story over and over. Each issue manages to contain a great story with superb art. The way Fraction is mixing up the presentation or angle of certain issues keeps you guessing as to what's coming next. What you do know is it's going to be a great issue. Francesco Francavilla always manages to draw great scenes and his storytelling abilities are always evident. HAWKEYE marches to its own beat in the Marvel Universe and that's great. We need more comics that think outside the box and deliver fun and different stories.

HAWKEYE is back! It's enough to make you happy and cheer but then you remember that things aren't going too great for Clint and those in his personal life. Matt Fraction is really giving us a different take on the character and showing us that being a superhero isn't always fun and games. Clint is on a destructive path but there are moments of sunshine. David Aja's art and Matt Hollingsworth's colors are splendid as always. It's great to have the book back. This isn't your average HAWKEYE comic. And that's a great thing.

Hawkeye's fight against the Bros continues. Matt Fraction, David Aja, and Matt Hollingsworth all deserve a round of applause. The way the story has been building up over so many issues has been great. This issue will entertain you. It will make you laugh and it will even surprise you. Bottom line, I love this series so much.

I've always preferred the Clint Barton stories in this series but Fraction, Wu, and Hollingsworth completely sold me on Kate taking the spotlight with this issue. There's a crazy range of emotions going on and things don't go great for Kate, despite her usual upbeat and cheerful nature. This is the sort of comic you want to read slowly to savor each moment. You simply don't want it to end. This issue was well worth the wait and you'll be bummed once you've read it and it's over. But you can always read it again. It's definitely going to be interesting to see what happens next.

HAWKEYE is back and things are looking good for Clint or his neighbors. Matt Fraction, David Aja, and Matt Hollingsworth are wrapping up the series and the suspense and heartbreak is building. With where this issue is headed, there is a feeling of reluctance in finding out what the next issue might have in store for us. Things get pretty heavy. It's been a long journey. There's been unfortunate delays. But the quality and storytelling is exactly what we love and expect.

All good things must come to an end. If anything, the delays have made this last longer in some ways. This is a seres I won't forget anytime soon. It's one I will definitely read over and over. If I were one to applaud comics I read, I would get up and give this a standing ovation. Fraction and Aja (and Annie Wu) did some really great things in this series. Let's hope we can see that magic again someday. Delays-shmeelays. It was worth the wait.

If you love or even like the idea of Batman Beyond, you need to check this out right now. As part of DC's Digital First series of comics, you need to be prepared to get a great next chapter of Batman Beyond for less than a buck. You can feel the passion Kyle Higgins has for the characters and universe bubbling under the surface. This may be the first issue that starts to catch us up after the series jumps forward a year but you can see there has to be loads of big things coming. Thony Silas is a great choice for the art. Both Silas and Higgins have captured the essence of the Beyond universe and are ready to take it to the next level.

Batman Beyond has always stood apart from the modern day Batman stories. The essence of the character and world was established as more than just taking Batman and the concepts and sticking them in a futuristic fashion. Kyle Higgins gets what this Universe is about and you can feel the story amping up in each chapter. Terry has gone through some changes, including working with a new partner. This evolution is one of the great things about the "2.0" continuation of the franchise. Allowing the characters and world to move forward a meet is making this series fresh and exciting. Thony Silas' art and Andrew Elder's colors sets up the tone of the story and characters nicely. If you've ever longed for more Batman Beyond stories, this is a series you need to check out. Higgins is giving us action and intrigue and each chapter reminds us why we loved the animated series so much.

Kyle Higgins sure knows how to craft a Batman Beyond story. While there is still a bigger mystery going on, this chapter is packed full of action and suspense. Fans of the series will be thrilled with what pops up and you'll be on the edge of your seat as you read through it all. Thony Silas' art is great and fits the story nicely. The great thing about the digital first format is even if you've missed out on this series before now, you can easily purchase all the previous chapters. And we'll only have to wait two weeks until the next part. With the way things end here, there's no telling what will happen next.

Rewire claimed to have killed Batman last issue. Obviously that's not the case but Kyle Higgins makes sure Terry is out of the picture. As the police make their move against Rewire, we see a nice old fashion battle that feels like a step up from the traditional futuristic Beyond fighting. There's a lot more explosions and Thony Silas' art and pacing really moves it along at a great speed. We may have a lack of Batman action in this chapter but we do get some answers, specifically about Rewire. This is definitely not one to miss. Higgins continues to keep us captivated and leaves us hanging until the next chapter.

It's great having new adventures of Batman Beyond twice a month. Kyle Higgins continues to flesh out this world and is taking the characters further by having Terry move out of Bruce's shadow. You can feel the tension in the air and there's still a lot we need to discover as the story moves forward. Thony Silas' art and Andrew Elder's colors gives each chapter a vibrant feel that makes you almost forget that this was originally an animated series. The twice-a-month format also lets the series focus on the story while also delivering great action scenes. This is an example why I love the digital first format. You don't have to wait as long for the printed version and can access it without having to leave the comfort of your home. With one more chapter left in this first arc, the next issue is bound to be crazy.

A new arc has begun and it looks like Kyle Higgins has some cool things coming. Terry still has to deal with some of the fallout from the first arc (the fact that he still has to apprehend several threats that have escaped Arkham) but we also see a great introduction to a new/old threat. The designs of this group, what we see of them, is pretty cool. Thony Silas' art is great as usual and Emilio Lopez's colors really adds a nice punch to it. As if that wasn't enough, we also get a cool Batman: The Animated Series flashback. Do yourself a favor and check this out. This issue reminds us why Batman Beyond is such a cool concept.

If I'm being honest, Man-Bat was never one of my favorite Batman villains. Seeing him in the Batman Beyond universe is something different. Kyle Higgins continues to push this timeline forward and it's great seeing the story develop further. We still don't know the full details of what happened in the year between this volume and the previous but we are seeing more details being revealed. Thony Silas captures the action and excitement and almost makes you forget this used to be an animated show. The arc isn't over yet and it's all continuing to build more and more with each chapter.

This is an issue you have to read. If you've ever read and enjoyed stories involving Dick Grayson and Barbara Gordon, you're going to want to see the talk they have in the Batman Beyond timeline. Kyle Higgins truly understands these characters. He has a great feel for who they are and seeing this interaction is exactly what you would want to see, especially if you've watched the regular animated Batman series and Batman Beyond. The art by Eric Wight and colors by Emilio Lopez will blow you away. Simply put, I loved this story.

If you've ever watched Batman Beyond or Batman: The Animated Series, you really need to be reading BATMAN BEYOND 2.0. Kyle Higgins and Alec Siegel are giving fans what they want. With the return of Phantasm, secrets behind Terry McGinnis' father's death, and revelations between Bruce and Barbara along with mention of Tim Drake's fate at the hands of the Joker, this storyline is not one to be missed. Phil Hester and Craig Rousseau are handling the art beautifully. If you haven't been reading, do yourself a favor and check it out now.

These future stories telling the final days of a hero can be tough. No one wants to see their favorite heroes get demolished but if it's told with great writing, you can't help but get pulled into it. Bendis and Mack give a dark and brutal look at what's to come of Daredevil. It will leave a sinking feeling as you turn each page with Janson and Sienkiewicz's gritty art. These types of stories are often hit or miss but this one is a hit, as in a hit on the back of your head with a brick. It will leave you reeling as you cringe at what Daredevil's future may hold for him. Just when you think you have the series figured out, a wrench comes flying your way to catch you by surprise. This is a heavy comic and it's exactly what you'd want from the series.

There have been so many great runs on Daredevil but this series serves to remind us what Bendis can do with the character. Joined by David Mack (who also provides some painted pages), this is a Daredevil story you won't forget. Marvel has done several "The End" stories in the past but this is of another caliber. With Klaus Janson and Bill Sienkiewicz doing the art and Matt Hollingsworth amazing colors, you'll want to spend a good amount of time just staring at each page. It's a haunting look at the final days of Daredevil. There is a great mystery with a second one added as Ben Urich is unknowingly being followed. No Daredevil fan should skip out on reading this series. Heck, no comic reader should skip it either. You'll be left with a sinking dreary feeling but this is the type of comic that makes you happy you're reading them.

This is why comic fans buy comics - for great stories and art. Normally I don't put a lot of stock in future stories. Bendis and Mack have laid out a great mystery that pulls you in month after month. Each moment it appears that Ben Urich is about to uncover the answer to the mystery, more surprises pop up. The art and color here creates the perfect vibe for the story. This will be one you'll find yourself reading again and being able to enjoy it for what it is. You don't have to worry about the continuity of any of the characters involved. You get to just sit back and enjoy the show. The only bad thing about this series is there's only three more issues to go.

Bendis and Mack continue to take us on this crazy and spectacular ride. There's nothing better than an unknown mystery and the sense that anything can go. Because this takes place in the near future, anything can and is happening. This is a no holds barred story. I'm loving every minute of it. Bendis and Mack keep delivering the shocks. The art team of Klaus Janson, Bill Sienkiewicz and Mack makes a great story even more glorious. This is a Daredevil story that won't be forgotten. Bring on the next issue!

This has been and will be one of my favorite miniseries of the year and the year isn't even half way over. We've seen many great Daredevil stories and we can now add END OF DAYS to that list. Brian Michael Bendis and David Mack make a great team in deliver this dour tale of Matt Murdock's last day and beyond. It's a heavy story that isn't too cheerful. But what the story represents and how it is told makes this worth reading and re-reading. The art team of Klaus Janson, Bill Sienkiewicz and David Mack make it all even better. It is sad that the story is over but you can't deny how great it's been reading it all.

The Marvel NOW! titles are continuing to deliver fun and excitement with each new series. As a fan of Matt Fraction and Mike Allred, pairing the two together is a wonderful treat. There is an odd choice in the four core members but there shouldn't be any doubt that Fraction has a reason for selecting them. Fraction sprinkles in the humor he's know for bringing to the table and Allred's art (with Laura Allred's amazing colors) brings adds another level of life to the characters. For an issue full of set up and introductions, it was still a blast. If you want fun and enjoyment in a comic book, there's this is a series you need to check out.

Matt Fraction, Mike Allred and Laura Allred make this series a breath of fresh air. Even though the story may not be crammed with intense superhero action, there is non-stop storytelling going on. Fraction is handling a large cast of characters with ease and the Allreds on art and color give life to Fraction's script. FF is a comic that will warm your heart. Often we get the same formulaic stories in mainstream comics but Fraction is able to juggle humor and action in his stories and reminds you why reading comics should be fun and entertaining.

This was another great issue from Matt Fraction. There was a strange feeling as if something was missing. The absence of Mike Allred's art may have played a tiny part in it but that wasn't quite it. Fraction does a great job juggling the numerous characters in this title but perhaps we're starting to see a hint of there being too many story plots happening. We do see some great development with some characters but a few others that were absent. Based on the events from last issue it felt a little odd not seeing an actual continuation of their parts. Joe Quinones does capture the feel of the title that Allred has bestowed upon us and the colors by Laura Allred further allows this feeling. This book is a combination of fun and energy yet Fraction lays in some serious elements without bringing you down. You can always expect laughs and entertainment when it comes to reading FF.

Action, suspense, humor and a bunch of doom and gloom makes this one of my favorite series to read. Matt Fraction and Mike Allred have created a comic that has just about everything you could want in a comic. You never know what's coming up next. Just when you find yourself in the middle of a fit of laughter, you see the dark elements crawling beneath the surface. There may be a light-hearted feel to this book and all the characters but there is clearly some dark tidings coming along. This is the kind of comic I love to read. It has a great story and great art enhanced with so much variation throughout. More comics need to bring the entertainment, laughs and suspense like this series does.

I am in love with this series. It has just about everything you could want. Matt Fraction richly blends humor, drama, action and suspense while discretely sprinkling a dark aspect to the book. Mike and Laura Allred's art and color are a sight to be seen. Each page and panel is so vibrant and full of life. You can't help but smile as you read the story. Each issue contains an unpredictable nature but it never feels forced. We're not seeing wacky and zany elements thrown in just to be goofy. It all just works in a grand fashion. Every time I read an issue with Fraction and the Allreds, I feel compelled to stand up and clap my hands.

There's a reason this series is always at the top of my list of favorites month after month. Actually, there's a few of them and they include Matt Fraction, Mike Allred and Laura Allred. From the writing to the art to the wacky characters and situations, you never know what to expect here except for fun times. This book feels like it's allowed to do things that a Marvel Comic shouldn't be able to do. It's full of wit, sarcasm, action and adventure and manages to stand out from the typical comic. It's not just about being funny as there are often heavier aspects sneaking their way throughout the story. FF is a series that delivers. Who would have thought reading comics could be so much fun?

Who would have thought reading a superhero comic could be so much fun? While this is a serious book with Scott Lang trying to deal with the death of his daughter and his hatred for Doom, there are still so many opportunities for humor to jump out at you. With Lee Allred taking over from Matt Fraction's notes, he clearly makes a great addition to the team of Mike and Laura Allred. I can't get enough of this book. There are so many characters in this title yet they all get just the right amount of "screen time" to make you appreciate each and every one of them. We need more comics like FF.

FF continues to be the wackiest and most compelling comic series on the stands. Lee Allred seems to have taken over the series from Matt Fraction with ease and Mike Allred's art with Laura Allred's colors makes this a joy to look at. There is a wide range of emotion and feeling as we witness Doom's evil and murderous ways along side the fun and goofy scenes involving the Future Foundation children. Things may be taking a slight turn as the story continues to unfold. There's no telling what's coming next but you can bet it's going to be a blast.

This issue has almost everything you could want. There's robots, cloning, moral lessons, nude bathing, humor and Doctor Doom. The only thing it's missing is high octane action but everything else makes up for it. Reading this issue is a crazy level of fun and sadness as we face the few remaining issues in the series. This is and will remain one of my favorite all time series. There's so much to enjoy and the story is heating up bigger than a disco inferno.

Doctor Doom is such a wonderful villain. FF continues to be a highly entertaining and humorous book while being filled with the vile nature of Doom preparing to do his worst. Lee Allred sets everything up and Mike and Laura Allred knock it out of the park. This is a comic I want to read over and over. The end is near and it looks like the series is going to end with a bang.

All good things, etc, etc. We've been trying to prepare for the end of this series. What makes it easier to handle is the fact that it's such an amazing and fun issue. I can't remember feeling this much joy in reading a comic before. Everyone involved has given us such a mix of comedy and extremely dark themes and turned it all into something wonderful. I will truly miss this series and all the characters within. Sure they'll likely pop up elsewhere but it won't be the same. I wish I could personally thank everyone involved for such a fun series. Bravo everyone. Thanks for sixteen truly fantastic issues.

Each month we get a glimpse at Joshua Hale Fialkov's little corner of the DC Universe. Andrew Bennett is a great character and seeing who he was before is interesting and changes how you look at him today. We've known he was changed centuries ago but you don't really think about just how long he's been a vampire. There is a bit of sadness as well. There is a bigger picture to Andrew and Mary's life. We can only hope that this isn't the last we'll see of their past. Fialkov and Sorrentino continue to deliver a comic that stands out from the rest.

If you're looking for something a little different in the 'New 52,' this is a book to check out. Fialkov takes characters that weren't on my radar and re-introduces them to new and old readers. Fialkov is a writer and this is a comic you have to actually read. Too often you can zip through a comic in minutes but you'll want to take the time to breathe in this entire issue.

There's a deep darkness present in the DC Universe. An army of vampires is being assembled and we're finally seeing some other familiar characters take notice. Andrew Bennett wants to do the right thing and is finding himself having to make tough choices. The idea of a vampire hunting vampire might sound familiar but the presentation here is top notch. Joshua Hale Fialkov's writing is something everyone should experience. Coupled with Sorrentino's vibrantly moody art, the story is shaping up to be a glorious experience. The world of I, VAMPIRE is a great place to see in comics but not one you'd want to visit. There is a feeling that this darkness could and should spill over into the rest of the DC Universe and Bennett is going to have his hands full. Fialkov and Sorrentino are breathing new life into the vampire genre and elevating it back to where it deservers to be.

I want more Dark DC. It's great seeing this darker side and having it seep into the rest of the DCU is fun to see. Throwing Batman into the mix sounded like it would be an odd pairing despite some of the Batman one-shots and minis we've seen but Fialkov makes it work. The vampire war has been going on in secret for too long. Too many innocents have been disappearing and it's time the rest of the superheroes find out. Having Batman be the one to first discover it is perfect. Sorrentino's art is as remarkable as ever. Fialkov and Sorrentino are the perfect team for this book and I wouldn't want to think of anyone else telling these stories. With so many of the "New 52" books so bright and cheerful, it's great to visit this dark corner and seeing it get a little bit bigger.

There's nothing like a good crossover to connect the different corners of the DC Universe. This is both a good and bad thing as Batman being here still feels a little forced and you have to read JUSTICE LEAGUE DARK before this issue. Don't let your distaste for vampires stop you from reading this book. This is one of best new titles to come out of the "New 52." Fialkov and Sorrentino are consistently delivering a great book month after month. If nothing else, you'll want to read this for Fialkov's witty dialogue, especially one line Mary, Queen of Blood makes.

Have you been reading I, VAMPIRE? If not, I highly recommend you go back and pick up this issue up along with the previous eleven. You can jump in here and figure things out. Your excitement and enjoyment will be greatly enhanced if you have been following these characters. Fialkov and Sorrentino are carving out their own little dark corner of the DC Universe and it's been a great and trippy ride. Originally I had concerns over the lack of involvement by other characters in this title. We have seen some guest appearances and they've all fit in nicely. Where the book shines is the fact that you don't know what's going to happen. Fialkov has no qualms about shaking up the status quo and that's part of the fun. I, VAMPIRE is a comic that you will read out of pure enjoyment rather than out of a feeling of obligation. Head out to your local comic shop and have them add this book on your pull list. You'll thank me later.

Have you been reading I, VAMPIRE? Josh Fialkov and Andrea Sorrentino knock it out of the park month after month. You owe it to yourself to find out what's been going on. You never know what's going to happen. Characters that were heroes become villains and vice versa. This is a comic that is about the story. It's not your typical watered down comic. What pushes this series over the top is the amazing art. The combination of art and story telling is the perfect marriage in making this a unique comic. It has a separate feel to it from the rest of the New 52 titles and reading it is like taking a dark journey that will take you places you never knew existed. Be sure to wear a belt while reading because it might scare the pants off of you.

When it comes to good and bad vampires, you can't assume to know what's coming next. Fialkov has been shaking things up and hitting us left and right upside the head with the twists and turns. You would think that having the comics hero turn evil would disrupt the flow of the series but it's added another layer to the comic and continues to keep you hanging onto the edge of your seat. Andrea Sorrentino's art is wonderful as always and it's unfortunate that this will be his final issue. You'll be haunted by the beauty and chilling nature of his art. I've said it before and I'll say it again, you should be reading I, VAMPIRE. If you haven't been reading it, pick up the early issues and get caught up so you can enjoy the experience.

I, VAMPIRE was a series that caught me by surprise. Because of my love for Fialkov's writing, I knew I'd check out this series when it was first announced even though I didn't really want to read another vampire comic. His writing and Andrea Sorrentino's art won me over from the first issue. It's a shame the series has to come to an end. This issue does wrap up loose ends and you won't know what's coming up on the next page as you read. Fernando Blanco shares the art duties with Sorrentino. I did like his style but didn't think it quite fit the vibe of this book. Switching between his art and Andrea's was a distraction. I would have loved to seen more stories with these characters. All good things must come to an end. It's just unfortunate that this is one of them.

There's been a lot of buzz and anticipation over the new MOON KNIGHT series. I am overjoyed with what Warren Ellis, Declan Shalvey, and Jordie Bellaire have delivered with the first issue. New and old fans can easily jump into this series and Moon Knight's past hasn't been shoved aside in order to accommodate a fresh jumping on point. If you've been on the fence over adding another ongoing series to your pull list, reading this will convince completely. Get ready to enjoy a great new series.

In an almost odd-fashion, we get another self-contained story. These days it feels like most stories are written into nice neat story arcs that can easily be collected in trades. We get a haunting story of Moon Knight coming across a sniper. The ending is a little abrupt but this wasn't really a story that would need a second part, perhaps just another page or two. This is a great issue of MOON KNIGHT that anyone can easily pick up. Check it out. You'll dig it for sure.

Ive waited so long for this MOON KNIGHT series. Its finally time more and more are starting to realize what potential the character possesses. There are different layers to him and Warren Ellis is giving us interesting self-contained stories showcasing what hes about. Declan Shalveys art and Jordie Bellaires colors set the vibe and tone of the series and readers can become immersed in the action. I find myself cherishing each issue and end up hungry for more as soon as I reach the final page. Moon Knight has a very calm but forceful presence in this issue. You can see he can accomplish what he sets out to. Ellis, Shalvey, and Bellaire need to stay on this book for a long, long time.

Ellis, Shalvey, and Bellaire have done it again. Each issue gives us a new and separate adventure for Moon Knight. Ellis' stories are taking the character, and us, to different and strange places. Shalvey's art along with Bellaire's colors are making this an unforgettable run. As with some of the previous issues, there is a slight feeling of a sudden ending but that's part of the charm of Ellis' storytelling in this series. It almost leaves a little to the imagination and makes you think about the possibilities in what happens next. It might be a different approach to what comic readers are used to but we're getting some trippy stories along with gorgeous art.

This comic is pretty much everything I could want in a Moon Knight comic. Warren Ellis delivers another self contained story but it is gloriously brought to life courtesy of Declan Shalvey and Jordie Bellaire. If you've ever been curious about what Moon Knight would do against a building full of thugs, this is the issue for you. We get fight after fight and you're going to want it to keep going. This issue really puts Shalvey's storytelling to the test due to the minimal dialogue and he passes with flying colors. Don't miss out on this issue. Reading this will make it clear why I love Moon Knight so much.

Bravo to Ellis, Shalvey, and Bellaire. Like many others, I didn't this final issue of their run to come. Reading it, you can put down the issue with a smile on your face. It's a great story showing us another aspect of the world Moon Knight lives in. I've been a Moon Knight fan for so long. I cannot express how thrilled and privileged I feel having had these six issues. It's been a joy to read them and I'm even looking forward to the next issue. MOON KNIGHT is definitely the series everyone should be reading. I can't wait to read them all over again.

Brian Wood and Greg Smallwood are continuing the adventures of Moon Knight admirably. Moon Knight has long been an intriguing character that sometimes lacked the proper guidance with the right creative team. Fans can rejoice as the series gives us what weve grown to expect. We have another self-contained story but there is an interesting twist and tie to whats happened before. Smallwoods art along with Jordie Bellaires colors look great and you cant help but want more. Moon Knight is clearly in safe hands.

This series makes me so incredibly happy. I've always felt Moon Knight was a great characters and it brings me joy to have see him with such a great series. Brian Wood and Greg Smallwood are doing wonders with this series. Any doubts readers had over the changing of the creative team should be long gone by now. Each issue gives you something different. Things go in a strange and bad direction (for Moon Knight) in this issue. As soon as I finish reading, I start counting the days until the next issue.

Weve reached the end of the second arc in MOON KNIGHT. This also marks the end of Brian Wood and Greg Smallwoods fantastic run on the series. Moon Knight has had a difficult time lately with his enemies and we get a pretty cool situation with Marc Spector tracking a different approach to things. Wood and Smallwood end their run with a solid issue. Jordie Bellaires colors are phenomenal as usual. Moon Knight fans can be thankful for two consecutive great runs in this series. How does Moon Knight survive this battle? Whats next? Its going to be a long month as we wait for the new creative team to take over.

Are you reading American Vampire? If so, you know or will know that this will be a great issue. If you're not reading it, you should be shunned first of all. Then you should pick up the trades and check it out. Vampire adventures that are not your typical overdone stories. Scott Snyder's storytelling is meshed beautifully with Rafael Albuquerque's gorgeous art and Dave McCaig's brilliant colors. It's a great arc and it's going to get even crazier next issue.

It's a new arc set during the fifties. We've all heard about 'perfect jumping on points' and this definitely is one. It's hard to think of a series reaching its twenty-second issue and suddenly thrusting a new character upon us. Snyder manages to introduce a new character with ease and within a few pages, you'll quickly find yourself fascinated by who he is and what his motivations are. Albuquerque dives right into Snyder's script and easily captures the mood and vibe of the fifties. We're left with an interesting cliffhanger and the longing to know how this arc will fit into previous stories but it's clear that it's going to be a great ride. Snyder and Albuquerque have nailed another issue. You can't help but want more.

AMERICAN VAMPIRE continues to be a remarkable series. Scott Snyder has taken the idea of vampires and keeps adding new twists to the whole idea. Calvin Poole is a fascinating character and one that I'd love to see more of. Unfortunately there was a change in the art from Part 1 and it didn't feel as if it was on the same level as Roger Cruz's. We do have a great story and final page that just might leave your jaw on the floor.

AMERICAN VAMPIRE is one of my favorite series. Just when I think I couldn't possibly like it more than I already do, Scott Snyder manages to make it happen. I almost envy those that haven't been reading this series because they have the luxury of being able to read the entire series from the beginning. Having Rafael Albuquerque back for this arc is perfect timing. There are major things happening here and the characters and series as a whole is moving to new places. It feels like it's been a long exciting and crazy journey since the characters first appeared. This is so much more than a simple vampire comic. This is something comic book readers owe to themselves to check out.

It's hard to believe it's been just over two years since this series has started. With the flashback we get here, it feels as if so much time has gone by. Scott Snyder keeps bringing each arc to a different place with a different feel to each story. Rafael Albuquerque's art goes along with the story so perfectly that it's hard to imagine this issue drawn by anyone else. There is plenty of subterfuge, action and twists here to make long time readers thrilled to be reading such a great series. Each issue delivers more yet makes you hunger for the next issue.

If you've been reading this series, you know how good each and every issue is. If you haven't been, shame on you. Get your rear in gear and buy the trades to get yourself caught up. When I've spoken to those that haven't been reading the series, it's usually because they've dismissed it as "just a comic about vampires." AMERICAN VAMPIRE is so much more than that. Scott Snyder has been crafting a tale that has been spanning decades and taking us in directions we wouldn't normally expect. With reoccurring characters and situation after situation that completely varies, this is a comic that will always capture your attention. When Rafael Albuquerque is on board with the art, it's a feast for your eyes as well. Each month when a new issue comes out, I know I'm in for a treat.

Scott Snyder and Rafael Albuquerque wrap up 'The Blacklist.' It's been a heavy arc with twists and turns. You'll find yourself not knowing what might happen on the next page and you'll definitely want to savor each one. AMERICAN VAMPIRE is more than just a comic about vampires. You'll want to read this because we get great stories each month. Albuquerque's art adds a special taste to the tale and you'll appreciate each scene. Dave McCaig's colors wrap up the entire package with a brilliant and lovely bow. I can't imagine what's coming up next. I actually don't want to know right now. I just want to take in what happened this issue and recuperate from the excitement and emotion.

I hate the idea of this series going on hiatus. Because it is completely on Scott Snyder's terms, we simply have to accept it. It takes a wise person to know how much they are capable of without compromising the series if he tried to take on too much or get someone else to help out. Snyder's story with Albuquerque's art and McCaig's colors makes for a beautiful package. We get some glimpses of past and future events that will make you wonder and wait with anticipation for whatever may come next. There will be a void in my monthly reading without these series but perhaps it will give others the opportunity to catch up on the series if they hadn't been keeping up. It's been a great thirty four issues. Time for a breather as we prepare for the next chapter.

Greg Pak continues his ambitious beginning on this new series. For a series meant to spotlight DC's two biggest characters, you would expect nothing less. Pak is crafting a grand tale and despite being set in the past, there's absolutely no telling how this is going to end. Jae Lee's art and June Chung's colors are a thing of beauty. You can't help but be mesmerized by the character designs, especially with how majestic some appear. The story and art has such a surreal feel, you won't be able to resist getting sucked into this comic. Hopefully you won't need a passport for the journey.

This is such a gorgeous book. For a story not set in the New 52 world (at least this and last issue), Jae Lee's art does wonders. Seeing our version of Batman and Superman (or at least younger versions) interacting with the Earth 2 characters is strange and completely fascinating. Greg Pak does a superb job in showing and explaining the relationship between the Earth 2 versions of Batman and Superman with Yildiray Cinar's art. I'm not really sure where this story is going to go or how it will end but I'm totally okay with that. This is a series you just become immersed in and nothing else matters. I can't wait for the next issue.

Greg Pak and Jae Lee have given us quite a first an arc in this series. It's been a strange adventure packed with some really cool moments. You can't help but want to see more of the Earth 2 versions that Pak has fleshed out. It'll be interesting to see what Pak has planned for Superman and Batman next. Pak shows he gets who the characters are and we're in for some great stories in the coming months.

Brett Booth and Norm Rapmund join Greg Pak and bring Batman and Superman closer to the current continuity (compared to the first arc). Without having to go into detail, Pak shows us what makes them so different yet illustrates the friendship they've formed. We get an interesting change of pace in the story and having it in a horizontal format allows for the art to appear larger, thus giving us more detail to see. Although it also results in less panels overall. If you're looking for some old fashioned fun Superman/Batman story, this is shaping up to be another interesting story arc for the two.

If you're a fan of Deadpool and you're digging the series by Gerry Duggan and Brian Posehn, you really should get this Infinite Comic. This is a 13-part story that does "matter" as it will tie into the main series. The Infinite approach gives you an enhanced story with the chance to see more of Reilly Brown's art. It's a fun story. Deadpool's in London and he ends up fighting a vampire. What more could you want? Do yourself a favor and walk (don't run, you might trip) to your smart phone or tablet (or computer) and buy this book.

More Deadpool isn't always a good thing, as we've seen in the past. Thankfully this Infinite cComic highly compliments the main series. Having both written by Gerry Duggan and Brian Posehn is a great way to keep the vibe going on and making it feels like it truly matters in the grand scheme of Deadpool-goodness. Reilly Brown's art is great and the format of the Infinite Comic allows for an enhanced reading experience. Deadpool is in safe hands with Duggan and Posehn. But based on the wacky shenanigans they've come up with in the past, there's no telling what's going to happen next.

Do you like Deadpool? Do you like really cool things? DEADPOOL: THE GAUNTLET is the comic you should be reading. With the Infinite Comics platform, the comic becomes even cooler than what you might dream of. Written by the DEADPOOL series writers, this series will play an essential role in the main series. Reilly Brown's art will fill you with warm feelings as we get to witness what almost feels like a coming of age moment for the Merc with a Mouth. Everyone else is reading DEADPOOL: THE GAUNTLET. Give into peer pressure and read the comic for yourself.

The situation between Deadpool and Shiklah, Dracula's fiance, continues to blossom. Gerry Duggan, Brian Posehn and Reilly Brown have delivered the fun and action with each chapter. If you're enjoying the regular DEADPOOL series, this is a must read as big things are happening. The confrontations and situations in each chapter make it Tuesdays something to look forward to each week. If you're not reading DEADPOOL: THE GAUNTLET, you need to rectify that immediately. Skipping this series is just not right.

With many past series that have come and gone, Jeff Lemire is giving us a MOON KNIGHT series that stands apart from the rest. There is an abundant amount of mystery and suspense as we try to figure out exactly what is happening and what is real. Greg Smallwood and Jordie Bellaire's art and colors is a dream come true for Moon Knight fans. We have an intriguing set up with breathtaking visuals. This is the series and creative team Moon Knight fans deserve. I have high hopes for this series. I've had my heart broken before after seeing past series come to an end. There is a lot of set up here in place of pure action, but it's important in establishing the tone and direction. I have no idea where we're headed to next but I am thrilled to be along for the ride.

I'm oozing with joy and excitement over this current Moon Knight series. I feel a slight tremble inside when I reach the end and am filled with the anticipation of the next issue. I need my Moon Knight fix and Lemire, Smallwood, and Bellaire are doing a phenomenal job. Two issues in, I am completely sold on this volume. It's going to be another epic run. It's a great time to be a Moon Knight fan. This book is so dang good. I need and want more.

It's no secret how much I love Moon Knight as a character. While he's placed in a situation that calls his sanity into question, you can't help but get pulled into Jeff Lemire's story. The feeling of mystery amps up the tension of the story. Greg Smallwood's art and Jordie Bellaire's colors are absolutely gorgeous. This is what I want my Moon Knight comics to look and feel like. I can't get enough of this series.

With this issue, the series feels like it's recapturing the magic we had in the first arc. We still have the struggle and mystery of what exactly is going on, but the addition of new insight into Moon Knight's childhood is a welcome area of exploration. Lemire, Smallwood, and Bellaire are a phenomenal team and a great fit for this title. This book is on fire.

Superman and Wonder Woman are two of DC's greatest characters and we're finally getting a series devoted to the two together. Charles Soule gives a great mix of action, emotion and character development in this debut issue. It should convince you to stick around for more to come. Tony Daniel's art adds depth to the characters. His layouts make this feel completely different than the regular SUPERMAN or WONDER WOMAN comics yet it feels like this is how it was meant to be. While we do get a mix between the action and quiet times, you will be left hanging and hungering for more, especially when you get to the end. It's a glorious start and let's all cheer for DC's "power couple."

Only two issues in and this series has now become one of my favorites. Superman and Wonder Woman make a great pair, at least in terms of starring in a comic together. This book is driven by the story and the fact that these two powerhouses are about to meet some really big threats. With subplots involving their separate supporting casts, it's easy to see where these characters are coming from and it's a nice way to tie this series into their separate titles. Tony Daniel is rocking it in the art department and the book has the big epic feel it deserves. With the facets of the story Soule is laying out and Daniel's art, I can't wait to read more.

SUPERMAN/WONDER WOMAN is becoming one of my favorite DC titles. Charles Soule does a great job balancing the incredible feats the two heroes are capable of as well as showing us a more human side to them. Tony Daniel's art just keeps getting better and better. The back up story was a nice addition. It makes it feel as if we really got a bonus story in great issue. SUPERMAN/WONDER WOMAN is a comic fans of the superhero genre should not miss out on.

I can still remember when people questioned the validity and need for this series. Each month Charles Soule shows us the different facets to these two great characters. Tony Daniel's art and Tomeu Morey's colors here really do shine. Whether it's Wonder Woman thinking things over on Paradise Island or Superman trying to fight off both Zod and Faora, this issue will grab hold of your interest and smack you in the most loving way possible. Find out who these characters really are and how much action they're capable of.

I am so completely sold on this series. We are witnessing the begin of Gotham City as we know it. Yes Gotham existed before the skyscrapers but we're seeing what went into the design. There is a connection with that past and the destruction going on in the present. Dick, Tim, Cassandra and Damian have to take the case and work together in order to save Gotham and the first families. While there is some crazy action that takes place, what kept me on the edge of my seat was some of dialogue between characters. There is an encompassing feel that something huge is going to happen...and it's not going to be a good thing. Simply put, it's a great story with great art. This is what a Batman comic should be about.

After two action packed issues, the story's pacing feels as if it slows down a little here. We are still getting more details on the history of Gotham City and are getting closer to getting all the answers. Dick Grayson and the other members of the Bat Family shine as each is given their own voice and place in working together without Bruce Wayne around to guide them. Reading through this story makes you wonder if all the interactions and character developments we're seeing among the characters will carry over into the new relaunch titles in September. Snyder, Higgins and Parrot do a great job capturing each character's voice and McCarthy's art is stunning except I have some minor issues with the way Tim Drake appears. Things are heating up and this issue may be giving us a slight breather as the final two issues kick things even further.

There is a lot under the surface of this comic. When I first read it, I was happy and excited. I liked it but was a little more than just okay with the overall story of the Architect. Reading it again and really dissecting scenes and dialogue is where I started rethinking everything. Originally I debated between a score of a 4 and a 5 (since we no longer give half stars in our reviews). Because this is pretty much the final issue of Batman before the September relaunch and because of those crucial scenes, my score got bumped up.

Marvel is continuing to make DAREDEVIL a great comic month after month. With Mike and Laura Allred coming on board for one issue, we get another great artistic team to add to the incredible list of artist and colorists that have already worked on the series. I don't know how Mark Waid does it but he manages to get great artist after great artist to illustrate his stories. The issue does continue from last month but also serves as a (really really good) self-contained story. You can easily jump here and have a blast reading. This is what I want from comics. I don't need some humongous comic story set out to be the most epic thing ever. Just give me a fun and great story with amazing art so I can sit back and remember why I love comic books so much. Reading comics like this is why I love my job.

Mark Waid continues make DAREDEVIL a great read month after month. With Chris Samnee's art and the crazy situation Daredevil is (after literally losing his head last issue), this is continues to be a fantastic run. You wouldn't think this villain could cause this sort of damage but Waid keeps us on the edge of our seat as he pushes the story further along. It sort of felt as if this issue started reaching a conclusion a little too quickly but at the same time, we probably wouldn't want a headless Daredevil running around for too long. Waid's DAREDEVIL can always be counted on to deliver great and exciting adventures. You never know what he's going to throw at us next.

We may be getting hit with a lot of great Marvel NOW! titles but all that is unnecessary when it comes to Daredevil. Mark Waid is owning this series by delivering great issue after great issue. The mystery of Daredevil's recent problems is slowly getting uncovered and we see some interesting revelations here. There's also the repercussions to deal with from Foggy's decision to seek outside help in dealing with Matt. Chris Samnee and Javier Rodriguez make a great story a visual treat. The set up for next issue's big clash was a little odd but based on what we're seeing here, it's going to be another crazy ride.

Can this series do no wrong? It's always a wonderful treat when a writer mixes things up and gives an issue with a completely different feel over the previous one. The focus switches from action to emotion and character development but that doesn't take away from the spectacle this comic is. It's no secret how versatile a writer Mark Waid is and month after month he continues to show it. Javier Rodriguez picks up the art reigns and continues the tradition of the spectacular art we've been getting in this series. If you enjoy comics, you should be reading Mark Waid's DAREDEVIL.

Each issue of Mark Waid's DAREDEVIL proves to be fun and entertaining. After all the craziness DD's been going through, we get a slightly calmer scenario in this story. That doesn't mean it's not as exciting, it just feels toned down a little. It's a good way for Daredevil and us to catch our breaths. Javier Rodriguez's art and colors carries on the tradition that we've been used to in this series. If nothing else, Mark Waid and Marvel have been spoiling us with this series. We also get a nice set up for future possible stories, an intriguing cliffhanger and a surprising guest for the next issue.

Daredevil and Silver Surfer is a pairing you would think could never work. Yet, of course, Mark Waid does make it work. In what almost starts out as borderline absurdity, we get to see a story that allows a closer look at both characters. We've seen many stories with the same characters over the years so this truly gives us something different with Daredevil. Chris Samnee's art and Javier Rodriguez's colors are extraordinary as usual. The issue may not be earth-shattering in DD's little corner of the Marvel Universe but without a doubt, this is a fun-filled issue. What else would we expect from this series?

Daredevil has seen many things and Mark Waid has made him face several different threats but this time it's a little different. Waid takes an average villain and pushes him in an interesting direction which manages to catch Daredevil off guard. With Chris Samnee's art and Javier Rodriguez's colors, this comic is the complete package. It's a great time to be a Daredevil fan.

Mark Waid has been doing great things with Daredevil. Now as the story nears its conclusion, you're almost a little afraid with a sick feeling in your stomach when you think of what might happen next. Chris Samnee and Javier Rodriguez add a great vibe to the story and you'll find yourself staring at individual panels when you find you can't resist reading the comic all over again. Don't miss out on this issue because things are about to change big time for Daredevil.

This is the end of DAREDEVIL. Or at least it's the end of this volume. Things are about to change in big ways for Matt Murdock. You will definitely want to see what happens before the new series lands in March. Mark Waid continues his magnificent run. While this may be the end of the volume, we know there's plenty more coming from Waid, Samnee and Rodriguez. The art, colors, and action are top notch here. We can always expect DAREDEVIL to provide plenty of fun and action. What more could you ask for?

For those wanting to start or get back into reading Spider-Man but aren't sure how far back to go, this is a miniseries you can easily dive into. With the Marvel Knights imprint back, Matt Kindt is allowed to venture off and tell a Spider-Man story that doesn't have to rely on anything else going on in the Marvel Universe. That allows the story to stand on its own. Marco Rudy and Val Staples have a deeply vast and rich playground to cut loose on. Due to the nature of the story, there is plenty of room for them to shake things up and give us a story that doesn't have to play out in normal fashion. This isn't the regular kind of Spider-Man story we've seen for the past fifty years and that's a great thing. This is the time to check out something different in a glorious package. Current, past and future Spider-Man fans will enjoy this.

This is a great use of the Marvel Knights imprint. We get a slightly darker story presented with a great variety of art style. Matt Kindt has placed Spider-Man in an interesting situation, forced to face numerous enemies while Marco Rudy provides the art in a way we really haven't seen before in a Spider-Man comic. If you've been missing Peter Parker or just want to see a story that doesn't have to be tied to the current continuity, this is a great story to check out. You'll be blown away by the visuals and get to witness Spider-Man fight like he's never fought before.

With this being the third issue in the series, you know the amazing things you can expect. There's plenty of more fighting going on with Marco Rudy's incredible art and Val Staples gorgeous colors. It is starting to feel like an endless mix of battles but Matt Kindt does throw a couple curveballs at us in this issue. If you're interested in a Spider-Man story not relying on other context and want your socks to get knocked off, you should be reading this series.

This is the type of comic you'll want to come back for month after month to see what new developments arise. The fact that this issue is 48 pages for only $2.99 is another reason the issue should be checked out (not that you should need another reason). MIND THE GAP is a breath of fresh air in terms of new comics. It's this kind of variety that continues to make reading stacks of comics each week fun and exciting.

Each month, MIND THE GAP is a nice change of pace. This is a comic that doesn't contain superpowers or superheroes. Jim McCann has a big mystery going on. With the premise that no one is necessarily innocent, you can't help but read each page and panel carefully as you try to sift out any clues. I may be needlessly be getting worried what the payoff will be when we do get some more answers. I'm enjoying the story and would hate to be let down as we often are in movies and television. But McCann has delivered before and is setting up the story nicely. You'll find yourself reading the issues over to see if there's anything you missed the first time. The issues don't have to fall upon using big obvious cliffhangers because the mystery in itself is a big cliffhanger. We got some more clues here and it looks like more are coming next month. If you're looking for a comic that focuses on the story and characters, MIND THE GAP is definitely a book to pick up.

A great mystery is always fun to read and getting a well-crafted one in a comic book format is a treat. Jim McCann has been weaving quite a web since the beginning. What started out as a simple mugging is turning into an elaborate conspiracy that leaves you scratching your head. We still don't have all the answers but that's good because you won't want the story to end just yet. Even though this series is all about the big mystery and this is the sixth issue, you can still easily jump in here but of course you'll want to see how the story started to fully appreciate all the details. If you're looking for a great mystery with great art and colors, this is the series you've been looking for.

It's great having a comic series like MIND THE GAP. Jim McCann is giving us a comic that falls into the "something different" category. With a story full of mystery, twists and suspense, you never know what's going to happen. This is the type of comic you will read slowly or find yourself reading through again, to try to pick up on hidden clues to the big mystery. Even when we get major revelations, like in this issue, you discover there is so much more left to the story. The art and color make the experience even more enjoyable

MIND THE GAP is more than just a comic book. For the past fifteen issues Jim McCann has been unfolding this epic yarn. While some may feel that's a long period, each issue has added to the overall story, creating an even bigger picture. This issue marks the end of the first act. What it comes down to is people really should be reading this series. There are two trades already with a third due later this month. That gives readers plenty of time to catch up for the beginning of act II in December. It's a wonderful thing to be able to read a comic that is so driven by the story and also contains great art. You don't see this sort of thing everyday.

Jim McCann has dropped some pretty big bombshells throughout this series. Despite the huge ending last issue (which marked the end of the first act), the story continues with even more questions being raised. This is a comic that will keep you guessing and thinking. McCann has carefully been crafting this story often throwing hints at different moments. Rodin Esquejo's art and Jessica Kholinne's colors are wonderful. It's great having a series like this that easily stands apart from other titles and keeps you hooked issue after issue.

We've been looking forward to this for some time and Jonathan Hickman delivers in a big way. For a first issue, there is no holding back. The seeds have been planted over the last couple years. Now they're coming to fruition. If you've been reading Hickman's Avengers book, you have an idea what's going and that's all you really need to know. Those that haven't, might be a tiny bit confused but it's easy to figure out the basics of what's going on. Esad Ribic's art and Ive Svorcina's colors are gorgeous. The characters are depicted in a glorious and fitting fashion as they put everything on the line to fight for survival. The crazy thing is this is an eight-issue story. With all the action and outcomes from this one, it's hard to imagine what could possibly come next.

There's so much to see here. It's not just hero fighting hero. The other areas of Battleworld are being set up but there's a deep story going on here as well. Hickman, like the 'god' character we see here is creating a fascinating story with the idea of Battleworld and how each area relates to one another. The more you see, the more you want to see. Hickman makes it hard not to be excited. Esad Ribic's art and Ive Svorcina's colors gives this a great vibe. If you are craving more big fights, it looks like you'll be getting some of that as well as Hickman continues to set the stage for big things.

I am now at the point where I immediately crave the next issue and dread it at the same time since it means we're one more issue closer to this story being over.

While there are some cool moments and see the story progressing, it doesn't feel like its moving forward a huge amount. Originally the series was set at eight issues. An extra issue was added to fully tell the story. While I'm grateful we get to see some of the moments that occur here, it almost feels like we're not much further compared to where issue #7 left off.

The SECRET WARS finale has arrived and it delivers on many levels. Despite the release schedule of this series with the newer Marvel titles debuting and moving past all the hype, it's a satisfying read. Jonathan Hickman has crafted an epic story that goes back several years. Keeping his run at Marvel in mind, you can see how this is a great ending to the story he started years back. It's not often we see comic book events maintain a high quality throughout. Ribic's art and Svorcina's colors have shined throughout the series. This is a story I will definitely read again.

As a zero issue, this one hits all the marks. We get to see what happened before issue #1 and what we learn will definitely matter to the series. I'm even more excited for year two of the New 52 now.

The series is accessible to new readers. Through Holland's inner monologue, conversation and a tiny flashback, you get the full story of Alec Holland and Swamp Thing. Those that have never read an issue of Swamp Thing will have no problem jumping right in. Snyder has expressed his love for the character numerous times and has big plans for Swamp Thing. There's no telling what he has up his sleeve.

Yanick Paquette's art is a treat here. Everything from the flashback scenes to the times in the swamp and the deadly villain all look great. There is also a nice surprise appearance in the book that hopefully won't get spoiled so readers can witness it and get a big smile on their faces. I loved the first issue but this one was even better. I'm so excited to see what's coming next.

Unlike most other 'New 52' books, SWAMP THING really has a unique feel in anything goes. Scott Snyder has big plans for the characters and you really get a sense that nothing is holding him back. It's a great feeling knowing that we don't have to worry about other interactions interrupting the flow of the story here. With Snyder's BATMAN, he could be limited with what happens to the characters in the other Bat-books but here, there is so much more freedom. The art fits perfectly with a great amount of detail without overdoing it. There will be some slightly graphic scenes that truly captures just how disturbing this little corner of the DC Universe can be. Each time I read an issue I'm left wanting more, but in a good way. I simply can't get enough. I have to thank whoever's decision it was to bring back Swamp Thing and to put Snyder on it. This is shaping up to be a great and fun ride.

Scott Snyder has been given the keys to a dark and disturbing world and he's using all his power to make it even darker. Swamp Thing has become a character of high regard over the years and Snyder is the perfect person to be handling the telling of his story. It's amazing how an issue without a lot of major action can still deliver so much intensity. There is suspense. There is violence. You also get more on the background of the Parliament and the Green. We have a major inner conflict going on with Alec Holland and there's no telling how this arc will end. Along with Snyder's story, we treated with art by Marco Rudy that perfectly captures the vibe of the story. Every time I finish reading an issue of SWAMP THING, I have to let out a deep breath. This is more than just a comic book. It's a great story accompanied by some great visuals.

This is how Swamp Thing should be written. There have been many different writers over the years and some have done amazing things. Snyder has made the character and book his own, taking elements from the past but adding a new and great twist to it all. Even if you haven't followed Swamp Thing before, this series has been more than accessible for new readers. There is a big bad evil coming and you would expect to see more of the DCU take notice. Paquette makes Synder's interesting story even better with his stylistic panel layouts as well as graphic, but necessary, depiction of the gruesome things Alec Holland is finding himself involved in. The threat is getting closer and more dangerous. Snyder and Paquette have made the return of Swamp Thing a treat each month.

This isn't a Swamp Thing story that we've had before. Scott Snyder continues crafting the story of Alec Holland trying to avoid his destiny while the Rot threatens the existence of the Green as well as the rest of the world. The story is building and you never know what you're going to get. There is a crossover coming up and there is a feeling that we should be seeing appearances by other heroes as the threat gets bigger and bigger, despite the nice self-contained feel to the story. There is a lot happening to move the story forward but there is also a feeling that we don't have a lot of action. What happens at the end should more than make up for it as Snyder sprinkles an extra dose of crazy into the cliffhanger ending. SWAMP THING continues to be in a class by itself month after month.

This issue is a game-changer. Alec Holland just got his life back and wanted to live a normal existence. His protest in doing what he was meant to do may have resulted in the end for himself and others. There is a lot going on in the background as we discover what the Alec's fate will become. Filled with suspense, the story is crammed with stunning art and colors that give it a vibrant feel, despite the extremely dark and harsh nature. There was concern as to how Swamp Thing would fit once integrated into the DC Universe but month after month this series is showing the characters don't have to be compromised or toned down. I get the impression that everyone involved poured a lot into making this issue. It's a big one and shouldn't be missed. SWAMP THING is the type of comic I want to read month after month. Things will change after this issue but there's no doubt how it will be since the series is in such great hands.

I have no idea how Snyder comes up with each detail in his stories and part of me doesn't want to know. I just want to keep reading to see what could possibly happen next.

This arc may be complete but the overall story is far from being over. There is some closure but there are going to be serious repercussions coming. Now comes the hard part of having to wait another full month for the next issue.

Each issue of SWAMP THING gets me more and more excited. You can see how much thought Scott Snyder is putting into the character development. With what he's done with Alec Holland, the Parliament of Trees, Abby and so on, you know he gets the characters. You get a sense that he gives it all deep thought before beginning each script. Swamp Thing is in safe hands with Snyder. Yanick Paquette and Marco Rudy have been doing a great job with the art on the series but seeing Franecsco Francavilla's art is a treat. He adds a different level to the story telling and you almost get creeped out despite how great everything looks. I was a pretty big fan of Swamp Thing before but this series continues to make me a bigger one each month.

The crossover we've been waiting for the past year is finally here. I'm not normally a fan of these sort of crossovers but the worlds that Scott Snyder and Jeff Lemire have created have been screaming for this to happen. The core of the crossover will take place in each character's own book but you'll want to follow the adventures of both Swamp Thing and Animal Man. This issue is definitely a game changer. There is quite a cliffhanger at the end that you won't want to believe but we'll have to wait to find out after next month's zero issue.

Things are not looking good for Swamp Thing. Actually, things aren't looking too good for the entire DC Universe. In the midst of the Roworld story arc, it looks as if everything is pretty much lost. Swamp Thing now has to make his way to Gotham but that won't be an easy trek. Flashbacks to seeing what Abby's fate may be is interesting but you have to wonder how that will come together with Swamp Thing's portion. The art and little glimpses of other parts of the DCU are great but those affected by the Rot just don't work for me. It's a problem I've had from the first time we saw them in the series. Don't try to guess how the issue will end because Scott Snyder doesn't do what you might think. Next issue is bound to get even crazier.

This is definitely my favorite chapter of this arc. When we first saw Alec arrive in the future, we were teased with what we could see. This is where Snyder and Paquette cut loose and unleash the full fury of the arc. We've seen plenty of apocalyptic dystopian futures but the details they add here really make you feel the pain of what has happened. Just when you think you see where the story is going, Snyder pulls the rug out from underneath. There was a time a couple issues back I was ready for the end of this story but now I want to see more. This is what I want from a comic. We have plenty of action and development mixed with great art and suspense. We know the 'good guys' have to somehow win in the end but there can easily be serious consequences as hinted in this issue.

As a final issue, it's an absolutely fitting end. I've said before that the battle against the Rot and Anton Arcane felt it went on too long. But that's part of what made this issue have a bigger impact. It's not often a writer can make you truly care about the characters. It's a bittersweet ending in what happens along with this being Snyder's final issue. It's been a great ride. Having Yanick Paquette and Nathan Fairbairn on board for this issue as well was the cherry on top. There are some truly beautiful images here. This issue managed to fill me with emotion. Thankfully it was the last issue I read for the day. I'm left feeling emotionally drained but that's a good thing. Snyder left the series on a great note. Even though he's leaving, I can't wait to see what happens next in this series.

Change can be a scary thing. This is especially true when it comes to creative changes in comics. What better villain to have Swamp Thing go up against that Scarecrow? Charles Soule takes Swamp Thing on a different route than we've seen in the previous issues. With the Rotworld story finally over, we can see Alec Holland embrace his role as the avatar of the Green and explore the rest of the world, performing the duties the Green needs him to perform. We're off to an interesting beginning but it almost feels a little too sudden to have both Scarecrow and Superman, two non-Swamp Thing characters, show up right away. Soule is setting up things nicely and you can't help but be curious to see where he's going to take the character. Change can be scary but things are looking pretty good.

There's some serious business going on yet this was a fun issue. I'm still recovering from the end of the previous run and the results that caused Alec Holland to be a little less cheerful. With the pursuit of Seeder, the Whisky Tree and appearance by Constantine, Charles Soule is shaking things up in a good way. Things are getting interesting and with the way it ends here, there's no telling what might happen next.

Swamp Thing versus a Whisky Tree. This is why comics are great and it's a blast reading what Charles Soule has cooking for the series. Swamp Thing was nearly defeated and has also had John Constantine to deal with. Soule is setting up different storylines and it's great seeing what's coming up. We're getting some great stories with great art that doesn't feel like a typical comic book.

If you're a fan of (almost) anyone named Hawkeye, you're going to love ALL-NEW HAWKEYE. Jeff Lemire and Ramn Prez have given us an amazing first issue issue for the new volume. If any Hawkeye fans were concerned with the new creative team taking over, they can put those away and put on their dancing shoes to celebrate the new series. While the main story focuses on Clint and Kate in the middle of a crazy plan, we are also treated to some gorgeous flashbacks with Clint and his brother, Barney. The color is split between Prez and Ian Herring and it's definitely impressive. This series will give you an all-new reason to fall in love with Hawkeye once again.

Lemire, Prez, and Herring are continuing to make this book their own. With all the hoopla over the previous volume, it's great to see this series completely stand on its own without completely disregarding what happened before. Each issue feels like I'm visiting old friends. Both the past and the present story lines are intriguing even if the jumping back and forth is sometimes distracting. If you're not reading this book, you need to fix that right away.

Fialkov's stories aren't ones you should take lightly. He's known for throwing major curveballs at readers. This issue sets up what comes next for the kid superhero that almost had it all. He may have made mistakes and is trying to avoid new ones. That doesn't mean he won't make more.

Joshua Hale Fialkov continues to make an unlikable character interesting. Alpha is becoming an interesting character as we see how he continues to grow and each situation he ends up in. It's a little hard to say what will happen next for Alpha. Part of the charm in this title is the fact that he doesn't fully know what he's doing and is capable of making huge mistakes. The art shines at times but others it takes a little while to get used to. We get an interesting twist at the end that continues to add to the suspense Fialkov is creating. I never thought I'd want to read more ALPHA but it's all Fialkov's fault for making him interesting.

I don't want to like Alpha. Josh Fialkov is not giving me a choice. He's made Alpha the perfect flawed character. He had it all and messed up"big time. This is sort of a story of redemption but also one of a teenage superhero. There is a sense of innocence and discovery as Alpha tries to take the opportunity for a second chance. Balancing between being a superhero and a normal teenager isn't easy and Fialkov captures it perfectly. Nuno Plati's art has absolutely grown on me. I was on the fence before but I really like the atmosphere and feeling this book now generates. Fialkov puts Alpha in a tough situation at the end and we get a big cliffhanger. I will definitely be eagerly awaiting the next issue.

ALPHA: BIG TIME has been a pleasant surprise. It shouldn't really have been a surprise how much I liked this since Josh Fialkov was the writer. The idea of taking a character most readers couldn't really stand and center a miniseries around him was remarkable. The fact that Fialkov made us care so much and packed so much story and emotion into this series is a testament to his writing. With this being the final issue, you owe it to yourself to read this entire series. It's refreshing to see a different sort of teenage superhero story. Nuno Plati's art added another layer to Fialkov's storytelling. It's unfortunate that this is the end. Hopefully we'll get to see more on the horrific circumstances Fialkov has unleashed.

Spider-Island is almost here. The official prelude issue continues the tiny snippets we've been seeing in the back up stories and Spider-Man's life is about to be turned upside down. His life has been going very smoothly lately and we all know that can't last forever. Spider-Man has been evolving as a character since Slott began BIG TIME and it's great seeing the changes the character makes to further himself along. He's made more changes in the past year than he has in the last decade. He is going to need those changes if he hopes to survive what is coming up in Spider-Island. It was also great to see that a big deal wasn't made out of the fact that this is the 666th issue. I really want to get excited over the possibility at the end but I'm afraid of getting my hopes up if it's just a big tease.

Spider-Island is here! The idea of New York City gaining spider-powers felt crazy but the execution by Dan Slott and Humberto Ramos pays off. After months of tiny bits of set up, the action begins. Spider-Man will be in over his head when he discovers he's powers are no longer as unique as he thought. Slott brings in many guest stars and cameos but they don't feel forced. Slott sets up the action and Ramos knocks it out of the park. Ramos' art delivers what you would want and expect in a Spider-Man 'event.' This issue was so fun to read. We have big action, great art and lots of opportunities for craziness and excitement in the first part of this story. Slott has big plans in mind and you can see them about to explode onto the pages of Amazing Spider-Man.

This is a Spider-Man event like no other. The action is heating up as all of New York City is falling under the Jackal and the Queen's plan. Seeing other Marvel heroes play a role in a Spider-Man story has been fun yet with all the chapters, mini-series and one-shots so far, it feels like it's starting to drag on a little. Thankfully there are some big revelations here. If you've been waiting for some answers to a couple big questions, you will get them here. Also, there some big changes happening for a couple characters. Dan Slott's epic story with Humberto Ramos' frantic art will leave you gasping for air as you try to take it all in. With everything that happens here, it's hard to imagine what will happen next. Get ready to hold onto your hats.

Spider-Island is over. That could be a good or a bad thing. The entire story had a big epic 'event' feel without forcing readers to check out a bunch of other titles or force readers of other titles to read this. Slot poured a lot of action into this arc and Ramos managed to keep pace by drawing all the chaotic scenes, even if there were some moments some of the characters felt a little off. Spider-Man has come a long way and it's been great seeing the other heroes get involved in a giant Spider-Man-focused story. The ending is nicely executed but opens the door for some exploration in some of the repercussions of this story. It's hard to imagine how Slott will top this huge storyline. He's set the bar pretty high for himself. My biggest fanboy wish is we'll get to see at least a little more of what we had on the cover.

I was happy with the way Spider-Island ended but this epilogue adds so much more to the story. It's great to see the actual aftermath after a major story to add that tiny bit of realism. Too many times we see mass destruction only to find everything nice and neat in the next issue. Slott's dialogue adds some more realism as we get to see people's reactions to what's going on. The humor might be a little too much as characters are talking about quirks readers are aware of with other characters' designs. With most epilogues, the issues just wrap everything up and not much else happens. We do get to see the clean up and there might not be a ton of actual action going on but there is a lot to see here. It's a little strange seeing Caselli's art after Humberto Ramos handled all of Spider-Island but that's not a complaint. Caselli always captures the mood of characters through their expressions and Frank Martin's color art really adds a something to the already great artwork.

You'll be surprised at how much action there is despite Spider-Man not going toe to toe with a costumed bad guy. Because this is part 1 of 2, you have an idea how things might end next issue. Regardless, Slott and Ramos give us a Spider-Man story with a great refreshing twist. It's a fun read with no hints as to how Spidey can possibly save the day.

It's hard to believe the "Point One" issues are still coming out. The idea of using this numbering system is unnecessary. The idea is for this to be a good jumping on point but you have to wonder how many 'new' readers would even be aware. Slapping a big "New Jumping On Point" on the cover would work better. In this issue's defense, it does serve to introduce new readers to the idea of Horizon Labs, the place Peter Parker now works. It's not all recap information for regular readers as we get more on the mysterious "Number Six" working at the lab (who we discovered his identity during Spider-Island). It's a fun issue and the action is self-contained. There are some developments and new plots created but after the previous two-part time travel story, it's more of a way for us to catch our breath. Dan Slott, Chris Yost and Matthew Clark deliver a Spider-Man story that new and old readers can easily enjoy.

Spider-Man in space. It's not often I get to write that. To make it better, he's not going alone. Spider-Man is known for his humor and quips and having someone to bounce them off of usually makes the story fun and entertaining. There is a reason for Spider-Man needing to take a trip to space. This is the beginning of a bigger story. We're just getting a tease of what's to come. Slott is joined once again by Chris Yost and the two seem to work as well as Spider-Man and his guest star, in a good way, of course. We get a typical cliffhanger that will make you eager for the next issue and the situation will place Spider-Man in yet another situation we haven't seen a million times. Spider-Man has simply been a great deal of fun to read lately and I can't wait for the next issue.

Things aren't looking good for Spider-Man. He's forced to continue fighting in a different manner. No longer can he just rely on his spider-powers, now we're seeing him use his brains more and more. It's great to see a change in the overall battle against the Sinister Six but feels a little odd that Spider-Man needs the Avengers and scientists at Horizon Lab to help him out. Doc Ock (and Dan Slott) have raised the stakes in this confrontation and it's not over yet. Humberto Ramos' art is always fun to see but with his style differing from Caselli's in the past two issues, it creates a distraction. Slott is doing big things in AMAZING SPIDER-MAN and I don't know how he's going to top this story.

If you love Spider-Man, you're going to love this oversized anniversary issue. If you just 'like' Spider-Man, you will totally dig the new developments here with the idea of Spider-Man taking on Alpha as a sidekick. If you don't like Spider-Man...you should still check out what changes we may be seeing with the character. Spider-Man has been around for fifty years now. This issue marks a new chapter in his career.

There's still time to place your bet on whether or not Spider-Man will keep Alpha as a sidekick (not that we condone gambling). Alpha is not a likable character and he's not supposed to be. After fifty years, Dan Slott has given Spider-Man a new set of responsibilities (and I don't mean he's been writing for fifty years). Humberto Ramos handles the big action scenes along with Peter in his civilian guise with ease. This is a turning point for Spider-Man and this series. If you haven't been reading Spider-Man lately for some reason, now is a great time to start. Actually, be sure to pick up the last issue. You won't regret it.

I was unsure of the idea of Spider-Man having a sidekick but should have known better than to doubt Dan Slott. The story of Alpha and the abuse of his powers gave us a different look at superheroes in the Marvel Universe. There are some repercussions we'll be seeing and the way the events play out makes this story better than I could have imagined. The final page brought a huge smile to my face as well. Dan Slott and Humberto Ramos deliver a crazy fun issue. There is plenty of action and guest stars. We're seeing changes in Spider-Man's life and there definitely is a dark cloud on the horizon.

There is plenty of crazy action contained in this single issue. Peter's identity is on the line, suspicion is being aroused at Horizon Labs, Kingpin is involved and we have two Hobgoblins thrown into the mix. It's a bad day to be Spider-Man but a great day for Spider-Man readers. Dan Slott and Christos Gage are making sure THE AMAZING SPIDER-MAN goes out with a bang. There is even some hints about the upcoming story after this one. I never thought I could enjoy so much Spider-Man action without the Spider-Man costume even being present. I actually feel bad for readers that aren't keeping up with THE AMAZING SPIDER-MAN. They are indeed missing out on the fun.

Hobgoblin vs Hobgoblin vs Peter Parker. Talk about an exciting comic. Peter is in quite a mess and is probably hoping his series ended before this one. Dan Slott and Christos Gage have set up quite the story with Peter, stuck without being able to put on his costume to fight, going up against the Kingpin, the Hand and two Hobgoblins. Action, adventure and fun times are here. I should note that as a big Hobgoblin fan, this was a joy to read. There are a lot of seeds being planted, not just for the next few issues but beyond as well. Part of me is sad to know this series is ending but with Slott still on board for SUPERIOR SPIDER-MAN, you'll want to pay close attention to these final issues. What it comes down to is if you're looking for a really cool Spider-Man action-packed issue, this is it.

I am not thrilled with what happens here but I love what Dan Slott is doing. It's always been clear he's having a blast writing Spider-Man and you'll want to see what happens here and what will happen next. This is more than a mere stunt. This is the evolution of the character and big change that will set the stage for the next chapter of Spider-Man. Do yourself a favor and read this issue. Try not to spoil it for others, even if spoilers are already out there. Let them read it and be shocked for themselves. Years from now you'll ask others, "Do you remember where you were when you read AMAZING SPIDER-MAN #698?"

Dan Slot continues to pack in the excitement and suspense while giving us some of the answers we've been looking for. You'll get sucked into the story and will almost forget that the series is ending in just one more issue. There's a lot riding on the events here and the feeling of absolutely not knowing how Slott will end this story is great. You'll be counting down the days until issue #700.Note: Be sure to read ASM #700 BEFORE reading AVENGING SPIDER-MAN #15.1 on December 26!!

Do you think you know who Morbius is? Whether you're a fan of the character or unsure what to think of him, this issue will win you over. Set as a bit of a prelude to his upcoming solo series, the focus is placed on who he is and what the story of his past is. Joe Keatinge writes the story as he lays out the groundwork for his series. Dan Slott is on hand as well to help bridge the gap between last issue and issue #700. We have some great art to showcase Morbius' past but it would have been nice to have a little more Spider-Man in this Spider-Man comic.Note: Be sure to read AMAZING SPIDER-MAN #700 before reading AVENGING SPIDER-MAN #15.1 on December 26.

The final issue of THE AMAZING SPIDER-MAN has arrived. Spider-Man as we know him is no more. Comic book readers will be the first to complain if we keep getting the same old stories but if a major change is done to our beloved characters, we'll also complain. This is a chance to see something different. Dan Slott has cooked up a crazy idea and now we'll get to see what happens next in SUPERIOR SPIDER-MAN. I am on board to see how this plays out. I'll be reading to see what the next chapter holds for Spider-Man and the supporting cast. Of course Spider-Man fans will not be pleased with what happens. But we do see a great battle that really shows what Spider-Man is about. He is one of the greatest heroes and this issue is a testament to that. It's a fight fought on a different sort of battlefield. This is a story you'll remember for years to come. It does change everything.

Get ready to be able to say you are now an Ant-Man fan. Nick Spencer is taking the (often) down-on-his-luck Scott Lang and showing us what hes willing to do to be Ant-Man as well as a father. New and old fans can jump into this series that sets up Scotts new direction and place in the Marvel Universe. While this series is rooted in the Marvel Universe, there is a nice distinct feel to the book making it accessible to all readers. Ramon Rosanas art is great at depicting both the human moments as well as the action sequences involving a guy that can shrink down and communicate with ants. Youll be pleasANTly surprised by how much youll enjoy this book.

Ant-Man may be a small hero but this book is showing he has a big heart. Scott Lang has been around for some time now but Nick Spencer is really shaping him up in a new town with a new mission in a great way. It's clear you can't be too sure what to expect in this series. Ramon Rosanas and Jordan Boyd's art and color gives the book a really nice and different feel from the average Marvel book. Don't let this book slip past you.

What could be better than Jonathan Hickman on AVENGERS? Add in Jerome Opena, Dean White and a strong roster and you know we can expect great things here. The Avengers comics have a history of big things happening but lately there has been moments where the stories have been hit or miss. Hickman hits the ground running. The idea of 'going bigger' is a great concept and fits with the changing nature of the Marvel Universe. We need to see some changes otherwise the stories will become stagnant. We're not seeing a relaunch or reboot of things but a nice ambitious start to a new chapter. I have no idea where Hickman is going to take the team and series and I can't wait to find out.

Even when the Avengers are relaxing after a big event, you can count on the action to kick in. We see what the team does next and what Captain America and Iron Man think about the team's roster as well as where they'll go next. This might be a new jumping on point but you'll still want to know who all the characters are in order to fully appreciate all the interaction between them. There are a lot of great artists in this issue and it doesn't come across as cluttered or disjointed. You will get a sense of the big scope that Jonathan Hickman has been carving out with the Avengers. It's a great time to be an Avengers fan.

I love this format. This isn't necessarily something I'd want to see used in every comic as it could get to be too much but it's great seeing it here.

The story may not be crucial to the overall series but it was a blast to read, especially in this format. I could be wrong and the events here may play into the last couple issues but I"m still waiting to see what happened to (the other) Nova (Sam) from the first Infinite comic. It's a little strange how we get plenty of detail in this story but the main story almost seems to focus more on fight after fight. This story does a great job in showing how good the Infinite comics can be. It may not be quite as stellar as the first two but it's a great alternative when reading through a stack of comics.

If you're looking for a new comic to check out, BEDLAM is one to pick up. Besides being oversized for the price of a single issue. Nick Spencer and Riley Rossmo bring us a dark and creepy story that will make you feel uneasy...but in a good way. It's a darker look at the role a crazed psychopath plays in comics and the way the story is presented along with the art is definitely something to see. It's a "mature comic" for good reasons. Image Comics does it once again with another great new series. Get this now so you don't regret having to search for it later.

There is something refreshing and liberating being able to read a comic that isn't tied down to loads of continuity and other titles. There isn't anything wrong with those comics but having a single comic and characters to worry and focus on is great. Nick Spencer and Riley Rossmo are creating a great and interesting new dark world. We don't have all the pieces to the puzzle but we're finding out more about the characters as well as seeing some set up for what's to come. Rossmo's art and Spencer's script sends you on a dark and creepy trip but it's one you'll want to go on. We don't get quite the shocking moments as in the first issue but there are some here that will make you cringe. Be sure to track down the first issue if you haven't read it yet and prepare yourself for a crazy ride.

If you had high hopes for Rick Remender's new series, BLACK SCIENCE, you are in luck. We get a pretty amazing introduction to a new world of characters in a fast-paced, action-filled story. Forget those normal "first issues" where things slow to a crawl as we meet all the characters. Remender throws us straight into the action and throughout the story, you get a taste of what the main character, Grant McKay is about and capable of. Matteo Scalera's art and Dean White's colors are enough to make you wonder what you did to deserve such a treat. I'm not quite sure where the series is going to go after the first issue but I am perfectly content to be able to dive into a new series and just experience the story as it happens. Give this one a try.

BLACK SCIENCE is shaping up to be a crazy ride of adventures after adventure (provided the characters can survive their current location). We were introduced to the main character, Grant McKay in the first issue, but here, Rick Remender starts filling us in on who the others are. Aside from the adventure and thrills, there is a mystery to uncover as well with one of the characters possibly being a traitor. There's no telling what will happen next and who will live or die. That's just one thing that makes this a thrilling book. Matteo Scalera and Dean White are on fire in the art department. This is definitely one of those books where you're going to hate having to wait for the next issue. Time to start counting down the days until issue #3.

It's always hard to imagine reading a "new" comic and getting something that actually feels new. How many different superhero comics have we all read over the years? The great thing is, we haven't really read anything like C.O.W.L. You can feel the enthusiasm, care, and attention that Kyle Higgins and Alec Siegel are pouring into this series. It's practically oozing off the pages. And wait until you see Rod Reis' art. It's simply incredible. Make sure you check out C.O.W.L. This is a series you'll want to read right away. Don't wait until later. Heck, I don't even want to wait for issue #2 now. You're really going to dig this series.

C.O.W.L. is not your typical superhero comic book. Set in Chicago in the 1960s, we get a nice mix of superhero action laced with some real world ideas. Superheroes forming an organized union has a lot of merit. With that aspect such a big role in the title, we get to see what happens when that organized union goes on strike. With heroes on the picket line, what will they do when there are bad guys that need to be dealt with? Kyle Higgins and Alec Siegel continue to flesh out the world they're creating. Rod Reis does an amazing job, as usual, on the art. He is joined by Stphane Perger, which gives us a different taste of the world, although it does cause a slight distraction in the reading experience. C.O.W.L. is a comic that should definitely be on your pull list.

There's something special when a creator gets to work on their own characters. Writers like Steve Niles, Justin Gray and Jimmy Palmiotti have long proven what they are capable of doing and seeing them work on something they gave birth to in their minds is a treat. Writers that work on the big mainstream characters usually have a deep fondness for those characters but you would have to think being able to work on your own brings a different level of satisfaction. We get the first chapters for two separate stories. The writers obviously know what they're doing in getting us hooked in wanting more. The art by Kevin Mellon is great and I never considered seeing Phil Noto's amazing style with Palmiotti and Gray's script. This is definitely a comic book that needs to be seen. It's more of an experience rather than being a simple comic. I only wish there was more.

You have to commend everyone involved in CREATOR OWNED HEROES. Justin Gray, Jimmy Palmiotti and Steve Niles have been delivering orignal characters and stories for six issues now. This is also another thing that makes Image Comics cool as well. We're seeing Darwyn Cooke being added to the roster as he has decided he needs to start doing more creator owned material. This is more than just a comic, it has a magazine feel to it with interviews and articles about getting started writing. The problem is both main stories are continuations from the last issue. Looking at the series overall, you know you'll get great stories but you never know what the stories will be about or if it'll be based on a genre you enjoy. For $3.99, you get 30 pages of story plus all the extra content. This truly is a good deal and a book you should think about supporting each month.

Too often comics start to feel a little redundant with gobs of flashy superhero action. Robinson is setting up a more cerebral story. There is a Silence of the Lambs feel to the story and the idea of that in a comic is outstanding. I love my superhero comics but I also love a really great comic that offers something a little different once in a while as well. Bernard Chang's art is a great fit for Robinson's story. With the lack of spandex (or armored heroes), Chang has to create a more realistic setting and characters which he succeeds in doing.

This is how we'd want to see Bart Allen written. I would've liked to see more about Bart and how he compares to the pre-New 52 version. The way Fabian Nicieza writes him definitely has a pre-New 52 feel. That made a story involving some characters I didn't find too interesting still have a fun feel. This is what Fabian is good at, telling good stories that are funny and entertaining. I could totally go for a solo Kid Flash title written by Fabian.

How many times have you wished you were able to catch the first issue of a new great series? DEAD BOY DETECTIVES takes the characters created by Neil Gaiman and brings them back in their own series. Comics published by Vertigo tend to have a certain high level in terms of quality and this one continues the tradition. Toby Litt and Mark Buckingham do a great job setting up the story and introducing the characters to new readers. Buckingham and Lee Loughridge's art and colors will blow you away. Don't miss out on this comic.

Vertigo's newest series is off to a great start. Whether you're familiar with the Dead Boy Detectives from their previous appearance in SANDMAN and their own miniseries, this is a book anyone can jump right into. Toby Litt and Mark Buckingham are taking the characters and adding to their story. There's a mix of innocence and adventure as we see the new developments come in. DEAD BOY DETECTIVES may be about two dead boys but there is so much life in this series.

Issue 27s don't come around too often these days. That in itself could be reason enough to celebrate but everyone involved brings their A game to the table. This is a massive issue. Besides being a big moment in Deadpool's life, we do see some plot development happening along with an enormous number of chracters and creators returning to Deadpool's life. This is what celebratory issues should be about. If you're a big Deadpool fan or a fan of funny things, you'll want to get this comic.

Deadpool is dead. The immediate reaction likely contains doubt and suspicion. It's not really a spoiler since it's advertised on the very cover but we do see the death of Deadpool. Brian Posehn and Gerry Duggan do a fantastic job along with the rest of the creative crew in closing out this volume. We've seen Deadpool gain many friends and family during the past 44 issues. You just might find yourself with some sad feelings. At least we get a pretty high caliber ending. The extra content by an army of talented creators helps make sadness go away but it also adds to the price. This is a massive final issue. Don't miss out on your chance to say goodbye to Deadpool and to raise a toast to a great volume.

Wolverine made his first appearance forty years ago and now it's time for him to die. We've been reading about his coming death month after month but this final story arc starts off with a bang. Charles Soule immediately sets the perfect tone for the series and brings to light some aspects of Wolverine's condition that weren't given much attention. The story is presented in a way that newer readers can easily dive into the issue. Steve McNiven's art brings up the energy of the story, giving it an even bigger feel. Knowing that the end is finally in sight, you can't help but feel the excitement and anticipation thanks to Soule and McNiven. It should be obvious--this is a Wolverine story that should not be missed.

It feels like it's been a long time coming but DEATH OF WOLVERINE has come to an end. There's many ways this could have happened and Charles Soule gives us an interesting ending. Because of the history of the character, there's a lot to think about over what this issue means and whether or not it hits the mark that fans may have wanted. I am intrigued with the route Soule took and it should be interesting to see what the aftermath of this is for everyone close to Logan. McNiven's art is great, as usual. It's almost a little difficult to see Wolverine in this state but that's why we paid the price of the admission. Wolverine is dead. It didn't happen quite as we expected. Now we get to see what happens next.

There's been some fear that the X-Men would slowly be faded away into limbo by Marvel. While the Limbo part is kind of true, we're seeing a pretty strong start to this series courtesy of Jeff Lemire and Humberto Ramos. Things may be pretty dire for the mutants but that isn't really anything new. This issue is packed with big action scenes mixed with a heartfelt conversation during the strange meeting of young Jean Grey and Old Man Logan. I'm digging this series more and more with each issue and can't wait to see what's coming next.

EXTRAORDINARY X-MEN has easily become my favorite X-Men title. Despite not being too thrilled with the Terrigen Mist storyline and a villain I don't really like, I found myself glued to every page of the book. Humberto Ramos, Victor Olazaba, and Edgar Delgado are making this a glorious title as well. Things are looking bad for the X-Men but that's nothing new. This is a book you can just dive into and enjoy. With all the excitement, suspense, and tension, I feel like a kid again reading an X-Men comic.

The Marvel NOW! titles are continuing to deliver fun and excitement with each new series. As a fan of Matt Fraction and Mike Allred, pairing the two together is a wonderful treat. There is an odd choice in the four core members but there shouldn't be any doubt that Fraction has a reason for selecting them. Fraction sprinkles in the humor he's know for bringing to the table and Allred's art (with Laura Allred's amazing colors) brings adds another level of life to the characters. For an issue full of set up and introductions, it was still a blast. If you want fun and enjoyment in a comic book, there's this is a series you need to check out.

Hickman's writing gives you the feeling that he has a massive plan in the works and it's more than enough to keep you hooked. Who needs the Fantastic Four adults when you have all these wacky characters along with Doctor Doom and Nathaniel Richards?