Greg McElhatton Comic Reviews

"Bandette" #6 is a treasure. Quite frankly, Tobin and Coover make the world of "Bandette" one that you'd want to live in. When the girls in Gaspard's pool let Monsieur steal a painting thanks to a jaunty wave, for instance, it feels like a lighter, more entertaining place to be. In the end, "Bandette" is a joy from start to finish, time and time again. And at just 99 cents an issue? This is a steal that Bandette would approve of, whole-heartedly.

"Beasts of Burden: What the Cat Dragged In" is a thoroughly wonderful comic and it was well worth the wait, though hopefully the promised two-parter mentioned in the letters column will have a slightly shorter gestation period. Dorkin, Dyer and Thompson have given us a perfect comic; I wouldn't change a single thing about it. If you've never read any of the "Beasts of Burden" comics, this is as good a place as any to see what you've been missing. Comics are rarely this great.

For all intents and purposes, this comic is "Beasts of Burden" #5, and it's a welcome return. I didn't think it was possible to fall in love with "Beasts of Burden" even more, but I was wrong. With Halloween around the corner, we've all gotten an amazing treat in the form of "Beasts of Burden/Hellboy." I doubt you'll find a more satisfying comic this week.

In the end, "Ganges" #2 is easily one of my favorite comics to show up this year, and I'd wager it will be on a best-of-the-year list for me at the end of 2008. For someone who doesn't play first-person shooters, it actually made me want to do just that. Now that's a comic that is perfectly crafted. Released on my birthday this year, "Ganges" #2 really felt like a special present just for me. Of course, I suspect you'll like it just as much, too. Highly recommended.

My one complaint? Now that Spencer is exclusive at Marvel, we won't see a follow-up by him and Silva any time soon. That's a real shame. The "Jimmy Olsen" one-shot is top-notch work from both creators, and whatever the comic, I want to see them work together again. This is easily one of my favorite comics of the year.

Urasawa's thriller "Monster" was such a strong hit in both Japan and North America, with its combination of action, adventure, ethical dilemmas, and truly evil characters, that I figured any new book from Urasawa would be worth checking out. Now that I've read the first volume of "Pluto" I'm changing "worth checking out" to "absolutely must be read." Viz is about to also start releasing Urasawa's "20th Century Boys" manga in English, and now I know what I'll need to buy, pronto. If "Pluto" doesn't rack up award nominations next year, I will be genuinely perplexed. Remember my prediction this time next year, because "Pluto" is just that good.

But, here's the thing. Everything I've described up until now? It's all window dressing for the main story set in the 1950s. Leonid, a young man with powers relating to the stars, is recruited to join S.H.I.E.L.D. and brought to the Immortal City beneath Rome. That's where the rest of this story lies, as we start to learn hints of the source of the organization's power, as well as Leonid and his father's connection to S.H.I.E.L.D. even before Leonid's recruitment. There are lots of little surprises in store for you, like the figures chasing after Leonid's father, or just why we're learning about all of these S.H.I.E.L.D. agents from the past. It's an imaginative, fun introduction to this new "S.H.I.E.L.D." series, and it's quite frankly the best issue #1 I've seen in a very long time. It will be hard for "S.H.I.E.L.D." to keep up this rush of newness and wonder and excitement throughout every issue, but for now I'm absolutely in love. This is a top-notch debut, and I wish all superhero

Between the "Watchmen" movie now in theaters, and a new hardcover collection of the first eight issues by Moore, Bissette, and Totleben, I think it's great that DC has just released a low-cost edition of this seminal issue. Hopefully a whole new audience is about to discover just how amazing their run on "Saga of the Swamp Thing" was. If you haven't read it, here's a hint: it just keeps getting better.

Those who have followed Horrocks' website got a sneak preview of "Sam Zabel and the Magic Pen," but now everyone else can be in on the secret: this book is fantastic. It's wonderful to see Horrocks' second graphic novel build on the strength of the first and remind everyone that he isn't a one-hit wonder. If there's one thing that's clear about the overall message of this comic, it's that -- with any luck -- we won't have to wait quite so long for a third book from Horrocks. I suspect that, if you read this book, you might find something similar buried within you coming to the forefront. Highly recommended.

"Saturn Apartments" reminds me a great deal of "Planetes," a series about garbage collectors who scoop up all the debris floating in outer space. Not because of any similarities in their jobs, but because like "Planetes," we see how the lower class lives and what their dreams and aspirations are. Mitsu, Jin, and company are enthralling characters and reading about them is a fantastic experience. Viz is serializing "Saturn Apartments" on their <a href="http://www.sigikki.com">SIGIKKI</a> website, and while the later chapters will eventually go away as collections are released, the first chapter (as well as the latest installments) will always remain up. Just be warned that once you read the first chapter, you'll almost certainly be back for more. This is nothing short of fantastic.

From start to finish, every element of "The Fix" #2 is wonderful. As much as I loved Spencer and Lieber's hilarious collaboration on "The Superior Foes of Spider-Man" series, this is a thousand times better. Their original creation is a riot, and every single page delivers. Buy this book; then, buy some extra copies for your friends. They'll thank you for hooking them on a comic that's a shoe-in for a "Best New Series" award nomination for 2016. Check it out.

"Sheriff of Babylon" #1 is breathtaking. It's hard to look at the two-page splash that doubles as a credits page and not gasp at your first look at Baghdad. The crossed swords over the street, the burning buildings, the sepia color scheme washing over it all -- it's a real tour de force. King and Gerads have taken a modern event, given just enough time since its occurrence so that one can effectively create fiction set inside of it, and turned out a winner. And there are still seven more issues to go! In an ideal world, "Sheriff of Babylon" is going to win a lot of awards in the next year or two. Highly recommended.

"Vagabond" is the one comic book series that I think just about everyone should give a try, and thanks to the new VizBig omnibus, you're getting such bang for your buck that you absolutely must give it a try. There are comic books, and then there's "Vagabond."

In a perfect world, people who pick up "Incognito" will go on to buy "Criminal" as well, and vice versa. "Incognito" is a wonderfully sharp comic, just like "Criminal" which they've put on hold as to create this. Trust me (and everyone else who's been saying great things about them), this is so worth your time.

"Incognito" seemed at first like a brief lark between arcs of "Criminal," but the reality is clearly anything but. This is a great project in its own right, and another fine addition to the Brubaker/Phillips/Staples library. If you've been reading "Criminal" but decided to pass on "Incognito" because you liked their pulp noir stories, give "Criminal" a shot and you'll see it's just as excellent as their other book. And of course, if you've been reading "Incognito" and loving it, make sure to check out "Criminal." Haven't read either? Hurry up and fix that. You've got some great comics ahead of you. "Incognito" is a fantastic comic, period.

Langridge draws the characters here in a way that is instantly recognizable even as it also maintains his own style of art. It's light and humorous; the way he draws a character's eyes widening out of surprise is hysterical, and the opening two-page splash of the character zooming back to the theatre in the bus is worthy of a poster. Peppered with sight gags in the backgrounds even as he continues to bring the world of the Muppets to life, this is a fine looking book. If you've ever been a fan of "The Muppet Show" you owe it to yourself to give this comic a try. And if you've never experienced "The Muppet Show," well, this is a great way to find out for yourself why it has such a strong following. It's hard to find a funnier comic on the market than "The Muppet Show."

So few "all-ages" books are really for all ages, but "Muppet Show" is one of the exceptions to that rule. I suspect just as many adults as kids read the book, and with good reason. So long as Langridge is in charge of "Muppet Show" I am most cheerfully on board too. This is a great, great comic book.

"The Twilight Children" #1 is an amazing first issue, one that will draw you in and make you eager for the remaining three issues. As part of Vertigo's big relaunch, it's not just good -- it's phenomenal. Hernandez, Cooke and Stewart need to collaborate more often; each creator brings out the best in the others. Simply amazing and highly recommended.

"The Twilight Children" continues a monumental achievement by all creators involved. Hernandez, Cooke and Stewart have created a comic for the ages, with so many hooks just waiting to pull readers in. If they can stick the landing with next month's conclusion, this is going to become a must-have for everyone's shelves. Check it out.

"The Fade Out" is a killer comic, thanks to Brubaker and Phillips. After reading this issue, you'll wish that every new series had such a strong debut. Wherever this crime noir goes next, I'll be eagerly following. A fantastic job from start to finish.

"The Fade Out" #8 is yet another twisty, intricate, keeps-you-guessing issue, and Brubaker and Phillips don't show any signs of stopping. Where is the book going next? I don't think anyone knows but them, but it's going to be a lot of fun getting there.

Some people will be startled by the conclusion of "The Fade Out" #12, if only because there is no gentle, proverbial fade out as it all quietly winds down. Here, we get a sudden jump to black as it concludes, leaving us with just our thoughts -- and that's the way it should be. It's been one hell of a ride and, as always, I know I'll be there for whatever Brubaker and Phillips do next. I'm the rest of "The Fade Out's" readers will, as well.

My only complaint about "Age of Bronze" would have to be that I wish we had more issues on a regular basis. And clearly, the best way for that to happen would be if everyone started buying "Age of Bronze" as well. It's a fantastic series, and with three collected editions on sale, now is the perfect time to try it out for yourself. You won't regret it.

Perhaps the most impressive thing about "Age of Bronze" #32 is that it's been two years since the last issue and I never felt lost or confused or out of touch. "Age of Bronze" is an amazing series that every comic book reader should be buying. It's got drama, adventure, betrayal, humor and everything else that an epic should contain. Even when the book is downright depressing, the level of craft here is so strong that it's still ultimately a joy to read. Check it out.

I'm really going to miss "All-New Hawkeye," and -- considering this was a series many fans once thought unnecessary -- that's a huge achievement. Lemire, Perez and Herring brought a strong authorial voice to this series, just like the previous "Hawkeye" series from Fraction, Aja and Wu, and they go out on a high note with a strong conclusion. Just be warned; once you read "All-New Hawkeye" #6, you'll want to sit down and read all eleven comics back-to-back -- but there are worse fates in life.

If you haven't read "Blue Monday" before, you'll definitely want to give it a try. And, after you will no doubt fall in love with its combination of romance and gross-out comedy, rest-assured that there are also four inexpensive collections just waiting for you to buy as well. "Blue Monday: Thieves Like Us" is a great way to kick off 2009.

If you haven't read "Criminal" up until now, "Criminal: The Sinners" #1 is a perfect place to start. And if you're thinking about waiting for the collected edition, just know that you'll be missing out on all of the bonus materials at the end of every issue. Essays, interviews, media recommendations... Brubaker and Phillips pack a lot of care into making sure you're getting your money's worth. In an idea world, "Criminal" would be a top-selling franchise. Maybe it's not too late to start. Check it out.

Is "Criminal: The Sinners" #4 a good comic? Definitely. Is it better than most comics being published right now? Absolutely. When you're a series where your average issues are still a solid 4-star book, it's a nice reminder that even when you aren't blown away, you're still getting a great comic.

If we're lucky, "DC Universe: Rebirth" #1 will truly herald what the title suggests. It's a very loud, almost forceful attempt at a course correction; as readers, we're told in no uncertain terms that the path of dark superheroes is detrimental. Based solely on the effort seen here, though, the future looks genuinely bright. Over the last few years, so many of DC Comics' big events comics have signaled doom and gloom; here, however, we're told that the only way to defeat a character known to personify dark and gritty storytelling is for everyone else to rediscover a brighter, more hopeful attitude. Here's to hoping it sticks, but -- judged solely on what we get here -- Johns, Frank, Van Sciver, Reis, Jimenez, Prado and Santorelli have done a good job of making that point. Fingers crossed, but this could really be the rebirth readers have wanted for years now.

Even though this is probably the simplest of the "Demo, Volume 2" stories to date, there's still a good punch or two waiting for the reader. Elisabeth's actions in the past and then the present once she alters her own timeline are slightly shocking and creepy, and it adds an extra level of heft to the story. It's been nice to see "Demo" back, and I'm sad that we only have one issue to go. Still, at the end of the day, I wouldn't go back and time and change a thing even if it meant more issues. This issue of "Demo," and in fact the entire run to date, is just fine the way it is.

"Dream Thief" #1 was a pleasant surprise with which to kick off the week. <a href="http://www.comicbookresources.com/?page=article&id=43966">In a recent interview</a> Nitz explains that he and Smallwood have been working on this mini-series for quite a while, and that it was only once they'd completed the first issue and shopped it around that they found a publisher. Once you read "Dream Thief" #1, you'll see why Dark Horse couldn't stand to pass it by either. "Dream Thief" #1 is an extremely strong debut to this mini-series, and you definitely should pick up a copy. This is a winner.

If the conclusion next month of "Flashpoint: Batman: Knight of Vengeance" is as strong as the first two chapters, we're in for one hell of a ride. But regardless of how it all pans out, there's enough here to make you gasp and jump (along with some truly nasty surprises) to entice you on board for this latest chapter. If all tie-ins to event comics were this strong, we'd be that much richer for it.

"The Immortal Iron Fist" #16 ends this part of the series with a figurative bang; here's hoping the new guys can pick up the torch and do even half as well. I'm really going to miss the Fraction, Brubaker, and Aja era. I suspect everyone else who's been on board will, too. This was a great book.

"Local" is the kind of book that you could base an entire career on; it's some of the strongest work I've seen from Wood and Kelly, and it doesn't surprise me that it's also the most attractive collected edition I've seen from Oni Press. From the metallic fifth ink on the lower half of the front cover, to the soft cloth binding on the spine, it's a truly handsome book that you'll want to have on your bookshelf. I was also delighted to see that the back of the book collected not only Wood and Kelly's essays from the original issues, but color reproductions of the covers and even the guest-artist pin-ups, all of which could have been easily left out. "Local" is a really remarkable book, both in terms of what Wood and Kelly initially planned on doing, and in the final execution. This is, easily, one of the books of the year. Prepare to take a trip around the United States and Canada with Megan McKeenan. Trust me, you won't regret it.

"Multiple Warheads: Alphabet to Infinity" #1 is the start of a mini-series, but as Graham notes on the inside front cover, the idea is really to have it be the start of an ongoing series where Graham stockpiles enough art to have regular monthly releases, with pauses to let him then catch back up. With the first issue clocking in at 48-pages, that approach feels more than reasonable to me. If you haven't read "King City" or "Prophet" yet, you absolutely should. But until then, check out "Multiple Warheads: Alphabet to Infinity" #1. This is pure fun from start to finish.

There's a lot to focus on and love in "Nameless" #1, and I suspect that -- with each new issue to follow -- going back and re-reading this first one will just prove to be stronger. For now, though, it's really good. In the context of the rest of the mini-series, it has the potential to be excellent. We're just examining the tip of the iceberg and, so far, it feels like there might be a diamond at its center. "Nameless" #1 is an impressive and attention-grabbing debut.

In Japan, "Nana" is one of the best-selling comics in the country, with each new volume resulting in huge billboards and advertisements everywhere. Once you read "Nana" for yourself, you'll quickly realize why. This is great, great stuff; it's wonderfully addicting, and once you've read one volume you'll be scrambling for more. Definitely check it out.

If you haven't read "Phonogram: The Singles Club" yet, don't be afraid that you haven't read #1. It's just as easy to jump in here, and you'll get a full, interesting story. Just be warned that when it's all over, you'll probably want to hunt down #1 because you want more of the fun.

In the afterword to this first issue of "Sandman: The Dream Hunters," Gaiman talks about the sequence of events that both created the original novella as well as this comic adaptation. At the end, he comments that it feels to him like he's getting to read a new "Sandman" comic for the first time. I completely understand; Russell's able to do just that with his adaptations, preserving the original feel while somehow making everything fresh and exciting. I, for one, can't wait for the next issue.

I used to be sad that we weren't getting any more "Queen & Country" for the duration, but "Stumptown" is more than mollifying any sadness I once had. Between this and his Batwoman stories, Rucka's re-positioning himself as an author to keep an eye on. "Stumptown" is fantastic, pure and simple.

"Superman: American Alien" #2 swings for the fences and succeeds marvelously; Landis and Edwards should be very proud of their achievement. Revisiting Superman's origin is tricky business, and so far every single potential pitfall has been neatly avoided. "Superman: American Alien" #2 will make readers wish that every Superman comic was this good.

Throw in another one-page epilogue, this time with a loopy and deliberately perplexing look at Mxyzptlk from Landis, Mark Buckingham and Jose Villarrubia, and the end result is another great comic in this miniseries. "Superman: American Alien" #3 is a perfect example of everything that a relaunch should give its readers; Landis and Jones deliver a story true to the character concept of Superman, but they're also not afraid to provide one that's updated and modern.

"Superman: American Alien" #5 is a perfect issue, something that Landis and Manapul should be exceptionally proud of. With a wonderful script, gorgeous art and understated colors, what more is there to ask for? I realize Landis and Manapul have many other projects ahead of them, but -- if there was a way for them to be reunited on another comic -- it would be a bestseller. Landis and Manapul have set the bar very high for what a Superman comic should be.

"Superman: American Alien" #6 is another strong installment in one of the best Superman stories published in quite a while. It's sad to know we only have one more issue to go, but right now the series is almost assured to go out on a high note. We're six-for-six now, and all parties involved should be proud of what they're delivering.

"Taskmaster" could have been, by all rights, a throw-away mini-series. Instead it's one of the smartest new books I've seen come along in a while. Van Lente and Palo have kicked their work up several notches, and I'm dying to see the remaining issues. Who knew a mini-series about a villain that trains other villains could be so entertaining? Definitely check this book out. "Taskmaster" is fun from start to finish.

Every time you read "The Black Beetle: No Way Out" #2, you'll notice a little something extra that might have slipped past you the first time. It was on the third or fourth time through myself that I realized the truth: I'm hooked. Any doubts I had before have been dashed; Francavilla's not just an excellent comic artist, he's a great comic creator in general. Here's to a lot more of "The Black Beetle" in the months and years to come.

With "The Creep" Arcudi and Case have created a compelling detective story that grabs you. Each new installment just gets stronger, and if anything it just makes the wait that much more frustrating. This is an excellent comic that you should be reading; if you haven't seen it up until now, take a look for yourself. You won't be disappointed.

"The Second Life of Miranda Turner" #1 is a real winner. Read it for the crazy heroics, the hinted-at fully-developed backstory, the gorgeous art, or even just the warm affection between sisters Miranda and Lindy. Monkeybrain Comics has picked up another winner of a series in the form of "The Second Life of Miranda Turner." At just $0.99, it's not only a bargain, it's a must-buy.

"The Massive" is an impressive series, and we're only two issues (and three short stories in "Dark Horse Presents" giving some pre-Crash origins of some of the characters) into its run. If you aren't reading "The Massive" yet, I wholeheartedly recommend it. With titles like "MIND MGMT" and "The Massive," Dark Horse has lined up some great new ongoing series. "The Massive" doesn't just introduce you to a dangerous future, it drops you in feet-first and lets you try and swim for safety. Definitely check this series out.

From giants hanging onto the roots of the world, to armies of beetles, or a depressed being of light's panels being stripped of all colors, "The Sandman: Overture" #3 takes its storytelling needs quite seriously, without being strictly serious. This comic is full of flights of whimsy, dangerously grim moments and beautiful inventive set pieces. It's a real pleasure to read "The Sandman: Overture," and this issue is no exception. Once again, well done.

When it's all said and done, few people will even remember the serialization of "The Sandman: Overture," as its readership expands substantially through the collected edition. There's also no doubt that the book is much better suited for that format, too; that said, though, the serialized format is all we have to judge it by for the time being. Thanks to some interesting ideas and some amazing art, it's still well above average and worth reading. However, it's also not quite as dazzlingly amazing as when it initially debuted. Hopefully, some of that wonder will finally reappear in the final issue, whenever that might be.

"The Sandman: Overture" #6 is a comic that's just stronger and stronger with every re-read. From a perfect mimicry of Dream's capture in "The Sandman" #1 to the cat version of Dream's importance to the story, there are so many little bonuses strewn throughout the comic it would be easy to simply sit back and list them. In the end, "The Sandman: Overture" #6 is a celebration of the series that enchanted so many readers as well as a thoroughly-enjoyable new chapter to complement rather than recreate those comics. Gaiman, Williams, Stewart and Klein should be proud of what they've created here; when revisiting an old property, it would be a dream come true if all attempts were this strong.

When this adaptation is complete, I hope it's going to end up as a gift for a lot of readers; Shanower and Young just don't do Baum's book justice, they in some ways make it even better. I absolutely adore this adaptation, and give high marks for all involved.

"Velvet" #10 is a dazzling conclusion to the series' second storyline and, hopefully, the wait for "Velvet" #11 and beyond won't be too long. Brubaker's creator-owned series have always been a joy to read, as well as his numerous collaborations with Epting. For this duo, I'd say this is easily their best work together. Brubaker and Epting's "Velvet" is what all spy stories should aspire to be. Highly recommended.

"Velvet" #11 is a fantastic issue, and I think it's a good jumping on point in many ways (although reading #1-10 or the first two collections will likely become necessary down the line). Forget about a new James Bond film; we have a new "Velvet" story arc, and Brubaker and Epting will take your breath away with each new installment. Highly recommended.

"Who Is Jake Ellis?" was recently announced as shifting from a five-issue limited-series to an ongoing series, and I'm delighted. There's so much room for Edmondson and Zonjic to keep telling stories of Jon and Jake, and after three issues the series has not only maintained its high standards, I think it's gotten even better. "Who Is Jake Ellis?" is an amazing new series that you owe it to yourself to check out.

While "Wonder Woman: Rebirth" #1 stops just as things are about to get particularly hairy, the pacing here is pretty much perfect. This is as much teaser as it is a lure; it doesn't take a Delphic Oracle to know that readers will want to see much, much more. Rucka, Clark, Sharp and company have created one of the strongest "Rebirth" comics to date and laid out the groundwork for exciting times ahead. I'm definitely back for more, and I think you will be, too.

"Stray Bullets: Killers" #1 is a fantastic, wonderful return for the series. Everything works so well here; the tense writing, the carefully structured page layouts, the wonderful expressions on people's faces as things go horribly wrong. From Eli's adoring gaze towards Scott, to the look of terror on Eli's father's face when he sees an unexpected person at the club, to the steely-eyed look that Scott gives Eli after Eli witnesses Scott doing business... every page, every panel, they're all winners. "Stray Bullets" is back, and with a vengeance. You won't find a better comic released this week.

"Stray Bullets: Killers" #3 is another great installment from a fun series that was gone for far too long. If you like suspense, crime noir, or thrillers -- or heck, just good storytelling, period -- you need to read "Stray Bullets." Trust me.

"Stray Bullets: Killers" #6 is another reminder of how great it is to have Lapham drawing his signature series once more. There's so much to love about this comic, and it continues to move from one strength to another. If you've been wondering about the world of "Stray Bullets," this is as great a place as any to dip in and see for yourself on what you've been missing. Check it out.

While I'm sad to see "Stray Bullets: Killers" come to a close, knowing that "Stray Bullets: Sunshine and Roses" hits stores in January 2015 brings a smile to my face. This eight-issue story arc has reminded me how great Lapham's signature creation is, and what a big deal it is to have it back on a regular basis once more. Here's to the next story arc and beyond.

Even with these flaws, "The Multiversity" #2 is still a very good comic, just not an overwhelmingly great one. With any other creative team, this would be jaw-dropping. From people as talented as Morrison and Reis, it's merely strong. Hopefully, we will see some follow-ups from Morrison down the line and this isn't really his final word on these subjects. He's left himself room to tell further stories in this vein, after all, and there's so much potential untapped. "The Multiversity" #2 is ultimately a comic that doesn't quite extend its full reach as much as one would hope, but what it does accomplish results in a satisfying conclusion.

"The Multiversity: The Just" #1 is a comic that takes known themes and makes them feel engaging and different even while going through familiar paces. For a series that is primarily a series of one-shots, "The Multiversity" is continuing to come across as interesting and fun, and those who have enjoyed the comic up until now will find no reason to turn away after "The Just." Morrison and Oliver work well together in "The Multiversity: The Just" and this will make you want to see another collaboration from the duo, and soon.

"The Multiversity: Thunderworld Adventures" #1 has a tenuous connection to the rest of "The Multiversity" comics, and that's a good thing. (You'll see the through-lines here and there, from the other multiverse Sivanas to the copy of the S.O.S. comic.) I don't want to see the Captain Marvel family going up against grim-and-gritty characters. I just want them to have exciting, joyous adventures like we got here. With contemporary jokes like Billy Batson's reporting running up against child labor laws, this feels classic yet modern. If there's any way to convince Morrison to write a "Thunderworld Adventures" ongoing, well, I know I'd buy it. If nothing else, Morrison and Stewart have given us a pretty-near pitch-perfect comic that shows us how viable these characters are. Post-"Convergence," maybe we'll get lucky with a return to Thunderworld.

"The Multiversity: Ultra Comics" #1 is the oddest portion of "The Multiversity" to date, but it's also quite possibly the best. Is it a trap? Absolutely. When the book is over, loop back to the start and follow Ultra's path again. Each time through, you'll notice something different, something telling. Morrison, Mahnke and company should be proud of what they've created here; their "living comic book" does, indeed, have a great deal of life in its pages. Highly recommended.

"Hawkeye" #10 is a different format than normal, and because there's a lot of backstory and set-up here, it's not quite as fantastic as readers might otherwise expect. Don't get me wrong: it's still very good, and I definitely would like to see Fraction and Francavilla collaborate again down the line. But nonetheless, I am looking forward for the shift back from "very good" to "great" again, and soon.

"Hawkeye" #11 is a charmer from start to finish. I love the bold choices that Fraction and Aja made, and I appreciate that what could've been a throwaway issue ended up being incredibly gripping by the end of the comic as we move past the events of the previous installments. Add in Hollingsworth's beautiful flat colors and it's another big, big winner. I'll be shocked if "Hawkeye" #11 isn't on next year's Eisner Awards ballot; it's both excellent and different. Well done, all involved.

With references to the nonsensical line-up of the L.A.-based Champions to a hideous traffic jam on the 405, I love that "Hawkeye" #16 really feels like it's in Los Angeles, not just a generic location with a few palm trees. However much longer Kate's sojourn on the west coast lasts, it's going to be a lot of fun thanks to Fraction and Wu. Who cares that "Hawkeye" #15 isn't out yet? "Hawkeye" #16 is a winner and a half.

"Hawkeye" #18 is another big success, to the point that I don't want Kate's time in Los Angeles to (presumably) come to a close before too much longer. It's fun, it's creepy, it's smart, and I'm hooked. Once again, a winner.

"Hawkeye" #20 is the sort of comic that you could talk about all day long and still find little sparks that jump out at you. This isn't the comic where you want to read it over and over again because it makes you feel so good; rather, you want to re-read it because you need to re-live those moments being at Kate's side. A part of her new family, so to speak, being the support that she needs. I'm sad to see this story at an end now -- but what an ending it was. Hopefully this won't be the last time we see Fraction and Wu work together, because this was amazing.

"Hawkeye" #21 is a dark issue, one that puts its characters through the wringer. Yet, even as tragedy strikes Hawkeye as the attempt to stop the Tracksuit Draculas crumbles all around him, there's a moment of hope on the last page that is so perfectly timed that I suspect a lot of readers will give a little gasp; I know I did. It's the perfect cliffhanger, that moment that makes you desperately want to see the conclusion. I'm sad to see Fraction, Aja and Hollingsworth on their way out, but they're giving us one hell of a ride in doing so.

"The Vision" #1 is a pleasant surprise that delivers an intriguing take on humanity, superheroism and life in suburbia. King and Walta have created an instant classic with "The Vision" #1, the sort of thoughtful comic that is all-too-rare these days. In the glut of new comics, don't let this one sneak past you. It's a winner.

"The Vision" #3 is about as different from the rest of Marvel's comics as one can find, but it's brilliant in how well it still fits in with their overall universe. This is a book that inches its way into the darkest corners of the Marvel Universe, all under the guise of four bright, shiny androids. I have no idea what will happen next in this wonderfully twisted book (aside from inevitable doom), but I can't wait to see.

"The Vision" #6 is another installment of a series that triumphs month after month; this disturbing look into one of Marvel's strangest characters is unlike anything else on the market right now. Now is as good a time as any to catch up and see just what you've been missing.

I'm enthralled with "American Vampire" and I'm pleased to see that the first issue's strong debut wasn't just a fluke. "American Vampire" might be getting some initial attention because of King's involvement in the first five issues of the series, but I think if it had just been Snyder and Albuquerque it would be picking up strong word of mouth praise based on their contributions. (That said, I'd love to see King come back with some more prequel back-up stories down the line.) Definitely check out "American Vampire" if you haven't already. This is a fantastic new series that demands your attention

Vertigo's had some great new titles debut over the course of the last year or so, and "American Vampire" is definitely part of that crowd. I'll miss King after next month's conclusion of his story, but Snyder and Albuquerque will be just fine on their own. It's easy to see why DC's supposedly tapping Snyder for more work down the line; he's a real find.

"American Vampire" continues to move from one strength to the next, and this issue is no exception. Hurry up and read this book, already. You're missing out on the next big thing.

Thirteen may normally be an unlucky number, but that's not the case here. This is a strong start to both a new storyline and its second year in general, even as it provides a strong introduction for any new readers interested. "American Vampire" sucks you dry every month, and then has you coming back for more.

"American Vampire" is a continually solid and strong comic, but that doesn't mean it's ever predictable. It is, as always, a joy to read, with just enough storytelling tweaks and surprises to keep you on your toes. It's no small wonder that "American Vampire" just won an Eisner award, because it's well deserved. Good stuff.

"American Vampire" is consistently strong, month after month, so it's with that already in mind that I say that this is probably my favorite issue to date. There's something about that retelling of the Lewis and Clark expedition into "American Vampire" lore that makes it extra entrancing. Whatever that is, I'm not complaining. You don't get much better than this.

There's an epilogue in "American Vampire" #25 shifting location but also tying into all the ideas we'd seen in this issue. As a result, it works both as epilogue and prologue for what's to come; that earlier mention of change being in the air is especially true here and it's a strong springboard for the next 25 issues and beyond. As long as Snyder and Albuquerque are around, so am I.

"American Vampire" is going to be missed during its (hopefully brief!) hiatus but issues like this will just make its return that much more welcome. Snyder and Albuquerque, as always, don't disappoint. Until the book returns, "The Blacklist" is a great way to leave the series on a high.

"Shade" #1 is a glorious return to form, topped with a beautiful painted cover from Tony Haris, and a welcome trip back to the "Starman" corner of the DC Universe. I'm sure many will be trying to figure out how this fits into the new DC Universe, but honestly, it's so good that the response should be, "Who cares?" "Shade" #1 is fantastic, that's all you need to know, and we've still got 11 more issues. Bring them on.

We're a quarter of the way through "The Shade" now and I'm in love with this series as much as I was with "Starman" back in the day. We've still got great artists on deck (Darwyn Cooke for a "Times Past" story next month, and then Javier Pulido steps on board for #5-7) and Robinson is turning out some of his best scripts in a decade. This is a top-notch comic; if you haven't been reading it, now is a great time to catch up.

"The Shade" #5 is, once again, a strong issue from Robinson and his artistic collaborators. It's frustrating to see such a good comic not getting the sales attention it deserves (is everyone waiting for a hopefully-matching hardcover to go next to their "Starman Omnibus" volumes?), because even a slightly-slower issue of "The Shade" is still required reading in my world. It's not too late; check out "The Shade" for yourself. I don't think you'll be sorry.

Even if you aren't reading "The Shade" (and if not, shame on you), you might want to take a look at this issue to see what Thompson's been up to when we weren't paying attention. I suspect you'll be surprised, because no matter how good you already think she is, the reality is that now she's even better. Comics like "The Shade" #8 demonstrate just how great this medium can be.

"The Shade" has been a thoroughly enjoyable and high quality mini-series since its debut, and "The Shade" #9 continues that level of excellence. I'm looking forward to a collection of "The Shade" that can sit next to my "Starman Omnibus" volumes on my bookshelf (having it match would sure be nice, hint hint). "The Shade" is a series that you'll want to be able to sit down and read again and again.

Of course, nothing hinges on how this book does or doesn't fit into the overall line. Is it fun? Absolutely. Is it great? I'd go so far as to say yes. "Batman Incorporated" #1 reminds me of how exciting it was to read "Batman and Robin" #1 by Morrison and Quitely a few years ago. This is just as promising. I can't wait to see what happens next. If you're a fan of Batman -- or just good superhero comics in general -- you need to read "Batman Incorporated " #1.

"Batman Incorporated" #3 was absolutely worth the wait. Morrison and Burnham work together like they've been doing this for years. Do they make this look easy? Why yes they do. "Batman Incorporated" #3 runs the risk of making everyone demand that their monthly comics are this good.

"Batman Incorporated" is the last portion of Morrison's take on Batman, and as a swan song it's shaping up quite nicely. It's great to see the book back on track now, and it's got that fun nature to it that will keep you eagerly reading from one month to the next. Bring it on.

It's hard to believe that "Batman Incorporated" #7 marks the beginning of the end, but at the same time this issue has been so much fun that it's hard to end up sad about the prospect. Morrison and Burnham continue to deliver a beautifully written and drawn comic in the form of "Batman Incorporated." It's also a reminder that you don't need a big event to draw readers into a non-central "Batman" comic, just good storytelling. Thanks to Morrison and Burnham, I'll stick around until the bitter end.

"Batman Incorporated" #8 is an elegantly constructed comic, one that brings you so much joy and fun before everything comes crashing down. But here's the good news: if there's one thing Morrison loves to do, it's bring heroes to their lowest point before letting them rise again. We've got four more issues for a ray of hope to return. Will you be reading? You should be.

"Batman Incorporated" #10 is keeping the series rolling forward at a good pace. Everything's aligning in a manner that promises an explosive conclusion, and I was more excited by the end of this issue than I was at the beginning. And best of all, aside from (presumably) the destruction of Leviathan, I have no idea what's going to happen next. Morrison, Burnham, and Masters have once again given a thrilling issue of "Batman Incorporated." This series feels determined to go out with a bang, and I think we're going to get something just as explosive as its creators are hoping. Good stuff, once again.

With gorgeous art and a fast-paced story, "Batman Incorporated" #12 serves well as a penultimate issue to the series. Everything could still come crashing down next month into a disastrous finish, of course, but right now, it feels like "Batman Incorporated" is about to stick its landing and finish strong. So far, so good.

"Alabaster: Wolves" #2 is just as good... actually, strike that. "Alabaster: Wolves" #2 is even better than the first issue. Kiernan and Lieber are a natural pairing of creative talent, and I hope this mini-series is the first of many from the pair. "Alabaster: Wolves" is officially my favorite southern supernatural horror series. Lots more, please.

"Alabaster: Wolves" was an introduction to the character of Dancy Flammarion to me, as well as a re-introduction to Kiernan's writing. The teaming up of Kiernan and Lieber was a great choice; the pair play off of each other's strengths and they've made "Alabaster: Wolves" a strong debut for the character that makes me desperate to read more. Hopefully we'll get that soon. If you didn't read "Alabaster: Wolves" you've missed out on one of the creepier mini-series of the year.

It's hard to say if "DMZ" is starting to move towards a conclusion, or merely ramping up for what's to come. To be honest, I'm glad I can't figure it out. "DMZ" continues to be full of surprises, but they're always pleasant ones if you're a reader. (Not so pleasant if you're a character, though.) If you aren't reading "DMZ" yet, you're missing out on a real treat.

Now this? This is the way to hit 50.

My biggest complaint is that "Mockingbird" is a limited series, because -- with a creative team this strong -- we deserve to see a lot more from all parties involved. I hope the remaining issues are just as much fun, but -- no matter what happens from this point on -- "Mockingbird" #1 is a dynamite debut from Cain, Niemczyk and Rosenberg. Two big, big thumbs up.

It's a relief and a joy to see that "Mockingbird" #2 works just as well as the first issue; Cain and Niemczyk can handle not only intricacies of an experimental storyline, but also a more straightforward one. This bodes well for the series as a whole and shows the creators' versatility. I was already firmly on board for more "Mockingbird" after the first issue, but don't be wary of the follow-up. "Mockingbird" #2 shows us that Cain and Niemczyk are a creative team to seek out. Well done.

Having "Sacrifice" #4 released alongside Humphries's new series this week ("Uncanny X-Force" #1) was a smart move; hopefully it will grab some additional attention. With two more issues to come, "Sacrifice" #4 has moved the series in a direction that makes me unsure of what would happen next or how it will possibly end. There's only thing I know for certain: I want to find out. If you haven't already, check it out.

Dark Horse has just announced a hardcover collection of "Sacrifice," and I'm tickled by the fact that it's going to get the high-level treatment that it deserves. Humphries and Rose started with a story about epilepsy, Joy Division and the Aztecs, and turned it into an amazing epic about promises and finding your purpose in life. If you're about to read "Sacrifice," be prepared to get blown away by what you'll find here. "Sacrifice" isn't as good as you've heard; it's even better. This is a comic that everyone involved with should be proud of.

"Sex Criminals" #4 is another strong installment in a great new series. It's gleefully silly, it's deadly serious, it's whip-smart, and you don't need to take a shower afterwards. If you haven't read "Sex Criminals" yet, I urge you to give it a try. I bet once you're done, you'll come back again and again.

"Sex Criminals" #7 is another big success, and it's a pleasure to have a book this inventive and funny out on a regular basis. For a book that has a big crazy high concept, it's the characterization and the strong art that brings me back for more with each new installment. If you're not reading the comic, this is a good a place as any to fix that.

"Sex Criminals" #9, like the issues before it, succeeds because of how much you find yourself caring about the characters. Well, that and the great, larger-than-life concepts that frame the situations that they're in. Any single element of "Sex Criminals" would make an entertaining comic. Combined together? It's golden. It's easy to see why "Sex Criminals" is such a runaway hit: it's because it's just so amazingly good.

"Sex Criminals" #10 is another thoroughly enjoyable comic that achieves everything it sets out to do. Where does the series go from here? Hopefully, continuing to do just what it does best: that is, everything.

There's still a nice vein of silly humor running through "Sex Criminals" #11, so don't think this book has gotten a little too serious. From "CSI: Miami" jokes to writer asides in place of a trip to an ethnic grocery store, there's a vein of ridiculousness that keeps the book from ever getting dark and depressing. With juggled plotlines and a growing, expanding cast of characters, every new issue of "Sex Criminals" is a real joy to read. It's great to have "Sex Criminals" back, and doubly so to have a market that embraces this sort of smart, sexy, silly serial. Bring it on.

Fraction and Zdarsky make "Sex Criminals" #13 another winner. Each new installment is that much more entrancing and continues to provide a richer depiction of both the fictional setup the duo have created as well as of sexuality in general. If you've been a little "Sex Criminals"-curious, this is a good place to give it a try. Go on. It'll still respect you in the morning.

"Sex Criminals" #14 is a comic that plays with format and structure but never loses sight of telling a story that's both interesting and genuinely fun to read. What other title would create a recap page by reprinting its Wikipedia entry, after all? Once again, money well spent; "Sex Criminals" is a book that never disappoints.

"Sex Criminals" #15 is another good chapter in this series, complete with a solid cliffhanger to assure readers that the more out-there aspects of the book haven't been forgotten. Where are we going from here? Darned if I know, but I'm dying to find out. Fraction and Zdarsky continue to make "Sex Criminals" one of the freshest and most original series on sale.

"The Strange Talent of Luther Strode" is a third of the way over and I'm loving it. The overall villain hasn't even directly interacted with Luther yet and he's immensely disturbing (the apron is a nice touch), and I actually found myself worrying about Luther by the end of the comic. (Then I remembered he's a fictional character.) This is a gory, awesome, nasty, gripping, crazy, fun comic. It's by the kind of new voices that comics needs, an energetic infusion of raw talent. Check it out.

"The Strange Talent of Luther Strode" #5 continues another strong installment in this debut series from Jordan and Moore. I don't know what they're going to do as a follow-up (either more "The Strange Talent of Luther Strode" or something entirely different), but based on this comic, it'll be well worth everyone's attention. Definitely one of the big surprise comic hits of 2011, and I'm sorry to see it already winding to a close. Fun and disturbing, just the right thing for a super-hero meets horror comic. Check it out.

Last but not least, I hope DC Comics considers this an open letter with a specific request. Please, please, please offer "Wednesday Comics" in a collected edition that runs the full 14x20" size. Also released today was the first volume of Fantagraphics's "Prince Valiant" reissues, and the Hal Foster art looked amazing on this same size and with sharp paper. I fully expect there to be a smaller-sized version of this book for all the stores that won't stock something oversized, and I get that. But something this beautiful deserves to be collected in the larger size, too. Please? I promise I'll buy two copies, because I bet my brother-in-law would love one for Christmas or his birthday. (The other, of course, is for me.) This is too good to get shrunken down.

Will I come back for another "Wednesday Comics" run down the line? Absolutely. I think this has been a slight learning process for DC Comics as well as the creators, and there's no doubt in my mind that a second run would have much more top-tier stories. But even then, I still feel like I've gotten my money's worth and more with the existing "Wednesday Comics." This is a fun series and experiment, and for a twelve week project, it makes me want to make sure I hit the store every week. For that alone, it's a wild success.

"Hellboy in Hell" #1 is a gorgeous book, and nitpicking aside, it's a lot of fun too. Was it worth the wait? Absolutely. Fegredo's art on the various "Hellboy" mini-series from the past several years has been a joy to read, and he brought a lot to the property in general. But there's no denying this simple fact: it's great to have Mignola back at the drawing table again.

"Hellboy in Hell" #4 is a great conclusion to this first story arc, and it makes me that much more eager to see what's up next. "Hellboy in Hell" shows a master returning to his craft and exceeding reader expectations. This is a horror comic that reminds just how good both the genre and the medium can be.

"Hellboy in Hell" #5 is a wonderful comic part of the series' greater whole, but at the same time feels self-contained. We've got Hellboy as hero, even as there's a bit of strangeness, humor and even playing around with timelines and echoes from the past. Reading "Hellboy in Hell" #5 reminds me of when I first came across "Hellboy: The Wolves of St. August," one of the earliest Hellboy stories and still one of my all-time favorites. This is absolutely enchanting, a real memorable way for the series to return.

"Hellboy in Hell" #6 is hopefully just a blip on the overall passage of this title; the first five issues were so good that having a substandard installment is distressing. And after all, a not-up-to-par issue of "Hellboy in Hell" still beats out a lot of other series on their good days. In this case, though, I think that it's safe to say that one normally expects more from Mignola. I've been loving "Hellboy in Hell," but this is probably not the best introduction to the series if you haven't read it up to date. Go pick up "Hellboy in Hell" #5, instead. It's fantastic.

Any new Hellboy comic is a joy, and "Hellboy in Hell" #8 delivers on its promise. What could have easily been a slight two-parter shows us more of the dark times ahead for Hellboy instead. His sojourn in Hell is just beginning and, clearly, it's full of strong possibilities. It's not a phrase one would say often but I, for one, am looking forward to another trip back to Hell soon if Mignola leads the way.

By the time it starts snowing in the final pages of "Hellboy in Hell" #9, Mignola and Stewart have placed the proverbial cherry on the top of the sundae. As it drifts down over Hell's barren landscape, the scene ends with a note of finality. It's almost hard to believe there's still one issue left to go. Yet, considering how well Mignola has set it all up, that last installment is inevitable. Mignola gives his creation a chance to make Hell something different; it's not the destiny that fans might have expected, but it is the one that holds the most promise. In "Hellboy in Hell" #9, that promise is beautifully fulfilled.

"Hellboy in Hell" #10 is an incredibly strong conclusion to the series. As sad as I am to see Mignola wrap up his time with the character, there's also no denying that he did so with grace and beauty. I'll miss regularly seeing new comics of our square-jawed, massive-handed hero from Mignola and Stewart. Bravo.

In a time where periodical comics are often being ignored in favor of waiting for the collected edition, Carey and Gross haven't forgotten how a strong periodical can keep people's interest. This is a serial that makes me want to read it monthly, because I just have to know what happens next. Now that's good stuff.

"The Unwritten" has lots of tricks up its sleeve, and it's a joy to watch them get unveiled one at a time. Carey even isn't against a sly nod to the audience every now and then. At one point, Tom dryly notes that if he was Tommy, there was a certain object (now in Tom's possession) that Tommy finally picked up in the second book of his series. "The Unwritten" #11 closes out the second collection of this series; somehow, I don't think that's a coincidence. If you aren't reading "The Unwritten," you're missing a grand series about reading and imagination and everything creative. This is great stuff. Check it out.

After twelve issues of "The Unwritten," this has easily become my favorite series running at Vertigo. Carey keeps pulling new and crazy ideas out of his back pocket, and when even a side step story can still have so much punch to it, well, that's a series that has fully realized its potential and then some. I'm absolutely adoring "The Unwritten" and this might be my favorite issue to date. Well done, everyone involved. If you aren't hooked after reading "The Unwritten" #12, I don't know what will.

"The Unwritten" is one of Vertigo's strongest series, and this issue is no exception to that rule. Mike Carey and Peter Gross have produced a tremendous hit, the kind of comic where you want to buy a new issue each month because you simply can't wait for the collection. If you aren't reading "The Unwritten" you really need to fix that problem right now.

"The Unwritten" ends its current storyline with a grim message about the nature of stories, and how "Happily ever after" is something that a book's hero can strive toward, but never truly achieve. It's a fate hanging over poor Tom Taylor's head, along with his friends who we last saw in some rather dire straits. Can Tom avoid his father's warning that happy endings are mythical? I'm looking forward to reading more of "The Unwritten" to find out, and issues like this are a good reminder why.

"The Unwritten" is the sort of comic where you come to depend on every aspect of it being strong, from Yuko Shimizu's beautiful covers to Todd Klein's careful lettering. At the same time, though, Carey and Gross throw enough curveballs into the mix that you can never get too complacent. "The Unwritten," month after month, never disappoints.

The idea behind "The Unwritten" .5 issues is solid, and the execution for #33.5 follows through. The best part is that even if you've never read "The Unwritten" before, this still stands quite nicely on its own as a horror comic. If you're reading "The Unwritten," don't think these are skippable. And if you aren't? It's a good place to begin.

"Batman" after the relaunch has been a strong series, and this issue is no exception. It's a good time to be a Batman fan.

"Batman" #7 is a great conclusion to the first portion of the Owl storyline, serving as a launching point for what's still to come. I'll admit I'm a little uneasy about the upcoming crossover/tie-ins with the other Bat-family titles, but this issue of "Batman" was so strong, I feel like even if the other books don't quite mesh I'll still get a strong story here. For those of you who are waiting for the collection that this issue concludes, you've got quite a treat ahead of you.

"The Fall of the House of Wayne" helps boost what becomes (overall) a slightly sagging middle of "Batman" #9; add it to the great first two-thirds of the issue and we end up with a strong addition to both "Night of the Owls" and the Snyder and Capullo "Batman" series in general. Another excellent chapter in a continually strong comic.

"Batman" #12 is a strong wrap-up for the first year of the re-launched title. It's been one of the best "New 52" series for DC Comics, and it's nice to see that strength continuing from one month to the next. As much as I've liked Capullo on board "Batman" the previous 11 months, any time Snyder and Cloonan can work together again is just fine by me.

The re-launch of "Batman" has been strong since day one, but "Death of the Family" is rapidly shaping up to be an extremely memorable story. If Snyder and Capullo can keep this up, we're in for a great ride ahead of us. This is the sort of story that the Joker should be saved for.

"Batman" #18 ends on one of those moments that doesn't quite have the bang I expected, but I'm not sure why. I like what Snyder and Tynion are building to, and the idea of that final word put in place sounds nice. But it's only good, not great; it doesn't crash into place with the force that I think it was meant to. Ultimately, that's how I feel about "Batman" #18. It's good, there's no question about that, but it's not great. It probably doesn't help that Snyder, Tynion and company are ultimately writing a comic that reacts to something that happened elsewhere, so a certain amount of lead-up is missing as a result. Still, I think they do well with the directive they're given, and I like that they manage to make it also work with pre-existing "Batman" storylines and move them forward as well. Ultimately, I enjoyed "Batman" #18, but I think it's the next few issues that I'm looking forward to more with the title moving under its own steam once more.

"Batman" #19 is probably one of my favorite issues of this series to date; I like the smaller scale and the using of familiar faces while adding their own extra pieces of plot. I'm looking forward to the upcoming "Zero Year" (which eagle-eyed readers will catch a reference to here, meaning it's more than just a story title about when it takes place), but when it's over I'd love to see Snyder and Capullo turn out some more smaller stories like this one. They're good at the epics, but I think this is a reminder that they're good with a smaller scale, too.

In the end, "Batman" #21 is pretty good. People who are already prejudiced against "Zero Year" for merely existing probably won't agree, and while I see where they're coming from, I don't see why you can't simultaneously love "Year One" and appreciate "Zero Year" for what it is, at least so far. It's a good first chapter, and it holds a lot of promise for the next ten installments to come. If nothing else, I feel I got my money's worth in the first five pages. Snyder and Capullo's vision of "Zero Year" feels large and compelling right off the bat, and it makes you want to read more. This is how I want all of my epics to begin.

It's a shame "Batman" #23.3 crashes so badly, because the first half of the comic made me think, "This is working out quite well." In many ways, it's almost more disappointing than having the entire book at a lower level, because when the fall happens, it's from a greater height. Sorry, Penguin.

There's still so much up in the air with "Batman" #25 that it's almost a relief to know that anything can happen. With unexplained elements like the "holy door in the floor" still floating around (and which is especially attention-grabbing thanks to the way that Capullo draws it being opened up), to say nothing of Rene bearing down on Gotham City and the Riddler still at large, there's a lot that remains to be seen. With each new chapter, "Zero Year" feels like a story that will best be appreciated once it's complete. It's already a lot of fun, but watching all the pieces snap into place should prove to be that much more rewarding.

"Zero Year" has been enjoyable up until now, but "Batman" #30 feels like we've shifted out of a fast jog and moved into the sprint. Everything's come together, and Batman's moving into position to save his city feels epic. Snyder, Capullo and Miki have turned in a strong first chapter of "Savage City," and at this point readers just need to hold on to best enjoy the wild ride towards the conclusion.

"Batman" #33 gives a very strong conclusion to "Zero Year," and all parties involved should be pleased with the end result. Was it worth the wait as the story moved through its three different phases? I'd say so. Snyder, Capullo, Miki, and FCO Plascencia delivered a great final piece to the puzzle of the dreaded "Zero Year."

"Batman" #34 makes me hopeful for "Arkham Manor" later this year; Duggan's got some good ideas, and I like this way for him to get introduced to the "Batman" family of readers. Regardless of the new series, though, this issue works well. It's a nice way to give Snyder and Capullo a bit of a break, and I don't think readers will be disappointed with this guest creative team.

"Batman" #36 is a fun comic, and those who enjoyed the first chapter of "Endgame" will find a lot to like in the second. It's easy to see why DC Comics was trying to keep a lid on the contents of this issue prior to release; it's an excellent comic, and Snyder and Capullo's reveals are best left unspoiled. That said, even if you know what's coming, it's still a strong and well-composed comic. This is more than just surprises lurking in the corner, and that's the sign of strong craft. Wherever "Batman" goes next month, I'll be ready and waiting.

"Batman" #41 is a good start to this new storyline, although it's worth noting that -- in many ways -- things are just getting going. There are still a lot of questions to be answered -- the fate of Bruce Wayne, the force behind this issue's attacker, the attempted balance between vigilante and law enforcement -- and we're only one chapter into the story. It's a great first step, though, the sort of story where each new piece has the opportunity to build on what we've seen so far. While there's no doubt that Bruce Wayne will eventually reclaim his cowl (as he always does), this is a great opportunity and it feels like Snyder, Capullo and Miki are taking full advantage of it. "Batman" is definitely on the right track, and it's as strong as ever in a post-"Convergence" lineup.

"Batman" #44 ties carefully into the current storyline running in the series; this isn't merely a flashback for the heck of it. Mr. Bloom's earliest moves are part of this story, and you see just how long he's been working on his transformative seeds. Even more importantly, it's an indirect look at the state of present-day Bruce Wayne as he volunteers with disadvantaged youths, drawing a comparison to the Bruce Wayne moving through this story. There's a strong connection between them, with the current Bruce understanding how to help in a way that Batman was unable to do so in this time period. Snyder, Azzarello, Jock and Loughridge should be proud of what they've done here. What could have been a throwaway issue turns out to be the cornerstone of not only the current storyline, but Snyder's "Batman" run to date. Every extra page in this issue is used with great effect; this is how you pull off an over-sized issue. Very well done.

As much as Snyder has made us care about Jim and Duke in this storyline, it's Bruce who truly takes center stage this issue. The confrontation in the subway tunnel is a huge turning point for the new Bruce Wayne, and the comment about the negative space in his history will make some readers cheer. With that in mind, it's also the one part of the story where the final page pulls out the one true, dangerous, genuine shock moment. While it fits in with everything else that's happened in Snyder's "Batman" run to date, there's also no denying everything in this storyline has just been scattered and the remaining pieces are in desperate need of picking up. All of the readers who were cheering a few pages earlier? They're now shrieking, because that's how you create a cliffhanger. Well done, Snyder, Capullo and Miki. You got us, and you got us good. Here's to 2016 so we can see what happens next.

"Batman" #48 features the moment Batman fans have been waiting for, but Snyder, Capullo, Miki and Plascencia make the journey there just as exciting and gripping. It would have been easy to rush through these post-"Endgame" issues of "Batman," but this careful buildup has turned out to be far more iconic and attention-grabbing than a quick reversion to the status quo. Once again, nicely done.

"Batman" #52 is an apt conclusion to this series. Tynion, Rossmo, Level, Plascencia and Boyd deliver a good mix of emotional and plot beats here; this is a Batman who will forever be driven, but without being consumed by gloom. I'm eager to see what Tynion does next over on "Detective Comics," and hopefully the art team will stop in for a visit as well. This was a pleasant surprise for what could have just as easily been a fill-in story, and I hope that quality continues into next month and beyond.

"The Astonishing Ant-Man" may exist because of this year's "Ant-Man" movie, but -- if that's how it got the green light -- there's another reason to be happy about that quirky film. "The Astonishing Ant-Man" is a ridiculous amount of fun; if you haven't read the series up until now, this issue works well as an introduction to what you've been missing.

"Astonishing Ant-Man" #5 has it all: it's funny, it's serious, it's touching, it's ridiculous -- and all of those elements show up at just the right times. I really want this book to stick around for a long time, because it's one of the best ongoing series at Marvel right now. Seriously, if you aren't reading it, give it a shot. I bet you'll love it.

"Astonishing Ant-Man" #7 is another installment in a series that everyone should be reading. It's got humor, it's got drama, it's got superheroes and supervillains fighting one another -- what more could you possibly want? Well, if the answer is an incredibly likable main character to tie it all together, don't worry, because Spencer and Rosanas give us that too. This is a great point to give this title a whirl; trust me, you need to jump on board. This book is too good to let slip away.

"Southern Bastards" #6 is the latest in a string of truly dark and disturbing issues for this series. I hate Aaron and Latour for making me feel sorry for Boss, even as I'm impressed with the skill in which they do so. Aaron is keeping his villain from being one-note or easy to dismiss; this is a book that grows in complexity with each new issue. All in all, another good outing.

"Southern Bastards" #8 is a dynamite comic, one that gets the language of comics and tells us a dramatic, hard-to-put-down story. I'm already eager for the series' next arc to kick off this summer; Aaron and Latour's journey into rural Alabama has just gotten more terrifying and enthralling with each new installment. If you aren't reading "Southern Bastards" yet, take advantage of this break in the action and catch up. It's not just well worth it; it's bordering on required reading. Check it out.

As much as I hate the gaps of time between story arcs in "Southern Bastards," having the comic come back looking this good makes the delays well worth it. Aaron's script is low down and dirty, and Latour's art brings that world to life; "Southern Bastards" continues to serve up a glimpse of an awful place that you can't look away from. Here's to the next installment.

I do wish that "The Sixth Gun" #2 was scheduled for June instead of July, but that's only because I don't want new readers to forget about the book. This is a great debut, and a smart way to do it. (And if your retailer runs out, well, there's a non-FCBD second printing of #1 also solicited for July alongside #2.) I'd have cheerfully paid full price for "The Sixth Gun" #1, and that's when you know you have a winner. Highly recommended.

"The Sixth Gun" had a top-notch debut issue, and this follow-up has assured me that it's a series I'll be reading for a good while. If you missed "The Sixth Gun" the first time, this is a rare second chance. Don't let it pass you by, this is great stuff.

"The Sixth Gun" just keeps getting better, and this issue is no exception. Bunn and Hurtt have created a modern comic book classic for us to read, month after month. I love that I never know quite what to expect, other than it delivering a satisfying dose of entertainment. If you're not reading "The Sixth Gun" you're missing out on one of the best series of the year. Check it out.

"The Sixth Gun" is a book that leaves nothing to chance; every piece of dialogue, every carefully drawn background, it's all meticulously crafted and presented to us as readers. "The Sixth Gun" is one of the top comic book series being published right now. If you're not reading it, you're missing out on a hell of a lot of fun.

"The Sixth Gun" is a consistently fantastic comic, and it's great to know that even if Hurtt takes a month off the level of quality isn't going to drop. I'm glad Hurtt's back with the next issue, but if he never needs another break, I hope Crook can fill in again. Just like with Hurtt, we've got a good rapport between Bunn and Crook, and we the readers are the clear winners.

"The Sixth Gun" is still impressing a year and a half later, and it genuinely pains me that more people aren't reading (and therefore loving) this series. "The Sixth Gun" is one of the best ongoing series being published right now, period. No matter what the genre you enjoy, you owe it to yourself to try "The Sixth Gun."

"The Sixth Gun" is strong month in and month out and it's fun to see Bunn and Hurtt stretch themselves with a slight twist that still feels like a natural growth of the current story. "The Sixth Gun" is more than the best series you're not reading; it's one of the best series being published right now. Read this book, read this book, read this book. You'll thank me later.

"The Sixth Gun" #24 is just another great example of how a comic series should be. Bunn and Hurtt do another great job with "The Sixth Gun" #24, and I'm somehow even more excited about the series than ever. I don't know where it's heading, but I'm eager to stay on the ride. Once again, if you aren't reading, "The Sixth Gun," you need to fix that right away. Great, great stuff.

It's no small wonder that the option to turn "The Sixth Gun" into a television series just got a pilot order; there's enough ideas packed into just the comic alone to fuel multiple years' worth of episodes. "The Sixth Gun" #28 is a great example of just that; brilliant ideas, fun plot twists and some beautiful art. Once again, Bunn and Hurtt have put together a fantastic comic. If you aren't reading "The Sixth Gun," you don't know what a good time you're missing.

"The Sixth Gun" #31 is another fantastic issue in a great series. Bunn and Hurtt's collaboration is rapidly becoming the stuff of legend here; they've raised the bar on what it means to create a western/horror comic. Seriously, people; you need to read this comic.

"The Sixth Gun" is always a fun comic, and #33 is no exception. And while long-time readers might rankle a bit at the exposition, there's no denying that it'll help new readers. If you're one of those new readers, now's your chance to see what you've been missing out on.

It was almost impossible not to see this conclusion coming. After all, Bunn and Hurtt have been moving the series towards this ending for a while now -- and yet, it's more than a touch bitter. I appreciate that they stuck to their guns, but this cataclysmic ending is hard to get too enthusiastic about. It's the story they wanted to tell and it's executed very well, but it's also an ending that won't encourage readers to return to it, unlike some earlier stories that had real moments of bleakness. It's the curse of a series that takes place in a universe forever tortured by the apocalypse that remakes it; the only proper ending won't necessarily be a happy one. Still, Bunn, Hurtt and Crabtree have wrapped up the series in style, and I'm glad I got to see this conclusion. "The Sixth Gun" always unleashes imaginative creations on its readers, and this issue was no exception.

Honestly, "Usagi Yojimbo" is almost hard to review at times because it's near-perfect. Beautiful art, fun stories that capture everything under the sun, what more could you ask for? Well, maybe more wrap-around covers like this latest one. Clearly Sakai had a lot of fun drawing zombies in this story, and it certainly showed. Fun from start to finish, there's a reason why "Usagi Yojimbo" is closing on its 25th anniversary. Check it out.

My one complaint has nothing to do with the issue itself, but rather the distance between it and the last collection, which reprinted up through #109. It's becoming increasingly difficult for a new reader to catch up to the new issues, so to speak, and that seems like a bad business decision. Please, Dark Horse, maybe two collections for 2011? I suspect that would bridge enough of the gap that it wouldn't look so daunting. Still, no matter what, just so long as you keep publishing "Usagi Yojimbo" that's a good move in my book. As always, great stuff.

"Usagi Yojimbo" continues to be a solid and enjoyable comic month after month, and this latest issue is no exception. In a perfect world, everyone would read "Usagi Yojimbo."

"Usagi Yojimbo" debuted in 1987 and has continued to run strongly since then. If you add in the issues published by Fantagraphics and Mirage, the comic should hit its 200th issue within the next year, and there's a reason that a one-man comic has continued to be not only still published, but so popular at that. Check it out, you won't regret it. "Usagi Yojimbo" is great stuff, month after month.

"Usagi Yojimbo" is, as always, a treat from start to finish. There's a reason why "Usagi Yojimbo" has lasted this long; Sakai is a master storyteller, and it's a pleasure to read every issue. As always, well done.

"Usagi Yojimbo" has been around since 1987 (with runs at Fantagraphics and Mirage before the current series that began at Dark Horse), and there's a reason it's lasted so long. It's just that dependably good, month after month. Despite being 24 years old now, Sakai still makes sure that the comic is open to new readers, too. So if you still haven't given it a shot, well, what better way to relax after a huge turkey dinner? It's the best dish of rabbit you'll ever have, but it won't leave you feeling full. If anything, you'll want another serving.

It's been too long since we've had a regular issue of "Usagi Yojimbo" and, hopefully, there won't be any future delays down the line. Existing readers have a reason to celebrate; new readers have a reason to finally try out this multiple-award-winning series. Jump on board and, trust me, you'll be happy you did.

Sakai's "Usagi Yojimbo" is a genuine treasure, and this issue is no exception. In an ideal world, everyone would read "Usagi Yojimbo." This is as good a place as any to start making that happen. Check it out. You'll be pleased you did.

If all of that isn't enough, "Usagi Yojimbo" #154 is fun and full of adventure from start to finish. It always moves at a good pace, and the various turns of the plot show up right when necessary to keep the reader's mind from wandering. Sakai is a master storyteller, and "Usagi Yojimbo" #154 reminds us once again just how much of a treasure he and his works are.

"Usagi Yojimbo Color Special: The Artist" is a perfect comic. It has humor, it has drama, it has sadness, it has joy. It's beautifully drawn, it's approachable from multiple angles, and it rewards both long-time readers and first-time visitors. The comics industry would be poorer without Sakai and "Usagi Yojimbo." It doesn't get much better than this.

What's especially nice about "East of West" #1 is that it's very clear by the end of this first issue that this isn't a thin story. There's an untold background hinted at, a hidden conspiracy that set everything in motion and of course the world-building that's going on to get us from our timeline to this one. Hickman and Dragotta are clearly telling an epic story, and it feels so rich and textured that it's hard to not want to see more. The comic is off to an extremely strong start, and it's a big victory for Hickman, Dragotta, and Image Comics. I'm definitely coming back for more.

"East of West" #8 is another strong installment in a series that deserves even more attention than it's already received. Hickman as a writer is someone who loves to create huge, intricate backstories to his plots. In some company-owned titles, it ends up being slightly at odds with what everyone else has already added to the shared world setting. In "East of West," Hickman and Dragotta are free to create whatever they can think up, and the end result is riveting.

"East of West" #20 is a warning shot fired over the proverbial bow: ignore this comic at your own peril. If you haven't been reading it or if you'd merely drifted away to catch back up later, well, here's your chance to step back on board. "East of West" #20 is a book that comic fans should be talking about every time a new issue is released.

"East of West" #26 is a reminder of why people need to pay attention to this comic, even three years into its run. It's clever and engaging, and the only complete non-surprise is that Hickman, Dragotta and Martin continue to turn out a strong comic with every chapter. Ready for a little apocalypse? It's ready for you.

"Hellboy: Being Human" is another winning one-shot from Mignola and Corben, and I'm delighted that they still have more collaborations to come. With comics like these, the wait for "Hellboy: The Fury" doesn't feel that long at all. This is just fun from start to finish.

At the end of the day, it sounds a little strange to say that the lack of plot could've been better hidden by extending "Hellboy in Mexico" to a second issue, but then again "Hellboy" is a little strange, period. I absolutely love the art in this issue (the images from Corben of Hellboy and the wrestlers drinking put a big grin on my face), and it's a fun enough little side trip. In the grand scheme of things, though, I think this will probably be a story that's not remembered very often. Mignola and Corben have had such strong collaborations in the past that they overshadow something that's just all right. Then again, it's nice to have a series where a low point is merely all right, rather than bad. There are definitely worse problems in comics.

"Hellboy: In the Chapel of Moloch" is a fun little trip into the world of "Hellboy." If you've never read any of Mignola's comics before now, it's a great way to give it a try. (Especially with the new Mignola and Fegredo eight-part epic, "Hellboy: The Wild Hunt," hitting stores in December.) If you're already a "Hellboy" fan? Well, you're in for another treat. But I bet you already knew that, didn't you?

This is the 19th of 20 "Hellboy" comics by Mignola and Fegredo, so it's perhaps not the best place for a new reader to jump in. But that said, picking up "Hellboy: Darkness Falls" and then "Hellboy: The Wild Hunt" will get you two thirds of the way there. If you haven't been reading "Hellboy," those stories are a great spot to jump in. Thanks to Mignola and Fegredo, "Hellboy" is mandatory reading. Great stuff, from start to finish.

What's for the future? Well, knowing Mignola, anything. He's stated this isn't the end of Hellboy, both the character and the comic, even though he's now dead. But considering the manner of his death, and the jaw-dropping visuals on what happens next, the possibilities are endless. I, for one, can't wait to see the next iteration of "Hellboy" (drawn by Mignola again, no less) and see just what sort of life-after-death awaits our hero. Until then, though? I think it's time to sit down and re-read all of my "Hellboy" collections. Because even if we never got another "Hellboy" comic, I'd be satisfied with this as the end of the story. Well done, Mignola and Fegredo. "Hellboy: The Fury" has been worth every penny and a lot more to boot.

While we wait for "Hellboy: The Fury," this is a great way to catch your breath and get a fun little two-parter. I love that Mignola spends as much time with his side-stories in making them as entertaining as the core "Hellboy" comics; this is another winner from the Mignola-verse.

"Hellboy: The Storm" #1 is another strong comic from Mignola, Fegredo, Stewart, and Dark Horse, and with "Hellboy: The Wild Hunt" recently collected into a trade paperback, it's a great time for readers who just can't wait for the conclusion. Most of the titles from Dark Horse's short-lived "Legend" imprint are over, but it's great to see "Hellboy" not only still being published, but at such a high quality to boot. Moody, dark, exciting, even a little loving; it's all here. Good, good stuff

As for the story itself? It's great, with Hellboy getting a chance to join the Wild Hunt in search of giants, and with an uneasy group of fellow hunters. Plus there are strange visions, talking animals, and a wooden box holding strange contents. There's a lot going on here, and the fact that this mini-series is going to be eight issues (which I believe makes it the longest "Hellboy" mini-series to date) gives me hope that Mignola's laid out more than enough space to get to it all. If you've never read "Hellboy" then this is a perfect place to take a look for yourself. Quite excellent by all parties involved.

"Prophet" #21 fills me with great hope for all of the Extreme Studios titles being re-launched this year. If they're even half as good as "Prophet," then we're in for a treat. And even if they're not? Well, we've still got "Prophet," and I am most definitely coming back for another issue.

"Prophet" continues to prove that there's no such thing as a bad character, just a bad execution. I'm already eager to see next month's issue (and artist Farel Dalrymple steps on board for two months); this is science-fantasy super-heroics with a great appeal. More, please.

For people who have only read Graham's earlier "Prophet" issues and never seen any of his other comics, I suspect this issue will be an eye-opener. For fans of his other comics like "King City" and "Multiple Warheads," it's a welcome return. No matter which end of the spectrum you are in, it's a victory. (And that's not even including the dazzlingly beautiful -- if slightly bonkers -- back-up story written and drawn by Emma Rios, which is short and sweet and eye-popping.) Once again, "Prophet" #26 is a winner.

The comic closes out with a five-page back-up by Andy Ristaino, which at first appears to be a simple battle but quickly turns into a grim story about a damaged spacecraft and the decision that the maintenance worker on duty has to make. It's not just a good way to close out the comic, it's a prime example of how you can tell a story in just a few pages and still make it feel like a complete and satisfying unit. Its strength shouldn't be that surprising, though. Graham has shown a strong understanding of what makes comics work over the years, both in "Prophet" and elsewhere, and this is just another example. If you aren't reading "Prophet," this is a great a place as any to fix that problem. As always, great stuff.

My one complaint -- and it's a minor one -- is that occasionally it feels like there's been a slight leap of logic between panels, especially in the second half. I'm still not 100% convinced on why exactly the trio travels to Asgardia, but despite the occasional little rough patch like that, "Young Avengers" #2 is still a lot of fun. And you know what? Fun isn't a good thing, it's a great thing. After all, this is a comic where the recap page is styled like a Tumblr dashboard; everyone involved is in on the entertainment of it all. So long as this book stays as stylish and upbeat as this, I know I'll be sticking around. I'm betting I'm not the only one, either.

Even the cover of "Young Avengers" #4 is a treat; the two sets of arrows zooming across the page feels very retro and mod, and the contrast between bow and laser is a nice touch on the two characters. Is there anything that "Young Avengers" can't do at this point? I think not. If you aren't reading "Young Avengers" you're missing out on one of the top superhero comics currently being published. Trust me, read this book.

"Young Avengers" #6 is a fun way to take a sidestep from what we've seen so far, and have a guest artist flex her artistic muscles. Gillen and Brown have turned out a truly satisfying comic, and once again "Young Avengers" is defiantly showing other series how it should be done. I, for one, approve.

For an issue that's mostly setup, there's a lot to love about "Young Avengers" #11. Prodigy's network of contacts alone is worth the price of admission, as he works out how to assemble an army in the blink of an eye. It meshes well with the sort of themes you often see in Gillen's writing, but never feels forced or unordinary. Instead it's a smart and fun little moment that pulls together everything you know about the teenagers of the Marvel Universe. I wish all lead-ins to a big climactic storyline were as much fun as "Young Avengers" #11. I don't know who's going to follow Gillen and McKelvie with these characters, but they're going to have huge shoes to fill.

I picked up "Midnighter" #1 because of a past fondness for the character, but I'll admit that I wasn't expecting to do much more than like it. The more I look at "Midnighter" #1, though, the more I actually love it. This is a comic that has taken a great deal of care to be inviting, and it's paid off. Orlando and ACO's comic is a strong debut, one that has the voice of its characters evident and which promises fun things to come. I'm definitely, absolutely back for issue #2.

"Midnighter" #3 continues the strong trend that the first two issues began; it's a real pleasure to see such a smart and mature take on the character. Who knew that Midnighter's personal life could be as much fun as his walloping on bad guys? Add in another great cliffhanger to lead into next month's issue -- with a rematch that promises to be entertaining -- and I'm good and thoroughly hooked. Another good job from all involved. "Midnighter" knows what you're going to do: buy this issue and enjoy it.

"Midnighter" #6 is a great comic, and the final reveal at the end of the issue is pure brilliance. It involves someone we haven't seen in a while, and I'm dying to see what a creative team as clever as Orlando, ACO and Petrus will do in the next part of this story. "Midnighter" #6 is the sort of comic that's as smart and fun as you wish all superhero comics would be.

"Midnighter" #9 is a great comic, and this is a perfect place as any to sample if you aren't reading this series. Orlando, ACO and Petrus create a startlingly clever and exciting comic in its pages every month, and this issue is no exception. Highly recommended.

I'm sad to see "Midnighter" end; it was a strange but intriguing title, one that made bold choices and did so with strong craft. That said, the creators went out on a good note, and -- if Orlando, ACO and Petrus collaborate again -- I'm definitely ordering a copy of that new comic sight-unseen. Like Midnighter himself, they're a force to be reckoned with.

"Saga" #1 was a strong introduction to Vaughan and Staples' new comic. Where it goes from here is, of course, anyone's guess. With a double-sized opening chapter, I feel like readers should have more than enough of a feel for if they're going to like the comic. Somehow, I suspect most readers are going to stick around for #2. This is yet another great debut from Image Comics.

"Saga" is a lot of fun, and with each new issue I find myself growing more interested in the title as a long-term, well, saga. This is one of those comics where the only real danger is realizing just how quietly the series has utterly hooked you. Four issues in, we've had four winners from Vaughan and Staples.

"Saga" #8 is another fun, if perhaps quiet issue. Not every issue can have tons of things happening, and this little break might not be as memorable as some of the previous issues, but that's all right. It's still fun, and a good way to wrap up the year.

"Saga" #14 is more than just another satisfying comic, it's a reminder of why "Saga" is a great comic book series. Vaughan and Staples are using the serialized format perfectly (the cliffhangers each month are excellent, as well as the rise and fall of the tension levels), and this has rapidly become a comic for the ages. With lots of little hints about events in Hazel's life much later down the line, it makes me hope that readers will get to see her entire life eventually play out. Right now, it feels like "Saga" could go on forever with the amount of material that the duo teases. I, for one, hope that it does.

With a final page that will almost certainly make readers shriek in terror, "Saga" #19 just keeps bringing the hits. And if you haven't read "Saga" before, well, the first 18 issues are already helpfully collected into three paperbacks. No excuses. Just jump on in. You'll love it. Honest.

So where do we go from here? Both main characters have some cracks in their previously polished facades; neither one of them is entirely in the right, and both have made some big mistakes. Honestly, I have no idea, because the possibilities are numerous. Here's what I do know, though: I'm dying to find out. Once again, Vaughan and Staples deliver everything you hope for, and then a little bit more to boot. Highly recommended.

"Saga" #25 is off to a solid start for its fifth volume, but there's also no doubt that there is a hell of a lot of setup going on here. It's necessary, but this won't be the sort of issue that wows a first time reader. Those who have read the previous twenty-four issues, though, will be content to sit back, relax and watch everything unspool. Those wow moments? They're just around the bend, no doubt.

With Marko on a renewed path to try and save his family, "Saga" #27 has the story continuing to charge forward with energy and interest. Where do we go from here? Knowing Vaughan and Staples, your guess is as good as any. What we do know is shown to us once more, though; this is a creative team that works fantastically together. In other hands, this could have been a series of tired clichs, but Vaughan and Staples make it work and look effortless in the process.

"Saga" #30 is another strong comic by Vaughan and Staples. It brings home the central themes of the comic in a way that shows rather than merely tells, and it will make you positively ache in the wait over the next several months for "Saga" #31. This is a knock-out comic in one of the strongest ongoing series being published right now. Well done, everyone involved.

"Saga" #32 is another enjoyable chapter from a dependable book. Because of the nature of this story arc (catching up with everyone), each individual issue will probably have a smaller impact on its own, delivering a larger punch with a collected edition. Still, readers will get their money's worth here. "Saga" remains a fun series, month in and month out.

"Saga" #35 is a reminder not to take this book for granted; it's consistently strong, and at times I think people might forget that as it moves from one selling point to the next. Where else can you get a generational saga spanning multiple star systems, where almost every single character's motivation is fueled -- at least in part -- by love? "Saga" #35 is another keeper. I have no idea which characters will succeed and which characters will slide in just past the deadline next issue, but I'm already anxious to find out.

"The Omega Men" #1 takes a big gamble. It starts off with a story that plunges people into the middle, with no context other than last month's preview that featured the murder of Kyle Rayner. (Yes, that is touched upon here, and we are starting to learn a little more about what happened there.) You don't need to have read anything else in order to understand this; I think it's almost best to go in fresh for this mixture of new and re-imagined characters. Every time you re-read it, the book just gets a little better; this is a series that ultimately rewards patience. Give it a try. Then give that issue a second and third go-through. Guess what? You may have just found your new favorite space opera comic.

"The Omega Men" #3 is another winner and, hopefully, this issue will hook anyone who was on the fence. King shows the variety available in this series, and Bagenda's art keeps up without missing a beat, doubly so with Fajardo's luminous starfields in the background. Some of DC's new series are hitting the mark each month, and "The Omega Men" is one of them. If you aren't reading this series yet, give this issue a whirl. I suspect you'll be hooked.

"The Omega Men" #4 is just another example of why this is probably not just one of DC's best new series, but one of the best superhero (or at least superhero-esque) books on the market right now. "The Omega Men" #4 is intelligent, devious and determined to make you squirm. King and Cypress have made this an issue where, once again, you're dying for next month's new installment. Well done.

Comics don't often get a second chance this quickly; if you aren't reading "The Omega Men," now is a great time to fix that. Read this book; it's not just as good as you've been told, it's even better. King and Bagenda have created a series people will be talking about for years. I, for one, want it to make it to #13 and beyond -- and, after you start reading it, you will too.

Once again, "The Omega Men" #7 blows its competition out of the water. With each new issue connecting with what's come before it so well, it makes an eventual re-read of the entire series that much more appealing. King, Bagenda, Guara and Fajardo are in the midst of creating a near-perfect space epic with "The Omega Men," that rare book that any fan of the genre should buy.

I hope to see King and Bagenda work together again shortly (with Trevor Hutchison on posters, because his travel advertisements for the various areas of the Vega System have been amazing), because I'm really going to miss "The Omega Men" when it wraps up in two months. This is a smart series that never takes the easy way out and rewards readers more and more each issue. As always, a job well done.

I'm really going to miss King, Bagenda and Fajardo's work together, and hopefully it won't be too long until they create something else. While "The Omega Men" #11 might not be full of jolts and surprises like some previous issues -- and to be fair, with the stage needing to be set for the conclusion, I'm more than fine with that -- it's still a satisfying read that makes me eager to see how everything wraps up next month. That's a sign of talented storytellers.

"Alone Forever" is perfectly timed to give to your loved one, or your perpetually single friend, or perhaps just yourself (regardless of if you're single or not) -- it's a Valentine's Day gift for people of all walks of life, really. Leave "Alone Forever" on your coffee table and I promise you, before long you'll hear chuckles and groans of recognition as your guests start leafing through it. Good stuff.

"American Vampire: Lord of Nightmares" #1 is another strong "American Vampire" comic, and one that is living up to the need for it being its own mini-series. If you haven't read "American Vampire" up until now, this is a good a place as any to jump in and see what you think. For readers who are already familiar with the series, though, it's a crucial new chapter that fits in well with everything else that we've seen so far. All in all, a win-win for everyone involved.

Gage and Isaacs whip up a particularly delicious conclusion to "Angel & Faith" #6; it's a moment that in retrospect we should have seen coming, even as it reveals itself on the final page with a bit of surprise. It's a clever development, one that will excite a lot of readers. It's a good usage of the comic book serial format, and all in all wraps up another strong issue. If you were a fan of the television show or even just the "Angel: After the Fall" comic, definitely check out "Angel & Faith." So far, it hasn't disappointed.

If you aren't reading "Angel & Faith" but were a fan of the "Buffyverse" over the years, this is the perfect introduction to the comic series. It gives you everything you need to know about what came before, as well as where the book is going; more importantly, it gives you a wonderfully written and drawn issue. Licensed sequels in comic form can be a difficult creation, but Gage and Samnee make it look easy. Joss Whedon fans, you need this comic.

"Angel & Faith" #13 is another solid chapter in a series that has rapidly eclipsed its parent title. Gage and Isaacs are taking a slightly strange odd couple of the "Buffy the Vampire Slayer" universe and making it compelling and inviting reading. This is how a media-tie-in comic series should be handled. Good show, Gage and Isaacs.

It feels like "Angel & Faith" is coming close to an end, and that'll be a shame if only because of how much fun it's been. "Angel & Faith" #18 is a perfect example of that entertainment; Gage and Isaacs have turned out not just a good media tie-in comic, but a good comic, period. Its parent title might run a little hot and cold, but "Angel & Faith" has been consistently strong. If Gage and Isaacs work together on another comic once this is over, I know I'll stick around to read it, too. Another good show from this duo.

"Angel & Faith" #22 is another in a long line of good comics from Gage and Isaacs. Fans of the stars of this comic should definitely be buying these; definitely one of the best licensed books I've read in a while. I've said it before and I'll say it again: if Gage and Isaacs work on a comic together, I'll buy it, no questions asked. As always, good times.

"Angel & Faith" #25 was a great conclusion to a series that will be genuinely missed. All of the other "Buffyverse" comics over the years have had ups and downs, but credit to Gage and Isaacs: this has been a remarkably consistent and good comic. I wish all licensed books took this much care. In the meantime, next time Gage and Isaacs work on a comic, I'll be first in line to buy it, no questions asked. Gage and Isaacs have created a comic that all future "Buffy" creators should use as a model. Well done.

"Archie" #9 reminds us why this title has transformed from something that most readers would easily dismiss into a must-read each issue. Following a great closing scene to remind us of Betty's place in Archie's life, I'm itching to read the next issue. If you haven't been reading "Archie" yet, give it a whirl, but be warned: you'll get hooked awfully fast, and that's a good thing.

"8house: Arclight" #2 continues to intrigue, even as I find it slightly frustrating to know that the remaining two chapters of "Arclight" won't be for a while, as the other "8house" stories step up to their time at bat. Graham and Churchland have created a gorgeous world, and I'm dying to see what happens next. Fortunately, if the other "8house" books are as fun, it'll be an enjoyable time to see what else is in store. "8house: Arclight" makes fantasy truly fantastical again.

With beautiful, Italian-inspired art (having been to Venice, the amount of reference material that Amano uses must be massive), "Aria" is a real joy to read from start to finish. So what if very little happens? It doesn't matter, this book is like going on the best vacation you can ever imagine. If there was ever a way to really move to Aqua, based on Amano's books I'd sign up in an instant.

I really would love to see some more "Villain House" stories, be they in "Dark Horse Presents," another one-shot, or any other medium. Once you read these stories, I'm pretty sure you'd agree. Wheeler's "Astounding Villain House" is a brilliant bite of dark superheroics, and if we're lucky it will be the first of many. Scoop up a copy, and I bet you'll be singing his praises before long too.

While I'm enjoying "Astro City: The Dark Age," reading "Astro City: Astra Special" #1 is a good reminder that "Astro City" has its share of fun along with, well, dark. It's a great reunion for readers and Astra, and we've still got a second issue to read a month from now. For "Astro City" fans who have missed some of the lighter-hearted stories, come back! It's what you've been waiting for.

Even the slightly-too-chatty nature of the characters in "Avengers Prime" (there are several moments where you might want to strangle Tony Stark just to shut him up) can't detract much from the overall fun and joy that goes through "Avengers Prime." There's a twist or two revealed at the end of this issue, and I suspect before it's all over those twists might get another layer pulled off to show that we still didn't know what's really going on. I'm more than happy to settle in for the ride. This is a big heap of fun.

With four more issues to go, of course, "AvX: Consequences" could easily zoom off in a different direction. With this strong first issue, though, it feels like a project that's on track for a strong finish. With a strong focus and momentum already moving forward, this feels in some ways to have the drive that the parent series could have benefited from, too.

"AvX: Consequences" shouldn't have worked half as well as it did, but it's much to everyone's credit that it opened and closed a success. Gillen and Walta (plus the artists from the first four issues) have turned out a fun mini-series that provided exactly what it promised: consequences. Add in a great last word from Cyclops, and it makes me genuinely interested in where these characters will turn up next. I'll be ready to read that comic, whatever it might be. Well done.

"Batman: Li'l Gotham" #1 is so cute I can barely stand it, but I mean that in the most positive way possible. This is a great usage of the digital delivery medium -- a book that might not do quite as well as a print edition but for a dollar is a perfect impulse buy -- and Nguyen and Fridolfs show us that they're well suited to this particular tone and style. Will I be buying the next issue with its Thanksgiving issue? I dare you to try and stop me. With just the right mixture of humor and drama, "Batman: Li'l Gotham" #1 is a winner.

The "Before Watchmen" comics are certainly going to vary in terms of quality, but even without having read the rest I'll wager that "Before Watchmen: Minutemen" will turn out to be one of the top-tier comics in the bunch. If you were planning on buying just one of the "Before Watchmen" comics, "Before Watchmen: Minutemen" #1 seems like a good choice to make. Cooke's an immensely talented comic creator and this comic is no exception to that rule.

"Bitch Planet" #2 is a good second issue, enough to firmly lock readers in for the duration of the series. DeConnick and De Landro are not only setting all of their ducks in a row, they're knocking some down at the same time so that there's something in each issue to make you feel like you've received your money's worth. I'll be back for #3 and beyond.

A new issue of "Bitch Planet" is reason to celebrate, and "Bitch Planet" #8 is no exception to that. DeConnick, De Landro and Fitzpatrick challenge their readers each issue, and "Bitch Planet" #8 rewards those who step up to the plate. Wherever the series is going next, I'm eager to find out.

"Black Widow: Deadly Origin" is a fun comic, more than I'd expected. While I'm especially thankful for Leon's contributions to the book, Cornell, Raney, and company do a fine job in their own right. Together? Well, don't blame me if you miss out on all the fun.

I expected to like "Buffy the Vampire Slayer: Tales of the Vampires," but I didn't expect to love it as much as I did. For such a simple story, Cloonan and Lolos have done an excellent job. If they want to do more "Buffy the Vampire Slayer: Tales of the Vampires" one-shots, I'd definitely buy them.

"Captain Britain and MI: 13" is a fun book, one that (to use an old chestnut) is more than the sum of its parts. Hopefully it'll be around for a second year (and much more), because this first year has been a blast and a half. Check it out, you'll thank me later.

"Captain Britain and MI13" is that rare series which has continued to improve with each issue. It makes me sad, though, that the same hasn't been true for sales. I know you might be thinking, "It's almost over, who cares?" Trust me, this is a great series. Pick up the collections, and you'll be kicking yourself for having not read it earlier. At least this way, though, you'll get the enjoyment better late than never.

"Captain Marvel" #2 shows how this book can appeal both to longtime readers as well as a new audience. It's got a charming and inviting cast, a story that takes no time at all in hitting high gear and the promise of further mystery and intrigue on a regular basis. (And for those wishing for a new "Alpha Flight" comic, this is almost certainly the closest you're going to get thanks to the presence of Sasquatch, Aurora and Puck.) I'm sold. You should be, too.

"Cat Eyed Boy" Volume 1 may look a little daunting at first for a casual purchase, but I was really impressed with it. It's a sharp-looking package (I really love the cover stock as well as the nice touches like the end-flaps), runs in slightly larger dimensions than most manga (six by eight inches), and gives you quite a bang for your buck. I'm definitely interested in getting the second, concluding volume. The stories in "Cat Eyed Boy" may be 40 years old, but they're creepier than most horror comics being published today. We could learn a lot from Umezu. In the meantime, though, I'll just keep enjoying the books of his that are being translated. More, please.

If you haven't read "Chew" yet, Layman and Guillory have already rushed out a collection of the first five issues so that you can start at the beginning. The great thing, though? If you just jumped directly in with #7 you'd still know what was going on and have a good time. It's well worth a try.

"Chew" #15 may be the end of the first quarter of the series, but it's also a big set-up for lots of stories to come. It's a nice reminder of both what's come before, as well as what's to follow. Not that there was any doubt, but I'll definitely be on board for the next 45 issues still to come. "Chew" continues to be a tasty little treat.

Overall, "Civil War II" #1 is a good launching point for this miniseries, even as it integrates the information from "Civil War II" #0 and the Free Comic Book Day special. I'm curious to see if Bendis and Marquez can maintain this level of tension and what they'll add into the mix to keep the conflict burning strong. For now, though, it's more than enough to get readers coming back for more. It's a good lynchpin for Marvel's publishing line over the next few months; they've got another bestseller on their hands here.

"Conan the Barbarian" #7 is a firm reminder that strong creators can make any and every character worth reading. If you've never read a Conan story, this current series is a great place to start. Wood and Cloonan have turned out some comics that grabbed my attention in seconds, and "Conan the Barbarian" #7 is no exception to that rule. Definitely check it out.

"Convergence: Shazam!" #2 is unapologetically old-school, and it's a winner from start to finish. Seriously, DC Comics should be hiring Parker and Shaner right now for an all-new "Shazam!" series. This was fun, it had a lot of energy and it captures the reader's attention from start to finish. "Convergence: Shazam!" takes all the potential of the "Convergence" event and makes it work.

"Convergence: The Question" #1 is a reminder of what can work well in the "Convergence" event. Separated from the main miniseries, these little slices of an earlier DC Universe can not only evoke some nostalgia but also give characters one final hurrah. It's no small coincidence that the title of this comic is "Just One More Thing..." as Rucka and Hamner return to characters that had seemed forever out of reach. If even a majority of "Convergence" miniseries are this good, April and May 2015 will bring comic book fans a lot of gems. Regardless of the other miniseries' quality, though, "Convergence: The Question" #1 is a must-buy for fans of this era of "Detective Comics" stories. It's great to be reunited with the old gang one final time.

"Courtney Crumrin Tales: The League of Ordinary Gentlemen" is a nice introduction to the "Courtney Crumrin" comics in general; it gives you a bit of history, helps show the kind of dark fantasy stories that Naifeh tells, and mixes humor and drama in a way that draws you in and wanting to see more. Hopefully it won't be quite so long a wait until the next "Courtney Crumrin" comic, "Tales" or otherwise. In the meantime, though, this is a good reminder why Naifeh's developed such a strong following. This is great stuff, start to finish.

"Dark Knight III: The Master Race" #2 makes it official: everyone may have been preparing for a proverbial train wreck, but the series is a critical success. This is a comic that plays to all of its creators' strengths and will leave readers wishing all sequels were as good as "Dark Knight III: The Master Race."

There are definitely some aspects of "Dark Knight III: The Master Race" #3 to like. The relationship between Bruce and Carrie is great, and Kubert and Janson's art looks fantastic. As a whole, the book is designed to shock its readers and that's exactly what it does. That said, there needs to be some more nuance to keep this from turning into either parody or a shrill polemic. The imagery of the Kryptonians is too strongly based on Middle East extremists to ignore, and it would be easy for this comic to go down the same disastrous road as "Holy Terror." Hopefully, future issues will give us a slightly more pragmatic and thoughtful take on the subject. For the moment, it's still interesting and worth reading, but it's also hard to avoid these warning signs.

"Dept. H" #2 has sold me on this new series even more than the first issue; now that we're seeing a bit more about the way the story will play out and what Mia's investigation looks like, I'm hooked. This is a series that promises to draw the reader in by making each issue its own little event, even as the pieces start to snap together in the larger puzzle. Matt Kindt and Sharlene Kindt can drag me into the depths of "Dept. H" every month; I'm ready and willing for the descent.

"Doctor Who: Four Doctors" #1 may not have a title that rolls off of the tongue, but this is not only a good media tie-in comic, it's a good comic, period. Cornell and Edwards did exactly what they needed to for this first issue; they've put out a lure that's going to hook their readers. With a five-part weekly comic, an initial stumble could have proven to be fatal. Instead, they've ensured that readers are going to want to stick around. I know I'm in for the rest.

"Edison Rex" #1 is a great debut; I'm already ready to read the next issue, and if the series stays as strong as this opening is, I can see a series of "Edison Rex" collections gracing my bookshelf before very long. Monkeybrain Comics caught everyone's attention with its announcement, and now that the first wave of titles are out, I think they'll be catching even more attention with the actual product being so good. Definitely check it out.

"Edison Rex" #12 is another strong installment from a consistently great series. Those who prefer to wait for print can pick up the collection of #1-6 already, with a second volume containing #7-12 scheduled for next spring. Personally, though, I wouldn't wait. At 99 cents a pop, you're getting a great deal here and a lot of the fun is how well Roberson and Culver are using the serial format to build up the tension and suspense. If you aren't reading "Edison Rex" yet, at just a dollar, maybe it's time you gave it a try yourself.

"EGOs" #2 feels to me like the book has finished coming together, and that it's on a good path with lots of interesting stories ahead. If you were on the fence after the first issue, definitely stop in for a second helping. With no "Legion of Super-Heroes" right now, this is a more than good substitute for science fiction superheroics.

"Emerald City of Oz" #1 is a fun start to this latest conversion from novel to comic, and here's the thing that I feel some people might otherwise be missing: these aren't just for kids. Baum, Shanower and Young keep this a truly all-ages story, one that I'd appreciate at 10, 40 or even 70 years old. With gorgeous art from Young and colorist Jean-Francois Beaulieu (just check out those pastel shades in the Whimsies' city, for instance), the series has some truly sharp visuals. Tell everyone it's for a young kind you know, if you must, but buy it for yourself. You won't regret it.

So why isn't there more hoopla over the impending end of "Ex Machina?" I'm still not sure. Maybe it's because everyone's in collected mode, maybe I'm just looking in the wrong places. What I do know, though, is that Vaughan and Harris are charging full-speed ahead towards the finale, and it looks to be a thrill ride from here to the finish. It's a good time to be an "Ex Machina" fan.

"Fairy Tail" is easily one of my favorite new series of the year; it's hysterically funny but at the same time can bring out a serious side when it needs to. I've yet to introduce this manga series to a friend who hasn't liked it, and I bet you will too.

"Fatale" #3 is an excellent comic and reading in the back that it's been extended up to 15 issues makes me extra-pleased. I've loved "Criminal" and "Incognito," but right now it's "Fatale" that has me the most excited that I can remember about a Brubaker and Phillips collaboration. If you aren't reading their comics yet, there really is no time to waste. Start with "Fatale" and you won't be sorry.

"Fatale" #8 is another good issue, although at this point if you're thinking about giving the series a whirl, the first collection of "Fatale" is already in stores everywhere and is perhaps a better jumping on point. And trust me, if you aren't reading "Fatale" already this is a series you should definitely sample. As always, good stuff.

It's easy to forget about hit series when they've been around for a year or so now, but trust me: don't miss "Fatale" #11. This is a great way to kick off 2013 if you haven't been reading the series up until now; truly a jumping-on point, I can't imagine not wanting to read more of this series once you experience this wonderfully evil little comic. Check it out.

"Fatale" #12 is a great example of how to write a stand-alone issue. You don't need to know anything about "Fatale" to read and enjoy this comic. For those who have read the previous issues, though, it provides some hints about what's still to come and what's behind the big mysteries of the series. With an ending that is both conclusion and also slightly unresolved, it is both satisfying and also draws the reader back for more to find out what happens next. Once again, a job well done by Brubaker and Phillips. "Fatale" #12 is a top-notch comic.

"Fatale" #15 is the sort of issue where it's good, but the greatness comes when you sit down with a bunch of issues and see how it all fits together. Of that, I've got no doubt. If you've never read "Fatale" before, it also feels like a good place to give it a try for yourself and see if you like it. But when you're done? Pick up "Fatale" #11-14 (which were just collected in the third trade paperback), and you'll get an idea of why people are so crazy for this series. This issue is good, but the series as a whole is just plain great.

"Fatale" #18 is another strong issue in an extremely strong comic. If you aren't reading "Fatale" yet, how many times do I have to tell you that you're missing out on an incredible ride? Buy this book, buy this book, buy this book. Please.

"Fatale" #19 is unsurprising in that it's rock solid and good. I'm going to be quite sad to see it go away later this year -- it's a great series -- but at the same time it feels like the book is poised to conclude on a high note. So far, so good.

"Fatale" #21 continues to turn out strong issue after strong issue, and while I'm sad to see the book almost at an end, it's creating such great stories I can't complain. Brubaker and Phillips's "Fatale" is their best collaboration to date. "Fatale's" mix of cults, mystery and horror wins every time.

"Fatale" has been a great book, one that's disturbing and nasty, even as it's enthralling and clever. Whatever the final issue has waiting for us, I feel like I'm ready. It's been a fun ride, and this issue is no exception.

"FBP: Federal Bureau of Physics" #2 is a ridiculously fun comic, and now that it has its new title I hope it's able to build and grow an audience. Vertigo is in the process of launching a lot of new series, and if this is any sign, readers are in for a fun ride in the months to come.

"Fight Club 2" #6 is another sharp issue in a great miniseries. While there's a lot of care and thought put into this comic, Palahniuk and Stewart don't lose sight of making it fun and exciting too. This isn't just a cerebral exploration; it's an action/adventure story with great art. This issue is probably one of the most standard ones in the series (it has a lot of important information to get across) but, even then, it's great. If you were a fan of "Fight Club," you owe it to yourself to read "Fight Club 2."

Last but not least, while "Final Crisis: Legion of 3 Worlds" is great for new readers, Legion-philes will find a treasure trove of details to examine. I'm sure theories are already abounding like wildfire on exactly how much, if any, of Giffen's Five Year Gap still exists, and where the divergence point exists for each of the three Legions. But if that doesn't apply to you? It doesn't matter. It's just good solid fun. Somehow I suspect that if once all the dust settles Johns wants to write a "Legion of Super-Heroes" series, there won't be too much complaining going on. I know I'd be on board every month.

More importantly, though, "Legion of 3 Worlds" #5 also clearly serves as a lead-in to the Legion's upcoming back-up stories in the new "Adventure Comics" series. Between this and the earlier Legion story by Johns and Gary Frank over in "Action Comics," it's been a great couple of years for Legion fans. "Legion of 3 Worlds" #5 has made me, once again, excited about what's in store for the rest of this year and beyond. So, mission accomplished and then some.

"Flashpoint: Project Superman" #1 is one of the strongest "Flashpoint" comics to date, and while I already knew that I loved comics by Ha and Snyder, it's given me a new name to keep an eye out for, namely Francis. If the other two issues live up to the promise of this first one, I'll be quite pleased indeed.

"Flashpoint: Project Superman" is definitely a comic from which you'll get your money's worth. Francis, Snyder, and Ha have created a curious little bubble of world within the greater "Flashpoint" universe. It ties into other titles, but at the same time works well on its own. While "Flashpoint: Knight of Vengeance" may have been the top-ranking "Flashpoint" story these past few months, "Flashpoint: Project Superman" is my vote for an easy second place. Nicely done from all parties involved.

Marvel's "Franklin Richards" one-shots continue to be a lot of fun, that kind of comic that really does have an appeal for all-ages. I'm just glad Marvel keeps publishing them, because they're just the right thing to life your spirits on a low day, and that's no fooling.

I must say, I enjoyed "Franklin Richards: Summer Smackdown!" so much that later this week I'm already planning on buying the two digests that collect the first eight one-shots. This is a fun, fun, fun comic. Highly recommended.

"Future Quest" #1 is a strong comic that will entertain new and old Hanna-Barbera fans alike. It's fun, it has a strong sense of adventure, it moves quickly and it looks great, which is exactly what a first issue should do to make sure readers return for more. Parker, Shaner and Rude hit the ground running with a comic that will hopefully get the large readership it deserves.

"Green Arrow" #1 takes the basic ideas in "Green Arrow: Rebirth" #1 and uses them as a foundation for a strong first issue. This is what I was hoping to see in a "Green Arrow" series and I'm all on board for what happens next. More importantly, I'm glad this book releases twice a month now, so I don't have to wait quite so long to find out what happens. This new "Green Arrow" series is a keeper.

"Grendel vs. The Shadow" #2 is a real joy, another strong chapter in a mini-series where it just gets better and better with each new page. What might have sounded like a throw-away concept has turned out to be a must-read for Grendel or Shadow fans alike. Even knowing that by the end both characters will be separated and in their own times doesn't matter; it's the thrill of the hunt that is so fun, here. As nice as the first issue was, this one is better. I can't wait to see if that progression continues in next month's conclusion.

"Grindhouse: Drive In, Bleed Out" #1 is deliciously bonkers. It's just fun, pure and simple, and I can't think of a better homage to grindhouse. Since each story stands on its own, what better time than now to give it a whirl? De Campi and Guera have given us a great premiere; I can't wait for the second reel.

"Hansel & Gretel" is ultimately a big success, taking an odd project and making it work because of the sheer talent involved. Toon Books clearly agrees, offering up two different editions. The standard edition is a typical 7x10" hardcover, but there's also a deluxe hardcover clocking in at 9x12", a die-cut cover, and 4 bonus pages about the book. While it's more expensive, I'd recommend the deluxe edition; Mattotti's art looks good in the 7x10" dimensions, but it's breathtaking at the 9x12" expansion. This is a book where even after you've stopped reading Gaiman's text, you'll want to continue reliving Mattotti's illustrations every year -- especially right around Halloween. This is a dark corner of the world that's worth visiting.

There are some pieces of "Harley Quinn and Her Gang of Harleys" #2 that work better than others -- some of the home visits are slightly intriguing -- but, on the whole, this comic just sort of inches forward. We get some attractive pages from Mauricet, but -- in terms of the various Harley Quinn spin-offs -- this is the one that isn't up to par with the parent series or its other companion titles.

I'm glad that "Heralds" is a weekly mini-series, because I'm already dying for the next issue. Immonen and Zonjic have solidified themselves quite nicely as creators that I'm absolutely going to seek out from now on. For now, though, I'll just sit back and enjoy this comic. "Heralds" is the kind of comic that brings you back to the store every week for the next chapter.

I wish that we didn't need the "Hercules: Fall of an Avenger" mini-series, but now that we're at this point it's a classy way to wrap up the series. Hopefully we'll get at least some more Amadeus Cho down the line; until then, this will serve as a good reminder of how Greg Pak and Fred Van Lente made a strange concept work far better than it should have.

If you haven't ever heard of "Hey, Mister" before, trust me on this one: it is really damn funny. This one isn't the joke-a-minute nature of those earliest mini-comics, but I feel like this mellower, slightly matured "Hey, Mister" is still great. And if you like what you see here, well, just remember that there are three collections comprising all of the earlier material. "Hey, Mister" should be comic book required reading. "Hey, Mister: Come Hell or Highwater Pants" isn't the first time that Sickman-Garner has tackled the afterlife ("Aunt Mary Climbs the Mountain of Life" not only does so but it's one of my all-time favorite pieces from Sickman-Garner; it's <a href=" http://heymistercomics.com/strip/aunt-mary-climbs-the-mountain-of-life/" target="_blank">also available for free online</a>), but it's definitely the smartest take on it from him. Check it out.

Small hiccups aside (and mostly through implementation quibbles that could be adjusted with time), "Insufferable" #1 is a good opening chapter. It has just the right length and detail to hook the reader, without giving everything away in its first outing. And for now, at least, "Insufferable" #1 is free on <a href="http://www.thrillbent.com" target="_blank">Thrillbent.com</a>, so you can always look at it for yourself and decide if you want to read more. For now, though, I'll consider myself hooked.

Back when it had the working title of "Amped," it was announced Kripke is also developing a live-action version of this comic for USA Network. It doesn't surprise me; based on what we've seen here, if I was a network executive, I'd jump on it too. "Jacked" is a six-issue miniseries for now, but I wouldn't be surprised if it comes back for more. This is fun and engaging first issue, one that reels the audience back in for more. I'm ready to be "Jacked" every month.

"JSA vs. Kobra" is good, to the point that I wish it was in the main title so that it would get more attention. It makes me a little sad that when Rucka left "Checkmate" that Trautmann didn't end up writing the book solo, because based on this story he clearly was ready for it. On the bright side, I'm all the more eager to see what he does with "The Shield" later this year. Until then, though, definitely check out "JSA vs. Kobra." Right now, it's the place to go for your Justice Society fix.

"Jupiter's Legacy" #1 is a strong debut, one that has me far more interested than I'd have expected. While there's still a lot of world-building still to come, I feel like Millar and Quitely are on the right track. "Jupiter's Legacy" is elegantly written and drawn by Millar and Quitely; this is a book to be proud of.

"Kaijumax" #1 is slightly silly with some strong drama. We learn that Electrogor is more than just a rampaging monster; he's someone with a real drive and backsground. Presumably, we'll learn about more of the characters over time; I'm especially looking forward to seeing more about the cringing Creature from Devil's Creek. With even little details thought through, like the creatures using "Goj" instead of "God" (once you realize why, you'll laugh), it'll make you want to learn more about the strange world of "Kaijumax" that Cannon has created. This has a ton of potential and, more importantly, it lives up to that in this first issue. I'll definitely be back for issue #2.

"Lady Killer" #1 is a strong debut for this miniseries, and it makes me want to see much more from Jones and Rich. With a darkly comic tone and a huge amount of potential on where it could go into the future, I'm ready to sit back, put on my slippers and enjoy. I bet you will, too. Definitely check this book out.

Beagle's story points out that most people in its world don't recognize a unicorn when they see one; perhaps they've become too jaded, or have lost their sense of the fantastic. I suspect that if you read "The Last Unicorn" #1, you'll find any sense of the fantastic that you might have otherwise mislaid. You'll fall in love with "The Last Unicorn" in a matter of minutes. I know I did.

"Legion of Super-Villains" is a fun one-shot, and while it would've been nice to see all of this unfold in the pages of "Legion of Super-Heroes," I have to say that so much happens here that I'm not complaining. (We're getting two issues worth of material in one fell swoop, after all.) With the promise to keep reading this story in "Legion of Super-Heroes" #11, well, my attention has been grabbed. This is a good opening chapter, as well as a nice primer for new readers. All in all, good stuff.

"Little Nemo: Return to Slumberland" #1 is a bona fide hit, and I love the idea of new readers discovering the joys and wonders in this comic that is as much homage as it is striking out with new stories and characters. Will I be back for a second issue? You betcha. McCay would be proud of what Shanower and Rodriguez have done here.

I don't mind admitting when I'm wrong, and "Madame Xanadu" #11 has proven that I need to give the title another chance. Even without Kaluta's contributions, this would have been an enjoyable comic, so clearly it's time to stick around and see what happens next. Of course, the fact that Kaluta still has four more issues? Well, that makes the decision that much easier.

As mentioned earlier, there's a surprise twist at the end of the first issue, one that upends "Mara" into a completely different direction. Is it a bad one? I don't think so. It does, however, transform the book into something that feels a little more standard. Sports comics aren't unique in their own right, of course, but most of the first issue of "Mara" felt very different than what we're getting on the market these days, and having it become something more familiar is just a touch disappointing. Still, I have no doubt that the rest of "Mara" will still be a lot of fun, and when read in a collected edition this sudden surprise will probably flow a lot more smoothly. Regardless of the slight disappointment at this surprise (and to be fair, it is handled quite well), I'm still more than interested enough in "Mara" to want to come back for #2. Still a very good comic.

I really wish this hadn't been priced at $3.99, because this is the sort of comic that I think would benefit by a casual buyer giving it a shot. It's fun, it's witty, it's nicely drawn, and I for one would buy an ongoing series. Hint hint, Marvel. Check it out, you'll love it.

For those who were unsure at first with "Marvels: Eye of the Camera," check out the new issue, you'll be pleasantly surprised. It may have gotten off to a slow start, but it really feels now like this mini-series is firing on all cylinders. I'm looking forward to the remaining three issues.

"Marvels: Eye of the Camera" is over now, and hopefully people who loved the original "Marvels" will read this mini-series too. It might not have had the publicity and buzz that the first one did, but it's an excellent and thoughtful addition to the canon. Well job done, all involved.

If that's not enough, "MIND MGMT" #2 sports more of the bonus features from the first issue; a historical piece on the inside covers, a two-page case file about the Perrier twins and their unique ability, MIND MGMT Field Guide tips written in the margins and the back cover's fake ad contains the second of six part numerical code that will unlock a secret message online. "MIND MGMT" #2 is determined to give you your money's worth, and it does in spades. "MIND MGMT" is part of the "Dark Horse Originals" line, and I find that apt, because "MIND MGMT" is incredibly original and fresh. Check it out.

Kindt's "Mind MGMT" #4 is another terrific installment. The series feels fresh and original, I love the fact that we get multiple back-up stories by Kindt in each issue as well, and the hidden messages and clues throughout the book is all the more reason to buy each individual issue. Do yourself a service and read this book.

"MIND MGMT" continues to entrance month after month; Kindt's story and art pull you in effortlessly and make you desperate for the next piece to the puzzle. If you haven't given "MIND MGMT" a whirl yet, this is a great place to begin. Highly recommended.

"MIND MGMT" #13 is a fun stand-alone comic, but it also works well as part of a greater story. I, for one, can't wait to see how this and the next handful of issues all come together, but regardless, you're getting a good read here. As Kindt's career continues to explode, it's nice to see that his creator-owned baby hasn't been forgotten. For those that haven't read "MIND MGMT" yet, this is a perfect place to begin.

"MIND MGMT" #15 is another strong issue from a typically strong comic series. Kindt continues to spin a huge and intricate web, and this installment is no exception to that. "Where are we going?" is as much a question as, "Where have we been?" in "MIND MGMT," but the only answer that get for certain is, "A really fun ride." "MIND MGMT" is the kind of conspiracy thriller that I can wholeheartedly buy into.

"MIND MGMT" #20 continues to truck along in a strong, consistent manner. Check out this issue, and if you like what you see, you've got three collections (compiling up through #18) to help you get caught up after this. "MIND MGMT" is one of comics' best-kept secrets, but I wish that everyone was reading this fantastic series instead.

"Moon Girl and Devil Dinosaur" #1 is a fun debut for this series; Montclare, Reeder and Bustos make me want to see what happens next, and that's exactly what you should achieve in a first issue. I might not be willing to go read old Moon Boy/Devil Dinosaur stories just yet, but -- when it comes to this incarnation of the concept -- put me down as a fan.

"Moon Knight" #1 is a strong first issue from Lemire, Smallwood and Bellaire. For whatever reason, this character seems to rarely click with readers, if the number of series that have come and gone over the years is any indication. Will this be the take that sticks? It's hard to say, but if pure talent alone assured victory, there would be no worries here. Lemire, Smallwood and Bellaire have made Moon Knight intriguing again.

"Motel Art Improvement Service" is a welcome return for Little to the graphic novel world. Hopefully it won't be quite so long a wait next time. Just be warned that once you're done, you'll probably also want to read "Shutterbug Follies." Don't worry: it's great, too.

The wait for a new "Mouse Guard" miniseries from Petersen is hard for those of us who have been reading the comic since its beginning, but "Mouse Guard: Legends of the Guard Volume 3" looks to ease those pangs somewhat. If the remaining creators are as good as the ones for issue #1, we're in for a fun ride.

"Mouse Guard: The Black Axe" #1 is a welcome return of a new mini-series from Petersen. "Mouse Guard" is a comic that will never disappoint you, and this new issue is no exception. If you've never read "Mouse Guard" before, this is a fine place to jump on board for yourself.

Don't mistake "Mouse Guard: The Black Axe" for being a cute and cuddly comic because it stars mice. This is one of the best fantasy/adventure comics out there, and if you've been looking for an excuse to give it a whirl, the fact that this is a prequel to all the other "Mouse Guard" comics is reason enough to try it now. So long as Petersen keeps creating "Mouse Guard" comics, I promise I'll keep reading them. Great stuff.

"Mouse Guard: The Black Axe" is a great down-and-dirty fantasy epic; it might star mice, but don't let that fool you. These are creatures that play for keeps, and it can get just as violent or gripping as an episode of "Game of Thrones." I know it's halfway through a mini-series, but if you've ever been curious about "Mouse Guard," the current issue of "Mouse Guard: The Black Axe" is an excellent introduction to the series. Just be warned, you'll want to buy the collected editions of the first two mini-series as soon as you're done. All things considered, that's not such a bad position to be in. You've got some good times ahead.

"Mouse Guard: The Black Axe" #6 promises a hardcover collection soon, but this is great enough that if you simply can't wait, I wouldn't be at all surprised. This is the sort of series that you won't mind buying twice; each issue because you can't wait for another installment, and then a collection to sit on your bookshelf for easy access. With a smart epilogue that advances the main narrative of Redfur in the "present" day of 1153, "Mouse Guard: The Black Axe" #6 is a satisfying conclusion to this mini-series, and already has me eager for the next mini-series. Here's hoping it's soon.

"Ms. Marvel" #2 is another installment of a series that didn't just come back the same, but rather stronger than ever. This is still one of the gems in Marvel's line-up, and -- if you aren't reading it yet -- this is a good a place as any to leap on board. Just be warned: as soon as you finish reading "Ms. Marvel" #2, you'll want to start it again.

"Ms. Marvel" #5 is another strong issue for one of the gems in Marvel's crown. If all superhero comics were this good, I would be a lot poorer right now. I'm already eager to see next issue's conclusion. Hopefully, Leon will be a regular contributor to the title, because he and Wilson work excellently together and bring the marvelous to "Ms. Marvel."

"Ms. Marvel" #7 is another example of why this series is so much fun; it takes advantage of a crossover event to tell a smaller-scale story that echoes the bigger event's themes, while making them relatable and germane to this title. Wilson, Alphona and Herring have done it again. Who knew the science fair could be so much fun?

"Mudman" #5 is a good enough book that I'll buy it a second time in a collected format, even as I'm unable to give up reading it issue-by-issue. Every new installment is a joy, and this one is no exception. If you never read comics like "Kane" or "Jack Staff" from Grist, you've been missing out. Don't make that mistake a third time. Head to your local store and buy all the "Mudman" you can. You'll thank me later.

With some personal issues hopefully resolved, it's great to see "Mudman" back on the stands again. This is a comic that I absolutely adore, and with good reason; "Mudman" does everything right. If you haven't read "Mudman" up until now, this is a perfect chance to fix that problem. Jump on board, although I'll warn you right now: you'll want to read more as soon as you're done. It's addictive.

Every single scene in "Mystery Men" has a great moment that punches through and demands your attention. This is a very strong first issue, and it made me go from "dubious" to "eager" in just 32 pages. I might not be crazy about the title of the comic, but in every other way this is a wild success. Make mine "Mystery Men."

If you'd read McKeever's older comics and were a little disconcerted by his "Teen Titans" run, have no fear, the McKeever whose writing style you liked is back. "Nomad: Girl Without a World" is enjoyable (a pity about the extra dollar tacked onto the price tag, since I fear it will discourage people from trying it on a whim) and I'd definitely buy more McKeever "Nomad" comics down the line. Check it out.

"Numbercruncher" #1 is inventive, unpredictable and engaging. What more can you ask for in a debut issue?

"One-Pound Gospel" is neither a romance book nor a boxing book, but it combines the best of both of those kinds of stories. Knowing now that we're getting an official conclusion to the series? Well, that makes me all the more excited. (Now if only Takahashi would create another two or three volumes of her "Mermaid Saga" to conclude it, I would be in seventh heaven.) I will warn you, though, that reading "One-Pound Gospel" if you're trying to lose weight can be a little damaging. I've already eaten two snacks just while writing this review, and I don't even want to begin to discuss how much I ate last weekend while re-reading the book. Food, romance, and exercise, now that's my kind of a good time.

There may be a several-week archive of "Pearls Before Swine" strips <a href="http://www.comics.com/comics/pearls/" target="_blank">officially available online</a>, but a book like this is the sort of thing where you can pull it down from your bookshelf and really enjoy the insanity of Pastis' fevered imagination. Proof, perhaps, that the modern comic strip is not dead. You just need to be a little more selective.

It's great to see "Phonogram" return and, with "The Wicked + The Divine" being such a hit for Gillen and McKelvie, hopefully some of those readers will give "Phonogram: The Immaterial Girl" #1 a whirl. It's worth their time, and yours, too.

Initially funded by Kickstarter, "QU33R" is the sort of comics anthology that we need more of. Kirby's assembled a great deal of unique comics voices for this book, and the end result is a real joy to read. This isn't just a book of good LGBT comics, it's a book of good comics, period. "QU33R" is well worth your time and money.

If I had one complaint, it would be that a lot of "Rin-ne" feels a little familiar. There are certainly aspects of Takahashi's earlier works here; the spirits evoke thoughts of "InuYasha," and Sakura and Rinne's love/hate relationship definitely brings "Ranma 1/2" to mind. Still, if you've never read a Takahashi comic before, this is a good introduction. (That said, if you like it? Make sure to check out her older series "Maison Ikkoku," which is the perfect romantic comedy but in comic book form.) And of course, with new chapters online for free, it's easy to catch up. Viz's online comic reader is the best I've seen a company roll out, so give it a try.

Add in two pin-ups from Mike Mignola and Jim Silke (the latter of whom is certainly well-established as a Bettie Page artist) and you've got a great comic. This isn't just for fans of Stevens, but a way to hopefully help create new fans of Stevens. As nice as Alex Ross's cover is, I do wish all the copies came with the Stevens cover so they could see that he was an artist just as good as the talent assembled here, but hopefully new readers will seek out Stevens' works. Even if not, though, this is a nicely done comic from all parties involved. Now that I've read the first issue, I'm eager to see what else "Rocketeer Adventures" has in store. Good stuff.

Loux's art is still crisp and clean, here, and he's able to tackle people, animals, and fantastic settings all with equal ease. The art is easy to follow, which is good for an all-ages title. The art, like the story, never seems to be trying to appeal to any one age group; there's a little something for everyone old and young alike. At this point I think it's safe to say that "Salt Water Taffy" is a bona fide hit. You may not be able to actually eat issues of "Salt Water Taffy" (unlike its namesake) but in every other way, it's just as deliciously great. Definitely check this series out.

"Sandman Mystery Theatre: The Hourman and the Python" is another satisfying collection from this series. The bad news is that the frequency of collections as of late seems to be about once a year. The good news is that if you haven't read much "Sandman Mystery Theatre" (like myself), the series ran 70 issues plus one annual. That means a lot more "Sandman Mystery Theatre" still in our future. And that makes me very happy indeed.

"Saucer Country" has delivered a strong second issue, and if I had any doubts they've been erased. Cornell and Kelly are giving readers a great new series here. I'd have to be abducted by aliens before I missed another issue of "Saucer Country." This is well worth your time.

If there was ever any doubt in my mind that McKeever's troubled run on "Teen Titans" was atypical of his normal writing style, "Siege: Young Avengers" has dashed it to the side. If "Young Avengers" ever needs a completely new creative team, I hope McKeever has just made his way onto the short list. If this was an audition piece, I'd say he passed with flying colors.

"Snarked" #1 is a fun start, even as it serves primarily as set-up for stories to come. Now that he's got all of his main characters together, I suspect the next issue is going to be one of those stories where everything jumps into full speed. For now, though, it's a pleasant opening, and I'll be back for #2.

"Snarked" is a lot of fun, and I appreciate that every time our crew has solved one problem, a new one is laid firmly at their feet. I'm already looking forward to the next story arc, and if it's even half as good as this opening story, we're in for a lot of fun.

I'm going to miss Langridge's "Snarked," a series that never failed to entertain each month. He's writing "Popeye" for IDW, so it's not like we will be entirely without Langridge, but him tackling his own creations (and a few characters in the public domain originally from Lewis Carroll's books thrown in for good measure) has been a special joy. Hopefully the wait for Langridge's next brand-new project won't be too long. Langridge, like "Snarked," is a real gem.

"Spread" #1 is a pleasingly good debut, one that should make you want to read more. With a fun twist on why No's mission is so important, there's a lot of potential for where it's going to head next. Once again, a strong new series from Image Comics.

Between this and "Jupiter's Legacy," Millar's been debuting some refreshingly strong new series as of late. "Starlight" #1 has a real emotional heart, and that's definitely a lot of the attraction. Millar and Parlov are off to a great start with "Starlight," and if they can keep this up, they've got a real winner on our hands.

"Starlight" #3 is yet another winner of an issue in this series; it's a real joy to see the quality continue from one installment to the next. Whatever Millar and Parlov are doing to turn out comics this good, I hope they don't stop it any time soon, because this is a hell of a lot of fun.

"Strange Tales" has turned into a fun little mini-series, much more than I'd hoped for. Sometimes, as it turns out, waiting a little extra for a comic can turn out to be a good thing. Maybe Marvel should sit on another Bagge comic for several years if we'd end up with another great mini-series to accompany it? (Nah, I didn't think so either.)

"Stray Bullets: Sunshine and Roses" #2 is another excellent outing from Lapham in his signature series. It's a great jumping on point -- don't let the #2 scare you away -- and it is a reminder of what a strong storyteller Lapham is. In Lapham's hands, a life of crime and danger seems enticing.

Editor Jann Jones has done a great job with creating DC's new all-ages line thanks to books like "Billy Batson and the Magic of Shazam!" and "Tiny Titans," and "Supergirl: Cosmic Adventures in the 8th Grade" fits in perfectly when it comes to the high quality in its production. I'm in for more, absolutely. (And maybe we could have more than just six issues? Please?)

"Superior Foes of Spider-Man" #7 is different from the rest of this series; it's missing Boomerang's great narration, and the interplay between the different members of the Sinister Six that normally makes this book a winner. This issue might be rather different from what preceded it, but it's great, too.

"The Superior Foes of Spider-Man" #9 is another piece of a strange little series that deserves more attention than it gets. It's clever, it's funny, it's good looking and it rewards the reader. What more can you ask for?

"Team 7" #0 is a strong debut for the title, and Jordan and Merino definitely make their mark quite quickly. With a large cast, even though some characters are already known to survive into the present day, we've got question marks over enough other heads that there's still a "will they make it?" feel to the series. And by adding in new elements like the Majestic Project, we've got a good central mystery to hang the book on. I'm definitely back for the next issue. Check it out.

Marvel's cosmic books are probably the best books you're not reading by the company right now. They may be down to just this one mini-series, but it's well worth your while. I'm not a big fan of resurrecting dead characters just for a little shock value; with that in mind, so far "The Thanos Imperative" has convinced me that bringing Thanos back from the dead was a great storytelling decision. Clearly, they're doing something right, here.

"The Thanos Imperative" #6 is a textbook example of how to finish up an "event" mini-series. Abnett, Lanning, and Sepulveda deliver on all counts, and I left feeling like this was money well spent. If we're going to have to wrap up these books for a while, this was the way to do it. Good job, everyone.

"The Autumnlands: Tooth & Claw" #3 continues to tell its story quite well and, while I'd be shocked that people hadn't already been hooked after the first two issues, this clinches that being the case. Here's hoping we can journey through the Autumnlands for quite some time to come.

I feel a little bad that I've been so unfamiliar with just how many different titles Simon and Kirby collaborated on, but I've seen the error of my ways. With high production values and great interiors, this is a book for any serious lover of comics to have proudly placed on their bookshelf.

Between "Chilling Adventures of Sabrina" and "Afterlife with Archie," Archie Comics has created a surprisingly successful little horror sub-imprint within the greater confines of the company. If you'd told me a year ago that there would be a dark horror rendition of the classic Sabrina Spellman character and that I'd eagerly await new issues of it, the response would have almost certainly been a hearty laugh. The reality is that Aguirre-Sacasa and Hack have created a horror comic that would work well even if it wasn't attached to the iconic "Sabrina." The fact that it is -- and that they integrate all of the classic "Sabrina" comic characters -- makes for an added bonus. This works not just because of the concept, but rather because of the strong execution. There's always room in my world for cute and perky Archie Comics but, when it comes to "Chilling Adventures of Sabrina," I'm ready for more horror, please.

"The Legend of Wonder Woman" #1 is an excellent start to this series. It's easy to see why this DC Digital First series warrants a print release; this is an inviting comic that should be able to serve a wide audience interested in the character. De Liz and Dillion provide a strong reintroduction of Wonder Woman to the general public as well as seasoned readers, and I'm already eager to see what happens next. De Liz and Dillion breathe new life into an old tale with "The Legend of Wonder Woman" #1.

I have a bad feeling that "The Mighty" is going to sink without a trace; released with very little publicity, unconnected to any other comic, the prospects for it in this market aren't promising. At the same time, I really hope it does succeed because this was a great first issue and I want to see more. If you haven't checked it out, please do. I think you'll be really pleased.

"The Mighty" is a thoroughly enjoyable book that, I suspect, no one but critics are reading. The thing is, it's easily one of the top ten books DC Comics is publishing right now. Please, please, please, pick up an issue and try it out. I really want to see it continue and become a bonafide hit. It's strong and good enough to be one. You'll love it, I promise.

"The New Deadwardians" #3 continues the high level of quality that the first two issues began. This comic might be just an 8-issue mini-series, but hopefully it's the first of many. There's enough story potential here to go on for a long time to come. Even if this is all we get, though, I'm along for the ride. Who knew zombies and vampires could be fun and inventive again?

Still, a slight stumble aside, "The Private Eye" #1 is an excellent debut from Vaughan and Martin. It's been a few years since the duo worked together on their "Doctor Strange" mini-series, and it's fun to see them reunited on a project that they've built from the ground up. You should absolutely check this out; after all, you can give as much or as little money as you want. Myself? I know I'll be back to buy the second issue. Definitely give this comic a try.

"The Savage Axe of Ares" is a fun throwback to the '70s; there's even a brief prose story by Duane Swierczynski and Leonardo Manco to round out the title. Marvel's return to this old black and white anthology format has had its ups and downs, but "The Savage Axe of Ares" is definitely an up. This is good old fashioned violent fun.

"The Shield" #1 is a promising start to the series, although I must admit that I winced slightly at the surprise DC Universe guest-stars that showed up at the end of both of the features. Hopefully Trautmann and Jerwa can do something interesting with each of the guest-stars; I'll admit that as a cliffhanger both felt a little forced. Still, they both did a good enough job that I'm more than willing to be pleasantly surprised next month. And after all, they make me want to see another issue, so they're definitely on the right path.