Absolute Wonder Woman #2 shows that some destinies are universal.

Batman/Santa Claus: Silent Knight Returns #1 is more than a holiday special. Implementing some folklore into Santa's makeup transforms him from the front of a Christmas Card to a figure with depth and intrigue.

Black Canary: Best of the Best #1 is what King does best. His particular brand of storytelling, so intently captivated by characters, comes to the fore when there is such a streamlined idea.

Green Arrow #18 is a hard reset. The story and cast shrink down to focus on the title character, which is needed after the events of Absolute Power. The series is refreshed and renewed, with a narrative and art style that makes it more grounded and gritty.

Justice League Unlimited #1 is a celebration of heroes. This issue sets them free after so long of heroes being hunted and restrained. The Justice League has returned, bigger and better than ever.

Uncanny X-Men #6 tries to rebuild a broken family. With so much happening in the previous arc, it was sometimes hard to see just how badly everyone was hurting, and this issue takes time to process

West Coast Avengers #1 is a fantastic farce. Duggan’s sense of humor in the comic can make for a shaky start and not all jokes land. But the slapdash team has enough personality and intrigue to generate enough energy to captivate the reader.

Katabasis #1 is an action-led biblical tale. Juniper is one of the best new characters of the year. Her design is incredible, and her backstory is fascinating. Every aspect around the mercenary is enthralling and exciting. It isn't necessarily a religious comic; the three realms are merely playgrounds for creators. The fight scenes are frantic and phenomenal, with entirely unpredictable outcomes. The issue has the air of a video game, and the characters and dialogue often reflect that.

Sentinels #2 expands on the experiment. The second chapter adds more heart to the nuts and bolts while still being as manic and hardcore as possible.

The Question: All Along the Watchtower #1 looks for danger in the safest place in the Universe. The concept is excellent, trying to start a mysterious detective story in such a secure location. It gives the fortress a fragility and infuses the Watchtower with life and personality.

Wonder Woman #15 is cathartic. This series has been a brutal boxing match. The Sovereign has been relentlessly swinging at Diana and her family. The book is a release of frustration, agony, and anger, taking down villains who have wrung every ounce of fury from the reader.

Absolute Batman #2 (2024) is enthralling in its unpredictability. Every character or concept translated has a fresh story to tell or a brand-new design.

Almost every page in Black Lightning #1 (2024) is a conversation about how Black Lightning is constantly trying to be a good father and protect his daughters, who have grown up and are on opposite ends of their lives. The blending of the superhero and family life is fantastically written, making it a book of excitement and emotions.

Green Lantern #17 is a merger of two series: Green Lantern and Green Lantern Corps. Yet Adams keeps the story tethered and understandable, cutting through the universe with a scythe.

NYX #5 (2024) cements the community concept. Where the previous issue leaned heavily into becoming a superhero book, this chapter returns to being about a city, a diaspora of people, and a friendship group.

Psylocke #1 (2024) makes the character the centre of everything. Psylocke is a fantastic character and absolutely warrants being the star of her own comic.

Uncanny X-Men #5 makes the heart and soul feel better. It’s an awesome, tremendous issue that puts the characters and the creators to the test.

Absolute Superman #1 is a hardcore rebirth. Aaron is a superb choice of writer for the new version of Superman, as he brings the heavy metal action and storytelling that the Absolute Universe has contained so far.

Batgirl #1 is a fantastic family drama. It may not seem so initially, with the complicated history stepping in the way of Batgirl and Shiva ever establishing a connection.

JSA #1 tells a story across generations. Through the old and the young come what feels like separate books. The trapped heroes are more recognizable, with indestructible relationships and a nobility that fits their heritage.

The Ultimates #6 is an alarming wake-up call. In creating a strong team, the momentum of hope had begun to roll out with each new member. But this issue is a devastating realisation of those in power.

From start to finish, NYX #4 is a fascinating experience.

Poison Ivy/Swamp Thing: Feral Trees #1 is a quiet and creepy horror. This folk horror story is not just ready for Halloween but also for winter.

Absolute Wonder Woman #1 forges a heart out of heavy metal. While the fundamentals of what makes Wonder Woman so iconic are there, the circumstances have been replaced.

The Flash #14 is refreshing and deceptive. What starts as a cheerful camping holiday quickly becomes enthused with hidden agendas and mysteries. There is an eagerness to jump into action, which makes the issue lively and adventurous while also linking back to the family at the story’s root

Iron Man #1 is an excellent Marvel debut. Comics have always been accessible to those outside the industry, leading to diverse talent and ideas. For a newcomer to comics writing, Ackerman has nailed it.

Nightwing #119 has the shadows and villains of Batman but with slightly more lightness and a more hopeful hero at the helm, and this creative team has embraced that beautifully.

Superman #19 is a shining start to a new arc. Bringing history and extensive storytelling into a new era, the book doesn’t feel bogged down or difficult to understand.

Green Lantern #16 escalates the war. The loss of Thanagar has scattered the forces and completely changed the conflict. But at least in this near era, Hal Jordan is not alone.

This creepy, scintillating spy thriller makes the shapeshifting mutant the star of the show, making her scary and unsettling once again.

Titans #16 rings the changes. The whole new creative team may have altered the team’s chemistry, but the Titans’ spirit remains.

Uncanny X-Men #4 is the perfect mix of horror and heroes.

Wolverine #2 focuses on opposites. Every issue has added something extra to elevate the stories.

Wonder Woman #14 features both love and loss. The issue delivers a punch that leaves the reader dazed long after the book finishes.

Absolute Batman #1 heralds a new hardcore world. This comic builds a brand new Batman, brand new Gotham, and brand new everything. Snyder’s writing is brave and bold, telling stories that can only be told in this universe without connections or shackles.

Blade: Red Band #1 draws fresh blood. After Blood Hunt provided a full stop to the previous Blade series, this new chapter shed much of the burden and complications.

Green Lantern Civil Corps Special #1 is rewarding. The United Planets storyline has been progressing for a long time, and this issue directly addresses and dismantles the lengthy saga. The Green Lanterns shine together, feeling big and expansive.

Sentinels #1 is an intriguing experiment. It’s a ruthless, gritty sci-fi tale laced with military material.

Ultimates #5 reignites an age-old conflict. However, within remains an exciting sci-fi and superhero story, with a fight scene that excites from start to finish.

Absolute Power #4 delivers on all fronts. Nothing is left unanswered, and the various plot threads are brought in for this final push.

DC All In Special #1 is a unique concept. Heralding in a new era, a new world is introduced using heroes and villains.

Storm #1 starts with a celebration of the character. It begins with Storm at her most powerful and most respected because that is how many readers view her.

Absolute Power: Task Force VIII #7 is disappointing as a finale. The final selection of characters is interesting in theory, but there are too many of them to create connections or feel attached.

Green Arrow #16 is not ready to make things right. The issue reunites the heroes for a moment, but that does not mean they are all friends again. Even among his family, they can’t test Green Arrow’s resolve.

NYX (2024) #3 continues to be something different. At its core, the comic is a story about finding a community and trying to connect to others.

Uncanny X-Men #3 brings the newcomers into the fold. It’s an achingly beautiful issue that is both honest and haunting.

Absolute Power: Super Son #1 provides time to say goodbye. The dialogue is phenomenal, and the visuals are stunning. The extended length of the issue allows for a long mourning period, embracing the sadness and the complicated feelings that spin out of such a loss.

Avengers #18 races against time with restraint. It doesn’t rush to tell this story; it isn’t a frantic fight.

Dazzler #1 is a proud statement. This subject is perhaps as timely as ever, with the immense pressure being put on anyone with a microphone from either side.

Superman #18 (2024) makes peace with a famous weakness. The art style fits the mystical nature of the book beautifully, making it as uncomfortable a journey as possible.

Wonder Woman #13 uses its levity to instill hope. The whole book is fun and freeing, with humor laced within the action. It’s ultimately a positive reading experience.

Absolute Power: Task Force VII #6 adds more surprises to the series. With narrow escapes and the heroes’ ability to start fighting back, perhaps the severity has waned while watching the war through the eyes of evil.

Avengers Assemble #1 (2024) is busy. It’s a start that flings everyone headfirst into the action, with the pace and scale immediately ramped up.

Green Lantern #15 cements the character’s importance. Hal has been a significant event feature outside the main book, bringing weapons and reinforcements. But branching the story out through the supporting cast has broadened the crossover range immensely.

Uncanny X-Men #2 continues to impress. It doesn’t feel like a classic X-Men comic because the characters themselves don’t want to be X-Men.

As a first issue, this fight in the forest shows that the creators know the essential pillars of what makes a great Wolverine comic: the violence and the contrast between his animalist and human sides. But by the end of Wolverine #1 (2024), elements are brought to the surface, suggesting this story will go somewhere new and unfamiliar.

Absolute Power #3 provides a foothold towards victory. The superstar creative team has made this series a hardcore, visceral war for the heart of every hero in the DC Universe.

Batman #152 concludes one of the most exciting tie-ins within the event. The comic has taken Batman into extremely uncomfortable surroundings, yet the adaptability has proven why he is such a fantastic hero.

Exceptional X-Men (2024) #1 is a beautiful book in both art and writing, with a genuine heart and growing towards something crazier.

Absolute Power: Task Force VII #5 is just as intense as the rest of the series, hunting down the heroes ruthlessly.

Aliens vs. Avengers #1 is a solemn start to the series.

Green Arrow #15 embraces its slice of the DC Universe.

NYX (2024) #2 branches out and broadens horizons.

Predator Vs. Black Panther #1 starts the hunt on both sides.

Superman #17 (2024) is full of energy, trying to find hope in the most desperate situations.

Wonder Woman #12 (2024) is a tremendous team-up.

Ultraman x the Avengers #1 is only the beginning; so much time has to be spent dealing with exposition, but the mesmerising art and excellent dialogue make every word enjoyable.

Absolute Power: Task Force VII #4 returns to ruthlessness. Issue #3 started toying with the idea that the Amazo robots could be reasoned with and that the influence of absorbing the heroes’ powers meant their personalities were breaching through, causing complications. But Failsafe is something different.

Green Lantern #14 is a vital part of Absolute Power. It is involved in the event in many ways, with Lanterns included on Earth and beyond.

Ultimates #3 shows a generation of consequences. The world of the Ultimates has tried to be slightly closer to reality, which makes the scenes in this issue more horrifying.

X-Factor #1 is much more horrifying than a first glance may suggest. The cynical satire early in the comic is merely a premise for some darker, more serious storylines.

Absolute Power #2 presses tighter on the throat of the heroes.

Batman #151 is an excellent tie-in. The issue excels because it is not set in Gotham, highlighting how Batman is an exceptional fighter and hero in any location.

Blue Beetle #11 ends the most energetic book in DC’s arsenal. Having followed the series from start to finish, the personality and passion within the comic have been enthralling.

Uncanny X-Men #1 is a near-perfect new beginning. X-Men is about rebuilding, while Uncanny is about exploring and helping. Simone's script is sensational, with the characters leaning on each other in their most vulnerable times. The genre of the book changes without being too dramatic a shift, merely offering examples of where the comic will head next. The small cast makes the book feel like family. The art is flawless and dripping with gravitas and drama.

Absolute Power: Task Force VII #3 takes the concept further. This has been a heavy metal series so far filled with all-out war between the Amazo robots and the heroes of the DC Universe.

Blood Hunt #5 makes the whole event worthwhile. Blood Hunt has not been the most accessible event to keep track of, but this final issue captures the excitement and the magnitude that the crossover deserved.

X-Force #1 seeks to both fix and fight. This a gorgeous issue that wants to traverse the globe and fix a world that has been shattered.

Absolute Power: Task Force VII #2 continues a ruthless rollout of robots. Viewing this event through the eyes of the monster hunting the heroes down exposes readers to sensational fight scenes and deeply uncomfortable scenarios.

Green Arrow #14 enlists everyone to the event. The book is so exciting because it takes off in unique directions whilst still staying integral to the Absolute Power series.

The young heroes in NYX #1 shine whilst tackling the themes of community. This expansive tale is happy to take its time letting these characters speak.

The combat in Daredevil: Woman Without Fear #1 is one of the best fight scenes in months, constantly changing and gripping to see unfold over many pages.

Phoenix (2024) #1 embraces enormity. As protagonists go, Jean Grey, in this guise, is perhaps the most powerful to have ever led their series.

Absolute Power: Task Force VII #1 attempts to be ruthless. The issue is an exciting and dramatic brawl through an iconic location.

Green Lantern #13 feels full. There are so many levels to the story being told by the creative team on this issue alone. The story jumps between the characters to showcase how many directions the plot is moving in but reamains easy to follow.

The Ultimates #2 expands the world without showing all of its cards.

X-Men #1 (2024) starts an era of uncertainty.

Enlisting a creative team that has spent years collaborating brings expertise and energy to Absolute Power #1, which is instantly noticeable. It’s an issue filled with shocks from start to finish, swinging with savagery.

Space Ghost #3 rapidly moves away from the origin story. Where the first two issues are crucial for gathering the group and providing an early example of the danger within this universe, the third chapter goes out and explores it.

The Boy Wonder #3 is a fantastic familial team-up. The book’s premise is interesting, brilliantly split between exploring the true protagonist of Damian while also giving focus to the guest star.

Werewolf By Night: Blood Hunt #1 is entirely unexpected. It’s one of the most shocking additions to the event so far. None of the other tie-ins or the main book are this bleak and relentless. It’s a monster on monster on monster brawl with unsuspecting humans in the middle.

X-Men: Blood Hunt Psylocke #1 stands out among a sea of vampire-hunting tie-ins

Blood Hunt #4 is too disjointed to land its most powerful punches. MacKay’s idea of spreading the event across the books affects individual issues. The art is excellent, and the dialogue has some bite to it, but the pacing and structure of the penultimate chapter zaps all of its energy.

Dracula: Blood Hunt #2 excellently explores emotions.

Black Panther: Blood Hunt #2 must be respected for its ambition. The direction in which it has travelled is completely unexpected but not unwarranted.

Ultimate Spider-Man #6 is a formative finale to the first arc. Spider-Man and Green Goblin are put to their largest test yet, highlighting to themselves and the audience that they are not ready to run a revolution alone.

Titans #12 is a transformative moment in the series. As Raven gets more brazen and brutal, it’s also drawing attention to herself and making enemies out of those who meant to be her friends. Taylor writes a concise and terrific two-issue story that fits brilliantly among the more expansive threads of the arc.

Wonder Woman #10 is outstanding. Many aspects of King’s writing and Wonder Woman’s personality come to the fore in a single issue. It has powerful drama and adorable comedy in the central and backup stories.

The sense of scale is dazzling in the writing and stunning visuals. Batman: Gotham By Gaslight — The Kryptonian Age #1 can drag and take its time to sink its teeth into the situation, but the second half is filled with adventure and character interactions.

Blue Beetle #10 is a boss battle for the ages. The spectacle is astounding, and the fight scene is terrific. All the unease and mistrust bleeding into every issue of the run reaches a peak.

Blood Hunters #2 collectively sinks deeper into the darkness. Throughout the issue, the scenarios are getting bleaker.

The Ultimates #1 shows a world trying to rebuild. It’s fascinating to see a universe that has been hobbled and forced to find its heroes individually. The slow, stuttering start works against the deadline for Tony Stark and the rest of the Ultimates.

The Boy Wonder #2 explores two brothers who feel broken. Using Damian as the crux, Ba takes an in-depth view of the Robins.

DC Pride 2024 #1 is a huge celebration. The fact that some characters weren't included demonstrates how many choices there are now, a distinct difference from just a few years ago.

Black Panther: Blood Hunt #1 is visually and viscerally spectacular.

The Flash #9 helps the series find its feet again. The clarity within the storytelling allows us to enjoy the dialogue and the intricate details of Spurrier’s script further, which has never faltered.

Titans #11 is spectacular. The comic is a brilliant representative of what Tom Taylor has been attempting over the latest arc.

Wonder Woman #9 is a cerebral climb through an incredible mind. To try to portray the length of time that Diana is kept in total isolation, King finds a way to display her fraying mind. And for much of that, the comic is brilliant.

Blue Beetle #9 is built around important conversations. A supporting cast has been built that is so tight-knit and connected that stories can be designed around all of them.

Avengers #14 is a new lineup of old friends. MacKay brings some classic characters into the comic to fill the void whilst the rest of the team is needed elsewhere. MacKay is ubiquitous across this event, and his ability to write several books simultaneously deserves immense commendation.

Blood Hunters #1 shows how heroes adapt to the most dramatic situations. There is also a fantastic showcase of how creators can use the same concept and change it thoroughly depending on the main character.

Doctor Strange #15 is a show of intent. MacKay does not hold back in the early part of the comic. It highlights the damage the writers are willing to do to some of the most integral superheroes within the Marvel Universe.

Dracula: Blood Hunt #1 is the Generation Game with fangs and stakes. It packs mystery and gothic horror with youthful energy.

The Boy Wonder #1 is all about a boy and his brothers. This comic may prioritize Damian Wayne, but it will encompass all the Robins and the relationship between them.

The Flash 2024 Annual #1 takes Wally to the edge of everything. This story needed to be told in an annual, as it needed space to go as far as it did.

Space Ghost #1 gives the character the revival he deserves. The protagonist is seen by others with trepidation and fear, implementing a new look that may update the character for modern audiences.

Avengers Issue #13 is a frantic finale to the tie-in. The Avengers involvement in Fall of X has been non-stop action, fighting Orchis with formidable firepower. The comic is an intense read that revels in classic superhero spectacle.

The Flash #8 is a cacophony of chaos. There is so much to love about this series and the inquisitive nature with which it tries to break reality and time. But it can also be tough to stay with it.

Black Widow & Hawkeye #2 keeps the relationship central to the story. Natasha and Clint are clearly their own individual people. Together, however, their connection drives the plot.

There is much more substance within Spectacular Spider-Men #2. The storyline of the clones has expanded, seeming to infiltrate various aspects of regular life and subsequently draw the superheroes' attention

Black Panther is a passenger for much of this book, allowing the others in the issue to be the talent. Overall, Ultimate Black Panther #3 opens many doors into mysteries that could reinvent the Black Panther mythos even further.

Titans #10 continues the powerful series. The first arc out of the Beast World event is tearing the team apart through trickery and demons. The art is sensational, and the action is exhilarating, making the comic a blast to read.

Wonder Woman #8 leans into why the character exists in the first place. Diana is a beacon of hope and encouragement for women and girls worldwide. King taps into that idea, and the Sovereigns misogyny presses down heavily on the protagonist.

Ultimate X-Men #2 continues Momokos masterpiece. Momokos influences are all surfacing within this series to a phenomenal effect. The Studio Ghibli comparisons are easy to make, but the horror elements are just as important and noticeable.

Green Lantern #10 puts Hal back home. The art gives the Green Lantern Corps the grandeur it deserves, even at its lowest moments. The book also regularly reminds us that Hal is not the only Green Lantern, and all must work towards liberating the cause they all cherish.

Outsiders #6 takes the comic entirely out of reality. The writing is intelligent and unique, approaching the book from a fascinating angle.

Even though it ties into Fall of The House of X, Avengers #12 feels entirely like an Avengers comic.

Blue Beetle #8 is sensational. While much of the issue is exposition, the storytelling never feels tedious or cumbersome. When it is heavy, it is due to the beautiful art and the emotion that lingers in every word. The departure is heartbreaking, hitting like a freight train.

Ultimate Spider-Man #3 gives the series energy and exuberance. The book has a playful attitude and a sense of fun fused with the danger and drama. At every turn, a twist shakes up assumptions that Spider-Man fans can start to craft, telling completely new stories with familiar characters.

The Flash #7 catches everyone up. The book has moved at such a speed lately that it has been hard to hang on to, so this issue explains those left behind. Wally’s absence from the picture allows exploration of some of the neglected figures in the series, such as Barry and the other speedsters.

Titans #9 drenches the team in darkness. Having already proven that they can save the world, the Titans’ next challenge could be even more significant. The most powerful beings in the universe are starting to pay attention to their adversaries.

Wonder Woman #7 is a charming break from the chaos. It’s a remarkable romp that completely changes the comic’s mood, precisely the palette cleanser the series needed. It’s fun, fresh and energetic.

Black Widow & Hawkeye #1 pushes an old friendship to its limits. This partnership is built out of tension and difficulty. Natasha and Clint will always search for each other in their worst moments, even if they don’t recognise the person they find. The start of the plot is unorthodox and complicated, but when the comic straightens out, it excels.

Ultimate Black Panther #2 heralds uncertainty. The status quo faces disruption within the series. This is wartime and a period of mourning, and the balance between Black Panther’s character development and his involvement in the rest of the story is brilliant.

Outsiders #5 delves into another murky corner of the universe. Each issue of the series has opened doors to stories that can go much deeper.

Avengers #11 is warm and welcoming. This chapter relies on reminiscing in a series filled with new characters and endless action.

The Devil That Wears My Face #5 is building towards something huge. The pace is breathtaking. The comic is hurtling towards absolution with a fury that may leave Rome in ashes when it’s finished.

Spectacular Spider-Men #1 understands its crucial components. This is the first issue that is fuelled by fun.

Ultimate X-Men #1 is Peach Momoko’s masterpiece

Blue Beetle #7 is a chaotic celebration of a career. The issue is more of a touching tribute than a coherent story, which is acceptable for a creator like Keith Giffen. This book has both fourth-wall-breaking madness and some genuine and gentle family moments, which have just as much power.

Kneel Before Zod #3 is the turning point in the series. It has been a fascinating read so far and an interesting experiment. Having protagonists lacking emotions and sensitivity is a challenge Casey has accepted and accomplished.

Punisher #4 concludes by making us want more. Seeing it end so early is devastating, as it was an exhilarating adventure for the new Punisher. The four issues could be a taster of what these characters offer

The Flash #6 celebrates confusion. The book is at an impasse. Spurrier is telling a cosmic horror story within the confines of the forces that control the Flash. And while reading it is mesmerising, comprehension of what is happening is on the verge of slipping away.

Ultimate Spider-Man #2 fills the new universe with life. There is a real buzz around this book.

Titans #8 focuses on consequences. The book ensures that what came before does not simply blow over. The new artist visually alters the mood of the book. Doubt seeps its way into Earth’s foremost superhero team, suggesting greater, imminent danger.

Wonder Woman #6 is a real show of strength. The book presents Wonder Woman with one of her greatest-ever tests against a collection of her greatest foes.

Amazing Spider-Man #43 is brilliantly balanced. It’s a comic focused on action and characters, not placing more importance on either.

Miles Morales: Spider-Man #16 enjoys its exuberance. There is so much going on within this comic. The book is devoted to keeping the speed and the energy high.

Batman: City of Madness #3 concludes a journey of disturbing discovery. Ward has delivered a masterclass by bringing the iconic and unnerving style to the world of Batman.

Blue Beetle #6 is an extraordinary ending to the first arc. The series never fails to be breathtaking and the emotional range existing within the storytelling is sublime.

Outsiders #4 tells another brand-new story. Every single chapter of this series introduces a whole new adventure and investigation. The latest issue may be the closest to a superhero comic so far, and veering near that is the whole premise of the plot.

Avengers #10 steps up the storytelling. Drawn in through the action, this issue takes the time to draw the Avengers deeper into a war that appears to cross points in time and dimensions. The villains have spooked both Kang and Nightmare, which means their danger is even greater than initially realized.

Daredevil: Gang War #3 is pushing its key characters closer. The agony both women have endured and unleashed on others ties them together. Whilst it is deeply connected to the main book, there is constant communication with the other heroes.

Ultimate Black Panther #1 is an impressive beginning.

Kneel Before Zod #2 is an interesting experiment. It explores what happens in a world without heroes. It adds two threads that run parallel to each other and split Zod’s concentration, which could split the whole planet in half.

Red Hood: The Hill #00 is the comic equivalent of an expansion DLC. A neglected part of Gotham has been opened up However, a consistent identity needs to be established.

Deadly Hands of Kung Fu: Gang War #2 threatens Shang-Chi’s balance. Poised between being a gang leader and a superhero, the turmoil sends the martial artist back and forth between armies like a tennis ball. He can’t trust anyone and no one can trust him. The different sides of the character are on display to reflect who faces him, and that variety is exciting to explore.

The Devil That Wears My Face #4 removes all restraint. The increase in speed appears at precisely the right time within the series, giving it an onslaught of energy.

Batman and Robin 2024 Annual #1 embraces the larger format. It is a perfect example of the stories that can be told in an annual, benefitting from the extra space.

Titans: Beast World #6 wraps up this team’s biggest challenge to date in an incredibly entertaining story that has turned a comic filled with bestial transformations into a character-driven tale.

Punisher #3 drags the vigilante into a myriad of horror stories. It’s a display of masterful storytelling, with the various plot threads explored within the barbarity. With every new chapter comes something entirely different from the last, creating a refreshing first arc that makes each individual part engaging and unmissable.

At the very core of the comic is a family, and the complications within that family can strike a pang of guilt and sadness into everyone’s heart.

Titans: Beast World #5 mourns and moves forward. In the wake of a tragedy, there are those who seek to take advantage. The turn in direction away from the beasts and straight for Waller continues to give the book the energy that it has never lost for a second.

Titans: Beast World Tour Star City #1 is a return to the norm for the anthology tie-ins. Four entertaining and engaging books by several creators spread the event's effect across an entire city.

The Amazing Spider-Man #42 is another great story for the villains. Despite the title, Spider-Man is in the backseat for the majority of this comic.

Avengers: Twilight #1 is a somber story.

Titans #7 becomes the spotlight. The main book within Titans: Beast War is excellent, but this tie-in takes the event to another level.

Wonder Woman #5 brings everyone else to the party. Wonder Woman wants to deal with everything on her own, but this chapter shows who can help her, as well as the main reason why. It could be considered slow, but the action has been replaced with some fantastic pieces of character development and storytelling.

Avengers #9 is a superb action issue. It’s a book designed to weave characters and combat from beginning to end.

Daredevil: Gang War #2 is one of the best Gang War tie-ins due to the strength of its lead character.

Giant-Size Spider-Man #1 is conflicting. The first in a set of 50th-anniversary one-shots, the idea is magnificent whilst the execution is strange.

Miles Morales: Spider-Man #15 is a perfect change of pace. As it reaches its climax, the whole plot has been an extension of Ziglar and the rest of the creative team’s exemplary storytelling.

Ultimate Spider-Man #1 is a fascinating start. The changes to the world of Spider-Man are drastic and have altered how the character acts and speaks completely.

Outsiders #3 breaks more boundaries. The comic routinely finds individual and experimental ways to tell a superhero story. This issue may feature more superheroes than any other issue so far and is much more action-packed, but it is far from normal. It requires the reader to question and to think as everything is tweaked.

Titans: Beast War #4 sinks its teeth into the event. With three issues taken to assess and get a wide understanding of the scale of the situation, now the real heart of the story is being exposed.

Amazing Spider-Man #41 is the best issue of Gang War so far. It puts distance between the generations whilst determining their similarities. The fights were brutal and brilliant within an unrelenting issue where the art has well and truly stepped up.

Blue Beetle #5 is so much fun. The book is filled with personality and passion, with the action and colors of a Power Rangers episode. The dialogue and the art are simultaneously stunning, and the slow inclusion of Starfire was a stroke of genius.

Kneel Before Zod #1 is a real character piece. Every part of this world seems to be built entirely in Zod’s image, right down to the individual panel. The lack of heroes of any sort removes ideas of hope, love, or kindness from the book, replaced with an authoritarian bully who has been selected as the “protagonist.”

Titans: Beast War: World Tour Atlantis #1 is another awesome format shakeup. Something of a blend between the classic style of multiple stories but with more of the interlocking concept of the Central City issue, ultimately, the tie-in is a success because of it.

Deadly Hands of Kung-Fu: Gang War #1 brings another player onto the board. Initially wanting to be isolated from the rest of the event, it is evident that circumstances do not want that to remain the case. The notion of implications for what happens within this crossover is consistent with the majority of the tie-ins, giving the whole event more weight and edge.

Miles Morales: Spider-Man #14 is the perfect example of a tie-in. The Gang War crossover has been incorporated into the book without breaking stride, carrying on with all the character development and plot points. The book has been fantastic from the start and is brimming with personality and individuality, with an absolutely mind-blowing art style.

Batman/Santa Claus: Silent Knight #4 concludes a really cool crossover. It’s not just a tale trapped in its own timeline; this fits into DC’s canon and could have consequences. And even if this book tried to step away from tradition and cliches, it is what it has to fall on to finish, but it’s hard to resist a smile.

The Flash #4 is incredible. This whole series is absolutely unique, taking not just the Flash to another level but the whole superhero genre in general. Using Irey grounds the comic, providing both a tether to bring Wally back home and, as an adventurer herself, running off into danger.

Titans: Beast War #3 is cementing the heroes' legacy. This is a group that has always been on the sidelines. They are now the last line of defense, expected to save the world. And yet the values that made them unique are still held dear; the sensitivity and their shared connection keep them tethered even across the planet.

Amazing Spider-Man #40 keeps moving fast. The scramble for power within New York is dragging criminals out of the woodwork, and seeing the tussle between the groups is amazing fun.

Batman/Santa: Silent Knight #3 is turning into a sensational crossover. From the monster hunting to the banter between the heroes, the comic features endless amounts of fun.

Titans: Beast War World Tour Central City #1 reinvents the anthology format. The idea of threading and interlocking the stories requires a remarkable team effort that is achieved spectacularly. Featuring connections to ongoing series also makes the book feel like an extension of the event and the ongoing titles.

Wonder Woman #4 remembers the hero’s heart. That is what makes Wonder Woman so special: the fact that she’s a weapon of war with a soul that shines brighter than any star. There may be a haunting sadness to the book as it nears its conclusion, but it has so much compassion within it that a smile can be found among the tears.

Gang War: Daredevil #1 is a fantastic tie-in. It isolates Daredevil whilst also making sure it's an integral part of the whole event. If there is a character that could be left alone to protect a whole area of New York, it is the world's deadliest assassin.

Miles Morales: Spider-Man #13 is endlessly energetic. It covers a lot of ground quickly and efficiently. Miles is a huge figure in Gang War, but his individual struggles and plotlines aren’t ignored either. The balancing of both of these elements is fantastic.

Punisher #2 has endless amounts of adrenaline. Once the action starts, there’s no telling when it will stop.

The Devil That Wears My Face #3 is a fantastically brutal and biblical battle of wits and belief. The comic is constantly evolving.

Batman/Santa Claus: Silent Knight #2 is one of the best Christmas comics ever. This series has the depth to be able to be read at any time of the year, no matter the season. The ancient spirit of Christmas forms a spine and soul to the book, but it doesn’t seek to undermine the hardcore elements of the action or the plot.

Batman: City of Madness #2 can make any reviewer feel inadequate. It’s an artistic experience that is utterly unforgettable and leaves you tongue-tied. It’s a book that exists in its own universe, speaking in both story terms and from a creative standpoint.

Outsiders #2 is refreshing. The characters are important, but they pale when compared to the scale of their discoveries, which are presented through an unbelievable art team.

Titans: Beast World #2 shows its teeth. The unique elements of the event are even more present in the second issue as the ramifications of Doctor Hate’s confrontation with Beast Boy become clearer and more chaotic.

Titans: Beast War World Tour Gotham #1 is a great collection of confrontations. The concept of turning heroes and villains into animals lends itself to both drama and silliness. Fury and fun can co-exist. Where many writers have captured the intensity and the horror, others lean on the levity that is often necessary.

Amazing Spider-Man #39 is controlling the chaos. This event has unleashed its full power, with heroes and villains everywhere in a power struggle that stretches over an entire city. And yet, with everything erupting, the story is captivating and keeps the exposition from overloading.

Avengers #8 is a terrific standoff against adversity. What it takes to be an Avengers is presented loud and clear early within this issue, and those credentials never take a breather.

TL; DRThe Sentry #1 is one of the surprises of the year.

TL; DRBatman/Santa Claus: Silent Knight #1 is surprisingly evergreen. Whilst the main character is literally the symbol of Christmas and thick snow covers the Gotham ground, turning it into a monster-hunting horror comic gives the adventure the ability to be read any time of the year.

Blue Beetle #4 is achingly beautiful. There is much less action, but that is only so more time can be spent with the characters and giving them all the development they need.

Titans: Beast World Tour Metropolis #1 is a great collection of tales. The trio of stories are representative of the creativity within comics and how a similar concept can be told in a variety of ways and in so many styles.

TL; DRTitans: Beast War Waller Rising #1 is a comic that really could have flourished regardless of the vent, but the crossover granted the one shot with the seeds to grow from.

Amazing Spider-Man: Gang War First Strike #1 clicks off the safety. Whether as a newcomer or a longtime reader, it is clear from the start that the situation is on a knife edge, with criminals gaining confidence as the heroes lack it.

Luke Cage: Gang War #1 is strengthened by the power of its protagonist. Both isolated and connected to the rest of the crossover, it is the characters that keep it interesting.

TL; DRSpider-Woman #1 gives Jessica Drew her spark back.

The Flash #3 is mesmerizing. Every time we try to learn more about the forces of the DC Universe, the mysteries within it get deeper.

Titans: Beast World #1 opens the new event with as huge a gambit as possible. The book features a cataclysmic battle that is a worthy climax, but it is merely a prelude. And yet, amid the traveling across a solar system and the extensive cast, Taylor finds the time to make the first issue a tribute and a celebration of Beast Boy.

TL; DRMoon Knight: City of the Dead #5 successfully wraps up an expansive personal story.

Batman Off-World #1 is a chaotic cosmic adventure. Whilst Batman has been taken to territories where he doesn’t belong, the tone and the characters are representative of a world he is all too familiar with.

Wonder Woman #3 elevates every element of the series so far

Batman and Robin #3 is an energetic edition of the series. The issue features exhilarating action from the beginning and never wants to let the book get far without the fights following it.

Green Lantern #5 is a tremendous issue. The decision to ground both Green Lantern and his greatest enemy was genius, as it localized the storytelling. One of the most famous rivalries in DC’s history is reignited and reforged, with the damage their battles caused being felt by people who are just spectators.

Outsiders #1 is a brand-new frontier. It’s an alternative approach to what superheroes can and want to do, putting their skills towards the search for knowledge instead of vengeance and justice. This first chapter was only a teaser, but it will leave readers longing for more.

Speed Force #1 is a non-stop burst of energy. From the opening page, the comic uses the young heroes to drive the comic forward, never looking back. It’s a comic that is delightfully fun to read, positive, and always engaging.

Punisher #1 is a worthwhile experiment.

Batman #139 is both simple and complicated.

Blue Beetle #3 continues to build upon an extremely exciting series.

TL; DRShazam #5 brilliantly controls the chaos.

Avengers #7 starts a new arc with the most drastic of issues. Opening with the end of everything is a bold choice, but it is as captivating as possible.

Batman/Catwoman: The Gotham War: Scorched Earth #1 is a powerful ending. There is something to be said about the inevitability of Gotham, but this final issue ushers in massive amounts of change.

Captain Marvel #1 brings old stories back for new characters. Evolving the concept for this particular Captain Marvel generates a fascinating twist to the tale, and the book itself is fresh.

Marvel Zombies: Black White and Blood #1 invites creators to delight in depravity.

Predator vs Wolverine #2 is another art gallery of slaughter. Unflinching and unrelenting, the comic is throwing the most hardcore figure on Marvel’s roster through the ringer with a new contender to the throne, never once letting up

Alan Scott: The Green Lantern #1 is a deep mystery that stretches across time, barely even offering insight into what the Green Lantern came up against and will face as the series progresses.

Amazons Attack #1 is an energetic expansion. It takes what King ignited in Wonder Woman and shows how it affects everyone else.

The Flash #2 rips up the rule book of the fabric of the DC Universe. What was believed about the physics and even the spirituality of the Speed Force is being upended with the introduction of something new.

Wonder Woman #2 is a show of strength and steel. Wonder Woman has often been presented as a being of compassion and love, but King is also hammering home the point that she is one of the most powerful beings in the DC Universe.

Spine-tingling Spider-Man #1 is a terrifying start. The isolation amplifies the character’s voice, especially when so much of what fills his supporting cast and identity is stripped away. The plot is impossible to predict because of how quickly it can divert and erupt into chaos.

Avengers #6 is a triumphant set of knockout punches. This first arc has been epic, demonstrating the force and the severity of the enemies this Avengers team will face.

Batman and Robin #2 takes a different approach to the father-and-son relationship. Batman’s relationship with the Robins can be complicated, and that is very apparent here. But above all, it paints them both as good men.

Batman: City of Madness #1 is a visual masterpiece. It’s a fascinating story that is venturing into nightmarish territory.

Green Lantern #4 brings The Brave and The Bold back together. This whole series has a refreshing return to classic Green Lantern stories, and this issue expands that idea

Wesley Dodds: The Sandman #1 gives the vigilante a whole time period to himself. An immersive, individual world is created for Wesley Dodds to express himself.

Alien Annual 2023 #1 is a horrific nature documentary. It's an example of what the beasts get up to when no humans are around.

G.O.D.S. #1 is gorgeous and gigantic. The series’ ambition must be commended, willing to slice into the fabric of a dimension to find new stories. And when doing that, it’s not going to be easy to explain what’s happening.

The Devil That Wears My Face #1 adds a twist to the classic exorcist tale. Setting up with the standard ingredients of a Heaven vs. Hell battle, it doesn’t take long for the series to go in its direction.

Batman #138 is a sign of something significant. Now, actions are being taken that cross lines, which might mean there is no going back. And whilst the heroes are busy scrapping in the light, far too many villains lurk in the shadows.

Birds of Prey #2 is a brilliant mix of dialogue and action. Thompson is the perfect fit for this book; he is superb at creating connections between the characters. It’s an expansive and inclusive comic, making it a fun read.

Blue Beetle #2 is spectacularly supercharged. The energy within the book, once activated, is intoxicating.

Shazam #4 is a whirlwind of chaos and fun. This is the second part of the situation with the gorillas, but it is entirely fresh and a new set of surroundings.

Avengers #5 maintains the magnitude of this first arc. This is one hell of a first Tribulation Event for the team, relentlessly restraining and overwhelming the Avengers from start to finish.

Batman/Catwoman: The Gotham War: Red Hood #1 narrows the cast to expand the crossover. With so many voices within the main book, this issue still captures the same moral struggle on a smaller scale.

The Flash #1 changes everything. The book is such an emotional shift from what came before, uprooting the feelings of comfort and safety, which was a crucial aspect of the previous run. Now every part of the book is unsettling.

Power Girl #1 is an energetic beginning. There have been glimpses at the setup of Omen and Power Girl through one-shots and tie-ins to events, but now there is the chance for this creative team to flourish.

Captain America #1 brings layers to an old man who has to be everywhere. For a man so stoic and permanently poised, perhaps even labelled as boring by some, Straczynski leans on that and sees if that can be tested.

Predator vs Wolverine #1 is filled with glorious violence. Two of the most bloodthirsty characters in fiction are brought together to do what both of them do best. Skipping between points in time is a nice tough, longer history for the Predators within this universe. Comics don’t get more hardcore than this.

Uncanny Spider-Man #1 is a wonderful piece of deception. It merges two of the most popular corners of the Marvel universe just by putting Nightcrawler in a costume and pretending he’s a web-slinger, and the concept is amazing.

Catwoman #57 is the best issue of the crossover so far. It’s a character-driven issue that revolves around a fascinating setting.

Green Lantern: War Journal #1 expands the story into something much bigger. The book is intensely creepy and atmospheric, with the overriding feeling that something awful is about to happen. This feels like the last moments of peace for John before bringing him into the action.

Wonder Woman #1 is a stunning but sombre start. It’s thought-provoking and violent, firing shots that were never expected at this level and so early.

Avengers Inc #1 is something completely different. Ewing brilliantly crafts a book that truly contains two halves. A seemingly endless amount of mysteries are introduced based on Marvel’s long history, but it is possible for a reader with no knowledge of that to enjoy it also.

Daredevil #1 is a unique first issue. Being the newest creator developing the next steps for a huge character like Daredevil is never easy, and Ahmed has simply blown up all the expectations and conventions.

Werewolf By Night #1 is a wonderful Halloween one-shot. It’s delightfully hilarious and brimming with fun, with action on every single page and not a dull moment.

Batman and Robin #1 uses separation to bring a family closer together. Batman’s actions prove that he’s trying to do things differently with Damian this time, and the approach is certainly worth reading.

Batman: Gargoyle of Gotham #1 is both classic and contemporary. Grampá uses the stalwarts of the Batman mythos to set the scene and surroundings, but the new elements elevate the story.

Green Lantern #3 returns to its regular storytelling. After the Knight Terrors distraction, the book seamlessly transitions into Sinestro’s revenge and Hal’s attempt to figure out his new ring.

Batman #137 is where Gotham War starts to take sides. What is tearing the group apart is not quite as sturdy a plot as it was when it was first established, but what it is generating is some fantastic character moments.

Birds of Prey #1 is a wonderful first issue. The chemistry between the characters is delightfully funny and heartfelt, with the potential to go dark and menacing at a moment’s notice. There’s a whirlwind of action from start to finish.

Blue Beetle #1 is a shining example of a first issue. It has a perfect balance of everything that could be wanted to start a new series. It’s a perfect jumping-on point for those who have found Blue Beetle from the blockbuster.

Shazam #3 features a little bit of everything. What could be considered silly is actually just not believing any storyline to be off-limits and beyond possibility, and it makes the series a blast to read.

Blade #2 gives the vampire hunter much more to hunt. Beautifully balanced when it comes to its structure, the comic takes its time delivering the story.

Incredible Hulk #3 is a cacophonous display of carnage.

Ms. Marvel: The New Mutant #1 is a fresh start for the resurrected hero. College may be the perfect allegory for the idea of moving away and beginning a new part of Kamala’s life, even if it isn’t a real move.

Action Comics Presents: Doomsday Special #1 sets up a superb ticking time bomb. Doomsday's fear factor means that even his name seems to petrify anyone who utters it. Just because he is in Hell, does not make anyone safe, even those that reside and rule it.

Batman/Catwoman: The Gotham War: Battle Lines #1 immediately sets the tone of the crossover. Many of the characters aren’t in their right minds as they come into the story, and that is before anything escalates the situation.

Knight Terrors: Night's End #1 gives the event the energetic ending it deserves. It's satisfying to have a linear pathway in a storyline that has largely moved sideways and backwards in order to make sense.

Daredevil and Echo #4 will leave you brilliantly bewildered. All of the foibles within the first issue become clear, and ultimately the whole series is better when read as a whole book, not individual chapters.

The Immortal Thor #1 is a glorious fusion of newness and nostalgia. This is an entirely fresh story, with characters setting out on journeys with roles they’ve never had before.

Jean Grey #1 is a unique approach to the alternate futures concept.

Knight Terrors #4 is a slow penultimate issue. Whilst it has its moments of brilliance and the art is gorgeous, the pacing does slow the momentum down.

Knight Terrors: Action Comics #2 concludes two fantastic tie-ins. Although the issue is long, it doesn’t feel bloated as the intensity and the pace is rapid from the first page to the last.

Knight Terrors: Angel Breaker #2 is a magnificent horror story. Utterly terrifying and beautifully creative, it bucks the trend of the event to make this book even scarier.

Knight Terrors: Detective Comics #2 has been a harrowing experience well worth it. It elevated the horror of the event, taking the concept of nightmares and intensifying it.

Knight Terrors: Harley Quinn #2 feels empty. The idea was great, and there are some really interesting pieces of dialogue.

Knight Terrors: Titans #2 is crushingly disappointing. After how powerful the build-up was from the previous issue, to have the payoff be so disappointing is a real shame.

Alien #5 brings the true horror story to a close. The book has been frantic and unrelenting in its violence from the moment the Xenomorphs entered, so it is true to form that it does not stop until the final moments.

Alpha Flight #1 gives the Canadian superhero team a real chance to shine. The comic is individual to them, the friends they have lost, the battles they’ve faced together.

Daredevil #14 is a stunning end to one of the greatest-ever creative team runs. It's difficult for modern comics to fit alongside those classic runs and tales that formed the foundation of everything that came after.

Dark X-Men #1 is needed when times get as dark as they are…It’s one of the most epic lineups, with some of the mutant world’s most malicious, repulsive, and awesome representatives. But it’s demonstrative of where the Fall of X storyline is.

Uncanny Avengers #1 brings the Unity Squad back when needed most. An important issue that brings an Avengers perspective to the catastrophic mutant situation.

Knight Terrors: Catwoman #2 has a lot of great ideas. However, they are structured and paced in a way that wastes all of the good work done. The dialogue and the character moments are beautifully bizarre and sometimes horribly traumatic, but it was imposing and emotive. It made me feel something. That said, this issue can’t control the mad moments and the jarring transitions between them.

Knight Terrors: Nightwing #2 is mindblowing, reveling in being creepy. It’s so difficult to trust whether everyone involved is who they say they are, but the inclusion of a bigger cast that fills this even more twisted version of Arkham Asylum is fascinating at every turn. The art delivers an endless supply of body horror, characters being twisted into horrifying, nightmarish versions of themselves.

Knight Terrors: Punchline #2 is a drastic change from the first issue. If it didn’t feature the same two characters at its core, it could be considered an entirely different tie-in.

Knight Terrors: Superman #2 concludes one of the event’s most important tie-ins. Whilst it isn’t scary, it’s integral in telling parts of the wider crossover that the main book hasn’t. Sharing the same writer as the flagship book has meant that it can be used to fill gaps, whilst also being fantastic at telling stories for the individual characters.

Knight Terrors: Wonder Woman #2 is gorgeous and reflective. It hones in on the title character to give the book an emotional depth that it had been lacking previously. The comic was explorative and adventurous, merging the physical nature of Diana with the magic of Constantine, and experimenting with bizarre creatures.

The structure of the story highlights a story much larger than I had initially believed, with an enormous scale and potential for directions to travel in. The art is spectacular, unphased by the constant changes. And it is almost impossible to guess how the rest of this tribulation event will be handled going forward.

Ghost Rider/Wolverine: Weapons of Vengeance Alpha #1 is an excellent opener to the crossover

Spider-Man Annual 2023 #1 needed more. Its a book that establishes a larger concept for a crossover. Heroes fighting heroes. A fun, energetic idea that draws in the crowds.

Knight Terrors #3 ventures into the endgame. With so many asleep, the world can feel empty now. But its also mixing cult favourite characters with household names to tell a story that leans on horror and fear rather than action. The tie-ins might be ending, but Knight Terrors isnt over yet.

Knight Terrors: Green Lantern #2 is an invigorating tie-in. For so long in this event, we have seen the greatest characters on the DC roster be beaten down and slowly depleted of their energy and sanity. But here, Hal is strong and resilient from the beginning. It makes for an interesting alternative to how comics, and stories in general are told.

The second half of Knight Terrors: Robin #2 leads to a really special set of moments, utterly captivating as the comic finds its strength. It becomes a feel-good comic with a satisfying ending.

Knight Terrors: Shazam #2 uses family to dispel the horror. It's a bit of a shock considering how the previous chapter was one of the more dramatic and scary first issues of the whole event. And that final moment is more than creepy enough to make up for what the rest of the issue lacks.

Knight Terrors: The Flash #2 is unique among the tie-ins. The Flash keeps running for Wally until the final page. Even when I know it's a bad dream, that it isn't actually happening, it's incredibly emotional and difficult to read. We've seen what Barry will do for his family, even if he has to tear himself apart.

Knight Terrors: Zatanna #2 is straightforward but superb. Straightforward isnt a criticism, as it makes the story so effective. It means the plot moves quickly and seamlessly, not weighed down by pages and pages of exposition.

Astonishing Iceman #1 is a fantastic solo title. Spinning out of his supposed death, the book brilliantly provides insight as to why he would be such a high-value target in the first place.

Magneto #1 is a wonderful return to some unexplored moments in Marvel's history. Magneto has been an ally of the X-Men for years now, and it is commonplace for his past activities to be brought up and scrutinized. But what I love about this iteration is that DeMatteis looks at what might be the first instance of when he is having to train and raise heroes whilst facing questions about his old self.

Knight Terrors: Black Adam #2 completely encapsulates the worst nightmare of its character. Black Adam is rarely deconstructed in such detail, but Haun does an excellent job of hammering home his insecurities.

Knight Terrors: Poison Ivy #2 is a confined, claustrophobic comic. The town's open space is replaced with a few homes and much bigger enemies, making the book an anxiety-causing masterpiece.

Knight Terrors: Ravager #2 evolves the horror in the tie-in. There is more urgency and all-out action on this issue, diluting the tension and trepidation of the previous chapter.

Knight Terrors: Joker #2 is a chaotic delight. This issue jumps off the idea of parodying one particular text and just goes mad, with multiple threads all centred around the same theme. I dont think the issue knew how to end itself after going so deep, but the good news is that the dream concept saves it from having to make a completely functioning conclusion.

Avengers #3 generates an aura and excitement without even throwing a punch, with drama in the dialogue and magnificent art.

Daredevil and Echo #3 welcomes back the weirdness. Its just the refresh the miniseries needed, offsetting the exposition of the last issue with action and craziness.

Incredible Hulk #2 is a horror comic through and through. It is difficult to find superhero elements in the story as there are few. Its scarier than Ewings run, more primal and intrinsic in how the frights are instilled.

Knight Terrors #2 has a lot to accomplish. So much of the real world has been obscured by the other tie-ins, so Williamson has to shoulder the responsibility of exposition. The pace can be slow, but this comic is keeping the others afloat.

Knight Terrors: Action Comics #1 is a great display of how creators can interpret superheroes and their nightmares. Here we have two different horror stories, but each one is an entirely separate approach.

Knight Terrors: Angel Breaker #1 is fantastic. The story would be amazing even if it weren't a tie-in to Knight Terrors, but it allows the book to exist and make a fantastic final twist.

Knight Terrors: Detective Comics #1 is the scariest and most surprising tie-in so far. What makes it so intense is just how unpredictable it is.

Knight Terrors: Harley Quinn #1 uses a tie-in to truly show how much Harley has grown. The first nightmare might have been damaging years ago, with memories of her abuser and the prison she called home. But that is barely the same Harley Quinn we see now, and this one is not so easily brought to her knees by someone invading her dreams.

Knight Terrors: Titans #1 is a great idea for a group nightmare. It's such a wonderfully crafted journey, with eloquent dialogue that never wants to say too much.

Alien #4 eviscerates the last suggestions of hope and safety. It expands on impending events, with bigger shocks, more enemies, and bloodier deaths.

Blade #1 is a new start that defies any expectations. The first half of the comic almost leans in on tropes and cliches, using a similar starting scene to what the Blade movie contains.

Guardians of the Galaxy #4 shows the aftermath of losing a best friend. It is gorgeously solemn and expressive.

Hawkgirl #1 hints at a series full of life and energy. It sets Kendra off on her adventure, but with her superhero friends there to perhaps serve as a buffer before she goes out on her own.

Knight Terrors: Catwoman #1 is a comic filled with intelligence. Everything about this book is thoughtful and layered. The repetition-induced trauma is extremely effective and relatable. Even with the heavy dialogue and themes, the book never feels cumbersome.

Knight Terrors: Punchline #1 is an intimate horror comic. Knowing when something is part of the nightmare in these tie-ins could potentially lead to ambivalence, as there is a feeling that the characters can't truly be harmed.

Knight Terrors: Superman #1 helps advance the larger story within the whole DC Universe.

Knight Terrors: Wonder Woman #1 is a masterpiece. The adventure is remarkable from the start, but the way in which it develops and grows is unlike anything Ive seen before. Its like the book is living and contorting, able to shift into whatever the creators choose to be.

There are a modicum of reasons why losing Kamala is so gut-wrenching, and I think the whole comic encapsulates that.

Groot #3 features excellent storytelling from all of the creators. Every person involved in making the comic had a crucial, irreplaceable part to play in controlling the tone and tempo of the book.

Loki #2 is a fantastic addition to their own fantasy epic. This comic contains the manipulative, smarmy, arrogant Loki, still trying to atone for their mistake.

The comic has the ability to be quiet and loud, with the fight against Hobgoblin moving a thousand times quicker than the start to the issue

Knight Terrors #1 shows that the real world is just as intense as the nightmares. An issue that is jaw-dropping to look at, the visuals are pivotal to help tell the story. The art style changing page by page is fascinating and helps the exposition be read effortlessly.

Knight Terrors: Green Lantern #1 puts up a fight against fear. A comic that actually sits comfortably within the existing story being told, it shows how Insomnia works his power against two Lanterns that have a history with that emotion and being manipulated.

Knight Terrors: Robin #1 features two insidious nightmares. It has two characters that only bond over a title they have both used, sending them on separate paths within the same space.

Knight Terrors: Shazam #1 makes the mind spin. Stripping away any ability to recognise whats real or not, the repetition in this issue seeks to disorient. That effect is achieved tremendously, with both the main character and reader traveling through in a daze.

Knight Terrors: The Flash #1 is a fantastic exploration of emotions. One of the greatest tie-ins to Knight Terrors so far, Paknadel perfectly toes the line of understanding what a dreamworld is like.

Knight Terrors: Zatanna #1 is a great look at what's happening outside the nightmares. The views inside the minds of some of DC's most iconic heroes are interesting and amass some brilliant stories.

Captain America #750 celebrates two Captains for perhaps the first time in one of these milestone issues. And the collection achieves that superbly.

This entire comic transcends what I thought Daredevil comics were capable of whilst still feeling true to not just Zdarskys run, but the character as a whole. Its mindblowing, but enough foundations had been laid to feel earned.

Doctor Strange #5 is a confrontation of control. It takes the highly anticipated wedding and turns it into an intense, uncomfortable showdown between the most powerful magical beings without them even fighting one another.

Thor Annual #1 is a fantastic rainbow bridge between two eras of Thor. It is a book filled with fun, simply placing two extremely powerful beings against each to fight it out

Men: Before the Fall - Sinister Four #1 is let down by its structure.

Knight Terrors: First Blood #1 is a brilliant look at what the event will entail. It features some of the core characters within the DC Universe, as well as others that will be important for this book of death and dreams. The mystery of the threat is brilliant as it is so different from anything anyone within that realm usually faces.

Knight Terrors: Black Adam #1 shows how to terrify a man who looks fearless. Black Adam is perhaps the most powerful being among this first wave of heroes and villains affected by Insomnia, and so it is fascinating to see how he is brought crashing down and humbled.

Knight Terrors: Poison Ivy #1 is a fantastic adventure in discomfort. Wilson places the main character in a situation where she would be unsettled anyway before it gets transformed into a nightmarish hellscape. The visuals are stunning in controlling the narrative and instilling fear through subtle details. Its a twisted fairytale that uses the unnatural nature of the entire landscape to make Ivy seem completely alone.

Knight Terrors: Ravager #1 is a claustrophobic boiling pot. Brisson places Rose Wilson in a house with no friends or help, asking her to protect a version of herself within an environment that isn't real.

Knight Terrors: The Joker #1 is a great mix of character study and inventive storytelling. Rosenbergs script is achingly funny, subverting expectations multiple times and keeping the issue surprising. There may be moments that seem awkward or that dont sound like the Joker, but thats the whole point of Knight Terrors.

Alien #3 is a book that embraces the franchise's relationship with fear. It recognizes the many ways of scaring people through Xenomorphs and Alien stories.

Carnage Reigns: Omega #1 is an epic conclusion.

Daredevil and Echo #2 needs to be an outlier. The issue takes the momentum of the first and almost instantly dampens it, putting the brakes on to litter the book with exposition and dialogue.

Harley Quinn #31 brings the adventure home. The sudden stop in the situation may cause whiplash, but the energy of the comic never ceases to amaze.

Hallows' Eve #4 gives the inexperienced hero a real test. The issue creates the biggest stakes so far, penning the heroes in and giving them a showdown with the villains of the book. It continues to be an exciting comic with a small cast of fascinating characters.

Avengers #2starts expanding the wider story for this run. The book is settling into a groove through these examples of heroism but also showcases that something new is on the horizon.

Hulk #1 is delectably disturbing as we are immersed in a horror story of intoxicating proportions from page one, unearthing a completely new threat.

Miles Morales: Spider-Man #7 is non-stop action. The creators of this issue have a mission; to start running and not stop until the final page turns. Flinging itself through New York, the momentum is unrelenting as the plot thins the crowd as it streamlines the comic for the final part of the crossover.

Cyborg #2 is very hard to stick with. At its core is a great story and a fantastic lead. The plot is fascinating, altering the concept of Victors critical father into something more intense and fitting for a science-fiction comic. And the mysteries within Solace are intriguing. But the repeated gags arent working and the unappealing art style makes the comic unpleasant at points. They are weighing the book down and getting in the way of the extremely likable elements.

Superboy: The Man of Tomorrow #3 is an energetic adventure. Whilst it is full of epic situations and a Superboy space battle in the beginning, it is also an example of masterful storytelling. Misdirections and shifts in the dialogue add layers to the script, taking a seemingly straightforward story and adding a completely separate tone. It provides the next part of this arc with a huge amount of strength to keep it maintained, with an art style that is not only gorgeous but intelligent too.

Carnage #14 is another great view from the villain's side of the story. Even with more heroes and other costumed characters wading in, the focus of this issue is the man pulling all the strings.

Doctor Strange #4 focuses on an investigation. It initially seemed like an odd choice to separate this issue from Strange himself and put more emphasis on Wong and Pandora. It could come across as filler or a side story. Instead, it is about as on track as the plot could get

Green Lantern #2 has the best of both worlds, with two stories that show that there isnt a wrong direction to travel in a Green Lantern comic.

SummaryDaredevil #12 is a poetic masterpiece.

Groot #2 shows a distinct change in its characters. The book is thrilling and emotional, as I found myself getting attached to the little tree and those that have chosen to try and keep them safe.

Invincible Iron Man #7 is exhilarating. A great story of attempted payback, the issue is action-packed and filled with exciting moments. This unofficial crossover between Iron Man and the X-Men generates a really interesting storyline for both sets of heroes, especially for Iron Man.

Loki #1 is a terrific mix of mythology and modern storytelling. The book is gorgeous to look at, and the fantastical parts make it instantly easy to escape within multiple worlds.

Red Goblin #5 keeps the character central while also advancing the crossover. Normie is the issue's focus, but the tendrils being told on a grander scale also flow through this book.

The Flash #800 brings an era to a close and fires the starting gun for the new one. The transition happens through the course of the comic, signaling a shift in the tide. That tonal difference is one that will be fascinating to see if persists on a more consistent basis.

Shazam #2 is even better than the first issue. All of the plot threads and ideas of the previous chapter are continued and made greater the second time around.

Alien #2 thaws its monsters out of the ice and, with so many Xenomorphs, everything seems so much bigger.

Carnage #13 raises the level of the crossover even further. Passing the ball to the villain, Paknadel embraces a new form of horror within the world of Carnage.

Doctor Strange #3 is a great example of how different this book is from other superhero comics. The job that Doctor Strange has is vastly separate from that of Spider-Man or Daredevil.

Daredevil and Echo #1 plunges the heroes into something totally different. Taboo and Earls subseries of mixing the street-level heroes with a magical, horror aspect has proved effective before, and the early signs of brilliance are here as well.

Hallows Eve #3 ramps up the energy of the series. The growth and development are gradual but noticeable. And whilst the story loses some of its real power by the end of the issue, this great cast is what keeps it interesting.

Avengers #1 starts the new era with vigor, and Mackay brings a refreshing and more streamlined focus. The cast is classic and full of powerhouses in every form of the word.

Guardians of the Galaxy #2 continues to set a new tone for the group.

Hulk Annual 2023 is such an ambitious idea, taking an incredibly specific genre of horror film and adapting it to a comic seems like an impossible take, and yet it is achieved superbly.

Cyborg #1 is powered by an incredible story. The plot is driven by one massive inciting incident, something that shatters the story of Cyborg and will change this series massively. Hamptons put Victor Stone in a position where hes never been, and that unchartered territory is exciting. But it should be said that there are multiple mistakes on both the writing and art side that stop this book from being impeccable.

The Flash #799 is a very different second half. The comic flings us straight into the action and doesnt let up until the end. Its frantic and dramatic and has ramifications that could affect the entire West Family and their future. This is why the way it ends feels so bittersweet. Its positive and intriguing, but not the knockout blow this full-throttle fight deserved.

Superboy: The Man of Tomorrow #2 is utterly brilliant from start to finish. Brimming with action and storytelling, the comic feels like a long read due to just how much content inside. Its a space adventure that is stunning to look at and has energy rippling out of every page.

Cosmic Ghost Rider #3 has kicked into gear. Bringing in figures like Valkyrie has pumped energy into the comic, with some terrific battles unfolding in multiple locations at the same time.

Daredevil #11 pulls the hero up from one of his deepest lows. That guilt and sadness that fills Matt radiate from him in this issue, wallowing in grief. Zdarsky is a master of pace and subtle storytelling. Sometimes its difficult to see the machinations and the journey hes taking characters on until the end of an issue.

Extreme Venomverse #1 is a great barometer of how a similar story can change with minor tweaks.

Invincible Iron Man #6 is an absolute pleasure to read. Its an issue that celebrates and relishes reliving the past, remembering the teams and relationships at the time. The promotional material superbly uses a red herring to distract from the main event, so there is a world of surprises within. Both fight scenes are delightful, and the art is stunning on every page.

Green Lantern #1 is a great way of starting again.

Carnage Reigns: Alpha #1 sets a high bar for the rest of the crossover.

Cult of Carnage: Misery #1 finally gives Liz Allen a comic of her own. Since her father-in-law and even her son have been given titles, it is only fair that she gets the spotlight shone on her too. She is powerful in her own right and Pirzada captures the chaos and the spectrum of disasters happening to her, before ramping it up even further.

Groot #1 is a wonderful and emotive book. Abnett is tapping into a piece of Marvels history that is very much under-explored.

The Flash #798 is a book of new lives and new horizons. The birth of a child in a fictional world can be significant in many ways, even more so when they are the child of a superhero. The baby becomes a target, a plot device, but also the very beginning of a new legacy hero. The story can move forward in incredibly dramatic ways with a joyful time travel romp that uses all of the runs loose threads, hinting that they will all be wrapped up soon.

Survival #1 is a strange but intriguing first issue. Its not a slow-burning thriller; its a high-octane slasher that revels in violence. Some of the dialogue is clunky and uncomfortable, but this is a comic that appears to like causing discomfort. It is unflinching and unafraid, as shown by the early exchanges, and this is just the beginning of the horror.

Daredevil #10 is an issue powered by heartache. Friendships and alliances are erased in this comic as both Daredevils haven and his reputation disintegrate.

Alien #1 captures everything that the franchise uses to be iconic.

Guardians of the Galaxy: Bane of Blastaar #1 is a fun cosmic adventure. So easy to pick up and enjoy, it is a fantastic example of how this cast of characters just makes any story they are in enjoyable.

Harley Quinn #29 is settling in and shining. Now that all of the elements of the plot have been introduced, Howard is starting to explore and excel with them.

Unstoppable Doom Patrol #2 lands all of its innovations. This comic has creators who are brave enough to try various design or narrative choices to tell the story, and a team with the acerbic and mad nature of Doom Patrol may be the best pick.

Hallows Eve #2 continues to be an exciting breath of fresh air. This is a book that is going out on its own with a lot of new, unexplored characters, and that is what makes it a really underrated book.

Red Goblin #3 is both epic and tragic.

The Flash #797 is brilliant, youthful fun. The kids have to save the day independently, with barely an adult to be seen.

Superboy: The Man of Tomorrow #1 is a great example of how to give a character space. Earth may have been too crowded for another ultra-powerful Kryptonian, but there is a whole multiverse in need of hope. All of the creators involved are top-class, filling every page with joy and energy. It is great to see Superboy at the helm of his own comic again.

Guardians of the Galaxy #1 is a great new start for the team.

Miles Morales: Spider-Man #5 concludes an all-time great arc. This is one of the best Spider-Man comics I have read in a long time.

Silver Surfer: Ghost Light #3 is a wonderful cosmic horror comic. Jennings has truly taken a character out of his comfort zone and made it work beautifully.

Cosmic Ghost Rider #2 brings a lot more chaos and brilliant storytelling to the table.

Planet of the Apes #1 is a superb adaptation of the supreme Simian story.