Action Comics Presents: Doomsday Special #1 sets up a superb ticking time bomb. Doomsday's fear factor means that even his name seems to petrify anyone who utters it. Just because he is in Hell, does not make anyone safe, even those that reside and rule it.

Alan Scott: The Green Lantern #1 is a deep mystery that stretches across time, barely even offering insight into what the Green Lantern came up against and will face as the series progresses.

Alien Annual 2023 #1 is a horrific nature documentary. It's an example of what the beasts get up to when no humans are around.

Alpha Flight #1 gives the Canadian superhero team a real chance to shine. The comic is individual to them, the friends they have lost, the battles they’ve faced together.

Amazing Spider-Man #17 is a blast. The plot has a long thread and energy in the short term. This is an extremely funny comic, silly at some points but in the most complimentary way possible. That is what works so well with Dark Web, not taking itself seriously and just having fun with demons and superheroes. The art is so exuberant and enjoyable that it is impossible not to smile while reading this issue.

Amazons Attack #1 is an energetic expansion. It takes what King ignited in Wonder Woman and shows how it affects everyone else.

Astonishing Iceman #1 is a fantastic solo title. Spinning out of his supposed death, the book brilliantly provides insight as to why he would be such a high-value target in the first place.

Avengers #1 starts the new era with vigor, and Mackay brings a refreshing and more streamlined focus. The cast is classic and full of powerhouses in every form of the word.

Avengers #2starts expanding the wider story for this run. The book is settling into a groove through these examples of heroism but also showcases that something new is on the horizon.

Avengers #3 generates an aura and excitement without even throwing a punch, with drama in the dialogue and magnificent art.

The structure of the story highlights a story much larger than I had initially believed, with an enormous scale and potential for directions to travel in. The art is spectacular, unphased by the constant changes. And it is almost impossible to guess how the rest of this tribulation event will be handled going forward.

Avengers #5 maintains the magnitude of this first arc. This is one hell of a first Tribulation Event for the team, relentlessly restraining and overwhelming the Avengers from start to finish.

Avengers #6 is a triumphant set of knockout punches. This first arc has been epic, demonstrating the force and the severity of the enemies this Avengers team will face.

Avengers #7 starts a new arc with the most drastic of issues. Opening with the end of everything is a bold choice, but it is as captivating as possible.

Avengers #8 is a terrific standoff against adversity. What it takes to be an Avengers is presented loud and clear early within this issue, and those credentials never take a breather.

Avengers #9 is a superb action issue. It’s a book designed to weave characters and combat from beginning to end.

Avengers #10 steps up the storytelling. Drawn in through the action, this issue takes the time to draw the Avengers deeper into a war that appears to cross points in time and dimensions. The villains have spooked both Kang and Nightmare, which means their danger is even greater than initially realized.

Avengers #11 is warm and welcoming. This chapter relies on reminiscing in a series filled with new characters and endless action.

Even though it ties into Fall of The House of X, Avengers #12 feels entirely like an Avengers comic.

Avengers Inc #1 is something completely different. Ewing brilliantly crafts a book that truly contains two halves. A seemingly endless amount of mysteries are introduced based on Marvel’s long history, but it is possible for a reader with no knowledge of that to enjoy it also.

Avengers: Twilight #1 is a somber story.

Batman/Superman: Worlds Finest #2 is phenomenal. This is very much like two comics in one, as the first issues story bleeds into this one before the real plot takes over. This overlapping of the stories between issues creates a longing to keep reading.

Batman/Superman: Worlds Finest #3 is a huge issue with a wealth of content inside. I was not expecting this comic to be so epic in its scale and in regards to the characters that are called upon. The team-ups seem fresh and energised, helped by the jump back in time. The creators are all magnificent at what they do and that is on display within this adventurous series. And each issue can change the course of the whole comic multiple times, so who knows where the next chapter takes us.

Batman and Robin #1 uses separation to bring a family closer together. Batman’s actions prove that he’s trying to do things differently with Damian this time, and the approach is certainly worth reading.

Batman and Robin #2 takes a different approach to the father-and-son relationship. Batman’s relationship with the Robins can be complicated, and that is very apparent here. But above all, it paints them both as good men.

Batman and Robin #3 is an energetic edition of the series. The issue features exhilarating action from the beginning and never wants to let the book get far without the fights following it.

Birds of Prey #1 is a wonderful first issue. The chemistry between the characters is delightfully funny and heartfelt, with the potential to go dark and menacing at a moment’s notice. There’s a whirlwind of action from start to finish.

Birds of Prey #2 is a brilliant mix of dialogue and action. Thompson is the perfect fit for this book; he is superb at creating connections between the characters. It’s an expansive and inclusive comic, making it a fun read.

Canto II: The Hollow Men #1 is a lovely fantasy comic that takes inspiration from the Wizard of Ozs heartless Tin-Man and creates its own world filled with unique characters. The art is so amazing to look at, with designs that look new and original. The story has a powerful identity and depth. The cuteness of the design can easily lead to misconceptions about the emotional power the story has. But there are themes starting to emerge that really resonated with me as I read. Cantos anxiety makes him a really effective main character and his tale should really be one of legend.

Captain America #750 celebrates two Captains for perhaps the first time in one of these milestone issues. And the collection achieves that superbly.

Captain America Anniversary Tribute #1 is a lovely homage, combining the past and the present. This is a celebration of not just Captain America, but also of art and the creators that have impacted the characters history. This is the comic book version of a jam session... There are over 50 creators involved, and each is of a superb caliber. This is a very touching and clever idea that beautifully captures the soul of a comic book character, one that became one of the most important of them all.

Catwoman #57 is the best issue of the crossover so far. It’s a character-driven issue that revolves around a fascinating setting.

Daisy #1 is a first issue that makes an impact unlike any other. The plot is fascinating, with Lorimers clues to where the story could be taken still perplexing the reader hours after reading. The twist is one of the most powerful this reviewer has seen, breathtaking in its strength. The art is a great style that is able to share both brutality and beauty.

Daredevil #1 is a unique first issue. Being the newest creator developing the next steps for a huge character like Daredevil is never easy, and Ahmed has simply blown up all the expectations and conventions.

Dark Crisis: Young Justice #1 is an atmospheric masterpiece. The delicacy in which Fitzmartin adjusts the emotions the characters are feeling is phenomenal. The blending of dialogue and exquisite art gives the book a damaged soul, matching that of the young but traumatised figures inside. But there are some really fun aspects of the book as well, especially after the twist in the middle of the issue.

Dark Nights: Death Metal The Last 52: War of The Multiverses #1 is a fantastic idea with superb execution. The story has so many interpretations of the same battle, allow so much more to be covered than what may be seen in the main event. The different creative teams result in contrasting tones for the stories. Some have comedic elements, others more grotesque. A few focus on hope while there are some much darker. Brimming with content and detail, this is a must-read book.

Dark Web: X-Men #2 is a great inclusion to the crossover. It features fantastic writing and phenomenal art. The book changes the face of the whole story by going from a spiritual Inferno sequel to a unique book that is the culmination of years of pain and heartbreak. Noto and Reis are an artistic match made in Limbo, fitting together seamlessly. The tie-ins of this crossover are being allowed to zone in on smaller parts of a larger, cross-dimensional tale that constantly adds more.

Dark Web: X-Men #3 shows a mother's strength and vulnerability. It is a story steeped in specific history, which has left pain and scars. Its an exciting issue, with a fantastic fight between two of Marvels most powerful women.

Dark X-Men #1 is needed when times get as dark as they are…It’s one of the most epic lineups, with some of the mutant world’s most malicious, repulsive, and awesome representatives. But it’s demonstrative of where the Fall of X storyline is.

Dega is a mesmerising sci-fi comic. McDaid's script and his art are equally gorgeous as this long project explores more than just a planet. The depth in writing, implementing an extremely high concept while being contemplative about existence, expands the mind.

Doctor Who: Empire of the Wolf is a wonderful blend of old and new. Although these characters have been seen before, Housers exploration of them brings something fresh to all of them. There is a beautiful understanding of where these people are in their separate lives and it really changes the dynamic when they are together. There is a real warmth to the books that stem from the heartfelt dialogue and adoration all of the creators appear to have for the figures on the page. This is a special comic and so rewarding to those who loved Rose.

Ghost Rider/Wolverine: Weapons of Vengeance Alpha #1 is an excellent opener to the crossover

Groot #1 is a wonderful and emotive book. Abnett is tapping into a piece of Marvels history that is very much under-explored.

Groot #2 shows a distinct change in its characters. The book is thrilling and emotional, as I found myself getting attached to the little tree and those that have chosen to try and keep them safe.

Groot #3 features excellent storytelling from all of the creators. Every person involved in making the comic had a crucial, irreplaceable part to play in controlling the tone and tempo of the book.

Guardians of the Galaxy: Bane of Blastaar #1 is a fun cosmic adventure. So easy to pick up and enjoy, it is a fantastic example of how this cast of characters just makes any story they are in enjoyable.

Guardians of the Galaxy #1 is a great new start for the team.

Guardians of the Galaxy #2 continues to set a new tone for the group.

Guardians of the Galaxy #3 is the best issue of the series so far. It explores the theme in a way that respects the history it is borrowing from whilst making an impactful story.

Guardians of the Galaxy #4 shows the aftermath of losing a best friend. It is gorgeously solemn and expressive.

Hawkgirl #1 hints at a series full of life and energy. It sets Kendra off on her adventure, but with her superhero friends there to perhaps serve as a buffer before she goes out on her own.

Hell To Pay #1 is a powerful first issue...The blend of horror and action is stitched together superbly. Soules script is exciting and weighted with content, while Sliney's incredibly creative art choices give the book an adventurous energy.

Hulk Annual 2023 is such an ambitious idea, taking an incredibly specific genre of horror film and adapting it to a comic seems like an impossible take, and yet it is achieved superbly.

The Immortal Thor #1 is a glorious fusion of newness and nostalgia. This is an entirely fresh story, with characters setting out on journeys with roles they’ve never had before.

Incredible Hulk #3 is a cacophonous display of carnage.

Iron Fist #1 is a stunning merge of the past and present. The main characters and the mythology of this comic have existed before this book, from Danny Rand to the new hero to the entire fable of the Iron Fist. And yet Wong is forging a new story from all of them, literally shattering parts of their history to craft new legends. The writing and the dialogue are energetic and enjoyable. The art detailing the fight scenes and gorgeous battlefields is a visual delight.

Iron Fist #3 is excellent. The comic features what feels like the first boss of the series, and its execution is exceptional.

Iron Man #12 is an excellent issue. The last couple of issues have felt like a retreat from the universal threat of Korvac, and this chapter now feels like returning to it with a vengeance. The action is electrifying and the unstable state that Tony is in leaves the reader on edge. The art is perfect for the location as the ultimate destination of this arc has been reached. Cantwells epic story is permanently escalating in its drama, so it is exciting to see what the next stage is.

Iron Man and Hellcat Annual #1 is a wonderful love letter to Patsy Walker... Throughout that first arc, Patsys trauma and history with Hell and marriages have been violently reminisced about but never shown. This annual brings that to life in a chilling fashion. Those demons (some literally) are put in front of her to face through incredibly intelligent scripting and artwork.

I adore the way the art or writing doesnt adhere to rules, and actively mocks the rules it is meant to follow. The versatility makes you sob then laugh then feel guilty because you laughed.

Jean Grey #1 is a unique approach to the alternate futures concept.

The Jurassic League #1 is a ridiculous delight. It's "what if the Justice League were dinosaurs" and not much else...There are a lot of aspects of this comic that do not make sense, but it really doesn't matter. Enjoy it for what it is. Its a book built on silliness, and it left me laughing.

Justice League: Last Ride #1 is a powerful first issue. Zdarsky is one of the best writers within mainstream comics and he demonstrates why within this comic. There is a history instilled within this first chapter that remains hidden, and yet the reader can still feel the weight that it pushes on the characters. The comic is incredibly atmospheric, with the tension inside palpable. The connection the heroes have with each other is most evident when it's gone. The plot itself sets up what could be some terrific battles and heartbreaking revelations.

Justice League: Last Ride #2 is a heavy yet sublime comic. Inside these pages is a battle full of devastation and unflinching trauma. But there are also subtle explorations of what happens to relationships in the aftermath of grief. There have only been two issues of this alternate timeline, but the reader is invested incredibly quickly. Zdarsky may be one of the best orchestrators of sadness in the business, able to manipulate misery with excruciating results. The art team brings this blockbuster to life.

Justice League: Last Ride #3 is a beautiful comic. This is a series that shows how different the Justice League can be if a writer removes one thing: spirit. These characters have been through something traumatic, and have been struggling to regain the spark they had between them.

Justice League: Last Ride #4 is an epic tale of universal proportions. These heroes have been in battles before, and the readers have seen them in some chaotic, magnificent wars. Zdarsky, Mendona, and Angiolini create a fight not only surpass those in its spectacle but bring planets worth of heart and pain into it as well. The soul of these characters has been exposed and killed, leaving broken shells behind. It could have been so easy for the focal point of this series to be that first Apokolips fight which led to the end of the team. But showing what happens years after that event makes the pain hurt even more. The exploration of what guilt and trauma can do to a family unfolds into a heartbreaking comic.

Justice League: Last Ride #5 is a blockbuster comic of epic proportions. Every aspect of this book radiates power and large scale. The characters are full of life, each one true to form. The relationships between them have been pulled taught by Zdarsky in some beautifully painful moments.

Tl;DRJustice League: Last Ride #6 is a mind-blowing issue. Many alternate-future series depict what happens on the darkest day in a teams history. But this series takes a brilliant detour, showing what happens to a group after that darkest days

Justice League: Last Ride #7 is a blockbuster finale to one of the most epic DC Comics series in years. The balance within this comic is stunning, managing to fit in so much content. There is emotional weight to the dialogue, with incredible speeches and snappy punchlines. But there is also a heavy-metal storyline spanning a galaxy. The storytelling at play here is incredible. For a battle to have been ongoing for close to four issues and to still maintain interest shows fantastic skill by both the writer and the art team. When it ends, the reader feels content but exhausted.

Knight Terrors: Action Comics #1 is a great display of how creators can interpret superheroes and their nightmares. Here we have two different horror stories, but each one is an entirely separate approach.

Knight Terrors: Action Comics #2 concludes two fantastic tie-ins. Although the issue is long, it doesn’t feel bloated as the intensity and the pace is rapid from the first page to the last.

Knight Terrors: Black Adam #1 shows how to terrify a man who looks fearless. Black Adam is perhaps the most powerful being among this first wave of heroes and villains affected by Insomnia, and so it is fascinating to see how he is brought crashing down and humbled.

Knight Terrors: Black Adam #2 completely encapsulates the worst nightmare of its character. Black Adam is rarely deconstructed in such detail, but Haun does an excellent job of hammering home his insecurities.

Knight Terrors: Detective Comics #1 is the scariest and most surprising tie-in so far. What makes it so intense is just how unpredictable it is.

Knight Terrors: Detective Comics #2 has been a harrowing experience well worth it. It elevated the horror of the event, taking the concept of nightmares and intensifying it.

Knight Terrors: Nightwing #2 is mindblowing, reveling in being creepy. It’s so difficult to trust whether everyone involved is who they say they are, but the inclusion of a bigger cast that fills this even more twisted version of Arkham Asylum is fascinating at every turn. The art delivers an endless supply of body horror, characters being twisted into horrifying, nightmarish versions of themselves.

Knight Terrors: Poison Ivy #1 is a fantastic adventure in discomfort. Wilson places the main character in a situation where she would be unsettled anyway before it gets transformed into a nightmarish hellscape. The visuals are stunning in controlling the narrative and instilling fear through subtle details. Its a twisted fairytale that uses the unnatural nature of the entire landscape to make Ivy seem completely alone.

Knight Terrors: Poison Ivy #2 is a confined, claustrophobic comic. The town's open space is replaced with a few homes and much bigger enemies, making the book an anxiety-causing masterpiece.

Knight Terrors: Ravager #1 is a claustrophobic boiling pot. Brisson places Rose Wilson in a house with no friends or help, asking her to protect a version of herself within an environment that isn't real.

Knight Terrors: Ravager #2 evolves the horror in the tie-in. There is more urgency and all-out action on this issue, diluting the tension and trepidation of the previous chapter.

Knight Terrors: Robin #1 features two insidious nightmares. It has two characters that only bond over a title they have both used, sending them on separate paths within the same space.

The second half of Knight Terrors: Robin #2 leads to a really special set of moments, utterly captivating as the comic finds its strength. It becomes a feel-good comic with a satisfying ending.

Knight Terrors: Superman #1 helps advance the larger story within the whole DC Universe.

Knight Terrors: Superman #2 concludes one of the event’s most important tie-ins. Whilst it isn’t scary, it’s integral in telling parts of the wider crossover that the main book hasn’t. Sharing the same writer as the flagship book has meant that it can be used to fill gaps, whilst also being fantastic at telling stories for the individual characters.

Knight Terrors: The Flash #1 is a fantastic exploration of emotions. One of the greatest tie-ins to Knight Terrors so far, Paknadel perfectly toes the line of understanding what a dreamworld is like.

Knight Terrors: The Flash #2 is unique among the tie-ins. The Flash keeps running for Wally until the final page. Even when I know it's a bad dream, that it isn't actually happening, it's incredibly emotional and difficult to read. We've seen what Barry will do for his family, even if he has to tear himself apart.

Knight Terrors: Zatanna #1 is a great look at what's happening outside the nightmares. The views inside the minds of some of DC's most iconic heroes are interesting and amass some brilliant stories.

Knight Terrors: Zatanna #2 is straightforward but superb. Straightforward isnt a criticism, as it makes the story so effective. It means the plot moves quickly and seamlessly, not weighed down by pages and pages of exposition.

Magneto #1 is a wonderful return to some unexplored moments in Marvel's history. Magneto has been an ally of the X-Men for years now, and it is commonplace for his past activities to be brought up and scrutinized. But what I love about this iteration is that DeMatteis looks at what might be the first instance of when he is having to train and raise heroes whilst facing questions about his old self.

Marvel Zombies: Black White and Blood #1 invites creators to delight in depravity.

TL; DRMoon Knight: City of the Dead #5 successfully wraps up an expansive personal story.

Ms. Marvel & Moon Knight #1 is a superb combination of extremely contrasting characters. These are heroes that dont fit together at all in terms of tone, looks, or personality, but that is what makes this comic work so well.

Ms Marvel & Wolverine #1 is a delightful team-up issue. Whilst it clearly is leaning on the release of the Ms Marvel TV show, it is absolutely able to stand by itself as a book filled with energy. Houser breathes life into all of the characters and brings together heroes in a carefree yet engaging battle.

Ms. Marvel: The New Mutant #1 is a fresh start for the resurrected hero. College may be the perfect allegory for the idea of moving away and beginning a new part of Kamala’s life, even if it isn’t a real move.

Namor the Sub-Mariner Conquered Shores #1 is a mature and solemn exploration of a destroyed world. Cantwell is terrifically emotive in his writing, able to brilliantly convey the bleakness of the situation.

Namor: The Sub-Mariner - Conquered Shores #2 expands a superb story. Both writer and artist reveal more of a world of their creation, one that is near death. And there is also a mission that carries humanity's fate on its back. It beautifully contains an old friend to do so, one that links this alternate future to the very beginning. It is a story that celebrates history and old friends.

Namor the Sub-Mariner - Conquered Shores #3 is expanding the world whilst staying focused. It is so fascinating to see Cantwell explore the remnants of the Marvel Universe, with aged characters and broken landmarks. But the book doesnt get ahead of itself or throw easter eggs in for the sake of it. If it appears, it has a purpose, a reason to still be alive. The art and the dialogue are all incredibly emotive and full of personality. It is so lovely that Cantwell is bringing some characters that I havent seen in years, tapping into decades of history for an alternate universe.

Namor: Conquered Shores #4 is a touching penultimate issue. The emotions and desperation in this chapter are high, and that atmosphere is superbly manifested by both writer and artists. This comic has seemed like a love story to classic comic stories and characters, whether they are in the book or not.

Namor: Conquered Shores #5 is a stunning finale. The writing is phenomenal, and the heaviness of almost every page provides weight. The art is impactful and atmospheric. Just a spark of light in a dying world of darkness makes it all worth it.

Olympus Rebirth #1 brings the Greek Gods back to relevance. This is both a tour of Greek mythology and an attempt to reconnect them back to the DC Universe. Those that have been immersed in Hades or Lore Olympus, remember Wonder Womans previous entanglements with these gods, or just love the ancient stories will adore the designs and interactions with the characters.

Orcs #1 is a delightful and energetic first issue. Larsen takes what are usually the monsters of the story and turns this into a hero's tale. A wonderful fantasy adventure is told in a way that makes it accessible to younger audiences while an older reader may still delight in the dialogue and mysteries.

Over The Ropes #1 is a brilliant comic that perfectly embodies the world it lives in. It is also a fantastic continuation of the Over the Ropes story. It keeps the characters authentic, but it takes all of them to a different stage of their career. But it also does much more to embrace the personal lives of the characters.

Petrograd is a remarkable experience. It is such an immersive, all-encompassing, wealthy collection of content. A spy thriller that contains love, betrayal, and excitement using a brilliant setting.

Planet of the Apes #1 is a superb adaptation of the supreme Simian story.

Power Girl #1 is an energetic beginning. There have been glimpses at the setup of Omen and Power Girl through one-shots and tie-ins to events, but now there is the chance for this creative team to flourish.

Predator vs Wolverine #1 is filled with glorious violence. Two of the most bloodthirsty characters in fiction are brought together to do what both of them do best. Skipping between points in time is a nice tough, longer history for the Predators within this universe. Comics don’t get more hardcore than this.

Predator vs Wolverine #2 is another art gallery of slaughter. Unflinching and unrelenting, the comic is throwing the most hardcore figure on Marvel’s roster through the ringer with a new contender to the throne, never once letting up

Punisher War Journal: Brother #1 is a brilliant approach to the character. It is quite humorous that the comic opens like a Bourne movie, tracking the protagonist down through technology as he moves across the world. But then it is as if the Punisher part takes over and it becomes this brutal bloodbath. That unrelenting appetite for killing is what sets Frank Castle apart from any other action star, and I dare say no one does it quite as well as he does.

TL; DRThe Sentry #1 is one of the surprises of the year.

Spider-Man #1 is an epic start by legendary creators. The scale of this comic happens to be both large and intimate at the same time. The multiverse is at stake but these are some of the most personable and relatable characters in comics. Each Spider is so loved that anything bad happening to them is brutal and difficult to take. That blend leads to excitement and heartbreak. It does feel really good having both Slott and Bagley return to finish a story Slott felt hadnt been completed.

TL; DRSpider-Woman #1 gives Jessica Drew her spark back.

Spine-tingling Spider-Man #1 is a terrifying start. The isolation amplifies the character’s voice, especially when so much of what fills his supporting cast and identity is stripped away. The plot is impossible to predict because of how quickly it can divert and erupt into chaos.

Spirits of Vengeance: Spirit Rider #1 is a wonderful experience that should be savoured. This one-shot is not going to be a quick read. It is a book that requires time, and the high quality of the art and writing means that it is a pleasure to do so. Multiple readings may be required to fully grasp every plot thread. Kushala is a terrific character that stands out alongside two stalwarts of Marvel Comics.

Superboy: The Man of Tomorrow #1 is a great example of how to give a character space. Earth may have been too crowded for another ultra-powerful Kryptonian, but there is a whole multiverse in need of hope. All of the creators involved are top-class, filling every page with joy and energy. It is great to see Superboy at the helm of his own comic again.

Superboy: The Man of Tomorrow #2 is utterly brilliant from start to finish. Brimming with action and storytelling, the comic feels like a long read due to just how much content inside. Its a space adventure that is stunning to look at and has energy rippling out of every page.

Superboy: The Man of Tomorrow #3 is an energetic adventure. Whilst it is full of epic situations and a Superboy space battle in the beginning, it is also an example of masterful storytelling. Misdirections and shifts in the dialogue add layers to the script, taking a seemingly straightforward story and adding a completely separate tone. It provides the next part of this arc with a huge amount of strength to keep it maintained, with an art style that is not only gorgeous but intelligent too.

The New Champion of Shazam #1 brilliantly puts a new member of the family in the spotlight. Mary gets the chance to make that name her own, and from the first issue she appear worthy already. Both sides of her life are wonderful to explore, from the new chapter of her education to suddenly being the sole bearer of power. Those that have come before havent been abandoned or forgotten, instead using them to enrich Marys story. Family follows you wherever you want to go.

The Panic #1 is a dramatic new story. From the first pages, it had me captivated. It is almost guaranteed that the plot is much more layered than the first glance. The jumpy nature of the structure and pacing means that we are never comfortable reading, with an unsettling art style too. The setting is different and the tension is intoxicating. This is more than just a horror story, it is a love letter to New York.

Thor: Lightning and Lament #1 is a really fun adventure. It reminded me of what was excellent about the classic Thor stories. It is such an extravagant, joyous world that really celebrates fantasy. There isnt necessarily anything new inside this issue, but just the set of circumstances within makes it enjoyable. The art and writing feel like a beautiful homage to the origins of this phenomenal character and the legendary creators that preceded them.

Titans #7 becomes the spotlight. The main book within Titans: Beast War is excellent, but this tie-in takes the event to another level.

Titans #8 focuses on consequences. The book ensures that what came before does not simply blow over. The new artist visually alters the mood of the book. Doubt seeps its way into Earth’s foremost superhero team, suggesting greater, imminent danger.

Titans #9 drenches the team in darkness. Having already proven that they can save the world, the Titans’ next challenge could be even more significant. The most powerful beings in the universe are starting to pay attention to their adversaries.

Titans #10 continues the powerful series. The first arc out of the Beast World event is tearing the team apart through trickery and demons. The art is sensational, and the action is exhilarating, making the comic a blast to read.

Undiscovered Man: Destiny Man #1 is simply brilliant. The character of Destiny Man has been this constant menace attacking the team and never truly leaving them alone. His dedication to hunting down the Graves is explained much better because he is family to them.

Venom #14 is a fun addition to Dark Web, with so much to enjoy. This a plot with a lot going on, combining hidden agenda and manipulation with an awesome battle between two characters who are rarely in the same circle. Dark Web brings figures together with loose connections and makes them work brilliantly. But at the same time, the progress of the Venom mythos is still growing. Even though Eddie has regressed into his old self, it's a terrific statement on how far the symbiote and the host have come over the years.

Victor and Nora: A Gotham Love Story is a stunning, sweet and sad romance tale that tells the beginning of a story readers have been aware of for years.

Werewolf By Night #1 is a wonderful Halloween one-shot. It’s delightfully hilarious and brimming with fun, with action on every single page and not a dull moment.

Women of Marvel #1 is a fabulous display of talent. Each story stands out on its own irrespective of how long they are. All of the brilliant creators involved seem to have had a lot of fun in the construction of the comic strips, and that radiates out of the pages. These are incredibly enjoyable asides to main stories that show off the amazing variety of characters that Marvel has at its disposal.

You Promised Me Darkness #1 has the potential to be something special. This new world is scary, intriguing, and engaging. Each character demands attention, and the reader will be demanding more of them as we witness the start of this new comic world. Connellys art style is unique and stunning. Not only is the world-building fantastic, but the actual plot is gripping as well.

Alien #1 captures everything that the franchise uses to be iconic.

Alien #2 thaws its monsters out of the ice and, with so many Xenomorphs, everything seems so much bigger.

Alien #3 is a book that embraces the franchise's relationship with fear. It recognizes the many ways of scaring people through Xenomorphs and Alien stories.

Alien #4 eviscerates the last suggestions of hope and safety. It expands on impending events, with bigger shocks, more enemies, and bloodier deaths.

Alien #5 brings the true horror story to a close. The book has been frantic and unrelenting in its violence from the moment the Xenomorphs entered, so it is true to form that it does not stop until the final moments.

TL; DRBatman/Santa Claus: Silent Knight #1 is surprisingly evergreen. Whilst the main character is literally the symbol of Christmas and thick snow covers the Gotham ground, turning it into a monster-hunting horror comic gives the adventure the ability to be read any time of the year.

Batman/Santa Claus: Silent Knight #2 is one of the best Christmas comics ever. This series has the depth to be able to be read at any time of the year, no matter the season. The ancient spirit of Christmas forms a spine and soul to the book, but it doesn’t seek to undermine the hardcore elements of the action or the plot.

Batman/Santa: Silent Knight #3 is turning into a sensational crossover. From the monster hunting to the banter between the heroes, the comic features endless amounts of fun.

Batman/Santa Claus: Silent Knight #4 concludes a really cool crossover. It’s not just a tale trapped in its own timeline; this fits into DC’s canon and could have consequences. And even if this book tried to step away from tradition and cliches, it is what it has to fall on to finish, but it’s hard to resist a smile.

Champions #1 is a tremendous first issue for the series. Ewings script is fantastic at tapping into the brilliant characters at her disposal, and she clearly takes young characters seriously. Both Di Meo and Blee both bring very unique styles that result in the book looking completely different than anything else around, and all parts of the creative team work together to cram as much suspense and nerves into the comic as possible. OUTLAWED is similar to Civil War in tone and premise, but the use of only young characters adds a new dimension to the discussion and had a much more personal effect on me. The next issue cant come soon enough.

Champions #2 follows a brilliant first issue with another fantastic chapter. Ewing takes four of Marvels best, young heroes and uses them to explore dark themes. Their personalities are very likable and will surely be explored as the event picks up momentum. The art is stunning and influential in creating the tense atmosphere the pages radiate.

Champions #3 is a brilliant addition to one of the best-written events in years. Ewing fills each character with both strength and vulnerability as they are pushed to breaking point. Each voice that is heard is unique and individual. During the quiet moments, the pages are brimming with suspense, but when things get lively the pace turns frantic. Each issue cant come fast enough.

Champions #4 brings fun to the event in a beautiful issue. The darkness of the issues needs positivity as a palette cleanser as it accentuates both emotions. If that claustrophobia and darkness continued, the reader might have found themselves drowning in it. A team up in the middle of the event connects the crossover to the rest of the Marvel Universe while also serving a purpose within the story. But the event isnt over, and there are still those who need their Champions to save them.

Champions #5 is a stunning end to a terrific event. By the end of this issue, the story feels complete. Every part of the creative process is used to make the readers feel. For the first three issues, there is a dread that hangs over every page. In #4, there is relief when the main characters are rescued. And within this final comic, there is hope that works as a brilliant final emotion. The colours and art style make this a terrific event for young adults to enjoy, whilst the heavy themes and subject matter resonate due to always being relevant. There are glimpses into the future in the final pages, showing there is much more to come from the Champions.

Champions #6 is an excellent continuation instead of a fresh start. This issue tackles the fallout of the earlier five issues. The writers do have their own identities, but the plot threads that Ewing left behind are picked up and continued by Lore as their own plot takes shape. The characters shine, five profoundly different personalities complementing and clashing with each other. The art style and bright colours are exactly what the book needs to draw the attention of younger readers and is superb at helping tell the story.

Champions #7 is an outstanding superhero comic. There is more character development and theme exploration within this one issue than there are in whole volumes within other comics. Lore has captured the voices of the heroes very quickly and is telling a powerful and impactful story. The themes of social media and its effect on society are more important now than ever, and it is laid out through intelligent methods and ingenious storytelling. The art is sublime and covers the comic with brightness and energy.

Champions #8 is a stunning issue for character development. One of the best aspects of Lores writing is that they treat the target audience with the respect they are owed. Some comics directed at teens can feel patronising or out of touch. Yet Champions recognises their intelligence with large amounts of dialogue filled with drama. The art makes this comic a delight to look at whilst the themes add a powerful emotional depth.

Champions #10 is a wonderful comic. Not just the end of one arc, the relief from this issue stems to before the start of Outlawed. Lore has told a story absolutely brimming with heart, emotion, and thematic relevance. Some of the statements and moments within this comic are so powerful they are like a gut punch. These characters have felt alive and full of souls, and the reader finishes every issue caring deeply for each of them. Whatever comes next for the Champions is eagerly awaited.

Dark Crisis #2 is a powerful challenge for the next generation of heroes. Without backup, the fascinating story puts the characters to the test against villains that even the Justice League could have struggled against. The Crisis has barely begun and the enemies the Titans and others have been facing threaten to destroy all of them. With glorious art that refuses to pull any punches, the comic is impossible to look away from until the final page. And the Crisis will only get more intense as it deepens

Dark Crisis #3 is beautifully atmospheric. As the heroes are delivered punch after punch, Williamson is truly embracing the all-encompassing scale of an event comic. With the usual figureheads out of the picture, this is a beautiful portrayal of those left trying to pick up the pieces. The insecurity and nervousness is heartbreaking. And it is being brought to life by an incredible art team.

Dark Crisis on Infinite Earths #4 has everything an event issue needs. It has some characters rallying to arms and some shrinking under the pressure. It has unlikely allies being made to face horrific, monstrous enemies. It has shining beacons of hope before that is submerged in darkness. The art is jaw-dropping and the battles are intense. And then an ending that could threaten everything on a universal scale. The name change of the event has just elevated the stakes to an extreme level.

Dark Crisis on Infinite Earths #5 releases what has been building the entire event. There have been confrontations, battles, and showdowns before, with huge amounts of damage done to the heroes and their community. But there was always a sense that a battle that dwarfed those skirmishes was coming. And here it is with the fate of a universe in the balance... with the nature of this comic, there is possibly something even bigger around the corner.

Dark Crisis on Infinite Earths #6 is a powerhouse of a penultimate issue. It carries with it so much expectation and delivers wholeheartedly.

Dark Crisis on Infinite Earths #7 goes out with the same incredible magnitude it entered with. This is a book that is a beautiful mix of heartfelt character moments and some of the most epic set-pieces of the year.

Doctor Strange #1 brings the Sorcerer Supreme back in a marvelous first issue. The energy and exuberance of the comic make it very easy to sink into, whilst that ability to descend into darkness gives the book weight and unpredictability. The book instantly cements Strange as an important part of the Marvel Universe, easily interacting and fitting in with whichever hero Mackay includes.

Doctor Strange #3 is a great example of how different this book is from other superhero comics. The job that Doctor Strange has is vastly separate from that of Spider-Man or Daredevil.

Doctor Strange #4 focuses on an investigation. It initially seemed like an odd choice to separate this issue from Strange himself and put more emphasis on Wong and Pandora. It could come across as filler or a side story. Instead, it is about as on track as the plot could get

Doctor Strange #5 is a confrontation of control. It takes the highly anticipated wedding and turns it into an intense, uncomfortable showdown between the most powerful magical beings without them even fighting one another.

The Invincible Iron Man #1 is an explosive start. Duggan's run begins with a bang, and the energy manifested by that will hopefully inform the rest of the series. There is a streamlined nature to the comic, with Tony Stark basically having the armor on his back and nothing else. It's an Iron Man adventure in the heart of the Marvel Universe, borrowing the best the world has to offer with cameos and mysteries galore.

Invincible Iron Man #2 is a great issue powered by the personality of its heroes. Iron Man and Ironheart in a comic together is a great combination, the mixture of confidence, experience, and a reverse student/teacher relationship brings an uneasy tension throughout the issue. Duggan has laced the series with mysteries and avenues for adventure, with glorious art from Frigeri and Valenza.

The Invincible Iron Man #3 is a terrific comic book. Its a comic that can tell interesting stories filled with weight and manipulations but also knows how to have fun. Duggan completely understands the fact that these are men wearing metal armours and slugging it out, and the battles theyve been having embrace the epic level those can reach. That mix of mystery and action is being balanced well, and the art is so stunning that either looks glorious.

Invincible Iron Man #4 is an extremely satisfying comic. It is filled with emotional weight and stunning dialogue as Tony Starks need for revenge comes to fruition.

Invincible Iron Man #6 is an absolute pleasure to read. Its an issue that celebrates and relishes reliving the past, remembering the teams and relationships at the time. The promotional material superbly uses a red herring to distract from the main event, so there is a world of surprises within. Both fight scenes are delightful, and the art is stunning on every page.

Invincible Iron Man #7 is exhilarating. A great story of attempted payback, the issue is action-packed and filled with exciting moments. This unofficial crossover between Iron Man and the X-Men generates a really interesting storyline for both sets of heroes, especially for Iron Man.

Red Goblin #1 is something very different. A new take on a character that is so out of place in the genre is what makes the comic so intriguing to jump into.

Red Goblin #2refuses to let readers settle.

Red Goblin #3 is both epic and tragic.

Red Goblin #5 keeps the character central while also advancing the crossover. Normie is the issue's focus, but the tendrils being told on a grander scale also flow through this book.

Shazam #2 is even better than the first issue. All of the plot threads and ideas of the previous chapter are continued and made greater the second time around.

Shazam #3 features a little bit of everything. What could be considered silly is actually just not believing any storyline to be off-limits and beyond possibility, and it makes the series a blast to read.

Shazam #4 is a whirlwind of chaos and fun. This is the second part of the situation with the gorillas, but it is entirely fresh and a new set of surroundings.

TL; DRShazam #5 brilliantly controls the chaos.

Titans: Beast World #1 opens the new event with as huge a gambit as possible. The book features a cataclysmic battle that is a worthy climax, but it is merely a prelude. And yet, amid the traveling across a solar system and the extensive cast, Taylor finds the time to make the first issue a tribute and a celebration of Beast Boy.

Titans: Beast World #2 shows its teeth. The unique elements of the event are even more present in the second issue as the ramifications of Doctor Hate’s confrontation with Beast Boy become clearer and more chaotic.

Titans: Beast War #3 is cementing the heroes' legacy. This is a group that has always been on the sidelines. They are now the last line of defense, expected to save the world. And yet the values that made them unique are still held dear; the sensitivity and their shared connection keep them tethered even across the planet.

Titans: Beast War #4 sinks its teeth into the event. With three issues taken to assess and get a wide understanding of the scale of the situation, now the real heart of the story is being exposed.

Titans: Beast World #5 mourns and moves forward. In the wake of a tragedy, there are those who seek to take advantage. The turn in direction away from the beasts and straight for Waller continues to give the book the energy that it has never lost for a second.

Titans: Beast World #6 wraps up this team’s biggest challenge to date in an incredibly entertaining story that has turned a comic filled with bestial transformations into a character-driven tale.

Undiscovered Country #4 is a tense but exciting ride through a tale that feels meticulously planned and designed. Soule, Snyder, Camuncoli and the rest of the creative team have created a huge world with huge potential.

Undiscovered Country #6 is a fantastic end to the first arc of my favorite book on the market right now. The story is far from over, but many characters and features of this section of the Spiral are left behind while our protagonists travel full steam ahead into another part of this broken country. Each creator involved is producing the best work of their career within this series, which makes each page feel incredibly powerful. And the most exciting part is that there are many more regions of America yet to be discovered, and it is impossible to guess what those territories have to offer.

Undiscovered Country #7 is yet another glorious issue, and this issue is exactly what fans of the series needed... This new region of the Spiral is going to be far more frightening than the last one and weve barely seen much of it. And the Valentina/Charlotte scene may be one of my favorite of the run so far.

Undiscovered Country #8 is yet another transformative issue in the series. The revelations discovered will yet again lead this narrative down a completely new road. This world that both writers and artists are creating feels so full of detail and bursting with opportunities. The characters are wonderful, many of them barely unleashing their potential. The new region offers new varieties of fear and avenues of chaos. The next issue is destined to be just as great too.

Undiscovered Country #9 continues a lot of what is exceptional about the series: tapping into the plentiful history before the events of the comic, powerful characters and dialogue that we have been hooked on since the start, and wonderful art.

Undiscovered Country #10 contains a bit of everything that makes this series phenomenal. There are our protagonists, all brimming with personality and depth. They are constantly interacting with these odd but brilliant characters, each one unique in how they are going to freak me out. There are ruthless and inventive action set pieces. And even more mystery and twists. This may have only been one issue, but it felt like ten.

Undiscovered Country #11 is a contender for the best issue yet. The creative team is magnificent at what they do and are only getting better.

Undiscovered Country #12 is a stunning, intense end to a terrific second arc. Despite this series hitting a dozen issues and hundreds of miles, it is still brimming with energy and intrigue. The action and art have always been one of the comic's big selling points, and it never disappoints. Soule and Snyder truly understand these characters, which has been clear from their first appearances. Every member of the creative team is at the top of their game and appears to be having fun depicting the chaos.

Undiscovered Country #14 is an incredible adventure. This issue seems to be teeming with content as multiple tales are told within one giant story. There is the history and worldbuilding about the fascinating territory of Possibility.

Undiscovered Country #17 is threatening to become a part of American legend. Each issue brings with it something new. Soule and Snyder havent just created a bonkers world where nothing makes sense. There is an intelligence to every creative decision that ties into something crucial about United States history.

Undiscovered Country #18 brings incredible arc to a close, ending it the only way these creators know-how. Through an epic battle and awesome confrontations. Through characters that we adore and are terrified of. Through unbelievable world-building. Through art that encapsulates both the majesty and ridiculous nature of this book. This is a creative team that has stuck together since the first issue. They know how the other works and they bring the best out of each other.

Undiscovered Country #20 is a brilliant foray into History. The comic's use of hard sci-fi and dystopia to investigate themes that are prevalent now is remarkable. With every new arc comes a complete shift in what to expect, like unique stories in their own right.

Batman/Catwoman: The Gotham War: Red Hood #1 narrows the cast to expand the crossover. With so many voices within the main book, this issue still captures the same moral struggle on a smaller scale.

Batman/Catwoman: The Gotham War: Battle Lines #1 immediately sets the tone of the crossover. Many of the characters aren’t in their right minds as they come into the story, and that is before anything escalates the situation.

Batman/Catwoman: The Gotham War: Scorched Earth #1 is a powerful ending. There is something to be said about the inevitability of Gotham, but this final issue ushers in massive amounts of change.

Daredevil #1 is a stunning start. It tries to close the door on Daredevils time in Hells Kitchen by having one last adventure in it. Zdarsky knows all of these characters completely at this stage, yet still tries to bring out new aspects to their personalities. From the start, it is evident that Murdock and Elektra come into this book with tortured souls and troubled minds. The art is gorgeous and it is so exciting to see this creative team back again.

Daredevil #2 is a gorgeous celebration of 650 issues for the character. Within it is a story that shockingly tries to alter history whilst paying homage to it. It may not be filled with supporting cast members or rogues gallery, but it glorifies one of Marvels greatest heroes.

This is a book that knows when to talk and when to fight, with incredible power emanating from the page when both happen. Daredevils attempt to wrap up in New York is revealing more and shows the depth that Zdarsky has generated in his time writing one of the best series currently on sale.

Daredevil #4 combines both the old and the new. Many of the characters involved in this issue have been in the series for years, with The Hand being one of Daredevil's most prominent foes. But that history has been supplemented with recent additions to the supporting cast, and the circumstances are very different... It is a perfect blend of familiarity and tearing up expectations.

Daredevil #5 is a great issue. It enjoys the past while subtly hinting at a dangerous future. The Fist appears to be an organization set up to repel the Hand, but it is just as mysterious with as much potential for darkness. Daredevil never comes out of these dealings unscathed and is already showing signs of instability. And the creative partnerships in this comic are jaw-dropping in all aspects.

Daredevil #6 is a brilliant character issue. It allows those that have just arrived a chance to demonstrate their personality in what is quickly growing into a large cast of eccentric figures. Those at the heart of the story, Matt and Elektra, have spent a while building an army with the ability to take on the Hand, and it is great to see the strains that becoming a leader has on those with the world on their shoulder. Their time at their base has often seemed like one of training and tranquility. But with one final page, Zdarsky introduces a figure that is the opposite of tranquil.

Daredevil #7 keeps the storyline moving with a terrific issue. Whilst all part of the same plot, the artists taking different parts gives layers to the story. The Hand and the Punisher have felt far away, only mentioned as an outside force. This issue brings them very close. I admire the voice this comic is developing, actually addressing key elements of superhero comics and society as a whole.

Daredevil #8 is a masterclass of a battle. This is each creator functioning at an elite level. It's a fantastic fight issue that has an intoxicating atmosphere.

Daredevil #9 is a disturbing book that cant look away from.

Daredevil #10 is an issue powered by heartache. Friendships and alliances are erased in this comic as both Daredevils haven and his reputation disintegrate.

Daredevil #11 pulls the hero up from one of his deepest lows. That guilt and sadness that fills Matt radiate from him in this issue, wallowing in grief. Zdarsky is a master of pace and subtle storytelling. Sometimes its difficult to see the machinations and the journey hes taking characters on until the end of an issue.

SummaryDaredevil #12 is a poetic masterpiece.

This entire comic transcends what I thought Daredevil comics were capable of whilst still feeling true to not just Zdarskys run, but the character as a whole. Its mindblowing, but enough foundations had been laid to feel earned.

Daredevil #14 is a stunning end to one of the greatest-ever creative team runs. It's difficult for modern comics to fit alongside those classic runs and tales that formed the foundation of everything that came after.

Gang War: Daredevil #1 is a fantastic tie-in. It isolates Daredevil whilst also making sure it's an integral part of the whole event. If there is a character that could be left alone to protect a whole area of New York, it is the world's deadliest assassin.

Daredevil: Gang War #2 is one of the best Gang War tie-ins due to the strength of its lead character.

Daredevil: Gang War #3 is pushing its key characters closer. The agony both women have endured and unleashed on others ties them together. Whilst it is deeply connected to the main book, there is constant communication with the other heroes.

Devils Reign: X-Men #1 is an excellent tie-in. In the main book, the involvement of the X-Men was teased, but it was difficult to know how they could get included. Duggan uses a very clever method of not only connected the characters to the event but adding a powerful arc uniting many of the events crucial figures. There is a great script that depicts a story with several layers to it and Notos art is simply stunning to behold.

Devils Reign: X-Men #2 is a shining example of what tie-ins can be. The story is beautiful and meaningful, altering events from Marvels history. And it is a deeply emotional tale containing a collaboration between two characters. The art and writing are stunning as both character development and awesome comic book action come together.

Devils Reign: X-Men #3 completes a remarkable tie-in. Duggan and Noto have created a comic that would not be out of place if Devils Reign did not exist.

Silver Surfer: Ghost Light #1 has the opening signs of something special. Leaning somewhat into horror is different for this character, but the idea behind using it for this first issue is really interesting. It will be fascinating to see which tonal direction this comic goes in with the actual inclusion of the Silver Surfer and other comic book characters.

Silver Surfer: Ghost Light #2 is a book that feels classic but is not old-fashioned. So much of this issue seems to contain feelings and sentiments that occurred in horror films in the Cold War era.

Silver Surfer: Ghost Light #3 is a wonderful cosmic horror comic. Jennings has truly taken a character out of his comfort zone and made it work beautifully.

Titans: Beast World Tour Metropolis #1 is a great collection of tales. The trio of stories are representative of the creativity within comics and how a similar concept can be told in a variety of ways and in so many styles.

Titans: Beast War World Tour Gotham #1 is a great collection of confrontations. The concept of turning heroes and villains into animals lends itself to both drama and silliness. Fury and fun can co-exist. Where many writers have captured the intensity and the horror, others lean on the levity that is often necessary.

Titans: Beast World Tour Star City #1 is a return to the norm for the anthology tie-ins. Four entertaining and engaging books by several creators spread the event's effect across an entire city.

Titans: Beast War: World Tour Atlantis #1 is another awesome format shakeup. Something of a blend between the classic style of multiple stories but with more of the interlocking concept of the Central City issue, ultimately, the tie-in is a success because of it.

TL; DRTitans: Beast War Waller Rising #1 is a comic that really could have flourished regardless of the vent, but the crossover granted the one shot with the seeds to grow from.

Titans: Beast War World Tour Central City #1 reinvents the anthology format. The idea of threading and interlocking the stories requires a remarkable team effort that is achieved spectacularly. Featuring connections to ongoing series also makes the book feel like an extension of the event and the ongoing titles.

Blue Beetle #1 is a shining example of a first issue. It has a perfect balance of everything that could be wanted to start a new series. It’s a perfect jumping-on point for those who have found Blue Beetle from the blockbuster.

Blue Beetle #2 is spectacularly supercharged. The energy within the book, once activated, is intoxicating.

Blue Beetle #3 continues to build upon an extremely exciting series.

Blue Beetle #4 is achingly beautiful. There is much less action, but that is only so more time can be spent with the characters and giving them all the development they need.

Blue Beetle #5 is so much fun. The book is filled with personality and passion, with the action and colors of a Power Rangers episode. The dialogue and the art are simultaneously stunning, and the slow inclusion of Starfire was a stroke of genius.

Blue Beetle #6 is an extraordinary ending to the first arc. The series never fails to be breathtaking and the emotional range existing within the storytelling is sublime.

Blue Beetle #7 is a chaotic celebration of a career. The issue is more of a touching tribute than a coherent story, which is acceptable for a creator like Keith Giffen. This book has both fourth-wall-breaking madness and some genuine and gentle family moments, which have just as much power.

Blue Beetle #8 is sensational. While much of the issue is exposition, the storytelling never feels tedious or cumbersome. When it is heavy, it is due to the beautiful art and the emotion that lingers in every word. The departure is heartbreaking, hitting like a freight train.

Daredevil #20 is an incredible issue that cements the title character as one of the most badass heroes in comics. The creative team stunningly produce brilliant illustrated and well-choreographed fight scenes, while keeping the momentum always moving forwards. After everything the protagonist has been through, this feels like an expulsion of frustration that the reader cant help but get sucked into.

Daredevil #21 is a fantastic issue that beautifully bookends one arc before unleashing the readers on another. The writing by Zdarsky is among his best of his run, and his understanding of the character Matt Murdock is evident in every page. Both Checchetto and Iacono fill this issue with emotion and atmosphere. So many of the panels are achingly sad, but they are so well crafted that you cant help but be in awe of it. Daredevils ordeal is far from over.

Daredevil #23 is an edition that fans of the character will adore. The Man Without Fear has moments within this comic that will make the audience smile, frown, and sob. The art and colours continue to be hauntingly beautiful and fit the book perfectly. Zdarsky is a master of dialogue, which is extremely prevalent here. As we get closer to the trial, it is clear an emotional rollercoaster may be on its way, and Im not sure Im prepared.

Daredevil #24 is a powerful issue. So much of the threads that Zdarsky has been unraveling are tied up, while more appear to keep the reader even more invested than they were in the last issue. The constant change in Daredevils thought processes and personality as his dilemma gets worse shows the writer's ability to explore characters in depth.

Multiple heroes have taken over as protector of Hells Kitchen while their Guardian Devil is unable to defend it. Spider-Man and Black Panther have spent time within its streets, and Iron Fist wore the Daredevil suit for a small amount of time. But Elektra is possibly the most perfect fit as Matts successor.

Daredevil #27 is an enthralling, action-packed second part to the tie-in. Zdarsky has successfully managed to combine the plot of his run with the event to the benefit of both. It has allowed for some important character development with some plot threads that are sure to be continued. There is a strong emotional core to the issue and the artists express themselves with new and fun designs.

Daredevil #28 is another amazing issue. Combining important social commentary with an investing storyline, Zdarsky and the art team return to their regular plot with ease. At the same time, the consequences of King in Black are heavy and preserving. This is a beautiful character-based comic, focusing heavily on the figures that are driving the story forward. Twinned with the revelations and action, this comic is an emotional rollercoaster.

Daredevil #29 shows that this series keeps getting better. Within this comic is a lot of characters, fighting and surprises, but each scene is purposeful and atmospheric. Zdarskys script is full of poetic dialogue whilst Checchetto and Menyz creates stunning and energetic fight scenes that make the heart pump. And the war for Hells Kitchen continues to be waged in secret.

Daredevil #30 is yet another perfect edition in this run. The story is gripping and bursting at the seams with twists. The three leads, Daredevil, Elektra, and Kingpin, are moving independently of each other. Their individual stories have different themes, pacing, and emotions, and yet they still feel combined. The art is sublime, whether it be presenting an all-out brawl or a simple punch.

Daredevil #31 is a phenomenal start to a new arc. With a high tempo and thrilling story, the series shows no sign of slowing down. Characters stride into the comic with a tremendous presence. There are no weak voices, no forgettable faces. The art is sensational and keeps the intense energy going from start to finish. Elektra and Daredevils greatest enemy is loose, and the possibilities of what that can mean are hair-raising.

Daredevil #33 is a fantastic, action-packed issue. This comic is fraught with danger and the readers are left nervous. Zdarsky continues to tell a deeply captivating story with constantly increasing threats seeking to cut one of those stories short. There are also some fascinating pieces of dialogue and plot threads around the other characters involved in the book, including one that will take the comic in a completely different direction.

Daredevil #35 is a thrilling conclusion to the arc. Zdarsky has ensured that other plot points have been put to the side so that this war with Bullseye is streamlined and entirely captivating. The use of characters that know each other so well shows an incredible understanding of this small corner of the world. The fights in this run have been drawn out and exhausting sometimes to wear down the reader. Great heroes and great villains are brought together in an expertly choreographed action thriller. Zdarsky and the brilliant artists are creating a new classic before our eyes.

Daredevil #36 is a beautiful bridge of an issue. It is more joyous than what we are used to with this character and his world, with this chapter not feeling quite so heavy.

Devils Reign #2 is an outstanding second issue of a fantastic event so far. Zdarsky and Checchetto maintain what made their Daredevil run great but expand it to envelop the entirety of New York. But it should be stressed that having a knowledge of that story isnt crucial to enjoying this crossover.

Devils Reign #3 maintains the high quality of the event. Zdarsky has mixed the emotional weight and melodrama of his Daredevil and elevates it to a city-level event. None of the characters are here as a cameo, they all have meaning because this is their home.

Devils Reign #4 is one of the best issues yet. The script is phenomenal, packed with pure emotion and drama. The emphasis placed on Kingpin makes the comic so inviting to read.

Devils Reign #5 shows that this event gets better in every issue. Its a hectic comic, filled with action and dramatic changes. Even with the chaos and the larger than life characters, Zdarsky keeps the dialogue grounded and moments of quiet remain heavy.

Devil's Reign #6 brings multiple brilliant stories to a close...The battle is epic, and Matt and Wilson's showdown was worth waiting for. Devil's Reign has been a good event, filled with fantastic drama and intense action.

Man-Bat #1 is an amazing first issue for a character that has long been neglected. Man-Bat is a character that is awesome from a visual and story point of view. But instead of him being a side character or a villain, this is his book. And the issue does feel like its split evenly between the man and the bat. The art and colors are jaw-dropping and look different from any other comics out there, giving it a visual edge. Two different characters in one body that you cant help but feel sorry for. It will be interesting to see how the story maintains this momentum.

SummaryMan-Bat #2 continues to impress. This series shines a light on such a special character, providing insight into Man-Bat that weve rarely seen before. The art style suits the mood of the book perfectly. The action is exhilarating. Man-Bat is such an epic and unique-looking character, every movement he makes is so different from anyone elses. The inclusion of the Suicide Squad hopefully encourages other fans to read this very niche comic while also grounding the book within the DC Universe. Theres a diversity regarding who is being used in the series, not just Batman, but multiple heroes and villains. But what happens next week may turn the comic upside down.

Man-Bat #3 is a result of brilliant storytelling, visually and literary. This is a superb exploration of one very specific character. Wielgoszs examination of Man-Bats story and character has created a very emotional story. But there are also incredible battles and guest stars that feel warranted instead of obligatory. The art team of Kumar and Fajardo Jr present this with such precision that it could be followed without any dialogue at all.

Man-Bat #4 continues the superb series. Wielgoszs crafting of characters is phenomenal, filling every figure within this comic with depth and meaning. Every person that appears in a panel is there for a reason. In previous issues, the criticism was made that Kirk didnt have the power as a character to compete with Man-Bat. But now it is clear that this was intentional, and Kirk has been fading due to his alter-ego becoming the dominant force within the one body. As the series nears its conclusion, lives hang in the balance.

Man-Bat #5 is a perfect finale. It is absolutely filled with action and battles as the lingering tension that has been captivating all series boils over, but there are also beautiful, emotional scenes as a man comes to terms with his own life and how it will change. The art is the perfect suit for this blockbuster of an issue, able to channel the chaos whilst also etching the facial expressions of pain and fury. As one large chapter of Kirk Langstroms life comes to an end, a new one is just beginning.

The Modern Frankenstein #1 is a fascinating retelling of one of fictions most beloved tales. Cornell fully adapts the story whilst still capturing the themes and concepts. It is very interesting how horror can be manipulated just by placing it in the pristine confines of a hospital. The small cast allows for an incredibly in-depth exploration of the two main characters. Their relationship grows so much within just one issue, just a small peek at how much it could evolve through the entire series. The art fits beautifully and will surely be crucial in adding much more disturbing imagery as the doctors work continues.

Modern Frankenstein #2 continues to be fascinating. Cornell brilliantly tells a story that centres mostly around two characters and the dynamic between them. The writers exploration of power and intimate connections are overpoweringly intense at times, but it makes the reader want to keep reading. As Drs Frankenstein and Cleve's experiments get bigger and their relationship gets closer, the pressure will only increase. The art team displays the chemistry between the main characters superbly.

The Modern Frankenstein #3 is a fantastic horror comic.

The Modern Frankenstein #4 is glorious and terrifying. This adaptation uses modern scientific tactics and current control techniques to tell an old story with new ideas. At an initial glance, it may not have been clear how many moving pieces within Cornells plot there were. But now, going into the last issue, so many plot aspects are about to collide. With intoxicating characters and a superb art team, the creators have set up what will likely be a remarkable climax.

The Modern Frankenstein #5 unleashes an intense conclusion to a unique and captivating series.

Batman - One Bad Day: The Riddler #1 is a frightening yet irresistible tale. It removes the restraint from a character that can often be considered comical or ridiculous, turning him into something terrifying. The usual format that Batman and Riddler stories usually unfold with is fractured and it means that it is very difficult to predict what is happening. It is an achingly pretty one-shot as Gerads brings his evocative style to the book. This is a creative partnership that only leads to gold.

Batman: One Bad Day - Penguin #1 is an incredible look at one of Batmans most distinctive foes. The story itself is stunning, but the character development of Oswald Cobblepot balances, making him frightening and sympathetic. Its not just the character but his relationships with the city of Gotham and the man who seeks to protect it. Its a comic with layers and emotion, brilliantly encapsulated by a fantastic art team. For those that may not understand what Penguin brings to the crime community of Gotham, this one-shot beautifully demonstrates why he may be the one you keep onside.

Batman: One Bad Day Ras Al Ghul #1 is a fantastic exploration of a man who has lived for centuries. Its a brilliant script depicting a man with his own sense of honor, displaying that he has a reason for everything he does.

Batman: One Bad Day - Catwoman #1 is a comic crafted by masterful creators. Both the writing and the art is flawless, capturing the intricacies within the life of Selina Kyle.

Batman: One Bad Day - Bane #1 is another excellent addition to the one-shot series. It's a comic that truly matches the personality of its subject, filled with violence, pride, and venom.

Batman: One Bad Day - Mr Freeze #1 is a brilliant extension of one of the greatest comic book stories ever. Tapping into an idyllic love story that becomes a tragedy threatens to tarnish this issue. But, instead, it creates a one-shot filled with emotion and conflict, coming at the story from a completely different. Batman and Robin are fantastic as well, brought together in an art style that perfectly fits the mood.

Batman: One Bad Day - Two-Face #1 tries to delay the inevitable. It is a brilliant depiction of a tragic character, one that always seems close to reconciliation. Whilst the story sets up a mystery that isnt a complicated one, it is as Tamaki created it as a beacon of false hope. This book strives to find positives within a world that is so far past dark it is pitch black. This is not a nice comic, it is frightening and horrifying. But it is also very difficult to look away.

Batman: One Bad Day - Clayface #1 is one of the most intense additions to the series. Other books in the series have attempted to give redeeming qualities to the characters, showing them as more than villains. But with the Clayface chapter, it is the opposite.

Batman Secret Files: Peacekeeper #1 may be the best of the series. This is an excellent introduction for someone whose knowledge of Peacemaker-01 is limited. As a relatively new character, a standalone issue where they are the main character is a fantastic method of boosting their popularity. It has an awesome plot and Brissons script in both current and past timelines is sublime.

Batman Secret Files: Clownhunter #1 is an excellent character focus. Something that these Secret Files comics have excelled at is using a very limited cast. Everything centres around the primary characters and it does not leave them for a second. This means that everything is about the protagonist. Brisson and Kmpe bring so much character development to this book, which an in-depth and powerful story allows the chance to do so. It also gives Phao the opportunity to go down several different pathways, all of which will provide some glorious stories.

Batman Secret Files: The Gardener #1 is a gorgeous comic. The story is investing and the reader will come away with so much more knowledge on the strongest characters this universe has to offer. There is more in than just backstory, with politics rife towards the end. But the issue is just simply bewildering to look at. Wards art style is achingly lovely and so fitting for a character reveling in nature. It allows for this incredible display of affection and beauty. There will not be a prettier comic out this week.

Batman Secret Files: Huntress #1 is a fantastic horror story featuring one of DCs best characters. This is an intense book that doesnt shy away from making the reader flinch or avert their gaze. But this is also a beautifully written investigation into the mind of Helena Bertinelli. Tamaki tells a wonderfully woven story thats intimate, never leaving the main character for a second. And the magnificent art team creates insidious imagery that is glorious despite the revulsion it instills in the mind.

Blade #1 is a new start that defies any expectations. The first half of the comic almost leans in on tropes and cliches, using a similar starting scene to what the Blade movie contains.

Blade #2 gives the vampire hunter much more to hunt. Beautifully balanced when it comes to its structure, the comic takes its time delivering the story.

Captain Carter #1 is a brilliant start. For McKelvies first foray into writing, the script is excellent and full of both drama and emotion. The writer is establishing a voice already and it is fantastic to see. Learning more about a character we have only spent a brief period of time with is exciting as it shows that the potential of Captain Carter is thriving. With gorgeous art accompanying the writing this comic is a pleasure to read.

Captain Carter #3 is a beautiful book. McKelvie is really proving himself as a writer with this series as this issue contains an excellent script and terrific drama. Other stories are adapted to make Peggys her own. It is her personality that is the drive of the comic and is unique to this universe. That is partnered with stunning artwork that brings several amazing fight scenes to life, giving it a cinematic quality. Every issue is introducing someone or something new, and the slow exploration of this timeline makes me desperate to discover more.

Carnage #13 raises the level of the crossover even further. Passing the ball to the villain, Paknadel embraces a new form of horror within the world of Carnage.

Carnage #14 is another great view from the villain's side of the story. Even with more heroes and other costumed characters wading in, the focus of this issue is the man pulling all the strings.

Dark Web Finale #1 closes the crossover with consistency. It goes out with the same energy that it came in with. It is clear on every single page that these creators love comics. This is a celebration of the characters and the format. Its so enjoyable to read, with lovable characters and fights full of excitement. And yet the story is meaningful, carrying massive consequences. Its a very rewarding comic and one that was a delight to read.

Dark Web #1 is a celebration of the past whilst exploring the present. It may not be entirely welcoming to new readers but it is rife with callbacks and reunions.

Deadly Hands of Kung-Fu: Gang War #1 brings another player onto the board. Initially wanting to be isolated from the rest of the event, it is evident that circumstances do not want that to remain the case. The notion of implications for what happens within this crossover is consistent with the majority of the tie-ins, giving the whole event more weight and edge.

Deadly Hands of Kung Fu: Gang War #2 threatens Shang-Chi’s balance. Poised between being a gang leader and a superhero, the turmoil sends the martial artist back and forth between armies like a tennis ball. He can’t trust anyone and no one can trust him. The different sides of the character are on display to reflect who faces him, and that variety is exciting to explore.

Hulk #1 is delectably disturbing as we are immersed in a horror story of intoxicating proportions from page one, unearthing a completely new threat.

Incredible Hulk #2 is a horror comic through and through. It is difficult to find superhero elements in the story as there are few. Its scarier than Ewings run, more primal and intrinsic in how the frights are instilled.

Iron Fist #2 is phenomenal. There was excitement from the brilliant first image, yet this second chapter has raised it to an even greater level. The plot is fun and engaging, but it is the story of this brand new Iron Fist that makes it unique.

Iron Fist #3 is excellent. The comic features what feels like the first boss of the series, and its execution is exceptional.

Iron Fist #4 is an amazing issue. It is alive with energy as the characters all hurtle toward each other. Every chapter of this series brings something slightly different to the story, blending the tradition of K'un L'un with something destined to break it. The old is being damaged by the new, and this theme keeps reoccurring. Every fight scene is epic and the story leaves me engaged from the first page to the last.

Iron Fist #5 cements a new legacy. As the arc comes to a close, it does feel like Lin Lies confidence within himself has grown, especially after the Shao-Lao discussion. That transformation from the man in pain to this fighter in control has been a remarkable journey to follow, even if it feels like a few levels were skipped. It has also been an awesome martial arts/fantasy series full of energy, and intensity. Iron Fist continues into A.X.E., but I really hope this isnt the last of his own series.

Knight Terrors: Angel Breaker #1 is fantastic. The story would be amazing even if it weren't a tie-in to Knight Terrors, but it allows the book to exist and make a fantastic final twist.

Knight Terrors: Angel Breaker #2 is a magnificent horror story. Utterly terrifying and beautifully creative, it bucks the trend of the event to make this book even scarier.

Knight Terrors: Green Lantern #1 puts up a fight against fear. A comic that actually sits comfortably within the existing story being told, it shows how Insomnia works his power against two Lanterns that have a history with that emotion and being manipulated.

Knight Terrors: Green Lantern #2 is an invigorating tie-in. For so long in this event, we have seen the greatest characters on the DC roster be beaten down and slowly depleted of their energy and sanity. But here, Hal is strong and resilient from the beginning. It makes for an interesting alternative to how comics, and stories in general are told.

Knight Terrors: Shazam #1 makes the mind spin. Stripping away any ability to recognise whats real or not, the repetition in this issue seeks to disorient. That effect is achieved tremendously, with both the main character and reader traveling through in a daze.

Knight Terrors: Shazam #2 uses family to dispel the horror. It's a bit of a shock considering how the previous chapter was one of the more dramatic and scary first issues of the whole event. And that final moment is more than creepy enough to make up for what the rest of the issue lacks.

Miles Morales: Spider-Man #1 is an excellent new start. It feels like a continuation of a progressing tale and also the beginning of a different take on the hero. Ziglars approach to Miles features a lot of depth that branches into various possible directions.

Miles Morales: Spider-Man #2 is extremely fun. It is possibly the best teen or young superhero comic within the big two right now, filled with emotional gravity and a tremendously exciting storyline. Miles has a supporting cast to challenge him and enemies that are a huge test. The art is awesome and the guest star is a great example of what could be expected in further issues.

Miles Morales: Spider-Man #3 is a book filled with frantic energy. A fabulous story is unfolding as the comic opens up and gets deeper into the plot. The speed at which it moves is extremely fun. All the teenage characters have personalities that show what is common in people when they reach that strange crest of life, one where it is impossible to have it all figured out.

Miles Morales: Spider-Man #4 is a burst of frantic energy.

Miles Morales: Spider-Man #5 concludes an all-time great arc. This is one of the best Spider-Man comics I have read in a long time.

The comic has the ability to be quiet and loud, with the fight against Hobgoblin moving a thousand times quicker than the start to the issue

Miles Morales: Spider-Man #7 is non-stop action. The creators of this issue have a mission; to start running and not stop until the final page turns. Flinging itself through New York, the momentum is unrelenting as the plot thins the crowd as it streamlines the comic for the final part of the crossover.

Miles Morales: Spider-Man #13 is endlessly energetic. It covers a lot of ground quickly and efficiently. Miles is a huge figure in Gang War, but his individual struggles and plotlines aren’t ignored either. The balancing of both of these elements is fantastic.

Miles Morales: Spider-Man #14 is the perfect example of a tie-in. The Gang War crossover has been incorporated into the book without breaking stride, carrying on with all the character development and plot points. The book has been fantastic from the start and is brimming with personality and individuality, with an absolutely mind-blowing art style.

Miles Morales: Spider-Man #15 is a perfect change of pace. As it reaches its climax, the whole plot has been an extension of Ziglar and the rest of the creative team’s exemplary storytelling.

Miles Morales: Spider-Man #16 enjoys its exuberance. There is so much going on within this comic. The book is devoted to keeping the speed and the energy high.

Punisher #1 is a worthwhile experiment.

Punisher #2 has endless amounts of adrenaline. Once the action starts, there’s no telling when it will stop.

Punisher #3 drags the vigilante into a myriad of horror stories. It’s a display of masterful storytelling, with the various plot threads explored within the barbarity. With every new chapter comes something entirely different from the last, creating a refreshing first arc that makes each individual part engaging and unmissable.

Punisher #4 concludes by making us want more. Seeing it end so early is devastating, as it was an exhilarating adventure for the new Punisher. The four issues could be a taster of what these characters offer

Robin and Batman #1 adds new details to an old tale. Lemire seems to still find new stories to tell about this character, but by digging into his past. Focusing on such a specific element actually opens up a rich vein to explore. It also allows the writer to revisit the troubled chemistry between Batman and Robin, breathing new life into their world. But there is also awesome action, incredibly clever twists and a distinct art style that will absolutely draw attention.

Robin and Batman #2 is an incredible character issue. Lemire understands and explores the relationships between the newly formed family brilliantly, filling each figure with humanity and depth.

Shang-Chi and the Ten Rings #1 is an energetic first issue with a lot to love. It is full of action that is excellently captured by To that solidifies Shang as one of the most visually dynamic Marvel heroes when used correctly. The potential for guest stars is high just from those who have already been included, but the hero of the book already has demonstrated the ability to stand up and carry the book with his own strength.

Shang-Chi and the Ten Rings #2 is a great follow-up issue that carries many surprises. It continues to be full of energy as some of Shang's past comes back to haunt him. The action is almost constant as Yang is always elevating the combat to ensure that the fights dont get repetitive inside the same issue, showing extreme but superb dedication to maintaining interest. The art is brilliant and helps demonstrate the speed that the writing moves at.

Shang-Chi and the Ten Rings #3 is a game changer. Any previous thoughts of where the series may go have evaporated with the second half of the issue. The story hasnt just been elevated, it has been shot into orbit. It isnt just the threat that is created or the evolution in the genre to bring some horror to the martial arts plot.

Shang-Chi and the Ten Rings #4 is an energetic adventure. What makes this comic shine is the constant elevation of the story, bringing in new strands to Shang-Chi's mythos and the legend of the Ten Rings. It expands the series into untold histories while still heavily focused on martial arts, and there is still time for Shang's attempt at a love life.

The Devil That Wears My Face #1 adds a twist to the classic exorcist tale. Setting up with the standard ingredients of a Heaven vs. Hell battle, it doesn’t take long for the series to go in its direction.

The Devil That Wears My Face #3 is a fantastically brutal and biblical battle of wits and belief. The comic is constantly evolving.

The Devil That Wears My Face #4 removes all restraint. The increase in speed appears at precisely the right time within the series, giving it an onslaught of energy.

The Devil That Wears My Face #5 is building towards something huge. The pace is breathtaking. The comic is hurtling towards absolution with a fury that may leave Rome in ashes when it’s finished.

Ultimate X-Men #1 is Peach Momoko’s masterpiece

Ultimate X-Men #2 continues Momokos masterpiece. Momokos influences are all surfacing within this series to a phenomenal effect. The Studio Ghibli comparisons are easy to make, but the horror elements are just as important and noticeable.

Unstoppable Doom Patrol #1 channels the attitude of the team within its pages. From first glance, it is clear that there is a big story to be told that balances both the past and the future. The Doom Patrol seems reinvigorated with the potential for even more change, whilst the art team makes it a visually fascinating issue.

Unstoppable Doom Patrol #2 lands all of its innovations. This comic has creators who are brave enough to try various design or narrative choices to tell the story, and a team with the acerbic and mad nature of Doom Patrol may be the best pick.

Wonder Woman #1 is a stunning but sombre start. It’s thought-provoking and violent, firing shots that were never expected at this level and so early.

Wonder Woman #2 is a show of strength and steel. Wonder Woman has often been presented as a being of compassion and love, but King is also hammering home the point that she is one of the most powerful beings in the DC Universe.

Wonder Woman #3 elevates every element of the series so far

Wonder Woman #4 remembers the hero’s heart. That is what makes Wonder Woman so special: the fact that she’s a weapon of war with a soul that shines brighter than any star. There may be a haunting sadness to the book as it nears its conclusion, but it has so much compassion within it that a smile can be found among the tears.

Wonder Woman #5 brings everyone else to the party. Wonder Woman wants to deal with everything on her own, but this chapter shows who can help her, as well as the main reason why. It could be considered slow, but the action has been replaced with some fantastic pieces of character development and storytelling.

Wonder Woman #6 is a real show of strength. The book presents Wonder Woman with one of her greatest-ever tests against a collection of her greatest foes.

Wonder Woman #7 is a charming break from the chaos. It’s a remarkable romp that completely changes the comic’s mood, precisely the palette cleanser the series needed. It’s fun, fresh and energetic.

Wonder Woman #8 leans into why the character exists in the first place. Diana is a beacon of hope and encouragement for women and girls worldwide. King taps into that idea, and the Sovereigns misogyny presses down heavily on the protagonist.

Amazing Spider-Man #16 is a deeply personal book within a larger context. As Limbo bleeds into Earth, this is essentially a grudge match. The issue is incredibly fast-paced and fun to read, with the fantastic fight scene featuring masterful artwork. But there is substance and power within the energy, with the story being transformed entirely by the end of the comic.

Amazing Spider-Man #17 is a blast. The plot has a long thread and energy in the short term. This is an extremely funny comic, silly at some points but in the most complimentary way possible. That is what works so well with Dark Web, not taking itself seriously and just having fun with demons and superheroes. The art is so exuberant and enjoyable that it is impossible not to smile while reading this issue.

Amazing Spider-Man #18 is a comic that truly understands fun. This whole crossover has been terrific at keeping the tone light and constantly hilarious. Its not this dark, melancholic atmosphere that weighs heavily on the reader whilst reading.

Amazing Spider-Man #39 is controlling the chaos. This event has unleashed its full power, with heroes and villains everywhere in a power struggle that stretches over an entire city. And yet, with everything erupting, the story is captivating and keeps the exposition from overloading.

Amazing Spider-Man #40 keeps moving fast. The scramble for power within New York is dragging criminals out of the woodwork, and seeing the tussle between the groups is amazing fun.

Amazing Spider-Man #41 is the best issue of Gang War so far. It puts distance between the generations whilst determining their similarities. The fights were brutal and brilliant within an unrelenting issue where the art has well and truly stepped up.

The Amazing Spider-Man #42 is another great story for the villains. Despite the title, Spider-Man is in the backseat for the majority of this comic.

Amazing Spider-Man #43 is brilliantly balanced. It’s a comic focused on action and characters, not placing more importance on either.

Arkham City: The Order of the World #1 is a creepy and brilliant start.

Arkham City: The Order of the World #2 is an atmospheric, uncomfortable read. And that is the biggest compliment that can be given to it. The nerves that everyone in Gotham seems to have is palpable, radiating off the page into the reader. An immersive plot that permanently lives in suspense is being told with clever techniques, presented on the page by a remarkable artist. This is a comic that exists out of the consequences of other series and events, but it absolutely stands on its own.

Arkham City: The Order of the World #3 is a fascinating journey. The art style makes it unlike most comics, existing in a world of its own. Its an experience, a trip through a city full of beautifully twisted and tragic figures.

Batman: City of Madness #1 is a visual masterpiece. It’s a fascinating story that is venturing into nightmarish territory.

Batman: City of Madness #2 can make any reviewer feel inadequate. It’s an artistic experience that is utterly unforgettable and leaves you tongue-tied. It’s a book that exists in its own universe, speaking in both story terms and from a creative standpoint.

Batman: City of Madness #3 concludes a journey of disturbing discovery. Ward has delivered a masterclass by bringing the iconic and unnerving style to the world of Batman.

Cosmic Ghost Rider #1 brilliantlybrings us back to an obscure corner of the universe. This wholly unique character, existing out on his own, brings with him a hardcore take on the cosmos and dealing vengeance.

Cosmic Ghost Rider #2 brings a lot more chaos and brilliant storytelling to the table.

Cosmic Ghost Rider #3 has kicked into gear. Bringing in figures like Valkyrie has pumped energy into the comic, with some terrific battles unfolding in multiple locations at the same time.

The Flash #1 changes everything. The book is such an emotional shift from what came before, uprooting the feelings of comfort and safety, which was a crucial aspect of the previous run. Now every part of the book is unsettling.

The Flash #2 rips up the rule book of the fabric of the DC Universe. What was believed about the physics and even the spirituality of the Speed Force is being upended with the introduction of something new.

The Flash #3 is mesmerizing. Every time we try to learn more about the forces of the DC Universe, the mysteries within it get deeper.

The Flash #4 is incredible. This whole series is absolutely unique, taking not just the Flash to another level but the whole superhero genre in general. Using Irey grounds the comic, providing both a tether to bring Wally back home and, as an adventurer herself, running off into danger.

At the very core of the comic is a family, and the complications within that family can strike a pang of guilt and sadness into everyone’s heart.

The Flash #6 celebrates confusion. The book is at an impasse. Spurrier is telling a cosmic horror story within the confines of the forces that control the Flash. And while reading it is mesmerising, comprehension of what is happening is on the verge of slipping away.

The Flash #7 catches everyone up. The book has moved at such a speed lately that it has been hard to hang on to, so this issue explains those left behind. Wally’s absence from the picture allows exploration of some of the neglected figures in the series, such as Barry and the other speedsters.

Green Lantern #1 is a great way of starting again.

Green Lantern #2 has the best of both worlds, with two stories that show that there isnt a wrong direction to travel in a Green Lantern comic.

Green Lantern #3 returns to its regular storytelling. After the Knight Terrors distraction, the book seamlessly transitions into Sinestro’s revenge and Hal’s attempt to figure out his new ring.

Green Lantern #4 brings The Brave and The Bold back together. This whole series has a refreshing return to classic Green Lantern stories, and this issue expands that idea

Green Lantern #5 is a tremendous issue. The decision to ground both Green Lantern and his greatest enemy was genius, as it localized the storytelling. One of the most famous rivalries in DC’s history is reignited and reforged, with the damage their battles caused being felt by people who are just spectators.

Green Lantern #10 puts Hal back home. The art gives the Green Lantern Corps the grandeur it deserves, even at its lowest moments. The book also regularly reminds us that Hal is not the only Green Lantern, and all must work towards liberating the cause they all cherish.

Hallows Eve #1 is a delightful first issue. The character is new and is such a brilliant idea. Schultz has picked Janine up after Dark Web and Amazing Spider-Man and given her space to shine.

Hallows Eve #2 continues to be an exciting breath of fresh air. This is a book that is going out on its own with a lot of new, unexplored characters, and that is what makes it a really underrated book.

Hallows Eve #3 ramps up the energy of the series. The growth and development are gradual but noticeable. And whilst the story loses some of its real power by the end of the issue, this great cast is what keeps it interesting.

Hallows' Eve #4 gives the inexperienced hero a real test. The issue creates the biggest stakes so far, penning the heroes in and giving them a showdown with the villains of the book. It continues to be an exciting comic with a small cast of fascinating characters.

Harley Quinn #1 is an energetic start to a new series. There is a unique art style that absolutely captures the tone of the issue. Harley is starting again, but there is also a recognition of history. Batman as a guest star within this series is a fantastic foil to Harleys positivity. Phillips provides a fresh take on both heroes, adding new attributes to their personalities. At the same time, they are authentic and their voices are natural. The book relying less on chaos and madness shows just how much Harley has changed over the years.

Harley Quinn #2 is building into a phenomenal buddy-comedy, but one that includes moments of deep sadness. Every one of the creators has made sure that all of the aspects of the comic match the personality that Harley exudes, from the diversity in moods to her whiplash-inducing changes of pace. Kenny is a perfect partner for her in this series as it gives Quinn a project, someone that she can help make better whilst she does the same for herself.

Harley Quinn #3 is another energetic delight. There are layers within this comic that leave the reader wanting to go back and find more. This is a fun and humorous book, but there are sad scenes that show just how in-depth Harley is as a character within her own series. Phillips explores every aspect of her personality; the clown, the tortured soul; the friend; the fighter; the psychiatrist. The art style gives the comic a unique world to live in that compliments the title character beautifully.

Harley Quinn #4 is a stunning book. This is a gorgeous exploration of the character, with Phillips providing Quinn with a Multiverse of dimensions. There is a deep maturity to the discussions had inside these pages, which contrasts superbly with the silliness of the rest of it. The characters all feel big and energetic, and the art gives the comic a unique look that makes it stand out against anything else currently available. This is a celebration of who Harley Quinn is, as she finds out who she is.

Harley Quinn #5 takes this rollercoaster for one last fantastic spin. The story itself may not have left a lasting impression, but what has shone from the first to the final page is are the characters and the dialogue. Phillips mastery over language means that every single piece of conversation or word balloon is delightful. The art style is truly unique and captures the attention terrifically. The desire for more Harley from this creative team has evolved from a want to a need.

Harley Quinn #6 is a fantastic start to a new arc. Phillips bridges the gap between what has already happened. But the expertly crafted double-act with Selina allows the story to stand on its own without the foreshadowing. The writer has an awesome style that makes any conversation stunning. The new art team settles in brilliantly. As Harley Quinn falls into the umbrella of the Fear State crossover, it will be interesting to see which direction this book goes.

Harley Quinn #7 is a tie-in that maintains its soul. The comic feels attached to the Fear State story without losing track of its story. What has helped is that Phillips has built up to this for a long time in the series, so it would not appear to have suddenly turned in a new direction. In fact, some of the reveals in this comic show just how long Phillips has been foreshadowing events. The heart within this series creates a beautiful connection between the reader and the comic.

Harley Quinn #8 is a lovely issue. Harleys first hug with Ivy is a reward, as if part of what she has been looking for has been achieved. The comic is so exceptionally emotional, relying on its heart for strength. Phillips may be one of the best dialogue writers in the business, whether it be philosophical narrations or hysterical quips. The reader can hear Harleys voice in their head when they read her lines. And with the brilliant and unique art, this comic is so characterful.

Harley Quinn #9 remains a delightful comic. The issue is cartoonish, filled with over-the-top action, drama and characters. The art style is fun and goofy and leaves the reader grinning. But within that cartoon is a book filled with depth and heavy emotions. Phillips succinctly portrays love that makes the heart sing and fear that can make it sink. This is a comic that is just as grown-up as it is childish.

Harley Quinn #10 is a love story to rival the greatest. This appears to be a transition issue between arcs, but it is in no way filler. There are incredibly important events that occur in this chapter that will change the course of many series to come. Phillips dialogue is so engaging to read, the art is fantastic, and the notion that they care about these characters is evident.

Harley Quinn #11 is a bundle of energy and power. We as readers have grown to adore these characters and Phillips has written them superbly from the beginning.

Harley Quinn #13 is a re-energized delight. The book starts a new arc brilliantly as it flings Harley into an entirely different set of circumstances. And yet Phillips keeps the same themes running throughout the series in a way that revisits yet constantly reimagines.

Harley Quinn #14 is a beautiful character issue. This comic truly makes you feel for the characters. There are some immense fun and inventive fight scenes but also poignant and powerful dialogue.

Harley Quinn #15 is a superb issue filled with energy. This creative team is constantly making this comic one of the most soulful on the market. It brings characters to life in a way that makes them extremely captivating. Being framed for murder isnt a unique plot concept, but with this group of characters, it becomes individual. The team-up is golden and we are left with the feeling that this final page will be explosive for the relationships of the comic. And this is a book built on relationships.

Harley Quinn #16 is one of the heaviest issues of the series so far. That energy and humour are still there, but this is an incredibly traumatic and emotional comic. It is a brutal and honest reminder of the past that our heroes stem from, with neither the writer nor the artist sparing any grizzly details about the history of these characters. It is a clever callback to the start of the series, where it was made clear that Harley is not a perfect person, trying to make amends to those that she had wronged. Except what she has to amend for may be huge.

Harley Quinn #17 is a heartfelt end to an arc. It seeks to try and patch up the pain that has been felt throughout the arc whilst also forcing the characters to go through more.

Harley Quinn #18 is a new start on many levels. The new art team carries that same soul that this book so proudly kept, with energy and enthusiasm constantly adding a smile to the face. But the story is massively changed, taking Harley out of her world and sending her to something different. The exposition is heavy, but it does give both Phillips and Harley a brand new and exciting adventure with a team full of chaos.

Harley Quinn #19 places our hero in a creepy space horror comic. Phillips orchestrates a brand new type of story brilliantly, balancing the last cast beautifully whilst making it clear that not everyone is safe. The art is simply incredible and full of character, exactly what is needed in a comic full of so much personality.

Harley Quinn #20 gives a space horror story the clown treatment. Phillips combines a genuinely disturbing and scary plot with one of the most powerful characters in terms of personality, and it is a superb mix. Its a new setting for Harley but she would be a livewire anywhere in the universe. The art gives the comic an unsettling edge whilst also keeping that cartoonish element. That signature, impeccable dialogue and narration will always give this comic an emotional heart unlike any other.

Harley Quinn #21 brings the space horror back to Earth and continues to impress. The book is lively and atmospheric, with some excellent characters thrown up against a terrifying monster.

Harley Quinn #23 is a brilliant example of everything that makes this comic great. It is excellent storytelling, with interlacing plot threats that are rife with mystery and anticipation.

Harley Quinn #24 is excellent. It is not a lively book, with an interrogation taking the place of a lengthy fight. But the dialogue and character development are so powerful that it is just as intense as any battle. Harley is such a strong protagonist that she can be exhilarating no matter what she does.

Harley Quinn #25 showcases how unpredictable this series can be from one issue to another. The "Who Killed Harley Quinn" arc has been transported in a direction that was unforeseeable at the beginning, and it has branched into a story verging on a Crisis. The energy and ability to balance tones will always make this book infectious. The art is glorious and full of personality, which is this comic's most important aspect.

Harley Quinn #26 is a book brimming with emotion. Spending so much time with these characters and with such a fantastic writer of dialogue at the helm means that every brutal jab Harley and Kevin make at each other hurts.

Harley Quinn #27 is a warm and loving ending to a really remarkable run.

Harley Quinn #28 ultimately captures the main characters soul but struggles to settle. The protagonist is superbly written and is in safe hands with Howard.

Harley Quinn #29 is settling in and shining. Now that all of the elements of the plot have been introduced, Howard is starting to explore and excel with them.

Harley Quinn #31 brings the adventure home. The sudden stop in the situation may cause whiplash, but the energy of the comic never ceases to amaze.

Kneel Before Zod #1 is a real character piece. Every part of this world seems to be built entirely in Zod’s image, right down to the individual panel. The lack of heroes of any sort removes ideas of hope, love, or kindness from the book, replaced with an authoritarian bully who has been selected as the “protagonist.”

Kneel Before Zod #2 is an interesting experiment. It explores what happens in a world without heroes. It adds two threads that run parallel to each other and split Zod’s concentration, which could split the whole planet in half.

Kneel Before Zod #3 is the turning point in the series. It has been a fascinating read so far and an interesting experiment. Having protagonists lacking emotions and sensitivity is a challenge Casey has accepted and accomplished.

Outsiders #1 is a brand-new frontier. It’s an alternative approach to what superheroes can and want to do, putting their skills towards the search for knowledge instead of vengeance and justice. This first chapter was only a teaser, but it will leave readers longing for more.

Outsiders #2 is refreshing. The characters are important, but they pale when compared to the scale of their discoveries, which are presented through an unbelievable art team.

Outsiders #3 breaks more boundaries. The comic routinely finds individual and experimental ways to tell a superhero story. This issue may feature more superheroes than any other issue so far and is much more action-packed, but it is far from normal. It requires the reader to question and to think as everything is tweaked.

Outsiders #4 tells another brand-new story. Every single chapter of this series introduces a whole new adventure and investigation. The latest issue may be the closest to a superhero comic so far, and veering near that is the whole premise of the plot.

Outsiders #5 delves into another murky corner of the universe. Each issue of the series has opened doors to stories that can go much deeper.

Outsiders #6 takes the comic entirely out of reality. The writing is intelligent and unique, approaching the book from a fascinating angle.

Everything in Savage Avengers #2 is about fun and ridiculous concepts, from Devil Dinosaur to cyborgs in a fantasy world. But there are parts in which the comic grounds itself as Pepose shows the depth of the stories these characters can tell.

Savage Avengers #3 is magnificently full-on. The drama and action are active almost constantly, constantly throwing the villain around the heroes for them to have a crack at him. The understanding that this group is purely heavy metal gives the book the freedom to embrace the chaos. But there is also the opportunity for powerful storytelling and some surprises that can bring the speed of the pace to a crunching stop.

Savage Avengers #4 has completely transformed the series. With each issue comes a different set of circumstances that changes the fabric of the book entirely, taking it in a direction that I dont think anyone saw coming.