Chuck's Comic Reviews

Reviewer For: Chuck's Comic Of The Day Reviews: 2902
8.3Avg. Review Rating

The FF has been hit-and-miss with me in recent years, but it's been good enough to keep me picking up the new issues, and not many series can say that.
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Marie's expressive art is always a treat, and if things get a bit rubbery in places, it was hard to complain since you got so much story for a mere quarter!
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If you're a fan of the "good old days" for Marvel's Mutants, this is the issue for you!
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Overall, I give high marks for the series as a whole. This issue, though, was a bit of a stumble.
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The story is just getting going, of course, but with some great nods to the past and a major threat on the horizon, it a very promising start!
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It's a series that continues - and builds on - the film's vivid world of the near future.
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So while it's nothing Earth-shattering or indispensible, this issue is a nice throwback to the days when the mutants - and Claremont - ruled the world of comics.
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The series is, so far, a real treat, and one of the best comics on the stands.
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The art is excellent and there's a lot of promise, so I'm going to hang with this one for a while. It's not Kirby - what is? - but it's a well thought-out take on the series, and it has potential.
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It all feels a bit rushed, but it's a satisfying ending to a terrific run on the book - one that presented great challenges to the title character (not an easy feat), managed to incorporate the vast Superman Family, made Lois Lane into a more interesting character, and made this series a "must buy" for the first time in a long time.
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It's a very impressive start for a fresh new story. Highly recommended!
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Adams is really swinging for the wall here (inked by the always excellent Mark Farmer with color art by Laura Martin and Andrew Crossley), loading in his usual amazing amount of detail and characterization, and Waid gives him lots of big concepts to depict and a chance to do some redesigning on the classic team.
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It's the small details that get under the skin. I've really been enjoying Brian Michael Bendis' take on Superman - but the beginning of this issue shows one of his weaknesses. The story opens with Superman fighting a powerful alien in front of the Daily Planet - and in the fight we see his "civilian" clothes being burned off, revealing his costume beneath. But later in the issue, when he fights the alien he's already removed his civvies. I'll admit that's a minor point, and the rest of the issue is very good. We get more about Superman's "regular" life now that he's revealed his secret identity, we see some unexpected ways in which Superman protects his friends (and the world in general), and we see what happens when he encounters a truly alien opponent. So, the issue isn't perfect - but it is a lot of fun.
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Just an amazing comic, based on a terrific book, with some of the top creators in comics at the peak of their game.
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It's a great start to the new series, mixing terrific artwork, martial arts action, an actual dragon, and both new and familiar faces.
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Perfectly timed to the season, The Autumnal weaves an amazing tale about a mother and daughter and their sudden move from Chicago to a rural setting. It may sound like a setup for a Hallmark movie, but instead it's a personal story with hints of darkness, of sadness - and horror. Kat Somerville has led a rough and rowdy life, and she struggles to raise her misbehaving young daughter Sybil. When Kat is told that her long-estranged mother has died, she travels home to the rural town named Comfort Notch. There she finds eccentric residents, a possible new home, and a haunting mystery. It's a sharp and clever story by Daniel Kraus with stunning,evocative art by Chris Shehan and color art by Jason Wordie. The first issue has this series off to a strong start - recommended!
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The waters are still a bit muddy, as Tony deals with some issues - but it feels like a really strong start, with a solid story and terrific art. (And I really like the new / old armor design.)
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Despite a slight stumble, I'm anxious to see where it all goes and what Bendis does in the few months he has left on the series. What can I say - I'm a fan
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The story is by James Goss and writer Jody Houser (is that the same as plotter and scripter?), and while it wanders a tad in places, it does a wonderful job of capturing the style of both the actor and the show.
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Stories don't all have to be cosmic armageddon, folks. Let's add some character moments, a little humor, focus more on story and internal logic - it would go a long way toward getting Marvel where it should be.
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Despite the clutter and chaos, I have to say that I'm really enjoying this series. Learning about the future through the eyes of Jon (Superboy) Kent is a great way to bring those of us from the 21st Century up to speed.
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With a cosmic menace cooking up and some familiar faces dropping in, this promises to be a fun ride throughout. It's off to a great start!
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The story isn't quite as much a deep dive as LOEG, but it has lots of fun with the time period and keeps the story by Lavie Tidhar moving briskly.
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Terrific characters designs and lush environments, presented in the comics version of high-def! Very impressive! Rai's always an entertaining, surprising book, and this issue adds to that reputation. Recommended!
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Do I need to tell you the art is amazing? Samnee is a master of mood and style - every page just sings! Kirkman shows his craftsmanship here as well - he knows when to intrude with crisp dialogue or an informative aside - and he knows when to get out of the way. Terrific work!
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It's an entertaining series, very unique and wellworth tracking down.
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The series features lots of characters, lots of opportunities for double-crosses and mayhem aplenty. But it would be more fun if the story actually, I don't know, made sense? As it is, it just feels like the monster of the week. Still firmly on the fence here.
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It's a strong start, but asalways, the conclusion will decide the thing.
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So, nice art, decent story, but not really the kind of shocking turn of events you might expect for the kickoff to the latest "Event."
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It's ambitious and epic - but the question is, will it merit such an investment of time and effort? Time will tell!
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So, glad to see that Bendis is (hopefully) sticking around for a while longer, and happy to keep giving this series my highest recommendation.
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If you like some substance in your raucous, no-holds-barred tales of action and,yes, adventure, you'd be well advised not to miss Adventureman. It's a treasure.
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This seriescontinues to impress and delight!
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Wash your hands and keep social distancing, friends!
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It's not working for me.
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It's always good to find thoughtful and well thought-out sciencefiction, and this series has both - it's well worth tracking down.
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In a just world, this team would have gone on to work on Batman stories for years and years. But Englehart had a novel to write (the excellent modern fantasy / adventure The Point Man - well worth tracking down). Rogers would draw more Batman stories - but he should have done so many more, and sadly, now he's gone. But the team left behind these wonderful gems, these perfect Batmanadventures that will shine as long as readerscontinue to look for the best in the genre.
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Not only is it an outstanding story, but the art is amazing. Rogers makes Gotham come alive, his characters are precise and lively, his women beautiful, his villains chilling, and his Batman dramatic and invincible (love that huge cape).
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This comic proves that, in the right hands, almost any character can become a star. All you need is a high-powered creative team!
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It's surprising how much I like this issue because I was not - to this point - a fan of either the sidekick or the villain. But this issue changed my mind.
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With the stunning art of Marshall Rogers and Terry Austin, we're lured into this wonderful, dark, dangerous film noir world - an amazing (and immensely satisfying) action sequence with a surprise guest star - and plot twists aplenty!
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Adding to the intensity is the amazing artwork by Marshall Rogers and Terry Austin - my all-time favorite art team on Batman. Each panel drips with drama and mood, but all with a sharp, modern (yet classic) feel to it. The characters feel "real," and the same is true for Gotham City.
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It's a solid start to a new storyline, and a great jumping-on point (assuming the comics industry survives its current crisis, of course).
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It's a bit of a slow start as we learn more about the society and how this world of the future operates, but it's an interesting premise, even if ithits a bit close to home right now.
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It's a breezy tale with serious implications to the Valiant Universe. Lots ofguest stars, an origin story and a few twists along the way.
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It's a comic any true wrestling fan will enjoy - well worthtracking down!
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Highly recommended!
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It's a fast and furious issue - and a lot of fun. And I didn't see that ending coming.
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It's a terrific "slice of life" and greatstart to the series, which is being "curated" by Alex Ross (whoprovides the amazing coverabove) and writer Kurt Busiek.
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We'll see where it goes, but I suspect every issue purchased will be a test of will for me. As always, I hope for the best and fear the worst.
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Overall, it's a bit of a mixed bag, but well worth sampling. It's a rare comic that captures a love of the industry and passes it along to the reader.
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My general rule with the new X-Men line is: if Hickman wrote it, I'm definitely buying it. This is an unusual addition to the line, but I'm so glad I got it - it's a real work of art in more ways than one.
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So far, I like it, and I'm curious to see where it goes from here.
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I've always liked the concept of the Legion, although certainly the book hasn't always been a "must buy" for me.
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I'm really enjoying this series - it's the best book from DC this year! (Well, so far.)
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The art by Terry and Rachel Dodson is certainly nice, with powerful character designs and dynamic layouts - but the story struggles a bit, with too many characters acting out to generate conflict - even when it's not really in their nature.
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With terrific art and a solid story, this is off to a great start. And happily, it shows respect for its roots and builds on that foundation nicely.
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Highly recommended! (And needless tosay, I'd love to see Grell return with a new series or mini-series dedicated to his most famous DC creation!)
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The art is clean and the story is straightforward - and it'll be interesting to see where the stories (both small and galactic) go from here.
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Bendis is terrific at crafting these kinds of plots within the plot, as the obvious plan ends up being not so obvious, after all. Add in terrific art by John Romita, Jr. and Klaus Janson, and it's a cracking good tale.
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It's a smart, twisty story that will challenge your perceptions, paired with excellent art by R.B. Silva and color art by Matte Gracia.
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An absolute treat from start to finish - this series is highly recommended!
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I keep hoping for big things from this series, but so far, it's hasn't lived up to its "greatest comic" legacy - it's good, but that's all.
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So, a solid issue, but almost a filler along the route for the latest story.
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And this isn't even a "one and done" story - it's continued into (I assume) another Giant issue. I'll be passing on that one.
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You should be reading this book!
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With powerful, moody art by Joshua Hixson and a moody, menace-filled story by Tim Daniel and Michael Moreci, this is a series built for horror fans.
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Terrific work and highly recommended!
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So I really enjoyed this issue, even if you need a scorecard to keep everyone straight. It's fun!
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What a tremendous series - there's no way to predict what happens next, and that's the highest praise any comic could receive!
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Should be fun to see where it goes from here.
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As a fan of all three of those comic teams - and especially glad to see the return of the original Defenders - I'm "all in" on this series,and anxious to see where it goes from here.
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An interesting, thought-provoking series, and well worth reading.
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Highly recommended!
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Of the seeds planted bythe new take on the X-Men, this is one of the best so far.
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That same cynic says they'll be "fixing" this issue's revelation at some point, too. Give them a few years to figure it out.
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It's asmart, science fiction-based adventure, and one that willhave repercussions on future stories.
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It's a big whopping crazy issue, and if you haven't beenfollowing it so far, you'll probably want to wait for the trade collections - but it's a wild and wooly smash-up, and sets up the finalconfrontation nicely.
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The art is nice but the story needs help.
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It's a fun issue with great art and a last page that promises some entertaining stories ahead. Recommended!
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This issue is a great start to the series. Highly recommended!
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Luckily, there are plenty of other X-books to check out.
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By keeping it contained and under control, it makes a cracking good read - and it should make for an explosive wrap-up!
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The series is walking a fine line between horror and history, and so far, it's very, very good. But not for the weak of heart!
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The issue features a different kind of menace with a few surprising twists, and promises some changes to the status quo already. So far, also good!
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Save yourselves the heartbreak, DC - keep Clark's secret life a secret. We'll all rest easier.
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Just for the lovely nostalgic buzz, this issue gets high marks. There's a slight markdown because, while they're a lighthearted bunch, they don't exactly behave as smart, experienced heroes here (and neither does their "friend" Corsair). But the art is lovely and the dialogue is crisp, so fans of the original series will probably enjoy this return to greatness.
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With a fresh start, the future looks bright for the Legion!
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I have no idea where this story is going, but I'm looking forward to the ride as we explore this new vision of America - a land of dreams and nightmares aplenty!
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There's still plenty of time to sort it out, but it's a bit of a shaky start here.
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So, to sum up, this series continues to flourish under Brian Michael Bendis' creative hand - we have a fresh and exciting take on the Man of Steel and his supporting cast. Great news for any comics fan!
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It's a return to greatness for everyone's favorite barbarian - the first chapter in a cracking new adventure, and the best creators in the business are back in business!
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Lots of clever ideas on display here, and lots of room to grow. Thefuture is bright for the team, especially as long as Hickman continues to shine.
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In the meantime, what a terrific series! Highly recommended!
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It makes for an important turning point in the lives of all the characters involved, and a fun story.
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The future is promising!
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I'm anxious to see where it goes from here!
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It's a great jumping on point for this classic character, and a solid start to the series.
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But the art by Sara Pichelli is tremendous and there's a lot of story still to be unpacked - so I have to recommend this series.
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Can't wait to see how this all wraps up!
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With great art by R.B. Silva and color art byMatte Garcia, this is a powerful series, tightly entwined with the House of X series - not to be missed!
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There's some adult language on display, so this isn't a book for kids - but if you're looking for something different from the usual tights-and-fights type stuff, hereyou go.
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It builds nicely and finally gives us the confrontation we've been waiting for since this series began - and I'm certainly anxious to see where the story goes from here. But it feels like a step backward for the company - back into the "grim and gritty" days of yore.
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The biggest problem with the issue is that the Legion only appears on the cover. But the story is certainly setting the stage for a long-awaited return.
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It's a strong entry in the (all too slim) fantasy comics field!
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It's a fast, interesting (and surprising) take on the series, and with bright, energetic artwork and lots of twists in the story, it'soff to an excellent start.
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It's a pivotal moment that may affect the future of DC - so my recommendation is: don't miss it!
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Ienjoyed this mix of styles and approaches much more than I would have expected. The issue rises above its concept and delivers a fun package that honors Marvel's history and sets up somefuture challenges as well.
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Highly recommended!
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Highly recommended!
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The first issue worked for me - this issue, not so much.
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Highly recommended!
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Despite all the decibels, it just ends up as a big yawn. Hopefully future issues will include some story and characterization.
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Highly, highly recommended!
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Terrific art and awonderful (and challenging) story - lots to like here!
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This may be a tougher read for the casual X-Fan, but there's obviously been a lot of planning and design here, and it's a rewarding read for thosebrave enough to tackle it.
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This continues to be one of the best (and probably most mainstream) series from Valiant. Recommended!
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This may be a bit much for a casual fan - sort of like drinking from a fire hose - but to those who like to know how it all ticks, this is highly recommended!
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It's a very promising start, and highly recommended!
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It's a wild finish to a series that's covered a stunning range of stories, formats and characters - the amount of research involved is incredible.
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So, if you're looking for a book with humor and heart, look no further - Jimmy is everyone's pal!
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Judging by the cover, Naomi's appearances in DC Comics is just getting warmed up. Great!
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Highly recommended!
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Anyway, the art almost overcomes a story that's thin at best. Hopefully they can stick the landing.
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If you're willing to travel to this dark place, you'll be rewarded with lots of food for thought.
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This is a great starting point for new readers, and a welcome continuation of theongoing saga.
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With striking, unique artwork by Claudia Leonardi and a strong script by Emma Vieceli, this is a compelling and adult take on relationships and friendship.
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There's still more to be explained as this series rolls on, and hopefully future issues will clear things up - but this is a powerful start to an unorthodox series.
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So far, I'm absolutely hooked. This series may seem a bit pricey, but (so far) it's well worth it.
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It's a strong and surprising start for a series that promises an unpredictable path!
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More than any other Event in recent memory, I'm looking forward to seeing where this one goes!
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It's a fast-paced fight for life, with lots of new players joining the fray. A strong chapter in the story, with terrific art and a sharp script.
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Maybe it's the name change (if DC had a sense of humor they'd change his name to Captain Miracle), maybe it's just one reboot too many, maybe it's the silly nature of the different "lands" the Shazam Family are visiting (they owe more to nursery rhymes than to fantasy adventures), but I'm just not enjoying this storyline.
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There's still time to sort it out, of course, but so far it's just been kind of a mess.
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Violent and grim, but surprisingly, I don't hate it. So far!
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For those who don't like fantasy tales, this might not be your cup of tea - but for the rest, this is a lively start to an original tale.
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There's two issues left, and lots of ground to cover, so we'll see where it all goes from here (and the ultimate impact on DC - if any).
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Can't recommend this one at all.
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I know, it's a comic book - but the insides seem as muddled as the outside.
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There's still a lot of mystery boiling away here - why does the dial look like a classic "hotline" rotary phone? Who is Mr. Thunderbolt? Who's the voice on the other end of the line? Why is the dial so addictive? Those points push the story forward, and along with the two young determined young protagonists, there's a lot to like here.
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It's a solid comicthat manages to fill the bill for both fans of the Event series - and those who are just reading TheAvengers.
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Long may this run continue!
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It remains to be seen how well it all ties up at the end - and if a certain dead hero is avenged or forgotten.
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As a long-time fan, I appreciate the effort that's gone into this series so far, and I'm happy to see the return of a Hawkman I recognize - and whose adventures I can enjoy.
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It's a fast-paced and high-energy start to the series - and hopefully it'll continue to thrive after the "War" is over. A great start!
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So I'm still not crazy about Conan in the modern day, but at least this is very well done. Violent, but a strong start.
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With strong art and a fast-paced and action-packed story, this comic manages a good mix of superhero battles and horror.
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But the series is also driving away longtime readers - like me - who won't take kindly to this vulgar, ugly, and offensive treatment of characters they've loved for decades.
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So far, this series has been terrific (and it stands alone well if you've missed the other series). Recommended!
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It requires patience - this story is taking its sweet time rolling out - but it's fun and rewarding, fresh and different.
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Other than that, the comic features terrific art and a nicely-building story. If you like big events, this is yourhuckleberry.
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The War of the Realms event books should be this good! Highly recommended!
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So far, so good! Here's hoping this title sticks around for a long, healthy run.
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This first issue does a solid job of setting up the series - and the enormity of the challenge facing Earth's heroes - but it also highlights the down side of an Event that uses magic-based characters as the heavies - there's almost no limit to what they can do.
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So far the focus is a bit scattered, but like before, I'm hooked on the H-Dial!
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With that lineup of talent - and even at these prices ($9.99 for this massive comic) - this really is an outstanding issue, worth the cost of admission. Happy birthday, Bats!
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With strong art, a powerful script and fascinating characters, it's well worth checking out.
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What's not to like? Fun stuff (though maybe a bit too violent for young readers) - but forgrownups, it's always great to see Conan in action again!
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Overall, it's a good - though not great - (re)start to the series.
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I've had doubts about the wisdom of injecting a super-son into the Man of Steel equation, but so far it's been a very entertaining turn.
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I'll keep reading, but I can'texactly recommend this series.
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With terrific art by Doug Braithwaite and a crackling good story by Andy Diggle and Alex Paknadel, this is a good jumping-on point for the latest story.
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You really should be reading this comic.
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So, anyway - can't recommend this one at all.
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So to sum up:youreally should be reading this series.
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It's a fun wrap-up to the story - which goes right into my collection. (There is a difference between a collector and a hoarder, right? Right?)
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The story is continued into the next issue, which features the company'smainstream star - and lots more trouble for our heroes.
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The story includes terrific art and lots of action, so it's entertaining - for a war.
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It's all lighthearted, tongue-in-cheek, fast-paced, and presented in a kid-friendly format. What's not to like?
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I'm hanging onto this series by my fingertips - I just can't work up much interest. (Mostly because of the mass murder of perfectly good characters.) I sometimes get the impression that today's comics companies would prefer that I stop bothering them with my business.
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Perhaps it'll start making more sense soon, but so far, it's mostly a hodgepodge of ideas - some entertaining, some puzzling, but noneparticularly compelling.
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Aside from theaction sequence at thetop, this is a low-key series - and a refreshing change of pace. Recommended!
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This series keeps edging closer to the right neighborhood!
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So far, I'menjoying this new version of the classic hero!
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It's a strong start for this restart of the team, and one of the first titles from the new Wonder Comics imprint from DC.
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I dread the storylines that will spring out of this series. Opiod addictions! Political disputes! Climate change debates! It makes you long for the days of Kanjar Ro and T.O. Morrow...
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Aaron uses a time-shifting story device he's been using in Thor's comic - and it's effective here, but I hope he doesn't go to the well too many times (so to speak). Still, it's a great start to the new series (and it's an original story, not an adaptation) - I'm looking forward to the next issue!
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We're seeing the characters, some humor and the heart, but the stories just haven't started snapping yet. Next issue has a promising setup here, so there's hope. As for the wedding, I can only say: it's about time!
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Overall, I'm really enjoying the Bendis run on this title. A solid focus on story and character, lots of surprises and a healthy dollop of humor. What's not to like?
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I wish I could say they're terrific tales, but they're just... ok.
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I'll be tuning in, but I can't give this series a whole-hearted recommendation. DC's comics were designed to be for all ages, and this series breaks that mold into a zillion pieces.
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As a big fan of the original Captain Marvel (Fawcett version), I have to admit I'm struggling a bit with the new version of that hero, who goes by the name Shazam!
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More like this, please!
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It's an entertaining title that focuses of humor (with some super-hero action tossed in for good measure), and hopefully we'll see their story continued in the near future.
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If youenjoy Riverdale - or the recent run by Waid - then you'll enjoy this.
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I haven't played the game, but so far, I'm enjoying the comic. Recommended!
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I was hoping for more from a team that's hit such a major mark.
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If you're looking for a funny, challenging and unique story, this is your Huckleberry.
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Again, I'm thrilled to have theseries back - but it still hasn't reached its old heights yet. This is the World's Greatest Comics Magazine - fans deserve nothing less.
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Until they put the focus on hiring the best comic book writers available (as they did during the Marvel Knights line that hit 20 years ago), they're going to continue to drive readers away. We're here to be entertained, not insulted.
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And while I'm putting in requests, I'd like to see some Earthbound adventures - he shouldn't spend all his time on alien worlds.
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This issue provides the set-up for the major conflict to come, but it's a nice bit of character work on display.
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I liked the Hawkeye comic that this spins out of, but I'mhoping they can get this sorted outquickly - so far, it just isn't working for me.
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There's still time for King to turn it around - but he's got a long way to go.
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But those are minor complaints - the series is a lot of fun to read and moving in new andinteresting directions. What more couldany fan ask?
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It's a great character and a great concept - here's hoping this series proves to be a worthy successor!
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My only quibble is that this issue doesn't really resolve the story - there's more to see that will have to wait for the next mini-series - but it's a powerful story of heroes making the ultimate sacrifice, and highly recommended!
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The series was presented as a re-telling (or perhaps a tidying up) of Captain Marvel's origin - but instead it just makes it even more complicated. Not a good retcon, I'm afraid.
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This issue is a great jumping-on point, as it lays out acracking good tale of heroes, invaders and an implacable threat - it'll have you on your feet, cheering for the home team!
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It's a terrific series that's accessible to new readers, but offers a real treat for long-time fans as it combines the best of the past with a bright promise for the future.
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So it's another excellent issue from writer Brian Michael Bendis and artist Ivan Reis - they have this series cooking on all burners!
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It's all just interesting enough to keep me hanging around until the end - but after that I may take the hint and just stop reading these "Event Comics" once and for all.
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Mighty Mite is only available as a webcomic - you can find itfromPublisherAAM-Markosia atComiXology atthis link.
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The series is interesting and involved - but since there's no central character, it's difficult to make an emotional attachment to the characters. And since anything can happen, does anything that does happen have a consequence?
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I really think it's going to be difficult to judge the success or failure of this series until the finale - the art is great, the writing is sharp, and it manages to evoke the spirit (if not the depth) of the original Watchmen series. But it remains to be seen if the marriage of these two concepts is one that actually works.
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My reaction to this series so far is, I'm sorry to say, very cynical. It's difficult to transpose real-world issues on the fantasy realm of super-heroes, and while this issue is handled skillfully, I'm not sure it actually works.
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The series is off to a cracking good start!
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If you're a fan of this series, don't miss this one. It's bound to make you smile.
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It's a crazy, compelling story that plays hob with the notion of gods, war and reality.
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Still, it's good to see the team amping up its power levels. Now they need to pump up their humanity.
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Anyway - nice art, a decent enough horror story - but the total doesn't really live up to the potential of its parts.
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The story is building nicely and the tension escalates quickly.
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It just all feels crass and out of character and pointless. Will anything be changed when this is all done? Who will be next to scoop up the stones? Wake me when it's over.
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I want to love this comic! (The art is certainly lovely.) But so far, my reaction is just... Eh.
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An entertaining issue that's a nice counterpoint to the usual grim doings here. Recommended!
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At any rate, hopefully future issues will contain more adventures starring the team whose name is up there on the top of the cover.
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I'm not sure this isaccessible to those not familiar with Sandman, and I'm not even sure the supporting characters are up to the task of carrying a series - but it's all off to a very interesting start.
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It's one of thestrengths of this series - one month X-O is Iron Man, the next he's Conan.
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The art is almost surreal, but I'm a sucker for that movie, which I watch every time I fall across it, so I was "all in" on this story.
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Kudos to the creative team for a daring - if over-the-top - conclusion to this event.
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After eight great issues, the creative team is entitled to aslight stumble here - but I look forward to a return to greatness with the next issue.
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For $1.50, this is a low-cost way to check out this series. sofar it's an interesting science fiction tale that's being crafted - and there's lots of potential in the mix.
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It's a bit of a shaky start, but if you're looking for a book that balances heroism with humor, this should fill the bill.
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It's not a bad issue at all, but it offers precious little for Superman to do. But it does manage a surprising twist at the end!
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Every fan of horror - and great comics - should be reading this series.
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A decent start to the new series - and great art - but here's hoping for some moredown-to-Earth opponents in the future.
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Glad to see Doctor Strange - and Mark Waid - getting along so well!
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This series is not for young readers because of violence and nudity. But it is an entertaining mix of genres and worth checking out.
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Good fun from start to finish!
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It's a clever story, with a nice mix of science fiction, superheroes and a touch of horror. Add in strong, futuristic artwork and you get a story that's "adult" in the best, most intelligent version of the word.
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This is a fun burst of nostalgia and so far the meeting of the two different worlds is an almost seamless affair. Fun!
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No consequences, no drama. And that's the problem - so far, this series has had severalshocking moments - but no drama at all.
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It's short but entertaining, and always great to see the Matt Smith version of the character back in action!
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This issue is largely setting up the challenge facing Superman and his allies (plus we get a tiny bit more backstory for Zaar) - presumably next issue, all heck will break loose.
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But it's great to see this mythology back in action again!
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Thanks, Marvel, for bringing back "The World's Greatest Comics Magazine." Hopefully, very soon, it'll be worthy of that title again. But not quite yet.
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It's all fast and brutal with great visuals and no letup! If you're a fan of hard-edged action, you'll certainly enjoy The Raid.
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With lots of twists and turns, a dollop of humor and a very clever story, it's anentertaining return visit to The Village.
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There's still plenty of time to turn this story around and make it work, but so far it's not living up to the standards set 20 years ago when writer / artist Michael Turner got the whole thing started.
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I'm really not sure if this series is trying to build a new reality around the character or just make fun of past incarnations. And I suspect we won't get any real answers until the end of this mini-series (and maybe not even then). But so far, it's compelling stuff.
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The art is tremendous - Mike Deodato, Jr., is one of the most talented craftsmen in the business - but the story is off to a very messy start.
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Solidly entertaining!
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HW2 is building nicely to the big wrap-up next issue. Recommended!
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The series is fast and clever with some good character moments - and we meet a brand new villain, too.
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I was feeling pretty dubious about this mini-series, which seems like an attempt to jump on the movie bandwagon - but so far, they actually seem to have a big story to tell - and one that may be worth the telling.
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Highly recommended!
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It's all a bit raw and rough around the edges, but it's a powerful premise with a striking story to deliver.
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The last half of the issue struggles a bit to deal with what happens in the first half, but overall it's a solid issue and sets up the coming devastation that is the Harbinger Wars II.
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It's a rather melancholy beginning to the origin story, and I'm not exactly sure what happens at the end of this issue (I love a mystery!) - but it's a strong story unfolding and well worth tracking down.
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But the art is great and the lead character is lovely - but if you're going to have a big build-up, you need a strong ending to pay it off. Here we just get... an ending.
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This isn't for young readers - it's a bit violent and offbeat - but mature readers looking for something original will like it!
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It's a promising start to a smart story!
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I hate to see the series end, but happily enough, it'spromising a hell of an ending.
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I'm not sure where they're going with this (which is a good thing), but it promises to make sense of the hash that Hawkman's history hasbecome - so I'm all for it!
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I'm lookingforward to the next issue -and yes, this title is back on my "pull" listat the comics shop!
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It's all fast and funny and an entertaining reprise of the classic cast!
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So far, it's been very good. I'm especially happy to see the return of "smart" Superman - the hero works best when he isn't just depending on his muscles to solve problems.
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Since I haven't been reading the book, it was difficult to sort out what was going on here - and itcertainly moves in unexpected directions - but it's an outstanding package and a unique chapter in the Dark Knight's life.
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This isn't a story for kids - more because of the depth of the conversation, rather than the disturbing or adult nature (there's some of that in there, too).
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This isn't a comic for kids, but for fans ofhardboiled fiction, you're getting prime source material here. Great stuff!
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Like a proper summer event series, this one is building to a major, status quo-changing climax. Sounds like fun, right? Highly recommended!
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You really should be reading this comic (if you're not already).
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With lots of twists and turns, terrific art and fight scenes galore, this series is ending on a strong note. Highly recommended!
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Still, the story continues to build nicely to the final issue of the mini-series, and hopefully we'll get a conclusion of sorts to the three major story threads running through it (the threat of Zaar, the fate of Lois and Jon, and who's behind the mysterious fires in Metropolis).
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But the first issue of a series - even if it's the seventh go-round - should capture the reader's attention immediately, and this issue falls short in that.
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It sets up a real challenge for the next creative team. They have a lot to live up to!
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It's all fast and breezy and fun - a nifty burst of nostalgia for geezers like me, and it should be fun for new readers, too.
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One of Bendis' strengths as a writer is knowing how to build tension in the story, and there's a lot of that in evidence here - and I really like the way he writes Superman, as a smart, caring hero.
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It's a fresh, fun start to the newseries, and awelcome return to basics for the Armored Avenger, who meshes nicely with his film counterpart. Finally!
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With a compelling story by Jeff Lemire and terrific art by Doug Braithwaite, this series continues to offer surprising twists and lots of action.
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Minor quibbles aside, this is a powerful book and well worth checking out for any fan of fantasy.
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Hopefully once the series starts this will make some sense, but for now they're not giving us much of a reason to stick around, other than a striking cover.
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Someday, someone will find the right kind of story for Plas (I hope, because I love the character), but while this is a valiant effort, we're not there yet.
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The comic has made this long-time fan happy about a Hawkman comic for the first time in a long time.
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Hopefullythey can wrap those threads up quickly and move on to something fresh.
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Obviously, this kind of story isn't aimed at a geezer like me - but if you enjoy Riverdale and that sort of thing, this should be right in yourgearhouse.
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It's a fun, fresh start, and well worth a look.
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More like this, please!
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As a long-time fan of thecharacters, I'm glad to see them in the spotlight, even under different guises.
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It feels like this Man of Steel mini-series is sending mixed signals.
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This series often flies under the radar, but it's always entertaining, with strong art and story by Francis Portela and Eliot Rahal (respectively) and well worth checking out.
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The story is building nicely as we see the two sides moving their forces into place - getting ready for the carnage to come.
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It's a story that's very different and a bit challenging - but it's certainly compelling.
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The comic is written and drawn by Fabian Lelay with colors by Claudia Aguirre - and it's a strong first issue, one that should especially appeal to young adult readers.
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To be fair, the story is building nicely, with a growing sense of danger and an inevitable confrontation on the way. The art is tremendous - detailed and moody and very affecting. But I'm not convinced it's worth the price of how it's changing the DC characters. We'll see.
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I'm reserving judgment on the new villain, who seems to have a bit of retcon business hanging over his (its?) shoulders, but by any standard, this issue is a strong entry and does exactly what it's supposed to do: breathe some new life into the Big Blue Boy Scout.
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While certainly not for young readers, this series is compelling and clever - an excellent start!
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This continues to be one of my favorite DC Comics - a nice balance of upbeat and off beat.
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Don't miss it! Sorry to tell you so late in the game, but there's still time to catch up - it's amazing stuff!
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Let's hope Bendis manages to shake things up at DC as effectively as he did at Marvel - and that Marvel finds someone as skilled to fill in the large gap helives behind in the writing staff.
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How I love this series! Highly recommended!
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The script by Jason Aaron is sharp and funny, and the art by Ed McGuinness, Mark Morales and Jay Leisten is big and bold and a blast throughout. Highly recommended!
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The issue is all about revealing cosmic secrets, fighting a powerful sorceress and a jail break - but I still want more about the island.
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This Deathwatch series is off to a great start - very impressive!
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A book about immortal characters should be so much more than this. An examination of how history affects the modern world! The sights they've seen! The people they've met! Instead, it's just lots of explosions and car crashes.
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It's a funny, dark and powerful tale that offers lots of surprising twists and turns - and by the way, this is not a comic for young readers, as it includes... well, lots of inappropriate things.
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This issue is just more of the same, with one exception: this issue made me weep even more for its treatment of Hank Pym, one of Marvel's classic heroes (and a personal favorite of mine) - for some reason, he's always treated like crap, and this series is no different.
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Aaron is using a story element he's worked to good use in other series - jumping back and forth between parallel stories set in different times - but the backstory set a million years in the past is a bit much to swallow, as it features a really unlikely team of Avengers.
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It's a promising new start that may give a new direction - and an unexpected one - for the armored hero.
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It's an excellent start to the series - if you're a fan of the show (like all right-thinking people), you'll enjoy this.
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Look, I'm glad to see the real Thor return (his appearances in the recent films Ragnarok and Infinity War show the true potential of the hero), but I've enjoyed Jane's run in the title a lot more than I ever expected I would.
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It's written by Patrick Kindlon and the art is byAntonio Fuso, and they offer up a unique, serious take on a dark topic.
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It's not for kids, of course, but those of us who fondly remember the '60s (even if we weren't old enough to enjoy its excesses), this issue is a heck of a lot of fun.
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Still, it's a fun warmup for the live action antics of these heroes.
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I have no idea where it's going, but I'm anxious to see what happens next.
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But so far, it's just potential.
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It's a solid issue, and certainly Superman deserves our love and admiration. He stands at the peak of the comic universe - and he's also the strong foundation the entire industry was built on.
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It's not an easy read, but it's a terrific piece of work and well worth tracking down.
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So, this is another excellent issue in the "new" adventures of Cap! Highly recommended!
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Hopefully future issues will clear up the confusion, but it all makes for a sluggish start to the series.
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It isn't clear, and it makes for a story that takes some sorting to get up to speed - but for any fan of this kind of D&D / Game of Thrones-type adventure, this is a strong start to the series.
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It's not an easy "read" so far, but it's been a bit of fun. But it's definitely time to bring it all home. Like, preferably next issue.
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The art is very good, but so far, the concept's mighty thin.
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If you loved 300 (I did), you're probably going to love this.
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With powerful art and a strong story, this series is off to a good start - proving that in comics, death is just a temporary inconvenience.
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With outstanding art by Ivan Reis, Jose Luis, Vicente Cifuentes and Jorda Tarragona, and a fast-paced and clever story by Reis and Jeff Lemire, I can only hope that this "New" team sticks around for a good, long run of stories!
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The quality has been high, considering its weekly publishing schedule - but it's certainly time to be wrapping up this sprawling tale before it completely spins out of control.
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I admit I've been struggling to accept this deliberate merging of the DC Universe with the more hard-edged and unforgiving world of the Watchmen - and this issue didn't do anything to change my mind.
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So the series wraps up with strong art and an impenetrable story. Not a great combination. As a wise person once said, your mileage may vary.
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It's a fun issue, with a few twists and turns along the way, and quite a few laughs.
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This isn't a comic for kids - Jirni is playing for keeps with some despicable characters - but it offers lots of twists and turns as she learns more about her mother's side of the family.
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It's a detailed and multilayered tale (both in art and story) and well worth checking out.
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At any rate, it's a promising series, and it's certainly great to see these characters back again (there's a splash page at the end that provides some nifty nostalgia for long-time fans), and it lays the groundwork for future adventures.
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And hey, next issue (presumably) we'll see where this all goes next.
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If you're a fan of pirates or just action / adventure in general (or the game in particular), this is a good place to be
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It's another strong issue in this series from writer Chip Zdarsky, artist Valerio Schiti and color artist Frank Martin - I'd certainly hope the same team takes over the long-overdue return series devoted to the FF.
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It's an interesting device, and the story is pretty compelling - but I suspect ,, to anyone who paid full cover price, it may seem to be a gag too far.
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Writer Gordon Rennie and artist Andie Tong are crafting another entertaining chapter that takes this series in some unexpected directions - and that's a good thing!
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See? Hardly worth the effort to write this review - that previous sentence tells you all you need to know.
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I'm a sucker for Infinity Stones stories, so I'll hang around - but hopefully future issues will include more story and less volume.
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It's difficult to do "young heroes" well, and Waid is putting on a clinic here. Highly recommended!
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With his departure, which will end up being true? Time will tell!
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It's an impressive accomplishment - a long run of tremendous art and powerful storytelling. Kudos to the Pinis!
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It's no FF, but it's a pretty good substitute that helps fill that empty spot in my comic booksoul.
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With strong art by Joe Bennett and Belardino Brabo, and a solid script by Eliot Rahal (based on a screenplay by a small army of writers), this is a fun oddity - an event that stands alone.
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I realize this series is aimed at me, as a boomer with fond memories of Charlton's comics (and others from the '60s and '70s), and it hits the mark.
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The art has been a bit uneven through the series (the biggest disadvantage to a weekly comic), but the story has been a blast so far, with a non-stop series of events designed to keep the reader - and the heroes - on their toes.
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If this series is ending, I'm sorry to see it go - but at least it wraps up on a strong note.
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The series is off to an explosive start, and holds lots of promise. And hey, Adam Warlock is back - it's worth buying just for that!
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The story follows a battle royal between two alien super-teams and the Avengers, and it continues to build nicely. So against the odds - I like it!
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With terrific art and solid writing, this series definitely "feels" like a Fantastic Four story - and we're long overdue for more of those.
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Once again, Mark Waid and Chris Samnee have crafted a gem of a story, which combines action and adventure with an examination of what America is all about - and Cap's role in the world.
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The story is mostly fun, but it's all pretty slim going. It's a one-off, a good laugh with good art - but that's about it.
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I hate to see this series end - it's been a great ride!
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I'd like to follow Jean's adventures, but they're going to have to do better then this.
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Hopefully this story wraps up with the announcement that he's getting his own comic (and I'm all for backing up a truckload of money to Jim Starlin's door and seeing what new stories he has for one of his greatest creations).
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Add in lots of sharp, funny dialogue and terrific art by David Marquez (with color by Justin Ponsor) and you have a crackling good time.
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It just feels like a weak attempt to merge comics with heavy metal music, and it's just a bad fit.
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It's a solid mini-series with some genuine surprises along the way. Now we'll see what the future holds.
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I'm not crazy about the alphabet concept (one imagines agents named Ninjab and Ninjaz and Ninjam), but the story's compelling and the art is awesome.
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I admit that I'm happy to see Jean return (she'll always be Marvel Girl to an old-timer like me), and thankfully, the story of her return - so far - has been a great one.
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As long as Marvel's returning to classic numbering, how about just turning this line over the the Fantastic Four and making its long-awaited return official?
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It's a professional product with an impressive level of detail from writer Geoff Johns, and the art by Gary Franks is stunning - but this feels for all the world like fan fiction, not something that's actually taking place in - and having an effect on - DC continuity. It still just feels wrong.
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It's an interesting twist on the traditional pirate story, and while the story and art are a bit rough around the edges, there's a lot of potential here.
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This would be a tough starting point for new readers, but longtime fans will enjoy the setup for this year's 15th anniversary celebration for Aspen.
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I'm all for heroes learning on the job, but this story leans just a smidge too much to the "inept hero" side. Jupiter has a lot of heart, and she's fighting to do the right thing. She shouldn't have to fight her own equipment, too - although it is played for laughs.
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I can't wait for the next issue - though, paradoxically, I hate to see this terrific series end!
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It's shaping up to be a real barn-burner, and I have to say - so far I'm really enjoying this series.
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The story by Jason Aaron is rocketing toward a fierce conclusion, and the fierce and sometimes surreal art by Russell Dauterman (with color by Matthew Wilson) is impressive.
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What can I say? I was wrong - Fighting American is a lot of fun!
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As part of the spy game he's put in a compromising position - one that puts him on the opposite side of the fence from his hero allies - and he's going to have to fight for his life! It's a time-honored technique and promises to be a treat (especially since anything can happen).
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I enjoyed it! This is just the beginning of the story, but with striking art and a quest with lots of twists and turns along the way, I'm anxious to see where it goes from here.
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So, not a bad annual - but not as special as it should be. But it is nice to see Excalibur back in action.
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It's not for everyone - but it's loaded with promise.
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But it's a very entertaining mystery (the best kind!), and I'm in for the long haul.
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This is a striking "done in one" story that tells a terrific story on its own - but it does work better if you've read the original series.
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It manages to channel the best elements of comics horror in the '70s and '80s into an edge-of-your-seat adventure. Highly recommended!
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If you're a comics fan, you should be reading this series. It's wonderful!
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The art for this issue is by Carlos Pacheco and Rafael Fonteriz, and it's terrific work, with striking layouts and powerful character designs.
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While I'm not a big fan of resurrections, it's easy to make exceptions when it happens with characters you like. And so far, I'm three for three! It also doesn't hurt that all three are famous for returning from the dead.
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The issue brings up another fear, as we worry about what will happen to this comic after the upcoming departure of Bendis? That's all we need - something else to be concerned about!
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This might be a tough issue for new readers to jump on with, but for fans of the series, this is an interesting setup for the upcoming storyline.
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So I'm glad to see Hawkman return - but I'm still wondering how that return will shake out. And what about Hawkwoman?
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The art is great, of course - Gary Frank crafts a gritty, real-world environment that bridges the gap between the two universes with great skill - and the story by Geoff Johns is brimming with surprising ideas and mysteries to be solved - so there's plenty here to keep bringing readers back. But I'm still not convinced this is anything more than a publisher's stunt to draw in readers. We'll see.
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The series is well served by the terrific art by Lenil Francis Yu and Gerry Alanguilan. The jury's still out on the script by Matthew Rosenburg, because the issue is all about setting up mysteries - but none are resolved. Yet.
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Highly recommended!
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Highly recommended!
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If you're looking for a comic that's different - and includes a few laughs -Quantum & Woody should fill the bill nicely.
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The issue features a strong script by Dan Abnett and terrific art by Riccardo Federici and color art by Sunny Gho - it's a style that almost looks painted, and it creates a powerful environment for Aquaman's adventures.
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It's a strong first issue by writer Chip Zdarsky and artists Jim Cheung, John Dell and Walden Wong - with powerful, expressive art and solid characterizations all around.
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This series is a hoot! I suspect Simon and Kirby would approve.
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It's an unusual story and a grisly setting - but it's compelling stuff.
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It's a strong issue with an unexpected twist at the end - and it'll have you wondering how DD can ever move back to the hero side of the equation again.
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With amazing story and art by Steve Skroce, this story is loaded with twists and turns, and lots of adult content, including graphic violence - so this really isn't for young readers. But if you can handle the mayhem, it's playing out into a heck of a romp.
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I'm really enjoying the series for its science fiction roots. I haven't read the original series, so I don't have a nostalgic attraction - I can only imagine that would make this even more fun for long-time fans!
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So it's a story that's (in that way) more realistic - after all, in city-destroying events, people will get hurt - not even the Justice League can save everyone. But this story's just starting to spool out, so we'll see where it goes from here.
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This series has been building slowly and it's building to a powerful finish. (Better bring a hanky!)
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I'm loving this series, and I certainly hope this team sticks around for a nice, long run on Cap.
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I mostly enjoyed it " young heroes in school is certainly a worthy story setting " but this one may be drinking a little too freely from the Potter well. Maybe if ithad focused on Tim Hunter instead.
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Writer Fred Van Lente continues to craft a powerful, hard-edged story, and artist Stephen Segovia matches it with powerful but moody artwork.
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This isn't for everyone - you won't find a hero anywhere in these pages - but it is a crackling story that'll keep you hanging to the last page.
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Loaded with sharp writing and tremendous art, this series is terrific! (Still) highly recommended!
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I suspect this will work better in a collection, and in any format it should be fun for young readers - but it needs an injection of energy and urgency.
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This definitely isn't aimed at me, but (as Don Thompson always said), if you like this sort of thing, here it is.
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While a few of the stories have been a bit too grisly, they've tapped into the Saturday movie serial feeling they're meant to evoke - and each creative team has apparently had fun with the idea. It's a shame to see it end!
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The series continues to build nicely, and as much as I enjoy Ironheart's adventures, I'd like to see more of the original hero in these pages. (It's been his comic for quite a while, after all.) Hopefully that's just around the corner.
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We'll see how it plays out - and yes, despite my reservations, I'll be reading along - but I'm not convinced that this is a good idea.
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Nothing too serious or deep - it's just a fun story for fans of all ages. Like I said, Good News!
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The series is off to a strong start, and this is a perfect jumping-on point for Ninja-K! Best of all, you'll avoid the shame of saying his name wrong (like some guys I could name)!
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It's an unique series aimed at mature readers, and well worth tracking down.
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The issue suffers slightly from gladiatorial creep - the traditional "face impossible odds in the fighting arena" bit - but the action is fierce and it'll be fun to see where the story goes from here.
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The problem is that the issue is making fun of modern conceits (Cap is a member of Hydra! Deadpool and Gwenpool are everywhere! Let's give all the heroes new female counterparts!) - and the humorous takes are too close to what we're actually seeing in the comics.
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It lays the foundation for a bigger story down the road - one that has world-shaking potential. Recommended!
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With terrific art by Alberto Foche and a strong script by Peter Milligan, this series continues to carry on the highly-regarded traditions of the original series.
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Hopefully Marvel can find some fresh talent to step in and carry on Bendis' traditions - and someone who can continue the edgy drama we've come to expect from Jessica Jones.
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This isn't a traditional comic book adventure (and certainly not a typical New Gods story), but after a rocky first issue, it's settled into a very compelling story. Recommended!
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The art by Dalabor Talajic is very good, with a nice gritty feel to the proceedings - but it's not enough to lift this one-shot above the status of being a basic fill-in issue.
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As always, it's great fun watching this lot trying to one-up each other. Loved it!
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With strong art and a solid story, this series is a good set-up for future adventures with a team of heroes from the Aspen Universe.
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We're only halfway through this six-part crossover, and so far, it's shaping up to be a classic!
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If this is what we can expect from the Marvel Legacy comics, sign me up!
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It's a game-changing story by writer Matt Kindt, with dark but powerful artwork by Clayton Crain and Reynato Guedes, and it sets up lots of interesting possibilities for the future.
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But if you're into dystopia, it doesn't get much better than this.
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The main goal of the series has been to resolve some of the long-running plot threads and to tie the series back into the main body of the Aspen Universe - and it succeeds!
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Highly recommended!
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The comic features great art and a powerful story - it's well worth checking out!
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The story's not perfect - there are some moments that ask a bit too much of the reader's credulity, and the inside jokes go a little overboard from time to time - but overall, it's an entertaining collection of clever, touching stories that take the Surfer in fresh new directions.
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Highly recommended. For adults.
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Still, its great to see this book on track again.
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Written by Peter Mulligan and drawn by Alberto Foche, the issue has to cover the basics, and does so with a surprisingly laid-back pace - but by the end of the issue, things start crackling.
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Somewhat to my surprise, I enjoyed it. A lot!
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Highly recommended!
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The art and story are skillful and disturbing, and if you like this sort of thing more than I do, here it is.
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Fans of the group will enjoy their appearance here - and even if you don't know anything about the group (like some people I could name), it's still a fun tale.
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Throw in some terrific, Hitch-like art by Fernando Pasarin, inked by Andy Owens, Mick Gray, Batt and Scott Hanna, colors by Brad Anderson, and you have a heckuva story unfolding here.
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It's a terrific series, and it's well worth tracking down the trade reprints of earlier issues so you can hit the ground running here.
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It's a solid effort, with a good script and fun, vivacious artwork - but it's not an easy fit, placing these characters into a band and making it work.
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With terrific art by Jesus Saiz, this is a great start to the series of crossovers. Recommended!
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It's too soon to tell if the Legacy story will actually get Marvel back on track, but it's at least a solid start on that road. Fans across the globe are hoping for the best!
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I don't always "click" with this series, but this issue stands above previous attempts, and I can't wait to see what happens next!
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Highly recommended!
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I can't recommend it for younger readers, but there's a lot of potential here for those old enough to handle the violent aspects.
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Excellent work - I'm looking forward to the next chapter!
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Obviously this series isn't aimed at a geezer like me, but for fans of the cartoon - or young readers looking for a good starting point to get into comics, this is the place to be!
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It's a strong start for this new series (though be warned, it's a bit on the bloody side), and well worth checking out.
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So it's all kind of silly and preachy - but plans are already underway for the next series (or mini-series, as the case may be), so hopefully the next story will make a bit more sense.
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It's a comic that's different from the norm, but there's nothing wrong with that. Hopefully this isn't the last we'll see of the Secret Weapons (and the issue promises more soon).
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It's a fun clash of the titans, and great to see the return of these classic characters!
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This issue marks something of a new start for the team, and it's a great jumping-on point - and a darned good comic.
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Appearances by Mar-Vell are so rare, but this one was squandered. Too bad.
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A sharp script by Matt Kind that bounces between flashbacks and present-day mayhem, and exciting visuals by artist Francis Portela make this a strong start to the latest reboot.
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With word of an upcoming TV series, it's back, but the first story has a surprisingly narrow focus.
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It's not for everyone, and it's a long way from the original series - but Mister Miracle is shaping up to be a story to watch out for.
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The story may be a bit derivative, but it is a well-crafted comic and manages to end on a heck of a cliffhanger.
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Even though the story focuses on the kids, it's not a book for children - it features adult language and violence. But for those old enough to cope with it, it's a powerful tale and impossible to predict (which is always a good thing).
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It's another excellent outing by writer Mark Waid and artists Humberto Ramos and Victor Olazaba - and thankfully, we're apparently done with the Secret Empire foolishness.
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I just kept smiling through the whole story - so of course I wasn't prepared at all for that final page, which any dog owner can relate to. What a fun issue - one of the year's best! Highly recommended!
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The stories are pretty thin, but this is a comic that's perfect for the young reader just discovering the Star Wars universe and, perhaps, not quite ready for the more grim side of the action.
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As with all such stories, it doesn't pay to think too hard about the proceedings (lest the whole story unravel), but so far it's building nicely into a big (but self-contained) event - and it's a lot of fun, too!
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It's a fun fast-paced adventure by writer Kelly Thompson, and the art by Stefano Raffael is outstanding, adding lots of spirit and energy to the competition.
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Marvel, as a long-time fan, here's my request: no more stories like this, I beg you. Comic book "reality" is already tenuous enough. When you start rewriting it willy-nilly, it all threatens to fall down.
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I hesitate to recommend a comic that "stars" a villain, but this one is a treat.
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As much as I hate to admit it - Infamous Iron Man is really good!
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The Archie concept - following the lives of teens in high school - is an enduring one, and it can be adapted to different formats. Thank goodness!
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This issue mostly misses the heart that was always evident in Kirby's stories, deciding to focus instead on the action side of the equation - but at least that is well done.
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It's actually fun story by Jason Aaron with strong artwork by Mahmud Asrar (though they've forgotten that, in the Marvel Universe, Odin's eyepatch is a recent acquisition). But the story doesn't seem to accomplish much beyond bringing the two Thors together.
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Adapted from the French graphic novel, the series is written by Jdmorvan with art by Looks and Olivier Thill. The story's an interesting, fresh take on the original, presenting a warts-and-all hero, and the art is simply stunning, with amazing character and environment designs. It's lush and powerfully rendered.
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It's nice to see the character back in action, and I'm always happy to see the King's memory honored.
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The series is managing a nice balance between nostalgia and crafting a story that stands on its own and lays the groundwork for future adventures.
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We trust, of course, that we'll get answers in the issues to come, but the series isn't giving us much to go on - I have to think that new readers would struggle to make sense of this.
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Highly recommended - even if you're not crazy about vampires!
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Oh, there's a version of him running around here, and there's a good twist there - but I'd rather see more actual Spirit content in my Spirit mini-series.
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Highly recommended!
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The story is all mystery at this point, so there's time to redeem its dark beginnings - but the opening sequence is very disturbing, and it's a scene I don't think you'd ever have seen in a comic by Jack Kirby. It seems like a disrespectful way to honor "the King."
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I hope Marvel gives this series (and its creative team - writer Jeremy Whitley and artists Ro Strein and Ted Brandt) another run!
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As always, writer Chuck Dixon and artist Graham Nolan craft an expert adventure that just gets bigger and better with each chapter! Highly recommended!
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My biggest complaint is that the fighting sequences don't really show off the fighting prowess of either hero. Part of the joy of martial arts combat is the poetry of the fighting, the precision of the moves (offense and defense) and the skill of the fighter.
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For a story intended to honor Kirby, that's not something Kirby would have done. His stories were loaded with action, adventure and powerful fights - but never (to my memory) ventured into the realm of graphic violence. I would have enjoyed this issue a lot more if it had done likewise.
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This series has been a good balance between modern storytelling sensibilities, Morrison's strange vision for the team, and the original concepts of freaks fighting for humanity.
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Not a bad tribute to the King and all!
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I love the idea of these two Dark Knights facing off over their methods, but that's just not getting it done.
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The story is starting to build, but requires the reader to be very patient as it sorts itself out. It shows a lot of promise, but it's getting there slowly.
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I'm still on the fence with this one - it's a solid story, with the twists and turns one expects with a mystery, and some good revelations about Locke's story. But it still feels very derivative. I wish the creative team had told the story on its own terms, rather than cribbing so much from a classic.
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Call me old fashioned or overprotective, but I'd feel better about it if Riri (or any of those other characters) were at least 21 years old.
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What a treat, to have a real X-Men book on the stands again. It's about dang time.
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This issue is just setup, of course, for the rest of the story, as Lola finds herself in danger - and trying to save others at the same time. Well worth a look!
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So Groo continues to hold its crown as the funniest comic around. Don't miss it! (As we've learned, there's no such thing as too much Groo!)
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It's a strong story that will delight fans of both the TV show and the comic!
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The art is terrific and the story is building to a big finish - I can't wait to see where it all goes! Highly recommended!
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The story by Brian Michael Bendis is fast and funny, and almost worth buying just for Luke Cage's comments. It's also packed with action, terrific art by David Marquez, and a heck of a cliffhanger.
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It's a nice change of pace with a relative minimum of death and destruction, but plenty of life-affirming moments.
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The issue is loaded with action and lots of humor - though the material is on the adult side, so this isn't really for young readers.
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It's a clever series and it focuses on the positive energy of the younger generation of heroes. I like it!
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It's a surprisingly touching story, and a welcome relief from the usual event angst.
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So it's an interesting start to the new series - I'm curious to see where it goes from here.
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This is not a comic for young readers - there's lots of death and assorted horrific images - but for mature readers, it's a compelling puzzle to sort out - and impossible to predict.
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This is a story arc that any comics fan will enjoy - but music fans will love it!
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As you'd expect from writer Brian Michael Bendis, the dialogue is fast, funny and very real - and the reactions of each character are likewise. The art by David Marquez is excellent, with striking layouts and powerful character designs. Throw in some clever plot twists and several guest appearances, and you have a series that doesn't slow down for a moment.
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I'm sticking with this series because I'm curious to see how it ends - but I have to admit, the characters still don't "feel" right so far.
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It's fast and a heck of a lot of fun. Highly recommended!
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The comic has terrific art by Giuseppe Cafaro and a good script by J.T. Krul - though it may take you a few pages to get the concepts sorted out. It's worth the effort.
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So, cool weapons (including the title gun), fun characters and lots of explosions - Bubblegun is a fun ride!
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I shouldn't be surprised that I enjoy this series - Waid is one of the best comic writers out there, of course - though I am happy to see that a more traditional new Archie comic is being released next month - but I'm enjoying this series a lot, and I suspect you will, too.
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I'd still like to see Tony Stark in his own comic, but Riri is a fine replacement - for now.
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Now that's what Marvel needed: another Thor. It was inevitable, I suppose, since they had an extra magic hammer laying around.
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It's a helpful reference work for both those readers who have just discovered Valiant Comics - and a fun recap for longtime fans.
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It's a great start to the series and highly recommended for the grownups out there!
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This has been a fun trilogy - and hopefully not the last time we'll see Hughes showing off his fine comic chops.
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It's a powerful start for this "street level" series, and I'm anxious to see where it goes next. Highly recommended!
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Hopefully at some point Marvel can sort this out and make fans happy to read the adventures of their favorite heroes again - but I'm not encouraged.
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I like it when the creative team (writer Jody Houser and artist Joe Eisma) come up with a creative approach to a straightforward adventure story.
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It's a strong, fast-paced story by writer Jack Campbell with terrific art by Andre Siregar and Bambang Irawan. We have some time to wait until the next Star Wars movie, so this should help fill the gap nicely.
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This series is further proof that quality storytelling never goes out of style. High recommended!
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It's a solid series with quite a few surprises and terrific art - and it lays the groundwork for future series set in the DK Universe. Good deal!
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If you're looking for something out of the ordinary, something unique - this is the book for you!
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So the story's kind of disjointed as Strange and some guest stars fight for survival against assorted giant monsters. Despite the obstacle, its a solid issue with strong artwork (and all the gross creatures your admission price can bear).
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I'd give the issue higher marks if not for the slight overdose on the soap opera aspect (a problem for the TV show, too) and a disturbing fantasy sequence. But I'm really happy to see Hal and Barry working together again - it's long overdue.
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So, to review: an event book should stand alone; characters should be true to their intent; and this one can't end soon enough for me.
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It can be challenging to keep it all straight, but the rewards are worth the effort. Recommended!
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This isn't my kind of comic, but there's nothing wrong with that - the industry needs more of this kind of comic, specially made for young fans!
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The story is by Matt Kindt and the art is by Cafu, and it's a fun start to what promises to be a heavy-hitting series.
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It may not be "my" Shadow here - but it's close enough to be fun.
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The art is terrific, but the story's been dragged out for far too long. The end can't get here fast enough for me.
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There are still some rough edges to be smoothed out, but overall this is a solid adventure in the X-men tradition.
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It's not exactly sunny, but it's exciting and powerful stuff.
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So, a solid issue, much more down to Earth (despite its science fiction elements) and terrific art - what a deal!
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Sadly, this issue doesn't inspire loyalty. It's not a bad issue at all - it just doesn't stand out from the crowd.
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This series really just accomplishes one thing: it sets up this fall's big event from DC, which is being called Doomsday Clock.
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I still believe this series can right itself - but it's going to have to deliver a pretty amazing plot twist to manage it. So far, I'm not seeing it - and that voice of optimism in the back of my mind is fading fast.
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It's not deep, but it's fast, furious and fun from start to finish, especially for fans of the original series.
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The series is fast and furious, and aside from the brutal nature of the fight, I like the team she's assembling and the fact that they get to be heroes. I enjoyed this issue a lot and am looking forward to future installments.
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The issue is a lot of fun, with just the right amount of cosmic goodness. Glad I found it!
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It's a fun romp from the Allred family - Lee, Michael and Laura combine their writing and art skills and produce a comic that's a heck of a lot of fun!
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This continues to be an entertaining comic, tackling complex characters and stories. Even if the bad guys are confused.
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Highly recommended!
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The series is highly recommended, and we can only hope that this is just the beginning for Dixon working at DC again. While he can write anything, the members of the Bat-family are in desperate need of his guidance.
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This series is highly recommended!
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Death and destruction abound, and Cap is behaving completely out of character, teaming with murderers and monsters and then acting surprised when they do terrible things. And then he also does terrible things.
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It's not for young readers - there's quite a bit of bloodshed here - but for those who don't mind that sort of thing in the telling of a good story, it's well worth seeking out.
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So it's a decent start to the unification effort - and heavy on the action.
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With terrific, organic art by Paul Grist, and a sharp, original story by Mike Mignola and Chris Robertson, this series is a real treat - which is no surprise to those of us who hang out in the Mignolaverse a lot.
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To be fair, there's an interesting situation teased by a final confrontation - and another in the last page - but that doesn't make up for an otherwise humdrum issue.
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So it's a meeting that probably shouldn't happen in the modern day - but if you can relax that inner voice that objects to continuity problems, you're sure to enjoy this issue.
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The Rebirth concept has lost some of its focus since its kickoff, so it's good to see it getting back on point, and in such a strong fashion.
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This series is a hidden gem. It's not for young readers - the language and violence is harsh - but it's an original take on a powerful topic. Highly recommended!
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As I've said before: surely every comic book fan should be reading this comic.
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It's not a deep story, but it's fast and fun and well worth the price of admission. It's downright... Steranko-esque!
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Whatever happens, this is a powerful story with shocks and surprises aplenty. So far, I'm sticking around.
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It's great to see them finally getting around to taking the next step in the Rebirth story - it's been simmering far too long, but it seems to be coming to a boil at last!
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It's well-crafted, but I'm not sure it's well-intentioned - or in good taste.
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All in all, a lot of fun whether you've read the original or not. It's a great "standalone" story that should serve as a great template for future adventures.
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It's a fun issue - what's not to like?
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No mistake, this is a very different version of Thor - but to fans of the original Norse myths, it's a lot of fun!
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Throw in excellent art by P. Craig Russell (who provides layouts and the adaptation) and Scott Hampton and you have a terrific series adapting an outstanding novel. Highly recommended!
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It felt like there was too much emphasis on action (just a straightforward slugfest, at that) and too little on character. But it's a solid start to the new series, and it has potential.
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It's a fun start to the mini-series - welcome back, Doctor!
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It's a powerful story the builds nicely on what came before - and sets up a thrilling new adventure / horror story!
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It's a powerful story, and the artwork by Fernando Pasarin and Matt Ryan is powerful (and very Hitch-like) - and it ends on a terrific cliffhanger - but I do wish they'd take a moment and show us the human side of the team, and a little less of the FIGHT FIGHT FIGHT side of things.
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I do think getting back to the basics is a great idea - but it would be nice to focus on the action, the friendships and the fun, and less on the broken hearts, the failed relationships, and the eternal cloud of racism that hangs over every "X" book ever.
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But it is a lot of fun with strong artwork and a cracking good story!
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I just imagine Kirby reading it and saying, "What the hell was that?"
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Quibbles aside, this is a terrific series that any fan of comics history should be reading.
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T.C. works best in his own alley with his friends - not slinking through the alleys of Gotham City.
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It's too brutal for young readers, but I'm enjoying this unique series.
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It's not a bad issue, but it feels suspiciously like an overpriced ad for the new family of X-Comics.
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It's off to a rollicking start, and a worthy story in the vein of League of Extraordinary Gentlemen - if you liked that series, you're bound to like this one.
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That's not to say it's a bad comic - it's actually an interesting character study, as we see Jennifer learning to cope with her new insecurities, and the mystery of one of her clients grows into a full-fledged horror story. But I think it's past time to bring the title character into the mix. Comics fans are patient, but they're not going to wait forever.
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I like this new start for Iron Fist a lot - kudos to writer Ed Brisson for the new direction, and to artist Mike Perkins for a gritty, high-energy approach to the visuals.
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The art is very good, and we get some movement toward whatever happens next, but the upshot of this series seems to be finding a place to tuck away the real Thor for a while. (You know, like they did with Nick Fury.)
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So it's a fun issue by writer Mark Waid with terrific, high-energy art by Pete Woods.
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So, not a bad series, but not an exceptional one, either.
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The story is building slowly, but it's fun to see familiar characters in a new light.
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The issue is mostly dedicated to introducing some of the cast and putting the story into play, but it's captivating and whets the reader's appetite for more. What more do you need? It's terrific. Buy it, already!
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Its a great balance of action, character interaction and strong art.
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So it's definitely out of the ordinary, and not a traditional comic at all - but it's rolling out an interesting science fiction tale. I think.
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The series is a bit rough around the edges, but it's a fun and fast-paced comic, and it promises an out-of-the-ordinary adventure.
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Written by Fred Van Lente with art by Ryan Dunlavey, the series offers a fun and informative look at the crucial years that almost finished the industry.
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Highly recommended!
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It's a solid start (and a great re-start) for this classic character!
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It's a world loaded with dangers - both human and inhuman (unhuman?) - and as always, you never know what will happen next. So, great art, sharp dialogue and terrific characters - it's a lot of fun!
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With strong art and a unique story, it's a series worth watching.
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You should be reading this comic.
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Hopefully the next version of these heroes will be ones that fans can enjoy.
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It's a fast-paced issue with lots of twists and turns. It's fun, but not really aimed at a geezer like me - but no doubt young readers will enjoy the adventures of this patriotic powerhouse.
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Look, this issue features sharp writing and excellent art - but I'd like to see more forward motion, please.
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With powerful artwork and a strong story that nicely sets up lots of possible future scenarios, this is a terrific successor to the original series - but one that makes its own way.
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The story by Serge Lehman does not follow the usual hero tropes, but combines some original angles with traditional heroism. It's an interesting series and well worth checking out.
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So, it's a great series, with terrific art - it's lots of fun. As a longtime fan, I can only say, "Thanks!"
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The series is a heck of a lot of fun, and that's good enough for me!
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Every comics fan should be reading this series - it's earned its spot as comics royalty, and this issue is just further proof of that fact.
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The art is terrific - with two different artists showcasing different styles - and the story is fast-paced and, though a bit grisly, mighty entertaining.
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It's an amazing military story of survival and exploration - highly recommended!
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Needless to say, this isn't a comic for kids - but it's a lot of fun for mature audiences!
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And so far, this series is nicely walking the line between respect for those original stories and creations, and building a new story and mythology around the monsters.
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The series concept has a couple of strikes against it - mostly the ill-advised notion of letting children fight super-criminals - but it's a lot of fun so far, and as long as that attitude continues, I'll hang around for more.
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A great start and a promising beginning!
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The series is a little rough around the edges, but it's a lot of fun and worth checking out for any fan of adventure serials.
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So not exactly a reboot, but a solid return for Aspen's top character. I'm looking forward to seeing where it goes from here!
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One of the things that has always set the Flash apart from his Modern Age contemporaries is his strong set of bad guys - his Rogues Gallery - and it's good to see them back in the spotlight. And it's great to see the Flash acting like a capable hero again.
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This series continues to be powerful and sharply written and drawn - but it's not for everyone and it's certainly not for young readers. Mature readers who can handle the bleakness, however, will love it.
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Nothing against the new versions of those characters - but I'm all for a return to the basics. The sooner the better.
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Very silly stuff - we expect more of our heroes, and I expect much more of an intelligent, capable hero like Faith.
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It's a terrific slice of history setting up the next big confrontation with the Conqueror!
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Great art and a strong story here - if they could just finish up the ongoing Inhumans vs. X-Men foolishness, they could get on with the business at hand: restoring the X-franchise.
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Not a lot of deep thought here, but it's a fun romp so far - what's not to like?
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Thankfully, she's apparently a one-issue guest. Hopefully we'll be back to focusing on the team next time around.
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I've no idea where this is going next - and that's a great thing! Well worth checking out.
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If you're a fan of the original shows (and who isn't?), then you should be reading this comic. It'll take you back to younger, adventurous days!
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So far, I'm really enjoying this series - it respects the roots of the series and lays the groundwork for a bright future!
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Kudos to writer Fred Van Lente and artist Ryan Dulavey for a terrific series - it's great fun for anyone interested in comics history. (And if you aren't, why are you reading this?)
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By narrowing the focus, hopefully this series will avoid that fate. This issue is a fun ride, and I'm looking forward to future chapters!
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(Of course, yu can't have everything: Dormammu is still a giant. I like him better when he's human-sized - but maybe that's just me.)
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It's a promising start to the series!
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There are lots of Avengers books out there right now, but this one may be the best of the bunch.
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It's not a book I'd recommend for young readers - it's really for adults only - and if you haven't read the earlier issues, it's probably best to wait for the collection - it would be tough to sort this story out by this point. But for those who tackle it, the reward are great.
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It's a sweet love story - but not much more than that.
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I still don't know why they need another Iron Man - there's a perfectly good one who keeps showing up in their movies - but Riki's shaping up to be an interesting addition to the Marvel Universe, too.
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And whatever happened to Groot, anyway?
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The script is crisp and the art is excellent - and Ninjak does play a vital role before we hit the end of the issue - but it'd still be nice to have him a bit more involved.
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The art is powerful and the story is... well, unexpected. And oh, that final panel.
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It's a strong return for the series and it fits well with the TV version, too. It's for adult readers - and highly recommended!
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It's not for the timid, but it's a strong start to the series.
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After too many issues that were off target, it's great to see The Flash cooking on all cylinders!
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Kudos to writer Jason Aaron and artist Russell Dauterman on crafting a terrific all-out action issue that gives the cast room to spread their wings and fight!
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It's a fun issue that sends up lots of entertaining possibilities. (And Ryder's encounter with the members of The Champions is priceless.)
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It's a fun story by Mark Waid that plays fair with the time travel concept and - as far as I can tell - hasn't made a mistake yet.
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It's not a bad issue - the story's interesting and the art is very good - but it's not an issue of Justice League, and that's what I laid down my $2.99 to purchase.
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It's a good start, and I'd think this would be high on the list of fun reading for both female and male fans. Nadia's a good hero for young women to emulate - perhaps we'll see more "Unstoppable Wasp" costumes at this year's conventions!
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I was really hoping for much more - this issue just offers some backstory for those who came in late. For those of us who've been here a while, there's nothing new here. Darn it.
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This series has a lot of energy and a great youthful feel. Highly recommended!
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It's a brilliant reimagining of the classic cartoon characters as they gather to fight a terrifying menace. Love it!
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So, it's something of a slow start - and a fresh start - for this long-running hero. So far, I like it - I'll be hanging around.
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The conclusion lifts this series up a bit - and it's certainly better than the "first" (Marvel) Civil War - but it's still a thin excuse for a bunch of heroes too whale on each other.
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There's still an edge to this series that's hard to dismiss. Aren't the Executive Assistants just prostitutes who fight? (Granted, we don't see any hints of sex in this issue - but the concept is the same.) Maybe it's just me. I recommend checking it out and making up your own mind.
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I hope this succeeds - Cave deserves to be remembered!
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I can understand creating a new female hero, giving her some high-tech armor and the drive to fight the bad guys - but I still don't see any justification for putting her in harm's way.
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So, a fun comic for long-time fans - and a clever story (with a mystery or two loaded in) to keep new readers involved.
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I like the stories (mostly), though the latest story arc (which wraps up in this issue) is too dark, dismal and bloodthirsty for my tastes.
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If you're a fan of the mini-series - or the original Alias comic series - you're bound to like this.
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This one is disappointing, although I did get a kick out of a comment by Iceman - it was a fun jab at the X-Men's often-impenetrable continuity.
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So: a good issue (despite or because of no GoG content), and a good argument for bringing back Ben's original team.
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It's a little understated - no big bad guys on display in this issue - but it's certainly a promising start. I'll be back next issue.
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It must be a real challenge to recap comic history without actually depicting the characters (no doubt there are legal issues making it difficult), but they get around it via clever visuals, so you're not missing a thing. It's lots of fun - and you just might learn something!
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It's a series loaded with imagination and unexpected twists, and I have no idea where it goes from here.
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As a fan of comics with a good sense of humor, I enjoyed this offbeat adventure - and I'm curious to see where it goes from here.
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Highly recommended!
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I enjoyed this one a lot - a pleasant change as it brings the team together in down-to-Earth adventure. More like this, please!
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The story threatens to spin out of control - time paradoxes are tricky rascals - but Waid keeps those plates spinning carefully in the air, adding fresh twists along the way. Throw in a few Easter eggs and you have a mighty entertaining story brewing.
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The story by Jeff Loveness and Ramon Perez has the story off to a strong start (though Young Nova's solution to his cosmic problem is a bit odd, to say the least).
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Still, it's a tremendous series and - if you aren't already - you should be reading it.
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It's a strong start for a new series that'a unlike any other. Recommended!
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It looks like Cho is going to keep on being green for a while, so here's hoping we can get past the "event books" and focus more on the fun.
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As a fan of Tarzan, Ka-Zar, Wolverine and most "raised by wolves" stories, I enjoyed this issue a lot - I'm looking forward to future installments!
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Highly recommended!
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This was a series I expected to love - and this Bryan Hitch written and drawn version of the Justice League of America certainly started out strong - but it sputtered, fell way behind schedule and, with this issue, finally limps across the finish line.
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Highly recommended!
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They've crafted an opening chapter that manages to stay true to the characters and creates a nasty new villain in the process.
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They even have a good handle on The Shade, which makes it easier to accept when other hands are all over a beloved concept.
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It does have this effect: I'll be avoiding the mini-series that follows, along with the spinoff storylines. Perhaps if they ever get around to correcting the numerous (and egregious) harms they've inflicted on both the X-books and the Inhumans (numerous deaths and ongoing character assassinations), I'll return. But I'm not holding my breath waiting.
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There's still time - there's one more issue in this series - but I expected more from writer Brian Michael Bendis. (To be fair, the art by David Marquez is excellent.)
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Highly recommended! (But not for kids.)
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It's a bit tricky when you're dealing with characters who have their own titles, too - but there's plenty of room between the lines for friendship and building character.
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It's fertile ground for writer Jason Aaron and artist Chris Bachalo (working here with five inkers), and it's a lot of fun for the reader - if you have the stomach for it.
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While we wait to see the outcome, there's a cracking good story unfolding - we just hope it doesn't end by breaking our hearts.
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It's definintely just for adults, but for those mature enough to handle some violence and adult language, it's very, very good!
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It all fits snugly into Marvel's continuity, and for long-time fans, it's a wonderful trip down memory lane. (Be sure to try the letters page - it's tasty!) All I can say is: more, please!
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This isn't a bad series - the art is strong and the story is building toward - something - but it feels like this series is just moving pieces into place to set up the next story (no doubt all-out war between the races) which will be the next big "event."
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Is he more edgy, darker, more intense? I guess - but that doesn't make me a fan.
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Still, nice to see a classic version of the team back in action - and you have to love that Alex Ross cover.
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This series has been a lot of fun and is building to a whopper of a conclusion. While the Doctor's on hiatus on TV, this is a great way to keep your Who-meter topped out. (Sorry, that was terrible.)
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Maybe I'm wrong and lots of people are reading this book - but it never seems to have much buzz, and that's a shame, because it's consistently one of Marvel's best comics.
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But I can't totally slam this series because that final page, which presses all the right fanboys impulses, made me smile. Big time.
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It's interesting and well done, but I can't really say I'm enjoying it.
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If you're a fan of Cho (isn't everyone?), then you don't want to miss this series. It's a heck of a lot of fun so far!
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It's an interesting thought, but as an 8-issue mini-series, it feels mighty thin and ultimately inconsequential.
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You really should be buying this series.
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I'm not quite ready to give up on this series yet - but I don't know how much longer I'll be able to say that.
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This series continues to be surprising and entertaining - but I do miss the real Thor, and it's frustrating that we still don't know what caused him to be "unworthy." Perhaps his promised new series will clue us in.
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But the potential for an entertaining story is strong. We'll see if it delivers.
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With terrific art and powerful writing - and I love those mini-comics inside each issue - this is a series you should not miss.
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Can't wait for thenext issue!
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It's well crafted but not for the faint of heart - and certainly not for kids.
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This series has been a bit on the grim and gritty side, but it also has heart, courage and a smart hero. Add in sharp scripts by Robert Venditti and excellent, vivid (and often epic) artwork by Robert Gill, and you have a powerful story to enjoy.
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The story by George Mann covers a lot of ground and throws quite a bit of info at the reader, but keeps things relatively clear for those new, clueless readers.
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I enjoyed this issue, a pseudo-historical adventure crossed with a small army of fictional characters. It works as a story and as a collection of Easter Eggs.
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The idea behind the story is a little shaky, and the series is a bit on the brutal side, but it's a heck of a lot of fun - highly recommended!
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So far, I'm enjoying this a lot - it's a great mix of terrific characters, humor and mystery, and I can't wait to see where it goes next. Highly recommended!
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The characters are interesting, the art is nice, and the humor is lightly applied - not a bad start, but not one to command your attention.
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It's a great start for the new series, and it really feels like old times. The original series was dark and edgy (like the TV show), and it's right back there again.
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The story is just getting started here, and so far, I'm hooked. Here's hoping the title star gets more time in the spotlight next issue.
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So will this revitalize the X-Men franchise, and bring the Inhuman franchise along for the ride (as Marvel no doubt hopes)?
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Kudos to writer Mark Waid and artists Humberto Ramos and Victor Olazaba for crafting a terrific first chapter in what will hopefully be a long run for this new incarnation of the Champions!
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And that's the goal here - to have fun with the meeting of opposites on the bandwidth of musical talents, as we see the contrast between one of the all-time great rock bands (though one that never enjoyed huge success on the charts) and a made-up band that somehow churned out one of the biggest hits of all time - despite the fact that they really didn't exist at all.
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Here again we find love and hope and - just when you get comfortable - a punch to the gut.
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The series offered a fresh take on the Hulk - a light-hearted, smartly-written, action-oriented look, courtesy of writer Greg Pak, with powerful art, courtesy of Mahmud Asrar.
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The art is good but the story is a bit of a mush - hopefully future issues will clear things up.
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The story is by Kathryn Immonen and the art by Leonardo Romero, and they do good work here - but the story just doesn't clear the bar of being something special or unique enough to demand highlighting in an Annual.
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The series isn't bad, and it's way too early to make a judgement - but here's hoping for clearer storytelling in the future, and maybe a joke or two.
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The issue's an over-the-top, frantic collision of battles, dubious events and the most impractical rescue this month. But even if it's a bit on the silly side, I have to admit that I enjoyed the issue a lot!
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This is definitely a unique series, and if you have any interest in history at all, you'll find great rewards here.
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Well, this issue is certainly different. I can't remember a comic book I've ever read that spent the first four pages hectoring the human race in general for being a colossal bunch of losers.
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There's a lot of nice art on display here - Francis Manapul is one of the most creative artists working in the business today, and if you like double-page spreads of each hero in a poster-style pose, you'll get that here. But the story, also by Manapul, is mighty thin. And I have no idea what's going on in that final page.
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This issue mercifully brings an end to the storyline, "The Extinction Machine." I say mercifully because I've seen each issue in the series and I'm still not sure what was going on here.
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If you're looking for lots of action, this issue checks that box!
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It's a strong (if sometimes mystifying) start to the series, and one that shows no signs of veering into superhero territory.
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If you're any kind of fan of The Doctor, I think you'll really enjoy this one.
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I want to like this series, but I'm really struggling - while reading it, I feel like it's issue 20, and I'm way behind on the central plot points.
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It's a small story, but important just the same.
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It's a fast-paced, high-energy series packed with amazing art by John Romita, Jr., and a multi-layered script by Scott Snyder.
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There's still lots of points to be sorted out via the script, but it's a cracking good tale. I can't wait for the next issue!
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What a shame. With this creative team, this book should be flying high - not grounded under the weight of silly storylines.
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The series continues to be a strong direction for the Sorcerer Supreme (assuming he still has that title) - it's a great mix of action, terrific characters, smart stories and a dollop of humor.
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The art by Brian Ching is very good, and writer Steve Orlando captures the voice of the characters - but the series needs to up the action quotient - and mimic the TV show's attitude - to survive.
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Nadia is growing on me, and if having her around means we'll get to see more of the original Wasp, then I'm all for it. Comics can always use more fun characters, after all!
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I've always been a big fan of the JLA, and it's great to see these characters together. So this book starts out with a head start with most fans (and certainly with this fan). But that good will is fading fast. Help us out here, guys!
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Not for kids, but great for the rest of us.
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The series continues to boast strong art and sharp writing - but I prefer the stories set in deep space, rather than here at home.
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With excellent artwork by Clayton Crain and a terrific story by Matt Kindt, it's a strong mini-series and a great springboard for Rai.
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This has been a good series so far, as Miles settles into his new place in the "regular" Marvel Universe - but hopefully future issues will focus more on the fun side of being a hero.
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The good news is: you don't have to be a geezer like me to enjoy this series - it's a strong story loaded with fantastic characters and a world-shaking menace, but it's all explained so anyone can pick up on the adventure. No prior knowledge required! But if you are old enough to remember it, there's lots of extra gold in here for you. I defy you to read it without smiling!
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Once again the creative team of Dan Slott and Michael Allred rise to the challenge, giving us a story that's tied to the present, yet also manages to celebrate the history of that hero.
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It's a solid issue and I'm enjoying the story (what I can recall of it), but I hope it all wraps up during my lifetime.
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The result is a crazy quilt of a story that doesn't really work - although it does have a lovely cover by Ruiz Burgos.
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It might be better to wait for the collection. But kudos to the company and the creators for tackling a titanic concept right out of the blocks!
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The "Year One" story I'm enjoying a lot. This one isn't working as well - though the conclusion may still bring it all together.
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The issue is a nice break from the Western horror stylings (there's a bit of it on display), and demonstrates how versatile the concept is, taking us from horror to humor to action without pausing for a breath.
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So it's a decent start for this "reborn" series, but I'd still like to see more of the personalities of the heroes coming through (at least Linda Parks gets a few moments in the sun).
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It's a promising return for the characters - here's hoping for more like this!
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Yes, I know this story will eventually be worked out and (hopefully) we'll be back to the real Cap. But first we have to deal with some interesting plot points - and no doubt there will eventually be some Civil War business to address. But I admit that I'm looking forward to this story being wrapped up.
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It features an upbeat, instantly-likeable star, a strong supporting cast, some good action sequences, and works despite the somewhat silly secret identity shenanigans.
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Accentuated by amazing artwork by Chris Samnee and steered by a terrific story by Mark Waid, this is a series you don't want to miss.
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There's certainly time for this story to come together, depending on what happens next - but so far, all it's doing is created a lot of puzzled readers.
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The art is strong and the story fast-moving. Hopefully they'll eventually find time to give us a bit more character development along the way - but at least the trip there won't be a boring one.
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To keep up with the twice-monthly publishing schedule, they're alternating stories between the present-day Diana and this "Year One" tale - and I must admit, I find this arc much more entertaining.
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Still, great art and strong writing make this a series to watch. (But I'd like it better with fewer demons.)
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I like this series a lot - it features smart scripts by Matt Kindt and strong artwork by Ulises Arreloa and Chris Sotomayor, and the stories are always edgy but fun.
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I'm not sure about the reasoning behind the series. With two Supermen (if you could the "new" Lex Luthor) and a Supergirl, is there room (or need) for Superwoman?
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A great series, one of the best Marvel has right now. You should be reading this one.
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This comic is witty and biting and on point. This comic is like Twitter without the Trolls and the Trump. It is what I needed this week, and may be what you need next week. If you're a Ms. Marvel fan, or a fan fiction fan of any sort, this needs to be in your collection. I'm hanging with this series.
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There's no other comic like it - violent, completely unpredictable - and loads of fun!
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So far, I'm enjoying this series, and I'm anxious to see where it goes from here. Maybe I need to track down my copy of the novel...
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Maybe I'll come back when the Dark Knight is "reborn" in more upbeat, heroic stories.
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The issue has a lot of ideas simmering on the stove, but the reader gets precious little to go on. The art is vey good, and there's certainly a lot of potential in the story here - but two issues in and I feel lost.
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So an excellent start to this series - some of the best Doctor Strange stories in far too long. Highly recommended!
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The issue, written by Robert Venditti, is mostly setup. The Earth is facing an invasion by an apparently unstoppable alien force, and Earth's mightiest defenders - including X-O Manowar and his allies - are marshaling their forces.
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The story of the battle between man and machine is a classic, and it's serviced well in this mini-series.
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I'd still like to see Hal back on Earth for at least a while, and give him a chance to show why he's a beloved hero. There's more to him that just a power ring.
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So I guess what this story comes down to is patience. You may need some to fight your way to the resolution of the story, but it promises to be an interesting trip, depending on your tolerance of Cap being on the wrong side of the equation - for now.
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But for a first issue, this comic never really went anywhere - it's all setup and no delivery. There's a huge mystery behind the book, by it looks like the solution is going to have to come from a different source.
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The original mini-series simply gave us a hero (Captain America) and a villain (Iron Man). This series seems to be shaping up the same way, with Tony Stark being the hero this time, and Carol Danvers the villain. I hope I'm wrong and it comes together into a more coherent conflict (and eventual resolution). Right now it's looking a bit shaky.
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The script by Jody Houser is very good, and the art by Pere Perez, Marguerite Sauvage and Colleen Duran is fresh, bright and lots of fun. Heroes should be diverse - and Faith is certainly a step in the right direction!
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All that aside, this is a good series, with terrific artwork. But three issues in - four if we count "Rebirth" - and we haven't made much progress. Faster, please - and with cleaner language.
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It's a terrific script by Benjamin Percy and outstanding artwork by Juan Ferreyra, and a strong start to this "reborn" series.
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But while Groo may be dim, his adventures are often very smart and subtle - and this one may well tread on a few toes before it's done.
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So, lots of questions to be answered as the new series starts up. It's a promising (if somewhat dark) start for the new series.
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I enjoyed this issue a lot - the art is terrific (natch), the humor is off the wall (wait'll you see who narrates the comic) and Hughes has a great grip on the personalities involved. I worry, though, that the series may have to be retitled - it's looking more like Betty vs. Veronica!
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The series is off to an excellent start, and as long as they stick to the current lineup (guest stars are encouraged, of course) and the current creative team, I think it'll continue to be one to watch.
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It's a heck of a lot of fun (in a brutal, violent way), and it includes a maze!
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As always, it's a sharp (and somewhat abrupt and action-heavy) script by Matt Kindt, with strong (if violent and bloody) artwork by Diego Bernard with Allison Rodriguez.
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I hope this story works - crossovers between the series (and their characters) should be a good jolt to set up new and more exciting stories.
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Highly recommended!
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Strong art, a solid story - and the return of a great hero. Sounds good to me!
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So there's a lot of potential for future stories and (hopefully) a return for Hal to his position as one of DC's greatest heroes - and maybe (stay calm now, gentle reader) a return to my pull list!
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I have to admit that I'm still not sure about this series - though I readily admit that may be because I didn't like the original Civil War mini-series. At all. (I loved the movie!) But this series has taken some interesting turns, and the final page teases some new twists that may provide new surprises. We'll see.
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This is a fun story that should help hold over fans until the new adventures of #12 start up again.
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The series is well-written by Peter J. Tomasi and I like the fresh, energetic art by Patrick Gleason and Mick Gray, and it's going to be interesting to see how they build this new life and new story for a new Man of Steel.
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It's a promising start to the series, but both Bat-series (this and Detective Comics) have apparently become team books - shouldn't one be dedicated to Batman's solo adventures?
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Some stories end, others just... stop.
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If you're a fan of these characters, you should be reading this series - it's a lot of fun and highly recommended!
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This issue is a fun, Cinemascope-sized "done in one" comic that serves as a solid primer to the series. It introduces the cast, substituting two Green Lanterns in place of the (presumably off world) Hal (Green Lantern) Jordan.
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Don't get me wrong, this story isn't the same as a traditional Spirit tale, which was usually more of a concise O. Henry-style tale. This is more modern, more action and humor and relationships - but I have to think Will would have enjoyed it.
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It's an over-the-top, no-holds-barred epic by writer Robert Venditti and artists Joe Bennett and Marcio Loerzer, and it's very good - it's a clever exploration of an invasion by an unbeatable enemy.
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It's an interesting, fresh take on the academy concept from writer Katy Rex and artist Fabian Lelay - it's perhaps a little rough around the edges (and lots of questions to be answered), but Jade Street offers lots of promise.
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Eleven issues in and this series continues to excel. And oh, that cliffhanger!
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This isn't for everyone, but it manages to nicely walk the line between humor and the supernatural - and does it without being insulting to actual hillbillies. (Well, the really sensitive ones might flinch a little.)
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I'm not sure how long this series is going to run, but at this point, I'm all for keeping it going forever!
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I'm thrilled to have the real Cap back in action, I love the character - his movies rock - but this is, so far, a really weak storyline. Someone wake me when it's over.
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It's not a typical superhero tale - and that's a good thing!
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So far, the series is bubbling along nicely, with strong art and writing - but it's certainly time to get on to the business at hand.
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You can track down issues at the website www.farlaine.com - highly recommended!
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The creative team of writer Jason Aaron and artist Chris Bachalo (working with six inkers) has crafted a powerful, original story - and it wraps up next issue (it says here), which is good - much longer and it would have been too much.
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There's some good action along the way, a new villain introduced (at least he's new to me) and a rather mysterious ending - so the story ends just as it starts to pick up speed. But it's a solid start for the classic character and a real improvement over the "New 52" version.
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Gilad is a great character, adaptable to many different kinds of stories - including this one, that skillfully combines science fiction and adventure with horror.
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Can't say I'm a fan of this new Phantom, who is supposed to provide comedic relief, but spends most of the time complaining. Other than that, a fun issue.
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C'mon, JL - you're heroes. Act like it!
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Nice start, nice cliffhanger, but ultimately a very silly story.
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I'll be following this one - if cautiously - for now.
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There's still time for this series to take off - but so far, it's been slow going.
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It's going to take more than this to keep my interest in Rebirth cooking.
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It's a lot of fun, and should help tide fans over until they get around to the next Sherlock series.
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This Rebirth issue, whatever it may be, is a good jumping on place - it's a narrative-heavy issue framed around a serious action sequence with Aquaman fighting to prevent a terrorist attack on the American shore by an
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For the opening chapter, writer James Tynion IV and artists Eddy Barrows and Eber Ferreira are hitting on all cylinders.
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It's the story by Greg Rucka that's a bit shaky. Hopefully it'll all pull together and give us a coherent story that brings Diana's life and purpose into focus, but for now it's just highlighting what a mess her continuity is.
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It's not much of a treat for those of us who bought Rebirth - it feels more like a rerun (though to be fair, the scene is expanded a bit here).
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Written by Keith Thomas with strong art by Renato Rei, it's not traditional Oz, but it is a fun story.
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So, another strong issue and (thankfully) it has nothing to do with Civil War. What's not to like?
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The advance previews for both Superman's title and Action Comics offer little clue about the plans for the Superman legacy (it looks like Lex Luthor is taking over Action for a while) - but it definitely needs work. And a live version of the title character.
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It's going to have to get better fast to persuade me to change my mind, but right now, I think I should have trusted my first instinct and passed on this event.
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But it is a back-to-basics version of the character, with the gadgets and the physical and mental challenges and crazy villains and Alfred playing support. So it's a good thing, and a strong first issue. Let's hope the Rebirth brings us more like this.
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It's a strong start to the series, with interesting groundwork being laid for future events. Recommended!
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My first reaction to seeing Elektra back in this series is a happy one, since it flashes back to her first appearances (a real high point in DD's history) - though it does it in unexpected ways. But the story itself is a bit dodgy - it doesn't exactly pay fair with the reader. It can still redeem itself, but we'll have to wait another issue or two to see.
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Terrific art and a strong story make this series one you should be reading.
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Hopefully the next version of this title will have better success keeping the band together. But at least this issue brings the cast together for a final, cosmic-sized battle for the fate of the Earth. What fun!
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Hopefully upcoming issues will kick it into a higher gear - so far the story is just plodding along, following well-worn paths. The star of this year's biggest movie deserves better.
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I have no idea if "Rebirth" is going to work (New 52 certainly didn't). I applaud the change in tone, I think they're on the right track - but I don't like the idea of twice-monthly comics (even at $2.99 per issue), and some of the ads in the back of the issue leave me cold. But others show great promise!
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The series captures the verbal interplay between the characters and ties in nicely to the cast of the TV show on SyFy (which is quite good - if you're not already, you should be watching this show. It's a great mix of horror, action and humor, with great writing and feisty characters.) What more do you need?
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It's a rough-and-tumble, fight-for-your-life, bare-knuckles-and-brutal-fight-for-life all rolled into a powerful issue by artist / writer Amancay Nahuelpan.
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The writing is strong and the art is very good, so this is definitely a strong entry in the annals of modern annuals - but it's still not up to the classic version.
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This is a fun, high-energy series. It's not for kids - there's adult language and some nudity - it's morally dubious, but all in good fun.
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There's some nice artwork by the always-excellent Olivier Coipel, but the script by Brian Michael Bendis is disturbing - and not in the ways he intended.
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So I'm thrilled to see them back in action, and I can't wait to see where this series goes next. Highly recommended!
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So, a great story by Brian Michael Bendis, excellent art by Valerio Schiti, a fun story about an impossible task, all building to a big finish - what's not to like?
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It's not a story for kids - lots of blood, demons and dismemberment here - but for adult fans of horror, it's a strong start for the series.
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It's a solid kick-off for this title's coverage of the Apocalypse Wars (whatever that is).
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It's all in good fun (though Putin might not agree) - an over the top action extravaganza. Highly recommended!
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It's a solid first step, and I'm willing to suspend my traditional "bleh" - until the character gives me a reason to feel otherwise.
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That probably says more about me than about this comic - but if I'm struggling, I assume most readers will do likewise. It's ok for a writer to be clever - but it's possible to be too clever, too.
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It's a bit much to take in one sitting, but writer Matt Kindt keeps it rolling along, and artists Clayton Crain and David Mack bring the future to life with some striking, powerful art.
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So it's a strong start for the series, loaded with potential and lots of blood and guts. Not to mention brutal death and destruction. And terrific art.
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This isn't a book for everyone, but it's an interesting start.
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Capullo's art has been excellent throughout, and this issue is another gold star on his report card - his layouts have been powerful, with great character designs throughout.
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Writer Jason Aaron and artist Chris Bachalo (with six inkers on this issue!) now have seven issues under their belt, and while some of their choices have been a bit... odd? Disgusting? Creepy? (Yes to all those.) ... it's also been very entertaining.
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This is the sort of thing that Johns is very, very good at - and he's drawing this tale toward a powerful, continuity-altering conclusion.
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It aims high, and knocks it out of the park!
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I'm still not sold on the series - it has some really odd moments (the scene with Luthor and Darkseid defies description), but at least it's trying to give us a big, booming tale - so it deserves some credit there. But it is one odd comic.
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It's a bit of a crazy quilt, and a little too jumbled to come together into a cohesive whole. It's not bad, it only suffers in comparison to the previous story.
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Still, the art is very good, and it's good to see Barry Allen acting like a superhero. For a change.
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With terrific art by Brent Anderson and yet another tremendous cover by Alex Ross, and it's easy to see why this is a series every comics fan should be reading. Highly recommended!
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As always, writer Brian Michael Bendis puts the focus on the humor and the dialogue - and turns in a real gem.
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With amazing art in this issue by comics legend Val Mayerick, this is an series that demands to be followed! Lots of crazy, demon-fighting fun!
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This "new" version of the All-New X-Men has been a bit hit and miss so far, but this issue works well.
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It's part of the multi-issue, crossing-between-different-titles story called Avengers Standoff - so I'm working at a disadvantage here, because I haven't been reading any of the other tie-ins. Luckily, Waid knows how to tell a story, and Adam Kubert provides terrific art.
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It's a lot of fun! Wonder what they'll do for the 100th Anniversary? And will I be around to see it? (Now THAT would be a miracle!)
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It's a quiet issue, setting the foundation for future stories - but the focus on character and real-world problems makes it true to the original concept of the character.
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I've always liked the Black Widow, but this is the best of the solo adventures for the character that I've seen.
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So while it's not "my" Gold Key, it has potential. It made enough of an impression that I shouldn't need reminding to pick up the next issue.
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But this first issue was, for my money, a bit of a stumble - hopefully better things are right around the corner. They just have to get their house in order.
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With a strong (if unsettling) story by Robert Vendetti and powerful artwork by Robert Gill, this story of alien intrigue and power struggles continues to be compelling.
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It's a real delight to read this series - it gets the Doctor "right," and does it with a smile and a wink. More like this, please!
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Writer Greg Pak is skillfully managing the balancing act between drama and humor, and Cho is crafting his usual amazing artwork - making this comic with the silly title a heck of a lot of fun.
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With Jim Starlin writing and Alan Davis and Mark Farmer on the art, this is pure candy for any fan of Warlock (and if you're not a fan, track down those original Starlin stories - you can thank me later).
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It's great to have the real Batman back, but that's about the only real takeaway here.
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My solution is, I'll keep buying this title for the creative team. But many more stunts like this and I think I'll have no choice but to drop this title, too.
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Well, the "Rebirth" of DC's line can't get here soon enough
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The series has Tony's "voice" down pat - and the issue manages to evoke an origin-like feel without actually recapping Iron Man's origin.
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The series is a good primer for the upcoming TV series set to hit the SyFy Channel starting April 1 - set your DVRs now!
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Can we drag Bedard back to assist with the writing, please? It's like a completely different series, and especially heartbreaking given the promise of the first issue.
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So the first issue is a bit hit-and-miss. It captures the feel of the original series well - but so far, the "episode" it's adapting isn't one of the show's better efforts.
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I like all these characters, but there's nothing here that demands my attention.
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As long as the creative team can keep those plates spinning, this is going to be a fun series.
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It's an odd take on the character - and perhaps not for everyone - but I actually enjoyed it. We'll have to read a few more issues to get the whole picture, but so far the mystery - and the humor - make this a fun comic.
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It's a great "new take" on Doctor Strange's adventures, and I can't wait to see where it goes from here.
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The art is terrific and the story is compelling - what more could you want?
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Highly recommended!
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This is the first issue of (the latest version of) All-New X-Men that really didn't work for me. That's because everyone - including the bad guy - acts like they have no sense.
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I really like this series - I just hope we can see it a little more often. Like, you know, monthly.
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The series feels a bit padded, but it's been a lot of fun, too - so I'm hanging on to see where it all goes.
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Of the Avengers books I've read so far (and they are a multitude), this one is the cream that rises to the top.
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So this six-issue series is off to a good start, with familiar characters mixing with some new faces. And it's nice to see Superman back in a more traditional costume, too. I missed the red shorts.
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So far, this has been an excellent series - much superior to the second Dark Knight series, and worthy of the original!
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It's a great (re-) start to the adventures of the toughest law enforcement agent around! Here's hoping she - and her TV series - hang around for a long, long time!
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This series is moving in unique directions, and I'm looking forward to seeing where it goes from here.
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I'm really enjoying this series, one of the few that has fun with its premise. Here's to another 50!
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The character is a lot of fun, fighting for her life in her civilian identity, and constantly under fire as "Thor," always determined and ready to face danger head-on. The art by Russell Dauterman is also a lot of fun - a trifle busy in spots, but loaded with energy and life.
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With a great script by Charles Soule and terrific art by Brandon Peterson with color art by Java Tartaglia, this series continues to set a high mark for the Inhumans, who have enjoyed, thus far in their history, a real mixed bag of adventures (in other words, some are great, some not so much).
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It would work fine as a one-off story, but it's hard to see how this is going to work as an ongoing series. I kept thinking, I'd rather see each hero in his own series - certainly Luke and Jessica are interesting enough on their own - ditto for Iron Fist.
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I wasn't expecting much more than a shoot-'em-up, so this issue is a pleasant surprise, being based on an intelligent story - oh, and there's also lots of action!
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As always, Brian Michael Bendis provides a fast and fun script with lots of humor - and hopefully, with the wrap-up of this storyline, the focus can be more on the characters and big adventure, and less on political machinations.
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In other words, this feels a lot like a classic X-Men comic - and that's a very good thing!
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Perhaps the coming reboot will put this series back on track. We're four years into the run of this "New 52" version, and it's been, without exception, very disappointing.
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Presumably the ongoing story will wrap up with the next issue, after which there are apparently changes in the works for the Batman series. I get the feeling that it may be time for me to take an "off again" break from the series - it's just not living up to its potential.
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So things are moving fast here, and we have no idea what the next move will be. It's that sense of the unknown, the string of surprises and the interesting mix of characters that makes this series so much fun to read.
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So, a solid issue, strong art - but the cliffhanger promises much more X-O content next time around.
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This isn't a series for everyone - it's a "warts and all" view of war, with no punches pulled. But it's powerful and compelling - and highly recommended!
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Strange, but highly recommended!
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What follows is a nifty (though unfinished) tale, with great, stylish art.
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Looking forward to more of this - and faster, please.
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Even though it doesn't star Peter Parker, I had so much fun that I can forgive - so I'll be sticking with this one!
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This series promises some sincere answers to that question - assuming Faith survives the last page, of course.
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More than any other version in recent history, this is Conan. Accept no substitutes.
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So far, this has been a strong series (missed issue aside), and it's great to see the "classic" team (with Cyborg replacing the Martian Manhunter) unencumbered by continuity concerns - just like the classic series!
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Highly recommended!
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The joy of the issue - aside from lots of hoo-hah action - is the character interactions, as this new team starts to pull together (or, in some cases, annoy each other), trying to overcome limited resources and the new team dynamics.
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Time travel stories can be a bit dicey, and stopping a time master is almost impossible - but writer Charles Soule has cooked up some clever twists and some strong character beats here. Add to that terrific art by Steve McNiven and Jay Leisten and you have a powerful start to this series.
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The Batman title has been very hit-and-miss for me since the "New 52" reboot, but unless things turn around fast, #50 will be my last issue for a while.
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There are precious few writers today who can evoke the classic style of comics adventures while retaining a modern feel to their stories. Alan Moore has had some success with it, but Kurt Busiek is the master.
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The plot just bounces all over the place and never really comes together - and the final secret reveal ends up on ground that's been well-trod.
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This maxi-series has done double-duty as a great story and a terrific intro to the character for those who are somehow just now discovering Groo. Where have you been hiding?
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I guess I'd prefer the focus to be on the team - there are plenty of stories to be told there. No need to bog things down with too many supporting roles.
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The other post-Secret Wars Avengers comics (Uncanny, New) haven't impressed me much. This is the best of the bunch by far.
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I love the art (Mark Bagley and Andrew Hennessy), and I like the story (Dennis Hopeless) - there's a lot of potential here.
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Far too many event books limp to the finish line, but Hickman and Ribic have set a new standard. This is how it's done!
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I knew the art was going to be great - Frank Cho is an amazing artist, born to draw humorous stories loaded up with monsters, beautiful women and lots of action. Check, check and check!
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Throw in some amazing, over-the-top art and a great sense of humor and you have a strong start to the new adventures of Doctor Strange, and another strong addition to the terrific creative teams who have left their mark on this one-of-a-kind hero.
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Iron Man's been a bit up and down in recent years, and it's good to see the series back on solid ground.
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Waid (with artist Veronica Fish) continues to build a new series using the most reliable and enduring building blocks that have made the series so enduring - all while updating it for a modern audience.
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It's still early, but once again, there's lots of potential - it remains to be seen if this team can live up to its promise.
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This is a different Swamp Thing - much more along the lines of the original series, with a healthy dose of Moore's horror stylings added. Highly recommended!
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I love this series!
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It's another great series, and one that'll bring a smile to your face.
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This issue of Justice League is much better than the last one, as we see actual movement toward a conclusion of this "event that feels like an event but isn't disrupting the continuity of every issue in the company."
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The story's just getting started, so it remains to be seen if this story will reach the heights of Miller's run - but it's off to a good start.
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I also like that the series is tying together the character's history and cast. There's a lot of potential here, and I hope this will bring Hellcat into the forefront of the Marvel Universe.
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So if you've been hiding from this series, you might want to reconsider - so far, it feels like the original.
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The story's still a bit of a slog - we can see where it's heading (more or less), but it seems to keep veering off-course, as we duck down side alleys. (Why is the Flash in 1961? Why the attack on Olympus?)
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It's a by-the-numbers story with no real surprises along the way - and it doesn't really do anything to get the hero closer to her ultimate goal - but the art is very good and the tease for the next series promises more answers and adventures.
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As the Magic 8-Ball might say: for this series, the future is cloudy.
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The issue looks amazing, with Steve McNiven and Jay Leisten crafting powerful character designs and stunning action sequences. The only flaw - and it's terribly minor - is that I'm not crazy about their redesign of the Torch.
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So far I like the new series, but the ending of this issue felt a lot like the ending of the first one.
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The art is by Francis Manapul, a fantastic artist with a unique, kinetic style - but the jumbled story mixed with his style makes it difficult to follow events from panel to panel or page to page.
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I get it, they're trying for a different tone - and they succeed there - but this isn't a team I have any interest in. Super-heroics in which the "heroes" kill and destroy at will?
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So if you can handle the rough stuff, The Troop is highly recommended.
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So what you get, mostly, is a lighthearted mix of silliness and slapstick. It's fun for what it is - but I'd much rather have more of the original concept.
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So, grim and gritty, glum and gloomy. Wanda deserves so much better - she should be an “A”-list hero, not a second-rate Doctor Strange.
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So where is the series going? I have no idea. Isn't that great?
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This series has been building for years, and it's great to see those storylines paying off - though I have to admit, I have no idea how the creative team is going to manage to wrap this all up in the final issue.
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So far it's been good - we'll see if next issue moves the needle into the "great" category.
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The story is by Matthew Rosenberg and Patrick Kindlon, and it's impressive - although they may have gone a twist or two too far. But better too much than not enough. The art is by Josh Hood and Brian Level, and it's powerful stuff - raw and rude and compelling.
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Writer Greg Pak makes a welcome return to the Hulk (I believe Pak created Cho), and brings with his the outstanding artwork of Frank Cho.
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But I'm impressed - the creative team had a tough act to follow, but the new series is off to a strong start!
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Sometimes the best strategy with a series is to get back to the basics, and while that's not the whole story here - the team doesn't live at Xavier's school anymore - it feels like a fresh start, and that's good enough for me.
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So, with a powerful opponent and lots of action on the plate, it feels like this series is getting back on course.
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As always, highly recommended!
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The series continues to defy my original skepticism - it's a solid new take on the classic tale of boys likes girls!
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Kudos to writers Brandon Montclare and Amy Reeder and artist Natacha Bustos for crafting an entertaining revival for the "other" DD - and creating a fun new character at the same time.
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The art is good (bloodletting aside), but the story is weak, even for a fill-in issue.
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The package is a bit pricey, and you'd have to be a mighty serious collector to try to gather up all those alternate covers - but what's inside is mighty promising so far.
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If you're a fan of the dystopian, end-of-the-world (or sure looks like it) action flick, you should check out this series.
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This issue is a good jumping-on point for new readers, as it sets up (or seems to set up) a new standard for the Eternal Warrior. It's a strong start for a new / ongoing series!
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So it's a decent start to this new series. I'm hoping for bigger and better things in the months ahead - The Black Knight has a great hero pedigree and deserves the best.
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So far, this title is showing the way for how to handle the team is a thoughtful way.
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Jason Aaron's story holds up, managing to balance the different elements into a strong and compelling story. It's difficult to see how the story can hold up over the long run (since the clock is ticking on her real-world illness), but so far it's a good one.
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It's a shame - it was a solid series up to this point, and has a lot to recommend it - but the ending will actually take place over in Secret Wars (eventually) - so that leaves the series with an incomplete ending, and the reader let down.
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If this was a story about Batman saving the innocent or stopping criminals, I'd be all for it. Instead we get villains running wild and the "new" Batman failing again and again. These are the kinds of stories that drive away longtime fans.
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It's not a series for everyone, but if you're ready for a series that has confidence in its characters and doesn't feel rushed and forced to make the characters into something they're not, then you should give this one a try.
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Perhaps the series will prove me wrong - maybe there's a great story there that justifies the change. But so far, I don't see it.
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So it's a solid start for this series, though it leaves us with quite a few questions. That's not a bad thing at all.
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So far, this series continues to deliver the goods. Two more issues (and who knows how many months) will tell.
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I have to admit, I loved this issue - it's unique, tackling a largely-unknown (to Americans) corner of the war. Highly recommended!
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The series maintains a nice balance of weirdness with humor and action - a difficult trick to manage, but one the creative team is managing perfectly - so far!
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It's great to see this character getting the treatment he deserves! (The readers deserve it, too!)
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The series is off to a odd start, but its unpredictable nature is a big part of the fun. Highly recommended!
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There are a few nice moments, and I like the lineup, but I don't care at all for the doom and gloom evident in the underpinning.
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So it's fun if rather lightweight issue, padded a bit by a black-and-white reprint of a rare solo Iceman story.
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The story keeps the tension throughout, and has what may be far-reaching effects on future storylines. What more can you ask from an event?
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It seems like this should feel like a derivative story, but it's actually fresh and fun. Recommended!
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Not recommended for kids, and worth buying just for the Frank Cho covers. Silly but fun.
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So, yeah, I can't recommend this series at all. This time I really will stay away.
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I like Superman when he's the smartest guy in the room. Not much of that in view here.
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It's not a bad story at all, but it's difficult to work up much interest in an all-knowing Batman. Solving mysteries is more fun when they're done the hard wary.
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This series is so close to being something special.
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But that's a small quibble in a story that's so much fun.
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Geoff Johns' story continues to surprise - this is the kind of epic scale this series should be trading in - it's a perfect fit.
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It's a fair start, but the series needs to work a bit harder to earn our love.
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Given the title of the book, one would hope it would include more actual Batman content. My patience with this story is running out fast.
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I'll be passing on this one.
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So I'm cautiously optimistic that the story is going to new and interesting places. Certainly that last page has upped the ante.
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The story never really comes together, the team has little (or no) chemistry, the menace seems - well, silly, and there's nothing driving the reader to come back for the next issue (the last-page cliffhanger was, frankly, incomprehensible - I have no idea what was going on there). I'll be passing on this one.
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I'm not sure if longtime fans of the "classic" Archie titles will appreciate this comic, but it does give the series a much-needed fresh start.
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The story by Jason Aaron manages a solid mix of the fantastic, humor, and a little sex appeal. Aaron has been hit or miss with me, but so far, this series feels like a great fit.
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So, lots to choose from, but you don't get enough of a sample here to decide which one is most worthy of your hard-earned $3.99.
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We can't sympathize or empathize with this Peter - in fact, he's virtually unrecognizable. So I won't be following this title. Bummer.
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So, it's a strong new start to a classic character who's back to his proper self. As a long-time fan of the series, this book makes me happy!
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But for those who've been following along (or who have read the collections) know that it's a terrific accomplishment - that all-too-rare event that promises big things - and delivers!
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I don't want to give any more away - it would spoil the weirdness! It's great to read a "real" Howard story again!
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The drama is amped up, but the comedy is still running strong throughout, and the "new" take on the characters is interesting. I love the art, I like the characters, and I'm intrigued to see where the story is taking us, so I'll continue to hang with the series. So far, the fresh start is working... for me.
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The whole story feels like nothing more than an imaginary story. How will the writers resolve this issue? The bigger question is, will anyone hang around long enough to read the resolution? I'm beginning to doubt that I'll be there.
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Highly recommended!
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The art is amazing - each page (and that stunning cover) should be hanging in a museum somewhere.
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Still, it's great to see a story on this scale in the book that should be - and is - the best that DC has to offer.
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Flesh out their personalities, give them some motivation, let them act like heroes. Or villains. Give us something to hold onto!
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If you're a fan of The Doctor, you'll definitely want to catch this series.
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The "new" Batgirl series has been pretty strong up to this point, but it was about due for a stumble - and here it is.
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Somehow, the whole thing will wrap up next issue - I can't wait to see how (or if) the creative team manages to make it happen!
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Still, I'm happy just for the chance to see the original model back in action. Nothing against the new version - I like him in the Marvel movies a lot - but for this old fan, there's only one Nick Fury - Juniors need not apply.
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The interior art is by Joe Infurnari, filling in for Brent Anderson. The story and the art are justserviceable this time around - not bad, but not quite up to theusual standards - but as I've said before, an "average" Astro City story is better than some of the best you'll find in any other title.
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It's a powerful story, so if you don't mind (or are a fan of) the grim and gritty storytelling, you should be reading Rai.
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It's possible that this story will pay off in future chapters, but as a stand-alone issue it really drags. Things pick up by the end of the issue, as the ship fights for its life against a deadly attack - but despite that and some striking art by V Ken Marion and Mark Roslan, it's not enough to bring this one up to the creative standards of the first issue.
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So, just as fast as I was pulled into the series, I find myself booted out - these are not characters I want to read about.
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So if you can get past the continuity, it's entertaining - but despite the bigger action scenes, it's not really up to the level of the TV show.
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Highly recommended!
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This has been a great series of stories from these creators, and this is shaping up to be another excellent addition to the line. (Oh, and the issue includes a reprint of that long-ago zero issue.) Highly recommended!
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The art by Angel Tovar, Alex Konat and Mark Roslan is quite good, but the story by J.T. Krul just feels terribly slow and plodding - it takes us away from Cassidy and into a history lesson that doesn't really make much sense.
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The series has great potential, but this story gets low marks from me. Such a great beginning and middle, but a stumble at the end.
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Perhaps best of all, this series is not weighed down by continuity - it stands (mostly) alone in the overburdened "New 52" universe. It's an approach that more of DC's comics should follow.
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Unlike most such shows, though, the villain at the heart of the murder isn't caught or even uncovered - it's all just setup for a story that may or may not be told in the future.
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This is a pretty solid adventure, with good art and a strong story - we can even forgive the badly-placed ad page that disrupts the layout for one splash page.
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The story's a bit thin, but it's an entertaining issue - finally! Apparently this series will survive the end of the Secret Wars (whatever that means), so here's hoping the improvements continue!
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The story by Matt Kindt indicates that there's a lot more going on than we realize - but he's being stingy with the details. (This is not a bad thing.) The art by Juan Jose Ryp is raw, intense and emotional - this isn't a story for kids.
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It's hard to tell where this series goes from here - is it super-hero based or fashioned for the real world? Whatever the case, the element of the unexpected is what makes it fun!
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This is one of the better books (of the ones I've read) to spring out of the Secret Wars series, but its success rests on the wrap-up to the series. So it's a "wait and see" on this one.
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This series is something of an oddity - it operates apart from the rest of the Marvel Universe, and it has a distinctive '60s flavor. A large part of that is Mike Allred's expressive, unique and energetic art. He's had lots of room to run wild in this series with wild (sometimes psychedelic) art, just as writer Dan Slott has crafted flights of imagination and originality. Put them together and you get a comic that's unique and a heck of a lot of fun!
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It's a smart, dynamic and often touching story, with stunning art. In other words, just another issue for this team. If you haven't been following this series, you've been missing something very special.
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The series shows that Gaiman knew how to capture magic on the page practically from the start. Best of all, this series (I believe) will finally print the never-published stories Gaiman wrote some 25 years ago.
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For some reason I wasn't expecting to connect with this comic - it's been a surprise to find how much I like this series.
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Death is all the rage in comics, of course, and I'm not sure if the Book of Death series is just clever in capitalizing on the trend - or if they're just trying to tell some interesting stories. I'll go with "both," but the story makes the trendsetting worthwhile.
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The art by Russ Braun is terrific, crafting a world of beautiful women, gruesome dinosaurs and lush environments. Add Garth Ennis' compelling story and you have a terrific adventure - but no heroes.
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The sad part is, there's a germ of a great idea in this issue, one involving some Golden Age characters making a comeback. It's sweet and funny and clever and they do almost nothing with it.
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I like Superman when he's portrayed as smart and capable - but the version we're getting now is just a bull in a china shop, plowing ahead without a plan or concern for others. I just don't get it.
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Under writer / artist Bryan Hitch, we're seeing the "real" Justice League of America - which is to say, a team that, like the original version of the team, is absolutely unencumbered by continuity concerns.
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For a team to work, there needs to be strong interaction - characters the reader can root for (or against), and they need to be distinctive. There's not much effort made to bring new readers up to speed or to explain who the characters are.
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It makes for a compelling story - one with plenty of mysteries to uncover. It's definitely not for the faint of heart - but it is a wild ride.
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Will the series last, or is it a flash in the pan? As long as the quality continues, I hope this series lasts a long, long time!
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Kurt Busiek (working with Anderson and cover artist Alex Ross) has built an amazing world of heroes with this series, managing to pay tribute to - and expand on - the mythology of comics, and the best the industry has to offer.
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If you're suffering event fatigue, this is definitely the series for you - it packs a lot of story between the pages or a regular comic. It's so retro, it's almost revolutionary!
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The issue feels for all the world like a classic X-Men story, as a teen suddenly develops powers but is persecuted for it. Oh, and replace mutants with magic.
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With strong art by Jose Luis, Alisson Rodrigues and Jefte Palo, and a terrific story being built by Matt Kindt, this is a series you should be picking up (although it's probably a bit too brutal for young readers).
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If you're a fan of Doctor Who, this is a must-have. You'll smile from start to finish.
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Perhaps it's just the weird Battleworld rules that make this series so disjointed. It has a great cast, it just needs to figure out what to do with them.
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It seems to be a pattern with the new series, with great characters and strong visuals, but the stories are often improbable. My disbelief, I'm sorry to say, is sinking fast.
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Too many events don't live up to their "special" billing. So far, this one is setting the standard the other Events only aspired to.
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Besides, I hate "dream sequences." They're a waste of my time - and the artist's.
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So far, this series has me hooked - here's hoping the resolution of the mystery is worth the wait!
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So far, it's better than most, but the character's full potential hasn't been realized - yet.
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It's solid sword-and-sorcery / fantasy adventure story written by Victor Gichler, and the art by Roberto Castro (with colors by Alex Guimaraes) is powerful, with beautiful women, manly heroes and gruesome monsters.
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This isn't a series for young readers - there are some disturbing images - but it's that rare treat: an intelligent science fiction story and an actual mystery, slowly unfolding before the reader's eyes.
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Highly recommended for mature readers!
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The villain resolution is a bit too pat (it's right out of the Reed Richards "let me just invent a gizmo that will solve your problem" school), but it's still a solid issue.
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The art is terrific, as you'd expect from Chris Sprouse (working here with Goran Sudzuka) - and that last page will definitely bring us all back for the next chapter.
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So while I can't recommend this for everyone - it's certainly too graphic for young readers - but if you can get past the metamorphosis of Sabrina's character (it's certainly a logical progression), you'll love this book, too!
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Anyway, this series trundles on with great art from John Romita, Jr., and Klaus Janson - but the story by new writer Gene Yang is still on shaky ground.
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It's a nice balance of action, humor and an intelligent story. Fun stuff!
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The series is enjoying some new attention thanks to the TV show - if only it was worthy of it.
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It's violent, it's rude, it's disgusting - but mighty entertaining.
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Highly recommended!
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Perhaps next issue (and the big number jump) will clear it up - or perhaps we'll see more of the biggest enemy this title has faced for some time now: the status quo.
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Future issues may correct the creeping pace - but there's no changing the fact that the series is off to a painfully slow start.
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It promises to be an action-packed series, as heroes fight other heroes (another hot trend!) - and the stakes couldn't be higher.
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I'm not crazy about the character assassination of the Phantom Eagle, but if you can get past that, this is fun in a low-budget drive-in movie kinda way.
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In this issue we get surprise guest stars, unexpected twists and some bizarre visuals - in other words, it's a typical issue, rich with creativity and crazy story riffs!
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Still, this series is a real gem - one of the highlights for Marvel from the past few years, it combines a great story, terrific art, compelling characters, unique storytelling and a great sense of fun.
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With a cosmic-level story and terrific art by Jason Fabok, this is definitely the one to keep an eye on. Highly recommended!
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I think there are some good ideas here and lots of potential, but we need more reasons to care about the title character and we need a better grip on the supporting cast.
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The series is fun and refreshing - if only there were more books like it!
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The series is off to an interesting start - here's hoping they can keep the edge on the proceedings, and keep the continuity glitches to a minimum.
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So far, it's well worth following!
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So, two issues in and this series is still impressive (though not perfect) - and it'll be interesting to see where it all goes from here.
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Of course, if this experiment doesn't work, don't be surprised to see the traditional Dan DeCarlo style of art return - but for now, I think this just might succeed and bring the series (kicking and screaming) into the modern age of comics.
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I liked this issue more than I expected - it looks like a straightforward action story (along the lines of Red Sonja), but the story is taking some interesting turns, and there may be more going on than we might expect.
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It sets up some interesting possible futures for X-O, and offers some touching moments for the tender-hearted readers (which includes just about everyone who reads comics, am I right?).
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It's great to see the character back in action, and here's hoping that the series continues to honor Eisner and his most famous creation (now celebrating his 75th year).
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I think the series has tons of potential - strong art, lots of great characters, new and interesting heroes - but it needs to move forward, and it needs to keep its characters straight.
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We're halfway through this series and it's packed full of amazing concepts and plot twists galore. Oh, and quite a few shocking surprises. So far, it's the best comics "event" in years! Highly recommended!
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It's a story with lots of mysteries to analyze, interesting characters to discover and some sharp moments of horror. So far, I'm impressed!
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It boils down to this: you'll have a tough time finding a better comic on the market right now from any company. So you really should be buying this comic.
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The series needs a better supporting cast, some characterization for the title character, and better opponents. You know, like the TV show.
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It's not a bad introduction to the character for new readers, but for those of us who are big fans of Ant-Man, it's pretty disappointing.
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It's still too soon in the story to determine if this story will be worth following - but so far, it's off to an interesting start.
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It's rough, but it's a heck of a lot of fun. Not for the faint of heart!
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What we have here is some nice art and (potentially) the first chapter in the birth of a new super-team. But I'm just guessing.
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It's just odd. Horror fans may love this, but I have to add it to my stack of "comics that disappointed."
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I'd rather read about Dinah Lance.
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For some reason I expected this series to be silly - but it's a clever concept and very compelling.
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It's a series that takes advantage of the larger-than-life playing field Hitch's work is suited for.
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If you like this kind of dystopic tale (I'll resist the urge to say "here it is"), this is a well-crafted one, with additional layers of super-powered elements added in. It's a little too grim for me, but your mileage may vary.
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It's a strong issue and a good jumping-on point for new readers (which would include me), as it kicks off a new story. Recommended!
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So once again, with sadness, I'm walking away from a JSA comic.
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Even though it doesn't seem to have anything to do with the original version, Weirdworld is an entertaining trip so far. I'll hang around for this one.
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I have to admit, I enjoyed this issue - it's great to have the "real" Starfire back. Let's hope she sticks around!
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The story by Scott Snyder is solid and imaginative (if a bit difficult to swallow), and the art by Greg Capullo is terrific as always.
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This is not a comic for kids or for the easily offended. It's a completely different approach to the storytelling process - you'll either love it or hate it.
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So far, this is the best of the pulp efforts I've seen to date - which is great, because The Avenger is one of the all-time great pulp heroes. He's long overdue for star treatment.
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It's been a terrific series so far, though this is sadly the last issue for Cassaday. Here's hoping the future artists can maintain the high level that has been set in this opening story!
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With a sharp story and terrific art by Mahmud Asrar, and a potential sea-change for the series in the offing, it might be a good time for those of you who've strayed from the series to check in.
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It's a story loaded with shocking turns, deadly forces moving into position, and a Crisis on Infinite Earths-level threat to the Earth.
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The slam on the original Secret Wars maxi-series was that the story was simplistic. You'll find no such complaints here.
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It's a heck of a lot of fun - if you've missed it so far, you really should be reading this comic.
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As before, the art is terrific, and there's a nice sequence where Billy and Cap have an internal dialogue - but it all just kinda runs out of gas at the end (not unlike the entire Convergence idea, perhaps).
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It's a great series - I hate to see it end!
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The story by Al Ewing is solid, explaining why certain Avengers were chosen for the fight, and twisting the battle into a completely different shape by the final issue. It's a lot of fun with loads of action - what's not to like?
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So I had high hopes for this mini-series - but once again, the team is put through the mill. They start the story as old men, they're rejuvenated for one last adventure, defending the city - and they spend the whole fight talking about how great it is to not have sore joints.
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And the art by Williams almost defies description - it's an Op Art explosion of ideas, images and emotions - simply amazing!
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The stories are fun, and the only mark against them is that the issue doesn't include any stories by Carl Barks or Don Rosa. But that's a minor quibble - the stories are high energy, with terrific art. Lots of fun for readers of all ages!
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My only complaint is that some sequences are a bit too brutal - the scenes of torture (as a certain villain does his best to track down the pilot who destroyed the Death Star) are too intense. But if you can get past that, you have a comic that manages to capture that sense of high adventure that's so much a part of the Star Wars experience.
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It's loaded with the usual sharp and funny dialogue by Brian Michael Bendis, and clean, stylized art by Kris Anka - all building toward the upcoming issue #600.
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So a strong start here, with new and familiar heroes working together - I'll stick with this one.
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This is not a comic for young readers - there's some brutal violence and adult language on display here. The art style is interesting - it's not so much the usual "good girl" art as it is a unique, animation-like style. It's clean, expressive and very interesting.
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Each issue is loaded with great characters, unexpected plot twists, terrific art and loads of surprises. And despite the fact that the issue is populated with an assortment of alien races, the characters all "feel" real.
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As always, writer Kurt Busiek and artist Brent Eric Anderson turn in fantastic, top-notch work. Surely every comics fan in existence would love this comic.
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It brings the series to a close on an interesting note, and makes me feel inclined to stay with it for a while longer (which is more than I can say for the new Iron Man or Captain America).
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The thing that makes me doubt that, of course, is the fact that this is the brainchild of writer Jonathan Hickman - and he hasn't failed us yet.
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So, I'm still not crazy about this event, but I can't stop smiling, enjoying the (gasp) fun and uplifting adventures of (the real) Captain Marvel.
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It's dense and loaded with Easter Eggs, so this series will bear re-reading many times. Highly recommended!
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Next issue wraps it up, so we'll see if these changes "stick." One can only hope!
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OK, it's a stretch - but it's wonderful to see this comic back on the stands again. Long may it run!
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It's as simple as this: if you're a Star Wars fan, you're going to love this comic.
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It's how I feel about the whole event - some things to like, some to not like so much. A real mixed bag.
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So apparently I'm buying one Convergence book after all.
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It's great that a gay kid reading this comic has a hero to identify with, and if it helps that kid get through life's struggles in the same way that those heroes helped young Chuck cope with being a bookworm and a science fiction fan, then I'm all for it.
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It's a solid enough issue, with striking artwork by Giuseppe Cafaro - who certainly knows how to draw lovely, powerful women - and a good script by Vince Hernandez. But it spends a little too much time on exposition, as we learn about the source of the attack - and their new benefactor.
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It's not for everyone, but I certainly enjoy it.
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What an honor! I was already a huge fan of this series - but now I'm a supporter for life!
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So far in the past couple of years, Marvel has managed to chase me away from comics I've been buying since the '60s, including Spider-Man, Captain America and Iron Man. I hope Thor doesn't join their ranks.
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More like this, please.
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Definitely not for young readers - and I'm not so sure older readers should waste their time, either.
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Because it's an unusual take, not everyone will enjoy it. But if you were a fan of Fraction's Hawkeye, you'll probably like this take, too.
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Still, the issue is a lot of fun (if a bit creepy in its plot), and I think if the series has enough time to find its legs, it could be a successful run.
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It's just thin, with no real characterization and certainly no explanation for the whole "city on another world" shtick. My advice: like me, you should avoid this "event."
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The version in this story isn't likely to satisfy those fans. It's mighty thin compared to the original.
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Whether you like the TV show or not, I can't imagine any Marvel Comics fan who wouldn't enjoy this series. It's like a terrific team-up comic every month!
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This issue didn't spark interest or wonder - all it gave me was a headache.
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There's an art to good team-up books. It needs a strong story, some humor and a smudge of continuity. Not much of any of that here.
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It's a lot to keep up with, but writer Jonathan Hickman is weaving it together with amazing skill. I'm running out of superlatives for this series. Fans will be talking about this one for years to come!
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The real star of the issue is artist Steve McNiven (with Jay Leisten inking) - Marvel tends to bring him out for special projects or to get new series off to a great start - and he succeeds here, with page after page of powerful, stunning images.
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Whatever the case, despite this issue's excellent artwork, there's nothing here that makes me think Convergence is going to be anything but a one-off storyline that will be resolved and forgotten in very short order.
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All in all, a satisfactory book, but it needs more consistent art.
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Great story, great art, great characters, and you never know what's going to happen next! Brilliant!
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I was hoping for better from this series. It started out strong, but this issue doesn't fill me with optimism.
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The issue lets us see the human side of the team of mutants, and settles some long-simmering issues. Best of all, it's loaded with some actual humor - something we don't see enough of in this series.
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Great, great comic!
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This issue will keep you guessing throughout. You might even be tempted to put it down without finishing it - but it would take a stronger person that me to manage that.
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The first issue is a home run! I'm looking forward to seeing where the series goes from here!
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Simply a wonderful series - hopefully just the first of many mini-series to carry on McCay's marvelous creation, sparking the imaginations of legions of future artists and writers, all of whom will dream of doing work like this.
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I'm still not convinced that Clark should be going around revealing his identity like that - but if you can't trust your best friend, who can you trust?
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So far this series is still fun, but it's starting to get that familiar "four issue story stretched into a dozen issues" feeling. We'll see.
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It's not for everyone, but if you're looking for something fresh, this well worth trying.
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Fans of the show - like my kids - should be following this comic, too!
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The series is off to a great start! Recommended!
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This should be Marvel's best comic, and instead it faces (apparent, yeah, right) cancellation.
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Sadly, there's not a surprise to be found in here (outside of a few funny lines here and there). It all plays out according to the book, and we never really understand why the kidnapping happened in the first place - the explanation we're given doesn't make any sense at all.
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I'm not completely sold on the series yet - the first issue is all about setting up the framework, so we'll see how it goes from here - but that final page (and the teaser for next issue) certainly are enough to bring me back for more.
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As for Hickman - well, no one's perfect, but that's easy to forgive, as the rest of the series easily outweighs this stumble.
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Leia manages to be tough but feminine, heroic but sympathetic. It's not an easy balance to manage, but the team has built a strong foundation for the future of her "long ago" adventures.
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With beautiful, striking art, and a surprising turn for the story, this is a series that lives up to Perez's hard-earned reputation for top-notch work.
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The issue also conjures up happy memories of the Strange Tales comic, which feature Dr. Strange splitting the comic with Nick Fury, Agent of S.H.I.E.L.D. Add in the always-terrific art by Alan Davis and Mark Farmer, and you have a comic that's a lot of fun. Highly recommended!
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As should be obvious by now, if you're not buying this series, you're making a terrible mistake. It's one of the best in the business.
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It all reads like fan fiction, not the kind of story that advances the mythology. Instead, it's a story that will have to be "fixed" later.
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This is an epic story that just keeps getting bigger and bolder, as the new mythology being built by writer Jonathan Hickman grows.
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Hopefully this won't be the last attempt to bring the She-Hulk to her own series. A series about a brilliant, sexy, incredibly powerful woman who happens to be green? Surely there must be a creative team out there who can make that work.
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So, no spoilers - but if you like surprises, you'll probably want to pick up this issue.
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But it's all just an excuse for page after page of lovely stunning artwork - and that's the best reason to pick up this series.
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It's not the best of the Multiversity comics - it's covering some grim territory, and starts with a truly disgusting image on the first page - but as always, it's a powerful story.
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As near as I can tell, writer Brian Michael Bendis arrived at this issue of Uncanny X-Men and realized he had painted himself into a corner - so he cheated.
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Ah well. I want to like the series - I like the art a lot - but the writing is uneven. The only thing to recommend it is the enthusiasm of the new Thor for her new... Thor-ness... but that's not enough to carry a series.
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Highly, highly recommended!
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If you're a fan of the Archie Universe you'll probably excuse this issue as a miscalculation. If this is your first Archie in a while you'll likely be left scratching your head, to which I say "try them again next month!"
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So far, I'm really enjoying this crossover series - and boy, is that a rare thing!
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It's a good wrap to the story, and gets us ready for the next big event - the Black Vortex. Recommended!
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The script by Keiron Gillen is quite good, setting up several storylines for future issues - and the art by Salvador Larroca is terrific, capturing the look and feel of the Star Wars universe with amazing skill.
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I might buy it out of loyalty, but I wish I was buying it because it's a great comic book.
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Fans should rejoice that they finally get to see this issue - it's been an expensive one to pick up on the back-issue market. It's a stunning bit of work that took super-hero battles to a new extreme - for good or ill.
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The story by Jason Aaron works perfectly with the stunning artwork by John Cassaday - as a long-time fan, I just kept smiling through the whole story. The next one can't get here fast enough!
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It's another fantastic story by writer Jonathan Hickman and amazing art by Mike Deodato - what an amazing, mature, complex tale they're weaving here. Highly recommended!
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With event books, by the end of the first issue you can usually get a sense that a series has potential - or it's going to be a waste of effort. So far, the signs are that this will be a fun, action-packed series. Hope I'm not wrong.
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Overall, I really like the new take on this time-honored character. Johns is managing a nice balance between bringing back classic concepts (Clark is back working for the Daily Planet again, finally) and introducing new foes. More like this, please.
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It's a promising (and mysterious) beginning to the series, which any fan of time-travel tales will enjoy.
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It's great to see these characters back in action again!
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Only a month into the new year and we already have a leading candidate for "worst comic of the year."
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I've complained for some time now that there are too many mutants under the X-Men umbrella - but bumping some off doesn't seem like the best solution to the problem.
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So far, this has been an amazing series - complex, character-driven, with surprising twists and an ending still shrouded in mystery. It's an impressive accomplishment by writer Jonathan Hickman and a small army or artists - highly recommended!
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Just an amazing piece of work and a good indication of the rich potential in DC's alternate worlds. Very impressive and highly recommended!
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The story is still the question mark - will it live up to the art and to the previous run? For that answer, we may have to wait a few more issues to see how things play out - but so far, so good.
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The story jumps all over - from Reed imprisoned and facing his enemy, to Johnny and Sue and Ben working together, to the kids in the FF facing a dreadful fate; and the return of a long-hidden character. It's just way too much and frankly, it's depressing.
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Lots of fun, and wonderful to see our old friend back in action. It's hard to tell who we should feel worse for - Groo's friends or his enemies. It's the readers, of course, who are the real winners.
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If you can handle the adult nature of the series, and you enjoy police dramas and super-hero stories, then this is a series you should definitely be following.
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This one just feels too familiar, too derivative - and too toothless - to really hit home.
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It's fast-paced, loaded with great dialogue and a heck of a lot of fun.
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It's an entertaining visit to a world of magic and fantasy - with the oddest collection of Princesses around.
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The story only suffers in comparison to the lighthearted take of the original series, which I liked a lot - but there's a lot to recommend here, especially for fans of horror tales.
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I'm liking this fun, fresh take on the character - though I'm not sure I understand it sometimes.
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Best of all, I have no idea what is going to happen next. There aren't many comics out there you can say that about.
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It's a strong, strong start to the new series. Recommended!
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This series is holding up well, giving us a look at the "real" Star-Lord, and the budding romance that link the Guardians to the X-Men. Isn't that convenient?
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Any series is entitled to an occasional miss, and that's what we have here. It's a safe bet that the next issue will make up for this pause.
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Guest Review - Betty and Veronica #274 and Archie #663 Stepping into the Guest Review chair today is my good friend James Cassara, with a look at two comics featuring Archie Andrews and the lovely Betty and Veronica:
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Can't wait to see where it goes from here.
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It's a masterful work by an amazing craftsman - highly recommended!
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Oh, and in case you missed it, here's the teaser trailer for the Ant-Man movie:
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Still, it's a fun story and makes good use of the medium. And it's always fun to see #11 back in action!
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This isn't a series for kids - it's violent and raw - but older readers will enjoy the unique take on heroism and history.
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But it's a fun, over-the-top romp that gets the series off to a strong start.
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So I can't really give this a strong recommendation - it's a fair effort, but it has some powerful storytelling to live up to, and it doesn't quite reach the mark.
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Highly recommended!
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Highly recommended!
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But this may be unfair - writer James Robinson still has one more issue to wrap this story up convincingly. But so far - aside from Leonard Kirk's excellent art - this incarnation of the team has been a huge disappointment so far.
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Give credit to writer Geoff Johns and artists John Romita, Jr. and Klaus Janson - they've devised a suitably oversized story to kick off their run on Superman.
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There aren't too many comics around that offer a truly unique vision. Here's one now!
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Like too many stories these days, it all feels like fan fiction, where the rules don't apply and anything goes, no matter how outrageous. We expect a it more self-restraint (and real world logic) in the Dark Knight's adventures.
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The question is, how long can this story continue? At the rate it's moving, it could be six months before the team gets back together. Of course, as long as each issue is as much fun as this one, you won't find many readers who'll complain.
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I like this series a lot - and anything that honors the master and brings more readers to his work is great in my book.
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Highly recommended!
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Why can't this be a monthly title? The comics industry - and each fan - needs this in the worst way.
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It's a terrific issue - the best of the "new" Batgirl so far. A little dark and edgy, but ultimately uplifting and defining - and adding a wicked new mystery for Batgirl to solve.
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Aside from the female protagonist, this is a unique series from Aspen and stands apart from the rest of the line. The next issue wraps up the opening storyline - here's hoping Oum can stick the landing.
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But so far, this series has been a lot more fun than I expected.
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It's a thoughtful, clever script by Jonathan Hickman and amazing, over-the-top artwork by Mike Deodato. Best of all, it's a fight between Marvel heroes unlike any other.
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This series obviously isn't for everyone - but the first issue is setting up a dark, adult series that promises lots of surprises along the way.
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A gift for any longtime fans.
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Can't say I was a big fan of the issue, although the two-page ad for Multiversity by Grant Morrison might just bump it up a point!
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Highly recommended!
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But for this geezer, I need a little help to keep me rolling back for more.
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I'd love to see this series succeed - Marvel can always use more strong female characters - but they need to figure out who Angela is and why we should care about her.
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The issue is loaded with mystery and menace, but it moves slow as it spends the issue moving everyone into position. The art is by Alex Maleev, and it's excellent - moody, intense and spooky. This is the kind of stuff he was born to draw.
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It's great to see Starlin back in action, especially since he's one of the few who writes Thanos properly - he always manages the proper mix of menace, intelligence and dark humor.
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I'm a mark for these pulp heroes, so I give this series lots of leeway for the occasional issue that's a bit off - but here's hoping the next issue is more on-target for this unlikely trio.
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The series is an impressive work of art and well worth the investment of time required. Highly recommended!
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I think I'd be happy if Barry could just win a fight once in a while. He only survives this issue because of assistance - he'd never last on his own. And that's not my idea of a hero.
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Jack Kirby famously said Superman was such a great character that it wouldn't be possible to tell a bad story with him. We've seen that he was wrong there - I've seen quite a few bad Superman stories. It's wonderful to see a great one.
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We've been waiting a few years for this storyline to pop up (it was first teased in the resurrection of Captain America), and it promises to have far-reaching affects on Marvel's titles. Maybe.
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Once again, Leonard Kirk and Karl Kesel's art is terrific - expressive, original and animated.
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Eventually, we'll see where this series is going - but be ready to be patient.
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Overall, it's a pretty good first effort - great art, an interesting beginning to the series and good characterization. But we'll haste to wait and see how the story unfolds (or doesn't unfold).
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Hopefully at some point this title will focus on the title character. Then it'll be worth $3.99 (maybe).
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Not for timid fans, but mighty impressive to those willing to tackle the story.
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But despite that, this is quite an accomplishment in comic art - mature, unique (and yet an homage with multiple levels at work) - just stunning.
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The story also sets up some mysteries for the future - which, guided by the creative team of writers Cameron Stewart and Brenden Fletcher, and artists Babs Tarr and Stewart (again), holds a lot of promise.
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Somebody let me know when the real Iron Man returns.
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But I'm thankful for a chance to see this excellent visualization of the original story!
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The issue features great (if sometimes chaotic) art by Russell Dauterman and a story by Jason Aaron, but I can't help but wonder - would the story have been much different if Thor has been the original character?
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It's too early to pass judgment on this storyline, but it's off to a roaring start!
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The series is fun, and while it can't match the high standards of the TV show, it comes mighty close. Fun stuff!
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It's a tremendous series - you should be reading this comic!
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I'll reserve final judgement for the end of this story arc, but so far, I'm enjoying this series. Recommended!
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I still don't know what's going on here - but so far, I'm certainly enjoying the ride!
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The series feels like a real change in the status quo for this series - hopefully it'll continue to live up to that billing.
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So, nine issues and lots of 'splosions later, we don't know anything more about Superman and his cast - except that they're all lovely to look at.
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If you're a fan of the original strip - or you just enjoy terrific art - then you owe it to yourself to buy this series. It's exceptional!
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The art by Leonard Kirk, as always, is excellent, with lots of kinetic energy and strong layouts. But the story by James Robinson just keeps faltering. I think he had a good idea for a story here - one that should have covered two or three issues, not more than a dozen.
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Well, every storyline can't be a home run - and this one was more of a bunt.
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Next issue, a new creative team takes over. They have mighty big shoes to fill.
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It's building slowly, but it's been a great ride so far. It's been a while since I felt that way about an X-Men comic.
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This is definitely not a series for kids, but for those looking for a serious and gripping story of good vs. evil - and lots of terrific artwork - this is the book for you!
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It takes a lot to make me give up a series I've been buying since I was a tot. I gave up on Green Lantern a year ago - don't let the Flash follow in his footsteps.
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Ben Oliver provides some striking artwork for the story, and it's a clever twist on today's culture (the story is aptly titled "#earthme") and a sharp commentary on our iPhone culture. Either that or Morrison's just having a laugh. But just to be sure, I'd advise staying off his lawn.
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So it's the same song - a great story (for those who have been following along), terrific art, and lots of exciting events pushing this complex and compelling story forward. I like it!
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With dynamic art are a couple of unexpected plot twists, this series has me once again - after far too long a dry spell - looking forward to the adventures of Superman!
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So, lots of fun, highly recommended for any fan of The New Doctor!
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So it's an action-packed story that goes from completely improbable (the fight with the giant dragon - how could Madripoor possibly survive that?) to speedy (Morgan's fall) to satisfying (AIM).
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We'll see if the ending of this story changes my mind.
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It's a vast tapestry being rolled out here, detailed and challenging to follow. Not at all designed for new readers - but I suspect long-time fans, and those who have been following along since Hickman began his run will love it.
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Hopefully this is the storyline that gets the series back on track. I want to like this series, but they have to meet me halfway and actually include the Justice League in each issue.
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Solid work by the creative team (and apologies for my cynical tone here - I'm just really jaded over the death of the hero bit. Perhaps I'm the only one).
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So, a terrific action series that you should be buying. What are you waiting for?
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We're sad that Smith has moved on, but happily, through this series, his adventures will continue on!
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I have to admit, I enjoyed this issue more than the "New 52" reboot (which I dropped after a few issues). We'll see how long this new version maintains its fresh, unusual approach.
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Not sure why they added the extra pages - frankly, the story doesn't justify them or the extra cost.
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Avoid at all costs.
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I have to say, I'm surprised at this series - mostly because I expected to hate it. But instead of being the usual grim march to death, we're getting an actual story and characterization here.
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There's a lot of potential here, and I hope it finds its audience, but I have to admit, this isn't a series aimed at a geezer like me. But if it brings more female readers into the business, I'm all for it.
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Not recommended for kids, of course, but for those who can enjoy this genre, "Sally" is a lot of fun.
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Long-time fans will probably enjoy it, and new fans should check it out to get in touch with the previous version of Marvel's newest sensation. Sounds like a "win-win" situation to me!
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The good news is, this all seems to be building toward something actually happening - but you'll have to wait at least one more issue to see it.
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I'm a big fan of Thor, but for me, this storyline is off to a weak start. It's just so hard to care when the creative team doesn't give us a reason to care about these characters.
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Two issues in, and we're still getting the team together - but so far, it's been entertaining to see these different heroes back in action.
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It's great to see this series back in action, and hopefully this is just the beginning of a new series of stories!
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This series hasn't quite clicked yet - there have been some great moments, and a few lackluster ones - but you get the sense that it's almost there. Hopefully!
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This is one of those series where I keep running out of adjectives. It's not for everyone - it's very adult in content and sometimes offensive - but it's a sharp, clever story with great twists and turns - highly recommended!
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There are plenty of stories out there that call for a slow, deliberate pace, but this one feels like it's just dragging things out to fill up a collection. Prove me wrong, Marvel!
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This epic tale continues to build, and while it's not a story for kids, it's one that promises a big pay-off - eventually.
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The art is terrific - he hasn't lost a step in his ability to fit in an amazing amount of detail and design in each panel. Add that to a fun story, and I'm happy to recommend this series.
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It's a smart, clever script with amazing artwork - this is a series you should be following.
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This is shaping up to be a fun cross-over - though where it goes from here, I have no idea!
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This is a series driven by imagination and a love of the vast mythology that the DC Universe rests on. It's wonderful to see it being mined to full effect!
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The final-page reveal certainly sparks interest. Writer Jonathan Hickman is molding a big, worlds-shattering tale here, loaded with surprises and unexpected turns.
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It's strong on the grit, but powerful stuff.
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It's a violent, brutal but clever story. Wonder how it'll all wrap up?
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I'm running out of superlatives. Highly recommended!
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What I find most interesting is that the character could still end up being a villain. Or a hero. Because of his unique outlook, it all depends on your interpretation - and that of the creative team. It'll be interesting to see what happens next!
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But it's a bad sign when I really don't remember enough about the story to care. A strong fight sequence, though, and nice to see it didn't end up with Metropolis in ruins, like a certain big-budget movie I could name.
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This book isn't for everyone, of course, but it's a sharp science fiction tale with a dark twist - I'm anxious to see where it goes from here.
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The art is modern, but the story feels like more of a throwback to the glory days of this series. Here's hoping for more of the same!
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It's a powerful (if sometimes grisly) beginning to this miniseries. Sign me up!
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Each issue is a marvel of story construction, great characters and terrific art - and this mini-series, Senso, is no exception.
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I was hoping for more out of this collision, but it's just kinda "eh." Great art, though.
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But over it all hangs the air of cynicism. I have no doubt that Wolverine will "die" - for a while - but if anyone thinks this is really the end for Marvel's most popular mutant, they have a lot to learn about how comics work.
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The whole thing just reads like fan fiction, where characters are given new, absurd backstories, others are killed for no reason, third-rate villains take center stage, and by the end no permanent (or worthwhile) change has taken place.
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As comics legend Don Thompson often said, "If you like that sort of thing, here it is."
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As for this comic, it's an interesting first issue, and I'm curious to see where it goes from here. There are lots of characters and concepts to be fleshed out, and I'm not how far the story can go with a lifeless protagonist - but they're off to a good start.
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While this isn't the first Marvel issue to do this kind of crossover, this one's going to be a challenge to sort out.
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Great art and a surprising story, lots of laughs - what more do you want? If that's not enough, all I can say is: gee, you're hard to please.
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But at least we're finally getting an explanation, so I'm all for it. And a month or two seems much more manageable than "never."
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This has been a serious, complex story - and while it's not for everyone, it's an amazing, thoughtful and carefully devised work, and well worth sorting out.
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This series isn't for everyone - it takes the roundabout path to get the story told - but it's a smart and clever take on a classic concept.
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While I'm a bit on the fence about the story, I'm glad to see this peek at the pre-52 world. If it were up to me, the whole DC line would move in this direction.
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With a great grasp of character, perfectly steeped in Marvel's rich history, and loaded with clever plot twists and turns, this continues to be an exceptional series. You really should be buying it.
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Quibbles aside, it's great to see these characters gathered together and given a worthy opponent. I'm in for the run!
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This issue the heroes face the end of the world - each in their own way - and the story takes a surprising turn. It's a powerful payoff after a long buildup, and it's going to be very interesting to see where it all goes from here.
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This certainly isn't for everyone - it will take multiple readings to catch a lot of the bits carefully built into the story - but especially for longtime or dedicated fans, it's well worth the effort.
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I'm sorry to see Mark Waid step down as writer, but so far, Gerry Dugan is carrying the torch with no signs of faltering.
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So my final thought is, can we please get to the point?
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So I'll just say that it's a terrific comic - one of my all-time favorites!
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The issue is a bit off-beat - but mighty entertaining!
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I guess I just don't understand this turn to dark, morbid stories that DC is pursuing. A few years ago this would have been a Vertigo title (page one shows a pet cat that has been drowned, for example).
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As I've said in past reviews of the Original Sin series, it seems like the entire point of the series (other than generating spinoff series, of course) is to retire the original Nick Fury (that would be the one who's been appearing in Marvel's comics since the early '60s). Frankly, I didn't see anything in this issue to change my mind.
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This series has been a bit on the odd side so far, butthat's not a bad thing. It's unpredictable and fun, and well worth checkingout.
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The issue is, frankly, pretty slim. The fight is entirely one-sided, Loki plots and has tea with the enemy - the surprise on the last page is the only thing that makes the issue worthwhile.
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It's great work by "The Original Writer" (wink wink) and artists Rick Veitch and Rick Bryant, and (unless you're squeamish) is t'll worth tracking down.
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I'm enjoying this comic, but I can't say it's at the top of my reading list. It's fun, but the stories so far (both of them) have been mostly on a small scale - we expect bigger things from a movie star and a cosmic hero.
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Don't expect the usual strum and drang, or hyper-realism. This is a comic in the best sense of the word - as free-spirited and wild as Rocket himself.
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I have no idea where this story is going, and it's certainly compelling - but it's getting into terribly dark territory, and I don't see much hope of a happy ending.
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Conan's been appearing in comics for a long time (44 years!), and the work by this creative team is among the very best ever. Don't miss it!
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This has been a terrific series, and I'm sorry to hear that it's drawing to a close soon. We need more comics that push the envelope like this - not fewer.
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I suspect most casual readers will find it easier to digest once it's all done and collected - but each issue is a gem, and longtime fans (like me) will be fine with waiting when the quality is so high. Highly recommended!
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"The issue has some good content, and some bad. It's ok. I just wish they'd bring back the original Doom Patrol - the misfits with enough humor to even out their tragic side. Good-hearted heroes overcoming their handicaps. As opposed to jerks and creeps who can't be bothered to rescue a building full of people in trouble. Why so serious, DC?"
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But at least the Brian Michael Bendis story is a lot of fun, as Star-Lord tries to escape from his father's empire, Gamora and Angela face the threat of the Badooon, Rocket Raccoon is a captive of the Kree, Groot is a victim of the Brood, and Drax faces a battle to the death with one of the most powerful heroes in the Marvel Universe.
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So it's a bit of a rough, uneven start for Aspen's new series. Hopefully they'll get the glitches ironed out and future issues will focus on the royal possibilities.
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Glad to see this series back at the top of its game!
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But for those mature enough, it's a dark, powerful story. But it's definitely time to wrap it up and move on to other matters.
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I'm enjoying this series - it's wonderful to unlock and peel back the layers of the story in a new and different way. I recommend it highly!
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It's great to see this long-neglected title being placed in the hands of such capable, top-of-the-line creators. You should be reading this comic!
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This is definitely the most offbeat comic in recent memory, and well worth picking up - if just to see how they make it work.
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The art is terrific - it's a fun mix of talent and stories, and a great way to catch up on the story behind Soulfire.
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Still, this series is smart and fun - a rare combination in comics these days!
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I'm always a sucker for humor when it's well done, and this issue fits the bill. Recommended!
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The issue is mostly a chance to check on on a few dangling sub-plots: the Dazzler's search for revenge, some apologies for past infractions, and the appearance of a (potentially) deadly new mutant. So, unless you're a diehard fan, you could probably skip this one.
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So a good idea for a comic celebrating the premier comics convention and celebration of all things related thereupon - but this issue just didn't work for me. Better luck next year!
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Since he's one of my all-time favorite characters, don't expect any cheers from this corner.
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Sakai has built an amazing body of work here, and there's plenty of time to get on board - each storyline stands on its own - as his iconic tales of a samurai searching for his place in the world continues. Highly recommended!
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I hope (and trust) that this will wrap up this story for a while - it's definitely time to move on to something fresh - but kudos to the creative team for sticking the landing and throwing in a number of surprises along the way.
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This one is building slowly - Angela only appears momentarily in this issue - but so far it's an interesting tale of gods and secrets.
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It's not for everyone - but for those who "get it," it's terrific!
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The story is well crafted, I like the art a lot, with dynamic layouts and strong character designs - but there's just not enough here to hook this reader. Sorry, but I won't be back for issue #2.
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This series isn't for everyone - those who hate the original series certainly won't be interested. But for those, like me, who enjoyed the show, this is a fun throwback to the days when heroes could have fun, and grim and gritty was a long way off.
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As first issues go, it's a solid start, and holds a lot of promise for future adventures.
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It's an interesting experiment, but not a successful one. I can't recommend this one.
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Just two more issues to go, so this should be wrapping up by, what, early 2015? Hope it'll have been worth the wait.
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The mini-series Original Sin continues to make very little sense. Heroes are sent on a mission to uncover a mystery - but the guy who sent them already knew the answer? So why bother?
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This story is just getting underway, but it's already a heck of a lot of fun. Young's work probably isn't for everyone - it's not hyper-realistic, or grim and gritty - but it is mighty entertaining!
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I suspect Scott Snyder's story will "read" better as a collection - the story has been cruising along for months now, and some elements (I must admit) have slipped away from me. (Your mileage may vary.)
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This might be a tough issue for new readers to jump on board with - we're in the middle a lots of crazy events here - but it's fun to see each character get some moments at center stage. And the better we know them, the better the chance that we'll actually like them.
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I'm enjoying this title - lots of fun for this old X-fan, and it's also fun to see the return of the original Hulk.
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The art by Mike Manley and Keith Champagne is terrific, as always - and presumably this series is already starting to build toward the next "event" (since that seems to be the way of things these days). Let's just hope the next series actually includes the Justice League.
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Highly recommended!
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The art by Phil Sloan is much more cartoony than I usually go for, but he has a dramatic style that I like, which provides the story's action with strong visuals. The story is intriguing enough to make me want to read the next issue.
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It's not deep, but it's very entertaining, with strong visuals - a battle for survival, fighting against the environment (and a huge wild animal) - and it's a lot of old-school fun.
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It remains to be seen if Andrews can "stick the landing" and bring ongoing success to this title - but here's hoping!
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So it continues to be a good start to this new series. Now if they could just fix the modern-day version of Cyclops.
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The story is walking the edge (mostly because of the gigantic dragon angle), but so far it's a compelling story, and I like the focus on the individual members of the team. So far, so good.
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Look, this series isn't for everyone - I know fans who still carry a grudge. But if you're looking for a fun comic, and you have a sense of humor, then you should be buying this series.
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There's still time to turn it around, but so far, this series is not making much of an impact.
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It's rare to see prose brought so perfectly to life in a comic. If you miss this, you're missing something special.
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As longtime fans know, this is a series that has limitless potential - in the right hands.
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But a lot of it is retread, so I can't give it the highest recommendation - but I'm happy to see this character back in true form - smart, powerful and bristling with mystery. Now if they'll just allow Starlin to bring back Warlock, the fun can commence.
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And while some elements are familiar, most of it is shockingly new and different - and well worth following. Heck, this issue is worth it for the Hawkeye moments.
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Good to see this series getting back to its strengths!
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But if you're not a fan of the original, then you'd probably like this series - it's s high-octane experience, with terrific art and a smart script.
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So it's a solid second issue, but still a lot of ground to cover to sort out why civilization crashed - and just how Lola is going to survive.
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From year to year, there's usually one comic that stands out as the one that would interest any reader - it's the comic you recommend to your friends who don't read comics. In the past, that has included Sandman and Swamp Thing, for example - and now you can add Brian K. Vaughn and Fiona Staples' Saga to the list.
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The Justice League continues to be one of the best of the "New 52" (and one of only a few that I continue to follow), so it's good to see it continuing to showcase strong story and excellent art. That's how it's supposed to be.
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If not for a brief action sequence with (the original) Nick Fury, this issue would have been almost completely forgettable. Not a good sign in a big event comic.
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Hopefully the next event will be more successful.
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My apologies to the creative team, who will hopefully go on to bigger and better things - but this one is a miss.
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Highly recommended!
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The art by Leonard Kirk, Karl Kesel and Jay Leisten is very good - dynamic and exciting, capturing the action nicely - but so far, the story isn't holding up its end.
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It makes sense as a tactic in combat, but it makes for a confusing story. The art is terrific, but the story is just too time-tangled to enjoy - or make sense of.
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But to be honest, I don't feel driven to pick up that issue, or any of the others in this series. Let me know if I missed anything.
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This story is moving into dark territory. Like a soldier at war, what actions are justified to save your loved ones? This story has been building slowly, but it's rich and has a powerful emotional edge. I can't wait for the next issue!
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This is a middle-of-the-road series - well-crafted comic book entertainment from writer Dan Jurgens and artists Ian Medina and Allen Martinez - but it's building slowly, and the team members are mostly ciphers so far. But it's getting there.
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Just as Daredevil has become a big hit, this series deserves the same kind of attention and praise. It's a lot of fun!
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So it's a good start to yet another offshoot from the X-Men family, as Cyclops ventures out on his own. It's not his first solo mission (if I recall correctly), but so far it's the best of the bunch.
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It's highly recommended for those adult enough to handle the mature (and sometimes graphic) material - and are strong-willed enough to cut open that plastic bag!
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It's an action-packed beginning to the event, as an incredibly powerful and mysterious menace appears; a lone hero is on a killing rampage; a super-team faces destruction; and oh, that final page.
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This issue is all about setting up the teams, putting the characters in place and amping up the mystery. It does all those things well - but I still fear the outcome. We'll see.
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While I'm a fan of the typical Marvel action issues, I have to admit I don't mind these "slow" issues, as long as they're done well - like this one.
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Combined with the amazing art by Salvador Larroca, it's an impressive work of art and I can't wait to see where it goes from here. It's an involved story, and it's not always easy to follow as we wait for some aspects to be explained - but it's very, very good.
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Despite being a big fan of the Barry Allen version of the Flash, I'm about ready to drop this series - after more than two-and-a-half years, the story is going nowhere - and worse, it's dragging my hero through the mud. Hard to keep supporting that sort of thing, isn't it?
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It's a shame - for several decades (starting when I picked up my first issue in the mid-'60s) Spider-Man was my favorite super-hero. But I dropped his title years ago when the company lost sight of what made him a great character. This was a step in the right direction toward getting Spidey back to that spot - but judging by this issue, he still has a long hike ahead of him.
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It's discouraging, but hopefully it'll be rectified soon. If not, I'll be dropping this one quickly.
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And give writer Vince Hernandez credit for taking this story in an unexpected direction - the comic book standard would have included a mindless brawl - instead, we get a thoughtful exchange.
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I'm trying to be patient - I know writer James Robinson is capable of excellent work - but this story is taking its sweet time in rolling out. But so far, I'm hanging in there.
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I've been enjoying this series so far, but it still needs to give us a good reason to like these characters (or even root for them to win). So far we haven't seen a lot of that - which is surprising, since characterization is Bendis' strong suit. But there's a lot of hoo-hah action, so that helps.
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So this series continues on the same track it's been on for two-and-a-half years, loaded with stories that are ok - but not much more than that.
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Jim Cheung, Paco Medina and five inkers provide the artwork, and it's excellent, giving the Watcher a suitably alien look and environment, but instilling in the characters a strong heft and real-world grit. Lovely work.
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With that twist on the last page, it's hard to see where the series goes from here - but I'll bet it'll be well worth following.
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So has it been worth the wait? I can't render a final judgment on that until the conclusion. In many ways the story has been building nicely, but I admit the this one is straining my patience. Hopefully the finale will make it all worthwhile.
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I think my real reluctance with the "Zero Year" story is just that this is well-trod ground, with Frank Miller's "Year One" story being the gold standard. This story only suffers by comparison with that classic - on its own merits, "Zero" is quite good.
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The rumblings say that there are some shakeups on the way, leading out of the end of the Forever Evil series. Here's hoping they can get the team back to work - and the comic back on schedule.
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So yeah, it's a mess, loaded with riffs on old stories, a few glimmers of the real Spider-Man, and a story that makes no sense to this reader who just landed at the tail end of this story.
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It's been typical through Iron Fist's past series that his stories start out strong and then eventually fade - but I'm a fan of the character, and hope this series will break the trend. It's off to a promising start!
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If you're looking for a comic that's daring and different, here you go.
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This issue is a prelude to an upcoming crossover event that will cross over into four different issues:. I'm generally opposed to the idea of being strong-armed into buying issues of a series I don't follow, so I'll be missing most of those. Let me know how it comes out.
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So it's nice to see the legendary writer back in action again - but here's hoping the future stories hold together a bit better.
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Lots of good hands on display here.
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The story is a pretty thin (and actually somewhat grim) excuse for several poster images of the team and assorted members. But the art almost makes up for it.
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Science fiction is all too rare in comics today (sad to say), so it's nice to see a smart SF story. It's not for kids - there are some grisly moments here - but it's a strong start for this new series.
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When Hitch tackles a series, attention should be paid - and this is definitely a series to watch.
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I don't think this is required reading before seeing the anxiously-awaited movie, but it certainly couldn't hurt - especially since some of the rules have been changed, along with some origins.
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It's a weak start to the series, though there's time to turn it around. The story features several unique, compelling characters - they just need some room to fly.
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The've got the "In" (for incredible) part of the series worked out, but not much in the way of "Human" (or humanity) in evidence. Back to the drawing board.
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It's fast and breezy, and the art is fun (if a bit uneven in spots).The series has lots of potential - and I love the title - so hopefully it'll get another run to prove itself.
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It's an impressive first outing, and if they can avoid the "invincible demon" pitfall for the Ghost Rider, then they should have something very special here. The series is off to a great start!
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With a unique cosmic outlook and lots of mysteries to unwind, this is a promising start for this new series - and a good take on the Silver Surfer. So far.
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The battle with the alternate Avengers has been interesting but not really up to the usual standards of this series. But even Hickman's average stuff is better than most, and as always, Salvador Larroca's art is tremendous.
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I'm very happy to see this series back in circulation, though (of course) I hope it won't be quite such a long pause between chapters.
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I'm still surprised they've made no effort to bring this title in line with the incredibly successful movies version. You know, the one with the Thor who acts like a hero.
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To say much more would give away too much, so I'll just place my usual reminder that this series is not for young readers at all, and that I'm anxious to see how it all ties together.
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I'm all for epic storylines, and I've been enjoying this one - until this issue. I assume it's just a glitch (or perhaps a failure on my part to sort it out properly), and I'll certainly keep hanging on to see how this plays out - but they're not making it easy on us.
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There are three more chapters to go in this origin story, but so far, I'm enjoying it a lot more than I ever thought I would. You can't judge a book and all that.
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Apparently this title has become a limited series (news reports say it's supposed to wrap up in April with issue #9) - which is good, because that means there's an end in sight. So much potential, only a fraction of it realized - what a shame.
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This year marks the 50th Anniversary for ol' Hornhead - glad to see Marvel's doing him up right.
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This is where I usually rant about the tendency of modern comics to only give us a grim and gritty, things-are-terrible future - which seems to be what we're getting here. But for now, I'll just wait and give the series a few more issues before passing final judgment.
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So it's a promising start, but time will tell if it's the right direction for Marvel's premiere super-heroine.
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It's never a good thing when you pick up an issue and have to think, "What's going on with this series again?" - but it keeps happening for me with this story.
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Perhaps Bendis will "stick" the ending, but hope is fading fast. This isn't a bad story - it's just not a great one.
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One can only hope DC will eventually come to its senses and un-reboot the line back to what it was before. But I'm not going to hold my breath waiting.
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This issue makes me hopeful for the title's future - let's see if that optimism is justified - or if it gets stomped on.
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The art is quite good, and the story is ok - but it's all setup with not much meat on the bones. The potential is there, but the story needs some tightening up - it seems to be flailing in too many directions right now.
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Thanks (perhaps) to the success of the Hawkeye comic, Marvel has put the focus on character and story, rather than forcing a cosmic cataclysm into each issue. Good on 'em, I say.
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As always, a strong script by Geoff Johns and dark, powerful artwork by David Finch and Richard Friend.
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It's a terrific, red-blooded, no-holds-barred saga, brought to life by one of the best creative teams in the business. You really should be buying this comic - it's terrific!
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Our hero is still named Tony Quinn and the villain is criminal kingpin, Oliver Snate. The story's been updated to modern times, but the artwork and the coloring keep the tone set in the noir '40s. I really enjoyed this comic, especially Cliquet's art, which reminded me of a tidier Miller and Janson.
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After a terrific run of stories, Matt Fraction and David Aja turn in an issue of Hawkeye that's merely pretty darned good.
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The series continues to be promising, and one of the better comics in the X-Men family - but I do wish for a bit more consistency.
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So this series is off to a start that fans of the game may enjoy, though it's taking its time setting up the story. Non-fans might find it a bit more of a challenge to catch on, but it's a promising beginning to the new adventures of young Lara.
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I'm not a fan of dark and gloomy, but I'm certainly interested enough to hang around and see what happens next.
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This is one of Marvel's best, with amazing art and sharp storytelling - it should be on your "must-read" list.
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But the story by Christopher Yost doesn't hold up its end of the deal. The first issue of a team comic is usually the "gather the team" story, but we only get part of that here. There's more ground to be covered, and it's possible the story will pick up once the gang is together - but so far, it's not holding my attention.
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The book ends on a confrontation, and a heck of a cliffhanger. Yes, like a lot of the James Bond franchise and other spy fiction, a certain amount of suspension of disbelief is required to engage in such fantasies. But if spy fiction and action is your double martini, you might want to check out the book.
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So don't buy this issue expecting to see the usual lineup - Cyborg is the only JL hero in evidence - but you will find a fun adventure with the Metal Men!
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Jason Aaron's story manages a nice balance between humor and the adventure. The new story is just getting started, so it's too soon to pass final judgment, but it's a decent (if not spectacular) start.
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And turning the regular issue into an ad doesn't encourage me to hang with this series, either.
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I love stories where I don't know what will happen next - and you'll find that (and then some) in this series.
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I still don't buy the title characters as a couple, but it's well written and the partnership is moving in an interesting direction, and - so far - it keeps bringing me back for more.
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So far, this has been a lot of fun - but with only two issues to go, this is shaping up to be a very short trial. Lucky Jean's not using the Flash's lawyer!
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So it's a good start to this new series, and a fresh take on this (now) classic character. Here's hoping for more along these lines!
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Despite its relentlessly dark nature, I've been really enjoying the New Avengers as written by Jonathan Hickman.
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I'm not completely convinced that this series will work - its tough to make a go of a series that has a villain in the lead - but it's off to a good start.
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So far, this series continues to carry the banner of quality established by the original series. More like this, please!
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It's an interesting start to a promising series.
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Here's hoping the last two issues continue the trend toward better stories and less bloodshed.
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The story has a lot of potential, but this issue only gives us a few baby steps of progress - here's hoping the next issue picks up the pace.
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If you haven't been reading this - and you don't mind some adult material - then I definitely recommend buying the collected editions. Great stuff!
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I find I like the series in spite of itself, mostly because of the humor - and the unique nature of the team, though I'd really like to learn more about each character (most are blank slates at this point).
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It's a bit of a slow start, but it's a promising beginning - and I'll follow the Serenity anywhere.
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The story is still in the building phase, but it's setting up some interesting conflicts for the months ahead. Here's hoping the creative team can build the Inhumans - and this series - into something special.
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The art by Mike Bowden is fun and high-spirited, though a bit rough in spots - but he brings this strange world of the future to life!
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This issue is setting up a multi-issue crossover event - the Trial of Jean Grey - and considering the guests who show up on the final page, it promises to be a heck of a lot of fun. So far, it's a very promising start!
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This continues to be one of the best of the New 52 books - and while it's not a book for kids, it's one mature readers will love.
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Hickman continues to maintain an amazing mastery over several complex stories at once - yet he never loses the reader (well, as long as you're paying attention). Great stuff!
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This issue continues to be subservient to the Forever Evil series - and with months to go before that ends, it's kinda sad that this has been the high point so far.
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So the good news is, for this issue at least, the old James Robinson is back! Here's hoping for more of the same.
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If you haven't been reading this one, I strongly urge you to track down the collections and give them a try - comics doesn't get much better than this.
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It's almost worth picking up just for the art - but that's the only thing exceptional about it.
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As the series gets set for a new creative team, a new first issue and a new storyline, here's hoping things get back on track for Marvel's first family.
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It's a good series, and one imagines Wonder Woman has to be happy to finally break through that "no sex" barrier.
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This series isn't for young kids, but mature readers will love it - highly recommended!
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I'm still not crazy about the dark nature of the stories in this series, but I admit I'm curious to see where the series will go from here.
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The rest of the Corps makes for an interesting supporting cast, but for too long, it's been the focus - and Hal has been lost in the crowd.
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There are some nice snippets to see - the Loki part of the story is probably the best, but the whole thing really doesn't add up to a whole comic, much less one that costs double a single issue. I'd advise holding off until the individual issues show up.
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As Scarlett Johansson has demonstrated in her film appearances, the Widow has tremendous potential (her confrontation with Loki in the film is an amazing scene). This comic is a good first step in bringing that character into the comics.
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So it's a surprisingly average start for this new version of the long-running series. But we'll have to reserve judgment until we get a little more mileage on the new vehicle.
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I love a lot of things about the script - the return of strong characters (including a great surprise from one of Hickman's earlier series), a really massive menace, some great dialogue and plenty of surprises - this may end up being another terrific series to follow.
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I certainly hope this won't be the end for this great, great series - there are many more great Tom Strong stories waiting to be told.
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It's not a perfect issue - what does the comics industry have against the Chicago Bears? - but it's an improvement, and I'm all for that.
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It's a strong first issue from writer Toby Litt, and it's always a delight to see Mark Buckingham's artwork (here with Gary Erskine's inks) - here's hoping for more of the same.
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Perhaps what the series needs is some humor - a ray of hope. Right now, it's all darkness and gloom.
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And while the story's a bit darker than I might prefer, it's certainly captivating, and I'm anxious to see the next chapter.
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I find myself really looking forward to the end of this series - I miss the real Justice League.
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While both series are well crafted, I'm still not convinced it's to the good of the character - but if you don't mind losing some of the mystery, and if the throwback "clear cover" doesn't put you off, then this is well worth buying.
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This series by Geoff Johns and David Finch (with inks by Richard Friend) continues to be professional in every sense, well constructed with terrific art and a solid story - but it's still difficult to get too involved with it, since up to this point there have been almost no heroes involved.
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You might have expected a smaller story for the team after the cosmic overkill of Infinity, but it looks like the creative team isn't taking a break - they're plunging headlong into the next massive event.
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It's a solid series, although it's taking a long time to clear up the assorted secrets and the emotional loss of loved ones. The next issue should be the pivotal one to indicate whether or not the seriess is one to watch - or just a splash in the pan.
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The art is by Chad Hardin is very good, with a good mix of straight action and humor - not always an easy mix to maintain. He's also good at depicting lovely ladies, which gets no complaints from me.
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There's not a lot of deep thought going on here - just straightforward action in the typical Marvel fashion. Nothing wrong with that!
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I suppose all good things must come to an end. But it's a sad note at the end of a glorious song!
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Unlike the majority of comics out there, Astro City manages to tell stories about characters who are interesting, intelligent, and act and behave like real people. These are stories that matter, that challenge the reader and make you care about what happens next.
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The big question is: is this really the Justice League or just an imitation? And if it's an imitation, why should we care? That's a big hurdle to clear, but at least they have some big guns working on the solution.
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As always, the art and story are exceptional, loaded with grim action, plot twists and powerful visuals. This continues to be one of the best of the New 52 comics, and one that pops to the top of that week's reading stack.
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But the issue just feels like it's marking time while the real story marches on elsewhere - and if this is DC's premiere title, it deserves better than that.
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So, a fair start and I'm certainly going to come back to see where it goes from here. I'm not completely sold, but it's definitely a cut above all recent efforts.
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It's still a bit too grim for my tastes, but the story is moving right along, so your mileage may vary.
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This is a series with no baggage, no files of continuity to wade through (though there is some backstory for those who choose to pursue it) - it's a fresh start and, best of all, a lot of fun.
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But even though it has some fun moments, and it's good to see Angela being incorporated into the team, the story just ends up not being all that moving.
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So far, the art has been the only reason to pick this one up - and while it's nice, that's not enough for me.
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Hellboy is consistently one of the best books around - what more do you need to know? If you're not buying this series, you're missing one of the best.
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With a strong story and wonderful art by Olivier Coipel and Mark Morales, it's a compelling start to the event. Whether it will put the concept over the top and into its own title, only time will tell.
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With the characters and the menace set, next issue holds lots of promise, as long as it builds on the foundation provided with this issue.
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I keep supporting this comic, despite its shortcomings - but I keep wishing it would live up to its potential, and so far, I've been disappointed every single time.
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I admit that I've been enjoying this series a lot, even though it's been deadly serious from start to finish - but the group is dealing with some mind-bending, world-shaking menaces - and you never know what to expect next.
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I like the idea of this comic, getting back to the original concept of a training academy for young mutants - hopefully the series can get back to more of that, more personal stories, and less of the strange, offbeat tales of murder and mayhem.
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I just want to take a moment to say "thanks" to Johns for his work in rehabilitating this character. Aquaman was one of my first favorites when I started reading superheroes in the early 1960s, and it's been painful, in recent years, to see him treated as the butt of jokes.
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I'll admit this series isn't for everyone. It's a challenging story that crosses the universe and back, with a huge cast, several key events and lots of twists and turns along the way. But if you're up for a cosmic story that will challenge and entertain you, I recommend this one highly.
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This one gets high marks from me - the story continues to build nicely, and I'm looking forward to seeing how the new team brings this one to a close.
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So, a fun issue and a solid adventure (if just the start of the tale) - if they could just work out the title issues, this could be one of the best of the X-books.
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But with all that... it's really just a slightly-above-average issue. We don't know enough about the new character to care that much, and his powers are - frankly - dull. Perhaps Bendis and Bachalo will prove me wrong, but so far, I'm not convinced.
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So far, this has been a terrific series - one of Marvel's best in quite a while. Can't wait to see that final confrontation with Thanos!
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It's a sizzling start for a character who should be in the top tier - instead of being another second banana.
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Of course, there's one other thing a comic can give you that live action never can: it brings back those original characters, unaged and fresh and exciting as ever. If only the real world worked the same way!
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The only thing that has hurt this title over the years is that publication has been suspended a couple of times for various reasons - but happily, the creative team is cranking on all burners, and one of the industry's best titles is once again on a regular publishing schedule.
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You don't get much more than in introduction here, but it's plenty to bring you up to speed - and it's all easy on the eyes!
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I'm still not buying the romance - but as long as the story continues to be fun, I'll accept it.
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Not bad at all, but not really my kinda comic.
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As ever, a fun, breezy script by Brian Michael Bendis, and fantastic art by Stuart Imonen and Wade Von Grawbadger - there's a lot to like here, and I'm curious to see where it all goes from here. And I can't help but hope that the team sticks around for a good long while.
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The story is by Vince Hernandez, and it's very effective at teasing - but one hopes the reader won't be led around in the dark for too long. The art is by Giuseppe Cafaro, and it's quite good, although we spend an awful lot of time on talking heads - but the action sequences are well done.
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As always, the art by Jim Lee and Scott Williams is terrific, but the story still hasn't come together - though I'll grant it may make more sense when it's eventually published as a collection. But for now, it just doesn't work.
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I actually wish they'd spend more time on the early Superman - he's much more interesting than the modern day version they've created.
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It's too early to tell if this is going to be a "must buy" or just another in a sea of X-Men comics - but at least the art is nice. And it's good to see the return of an old friend.
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It's a sharp script as always by Geoff Johns, and the art by David Finch and Richard Friend is powerful - but it still comes down to the fact that there are (virtually) no protagonists in view.
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Look, it's not deep, it's not grim - it's just a fun comic. Would that there were more like it!
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The story wraps up with a few changes in the status quo - but not really. As always, it's the illusion of change - but what this series needs is some real change. It would be nice to see some stories about Hal Jordan the human, not the Hal who spends all his time on alien planets, surrounded by strange creatures.
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It feels like a classic Marvel tale, only bigger and bolder than anything that's gone before. It doesn't hurt to have excellent artists like Jerome Opena and Dustin Weaver providing stunning visuals.
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It's a shame - I thought this series had a lot of potential. It had an imaginative concept and a fun group of characters. But the sight of one hero acting completely out of character won't help endear readers, and the ultimate fate of another character should cheese off each and every long-time X-Men fan. Surely that wasn't the goal here.
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New readers should track down the reprint volumes, anyway - they're some of the best stories in the history of comics. This series is well on its way to earning an equal spot with the rest of the series.
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But the story makes up for any other problems, as Waid mixes new and old elements and whips up a fresh tale that makes the most of its wild premise. He's made the Hulk another comic to watch.
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Trust me, next issue should get the story crackling along - but the art is the only outstanding thing about this issue, and that's not quite enough.
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Throw in lots of clever bits of business, an unexpected final twist, and a guest appearance by some of Marvel's mightiest monsters, and it's yet another in a long line of terrific issues in this series.
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This is a series where you wonder, how are they going to sort this out?(As you'd expect, we'll find out... next week.)
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Save your four bucks for something better.
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It's great to see this venerable character getting treated so well by some of DC's top creative talents.
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With great art and an interesting story, this issue is well worth checking out - and it finally brings the team into the Infinity event (though the chronology may be a bit difficult to explain, since Iron Man has been running around with the Guardians for a while).
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Trish is no Betty or Veronica (though you might think otherwise from time to time), but she's that most rare creature - a real girl. (Well, mostly).
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If you're passing up Hawkeye, you're missing out on something rare - a truly original comic. Highly recommended!
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Highly, highly recommended!
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   Excellent work all around!
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A clear and clever story, terrific artwork - who could ask for more?Well worth tracking down!
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   This continues to be one of the better X-Men events in recent memory, and despite the fact that it involves time travel, which almost always ends with the "time reboot" twist, it's shows no signs of a similar letdown.
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It's a little too early to tell if this series is going to work - it's off to a good start - but I still think the two leads make an odd couple.
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   I think - depending on the wrap-up - this may be Marvel's best event in a long, long time (and maybe ever). Can't wait to see where it goes from here!
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So I like the story, but the art is a bit more of a mix. There are some stunning images, near-photographic depictions, but the storytelling is muddy in places - there are panels where I'm really not sure what's happening.
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   So overall, it's a mixed bag, and your interest will depend on your feelings about the creators involved.
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    But after years of stories about the different Lantern Corps, it's almost a relief to see someone shutting them down. It's almost a shame that it probably won't last - at least it'll be tough to continue the series without the green light.
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   So if you walked away from the X-Men a while back (and who could blame you?), this series might be a good reason to drop by the old neighborhood.
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   So, a sharp script by Geoff Johns, excellent artwork by David Finch and Richard Friend (though I could have done without that opening image of a rat in a trap), and a promising start to this grim tale.
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The art is by Lori Hanson is solid with strong layouts, though it's a bit on the bloody and graphic side (this isn't a comic for kids).
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    With strong artwork by Aco and the usual excellent script, it's one of the few "Villain Month" tales (that I've seen) worth tracking down.
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This series is leaning too hard on fight scenes and angst. What we really need is a reason to care about the characters.
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This series is really walking the cosmic high wire, and it's amazing to watch - and a blast to read. Highly recommended!
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I applaud the efforts to include some humor in this series, but the whole thing just feels lackadaisical, with no sense of urgency. This series should have hit the ground running and built from there - instead, it's still advancing at a snail's pace.
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   It's like the old World War II-era slogan: was this trip necessary?
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   With lots of twists (and more on the way), terrific art, serious consequences to events, and a dandy cliffhanger, this series is delivering the goods. Highly recommended!
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   It's not a story for the faint of heart, and it may be that you'll have to wait until the end of the event to put all the pieces together - but it's well worth the journey, and (if experience is any indicator), your patience will be well rewarded.
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   So if you enjoy spy-genre action and adventure that includes beautiful women, this series is worth a look. 
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I had no idea what to expect here, and it's nice to find the series is a pleasant surprise - it stays true to the original concept, but builds it into a story that is modern and a heck of a lot of fun.
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   I've been buying Cap's comics since he returned to the Marvel Universe in the '60s - but this past year has just been painful. As difficult as it may be, it's time for me to take a break until a new writer signs on. I'll miss him - in many ways Cap is my favorite hero. But I just don't see much of the hero I've admired in these pages anymore.
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Lots of us remember these characters from the Defenders of the Earth cartoon, and it's good to see the band getting back together again, taking on their old job. A good start - let's hope for more of the same.
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So, a disappointing start - a great cast, lots of potential, but still lots of elements to be sorted out.
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If they can maintain this level of talent, this will be a series to watch.
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Look, this series isn't for everyone - it's complicated and thoughtful (the twist at the end was a shocker with an intellectual twist) and, yes, it's challenging - but I am loving every bit of it.
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The comic is certainly setting up a major threat for the heroes (if any) to overcome, but the issue just feels incomplete - what good are villains without heroes to stand against them? (That is also true the other way around.) But with top creative minds at work, I trust this one will pay off nicely - but it's not so nice at this point.
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It's a story loaded with action, some nice character moments and several surprises.
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The story is loaded with enough murder and cruelty to satisfy any horror fan, as the Joker vents his murderous hijinks on an army of victims - and one especially innocent creature. It's vile and disturbing - not my cuppa tea at all.
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   It's all apparently leading into some kind of science fiction-based adventure, but we really don't get much to work with here - luckily, at these prices, it's a good bet that future issues will give the reader a bit more to chew on.
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After the interminable "Godbomb" story, this issue of Thor God of Thunder arrives like a breath of fresh air.
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On the one hand, it's wonderfully creative. Writer Jason Aaron really pulls out all the stop to cram as much entertainment, action and character bits into each issue as possible. But it's almost too much - it's sometimes hard to see the story for all the interference. There are just so many characters, so many over-the-top concepts, so much going on - it's a challenge to keep up.
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As the story comes into focus, I find I'm enjoying this more and more - and next issue wraps up this story. A complete story in less than 10 issues - are they mad?
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Hopefully the next storyline will feature the decisive, heroic Cap that fans have flocked to see - not this violent, grim and gritty substitute.
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   I have to admit, I had my doubts about this series - and I still think it was more overcrowded than it needed to be - but give the creative team credit for putting together a strong finish, and a powerful start for Forever Evil!
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This isn't a comic for everyone - it's rude and hot all at the same time - but if you're looking for some straightforward fun, and a comic that's just loaded with energy and enthusiasm, you could do a lot worse. But if you're easily offended, look elsewhere.
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This has been an excellent series (though as always I hasten to add that it's not for children), though I'd like to see this storyline wrapped up, so maybe we can see WW interact with some of her fellow superheroes. Or anybody who isn't a murderous immortal.
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I'd love to see more stories like this, and less of the manufactured heroics.
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At any rate, it's another split effort, as the art is impressive but the story seems to be spending all of its efforts in making Superman a badass. Personally, I always liked him when he was just the world's greatest hero.
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They're creating a powerful story here - not always easy to follow, but it's carving a unique and thoughtful space of its own. Highly recommended!
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This issue finally gives us some hints about the true nature of the threat - a mystery that promises to rock the DC Universe. If only this issue had been a better lead-in to the final issue. It's mostly devoted to an all-out battle that's the equivalent of a nasty game of Hot Potato.
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The issue written by Vince Hernandez is an action romp, with some serious consequences (although the story makes a sudden turn from death-dealing brutality to "we don't want to kill anyone").
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It's fun to squeeze a pile of heroes into one story, but it takes precision and clarity to make it work, and this issue doesn't quite succeed - though it makes a valiant effort.
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I suspect it'll "read" better as a collection, because the story keeps stepping back and forth along Bruce's timeline, and it's not easy to keep track of things on a month-to-month basis. But the creative team is putting an interesting and original spin on a well-trod story - not an easy task.
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So the latest in a long line of reboots of the original, beloved series is ok, but it has a long way to go to match the pure fun of the original.
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The issue may be a bit much for tiny readers (both in terms of violence and the scope of the tale), but mature readers will love it.
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It may be a bit tough to pick up on the series in the middle, but once you get your "sea legs," it's a lot of fun!
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As a fan of "Earth 2" since it was created in the '60s, I was hoping for a series I could love. With a heavy heart, I can't recommend this comic.
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I find that the longer the original team is in the present, the less I like them. Instead of being one of Marvel's premiere teams, they've become a bunch of teens who seem out of their league and floundering in the present.
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I'm having trouble putting my finger on why this Avengers: A.I. series isn't working for me.
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So it's a slow start to the story by Arvid Nelson (though it promises to pick up quickly). The art by Robert Casto is solid, but he doesn't get much room to show off here - there's a lot of standing around going on. But the promise is there, and it should be interesting to see how Tarzan adapts to Mars - and how he reacts when he meets the White Apes.
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But the story more than makes up for any problems there, and sets up the coming war, which promises to have some deep-felt repercussions.
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It's an outstanding comic - truly the best version of Conan in a long, long time.
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There's a lot to like about the new X-Men series.
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So, terrific art, a great story, wonderful characters - in a just universe, this comic would be a hit!
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So, another strong issue, with lots of humor and action - in other words, a typical Marvel comic. We can only hope next year's film will follow suit.
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The whole "Bat Inc" idea has been interesting, but perhaps a bit too unwieldy for any but the best writers - I'm not sure anyone but Morrison could manage it.
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So, a good start to this series about a sexy and powerful woman, and a good jumping-on spot for new readers.
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Writer Keiron Gillen keeps the patter crisp and clever and the story doesn't slow down (or run out of surprises) from start to finish.
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So we're still waiting to see where all this is going, and to see the mysteries resolved - but so far this new series is a heck of a lot of fun!
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So far, I'm enjoying it - the series is off to a fun start!
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It's fresh, it's fun, and so far - it's not to be missed.
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This event continues to pick up steam, after a weak start in the first chapter. Now we have Superman struggling to solve the mystery behind his actions, the search for the mysterious woman known as Pandora, and the machinations of a mysterious villain.
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Fathom is Aspen's longest-running character, and the next issue - costing only a dollar - promises to be a great jumping-on point for new readers who might be lost sorting out the large undersea cast.
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So it's a good start to this series. I expected that this would be the only issue of this series I'd be picking up, but Simone's story has me hooked - it has me back in the "Red Sonja fan" category again.
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Thanks for the nostalgic buzz, DC!
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A good start to a tantalizing series.
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So, the Trinity War score is even at 1-to-1 (good story versus weak). Let's hope the upward trend continues.
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So this isn't a comic for everyone - it requires some work on the part of the reader to keep up with the twists and turns of the story. But if you're willing to put in the effort, it's a lot of fun.
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This continues to be one of the best of the New 52 comics (is it still "New" after almost two years?). But it does need more Batman.
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It's lazy storytelling, and in my opinion, it's frankly offensive.
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Like all the best superhero comics, this recent Daredevil run has told "big" stories while focusing on the intimacies and quiet moments that really matter.
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Of course, as you'd expect, it features some sharp, funny dialogue by writer Brian Michael Bendis, and terrific, unique art by Chris Bachalo with inks by Tim Townsend. (I think Bachalo's art benefits from working with a single inker, instead of the numerous hands who have been working on recent issues.)
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I'm still not convinced about the story, but there's plenty of time to make it work. But the beginning leans a little too hard on the sensational (and a terribly out-of-character event) for my taste.
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The series has been enough of a hit to warrant a sequel, which is promising. With strong artwork and an interesting premise, the future is bright for the Shadow Clan (you should excuse the pun).
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It's trying very hard to be different, and largely succeeds at that - but it's definitely an odd start for a comic set in the superhero style. Not for all tastes, but intriguing.
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Morrison has had an interesting run of Batman stories - some outstanding, some challenging, some puzzling. I've enjoyed most of it, but this was not his finest hour.
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It's an interesting start, but it has a ways to go before this is a must-buy.
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The criticism of Fathom in the past is that it can be a challenge to sort out all the characters and locales, but this series is keeping it lean and always in motion.
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It's brave, it's smart and it's entertaining as can be.
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So overall it's something of a mixed bag (it would have been nice to see more separation between the stories - splash pages or some such), but lots of fun. Well worth checking out, whether or not you're a fan of the classics - or Classics Illustrated.
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Next issue's story will wrap up the opening storyline - here's hoping the ending holds together better than the middle.
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Still, it's a promising start to a time-honored concept.
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A terrific comic, and a great companion to the regular Avengers comic (though there's no crossover between the two). Highly recommended!
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Still not appropriate for young readers, sadly - but darned entertaining for those mature enough to manage it.
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Both of these comics have become "must-reads" since Waid took the reins, and this one continues that trend.
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So the cover doesn't really work for me - but once you get past that, this is a fantastic comic and highly recommended!
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I just wish it had been allowed a few more surprises.
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If you missed the series, the good news is, the first four issues of Black Beetle will be collected soon - they're highly recommended!
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So it's just getting started, and we still have some business to sort out (is the team a bunch of good guys, are they mercenaries - or both?), but it's a promising start and well worth checking out.
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For now, and with some trepidation, I recommend this comic.
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It's a sharp, fast-moving story, and features terrific art by Greg Capullo and Danny Miki - a great start to a tale that manages to be bold, even when walking gingerly on hallowed ground.
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So, lots going on, a pack of dynamic characters, great art, lots of fun - let's face it, if you like team comics, this one gives you more than you'd expect.
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If a comics company want to generate interest in a character, it's always a good idea to turn him over to your top creators.
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The story by Frank Mastromauro needs a little fine-tuning - readers who've been following from the start will have no problem, but new readers may find a steep learning curve, especially since the concept is out of the ordinary.
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We seem to be a long way from resolving the reasons behind bringing the original team to the more murky present, but so far, it's been a fun ride, with something for fans both new and old.
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Yet another excellent issue in the latest version of The Avengers - it's one of Marvel's best.
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Still, it's a strong start for the new team. They have big shoes to fill, but the good news is: they're walking in the right direction.
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Here's hoping - but I'm finding it difficult to see.
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Look, I can't say enough great things about this series. Wonderful stories, great art, original characters - superhero comics at its best!
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And not even a single pin-up. I'm not impressed.
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So if you're a Conan fan, it's a great time to follow the adventures of that character - you can enjoy something different, or a terrific version of the classic.
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But if Cho is drawing it, I'll be buying it.
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Even if there isn't a bad guy to punch in the face.
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But the story is not doing its part to win me over. Pity.
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But those are minor quibbles - this really feels like a classic X-Men comic, with the focus on story and action, rather than losing the reader in a sea of characters.
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Fraction had a lot to live up to, following Jonathan Hickman on this series - and so far, he's holding his own.
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There is plenty of cheesecake-type art on display, but you actually get an entertaining story, characters and an interesting setup behind the series.
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You really should be reading this comic!
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Even so, It's a solid story that continues the mystery of who's targeting the League - and just how powerful they are.
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Best of all, he brought back "my" Green Lantern (and "my" Flash, for that matter) - and I'll always be grateful. Can't wait to see what he tackle next!
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There's not much in the way of crazed action in this issue (at least not until the end), but there's a good workout here for your mind. Great stuff!
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But it's a fun story by Jason Aaron - fast and funny, thought-provoking and well worth following.
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So hopefully writer Brian Azzarello is ready to move on to bring this to a close - the adventure is getting mighty thin.
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It's a terrific start to a new series and requires no knowledge of the original version. But fans of the original will enjoy the return of an old favorite, all decked out for a modern audience.
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There's still plenty of story to be revealed, so perhaps the story will end up being terrific - but right now, I'm smelling Mopee.
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Even though the story's kind of all over the place, I have to admit that it's still compelling enough to keep me coming back for the rest of the series, just to see how they untangle this mess.
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Like most of the series, this issue offers lots of action and destruction... but the story could use some tweaking.
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Next issue promises to resolve this storyline, which I'm all for. It seems wrong to complain about death in a Wolverine story, but I generally prefer that if characters die, they should (in some form or another) have it coming.
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I'm amazed that Johns can create a strong Justice League comic - and a Justice League of America comic that just seems to be going through the motions.
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Here's hoping the title will get back to its former heights with that epic adventure.
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So, yet another outstanding issue in one of Marvel's best titles. Highly recommended!
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They did finally put Power Girl back in her traditional costume - but that's just a baby step.
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This is the latest issue in Aspen's "10 for 10" series, so the comic only costs a dollar - a good investment to see if this is your kind of magic.
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Or perhaps they're already looking ahead to the Guardians of the Galaxy movie.
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Really, what Johns has done with this comic is nothing short of amazing. He's taken a character who has (unfairly) been the butt of jokes, and made him the star of one of (if not the) best comics in the "New 52."
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I know, time travel complications are a time-honored tradition in comics (and Star Trek episodes) - but it's going to take a heck of a finale to tie this up - or use it as a launch pad for future stories.
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So not the usual mutant outing - but a good, surprising story about a character finally getting her moment back in the spotlight.
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So far, this has felt like a film treatment for the team (and perhaps it is), which is encouraging, because this comic is a heck of a lot of fun.
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Like most of Hickman's work, it's challenging for the reader, but very rewarding.
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It's an interesting concept, and we can hope that the story will take a clever approach to the issues it raises. So far, I'm enjoying it - Millar hasn't tried to shock me yet - he's just telling a solid story. So far.
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It's going to be interesting to see how he untangles all these threads - but if anyone can do it...
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A word of advice: buy this comic.
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So, a fun story, with terrific, over-the-top art by Ed McGunniess and Dexter Vines, the return of some familiar faces (including a genuinely surprising group of bad guys), and you have a comic that's mighty entertaining.
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There's quite a bit of mayhem and dismemberment, so this probably isn't a comic for kids - but most comics fans will love it.
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And if you're looking for a comic about strong female characters (who do their fighting in skimpy armor) look no further.
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But let me hastily add - here's hoping the creative team sticks around!
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Heck, even these "setup" issues are fun. Recommended!
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Here's hoping that my fears are groundless and Bendis is about to pull a plot twisting rabbit out of his hat. (Wouldn't that be something!)
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If that can be resolved, and the comic can stay on schedule, there's still a lot of potential here.
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Just terrific work here - but please folks... pace yourself.
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Here's hoping for more of the same!
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I certainly believe Batman would go to desperate lengths to save a life - but I don't believe he would venture into villain territory, and that's where he finds himself here.
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I still have the unsettling feeling that I know where this is all going, but it's been mighty entertaining (if quite grim) getting there. Recommended!
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If you're a fan of science fiction, this is the series for you!
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Here's hoping for more of this and less of the first 10 issues.
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So far the story is rolling out a bit slow - and it's definitely not for young readers, as dark forces swirl around the Titan's childhood - but it's a solid start on a definitive origin story, and should help keep Thanos on the mind of the comic-reading public - at least until his next movie appearance.
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Johns has created some amazing stories during his run on this series - but I'm hoping, in the aftermath of al this cosmic carnage, we'll see more focus on Hal Jordan for a while - and less of the universe-shaking threats.
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This has been a terrific series under Waid - highly recommended!
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So I'm laying off the reviews of this series until it kicks things into gear. So far, it seems to be stuck in Neutral.
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With some nice humorous touches and a smart script, I'm enjoying this series so far. It was a little slow getting into gear, but (especially with the addition of Loki) this is shaping up to be a lot of fun.
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I had high hopes for this series, but unless you're just buying it for the art, I'd recommend giving it a pass.
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This is a team book that doesn't bother with the usual "gather the team" storyline for the first issue - it just hits the ground running and dares you to keep up.
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Perhaps those answers are forthcoming.
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Which is a lot more than I can say about most event books these days.
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So, a solid, fantasy-based adventure, but one that needs to pick up the pace a bit. The series has a large cast of fighters and a towering menace to confront - so let's get to it!
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But (thanks also to the excellent art by Rags Morales and Brad Walker) it's a heck of a wrap-up. Highly recommended!
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It's an outstanding story and, frankly, I can't wait to see where it goes next!
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So, a solid issue, but not exactly a classic.
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Still, with exemplary art by Dustin Weaver and a riveting, growing and unpredictable storyline, this is a compelling series - if you're not already, you really should be reading it.
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Buy the collections, pick up the back issues - if you liked Y the Last Man or just enjoy science fantasy / science fiction, this is a wonderful, rewarding series.
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Whether you buy it for nostalgia or for love of the characters, there's a lot to like in this series.
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This issue is the latest in the "10 for 10" series, and costs a mere dollar - and it well worth checking out, especially at that price.
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I'm happy to report: they're doing just fine, thanks.
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But the issue never really comes together, and just leaves us wondering why someone thought it was a good idea to create a character named "Dog."
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Hopefully the next issue will get this series back on to the high standards we've been spoiled by for the previous 17 issues.
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Buy it for the art, not the story.
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If you want to see the origins of the magical world of Oz, this series of adaptations is a great tribute to their lasting charm.
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They're asking the readers to be patient, as they continue to set up the story - but so far, it's paying off as an interesting departure from the usual ninja antics.
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But this continues to be a very entertaining story, which is more than I've been anle to say about an X-Men comic for a long time.
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I want this book to succeed, but I'm far from convinced that it's going to happen.
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Personally, I wouldn't miss it for anything.
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Oh, and the cover features a foil-embossed cover. Can't get more '90s than that!
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Lots of that power, thankfully, is still on display here.
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It's not a bad issue (aside from my silly art complaints), but nothing really happens until the last page - so you might just want to wait for the next issue, when all heck promises to break loose.
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So far, this series has been very disappointing. Except for John Cassaday's art.
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But I still wish the team was using a different name. Isn't "Defenders of the Galaxy" available?
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Recommended - if you can find a copy.
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It's great to see the Man of Steel being treated with intelligence and imagination. He should be the greatest hero in comics - and for the past year-and-a-half, he's earned the title.
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If you haven't been following this series, you're going to regret it.
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Here's hoping this all works out well - but at the moment, I'm dubious.
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It's just crazy enough to work!
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The League is getting bigger - it remains to be seen if it's getting better. Here's hoping!
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As a friend said a while back, I prefer stories about heroes who act heroically. Not much of that on view here.
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The series started strong, sagged a bit in the middle, but seems to be moving to a strong finish. Next issue will decide it!
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With strong art and good writing, I'm signing on for the long haul here. If you're a Star Wars fan (and who isn't?), you should do likewise.
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So it's a solid start for this "new" series - but since it's essentially focusing on the "bad guys" in the X-family, it has a challenging road ahead of it to see if it can hang onto its audience.
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But it's still a solid story by Scott Snyder with excellent art by Greg Capullo and Jonathan Glapion - certainly a cut above the "New 52" average.
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Shock us, surprise us, delight us - just don't give us the same old thing. With the wrong team name on the comic.
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With a solid story by David Wohl and Brad Foxhoven and strong art by Cory Smith (with some strong hints of Sal Buscema's style on display), this is a solid start to a new series.
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DC, you've got thoroughbreds working on this comic. Let 'em run wild!
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It would be tough to start reading the series with this tale, but for any fan of Hellboy, this is a story not to be missed.
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This really is a special series - not to be missed!
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And that would be a shame, because this is a cracking good story, working with big, cosmic concepts and affecting the status quo in the Marvel Universe - and that's a rare feat. I'd hate for any readers to miss it because of a cover.
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That would at least be a good start. What we're getting now is great art - and a bad start.
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This is an outstanding series - a final chance to catch a glimpse of work by a master of the craft, taken from us all too soon.
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Now to see how difficult it is to track down the previous six issues...
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It's a solid story with highs and lows, but the real star here is Rude's artwork. Why he's not working on a regular series is beyond me - he's one of the best in the business.
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By weaving the story through two monthly comics, it's kept things moving at a fast clip, and given all the characters room to shine.
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I was expecting big things from Hickman on the title, and so far, he's exceeded my expectations. No complaints here, except for the fact that I have to wait for the next issue!
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There's still time to sort this all out - but we're not there yet.
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It's a fun, lighthearted issue (for the most part), but the final scenes with Storm and Wolverine (on which the cover is based) seem totally out of character. Perhaps there are some plot twists that will sort it out.
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Not for kids, but mature readers will enjoy it.
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I wasn't floored by this issue - the characters are mighty thin so far - but it's enough of a hook that I'll be back for the next issue.
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There have been a few stumbles along the way, but this series continues to be one of the best of the "New 52."
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I can't recommend this one at all.
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Here's hoping for more of the same!
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It's sad that there's so little "real" science fiction represented in comics (not to mention high quality SF), so we have to treasure it when it arrives.
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This series may be taking its sweet time, but so far, it's been a fun ride. Works for me!
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It's going to be interesting to follow along.
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As always, writer Scott Snyder and artist Greg Capullo turn in top-notch work - but I'll be glad when this issue gets back to being a bit more self-contained.
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This series is off to a strong start - here's hoping it continues.
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So aside from my usual gripe that I don't like the idea of the Hellfire Club being made up of kids, it's a strong issue and, like so many of the issues in this series, a lot of fun to read.
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But eight issues into this series and I'm only hanging around because I was such a fan of the original Earth 2 concept - but so far, this has been very disappointing. I don't think I can hang on much longer.
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It's a fun, rollicking story that provide lots of smiles for this fan.
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What can I say? It's a great time to be a Star Wars fan!
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It's sad - Spider-Man has been one of my favorites for a long time. But "my" Spider-Man hasn't been around for a long time, and I'm starting to wonder if I'll ever see him again.
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This year (amazingly enough) marks the 15th anniversary of Fathom - this is Volume 4, for those who are counting - and this issue gets the party off to a great start!
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Like virtually every other chapter of the series, this is not to be missed.
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This can be a great comic, it's very close to being there - but it needs consistency and tighter storytelling first.
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There are lots of reasons to like this comic, but I'm especially grateful that is brings Jean Grey back to us (and like the Beast, I was always a fan of the green costume, too).
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You really should be buying this comic!
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So a bit on the light side, but 'tis all in good fun - and certainly the star is easy on the eyes.
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So this is a comic that's not for everyone - but as always, Wood creates a story that mystifies (in a good way) and commands your attention.
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And so far, this series is definitely worth hanging with.
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So, great comic, outstanding art, highly recommended - even if it feels a little familiar.
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It's good that this is the last issue of "Amazing Spider-Man" - there's not much left about the character that's amazing any more. It's just sad, really.
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It's not a bad issue for a comic series - but it's not compelling or sharp enough to demand our attention.
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Despite these gripes (and they're mostly picky ones), I'm enjoying the series and curious to see how it all wraps up next issue.
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So this issue is a bit of a let-down. Here's hoping next issue gets things back on track.
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Hopefully the writing continues to be topnotch, and the art improves.
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The next issue can't arrive soon enough.
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As always, a strong effort by writer Brian Azzarello and artist Cliff Chiang. If they can figure out a way to make Orion work in the DC Universe, they'll have managed something no writer has managed.
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If you're already picking it up - carry on.
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The good news is, by the end of this issue, the preliminaries are out of the way - now we can get to the adventure part of our program.
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As always, the high quality of the Before Watchmen series is impressive - each has its own take on the original tale, and it doesn't hurt that the starting point is one of the top stories in the history of comics - but kudos to DC for living up to the premise. So far.
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Hopefully future issues will clear things up - but since Cable's stock in trade is to be a mysterious figure, I'm not expecting much. I'm going to pass on this one.
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But the story stumbles a bit here. Hopefully it'll be back on track with the next issue.
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Kudos to writer Scott Snyder and artist Greg Capullo for continuing to maintain the high standards on this title - one of (if not the) best of the "New 52."
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I prefer the close-knit group of friends and family members made up of people I like. I'm old-fashioned, but I'd hate to think comics like that are somehow out of style.
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I can't wait for the next issue!
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I'm here more for the art than anything else - which is surprising for a book written by Brian Bendis. But there's still plenty of time for him to make this work - but so far, I'm struggling to get on board.
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I believe next issue is the last one in Morrison's run on this title - and that's a shame, because Superman's adventures haven't been this good in a long time.
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Good thing there's only one issue left - this is one comic that desperately needs a reboot. Wonder what Miles Morales is up to?
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Hickman specializes in big, sprawling stories, and that's exactly what we're getting here. I love it!
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But from where I sit, FF is a title to watch.
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So, don't pick this up expecting anything deep and meaningful - but it is fun.
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Can't wait for the next chapter!
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It would be nice to see Dr. Strange back in the spotlight, starring in his own comic - if they could just find the right writer.
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I have a lot of faith in Bendis and his ability to make even this improbable story work - but I hope he hasn't painted himself into a corner this time around.
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Not a bad series at all, but it's still not living up to its promise. Yet.
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There's no deep plot at work here - just lots of action, some crackling dialogue and a fun story with a great wrap-up to Bendis' long run.
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The main problem is (hopefully) just that the creative teams are setting up story lines to come - but sometimes, as a reader, it's tough to be patient waiting for these things to pay off.
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A couple of days ago I said Captain America was the best of the "Marvel NOW" line - but it didn't get to hold the title for long. It just got edged out by the Indestructible Hulk.
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For older readers, it's a good start to this five-part story - here's hoping for more of the same.
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But there's nothing here to make me change my mind. This comic is going to have to do better than this. It's going to take some serious retooling to drag me back to the fold.
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I'm interested enough to come back for the next issue - but just barely. I was hoping for much more.
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So far the new team is maintaining the high standards on this (relatively) new title. We'll see where it goes from here.
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So, a good start and a promising beginning (again) for Marvel's First Family. Looking forward to seeing where it goes from here!
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This is grim stuff and not really suited for young readers (is anything DC publishes as a "new 52" book ok for kids?) - but mature readers will love it.
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But with this issue - for this series, at least - I'm back on the X-Men side of the fence. We'll see if Bendis and Immonen can keep this momentum going.
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Hopefully future events will justify hanging with this series, but right now, the only thing to recommend it is the art.
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So a disappointing new start for this series. Here's hoping for better things from the creative team.
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Oh, there's a twist ending that seems to come out of left field - but that's a small quibble in an issue that's just packed with wonderful moments. This is still one of my favorites from the "New 52."
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If only there were more comics like this one!
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What more do you need? Great characters, over-the-top action and terrific art. Shouldn't you be buying this already?
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Sad that we've lost Kubert, but great that he still has the ability to move and surprise us. I can't wait to see the rest of the issues in this series!
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In some issues the humor works better than in others, but overall it's a great comic that puts the fun back in the X-Men family. And boy, did that line need it...
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Aside from that quibble, this is a terrific series, and it continues to build to further revelations. As long as Johns is involved, I'll keep hanging around.
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If great art is enough, pick this one up. If you want some story in your comics, keep looking.
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The next team has some big shoes to fill - let's hope they're up to the challenge!
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Andreyko still has two issues to pull a rabbit out of his hat, but this issue doesn't promise a whole lot. I hope this isn't another wasted opportunity for two characters that deserve better.
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I want you to read it so we can talk about it.
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If you aren't already, you really should be buying this comic. There's a reason why it keeps winning awards: great art, sharp writing (you never know what's going to happen next) and compelling events - it's a terrific comic!
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The art is fine, done in the Archie style. I wonder if they're going for some sort of animation deal?
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The mystery is pretty decent, but the art, especially the depictions of Bruce, Honey's pet ocelot, is a little rocky in some places. Still, the creators seemed enthusiastic, and I was entertained.
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Not a bad issue at all, with a good cliffhanger ending - but I was expecting a more worthy menace. But it's too early to judge - this one still has time to grow.
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Looking forward to seeing what he tackles next.
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Here's hoping the creative team that follows can maintain the high standards.
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But hopefully they'll get a few issues in before the next event comes along and disrupts things.
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What better legacy could a writer ask for?
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So your enjoyment depends on your take (action bonanza or exploited female?) - but it's a well-crafted comic that you'll enjoy.
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Look, this issue is a light bit of fun. I'm not sure if the series can sustain the rather slim concept, but this was entertaining - sexy and insubstantial, with wonderful art (for two-thirds of the issue).
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There's a definite theme growing here. I advise buckling up.
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So a bit of a disappointing start for this series - it's nine-tenths of a good comic, but still doesn't manage to get to tha "great comic" mark.
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Look, this series is still setting things up, so it's not fair to judge the title by this chapter - hopefully the next issue will get things back on track.
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And have I mentioned the cover?
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I like it enough to stick with it for now - but only just.
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A special issue, and highly recommended!
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So, a solid series, with exceptional art and a good (if not quite exceptional) story. Well worth checking out.
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But so far, it's very entertaining. Which is more than I can say for most actual reality TV shows.
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The Spider's always taken a back seat to pulp heroes like The Shadow and Doc Savage, but this series is a great step toward changing that and bringing him up to the front lines.
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Can't recommend this at all. It's a lot cheaper just to watch the 1990s Aerosmith videos with Alicia Silverstone.
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So far, a strong start for this series.
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It's a fast and funny issue that might give continuity sticklers a stroke, but it's all in fun, and it offers a free-wheeling adventure that's well worth tackling.
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Not much else to say that wouldn't give away too much, but it's an excellent issue and a good starting point for anyone wanting to learn more about DC's premiere undersea hero.
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Hopefully next issue can get this race back on track.
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It's still way too early to judge this series, but it seems a fair attempt at modernizing the original series, and it's good enough to bring me back for the next issue.
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So a nice relief from the heavy-duty doings in the maxi-series, as it's all in good fun.
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Still, outside of that, it's a good series and worth tracking down.
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Not a bad issue, but one that will not be a favorite for longtime fans of the original character.
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And there's a nifty backup tale, with the original feature written by Gardner Fox and drawn by Frazetta.
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The earlier issues were more dynamic and interesting. I'm hoping the series goes somewhere.
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Next issue is the big wrap-up to this story, so we'll see if writer Brian Bendis can "stick the landing" (as they kept saying in the Olympics).
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So, if you like seeing stories about children with no souls, gleefully enjoying murder and destruction - this is the book for you. I prefer my villains with some mileage on 'em - that way they have, like, a reason for being evil.
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After a year of excellence, this was a bit of a letdown. But next issue looks promising.
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We'll have to wait for the next issue before passing final judgment on this series, but this issue seemed to be a by-the-numbers exercise in setting up the final issue.
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Unfortunately, the primary feature suffers from the comparison.
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Just as I'll be doing from any future editions of this incarnation of this character.
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It's a decent issue, and might be a collectible (depending on whether or not GL Baz catches on), but I still say it should have the number 13 on the cover.
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Maybe I shouldn't get hung up on the continuity. The story is pretty straightforward, with the good guys fighting the bad ol' government guys - but it just all feels like familiar ground.
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Still, it's another strong issue in this series, and one we should treasure - along with the writer - while we can.
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I really want to like this title - love those covers - but I'm just not connecting at all, so I'll be giving this one a miss. Sad to say.
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All the Before Watchmen series have been quite good so far, but I think this series holds a slight edge so far - but it's really too close to call until the final issues roll up.
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The finale to this series is being interrupted by DC's "Zero" issue event over the next month - after that, we'll see if Johns and Reis really have the nerve to write a final ending to the menace of Manta - or if they find a way to cheat their way out of this corner.
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It's a strong start to the story - here's hoping for more of the same!
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We'll have to wait to see if this is another "Sinestro War" - or something far less.
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It's a shame the issue that gets all this media attention is actually one of the weakest in the 12-issue run so far.
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This series may yet redeem itself, depending on where the story goes from here, but right now, the art is the only real reason to pick it up.
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So far, it's off to a great start!
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I want to be a fan - but the comic has to give me more to hang on to. So far, it's not managing that at all.
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Still, even Davis' less successful stories are better than most. It's a solid trilogy with amazing art. What's not to like?
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I'm not sure if this is the best of the "Before Watchmen" series so far, but it's another outstanding addition to the lineup. Very impressive.
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Sorry. Gave it a shot. Didn't like it at all.
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A pretty good combination so far!
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If you enjoy these kind of Sin City-like tales, or if you're a fan of Oeming's work, you'll enjoy this one. But more squeamish readers should stay away.
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I can't advise picking up this issue cold - better to wait for the soon-to-be forthcoming collection - but this is an amazing, creative story that will mess with your mind in all the best ways. Profane, vulgar, creative and imaginative as can be, it's well worth tracking down.
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And speaking of Silver Age, this issue feature one of DD's goofiest villain from that era - and makes good use of him.
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This isn't a story for everyone - it's gruesome. But it's true to the character and his original appearance, so most fans will love it.
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I've been enjoying the series so far, but it remains to be seen if the creative team can mange to "stick the landing."
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I ended this issue with the same opinion as I posted about issue #0: this is certainly off to an interesting start. Idolized may be one to watch.
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I'm looking forward to his next project!
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But this issue didn't hook my attention at all, so I won't be back. Someone let me know if it gets better.
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So, another terrific issue in the most consistently outstanding series in the first year of DC's "New 52."
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And hopefully Miles Morales will have a bit more to do, too.
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We're all anxious to see the answer to that one!
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Not many creative teams are able to capture the hard-edged vibe of those pulp stories from the '30s, but you'll find it here. The stories are set in the modern day, but they're true to their source.
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This is the kickoff to a new volume for the series, so it's a good jumping-on spot for new readers, and should appeal to fans of fantasy.
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Oh, and Morrison isn't completely without blame - the resolution of this issue was silly.
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The story seems to be playing fair with past continuity so far - which is only fair, since Adams built quite a bit of it.
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On the down side, this is one of those stories where you can clearly see the creative team pulling your strings - but the story is fun and brings back memories of past heroics, so I'll give it a pass. Good, solid super heroics here.
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I've been a fan since Cap was reintroduced in the Silver Age, and I couldn't be happier!
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It's a fun, Marvel-sized adventure and well worth tracking down.
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Granted, this series isn't aimed at me - and I can't judge the whole line by a single issue - but there's nothing here that urges me to add these titles to my weekly list. Seems like a missed opportunity to me.
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As such things go, this is an interesting take on the age-old tale.
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Give the creative team credit - they crafted a story about a character I don't like - and despite myself, I enjoyed it!
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If you have any interest at all in superhero comics, you should be buying this one. The creative team puts on a clinic in each issue in how to do comics "right."
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Lots of fun, very enjoyable, and a real blast from the past.
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It's the first issue of the "new" JL that hasn't really worked - so that's not a bad percentage. But it is disappointing.
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A bit old-fashioned, but good clean fun. Nothing wrong with that.
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I can only hope they also include the Clandestine!
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Perhaps it's moving over to the A vs. X series? Time will tell.
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Here's hoping their next story arc lives up to this one!
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So bear with the creative team while they put the game piece in place - should be lots of action next time around to make up for it.
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I'm not sure if it's the inspiration of following in the footsteps of a legend, if it's just the fact that they're working with great source material, or if it's the talent of the creative teams (it's probably all three), but the Before Watchmen titles have all been excellent - and this may be the best one of the bunch.
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As the great Don Thompson said, "If you like this sort of thing, here it is."
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But that's just the most minor of complaints - it's wonderful to see so many talented creators giving their time and efforts to continuing the character created by Dave Stevens.
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This one is shaping up as an all-out action romp and - eventually - a revenge flick. Don't pick it up expecting deep thought or political correctness - but it is a lot of fun!
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But future issues may correct that impression, and I'll certainly be around to find out - this is yet another exceptional issue in this series. Will any of the Before Watchmen comics stumble?
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I still miss "my" JSA, but this is an entertaining - if different - take on the classic, and so far, I'm glad to hang with it.
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Still an interesting read, but this series has a habit of repeating itself - and this issue, as artfully done as it is, just seems like more of the same from last issue.
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I should admit that I'm not a big fan of reality TV, but this is certainly off to an interesting start. Idolized may be one to watch.
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I understand the burden the issue is under, having to mark time while the "real" story is told in AvX - but there has to be a better way to hold everything in place.
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All credit to the creative teams behind this series of Watchmen-based comics - so far, they've all been strong entries. But nothing beats a pair of Kuberts.
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One of the interesting things about the Justice League is that - at least for now - there's a strong feeling that the League doesn't want any new or additional members (we've had a brief glimpse to explain the reason why) - and perhaps that's also Johns and Lee throwing down the gauntlet, saying they're going to make this team of top heroes work.
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It's been fun - and it's still the only Spider-Man comic I buy.
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Still, that's a minor complaint - it's a strong series with great characters - including the movie version of Stark. Always a good thing.
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The creative teams have done a great job, building a unique mythology and odd cast of characters around the venerable Amazon - and have breathed new, fresh life into this series. Great work all around!
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I don't know that this is vital to the enjoyment of the AvX series, but on its own it's a beautiful comic - a genuine work of art.
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Of the three issues so far, this is the darkest - but like the others, it's very well done. But not recommended if you're a Kennedy fan.
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Mega events like this either work well or fall apart before they're over. So far, this is all the former, and none of the latter.
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It's a series that makes good use of its exotic setting and its diverse characters and conflicts. There's nothing soggy about this series (sorry, couldn't resist).
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So, a great story that's more horror than superhero, excellent art and inspired characters. That's what we call a great combination!
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Still, terrific art, lots of action and mysteries to be solved - this is the best Avengers comic on the market today!
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The Owls are the best new villain Batman has faced in some time. What a welcome thought!
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Once again, I'm still torn over whether or not it's proper for DC to bring these characters back under different creators - but there's no denying that this is an outstanding comic.
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It's a solid start to this mini-series, and I have to admit, it's nice having a Spider-based comic I can buy and enjoy. If only I could say that about the rest of the line.
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Nice to tackle something creative and new. I'm looking forward to the next issue.
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A proper annual should be so much more. Especially at these prices.
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This series really recaptures the fun early days of the team, with a fresh spin. Highly recommended, as long as Fraction doesn't drop any plates!
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Hopefully future issues will manage some more surprises and lean a bit less on the formula. I'd hate to suffer a burnout on such a treasured tradition.
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Still, a solid comic that keeps getting better. Highly recommended!
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My gut feeling is that it's wrong to be cashing in on this classic - but I have to admit that I love this comic just the same.
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After an anti-climatic fight, followed by a rather easy escape, and denouement, Tarzan is shipped back to the jungle in a meaningless story. Dynamite didn't have to revive THAT part of the annual.
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Since this is the final issue in the run, it might be tough to start here - but it's well worth tracking down those back issues.
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I just wish it didn't seem all too... familiar.
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I can't recommend this one - the story just rambles all over and never really gets anywhere. Even the occasional glimpse of the Phoenix - in the sky, no less - can't jump start this one.
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Hopefully the day is fast approaching when the answer to "Which hero is gay or straight?" will be: who cares?
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This issue ends on a solid cliffhanger, so I'll be back to see this opening story arc through - but if the stories continue to be this lurid, I won't be sticking around past that.
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So, a nice dose of nostalgia, a "done in one" issue, and a fantastic cover.
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Daredevil can't be an easy character to write - he's essentially a normal man with a few extraordinary abilities - but Waid has crafted a funny, intelligent hero here, and it's great fun to follow along.
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I'm enjoying this version of Conan - more contemplative than his usual self, but one who's learning and changing because of his relationship with a fierce woman.
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If you can overlook the (mostly minor) continuity glitches, there's a lot to enjoy here. If you focus in on such things, this might be one to skip.
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I have faith that it'll all lead somewhere interesting, but for this issue, faith is about all I've got.
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But there is a lot of punching, too.
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But I prefer to think he just enjoys working with this kind of primal superhero format. I certainly had a heck of a lot of fun reading it!
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I can't recommend this one - it's just marking time while things actually happen in AvX.
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A heck of a story and a strong cliffhanger to lead us into the next chapter.
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Of all the Avengers comics out there, this is the one most accessible for new readers or fans of the film. Good thinking, Marvel!
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The creative team has managed to return Batman to the top tiers - where he rightfully belongs, of course. Let's hope he stays there a while.
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A solid start to the series, and a good tie-in to the excellent Earth-2. I like the return to roots for these characters, and it's good to see them getting treated to some top creative talent.
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I'm afraid I can't recommend this one at all.
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Better luck with your next publicity stunt, DC.
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It's a nice tie-in with the movie and a fun little tale. Nothing Earth-shattering, but very entertaining.
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I can't wait for the next issue!
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But it all moves along briskly and continues to feel like a classic Marvel crossover comic - and it's certainly long overdue to bring the mutants and the rest of the Marvel heroes together for a big hoo-hah event.
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Lots of fun, some clever twists and cute banter - a great package. Long may it run!
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I'm not sure you have to read this to follow what's going on in the AvX event, but fans of Iron Fist should probably enjoy this - and the rest of us may agree once we see where it's all going.
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There's still a lot of story to unfold here (this is just chapter two), but I'm certainly hooked.
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Kudos to writer J. Michael Straczynski and artist Chris Weston for their outstanding work - a bit of a wait for those of us buying the individual issues, but it should be an even more solid package in collected form.
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So, kind of a mixed bag here. Not a must-buy, especially if you're already picking up the AvX comic - this is just a sidebar to the event.
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Definitely not for kids, but loaded with surprises, unsettling images and an unusual tale. Recommended!
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I wonder how they'll cover the event problem next month?
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I've been a fan of The Shadow since discovering Bantam's short-lived paperback reprints of the original stories in the '60s, and it's great to see him back in comics - and back to his old self.
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This issue is mostly forgettable.
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Looks like I'll be sticking around for a while.
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There's not a lot of thinking required, but I have to admit that it's a lot of fun to sit back and see who's next to get tossed over the top rope.
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As Chuck would say, "Highly recommended."
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I still hope we'll get a break from the Lantern stories - it would be nice to see one focus on Hal Jordan, who's been sharing the spotlight generously in his own title. But if we must focus on other colors in the spectrum, we can be glad that the stories are entertaining.
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Ah, but it's certainly worth the wait. Highly recommended!
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I'm not sure where this series is going - there are lots of mysteries set up to explore - but I'll definitely be tuning in for the rest of the series.
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There are still lots of questions to be answered, but in this year of the Avengers, this is a strong addition to the lineup.
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Definitely not a comic for kids, but a welcome return of quality and terror to an old favorite.
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The issue just seems to be trying too hard to keep us in the dark, and as a result it's difficult to care too much about the whole thing. Hopefully the next issue (out this week) will clear things up as we careen toward the whole Avengers vs. X-Men thing.
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I'm new to the Fables universe, so that may be getting in my way. The issue just seemed to spend a lot of time running in place, and ended up being a bit of a disappointment, especially after an outstanding first issue.
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I appreciate the humor, I appreciate the attempt to do something different - but I'm having trouble finding a character in this comic to like and support. Does everyone have to be a killer?
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Morrison has set up numerous stories to keep this book percolating far into the future - but this one was a bit of a stumble.
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The stakes are high, the outcome grim, and the war is about to begin. Save me a seat!
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With great stories (with subplots and compelling supporting characters, no less) and lush, wonderful art, this is a comic that's not to be missed.
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But, it's loaded with action, a good gag by Volstagg, and it's great to see Thor back in time for his next movie appearance - so it's hard to complain.
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I hate to see this series ending, but I have to admit that I can't wait to see how it all wraps up. I know, I confuse myself sometimes.
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There's nothing in this issue that you can't get in A vs X #0. Sad but true.
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It's great to see Aquaman and Mera soaring high in a well-written series. They were long overdue for VIP treatment.
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Still, the characters are on stage, the conflict is set - I have high hopes for this one. Bring on the show!
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So, a great package bringing the rocket-powered hero to life, as rendered by some of the industry's top talents - great stuff!
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So, not a bad series, but not a particularly memorable one. I'm glad to see Valkyrie getting some time in the spotlight - I've liked that character since she first appeared in The Defenders. (I should note that the character's first appearance was in The Avengers, with the Lady Liberators - but she wasn't exactly herself in that story, he said vaguely.)
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But for those of us old enough to handle it, highly recommended!
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Take my advice: buy this series. Pick up the back issues if you can. You can thank me later!
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Maybe they should have called him Captain Miracle...
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It's too early to judge this storyline, of course - but it's off to a sputtering start. Maybe I'm just suffering from color overload - perhaps they could throw in one issue with a different villain, just to break things up?
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As a longtime fan of Conan (going back to the Lancer paperbacks in the '60s), I'm really enjoying the varying takes on the character Dark Horse comics has provided.
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All that and a cliffhanger ending - I can't wait to see where this goes from here!
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I can't talk any more about the comic without giving the events away, but let me just say: it's wonderful to see such a complex story pay off in such a satisfying way. Loved it!
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Looking forward to future issues!
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The final judgment on the opening story arc will have to wait for the end of the next issue, but so far, I'm enjoying this series, and I admire it for playing fair with the reader.
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The story's off to a roaring start, and promises many more surprises ahead. Different, but in a good way. Recommended!
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(Don't repeat my Fable mistake!)
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It's the kind of comic where anything can happen - any character might live, die, betray the others or end up being the hero. Should be great fun to see what happens!
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This continues to be my favorite title in DC's "New 52" - it's creative, impossible to predict and clever, with terrific artwork.
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Now if they can just stick the landing...
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The story is building to a big finish (which you'd expect, since it includes a group of Celestials), and I'm anxious to see where it all goes next.
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This should have been the first issue, if the team was always going to skip Tarzan's childhood, and as a first issue it's fairly good, but the wrenching of pace and events serves to disorient a reader.
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It doesn't bother me, since I'd never read any of their adventures before (the Golden Age being before my time). If you're one of those fans, you should probably avoid this book - but for the rest of us, this is one of Marvel's best limited series in far too long.
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The last page goes a long way toward convincing me to forgive these questions, but the final judgment will have to wait for next month's issues of Avengers and New Avengers. We'll see.
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This should be DC's flagship comic - and thanks to the "New 52" revival, for the first time in a long time, that's what it is.
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So this series is off to a good start - it's intelligent, well-crafted and moving in unexpected directions. I'm anxious to see where it goes from here!
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This creative team has had a long, strong run on Hex, and it continues here - and given the guest stars who appear on the last page of the Hex story, the future should be very interesting.
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Glad to see this series moving in the right direction - but I do miss Captain Cold's gun.
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There's still time to pull this story together, but it seems to be slipping away fast.
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Hopefully this series will continue to mend that reputation. Aquaman is one of the earliest superheroes I encountered, and he's long been a favorite. It's great to see him getting first-class treatment at the hands of some of DC's best creators.
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Even though I have to admit I'm not crazy about the art on this cover - mostly because I have no idea what's going on there. Looks like Reed is trying to show what the pretzel he had for lunch looked like. (Well, we can't be constructive all the time.)
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Hopefully they'll turn up next issue, and I won't feel like I got snookered.
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The old saying in the business was, "Every issue is someone's first issue." That's why it's always important to keep the stories accessible - you don't want to scare off the reader before the story has a chance to hook them.
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Some great superhero comics to be found here.
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This really is the best version of Wonder Woman we've seen in quite a while. Like Batman (as discussed the other day), this really isn't a comic for kids - but for those mature enough to read it, this series is highly recommended!
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It's too early to outright condemn this storyline, but presumably this story will wrap up soon. The creative team only has a couple of months left before the Avengers vs. X-Men juggernaut takes over the storylines for both lines.
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For the first time in a long, long time, this title is at the top of my reading list. That's the best compliment I can give it.
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But if you're looking for a hard-hitting police drama with some superhero curves added, you'll find no better comic around. Highly recommended!
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Much as I hate to see this comic end, I'm anxious to see the rest of this story!
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Anyway, I'll give the new creative team more time to get a grip on this series - but so far, Secret Avengers is just OK.
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This story is going to play out over the next two years (or 25 issues), so Wood and Cloonan have plenty of room to weave Belit's story. It's going to be one to watch for!
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One hopes that we're getting very close to the day when having a gay character won't make headlines - it'll just be a regular part of life. The good news is, with efforts like this, that day is getting closer all the time.
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I've mentioned before that the first four issues had me split down the middle, with two issues being great and two being poor. As of now, the score is: Great - 3, Poor - 2. On to the next round!
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I really enjoyed this issue, though it may not be for everyone - it's a bit on the grim and gritty side. But the story takes a surprising turn at the end, and it's going to be interesting to see what happens next, as a major supervillain appears to be entering the story.
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This book is a great package - I need to stop being so cheap and make room in the budget for this one.
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Still, it's a pretty book to look at - and perhaps future issues will help it all make sense.
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This is a fun, slightly off-center team book that's a lot of fun. Recommended!
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I just hope Morrison has a nice long run on this title - so far, it's the best by far of the "New 52."
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I'm so glad to see this series back again, I can forgive the long delay. Almost.
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This series was a valiant effort, but it fell short of success.
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It's going to be interesting to see where it goes from here!
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I've raved about this story before, and I feel the same way about this issue - it's the kind of intelligent, cosmic tale that this series deserves. Keep 'em flying!
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Geoff Johns' story has certainly kicked things into high gear, and it's difficult to see how the League can stand up to a powerhouse like Darkseid - but that's all part of the fun!
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But if you like that sort of thing (as everyone should), then this is well worth checking out.
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I know, decompressed stories are all the rage - and sometimes they work - but Burrough's stories were famous for hurtling along at breakneck speed, pushing you on to reading that next chapter.
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That's what I call a great start!
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Much as I'm tired of Osborn, the story has me hooked so far, and I'm looking forward to seeing the big comeback by our team... or a really surprising ending.
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We're a long way from the "Best of 2012" list being compiled, but I confidently predict this comic will be on it.
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What really makes this book work is the sense of humor that flows through it. Like his Hellboy work, Migola knows how to balance drama and humor to maximum effect, and it makes for a comic that's a heck of a lot of fun to read.
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So, a good issue, but I'm still on the fence here. If this series can string together a few more solid issues like this one, I'll hang around. If not, it'll take its place on the bench next to Spider-Man and Uncanny X-Men.
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If you missed it in the "New 52" rush, you should look harder. You should be reading this comic.
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So my final point it that, after 300 issues, Wolverine hasn't changed a bit - he's still a fierce fighter with an attitude. If you like that kind of thing, here it is.
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The Scarlet Spider did not succeed in that.
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Evan Minsker writes about music for Pitchfork, eMusic, and other nice people. You can read his thoughts on music, nerdy stuff, and various Internet memes at EvanMinsker.com.
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So, a pleasant surprise wrapped in a dark and sinister comic. Best of all, I have no idea where the story is going, but I can't wait to find out.
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The art is quite good, but that's the only reason to pick this one up. There's not an original thought to be found here.
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If you're not reading this comic, you're missing a good one!
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So it might be a good finale for my interest in the series. The "next issue" ad looks like the story involves vampires, and that's enough to send me running any day.
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Except that you, the reader, are out 5 bucks.
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I was prepared to be put off by this issue, but it won me over. Outstanding craftsmanship will do it every time.
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It's still too early to tell how this story is going to go, but so far, I'm struggling. Here's hoping for some clarification soon.
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This is very much a modern version of a classic Marvel comic, with strong writing and great artwork. It's great fun and highly recommended!
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This opening story is a great first step.
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So far, this "new" series is too one-sided. It's all pomp and no personality.
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Buy this comic for the art, certainly - but the story will try your patience.
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This is a comic the gods might not be crazy about - they aren't exactly shown in the best light - but the mortals out there should enjoy it.
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Big events on a galactic scale, as one would expect from this title.
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Just a terrific comic, and a good, fresh look at a classic character. Recommended!
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So I'm divided - I appreciate the effort and talent that went into this comic, but it doesn't feel like it's quite come together yet - but it's almost there.
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After a slow start, this thing is picking up speed nicely.
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It's entertaining to watch these scenarios play out, especially in a comic loaded with smart, conniving characters. Lots of fun and highly recommended!
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He's gone back to the well again to bring back the Dark Avengers, a group I wasn't that crazy about the first time around. Maybe it's time for a fresh approach.
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This comic has a lot of potential, but it's apparently going to take more patience than I have to see it through.
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If you don't mind the grim and gritty stories, the adventures of the X-Force are actually some of the best X-Men-based comics out there. Recommended!
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The art is quite good, but that's the only reason to pick this one up. There's not an original thought to be found here.
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So this one is getting dropped from my pull list - at least for this version of the character. Sorry.
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Hopefully I'm wrong - but I fear the story is going to fail because there have been too few surprises.
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Even though it's tough to talk about when spoilers are a no-no!
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So hopefully we'll see some expansion of the characters and the plot in the near future. If not, don't expect OMAC to hang around much longer.
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If so, it's a shaky start to what has been up to now my favorite of the "New 52" books.
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Oh, and if you want to get a special fanboy jolt, pay close attention to the comic Iron Fist is reading on page 16. Now that's how you get some attention. Heh!
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As the characters go from one adventure to another, what a delight to follow along through new eyes. Shanower and Young are simply doing tremendous work on this series - I can only hope that they'll manage to do all the Baum adaptations!
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This is a comic for adults - some rough language and violence here - but so far, I'm enjoying it. It's a challenge to sort out the story, but all the more rewarding for it.
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But this series, with its firm setting in science fiction, has me hooked. Here's hoping for more of the same!
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It's great to read a Daredevil comic that features the character I first enjoyed following in the '60s - a smart, athletic and light-hearted hero. He's what most of us would like to be - a man without fear.
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Since I just finished the third game, this will have to take up the slack. Here's hoping that it lives up to the promise!
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That makes it difficult to care about any of them, and it's almost impossible to follow all the books, even if I wanted to. It feels like a balloon that's about to pop.
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If all you care about is the art, this is the comic for you. But the story's not holding up its end of the deal.
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It's an interesting new direction for this book, with lots of surprises and unexpected events. The twist at the end suggests that this story is just kicking into gear.
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Ellis is putting together a darned impressive series of stories here - and if you missed them, I'm sure they'll be collected, too - even if each chapter stands on its own two feet.
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Aside from that, the issue begins and ends at the exact same point - the school on the edge of destruction. Not good at all.
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It's an exciting time to be reading the Fantastic Four. They're the First Family of comics, and it's wonderful to see them back in a comic that is, once again, worthy of the title: The World's Greatest Comic Magazine!
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But the story just seems to be floundering, as the plot just takes us from one fight scene to the next. I'm all for action-packed comics, but I'd like a little more story squeezed in along the way.
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This one ends with a heck of a cliffhanger. This is the third strong issue in a row, and keeps this title as the best of the Bat-books and one of the better comics in the entire "New 52."
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The creative team has chosen one - so now we'll see if it's one that works. Here's hoping!
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At any rate, it looks like the next issue brings an end to all the discussion and introspection and gets down to some serious action. That's what we call good timing.
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What a delight to see the Justice League back at the top of DC's line. After too many years of being treated like the proverbial red-haired stepchild, its good to see this comic where it belongs - as the flagship title for the company and one of the best comics out there today.
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I'm struggling to stay with this series through the opening story arc. Here's hoping for a strong finish, because otherwise - sadly - I'll be dropping this one.
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I'm anxious to see how they resolve the ending here, and curious to see how long this "Odd Couple" of GLs continue to work together. But so far, so good!
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Of the two issues (so far), the story gyrations here may not be easy to follow, but they're actually easier to accept than those in issue #7.1 (of that makes sense). I'm looking forward to seeing where Thor goes from here.
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Certainly it's rare for writer Brian Bendis to let us down, but this issue - aside from not containing a single Avenger - just feels like it's going back to that same old well, even if most of the cast is new to this comic.
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I really can't recommend this issue - there are some high points (Bryan Hitch's art on the Avengers segment, Matt Fraction's writing on Dr. Strange, Ed McGuinness' art on Nova), but not enough here to make it worth the inflated price and page count.
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Right now, that potential is going to waste. A pity.
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Not everyone will like this story - there are parts of it that just feel clunky and forced - but it covers some important ground, and offers some explanations that will make things clear in the months ahead.
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I'm enjoying this series and I'm anxious to see where it all goes from here. There have been too many Swamp Thing story arcs that did not stir up that feeling, so good for the new creative team.
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I think the comic is a great concept, but please, give us a little less angst and some heroes I can cheer for.
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Great comic, terrific art - you should be buying this comic!
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So a rough start, and the clock is ticking on this series. Hopefully the next issue will be a bit more coherent.
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And I for one would love to see more appearances by any or all of the guest stars in this issue!
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The series is highly recommended, especially to those who've been around long enough to know the characters involved. They're in very good hands here.
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The comic is smart, fast and sharp as can be. Highly recommended, especially if you're a fan of Ellis' work on Planetary.
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But for a bold new start, this all seems very... derivative.
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Next time around, let's home more is better.
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What we have here is a very good start.
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Speaking as a grownup reader, it's interesting to see Wonder Woman traveling in some dark directions, and it's a refreshing change from the days when no one knew what to do with the character. At least now she has a mission.
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Is it the end or a new beginning for me? Stay tuned...
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Still the best of the Bat-books by far!
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So where does the team go from here? That's going to be the fun part over the next issue (or more), and as per that last page, a big showdown is in the works.
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Still, this is definitely moving in the right direction. More like this, please.
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Overall I give this series good marks, thanks to a strong story, some plot twists and lots of excellent art. It's actually a cut above the "Events" I listed earlier - but it didn't quite manage to stick the landing.
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It's a little early to pass final judgment, but so far, I like what I see.
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We'll see if the creative team can keep this series from becoming too dark - but the title character is one of the more interesting figures in DC's stable, when he's handled properly - and so far, no worries there.
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Even if that wasn't the case, this story would be worth picking up just for Mahnke's art. If he's not considered a superstar yet, he soon will be. Just wait.
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Hopefully they'll get past this story and back to the usual high standards soon.
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Overall, a somewhat better effort this time around, but still a long way from restoring Batgirl to the upper ranks.
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Don't pick this one up expecting a lot of deep thought - but it is a lot of fun.
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Here's hoping for more of the same.
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My recommendation: follow Beau's advice and pick up the pace. A lot.
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OK, now I'm being picky. But I have to think Chaykin was having an off day when he tackled this issue. No doubt it'll pick up from here - but the series is off to a shaky start.
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With a strong story, lots of plot twists and some intriguing characters, this is what the DC reboot should be - but mostly hasn't been.
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With the upcoming reboot and renumbering, is it time to jump off the X-Men bandwagon? We'll talk about that in two weeks.
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Sex appeal is fine, but the comic needs some kind of story to back it up - and there's just not enough here to support following this series.
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So, this series is off to a fair start - one of the better of the "New 52" - but the creative team still has a ways to go to prove itself.
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But it's all off to an interesting start, and I'll give it a few more issues before deciding if the series is a keeper or not.
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I suspect the story will get much more interesting from here, but frankly, even with the excellent artwork, things are off to a sluggish start.
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Action Comics was inventive and clever, but this issue just feels sluggish and confused. I can't recommend it.
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Hopefully, this team will hang around for a good long run. It's off to a great start!
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My advice: wait 'til the tie-in is over, then run back to this series.
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I'm interested enough in the story to be back next issue, but here's hoping for a little less destruction and more explaining.
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This issue offers up an interesting setting for future stories (though one that's not appropriate for young readers). Hopefully the new creative team can continue down the path and figure out who Diana is and why we should care about her adventures.
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I hate to sound infantile, but I'd expect first issues to start like a crack of thunder - this one is just the rumble of possible stories down the road, if the reader can stick around that long.
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But this is a strong foundation to build on, and of the Bat-books I've seen, this is the one you don't want to miss.
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But the story... it'll just leave you shaking your head.
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So, great art, weak story (so far) - I'm still not convinced that I was mistaken to pass up this series before.
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The opening issue sets up some interesting potential directions for the series, and gives us a glimpse of a certain team you'd expect Superboy to be part of. It's a promising start, and hopefully future issues will make him less of a victim and more of a hero we can support.
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Look, the art by Patrick Gleason is very good, the story by Peter Tomasi is fine - I just wish the title that included Robin could be more of an "All Ages" comic.
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If only all the comics out there had that problem...
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It's all been building nicely, and next issue should blow the doors off. If you've missed this one, you've missed an outstanding series that combines the best of modern storytelling with a classic "everything's on the line" Marvel extravaganza.
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I'm confident Bendis will tell a good story, but I'm hoping to see some evidence soon that this series will move in new and different directions.
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Outstanding work all around - this issue ranks at #2 for this week's comics.
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The comic has potential, but so far I'm not seeing it. Here's hoping the next issue takes things up a notch or two.
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OMAC is a fun read - and that's something more comics should aspire to.
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I prefer a more cerebral battle between these two old enemies.
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It's still early, but it's starting to look like another missed opportunity.
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It's a fresh approach to a classic character, it's interesting and it leaves lots of leeway for future stories. The sky's the limit!
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The story is so disturbing in places, I wouldn't recommend it for younger readers - but older fans who can tolerate this kind of grisly tale will enjoy it.
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Yes, I'm talking about Betty. But it'll be nice to see the Rocketeer again, too.
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If you haven't been following this series, this would be a good "done-in-one" issue to check out. If you have been following it, this may be your favorite issue in the series.
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It adds up to a great "final" issue, and leaves the next creative team with a tough act to follow.
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They have a great creative team, the right cast, and loads of potential. Time will tell if they can live up to it.
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Tomorrow, we'll look at the first issue for the New DC: Justice League.
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I really like this series, and as long as they can maintain this caliber of talent, I'll be there.
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If they can achieve those goals, they can make the team as exciting and fresh as... well, as they look on the cover of this issue.
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There are just four issues left until we (presumably) see the return of the Fantastic Four, and a story this big will no doubt take that many issues just to sort things out.
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I wouldn't recommend this issue to a new reader (wait for the collection), but this is a rewarding wrap-up for longtime readers, and paves the way for the next (and possibly final) Next Men story.
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And frankly, the dark tone of this series isn't much encouragement. I trust writer Jonathan Hickman to turn in outstanding work - but at the moment, I'm on the fence with The Ultimates.
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It hasn't exactly been DC's proudest moment. Here's hoping that final issue and the new, rebooted version of the DC Universe redeems this mess.
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So, great story, mysteries being revealed, strong action scenes, terrific art - all I can say is: you really should be reading this one.
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"Exactly! Now, we haven't quite managed to kill off the Ultimate titles yet, so let's start planning the next mini-series..."
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Hopefully, once Fear Itself has run its course, this comic can go back to telling stories that matter.
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Highly recommended - especially if you have a sense of humor!
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So it looks like I'll be there until the bitter end.
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But I'm anxiously awaiting that final chapter, and see how Pak wraps up his run on the title - whoever follows him on this comic has some big shoes to fill!
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Three issues in (and five to go) and I'm still not sure if I like this series. Apparently there are big events in the wind, so I'll hang on for now - but just barely.
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It's a shame, because the character has great potential - but it hasn't been realized yet.
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So this issue isn't for everyone - not many readers are that invested in Squirrel Girl, after all - but reading this issue might change their minds. A bit silly, but lots of fun.
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So far, this event is living up to the hype - let's hope the last two issues can deliver as well!
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Thank goodness this isn't the end - the creative teams have done some fantastic work on this series, and I'm anxious to see where they go from here.
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I wasn't expecting much out of this issue - so what a delight to find an entertaining story with some good twists on an old tale. Recommended!
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It can be entertaining to see the bad guy win occasionally, but one hopes the good guys - if there are any still left - can still manage to win the day. But their chances are looking more slim with every issue.
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This isn't a comic for everyone. Some prefer more straightforward storytelling, and you don't get that here. Instead you get a story that's hard as nails and challenging.
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I'm anxious to see the final issue to see how this all sorts out - but it seems like the trip to get here has taken a lot longer than it should've.
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I've been following it since the beginning, and with each new story I find it more and more difficult to care. Probably because they keep killing off my favorite characters - or at least assassinating their personalities.
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As it is, it's like trying to get a drink of water from a fire hose.
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Avengers Academy is consistently one of the best of the Avengers books, but it's a little out of its element as it slogs through this event. I look forward to a return to "normalcy" (whatever that is).
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I'm still waiting for the "Schism" part of the story to kick in (no signs of anything but mutual respect between Cyclops and Wolverine so far), but in the meantime, this is a solid bit of fun.
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But there's no mystery here, because the reader can see from the start that this is all part of some ridiculous scheme by the bad guys in the room to bring about conflict. Sadly, as written here, Aquaman and Diana are too dim to see the plot.
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I'm enjoying this story a lot, although it's taking its sweet time in playing out. Still, this series has bee quite good in recent months - and I haven't been able to say that about the X-Men since the early "Astonishing" days.
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And that's everyone who has a sense of humor, right?
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Like Mom always said, "Patience hath virtue." Once again, it has paid off - here's hoping "my" version of DD sticks around for a good long while.
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Come to think of it, the same is true for almost every "hero fights the Hulk" story. Go figure.
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So I'm thrilled to see an intelligent S-F story in a comic, and while it's too early to make a final judgment, so far I like what I see.
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The story is also spooling out slowly - we don't really learn much about Mechanika's history here. That's not a problem with a monthly comic, but for a "seven-monthly" comic, it might be a good idea to streamline (steamline?) things a bit.
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Assuming that's the plan, of course.
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I'm a big fan of the series, but I think this story just got away from the creative team. Hopefully the upcoming issue #1 will bring things back into focus.
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It's encouraging that this is all happening on a global scale - that certainly helps kick it up a notch. It's too early to tell if the story's going to work or not - but it's a decent start.
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Because of that, this issue is a bit of a letdown, though it's setting the foundation for future issues. I expect things will pick up considerably next time around.
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What a great time to be reading comics!
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I'm looking forward to the wrap-up of this issue (and Flashpoint) and the (possible) future of the team as an offshoot of the JLA.
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This series is building nicely, and next issue promises to be a classic Marvel fight-to-the-finish between powerhouses. I can't wait!
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But I still think having more than a dozen "sidebar" titles is a bit much.
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This is a team with an army of great heroes from the past and present to choose from - unlimited potential - but for two years now, the stories have been uninspired. The upcoming reboot offers a good chance to make a fresh start. Hopefully, DC will make the most of it.
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I'm not sure if the fill-in stories went away or if Marvel just got better at disguising them - and again, I'm not sure if this story falls into that category - but this issue definitely has that "you could skip this issue and not miss much" feel to it.
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So of the Flashpoint tie-ins I've read so far, this one's the weakest. The film has to be better than this.
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The result of all this is that I now feel uncertain about Schism - if this is what it's all about, it might not be worth the effort.
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And as always, I'll keep watching for whatever project Adams tackles next. He's an artist worth waiting for!
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Still, overall it's an outstanding package, and if you can deal with the price tag, it's a rewarding purchase.
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It would be difficult to start this series with this issue, but for those who've been following along, it's another strong chapter in a series - collect 'em all!
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It's good to see the Valkyrie getting some long-overdue attention, even if the story raises almost as many questions as it answers.
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I hope at some point we'll see some of these talents tackling a feature-length story, but so far, this series has been a blast!
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So far, we haven't gleaned much more about the backstory of Flashpoint - but we seem to be getting there.
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Let's bow our heads and pay honor to the Ultimate Spider-Man - practically since it started a decade ago, it's consistently been the best Spider-Man comic. Let's hope that run doesn't end here with an untimely death.
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So overall, another strong effort and a solid start to this series. I think I prefer this book when it has a lighter tone - but there's plenty of room for serious stories, too.
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But those are just quibbles. This comic is a fun, action-packed romp, and well worth checking out.
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The problem with the series is the same as always: bringing so many disparate heroes together into a functioning team. So far, they're off to a reasonable start.
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It's not Kirby - but so far, it's a good use of his creations. I'm in.
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This is the backstory for the "present day" events in Flashpoint, and of the tie-in books I've seen so far, this one is the best. But that's not exactly high praise.
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As tie-ins go, it's a good one. Not a lot of deep thought, but lots of action and destruction on view.
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As a long-time fan of Burroughs, I'm happy to see this work back in print - although I'll have to see if I can find out the answer to which one (if either one) is approved by ERB's estate. I prefer to throw my business to the company that plays fair.
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I'm anxiously waiting for the next issue - and you can bet I won't pass it over by accident.
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Still not quite up to Doc's standards, but this issue is definitely a step in the right direction.
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Chalk this one up as an interesting experiment that didn't quite work.
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It's the Civil War thing all over again - personally, I prefer heroes who are actually... well, heroic!
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One hopes that next issue isn't really the end of the Ultimate Spider-Man. This has been consistently one of Marvel's best books, and this series is a "must read."
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This series isn't for the faint of heart, but I recommend it highly!
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And look at that cover - Shade hovering over a crowd of hundreds of terror-filled faces. Is that enough detail for you, James? (Insert smiley face here.)
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If we must have these events (and apparently we must), it's great to have two that are (for the most part) delivering the goods.
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(Oh, and completely off the subject - I know DC has to make money, but that Super 8 "comic in the middle of the comic" was really annoying. And this from someone who's looking forward to the movie!)
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Truly impressive work - highly recommended!
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But it's a rewarding read, and I can't wait to see how it all wraps up next issue - and where the characters and concepts go from here. They're much too good to languish in limbo for long.
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With Kirby at the heart of the book, they're halfway home. Here's hoping the creative team can hold up their end and bring us a comic that's worthy of The King.
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It's too soon to say that the X-Men are back to their former standing as Marvel's best comic - but I'd say they're definitely on the right track.
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They have one more issue to sort this thing out, but so far, as events go, the "War" has been mostly disappointing - a few surprises, but aside from seeing the heroes wrapped in different colors, was this trip really necessary? (Sorry, there's my inner geezer coming out again.)
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I was hoping the whole mess of a story would somehow be worked out in this final issue, but no such luck. High marks for the art, but the rest of the book flunks out.
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Here's hoping the big guy gets powered up and gets back to playing on the big stage again soon.
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It's hard to tell where the series will go from here, but I'm encouraged enough to give it a chance. Starting over from the start isn't always the best idea, but I think it's definitely the best choice for Canada's super-team.
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I don't intend to buy all the Flashpoint tie-in comics, but I'm making an exception with Booster - he and Barry (The Flash) Allen seem to be the only ones who know about the "real" version of the DC Universe, and it should be interesting to see where they go with that knowledge.
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But hopefully next issue will give us just a bit more action.
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So, lots of fun, some terrific art by some of the best in the business. Who could pass this up?
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It's an exciting, action-packed story with the usual fine efforts by writer Brian Bendis and artist Mark Bagley, as they keep us on the edge of our seats - but as much as I'm enjoying this story, I have to admit my pal Dave would be laughing at this issue.
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This book will carry on without him, but it won't be the same.
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It's like this: if DC can't do a better job creating adventures for Doc Savage, I'd prefer they didn't try. Let's leave it to a creative team who has a handle on the character and the elements of basic storytelling.
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But if you're looking for a smart, intelligent story, this is one you should not miss.
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Now if he could just manage to find the time to work on some of those other characters listed above, too...
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Good twist on that last page, though.
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You have to give DC points for guts. Here's hoping the gamble (and the story) pays off.
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I have to admit the "Space Prison" story is wearing thin, but with strong writing and an unpredictable story, this is a book that's difficult to put down - so I continue to hang with it.
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I admit that I picked this issue up without much enthusiasm, but they've sold me - I'll be anxiously waiting for the next chapter.
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The best stories make you wonder: how will this be resolved? I have no idea, but I'm dying to see what happens next.
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And kudos to writer Nick Spencer for providing one of the first "twin" stories that actually worked - I didn't groan once.
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Just two issues in, the "new" series continues to maintain the high standards of the "old" FF - and it's laying the groundwork for some powerful stories ahead.
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I'll be sticking with this series - it's going to be interesting to see how our heroes survive, much less defeat Krona. But I have to admit, I hope they take a break from the multi-colored Lanterns stories for a while - the heroes are getting lost in the rainbow.
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Any more discussion would give away too much, but if you're an Avengers fan, don't skip this one just because it has a ".1" at the end.
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Hopefully next issue Thor will actually get to take center stage in his own comic.
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It's not a bad series at all, but it doesn't live up to the Blackest Night series. It is a worthy effort and I'm happy for some of the end results - but I think they could have told this story in half the space.
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This book really isn't for all readers - the story is following some dark, twisted paths, and we're never quite sure why some characters are involved with this team - but it's a series loaded with surprises as it explores the dark underbelly of the Marvel Universe.
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I trust that the next couple of issues will clear up my confusion, but after a promising first issue, this series - for me - stumbled badly with this chapter.
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I like the short form version of comics, and it's an art form that's almost lost to the industry, so it's great to see Dark Horse getting back to its roots and bringing new life to the genre.
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A year into its run and this title continues to be an entertaining addition to the Avengers family. I'm not ready to say it's the best of the Avengers titles - but it's right up there.
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Or at least a return to form by Johns.
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(Can you tell baseball season is here?)
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I'm looking forward anxiously to the next issue.
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But the best sign of the success of the comic is: I can't wait for the next issue!
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Hopefully once Flashpoint arrives, it will get the Flash family back in top gear, where it belongs.
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This story has been building slowly, but this issue - and the next - will tell the tale about whether or not this "Death" is all it's been built up to be. Here's hoping!
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I hope I'm wrong, and that writers Greg Pak and Fred Van Lente are going to surprise me - but so far, aside from a terrific Neal Adams-ish cover by Carlo Pagulayan, there's not much to recommend this series.
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And that last statement is true for this series. Unlike other series that pile on a convoluted continuity, Jonah Hex's stories are lean, mean and sharp. There's no wasted effort, and it makes for a very satisfying read.
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This book is loaded with great characters and has lots of potential - but it hasn't quite arrived yet.
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We won't know how the final surprise (and the series itself) works until the next issue, but so far it's been a fairly enjoyable book, if a bit dragged-out. Not great, but not bad, either.
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This is what Event Comics should be - great story, top-notch art, mysteries to unravel and a genuine sense of, yes, fear. Great stuff!
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Of course, with his feature film debut just about a month away, it's no surprise to see so much attention being focused on Thor. As long as the quality stays this high, you'll hear no complaints from me.
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If you've ever been a fan of Conan, this series is highly recommended!
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Luckily, he's interesting enough to make it worthwhile.
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I'll certainly be hanging around to see what happens next, hoping to see a return to past glories. But I'd love to see more emphasis on the characters and less on the carnage.
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I'm glad to see this story that I had almost given up on suddenly righting itself and upping the ante. I have to admit it - I'm impressed!
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So this comic continues to be very entertaining - but you have to be very patient. Luckily, it's worth the wait!
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While it's one of the grimmest comics around - not my favorite genre - I have to admit that X-Force is one of Marvel's best books right now.
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I'm not sure how his stories will line up with established continuity, but he earns points for being daring and different. You never know what to expect from this title, and (so far) that's a good thing!
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Great to have him back. Now, the question is: how much longer will (Ultimate) Spider-Man be hanging around?
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But the story promises to be an epic one, and I can't wait to see where it goes from here.
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At any rate, it's a good beginning for a series that has some big stories bubbling just below the surface. The Fantastic Four has been a "must-buy" for the last few years, and this comic continues that tradition with ease.
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Now excuse me, I need to see about tracking down those back issues...
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I really want to support this pulp revival, but the writing is making it difficult.
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No doubt rabid Spider-Man fans will heat things up...
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As I've mentioned in previous reviews, I thought this was a terrific series, although the closer it got to modern times, the weaker my interest in it. So I look forward to the next project from Wein and the array of outstanding artists who have worked on this series, but I'm glad to see we're done here.
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After a few recent missteps this series is back on track and lots of fun to read. Recommended!
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So it's a good start, although we don't really get much information about what the upcoming storyline will be about. But I'm all for any excuse that gets the Invaders back in action.
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I may not hang around for the rest of the story, but if you know of any young readers looking for an entertaining comic, this would be a great starting point.
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If you want to see some nice drawings of a virtually-naked woman, this is your comic. If you're hoping for a good story to go along with it, keep looking.
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You can't help but feel that Bendis has been watching Jonathan Hickman jiggering with the Marvel timeline in S.H.I.E.L.D. and wanted to give it a go - but so far - for this story - it isn't working.
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I'm finding it harder to care about international Batman. I think I prefer him prowling the streets of Gotham - surely there's enough work there for his family business.
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After seeing the travails the original Spider-Man comic went through for the last couple of years, it's great to have this haven for outstanding stories. If you haven't been following this title, you're missing out.
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Now let's see if the creative team can stick the landing.
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It's a shame this series (and the First Wave line) didn't catch on - it was a worthy effort at giving these characters a proper vehicle for their adventures. Hopefully the next attempt will be more successful.
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I can't wait to see what's next (no pun intended)!
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The best sign of a good comic: I can't wait 'til next issue!
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I'm not sure if this series is quite worth the hefty $4.99 price tag, though you get a lot of pages for that price. The potential is there for another excellent cosmic event, but we'll have to wait until next issue to see where it goes from here.
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Like the TV show Lost, this may be a tough comic to dive into as the story rolls on - but the collection of the first six issues has just been released, so now's a good time to catch up with the quirkiest - and darkest - comic around.
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But for now, it's just a big, confusing mess - lots of noise but no heart. Too bad.
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There's still time to turn this story around - and the "Next issue" cover looks interesting - but I still stand by my original "cosmic MacGuffins stink" platform.
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We're still waiting for (Ultimate) Spidey to die (all the cool heroes are doing it). Hopefully he'll meet his fate at the hands of a more down-to-Earth agent, instead of some cosmic doodad.
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It's great to see it back at the level it once occupied: "The World's Greatest Comic Magazine."
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I'm really glad to see Magnus back again, and the foundation is in place for this series to go in any direction - but it's all so serious. It just feels like everyone involved needs to loosen up just a little bit more and have fun, and the readers will follow suit.
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It's too early to tell how the story is going to play out, and whether or not we'll see the Surfer regain his apparently-missing conscience - but so far, this mini-series is off to a good start. Here's hoping the finish lives up to it!
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With a feature film on the way and a big event around the corner, this is once again the comic to watch at DC.
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Perhaps the story will kick into gear next issue - but I'm not holding my breath waiting.
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Still, aside from a few minor stumbles along the way, this continues to be an entertaining comic, and one well worth following.
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Still, I like the ending of this story, so I'll keep hanging around - for a while.
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The story is unfolding slowly, but so far, it's been true to the original story (which has long been one of my favorites), even if the costuming is a bit more daring.
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Next issue wraps up the series, and I'm sorry to see it end - I just wish it had focused more on the Silver and Bronze Ages, and less on the "Modern" Age (or whatever they're calling it now).
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The writing is just as captivating, and I'm anxious to see where it all goes from here. As I've said before: I'm so glad to see this issue back and in peak form, and Byrne back up on the high wire where he belongs!
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Perhaps the next issue will bring this story by Brian Bendis into focus - but for now, it's all very fuzzy.
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It's too early to judge this story - it's just out of the blocks - but so far, it's off to a good start.
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Still, it's an entertaining issue, and sets up a heck of a confrontation for the next chapter - which may or may not end with Spidey pushing up daisies (though I'm guessing they'll drag that out for a while yet).
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Once again: this is a terrific series, creative and original while staying true to the Oz books. Highly recommended!
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So the verdict on this series: as expected. Great art, weak story. I can't recommend this one, unless you're a diehard fan of all things Cho.
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But I do love that cover! You know, now that I think about it, maybe we should move everyone in Washington to Riverdale...
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It feels more like an evergreen "fill-in" issue that a special event, so just an average grade from me. The regular title (the one without decimal places) is much, much better.
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It's not a big issue - it's mostly setting up future events - but it does so very well indeed. And the former Power Man is long overdue for the spotlight.
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So, not a bad issue, but not a great one - we're spoiled by so many great comics in this series that an average issue like this one feels like a let-down. But I still say this is the best Spider-Man comic on the stands.
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Overall, a strong effort, and a great wrap-up to the Incredible Hercules series. And the next chapter looks like fun, too!
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Even a weak Bendis script is better than most, so this comic is still fun to read. But I can't help but wish for a different opponent for the team. As I've said before, The Hood is an interesting character, but he's no Thanos.
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Just an outstanding effort, and more proof that everyone should be reading this comic.
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It's well crafted but distasteful, so I'll pass on the rest of this series and look forward to this team's next project, whatever it may be.
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Even if this issue is a bit of a stumble, the series has been excellent overall, and I'm anxious to see how it all wraps up. Recommended!
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Now, how long before they reboot with a new issue #1? (When is the Iron Man 3 movie hitting theaters?)
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Morning Glories is intriguing, very smart and well worth checking out.
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Every series is going to stumble now and then, and I'll be back for the next issue - but this one just didn't work.
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Instead, it's all dark, angst-y and bloody. Sorry, it's just boring. Pass.
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I'm not sure how most fans of the original series will feel about this book - it's very different in style and substance. But if you know that going in, I suspect you'll enjoy this series - it's smart, sneaky and full of surprises.
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I'm still not crazy about the Chaos War tie-in (I still don't like the mix of magic and the Hulks), but there's no denying this is a powerful issue with some great moments.
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I'm interested enough to keep hanging on for now - but unless it all starts pulling together more (and soon), I doubt I'll make it past the first story arc.
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It's too early to tell how successful they're going to be in bringing Daredevil back, so they haven't won me back yet - but this is a good first step. We'll see how it goes with the other three chapters.
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I'm OK with that, as long as there are more series like it in the future.
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Hey, there's a good New Year's resolution: I promise to not miss any more issues of this outstanding series. (And there's a resolution I can stick to!)
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You definitely get the sense that the creative team is "turning up the volume" on the cosmic corner, and judging by the surprise appearance on that final double-page spread (which got a hoot out of me), the fun is just beginning.
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So I'm going to keep hanging in there, hoping for more issues like this one.
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So far, this series if off to a great (re-)start, and I'm anxious to see where it all goes from here. Recommended!
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Give him a life - and then we'll be getting somewhere new, instead of visiting the same old territory over and over again.
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So far, this has been an excellent series and a worthy successor to the Lee / Kirby work. Higher praise than that would be hard to imagine.
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This series isn't for the casual comics fan - it will challenge you, surprise you and make you think. I really have no idea where this series goes from here - and I love it!
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So far, I'm really enjoying the new adventures of The Flash - but I look forward to future issues that will actually feature the title character.
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The comic is worth buying for the art - but until the story starts making sense, it'll never make the grade as a "great" comic. It's only halfway there.
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I'll be hanging around through the first story arc, but unless the quality of the story picks up, that'll be it for me.
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Then the Hulks can get back to working out their own problems.
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Like the TV show Lost, we'll have to wait and see if they can "stick the landing." But so far, so good.
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This issue doesn't work as well for me, but your mileage may vary. Still, it's well worth picking up - history can't always be to our liking, I suppose.
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As I've said before: you really should be buying this series. It's big, bold and daring - and it keeps moving in unexpected directions, pushing the boundaries of the super-hero saga. What's not to like?
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The Silver Age rides again! (And I'm all for it!)
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I'm really enjoying this book, and the storyline is much more in line with what I would expect from a "Secret" team - covert operations, working behind the scenes to protect the world, lots of hoo-hah action - you get all that and more in this series.
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I'm sorry now that I missed the original series - it's a good, post-apocalyptic setting with characters that show a lot of promise. Hopefully this will do well and the original stories will get the reprint treatment they've afforded Magnus, Robot Fighter and Doctor Solar.
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New readers may feel a bit of whiplash in reading this issue - there's a lot packed in there - but it's an outstanding series and I couldn't be happier that it's back.
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Instead of a super-hero comic, they've crafted something that's a lot closer to a war comic. It's different, it's dark, and it's a darned good read.
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Still, Green Lantern continues to be one of DC's best comics, bar none.
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CORRECTION: Apparently the art for this issue was actually provided by Tom Raney, not Mike McKone (which shows what I know about art) - there was an error in the credits. Sorry for the mistake!
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It takes a while, but usually companies wise up eventually. They erased everyone's memory about Spider-Man's identity, and we haven't seen teen Tony in decades. Just one more to hit the trifecta...
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So, a solid issue, though one with precious little actual Flash content - but any Flash fan (or fan of the old Suicide Squad) will enjoy it.
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The creative team has this series hitting on all cylinders, as the stories careen from one big adventure to the next - which is why it's one of the best books out there right now.
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Sadly, we'll have to watch him elsewhere, because the powers that be have decided next issue is the last for this series. Perhaps the sales will spike or the chorus of fans will make themselves heard, and we'll see more of this excellent version of Thor.
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It's too soon to render a final judgment on the series - but so far, so good.
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I'm not sure if this book works well because of the great characters involved, or if it's just the creative team hitting on all burners - but I'm really enjoying this series, and this comic - despite having no action scenes whatsoever - may be my favorite issue yet.
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Almost two years in and it's still a compelling read - and I still have no idea what's going to happen next. Isn't it great?
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What else can I say? Oh yes: highly recommended!
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I'll be looking for that comic - but I think I'm done with Adventure Comics - at least for now.
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But the twist at the end is clever enough that I'll probably give it another issue or two to see where it goes. There's promise, but I'm not sure it there's enough to sustain the series. Time will tell.
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Waste of time and money. Stick with the game.
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And considering Thomas started the whole "Conan in comic books" thing, that's saying something.
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If you've missed the comics, and you're a fan of Thor, you can pick up the collections that are on the way. I'm a big fan of the original Thor comic, but I enjoyed this one a lot.
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And that's a very good thing indeed.
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(Oh, and someone left the credits off this issue - or else they hid them very well.)
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The art by Williams could change my mind, though - it's exceptional. We'll see what the future holds.
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(What's that? They're planning to kill (Ultimate) Spider-Man next year? Son of a...)
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I have to admit that I'm not as enthusiastic about these stories - the closer we get to modern times, the lower my interest. But it's still a great recap of some key moments in DC history, all spun with some interesting new angles. Good stuff!
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Hopefully the answers will be just as compelling.
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It's a good comic, it could be great - if it could just stick to the schedule.
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It's an outstanding (fresh) start for the Batman Family.
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But it's going to take a lot to bring me around on this one.
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So an outstanding series, well worth checking out (and one I had no trouble following, even though I hadn't read the earlier mini-series).
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We barely meet the heroes this time around, but so far, I like this series. It's an interesting take on the concept and a fresh start for the team. I'm all for it!
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So there's one issue to go, and it's tough to see how the creative team is going to wrap this up in a single issue. But I'm anxious to see 'em try!
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But this has been a strong storyline to kick off this rebooted series. I can't wait to see where it all goes from here.
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If anyone thought this series was just going to be an one-note, "evil Superman" series, Waid and Krause have taken this series in unexpected and sometime shocking directions - which is why this comic always pops to the top of my reading stack.
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I'm going to keep raving about this series until you rty it, so you might as well give in. I'd hate for anyone to miss this.
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For me, the jury continues to be out on this comic (and it's starting to wonder if I'm ever going to make up my mind). For the art alone, I'm hanging around a few more issues. Hopefully, by then Bendis will give us some satisfactory answers.
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They're doing great work here, and it's well worth checking out.
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They're playing on a big scale here, and so far, it's been a lot of fun to follow along. You might need a scorecard to keep all the characters straight, but the story is an intense battle for survival, and has a lot to offer. Recommended!
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I have to say, I've enjoyed Morrison's run on this comic, and I'm sorry to see him go. His stories have been challenging, often convoluted, but well worth the effort to unravel. I'm looking forward to his next project, whatever that might be.
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All this and Shang-Chi, too! What's not to like?
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Oh, and if you don't care about smart characters, the good news is: there's a lot of smashing in there, too.
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But if you enjoy it, this is a comic you must not miss. And it's the perfect way to celebrate Halloween!
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This comic may not be universally loved - time travel stories aren't for everyone. But for a glimpse at a possible future for the Avengers, some major league battle scenes and several good examples of smart heroes making smart decisions, this new version of America's Team (sorry, Dallas Cowboys) is off to a flying start.
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So this is a one-and-done comic for me - but I'm glad I managed to score this issue. It's worth it to see an old favorite, even if she's just putting in a cameo appearance.
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I think I'll likewise take a break from future issues until the powers that be decide to bring the JLA back.
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So it's another outstanding issue in the series that should help educate new readers about the history of DC, while reviving great memories of past stories for those of us who were there to witness it the first time around.
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So far, this series has set up a dark and challenging mystery for the reader to tackle. I'm anxiously awaiting the next chapter!
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Once again - the story is lame, but the art is awesome!
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I really like the artwork by Frazer Irving - it's a dark, painted look loaded with surreal scenes, horrific images and some amazing layouts and designs. It's perfectly suited to this strange but compelling storyline.
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I'm enjoying the series, so here's hoping that balancing act continues!
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It's too early to tell how faithful this adaptation is going to be, or if the creative team plans to follow its own path - but for an intro, this is pretty good. And the price is right (especially if you can find this cover).
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Thanks again for pointing this one out to me, Pete!
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The series just feels... disappointing so far. I'm usually patient with an attempt at something different, but so far J. Michael Straczynski's efforts here are just so-so.
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Next issue wraps up the story and promises a big event, so I trust we'll be back in the "A" column then. But for now, it's sadly just a "B."
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This comic isn't for everyone, but if you liked Lost and The DaVinci Code, you'll probably get a kick out of this, too.
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Since this is a preview, it's short and to the point, but it's a good introduction to the character. If you're into steampunk, you'll definitely want to check it out.
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The art's pretty good, if uneven. We're 11 issues in, and the story is still awfully muddy. Again, it's great to see these characters return (that was long overdue), but we need more than that.
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But I still think the hammer's silly.
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So will I buy future issues? I might go one or two more issues to give the team a chance to get their "sea legs" - but I hope future issues have a bit more story packed in there.
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It's a serious story that this comic has been building to since the first issue, and I can't wait to see where it goes from here. Recommended!
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This issue could have been presented as a short subplot in a regular issue. As a stand-alone story, it's mighty weak.
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Oh, and this comic's backup feature was very weak. How about turning that space over to the Falcon or Bucky? (I'm just teeming with helpful suggestions today.)
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If you're new to the title, I'd recommend looking at some of the collections to see if this is your kind of comic. But if you're able to handle the adult material, this really is a comic you should be reading.
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I'm not in love with it yet, but I plan to hang around for at least a few more issues to see where it goes.
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As this series hits its mid-point, it's still a lot of fun and - if for the art alone - well worth picking up.
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This comic certainly isn't for everyone, but frankly, if you're not picking up this comic - you're missing out.
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My advice is to get the team out in the field fighting the bad guys - after all, the X-Men didn't spend all their time in the Danger Room.
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So when will this comic get its act together? I've about decided that it's a casualty of the ongoing need for events in comics, and since those stories affect the biggest stars at DC, perhaps this comic is destined to continue to be a home for second-banana characters. A shame, really.
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The story has a lot of potential, and it's good to see a new and powerful menace being introduced. The jury is out on the story, and so far things are off to a (mostly) slow start, but there's a lot of promise on display.
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Hopefully the creative team can keep this title up to speed and on schedule - there's a lot of good here, and I'm certainly anxious to see where all this is going.
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If you haven't been reading up to now, you might as well wait for the trade collection - but if you've been following along, you know what a hoot this story is.
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Hopefully this is just a stumble for the creative team, and better days are ahead - but this is where I hop off. Sorry.
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Still, it succeeds for me because it brings back beloved Silver Age characters - I love seeing Aquaman back in proper form, for example. I also think this is the first issue in the series that doesn't visualize a brutal murder, so that's a step up, too.
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So yet another outstanding issue in a strong series. We're halfway to the finish, but already I hate to see this series end!
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What can I tell you? I love a mystery.
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So buy it for the art, but steel yourself for a story that barely makes sense and seems to continue spinning out of control. That Cosmic Cube is going to have to work overtime to clean up this confusion.
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This comic is entertaining, but I have to admit that I prefer the original version of the character. He was a bit on the dull side, too, but he had limitations and used his intelligence to solve problems
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Oh, and there's an Avenger back-up in this issue that's quite good, too. Up until this issue, the back-up was the best reason to buy the book. This time, they're both enjoyable.
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Then maybe they wouldn't have to rely on sexy covers to sell their comics. (Not that I'm complaining, mind you.)
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Not a bad effort, but the story's still a mess.
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But so far, despite my fears, I'm enjoying this story.
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I think, like most group hero books, this title has a lot of potential - but this issue didn't get it off to a great start.
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I'm going to hang around for a few more issues and see which way this thing is leaning. Whatever happens, it promises to be an interesting ride. So far, I'm still hanging. But I feel my grip slipping.
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As I've said before, this comic is highly recommended - one of the best on the stands!
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Apparently the ol' Magic 8-Ball says, "Try Again Later." Maybe next time.
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The mystery behind Diana's new status quo is unfolding very slowly. If you have the patience to wait, it may be worth it. But I have to admit, my interest (which was already somewhat limited) is fading fast.
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Like so many comics these days, this would be a tough series for a new reader to pick up, but it's building nicely and pays dividends to the readers who have been paying attention. Good stuff!
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In other words, bring back the Golden Age noble savage, with a modern twist. Hopefully Marvel will keep trying with Namor until it gets it right.
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If you've been following Batman's adventures for a while, there are some nifty Easter Eggs to uncover here. It'll be interesting to see where it all leads.
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This is one of the few that I always read in the car - that's how much I look forward to it. So, highly recommended!
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Thankfully, the good outweighs the improbable, and the overall series serves as a good primer for the future adventures of Superman. Recommended!
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It's actually a pretty good comic, but it's not so compelling that I can't be driven away by sales stunts like this. And that may have just happened.
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It's a shame - when a writer as good as Robinson tackles a comic, I expect much more than just the same old thing. But that's all you'll find here.
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This opening series has had its ups and downs, but I think the series has a lot of potential. It just hasn't realized it yet.
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So, once again, here's a series that's highly recommended - a great primer for new readers, and a real blast from the past for us old-timers.
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For some reason I always get worried when Bendis writes a magic-based story, but so far, this one has been all kinds of fun.
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I'd warn (again) that this is not a peppy, feel-good story - but it is dark and compelling and a heck of a good start. I'll be back for the next issue.
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So, two entertaining features that long-time fans will no doubt enjoy, but they're accessible enough that new readers should have no trouble following along.
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But I'm willing to forgive those failings, because it's great just to see Guy back in action and back in character, as a smart, rough and ready hero who's willing to do the dirty jobs to protect the innocent. Oh, and I'm also glad to see him starring in his own comic, rather than sharing the lineup with a cast of dozens in Green Lantern Corps.
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I'm happy to see some kind of resolution here - the Hulk family of stories is just too weighed down right now with sons and "Shes" and doubles - it needs to be trimmed down to a manageable size, and if this is the first step in that process, I'm all for it.
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I'm going to give this series another couple of issues to catch hold, but I have to say that so far it's just not getting the job done. Your mileage may vary.
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Here's hoping for a long run, and bigger stories in the future.
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But I'm looking forward to some clarification on the story here.
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But for the first time since the series started, the story seems to be kicking into gear. Hopefully we'll see more of the same for the rest of the run.
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It's quite a balancing act between the historic and the fantastic, and it should be fun to see if Hickman and Weaver can keep it going.
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I could quibble with a few story points, and a key player's involvement seems to contradict an ongoing story in Thor's comic, but this issue is so much fun that I can't fault it for these minor problems - any reader would easily earn a No-prize explaining these things away (if they still gave out No-prizes).
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(By the way, full disclosure requires that I admit that I'm reviewing this comic from a pdf supplied by the publisher, Moonstone.)
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Since returning in Final Crisis, Barry (Flash) Allen has appeared in two mini-series and now an ongoing series - and just four issues in, this story is the best of the three.
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So while I'm not completely sold that this comic is back to its glory days - this is not the greatest X-Men comic ever by any means - but it's certainly a step in the right direction.
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But many more issues like this and that might be a merciful thing.
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For the first two issues I had my doubts about this comic, but after reading this comic, those concerns are (mostly) gone.
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I can't imagine any DC fan not loving this comic. Highly recommended!
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It's worth it for that art, but I wish they'd just wait until the story was done, and then publish it on a tighter schedule. But the art makes the comic worth waiting for. Now if they only had more actual heroes in there.
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Still, I'm certainly curious to see where this all goes, and why we keep getting hints of a return by the Black Lanterns, so I'll keep hanging around.
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Good stuff! You really should be reading it.
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Hopefully Solar's third try at his own title will be the charm.
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It's fresh, it's original and lots of fun. So far, so good!
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It's not bad - it just seems unnecessary, since Morrison already explained this, if not in so much detail.
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Hopefully, that'll start happening next issue.
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Anyway, a solid start here, but not a game-changer yet. We'll see where Superman's "Walkabout" goes from here.
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I was sorry to see Dale Eaglesham leave the Fantastic Four, but he's doing excellent work here. His art includes lots of detail, strong action scenes and some good character bits.
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I'm going to hang around for a few more issues and see which way this thing is leaning. Whatever happens, it promises to be an interesting ride.
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This one is highly recommended!
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I'll be back for the rest of this run. I've followed Adams this far, so there's no sense in stopping now.
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Sorry, but it's just not my cup of tea (of course, your mileage may vary). I won't be picking up issue #2.
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Green Lantern continues to be one of the best comics DC publishes, and this issue maintains those high standards.
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This dark tale does that very well indeed. I wouldn't recommend this issue to young readers, but adult fans will be riveted.
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And I must say, it's great to see this comic back at the top of my reading list where it belongs!
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Of course, we can't judge the series properly until we see more of it, and so far we've just seen a lot of action scenes. Hopefully we'll get some more story in the chapters ahead.
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We're still early in the story, and writer Ed Brubaker has plenty of time to bring this one home - but so far, for me, this series is on shaky ground.
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Oh, and I almost forgot - the comic includes an introduction by the real-life Wonder Woman, actress Lynda Carter. Hatchi Matchi!
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My gut reaction is that this storyline is going to be tough to sustain, but maybe I'm wrong. You have to think that sooner or later, someone is going to find the concept that clicks for Green Arrow.
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Considering the events in this issue, I'm anxiously waiting for the next issue to see the truth behind the title. Surely the Howlers aren't about to yell their last "Wah-hoo?"
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Here's hoping for bigger and better stories starting with #701.
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It might be some work for new readers to sort out, but the rewards of a fine story make it well worth the effort.
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I admit it, I read this comic with a big grin on my face - it's just a heck of a lot of fun. Can't wait for the next issue!
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Overall, the comic still seems to be feeling its way along, and it's still too early to say if this approach is working. Time will tell, and I'm interested enough to keep hanging on - for now.
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But I can't help but hope for an end to the ever-present crossovers, and stories with not quite so many Hulks in 'em. This series soared much higher when it was a solo act.
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All told, it's a terrific package with incredible art and a great story. What more do you need? Highly recommended!
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The story by Jeph Loeb is moving slow (it's the style, after all), but even with this issue's slight slip, it's still a story well worth following. So far.
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And covers that match the interiors.
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So, another Avengers comic, another strong start. So far the Heroic Age is looking very good indeed.
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I'll be hanging with this comic, if just for the Chris Sprouse art, but the story so far isn't holding up its end of things. Hopefully this will change in the months ahead.
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This comic is setting the scene for the coming conflict with Zemo, and does so with great skill. And hey, Steve Rogers puts in an appearance, too, so even conflicted fans should be happy.
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At this rate, I'm going to have to drop another comic from my list that I've been reading for more than four decades. A shame, really.
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So far, this is shaping up to be one of the year's best. But will the ending live up to the buildup?
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It's a very encouraging start and a good concept. I'm looking forward to seeing where it goes from here. As I recall, that X-Men thing worked out ok.
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Still, it's a happy 700th to one of the most durable and dependable heroes ever created. As this issue shows, he fits in almost any kind of story and any setting - even when he's not quite himself.
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So it's a solid effort so far, but it may take a few more issues to see if this story will work - but I'm willing to stick around and see how it goes.
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The main thing I get out of this issue is the urge to kick myself for not picking up the previous adventures from this team. Ah well, live and learn.
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While I'm not crazy about some of the grim and gritty images, I like this comic a lot - it appeals to the Silver Age fan in me, and is doing a fine job (so far) of bringing those characters into DC's modern age.
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So far, the best way to sum it up is: it feels like a classic Marvel comic - and I consider that a heckuva compliment.
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It's not the usual comic (thank goodness), and you shouldn't go into it expecting a lot of barbarian-style action scenes, but you will find a story well worth following. And if you haven't seen it yet, you'll be ready to watch the online version.
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So what's to complain about? The product may be thinner and the price higher, but at least the content is solid. But they could have thrown in a couple of pin-ups to sweeten the deal. Or maybe just put the word "Annual" on the cover.
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The outgoing team has made her into a (sorry again) rounder, more complete character - and here's hoping the next team can pick it up from there and keep building.
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But that's about the only good that's come out of this series. The story took Superman away for more than a year and we end up with thousands dead, the Earth in shambles and we're pretty much right back where we started. Was this trip necessary?
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I have to say, this feels like a shaky start so far - but perhaps, as the team comes together and the storyline becomes more clear, these problems will clear up.
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For quite a while now the JLA has not been what it should be - namely, the top comic in the DC lineup. For the first time in far too long, it feels like it's almost there, and getting closer all the time.
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But that's a minor quibble. So far, the Legion is back to basics - and that's a great place to start.
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I guess I'm surprised that DC's turn to the "Brightest Day" still contains such dark and depressing imagery - but perhaps there's no getting away from it. It hasn't chased me away from the book - at least not yet - but it does give the whole thing a funny taste.
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Glad to see the end of the Dark Reign, and anxious to see where this team goes from here. It promises to be a lot of fun.
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So this comic is back and with its original vibe - what I'd say is certainly a good start.
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So the series is off to a rough start. Maybe if it was a bit less grim and gritty and allowed itself an occasional "bwah-hah-hah," it would be easier to take.
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Despite those (mostly minor) gripes, it's an action-packed story, and I'm convinced to add the rest of the issues in this series to my pull list. If nothing else, it's good to see Superman back in his proper costume, fighting the good fight.
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The Marvel Universe has been placed back in its proper position, and I'm anxious to see where it goes from here. "Back to the basics" works for me!
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Best of all, it's great to see this comic back on a (more or less) regular basis, and now that this story has wrapped up, I'm anxious to see what's next for the residents of Astro City.
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It's almost worth it for Cho's art - but that's the only reason to buy this issue.
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For years, Batman has been a hit-and-miss comic for me. Sometimes good, sometimes dull. Right now, in this series, it's very good.
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So we have the beginnings of an unusual tale here - time will tell if it's a good story. But my, doesn't the art look fine.
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The team has this series off to a strong start, so I'll be back next issue - even if it doesn't have a free ring offer with it.
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I'd still like to see some more focus on the young heroes who make up the Secret Warriors - even 15 issues in, they still need some fleshing out - but we're getting there - and I'm enjoying the ride.
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Since the first Iron Man movie, Marvel has (wisely) adjusted the comic book character to match the film version. With the second movie about to be released, they've done it again.
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So thanks to the Blackest Night and the ongoing GL title, business is obviously good in Oa.
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It'll be interesting to see where Pym and the other members of the team go from here, but there are lots of Avengers titles in our future, so hopefully they'll find a good place to light.
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If I had to complain about something, I would wonder why The Hood fires a dozen shots but we only see one person hit, and he obviously isn't hurt - yet earlier the Hood's bullets are shown to have devastating force. Well, it's a minor quibble for an entertaining comic.
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So this issue's off to a good start, with a few reservations - but it's great to see this character back in the hands of writers and artists who "get it." Here's hoping for more of the same in the months ahead!
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I just hope they aren't driven away by the silly title.
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This book finally seems to be getting back up to speed after a detour into the Blackest Night - but the ever-changing lineup isn't doing the comic any favors. Find a team and stick to it.
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But this issue is mostly setup for the next story, so it's just a slightly above-average outing this time. Of course, this comic usually operates at a higher level, so even an average issue is better than most other comics on the stands.
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Green Lantern continues to be one of (if not the) best comics DC publishes. Highly recommended!
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The Ultimates series has been both interesting and, aside from great artwork, largely disappointing. Perhaps it's because the comic takes a great team - the Avengers - and turns them all into murderous jerks.
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The best advice is to wait for the collection. Or the movie.
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It's a short feature written by Jason Starr with some excellent art by Scotty Hampton - and while it's too early to tell much about it, so far the story's off to a good start.
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This really is an "all ages" comic that manages to capture the feel of the Silver Age of comics with a focus on characters and story. Recommended!
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It's a promising return for a beloved speedster. All I can say is: welcome back, old friend!
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As a long-time fan, it's a thrill to see some of my all-time favorite Silver Age heroes back in action again, and I look forward to seeing how they all tie together and why they were brought back (and whether or not they're the only ones to return).
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Still, I'm not sure this would be of interest to any but the most fanatical Flash fan (like me, for example). It's fun and well crafted, but readers should be able to follow along in the soon-to-be-released ongoing Flash comic.
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It may all be for the best - but we'll have to see how it goes in the final issue and on into the future from there.
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So far, this series has been a lot of fun (though I'm still on the fence about Wolvie's son). As long as that continues, I'll keep buying it (and hoping for no relapses on Loeb's part).
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If you're ready for (the real) Batman's return, you should probably be jumping on here (or better yet, last issue). So far, it's shaping up nicely.
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It's a promising start, but not really good enough to bring anyone to demand a new title for these characters. They're really a blank slate, and the right team could work wonders with these characters - but it's a take we haven't seen yet.
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For the first time in a while, the FF feels like a "big" comic again - and I can't wait to see where this story is going.
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Sorry, I really wanted to like this comic - but there's nothing here to make me want to put down the game and pick up the comic. Pity.
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Now if the story would just get focused, we'd be getting somewhere.
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And while I'm here, why oh why doesn't Marvel have Stern chained to a computer, writing a book or two for them? Surely there's a place for a craftsman who's a true pro? I can think of a few books that would benefit from his talents...
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Now if only the other creators can go forth and do likewise...
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But anyone who's been hooked on video games - or in a bad relationship - will be able to relate.
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This is definitely a must for fans of Robert Jordan's work. Those who aren't familiar with his work (like your truly) will struggle to keep up - but it's worth the fight.
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It looks like it's ending on a strong note.
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I'm enjoying the main Siege book, but I can't say much for the splinter books like this. It's not bad - it's just not particularly good, either. Maybe if we saw more of the title character...
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Just no more issues with everyone standing around. Please.
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Still, this moves us toward the final resolution of this storyline, and it's one I'm looking forward to. Gonna be a heckuva clean-up party after this is all over.
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What can I say? The jealousy... it burns!
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As a friend once said, I prefer stories about heroes who actually act like heroes. Not much of that in evidence here.
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This is definitely not a great place to jump on board - a new reader would be lost - but for longtime fans, there's a lot here to enjoy.
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This comic is basically doing the grunt work for the Blackest Night and Green Lantern comics, and battle fatigue is definitely setting in. I'm looking forward to the wrapup on this storyline.
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Everything about this issue is truly repellent - except the art. This comic can't go away fast enough for me. But keep Deodato around - he's amazing.
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This issue is lots of fun - a cool splash of water after the long dreary trudge of the Dark Reign. I'm looking forward to the grand finale!
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This issue is something of a disappointment, but I'm still hopeful that this could lead to more stories focusing on the "real" Dr. Strange.
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The best description I have for this comic is that it's what comics would be like if film director Quentin Tarantino made 'em. Depending on your tastes, that can be a great compliment or a heck of a slam.
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At the risk of repeating myself, this is a terrific comic - my favorite Spider-Man book for years now. If you're not reading it, you're missing a good one.
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Morrison has set several events in motion here, but I'll bet they don't end up leading where you might expect. That's the beauty of it.
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If you're not familiar with the Astro City stories, it might be difficult to jump in at this late date in this particular story - but do yourself a favor and pick up some of the early collections - they're some of the best comics around.
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Women do great work in comics, and some of the women represented here have proven it in the past - but sadly, this isn't their best work.
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Hopefully it'll pick up speed in the issues ahead. It's a decent start, and I love the characters involved (especially the surprise appearance at the end), so I'll be anxiously following along.
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Any reader who fondly remembers those original Warlord stories owes it to himself (or herself) to buy this issue. Don't say I didn't warn you.
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So, pretty good so far. But it would all be a lot less confusing if these companies could get their publishing schedule figured out.
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Here's hoping that the real James Robinson shows up on the monthly Justice League of America comic, because he sure dropped the ball on this one. Avoid at all costs.
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This is what comics should be about.
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Hopefully Thor will be here next issue to straighten things out.
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I may be on the fence about this comic, but it's always interesting, and I'm certainly curious to see where it goes from here - so I'll keep hanging around.
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So if you're following Siege, you'll want to pick this up. If not, just be patient a couple of months and the new and improved Avengers will be here.
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So far, this has been a darn good series. We'll see if the creative team can seal the deal with the final issue next month. Here's hoping!
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(* Calvinball is the game played by the title characters in the "Calvin and Hobbes" comic strip where they make up the rules as they go along.)
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I say enough with the fill-in Caps - how about bringing back the real thing?
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If you haven't been following Herc's stories, you've been missing out on some great comics.
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Green Lantern continues to be one of (if not the) best comics in DC's lineup. After a bit of a stumble last time around, here it's back on the track and building up a head of steam.
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The problem is, the character is too powerful - how can anyone stand up to him? That's the story that will (I assume) be told in the next couple of months. It has me hooked!
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Hopefully they'll figure it out eventually.
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Whatever the case, hopefully we'll see these characters again in a supporting role somewhere along the line (almost certainly they'll show up in Spider-Woman). And in a better market, perhaps S.W.O.R.D. can make a comeback.
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I love the JSA, but this comic just seems unnecessary.
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Every month, this comic jumps to the top of my reading stack. It's funny, adventurous, surprising and always entertaining. In other words, it's the same kind of comic I enjoyed in the 1960s when it was called The Amazing Spider-Man.
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Despite the story's quirks (or perhaps because of it), this series continues to be a lot of fun to read - and there's certainly nothing wrong with a few challenging twists here and there.
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When it comes back again a few more years down the road, I'll pick it up and give it a try, hoping for a return to the dark but likeable heroes from the '60s. But I'm not going to hold my breath waiting.
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With outstanding art and writing, this continues to be one of the best books on the stands. As I've said before, if you aren't already, you really should be reading this comic.
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Next issue's the payoff, and I'm looking forward to seeing how this all wraps up.
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If you're not reading this comic, you're missing the manliest comic on the stands.
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This issue is all setup and origin, so I'm willing to give it a few more issues to get things sorted out - but at this point, it's only the stunning artwork that makes this comic worth buying.
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I'm not going to condemn the whole book for one distasteful bit, but it's definitely a stain on an otherwise entertaining comic.
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But we don't give out "I's," so for this issue:
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I've been away from Archie's comics for a while (of course, they're not exactly aimed at my age group), but it's been fun to check in with the Riverdale cast - I'll have to do this more often!
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I'm not sure how directly this all ties into the upcoming "Return of Bruce Wayne" story, but this is probably a good place to jump on (if you're not already on the bus).
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There's not much more to say without giving too much away - but all in all, it's a decent issue - a good, dependable and entertaining comic here.
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What a week, when both Cap and GL show up in average-at-best comics. Shocking, really.
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I'm not arguing with the results, and I'm thrilled to have Steve Rogers back, but with Ed Brubaker writing, I expected better.
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Still, even in an average comic, it's great to see an old favorite again. Hopefully we'll see more of the old boy in the future.
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This really is an underrated comic. I suspect some readers may be staying away from it thinking it's just another title running on sex appeal alone - but the art is great, the stories are enjoyable - don't avoid it just because the title character is incredibly sexy!
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This issue also features a backup story with Nomad teaming up with Arana, and it's pretty forgettable. Better to lose the backup and keep the comic at $2.99.
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This issue's a lot of fun. In fact, it's almost good enough to lure me into checking out the rest of the event's titles.
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Almost every Blackest Night tie-in has been forgettable - but this series, thankfully, is the exception.
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It looks like Bendis is using the "parallel stories" method in the titles that run alongside Siege - or at least in Dark Avengers - and so far, it's very good indeed. Recommended!
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The Marvel Adventures line is winding down, as Marvel prepares to reboot the series - and while this issue wasn't outstanding, it wasn't bad, either - and it should provide a good starting point for young readers.
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At any rate, writer Kieron Gillen has assembled a decent story here with a few good twists and a large cast of characters, but it remains to be seen if the whole thing will come together or keel over under its own weight. It has the potential to go either way.
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Not bad, but not up to the usual Johns standards. I had hoped for more.
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I just wish we could get there with a little more tech and a lot less mumbo jumbo.
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I was looking forward to having two different comics starring the JSA, but if this one doesn't get its act together, I'll soon be back to buying just one issue a month.
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But don't feel bad - 99 percent of the comics in existence also fail to live up to that classic.
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And Bendis - don't screw this up. Please.
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So another strong issue, and I even love the ads in the back of the comic for the one-shot spinoff issues like The Atom and Hawkman, The Phantom Stranger and Starman (among others) - lots of fun, and once again giving a boost to some Silver Age favorites.
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I'm hopeful for good things out of this team once they get this mess cleaned up - the potential is there, but right now they're fighting against the current.
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So this is a book I would only recommend to big-time JSA fans or Blackest Night completists. There's still time for this story to redeem itself, but so far it just looks like more of the same.
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Ed Brubaker continues his strong run at the helm of this storyline, and I'm really looking forward to seeing where it goes from here.
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The next issue wraps up the series, and then (presumably) it's back to high school for the gang - which is where they belong, after all.
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It's not easy to be optimistic, since House of M, Civil War and Secret Invasion all led into the next event - but here's hoping.
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I enjoyed it, and fans of these characters will probably enjoy it - but your mileage may vary.
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Hopefully this book will eventually takes its place again as DC's flagship title. But it's not there yet.
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It would be easy to dismiss this comic as just being centered around one of DC's most prominent sex symbols, but this comic is much more than that. With strong writing and fantastic art, it's well worth checking out!
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This comic badly needs a resolution, but it's safe to say we probably won't see one until the Blackest Night wraps. Until then, expect lots more screaming.
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What an odd month, where both Geoff Johns and Brian Bendis write one of the worst stories I've ever read by either author. Hopefully they got it out of their system, and things can get back to normal.
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With one issue to go, this has been one of Marvel's best stories from the past year. Here's hoping it has an equally-dynamic conclusion on the way.
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The real test for the creative team (whoever it is) will be to keep things fresh while the next mega-event takes hold, as the Fall of the Hulks hits just in time for winter. Go figure.
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The Invincible Iron Man is rolling up on its second year of publication, and through the skills of writer Matt Fraction and artist Salvador Larroca, it has been (and continues to be) one of Marvel's best books.
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This one is really hurting his grading curve. A terrible comic.
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Hey, maybe they'll have room for that Lady Liberators comic now!
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And while I'm still not quite there when it comes to the Holiday Spirit, reading this comic at least has me moving in the right direction.
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A fiftieth issue should be something special. Boy, does this fill the bill.
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So far, the new direction is working - and considering how good the comic was before, and how bad Ultimatum was for the Ultimate line, it's an impressive achievement.
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But other than that, not much to recommend this time around. I know these kinds of stories are necessary from time to time, but it seems like the X-Men spend more time setting up stories or cleaning up afterwards as opposed to just telling good stories.
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It may just be relief at seeing the story move forward, and it's too soon to render any judgments, but The Siege is off to a promising start.
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I'm enjoying this series, although I'm hard-pressed to explain why these minor tweaks to continuity are necessary. But Johns is taking a more personal approach to Superman's origin, and so far, it's a good story.
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If I was going to predict which girl Archie would "really" marry, I would have chosen Betty (as would all right-thinking people). It'll be interesting to see how the matchup works in "real life."
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Of course, it's the same old complaint about the "Ultimates" - no one is particularly heroic or sympathetic here - but it is good mindless fun.
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Perhaps this time, the change will stick.
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So far, Irredeemable is keeping its place at the top of next month's reading pile.
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But when you get down to it, this just reads as a generic super-team, with no characters standing out at all.
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Luckily, the lead feature is worth the price of admission. And the Harpy is still naked (though you still don't get to see "anything," even though the Comics Code is long gone).
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So this one is recommended (with some Prime reservations).
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As always, Mike Deodato is doing amazing work here, and the weird storyline gives him lots of room to flex his artistic muscles. The issue also features several pages of outstanding additional art by painter Greg Horn.
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The Geoff Johns story in this issue is setting us up for a big finish - let's just hope the wait for the next issue isn't quite as excruciatingly long.
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Not a classic, but not bad at all.
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It's a bit of a shaky start - but the potential is there.
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Even with a guest appearance by the new Blue Beetle, this issue isn't the best of the bunch - it spends too much time in recap mode - but it's a great setup for the next issue, which looks to be even better.
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Of course, this is just the beginning of the First Wave series, and the sketches in the back of the book hold a lot of promise for future stories. Hopefully things will get bigger and bolder from here.
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It's still a bit early in the story to tell if writer Kieron Gillen has a good grasp of the characters involved, but it's a good concept, with lots of potential for dramatic and fun stories.
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Still, even when the work is more grim and gritty than I'd like, Morrison still manages to turn in a compelling story, and that keeps this comic on the "must buy" list. Nothing wrong with that.
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I'd love to see this kind of book on an annual basis (a monthly title would get old pretty quick) - by keeping it fresh and, to be frank, a special experience, it's a fun way to get a different look at some classic characters.
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With a terrific story and original, brilliant art, this series is recommended for any Oz fans.
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If you're not reading The Warlord or have never read the comic, this two-issue story would be a good place to start - and DC has issued a Showcase collection reprinting a pile of those earlier stories. All highly recommended!
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If the idea behind this book was to pump up the Agents of Atlas by shining a spotlight on them, perhaps it did the job - but I wish it had included a better story with the package.
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Still the best Spidey on the stands.
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For four months now, this has been the best book of the month for Marvel (and its top seller). I'd be willing to bet it's about to go five-for-five.
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I don't think this comic can stand alone, but I can't imagine anyone reading this who wouldn't be following Blackest Night, too. Together, those comics are spinning a heck of a tale.
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It's still a bit too soon to declare that the new team is a perfect fit for this series, but so far, all signs are good. Perhaps it's time to dust off that "World's Greatest Comic Magazine" banner.
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I'm enjoying this series, and that's good, because right now it's the only Superman comic that's generating any interest from me. And considering it's yet another trip to the "origin" well, that's impressive.
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Oh, and Marvel - try to get that cover problem worked out, willya?
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Like any good continued story, I can't wait for the next chapter!
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Bigger menaces, wilder action - go for it!
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I can't recommend this for everyone. It's genuinely disturbing in places, and tough to read sometimes. But if you're a horror fan, this book is must reading.
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As always, fantastic writing by Matt Fraction, and equally amazing art from Salvador Larroca. We can only hope this team stays on this book for a good long time - Iron Man has rarely been better.
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It's been a long time since this comic was on my must-buy list, and I've been enjoying my own visit to Memory Lane.
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Here's hoping the future brings brighter things.
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And strangely, that's what I'm looking forward to - seeing this team crash and burn. Or at least make a bit more sense.
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Here Mignola draws Hellboy into one of England's most potent mythologies (and my personal favorite), and there's no telling where the story goes from here.
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This comic just proves that the right creative team can make any concept work. This is a consistently outstanding comic, and well worth checking out - as long as you don't mind some humor mixed in with the slugfests.
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The promise of greater things is evident, but so far, we're just seeing bunts and singles. (OK, I'll stop now.)
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Sorry to be terse - I'll hopefully be back to my old gabby self tomorrow.
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Love the main storyline of Blackest Night, but this sidebar leaves me as cold as that gory cover.
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A solid ending, but most of the issue was just meh. Sorry.
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It's intelligent, clever and well done. And thus, refreshing.
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As long as the comic continues at this level of quality, I'll be reading (while ignoring that little voice inside my head - he can be a real stick-in-the-mud sometimes).
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I'm not sure it would make a lot of sense to anyone who hadn't read any of the previous issues, but to fans, it's a great wrap-up to an outstanding series that should enjoy a long life in collected form.
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I'm in this far, so I'll stay for the other three issues of this series, hoping things will pick up. Or at least that I'll find a character I like.
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I've said it before and I'll keep saying it as long as it's true - the Amazing Spider-Man comic could learn a lot from the Ultimate version.
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As a fan of the character, I'm glad to see him appearing in a new comic. I just wish it were a better comic. (And why is he wearing tennis shoes on the cover?)
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This comic seems to be flying somewhat under the radar, but it's very good, and well worth following. Can't say the same for all of its crossovers, though.
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If I gave "Incomplete" grades, this issue would get one - it's not bad, but I can't register a full decision until the whole story is laid out. But for now, I'll give it:
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I can't recommend this as a "jumping-on" spot for new readers, as we're drawing up to the conclusion of a long-running story, but next issue would probably be a great spot to catch up on Marvel's most powerful hero.
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If you're not already, you really should be reading this comic.
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(EDIT: I originally wrote that Bendis and Maleev had worked together on the Alias comic - quite wrong, as Scott points out in the comments, so I've corrected it. It was Michael Gaydos who drew Alias. Maleev worked on several other titles with Bendis, including an outstanding run on Daredevil. Mea Culpa!)
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If you're not reading this series, you're missing out on the best Howard adaptation ever. And that's saying something!
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Kudos to the writers - Jimmy Palmiotti and Justin Gray - for creating a comic that stays in the bounds of the traditional superhero comic, but still manages to tell a good story, create interesting characters and be a heck of a lot of fun.
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So the issue's not much more than a big battle between the heroes and the monster, with some posing and threats passed around between Osborn and Namor. I'm not really sure why this merited a special issue (other than the chance to score another $3.99 from the fans).
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He did it with this comic, and we'll see if he can manage it again next issue.
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Hopefully we'll have better luck next time.
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I recommend this series to anyone who's ready for a story that's out of the ordinary, tinged with horror and humor, and loaded with animals who seem to be real (in other words, if animals talked, these are the kinds of conversations they'd have).
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No matter how "real" the story is, it's entertaining and well worth a look.
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I've said before that the Dark Reign story is losing its allure, but issues like this pull me right back in. Good stuff.
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If you're any kind of fan of Captain America, this series is highly recommended.
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Despite the often grisly nature of this story, it's a powerful event that's hitting the entire DC Universe, and seems likely to change the status quo. As always, I can't wait for the next issue!
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The art is great, the story is interesting, but I just don't care about the characters involved. Is having one likeable character asking too much?
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Excellent advice, which I happily pass along to the heroes facing the Black Lanterns.
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The art is the best reason to pick up this issue. The story's not bad, but like so many of the stories in this series, it just seems to be marking time and holding everything in place.
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Despite my jabs here, I'm enjoying the format, and would love to see it become (at least) an annual tradition.
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But I really enjoyed it (well, I enjoyed most of it - a couple of the stories were just ok), and I'm looking forward to the next two issues - it's nice to get a different take on the genre, and you won't find many comics more "different" than this one.
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This issue is just further proof that Brubaker is one of the best in the business right now. Exhibit "A," your honor.
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While I wasn't looking this comic earned an Eisner Award for Best New Series, and I can't argue with that - this run has captured the essence of what made the movie so good and puts it on the printed page. Recommended!
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There's still time to turn things around - but I'm starting to wonder. If only they'd bring the real James Robinsdon back...
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I'm so glad this comic continues, because it's great to see new adventures of a Spider-Man who reads like the original - fast, funny, sometimes outmatched but never defeated. Good stuff.
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I don't think this new take on the JSA is quite there - it needs more humor and romance, for example - but it's definitely moving in the right direction.
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As the new team (in the comic at in the real world) settles in, so far, this has been a strong effort and well worth checking out - though the material is a bit rough in places and this may not be suitable for young kids.
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I'll admit that I'm suffering from Avengers overload, and if those other titles went away, it wouldn't bother me a bit. But this comic, I like.
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This issue isn't crucial for following the Blackest Night events, but as always, it couldn't hurt.
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Mark me down as "can't wait to see the next one."
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That's one of those rare moments when I'm glad to be proven wrong. Kurt Busiek got this series off to a great start, and now Truman is carrying the banner high. If you're not reading this series, you're missing out.
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It'll be interesting to see what the future holds for "The Man Without Fear." Given past ups-and-downs, I'd be a little worried if I were him.
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Still, I'm enjoying this experiment, I salute DC for having the guts to give it a try, and I'll be around for the rest of the run. I'm hoping the average of great stories to average stories will continue to rise.
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Since the series is just starting, it seems odd to have a "down time" issue already - but despite that minor complaint, this is a series I'm enjoying a lot. The characters are fun to be around, the stories are breezy, and did I mention the art is fantastic?
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Kudos to the company for coming up with a storyline that has me picking up my first Archie comic in years - and I'll probably be back for the rest of the issues in this series, too.
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Whether you wait for the trades or pick up the floppies, you'll rarely go wrong with Hellboy. I can honestly say I've never read an issue about Mike Mignola's creation that I didn't enjoy - and I've read 'em all.
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It's not always easy to make history fun, but so far, this series is off to a great start.
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So all in all, not a bad package, but nothing earth-shattering yet, either. It is great to see Adventure Comics back on the stands, though we'll have to give this one a few more months to get a better idea of where it's all going.
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It's good to see this comic getting back to big story, clear storytelling and the kind of twists and turns you'd hope for.
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I was genuinely afraid they were going to toss out this comic with the rest of the Ultimate Universe. How nice to be wrong!
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The fun part is seeing how it all works out. Bring on the next chapter!
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Despite this issue's stumbles, I'm still a huge fan of this series and I anxiously await the next issue. I just hope I'll see it when it goes by.
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There's lots of humor, great art, a breezy story - it's like a breath of fresh air after the grim world of the Doom Patrol. When it comes to this issue, split between Doom Patrol and Metal Men, I vote for more of the latter and less of the former.
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I'm ready for Dark Reign to end, but I'm really enjoying this little corner of the event.
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Perhaps the biggest problem is the line-up, which seems to have been assembled entirely at random. There's still time for this series to impress, but it's sure taking the long way around.
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The toughest part is having to wait a month to see the next chapter!
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This book can be tough to like because the story is rolling out slowly, and that can try the reader's patience. But judging by this issue, that patience will pay off in spades!
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The same is true for the rest of the book. The JSA is loaded with potential, and so far the new creative team is doing a good job of carrying the torch.
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Hopefully the new comic with a slightly-different title and a brand new number will keep that string going!
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So it's a decent issue with some good moments and a twist or two, but it's not quite up to recent efforts.
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Here's hoping Millar and Hitch's next project brings them back to the full-octane level. Now, it's on to the next creative team - time for someone new to take a shot at the First Family of comics.
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The Ultimate universe was one brimming with potential when it was created, but this crass effort has left it smelling like failure. A shame, really.
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I'm not sure a casual reader could make sense of all this, but for those of us who've been around for a while, it's been a lot of fun.
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There's still a lot of character development needed here, and they need to spend some more time on the supporting characters, but hey, it's only issue number three! There's plenty of time, and with this kind of top-quality storytelling at work, there should be plenty of future adventures in store for Power Girl.
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This issue, though - good stuff.
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This is (by my count) the second issue in the Blackest Night series, and so far, they're two for two. Bring on the next chapter!
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I'd love to see more work like this from those talents from past years - these veterans have a lot to offer today's industry. They don't call them "the Greatest Generation" for nothing!
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I'm anxiously awaiting the next chapter.
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I'd much rather have a monthly comic with top talent working on it instead of the current method, which is cranking out comics as fast as possible. You get more Spidey that way, but it's the difference between Big Macs and a steak dinner.
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Maybe I'm suffering from "Avengers overload," or maybe this creative team just isn't working for me. Whatever the case, it's time to take a break from this title. Sorry.
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So while it's a mix, it's also a strong product and well worth reading.
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The series is off to a very strong start. It's big, it's bold, and it promises to change the face of DC. Oh, and you get a free Black Lantern Corps ring when you buy the comic. Hard to pass that up!
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This issue isn't exceptional - it's mostly setup for the next issue - but it is a fun read.
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I look forward to this story wrapping up so we can get the cast back in action on Earth (and back in Action Comics, too).
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The mystery has brought me back so far, but I'm not sure how much longer I can be patient with the story. You don't read a book like this expecting an action extravaganza, but a little more forward movement would be nice.
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If only this comic could feature more story to go along with it.
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It's safe to say that this series will be landing at the top of the "read now" pile for the next few months.
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So, a great first effort - even at $3.99, I'll be back next week for the latest installment.
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I have to admit that the story was starting to lose me - a bad guy on a murder spree can only carry things so far - but given the turns the story is taking, I think I'll stick with it a while longer.
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This comic certainly isn't for everyone - the only fight scenes are a couple of one-panel flashbacks - but if you're willing to stick a toe into the pool of romance comics, you could do worse.
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So a rough start, but we'll have to reserve judgment until we get a better idea of where this grim and gritty version of the League is going.
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Starting with high hopes, the Millar / Hitch run has been something of a hit-or-miss prospect. Here's hoping the final issue is a hit again.
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Frank Quitely turns in another outstanding art job, with some great action sequences and some more "wonderful toys" for the Caped Crusader.
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Not to give anything away, but this issue makes me very happy indeed. Recommended!
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As it turns out, it didn't. Shows what I know!
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Lots of fun, and lots of promise for future issues. I like!
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As always, great artwork, but terribly thin on the story side.
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Here's hoping the editors can get a grip on this title and get it back to being what it has traditionally been - DC's best title.
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Maybe they'll clear it up for us one of these days.
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It's a good wrap-up and a bit of a reset for the mystical side of the Marvel universe, and it'll be interesting to see where it goes from here.
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All in all, an excellent book and well worth checking out. But definitely not for kids.
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The book still offers flashes of cleverness, and I still have hopes that it'll come together. The teaser at the end of the issue is promising, but if this team doesn't come together soon, I wouldn't expect this comic to hang around much longer.
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This has been a strong series so far, but I hope the Dark Reign thing is wrapping up soon. Even the Fugitive was allowed to stop running eventually.
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This issue leaves us anxiously awaiting the next chapter. Would it be wrong to suggest the title "Return of the Power Girl?"
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And let me say this about Brian Bendis - he writes the funniest Spider-Man dialogue since Stan Lee provided the script. Several lines here had me laughing out loud.
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All in all, it's a terrific package, and well worth the extra coin, even if we have to wait for the Reborn mini-series to see what happens next.
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If you're looking for fast-paced action, then you're definitely looking at the wrong book. But if you're looking for an intelligent story told well, you could do a lot worse.
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Here's hoping the story can still turn things around - but hope is fading fast.
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This first issue is a decent effort, and I'll be back for a few more issues at least to see how the story develops.
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Sometimes, that would be a good thing. Here, not so much.
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If it was based on a more original concept, I'd rave about this book. As is, I recommend it - but with reservations.
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What this series really requires of the reader is patience and trust that the creative team knows what it's doing. I wouldn't go along with that idea for most comic books, but with this issue, I'm on board.
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With Ultimate Spider-Man being canceled and Amazing Spider-Man being... well, what it is, I'm really missing the hero who was once my favorite. These days, his comic is nearly at the bottom of the list.
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Perhaps the next issue will turn things around, but so far this book has just been average at best. In other words, "Meh."
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Next issue promises a lot more action, and a focus on Marvel Boy - but this book is hanging by a thread. Five months in and I don't care about any of the characters. That's not the way to build a following - especially at these prices.
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I prefer to remember the series as it was (and hopefully will be again soon): one of the industry's best.
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But here they're throwing away that great idea for a sales gimmick.
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It's hard to tell how long this version of Batman and Robin will last, but so far, it's shaping up to be an exciting ride.
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Any fan of the original Infinity, Inc. - or just good comic storytelling - will enjoy this issue.
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It's a shame to see McDuffie off the comic just when he was finally getting off the ground - though it's comforting to know that veteran writer Len Wein is stepping into the on-deck circle. Speaking of someone being underrated...
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The story builds up to a rather shocking ending, which we won't give away here - but it'll be interesting to see what happens next, and how it all leads in to the upcoming Darkest Night story.
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So, a decent series, a serious achievement - and now we can look forward to the tantalizing Wednesday's Comics, which promises to be a lot of fun.
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This is Bendis at his best - furious fights, funny dialogue, and surprising twists. Good stuff.
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But is change in the wind for Spidey? It's interesting to note that the newspaper strip changed to match the "new" Spidey (namely, it moved to an earlier time period and put Peter Parker back in college, dating Mary Jane. But this Sunday, the strip reverted back to the "present," and has Peter once again married. According to the strip, the return was made in response to "hundreds of letters." Is it a preview of what's coming in the comic book?
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The sooner we put this series behind us, the better.
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Now, if I could just figure out how to file these issues with all the crazy numbers...
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It's the role he was born to play.
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And just in time - we haven't had a good comic book resurrection in months!
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Rather than spark interest in the Batman line of comics, this series has left a bad taste. Hopefully the new Batman and Robin comic by Grant Morrison and Frank Quitely will get things back on track.
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I'd recommend giving this series a try - especially since the first issue is only a dollar. Your level of outrage may vary. (I'd give this book an "A" if not for the swipes.)
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This team just needs more practice - that's the ticket! The answer is more Howlers, not less! Please?
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The good news is, all hell is about to break loose. The bad news is, this issue is more of the behind-the-scenes maneuvering, so there's no real action on display. But be patient, readers - next issue is the payoff, and should tell the tale about this series - whether or not it lives up to the build-up.
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This has been a strong series up to now, and a great companion to Green Lantern, but this one never pulls it together long enough to matter. Hopefully the next issue will provide some resolution to one of the many stories running through the title.
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If only the Ultimatum series were half as good as this one...
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It's also good to hear that future issues in this story will arrive on schedule. It's great to have Busiek and Anderson - and Astro City - back on tour again!
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It's great to see this book being handled by a team that seems to have a clear vision of who Power Girl is, and where she's going. The character has needed that for decades.
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This series continues to build slowly (which is a bit ironic, I suppose), but I'm anxious to see where it's all going.
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And I managed to get through the review without a single mention of the word "elementary!" Well, except for that one.
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Oh, one more thing. The cover scene? Nowhere in the comic.
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If you're a Legion fan, you definitely need to be reading this comic. Here's hoping we see that final issue sometime before the next Crisis...
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Throw in the dark secret behind the "Scarlet Witch's" return, and you have a comic that's worth picking up. So far.
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It's good to see the Supergirl comic being so much fun to read. Now if the creative team can push it up one more notch...
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Next issue wraps it all up, and the end can't get here soon enough for me.
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If you haven't been following this comic, this is probably a good jumping-on spot. I doubt many readers will be jumping off here.
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But so far, I'm really enjoying this story. I still don't think Dr. Strange fits as a member of the New Avengers - but as a guest star, he's most welcome. As long as he survives the experience.
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I suspect this story will divide fans to some extent, in that some will love it and some will not, but I see it as a clever testament to the eternal nature (and the eternally-changing nature) of the Caped Crusader.
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It's like the old line, "We can't miss you if you won't go away." The sooner they stop dredging this up and trying to explain every detail, the sooner fandom can get back to enjoying Spider-Man's adventures. Hopefully.
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I guess you can hardly blame them, since her, uh, "S" logo is so prominent - but since she's a teenager, it just seems a bit unseemly. I'm just saying is all.
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So far, this comic shows lots of potential. Hopefully it'll pay off soon.
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Well worth checking out, especially if you're looking for some rough-and-tumble comics. Pulp-style action and drama with terrific art - what's not to like?
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The story's been so good, I suspect many readers are torn between wanting Steve to return and enjoying Bucky's run in the star-spangled suit. But I'll follow this creative team whichever direction the story takes.
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The comic still isn't up to Eisner, of course - or even Cooke - but it's a big step in the right direction.
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It's good to see this comic back again, and here's hoping for another long run of stories from Grell.
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This comic continues to hold its spot near the top of DC's line, and now that the pieces are all in place, the fun can begin.
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Perhaps the biggest disappointment is with the citizens of Kandor. I always liked the idea of Kryptonians as an advanced race. You would expect a futuristic city to have solved problems like class warfare. But virtually everyone Superman has met is childish, racist and thuggish.
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It's not bad, it's just a bit... much.
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If only the rest of the Dark Reign books would follow suit!
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I get the feeling that the story is in danger of painting itself into a corner - but creating that scenario is probably the goal of the creative team. I'm looking forward to seeing where the story goes from here.
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Hopefully we'll get an answer in the near future.
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There are some minor problems - I'd like to learn more about the individual Secret Warriors, who are still largely unknown - but there's time for that in the issues ahead.
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Oh, and Happy Birthday, Marvel! You don't look a day over 47!
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All this adds up to one thing: lots and lots of happy Flash-fans!
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If you haven't been reading this one, you've missed out.
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Of course, there's still time to bring the character into line with her earlier promise - but it's not there yet.
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Expect this one to be grounded soon.
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Still, so far the story is building nicely, and the Doc isn't dead. Yet.
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I'm not quite ready to say that "the X-Men are back" - but the book is definitely moving rapidly in the right direction. And that's a very good thing, indeed.
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If you're any kind of fan of Howard's work, you should be reading this comic.
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It's really a shame, but I don't know how much longer I'll be collecting this comic - it's on the edge of being cut. I keep hoping it'll turn around, but so far, there's no sign of that happening. Bummer.
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This story has me anxious to see the next issue - and you couldn't always say that about a Supergirl comic.
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I suppose this is one way of getting rid of the Ultimate Universe - but it seems an awful waste of a concept with a lot of potential.
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But with a price tag of $3.99, one expects more than endless fight scenes between demons and murderers. So far, I have to say that Dark Avengers has been largely disappointing. There are just too many "heel turns" for me.
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It's a book loaded with potential, but right now it's only hitting at about 75 percent of capacity. More, please.
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(I know, it's a short review, but what more needs to be said?)
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They're doing excellent work, and maintaining the high standards set by original writer Alan Moore - and that's saying something!
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The only problem with this comic is that it's got too much going on, so we're just getting small fragments of the story with each issue. My recommendation: resolve a storyline every now and then.
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But despite that minor quibble, this continues to be one of Marvel's best comics. Recommended!
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Look, the artwork is nice, and it's fun to see all these characters thrown together in one story - but the best efforts by all involved can't overcome the obvious smell of stalling that hangs over the title.
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The backup is a bit confusing, but seems to be setting up the final story arc in this series. I wish I was enjoying it more - I want to like it. But I'm really tired of Alternate Earth stories, and the art is the only thing keeping me going here.
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This is definitely a book to watch (or at least read).
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The story is moving in unexpected directions, as the Panther's story continues to grown and evolve - and that's a good thing! Here's hoping for more of the same!
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Whatever the reason, I find my interest in this story fading fast. And now that Superman is self-exiled from Earth, he's not appearing in Action Comics (which has been turned over to Flamebird and Nightwing) or Superman's own comic (which stars Mon-El).
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So far, the story is rolling out slowly - but it's been very good so far. And each issue has ended with something of a cliffhanger - so what's not to like?
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Well, like coach always said, keep running that play 'til you get it right. Perhaps DC will keep running off their "big three" characters until readers get tired of looking for them.
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And if it restores (the real) Capt. Marvel, so much the better.
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Of the 10 issues in the series so far, this one is the least offensive, if just because of the fun of seeing the Defenders back together again. But it's still a silly story.
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Johns was the writer of last year's best story (the Sinestro Corps), and the next chapter is shaping up nicely. You really should be reading this comic.
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But it's a pure Marvel book, with lots of fighting, light-hearted (and black-hearted) humor, and a few twists along the way.
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There's no griping about the artwork, though - John Romita, Jr. and Klaus Janson are turning in terrific work here, and the comic is well worth buying for that alone.
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And then I see that next issue is a wrap-up for Final Crisis. I am not encouraged.
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I don't dislike this comic - it's better now than it's been in a while, but it still has a long way to go to restore its place alongside past glories.
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Whatever the case, they can't get here soon enough to suit me.
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But that's not enough to overcome the issue's weaknesses. However, even with a weak issue, this comic is still far better than any other version of Supergirl in recent memory. Here's hoping the next issue is back on track.
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I'm going to hang in for a while longer - but like the "grim and gritty" phase, this story is starting to wear thin already.
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It's always a good week when the new issue of Hellboy shows up.
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This isn't a comic I'd recommend to just any casual reader - it's silly, and the plot barely holds together. But it's also fun, and there aren't enough comics like that out there.
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With a strong story by Peter Tomasi and excellent art by Patrick Gleason and Rebecca Buchman, this is definitely a series to watch - especially as "Darkest Night" continues to unfold.
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This comic isn't for everyone, but I recommend it to anyone who's looking for more challenging and serious comics. Good stuff!
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All in all, a good value and a worthy celebration for one of Stan Lee and Jack Kirby's greatest creations. Here's to 517 more!
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We only have half the story here, but it'll leave you begging for more, and wondering, "What did happen?"
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"Atlas" made its rep by being fresh and different. Now's not the time to fall into the "Dark" rut along with the rest of Marvel's lineup. Surely we can get a break in there somewhere.
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This continues to be a terrific series, and one no Legion fan should miss.
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Good thing they've got the toughest guy in comics around to lead the way.
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Now if we could only coax more Sandman stories out of these two...
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Captain America continues to be one of Marvel's strongest comics. As I feared, I'm almost to the point where I like Bucky as Cap almost as much as I like Steve Rogers as Cap.
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But you really should be reading this comic.
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DC's lucky to have Johns, who has worked so hard (and so successfully) to correct the sins visited upon the JSA, then Green Lantern, and soon the Flash. Hopefully he can keep his streak going and get Capt. Marvel back where he belongs - at the top of his game.
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This comic really just serves two purposes - it wraps up the dangling storyline, and sets up next issue's battle royale between the New Avengers and the Dark Avengers.
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Let's hope DC is the better for it.
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I appreciate that they're trying to give Spider-Man a new start, a fresh outlook - but there's a reason why the old version was popular. People cared about him and his loved ones.
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Still, Supergirl's comic is better now than it's been in years.
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We can only hope this high quality of work will continue into the months and years ahead. For now, Conan the Cimmerian is off to a strong start.
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It's a start. We'll have to wait and see if it's the start of something good.
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The Red Lantern saga wraps up next issue, presumably paving the way for the Black Lanterns / Darkest Night story - so far it's been very good, but we'll have to wait and see how this issue's cliffhanger is resolved (although the reprint of the next issue cover on the last page pretty much gives it away).
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So far, my reaction is basically: eh.
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Despite my occasional nitpicks, this has been an entertaining series, and I'm looking forward to the final chapter.
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This is a terrific piece of work, and highly recommended for (if you'll forgive the cliche) kids of all ages.
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Once you get past the cover, it's a strong issue - but I still think the cover was a cheat. Speaking of which, Luthor only appears in two pages of the story. Just sayin' is all.
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Hopefully this series will restore Illyana to the X-titles, rather than leaving her in Limbo for another couple of decades. She deserves better, and so do we.
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Still, the end is near - and then we'll see what tricks Morrison has for us.
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This isn't a bad comic - but right now, it's all volume and no heart. Perhaps it is possible to get too much of a good thing.
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It's too soon to tell where this story is going, but it looks like it's going to be a heck of a lot of fun. With some gross bits here and there.
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Yes, it's my fault for walking in on the middle - but surely they could have squeezed a paragraph in there somewhere to help me out. Or explained who some of the non-costumed characters are. Is that too much to ask for my three bucks?
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The best compliment I can give is: they're doing Robert E. Howard proud. If you're not reading this series, you're missing a good one.
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Aside from a few action scenes, this is a "quiet" issue, as it lays the groundwork for the conflict to come. It should be a good one.
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Great comic. If you're not reading it, you suck. Nothing personal.
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With a surprising revelation at the end and lots of interesting plot twists along the way, this is another solid chapter in what's shaping up to be another amazing year for GL.
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If I was grading for the art alone, I'd give it an "A," but averaging in the writing brings it down a bit.
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Brubaker has worked wonders on this comic, and his strong run continues with this issue - and by all indications, he has some exciting plots on the way. To which I can only say, "Keep 'em coming!"
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It's a shame to hear that Johns is stepping down from this title in the near future - he's had a terrific run of stories, and he will be missed. But what great work he's done here!
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Anyway, if you're a fan of the videogame, this is for you. If you're looking for an intricate plot, forget it. But it's a fair translation of the violent videogame into a violent comic book.
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So it's the same review as before for this book: if you only buy comics for artwork, this is a sure bet. If you actually like to read the words inside, keep walking.
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Like past adventures, this one combines lots of alien settings, action and humor to carry the story along. It's a strong beginning, and if you're a fan of the series, this won't disappoint you. If you're new to the world of FarScape, this would be a good jumping-on spot.
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But this issue is a good start on a new path for the New Avengers. We'll see where the next step leads.
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But long-time Bat-fans will probably enjoy it - depending on what happens next in Final Crisis.
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So far, I haven't seen much in the way of clever. It's mostly been the usual heavy-handed mass murder, which is a cheap way to get attention. Fixing the problem - now that will take some smart writing.
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I hate to get all Scrooge-ish on you, but I can only recommend this comic for those who are huge fans of the holiday. Otherwise, save those bucks for that special something on your Christmas - oops, I mean, Holiday list.
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Her next project, I believe, is a new series devoted to Power Girl. As long as Conner's drawing it, I'll be buying it.
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Will Jan return? I certainly hope so. And when she does, I hope it's the real Wasp, and not this crude imitation we've been saddled with of late.
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Conan's creator Robert E. Howard knew well that you had to have an emotional connection to a character in order to care about his or her fate - and Truman is following that rule, giving us a look at Conan's background and showing that he's more than a monster-fighting barbarian. But don't worry, the likelihood of him settling down to raise little barbarians looks slim.
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It's almost enough to make me forgive Tony's treatment in Civil War. Almost.
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Still, this is another strong chapter in the ongoing saga, and I'm enjoying the "New Krypton" story quite a bit. The "next issue" tease indicate that there are only two more chapters left in this story, which is surprising - the creative teams have some major wrapping up to do here - but then, it's obvious that some of the spin-off characters - including the one introduced in this issue - are likely to stick around for quite a while, so there should be plenty of plot threads to follow for some time.
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And there's more good news - the Letters Page promises more work from Stern in the near future. It's like it's Christmas time!
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This issue is mostly setting up the story to come, and here's hoping the rest of the story delivers on the story's promise. So far, so good.
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I can see why my friends recommended this book - it's solid, professional and fun. I wouldn't say it's the best comic book on the stands, but it's better than most.
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If you have any interest at all in the merry old land of Oz, don't miss this series. It'll add color to the dreariest day!
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I'm not completely sold on this story yet, but I'm ready to believe it just might work.
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As with past issues, it's the story that has to bear the burden of this huge event, and it does seem to be shaping up for a doozy of an ending - but we won't know for sure until we (eventually) get there.
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Better enjoy this one while it lasts!
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This comic continues to be a real pleasure and a great companion to the ongoing Conan comic. And that's the best connection between the two characters - they're both appearing in top-notch comics.
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This comic, like most of Morrison's run, has some moments that will strike home for long-time fans - but I suspect new readers will find themselves lost.
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I've been a big fan of the series so far, and while the ending isn't as bad as, say, Civil War, I still feel let down.
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This comic has come a long way since its colorful beginnings - and the good news is, from all indications, Brubaker is just getting warmed up.
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Perhaps it's old-fashioned to want to see the bad guys brought to justice - but I do like my comics to focus on heroic (or at least sympathetic) characters - and we're only getting half that here.
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This comic is the best of the Ultimate books, and continues its run at the top. One might suspect the story was accelerated to clear the decks for the Ultimatum crossover - and that may be true - but whatever the reason, the comic is fast-paced and a heck of a lot of fun.
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Hardcore fans of the Bat will enjoy it, but the casual reader will be lost. I recommend holding out for the upcoming "Whatever Happened to the Caped Crusader?" story.
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Maybe the story will be redeemed in the last half of the series by a shocking twist that'll bring it all together. But so far, it's just been very disappointing.
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It's another good effort and definitely a step in the right direction. The star of the comic already seems more like... well, Supergirl!
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So does this mean the X-Men are enjoying a new renaissance? It's still a bit early to tell, but so far, the book is looking (and reading) better than it has in a long time. At this point, I'm willing to settle for that.
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It's not my kind of comic, but your mileage may vary. And there's no arguing with sales success.
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This books is essentially another piece of the puzzle in a story that continues to pick up speed. I don't know if it's vital to read this issue (it depends on where the story goes from here) - and the action scenes are probably a little rough for young readers - but it's a solid chapter in the ongoing story, and it leaves me looking forward to the next chapter.
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If you haven't been picking this one up (perhaps the covers have put you off buying it), you're missing an excellent series.
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If we were playing baseball, this would be "Strike Two."
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In other words: so far, so good.
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Maybe Dynamite makes its money by selling multiple covers to the same comic. But a nice cover doesn't cover up the smell of a poor comic - and that's this one all over.
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So this issue is basically a mess and worth avoiding. Again, I'm all for an occasional experiment - but sometimes it's back to the ol' drawing board.
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Still, the story is fun, with a poignant twist along the way. As team-ups go, it's a good one, even if they forgot to include a big fight between Iron Man and Spider-Man.
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The JSA is one of my favorite titles from DC right now, and I'm really looking forward to the resolution of the Gog / Kingdom Come Superman story - but this just seemed like an unnecessary side trip along the way.
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Kull may not be as popular as Conan, but when it comes to barbarians, he's definitely running a strong second - and it's a comic that's well worth following.
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At any rate, don't make the same mistake I did when the title first began. Pick up The Sandman: The Dream Hunters while you can.
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It's difficult to judge this comic, given that it's cut short just as the story gets rolling, but it promises to be an unpredictable series, and the final shot certainly prompts several questions. But the answers will have to wait for future issues.
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But I can't help but hope that future stories will stick to the "real" world. Oh, you know what I mean.
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But I can't recommend this comic - it just rambles around, shows a few fight sequences and otherwise, it doesn't really say or do much of anything. It's an Ultimate comic, all right.
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It's such a treat to have a Superman story I actually look forward to. Now there's a tingle of nostalgia I didn't expect!
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Thankfully, it's shaping up to be a story that'll be worth buying into. And that's what a Mega-Event should be!
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Marvel's original Annuals were once the home for some very special stories, such as Reed and Sue's wedding, the birth of Franklin Richards or Spider-Man facing the Sinister Six. I couldn't tell you what happened in most annuals in recent years - but this is one story I'll remember.
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I'm anxious to see where the story is going, and I'm confident that Geoff Johns, James Robinson and Sterling Gates have some great stories in store - but I can't help but hope that when the story is done, the Superman family won't be quite so crowded.
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The answer to those questions will decide it.
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I regret not making this one a regular purchase, and I plan to correct that oversight. Go and do likewise.
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If you're not reading this comic, you're missing one of the best Marvel has to offer. The book has maintained an incredibly high standard since the first issue, and even though I keep waiting for it to fall, so far, it's sitting pretty at the top of the line.
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But Morrison is going to have to pull some serious magic to bring the disparate (and strange) stories together. Of course, if anyone can manage it, he's the one. But so far, this book has been a disappointment.
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Now let's see if Bendis can get this story in a figure-four leglock and take the title. (I know, I'm stretching here.)
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I hope the answer turns out to be "Yes," but the record for the past year is pretty thin.
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The stories are full of the kind of intelligent and imaginative adventures that are so much a part of Doctor Who. You don't have to be a fan to enjoy it - but fans will absolutely love it.
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If the line could live up to that title's quality, I'd still be along for the ride - but as it is, I'm losing interest fast. And Ultimate Origins may have sealed the deal.
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So far, the comic is shaping up as more like a Viggo and less like a Gozer. (To translate: it's more like the second movie than the first.) Bummer.
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And just let me apologize for ever doubting Johns. It won't happen again.
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But to the editors at Marvel, let me just say: the best way to honor the original is to quit dragging his corpse out of the grave! Let him and his heroic legacy rest in peace.
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DC deserves a lot of credit for managing to serve up a weekly comic like this - the logistics must be a difficult chore at best - and the quality of the work is strong. But this single issue isn't the best of the bunch, and would be an impossible spot for a new reader to jump on - it's just too much to sort out. Hopefully it'll all clear up soon.
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So I'll keep buying the Avengers/Invaders comic - I just wish I enjoyed it more.
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As a long-time fan, it's heartwarming to see one of my childhood heroes back in top form, and being handled with intelligence and respect. Every comics character should be so lucky!
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Some years back, someone pointed out that every comic is potentially someone's first issue - so it's a good idea to give that new reader the basic information they need to follow along. In that, The Goon fails miserably. But I'll give the comic a few more tries to show me what it is that made my friends such big fans.
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Glad to have you back again, Tony. Loved your movie, too.
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It's very simple: if you're not reading Action Comics, you're missing a classic.
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The creative team still has a lot of work ahead of them, but they're off to a great start. If they keep up the momentum, maybe Wonder Woman will have some company over there on the "success" side of the aisle.
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But I just can't get past how "off" the concept of Marvel Apes feels. Marvel made its name being "The House of Ideas" - and frankly, swiping an old shtick from your competitor just seems like a bad idea.
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I really want to like this comic, and I keep thinking it's going to be great - but I'm still waiting for the real Dwayne McDuffie to turn up and show us how the JLA is done. I know he's out there somewhere!
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I should admit that I've never been a huge Punisher fan, although there have certainly been some excellent stories in the past. The art in this one is great, and the story's solid, but it's just barely a Punisher story - so it's only recommended for Secret Invasion completists or fans of Chaykin. Or those who like to see lots of bad guys getting killed.
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So far it has been a tough read, but we'll see if Morrison can sort it all out. But I definitely wouldn't recommend this book to a new reader - heck, I've been reading Batman for years and I'm confused.
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But I'm grateful - even an average Howard story is better than most.
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I'm not sure it's again the Greatest Comic Mag, but it's one of the best out there - and at this rate, it'll soon be wearing the crown again.
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Heck, this one's worth buying just for the Alex Ross cover. Just look at that noble dog. Who's a good boy? Yes, he is!
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And Ed, I promise not to be angry when you resurrect him.
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So what we have here is a completely different take on the Batman (and Robin), and one that some readers may really enjoy - but others will hate. Me, I don't hate it - it's just... different, that's all. Your (blank)ing mileage may (blank)ing vary.
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An outstanding story is unfolding here, and it's one that will apparently affect Superman's stories for years to come. If you haven't been reading this title, you're missing out on a big new beginning for the biggest name in comics. Highly recommended!
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The foundation is in place for bigger and better things - but the question remains, can "Uncanny" make a return to past glories and carve out its own place at the top?
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DC, please - pick an art team and stick with it, and give your writers some more leeway - or I'm afraid The Spirit will once again fade away (if just for a while).
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Creating a Conan that has the same feel as Howard's Conan is not an easy task. Too many writers just try to throw a monster and a scantily-clad girl into the story and leave it at that. But this team has an excellent feel for the attitude and character one of fantasy's greatest creations. It's good to see our barbaric friend - just as he was when he first appeared in a comic book - in the best of hands.
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It's frustrating, because I'm really happy to see Nick Fury return to the spotlight - he's one of my all-time favorite Marvel characters, and he was handled perfectly in the last issue of Secret Invasion. More of that, please, and less of this.
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If you think Superman is an old, tired character, with no stories left to tell, then this series will show you there's still plenty of life left in the old boy - he is, after all, the first great comic book superhero, and he's apparently just getting warmed up.
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If you can only buy one Green Lantern comic, stick with the original - but if you enjoy it, Green Lantern Corps is a good companion title, and gives you a little more green for your bucks.
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So mark this one down as a guilty pleasure. You have to like a comic that has its heroine snuggling next to a giant wolf, smiling and saying, "You're a little bit stinky."
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I'm not sure which creative team will be handling this book in the future, but a strong foundation for stories has been set in place - hopefully the next team will do as good a job of using it as we've seen so far.
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Part of being a fan is being patient, and I suspect that eventually, the "One Day More" storyline will be "corrected," and we'll see Spider-Man get back to his amazing self. In the meantime, longtime fans will have to console themselves with the excellent Ultimate Spider-Man comic, and the occasional worthy storyline (like this one) in the original series.
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This is a book that may not appeal to the casual fan of the series - and it certainly isn't likely to appeal to a non-fan - but it's a strong entry in the comic books based on TOS, and it's always good to see Byrne working at the top of his game.
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A sure sign of an entertaining story is when the heroes and the villains both show their intelligence, and we see that in spades in this issue. The art, as always, is outstanding, and Bagley manages to breath new life into characters who have been around a long, long time.
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The success of the miniseries will depend on whether or not he can stick the landing (sorry, still getting out of Olympics mode here). But so far, it's been very good.
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