The issue is bad capping off a miniseries that seemed to get worse at it went on. Liefeld, and the team, made a splash with this, just not in the right way. Now, hopefully history repeats and another creator picks up the ball and does something interesting going forward with what has been set up.

In the end, what's the point of spending money to read a comic that has little more to say than what's already been spoiled by the publisher? Things may pivot from here and be redeemed, but I need to judge this one issue at a time. This is a hard pass.

Much like the previous issue, this issue thinks it's smart, but is paper thin when it comes to its deeper themes. This is a box office event blockbuster on the printed page, when it's over you wonder what the point was other than to watch folks beat each other up. With three issues to go, I don't see things improving based on the final few pages.

The comic is a throwback in many ways, and that's not a good thing. Both characters have come far and have been done better in many ways. While some are all about nostalgia, I myself have moved along and look for something a little bit more in my comics.

The choices for this issue are… interesting to say the least. With pages that feel like they're from an issue of Totally Awesome Hulk and then another character showing up at the end, the issue feels like something you'd find many issues down when sales have dwindled and a crossover is needed to boost sales. I can't see folks who came to this from the live action version would stick around after this issue. I'm seriously perplexed.

As a whole, the comic feels a lot like a cash grab, especially with the fact that Gwenpool whose name is in the title is within so few of the pages. This is a comic that as a kid, I'd totally have bought only to walk away disappointed. I struggled to read it all. Don't fall for the title, this is a comic to absolutely skip this week.

Ennis has a solid concept here, a super spy who's an anachronistic tool. But, what's presented doesn't really acknowledge well enough that he is indeed that or that Ennis himself is aware of the joke within. Instead, we're presented with a comic that feels like it's trying to be hip and edgy but the end result is a joke without a punchline.

At this point, I'm not even sure my 13 year old self would have enjoyed this series.

Spencer's entire event can be summed up by one scene in this issue were an Inhuman who after having been held in a concentration camp and when presented with a form that lets the United States government off the hook decides to sign it instead of a lawyer look at it. It's as if to ask the readers to move on and forget this ever happened" I wish I could". I wish I could"

Superman: Year One #2 is half of a good comic but latter parts had me wanting to vomit and become too distracting. There was a right way to tell this story and this is not it.

While the issue has its moments, there's just an emotional void that's present and a lack of connecting with emotions that ultimately sink the issue. It's hard to read and not eye roll to the point of headache. While a marriage is fine, the drama this direction has brought was set up and then quickly deflated to the point of no pay off. We've seen an X wedding before and it actually was exciting and felt like an event, this feels like a cheap knock off of the original.

There's potential to do something I might like here, taking jabs at tropes. And while that might be what Gray, Palmiotti, and Conner are attempting, it just doesn't quite come off that way to me. Might be for you, but not I.

For a comic that I was sure I was going to enjoy, I'm walking away wishing I spent the time reading something else. It just misses as far as story and dialogue and the art is pretty average. There's nothing superior at all to it except it setting up the world it will revolve around. For a title that was a sure win it's a hell of a miss.

The overall story in Aquaman is very interesting, but there's some twists and turns that have not helped at all, with art issues added on top of it. Just not the quality it used to be, and that's a shame.

Avengers Assemble Alpha #1 has a lot going on. And that might be the issue. There's three different stories going on and none of them are given enough room to really breathe and become interesting. The cuts between them don't help making the comic feel unfocused disjointed at times. As far as the start of an event, it does its job of catching up readers as to what's happening. It just feels like that's about all it does. We've seen so much of the plot before, it's almost comical at this point how the hero vs. hero over a mistake is still being used. This could have been so much more but the end result lands with a thud.

Awkwardness abounds in this issue which just stumbles at every opportunity. A story which relies on emotional connection doesn't give us any reason to care for a character's well-being and connect with them. They're cold and leaves the reader much the same.

Batman: Three Jokers #3 in the end was a boring let down. The idea and build up were intriguing but the conclusion felt like someone ranting for an hour with no point. It adds very little to Batman, Joker, Batgirl, and Red Hood. The characters are the exact same with little to no insight into them. If anything, it erases some of what makes the Joker interesting but attempting to give him backstory. Like a joke with no punchline, it misses its own point.

I went in expecting a comic much closer to the style and tone of the video game series, and instead found a comic that felt connected in name only. It seems when it comes to getting my fix of a good Call of Duty story, I may have to go and pick up a controller.

With art that's just not up to par and a story that feels like a writer attempting to justify an entire event, Captain America: Steve Rogers #17 falls flat in so many ways. It's another example of a poorly thought out event that's being driven in odd ways with mixed messages. An issue that gives a little more depth feels more like a Twitter rant justifying its own existence.

If you like political polemics there's much better at there, even in comic form. Civil War II: The Oath isn't so much an epilogue as it is an attempt to get your dollars and raise interest in what comes next. While I'm sure those involved think they're being clever in holding a mirror to today's current climate, it comes off more as a cash in and failure to understand and grasp reality.

The comic as a whole is just flimsy in so many ways. Lacking much emotion. A series of scenes. Art that just doesn't work. All for $4.99. This one is an absolute pass unless you're a die-hard Hulk fan or obsessive completist.

Dark Nights: Death Metal Infinite Hour Exxxtreme! is just an ok tie-in. Yes, it probably tells something important that won't be covered in the main series but it also doesn't feature enough to stand out. It feels like something that probably could have been told in a few pages stretched out to over 30. Most of it is filler with the meat of the story featuring little explanation and a resolution that takes place in a few panels. It's about as filler as filler gets.

The art by Bryan Hitch is decent and there's lots of styles of characters mixed together. There's so good angles and snapshots of the action but like the story, the art misses the mark a bit failing to deliver that “holy shit” moment of excitement.

We'll see where the next few issues take us but this feels like a distraction. An added on issue that in the end it's unsure as to what exactly to do with. It's bloat that shifts the tone and focus of the story and not for the better.

Will I check out more? Of course, because I have such nostalgia for the previous storylines and Marvel's cosmic side of things. Will I expect a lot of it? Nope, this first issue takes the wind out of the sails of a series which had a lot of build up and hype surrounding it.

Hitch is either amazing with art, or just misses things. This issue feels like something is missing with a Wonder Woman that looks like a lot of Hitch's previous female characters. The detail is lacking at times and the action sequences lacking that epic feel. What should be two-page spreads are condensed into one panel. The entire comic feels rushed, from art to story. It's all compacted in a negative way.

Major X #4 isn't for me and as the series drags on it's clear I've moved on from this sort of storytelling. My 13 year old self would have loved this. My adult self just expects more.

Miskatonic #1 isn't a bad debut but it also never quite excites. It feels like it rushes through the first issue never building tension. There's little build-up and instead, things spiral quickly. But, that spiral also never elicits excitement or fear from its main characters. The emotional aspect isn't there. We'll see where it all goes but this is a mystery that isn't worth exploring or solving right now.

The first issue of Secret Empire makes the case that we should accept our fascist overlords, they'll make the trains run on time with job programs and efficiency, just overlook the whole extermination and death camps aspect. Just the story comics needs today….

Hopefully this is the end of Spencer's guiding hand and we can see other writers pick up the themes and concept he's laid out and run with them in a way that does them justice. The damage has been done and Secret Empire: Omega shifts things towards the healing but in the end gives us a story that's "sound and fury signifying nothing."

Sinister War #1 had me excited going into the comic. The idea of rival villain groups battling it out sounds like it could be fun and entertaining. But, the story is more a continuation of what's been going on in Amazing Spider-Man. It's not a jumping-on-point, just a spin-off to pack everything in and check off storylines. It's definitely a pass for those who haven't been reading the series already.

U.S.Agent #2, like the first issue, is a bit of a letdown. The creative team is top-notch and it might be high expectations that this series feels like a letdown. It's possible by the end it'll all come together for something greater than its individual parts. But, it hasn't gotten to that point yet and as individual issues, the series has been rough. There's so much better from the creative team that's been or being, released, it's better to spend your time reading those instead.

The concept is odd. The art is lower quality. This is a comic that feels like it's more concept than execution. It wants to be relevant and feels a bit rushed out to be so. The story itself is choppy at time, drags at other points, and overall gives us no characters that we should like at all. Vindication had an opportunity to be a comic that was socially relevant and has something to say, instead it feels like a cash in, making money off of real world issues.

X-Force: Killshot is a nostalgia fest for Liefeld fans and there's nothing wrong with that. It's about the characters and the art and that's about it. It's best to not think about the plot too much. Just roll with it, sit back, and pretend it's 30 years ago and comics haven't evolved at all from the 90s.

Maybe it'll get better? But I'm not sure I'm sticking around considering there's so much out there that's better.

The issue continues a rather middling series. Captain America: Steve Rogers #4 isn't bad, but it's also not really worth your dollars either. As an issue it feels like it's job is to recap everything that has happened in just three issues and do some foreshadowing, it's just not enough, nor is anything vital that it's a comic you have to have to understand what's going on or what's to come.

I'm pretty sure the fact I haven't previously read Teen Titans is why I'm not super excited about the comic. And I wonder how long time fans might feel differently. That lack of excitement though is getting me to want the story to get going and hopefully give us some excitement, because right now there's just not much making me want to continue reading.

Overall, the issue feels like its slipped a but with a muddied conclusion to this first arc. While it'll probably sit well in the overall story, on it's own, it just doesn't hold up.

There's something interesting in the Dark Knight Returns: The Golden Child but the end result is a mess of a result. The story comes off as if it thinks it's an intelligent take on the current state of affairs. But, then the dialogue betrays all of that with such memorable lines like “I'll rip yuh gonads off.” The dialogue at times is laughable, and not in a good way. It's a frustrating comic with flashes of Miller's brilliance but a final result that's a chaotic mess.

Geiger #1 has a lot of good ideas. It just doesn't present them well. There's a choppiness to the story and a disconnect that has me not caring about the characters or what happens. It's concepts without logic or heart. Maybe it comes together a bit more down the line but as is, this is a debut that doesn't live up to the excitement and hype.

Overall, I can only judge on one issue, and it left me confused to a point I don't want to continue. What it comes off as is a series that might be read better as a trade, than individual issues. Time will tell, but this might be just for die-hard Ellis fans.

There's a lot to go so maybe this is a bump in a road but after a surprisingly good first issue, this is quite a few steps back.

Spencer, Acua, and Reis, pack in a lot into this issue attempting to catch up new readers while giving everything a go after the dominoes have been set up for so long. But, in packing a lot, there's a complete lack of emotional punch or justification for Rogers' actions. For that, you'll need to have read over a year's worth of comics. This debut isn't fatal, but for all the build up as far as controversy or defense of Rogers' philosophy, what's presented is another mile wide inch deep summer event.

Maybe when this is over the need for these comics will be apparent, but as is, it feels like a one-shot that didn't need to happen.

The comic answers questions and foreshadows things to come, but it also leaves a lot of unanswered questions (how has Magneto not seen more of a backlash?). I have no idea if those holes will be filled, but the four issue series does what it set out to do, set up the conflict to come in the next big even, tell else who has died, and provide the fate of Cyclops. It does all of that, I just wish it did a bit more too.

Almost Dead #1 kicks things off with an opening we've seen many times before and it just doesn't do it well. When there's so many options out there for this type of story, it doesn't make a case this is the one you should check out and stick with.

Overall, Amazing Spider-Man #26 might have had something had it not been spoiled but even then, the end comes off as cheap and short lived. We know Kamala will be back, it's just a question as to when and how.

After a lot of build-up and hype, Avengers #40 and “Enter the Phoenix” is an uninspired start. Like the title suggests, it's a riff on the tournament battle story we've seen so many times before. It delivers nothing new or interesting to the genre. Maybe down the line it will but as a beginning it's a hell of a stumble.

Avengers Forever #1 feels like a been there, done that, sort of story. It doesn't deliver a start that hooks the reader to bring them back for more. It's a start that has a good idea but never delivers any new aspects that really stand out. Like so many “multiverse” stories that are now on the market, it takes a formula these comics deliver and little more. It's clearly leading to a major event down the line but I'm not sure this is the series that'll really make it an exciting one.

As a set up for what's to come, this comic isn't bad, it's also not great either. It gets the job done, but doesn't exactly excite me for what's to come.

I really looked forward to this series, but this first issue just didn't sell me enough. I'll read the next to see if there's improvement, but the comic feels like a throwback and not in a good way.

Batman/Catwoman #2 isn't a bad comic but on its own, it doesn't stand out. What should be major moments fall flat. The art is muddled in some ways though individual panels are beautiful. The comic could be so much more with some minor tweaks and changes. As is, the hype and high profile of the comic works against it. It should be so much better. This is one you might want to wait until its collected to dive into.

The three issues series feels like there's something missing. It wanted to do some reveals and explore some concepts but it never makes those concepts and reveals interesting. They tend to land as standard comic tropes and in just three issues it feels like it wraps up quickly leaving us with nowhere to go next. While none of it is bad, it's also not all that great, especially when compared to the excellent work being done in other Bat series. Duke Thomas is a character with great potential and by the end of three issues it feels like he was done a disservice.

The issue is the weakest of the one-shots that have been released so far. There's an odd lack of connection with the character and his backstory and while all the rest have something that makes them standout, this one feels like something we'd see in the normal DC Universe. With some slight changes the comic might have held up, but as is it just fills in the background of the least interesting Dark Knight of them all. The comic is generally forgettable and really should only be read to fill in the background and origin of Doomsday Batman.

Birds of Prey #1 doesn't take flight and instead plays off like an 80s B-movie mixed with really outdated views of Mexicans and just incorrect real world information. It's hard to overlook the bad here. Take out the Birds of Prey, and you have a bad crime story that's forgettable in every way. DC had an opportunity to deliver a comic that'd entice movie audiences to discover more but this comic's end result might be the opposite.

Black Cotton #1 has potential. It could be a hell of an exploration of race relations. But, the first issue delivers a familiar story with the only difference being the color of the skin. It doesn't provide anything new or interesting to chew on. In fact, it feels like it distills our real world ills to economic disparity and that's it. It's simplistic in its approach. Hopefully future issues deliver a bit more to chew on and contemplate as the story progresses.

The comic feels like the overall story might work really well, but the first issue approaches the main character in a way to make him unlikeable. There's also the flow of the narrative, especially the end, that at points just doesn't quite work for me. Maybe the second issue is a little bit better, but if Jadas alters the course of human evolution, I'm not sure I want it to happen.

Chainsaw Reindeer is a one-note joke that only differs slightly when played. It's a great concept that's never quite realized as it sticks to cheap and cringe-worthy laughs.

It all feels like there were issues putting this issue together. Some things are rushed, othere things there's not enough detail or discussion. I'd guess it was around this issue that plans changed and the series was expanded. Overall, the issue continues an event that's more flash than substance.

It's just ok overall. Cyborg should be a top-tier DC comic, but it feels like it's being relegated to a second tier one. The story isn't anything new or interesting. The scenes that should really connect usually have jokes that fall flat or dialogue that feels like it's written by someone who thinks this is how young kids speak. There's something to having Cyborg figure out if he's man or machine, but this just isn't it.

After the rocket launch of a first issue, Dark Nights: Death Metal #2 doesn't feel as much "death metal" as it does a corporate suburbanite throwing on their leather jacket with some spikes and going to a show in the back. It never quite commits to the chaos of the mosh-pit but just kind of safely stands in the back admiring the musicianship, never committing to the gut experience.

Dark Nights: Death Metal Rise of the New God is an interesting comic. It has a lot of concepts that could work really well. But, as a comic, it doesn't stand on its own. It feels like a chapter in the event that without the event, it'd make no sense. As is, it's inclusion is head-scratching until we read more of what's to come. It's a setup of things, clearly, but until that pays off, what's presented can be a bit confusing and mixed. It has concepts without payoff and new ideas that until this issue hasn't played into Dark Nights: Death Metal.

There are some things to like about Dark Nights: Death Metal The Multiverse Who Laughs. The idea of an anthology telling stories in this twisted world has potential but few are given the space they're needed to really be interesting. Instead, they all fall short as teases for something far more entertaining. Both the Green Arrow and Steel stories are worthy of their own one-shots and an entire line could be done like the other Dark Multiverse one-shots releases. But, as is, there's not a lot here to get excited about.

The issue is a fine one if you've been reading the series put it comes off a bit as a bit unfocused with the wrong lessons taken from Garth Ennis and Steve Dillon's work. All violence and flash and little more. An issue that just told one or two aspects of everything covered within would have not just been more of a winner but also a better entry point, and hook, for a week when there's so little on the shelf and higher chance folks will check the series out.

The issue is an interesting one as it throws so much out there but with that it feels muddled and a bit too unfocused. It also goes too far in trying to be an homage to the original material which restricts the storytelling. As a piece of a puzzle, it's good. On its own, it's a bit of a mess. We'll see where this all goes but on its own, this one is a a bit of a enigma.

The issue packs a lot in and in doing so feels unfocused. The issue is supposed to be chaos and Ozymandias watch it from his base of order. There's something there in the concept but in the end it feels like we've seen this before and there's just a bit too much thrown in. Some focus and this could have been a winner.

The issue seems like it'll be a key one adding an x-factor into what comes next. But that's its biggest issue. The creative team had some goals and just got there. There isn't a lead up worthy of what should be a menacing Spider-Man. It's overall a bit uninspired which is a shame as the subject has so much potential.

Empyre's lead up issues generally have been really solid setting up the situation and catching readers up. Empyre #1 though feels like a letdown in a very basic and silly plot and visuals that aren't up to snuff. Marvel's cosmic side of things have been getting exciting but Empyre #1 feels like it's a step back from all the gains that have been made in recent years.

The comic as a whole is ok. It never feels like it really honors Cable and by the end you're left with muttering "that's it?". Nothing is vital and again this feels more like a checking of the box than anything else. There isn't some deep thought about who Cable is or his impact on X history, instead it's a very surface level experience that lacks any real emotion or depth.

There's some small details to enjoy in The Flash #768. A scene of Wally and Barry and Iris walking down the street has some great comments from those watching. There's also a lighthearted and “fun” tone about the comic as well. It's a throwback in some ways. Overall though, this is a starting arc that doesn't excite enough to have readers coming back for more.

I was hoping for more from this first issue and it delivered a rather bland experience that feels retro and not in a good way. While other “X” series has breathed life into the franchise, this one seems to suck that away.

This is a weird one that probably will make more sense in a month or two but as is it feels like a one-shot that you're left wondering why it was released other than for a few dollars.

Generations Shattered #1 is an oddity of a comic. It's hampered by its release along "Future State" making its story a bit confusing. The concept is quite good and entertaining, especially where it leaves things. But, it takes forever to get to the interesting part. It's a comic I both felt like a chore to read but at the same time I want to see where it goes.

Gloomhaven: Fallen Lion had a lot of potential as a comic. Something different such as an introduction to the game and its elements might have stood out. But, as presented, this is a pretty boring presentation of the world and its characters. Any interesting elements feel sucked out leaving us with a generic fantasy story that's been done so much better elsewhere.

Other than the few pages with Bizzaro and Olsen, this comic is a clunker in both story and art. This one is for the hardcore Harley fans only.

The issue is one that I both love and hate. There's so much right and so much wrong at the same time. This will easily be the most controversial superhero comic of the year and folks will be up in arms. Unfortunately, that emotion is what stands out most of the issue. For a series about PTSD it has been hit and miss as far as connecting emotionally with those hurting and this issue is a prime example of that flaw.

The most interesting thing about Heroes Return #1 is where it leaves everything. There's some specifics with the Squadron Supreme that will potentially have a big impact going forward. There's things with Mephisto especially that will be huge. But, overall, it's an event that feels more like its point is to get us to that finale as opposed to really telling a solid story. As a whole, it's an event whose concept wasn't bad, it just didn't know how to really execute it.

Twists that are predictable, concepts that aren't explored, and characters not given enough development that we should care. Ice Cream Man #1 is a better idea than comic. With some slight tweaks, this would easily be a great horror series, but as is, the comic falls short in story and scares.

While I like the concept and appreciate the comic on some level, I just wasn't a fan of The Jurassic League #1. There's some great ideas and maybe it'll get better, but the debut feels like it bounces around what it wants to be. There's some comedy, a lot of action, and some serious aspects but none of it quite gels together. The comedy spans so much from spoofs to puns to physical pranks but even a lot of that feels like it's set on the easy level. “Jokerzard” for instance doesn't feel inspired as a joke or spin for the name of a dinosaur Joker. It's just… ok. The Jurassic League #1 feels like it might go over with kids better but for me, there's a lot other things I'd read first this week.

Underwhelming is the best way to describe this first issue. It goes through the motions but lacks anything that makes it stand out so far. It just is and this first issue falls short of making the case that the Justice League should be DC Comics top-tier superhero team.

The series so far has been a bit odd to me. It's an epic, big picture destruction, a disaster film on the comics page. But like those disaster films, it lacks emotional connection and relies too much on the destruction, shock and awe. It's wide in its vision, but sadly everything else is only an inch deep. Justice League should be one of DC Comics' top tier titles that you can't forget in how epic it is, but so far, this has been forgettable.

This is one that can be skipped.

The story, the art, it all feels rather conservative in a way and falls short of the challenging and groundbreaking work we've seen in live action. This is a case where the spin-off adaptation is better than the original. While this series may improve as it moves along this first issue doesn't quite have a hook to get me excited to see what comes next. For those checking this out due to the television show, I don't see what would get them to stick around. There was a lot of potential in a new series, unfortunately that's not tapped here at all.

No Heroine #1 has a lot of good concepts and ideas but the most interesting aspects of the comic are left to the side. We get a fairly cookie-cutter story of a heroine who can kick vampire ass. There's potential in even that but by the end of the comic we're left with a story that feels like it's been done and nothing to make it really stand out from the (vampire) pack.

Overall, the comic just lacked excitement for me. That's it really. For a first issue, I'm hoping for something to grab me, and make me want to come back, and other than that last panel, the issue lacked it for me. The suburbs have a reputation of lacking excitement, and this superhero family in the suburbs embodies that.

Odyssey of the Amazons‘ first issue is a lot of small details that add up to make a stumbling first issue. Death by thousand details. A different “voice” in how the story is presented and going all in with a fantastical world would have benefited greatly. I looked forward to the first issue, now I'm a bit nervous about the second.

The issue has an interesting idea and set up but never quite lands things. It has to spell things out for the reader or falls into a story that we've seen too many times before. As far as a tie-in, this issue falls flat when so many others have been so good. It feels like a wasted opportunity to explore more of the Hasbro universe before things wrap up.

This is a prime example of the decompression in comics storytelling and I'd imagine when it's all over we'll see that things could have been edited and the story pace picked up. For a second issue, it takes the momentum of the first and grinds it to a halt.

This new series had an opportunity to be something interesting, unique, and really stand out, but the first issue is underwhelming on all fronts. I gave the comic a shot, but what I see is so-so art, and a story that matches by underwhelming. This is not a series I'm sticking around for the second issue.

There's nothing particularly bad about this first issue. There's also nothing that's all that exciting either. The series is going to rely on the interaction of the kids and how much Johns goes down the Harry Potter direction it feels like he's heading. Again, there's potential which has me interested in at least checking out more issues.

It's an issue that didn't need to exist and the story that's to come could have just given us everything here easily.

Superman: Year One started with promise but has slid downhill from there. While the finale isn't quite the cringe-worthy wtf release that was the second issue, it's also choppy enough to make you wonder if you're missing pages. One step forward, two leaps back.

The issue might have been more entertaining for long term readers, but unfortunately I'm not one. It felt like I was thrown into a sequel, and had no idea what happened in the previous film. Overall, not a bad issue, but not one that gets me excited to jump into it.

The comic is ok. It's not bad in any way, there's just nothing that really excites me about it. Telos as a character didn't interest me in Convergence, and that carries over here too. It's a series I wasn't expected, and after reading the first issue, I'm not expecting it to stick around too long.

The comic is ok, but something isn't quite working for the series, especially in this issue. There's some cool ideas and potential, and maybe we'll see it down the road pay off, but for now, the comic feels like a jumble of concepts, plots, stories, and ideas that aren't quite fleshed out enough or used in the right way. Telos is a character to keep an eye on, hopefully he finds footing in his own story.

Much like Caden Park, we're thrown into things and hoping for something greater. I couldn't help walking away feeling a bit disappointed, especially due to the fact all of the other releases for the “New Age of Heroes” have been so good. I can see what the creative team was going for, I'm just not convinced they pulled it off in one issue. As a trade, or a graphic novel, this would have read much better but as a single issue it falls a bit short in execution.

The comic goes for a comedic tone, but mixed with its main character, that tone becomes a turn-off at some points. The change in character and direction got me interested, but the first issue didn't interest me enough to keep me around. One issue and I already want Banner back.

From what was an amazing run to this, this new volume is a drag of a story facing pacing issues. The series plays out more as a drama and police procedural than anything else delivering a drab experience that's a struggle to enjoy beyond playing spot the bot. A “Bold New Era” is exactly what it's not.

Transformers vs. Terminator #1 should be an easy one to nail down. But, this debut stumbles from the beginning. From bad dialogue to at times iffy art, there's just so many crossovers for both properties that's better and more worth your time.

U.S.Agent #1 feels like it doesn't know what it wants to be. There's part of it that's action/comedy starring a racist. Part of it is a spy/action story" also starring a racist. Then, there are hints there are some psychological things at play and it's an exploration of John Walker himself. It can be any of those things and if it focused on one of them it might be really good and interesting. As presented, it comes off as a choppy debut that never quite gets its bearing or finds its voice.

Aaron and Dauterman have been a hell of a duo elsewhere, but War of the Realms continues to limp along with an event that's better concepts than execution. The issue feels rushed and slapped together. The event isn't being given the life it needs to breathe and stand out. As the climactic chapter of the story Aaron has been weaving for years, War of the Realms seems to be going out not with a bang but with a whimper.

Something didn't quite click for me reading this first issue. There's too much that feels familiar, a new undetectable killer robot, dialogue that didn't seem in character (man vs. bub), and art that at times emphasizes Land's weaknesses. I'll stick around until the eventual reveal of who is behind this new Weapon X, but so far it hasn't hooked me like I expected.

Overall, this does sound like it'll be a cool concept, and I do want to see where it goes, I'm just not sure this debut makes me want to do that monthly instead of waiting until it's collected as a trade.This is one I think will be a better read once it's out in trade and you can read it in one sitting.

The comic is ok and as part of the greater story of the Infinity Stones it will wind up be interesting but on its own, the comic is so deep in continuity plus the execution feels so stretched out without focus, the execution is a bit boring. Lay out the goal, give us an enemy, tell us what might happen, give us something to dread and cheer for. As is, there's little excitement.

The issue sets up what's to come, but it's tone feels so odd for a Wonder Woman comic and just feels like it's goal is to call into question the entirety of the New 52 Wonder Woman run. I trust Rucka, but this issue definitely has me less excited for his run.

X-Force #1 lacks the feel of a team book the title implies. Instead, it feels like a guide to Krakoa security using characters to highlight aspects. There's also just too much foreshadowing to take events beyond eye rolls. It's got some great concepts but the execution is lacking.

Really, in the end, the comic is a read mainly due to its importance in shaping what's to come, not due to actual quality. There's some things spinning out of it, like Earth 2: Society, that I'm now even more excited about. But, the real good is DC has opened the vault, and the future is wide open.

The first issue is interesting but I'm rather perplexed to be honest. It feels like two different comics mashed together and the connection to the pitch comes far too late. It's a comic that has a lot of promise but it doesn't quite deliver on it. Instead though, what's presented is still an entertaining story though it's a bit choppy with two sections that don't quite feel like they flow together.

Way described the DC's Young Animal line as experimental in many ways and it begins here with the cover with a peel away sticker of a burrito. The inside material doesn't slow down at all when it comes to that. Hopefully, things are clearer as it goes on?

There's a lot underneath the surface of this comic that could make for a very interesting read. The friction between Storm and Kitty over Storm's recent changes. The recent introduction of Rogue to the team. Storm having to figure out her role and self while having so much thrown at her. It all has so much potential. Instead, we get a comic that squanders its most interesting aspects for a debut for a character that deserves far better.

I know it's the beginning of this bit, but the execution seems like a weird start to me. The issue feels like a distraction of the bigger story. An interesting concept, how it's done doesn't quite work for me.

The series isn't quite there for me yet, and so far it feels like it'd be better read as a trade than individual issues, but things are getting better. I think the next issue will be key to see if this is a series I keep reading, or one I completely give up on.

The issue still doesn't have the series living up to its pitch but as a crime story, it's improved from the first issue. The characters are a bit more interesting in their own various ways. There's an issue with too many connections and people knowing each other too much but it adds a bit of dramatic flair. Better than the first issue but still not great, Vindication feels like this'll be a series that can best be judged when the whole is done.

As a first issue, I was really underwhelmed by the story, but at the same time, I'm intrigued to see where the series goes. I want to understand it, and I want to enjoy it, but my lack of understanding up from down made it all a little difficult. As a debut Last Gang in Town #1 doesn't work for me, but leaves me a comic I'd love to see as part of an anthology.

The comic feels like opportunity lost. While the story has some interesting aspects, it doesn't deliver enough to make the comic feel like it's needed. Some mysteries are better left is what this comic teaches us. This is one of the few misses in Marvel's entries into a world far, far, away.

Batman: Three Jokers #1 isn't bad in any way. It's also not exciting. There's a joyless stiffness to it. The comic takes itself a bit too seriously and comes off stilted and honestly boring.

The event wraps up as I expected, a summer blockbuster film with little to challenge the reader relying on flash and shock instead of its cerebral promise.

The comic delivers potential. It's the build-up to the story we know from the film but doesn't quite deliver that yet. Instead, it focuses on Johnny the person adds some depth to him and shows us where he's coming from. Now, we can get to the interesting stuff we all came for to start.

For a hyped event, Convergence has me waiting for it to be over to get back to our regularly scheduled program.

The issue, like the previous ones, is just ok. This event is a rarity in that the tie-ins are much stronger than the main series, the opposite of the usual. The big thing though is how DC sticks the landing with the next issue, and what comes next. That in the end is how this event will be judged for the better or worse.

While I can't quite recommend Dark Nights: Death Metal #7 I also can't quite say you can skip it either. It's a curiosity more than anything else. It's the end to an era and leading into what's next shaking up the status-quo for DC Comics. If you're interested in seeing how that comes about, it's worth checking out. If not, then this is one you can pass on.

Doomsday Clock #12, and the series as a whole, is a bit of an oddity. It brings together a meta-story that began with DC's Rebirth and explores some interesting concepts. It also feels a bit steeped in DC history and continuity that feels more for diehard fans instead of an exploration of concepts. But, there is an exploration of concepts that stand out. But, one that's not enough to really examine like the original source material. We've seen what a follow up to Watchmen can be thanks to HBO and compared this just doesn't hold up. Much like DC post Rebirth, something is just off and while it rights the ship it also still feels a little convoluted and too much thrown in at once. The comic has its moments but it just doesn't quite fit in to the world it attempts to correct.

And that's probably what bothers me most about G.I. Joe: A Real American Hero #300. It doesn't feel like a send off. It feels like an unfinished piece by a maestro who deserved a better ending. Still, there's something interesting and gutsy about leaving things the way it is. This is an issue that'll be debated for quite a while by Joe fans.

Ghost Rider: Final Vengeance #1 is an interesting comic. If it just focused on the new host and got us there, the pacing would have picked up and it'd be far more entertaining to get to what we already knew was happening. The other improvement would have been to not spoil it at all and let readers be surprised. Finally, a better direction would have been to let it play out through the first arc with the reveal coming the fourth or fifth issue and again not spoiling it. That would have allowed Percy to better explore the Ghost Rider entity and its role in the Marvel Universe. As is, we get some cool ideas and an ending we knew was coming. In other words, it's a comic that doesn't deliver much beyond what we already knew.

Overall, it comes off as just a way to get from point A to point C instead of an event story that stands on its own.

Rebel Moon: House of the Bloodaxe #1 is just a rough comic. Maybe fans really into the film will appreciate it more but the story drags far too much and the art is inconsistent and doesn't do the story justice. It can be read without seeing the film, so it has that going for it. But, after reading this debut, not sure you'd then want to watch the film it's based on.

While the issue wraps up the uneven miniseries, beyond the final page, it's an issue that you can skip. There's a lack of emotional punch to it and overall feels like a few extra pages stretched out to a full issue. It's a clunker of an ending for a miniseries that went on a bit too long. But, as a piece of the whole, it's fine. This is a series which will be much better read in one sitting as a trade. This issue is a prime example of why. The issue feels not like a chapter but a continuation after a commercial break wrapping up the last ten minutes of a show. It's vital but doesn't stand on its own.

Overall the issue is ok, there's nothing bad about it at all. It just doesn't feel vital for the story arc, and there's nothing that makes it stand out enough that it's a “read” or especially a “buy.” Wonder Woman feels like a ship with a destination, it's just taking a not very exciting route.

The Marvels #1 is an ok start. There's nothing inherently bad about it but it also doesn't deliver the experience that's set up. This is a grand story but the issue feels like a series of short stories that don't connect in a cohesive way. The issues when they come together may be quite different when read together but this one is a bit of a snooze to start. It's a jumble of concepts that never comes together.

There's nothing truly bad about the comic and if you read the previous volume published by Darby Pop your opinion will vary greatly. But, as a one-shot it doesn't do what's expected and that's tell a complete story. It's a chapter of a longer story marketed as something different.

There's some interesting things in the issue and it gets closer to the premise we were promised, but like previous issues it just feels empty at this point too. We had battles that were just thrown together and this too feels like a quick deescalation. Much like the event as a whole, the issue is a step off. The final panel is an interesting one and I want to see what Bendis has up his sleeve, but at this point it's really hard to keep going.

This entire comic has some issues, which makes me hesitant to recommend spending dollars on it. There's just not enough new in the main story to really make it stand out and the backup is a lot of build-up to get to the point.

Something isn't clicking here for me. Maybe it's the story. Maybe it's the art. The combination, absolutely. There's glimpses of excellence but that's mired in choices that don't quite work. The fact we know more is to come this summer makes all of this feel even more like a prequel book, an early chapter that is dragging things out a bit too much.

The chapter is entertaining in many ways but definitely not new reader friendly. Not too shocking since it's the last chapter for the latest arc. It's enough to make me want to go back though and see if the next chapter and arc might be a bit easier spot to start from.

The first issue blew me away and got me really excited for the series. Unfortunately, this second does the opposite. To me, it feels like a very average issue with little to make it stand out. The series has so much potential, hopefully we'll see more of that in the third issue. More of the first, less of the second.

The comic sets up a lot and features a return to the more humorous Spencer but something doesn't click like his previous work. I can only conclude it's the art which doesn't gell. There's some good ideas though, and potential fun. But, when a first issue has you longing for the previous creative team, that's not a good sign. Spencer had a goal with this issue, strip everything that Peter still has and in that sense, it succeeds in setting up what's to come with a new direction.

This is a story that needed a few more months to breathe and grow naturally post Knight Terrors, as is, it's a bit of a snooze to start.

The issue is good, though not great. As I said, it's got a reveal at the end that has me wanting to see what comes next, and hopefully, things pick up a bit more in the overall comic, but as far as getting people excited, the end results is a bit bland.

That isn't to say the whole of this might be something special. The first issue is the set up, which is some of its problems, and what comes next might actually get interesting. But, for a first issue that's supposed to hook us, it just feels like something that's been done before.

There's something that just feels off here. It hasn't quite promised on its promise and feels like a retread of our normal Joker/Batman dynamic but with a different Joker. The comic looks great though so as long as you're not going into this expecting anything more than you'll walk out happy.

Having Betty at the center of a classic slasher story has a lot of potential. And, I thought we might get that, but the shorts are her dreaming of others as opposed to a story where we wonder what's real and what's not. Betty: The Final Girl #1 misses the mark a bit never fully committing to its horror roots and delivering stories that are far too short for the genre. There's attempts to build up tension before the cathartic confrontation but things never get to the level where it really works. Horror often feels like a carnival ride with ups and downs but Betty: The Final Girl #1 feels more like the kids ride. There's something there but you realize there's far better things out there.

At the end of Dark Nights: Death Metal, a multiverse was born of infinite possibilities. At the end of Dark Crisis on Infinite Earths #7 a new multiverse is born of infinite possibilities. The difference? I couldn't really say. Beyond the small details, a lot of the two events feels exactly the same. While the event sends some characters and teams in new directions, overall, it was a lot of show to get us to a spot not much further than where we began.

Dead X-Men #1 isn't a bad comic but it's an "event comic in every way. If you're not bought into the current X-Men transition story, it's one that won't jump out. But, if you're completely here for it, it's a vital chapter of what happens next and how it happens.

There's nothing bad about Ghost Rider: Return of Vengeance but there's also little that stands out. It's a perfectly entertaining comic in a turn off your brain sort of way. The comic exists as part of the big picture plans for Ghost Rider and that corner of the Marvel Universe. It doesn't really stand on its whole but it gets the motorcycle rolling for whatever is to come for Vengeance.

There's definitely potential for the series after reading Hollywood Trash #1. The entertainment feels like it'll mostly be derived from the situations and attempts to get back whatever it is that needs to be returned. It's a debut where you just need to go with the flow of it all and get lost in the absurdity of it all. Think too much, and it falls a bit short.

Injustice: Gods Among Us: Year Five #1 is a fun, though not deep, first issue that's worthy picking up if you want to see Batman versus Superman where anything can happen. I wasn't expecting much depth going in, and it doesn't try to sell itself as. As far as a video game to comic adaptation, it's actually good, and the first issue has me wanting to see what comes next at least, if nothing else to just see this take on these characters.

I give this a read mostly because I don't know how it fits into the otherwise excellent “Darkseid War” as well as Batman's story as a whole (though it's super unclear how this all ties in to Batman considering that series' current story). Not a bad comic, I was just hoping for something more.

There's a stiffness to the narrative that could be part of the charm of the original releases but for a new comic, this is one those new to Kamen Rider might want to avoid.

King in Black: Namor #1 isn't a bad comic but it also doesn't feel like much of a tie-in. That will hopefully come later. As a mini-series on its own, it's a good start with some interesting aspects to build off of. This will be an event mini-series that we'll likely have to judge on the whole than individual parts. But, as a single issue it unfortunately falls a bit short.

While there's nothing necessarily bad about the issue, the concept and series feels like a throwback to a bygone era. DC's moving forward, but this issue feels like a foot in the past.

Maestro #2 isn't a bad issue but it also feels like it doesn't do the world and Hulk's journey justice. It's quick hits to give us a tour of “the players” in a single issue. While that can work as part of the bigger picture, it also doesn't deliver enough interesting aspects or depths to really excite. As a collection though, it'd be fine as you can quickly move on to the next chapter. Sadly, for all of the excitement the first issue delivered, the second lacks the same punch.

Major X is a summer disaster film. It's all about concepts and visuals but lacks a depth and clearer narrative that would elevate the product. It's fun in a throwback to the 90s way and I'm sure if I read this back then my teenage self would be bouncing off the walls with excitement. But my tastes have grown since then and I want a bit more from my entertainment. Liefeld is a great idea man but this series is showing that he's best when working with a master storyteller.

Major X for three issues is about concepts and ideas over story and narrative. It's not bad in any way and if you enjoy this type of story, more power to you. But, in this day and age I expect something a bit more from my storytelling. This one is all big guns and action and little else.

I think what we're seeing in this first issue is a classic Punisher, and that's my issue. I expected something more. Instead, we got something we've seen before many times.

I'm not ready to write the comic off, I'll check out the second, but high hopes and expectations have definitely been dashed.

The comic would have worked much better as a series of shorts in the back of some other issues, but on its own, it doesn't quite work. There's unfortunately not much there to really justify the comic or make it exciting. Marvel has been full of hits when it comes to their various Star Wars comics, but this one is definitely a miss.

While the concept of these one-shots is interesting, exploring characters from Star Wars over key time periods, so far what has been released hasn't been exciting. None of it is bad, it's just none of it has had anything new that has really shaken things up in an interesting way. They feel like deleted scenes from a film, scenes that while adding a little to the story aren't vital to your enjoyment or provide any new insight into the world we're exploring.

Really when it comes down to Stoneheart #1, it's just not for me. I know there's an audience for it and I'm not it, and that's ok. There's a lot for people to enjoy though and if you're into fantasy settings and worlds, this is one to check out.

It does its best to not fall into the zombie tropes but the comic could have used more of it. There's also some good in Sinestro's failures. But add in Lobo, Dove, and Mister Miracle and you've got a comic that's not quite sure what it wants to be.

Miles Morales: The End is worth reading but not something to rush out for. We'll see what the rest of the one-shots bring as the whole might be better than the individual issues. There may be a point in the future where the comic matters a bit more but at this point it feels like a one-shot that's generally forgettable.

The Joker #9 isn't a bad issue but it just feels like it shifts the story far too much from the initial launch. Having various groups all trying to capture the same person could drive the series for quite a while and feels like it was just being touched as far as potential. This one issue shifts all of that in a major way. This is an issue to read because of its possible impact on the DC Universe, not necessarily because it does its story any justice.

This year's Timeless #1 is ok. It does its job of deliver a teaser wrapped in a story, but it feels like a story we've seen with a new coat of paint. It's formulaic at this point in some ways and even Lanzing and Kelly's usual excellence isn't enough to breathe life into what's becoming a bit of a boring concept. Here's hoping we get something to revitalize the concept next year, because there's something there, but overall, it's a one-shot that's losing its luster.

If you're a fan of the Titans, you'll probably enjoy this first issue. For those who enjoy the greater mystery of who changed the world, this series may be key. For me, it's just ok and was missing that special something that gets me excited to come back for more.

The draw of Ultimate Invasion #4 is its setup of a new Ultimate Universe. It does that and does that pretty well. But, the issue, and series as a whole, rushes through explanation and background of key characters and moments delivering a reading experience that feels like the Cliff's Notes version of a series rather than laying a strong foundation and groundwork. Add in a cover price of $8.99 and it's hard to really recommend the single issue. This is an event as a whole that might be better as a collection.

This issue has me excited to see what happens next but also has me trying not to think about it too much. There's some summer movie popcorn moments delivered but it's essentially one giant fight scene with little else. My teenage self would have loved that but the adult me wants a bit more from my reading. The ok visuals don't help matters either. While it's not a bad issue at all, a fine addition to the overall story, it also isn't one that you'll likely feel satisfied with on its own. It's a piece of the larger puzzle in which case it passes but on its own, that's a debatable grade.

While the issue is just one piece of the puzzle, it's an issue that stands out for the inconsistent art. Thankfully Brisson continues to deliver the action and fun dialogue, a nice distraction that has me coming back for the next issue.

X-Men: Before the Fall Sons of X #1 isn't bad and as a finale to close the books on previous storylines, it does a decent job. But, that seems to be all it does and some of that with a wave of a hand. Coming after an event like Sins of Sinister too, it all feels like an odd timing of release. Those who got hooked from that even will be lost by it all. This is one for those who have been reading these series up to this point only, new readers will want to stay away.

The issue had so much potential with the re-introduction of X-Men 2099 but things feel squandered and rushed. It's clearer at the end of the issue that we shouldn't expect depth instead we're sort of getting a “this is your life” tour of X moments throughout the decades. That could work as a whole but as individual pieces it misses something until the end is near. Not enough focus creates an issue that's more nostalgia than anything interesting.

I said it with the first issue, I'm waiting for the end to really see how it all ends. This has been a rather odd miniseries to read as we know where things are and this fills in the gap. Who lives? Who dies? That's the questions this answers and the main draw for me. And in the end, it's all prequel for the event series to come next.

The issue has some important moments to move the story along but overall it feels like 90% of it could be skipped without one being confused going forward. We'll see if that's the case in the future but this is very much a bridge issue whose point is moving the overall story along. Stronger as part of the whole.

The issue is fine as part of the greater story but on its own, it lacks a bit. The art is solid and a draw but the issue feels like it's filler before we get back to the good stuff. What happens is important, it just didn't need to take an entire issue.

Again, the first issue isn't bad, there's just a spark that's missing to make it stand out from the pack. It is fairly standard Bendis and something we've seen before. It's not a first issue I'm jumping up and down about but I have a feeling that by the time things wrap up, that may change. If you're a diehard Bendis and/or Gaydos fan, then this is one to get, but for me, this is one to wait and see where it goes.

Supergirl: Woman of Tomorrow #1 is an interesting comic. It'd be fine as a miniseries on top of an ongoing. It'd be fine as an arc in an ongoing. But, as the first issue to establish the character, it kind of fails. Supergirl comes off as an ass here. She's not a hero I want to be around but instead a female Guy Gardner. There's little super in this Supergirl unless the creators were going for super-asshole.

I can see what Landis was trying to do here, I just think it could have been done in a better way that wasn't so over the top unbelievable and a ridiculous scenario. As part of the overall series, this could work, but as a stand alone, it misses the mark.

78 MPH #1 is a comic that almost dares you to not think too much about the details. It feels like a film pitched to Michael Bay or Roland Emmerich and even they said the concept was too far out there. I'm intrigued to see where it goes in further issues but right now it feels like a horror film where the sun is the stalker and those living are trying not to be hacked up. I want a bit more than that and here's hoping the comic can deliver.

A.X.E.: Judgement Day Omega #1 doesn't excite. It's what I've run into with the Eternals over and over. There's something rather dour about them. What I've read has been good but there's only so long you can read a bunch of depressing people before having to move on. This issue captures that aspect and hopefully it gets jettisoned before we see more of the Eternals.

The comic is good but not great. There's a reliance on knowing two characters and without that, it lacks the punch to really sell the issue. Still, as it progresses the action will likely be the draw and hopefully more explained. Absolute Carnage: Scream #1 is an interesting piece of the bigger puzzle but doesn't quite stand on its own yet.

The comic is an interesting one. The arc as a whole will be a key one building to the eventual confrontation between the DC Universe and the mysterious manipulator but on its own it's a little hard to recommend. While I recognize there's a great storyline some have been able to balance self-contained arcs with the greater narrative. This however leans a little too much one way.

Aliens: Aftermath is a good addition to the mythos setting up what's to come. As a one-shot, the comic feels a bit rushed and packed in and might have benefitted from a second issue to expand upon the characters, their mission, and tension. The issue has some aspects that just aren't explained enough but are intriguing enough that I want to see what happens next. This is one to read if you're invested in Marvel's line of comics but doesn't quite stand on its own.

For those that might not know Casey's history with Miss America, they may find a hero they want more of. For those that know the character, it's hard to not examine every word and every decision made. It's a fascinating comic on multiple levels but a frustrating one. Where Casey could have shown us what he'd have done with his creation that was far superior than what we've seen, instead we get what feels like a creator venting about having their toys taken away.

Almighty #1 isn't a bad debut, it's just a teaser of what's to come and it's pretty standard. People are on the run and people are pursuing them. Beyond that, it's a thin for plot but there's potential here. Laroche has teased an intriguing world and hopefully that exploration delivers an interesting read. As is though, it's a story we've seen far too many times.

There's nothing bad here, there's also just nothing that has me super excited to where things are going. We've seen this before in some ways and none of it feels new enough to really get me wanting to see where it all goes. This is entertaining yet forgettable and feels like it'll be going down as a rather mediocre Spider-Man story when it wraps up.

I finished reading the comic a bit disappointed, but I think that's due to such high expectations. It sets up an interesting story, and interesting characters, but the segmented style of the story without much explanation left me a little let down. Still, I plan on continuing to see where Azzarello and Doe go with it all before a final verdict.

American Psycho #1 isn't a bad comic but it just doesn't deliver the same witty commentary of its source material. It's just the first issue though and this is likely going to be a miniseries that'll have to be judged on the whole and not individual parts.

Antarctica #1 is an ok start. It takes a while to get going and there's some odd distractions along the way but the end of the comic delivers. It's enough to want to see what happens next, let's hope it gets more to the point going forward.

The issue is a middle grade one. It's not bad in any way and it has a goal of setting things up for the next couple of issues. It does that and does it really well. As part of the whole story, it's good but on its own it falls a little short.

The issue is new-reader friendly and should begin a payoff for followers of Pak's work. The debut is an entertaining one and a nice intro for what's to come. While it's not the best Pak has delivered it's still fun in many ways. Atlantis Attacks #1 gives new heroes the mini-event spotlight they deserve.

The issue isn't bad and as part of the event it's a fine finale. It takes stock of what has become before but when it comes to what's next, it lacks excitement.

The new characters are interesting but the setup that they're a real threat isn't there.

It's not a bad comic at all but it also never quite pops the way it could. The story is good. The art is good. It never quite gets to that moment where there's something really exciting. The comic comes off as an attempt to sell some toys and that's it.

The art is decent, action interesting, but the concept continues to be far better than the execution.

The issue isn't bad, it's just too similar to the last two issues. There's a disaster and Batman doesn't trust the two new heroes. Hopefully next issue we get a change up because this is a bit repetitive.

The last two issues have been some of the best of Tom King's run but this issue falls flat with weird dialogue and an odd take on Bruce Wayne and Wonder Woman. This is an attempt to continue the focus on Batman's relationship with other heroes as well as with Selina Kyle but what's presented is just bumpy. There's some solid stuff there, especially Selina's aspect of the story, but the rest is off. Maybe the next part will save this one, but what's presented just doesn't work.

The issue is an ok one and a step back in what has been a good run so far. The issue feels like it's full of cliches and tropes that never quite standout. Add in plotlines it feels like we've seen before. There's also groan-worthy moments that just feel like shallow attempts to recreate previous magic. Add in a lack of exciting visuals, the comic is a forgettable bridge to “Joke War.” Batman #94 isn't a bad read at all but it also lacks the excitement or interesting ideas that Tynion has entertained us with so far.

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Much like much of the Ghost-Maker arc so far, Batman #104 continues a story which has potential but never quite nails the interesting meat of it. The issues feel like a build-up to what will be a packed final issue that really lays things out. This seems to be Tynion's pattern with his multiple arcs so far. The initial issues lay out some interesting concepts, dances around them, and the final issue lays out the theme and "conclusion" of the arc. It creates for issues where things don't feel satisfying and as a reader we're left with potential with little payoff.

Batman #132 isn't a bad issue and the arc so far is ok. It feels a bit like a filler arc until the next big story. There's a lot here that could be interesting but it doesn't totally commit to its underlying themes that would make it truly stand out. Hopefully, this is one whose whole is stronger than its individual parts.

Batman #133 has solidified my thoughts on this arc, the main story and back-up are flipped. The comic should feature Tim and Jon Kent's attempt to find and rescue Bruce as the main draw. A story of a “rescue” of Bruce from an actual ideal world could have been a bit more interesting than Bruce again finding he needs to don the cowl in an alternate world to dispense justice. Overall, an entertaining, though overall ho-hum arc so far.

As a whole, Batman #134 isn't bad. The story arc isn't bad. It just doesn't feel fresh and interesting and feels like something we've seen a few times before. There's little that's surprising at all from a villain reveal that is exactly who you think it is to obstacles that surmount to character we know + venom. There was a lot of potential here to do something different, instead, it's played out as expected so far.

Batman #138 isn't bad overall, it just could be so much more. There's an emotional ride that really works but the comic, and story, can't keep things focused on the simple aspects that really stand out, and instead takes things to another level adding in elements that don't need to be there for a good story. Savage's actions could be a whole other storyline. Instead, Batman #138, and “Gotham War” as a whole, feels like an interesting concept where more plotlines keep getting added and diluting what makes it stand out.

Batman/Catwoman #1 is a bad start, it's just not as engaging as it thinks it is. There's some great ideas and each era could be a hell of a story by itself. The issue is that there's too much attempted in the first issue with not enough time spent on each. It makes for a beginning that sets things up but doesn't feel satisfying by itself. It's the teaser before a film's credit. It can catch your attention but rarely is it good by itself.

Batman/Catwoman #4 isn't a bad comic. It's just a frustrating one. It feels like two of the three plotlines don't really go anywhere and at least one will have you asking what the point is. Any of the three stories would be solid on their own as a trilogy of comics. But, as presented, they're chopped up too much never delivering enough to really satisfy.

Batman/Fortnite: Zero Point #1 is for fans of Fortnite. With downloadable content included and how the story is presented, it's clear this is to get the video game players to check out comics and not comic readers to check out the game. There's a good chance that the story comes together but as presented, there's not enough for comic readers to really get sucked into the story. For Fortnite players, they might be more into it.

Batman/Spawn #1 is very much a remnant of the 90s. It has some great ideas that are never fleshed out and what's presented is a choppy narrative that never flows. The art is the driver and even that isn't quite as good as we'd expect from this team. Overall, this is one for those who are hooked on nostalgia and not much more than that.

Batman Beyond: Neo Year #1 is an interesting start and more than enough for me to come back to check out the next issue. It just doesn't feel quite as new reader friendly as I hoped leaving me feeling like I missed a lot. It's not so much a start as a continuation of… something. Still, it's an interesting continuation with a lot of potential.

Batman: Fortress #1 is a fun and entertaining start but it's not necessarily a comic I left super excited about. It's good but overall fills like a filler arc in-between two major arcs in an ongoing series. Its direction should be interesting and I have my whole predictions about Superman but as far as a start, it's good. This is one for those that want the start of a summer blockbuster story featuring Batman or those that are a big fan of a character but overall, it might be one you want to wait for the collection.

Batman: Last Knight on Earth #2 isn't a bad issue at all. It's a chapter in the greater narrative and will fit fine in the end. However, the dreamlike flow of the issue creates a choppy narrative that at times is jarring and others makes no sense. It's just not as good as the far superior first issue.

It's not all bad, there's something enjoyable about the comic but it's a bit breezy as far as a read and just misses the magic of what made the original animated series work. This feels like a comic aimed at kids. The cartoon was aimed at kids with maturity and complexity that could be appreciated by adults. Without the nailing of the nostalgia and some questionable dialogue and flow, the excitement for this new series has quickly deflated.

There's something to say about Jason's path in general. There's something to say about recovery from trauma and while we all have our own path, we still need support. All of that is there but it's never feels like any of it is really discussed or explored, it's all surface deep. Hopefully we get a bit more of these interesting ideas but as is, this is a series that feels like it knows what it wants to say but not how to say it.

Battle Chasers #10 is frustrating. It isn't the welcome return one would hope and instead feels like a series and project whose time has passed. Like many “classic” series revived, it doesn't stand up so well and the nostalgia isn't quite enough to really hook you. Overall, a bummer.

The first issue is decent with a vibe in some ways back to the 90s when this character was swinging around. I'm not completely sold on this series but intrigued enough to see where it all goes from here.

The first issue is good setting up the situation and giving us a good idea as to the world we're introduced to. While there's some narrative and art issues it's nothing that breaks the comic in any way. The first issue feels like a good start and from here the question is how it'll differentiate itself from the rather famous play it references a bit too much.

Though the ending of the issue takes it in a different direction, Bishop: War College #1 is an intriguing start that lays the groundwork for an exploration of Bishop's mission and drive. We'll see if it continues this direction and dives in, as expected, in a “Scrooge” sort of story, but here's hoping.

There's a lot to like about the first issue, and for those who grew up reading Marvel comics from the 70s and 80s may appreciate the tone of the series. What Tieri does with Dane will be interesting, and how he's started the series has me wanting to see what happens next. A “hero” as an addict is an interesting concept, and one that Tieri looks to explore more.

The first issue is good though not great but it impressively serves to be easily accessible for new readers while expanding the world for long time fans. It's also solid enough I want to see what's next. The focus on the technology of Wakanda has me very interested in seeing where it's going and what we'll see, there's a lot of potential there and that aspect has me excited to see what's next.

The first issue has its problems, but it's well worth checking out for what feels like an amitious project and release. While I'm a bit mixed on the first issue, I can't wait to see what comes next.

Captain America: Cold War Alpha has its moments and feels like a summer popcorn action film, but, it also feels like a story that you really need to know what has been going on before. The issue does what it can to catch readers up but it doesn't quite nail that down and might leave readers even more confused. If Dimension Z or Ian are completely foreign to you, this is a kick off that might fall a bit flat.

Captain America: Steve Rogers #5 is an interesting issue that will give you a lot more information about Civil War II and may even change your perspective about the event as a whole. It's interesting issue and as a part of the bigger storyline going on throughout the Marvel Universe it's more intriguing, but on its own it still feels gimmicky and sowing the seeds at the next event to come after Civil War II.

Carnage: Black, White, and Blood #1 is an interesting comic. If you're a fan of the character, go for it. It's entertaining and has some interesting takes. For those new, there's not enough that really jumps out. It's good one-and-done stories that has some “fun” with a despicable character.

The issue is entertaining and while it didn't blow me away, it was fun enough to have me come back to read what comes next.

Two issues in and the series is focused too much on emotion when it'd have been much better off putting that off to focus on the debate of how to stop crime that's the core of the series. While it covers a lot, in the end, the second issue continues to leave the event series' debate shallow at its core.

The first issue is an interesting start. It's enough to get me to want to come back for the second, but I definitely was a bit lost in the beginning. This could be one that'll play out better in trade form, but we'll see!

Crime Syndicate #1 is a bit too much of a fresh start with an unexpected tone that doesn't quite fit. These were brutally evil characters who were always plotting. Here we're presented with more goofy mirror images of heroes we know. There's potential for the series as it goes on with more interactions but as is, the comic is a bit choppy in its presentation getting them to that point.

With some fun pop-culture references and a big action sequence, Crossover #5 is a fun comic to read. It stumbles in that it could use a bit more of a setup. Steps feel like they've been missed and we go from 0 to 10 in no time at all. I thought I missed an issue when I first began to read the comic. Still, it delivers action, drama, and ups the stakes of it all.

Crossover #6 feels a bit thin for the end of the story-arc. Its emotional moments don't hit the way they should. The reveals are pretty obvious. It does its job but doesn't excite and takes some of the air out of the balloon. The issue relies too heavily on its visuals to bring the entertainment instead of delivering heart.

The issue ends with clearly the villain that Vic will be up against. I have no idea who that is personally, but the design is cool. The issue as a whole is an interesting one, moving away from a focus on a superhero with a disability to a superhero who may not be human. It's a switch, but the tone of the comic feels similar to the previous volume. Overall, interesting stuff.

Daredevil #1 feels reserved in many ways. It's a slow start overall that has interesting concepts but not an interesting pitch of those concepts. It feels rather safe in some ways and a little bit of a throwback in others. After the wild, emotional driven ride, that was the previous volume, this one is a definite change in pace.

It's hard to say if I had no idea of Miller's ideological leanings how my views of this issue might have changed, but even without that knowledge it's clear Miller's focused on the rise of Al-Qaeda's more insane offshoot ISIS now. I can't judge the whole tale since there's much to go, but this issue is a huge shift from the first two in its tone and what it's trying to say. It's one I expected considering how the last issue ended, but I clearly still wasn't prepared for.

The issue isn't bad as it sets up the finale, but it just feels like the momentum has been lost a bit due to the delays in its release. When read as a trade I'd expect my opinions to differ, but as a single issue is how I'm judging it right now. Still, it sets up the next issue in a way that I'm hoping the wait is minimum as it looks to be one action packed ending.

Much like DC continuity, it's a bit mixed for everyone. At this point, it feels like an end of the journey and I more want to see where it goes and what's next than the details of the event itself.

That focus is needed. Dark Wing #1 doesn't explain a lot about its characters and world. You're really forced to figure out who people are and what's going on by a sentence or two. The set-up is built into the story which is itself focused on the action. This feels like a bit more dense of a comic debut and should be interesting to see where it goes but as it stands this is one that might be for those really into space focused science fiction.

Where this is all going, I have absolutely no clue. But, the first issue is entertaining enough and has me looking forward to the next issue to see what'll happen and what else Ennis can deliver when it comes to winks and nods.

If you're looking for some horror comics for the holiday season, there's so much better that's out there for the price point. If you've read all of those, then maybe this is worth it.

DCeased: Unkillables #3 is both a satisfying and unsatisfying end. There's some great moments and a good sense of humor used but moments that really should have played out feel a bit rushed and the art never quite delivers the shock or the awe. It feels rushed in some ways with too much packed in and a finale that could have benefited from a fourth and final issue. As part of the overall story, it's not bad, but on its own, it falls a bit short.

The comic isn't “deep,” it knows what it is and goes with it. Some times mindless action is all we're looking for, and this comic delivers that in a good way. For folks who want a comic that's straight up action, this one is for you.

Deep Beyond #1 isn't a bad comic at all. There's a lot that's interesting and as it progresses there might be more to it. But, the first issue doesn't stand out from the crowd. There are far too many comics out currently with similar concepts. There are even comics that have a similar visual style and color palette. In a time when that wasn't the case, Deep Beyond #1 might have been one to really notice. But, as is, the comic is outshined by others that are far more interesting and deliver a better hook.

The issue is an interesting one and could be a story on its own. The issue however suffers from delays, as the event as a whole has, with months between books giving just enough time to forget what happened. In this case that gap makes this feel like a whole other story. Doomsday Clock continues to frustrate in ways delivering a compelling story but doing so in a way that feels like it's being stretched out and not for the better. Still, there's the mystery, and the comic book fan wants to see how this one plays out.

The issue is a pretty standard one with a confrontation, punch before knowing everything, and various other tropes. It's also the first issue where everything begins to come together and become much clearer. It's the beginning of the end but there's clearly more twists and turns to come in the next three issues and questions we've had since Rebirth look like they're finally going to be answered.

While Empyre: Fantastic Four doesn't quite have the excitement of Empyre: The Avengers, it does add in some more details about the current state of the cosmic Marvel Universe and how things are shifted. It's a transition to get the team into the action without using up an issue of their main series. But, as is, this is a prelude issue that's more interesting to read than a must get.

Empyre #5 is a bit of a letdown in that it brings the event down to the level that was expected. It's an issue that's about the over the top action in some ways betraying the more insightful previous issues. It is a lowest common denominator in some ways walking back what was an interesting event. Hopefully, as the event wraps up, we're treated to more of what was and not just more of this issue.

Eternals #2 is an interesting comic but is a bit scattered in its presentation. Too many threats and too many concepts are on the table making the end result a bit jumbled and a little confusing. But, there's truly beautiful moments. Any of the plot threads could have been a comic by itself. But, all together they feel like a slice of something bigger, none of it stand on its own. While the debut was a home run of a start this second issue loses much of the momentum.

Everfrost #1 is an interesting comic. It'd likely have been stronger focused in on Van Louise and her attempt to escape. But, it decides to show us a bit more of the world taking the focus all over. It's one that has fantastic concepts. Now, if we could get a bit more of each.

There's nothing bad about this first issue but it also doesn't push the envelope enough… yet. This is a comic where anything can be done, so to stand out it needs to take advantage. What's presented is a standard get the team together story with half the team gathered. We'll see what this is like when the entire team shows up as the character interactions will potentially make it stand out but for a first issue, this is pretty standard stuff.

Exit Generation is an interesting debut overall. I like the concepts, I'm just not completely sold on the end result. It might have been due to high expectations set by Read's Find, but I found the first issue of Exit Generation to be good, just not great.

While new readers might find this interesting, All-New, and All-Different, may feel like a repeat and been there, done that, to long time “X” fans. The writing is good, the art is solid as expected. The first issue just feels like something I've seen before, and there's nothing new to get me excited to see what comes next.

The issue overall is entertaining and as a slice of the overall story, it works, but on its own, it feels like an empty summer blockbuster.

While not bad, Fantastic Four: Antithesis #1 is one for the hardcore Waid and Adams fans.

Fathom Vol. 8 #1 is entertaining in a lot of ways and moves the narrative forward. Where it ends up delivers what's likely a second issue that might be more new reader friendly. With some narrative changes, this could have been an explosive debut reinvigorating the series. As is, it attempts to please two camps of readers and in the end wind up making neither happy.

A new comic from Jeff Lemire has me scratching my head and grossed out.

I honestly remember so little about reading this the day after which is not a good sign at all.

Flash Forward #1 is an interesting start to this miniseries. It feels like it's a story you need the whole picture before truly judging. Unfortunately, we have to do that one issue at a time. With that, this feels like one that's worth a read but maybe hold out for the trade.

The issue was good, not great. It feels much more like an addendum to DC Universe: Rebirth, rather than a one-shot to send this character on his way. The Flash seems like he's at the center again of the DC Universe, but other than a few bits of dialogue, you wouldn't necessarily know that here.

Flashpoint Beyond #1 has a lot going for it and maybe as it goes along things come together. But, as is, the comic feels like concepts from something else reworked multiple times into this. It throws out a bit too much and it's interesting aspects at times feel like bad background scenery. The comic feels like it's just slightly off, which may be rather appropriate since that's what Thomas Wayne is experiencing and attempting to investigate himself.

X-Force #37 is a piece to the overall story and in that way it's good. But, on it's own, it's just ok delivering a reveal that doesn't land partially because it's been dragged out so long. There's little chance it could have delivered the excitement that's been built up to this point, a story that works against itself in that way.

Fortnite x Marvel: Zero War #1 isn't bad, it sets things up for what's to come. It does its best at explaining what's going on. Fortnite fans may understand that a bit more but those new might feel a bit lost. While it's not bad, the comic might be one for Fortnite fans more than just Marvel.

Future State: Superman of Metropolis #1 is a decent read but doesn't quite have the excitement I was hoping for. As an arc for an ongoing series, it'd all be very interesting but as a two issue story it feels like we're dropped into something well underway.

Future State: The Flash #1 is a solid story arc for an ongoing series. It feels like one of those fill-in stories in between bigger arcs that lasts a few issues. The comic doesn't blow me away, or excite me, but it's still a good read that's entertaining.

Future State: Justice League #1 is an ok comic. It's not bad. It's also not exciting enough. Both stories have their moments and interesting aspects. But, the Justice League characters are a bit more interesting in their own "Future State" series. The Justice League Dark story packs a lot in but misses that punch to really make it exciting. This is one for those who really want to see more of these characters or worlds.

At $9.99 for the first issue, G.O.D.S. #1 is a “pass.” If it had a cover price of half that, it'd be a “read.” But, as is, the comic feels like a one-shot that has little connection to the Marvel Universe and impact featuring a trio that's are a clone of Doctor Strange's world. For a series that was built like it'd shake things up, it just introduces a bunch of new characters who deliver Hickman's charm and cool concepts but there's not much else beyond flashy art. It's the blockbuster that is all style and little else.

G.O.D.S. #2 continues to show potential but never feels like it commits to its greater concepts. Everything feels rather pedestrian and like any other magical Marvel story. It's been hyped up so much at this point, it's hard to see it living up to expectations, the pitch, or hype.

Gambit #1 plays into the nostalgia crowd. Unless you absolutely loved this moment for the X-Men, these characters, or Claremont, it's an issue that doesn't make a case of why it's needed. It hasn't yet revealed anything particularly interesting. It hasn't made itself vital. It also has a choppy sense in its narrative. It feels like a missed opportunity for one of the best to return to revisit a classic era.

GLOW the comic features the same characters as GLOW the television show but the two feel like two very different entities in their focus and tone. The television show is a much more serious adult drama with comedic elements while the comic focuses, at least for now, on the more comedic aspects of it all. And it still works. For those coming in from the show, the difference might be a bit jarring but for those new to it all, this debut issue is a fine introduction to this slice of entertainment history.

Godzilla vs. Mighty Morphin Power Rangers #1 is an entertaining debut. It has the moments you want and will get fans of the properties excited for what comes next. It's also rather predictable in the beats it hits. Hopefully, what's to come is a bit less so.

Gotham City Monsters #1 is an odd one. While the comic itself is entertaining it never quite makes the case as to why it needs to exist. With so many events and such a big story it ties in to, there's never a real sense of urgency or threat. The tone too in design and story never quite matches the concept both being a little light for what should be more serious. There's potential here but this may be one to wait for the eventual trade.

Potential, that's what I walk away thinking after reading this, the final issue of the story arc. Green Arrow is starting to hit the social queues that I've enjoyed about the character in the past, but hasn't dived too deep… yet. We'll see where it goes, but we might be seeing the start of a good balance between the Arrow of today and Green Arrow of yesterday.

Overall, we're seeing the next step for the Emerald Archer, and while the first story of this new arc didn't have me pumped with excitement, it did have me very intrigued to see where it all goes from here.

The first issue is a good, not great, one that dives into setting up what's coming up for the series. It looks to dive pretty deep into the Lantern myth. That might not be great for new readers, but for long time readers, this should feel like a continuation of things that have come before.

The issue is the quiet before the storm as a new baddie for Simon and Jessica to deal with is right around the corner. I just worry that Humphries has given is a bit too much foreshadowing and what I expect to happen will. The comic feels like the part of the story where the partner cops share something and one of them then gets shot and killed. Hopefully, I'm wrong and it's not that predictable, but we'll see.

Hellblazer: Rise and Fall Book One is a fun comic with a balance of horror, humor, and a little bit of comedy. Constantine fans should enjoy this self-contained story. Those that are new to the character can dive in without any knowledge of the character. It's not the best I've read featuring Constantine but it's entertaining and there's a lot of potential for where it's all going. As is, the first issue is good but doesn't quite have the spark to make it really stand out so far.

Much like the first issue, the second feels more like the set-up for something big coming but also like the first there's not much action here. Its focus is interesting as it's a chapter in the meta story that's being built. New readers might feel a bit bored by this entry, so far, but for those engaged in the bigger picture, this is as solid an entry as everything else helping build the amazing tapestry that is the Hellboy world.

There's a lot to like about the issue with some humor breaking up the seriousness of the series and moments that have you looking forward to what comes next. Then there's other moments like the Lois pin-up and a few scenes where it's hard to tell when they happen that makes things a bit disjointed in flow and tone. It's a mixed-bag of an issue for an otherwise intriguing event series and for a writer who generally nails these things. Hopefully it's more a bump in the journey than a sign up things to come.

Heroes Reborn #1 is a bit of a mixed bag. Some of what works does so really well. But, there's also a lot that feels like clunkers. There's a mix of styles and voices in a way and it doesn't always blend together. Some of the comic feels like a spoof of the past. Some of the comic feels like an homage. And some of the comic feels like it's taking itself too seriously. It's a bit mixed as to what it wants to be. But, its mystery is one that has me wanting to come back and see what's behind all of this and more importantly, what comes after.

Heroes Reborn #2 isn't a bad comic at all. It just doesn't feel like the “main event”. The stories feel like either slivers of an issue's worth of storytelling or they feel like something that'd normally be relegated to a tie-in. It's not bad at all but like the debut, it feels a bit like a throwback in some ways. Overall, not bad and will work when read all-together, but on its own, it's a bit of ho-hum.

Heroes Reborn #7 like the issue before both works and doesn't. There's some great ideas and concepts but it never quite clicks and flows. Everything feels too short and like it's missing that moment that really hits you. The fact that it ends as just one chapter doesn't help matters. This is another Marvel event that doesn't hit the mark.

The issue is driven by the action and whether Cyclops and his team will complete their mission. But, with Hickman's hook in Moira X it doesn't matter as things can be done over and over. The fear of finality is taken away. Along with knowing the series that are next, the deaths in the issue ring rather hallow. House of X #4 leaves us with a comic that's an inch deep on inspection. While enjoyable, it rings rather empty in the end.

The first issue is a solid start. It definitely had the comedic and fun moments I was hoping for, and you can see Barbiere working through how the team will gel together. It's a menagerie of characters that I wondered how they'd work together, and we're seeing the answer is quite well. An entertaining start that has me interested in seeing what comes next.

Hulk vs. Thor: Banner War Alpha kicks things off as promised. It's a comic, so far, about these two fighting, not much more. If you're looking for a decent reason or depth, this isn't delivering that. If you just want to see these two punch each other, then this is your pinnacle of entertainment.

Hunt for the Skinwalker #1 lacks up a build up and the tension you'd hope for this sort of story. Things happen rapidly and presented without question. It's a series of events as opposed to an ebb and flow of quiet, tension, and then catharsis. It feels like a visual Wikipedia entry, delivering facts above a narrative that would have us buy into the story and care what happens to the people within.

I Am Batman #5 unfortunately falls short of what it could be. This is an issue that could plant a flag that there's a Batman that's not Bruce Wayne and not White. This is a new Batman going off in his own direction and who is an icon for multiple reasons. Instead, the issue feels rushed attempting to wrap up its initial storyline, giving us an important moment between father and son, and setting up the next arc. None of that really gets the amount of time it needs. It's an unusual stumble for Ridley and hopefully one that lasts just this one issue.

I Am Groot doesn't break ground instead delivering a (too) familiar story with a character I'm already worn out by. It's cute though and definitely a comic geared towards Groot fans or the younger set getting into comics. It's one that might work as a digest or graphic novel, but the first issue is enough that I want to see where it all goes and if we can be delivered more than just three words over and over.

While I expect things will eventually get good, the start is a bit slow.

Infinite Frontier #0 isn't bad but it doesn't quite excite. By the end of the issue I found myself more excited about concepts than the comics themselves. Very few of the segments left me wanting to immediately find out what happens next. Instead, it the comic feels like a short ashcan, teasing what's to come with a few pages and back material to fill things out. It shows what's to come but it never quite puts things over. Instead, it nails its role as a guide, a way to browse what DC has to offer.

Like a big budget film, the comic is good, not great. It has some very humorous moments, but also feels a bit empty at the same time too. You'll enjoy it while reading, but as soon as you're done you'll forget about it and move on. With past runs that had us examine Tony attempting to change the world for good through business, as well as confronting his self absorption, this debut is very dialed back. There's some decent groundwork laid out, but as a single issue it doesn't quite hold up. Hopefully future issues will give us a bit more.

Iron Fist: Heart of the Dragon #1 is a bit mixed overall. It might have helped to have slowed things down a little and give more time to let the story be explained and details filled in. As is, the comic is pretty quick paced with the actual story being a little thin and specifics. There's potential here with a turn your brain off sort of adventure. While it doesn't meet of expectations, Iron Fist: Heart of the Dragon #1 still delivers some fun.

There's nothing bad about Iron Man #3 at all. It's a solid comic with an interesting story and great art. As a chapter of the opening arc, it's fantastic. But, the arc so far isn't anything that's jumping out as an instant classic. It is fantastic storytelling though. It's also a great exploration of Tony Stark as a person. If you're a fan of Iron Man, Cantwell, or Cafu, it's an issue to check out but for new readers, this isn't one that'll hook you.

There's a lot of potential here but the comic never quite commits as to what it wants to be. It's entertaining in a pulp/grindhouse sort of way but at times it feels like it wants to be serious and other times it wants to be something like a John Carpenter film. With a bit more focus, the story would be amazing and a lot of fun. As is, it feels like it's unsure as to what it wants to be much like the Jesus it depicts.

Juggernaut #3 seems to be taking the series more into a bigger narrative and direction based on the revelations about Quicksand. The series' strength has been the introspection by Cain over his past as well as his obsession of regaining his lost power. Unfortunately, that feels like it's getting sidetracked. What started out a strong series might be getting distracted and lose its most interesting aspect, a main character looking for redemption and a path forward.

Justice League: Road to Dark Crisis #1 isn't bad but it also doesn't get me excited for the major event to come. It feels like an annual that gets released because it's on the schedule more than anything. While there's a bit to catch readers up, it doesn't do a great job explaining what has happened or the looming threat. It also doesn't quite make it feel like there world is worse off for the Justice League not being there. Overall, things are going fine. That also might be the point. But, if it is, why should we care about what's to come?

The issue isn't bad, and there's some nice things done with it all. I wish there was something more than just a new version of A Christmas Carol. I will say, Williams gives us actual reasons for the end of the issue that makes sense. For those really into “Darkseid War,” the issue gives us some more insight into the Black Racer and why the Flash must be death.

While the comic isn't the grand cosmic adventure I was expecting, the series so far is improving and has a vibe to it that reminds me of the recent Dark Knights: Metal event. I have a feeling the overall story is going to be more enjoyable than each part as the puzzle comes together. So far, it's intriguing though not quite enough to get me truly excited.

Justice Society of America #2 follows a pattern of Johns' recent work where the whole tends to be stronger than the individual part. While this issue doesn't excite, it has references DC fans will appreciate, you just need to know the history. Hopefully, it all comes together eventually in a way everyone can enjoy it, but as is, this is for the diehard fans.

The issue isn't bad at all, and I want to see what the second issue is like, despite a weird stopping point. There's absolutely some potential in the fist issue and where it all goes is key, but the comic overall doesn't feel like it's special or new. Hype has definitely hurt the comic, but expectations are what they are. In this case, the comic didn't meet them, and feels like something I've seen before.

King in Black #5 is a fine finale. It wraps up the event well and there's some cathartic aspects to it. But, for an event that was so good, it's a bit of a letdown. The comic lacks that memorable moment and the one it delivers feels like we've seen before. It's the end sequence for a summer popcorn film that attempts to be full of ideas and visuals but lacks depth.

Kneel Before Zod #1 shows a lot of potential but the comic doesn't really nail what it's attempting. There's interesting moments and it sets up a lot of conflict to come but overall, the comic feels a bit like it's going through the motions but lacks substance.

While it has its moments, it doesn't use its setting enough to really drive home the oddness that can be a part of that living. Still, there's some small moments that make the issue entertaining to read.

Last Stop on the Red Line #1 is an interesting debut issue. For those who really enjoy a supernatural thriller, it's one to pick up. The fact it's being released as a monthly comic seems to hamper the debut. This is a case where the trade may be the better read so it can be enjoyed in one sitting. I hate to say trade wait but this might be one worth doing exactly that.

Overall, Limbo #1 is a good comic. For fans of detective stories, this is one you'll want to check out. There's definitely a lot of questions left out there, and I may be right in my initial thoughts this is the afterlife, but the set up is good and characters more than interesting enough for me to want to check out the second issue.

The first issue has a lot of potential and I want to see where it goes. There's a good chance the miniseries will read better as a whole than it does as single issues and those issues I have with the weird visuals will be explained later. Little Bird #1 absolutely creates and builds an interesting world but leaves too much out there not explained or acknowledged to not distract from the main story.

Overall, the first issue did exactly what I'd hope it'd do, give me more information about some of the characters from the film. None of it is shattering, and I'd actually recommend going to see the film before reading the comic, but as far as a "movie" comic, it's an entertaining first issue.

The issue isn't bad but also doesn't quite pop. There's some solid mysteries set up and there's more than enough to want to see where the comic goes but as is, this feels like an issue that may read better as part of a trade than on its own.

In the end, the comic feels like a person running from people in costumes. The setting and those costumes could easily be replaced with little to no impact. Mall #1 sets up an interesting concept but spends too little time fleshing it out to benefit from what could be a truly intriguing world and comic.

Mann's World #1 is a good start that has me want to read more. There's a lot of potential and I want to see where it all goes. Hopefully, the comic doesn't just devolve into a story we've seen so many times before. There's a lot of space to really discuss the ideas and concepts set up in the debut and I'm hoping the comic embraces its worthy discussion instead of just leaning into the action.

The first issue is intriguing, it's definitely not what was expected. It's a literal puzzle that feels more like an event than "Marvel Knights." That's not bad and this is one to judge after a few more issues but this debut is a headscratcher.

Whil not bad, it also feels like it's a missed opportunity. The issue plays to those who know Marvel's history with the full enjoyment only really being experienced when you truly understand everything you're reading. This is the trailer for the film to come and like a trailer, it has me interested in what's to come but in itself, it's not a complete story.

Clearly geared towards kids, the comic is perfect for those who enjoy the Avengers Assemble or Guardians of the Galaxy cartoons. I'm definitely not the audience for the comic, so while my scores are not bad, it's an absolute buy for kids.

Mega #1 is a debut of which the details are some of the more interesting aspects. The dysfunctional aspect of the family creates a group dynamic that should make what comes unique in some ways. There's enough detail delivered and enough focus on the family interaction that it has to play out in future issues. There's nothing bad about the series. It's an entertaining enough debut issue that fans of the kaiju genre should enjoy. Here's hoping that as the story plays out that the series delivers something more than we've seen before.

The comic is ok. There's nothing inherently bad about it but there's little that makes it stand out. The “premiere edition” features designs and penciled pages but it's all standard items we've seen in trade collections. Much like the story, there's nothing new or particularly unique.

As a first issue, this didn't hook me in the way other comics have, but that doesn't make it bad at all, it's just a slower start. Cain admits this is just a small piece of the bigger picture, so I'm not expecting a full personal judgement until I've read the first arc, or at least a few more issues. If you're willing to do that, then you might want to check this out.

Money Shot #1 is very much the set up introducing us to the cast of characters and setting up the dynamic. It has glimpses of really smart commentary. But, so far it doesn't really commit to it or pull off what I think it's going for. Like porn, it goes through the motions but feels a little empty and fake.

This final issue twists things a bit which is good as it's an improvement over the last four issues. Kid Kaiju steps up to take on the enemy and his powers are interesting harkening back to some retro stories. It's clear what the intended audience is for the upcoming series based on this final issue, but I'm also a little baffled how an ongoing series is spinning out of this. I have some ideas and this final issue has me intrigued as to what's up. What's really impressive is this final issue boosts what has come before and makes the whole series an interesting read.

I had hoped for a bit more from this comic, but I did have high expectations considering the creative team. It's a decent start and different direction, but the first issue relies WAY too much on settings and characters we've seen before.

The comic might not be completely original, but it's fun, and some times that's exactly what you need and want.

The series has a lot of potential. With a team that can go anywhere and experience anything there's so much that can be done part of the fun will be to see where it all goes. There's also the mystery of the team mention in Metal that's a mystery. The concepts are there. The mystery is good. The canvass on which it can all be painted is impressive. The delivery though is a bit lacking. This very well could be a case where the overall package is better than the individual issue but with just one that's a bit difficult to tell. As is, this is one I'll read but the excitement has waned.

New Fantastic Four #1 isn't bad but it also doesn't excite. The best moment involves Spider-Man and the Vulture and then a later joke involving the Vulture. It sets things up nicely but doesn't do it in a way that you have to read the next issue. It sadly feels like a forgettable spin-off miniseries or a short story arc where you just wait for the next bit thing. Nostalgia is great but we need a bit more than this.

Night Thrasher #1 isn't a bad comic but it also doesn't live up to its potential. A comic focused on gentrification while also exploring the stars of 90s comics to today would be a fascinating read. It dances around those concepts instead relying on reveals that are predictable but also only hit if you're really into the New Warriors. Overall, the is a comic for Night Thrasher fans that others will likely want to skip.

It's a slice of story in the overall arc and doesn't quite work on its own. It feels like a story that can't quite fit in the main event series but also doesn't quite stand on its own as well. Maybe as the issues play out it'll work a bit better but as a debut issue, it falls a little short.

Nocterra: Blacktop Bill Special takes some of the mystery of the character away and adds little in its place. It's an issue we don't really need and feels like material you'd find and as a backup story throughout a few issues. This is one for the hardcore Nocterra fans but be prepared to have the real questions not answered.

Original X-Men #1 isn't bad but it feels rushed towards the end. There's far too much that you just need to take at face value, not questioning the choice or direction. The comic has a nice setup but about halfway through the pace picks up with the final quarter of it condensed far too much. There was also a tease of when "the dust settles, one hero will remain, trapped in the world as we know it, which doesn't happen here, so it's a bit odd to include it. Overall, there's a lot of odd choices about this comic and it'll be the end of the series where it'll have to be really judged.

The comic is hit and miss for me. Overall, I think it'd work better in smaller chunks as a back-up comic, but I also accept that I'm not the audience intended for it. Still, it's cute in many ways and there's a lot of potential here to see the comic stand on its own. So far though, this is more slice of life than superhero antics.

It's an issue of building and while that'll work when read in one sitting, it doesn't as individual issues. One wonders how this would have read if it was released all at once as a graphic novel. While I'm still reading the event to see where it goes, I generally feel like I haven't missed much up to this point. Some editing to speed up the pacing would have absolutely helped the first three issues and it should be interesting to see how the rest of the series goes but so far this is greater hype than entertainment.

Plunge #6 doesn't stick the landing. It crashes hard. The series was one full of mystery and such interesting concepts and ideas. The package just doesn't come together and jettisons all of them for a standard ending that's been done before so many times. I wanted to see how this series ended but when I got to the end, it actually lessens what comes before spotlighting that it was great ideas with nowhere to go.

Post Americana #1 delivers a good amount of action and some interesting concepts but as a whole has presented a lot of bad guys and no one to cheer on. Why wouldn't I want a government to restore order when cannibals are running about? Where is the part of society that's functioning and I'm supposed to care about? None of it is presented and none of it is really hinted at. For once, I'm hoping the 1% wins.

There's nothing wrong or bad about Power Girl #1. It's just the comic doesn't stand out. It has its moments. It has entertaining moments. But it lacks really memorable moments. As an introduction to the character, it works, but overall, it feels like back-up stories released as a first issue instead of a big splash to hook the reader. Hopefully, the second issue gives us a bit more, and what's hinted at has potential, but not sure you'd miss much by skipping this issue and starting with that one.

Radiant Black #2 isn't bad at all. Unfortunately, Nathan is a bit of a depressing character. We see a bit of him coming out of that towards the end of the issue and hopefully that's part of what Higgins is going for. The comic is really well done, it's just a bit of a downer missing that escapist joy the spandex and flight brings. And maybe that's part of the point of it all.

Rat City #1 feels like an interesting opportunity that falls short. It ties itself a bit too much to whatever is going on in Spawn instead of building upon themes and concepts from the original series in new and interesting ways. While there's a lot of potential, it drags along not using the extra-length issue to make its main character interesting and one we want to learn more about. Add in some rather odd dialogue and you have a debut that's serviceable but doesn't hook the reader. Unless you're really into Spawn and the “necroplasmic detonation,” this is one you can generally skip.

Focusing on Storm attempting to bring Magneto back from the dead, unless you're really into that aspect, this one's a pass.

The overall story is still intriguing and there's some moments here and there that stand out, add in a new X-villain and it's not quite a story to give up on but there's something that doesn't quite feel special enough to justify the price of admission.

Rogue State has potential and maybe as it gets going things improve. But, as an opening issue, Rogue State #1 falls into the trap so many high concept comics have lately. The concept doesn't match the execution and things fall short of what is promised. It feels a bit scattered in its focus overall. We'll see if that continues to be true but for a first issue, this one stumbles.

Savage Red Sonja #1 isn't a bad comic but it doesn't really stand out from the other Red Sonja comic out there and there's nothing so far that feels very “savage.” It's perfectly fine sword and sorcery it just doesn't go beyond much than that.

Spencer ends the issue with a “shocking surprise” and again foreshadows how it'll all likely end, which since the narrative is being told in past tense, will end with resistance victory. This is an improvement as it actually gives us characters to cheer for in a way and some folks we should care about as a whole. The issue and event still comes off as poorly thought out and perspectives are too simplified missing the complexity of real life politics. A step in the right direction, but one that's far too late.

The Secret X-Men #1 isn't a bad comic but it feels like a one-shot whose entire point is to kick off and tease some story down the road. It doesn't really stand on its own as a memorable experience. It honestly feels like a plot point that needed to be told but couldn't fit in with any other comic for a few pages. It's a one-shot that right now feels like a bit of a headscratcher as to the point of it all.

It's all not bad, but also doesn't really stand out so far. It's entertaining and what types of characters gain the Sentry's power is interesting, but overall, we're here for the end result. I'm just not completely sure the lead up is exciting enough to get us there.

There's nothing bad with this comic and there's nothing that makes it stand out either. It'd be great to see Silver Sable back in an ongoing way but if that happens, we need to see the bar raised a bit in how it's done. When there's so many solid options out there, why do anything less?

Snelson: Comedy is Dying #1 leaves things in an interesting place but it never quite sets things up well enough to care. By the end, a lot of the characters are just unlikeable and it retreads concepts from the film Funny People. It's hard to cheer for any of them. There's also not a lot of gray area within, it presents characters and a plot whose enjoyment may solely rely on one's worldview. It's a comic that has potential but based on the first issue I'm not confident has it to say something really smart about the world and its characters.

Your enjoyment of the comic is squarely on whether you find Deadpool funny or entertaining. To me, we're well beyond Wolverine saturation and in to annoying guy you don't want to be around anymore.

The comic adds to what the television series can't cover which adds to the story overall. It provides background which has the show make a bit more sense in some ways. It's a good example of using other mediums to add to a story while not making it vital to a point you are chained to it.

The miniseries as a whole is a good read, and this final issue wraps it up nicely. But as a must read for Star Wars fans, it's low on the list. Still, there's solid moments throughout, and three pages here that are great. Hopefully we'll get more Chewie in the future, and a miniseries that gives us more depth about the furry warrior.

Star Wars: Galaxy's Edge #1 is an interesting debut but on its own it's rather forgetable as is. Maybe as the series progresses there'll be more there to truly make it interesting but beyond new characters there's little to hook long time Star Wars fans or comic readers.

Star Wars: High Republic #1 is an ok start hampered by it's almost too-innocent take. That's part of the point of it all and where this world is at this time but compared to what we've seen and our world now, it feels quaint. There's potential here and this is a series I'm going to stick with. But, the Pollyanna take, so far, feels rather off in this day and time.

Star Wars: Visions #1 is a quirky debut showing off Peach Momoko's talents with a story that is hard to tell if you're even supposed to know what's going on. It's an interesting addition to the Star Wars lineup of comics but overall is a great way to show off the talent of creators who might not otherwise get a chance to dip their toes into the world.

Overall, the comic is decent and has potential. I'm clearly not blown away by it, but Starbrand's last foray in college mixed with him going back should make for an interesting time and concept. Still, hopefully we'll get something different other than the characters to make the series stand out.

I wanted to really like Starhenge #1 and as a concept I do. But, the flow of the narrative and art aren't quite polished creating a slightly jarring experience. You can piece together what's going on but it takes a bit to really connect the dots as things are laid out and a lot of questions remain. It's a sci-fi story that you just go with the flow, even if that flow is going to turn into a time traveling loop of a time.

Really, this should be two reviews the quality and tone of the two stories are so different, but as a whole, the comic is an average one between the two. There's the quality of the Deadshot story and the sub-par Katana story. Combined together, it's a mixed bag.

Yang is giving us a very interesting take on Superman (all of the writers are actually), and this issue is no exception diving into the need for duality, and a take on how Superman would react when his identity is revealed and friends threatened. If nothing else, for me, it feels like something new, and it's definitely getting me to think about Superman, the symbol.

While the comic is good, it's not super. As I said, it's tame in so many ways once the price is paid. The emotional impact is just missing. I don't remember that with Superman #75. Hell, I experienced more emotion with Batman v Superman. There's sound and fury, and it all adds up to nothing to riff off a famous quote. While I'm not sure what I'd do different, this just feels like an odd end to a rather odd time in DC history.

The ending is a little flat at times. There's a lot that just happens and there's not much reaction to it. We'll see if there's follow up to it but on it's own, there's just something missing. The overall story is solid and hopefully a prologue addresses some of my concerns but what started out great ends with a meh.

There's nothing particularly bad about Superman #1. It brings the emotional moments but delivers such a different tone from the previous creators it feels dour, a departure from the “happier” direction of Rebirth. It's not that this direction is a bad idea, it's the tone of it all that makes it a bit of a chore to read. The fun has been sucked out of the series. It's not enough for me to tap out but the series has gone down a few notches in my excitement to read what's to come.

Superman: Red and Blue #2 is hampered by that amazing first issue. It hasn't stuck with me as that debut has. It's not one that I immediately raved about to others. It's good. It's an entertaining read to sit back and relax to. But, it doesn't challenge or do anything really new or interesting with an iconic character. An anthology feels like it presents a way to try something new, not something we've seen before.

The end of the issue has me intrigued as there's some reveals that shake some things up and there's hints in the comic as more to come. Overall, it's an entertaining read and a series that captures the feel of classic Superman.

Survival #1 has an interesting concept though, and where the next issue goes should really nail down the series but for a start, it's a bit of a stumble that feels like a good structure overall but the details get in the way.

The comic is entertaining and as a “what if” story it does a solid job. Issues remain that the real impact is for those who read the original series and know more of the references. The comic also packs in a lot leaving readers to ponder some of the more interesting aspects mentioned but not seen. It's an entertaining issue but might be one more for fans of the original event.

The comic is good and for fans of this group of Teen Titans, they'll probably enjoy it. It doesn't quite pack an emotional impact, but as a dual prologue and epilogue it works well.

Teenage Mutant Ninja Turtles: The Last Ronin #5 isn't a bad finale but it also doesn't quite have the punch that's expected. For a series that has been so good, it's a little bit of a letdown. It does deliver a rather touching final moment but beyond that, this went from a series that was one of the best TMNT stories to just another miniseries that doesn't stick the landing.

I went into the first issue expecting one thing, and came out of it surprised. While it isn't totally my cup of tea as far as setting or story, it's much better than I expected, and I'm sure it'll find a devoted audience. If you're a Liefeld fan, or a fan of biblical stories, this is one you'll probably want to check out.

The first issue is an interesting read, but I am left with a sense it's not totally able to commit to what it wants to be or just not sure yet. Is it a comedic comic with superheroes? Is it a superhero comic with humor? Is it about the relationships and history? I'm not quite sure, but it feels like it needs to commit and go for it one way or another and if it does, it has a chance to really stand out.

This is a prequel in every sense. It's setting up what's to come in Bendis' run and there's a lot of balls in the air. There's the fire storyline. There's Jonathan and Lois' adventure. There's Supergirl's quest. But hopefully, Bendis focuses on Superman/Clark home alone and a bit lost. His strength through this entire miniseries has been the heart of it all. While no individual issue really stands out, the package as a whole is an entertaining read.

The issue is a slow start. It takes a bit to get going, but when it does, it does so in a way that's unexpected. Instead of using action to distract and entertain, we're instead treated to the characters themselves and their struggle working together. Through the dialogue things are set up in a way that make them stand out and be intriguing. This will be an interesting one to watch going forward and see if it pays off in its promise.

I can't say exactly what was expected of the issue but it definitely wasn't this. While it's a satisfying conclusion in some ways it also feels like it's one that's playing it safe so that Odinson can return to hold the mantle of Thor. Aaron has weaved an epic Thor run and will continue to do so, so in some ways there was an expectation that despite the build up, some different ending might have surprised us. While not a bad issue overall, The Mighty Thor #705 lacks an expected punch.

The Phalanx isn't bad at all and for those that have fond memories of early Image, you'll probably enjoy it. It plays its concept as both a goof and serious at the same time, never quite deciding where it wants to land. The result is a comic that lands in this odd spot of nostalgia and commentary. It works though in a lot of ways and what you think after is likely going to really depend on how you go into it.

The Sacrificers #1 introduces an intriguing world and potential concept but the first issue really lacks a “why” of it all. It teases what's to come and lacks context of what's presented. As is, it's a piece of the bigger puzzle. This one might be better read as a collection than individual issues.

There's something a bit throwback about The Savage Strength of Starstorm #1. But, that's not necessarily a good thing. It's concept takes centerstage leaving us characters who we're given little reason to care about. And the concept, so far, is something we've seen many times before, again, leaving little reason to get excited about what happens. Maybe the comic improves and delivers something original eventually, but for a start, it feels like an adventure we've seen far too many times before.

The Thing #1 is an interesting start but not one that really excites. It has its moments and potential but there's just too much that feels rather random or unexplained to really get the reader excited for what's to come. There's a clear threat but beyond being an annoyance, it doesn't feel much like one. The Thing #1 might take the whole “thing” to heart a bit too much and feels like it leaves a lot of things hanging.

The Union #1 is a rare debut tie-in that works really well. The issue plays off the attack quite well while building up an interesting dynamic for the team. The building blocks are here for what could potentially be a very entertaining story. It's just a question to see what it does with the seeds its sown.

The issue is a decent one and helps wraps some things up but it does so in a way that feels a little rushed and forced in. It's almost like a “oh crap I need to end this story before we get to the next.” Things easily could have been left open for fans to ponder and never answered, and things would have been satisfying in their own way. With this route a chapter closes and maybe a new one opens through it. It's an epilogue that's unexpected and doesn't feel necessary.

ThunderCats #2, like the debut, shows potential. There's some things that are fantastic but there's also aspects that feel a bit too easy. Like the sword shattering in the first issue, the comic goes for plots that are predictable and the narrative itself has a choppy aspect at times, like a record skipping a bit. It's a series that feels like it can be tightened just a bit and it'd be one that stands out on the shelf.

The comic might excite long time fans, but I'm not quite sure there's enough to entice new readers. And as a new one, I can only review my experience reading the comic. I plan on checking out the second issue, but I'd be cautious checking this out for newbies.

The issue feels like it's going to be vital, which is why it's a “read,” but unless your a big Titans fan you'll likely miss the emotional punch this issue is supposed to have.

Two issues in and there's nothing particularly bad about the new series but it absolutely lacks the quality we came to expect from the previous epic run. There's a political/social awareness that seems to be missing and things are watered down. When first announced, we were told we'd see a Cybertron we have seen before the civil war but in reality we have seen bits and pieces of this and it was done better before. As a fan of what came before due to its intelligence, it's hard to not be disappointed so far with this run.

The issue, and series, isn't bad there's just a bit of depth and maturity that's missing. The story and series is pretty basic keeping it to a whodunnit story. There's also a bit of a feeling that some choices are done more for fanservice from the previous volume as opposed to really driving the story (ex. Elita-1's inclusion in this issue). This issue is an improvement but this is definitely a different direction and vision than what we've previously seen.

Transformers: Fate of Cybertron does what it needs to. It wraps up the current volume in a nice package delivering the hope that Optimus and the Autobots represent. It's not a memorable finale, but it is one. For those who have read the series up to this point, you might get a bit more out of it all but from the casual reader, it doesn't feel like an ending to remember.

Transformers: Escape #1 isn't bad in any way. If you're reading the main series, you'll want to get this. But, it feels like a missed opportunity. We get characters on the run from war, unwilling to stand and fight. They also don't in any way come off as heroic by hatching a plan to get innocents to safety. They're saving themselves as much. But, that's emphasized by those that are doing exactly that and that may be the point of it all? The first issue doesn't quite hook the reader but it's possible it's done what I dislike on purpose to deliver some growth as the series progresses.

Transformers: Last Bot Standing #1 isn't a bad start, it's just not exciting. It has all the chance of people something great going forward but it takes too long to get to the point and what we've come for. It almost feels like two comics and those two don't quite line up. Still, there's just enough I want to read more and see if the series goes where it could and really deliver something special.

Transformers: Shattered Glass #2 feels like the big picture tour of the “Shattered Glass” world. It teases the big picture but rushes through events. It's an interesting miniseries focusing on a character at a time instead of focusing in on one. There's a lot here to work with and hopefully this is just the start to something more. For those who have been excited for this, they may find it a bit lacking from what they wanted but it shows a lot of potential for many stories to come.

Transformers: Shattered Glass #3 isn't a bad comic in any way. It's a solid edition that adds some depth to the overall story adding details. It's just a comic that doesn't feel like it quite stands on its own as entertaining. It continues the series' high level exploration of the world of “Shattered Glass”. This is one that might be a bit better to read as a trade because as single issues it feels a little lacking.

Ultramega #2 isn't a bad issue but much like the first it left me wanting. There's too much that's left out there that readers just need to accept. Some explanation of the history and world would have helped the story and an opening that ties a bit more into the actual story would have helped as well. As is, the comic is a bit choppy as presented. Ultramega #2 does bring a pop-sense to the concept of kaiju which makes it stand out a bit from the other similar titles but the reliance on those visuals also seem to be holding the series back a bit.

The issue is a little disjointed in that it just throws you into the chaos and you need to really put the pieces together but by the issue's end it winds up being one that really focuses on the direction and morals of the younger X-Men and how those differ from their older members. There's a stark difference here and one that may be experience and age as is presented. It's an interesting direction to take and hopefully one that's explored more in the coming months and years.

The issue is an odd one until you get to the end. Then, it all makes much more sense. But, the overall flow of the narrative is off here. Scenes don't feel natural at times and there's transitions missing in the story. The issue has its entertaining, and shocking, moments and now that things are clearer, it's more exciting to see where this is all going.

Under York #1 isn't a bad debut but also there's a lot of choices for the story that just feel odd. Add in art that's not consistent and you get a read that's ok but doesn't hook you to want to come back and see what's next.

Underheist #1 isn't a bad debut but it just doesn't excite. The story is something we've seen many times before and what might set itself apart doesn't get a focus. There also isn't much time spent on David to really care what happens to him or feel sorry for his choices. Overall, it's very average.

Unnatural Order #1 has an interesting ending, enough for me to see where it's going for the second issue but I'm not sure it gets to that quickly enough or an interesting way. Things drag on a bit and how it's all presented doesn't really build to either excitement or builds up the dread. It just kind of is. Still, depending on how your shop treats the issue, it's worth picking up if it's free or cheap but beyond that, not sure it's worth the cover price on its own.

Vault of Spiders #1 is a bit of a let down but fun to see the various versions of Spider-Man. I'd love to see this as an ongoing with longer stories, the brevity was a hindrance. Like a lot of anthologies, there's some good here and some bad but if you're a Spider fan it might be worth checking out.

Void Rivals #4 works as a piece of the puzzle. But, on its own it's a bit too easy to guess what will happen. The writing is entertaining and art is great, but its only surprises are weird transitions in its focus, not the story itself. With some small changes tying its to plots together, the comic might have been stronger, but as is, it's one for the hardcore Transformers fans who want to get first appearances and key issues in what Skybound is laying the groundwork for.

Void Rivals #7 is an interesting comic in that it will absolutely be better read as part of the current arc than on its own. It gets a few plot points rolling and all it needed to happen. The issue just feels a bit thin overall and a little boring. It's a big stumble as it's the start of a brand new arc.

The issue is an ok one. It tells one slice of the bigger story and time will tell how important that slice is. In the end, that may be the judge of the worth of the series. But, so far, this is a spin-off you might want to save your money.

White Widow #1 is an ok start overall. There's a lot to like and the details deliver a fun read. But, it's big picture plot feels a bit convoluted and as presented doesn't make a whole lot of sense. That all could change as the series progresses but if you're diving in, come for the cool action and decent laughs, just don't think too much about anything else.

Wolvenheart #1 is a fun debut. It isn't absolutely amazing but if you're into this sort of concept, it's well worth picking up and checking out. There's something there with the setup and Castlevania meets Doctor Who mashup. With the basics out of the way, here's hoping future issues deliver a little more excitement.

The issue is an interesting start and attempts to put together a story years in the making. The task isn't enviable and beyond difficult to make it clear and entertaining for old and new readers. Wolverine: Infinity Watch #1 is a perfectly fine first issue but it's one that only diehard fans along for the ride will truly enjoy.

The comic has a bit of a throwback feel to it and there's more than enough references to other events as to when this takes place to put it in continuity but unless you're really nostalgic, the comic is amusing but not really engaging.

Wolverine: Patch #1 isn't bad in any way but it also doesn't stand out. You read it and kind of wonder of what the point is other than adding some nostalgia. So far, it doesn't give us anything new. There's not some interesting exploration of the time or character. It's just a standalone story so far with a “classic” feel of it all. This is one for fans looking for a bit of nostalgia.

There's nothing bad about this first issue. There's also, so far, nothing that makes it really stand out. The art is good and tells a lot of the story. The main character feels a bit derivative. The villain is nothing all that special and things wrap up rather quickly. The first issue feels like a bit more of a teaser as to what's to come than a story itself. Not enough unique to really get into what's presented.

It's a start to something and what's teased at the end indicates what comes after may be more interesting than what gets us there.

X-Corp #1 is an interesting start showing off the potential of the concept. It doesn't quite click though. There are moments that should be memorable and punch the reader in awe. But, those moments never deliver. They show off what's going on but miss that special something where you really take notice. Hopefully, this issue is just laying the groundwork and once that's accomplished we can move on to more excitement but right now, I'm longing to go back and re-read Wildcats 3.0.

The issue is a piece of the puzzle that readers of the series will enjoy but it's absolutely not a place to start. This is an issue that can be skipped if need be but has enough to make it worth the read for fans of the series.

X-Men '92: House of XCII #2 feels like an odd take on the classic Marvel What If? and might have done better if that was the premise. Instead it dips its toes with winks and nods attempting to capture the nostalgic feel of the classic cartoon while shoehorning it into a concept that doesn't fit with the cartoon. It's an interesting idea but has yet to click in its two issues.

The comic isn't bad. There's some solid humor. It also continues a concept Hickman began in House of X. What the comic feels like is a continued set up. Much like the first issue X-Men #2 is attempting to lay the groundwork for what's to come. And those final pages makes what's to come intriguing. First by what's revealed and second by what's said. Sadly, a comic isn't made by its final pages and the lead up is awkward and head scratching. X-Men #2 has its moments but that's not quite enough.