It hurts to say it but Avengers & X-Men: Axis #1 just isn't worth $4.99. They have to change the direction of this story with the next issue if they want readers to care to continue with this story. That's if they haven't given up already because a book like this which will be shipping out that fast a month needs to deliver in the very first issue, Avengers & X-Men: Axis #1 did not. There may be those few tie-ins as usual that surprise you, though the main story just doesn't seem to scream buy me. In fact those who are already annoyed with how consistent events are thrown at us may now have that fuel to keep pushing their reasons against it with some justification.

If you read this book and you find it worth sticking to then by all means it might just be for you. But as many who wanted to give Carnage another shot in hopes that something could be done with him like Venom, you will find yourself very disappointed. I am very disappointed and can't help but wonder why it deserves the tag “Superior” when it hardly stacks up to the rest.

The only character you really do come out liking is Terra. She maintains the same attitude and presence as she takes the fight to Jericho. Without her involvement in the fight or story overall, everything would've fell flat. If anything this story arc shows that Slade is better when he isn't working with a team. As a solo issue you would expect him to do his thing being an assassin, but Jordan didn't deliver on this, especially up to the end. The artwork remains solid, though that is the only thing that held up aside from Terra's presence.

Overall, I have gotten through the big hype that is Incoming #1, and it sucked to close it feeling like it wasn't enough for me to pick up the second. I enjoyed the heroes who played a part in the first act, the artists involved, though that was about it really. They could have done so much better with this one, and the best takeaway from this shouldn't have been what it sets up for other books.

The artwork in this issue was a bit underwhelming at points. Mainly during those moments such as he interaction between Nightwing and Red Robin, their facial expressions looked very rushed and weird. Besides that, the inking was well done to say the least to capture the emotion the story tried to create.

There was a lot of teamwork implemented within this issue which was nice to see and they definitely do have a dynamic. While Canary might not be much of a combatant given her size, her sonic voice can be used for various situations. The one thing that can be taken out of this is that while they may be new to Batman Inc., they will be involved in the fight against Leviathan, of course given by the fact that we are met by the same Batman who took the Man-Bat serum and is wearing a large suit of armor ready to go into battle.

It just really felt like a letdown. The lack of emotional attachment to anyone didn't do it any favors either. Talia didn't care for Leviathan, Batman didn't, and just about everyone else would rather see him dead. Just seemed like a fight with an empty shell of a villain and in some ways that just felt like a turn off from the very beginning. Hopefully the conclusion or what comes next may make up for this lackluster climax because I'd hope this isn't the best Morrison can do with this story.

Overall it was the conclusion we needed, but not the one we deserved. It could have been a whole lot better and I can only hope that they can turn things around after this story arc because there is just no appeal to it.

Despite a decent story, the art for the crossover at times was uneven. That's not to say it wasn't good enough to really make those moments that mattered pop out, but there were many changes that were noticeable and which distracted.

Compared to the previous books, the artwork was very weak. The difference between the cover art which was vibrant, and then the interior art which came off dull was significant. Much of the appeal was already lost with the story, and the artwork left little to keep you going.

The only thing that wasn't right with this book is that the art style changed half way through the book. The first half looked good if not great, yet the second half was drawn poorly, mainly the facial features and body structures. But then it went back to how it originally was in the beginning which was distracting.

The artwork has remained consistent which matches the tone of the story. Peterson best portrays this with both the inking and the crosshatch-like detail.

Not to say that this issue was bad, but when standing next to every issue leading up to now, it has completely derailed from the main story progression. At this point now we are wondering where is the real threat, where is Ultron? Yes, killing Pym changed this, but the future just seems so very different from what should have been the fallout from the fight Cap and his team had in Ultron's future. Now we have a fight unraveled between Tony and Morgana, technology versus magic. In a way, it seems the story is leaning towards a similar story that took place in Justice League Dark when the team found themselves trapped in a magic world at war with those who use technology.

The one redeemable part of this story was Wolverine's death by his past self. That was something that didn't really click with me till they actually said it had to be done in order to avoid a paradox. Aside from this, we can only hope that the last issue delivers.

In the end the book started off great. But as it was called Age of Ultron, there just wasn't much Ultron. those first four issues really gave us something to look forward to as they took him on, but when all the complications of time came into play, the story fell apart. Sadly that was basically it for the event until the very end which most readers saw coming long ago. The one redeemable thing about this event is what is to come out of it as a fallout. We have "Hunger", a good number of refreshing bookings with unique teams to be released, and some new characters who were long forgotten taking spotlight. Aside from this, the story didn't feel like it was something worth jumping into at all.

In the end it serves as a decent lead up to the upcoming Avengers AI, nothing more nothing less. We know he's the center point of this storyline and for once it seems they might actually be able to make Pym seem like a likable hero.

Aside from this the story has some promise, and I say that now because we know what to expect down the road. Of course with that said it's all up to Cullen Bunn to be able to deliver on this because when it comes to Deadpool its hit and miss with execution being very vital in its success. The one thing you are left questioning is if this book will take itself seriously. The previous story arc did and this one seems like it might have that conflict between being funny yet dark. Hopefully there will be a balance that doesn't make you feel as if it has no real purpose.

Despite the fact that this conclusion didn't have too much of an impact on me, the art is one thing to recognize. From beginning to end of this story arc, it has been very consistent, especially for the fact that Frank Cho is both the writer and the artist. I'd point out how it is cool to see Wolverine go to hell and back fighting through the savages and see him lose about half of his costume in the process.

When you want to claim a weapon, you send a weapon to go get it. If you don't know Roku? You'll come to love her among many of the deadliest comic characters Valiant has to offer through the events of this first issue. Like any solo series you will get from Valiant, Roku #1 showed us that this was going to be another experience you weren't going to get from any other series.

Usually I am on board with many books which Cullen Bunn writes, but Roku doesn't feel like it was the right fit. Neither does the art style chosen for this book, which is shocking since Valiant is normally very good about who they choose to handle interior work. This is issue two of four for this mini. I couldn't possibly see this being one of those that would continue to a second book, not without someone else taking over who understands this character a bit more.

The fight with Wolverine was decent as they both have that monster mentality when they get into a fight. Kaine does seem to have won the fight in the end, but I just can't feel much for it knowing that Wolverine can't be killed that easily. So just about everything was solid in this issue besides the call on Wolverine being the target.

Now despite the disappointment in how it turned out in the end, they still did manage to keep you interested up to that point. Especially the fight with Fairchild and her many deformed clones. It was entertaining to see her let lose on them which is a side of her we really didn't see that often and it was shocking for us that don't read Team 7 to find out that she really isn't the real Fairchild either.

The story has potential, that much I can say. Maybe this issue didn't show all of it, but the way it ended at least gives you some promise of how the story will play out and that is something worth reading. Good, could be better, but decent start all the same.

Inhumans Vs. X-Men is and will be a tough sell to the very end, but they are at least putting the effort into making this worth our time knowing that this is it for the confusion that has been ‘How can we make the mutants go extinct this time?'.

Inhumans Vs. X-Men #2 was a fast read, but it was quick to the punch. Some may want a bit more out of it, though it seems that will come once things do wind down. If they do that is.

The events of this issue did come up lackluster for the most part, though Inhumans Vs. X-Men #3 did at least try to do more. When your story involves two large opposing forces clashing you're due for a struggle between action and story. This is where they have to overcome that hump because the quality did suffer from it this time.

Inhumans Vs. X-Men #4 was not without problems till the very end of the issue. They can't afford these kinds of problems with only two issues left in the crossover event. Things must be direct and to the point. Otherwise this would have been a wasted opportunity for Marvel to show that they are truly ready to get it together about the overall mutant situation.

Inhumans Vs. X-Men #5 definitely could have been better as there seemed to be no true point to taking out the Inhumans when there was no sure-fire way to keep them where they were. It all came off as some way to set them up for the right fights. They were hit and miss though hopefully they make all of this worth it with Inhumans Vs. X-Men #6 next month wrapping up the crossover and showing us what plans Marvel really has for the mutant's future in this universe.

Inhumans Vs. X-Men #6 couldn't have come sooner enough. This was a scenario and story that went on much longer than it should have ever. And that blame goes to none other than Marvel itself losing direction for a lot of big heroes such as the X-Men as of late. Time will tell with the new X-Men books to come if they can get it together, though there is always room for skepticism give what came before Inhumans Vs. X-Men, what came during Inhumans Vs. X-Men, and what comes after.

Overall Gates shows just how inexperienced Vibe is as a hero and with his own powers. While it adds to his character development, it does as well make him seems a bit too immature for someone who is working with A.R.G.U.S.. Like in previous issue he has been told that he really doesn't belong there and hopefully with what's to come next this is the next step in his story which is to get himself out before he digs himself any deeper than he already has. While the story is sub-par, the art style manages to be the best thing about it which kinda says something. So you hope that Gates can turn things up before this feels like it's going nowhere.

With that said, it seems this book might still have something to pick up from, though right now it's his connection to A.R.G.U.S. which I believe is weighing him down. I think that Sterling Gates needs to find a way to conclude this story in a way that Vibe can move on to a new chapter in his life and do so in a way that we the readers will still care to pick up the book afterwards.

As someone who picked this book up on a whim, it was a solid issue of Batman and the Outsiders. I can see where people would enjoy this book, while also having the perspective to see where it could have been a bit better than what was produced.

Children of the Atom #1 as a start was solid. I think that this creative team will have their work cut out for them if them want to make this book worth the investment compared to the other books with established mutants.

Definitely not what I expected and it's nice to see that Constantine does actually want what's best for the world when the need is there. May not be the best way to handle such situations, but he gets the job done in the end. Now we are just left with one question, which is if he will survive “bleeding out”. Chances are slim, but it's still Constantine we're talking about.

Aside from this is was a well enough build up to what will make things go from bad to worse for John. We all know he has a thing for mystic artifacts and likes to keep them in his possession. Now that they are in the hands of someone who has nothing good to do with them, he's now in a world of trouble. Just about anything can happen and there aren't many he can turn to in this situation. Especially when Trinity War is occurring at the same time. Decent issue, but that's all it really was because his death and obvious resurrection fell flat.

Good issue in terms of it being Constantine, but there was much interesting about it. You would probably find yourself saving more time and money just waiting till the next issue where the story actually continues from where we last saw him. Great art work as usual, that much remains consistent throughout this book bringing about that grim atmosphere that comes with exploring the mystic world.

Overall Contagion #1 has some problems, but for the most part you read it with the mind that you are open to the creative approach more than anything else. At the end of the day, the appeal of books like this has to be the things these creative teams are willing and able to do in order to be refreshing.

It was hard to say if this was a crossover worth investing in after the events of the first issue, but Jughead: The Hunger vs. Vampironica #2 does a better job of creating investment in what this story has to offer. There's still some questions that need to be answered about the twist to Vampironica's story. However, they made up for this for now by taking advantage of the fleshed out world of Jughead: The Hunger and it's engaging cast of characters.

Jughead: The Hunger vs. Vampironica #3 was exactly what you come to expect for the second or third chapter of a crossover story. As I said above, they encounter each other, they have a problem with each other, and then they find common ground through the main villain. We haven't gotten to that last part yet, so the next step is this surprise appearance at the end adding the context we have anticipated getting full clarity into this plot.

Blossoms 666 #1 is a new story with potential. This is the Blossom Twins as you have never seen them before. There will be some work that has to be put into the second issue to give us something to be fully invested in, but for now Blossoms 666 is a chilling start to a new brand of horror lurking within the heart of Riverdale.

Blossoms 666 #3 shook things up for the best when the stakes couldn't be higher. Each Blossom is working their own angle, and the only question is how far they will be willing to go to win. Does it end with corrupting Betty Cooper? Or will a twin have to be taken out in order to assure victory? Only time will tell!

Blossoms 666 #4 was for the most part all about Julian, and there was no better time to finally get to know this surprise new character. With that said, not everything is known, and I'm anxious to get to know the full story as well. As they say, the devil is in the details.

Overall, it could have been better, but you do understand the intent at the same time. Blossoms 666 #5 was an interesting conclusion to this part of their game. This is unique in the realm of What If for the Archie Universe. Who would have ever thought of a version of Riverdale where the richest family had this much audacity to play with people's lives as if they were actual toys?

Eternal Warrior has returned at long last to our pull lists with another series of his own. This story though not an ongoing has a lot of potential as long as we stick to a Gilad that is someone we admire as that warrior who has been there, done that, and looks for meaning in the things he has to do.

Overall this issue is okay. Eternal Warrior: Days of Steel #3 will have to make up for this in a big way when the previous two stories ahead of this had more compelling stories to them. There needs to be something we can take away from this when it ends and that needs to be something which makes this stories memorable to some extent because right now you really could move on from it and not miss much.

With the conclusion of Eternal Warrior: Days of Steel, this story was probably the least memorable of those which came before. An ending which was slightly underwhelming and had the makings to be a lot more if more than 3 issues was put into it. Eternal Warrior: Days of Steel had potential, it just came down to execution which didn't quite happen with the exception of few moments.

The one question we have left to wonder is what exactly it is he did that affected what Jocelyn was doing in the Temporal Base.

Overall it is a step up and is continuing to show that Justin Jordan was right to take on Superboy given the somewhat lackluster stories that preceded this.

What was entertaining is that we still know what is to become of Thanos, but to see what he did is a whole new experience. To be the first eternal to murder, let alone 17 people, plus his own mother at the very end. He did this and enjoyed it. The artwork done by Bianchi captured every sick moment and you see how twisted his actions are.

While the story doesn't deliver as much as you'd expect, you can only hope that now with Thanos older, there is something to push to towards the end of your seat.

It was interesting that even though the first place Abe went to was a church in order to rest, the priest there was actually welcoming to him. What was happening around the world was nothing new to the man which was why he wasn't scared when he first encountered Abe. Though we then switch over to the B.P.R.D. officers who are hunting Abe thinking he is the cause for everything happening. Something to point out is odd for them to do because he's one of them and is very humane. Here Allie was able to show what people really thought of monsters like himself and how they are lumped together as trouble and nothing else. Even more so when the towns people turned on their own priest for asking them to be at peace with those who were transformed.

Deathstroke: Rebirth #1 I feel could have been a bit better in terms of you really getting what is going on with the plot. You come here to see a different side to Deathstroke which we are getting to, though it feels like what we get next has a whole lot of explaining to do when it comes to drawing us in with payoff.

This was supposed to be a heartbreaking tale of loss, betrayal, and vengeance, set against the neon of Sin City as per the description given for this book, but it didn't quite deliver on this. Not perfect, but still gives you what you want from The Shadow as a hero. The story is gritty, mature, and his presence is always known when he takes the stage. Like any other annual it still manages to stand on its own and has a story which is character-driven. In the end it's fun if you are a fan of The Shadow, can't ask for anything more.

In the end it was a solid issue that to say the least shows potential for the rest of the books progression. If the main point of this was to show her importance then it was achieved because the ending alone let us know to an extent what we should expect to come and how it will affect the war as a whole. The duo of Daniel Sampere and Vicente Cifuentes made the art style of this book unique to the tone it has set. You felt that time was changing and the detail put into it stood out.

The one problem I still do find is what part the evils from the box really play in all of this. Yes we know that they corrupted humanity and still do, but as individuals what are they doing that is affecting this war right now. All we see from them is concern that Pandora wants to put them back in the box

Sure you could be happy that things finally start moving in the direction in which they should, though it took way too long. Especially for this book to be in its third issue. It's hard to say this was decent at best, but it still has it's importance in moving this event along knowing the core storyline is not going to be dragged along or dragged down by this.

Uncanny X-Men #12 sets the return of the X-Men on the right path. This was a fast read and to the point, but ultimately gave everyone a picture of how terrifying it is now to be a mutant. Facing the mobs and dealing with the corrupt politicians are the least of their worries right now.

Uncanny X-Men #16 was the perfect reminder of what these mutants are fighting for, and a reminder of how dangerous this world can be for even them. Mutant problems have been a consistent theme so far, and I would like this think that this creative team is nailing the message sent.

The struggle is fine, but with this chapter of the X-Men I for one hoped that there would be a bit more fighting back than being struck with more failure than they have already suffered. Uncanny X-Men #18 is the first that came up short, and the last thing we should fear is that this is the start of a downward spiral.

Uncanny X-Men #19 was a big step up from the issue before. Focusing just on Emma Frost and the role she plays in all of this madness was refreshing. A new set of problems and seen from a different angle to what the X-Men are dealing with. And with next month's issue things are only going to get more interesting when more of her bold actions come back to bite her. How will she get out of this one? That is the big question!

Uncanny X-Men #20 raised the stakes at a time where we needed to see the boat rocked. Saving the future of mutantkind was always going to be easier said than done, but never has that been more true than it is now. Particularly when Cyclops and this team have no idea that they have been puppets this entire time. Playing a game that has not truly been theirs. Hopefully after the events of this issue that changes moving forward.

They didn't lie, it all did end here. To say this is forever? That is hard to believe until we get to that next issue of Uncanny X-Men. Till then, it was a treat to see just what lengths these mutants will go in order to protect their place in this world. They took a gamble, it was one they probably would have never took in the past, but it got the desired result despite the losses taken too.

Uncanny X-Men #22 could have ended on a much better note. I wish I could have loved it till the bitter end, but sometimes this is what you sign up for with the X-Men books. Some story decisions you will love, others will leave you asking why. Here's to hoping that Marvel has figured out what they want to do with these characters in their next chapter.

Through the events of this first issue, Wonder Twins #1 has given us a brand new way to look at Zan and Jayna. They are more than their signature costumes, and much more than what is mocked about their powers. All of us should be able to look forward to what this new adventure has in store for these two twins who offer down to Earth experiences that you would be crazy to sleep on.

Wonder Twins #4 gave us a fun twist to date night. Many things can go wrong, and this creative team got bold with the situations Jayne, Zan, and Polly got themselves into. It was commendable that at the same time they were able to also get in some solid character development for a character you didn't expect to hold as much relevance as she has so far.

When you picked up that first issue of Wonder Twins, I don't think that you ever got the impression that we would get this deep into the meaning of justice. There's something to recognize about a story which actually embraces a real conversation about right versus wrong. It's never that clear-cut as you think it is. It only pains me that we will have to wait till September to see where this story takes the Wonder Twins next from here.

For a start, Aliens: Fire And Stone #1 has some potential. We just have to see what the big picture is in this series when they aren't just trying to survive. That is a big part itself just to see how everyone reacts to this situation, though you are still put in a position where you question where this could possibly lead them in issue to come.

A solid start to this new chapter, and gave us plenty to look forward to as Alec Brand sets off to find his heroes. Aliens: Rescue #1 gets you asking a lot of questions, and that's never a bad thing with these stories. Especially when this has been an ongoing story since the events of Aliens: Defiance.

Overall, Aliens: Rescue #2 was a solid transition into what comes next for Alec when he meets his heroes and gets up to date on the mission. There were some places where they could have given us a little more, but there is always time to make up for this when we know that no mission ever goes so smooth.

For the sake of collector's value, that is probably the best way that I could recommend picking up Anthem #1. They probably could have chosen a story that better eased you into the story that would begin February 22nd. That might change with the second issue, but this is what we have right now. This might actually be one of those books where you will have to read it twice once you actually play the game to better appreciate what unfolds within these pages.

With the start of DC YOU comes a little something for everyone to read from the DC Universe. For readers who choose to pick up Bizarro, they are in store for something simple and humorous. This is a series that you would give a chance for the same reason that you would read Harley Quinn. The series stays true to the character, but also has fun with him in a way that was not possible before. This isn't Bizarro being used as a weapon, or him being a villain, it's just a fun play on the simplicity of his intelligence in a way that opens for many possibilities.

Doctor Who: The Eleventh Doctor #1 again is slow on the build up, but it proves to have the same potential as the show. We have the Doctor back on his feet after the second Big Bang, we have a newly introduced character and companion, and we now have a story set that can go pretty much in any direction Al Ewing so chooses for the Doctor.

Doctor Who: The Eleventh Doctor #3 was going somewhere with this story, even laid down the foundation for a larger mystery to uncover at the end, though as I said before the execution needed work. Especially when we have ended two issues now that left us with more questions than answers. Maybe everything is leading up to a bigger picture, but that remains to be seen or clear.

The Black Vortex #1 had an explosive start and set the tone for whatever there is to come after that ending which was delivered. A bit shaky in some areas, though gets better by the end of the issue. Clearly things will only get worse before they get better, and some characters seem like thy will be changed either for better or worse. Either way if you're looking for more action and Guardians/X-Men team-ups, then this is the story for you to pick up.

Visually House of M #1 did not disappoint. Marco Failla is the right artist for this tie-in when he brings the necessary level of energy for one that is full of action.

Klarion #1 is definitely the ongoing you didn't see coming, but it's worth reading again if you're a fan of DC's supernatural titles. With that said the issue is fairly short for a first issue. A lot happens and more pages could be used to make sure nothing is rushed. Klarion may be of a young age, but this is also something you can read without feeling like you aren't the intended audience since this feels like a title anyone can read. There's a good idea of what to expect from this series down the road in terms of the plot and Klarion as well since we see that there's more to him than meets the eye. His place in this town can go good or bad depending on how he controls himself, or is able to lay low(not likely).

Klarion #2 is a step in the direction, though still has ways to go in order to make sure that this is a story that we want to invest in. That means giving the time to connect with the characters, understand the state of the town, keep pressing the issue of power and responsibility, and as I said before push for those extra pages which can make all the difference.

Klarion #3 almost feels like we have taken a step back when there isn't much to take from this compared to the previous two issues. This series is going to need a lot more than appealing visuals if it wants to make it as long as it could.

Not too much happened overall, there just seemed like there was too much going on at once to really enjoy what was happening.

Though at the end, yet again, I'm baffled as to the importance of the Cluster, Fantomex and the evil one.

As stated in the last issue, the inclusion of Fantomex and Cluster does feel like a distraction, though it's hard to argue with their problems given that it's key to Psylocke's troubled past between the conclusion of the previous Uncanny X-Force book and now.

It was a nice change to see them team up for a change. Of course they still hate each other, but they're still driven by the same goal to protect the innocent. The one thing about Eddie's story that really is interesting is that unlike everyone who has been infected by a symbiote, he controls it all on his own, his willpower saves him. He has shown that he will use Venom for good and do so to his last breathe, and is willing to throw his life away if he lost control. That's what a hero does, and that is the character Bunn has been trying to create.

Overall this story is progressively getting better and if there's one thing to take out of Cullen's approach to Venom, it's humanity. Flash's humanity of course and exploring that when the world around him isn't so sane.

Decent issue, definitely could have been better. I expected things to progress a bit faster, but too much time was wasted with the reporter just to simply ask her for help. It was made into something nigger than it really needed to be and it took away from the real conflict in finding Lord Ogre. Unless she's actually helping, I find Katy to be in the way. Hopefully that doesn't become a big issue down the road, but it also doesn't seem that

Solid issue that gave us something rare. You aren't going to see two Venoms on the same panel like that and this sets up for future team-ups between them.

Great build up, solid story, but brought down by lackluster artwork. Venom still has much to offer as it reaches the end of it's run and whatever happens next will be something worth anticipating because it looks as if something big will occur.

The one issue I find is that the characters look stiff. Symbiotes are supposed to feel free and unhinged when they are shapeshifting and what not, yet you see mainly with Mania that her movements look stiff and boring. Seeing more freedom in their actions would make things a lot more appealing if there was someone who knew how to handle them. Aside from this, the facial features again look simplistic to the point that it's distracting.

This may be the end, though sadly it's time has come. Hopefully if this story continues in a different capacity Mania is the main character, but after what Mephisto let them with, there's still reason for this story to be given another chance. With a better artist definitely, that much I'm sorry to say but George Coelho hasn't done much good for this book since coming in on art.

Aliens: Dust to Dust #1 was a solid start to this new encounter with the Xenomorphs. It never gets any easier to follow these unsuspecting humans who are staring down death itself, but the thrill is in how they survive. Never before has the word survive been harder to say when it is a kid we are hoping to see this through to the end.

Aliens: Dust to Dust #2 hasn't yet broke any new ground for an Aliens story, but I do think it has potential to with the right encounter with the Xenomorphs. The story only has to redeem itself from that one bump at the end which was hard to ignore. Human problems are key, but only if they don't make you cringe so hard.

Aliens: Dust to Dust #3 was hard to get through, which is new for me to have to say about an issue of Aliens. Normally I would say that they hit the mark, but not with Dust to Dust. It could have been much more than what it turned out to be. I think I would have been more open to what was unfolding here if there wasn't such a long wait between issue two and three. You lose a lot of trust in the story when readers are given that much room to stew on what they have read so far.

I did get to the end of Aliens: Dust to Dust #4 feeling like I wanted more from this story than what they gave us. It's hard not to when this was another story where majority of the characters bit the dust. As I said before, we didn't even get those deaths in gruesome detail either. If we are being fair, then you could say that this story served as another perfect example of where humanity becomes their own worst enemy.

Good start though you do hope things start to pick up a bit from here. I do feel that a bit too much time was wasted showing us how the school is normally and we do kind of have an idea of how the school runs by now. Firestar should hopefully be a good new addition to the team though I think there was an easier way of bringing her into the story.

It was a great issue for the action, though that was really about it when you step back and reflect on what you read. It would have been great to really know what was going through his mind at the time, but it seemed like they focus was more on putting a knife in his side and twisting it to see how far Batman would go for justice. Not bad but it leaves you wanting more from it than you got. The artwork on the other hand was solid and gave you a good image of how brutal Batman can be when crossed.

Overall there's not much I can really say about this issue. I was expecting a lot more from this and it kept me wanting when I was through.The grim style of the book fit for a villain like Clayface, but right now things are too subtle for me to have enjoyed this as I thought I would. The next issue does show that the pace may pick up as he makes his move against Clayface, so we can only hope that it actually does.

Overall Horizon has a lot of potential for where it can go exploring the concept of fighting for your home. It was a fast read, and there wasn't too much plot development, but we at least know our main character and her intentions.

Horizon #2 I would say served it's purpose of pulling you into the story and making you care about these characters. Hopefully a little more as things progress when there seems to be much more to learn about them than what we are seeing on the surface.

Overall, Horizon #7 proved that they are playing a long game to continue adding depth to a story that could have easily been mistaken as straightforward.

Wonder Woman – Futures End #1 was solid aside from those few things pointed out above, though it obviously could have been better. Pick it up if you are reading Superman/Wonder Woman or if you have the money to pick up both since Futures End tie-ins don't require that much investment in them. Definitely pick it up if you like the interior art because that is the selling point.

Agents Of S.H.I.E.L.D. #1 left a good impression showing us that they can bring the Agents Of S.H.I.E.L.D. team from the show to the comics properly while moving into new territory with these characters all the same. Overall they do the spy game right which is the kind of book Marvel needs occupying the shelves at the moment.

All in all, America Chavez Made in USA #1 is a book worth giving a shot. You are going to walk away anxious to get to know this hero in ways you never did before.

Angel Season 11 #1 takes us into uncharted territory. Who would have guessed time travel of all thing is something we would experience now? Definitely an adventure you would look forward to knowing that there might be an inevitable meeting with the very reason why Angel's past is so shameful to him.

Angel Season 11 continues on a solid path. I admit I wasn't entirely sold on where we were going after the first issue, but this second issue has me strapped in for whatever comes next. Illyria was the perfect character to build interest in and the results are exactly what we look for when desiring the lack of restriction Angel's corner of the Buffyverse opens us to.

Overall Angel Season 11 #3 makes some bold moves as the next issue brings us to the conclusion of the first story arc. This is character exploration that we were treated to open up season 11 to. Angel is cool, but it also goes without saying that it is those he surrounds himself with who keep things interesting.

It took some time to roll with this first arc, but now it is safe to say that we still have two good halves of the Buffyverse going strong into their new seasons. Angel Season 11 #4 wrapped up the first leg of this brand new adventure. Taking us deep into the heart of a character you wouldn't have expected to understand this well until now.

Angel Season 11 #5 treads some dangerous waters as running into Angelus and Darla is way worse than the idea of running into Illyria during her full-on Old One days. The story started off slowly, though at the same time it was a fast read when everything comes down to retrieving the artifact before Angelus and Darla, or from them.

With Angel Season 11 #6, Angel has to escape Angelus, keep Fred safe, and figure out what to do with the jewel-like beetle. That is a lot going on and a lot to handle all at once, but for all this going on in a short amount of time it was exciting. I've had my skepticism about this story and the risks taken, though each issue they are proving that it is all about the steps you take to think outside the box in approach.

With the conclusion of Angel Season 11 #11, I did find myself just a bit disappointed that there are still so many questions and very few answers to engage you in this story. It feels like we've been going through an adventure without any real direction. I want to know exactly what is at stake by confronting this threat, what exactly IT is, and what started all of this in the first place. I hope that the final issue will address that and much more if we are to be satisfied with what we have gotten out of this twelve-issue season.

Because of who I am, I stuck with this to see it to the end. However, Angel Season 11 #12 turned out to be lackluster for what you expect from a story coming out of the Buffyverse. With season 11 you looked forward to that next big thing after Magic Town, and an adventure through time that ultimately neglected itself in the end wasn't entirely worth the wait. It was a risky move to fall on time travel and it did no pay off. This all started with Angel tormented by memories of his past which linked to a big bad coming in the future. Though what was the big bad exactly? What was there memorable about what Angel did to stop this big bad?

If you are on the fence about Ant-Man #1? Go for it! This first issue was entertainment value that you need in your pull-list. What are you going to lose having fun with the one hero who will show you more than most that the little guy shouldn't be overlooked?

I definitely expected a bit more from Avengers #39, but even then I would rather judge this story in particular for what unfolds in the present. Rather than for what happened in the past.

In the end, I would say that the events of Avengers #40 made me want to see more of what this story has in store. You just never know when it comes to the Phoenix if the story will impress, or flop. Everything comes down to execution and the levels of excitement you can generate using this entity once more to fuel a plot.

If at the end of the first chapter you were still on the fence? I would say that Avengers #41 does much more to give you a reason to invest in this story.

I would say that Bankshot #1 got my attention. This first issue leaves you with more than enough interest in getting the full picture. We know the motivations for what drives Marcus to do what he does, we know just who he is looking for revenge against, and we know just what he is willing to do to get the job done. However, there is still so much to get into. Including whether we can really call this Marcus King a hero of any sort.

Hellmouth was the starting point for a lot of characters, but none more than Willow. When you know already what the future holds for her, it makes you wonder how this franchise will get her to that point. It all starts with what Willow experiences in this limited-time series. Everything about this story is already a breath of fresh air. A new setting, new characters, and more unique situations to explore.

After the events of Willow #2, it wasn't hard to believe that it might be easier just to stay in Abhainn. There's a magic to this place which can't be explained, but you can see it in the effect it leaves on the people of this town. I believe we're all just waiting for this to be too good to be true.

Overall, another solid issue of Willow. This isn't a story to sleep on if you're looking for something from the Buffyverse right now that is genuinely its own thing.

This is the kind of story we want to read when it comes to Catwoman. Gang violence, someone taking advantage of the innocent, something real. That is the kind of situations in which Catwoman involves herself in and Noncenti was able to bring her back into her environment. Where she could've been trying to get revenge for Penguin taking a hefty part of her money from heists, she was out to send a message to him for his corruption in the city. Killing, threatening, poisoning kids with addictive ice cream, that's where someone like Catwoman draws the line. Even as a thief she has morals and that is what Noncenti shows in this story.

The art is definitely better as the colors and inking really made her character pop. That's something you expect when you read a book of a character like Catwoman.

Not a bad issue, but you feel that it could be better. Maybe next issue, but till then the back and forth between both sides just doesn't hold much interest till something actually happens to draw it closer to a finish or draw it to a finish because at this moment I can't help but want this storyline to speed up. The art remains to be the most appealing part of this book so far, great use of shades and the colors are smooth. Hopefully it does not remain that way and the story picks up.

So like I said before, it could be better. Not to say it's bad, but this isn't a book I would continue to read in hopes of it getting better when better hasn't come in a long time. Something interesting may come next issue though I couldn't keep my hopes up for it even if I wanted to.

Aside from this, what this all comes down to really is the lead up to the introduction of the Joker's daughter. She is that element of this story which remains unknown and given she shares the same appearance of Joker during Death of The Family, she could come with some twists of her own worth seeing. While there is nothing too exciting about what's happening in this issue, you are at least set up for something worth your attention in the end.

Catwoman #50 brought about a conclusion to 'Run Like Hell' as another story from this volume which you would be crazy to miss out on. Selina is not the woman to mess with and from the first flip of the page to the last this statement is made to all who thought she is easy pickings to cross. The story at the end of this issue as well is worth the read. Not always that we will get to see some of Selina before she became Catwoman. Even for a short, probably better than what you're getting out of the TV series Gotham.

Catwoman #51 is the start of something more personal to Selina and this will be a tough steal for her when getting that Faceless Mask means confronting someone she thought was long since dead. The answer to that question is something to anticipate along with a war of factions that will only get worse before it gets any better.

This creative team understands what this series can be, and they pull no punches to cross that line to do so. There are no heroes hero. So if you're looking for simple smash and grabs, you came to the wrong place.

Charmed #1 is a solid start. This creative team knew how to bring us back into this story without feeling like they had to take us all the way to the start. I would recommend this to anyone who loves a good book about witchcraft. Charmed is the full package, satisfying with much that this new book series has to offer.

The story is picking up with momentum through Charmed #2. As I mentioned, the episodic approach to this works for Charmed as a book. From here they just need to keep pressing all the things that we like about exploring the lives of the Charmed Ones and the foes who know how to create a challenge.

There were some hits and misses here, but we are still getting somewhere as all sides are preparing for something big. Charmed #3 was shaky compared to the issues before, but how this issue ends does leave some promise with a greater obstacle than what the Charmed Ones were already facing.

A better issue this time around as we get a stronger introduction to the demon that is Djall, and a new player who shakes things up. Charmed #4 still managed to have at least one problem that was hard to overlook, but altogether an improvement at a crucial stage of the plot.

The world of Crackdown explodes onto the pages of this first issue. These aren't your normal soldiers and The Agency plays by their own rules. Dynamite found themselves a winner with this one so long as this creative teams improves on some of the areas where they need to dial back on the text.

Devolution #1 that had an interesting start to attract your attention. It just needs to make sure to capitalize on those things which appeal, and make sure to address those things that might go over a reader's head keeping in mind that this is only five issues.

Overall, I would say that the events of Justice League: Endless Winter #1 left me intrigued to see where DC is going with this crossover event. That is, if it will really be worth getting pulled from one superhero book into the next in order to keep up with what's now unfolding. If the Justice League is not enough to stop the Frost King, who else will step up to handle this new enemy?

Evil Ernie: Godeater #1 was a fast read, though it gives you much to look forward to with Ernie being pulled into the thick of this end of the world situation. He's fun, he's foul mouthed, and there's always something entertaining about a guy like him who is reluctant to be the hero or soldier.

All in all, I felt like by the end of Firefly: Brand New ‘Verse #1, I felt myself excited for the issues to follow in a way that I haven't been before.

All in all, Future State: Suicide Squad #1 was worth the read. Some books are going to be a must-read, and some you are going to take a chance on. Future State: Suicide Squad is one of those that you may thank yourself for giving a chance.

Despite my feelings about Future State, I will say that The Next Batman #1 is a story worth looking forward to more from. We're traversing a different kind of Gotham where the dangers are different enough to shake-up the game. Not to mention we have a Batman who knows better how to look out for the little guy.

In the end, I would say that Future State: Justice League #1 was a bold started for what it turned out to be. This is definitely one of those books where you would want to give the next issue a go to see how you really feel about the direction taken.

If there was any Future State book that I would recommend most, it would have to be Future State: Swamp Thing. This one is fueled by imagination and undeniably can stand on its own. You don't need to know anything extra about Swamp Thing to just jump right into this story.

All in all, Future State: Justice League #2 served as a proper introduction to what we should expect from this new Justice League. The pacing was a bit off, but the conclusion was worth being patient for things to fall into place.

Ghost Spider #1 has fun with the idea that reinventing yourself is as simple as moving from one universe into the next. You ask yourself what it would be like to travel somewhere that no one knows you to start over, and this book takes that to the next level. After what this first issue sets up? I look forward to how Gwen will balance two lives like this. Trouble is clearly going to follow her no matter where she decides to spend her time most.

Overall, Ghost Spider #2 took steps forward to better give us an idea as to what we should expect from this first arc. A lot of what they promised that we should get from this second issue, we got and then some. We got insight into this villain from the past, as well as friends who may or may not be what they seem on the surface. It should be interesting to see what happens once things start actually playing out.

Is Going to the Chapel #1 worth taking a chance on? I would say, yes. It was entertaining for a start, the story is well put together, and it finds away to stand out from stories similar. The book only requires a little more reason to invest in these characters. After that? I couldn't find a reason not to add Going to the Chapel to your pull-list.

Overall I would say this was a solid start for a pulp story where the mantle has changed hands. That is something we haven't seen in a good while, and its hard to argue that this isn't the best time when even the Gold Key characters have gone through some changes of their own. The anticipation for next issue and beyond is that we get to see more of what Mulan is capable of and what makes her tick.

Howling Commandos of S.H.I.E.L.D. #1 is an interesting new take on the Howling Commandos. The team does have potential, the story is entertaining, and has a lot to offer when exploring this side of the Marvel Universe we don't see enough of.

Overall, still skeptical after Infinite Frontier #0, but this does not mean that I'm not against going into these new stories with a more opened mind than what I jumped in with initially.

They didn't lie, this was a new bold new direction for the Juggernaut. So far I am sold for a story which takes all the right steps to redefine the Juggernaut in a world which tends to see him as a force for destruction.

Justice Inc. #1 does take a bit of time to pick up the pace, though in the end you are still left with that anticipation for what happens when the intensity picks up. Despite everything in-between, the main attraction to Justice Inc. is that this is a crossover between The Shadow, Doc Savage and The Avenger. Hopefully that does not disappoint, though for now we can say that this story has laid the necessary foundation for what's to come in the next five issues.

One of the best issues so far of the series if you ask me. Justice League #14 got into so many big character moments and revelations that rock the very foundation of this team to its core. Not to mention at the worst possible time for them facing a threat that makes them seem well in over their heads.

Literal race against time is being taken very seriously with this start to Timeless. Justice League #15 set one heck of a foundation to what is sure to send a few heads spinning if they haven't already. This feels ambitious and I'm glad they are taking some risks to give us something we haven't seen before. They just have to try not to lose us at the same time.

Justice League #16 got a little hit and miss there, but by the end of the issue prove that this is a risky story that they put thought into to challenge these powerful heroes. Time may be the focus of the story and plot, but it also must be taken into account in the way this story arc is mapped out for the best result. Rushing is not an option which means from here we need to get the most out of what they have set up throughout time/history.

Nothing is too certain with the conclusion of ‘Timeless' part three, but we know that like most stories this is the Justice League's time to rise to the occasion. Justice League #17 gave us some answers that we needed to move forward, though there are still plenty of questions to address for things to come full circle. They just need to keep up with the current pacing without distraction in order for us to be able to see this through to the end.

Things aren't perfect, but Timeless is getting us somewhere good. Justice League #18 played the smart game in focusing on where this story prospered the most. Other parts did suffer for this, but that is what happens when you stretch things a bit too far. Its understood why, but that's just how it is when working with a team book. You want to justify these heroes coming together, though at the same time you want all of them to be playing a big part.

Now I don't know what this thing is coming for Earth, but part of me want to think I do. If it is, then maybe we are getting somewhere big with Justice League compared to other Rebirth books on shelves. Though until then Justice League #19 didn't leave us with the same punch as they could have to wrap up Timeless.

Clearly there is a message to send through these past two story arcs, but there could have been better ways to go about this. Justice League #21 did enough at the end to salvage this, but you can't overlook that a lot of quality has been sacrificed for this enemy approaching that we knew as little about as we did when ‘Timeless' began.

Criticisms aside for the idea of the story told, there was quality to it that more than made up for it. Justice League #22 I'd hope is a start for this book to once again hit us with some superhero values that are easily missed when the story/plot gets too big for its characters to grow.

Justice League Dark Annual #1 is a story worthy of your investment. This was the last stone left unturned from the initial attack from the Otherkind, and it has a strong connection to the set-up put in motion for the Year of the Villain event. This annual also reminds us that fixing the world of magic goes beyond what is written in the books.

In the end, I was overall satisfied with the first issue of King In Black: Return Of The Valkyries. Aside from that one plot point which wasn't entirely clear, this is the Valkryie story we have all been waiting for a long time now.

Loki #1 is a book worth having in your pull-list. In general, it is worth having a book on your pull-list from Marvel that you can have fun with. This is the same old Loki, but once more the experience is refreshing when he has to fight against his own nature to be the best version of himself.

Like I said above, Loki #2 gives you a lot more confidence in what this book has to offer. It's all fun and games with Loki, but at the end of the day you also want a story that engages you. It doesn't have to be complicated or over the top, but it just has to be something that shows you that there is a plan in mind for the character.

In the end, Maestro #1 served as a solid start for his origin story. We know that this is supposed to answer how the world fell and the Maestro rose, though for this first issue the effort was placed primarily on the world which came before what most fans know.

Overall, Man-Bat #1 was worth the read, and worth taking the chance on. You would think that Man-Bat wouldn't be the most compelling character to produce a comic about, but it really does come down to having the right creative team on it, and this was the right team for the way that this story kicked off.

Masks 2 #1 is a solid start for a story that aims to go big. Cullen Bunn shows a lot of ambition in creating a plot that really justifies the meeting of not only those we were introduced in the first Masks story, but much more to come as this is a story which challenges justice across time and space.

The Metal Men are back. You might not get to know them in the capacity you hoped for, but it was a deep exploration into what we knew about the Metal Men, versus the reality of their existence behind closed doors. Well I should say that one door that apparently should not be opened. Either way, Metal Men #1 turned out to be a solid debut, and makes you at least interested in seeing how this doctor tries to achieve the sentience he always wanted for these machines.

New Challengers #1 I would say successfully introduces us to the Challengers of the Unknown,and what makes them so special from everyone else who aims to solve the mysteries of the multiverse. This first mission so far is a good test for determining what these characters have to offer, and if this is a miniseries worth seeing through to the end.

Peter Cannon: Thunderbolt #1 introduced us to the very definition of the reluctant hero. Hard to say if this one is worth coming back for more, but definitely not without potential for where this story could go by the end of the first issue.

Whether you're a longtime fan of the Power Pack, or new to these characters. Power Pack #1 offers a wholesome superhero story which you don't see often enough these days. This is a family back together and one which enjoys the brighter side of saving the day.

By the end of Radiant Black #1, I could see a lot of potential that this book holds as an ongoing. Nathan is a compelling character, relatable too, and these powers only make his complicated life more interesting.

Rugrats #1 was a great start to the everyday life of these babies. Dealing with the electronic eyes of the babycam was perfect a the first story to tackle with them. This also seems like a more modern take which works for them having the freedom to use drones and what not. There's potential here as long as they keep pushing the boundaries of what can be done through comics.

Now with that said, is there much to still look forward to in Secret Wars? Sure. You get past those few things that would bother you as fans of certain characters and as a whole this is still a cleverly written event book that you'd want to see to the end. At this point it's either someone takes Dooms power, they get someone magically strong enough, or Cyclops comes back for a second round to win and restart things. That is how things might end and just having those theories makes the experience worthwhile.

The end of the issue is what gets you most excited knowing now exactly where everyone was scattered. Who knows if we'll get to all of them within Secret Wars, but if you recognize where each are placed then you know which tie-in to look out for to find out what they do next.

Secret Wars #6 definitely has to pick up the pace going forward. Assume less of what we read and didn't read in the tie-ins and tell the story as if they don't exist. We have 3 more issues to go, so hopefully as well the gap in time between them isn't as large when you want to keep these moments fresh in our minds.

Secret Wars #7 was grand in scope, but certainly didn't give us the sacrifice that seemed so important, and suffers from too much it expect you to follow. And too much that you are expected to follow when All-New, All-Different Marvel titles have already begun. The next issue really has to turn that dial to ten.

Overall, Sonitus #1 was an interesting start to this miniseries. There was no telling what to be in store for in this issue, and certainly not for the issues to come. This is the kind of mental thriller that holds your attention when the best thing to expect is the unexpected. Especially when supernatural forces are at hand.

Starbrand and Nightmask #1 was a solid start in giving these two some relevance in All-New, All-Different Marvel. Like other titles this one is showing the importance of who they are behind the mask, and that is the best way to flesh out superheroes who haven't had that chance to fully blossom.

Overall, Death-Defying Devil #1 was an exciting start to a story centering a pulp hero that you don't see nearly enough of. This creative team was perfect for this book because they brought the story into a modern setting, and vigilante work takes on a whole different meaning when you're not dealing with the old school criminal underground.

As with all comic adaptations like this, The Expanse #1 is worth the read for the extra content that you aren't going to get in the show.

The past, future, and present collide is a marvelous way through this first issue of Once And Future Queen. It has potential through just creativity in this world and its inner workings. The next step for us is to get to know this cast of characters a little better while pushing forward with what kind of future we're fighting for.

In the end, The Union #1 felt like a breath of fresh air from everything else unfolding in the Marvel Universe. The story is down to Earth, the problems these heroes face are relatable, and their first job as a team is going to put their longterm success as a team to the test.

If anything, The Visitor #1 should stir up some interest towards seeing what comes next simply for the fact that we walk away from this with so many questions, rather than answers. They did not disappoint when it came to creating a mystery between asking who this character is, and what he hopes to gain through these strings of attacks.

Tinker #1 is an entertaining start which looks to have potential. This first issue showed some of what you can look forward to, though it looks like the second issue is where the adventure really begins for Amy.

Wonder Woman: Rebirth #1 is mostly set-up, and sort of a fast read as well, though gets you excited for all the right reasons when nothing will stand between Diana and finding out who is behind the twisting of her tale. This issue gives us the idea that unlike others, she will be more proactive in finding answers.

Z Nation #1 was a strong start to this new six-issue miniseries. It captured everything you love about Z Nation through these new and familiar faces. Expect the unexpected and cling to no one as this world knows how to chew you up and spit you back out. And this is only one year in, so if there was any way to generate hype for what the next five issues have to offer they nailed it.

Just when you thought you had thing figured out, in a Z Nation kind of way things became complicated. Well even more complicated. Z Nation #2 doesn't bring us that much closer to Johnson and Cutter retrieving the Soylent-Z, but we sure as heck understand now what obstacles will stand between them and completing what seems like an almost impossible mission.

Being the second to last issue of this book, everything has led to that final moment and you can only hope that it delivers on what will be the defining moment of the story. What comes next is something you want to look forward to and the best way for this story to end is for Ross to turn that dial up and make everything that has happened up to this point mean something.

In this issue you felt the stakes raised higher than they ever could. They lost many friends, allies, and had to cope with it faster than they could in order to do what had to be done when it was all or nothing. Many of these heroes you would not have taken too seriously yet in this very situation they were able to step up and become someone admirable to an extent.

It's a good change for the story to come and you can tell how intense this story could potentially become with Iceman being an omega class mutant to add. The fact that all his ex-girlfriends suddenly emerged seems a bit risky and questionable, but we can only hope there is a good reason for it. Maybe as the cover shows, there is another side of him that he isn't aware of. Mystique's involvement is questionable as well given her stance on the X-Men in All New X-Men. The only part that seemed unnecessary was the short bit with Thor, unless he's to to be important to the story later on. Overall it seems that this issue was built on potential scenarios that would or will take place as time progresses.

Around this time you would normally look for that one obscure X-book. From this line-up of X-books I would have said Generation X before this week, but now I would say Astonishing X-Men is that book. Not a bad thing either. Not only do they bring together an unlikely team, but they are brought together to face down one of the most dangerous villains for the X-Men. Their reaction to this person pulling the strong is the same as ours.

Buffy Season 11: Giles #1 had a shaky start, though the story evened out by the end. This is a new experience for Giles and this is a great time to get into what other ways he will have to adjust being this age again. At the end of the day it is cool just to know that this is what Giles was up to when the craziness with the Safe Zone was unfolding.

Buffy Season 11: Giles #2 was a solid step forward for a second issue. Progress was made furthering the mystery behind the disappearances in this school, while at the same time furthering our exploration of what really goes through the head of this teenage Giles. He's clearly become much more than simply being the guardian or magical assistance.

Buffy Season 11: Giles #3 was the strongest issue of this series so far. The plot may not be straightforward or too captivating of your attention, but the character exploration more than makes up for that right now. This issue was a good reminder of how rich the Buffyverse can be when you're not focusing on the usual Scoobies or familiar faces.

By the end of Buffy Season 11: Giles #4, it was the emotional weight of the story when it came to Giles and Roux that really stood out more than anything else. The plot honestly suffered from lack of interest put into in contrast to having this mysterious vampire with a past and present to unravel. If someone else tackles a story like this, then it will need to be able to strike a better balance.

If you wanted more Cloak & Dagger, this first issue did not disappoint and was a satisfying entrypoint back into their world. Not your average superhero story, and not your average superpowered duo either.

Cloak & Dagger #2 pulled no punches when what started out as space between the two has pushed into conflict when neither know how to talk to the other anymore. Mistrust is indeed their enemy when emotions run high and leaving very little room for the kind of compromise that saves lives.

Cloak & Dagger #3 was a hit and miss kind of issue in contrast to the previous two chapters. the story would have benefited from more focus on what was either going on in the present or the back. When being tossed back and forth and from two different perspectives, that is when you risk things getting a bit messy.

Cloak & Dagger #4 was one of the better issues so far with a straightforward investigation, clarity to a fight with Grey, and urgency added to the dangers that both Cloak and Dagger face on their own.

Cyborg: Rebirth #1 was a solid start. The actual first issue will be the dealbreaker, but this at the very least gives you something to look forward to with the foundation set from reintroducing us to Victor's world.

Overall Death of X #1 gives you reason to see this to the end. The only question is if they are willing to satisfy us with the answers we have been seeking for longer than we should have been waiting. They without a doubt need to prioritize selling us on the direction things have taken and why we should or have been rolling with it up to this point.

While the belief is still that Marvel needs to save us the pain and reboot the X-Men, there remains just the slightest bit of respect for the explanation of events up to this point even if this again is a story that should have been told long ago. Death Of X #2 gets further in-depth into these unfortunate events that surprisingly ties well enough into how the X-Men were before the cringeworthy relaunch.

Death Of X #3 was a slow burn, but it at the very least gets you to look forward to how this concludes. That next issue is it, and from there it is anyone's choice whether they want to care what is being done to the X-Men anymore or not.

Death Of X #4 finally gives us the truth behind Cyclops' death which was satisfactory even if part of you hoped they would possibly screw this up too. The other death didn't impact you as much, but how these events were orchestrated at the end is some of the best writing we might ever get in terms of X-Men post-Secret Wars.

Deathlok #1 is a decent start that pretty much almost anyone can pick up. The costume is familiar, the name is the same, though this is a completely different Deathlok. If you want high-octane action then this feels like the kind of series that will deliver on it if the writer takes full advantage of the type of character Deathlok is.

Overall there is a lot to expect from this series considering this is a new character being brought to life. This Deathlok has potential when there is depth to him that should be enough to care for him as a person and living weapon.

Overall for a somewhat short issue Deathlok #3 handles a lot between Deathlok's missions, his life at home, SHIELD agent Andrea Hope's progress in pursuit of him, and her meeting with an Avenger for some assistance. Everything is going well for this issue though with everything progressing at such a rate we either need longer issues or more focus placed on certain parts of the story so it doesn't feel rushed.

Overall Deathlok #4 is a solid issue that covers a lot in a short amount of time. Some parts including Agent Hope and JJ could pick up a bit or use a bit more clarity, though the direction the story is taking with Henry Haynes has been great and should continue to be a priority.

Django Zorro #1 is exactly what happens when you put two vigilantes together who actively search out evil and corruption to kick its ass. Sure you could want a bit more from it as a first issue considering nothing big happened, but you still finish this issue satisfied that you get a taste of what to expect from these two. We can at least be thankful that there wasn't the cliche of them going the distance with only a tease as to who they were.

Big things are coming in Django Zorro #3, and this issue served it's purpose of putting our heroes where they need to be for the their adventure to really get moving. Django now knows the company he keeps, and that changes everything when he was sure of himself that he knew how things should be handled rather than with “sophistication”.

Django Zorro #4 is an okay issue compared to the last, though that is only due to this series not having that pacing which you'd expect to keep you at the edge of your seat. You want to see Django do what he does best, you want to see some tag team action between Django and Zorro. That looks like it will come near the end, which is fine, though you also don't want to lose readers holding out till the very end to reach that climax. For a series that picks up after Django Unchained, you don't want to jump into that next chapter of his life only to see him spending more time in a role where he has to keep his head down. Especially for the reputation he had picked up.

Dodge City #1 had a solid start, with potential for much more that there is to learn about the world of dodgeball. This creative team chose an interesting approach that we haven't seen before, and that might be the best thing that this book has going for it.

Firefly #1 gave me high hopes for what BOOM! Studios can offer with their shot at exploring this verse. These characters are given a voice that you resonate with, and its all the same fun shenanigans that only they can get themselves into trying to simply survive.

Firefly #2 was equal parts heartwarming and heartbreaking. This creative team did not skip a beat giving us the soul of this franchise in just two issues so far. They have my faith right now that they can do this story and these characters justice. All they have to do is continue tapping into that well of potential and things that haven't been touched yet by other creatives.

Firefly #3 was a heck of an eye-opener to what actually made Mal and Zoe so wanted after the events of the war. What they did had to be significant, and the reveal did not disappoint. The only question now is how they will get out of this in one piece. We know they will, but you always brace yourself for how that will happen.

Firefly #4 overall was a strong representation of what makes this story and crew stand the test of time. The jobs tend to have a chaotic formula to them, but that is what you get when you hop aboard the Serenity. You expect the unexpected, and prepare yourself for everything that will go wrong before the job is done.

This chapter of Firefly was fun, personal, and continues to shake things up when no one is safe ever. Firefly isn't one of those stories where you let your guard down for a second. Not when even now Mal and Zoe find themselves in greater dangers than they started with.

This issue of Firefly had a lot going on, but I was overall impressed by the quality writing that went into all of it. Mostly when it came to the pacing which could have easily been rushed or clunky if handled any differently.

Toss everything you thought this was leading to, and prepare yourselves for a new war altogether! Firefly #8 played a bold game shaking things up for everyone who thought they were ready to play hero. I personally can't wait to see what happens when everyone crosses paths once more to figure out just how things got this out of hand.

Firefly #26 in the end did make me interested in this series again. I'm still surprised that it actually made it all the way to twenty-six issues, yet also impressed that they could find a place this deep in the story to say “Here's what you've been missing out on!”.

With the conclusion of Green Hornet: Reign Of The Demon #1, Green Hornet and Kato might have gotten more than they have bargained for. Unprepared for something that could be worse than the reputation they created for themselves, something worse than what they'd be willing to do to keep the streets clear, and worse than simply being misunderstood as a hero.

The end was a nice touch, though Martian Manhunter going through Selina's memories seemed like things we already knew about her. It was only interesting when we got to see what goes on in his mind, and by Selina's reaction to it, he's just as broken as her, and maybe even worse.

As a conclusion to this storyline, I think that Geoff Johns has handled this team much better than I expected. Like Trevor said in the book and as I see myself this team has potential and the book overall has potential. I don't know what to expect from this, but surely it should be something exciting since their job is far from done in foiling the Secret Society's plans. What I liked most was the work put into it by Brett Booth. Everything from the crisp style, to the effects from everyone who wielded powers, it was all done very well. This and the structure of the environment around them because there was a lot of destruction.

Aside from this things are now coming into perspective and now there is a clear direction when everything up to now was a wild goose chase or a mystery. It was one thing for Superman to touch Pandora's Box, or for Pandora herself to allow someone as evil as Lex to touch it, but when it ends up in the hands of Wonder Woman, things are going to go bad for those who try to stop her. She was basically right, and now being corrupted by the one thing she set out to destroy without knowledge of what it can do is where everyone is going to find blame.

Should be interesting in general to see how this plays out because the Justice League isn't dead. The Crime Syndicate told all the villains they are dead, and if Manhunter and Stargirl succeed, it will create a lot more chaos than what has already unfolded. There's a lot more to the prison as well than what's on the surface, some hints thrown out considering that mysterious figure and the odd appearance of only one half of Firestorm.

Justice League of America #9 is one interesting adventure which is a great distraction from everything else going on in the world. We now have a little more understanding of the prison they are all trapped in, but we have an even greater understanding of both Martian Manhunter and Stargirl. There may not be a lot of action, but the story is what stands out as it clearly possesses more depth than we could have anticipated. That is including the weird twist at the end which leaves you with a few questions you hope are explained next issue.

As per usual, Romita's art remains consistent as it did from Volume 1 to now. Solid coloring, good use of dark strokes, and as usual well done facial expressions.

Solid issue that shows some actual progress in story because the first two issues really didn't do much rather than explore Dave's personal life which isn't as interesting as when he puts on the mask. In the case of Dave, his most redeeming moment in this issue was that Dave gets a slight boost in confidence in response to how cool his real self is compared to Kick-Ass, which is something you'd think would have been realized long ago. I mean the movies touched base on this and it is only on the second.

Still nothing big, but a change in the status quo is what Millar needed to focus on in order to keep this story alive. I'd say if you have been on the fence about this book, maybe just pick it up from here, but even then you have to question if this book still can pull through at this level. Millar will definitely have to crank it up a notch because high-octane action is what we expect from Kick-Ass.

Mother Panic #1 is highly recommended if you're looking for something from DC that is different from your average vigilante story. Mother Panic doesn't hold your hand and isn't intended to as part of the Young Animals imprint. You enjoy it for the chance to see what happens when a vigilante is not out there to simply save the day.

Overall a great start for New Warriors. There may not have been a forming of the team, but Christopher Yost definitely went into this knowing how to put them all into the right place at the right time. There's a lot of potential from this story as one that focuses on younger heroes, those new that have come into power(mutants and inhumans), and the threat that all of them face when up against someone like the High Evolutionary. This book certainly is worth picking up with the hope that having this many on the same team doesn't make it hard to manage.

Overall, issue #2 of New Warriors is an alright transition from the first issue. Not to say that the story is dull, or uninteresting, but there are definitely ways in which it can change to avoid losing readers in all the action. We need to be able to take a step back and be able to process everything that is occurring without being dragged from one fight to the other. Development of teams is a process and a little more time could be put into each of their parts in this story to bring focus and understanding. Otherwise, New Warriors is still a book worth following if you want to know what the future has in store for them.

Redlands is not a book you want to sleep on. Hiding your bibles seems like an understatement when you see exactly how this coven of killer witches do take everything from the so-called people who run this town. This creative team struck gold finding a twist to horror that you aren't seeing anywhere else on shelves right now. Redlands is not witches cowering from the world around them or thinking not existing is a means of survival, they are the wave of change and order.

Like any of these other new stories Valiant is producing, Savage #1 is one worth diving into for a story you're not getting from anything else they have on shelves. A progressively dark tale that you don't want to overlook for its human elements.

Shuri #1 was a pleasant surprise for me. I picked up this book looking for a new reason to jump back into this corner of the world, and was not let down one bit. Sometimes you will worry when the reason is because the success of a film. Fortunately this was not the case with Shuri. This is a creative team that cares about this character and the world she lives in.

The big thing here in the debut of Sideways, was the responsibility of having this kind of power at your fingertips. We were prepared to follow this kid who will understand the dangers of what seem like a fun power on the surface, but what this spins into took matters to a whole new level. New heroes these days tend to face some harsh realities for dreaming big, and Sideways makes you question how wrong that can really go.

The events of Sideways #2 placed this new hero right where he needed to be on the crossroads of actions and consequences. They are going to catch up with him, and the only way Derek will win any sympathy from us is if there is more strength behind his intentions and motivations.

Sideways #3 puts us in a place where a reader could find more reason to invest in this story. Currently Sideways best represents the superhero side of the New Age of DC Heroes line. His origin, interactions, costume, and encounters so far prove that he is making the most progress to something legitimate. That is if Derek can grow up fast enough to survive the rough patches that comes with this lifestyle.

With the conclusion of Sideways #4, Derek is really living up to the name when everything he tries to do comes up sideways. Things aren't getting better for the kid, and I think the strength of this story will come when he reaches a point to become humbled. A lot of our new heroes we admire because they had something tangible to achieve. In the case of Sideways that is both refreshing and risky when he loses appeal as a character.

Sideways #5 was the issue we needed to see that there is still more to offer with the right steps taken towards Derek evolving as a hero, and as a person. Teen drama can bite, but sometimes its just something you have to get used to in order to get to what's actually appealing.

Sideways #6 made it that much harder to like Derek, and that's not the direction I feel like this story should be taking. There's tragedy, and then there's tragedy that's the hero's fault because of their neglect. Particularly when the one who suffers is family.

Sideways #7 was a hit or miss issue. I can't stress it enough how much potential this series has, but the execution of events and actions leaves much to be desired. It's okay to be different from most rising hero stories, though not to the point where you lose what is appealing about most of them.

Sideways #8 left me with mixed feelings. I couldn't hep but feel excitement towards some of the things unfolding here, but as I keep saying, I wish this was all happening at a different time. When I can set aside that thought nagging at me, this is a solid storyline between action, exploration, and new introductions.

Yeah, everything is in fact going sideways for Derek, but I wouldn't say in the best way either for us. Sideways #9 tried, and it only really succeeds in holding our attention when it comes to circling back to the world that is still turning on Earth. A world without Derek stirs the pot a bit and gets everyone asking the same questions about the fate of Mrs. Flynn.

This was probably one of the better issues of Sideways aside from the one where Derek's mother was unfortunately killed. Sideways #10 proves that you can do wonders when you put substance over style. This is a young hero book where you want to capture the energy of being new to the world of heroes and the sacrifices, but you should never forget the moments that are supposed to help you care about the person underneath the mask. This includes the people in their circle of trust too.

Sideways #11 had action, some big revelations, and the right combination of all of these things to kick things up a notch. I think this is the moment that most of us have been waiting for in the series where things are getting good again. I struggled with my faith in this stories direction after the death of Derek's mother, and now I have regained some of what was lost before. Hopefully this boost in momentum and pacing carries through to the end of this confrontation with Dar Star Sciences.

Sideways #12 made it pretty hard to see this story through to the end, but at the very least the last issue should be one to look forward to for hope that there are plans for this hero beyond this solo adventure. It's just so unfortunate that at this stage there is so much rushed or left as loose ends.

Sideways #13 brings the story of this young new hero to a close, for now. It honestly could have been better. This was a story that I remember at the very start saying held so much potential for the connection to Dark Nights: Metal and a power you don't see too often taken advantage of in the DC Universe. Yet here we are with a story that should have gone farther than where it ended, and offer more than it left in question. I stuck through with this to the end because hope was all that you could hold on to. This wasn't all a bad journey, but it could have become so much more.

Snowfall #1 has a strong story for one of warring, political, scientific and corporate intrigue. It is a plot someone was bound to create, and this was the best creative team to tackle this.

Overall it was a nice end to their meeting. Nothing too special, but it was entertaining nonetheless just because having both Kara's in the same story was handled very well. Even set things in motion for a story to come either next or in the future since eventhough they escaped Sanctuary, it seems to have now made itself mobile to finish the job.

Overall I think that Supergirl had a good thing going for her on Earth despite anything that was used to get her away. The whole storyline so far feels like a cop out from what she could have been rather than what's happening to her now. The art work is decent, wouldn't say it has been all that great compared to past issues, but that's about it.

Supergirl #37 is the best time to get back into the series if you fell off before. Better direction, interesting cast, a concept that is grand in scope, and most importantly it gets back to showing the importance of being a hero.

Supergirl #38 again shakes things up in a good way. You will question the whereabouts of Superboy up to this point, but he is still put in a good position when Supergirl has to make that choice between the Crucible Academy which she begins to question and someone she knows already, enough to be family to some extent.

Supergirl #39 looks like it's reaching that climax to this story surrounding the Crucible Academy. How it ends and where things could possibly go from here is up in the air, but this is a side to Kara that we needed to see. A lot more humanizing, and something that feels more genuine considering all the craziness of her past. For once you don't feel like it has to be all about the fighting which works for a character like Kara.

Despite the ending, Supergirl #40 is an amazing issue that proves there is much to look forward to from Kara in the DC Universe when she's just plain being a hero. Hopefully the next story arc doesn't fall into the same pattern as with the other stories and House of El, but we'll just have to wait till the next issue for that.

I don't know about you, but I definitely feel as though Otto Octavius's new super hero strategies may make Spider-Man regret letting him free following the events of Superior Octopus #1. He is not your average superhero, and doesn't play by the same rules. This is a refreshing series for anyone who wants storytelling that will without a doubt change the way you look at superhero comics.

It feels good to have another Shadow book in my pull-list again. The Shadow (Vol. 3) #1 was a great start full of intrigue and mystery. Mary Jerez is a solid main character who we get to know pretty organically and it does wonders having someone who knows him in present day. Moving a character to modern times means all-new, but familiar, even just to The Shadow is preferred.

After the events of Shadow #2, the mystery behind Mary's burn patient is becoming clearer with everyone seeming to be on the same train of thought about the vanished vigilante. Considering the setting of his story, I'm glad that they have found a way to properly play into the legend of the Shadow. He is someone to be both feared and praised, for better or for worse with current circumstances.

The Shadow #3 takes some big steps forward. What started as a story where we were hunting for the truth behind this burned man quickly evolved into something new. The next issue will be one to anticipate when the time for questions is settling, and there is more need to take action.

Vikings #1 is an okay start for the comic series. Not perfect, but hopefully some of those rough edges will smooth out as the story progresses. The big thing as I can emphasize enough is that they stay true to the things fans and viewers of the show are familiar with. They are the ones this is catering to, and you can easily lose them if given anything less. Aside from this it was as entertaining and intense as should be.

With Vikings #2 things are starting to pick up for the book compared to how it begun. Vikings #1 was a nice introduction, but the second issue is where this really starts to branch off to become its own thing. Nothing significant like character deaths you may look forward to, or feel shock for, though for everything else there is still now an element of surprise which holds up interest in this world-building.

Overall Vikings #3 is still on the right track with the potential in these stories which is striking the proper balance between character and story development. Feels somewhat of a fast read, though there is not too much you can expect they will try to drag out of between moments.

Vikings #4 brings Godhead to an end staying true to everything you love about Vikings now in comic book form. Hopefully whatever comes next will continue to bring something new to the table, though at the same time reach points where they can take more risks with characters.

Vikings vs. Unicorns # 1 is something I think anyone can get into if they give it a chance. Good for a laugh and that makes any book like this worth paying attention to.

For those who didn't like Avengers Vs X-Men, I say pick this book up. It may not have a direct effect on the main story, but it's the story that you deserve because for the most part the original was lackluster. When someone tells you that the end is more important than the content, in this case the content will be just as important because I believe it is in capable hands. Being What If, we are left guessing what actions will be taken and just seeing the different choices some of the characters made in this issue made me believe that this war could go any way possible given the library of heroes who took part and their views on this situation. Whatever happens next this book is worth following.

A great transition into the second issue and it certainly has delivered on being a What If. Hopefully Palmoitti can keep this momentum strong or even turn it up next issue as we can only assume that there will be destruction and much more lost before anything good comes out of Hope being possessed by the Phoenix Force.

Another solid issue, where even though you could possibly worry about how the story ends, you know that with the next issue being the conclusion it will be something big. No one is safe this time around and that creates a sense of urgency for everyone. It's a great way to shake things up and I can only hope that this story pulls through in the end to become something memorable.

For a What If story, and one of which we haven't gotten in a long while, I can say this was satisfying. It took a different route, Jimmy Palmoitti didn't pull any punches involving losses of either X-Men or Avengers either. When presented with this kind of twist of a story you always want to toy with the impossible and that is what happened here. I did not see many things coming even though I was aware of the intentions. Sure much of it was for shock value, though I expect no less. Solid issue for a conclusion.

Witchblade #1 was a solid start to a new vessel to this host. Alex Underwood is a character who hasn't seemed to have the best luck in making a big difference, but with the power she is now granted, maybe that luck will turn around? For better or for worse her life has changed completely. From here it is all about seeing what Alex does with this power and this threat that would love nothing more than to see her dead before she becomes too strong.

In the end not only did the students grow up to an extent, but Wolverine did as well as he confronted his brother. He chose not to fight while his brother only wanted to fight like the dog he is, so to speak. He felt that he deserved everything Wolverine had, but he did nothing to earn it and his approach came off childish which is a comparison Aaron did well. Aaron did right by ending this story in a way that leaves room for arching stories between the Hellfire Club and Wolverine's relationship with the student which is now very weak.

As usual we can tell that something big is coming. The Hellfire Club is proving to be calling in the big guns as now they have added Idie and Dog, who killed his father for striking him in the previous issue, to their arsenal.

The art was the real standout among many other aspects of this issue. The combined work of Ferry, Larraz, and Espin made this book look clean. When I first picked up this book I was a bit scared about how the interior would look based on the cover. The cover just didn't grab me and almost made me put it back down, but the interior made you want to read it. This was possibly the best artwork done in this series to date.

The art was a bit disappointing given how well it was for the prequel. Most of it felt consistent, but you notice those small inconsistencies like with Mystique's appearance and facial expressions.

While it was pretty obvious that there is more to the supposed future X-Men's story than what's on the surface, it's great that a second story was able to develop as to finding out what it is. I mean what's the harm in more time jumping when time is already broken right? Well now everything is not as it seems, and where we thought we may have been getting some answers, we are left with more questions that should eventually lead to what the main point of this plot. We just have to hope that this crossover can maintain the momentum it's building now because anything less could be harmful and of course interest might be lost given something this big is a gamble.

With the Brotherhood's Plan A squashed, and turning to their far more sinister Plan B on the grounds of the X-Men's first clash with Magneto, things have quickly taken a turn for the worst. If that is what they consider tough love, then their future must really be as bad as they make it seem. I mean we saw Dazzler die, but that was about it.

X-Force #1 was a solid start for the series. I was hoping for a bit more from the confrontation with Cable, but all good things do still come in time. This first issue was a satisfying set-up from what we can expect from this murderous bunch, and for establishing where Cable stands in the current state of the MU.

4001 A.D. #1 was a solid start. They addressed the things we don't know, the things we should know, and didn't fear getting into a big confrontation.

A Voice In The Dark: Get Your Gun #1 really is a great jumping-on point for new readers. All you really need to know is that Zoey killed Mandy and that things will not go as planned when it comes to getting away with it. After that you just go along for the ride because it's all about getting into the mind of a killer who challenges the cliches of most others.

A Voice In The Dark: Get Your Gun #2 covers a lot of ground in only the second issue. From Zoey's personal life to the case Detective Dunst is struggling to close, there is much to see which makes you question just what led to Zoey's eventual downfall. We know how it starts, though there remains much more when getting away with murder is never that simple.

The artwork for Age of Apocalypse #1 is surprisingly good. They chose a good art team to handle this series because as stated above, a lot goes on in this first issue and you need those who can handle this amount of work carrying through an acceptable level of quality throughout. That is pretty much what you got from this issue. Particularly when it comes to the action. There was no shortage of that and the fights were as intense as they looked. You did not expect that first one to start or end the way it did, though it sends a message that they aren't holding back which is what you should want to see from a series that isn't meant to hold your hand. The coloring was excellent with that said. Not a time that you didn't feel like these power players weren't giving all that they had in this conflict. Warm colors, cold colors and those that matched to the tone of the story all stood out most when necessary.

Angel #1 gives you hope for what this re-imagining of the vampire with a soul has in store for us. As they said, this is a brand new, modern take on one of the most iconic vampires in pop culture, and every opportunity was taken to attract both new readers.

If you weren't sold by the first issue of Angel, this second issue gives you much more confidence in investing where this book takes us. Some things are the same, though equally there is just as much new about Angel's story. If you thought it wouldn't be the same dark tale, they also made sure we knew that the dangers will hit you just as hard.

Angel #3 was a fast read, but it got us to a good place in this story. From here, we got a very good idea as to what's in store for us investing in this book. They are very much sticking to everything we know about the history of Angel, while at the same time throwing in their own unique twists which make this both updated and refreshing.

As the first story arc ends for Angel, it is safe to say that this is a book to have faith in for its ability to tread new territory while still giving us everything that we love about Angel's corner of the Buffyverse. Angel #4 succeeded in doing this and at the same time laying the foundation for our hyped event of the year, .

Overall Angel #5, or the prelude to Hellmouth for Angel, walked a fine line between pushing this story into the big crossover event, and taking Angel through that next step on his end towards closing the door in Sunnydale.

There was a lot of things to look forward to from Angel #6, and it was a thrill that this part of the tie-in would focus on everyone else left behind from Angel's world. This is one of the more character driven issues of the series, and managed to also satisfy in some quick action which assured us that Fred and Gunn have just as much to offer as new additions to this re-imagining of the story.

Angel #7 was another worthwhile issue that proves how everything going on within the Hellmouth isn't all that's important. Angel left behind two pieces to a big puzzle who are out in the world and getting into their own kind of trouble. The kind which fortunately brought us to a character we haven't seen in a LONG time.

Another tie-in issue bites the dust and continues making us as interested in what goes on outside of the Hellmouth, as we are in what is unfolding within. Angel #8 marks the start of something exciting when Spike offers his own brand of heroics which varies so differently from the gloomy vampire. This could go right, or it could go very wrong. Only time will tell!

From one situation right into the next. It doesn't seem like there will be a dull day for this team. Especially now that they have the charismatic Spike now joining the party. For how long? Who knows! But let's all really let it sink in that we have gotten to a point where we are actually picking up a book titled Angel & Spike.

If there was any reservations towards the changes in direction to this book, I would say that by the end of Angel & Spike #10 you can feel more confident in seeing that nothing major has changed. This is still a personable story, still action-packed, and just as mysterious for all the things which can hit out of nowhere.

The events of Angel & Spike #11 puts a lot into perspective in terms of the direction this plot is taking. The threats are becoming more clear, the players involved in this current battle, even the things these character will have to do to stand against them.

After Hellmouth, it's a bold new world for these heroes. The events of Angel & Spike #12 proved that much to be true, and much more. This is Wolfram & Hart like we have never seen them before, and it makes you wonder how they are going to deal with an enemy they didn't take seriously enough till now.

All in all, I think maybe this book was always going to reach an end like this. Not the exact end that this landed on, but a wrap-up in general because this book didn't really leave you with the same sense of investment as the last Angel series did. Different is good, but you have to also gun for different that you can sell readers on.

In the end this was a well constructed tale that sets up Archer and Armstrong to go up against Bloodshot and H.A.R.D. Corps when Mission Improbable begins. Again showing just how big this world is becoming when you could see both teams interact. That is the one thing you should take out of this most and when they send HA.R.D. Corps after you, that means you are a big threat. Just another reason why you may want to pick up this book, and stay tuned for that event.

This was another solid issue of Archer & Armstrong being on part 3. From the way this issue ends, I have high hopes for the future of the Valiant Universe just for the fact that they are properly able to lead from one book to the next. We'll have to see what the conclusion of Mission: Improbable has in store for them, but things are still only going to get worse before they get any better.

Overall a great transition into the second issue for Archie and proves this creative team knows their approach and direction to satisfy those who have given this series a shot.

Archie #3 is yet again another exciting issue in this all-new series that reinvigorates the story for a new generation as well as the old. Veronica has made her entrance and things are taking more of a unique turn than before.

Archie #4 gives us the answers we wanted though the execution could have used a bit more work. The moment itself was great, though most before that didn't carry the build up of anticipation needed.

Bloodshot U.S.A. #1 is a must read whether you have been following the story from Bloodshot Reborn to now, or just jumping in now because this is new reader friendly. There a lot of potential to take advantage here with numerous Bloodshots in action, unlikely enemies, and an organization to take down that may be over their heads. We all know Kozol, and you want to see if this can be that hit he has needed for so long.

Overall, the secrets of Faith the Vampire Slayer was worth dedicating an issue too. Buffy the Vampire Slayer: Faith #1 gave us plenty to look forward to as Faith's involvement in Sunnydale matters grows.

All in all, if you're a Buffy fan, then Buffy the Vampire Slayer: Every Generation #1 is a must-read. These are the times where new is everything. This book right here offers you a satisfying amount of new content to sink your teeth into. Added depth to a slayer we have already met, a slayer from another culture, and a slayer entangled in the madness Angelus unleashed upon the world during his time.

Buffy the Vampire Slayer: The Chosen Ones #1 is a book worth having in your Buffy collection. There is never a time where it isn't welcoming to see just how many slayers existed before Buffy. They awaken at different ages, different corners of the world, and in different situations. I don't think we have been introduced to one slayer yet who shared in the same experience awakening.

Cryptocracy #1 is the start of something fun and adventurous for people who are virtually gods now feeling as though their whole way of life is about to crumble beneath them. Just what can go wrong when your ultimate power is secrecy, And that is the one thing being used against you? That is what we aim to explore and much more.

I had a good feeling about this New Age of DC Heroes, and they are off to a good start with Damage #1. This is the best time to introduce new heroes and concepts that take us beyond the same stories retold. If you are looking for a reason to invest in Damage, I think they gave us good reason to. New characters, creative, not quick to reveal everything at once, but gives us just enough to anticipate how this story branches into the rest of the world.

If you are still on the fence about Damage, then I would say give it a shot. No matter what other readers may say about familiarity, that doesn't change the fact that this is a new kind of character for the DC Universe. It was only a matter of time before they had to deal with this consequence of creation.

First impressions are everything right? Ethan and Damage left one heck of an impression on the world when laying waste to a city, a team of heavy-hitter villains, and Wonder Woman. Damage #3 found a good balance between story development and action, while making sure that in the end we know where the issues to follow will take us.

Damage #4 throws these two into their next big encounter. It's good to see that not everything they have to deal with is because of Colonel Jonas or a lack of control over Damage. This is a unique experience which this creative team is taking full advantage of through the challenges of being a monster in the DC Universe.

Damage #5 is a good issue for anyone who wanted to see more of Ethan this time around. It is good to consistently remind readers that there can be a balance to the storytelling and action. Not expecting too much of one over the other is what creates more satisfaction and investment in what comes next.

Another action-packed issue of Damage this week. Whether it is trouble that they stumble upon, or throw themselves into, the momentum never lets up and that is what gets you from start to finish with anticipation for what comes next. You have to hand it to Damage as well for the fact that this series is making leaps for having a new character who is interacting with established heroes and villains left and right. It hasn't felt forced yet, and that is all you can ask for moving forward.

You came for the action in Damage #7, but you stayed for the character development for Colonel Jonas. As much as you want to see of Ethan and Damage, there is no denying that Jonas is a character of interest when there was so much until now that was shrouded in mystery. We now move forward with a stronger understanding of what drives her actions and why getting Damage back is so important for what she believes in.

Damage #8 had a good balance between being informative and delivering on the action that you expect from this series. Overall this issue really opened our eyes to the argument that is what it means to be a soldier and the difference between being that and being a superhero.

Damage #9 brings this story arc to a close, but the war is far from over. I like that it was established in this issue what it takes for the war to end for Ethan, and what will keep it going for Colonel Jonas. Nothing is definite, and that keeps you guessing what the future holds for Damage in the DCU.

As the start to a new story arc, Damage #10 really gets us hyped up for what this new direction has in store for us. There's putting an end to the Damage Program, and then there is getting through the Justice League. After his skirmish with Wonder Woman near the beginning, that attention was bound to come around for him again.

Damage #11 was another thrilling chapter for this duo. When these two are on the same page, they are a force to be reckoned with. That much they made sure everyone knew as they took on this Justice League strike team. The only questioning remaining is if that will be enough when it comes down to Damage versus Superman.

The first year of Damage's story wraps up nicely, with an excellent transition into something new for this duo. Damage #12 gave us a satisfying brawl between these two powerhouses, pulled no punches, and brought it to a close in a way that was believable for the Justice League. Not every situation is going to be one where you can punch your way out of it, and that was true for both sides.

Damage #13 was fairly to the point this time around. Ethan was given a choice in what came next for him, and he chose doing things the hard way. You can't fault him, but you also want to see him show a bit more growth too. Hopefully this new experience for Ethan and Damage is a step in the right direction.

Damage #14 was a fast read, but got us to where we needed to be for Ethan to begin understanding where he has been going wrong in his concept of trust. This could all come from understanding what it really means to be a monster, or understanding that there might always bare a greater responsibility as a monster.

When taking risks on books like this you need results when the future is not certain. Ethan and Damage could be heroes at this point, established in their own corner by now, but a few issues too many kept this book from grabbing eyes the way it could or should have. With that said, still a solid story that gave us characters worth seeing more of down the road.

Frostbite #1 really is a science-fiction action miniseries unlike any other. not one that you should sleep on because for a miniseries no time was wasted throwing us into the thick of this world and their problems. Williamson, Alexander and Luis NCT all understand that this is a miniseries as well, making sure that every flip of the page fleshed this story out more than the last.

Overall this was a solid first issue because it did not leave you wanting in terms of what this series has in store for us.

The one problem that a series like Future Imperfect suffers from is the emphasis on the fact that this world is futuristic through future slang. It's really not appealing at all. We can see that this world is from a different time and don't need diction that comes off cheesy. A word I really hate to use yet have to because this is a constant that needs to be addressed no matter how small. Aside from this, while we did get to know who this Thing is in Future Imperfect, we don't know much about this rivalry between him and the Maestro. It assumes that everyone knows and that is not the case. Especially when they talk about the past a lot.

Generation Zero #1 is a good start to bringing back these young heroes who should not be forgotten. It is easy for young heroes to get lost in the shuffle, even the popular ones. But Valiant knows how to keep things connected, and they make sure you get what you want out of all the characters you love in some manner. This first issue set the tone, the direction of this story, and left us with potential for where this can go.

Green Arrow: Rebirth #1 has so much potential following this Green Arrow who feels more familiar. He's growing as a person, and we surely want to watch as this relationship between him and Black Canary develops as well. Definitely a must read alongside the other Rebirth debuts which so far have not disappointed.

Harbinger Renegade #0 was without a doubt a great set-up for what should be the most consequential Valiant event of all time. This revelation at the heart of the Harbinger mythos changed a lot about what you thought you knew about those who came before. Not all of them are as divine, or with good intentions. If you were looking to see what kind of tone and atmosphere this sequel should carry, Harbinger Renegade #0 is the story to make sure you pick up.

Harbinger Renegades #1 was a satisfying start to genuinely making the psiots relevant in the Valiant Universe again. Their place in it specifically because the core idea of what it means to be a psiot is not something you can get from someone so villainous as Harada.

Herocorp Knights #2 is a title which continues to hold potential with all these moving pieces and a plot which has escalated pretty quick. Characters you want to see explored in-depth, and powers you want to see explored because the creative team made that push to make their powersets unique.

I haven't felt touched like this in a good while. Hulk right now even being on issue #3 is not the book you want to sleep on. There isn't a stronger story out there from Marvel that tries to address all the things that can ruin you in the business of being a superhero. Not everything you can bounce back from, and Jen will have one hell of a climb to anything normal. Just losing control of her Hulk is bad enough.

Hulk #4 takes us straight into the escalation of this story arc. This was the best time for Maise to start taking matters into her own hands and her actions felt real from someone who for someone who fights for control of what she has left. If you're looking at the big picture, then this could easily be Jen, and that makes this well-thought out in the longrun.

‘Deconstructed' has been a great first story arc for Hulk. I figured that there would be more to this book than simply Jen anchored down by past events. This creative team made a solid effort to forge a new path for Jen and find a new strength in her that I don't think she has displayed before.

Hulk #7 starts ‘Let Them Eat Cake', and they did not hold back with what throws Jen into the action once more. This creative team is on the right track where Jen can have this engaging rehabilitation and still deal with other things going on around her. Now it is also more set in stone that this is a new kind of Hulk we are dealing with. One who wears the scars on her sleeve quite literally which can mean anything if Jen isn't careful.

I don't know about you, but I don't see too much struggle in figuring out this new Hulk persona. Hulk #8 was an excellent transition into Jen trying to figure out the kind of hero she wants to be. Sure she turned down the hero life, but that was always to be short-lived. ‘Let The Eat Cake' part two is the start of a return to form that you know will also still have bumps in the road consider this isn't She-Hulk we're dealing with anymore.

Hulk #9 I would say is a bit of a fast read, but it gets straight to the point here that this is all leading to what will be an unfortunate encounter. No one asks to become a monster, and yet that can happen to people who don't deserve it. When you are Oliver, you don't have the human features of someone gamma radiated. This book has been great for the depth it has given to this corner of the world where you find yourself dealt with the worst of hands.

Injustice: Gods Among Us Year Three #2 is a solid start of what will be a war of superheroes, space cops, and now magic users. This is a world where everyone is affected by this conflict and that is what brings it to life. They can all be fighting, but if you can't show the collateral damage it means nothing. You need to get that emotional weight and investment, one which we have more of through Constantine. A guy who just wants revenge for his daughter's mother.

Injustice: Year Three #3 started steady and ended picking up the intensity as winning with magic against Superman is only one of their problems. If this was just them vs. Superman it would be a quick story, but getting these little sub-plots here and there are the best way to keep everyone involved and further engage us in what the world of Injustice has to offer.

Again nothing too much happens in Injustice: Year Three #4, though it was a necessary set-up for getting Batman back into a proper role of leadership after Superman broke his back.

Injustice: Year Three #5 is a solid issue that keeps the story on the right track while teasing on things that may or may not be explored down the road. We don't get too much out of this issue, though there is no denying the varying emotions that you receive from both sides of this conflict. It's getting no easier for anyone involved and a lot more is at stake than what is seen on the surface.

This issue of Injustice serves it's purpose in showing us glimpses of future events. Cryptic and vague, yet enough to understand in terms of the big picture. The way that was handled was a clever way of taking advantage of what magic has to offer in this conflict.

Injustice: Year Three #7 is a solid issue which throws us into that next fight. Constantine has played his hand, so now it is time to see what he is capable of against Superman. We all may like the guy, but the fact of the matter is that Constantine is one of many characters whose fate is up in the air since not seen in the game. Could easily fail right now, yet anything still possible with Tom Taylor writing this.

Injustice: Year Three #8 is an alright issue just to see how hard it will be for Constantine to stop Superman, especially when he still feels the need to go off like a rogue. Also just another part of the story that enforces the idea that being with Constantine can be bad for your health. That is something which was learned the hard way in this issue. You might actually feel sorry for Ragman's involvement. Either way, hopefully the next part of the story gets things back on track with things that can catch us off guard.

Injustice: Year Three #9 is an eye opener that it doesn't matter how much good Superman tries to do if the people around him can't be trusted.

This issue ends in a way that sets us up for two big conflicts that will be inevitable. Even though the rebellion has fallen behind for some time, it is good to see that they are at the very least treating this like a game of chess to remove pieces from play that would hinder their advancement towards victory.

Another fairly fast read for an issue, though Injustice: Year Three #11 is a solid one that takes its time to address everything Madame Xanadu foresaw to set up for what comes next. The order is not clear, but it is obvious that what she saw is an eventuality and unavoidable. So we know what to expect, but now it all comes down to the execution.

Injustice: Year Three #12 is another issue that emphasizes that those predictions from Madame Xanadu were not to be taken lightly. She said the emperor sleeps, and the emperor has slept. Now in the world of Injustice anything is still possible and knowing what we do from the game, Superman obviously won't stay asleep. The next question is how long will he sleep and/or who possibly will be the one to wake him up. Even with that to look forward to, you are left scratching your head as to why a down Superman is left where he fell. It would seem that a serious person would not leave him out in the open given the impossible has been made possible on multiple occasions.

If there were any way to leave a series that has been running this long, Tom Taylor leaves you full of admiration with the conclusion to Injustice: Year Three #14 and the end of "For The Man Who's Lost Everything". There' no doubting what the new writer will be able to bring to the table, but there is no forgetting this adventure Tom Taylor has taken us on through 3 volumes.

Injustice: Year Three #15 is a solid start for this new team with Brian Buccellato. There was no doubt that he can handle this and big things are still to come as Madame Xanadu's premonitions continue to come true. Any Injustice fan who might stop reading because Tom Taylor isn't writing anymore will be missing out.

Injustice: Year Three #16 shows a lot of progress in a short amount of time. Much of what needed to be changed for the story to be able to move along without distractions. Now it's Superman Vs. Batman again, and both sides will really show what they have in store when things have gotten very personal as of recently.

Justice League Odyssey #1 is a refreshing story that holds the name Justice League. This creative team took heroes who don't normally get enough spotlight, and gave them relevance beyond their imagination by the end of this first issue. For some this is highly anticipated if you followed the events of No Justice, but for the rest of us this is the start of a brave new frontier adventure.

Justice League Odyssey #2 was a great transition from the opening chapter. We knew what and who brought them to the Ghost Sector, and now we know that there might be a cost to what they uncover about this foretold destiny. This creative team is doing things with these heroes that is refreshing. If you are fans of a new sense of direction for them that's outside of their comfort zone, this is a book worth your investment.

Justice League Odyssey #3 is not a book that you should sleep on from DC. This one is fun because you are simply along for the ride like the rest of the Odyssey team. You know as much as they do, and you are just as prepared as they are when the next twist comes their way that pushes them further towards this hyped up destiny as Old Gods.

Justice League Odyssey #4 takes us deeper into the madness of these races of people worshiping gods they have never met. The reluctance and shock experienced this time around was fitting for what this Machine world had in store for the Odyssey team. Issue #5 should be one to anticipate when right now we are getting two very different reactions to being worshiped as a god.

Justice League Odyssey #5 was met with excellent pacing and discovery which has taken us farther than you thought we would be at this point in the series. Exploration and adventure is great, but so is progress. It's great that this creative team is trying to give us all of that and much more. Especially now that it is currently more dangerous than it has ever been to find yourself in a place like the Ghost Sector.

Now it also goes without saying that this issue was going to be a dealbreaker for those who were on the fence about switching up the writers for Justice League Odyssey. It was tough to say, but Dan Abnett made for a great replacement and gave us the kind of fresh perspective needed to maintain interest in this adventure.

Justice League Odyssey #10 continues to raise the stakes in a big way. The clock is ticking with the Source Wall energy sweeping through the Ghost Sector. Trust in the plan is put to the test, as well as their trust in each other. Obviously they are building up to something big coming their way and who wouldn't want to know what form that will take?

Justice League Odyssey #11 takes us to that stage in the plot where it is more important than ever that the JLO team tries to take control of this situation they have been thrown into. They have been playing Darkseid's game, but now was the time for them to show that they aren't just the pawns. Of course, easier said than done, though it wouldn't be exciting if you had it any other way. I look forward to seeing how this little bump in the road continues to challenge this team.

Ouch, I think the Odyssey team may have taken more of a licking than the actual Justice League fighting to stop this impending doom. We all knew that Darkseid was going to knock them down a peg, but you couldn't have expected how easily that would be for him by the end of Justice League Odyssey #12. Next month should be very interesting, because there is no guessing how they will overcome this loss.

By the end of Justice League Odyssey #13, I would say that my reaction to this was mixed. On one hand the twist was great, but on the other hand the direction that the story took from there was questionable. At least for now. The next issue is going to have to pull out the stops in order to convince us that this isn't where things begin to run too wild from what had an impressive focus before.

Justice League Odyssey #14 again ended up being another mixed bag. The direction of the story is beginning to get better, though at the same time working over this hurdle where steering the story is involving too much need for shock value. That's not what we initially invested in this book for. That would be the exploration, discovery, and danger from both of those things. Not from troubles they get themselves into long the way.

What can I say? Even jumping back into the story with Justice League Odyssey #17, still this book could be in a much better place than it is now. It feels like they wanted this grand idea that would bridge this story into the ‘Justice/Doom War' event, and bit off more than they could chew. I hate to get this harsh with a book, but that happens when you have expectations that aren't being met.

Overall, Justice League Odyssey #18 was an improvement. There is only hope that the quality only goes up from here with both halves of the story converged and most on the same page about what needs to be done in order to both defeat Darkseid and save all of existence.

Right now I'm just happy that we have gotten to a point in this book where it feels right saying that the story is readable. Justice League Odyssey #19 gets us to a point where there is more confidence in the direction this book is taking as one which is far from done with the chaos in fighting for the fate of everything.

Compared to other issues of Justice League Odyssey, this one left me very satisfied by the end. We re really getting somewhere and there is less twists and turns dragging out the plot progression. Overall, Justice League Odyssey #20 raised the stakes and gave you a genuine reason to anticipate what comes next.

All in all, another great issue of Justice League Odyssey. Issue #21 continued to shake things up, because the message has been sent clear that this machine should not be used by either side. Though what does that mean for bringing an end to this conflict? Is there an actual plan to fall back on to stop Darkseid? Only time will tell.

Mighty Mite #1 is a very entertaining debut for a series which balances the ridiculousness of a hero who has no idea what he's doing, with the engagement of a world where the people are crude mirrors of the everyday person.

Moon Knight #1 has potential, capitalizing on our need to understand the inner brain-makings of Marc. Engaging us on a level where we see what it can be like for someone to struggle with self-identity to an extreme.

Ninjak Vs. The Valiant Universe #1 is off to a good start. Momentum is key for a book like this and they are nailing getting from point A to point B with impact. If you were looking for a book that is all about the thrill of taking on the world, then this is the action-packed story for you.

I feel like Outer Darkness can be another winner for Skybound for the potential that this story carries. Outer Darkness doesn't go the normal route as most horror stories would, and doesn't fear the dangers of jumping into the abyss with a mission. This series embraces it and that should make this a thrilling adventure moving forward.

Plus Ultra #1 is a fun start to looking at the life of a superhero from a different angle. We've been opened up to her world and they have important things to explore about what it means to be a genuine hero in a superficial world.

Plus Ultra #2 progressively gets better and puts substance above style. This story has heart to it, and this is the kind of book when need to see more often on shelves right now.

Plus Ultra #3 is a step in the direction with an actual plot developing with these activists and their aggression towards Zero Technologies.

Reborn #1 is worth jumping into for the potential in character development and world-building. It asks real questions, it challenges possibilities and offers you the chance to see a concept which isn't explored all too often.

Riverdale #1 was for the most part as informative as it needed to be. Probably actually a book that they should have planned to release during the earlier episodes of Riverdale, but now is better than later when the gap in time isn't too great. Whatever follows this one-shot, this did set the foundation for them to get into the things that the show doesn't. That is what we appreciate about the comic medium and should take advantage of.

Riverdale #3 constitutes to do what you look for from this book series. Opening our eyes to things that may need more emphasis on whether it is character motivations, emotions, or reasoning for the things they do that an hour episode may have not been enough for.

Secret Wars: Battleworld #1 is a solid start and shows a lot of potential for what Battleworld has in store for us going forward. This will be a true test of creativity and if anything like this first issue then these upcoming stories should not disappoint with the right creative teams behind them.

Serenity: No Power In The Verse #1 is the start of something new, though still familiar territory in terms of obstacles this crew must overcome dealing with each other. There is a lot of potential in this new chapter as long as it feels as though we are moving forward in a Verse that is on edge.

Serenity: No Power In The Verse #2 wastes little time getting into the thick of this story and the Serenity crew's place in the universe right now. They are doing what probably should have been their next step after revealing the truth about Miranda. But better now than later or never if you ask me.

Serenity: No Power In The Verse #3 shakes things up in the best of way as it was never more vital to question how far one is willing to go to do the right thing. No Power In The Verse is that chapter where you are forced to ask what your soul is worth facing against the Alliance.

What took so long indeed was the thought running through my head at the end of Shazam #1. This was one of the best debuts for a young hero this year. Obviously Shazam has it easier being an already established big hero, but that doesn't change the approach that should always be the same when you are dealing with kids who take on the responsibilities of a superhero.

What is great is that we all already knew that Waller was cynical. This is nothing new and now we get to see the degree of which she would take things to get the results she wants. Bringing them back to life just so they can't escape their sentences(Deadshot), and caring less when they actually die. You see little humanity or decency from her as she treats them like tools. The type of person so drawn in to their job that reality escapes them. To make matters worse, she calls on the aid of two remorseless human beings. One an unknown soldier who beat a fellow teammate to death, then the other who is revealed to be the psychotic sister of Barbara Gordon who we all thought was supposedly dead when they last confronted each other.

Story progressively getting better, the characterization of the team is handled very well, and their motivations too which drives a boo like this. The art and mainly the coloring matched the tone of this issue which was very intense given that they finally made their move in retaliation for their treatment. Whatever comes next, Suicide Squad looks to be able to deliver on shocking you.

The chaotic dynamic of the team has to be what really sticks out so far. You see that they work so well together when they actually do, yet have no regard for each others well-being. Aside from this the dialogue stands out when you have those like Harley who always has something funny to say or Deadshot who always sounds like a sarcastic ass. The gritty style of the book makes the story look just as creepy as it feels. Good issue overall that is hopefully setting up for something climatic to come next.

The one problem with this issue is the change of artists. I felt that many panels looked off and it was very distracting when it wasn't all too appealing. Not everything looked bad, but too much which made it look inconsistent. That is a problem when it was something I could usually compliment about the book.

James seems to be the main focus here and it's something different yet welcome seeing how he sees the big picture. Through his eyes this situation is easier to be explored and understood being the insightful criminal mind he is. Best choice overall and has the most motivation for rescuing Waller, as he is still in love with her. Hopefully we get to see what he is really capable of when he has something to fight for.

Suicides Squad is one of the many books out there that really gains something from its ties to Forever Evil. Seeing the evils that resurface and what that means for this world when majority of the heroes are MIA. It's clever that Kindt takes this opportunity to remind us of how unpredictable Harley can be. In fact it is something he emphasizes heavily through Thinker. That is something to look forward to because anything can happen when it's involving her. Aside from this Patrick Zircher brings back that style which makes this book feel so grim, yet thrilling. The darkness in everyone's expressions and the action scenes that makes this high-octane.

In the end another great issue that brings to life that over the top nature of this book that we do like to see. Everyone has a stake in this fight, some more than others, but no one is safe when the biggest issue is the trust they have in one another. The art was great, very consistent with the dark tone of this plot, but then after page 18 things changed too noticeably. I really felt a bit turned off by how the style shifted and it wasn't any better either. It is the only problem that came with this issue though luckily that was not at the climax of it.

Suicide Squad Annual #1 was an enjoyable side mission for what it ended up being. We pretty much were led to take this for what it is. A different team, more expendable, bolder mission parameters, but all the same a fairly somber finish. The intent didn't seem to be aiming for memorable, but I will give credit that this was thinking outside of the box.

Super Sons Annual #1 is as advertised and much more. These pets steal the spotlight and engage you on a whole different level through emotion and action. They had their mission and it took us to places you didn't think we would get to in Super Sons of all books. This was one of those times as well where it was more important to let the artwork tell the story. A great example of how stories can grab you without too much reliance on actual words. Not a bad way to use an annual since you don't want to create too much of a distraction from what the boys are up to currently.

The Immortal Men #1 I will say now probably has had the best debut in contrast to the rest of the New Age of DC Heroes titles so far. This one has all the intrigue and creativeness of a story that has gone on forever, and yet a story we are only exploring now. The team itself is a crazy match on top of our main character, and it is worth seeing just what everyone brings to the table for the House of Action to stand against the House of Conquest once more.

The Immortal Men #2 took big steps forward in addressing what both sides are fighting for. There's still a lot for them to explain about this secret war, but for now every bit makes a difference. The character development as well makes a big difference where now we can decide what our investment in what more this story has to offer. So far the balance is okay between character, plot, and action.

The start to this adventure about fathers, sons, and time travel did not disappoint for a first issue. The Revisionist has a lot of potential for the limitless possibilities created when dealing with time and time travel.