This is absolutely FANTASTIC! I feel like Stan Lee and Jack Kirby did it. Absolutely the best looking graphic novel this year so far. Alex Ross changes his style and especially his coloring style yet again and he deserves all the praises he's getting. If you enjoy the original FF from the 60s (and who doesn't), this is a no brainer.

Outstanding mix of stories from "Amazing" to OK. The one that stuck with me and is worth the price is Slott's which made me misty eyed especially with the way Cheung channeled Ditko in his art. Rainbow Rowell/Olivier Coipel and Hickman/Marco Checcheto were great too. These anthologies are almost always money grabs but this one had the goods.

It's so good!!

Modern Classic!

Now this is the ending that Royals deserved. Fantastic wrap up story by Ewing highlighting how much our crew went through. You got your happy ending now .....well almost. How he managed Maximus, Medusa and Black Bolt voices deserves credit. But ultimately the story is only bolstered by the art team of Libranda/Villarubia and DelMundo. Each delivered it in their own layers of the story and they complemented each other well. The DelMundo phase was just on another level of surreal which fit the tone of those pages well. Anyway Floob!

Alex Ross is easily a 10/10 here. It should be in a museum. Waid's story is captivating. I can't help but compare this to Busiek's Marvels and I enjoyed that story much more than this one. If I read this back in 1996 I'm sure I would have been blown away. Still, This is easily the best DC comic story and art combination I have ever read or seen.

Great writing by Jason Aaron getting me hyped for the future of Marvel Comics. From Feeling bad for Deadpool to wanting my Logan book RIGHT NOW. The art team on this previewish book was phenomenal. I'm on board for Legacy!

Wonderful. I could not put it down. The work and research that Alex Ross and Kurt Busiek did to make this book is quite a feat!

This issue is an outstanding "What If" directly part of continuity. Slott was made for books like this. Great writing and ideas with the classic F4 tale rewoven in a cool way! Javier Rodriguez's art is a perfect match for the classic and futuristic worlds. I need those new F4 costumes asap.

Now this is as Hickmanesque as it gets and I love it! The X-men certainly needed new ideas and this is it in my humble opinion. Bold and creative and dense and my kinda comic book. Imagery, charts and sequences that soothe my researcher mind. The art is trully what makes me love it because I have never seen Magneto's cloak look that good and that's just one of the thousands of details that jumped at me in Pepe Larraz's art. Fantastic artist is understatement. He improved his art and I thought it was great before. Gracia's colors are always a perfect match to Larraz's style. Highyly recommend it if you like Hickamn's style.

You certainly don't need me to tell you why you should read this one but I will anyway. In one issue Hikcman makes Moira the central most intriguing figure of X-men history period. I needed charts and I got them. Thanks!! Larraz and Gracia are the right choice for this and no single panel is wasted or neglected. Just beautiful work page after page!!

Great X-men issue with your traditional story told with Hickman's flare. If this is a preview of his X-men book later then I'm good to go. Because his sense of drama and suspense interwoven between the scenes is spot on and had me on the edge of my seat. But this book would not be this good without the outstanding art of Larraz (the guy is on fire) and Gracia's colors. These guys are just perfect together!

Outstanding issue. Hickman is just killing it along with many other X-men along the way. How he manages to deliver the emotional and action hits well....I don't know but they have weight to them. I don't know how he gets out of this one and I don't care because I'm all in. The story will not have the tone or weight it has without the amazing art of Pepe Larraz and Marte Gracia's colors. These two are delivering the best panels I've seen all year! One little thing is this would have been a 10 if Jean had more to do at the end. But we'll see how she's handled later.

Brilliantly done. Well researched and put together. What a reveal! No details from me because it has to be read and enjoyed without spoilers. It's amazing how great and uneasy the story feels. Also thanks Bendis! Pepe Larraz's art cannot get any better. It's half the reason this book is what is. Gracia's colors gave it some nice vibrancy. That last page man the sun flare looked too real!

Hickman, Larraz and Gracia delivered a great end to House of X and a beautiful beginning for the X-Men. So many possibilities. I'm very excited for the X-Men and that hasn't happened for a long time. Also those two maps hold so many clues....mmmh? Kudos everyone!

Wow! Cates and Shaw knocked it out of here.

This feels special. Great team of creators!!

Complete package here folks. Storytelling and great art. You're not gonna find a better book this week.

This book is on another level. It's epic throughout and funny when it needs to be at the same time. Kudos to Cates and Shaw for giving us this beauty.

Hard to see how they top this epic issue but the duo of Cates and Shaw are delivering on every aspect and more. Too bad it will end.

Thanos Wins!! Kudos to Cates and Shaw they're winners too!! They've delivered a brand new wrinkle on an old Titan. This is the arc i will recommend from now on when a person asks what to read next?

Wow. This a must read book. It was hard not to tear up for Yasmeen, her family and the refugees they represent that we never get to know like this book illustrates it. It does so many things right. Saif Ahmed decisions about what to include and omit and leave Fabiana Mascolo the freedom to draw it on the pages is great. Mascolo's faces and their expressions especially with Yasmeen are fantastic. The only downside I had was being lost a few times between the past and present to figure out which portion of the story I was reading. Small matter that takes away from some of the narrative but I hope they can make it easier in the future.

This a heartbreaking issue and it's hard to get through but Ahmed handles it right. He approaches it in a manner that makes it land right and mean something. The juxtaposed scenes from present America and past Mosul are poignant and make you think a lot. I had to stop a couple of times while reading this. The only problem with this comic are some panels that are hard to decipher. Fabiana Mascolo is an outstanding artist. The facial expressions alone evoke so much and guide you in this hard subject. The fact that you can feel the hurt without seeing behind closed doors is telling of how well Mascolo approaches it. No need for explicit content here and that's a wise choice.

This story continues to be emotionally tough to read but moves the story forward in a free fall for all elements involved. Everyone around Yasmeen is struggling in different ways but none have the heavy burden that she is carrying. I cannot stress how much troubling this subject is and Ahmed is addressing in a manner that makes it feel very real and makes you want to seek similar people and find out how to help them. The problem is when people mistaking their culture and ethnic background for religious elements and then predicating where the lines are for what constitutes a good Muslim (or catholic or any other religion) is the real danger that leads to violent genocides. Fabiana Moscolo is very good again in delivering great scene composites to show what needs to be shown and hide what must be hidden . Her bright colors on simple lines make it easier to read and get through even in the face of such horror.

A very heart breaking and heart filling issue at the same time and a very good job by Saif Ahmed coming up with words that make it feel real and powerful. Fabiana Mascolo has to be given equal credit because her art and the emotions you feel from those faces makes you immerse yourself in the scenarios of all these characters. I took half a point because the setup of some scenes gets confusing between past and present but those are mistakes that can be overlooked with such a quality story. Yasmeen is easily one of the best comics of 2020.

This is the book of the year for me. The story has many facets and delves in so many topics from so many angles that Saif Ahmed has to be commended for his excellent work making them gel well even if some steps seem hurried a bit like the mother-daughter confession. Nothing but praise here and even more so for Fabiana Mascolo who is really good at showing us exactly what we need to see and holds what needs to be imagined. Great art that fits this book and makes all characters look like diverse individuals who actually belong in this story.

Excellent end to a very emotional story that made me think long after I was done reading it. Yes it did tie the ends a bit too perfectly but it's the hope I find here that makes it a 10 for me. Saif Ahmed did good here. His partner Fabiana Mascolo brought her A game too and tightened up her art here and it looks fantastic and delivers on all emotions. Can't wait to get the tpb and read it again in one sitting.

Quinones should've been on art duty from the get go. Zdarsky's Spidey story is amplified with that pretty fantastic art!!

Zdarsky is the complete package here! Outstanding issue! You did good Chip!

It's good! It's not a $1000 good but it's $4 good. Cates and Moore are great! I saw that last page coming halfway through the issue. Not bad but It didn't have the punch it should've had....Still looks awesome and worth reading.

Absolutely great! Cates delivers a better second issue than i thought he would. Tradd Moore just kills it every time! Stewart's colors are just splendid!!

Absolutely gorgeous in story and art. Moore, Cates and Stewart are just lights out!

Outstanding book!

Outstanding!

Outstanding work! This is so well crafted on so many levels by Hickman/Howard. Even the predictable moments work because of how they are portrayed by Pepe. As someone who grew tired of events, I am surprised at how well this landed. Hickman is good when he gets going, I hope the train doesn't get derailed because 22 issues is insane. But I wanted more and more so it's safe to say Hickman knows what he's doing. Larraz art is so well crafted that nothing was this close since his House/Power of X last year (Well maybe Bennet on Immortal is a close second). So much detail was put into this work (Those capes look way too good!) that I can't fathom how many days it took to draw and ink. Gracia's colors were a perfect compliment and even a small thing like the bruised/sick eye of the King's herald looked beautiful. Epic!

These are the stories I needed more of but just got 2 panels about them and even though they were great I wish I got more from Hickman and Howard about this world. Nevertheless it was a great issue, not as great as the previous installment but with Pepe Larraz everything looks fantastic. Seriously this art belongs in a museum!

Now that's how it's done. Obviously Hickman and Howard work well together and it shows in these few issues but man is Pepe Larraz killing it with the art. He makes everything have weight and elegance to it. He's an awesome story teller. This event was dragged out to death and hurried at the end so it was a mistake to milk it for 22 issues that barely added anything to the story. This should have been a 6-8 oversized but focused issues. Then again how is Marvel gonna learn if people keep buying it all. I hope they didn't damage the line too much. I'm still here but only because this last issue did a terrific job holding my interest. Fool me once...

This book doesn't disappoint. I wish it had more room to breath and stories to be told at the pace Duggan had in mind but even in his last few issues heading toward Infinity Countdown, the story doesn't suffer especially when Marcus To is helming the art duties for a while now giving it a beautiful vision. Old characters popping up helps as well!

Duggan totally had me going this issue. I very much enjoy this book and i will miss it. Marcus To has been a nice steady addition and i love his style. He makes it work well and conveys so much even with everyone wearing Nova Corps Helmets.

If you approach this as an "end", it will feel like a disappointment that had many things still unresolved. But as part of the series and more of a link to what's next it's pretty good. I've been reading this book for the GOTG and Adam Warlock return was just part of it. Disjointed! Yes but that's more on the premature end than on Duggan. After all of this i still enjoyed reading very much so and look forward to part 2. Kuder's pages were great as usual but i had to get used to his design for Adam Warlock. Marcus To actually made it look much better. Marcus To is a legitimate artist who delivered a nice treat with Herring's amazing coloring!

Fun book through and through. Waid has the voices down for both and Garron's art has never looked better. Very much enjoyed this one!!

Waid's take on these two is great!! I love Javier Garron's art and Israel Silva's colors. Fun book with a deeper idea behind it!

This book is absolutely fun and is what i look forward to reading when it's out. Waid's take and Garron's art with Silva colors is just a great match. Keep it up!!

Great story by Waid and awesome art by Garron beautifully colored by Silva. One of my favorite books because it's just fun!!!

What a wonderful mini series this was. I feel like i need more. Should've been an ongoing. Kudos to Waid for his great writing, Garron for his Amazing art and Silva's beautiful colors. Javier Garron has done an outstanding job here!!

I'm catching up on my list from 10 years ago. I read issue 1 a decade ago on the Marvel app and didn't read the rest. I remember loving it but I was not 100% back into comics. I'm glad I bought the whole Mark Waid Daredevil run on tpb and this first volume is tremendous! Waid loves the character and it shows. His style and storytelling still reads great a decade later and I'm sure nobody will dispute that it is a classic by now. Paulo Rivera and Marcos Martin are fantastic. Rivera is just absolutely mind boggling with the styles, architecture, physiques, and character details. Marcos Martin is no slouch and is the best complementary artists to Rivera's style. I also liked Javier Rodriguez's colors since this was his Marvel debut. I can see the influences of Rivera and Martin on his future art. I wish Zdarsky's Daredevil had more of Waid's influences in his run because there is almost no levity in his and it is getting to be too much brooding which just takes the joy out of reading his. Not a problem here since I can't wait to devour Waid & Co. other volumes.

It's very good writing by Waid but the sprinkled feel of the plot weakens the landing effects and the different artists take away from the stories unlike the previous one with Rivera and Martin. No surprise that the best issues are when Paolo Rivera is the artist with Javier Rodriguez's colors. Also the lettering by Caramagna in the Mole Man's underground dark lair was perfect!

Enjoyable even with the crossover event between Rucka and Waid. Checchetto is great but when Samnee landed it fit like a glove.

Waid/Samnee/Rodriguez did some good comic booking here! Samnee's art is top notch where all pages and panels are 10s! This dude takes no shortcuts.

Great first 3 issues with the usual good storytelling and dynamics from Waid with Rodriguez and Samnee on art duty doing wonders. The 2 Hulk issues from Waid and Scalera just felt out of place and don't fit into this at all. The art and story are good but it doesn't work to squeeze it here.

Just pure comic books at its finest. The captivating story from Waid, the perfect art from Samnee and the exquisite coloring from Rodriguez.

Well paced storytelling by cates with a nice surprise at the end. Walta fits well in the moody intimate settings.

The writing has so much perfect mix of suspense, drama and humor mixed with Niko Henrichon's flashback scenes and Gabriel Walta's moody yet very emotional art and Jordie Bellaire's colors make this book very enjoyable.

Keeps getting better and better. I didn't cared about Doctor Strange and now this is on the top of my list thanks to Cates story and Walta who is producing his best art right now. Along with Bellaire's colors, it has a very unique and beautiful look to it.

Just wonderful witty yet dark writing by Cates and beautiful art by Henrichon. Also Annie from misery would be proud of that final page!

Cates is fantastic in his writing of Strange and Bats as they circle the pits of Hell-Ception. Niko Henrichon is a treat in this book with his art from splash pages to intimate simple pages that convey the mood perfectly.

Great wrap up to Da-TAR-nation with plentiful exploration of what Stephen has gotten himself into. Obviously you need to read the mini-event to get all of the goods but i can see it being a SMALL problem as a stand alone. It works really well because both the Chaos and the quiet moments are well illustrated by Niko Henrichon.

Sweet and like the breeze it comes and goes leaving a smile on your face. Irving did a great job as usual. Not what i thought i wanted but still a good wrap up with guest artist Zdarsky for a nice chuckle.

Great summation of what's what from the beginning. A lot of homework went into this. Javier Rodriguez and Lopez delivered a beautiful spectacle!

This is my kinda reading. It has that abridged encyclopedia feel to it with some fantastic art by Javier Rodriguez. Obviously if you were looking for a story to link the massive 80 years of History, then you'll be disappointed because that book will likely never be able to be made. It's an insane undertaking to tell the tale of the continuous Marvel U and Waid and his research team did well.

This is finally at where my early memories of comic book reading days. It was a pleasure to read with some seriously outstanding art from Javier Rodriguez A+. I know it might be a summary of what everyone already knows but to me this is nostalgia done well and I enjoy it immensely! I'm not looking for a story or a payoff.

Just gorgeous page after page of nostalgia!

Pure sweet nostalgia with some outstanding and impressive art compositions from Javier Rodriguez. Waid is just a curator for a huge research team so this isn't a story at all and more an impressive look at how continuity at Marvel was somehow maintained but with some issues here and there...and I'm fine with that. This is also had so much stuff crammed in there showcasing how many fracking events happened in recent MARVEL history and it's only getting worse.

Outstanding and well developed story especially for how little time we get for each X Timeline. I for one welcome the extra guides and pages to help set up the worlds which would normally take many issues to explain. It's like a small piece from a novel. Next I wanna see Hickman put in charts and a double page spread detailed timeline to help (although the questions posed aren't going to be answered fully for years?). I do like his delivery style as he delivers the goods and opens so many threads and questions along this story. It's beautiful too because RB Silva and Gracia make it look pretty darn good!

Great job about in every facet in this issue. Hickman is at his best here while Silva and Gracia bring his ideas splendidly to life.

Just absolutely fantastic issue. Very much enjoyed the X² world Hickman built and what an exciting read with just a very unexpected finish. Silva and Gracia are just so good that it flows and shines throughout. No bad or unfocused panel.

The first issue where too many threads are unraveling while it's harder to decipher the whole picture. Not a bad thing, just harder to read as a single issue while easier to read as trade or full story. The wait is the hardest part but luckily this is a weekly series. Anyway This chapter has a lot and many great moments and questions questions questions? R.B. Silva and Gracia are awesome together, the art and color palettes make it worth pondering over the meaning of the choices.

What a beautiful data dump! In a good way. Now Hickman reveals much more of what has transpired between Charles Xavier (the face of the Xavier-Moira-Magneto X-MOINETO? operation), Forge, Emma and the best Tease of what to come: Namor himself. Hickman just can't let him be happy. Also so many hints on who's doing what and what to expect but also still so many questions. Great work!! Silva and Gracia keep on delivering awesome art with plenty of details to enjoy and ponder over. That aquarium scene was too good among many other detailed Krakoa scenes. Silva is just flexing his talents now!

As an end to HOX-POX and a re-contextualization of the X-men as a whole, It's easily a 10/10. But as a stand alone issue it is a 9 and still very good and has plenty of great moments and more than enough to satisfy me and give me hope for dawn of X. But did they really have to charge 1 more dollar to print 6 pages of advertisements at the end ?? I still enjoyed this issue very much and Hickman delivered yet again! This has years worth of storytelling ahead just to wrap your head around the ramifications of what Moira and Charles have set upon the world. The fact that the good and bad guys lines have been blurred could take years to dissect since we still don't know who this Charles is truly and what Moira's plan is either? Plus all of these evil men and women on the council is heading for an explosive showdown when the cards are revealed. The art is as usual outstanding and RB silva pencils/inks were only enhanced by Gracia and Curiel's colors!

Comic books don't get much better than this intro. Great story and awesome art. Spencer outdid himself here with everything. I wish Acuna did the whole thing. His style just fits beautifully. Rod Reis illustrated intro just gave this story a lot of weight. The way this 0 issue ties Pleasant Hill threads along with all of the Cap story from the past year and then builds on them with a masterful takeover by good hearted/evil means Steve is a sight to be witnessed.

Great character work by Spencer packing some lengthy dialogue but the spectacular art by McNiven gives the characters emotional punch and it shows how much Cap isn't really happy with his big win. People will want more action but without the build up it's meaningless. This felt like a typical issue 2. Not Bad just a weird transition. I'm in and just want to keep reading!

Spencer is a great story teller. The fine shift between despair and hope with the resistance interactions is cool to follow and makes me want to see what they do. That final page just opened a whole can of something else. Sorrentino and Rod Reis give us a nice looking book too.

Continues to be good. Slows down to touch upon all of the threads but Spencer does a nice job with That. So many nice moments from the Guardians of the Galaxy with the Council to Namor's Atlantis to boomerang. But the best thing here is that the art enhances the story with Sorrentino's Dark themes with a heavily dark toned story and Rod Reis's cleaner more colorful style for more hopeful and beautiful scenes with the mystery Steve and the Lady.

Nice Dinner sequence! Still enjoying this event and haven't read anything like this in years. I'm not in a hurry to get it over with. Let Spencer take his time and tell the threads he wants to focus on and we will get the others addressed and answered in the next 6 issues. Inconsistent art but Yu and Rod Reis did well. Where the heck are the Cap Trio? The vanishing point?

Great writing that flows moving the pieces ever so slowly, answering mysteries and creating others. Beautiful panel structures by Sorrentino and lovely art by Reis.

This event has it all. This issue delivers the twists and the answers to some of the mysteries but only builds other ones so it is perfect drama. The dialogue can be much for some but i thought it was outstanding especially in the Tony ans Steve scene where it hit me. There is tons of action too so it isn't just text box after another. 3 artists but 3 tales and they all fit and by now feel at home in their own world. It's a lot to cover and can have some issues pacing and jumping around but overall i didn't mind because as a whole this story is well done! I'm glad i'm reading this event which is something i haven't said in a while.

The story is still very much intriguing but as the narrative shifts, some things didn't help me stay well immersed. I probably just expected more because i was enjoying it immensely. Still very much worth the buy because of all the interesting things that do happen.

Great work by Spencer and much better than the last one. Having Acuna doing the art made it beautiful to look at. Wish he was the artist for the whole thing.

This issue was great and a positive change from the last few weak ones.

Great one shot and awesome art!!

Absolutely fantastic and very emotional. Slott writes one of the best stories of his carreer combined with The absolutely gorgeous art of the Allreds. 10!!!

Saladin is getting in the groove with a nice supporting cast plus Ward is just trippy!

Saladin Ahmed obviuously has a Black Bolt story to tell with a supporting team i would have never thought of or think it would work but he sure does that with twists and more. Ward is a perfect fit with his psychedelic visuals and beautiful colors.

Wow Saladin Ahmed and Christian Ward almost had me in tears at the end there. I actually felt for Crusher Creel. Beautiful story telling and art.

The last issue was such a high note that even though this one is really good in both art and writing, i somehow felt underwhelmed a bit. Not a negative against it because i wish i can read the next one yesterday.

Great work by Ahmed. Nicely paced storytelling that took its time and made the payoff much better at the end. Ward's art couldn't have been better here. He's the perfect fit for this trippy cosmic book.

black bolt by Ahmed and Ward continues to be top notch. I wish i can read the next chapter already.

Quality as usual story and art both top notch!

What a nice ending. Had my doubts about this series when it started but man was it worth the ride! Got misty eyed a few times, so kudos to Ahmed and Ward!!

Pretty good even if the twist was obvious for me but well done nonetheless. Kelly Thompson is good at this writing thing. Casagrande is awesome as usual but can work on some motion figures for certain positions when characters are moving in action but look static. Still the Hawkeye spread and the other 90% is fantastic!! DeLatorre looks like a pretty good one too. Looking forward to his art on issue 6.

Well done!

Impeccable! This has grabbed my attention like no book did in a little while. Ewing's deep cuts and way with words mixed with Rodriguez's art are a match made for me!

Ewing and Rodriguez are perfect for this trippy story! Very enjoyable!

Ewing and Rodriguez are doing a great job creating newish things and I appreciate the effort to expand things!

Excellent!

Always a treat to read an Ewing/Rodriguez production!

The Ultimates are back it again! Ewing and Rodriguez are a must read if you want to explore the MU lore.

Ewing/Rodriguez are a great team!

Ewing is a great writer. The humor landed so well for me. I skipped all the other event annuals and picked this up because I follow GOTG and had very low exceptions. Ewing blew them out of the water. Hilarious stuff! Flaviano is the perfect fit for this. The poses and expression in some scenes were tremendous. I need more of these 2 knuckleheads in GOTG and I wish Flaviano does an arc too.

This was hilarious from Zdarsky. Had me laughing multiple times: Mon!Tage! Joe Quinones delivers great art that lands all the comedic moments perfectly!

Great stuff! Zdarsky from this era was pure comedy gold! It feels like I'm in the 80s or 90s but still current at the same time. Quinones is so good too! I love this book!

This book is a riot! Quinones is a perfect match for this looniness.

Great stuff from Zdarsky and Quinones! I'm so glad I read this one. Now looking for the next volume!

Well done! Hulk was never a character I cared about or followed until Immortal so I only knew bits and pieces from other titles. These collected old issues are well worth it if you want the context. Art was great and Mattia de Lulis's connecting 10 pages are excellent.

Great job. Ewing is making Hulk just as feared for his unexpected intelligence as much as what he's capable of doing power wise. Banner is in trouble. Bennett excelled here with his art. Fantastic!

Great again! Ewing has found his calling. The dual artists Bennet and Simmonds were great as a visual tools for both perspectives.

Good stuff!

Outstanding work! Ewing has got his perfect book going. Bennett is drawing fantastic pages with some nice coloring from Mounts!!

Excellent. If you're not reading this book, you need to go back and catch up. Great use of narration by Ewing. He keeps me invested at the turn of every page. Hotz is an excellent artist for this book. Delivered the goods! It was nice to have Mounts do the colors which kept the look matched with previous issues!

Al Ewing is serving a greatly crafted Hulk story. I never cared about Hulk aside from his HULK SMASH persona and have tried to read some other stuff but wasn't interested. This though has me hooked. More please!! Bennet is back and he's as great as ever. Jose and Mounts complete the team for some splendid visuals that make the book unique.

Great book by Ewing and great flow. All the new and old elements merged in a beautiful manner! Joe Bennett is outstanding here. His horror show is just crazy. Loved the different inking by Jose and of course Mounts on colors is the icing on the cake!!

There is no letting up and the book is consistently great!! I'm so glad this book has picked up many more readers in the last few months which means it has secured time for Ewing to keep telling his story with some special Bennett and Mounts art.

I don't give 10s haphazardly. So when I say this is a 10.....it's a fracking 10!

Good comics is good comics. Everyone on the team is killing it! I need to know what's next now!

They all fall down! Love how a guest artist like Bodenheim doesn't take away from the story but works well. Legit stuff!

Great issue yet again. Bennett just completes Ewing in this series. The curse of this series is that it's so good that people expect to be blown away every issue. But that's almost impossible. I say Enjoy well crafted issues like this one and remind yourself how there not many like them every week.

Just a great read! Very enjoyable and intriguing developments on the story front and fantastic art by Bennett and Co on the art. The Hulk has never looked better....or worse!

When the Immortal Hulk has long term plans! Joe Bennett/Jose/Mounts just make it all look amazing.

I dig the writing and the art as Ewing and Garcia delivered a great story that set up a whole world worth exploring but is it truly an Immortal Hulk story connected to what I read for 24 issues? I guess yes obviously but I'll hold judgement until further issues explain more. P.S. I did enjoy that Galactus skirt/shorts ? on Hulk.

This is a well paced issue with great subject matter and awesome art. What else is new?

Great as always. Just the way Ewing lays it out. One of my favorite reads every time! But it's Bennett's pencils along with Jose's inks and Mounts colors that make it as great as it is. The art team greatly delivers intimate moments along with ridiculous splash pages!

It's fantastic even more so than usual. Ewing, more than 30 issues in, still finds ways to get me emotional about shady characters I shouldn't care about. I mean Dr. McGown's past sequence intro was perfect and the ending just the same. Matched with great clean art by Javier Rodriguez. I'm still thinking about GlowBoy...damn! Xemnu on the other hand was just as interesting and I love Ewing's dialogue for him. What more to say about Bennet, Jose and Mounts....flexing their art muscles as always! Sometimes we read awesome things illustrated by even better artists and we take them for granted because they become the new normal....well enjoy this run because it's special!

Great yet again! Ewing and Bennet are becoming like chocolate and peanut butter! The Banner DID dynamic is fascinating and creepy. Hulk is about to get nasty. Dario Agger better hire more people quick because HR can't get them in fast enough. That splash spread of Xemnu feeding is an absolute masterpiece. I didn't even talk about Rodriguez's CRT TVs pages....too many good things are happening!

Ewing and Bennett flexing! The second half of this issue was nuts!

Just when things slow down to build up the layers and the tensions then they get real messed up real fast. Hawthorne is fantastic especially when Morales inks him. The dramatic scenes and faces were well done. Mounts coloring keeps that consistency of hues there even if Bennet isn't on pencils duty.

Outstanding stuff. What more can you say about this story from Ewing except it's much better when Bennett is back on art duty and he kills it. He was born to draw this book. Add Jose's inks and Milla colors and it's almost perfect.

I wish I can read this in TPB but it would get spoiled for me and I'm too impatient anyway. Well crafted and beautifully illustrated. Whoever reads this in 2022 when it's all collected is in for a treat.

That last page was just messed up. This book is outstanding. Bennett/Jose/Mounts are a killer art team. 11 issues to go and how do you top that? But I need answers.

What are you looking for? Of course it's good as usual.

He can do no wrong. Thought provoking dialogue and musings landed so well here. Ewing's use of the Thing is excellent. What else if left to say but the art team of Bennet/Jose/Mounts is as excellent as ever!

I liked it a lot!

I enjoyed it!

Fantastic and just heartbreaking!!

Chef's kiss!! I am not surprised by anything anymore and the team still finds ways to make me love this book every time!

Well paced and well executed. These story points need to be resolved before we deal with Sterns especially how Jen factors into it. Bennett's art and scenes were phenomenal as always. Jose and Mounts being there all throughout keeps it very tight, bright and familiar.

Very good talks and the calm before the storm!

An enjoyable issue where Ewing plays with Hulk's relations to Super Heroes that is both violent and calm right before the bigger storm below. Still ton of questions that I cannot wait to get answers for. Bennett made this book the visual that it is along with Jose/Brabo/Mounts.

Nuff Said!

Great hype for the FF!! Doom's exploration by Zdarsky is great!! Shalvey's art is good and has some nice scenes but somehow doesn't fit well.

Great first issue setting things up. Had me invested in the story from the get go. Great family and allegiances struggle story. Thompson is a great writer because he makes flow naturally. Love Nico's art. It's just the right fit for this story where his scenes setup and angles make it much better. I need the 2nd issue now!!

Robbie Thompson is setting up a nice little family of Skrulls who are trying to handle their business on Earth (not Prime but maybe Ultimate Universe?) while dealing with a pesky little hunter. It makes me root for the bad guys. It makes you question motives all around. Especially for the the 2 teenage daughters. Great job Robbie on the story. But to me this wouldn't work without great art to assist and guide the story. Niko Henrichon is fantastic from his angles to compositions that guide the flow to his great facial expressions that guide the moods. Great colors by him as well with an assist from Laurant Grossat and i couldn't tell who did what so that's great job done there!!

Great!!

Great book!

It's a great book this one and it holds up well even after 18 years. I couldn't put it down and finished it in 45 minutes. No happy endings anywhere to be found for our cast of lions who are representatives of Iraqi society. As they say "Freedom cannot be given, it has to be earned". This while is a heart breaker, is recommended and a very good look into what Iraqis went through in that hellish war looking to escape one prison only to end up in another or get martyred chasing freedom between Saddam or the US. Nico Henrichon style is much more raw here while his more recent style is more refined and polished but that's actually not a problem as he was a younger artist back then. But a story like this requires a raw touch and no finesse. So props to him for drawing all of those animals very well and conveying their multitudes of emotions because that's no easy task.

Great finale that probably should have been fit into the main series issue 10. But going back to the Oath at the end of CW2 and all the way to SE Omega, i have to say i'm glad i was part of the ride. Some bumps along the way but well worth it at the end. Sorrentino is too good here. I wish he did the whole book but having bennett offset it with his cleaner style is just how SE was done from the get go.

Jeff Lemire is doing a fine job writing this book. I would have never guessed that Jacinto and Cassara would have worked together as art team on the same book but man it fits perfectly. That probably has something to do with Rain Beredo's colors which are just gorgeous.

You know it's good when you wish it was an ongoing series. Lemire did well even though there is plenty left to be explored and i hope they bring him back for more. Joshua Cassara delivered some awesome art with an outstanding splash page in the middle. The guy is talented! Beredo's colors fit nicely.

Very good. I'm surprised we didn't get a decompressed 24 issues to address all that transpired here but I bet it would have gotten stale quick. I'm glad they went this way and finally cracked some eggs to make this omelet. Lucas Werneck on art duty is great!

Well done! An issue that does plenty to save this mini-event. Great work from Gillen to save this sinister timeline from Mr. Sinister by another Sinister and who the heck is already a Dominion? Another new Sinister? This makes it better than Judgement day overall. Paco Medina and Lucas Werneck delivered great art colored all by Valenza seamlessly fitting each artist's style and I'm glad they split it the way they did.

Great stuff. I missed this guy a lot. We'll see how it works out in the ongoing but Gage did a great job with this one. I enjoyed his way of making me care for Otto and his plight. Mike Hawthorne is a great artist and he definitely is well suited for this dynamic pseudo-spidey story. Splash page after splash page, his detail level is too good! Von Grawbadger and Bellaire were perfect too!

Absolutely on board this one. Cage obviously can write better than his Spider-Verse 2 lacking a real story event. Kudos to him on this one. The art is outstanding!! Mike Hawthorne pencils and angles are perfect. Add Von Grawbadger's inks + Jordie Bellaire's splendid colors on top and it's simply beautiful.

Gage is warming up. I'm enjoying this story very much. Nice art by Hawthorne, inks by WV Grawbadger and beautiful colors by J Bellaire.

Cage makes it work for Otto and Co to be able to stand against Terrax. Hawthorne's awesome art looks even better with Von Grawbadger inks and Jordie Bellaire sweet colors! Seriously the art is fantastic. Hawthorne is killing it here.

Great issue. Otto is written well by Gage who has a nice supporting cast for him to play off especially Anna Maria. Had me almost shedding a tear for Doc Ock of all people...that's growth through writing right there. Outstanding pencils by HAWTHORNE.....the guy is amazing in his clean details and angles that make all of the emotional moments hit right and deliver with his facial expressions and movements. Hawthorne is unique and is blessing to look at his wonderful work. He's also lucky to have Von Grawbadger perfectly inking his pencils and Jordie Bellaire coloring to make it pop!!

Great issue!!

Great issue. Gage has just the right amount of Otto in here. Hawthorne is killing it on art.

Outstanding work. The whole team is firing on all cylinders right now!! This is good comics right here!!

It's a punch in the gut. But I knew it couldn't last. Gage delivers yet another great issue! Having Hawthorne hit all the stops with his perfectly detailed art along with von Grawbadger's inks and Jordie Bellaire moody colors just makes it a superior issue (It had to be done). I'm there in the first row next issue!

The die is cast! Gage has brought this heartbreak of story to an end and what an experiment this Superior Spider-Otto was. Six years of fun stories had to end. Yes Otto's redemption is what everyone wanted but that is not how stories end I'm afraid. I actually feel like this is a better ending for him no matter how much I don't like it. I will always cherish this Slott baby. Mike Hawthorne, Wade von Grawbadger, and Jordie Bellaire have got to be proud of their effort here. The best art that actually made the story shine from the awesome action to the way it made you feel Otto and Anna's angst.

Pretty entertaining stuff. It's not needed but it sure did put a smile on my face, make me laugh or freaked me out by the darkness of it. Very good mix of stories with matching sets of artists. You don't need to buy it but the Cosmic Ghost Rider should be on your list.

I enjoyed reading this TPB and I can't wait to read the next one. The end of issue 6 had one of the many tropes involved here but I have to admit that many of the angles and ideas are new from James Tynion IV. Still tropes never looked this good with Alvaro Martinez Bueno on art duty. The guy is fantastic with his concepts, character design, angles, moods and inks. But just as important was Jordie Bellaire's colors. She killed it and I haven't seen coloring like this before. Some pages didn't work as well but man the majority were FANTASTIC!! I suspect it reads better collected since I had trouble remembering characters' names a few issue in which was annoying. Why have people with names/attributes/jobs and keep switching back and forth? That bugged me but not enough to ruin the experience.

Outstanding writing and suspense build from James Tynion when read as a trade. This still suffers from too many characters which some of whom get mixed up for me and I keep finding myself going back and forth to understand what's going on. The art from Alvaro Martinez Bueno is phenomenal. The way he switches styles between pages, panels and issues is nothing like I've seen before. I like the way Jordie Bellaire colors too because of the way she plays and changes her style as the tone and scenes change. This would benefit from another read as a whole before cycle 2 and never in singles.

It is very hard to deliver on hype but this book did not disappoint and Hickman made very interesting choices that made me invested and curious about where we'll go. Checchetto's awesome and detailed art and Wilson subdued colors are great together to give this book a nice look. The honeymoon period is in full effect lol

Near perfect issue. Is is world breaking or mind blowing? No but just like when you're fasting in the summer and haven't had water for 18 hours, water tastes like the best thing you've ever had in your life. This comic book delivers on what we all wanted albeit from a different angle but it ticks all the boxes and I had a smile on my face the whole time. I even chuckled on that last panel with Peter saying that line. It was mm mmm chef's kiss from Hickman and Checchetto on art is beyond beautiful. Seriously, his Spidey is top ten all time. Top him with Wilson's subdued hues that only highlight what's important and we have a near perfect outing. I can see a turn coming at some point but for now I'm all in and twice on Wednesday. P.S. does he not have a Spidey Sense or am I missing something?

Great brick laying work by Hickman and a very enjoyable issue from all angles. Except the final reveal which I'm all for if we get a different wrinkle on that old rivalry. Peter Parker as an older guy trying to learn to be Spider-Man was never on my list of books and from Hickman of all people but here we are. Checchetto with an absolute perfect outing on art. This must have taken a lot of time to do and I thank him and wish his hand/wrist/arm a speedy recovery. Wilson colors him beautifully as always.

I'm enjoying Hickman's work here. I just love the way he unfolds the story. Plenty to absorb with a lot of words around a dinner date but without the chapters that Bendis would drop on you (I like it in limited fashion). I just enjoy this kind of of build up when it's done right and Hickman so far hasn't disappointed. The art was good but the printing didn't help it at all. Still come back Checchetto I know your hands need time to heal.

I live for these slowed down and build up Hickman issues where I'm well fed. I really like this series. Messina's breaks out of the mold he tried to be in last issue and made this issue his by delivering his own beautiful style without trying to match Checcheto. Great stuff!

Very good issue and wonderful series that hit all the beats for a fun and intriguing Spider-Book. But the same family aspect that's a strength in this story was a weakness here in the narrative because MJ's reaction to the reveal felt off to me or maybe there will be delayed ramifications when danger undoubtably rear its head. Harry/Peter Tag-Team is pure fun. Checchetto back on art duty immediately levels up the story and I see why he needs more time and I'm fine with it.

Nice work from Hickman and awesome art from Stefano Caselli/Curiel. This is actually a story I want to follow just don't make them $7 an issue and people will be there.

Great start. Duggan using some points from the movies to bring you in (not my favorite) before adding some of his zany sauce plus add Kuder's beautiful art and you got a promising story.

Man, issue 2 is even better than the first. Duggan brings the action and the humor and the intrigue. Kuder draws his butt off here. Amazing book to look at.

Wow. Nice Gamora mystery focused issue. Loved it and the art fits very well!!

Fantastic and mysterious story by Duggan. Awesome art by Kuder and lovely colors by Svorcina. I'm excited for the future of this cosmic tale.

Nice story with beautiful art but just a bit short.

Gerry's story still good and Hawthorne's art with Groot and the way he portrayed Rocket's reaction to Groot's ordeal is worth it.

One of the best books out right now. Duggan is having fun and Kuder is churning out some of his best work!

Duggan continues his story and fills in all the pieces and solves the mystery bit by bit. Nicely done! The art was good and fits this story well. People complaining about the missing cosmic side, Abnett and Lanning's threads not being part of the Guardians Legacy should be reading this book. It's all there.

Another Stellar issue with some of the best art by Rod Reis.

Takes you back to a different era! Great job! Reilly and Bellaire are awesome with that classic looking art!

Almost everything coming from Ewing right now is fire. He pays attention to continuity and uses it just at the right dosage to give his stories weight. Tom Reilly delivers remarkable looking classic yet fresh art and Jordie Bellaire makes it all shine with great coloring!

Ewing/Reilly/Bellaire are a great team delivering a nice homage to Ant-Man.

A great read from Zdarsky. I like his world building about this distant future that feels inevitable based on our own trajectory today. Some might not like the social commentary but he is spot on. It is the future where new generations can be re-educated and rebuilt into whatever fascist leaders (Domestic or foreign) want because we human beings choose to stay ignorant or are pushed that way by design (Tragedy, etc.) and never learn or easily forget whatever the previous generations have built and gone through to achieve them. It's a classic story that has been done before in media but what makes this one great is the art by Acuna. The glorious art of this man is immaculate and it almost looks like paintings. It's not a 10 because what the heck were those Loki/Avengers origin pages doing? They're great on their own but feel completely disjointed here. We needed more clues.

Almost perfect. I'm a sucker for Old Man CAP. A man destined to always be out of time and out of sync and I love Zdarsky's take on him in this future dystopia. I like that we are getting answers and reveals in a nice pace and this is where a mini series beats a 30 issue slow burn that could go stale unlike a mini. But the star here is Daniel Acuna! His art is phenomenal, beautiful and serves the story with his futuristic design and attention to details that immerses me into it. His stuff belongs in a museum lol

It's a quite nice blend of many topics and ideas addressed many times before but it is done well and has the feel of a movie I watched before yet I continue to enjoy popping it again to re-watch. I like the action here much better and Acuna on art is perfect. To make things pop in darkness is a skill and his rain sequences and the shine on all surfaces is exquisite.

This series is a comic book done right period by Zdarsky/Acuna. I like how it feels, how it reads and how the art is perfectly matched to the tones and fully enhances it. Acuna is fantastic and I love everything art wise here. No notes!

Great pacing and kept my interest throughout even though I wish I can get 12 issues of this but I understand why it is this way. This can easily be an MCU film 10 years from now. Acuna's art continues to be the star for me.

I enjoyed this universe of Avengers from Zdarsky that I wish we had another 6 issues. Well handled finale and beautifully illustrated by the ARTiST Daniel Acuna. Seriously wish Acuna did more work because his style is wonderfully unique.

Fantastic storytelling by Waid and Samnee! Those two are just a dream pair! Samnee's art is a wonder to look at and makes this book feel Classic and Fresh at the same time.

And another one!

Waid, Samnee and Wilson just put out a great ending to this mini-story. Not perfect but it hit on so many notes that make it a worthy story of what Captain America is and should be. The second story with Kirby's art just put a smile on my face and had me asking how did Kirby make this art so many decades ago. It's beautiful. The only down side to this comic is the price. Yes we have 18 more pages but if you keep raising prices i have no choice but to drop other books. I can't afford them all especially when multiple issues come out in the same week costing 5-6 dollars. Yes this book is worth the money but i had to skip X-men Blue this week because it was also 4.99. Sorry but this is a short sighted tactic that will hurt the industry long term. Rant over.

Nice little story spanning past and future by Waid and a good combo of artists to illustrate it. Romero made it look like Samnee never left..almost. Hughes was a pleasure to see!

It's OK. A Cap book about Cap but without much Cap for many issues now.....why? Romero's art saves this one.

Not knowing too much about them, I actually enjoyed this first issue and the art didn't disappoint since Ribic is a master of setting up worlds and environments. Gillen did just enough to guide me here and I followed along and took a few minutes here and there to connect the dots just fine. His humor though doesn't work well every time so that takes off some. I have to say that Wilson's colors were great overall but I'm not sure why some scenes were so dimmed down with the greyish blue hues. I get the moods they're conveying but it could be a bit brighter.

Very well done and much better than the the first one. Now the story is much more interesting and the way Gillen structured all the parts out made for a very nice read. Ribic is as good as it gets and a joy to look at. I also like Wilson's coloring better this time around.

Outstanding stuff from Gillen. I actually took my time and enjoyed reading this one because it made me think. Esad Ribic is absolutely amazing yet again and you cannot say anything more than what was already said. Wilson's colors also are a perfect match!

Nice and Slow! Ribic and Wilson are awesome as always.

Great stuff as usual. I need this book to be an ongoing but alas!

Very well done!

Quality on all fronts!

I really liked this one a lot. It finally clicked for me after a few unpolished ones that were saved by Ribic's art. Here, it shows Gillen's writing chops that even with the two artists of Ribic and Vilanova it still worked well. I liked Vilanova's style and I don't mind seeing him do an more books but he's no Ribic (nobody can match his style). Props to Wilson for doing great coloring throughout to give it that continuity. Bring on the vengeance!

This book is absolutely great! Slow cooking yet keeps my attention and delivers well. Gillen is doing some nice things with the Eternals. Ribic and Wilson deliver great art that's 99.5% pure joy to look at but those few panels with Carol Danvers's face were so weird and off that I wish I can be there next to Ribic when he spends hours doing the page and it looks so technical and stunning then still mess up a face like that :-). Thanos on the other hand has never looked better!!

The commitment to Storm in the Ewing-Verse is strong even in a story about Magneto. Enjoyable with potential and phenomenal art by Vecchio.

Al Ewing just knows how to get my attention and keep me interested. He'll take old ideas and rehash them in new environments with narratives that make you think about them in different angles. Is Magneto good or bad? YES. The judgement is not over nor will he escape his sins but he will try to atone for them but he cannot escape judgement. Luciano Vecchio is delivering some great art that fits this book well. Colors are very good although it was fun (for me) trying to tell when Curiel or Aburtov were coloring the pages. The purple foregrounds give it away lol

Al Ewing and Vecchio nail another one and make me care for this adventure. Props to people who still care about their craft.

Great work! I enjoyed this mini much better. Ewing just knows how to make those words land. Vecchio was fantastic on this whole thing and Curiel is a pro.

Hickmanesque comics at its finest. The driest world building of a Wall Street noir drama where I fill in the blanks as I go within such great dialogue. This is well done. Tomm coker is perfect for this dark story. Well detailed with a mix Deadoto and Alvaro Martinez styles.

Methodical and deliberate in every word and panel. Hickman and Coker put the work in here. I'm fully onboard with the unfolding world and the tale told of the dark forces. My only gripe is that no true essence of light has been brought in yet because Detective Dumas is not a true agent of light but merely playing a different dark force tapping the same well (as of now).

A super dark story that's a great metaphor for what is really happening in today's society. It's quite clear that Mammon is not THE main devil but one of many. Coker's art and Garland's colors are fantastic!

This is has officially went off the rails because there are too many messed up moments happening that I could do without but I get what they add to the portrayal of these barbaric, self indulgent and greedy cannibals. Only Hickman can marry Wall Street, the federal reserve, colonial Spain and demons among many others all chasing that elusive mammon sacrificing many in its path. Dumas is still not really the good guy here. He uses black magic of other demons to guide him and wants to join in but a price will be paid no matter what. Nobody enters or uses that realm without losing everything including himself at the end. Coker and Garland are a great art team!

I loved it and was chuckling a few times at the scenarios Zeb Wells cooked up for Scott Lang! Wells was very good in his ASM issues back in the day and he's just as good here. Burnett's art is fantastic and looked tight and well inked. I love his style a lot and with Spicer's beautiful coloring it was just easy on the eyes for me. I recommend it!

Tons of fun and great vibrant art to match. My kinda book.

Great fun! Zeb Wells mixes this one well! Burnett's energetic art is a great match!

Great job! This was well worth the wait and I'm glad Marvel got this last 2 issues to print. Zeb Wells is great in his writing from the recap page to the end. Enjoyed it very much! Burnett's art is fantastic and full of energy that comes through with Spicer's vibrant colors.

Great and fun mini series with heart! If we get more then I'm there for it. I just Hope Burnett comes back too.

Man i really love what Duggan has done and couldn't be happier to have it illustrated by Koblish. He just knows how to hit the right dark notes with his art to make this story so much better. To be honest i was ready to hate this book before i read it since i loved the Deadpool from the past few years so much. Well my fears are gone and i can't wait for what's next!

Really well done by Duggan. Dark and ridiculous at the same time. Koblish's style is a nice fit for this story.

Duggan's style of mixing drama, suspense and humor plus Koblish's unique grim very detailed style and Nick Filardi's colors just make this book pure crazy comics fun.

Fantastic book!

MadCap needed a better ending if this is what it claims it is. Having to follow Madcap's shenanigans for years to end it like this? I get it: Deadpool is his own worst enemy but still felt like it was lacking. I'm hard on Duggan because he's capable of better. Koblish's style lacked the details it had in the previous cable arc so that didn't help. Still a good book by all standards and the last page keeps me wanting more. Edit: I was too hard on Koblish. After looking at it again it's actually no different than his previous books. Maybe different inking? I must've been tired while reading.

Why must you make me root for wade like this. It's a testament to Duggan's work to elevate this horrible clown to something more while dragging him down to the abyss. I had to stop after reading the last few pages and just think about it. Lolli again nails the mood like he did back in issue 20.

Great FUN!! I'm very much enjoying Duggan's shenanigans with Wade as he closes out his time with him. Hawthorne is a true artist who is obviously having fun too!!

Duggan is going out on a high note. Crafting a nice story for Wade that Hawthorne illustrates with clean lines and impeccable art that Pallot/Bellaire bring to life. Hawkeyes Assemble!

This a great story even if it's obviously hiding what Fantomex is looking for in the world. It's not just his twin. That will be brought out later. Hickman does his usual hook here and delivers an engaging story. Rod Reis makes it work so well and creates something beautiful. The fact that he's responsible for all of the art and designs is truly worthy of praise.

It was a great read and the art was great on most of the pages, some cartoonish few didn't work but this was mostly enjoyable since I haven't revisited the original X-men books since the 90s.

I have to say as a series that is the true follow up to HOX/POX, it was disappointing. The hype was too high. As a single chapter it suffered from repeating previous beats and trying to lay the ground work for what comes next. Some of its off feel is just pure Hickman typical work but also characters like Moira that finally show up but feel hollow although I'm sure Hickman was going for mysterious. Things weren't supposed to be like this. The last few pages save this one. That being said, I will take this and enjoy it for what it is and hope things would have worked out better in another universe. Schiti and Curiel did a great job. Boy I wish Larraz was on this!

The tension is there by Hickman and the art is great by Caselli and Curiel. Skipping over some unexplained idiocies, this issue was worth the read as long as I purge the last year from my head. Moving right along to the next one.

Great issue!! It is very hard to imagine that last year's X-men book was filler material when it could have been these stories fleshed out properly before the bigger bang twists. Alas, I'll enjoy this conclusion arc and hope we can get another event a few years from now. The art was great! I just wish we had one artist throughout it but still all 3 are awesome just not complementary styles.

It is the best ending we could have considering the situation the X-Office is in right now and that's not a bad thing necessarily. Hickman delivered the ending that ties up some loose ends in spectacular fashion and sets up future writers to play around in his sand box until he comes back someday (one can dream!). We'll never know what the real thing would have been but I'm glad I was there and this issue delivers. We can't get a true HOX/POX ending but this a fitting 2nd course. Valerio Schiti and Curiel were outstanding here and the style and inking kept changing in key scenes and I loved it for that. Kudos to them!

Duggan and Kuder continue their GOTG shenanigans and i love it. Throw in some more mysteries and we have a nice start to a mini-event that has my attention!

Great stuff from Duggan. I love that we get to finish the GOTG story with all of their shenanigans. While bringing this infinity story to a broader stage. Good action well complimented by Kuder. The guy is good! Hawthorne isn't bad either and he tackles Adam Warlock's entrance and the last page got me pleased. It's fun!

Fun book!! Serious when it needs to be and plenty ridiculous in a Horn of Doom kinda of way!! Duggan makes it all mostly work from PymTron's encounter with Warlock and the Silver Surfer to the GOTG's fight with the Warbringer. The art is fantastic! While both Kuder and Hawthorne are great artists, the mix of the two is just mildly off. Still loving this mini ride and can't wait for the next one.

Good issue but somehow some of the events didn't resonate well with me. Great art from Hawthorne and Kuder but the narrative felt disjointed still. I'm on board and waiting for the Infinity watch. I just wished this was given time to breath. It's obvious (as has been known for a while now) this would have been told in multiple issues but GOTG was cancelled so events had to be crammed in the Countdown. Duggan is still doing as best as possible.

Duggan ties up his GOTG loose ends as he sets up the Infinity Wars with Kuder doing his usual great vibrant art. It was awesome seeing his GOTG art one last time except for his kang interpretation which just looked off. But the best part here is the Soul Stone World where Gamora and Hank Pym interact and Dr. Strange trying to re-form an Infinity Watch. Hawthorne delivered beautiful art that fit the intimate tone of his scenes. Jordie Bellaire's colors were outstanding. Duggan manages to get better at the end and has me looking forward to what's next.

Adam warlock's journey is presented by a different Kang (maybe) at least he had me fooled. Combine it with the exquisite art of the Allreds and it's a must buy. Yes the story is lacking more details while trying to establish the mystery but this a very good appetizer and it made me very happy. Also if Kang is that scared then i really wanna know why?

Nice primer issue with a classic Duggan flavor and solid Deodato/Martin art.

Chip Zdarsky is on a hot streak...no not that kind...the other one. The good kind. I'm sucked in and want to know what happened. Guice and Magno work well together for their perspective sequences. Great start!!

A bit shaky at times but this issue lands the right feelings at the right moments that it works well overall. Charles Xavier gets dragged down yet again. Has the guy caused doom to everyone he touched.....it's a bit much. The art is great and I love the combo for past and present from Guice and Magno.

Great suspenseful read with some beautiful art.

Well Zdarsky just keeps delivering. I never thought I'd be reading all of his stuff and loving his dramas. Magno and Guice are tight in their work and fit well in their respective worlds.

Drama drama drama with some nice art!

This is great drama with some sweet art! Zdarsky knows how to real me in with his soap opera!!

Great series. This is what Marvel used to be and should do more of. 2in1 and Invaders have proved that Zdarsky should do more drama with legacy characters. Magno and Guice are great as usual!

Great Invaders book that's ending too quick. Yes it's obvious Zdarsky is rushing some things but I'm sure he was told to wrap it up after 12 issue. Guice and Magno are great together!!

Cut way too short and it shows as Zdarsky rushed to put a bow on it. Great series and I'm glad it went on as long as it did. Magno and Guice were great!!

Fantastic. Finally this Ewing series is getting good and surely thanks to Libranda's art with it's clean sharp lines combined with Villarrubia colors. Art can do wonders for a nice script.

Great payoff and Ewing has got me all in on the inhumans. Not sure about Medusa's action but on the art side Libranda is a perfect fit. I hope he continues to do the book with Rodriguez.

Great job. Loved this book and the look of it is pure cosmic Inhumans. Ewing tells a great mystery with Javier Rodriguez illustrating it in such a beautiful manner. Still unsure about Medusa and Gorgon but can see how it would happen given how things have been going for years.

Farewell!! Ewing, Libranda, Rodriguez and Bellaire have made me care for the Inhumans more than i did before.

The best duo at it again. I can't wait for #4

Still Good. The story and characters are layered. Peeling the onion oh wait! Wrong book. Harren is good but Opena is in a different league.

It's just a whole much better looking book and story with Opena and Hollingsworth. They bring Remender's ideas to life.

Good stuff. Remender's world building at its finest. Opena's craft is only enhanced by Hollignsworth colors.

Outstanding! This chapter is definitely better than the last, script wise but the art By Opena is always stellar. The colors by Hollingsworth were very well put together.

What a turn of events. You can see it coming and I held hope for Adam but I'm glad Remender took it this way. Because his character analysis is really well done. The art by Opena is so good you don't even need the words. This can be just an art book and I will be amazed by his craft along with Hollingsworth beautiful colors.

This 17 issue series took 5 years to come out and yet the final issue was really worth the wait.

Nicely done. Cool book! Well paced and well researched story. I had to take my time and read and re-read it as i went along and i wanted more. Spent so much time looking at his illustrations.

I appreciate this book very much even as it zooms past many things and flies way too quick over many plot points. The time it took to put this book together and have it make sense with the complex/convoluted history of the X-men must have been ridiculous. Kudos to Ed Piskor and Alonso for originally green-lighting this book.

It's a lot to fit in here but Ed Piskor does a good job summarizing and illustrating it.

Fantastic second chapter that reads well combined with the first one but also leaves you wanting more and that's a good sign. Too bad we have to wait a long time. Art is great and fits the book well.

It's well put together and worth reading.

Great art! Mike Del Mundo is really the star of this issue. The story has a great premise and well delivered. I loved it!

Kang by Waid and Del Mundo is better than i thought and i had high expectations.

Avengers+Kang by Waid and DelMundo is Molto bene!!!

Great concept by Waid and awesome art by Del Mundo. This is what i want out of my Avengers stories. Everyone is involved here.

Phil Noto was as good as always. Can't wait for DelMundo to come back! The story is a nice little side adventure for Nadia.

Great having Avenger X pop in after the mini series and she was a good villain for the team. Nadia must be Waid's favorite new toy and he uses her well. Phil Noto is a great replacement and makes this issue look beautiful but he's no Del Mundo.

Del Mundo makes Waid's beautiful story look amazing. I just wanted more.

Well Waid tried and Delmundo gave it his best shot and in some panels they succeeded but overall this tie in didn't deliver and many characters are not well handled starting with Deadpool and Odinson. I might seem harsh but i know Waid and Delmundo can be better. At least there was no redemption for Taskmaster.

Waid delivers a great issue where the teammates duos bond in the midst of the chaos of their world. Del Mundo delivers a beautiful book and i can't get enough of his art.

Great work by Waid bringing the old school feel with the new in this story. Fantastic art by Saiz. I'm on board.

Waid is doing a fine job. Nothing earth shattering but just solid fun storytelling. Would like to see what happens next in Champions with Viv. Miss DelMundo and Saiz but Pina and Diaz hold their own here enough to keep me interested in the story.

Great work by Waid that's elevated by Saiz's art. Seriously this whole crossover should've been illustrated by Saiz or at least artists of his caliber. It would have felt more coherent. But as a standalone issue, it's the best one so far.

Great start. Nice mystery with beautiful art.

Very well done issue that builds on the mystery and keeps the classic Avengers story feel going. Pepe Larraz is fantastic as usual.

I love this book already. Very classic avenger feel with modern vigor. I think every issue so far was from an avenger's point of view guiding us through the narration and this one nailed Pietro's persona well. The reveals keep coming and the weekly format suits it here because a monthly release wouldn't work as well. Larraz and Curiel continue their fine collaboration that make this book a thing of beauty. Panels, whether in splash pages or small moments are on point. Is it next Wednesday yet?

This feels like it was mostly scripted by Ewing. Ewing pulls the curtain back on what's happening and it felt clunky at first as it always does with Big concept writers but he brings it all together towards the end. Jacinto does a nice job following Larraz with the help of the same colorist Curiel, it looked much better and not too jarring. Waid's pseudo-scientific explanation at the end about how Metal Master was able to take Mjolnir was well put and made sense based on the Marvel U science.

The weekly format is what's best for this kinda story that covers fewer things based on the massive roster of players but still advances the narrative. It would have been a drag as a monthly. Jacinto is doing well.

Continues to be good overall with everyone on board and the Voyager mystery keeps me guessing. Excellent art by Jacinto, No seriously it's really good. Flatter pages by Perkins. At least David Curiel's colors keep it together. The Hulk tease is going on 3 issues and it will be 2 more before he shows up....just a tad annoying.

I love the roster and how each issue allows someone to shine. Red Wolf was done well here. Izakse fills in well before we move on to the next artists and Curiel's colors keep the vibe similar between the transitions.

Great series. Continues to deliver on story and art. Feels classic with modern beats.

Really fun and nice art to match. This series is a welcome change with no real weak issue so far!

Great stuff! Quality endures!

What does it mean to be an Avenger! Great stuff! While all the heroes do their thing a very obscure guy saves the world. Fantastic story and Larraz is a fantastic artist that illustrates it all in a beautiful and epic manner while Curiel's colors fill the pages with every color imaginable. Just fun!!

It's a fun issue where Duggan is well within his funny/snarky world. Rod Reis is as great as ever!

Hey at least Duggan can make this dumb Dark Web nonsense work with even dumber heartfelt storytelling mixed with great humor. I enjoyed this one. Noto is very good as usual but Rod Reis's art spreads are absolutely gorgeous.

One of the few bright spots in this dumb Dark Web event. Enjoyed it and loved the art duo of Reis and Noto.

Great star. Wasn't sure about another Spidey book but this actually worked well!.

Even better than the first issue. Taylor is churning a good one here and i like what Cabal and Woodard are doing on art a lot!

I Can't believe i'm enjoying this book just as much as ASM. Nice work by Taylor, Cabal and Woodard!!

Good end to this arc. Taylor is the right fit with this story while Cabal and Woodard are nice together!

Great issue! Either as a continuation or stand alone. Taylor plays a different card for Peter and Spidey with this multifaceted story. Should be read by all. Cinar's pencils and inks are his very finest ever in my opinion. He nailed both Peter and Spider-Man' looks, movements, warmth and angst. Woodard is the constant colorist to bring it together.

It's pretty good and a must read Taylor and Cabal are great together! But I still feel that Spectacular Spider-Man 310 is still the best modern Spider-Man single issue.

Great story by Taylor. It could have been better with another issue to stretch those moments with more details by credit to him for making it all fit in one. Lashley and Cabal worked well together as present/past sequences. I thought this book was gonna be redundant but man was I wrong!

It was nice and enjoyable!

Most times people complain that stories are stretched out to a snails pace but here it's done way too quick. I'm trying to stick with this book but it's inconsistent especially the art which was all over the place.

This is a constantly good read and actually trying to tell a story instead of cramming nonsense like the others. I'm glad this is a side quest keeping with the previous narrative. Carnero and Curiel were a great combo!

This book is growing on me a lot and Zeb Wells's take on this band of misfits is great.

Very good and entertaining! Wells and Segovia are great together!

Zeb Wells is good...really good! Segovia and Curiel did some nice work here too!

This was a very enjoyable issue. Wells is too good with this cast. Segovia's art with Curiel colors is fantastic!

I liked this issue in the scope of the Gala because these guys are the worst even as they strike some sympathy sometimes. Segovia nailed those faces and dynamics! Again Zeb Wells does no wrong in my book or this book.

Really good! Always an enjoyable one from Zeb Wells. Some dialog was harder to decipher but maybe just me. Antonia was good but Segovia is the standard for this book!

Zeb Wells is the most consistent writer in this bunch. He is actually moving the story forward and the editors are letting/helping along much better than the other books. The scripts are always amusing and tight with plenty to shew on. I do miss Segovia as I would have preferred him on art duty this issue but Roge Antonia is not bad, just a bit rushed for my taste. Hellions has been moved up to #1 in the X-line of books closely followed by New Mutants. That's it. I follow X-men by Duggan because Pepe Larraz is a tremendous artist.

Great issue! This is has turned out to be the best X-Book in the line. Zeb Wells is so good, he made me care about a nanny in an egg costume along with all the misfits in this disaster of a team. Segovia coming back is well appreciated because this is his craft as much as Wells.

Who would have thought this would be one of the best titles in the X line of books. Zeb Wells and Segovia did well!!

Nice change up. It fits well and Ewing has to cover so much but it works. Paco Medina started OK but only got better as the issue went on and by the end it I'm glad he's on the next 2 issues.

Well done as usual by Ewing! Di Vito is quite good too!

Ewing continues his great work.

Better than Watchmen!!

Cates is doing exactly what he said he was going to do and he's succeeding at it. This book is like reading a well polished Death Metal album. I know, it's weird in a good way. The art team of Stegman, Mayer and Martin are beyond amazing. Stegman is doing his best work to date.

This creative team is firing on all cylinders! Could be very silly but they make it work well! Great job!

Donny Cates did good. He Has a satisfying and emotional ending to the arc. Stegman is just ridiculous with his art. JP Mayer inks along with Frank Martin's colors were just outstanding.

Continues to be very intriguing and Iban Coello is at home here doing amazing stuff. Cates throwing a few tidbits like the green saliva's significance are nice!

Cates story is obviously well planned which has me hooked. Now the guest artist Iban Coello's art being awesome is just icing on the cake!

Great! More questions than answers but keeps me coming back. Stegman, Mayer and Martin are a dream team!

It's a great book! Liked the dynamic of the story between the two phases illustrated by Stegman and Cassara which made them feel seperate yet connected. Perfect to get Cassara in on this. His work is splendid. Mayer and Martin are still kicking butt. Cates and company are firing on all cylinders providing great suspense and delivery!!

Great drama all around. Cates sets up the symbiote to go off for War of the Realms. Joshua Cassara is outstanding as usual and gives everyone great presence with his body positioning and facial expressions!

It's good. Bunn does his job and gets Venom going or should I say holding while we wait for Carnage. Coello is just well suited for this book and venom. Good fun read but we're on hold for this event which is annoying.

It's OK. Fun but a whole unrelated story. I guess I'll drop it and pick it back up when Cates and Stegman come back.

Well executed!

Higgins and Reis back it again! Good story and great art!

Higgins and Reis like PB&J!!

Great comic book. Higgins and Reis just work well together!!!

It's a great book almost like an mini indie book set in the same universe. Great take with some things done before but it doesn't take away from the great story. Rod Reis is as awesome as ever. Fun!!

It's a good ending. I feel like 5 issues limits the options here so it's a good wrap up. Reis is great as usual and fills the pages with sorrow.

OK now this I can deal with but it is a weird setup to do it this way but I'll take it. Federico Vicentini does some great work here and he kills it with some excellent pages but some angles and body poses in certain panels need some work. I can't tell if Martin or Lima was better but colors in certain pages were better and I'll bet it was Martin.

Much better than its counterpart where we're going in circles for no reason. This actually is moving things and building a story. Vicentini's art is really good here for the most part and I find myself going over the scenes details. Nice work!

This side of the story knows what it is about and does it well to usher the Krakoan age forward while the other side is running around like a chicken with no head but at least has Cassara flexing his art muscles. X Deaths should have been the only book out unless we get an X Lives tie-in worth this ping pong game. Vicentini is awesome yet again although some action sequences can improve.

This is so much better than X Lives that you can just read this side and not be bothered although you'll be missing some great art from Cassara. Percy does his best here and although some key points have to be ignored to enjoy the whole setup. I mean the Banshee thing was off but then again all of Krakoa feels off right now. When Percy plays with Hickman's threads, it shines but when he plays with his threads from X-Force and Wolverine it just doesn't have the same sticking power. Vicentini's art has only gotten better or I grew to enjoy it even more than before. It just fits with the vibe.

This was enjoyable but I somehow still feel like the whole series missed the mark. This should have been a Moira-X 10-12 issues mini from Hickman (I know I'm not over it yet) to do it justice especially those Moira pages about the big moves for her lives and the next chapter. We do 2 years with nothing about Moira then we get inferno followed by 5 issues going 100 mph which is a bit fast. But Percy did alright. Vicentini's art is fantastic and Lima colors came through well!

Very well put together and I like it for finally continuing the thread from Hickman's X-Men while mixing the drama and politics of Planet Arrako. Caselli needs no more praise but he will get it because his art is fantastic and sharp with no shortcuts taken.

Outstanding work from Al Ewing and Stephano Caselli! I am glad I didn't give up on the X-line after Hickman leaving. This is great!!

Ewing is so good. He does strategic plotting with continuity and Hickman's fragments like no other so far. Back to back great issues. How does he fit so much narrative in one issue is impressive. Every word lands with purpose. I loved how he takes his time to let the threads develop instead of unnecessary and irrational fighting just to reach unearned climatic action. The pressure is on and I will enjoy the payoff. I would have taken points off for the transition between Cabal, Genolet and Sta. Maria sharing duties but I liked how they tackled 3 different scenes and that softens the art transition plus the words and plot landed heavy. If Caselli helmed this, it would have been a 10!

This series from Ewing is very good even with the absurd! Caselli and Blee make it all look tight!

Al Ewing has got a way with words. Caselli's consistency on art is great and it is just as important as Ewing's script.

Great issue! I only wished the data/info page for Isca was done in a spread splash page for it would have been more effective as a tool. Musabekov has delivered some nice and very detailed art and Blee was good too.

Maria Hill to the 10th power scheming levels here. Ewing is just smooth with his threads merging. Madibek Musabekov did a great job here and should be a rotating artist with Caselli.

Ewing is moving pieces and making them all interesting. Caselli's art is top notch and looks perfect with no rushes or corners cut. Blee's colors too are just wonderful!

Steady Eddie of a book as Al Ewing has been. Caselli's art is too good and there is no drop off.

This was fine but felt I was re-reading parts I already did with Ororo since similar beats were done in Immortal. Camagni on art was good.

Al Ewing's writing is great and he makes use of the history of Arakko but it's the setup that gets to me especially for an event that is not looking very exiting as we get closer to it. I might have to switch to tpb in order to enjoy the full thing collected and deal with spoilers. Fall of X has a lot riding on it so we'll see. Art was good from Camagni.

Ewing keeps building that Mars world and I like it. In a world where the X-Men are yet again being massacred and persecuted, I prefer to read new stories about new characters and this book keeps doing that. Immortal and Red are worth it because of how creators are approaching their worlds from fresh angles.

Al Ewing is creating a book worth reading. All the elements he's building are coming together and he's delivering it with great rhythm and prose as Ewing usually does. I also enjoyed and laughed at the Prince of Power's cameo at the beginning. Great stuff! Cinar and Blee on art duty did well too from the great fight scenes to the menacing Uranos to the Big-A himself.

Al Ewing is doing his thing here and I'm enjoying it. Cinar and Blee on art were pretty darn good too!

Al Ewing delivers a fitting end to this fine book. I enjoyed this series a lot when the X-Men were dragging after Hickman left. Yildiray Cinar's art with blee's colors grew on me over time and I'm glad they stuck with an art team. Also the lettering was well done by Ariana Maher especially that double page of the Annihilation Staff. Ewing delivered satisfying endings to almost all the characters.

Great start and absolute joy to read. Really liked the Eddie and Spidey pages. Never been a fan of Carnage but with Cates and Stegman, I'm willing to give a shot. Also JP Mayer and Martin Jr. did an outstanding job too!

You know it's good when you're left wanting more at the end. Spoiled with the last bigger issue so this one felt over too quick. Credit to Donny Cates for creating it. Stegman's art is just wild man! Mayer and Martin complement his style very well.

Still good but I feel like I'm missing something because the switcheroo was done weird.

It's good. It was saved in the last few pages. Obviously the art is great but the story by Cates is a bit inconsistent. I'll hold full judgement to the end.

It definitely was interesting and kept my attention. Ithad me invested in knowing what comes next so props to Donny Cates but the ending is just the end of another arc so a bit of a downer. This would have been weak without Ryan Stegman, Bagley, Mayer and Martin. The art team was fantastic!!

Enjoyed this issue a lot and loved the dialogue in many instances. Cabal's art is great and fits well with some nice colors by Woodard . Gabby is just too adorable with a new hero codename.

Taylor and Rosanas pulled it off! Nice work!

Tom Taylor delivered the goods with this story. Enjoyed it very much. Rosanas crafted some incredible clean art and just crushed it. Woodard applied the right tones of colors to make it pop yet feel subdued! P.S. is it wrong that i enjoyed this more than the Hunt for Wolverine?

Great as usual. Loved Matteo's pencils and the art was great, especially the nod to Kirby in that splash page with the ship.

You can't go wrong with this book. Remender ups the stakes while Scalera and Dinisio churn out pretty art.

As dependable as ever to deliver the best SciFi in the crispest pulp art around. Great stuff!

It's good. The ending is near and some beats are obvious and can be seen coming 2 pages away but if you like the book, you'll still enjoy the trip. Remender says he's going out of his comfort zone to end this series a different way. I don't know what that means but we'll see. Scalera is always awesome. The only thing destroying these book is the insane wait time between issues. Wait for the trades, it'll read much better.

Remender delivers a fairly good story with a familiar tone done in other media before. But it feels like the correct approach to this chapter. Liked it a lot and with Scalera killing on art and dinisio colors are just perfect you can't go wrong!

It's a good issue and has some classic tropes about choice and anarchy that have been done before but it is needed to be seen from the eyes of Grant Mckay. Let's hope the landing delivers something unexpected. Scalera and Dinisio are a 10 as always!

I'm sorry to say but this finale just did not deliver. I feel for Grant McKay but damn that was not the right thing to do no matter what the alternative realities dictate. The first pages were very poignant and totally had me hooked but lost me toward the end. Also Remender had done a great job all along and had this amazing world built but somehow he fumbled the ending a bit where he tried to juxtapose the ramifications of alternate realities while leaving the door open for something? but who knows what? Matteo Scalera and Moreno Dinisio are perfect as always since the art was not a problem here at all, if anything the art saved this final outing.

Ver much enjoyed this one. Zdarsky has proven himself already so it's not a surprise anymore. Chechetto creates some cool art. I'm on-board this one!!

Very engaging story. Well done by Zdarsky. I feel like he produced an issue that's better than the first. Of course Checchetto and Gho are a nice complimentary art team that builds a fitting environment.

Yet another great issue. Zdarsky keeps me invested in the story and I like his take on DD. We'll see these two go at it again and I'm sure Castle ain't gonna be happy. Checchetto's art is flawless.

The story is hitting all the right tones. I wish the art was different. It's hard to follow checcheto. We were spoiled!

Great stuff!!

It's good on all fronts. I don't know why this issue felt off to me but I'm on board this Zdarsky train no matter what. Checchetto and Woodard make the book pop again.

Well paced and great art for a smooth series!

Just beautiful all around. Zdarsky, Fornes and Woodard are just (Insert chef's kiss here mmmaahh)

Great work as always but this issue was well paced and even better put together. Kudos to Zdarsky! Fornes art though was great and gave it some crime noir vibes even as the nice colors by Woodard made it pop.

Excellent! It had everything. What a build up to the last few pages. Checchetto delivers yet again with his detailed beautiful art!

It's good and frustrating at the same time. As soon as we get some answers we are delayed again and it gets tiresome sometimes because this has been the same idea for over 21 issues. Zdarsky knows what he's doing in some aspects as it is perfectly thought out but I do wish he doesn't drag some other aspects of the story. Chechetto is awesome as usual and fits the mood perfectly with his art.

Great drama, plenty of good threads to go around but the best one was the chat with Tony. Zdarsky just keeps building. Mobili, Olazaba and Iacono did a great job too on art.

Great work! Very nourishing issue. All gears are moving now and I like it a lot! Zdarsky somehow is really good at this. Chechetto's work is outstanding and he seems to have changed his art a bit too. The edges are tight and hazy at the same time, it's amazing. The body language and the angles are wonderful. Menyz's colors were very complementary to the mood changes.

It's very good and Zdarsky plays the beats well. Hawthorne on art is great and he has some awesome pages especially the court splash page but in some spots it looks a bit rough but I'm not sure that's on Mayer's inks or not? Still very good and well worth the ride.

Great setup but I'm not sure what to make of certain developments. Wait and see how Zdarsky takes it from here but at least it is delivered well as usual and Chechetto's art is fantastic.

Good issue. I don't care about King in Black so this took a dip for me but the narrative still holds and the 2 stories working around each other with 2 different artists actually worked here. Both Hawthorne and Checchetto are great but I have to give a shout-out to the inker Di Benedetto because his inks over Hawthorne pencils were fantastic. Finally that last page was so funny to me because all I can think of was All Might Plus Ultra because of the horns and the creepy forced smile lol now all I'm gonna think about is Hell's Kitchen Smash!!

I hate the whole Knull thing but I loved this issue. Zdarsky just knows exactly what buttons to pushh. Chechetto and Hawthorne again are perfect in this combination between the different scenes! Also those inks by Di Benedetto over Hawthorne pencils are sick and made the whole Venomized DD and Matt art POP!!

I'm fully onboard this again. Great moments whether you agree or not it is still well crafted with some nice Checchetto art and really good coloring by Menyz.

Consistently consistent!

It's well blended drama. Checchetto and Hawthorne gel well for me even if it shouldn't.

Great issue and very eventful dynamics between all threads. Wonderful art from Hawthorne with tight inks from DiBenedetto and nice colors from Menyz.

Fantastic work here from Zdarsky! I like the way he does drama and how well it lands for me. This would not hit as well if Mike Hawthorne was not on pencils. His compositions and character poses and facial expressions are tight. Di Benedetto's inks are really striking and I enjoy the way it emphasizes mike's pencils. Menyz on colors makes it all pop! I am gonna miss Mike Hawthorne at Marvel since this is his last book for them. He is one of their best artists this past decade.

This issue is a bit weird and off in its composition. I see what Chip is trying to convey. It is a fact that prisons don't rehabilitate most of its populations and a lot do go back in. But the way Zdarsky is working it in doesn't gel for me. Also I was wondering how Matt was to get out of prison and the way it happened was weak. Nothing learned and nothing was worth it. Elektra's parts were much better and that is not saying much. Landini did a nice job! I hope we get back to form and finish this run strong.

This was OK. Nothing to get me excited for Devil's Reign. It has come down quite a bit these last few issues. The way the fight scenes went down and how the heroes showed at the end was just dumb. The art on the fight scenes was confusing at times and didn't help.

It's not bad but man this arc is running on fumes with many threads just moving haphazardly unlike earlier in the run. I get it, we are going into Devil's Reign so we wrap some things up and set other things but it feels disjointed. The art by Garcia was OK and didn't work for me so it took away from my enjoyment.

Well done. I enjoyed Waid's take on Strange. I hope the pace picks up a bit. Jesus Saiz's art is a big part of why i enjoyed this first outing.

Waid has done it. I had my doubts about his style after Cates's take. Man is Waid flexing his writing ability here. But that's just the half of it. This book is beautiful to look at and i found my self asking how does Jesus Saiz do it? It must've taken him a while. Those details, shadows and colors are perfect!

This book has it all. A great story and narration by Waid, a great tie-in to Infinity Wars and then the best looking art by Jesus Saiz. The best book for me this week!!

Fantastic stuff! Great ending to the arc and beautiful art by Saiz. This book is a joy to read!

I'm glad that was dealt with sooner than later and the story was much better for it. Of course Jesus Saiz not being there takes away from the art for me but Javier Pina isn't a bad second choice.

It's ok. Pushing it back to twice a month and having 3 artists on isn't helping. The story has my attention but can't match the first arc. Also the art from Jesus Saiz is missed here.

That ended on a high note and the art was much better in most of the issue. Great!

When Waid is paired with a great artist like Saiz, it makes for a really enjoyable read. It's gonna be almost 2 months for the next issue to follow on that cliffhanger.

This was great only because the main story was good. Waid and Saiz work well together. But the rest was mixed bag of nonsense just an excuse for the extra money. Except i have to say that if Acuna's take at the end is a taste of what he can do, then sign me up!

It's a good ending and bit fast. Still enjoying this book and i hope Waid recreates what he had with the first arc. Saiz is great as usual with a nice assist from Pina!

Mark Waid is trying to challenge Doctor Strange and it mostly works for this issue but I'll have to see how they progress. Barry Kitson and Scott Koblish deliver some nice art throughout and make it look great!

It's a very enjoyable story. The execution isn't up to the grandiose of the ideas. But fun story with some nice art!

It's good but I do miss the way the story was told through the first few arcs.

Enjoyable as usual!

It certainly is entertaining and huge in scope. But the delivery is somehow missing the urgency it's trying to convey. Waid and Kitson are doing some nice work still and I've enjoyed the last few issues. Kitson's line and Koblish's finishes work well together but I do want to see Koblish take a crack at an issue just by himself because I think he'll deliver his unique point of view that I loved in other books. Reber colors were nice and I enjoyed the Splash page with Dr. Strange blow on Galactus. Very clever layering of colors.

Plenty of great dramatic moments with classic Marvel tales tension by Waid and Kitson! You feel for strange and all he has to endure and yet at the end you're not surprised by the outcome. Also I can't see how they will make him go lower but they will! Kitson rough pencils with Koblish's finishes are at their best in this issue. Beber delivers a classic color palette.

The charm and hilarious antics of Howard the Duck from Zdarsky is still coming through and the art from Quinones is top notch! This is a gem!

Linda, Shocket and Dee as an unusual family trio was introduced perfectly by Zdarsky. I actually cared for them by the end. Veronica Fish brought it with her cartoony yet expressive art.

Great fun from story to art. This is great!

Shenanigans!

Wow I thought Zdarsky has lost the initial spark with Howard but I was wrong. This was as good as the early issues. Just a perfect comedy! Kevin Maguire is the perfect fill in artist and I wish he did more interiors.

Great way to do this! Zdarsky is great at these shenanigans. Quinones had his weakest issue from his whole run which is not bad. Plenty of pages were great A+ work but a few others were very rushed.

I'm onboard with the shenanigans by Zdarsky and Quinones. Quinones has gone from delivering 110% on art for a very long time to a mix of great stuff with rushed pages but nothing that bad. This book is stupid funny and I like it.

Great series with a zany ending! Zdarsky and Quinones delivered.

Wonderful narrative, pace and amazing art. Yes king can be predictable in some places but other points are fresh and unpredictable. Greg Smallwood deserves every cent he makes and needs even more because he combines many art types here and spins them with his own style to make it fit this story to the T.

Keeps the perfect pace with the story reveals and just right on many angles. But I'm here for Greg Smallwood's art which is amazing and engrosses you from start to finish.

Well color me schmeared! I like it a lot and I can't say enough good things about Smallwood. The feel, pace and aesthetics of this book are well done.

This one wasn't great as the previous ones and lost me on that last page but Smallwood's art is fantastic so we keep moving.

Wow! I had to read this one over and over to get the full spectrum of what's happening and who's using who and how the future mimics the past so kudos to Tom King for that setup. Greg Smallwood's art and his coloring is beyond phenomenal! The guy is insanely locked in.

Christopher Chance said it best to sum up how screwed he was from the get go "It was a good game. went to overtime. But we lost in the end." This is a story about choices and how far can you go before it's too late and where exactly is the point of no return. King does well here. Greg Smallwood is just magic as always.

Strong narrative and flow. I can see how it's still dragging but the interplay/tension is there and kept my interest. But we know Smallwood is the heavy lifter in this story. Without his amazing art this is an average story. The visuals are the key to this story.

While it felt like a departure from the main story now that the mystery is over, it still was enjoyable in showcasing the helplessness of Christopher Chance. King is going through the JLI members and had to add his military college Bonaparte/Russian war philosophy of how much acceptable loss are you willing to take in order to win in the end especially when you only have a couple of days left to live. Underestimate a Russian at your own peril. Smallwood action scenes were fantastic and his coloring of impacts reflects the anger from both sides.

Really good filler issue and great looking too. It works for what it is.

Enjoyable read is certainly what I would call it. The suspense is gone but the scary aspect of chasing leads while death chases you is worth the read. Smallwood is an amazing artist. Every little thing is perfect. The colors are spot on from angles to curves make it worth every penny.

The somber emotions are well done but it's not as impactful as it should be. It's going for a different take but I'm just not fully invested. Smallwood makes it read beautifully.

The ride took a slow course towards the end leaving all the suspense from the first half behind to tell a simple human story about characters trying to escape their fate while denying the inevitable loss. A tale of 2 halves that somehow make a hybrid story that only works in this world. It's not bad as a story but if it wasn't for Greg Smallwood's fantastic art, I would've quit a while ago. So kudos to Greg Smallwood who made it shine.

Good but a too quickly wrapped up!

Nicely done! I'm on board this nostalgia trip.

This one is even better than the first. If you like the FF4 then this is a must read. Zdarsky has got the tone in just the right mix of serious, funny and emotional. The art of Jim Cheung is in top notch form here with very detailed art while Martin gives it a mix of colors that makes it look old school and modern at the same time.

Nice. This series is very refreshing. Zdarsky is the perfect guy to write the Fantastic 2. Had my doubts about Schiti but he did a great job and also it helped that Martin stayed as coloring artist. Go get'em!!!

Zdarsky and Schiti are killing it!

Fantastic!!(Pun Intended) Zdarsky and Schiti/Martin are doing wonders with this book!

Great end to the arc and one the best on-goings right now!!

It's still a very interesting story and i like the continued spotlight on the fantastic 2 as they hit a very rough patch. But the art by Perez was very rushed/bad and just took me out of the story in many panels....ahh Jim Cheung and Valerio Shiti...I miss you!!! :(

Good story but the rushed/atrocious art is not helping.

This series lost so much of its momentum. Those first few issues were pure gold. Zdarsky's finish is good enough but isn't very satisfying. Too bad. The art isn't helping. Ramon Perez...you can do better than this. I've seen it. Anyway we'll see what happens with the reunion.

Back to form as it's wrapping up. Zdarsky should've had the chance to do more but he does enough with this one. It's obvious this was going to be a longer story but oh well. I was hard on Ramon Perez before but only because his previous chapters were bad. Not here! Perez finally puts in the work on art(pencils+inks) and does a pretty good job overall. I loved the way he drew the Thing!

Fair wrap up to the story. Obviously it's rushed and we did have all the elements there. But man the art just makes it harder to enjoy. Perez needs to work on his art and faces or maybe it's just rushed. Too bad because this book would be recommended by me as mandatory FF reading for any fan. Zdarsky is worthy of doing FF one of these days and please get Cheung or Schitti or both rotating on art.

This issue would get a 9 a month ago but Marvel dropped the ball. Too bad!

Awesome script and great art by Miyagawa. Wilson writes great supporting characters. Her scene of Nakia is well done. This book is so consistently good that i can't remember reading a bad story since it started.

This issue started and didn't feel OK and the art was different by somewhere toward the end i really liked it and the art was actually a nice fit!

Well done!

Great work by Willow Wilson addressing topics nobody is approaching in the medium right now. The art was good but i miss the old style so much.

Beautiful issue both in message and art! Love the dynamic between hero and side kick with Red Dagger. Those clean lines by Olertegui and fall backgrounds colored by Herring are just nice to look at.

Great issue. But i wish the Imam scene was longer because Kamala needs help steering the ship. Nico Leon turns in some nice work here too! Loved the birthing scene a lot!

Great chapter! Willow continues her excellent streak. Nico Leon and Herring on art are great too!

Your Typical good Kamala Khan issue! Wilson is playing her greatest hits before the exit!

Great as always. Willow Wilson will be missed. She's doing the right thing by leaving. She said all she can. Time for another perspective from Ahmed. The artists were all great! I wish Vasquez was the artist taking over since his pages were the strongest.

Love this book! Brisson is doing well although the story can be dragged a bit sometimes. Deodato is fantastic as usual.

Well done. Brisson and Deodato are a nice duo. Only negative is how in the world did Clint survive being crushed by a military truck??

It's good but I expected so much more from Ridley and Cabal is capable of so much better! I mean the art is great but the crazy compositions I grew to expect from him are absent. We'll see where we go from here.

Cates and Spencer craft a great first issue that just has the right amount of suspense, action and humor. Rod Reis's art is a pure joy to look at. I'm on board the Cates train!

Great! It feels like a Nick Spencer heavy influence issue. Kudranski's style was a nice match to the story.

I've truly enjoyed this issue and yes the writing was great and had some nice twists mixed in with cliched stuff but the art by Rod Reis is outta this world awesome. The splash page in the middle put a smile on my face. Fun comic book!

Great one shot. One I wish was developed into a 12 issue mini by Hickman and Sanford but it's good for what it is. A nice blueprint for future stories.

Great story and fantastic art!

Geoff Johns delivers a very nice story within a world I would like to have more time with. I devoured it very fast knowing how most of the big events were going to unfold. It also reads quick but I kept admiring Gary Frank's amazing art with Brad Anderson colors that made this story shine. for $10 you can't go wrong. I haven't read any Johns work for years and this was nice work. It felt like reading a Mark Waid story...very good comic-booking. Gary Frank deserves more accolades.

The best generations book and a great story for Sam well illustrated by Renaud. Spencer ends his run on a good note!

The idea is great. The art is wonderful and fits very well. The execution has a few hiccups. Fun read but if you throw some logic in there, this whole thing comes apart real fast. But it's comics, so fun wins every time.

Great addition to the Immortal family. Nicely done. A story that goes through Jen's history back from Empyre, Avengers business, Civil War 2 and others to give a background for what's to come. It's an Ewing/Marvel book that shows different angles of what already happened and even gives you what Jason Aaron has yet to do in his book with Thor and She-Hulk plus the leader. It's a must if you really enjoy Immortal Hulk. But if you're short on cash I'm sure it will be reiterated in the main story.

Enjoyed it and is promising. Duggan is doing well so far. Nice art from Deodato matched with great colors by Martin.

Overall, it was good. Pepe Larraz and Marte Garcia's art alone is worth the ticket. I mean if this didn't have Larraz's art, the score will be a 7. The implications are huge and universe reaching here. While Duggan did a decent job stapling this narrative together, he failed in imitating Hickman's style. I'm not sure why he did that? Maybe following him wasn't going to work out for anybody. His data pages are also not very good. Usually these setup issues will suffer because they have to do the heavy lifting and this one did. I hope he just does his thing with the X-Men book later on and forget trying to be Hickman.....it doesn't work well for many writers.

I really like where this book was coming from and where it's going. I wish I had more buildup to where those threads came from but Gillen does a good job blending them. Much better than the messy Fall of the House of X. RB Silva delivered some of his best work in years and those details in all the aspects of his art are much appreciated. You can tell he took no shortcuts and every panel got a 100% of his effort. Him and Curiel on colors are a great combo.

This is the best issue so far in this event! Gillen is knocking out some great ideas as we close this Krakoan era. I'm glad he took the reigns after Hickman because the way he writes this issue is very enjoyable. I read it while enjoying the art and it took me about 25 minutes to de-cypher all the little hints and loops of the story. RB Silva is phenomenal and his level of attention to detail and his imagination is wonderful. I'm glad he came back to give it that POX feel along with Curiel on colors who is spectacular! Only minor nit pick with RB Silva's art is the way eyes don't have a distinctive pupil but just an iris which takes away from it being perfect.

Undisputed book for the Fall of X era. Gillen actually plays with Hickman's toys very well. Some things are a head scratcher but the scope and overall story points were pretty spot on especially about how far Charles can go for self preservation. Is he really different than Sinister or Moira? Maybe not but we'll see. His play on how tiny beings believe themselves Gods including the Enigma is right on point but I believe he misunderstood what Voltaire really meant. He was a deist who believed in God (albeit a flawed idea of what a true God is) but that people especially the Catholic church was so corrupt that IF God didn't exist the church would invent one to maintain their corruption of religion and hold on power and greed. Those are two different camps. Don't get me wrong both Gillen and Voltaire are wrong but still it is what it is. RB Silva is fantastic as he's always been and I salute his effort here. I like the foliage he sprinkled every where since it's the FALL of X...get it? lol Curiel on colors is pure enjoyment on top of Silva's art. Thanks for maintaining standards and exceeding them.

The wheels are coming off and I believe the abrupt way this story is going to hit a wall will hurt. First issue where I see Gillen trying to outpace the inevitable end and he overdoes it but I'll hold for the last issue to truly judge this. It is really confusing for Xavier to one up himself and the Enigma and AI and everyone else which makes the story such a shore to follow. RB Silva is as very good as always even as he tries to convey the insanity of what's happening no problems there.

It was a quick resolution that did way more than it should've had to do to offset the whole Fall of X failures. Guillen does a much better job than Duggan to tie his story threads from Immortal/Forever together but a little too neatly and the whole Moira/Xavier dynamic being rushed far too fast to make any sense within the Krakoan age post Hickman but overall he did a good job. I wish RB Silva was here to finish this book because he was the core of this book and his amazing art made this book shine. But Vecchio is a great back up artist who delivered some outstanding pages with so many mutants crammed everywhere. Nice work but how does RB Silva not finish this is a failure from this X-office.

Interesting premise and great art from Sara Pichelli. Orlando's way of laying the narrative feels off for me.

It's better than the previous one but It's headed in predictable territory. I'm enjoying Sara Pichelli art which elevates this but as she falls behind (old back injury) other artists like chris Allen fill in but they can't match her style.

Much better as we get going with a nice one off story that could have been 3 issues but I'll take the brevity over a dragged out story any day. Pichelli is a phenomenal artist and when she's clicking she is awesome and she shows it here. The colors by Wilson too were just beautiful. I'm still catching up so the last page keeps me intrigued.

Wonderful work. Steve Orlando is actually getting better even if some sentences would not have come out of Scythia's mouth but minor quibbles. Sara Pichelli is on fire and her art is beyond amazing. Having Wilson colors on top is the chocolate drizzle. The spectacle is half the entry ticket and I'm beyond happy to see great art that looks perfect and not rushed.

Strength upon strength. You can see the way things will transpire but Orlando does it in a way that makes it feel right. Russel Dauterman as a fill in artist...pinch me because I wish all books had this caliber of artists at their disposal. Dauterman delivered fantastic stuff as always with Wilson making it pop.

Great pace and pure fun dialogue between all characters. Garron' art is a great fit here and adds many more layers to the fun story. I love this book!

The threads from the last issue are slowly moved but the bulk of the story is Quake's quest to find Deadpool. The cover is misleading but what's new. It's well illustrated by Ramirez who's very different from Javier Garron but fits nicely and made me smile a few times with how he put the pieces and characters together. Nice book that needs more readers.

This is really good! Zfarsky's take on JJJ is well done just like his Peter Parker Spectacular Spier-Man Annual from a few years ago with the Allreds. Bagley's pencils look really good here because Hennessy's inks and Milla's colors were fantastic!

Great ending. Rosenberg writes a great 3 team tango where all play their roles well. Foreman has gotten better in the last 2 issues and his art is well complimented by Rosenberg's colors. But this should've been 3-4 issues tops.

It was a good Kang story by MacKay and I did enjoy it but that's because I have been coming into these things with zero expectations. Worth a read if you're a Kang fan. Walker, Land and Bagley all meshed well. I have to say that I was impressed with Bagley because his art was really good here which is amazing for how fast he works but he took his time and had detailed work especially the backgrounds. His inker Hennessy deserves a nice dinner out of this. Overall, I am not eager to find out about the teases but if they pop in my pull list I'll read them but nothing that makes me super excited.

I liked what MacKay did with this even as a preview of what I already know is coming. He seems to be good with Kang but as a possible Avengers teaser, I don't know since there was no teams present here. I'll have to see how he handles a team book. Also the ending is too open ended or maybe I didn't get the hints. Land, Zircher, Larroca and D'armata on art were good, detailed and they gelled fine. The backgrounds were very intricate especially in Land's pages and That's commendable because they spent time on them and it shows.

Great book! Like Ewing style a lot and Medina makes it look beautiful.

It's great fun. This book has come a long way.

Duggan knocks it out of the park here. He gets this team and it's so much fun and action. Pepe Larraz is such a great fit. Very underrated book.

Fantastic story with great pacing, art and fun!

Such a great fun story with awesome art by Larraz. Why are you not reading this?

This such a fun book. I liked the way Duggan uses Deadpool and Rogue. Great interactions. Libranda has a lovely style. Anime-ish? but better. I can't explain it but it fits so well and matches Larraz's style.