Ultimate Goblin's Profile

I'm not a fan of such random out of context "future" comics, but it quickly got a bit interesting. More interesting, than Spider-Man's shot. There's much more story and the art is okay. However, there's still not enough exposition for me to really care.

This is weird... First of all, the story doesn't have any real beginning and you simply don't care about it, because it's some parallel universe you know heck about. And the comic is very short. Basically, the idea of the story is very simple and mediocre on its own, but the art is quite ugly too. Don't get me wrong, In-Hyuk Lee is a great cover artist, but in this full comic his art looks too digital and not serious enough. Some individual pics were spectacular, but it just doesn't work altogether. I have mixed feelings... It's not really awful, but I can't say it's great as well. I guess, if you skip the comic - you won't lose anything at all. This is definitely undeveloped.

Pretty dystopian, but not really bad. However, I wouldn't be surprised if it takes the influence from One More Day. But this time who cares...

I didn't really like the ideas in this and the art is kinda not my cup of tea too. It's pretty detailed, but too frivolous and the coloring is acid as hell.

Maybe it's really just not for me

I don't think it really worths anyone's attention. It's pretty mediocre and the idea they tried to play with could get a much much much better realization. If there were good stories, for example. For starters.

Hm... That's not something you would expect from Marvel... I decided to read it because it looked to me like it had vibe of those Mary Jane comics and it actually really is a simple story with a "manga"-like art. I'm not a fan of sport stories, but it's not boring here at least. And it already played with my expectations through the comic and I didn't predict the twists, so it's cool, I'm looking forward to see where it ends.

Well... This is... intense

I love the conclusion. The story is still too typically naive overall, but I love that it has some unexpected things and it's not about the main protagonist always winning no matter what. It feels a bit more realistic, than some other similar stories. So yeah, it's not the best thing I saw in my life, but it's better, than I expected it to be. The art is also really dynamic, I don't know how the guy made tennis look interesting in a comic book. I guess everything can be interesting in a good arms. Man, I now want to read some marvel mangaverse. Never tried anything of this, but maybe it isn't really bad.

Give it a chance, it might feel better, than you expect it to be.

It's only a first issue, but it's already very good. The art is awesome, this pencil style is fitting for the tone of this story. Gaiman is awesome. He introduces all characters through the story and it's entertaining af... This 1602 world is so cool... It's so grounded, but there are still mutants and magicians and gods and everything else what could fit here. There's no scientific crap and etc. I really love how this world works and it's pretty balanced. It's still a Marvel story, but just a little bit less fantastic and superheroic. There was not much action, but this issue is almost overflown by different events and characters. And I can't say, that something was bad. It's just a bit boring in some parts and there are also things, that you will understand only later. But it's not the basis of this story, so it's really enjoyable even when you read it for the first time! I remember how this book infatuated me when I read it for the first time. And I thought this story would be boring or stupid lol. No, it's almost a masterpiece and this first issue is only the beginning.

It reveals more about the characters, but I have some issues with these vultures. I mean, how could they fly? Yeah, Doom is Doom no matter when, but that's just kinda make this story more fantastic, than it needs to be. And yeah, wow, Virginia's powers are something beyond...

doom

I just noticed, that there are dinosaurs literally and they are... like "okay". That's weird... And the origin of Virginia is such a bullshit... But comic is great, of course, really interesting. New twists every issue.

There's too many different events and twists. The story is faaaaaaaaaar from grounded at this point. But it's still cool and interesting and that's still not an end.

I don't know how could he create this, but he did. Bravo!

Well! It's kinda too fantastic for a 1602 story, imo... And the final Hulk appearance is just stupid. Peter was finally bitten - cool. But I still have some questions just like the characters of this story. And even if I didn't understand everything - it's still one of my favourite comic books which I just can't stop to reread every now and then. Not the best ending, but it's still awesome as a one book.

I wish I could rate it as 10. It is a comic of all comics. It's almost a masterpiece. But I just can't ignore some holes and weird decisions. It's a finished story even if there's a set-up for future books. I think Gaiman just made a great work on this one. He just kinda... Overthought it. It is really a little bit too complicated. And not every one of these complications was justified. And I won't stop saying that it's an awesome book and you definitely must read it. Just forget about the sequels and read this one book entirely. Also, it really feels much better as a physical book, not digital. Read this story in one sitting and try to give it a time, don't hurry to read it as fast as you can. Just sit, relax, take this book and read it. And I'm sure you'll be entertained for almost a 90% of the time you spend on this.

It's not what you may want from the F4 comic, but I think it's okay. That's only the beginning, but the set-up for this story is already good. But the art is arguable... It's okay as well, but it's kinda creepy. P.S. Digital release of this comic has an awful mistake... There's no Reed's bubbles on the last page lol... That's so stupid! I have a TPB edition on my bookshelf, so I could read it properly, but I must warn you that if you think that the last page is weird - it's okay in the original release. Find a scan online if your country's laws don't forbid that. P.P.S And why the hell they are FANTASTICK if they were the four from FANTASTIK? Not even FANTASTIC, lol...

It's surprisingly very hilarious and interesting at the same time.

Well, I like it... It's interesting and amusing. Also lol, this again... Naked Sue jokes just like in the 2005 movie... And they really retconned Fantastik to be a Fantastick now... Kay...

It's a messy conclusion for the story, but the comic is okay.

It's the best non-Gaiman 1602 limited series so far... The art could be better, but the story is very interesting. There are many amusing moments, but I think this story is too short. The conclusion could be much better, just as well as the beginning.

Well... It's more like a Jurassic Park now, not a Marvel 1602... Yeah, this thing with dinosaurs was Gaiman's fault, but he didn't use it like here... And I don't think he planned to... This comic reads as fast as the first 10 pages of Neil's Marvel 1602. And you get almost nothing from that. I mean... Gaiman had so many characters and storylines and he used them almost flawlessly. But there we have only Hulk and Peter, who is on his way of becoming the Spider-Man. And yeah, Virginia, of course, who will definitely be a love interest for Peter and stay in his shadow. I dunno, this book is definitely the development of the last page of Gaiman's 8th issue of Marvel 1602... I can't say if he could continue this story better. And if he didn't - then he couldn't. Greg Pak is a good writer, he's just not Gaiman. And yeah, he is a famous Hulk writer, so it's understandable why he was the one to write this comic. But... Gaiman's Banner was so boring and empty character... He didn't actually use him much. David Banner of 1602 can be described only as a King's man. Nothing more. And you can think that this story will make him more interesting if he's the main character (one of them, I mean). But that's not how it is. He's still the same zero of the character. I think haven't got problems with the Hulk in 1602 after the Thing. He's just boring. Yeah, the narrative is really weak. Almost nothing happens. There's so many pictures with dinosaurs without any text and any point... It's not even an entertaining action. What about Peter... He's okay. And I'm fine with this Jonah as well. He shouldn't be changed. But it's still not enough for me after the story of Neil. The art is worse too. I mean... The artist is good, action scenes are really fascinating. It's just the faces what is wrong here. And... I think Andy Kubert's art was much more fitting with the tone of this story's time. You can disagree with me, but I just think that the second volume of 1602 is weak. But it's only the beginning, so maybe it will be better later.

Wow, Iron Man is cool. But story isn't that cool... It's more interesting, than the previous issue, but the art... It's so bad here... This artist just stopped to try to do the best he could. These faces... So creepy and awful. And it feels more like a Peter's solo story, which he shares a bit with the Hulk. Then Spider-Man has 2 limited 1602 series he-he...

I. Don't. Know. The story is slightly better and more interesting, but the art is just worse and worse... Some pages are so poorly drawn, that I wanted to skip them as fast as possible...

Lol, Hulk tells Stark something about wrath. Ironic. And Greg announced Planet Hulk here... If you understand what I am about :) And shit, it took almost no time for Banner to accept the Hulk here. Kinda stupid and forced. This story is so dumb and naive + art makes it worse. Sometimes it's too hard to understand what's happening. But I can't call it's bad. It's just so-so. Not my type of comics at all.

Um... I wrote the problems of this book in the review of the first issue. To summarize, I want to say, that it's definitely not enough after what Gaiman done... This book is very short, there's almost no new characters and only a few of the old ones, it's not that interesting and entertaining, the art is jumping from sufficient to one of the worst ones... I really see many problems of this comic. I don't believe Spider-Man's limited series will be much better, but I'll still read it, because why not? I already had a run through the whole Noir universe, so now it's time for me to close 1602. And it's not that much to read here.

There's something wrong with the art, but I like it. But the comic itself is just fine, but nothing more. I hope it will be better later, because it definitely can.

Um... Not the best comic, actually, but GoG and Venom were cool.

The art is cool, but the story is so hard to engage and feel with.

Okay, it's still super weird, but the last issue was the best.

I wouldn't buy this book, but it was nice to read once. I will definitely not come back to this story. It's too weird and really not that 1602 as it could be, but it is a Secret Wars to blame for this (and to blame for the return of the long forgotten 1602 lol). However, the art is cool. It changes to worse and too simple styles every now and then, but the main art is awesome. P.S. not a fan of such a pointless reprints... One issue of Gaiman's 1602 is not enough, really. But maybe it should tease readers and force them to buy the original 1602 book? Maybe they will understand what's legendary in comparison... I dunno, I hope there will be no more 1602 limited series. This series shouldn't be created too, but at least it wasn't bad. Thanks for this.

A solid start. Miller is a good writer and an artist as well! I was kinda surprised, especially when I saw that I read a Wolverine limited series with his art. Well, Snyder's movie was 10/10 for me. And what about this comic... It's 100% splash pages, so it reads much quicker, than it should. Yet it feels very epic and the art is quite cool, except for some frames where it's hard to say what's happening. Nice beginning, but I think the best is yet to come.

A solid finale

It's not really a masterpiece, but a great comic you must read. Actually, I think the movie was better, but this book is still great.

The conclusion is a bit weird and too sudden, plus the art is kinda dirty sometimes, but this comic was cool, I enjoyed it. I'm even interested in reading the whole event now, so that says something.

This title reprinted monster stories from all these old Marvel series: Tales to Astonish, Strange Tales, Journey Into Mystery, Tales of Suspense and some others. Then in issue #9 it gives 1 new story and 2 reprinted ones. But since issue 10 there are Man-Thing and Morbius - that's where you should start reading this and if you wanted to read these monster stories from the first 8 issues - better read the original series.

Reprints

Reprints

Reprints

Reprints

Reprints

Reprints

Reprints

I finally decided to read this small 7-page original story in this comic, that was placed between two reprints. Well, it was not a bad one at all! To my surprise, the artstyle was really cool for that time and the story might be a bit simple, but still fine. Hm, maybe it would make sense to read more of these old Marvel comic series before they were taken over by superheroes. I remember loving non-Spider-Man stories from the Amazing Fantasy #15. Also I will definitely one day return to this Fear series to read Man-Thing and Morbius stories.

Not a bad Man-Thing story here, but short. It's cool to see silent frames and even pages in some old classic comic. Not got used to it. Additional story about some ghost pirates is funny, I guess, but too weird for my taste. There's also one reprinted story from Tales of Suspense #17 and I'll better read it in the original comic later.

This Man-Thing story was cool. He fought Thog (for the first time yet) and met some kids, who were kinda even important for the Marvel universe later. That Jennifer was even in Marvel Zombies 4... The more you know... I also love the art in this story. This issue also has some short reprint from Marvel Tales #105 and I like to see, that Man-Thing's stories become longer.

Wow, that was a great story. I didn't expect to see early Jim Starlin here. He was amazing! And the story is interesting, maybe even the best of Man-Thing so far. I love the choices he makes and it's cool to see other people interacting him. This character really works best of all when there are some other people around him. I also can't not like his sense of justice. The issue also has a reprint from some very old Marvel comic Menace #8.

Honestly, I didn't expect first Man-Thing comics to be that great. I love these Doc Strange-like elements in his stories and this one was particularily cool, because now some supporting cast seems to be staying in the comic for long, plus I loved to see Man-Thing becoming Ted Sallis once again after he was transformed into monster. It's great, because you can see him accepting his fate as the monster and he really isn't a bad person at all. The problem with Man-Thing is that unlike Bruce Banner, he can't become a man again. And if, for example, the Abomination could at least retain his mind in a monster form and talk - Man-Thing can't. So after his origin, you see less and less of a man in Man-Thing. But stories like this help to remind about his other side and give him more character development. Also this issue reprints a story from Strange Tales #93.

I don't really love such stories with some mysterious coliseums and gladiators. Reminds me of the Tyrannus in Hulk. What's even funnier - Hulk will fight Mongu a few years later. But either way, Man-Thing's charisma carries the story. And I like to see more Jennifer. Interesting where it will lead. There's also a reprint from Mystery Tales #14.

Finally, a full-length Man-Thing stories without any supporting reprints. But this story was too weird and boring for my taste. It's not really bad, just not what I want from Man-Thing comics.

Epic enough. I love how Man-Thing comics may be interesting without him even talking. Also the movie took some characters and ideas from here. Hm... Maybe I need to rewatch it. It was almost 10 years since I saw it.

At first I was really insulted by this boldly stolen Superman's origin, but honestly, the story is really good. I can even kinda feel this as some Superman "What If" comic. What if Superman wasn't raised and brought up by some good people? What if he grew in his rocket and then came to the world with an intention to explore and embrace it, but everything and everyone was aggressive and rude to him? What could he become then? The cover is really decieving. Wundarr didn't say any words here and it was not some another typical action-packed issue with some generic super guy. I loved how Gerber didn't hurry anywhere and showed us Wundarr slowly exploring the world, making his own conclusions. Man-Thing was almost unnecessary here, but still a good addition. The first pages of Man-Thing exploring the cosmic rocket were surprisingly interesting too. It's written really well. Maybe this Wundarr character isn't that boring. I saw him as Aquarian in Marvel Zombies 3 and didn't think he could be any interesting.

It's very good! I loved the interaction between the characters here. They are all different and it was used wisely. Interesting story.

It's chaotic and a bit boring, but not really bad. Plus it features the first appearance of Howard the Duck! And after this issue Man-Thing finally got his own ongoing. Good for him. I think I'll be back to Fear once more to read Morbius, but not today.

I think it's pretty random and a bit boring overall, but the ending felt like a possibly interesting conflict is coming. Let's see...

Um... No, it really is too random... Really weird comic. I don't know, I expected something else from a Morbius book...

Doctor Michael Morbius in a world of sentient furry cat-men... Not something I expected from this book, but it's quite amusing to see...

I don't know, it's not really bad, but reeeeeeeeeeeeeeeeeeeeeeeeeeally weird. Hardly in a good sense.

The Blade vs Morbius part was cool, I honestly didn't expect to see Blade here, knowing how weird his publication history was before nineties. But what I really do hate about these old comics are those ULTIMATELY BORING recaps of what I've just read... God, why couldn't they come up with text recaps before the actual comic back then?

This is super boring and random... Key characters die just for fun, 1-page recaps of previous issues are still here (even though the actual original story here is quite short as is) and I finally have a confirmation that the editors didn't even read this shit before publishing it... I doubt that the phrase about Tara the Child and Tara the Woman was meant to be repeated on the page 7... Man, I already kinda regret I even gave this book a chance...

Not the worst thing I saw, but it's rather bad. However, I'm glad this arc is finally over. It's over, isn't it? Let it be over, please... It's so chaotic... Why the story needed Morbius' girlfriend? Where did she go here? She just disappeared. And how could she just carry Morbius so casually? 77 kilograms... I doubt I could do it as sweatless as she did. What was even the point of this story arc? Like, at all. Everyone died... There were so many weird and unnecessary scenes and characters that didn't lead anywhere...

That's more like it. Finally a good Morbius story. Pretty interesting and grounded enough to not become a weird shit. I hope the arc will stay this good. But the clothing of Martine is weird... For some reason she wears a witch-like clothes, or something... And it's different on the cover also. Feels like something was skipped and I've read the Giant-Size Werewolf #4...

Back into the weirdness, but it's still better, than the first arc.

Not bad, but feels pointless a bit.

It was pretty intense and dynamic. I think I rather liked it, even though some explanations sound a bit too lazy. But anyway, I love that the series ended on a nice issue.

This series seem to be an adaptation of 90's series. Well, it's not bad.

It was pretty boring.

I don't know, it's just boring. It throws in these origin stories of charaters I barely care about. It would be better if it was just one dumb meat grinder. It would still be pretty bad then, but at least wouldn't make me wanna sleep.

Uh... Could be sad if I cared.

Not interesting at all. No memorable action scenes here either.

Explicit content for tampon jokes and "meth" word using... Nice. Also AIDS. The format of this issue is interesting... Raw Bendis script + surprisingly nice art. This is an arguable storytelling method, but I think it's still better, than some previous issues. The story was nice, but it feels too short.

Oh my god, this artist is so lazy unprofessional ass... His art is weak, but he's still copying his own pictures on almost every page. Up to 6 times! I understand when Gab Del Otto does this, because his art is a masterpiece and for him it was always really hard to meet the deadline. But this artist is simply one lazy guy... I'm tired of this already! It doesn't help the storytelling at all and makes everything feel so... static? So dead... So lifeless... And I just say nothing about the white space on most of the pages. In one of the previous issues there was almost 33% of space of the page without at least anything... The story wasn't that interesting too, but it's only the beginning, so I forgive it for now.

9 copypasted frames on the one landscape page... 9... Not just 3 or 6 as before. Nine! Heck, I can't stand this. At least this issue had some of the greatest Mark Bagley art... Guys, don't think that I'm a snob or something. It's okay to copy background, because it, well, doesn't move. But people... They are so alive and moving, even when they are not. And the story of this issue was good. Not the best, but much more interesting.

Finally, that was good.

Actually the first really good issue. Only two scenes and all about relationship thing, but it's entertaining and funny. Plus this Doc Ock/Spidey/Johnny scene was so sudden and pointless, that I really liked it. Because... you know... When you read Spider-Man comics, you definitely doesn't think that somewhere near the action two other heroes could be on a date. It makes you think how weird and intertwined marvel world is.

That's promising

Good, but the ending... What the hell?

Not a bad conclusion after all. Much action and some Bagley stuff again. I just don't understand what Madam Web meant about one of them dying... Maybe that's another time where her powers left her.

I think it's good, even if it's so sudden. I like the stylization of this issue and her connection to the Spider-Man. I just think that her origin is super default. You know, just another accident with some radioactive chemicals... Who did Bendis tried to amaze with this?

Hey, it was touching and funny and even interesting. I don't like the idea that she encountered Scorpion and threw up on Thor's boots, but so what.

And that's the beginning of the best arc of this series

And that is a 10

The heck... this ending...

Yeah, why not. That was a good ending. Ready for The Pulse now, which I never read before.

Nice beginning, but this artist is bad. Yeah, his style has something, but he's so lazy guy... So many copypasted pictures...

Wow, how bad this cover is... Pointless collage of pictures from the previous issue... The comic itself is nice. Just nice. I remember this series being much better, but it was years ago, so...

It reads super fast and feels like nothing... Not bad, but not good also. Plus there were no explicit content at all. This label feels super pointless in that case.

Heck, I'm tired of copypasted images... It's so hard to not notice that... What's the point to make it so annoying? At least the story was good. And this weak (for this series) arc is ended.

This was better and quite funny. Also the drawer is trying to at least somehow change his copypasted images here, which makes it not that awful.

It was not that interesting. And I appreciate these "book" moments, it's nicely integrated, but feels kinda pointless.

Not the best start at all.

It gets better with an every issue.

The last arc was the best. Overall this series is arguable. It had a boring start, but it got better with every arc. So, I would still recommend you to read it.

When I bought this comic back in 2014, I felt it was mid. Now it feels much better and the art is rather stylish, than annoying. Ghost Rider looks funny instead of scary, but so far the story is OK. Not a bad opening, even though there's not much here. And turns out there were so many different Ghost Riders, so I think I can bear with another one. Even though we all know the purpose of these All-New All-Different 2014 characters.

I absolutely forgot there was Hyde. Man, the comic is 10 years old already... Like, literally. And yet Robbie is barely in the comics these days and his second volume was cancelled very early... But so far the comic is surprisingly good. And my only problem with this artwork now are faces.

Very dynamic and stylish... Did you notice that page layered in a SIMS isometric perspective? Man, these experiments in comics may be weird and bad, but it at least feels unique. I think it's a rather good thing.

Insane shit

Um... I never got past the first arc, but I didn't expect a sudden artsyle change already... To the worst. And looks like the second arc will be about the same villain... That's the same thing Marvel did with Kamala, actually. I don't know, I miss old comics in terms of variety of different villains, when a single issue could already tell you a big and complete story. But okay, Hyde-outed animals might be a good idea.

The art is digital in a bad sense and the story doesn't go in a direction I'd like t see. I mean, the author kinda tries, there's even Blaze now, but... Nah.

Okay, the story is actually not bad, but the art... It's too confusing most of the time and feels like it's straight from 2000s. Also the cover is AWFUL! I mean really, look at this cover more, than 2 seconds. Can't imagine anyone seeing it on a bookshelf and feeling like bying it... It's hard to imagine more mediocre and cursed cover.

It was really rushed.

God, as much as I hate unnecessary time skips so early, the story here is really cool and unexpected. Maybe even too much. I hope Spider-Man will fly by and catch him. Also finally a good artist.

Um.. Like... What the fuck?

Well, I was here only for Kamala. Her story was okay, at least as a teaser. I wouldn't like it if that was the first time I met her. Surfer's part was fine too. Other than that it's very meh... There are 6 different disconnected stories just to tease some new future Marvel Now series. Shouldn't it... I don't know... Make me get interested in them? It worked for Surfer, I will definitely read that series one day. But Kree part was BORING as hell. Avengers were pretty boring and not cool too. Black Widow's part was cool visually, but as a story I can't say it's something really great. Oh, I also didn't get why they decided it's a great idea to make Loki's story to be interrupted by other stories. Okay, his quest obviously took some time, but I would prefer to read it as one solid story. Overall that's exactly what you should wait from all these potpourri comics - some things might be okay, but that's pretty much it.

Boring comic. The story is about nothing, basically. And it didn't even have good action... The art was fine at least. I believe it will get better in the next issues.

hahahahahahahahha

This series is far from a masterpiece. Not really cool, might be much better, but still not bad.

If not for Norman Osborn, I would like to totally skip it. It's not really bad, but mostly boring or simply not interesting. It has a very simple story.

That was boring af and action parts were a real mess. Very bad. It has some nice scenes, but mostly dialogues and everything are just like wtf am I reading this. Some people also complain about the art, but I think it's OK. Saw worse in the Ultimate Marvel.

Somebody was on drugs writing this

For this series it seem to be great, but for a whole comic book industry it's a bit better, than average.

"You lose originality points with that mask" says Miles Morales........ What a mess...

The new artist is even worse, than previous, but for some reason I like this new style more. I really don't know why, but it is what it is... And the story is still a raving crap. I really lost my hope to get something decent in this series.

This is a freaking mess... New dumb one-issue villains and stupid dramas you don't believe... And the appearance of the Ultimate FF only made it worse. Like why they are here exactly? And that's their only appearance not in their own limited series. The art is bad and storytelling is even worse. What was the point of the first page? Introduce new villains? But the writer could make it when they actually appear in the story. It had like no sense at all.

Reintroducing all characters in every one of these 12 issues is something beyond good and evil... That was really boring and random. Why the hell did they disband in the first place?

You don't need to read it, really. Spare yourself.

It's not really bad, but I can hardly see the point of this crossover.

It collects first 12 Lokigator stories in a standard comic format and adds one new 1-page length story. Well... Jeff > Lokigator. But it's cool that this guy finally has his own print debut. I guess he deserved it, especially knowing the fact how many comics his infinite series had.

It collects Lokigator 13-24 and has a new story, which is surprisingly quite long, but doesn't have anything really substantial in it. Meh... Anyway, I rate it as a collected volume.

The art is great, but the story wasn't something really impressive.

Hahahhah that was hilarious as hell

God of lies is the Puss in Boots now.

Too weird

heartwarming

Um... That's kinda dumb

Jeff...

Cute

Wow, classic Tom & Jerry gag...

Easily the best Lokigator story at this moment

I imagined it to be something like Alpha Banner of War, but okay, this is funny too.

Hm, I didn't expect they would make another story out of that situation with the hammer... It was a bit gross in the end, but not bad overall.

Why not. It was very cute.

God, it's... complicated. Honestly, I laughed as crazy after seeing this Chuck Dixon afterword in the end of the book... I mean, the guys are so obsessed with being the hammer to crash THE BIG TWO, so they just keep missing the point of what makes a good comic book... Like at all! I mean, who the fuck in the world thinks that there's only Big Two and their comics are something people love no matter what? That's just bullshit. Marvel has tons of awesome comics. Take Immortal Hulk, for example. It not only has the outstanding art of Joe Bennett (who is surprisingly the artist of this Alphacore book, which I hyped at first), but the story is also really great. Here we have a fine art, but no real story to be involved in. After Immortal Hulk this book feels like a setback for Joe, it just doesn't give him an opportunity to really show his talent. There's a lot of normal people and their faces, which is not the strongest part of Bennett's art. A few monsters were great, though. But okay, let's talk not about that Big Two, but about Image Comics, for example. I mean, I just finished the Invincible not long ago. If there was such a thing as "Marvel/DC hegemony" - it would never be one of the greatest superhero comics of all time. Not even superhero, just comics. And it's not only mine opinion. What makes it so damn great? What, fucking, makes it so damn great, I'm asking you? STORY!!!!! S-T-O-R-Y! And... you won't believe it... get ready... C-H-A-R-A-C-T-E-R-S! You just open the first issue of Invincible where literally almost nothing happens at all, BUT YOU GET INVOLVED! You just CAN'T STOP READING IT, because it's so damn great. You begin to love all the characters, you remember their real names, their aliases. Their costumes are unique and iconic. You cry when they die, you're happy when they're happy, you just live their lives with them, through them. And what about Alphacore? Do you remember any of the character names after reading a big TPB book? Are you thrilled to see the next book? I'm happy for you if you do. I don't. Why don't Eric talk about Image Comcis? The Savage Dragon? Spawn? It's not big two, Image was literally formed by Marvel outcasts and it succeeded like hell! Out of nothing! Why Rippaverse can't? Okay, as always Eric talks about nnnnnumberrrrrs! And yeah, he made a lot of money already, but not from comic fans, only from his YouTube audience who don't even read comics... And mostly because the books cost too much. If you judge by the number of covers sold - it's really far from a success. Of course it's a success for him, because he made some product and found some people to sell it to them. But generally speaking it's not a success. Success is when random people love your books and your characters. When big studios buy licenses to make live-action and animated movies about your characters. If it was the case - yeah, then "the libs" would be owned. Back to the book. What are the heroes here? What characteristics they have? There's literally not a single thought of these characters was given to us besides dialogues. The comic is full of dialogues and that's it. No exposition, no info about any characters. We have a typical Superman rip-off, who is an army man. That's all we know about him! He's strong, he can fly, almost invincible. Just like I said - Superman rip-off. There were a lot of them already. I'm not a fan of such characters. Even Marvel has their boring Hyperion, but on the other hand there's Sentry, which at least looks somehow memorable and has personality. Okay, next. There's some woman. She can... Um... I honestly didn't even remember what was her power... She can't fly and she doesn't like to be treated as some super-freak. She wants to be viewed as a cop. That's it. No more character information. No personality. She developed some connection with one side character, though, but it didn't look much important to me. Not really believable. But that's not it yet! We also have some strong black guy. Again, yeah. Strong black dudes just always work no matter what. Who is he? He can't even speak! He had not a single fucking line of dialogue in the comic! Man, shit, what the fuck? Doesn't he think? Couldn't Chuck give us at least some insight at what this guy thinks about? What he loves? Why he does what he does? How he got his powers? No info. Nothing. Zero! Fucking emptiness. He's just strong and that's it. I just can't forget the issue of Invincible, where he fought Thragg on the sun and they just couldn't speak, so the whole issue could be silent. But! We got one of the best Mark's speeches in all of the series! It was sooooo damn great I almost shed a tear... Okay, what about the villains here? We have some electric dude, which can practically melt everything with his electricity. He's insane and... that's it, again. We also have some lava Ben Grimm. God, he even has 4 damn fingers, just like Marvel's The Thing! This is insane... Eric July is so fucking envious of Marvel, that he just can't stop ripping off their iconic characters... But HIS characters miss FUCKING PERSONALITY! They miss everything. We know, that he lives with his granny and he's kinda dumb. That's it. That's FUCKING it! Yeah, I know Eric told he loved Marvel/DC before they went woke. But he could at least take inspiration in the personalities of Marvel characters, not their looks. God, it's insane. I really can't believe they think it's good... They must think it is, if they keep doing it... I don't know, maybe Eric just laughs at his audience and keeps seeling them this crap over and over again... He just exploits people who believe that corporate comics are bad by definition. People, that never saw a good comic book. People, that keep watching YouTube videos about how woke and bad Marvel and DC. Yeah, that's true to some merit. But every woke Marvel comic is just a product of its time, just like those comics from 40's, where everything was about WW2 and those comics from 60's, where everyone was fighting communists and crap. It's just fucking temporary. It'll stop one day, but Marvel/DC still have tons of immortal stories that are objectively good and will always be in the hearts of fans all around the world. Will these Rippaverse books be in the hearts of anyone at all, besides their creators and those who bought into them being a breath of fresh air? It's a fresh air only for those who never knew that breathing was a thing... But anyway, the comic is better, than ISOM #1 at least because there's a somehow finished detective story (to some merit, again), no teasers of other series that don't make sense for the story, no pointless splash-pages just to waste some space. It has okay action, the art is fine, but the story is just an excuse for this comic to exist, not something to be considered really good... It feels like Eric got his hands on Bennett and was like "oh, okay... the dude's great. Just let him draw anything and everyone will love it, because it'll look cool". But that's honestly not how it works. I think our planet will explode the day there'll finally be a great Rippaverse story... For now it just keeps to be a rip-off both in terms of ideas and money. If only some actually good ideas were ripped-off... I give it 6.5 only because I didn't spend a dime on it, Joe Bennett was fine and it wasn't at least boring. I just can't rate it any higher - it doesn't deserve it. And for a price of this book it reads too fast. I'm known for giving some things a bit higher rating, than they deserve, but only because I know that it could be sooooo much worse. Much much worse. It's nothing for a book to be proud of, though.

Well, I read that Spiderman story around three times in my life and I didn't know, that there also were 3 other stories from Stan and Steve... Non-superheroic stories. To be honest, this Spider-Man origin feels very rushed (only 12 pages), especially if you read Ultimate Spider-Man or saw movies about this hero. But the core elements of the story are excellent. It was really great, especially if you compare it to the other 3 stories. I think, I can rate it 9.0. Not a flawless story, but still awesome. The second one is about an old bell-ringer. A volcano erupted and when all people of the island were fleeing away, that old guy stayed and was... abducted by the aliens? Or the God? Or was it just the interpretation of death? I don't know, it seems very rushy and poorly developed. Yeah, I saw the last day of pompeii reference, but I still don't know... I can rate it only 6.5. Next one was even more weird... The guy was running from the policeman and hid in the museum. And then THE MUMMY just started talking with him. Okay, it is Marvel, it's okay. But then mummy hid him inside of its case and the guy just disappeared. And you know where? In the Egypt! And the Egyptians made a slave of him... Okay, 7.5, this one is at least hilarious and not only stupid. And the last story was about martians. I don't know, it is a very short, but still boring story. However, the ending was... unexpected. It really even can amaze someone... Firstly I thought that it was a drawer's mistake or maybe some "expression" thing that is common in the comics. But no. And I don't want to spoil it. 7.0 Okay, to conclude, Steve Ditko is a legend. I can't say something wrong here about his art. It was great in all stories. But Stan... Okay, I can forgive that for the creation of one of my favourite superheroes of all time. (9 + 6.5 + 7.5 + 7.0) / 4 = 7.5. But I will rate it 8.0 + 0.5 for the iconicness.

Let's celebrate Spidey's 60th birthday and read this sudden AF #1000... Why is it 1000 in the first place? I honestly don't understand the logic. But who cares... So, about stories: 1st story - Falcone/Cho - 8.5. It's really short, but nice. It has a message and the art is cool. Might be better, but it's an awesome opening for such a book. 2nd story - Slott/Cheung - 10. Totally deserved 10. That's a brilliant story with a brilliant art. It's just something you wait from the comic like this. And it's not a typical story, it has a few unexpected moves. I'm really impressed. 3rd story - Lannucci/Stegman - 6. That was a rather boring story especially after the tone was set by the previous two... The art isn't that good as well. Not bad, of course, but still... Plus this new villain is mediocre. 4th story - Rowell/Coipel - 7.5. Very short story and it's not like it's an outstanding thing. Just a cute story. However, even if I like Coipel, his art here was not that good... He can draw better. 5th story - Anderson/Camuncoli - 5.5. The art is weird and the story is messed up as hell. There's almost no sense at all. Yeah, it's cool when Spidey saves somebody - it's just could be made much better. 6th story - Busiek/Dodsons - 6.5. That was a meh story. I love Dodsons, but they are much worse here, than in Marvel Knights... Busiek wrote a weird story, however it was a direct sequel to one of the stories of the Amazing Fantasy 15 and oh god thanks that I read it, because if not - I would get almost no satisfaction from this story. So, 6.5 is fine here, I think. This weird glider-woman is a dumb idea, but I love the connection and seeing story being completed after 60 years - is a great feeling. 7th story - Hickman/Checchetto - 8. Pretty solid story with a nice art. The message is cool, but I personally think it could be better. 8th story - Gaiman/McNiven - 9. It's more like a facetious Gaiman's autobiographic story and it's just awesome. I really wish ALL stories here were more like this one - not some random crap, but something that gives us a real feeling of long Spidey's history and his importance for the people. However, McNiven's art really reminds me of Kaare Andrew's art here. I wish he had better inker and colorist in this story... 9th story - Pasciullo/Nauck - 7. Yeah, it's more like a memorial for Pasciullo, but I think this story is weird. This new character is questionable and the message isn't that "new" as well. However it's not bad and the last page is a perfect conclusion for this issue. So, overall, this is a good book. Not all stories are great, some of them are boring or just odd here. They feel really unnecessary and kinda ruin the book. But on the other hand we have some masterpieces, which is just so rare in the modern comics. My rating for the book (considering an average of 9 rates) is 7.5. But I want to make it a bit higher just because some stories here really deserve that. But yeah, the pacing is arguable because of the worst ones and the tone changes too often here... If you are a real Spidey fan - this is a must-read for you today.

Wow, I didn't really expect anything good from this annual, but it was kinda cool! Pure fan-service and it shows Spidey as young and high-strung, but also very valiant and kind. Not a bad story at all.

That's an issue full of reprints... That's so stupid... I thought it would be a new story about the Sinister Six, but no... And the original story was only 6 years earlier! IN THE ANNUAL #1. That's so confusing and impolite imo.

100% reprints here. Not cool.

Same. Reprints once again.

It reprints Spectacular Spider-Man Magazine #2, but with many changes. Of course many of them are just about cutting content, but it's still not that lazy...

Two 100% new annuals and then reprints again... Just remember the first annual with 70+ pages of the original content... Made by the same creative team as the main series.

I wish there was a better villain, because these guys are really boring, but everything Parker-related here was awesome, Stan pretty much nailed the perfect formula for a good Spider-Man comic.

Wow... The level of drama and tension... I believe this story was way ahead of its time... The stakes are too high. Well deserved 10/10. And it's not even the end of the story! Everything's just great here. The way Peter cares for his aunt, the way he uses his old enemies to help him... He also demonstrates some never seen before power and it works as a pretty cool way to show how angry he was then.

Wow, it's even more, than perfect. I would give it 20/10 if I could. Really-really good comic and it doesn't really feel like it's from 1966...

Kraven's part at the end was a bit boring, but overall the main story is fine, I enjoy seeing the development of Peter Parker's life. But I'd already like to see some new villain... Next ish is another old enemy again.

Okay, that was a bit boring and nothing's really new here. But there were some cool moments, especially the last page and that part of action without words, it's not a thing you see often in those old comics.

Not a bad story at all, but I guess it could be much better. Well, it's the last Ditko issue and a new era of Spider-Man begins then. Steve really grew up as an artist through these 38 issues. But Romita Sr took up the baton very well anyway.

Even though it finally makes Goblin the iconic foe he deserved to be, the story still feels a bit too slow and even boring from time to time... I guess it could be executed much better. But anyway, Romita's art is gorgeous, all the characters look the way Ditko made them, but fresh and with John's style added to them.

I think it's okay. Not really outstanding or anything. Cool to finally see Goblin's origin at least.

Wow, that was actually a very nice comic. Love Romita's art here. And it's the first appearance of another iconic Spidey villain. Who back in those days was much more iconic for the Hulk, but anyway... Parker's part in the issue was good all along as well.

This rating is that high not because of the fact it's the first iconic appearance of MJ (but it's iconic, truly iconic). I honestly really liked the story, to my own surprise. The idea of using JJJ's son like this is kinda cool and it was executed well enough. Not a bad way to make Spidey preoccupied with something while Rhino is resting. The bank robbery thing was great too. The suspense was hold long enough and the explanation was reasonable enough. I only wish Spidey could say NO TIME TO EXPLAIN, THERE A BOMB instead of just boasting about how easy it is for him to bend those steel bars...

In my opinion, it was great all around. Lots of cool moments and story decisions, amazing artwork. You really can see how Stan loved all these characters and especially writing this book in the first place. Maybe that's why it still feels so nice to read it even now 60 years after. Imagine...

The way Spidey defeated Shocker... bonkers. I also missed the part where Harry and Pete became real pals, but okay. Not a bad ish overall.

Good start, but the age of this comic does a thing. Some parts of this were done poorly even for that time. Also mistakes such as "Peter Palmer" spoil the impression too. However, there are many stories and it's cool to read the very beginning of such a great superhero.

Well, the Vulture is fine. But I don't like the Tinkerer story. I mean, it IS a nice story and it must be very cool for that time, when this was printed. But knowing what Marvel done with the Tinkerer later... This beginning just seems kinda dissapointing. However, Peter is working on Jonah now and he has a web-belt. I also can't believe, that there was Now magazine before Daily Bugle. Did they retcon it later?

Almost flawless issue. This is the first really good spider-man story (if not count his origin). The one big story with a good script instead of two half-sized + new greatest and iconic spider-man villain. They even showed his origin here! Also this story is interesting, because Spidey even was defeated, but with the help of Human Torch cameo, he finally succeed! It is a masterpiece.

Cool! Sandman is a greatest villain and his powers were shown very good in this comic. Also there were more Peter Parker's real life things. Nice issue, but the previous one was better imo.

"This nonsense has gone far enough" - quote of the issue. And that's what I thought while reading the second mini-story... Pointless FF fight (I really already had enough FF in this series...), stupid Parker behaviour, VERY ACCURATE WEB-BAT and other things... Jack Kirby is great and it was cool to see him in this series, especially if you know, that it was he who designed the first unused version of Spider-Man and he could be the penciler of his story. But the script is awful, just like the main idea of that story. What about the first, bigger one... Well, it's not that cool too. The Living Brain is a bad villain... It's not even a villain, to be honest... After Vulture, Doctor Octopus, Sandman and Lizard, Stan Lee introduces just a big green robot? It was designed to answer every question, but somehow it also could fight? I won't believe that... It's stupid. Also there was a good cliffhanger, when Spider-Man's identity was almost revealed. I guessed what would the answer of that robot be... BUT NO. THERE WAS NO REAL ANSWER. JUST SOME ""SYMBOLS"" THAT COULD BE ""SOMEHOW"" TRANSLATED, BUT STILL NO ONE TRANSLATED THEM... So stupid... I hate false cliffhangers... The battle was not of the greatest ones too. To win, Spidey just pressed some buttons on the control panel and that is all. Why couldn't he do it at the very beginning of the battle? Mystery... This comic is a mistake, it's a shame... I like the art and some parts of the story. BUT WHAT THE HECK, PETER AND FLASH BOXING?? AND PETER JUST DIDN'T PRETEND THAT HE WEAK???? HE ACTUALLY DEFEATED FLASH EASILY AND UNHARMED AND NO ONE GUESSED A THING ABOUT HIM NOT BEING THAT WEAK AS THEY THOUGHT HE WERE????? Aaaaarrrr...!! I like Ultimate Spider-Man where Peter almost always allowed himself to be kicked in the ass just to be sure that no one will ever think that he's a Spider-Man (spoiler, one of the school guys still figured that out)

Very big annual, but I like it. There's a big 41 page sinister six story, which wasn't perfect, but it's still cool. Also I liked the gallery of most famous Spider-Man's foes, but the title is a crap... It is literally all of the spider-man's foes, not most famous. Guys, they even made a page for the burglar, that killed uncle Ben... And if the showcase of all spidey's powers was boring, but useful, then "Supporting Cast Pin-Ups" were boring and pointless. But the final story about the creation of Spider-Man was funny. Maybe even hilarious... To conclude, it isn't a masterpiece, but this comic was the greatest spider-man book at that time. Every fan must check it out.

Spidey was already impersonated by Chameleon, but now he thinks that he's crazy... Why?

Very touchy and innovative issue for that time...

Sandman was a pussy in these days... Captured by two cops with their bare hands... So stupid and lame...

It's okay, not a bad comic, but not a very exciting one either. I wish there was more time to show the chemistry between Spidey and Doc. Pin-ups with new Spidey villains (since annual #1) are cool, but there was not that many. Lazy Stan couldn't create new villains every month. The remaining 40 pages are just reprints, while the new story is normal sized. So technically, Spidey-fans of that time who never skipped a single issue just paid 25 cents instead of 12 for the new story... Stonks, I guess.

I don't know, I enjoyed this issue, it was quite funny and not bad at all, even though the Beetle is a rather boring villain. I'm not really a fan of these early Spidey/Torch comics, as you might notice by my ratings, but anyway, this time the chemistry between them was cool. But I don't understand why Spidey couldn't just say "hey Torch, your girl was kidnapped by the Beetle!". Wouldn't it be, um... simpler?

Hm, I'm not a fan of Circus of Crime and it was here only a few issues before, but I took a long pause between these issues, and I must admit, for some reason I liked this story. It was really funny and partly silly in a good way.

It was okay, but I guess when it comes to Goblin, I prefer the modern stories, rather than these first ones, when the character was still kinda in development. Not a bad story at all, but it's just another Goblin's appearance in the comic, nothing's really surprising or moving.

Spider-Man gets gaslighted by Mysterio. Yeah, that's what I like.

It was cool and funny story. I love the concept of Jonah using Spider-Slayers to catch Spider-Man, plus gigachad Peter is always nice to see. Love it.

All this criminal crap is a bit boring, just like this new Crime-Master, but it was good for the most part.

Okay, now this issue was quite cool. Ditko's art is great as well, by the way, but he can't stop to surprise me with some unexpected angles and facial expressions. I don't know how people even possibly can hate this old artwork. Comics those days already had great artists.

Man, the cover is great. And the graduation part was quite important. I also like Molten Man, but I didn't understand how could he be covered in this liquid metal if he was fully clothed... And his suit was absolutely clean. And what was that... um... ray? It wasn't even mentioned. It must have been that that device + this liquid metal somehow caused this reaction, but it was never explained in the comic. Plus the way Raxton was defeated is pretty silly.

Jonah is great. Looks like this comic was adapted by Spider-Man 2000 game. Not a bad second appearance of Scorpion at all!

Love Ditko's dramatic art here. And the story was quite fine too.

I don't know, it wasn't that good as I expected it to be. Seeing Joe Bennett's art from 1997 was kinda cool, but the story might be much better. The issue barely concentrates on Peter's past - it's even more about how the Kingpin took the grip of the criminal world. Also this issue sets-up the third Rose. Though it still gives us a few new moments with uncle Ben, it's really not that much too really love this comic. Yeah, Peter was a comic book fan. For a... a few days? Okay. He wanted to be a hero and he will be, it was cool to see him as a 12 yo kid dreaming about a costume and fame. Especially if you know that he'll get the costume, but be no famous (more like infamous). But me myself personally don't like how he got the idea for his web-shooters long ago before the spider's bite. Sorry, not a fan of writers using such backdating. The last 3 pages is a good addition to the story, but it's still pointless. Yet not bad.

Not a bad comic. However, it could be shorter. There were many pointless lines and scenes, so it makes the comic kinda boring at some parts. But overall it's fine.

Sleep... It's really quite boring. And these tons of pointless text seem to come out from the 60's... I mean, some of the scenes really seem longer, than they should or feel to be. There were 3 stories. The first one was fine. Not really interesting, but the art really made it better. Byrne is awesome artist. The second 4 pages Scorpion story was really short and pointless. I didn't get the idea. And the last story was something to give new readers a sense of a Spidey's powers. But I dunno... This whole "No more" story again just doesn't work for me. Okay, he's still not a Spider-Man this time, okay, but we all know, that he will eventually become Spider-Man again, so what's the point? I can't say it worth reading, but maybe it'll be better later. I don't want to believe it was bad before JMS.

Yeah! That's way better. It's much more entertaining, the dialogues are better, the art is cool and there's a new mysterious villain. Now I'm really interested.

Wow, the art is so freaking amazing! And it's bad, that I need to see the end of the story in a different series, but well, fine.

The art really makes 90% of the work here... It's so impressive. I like Sandman and I like how John draws him. The story was fine, nice team-up, I just hate that Sandy can't be really good.

Reed Cuck Richards... Well, that's an amusing issue with an awesome art. It's actually fine to see something like that here. That's a light reading, except the ending, of course.

Chapter one in the main continuity is shit. And this story is basically exist only because of it being canon at that moment of time. But the comics itself isn't bad.

It's an out-of-continuity shit. Stupid story with a dumb typical villain which can change her sex... Nice, interesting... It just feels so wrong and boring! The art is the only good thing here, but there was still almost nothing to see.

Pure fan service. That was slightly better, than average... And these weird designs... Electro, my boy... Backstory of Mysterio was pointless too. I hope the next part will be better.

This story feels super weird. I mean... overall. WTF was that with this Rocket Racer impostor? It was soooo unnecessary and dumb. Ironic and funny a bit, but still dumb. Plus the thing with MJ here is just meh. No, I see the message of this issue. Everything is random because it's life and everything can happen, everything is a coincidence. But it's just meh. The art is still nice, by the way. I'm kinda glad to finally get back to it again, I hope this time I will finally close this gap before JMS.

<img src="https://thumbs.gfycat.com/GroundedInbornDutchsmoushond-max-1mb.gif" alt="wow, what the..." width=300px><br>

Not bad, it's always cool to see some good old Doom in Spidey comics.

WIFELESS, JOBLESS AND HOMELESS. Yeah, exactly. Typical "try to make Parker's life as much miserable as possible" stuff. Been there, done that. I mean, I wish it at least wasn't boring. Because it is. And this story overall is just a PR for some random Marvel limited series of that time... Also Byrne isn't that good here. In most of the pics Spidey's head is just completely flat! And the perspective is also fucked up.

I hate to see Peter hitting a low again, but it was pretty interesting and I was really impressed by Byrne's art here. The Sandman was especially great.

Lol, Liz reminded me about JR Sr and he was the inker here... Makes me think more about the importance of inkers... Anyways, seeing Peter as dishwasher and sleeping on a streets is not what I thought to see here, but it's a fine comic. This Goblin is weird, but the story has many good moments besides it. Also for me it feels like Raimi took some inspiration from this comic. I might be wrong, but can't not see it.

It's... not bad. But I don't know. Feels a bit random. Plus Erik Larsen made some fine pics here, but overall it looked not really fitting.

A bit boring and I can't imagine Mackie made Peter believe Jonah could know his secret identity and still could speak with him calmly. It's just dumb. Either way, I didn't see much Alistair Smythe in comics, so good to see him here. Larsen is fine too. I just wish there was something more to this story. Also it's funny that in those "100 page monsters" 80 pages are always reprints.

It's a bit boring, but not bad at all and it's always cool to see some Romita Jr from early 2000s

This is super boring. These past sections are meh and the origin of this "super villain" is very random and weird. Z'nox... Who the hell? It's not funny, really. Romita is cool, but he's pretty much the only good thing about it.

This is a random shit. I love Romita's art, it's just outstanding (except the face of Jill on one of the first pages). But the story is... oh boy. First of all, it's a tie-in for some Maximum Security event, but the things from the cover were only on two pages of the comic... They appeared, said something untranslatable and just got away... And the Green Goblin parts in this and the previous issues are just soooo random and unnecessary for the story... I understand, that these first ASM vol 2 issues are mostly advertisement for Peter Parker: Spider-Man and some other random limited series and events, but hell, it is bad! Again, Romita is the only good thing about it. The golden alien spaceship was especially cool. But I can't recommend this story arc to anyone at all.

That's the first really solid ASM issue of this pre-JMS period.

Wow, that was cool. I like that the events of the previous arc have lasting effects. It was a good issue of Peter knowing more about his father. And that story told by his father's friend was fine. The conclusion only makes it better - Peter literally instantly had a chance to show that he learned a lesson from that story. The only thing that bothers me is Spidey doing that in front of the guy who told Peter this story only a few minutes ago. I mean, hell, the guy must be in quite a shock if he didn't instantly understand that Spidey is Peter. Also I thought this Squid villain would ruin the issue, because lol, it's just a random guy from that team of 5 new random villains. But no, he was much better this time. I like that Mackie made him less random. But it's still weird, that it was Peter father's friend who is the father of this villain. Too much coincidences, but either way, that was a solid issue overall and I love to see the quality of ASM raising before even JSM. If you just like me had a fear that after a solid Goblin arc Mackie came back to writing some boring shit - don't be deceived. It's good.

It's not a bad and also quite amusing issue, but it leaves too many questions. What's with the cat? Why did AIM made it? How did they experiment on it exactly? Why did they need to hire some two random gangsters no one will ever remember and use again? I don't know, it feels really random. But since it reads fine and has a nice Romita Jr art - I really can't rate it lower. I actually kinda even appreciate that Mackie tried to make these gangsters memorable by giving them some special repetitive phrases, but it's really not enough. Not enough.

Fine issue, but I really can't say anything else much about it. Gang wars, Enforcers - every time it's the same. Though the opening Peter scene was really amusing and Bennett's art was great all along. Yeah, Mary Jane is alive. Wow! I couldn't even think about it.

The art is awesome. Plus it's cool to see Peter finally find MJ. And the explanation of this Stalker was okay. It still feels a bit random, but not bad. And I really hate when they make the second part of the story for that Peter Parker series... But either way, I finally closed this gap in ASM vol 2! Now I think I'll read more Peter Parker: Spider-Man. That series was published in my country since issue 30 and I even read it, so it would be nice to relive these childhood memories.

I have mixed feelings about it. It was the most weird and unnecessary Spider-Man, Deadpool and Hulk team-up... This story could be much better as Spider-Man's solo comic. The art is fine. It's a bit too digital for me, but fine. The story about The Amazing Spider had fine start, but the conclusion was unexpected in a bad way. Yeah, I was really surprised by that, but not really impressed and happy.

This first page is the definition of Parker's luck. It's just... so depressing. I don't understand why all these writers hate him so much... And yeah, I like, that Michael is trying to create new enemies for Spidey. But Shatra is sooooooooo Morlun. I mean... She want to eat him. She can find him wherever he is... Dunno. But yeah, I like, that Spidey now has more enemies like these. Supernatural, mystic.

I dunno, this was very weird in many ways. Why did Shatra try to destroy his reputation, if he was already hated by almost everyone? Why didn't Shatra continue to pretend that she's just a woman, if she tried to destroy Spidey's reputation? And what's wrong with this conclusion? I dunno, it wasn't bad, but kinda weak in comparison with other issues.

Weird issue

Messy issue. Also, I never understood MJ. And I won't even try again. P.S. this cover is iconic

I dunno... Why is Peter so virgin? He shouldn't be... And this new four-issues-villain is bad, I think. At least his origin is weird. But he's new and that's cool. Also, what's wrong with the timeline? If the guy from 50's should be 70+ now, then Peter should be around 50... But he's not.

Well, okay, that was a nice recap of his story... This 500th issue was epic. However, I still have some problems with this story, but it's better, than most of the issues before. Old numeration is finally restored and I'm interested in what will be next. I read this series many years ago and remember not that much.

This cover and the description have nothing with the story inside... And yeah, that's the first appearance of Leo Zelinsky. He also appeared in the 12th part of The Other and... That's all. But it's a good character, I don't understand why they don't use him...

This spiders invasion was very epic and terrific. Plus, now there's even more sense to Spider-Man's origin... And the conclusion twist may hurt my fellings, but it's still cool.

You know, at first I wanted to lower this rating, because of all these giant spiders and other mystic shit like that. But still... This issue made me feel very strong emotions. It was intense. I think, this issue is really epic and it's better, than much of the previous stuff. And also that's the last issue of Romita Jr on TASM and the conclusion of Ezekiel story... Yeah, I think I'm fine with this 10.

Huh, I'm finally here... On the story arc, that most people feel to be the worst in Spider-Man history... Never read that before, but for now it's cool. Very interesting and entertaining. Plus Mike Deodato is a worthy replacement for the Romita JR. His art is so cool... You know, I already know that they retconned Gwen to be whore, but... For now I don't feel this idea that bad. She had a period of time, when she wasn't in the city. She is a person and people aren't flawless, they can make mistakes. And all this story just gave Norman more reasons to kill Gwen. Plus, it could make all old fans and Peter to hate Gwen and finally accept Mary Jane as the only one appropriate woman for Peter... Yeah, it's still hurt and people chose to hate Marvel instead of Gwen, but this twist could make you feel emotions. Even bad, but strong emotions. I dunno what I will say about the issue with that twist, but for now I'm fine with that, especially when they retconned it in the 2021 ASM run.

I dunno, it's still good and makes me feel anxious.

This is kinda messy, but still very interesting... And Peter just proved, that he never had a sex with Gwen. So what now? Did he really think, that woman doesn't need it? That he can just be "a good boy"? Ha! I think, even with the fact, that her sex with Norman was retconned, she still could have it with someone else, because Peter is a simp. Yeah, maybe she didn't, but she 100% could.

This is a very hard story. This story is very hard for Peter. And that's why it so hard for fans. You know, all of you just rate it as 1.0 because you disagree with this decision of the people behind this book, but is it really worth it? I read bad comics in my life. I read boring comics, I read crazy and disturbing comics without any logic in it, I read comics with an eye-bleeding art. But this is none of these cases. This comic is very emotional and it can make you feel emotions. Even negative, but still, it gives you much more, than any typical story, where Spider-Man kick some bad guy's butt. Actually, I never really liked Gwen at all. I thought, that Peter was meant for MJ from the very beginning. From the first mention of "Anna Watson's daughter". Okay, Peter loved her. He still loves her. That's fine. But was she a really good person? We didn't have a chance to really know. And Peter too. So much of her time spent was behind the scenes and Peter spent so much time fighting bad guys and not going out with Gwen. Yeah, that's cool, when you think only good about people, but not all of them are angels. She really thought, that Peter would accept her with two kids from the other man. And not just other - it's his mortal enemy by the way! Do you think, she would think of him like that, if he at least had a sex with her from time to time? And you know what? PETER WOULD TOTALLY ACCEPT HER WITH HIS CHILDREN! BECAUSE THAT'S WHAT HE IS. He is the romantic fool indeed. He is so "right", that sometimes he loses the connection with the reality. And how can you blame Gwen? You have a boyfriend, who doesn't have a nerve to have sex with you. And then you meet a real mature man with charisma, and he is so attractive, that it's just wakes your animal desires up. How could she resist? And yeah, this was retconned, but still, it doesn't make this story less logic. To be honest, I don't even understand how they could retconned it... Did they mess MJ's memory too? Maybe I need to read it, but I really don't look forward to it. I don't think that this story was a mistake. The retcon of it was a mistake. It was done to justify that insane run by playing with the feelings of fans, who felt humiliated by this comic. It's far from 1.0. "It makes sense now. It all makes sense now". The absence of logic is the only real thing, that I hate in comics so much. And this story is... Yeah, it's a hard pill to swallow for many of you, but this story is logic and really well-written. I disagree with the crowd and I rate it higher, than many of fans would dare. And I'm still a really big fan of this character. The only thing that is really bad here and even I can't justify this - is the Norman's face, when he f*cked Gwen. That's just unforgivable... I wish Mike chose something more appropriate. Guys, just reread the last two frames. Peter just found out, that his dead ex-girlfriend cheated on him. And he thinks how to save her (AND OSBORN'S) kids, because that's the last thing left of her. OF HIS WONDERFUL GIRLFRIEND, THAT HE STILL LOVES SO MUCH, AND HE KNOWS, THAT SHE F*CKED WITH HIS ARCH ENEMY!!!!!! It is who Peter is. And you should blame Stan Lee for this. Because that's his basis of this character. And who could blame Sam Raimi's Peter for accepting Mary Jane after Flash, Harry, SPIDER-MAN, John Jameson Jr and Harry again?

Still cool, but Gabriel is so dumb... Also, Peter is dumb too. He don't want to fail Gwen again, but she failed him, when cheated on him and didn't even tell him...

Not the best conclusion it could be, but still pretty solid for this arc.

Wow, Mark Brooks! Honestly, I really like it, because it was my first TASM issue. I read it in 2007 and it seems still pretty nostalgic... But now I see, that this story isn't that flawless. Yeah, again, character from the past and we didn't hear anything about him before... And Peter is so paranoid... If he didn't hurry Charlie, then he wouldn't blow up the place... Also, there was ONLY one page of Peter in Spidey's costume, which feels pointless... And since when the hell Peter has a car?

I'm smarter, than you, but you have to help me get the metal skin off... Also, Uncle Ben was never that badass...

Why the hell is this Charlie is the first one, who decided, to destroy aunt May's home? And everything is just to move them all to the Avengers tower...

I wish one day he could return. Why not. Also, that's where Peter got the car in the first part...

It was weird, but not bad. Nice reading.

It's kinda boring and a bit weird. The Sandman's small story was okay, nothing's really outstanding, but better, than the first one. The art in the first story was especially weak for the new age of comics. I can't begin to imagine how some of the Spider-Man fans got tired of Harry's "revivals". The villain in the story was pretty weak too. There were some good moments with Normie, but that's pretty much it. Overall it's a weak annual, but I think I still rather liked it, than not liked.

This is much better, than most of the Spider-Man comics of that era and it was unexpected to see Bennett here, but the ending ruined for me. I mean, I just wanted to be happy that Peter was happy at least then, but looks like Marvel loves to separate them again and again. She just "came back from dead" and decided to... what? think a bit?

Just a boring 9/11 speech, that interrupts the series. But yeah, it was inspiring. I mean, it could be more inspiring without Doctor Doom crying and etc. Do you really think that it's a nice idea? Imagine Stalin crying about deaths of innocents. Ha! He's just a tyrant, that executes his own civilians every day.

I dunno, it's just got me... And I'm reading this not for the first time and not even for the second.

This is an iconic issue. But I remember that in Amazing Fantasy #15 Ben was shot in his own house and Peter knew it, isn't he? Hm... But it doesn't make this comic worse for me.

It really doesn't need any dialogues. This issue is great. Simple and grounded, but great. The cover is cool too. I would say that it's a "talking cover"... You know... Talking...

Huh, scene with the popcorn was hilarious. Also, Shade is a weird villain. He never appeared somewhere except this arc and he's kinda too default in my opinion... But the story is good.

I just noticed his legs on the cover...

Page two just demonstrates why Gaydos is a bad artist and Romita Jr is great. Well, this story was good. Good, but this conclusion is very depressing... Well, it's all about being a hero... P.S. There's some info you may find interesting: "When Spider-Man comes to Doctor Strange for help, Doctor Strange mentions that he is busy, and the reason that he is busy was something to be revealed in a Doctor Strange miniseries "The Other Side of Darkness". However, that miniseries never came out. Instead, two years later, Straczynski wrote a revamped Doctor Strange origin miniseries called Strange. More than five years after this issue came out, Straczynski was on the way out as the writer of Amazing Spider-Man after a long and acclaimed run. But he couldn't just leave that Doctor Strange plothole hanging there. So, in Friendly Neighborhood Spider-Man #24, the second part of One More Day, the story that is titled "The Other Side of Darkness", Peter, desperate, decides to try to cast a spell himself. It does not go well for him but Doctor Strange rescues him and finds a way to cure him. But to do so, Strange needs to take Peter back in time to a time when Strange knows that he was not present at his Sanctum Sanctorum. He ended up back at this issue. So, the Doctor Strange who spoke to Peter back in this issue was actually a time-traveling Doctor Strange from the future. So the appointment Strange had with death behind those doors was Peter."

Actually, what a coincidence again... Something is happening in California and Peter just need to fly there... Nice! But however, if not, then Otto would not be dead. I like that he independent enough. Only Otto could be the superior Spider-Man. And yeah, the scene in airport was bad... Too dumb. And yeah, another one-arc villain. And this one isn't that original... Just a copycat.

The conclusion is awesome, hey! Doc isn't that bad.

Epic. The beginning reminds me one of the classic Spider-Man stories. And well, Otto is awesome here. But didn't aunt May really know, that he's a Doc Ock? That's weird... Maybe she forgot...

Ha-ha, the first time Peter showed some initiative in having the sex with MJ was after the Wolverine taunted him... That's awesome.

This is kinda not that spider-man-ish, but I still like this story and it's also very nostalgic.

This is a very good The Other tie-in

First of all, Mike Deodato is awesome. Now I can review this issue. If second part was focused on MJ, than this - on May. And it was nice. And Tracer... He's such an interesting character... But that's so sad, that most of the action was off-screen. There was a fight in the second part, but we saw it only through the TV. And now there was a giant robot, as they said, but we didn't see that... And they actually killed Tracer... And he didn't return so far. This whole potential was wasted... It's just dumb. But well, we have what we have. And it's a good issue overall, I like to reread it. I wish Marvel remember Tracer and tell us more about him... He wasn't even a human. Who created him and why? Also here's the problem I have with most of the parts of this arc - the main disease story almost doesn't move here... Spidey just met Morlun and decided to tell his aunt about the disease... That's all.

This issue is iconic. If you thought, that his first fight with Morlun was hard, then look at this one. Here's the pure action and this action is good, man... Peter's monologue inside his head is so full of hope, but he didn't win this fight... Man, that creep took his eye and ate it... I know, that american people of that time knew, that Spidey won't die, because Marvel already announced many other comics featuring him and etc. But in my country and in my age I couldn't just google it, so I really thought that he will die. It worked for me, so I rate it 10. This issue is unbelievably awesome. Truly amazing. Still loving it.

This is indeed the very arguable book, but it's so epic... Yeah, it's weird and could be better, but... Peter is alive, what else do you need guys?

Cool story and good conclusion to The Other arc. Spidey found out some new powers and Tony makes Iron Spider suit for him. Happy end, but at that point still many questions are unanswered...

Tony used Parker to inspire heroes to come out... But he should just tell his name to the government, not the entire world...

The first half of the comic was so-so, but the Cap vs Spidey battle saved it. P.S. Why didn't someone tell JMS that Spidey's sense isn't a secret and the Chameleon used it even in TASM #1. And even Iron Man used the frequency of his spider sense to call him...

Wow, he understood! And also, why did they put HEROES into the negative zone prison with vibranium walls, but all VILLAINS, TERRORISTS, KILLERS are on the Riker's island or something like that, where it's so easy to break out...

It begins

The comic was great enough, but! His webbing dissolves after an hour, how could he keep his black suit webbed up for years? And he abandoned it because it scared MJ... Not to use it in a day like this.

That's my boy. Yeah, it just can't be anything except 10.

It's kinda weird. I understand, that he's on the edge... And why the hell nobody recognizes him? His face was all over the media few issues before.

I don't know what to hate here at this point... Maybe only Quesada's weird faces of Peter. But it's really nice now, interesting to see Peter on the edge.

Power and responsibility... What makes their love so "unique"? I mean, why not take Mr Fantastic's and Sue's marriage? Why Spider-Man? Why Peter will feel guilt if May dies, but will not if he makes a deal with the devil? Because he will forget it? Okay. And how the hell should it work exactly? Mephisto just rewrites the reality, but in a way convenient for the author and the editors? And what MJ told him? How many unanswered questions... And who will ask them? I believe it won't be Joe Quesada. I googled there was a "you will make me remember everything" phrase, but wtf? She isn't. So, Mephisto didn't agreed to her. What was the point? Peter agreed to the deal before he actually thought about it. This decision was based on emotions. It's irresponsible. And stupid... WTF, May was already old enough, how could he prefer her life over his future? Why didn't he took responsibility and lived with the guilt as he lived after Ben died. It's the same story, the same. But if at the age of 15 he lived over it and became a better man, now he just retconned himself and destroyed so many years of character development... But well... If Sins Past was retconned (even as dumb as it was done), then it's only a matter of time when this bargain will be undone. We just must be patient. How hard can it be, right?

This is the same boring set-up of this new era just like FCBD 2007. But it "introduces" two more new villains (yet to be ones) and honestly the only good thing about it was that part with JJJ. And the art, of course, especially of McNiven. I'm a super simp for his old works.

Honestly, it was pretty focused and not bad at all, even interesting. Surprisingly...

Not bad, not bad at all. Wa alaikum as-salaam scene is pure gold, by the way.

Yeah... Spider-Man really was worth rebooting. For another 100th goblin, another 100th police ambush, another 100th anything else... The comic isn't really bad, it's okay, but I wish it was fresh indeed. I remember BND had some aces up its sleeves, but not this Menace definitely.

Well... This issue made me notice, that it's already not Slott... And the comic had a new creative team every month (every 3 issues), so... Okay. Slightly weird issue, by the way.

oh shit here we go again

I don't know, this comic is super boring. And I'm not really a fan of Bachalo's style. This story isn't really bad, but just... Typical.

That's actually much better. By the way, the first full appearance of Rabin. And after the next issue he will be out of comics for 10+ years... Such a great villain! Also did you see that one of his tattoos on the last page... well... how to say this... not completely on his body? It's like they didn't care about it at all...

Meh... This Rabin guy is puny as hell... And yet he's really creepy. Maybe it's just me, because I had an irrational fear of a similar guy in my childhood. There was a schizophrenic man walking around my neighbourhood, he always mumbled something to himself and he had a similar dark beard. Me and my friends loved to walk around him and see what he's doing, but I freaked out every time I saw him close. I kinda think it's okay, that Wells gave a second chance to Rabin, because he's just a typical one-story-only dumb villain here. And yeah, I also want to admit, that maybe I like Bachalo's art more, than hate it. Not like I reeeeeally hate it, but when I get used to the style - it's very easy to appreciate all the hard work that was put in this art. By the way, anyone understood how and why Rabin grew his beard in a moment and then just shove it? I mean, how much sense in this?

The Menace is boring on that level, so even this Freak character looks better in comparison with it. I mean, it's at least an original character and not just 100th goblin... And yet, this is far beyond hilarious - can't remember a dumber Spider-Man's enemy. Maybe only the Rhino.

Two more new characters! Really, BND was very productive introducing new villains. Current Spider-Man series must remember that once in a while Spidey should get a new enemies and not only some arc-long Kindred, which is not even a completely new character... And also at this point the comic resembles some TV series, it's interesting enough and not 100% focused on Peter. I want more JJJ, by the way. And seeing Peter as paparazzi isn't a bad thing as well.

It's not bad. And I think I love this artist. I remembered I saw him in Daredevil and Doctor Strange: The Oath. Also wtf, did he really drew THE WALKING DEAD: THE ALIEN? The art was meh there... But it's great here. I really like it.

Everything about MJ here is... disturbing. But other than that the comic is fine.

Why is there so many low ratings? This was funny, I guess... And I kinda missed seeing Spider-Man vs The Enforcers. Yeah, it was a bit not typical and this bookie family is a bit weird, but it's still better, than another MJ baits.

That was a bit boring and I don't like the way this story was told

The comic doesn't have anything like this cover inside... What was the idea behind this?

It's... Not really bad. And I see the Kraven's Last Hunt reference even in the Vermin's appearance. But... I really do question Ana's intelligence. I mean... She searched info on Peter on the internet, she tried to shoot him on his work, she saw she didn't make it, she saw how he moved, but... For some reason she really thinks that Vin is Spider-Man. Okay, why not, dumb russians once again, it's nothing new. But wtf is wrong with Peter himself? Does such "masks" work in Marvel comics as well? I mean, his face is almost entirely shown in that Daredevil suit. At least Vin will definitely expose him. Oh, who am I trying to deceive here... Of course everyone here is dumb.

I think it might be better.

I didn't expect to see Adi Granov here... And good to see Romita Jr back in ASM. The story on the other hand is a bit slow, but not bad.

This is the best BND comic so far

Osborn was a bit dumb at the end, but the Menace scene was a pure gold all around

I don't like how Romita draws Freak... And he should be even more evolved, isn't he? Weird... But the comic is cool.

The second story was shit, but the main one is brilliant. I don't really want to lower the rating that much because of that dumb story with a random politician from Friendly Neighbourhood Spider-Man.

I don't really like the military theme and war related propaganda, but this is a very important story for Flash and it was done metaphorically enough to be great.

Some extraordinarily disgusting art from Bachalo on most of the pages here and this Joe Kelly guy writes Spider-Man (and even aunt May!!!) like a noob... Only the final pages with Hammerhead were cool.

I don't know how they could make Hammerhead so intimidating and then ruin it within a few pages... That's just meh.

Yeah, I always love when Punisher and Spidey team up. But... This comic is weird. First of all, the Jameson/Bookie story is dumb, it wasn't needed, it was weird, it interrupted the story. But even the main story wasn't THAT good. I love Rivera, but what the hell did he do with Punisher's skull? And his art was overall very dirty here, he had better, much better works. The story itself is a bit boring, but the ending was cool. I also didn't think this Moses Magnum guy isn't some random one-issue only crook - he's actually a very old Spidey's villain (and not only his) and even his first appearance was in another Spidey/Punisher team-up, but Wells writes this comic like every reader knows this guy and it's a classic Green Goblin level villain... I don't even understand what was the point of picking him as a villain in this book in the first place... P.S. Peter now wants to be a cabbie! That "Wa alaykumu s-salam" scene in the beginning of BND might has even more sense now.

Finally, not a bad comic...

Finally, a truly amazing issue! Everything is great here: art, Spidey's self-sacrifice, Jameson's father, Shocker. The rat scene is great and unexpected as well. I guess, it would surprise me even more if I didn't see Vermin biting Spidey a few issues back. The only thing I didn't like about it is how short it is... Not enough for me after a few mediocre arcs.

Hey, Wells! Learn from Stern how to use a no-name villain! Actually, this Blank guy was only in West Coast Avengers written by non other than Roger Stern himself, so he decided to remember his old C-tier villain for this Spider-Man story. And it wasn't bad! There was a retelling of his story and he even could get some proper character development, but he didn't... Okay, Blank starts to lose control of his powers. And so what? How did it affect the story? However it's still a good comic. Not a fan of characters like Donovan, though, who somehow already met Peter, but we didn't see it anywhere.

NOOOOOOOO! Charlie Weiderman is cured! Off the screen! I thought we would see him one day when some writer remembers him... But I guess if so - he will be in human form again. Okay, why not. How Harry could cure a vibranium-skin guy with a thing against Molten Man is a mystery for me, though. Not a bad story, by the way, but the ending was kinda meh... And RIP Bookie. Can't say I will miss him, the character was destroyed through the BND arc, but it was a nice idea overall. Without him all villains in that bar will miss betting on everything...

Just want to say - I hate political PR stories... Chameleon impersonates Obama... Okay, it wasn't really bad, but it's funny how Spidey makes fun of Biden twice and now in 2023 Biden is the president (at his finest) and everyone loves him. Interesting how our world changed since then... I guess it's why I prefer to read these old comic books over the new ones. But the main story is fine. I guess it's a bit... Well... I just don't think it's that cool, that's what I can say with my pretty limited vocabulary. But I can't blame Peter for being nice with Betty when all her friends turned away from her, because now he's nice with the man, who killed his girlfriend, crippled his school bully (temporary, but still), almost killed his wife and aunt... And that's not even the end of the list of his sins.

Oh man, Vin is in deep shit again... The comic isn't very entertaining, by the way. Just a set up for the arc.

This twist reminds me of the one from the current ASM 26...

This is funny... She basically did beat the crap out of Harry (okay, he first), said him that she kissed his friend, stole his father's equipment and serum, and after that she decided to say yes to his proposal... Which she rejected what... an hour before? Two hours? This is bad on a level where I can even kinda enjoy this - it's amusing as hell.

I don't like how this thing with spider tracer killer is ended here and the best part of this story was in the Amazing Spider-Man Extra #1, so... It's just fine, but nothing more.

It could be worse, but it also could be better.

Suddenly back to ASM... Let's see how many issues I read this time.

One more day was a mistake

Wasn't expecting that... So does he remember he sold his soul to Mephisto? I thought he was clueless... Okay, maybe it's not a good idea to read ongoing series like I do...

It's funny, especially the chemistry between Spidey and Jonah. But Peter is such a creep... No private life for an old lady...

Wow this new Vulture is kinda cool! Plus some scenes of Spidey helping people were really funny. I love this synergy between him and normal citizens.

Okay, this new villain isn't that bad, actually. But I can see why he was never used after his story arc in ASM. Looks like a one-shot guy for sure.

That was big! And I'm talking only about the main story. But there are also many shorter ones. Not like they were needed... But most of them were surprisingly really cool. A great issue overall. This is what pretty much every milestone issue must be.

The main story is just okay, but the back-up certainly ads 0.5 points to it.

Oh no... That's the end of our hero... By the way, it's kinda insane Chameleon is the first (without retcons of Amazing Fantasy 16-18 and etc) Spider-Man's villains and he's not used much... I mean, the way he was shown here he's cool and intimidating. Which is great.

I really love when Chameleon is used like this... I can't stop remembering that story from Marvel Adventures where he was posing as aunt May pretty much the same way. But the problem is that it's not that funny here. Oh, let's see what happens next. The way Peter could survive the acid is insane already.

So... Now we know that Chameleon doesn't put important characters in the acid right away and waits for the acid to fill slowly. And also Chameleon likes to check his gun out just for the sake of it and he didn't plan to kill Harry. I love comics. Anyway, this was quite a solid story arc overall.

It was longer, than needed, but anyway, quite a cool filler. The second story was probably odd and made solely to tease what's coming next, but the first one about MJ was great. The last one was at least funny, so not a bad one either.

Too far-fetched, but okay

The art is ugly, but overall it was quite fun.

It was really boring for some reason... And I'm quite a fan of Sandman. Maybe the next issue is better.

It's unexpectedly cool to see Rhino in a new light like this... The last time something similar happened was when he became temporarily clever in the Tangled Web series. Man, Rhino is a really great character.

Can't say I really enjoy this story

The main story was just okay, it's cool to see the first marvel work of that artist from Howard the Duck comic I liked. But the side story about Flash is just great. It's amazing how long they were slowly setting him up to become a new Venom.

So much for no more Rhino... Anyway, good comic.

It was a weird story overall, but it's good to see Michele seeing Peter in a new light. Also the artist from Alias isn't the best choice for Spidey comics....

poor juggie

I'm not a fan of Bachalo, but the style fits here

I think Shed was too short of a story... The ideas were fine, but it could be much better and deeper. Also lol, it's funny that Peter didn't even understand what happened to May. Negative's affection just wore off by itself...

It's epic and all, but all these deaths and resurrections are tiring...

I can see where they were trying to get here... But... I don't know. I think some of the reprinted pages weren't really necessary here. But overall I can see how easy it was to change the timeline. It's still a kinda dumb way to do this...

I really want to hate it, but I think Quesada was trying his best to explain how it worked... He just needed to wait a 100 issues for some reason, but better now than never... So their marriage never happened, but everything else happened similarly, even though different in details. And here Peter could save May, which he clearly couldn't do back then and this mircale was possible here only thanks to Mephisto. But now Quesada raised only more questions and loose ends to cut. I think it's the best he could do in a messy situation like this...

So that's where No Way Home comes from

Ugh.... I don't know. It could be worse, but... what the hell. So when MJ realized her relatives could be hurt because of Spider-Man, she decided she didn't want that. And she basically tells Peter "I love you, but find yourself some other dumb girl who will be fine with that, let her relatives be killed because of you, not mine"... Ew... Also that scene from OMD was much beter originally. This reprint with changed words feels like a mockery.

Well, not bad at all! It even made this Jackpot character a bit more interesting for me.

Actually, it collects #532-538. It wasn't bad, but could be better, I think. Some parts were boring, or stupid.

It's an arguable book, but I really like it. The worst part of this are these Marvel Knights issues. The art and the story there were often bad...

I really loved Morlun here. One of the most intense Spider-Man arcs.

That's where this run became weaker...

No, it's way too far from 10.

This is a good conclusion to the Straczynski/Romita Jr run.

Fans hate it just because they didn't think, that Gwen could be not an angel. If you find out that your girlfriend cheated on you, then you still yell, that it's out of her character? That's how life works sometimes. Sometimes it's shit. And why the hell all comics should be funny and innocent? This is an interesting arc, that's written very well. I wasn't bored even for a second. Plus art is gorgeous. In the reviews of individual issues I tried to explain why this Gwen twist isn't bad at all, so I don't want to repeat myself. But maybe after my reviews some other fans just think for a second and maybe they will have their own opinion.

Not the best arc, but it's still interesting and good enough.

It's actually 7.2 for me, but... I would still want to rate it as 7.5, not 7.0. Why? I don't know. Maybe I shouldn't. But I can't say I really suffered through this book. There is still something...

This period of TASM isn't flawless, but it's definitely one of my favourites. Awesome art of John Romita and then Mike Deodato both junior + fresh ideas of JMS made it pretty solid and interesting. It had some kinda boring arcs and maybe wrong decisions, but overall, it mostly good and I like to reread these stories. Straczynski made Spider-Man great again and showed his powers from the other perspective, without actually retconning his origin.

One of the best Spider-Man periods for me.

Well... I'm here for Kamala, but I will definitely get back to this ASM volume. After I read Superior. But still, I kinda remember this era of Spider-Man. At least this Spider-Britain tie-in story was in my Spider-Verse omni. I think the first Spider-Verse was a super cheap and fan-service idea, but at least an original one. It wasn't that bad. The main story with Kamala team-up is okay, but that's pretty much it. It was only a beginning, nothing's really interesting and epic. I'm really not a fan of post-superior Spider-Man era from what I tried reading there and Slott isn't that awesome at portraying Kamala, but the comic was fine overall.