This was an awesome opening issue. I love that Remender went super light on dialogue, letting the story essentially tell itself through Araujo's brilliant artwork. You could sense the emotions and tension even though very little was actually being said. I'm very intrigued to see where this story will go, but this was an extremely solid start.

Remender is usually known for weaving the main character's inner thoughts through each issue in the form of journal entry-like narration. This mostly silent comic is a change from the norm for him, but gosh am I loving it. The art is so on point, and the story that Remender is crafting is suspenseful and mysterious. I love being dropped little hints of who our main character is and what his past is like without being spoon-fed everything. Another brilliant issue.

Brutal, tense, awesome. We're slowly getting more answers.

Man...the dude with the green car is creepy AF. What a great story this is so far. I'm fully engrossed.

This felt like an episode of Breaking Bad. So, so good.

Remender's use of silence throughout this series has been nothing short of masterful. After the most violent and action-packed issue of the series, we get the calmest and quietest of issues, and it works so dang well. Nothing much happens, but it's a much-deserved reprieve for Sonny and Xavier (even though we know it won't last), and it provides a meaningful opportunity for us to just take a break and enjoy their relationship. Araujo's art is brilliant here, as it has been all series.

Wow...

A satisfying conclusion to a brief and simple but well executed series. Another winner on Remender's resume.

This was a really good Tony-centric issue with incredible art, though it would probably resonate most with those who have been reading Iron Man's current run.

This was a pretty good Jean-centric one-shot with some fabulous art. Compliments the story nicely, even if it's not essential to it.

This was a good issue, Gillen writes these one-shots well. I enjoy the focus on sole characters and delving into their motivations and pasts, but unfortunately this one was brought down by sub-par art.

Unfortunately the art isn't very good, cause this is otherwise a solid tie-in.

I thought this was a really good setup for what's to come. Only downside is the art.

This was actually a really good epilogue to the A.X.E. story. Tied things up nicely. Art wasn't amazing though.

Good grief, the sheer scope of this event is staggering and I'm all the way down for it. Incredible art too.

This was bloody incredible. What an event. I think my favourite part was the Progenitor judging each individual panel by panel. Boy did Matt Murdock's ever get me right in the feels... Doom's was perfectly spot on, and Miles Morales' was absolutely delightful. Would've been cool to see more characters judged. Like maybe Moon Knight. Would have loved to see whether he'd be judged as one person or three.

Holy crap. This event is so good.

Not really sure why this got the amount of hate it did. It wasn't the best thing I've ever read, and sure there was a notable lack of Ultron in a supposedly Ultron-centric story, but I thought it was perfectly fine, and I even thought the ending was quite good, albeit a little confusing in the last few pages. Overall, an entertaining read.

Beautifully written, beautifully drawn. Not much else to say.

This comic is delightfully quirky. And the art is so very great.

I loved this. It was wacky in all the best ways. And Quitely is simply crushing it with his incredible art.

Brilliant.

Beautifully written, beautifully drawn.

This was pretty good, though it doesn't seem to advance the story or have a lot in common with what came before it.

The Bizarro American national anthem was one of the greatest and most glorious things I've ever seen in my entire life. This issue was hilarious and brilliant.

This was great. Loved everything about this issue.

Absolutely beautiful.

Amazing. Brilliantly sets the stage for a bombastic and emotional finale.

A solid finale to an excellent Superman story.

There was definitely too much going on here, and while I did find the dialogue a bit busy, I didn't think it was as terrible as some people seemed to. Not on par with Remender's work on Uncanny Avengers, but far from the worst thing I've read. The art was quite good too. Overall, not a bad start.

This was good. Still a bit too much going on, but felt less all over the place than last issue. Great art still.

Honestly...this issue was sick.

I thought Spider-Man was incredibly well-written in this issue; I actually laughed out loud at a couple lines. Dodson's art was a slight step down from Kubert and Yu's, but still pretty decent. I'm not sure I understand all the hate this event got. It's really not bad at all. May not be up to Remender's usual quality, but it's still enjoyable for what it is. Side note: Every cover for this series so far has been astonishingly good. Jim Cheung has been absolutely knocking it out of the park.

This wasn't a great conclusion. Art wasn't up to Jim Cheung's usual standard, the story was messy, and the dialogue wasn't great. Overall, I didn't mind this event, but it definitely left me wanting.

I think Jerome Opeña is my favourite comic artist of them all. His work is just unlike any I've ever seen. It's absolutely stunning. Hickman's script is thrilling, engaging, and epic as always. Perfect start to what I fully believe will be an unforgettable run.

This issue was friggin awesome. And Dustin Weaver's art was absolutely stellar.

This was really, really good.

"You have to marvel at their dedication. The vigor with which they throw their lives away." One of the best lines I've ever read. Hickman is a god among men in the comic industry. And Yu's artwork is top notch as per Yusual.

Great art, didn't understand much of what was going on, but knowing Hickman, it will eventually make sense and I'll have an "Ohhhhh!" lightbulb moment later on when we see the ramifications of what happened here. Hickman has a way of not making a ton of sense but still keeping you fully engaged and entertained as hell.

WOW. What. An. Issue. Only Hickman can write an issue that mostly consists of two guys sitting at a table talking and make it insanely intense and engaging, while also seamlessly integrating two parallel series' plots, and dropping a massive revelation that has huge implications going forward AND going backward. Holy smokes. Gonna need a minute after that one. Okay I'm done, on to the next issue!

My mind is in such beautiful shambles. I love it.

This is bananas.

Dang! A lot has changed, except for the fact that Hickman still writes great comics.

The rivalry between Namor and T'Challa finally comes to a head. What an issue.

Brilliant.

Stunning conclusion to Hickman's epic Avengers run.

This was utterly phenomenal. Rick Remender was already one of my favourite writers as I went into this, so I knew it was going to be good, but I didn't expect it to be THIS good. I suppose it helped that two of my all-time favourite artists also teamed up to draw this gorgeous book. Seriously...Jerome Opeña and Pepe Larraz on the same project?! That's a comic book lover's wet dream. Remender delivered a powerful story about guilt, self-loathing, and what it means to be human, and it will go down as one of my favourite comics ever.

Incredible issue. A visual masterpiece from Capullo.

This issue was absolutely amazing. King's script was on point, Marquez's art was breathtaking. The Help remains a brilliant and fascinating character. This series is what I wish King's Batman run was.

This was utterly spectacular. As someone who wasn't a fan of most of King's Batman run, I could not have been more pleasantly surprised that he crafted such a genuinely enthralling Batman story here. King made Riddler into a seriously terrifying villain and this is probably my new favourite Riddler story ever. That ending was just...so good. SO good. And Mitch Gerads' art was nothing short of perfect. Tom King haters are always gonna hate, and Batman purists who can't handle the slightest alteration from their perception of what the Dark Knight should be are gonna be thoroughly triggered by this story, but as for me, this will go down as one of my favourite Batman comics ever and another absolute masterpiece from King.

This wasn't bad, but it wasn't great either. I actually was really enjoying both the art and the writing for the first two thirds, but both seemed to fall off a bit towards the end. There were a few things that bugged me: first, Harvey Dent's Dad was supposed to be 88, but the way Fernandez drew him made him look like he was in his fifties. I know this isn't really a big deal in the grand scheme, but I couldn't help but be bothered by it. Second, Batman's plan for dealing with the balloons filled with toxic gas was to throw a batarang at the glass ceiling directly above all of said balloons? I mean...are you kidding Tamaki? That might have been the thing that took me out of this book the most. Thirdly, I didn't really get the "one bad day" vibes from this one. As a collection of stories that are supposed to be in the same vein as The Killing Joke, this one just didn't seem to fit. Tom King did such a good job with the Riddler story, crafting a brilliant homage to Alan Moore's classic work, but this just seemed like a generic, standalone Two-Face story that wasn't inspired by anything. Overall, I still somewhat enjoyed this story and found it mildly entertaining, but it was certainly not without its problems.

This was hot garbage. There was honestly so much wrong with this story it would take way too long to list it all. The only reason this story gets a half point is because the art wasn't completely horrendous. The writing was atrocious, when the story wasn't bland it was just plain ridiculous, and the art was lazy and just plain not good enough, which is disappointing because I've loved some of Camuncoli's other work, especially Green Valley. There's more I could say, but I wasted enough time reading this that I don't want to waste any more reviewing it.

Though it felt a tad rushed at times and the ending was a little anti-climactic, I genuinely enjoyed this one. Duggan did a good job here. I had a good laugh at a couple of the jokes, and the writing was generally pretty good with only a couple minor exceptions. Didn't quite understand the bit about Victor admitting that he likes his life now and that he likes Nora being on ice because it means they don't fight anymore. I liked Batman calling Victor out for keeping Nora alive for selfish reasons, but Victor is supposed to genuinely love Nora and be working to cure her, otherwise...if he likes his life so much now and loves having a wife who he doesn't have to fight with or worry about...why keep her alive? So that bit didn't really make sense. It felt like Duggan couldn't decide whether to do classic Mr. Freeze or change things up, so we got a kind of weird hybrid where he's a borderline abusive husband but also loves her but he's glad she's frozen but also he's trying to save her. Oh well. These problems didn't bug me nearly as much as the ridiculousness in John Ridley's terrible Penguin story. So this one gets a 9/10 for decent writing and absolutely STELLAR artwork from Matteo Scalera. Seriously, this was a gorgeously drawn book.

This was just okay. The art was good, but the writing was so-so. Honestly the story just felt kind of bland. Not a lot happened, not a ton of depth. Just a run-of-the-mill Catwoman tale with a little bit of personal backstory. I feel like there was an opportunity here to go deeper into Selina's motivations and drive behind who she is and what she does but it was mostly missed and we got a fairly surface-level story. Good art from McKelvie was the best part of this in my opinion.

You know what, I actually really enjoyed this. Way more than I thought I would! Williamson put a clever spin on the "one bad day" idea; rather than focusing on the day that made Bane into a villain, he chose instead to turn the day Bane beat the Batman into the one bad day that ruined him thereafter. It was a surprisingly heartfelt redemption story for Bane, and I actually quite appreciated it. Howard Porter dished out some terrific art too, perhaps with the exception of that one fight scene with the microscopicly small panels. Overall, a great entry and one of my favourites of this series so far.

This was absolutely stunning. Haunting, tragic, flat out brilliant. This story pulled me in little by little until I couldn't break free and it completely captivated me. This is without a doubt the best Clayface story I have ever read. Kelly and Lanzing did an amazing job of crafting an engrossing new tale that perfectly pays homage to the story that inspired this series of one-shots. I absolutely loved the way they utilized the auditon scene from the Killing Joke and how even some of the panels and art towards the end were reminiscent of that book's final scene. This is easily my second favourite of these One Bad Day stories, ranking VERY close behind King's Riddler. Oh, and Xermanico's art was absolutely PERFECT for this story. Bravo.

This was a pretty good story. Ra's Al Ghul isn't anywhere close to my favourite Batman villain, but this was a well-written story and I got a good amount of enjoyment out of it. Wasn't a big fan of how on-the-nose Taylor's climate change messaging was if I'm being honest...but that aside, I still enjoyed this for what it was. Ivan Reis brought his 'A' game with his art so it was a joy to look at too. Overall this was a decent entry in this line of stories and I'm happy to say that this whole One Bad Day project was, in my opinion, a big success and well worth anyone's time and money.

Loved it. A very solid start. Love all the flashback panels with the different colouring. Great choice to use Barbara and Jason as the main side characters for this story, as they're the ones who have been left most damaged by the Joker. I'm into this mystery and excited to see where it goes. Jason Fabok provides some absolutely top knotch art too. Loved the callback to Killing Joke in the opening rainy panels.

Jason Fabok's art is outstanding in this series. I'm thoroughly enjoying this story, although I will say...I really dislike when Joker's jokes are this level of cheesy. Like, who would find that funny? Absolutely nobody. Part of the appeal of the Joker is that he is incredibly clever and witty and would actually be genuinely funny if he wasn't so sadistic and terrifying. Like in Killing Joke he even made Batman laugh, but the octopus joke in this issue was just...really bad. And then the Joe Chill joke was even worse. That's my only gripe, and granted it is a small one, but it's one that bugs me. Otherwise, great issue.

Amazing! Jumped on board late but I'm finally seeing what all the hype is about. Jeff Lemire is on top of his game

Love the character focus and backstory. I'm gonna assume we'll get the same treatment with the other characters, which is really exciting, cause I already love all of them. Great issue

Bullseye just gave up and started crying? Pretty stupid resolution if you ask me. And Black Widow being used as a damsel in distress is also really dumb. This is one comic that doesn't hold up today. Only saving grace is Miller's art.

A great start! Brubaker picks up right where Bendis left off and sets the stage for a tense arc. Bold move doing what he did in his very first issue too...not sure if it's going to last, but it was a shocking moment executed well nonetheless. Looking forward to seeing where this goes. Artwork is great too.

What an issue. Terrifying entrance for one of Daredevil's most iconic villains, and such a cool and exciting tease at the end setting up another prominent character being thrown into the mix. Things are ramping up for something big.

I really enjoyed this. It was a nice break from the action, and Foggy's introspection about his and Matt's relationship was both poignant and touching. Even when the action is dialed down, Brubaker's consistently solid writing keeps me hooked. I'm absolutely loving this run.

Not sure why this issue isn't rated higher. That was phenomenal. Terrific art, great narration, captivating story. Strange to get a Kingpin-focused issue now of all times, but I absolutely loved it. This issue shows part of why Wilson Fisk is such a great villain.

Marco Checcheto is so freaking good at drawing Daredevil man... Mildly disappointed by the somewhat anti-climactic finish to this three-issue crossover, but I still enjoyed the ride.

Similar to Across the Spiderverse (which came long after this), Waid manages to make the Spot into an actually formidable and legitimately terrifying villain while delivering a satisfying answer to some of the burning questions from the last several issues. Brilliantly done.

The man WITH fear. It all comes together. Waid has been playing the long game and it's honestly so impressive. Samnee's art keeps getting better too.

This was a fun issue. Cool to see Matt and Norrin interact.

Not gonna lie, I'm getting rather tired of this Sons of the Serpent storyline and the white supremacist super villain group in general. Their motives are one-dimensional, their power and influence is unrealistically far-reaching, and the story itself is growing far too convoluted and outlandish. So far this is a pretty lackluster follow-up to the long Bullseye setup.

This is a step back in the right direction.

Not the biggest fan of Matt leaving Hell's Kitchen, but this was a fun return to Waid's Daredevil.

This was a powerful and moving issue.

This was amazing. Reminds you why Killgrave is such a terrifying villain.

Some of Miller's best work. Love the minimal dialogue and heavy narration. Fits the tone perfectly. And Romita's art is perfect for DD.

This is pure gold.

This was a blast. Art was incredible, story was a perfect set up for Hickman's phenomenal Fantastic Four run.

Incredible start. Everything that you love about Hickman's storytelling and worldbuilding paired with absolutely breathtaking artwork from Mike Huddleston. I swear it's gonna take me forever to finish this book cause every panel is a work of art that I have to pause and admire. There are, of course, a lot of Hickman's signature infographics and high-concept stuff that doesn't make a ton of sense right out of the gate but almost certainly will down the road, but unless this is your first Jonathan Hickman book (which would be a travesty), then this likely won't come as a big surprise, and if you're a fan of Hickman, then you probably love that crap.

I really enjoyed this. Loving the changing art. Some of the most gorgeous full and double page splash panels I've seen in a while in this issue. Nice set up for Neha's training.

Not a clue what's going on. Birth of some Messiah? I dunno. But it was freaking gorgeous and I think I loved it.

Best issue yet.

The plot threads finally come together. Great issue, incredible art.

I thought this was absolutely brilliant. Of course the art was the main draw (and boy was it ever gorgeous), but the story was wonderfully told as well. I loved the unique spin on each of the well-known Marvel characters that made an appearance in this first issue. In my opinion, this was a perfect blend of Japanese folklore with the Marvel comics universe, and I had a ton of fun with it.

I really enjoyed this. The art is absolutely stunning...I find myself just staring at the pages long after I'm done reading the text.

Another gorgeous, fascinating issue. I found the story and dialogue took a slight step down in this one, but the art was strong as ever, and we got some good action too.

This issue was beyond stunning. A visual masterpiece. The story was interesting, albeit a little unoriginal. But there are few pages in any comic that have held my gaze for so long as some of the ones in this book. I just spent long minutes staring at them, captivated.

A fairly predictable but beautifully illustrated end to this chapter of Mariko's story. I knew what I was getting into when I started reading this...I knew the story and dialogue would likely be so-so but the art would be gorgeous, and that's exactly what I got, and I am 100% okay with it. It was a fun time!

I enjoyed this, but I felt like the connections to Marvel comics weren't as strong as they were in Demon Days, though I'm assuming there will be more in the coming issues. Not overly eventful, but as always Momoko's art is beautiful to look at.

A perfect tribute to Batman

The Tolkien references were absolutely brilliant in the most twisted, heartbreakingly powerful way. What an issue.

Holy answers Batman! What a cool concept Gillen has cooked up here. Die isn't just RPG-style Jumanji, it's much more sinister than that, and I'm here for it.

Incredible issue. Art, story, script, everything.

Oh man, this was insane. I love the way Gillen drops his big reveals through the different masters of the realm and the stories they tell. Also, another brilliant little LOTR reference at the end. Loved it.

This issue was amazing, not sure why it isn't one of the highest rated of the series. Such a powerful issue, and once again Gillen does a tremendous job flipping scenes/themes from LOTR on their head and turning them into emotional gut punches. Stephanie Hans' art throughout this series has also been so consistently awesome. It takes me so long to get through these issues cause I often have to pause and just admire the art.

This issue was a bit of a disappointment as the penultimate chapter in an otherwise captivating series. For starters, yes...the woke stuff was pretty on the nose. I can handle a bit of it cause that's just the world we live in so I've come to expect certain writers (Gillen especially) infusing that kind of thing into their stories, but this was a bit too much for me. Using the wardrobe from Narnia as a metaphor for "coming out of the closet" goes against pretty much everything C.S. Lewis intended those books to be about. I might've rated this issue lower, but Stephanie Hans killed it with the art (again) and this series has been stellar enough overall to warrant a pass on a solitary instance of disappointing dialogue and narrative choices. Here's hoping that Gillen and Hans bounce back and stick the landing with the finale!

Well, they did it. They stuck the landing. This was about as close to a perfect conclusion as I could've imagined. I was a little worried after the last issue, but this final chapter provided a thoroughly satisfying end to the story. As an aside, this series boasts perhaps the best gallery of variant covers I have ever seen. What a visual feast.

This was awesome. Gillen is one of the best writers in comics right now. And I always enjoy Ribic's art, even if his surprised faces look a little ridiculous.

I'm really enjoying this series.

Honestly... I've absolutely loved X of Swords so far. But this... this was bad. It's not just that it was weird... it was just, not good at all. The tone didn't match any of what we've seen so far. The kickoff of the tournament was incredibly anticlimactic. Why was Jubilee even there? And a wedding instead of a sword fight? What the f. Only saving grace is Noto's art.

Man this story is bleak. But very good.

How To Train Your Dragon, as told by Daniel Warren Johnson.

My lord. What an issue.

Wow. Incredible how Hickman's wordless story and Dragotta's outstanding art can communicate so much while saying absolutely nothing at all. Stunning issue and honestly the perfect mourning issue after [spoiler's] death.

Just... a masterpiece.

Somehow Hickman manages to keep upping the stakes.

Beyond description how good this story is. Hickman has crafted an absolute masterpiece. He is a god among men in the world of comic writing.

The narration in this issue and the last really just isn't working at all.

This is great stuff. I'm loving all of it.

Seeing plot threads that started at the beginning of Hickman's run starting to weave together is so satisfying and so so so much fun.

I'm not a huge fan of the Inhumans in general, but Black Bolt is so friggin cool.

A slower paced but incredible issue. Hickman just rights good comics. This is a universal constant.

Jeez. What a story Hickman has crafted. I'm gonna be so sad when this is all over.

Art is pretty terrible, not gonna lie. A noticeable step down from the status-quo so far. Thankfully Hickman's script is solid as ever.

This script deserves much better artwork. It could've been amazing.

Well this issue didn't advance the story at all, but Nick Dragotta's art is a major step up from the last few issues.

I love Nick Dragotta's art.

Gabriel Hernandez Walta is one of my favourite artists. Script is a little light on substance, but the art makes up for it.

This was actually excellent. Well-written and genuinely funny, good action, fantastic art.

I'm enjoying this a surprising amount so far. Tom Taylor writes a really great Spider-Man.

Oof, right in the feels...

I'm not sure I buy Marnie's backstory about being a love interest of Steve Rogers. Just seems weird to all of a sudden decide that she was a big part of a major character's history but was never once seen or referenced until now. That kind of thing creates continuity nightmares. That said, I'm still enjoying how Taylor writes Spidey, so I'm willing to suspend my disbelief.

Wholesome content. And really nice to have Juan Cabal back on art!

Same gripe as everybody else. Far too rushed, and the art was not great.

This was a pretty great ending to an overall fun series.

Russell Dauterman's art is phenomenal here. Great tribute to New X-Men.

I'm continually impressed by Russell Dauterman's art. Incredible stuff. Reminds me a lot of Jamie McKelvie's work.

This was great. Art was amazing, story engaging. I'm already invested in these four characters and have no idea where the story is going.

Brilliant issue.

This was fun. I enjoyed the parallels between this wacky children's story and Clint's insecurities about being among the Avengers.

This was so much fun.

Art is the only positive.

Solid first issue.

This was really, really good.

"False Value: Mutant = Friend" Holy crap. That broke my heart. I freaking love this series.

Terrific series. Would've loved another 6-10 issues with these characters to really flesh them out even more, but overall I absolutely loved it. I hope we see more from them in the Destiny of X era.

This issue was one of the best of any series I've ever read. Hickman is a master of his craft and has proven why he is one of the best writers in comics. What an emotional ride... X-Men fans have long been waiting for a series like this to come along. What a feast

Wow...I knew this series was gonna be good, but I wasn't prepared for just HOW good. Sinister's narration throughout was absolutely brilliant. Gillen weaved a masterpiece with this first issue.

It's nice to see Hope finally take the spotlight again.

This was excellent. A rare look at Emma Frost's vulnerability. I'm really, really loving Gillen's narration. It makes each issue a bit more wordy than most, but when the writing is this good, I don't even care. Immortal X-Men is blowing me away so far.

Gillen's writing has never been better IMO. Immortal X-Men is a consistently incredible read.

Wow...just, wow. This was without a doubt one of the single greatest issues I have ever read in my entire life. What an absolute masterclass from Kieron Gillen. I'm the best kind of shook right now...

Spectacular stuff. So excited to dive into Sins of Sinister.