David Brooke's Comic Reviews

Reviewer For: AIPT Reviews: 5150
8.3Avg. Review Rating

I read this comic twice and have no idea why it even exists. The story certainly doesn't seem to be something that needed to be written. I can't recommend this in the slightest as it's so nonsensical even the decent art is throwaway material. The only draw I see is that you might get an inside look at its creation on the TV show. The script is a mess, doesn't do the reader any favors and goes from boring to straight up frustrating.
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This series has served absolutely no purpose beyond stretching out tepid action scenes and leading the reader on.
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Skip this one!
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Not funny when its main hook is to be funny. This comic has some fun flashbacks and good art, but it's a bore.
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What could have been an exciting face off between Leia and Darth Vader is reduced to characters standing around and doing nothing. A bore of an issue that appears to be padding out any actual events in order to save them for the next chapter.
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Suicide Squad: War Crimes Special #1 is a very skippable special indeed. Harley fans will enjoy the character's always silly panache, but the story lacks purpose, teeth, or exciting action.
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There were times when this series was so bad it was good… and made me laugh out loud more than once along the way. Not so here. This issue is hard to read, confusing at times, and serves no purpose at all beyond having characters make screaming professions and act with schizophrenic temperaments. There are no answers here (even Superman says, "I have no real answers at all") nor is there much of anything to hang a conclusion on.
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I'm still going to read this story arc, but dammit was this entire issue a waste of time.
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Save for some fun action this is a lackluster issue.
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This is a stereotypical penultimate issue that falls flat, drags on and holds back so the climax will be all the better. If you're dying to see Peter's daughter kick butt you might love it, but it's a skippable issue for most.
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Some good art and the sweet relief of this story ending will get you through it. Barely.
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If this series continues to stick a new detail or two into a very unmemorable story – in this case a summary of Back to the Future 2 – it's going to continue to be as boring and pointless as this.
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It's hard to care about anything in this issue as not enough was established or earned to allow the reader to care much at all. If this series set out to establish this series of characters it has succeeded in establishing their powers yet barely scratched the surface of their characters. The entire series felt rushed or half baked, like a halfway decent CW show that ultimately served no purpose.
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A skippable issue in a series that's got a lot of decompression problems.
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This is without a doubt a boring read because it doesn't actually do anything but showcase a grisly backstory and two bickering old men. It also fails to make one care what will happen next, a decidedly important task for a first issue.
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This series is growing tiresome as it continues to drag on with very little in the way of character development or plot progression. Here's to hoping something happens soon, because it's hard to fathom Harley could be kidnapped for yet another issue!
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Predictable, done before story with not a lot to add. It does look fabulous and is told well so that's something.
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It's hard not to see this as lazy superhero writing. The characters punch and kick their way out of a battle with very little teamwork and a very silly premise that's put them in this position. Save for some solid art and a funny moment, this issue is easily skippable.
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It's easy to blame Cho for the issues this series has seeing as he's the writer and artist, but maybe it's a case of an editor not doing any editing? When he pitched this somebody should have said, "how about we do this in 3?" But I'm sure the editors thought Cho's art would carry things nicely. Unfortunately they don't.
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Outrageous dialogue, incomprehensible character moments, and a plot that is becoming a chore to understand can't save this book. If you can enjoy it for it's over the top campy nature you might like it, but after 3 issues it's beginning to wear on me.
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This issue lacks the laugh out loud moments of the last issue (intended or not) which leaves you with what's left: confusing and melodramatic storytelling that's more random than anything else. I want to like this series, but it's just too hard to take seriously or follow. This issue lacks a lot of the pizazz of the previous issues, making it read like a rush to get to the end more than anything else.
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This is a beautifully drawn bore. It feels as if the outlining phase started with panel composition, moved to story, and then at the last moment character development was considered. The book looks great, but it's about as interesting as watching paint dry.
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Venom #27 is a book that doesn't quite add up and will likely be forgotten when collected.
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The villain introduces a playground of horrors that will be a delight to read next issue and offers some entertainment here and there in this issue. All in all though, this is a slow and tedious sort of read that's not very funny or clever. If Harley's gang is good at anything it's whining, which isn't much fun at all.
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The comic doesn't try too hard to catch up new readers, nor tie-in to the main event and at the same time is very light on story and character.
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The first issue had a bit of flair but had many slow moments which, unfortunately, this issue is also mostly made of. It might be cool to see where it goes, but this issue doesn't give me much faith things will get any more exciting than watching a woman do her nails.
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A killer epilogue and solid art can't save this ship.
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The Avengers are written well with interesting character dynamics and an honest to goodness threat on their hands, but damn is the entire Red Onslaught battle laughable and boring. At 25 minutes I was definitely given more bang for the buck, but dammit was the bang a weak one. Honestly 13 out of 30 pages are worth reading. Fail.
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I'm game to keep reading this story, but a lot of the wind was knocked out of it with this issue. Garron and color artist Jason Keith continue to do solid work, though it's filled with dialogue explaining how we got here throughout. This is a story I want to like, but am shocked at how little it all matters due to the mechanic of showing us past and present.
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After a strong third issue this one falls flat due to boring, implausible and pointless "lost" stories.
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It's a boring issue but at least it shows promise with its last page.
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Graham Nolan does a good job on art, but nothing to write home about. With so much exposition the script isn't doing him any favors, and while the story is clear and easy to follow, there really isn't much action to speak of. Namely it's dull because the script is dull.
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This issue doesn't do enough to be good, though it's close with an emotional and impactful ending. Much of the plot has Cyborg running around fighting nightmares to pointless effect and the art is way too simplistic to carry what should have been such a visually stimulating story.
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The art by Szymon Kudranski is strong, when you can see it. The bubbles take so much real estate I'm not sure they needed Kudranski's dark moody style at all. There are a few splashes, but they come so late in the comic you'll be either bored to death or tired of all the dialogue.
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Seems to avoid tackling the big question about Batwoman and spends the rest of the time resetting things for future stories.
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An entirely skippable affair due to a lackluster conflict and boring characters.
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This is an unfortunate example of a story having the right pieces, but making it too hard for readers to dive in and enjoy the story for what it is and what it is doing. When I reread the synopsis and the captions I liked this story a lot more, but the delivery is too clunky to make it recommended reading. There are 11 more issues to go through and plenty of time for this ship to right itself, but on the onset, I was left underwhelmed. 
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This is, unfortunately, an incredibly confusing series. It's clouded in so much shadow and vagueries you'll find yourself frustrated as you sift through its overly self profound approach. I'm certain there's an interesting idea in there, but it's being rendered in such a way that we're seeing it through cloudy goggles with no clarity in sight.
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What the hell did I just read? Flash comes off as weak and helpless for really stupid reasons. The Riddler's plan doesn't have enough teeth to make any sense either and it make it even worse it all ends with a shockingly melodramatic reveal.
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I can't say this is a good comic. There are too many awkward panels that pull you out of the narrative and the narrative itself is a rush to the finish line with awkward dialogue and easy coincidences.
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Emi fans will love this issue as it gives her character new purpose and more complexity. All in all it feels like a good CW episode of a show we should be watching.
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It's an okay chapter, but it's pretty weak on its own.
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You can't deny Hellblazer is written well, but this issue is mired in problems from art that's hard to follow to a rushed McGuffin that's hard to care about. I'm curious, but only because you're left with so many questions and no answers.
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This issue barely progresses things and is easily skippable.
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This is a passable issue that doesn't do enough to warrant a purchase. If you're keen to see Flash take on some bad guys this'll be up your alley, but for the most part it treads water.
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This is a lackluster second issue in a series that opened in a big and fun way. It follows the crossover script to a T and looks flat or too basic. The dialogue and basic feel of each team is on point, but it's not enough to make this a must buy by any means.
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A decent setup issue filled with bungling moves by the heroes that should know better. The price tag seems especially hefty considering so much of it feels like filler.
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This series doesn't offer anything new to what you'd expect. Little girl, baby Martian…against the Martians! Blah is all I have to say about this read as it doesn't pop or have much of a reason to exist just yet.
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It's very hard to be interested in a book that's all about a sociopathic egomaniac especially when played with no humor whatsoever despite its billing. The balance of art and premise don't seem to fit and the overall book doesn't read well.
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When it comes to mysteries, delaying the reveal (or even any details for that matter) can drive the reader insane. Give us clues or don't do it at all. The plot progresses minimally here as well, making this a very skippable and frustrating experience.
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An easily skippable issue since nearly nothing pertinent happens nor does the plot move forward much at all.
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The art, in true Jock fashion, is atmospheric and compelling. His use of texture is particularly interesting. A panel as simple as an establishing shot might have added atmosphere in its background from the way the paint streaks.
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In a lot of ways this event starts with a whimper rather than the bang it so desperately wants to accomplish. It feels like it simply exists and is one of the flattest opens to an event I've ever read. Unfortunately there's no dramatic tension nor any semblance of drama to speak of and instead focuses more on preparing the pieces for the remaining seven issues. Ultimately summer comic book events should be fun, but this feels like work.
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This series is in a bit of a doldrums, largely because the pages show events taking place, but they aren't revealing character or advancing the action in a strong enough way. The biggest failure is the pacing, which seems stuck at the moment, but here's to hoping it gets out of its funk soon.
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A decent introduction of Obi-Wan to the Marvel Comics Star Wars line of books, but it's so boring and conventional it's an easy pass for most.
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I've resigned myself to not expect much from these comics outside of some interesting character wrinkles. This issue certainly has that, but it also has Padme go on a mission that seems utterly boring. It reasserts things we already know about Padme and just doesn't add much to her story or the Star Wars narrative either.
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A decent issue as far as setting up new threats and dynamics, but it's so darn boring.
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A boring issue that's bumped Darth Vader's powers up so high he seems impossibly unstoppable. It might be believable but it doesn't feel earned.
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A skippable issue that rings false in a variety of ways.
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If you're in doubt about the super sons offering an interesting dynamic, Superman #11 will prove it'll be fun to see in the future. It may not do much more than show that and deliver brainless action, but it looks good at least.
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This is a tough first issue to get through namely because it's so darn slow. Ash is perfectly written, but Vampirella fans may want to wait till issue #2 to actually see their character come to life. I have high hopes this can turn it around next month, but right now this feels like a diehard fan read only.
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An okay issue that helps flesh out the villain, but does so in a drawn out and wonky plotted sort of way.
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An attempt is made to deliver an interesting story but it falls flat due to a lack of solid action and a poor wrap up. Wrath's backstory is interesting though and the art carries the emotional resonance well.
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I was left wanting more. Greg Pak certainly closes off his run with a long tendril of connective tissue, but the actual climax is disappointing. Save for an interesting connection between Superman and Savage's kid this is a decompressed sort of read with plenty of filler as the heroes rush around doing things to fill the page count.
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Overall, this issue feels heavy-handed. It has a mission and gets it done, but in a way that seems to reduce the Legion of Doom in order to prop up Leviathan in an unearned way. Instead of building up the character by showing, we're meant to believe he's more powerful than most of these villains. This further reduces Perpetua's plan since she chose Lex when this issue seems to suggest Leviathan was the superior villain.
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If you're open-minded, you may be game for what's in store in Amazing Spider-Man #21 and what comes next. Unfortunately, after a year-long wait, this opening issue leaves you wanting more. More action and more answers.
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Amazing Spider-Man #54 is a relief but also a burden. It's an unnecessarily repetitive chapter in a plot that doesn't make much sense and has gone on for far too long. At least we know Norman is no longer the Green Goblin, seemingly for good, and the story can move on from this tired concept.
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This is one long fight sequence with bits of scenes or dialogue that express things we've seen a hundred times over in this series so far. If you want a fight book you'll be happy, but you will not find any complexity or interesting story progression here.
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Avengers #48 has its heart in the right place, but it mostly doesn't work. She-Hulk as the Winter Hulk could work in theory, but it reduces her to an unfeeling and uninteresting machine. Gorilla-Man remains difficult to care about as well, leaving the issue devoid of interesting characters or personalities to cling to. For an ensemble series, things will pick up with the Avengers are reintroduced, but this issue serves as a disappointing gap.
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I'm digging the story, but it's way too slowly paced to entertain you enough all the way through. The art is nice, the concept strong, and there's some laughs too, but the story is so decompressed you'll be bored to tears.
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The story wraps things up, but not well enough to make it an enjoyable experience. Overall it's a bit dull as you never feel as though the characters are in danger and they don't jive with each other like they have in the past.
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Having recently rewatched The Dark Knight it's uncanny to see the similarities of this world and its ideas. Unfortunately, focusing so heavily on the symbol of Batman rather than the man himself has made the narrative boring, losing touch with the connective tissue we can relate to.
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I really liked what I was reading until the midway point. The fact is this story draws you in by making you trust and relate to a character only to flip the script so that you side with a sexual predator. The sexual nature of the victim is seemingly there only to rationalize the behavior of the protagonist, which does not sit right with me. I'm giving this one a 4.5 out of 10 simply because I liked half of it.
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Aside from strong Batman characterization this issue lacks the oomph of the previous issue's with much of the purpose lost with it.
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This is an okay start to a unique team up series. Unfortunately it's mostly introduction to each character and then bickering to get on with the mission. Here's to hoping they entertain more once in the thick of things next issue.
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This is a sometimes confusing and forced penultimate issue. The identity of the book seems lost as it spirals down into the inevitable confrontation we were all expecting from the start. I think we're all just hoping for some great Superman and Dr. Manhattan interactions at this point so we can call it a day on this misbegotten, overstuffed epic that has lost its way. I'm giving this book a 4.5 out of 10, mostly because it's overwritten, unnecessary if you've read this far, and skippable by casual readers. 
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I want to care about this book, but unfortunately, it focuses mostly on a group of B-tier heroes in an adventure that seems to go nowhere. It's unfortunate writers like Jim Zub didn't have the opportunity to take back heroes that had tie-in books dropped, since Thor could have been far more interesting in a story like this. That said, there's a lack of drive to the story and it feels quite unnecessary.
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I wanted to like this series, but this second issue loses me. The dialogue can feel forced and clunky while the plotting is losing its focus too. The themes are so overtly written and on the surface, it doesn't read like a compelling introspection of the characters, but instead a force-feeding of ideas that seem basic and surface-level at best.
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The obtuse nature fo the plot, the philosophical notions, and the inability to pin down these characters makes this a tricky book to read in single-issue format. It might be stronger as a trade since a lot of ideas are being thrown around and may come together better when read in one sitting. I'm not so sure though as the book feels unfinished in many ways.
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A series with a lot of promise continues to falter.
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The cliffhanger is intriguing, but that's about it. This issue takes too much time reminding us how bad Wally feels about accidentally murdering a bunch of heroes and not enough time hooking us into the new adventure. Instead, you're left a bit sad and confused as to what is going to happen next.
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Younger readers who love Fortnite will likely enjoy Fortnite x Marvel: Zero War #1 more than casual comics fans aided by the fact that each issue comes with codes to get in-game swag. The story however is packed with a lot of exposition making it feel less like an epic action comic and more like an explainer of every little thing. Due to that, the story and entertainment value suffer.
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As far as a Rebirth issue the creative team establishes the new direction and reminds us of important details we'll need to know going forward. That said, this is a skippable issue unless you're a die hard Constantine fan.
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Jackpot is a very basic superhero yarn. There's fighting and, primarily, a reminder Jackpot exists. The lack of character work or any real ramifications of the events in this story mattering makes this a relatively easy book to skip while we wait for Jackpot to have any relevance at all.
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A conclusion can be a lot of things and still wrap things up well and that's this issue to at tee. It ends, but not well, with a boring last issue that serves to have the heroes say and not show enough to explain the action and stakes in play.
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There are conclusions, but they come so fast and with so many unearned twists it's rather uninspiring.
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This is a clunky and awkward first step for the 2099 storyline that'll be sweeping across miniseries. Dr. Doom positively steals the show, but nearly everything else is confusing to read, unclear who or what is going on, and hard to care about. The art is quite strong, but you may put this down feeling frustrated.
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I want to like this series, but there isn't enough here to care about any of it. Where does it take place, what is going on in this world, and why should we care about these befuddled heroes who are bound to figure out they were previously heroes anyway? It's a frustrating experience.
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This is an okay issue that reminds us the Power Rangers can be taken just as seriously as any superhero. Aside from the great art however, nothing much happens and the backup doesn't help matters either.
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It is abundantly clear the purpose of this series is to reveal the ultimate sin from Nick Fury and to focus on him. For an event series though, where are all the other characters? The setup seemed to suggest it'd involve many characters, but really this is a solo book about Nick Fury and nobody else. Bah to that.
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Some interesting character exploration doesn't make up for the entire plot being a waste.
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This issue is a disappointment as there are some major themes that are interesting when it comes to the roving loner that is Red Sonja. The themes are there and that's commendable, and the art works for the most part too — the comic doesn't succeed overall though.
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A great backup and a solid premise to the story make this a must read for die hard Rick and Morty fans. It's also rather light on humor resorting to Mr. Poopybutthole's name for laughs more than anything. Unfortunately the main story is so slow to start most folks could probably wait for issue #2.
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Aside from an interesting curiosity in the angel character, and some good action to open and close the book, I had a hard time getting through this manga. For such an interesting premise this book reads in a clunky way and will make you wish it would just get on with it.
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Reading this comic, you feel out of the loop, as if you're joining a party late and you're not sure who the strangers are in the room. You try to make sense of it, but at the end of the day these are weirdos you aren't going to get to know unless you put the time in. If you're willing to do so, then this book is for you. If you want to hang out with folks who make sense and you're familiar with, this is probably not your cup of tea unless of course you've read them before.
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Two issues in and this series aren't doing anything we haven't seen before. It's also rather flat in its characterizations. It's not complex or deep in any way and instead is boring at face value.
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Spider-Man: Reign #2 is an interesting alternate reality experiment, but it's tedious and ultimately hollow. Spider-Man feels nothing like the character as he rushes along overly emotional and out of his mind. You might find entertainment in the twists in characters, but it's hard to enjoy this incomprehensible lead hero.
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There's a good setup in here somewhere, but it takes ages to get going.
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Reveals info about the villains, but seems to twiddle its thumbs for much of this extra sized issue.
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This is a better direction for the story arc, but it still doesn't mesh with the attitude and mature themes of the main series. Something isn't quite clicking here, which is a shame, as there are sound ideas at work.
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Overall this is a bit of a below average book with writing that makes you want more. More character, more answers, more depth and sometimes a cleaner, easier to understand art style. That said, it feels incredibly unique and it's taking a damn big chance so it's worth a look if you're into alternative comics.
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Wolverine #18 ends a story arc that's fine, but also uninteresting and seems a bit pointless. It never makes a case for it being about Wolverine's friendships, but it's sort of there on the page. The action is entertaining, though with a story lacking a purpose it's hard to care about any of it.
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X-Men: Heir of Apocalypse #3 spins its wheels while we wait for the conclusion to kick off in the next issue. Gone are the well-plotted check-ins with characters and well-timed flashbacks, and instead, this issue is mostly characters standing around waiting.
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After an excellent third chapter this fourth chapter is a big let down.
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This is a decent start to a two part story that has Riri forced out of her suit and into street clothes to do some good for the world. The handling of Riri is strong, as you have to admire her heroism and gumption, but the plot is slow and doesn't offer enough action. Issue #2 might rectify this though.
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I'm not sure I've ever felt this surprised issue by issue from an event series. That's a good thing in some sense as I have literally no idea how this will end. That said, I still don't know when or why this story is taking place which makes it incredibly hard to care. I know it's setting up another event, but it's doing a poor job keeping the reader in the loop. It doesn't particularly help when an issue like #9 comes when you're getting a bunch of exposition and not a lot else. It's also no the most surprising turn of events and once Wolverine decides to go back in time you'll be able to predict what happens by issues end. That said, I have no idea how this series plans on ending.
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An okay excursion with a few reveals, but it mostly reads like filler.
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This issue lacks the humor that made the first two issues so much fun to read. The plot progresses sure, and the Fantastic Four bits are heartfelt, but it otherwise falls flat.
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I'm having a hard time getting into "Hunted" due to the slow start and even slower second chapter in the story arc. The issue has a clever backbone with creepy captions about predators, but the biggest failing is how it lacks Spider-Man. Instead, it focuses on everybody else progressing plot elements but leaving you with an incredibly middling issue.
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This is a good looking book, but ultimately a long-winded way of adding a silly element into Spider-Man and Boomerang's life. This issue, and the series as a whole, reads like it's meandering and untethered from a greater purpose or direction. Here's to hoping the series gets back on track after its first great arc and gives us some answers about Kindred before it's far too late.
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Amazing Spider-Man #51.LR is a good issue for new readers who haven't been reading this series. Dedicated readers will find portions of this book unnecessary and redundant. It also sorely lacks Spider-Man and feels more like a pit-stop than a major chapter in the "Last Remains" story. Super Spidey fans may want to read this for the Sin-Eater scenes, but most everybody else can feel comfortable skipping it.
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Amazing Spider-Man#73 isn't a bad issue...as long asyou can stomach the retconning and the ongoing teases of Kindred. It continues to play the usual story beats we've seen since Kindred's story first kicked into gear, making portions of this feel rote, but the flashback reveals are meaty and connect with very important moments in the Osborn backstory. Sadly though, this continues to read like it's not Spider-Man's story at all, but a means to fix the kinks in Green Goblin's past.
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Amazing Spider-Man #20 will get folks talking. It's not the most effective action comic while also only doing a so-so job relaying relationship chatter that doesn't quite say much. That said, Spider-Man confirms he and MJ are over, and it's a new era of love for Black Cat.
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Amazing Spider-Man #24 continues the frustrating experience of this long-awaited story arc. Spider-Man is frantic and unhinged in an issue that leads to what we all expected to happen. How this story shocks and surprises going forward is still up in the air.
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Amazing Spider-Man #58 is over before you know it in a rush of a fight comic. The intensity is very high, but there's not a lot here to sink your teeth into. If you dig Romita Jr., you'll get a lot out of this, but with so little to it, it's hard to recommend. Definitely a trade-waiting arc at this point.
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This volume walks a fine line between cartoon fun and realistic drama, but never really commits to a direction. The characters speak and think like they're right out of the Golden Age of comics, which makes the experience feel clumsy and at least for a younger audience. Still, there are some fun ideas in this book and feels unique from anything else on the shelf.
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Though it's entertaining — two good double page spreads do not make the action any more exciting and the plot seems to progress simply because the writer wills it which makes this experience feel unearned.
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If you love the idea of a larger multiversal story building, don't skip Avengers Forever #4. That said, the fight scenes feel less impactful and you won't believe the heroes have any chance of losing for a second. It makes for a middling finale to Red Skull's many multiverse versions joining forces.
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This is an okay start with the potential to be a great read.
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Back To The Future: Biff To The Future #1 has an intriguing premise that has plenty of opportunity to show us how Back to the Future 2 ended up where it does. That said, it misses an opportunity to make Biff a sympathetic character and instead continues to show him as the dumb jerk who doesn't deserve anything good coming his way.
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Another okay, but not great installment of the spin off series nobody asked for. The biggest gripe is how it seems to prove page after page it's not a necessary story. Alan Robinson shouldn't go unnoticed, though–the art is great, and helps punch up a rather uninteresting story.
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Some good action and some hints at a resolution are good, but I was left wanting. There's also some erratic behavior by a few characters that throws the whole thing off. Read it to so you'll understand the conclusion next week, but don't expect much.
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Good character beats save this issue, which is a bit slow with a middling plot.
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TMNT and Batman fans need this for the amazing art and fan service moments, but casual readers can skip it and not miss much.
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As a straight conclusion/epilogue Batman Beyond #16 will satiate fans desperately awaiting the end. Could it have been easily wrapped up last month? Yeah, probably, which makes this issue a decompressed, so-so experience.
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This issue started off very slow and sloppy and ramped up when it divulged the Mad Hatter's backstory. With his backstory out of the way the story has resorted to another by-the-numbers Bat caper we can easily predict. I won't spoil anything here, but the concluding page makes me wonder if it's poor timing considering Batman just lost Damian. We shall see in the concluding issue next month.
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Well written characters and a strong ensemble is one thing, but this first issue lacks the spectacle and storytelling to make you want to learn more. I'll stick around for issue #2, but you'll want more after reading this so-so first issue.
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Much like 90s comics it looks pretty good, but the story isn't strong enough to warrant a read. The cover is incredibly misleading as it suggests some superhero action–which is certainly coming in future issues based on the narrative here–but for the most part this is a transition issue that's all about getting characters from point A to point B.
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There's more plot development and action in this issue with a promise of some real answers, but it's hard to deny the characters are flat. Duncan practically derails every scene he has a line in.
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The art is nice and the cliffhanger intriguing, but it's too little to keep your interest in this slog of an issue.
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The premise is sound and the players are too, but it's a tough read due to some sketchy art and a confusing progression of story.
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A rather average superhero affair that looks nice, but feels very much by the numbers.
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An okay chapter though it has some problems.
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Mysterio steals the show and may have just made this series about him with great scenes with him. Miss Sinister's plans are falling apart, much like this action-heavy issue.
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It's a fun, light read that's devoid of the creepy horror elements it opened with, but still fun due to the so-bad-they're-good one liners.
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Deathstroke Inc. #9 is an okay at best experience. It sets up the fallout of Deathstroke losing his son well, but a lot of the action ends up being more flash than anything else.
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A fun action issue to be sure, but aside from the last few pages, it feels like filler material. Batman's encounters are entertaining in a sense, but the big picture seems to be we're biding our time for a massive explanation.
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The premise is sound, but the story isn't funny nor all that interesting.
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A fight comic from beginning to end that's easily skippable. If you've been reading along there are a few subtle moments, and a cliffhanger to die for, but overall the issue is an average superhero fight book.
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Extreme Carnage: Toxin is an okay issue that doesn't add much to the bigger story. The plot progression is minimal, the fight between Carnage and Toxin ends in an unclear way, and there really isn't much to the issue. There's some fun nightmare-realm Symbiote fighting and a strong voice in the dialogue, but it's a weak chapter apart from that.
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In comparison to previous issues, this comic book is one of the strongest yet, but that isn't saying much. It sets up a showdown that you'll be dying for since so little actually occurs here. At this point, the very idea of confrontation that could mean something is worth more than the false poetic nature of Psylocke's vision. Basically put, this feels like it's getting closer to the end, which is a huge positive. At least we can get some respite knowing it's almost over.
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This is an okay issue which finally plops our heroes into the main universe for future adventures.
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Continuing to look great, the fifth issue of Frostbite lacks the thrilling push and pull of the last few issues as well as the good pace and flow it has been known for. The story has shifted in interesting ways, but suffers as it's forced with too much exposition.
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This volume is slower on the pacing, reaffirming Rasputin's role more than once and never revealing anything new, nor delivering on big title fights.
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This manga got me to chuckle once or twice, but for the most part it was way too lowbrow for my tastes. It also gains some momentum at the very end, making me ponder if I should continue.
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The darker elements work quite well for a haunting and werewolf-tastic experience. That said, Green Arrow barely does anything beside groan with no fighting to speak of and certainly does nothing heroic.
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It's decent, but not a winner. It'll be good to see this short arc end as it has felt like it's just biding its time for a more important and bigger story later.
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This is an average issue at best, as the emotional resonance is lost in every scene Green Lantern meets new characters.
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Green Lanterns #6 sets up the next big arc, closes things out for our heroes, and opens with well written captions that'll put you right inside their heads. Like much of this series, its strength is when we're right there with the heroes reading their thoughts.
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Save for a strong climactic moment with a very large monster this issue has too many artistic hiccups and boring elements to make it truly good. It's still worth checking out if you've been reading along and it'll be interesting to see what kind of answers we have in store after that cliffhanger.
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A good-looking book, but it's growing tiresome as it gets nowhere.
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It'll intrigue, but only to a point. Then you'll be huffing and puffing for some answers.
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Good spy action and tracking, but the dialogue is clunky and the plot paper thin.
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A disappointing end in an issue that seems to change everything that made the first three so good.
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This issue wraps up the two issue story arc with more of a message than a deeply satisfying story.
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Some high-minded ideas and sharp art can't fix the clunky plotting and slow pace.
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Lucas Stand #4 slows things down and juggles too much which makes for a muddied and unsatisfying issue. The father/son stuff works to make us understand Lucas a bit more, but the issue is biding its time to kick start the climax.
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This series may have the best captions of any comic in 2017. Hands down. It's epic, well written, and drives the story in an awesome way. Unfortunately the plot, while paced well, feels like a repetitive amount of filler scenes more than anything. The dialogue is also clunky and difficult to get through.
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There are good to great scenes, but the pace is so slow it can be maddening.
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The entire book rests on three different twist reveals and the Ma Gunn cut away. Aside from that, it's a quick read that could have been more interesting if the characters had more to do and say. Not a lot of what happens feels like it matters or is earned, though there are some visually interesting moments to cling to.
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What happens in the issue is exciting, but it's told all wrong with the story giving it all away in the first pages and then flashing back. The stakes could have been raised but the structure, or telling, lack the oomph it needs to make this an exciting and necessary read.
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A so-so main adventure with a fantastic backup by Marc Ellerby makes this a skippable experience. This series has yet to prove why it needs to exist though it's obvious there's a story in there somewhere.
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What we have here is an issue that's mostly set up as far as where Robocop stands and what has become of his city. The rest is action sequences that are good, but not great, particularly because there are no stakes to speak of. He even seems more powerful than ever, even though he's out of bullets, as he moves like lightning. We'll see how this series pans out, but it's very apparent this was written as a series and not for the single issue format.
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No, very skippable issue. There isn't anything added from a character standpoint and the big bad is flat and boring. Here's to hoping things turn around when Rogue has to fight robot dogs.
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This issue does a good job thickening the plot and it's obvious Vaughn is building towards three distinct storylines that will come to a head eventually, but the issue on its own doesn't serve up enough shock and awe.
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I can't say this was the best two parter and this second part feels more like dead weight than the first. The first part at least had some great action sequences. The art looks great here, but it's very stiff. It's also unclear what the point of this story is besides setting up future stories. It's too bad more couldn't be done with Gwen Stacy too. She seems to be yet another symbolic prize for the hero and nothing more.
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Almost but not quite. The series ties more to the Fantastic Four mythos than ever before, but it reads in a clunky outline sort of way where we get big story beats that aren't earned.
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Overall a disappointing first issue that fails to tell us why it's worth reading. The action scenes are nice, but it all feels unnecessary.
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Silk #2 follows up an excellent opening issue of spending way too much time with the hero's brother, Max. From the opening scene reminding us of who he is to the unnecessarily cut-short Silk Western scene, there just isn't a lot here to get your blood pumping. Instead, the story slams the brakes to bring us back to the real world rather than bask in the rather inventive setup of Silk in different eras.
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This issue has “segue” written all over it. It's unfortunate, because the battle between X-Wing's and Tie Fighters should have been much more exciting, but instead it wasn't paced very well. That leaves the reader with a lot of exposition and setup for the following issue. Anyone enthralled with the characters will want to take this ride on and probably don't need me to tell them. Anyone hopping on and off this series however can avoid this one and wait for the next issue.
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A mysterious discovery awaits Yoda in this flashback tale, however there's very little in the way of detail to sustain your interest. There's certainly the teasing of an idea that ties to the Force, but you could easily skip this issue to really find out next month.
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A clunky chapter in the story, but some clear highlights to be sure.
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Read this story to get a little more Poe Dameron in your life, but beyond that don't expect a whole lot. It's a fun adventure but easily skipped.
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This may be the weakest issue in the series so far. Very little character development is undertaken and the plot twist is bewildering.
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An okay read that doesn't feel necessary but does have a key Rey moment.
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The Deadshot story continues to carry this book with a solid story, strong character development and fantastic art. While it's mostly flashback it'll resonate for those looking to understand the character a little bit more.
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The Deadshot story continues to tell a meaningful and great looking story, but the Katana story feels so run of the mill it brings down the whole shebang. There's nothing overtly bad in this issue, it's just so damn middling.
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Teen Titans #5 features a perfectly fine ending with a twist or two up its sleeve, but it still hasn't convinced me it needs to exist. On paper this team could be intriguing, but there isn't enough here to warrant a purchase unless you love these characters singularly.
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Looking for action and monster goodness? Then yes it's quite a good read. Looking for a deeper read? You could probably skip this one.
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An okay issue with clear details on superpowers, but not enough done to make you care much at all about who these characters are.
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All three stories look great with completely different styles at work. This one-shot has also piqued my interest as far as The Living Corpse is concerned. If given an ongoing series I'm sure I'd pick it up after reading this. A zombie superhero who fights all things horror? Sign me up. It also seems to have a bit of a sense of humor, which makes this title further unique. That said, these three stories are either throwaway or seem to be written more for the hardcore fan than anything. It was hard to relate to and enjoy the stories because of this. On top of that the title says it's a “haunted one-shot” and yet there's nothing scary about it!
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The premise is certainly hokey, but Pak does a good job characterizing Lin and Cho with a premise that's conceivable. What the point of it all is certainly something I was scratching my head over as it doesn't feel much more than a publicity stunt rather than a story that needs to be told.
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This will be a tough sell for anyone looking for a story that offers anything better than a superhero slugfest. The characters do a lot of talking, but to not much gain.
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This is a well-managed superhero book that hasn't quite found its hook yet. Titans United #1 could be a stand-out book, especially for Titans fans, but you may need to wait for the second issue to be sure if this is a trade waiting situation or just plain skippable.
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Expect a major reveal in Trial of the Amazons: Wonder Girl #2, but expect it to be told in a drawn-out way. Everyone loves the big reveal in a whodunnit, but there isn't enough here in the b-plot to entice readers. Instead, it's an issue that'll have you possibly flipping to the end to find out who the murderer is out of impatience.
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Despite the fantastic art and striking conclusion this issue seems to be biding its time for the next issue to offer some heroics worth rooting for. As it stands, this issue takes a bad situation and makes it worse, but doesn't add a lot to the story making this issue skippable.
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This comic is way over priced. Maybe for 3 dollars I'd be okay with how little happens. The art is great for the most part, but not worthy of the price tag if there isn't more story and character development to go with it.
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The problem with this issue is it feels more akin to a one shot special devoted to where Bishop has been than a team book called X-Force. The dreamscape stuff is cool, but it's used in such a heavy handed way to explain Bishop (and retcon a ton of stuff I might add) that you'll e bored to tears.
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I'm not sold on this issue, largely because there is no reasons why the actions that take place here are being taken. They just are… cuz, you know, because and Harada is made to appear more evil than any prior issue seems to suggest. This might be a case where not reading the tie-ins hurts the read, because I'm a bit lost as to character intentions.
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It's entertaining but weak on purpose.
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The structure of the story is set and the characters richly introduced in Vigilante: Southland #1. Unfortunately there's no action or superheroics at all and a slow moving plot that may deter many.
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Wolverine #39 is an easily skippable issue. It serves little for the bigger story while delivering action scenes that lack stakes or danger. The issue looks good, but it all feels like it could easily fit into the first half of a better comic.
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X-Men Legends #7 is a comic for fans looking for nostalgic vibes. On paper, it has everything you'd want from Jubilee and Wolverine teaming up, down to the yellow Wolverine costume, and even Lady Deathstrike thrown into the mix too. The execution isn't quite there, though, making for a just-okay X-Men experience.
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Because there's so little prelude story and so much filler it's hard to recommend this book. In large part it feels like a book to fill a month so they can have more time fleshing out and finishing the big story that's coming. Overall it's skippable because it adds nothing to the story.
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A satisfying conclusion for fans of this series. The pace is a bit wonky, and the art doesn't hold up quite enough though, which makes this a tough sell for anyone not invested in the story.
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Get a snapshot of the life of stardom that many would kill for, but Seanan McGuire seems to be asking the question, "Would you really?" When love is outlawed, what really matters anyway? This issue tackles that and how a utopia may not be so great when you're not truly free.
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As a setup issue, the story presented here isn't bad; it just reads as unfinished. It picks up plot points and carries them forward to varying degrees, but ends up never having an impactful moment to hang its hat on. That makes Amazing Spider-Man #68 unremarkable, even if it's necessary.
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The Amazing Spider-Man #10 utilizes the function of the big Marvel event to test Peter, even though we all know he's as pure as heart as they come. It makes for a nice series of reunions for Spider-Man, but ultimately this issue treads water as we await something of importance happening anytime soon.
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Break out the tissues if you're a fan of Mary Jane and Peter Parker being together, as Amazing Spider-Man #25 makes it abundantly clear they're finished with each other, at least for now. This issue does the work to show how people can grow apart with distance and time between them, but it also handles certain elements in a clunky way. The villain is not very interesting and acts like a cliched villain who is evil simply because, making the story feel trite and boring. The adopted children are also half-baked. Still, if we're going to embark on a new era for Spider-Man, this is a good place to start if you're interested in something new and bold.
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Possibly one of the most divisive issues of Spider-Man in years, Amazing Spider-Man #26 isn't a bad issue if read in a vacuum. Still, given the lingering problems in the story arc and valid reasons to be upset with a hero's death, it's hard to love it unconditionally. I liked parts, but others fell flat. The biggest win of Amazing Spider-Man #26 is that this year-long story arc in the making is finally over, and maybe we can move on to a brighter and hopefully more prosperous Spider-Man future.
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Save for a smashing opening and some interesting ideas of how Aquaman is perceived in America, this issue is too sluggish. The plot barely pushes forward with more time spent showing Aquaman disorientated or facing a similar threat over and over.
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This series feels very important and very different from most, but it most definitely requires patience from the reader. I can't recommend it to anyone who wants to work for their entertainment, but I can't deny there is something lying in wait here that will most assuredly pay off in the end.
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We get some explanations, but for the most part this comic is moving too slowly to care.
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Chinese superhero team The Big Ten steal the show and make for an exciting action-packed first half of the issue. Sadly the story barely progresses though and said fight scene is an eye-rolling misunderstanding “heroes fighting heroes” fight. Blah.
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Batman/Superman Annual #1 is fun, but doesn't quite deliver. It has a few clever bits and ideas but doesn't ever make you care for the situation these characters are in since much of it is alternate reality stuff. This is really more of a Bat-Mite/Mr. Mxyzptlk book than a Batman/Superman book, but that'll likely please select fans.
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Sets the stage, but the characters aren't developed much nor is this other world.
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I'm intrigued by this new story arc, but as a first issue, there isn't enough here to warrant the price. There is just enough here to make you ponder what is going on, but not enough to satiate your Captain Marvel needs. 
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In the grand scheme of this series this issue makes sense as it shows us the limitless power of our villain, but the story suffers. There is no horror in his powers because there is no human loss be it scale or character.
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Constantine looks great with a very cool big idea to open the issue. Things wrap up adequately, but they fall into place too easily, making this a bit of a yawn of a read.
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It's unfortunate this comic is so befuddling. There's not much to go on be it story or structure and the reader isn't given much in the way of clues. If say, there was at least a note on what year these characters are in, we'd at least have an idea how the pieces relate. Alas we don't, and so we're left with an overly bamboozling comic to say the least.
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I had a hard time caring about this story. Batman takes on a villain during "The Joker War", but with no tether to the main event, it seems random and pointless. Even if "The Joker War" wasn't going on, this story would seem slapped together. It's not a badly made comic, it just doesn't ever scream out to you that it needed to exist in the first place.
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This issue is an improvement, but not quite there yet. The pieces are in place, there are some good ideas to be had, and the action to open the issue is awesome. The problem is, at 30 pages it seems to be padding itself out to justify the page count rather than using those pages to tell a well crafted story.
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An okay second issue that limps along.
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Not the greatest chapter in the story, but it is saved by solidly entertaining character moments.
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Doctor Strange: Nexus of Nightmares is an okay adventure that looks good even though the art must contend with a lot of dialogue. The one-shot has an old-school feel thanks to the scripting that should please older readers with a full origin for newbies as well.
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This needs more action, more character interaction, more everything! While it's not a terrible issue it makes you wish there was more or at the very least things moved faster than they do.
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Fallen Angels ends this week and it serves as a six-issue series that has plenty of ideas but doesn't know how to execute on them. I was worried this series wouldn't put a period on things since it was so vague and unsure of itself along the way. Thankfully we can put this sliver of a story to bed and move on. Psylocke fans should enjoy this issue for its message about her growth as a character, but even then it's hard to deny it feels unearned due to the ineffectiveness of this narrative.
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This is a by the numbers sort of story with some nice detective work to keep things semi interesting. If not for the spectacular art though this would be a skippable issue at best.
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Classic comics are back with heroes punching and rushing to save the day with as little thought as possible! This proves to be troublesome for a complex story and the lack of understanding the villains or stakes hurts it in the end.
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If you've read the first two issues there's no reason not to finish this story. There's some decent werewolf vs. Roman action and a conclusion. The art however, is a bit of a mess to start and the two artists probably should have never been put on the same book to begin with. On top of that, the cover seems to suggest a different story that actually occurs, and may have been better to boot. The first issue offered up some promising ideas, but it all ends predictably.
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Hawkman #26 is a very good looking book that could have used more conflict, and more discovery to make the victory and this story arc more rewarding. As a single issue, it's just okay, but as a chapter in the history of Hawkman it's hugely important. Your enjoyment is going to vary depending on how impressed you are with the new direction.
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A helpful rejiggering of who Lex Luthor is now and why he dons the "S" on his chest. I can't say this is the most entertaining of reads though as much of this is Lex looking sad and bored as he delivers some introspective captions.
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If you enjoy fantasy you'll get a kick out of the "Doom Metal" story arc, but so far it has lacked direction and been slow in its development. I'm curious how this story arc plays out overall, but at this point it's been an okay twist on familiar characters.
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This is an okay issue, but it doesn't do much beyond setup the villains for next time. That said, Orlando is building things towards an intriguing political angle we've never seen with Batman or the JLA.
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Almost, but not quite. The action sequence is great and keeps your attention, but so much of this book is going to be recapped in a single panel next issue you might as well not bother.
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Good intro of characters doesn't make this a must read by any means as there's no work done to tell the reader where it's going or what it's really even about.
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A clunky plot, some unfinished looking art, and a meandering purpose makes this one an easy pass.
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Marvel Zombies: Dawn of Decay #1 is a perfectly serviceable spin on a zombie outbreak story by way of Groot's sneezes. Definitely more for the younger readers. This first issue establishes a lighter story arc for the Halloween season.
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At the end of the day, Midnight Suns #1 is just okay. It will not win over those looking for an edgy return for the team. It plays it safe, establishes the key characters, and moves things along. For many, though, that's all they'll need to go for another ride with the Midnight Suns.
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As far as first issues go this is a great place to start. All the characters are introduced well and plenty of conflict is established. Unfortunately it's lacking action or drama to kick it up a notch making it a slow start.
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An average book that wraps things up and has a nice flashback sequence to have it all make sense in the end. The series as a whole has been good due to the smaller horror scenes littered throughout, but unfortunately this issue loses that and ends up becoming a bad guy vs. good guy brawl.
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Punisher #4 is a step back for the series, making the lead character seem unsure and untethered from anything that's going on. He's the lead character and yet after reading this issue it's made abundantly clear he's not in control of anything. The creators are trying to create mystery, but after four issues, it's not so much mysterious as it is confusing. It's hard to root for a character who, after reading this issue, seems like a man with no understanding of who he is or where he's going.
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Not the best of issues to go out on for a hiatus, but there are a few character moments fans will want to check out.
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Realm of X #2 is a good issue if you're invested in these characters and like fantasy, but it feels a bit stale as it limps along the main plot. As a fan of fantasy and loving the location visuals and setting I want Realm of X to soar, but this second issue leaves you wanting.
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A fantastic backup can't completely save a sentimental main story. It's not a bad story, but it's just not funny enough.
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An okay issue that takes a chance with a prose style and brings back a cosmic team from the 80's. That's a win, but it drags and lacks the humorous chops you've come to expect from this character.
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The third issue in the series loses track of what makes this series so good, but the art is strong enough to keep you turning the pages.
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Solo continues to offer a different type of espionage tale that's certainly unique. The problem is it's not doing it well enough to make me want to come back for more and this issue lacks the character work of the first issue that made it slightly better.
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There's a lot of great ideas at play in this new series and it may be one hell of a horror/science fiction story once the first story arc wraps up — but there isn't enough in this first issue to like to tell just yet. Though Spread shouldn't go unnoticed, this first issue wasn't a home run; more of a foul tip. Let's wait for the next pitch and see where it's going.
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A decent issue although it's more of a transition than a stand-out chapter.
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It appears this arc is going to be very up and down with a so-so issue here that does more to set up the finale than deliver a great story.
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The plot thickens in this latest issue, and if you're interested in character development of Darth Vader's latest threat, read it. It still feels like a transition issue though, with nothing too exciting to jump out and scream, "buy me!"
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This is a decent start to a series that clearly has its strength in the action. Williams establishes he has a good handle on the characters and some cool big ideas, but it takes way too long to get going with story elements we've seen a thousand times before.
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The art sure is and is worthy of at least a check-in by fans of the DC universe. It's appreciated the story is taking stories deep in the canon and bringing them out in this cute way, but the humor is lacking and most will find it hard to really enjoy.
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To make matters worse, this issue can be skipped. If you know nothing about Spider-Man 2099 you might want to purchase this, but what do you really need to know beyond him being from the future? The check in with Green Goblin is more of a tease than anything, and the developments at Horizon, while most likely important to the complication of the plot in the future, is more or less a boring read.
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This issue isn't terrible, but it doesn't do enough to make it worth your time. It's one of those issues that slowly builds up characters, lacks action, and will certainly pay off later, but could be skipped.
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This comic is just okay. The bad guys and their alien minions are cool, but that doesn't make the price of admission worth all that much. The story is also a bit cliched. You could call this Mad Max and just replace his gun with a sword and call it a day. That said there could be some magic in this series, it just hasn't been cast yet.
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Unfortunately this issue isn't that good, but more of a kick start or practice dry run for Powell having been out of the game for so long. There's some humor to be had and the art is good as always, but this is a very skippable one-shot.
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This is a tough one, because there are some incredible visuals and a lot of potential with the story. Unfortunately the story we're given, as far as this first issue, reads unoriginally and uninspired. I'd give this a two issue chance, but at this rate it's not looking so good.
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It's not terrible, but it's too slow to hold your attention and a few too many melodramatic moments. The art saves it from being a completely skippable affair and the plot is thickening, ever so slowly.
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A bit of a downer that this issue has to spend so much time setting up a plot point for all its pages. It loses its purpose in doing so which makes this read rather boring.
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This issue feels like it's buying its time to stretch the series out. The court room drama of the scenes are boring and flat and there just isn't enough humor.
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There have been a handful of good team-ups in this stretch of the story arc, but there have been some duds, too. This issue is more in the middle, with some fun moments, albeit mostly at the expense of Wolverine. For that reason, it's a bit a relief this story arc comes to a close as I'm happy to get back into Wolverine being more in line with the X-line, or at the very least more structure as Sabretooth War starts.
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Wolverine: Revenge #3 is about as basic as fight comics come. It reads like many comics from the '90s, as it's not interested in doing too much and honestly just gives Capullo enough pages to work with. If you're here for the art, you'll love it, but if you're here for anything outside of pretty pictures, maybe wait for the trade at the least.
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If you ever wanted to take a look into Wonder Woman's head and see her darkest fears, this is your issue. While the quick dramatic shifts in story are satisfying, the issue as a whole doesn't do quite enough to warrant must-buy status.
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X Deaths of Wolverine #2 is a short chapter in an ongoing chase sequence with a few tantalizing mysteries. If you dig chase sequences and good art you'll like this book, but it might be worth waiting for the next issue to get a satisfying result.
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X-Force #13 is an interesting continuation of the 2-part story that started in Wolverine #6. There's a fantasy element to the book that works thanks to some cool visuals early on and a rather interesting Solem. He's not quite what you might expect, which may be the point. However, the last few pages serve to move the characters from point A to point B, rather than deliver on an exciting action-packed finish.
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X-Force #46 gets us closer to a major story arc finish line but does so with nonsensical action. There are good bits and bobs in between, but for such a long-running story it feels like a rushed chapter, to say the least.
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This is a good look at Pepper Potts and a solid argument we need to see more of her. Unfortunately, this issue suffers from the sins of the past and serves as a reminder of them as Potts -- and by extension, these creators -- try to close the door on clunky Tony Stark history. Ironically, in trying to show Potts still believes in Tony Stark, I'd argue it makes me less of a believer in him and much more a believer in Potts. Give her the armor -- after the strong points made about her personality, I'd prefer her in it!
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The events taking place in A.X.E.: Death to the Mutants are important to the larger story, but there isn't quite enough here to warrant a purchase unless you're a die-hard Eternals fan. As it stands, it's a so-so tie-in that could have used more mutants, more action, and more things for these characters to do. At best, this issue feels like a decent backup story rather than a full issue adventure.
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If you're a diehard Shazam fan, Absolute Power: Task Force VII #1 is going to be a no-brainer purchase. For casual fans just looking for the full Absolute Power experience, however, skip this issue as it has little that can't be summed up quickly.
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Come for the action and cliffhanger, but the rest is moving so slowly you could easily skip this.
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This issue is good, but not great and probably terrible if you haven't read the previous issues. That said, if you're digging this series you should find enough in this issue to enjoy it.
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A good issue as far as wrapping up loose ends and setting up a few character stories, but ultimately feels wasted due to characters serving the plot for plot's sake.
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Optimistic readers will want to read this for its strange and dark underbelly, especially for such a hopeful and positive character, but many may not find enough here to care about trudging forward in a series that has become cold, slow, and underwhelming.
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This is a case where you can see there are good pieces put forth and a solid idea behind it all, but it doesn't come together in a believable or satisfying way. I want the Sin-Eater to be dark, complex, and unique, but from what is presented it's grasping at straws.
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The Amazing Spider-Man #3 is another frustrating read for the series. Hindsight is 20/20, and when this is collected it may read well, but it's trying the reader's patience with so little detail on what the mystery could even be.
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Peter Parker is freaking out, and this issue shows us to what lengths he'll go to save Mary Jane as fast as possible. Is it the smartest method to save her? Probably not, which feels off for a character who is also very smart. The art looks great throughout, however, and it's undeniable that the plot is at least moving forward.
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The Amazing Spider-Man #35 reads like a good one-shot homage to Kraven's Last Hunt, but there isn't much meat on the bones. Visually, it's stunning, with cool callbacks and dark moments, but none of this is tethered to the character's internal struggle or motivations. It's a loud response as Spider-Man loses himself, but to what end?
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Amazing Spider-Man #49 gives readers a taste of what Spider-Man deals with when killing vampires or narrowly escaping are his only options. An interesting bit about the civilian victims getting turned is a highlight, but it's mostly a quick setup without much payoff.
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For fight comic fans, Amazing Spider-Man #53 delivers. There's plenty of action and a wide variety of characters involved. Spider-Man is largely absent, but at least the story appears to be closing in on some kind of point and conclusion.
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I want to like "Gang War," but there's not enough here to get you excited unless you're a big fan of the various B-Tier gangsters that Spider-Man has grappled with over the years. The stakes never feel too high in a story that lacks Spider-Man.
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It's not bad, that's for sure. Aquaman's new role as the leader of a dry land embassy continues to cull up intriguing story elements and Black Water continues to be an interesting bad guy. I'm not sure this issue does enough to entertain though, as the “heroes questioning their methods” element is understandable, but not very captivating and the detective work in play is more blind luck.
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This issue sets the stage for a huge battle that should not be missed with issue #12. If you dig quieter character moments, or just want to start reading this series, this is a great issue. That said, it does more to set up and resolve conflicts so as to make the next issue enjoyable, rather than delivering a satisfying experience here.
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A decent issue that progresses the plot, but the reluctant hero schtick is wearing thin.
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An okay issue, but I was left feeling like I was reading a buffer issue that was distracting from the eventual conclusion more than anything else.
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As a first volume goes this manga offers a variety of interesting ideas about monsters, gods, and how they manipulate humanity. The idea that monsters live among us but are invisible is an interesting concept to explore further, but the delivery is unreliable and confused making the already awkward Hitagi even harder to understand.
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Basilisk #2 is a good second issue, but it leaves you wanting more. The flashbacks continue to be a high point in the way they are drawn, and the darkness inside these super-powered characters is enjoyable, but where we go from here feels too unsure.
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As far as endings, characters feel changed, at least for a while, which is exciting in legacy storytelling. Three nuggets of story will play out in future tales. Overall, though, this finale feels bloated with action and lacks the character exploration in previous chapters that has been so exciting.
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This series is starting to wear out its welcome out due to the inability to give us answers. The captions give us something, but only crumbs to go off of so as to lead us on. As it stands, this is a simple fight comic that knows its audience will be satiated with a Snake Eyes vs. Batman showdown. Will it be enough to satisfy all fans? Likely not, as this issue is very similar to the last with no new developments as far as our understanding of this world or Batman getting closer to an escape.
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I want to like Batman and Robin #3, but the issue doesn't quite work from cover to cover. The car chase is great, and the art soars at times, but the narrative feels muddled in its plotting and McGuffin-driven unfocused nature.
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Issue #2 sets up the next swing of the current story arc as well as deliver a fun Joker flashback to the good old days. That said, it does so in a decompressed way, leaving you wanting more.
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A good start to an interesting miniseries that should be on any fan's radar who adores Joker.
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More and more, Batman: Fortress reads like a too decompressed story with little plot movement and too much talking. It's not bad by any means, but once collected it'll likely be far more enjoyable as not a lot has happened in three issues. But heck, it's fun to read an alternate take on Batman facing off against impossible odds.
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The art is impeccable with great colors, but I'm not sold on what the story is trying to say. If you find yourself a bit lost maybe that's the intention, but it's not conducive to keeping your attention.
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I can't be certain if Captain America #11 really works since it's so different than the usual Cap story. Straczynski is doing some interesting things by using magic and destiny to drive home a story that's like a new kind of fairy tale. Throw in another excellent Wolverine and Deadpool backup and it's worth a look if you dig storytelling.
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Catwoman #41 has good pieces, but the puzzle doesn't quite come together. The problem starts with the frenetic start/stop scenes, the lack of closure in conversations, and the somewhat jarring digital art mixing in with more conventional-looking pieces.
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This series hasn't explored the NSA aspect I was hoping for and has changed into an episode of 24. The bad guys are the government and you know from here on out it's going to be a chase sequence rather than anything interesting or compelling. The romance does work though and that's saying a lot in this day and age of comic books.
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Overall the concepts driving this story are good ones with high potential. That said, there's nothing here by story's end that live up to the promises you'd hope from this series. It's possible Wood is holding his cards on this for future stories, but as it stands this story arc feels limp and unsatisfying.
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I'm game for more in this miniseries, but I felt the opening was too dreamlike and vague to capture interest and adventure. Instead, it reads like a preview of what is to come with more being done to introduce characters via the narrator rather than showing the characters in action. The old adage of "show, don't tell" doesn't quite work due to limited time and heavy use of captions.
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Cyborg #3 offers a new character, new powers, and a new wrinkle in Cyborg's battle for his humanity. I can't say it's much more than a fight book for much of its length, and the new power comes out of nowhere too.
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This series is an odd one that seems to have lost its way. It had purpose and drive to start, but has seemingly ditched the whole point and moved onto a stereotypical Danger Girl comic by series' end.
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As always this book looks fantastic, opens with a good chase sequence, but leaves you wanting more as it mostly feels like a preview for the next series.
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If you stand back and look at it it's a fun little romp with a great backup. That said, the book is paced too slowly and it can be a chore to get through.
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DC vs. Vampires: World War V #4 takes a few steps back as characters and the reader get new information. The issue lacks action and tends to have overly verbose dialogue scenes, making it a slow read, mostly set up for the next issue.
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The visuals continue to dazzle, but this issue is ho-hum and riddled with unearned elements.
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A good issue since it finally puts to close the mystery of who is messing with Batman. Sadly though, I wanted more. The fact that this issue reveals the twist up front is somewhat troublesome too, since much of this issue you'll be waiting for the fight to stop and the meaning to emerge. That meaning is something we've seen done before with Batman, granted not in this way.
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It almost hits it, and there's some choice art to be had here, but overall it's a middling conclusion to a rather boisterous and fun series. I'm not sure this conclusion is saved when it's collected either, because it's so darn random.
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This issue caps of what is an unfortunate sequel to the stellar original series. The story felt rushed, disjointed and missed the point of the original. We want to learn about new crimes and see him gain new powers, not rescue some old man we don't know!
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I'll admit my expectations were high for this pairing of super artists and that expectation brought me much too high for the quality of the book. That said it's a fun, albeit pointless, adventure.
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Fallen Friend: The Death of Ms. Marvel #1 is a comic about mourning that thankfully highlights Kamala Khan's culture but doesn't do much more. Capturing three moments at her funeral, we get the pulse of key characters who Ms. Marvel touched, but little else. While it's nice to get some sense of how characters are feeling from the death of Ms. Marvel, it's far too little and maybe too late. With the character's revival assured, we have a comic that shows important Muslim culture but little else.
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Flash #52 manages to ameliorate the last issue's gaffes with some exciting hero-villain team up action. I can't say Flash or the Riddler come off as very strong or interesting though, but if you like classic superhero stories you'll dig this.
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Overall a good, but not great table setting issue. I'm excited about the clever idea Williamson has set up and I can wait to see Sandoval execute on it next issue.
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Not quite. The plot is there, and the art can be too if we can get rid of so many giant word bubbles, but damn is the dialogue stifling this series. I'll stick around to see where things are going, but the execution is leaving a lot to be desired. Especially for a book that's technically an event.
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A hiccup of a volume that is more about setting things up.
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This is an average superhero story with an espionage angle that suits the character. The art pops though and it'll make it worth the price of admission alone for most!
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A good wrap up with some fun character beats, but it doesn't quite feel like a big finale in the grand scheme of things.
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Overall this issue is a bit of a downer as it doesn't achieve the heights it could. There is story progression, but the characters aren't explored quite enough. It is neat to see how Carlie would rule, which is foreshadowing I'm sure, but overall it's skippable..
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Much like the #2 issues for any series I'm hesitant to suggest this is a home run issue. I'm not sure where this miniseries is going, and while there's some interesting character development in play, I don't know if I'm sold on its genuineness.
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A fun done in one issue that looks good and captures Flash's immense respect for Spider-Man. There's a bit of humor, but ultimately the action sequence falls flat due to the lack of any stakes at all.
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Good looking book with a fun scene or two, but much of this is biding its time for the next issue with senseless fighting.
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Harley vs. Joker: Who ya got? In this case a semi-winner with strong character moments.
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While much of the content in Harley Quinn and her Gang of Harleys #6 feels like it's spinning wheels to fill pages, the sniping is exciting and the concluding pages a great surprise. Ultimately I don't think this series needed to exist, in part because not enough was done to make the team feel cohesive and interesting, but if its purpose was to create a new villain it succeeded.
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It's not terrible that's for sure as the art pops and looks great and the story suits Harley quite well. The comic is never as funny as it wants to be (or should be!) either. There's entertaining portions throughout this issue, but the heavy use of captions and dialogue drag down the pace.
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Hellboy and the B.P.R.D.: 1957 Falling Sky is a decent monster adventure for the diehards. Sure, it's fun to explore an adventure with Hellboy in an earlier time, but the monster they encounter, and the general point of the story, aren't enough to warrant the price tag. At the very least, though, it handles Dr. Farrier's rekindled love of monsters well.
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I Am Batman delivers on the cool action and brutal violence of Jace as Batman, but slows things way down with heavy exposition and slow plot progression. It's not doing quite enough to capture your imagination and mind, but it sure looks good when Batman is on the page.
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Slightly better than the first volume due to some key answers, but dammit is this protagonist frustrating.
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An okay first issue that sets up what hopes to be a fantastic second. Sadly it doesn't quite energize you to care since too much of it seems to lean on Tony Stark's origin.
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I've liked this series, but Joker/Harley: Criminal Sanity #5 doesn't work. What leads to this issue teased the big confrontation between Joker and Harley, but what we get is a blip of a meeting with a forced explanation for why the story must not change between them. Likely there will be some explanation and another confrontation, but taking the genie out of the bottle and then promptly putting it back makes this issue ring false.
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It's frustrating when a series as enjoyable as this delivers a dud. It's been fun, exciting and fast paced the last seven issues, which makes me think maybe a lot of the exposition here should have been interspersed more equally throughout the rest of the series to let this comic breathe. Instead, we have an issue here that gets a laundry list of plot across and delivers answers to anyone wishing for them, but the joy of the previous issues is lost when you're getting bombarded with exposition. A good single issue has to do a lot of things, and because of their brevity requires good pacing. When you've got so much exposition going it's hard to get that well paced story. Artistically though this issue works and does things to curb the preachiness, but it's not enough to save the issue.
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The art by Nelson Daniel continues to be as excellent as always. Its cartoony feel continues to mix in nice dramatic moments and good atmosphere when needed. Even in the weakest of scenes, Daniel can pull out a bit of a smirk or add energy with a facial expression or how flashbacks mix in with the current timeline.
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Justice League #7 gets to the core of each of the heroes via fear, which is a unique and interesting perspective. It's entertaining enough, though it ends at out of nowhere and has quite a few problems with plot and dialogue.
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Justice League #10 delivers a new threat that's modern and creative. Whether you buy in or not will determine if you love or hate this issue, but you can't argue that the last 9 pages of action aren't fun and dynamic.
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This is a very standard superhero comics story. The heroes are all accounted for, a threat--that they should have all seen coming considering they were just in space--is adequately deadly, and there's enough action to wet your whistle. Unfortunately, an adequate and somewhat basic superhero story pales a bit by comparison to many other stories coming out right now. Maybe when the threat begins to reveal the stakes the story will become more interesting, but as it stands this is a decent popcorn fodder superhero tale.
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The second part of the latest story arc is a bit formulaic, but still a fun superhero action ride. It looks good, offers an interesting cliffhanger, and even plays around with the higher powers in the DCU. 
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If you're looking for some manga action with a spin on symbiotes Kid Venom is an enjoyable and unique ride. It's light on character and plot, but it has striking visuals and an unmistakable manga sensibility.
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King in Black is playing out as a gloomy and depressing event with little to root for or get excited about. The tie-ins have been incredibly well done, but so far the event isn't doing enough, especially in a second issue that is more about setup than progressing the plot. Knull continues to be a mystery as well. That said, the book looks great and hits those blockbuster notes we desire -- it's just not presenting a narrative that'll keep your interest.
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Overall, this is an okay last issue in a miniseries that has allowed creators to play around within the confines of the King in Black event. This is by no means a necessary read, but the Toxin story makes the issue worth reading thanks to a clever idea using Symbiotes and a strong voice in its characters. The Cloak and Dagger story is more for their superfans who miss seeing them in the latest comics. Funnily enough, "Planet of the Symbiotes" was quite misleading, but if you're up for some smaller-sized side issues it's a worthy read.
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King In Black: Return of the Valkyries holds a lot of promise for what could be a fascinating angle on the realm of death while the current harbinger of death, Knull, looms over Earth. This issue does just enough to whet your appetite for what is to come, but it does so in a flat way not quite delivering enough to keep the momentum going.
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King Spawn #2 moves the plot along just enough to keep your interest. Some might take issue with it connecting to the Capitol insurrection, but it is done in a way that carries emotion that doesn't feel cheap. This book also has multiple gorgeous panels and pages, but can also feel clunky, overly wordy, or oddly laid out. That all adds up to a book that is less than perfect, that isn't quite kingly, but the crown can still be attained.
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This is a fine first issue that drops you into an incredibly vivid and different world. It has little connection to our own despite it being set in 1800s America. This is sort of like Saga in that there's lots of great ideas, but it lacks a strong character to drive it along.
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Luke Cage: Gang War has an intriguing angle but mostly focuses on superhero kicking and punching rather than the dichotomy of being mayor and a hero. It had promise but seemed to drop all its risky choices after the first issue.
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It's not that great of a book because we don't yet know why it deserves to exist alongside the original Frankenstein. There's a few new additions to the concept, but they aren't shown enough to warrant this book. Plus the nudity seems classless rather than a necessary element.
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Marauders #26 is an okay experience that only nudges the needle by introducing Leland to Krakoa. It's also a story that only comics could get away with as we witness an outlandish fight between Iceman and Fin Fang Foom that really didn't need to exist, but now it does. Iceman fans rejoice, as you get to see him go off in a big way.
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This is a just okay experience for longtime Marvel readers, but if you're new to the characters you might dig it. If you're buying the game this is a no-brainer to purchase since it gives us a hint or two as to what is to come and establishes the general feel of each character well.
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All told, Marvel's Voices: Heritage has its heart in the right place, but ends up falling short -- literally. Each story is shorter due to the anthology format, and the majority end up being too short to make an impact. There is the very good American Eagle tale, and the reprint story by Darcie Little Badger is good too, but this a thin read and a hard book to recommend.
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After the great first issue, Midnight Sons: Blood Hunt #2 drags its feet to progress the plot and find a purpose. A random nurse ends up stealing the issue, but we're here for the heroes and their journey. At least I thought we were.
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Monsters Unleashed ends with new beginnings in store for the Marvel Universe. It may have ended in a way we all saw coming, but it's great fun especially for your inner 10 year old.
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Namor the Sub-Mariner #1 will grab your interest if you're interested in sci-fi tales of dystopian futures and how we as a people survive them. There's a clear connection from this story to our own reality that's worth exploring, although Namor isn't as interesting as you might think right out of the gate. Still, there are enough pieces here to come back and see if Namor will do something with himself rather than watch the world crumble before his eyes.
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A so-so start that has an interesting premise if you can get through all the explanation.
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I wanted to like this side quest Brisson and Flaviono put us on, but it's a bit too clunky in its execution and plotting to satisfy in a real way. The characters all go through hardship, but at the cost of glossing over plot holes to get there. There's a promise of sorts this will all come back to bite the characters, but it's so toothless I doubt many will care anyway.
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Hawkeye was always a hero who did right for the little guy and the story established here suits the character. This is a setup issue for sure, and it does that well; just don't expect to be wowed just yet.
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The premise is good, but falls flat for me as Fred's backstory doesn't work to make the laughs come and instead feels shrug worthy. The story progresses though and the art excels.
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I'm not entirely sold on this story yet. The dialogue is great and the character has just enough of a chip on his shoulder to get behind, but the world is very mediocre with an even more mediocre plot.
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Redcoat #4 is a table-setting issue for sure, with a chunk of it way too decompressed. It's a quick read, especially with the first six pages seemingly buffer to fill out its pages. Still, the lore and world building continue to be compelling enough to pick this one up.
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As an art showpiece, Savage Spider-Man #1 is an entertaining read, but it doesn't do enough to hook the reader in as far as character or story. Something is going on so it's not simply a blind action fight comic, but we'll need to wait till issue #2 to get some reasonable answers. If you're looking for exciting art and a bonafide savage Spider-Man, you'll dig this.
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What we have here are three very well drawn stories with good to great dialogue throughout. What we don't have is a single surprise or secret. The title is misleading and while that's not such a big deal if the writing is great, there's nothing new here for anyone who has any knowledge of these characters.
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Solo #1 sets up what could be a very fun series, but its identity is still in question. The character is relatable and feels unique. His less than perfect nature sets him apart from other heroes of his caliber, which makes the book feel valuable, though not yet necessary.
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If you like seeing heroes fight heroes, pickup Spider-Man Annual 2023 to see if Contest of Chaos is your thing. It's also exceptional when it comes to Spider-Man, who is quirky, goofy, and funny in the best of ways. I can't say I know what this crossover is trying to do, though, so temper your expectations.
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A decent issue that slowly progresses the plot and introduces an interesting new character, but it's so darn sparse you'll be done reading in a few minutes and think about it thereafter for even less.
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It's hard to give this book a lower grade when the artwork and overarching story are so interesting, but much like film, comics can't just be images. A story needs to be told, and while, yes, a picture is worth a thousand words, there should be a balance struck. More than likely this series will be phenomenal collected, but as single issues go this one goes by way too fast.
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Star Wars: Yoda is certainly well drawn and has a story worth telling, but it's telling it too slowly with too little Yoda on the page. There's a lesson between Yoda and the people he's helping, and that's a neat way to show his wisdom and ability to teach, but it's unfortunately a slower boil tale than one might expect with Yoda as the lead character.
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If you're looking for action, Suicide Squad: Get Joker! #3 has plenty of it. It also wraps up the story, albeit much too quickly. As it stands, this series ends being feeling like candy: it's got the flavor to make it enjoyable, but not the nutrition to make it matter.
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This issue reveals a glint of detail with some flashbacks that may or may not be true. It sets up a character that could be a love interest too, but overall it's an underwhelming table setting issue for sure.
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There are a few plot points that get closed off too, which in hindsight probably could have used much more time to be effective beats. Instead they're swept under the rug as if the buildup in previous issues was for naught.
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Did we need an entire issue devoted to a fight scene honoring Doc Ock and Spider-Man's history? Probably not, and while it's drawn to perfection, it also feels like an unnecessary issue as we wait for Supernova- an underwritten character, to say the least- to be defeated already. Superior Spider-Man #4 honors the past and works as it calls back to key elements but falls flat as a comic that could have brought much more joy.
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Superwoman Special #1 is a solid entry for fans curious about Lois Lane's transformation into a superhero, delivering engaging action and emotional depth. However, uneven pacing, art inconsistencies, and a couple of missteps in characterization keep it from soaring as high as it could.
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Symbiote Spider-Man: Crossroads #1 is an interesting start due to its use of some obscure Marvel characters and elements. In a way, that makes it intriguing since it's unexplored territory -- likely chosen due to this being a prequel that can't mess up continuity -- but it also makes it less accessible.
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This issue delivers a solid second half that's gripping and painful to get through which is something horror can rarely do. The story however continues to feel too slow and it's becoming harder to care as it reaches at straws for meaning.
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Strange Academy Presents: The Death of Doctor Strange is a great read if you're a fan of this series as it gives every main character a time to shine. This is also a no-brainer buy for fans of Mike del Mundo, but don't expect a story that'll have you riveted by any means.
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The team is pulling together nicely, though maybe at a slower pace than one might like. This is a series that has a nice chip on its shoulder that, once pulled together, may just be the best “B-team” book on the market. Here's to waiting for it to start to gel!
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This is a perfectly fine one-shot, but it doesn't offer enough to be truly great. The Legend of Shang-Chi is an easy access point for casual readers who may not know Shang-Chi and don't want to get involved in the complexities of comics stories. Whether you pick this up or not will depend on how interested you are in a fight scene involving Shang-Chi and an unexpected villain.
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Writer and artist Geof Darrow is well known for his hyper-detailed work. The stuff he spins out is gorgeous to say the least, and this issue is no exception. It's just so monotonous I'm not sure what to make of it. To simplify it, there are pages and pages of the same thing here, which is the cowboy spinning around cutting zombies to pieces. Flip through this in five seconds and you get the idea. If you sit and linger on things though, you'll see the real reading pleasure comes in eyeballing the details.
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This book succeeds in telling its wide sweeping and epic story taking you to different times and places as any good historical fiction should. It does so over more pages than it really should though, which makes the narrative drag and ultimately hard to get through.
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If you like action, especially Flash in action, you can't miss this issue. The Titans get lots to fight, but unfortunately the bigger plot is barely scratched to give the action more room.
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There are some badass moments though, and for what it's worth the Halloween specialness of the story is effective. Vampires taking on bear creatures? It's just zany enough to be fun and just horrific enough to work.
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Vigilante: Southland #2 delivers on the hero's journey complete with all the growing pains that go with it. Unfortunately it's not developing the bigger picture well enough, nor the main character, to make you care all that much. Here's hoping it pulls together in the next issue.
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As far as action comics go, Weapon X-Men has plenty to sink your claws into. A lot of what is in this comic feels familiar, though, as the narrative never probes the characters too deeply.
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I like the idea of this book but it doesn't quite sell me. The art is a tad inconsistent and the story just barely keeping its head above water. As a fight comic though it excels and it's a fast-paced joy ride.
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Wolverine #11 is enjoyable enough but doesn't pull off a great issue. The art can look unfinished with muddy colors, the opening has action but doesn't progress the story beyond a reminder Wolverine hates vampires, and none of these elements come together well enough. There's good spy stuff going on and Percy excels at writing bad guys like Beast and Omega Red. Whether that's enough for you is your choice.
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Pick up Wolverine: Revenge if you like Greg Capullo and slick-looking art, but expect a thin story set outside canon. It's a series of pretty pictures but not much else.
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Interesting elements of Wonder Woman's now very complex connection to the Amazon's and Olympus are explored well, but the big conflict is rendered pointless with an underwhelming climax.
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The art continues to be excellent and the story weaves in so much, but a lot of it is so obscure and strange it's hard to get excited.
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Alien #1 has such a strong premise and well-rendered sci-fi elements it's going to be enjoyed by many, but don't expect Alien action just yet. Unfortunately, this issue is a bit slow, and is in no rush to get the mission going. It essentially establishes everything it needs to get the story going, but for a first issue, it could be so much stronger if the mission got underway earlier. If you have the patience for it, check out Alien with the expectation that things will get nuts once the next issue is released.
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This is a pretty good issue that's a teensy bit setup and a hell of a lot of recap. The concept of Doop roaming through moments we've read before is interesting in idea, but when executed it's a bit of a snore.
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The action sequence and surprising way to open this issue saves it from being a bridge issue and nothing more. That said, the exposition is heavy and slogs things down considerably.
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This issue doesn't bring anything new to the Invaders we haven't seen before. I'd still give it an issue or two to flesh out the concept because we don't know enough, but this issue feels done before.
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Effectively sets up the event while laying the groundwork for a different kind of Kraven.
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I'm liking the "Sins Rising" story so far and this issue integrates a clever story mechanic that works well with the goals of the book. That makes Amazing Spider-Man #46 a recommended read on its own merit and as part of a larger story.That said, the last chunk of the book is dry, overly wordy, and decidedly lacking in Spider-Man.
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If you can keep the events in the timeline straight and be okay with some unearned elements in the narrative, it's a good time. It plays up the action well with slick visuals that are suited to the monsters as the subdued moody scenes with Norman to perfection. At the end of the day, there's a dark and disturbing Spider-Man story here -- you just need the patience to find it.
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Amazing Spider-Man has been given a new intriguing element thanks to the news of Nick Spencer's departure, as we're witnessing an active effort to resolve plots and reset characters in Spider-Man's life. That's an interesting thing to see actively transpiring on the page which adds a meta-level element to a series that may have too much plot.
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Amazing Spider-Man#74 is a microcosm of one of this series' biggest problems: how long and drawn out it has all felt. Spencer's final issue does use that length to make the story feel big, and while it may not satisfy many, you can't say it ever shied away from what it wants to be. If you view this as an overly dramatic stage play it can be fun on some level, but for many, the best part about this issue is that the groan-inducing Kindred story is finally put to rest.
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In Amazing Spider-Man #28, Spidey is metaphorically tied up with fixing robots before literally being tied up by Doc Ock. It's a chapter that looks fantastic thanks to McGuinness' incredible art, but lacks plot progression or interesting character work.
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This is a disappointing entry into what could be a great series. The art is strong, but who is this Angela lady, really? I still don't know.
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This is a good issue that's much more for all-ages audiences than hardcore fans. That said, it ties in Scott Lang into a Hank Pym story.
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If you're looking for an emotional action sequence you can't do better. The issue is heavy on the action though, leaving you wanting more.
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If you're a fan of the 1920s you owe it to yourself to read this and the last issue. The creative team have made something truly special and different, taking everything we love about the 1920s and infusing it with super powers.
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Avengers #35 is stronger than the last, but still falters a bit. Still, it's quite clear the story is managing to tell an epic story in lightning speed in an industry where stories overstay their welcome. It's starting to feel like this story arc is managing an idea that's too big for each issue, but it manages to entertain and deliver on fun character moments just enough to make it worth a read.
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Batman #103 is a good fight comic that ever so slightly moves along the Ghost-Maker story arc. You'll be more invested in Ghost-Maker, and if you've ever had a sibling rivalry you'll relate, but this issue could have used a little something extra to bring it to greatness.
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Batman's Fear Statestory carries on here, but it progresses in a much too slow way. Bouncing from multiple plots with little action makes for a rather boring fourth chapter. Expect to find some table setting in an okay chapter that could have used the zing of Jimenez's art a lot more. Still, the backup is enjoyable which makes the overall package worth a look.
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My interest is piqued as far as new characters joining the Batman Beyond fold. The table is set for a showdown next issue that shouldn't be missed and there's a good flashback that reminds us this series is strong in both the writing and art departments.
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A good looking issue that seems to hold back just enough to allow for the next issue to wrap things up. For part 4 in a 4 part series though, it certainly doesn't conclude much!
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Batman Incorporated #6 is a decent start to a new story arc showcasing Professor Pyg and Ghost-Maker's unorthodox teaching style. This first issue lacks action scenes, though, spending most of its time working on characters through conversation.
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If you're looking for a good one-shot featuring Batman's complicated relationship with Two-Face, you'll enjoy Batman: One Bad Day Two-Face. It doesn't probe Two-Face very profoundly, though, and ends up feeling like it only skims the surface when it has the opportunity to say something about the character. Batman: One Bad Day Two-Face is entertaining, but lower your expectations after the deeply unsettling Riddler issue.
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The back-up saves this from being skippable, and Alita fans will enjoy the action-heavy first half.
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So often in comics it seems like the art carries things and keeps your interest. In some cases it does you a service as things pick up later in the story, and I'm holding out hope that happens here, but as a first issue goes you won't be overwhelmed with good vibes, but rather teleported through its pages through the art alone.
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Bloodline: Daughter of Blade #1 introduces a compelling situation for Bloodline as a vampire hunter and as a person whose still figuring out her half-vampire nature. A slower-paced issue, to be sure. There are a lot of elements that could spell intriguing drama surrounding vampire hunters and Blade being an absentee father.
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Another good issue which reminds us not everyone is born a hero.
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While I'll come back next month to see what happens next, I can't say the slower pace is doing this series any favors. The all ages feel works though, and it maintains its-smirk inducing moments with kung-fu fighting.
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If you've dug the flashbacks in this series prepare yourself for some of the most interesting and enlightening scenes yet. Spencer is expanding the story in interesting and global ways, making Captain America the go to for political intrigue in comics. That said, there's so much dialogue it gets to the point where it becomes a chore to read through this. There are interesting elements being set up sure, but the balance and pace is slowed to a crawl.
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I'm a sucker for character work and find comics like this entertaining. I did feel underwhelmed with the way the story progresses (including holding out on us for a major decision), but there's groundwork made here future Marvel fans shouldn't miss.
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Captain Carter #1 feels like a stable, but safe start to the new series. Characterization is on point and you'll be right there with Peggy every step of the way, but it also doesn't feel new enough, nor does it make a strong enough case to matter just yet. As it reaches its cliffhanger you'll be on the fence as the second issue will likely open up its superhero themes.
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Its strongest element is the character building of Jack which may pay off in the end. The demon and general premise is strong, but this issue drags on since it's really not funny enough to sustain the commentary. That said, this is a diabolical political commentary that should be noted now that we're in the heat of campaigns and their forthcoming buzzwordyness.
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Not very, especially since it's so darn skippable. The characters must get around another obstacle, but by issues end we're back where we started. On top of that all the social commentary is absent here.
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This was a series that had the biggest scope of any book on the stands this year. It had strong moments, intense reflective scenes too, but ultimately fizzled out in the end. It shouldn't be missed though, because it challenges what we think of our own reality.
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Cobra Commander #2 is a half step in the right direction. While it introduces more beloved G.I. Joe baddies, it also progresses the main plot too slowly while also missing all the cool world building and character work of the first issue. The visuals make up for the delay for more of the good stuff in issue #1, but only so much.
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Conan The Barbarian #18 leans into the series' prose roots well, capitalizing on some beautifully written captions throughout the book. It also drives home a story that has made Conan unstoppable, but also a slave inside his own mind. The ideas are interesting and unique, but the conflict is resolved too quickly to feel earned or exciting.
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There is a ton to like in this series and plenty of pretty pictures to look at, but a story is not made by its action alone. The last page screams for you to buy the next issue, but so far things are imbalanced enough that I'd be wary.
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Progress is made and big action can be had, but Cryptocracy #3 doesn't quite hit home the character work. Instead you're left with wonderment, but any real idea why you should care. Still, you can't do wrong with the wonderment on every page.
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Cyborg on the street should be a weekly occurance as he allows readers to see the difficulties of being black in America. Cyborg #5 does that quite well. A new character is introduced well enough, though the actions to transform her delivered too quickly to allow it to resonate.
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It's not bad that's for certain. The story in this issue flows nicely and progresses the plot well, but doesn't focus enough on the best part of this series, young Abbey.
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This is a series where the main event is enjoyable if you let it do its thing. Dark Nights: Death Metal has acted as the main rudder directing all the highly enjoyable tie-in series so they could do the character work, and for that, this series works. I can't say this series digs too deeply into character on a consistent basis, but it gets the job done. Dark Nights: Death Metal is like a good candy with bombastic flavor.
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DC: Mech had a first issue that believably explained the entire premise. DC: Mech #2 is way too loud with character emotions that are turned up way too high. Throw in some obvious setup for the heroes to overcome before the villain arrives in the last act, and you have a book that younger audiences may dig. While adults might enjoy the mechs and over-the-top nature, the emotional story is starting to feel too simplistic.
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Dr. Frankenstein has never been this scary with a plan that's so big you're not going to want to drop this comic.
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A good issue, but the slowness of this series is wearing on me.
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Artist Jason Fabok does an exceptional job with what he's given here. Everything is exciting, well laid out and flows nicely. The fact that it's a bit of a stifling comic (with limited action and mostly narration), yet still interesting to look at means extra kudos to Fabok. And again, I really dig how he draws rain scenes.
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This is a good issue in that it wraps things up across the board, but the lack of suspense and tension really hampers the enjoyment factor. Raise the stakes people!
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Action fans should take a look at this issue as it has plenty of action drawn in incredible detail. This two parter story concludes nicely, though it lacks the emotional oomph it was going for.
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This is a fun issue if you like all-out battles and cool looking vehicles. Batwoman is badass too, but it doesn't read like "Joker War" must-read comics either. I had fun reading it though, and likely most will too.
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The first arc was so clean and fresh, but this seems to have hit a wall of exposition and continuity rather than keeping that new feel into this second arc.
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I'm not feeling this series as much as I did in its original run, but it's still very good at a lot of things. I'm hopeful it pulls itself around as issues come in, but so far it's not quite up to the heights this series could achieve.
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The magical world of Fables continues to be alive and well with a compelling prologue that sets up a key future character. That said, much of this issue coasts along with character you may not know making it hard to care.
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A good installment that imparts detail on the detective work, but does so in a boring sort of way.
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I couldn't help but think this would be an excellent character to introduce in the Marvel cinematic universe. This story has a lot of potential for an origin story that'd get fans excited. Luna Snow is basically Elsa from Frozen, but even better!
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Overall this is a good experience with the backup allowing the main story to skip a beat and still allow the reader to find some joy in the entire issue. There's lots of action, more origin story information, and Space Ghost steals the show with an exciting scene.
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Action packed and fun because of it, Green Arrow #51 works well enough, but a few awkward scenes, panels and bits of dialogue make this an imperfect read.
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Green Arrow and Black Canary's relationship is focused on with plenty of sultry scenes to get readers hot and bothered. I'm not sure the balance of that and the impending threat is done well enough though, making the issue feel too focused on them.
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A big reveal and a solid chase sequence are in store for readers of this one. A major hiccup in art at a key time late in the issue will make you question what you're seeing, and generally the tension isn't there due to a lack of visual payoff for Ollie's actions, framed or not.
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A perfectly good ending though it lacks big moments and surprises.
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A decent issue, although it's clunky at times in its plotting and art.
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A well-drawn issue with some interesting beats, but it's too slow to have a major impact.
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I Am Batman #11 is a good character drama, but lacks Batman fighting villains and criminals in general. There's a promise of more superhero stuff, but expect to dig into character relationships more than anything else.
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A major shocking moment occurs that may just rejigger the entire universe. That said, you'll finish this book wanting more.
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Once you admit The Jurassic League is about fun and in-your-face action with a simple plot you should be right as rain. The characters are mostly surface level, which does amount to a simpler reading experience. But hell, it's the Justice League as dinosaurs, not Shakespeare.
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A good wrap up to a story arc about leadership and imposing ideals on another culture. I did have issues with the use of the team and ultimately Wonder Woman seems to go against something she tends to fight for always. That said, it's a different kind of Justice League tale worthy of your attention.
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Does this issue wrap things up and set up an element or two for future stories? Yes. Does Batman come up with a killer plan that's intriguing? Yes. Does the entire production feel hastily put together and the villain given a unsatisfying end? Oh ya. Altogether this is a fun issue that's good, but not great.
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A good continuation of Jessica Cruz's journey as she leads a team and believably builds a plan to defeat Darkseid. This issue has some faults, but overall it's an interesting sci-fi story.
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This series has unfortunately been very uneven. There's never a complete dud, but there are some that dazzle and others that fizzle out. It's partly due to massive amounts of exposition dropping in a rather boring way. While Giorello technically kills it in every panel his style makes the slower paced scenes fall a bit flat. There's only so much mist that can punch up a scene and I think it's partly due to his style. It works incredibly well for action sequences and dramatic moments, but if a sequence has a lot of exposition you're sitting on only a handful of close ups.
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I wanted more out of Knight Terrors: Ravager #2, especially after the slasher vibes of the first issue. It does have interesting ties to the real world and a future tale, but the stakes never feel all that high as you await the end.
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Lady Baltimore: The Witch Queens lives and dies by Connell and Madsen's art with creepy and uniquely drawn monsters and tight action. The story is familiar, especially as a Mignola-driven series, but the characters make this a unique enough experience. While the story does drift into heavy exposition for the second half, it has promise and should be picked up by Mignola fans who delight in the combination of history and the supernatural.
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I had fun with this issue, but it's also not all that necessary to read either. A couple of stories stand out while others are just so-so, and while it's interesting to see Ewing's ever-so-slight additional Masked Raider story, it's not enough to warrant a purchase alone. If you skipped Marvel Comics #1000, I suggest waiting for the collected edition.
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An interesting start, although there isn't enough here to give readers an understanding of what this will be about, or why they should care.
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Cute and fun, but like a piece of candy it's devoid of any nutrients. It has potential to be more than a toy tie-in, but this issue doesn't prove there is a point beyond that just yet.
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Orlando successfully concludes the last issue of the arc. Storylines are tied up, the action is epic, and Midnighter gets to team up with his ex Apollo. It wasn't a slam dunk, but it still delivered.
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A good second issue due to its fun adventure vibe.
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The emotional impact is obvious and good here, but the decompression makes you want to tear your hair out. You feel cheated due to the cover and the promise on the last page of the last issue, but you get very little for it.
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Things are coming together and I want to keep reading, but dang do they give you a meager amount of story per issue. Chris Claremont must be rolling his eyes in disgust!
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Overall a very tepid climax with a lot of interesting developments in the final pages once the smoke clears. It's not the best event series, not even this summer, but it at least doesn't leave too many storylines hanging.
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Purists may hate the rewriting of Bruce Banner's origin, but I can assure you most will be bored with the main narrative. Still, that opening action sequence is one to behold.
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The art is solid and the concept could be strong, but this first issue does not deliver enough for the reader to know what is happening or care. I wouldn't be surprised, however, if the second issue blows my socks off since the payoff is clearly not here.
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The pieces are in place to make this a fun crossover. If you've been reading Green Lanterns, though, you're going to be sorely disappointed with a recycled idea that's the main point of interest in the storyline.
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I'm still in love with the idea behind this series, but unfortunately this issue doesn't entertain enough and repeats itself way too much. The art continues to be compelling however and this issue will most likely work much nicer in a collected edition.
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This is a good start, but there isn't enough humor or entertainment value in the interactions to keep things interesting while we learn who these characters are. Proctor Valley Road has a lot of potential, especially since it does have strong characters, but we'll need to wait for issues #2 and #3 to find out if its mysteries are worth investing time in.
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A stronger issue than the last. Its action is exciting and well choreographed and there's a surprising twist as we delve into the plight of an enemy Conan would normally just hack through.
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Strong setup and character work, but where is the action?
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Saga is back, but while there are some shock moments and interesting growing pain issues in play, it's a bit bland and slow.
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The conclusions satisfy, but the rush to get there reduces the quality.
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A lot happens in this issue which will make fans happy since some of these installments have read like filler at best. It's easy to see things are concluding to make way for the big finale which means less of a dramatic focus on key characters; overall this is fun, bombastic action done pretty well.
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Overall the story is sound and the characters good. Unfortunately the plot is not progressing fast enough and the cliffhanger wasn't much of one because we already saw it coming.
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Ridiculous and over the top, Sixpack and Dogwelder has big reveals that are worth a look. If you haven't read a single issue you'll be completely lost and fans of the series may be twiddling their thumbs as the team takes a backseat to a major character's lineage flashback.
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Fun one-liners and great art are good, but not enough to make it great.
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Spider-Man #5 is a head-scratcher issue, never giving up details on what it all means, and instead requires you to pay attention to an alternate take on Peter Parker. Basically, a multiverse What If? story. Read this one expecting some major ramifications and explanation, but go in with plenty of patience.
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This is a very skippable issue since the events that do matter will probably be summed up in the next installment anyway. The art is good in one but not the other and overall this should only satisfy the die hards who are reading everything.
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A good setup issue, but more of a tease than one you can sick your teeth into.
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The strengths of this series continue to be expressed via varied creative teams who capture a variety of subjects the series was good at capturing. This issue doesn't quite excel in both stories, but it's worthy of your time if you were a fan of either Enterprise or The Next Generation.
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A great set up issue falls a bit flat as it mostly does just that.
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Coming from someone who really dug the balance between action and characterization in the previous issues I was let down by this installment. If you're in love with the characters you'll probably love this issue, because it's all about who they are now, where they stand after the climax last month and where they're potentially going. Wredd is basically a caricature of a villain though, so continue to not expect much from him.
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This is an ever-so-rocky beginning to the next arc, partly because the art is so muddled for the all important flashback sequence and the issue's failure in giving Ania much to do. It feels very much like a second issue where the pieces are being put into place rather than any actual action taking place. That said, the setup should please ongoing readers who have been waiting for the Sith and Jedi combination for months.
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Princess Leia continues to be a good, but slow burning, story that captures the essence of what Leia lost when Alderaan was destroyed.
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Waller's life is thrown for a loop as the fallout of Justice League vs. Suicide Squad has repercussions for her. The writing team uses this issue to build towards a possible change, or at least major character development for Waller, though to devote an entire issue to this seemingly minor moment does push the reader's patience.
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It's good, but not stellar. I found the issue entertaining due to Williams' ability to scatter character wrinkles throughout the story. Romita Jr. has his moments, and Barrows excels with atmosphere, but ultimately this is for fans of the series only.
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A good horror type tale about fear and courage that ends in an, "okay now what?" sort of way.
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It's not a great issue, but it gets the job done as it's mostly about setting up the following issue. The series has been so spectacular up to this point you'd be remiss to skip this issue.
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Something is going on, but there's still too few details to even guess at what is happening. That leaves the horror of the story so vague it's not scary at all. That said there's a solid attack that's well done and the main character continues to be intriguing.
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An explanatory issue to be sure, but one that ramps things up for a killer 6th issue.
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At once compelling and confusing, this is a decent start to what could be a fascinating story.
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Not terribly good no, but it's passable. Sadly I could see skipping this issue and not suffering in the slightest when you pick up issue #3.
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There's a meaningful story here about Americans inhabiting a place they don't belong and a crime story that's as foreign and mysterious.
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A great issue to setup a compelling plot moving forward, but falls flat for a majority of the issue due to boring character dynamics. A fantastic opening six pages though.
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This miniseries ends on a high note for action fans. Ash gets to quip and Vampirella vamps out in what amounts to a fun read.
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If you think of Web of Spider-Man as an extended preview or teaser for future tales, this is a solid anthology. If you're expecting satisfying done-in-one stories or more than two stories that satisfy in their own right, you'll be gravely disappointed. For $7.99, it's hard to justify an anthology that's slim on satisfying stories in their own right, but it's a neat way to preview what's to come in the Spider-Man office in 2024.
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Wolverine #21 is a good, but not great comic. There are highlights for sure and clever bits of dialogue and artistry, but it hasn't quite found its groove. The idea of Deadpool stealing the story arc is fun, but the execution wise it limps along too slowly or awkwardly.
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Wolverine #34 is a decent issue that's more filler and bridging to the next issue more than anything else. Still, seeing Beast nosh lobster and talk like a maniac will always be entertaining.
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Without the excellent work by Coipel this opening arc could have been a disaster. The ideas are good, with snippets of great dialogue too, but overall it's a let down. Clearly Wood isn't finished with the brother sister characters, but with such a robust focus on them to open the arc it's odd they're not even discussed a little in this issue.
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A very skippable tie-in due to it not adding much to the story as a whole. Generally there's good dialogue and art, but it's not sustainable when nothing much happens.
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An okay outing with a nice new direction, but it retreads themes we've seen before.
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4001 A.D. #4 is the perfect epilogue issue. We get at the core of Rai's motivation, see some truly awe inspiring science fiction scenes, and get a good sense of where the story can go from here.
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Visually stunning, this finale is entertaining mostly because it sets up so many stories going forward. As a standalone finale, however, I was left wanting, especially since it seems Venom simply had to use willpower to finish this fight. It's a convenient end that wraps things up too easily.
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Dan Jurgens effectively makes you want to know what the hell is going on with Clark as soon as possible due to well written dialogue and a date night that goes all wrong. I can't say this issue worked well all the way through, but dammit I'm curious who this imposter* is as the character is subtly revealed!
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A good extra-sized issue of shorter tales.
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The first half of this issue comes up aces, setting the stage for a looming threat while delivering tense storytelling via flashback. The second half drags on, but has one heck of a cliffhanger that'll make me come back for more.
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What this issue boils down to is a very predictable turn of events mixed with some cool elseworlds stuff. Unfortunately most of this issue consists of heroes fighting heroes before they predictably will join forces. Maybe it's just me, but I've seen this story play out way too many times.
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Overall this series was a failure because it went on way too long and didn't say nearly enough. As far as conclusions go though, there's hope at the end of this laborious tunnel, which is saying a lot when the journey felt so hopeless.
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I've been giving this series eights across the board, but this one takes a knock down to a seven because the plot is forced. The Avengers show up to ask for explanations, get a simple one you could get from a phone call, then just leave with no resolution. It's glaringly obvious Bendis wanted an interaction/altercation and it's incredibly forced. That said, some good interactions, and impeccable art once again.
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Two great stories for different reasons but every one more inventive than the last. This is a series I don't want to ever end despite the fact that it's not perfect.
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One solid story mixed with three more that throw some fantastic art at you add up to a good read, but if you give this a chance you might just enjoy it more than me. That's the beauty of short stories: they can work for anyone.
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Overall this is a good recap book for anyone who needs it featuring a great opening fight sequence with a throwaway villain. All in all a decent affair but not required reading.
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Superior Spider-Man fans must read this issue. It captures the voice of Doc Ock incredibly well and sets into motion events that feel like the continuation of where we left off with that series. Overall it feels like a false start though as it doesn't push a new story forward so much as introduce it.
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A decent issue if you've been reading Spencer's run, but you might get frustrated with all the recap of what we already know. That said, the villains steal the show.
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is a good third part, but it has its problems. I found the roundabout way of finding the resolution that some people can't be saved frustrating, even if it is a good point to make. The overarching idea of this arc -- that some people want to be bad and do terrible things for what they think is a good cause -- is a sound one, especially in a time where cultish behavior seems rampant. Unfortunately, it's not quite gelling perfectly, but I respect the effort and the art.
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Amazing Spider-Man #49 is a good book overall, but it doesn't cross the threshold into greatness. The backups are like icing on the cake, but the cake is a bit dry. The main story is one long escape scene, with an unbalanced Green Goblin, and some interesting choices that read like teases rather than big beat moments worth holding onto. The art is stupendous though, and there certainly is a lot here to chew on. At the end of the day, most will put this book down and think it was fine, enjoyable enough, but likely unmemorable as time goes on.
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We're two issues away from Nick Spencer's final Amazing Spider-Man and yet this issue doesn't change the tempo of teasing without many answers. There's a hint at something that could change how we feel about "One More Day," but if you're as exhausted as most are with this mystery you're likely limping into this finish. Thankfully the book looks good, making each limp a little less painful.
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As Peter flourishes, Ben Reilly worsens in a setup issue that moves both characters forward ever so slightly. After months of the Beyond Corp era, the creative team can lean on our caring of the characters, but The Amazing Spider-Man #87 lacks impactful moments.
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Amazing Spider-Man #1 is an interesting start, but it's too early to say if we're getting an all-time classic or a new pit-stop story arc that will soon be forgotten. That's because it's way too early to understand the big mystery and hook, which frustratingly leaves readers in the dark. That said, if you love classic Spider-Man, there's more than enough here to enjoy. From the visuals to Peter's attitude, we haven't seen this Spider-Man in a long time.
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Amazing Spider-Man #7 is starting to pull back the curtain on what Peter did, but we're still mostly in the dark. Visually the best scenes continue to be when Spider-Man's in costume, but if you can stay patient, there's a compelling story here to continue to explore.
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If you dig Spidey fights, pick up Amazing Spider-Man #8. Seeing Spidey and Vulture go at it in the sky the old-school way is a delight. Aside from that, there are no new answers and not much else to cling to for enjoyment.
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The timing of Amazing Spider-Man #9 is, unfortunately, its downfall. There's a small clue as to what Spider-Man did, but it's not big enough to sustain the fact that this issue should have come closer to the release of the Hellfire Gala special. The action is excellently drawn, however, and it's suitable for some fun interactions between Wolverine and Spider-Man, so if you've got a few extra bucks, throw it on the pile for the visuals alone.
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Amazing Spider-Man #14 has just enough detail to give readers a sense of what we're in store for with Dark Web, but it's mostly half-baked. The players are present, and how they get together is clear, but the motivations behind their actions and goals remain vague or secret. The creators have stated that it takes inspiration from the Inferno event and Mutant Massacre, which might be why this issue doesn't feel like a Spider-Man book. I'm optimistic about the upcoming event, but if you're looking for a deep look at the characters underneath the rage and revenge, you can skip it entirely.
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Ultimately, Amazing Spider-Man #29 is a silly comic that leans on art to bring entertainment value. The story is rather simplistic. There isn't any deep psychological character work, but simply an evil villain doing evil things. It's very much a comic of another time, which should satisfy many and you can't go wrong with how dynamic and cool this art looks.
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Amazing Spider-Man #30 is a good issue wrapping up Doc Ock's appearance and overall runs its course as a visual stunner. The story never probes the characters too deeply and instead ops to show Norman the hero for what feels like the 10th time and lean into Doc Ock's doofus nature.
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Amazing Spider-Man #32 is a good-looking issue, but it's too impatient to get to the big cliffhanger moment. This issue falls prey to never earning some rather significant plot developments as it seems more interested in turning Spider-Man evil.
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A good first start, but answers as far as the villains and the "Inc." in the title remain to be seen.
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America Chavez: Made in the USA is making an interesting point about the anger and resentment young people can feel growing up with a family that doesn't seem to understand them. It can be frustrating for a kid, but in hindsight, it's also understandable the family is doing their best with what they're given. Sadly though, the story isn't progressing fast enough and seems to be reiterating the same point over and over rather than exploring America's relationship to any one family member. For that, you're left wanting.
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If you're a fan of the simian side of DC Comics, this will be an instant buy, but for most, I'd say curb expectations. For an April Fool's issue, the anthology generally lacks humor. It's more of a highlight of just how robust the monkey/ape side of DC Comics is, which is silly enough for fans to enjoy.
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Black Manta steals the show in this issue as his new direction is compelling. The art overall is spot on and great at delivering the emotional tether needed for the scenes to work.
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Aside from Aquaman having to handle some rather mundane time suck baddies, this issue progresses the overall plot well as tensions rise. Atlantis may never be at peace with America after this issue and Abnett has done well to give him just cause for that!
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This is a good, but not great issue that imparts some interesting ideas about war, but does so in a fight comic style that doesn't suit the material. How aquatelepathy is used again in the future remains an intriguing idea though due to the event in this issue.
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Well written, looks tight, but doesn't offer much new for longtime readers. Anyone new to Aquaman can find a fantastic introduction to the character here. Everyone else might want to wait for the next issue to see how things develop, because as of now this doesn't feel all that new as much of this recap and old hat.
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It concludes the story, offers up a fun action sequence and looks fabulous. As far as tie-in's go, I'll take it!
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This story ain't over yet, but it sure feels over because the time travel fun has ended. It all ended for a purpose, but you'd think the battle between three Kangs and Cap would end a lot more interestingly than with a simple shield toss.
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Good, but just barely largely due to the few details we do get adding up to something (hopefully) interesting and the art is quite nice.
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The majority of the issue is filled with another semi-interesting story featuring Marty that feels too padded out.
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This series continues to be a fun character-soaked ride. If you dig character building–or just Black Canary in general–you gotta read this. If not though, the main narrative is so slow moving you could skip it and miss little.
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As far as climactic issues are concerned, this book delivers. We get Batman being the hero we love, storylines wrap up adequately and there's a huge battle to go along with it. Unfortunately the heavy use of dialogue bogs things down and there's a strong sense that things are changing because the next story arc demands it, not because it's earned.
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The flashback to Batman and Robin interacting with Ghost-Maker is the best thing about this issue, which is likely going to make this a must-read for most. The art doesn't quite live up to the work though as it's spread across three artists who have jarringly different styles.
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Batman #152 has it and more if you're looking for fight comics. The main story may feel a bit like a forced tie-in, but at least the action is interesting. The backup adds to the experience with a good check-in with the Birds of Prey.
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The problem is, this series hasn't explained who the villain is, or why he's up to no good. On top of that, the Earth 2 plot has taken the focus off our heroes and onto the plot itself further diluting a potentially powerful first contact story. That's not to say it won't become a powerful rewriting of their first interaction, but I can't help but be a little bored and strung out on this story. The art is great, but where is this going? Why do I care?
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There's an interesting story brewing here as Batman is lying to Carrie and doing a very immoral thing. This is due to being blinded by grief most likely, but seeing Batman exuding a weakness is fascinating stuff. The Catwoman/Batman teamup in this issue is fun to read and looks great, but seems so disjointed from the Carrie stuff it reads like filler. This is a good issue, but it won't blow you away.
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Give DC credit: they go all in with a very disorienting look and feel to this issue that perfectly conveys what our characters are going through. It's definitely a cool look and completely different from the last issue even though it's the same artist, but it does muddy the waters a bit and make this issue too disorienting at times.
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Batman: Killing Time #4 continues to entertain in how it plays with time. It's such a strong element in the story it's practically a character in itself. This issue also offers some intriguing new information surrounding The Help, albeit this is a slower chapter with more explaining than breakneck action.
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Unfortunately for this story if you came in blind you might find it a little cheap. All the setup in the previous issues is necessary for the emotional resonance to bleed through, at least when it comes to Mad Hatter's backstory. I also don't believe in this Bruce Wayne love story, however tragic it is.
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A conclusion of sorts, with lots of fighting and revealing backstory for an assassin introduced in this story arc.
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It is, but just barely, especially for those who haven't been reading. Unfortunately the story is a bit crammed with facts and tidbits that'll make you want more, and at the same time the whole thing feels decompressed. Crazy, I know. Overall though, this was a fun series that had a good ending that promises big things for anyone who wants to use their imagination to carry the story further.
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A decent start, especially if you love these characters, but you might still be waiting for the hook once it's over.
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Seeing Odinson and Carter give Cap what for is entertaining stuff, but it doesn't feel like much progressed.
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If the lack of details doesn't bother you some of the writing might as it is heavy handed. Obviously this is all coming out of Joe Casey's brain, but it reads as if he doesn't trust his artists, stuffing every page with enough reading to stifle the pacing. The art doesn't get to tell the story enough in most cases with a lot of first person narrative taking up the page. A balance needs to be struck between action and character, but so far the series seems to be more interested in character. With so much first person narrative that doesn't relay many details most readers will find themselves confused and frustrated rather than interested and compelled to read more.
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I suspect the structure of this comic will make it difficult for it to hit a home run every month. Stories must ebb and flow, and when you've got three of them going at once, there's no telling if they'll balance between each other every time. That said, the overarching goal of the series is becoming clearer every issue with some tantalizing concepts at play. Stay tuned.
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The plot progresses a smidge and the characters remain flat, but the action is fun and the concept of time travel in this iteration compelling.
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Conan fans will scream with joy along with him as he chops his opponents into pieces and there's a version of Conan here that feels unique. There isn't quite enough here to know where this story is going, but your interest should be piqued.
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This issue is good for some tight action and some sexual themes that longtime fans should love. This is about as metal as Conan can get.
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Crimson Flower is an intriguing first issue, introducing themes of storytelling, imagination, and covert operations. This book is hard to put down because it's so visually stunning and has an air of complete originality. That said, the ability to immerse yourself in its world is clunky and difficult. Narratively speaking, it may require reading the second issue to be fully on board.
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Come for the guest characters' interesting backstory and journey, but you may want to skip this one as it doesn't do much for the Cyborg character.
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Cyborg digs into the weirdness of minds trapped in computers as a new dynamic is established in this issue. It's unclear what the bigger threat is and the story seems to be glossing over established elements, though. The larger focus remains to be seen, but things seem to be ramping up for Cyborg #3 to offer key details.
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A decent issue, but it zips by fast.
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The art by Jean-Paul Deshong is serviceable to good throughout. There are a few expressions that completely threw me for a loop, but generally things were fluid, which makes sense for a story connected with water. There are some panels where the characters look oddly stretched out though, which again, pulled me out of the story and made me wonder what was going on. The monster at the end completely blew me away however, which makes me want to go back and read the previous issues just to see the designs Deshong has come up with.
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As far as Danger Girl comics go…I'm pretty satisfied! There weren't too many gratuitous shots for those of you who aren't into that thing, and there's a satisfying flashback sequence that took me by surprise. It's too bad the first 14 or so pages really could have been boiled down to three or four, but clearly this was written with its four part series in mind.
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Ultimately this is a good first issue, but it doesn't do enough to make the issue feel worth the full asking price. The art is nice, the premise strong, but by issues end you'll be wondering where the hook is and wishing it didn't land on issue #2.
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This is a great first issue if you're looking for a cool premise and interesting cast of characters. Unfortunately it's weak on character concerning the main protagonist so far and it'll be hard to care all that much.
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If you're willing to take a chance on something completely different you will be remiss to find anything so batshit crazy as Dark Engine. Give it a try.
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Ultimately this issue is good, but not great. It bridges issue #6 to what could be a fantastic issue #8, though we'll have to wait till March to read that! Still, the pace is solid, the art on point, and the villains are all kinds of evil.
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Dark Knights of Steel #6 is good, but slower-paced installment that's more about setting things up. It's a bit of a surprise that this issue lacks huge twists and turns since every issue before it harbored some huge revelation. Still, it's an entertaining ride that mixes things up in a way that's hard to resist.
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A good first issue that establishes its characters well, but I'm still waiting to see what makes it different from the rest.
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As anthologies go, this is an okay collection. Each story is so short there's not a lot they can do, but there are at least three stories worth reading. Deadpool Nerdy 30 #1 is a celebration of Deadpool and in that, this book works splendidly, capturing the different aspects of the character. It's a reminder after 30 years Deadpool isn't just a one-trick pony.
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If you dig Venom you need this comic in your life. If you dig Deadpool, and the idea of giving him even more powers, you shouldn't miss it either. While entertaining, I did wish there was more to this issue, though it's certainly worth it for most.
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Silly and over the top, Deadpool the Duck combines two of the most over the top Marvel characters and hopes for the best. I'm holding out for more humor, but this issue does set things up quite well.
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A heavy use of vomit jokes opens the issue, which makes it hard to laugh as it beats that horse mercilessly. The setup makes sense, but so far everything hinges on Deadpool bantering with Howard the Duck and nothing more. This plot needs some flesh on these bones!
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There's going to be plenty of talk after this issue hits about what it all means, symbolically and for the character, but for this critic I couldn't find enough meaning on the page. That said, it's still a good comic, but it misses the mark.
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A fitting end to the story arc as Deathstroke delivers the ultra violence. Action fans should pick this up, but anyone looking for more robust character work can skip it.
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More like a so-so episode of Star Trek rather than one of the primo episodes with the Borg, but as far as science fiction operas go it's not bad.
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The setup is sound as Tomasi proves the detective part of Batman is great reading. Unfortunately it spends more time telling us why we should care about Jim's soldier buddies and past rather than show us.
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Time to suck it up and talk about your feelings, because Detective Comics #945 has that in droves. Characters are revealing pain and guilt which makes for interesting character work. The plot moves very slowly however, and it's hard to shake the feeling that the comic pads itself out with unimportant scenes so as to fill its pages.
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A perfectly fine first issue of a new story arc that should push this team to its limits. Tynion makes it clear Batman and his crew may not be ready for what comes next, which could spell a big loss for our heroes.
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A lot of information is passed on and the plot thickens, though it's more of a table setting issue than an exciting read.
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A good action packed issue with intense moments.
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Detective Comics is one of the cleanest and most visually appealing comics on the stands today. Walker, Hennessy, and Anderson are delivering an action-heavy superhero book with a dynamic range that's intense, gripping, and in-your-face good.
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Ultimately your enjoyment of this issue will depend on how much you've enjoyed the ride to get here. The series always had a slightly "been there done that" feel since it follows a similar premise to Civil War, i.e. illegal superheroes. Devil's Reign never quite feels like a universe-changing event, though, with lower stakes and a general feel as a chapter in Zdarsky and Checchetto's excellent Daredevil run. For that reason, this series ends on a note that is incredible if you've liked their run but leaves you wanting if you're looking for more.
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It wasn't until this issue I realized what a great series this has been for horror, gore, and dinosaur fans alike. This is a good series that's filled with a sense of nostalgia for those who love dinosaurs. To think this could be a movie, and it'd be a fun one indeed, in a grindhouse or B movie vein, is an exciting prospect. Instead, we're left with this comic book, which by all accounts is enough to tide anyone over looking for this fun concept.
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If you like your superhero stories action-packed you can't go wrong with Doctor Fate! Be warned though, this issue features less focus in regards to its usually strong social themes, though.
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This is a good farewell issue that reminds us why the character is a strong one. Just don't expect a climax of fireworks, but one of shrug-worthy acceptance.
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A good introduction to a new story focused on a world where Grant Morrison's X-Men story went in a different direction. Fans of that now classic series should love this and I wouldn't be surprised if non X-Men fans jumped on board simply because it's a little different than what we've seen before from the mutant side of Marvel. This series has my attention.
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Save for a jarring artist change halfway through this continues to be a fun gem that's a bit hidden from the rest of the DCU books. The most important element of this series is perfect: Anyone can die and anything can happen.
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Many will be drawn to Edge of Spider-Verse#3 since it promises some much-needed details about Spider-Boy. In general, this series continues to have fun exploring alternate takes on Spider-Man, making the Spider-Verse richer for it.
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Edge of Spider-Verse #4 is a fun anthology, with the Spider-Woman story stealing the show. This issue blends the goofy with the cool, alongside a connection to a larger tale well and should please fans of the series.
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This is a good issue, although it's not great. The story progresses, the art is pretty good, and the most entertaining piece is teased for the next issue. Overall though this is good writing and a comic that shouldn't go unnoticed, especially when it's collected.
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I liked this finale thanks to some clever ideas and some well-written dialogue in a quieter scene we don't get enough of in superhero comics. I can't say this tie-in series needed to be made, but there are plenty of glimmers and shine throughout to make it a fun read.
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Justice League: Endless Winter is a good start to a month-long event that offers up a new villain for your favorite heroes to fight. It's also a bit run of the mill and doesn't capture your interest until late in the issue. Many fans won't find enough new here, especially with DC Future State nearing its start in two months, but for now, this is a superhero fight worth investing in.
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Shawn Crystal's pencils do a fantastic job pumping things up and making things pop. I particularly like how backgrounds are either detailed, polka dots, or extremely thatched. It forces the read to be a bit more chaotic and energy fueled. His work reminds me of Mike Huddleston's style and it's pretty fantastic.
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Exploitative grindhouse stylings and gorgeous art make this a must read for fans of the genre. Just don't expect a robust read by any means.
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A bubblegum meal of fight sequences and bad guys posturing. If you like that sort of thing you'll love this.
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Great art and two big superhero fights makes this quite entertaining. There's also a heartfelt message worth a look delving into the solitary life of a superhero. Unfortunately, though there aren't many answers in a story arc that teased many questions.
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You may not do better in searching for a rollicking adventure with so many damn characters and wild action. It has an old school feel for sure that'll bring you back to the times when comic strips were king.
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The bad guys steal the show in Future Quest #4, but you can't overlook the fantastic introduction of two more Hanna-Barbara characters. This issue has an anthology feel even though it's only 20 or so pages, which is why the main story lacks teeth with too many characters being jam packed at once.
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Future Quest continues to offer nostalgic style superheroes and plenty of them. This issue introduces new characters, key character moments, and a major turn for the big threat that's been coming for a while. Overall it's setting things up though and drags for portions of the issue.
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A good first issue that delivers the ultra violence we've come to expect from this series.
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Save for Ghost Rider making a short appearance in his own book this is a good issue. Ghost Rider #2 is smartly written, drawn with impressive detail, and offers plenty of action too.
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This is a good 12th volume that is clearly leaning into the weirdness of the characters, as if the creator has realized the educational survival elements can't sustain the audience. It's unfortunate a lot of the weirdness tends to depict homosexuality as strange and wrong, however.
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If you like big event-caliber action you'll thoroughly enjoy this issue. Baz and Cruz's inescapable bond is on display and you'll be dying for the next issue. The events in this issue are quick though, making you want more.
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Green Valley continues to be a fantasy story that's a touch different and with characters you've grown to know. It's a good balance of surprises and real human emotion that's good at keeping your attention. This issue drags on and progresses things very little, but I'll still be back for more.
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By issues end it's clear this was a good issue that could have been a home run, save for its inability to give the heroes much to do. That said, there were exciting moments and some surprising ones, all of which make me want to read the next issue. When you consider how many summer event tie ins are complete wastes I'm not sure there's much more you can ask for than to get a story that drives the reader to want to read the next issue.
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I'm on board for this tie-in. I like the angle it's taking, especially with a veterinarian who may or may not be doing some werewolf research. The grizzled monster hunter is just okay, but I'm willing to take his cliched character along for the ride if it means some werewolf prodding in the right direction.
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17 out of 25 pages are good reading, which isn't that bad, and maybe you'll enjoy the Sergio parts more than me, so there's a chance you'll love the heck out of this book. For me though, if it would only stick to the Conan vs. Groo bits it could be a home run.
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Overall this is an okay issue. The action sequence is awesome, but the politics will bore you to death and could have been reduced. I also came away a little confused by what is going on, but maybe that's their intention. Either way, this book serves as a blockbuster type series that won't make you think too hard, but has plenty of cool characters to root for.
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A fine way to end things but doesn't live up to the previous issues as it lacks in surprises and dialogue that chews up the scenery. Still a good read though.
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Scenes that key into the Green Lantern mythos make this a great read for fans new and old. Venditti has a story on his hands here that cuts deep.
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A big, action-packed issue is delievered as DC Comics continues to prove this is the blockbuster series of DC Rebirth. It does cheapen the experience a bit as there's a lack of character work and a heavy-handed emotional moment later in the issue doesn't quite cut it. Still, the new direction for Green and Yellow Lanterns alike is compelling.
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This issue is certainly a good done in one issue that shows how the Green Lantern Corps are very important in the universe. The story is a nice way to reflect on what the Lanterns did, though it recaps what just occurred, which makes its purpose questionable.
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Hallow's Eve: The Big Night is a fun Halloween caper, although too simple for its own good. Very little is done with the character leaning more into the Halloween fun.
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The issue rolls along at a good pace with plenty of action, exposition, and interesting story elements. I wouldn't call Red Tool a smashing success who needs his own book anytime soon, but he certainly adds a certain element that'll make me come back next month.
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A fantastic start to a series that introduces the Harleys well. It loses its purpose halfway through, but regains it with a shocking cliffhanger!
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This is a good issue, but it has its issues. Pryor is underwritten, but so is the book in general thanks to a decompressed story spanning only a few minutes. It's an exciting fight comic though, and one with some bizarre and weird elements that can't be missed. If you like your entertainment weird, you'll like Hellions.
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Hulk #7 features a big idea that Cates is known for and an even bigger action captured well by the visuals. If you're looking to escape into superhero comics there's nothing else like this, but don't expect a lot of plot progression or much to chew on.
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A good issue, but one you can read in five minutes (or less) flat.
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This is a mediocre introduction, especially considering it's an event. There's just too much exposition and not enough action and when it comes to visual mediums of the blockbuster kind that's a failure. That said, the story is intriguing enough and the pacing is exceptional, both visually and story-wise.
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A good outing that fleshes out Iron Fist's world with some good action too. Unfortunately the exposition is laid on too thickly!
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There's plenty here to prove the character has a rich future.
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Save for an awkward opening first four pages, this is another good issue that continues the story and raises the stakes for MI6. If for nothing else, read this comic to see Bond kick ass and Masters compose a fantastic action sequence.
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After the new perfect The Joker: The Man Who Stopped Laughing #2, the third issue takes a dip as we wait for some answers. This issue's primary focus is to show how one of the Jokers is impossible to kill or hurt, but it gets old after a while. Plot progression is missing at this point, but the quality of the art and the bigger story is compelling enough to keep your interest for the next issue.
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While a conclusion is welcome it comes at the price of feeling cheap and lacking. The art and a fun opening sequence almost make up for it. Almost.
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A satisfying action sequence and solid tender character moments propel this into good levels.
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Wonder Woman vs. Superman is nearly worth the price of admission, but a few fan service reveals make it exciting and the next issue much harder to wait for.
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Aside from feeling a bit confused about Robin's mere existence in this issue, this is good superhero comics. The team fights well together, face a threat that's difficult and requires strategy and underneath it all is a long story being developed.
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A fun fight issue with a bigger purpose by the end.
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This is a fun chapter due to the big action, but the plot progression is lacking and this is more of a transitional issue than anything else.
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This is a decent first issue that should have folks worried if they want a true team book. There's some interesting dynamics in play, but for the most part this is mostly action with some jarring issues that reduce the entertainment.
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Of course the mythical aspects of Conan are on display here for all to see. If you want to be transported to another time and place you can't go wrong with this issue. That said, we're reviewing a single issue here, and I can't say it's a perfect read from beginning to end because its strengths require you to read at least another issue in this six part series.
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It'd be interesting to read the original novel this comic is based on to see if the pacing is as much as an issue as it is here. Of course, a novel has the benefit of not being hacked into issues and can be read from cover to cover without stop. One wonders how many things Truman changed and maybe if he needed to take more liberties. That said, it's got everything you need in a Conan comic and when it comes to needs, Conan has many, just like his readers.
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Unfortunately this issue rides on the coattails of the next issue too much. There's a lack of resolution and even worse, a lack of any perspective. Why should we care that Conan has lost the things he has? He's still King, or at least soon to be King again. A lot of the actions in this issue also seem to be more about getting from point A to point B more than having any meaningful message.
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Much of this reads like a bad Christmas movie from the 50's with characters saying what they think and feel in order to remind us children should be playing with toys and people should be celebrating rather than working during the holidays. That said, the conclusion introduces a fantastical and magical element that'll make me come back for more next month.
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Knight Terrors: The Flash #2 takes the horror Barry is living in up to eleven, and while he's never genuinely aware he's in a nightmare, you'll feel his spiral. A little less unnerving and weird than the first issue, this second issue delivers significant action that suits a climax as you'll ponder how he'll get out of this one.
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Vivid and eye-popping art along with great pace makes Limbo #1 an entertaining read.
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Marauders #24 is a good one-shot that introduces a formidable foe. His abilities seem to be super powerful up at the expense of our heroes, but if you're excited for a strong Star Wars vibe in an X-Men comic you've come to the right place.
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It's alright, but still takes a slight step back from the uninspiring first issue. In some sense I don't get why this is a crossover at all. If you're not going to utilize the martians fully, why not just tell a standard Dredd story?
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If you like blood and guts, Marvel Zombies: Black, White & Blood #1 has it in droves. Compared to other stories in previous chapters of this anthology, however, I was still left wanting. Nothing particularly jumped out, but all these tales are perfectly fine.
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Maskerade #7 has all the fixings for a good penultimate issue as it sets up the finale while pushing its protagonist mentally.
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A decent first issue that has good action and a decent plot. Unfortunately it stumbles its way through a good portion of exposition.
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Mega Man: Fully Charged is a comic that feels fully realized as soon as you open it. The world and its characters are rendered well and you'll immediately believe it's all real and working. That left me feeling like I had to catch up -- especially since Mega Man doesn't appear till halfway through the book -- but I'm game to read more about this interesting, futuristic sci-fi adventure.
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The art is one riff after another of free flowing jazz that's exciting and spectacular. The story is otherworldly and interesting, but does get a bit heavy on the exposition.
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Though the art bugged me for half the issue, and the general plot seems to have moved to a crawl, this issue still delivers interesting elements you just can't find in other DC comics.
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A good farewell worth a few chuckles for sure. It's a bit slow and Mockingbird isn't as highlighted as I'd like, but it's a fine goodbye.
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Morbius: Bond of Blood is a great primer on Morbius that shows off his powers, details his origin, and captures his unique personality. Anyone familiar with the character might find a chunk of this issue unnecessary and the ending comes as a shock, but all in all it's an entertaining experience with classic Morbius vibes.
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As a bottle episode, Napalm Lullaby #7 is quite enjoyable. Napalm Lullabydelivers an intriguing, dream-like detour with compelling visuals and philosophical undertones, but its slower pace and lack of significant plot progression may leave readers yearning for more momentum, especially after the long wait.
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New Super-Man offers a great change of pace for the character as his location is fresh and his powers come with intriguing caveats. I'm excited to see where Yang takes this character from here, though the pacing needs some work.
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Nightcrawlers #1 is an interesting start to a book that's about magic and a rebellion of Sinister figures. It's hard to get your bearings given that it's set ten years into the future, and the story doesn't do too much to catch us up, but from what we can gather, things are bad, the world is misshapen, and needs a reset. There's ample character work and ideas at work here to get you rooting for the Nightcrawlers.
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Nightwing continues to feel like a good espionage type thriller. The biggest boon of this series so far has been the development of the new character Raptor who you'll be dying to see more of.
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Nightwing fights a "whale-woman" and develops a rapport with characters, bringing a richer meaning to his stay in Bludhaven. The issue has a slower pace which makes it feel like a slog at times, but a fun fight sequence makes up for that.
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Nightwing #90 is a good continuation of Dick Grayson's very dangerous life. A big theme is dealing with secret identities and how to navigate that with threats in real-time while fleshing out the relationships around Dick.
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Ultimately it's a powerful conclusion due to the emotional resonance, but the lack of humor hurts the enjoyment factor.
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All around this is a table setting issue that revealed little but the implications of the final page are kind of huge, albeit something we've seen before it does play out as it appears to be. That said, it looks great and adequately sets up the next issue.
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Having never watched the Pennyworth show, it's safe to say there's enough here for spy aficionados. The story structure leans a bit too heavily on captions, however, which sometimes cover panels far too much and slow the narrative down even when the action is picking up.
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Psylocke #2 delivers thrilling moments and stellar visuals, particularly during its intense climax, but its slower midsection and one-shot structure hinder narrative cohesion, leaving readers intrigued but slightly unfulfilled.
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An okay fourth issue that sets things up more than delivering entertainment.
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I'm curious to see what Tieri and Unzueta do with this book, although I'm a bit hesitant in calling it a must-read at this point. Considering the rich history we've been shown in the previous one-shot stories, this issue is about as cold as the floors of Ravencroft itself. A good enough setup issue, but I'm waiting to see when the real conflict and action kicks into gear.
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A good finale thanks to an excellent last few pages. Ravencroft is an idea that can work and this issue proves that, but it does take a while to get there through some pointless shooting and interesting. Read this knowing the last few pages are rich with ideas.
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It's really too early to tell what this series has to offer. It has the meta element of a comic book creator's hero popping up in the real world, but what that hero is looking for is unclear. The back story also seems to suggest this will become a romantic book, but the inking and story so far is too dark to see this as anything but a sad sap creative type learning who he is. And the superhero by his design comes to life…for some reason?
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Reborn is an intoxicating visual feast lovers of fantasy must read. This issue continues to show new areas which only improves on the imagination involved here. Unfortunately there isn't enough revealed to care all that much and it's becoming harder each issue to find a reason to care outside of the art and solid premise. Here's hoping we get some answers next issue!
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This issue serves well as a scary story for Halloween, featuring terrible violence and a scary psychotic on the loose, but it also doesn't quite feel necessary. Call it dabbling in what we already could have guessed at rather than revealing anything new. Each story is fine and has sparks of terror in them, but it's hard to grasp why we should care.
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The team is slowly getting together, Artemis is introduced well, and most importantly you'll feel like these characters are going to be fun together.
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The best Red Hood recap complete with action packed flashbacks and touching moments. If you know anything about Red Hood though, this issue is easily skippable.
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Simone shows us the father I never knew Sonja had, which is interesting and potentially huge in making Sonja that much more human and relatable. I just didn't buy the flashback we were sold. It is interesting to see her loving and peaceful father and how losing him changed her life forever, but it's all done in a rather predictable and uninteresting way. The art however, always looks nice and keeps you invested in the story. This is a case where my expectations for the story might have run ahead of me and when looked at as a story with pacing and progression it succeeds.
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Red Sonja #1 is a good start, establishing the threat of a religious zealot and the cunning of Red Sonja that'll likely come head to head as the series unfolds. The fantastical elements aren't played up; instead, there's a more traditional sword-fighting feel to it all.
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While a stronger issue than most preceded it this is still a by the numbers sort of story. The art is nice though, and the backstory of Thoth-Amon is entertaining enough.
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Not a bad one-shot by any means with plenty of taut action to keep the action fans happy. The story isn't breaking any new ground and I would have liked to have seen some homages to Lonewolf, but overall it's a nice adventure.
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Call me crazy, but this issue lost my interest until the twist ending. The action is good enough to get you through, but damn is that next issue highly anticipated!
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If you dig myths and gods you'll wanna check this book out. A cool underworld is revealed further though it's slowed due to it setting up the big finale next issue.
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I liked this issue, but didn't love it. The book reads like it was canceled a little late, forcing things to wrap up much too quickly here. More time spent developing where this might go from here could have made the final pages matter much more too. As it stands though, this was a good looking title well worth a read if you need a little more Cosmic Ghost Rider in your life.
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Rick and Morty #3 is a great way to hold off the murderous desire to watch season 2. It harbors the show's spirit perfectly and is worth a laugh.
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A good issue that wears out its welcome with a repetitive Hitler joke.
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Overall a good issue with some exposition heavy moments that could have used more pages and action to punch them up.
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Sabretooth #2 seems to be jumping forward a bit too quickly, setting up the five mutant prisoners, and surprisingly changing the direction of the narrative. There are themes here worth exploring, but it's hard to gather what it's trying to say as it tries to do too much.
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Strong character writing in this issue, but get on with the action and fantasy!
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The first five pages are great as Russell and Pace continue to pick apart superheroes and how love, not violence, can actually work. The rest of the book, however, is so sad and crushingly hopeless it's hard to enjoy.
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This is a good issue, but the general setup overstays its welcome and feels redundant. There's certainly nothing technically wrong with the issue, but the laughs are reduced because of the structure of the story. That said it has plenty of funny moments and the premise is strong enough to make you want more.
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If you're a fan of superheroes but want an alternative and gory take, look no further than Sh*tshow. The series explores a world where the best heroes fell and those with powers remaining make due. So far, though, it's a bit light on intriguing characters and more about the setup.
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The concept of the story is cute and lovable, but with a twisted underbelly Bradbury fans should love. The art felt a bit off for my tastes, but it's still a sound tale.
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A good first issue that adequately sets things up but doesn't offer anything you haven't seen before.
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I wanted to love this issue, but only liked it due to some fantastic art and coloring. The issue climaxes very well, but too much exposition and a narrative that feels forced and rush make this a not-so-perfect read.
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A sharp comic with a good start to a rather interesting group of supporting characters.
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I'm here for Juan Ferreyra and the idea of a further fleshed out Spider-Man of this dimension. It does have the bones of a great Indiana Jones caper or the matine serials that film was based on, but the characters are stale out of the gate. I want a little more from them before really investing in this story.
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I want to love this book, but it doesn't pull off all that it's trying to do. However, the adventure is strong, and the visuals are stunning, which is enough to make it a recommended read. If you're interested in heroes trudging across the globe to save the world under the guise of Spider-Man, read this book.
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A solid popcorn action story showing us a new early look at Spider-Man. Purists might hate it even exists but they can't argue it isn't capturing the early Spidey spirit.
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This is an improvement on the last issue as the world is expanded and the action remains epic and exciting. Can they please draw the baby more realistically though?
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Aside from a confusing bathtub scene this issue does a lot to explain how far humanity has fallen and it's a disgustingly interesting read.
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It is, but only because one of the two stories is everything you'd want in a Star Trek story. The first story certainly delivers nostalgia for the series and classic comic books, but runs on too long. That said, as a whole this series is getting at the essence of Star Trek. Star Trek: Waypoint reminds us Star Trek is a series that is valid and timeless.
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It's good, no doubt about that, but it does leave the reader a bit disappointed. The revealing moments for the series as a whole make this worth checking out and the art is exceptional. Unfortunately it left a few plot points as if they were chores to get through.
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Boba Fett fans rejoice as it's his time to shine in the latest issue. The stories aren't the most riveting, but if you wanted more Han Solo/Leia bickering you came to the right place.
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Star Wars #16 helps us understand the great fear Luke is under after losing his hand and his pride in The Empire Strikes Back. The event as a whole doesn't have a fast enough pace, but for this issue you get inside his head and can relate to our favorite Jedi in the galaxy.
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A new era of Star Wars comics is finally kicking off today, and it's exciting to see new ground being established. A new threat die-hard Star Wars fans will recognize rises while our heroes forge new paths after Return of the Jedi. I want to be more excited, but the stakes don't seem all that high as of yet.
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The story of Jennir and his lover should have important ramifications once Vader reaches him. That is what I'm excited for, but the story is being unveiled for a different reader, one who has grown attached to the cast of characters and has a good sense of what has come before it. That reader isn't me. I can still appreciate this issue though and it wasn't a total loss for me. I think anyone going in fresh might have the same trouble I had, but a couple issues in should rectify this as there's a top notch comic to be read here.
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A good first issue that establishes its purpose but takes a lot of pages and money to do so and never offers anything new about the title character.
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'Vader Down' ends in a satisfying way with most of the conflicts. I can't say Leia's actions or how our heroes make it out is very interesting though.
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It's good, but not great and it suffers the penultimate issue syndrome so many comics go through. It's all setup for the big climax and it feels like a bridge issue.
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This is good action comics. Considering were so many years into the future its not apparent how Ania is related to Han Solo or even if she knew who he was so its ties to the original characters isnt much there. That said, its always cool to get Sith/Jedi action going and Anias junkyard job is a cool aspect in this galaxy far far away.
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Star Wars: Mace Windu #1 is an okay start to a story that has tons of potential. Mace Windu is not yet on the council and still serving as a solo-mission Jedi who is perfectly capable of pulling off a mission of any size. It's just that this story is too slow for its own good, with at least the next issue necessary to see if it's worth further reading.
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This series promises to deliver answers to three important elements the prequels barely touched upon but were incredibly important to the Star Wars series as a whole.
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Star Wars: War of the Bounty Hunters #2 is a good setup issue that features a ton of familiar faces all rendered expertly. The issue suffers a bit as it's more about building up tension and establishing the scene, but it certainly promises for an explosive third issue.
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A nice opening issue to establish the characters but it's so darn slow you won't miss much if you do skip it. That said it has a certain Disney cartoon charm many will like.
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As a package, there isn't a better Suicide Squad comic on the shelves today (and probably won't be for a while). The characters are interesting, the action fast, and the stakes very high. The shorter main story hasn't been much of a problem as of yet, though some decompression issues do make you wish there was more when the issue's over. Unfortunately, in Suicide Squad #6 the story progresses very slowly and feels underbaked.
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Both stories in this compilation do just enough to warrant a purchase. They do different things well, but neither feel strong enough on their own.
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The end rockets to its finish and you're bound to find some violent and haunting moments throughout.
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Superman & Robin Special is a must-read for fans of Tomasi's previous stories with the Super Sons. It captures the energy and youthfulness of both while building off previous stories during their adventures when Jon was still a boy. However, the overall read feels thin, especially once you put it down and recap to yourself what happened. At its higher price point, there just isn't enough here to recommend this one to casual readers.
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This volume improves upon Candace ten fold opening up the character and revealing a lot more about her. That's an improvement on the first volume. This volume also has stronger superhero elements throughout and should please fans of superhero comics in general. That said, the plot and pace can feel slow and the story can feel muddled. It's a great read for younger readers, but for the older set I'd skip it.
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The art by Ryan Stegman is a pleasure throughout, however. Even when there are incredibly dialogue-heavy scenes, things look crisp and interesting. The shot below in particular is just awesome, with a great perspective of the street below. I haven't been a fan of his when he goes darker, but everything is outside and brightened up nicely here.
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Not a total loss by any means, but there wasn't much to chew on beyond Peter's new corporation opening. The rest was either checking in or below par. It is however, incredibly impressive how detailed and complicated this story has been plotted. There's been an end game from issue #1 and once again I can't wait for it.
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Well, it's just okay really. The problem is not a lot happens, and on top of that it ends like so many issues have, with our green villain hanging around screaming that he's going to do something. The fact that this has started to get frustrating says a lot, because dang, Green Goblin is the bestest.
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What we have here is a superhero yarn that's all action and not a lot of brains. If you're looking for that kind of thing, by all means join the fray. Oh, and there's a bit of Clone Saga boiling under the surface, too. This story concludes over in Scarlet Spider #20 and judging by how that issue reads…maybe this two parter isn't even worth it. That said, for the money the fight sequence between the spider men is entertaining.
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Nothing beats Superman vs. Kryptonite and you get an intense scene of that here. While the book reads like it's split into two shorter tales it's still a solid read due to strong art and compelling moments.
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An effective farewell and an earned last gasp effort to save the world makes "The Final Days of Superman" worth reading. There are more questions than answers – and ultimately this is a punch fest – but it's a solid superhero comic through and through.
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You're going to become a Vandal Savage fan after reading this issue. He's a strong character developed well over the course of the issue as the story cuts from 50,000 years ago to today. While that's epic the Superman story falls flat and doesn't do enough to connect both of their needs to gain more power.
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This series will most likely read quite well when collected, but at the end of the day decompression wins again! There are interesting elements and changes to Superman going on, but it's all coming at super slow speeds. Hell, we didn't even get the name of this new super man…and he tried to tell us! Moments like that scream, "Okay they're not pulling the curtain back fast enough." Still, it looks good and it's far better than Grant Morrison's run already.
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Survival Street opens with a great premise and an absurd cast of characters. It's hard to resist how well the two blend together, although the dialogue can sometimes inhibit the flow of a scene. That said, Survival Street offers good satire you rarely get these days.
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Swamp Thing continues to be the most disturbing character on comic book stands today due to the fantastic art and emotionally charged storytelling. While characters seem to only react in high highs and low lows, and the story moves too fast, it's still a darkly entertaining read.
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I liked Teen Titans Annual #2, but I felt like it could have done a bit more with its page count. The art certainly makes the book feel big and important, however, as we see Robin rage and Batman do his best to let him. If this is a turning point for Robin, this book will make you believe it and then some.
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A good chapter, although it's missing things that made the previous ones so great.
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Kiddos are going to love The Addams Family: Charlatan's Web. There's a cartoon vibe that's unmistakable as Wednesday realizes a threat of the cultish kind has entered her little town. I wish it had more comedy.
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A good issue, but it's not quite funny enough to make it a must buy. Still, you're going to get a doozy of a scene involving lots of blood and gorilla anus. Can't say that every day, can you?!
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Autmnlands continues to keep the reader's interest and tease us with a most captivating world even if we must wait for the impending conflict to occur.
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This is a good first issue that's good for a few laughs and sets up the team and its villains well. The characters are infectious and you'll want to keep reading just to hang around and see what they do or say next. I'm still unclear on the character motivations, or the purpose of the team really, and their coming together seemed all too easy.
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A good first issue that introduces an interesting twist on a classic cartoon.
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Basically put this issue is all about a fight sequence that takes up half of its pages. It's hard fought and hard felt and a fantastic scene, but not quite enough to make this a perfect issue by any means. The backup however is very well told and looks fantastic.
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I continue to enjoy this series even though it takes some asides into the realm of a man trapped in a body that looks like a little boy. These scenes are interesting, but don't feel like they fit in the overall narrative. That said I'll continue reading regardless.
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The Six Fingers #4 takes a surprising track by showing Johannes may be worth saving. He's a victim of whatever it is that is controlling him. His path is altered, but outside of that, the mystery continues to remain unsolved.
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If you dig art that highlights the speed and agility of Spider-Men, you'll love Spectacular Spider-Men. Weisman is laying some interesting groundwork with supporting characters on top of the fabulous art, but don't be surprised if you're unsure where this is all going.
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An all animal issue as we go on an adventure with kitty Mew that nearly succeeds, but the story isn't quite clean enough to warrant a high score. Instead this issue has its moments, and clearly is having fun with conveying a non-vocal animal planning and plotting, but is too scattered to feel wholly successful.
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Similar to the Doctor Strange one-shot, there's really no rhyme or reason to why this story needs to be told, but it's well drawn and entertaining nonetheless. Does any of this really matter? Certainly not, which is a big reason why it's a skippable read. That said, if you want to throw a Thor book on the pile of comics you're buying this week it's a nice throwback story reminding us of a specific type of Thor adventure.
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Another good installment of one of the better fight comics on the stands. Kadabra goes full twirling-mustache-villain and sets up Flash for possibly a life changing (and maybe even death) experience.
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An okay chapter that's action-packed and well-drawn, but the human element is missing.
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Toxic Summer #2 is a good penultimate issue as it raises the takes, fully realizes the threat at hand, and pulls off a thriller horror story well. It lacks the comedy that made the first issue charming as hell, but it's still a fun time.
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Ultimate Spider-Man #4 is an issue with big reveals but also an issue with a narrower view and simple approach. It's one dinner and three or four conversations that help us understand some key characters, but they are also far removed from the superheroics or the development of Peter Parker. A surprise, to be sure, but still not without its merits.
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While Ultimate Spider-Man #12 leans heavily into family drama at the expense of superhero action, it offers meaningful character development and a suspenseful cliffhanger that promises intriguing developments ahead. Fans of Hickman's storytelling will appreciate the groundwork being laid, even if this issue feels more like setup than payoff.
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Ultimate X-Men #10 features standout art and emotionally gripping moments but stumbles with its pacing and lack of resolution, leaving readers eager for more substantial developments.
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It's starting to become apparent this series is the dysfunctional version of the X-Men. The new members are super green, Magneto is double crossing left and right, Magik is losing her mind and the older members' powers are wonked out. This is a good thing, because in years past most X-books are just an extension of each other. More of the same. This book has its own identity which means different types of stories.
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There is a lot of promise in Undiscovered Country, and I'm thirsty for more. Whether or not it builds or requires a few more issues to allow the series to breathe remains to be seen, but I'm hopeful the endgame will deliver. This issue shows plenty of promise and creative sci-fi verve worth reading.
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Two saving graces make this just good enough to pick up. The first is the cool battle X-0 has inside some kind of digital realm. The second is the ending, which should make the next issue a hell of a lot of fun. That said, I didn't think the comparison to the Tea Party and assassinations were used effectively and the pace seemed to slow to crawl at times.
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I liked this issue, but it felt heavy-handed. I can't help but think time, or lack of resources meant finishing the story too quickly. Still, it ends things well enough and reminds us how impactful Jane is on the world of Asgaard and how important she'll be for all-time.
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Spider-Man saves Venom War #1 from being too goofy for its own good, but I remain hesitant and cautious as this series has a lot of tropes at work that already feel at odds. Is this a fun fight comic, or something more complex? It's hard to tell what it wants to be right out of the gate.
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For what it is it ain't a bad action frenzy, but it'll be hard to care about any of it.
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Though this story is taking forever to get going, the cliffhanger will have you talking and thinking about what a justice system would do in the event of the big twist. This series is heating up and if it doesn't make you want to read the next issue I don't know what will!
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A good issue that properly puts in place how flipping awesome the Dora Milaje can be. Without a doubt, this story is making a statement about this group of warrior women being not only an entertaining facet of the MCU but also an important one. Unfortunately, it's done in a way that is light on purpose, giving the book a fun crossover feel but not much more.
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Wasp #1 sets up an interesting plot that ties to Janet Van Dyne's origins as the Wasp that's worth checking out. Unfortunately, this first issue also spends a lot of time telling us about past events rather than showing them, making for a slower-paced story without much urgency. That said, as an anniversary series, it feels like a good tribute.
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Wastelanders: Wolverine #1 is a good comic, but it's a hard sell if you're not already interested in this universe. It reads like a lost story that superfans will love, but casual readers won't find a lot in here. The action is good, though, and who among us can't use a bit more snikt-snikt action?
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Much like the inconsequential scenes though, many of the events have no rhyme or reason to them. They appear to happen simply to switch things up which is a bit annoying. I'd like to know why Magneto is training Hope for instance but it's not explained. I suppose the reason for this is because the whole point of this sreies is to see things play out a little differently. The whys will come when things start to change.
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The issue ends with a very unsurprising, for me anyway, “twist” ending. This, combined with a slowly growing frustration of not knowing the bigger picture, took me out of the comic. I love Cola and the heroes in this comic, plus the jetpack wearing “bullets”, but I need more as far as what this world is about outside of the very small melodrama we've seen so far. Obviously time will tell if this series opens up, but based on how good it looks and how great the ideas are within it so far, I'm rather optimistic this could end up being a must buy series.
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A big showdown between Wolverine and Sabretooth builds as stakes are raised in part 8. While it's cool to see time spent on Bad Seed, it undoubtedly raises the stakes. This issue neglects a few elements while requiring you to suspend disbelief too much.
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Wolverine: Deep Cut #1 offers an awesome Wolverine vs. Sabretooth fight scene as the story slowly builds towards a direction. Is it something we've seen many times before? Sure, but Salazar knocks it out of the park.
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Wolverine: Revenge is a book I wanted to love, but there's not a lot of substance as far as the story and where it's going. It's simplistic, possibly on purpose, but Capullo smashes it out of the park and pops the claws in the most exciting ways.
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Wonder Woman #15 is a good but not a great issue. King is a fan of playing with format, which you gotta respect, but it doesn't feel fulfilling enough to sustain an entire issue. It succeeds in showing the might of Wonder Woman and her Wonder Girls, but it plays out in a repetitive way, leaving you wanting.
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The flashbacks steal the show in this otherwise slow paced issue.
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A good issue that delves into the protagonist's head, but doesn't offer as many science fiction ideas or psychological concepts as previous issues.
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The final pages are left to showcase X and Leigh getting along and I'm not completely sold on their newly formed trust in one another. I do think this first arc ends on a good note and I can't wait to see how Swierczynski ups the ante in the upcoming issues, but I can't say this conclusion solidified the characters as I'd have hoped. They're still unfamiliar with one another, but maybe that's the point. The problem lies in not knowing where they stand exactly which leaves you in a bit of a cloud of wonder.
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X-Factor #5 delivers an entertaining blend of humor and action with some intriguing twists, but its reliance on uneven gags and lack of significant progress leaves the issue feeling somewhat underwhelming.
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X-Force #50 is wall-to-wall action, but it doesn't dig deep enough into the character's psyches to make its ending feel earned. Instead, it's a rush to wrap things up while we wait for this era to end.
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The latest take on X-O Manowar continues to offer a different kind of superhero story. Its hero and handy A.I. compatriot have a unique dynamic and this second issue offers up more realistic interpretation superheroes should take when wanting to save the day. That said, it takes a while to get to its ending, which is felt even more strongly coming off the delay from the first issue.
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Another good issue, though not as stellar as the last few.
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As far as this story ties into the event, it does its job. Both characters get judged and must undergo a trial as they are tested. At this stage, it's a bit early to tell if either will matter in the event's finale, but if you are even slightly interested in Loki or Iron First, give A.X.E.: Iron Fist #1 a shot.
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A solid start though it has its hiccups.
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A good issue, though the time travelling zaniness is wearing thin.
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This is a nice annual that contains everything you'd expect from the series. There aren't a ton of laughs however and the read feels more like it's for kids than usual.
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A good superhero comic that's got some surprises in store for you. It may not progress the character or subplots, but it's a good time!
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What we have here is a new timeline with the same old problems only in this one Wolverine can take the blame for thoroughly creating new mental problems for the heroes. There's really no telling where this event is going at this point, because so much has changed since issue #1 I don't even know how Ultron is involved in the slightest. That said, it's a fun elseworlds type of tale and it's interesting to see the subtle changes and not so subtle changes throughout.
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Save for lacking context as far as Vampirella's place among humans — this is a good read. Come for the compelling science fiction vampires on Mars backstory and the Aliens violence!
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By and large a strong issue. There's some heavy handed exposition portions, but the opening and closing are high octane action that shouldn't be missed.
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Personally I'm not that interested in the Jean/Cyclops love affair, especially considering all these characters might get their memories wiped anyways. It is a neat concept to play with though and I commend Bendis for going there. It'll also make it tragic if Jean does fall in love with Beast by series end, only to have her memory wiped.
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Overall this is a decent issue that won't blow you away. There are some tantalizing character dynamics at play that are building and should be fun to read, but the Electro bits are been-there-done-that.
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While a bit repetitive with the Silk and Spider-Man attraction, this issue progresses the story nicely. I can't say a new reader will have any idea what is going on, and the layouts are a bit cramped, but overall it's a strong delivery of character and plot.
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For the first story arc since his return, the story ends in a very blah sort of way. The bad guys are stopped as always and while it's a great heroic moment for Spidey it's still rather tepid. There's still no rhyme or reason as to why Black Cat is so bad, but the new Silk character works great and it'll be fun to see how she's used in the future.
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A decent issue overall with a fun team up with Ms. Marvel and new details on Spider-Verse, but overall it's a ho-hum affair as things are spread too thin.
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A good second chapter that succeeds at giving Spidey and Flash some good bro-time.
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A good issue in a subtle way.
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A good issue that begins to revisit and possibly even change Jameson and Peter Parker's only recent friendship.
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Another good issue that J. Jonah Jameson fans can't miss.
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Amazing Spider-Man #92 is a good, not great transitional issue. As we approach the end of the larger story it's obvious the narrative is biding its time by playing out some side stories here, but heck, it's filled with fun comic book moments. From sound effects to attacking sandwiches, it's a good time.
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Amazing Spider-Man is seemingly still trying to figure out what it wants to be, so your mileage may vary. A lack of answers surrounding the big mystery paired with a slow-moving plot makes this issue feel like catch-up to something that's still very unclear. That said, it nails the Spider-Man scenes which should entertain most.
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If you've enjoyed the outrageous and over-the-top silly demons in the Dark Web event, you're going to love Amazing Spider-Man #17. It's filled with wacky demons living preposterous lives, but any semblance of a dramatic story or high stakes is missing here. Instead, take in McGuinness' great art and wait for the other shoe to drop in the narrative's next issue.
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Amazing Spider-Man #40 is an interesting issue, although it doesn't pack the wallop one would expect from a major crossover event issue. It's problematic that the most interesting characters aren't Spider-Man but ancillary characters who are B-Listers at best in the history of Marvel Comics. If you accept those terms of the story, it's fun enough.
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Amazing Spider-Man #52 is mostly a fight comic with a subplot table setting thrown in the mix. Pound for pound, the art by Nauck and McGuinness, is exceptional, but this is a slower chapter in the story for sure.
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If you like crime family drama, Amazing Spider-Man #57 will satisfy you. Tombstone has to rush to prevent himself from going to jail for a long time, but can he kill his own daughter? I guess we'll find out by the end of the story arc!
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Amazing Spider-Man #63 continues the inventive and tense '8 Deaths of Spider-Man' storyline, but uneven pacing and minor art flaws hold it back from being a standout issue in the arc.
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This is a good anthology with plenty of freaky horror-themed elements to tide you over this Halloween season. American Vampire fans will most likely buy this without question, but really anyone can dig into this and get their horror on.
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Aquaman comes off as a hero in more than one way, which is a win in itself. An epic fight sequence to start the issue showcases the sheer awesome power with a war of words to close the book, showcasing his heroic heart. It's hard to deny this is a solid period on why Aquaman deserves the credit and credibility of other heroes in the DC universe. Unfortunately the conclusions don't feel as certain, which takes the teeth out of its endings.
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Most will cry foul when it comes to this issue due to it being mostly setup, but it nails the emotional tether Bruce has for his old home even if he keeps telling himself filling it with villains is the best thing to do.
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The story is concluded but the laughs stop and the clever plot twists end along the way; for what it's worth it's a nice ending, but I was left hoping for a bit more.
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Decompression is a thing we must live with it seems, but there's just enough here to keep your interest. The art is the strongest aspect to this issue which should keep you turning the pages and there is a plot development, however small it is, that should perk up your ears for the next issue.
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This issue surprises you in a good way with a very balanced issue that effectively uses flashbacks to make a big moment even bigger. Still, it's rife with dialogue heavy moments that you'd just rather skip than read.
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Like any good mystery the big reveal is satisfying and interesting. The main character gets to throw down with one hell of an evil beast too, but it does suffer from a lot of dialogue and no scene (or locale) changes.
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Batgirl is quite possibly the most visually striking comic on the stands today. With a variety of artistic flourishes Albuquerque makes every panel and page a delight to the eyes. There's also great detective work at play too. This issue spins its wheels a bit though and feels uneven because of it, reducing its score.
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A fun done in one story with great detective work.
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A good first two thirds with a clunky conclusion.
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As long as Capullo is drawing this comic I can't see a single issue being worse than a 7.0. That's no diss on Snyder, because he does a great job too, but there are times when an issue reads as if Capullo saved an otherwise ho hum read. this is one of those times. Clayface is once again just okay in the comic book format, and I'm still holding out hope somebody can make him memorable.
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Some interesting elements make this a fine issue as Bruce subtly reveals he might do something heroic yet and Jim Gordon is still compelling as he attempts to find his Batman footing.
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While this issue feels a bit slow and cumbersome Mr. Bloom steals the show. You haven't had nightmares under the bed quite like this.
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A good ending that's a bit too focused on Batman and the weird.
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Batman and Robin #4 continues to excel at showing Damian and Bruce as father and son while ongoing superhero exploits occur. Williamson has a great concept on his hands to delve deeper into Damian's growing up a bit while developing his relationship with Batman. The story just needs to get on with it.
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A setup issue for sure, Batman and Robin #7 will please fans of Flatline and the return of Simone Di Meo. If that's not enough to sell you, know that the Man-Bat story is compelling, albeit incredibly slow. Once it finally reaches its climax I'm more than certain it'll be good. But now, we wait.
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Batman and Robin #15 is a good, not great, second issue in the story arc. The opening sequence is intense and strong, and while I'm curious about Thomas Wayne's exploration, I can't help but see the flaws in how this issue plays out.
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Is it the fault of the book, or the fault of our culture which tends to think big tanks are cool and a hero using force on a bad guy we assume to be bad as just? The fact that I'm pondering these things may actually be a sign the imagery is a good thing to mull over in our entertainment while the world continues to protest and find justice. In that respect, this is a deeply powerful issue, but likely not in the way the creators intended.
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Not too shabby as far as wordless comics go. The book has an important message to tell with just the right amount of emotion, especially coming from Batman himself, that makes the story felt.
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All told, Batman: Urban Legends #18 is a fun collection of tales. Its opening Signal story is going to hook you while the done-in-one tales add up to satisfying side adventures.
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Batman: White Knight Presents: Harley Quinn is a good first issue that Harley Quinn fans can't miss. It's a defining new story arc for Harley Quinn that feels all-new and untethered from the main continuity. It's exciting to see a new take on the character, though this issue can't escape the baggage of previous story arcs. That said, if you've enjoyed Sean Murphy's Elseworlds Batman you'll love this new direction.
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An okay issue that's visually great, but it's easy to lose touch with the island politics and why we should care.
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Visually striking and an impressive display from Scarecrow.
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Beware the Planet of the Apes #1 is a good, albeit slow start. It's neat to see how this builds on a previous comic story while integrating key characters from the original film. In many respects, this stands alone, building on the larger lore while naturally leading to the first film.
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Bill and Ted Are Doomed is a perfectly fun, bubbly, and visually endearing Bill and Ted comic. Superfans will need it, fans of the movies will respect how accurate it is to the source material and how it ties into the narrative, but if you're not already a fan of the series, you can pass on this one. I'm holding out on reading more though since the story in second issues can make a series totally excellent.
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This series continues to sell the believability of a boy learning he has insane powers. This issue is a bit too exposition heavy, and doesn't introduce much of anything new, setting up the next issue rather than being a joy to read on its own.
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Black Cat Annual #1 is a unique look at Black Cat out of her element in South Korea, but soon you find she's never out of her element thanks to smarts and careful planning. MacKay offers up an intriguing setup, a fun look at a foreign superhero team, and new details on where the Mind Stone has ended up.
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I liked this issue and simply love what Acua and Coates have done with the bigger story. Black Panther has never felt so big in scope as war wages in the cosmos.
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A good fight comic that offers something a little different for the hardcore Marvel fan.
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If you want a traditional Black Widow story you can't go wrong with 'Widow's Sting', which offers a classic espionage tale using Black Widow in a traditional way.
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Bloodlines finds its villain and she's ramping up the drama tenfold. Meanwhile the story progresses ever so slightly–not nearly enough if you ask me, but it'll have your attention.
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Aside from the story being a bit by the numbers it works and should entertain most.
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Though the characters are deplorable and hard to root for, this first issue is a reminder of how incredibly dangerous and deranged Bullseye can be. Bullseye #1 has a grungy crime drama feel not unlike 100 Bullets you won't want to miss.
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This is very well made, but it's too short for its own good. There's not enough here to make this more than a 5 minute read!
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Though untethered from the show or the main comics, Cage #1 is a lot of fun with expressive and kinetic art and plenty of chuckle worthy moments.
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If you're at all interested in how Steve Rogers has been secretly pulling strings during Civil War II you can't miss this issue. It may not progress the plot much, but it's good for showing Captain America as a master tactician.
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Finally, the Agents of Change storyline is completely lost on me. The characters, since there are so many, don't get enough time to be fleshed out. It's going at such a slow rate I'm starting to wonder if there's any point at all other than show a superhero team with the Casey flashlight.
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Catwoman #39 is an intriguing start to a new arc where Catwoman is a master of the finer things and finer details around her. The book is absolutely packed with content, maybe too much so in regards to captions, which can feel burdensome. That said, this is a Catwoman ride you'll want to continue.
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A good second issue, but not great due to some cliched villain work and a twist you'll have seen coming. The character development is good though and you're right there with the protagonist.
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Aside from Iron Man flying off the handle like an erratic child – and the Inhumans' place in the bigger picture of this story not being very clear when it should be – this issue does well to remind us comic book events are meant to be big and important. This has everything you're looking for in a bombastic event series including the irrational characters!
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This is a transition issue if I ever saw one. The characters are going from point A to point B and to satisfy the reader in purchasing the book there's gore. A lot of gore. Personally I'm not a big fan of gore or torture in horror movies, so it didn't do much for me while reading this issue. That said, the purpose isn't lost on me. We're seeing the power of God and it's pretty ferocious and unforgiving.
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Aside from some lengthy dialogue and an opening I'm still confused by this is a good issue. Once again Tynion and Donovan have crafted a compelling horror story that's close to home in a variety of ways that will surely hit you right in the amygdala.
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I should note that Ching's art is extra intriguing because it's a fairly unprecedented look to the Conan franchise. The story unfortunately doesn't get going very quickly, but what we do see of Conan is worth a look. Recommended.
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If you love sci-fi and unique-looking sci-fi adventures, pick up Corollary. The art has fabulously crafted an intriguing world worth exploring. Tucked away in that world-building is a twist that could make for an interesting dynamic for Andromeda to resolve going forward.
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This is a good time if you want to experience Marvel's history with a twist. It's certainly funny enough and it's entertaining to relive some of the craziest Fantastic Four stories with added crazy man Cosmic Ghost Rider. I'll be picking up the following issues to see how Scheer and Giovannetti put a spin on other important Marvel history.
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Creepshow 2024 Holiday Special #1 expands the long-running series into new seasonal territory with imaginative horror and dark humor. Though the slower pacing and uneven scares may leave some fans craving more immediate thrills, it's a solid holiday horror anthology worth a read for its originality and artistic flair.
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Another good issue that peels back a few layers that drive this conspiracy theory series. The world is compelling and you'll be driven even more to know all of its secrets.
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The premise is fun and feels quite fresh, but it's still early as far as what its purpose is as the protagonist is a bit of an enigma. Regardless, this is out there fun that's weird in all the right ways. The colors and art are so much fun it's hard to put down.
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Cyborg connects with his mother in a real way and that tethers this issue to some important feels. Meanwhile there's some fun action thrown in too, but don't expect the most satisfying explanation of Cyborg's escape.
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A good first issue that does a fantastic job fleshing out the protagonist but could use a bit more of the funny.
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Another good installment, but it makes you want more.
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For fun bubble gum action you can't do wrong with this issue. It's not going to blow you away when it comes to character, but it's a nice little ride that sets up its next issue well.
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Dark Web #1 kicks off what should be an exciting exploration of two broken clones who want to feel regular and respected again. I can't say the story is all that deep or that it probes its characters, but it certainly brings an unmistakably 1990s Marvel vibe. It also does the very '90s thing of bringing characters rarely together into one crossover, which is exciting as we will likely get unconventional moments and new twists and turns for our favorite characters. Dark Web is a fun escapist nightmare that thoroughly weaves in superhero theatrics.
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DC Horror Presents: Creature Commandos #2 is a good, albeit a bit distracted, second issue. The attention to detail as far as science meeting monster needs is interesting, while the animosity amongst the team is fun to keep tabs on. This second issue falls prey to spinning wheels, preventing the main story from getting into gear, though.
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If you enjoyed the last issue, you should love what the creative team is doing with DC vs. Vampires: All-Out War #2. It progresses the story, sets up a major goal to help the heroes turn the tide, and has a backup that promises to give readers new insight into the main villain of the event. It may be a little rough around the edges, but it's must-read material if you've loved DC vs. Vampires.
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I liked this issue and some may just love it. If you're a fan of comic book storytelling and innovation in the industry you will adore this series. This issue wastes time with unnecessary asides and red herrings, which will undoubtedly annoy many.
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The action and art keep the tension up as the story comes to a close.
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I think we'll all look back at Emperor Penguin and consider it a successful introduction to a new villain. It's not often we can say that, and while he's a little too similar to Wrath for my tastes, he's got some interesting ties to three different entrenched Batman villains. His obsession with being the leader is also a unique trait writers will be able to fool around with for years.
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As far as action comics go this is a solid issue. The fact that somebody had the idea to stick the Robins in giant bird cages is hilarious, but overall this is an average issue that doesn't quite nail the storytelling.
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A good last issue though don't expect to understand the deeper meaning.
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A good issue that builds towards the next issue.
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A good ending to a story arc that has introduced a very strong new villain to Batman's new rogue's gallery. I take issue with the plan enacted as it seems a bit pointless in the end, but the origin of Arkham Knight and the general aspects of the character prove the character is bound to show up for years to come.
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A strong internal narrative for Domino keeps the book focused and razor sharp while the plot gets set up. I can't get over how creative the villain is and also how royally screwed this misfit team is going to be going forward.
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Dread the Hallsoffers an enjoyable mix of festive frights and creative storytelling, with standout entries making it worth a read despite some uneven execution. Whether you're a fan of horror or holiday cheer, this anthology has something to offer, though it might not fully satisfy those looking for a polished collection across the board.
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An interesting issue in large part because Xorn is so damn cool. That said it's a bit wonky, Magneto's character shifts dramatically and the pace is slowed down by too much exposition.
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This is fight comics coming in at a high level. Cifuentes delivers his best issue yet, the stakes are raised and major developments happen so that you'll be itching for the finale issue next month.
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If you like Spider-Man Noir you will love this issue, but those looking for more of an event book might be disappointed. There's nothing revealed here you didn't already know if you read Superior Spider-Man #32 as it serves more of a origin/recap of Spider-Man Noir.
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This issue is good for a laugh, a heavy dose of action, and a setup of a finale where the stakes can't get any higher. Hoewever, it does all of this in an issue that drags a bit waiting to lay down its heavier blows next issue. Bring on the finale!
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The war to stop human extinction gets underway, though it's taking its time!
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Excalibur #20 ends with real hurt, pain, and character growth felt across multiple characters. If you're a fan of character development, especially for these characters, you'll find this highly enjoyable. It may be heavy on dialogue and light on action, with most of these scenes focused on characters standing about and chatting, but the end result is good. Excalibur serves as a good-looking ghost story with a mutant twist.
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Exceptional X-Men #3 delivers a satisfying mix of heartfelt character dynamics, genuine conflict, and compelling teenage mutant drama, all anchored by Eve L. Ewing's sharp writing and Carmen Carenro's expressive art. The nuanced relationship between Kitty Pryde and Emma Frost provides a strong emotional core, while the new mutants bring authenticity and energy to the story.
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Fantastic Four #29 is a good start to the tie-in storyline, though it focuses so much on Sky it may lose readers. Instead of this being about the team, it has decided to tie its cart to this rather new character. The emotional story works in a clever way, though, and gives the story purpose.
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Fantastic Four #27 is a fun, character-driven detour that highlights Nicki Masters-Grimm's youthful perspective and powers, but its low stakes and filler nature make it feel like a breather rather than an essential installment.
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Your enjoyment might vary based on your expectations and how much Marvel you read though and I suspect readers new to MacKay's great Black Cat or Cates/Stegman's edgy and horrific Venom will be bowled over.
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The pace slows down, but there's still a worthy comic here.
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Fans of grindhouse type action and horror movies should not miss this western about a girl with no name. If that doesn't tickle your fancy maybe the gritty graffiti art will.
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This is a good setup issue for the story arc. I can't say it was terribly surprising -- it flows about as you'd expect with very few surprises, but it's getting the work done so that the epic battle can take place later.
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A good first issue in the "Future Fights" origin story comics. I had no idea what the Future Fights game was, but had a good time getting an introduction to some interesting characters.
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It's abundantly clear Future Quest is for anyone who wants to take a ride back to when comics were a bit goofy and a lot of un. There's nothing else quite like it on the stands today.
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The backup which reveals a new set of heroes steals the show with a fun and clever premise for their strategy to keep their powers under wraps. If you're looking for an all ages adventure book you can't do much better than this.
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This story kicks off a hero's journey you won't want to miss. The art is sharp and darker in tone like something out of Star Wars and the action exciting too. Still, I wish there was more in the way of character work.
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Gone are the hope and dreams of the three new police officers who make up the main characters in GCPD: The Blue Wall, and darkness and despair are in their place. While the first issue rode a line of good people trying to be good cops, this second issue seems to suggest there is nothing good coming out of the police, and in more ways than one, their roles serve in a system that takes away their ability to make the right choices. That's a tough pill to swallow, even if it's likely based on truth.
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A good issue that may leave you wanting more.
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I liked turns in this story, but it felt rushed at the very end. Another issue or two might have helped develop things, but even as it stands it's got enough here to satisfy longtime Gwen fans.
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Glitterbomb continues to capture the frailty of the human condition via the awful behavior of Hollywood peers. In a world where it's all about how you look, Zub is revealing the inner truth of the characters is more monstrous than anything you could imagine — even when the script blows everything up and makes you shake your head with utter confusion!
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This is a good volume, but one that seems to matter less than most. The survival facts and cooking scenes continue to be good, though they are quite thin here. The prison break is well done, but with the opening nude escape sequence, it ends up not being a central focus and is sped over.
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This is a good first issue as it captures the tone of the series with an interesting mystery to boot. The characters are a bit thin, but at least it's clear how Batman fits in all of this.
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That said, reading this in the single issue format makes it tricky to enjoy. Harris is writing something that's incredibly difficult to make interesting, especially in the comic book format which is lacking in human actors and professional cinematography and soundtrack. The series should be commended for making such difficult concepts interesting, but reading it in the single issue format, it's hard to be elated with the pace and the decompression of the story. As it stands it's a comic to read with a glass of whiskey and a few moments to spare. You'll need them to think on it.
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Green Arrow fans have a lot to talk about after this issue! If anything this was the Rebirth issue Green Arrow needed as there are major reveals, surprising twists and a cliffhanger that changes everything.
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There's a lot of fun and action packed content to be devoured in this issue. Most importantly, you'll come away respecting and liking Emi more than ever.
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Jaw droppingly good art makes this a pick up for Batman fans.
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As bombastic and action packed as anyone could ask a 50th issue to be. Sure it lacks the plot progression and character development that'd make it excellent, but it's still fun. Come for the awesome power of Green Lantern!
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A fantastic opening that reminds us why Hal is great while also introducing a new power that's a real mystery. The action is fun too, but expect a slightly decompressed issue here.
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Another good issue that reminds us Humphries has a winning formula going.
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Green Lantern fans need to read this as major revelations are revealed in regards to the Guardians and the rings they created.
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Though the story is dragging, Green Valley #5 is still good science fiction meets fantasy meets historical fiction. Landis is writing a villain you want to die oh so badly and that'll have you back for more on top of everything else.
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This issue looks great and is a good conclusion to this three issue arc. That said, there are a few developments that disappoint in the climactic battle to end things. It's understandable you need to get the character from point A to point B, but it all comes off a bit lazy and another issue or two really could have let this story breath. I'm not sure if it's execution or just choice, but it does let you down a bit.
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Ultimately this story has deep roots in the history of slavery in New Orleans and I really can't wait to see where it goes. The concept at play here concerning zombies is interesting and fresh as well. The magic wielding hero to open the book is the only weakness as far as scripting goes as I'm not sure what her deal is and she really only serves as a way to deliver exposition. That said, this was a surprisingly good read and a tie-in I'll be sure to continue.
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Like Ryan Ottley's work? Buy this. Like outrageous gore and lowbrow humor? Buy this. Expecting a story beyond excuses to see the Grizzly Shark eviscerate people? Steer clear for the Grizzly Shark will not bite you in the funny bone!
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Not a bad issue with a meta angle that you wouldn't expect. I do think you'll need to be familiar with Groo to enjoy this fully, but it's going to be a wild ride and it's worth checking out this issue to jump on.
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Action that's tons of fun, great art, and some interesting moments that show Angela is more complex than you think. Just don't expect read to last long.
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I liked this issue for how it builds up Star-Lord and makes him the leader he's always meant to be. There are also conscious character moments that will be fun to explore as they develop. Cates and Shaw are always juggling a few threads well, keeping the chase for Thanos's head in the thick of things.
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A more classic comic experience with a slower pace and a confusing opening.
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Overall, Gun Honey: Heat Seeker - Combustion offers a bold, action-packed read that leans heavily into spy thriller tropes while delivering a mature, adult-oriented experience. Charles Ardai's storytelling and Ace Continuado's dynamic art create a world that's as sensual as it is dangerous. While some of the nudity and focus on sexuality can feel gratuitous, it aligns with the series' pulpy, James Bond-inspired aesthetic, designed for readers looking for a raw, unfiltered take on the spy genre. For fans of suspenseful, fast-paced comics with a mature edge, this first issue promises an engaging start to Dahlia's latest adventure.
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This issue delivers a lot of answers and a satisfying conclusion to the series with the promise, like all good stories do, that the journey of Cinder is not even being close to finished. Still there are more answers and a rush to the end than a well told story from cover to cover, which will leave you wanting more for the wrong reasons.
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Hal Jordan and the Green Lantern Corps continues to be one wild epic. If you've been crying foul due to a lack of action strap in, because action is what you get in this issue!
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A slow start doesn't mire the overall experience too much, as new questions arise as to what happened to Hal, what the Green Lanterns do next, and whether or not the Yellow and Green Lanterns can coexist. This issue sets up the next arc well, quickly pivoting in interesting ways.
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Another action packed blockbuster of an issue with lots of very pretty art. Hal Jordan and the Green Lantern Corps continues to be the summer blockbuster of DC Rebirth.
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Hal Jordan takes the center stage as Robert Venditti reminds us why he's a big time hero.
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Sets up the arc with some interesting plot points.
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I like this issue and I'm curious to see where Sam Humphries goes with Captain Triumph and Harley's relationship. It's a lighter issue to be sure though, and doesn't accomplish much in its 20 pages.
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Harley Quinn: Black + White + Red #10 is a feast for the eyes as you unravel Dani's frenzy of lines and color that make for a pretty picture. There's simmering energy underneath it all even though the plot is paper-thin.
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A good second issue that may add to the character, but there isn't a lot to chew on besides the scenery.
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A good procedural mystery that's perfect for anyone who loves the fall season.
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Heroes Reborn: Weapon X & Final Flight is an interesting tie-in thanks to the notes on where heroes we know and love have gone. It also makes it quite clear the Squadron Supreme is bad news. If you're a fan of Wolverine or Alpha Flight and have an interest in these characters, give this book a read.
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A good issue that sets things up for what will most likely be an excellent finish.
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Discover stories within stories in The Immortal Thor #6. This issue takes its time getting going while also serving as the first part of the story, cementing the fact that it's a good setup but not quite enough satisfaction to satiate a monthly reader. That isn't to say the setup isn't good, because it is, but as a single issue, it leaves you wanting. Still, I'm dying to know what the creative team does with the comic inside this story.
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This serves as a nice reminder of why Bruce Banner and Betty Ross had such a strong bond. It's a somewhat meandering reminder of Hulk's history honoring the character and his legacy.
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A good issue that, when combined with the first, serves as a good origin story to a combo that can be quite clever.
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All Injustice fans can enjoy this because the events are displaced from time and place. It hearkens back to a better time for our heroes and it's going to shock you with fantastic Joker scenes.
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I'm not sure James Bond has ever felt so well rounded and compelling, and the bad guy is nearly as important to seal the deal. This issue proves the bad guy is going to be formidable and fun to watch.
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This is as solid as non-superhero action comics can get. Bond isn't just shooting his way through bad guys but using his wit and knowledge too.
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This second issue reminds us one of the reasons Bond is so damn good at what he does is because he cleans up real well. Diggle continues to capture facets of the character that will satiate your desire for a James Bond movie.
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Sets up the next issue well and continues to write a strong Bond, but the action is short.
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A fantastical dragon that's unique and creepy will satiate fantasy fans. The story doesn't quite work when it adds a witch, which slows things down too much.
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IDW has clearly shown a prequel type series for Judge Dredd is an interesting one. To see a fallible Dredd is interesting, especially considering how often he's perfect. What really sells this series though was the high level concept concerning universe-hopping bandits. That allowed for the big reveal to give the story a bit of a detective and not your average shoot em up.
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It's a bubblegum sort of action series, so turn your brain off for this one.
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It's pretty darn good, with some interesting backstory revealed and a great sequence with Chloe's son. I wasn't a big fan of the White House portion and the current drama that's going on, but that might be due to the strength of the son scenes.
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Big, fun action is at hand with Justice League #9. This series is a reminder superhero comics don't all have to be introspective character dilemmas–they can be fun action for everyone.
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Hitch focuses an entire story on communication between heroes before the big conflict as they discuss their trust issues and insecurities. The concept of Justice League #14 is sound, but no real change in character is shown rendering its purpose moot. Still, there's a nice sense of scope and understandable issues are discussed.
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This is a good issue when it comes to epic storytelling but a few plot holes pull you out of the story and make you scratch your head.
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A good opening salvo to a story that is taking too much time to get going.
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The opening and closing give this issue pop, but it's hard to totally love the issue when the rest is slow and lengthy in its delivery. If you're interested in the Totality and the larger story you're going to need to read this.
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As far as side quests go, this book delivers. You get the banding of heroes together, good villains, and high stakes all established in the first chapter. There's even a good use of the mentor figure you see in the hero's journey that plays into an untrustworthy world.
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Another good installment in an all-ages friendly crossover.
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Justice League of America #9 does a good job setting up the final confrontation as well as add complexity to Rao meeting himself in the past. This story spans time and space and seems to be on track for one fitting conclusion.
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Action packed issue that delves a bit into a villain and sets up a new type of battle for the next issue.
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Justice League vs. The Legion of Super-Heroesis one of the cleanest and best-looking comics on the stands. The story is fun as it features so many heroes, but it's also erratic as it continues to figure out what it wants to be about. It's a fun ride and a good journey well worth a look for fans of DC Comics, but it lacks stakes and a solid direction.
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What we have in this single issue is a grown up version of the knight in shining armor saving a girl trapped in a tower. Only Conan is in robes, wearing an eyepatch and has to cleave his way through the bad guys. Nice! The issue also delves into a secret ally Conan didn't even know about, which ties into how he ruled equally amongst his people. It's a nice way to tie back into the “King” aspect of King Conan, but also reveals how he might reclaim the throne next issue.
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Three out of four good stories in another volume. Is it just me, or is Sugar & Spike so good it's worth buying this every time?
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This is a good look at a father and son dynamic we don't often see in comics. There isn't quite enough here to make it totally believable, but I find the approach admirable and I'm looking forward to seeing Paknadel do more, possibly in a longer format, as he's clearly skilled at touching on human emotion and interactions. As it stands, this issue continues to inform readers of how Quoi got here and why the villain in the story is actually relatable.
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The penultimate issue delivers, with raised stakes and an enticing new wrinkle. The setting and story work well and it's nice to see Lucas finally in control, but there's a weak twist and muddy art that drags things down a bit.
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There's something brooding and building that should not be missed in this series. It'll change the way you think of Heaven and Hell! This issue unfortunately does more table setting with a slower pace and leaves you wanting more.
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Thought provoking conversation and a cool look at what the Earth is like now that angels and demons roam can be found here. It's a table setting issue for sure, but if you've read this far you'll dig it.
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A slower paced issue that checks in on many different characters with some clever ideas strung throughout.
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A good start, though it's a slow one.
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While there's lack of explanation of what exactly you're looking at your eyes will love it. The characters remain interesting, the designs fascinating, and the plot ever thickening. Even though this latest issue lacks some clarity to allow you to enjoy it fully, Mae is a warm stew that you'll never want to put down.
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Serving as a fun throwback to Liefeld's days drawing Cable, Deadpool, and Wolverine this is a huge success. It offers a ton of action, a curious mystery, and a killer cliffhanger. It certainly accomplishes what it sets out to do.
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The only issue I took with the final story was its pace, which feels like a slog unless you're in the right mood. It's well written though, and the art by Carlos Valenzuela works great for the island locale.
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By issue's end I'm not sure of the intentions of this series. I know Dredd is facing Martians, but there's something going on behind the scenes we don't know about yet. That makes things more interesting, but also less B-movie schlock fun. The identity of these Martians is also odd, as if they are being mind controlled, which might explain why they aren't doing their typical all out attack on Mega-City One. The art is perfectly suited to Judge Dredd though, and at this point I think if we hang in there this series will deliver.
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A good first issue that can be enjoyed by all ages. The strongest elements are great like Ms. Marvel's internal monologue and a good mix of attention on each hero.
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The action sequences will rock you and fans of the Green Ranger are in for a treat!
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Compared to the last issue, this issue features fewer types of scenes focusing mostly on the action. That doesn't make it a bad comic, but one with a more singular and simple fight-comic feel. If you want action, Miles Morales: Spider-Man #34 is where it's at and then some.
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If you like to see heroes fighting heroes, you'll enjoy this book. MacKay and Creees add a nice additional layer of creativity as we get to see different looks and interpretations of both heroes in the process. That said, this event continues to be paper thin as we wait for answers and a reason to care about Agatha's plans.
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Mystique #2 continues to deliver an engaging mix of emotional stakes and espionage, but its slower pacing and lack of standout action moments prevent it from fully matching the impact of the previous issue.
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Napalm Lullaby #4 features the awesome power of the Janitor and our heroes as they dodge death on every page. In a world of fascist faith, can two rogue heroes change things? By the end of this issue it may seem impossible!
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A stronger second issue will add mystery on top of mystery further increasing your interest.
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New Mutants #19 is a fun party comic if you love these characters and want to see them interact. It's rather light on conflict and plot, but what it does have is a ton of heart.
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Seeley and To wrap up their first arc in Bldhaven with enough spark to make you want more. It may be a bit stuffy and slow, but it's got some great narrative and character ideas at work throughout.
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Action packed with some interesting captions from Nightwing.
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You'll be left wanting to learn more about the Nova force and how it works. Clearly Marvel is laying the groundwork for a deeper, almost spiritual explanation for the Nova Corps, and this issue explains the almost cosmic force of the Worldmind in an interesting way.
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NYX #2 is going to please Laura Kinney fans as it delves into her loner nature while digging up some of her past. Unfortunately, I don't think it entirely works, especially because of how it leaves her on the final page. Still, the art is great, and the moody nature of Laura in this story has good moments.
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I'm interested, but not overly pumped just yet. The villains are more interesting than anything else.
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It's good, but just barely because it's so darn slow. Speed it up folks!
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I like what the creators are doing with the overall theme of Garo being a reluctant hero even if he doesn't know it, but a balance of humor and plot development is required to keep the action from getting stale. It all looks good, however, and I'm excited to see where they take Garo going forward.
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The art is a bit troubling and doesn't suit the story at every moment, but the plot thickens and there's a major reveal that'll make fans giddy. There is a lot of infighting and moments that feel like filler, but generally speaking this is great event so far and beats any of the convoluted stuff Marvel has put out in years.
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If you're interested in a well told story with a couple surprises that doesn't at all move along the main storyline then by all means give this a looksie!
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This story, written by Wesley Schneider and drawn by Jainai Jeffries, has an eclectic use of layouts and a more CGI-ish rendering of the characters. It might be the coloring that does it, but it pops right off the page.
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Generally this is a good issue as it conveys hollow nature of Poison Ivy and her lack of humanity. Meanwhile she relates to a coworker who is extreme in many ways but similar to her as well. The story progresses nicely and the mystery is unfurling in an interesting direction.
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Punisher #12 ends the story in a way that makes me want to read the entire series again, but maybe not for the best reasons. It was clear with the last issue what this was all about, but this final issue is less a period and more of an ellipsis, as all "final" stories are for superheroes.
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A good done in one, but get back to the main story!
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A good ending though it does make you wonder if the story needed to be told at all.
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Ultimately there's some nice action when it does occur, however forced it is, and by issue's end you'll get your money's worth of content. It's just unfortunate this sequel to the Dark Horse series feels a bit too contrived and I would have appreciated a bit more of a mythical coming together than what we have here.
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This is an average read with good elements at play. The main protagonist continues to be strong, but Thorn takes a step back.
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Red Thorn is good at gods and even better at making them look otherworldly. The narrative keeps you interested, though I did find it hard to care much for Tarek's side of the story.
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This issue looks great and offers answers which allow for a satisfying enough conclusion even if they are sour answers that are hard to swallow. Possibly the most enjoyable element of this issue is the fact that it's finally over and we can move on.
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Aside from a slower paced issue that's lighter on laughs than I'd like it still brings humorous moments. The premise of this issue is spot on and so good it probably deserves an actual episode. This is the best and only way to continue your ocular enjoyment of Rick and Morty.
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Oni Press has made it a sure bet you'll find laughs in Rick and Morty. Every issue contains some type of hilarity, cool science fiction elements, and art that captures the show's panache. This issue doesn't quite do as well as the previous, but that's because the bar was set quite high.
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If you want superhero adventure this is the comic for you.
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A good final issue that solidifies the characters and adds reveals that could change everything.
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Overall this is a good issue, albeit a tame one. There isn't a lot here that wasn't expected, and some of it handled more to clean up shop before the next arc starts, but all in all the narration about relationships makes this one worth a look.
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Savage offers something you can't get anywhere else. This third issue is an example of out-of-this-world monsters clashing well with a jerk of a younger guy who can't be stopped. Ultimately, the creators are finding a bit of purpose for Savage before he heads back into kicking monster butt and taking names.
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If you haven't noticed, this review uses "over-the-top" four times, and that's for a reason: Savage is bonkers storytelling. It's not taking itself too seriously and the story never goes too deep, but at the surface level, it's a good time. Most importantly though, this book and the story arc as a whole is living proof comics like this can work and should continue on. Now, when do we get another arc of Savage, Valiant?!
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This was a good first issue to setup a potentially assume story arc. It certainly helps when Joe Mad is this good panel to panel. Of course, if art isn't the only thing you need, you'll be a bit disappointed with this. The acting Mad does with the characters is great, and certainly adds to the story, but generally speaking not a lot is said in this issue that couldn't be said in two pages. That means it's very skippable if you're looking for story, but if you revel in awesome art don't hesitate to purchase this beauty.
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Those 99% will be happy with this issue, but it'll be over quick. Joe Mad's art is good enough to peruse more than once however, but I was a bit let down with the lack of backgrounds even if that's his M.O. It's nice to see a new idea brought in from Zeb Wells though and it's a good ride.
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Overall a good issue that is predictable, but still enjoyable.
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An action packed issue with intriguing twists, but it does drag a bit.
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A good check-in when it comes to the mutants and Cap's relationship with them.
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Another good issue from this consistently interesting series all about character.
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The twists and turns of a Skrull story are alive and well in Secret Invasion #1. Ryan North and Francesco Mobili capture the unease of not knowing who is good, bad, and everything in between.
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A slower and more subtle chapter in an event series that is exploring guilt, payback and the impossible task of believing we can control anything.
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Save for an abrupt end and a somewhat unearned focus on Mr. Fantastic this concluding chapter wraps things up well. Longtime Hickman fans will love this.
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An unnecessary tie-in, but the first half is exciting and badass and the second half is fun and silly. Punisher 2099 steals the show and makes this one worth picking up.
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This issue is all about the art. All three artists do a bang up job, particularly the Wolverine and Ant Man stories and the quality of the art alone is worth a purchase.
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Shadow War: Omega #1 is the kind of comic crossover finale you respect for how it accomplishes most of its goals while setting up future stories. That's a big reason we get events at all and thankfully this one ends in a way that feels purposeful. Sadly though, it does fall prey to tropes in superhero comics that feel tired.
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It may be dense and mostly dialogue with very little action, but the mystery draws you in. This doesn't feel like any old mystery and it makes you question who Sherlock was and makes you wonder if the real mystery is whether what we know is wrong.
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Silk #1 is a good start to a new story if you're new to Cindy Moon's adventures. If you're familiar it's a bit slow as it catches us up on details we already knew with nothing new to change the character. It makes the #1 branding a bit confusing, but as a fan of Silk, I'll take what I can get.
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Overall this is a nice little ride that shouldn't go unnoticed by science fiction lovers. There's an undercurrent of societal commentary here that should satiate the thinkers out there, but plenty of gore and violence for the action lovers too.
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It's good though not great. The humor is lighter than previous issues with much of it being visual gags rather than clever bits of dialogue or commentary on superheroes. It does progress the plot of Dogwelder well and is entertaining none the less.
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An action-packed penultimate issue that also has a great running joke, but if you're expecting more than straight mindless entertainment you've come to the wrong place.
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Well written characters continue to be a staple of this series.
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The new direction to flesh out the backstory of the Solar power and a relationship between siblings gives the series a fascinating new direction to keep an eye on.
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Spider-Boy #2 is a nice fight comic with a strong, kid-friendly vibe. Pick this up for a young friend or family member who wants a bit of fun and nice holiday cheer for the season.
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Pick this one up for a few eye-rolling laughs and the start of what could be a hilarious adventure. As it stands Spider-Ham is set up well for an adventure that'll involve Spider-Man and while it's not the most complex reads it's still entertaining enough.
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The sin of our title hero not wearing the costume adorning the cover isn't the worst thing you'll see in comics this week. This issue establishes the status quo of the hero, his personality, his goals and a villain with some devilish intentions. Check this out to get started on another David/Sliney ride!
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Spider-Man: Black Suit & Blood #1 isn't taking enough chances. The stories aren't bad, but they're pretty safe, especially since not a single one delves into the violent nature of the symbiote given Spider-Man. I'm excited for this series to lean more into adult themes, but so far, it's not doing enough to feel different from any other Spider-Man story. At the very least, you haven't seen Spider-Man this creepy in ages.
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While the issue as a whole is a fun read and interesting, don't expect much in the way of progress when it comes to Spider-Verse. Instead enjoy it for what it is – a celebration of Spider-Man!
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This is a good issue, although its pace is up and down and Jessica's choice to trust some questionable characters is convenient to the plot. That said, what Pacheco is doing with Jessica's backstory and her powers--never forgetting the hero inside--is exciting and well done. Spider-Woman is in great hands.
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A solid story arc for Data that reveals how he turned bad.
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A good second issue that's exciting and action packed, but a little light on the meaningful character work seen in the first issue.
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Star Wars continues to be the strongest of the series of the Marvel Star Wars comics with good balance and attention to character.
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Adds a new wrinkle to Luke growing to become a Jedi. It's a tad clunky though which hurts the overall experience.
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Though somewhat slow I'm on board for what Gillen and Larroca have in store for readers. The story weaves into Rogue One very well.
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I liked this issue and had a blast seeing Boba Fett kicked ass. It's a simple sort of tale, but it hammers home the force of nature that is Boba Fett quite nicely.
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When the writing is so consistently good it's glaring when things don't go as well. The standards are raised of course, but this issue is too much about capping things off when it could have used another issue to let things flow.
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So often a story ends poorly, leaving the observer disappointed. That isn't the case here, but the loose ends are tied so quickly it's obvious it's not as good as it could have been. As it stands though, it's an entertaining end with plenty of conclusions readers should enjoy.
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A good story thanks to its unique perspective. It's not hard to believe something like this could have taken place when Darth Vader reigned supreme and it's incredibly well-articulated thanks to the two artists.
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It is, although it suffers the second issue blues. There isn't much action to speak of, and the one chance to do so with the flashback falls short. It does however continue the feels and feel-good nature of the protagonist.
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Strange #9 sets up a great cliffhanger for what should be a must-read finale. The concept of Stephen Strange as the Harvestman is fully realized here and he lets loose his abilities in exciting ways. Throw in some good gory violence and Strange #9 is a raucous good time.
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This is the first issue in the series that hammers home how traumatic Will's adventure was in the Upside Down. You'll feel bad for the kid as he holds it together just enough to not be murdered.
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This is a good, but not great final issue to the first story arc. There's a definitive resolution, and a lot of fun along the way, but there's a confusing scene that doesn't make much sense. That cheapens the conclusion. The backup is alright, but isn't as interesting as previous backups in this series, delivering a more cursory reveal than anything else.
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A good horror/supernatural one-shot.
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Aside from some minor quibbles this is a satisfying conclusion to a six part series that gives two usually minor characters the spotlight. It may not have quite achieved everything it set out to do, but each story is worth a look regardless for different reasons.
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Both stories have scenes and sequences worth checking out. If you haven't been reading you might be lost, but those who have should feel satisfied with both conclusions. El Diablo comes out of his story stronger and different because of it, giving the character more credibility. Waller's story doesn't quite merit the page count, but has some interesting elements.
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This series has done a good job keeping the reader on their toes, not letting us root for SpOck, but not letting us hate him either. He's an anti-hero who's literally killed off a beloved character and yet we still root for him. This might be because we've all expected Peter Parker to come back eventually. Enjoy the ride, but don't get mad at the death of a hero. Well, this may be the first issue where the death of the hero was punctuated with an exclamation point. Let the fans rise up and acquire pitchforks and torches!
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All in all a good read, but not a great one, especially when compared to the last two stellar issues. This is yet another bridging issue that's more interested in recapping moments to set up future issues than delivering a major advancement in story.
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It ain't bad, but it ain't the greatest of issues. By issue's end you'll be psyched for the next chapter, but that's mostly because this is a transition issue with some quick decisions made and not a lot of time spent on why they were made.
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This is a bittersweet ending. There's a lot to like, but then there's also a lot of sweep-under-the-rug storytelling going on to get Peter back into the suit before the movie premieres. It's a satisfying conclusion though and how it all ties into the 2099 universe is intriguing.
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If you love nostalgia, Superman '78: The Metal Curtain is going to be an easy purchase. The first issue is slow to get going, though, making me wonder if it's a wait-for-trade paperback sort of read. That said, with the Daily Planet scene and great art, we're clearly in good hands.
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Anyone dying to learn more about Mr. Oz needs to read this issue. Superman #18 not only teases a new threat quite well, but it establishes a very big shift due to Superman not being of this dimension. Readers should also note this should be read before Justice League #16.
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A good conclusion to a four part story arc that changes Superman's role as hero in a big way.
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Character development is on point as Superman is reminded of his looming, untimely death and it's exciting to see him come to blows with the mysterious villain of the story. While this issue doesn't progress the plot as much as I'd like it's still a fun read. Why? While Superman has died so many times before this, the writing is so good you'll still care and worry about the guy. That's exceptional in itself.
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I have high hopes for this book and so far it hasn't disappointed…much. Obviously we're only two issues in and it's hard to say what Snyder's ultimate vision is for the character. As it stands today however, the villains are flat at face value with little to no motivation shown. This issue also oddly spends a ton of time with Batman, and while it's pretty cool, I had to ask myself if this was a team up book and not a solo Superman title.
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Interesting character dynamics are at play, but it'll end with you scratching your head as far as where it goes from here.
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The art and action are great, but there isn't much to chew on story wise. The one liners will beat you down, too. It'll get to the point where you'll be looking for them, which makes you realize there isn't much story here besides one large action sequence. The kids will love it though, but anyone older than 16 will probably find this a bit boring.
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A fun issue, though most of it sets up the next one.
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This series really pops. If you want bubbly, fun art and snappy dialogue set in space you can't do better than this.
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A good intro issue with a healthy dose of backstory, but you may be expecting more from the hero angle.
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The atmosphere is ripe for one hell of a haunting story. The main character has a strong backstory, but so far I'm wondering why he's not more complex as an adult. Plus the big bad thing in this issue isn't on the page nearly enough leaving you wanting more progress.
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This is a good issue largely due to great atmosphere and a quiet resolve that'll keep you on edge.
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A good outing, but one that tries to do too much.
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A surprise as the story takes a break to tell a classic tale, some might find this frustrating as it doesn't progress the plot, but in some ways delvers into the possible psychosis of Goon.
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This is a good issue as it builds up a new character, is paced well, and has a few good laughs too. I wouldn't say it's as funny as previous issues, and the team aspect isn't working, but overall it's an okay time with a book that could really go far.
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The Last Barbarians is an intriguing start to a fresh take on fantasy tropes and world-building. The main character is compelling enough with a secret to keep you coming back, and you'll be on the edge of your seat to see more amazing creatures in this fantasy world.
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It's the world outside your window, but in such a way it's as if the reader was dropped into another reality where this was the status quo of the Marvel Universe. This first issue introduces a story that's exhilarating, but also foreign and a touch confusing. The Marvels #1 is as entertaining as you allow your suspension of disbelief to go, not quite knowing the boundaries at work here. For that reason, The Marvels is challenging.
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The Rocketfellers #2 is a delightful holiday-themed installment that highlights the charm and quirks of its futuristic family while teasing broader connections to the Ghost Machine universe, though its main plot takes a backseat to festive fun.
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A good start, though it'll make you twiddle your thumbs waiting for The Shadow (and the villain!) to show up.
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The Trials of Ultraman #1 is setting up a different kind of story while reminding us of how we got here. For that, it works well as an introduction to the series and a setup issue. It does feel short, though, especially with the backup stories padding out the thickness of this book. It's not so much a decompression problem since there are many plots set up or revisited, but simply not enough happens within each plot to totally hook the reader. Fans of the original series will dig it, though, and it's setting up Shin and Ultraman for all sorts of trials.
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The remaining four stories all feel a bit forced and rushed, as if they could use a couple more pages, or even a mini series to say what they need to say.
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There's a lot of pent of anticipation in There's Something Wrong With Patrick Todd #2 as we await the villain to be fully revealed and explained. That slower pace ends up cooling off the otherwise compelling and addictive nature of the story.
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Light on Thor and the female Thor too, but strong on supporting characters and a potentially epic confrontation. This issue does a lot of things well, but oddly leaves the title characters out. Still, a good first issue to set up what could be a memorable story due to its social implications.
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An action heavy issue that's rendered beautifully by Christian Ward's trippy art.
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I wasn't sold on what the comic will really be about, which is partly due to the pacing of this issue and its decision to end on a cliffhanger that doesn't tell us much. Still, the characters are vivid and the world is completely believable.
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A decent start to the series that does a fantastic job introducing Wally West, his girlfriend, and the impending threat to the team.
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This story arc wraps up the Kadabra story with compelling revelations you'll be talking about with friends. While the resolution is a bit hokey it's a satisfying one that's all about the bond we share with friends and lovers.
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Ultimate Invasion #4 subtly gives us some tasty nuggets, but is mostly made up of uninteresting fight scenes. It falters as you haven't had enough time to get to know most of the characters. Thus, it's a series of events that could lead to some interesting developments in the Ultimate Universe, but not enough to call this miniseries truly special.
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This is a good tie-in due to it fitting in very nicely with an excellently paced action sequence, but it only progresses the plot minimally. That means it's skippable if you're okay with skipping a few tie-ins.
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Another good tie-in if you're looking for action, but not a 100% necessary read.
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This is without a doubt a fun read due to it all being about action, fighting and funny moments. It doesn't break the mold of the common comic book trope of heroes fighting for the sake of fighting, but it's fun nonetheless.
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Vanish #2 spends most of its time revealing the personality of its lead character. A big splashy and somewhat shocking opening scene is the standout element as it informs us of a more negative outlook on magic wielders and superpowered folks. In some respects, this issue feels like it's holding back a bit, but rest assured, the cliffhanger should up the ante next issue.
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This is a good issue if you're looking for some superhero tropes that are surprising and satisfying. The issue isn't a knock out per se, but I enjoyed a decent amount of chunks in its pages.
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Venom #33 takes an interesting step forward when it comes to Symbiote legacy. Cates is adding more richness to the way these aliens work while plodding forward with Eddie's personal journey in finding resolution as a man who can't see how he's a hero. This issue suffers from excessive exposition and speeches, but makes up for it well enough with some mind-bending ideas.
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Venom #34 is the kind of comic that is enjoyable, but also does what the mainline book could have done with fewer pages. It's a tie-in to a larger story that doesn't have a lot to delve into, but at least it looks great doing it. Since much of Eddie's struggle in this issue is given to him, the hero doesn't grow all that much and instead serves as a bystander in his own story. That said, it's a story we've seen before as the hero is called to do something great, which leads into King in Black's finale well enough.
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A good time with four different recountings of Venom that should make any action fan very happy.
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The adventures of Venom's host is still interesting though the action/drama is a bit predictable.
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A good first issue that's technically well made, but you'll get a somewhat hollow feeling from it all.
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A story that sheds light on the character motivations, but is filled with too many flashbacks though they tell important historical moments.
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Despite the heavy exposition and lack of racer involvment, you can't avoid the fact that this is a satisfying conflusion. Wacky Raceland is the epitome of science fiction meets heavy metal music. It doesn't stop or care if its jacked up to 11 and you shouldn't either.
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A strong first issue that sets things up well.
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If you love Deadpool buy this book as he's captured very well. As tie-in series go you could skip it, but it's a good time with plenty of action. Why not relent and take in some War Avengers?
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An opening issue to a series that lays the groundwork with plenty of well written dialogue and interesting characters.
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Miles Morales as Wolverine is a tragic turn, which makes sense given how empowered he is by his family. It's a lighter on story sort of comic, however, one that's more about the action and reveals who the characters are in the universe than anything else.
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A good 'What If' that's very traditional to the series.
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The ending, which focuses on Wolverine for the most part, does do the series a bit of justice. There's an interesting twist and an upturn in happy feels by issues end that'll make fans of Wolvie happy. It does feel a tad tacked on, especially considering Wolverine hasn't been at the forefront of this series, but it's a nice conclusion.
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Wolverine #50 offers some of the most violent art you'll ever see in a Wolverine ending that certainly puts a pin in the relationship between Sabretooth and Wolverine. I can't say this finale was as meaningful as other chapters, but the visuals don't disappoint. Plus, Larry Hama offers up a great Jubilee and Wolverine tale not to be missed.
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Wolverine: Black, White & Blood is an example of how the comics medium can be used to highlight action and art by limiting its color palette. Fans of Wolverine, especially his berserker violence, will dig this and the entire series.
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If you're up for some nostalgia, Wonder Woman '77 Special has a lot of goofy charm and big happy endings. It's certainly not for everyone, but three of the four stories are well worth a look.
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A good second volume that keeps probing these genuine characters' lives.
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The book certainly doesn't open with inspiring writing or art. Leigh running away from the bad guys lasts too long with not much for her to do but look scared. That said, the rest of the book is entertaining with some interesting surprises. Anyone who digs crime comics with a bit of a superhero flair should check this out. In a lot of ways X is like Batman, only with a katana and a penchant to cut people's heads and limbs off. If that sounds like a good combo, then stop sitting around and buy this book!
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X'ED delivers a premise science fiction fans haven't seen before; the act of entering the psychology in a physical form is compelling and worth checking out for any fans of psychology.
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This is a mind trip that's exciting, but otherworldly weird like a good Twilight Zone episode. It's not perfect, but you will want to see what happens next.
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X-Force #21 sets up a new threat that may have close ties to a specific mutant's past. This issue has the X-Force on the hunt and what they find may lead them to realize all of mutantdom and humanity are the ones to be hunted.
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X-Force #25 is not your usual superhero comic by any means. It balances an impactful and emotional subplot and a surfer story that generally works. This issue isn't so much about surfing as it is Wolverine's romantic nature of loving life, danger, waves, and mysterious women. It's just odd he didn't question some stranger coming to Krakoa simply to surf.
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X-Force #42 offers the final form of Beast vs. X-Force in a slight let down to that part of the story. The visuals are good, and seeing what kind of world Beast's vision could create, but the resolution is far too easy and quick for its own good.
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Kate Pryde steals the show in X-Men #26 as she continues to show she's the most dangerous mutant alive. With nothing that can stop her and Firestar in her sights, it's going to be exciting to see who her next target is going forward.
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A good issue that hits the hallmarks of what makes X-Men comics so heartfelt.
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Wolverine fans rejoice X-Men Legends #1 offers an entertaining look at the character's earlier days at Marvel Comics. Thomas is an exciting creator to revisit a classic era, and the story here has enough going on to warrant exploring a lost chapter in Wolverine's history.
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A good first issue focused on Diehard.
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This is a fun action and adventure comic with plenty of fast-moving action visuals to satiate even the biggest Schwarzenegger fan. Once again I'm pleasantly surprised to find tie-ins to a mini-event being this damn good.
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I wasn't sure what to expect from this tie-in, but based on its quality I'm excited to read more tie-in series in this event. Machine Man has always been an entertaining and highly emotional character and the mission at hand is going to take further evolution of his control over these emotions or else he may not win at all.
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A.X.E.: X-Men #1 will make you curious and want more from this event in a good way. While it's unclear what this issue accomplishes for the bigger picture, it's a fascinating deeper look at the complexities of Jean Grey and the burden she is always carrying. Whether or not you agree with the Celestial's judgment, it's safe to say Jean Grey is made stronger for the events of this issue.
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If A.X.E.: Starfox #1 effectively familiarizes you with Starfox and makes you emphasize with his situation. A slightly obscure character, Gillen does the character justice by making you feel for him and understanding his beautiful complexity.
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A good second issue that plays around with the identity crisis of being taken over by a Symbiote. This book has heart and speedy action keeping you on your toes. I'm not certain this is a must read to follow the event, but it's definitely entertaining. 
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Absolute Power #3 is a good issue, although it suffers from having so much going on with little setup for each scene. The impact of that final page also feels a little less impactful than it should, but there's no denying that this issue is an example of creators doing their best to cram in a lot of characters and content.
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Absolute Power #4 is a good finale that wraps up key elements and establishes new directions for heroes and villains. It all comes together and makes sense, not feeling ham-fisted or made up on the spot. It does, however, struggle to deliver these revelations clearly or, in some cases, in interesting visual ways. A lot of exposition makes one wonder if this series could have been five issues to let scenes breath and get more visually interesting moments, but as the final issue before DC's "All In" initiative, it does a lot.
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Absolute Power: Task Force VII #7 will make you want many more international superhero comics. Not only are there a ton you probably don't know about, but they're super cool-looking and have plenty of their own dramas to deal with.
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While it feels way too much like a Hulk story, it still manages to work due to some interesting internal monologuing by Superman and a very real threat looming for Earth.
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"The Final Days of Superman" continues to progress the growing threats to Superman well as he plans for his eventual death. The art is detailed and pretty and this third chapter, aside from a few hiccups, makes me excited to read it all over again once all eight chapters are released.
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The cliffhanger may not have me at the edge of my seat, but dang it, this is good storytelling. Superman continues to pull at our heart strings as he slowly dies and the story has gotten a hell of a lot more interesting with multiple Supermen converging.
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A good issue when it stands alone, but if you read Superman #19 you're going to be getting much of the same story.
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A fine issue that spends way too much time recapping Superman's origin.
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Another good issue, but the recapping can be a tad boring given we know it already. It's done well though!
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It's hard to deny how cool it is to see the villains banding together and plotting in this issue.
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A good fight comic that complicates Cyborg Superman's plan, changes Superman (maybe forever?) and ties well into the emotional side of Superman's friends.
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A good fight issue with sharp art!
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A fun two parter story starts here teaming Lex and Superman up in a high emotions drama.
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Action packed and great looking art makes this a fun fight comic with a surprise guest appearance at the end.
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This latest story arc is very intriguing though it does oddly force Superman to come off as arrogant and selfish.
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A good issue before we reach the historic #1,000, which is harder to do than you think: it has to mean something, yet not do too much.
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Action Comics #1034 is all about building tension with some close calls thrown in to boot. It's limited on those climactic beats, but it's doing the work to make the next issue a must-read.
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All in all, Action Comics #1036 begins a story that feels huge in its scope as it introduces readers to a new world and a bevy of evil characters. It also has its heart in the right place as Superman can't stand the awfulness of Warworld while setting up an adventure we've never seen Superman face since he was created 83 years ago. It's a masterclass in worldbuilding.
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Action Comics hasn't felt this different in some time. Issue #1038 delivers an adventure story with high stakes that are testing Superman beyond anything we've seen before. This may be a slower and sadder chapter, but it's incredibly important as it's always darkest before the dawn.
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Mostly a fight comic, Action Comics #1066 sets up a last battle between Lex Luthor and Brainiac you won't want to miss. The opening of this issue cements the utter devastation of Queen Brainiac if left to roam free, which thoroughly heightens the stakes for the finale.
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Having not watched the show I found this book to be a fun read. Plenty of action, good introductions to Supergirl and the villain and a well rounded story from beginning to end.
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Hacker-centric storytelling is hard to pull off, but Gates does a good job keeping things interesting in this issue. Supergirl herself is lacking though, as she must fight for page time between two supporting characters, which makes this read like a good non-Supergirl story more than anything else. It's safe to say this series is in good hands every month with tight character driven storytelling.
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You'll enjoy Adventures of Superman: Jon Kent #3 thanks to the interesting character work and the impossible odds Jon Kent is facing. Often in superhero comics, it's fairly easy to guess how things will play out, but with the stakes so high and Jon seemingly all alone, this Injustice crossover couldn't be more exciting.
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A fun comic to be sure with a major spark from the villain side in the last few pages.
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Another good issue that adds some interesting layers to the villains.
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A good issue -- possibly the strongest yet -- in a series that's tons of all-ages fun.
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A good start to the introduction of Aero in her own series. I suspect many will enjoy this book for its manga feel, but also how accessible it is to any audience.
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A good character drama that reminds us of the cunning and cruelty of high schoolers.
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A good tie-in that establishes the "opposition" side of the Age of X-Man. There's more to it than we might think and it'll be fun to see how the answers to the mysteries outlined here will be revealed.
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Speaking as a guy who doesn't usually read X-Men books, I can't get enough of Age of X-Man. This issue continues that unnerving mystery while delivering new details about the world that should draw even casual readers in. This comic is a reminder big shakeups in comics can be a very good thing.
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A good issue that splits off a few of the characters down different roads. The unnerving nature of Age of X-Man is on full display and it's well told here.
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I liked this issue better than the last thanks to Nightcrawler's predicament forcing him into a tight spot emotionally. How will Nightcrawler do the right thing in a world that has outlawed the natural feeling of love? That's exciting and it's fun to see how the creative team squeezes Nightcrawler.
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This is a good issue that opens and closes excellently. Most of the issue is focused on a somewhat minor threat, but underneath it, all is an unease that gives the story mystery that'll drive your interest and make you wonder what comes next.
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Collected this issue will seem perfect, but as single issues go it doesn't blow you away. Of course, that's a high expectation and it's still incredibly enjoyable to read.
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Where Alien #2 faulters, it makes up for with unceremonious dread, fear, and plot progression. It's incredibly clear Alien is in the right hands with Johnson at the helm, as the identity of this series lives and breathes in a place of unfaltering nightmares.
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Alien #1 sets up a tricky situation for the heroes as they're cornered and knocked off their guard with Xenomorphs looming around the corner. It's obvious the story is in good hands with strong character writing and great art, but expect a slow boil buildup in this first chapter.
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This is an issue I wasn't quite prepared to take on, but I'm glad for it. The message is strong by its end, but it's a heavy subject that may affect others differently if they're not in the right mindset. Once again though, Alienated proves it has its thumb on the pulse of being a teenager who is lost, forgotten, and going through deep emotional journeys they think they're alone in. As the alien Chip proves, these three characters may be lucky they're not alone.
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Aliens: What If? is a compelling first stab at applying the What If...? model to characters outside the superhero world. Ultimately, I think it works, even though the comedy doesn't always land, and it's tough to see Bruke as a good guy considering his actions in Aliens.There are plenty of twists, andgetting more Alien stories is neat.
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Aliens vs. Avengers #2 escalates the stakes with an intricate, multiversal plot that transforms the series from a simple alien battle to a grand, existential conflict. Jonathan Hickman's deep exploration of Alien lore and the sinister threat posed by the David 8 synthetics create a tense and engaging narrative. Esad Ribic's artwork shines, capturing the chaos with stunning visuals, from Hulk's brutal battles to sweeping space scenes.
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Overall, I liked Aliens: What If? #1, as it shows the potential to tell more stories with side characters you'd never conceive of getting the focus. This issue also establishes some interesting avenues for the story, which could easily fill out its five-issue run. With Paul Reiser at the helm, Aliens: What If...? will please fans of the franchise and sci-fi fanatics alike.
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Aliens: What If? continues to be a surprising twist Aliens fans will love. Burke is a complex character who is clearly misunderstood, with years of guilt and anger built up to stick it to his corporate overlords. For that reason, he's a hero we can get behind.
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All Eight Eyes #1 is a good start to a short miniseries that takes spiders and elevates them to the main villain of a horror adventure story. It feels unique and new while offering an adventure right underneath our noses.
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A fun, done in one issue that movie and comic readers will enjoy.
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I liked this sixth issue thanks to the unique nature of the story and how good it is at making Mary Jane feel heroic and powerful. A strong first issue as it lays bare the egomania of Hollywood before nowheresville sets in for the rest of the story arc.
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I liked this comic, even if it was almost all about setting up what is to come. The dynamic between Spider-Man and Silk is fresh and new and something to keep your eyes on.
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This issue pulls off an appearance by Mary Jane as a hero quite well with good setup, solid heroics, and a concerned Spider-Man that puts his trust in her. All that combined makes for a rousing conclusion to the Regent story.
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Good action and great art make this a fun read.
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A good conclusion because it hits home two very important philosophical elements that make this character so great. Spencer knows this character so well, it's no question we're in good hands and Ottley draws it so damn well it's a wonder he hasn't been drawing it for decades already.
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This is a good issue that sets up some new conflicts and villains for Spider-Man to face off against. Unfortunately, it continues to not highlight Spidey in the suit and instead spends a lot of time setting up villains or focusing on non-Spider-Man characters. As a setup issue, it's intriguing, but its slower pace can be frustrating.
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This is a great setup issue preparing readers for a major move by Kraven and Arcade. What this story means for Spider-Man's rogues gallery is huge, and should not be missed by any Spider-Man fan.
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An enjoyable issue that revels in the relationship between Spider-Man and Black Cat. Spencer does a good job establishing how important that relationship was to them. There's also a great bit of detective work done for Black Cat's character. By the end, you'll respect the character even more.
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While it can be frustrating to try to piece together what is going on, it's hard to deny the general mood and atmosphere of this story suit the spooky season and feels entirely different. For that, The Amazing Spider-Man #51 is an interesting foray into a dark place that is unusual and intriguing.
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Amazing Spider-Man #58 is a good start to the "Negative Space" story arc, tying closely to the family aspect of the characters. The relationships Peter has with these characters are the lifeblood of the issue, just as they were what made the original Stan Lee and Steve Ditko's runs so appealing. That aspect is captured well here.
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Amazing Spider-Man #61 kicks off the "Let's Try Something New" story arc and stands by that name in entertaining ways. Spider-Man's inability to pull in cash is not a new concept, but the job he gets in this issue and how it ties into the new costume is a clever idea. For that alone, this is a great place to start for Spider-Man fans looking for some innovation and new ideas.
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Spider-Man's life is never simple, and that shows in Amazing Spider-Man #66. The series seems to be disassembling its pieces to set in motion a new direction, and for that, this issue is an exciting chapter. Amazing Spider-Man has become a puzzle to solve, which helps make the complicated web of its narrative more interesting to read.
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The Amazing Spider-Man #80.BEY works well as possibly the best Doc Ock and Aunt May adventure ever. Certainly, these two haven't had a lot of opportunities to affect Spider-Man's story, but Ziglar and the art team do well to capture the unique personalities of these two characters and how they jive with each other.
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This is a good issue, although it feels a bit like a rehash of the same pressures from Beyond Corp towards Ben Reilly we've seen before. That said, the interactions between Ben and Miles are entertaining and suit both characters while the action is well-drawn and entertaining.
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Amazing Spider-Man #88.BEY does well to draw you into Hornet's perspective while making the Slingers a target for the Beyond Corporation. As we near the end of this era it's plain to see tie-in stories like this are building towards a big finish. More importantly, Thorne will make you want more Hornet comics and ties the narrative into real-world issues worthy of hero intervention.
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Amazing Spider-Man #89 is a good hero's return issue that heavily focuses on the new Queen Goblin and Black Cat. It's lighter on the psychological element, but is action-packed and never boring.
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As a build toward Amazing Spider-Man #850, this book works. It sets things up, allows new readers to pick the story up here, and establishes plenty of surprises to follow. However, if you've read Amazing Spider-Man #48, it also feels a bit unnecessary save for a couple reveals. That said, it also sets up the milestone issue to feel even bigger, requiring a lead-in comic to get the full experience. In that way then it works and is definitely worth reading.
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Amazing Spider-Man #5 wraps up the first story arc with a story about Peter Parker's smarts. It's also a reminder that Spider-Man gets in his own way, but when he's having a little fun things go better for him and the reader.
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If you like goblins in Spider-Man comics, you'll enjoy the complex melodrama between them in The Amazing Spider-Man #11. Spider-Man is just beginning to trust Norman Osborn, but it's clear he's still warry he could turn at any moment. Throw in some romance with Black Cat, and you have an issue with Spider-Man that juggles superhero stuff and day-to-day nerves well.
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Amazing Spider-Man #19 is a fun side-quest post-DarkWeb that has fun with Spidey while perfectly capturing the character's spirit. This is a lighthearted start to a two-parter that'll please longtime fans.
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Amazing Spider-Man #22 picks up where we left off with more explanation and clarity on where this is all going. What exactly is happening in the closing scene is confusing, though, and it remains to be seen why we should care about any of this. That said, the art works in this issue and the big mystery is starting to make sense if you connect the dots.
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Some grieving occurs in Amazing Spider-Man #27 while the series startsa new story arc. The art pops and brings these characters to life in a slightly zany tale paired with sorrow. It doesn't quite work, but there's enough here to enjoy and be hopeful for where it all goes.
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It's hard to deny the silliness working so well with Spidey and Rek-Rap, but this issue spins its wheels a bit as we wait for the other shoe to drop. Amazing Spider-Man #37 is filled with over-the-top silliness, but suffers as it spends more time leaning into Rek-Rap's lunacy.
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"Gang War" is in full swing this week, and the danger level is high. Amazing Spider-Man #39 does a good job establishing how dangerous and just how chaotic the war is as many footsoldiers of the various gangs are at war and civilians are in danger. It's still odd other heroes aren't mentioned, and it's also difficult to care much when most of these gangster villains are C-Listers at best.
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Wells makes you believe Spider-Man can make romance work in Amazing Spider-Man #55. It might take some fast thinking and honest emotional maturity, but he can get there.
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Part 2 of "The Eight Deaths of Spider-Man" delivers an exciting blend of action, clever science-based tactics, and heartfelt character moments, making it a solid continuation of this unique magical story arc.
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Amazons Attack sets up a pulse-pounding race to get answers while dodging bullets. You haven't seen Amazons in a situation like this disadvantaged, but resolute in finding solutions.
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This issue is a bit wonky, with an opening that seemingly left out an entire scene, an ending that requires a lot of luck, and much of it focusing on characters talking in a cramped airplane. It's a table setting issue in many respects, but where it does set the table best is in some key reveals of the main villain. The stakes are only higher by the issue's end and this issue serves as a turning point in the narrative that'll only get better with the next issue.
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American Vampire 1976continues to be an interesting exploration of history and how monsters fit within what we know. The adventure elements are limited in this issue -- this is mostly a long conversation, but the characters are intriguing as ever.
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American Vampire is a series that has always argued that our history is important, especially by way of vampires who live forever. This issue plays into three different times important to the characters and the larger narrative. For that, it's required reading and it might just bring out the fans who read this series in the past and haven't yet picked this up. If you've liked previous collections in this series but have been waiting to try American Vampire 1976, give this issue a read to remind yourself why the historical underpinnings of the series make it so good.
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I'm starting to get these characters and I enjoyed the character dynamics that were built up here. The issue is gorgeous through and through and the peek into Hel is exciting stuff. It didn't gel perfectly, but it's a nice start.
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A fun book that I think many parents will love sharing with their kiddos. Pick this book up and delight in the amazing shrunken-down world only an Ant-Man and his son could share.
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If you liked the first issue, you'd continue to adore the solid tribute in this series. Ant-Man #2 leans into the scoundrel that is Eric O'Grady's Ant-Man, making for a different hero's journey.
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This Mera focused issue adds a bit of action as it reveals a lot of doubt in the character with strong character development. The character work is strong, though it does seems to be slowing things down too much.
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A slower paced, table setting issue for sure, but it's hard not to enjoy the building tensions across the board. This is turning out to be a solid arc that will pay off due to the time spent on all sides of the battle.
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If you're looking for all out action with a silly yet insane premise give this a look!
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An issue that was nearly a skippable affair becomes a fun ride due to well paced action sequences and an awesome cliffhanger.
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Another good installment of this very fun and entertaining series. It all comes down to character and pacing and it has that in droves.
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Artemis: Wanted #1 is a must-read if you're looking for closure after reading Trial of the Amazons. More importantly, the creative team establishes the strength and beauty of all three Amazons featured here while revealing a new role for a key Wonder Woman character.
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This has a fun fantasy vibe with sci-fi sensibilities that should get action adventure fans excited.
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Brent Anderson does a great job on art. There isn't any hyper detailed work going on, but the composition is key. When there are characters talking at the audience it's incredibly important to ensure the story is coming out loud and clear and there isn't a moment of confusion throughout. Considering the real hero being introduced is a normal man there's quite a bit riding on Anderson conveying his heroic nature without powers and costumes. I think he succeeds.
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Astro City: That Was Then... Specialis a good reminder of how impactful and emotional this series can be. This is a strong one-shot although it does take some patience to find its meaningful layers. Casual fans should likely start with the new Astro City Omnibus also out this week, but make no mistake, the creative team has not lost a beat in their return to the series.
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As we await the next Avatar film, Avatar: Adapt or Die is a good way to experience the characters and familiarize yourself with the world. Bechko captures the familiar tensions of the Na'vi and humans while Lobel brings these drawings to life.
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How this issue fits into the series is all going to ride on the next issue, but as far as this single issue there's enough here, ideas mostly, to satiate Avenger and science fiction fans alike.
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A gorgeous book, Avengers plays with time travel well, with big choices to make and high stakes to boot. Vision, Wasp, Hercules, and Spider-Man all get to shine too. What's not to love?
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A good first issue that has an event-vibe and stuffs a lot of characters into it.
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A good third issue in the arc, but I'm still waiting for some damn answers!
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The "fresh start" Avengers have established themselves as a team that is epic in scale and surprising in their approach. The lineup is a mix up of sorts thanks to Ghost Rider and, shockingly, he comes out of this series even better than ever.
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A good issue that starts to shed light on the Avengers of 1 million B.C.
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A good issue even if it's almost all table setting. This team lineup is intriguing and is a lot of fun to read, especially with their new digs in a god damn Celestial.
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If this issue doesn't make you want to buy the new Marvel Legends Namor action figure I don't know what will. Namor is made stronger due to great writing and visuals and may have hopped up a few pegs in the echelon of badass villains.
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An enjoyable issue thanks to excellent pacing. Aaron balances a lot of plates here and, overall, it's an enjoyable, tension-filled read.
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A good issue that digs deep into Marvel history to pluck out one of the wildest superhero teams in some time. Obscure is an understatement, but it's exciting to see a new kind of super team coming together.
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A great kickoff to some Avengers vs. vampire action. Aaron and Marquez have a good handle of the characters and I can't wait to see how a vampire war changes the team and the world. Make no mistake, this is good horror comics meets action comics. This is a fang-tastic first issue in a story that does not suck.
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Avengers #47 has a lot going for its fight comics sensibilities. Garrn brings the heat from the Avengers, but also the deep pain She-Hulk is going through. This issue is light on character development, but there's a promise for more thanks to a sharp detail that'll stick with you.
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Avengers #51 comes out of the gate swinging with high emotions, disarray within the Avengers, and the first official confrontation from the Multiversal Masters of Evil. It pays off readers following both Avengers Forever and the milestone Avengers #750. Echo ends up feeling a bit underwritten here, but here's to the tease that there may be more to her connection to Thor than we know.
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Avengers #52 is a good reminder comics are fun when they take big swings with heroes and villains. The Multiversal Masters of Evil is turning out to be a wildly inventive group of villains and the twist by the end will have you excited for more Starbrand.
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Avengers #54 is a fine ending to a story that has given us a taste of the Multiversal Masters of Evil, but doesn't commit to a final conclusion. The heroes lick their wounds and future fights will occur, leaving this issue too open-ended. That said, Aaron continues to be very good at writing characters across an issue, making even the quietest of moments matter.
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Your enjoyment of The Avengers #58 will hinge on how much you like the samurai Ghost Rider. Luckily it's rather easy to like the character since he's described so well, visually awesome, and is a unique twist on what we know of the Ghost Rider.
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Avengers #3 should get your pulse pounding with a bevy of intriguing and scary new villains. The Ashen Combine are serious contenders for the weirdest and scariest villains in Marvel Comics.
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This issue is very much about how all hope is lost, but also how Robbie's ability to endure pain and suffering is unmatched. For that, the narrative is a deeply heroic one that builds up the reader's anticipation for, well, avenging. Purchase Avengers Forever #2 to see how far a Ghost Rider can be pushed and also hints at more from Robbie Reyes. That and more scenes with Black Skull's evil awfulness.
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This is a good start to the next adventure in the Wastelands. I'm curious to see how well it does, partly because these characters are largely brand-new to most. As it stands, this series is setting up a good adventure for a set of young heroes who have something to prove in a world that has fallen to rubble. It's a hero's journey perfect for those who enjoy surprises.
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I had fun reading this penultimate issue. It leans a bit too heavily on one action sequence, but given the slower and less action-packed previous chapters, it should flow nicely when reading the trade paperback. I'm not sure this will convince folks to go back and read the previous issues, but I'm certainly on board to see how this team deals with Dr. Doom.
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Avengers Mech Strikeis kicked off with a fun, over the top action fest that seems to have roots in the Marvel movies more than the comics. Go in expecting big, loud, and youthful fun in a package that is Marvel movie fan friendly.
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An enjoyable third issue continues to probe the characters well while offering new wonderments for the characters to interact with. The theme of gods fighting men is a good one and it'll be fun to see how it plays out and how it might change the Marvel universe going forward.
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Marty and Doc are in deep trouble (when are they not?) and explore compelling time travel conundrums. If you're after a Back to the Future tale that bends time and space jump on now.
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Action packed first issue that sets up what could be a very unique spy/action thriller.
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A solid first entry, though a bit clunky.
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Basiliskcontinues to be an intriguing miniseries blending gore, horror, and fantasy elements into an action-packed fourth issue. This issue finally shows us Hannah can very much stand on her own, even against gods. It's a nice reminder of how genre is just a construct of the mind and when blended well it works wonderfully.
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Batgirl kicks butt and delivers one of the most refreshing comics when it comes to visuals in ages.
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A fun issue that reminds us Batgirl's fun and friendly personality is a huge part of her appeal.
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Batgirl and the Birds of Prey #1 is a great character drama that's not only fun, but action packed. It may lack a proper villain and high stakes (so far), but the characters certainly carry it with their strong personalities.
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A fun issue that's both meta and culturally aware as Oracle is revealed and Batgirl is reinvigorated. I wish there was more to this character, but it's still early yet.
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This is a good issue with fun fighting and training montages as the writing team closes in on some new characters.
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An art showpiece, Batman & The Joker: The Deadly Duo #1brings an authoritarian vibe to Batman, giving it a unique take on the character worth checking out. If you're interested in a macabre depiction of Gotham with a monster suited for the city, you'll likely enjoy this miniseries.
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It's plain to see Joker wants Batman to learn more about him and the only way to do that is to raise the stakes and deliver Batman one of the hardest confrontations of his career. Readers will agree with me when I say: bring it on!
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The endgame is here and it certainly is an end to Joker's game. You may not be entirely satisfied with its final pages, but when it comes to Joker vs Batman this may be the most heavy-hitting, memorable finish yet.
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Action is tight and works well to build up Batman's problem solving skills while we get a major reveal to cap things off. An average sort of read with a reveal that you don't want to miss.
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This is a good final issue that reminds us Batman is just as human as we are. He went through a traumatic moment and is still living with it today, but because of his relationship to Alfred and his never-ending efforts to move on, the trauma gives way to the Batman.
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Batman #6 is at its core all about pain and how you deal with it. Tom King connects Batman's pain to others which feels incredibly genuine and purposeful. The events in this issue all lead towards a major turn, which gives the new direction all the more meaning.
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I liked this issue for what it's doing creatively. The ending, and payoff, however, is so limited you're going to feel a bit cheapened. It's well crafted visually and the idea permeating the issue is great. You'll want more, so if it's about selling comics I suppose it did its job.
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A good issue that offers answers in a compelling and sometimes emotional issue.
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This is a good issue that leads right into "Joker War" very well. The final page had me getting major '90s vibes that take me back to when I was a kid. Batman is best when he's facing insurmountable odds, and boy oh boy Tynion is setting this up to make "Joker War" a summer must-read.
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As far as Batman comics go, James Tynion IV has added so many new ideas in such a short span we should all be grateful for what he's accomplished. The number of new characters he's added only enriches the Batman property and Batman #105 continues that trend. As Steve Orlando pointed out on the AIPT Comics podcast, James Tynion IV's Batman run is clearly one of the best series of the year.
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Batman #121 wraps up the Abyss story arc with some growth for Batman and a cool concept that flips Abyss' strength on its head. It closes things off a little too conveniently, though, and spends crucial time setting up "Shadow War" when Abyss is let off the hook storytelling-wise. That said, the book looks incredibly unique under Molina and Morey's visual stylings putting a high sheen on an interesting new villain.
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Your enjoyment of Batman #142 will vary based on how well you know your Batman history. This issue jumps around a bit too much, and seems to require you to know Joker's history quite well, with little help along the way. Still, it's very interesting to see Zdarsky show how mentors had a hand in creating the greatest rivalry in all comics. This story changes how you'll think about Joker in a must-read story.
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As far as conclusions go, Batman #148 gets a lot done, albeit at a pace that's too fast to really take in. It has plenty of action, and there are resolutions, but if this could slow down and explore more, it'd excel.
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Batman #149 closes the door on long-running plot threads while setting the stage for a warmer and more family-focused Bruce Wayne. The creative team captures a wholesome and warmth while Batman faces a close-to-home death and a reminder we need to help others always in the short time we're here.
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Batman #151 is a perfectly serviceable tie-in to Absolute Power. I can't say it did a lot to feel like a story worth picking up, but it leaves readers at a cliffhanger that might matter in the grand scheme of things.
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Batman #155 takes a side step to analyze how James Gordon could ever kill someone in cold blood, turning Batman's world upside down. Changing focus away from Riddler and Commander Star does feel a little annoying, but it's nice to see the series dig into a subplot as Riddler's meddling continues to create chaos in Gotham.
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Batman 2022 Annual #1 makes a case for a Batman Inc. series as there are many colorful and interesting characters to man the team as well as Ghost-Maker who is largely a mystery. This issue is worth picking up if you want to get a few underused Batman characters into your comics reading diet, but don't expect a trim story as it's a bit bloated and slow. Much like a fat vitamin pill though, once it goes down its good stuff.
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Fans of James Tynion's impressive run on Batman and its various new characters will want to give this book a look. It finally details the moments that lead to a teenager taking it upon himself to kill clowns to deal with the loss of his parents. It's also a comic that's incredibly well-drawn and colored by Stokoe, making it a worthy candidate for the prettiest book of 2020.
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In general, every story in this collection has a similar vibe as it explores Gotham with kooky energy that revels in the weird characters and their even weirder personalities. Inspired by radio plays, Batman: The Audio Adventures Special is a unique approach that's fun and fancy-free.
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Batman/Fortnite: Zero Point continues to be an entertaining thrill ride as Batman attempts to escape a cage he can barely decipher. It may have a familiar feel to films with a similar premise, but it's decidedly a Batman story within a wacky concept of Fortnite come to comics.
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This is a strong first issue that I'm sure most fans will eat right up. We get a great scene between Bruce and Clark when they first meet, a bunch of Superman vs. Batman pages and a villain with some interesting powers. The confusing bit at the end could be read as a nice bit of misdirection, but something about its delivery seemed lazy in this reviewer's humble opinion. Let's face it though, Superman has a hit movie in theaters and everyone loves Batman. How is this book not going to sell out?
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This is a solid sixth issue that acts as an epilogue to the Batman Who Laughs conflict. The biggest win here is how it depicts these heroes and how their actions actually affect how they feel and think. Time is being taken to show there are consequences for your choices and it's a heavy weight to bear for the two biggest DC heroes.
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This is a good first issue in a new story arc for the series. It has done well to set up a clever conflict that makes for a fantastic cliffhanger. The art is excellent too and you have to love the extreme close-ups especially since you don't see them done this well every day.
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Batman/Superman #18 continues a delightful story that blends meta-narratives, classic superhero antics, and a sci-fi concept that bends reality in a new way. It's ridiculously fun and exciting to see so many takes on Superman and Batman in one place.
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This continues to show Tynion and Williams are having a lot of fun with these characters and we reap the benefits of that. This third installment in the crossover universe also takes mashups to the next level. Don't miss it.
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The second chapter is light on action, but progresses Bane's take over nicely.
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Another beautifully drawn issue with moments only a real fan could dream up and a cliffhanger that will make you lose your mind. Seriously. Still though, the entire plot is biding its time for the big finale.
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Anyone expecting anything more than awesome art and tons of fanservice scenes may be disappointed, but seriously dude lighten up. This is fun!
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Batman and Robin #2 is another fantastic-looking issue that blends the father/son dynamic into the action and intrigue. This issue feels a bit short on plot progression, leaving you wanting.
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Batman and Robin #6 is another chapter that reminds us of the bond Batman and Robin have more than anything else. I could see this appealing to younger readers, and in turn, it has a lighter feel. The world isn't ending, and the stakes aren't that high, but there are some wholesome, fun adventures to be had.
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This is an interesting issue to drop after a month of no comics. It sets the stage for who these characters are and the next big conflict well. It's also a unique take on Batman. Given how few options are these days I'd wager this is a great issue, but upon reflection, you may be wishing there were more action and plot development by issue's end.
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A good first issue that sets up a lot, but it may be trying to do too much in its first chapter!
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A solid second issue fleshing out the powers Duke has yet to really understand.
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A good ending that wraps things up and continues a strong monologue via captions.
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A solid first issue that reminds us what is going on, some new wrinkles we weren't aware of, and an impending threat. It's too bad it drags on the last few pages though!
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Longtime fans should be relieved things are going back to what made the series so much fun.
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Batman Beyond: Rebirth #1 offers a gritty take on the character due to the well rendered art and colors. This issue serves as a good introduction to the character while establishing all the supporting characters too.
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As a starter kit, this is a good place for new fans to start with a nice collection of reprints and a nice entryway for readers interested in Batman and Nightwing with the new stories. This is also a reminder that even though there aren't that many new comics right now, there is a treasure trove of older titles to pick up and read like it's new again.
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This series continues to titillate with its intriguing flashback reveals and excellent art. This issue may suffer a bit though as it's so hung up on the demise of Jim Gordon it seems to put the more interesting plots on hold like Joker and Bruce's ancestor. That said, there is no denying this series continues Murphy's fresh take on the character.
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Batman: Full Moon #2 delivers a dark and atmospheric dive into the supernatural with a fresh take on werewolf lore and stunningly moody art by Stevan Subic. While the issue excels in its trippy visuals, intense tension, and creative world-building, it stumbles slightly with redundant dialogue and a weak final panel. Despite its minor flaws, this installment keeps readers hooked with its unique mystical twist on Batman's battle against his own inner monster.
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It's an exciting time to be a Batman fan as this story offers some resolution and satisfaction. For a story that toys with time, it's exciting to know regardless of the characters, the creators did something different with the comics art form and made you think a rare thing in Batman comics.
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It's not every day you can get a story focused nearly exclusively on a villain like Penguin, but the One Bad Dayformat allows for it. Batman: One Bad Day The Penguin explores Penguin in a new way while showing that determination and a little luck can go a long way.
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A good issue that'll satisfy Joker and Harley fans.
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Batman: The Brave and the Bold #12 has more misses than usual, but it's still good. The main story wraps up a fantastic three-parter with some good one-shots and offbeat characters throwing in other tales.
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This is a nice story with really no faults aside from it not going deep enough than its expected to. It's a done-in-one annual that can be enjoyed by all and the art makes it a joy to read. Being an annual it's a bit of a steep price for something that's middle of the road as opposed to something remarkable however.
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Batman: The Knight #6 continues to flesh out the training Bruce Wayne needed to become Batman. This latest issue is a pitstop in becoming a marksman but ends up taking a turn that changes things a little too abruptly. You might have seen the heel turn coming, but it's a little shocking given how it's depicted here. Still, this series continues to be a fascinating one, especially knowing Zdarsky is taking over the main Batman book soon.
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It's hard to say whereBatman: The Long HalloweenThe Last Halloween is going two issues in, as the number of characters and loose ends is piling up, but it's pretty obvious we're getting another stellar chapter in the iconic comics line.
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With its mix of mystery, dynamic visuals, and layered character interactions, this issue proves to be an engaging continuation of a beloved tale.
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A strong romantic story with great character work, but it may be too slow for many.
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Ben Reilly: Spider-Man is a mix of intense action with psychological elements and character development. The second issue in the series features Scorpion and further examination of what it means to be an imposter Spider-Man who is a well-rounded person.
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I'm game to read more Bestia, though I'll keep a cautious eye on the relationship brewing between Asuka and his main Cryptid. The world, the beasts, and the mystery all come together to make an interesting fantasy experience.
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If you ever wanted to read a comic that made you feel like you were a fly on the wall of a group of teenagers this is for you. The dialogue is natural, interesting, and most importantly great at revealing character. The art is fantastic too, nailing every emotion on these bright characters.
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This is a great issue if you're looking for an interesting backstory to a troubled character, hate bullies or just love some ultra violence and nudity to go with your comics. I can't say it sets a bar as to what to expect moving forward, but it's entertaining none the less.
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The main story takes a while to kick into gear and isn't funny or fun enough to pull its own weight, but the backup by Ryan North more than saves the issue with a perfect rendition of the best buds on an excellent adventure.
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There's an interesting story inside this comic with some exceptional storytelling and fantastic art in the layouts department.
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Black Cat #8 is a cinematic take on the heist story with superheroes. Read this to get into Black Cat's headspace, but also to not see, but feel how high the stakes are in this story.
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Giant-Size Black Cat: Infinity Score #1 is a good ending to story threads for fans of MacKay and C.F. Villa's Black Cat story. If you're unfamiliar with the many players involved you're likely going to feel a bit lost, though, even with the impressive action.
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This is a fun book that should interest anyone who wants a slightly edgy book with great action scenes. It's tongue in cheek at moments but always aware of itself. Nice stuff.
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Black Mass Rising is a good addition to the TKO Studios lineup of long-form graphic novel storytelling. The story reads like a fairy tale or myth lost to time that TKO has dug up for readers to bring new nightmares in our sleep. Save for some rather wordy dialogue throughout, this is an easy pickup for fans of monsters, myth, and Dracula.
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Black Panther Legends #1 offers an intriguing setup involving a young T'Challa connecting to the very real tragedy of apartheid in South Africa. Marvel has always been about the world outside your window, and this series aims to explore the complexities and difficult world a young Black Panther must grow up in.
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This is a solid introductory issue that establishes the Viking and Christian elements well while setting our hero on his journey. Enter its conflicted and dangerous world expecting an interesting blend of cultures.
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Black Widow #13 is a good fight comic that shows us why The Living Blade is formidable. It also shows both as heroic in their own ways even though we have yet to find out why he wants Black Widow dead. The bottom line is this is a clever way to shed light on a key character in the story arc.
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A good issue with action and drama and looks that could kill. It plays out as you'd expect though which makes this issue lack the surprises and the punch the first issue had.
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I liked this issue, but it moves so quickly I couldn't love it. There's a lot of action in this one, but not many reveals. It's nice to see how things move along, but there isn't a lot of meat on its bones.
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Break Out #2 is a good set up for our big confrontation. Like any heist story, the buildup to the actual heist needs to be entertaining and quick, which this issue depicts well. The main character isn't the most likable, but boy does this issue make you feel like you need to read the next chapter.
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A good opening issue that involves a seemingly innocent act that could get people killed.
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A fun done in one for all ages.
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A good first issue that carries forward the weirdness of the first issue with a lot of great art.
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A good issue, but a bit of a perplexing one since it doesn't organically transition from the last.
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A good issue that focuses on Cable's leadership skills.
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Cable #1 is a reminder that this hero isn't just a guy with incredible powers, but also a weapon. From his determination to his skills in any fight, Cable proves why he's one of the best mutants ever created.
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Canto II: The Hollow Men #1 has all the bones of a soon-to-be classic fantasy tale built on an already established and interesting world. It's likely to be a treat for young ones, but adults like me can see the joy in its adventure as well. Not unlike The Fellowship of the Ring, bonds are shown here that'll matter largely going forward and a journey is in the works that'll likely ring very true.
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Nick Spencer lays down the political commentary that will assuredly fire up its readers. If you don't want that in your comics, well it doesn't really matter at this point as you probably aren't reading this anyway. That said, Spencer manages to keep this book relevant and fun.
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A fun aside issue with monster madness!
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Admittedly this series is a complicated one, but that's why it's so fun. This is what good spy dramas should look like. Captain America: Steve Rogers is dripping with intrigue due to the incredible character work and circumstances.
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Baron Zemo steals the show as Spencer shows he's going to be a main player moving forward. If you dig good character work you gotta read this.
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A solid build up towards "Secret Empire" via Hydra's strengthening with a new sort of power.
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A solid issue that leads into Secret Empire #0 well.
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A good issue, but a great one if you've been curious about international relations in a Hydra world.
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A good second issue that focuses on Carol's leadership skills as well as what she's dealing with inside the barrier. The first issue blew me away and this section issue captures the leadership and guiding light of Carol Danvers. A reminder that Captain Marvel is a leader and an inspirational one.
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Anyone not feeling the need to read Empyre and its major tie-in implications should dive right into this issue. Not only does it have good vibes, an easy-going plot, and some great character writing, but it's a nice slice-of-life story that feels like it could really happen. That is, if superheroes were real.
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If you wanted something a little different, Carnage #4 gives it to you with a major location change. I never knew I wanted Carnage melded with sword and sorcery, but when you see what he does with a spear you'll be wondering why anyone hasn't done this sooner. This creative team is building towards something that feels lasting that may change Carnage forever.
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Overall I'm intrigued by Carnage Reigns: Alpha #1. It's fitting Carnage gets a big crossover to reintroduce him into things, although I did leave with a lot of questions. Using Miles Morales at its core, there's a hero we can root for and interesting wrinkles involving Scorpion that should be fun to unpack as things play out. Carnage Reigns: Alpha #1 leans into the scares with a horror house of killing and slaughter that'll hook you.
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Catwoman: Lonely City continues to prove great art, characters, and a singular focus by one creator can go far. This is a story that wouldn't work in canon but does so well to establish its rules and parameters it might as well be its own universe worth expanding on. Catwoman: Lonely City expands on the familiar by creating new and enticing stories well worth investing in.
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The world of Cave Carson is wonderfully weird and well worth a look. The art is what sold me as it pops with color and feels incredibly inventive. The issue contains a fantastic throwback story too.
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A visual feast that never lets up, Cave Carson Has a Cybernetic Eye is the tripped out story that keeps getting better and weirder as it goes on. This issue slows its pace down with a lot of exposition, but it's still good times in the cave world underneath our feet.
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I liked this issue because it's taking chances and pushing the team in a new direction. Zub has a clear handle on the characters and Cummings can handle a heavy dose of team action.
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Checkmate is a unique comic, especially at DC Comics. You can't get this type of moody espionage storytelling anywhere else, and knowing it's just six issues keeps things interesting as this motley crew attempts to thwart a godlike villain. The book is certainly on the slower side, but it's worth a look for fans of this legendary creative team.
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A good volume that captures the ridiculous humor of its creator.
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While it takes the entire issue to get to the premise of this series, it does a good job of showing a world we can all see ourselves living in. Next issue will explore what this book is really about though, so as far as getting to the point you might want to skip this issue.
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With a strong narrative hook utilizing a courtroom Bendis and Marquez manage to heighten the tensions that lead to the shocking turn of events. Strong dialogue is pervasive in this issue too and while you might not agree with how Marvel does things these days you can't argue this one will get you talking around the water cooler.
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This is fantastic character drama with plenty of action to go with it. You'd be a fool not to check this out!
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There are moments and scenes in this book that are epic and I mean that in the most grandest of scales. There's a science fiction element to the series that fans should be able to quickly grasp and run with, but most importantly the characters are quite vivid and realistic. It may not be new reader friendly, but this feels important like Planetary did before it.
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So why didn't I give it a 9 or a 10? Mainly because the tone isn't completely obvious yet. It spends most of its time stuck in the head of a middle aged madman, but maybe he's not so mad. It's hard to gauge, and it's hard to gauge what it's going for, but the cliffhanger ending seems to suggest one.
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The series is back on track from a slow issue #8. The scary is very real as always, but now there's some good progression of story we can all sink our teeth into.
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Cloaked is an interesting superhero story thanks to its slightly different take on a vigilante hero who wears black and fights crime in the night. What's most compelling is how the Reaper is rendered to look very cool and almost romanticized, yet all the facts show he's a cold killer unworthy of admiration. What's set up here is a story worth reading, especially since at just three issues we'll likely get all the answers we need in a tight package.
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There's a lot going on in this issue as it keeps cutting to completely different locations. Plus there's plenty of things to think about since it's the stuff that's going on is so symbolic to the characters. The only issue I take—so far anyway—is that it's hard to see what it's trying to say exactly. The characters are doused in this fever dream vision quest and much like the characters, I'm a bit lost on what it all means. Then again, maybe Wood is saving up that meaning for the next issue when this vision quest ends.
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The feeling of hopelessness is strong with this narrative and it should have you feeling lost as the contagion grows in strength. I'm not yet sold on the horror angle, but I'm here for it.
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Good art and a premise that should be a wild ride make this well worth a look. It is a tad slow though which is surprising given how badass this character was in Thanos.
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A good issue that's a ton of fun to read.
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Cosmic Ghost Rider: Duel Identity is a clever story exploring Frank Castle's role as Cosmic Ghost Rider while reminding us every part of him is important. It's a wacky romp to be sure, and it's a nice way to remind us this character is rife for more stories.
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This is a comic that artists will love, and those who wish they could make art will fawn over.
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Crave is an intriguing start to a series that toys with a new technology that takes dating and sex to a darker place. There's something deeper going on, and while it's unclear where Llovet is going with that, she's done an exceptional job setting up her characters.
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Creepshow returns for its second run of anthology horror tales and is largely a success. It's a good mix of tales, with a sci-fi story with epic proportions and a domestic tale that disturbs.
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Cruel Universe #3 is another good anthology edition with four stories blending sci-fi and horror well. Frankly, I wonder if there's too much horror steeped in these tales since EC Comics has an anthology devoted to horror, but at least each tale takes a unique angle on science fiction.
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Crush and Lobo #3 continues the series trend of being the sharpest looking superhero book on the stands with even more attitude. Both characters are intriguing in their own right, but Tamaki continues to flesh them out in interesting if subtle ways. Paired with Nahuelpan's incredibly detailed line work and in-your-face action, it's a match made in heaven.
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All told, Crypt of Shadowsfeatures horror action with Blade, the weirdness of Man-Thing, and a spooky tale featuring Scarlet Witch. Pick this one up if you're looking for all-ages spookiness with a touch of weird.
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Curse Words #2 is good, building off the last issue and delivering some magical fun along the way. Wizord is an interesting character which makes the use of his magic even more clever.
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Damage is an interesting character that will have people talking for a variety of reasons. "Is he a rehash of the Hulk?" is probably going to be on most people's minds, but to me DC has established it's a different character in many ways. They also tie-in some familiar DC character faces which should help give readers a sense of what kind of book this will be.
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Damage Control #1 has all the chaotic energy you'd want in a comedy about superheroes being way too casual about the damage they cause. The main character might be quite flat, but enough is going on around him to keep your interest.
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The first issue is an interesting and thought-provoking affair.
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Hartnell and Taliboa have my curiosity, but not yet my attention. They've set up a chase that has an intriguing MacGuffin, a bad guy with a bit of color and some sick art to go along with it. Because this is only one action sequence there isn't a lot yet to judge as far as the story goes, but if you're looking for sexy art and a story that'll keep you interested, look no further.
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After a fast-paced issue, Danger Street #6 slows things down while upping the stakes to doomsday proportions. The focus on the setup as things get set for the final push of the story makes this a little middling, but make no mistake, this series continues to be the most interesting adult take on superheroes in comics today.
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Danger Street #11 is barreling towards its finale, mixing the absurdity of superhero with the finality of doomsday. It's once exciting, and perplexing, making it one of the most unique comics you'll read this decade.
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You're going to like the new direction of Daredevil largely because each facet of his life is compelling. The villain's threat is true, but his reveal leaves a lot to be desired.
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A solid ending and backup make this a good issue indeed.
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Dark Ages #2 continues to trend in a super fun way, asking fans to sit back and see where it goes. Sure, it's not the only mini-event going on right now, but it may be the boldest.
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This is a swashbuckling adventure audience that's a fun read with a dark underbelly. There is a mystery in Agnes' personality you'll want to uncover.
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A fine collection of stories with two winners well worth the price of admission.
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An excellent issue as an all out war takes place, but you'll be left scratching your head as far as where it wraps up.
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Dark Knights of Steel #4 is a nice break away from the main story to give readers a fuller picture of what Batman is going through as far as his identity and role. It sets up a cool hero's journey for Batman as we close in on the midway point of the series.
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Dark Knights of Steel #8 continues to move the plot along as war seems inevitable. While much of this issue is focused on an army literally marching to war, it's still good for a shocking death and some fun character moments with a fantasy twist.
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Dark Nights: Death Metal #4 is an interesting look at three major DC Comics Crisis events and how they'd play out if the supervillains won. This issue forces Batman, Superman, and Wonder Woman to confront those worlds and that adds a wrinkle to their experiences. This issue also holds a deeper purpose that energizes the heroes as they barrel towards stopping Perpetua for good.
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When it comes to comic book events, this story has gone as big as possible, thrusting our heroes into a situation that is so dire their very molecules may not make it out unscathed. Dark Nights: Death Metal #6 offers all-out war, incredibly detailed art, and a setup for the final showdown fans of big blockbusters will need to read to believe.
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Dark Nights: Death Metal Trinity Crisis #1 leads directly into Dark Nights: Death Metal #4 and it's a must-read if you want to keep up with the event. Like a dungeon raid in your favorite video game, this issue is a journey in itself, expertly drawn by Manapul and colored by Ian Herring. I can't say I was hanging on the edge of my seat reading this, but it's a good quest worth diving into.
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Overall, this is another good anthology in the Dark Nights: Death Metal event. It offers a variety of unique voices to tell twisted stories on familiar characters offering us a glimmer of darkness in a multiverse of infinite stories.
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Dark Ride #3 continues to excite with intriguing mysteries and well-drawn visuals. Expect to be sick to your stomach and excited for more.
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Dark Ride #5 sets out on its second story arc with continued hints that something truly awful has happened with the father. While we already knew this and the story only reinforces it, this issue offers interesting secrets of the park with great visuals to go with it.
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Dark Ride #8 is not just a dark ride, but an intense one. Filled with monster attacks and plot progressing reveals, this series is shaping up for an exciting tectonic shift in its third story arc.
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This is a good one-shot that celebrates Darkhawk, but also sets up the reader for more to come. Editor Darren Shan has done a great job curating a book that not only honors the past but does so in the anthology format that's usually a collection of random tales. Not so here, as each builds off the last and making a strong case for fans to want more Darkhawk.
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A fun crossover if I ever saw one.
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Bombshells Annual is a good issue offering an inspired take on Barbara Gordon as well as a clever tie-in to another DC property that's a complete surprise. That adds up to a story worth reading.
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This issue feels important, but it also feels thin. Having the story jump around to so many locations and characters reminds us this is a battle across a lot of areas with a lot of characters, but it also means slight plot progression in each chapter. Still, meaningful moments take place, and the larger war and all the implications become more clear.
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DC vs. Vampires: Hunters is the very definition of what makes a tie-in good. It's not some cash-grab, but serves to flesh out characters and their storylines while adding new insights into the main villain. It's also not 100% necessary to the main series, at least it doesn't seem to be, so fans can choose to skip it too. Humanizing villains is always important and this issue does that, while also keeping Damian Wayne fanboys fed.
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Running 83 pages long, DC's Grifter Got Run Over by a Reindeer #1 is a good collection with major hit stories involving Batman, Animal Man, and Hawkman. The stories here range from kooky Christmas Special fun to reminders of cherishing what you have and the friends and family that come with it. Not every story is a winner, but the curation is entertaining in various ways.
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Deadly Hands of Kung-Fu: Gang War is a fun trade paperback that doesn't skimp on fight scenes. It leans into the war aspect of "Gang War while setting up Shang-Chi to be stripped down and tested in a way he hasn't for some time. It also contains three one-shots featuring Spider-Man and Shang-Chi, so you can't go wrong there.
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Deadly Hands of Kung-Fu: Gang War is a fun issue, leaning into the war aspect of "Gang War" while setting up Shang-Chi to be stripped down and tested in a way he hasn't for some time.
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Action packed, funny, and rife with clever bits of dialogue…it's everything you'd want in a Deadpool comic.
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This is another good issue that's funny, clever, and well written. I can't say everyone will love the second half due to the need to get through Shakespearian language, but overall Deadpool #21 is another good installment.
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Funny, emotional, and tied to Deadpool personally, this is an issue that feels solid. It's short, but works well on multiple levels.
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Deadpool #26 captures the romance of blood, guts and vomit well enough for a purchase. The Madcap storyline allows him to do some detective work, there are enough laughs for the price of admission, and he looks extra kinetic doing it.
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As first issues go this comic is funny, captures the light and comedic nature of Deadpool well, and sets up an interesting premise and situation. This is a fresh take on Deadpool thanks to a wild new situation for him to navigate.
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Having read the previous miniseries I can say with some certainty this series seems to be stronger. Obviously Bunn has been working towards something, as every miniseries naturally evolves into the next, and this one appears to be built up on the others rather than a fleeting, “Hey, lets try this idea out” feel some of the miniseries have had. The humor is okay, but the stakes have been raised and actually seem to matter this go around.
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Funny, kooky, zany…these are a few words I'd use to describe this issue. If you're up for a wacky story you should enjoy the hell out of this. It doesn't progress the plot of Deadpool, but that doesn't seem to be the point. After reading this issue I'm sure some folks will cry foul and say this series doesn't need to exist. The fact is though, it's still entertaining, and that's all that matters.
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Deadpool: Black, White & Blood #1 is a natural fit for this series that loves its blood and action. The opening issue features some of the best talents in comics and it shows. You'll laugh, you'll gasp, and you'll find plenty here to enjoy.
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All told, I loved three tales, liked two, and could easily pass on the two more. As a grab bag of tales taking place out of continuity, it'll be a tough sell for many, but if you love Deadpool, Deadpool: Seven Slaughters is an easy add to the buy pile.
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Deadpool the Duck is a perfectly alright series that has so much potential but falls a tad short. Once you accept it's not the funniest book in ages, you'll find it funny enough, and it's hard to deny the plot isn't a clever one. Moore and Campagni have a series on their hands that can hammer home a running theme, that is for sure!
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If you want moody atmosphere and a promise for some truly horrific things, look no further than this new series that explores a darker evil of Dr. Frankenstein.
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Strong use of flashbacks reveal Deathstroke is much more complicated than you ever thought. The series feels like a solid espionage title with breakneck violence and even more dangerous secrets to be revealed.
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I like what the creative team is doing and I love art. It's a bit early to judge this work though, as what it's even about is still coming into focus.
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Defenders: Beyond #1 is a good introduction to setting up the key players while establishing some high stakes. It's gorgeously rendered and colored to the point where pages look like works of art. As things stand, if you're a hardcore Marvel fan, this is a must-read.
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I like what this book is delivering, but it's so slow I almost want to just wait for it to be collected.
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A good collection, though it takes a while to get going and the main character can seem flat.
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Demon Wars: The Iron Samurai is a good start to a story about spirits in conflict, melding Marvel and Japanese folklore in intriguing ways.
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A good first volume that sets up rakugo and the dynamic between the three characters well.
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It's also frustrating to see Layman let Batman off with your cliched "I'm only letting you live Batman because…" That said the drama is building nicely and this might go down as one of, if not the, best Batman story arc from the New 52.
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Fans of Ra's Al Ghul will need to read this issue as major revelations are made that shake up his relationship with Batman. On top of that, the stakes are raised even further, and the final page will leave you wanting that next issue even more.
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A fine conclusion that will have readers anticipating many new subplots, but the deus ex machina makes it less satisfying.
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A solid second issue in a new story arc that's quite intriguing.
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A good first issue though you'll be left wanting more.
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A good issue that has a great Clayface scene.
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This issue juggles two characters' emotionally unstable moments while the shit continues to hit the fan for Batman and his crew. Tynion IV has made strong arguments against vigilantism and that makes this series not only thought-provoking, but exciting as it treads new ground.
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A strong opening and closing though I have some reservations.
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Sets up the finale well with some guaranteed satisfaction for the next issue.
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A good issue that plays around with your expectations of Batman and Harvey Dent.
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A good issue that mixes Batman's past into the narrative. Watch as Batman fights humans, monsters, and his past!
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Come for the acid bath, but stay for the bigger implications of Joker. I was shocked to see Joker pop up, but it does inform the story a bit, albeit a little late into this story arc.
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Detective Comics #1042 has a nightmarish wrapup to its A story that gets the job done, but feels a bit thin. The B story, however, is excellent, and should have fans excited for what Rosenberg and Raynor bring in the next chapter and beyond.
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Detective Comics #1078 features an awesome collection of badass moments for a variety of heroes--Azrael may have never looked better--but it's mostly setting things up. A perfect example of a single issue that'll read best in the collected format.
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The pieces continue to fall into place as Batman forms an attack plan in Detective Comics #1085. It seems the Orghams couldn't rule over Gotham for long, and why would Batman ever allow it?
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Detective Comics #1086 builds towards a war with vigilante heroes preparing for a battle with the Orghams and their army.
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Devil's Highway Vol. 2 #1 opens up the second season of the series with a good bit of detective work and another haunting murder scene. There really isn't another detective storyline like this in comics today.
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Devil's Reign #3 continues to tell a thoroughly grounded story with heroes fighting for what they believe in as the enemy grows ever stronger. The art is phenomenal, although it never goes too big with splashy moments. Devil's Reign continues to tell an interesting, albeit lower-stakes story.
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Similar to Devil's Reign #3, issue #4 moves the plot forward slightly, but packs a character-driven punch. There are only two issues left, but this issue does a lot to set up an exciting finish to the event. No matter what though, this is the best superhero character drama in comics today.
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I liked this graphic novel, though I found it a bit thin at the beginning of the third act. Kids will love Diana, how she's depicted, and the adventure in finding some fun when boring chores take up her day. Parents will appreciate the message in this story, too.
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The first issue of this series is beholden to the writing, as the dinosaurs only make a brief appearance, and the real enjoyment of the issue resides in the psychosis of the characters. Luckily this aspect is interesting and will keep you satiated until the dinos show up next month. The plot is goofy, but with enough explanation to make it plausible and should intrigue folks who dislike science fiction but want some dinosaur action.
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Since Norem only gets a brief part in the opening, and a single page near the end, most of the art is done in a conventional comic book style. That's fine, since most of it is exposition and character development, which doesn't require splashing, bombastic paintings. There's nothing too exceptional as far as layout and design, but the sharp dialogue helps keep things moving and interesting.
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Witness the destruction of New York City and the all out war Shadowman brings to Russia. This issue is a good done in one story that has high octane action and killer art.
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Doctor Fate is a pleasant surprise, instilling interesting ideas about magic and building the character well, and it even contains a backup that focuses on race many of us could learn from.
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A solid chapter that supports the Damnation storyline in interesting ways.
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For the first issue in a story arc this a great success. It lays out the groundwork for new readers and supplies us with enough cosmic wonderment via a brand new villain with Galactus hanging over it all.
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Doom #1 is a visual delight, offering the end of every superhero and a final battle with Galactus in one issue. Dr. Doom emerges from this story as a man who sees himself as the inevitable end for anyone who faces him. He rambles a bit too much, but you can't deny how epic and awesome this story can get.
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You don't have to be smart to read a comic like this, you simply need to know it's all about the journey and never about answers. Gerard Way and Nick Derington are paving the way for a complex comic series that's hard to put down because there's so much discovery.
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A slower paced issue that spends a majority of its time setting things up.
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Ultimately, I think this series effectively accomplished what Frank and Johns set out to do. They've inserted Watchmen into the consciousness of the DC universe and directly into Superman and Batman's knowledge. The two are no longer disparate, and while it's unclear if DC will continue the threads offered here, we can at least imagine where it may go from here. That's an inspiration much like the multiverse, which was honored and held up in an exhilarating way here.
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I'm not sold, but I like what I see. A good sci-fi twist is in store for readers. I think!
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Drifter is a visual feast that's a in a master class of storytelling with an interesting world and premise to explore.
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Duke #2 continues to show a deft hand at recrafting the G.I. Joe franchise as we know it. There's strong character work and plenty for longtime fans to dig into, as the story is clearly on a path to new beginnings.
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A fine finale that sends good vibes and plenty of positive salutations. You don't get many bright and happy endings in comic books anymore so it feels unique in how it sends these heroes off. Given Multiversity I doubt this'll be the last we see of this bunch.
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A good issue that utilizes the alternate Spider-Man very well. It also serves as a reminder of how an Elseworlds tale can explore a character effectively while not skimping on action.
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Edge of Spider-Verse #2 continues to slowly unveil the main threat, but if you have the patience, it's a rewarding read. Not only does it feature an electric new Spider superhero, but it gives readers something substantial to cling to in figuring out where this conflict goes from here.
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Once again, Edge of Spider-Verse shows how inventive creators can get with a blank canvas. Enjoy this, knowing there's the promise for more from these characters, but you best vote with your wallet and pick it up!
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This is a good epilogue to Empyre, wrapping up loose ends and preparing us for big shifts in future stories. More than anything else this is a great time with heroes we love for 20 or so pages.
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I liked this issue for its ability to use lesser-utilized heroes and how it creates a sense of total chaos with the war on Earth starting. I'm still waiting for motivations to become more apparent on the bad guy side, but it's still early yet.
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For those who have event fatigue, know it's nice to see a story told in nine parts so quickly, and by that metric, "Endless Winter" succeeds. It tells its tale in a single month and it tells it with big superhero action. This is the comic for fans who want to enjoy their favorite DC Comics heroes apart from big continuity and it's a nice aside before things take a big swing as DC Future State kicks off in January. For that, this event works and this issue sets the pieces in place for what will assuredly be a rousing experience.
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Justice League: Endless Winter #2 is a fitting end to a story that's gone big from its first panel and never looked back. With its use of flashbacks and world-ending moments to its finale that doesn't hold back the event succeeds. This finale does lack a greater purpose, though new backstory and characters are now ready to explore plus there is a new wrinkle with Black Adam's history, too. This is a fine cap on an event that delivers its promise for big action and intriguing mysteries.
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Three spine-tingling tales await you in Epitaphs From The Abyss #3. Tales range from classic creepy to vampire adventures in another good foray into horror comics.
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Without a doubt, Eternus has an interesting story worth exploring. Comics have taken a look at these gods many times before, be it Sandman or DC Comics, but due to this story blending the rise of Christianity into the narrative, it ends up making the story feel more relevant to our day and time. As it stands, Eternus takes a bit of patience to dig into, but once you do, its approach to myth and storytelling is exciting and unique.
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Aside from a protagonist you'll care very little about, the story is clever and weaves well into the Everafter story.
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Though dark, this is a strong issue that deals with how belief and faith can be the guiding light from total dispair.
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Extreme Carnage: Scream does well to show and not tell what this event will be about. It also utilizes Scream's pain well to further grow and develop the character. Paired with a grittier art style and some great sound effects, it's well worth a look especially if you're on board for Extreme Carnage.
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Extreme Carnage: Phage #1 is a fun third chapter in the Extreme Carnage event. Seeing classic Symbiotes like Phage get a central focus is great fun and the inclusion of Flash Thompson feels earned given his history. Extreme Carnage: Phage is good white-knuckle fight comics.
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Extreme Carnage: Riot is a good addition to the summer event that has found itself redefining Scream in a very cool way. Extreme Carnage is a good example of how edgy and violent Symbiote stories can be and I dare you to get on a bus and not feel a shiver after reading this issue.
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Falling in Love on the Path to Hell #2 continues to explore the weirdness of an island of undead hordes and strange creatures. The island's mystery keeps up our interest as a relationship begins to form for its main heroes.
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The Thing can never catch a break -- that's never been more true than in this week's Fantastic Four. Pack your bags for this one, as it's filled with good action and hopeful new future stories.
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A good issue to kick off an adventure with Val and Franklin while their family dives into the Empyre war. Fans should get a kick out of Spider-Man and Wolverine in the story and there is some solid dialogue throughout.
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Fantastic Four #40 sets up a lot of moving parts for the Reckoning War that'll likely pay off later. Above all else, this is a a love letter to Marvel heroes, past events, and the incredible scope of cosmic Marvel.
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Fantastic Four #47 will satiate fans of the badass that is Invisible Woman, who doesn't always get to show that side of herself off. It may take a little extra time to get things going, but it's going to be a true spectacle to see how this story plays out next issue.
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Take a trip to Yancy Street and enjoy the attitude and rough around the edges folk. It's a bonafide look at why the Thing is one of the most iconic characters in comics.
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I liked this special, but make sure you go in with the expectation of nobody getting married just yet. If you've been married I can imagine you'll relate to the drams within, which tells you something about the narratives since they do capture reality well.
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Fantastic Four #3 continues the trend of satisfying one-shot style adventures for specific members of the Fantastic Four. With all four getting their adventure after this issue, it's time to see what North has cooked up for the team when they're together, and I couldn't be more excited.
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Fantastic Four #13 is tons of fun, thanks to the art, the dinosaurs, and a healthy dose of Dr. Doom.
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Fantastic Four #26 has a good sense of humor, as Reed and Johnny go on a supernatural adventure right in time for Halloween. The art can feel a little stiff with too much talking, but the adventure-packed issue is a fun ride.
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In a lot of ways, Fantastic Four Anniversary Tribute is a book for comics super-fans. This isn't the best way to read these stories -- you're better off going back and reading Stan Lee and Jack Kirby's originals -- but it is one of the coolest ways to honor the past. It's also a testament to the artists to see how they would approach some of the most important comics ever created. For that, pick this one up to enjoy the history and ongoing awesomeness of the Fantastic Four.
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As a longtime Fantastic Four fan, Fantastic Four: Antithesis is the meat and potatoes story we want. It doesn't change anything, but gives us the comfort food we crave when we like our superheroes as traditional as possible.
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A good issue although it certainly sits on its hands a bit when it comes to the bigger plot. The journey Jo is going through is an incredible one and I can't wait to see how her actions as a cop on Earth and doing her best as a Green Lantern play out.
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This is a good mix of stories that offer humor, action, and mystery. The variety of stories makes this an easy purchase since there's bound to be something here you'll love.
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If you're looking for a light read with some laugh-out-loud moments and an endearing premise, look no further than Figment 2 #1. Plus, it's all ages, so it has that going for it.
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This is a good issue that helps build on the first issue and set up the series as a whole. The action is intense thanks to little details and the desire to stay quiet while death is on the line. After reading the first two issues, I'm sold on this series and can't wait to see how Kirkman and Samnee develop the characters and the family's place in a very complex and mysterious world.
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This volume switches gears, delivering lots of gory action and a new direction.
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Overall the ending is fitting in the somberness of its of characters bonding. The last few pages seem to take things in an entirely different direction that throws off how you might feel about the series' true purpose, but it's a clever idea at work either way. A large chunk of this book is senseless violence and while it's rendered well it loses its point and may tire you out. All that said, it's an interesting ending that should have you thinking and sharing with friends to get their take.
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A solid conclusion to an incredibly violent series that may have been light on story, but hell — made me want a sequel!
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While the featured story with Barry Allen's Flash is a by-the-numbers superhero comic, it does end in spectacular fashion, warranting a look. The backup with Wally West is fantastic and worth the price of admission alone. Without the backup this would easily be a 7 at best, but it brings it up a whole grade.
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The 25th anniversary pays off with enlightening flashbacks.
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A good issue that utilizes time travel well.
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A good action focused issue.
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A good conclusion that puts into focus how cool the Strength Force could be in the right hands. Williamson and Duce have delivered a fun superhero story well worth a look.
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I'm digging this story and how it mixes the emotional turmoil of Batman and Flash into a bonafide mystery to solve. The story helps add weight to Tom King's Heroes in Crisis story well further developing one of the more interesting new heroes in the DCU.
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A good issue that begins to reveal what the heck is going on in Central City. That last page is going to stick with you.
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This is a fun wrap up with a promise for some exciting storytelling next issue. Good classic superhero'ing.
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This is a gorgeous looking book with some interesting elements and nice throwbacks for longtime readers. It's certainly a setup issue, but if you ride the high of the visuals you'll make it through quickly and painlessly.
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This book feels like the ultimate final showdown for Flash and that's exciting on multiple levels. The issue starts off a bit slow, but once it kicks into gear you'll be dying for the next issue.
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In that fight scene, the fact that Barry flies into the sky like a cartoon character is proof enough this is excessive, over-the-top comic book action. If you're in the right mood for it, would you want it any other way? The Flash #759 shows how the excesses of comics are entertaining as hell.
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The Flash #785satisfyingly wraps up the search for Barry while setting up a new hope for the heroes in the Dark Crisis on Infinite Earths event. Throw in an Elseworlds Batman/Flash that'll make you want more and it's a good conclusion all around.
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The Flash #790 sets in motion an event that'll require a ton of Flash-centric heroes to band together, and this first issue establishes them all well. The attack by the enemy is epic, and while we know very little at this point, it's made very clear the Flash family is facing off against a threat that'll require all of their efforts to stop.
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"One-Minute War," part four, balances new information about the Fraction with a plan to stop them dead in their tracks. The only problem is that plan was always going to b a B-plot, making for an entertaining enough issue but one that slows down an otherwise clever and fast-moving story.
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The Flash #798 sets up a new adventure for Wally and his amazing friends to go on while also putting his new baby in danger. The stakes are high, and the different heroes popping in mix things up for an exciting final adventure under Adams' guidance.
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This is a good example of how an annual issue can tell a good done in one tale that's not necessarily a must-read tale, but done well enough to make it easy for some extra entertainment. This also plays up Flash well and showcases how he's a little different than most superheroes thanks to his personality. 
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A good issue that starts to delve into who the heroes are and where they came from in a Nazi run America. The Nazis get a lot of focus, helping to put into focus how disorganized and ready for failure they are. It's a setup issue for sure but has its moments.
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You won't see this many Hanna-Barbera characters fighting together like this anywhere else. The book combines them all in a fun, action packed way.
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Future State: Catwoman#2 is a satisfying conclusion, albeit if you've read the Batman books the ending is a bit spoiled. That said, there's a colorful collection of characters, good fight scenes, and an important look at Batman and Catwoman's romance. This has all the attitude of La Femme Nikitaand the smokey romance of a Bond flick.
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Celebrate the summer with G'nort's Illustrated Swimsuit Edition #1, which packs many great full-page pinups featuring your favorite heroes and two beachy stories. Sometimes balmy and serene with plenty of steamy pinups, it's a fun way to celebrate the summer.
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G.I. Joe #2 is a thrilling action-heavy ride that leans on spectacle and heroics rather than character depth or plot complexity. With Tom Reilly's art and an unrelenting pace, fans of explosive battles and badass moments will find plenty to love here, even if they'll crave a bit more substance.
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Another good issue is in store for you this week as Gamora must continue her quest to kill every last Badoon. The dialogue is excellent and the cliffhanger even better!
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The best character work Gamora has gotten in some time!
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Gorgeously rendered with tantalizing tidbits of the future for these characters.
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Get Fury has all the makings for a classic showdown. It's incredibly adult as it never holds back with violence and swearing while establishing the hard edge of Frank Castle and Fury. It'll be interesting to see them go head to head, but this stage we must patiently wait.
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Ghost Rider #2 is a good second issue that cuts to the chase with monster action and new character development. Percy is great at putting us inside Johnny's head through captions with a voice that feels lost and unsure. He's a victim of the Ghost Rider, but we get to see he's also a hero in his own right here. This new direction for Ghost Rider reads like great episodic TV in comics form.
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Ghost Rider #6 shifts things for Johnny Blaze in a big way and it only took his good friend Wolverine to get there. The series continues to blend intense gore with a darkly twisted series that's up there with some of Marvel's best supernatural superhero comics.
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Ghost Rider: Final Vengeance #2 further shows what you can do with the Ghost Rider with a different host. The grittier and darker edge led by Percy in recent years continues to flourish in a truly street-level supernatural yarn worthy of adult readers' time.
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If you're a fan of Marvel Cosmic you'll love Giant-Size Silver Surfer #1. The idea of it being "extra-sized" due to a reprint continues to be odd, but if you have the coin, pick this up.
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Giant-Size Spider-Man #1 does a great job delivering big superhero action while calling back on stories while building toward Rabble and "Gang War" related stories. Thanks to a classic Miles reprint, the book feels padded out, but it's a solid issue, so it's tough to complain.
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A good volume that's high on action and a faster pace. Lessons are learned about hunting, new details emerge about a key character's backstory, and the action is highly violent.
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It was difficult to get through the first half of this book, but when it picked up it became a thrill ride I couldn't put down. Noda has an incredible premise on his hands and is a capable heist thriller manga writer. Now, if they can get a bit closer to that gold and stop wasting their time on pointless subplots then this manga could really shine.
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This volume made me want to learn so much more about Viper Ogin and Lightning Thief! These two steal the show with their addictions to killing and sex. Outside of this, the story's ability to explore hunting, wildlife, and real-world elements is endearing, making this hard to put down.
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If you like fight comics you'll really love this one.
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Gone is an intriguing sci-fi series tinged with darkness you don't often see in stories these days. It's an unfair and brutal world, but at its core, we focus on a young girl with a spark and hope to live on. The story feels a little too simple for its own good, but I'm hopeful the world-building opens up in the next issue.
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The stakes are raised as Ollie must take down an enemy that's a mystery in itself. Well written, beautiful, and tense.
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Green Arrow continues to be a great street level heroes' journey with plenty of strong supporting characters. Though the ending is predictable, I'll be back for more next issue.
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This story is well timed as Green Arrow and Arsenal come to blows over a very real and meaningful real life issue. Percy and Carlini do a great job using flashbacks to remind us Arsenal and Green Arrow have a long lived past.
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A pretty issue that advances the plot, though in a somewhat forced way.
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A fun team-up issue in that it reveals the Ninth Circle has been mucking about with other heroes' stuff.
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If you like the Arrow family, you'll love Green Arrow #14. There's plenty of personality in these characters, including Ollie's son, while Professor Ivo steals the show whenever he's on the page.
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This is a solid issue due to strong bookends and solid character development. Don't expect an action packed issue, but some good storytelling overall.
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This is a fun and totally absurd adventure to dig into. It's a reminder of how weird comics were and can be if given the right touch of wacky ideas. Pick this up to be transported to a time when Green Lantern was getting into perplexing adventures in space.
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If you dig origin stories you shouldn't miss this issue especially since it delves into the new villain everybody will be talking about. That said, it's lacking superhero action.
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If you were skeptical the Phantom Ring was a hokey storyline fear not, as this issue proves there's a lot of action, ideas and character to explore yet.
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Green Lanterns #14 offers a few surprises and some major turn of events that'll get folks talking and wanting more.
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A somewhat disjointed issue that starts a new arc with a threat that's an inspired combination of Batman and Green Lantern villains. Green Lanterns #16 does a good job connecting to real world issues with superhero flair.
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This is a good issue if you're a Batman fan, but a great one if you love Simon Baz. The gun he's holstered for years now comes to the forefront as Simon must tackle an inner demon.
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This series is an instant buy on site if you're a lover of good character writing.
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A good flashback issue that reveals even more of the Green Lantern beginnings.
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A good set up issue that's got some sweet GL training.
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A solid fight comic, though it does have a battle that could have used some planning given the last few issues and all the preperation.
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A nice farewell issue though it leans heavily on the street clothes drama.
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A strong first issue in an arc anyone can jump in on.
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Well written character development issue that sets up the next big challenge. The fact of the matter is, Landis will make you believe these characters are real and Camuncoli will make you believe they feel.
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I came into this issue knowing nothing, but came out enjoying what it had to offer. I had to piece some things together on my own, because the writing didn't do me too many favors as far as catching me up, but dang did I leave this comic wanting to know more about our protagonist. It certainly helped the moody atmospheric art kept things twisted and a bit mental.
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Since there's so much exposition and on top of that, so many long shots establishing the location of characters, this issue was like reading a fairy tale at a young age. You're not part of the action, but privy to the story. That's not necessarily a bad thing, but it does make this issue difficult to get into. That said, I'm really digging the changes Brusha is adding to not only grow up the story, but also make it an epic fantasy.
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This series is generally good for decent pacing and interesting additions to the mythos of Oz. The art is a bit rushed though, which takes it down a peg as far as enjoyment goes. Still, the story is compelling enough to be enjoyed by everyone.
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Generally speaking this is how big dumb action comics should be done. It's not too complicated and it delivers everything you'd want. It's true previous Guardians comics, I'm thinking of the Dan Abnett and Andy Lanning 2008 run, were more robust on the science fiction and story, but that's not what this comic is trying to be. You can't fault a thing for what it isn't, and it's good action comics.
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Guardians of the Galaxy #16 is a valiant and intriguing aside for conventional comic book storytelling that's admirable, but isn't quite as perfect as it could be. This issue will make you smile and maybe even hoot with some truly touching moments. Because it doesn't quite hit a home run – though a home run is in sight – you're left wishing it was just a little bit better.
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"Last Annihilation" has all the trappings of a great Marvel event. This issue somehow juggles over 12 characters like nothing, and though the first half is a slow crawl to the plan, once the plan is underway it's all-out action and fun. This issue is a key chapter as it sets up a turning point for the event you won't want to miss.
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A good done in one that'll give you your Guardians fix.
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I enjoyed this issue for its ability to weave in a few familiar elements while building up a supporting cast that'll take Gwen on her own adventure fighting crime. It's nice to see a strong female character treated with respect and I imagine many will be inspired by her adventures.
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Want some real life espionage with hacker tendencies? Check this book out or a hacker you are not!
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Hell yeah; it's big and epic in so many ways, but also feels important. If you're interested in Green Lantern you can't miss what Sciver and Venditti are cooking up.
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Another interesting and action-packed installment of this epic series.
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Venditti continues to send our Lanterns on a tailspin adventure worth exploring.
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I'm not sure if this series will continue; there's no definitive info on that one in the issue, but if it does I'll be first in line. That said, this conclusion didn't match the quality of the previous issues, mainly in the plotting department. It does look amazing, loose ends are closed and you get to experience these characters for a few more pages. Overall a good book, but doesn't meet its own lofty standards from the previous issues.
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Hallow's Eve is a good start to a series with plenty of room to explore its star character. Between Janine and her epic backstory, along with the incredible idea behind her powers that are the perfect Halloween costume, fans should find plenty to enjoy with this series.
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Hardware Season One is a good start that feels like an homage if you've read the original but introduces new readers to the character in a meaningful way. Like any adaptation, this book does things a little differently, which should satisfy purists who want something a bit new, but loved the original.
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Harley saves Christmas in this wacky, fun time. 'Nuff said.
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A fun anniversary issue that is well worth a look.
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Harley Quinn and Her Gang of Harleys #5 finds a meaning in its villain, delivers plenty of fun action, and changes gears for the better!
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A fun issue that's drawn very well. Come for the gore, sex appeal, and wacky adventure.
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I'm not a usual Hawkman reader, but found an important message within this latest issue many will relate to. It's also a pretty good historical fiction one-shot tale showing that Hawkman has had many lives and many adventures worth exploring.
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I'm certainly no expert in Hawkman, but I can't help but love how important this story feels. Hawkman may be in for a complete change after this story, which further cements how epic the story feels. Give it up to the creative team for turning a story that's mostly characters on their knees talking into something you can't put down.
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Hell to Pay #2 offers another intriguing historical fact involving demons while propelling our heroes on a new adventure to save their lives from servitude. Along the way, they pick up a surprising new member to their team that should spell fun new dynamics to explore going forward.
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Now that this story has come to an end it's quite clear it was a nice seasonal story detailing a meaningful moment between Hellboy and Liz that wasn't your conventional monster madness Hellboy story. It's lighter and written for the longtime fans rather than those who want a good scary story. That said, there are other Hellboy stories out that can scratch your itch for monsters and fight scenes.
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Overall, this is a good one-shot with a great Hellboy story and two clever stories following that. If you're a fan of storytelling in general, don't miss this.
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Witness the strange, disturbed, and weird of Hell in a story that will satisfy any literary fan.
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Heroes at Home is a delightful respite from the stresses of today. While short, it also offers unique stories you simply do not see in the comics. Like all of us, superheroes are dealing with the pandemic in their own way and this tiny book delivers.
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A good issue due to fantastic confessional scenes, even if the mystery is moving a lot slowly.
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Heroes Reborn kicks off its second issue with a focused narrative on Hyperion. This issue is like a good alternate take on Superman, right down to some winks and nods to the reader you'll most certainly get. As a single issue, it's a touch light on plot progression and Hyperion isn't the most complex of characters, but as a chapter in a bigger story, it keeps your interest and helps convey how this kind of hero doesn't work in the Marvel universe.
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If it wasn't clear to you yet, Heroes Reborn is all about going for broke with crazy stakes and even crazier ideas. It almost seems like a reaction to DC Comics' Death Metal, only it's not taking itself too seriously, and we know it'll all be reset before too long. The best advice when reading Heroes Reborn might be to remember what it was like to smash action figures together when you were little and not caring one bit if anyone is watching while a big grin forms across your face.
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Heroes Reborn #6 focuses its attention on Power Princess, an impressive fill-in for Thor albeit much more evil. Seeing how a godlike figure with a temper and moral failings serves as a major hero in the Marvel universe is intriguing thanks to nods to familiar events and stories.
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Heroes Reborn: American Knights is an enjoyable street-level crime comic that's particularly fun thanks to its homage to Batman comics. It's a touch on the slow side, but Marvel's take on Batman is well worth the price of admission.
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Overall the concept of a team being manipulated isn't new, but this comic gets the job done. Could it have used an actual series instead of a one-shot to really open up? Probably, but for a tie-in to a bigger event it's an enjoyable twist on familiar characters and tropes comics fans should enjoy.
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A good second issue that gets the plot moving right quick. Continues to infuse the world with original sci-fi ideas that are hard to resist.
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A series that continues to flesh out its world in vivid and thought-provoking ways.
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The penultimate issue delivers on big ideas and subtle truths being laid bare. This is a good series that shows Rob Sheridan is only getting started. Read this if you love sci-fi stories with real-world truths.
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Hornsby & Halo #1 delivers a charming and thought-provoking debut with a unique premise that explores nature versus nurture in a family-focused, all-ages format. While its pacing could be tighter, and a few plot points feel underexplained, the issue sets up an engaging story with endearing characters and delightful art that captures the innocence and complexity of its central duo.
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Hulk vs. Thor: Banner of War Alpha#1 is a well-drawn action comic that will satiate fight comic fans. It also does an exceptional job explaining the complicated backstory that has led Thor and Hulk here. For that alone, it's worth the price of admission.
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Johnson continues successfully exploring America's dark corners using Hulk in the new Blood Hunt one-shot. While this story may not tie into the larger event, it certainly features good horror and great visuals.
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A good first issue that sets up quite a turn of events.
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A good addition to the "Hunt for Wolverine" comics adding a villainous flair.
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A good opening salvo with a killer Logan vs. Psylocke scene to open it up.
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Batman has never faced a villain like this who may not be just another thug. This book continues to do a good job blending political elements with the very real fact that Jace is new to being Batman, but he's also empowered to do something different with the mantle.
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I Am Batman is turning into a great police procedural, especially with how it navigates real-world issues like racism and corruption. On the other hand, this issue suffers a bit as it's lots of talking and not a lot of doing, but things are heating up and should make for a great confrontation down the road.
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So grotesquely comical you'll feel sick from its juxtaposing the sweetness with the filthy protagonist.
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Aside from a slower pace and lack of immediate conflict, this is a good issue. If you like character work and the premise interests you, you'll enjoy this issue.
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A good issue, though it gets held back by a slow finish.
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As this single issue stands, it's exciting to see Ewing and Bennett take chances with the storytelling so close to the end. There are great connections Jacki's narration makes about Hulk and his place amongst the other Marvel characters, and for that Immortal Hulk #49 seems to be stripping away who Hulk is to others so that he may face himself in the finale.
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Immortal X-Men #15 is an intriguing chapter in the Fall of X era. It supplies adequate villainy, proposes a new direction for Xavier, and establishes a large group of mutants that may have hope for the future of all mutants. Now, let's hope they can survive the experience.
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A resolution to be sure, and an interesting perspective on writers finding inspiration.
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This is a good introduction issue to a premise that's bound to make you chuckle. It's also intriguing because the main character is so damn boring you can't imagine him ever deserving a comic, which is the allure of this series.
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Indigo Children #2 is an exciting second issue introducing a new key player in the good guy category. Paired with clever visuals depicting their superpowers, this issue continues to feel cutting-edge and gritty.
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An interesting discussion about perception and racism makes this well worth a read.
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A good primer to the upcoming series.
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Fans of Peter Parker and his struggles with Green Goblin are going to have to check this out. It's a fun twist on the character making him a bit crazier and a lot darker in an entertaining elseworlds tale.
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Infinity Watch #1 successfully builds on years of Marvel lore to deliver a unique and exciting team story that pushes the boundaries of cosmic superhero storytelling. While the lack of recognizable characters may initially deter casual fans, the issue's strong character work, thrilling conflict, and stunning art make it a rewarding read for those who stick with it.
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A solid bridge issue that wraps things up and sets up new stories.
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Come for the fighting and action and you won't be disappointed.
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A fun, side mission sort of tale that delivers on some Deathstroke action.
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This issue drops us into a new fantasy world well worth exploring with a main character you'll root for. It has everything a fantasy needs, save for a bit more exploration of the main character. That said, Inkblot has all the trappings of the next great fantasy series.
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If you're a fan of cryptids and historical fiction,Intrusion is an easy recommendation. It's a one-shot that puts you in the shoes of a man trying to make it at a time when simply getting enough food for winter could be difficult. Early American history is rife with troubling times and Sacks and Lorenzana capture that haunting lonesomeness with a monster well.
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The stakes are raised inThe Invincible Iron Man#5 with a major accomplishment in making the unfamiliar Feilong seem as formidable as any foe. Stark Sentinels are coming, and this issue will get you hyped for the war ahead.
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Invincible Iron Man #7 is a good issue and an important chapter in the Fall of X story. Mostly an action-forward issue, there's still interesting bits of character work to dig through, plus it's an easy jumping-on point for new readers.
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A compelling first issue reveals an exciting double life for Invisible Woman. It has the intensity of a movie with all the fixings and should do well to reinvent Invisible Woman for years to come
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Iron Fist #1 is a good start especially since it doesn't play coy with the reader, but gives us the full rundown of who he is and how he connects to a supernatural world. It also lays the groundwork for Danny Rand to play a part in the series in a natural way. Given the rich history this new Iron Fist is built on, we're in for a wild, fantasy-soaked fight comic series.
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Iron Man #8 continues to develop Patty Walker in interesting ways, moving the plot forward just enough to keep things moving along. Readers might be surprised Hellcat has taken over their Iron Man book, but given how important she is to this story and to Iron Man it continues to improve upon a great story.
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Iron Man #9 suffers a bit after a month's delay, since it takes a side journey with Korvac to find an ally and maybe even some validation in his goals and desires. Since the last issue focused on Patty Walker, and this issue focuses on Korvac, it'll be a nice return to have Iron Man back in the next issue. That said, this issue does a good job capturing the horror of a man who has lost his humanity and how the robotic parts that make the man can't even come close to revealing the pain within.
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Iron Man #14 sets up a showdown for the ages between Korvac and Iron Man, who is now upgraded to god tier in power. This not only sets up a test for Tony Stark against Korvac, but a test to see if Iron Man has learned and grown beyond the futurist egomaniac who thinks he can fix everything. As a setup issue, it does lack some bite, but it is saved by some incredible imagery.
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I guarantee you will have fun tripping balls with the protagonist as this issue makes for a scary, funny, and shockingly fun read.
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Hammerhead offers one of the most badass version of Bond yet while also delivering some new wrinkles to series. Check this series out if you love action!
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A fast paced (maybe even too fast) first issue that sets things up in a clear way.
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A good second issue that loses sight of the villains.
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Epic in scale, Jane Foster & The Mighty Thor #2 ends up sidelining Jane Foster for exposition. It's doing the heavy lifting to explain how large this story is while also continuing to write Jane and other characters accurately in the modern era, which makes for an entertaining chapter. It's just a letdown it has to get all this exposition out of the way before the story gets to its next exciting chapter.
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A good first issue that sets things up well.
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A great anniversary comic that pays respects to the characters we all hold dear from Labyrinth. It succeeds at capturing some of the magic of the film, but it will make you wish for new stories rather than a check-in issue such as this.
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I enjoyed the return of Thra thanks to the excellent art and seeing the familiar faces of the excellent Netflix show. This series delivers you back into the wonderful and timeless world of the Dark Crystal.
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This was a good done in one story that should tickle the fancy of those who love storytelling. It feels like a complete story. It's a bit slow, but well worth a look.
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Joe Fixit #1 is a good reintroduction to the character and the start of what could be an intriguing dust-up in Las Vegas. I can't say the story is all that complex, nor are its characters, but if you're looking for a nostalgic return of a character introduced in 1986, it's a good start.
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I liked this second issue because it blends sci-fi with the western themes well. It also stands to offer a strong statement on how much we're willing to do as a society to ensure everyone gets the same pleasures it has to offer. At what point are we forcing our ideas and ideals on others and actually doing more harm than good? It's questions like this that prove this, and all sci-fi is more necessary than ever.
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Aside from a nagging narrative flow issue, I'm digging what Garcia and company are doing. We're getting a true to life depiction of what Joker would be like while at the same time getting an empowered and complex version of Harley Quinn that could stand up to all other versions of the character.
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This is a good finish, although it does all a bit flat for me due to some rather obvious turns in the story and I was expecting bigger surprises. That said, it's hard to not see this as one of the greatest works featuring Joker ever made.
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If you're looking for a maniacal Joker who is having the best time being himself, check out The Joker: The Man Who Stopped Laughing #1. This is a story that isn't turning him ultra-evil, sadistic, or even planning to mix things up. He's just having a grand old time, and if you like that kind of Joker, you will too.
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It appears Joker meeting Joker is finally around the bend, but The Joker: The Man Who Stopped Laughing#9 takes its time to set that up. I'd be lying if I said my patience was quite thin with this series, but given how Rosenberg has established some unique features of each Joker, I'm curious to see how this plays out.
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Jonna and the Unpossible Monsters is a good first issue, dazzling with its lush opening world and driving your interest with many mysteries. Patient readers will love what we've been given knowing a vast world of monsters and adventure awaits. Jonna is an imaginative world that offers epic scale and mystery in equal measure.
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A good second issue that continues to reveal more about Mahalia and her fascinating coven while also delivering a message that will ring true with many.
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Overall I'm liking this series. It has enough tethered to the history and ramifications leading to the next film to make this a must-read for any hardcore Star Wars fan. The fact that this adventure is a strong one makes it an easy purchase. 
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The backup saves this issue as it's a very fun, pulpy science fiction story with a great high concept. The main feature is good, but not great, but should reap dividends when the mystery is revealed.
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I liked this first issue as it dives into Lincoln's point of view on the state of Mega-City One and all its inequalities. This story is shaping up to be incredibly relevant, especially in American society today, and should serve as a reminder to us all the subjugated deserve a hero even when there are none at present. Heroism comes in different forms and being a whistleblower may be the only salvation for some.
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I liked this volume more than the first now that the series has settled into a groove and it's basically established that we get new info as we go. The characters are varied and well-designed, and the fighting is exciting. It delivers on everything you'd expect from a fight comic and then some.
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A great character study to start this new series.
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Jupiter's Circle continues to be an excellent exploration of 1950's values at odds with the cruel frailty of the human condition.
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Not one, but two action packed sequences that pit Batman and Cyborg against machines comprise the action in Justice League #8. Hitch sets up a story with high stakes and infuses it with fun dialogue and big action.
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Justice League fans will love the size and scope of this story. The time travel gobbledygook is beginning to grow tiresome as a lack of answers and lots of teasing continue. You can't fault the awesome art and premise though!
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A good issue with a clever story hook and a Flash-centric tale.
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A good issue that reveals a bigger end game is afoot for Snyder and Tynion IV's Justice League. This series continues to wow me with its ideas and well thought out scope.
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This issue does a good job establishing this story arc as meaningful for both the characters and the readers. The notion of letting go of resentment is a huge one most of us need to be reminded of, and it's nice to see messages like this in our superhero comic book stories. 
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I liked Justice League #51 because it ties well into Alan Moore and Dave Gibbon's original story using Black Mercy, but also how it cuts into each hero's psyche, testing them.
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This is a good second part of the "Doom Metal" story arc. Justice League #54 is entirely different under the guise of Death Metal, but it's an interesting twist if you give it a chance. It also houses a closer look at Nightwing that should interest fans of the character.
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If you're just joining this event it's a good first issue that sets things up and has a reveal or two too. If you read the tie-ins that lead to this story, however, it's going to feel like a retread for a good portion. As events go, though, it's very clear the stakes have never been higher.
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If you want a bubblegum crossover event look no further than Justice League/Power Rangers #1. The action is good, the art suits the story, and above all else the story moves at a fast clip. Considering this is a team vs. team book it's a bit disappointing so few characters get a chance to shine, but it's still early yet.
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A good issue that may bounce around a bit too much, but hammers home incredible moments some of which could have been climaxes to entire story arcs. Justice League Dark continues to deliver in the most unnervingly delightful ways. 
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I can't help but wish this series lasted forever to prove to the world it matters in a deeper way than most superhero team books. The idea of darkness needing to be vanquished by the strangest heroes in existence is strong here. Justice League Dark remains one of the most visceral and interesting supernatural comics on the shelf.
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I'm not an Atom fan, but after reading this issue I'm compelled to come back for more. A fun relationship is introduced that is rife for storytelling possibilities due to the strong characterization.
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If you want giant monster action, Justice League vs. Godzilla vs. Kong #2 delivers it big time. I could do without so many exposition scenes that slow the overall pace, but expectations are met as far as Superman and Godzilla in this issue.
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The wait was far too long for the second issue of Justice League vs. The Legion of Super-Heroes, but that's because the series is so darn good right out of the gate. This second issue slows things down a bit as it focuses on the Gold Lantern while preparing readers, and the heroes in the story, for what comes next.
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Justice League Incarnate #1 is a strong start thanks to Doctor Multiverse and Avery Ho being well written and relatable. Given they exist in a narrative that spans multiverses, fight an all-out war on the rubble of a fallen city, and encounter many colorful characters, that is saying a lot. Justice League Incarnate gives nearly everything you want from a superhero epic. It's big, bright, and one of the most unique comics experiences out right now.
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Justice League Incarnate #2 immediately drops readers into chaos and then sends its heroes on an adventure only superheroes could endure. It's an adventure that's hard to resist, especially if you've read superhero comics your whole life. If you haven't, you'll likely feel a bit lost and left out, but this series isn't for you!
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A good issue with strong visuals and some big implications for the DC universe.
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The Kamanda Challenge is an intriguing series with a compelling premise that should get lovers of dynamic ever changing stories ramped up every issue. This installment isn't quite as strong as the first issue, but its creators are taking chances which is hard to fault. This is pulp comics that's daring, original, and fun.
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It's worth a chuckle, but ultimately what's the point?
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Kid Venom: Origins is a strong start that younger readers will love. Its main character is excited to have his abilities, and it's exciting to see how this version of Venom differs from the rest. It's a quicker read, though, and may be best read when collected, but there's no doubt this is one of the strongest new Venom variants yet.
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King In Black: Scream #1 is a great reminder of how compelling Scream is in the Marvel universe and how much more interesting they are in this modern age. It's also a banger with constant action and the stakes being raised over and over. It's everything you want in an action comic that's also a tie-in. If King In Black: Scream isn't an effective argument she deserves her own series, I don't know what is.
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King of Eden Vol. 1 is a good start to a horror series that mixes ancient history, viruses, and good old fashioned monster madness. If you're exhausted with the idea of a virus narrative steer clear, but for the most part, there's a lot here to enjoy.
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A strong issue which brings us, finally, to the team up we've been waiting for, but the wait was worth it. The art continues to imbue the darkness this story is conveying and the story progresses satisfyingly.
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If you ever wanted to see Harley Quinn as the greatest superhero of the DC universe, step right up and read Knight Terrors: Harley Quinn #2. This issue also ties into the main story so don't miss it if you've been enjoying the main series.
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Knight Terrors: Nightwing #2 has a lot going for it as it puts the title character through the paces. There's interesting psychology to unpack for both Nightwing and Scarecrow, giving it the extra complexity a tie-in like this needs to be a worthy read.
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Knight Terrors: Poison Ivy #2 achieves what the series has set out to do: to continue to develop and grow Poison Ivy as a person.
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Knight Terrors: Punchline #1 is a sharply drawn issue with an interesting angle on what a villain's nightmare might be. The story suffers a bit, though, as the pace is quite slow, and not a lot happens in the middle portion of the comic.
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A good ending, but its focus seems off.
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A strong, but obtuse, first volume that is visually stunning and contemplative in its purpose.
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Say it ain't so, my favorite story in this series isn't my favorite! Still looks good though. Overall this continues to be the strongest anthology on the stands. Each story packs a wallop of something–be it action, science fiction, or great characters–which makes this a no brainer. Buy it!
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The premise suits this homage to the classic manga very well while the action will make you want more. You'll want to read more after this issue that is for sure, but will it sustain the base it establishes? Hard to say!
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I'm game for more, but it sags in the middle.
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Frankly, this story is pretty flippin' sweet. It has a compelling premise, and our macho man is well rendered. He's in love, thinks she's still in love with him, and his not knowing is endearing and sad at the same time. The twist at the end pulls things to another level as well.
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I'm on board for the new series and if you read volume you should be too.
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A dramatic and fitting end that delivers big action and even bigger war of words. This series has been deeply meaningful and mythic and shouldn't be missed. That's in part due to the delivery and command of dialogue. Holly Black will be missed!
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A good issue that's starting to go so slowly you'll be scratching your head as to what the end game could possibly be.
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A solid intro issue that sets up the character well.
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I'm intrigued by Luke Cage: Gang War, as it puts Luke Cage in a tough position. How does he balance his two jobs while staying true to his oath to serve the people? That's a compelling argument to make while he busts heads in the night.
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M.O.M.: Mother of Madness #1 is a unique story, but one that is trying to do too much in a single issue. Still, it mixes good messages you can learn from, a foreboding sci-fi future, and superpowers in a way that's never been done before. It's an idiosyncratic comic, to say the least, and while it has jarring tonal shifts it has the promise to become your favorite comic that tries something new.
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Maestro: World War M #1 is a good start to a story that'll make you feel for the Abomination in a broken future. It is reliant on the previous stories to feel its full effect, however, and Maestro oddly is not the main character in this go of Peter David's trilogy.
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Maiden #1 is an intriguing first issue with a beautiful world that mixes nightmare, culture, and a protagonist you'll be transfixed by. Who is she, what is she about, and where does this story go? If you find yourself intrigued by the mystery you'll love it, but those with less patience might need to wait for the second issue before diving in.
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Marauders #3 amps up the threat level while focusing on Cassandra's creepy yet badass nature. If you're at all interested in the spacefaring tales of the good old days of X-Men, you'll love this.
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Beatrix Rose: Vigilanteis a good espionage action-adventure that has all the fixings of a narrative worth exploring. The assassin narrative is a strong one to explore backstory, mystery, and the underbelly of criminal worlds. Beatrix Rose is a great vehicle for it.
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Marvel's got another cute one-shot on their hands with Marvel & Disney: What If? Donald Duck Became Thor. This tale is fairly straightforward, with not a lot of character work, but its clean art style will please most everyone.
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Put this in front of a kid 9 or younger, and they'll love it. The art is fantastic, the story is simple but fun, and the adventure is a nice blend of Marvel and Disney.
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I enjoyed this 2099 story and while I'm a sucker for Elseworlds tales, it's nice to know this is bonafide in-canon storytelling. The cliffhanger twist near the end is proof of that. Pick this one up for a slightly different Venom story that may just have you begging for more.
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At eight bucks, Marvel 85th Anniversary Special has a little something for all sorts of fans, though I'd flip through just to be safe. The blend of classic creators, humor, and creative new art styles makes for an enjoyable albeit eclectic experience.
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Marvel Holiday Tales to Astonish #1 delivers a delightful collection of festive stories that highlight the charm and humanity of Marvel's iconic characters. With a mix of humor, heart, and holiday spirit, this anthology is a warm and nostalgic read for fans of all ages.
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Marvel Team-Up is all about fun and it's an easy recommendation for folks who want to smile and enjoy these two great superheroes.
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There really is no faults to the issue itself, but as a whole it's more running in place to set things up than anything else.
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If you need more dogs in your life, check out Marvel Unleashed. Starks and Hervas are putting in the work to establish the characters up front in this first issue with the promise of some epic supervillain vs. super-pet action in future issues.
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Marvel Zombies: Resurrection #1 is a suspenseful slow burn story that has enough references to intrigue most Marvel fans. This one shouldn't be missed by Spider-Man fans who want to see him go through a different kind of crisis. Still, it's a slower book that doesn't hook you all the way. 
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This issue is solid thanks to a perfectly written MJ/Peter scene. It also has some good action and anyone who loved the game will simply love exploring the characters further in the comic book format.
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This is a good issue if you've played the game and an even better one if you haven't. Your enjoyment may vary depending on your relationship with Spider-Man, the game, or comics in general, but for the most part, this is good superhero fun.
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Marvel's Voices: Community is exceptional at creating awareness of Latinx culture while connecting superheroes to real-life situations that involve racism, acceptance, and identity. It's a comic that not only serves to inform readers on key issues and culture but also entertains and serves as a reminder that Marvel has some of the strongest Latinx characters in comics.
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This issue leans a little more heavily on the average Joe (some of which have stories that aren't all that interesting), making it a tad too mundane. The overall message is well placed, but I found myself hoping for some action or more intrigue from the Human Torch. That is entirely the point though, which creates a problem that partly comes down to taste. That said, it's a little too slow to make me love the book, but I appreciate what it does and how it pulls things off in the end.
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Spider-Man: Marvels Snapshot #1 is a thoughtful and measured comic reading experience. It's definitely not for everyone, with an old-school vibe to it. It's also about average Joes who want to make a buck as criminals in a city of supervillains sorely lacking Spider-Man. That might make folks feel a bit misled from the get-go. If you can get past that, you'll find something here that's interesting, especially for longtime readers.
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Once again, Marvels Snapshot continues to be a great read for superhero fans who want their tales steeped in a relatable reality. Cyclops has typically been a hero that's hard to relate to because of his unending dedication to the team and his selflessness. In this issue, Edidin, Reilly, and O'Halloran have shown us how an ordinary boy can dedicate his life to heroism -- it just takes the right inspiration and call to action to do so. If that's not inspiring, I don't know what is!
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Call me crazy, but I didn't see how fun inanimate objects becoming demons would be and it continues to be super fun in Mary Jane & Black Cat. The dynamic between these characters is rife for further exploration and while there may be too many mysteries going on right now, you'll likely be here for the ride thanks to Jed MacKay's mastery in writing both characters.
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Mazebook is an intriguing first issue to a series that is more about the self-exploration of a man who is isolated and alone by his own design. Where it goes from here is unclear; the book seems to teeter between the real and the imaginary, but it'll hook you nonetheless.
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Similar to the original series, Mech Strike: Monster Hunters is bubblegum blockbuster fun. It's not trying to be anything more than that, so if you're up for some outlandish non-canon ideas involving Avengers in crazy mechs, you'll dig this. The kids will love it.
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A good second issue that has a strong character moment for one of its protagonists while the other is served a good helping of shuffle-the-character to the right place plot.
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This is a decent issue that explores what it means to understand that what you thought you knew about your identity was wrong all along. The Metal Men are characters rife for character development and this issue is proof enough that more is better if given the chance to delve deeper into them. I'm excited to see what Didio and Davis do with issue #7, which reportedly will focus on animal versions of the Metal Men.
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This is a fine wrap up to the Midnighter and Apollo tour of Hell. They both come away stronger for it and readers will be waiting to see how the supporting cast evolves from here.
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The Eltarian War is going to go down as a magnum opus for the Power Rangers mythos, and if it wasn't evident yet,Mighty Morphin #13 shows that and then some. This story is pushing the Power Rangers into a situation like no other, in a battle that has been thousands of years in the making, while integrating Lord Zedd in a tantalizing way.
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While this issue doesn't quite blow you away like issue #0 did, it still offers quite a bit of the character building issue #0 promised. A quick but solid action sequence is in there too, making this a series to keep your eye on.
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A good second issue that hammers home a sometimes hilarious relationship between the older somewhat slow Rhino and the sharper but wet behind the ears Miles Morales. It's a fun book that defies your expectations.
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Overall Miles Morales: Spider-Man #38 is a good start to a new multiverse story for Miles to resolve. Playing into Miles' family and familiar faces, it's a fun What If... style story that should entertain longtime fans as well as mix it up enough for casual readers to want to see what happens next.
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It's easy to imagine a world with people who have powers of the mind as a place filled with chaos and destruction. Just open any X-Men book and you can see the terror of such a thing. This series is different however, as it introduces a very realistic world where people do have these powers and they live rather ordinary lives. The fact that they have powers doesn't seem to matter as much as their real life problems and frailties. By focusing on that Kindt has made a resonating work that sets itself apart from most of the books on the shelf.
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There's a reason Mind MGMT Volume 1 appeared on Amazon.com's best comics of the year so far. Anyone looking for something a little different, but still in the realm of fantasy and science fiction look no further. There's something invigorating going on in this comic and it's so interesting and reflective of the real world that I won't be surprised when somebody writes an essay on how game changing this series is for the comic world at large.
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The magical mystery of Minor Arcana#2 deepens with a main character who refuses to accept her place in her town. The issue is over before you know it, but that's largely due to Lemire capturing your imagination and drawing you into his characters.
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Minor Arcana #4 continues to enchant with its mix of personal drama and magical mystery, bolstered by Lemire's distinct artistic style. While the pacing stumbles slightly, the emotional stakes and intriguing world-building make this a compelling addition to the series.
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The plot thickens, and the violence gets raised to 11 in Minor Threats #2. The art and creative design continue to be exciting while the writing probes these characters, who may be supervillains on the surface level, but they are real people. Meanwhile, the "heroes" continue to be violent psychopaths, creating a familiar but different world.
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Sweet Paprika remains an incredibly chaotic good time. It's sexual, humorous, and deeply meaningful as Paprika may have the job and the money, but she's subverting her sexuality and ability to connect with men to attain those. In that, Andolfo is exploring an interesting character study many can relate to.
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Key details are dropped as the heroes face a threat they can't possibly fight off! Bunn does well to increase the scope of the battle with Land delivering pinup quality panel and page after panel and page. The art does feel less kinetic and interesting, but overall this is still a lot of fun.
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Monsters Unleashed #4 is the unabashed action frenzy your inner 12 year old will love. It's the kind of comic you buy knowing full well good art and big action is all that matters. You can't get books like this everyday so I say let your inner 12 year old out!
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Moon Knight #9 is a fantastic issue that reminds readers the comic book format is unique and offers storytelling techniques you can't get in other mediums. The story wraps up well in a visual way you won't want to miss.
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All in all, Moon Knight #10 is another great chapter in a series that'll be held up as one of the best ever. It captures the supernatural weirdness of this iteration of the character while maintaining the brutal nature of the hero.
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Mother Panic will pull you in with its good character work and fantastic art. Gotham has another rich elite fighting crime, but based on this there's clearly room for her.
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Mother Panic is excellent at capturing the damaged nature of the vigilante hero. In a way it's more realistic than Batman though its visuals are much more colorful. This issue's new artist does a great job, though it's uneven in its style.
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Memories flood in which help articulate where the protagonist is and the visual look settles down and is beginning to feel right with the series.
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A very well plotted and paced issue.
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If the future involves souped up motorcycle racing I'm all in. This series has a Blade Runner vibe with the breakneck action of Road Rash and a wrinkle of drug abuse to make it all feel pertinent.
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Motro continues to be a fantastical fantasy that's its own thing. There's nothing else like it on the stands today, or ever before. Its frantic pace can be confusing and sometimes frustrating, but there's no denying this is a unique story lovers of fantasy will dig.
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An intriguing new series that plays around with a child's perspective in a chaotic and crazy world made further uneasy by an unhinged upbringing. It's the kind of horror that focuses its lens on growing up in a world that doesn't make sense.
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If you're looking for a fun team-up this week, look no further than Ms. Marvel & Moon Knight #1. Not only does it feature a logical setup, but it has the characters resolving issues together in an entertaining series of scenes. Plus, Houser writes a great Ms. Marvel and sticks a lot of continuity and modern elements from the Moon Knight series into the issue. That's a win-win for Moon Knight and Ms. Marvel fans.
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The new series of one-shots begins this week with Ms. Marvel & Wolverinein a fun adventure that features a ton of X-Men. In fact, the X-Men may be one of the biggest draws for casual fans, which is a good pairing with a well-written Ms. Marvel.
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If you like hijinks and over-the-top stories only comics can provide, check out Multiversity: Harley Screws Up the DCU. The second issue keeps the pace up and looks fantastic while doing it.
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Less superhero battle and more Squid Game, we follow a YouTuber's every thought as he reacts to each moment, putting you right there with him. If you were ever interested in Arcade's awful game and how it functions, give Murderworld: Avengers a shot. You'll respect the story and its done-in-one arc, even if it's dark and tragic. For fans of superheroes, however, you might need to wait till the next issue to understand where it's all going.
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Dare I say Negasonic Teenage Warhead #1 further validates the character, elevating the character in a must-read adventure. Thanks to Deadpool, it has action, romance, and even some goofy humor. Given the number of connections to the MCU this is an easy pickup for casual fans who aren't reading the comics while satisfying anyone who loves this character.
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This is a good issue even if it's a complete left turn from the first two issues. Brisson and Flaviono do well to capture the heart and soul of the characters on display rendering this as a great character-driven story.
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A good second issue focusing on the Krakoan drugs and how it may be putting all mutants in danger. How can you live in the world when humans are well aware you have life-saving drugs at your disposal? It's an interesting concept that Brisson is exploring.
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Oni has an impressive fantasy comic on their hands. The characters are strong and the world is very original, making this a must buy for anyone hungry for new fantasy.
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Nightwing #10 is a perfect first issue to a story arc that adds new complexities to Nightwing's life whilst capturing his inner conflicts well. Bldhaven is ripe with new stories and this issue introduces a unique one I'll be keeping a close eye on.
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Nightwing #11 is a fine issue for lovers of character development. Tim Seeley introduces a slew of new characters that add a unique angle to the usually flat villain types. Bldhaven is turning out to be a certifiable playground of story ideas.
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Prepare for an awesome battle as Nightwing and Damian see themselves in more ways than one!
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Nightwing #84 brings the heat in the form of cool action scenes, a team-up you won't want to miss, and an edgy visual style. The Fear State element is just getting started and it'll be incredible to see the next issue's team-up.
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Nightwing #93 is a good chapter that may not wow, but it has plenty of moments for Nightwing and action fans alike. The cliffhanger certainly is bizarre as Taylor and Redondo reveal Heartless may be at a whole 'nother level of super.
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Nocterra #10 is a good setup issue before a major showdown to wrap up the story arc. Our heroes have to overcome obstacles in a series that continues to flesh out a larger world worth exploring.
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Nova #1 offers a few new tricks in a gorgeous visual package. Sam Alexander's life in high school is going to get a whole lot more complicated soon as this issue sets that up well; it does however, run on too long with the high school stuff making the overall package feel short.
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Nubia and the Amazons #1 introduces new characters via a magical well that could change the way we think about the Amazons forever. The concept is intriguing and not unlike Marvel's Krakoa era with mutants never dying, but with an added fatal twist that'll keep readers coming back for more.
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Nubia & the Amazons #5 is a good end to a series that added a lot of new elements to Amazon and its many interesting characters. Ending on an epic battle not only reminds us of Nubia's incredible power but leaves readers wanting as far as her future endeavors in conquering mysterious supernatural threats.
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Numbercruncher a fun little trip into a new afterlife and you'll want to at least dip your toes in. The characters aren't the strongest, but the love story is admirable and interesting. Plus, we get some cool art with interesting color choices.
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Oh, Killstrike is a fun idea written for comic book readers from the 90's with plenty of chuckle-inducing moments to make everyone smile.
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Another good chapter due to great art and interesting ties to Millar's Old Man Logan.
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This series continues to be great fun and a real bloodbath. If you loved Wolverine from the 80's, ya gotta read this.
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This is a good volume with some additional info about the lore of One-Punch Man thrown in as well as some great scenes with Garo. Saitama may be in it infrequently, but it's still fun to see his disinterest in being a superhero continue to carry on.
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Not a bad last issue, with an exceptional first story and a so-so second. The art throughout this book is a joy to look at and while the second story wasn't my favorite, it still gets the job done. Goblins are moronic little creatures, but if this series has taught me anything, it's that they deserve to tell their stories, however despicable or unbelievable they may be.
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Patsy Walker, A.K.A. Hellcat! #12 is a fun and endearing experience. The characters are animated and the drama, especially in this issue, compelling. The plot moves along a bit too slowly though and you'll be wishing there was more to chew on.
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You won't want Spider-Man to ever leave the past.
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A good issue that kicks off a climactic story arc.
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Pick up Phoenix Song: Echo at your local comic shop for an intriguing approach to Echo and her new role as the bearer of the Phoenix Force. This first issue sets up the main players and sets up the main conflict that feels wholly original but also key to Echo's Native American roots.
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Fans who loved Greg Pak'sPlanet Hulkand the stories that spilled from that must readPlanet Hulk: Worldbreaker. It continues the story of Sakaar while exploring the dangers of vilifying a person for political gain. It's also an entertaining journey in checking in with key characters of that epic, revealing how some things change, but many remain the same until a Hulk gains the strength to do the right thing.
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Fans who loved Greg Pak's Planet Hulk and the stories that spilled from that must read Planet Hulk: Worldbreaker #1. It continues the story of Sakaar while exploring the dangers of vilifying a person for political gain. The series hasn't quite yet hooked me as far as why it must be told, but likely it's coming soon.
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This is a good issue thanks to it pushing the plot forward and preparing us for the stakes in play. How often do we see monsters parley with characters who have no upper hand at all? That's an interesting position to explore as we prepare for all hell to break loose sooner or later.
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If you've been reading this all along you won't be disappointed. It furthers the plot, makes for a fun team-up type of issue, and even instills a bit of humor too. The characters are interesting, the story intriguing and the tone unique in of itself. Poison Ivy: Cycle of Life and Death is memorable in every way.
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Overall, Power Rangers #1 marks a great first start two the dual series approach. Parrott has shown he's very good at writing team books and keeping up your interest while Mortarino and Angulo dazzle with colors and good details.
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Basically put, this issue is good, but it feels far less impressive due to the high bar the previous issues have set. The art is some of the best you'll see all week in a narrative that's gripping and hard to resist.
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Predator #3 is an entertaining read, opening with action and keeping the intensity up as the clock is ticking. Theta is an intriguing character you'll root for while multiple threats come crashing down right on top of her.
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The pieces are in place and clues are dropped as to where this series is going and thankfully there are plenty of surprises in store for readers. That means it's not all action and fighting, but a meaningful story is brewing where the three properties can truly shine.
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There may not be any actual fighting just yet, but Dark Horse is putting out a good science fiction story regardless. This issue feels more like a horror tale and that's not a bad thing!
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If you like hard sci-fi, you'll probably like Predator: The Last Hunt. There are interesting ideas at work here as Theta continues her quest to kill every last Predator, and she anchors the story with a character you can root for.
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Princess Ugg #3 turns it around and reads wonderfully, although the two part split is a little . That said it's a good read and should get adventure fans excited for the next issue!
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The biggest takeaway Punisher fans will have with Punisher: War Journal Blitz is that it feels very akin to classic Punisher storytelling. The main series leans into the supernatural a lot more than a traditional Punisher book while this could be plucked out of the '80s and feel right at home.
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This is Garth Ennis Punisher to a T. Read this expecting the cold, concentrated Punisher we've come to expect from one of the greatest Punisher writers in existence. 
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A good penultimate issue that sets things up for our finale well.
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Quick Stops II #1 is a strong start in a journey of discovery, not just with a cartoon mascot but with its character's sexual awakening. There's an exciting and adult story at work here, although it's so far removed from Smith's many fantastic characters that super fans might feel disappointed. It tackles sexuality in a surprisingly adult way.
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A good issue that does a great job retelling the modern history of Valiant.
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I love the sense of wonderment and creativity of this manga. There may be some odd choices that could creep you out, but the domestic lifestyle of a magical home is quite entertaining.
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Journey into Rare Flavours #2, where we get an inside look at a spicy chili gravy dish as hot as the adventure gets in this very issue. While the narrative continues to lack a central conflict and a definitive direction, the story continues to intrigue as a demon meditates on life and lessons lived.
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A somewhat sorrowful chapter, Rare Flavours #5 sets up its finale well. This issue feels like it's saying goodbye to the reader, let alone the characters who also say goodbye, in a chapter that ponders endings in lives well lived.
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The magical sequence takes up most of the issue and it's not only a site to see, but also riveting to follow along.
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A good start and finish, though the middle portion drags a bit.
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Aside from its somewhat jarring narrative flow and the villains' downright bizarre actions to end the book, Reborn is good fantasy comics. Millar and Capullo are fleshing out a fantastical realm that's so rife with potential you'll find yourself imagining your own stories in its highly original package.
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Artemis becomes more fleshed out via impressive detailed art and a clever spin on an Amazonian culture. This issue is well worth a look for the art alone!
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A solid issue of discovery and invention!
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An action packed issue with dragons, spaceships and tons of action. I call that a win—even if it's a quick read.
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This is a satisfying conclusion to a very fun and different type of Red Sonja story. If you enjoy surprises and new ideas give this miniseries a try.
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This is a satisfying second issue that brings a nice sense of magic and mystery as Isla uncovers what she has done.
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Redcoat #7 is a quieter chapter as Simon says goodbye to his good friend Albert Einstein. In this goodbye, the creators seem to suggest Simon will have a new lease on life, and this first story arc is closed.
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Interesting new elements create further complexity and mystery to an already good horror series.
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This is a fun second issue that really leans into the action. Hepburn is showing why crazy action, with many fighters in a single panel, is within his wheelhouse. The colors are vibrant, the action intense, and the flame just as bright in this great Cosmic Ghost Rider series.
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A very funny premise to this issue with plenty of laughs.
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Rick and Morty consistently offers great science fiction stories. Whether you laugh isn't a guarantee, but if you're a fan of the genre it's worth checking out.
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The evil Jerry plot thickens while this issue serves as a more serious but well written story. It's not quite filled with the amount of laughs I'd want, but all in all it's good storytelling that could easily be an episode of the show.
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A fun, done in one issue that explores a ghost spaceship and ends in a tragic comedic sort of way.
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A good issue that brings some laughs and comes together nicely by the end. The backup should be read by Lovecraft fans!
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Another solid installment.
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A funny issue, especially if you like seeing Jerry suffer.
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A good setup issue for both the main story and the backup.
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I liked this issue in how it develops a relationship between Rick and one of the sickest characters in the universe. It's also well drawn and it'll scratch that Rick and Morty itch.
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The tournament kicks off with plenty of great action and some genuine moments between Flatline and Robin worth checking out. Robin #6 is a good start to what could be an enlightening story for Damian Wayne. The creative team continues to blend action with interesting character work, making for a meaningful story about Robin.
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Robin #9 is a good finale to the Lazarus tournament that wraps up the final threat while giving the various tournament attendees a way to contribute. Its connections to Alfred and Batman are heartfelt and meaningful while the cliffhanger is an exciting turn you won't see coming.
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Robin #11 is a solid transitional issue to the next story arc. It closes the door on a few elements and drops a cliffhanger on readers that suits Robin's emotional story and also connects to bigger stories elsewhere in the DCU. Well drawn, great action, and meaningful character moments continue to reign supreme in Robin.
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Robin #13 is a good chapter in the "Shadow War" event thanks to some major reveals and some superhero alliances you won't see coming. Ultimately his event is an excuse to get characters to punch each other over a misunderstanding, but that's kinda what superheroes do, right?
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Overall Robin 2021 Annual #1 is not a must-read to understand the story in Robin, but it is an entertaining one-shot that adds an interesting backstory and context for the main players in the tournament. If you dig origin stories, don't pass on Robin 2021 Annual #1.
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Rogue Sun #6 ends its first story arc by closing the door on the immediate confrontation and promising a new set of problems for the hero to combat when the series returns. It's the kind of ending that's more about the promise of more to come than a huge climax, but given how strong the cast of characters is and the overall premise, we're in for an exciting ride.
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Rook: Exodus #2 continues to offer detailed and action-packed big blockbuster art. The story and character work could lift, though, as we wait for more in those categories.
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If you like your sci-fi with big, bold, and blockbuster-caliber art, Rook: Exodus is for you. This isn't a story-forward book, however, as it leans more into its mysteries than building out why it all matters.
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A good installment that proves Lemire is a master at drawing you in.
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Image Comics has a fresh, new science fiction series on their hands that understands how important pacing is to action and how less is truly more when it comes to story. Recommended.
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A good issue that goes by fast and sets up a potentially huge jump in time when it returns.
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Saga #66 is a good issue, although it goes by too quickly. With only two scenes, it feels a bit short, even if the tension and drama are high. Saga continues to be great and an example of master storytelling, whether that story is big or small.
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Overall this is a neat approach to bringing back an old story many have probably not read. It's a fun way to play with Marvel history and also pay respects to the past while setting up a brand new story.  
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If you love chaotic fight scenes and tons of action, you'll dig Savage Avengers #2. The action, characters, and the threat of Deathlok are all on point in this second issue, but it doesn't quite find its footing throughout the chaos.
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If you like tons of big ideas packed into a single issue, check out Savage Avengers #8. Characters literally die on the page, get reborn into new forms, and supervillains have their day in the sun too. That includes Doom 2099, who plays the part of a reluctant hero.
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A good start to this tie-in although it doesn't progress the plot too far past a "let's get our bearings" sort of way.
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Scarlett #3 is another tense action thriller focusing on one major sequence, promising new plot developments in the next issue. It's certainly lighter on the big picture, but it hammers home Scarlett's ability to kick ass and take names.
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Seance in theAsylumreads as if Edgar Allan Poe wrote a comic. It's dark, moody, and a bit disturbed. There's a strangeness that grips you while establishing a very dangerous proposition with its cliffhanger.
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Second Coming is one of the most exciting commentaries on superheroes in some time and when you throw in Jesus Christ it gets even more compelling. This sequel series offers a lot to dig into for the superhero crowd and continues to show Mark Russell and Richard Pace are at the top of their game.
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Overall, issue #6 serves as a good finish to the first season of Second Cominc, though it does read like a rush to the end. Still, Russell and Pace have left things off in a great place to pick up again in the future. There's a lot to be had here, from some humor and even more great criticism and reflection on faith, Christianity, and what it means to be a martyr.
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Balances so many threads it's a wonder it all makes sense by the end. It's also dark, morbidly so, which may be the most unique thing about it!
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Secret Empire continues to be the grittiest comic book event in some time. There's a tension that feels real, which isn't something you see too often. Still, the story seems to drag and could move forward more diligently.
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Captures the spirit of most Marvel events with heroic fighting, but it lacks the complexity the series has thrived on.
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A good look at a few characters with some interesting ideas, but Hydra Cap and good Cap will leave you wanting more.
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Another great chapter that may slowly progress the plot, but delivers good character development across the board.
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A good first issue with strong dialogue and plenty of action. That said, where is this going?
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A strong final issue though the resolution leaves a lot to be desired!
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There's so much to like in Sensational She-Hulk, but the story continues to move too slowly. After a stellar first issue, issues #2 and #3 slow things way down for just one action scene, which makes you want so much more out of the book. It's clear these creators are working magic, but if they could speed things up a bit, this could be as iconic as She-Hulk runs come.
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Sentinels #2 delivers a thrilling mix of explosive action, character intrigue, and ethical dilemmas, cementing this series as a must-read for sci-fi and superhero team dynamics fans. Alex Paknadel's clever storytelling ensures the emotional weight of the characters' past traumas resonates amid the chaos, while Justin Mason's kinetic artwork makes every battle feel grand and chaotic.
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There is something endearing about Sesame Street getting a big comic release, and the creative team backs that up with a wonderfully positive representation of Sesame Street. Snatch this up if you have a kiddo in your life, but don't be shy paging through this super cute and totally positive comic.
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Seven Secrets #2 is a good issue thanks to how it has been set up playing against and with expectations. There's a give and take going on that's unseen thanks to the information we were given in the last issue. Still, there remain big question marks, especially around who Caspar is, that keep you in the dark and by extension keep the book a bit distant from readers trying to connect with its characters.
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Shadow War Alpha #1 sets up a showdown between an unleashed Damian in a case of misunderstanding that could mean more bloodshed. As a one-shot, there's a major death that readers will want to snatch this up for and there are key pieces that'll get you ready for the biggest crossover event of spring.
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All in all, Shadow War Zone #1 is a good anthology, although in general, it doesn't tie too heavily into the crossover event. It reads more like good taste testers and starters for bigger stories to come, which is a good thing, but it's not quite what this book is selling given the event itself. Pick up this issue if you like any of the characters above, but skip it if you're looking for Shadow War developments.
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Shadowman #2 is a good second chapter that opens with a great horror stinger, calls back to it, and offers up plenty of monster action. The bigger mystery in play continues to be vague, but Shadowman himself is an intriguing figure well worth following along with.
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Shadowman #8 is a good finale, but it limps along at times with heavy exposition and characters talking more than taking action. There are big-beat moments to enjoy, however, and the story leaves you wanting more. For most superhero comics, that's an absolute win.
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Shang-Chi #4 further advances Shang-Chi's personal story while throwing another major Marvel staple against him. The Fantastic Four family must face Shang-Chi and his family and it's yet another exciting chapter in a series that can be devoured by casual readers and Shang-Chi fans alike. After loving the film, it's clear at this point Yang is doing a great job making Shang-Chi more accessible.
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This is a great edition to the tie-ins as it has resounding importance on the main event. It also has some stellar, moody art and a worthy edition of an important character.
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Well written, fast paced thrill ride.
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If you dig flashbacks, dragons, and stakes that rise as the hero stands waiting outmatched, this is the book for you. Frank Cho is building a fantasy/superhero epic that's addictive and hard to deny.
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A solid first issue sets up an interesting cast of characters.
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Solar continues to be a good yard with plenty of family drama to keep your interest up, and ultimately makes the character more interesting.
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A fine introduction that harbors an intriguing mystery and a compelling idea of the cartels fighting a war by a man who uses their tactics. Marlow is a strong character, and it'll be interesting to see where the creative team takes this next.
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Space Battle Lunchtime continues to be the most charming comic on the shelf. While this issue gets quite slow near its end, it continues to bring excellent pace, good character moments, and above all else — fantastic cooking montages!
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The story in Space Usagi: White Star Rising is fairly standard, but Sakai's great art and charming characters will win you over. The gorgeous art and sci-fi ideas work well in the Usagi Yojimbo universe.
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Spider-Gwen #13 is the best punk rock Halloween surprise you can get. It's fun, action packed, and filled with attitude.
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Spider-Gwen: Gwenverse #1's true strength is the promise for Gwen Stacy to grow up a little bit and development by the end of this story arc. The creative team sets up a huge multiverse story, but Spider-Gwen/Ghost-Spider fans are going to be excited knowing their favorite hero may come out of this a little bit differently. Plus, who doesn't love Thorgwen!?
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A good first issue for readers who love to read that has a chipper version of Spidey and an interesting cliffhanger.
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Accomplishes a bit of character growth for Miles that's rare in comics these days.
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This book has all the trappings of a contemplative, dark, and relatable tale. It has everything in a Spidey story from the action, dire stakes, and most importantly it's empathic. 
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Spider-Man #3 brings a special kind of Spidey writing as Slott and Bagley fill each page with many characters in a big epic story not often embarked on for Spider-Man. That is when it comes to non-Spider-Verse tales, but since this is a Spider-Verse tale, it feels right at home within the line of stories.
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Overall this is a good time with Spider-Man and Deadpool and it utilizes the, "Let's not be funny" element to great comedic effect. It's a running joke that surprisingly works, and overall this is an entertaining issue that utilizes Slaptstick really well too.
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A good first issue that establishes the main conceit of the series while dropping readers into an unfamiliar world of 1966. This is a celebration of Spider-Man, but also the era in which he originated. Zdarsky and Bagley have got themselves the cleverest of ideas here, most likely to be copied with future heroes.
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Another good issue in a series I can't get enough of. Longtime Spidey-heads will love this for its ingenuity and celebration of the greatest hero of all time.
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Spider-Man: Shadow of the Green Goblin continues to be a masterclass in understanding these characters and plumbing them for new truths, even though this is a prequel. There are, without a doubt, too many captions on some pages, but overall, this is one of the finest Spider-Man comics you'll read all year.
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This is a good issue with two stories going on that both exemplify the Spider-Woman character and offer a great lead in into her new direction and costume next month.
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Spider-Woman #7 offers up some epic action revealing just how powerful Jessica Drew can be. In the same vein as Crank, this series is very good at cranking things up to 11 and letting the action rip. This issue is no different.
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Spine-Tingling Spider-Man is a good first issue, but it reads like you should wait a bit for at least another issue to come out. That said, it brings horror visuals that'll certainly scare kids and adults alike while thrusting Peter into a nightmare you'll want to figure out. Your patience will vary though, due to the lack of answers or clues. The hair-raising scenes match the intense action.
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I want to see more of the Star Trek cast saying and doing things of importance, but you can't deny the character development of the villains is a good element explored in this issue. This is big action with an event feel; perfect for summer reading.
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If you aren't giddy about seeing another awesome action sequence in the Star Wars universe steer clear. Anyone looking for a deeper meaningful story should look elsewhere, but there are some great tidings for future stories set up here for that audience.
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Aside from an overly long Wookiee battle, this is a satisfying penultimate issue to the ‘Vader Down' series.
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A bit light on action, but this issue introduces a new key detail involving new characters and an incredibly unique prison. Character is key here and it sure looks pretty too.
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The comic nature of Luke and Han's story mixed with Leia and her attempting to manage a dangerous situation will remind you of the best of times in the Star Wars universe. This is good entertainment even if the plot progresses very little.
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The latest Star Wars story arc comes to a smashing end that's action packed and satisfying. Make no mistake, Marvel has captured the excitement of the Star Wars films with exceptional comic book action sequences.
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This makes up for the lackluster last issue as it brings important meaning to core characters of the Star Wars universe. Yoda's journey is intriguing and it's interesting to see him at this stage of his life and how he acts with other characters. Star Wars continues to prove saga mainstays like Yoda and Obi-wan could use a film of their own.
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Thankfully we only have to wait a week for the next issue, which is good because a duel is in order! Fans of the Force need to see this as they've never seen it utilized quite like this.
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A perfectly good R2-D2 story though it lacks any real danger for the characters.
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If you like character introductions you will love this annual. Star Wars gains a new and vibrant character that you'll want to see more of soon. The general narrative is strong, reminding us of what's at stake for Leia and what she's fighting for too.
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This is a good second issue that sets in motion a few plots to keep your eyes on going forward. Soule has a great handle on the character voices and Saiz backs him up with visuals that stand up to the films.
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Star Wars #25 features a good selection of stories that range from great to skippable. The majority are good, though, and each story has something for fans to enjoy across the Star Wars films. You can't go wrong with two good lightsaber battles, and most fans will highly enjoy most of this anthology.
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I had a great time with this one-shot and if you like a good caper, I think you will too. Jabba the Hutt is considered one of the most dangerous gangsters in the galaxy and this is good proof of that.
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A good Star Wars one-shot that has a lot of action and ideas fans will love. Luke Skywalker has always been a man who could fall off the ledge and turn evil and this issue effectively dabbles in his internal conflict.
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A good issue, although it probably should have been dubbed "Kylo and Snoke" since it's more about Kylo. Still, it's an enjoyable little tale that connects well to the original trilogy which is enough to get most Star Wars fans cheering.
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A good issue that reveals how evil runs deep with some. Or at the very least, survival is key to live a long life serving the First Order.
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I came away from this issue respecting Count Dooku far more than I had prior. He's a silent but deadly sort of villain who is calculating, but also ruthless. The fact of the matter is I had no care for this character, but now I'll be digging into wiki's to learn much more.
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Star Wars: The Battle of JakkuInsurgency Rising #2 fleshes out the narrative far more, revealing more about the villains while introducing a new group of young heroes. When paired with the first issue, it's obvious this is an awesome Star Wars epic you won't want to miss.
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This is a good first issue. There is a great deal of purpose to this book thanks to a few different connections, all the while delivering a bounty hunter action narrative that's easy to enjoy. I doubt anyone not well versed in Star Wars is going to enjoy this half as much as longtime fans, but really, these comics aren't for those kinds of fans!
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This new story arc sets Vader off on a path of war general and it's a site to see. We're given solid conflict and a choice scene with the Emperor too. Bring on the next issue!
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A good chapter, although it leaves you wanting more in regards to reveals.
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Have you ever wondered how Darth Vader lives with himself after killing innocent Jedi and younglings? Ever wanted to see Darth Vader near death, fighting for his life while pondering his weaknesses? Star Wars: Darth Vader #7 ties into Darth Vader's self-doubt and past acts in a fascinating way.
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Doctor Aphra is an intriguing series as it sheds light on a side to the Star Wars universe you didn't even know existed. This first issue doesn't do enough to establish why it needs to exist, but it's still early yet. An excellent backup story helps to flesh out Aphra, which is probably why you're going to read this anyway!
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If you're a fan of Star Wars you gotta read this as it connects to the films nicely. The mission the characters are on is intriguing, their infiltration of Empire controlled base exciting, and the evil robots continue to be a delight. That said, the father/daughter dynamic isn't feeling genuine and Black Krrsantan is way too powerful.
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A solid conclusion that reveals new details about the Jedi Star Wars fans won't want to miss.
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So why does it get an 8.0 and not something higher after all that praise? Well, the series as a whole is incredible and deserves all the praise in the world, but unfortunately this issue is a bit too much by the numbers. You'll enjoy every second of it, but it's pretty easy to see how it'll play out.
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I don't think there'll be a person unhappy with how this story arc ended. It contains everything you'd want in an epic Star Wars story. Really my only complaint is another issue would have allowed the Sith and Jedi battle a bit more room. For those of you wanting bang for your buck that's a good thing.
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This is another good issue in a great series. It doesn't hit as high a note as it has before, but it's still delivering a strong serial story that shouldn't be missed. I'm not sure there's a better Star Wars comic on the stands and here's to hoping it continues indefinitely.
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This is a good issue that's not as balanced as previous issues but still strong. There are some classic shots of Jedi/Sith action you won't want to miss.
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It's an exciting time to be an Obi-Wan fan and Star Wars: Obi-Wan #1 is a big reason why. The first issue delivers some impactful moments in Obi-Wan's days as a young boy with the promise of more. It also nails the voice of an older Obi-Wan who spends his days doing not much more than thinking about his past.
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This issue does a great job setting up where Leia is at mentally after A New Hope and setting her on a new course of Alderaan redemption. It is a bit slow and dialogue heavy though, so expect less boom boom and more talky talky.
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For the Star Wars superfan,The Halcyon Legacy is going to be a must-read experience. It's also cool to see some backstory for the ship you'll be able to stay on in the new theme park starting March 1st. As a casual fan who hasn't read the High Republic era much, though, this story feels a bit distant and hard to get into.
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A good adventure that hits all the things a Star Wars fan would want, but it lacks a story that has purpose.
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A good first issue that establishes the characters and story well enough. I think folks who know Thrawn from the novels and TV show will probably enjoy it more, though.
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Continues to deliver pulse-pounding TIE Fighter action while never forgetting the humanity of each pilot along the way.
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Darth Vader is portrayed as a living nightmare in this great climactic issue. The series has captured many different outside perceptions of Darth Vader well and it's fitting it ends on a man who sees him as a living nightmare.
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Star Wars: Visions - Peach Momoko #1 is an interesting visual story playing around with the idea of the Sith as a David Cronenberg body horror nightmare. I was left with many questions, but it's undoubtedly a new horror take on Star Wars that's captivating.
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Star Wars: War of the Bounty Hunters #3 serves as a fun way to experience all your favorite characters literally in the same space in a race to save Han Solo. This has been a pretty slowly paced event, but considering all the moving pieces it's impressive what it has pulled off.
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Strange Academy #18 sets the stage for more magical stories with these young heroes while also asserting the fact that many of them are ready to leave school entirely. The series is transforming what we know about these characters as they continue to evolve and grow, and it'll be exciting to see where they go from here.
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I liked this issue, as it amps up the drama and the impending war while firmly establishing that Alanna is not to be trusted. The pacing and balance of art and detail continue to keep you on your toes. Strange Adventures is a gripping like the best primetime TV, dripping with excitement and delivered with precision.
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Another good issue in a series that is a must-read for Stranger Things fanatics and casual fans alike.
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This is a good issue thanks to a breakneck opening scene and a collection of key moments where characters need to make choices. There is a lot of standing around as Taylor and Sempere set things up, but it'll be interesting to see how this team further gels together.
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Suicide Squad 2021 Annual #1 further establishes Superboy's identity while preparing readers for two Amanda Waller insiders who could be trouble. As an annual issue, it has enough of a self-contained story for casual fans to cling to so as to catch up on the exciting main series.
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Two stories that do well to entertain. One may be stronger than the other as Bloodshot is drawn very well with everything you want in a story, but Katana is a nice time too—just much more vapid.
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Suicide Squad: Dream Team #1 is a good start to a different kind of Suicide Squad team. The dynamics between the few characters that interact are compelling while Dreamer's further inclusion in DC Comics is exciting as hell.
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A good issue that gets sluggish near its end, but lands the cliffhanger.
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They just don't make adventure comics quite like Supergirl: Woman of Tomorrow #5 very often anymore. The heavy use of captions and the lack of a superhero punching something may annoy some, but overall this is a rich reading experience.
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Yet another solid issue from this series. It's consistently entertaining and consistently rewards the reader who's been following along. In the same sense, anyone just joining us will have plenty of things fly over their head. In that sense, this series sets itself apart from most comics these days. Most issues recap thoroughly or can be enjoyable even if you're not following along. It's a double edged sword then, that this is so good, but not for everyone.
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Once again another eight score, mostly because it's a lot of fun, but it's decompressed enogh to be a little annoying. Since issue one I've enjoyed every issue and once again I'll say…anyone reading the collected version is in for a treat.
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We're back to 8.0 territory on this series. (Although having an 8 as your average score isn't bad in the least.) Tried and true, but not exceptionally great for various reasons. Much like a great TV show, you'll need to read the previous issues to really dig this series. This issue in particular will be tough for new readers, as it leans on a lot of elements introduced in previous issues.
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Once again we have a great read, but a pretty terrible one if you haven't been following along. That's because Dan Slott has been slowly adding new aspects and building this new world for Spidey to explore. When Robbie tells Spidey he's created a pressure cooker I instantly realized that's what this series is, and that's a fantastic thing. Each issue has something to love, but it's all building and building to the point where it's practically painful to watch at times. In a good way. Another enjoyable issue…when will I ever stop saying that?
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Another decent issue that's a return to form of sorts for this series. It's not without problems; this issue simple has so much plotting there's not room for too many highs, But recently there have been the lowest of lows so this is a welcome change.
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After the horrendous Spider-Man 2099 arc this series seems to be back on track. It's a fantastic serial that's been running a ton of storylines at once for ages. There's nothing quite like it out there which makes it that much more great, but of course, if you aren't following a serialized story you'll be lost without picking up at least a few back issues.
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If you're looking for a conclusion to Superman '78 #6 that feels spiritually correct to the movie universe you've got it here. The book has a glossy sheen thanks to the art team and a hopeful, triumphant conclusion that'll put a smile on your face.
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Superman #12's Super-Monster should give monster maniacs a run for their money with some exciting twists thrown in too. There's good action and intrigue for sure and though this issue doesn't do a lot, it does the things it sets out to do well.
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One of Superman's trippiest villains gets his due via great art and a wacky game. The conclusion may be a little too much about the power of love/family, but it's a fun issue none the less.
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Action packed adventure comics at its best.
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A good fight comic, but there isn't a lot to it beyond that.
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This is a good start to a new arc that features Superman and Superboy going on an adventure to stop a tragedy similar to Krypton. It might require Superman to make some rather rash decisions, but the underlying story of religious zealots ruining everything is well timed and relatable.
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A strong finish to the two-parter even if it has a hiccup or two.
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A good start to a story that aims to explore Bizarro's family vs. Superman's.
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A good second issue that propels this Bizarro story forward in new and interesting ways.
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Zany, fun and out of this world.
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This is a fun, action packed issue, pitting the uncommon duo of Superman and Swamp Thing together. It connects relatively well with the bigger story of alternate dimension characters, though the resolution isn't explained well enough to understand what exactly happened.
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Two of the three are excellent and the third ain't so bad either.
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There are huge implications for Lex Luthor going forward after reading Superman #7. This extra-sized issue sets up future threats while establishing The Chained as a heavy hitter and revealing Lex's life becomes more complicated. The extra pages don't help the somewhat jarring plotting, though, as the story cuts around too much for its own good.
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If you're a fan of DC Black Label because of its rated-R nature,Superman vs. Lobo #2 should tick all the right boxes for you. The issue can feel a bit slow at times, but you're not going to get as big a laugh out of this comic as any other this week. Pick this up for the adult edge and modern sense of humor.
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Fact is, this is good storytelling with fun conversation revealing sides of Clark we did not know while delivering one intense scene of Clark fighting fire with fire.
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Superman Red and Blue is an anthology that continues to offer a lot in every issue. Five stories for $5.99 is a pretty good deal, and each story offers something a little bit different. It's also interesting to see how creators utilize the color in different ways while shining a light on Superman and what makes him great.
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Superman: Son of Kal-El #7 is an interesting look at Jay and his side of the story opening up his small team and the villain he faces. It also continues to show how Jon is as caring as his father as he attempts to understand a giant kaiju rather than beat it senseless.
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Superman: Son of Kal-El #13 has a good introduction of Dreamer that works with the ongoing threat of Bendix. As Superman and Jay begin to assess how they defeat Bendis, Dreamer's inclusion ends up feeling like a team is gaining strength and there's more yet to come. Plus, it'll make you want more Dreamer comics!
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If this doesn't sound like your cup of tea you may want to stay away, or it may just have a car crash appeal to you if it doesn't. Take it from someone who reads a lot of comics every week there isn't anything else like it on the stands.
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A strong opening and closing with plenty of emotional journey in the middle. Lana hasn't been this interesting in ages.
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If you're a horror fan you owe it to yourself to check out the opening and closing pages. Scary good! Overall there is a strong story here but runs rather slowly.
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The visual impact is ferocious! Swamp Thing is back to being weird and horrific!
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The epic meter is about to break as this issue raises the stakes, delivers a hero's journey type tale, and reminds us how cool the supernatural side of DC Comics can be.
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Sweet Tooth: The Return is an interesting, challenging, and absorbing sort of read. If you have the patience, this is a work that is contemplative and moving as the story that takes place between the panels is captivating. You just need to let it in.
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Continues to develop the characters well and render the year 991 AD very realistically.
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This is a good issue largely because Rosenberg writes a very strong Hawkeye. His voice, actions, and captions are all solid and make for an entertaining read. A must read for Hawkeye fans!
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Task Force Z #3 humanizes its characters while revealing more about the darker tone of its operations. The story can feel a bit slow as Red Hood lingers with characters, but overall it's a good issue. The cliffhanger will make you want the next issue even more, but you'll also root for Jason Todd even more by the end.
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Taskmaster #1 is a good first issue, offering an off-color anti-hero that is interesting enough to draw you in. He's no Deadpool, but that's kind of the point since Taskmaster is such a loner. This issue seems to suggest maybe he doesn't have to be such a loner and at the very least many will be along for the ride.
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Tech Jacket continues to be a strong comic that's a bit fluffy, but always entertaining.
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Two minor gripes hold this back just a bit, but you can't deny it's a hell of a lot of fun. Teen Titans is always good for solid superhero team action.
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Teen Titans is always good for a coordinated superhero team up. This issue is no different.
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Teen Titans ends with a sentimental and meaningful goodbye. The characters make their peace and a strong statement is made about how Tim Drake mihgt just be the greatest Robin ever.
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Teen Titans is fun with a unique take on building a superhero team. Damian and his dynamic with the rest of the team feels fresh and is well worth a look, especially if you like action.
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Told in three vignettes this issue makes a strong statement for a more brutal Teen Titans.
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In a fun day around the school, Teen Titans Academy #4 is a cute side story that gets at what kids at this school must be going through not knowing who's behind the mask of Red X.
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If you're curious about what Teenage Mutant Ninja Turtles x Stranger Thingsis about, you'll likely enjoy this first issue. If you're a fan of either property, you'll want to pick this up, whether or not it's actually canon in the TV universe. Fun and celebratory of both fandoms, check out Teenage Mutant Ninja Turtles x Stranger Thingsfor its nostalgic undertones.
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Teenage Mutant Ninja Turtles: The Last Ronin The Lost Years#1 promises to show us the long and arduous journey Michelangelo went on to find the motivation to go on without his family. Meanwhile, it hints at the future of Ninja Turtles that fans won't want to miss. Prequels can be hard, though, and you might find yourself wishing for more positive hope of the future turtles rather than most of the narrative being stuck in the dark past.
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Teenage Mutant Ninja Turtles: The Untold Destiny of the Foot Clan #1 is a good start to a series that has some of the best art you'll see in a comic this week. It's a good fight comic featuring a few familiar TMNT characters, but if you go in blind like me, you might feel a bit lost not knowing some of the characters.
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A good volume, but it falls a bit flat with nearly no character growth or stakes in play.
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The Cull #4 is a good issue, although it suffers a bit as it devotes itself to setting up the finale in a few different ways. Mostly a downer, this issue sets up a battle that only these teens can win, all the while learning a little bit more about themselves.
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The Death of Doctor Strange#1 is a good start, especially for fans who haven't caught up with Doctor Strange for some time. It recaps his life, sets up where he's at mentally and drops a hammer by the end. That hammer has crazy potential for what Doctor Strange might be in the next issue and beyond, making this an exciting series not to be missed.
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The Death of Doctor Strange #3 is a good issue that sets in motion character motivations and direction while establishing high stakes. There is table setting going on here, but mixed in are nifty, imaginative magic ideas that are clever and intriguing.
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The Deviant #5 further reveals a side of the lead character that helps further define him. A quicker issue with three scenes, it does feel over before it really gets going, but its hard to deny the compelling psychological angst and horror that awaits us in future issues.
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The Dreaming: Waking Hours continues to be a great escape from the doldrums of everyday life. It helps to see real life can feel as such even in a story like this, but the characters here are able to escape on adventures however dangerous they may be.
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It not only holds up the character and her pure nature to help anyone no matter how much they sacrifice, but it serves as a symbol to future generations, which in many ways Carol Danvers does in our reality too.
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A strong first issue, though it does lack in some areas.
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I liked this issue for its vigor and energy in the child protagonists. They live in an untamed world and it's interesting to see how if you go against the rules in such a world you can live and succeed. The fantasy elements are lacking here, but this issue will win you over with its main characters.
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It may be a table-setting sort of issue, but it's setting us up for one hell of an action fest that'll bring a heaping pile of redemption for our protagonist. The Goddamned is very good at reminding us awful can be pretty too.
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This was a strong issue in the story department and that's mostly because Waid gives good reason for the Kato vs. Green Hornet fight sequence. That's the meat of this issue, but there's also character development and an intriguing concept of a superhero's arrogance messing up his life. We certainly don't see that much in the comic book world.
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This continues to be one of my favorite origin story series in a long time. The character is dark, twisted, and its biblical connections will make you want more.
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A key scene between deities will shock and surprise. Really the devil steals the show, but readers are in for a satisfying conclusion.
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Tensions rise as The Hunger and the Dusk #2 tugs at the heartstrings of the characters. Tara's place in the world seems more vague than ever as the world dies with almost no hope in sight. I wish the story had progressed a bit faster, but I'm so in love with the world and characters that it's hard to put this down. There's no denying it, this series is magical.
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With The Hunger and the Dusk returning in the summer, I think most will be eager to see what Tara will do with her newfound information. The story continues to feel a bit slow, but the probing of its characters feels rich and the world lived in.
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A mystery you'll dive in wholeheartedly if the promise of new heroes interests you.
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A thought provoking and cerebral experience that will make you think about life. It's too early to tell what it's all about, but the visuals and characters are vividly immersive.
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As a dystopian modern fable, Least We Can Dois a good start. The world is fascinating, with a backstory worth exploring further, and the concept of social classes is relatable and real. Throw in excellent costume design and interesting supporting characters, and you have a must-read comic for YA fans and adults alike.
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This volume packs a lot of punch, featuring stories involving the Gorons and the Zoras.
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A good issue thanks to continued solid character writing and a last page that'll surprise everyone.
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The story even has an awesome train sequence that will make you wish this was a live action flick. That's partly due to the art by Matt Triano, which is moody, crisp and well rendered. There are a few shots that are a bit too dark for my tastes, but it's clear the intent of this story is to get as dark as possible. Triano also uses sound effects nicely, always drawing them in ways to express the type of sound we're hearing. The train explosion sound effect in particular is incredibly awesome and I recommend everyone at the very least crack this book open to see it.
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This series continues to be one I can't put down. While this is a bit of a table setting issue, it also does the heavy lifting to set up expectations and what we know about key characters and this world. The cliffhanger had me wanting issue #5 right away for better or worse, but I'm in this for the long haul and you should be too.
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This is a good fifth issue that gives readers a lot of answers. They're satisfying in a scary sort of way, and for some I suspect they will be unsatisfying for their disturbing nature. That said, don't pass on this issue if you've read even a single issue of this series. The scary nature is revealed and it truly is horrific.
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This is an excellent chapter that offers payoff for those who have been reading for a while. It also sets in motion a new threat and a character transformation that you have to see to believe.
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A good setup issue to be sure and it contains strong scenes for Odinson.
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The rather large cast of The Nice House by the Sea #2 makes it a touch difficult to unpack everything, but there's no denying that the series' complexities are coming to a head. There's a master plan at work here, and it's building towards direct conflict and likely great horror.
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Ultimately, this issue reveals how genuinely frightening and evil Penguin is when he has his mind set on something. He's quite small and can't fight, but he's as dangerous as they come. So far, King and De Latorre are establishing a level of danger Penguin exudes, first from an outside perspective and in this issue through his sheer act of willpower and tenaciousness. The Penguin isn't just a Batman villain but a force to be feared.
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The Phalanx is a good dose of nostalgia for 90s superheroes. The story isn't going to make you think about life or anything, but it will make you escape a bit which makes it an enjoyable read.
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The Power Fantasy #5 is a visually stunning and thematically rich installment that deepens its characters and raises the stakes in its superhuman dystopia. However, its cultural references and thematic ambiguity may leave some readers feeling disconnected. Despite these minor flaws, the issue successfully delivers a unique, punk-infused take on power, morality, and the looming threat of annihilation.
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The Rocketfellers #1 kicks off with a thrilling and visually stunning debut that establishes a compelling premise for a time-traveling family while offering a fresh twist on familiar sci-fi tropes. Francis Manapul's art dazzles with vibrant designs and dynamic action, creating a world that feels both futuristic and relatable. While the ensemble cast struggles to break free from archetypes in this introductory issue, the series' originality, adventurous tone, and intriguing setup hold great promise for deeper character development in future installments.
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An interesting first issue with a lot to chew on as we await answers (hopefully) with issue #2.
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This should be one fascinating TV show which is made apparent by the quality of this comic. The story is taken very seriously and the art made to look realistic but also brooding with dark undertones. The action works really well in this issue and the opening pages give the entire story enough weight to capture readers imaginations.
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The pace is fast, the action always around every corner and the art impeccable for this type of book. It's dark, it's interesting and it keeps even the dullest of scenes lively.
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Excellent issue due to strong character work and great dialogue.
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A good horror for anyone interested in a bit of religion in their scares. It's also an interesting character piece focusing on the trials of war, and all its horrors that change a person.
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The creators are expertly unveiling something big, but very slowly.
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I think anyone who digs reading about a hero who's not used to the rules and power will dig this book. The mystery of who Thor is under the mask remains and clearly isn't a priority, but damn am I giddy to see more about Mjolnir's ability to communicate with Thor.
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I liked this first issue of the next big Donny Cates Thor arc. Kuder captures the weirdness of heroes and the normalcy of humans on Earth supplying plenty of awe to go around. At this point, the surprises Cates manages to stuff into every issue makes him a must-read comics writer no matter the story or creative team. It's just a matter of whether the story itself is to your tastes. in this case, aside from the pace, it's another example of how Donny Cates is great at entertaining.
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Thor #9 is a good start to a new arc that edges the series into straight horror. It lacks big-beat moments we've come to expect from this team, but makes up for it with an interesting detective story while building on reveals from past issues.
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A lot of fun with great character work that all ages will enjoy.
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More is revealed in this action packed issue that propels our characters in some surprising ways.
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Throwaways is very good at making superpowers look and feel real in a fresh way. This issue sets things up more than anything, but it progresses well and gets inside the characters' heads effectively.
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This is a well done table setting issue if I ever saw one. There's humor, action, and a good recap of who these characters are and the dynamics between them. It doesn't feel entirely necessary though and portions feel very much like filler.
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Once again, Timeless is an interesting vehicle to hint at Marvel's 2023 stories while putting Kang through the paces. Due to the "Missing Moment" being a glorified McGuffin with little explanation and Kang mostly running from his enemies, this issue is essentially an extended preview that sets up Myddin's team more than anything else. Characters don't grow or change, but we do get tons new stuff to chew on as we await 2023 stories.
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Some of these stories don't quite have the same holiday zing a good enough twist for its characters to call them must-read, but in general, each story is well crafted and well done. The opening story is certainly must-read though, and the general holiday cheer is unmistakable. You just don't get comics like this regularly, unless of course, you love DC Comics anthologies, in which case it's a tradition well worth investing in.
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An interesting element is developed in Titans #9 that makes the villains capable of doing bad things under the visage of corporate protection. Abnett and Booth are doing things that feel fresh on all fronts.
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A lot of melodrama as jealousy flares.
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Titans: Beast World Tour Metropolis helps add to the larger event with three tales fleshing out perspectives from different heroes. Two out of the three feel essential, or at the very least compelling, looks at heroes trying to make sense of the chaos the world is under. I call that a win.
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After ending on an excellent chapter this volume begins to set up the next big arc as well as integrate a more modern society into its narrative.
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A good volume that continues to add to Fushi's epic journey while developing the deeper meaning between the characters. The supernatural elements continue to evolve and grow to make this a manga series that is highly rewarding.
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A solid issue that develops the supporting characters very well.
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This is a good issue that punctuates a great first arc that's certainly a fresh start.
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Trial of the Amazons #2 ends the story arc meeting a lot of the criteria that make for a good event ender. It looks good, features great character moments, and is a fantastic villain for the Amazons to band together to fight. It also reads like some things were rushed to fit within the plot. Ultimately, though, the takeaway is growth from a variety of characters and a new dawn for many of these series.
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Trial of the Amazons: Wonder Girl #1 is a good chapter that serves to add new info surrounding Yora Flor's people and key scenes that have already taken place. On top of that, plot progression is evident surrounding the murder mystery and the larger threat to all Amazons. With those items out of the way, let the Trial of the Amazons begin!
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A good issue made better as it furthers a storyline in issue #7
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TVA #1 successfully captures the charm of the Loki series while carving out its own identity with a dynamic team and engaging premise. While the pacing stumbles early on and the plot is a bit murky, strong character moments and impressive visuals make this a promising start for fans of multiverse adventures.
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U.S.Agent is an interesting new series that feels entirely different from anything else Marvel Comics is putting out today. The character is questionable as a hero and also not the best at what he does either, but dammit he still wants to do the right thing. It's hard not to root for him, even when he's ignorant and his personality seems to suit the location of middle America. This is decidedly an American comic set in an America many of us can relate to as a mega-corp takes over.
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Ultimate Spider-Man #11 delivers a compelling blend of action, character development, and narrative groundwork that keeps readers invested in Peter Parker's journey as a hero. Hickman's nuanced storytelling, coupled with Messina's dynamic artwork, strikes a balance between classic Spider-Man charm and modern-day stakes.
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Ultimate Universe: One Year In #1 is a compelling, character-driven one-shot that deepens the mythology of the new Ultimate Universe and provides a fascinating look at Nick Fury's inner turmoil. While it might not deliver the seismic reveals expected from its title, the nuanced storytelling and haunting art make it a must-read for fans invested in this universe.
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Ultimate X-Men #3 continues the slow-boil storytelling, but by the end, it gets ever closer to a sort of team being formed. The series continues to be mysterious while developing the need for mutant powers in times of stress. It's a series that feels dreamlike as it fleshes out a new kind of X-Men.
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While not all that funny, the comic is fun and done well enough. There's plenty of action, it moves at a good clip and establishes supporting characters well. The Unbelievable Gwenpool #1 ends with a cliffhanger that'll make you come back too, but don't expect to know or care why Gwenpool even has a book to call her own.
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This is a downright fun action comic that looks great. There are a few chuckles in store for you too. Altogether this is the most fun you can have with an superhero action comic.
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Uncanny Avengers #2 is a good issue when setting things up. The bigger story of Captain America being a chosen leader, rather than one the mutants are stuck with, is a compelling one that'll be fun to see play out. That said, this issue doesn't have much excitement and bite as the opening issue.
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Frazer Irving does another great job here. The backgrounds always make the characters pop and I'm loving his rendition of Magneto. He's looking old, war-torn and very tired. So often in the last decade Magneto has had that long hair model look which doesn't make any sense. Here he's almost like a war veteran.
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Another good chapter in this exciting event book.
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The art by Heubert Khan Michael is strong throughout, particularly his flashbacks and monsters. He also depicts Vampirella as strong and infrequently shows her as an object. There are a few panels where her G-string looks outrageous, but those are smaller panels that don't have much significance anyway.
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Vanish #3 satisfies the action aficionado who likes punching and kicking with gallons of blood. While reading this book you'll marvel at the superhero fights, but knowing these are trained wizards made to look like superheroes adds a nice flair to this series' unique approach.
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I'm a creation story junkie and loved every second of this, but anyone wanting a bit more Venom action may need to come in with some patience.
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A solid issue that sets up one hell of a mission for Venom.
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A good issue that continues to show Donny Cates is one of the most generous writers working in comics today. Each issue tells you something new or at the very least keeps the plot moving forward in exciting ways.
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Eddie's emotional struggle is vividly real and well written by Cates. Stegman puts the icing on the cake with some monster madness moments.
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A good tie-in that brings us up to speed on Venom's Symbiote's child, Sleeper, while progressing the Maker subplot nicely. Leave it to Donny Cates to continually stretch our expectations of the once simplistic Symbiote into something so much more.
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Venom #31 works on its own terms, honing in on a man, his self-doubts, and those who don't believe in him. As the world crumbles, Eddie is about as lost as can be and in that this issue serves as a huge moment for the character. The great change ahead does not start, but like with any great change, it all starts at the bottom of a very deep hole. This is an issue about how deep that hole goes before a character like Venom can pull themselves out of it.
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Venom #9 is a satisfying chapter in the narrative as it begins to tie things together. It's also further developing Venom's abilities, taking the Symbiote from a cool-looking villain of the '90s and turning him into a time-traveling cosmic entity.
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Fans of Dylan Brock should pick up Venom #15 to see how he's turning from a reluctant kid to a heroic leader. You'll need to pick this up to understand how Normie goes from an afraid kid to his eventual turn as Red Goblin.
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Another good issue, Venom War: Spider-Man #2 makes me want Jackson Lanzing and Collin Kelly on Amazing Spider-Man, stat! They understand Peter's quippy and heroic nature while delivering big action moments and good stakes.
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Venom War: Spider-Man #3 is an epic cosmic side quest imagining Spider-Man as the King in Black! If that appeals to you, check this issue out, but if you're interested in the threat of the primordial Arachniote and the fate of Mary Jane, you can definitely skip this for the next issue.
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Fans of classic Venom will get their fill of action, Eddie angst, and trippy Symbiote action in Venom: Separation Anxiety #1. There's no denying this back-to-basics version is fun, bringing you back to your childhood when Venom was the enemy of all bullies with a big, toothy grin.
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A good intro to the world as Eddie Brock serves as a surrogate for the audience who knows nothing. That said, the event doesn't seem that big yet and is more of a singular story about Eddie.
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A good crime noir with fantastically moody art style that imbues a strong atmosphere of the weird. It doesn't quite feel unique enough just yet, but it's worth keeping an eye on when issue #2 releases. Fans of Seven and Training Day should check this out.
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Something that's completely different that should appease anyone who thinks they've read it all.
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Voyage to the Stars #2 is a good second issue that moves the plot forward, but more importantly lets readers enjoy the characters who are the stars of the comic. Poking fun at overly serious sci-fi narratives, Voyage to the Stars is a delightful escape with comedic results.
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A good second issue that does the job as far as events go. You'll enjoy the action and gear up for tie-in adventures because this issue sets everything up so well.
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If you like character studies with your action check this book out. Hill and Yu do a good job pushing each of the heroes and it should be fun to see how they work together as a team.
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I liked how a big event series is being used to introduce a whole new batch of characters. Greg Pak has always kept character as a priority for his books and it's fun to see how he's exploring the team book here.
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I had fun with this tie-in that focuses mainly on the teamwork and fighting ability of the X-Men. Cyclops doesn't quite have a maestro's leash on his team, but considering the lack of planning it's entertaining to see how they keep their heads above water.
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Warhammer 40,000: Sisters of Battle #1 is a strong start to Marvel's second Warhammer series. Grnbekk supplies interesting captions that add layers to a complex world clearly worth exploring. And while it does feel like a healthy knowledge of the Warhammer universe and its characters would make this a richer reading experience, there's still enough here to scratch that violent war-loving itch.
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A slower plot progression, to be sure, but if you're reading this comic, you're likely wanting a ton of nostalgia, which Warlock: Rebirth delivers big time. From the classic Lim pencils to the classic look and feel of each of the characters, this has what you need to scratch the Adam Warlock itch. Time will tell how impactful this story is on the grander Marvel cosmic tales, but as it stands, it's a fun, nostalgic, and enjoyable return for Adam Warlock.
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It's almost too bad Wastelanders: Star-Lord didn't come out before Christmas since it has a Ghost of Christmas Past vibe to it. Star-Lord must encounter some old but familiar faces and must reflect on what happened. The self-discovery he goes through is a nice reminder as we close out 2021 with heavy hearts we must carry on with our lives.
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The subtle nature of the plot reveals and a clearly well thought out world is driving things forward nicely, even if the villains are flat and the story is moving at a slow pace.
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A good first issue that may be a bit slow, but it sets up the character for success.
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This is a fun fight comic that'll satiate the action fanatics.
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A good issue if you dig weird creatures getting punched, sliced, and killed.
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Action heavy issue that looks great and delivers exciting moments.
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A strong first issue that sets up the villains (plural!) well.
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This is a good one-shot that does well to build off what we know and set up some interesting threads going forward. It does, however, feel a bit slow in its middle as it lacks some real conflict for a long portion of the tale. The cover is sadly misleading too, but that's pretty normal these days. All that said, if you're at all interested in Sleeper, the newest Symbiote to hit the scene, don't miss this.
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Werewolf by Night #1 is a solid first issue for fans of a heroic monster who truly is good and pure. It's a wholesome werewolf story that borders on delivering important political themes, especially in America today. For that, it's a worthy read.
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If you're looking for a fun comic to add to your buy pile to get into the Halloween mood, consider Werewolf By Night #1. Visually creative, the ex-dating heroes blend well as they take on a demonic threat in an old drafty castle. What more could you want with two heroes who fight monsters?
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A fun romp in the 'What If' universe thanks to some great writing of Domino.
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Widowmakers: Red Guardian and Yelena Belova is a great action and espionage story with a killer premise. It's a modern spy drama for modern times.
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Wolverine #8 does enough to honor the character's legacy and remind us why we love him. It also sets up a new story arc that ties into different aspects of the character's past, which tends to be the most interesting way to use the character. This issue does have a lot more buildup than one might expect, especially for a milestone issue, which squanders the extra pages in a sense, but it should get folks excited for what is to come.
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Wolverine #14 is an intriguing start to a new chapter for Logan that has an old-school feel longtime Wolverine fans won't want to miss. It also zips along with a good pace, though it does feel like it's missing connective tissue between scenes at times. All in all, it's a solid start to Wolverine figuring out his new Arakki nemesis.
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Wolverine #17 mixes the hard edge of being a detective, with the bloody nature of covert-ops, and even some hilarious karaoke too. It's a good time up and down, wrapped up in a clever way that adds a different context to the entire issue.
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Wolverine #32 is quite good at establishing key elements before Logan goes into hunter mode to finally kill Beast. All the pieces are in place, the violence and gore are on point, and you can't help but enjoy it all with childlike glee.
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Expect table-setting moments in Wolverine #33 as we wait for the final showdown to commence. Beast continues to be as evil as they come, and even with good intentions, it's clear he's a lost cause.
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Wolverine #36 gets its characters ready for a major showdown involving the Hellverine. It's an idea so insane I don't know how a comics fan wouldn't want to check it out. Add "Weapons of Vengeance" to the pile of good supernatural tussles for both Ghost Rider and Wolverine.
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Wolverine #37 does a lot in a single issue wrapping up a loose end so Orchis can take center stage. There's plenty here for action fans to sink their teeth into, which is pretty much a guarantee with Benjamin Percy's entire run.
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As a no-holds-barred violent massacre, there's enough here to satisfy comics fans looking for more than just gore. Just enough, I'd say, because it is a first strike from Sabretooth as the creators make a good case for Wolverine to put his arch-nemesis down.
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Expect some great moments between Sabretooth and Kid Omega in an entertaining issue of Wolverine. With so many characters to check in on the plot doesn't progress too much, but it's all effectively building towards a major finale.
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Wolverine #47 leans into Laura Kinney as a total badass in a table-setting sort of issue. The "Sabretooth War" story arc is gearing up for its final push towards the climax, and it continues to amaze me how it juggles so much so well.
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The art is stunning in the return of Wolverine to comic shops, while Ahmed clearly has a great handle on each character. The plot is thin, but the mystery is potentially huge for the future of this character.
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Wolverine: Blood Hunt #1 is a good fight comic with plenty of slashing from Logan paired well with captions that remind us he feels every bit of pain along the way.
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A good one-shot that features three different versions of Wolverine throughout the years. The Weapon X story alone is worth the price of admission, but if you dig Sam Kieth's work don't miss his return to the character.
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Fans of Wolverine as Patch should snatch up Wolverine: Madripoor Knights. It'sa fun romp in Madripoor with deep-cut references thanks to Claremont's expert perspective on these characters. Come for the excellent fights, but stay for the intrigue of Madripoor.
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Fans of the Patch era of Wolverine will obviously love seeing Logan in the suit and tie, but there's nothing too remarkable here. It's a solidly crafted adventure with some intriguing mysterious foes with good action. Pick this up if you're in the mood for good action and a Wolverine solo reading experience.
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Overall this issue offers some interesting themes about living with white lies you've made and those others have made for you. Wonder Woman has always been about truth (she has a dang lasso for it!_ and it'll be interesting to see her confront the fact that maybe she's not always 100% honest. Stay on board for this one as Orlando and company dig into the darker side of hiding truth.
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If you like action, you'll enjoy Wonder Woman #11. I can't say the dialogue worked for me, from Detective Chip to the Amazo, but Daniel impresses with the action. Pair that with another excellent backup, and it's a solid issue.
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Wonder Woman #16 is a fun and engaging issue that offers lighthearted moments through Detective Chimp's spotlight and reveals new layers to The Sovereign. While it excels in humor, art, and character moments, the rush to defeat The Sovereign weakens his narrative impact. This issue feels like a stepping stone rather than a fully satisfying chapter, but it's still an enjoyable read for fans of Wonder Woman and DC's quirky supporting characters.
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A solid start though a tad slow off the line.
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World of Krypton #1 is a good start to a series that is already wildly different from previous takes on Krypton. That said, the message is still loud and clear that a planet far more advanced than ours made the same mistakes as the world was dying around them.
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A good melodrama about younger characters dating and hiding their nerdy natures from the outside world.
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What we have here is a good one-shot story that has long standing implications for the relationship of our two main characters. The art takes a dip, but only because Nguyen's was so iconically brutal. It'll be interesting to read where this story goes in the next arc because of how Leigh and X are growing as one.
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A feast for the eyes of action aficionados and a wrap-up of a mega-Wolverine event amounts to a satisfying conclusion. It may not hold answers or major developments for the X-Men comics line, but it was an enjoyable action-focused series.
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Another strong issue due to the character writing of our two lead heroes.
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X-23: Deadly Regenesis #1 sets up the complexities of Laura Kinney in a clever way, establishing who she is before a new threat emerges. Schultz clearly understands this character, while Salazar keeps the detailed art entertaining, making for a strong start.
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X-Factor #2 makes a case for mutants to reject working with humans. On the line between both is Havok, who is torn between being the new team leader and losing his girlfriend, Polaris. The second issue steers towards a central point but also has a lead who is too stubborn for his own good.
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Overall, X-Force #22 is a nice final issue to a mini-story arc that plays around with plant-based enemies. It may hold a rather simplistic plot device, but Percy is good at littering his stories with interesting personalities and colorful moments.
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X-Force #23 is a gory, exciting, and funny issue. It has the energy of a kooky '80s comedy, but the violence of The Thing. It's so dang weird for an X-Men book it's a delightful surprise for your new comic book day pile.
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X-Force #24 is a good example of how multiple plots can come together raising the stakes, action, and horror in a variety of ways. This is a book about weaponizing people in different ways and the horrors that come with it.
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X-Force #27 is a good start to a horror story that is intertwined with immoral heroes and hard decisions being made as messing with nature always ends badly. Beast fans who have liked his dance on the edge of good and evil will delight in this issue.
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X-Force #28 is a good slasher narrative with some plot progression here or there with supporting plot threads. At this point it's not quite the X-Force team, nor is Cerebro all that scary, but it gets the job done for its purposes.
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X-Force #29 is a good climactic issue featuring a giant-sized villain and two types of unlikely heroes. At this point, Kid Omega isn't so unlikely, but given his history and thoughts at the opening of this issue, it still serves that purpose. In X-Force, even the most awful character can be a hero given the threat and unabashed lack of fear.
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X-Force #35 is a good prison break story interwoven with a deeply meaningful story of addiction and a character wrestling with guilt and shame. You get the character bits and the action while progressing key character plots in an X-Men line that's as good as ever.
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X-Force #37 offers some payoff for the years of waiting to find out who the Man with the Peacock Tattoo is while supplying some advancements on this plot. With multiple plots soon to be wrapped up, it's nice to know one corner of the gene threat towards mutants is a step closer to finalizing.
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X-Force #40 is a compelling look at how far Beast will go to win and how the ragtag crew of the X-Force can solve problems on the fly. It's nice there's a resolution to the issue, but it's a bit too easy. That said, this series continues to take big swings, and for entertainment value, there's plenty to enjoy.
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X-Force #43 is a stable push towards Colossus' ongoing struggle to meet its conclusion finally. Ultimately this issue doesn't offer much outside of the setup with the cliffhanger, but it continues to handle the team dynamic well, giving each member a moment to shine.
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X-Force #44 hammers home the awesomeness of Domino while setting up many key pieces for what is building towards an excellent finish.
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Fans with patience and interest in general mutant survival will love X-Force #47. It takes a while to get to its central conflict, but there's a lot of table setting and establishing of mutants who we didn't know survive popping up. That's a win if you adore the Krakoan Age.
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X-Force #48 is a good step towards Beast's final demise, earned ten times over. It's more of a step, though than a lunge as we await some ramifications and further developments to see where this story is going.
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X-Force Annual #1 is a good adventure thanks to the mix of action and building on what X-Men comics of the last year have done. It's a little thin in parts, but generally, it's a good time and fits right in with the X-line of titles.
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I liked this issue for its science-fiction sensibilities and its clear relationship subtext everyone is dying to learn more about between Jean, Emma, and Cyclops. So far each issue of this series feels different from the last and yet each has a strong identity all its own.
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A good ending to the Brood story with interesting sci-fi ideas and a compelling set of captions that make you ponder what it'd be like to be a Brood.
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X-Men #25 is an exciting check-in on critical elements after the fallout of the Hellfire Gala with a major focus on Kate Pryde. It excels at showing Kate as the most dangerous mutant alive while setting up the impossible odds she faces. Anyone who likes a good hero's journey will attest we're in for a ride with Kate's new role as vigilante X-Man.
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Genre bending is always exciting, especially with conventional superhero comics, so count X-Men: From the Ashes as a continued success. Paknadel and Neves are offering up a three-chapter story that pushes Cyclops as we enter a new era for the X-Men.
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It's an exciting time to be an X-Men of all eras thanks to X-Men Legends: Past Meets Future giving classic creators a chance to tell a few more stories. Not exactly must-read material how could it be, since these stories are tucked in between past tales? it's still enjoyable to get a different flavor of X-Men in such a new and prominent Krakoan era.
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Al Ewing does it again with X-Men: Red #6 as an excellent example of how superheroes, once old, can feel new again. Not only does he further form a team of Arakko mutants by the final page, but he establishes there is strength in teamwork as a nation once seeing collaboration as a weakness rise up and come together.
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X-Men: Red features a twist or two with a promising confrontation setup for the next issue. It suffers a bit since a lot of this issue is table setting while not digging too deeply into Vulcan's mind. Instead, he's gone full supervillain and lost the nuance we've seen in previous issues.
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X-Men: Red #14 pulls off an all-out war that feels heavy on high stakes and impactful moments. That's not easy to do, especially in one issue, but by the end, you'll believe Storm and her army are fighting for their lives.
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X-O Manowar #5 is a strong return for the series after a short hiatus as it establishes a whole new enemy. The dynamics between characters that have been introduced under Hopeless and Laiso are further developed, and this issue sets a new course for its second arc that has an exciting sci-fi spin well worth checking out.
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At first glance I wasn't sure if I'd like this book, but I found myself enjoying the revelry of war only Frank Miller is capable of. There is an energy to it all that brings you back to the ancient days where men fought and blood was spilled in the sand of a battlefield. It's just unfortunate that battlefield looks unfinished in a book that lacks the grit and detail that made 300 such a joy to read.
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A good issue that's drawn better than the last, but has its own issues to get through.
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An entertaining finale though it's hard to care all that much about what is going on due to its broad stroke approach.
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I liked this first issue thanks to the grungy art and the equally grungy Yondu. This book feels important thanks to the connection to the films, but also a promise for more of this great character as Nadler and Thompson open up the character for many more comic book adventures.
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Zawa + The Belly of the Beast is the most endearing comic you'll read all year. It's perfect for younger readers in its general vibe, with pleasing art and a story that relates to our own world, which is obsessed with unhealthy eating and living.
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I had a blast reading this thanks to the escapism and jam-packed plot and action. If you like fast-paced action comics don't skip this fun miniseries.
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The best cyberpunk comic in ages. It looks gritty, real, and downright futuristic, made complete with one of the most epic science fiction scenarios imaginable.
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A gorgeous comic that has such good captions you might just stop everything to read them. 4001 A.D. is turning out to be a poetic masterpiece.
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Wonder Woman 80th Anniversary 100-Page Super Spectacular is a well-curated anthology featuring all sorts of Wonder Woman stories set in different eras for the character. Props to Britany Holzherr for putting together a Super Spectacular that lives up to the name.
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A Vicious Circle ends today on a visual high note that will please fight-comic fans. Given the cinematic quality of the story and tight plotting in just three issues, it's no surprise this is in development as a film.
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A. D.: After Death #2 continues to be a rewarding experience as you attempt to find meaning in Jonah's prose. There's no doubt this is a work of art on many levels, though it does force the reader to do a bit of work in order to understand it. Whether or not you find this comic entertaining resides entirely on how much work you want to put in.
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A.X.E.: Avengers #1 is an excellent start in the first three A.X.E. tie-in one-shots. If the purpose of these Gillen-written one-shots is to explore specific key characters in the event, we're in luck as we'll get a thorough exploration of Jean Grey and Ajak.
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For the fan who hasn't been keeping up with Eternals, A.X.E.: Eve of Judgment is necessary reading. It fully captures the complicated nature of their waring sides, establishes why the main villain wants to kill mutants and sets up the summer event with necessary details. If you're at all interested in Marvel's summer event, A.X.E.: Eve of Judgment is required reading.
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If you're interested in the Shakespearean angle on Marvel heroes, meaning the complex interconnected relationships, you'll love A.X.E.: Judgment Day #1. It packs so many characters into one issue, reminding readers that event comics are about moments in time where every character may be changed forever.
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Big event comics give characters new problems to overcome while raising the stakes. A.X.E.: Judgment Day#3 raises the stakes tenfold while establishing that maybe there is no way out of being judged.
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When it comes to A.X.E.: Judgment Day #4, the name of the game is heavy emotional resonance. You will feel for these characters as they never give up hope, but seem to have no way of stopping what is coming. The series continues to take big swings while offering introspective moments as our favorite characters get judged. What more could you want?
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For an event that seems to have progressed rather quickly, this has been a great ride. The horror and frightening visual splendor is on full display to soak in for anyone enticed by Donny Cates and Ryan Stegman's epic take on Venom.
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Carnage's fluidity meets flame in this fun one-shot that'll have Ghost Rider fans itching for the upcoming reboot in October. Check this out for the great action and design, but stay for the hints at what is to come from the Spirit of Vengeance. 
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I had a lot of fun reading Absolute Power: Task Force VII #3. Its secret weapon is an Amazo that accidentally gains a power nobody saw coming: the power of choice.
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Absolute Superman #2 deepens the lore and intrigue with its unique take on Superman's Kryptonian past and its inventive approach to Lois Lane, blending action-packed sequences with slow-burn plotting. While the villain remains shrouded in mystery, the issue sets the stage for a compelling arc with vivid visuals and a fresh spin on the iconic character.
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A good issue as it develops the inner fears of the main players. Plus it all ties into Suicide Squad #18 well.
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Great fight comics with a surprise twist by the end that changes everything for Zod.
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Action Comics #1040 continues to show Superman's greatest power may be the ability to inspire hope. His "goodness" is on full display here, while he also holds his own depowered and fighting giant alien monsters. It's a wild concept that is super fun to see executed so well visually with a lot of potential for where it goes from here.
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As far as classic superhero comics go, Action Comics delivers. There's big action, huge stakes, and a setup for an event that has not onebut a few compelling conflicts to resolve.
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Action Comics #1065 further proves that "House of Brainiac" is a great superhero adventure worth checking out. Combining the space opera with action works wonders to keep readers entertained with a story they've never seen before.
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The main story calls back to an earlier time for Superman and Lois, while the backup pushes the relationship of an editor and its writer to new lengths in the roles of Clark and Lois. Combined, Action Comics #1067 has the stakes and the heart that make Superman comics great.
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Action Comics #1069 wraps up two good stories, making you wish the creative teams would stay on. The main story offers big bombastic action while the backup takes an intimate look at Lois and Clark. Does it get any better than this?
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This is a solid finish to a trippy story for Midnighter. With extra pages to spare for the annual, Conrad, Cloonan, and Oeming have delivered a non-stop action sequence with heartfelt moments and satisfying conclusions. Midnighter 2021 Annual will make you want more from this creative team.
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Francavilla kills it on the art as always. He uses a lot of oranges and purples, which is great considering the Halloween theme, and manages to make the smallest of panels pop. What can you say about Francavilla without repeating the many positive posits that have already been said? The guy is a genius when it comes to pacing and mood as if you're on a fluffy cloud or floating in a dream. The story flows nicely, due to pacing and layouts, and it's due to his uncanny ability to draw the readers eye as naturally as possible.
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This first issue shows how this series is a perfect melding of superheroes and adventure storytelling. The first story is all about the supes while the backup delivers on the classic Agents of Atlas adventure-style story. Pick this one up to get a different flavor for your pull list.
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If you like character drama you're going to love this. By the time you reach the conclusion, you'll be all-in on the plot too, which features a corporate scheme that abuses some to fill others' pockets. Sound familiar? Pick this one up to get a different flavor in your pull list.
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Fans should be prepared for a slower narrative with talking heads in Alien #1. It is doing the work to establish its main character and the stakes in play for them though and for that, it'll pay dividends in the long run. Hardcore Alien fans will need this, not just because it extends the mythos and builds on what we know, but because it firmly understands what made Alien so good.
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Alien: Black, White & Blood #1 is off to a good start. This isn't just a collection of Aliens ripping humans apart. However, it does have that, but compelling sci-fi stories about humanity, the humanity inside machines, and the audacity of the rich. Like any good sci-fi, it sports a message while also drenching its pages in blood.
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It is, albeit it could use more pages and more time on the bad guys. That said, this number one issue delivers a solid origin story, solid art and a solid start for a brand new, four-wheeled riding superhero.
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A strong first issue mostly because it captures the fun and adventure the film series does so well. The art is top notch, the new direction interesting, and you'll be along for the ride.
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The spirit of Star-Lord is very chill and infectious.
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A fun, one-off sort of issue that Star-Lord fans shouldn't miss.
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All-New Venom #1 hooks readers with its clever mystery and strong supporting cast while reestablishing the Venom legacy in a fresh and grounded way. However, the minimal focus on Venom himself and lingering questions from past events hold the issue back. Still, All-New Venom keeps you guessing with its electrifying mystery, jaw-dropping action, and a surprising new twist on the Venom mythos that will leave fans dying to know what happens next.
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Once again this comic gets a good but not smashingly good review. Why is that? Because at the end of the day you're paying for character tinges and funny moments on the side. The decompression on this series is so insane it always feels as if you're getting slighted in some way. And yet, the comic is a lot of fun to read and always has something to say about the characters.
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Tracy and Koplowitz stuff much of this issue with funny moments either via the spirit or background characters and that's fun for any fan of fantasy. The first issue of Allen: Son of Hellcock is a lot of fun and you should take the chance to go along for the ride.
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As far as setups go though it's a strong issue and it's in large part due to Michael Dialynas's art and color. Some might call it the acting of the characters, but I'd call it exceptional facial expressions from Dialynas. In some cases a writers dialogue is strong enough to apply it to stick figures, but here, while not bad, is made a hell of a lot stronger by Dialynas' art. In truth every comic should be like this, because, much like film you need a good balance between visuals and writing.
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I don't know what Dark Horse is planning, but I really hope they pick this series up and make it ongoing. The adventure is exciting and as far as comics go there isn't anything else like it on the shelves. In a lot of ways I get a role playing game vibe from this series. As if Horton played it with his friends for years and then met up with Dialynas one day and realized together they could make one bangin' comic. Here's hoping they get to continue to bang on.
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This series has so many good things going on I would be hard pressed to find someone who didn't like it. Fantasy elements, role playing elements, the concept of war being pointless when we all turn into ghosts, great art, steampunk, I mean — I could go on and on. The series sadly needs more issues though! The concepts are so grand and the world so robust it deserves to be an ongoing series.
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All in all this is a good comic, albeit a bit schizophrenic since it's split nearly down the middle with two unconnected stories. That said, it's good fun and the art is top notch.
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A good issue that moves the plot along with a few compelling conversations thrown in to keep things interesting. Can't wait for the last issue!
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A satisfying conclusion to what has been one of the best events from Marvel in ages. It has a few surprises too which should get us all jazzed up for next issue's epilogue.
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The main featured story is great if you've read Superior Spider-Man but will be a bit confusing for new readers. That said, the new direction is compelling and the Spider-Mobile works too! The price tag is high, but nearly all the short stories are exciting and interesting. I just wish there was some context, but with Secret Wars not yet over I guess they have to keep that vague.
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Things wrap up as Spider-Man must save the day in a rare way: having a plan actually work!
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It's hard to not agree the "amazing" in the title is covered here.
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Another good issue in the lead up to Red Goblin, but get this Goblin/Carnage show on the road!
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A great issue that's huge and does so much to wrap things up and start new beginnings.
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A strong start, though it's heavy on the dialogue and can be quite slow.
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A lot of fun as it builds up a new conflict that should put Peter in a very tough spot.
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Another strong issue if you love character focused narratives.
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I dug this tie-in for its clean art and creepy boogeyman feel. This book serves as a reminder why Norman Osborn is Spider-Man's most fearsome enemy.
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I've been trade waiting for most of this series, but I'm on the edge of diving back into this series thanks to this and the great issue before it. The idea of Spider-Man utilizing a new way of seeing dangers is an interesting one given the spider-sense abilities he already has.
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Spencer continues to juggle so much in this series while playing to longtime fans' interests with callbacks and resets of characters. In superhero comics, nobody ever dies and nothing is certain, and this series has been a testament to that. Amazing Spider-Man is good ensemble storytelling -- it's just unfortunate Spider-Man never seems to be our main focus.
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Amazing Spider-Man's new erahas a lot going for it. Thompson and Pichelli get a lot done in this issue, touching on multiple relationships while also delivering some tense action to close the book out. The exciting, messy, exhausting, and complicated life of Spider-Man is on full display.
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All in all, Cody Ziglar and Michael Dowling crush their two-part story by further developing the interesting character dynamics at work. Amazing Spider-Man #80 also offers up some trippy art and a battle that shows Ben is worthy particularly when he's not drugged. The Beyond era of Spider-Man is grand thanks to a good mix of character drama, dynamic action, and a hero who suffers from imposter syndrome.
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The Amazing Spider-Man #82 is an example of how much control pace, color, and layout design have over the story. Forns and Brown have crafted something that's visually stunning in its dread and unease, well worth a read for seasoned comics fans. Ahmed has also given us a story that shows how Peter Parker, and those he loves, are true heroes to their very core.
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Judging by this and Superior Four, Marvel Comics is leaning towards Doc Ock leaning a touch more toward hero than villain, and this issue proves that. The Amazing Spider-Man #85 has good humor, good action, and the continued intrigue of Ben Reilly's very shady Beyond Corp overlords. After this issue though, the real threat of self-doubt and imposter syndrome might unravel it all first.
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Amazing Spider-Man #86 adds new layers to what it means to be a clone. This further connects our experience to what Ben Reilly must be going through further, making his experience more lived in and valid. For that, this issue makes Ben Reilly more human and relatable than ever.
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If you're looking for character drama, Amazing Spider-Man #88 has it in droves as we see manipulation at work. Through its characters, you will feel dread and uncertainty that's hard to turn away from.
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It's the team-up we've been waiting for as Ben and Peter face off against a treasure trove of colorful villains. Amazing Spider-Man #91 continues to build towards Beyond Corp getting what they deserve and Ben hopefully getting some peace.
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It's easy to see the creators of Amazing Spider-Man #92.BEY are having a ton of fun. It's also a satisfying comic because it wraps things up, offers new insight into what is really going on, and even sets up some villains for the future.
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Do you have to read it? Not at all. Do you want to see if they can pull off such a wacky extra-sized story? If you read as many comics as me the answer is definitely yes. 
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The most important thing you'll discover with Giant-Size Amazing Spider-Man: King's Ransom is that it's not a cash grab extra-sized issue simply to charge more. There's plenty of story here, big reveals, and important moments. In fact, this issue closes the door on multiple ongoing plots, which makes it satisfying as hell and sets the stage for a clean slate going forward.
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Amazing Spider-Man #4 is a satisfying issue thanks to the story paying off the slow build of the last two issues. We still may be in the dark when it comes to the big mystery, but it's satisfying to see Spider-Man overcome impossible odds and yet continue to be down on his luck. We wouldn't have it any other way.
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Dark Web has two great tie-in issues out today, and Amazing Spider-Man #15 is one of them. Come for the zany demons and Venom, but stay for the incredible art and solid comedy.
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Amazing Spider-Man #16 offers up the big showdown between Chasm and Spider-Man while showing Ben Reilly has had some upgrades. It's in your face, comical, and fun from cover to cover.
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If it wasn't evident yet, Amazing Spider-Man #18 solidifies that this is bonkers, fun adventure times for Spidey and his amazing friends. That goes for demon-turned-Spider-Man Rek-Rap, the ridiculous Insidious Six, and even Chasm going Super Saiyan. Sure, Spider-Man is typically a more serious series, and it has been under Wells at times, but if you see what Dark Web has been from the start, you'll have the most fun.
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The Amazing Spider-Man #34 is a great blend of visual storytelling and dark horror. Regardless of whether you disagree with an evil Spider-Man, the technical ability unfolding from lettering, plotting, and art is exceptional.
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Amazing Spider-Man #35 continues to show Green Goblin is on a slow climb back into Norman's heart and mind. The story wraps up too conveniently, but you can't say the action doesn't look good while juggling so many conflicts.
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I had a ton of fun with Amazing Spider-Man #36. There's a nice Halloween vibe to it all, from the villains to the night setting to the plentiful monsters. This is super fun, visually stunning, and a nice ode to weirdos.
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Amazing Spider-Man #38 wraps up a Limbo tale, a major highlight in Wells' run. The super silly nature of it all works very well, with McGuinness' art supplying plenty of weirdness and humor.
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However ridiculous it is that Spider-Man is now Spider-Goblin, you can't deny the battle with the Sinister Six doesn't satisfy completely. Peter Parker may be in a terrible place, but Amazing Spider-Man hasn't been this fun in ages. It's wacky in the best of ways.
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There's a lot to like in Amazing Spider-Man #60, so it's an easy recommendation for longtime fans. Not only does this issue serve as the bridge to the next era, or at least the interim era before the next era, but it also captures different corners of Spider-Man's life well.
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This is a good issue that doesn't quite top the first issue due to a lack of action, but it's still very good reading.
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American Ronin #1 is a good psychological thriller that is as absorbing as it is pretty. It's a little slow, but if you want a narrative that's very different than what you can get from most publishers, you'll want to give this a shot.
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Annihilation 2099 #1 comes out swinging with a character origin, Western vibes, and an excellent backup. If there's any indication with this issue, the 2099 universe is as exciting as ever and prime to dazzle fans of Marvel cosmic.
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Abnett will make you care about Atlantean politics and that's saying quite a lot when you stop to think about politics in comics actually working. Aquaman feels fresh and more important than ever.
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Political intrigue continues in Aquaman! Aquaman #6 does well to show Aquaman unravel the truth whilst the truth is preparing to blow up right in his face.
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The story in Aquaman is ramping up ten fold and this issue balances all the table setting well with big reveals. Aquaman is shaping up to be the Michael Bay action blockbuster with all the drama of West Wing.
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Mera shines through and may be the DC universe's only hope as doomsday comes to us all.
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A good issue that adds weight to the bigger event. Aquaman is going through a major trial and his life has been upturned. This issue captures that well.
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Aquaman: The Becoming #1 is a strong start for the series establishing a good supporting cast, high stakes, and the unique position Jackson is in. The various character dynamics make for a lot of interesting relationships to explore while never shying away from Jackson's infectious positivity.
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Aquaman: The Becoming #2 is a good issue, albeit it's more table setting than one might want. The setup is moving key characters around to new positions while supplying readers with some interesting Atlantis cultural elements that make it feel real and relatable. Jackson may not be the central focus, but it's clear as day Brandon Thomas and his collaborators are creating thoughtful superhero comics.
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If you're looking for a complex story featuring superheroes in a new configuration, you can't go wrong with Aquamen #1. This book has the look, feel, and complexity of a triple-A title.
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Archer & Armstrong Forever #1 is a good start for a series that offers tantalizing mysteries in a superhero package. Foxe and Fiorito clearly understand the characters and are building on a legacy that's exciting.
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Archer & Armstrong Forever #2 is a good second issue, bringing forth plenty of ideas via an action-friendly montage. It'll be interesting to see how this story fleshes out though as much of the bigger picture takes a back seat to fun adventure hijinks.
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Arkham City: The Order of the World#2 introduces new players and a strong sense that something quite dark is happening in Gotham. It's a story that rewards readers who are seeking a complex and otherworldly feel in their superhero stories.
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Another good issue out of this writing and drawing team. It's also rather self contained, never needing to go outside to the main event much beyond why Bloodshot is fighting the alien he's fighting. The cliffhanger introduces a not so surprising twist, but if you're not excited to see what happens next you're probably not digging this great art either.
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This continues to be a fun and exciting action fest with great pacing and even better art.
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As far as penultimate issues this story keeps things light and entertaining, and while there's a cheapened moment overall it's turning out to be a fantastic action series.
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There's a lot of fun to be had in this issue, and while it wasn't as perfect is the first issue, it keeps the fun and action ramped up. It's definitely a plot progression sort of issue, but that's okay.
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Another solid issue here that is making it difficult to avoid this series. This issue proves this might be the coolest superhero team in comics.
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A special connection between the Hanged Man and lawyer is made in this issue. By the end you'll feel like you know the characters and want to see where their newfound relationship will take them. It ends abruptly though and without issue #40 you'll feel a bit naked!
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A strong story that's emotional and meaningful.
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As far as penultimate stories with a superhero team go,Atlantis Attacks #4 is effective as it spreads the love across the characters and delivers key information. It's entertaining to see so many characters involved with something to do or say. Atlantis Attacks is an exciting return that sets up a must-read final issue.
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Prepare for action, adventure, and danger with The Autumn Kingdom #2. Monsters and sword-slashing suspenseful action await you.
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The Autumnal sets the stage for an interesting mother/daughter narrative that highlights the horror at the edges of the abuse we face and the darkness at the edge of the brightest of suburban ideals.
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The Autumnal continues to be an engrossing horror story that creeps you out with its fringe reveals and haunting underbelly. It has yet to reveal its true nature so we may get to know Kat a bit better and thoroughly understand her before the secret of the town is revealed.
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Avengers #3 is a fine semi-conclusion to a series that's been incredibly vivid and gorgeous. Wasp takes the reigns in this one and proves she's just as heroic as the next guy.
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Get hyped–the next issue of Avengers is going to bring it. This issue does a great job setting things up, reminding us of Kang's amazing history and it does all that with beautiful full and double page spreads. It's a testament to art and Avengers history.
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A strong team book, but a tad repetitive with the character drama.
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This is a good issue that reveals key details and gets the villain's into the story too. Underneath this story are a few mysteries that'll titillate and get folks wanting more too.
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Establishes what the Avengers are all about in two time frames with insurmountable odds against them.
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Avengers #30 is a superhero story built on classic character personality and a good old fashioned fight contest. It's meat-and-potatoes fight comics with modern visuals and sensibilities.
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Avengers #46 shows promise for a She-Hulk that has been itching for a change for some time. The stars of the issue, however, are the Winter Guard, who are an impressive supervillain team that shows off some impressive powers and personalities.
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Avengers #50 is a good taste tester for where Marvel Comics stories are and where they are going. It's new-reader friendly while also building on stories and characters Aaron has been developing for years. As a celebration of the Avengers it's a reminder in the right hands they are truly awesome.
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Bring a big bucket of popcorn to Avengers #53, as it brings the action and laces it with interesting character developments. It also comes with its share of surprises and a cliffhanger to get you excited for more.
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Avengers #65 continues to show that there isn't a comic as epic today. In one issue, we see the rise of the Avenger Prime. That's at first unbelievable, but once told, you realize it's a natural development of the Avenger's greatest villain. The famous phrase, "You either die a hero or live long enough to see yourself become the villain," is at work here, only in reverse. How incredibly apt and cool.
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The threat of the first story arc comes into focus in Avengers #2 as Kang reveals what's coming. Meanwhile, the team aspect is on point, with each character doing their part and Captain Marvel leading the team deftly.
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Avengers #6 is a fun wrap-up to a story arc that offers brand new villains and, in the end, an exciting new direction for the team. "New" isn't something you often see in serial superhero comics, but Marvel's got the most exciting superhero team book going right now.
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The Avengers #7 comes out of the gate swinging, introducing a new threat while dropping readers in the middle of a battle. This series continues to surprise with elements that make it feel fresh while never losing sight of the dynamic heroes that make up the world's greatest superhero team.
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Avengers #11 feels like a classic thanks to the humanizing of its heroes through Jarvis and efficient writing that gets the action and character beats mixed in well. If this issue is any indication, we're in for a real treat with Blood Hunt this May.
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Avengers Assemble: Omega #1 ends the only way Aaron's run could have, with epic clashes, big ideas, and a finale that reminds us these stories will continue. It's farewell but also hello, as he establishes enough endings for multiple characters so that writers can use what they like or leave it behind as they please. It's a finale only a great storyteller could leave behind, as the characters will come and go in new and exciting ways, and only Aaron has come to an end here.
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The years-long setup building toward Avengers Assemble: Alpha #1 is exciting to see unfold toward its finish. Given how many players spanning different universes and timelines, it's impressive how well it all comes together here. There's also enough in the first issue to get your excitement up, even if most of the pages require heroes to fight heroes in a misunderstanding you know will resolve itself in time. But that's superhero comics, and superhero comics don't get bigger than this.
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I'm excited for more Avengers Beyond after this first issue. It establishes a mega threat, captures the nuance of each character, and feels efficient as it gets us from an opening conflict to a new threat to fight by the end of the issue. Sure, there might be some pointless action that feels overly long, but this is an exciting Avengers book you won't be able to put down.
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Expect a lot of crazy action, creative twists on heroes you're familiar with, and a heroic breakout in Avengers Forever #3. If you're a Marvel fan there isn't a better way to cut loose and escape our reality, and the 616 reality at that.
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This is turning out to be a good post-apocalyptic road trip story filled with superhero surprises and crazy twists. Avengers of the Wastelands is like if Mad Max was using the Marvel Encyclopedia as its source material. It's from the mind of a maniac who loves superheroes.
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This issue is incredibly poignant given the actions of the egomaniacal Dr. Doom and the desire for our heroes to be better to enact change in the face of tyranny. Read this to feel inspired that your voice can be heard with a strong message that we can be better -- we just need to fight.
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A good first issue, especially for longtime readers of the Avengers. The writing team has done an excellent job capturing the unique voice of each character while the art captures the wholesome positivity of them as well. It's exciting to see Marvel tackle an often unused corner of the universe and I can't wait to see how they flesh it out further.
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Avengers: Tech-On is a lot of fun. It has Power Rangers vibes right down to the suits, but also the epic nature of the villain. Read this one for an alternate take on the events post Infinity Gauntlet, and the promise of exploring the complexities of these heroes and who they are apart from their powers.
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Chock it up to a story that's intended to be read in 5 parts, but this issue was a bit unbalanced for my tastes. Of course when collected I wouldn't be surprised if it's perfect. Aside from that this is a very strong issue that focuses on character and lets the rest ride.
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The Avengers: War Across Time is a great fight comic and a great celebration of classic Avengers comics. You'll get the general feel of how the comics read back in the day with tons of Alan Davis art. If that's what you're expecting, it delivers big time.
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Making detective work interesting, especially in the comic book format, is a hard thing to pull off, but this series does it and does it well. The issue opens with a great chase sequence and ends making you want more. A great start to a new story arc!
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This issue certainly does a better job feeling more important to the films than the first issue did. It's fun to read if you love the movies as tidbits are revealed that influence how we view the films. Recommended for diehard fans and science fiction fans alike!
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Whether it's being kicked in the face or kissed, Batgirl has a ton of charm and you'll root her on all the way.
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This issue has a lot to like, from a new interesting villain with a fresh backstory you've never seen, to a fun sequence showing Batman work his way out of the traps of Arkham. The Zero Year tie in is skippable though, as it isn't very important and only marginally ties into anything of value in the grand scheme of things. The story also doesn't delve too deeply into Batman's story, but rather is focused more on the new villain. The new Arkham employee doesn't get much characterization either, standing in as yet another cliched do gooder who wants to heal the nutsos of Gotham.
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A good ride in this Mission: Impossible style sequence that has a disturbing twist ending that'll make readers itching for the next issue.
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A well paced issue that moves the plot of the "Monster Men" forward while delivering meaningful character moments for Batman and Gordon. I call that a huge success if I ever saw one. Moody, cinematic, and good economical storytelling.
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Slow moving and not necessarily the kickoff we've come to expect from crossover event comics, but it's an excellent read for those who love comics filled with hints and clues.
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A strong first part in a story that should bring in fans from different corners of the DCU.
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There's a lot going for Batman #119 between the primo art, the great backup, and the continued intrigue of Abyss. While the art can be jarringly different from scene to scene, the mystery and where Batman ends up is enticing, and you'll be thirsty for more.
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Batman #124 is a solid done-in-one tale wrapping up Abyss in some capacity while setting up Poison Ivy's new series. Porter's excellent rendition of Batman combined with Williamson's reminder of why Batman never kills makes this a winning issue.
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Batman #129 continues to be an exciting race of action and tense moments. Zdarsky and Jimnez are putting Batman through the paces, and it's fun to see the hero fighting against his own creation. If no one can plan better than Batman, isn't his the ultimate foe himself? We continue to find out the answer might be yes.
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Batman #133 continues to reveal what Gotham would be like without Batman, and a little Batman injected into it can start to fix things with a bit of elbow grease. This issue also begins to reveal there may be a larger purpose to Batman being zapped into another dimension, making the next issue even more tantalizing to read.
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Batman #136 is a tightly-written issue allowing readers to catch up on all the antics of the last two story arcs. Given the pace up until this point, this issue feels like a good change of pace, but it appears there's always the calm before the storm.
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The craziness of the multiverse continues to send Batman into a spiral inBatman #140. This is an exciting chapter, as the creators are having much fun putting Batman through the paces while throwing him into a battle where his mind is his greatest asset. This is a great survival thriller by way of the multiverse that only Batman could resolve.
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It's Batman vs. Failsafe in a rematch that has a slight twist in Batman #141. You can't beat Jimenez's incredible action and highly detailed art while Zdarsky continues to excite as everything matters and is building toward a definitive Joker story.
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Love or hate the recontextualizing of Joker's past acts, you have to admit this is as bold as any Batman comic of the last two decades. Zdarsky continues to build on lore and what we know in Batman #146, making it his own while exciting readers with a narrative that could go in any direction. Batman is cutting-edge and exciting every page of the way.
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Batman #147 further fleshes out now long-running story elements like Failsafe, Captio, and Bruce's desire to keep everyone safe while also being the best Batman he can be. It's fair to say Zdarsky is playing a long game here with intriguing elements, plucking at what we know and building a new future.
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Batman #153 is a great jumping-on point as it reveals a new Gotham, a new major villain with a new angle, and two new major mysteries. Aside from the issue being light on action, it's well crafted and deepens the melodrama Bruce faces politically and personally.
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Batman #154 packs a lot of story into a tightly-paced issue. Different threats to Bruce and Batman hang on the mystery of who killed the mayor, making Zdarsky's final arc feel a touch overstuffed. Still, it's never boring.
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Three of these five stories tease things to come in 2021, which makes this a must-read for longtime DC Readers, but each tale is also worth a look for different reasons. Read Batman: The Joker War Zone to get a head start on exciting DC Comics stories coming next year, but also for its variety of enjoyable tales set in Gotham.
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Batman/Catwoman Special is a good special, with a main story that feels like it could be Tom King's final thoughts on Selina Kyle. It also serves as a great ode to John Paul Leon. In fact, Busiek's essay points out Leon asked to make Batman: Creature of the Night colder, harsher, and to isolate the young Bruce more, which coincidentally are similar words I'd use to describe this story. Catwoman's journey here is cold, isolated, and harsh, which helps define who she is and why she turned to crime and theft. It's also a story filled with positive relationships and a showing of her good heart. This is a touching special well worth a read.
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Batman/Superman continues to be a force and possibly the best fight-comic on the stands today. Read this expecting some interesting character wrinkles, all new stakes, and great fight sequences.
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I liked this issue thanks to it feeling natural in Batman and Superman's worlds while not forcing the team-up. The book is also gorgeous to look at and is of the triple-A title tier in quality.
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All told, Batman/Superman Authority Special is an exciting story that features some great character interactions and a heck of a high-stakes story. The many artists involved do make the work read a bit jarringly, but it's an exciting adventure that uses Batman and Midnighter in really cool ways.
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A strong first issue that sets up another inter-dimensional adventure.
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A great looking comic with some excellent fight scenes.
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While a very fast read it's a strong issue that gives Robin an emotional arc that's fun to watch and promises a new direction for the fan favorite character.
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Props should go to the creative team for making Batman and Robin accessible to younger readers, with its focus on Damian in high school. I can't prove manga has had an influence on how this reads, but it certainly feels present. All ages can enjoy this, but young adults will adore it.
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Batman Beyond is an action packed story that connects the fighting to character. You gotta appreciate that and the resurgence of the Jokerz.
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Batman Beyond #5 shows this could be one of the more drastic resets of the DC Rebirth era. This issue may not have set up its conclusion in the most satisfying way, but there's no denying this will be the book everyone is talking about. Batman Beyond fans…there is a lot to be excited about!
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If you're looking for a massive ensemble cast in subplots that span the globe, look no further than Batman Incorporated #2. On top of that, in a bit of a shocker move, this issue doesn't hold back with new character reveals and a significant twist that answers many questions. An impressive thing as it's so early in the story.
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Ghost-Maker has always been an interesting character as he allows writers to show what Batman would be like if he was a sociopath. Brisson takes that one step further with Batman Incorporated #3, showing how he had a sidekick and how that went terribly wrong because he's, well, not Batman. Read Batman Incorporated for a strong variety of Batman-adjacent-style stories.
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After reading Batman vs. Robin #2, it's obvious the creators are taking big swings to create one of the biggest adventures Batman has ever encountered. It's also a reminder the magical realm is vast and dangerous in the DC Comics universe, something we don't often see.
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Batman vs. Robin #4 wraps up the battle of father and son in an exciting way while earning it as a good lead in for Lazarus Planet. Most importantly, Batman vs. Robin gets inside Batman's head with an expected magical plot twist not to be missed.
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An enjoyable third chapter that sets the stage for a confrontation for the ages. The secret weapon is the Harley/Batman relationship which is well worth the price of admission.
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This is a good sixth issue with so many reveals and plot twists you may need to lay down after reading it. The Elseworlds method of storytelling continues to show how exciting and surprising superheroes can be without the limitations of canon. 
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I liked this 7th issue for what it's doing with the Batman character. A lot of what he says and does makes sense and it's clear Murphy has thought about this character quite a bit while crafting the decisions Batman and other characters make. This is a book that feels earned in its twists and turns, which is something you can't say for a lot of comic books these days.
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Batman: Fortress #1 captures a modern and adult feel for the way Batman speaks and thinks. It also sets up an ominous threat that feels challenging and way above what Batman usually combats. The heavier use of dialogue and lack of substantial answers does lessen some of the excitement, but the book feels certain in its approach and just needs a bit of patience as the story unfolds in the next issue.
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Fans of comics craft will continue to enjoy the time shifts and framing in Batman: Killing Time #2. The story could use a little more payoff and it's not helped by characters sitting around quite a bit, but it certainly won't lose your interest for answers to its mysteries.
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There's a level of confidence in the wayBatman: Killing Time reads, making for a unique superhero comic. In fact, the framework is so strong it'd probably work even if none of these characters were in costumes, but just regular people. For that reason, Batman: Killing Time ends up being one of the strongest written narratives due to its structure and its strong detailed art.
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Well drawn puzzle of a comic that taps you into Batman's nightmare.
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A mix of superheroes, new villains, and new takes on Batman make Batman: The Brave and the Bold #3 a great addition to the anthology series. With the majority of tales ending, it feels like we're at a crossroads, but far be it from me to argue against a fantastic Stormwatch series as a great idea to tether future stories onto.
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Batman: The Brave and the Bold#5 continues to develop ongoing stories while offering action, mystery, and an ongoing Joker story for the ages. There's a good mix of stories here well worth reading.
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All in all, Batman: the Brave and the Bold#8 is another great issue in one of the best anthologies released today. Three of the four stories were incredibly well told and drawn, with the fourth not quite working for me, but you never know. Maybe you'll enjoy it too. That's the beauty of anthologies.
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There's a lot to love in Batman: The Brave and the Bold #9, which features three endings to ongoing chapters and one complete story. It's no surprise when every creator attached to this book is a veteran who has proven themselves time and time again. If you've been following along with these tales you'll be greatly satisfied with their finales.
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Batman: The Brave and the Bold #18 is another good chapter in the most consistently great anthology from Marvel or DC. The opening story offers a different kind of superpowered villain, the Robin tale is a delightful start, and the remaining tales offer different aspects that make DC great.
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Batman: The Detective continues to be a masterclass in visual storytelling. The opening Big Ben interrogation is proof of that. There's also an interesting mystery afoot with story seeds being planted that you can already tell will pay off later.
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Batman: The Detective #3 is a smartly written comic thanks to a careful understanding of how Batman rose up as an earnest young man looking for guidance. That dynamic isn't often probed and here it helps us understand Ducard, but also Batman.
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Batman: The Knight #4 is another good issue in a fascinating exploration of Bruce Wayne prior to becoming the greatest detective, and some might say fighter, in all of comics. Even more importantly, with Zdarsky taking over full time on the main series it's even more exciting to read Batman: The Knight knowing everything is important.
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If you like spy dramas, you're going to love Batman: The Knight. Bruce Wayne finally gets to learn about the art of getting what you want, manipulation and pretending to be someone else. This issue also does well to further explore Bruce's new friend Anton and his slightly gray moral compass.
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This is the kind of adventure you never knew you needed. Seeing Bruce Wayne at a young age encountering impossible threats and yet finding ways to beat them is exciting. He's not even Batman yet but is resourceful enough to stay alive and hold his own. To further draw readers in, Zdarsky continues to reveal a tender, more human side to Bruce Wayne.
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Batman: The Knight #10 ends in a way that feels earned with incredible captioning detailing Bruce's final transformation into the perfectionist vigilante. It may play out in expected ways this is a prequel, after all but it's still a satisfying conclusion to a series that has defied expectations and worked from beginning to end.
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This is a good collection as each story varies wildly, digs into the minds of different kinds of characters, and offers up the beginning to multiple tales. Much like the entire series, Batman: Urban Legends #8 continues to shine a light on lesser-used characters with strong results.
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Batman: White Knight #2 is infinitely compelling as it takes readers down a road of new ways of looking at characters. Batman, Joker, Harley Quinn, and more are featured in new ways that are fascinating.
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The plot thickens and ramps up to eleven.
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It's hard not to like this series due to its highly detailed art and how well it tells the story. Whether or not you dig stories outside of canon will determine if you love this, but you'll still enjoy the interesting ideas and how Murphy can play with Batman motifs the main series just can't do.
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Wraps things up and fully comes clean on how this story changed characters and what was going on all along.
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Well written with some mystery thrown in too, Batwoman is an intriguing first issue that feels entirely unique.
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Another strong issue due to fantastic noir sensibilities and well-drawn action.
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A fun blast into the future is a great tale for those who like a tease.
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A strong issue due to its art and well plotted one-shot story.
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A strong first issue as far as catapulting us into a new place with a Spider-Man like character who is very different from the norm.
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Beneath the Trees Where Nobody Sees #2 takes a surprising turn as the story shifts from a serial killer's inner monologue-driven horror tale into a detective narrative. It works mainly because the mystery of who the killer is tantalizes with key clues dropped left and right. Now, it's a matter of solving the crime along with Sam, who also happens to be a killer himself.
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Roman playwright Terentius once said, "I am a human being, and thus nothing human is alien to me." This series proves anthropomorphizing its characters isn't enough to not see connections to these characters. That's largely due to strong character acting and a deep understanding of how a killer can be a person who is also unfeeling and capable of terrible things. It's a series that leaves you thinking about what it means to be a predator in a day and age when our humanity is more base and raw than ever.
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Beyond the Breach is a great example of a horror story establishing a setting so well you're committed for the long haul. It has great creature design and clean art, letters, and colors, too. Beyond the Breach is the perfect summer drive-in horror in comics form.
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I had zero expectations but ended up loving every page of this series. Issue #3 hits in another month or two and I highly recommend checking this series out. Very compelling.
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If you're a diehard X-Men fan, you'll be happy as a clam reading Bishop: War College #1. Juggling multiple characters with strong dialogue and character writing, along with what feels like the next big chapter for Bishop, the creative team comes out of the gate with an excellent first issue.
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A strong and self contained story all about Absorbing Man.
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I liked this issue thanks to the playful nature of the heist plotting. It's also fun to see a few characters give it to the overly inflated ego of Tony Stark. This is great heist comics.
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A fun origin story wrapped in a big chase scene makes this worth a look.
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Black Widow #1 is an exciting thriller with a delectable twist. Witness Black Widow's magnetic charm in a first issue with explosive immediacy.
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Black Widow #2 is another great issue in a series that has injected new life into the character. The art feels cutting edge and the narrative is compelling. Black Widow is a cinematic feast for the eyes featuring a tantalizing mystery well worth untangling.
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A little on the slower side, Blade: Red Band is a great start to an adventurein which Blade finds himself after the harrowingBlood Hunt event and takesout some unique vampires. This book recenters Blade, delivering a new adventure longtime fans will love.
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I had a blast uncovering what this new futuristic world is as it blends horror and science fiction well. There's a deeper mystery going on that you'll be rooting for Halloway to solve, as deep mysteries surrounding vampires are uncovered.
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A great first issue with eye-catching art and a great brotherly bond established right off the bat.
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Blue & Gold is a good start to a new series that has its own vibe and will satisfy Booster Gold and Blue Beetle fans. Dan Jurgens immediately captures the personalities of both characters impeccably well, and the book has a uniqueness that sets it apart from anything else DC Comics is doing right now.
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The fantastical is typically depicted in the future or at least the present, but both stories in Blue Book explore the supernatural under a historical context of the past, making the weird and unusual feel unique and new. Read Blue Book for the supernatural uniqueness but stay for the enjoyable exploration of humanity.
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If you're looking for a new science fiction that brings a bit of fear, fun heist vibes, and a heavy dose of mystery, pick up Break Out. It's a mix of genuine ominous terror and hope.
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A strong end that showcases a story arc that's all about tension.
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I had a blast with Bronze Age Boogie #2. As a seasoned comic lover, I can say with certainty AHOY Comics is doing new things with the medium. It's never boring, it's exciting, and I can't get enough.
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The art utilizes a sick vertical panel that makes the action and fun-as-hell premise sing.
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Cable is haunted by the past and takes full responsibility for his future as a father.
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There is a lot of comic to enjoy in Cable #4, ranging from wrapping up the Spaceknights to teasing time travel tricks to romantic relationships flourishing and family life too. Cable is a series that's very good at honing in on great characters who are thrust into uncomfortable circumstances.
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Top notch art in a story that captures the humble nature of the hero.
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A strong issue albeit a elseworlds story you may not expect or even want.
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Captain America #1 is a well-built story with a lot of great character work. The superhero side is a little lacking, but the flashbacks are exciting to see as we'll get new gaps filled in as far as Steve's life prior to getting his powers.
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Captain America: Sam Wilson remains an interesting story that deftly weaves in political issues and this issue is a solid start to a new story arc that sets up the media – and public appearance – as potential future enemies for Sam.
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A strong issue as it reveals what Sam Wilson has been up to and that maybe he's the greatest hero we need.
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This is one of those issues that feels like the writer has had it in their drawer for some time. It comes together beautifully, hits major points, and progresses the story well. It's hard to fault it as things start to fall in place and the future of Cap in the Marvel universe becomes more clear.
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Captain America: Steve Rogers continues to be the psychological drama America deserves. It delves into how quiet, seemingly unimportant moments shape who we are, and how down the road it may mean the difference between doing good and bad.
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An great meeting between Red Skull and Captain America as their true feelings are unleashed!
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Captain Marvel #20 is your standard crisis-leads-to-battle-leads-to-consequences story, but it's amped up thanks to the lively and vividly rich characters. The dialogue breathes life into every moment and makes the book a joy to read from the quietest scene to the most bombastic.
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If you've been along for Thompson's ride on Captain Marvel, you'll love this issue. It builds on previous stories and continues to set a high bar for dialogue and good ideas. If you're interested in big event-level storytelling (and maybe X-Men don't do it for you), you're going to want to check out this new story arc.
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This issue serves as an opening salvo to new fans while also delivering a story to old fans suggesting we move on and focus on what makes Captain Marvel so great. A great one-shot story celebrating Captain Marvel to get you in the mood for the movie.
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This is a good jumping on point that is not boring in the slightest, even though it's mostly exposition. It doesn't necessarily jump right at you, but it tickles your curious bone enough to warrant a purchase of the next issue.
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If you like your villains sick and sadistic, Carnage is for you. This issue sets Carnage on a new path of discovery and growth as he attempts to find a following the only way he knows how: Killing with creativity. There's a good setup here with Anti-Venom on Carnage's trail, but the issue left me wanting more action and more confrontation in its opening salvo.
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Ram V and Francesco Manna's Carnage is turning out to be an interesting look at the strikingly different personalities of the two people embroiled in Carnage's path. Carnage #2 introduces a duality that's intriguing while offering a police procedural to stop a supervillain from getting stronger. All along the way, we're witnessing a character evolve in real-time which is so rare in serial comics it's hard to not cheer it on and ask for more.
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If you like your villains sick and sadistic, Carnage is for you. This issue sets Carnage on a new path of discovery and growth as he attempts to find a following the only way he knows how: Killing with creativity. There's a good setup here with Anti-Venom on Carnage's trail, but the issue left me wanting more action and more confrontation in its opening salvo.
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If Carnage Forever #1 is any indication, we're about to enter an age of extreme horror and adult content with everyone's second favorite Symbiote. In fact, I wouldn't be surprised if in a year Carnage edges out Venom for many since this new wilder version of Carnage is about to begin. There's a new threat coming onto the scene in 2022 and Carnage is even more unhinged and feral than most will expect.
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Carnage: Black, White & Blood #2 is a good anthology with three very different stories, which all capture the horror that is Carnage in different ways -- be it a beast that never dies, an evil that can get creative in ruining lives, or an alpha predator in the world, there are facets of Carnage on display that aren't always apparent. For that reason, this anthology captures the creative ways Carnage can disturb, and destroy.
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Catwoman #25 is a worthy milestone issue for the series, playing into current events and building up new plots for future use. There's a genius move to increase the supporting cast while reminding us Catwoman is strong for her spirit. An important detail.
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Catwoman #26 is a good start to "The Big Shakeup" as Selina Kyle attempts to carve out her place as queen of Alleytown. Blanco dazzles with great visuals and Plascencia's colors explore the seedy sides of Alleytown well, too. Catwoman is shaking up to be a sleeper crime drama hit.
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Catwoman: Lonely City #4 is a well-crafted concluding chapter filled with satisfying endings and goodbyes. At its core is a message that we must eventually let go of those we have lost to live a full life another day.
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A fun climactic battle ensues with art that's out of this world good. It's a fast read, but if you're interested in seeing art take chances look for this one!
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Visually amazing, there are too many amazing images to even list or count.
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Cemetery Kids Don't Die is a compelling sci-fi horror with strong character writing and a premise that feels closer to home than it should. With people booting up virtual reality more and more, how soon before a new technology sweeps the nation and promptly has a horrific side effect? Cemetery Kids Don't Die is the horror Ready Player One you've been waiting for.
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Champions is a unique series marked by thoughtful commentary on activism and the youth being told they need to know their role as subservient to adults. The second issue brings into focus the complicated nature of conflicting ideas, never casting any one side as wrong, but letting the reader decide. That makes this book an entertaining read for readers who want a little complexity and thoughtful contemplation in their comics.
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Obviously art can't carry a book all the way, which is no slight on Niles, particularly because the story has no faults. It's more due to the delivery and it feels a little too decompressed at this point to truly amaze. The story is unfolding nicely, but the fact that I'm at a loss for how the protagonists relate really dumbs down the ending of this issue.
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Essentially ending with two major cliffhangers, this issue continues to bring the summer event goods. It progresses the story just enough and the art is detailed and effective. The thought-provoking story is good too, and we once again see a war brewing toward some major clashes. Unfortunately a scene change makes it unclear how things have changed by the end and the only certainty is that more conflict is coming.
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Clear continues to be an exciting mix of mystery, strong character work, and future tech that is clever, believable, and on a certain level, downright frightening. Its blend of noir detective work and science fiction is so addictive it's a story that feels like it could sustain an entire universe.
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Clear #4 progresses the mystery arc while supplying deep character writing as Sam reels from emotions that are deeply human and real. It's got all the bones of a great sci-fi thriller for the ages as the mystery continues to unfold. All told, it's a satisfying read from multiple angles.
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Clear #5 reaches its penultimate issue with excellent new ways of expanding its sci-fi world and the ingenious concept of skinning it with Veils. The series continues to be great sci-fi with smart ideas wrapped up in a mystery that has a deeper meaning I think we all can relate to. Now the question remains, is the truth something people will want to see, or will we choose to live our small lives hoping for no change at all?
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The book is changing gears considerably, especially due to the event on the last page, but the general horror and mayhem that's made the entire series great is still there. Recommended.
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The wit of Cobra Commander is on full display in the third issue, revealing even more villains in the new Energon Universe. I'd argue that not a lot happens, but there are plenty of characters to soak up the scenes as the Cobra Commander regains his edge against his enemies. Come for the villainy, but stay for the unfettered violence.
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Cobra Commander #4 goes a long way in showing where this story is going. We not only get to see why Cobra Commander is going to be rejecting Cobra-La, but also how he may team up with a classic villain. In a well paced chapter, Cobra Commander is a worthy action-filled sci-fi adventure.
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A satisfying conclusion that brings on the darkness to a dawn that will never come. Chilling stuff.
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Due to Brian Wood's ability to write a strong character driven story one might argue Conan has never been this fleshed out before. While other authors have developed the incredible world, Wood sticks to the character and his internal psychosis. It's different for Conan, but because it's so different it's worth reading.
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I enjoyed this first issue immensely. Cut down the middle, it sets up the story with some good fighting and then breaks for some dark mysteries and adventurer traps. Sets up yet another Marvel Conan adventure worth exploring.
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The only weakness of this issue might be that the stories don't feature a wider range of Conan the Barbarian story types. It's clearly not trying to thoroughly capture every Conan the Barbarian story, like the pirate life he lived, or that of the thief or even the clever adventurer, for instance. All told though, Conan the Barbarian #25 is an entertaining collection with clever ideas and entertaining action.
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Once again, Conan the Slayer proves if you like your ultraviolence with gore this is the swords and sorcery book for you.
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A good issue that continues to blow the doors off your expectations.
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I'm reading for more Cosmic Ghost Rider, and given the pieces put in place, Cabal and Phillips have a surefire hit on their hands here. While the main story is a bit slow to the punch, the twist is compelling, and it'll be interesting to see how this future Frank Castle continues to evolve and grow.
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Crashing #1 is a promising start to a series that ventures into a genre we don't have enough of: superhero medical drama. In its first issue, Klein and Beem have introduced us to a complex world and a main character who's as complex as they come, making for added potential in exploring its story.
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Creepshow #1 comes out of the gate running, or in this case, screaming and blubbering. Both stories feel like an homage to older comics and the legacy of Creepshow while offering unique tales worth getting lost in.
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Creepshow: Joe Hill's Wolverton Station is a great one-shot featuring the worst America offers in greedy businessmen and the fate that befalls them when they take their work abroad. It's a good werewolf story that perfectly matches the gore and weirdness.
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Cruel Universe #4 maximizes the weirdness and horror with a few political-leaning tales. Compared to earlier issues, this anthology has a lot more science, making it a twisted good time.
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Cyborg #6 offers fast paced storytelling with strong characters in gorgeous detail. The pace might be a bit too fast for its own good, but you can't deny it's a lot of fun.
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This is another good issue in a series that aims to shine its satirical light on the profound stupidity of campaigning. This series would be a lot funnier if it wasn't so damn close to reality, but D4vocracy is the strongest satire you'll find in comics today–incredibly imaginative satire at that.
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A strong issue as it sets up where we go from here and establishes firmly the Damage monster was created for good.
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Even though the art is well rendered, the layouts are boring and the flashbacks not immediately obvious. The story is good enough to make up for that though, as the queen is a strong female lead in an industry of weak female characters. The mech element, while a bit crazy to see in a fairy tale, works because it makes sense in this world. The giants also look fantastic and the concluding battle is balanced well with flashbacks.
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Yes it's good. A decent issue that is balanced and keeps your interest in a variety of ways.
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There's something beautiful about Danger Street #9 that's straight out of the Seventh Seal. If it wasn't obvious yet, Danger Street is an impressively made parable for modern times utilizing modern superhero sensibilities. This issue does try your patience, but feels rewarding all the same.
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Danger Street is a compelling work of comics fiction. It utilizes largely forgotten characters in a way to elevate them and, by extension, elevate the idea of comics as pulp entertainment that can be so much more.
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All in all, this series is developing nicely and it'll certainly be a strong read when collected. The story is a bit slow as it stands, but I'm loving the horror imagery and the slow burn ideas at work here. Hill House Comics continues to be a massive hit for DC Comics and I simply can't wait to see what season 2 looks like when this and the other series wrap up.
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Daredevil & Echo #1 comes out swinging with revealing flashbacks of Manhattan's past, a killer on the loose, and two team-ups worth investing in. If you dig superhero team-ups and past truths revealing themselves, pick this one up!
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Blending ideas around faith, pagan traditions, and other worlds, Daredevil & Echo #2 continues to excite. The street-level heroes are encountering something that they may be outmatched for, but given the strong dialogue and plot, we're in good hands here.
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Aside from the awkward ending this is turning into my favorite All-New All-Different series. Eye popping art, a unique villain and a new job for Daredevil means fresh, fun stories.
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A strong issue that'll get you giddy for what is to come.
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I'm all in on Daredevil's new direction. The character feels fresh, but his new role as a priest suits the legacy of the character. Throw in a supernatural threat, and Daredevil is shaping up to be an exciting new era to add to the legacy of epic runs.
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It's an exciting time to be a Daredevil fan, largely because the character is on a new path of fatherly responsibilities of a priest but also a guardian. Paired with Kuder's great fight choreography and action you have the makings of another epic run to go down in history.
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The art in Daredevil #5 crushes, which is ironic since She-Hulk literally crushes things as her muscular body ripples throughout the book. Ahmed progresses his main story forward while there's a well-written superhero book with heroes doing everyday things on top of it. That's a win, especially in an age when superhero books go high stakes on a universal scale too much.
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This is a great first issue for a story that has an exciting and very enticing premise. This is a clever and compelling story that fans of myth and monster won't want to miss.
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Not a bad issue at all due to some much needed story progression. Batman is getting on his feet while Superman does the opposite which makes for entertaining Dark Knight-style reading that's leading somewhere, and where exactly it's leading is slowly becoming clearer.
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Dark Knights of Steel #7 is a good issue, especially if you're a Batman fan. Taylor continues to evolve and develop these characters in a way that feels new, yet spiritually accurate to who they are. Given the fantasy setting, Dark Knights of Steel is a great twist on DC Comics superheroes.
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Dark Knights of Steel #9 doesn't hold back, making for an action-packed issue with shocking moments. Twists and turns abound too, and while the characters can't catch a break, it's exciting to see the plot move forward so quickly.
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Dark Knights of Steel #12 manages to wrap up the long building final battle while setting up a universe well worth exploring again in future series. Throw in a key character death or two and you have yourself a rousing climax.
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As it stands Dark Nights: Death Metal The Last 52: War of the Multiverses--and really the entire event--is a celebration of everything DC Comics has done and will do. It's a celebration of infinite characters all coming together and the infinite possibilities within. This issue also serves as a reminder of the epic battle that is taking place involves every character from a vast multiverse and while this is only a taste it's a robust one.
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Dark Nights: Death Metal Infinite Hour Exxxtreme! is a unique multiverse experience framing the "main-man" as the reluctant hero in a story filled with offensively crass versions of Lobo. It's a flawed, but an engaging tale that's creative in its attempt to show how Lobo would taint the likes of Batman, Wonder Woman, and Superman.
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DC Comics has done well to pull off an even that is made up of more one-shot stories than the event itself. Add Death Metal Rise of the New God to the list of good comics storytelling that adds weight and stakes to an event that can feel unseemly and hard to fathom.
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Dark Nights: Death Metal Speed Metal is another good one-shot in an event that has taken a month off to let side stories percolate. Speed Metal is a wholesome superhero tale with a believable Flash family capable of defeating the worst evil imaginable.
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The good guys get closer to the culprit in a tension-filled fourth issue of Dark Spaces: Dungeon. The characters are on high alert and you will be too.
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Color me intrigued for more The Hollywood Special. The first issue firmly establishes its unique setting and main character with plenty for the readers and reader to dig into as the story progresses. As far as the threat and conflict, I did want more, but there are strong bones in this story that horror can hang on.
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Darkhold: Omega wraps up its story in a satisfying way offering up a big climax, some resolution for our heroes, and some closure for Scarlet Witch too. It's a series that has been filled with clever ideas with an evil slant and it all ends with readers knowing it all mattered. That's something many recent Marvel events can't say.
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Dawnrunner #4 sets up a mega showdown as our heroes evolve into something greater than themselves. Can they save each other, and all of humanity? It's certainly setting up a finale for the ages.
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A fun issue that's drawn with kinetic aplomb.
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A fun done in one adventure pitting some space cops together in a gorgeous package.
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A fun main story and a hilarious backup make this a must read for fans of Lobo and/or Wiley E. Coyote.
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80 pages and retailing for $9.99 this is a book with some truly adult scares and unique looks at classic DC heroes.
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DC: Mech #1 is a fun and surprisingly deep introduction to an alternate universe where superheroes control mechs. Not only does it supply a valid reason for it, but draws you into what could be in this alternate reality.
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It's not often a special issue like this one comes along and reads so well. From cover to cover, it's as if Fitzmartin always planned to tell Tim Drake's story over three chapters that'd eventually amount to DC Pride: Tim Drake Special. The episodic nature of comics works well with Tim coming out as he must first admit it to himself, open up to family, and then finally open up to his ex. In this way, the story feels natural and important.
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There's so much to love in DC Silent Tales #1. I suspect young, new, and old readers alike will find something here to make you laugh, grin, or jump for joy. There's something infectious about Duarte's style that makes you feel young again.
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Four of the 11 stories resonated with me strongly, but you may have even more. Overall these stories are solid entertainment.
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Rosenberg has been at his best with multiple plots moving along, and DC vs. Vampires: World War V #3 is no different. Aside from scenes ending too conveniently and abruptly, this series has a great pace with a good mix of horror and melodrama.
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We're only three issues in, but DC vs. Vampires #3 keeps the pedal to the metal while capturing the heart and soul of its characters in a genuine way.
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DC vs. Vampires #6 ends in a way that perfectly sets up the second half. Comics fans will appreciate the season-ending reveals and deaths and will be thirsty for more.
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DC vs. Vampires #7 is another great chapter in a series that's more about seeing heroes die, become vampires, and interact in this alternate timeline. This issue has that in spades while building on how the heroes can turn the tide even after they seemingly lost everything.
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DC vs. Vampires #9 is a great chapter juggling the badassery of Green Arrow, the sea voyage of Supergirl, and the attempts of the heroes to enter a bordered-up Gotham.
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DC vs. Vampires #10 will win you over with its conclusion and Batman-friendly message. This issue does a better job with subplots than the last issue, and everything progresses nicely.
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DC's Legion of Bloom #1 is a nice way to celebrate the coming of spring. We've made it this far, things are starting to warm up, and even our favorite heroes have tough days, but there's always tomorrow. DC's Legion of Bloom reminds us where flowers bloom, so does hope.
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I enjoyed this issue as it kickstarts Logan's adventure in a clear way. It has a good balance of humor and action while also setting up a buddy cop style narrative that'll be fun to read. Dead Man Logan has a detective noir sensibility that's hard to resist.
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Deadly Neighborhood Spider-Man #2 is a gorgeous adventure worth exploring. Mixing science and myth while putting Spidey through a spiritual journey is intriguing enough, but when done in such an artistic way, it's hard to put down.
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This is a good first issue that introduces the team and Deadpool's concern with them. It doesn't spend too much time on each of them, but it's clear that's not the point. As the title suggests, this is Deadpool AND team and their mission is intriguing based on the cliffhanger.
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If you're looking for a good fight comic, Deadpool & Wolverine: WWIIIdelivers and then some. The art is dynamic, and the characterization of its heroes is spot on. I was left wanting as far as what the threat is, but it's clearly a slower reveal sort of story.
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Another great Secret Empire tie-in.
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Deadpool #1 comes out of the gate swinging, introducing some clever villainy on his body while showing his romantic heart is as strong as ever. Read this one for the in-your-face art and exciting love interest budding from an assassins club far too good for Deadpool and we love him for it.
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A strong first issue because it does the work setting up the characters and the reason for fighting at all.
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Deathstroke continues to prosper thanks to issue #4's measured pace and storytelling. This issue sets things up well, captures a moment between father and daughter, and even tells the story in a new way for comics. It's slow though and the cover certainly is misleading!
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A good first issue that introduces the members of a brand new team.
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Gorgeously rendered with great character work though there are two scenes that seem long or pointless.
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Another strong issue in a series that's buy-on-sight!
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Introduces the story well and has a good art style that'll get under your skin.
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It's rather exciting to see comics like this come from Marvel Comics. Demon Days: Mariko by no means conventional, strays completely from the title characters used, as it's more of a thought-provoking dream of a tale. Simply put, Demon Days is a work of art to be contemplated.
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A better volume than the last due to the great fight sequences and visual flair.
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The plot thickens in Demon Wars: Shield of Justice, which continues to show the fantasy realm and the real world are bleeding into each other for Mariko. If you've enjoyed this epic blend of heroes and folktales, along with Momoko's endearing art, you'll love the next chapter.
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Destro #2 doesn't hold back with its action and further development of its three lead characters. Destro has met his match with the twins, but both are ruthless and capable of cutting out the knees of the other. May the best killer win.
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Destro #3 shows new sides of Destro as he fights in the field and shows off his master strategist mindset. This is a suspenseful issue that continues to tug at the evils of the military industrial complex.
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Unfortunately comics need to sell a promise on their cover to get people to purchase them. This cover seems to suggest we're getting a ton of Wrath, but instead we're getting an intro to a longer story. Don't expect much Wrath when you crack this issue open. Those of you who have patience should dig this story. By all accounts Layman knows what he's doing and we're in for a wild ride.
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I'm excited, nay, I'm pumped for the Batwoman Rebirth issue on sale Feburary 15th. This issue does well to establish the complexity of Batwoman, how her dynamic with Batman makes for interesting storytelling, and how she deserves her own corner in the DCU.
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Exciting and action packed, Tynion IV and the artists on this book capture the wartime nature of the story and set up the stakes quite well. Fans of Cassandra will be on the edge of their seat as her mother truly is a formidable foe indeed.
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The shit hits the fan as things get a whole lot worse while Cassandra's character is developed in interesting ways.
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A solid start that'll make you think about vigilantism in a team format.
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A strong finish to a great story arc.
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A good issue because it tinkers with the makeup and identity of Two-Face in an interesting way. Sure, it's hard to believe the heroes will even listen to this madman let alone work with him, but it's a fun adventure nonetheless.
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I'm all in with Arkham Knight as we finally get the full story on the character.
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An example of how Batman comics can subtly draw you in with character and detective work.
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A good finish to an interesting tussle with a Nordic-themed villain. Batman is more alone than ever, but Tomasi and Godlewski prove you can't beat the greatest detective of all time.
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This is a good action-heavy finale to the Two-Face cult story arc. If you're looking for bombastic action you'll find it here in a slick package. 
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Detective Comics is an impressive book that balances dark intrigue and a story you'll hang on the edge of your seat to read. There's a theatrical nature to this tale that's unmistakable and sets it apart from most superhero comics.
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Detective Comics #1082 continues to explore the psyche of Batman on a hallucinatory trek for the ages. Paired with the equally fascinating psychological game being played in the backup, this is a great read.
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Detective Comics #1084 is the calm before the storm, only this time, Batman has all the cards and is ready to take his city back. The grand finale of Ram V's epic run has all the makings of an all-time great tale.
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Detective Comics #1087 moves at a fast clip as the heroes attempt to take back Gotham in a plan that unfolds before us.
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Resolutions in fight scenes take center stage in Detective Comics #1088, which builds towards a final showdown in Ram V's epic run. There are many satisfying moments as heroes get their wins, and the weird comes out to play.
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Detective Comics' latest epic ends a strong story of life, death, and everything in between. This tale ends like an opera with music playing and high drama, and while it feels inevitable with stakes seemingly passed by, it's epic in its tone and atmosphere.
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Detective Comics #1091 stands out as a visually remarkable and emotionally resonant issue. While its pacing could use refinement, the depth of its themes and the quality of the art make it a memorable addition to the series. For fans of Batman's more introspective tales, this issue is a must-read, offering a unique exploration of his vulnerabilities and the choices that define him.
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Devil's Highway is a chilling ride that has brutal crime elements that are anchored by its lead protagonist. It's the kind of crime thriller you don't usually see unless "By Brubaker and Phillips" is emblazoned on the cover.
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Devil's Highway #3 is a good issue in what is becoming the best crime series of 2020. Its ability to show the seedy underbelly of small-town America, move forward an interesting mystery, and highlight the personality of its lead character all combine into a crime thriller worth reading.
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Devil's Reign #1 is a good start to a six-issue event that may retread the idea of superheroes being illegal, but establishes its main players and plot so well you'll be on board. The craft and care taken in this first issue is apparent from the very start with no filler or fat to be found. This is a hard-hitting and human character drama of a superhero variety rarely seen in street-level comics.
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Devil's Reign #5 is a great penultimate issue as it brings big splashy superhero moments to the forefront while evil dealings in closed-off rooms take place. There seems to be a statement being made here about superheroes being loud and ineffective while true justice remains unseen where it matters most.
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This issue is paced wonderfully, with a ton of great dinosaur action to ogle. In the grand scheme of this five part series it is a jarring change from the first issue, but that's just fine. Anyone looking for a sweet single issue blind buy read should be happy with this issue too. It delivers everything promised on the cover and then some. And when you think about it, in this day and age that's saying a lot.
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This issue is fun. Doctor Strange is a character that can take you to new places and this story does so and then some. Who needs the Magic Schoolbus when you have Doctor Strange showing us the wonders of the G.I. tract?
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This series is pulling off quite a trick with each issue feeling self contained yet progressing the larger narrative. Doctor Strange can be wacky, definitely weird, and wildly fun.
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Jason Aaron and Chris Bachalo continue to pump out Doctor Strange comics that assert his world is very much different from the rest of the heroes. Every month you're reminded of the topsy turvy and wildly weird world that's infectious.
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A strong start that is hindered by a slower pace.
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A good issue that continues an excellent adventure.
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Doctor Strange #10 is the 400th issue if you count legacy numbering and in many ways, it does a fantastic job honoring the character. Mark Waid's main story, along with the fantastic art from Saiz, will make you want more.
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Visually stimulating with some great character moments. You will want the finale to come right away after this one!
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An entertaining opening issue with clever ideas albeit it does drag a bit in the middle.
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As a reader of superhero comics my entire life, I highly recommend checking this series out for its smart take on heroes and the insane sci-fi ideas at work in their narratives. Arbona and Towe capture the fun and adventure of superheroes with a nice twist on them. Valiant has a great character on their hands here, and an even better plot taking place in this third issue.
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Wacky, wild, action packed...there's so much to love when it comes to this still developing series.
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A fine conclusion with the team coming together nicely.
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A strong issue that changes the direction of the story.
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Doomsday Clock continues to be grade A comic book storytelling. That said, when you take into account the series as a whole I'm not sure how palatable the series is panning out. There's clearly a grand plan, but that plan is so boisterous in its approach it's hard to take in each issue and appreciate it. Still, there's no doubt in my mind this is some of the best comic creation today.
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A fresh-faced sci-fi epic with strong fantasy sensibilities.
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This series always excels when it reveals the science behind things as simple as gunpowder and this volume has that in droves. A lot of the plotting can feel circular as characters get chased, caught, and chased again, but it's quite clear the development of science takes a big leap this volume.
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I liked this issue for the sense of adventure and expansion of the magical worlds Stephen Strange seems to be able to trot into at a moment's notice. For the longest time, Marvel Comics has clipped this character's wings by reducing his abilities but now it seems we're steering directly into the awesome charms that go beyond just abracadabra.
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Dragonfly & Dragonflyman is a great start to the follow up to AHOY's groundbreaking first series. If you like superhero commentary with your comics give this a look.
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Overall, this is a good fourth issue that balances the two worlds well. I can't get enough of the cute and innocent nature of the Omega world and it's fun to see a ridiculous character like Kaktus pop up in the grittier Alpha world. Pick this one up if you're a lover of superheroes, whether it's the grit of modern comics or the glam of Adam West style comics.
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The panels make up a question mark, but they also show a neat cutaway to the bones within. Each frame is interesting to look at, but all three together build the tension as our hero sees what he did the following night. This guy is going to be someone to watch out for in the future that is for sure. He has a style all his own, but it reminds me of Sean Phillips with a little more creativity when it comes to page composition.
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Artist Greg Smallwood continues a very controlled yet elaborate composition heavy style in this book. It's much appreciated, because how often have we seen people shooting and punching each other in a simple way? The composition of the page keeps you interested and the flow of the story always moving forward.
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This series is starting to turn back around with this very well paced and fun issue. The overall story has always been compelling, but the balance is back and it's almost as good as the original run.
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This is a stellar origin story issue that is just fresh enough to be worth a look. It's definitely a take on the original origin, but it's fun and fresh because the character's voice is so strong.
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Edge of Spider-Verse #1 is every bit as strong as the sum of its parts. Each tale feels like it's building towards something while giving readers a different flavor of Spider-Man. The threat may seem far off and vague at this point, but Edge of Spider-Verse shows how the Spider-Verse is vast and incredibly rewarding.
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All told, this is a good milestone issue, although it feels a bit thin. Another conventional superhero story not in a cartoonist style would improve the overall feel--it's a bit heavy on Sunday morning comic strips--but it's an entertaining read all the same. Elektra #100 opens with an impactful story by a comics legend, making this a can't be missed read for longtime fans.
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If we're lucky, Marvel will keep printing these series, as Elektra: Black, White & Blood will make you want more. Comics is a visual medium, and once again this series shows off the artistry of storytelling from three greats. It also supplies meaningful takes on the character, which is particularly great since historically she's been rather one-note.
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History buffs will need this. Fantasy lovers will love it.
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When you put this book down, you'll either love it for its callbacks and rich visuals, or be put off by how it's more of a primer on the deeper story than any actual events occurring right now.
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This is a book that creeps up on you with its very clever final page. As far as first issues in event comics go this will likely make many who didn't even know who the Skrull or Kree are want to keep reading. The opening salvo for Empyre reminds us superhero comics are fun, stakes are high, and clever ideas prevail. 
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I'm a fan of fun, and this book has it in droves. While it took a while to get to the motivations and stakes, I have to respect how well the creators have built up the architecture of such a massive event. So often comic book events have one or two key players, but astoundingly, here there are many Marvel superheroes a part of the bigger story in some way. Empyre is big, loud, and brimming with characters to root for.
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'Empyre' #5 is a great continuation of the story. Empyre has got it all: Love, high stakes, and densely rich heroic moments.
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Empyre: Aftermath Avengers #1 is the perfect coda to this summer's Marvel Comics event. It closes the door on major plot points but keeps it cracked just enough to get your imagination going with where we go from here. This book looks as good as the event itself, which is actually uncommon for many events in Marvel's history, but somehow Schiti and Gracia keep the quality level up to a high standard. If you read Empyre and enjoyed it, you must read this. And if you want to keep tabs on where Marvel Comics goes from here, you guessed it, you gotta read this.
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Empyre: X-Men has the humor and self-awareness of Shaun of the Dead, the intensity of Lone Survivor, and the monster madness of Hellboy. Simply put, this is summertime blockbuster escapism in the style of X-Men.
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Endless #1 is a good start to a story that'll please fans of Pires. It offers a grounded main character in a relatable situation and thrusts them into a sci-fi conundrum.
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If you had any doubts as to why "Endless Winter" needed to exist, readSuperman: Endless Winter Special. This issue establishes a very relatable world to our own during the pandemic and offers up a shred of hope that is incredibly suitable given Superman is the lead character.
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Blood, gore, and the unease rising in your belly are all in Epitaphs from the Abyss. Like any anthology, some stories hit better than others, with one out of the four ending up being a must-read and the other three coming in close second as entertaining in their own right.
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Epitaphs from the Abyss #2 contains three stories, two of which are clever stories that'll hook you right away. With the majority of stories being great, this is a no-brainer pickup at the comics shop.
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Eternals #11 is a good penultimate issue for the current story arc and a nice primer for the summer event kicking off in a few weeks. It serves to keep the plot moving with Thanos, shows us how the Avengers and Eternals have things to fight over, and plays nicely into the well-narrated story by the Great Machine.
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Everafter has a winning formula of multiple genres, which feels right at home in the Vertigo library. The first issue solidly introduces us to the characters and their MO though it could use a bit more clarity as far as the state of the world.
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Likely this is the penultimate issue and you can tell by way of the amount of action and twists in the narrative. Howard and To are preparing us for a whole new adventure as the characters come together and fight as a (nearly) a full team. 
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Extreme Carnage: Omega is a satisfying finish to this summer's best horror-gore event. It's a final issue to a story that understands Symbiotes need to be ultraviolent, but they can also be complex in unique ways. You'll put this book down and realize Johnson and his collaborators have added a great chapter to the Symbiote narrative and Venom was nowhere in sight!
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Extreme Carnage: Lasheris another good issue in a one-shot event well worth checking out. It features all our favorite Symbiotes in a more horror-centric way and isn't pulling any punches. This issue clearly aims to mix things up and develop the Symbiote world and it frankly feels like this side of the Marvel universe needed it. Extreme Carnage continues to be a great injection of horror and action into the colorful world of Symbiotes.
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Extreme Venomverse #1 is an exciting start to a new way to celebrate Venom. It promises big swings with new takes on Venom and the start of a bigger story to keep coming back for.
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Extreme Venomverse continues to innovate and excite with new takes on Venom. Issue #3 features a good mix of action, clever ideas, and an ongoing realization that the multiverse of Venom characters need to band together.
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A great second issue should put a lot of naysayers in their place. The Fantastic Four are finally back at it in Marvel Comics, and the creative team is delivering on big time ideas that only the first family could tackle. This is fun comics.
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An action-packed issue that features each Fantastic Four member doing their part. The book is visually stunning and new details emerge about the characters that excite.
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This is a good issue that has established a strong purpose for the characters that links loosely to the Empyre event. Seeing Wolverine and Spider-Man team-up is always a treat and their use is maximized in the issue.
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Fantastic Four #33 delivers on all your expectations for the night before Doctor Doom's wedding. Each member of the Fantastic Four gets a moment to say or do something, and the setup, along with the cliffhanger, is highly entertaining. Most of all, the tension in this issue is delicious and should have Doom fans excited for a little revenge.
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Fantastic Four #35 is a great way to celebrate the first family while supplying some new wrinkles too. The main story is like a celebration of Kang the Conqueror, which is fitting given his recent return to the Loki television show. For that reason and the new wrinkles in the Waid story, this Fantastic Four anniversary does a good job blending new and old elements for new and old readers alike.
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Fantastic Four: Reckoning War Alpha is good at setting up a universe-ending event while also adding new details and plot threads to hang its hat on. More importantly, it controls the chaos of many characters fighting at once while never feeling confusing. For that, it's a good start to an event that will likely change everything.
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Smart and clever with impeccable attention to detail, Fantastic Four continues to be as good as its ever been. This issue is slower to get going, but it's impossible to miss the character work, love of the characters, and nuanced storytelling.
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I'm starting to sound like a broken record, but Fantastic Four continues to be exciting as it introduces new and inventive sci-fi problems for the heroes to solve. This issue is no different, with a clever storytelling structure and a fresh tale that pulls you in.
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Fantastic Four #11 is another good chapter this time focusing on Thing. He gets to save the day and even use his noggin in another adventure that requires a bit of real science tethered to superhero hijinks.
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Fantastic Four #12 is going to delight fans of superheroes and dinosaurs. Leave it to North to stick the Avengers into dinosaur bodies and Coello brings them to life splendidly.
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It's no surprise, but North once again delivers a great new sciency adventure for the Fantastic Four to solve in a single issue. It also resolves a longstanding problem and cements a new era for the team as it grows for the better.
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I never thought I'd see the day a comic could make 17th-century scientists be the center of a superhero comic and work, but here we are. This series is so good at coming up with science-related problems for the family to solve I'm starting to wonder if I can create a wish list of my possible subjects for the following twenty issues. Either way, Fantastic Four #16 is great.
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If it's not obvious yet, this family gets into the craziest adventures. Fantastic Four #19 shows how the science fiction of it all can blend with fun tropes in a noir adventure worth checking out. This series continues to be the most clever and imaginative superhero comic on the stands.
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Fantastic Four #20 takes the mundanity of working in a grocery store and plucks out family conflicts in the process. There isn't a family-based superhero comic out there as good as this.
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A must read if you've been paying attention to what Marvel is doing right now.
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A great first issue that sets up the heroes and premise well, but may run on a bit too long with the Golden Age hero bit.
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Fire Power opens its next story arc with a heavy dose of real-life domestic drama. Owen has put his family into a bad position and it's time for him to fess up to his family and make things right. Seeing how Owen reacts to the dangers of yesterday while interacting with his dad is interesting if you're into melodrama. Fire Power is a deeply real and adult take on a martial arts world with stunning and measured art to go with it.
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A good issue that's more of a kick starter than a satisfying issue you'll reread over and over.
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I had fun with this issue and found the conclusion satisfying. I think you will too, thanks to Williamson clearly understanding Flash history backward and forwards (or even in reverse) showing us Flash is as interesting as it is complicated. "The Flash Age" is perfectly calibrated for fans of the never-ending joy that is comic book storytelling.  
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The Flash #767 is a good issue establishing where the team is at after encountering the Frost King last issue and serving as a check-in of sorts. There are mysteries afoot from the villain to Black Adam, and more importantly the Justice League may be too tapped to find a solution before it's too late.
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The Flash #787 is a great comic to add to your buy pile, even if you haven't been keeping up with The Flash. Adams continues to show the Flash-family unit as a wholesome one your whole family can relate to while offering big sci-fi ideas that are over the top and fun. DC Comics can often feel overly dark and depressing, but Adams continues to show Flash's optimistic and bright side and the DC Comics universe.
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The strength of the Flash family is the key element that sets the "One-Minute War" apart from other superhero invasion stories. Adams captures the unique nature of every character while playing up the love and kindness they share for each other. It's an all-out war on Earth and the Flash family with great ensemble writing, making for addictive reading.
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The next chapter in "The One-Minute War" is an exciting one, as a kid hero makes a case for being your next favorite superhero. Pair that with the expert handling of multiple scenes as the heroes gain a new edge on the Fraction, and you have a highly entertaining event you can't miss. Flash history is made in The Flash #794.
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There's a lot to like with The Flash: One-Minute War Special #1 special. All four stories add to the event while doing their own thing with a different artist while giving each speedster a different vibe. Fans of the robust Flash canon will delight in all the familiar faces while learning more about the villain. This is a good special as it shows the scope of speedsters involved and the stakes in play as the villains currently reign supreme.
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There's a lot to like with The Flash: One-Minute War Special #1 special. All four stories add to the event while doing their own thing with a different artist while giving each speedster a different vibe. Fans of the robust Flash canon will delight in all the familiar faces while learning more about the villain. This is a good special as it shows the scope of speedsters involved and the stakes in play as the villains currently reign supreme.
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This was a good start to the new miniseries by DC Comics. I'm still not sure the stakes when it comes to Penguin's threat to Bane though, which takes this issue down a few notches. That said, it's well paced and Bane is thoroughly clear in his desires and power. Should be fun to see how this character developments.
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A great fourth issue that begins to steer into mystical areas of heroism and hope.
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Frostbite is entertaining if you're a sucker for character work. The industry has space operas, and based on the quality of this we might need to add the genre of Ice Age opera.
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Future Quest #8 is a gorgeously rendered comic with tons of monster action. I continues to be a wonder how Parker can fit so many damn characters into a single series, but he does it and it pays off in this one.
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All in all, Future State: Superman: Worlds of War #2 is an interesting exploration of different themes for each character. From Black Racer being okay with being the embodiment of death to Superman never giving up, there is something here for fans of each character. Enjoy this for its ability to tell each story apart from continuity and do so on its own terms.
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Editor Tom Brevoort has said, "This really sits on the axis of Saga and Sandman, and after reading the first issue, I'm not sure. The Sandman aspect is most obvious with Wyn and his entire vibe, but the Saga elements aren't quite there yet. I'm cautiously optimistic this series will soar after a few issues are out, but the first issue doesn't bring the wow factor House of X and Powers of X did. Regardless, visually sumptuous with a complex lead character, G.O.D.S. fascinates as it expands the Marvel Universe.
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G.O.D.S. is a fascinating read. Longtime Marvel fans will be intrigued by the potential for new developments and the uncovering of a vast system connecting the cosmic of Marvel. Casual readers will find it harder to penetrate, but if you're a fan of hard sci-fi, you'll gravitate towards the structures that hold it all up. G.O.D.S. #2 felt challenging, especially for a Marvel comic, yet in that challenge is so much promise that it's hard not to be extremely excited about where it could all be going. G.O.D.S. unlocks something that sci-fi fans are always searching out, but rarely find.
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It's a shame G.O.D.S. is only listed as having eight issues because self-contained stories like this one prove Hickman and Schiti have a great concept on their hands that could flourish with a hundred issues or more. The concept of roaming wizards and science experts uncovering dark truths that lay behind the facade of reality is excellent, as revealed in this issue.
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G.O.D.S. #6 is modern Marvel's Odyssey, only condensed into a comic book. The brevity of character work shows itself, however, making some of the elements unearned. That said, the wonderment is incredible in this ongoing sci-fi fantasy epic.
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G.O.D.S. #7 is a reminder this series is more like a taste-tester for adding rules and reveals around Marvel's cosmic universe. It's not so much building a story but building a foundation to develop stories later. In this way, it continues to intrigue while maintaining an obtuse nature to its grander purpose.
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G.O.D.S. #8 is an apt ending for its main character, Wyn, as the series closes the door on an idea machine that expanded our minds in the realms of science and magic. Whether you found it too confusing, or not as satisfying as Marvel seemed to promise, you can't deny it has added to the conversation of Marvel cosmic.
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The one major negative of this series is that it doesn't have enough of the good stuff, which tells me it has potential for a sequel at the very least. Maybe that's contingent on how this sells. If that's true, go buy this now! The comic is a lot of fun and would be an interesting and compelling ongoing series. Unfortunately, a single issue isn't enough to let the story and concept breathe. You'll be left feeling the story is imbalanced, mostly because the best bits have yet to be said.
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A solid conclusion--though a bit rushed--with amazing science fiction visuals.
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Get Fury continues to be the edgiest and most mature comic Marvel has published in years. The key to its success is the nuance in character work, and in this second issue, the reveal that maybe Punisher isn't on a kill mission at all.
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An excellent anthology to add to every Ghost in the Shell collection.
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Action packed and enjoyable as hell, Ghost Rider is that road trip you've always wanted to go on with friends; now can from the comfort of your own home. The character dynamics are on point and the action is rendered quite well. Just don't expect much Ghost Rider in his own book.
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Even if you're not interested in the next era of Ghost Rider, longtime fans will love Ghost Rider: Final Vengeance. It features a rare moment of the spirit finding a new host, and through that experience, Percy shows us the wide variety of types the Spirit of Vengeance dabbles in before finding the ideal and new Ghost Rider.
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Giant Robot Hellboy #3 is another great issue in the three-issue miniseries. That's largely due to Fegredo's incredible detailed, exciting, and unmatched art in the epic department.
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All in all, Giant-Size X-Men: Tribute To Wein & Cockrum is a great tribute to one of the most important single-issue comics ever. It's also a clever idea: Take something that fans and the creators themselves hold dear, and make something new via their artistic styles. The back matter is also helpful in drawing your attention to the creators behind the work.
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Glitterbomb continues to be intriguing as it captures the horror of Hollywood and the "monster inside you" story well. It's starting to fall into the trap shows like Lost fell into as there aren't enough answers to justify the reader's interest, but it's still early yet.
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Deeply meaningful, Go Home captures the brutality of humanity in more ways than one. Most importantly, this issue offers a story that will make you think about the human condition.
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Your enjoyment of this issue hinges on how much monster battling you need. If you want more character development and plot advancement you might want to skip this, but for what it's worth there is both of those things in this issue. There's just more monster battling overall. I never thought I'd love a Godzilla comic, but so far I've enjoyed every page Mowry and Frank have cooked up.
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We do briefly check in with the human protagonists, but only to give us an idea of where they might be going in the next issue. So far the series seems to go back and forth with an action heavy issue like this one then back to story progression in the next. Essentially this keeps us interested, but also delivers on all the monster battles we want in a balanced way.
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Green Goblin #2 continues to show a complex side of Norman Osborn's past evil acts and how he's dealing with them. One can imagine he'll lean into it and become the man he was born to be, but you'll root for him as he fights against evil to be better.
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Well-paced story developing characters and raising the stakes.
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It's manga with the charm of a grindhouse film pumped up on steroids.
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I'd call this a very easy win for anyone interested in a done in one entertaining comic that doesn't require extensive knowledge of the characters. Grayson Annual #3 contains good character dynamics, dialogue, action, and a satisfying, well-earned conclusion.
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A solid villain backstory that ties into Green Arrow's emotions mixed in with a fun and disturbing ceremonial scene makes this an above average read.
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Green Arrow continues to be a fun ride, introduces interesting ideas, and brings the surprises. Green Arrow does so much well it's hard to notice its flaws.
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A solid first issue in an arc you'll be deftly intrigued by.
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A strong first issue in a new arc that looks great and changes the game.
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The colors by Kristy Swan, while a bit dark, suit the creepy zombie storyline. I'm not sure who gets credit, but the clouds in the background in a bunch of the shots look pretty rad too. It makes the characters pop, and it's just enough reality mixed with the cartoony drawings to make things feel otherworldly.
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If you're looking for big action and a contemplative narration about fear,Green Lantern #5 is going to be your jam. Thorne is subtly introducing new elements never before seen in this series and it's working to make the series feel new again. It also highlights tough choices heroes must make and the results of rash decisions.
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As a fan of Jessica Cruz, I was hesitant to accept her turn as a Yellow Lantern in Green Lantern 2021 Annual #1. Cady and his collaborators proved a character can make a jump like this one and make it work. This issue also does a great job of showing how fear and the way of the Yellow Lantern can be used for good, even if it draws its power from a negative feeling.
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At the price point and page count, this is an easy addition to your buy pile. Green Lantern Dark presents a world of hopelessness that needs the light of Green Lantern to survive. It's incredibly moody, piercing your heart with hope like only Green Lantern can.
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Green Lanterns #18 is a fever dream that you'll never want to end. It tells a story that recounts billions of years, reveals key Green Lantern history, and is a fun story in its own right.
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A strong issue that delves into a heroes head as well as the villain connecting them in a meaningful way.
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A visual feast of an issue as our heroes come together and show off some impressive skills.
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Another strong issue in a series that'll be a must read when collected.
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Though the pace might just kill someone, especially with a story with such a delicious subtle reveal, this is another good issue. Green Valley is a gorgeous book with a story that will get you talking around the watercooler in no time.
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A fun and action packed issue with the heroes coming to blows and living out their heroic dream.
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The real strength of this issue is its pacing. It cuts between flashbacks, but also introduces the kidnapper in a very articulate and interesting way. It's also a self-contained sort of story which helps for anyone new to the series. Because the main thread of this story is self contained, you can enjoy the majority without knowing what happened before, but also be introduced to the obviously complicated web that's being spun.
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Overall this is a win for Zenescope. The story is ambitious as it takes place in both the 1500's and the present day, and juggles the main event series well but also has an identity of its own. Its tie-ins like this that prove a summer event can succeed for the reader and the publisher. Too often the tie in is an excuse to sell another book, but here it's obvious a good story is being told.
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Groot #1 is the kind of comic that'll have you digging out your old Marvel cosmic comics and thirsty for more. Abnett and Coucerio have an interesting story at work here, exploring the earlier days of Groot, the Kree, and Mar-Vell.
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Visually striking as always in a finale that's all about resolution.
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This issue and its story arc have propelled this team from a ragtag group of heroes who do amazing things, to an amazing team right up there with the Avengers. The creators haven't forgotten it's the heart of this team, and their unity under the face of incredible odds, that makes them so special.
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Guardians of the Galaxy #14 comes out swinging this week with stakes-raising storytelling and a character twist that instantly changes the dynamic of the team for the better if you like comedy, awkwardness, and a new way of looking at Dr. Doom.
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I was pleasantly surprised by this first issue that effectively sets up a truly epic monster hunt for our girl Hack. Here's to hoping things continue to develop in a compelling way.
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Haha is an exciting new series launch from W. Maxwell Prince that takes a steady and serious look at how a single person can break under the pressures of an unfair world. This is a story about alienation into ourselves when a broken and terrible world becomes too overbearing. Somewhat more sadly, it's a story many will relate to and connect with.
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Life is unfair and can be crushingly harsh, but in the end, why are we here and why do we continue to do things at all? Prince and Langridge have made a comic that is helpful in understanding our own sorrows and, hopefully, inspires us to continue on even in the darkest moments. Haha, and this third issue, continue to mix inspiring dedication and focus on art, and dipped it into the very harsh reality that most of the time, the dream ends badly.
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Another good issue that tests the mental strength of the Hal Jordan, shows how awesome Guy can be, and reminds us the most imaginative types of stories spin out of Green Lantern.
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Epic moments and emotional ones too. Things come to a head as everything Venditti built could end soon!
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A strong first issue, though I'm still waiting on what the villains are up to.
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A great ending albeit it's quick!
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If you love Harley and Ivy together you can't miss this issue. It does a good job bringing them together and showing us key bonding all wrapped up in a zombie plot.
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A good start to the main story with a backup series co-written by Harley co-creator Paul Dini makes this a must read.
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Harley Quinn #30 is a great example of how far you can take the character when you lean into the cartoony nature of Harley's antics amped up by a literal cartoon universe. This series has a great sense of humor with eye-catching art that pairs well with the zany antics. Plus, we get a fun fairy tale backup story to round things out!
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There is a lot of content in this book and it's well worth the extra cost of $5.99. All told it's 36 pages of content and those are dense pages. There are multiple action sequences, good bits of dialogue, jokes to be had, and a fun narrative structure.
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Harley's Little Black Book puts on a show, making for a time-hopping jolly good romp.
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Hawkeye is a special kind of book that feels like a hangout with your best friend. It's fun, well paced, and good comics. The character might be too chipper, but I'll take it.
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It's becoming clearer with each issue Hell to Pay has something important to say about the capitalist system we're all tied to, making it feel important and well worth reading. Beyond this deeper meaning is an action-packed supernatural story involving demons, magic, and a supernatural espionage world worth investing in.
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Hell to Pay #4 surprises as it shows how much higher the stakes are while giving us some answers along the way. Meanwhile, this series continues to show us examples of people bartering with demons in the past and how that's all related to the story set in the current timeline. It does boldly change gears with an entire issue devoted to an unfamiliar character, but it pays off in the end.
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Hell to Pay #5 is a good penultimate issue setting up a final battle and delivering key details to further flesh out the world.
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There's enough setup in this issue to make you want more. Soule and Sliney are planning multiple miniseries set in this horror universe, and by all accounts, Hell to Pay is a great taste tester for much larger and scarier threats to explore. The Shrouded College universe ends, making you want more as the pairing of action and adventure is strong with its meaningful themes and horror visuals.
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I liked this second issue thanks to the heavier use of monsters and the revealing clues. This is a story that reminds us the darkest of horrors are everywhere, even where you feel safest. 
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Hellboy and The B.P.R.D.: 1957 Family Ties invokes superstitions in idyllic suburbia with excellent creature feature vibes and a moody sequence that'll have you on edge. It's filled with atmosphere and perfect to get you in the mood for Halloween.
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Hellions is the surprise contender in the X-Men line nobody saw coming, and coincidentally that's exactly what this super-team is all about. Hellions #4 delivers on the decompressed previous two chapters, and makes for a promising first step for the next chapter. This series leans into the absurdity of its characters, somehow making the hot mess stick and making you want so much more.
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With Madelyne Pryor popping up next issue, it's anyone's guess where these characters go from here. One thing's for certain, however: they're a more cohesive team than ever. It's also certain Orphan-Maker will be seeing repercussions very soon in what is an exciting and action-packed issue. Hellions #17 is sparked by an emotional ending in more ways than one.
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Hello Darkness #2 is a good reminder that there are so many art styles that work well with horror. Some tales are scary here, but the curation of different kinds of art will sell you. Hello Darkness delivers the unexpected.
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The fact is, Hellverine #1 takes big swings with what we know about hellfire, Wolverine, and recent Wolverine events. Once you put this down, it'll all make sense, fit within continuity, and offer a threat you'll seriously doubt Wolverine can beat. The high stakes are exciting as Wolverine faces new kinds of Hell.
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Hellverine #3 is a wild ride, and I'm not talking about all the motorcycles. Ohta and Percy and delivering adults-only violence in a story that's Hellraiser meets Wolverine.
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A good first issue that every literature lover (or writer) will love.
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Heroes Reborn: Young Squadron is a great example of how tie-in books to an event can have fun, inform readers on the larger universe, and tell a smaller story within the boundaries of a specific premise. Zub and Cummings do a great job establishing the voice of each character while supplying plenty of new elements to make this team a proper alternate take. Young Squadron is a great ode to origin stories and the bravery of superheroes with heart.
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Heroes Return ends on an epic note with matchups we've all been waiting for. Is it simple in its approach? It is, but it's also satisfying with all the action you want and a devlish cliffhanger.
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Another issue that's rich with creative world building and heart.
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Home Sick Pilots is a richly written and drawn series that continues to redefine itself. Issue #7 carves out an interesting love story and how that may affect the ghosts within the story.
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If you want some kaiju-sized action,Home Sick Pilots #11 is your best bet this week. Not only that, it establishes the rules as far as these two mecha haunted houses and a missing piece required to help the good guys win.
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A good first issue that ties the human realm with the reality of the gods while introducing its cast of characters in vivid visual ways.
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Howard the Duck #1 is a fun treat for fans looking for a bit of humor and a reminder of why Howard the Duck has lasted 50 years. At $5.99, this issue feels a touch overpriced since it's only four short tales, but it's also a love letter to Marvel in some respects and an easy add to your buy pile."
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I'm thoroughly enjoying the slow boil story, but some might find the pace too slow.
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I Am Batman #6 is a good start to a fresh start for Jace as well as the big New York move. Ridley allows Batman to fight, and a villain to emerge and draw the reader's attention, while also supplying an interesting political element. All told, I Am Batman is exciting, brutal, and unnerving as Batman navigates NYC as its most powerful ready to use him for their own means.
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I Am Batman is a tantalizing Batman book because it's allowed to do things differently. On top of a different type of city, Jace is trying not to be just another Batman, but something more and something that suits him. Add in the political elements the modern feel of New York, and you have yourself a pressure cooker of a story that does the rare thing of feeling like an evolved Batman.
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The art will make you barf with joy and the commentary on the insanity of fairytale lands will stick with you for a long while.
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Comics like this make me sad that Immortal Hulk is coming to an end. The depth of character and the types of things you can do with this hero feel limitless in the hands of these creators.
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The Immortal She-Hulk is an interesting story about the grander world of being a Hulk in the modern era for the character. It's also a great entry point for new readers. It'll make you want more She-Hulk comics, more Jon Davis-Hunt-drawn Marvel Comics, and more horror entwined with your superheroes.
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The Immortal Thor #1 will get you excited for what comes next as Thor faces something more powerful than anyone can imagine. Casual fans and classic Thor fanatics will adore the dynamic art and the promise for an exciting new chapter of Thor.
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Immortal Thor #3 is a nice bottle story, focusing Thor's attention on a problem only Loki could devise. While it doesn't build too much on the story of Toranos, it does have a classic Marvel feel that's unmistakable.
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Immortal Thor #8 offers up a visually striking issue that builds on the mythic implications of Thor's world. The series excites us as it builds out what we know of the old gods and while Thor is smaller than ever, he's also the only hero standing in the way of destroying Earth. It's epic in many ways.
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Immortal Thor #9 continues to explore Thor's identity in unique ways. To think a comic book could be Thor's downfall when he's as powerful as ever is exciting. This issue also continues to tug at Thor mainstays as Ewing explores the character like no other before.
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Immortal X-Men #2 has a good balance of plot development and character work. It's also a strong finish to a two-part story, which is rather bold in modern comics superhero storytelling. But bold is the name of the game with Immortal X-Men and Gillen and Werneck's work here.
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A departure from the main narrative, Immortal X-Men #8 shows that sometimes we must let the bad guys win to reach the best conclusions. At least, that's what Destiny seems to be getting at in a fun flashback-fueled story that plays into Mr. Sinister's early days.
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Impact Winter is shaping up to be an excellent new addition to your vampire library. The first issue expertly introduces Darcy, a broken world, and an unnerving enemy that surrounds the remaining humans. Ominous and creepy, Impact Winter will have you rooting for the end of vampires.
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This comic reads like a very middling sitcom as the humor is there, it's just not very gut busting, so don't expect a TV version on NBC anytime soon. That said, the story is strong and compelling, so throw this on Showtime and we might have a show on its hands.
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This book is an impressive piece of comic book craftmanship. The creative teams involved are all doing some of their best work and the sheer number of creators and chapters linked together is impressive. Tom Brevoort (with special thanks to Jordan D. White) should be commended for pulling this off so well. That said, it does suffer when you realize many of these chapters are linked into the narrative simply to act as a preview for what is to come. When it's obvious a chunk of story is there simply to refresh on what is going on, it's hard to care.
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"Planet Hulk" fans need to read this!
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Incredible Hulk #2 mixes horror, Americana, and internal conflict into a melting pot of eerie beauty.
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This is a good anthology with multiple must-read stories. Infinite Frontier: Secret Files is a great way to experience different versions of familiar heroes, or heroes we never get to see at all. More importantly, it reinforces the idea that the multiverse is filled with incredible tales and heroes -- we'd be dumb to think one universe was ever enough.
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Another strong installment that focuses in on the succubus teacher.
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If you're looking for an adventure comic that'll wow you and tickle your amygdala, give Into the Unbeing Part One a shot. It blends eerie visuals in an absorbing story that just might make you think about our own doomed planet a bit more carefully.
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If you thought this series was weird, wait until you read Into The Unbeing: Part One #4. The creatures, the artistry, and the utter doom these characters go through only increase. I'd read 100 issues of this series, but alas it's the end of part one.
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This is the end of an era for Marvel Comics and yet it kicks off a hell of a lot of stories.
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Pick up Invincible Iron Man #2 for the ongoing adventures of Tony Stark having a really bad time as someone attempts to ruin his credibility. Considering Iron Man is no longer rich, losing public opinion might be the worst of it...until you see that cliffhanger. Invincible Iron Man pays homage to the past while building up a mystery worth investing in.
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If you like surprises, you'll probably love Invincible Iron Man #10. It plays out the wedding in a way you won't see coming. Sure, the teasers and cover are misleading, but that's comics, so sit back and enjoy a team-up that somehow works even when the characters are like oil and water.
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In a lot of ways, The Invincible Iron Man #11 is all about Iron Man getting his mojo back. He's lost his fortune and most of his property, but in this issue, we see he's on the right track in gaining an edge on his adversaries. Along the way, he's also bonding a bit more with Emma Frost, adding to the dynamic duo's improbable connection.
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Excellent action in a fight comic worth reading.
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This series continues to feel entirely new, which is especially impressive when you consider this character is nearly 70 years old. Iron Man #3 continues to explore a morose Iron Man who is a hero, but is seriously questioning why.
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This is a good issue that wraps up Iron Man's side adventure while setting things up for the eventual confrontation with Korvac. Iron Man #11 packs in a lot of action, human moments, and a larger purpose as Tony Stark seeks to find himself.
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Iron Man/Hellcat Annual #1 is a good Hellcat-focused one-shot spinning out of Iron Man and offering some much-needed focus on the character. If you dig the supernatural and Marvel deep-cuts, don't pass on this great one-shot.
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This is an enjoyable first issue to a major war between man and machine. Arno Stark and his motives are outlined well here, so if you're jumping in now you'll have an easy time making sense of everything. Fans who read Tony Stark: Iron Man will be rewarded with some visuals and themes that progress well here and show us the world is changing.
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This is good espionage comics and even better choreographed action.
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If you like your action fun and fast paced you can't do better than this. Dynamite continues to produce well written and highly violent James Bond comics for an adult crowd.
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A strong issue though the plot moves slowly.
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A good detective story that feels well-timed with the political climate of today.
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This is a horror comic that gets under your skin.
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If you like infectiously chaotic characters,Jenny Zero II #1 is going to be right up your alley. Jenny Zero II mixes together a cool sci-fi setting, kaiju, and a uniquely high-energy main character to make for great entertainment.
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By issue's end, there's an interesting story here about never forgetting those you love and being punished for it by being trapped in the Goblin King's maze. For how well this book works, one could imagine BOOM! Studios publishing many more one-shot tales exploring this world and the various ways one might escape or be trapped in the Labyrinth. Labyrinth: Masquerade excellently explores the fantasy world and shows promise for more one-shot tales like it.
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If you purchase Jim Henson's Labyrinth #1 expecting droves of brand new material, you're going to be disappointed. Most should temper expectations, knowing the source material of A.C.H. Smith's Jim Henson'sLabyrinth novelization is very close to the film. Instead, know the visual style is perfect for this series while new additions here and there are certain to pop up. WithJim Henson's Labyrinth#1, more is more, with art that dazzles.
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The Joker: The Man Who Stopped Laughing #5 is entertaining from beginning to end, even if it's not progressing the plot as you might expect. Rosenberg proves he's got a lot of great ideas while entertaining through dialogue, twists, and the overall mystery. The Joker: The Man Who Stopped Laughing reminds us that comics can do anything, be it silly, violent, or mysterious, while also being adult and deeply real.
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The Joker: The Man Who Stopped Laughingcontinues to be a laugh riot of action, intrigue, and excellent Joker writing. The main story does feel like a long-winded way of showing how dangerous west coast Joker is before he heads back to Gotham, but you can't deny how entertaining it all can be.
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The Joker: The Man Who Stopped Laughing #7 continues to bide its time with answers, but it's a fun ride with a great chase sequence. Throw in yet another clever way of showing multiple Joker characters, and you have a solid chapter in this ongoing series that always seems to be taking chances.
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The Joker: The Man Who Stopped Laughing #12 comes to an end not with a whimper, but with a bang. It's as big and action-packed as any blockbuster in Hollywood today, yet refuses to utilize Gotham's biggest character as it makes its point. This series has always been about punchlines and payoffs, anticipation and course-correcting twists, and with its ending as bold as it is, it's hard not to respect it.
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This is another issue of Judge Dredd where I think to myself, “there's nothing else on the stands that can deliver this type of material.” Science fiction fans should enjoy the social commentary and anyone looking for a laugh should enjoy the black humor. That said, Dredd fans might be in for a hit this week as there's more here about the amusement park and its creator than Dredd himself. Regardless, this new story arc seems to have legs and should be a fun ride.
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The only negative to this issue is the final four pages. These pages resort to concluding the carnie storyline and segue into what we'll be reading next month. When you only have roughly 22 pages of content that's a lot of wasted comic and it rather abruptly and lazily ends the carnies.
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Juggernaut #1 is a good first issue in a new solo miniseries. Typically, these types of comics have a cheap hook or an easy way to gain the trust of the reader, but here you'll be swayed by the interesting character dynamic, a Juggernaut with secrets to tell, and an art style that has a great atmosphere. Garney doesn't have your typical clean superhero design aesthetic, but something that imbues a sense of deep calm or contemplation. That works well for this book. Juggernaut mixes fantasy and superpowers in an unstoppable package.
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Measured and well written drama about a happy marriage is solid, but where is the conflict?
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Jupiter's Legacy 2 is turning out to be a satisfying continuation of the story Millar told in Jupiter's Circle. Strong pacing and a message about society we can all relate to is within your grasp – you just need to buy this!
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A solid ending that continues to showcase how Millar can tell fresh stories with super powered heroes.
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This is a fun issue with fantastic art and big action, but don't expect the resolution to be anything more than superhero stuff.
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A strong finish that gets you excited for more. I haven't had this much excitement and hope for the Justice League in a very long time.
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This issue delivers a lot of info while getting under your skin with the Batman Who Laughs.
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DC's next event kicks off here and it's not looking good for Earth.
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As far as event comics go this issue progresses things very nicely. There's no decompression, but instead a wealth of entertaining scenes and plot-progressing moments. This is the speed events should always move in. That said, the villains turn tail in a way that is somewhat unearned.
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A good issue that wraps up Martian Manhunter, John Stewart, and Hawkgirl's adventure in outer space. If you're not excited for what comes next, you might as well stop reading comics. It's that good.
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A good issue that sets in motion a different kind of adventure through time and space while delivering a big-time fight sequence too. The Justice League are going on a trippy adventure for our mind-bending enjoyment. This series always manages to deliver new information along with color character moments no matter the villain or plot at hand.
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A threat like no other is approaching and this issue captures the tension in the room very well. A war is coming and it's interesting to see the heroes' perspectives, since they know they're at a disadvantage further enhancing reader anticipation for the event of the year.
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Justice League is changing the way you think about Lex Luthor in a big way. Seeing as he's at the center of the "Year of the Villain" event, this is a must-read to gain an understanding of the bigger picture.
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The tables have turned in this fifth part of a nine part story and there's so much good action and dialogue to be had. If you like war stories you're bound to love this story arc.
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It does get hindered by the page count, but I fully enjoyed the entire package that is these two issues. Justice League #52 is contemplative, dark, bravely observational, and a great Batman story.
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A strong third issue due to a major reveal about Wonder Woman and the introduction of a new villain.
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Justice League Dark #24 is a good issue setting up many moving parts as each character has an important story to tell. Ram V even gives Bobo an important task by the end of the issue, and one could surmise we're in for a story that reveals these characters are stronger together. If you ask me, that's the best kind of superhero team storytelling.
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If you need a superhero horror fix you're going to need to read Justice League Dark #27. This issue has a good balance of each character, furthers their personal journeys, and sets in motion a major cliffhanger that could change one of the more interesting supervillains introduced in the last few years.
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As "Endless Winter" builds towards its finale next week it remains very clear Andy Lanning and Ron Marz have an event that's worthy of your time and attention. As it reveals a lost story of the past we gain new insight into our heroes who face an impossible dilemma as the world freezes over. This event feels wholly singular too, making it a great story for fans who haven't been reading DC Comics but would like to dip their toes in with modern takes on the characters.
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Aside from a rather ridiculous way of making her powers work I'm excited to see how the writers use her abilities in different situations. Justice League of America: Vixen Rebirth is a stand-up Rebirth issue that establishes many things well and should have many in line for more.
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A good second issue that looks fabulous and reveals Earth may be screwed.
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A strong issue in a series that has served as a good Kickstarter to a bright new direction for DC Comics.
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I liked this story for how easily accessible it was to the series. Cruz may be on a mission that involves many previous issues, but it's easily enjoyable thanks to it dropping us in a strange world and making us figure it out. This book also has strong Star Wars vibes with a lot of grungy space pirate aspects you won't want to miss.
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There just isn't any other comic on the stands like Ka-Zarright now -- every panel and page feels torn from an entirely different dimension. The creative team is firing on all cylinders, making a superhero often forgotten and ignored come alive.
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Ka-Zar: Lord of the Savage Land#5 marks the ending of the story, but in many ways, it also goes on hopefully for a long time. Its blend of nature vs. technology and how it reaches its harmonious end for Ka-Zar is satisfying.
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While a repetitive and slow in its middle, it builds up to a purposeful end.
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Kang the Conqueror ends on a note that's tragic but also suits his demeanor over the decades. This creative team has done this character justice by giving him new complexity while staying true to who he is and what he stands for. What's most incredible about this story is how it's at once romantic, but also suitably villainous.
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Many may think it was too easy to come to this conclusion. Certainly, Venom didn't have to try all that hard to defeat Knull, but given the event's simple and certain focus it makes a lot of sense. This is not the most complex or interesting event ever, but it never tried to be anything it wasn't. For that, you have to respect its hyper-focus on a Knull vs. Venom showdown to end things, even if the advantages from either side weren't earned. King in Black #5 ends by asking, "What if Venom could be the strongest there is?" and for that, it succeeds in showing off a hero's very best day.
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The self-pitying but never quitting Spider-Man is on full display in King in Black: Spider-Man and it's a great depiction of the character. The creators give you everything you could ask for in a quick, action-focused outing, right down to a science-minded Peter figuring things out. Plus, if you weren't down for the upcoming Reptil series this might make you a believer.
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In both stories, there's a clear vibe of monsters that look weird, gross, and downright frightening. You can't go wrong with this two-part story if you dig horror comics, and while each story is short, they pack a punch. Read King In Black: Planet of the Symbiotes #1 for a creepy and visually unnerving two-parter.
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King of Spies #1 is a sharp premise that'd work great in a movie or television show. Fans of espionage will love to see the secret agent story developed into their twilight years. Fans of Kingsman might be surprised to find a more gritty look and feel, but it gives it an edge that separates it from the pack. This is an edgy espionage story with dynamic action and a clever premise.
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King Spawn #1 is an intriguing start to the series that does everything it needs to spark casual and hardcore fan interest. Played out like a hardboiled detective story, the main story draws you into the complex world of angels and demons. The shorts that accompany the main story serve as a good taster and set up for what's to come. King Spawn reveals an ugly supernatural world that's grim in its realism, holding you spellbound to the very end.
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This is a far better issue than the first, as it helps establish Kingsway's state of mind but also the man he used to be. Plus the magical elements of the world pop up much more here too.
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I couldn't help but be scared and unnerved by Knight Terrors: Detective Comics #1. It's truly a horror story by all accounts, which isn't always the case with all of the tie-ins so far. If you're up for a late-night peering at the darkness in the corner of your bedroom, pickup Knight Terrors: Detective Comics #1.
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Knight Terrors: Ravager is a strong chapter in the bigger event offering hints of where the larger story is going while delving into Ravager's psychosis. With plenty of blood and action, this might be one of the best tie-ins of the event so far.
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Knight Terrors: The Flash #1 has a different take on nightmares as Barry Allen fights against his worst for losing a friend while not yet fighting anything he can particularly punch. It's a nightmare of the mind in an intriguing horror psychological horror story.
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The Justice League Dark gets the focus in Knight Terrors: Wonder Woman #1, but Wonder Woman gets to take charge as the main hero keeping their head about themselves. The magical blends well in a nightmare-infused story that sets up quite a threat for Wonder Woman to vanquish in the final chapter.
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As a character-focused drama,Knights of X #4 adds satisfying wrinkles as we explore the innermost self of these characters. Representation matters, especially in X-Men comics, and Knights of X delivers.
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I ended up enjoying this manga and yet had no idea what I was in for. This is another great example of the manga format allowing us to peer into Japanese culture and doing so with an original story. I can't help but think this manga may be helping many children cope with their anxiety in social situations. If you or someone you know has social anxiety gift them this manga!
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This is a good fantasy story about a girl who wants to reject her true identity but eventually must come to grips with who she is and where she is going. I suspect many young adults will gravitate to Lux while adults will enjoy the rich world-building going on around her.
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Like any multi-feature some stories are stronger than others and while a few are a bit of a bore every story looks fantastic. The Sugar & Spike story is so damn good I'd recommend the book to anyone, but overall this is worth checking out.
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Leonide the Vampyr #1 should have you ready and roaring for spooky season thanks to its fairy tale style and endearing art. You may just fall in love with the vampire child just as the townsfolk did, but luckily we're safe behind our comic and not in a seaside town on the edge of bad tidings.
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Lester of the Lesser Godsis a mashup of Mad Magazine humor and fantasy tropes for a comic that's like nothing else on the stands. It's over the top, funny, and silly in its creativity.
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Loaded Bible: Blood of My Blood is a good example of creators taking big swings with crazy ideas, multiple in this case, and having it work. This is the kind of face-melting comic that deserves a heavy metal soundtrack, that'll make you throw up the horns and go "Hell yeah" to yourself over and over. In a world where life doesn't make sense, accept Loaded Bible in your heart as the one true escapist entertainment of 2022.
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This is an issue involving magic, which helps explain how Superman can be in the book but also not help out. That's always a bonus for longtime comic readers to explain why a hero can't help. The machinations of this issue work quite well and it will delight those who enjoy a nice complex caper.
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If you like stories within stories and fantasy themes, you'll love Loki #2. This series has a strong handle on how a Loki story can work while treading the different fantasy realms and concepts that are usually a blip in a tale rather than the focus. Inventive and exciting, Loki is a series that's as well constructed as unique.
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This book goes a long way in showing how much Teddy has to give up while this war rages on. The main event hasn't done enough to show this, which makes this book a must-read if you're at all invested in the character.
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Lords of Empyre: Celestial Messiah has the difficult task of humanizing Quoi while also reminding us he's the villain we're rooting against. There's just enough here to seed his redemption and make him much more complex than the main-line event could ever do. Read this for a full primer on the main villain of Empyre and to get a clearer sense of how deep Avengers history goes into the roots of this event.
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Lost Falls has mixed different supernatural themes into a compelling occult detective story very well. There's a subtlety at work here that's familiar, but sustains your interest and feels new at the same time. This second issue is a bit slower with fewer splashy moments than the first issue, but knows how to pack a punch when needed. This is the kind of moody comics we wished we had in the '90s watching Silence of the Lambs.
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Considering this is one of the only comics out this week, and free if you have Amazon Prime, Kindle Unlimited, or are a comiXology Unlimited member, it's a no brainer to check this out. It's a good setup to a new sci-fi series that's about a character doubting what they'll do next after devoting their entire lives to something they thought they wanted. It's bound to be an inspiring journey, and given how well the creators are writing the lead, it's hard to resist.
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Multiple conflicts for Basilisa to endure and navigate spice up the series as the creators lay out some interesting domestic issues worth exploring further. I can't get over how relatable this story is, and I think many will connect with it in a real way.
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Though not for everyone, Lovesick is compelling horror worth picking up if you like movies like Audition which push boundaries. At its core, Lovesick has a story to tell about sadomasochistic males, toxic culture, and desire. At times disturbing, Lovesick is anexamination of pain, misogyny, and how loneliness can bring us to the most disturbing and brutal places.
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Lucas Stand has been great at focusing in on character while the premise does its thing. This makes it easy to put yourself in Lucas' shoes and go on the ride with him. This conclusion has a fitting ending, flipping the script to re-up the excitement.
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A satisfying opening salvo to a mystery that encapsulates time and space. If you have any interest in Biblical stories, Lucifer should not be missed.
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Another good issue that knocks your socks off in more ways than one. Unfortunately it's still a table setting sort of issue at heart. Still, you can't deny its ability to blow your mind.
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Lucifer #13 is a beautifully dark and twisted holiday special. The first story captures the disgusting nature of an anti-Christmas holiday and the second shows us a moment where even Lucifer can enjoy the gift giving season.
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Lucifer kicks off a new arc with an addictive new character with the stakes raised to 11. While the pace is a tad slow, the character work is on point, as well as the awesome art.
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A solid action-packed issue!
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M.O.M.: Mother of Madness #2 is an interesting second issue that further fleshes out who our protagonist is and why the actions in her past life made her into this powerful superhero. In many ways, M.O.M.: Mother of Madnessreads like a personal manifesto or diary that needs to be shared and respected in order to save the world.
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Incredibly detailed in a scene that reminds us violence is graphic and awful.
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If you asked me before reading this if we needed a Maestro origin story I would have said flatly no, but now that I've read it I can't deny the intriguing story introduced here. We're essentially seeing the disassembling of a hero and I can't wait to see how he continues to grow into a supervillain that could rival any other.
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A strong first issue that sets up the characters well and introduces the power of Christ!
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Come for the art, stay for the characters. This is how every android-focused science fiction thriller should look!
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Man's Best #2 continues to be a rollicking good time of weird sci-fi and fabulous characters doing amazing things. This series will please young and old with art that's electric and characters that jump off the page.
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It's easy to gather Dawn of X is working thanks to each book feeling so new and fresh. Marvel Comics has dropped a brand new direction on the mutants and creators like Gerry Duggan and Matteo Lolli are running with it so well they may just win this marathon of excellent comic storytelling.
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This book continues to be electric thanks to Duggan's writing of Kate Pryde and her new role as a leader and her awkward place amongst mutants who can't actually use the Krakoan gates. A complicated web of leaders is being built here that'll likely pay off for months.
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By the end of the issue, it's quite clear Storm has a lot weighing on her mind and that doesn't even include the upcoming duel she must endure in Otherworld. Marauders #13 has a lot of story to tell that hits at the heart of the weight Storm carries and how her actions aren't to be taken lightly. There are many shades of Storm, and Marauders #13 shows just how awesome they all are.
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The Destiny of X era continues to shine bright and Marauders #1 can be added to the list of must-have titles. The ability of the creators to capture what works about the characters, pay homage to X-Men history, and build toward something new is impressive.
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This is a nice collection that looks great and brings you back to the wonderment and heroics of the Golden Age of comics. Alex Ross reminds us once again he's a master at mood and atmosphere, and for his art alone this book is worth picking up. This creative impulse will lead you to joy.
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As another 2099 standalone issue, I had fun with this story. It's low stakes since it doesn't require you read other 2099 stories and it essentially offers an origin story for a new kind of Ghost Rider. Who doesn't want a Terminator-style Ghost Rider complete with a flame saw? Nod your head and run tot he comic store because we all know the answer to that!
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A good collection of stories that should scratch your Cap, Namor, and Wolverine itch. Soule delivers a first part Wolverine story you'll want to come back for, and the format is compelling since you get a grab bag of superhero storytelling. I can't think of a better way to celebrate Marvel's 80th anniversary.
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Touching, meaningful, and a great beginning.
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A strong second issue and a must read for FF fans.
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A strong issue that focuses on Dr. Doom.
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The perfect Marvel one-shot for the Halloween season that puts a twist on the tired Marvel Zombies line.
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This is a good third issue that is effective in setting up the stakes for a finale that seems impossible for the heroes to win. Marvel Zombies: Resurrection is setting up the perfect finale for Spider-Man fans and horror fans alike.
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I was surprised to find a bonafide scary and unnerving story here without the conventional over-the-top gore or visual horror gags. This is a story to be taken seriously and the deaths feel pertinent even though the true purpose of the story is yet to be revealed. Props to the creative team for making it feel as though the deaths matter, even if it doesn't quite hook you just yet. This isn't a scary story about zombies, but a scary story about death.
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All in all, I was happy with this year's Marvel's Voices: Pride. Some stories had deeply meaningful messages, while others remind us of the rich tapestry of queer characters Marvel has fostered, added, or grown in recent years. Pair these tales with insightful interviews and it's a must-buy for anyone interested in queer representation.
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Marvel's Voices: Identity #1 is a good anthology with some great introspection on each of the characters featured in the story. It also gives us insight into the comics industry and raises up AAPI creators and characters.
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I sound like a broken record, but Marvel's Voices continues to shine with the X-Men in deeper in this edition. Each story brings a little something, be it fun, adventure, or meaningful reflection. Marvel Comics represents the world outside our windows, and Marvel's Voices: X-Men continues to feature an important and historically ignored corner of it.
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Marvel's Voices: Community is an important comic for its ability to raise diverse creators and characters. However, the latest issue has the bonus of having great stories from cover to cover. Many tales look fabulous while harnessing important messages that will inspire future generations.
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Marvel's Voices continues to be a good anthology series with each story holding a message that's easy to understand, sometimes enlightening, and above all else positive. More importantly, this book continues to highlight less familiar creators and give them a chance to shine. For a book like this, they achieved that and more.
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With Maskerade #1, color me intrigued. It's a crime drama with a touch of sci-fi, plenty of mystery, and a visual style that is pleasing and unique. Maskerade has a slick style that promises to unlock the underbelly of a vicious underworld.
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Maskerade #2fleshes out its main character while killing more jerks who deserve it. One can see this lifestyle is dangerous but maybe addictive on some scale, which is depicted well here. Maskerade is a retro sci-fi filled with delicious dysfunction.
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Midnight Sons: Blood Hunt #1 has all the trappings of the darker and more evil edges of the Marvel universe. At its core, the creators are on a quest to find out what is wrong with Blade, and it'll take a brand new Midnight Sons to do it.
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Midnighter and Apollo is fun in a breakneck, "Did I just see that?" sort of way. On top of that, it sets some high stakes for our heroes in love and establishes the story in an exciting way.
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This is an entertaining issue as tensions flare and the urgency rises to save Apollo. Midnighter gets to be the badass as he enters Hell where his strengths may not be enough.
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Mighty Morphin is a great start to a new two-title approach from BOOM! Studios,deftly telling a story involving many characters in a slickly visual package that's hard to resist. Having only dabbled in the Power Rangers comics, I'm curious where this goes and can't wait to see how well a two-title format with two different teams works.
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Pick up Mighty Morphin #11 if you're at all interested in seeing these heroes get taken out of their comfort zones and thrown into an entirely different situation. Parrott has crafted an intriguing issue here thanks to believable dialogue, strong setup, and multiple moving pieces that make every page turn all the more interesting.
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The stakes are raised and Green Ranger's reliability has never been this unsure now that they need him most! You'll want the next issue after reading this because the villain's story progresses and the team dynamic is shifting violently.
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This is a one-shot caliber story as we learn a bit of information about Rita's first attempt at recruiting the Green Ranger. There's some tight dialogue and a few details are dropped at where this story might go from here.
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Mighty Morphin Power Rangers is a rollicking series that is gritty, exciting, and high stakes and issue #7 epitomizes that well.
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Mighty Morphin Power Rangers #100 is an excellent example of giving longtime fans resolution while supplying plenty of moments for casual readers to enjoy. You'll get the warm and fuzzies knowing full well BOOM! Studios has elevated this franchise and treated it with the utmost respect.
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This is a good issue and a nice return for Miles Morales after the pandemic gap with no new comics. This issue balances action, heroism, and family in a way that proves this is a complex hero with a complex approach to heroism.
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Miles Morales: Spider-Man Annualis a fun team-up book that'll appeal to Spider-Man fans and fans of semi-new superhero Amulet. It's great to see Amulet get more attention here, and hopefully, it reminds readers and Marvel that he deserves a series of his own.
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This is one of those series you'll gift to loved ones and they'll scoff. “I don't read comics,” they'll say or, “This isn't for me.” But if they give it a chance they'll realize there's a gem of a read worthy of time and energy. Not a lot of comics nail mood, atmosphere and a character's inner turmoil. This comic does it, every single issue, and it's good stuff.
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In Minor Arcana #3, Jeff Lemire crafts a powerful, introspective story that balances small-town melancholy with a touch of the supernatural. Theresa's journey toward acceptanceboth of her hometown and herselfhas been poignant and relatable, and by the issue's end, readers are left with a rare blend of closure and curiosity. Whether this issue marks a turning point or a satisfying pause, it's clear Lemire knows how to keep readers emotionally invested.
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Sweet Paprika is a great start to a series that has a unique story about sexual discovery and the modern problem of being addicted to work. It's a comic that confronts the very human nature to tamp down our true selves with satirical and sometimes sensitive character writing.
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Sweet Paprika #6 continues to blend comedy, sex, and a budding romance into a unique high-energy story that's hard to resist. It's a unique approach to sex positivity that also serves as a strong message about being open, knowing yourself, and being a better person. In that, this series continues to be an important work for all ages.
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A strong issue as it shows the bubbling of emotions very well.
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Another solid installment, though it uses a story convention that can't sustain an entire issue.
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Photon may have been out of the spotlight for some time, but Monica Rambeau: Photon #1 does a great job catching us up to speed and establishing the character like she never left.
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The scope is increased and major answers are revealed making this a satisfying third issue. Like a good action film, Monsters Unleashed knows how to ramp up the drama.
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Don't let the title fool you, Miles Morales and Moon Girl #1 is all about Moon Girl and how awesome she is in this story. Mashigo clearly understands this character and fundamentally nails her personality. The dialogue can feel less than genuine or real at times, but if you can get past that it's a super fun book that kiddos will love.
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The wonderful chaos of Moon Knight's mind is on display and it may have never been done so creatively than here. THe truth is, you can't get a story like this in any other format and this issue is worth noting fan or not. Moon Knight #8 is a must read for comic enthusiasts.
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Moon Knight #13 is a great example of how you can show who a character is via a narrative trick. It's also a great showing of how badass this hero is and there's no one else like him. At the very least, Taskmaster is proven to be a great hype man and should be hired by anyone who needs extra rep.
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Fans of the ongoing run of Moon Knight will love this issue as it plays with new and old themes expertly. There isn't a superhero comic as dark and macabre as Moon Knight, and this milestone issue proves that in droves. A compelling character over the years, it's quite clear Moon Knight has never been this weird and awesome at the same time.
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Moon Knight: City of the Dead is a must-buy for fans of the MCU show, but also for fans of the supernatural elements of the character. There's nothing more supernatural than throwing a supernatural character into a supernatural setting, which is well done here.
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The creative team hasn't skipped a beat with Moon Knight: Fist of Khonshu. It's a first issue that reintroduces all the key elements, making it a good jumping-on point. It's also introducing a few new players that should be fun to track as Moon Knight punches his way through a new threat to his community.
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Mother Panic is a thriller with art that will punch you in the teeth. Superheroics with attitude.
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Motor Crush continues to be an eye-catching adrenaline rush. The characters are intriguing with a story you want to unpeel as there are layers of mystery waiting to be explored.
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A great issue due to the trippy art and wild revelations. I want #6 now!
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There's a lot to love in Ms. Marvel: Mutant Menace #1, especially if you're an X-Men and/or Ms. Marvel fan. Both camps should enjoy the supporting cast and inclusion of X-Men-related villains and heroes. You can't go wrong with a well-written Ms. Marvel, plus great Deadpool and new character sightings!
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If you enjoyed Tieri and Palmiotti's work on Harley Quinn in the past, you'll love this. Multiversity: Harley Screws Up the DCUis the return of the kooky and silly Harley Quinn gang, which is in itself a major selling point. Add in Faeber's excellent cartoony and comedic art, and you have yourself a bright and silly narrative only Harley Quinn could supply.
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A fun creative manga that is incredibly cute too.
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This is yet another great holiday collection by DC Comics. They seem to knock every single one out of the park be it Halloween or Christmas/Hanukkah specials. This collection celebrates love in a variety of ways and will put you in the mood for Valentines Day.
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Namor is a great first issue setting up the Namor of now and how much he's changed since being a boy. He's a natural-born king whose people don't want him, but now they need him, which may return Namor to his once prideful place as an A-tier character. Namor soars in the way it captures Namor as an outcast and the familiarity with his life-in-transition existence.
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Napalm Lullaby #3 leans into the tainted nature of an overly fascist religious culture that'll make you root for the heroes to destroy it all. Napalm Lullaby is a bold and inventive combination of sci-fi and the dangers of dogma.
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This is a strong first issue that is clearly anchored to the joy of these characters and our joy in reading all about them. As a team book it excels, and it, like the rest of the Dawn of X books, firmly establishes its own identity very well.
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New Mutants #22 continues to blend strong character work with bonkers visuals and action. Come for the intense visuals you'll get nowhere else, but stay for the genuine heartfelt emotions and deep thoughts on what it means to be a person.
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A strong collection of tales by up and coming creators with every tale containing something great within.
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Night Club #1 is a good introduction to a vampire hero starting a career that may end up being part of a vampire super team. That concept is intriguing while being delivered in a well-paced, cinematic, and believable first issue.
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Night of the Ghoul plays with our concept of monsters, horror films, and ancient evil in an absorbing way. This is the kind of comics story you don't always see, which further shows Snyder and Francavilla are doing new things at a time when comics are as innovative as ever. Add Night of the Ghoul to that list of innovative comics well worth exploring.
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Stories set in the dream world are fickle things, but Seely pulls it off well connecting the beats to the character development and a deeper meaning that ties back to the pre-New 52 era. Superman is infectiously happy and we're reminded Nightwing's goodness is a big part of who he is — making this issue have purpose.
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Low on action, high on love and relationship building, this is the perfect Valentine's Day comic. Tim Seeley and Jung handle Dick's love life in a very respectful and adult way that builds this character even further and reminding us he's not a kid anymore.
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Nightwing #91 is a good example of how even with lower stakes a superhero book can excel with good character exploration. Flash and Nightwing are the best of friends and it's shown here. There's also good fight scenes and a showdown brewing between Nightwing and Blockbuster that should not be missed.
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Nightwing #95 continues to feature some of the best character acting and superhero drama in comics today. It may speed along too quickly with plot twists, but it manages to blend endearing characters with superhero theatrics well every time.
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Nightwing #96 caps off the Blockbuster battle with great fight sequences and plenty of clever tactical moves by Nightwing's friends and the locals of Bludhaven. The character has reigned for some time, and it's nice to see him lose so spectacularly.
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Nightwing #97 is a fun, high-paced issue that ramps things up after the last issues seeming conclusion. Blockbuster might be dead, but his death has meant danger and high-stakes action scenes for Nightwing and Batgirl.
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As far as Rebirth issues go Nightwing: Rebirth succeeds at setting up quite a few plot threads and character dynamics. Most importantly the character of Dick Grayson is very well-defined and this issue reasserts the fact that Nightwing is a character we should be keeping our eyes on.
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Cleverly written, Kindt shows he's at the top of his game when it comes to tense visual storytelling. Ninjak #23's narrative has a cinematic feel that's hard to put down.
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An action-packed finale with a storytelling twist as Ninjak tells us his tale of woe.
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Nocterra continues to blend all the horror, action, and urgency you'd want in a thriller. There's always enough entertainment and it's a sure thing Nocterra will make you jump or feel real fear in every issue.
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If you're unfamiliar with Norse mythology I highly recommend this series. Norse Mythology is a fun way to experience the ancient origins of these characters and it's created by some of the most seasoned creators in the business. It's also a lighter storytelling experience, which we can use a lot more of these days.
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Retro, fun, and action-packed, this is the epitome of superhero comics. This issue might lack the storytelling punch of its action sequence, but it gets the job done and then some.
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Another excellent Nova issue as the heroes dip their toe in the waters of love. This is what a duo-team book should look like.
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NYX keeps making a strong case for a younger mutant team to exist apart from the main teams. They aren't sanctioned with costumes and name badges but are trying to get by while also helping others.
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I'm liking this series way more than I anticipated. Harley Quinn is somehow the more level-headed in a futuristic DC universe where everything has fallen by the wayside. Tieri and Miranda are clearly having a lot of fun and we're benefiting from it.
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A strong 12th volume that kicks up the great character design.
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The Original X-Men is a fun one-shot that revisits the younger X-Men while promising a new adventure. For tales like this, making it matter is key, and Gage and Land pull that off.
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This comic is a lot of fun. Both stories are entertaining and worth a look with incredibly well rendered art. I'd say the first story doesn't have quite as much impact as the shorter second story, but if you like fantasy, fairy tales, or an all around good goblin time take a peek at this one.
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The first story, drawn by three artists (Lee Moder, Jennifer Meyer and Craig Rousseau), definitely shows there were a few too many cooks in the kitchen. The art randomly switches its style and loses its detail, but it makes some sense that the artists were split up as the full page renditions of the goblin's book have a very unique style.
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A solid penultimate issue even if it's mostly setting things up.
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A great issue that commemorates the series' tricentennial.
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Good action and plot development make this a solid bet for a good read.
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A fun issue that's a great one if you like elseworlds tales.
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While the first issue of Phantom Road offers an intriguing mystery to unpack straight out of the Twilight Zone, the second issue sets up a story where our protagonists are on the run and may be in the wrong. You'll start questioning if it's all in their head, making the road ahead all the more dangerous. Weird, unnerving, and sometimes haunting, Phantom Road is another unique hit from Lemire and Walta.
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If you're in this far you'll love this. The story progresses and adds a new layer of mystery.
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A strong ending due to some interesting storytelling risks.
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This is a great final issue that surprises, offers resolutions, and even has a solid foundation for future stories to be told. All told, this series has been one of the best horror stories I've read in some time, maximizing the human element, keeping readers on their toes, and offering a monster that feels entirely unique.
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The materials-themed series continues to be excellent as Daniel Hillyard and Doug Wagner craft another story with the feel of a true crime that's stranger than fiction. Dark, disturbed, and grounded in reality, Plush will titillate your inner weirdo.
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Poison Ivy #8 continues to show this series is rightfully one of the most important superhero books on the stands today. It conveys real-life issues in easy-to-understand and relatable ways while further humanizing Ivy. Along the way, we see the good and the bad humanity brings, and like with Poison Ivy, we tend to lean towards the good being the winner of the debate. It just requires Poison Ivy to do horrific things to a lone toxic person.
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Poison Ivy #11 is a great example of how far Poison Ivy has come as she's evolved over the series. She's capable of great violence, but her morals and empathy for humanity have changed quite a bit. Add in a threat that may be closer to Ivy's world than she might like to admit, and we have a well-written issue that builds on what came before.
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Poison Ivy is one of the most consistently good series at DC Comics, with issue #14 continuing that trend. There's a good balance of characters, and it's nice to see Ivy in Gotham and all that comes with it.
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Poison Ivy #15 offers an intriguing new villain with a horrifying backstory. Throw in a fun use of Killer Croc and Ivy self-sacrificing to save the day, and this series continues to sing.
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Power Rangers #13 continues to up the ante in the Eltarian War while effortlessly juggling many different characters. It's the kind of comic you have to be impressed by since it never gets confusing despite throwing its characters in the middle of all-out war.
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New questions arise, but also answers which lead to generally understandings, but not a whole lot of clarity either. I'm enjoying the hell out of this mystery box of comic book storytelling, but if you're an impatient person you may whispering, "Skip to the end" while you read this one.
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Predator #2 pulls back a bit to show how tough Theta is and how harsh the world is around her. She's up against a lot, but through determination and a never-give-up attitude, she's a hero you can get behind. Now, if she can survive what comes next with her back against the wall, she'll be tough as nails.
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Brace yourself Predator vs. Wolverine is a violent delight that should please fans of both. Both characters are treated with respect while the time-jumping plot keeps the reader on their toes. If you want action, you get it in droves here.
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Unnerving and deeply weird, this manga will stay with you.
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A strong fourth chapter continues the journey of monsters, mayhem, and vengeful gods.
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A strong fifth volume due to an excellent autobiographical tale.
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Public Domain #9 shows how dense and packed this series is with character moments. It acts as a commentary on the comics industry while masterfully developing dramas and interesting dynamics between the characters.
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Public Domain continues to be a very human look at the people behind creating comics. A sort of bottle episode, this issue delves into the backstory of Syd and his wife Candy, revealing how the industry can take so much, leaving the people with scraps to heal and rediscover.
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Given the tech and the background of Punisher, I'm on board for more. It's unclear how deep it'll get with the man behind the skull, or even if he'll continue to use the name, but there's enough here to get hardcover Punisher fans excited while drawing interest from casual Marvel fans.
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A standout work by Juan Ferreyra and a truly outrageous mission for the Punisher to take on. Absurd but undeniably fun Punisher storytelling.
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Visually stunning Juan E. Ferreyra is putting out some of his best work yet. Enjoy this for the absurd violence and stay for the visuals.
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A strong first issue, though the writing seems to be competing with the art.
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For $4.99, this issue costs a bit more than the usual comic, but it's also longer at 27 pages of content. Mostly this is a character drama with characters talking, but with the nice cut-aways, a mix of character types, and a mystery worth investigating it's worth a look. Quests Aside hits a pleasurable groove of comedy and fantasy with a great cast of colorful characters.
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In Quick Stops Vol. 2 #3, the plot thickens deliciously. There is murder, twists, and a conclusion that'll have you on the edge of your seat. I never would have thought Mooby's origins were steeped in so much sex and violence, but I wouldn't have it any other way.
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One of the darkest and most sexually-charged Kevin Smith yarns comes to a close with a good sense of humor and plenty of danger. Quick Stops Volume 2 #4 closes out the shocking tale that puts the woman who invented Mooby to a close while effectively turning this into another epic story for Jay and Silent Bob.
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Rare Flavours is a new offering from two creators who, once again, are building a fascinating story together. There's a mysteriousness to the characters and the overall story that's tantalizing, mixing magic realism in an adult way with real weight and dramatic implications.
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If you want fantasy mixed in with your X-Men stories, don't pass on Realm of X. The creative team drops mutants into another world that plays a heavy part in deeper Marvel lore and will likely mean some interesting developments as mutants crossover into a more Asgardian corner of the universe. Largely its own thing, this series offers a respite with a fun fantasy adventure amongst the mutant titles tied to the horrific attack on mutants.
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A strong penultimate issue gets you inside characters head, reminds you what makes life great, and looks good doing it.
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A strong finale with fantastic art and excellent plotting.
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Red Goblin #1 is shaping up to be a great introduction to a new kind of hero. Not only is he super young, but he's also embroiled in one of the most complex and exciting family dynamics at Marvel Comics. Buckle up, will make you go goblin mode for a new kind of hero.
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This is a well composed comic that offers enlightening character information that directly connects to the main plot. You'll be emotionally invested and raring for the next issue.
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If you're looking for team building Red Hood and the Outlaws is turning out to be a master class in the subject. The story is slowly building towards team cohesion which increases anticipation and – if Lobdell can pull it off – one hell of a payoff.
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Character work is on point as Red Hood's heroic goodness rears its head. The team is coming together, a major development between Red Hood and Black Mask culminates, and the art is gorgeous.
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This is a exceptionally good looking comic with a nice story and good Red Sonja character tinges. You'll see the end coming, but as a whole it's an enjoyable read. Now at $4.99 I'm not sure it's worth the coin, but it's definitely worth a peek to see if it'd tickle your fancy.
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I've been reading Conan the Barbarian for decades and I can safely say this issue has more action with many different types of enemies than 2 or or even 3 issues of Conan put together. I call that a win. I also love how Sonja isn't a sex object like so many female heroes are these days but a levelheaded master fighter. There are so many pages in this issue that'll make you cheer for her badassery that you'll be satiated from that alone.
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It ends a bit too early for my tastes, but you can't miss the fact that it's well told via dialogue and cop drama elements. Most importantly you'll be rooting for the protagonists and will want to see how deep this crime takes them into the criminal underworld.
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Red Coat #2 is another rollicking good time with plenty of action and many answers. Those answers tend to come by way of heavy doses of captioning, but this is a historically-minded period piece adventure not to be missed.
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A strong third issue does a heck of a lot, but also leaves you scratching your head.
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A strong start that is particularly interesting if you like mysteries yet to be solved.
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A strong third chapter. Logan is mad as hell and he has plenty of reason to pop those claws.
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“Will this comic make me laugh?” is the question and for me it did. It's absurd in all degrees and it looks great while doing it. Go in with zero expectations and don't expect Rick or Morty to have much of a say in any of it and you'll be fine.
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Funny issue that focuses exclusively on Summer.
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A great issue that tackles Westworld in a sci-fi parody well worth reading.
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A fun milestone issue anyone can read and get enjoyment from. The humor is dark, sometimes twisted, and a perfect example of how the comic has impressively captured the show's indulgent weirdness so well.
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Rise of the Powers of X #5 is mostly effective in doing the impossible and closing the book on the Krakoan Age. It ends in an epic battle against a threat that could only be matched by the impossible power of the Phoenix, but also with a strategy that only Charles Xavier could muster. However much you may wish the Krakoa age would continue, it's hard to deny that it ends on an extremely high note in the categories of epic storytelling and a peaceful final justice.
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If you dig kung-fu movies and action, you'll love Robin #8. This book is nearly all action, in fact, which can make it a quick read and lighter on the story, but it makes up for that with a cliffhanger that'll have you begging for more.
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Robin #10 is a good issue because it plays against expectations with new details, background, and surprises sprinkled throughout. Add to the fact that it acts as a buffer of info to add new context to the war at the Lazarus Tournament and you have yourself a good superhero comic through and through.
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Robin #12 is a good bridge issue to the next big story arc by focusing on Damian and his family. This series has revealed tons of new revelations around the family and it comes with possibly the biggest in this last chapter. All that, and Damian continues to develop and grow in ways that suit the character as becomes more mature.With new layers and complexities, Robin has made Damian Wayne even more worth investing in.
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Robin #15 puts Damian back on track to development as a character. It's nice to see "Shadow War" didn't derail the work Williamson and company did on Lazarus Island and this issue reminds us Damian may have strong parental figures when they're around him solo, there's still some stuff to work through when they're together.
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It's sad to see Robin end, but it's nice to see it go out on its own terms. This final issue can give Damian a few precious moments with friends, set up a new threat from the al Ghul family, and doesn't feel like a rush, either.
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It is indeed, with plenty of action, sharp dialogue and good pacing to keep anyone interested. It's not a perfect comic, but 90 or so percent of it is, which isn't a given when it comes to any property these days.
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A great first issue in that it sets things up well and gets you in the mood for hobo punching.
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An excellent fight comic, though light on laughs.
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Rogue Sun #5 is a great chapter that layers in new context and backstory for the series. Dylan is trying to be a superhero, but now he's got a whole family of superheroes to contend with. Much like many of us, a lot of our baggage is the issues our parents had with one another, and that's featured heavily in this superhero narrative. For that reason, Rogue Sun is relatable and well crafted.
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I went into this book expecting another run of the mill robot/hero/soldier story and was pleasantly surprised. I wasn't familiar with the original work and it didn't matter in the slightest. I'm interested to see where this character goes and what is going on in the world. Recommended.
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Incredibly realistic with its characters which will make it hard to put down.
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The Ravencroft line of comics is working very well. If you're into historical supernatural fiction you will love this. The mix of past and present is building well towards even more reveals too. Ravencroft is quickly becoming my favorite asylum in comics. 
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The team works together to save themselves in Sabretooth & the Exiles #3 in an issue that's as entertaining as it is weird.
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A good mix of the awful truths in history and the struggle of mutants continues in Sabretooth and the Exiles #4. While Sabretooth's turn from a maniac killer to a thoughtful leader sympathetic to others feels like a stretch, it's a welcome development as the series drives toward its finish.
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Sabretooth #3 is an interesting issue that'll have you thinking about life, manipulation, and the prison system. It's a series that feels mature in its approach. Lavalle is very good at making you think about these characters and how the machinations of culture, society, and choice affect them. By extension, that may go for your own life as well.
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Sabretooth continues to surprise as it pushes its plot forward in new and exciting ways. In just five issues this series has been a prison narrative, a heist-style escape, and now something entirely different. All the while it exhibits compelling ideas about the human condition.
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Saga #56 is filled with new characters, concepts, environments, and more. It's the kind of issue that throws so much new weirdness at the reader you'll be excited just to learn more about how it all fits into Hazel and Alana's survival in the cosmos.
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Saga #57 is a good chapter in a series that always moves forward. Saga manages to mix weird with wonderment while developing its rich characters in every scene. This may not be an explosive issue, but it's setting up character arcs worth exploring.
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If you're looking for melodrama,Saga #59 has it in droves. There's conflict, hard truths, murder, and even a bit of romance in the end. The disruption of these characters' lives comes more into focus as Alana is forced to admit being a mother on a run is not fair to anyone. For the 59th time, Saga proves it has some of the best character acting in all of comics. This issue is by all accounts another worthy entry into the series, although it does suffer compared to previous issues as it lacks impactful moments of shock and awe.
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Saga #62 is a good table-setting issue while delving into character in a complex way you don't see in comics these days. It lacks the shock value of some of its best issues, but makes up for it with touching moments.
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Saga #63 is a perfectly fine chapter, although it does more to progress its plots for more entertaining purposes later. It's also a bit heavy with its exposition, but there's enough here to please fans of the characters, the world-building, and the naughty edgy side we don't get anywhere else. Regardless, this issue is very good at making you think about life in general, as well as your own.
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From the very first panel to the last, Saga #64 is all about character acting. The shocking moments are characters acting in new and frightening ways or in ways dialogue helps very little to express. At its core, this series has always been about characters first, although this issue could use a little more of the action or shock value we all know and love from this series.
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Saga #67 hits the ground running with a brand new life for our renegade heroes. It firmly establishes the new status quo of family life while subtly hinting at danger looming around the corner. With Saga, would we have it any other way?
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Another good installment, but the artist change is jarring making the last few pages feel rushed and undercooked.
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Savage is turning into my addictive guilty comic book pleasure. The story is great at delivering realistic and cinematic storytelling with great art. The parents aren't quite as strongly written as everything else, but hell, they aren't the focus anyway.
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This is a book where I could see Duggan taping "Savage" above his monitor and asking himself, "Savage enough?" after every page. This is as savage as it comes delivering a level of violence you won't want to miss.
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It's the kind of comic that wouldn't make sense in a movie because it's too badass for anyone to comprehend. Savage Avengers offers insanely cool unbridled violence for the heavy metal crowd.
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A bloody end to an exceptionally well done, ultra-violent comic.
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Scarlet Witch is a good comic that approaches its characters with care and respect. Every scene has a deeply human aspect as we peer into a magical adventure of people doing their best and unpacking incredible mysteries. Scarlet Witch is memorable due to its heartfelt characters and fantastic magical abilities on display.
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Scarlett offers a good first issue that establishes the main character well while opening on the Energon universe to even more familiar G.I. Joe elements. Fans of G.I. Joe ninja action can't miss this series!
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Scarlett #2 offers up more espionage fight scenes, and further developments on a suicide mission Scarlett is committed to enduring. The Energon Universe is as strong as ever when it can delve into character as well as series like Scarlett does.
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Another good installment that moves the needle a bit closer to the end. The biggest win though is the character writing which is always good.
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A cinematically told journey focused on a teenager's story.
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A good start to a sci-fi fantasy series that is one to watch. Westworld fans are going to love this. The first issue knocks your socks off with a twist you won't see coming.
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The Sensational She-Hulk #2 is another excellent issue but suffers a bit as it becomes too singular and focused on action. Still, the expressions are spot-on, and She-Hulk couldn't be written better.
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For seemingly the billionth time, DC Comics proves they're the best in the biz at making anthology comics. Sensational Wonder Woman Special features three entirely different tales from common supervillain fight stuff, cosmic high stakes, and even a body swap story that is worth a read.
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The Sentry #1 is a good start to a start that explores what might happen if average people were given incredible superhuman powers. It's mostly a strong character study; there's a lot of potential here to explore the human condition.
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I had a blast with the first issue of Seven Secrets as it's economical in its delivery of story, character, and action, all of which come at whiplash speed. This book is slick and should be handled with gloves so it doesn't burn you with its awesomeness.
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A fun somewhat self-contained story that captures Shade well and puts her on a new path.
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A strong issue that captures the weirdness of youth in a variety of ways.
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Shadowman #3 increases the stakes tenfold while revealing Shadowman is very capable of getting beaten. The implications of the ending are so huge I dare you to not want Shadowman #4 as soon as possible. This series continues to expand on the legacy of the character with a strong visual aesthetic.
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Shadowman #5 features kinetic art that blends superhero coolness with metal as hell horror visuals. Bunn continues to elevate the story while also making this new reader friendly. It's pretty much a win across the board.
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Shang-Chi is a good first kick in the series, revealing a lot of information as it prepares readers for Shang-Chi's epic journey. Shang-Chi is likable, believably great at fighting, and a hero you'll want to stick around with. The art is a little rough, though, and it takes a while to get going.
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Shang-Chi #2 is a great follow-up to the first issue, building off the familial storyline while showcasing Shang-Chi's fighting ability and propensity to be an awesome super-spy.
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Shang-Chi #5 wraps up a story arc that leaves the title character more interesting and with a more complex world to explore than before it started. Yang continues to be one of the best writers at pace and plot while never losing sight of the emotional journey along the way. The art for this series is darker than most superhero tales but managed to capture the kung-fu and complexities of ancient societies in a dark and naturalistic way.
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Shang-Chi #12 is a good finale to a series that has made the character more relevant and complex than ever. This issue also serves as a fantastic finale as it both adds closure and sets up the next series that's not too far away. Shang-Chi #12 is proof the series is in good hands and, if we're lucky, it'll stay that way.
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Shazam! is one of the most wholesome, fun, and bright books at DC Comics. Issue #15 is a great spark in how this character's dual life as a boy and an adult hero can create unique situations that lead to warm and endearing stories.
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Silver Surfer and Dawn go on an adventure that informs the reader in a clever way that pollution is real and protecting our environment should be our highest goal. Slott and Allred have created a wacky and weird premise to wrap this very serious story in, which makes for a trippy science fiction twist.
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Silver Surfer: Ghost Light #1 is a good start to a slower burn tale introducing a hero who has deep connections to Silver Surfer. If you're looking for a story that's grounded in reality, yet features cosmic entities, look no further. Silver Surfer: Ghost Light reminds us cosmic Marvel is filled with wonderment.
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A solid first issue that sets up the vengeance tale well.
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Ultimately this issue is setting up a probable 9 or 10 issue #3. There are two surprises in this issue, one of which is interesting and the twist ending is intriguing, but both don't shock the reader into bliss like they did in the first issue. The exposition heavy middle of the issue does slog things down a bit too much, however important it is to the narrative, and this issue can't quite hit the perfect mark the first issue reached. That said, damn fine comics if I do say so myself.
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As a first issue, I'm intrigued. This series offers a familiar story, but it's how it is being told that makes it feel fresh and new. The visual storytelling simply by panel placement is unmistakable and I can't wait to see how it continues to evolve and change the meaning of the story within its panels.
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Snow Day is the perfect read for a cold winter day. Its protagonist is calm, reserved, and determined in a way that's interesting and compelling. You'll read this wondering if real life is really like this in small towns.
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Another good issue that doesn't live up to the fun of previous issues, but sets up what could be a really awesome conclusion for Erica as she tries to make her way back to Earth.
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I'm not sure I've enjoyed a horror comic as much as this. It's scary in a way that makes you think and it's done by a fantastically paced story and very strong characters.
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Spider-Gwen: The Ghost Spider #1 does enough to make you want more, offering a veiled mystery involving the TVA and Gwen wanting to make the 616 universe her home. The art is high energy, and the implications of Gwen's existence are tantalizing.
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Spider-Man & Venom: Double Trouble is fun, fancy-free and a true delight. It's a riff on the characters that all ages can love.
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Spider-Man #1 is a good start to a new event-level threat Spider-Man and his amazing Spider-Verse friends must face. Most importantly, Spider-Man makes a case for why it should exist and why more Spider-Man is a good thing, especially with such a large Spider-Verse to explore.
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If you enjoyed Spider-Verse and its sequels, get on board and read Spider-Man #2. It captures the fun of a vast multiverse while setting up a showdown that injects some oddballs into Peter Parker's team against nearly every beloved version of Spider-Man ever made. Spider-Man continues to redefine the Spider-Verse in new and exciting ways.
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Spider-Man #9 continues to show that Slott and Bagley have the best handle on Spider-Man at Marvel right now. From the complicated family life to the zip-pow ideas and great art, there are tons to love in this series.
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Spider-Man #10 continues to show Slott's expert take on Spider-Man from the supporting characters, Spider-Man as a character, and new elements too, like Spider-Boy. From moments like Aunt May barging in on Norman to new elements like Spider-Boy, there's a lot to love in this final issue of the story arc.
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Tons of laughs, twists, and surprises in this one folks!
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This is another good issue with great character development as Miguel goes through hell. The action is low and some minor gripes aside this is a solid read every month.
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Knowing it will be a team effort to defeat Carnage 2099, Spider-Man 2099: Dark Genesis #1 establishes many key characters and the villain for what will be an epic month-long story arc. Since it's not a Spider-Man 2099 solo story, it feels bigger, exciting, and a maximum 2099 extravaganza.
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After reading Spider-Man 2099: Exodus, you're going to be intrigued by Winter Soldier 2099. She's more complex than you might imagine and Orlando's ability to bring in some cool-sounding techno-jargon along with a slick set of powers and abilities makes her a great addition to the universe.
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Spider-Man Noir #5 ends on an action-packed high note. Spider-Man must fight for his life in more ways than one, tying things to his identity, his origins, and his greatest villains. This is a series that has had steep ups and downs, but as far as finales go, it's an entertaining end.
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As a big fan of the PS4 video game, I can say I'm dying to see this comic series catch up with the game story. It's nice to recap the adventure and it certainly brings fond memories, but it's going to be exciting to read further adventures in one of the coolest game universes ever made. This is an easy 9 out of 10 for anyone who hasn't played the game.
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This is a good second issue and a great one if you're a Miles Morales fan. It's also starting to become clear the world of the videogame is fleshing out. Spider-Man: City at War feels necessary because of its sharp dialogue and great character writing.
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Fans unfamiliar with this version of Spider-Man are in for a treat. The creative team is firing on all cylinders capturing his uniqueness, leading us into his world with a good introduction, and setting up a new villain that's a fun twist on a classica well-written issue from cover to cover. Don't pass up on this fun twist on Spider-Man that totally deserves an ongoing series.
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Spider-Man Reign 2 is the start of a very scary nightmare that only Spider-Man can turn into a dream. This is a techno fever dream of sci-fi futuristic action with social commentary edging on a profound sensory experience. This is dark blunt force Spider-Man.
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A good first issue that perfectly captures everything good about the video game, from the science elements, Peter's intelligence, and strong Mary Jane characterization to Spidey's comical nature. If you liked the video game, you'll love this.
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An enjoyable issue with its weakest story still serving up some incredible art. A really great read for anyone even if you aren't reading the Spider-Verse event.
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Spider-Woman is a relaxing sort of series that allows you to smirk as you enjoy the lighter moments of superherodom. This issue delivers a good one-shot tale that shows us a "day off" for superheroes.
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Scare Tactics opens with a boom, establishing the characters and deeply personal stakes for Spider-Woman well. Spider-Woman's charm is infectious and you'll root for her every step of the way.
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Spider-Woman #3 is a good improvement on the last issue as it begins to focus in on the undercurrent of family while delivering on Jessica's reveling of being a kickass superhero. Spider-Woman is a thriller that packs a punch with trancelike action you shouldn't miss.
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This book was made for Spider-Woman fans due to its thorough look at the character's origin, but it'll be remembered by the B-movie fanatic. The action is as intense as they come and about as bonkers as you could want to deliver awesome fights, impressive over-the-top moments, and all the while characterizing Spider-Woman in a strong way. Much like how Dark Nights: Death Metal has been a delight thanks to it pushing the limit, I'm starting to see that Pacheco and Prez have the chops to pull off their own event in the same vein, if Marvel will allow them. This is proof of that.
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Spider-Woman #6 sets up a different kind of hero who is very angry, a bit unhinged, and perfectly within her right to be so on some level. She's also losing control due to a serum that powers her up as Pacheco and Perez play with a potential addiction subplot on their hands. Spider-Woman is a fast-paced action frenzy with a very angry Jessica Drew at the helm.
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Spider-Woman #17 is an action frenzy that might just teach you something about the movie business. You really can't go wrong with this issue's well-written dialogue and always inventive action, making this an easy recommendation for a heck of a good time.
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Spider-Woman #19 continues the trend of action-packed pulse-pounding action with great visual ideas, and coming together with crazy plotting and character work. You'll fall for the razzle of the visuals and the dazzle of the on-point character writing even if it's one long chase.
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If you're looking for a single comic that has quite a bit of story and art,Spirits of Vengeance: Spirit Rider is a good pickup. It's a story that captures both Demon Rider and Ghost Rider well and feels earned by its end. It also tells a story that needs to be told and sets up both characters for something altogether new going forward.
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IDW's 'Star Trek' continues to be as strongly written as an episode of TNG or DS9. Considering the many years of varying degrees of quality Star Trek comics, it's hard to believe, but it's a comic you can't put down especially if you love these characters.
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Star Trek #6 is a good finale to the first story arc invoking literal deus ex machina at times to resolve key problems. This series continues to show it fundamentally understands Star Trek from characters using their wits and fast-talking to resolve problems to heroic moments for characters when opportunity knocks.
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Star Trek Annual 2023 proves Star Trek is in excellent hands under IDW in this new era of Sisko as captain of the U.S.S. Theseus. While utilizing the current cast in the comics, this one-shot is also a fun celebration of all Star Trek, from Kirk to Data and back again.
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Star Trek #400 is a good milestone issue with a wide variety of story types and character focuses. It's cool to see a wide swath of series getting some time to shine along with specific characters we don't often see. Aside from a few hiccups in pacing, this is well worth the price of admission.
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Ryan North and Derek Charm's Star Trek: Lower Decks series is a love letter to Star Trek fans, balancing laugh-out-loud humor with heartfelt character moments and nostalgic references. While it may lean a little too much on convenience over depth in its sci-fi mechanics, the comic still delivers a highly entertaining adventure that both longtime fans and newcomers will enjoy.
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I was going to watch the show no matter what, but this comic gets me even more excited for it. The creators have done a good job setting up Picard's last adventure as a Federation Admiral and once again we're privy to a Star Trek adventure that puts morals and ethics on the line.
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A solid last issue in a series I want back already!
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This is a fun adventure that is a perfect 10 for anyone that loves Han Solo, a 9 for Star Wars junkies and an 8 for everyone else. If you haven't seen Star Wars: A New Hope it'd probably fall into a 6 or 7 category, as there is great writing and good pacing, but the weight of the story and characters would be lost. A fine start to what will be a strong first arc I'm sure.
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Star Wars by Jason Aaron does epic and it does it right. The Han Solo portions are dragging, but the rest is top notch stuff.
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A solid done in one anyone who loves Star Wars should dig.
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A great issue that balances Rebel battles and Luke learning a thing or two.
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A solid conclusion, especially for each character's story arc.
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This is a good start to a new arc that highlights Gillen's ability to write a great Han Solo.
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A great action-packed issue with space battles and close calls. It's an okay ending to the arc, but new reader friendly because of that.
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When it comes to Star Wars comics it all comes down to character writing and clever plotting. This issue has it in droves.
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A great story that would have been an amazing post-credits sequence to end Empire Strikes Back.
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An enjoyable Hux/Kylo adventure that serves to reveal a bit about Hux while giving us more time to see these two hate each other so well.
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A solid chapter in the Darth Vader story though it's more political than most probably would like.
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An entertaining story that ties into familiar places, faces, and events.
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This is an interesting and valid new direction for the Darth Vader series. Pak and company are exploring who the man is now that he knows he has a child in the universe. That's a frightening thing for Vader to realize and in that sparks a journey that will likely change the way he sees his identity. This is a Darth Vader story about a Sith Lord reclaiming their identity after all the pieces were shattered decades earlier.
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'Darth Vader' continues to be a must-read, thanks to how much Vader goes through as he attempts to pass the Emperor's gauntlet while familiar visuals from the latest film delight. Darth Vader #11 delivers brutal action, exciting locales, and plenty of possibilities.
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Star Wars: Darth Vader - Black, White & Red #1 is a good start, with three different stories showing the power of Darth Vader. Witness the incredible power of Darth Vader with tremendous visuals in a series that celebrates everyone's favorite Sith Lord.
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Ultimately this issue offers a nice side quest for Darth Vader, but doesn't push the assassin story forward much, if at all. The art is good, and the connection to the overarching movie universe is strong enough to make any fan giddy with anticipation. Once again the art will blow you away and there's plenty of story and dialogue to keep you guessing at every turn.
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Three stories come together nicely in this blast from the past Star Wars tale with plenty of surprises. There's a key bounty hunter that literally steals the show and will have fans cheering.
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Maleev and Soule have woven a together solid story from beginning to end and given new meaning to Lando's eventual decision to do the right thing in Return of the Jedi.
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I wasn't totally sold on artist Brian Thies' style last issue, but this issue comes together much better. That's mostly because there's actual action to draw, which he clearly has a handle of. Last issue was almost all talking heads, and while there's plenty of that here, it is broken up nicely with the action.
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Star Wars: Obi-Wan #2 is an even better adventure than the first issue. It features prequel-era Obi-Wan in his prime as he's still learning while throwing in a horror element with cool sci-fi ideas too. It'll make you wish there was more, but delight in the great characters and sci-fi within.
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A good first issue in a different kind of Star Wars story. If you love bounty hunters, shady bars, and dangerous missions give this a look.
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This is an interesting look at some of the most recognizable variants any comics publisher puts out. I imagine anyone who has owned or collects Christopher's Star Wars covers will need to own this. It serves as a way to peer behind the curtain and understand the journey Christopher was on while allowing you to own every cover for a modest price of $10. There is value in flipping through a hundred or so variant covers in one sitting.
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Told like a short story, this one-shot adventure is filled with wonderment only the Sith Lord himself could bring.
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Star Wars Visions Takashi Okazaki is a simple story with a heartwarming center. Okazaki draws you into the vast and vibrant world of Star Wars with a great duel at its core. Once finished, readers will find a touching tale of a Sith and a droid's bond.
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Now that War of the Bounty Hunters is officially underway, and will run through October, it's quite clear this event has all the trappings of a fandom-friendly story. From familiar faces to a mad as hell Boba Fett, there's plenty to enjoy here for casual fans and avid comics readers alike.
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Given the treehouses in the opening and how this book ends, one might guess Peter Pan experts could have a field day with this narrative. Stillwater #9 continues to blend human trauma and abuse with the functions of a premise that won't let its characters die. Much like Y the Last Man or The Walking Dead, the narrative builds off a strong premise with great character writing.
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Strange #1 is a good start to a different kind of magical Marvel series that's edgier and darker. MacKay has nailed the new Sorcerer Supreme giving Clea a darker purpose while leaning into her dark beginnings. It's playing out as a series that'll pull no punches, especially for a Big-Two series.
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This is a fascinating series thanks to the duo artistic team, the meditative approach to its characters, and the deeper meaning underlining everything. King is incredible at writing subversive stories that surprise and intrigue you later, when you think hard on what you've read. It's a reading experience that is very rewarding.
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Strange Adventures continues to be a fascinating series to ponder and read over as we attempt to understand the characters and what they have done. It's unclear if there will ever be answers, but that's kind of the point. When it comes to war and retaliation, King, Gerads, and Shaner have shown it's all very complicated, and in the face of the perfect heroic model, downright horrifying. For that, Strange Adventures holds up a mirror to ourselves in a way superhero comics rarely do.
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A good third issue that continues to reveal the powers of Hawkins Laboratory children and the growing unease of Six as she comes to realize Dr. Brenner is an evil bastard. If the ends justify the means this story certainly adds to it.
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You haven't had this much fun with the Suicide Squad in years. It's action packed with great art and introspective backups.
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A fun, team-focused issue with a compelling battle of words between Lex Luthor and Waller.
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A fun issue with Zod added to the team and a major turn of events for Harcourt make this a must read for readers of this arc.
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A good, fast-paced action issue with surprises and a major turn in the plot that'll have folks wishing for issue #6 right away. It's impressive this team consists of mostly unknown characters and yet we're already caring about their well being more than we might have with the usual Suicide Squad lineup.
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Suicide Squad #8 has some of the best fourth-wall-breaking captions you'll read all year, clever ideas at work that make the superhero action feel new, and a hell of a cliffhanger ending. Suicide Squad continues to have the chaotic energy and ridiculously over-the-top characters we love wrapped up in a package that takes plenty of chances.
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Two stories that both do a lot of things well. If you ever wanted to learn more about these characters, or just see where clever writing can take them, check this title out!
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This is the best issue of the series so far with good storytelling in both stories. Killer Croc is action packed and introspective, while El Diablo finds someone to love and plenty of asses to kick. Still, all in all the experience isn't as efficient or solidly honed as you might like.
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If looks could kill this book would just as brutally as the gang members. I didn't read the original series, but still found myself entertained and interested in this series.
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Another brutal, action-packed and violence-soaked issue is in store for the reader. This series is about as close as most of us will get to the glory of a street fight.
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The carnal delights of vampires come into focus as Nick continues to find a lost love and maybe even finds love along the way. Summer Shadows #3 continues to deliver a compelling mix of horror, romance, and mythological intrigue, making it a captivating addition to the series. John Harris Dunning and Ricardo Cabral masterfully blend sensuality with horror, using Greek mythology as an eerie backdrop that amplifies the dark allure of the yacht's twisted pleasures. Nick's innocence is highlighted in stark contrast to the debauchery around him, creating a tension that drives the narrative. It's a thrilling chapter, but a stronger emphasis on Nick's emotional drive would make his journey feel even more urgent.
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The cuteness levels are hard to deny as the story adds new layers, villains, and heroes into the fray. It's not quite as funny as the first issue, but perhaps that bar was set a little too high.
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The reader is supposed to be in the dark when it comes to Boomerang's plan, but it's told in such a way to almost make the reader confused. That's really the only fault I can find with this comic. Most readers are going to pass this one up which is too bad. One flip through will make anyone expecting Spider-Man to throw it down in disgust. Don't do that. Give it a few pages to sink in. It's then when you'll realize there's some damn fine crime style comics taking place in between its front and back covers.
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This issue is going to be an important one for major later developments, which makes it all the more profound and interesting. When J.J. gets a closeup that takes up a third of the page you know it means something and it looks as if we're entering a world where it is widly known Spider-Man kills. Yikes. Of course, now that Superman kills (in the movies anyway) I suppose audiences won't be taken aback so much. The fact that there's so much gravity brought down on this issue of Spider-Man killing though, it's pretty clear Marvel is handling it much better than Warner Brothers did with Man of Steel. A good thing, for sure.
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With all this high level moral stuff going on it's easy to neglect the art, which in all honesty is half the storytelling. Without it it'd be senseless words after all. Giuseppe Camuncoli continues to do a good job expressing the darker side of SpOck and the moral standing of the characters around him. There are times his layouts aren't conducive to telling the story, but there's always good movement and action to be had by his composition. Many pages read like the panels were chosen simply because, not necessarily to tell the story or affect pacing.
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Gage and Hawthorne deliver an action-packed against all odds battle.
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This opening issue teases the next big move for Otto while delivering the best Slott and Bagley can bring. Superior Spider-Man isn't quite back yet, but this issue is doing a lot of work to set things up so the return is earned. I think patience is key here, as Slott and Bagley continue to bring their best work to Spider-Man after years of hits. Doc Ock isn't quite back, but you can't deny this is a fun-loving and exciting as Spider-Man gets under these creators.
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If you love superhero comics, you'll love Superior Spider-Man #2. It has cool full-page splashes, plenty of action, and a surprising twist.
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Superior Spider-Man #3 does double duty on referencing older Spider-Man tales while Spidey and Doc Ock team up in a nostalgic affair. It's fun to see the lighthearted Peter Parker attempt to pretend to be Superior Spider-Man as the story inches closer to the transformation we've been waiting for.
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Superman '78 #2 sets up quite a predicament for Superman, but also for Lex Luthor now that he knows Superman may need his help. The dynamic between the two is one we've seen before, but under the guise of the first of its kind movie-verse approach and the spot-on art, it works splendidly. Superman '78 is making a case for being a worthy sequel to Superman: The Movie,and we're only two issues in!
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Superman '78 #4 continues to be the movie adaptation we didn't get, but we totally deserve it. Venditti and Torres have delivered a dream of a project to readers as we get to imagine this well-made comic as the movie sequel we could only dream of.
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Superman #15 continues the intriguing exploration of the multiverse Grant Morrison explored in Multiversity in all the right ways. It's not overly convoluted, it moves at a fast clip, and it relishes in the eclectic look and feel of multiverse heroes.
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Superman #16 sees a fine conclusion to the story arc that ties well into the growing battle DC is forging via its The Watchmen connections. It's nice to see a story arc end so quickly with little hubbub even though the stakes are worthy of an event caliber story.
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Superman #15 wraps up a crossover event that was mostly a huge success. Key characters are changed, big stakes take place, and even new villains have been created. That's a win if I ever saw one.
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A fun and endearing Superman tale that'll put a smile on your face. Read this one to perk up your day and most definitely give it to the nearest child.
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Luthor has some choice scheming going on, Superman is challenged in interesting ways (which is probably the hardest thing to write into a Superman story) and Ascension is on the rise. The backup is good, all two pages of it, as it sets up a very creepy new villain.
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Not a bad issue by any means, with some bad guy banter that'll make you cringe, but plenty of Superman frailty to chew on. Wraith's story seems to be coming to a head and should be satisfying considering the stakes that were raised in the final pages. There's some gems in here as far as Superman and the real problem of not aging as quickly as his human friends too.
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This is good comics escapism. It's an entertaining science fiction mystery with creature-feature written all over it. It's short, to the point, and a good way to get a dollop of strong visual comics storytelling.
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Superman: Son of Kal-El is back this week with a satisfying story, from its character moments to its action. It also lays out new details about Jay while setting Superman's sights on a growing threat that sets up a superhero showdown for the ages.
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Superman: Son of Kal-El #15 closes the door on Bendix for now, in an action-packed issue that feels like a team book. It's a good ending because it wraps nearly everything up while giving Superman a romantic moment too.
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If you're looking for wholesome superhero comics,Superman: Son of Kal-El is the best to do it. Not only that, it's well written and paced, keeping your attention up and delivering a unique superhero experience.
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Superman: Son of Kal-El 2021 Annual is a good one-shot, building on Jon's experience as Earth's new Superman while building towards something intriguing with Lex Luthor. It's a great example of how Taylor is one of the best at crafting genuine character interactions no matter who is in the room.
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A good issue that changes tact into a much darker story. We're given just enough detail on the past and new direction to keep our interest and the funny last page brings it all down to reality.
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This comic is in fact good, as it builds the new lineup of the Teen Titans well. Damian gets a first hand look at what it's like to be back with Ra's Al Ghul and it ain't pretty.
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A strong first issue with some solid art.
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The Teen Titans concept works extremely well in the hands of this creative team. Throwing kids into a school setting with danger ever present makes for good drama, and the superhero feel is never lost thanks to the great art. The chaos and calamity of teen superheroes is stronger than ever in Teen Titans Academy and issue #2 shows that.
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Teen Titans Academy continues to be packed with great character work, action, and plenty of mystery. The cliffhanger of this issue may even make you gasp as Tim Sheridan continues to impress by not skimping on entertaining content.
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Teen Titans Academy #9 is a good blend of the innocence of these young heroes and the dark ramifications of what they face from villains outside of the school. There is a lot of weight resting on their abilities, but what about their emotional readiness? What about deserving a childhood? These are themes Sheridan touches on and it's exciting to see what happens next.
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Teenage Mutant Ninja Turtles Annual 2022 is very obviously a labor of love. Ba infuses every panel with good detail from the battle-damaged bandanas and bodies of these characters to the good and expressive action. Ba also mixes things up nicely using silhouettes of the Ninja Turtles in one scene as if they were the shadows themselves. Nearly every panel tells a story, which you can't say about most comics!
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The art by Dario Brizuela continues to keep things clear and exciting. Frankly, the Turtles are a joy to look at in every panel. They're expressive, unique from each other and functional. I particularly like the design of the Krang robots in this issue. Please forgive me if these aren't original, but I'm giving Brizuela full credit!
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You'll want to explore the world of Terrorwar once you start reading. It blends sci-fi horror and social commentary with an eclectic mix of characters. Throw in the concept of nightmares coming alive, and it's bound to find a place in your pull list.
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Thanos #1 is intriguing. It takes a bold stab at telling a story differently and will make you feel dark thoughts that set up a vibe for Thanos to settle into. The plot of the story remains to be seen at this stage, with this issue feeling more like the 10-minute cold open to a great episode of TV.
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This is a good first volume that has great elements you've seen in other manga from food stories to fantasy tales. Framea is a fun, easy-going, and infectious character you'll want to spend time with, especially during these tough times. The Ways of the Monster Nation is lighthearted, clever, and a critically enjoyable darling of a manga.
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Overall I enjoyed the second volume of That Time I Got Reincarnated as a Slime more than the first. The story is more self-contained and more satisfying, and the world continues to be fleshed out for the better.
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A strong climax to a fantastical story that will make you want more. The next issue can't come fast enough.
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Autumnlands continues to be the epic fantasy that you'll never want to end. This issue wraps things up well so that when it does return it can start anew and take us on yet another wild adventure.
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Draws you in with exceptional art and slower well paced storytelling.
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A solid Hulk story due to its ingenious way of using classic Jack Kirby and Stan Lee panels. This story also changes the Hulk in a clever way, setting the stage for a new kind of hero once he joins his new team.
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The Blue Flame is building a case as a series with a dark message about humanity that's worth a look. Whether it ends positively or in a dark place remains to be seen, but it's compelling how the story is framed and drawn elevating this beyond just another superhero story. The Blue Flame hasn't reached a fatalistic place yet, but its probing of humanity's moral value is bold and frightening.
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Visually striking with a story that's perfect for those who like psychological dramas.
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One of the best super spy issues in the series yet.
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A good fourth chapter that brings in a domestic angle.
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The Death of Doctor Strange #4 sets up a final issue with satisfying reveals and plenty of entertaining detective work. It's a suspenseful bit of procedural drama as the finale looms large.
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The Death of Doctor Strange: Spider-Man is a great example of how tie-in stories can build off an event in clever ways while developing characters. In a book that's about Spider-Man, Black Cat, and by association Doctor Strange, the creative team has captured the heart and soul of these characters very well.
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Death of Doctor Strange: Blade is a fun issue that revels in the pure joy Dracula is having juxtaposed with Blade's reluctance to be there at all. It's not a must-read tie-in to the main event, but it offers up some cool creature design and further exploration of Blade's new role as Dracula's sheriff.
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Death of Doctor Strange: Bloodstone is a wonderful surprise that will make you crave a Bloodstone comic series. It makes a case for Elsa's life being well worth capturing in its own series thanks to the dynamics with her siblings and the angle it takes on magic.
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The Death of Doctor Strange: Avengers #1 is a good one-shot that plugs you into Iron Man's weakened emotional state. This issue takes readers on an adventure that is incredibly large in scope, but tightly written.
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Solid Etrigan action and character work.
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The Department of Truth #3 is a great example of how strong the premise of this series is and the infinite possibilities we've yet to see three issues in. The creative team is on fire, delving into new conspiracy theories on each issue and showing how evil lurks amongst us. Given a supernatural push, The Department of Truth turns the horrors of fringe conspiracy theorists into the scariest things imaginable.
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The Department of Truth brings up some rather large conspiracies in issue #7 that even casual sci-fi and fantasy fans should enjoy. The fact is, this series continues to weave conspiracies into a larger narrative, further impressing with a grander scheme by some of the best creators today.
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This is a first issue that is entirely weird and imaginative in the best of ways.
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The central mystery hasn't changed much, but it's a delight to experience the world anew in this great series.
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This is another strong issue in the DC Vertigo line of Sandman comics due to its ability to tell a complex story in storybook terms. Judge Gallows may be the scariest villain introduced of the year.
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This series continues inspire. You'll linger on its ideas and if you're lucky enough, get to talk about them with others. The Dreaming continues to be one of the richest, most thought-provoking series on the shelf.
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The Dreaming: Waking Hours continues to be one of the most delightful books on the stands today. It blends warm and interesting characters and captivating weirdness you won't want to tear yourself away from.
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This is a good "The End" for Doctor Strange thanks to the subtle textures of the world around the character as he goes on his final journey. It serves as a means to prop up another character but by doing so it enriches the love and care of Doctor Strange. For a character with an ego such as his that's a nice sentiment to leave him.
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There's a lot to love in The Enfield Gang Massacre #2. A thunderous shootout and a foreboding second half continue to show The Enfield Gang Massacre sets a new standard for Western comics.
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The Flintstones continues to be a must-read thought provoking mirror of our society. If you like your fantasy stories to be packed with meaningful truths about ourselves you must read this.
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A strong second issue allows the comic to gain a direction and more purpose.
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The art by Ronilson Frere continues to fit the title well. The time and place is never in doubt, and the action clear and atmospheric. There's a bold use of ink to give everything a darker feel, but that's come to be expected from a book dealing with underworld crime drama.
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This is a very good crime comic with superhero undertones. Obviously Hornet isn't super, but Mark Waid is setting up a superhero team that's interesting and fresh. That's saying a lot when you consider how repetitive most hero books are these days.
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What we have here is a sweet read for all ages. The violence isn't going to be too much for the kiddies and the action and art is cool enough to keep the adults entertained. I never thought we'd need a superhero team to take on supernatural menaces that doesn't contain Ghost Rider, but it looks like we do. By book's end you'll wish The Halloween Legion was an ongoing series.
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This issue establishes stakes and direction for both groups, even though we're three issues into this second story arc. By the end, it's clear where the Last Men are heading, and Cal is closer to Tara than ever. Paired with the exceptional art, it's another winning issue in the best fantasy series on comic book shelves.
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Anyone in need of action will be satisfied with The Hunger and the Dusk #5. The fantasy tropes are strong with this one, thoroughly delivering for any fan of fantasy in all its forms.
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The Joker Presents: A Puzzlebox is an entertaining first issue in a planned seven-issue print series set for August. Fans of Joker may want to get on this book now not only to get ahead of Joker and crack the case, but because it's an entertaining unreliable narrator tale. Puzzlebox offers a less serious but always intriguing take on the Joker.
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The Last Book You'll Ever Read is a strong start to a series with a unique premise and a devilish deeper meaning. Most of all, it comes with a smart introduction that draws you in and won't let you go.
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The Me You Love in the Dark#1 is an intriguing start to a story about an artist and their awareness the house they live in may really be haunted. For a book about an artist, this comic lives up to the quality of an expert painter through color and linework.
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This comic series may go down as a must-buy in the collected format when it is all said and done. The Me You Love In The Dark #3 is romantic, pleasing, and yet capable of creating a touch of unease. Rarely are romances in comics done so well, and while the lack of direct conflict does make it float in its love story, maybe that floating is the point.
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The Mighty Thor #15 sets up the new arc in all the right ways with big stakes and defining character moments for multiple characters. I wished there was more Thor in the book, but it had me hook, line, and sinker by the final page.
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The Nice House by the Sea #3 is another disturbing issue in a great horror story. The weirdness ramps up quite a bit as an eventual conflict is bound to strike, leaving you wanting more.
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The Nice House on the Lake #9 continues to entice its readers with danger and impending doom. Our heroes are slowly discovering things are far too weird to be taken literally and Walter is losing his control. Like a powder keg it's deliciously building towards utter chaos and you won't want to look away.
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The Night Eaters: She Eats the Night is a story that rewards readers who hang in till the end. I'd recommend going in blind, knowing full well truths aren't revealed until halfway through but only get more satisfying from there. On top of all that, if you have an overbearing or uncommunicative parent, you'll likely connect to this story and wonder if your parent has a dark secret. Read The Night Eaters: She Eats the Nightfor a unique twist on a haunted house tale and the dark secrets our parents hide to protect us from the dangers of the real world.
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At its core, this is a story about a person whose entire purpose in life is being challenged for the third time. The hook of the mystery paired with a guy with nothing to lose will have you coming back for more. The One Hand is an extremely dark, melancholic, and violent mystery, smartly blending sci-fi and horror.
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The One Hand #3 heats up the impending conflict between the detective and the killer as sci-fi elements seep into the web of clues. If you're not reading this already, stop what you're doing and buy up the back issues. This is riveting edge-of-your-seat comics.
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The One Hand #4 further sends its lead character down a rabbit hole of annihilation. He's much worse off by the end of the issue but closer to answers and finding the killer. The question is, can the killer ever be caught if it's something beyond flesh and blood?
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This is a very well written first issue that introduces its protagonist very well. The world is realistic and lived in and you shouldn't have any trouble believing what's going on.
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The Riddler: Year One continues to be a beautiful rendering of an unsettling mind. Madness and mania are ever present but not yet fully formed as Subic and Dano continues to show a man falling further into an abyss of disturbed thoughts and tainted interpretations of the real world.
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The Riddler: Year One #4 continues to show the disturbing mind of Edward Nashton and how, in more ways than one, his eventual turn as a villain is due to a life he was forced into. The Riddler: Year One adds fascinating layers to Batman's greatest villain.
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This first issue establishes its story well and then hits you in the teeth with a highly dynamic one-shot backup story. Together it offers a lot of promise for a violent, edgy, showstopping noir tale.
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The Sandman Universe: Nightmare Country has to be the creepiest comic out right now. The characters, the situations they're in, and the unknown players all add up to an unnerving story that's perfectly balanced with what Neil Gaiman gave us 30 some odd years ago.
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As a lead-in for Dead Boy Detectives, this is a must-read, but fans of classic Sandman should also find plenty to delve into as it explores the writer and other supernatural things. Undoubtedly not integral to the ongoing story, Sandman Universe: Nightmare Countryis still primo Sandman and, in many ways, precisely what Vertigo was made for all those years ago back in the '90s.
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It's not every day New Comic Book Day falls on 4/20, so it's likely in your best interest to pick up The Secret History of the War on Weed. Not only because it helps good causes, but it shows off the genius minds that know how to pull off over-the-top comedy and sharply drawn action. This is a rare comics experience that you don't often get, which is why it's an easy recommendation to add it to your read pile.
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A lighthearted take on a middle school kids adventure to understand himself in a creative format. There's nothing quite like this and should be a blast for middle school readers who might take some inspiration from the sketchbook within its pages.
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Anyone who hasn't been reading a long might be completely lost as far as how this book concludes, but at the same time this issue contains everything that's made this series good in the last few. Save for the exceptionally hilarious introduction in the first issue, this issue tops them all. There's a conclusion, a ton of incredible layouts and plenty of detailed art that rivals anything that came before it.
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An excellent issue that's vividly realistic with the art, has heaps of social commentary, and is whacked-out insane.
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The Silver Coin #5 is a good example of moody horror that sneaks up and captures your interest. The story may involve a witch during a time when they were hanged and use themes familiar to us, but it still finds the unease and horror in the simpler lives of yore.
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At its core, this is a story about a person from academia discovering something that only ignites their imagination, even if the repercussions are evil and wrong. He's not necessarily someone you root for, but his situation is compelling as we ponder if he'll be caught and what drives him to kill. The Six Fingers is a marriage of a gruesome mystery with the hopeful optimism of a man who wants to escape.
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Expect incredible art from one of the greatest Spider-Man artists, with some of the best quipping and comedy writing for Spider-Man in some time. The Spectacular Spider-Menis vibrant, fun, and hard to put down.
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Save for the story taking place at an inexact time, and it being mostly setup for Thing's adventure, this is an excellent story. The creative team introduces a villain who earns his right to be feared, Thing's personality is true to the character, and the visual style is vibrant and interesting. The Thing gets to the heart of the blue-eyed hero and offers an adventure well worth exploring.
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The Thing #2 is a good issue that's visually exciting and action-packed. Fans of fantasy adventures will enjoy what Mosley is up to even if it's a bit confusing as to what it all means at this point in the story.
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A fun conclusion that spins out even more stories.
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The United States of Captain America #2 further progresses a larger plot and mystery afoot. The dream, not just the American dream, is under attack. Cantwell and Eagelsham continue to write a pitch-perfect Captain America while delivering a realistic look at America. It hits on a different set of realities in America intertwined with super-heroics and a fight for the dream.
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The United States of Captain Americacontinues to be an interesting road trip story. It's not even about who stole Captain America's shield or who he fights along the way, but about the affirmation of what he does to help others that's contagious. Hopefully, this comic series is self-affirming and does its part to enact a little change in America, because within its superhero stylings there's a message of positivity and hope to help your fellow man.
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A solid ending with good answers, new beginnings, and a character fulfilled by its end.
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As a whole this is a story that's slow burn with its intentions being played close to the vest. Like a good poker game you'll be excited by what's happening off the table more than any hands being dealt, but it's safe to say a royal flush is coming.
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A strong second issue, especially if you are tuned into the long history (and supporting characters) of Thor.
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Thor #6 is an awesome example of the correct way to deliver on a climactic issue. It sets up the next arc, puts a heavy weight on the hero, and does something that changes everything. My one gripe of this issue and the series really is each issue has been slow, yet packed with ideas. It has leaned on the big twists possibly too heavily, but it has been an excellent ride worth giving a standing ovation.
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Thor #15 kicks off the three-part "Revelations" story arc that shows a lot of promise that Thor may be growing up. Aside from the main story beat, there's also an interesting conversation that introduces an interesting twist on Thor and it's a good-looking book along the way too. "Revelations" adds new layers to Thor you may not know you needed.
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A solid fight comic with a twist ending!
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Save for this issue doing less than the synopsis suggested this is a solid read. It gets everything on track for what could be one of the most interesting detective stories of the Rebirth event. The characters and their connectivity are ready and because of how well this issue is written and and drawn.
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A good volume that sets up a whole new direction for the series. This volume is filled with action and new revelations that'll get your imagination going as far as its bigger purpose.
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There's no doubt in my mind this is going to be a great six issue series. Everything is set up nicely and the characters speak and act as they should. The only problem is, aside from the comic book aspect introduced here, there isn't much to chew on. It's mostly setup, so the real enjoyment won't come for another issue at least. That said, the stakes are extremely high and there's every reason to keep reading.
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Continues to be one of the more interesting sci-fi superhero comics on the stands. It not only showcases innovative ideas but does so with great art and action. If you're interested in technology you'll love this series.
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Torrent #4 doesn't hold back with the no holds barred superhero fight scenes. This issue is like a side quest as Crackjack must fight through the world's greatest heroes, and she's severely outmatched. That said, the creators show nothing can stop a grieving mother who seeks justice in any way she can. Torrent continues to take chances in the best of ways pleasing anyone who liked Image's other excellent take on heroes, Invincible.
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Trial of the Amazons is a good start to an event that may just change everything we know about the Amazons. That's exciting, especially when Wonder Woman isn't even the most intriguing character in the narrative. Trial of the Amazonsunfolds a drama that draws you into each character's narrative.
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Twig #1 is a good start to a brand new fantasy world that readers of any age can appreciate and get lost in. Younger readers may love it a tad more since Twig is a little bit of a mystery at this juncture, but there's enough here to make you come back for issue #2.
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There's no denying Ultimate Invasion is an epic chapter in a larger masterpiece. The quality of writing, big ideas, and exceptional art combine into something that feels important and a cornerstone of what comes next in the Marvel universe.
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Witness the adventures of Uncle Ben and J. Jonah Jameson in Ultimate Spider-Man #10 as they do their best to track down unsavory acts by Kingpin. The results are far closer to the ultimate threat of the Ultimate Universe. The threat and danger of The Maker is out for all the heroes, but this issue shows he may have an even bigger problem if the truth gets out to the people thanks to Ben and Jonah.
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If you have the patience, Ultimate X-Men #2 continues to draw you into a unique world of mutants who may be recruiting. The slow plot makes you wish you had the entire first story arc in hand, but there's no denying this tale draws you into a unique and specific world. Blending horror and themes of bullying and dark thoughts, Ultimate X-Men feels as relevant as ever.
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Ultimate X-Men #4 ups the ante with an intense action scene and promises a major shift in the characters' lives. With thoroughly youthful teens just learning about their powers, they're about to be tested in a way that's thoroughly X-Men.
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Ultimate X-Men #6 firmly establishes the good guys versus the bad guys in an enlightening final issue to the first story arc. The plot continues to move slowly, but it's hard to deny the compelling new take on mutants and the X-Men.
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Ultimate X-Men #7 further develops the scope of the villains while introducing a new hero and adding more complexity to the plot overall. All told, you won't want to put this down as the world-building grabs you.
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Things are getting pretty serious in Ultimate X-Men #8, with new mutants being revealed and the Children of the Atom cult pushed to act. The series is nearing a dramatic crescendo, and this issue does a lot to get us there.
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Ultimate X-Men #9 builds on the series' momentum, blending mutant action with cultural elements and character-driven storytelling. The heightened threat of mutants is palpable as Momoko deftly weaves together storylines, bouncing between the protagonists, the cult, and the high school setting. Each element reinforces the youth and inexperience of these characters, especially as they grapple with newfound powers.
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The Ultimates #5 works best as a solid argument as to why Hawkeye is a good contributor to the team and a necessary member given his attitude. This issue establishes he kind of thinking these heroes need to succeed in a world where they are the villains.
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As an ensemble, Ultimates #7 continues to draw out the humanity of these larger-than-life characters. It delivers a reflective and emotionally charged issue, skillfully bridging the gap between action-packed arcs while deepening the psychological stakes of its ensemble. It's a solid entry in a series that continues to balance spectacle with substance.
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Andy Kubert is on art and he does a sweet job of it, especially considering this is just a lowly tie-in. Most tie-ins get the second tier artists because really, let's be honest, this is just filler junk material. Not so here, as he lends his impeccably classic style to the issue. I'm not a big fan of his odd diagonal slicing panels and I'm not sure it really fits with this story, but it's exciting and well rendered.
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A fine conclusion to the Hulk storyline with big action and key emotionally charged moments. Once again, Duggan does well with the team format with good pace and fun action.
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When you're in into the 6th issue and a character says, “This is our first day,” you know there's a problem. Unless of course there's time travel involved. Not so here, and while it's an entertaining read it could really use a lot more happenings. It's about character though and Bendis nails it.
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This series continues to do great things on its own apart from the main event, even though it's ultimately not a must read for completists.
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This is a severely middling first issue largely because it's focused on setting up the last page reveal. That said, the art is clean and strong as always and the basic storyline is just as clear.
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While the first issue was setup and the second all payoff, the third is a transitional issue focused mostly on action with a few plot tidbits tied together in an eye-popping artistic bow.
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This is a good first issue that sets up the protagonist and world effectively. The media and governmental side of things is obviously the focus and it's doing that right.
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In the hands of these creators, Valkyrie is becoming one of the most exciting heroes in Marvel Comics. Her unique perspective, powers, and back story all add up to being one of the more complex story arcs amongst the heroes. Jane Foster has transformed more than once and it's exciting to see how she develops even further.
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The story's structure is a big reason why Vengeance of the Moon Knight continues to be a fun read that's never boring. MacKay is exploring a specific character while letting the art team run rampant with great action. What more can you want in a character-focused superhero comic?
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A great issue that further defines one of the most polarizing heroes ever created. This is a character who has always had haters, but also huge fans, and it's in this latest run that I think the haters may have to reconsider their positions. Cates and Stegman are making a case for why Venom is a top tier complex hero.
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A good tie-in if you're looking for violence, horror undertones, and a Venom that's all about killing. It's classic Venom built for war.
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Symbiote or no, Donny Cates knows how to write Eddie Brock. The man is so full of self-doubt and worries that it's amazing he can ever be heroic. Cates and company remind us he's a hero with so many faults and that's why we love him.
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Venom continues to be a great rollercoaster of surprises, twists, and head-turning action storytelling. Cates and company continue to prove you can stuff 20 pages with consistently intriguing material, when so many other books have so little to tell.
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Venom #32 offers up a brand new way to think about and look at Symbiotes. Venom #32 isGhost meetsThe Matrixwith Hacksaw Ridge energy.
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Venom #200 delivers a major new direction for the character that could have been another story arc entirely. Instead, Cates and Stegman get to put their final touches on the character in a comic that earns its extra price tag and page length. If you haven't been reading this run, this is not a great place to start, but it's an intriguing new twist on the character that's well worth investigating.
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If you dig fight scenes, you'll love Venom #7. The art is fabulous as it captures every punch, kick, and bladed arm gouging into flesh. The plotting is slower, but that's in part because it wants to let you soak up the visual details as Dylan may lose another father figure.
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Venom #11 continues to alter what we know about Symbiotes, especially modern characters like Sleeper and Dylan Brock. Venom is one of the best mind-bending sci-fi horror stories on the stands today.
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Venom #13 gives us a new feature of Venom's newfound powers while dropping the entire story in a new location that is taking things in an entirely new direction. One can imagine the Dark Web event is sidestepping some of the bigger questions for awhile, but given how fun it is right out of the gate, I say bring it on.
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Venom War #2 leans into the pro wrestling vibe with tons of swagger and attitude, with slick art to go with it. The story is plotted well, though I can't say how much I care about the stakes in play. I'm here for the top rope spectacle and fun-for-all-ages symbiote action.
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Venom War #3 further ties symbiote mythology to Marvel cosmic, with heavy-hitter villains entering the fray. It's another example of how Venom's evolution and complexity as a character have become inherently part of his new identity.
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Venom War: Spider-Man #1 is a great tie-in, thanks to the zippy dialogue and constant pedal-to-the-metal action. The creative team makes you love Spider-Man in the symbiote costume, and dare I ask, does he have to ever let it go?
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The creative team is firing on all cylinders with Venom War: Venomous #1, which is an action focused issue with good bits of character moments.
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A strong start to a series that at Marvel that continues to flesh out Venom in new and exciting ways.
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An entertaining third issue ramps up the reveals and backstory.
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This is a solid issue in a gritty and realistic vigilante story. Vigilante: Southland offers gritty realism in a field that's mostly extraordinary heroes. This issue progresses the plot and offers plenty of realistic action.
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There's nothing else quite like this. The quality standard is so high it's hard to not love this series.
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Violent Love is an excellent crime story with a firecracker protagonist you won't want to miss. Issue #2 continues to tell a visually striking story in line with cinematic counterparts.
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Unfortunately I'm not sold on the protagonist just yet, even if the supporting cast is pretty interesting. That said, Virga's ambition reaches farther than most $3.99 comics, so its value is unquestionable as a $.99 comic. Here's to looking forward to the following issues!
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It's the big finish we all were hoping for as Aaron, Dauterman, and Wilson pull off the biggest Thor event ever. They not only deserve a standing ovation for the grandeur of this finale but deserve a very big mug of mead.
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I dig the variety of stories offered here, especially having half of them leaning into comedy, reminding us events are meant to be fun. It also holds a key Daredevil tale to make it a must-read for completists and even casual War of the Realms readers.
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This is an interesting entry point for new readers curious about the famous and decades-old universe based on the miniature war game. If you like sci-fi or fantasy, you'll be fascinated with 'Warhammer 40,000: Marneus Calgar' for its complicated world. At its core, this is a story about Marneus Calgar and how a hopeful teenager became a chiseled war veteran. The creative team has done well to capture the vast world at our fingertips in all its dark and twisted sci-fi violence.
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Wastelanders: Black Widow ends the series of one-shots set in the Wastelands in the perfect way. Not only does it reveal another fantastical corner of the universe, but it shows how heroes have been bent and changed due to the harsh world they now live in. It also shows that at their core, heroes like Black Widow never give up.
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Watch out,Spawn --We Have Demons is rocketing its way towards becoming the most intriguing clash between heaven and hell yet. The creative team is doing a great job establishing a believable relationship between two near-strangers while setting up a world centered on faith that makes sense and feels wholly original. It's a great start that continues in the second issue out this week.
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There's a new sci-fi kaiju comic that we should all be paying attention to and it's called We Ride Titans. While a bit short in its narrative, the visual style is unmistakably cool, with a main character you'll want to follow as she faces kaiju and kicks ass.
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Make no mistake, I'm all in for the finale in Totally Awesome Hulk #22, as this and the series as a whole has offered big time action with a cool special ops vibe. Plus Cho adds an element that's undeniably interesting due to the tech savvy tricks up his sleeve. The strong writing on the villains has dropped, but how can you deny the monster mayhem?
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A fun issue that has some detective work and a great setup of the villains.
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Web of Venom: Empyre's Endis a good connecting story betweenEmpyreandKing in Back, but it's an even better space horror. If you have any doubt how dangerous Symbiotes are, simply pick up this comic and see Earth and its heroes are in big trouble.
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West Coast Avengers #1 delivers a fresh, exciting take on the classic team while leaning into its quirky and nostalgic roots. Gerry Duggan and Danny Kim craft an engaging and action-packed debut that subverts expectations by placing a rehabilitated Ultron at the forefront alongside a slightly out-of-step Tony Stark. The character dynamics are promising, though further development for the broader team would elevate the story.
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The What If...? line of comics is alive and well in What If?: Venom #1. The fact that it'll naturally spin into different characters taking on the Symbiote is exciting and this issue is proof enough Holt and the art team are making sure we have a blast.
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White Widow is off to a great start, building on Yelena's character in a natural way. She's not rejecting her killer lifestyle, but embracing it, but at the same time seems to be finding that inner purely good hero thanks to small-town America. Throw in her desire to train younger assassins and there are elements to hang on to and build from. White Widow entertains with a good take on the lead character and creative visual ideas.
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Creepy and very unnerving.
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Winter Guard #1 is a strong start for a series that shows a lot of potential to flesh out Yelena Belova, and may just introduce you to your next favorite super spy.
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Though I wasn't blown away by the first two issues by any means, I was still compelled to keep reading and I think that's largely because Cornell was doing something new and interesting. This issue reveals his grander scheme, that is if he does get to continue past the next issue, and I'm on board for whatever he has for me.
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Wolverine #13 is a satisfying follow-up to X-Force #20 that moves major story threads along while revealing how dark Beast's ideas about keeping Krakoa safe are. It may not be a Wolverine story, but it's one of the most exciting Hellfire Gala chapters yet.
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Wolverine #15 picks up where the last issue left off and has readers by the throat from the very first panel detailing the life of Solem. Its only weakness may be that we still barely know Solem even though he's the focus of this issue. Wolverine #15 shows us a formidable foe and now it's a matter of finding out who he is to complete the picture.
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Wolverine #16 is a good finish to the latest story arc that features a lot of new details learned about Arakko mutant Solem. The creative team is also showing us how a villain that's similar, but also opposite of Wolverine in a few different ways acts as a way to further define our favorite Canadian superhero.
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Wolverine #20 is a great return for the series afterX Lives of Wolverine and X Deaths of Wolverineput the main series on hiatus. Smartly, the creative team is having a bit of fun with Deadpool after a serious 10-issue epic, and boy is it a lot of fun to have Deadpool back in all his glory.
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I won't argue that this story arc hasn't felt drawn out and a bit blah at times, but Wolverine #22 is a lot of fun. It recovers from the last issue which was slow and throws the reader into a high-speed chase. More importantly, it punishes Deadpool for being such a dingus which brings a lot of comic relief.
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Wolverine #23 supplies resolution for Deadpool while giving readers plenty of great action. Adam Kubert is a legend and continues to prove he's got lots of great ideas and visual prowess. The main conflict with Danger may live to see another day, but between Kubert's visual ideas and Percy's comedic chops, it's an action-focused story with delightful moments.
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The art is spectacular in Wolverine #24 and should have you on the edge of your seat from cover to cover. Add in the fact that Wolverine's foe Solem gets more page-time, and it's an easy pickup for fans of the Krakoa era Wolverine. Just don't think too hard about how this ties into the Judgment Day event.
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Logan's worst nightmare continues in Wolverine #27 as Beast further loses his moral and ethical standards. Captured in vivid detail by Ryp, Wolverine is building towards a revenge plot fans won't want to miss.
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Wolverine #31 kicks off a Beast vs. Logan showdown you won't want to miss. Everyone's favorite blue mutant genius has gone off the rails with only more evil and immoral actions ahead of him, and he must be stopped. Given the stakes and how powerful Beast seems to be, there may be only one mutant left who can do it. He's got six claws, and he's all out of patience.
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If you want to see Beast take a loss, check out Wolverine #35. Less an issue of Wolverine and more of a good chapter of X-Force, this issue is filled with action, and Deadpool steals the show more than once in the best of ways.
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Wolverine #38 is a great team up issue featuring one of Logan's oldest and closest wartime friends. Given he state of Krakoa this issue feels important as it wraps up what Orchis has done with what's left of mutant culture while ensuring it'll be preserved for whatever era comes next. It's fitting the "Last Mutant Standing story arc has Wolverine going on solo missinos as the biggest mutant loner is best at wrapping up loose ends.
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Wolverine #43 is a good table-setting chapter in an ongoing war but building in new and exciting ways. Bloodthirsty fans will like it, while the remainder of Sabretooth and Wolverine's good old days are expertly revisited.
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"Sabretooth War" part 4 rages on in Wolverine #44 as "Captain" Sabretooth takes a central focus while the heroes lick their wounds. Expect great art and good emotionality in the characters.
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Wolverine #46 builds up its stakes while using a clever cross-cutting effect to show the complicated relationship between Sabretooth and Wolverine. This is a great action adventure.
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The psychosis of Sabretooth is on full display in a compelling issue about his inner thoughts and psychology. The question is asked if he can be saved, and by the end, there is an answer. Juggling this and the table setting for the finale ends up making this an intriguing issue that's well worth checking out.
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I haven't been this excited for Wonder Woman in a long time. The character is larger than life, the art equally so, and the characters vividly real.
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This issue continues to draw you into its complex characters quite well. By the end, you'll be on board for the villains' eventual whooping. Plus, the art continues to impress like no other.
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A strong issue due to incredible visuals and a story tied to the gods of the multiverse.
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"Trial of the Amazons" is turning out to be a delicious slow-boil event series. Wonder Woman #785 explores Diana's complicated relationship with her home island while throwing some doozy revelations on the reader. You'll be amped up more than ever for the trial after this issue.
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Wonder Woman #6 is a shining beacon on the hill for superhero comics. This is how you make a hero empowering, truly pure good, and beloved. Wonder Woman is inspirational, sublime, and moving.
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Wonder Woman #8 is another masterclass in art, with thought-provoking ideas and incredible character work. There isn't a superhero comic like it.
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Wonder Woman #13 closes out the Absolute Power tie-in story well, playing up the Damian team-up aspect and progressing the larger story nicely. More importantly, King's dialogue lands every time, feeling natural and apt for his take on Wonder Woman.
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Another great issue as we delve deeper into this science fiction world. Concepts are introduced and this futuristic civilization gets more interesting each page of the way. Recommended!
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For a comic named after its character you'd think you'd get a lot more from X, but that's not the point. Clearly Swierczynski wants him to be a force and maybe even a symbol, similar to how Batman is portrayed time and time again. We aren't getting into his head just yet, but that's okay, because the world being crafted is much more important at this stage.
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X Deaths of Wolverine #3 delivers excellent action, plot progression, and hints at what is going on on a deeper level. It also leans into the Wolverine family that doesn't forget to be fun in the face of extreme violence and foreboding. X Deaths of Wolverineis a great blend of mayhem and satisfying storytelling.
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X Lives of Wolverine #3 continues to be a thrill, featuring some of the coolest art in comics of 2022. It's also a story that continues to make more sense with each issue, but it's also a great "turn off your brain and just go with it" action fest.
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The biggest takeaway from X Lives of Wolverine many will find is how this issue has something important to say. It adds new info around time travel, but also new context about what is going on in the series too. In the case of Wolverine's time travel exploits, what goes around comes around in an exciting week seven.
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A strong intro issue that establishes the main characters and the general premise of the book.
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X-Factor #3 continues to offer comedic social commentary with a strong focus on Havok. Come for a few giggles, stay for the complete mission and action.
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Action, gore, and a whole lot of vengeance are in order for the fifth issue of this excellent new series. You have to love the wealth of ideas in play here like seeing Wolverine cut in half, or how ingenious Krakoan weaponry can get. This is a darker book and it will suit any reader who likes their violence raw.
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Get inside Beast's head in this interesting look at how the X-Force makes sometimes immoral decisions for the greater good. Who watches the watchmen, indeed.
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X-Force #20 is an enjoyable issue thanks to its chaotic energy and its mixing of serious and silly. We all knew the Hellfire Gala was going to be a hot mess, but this issue surprises with some unexpected developments. Plus, it's fun to see this team work a party rather than attend one.
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X-Force #31 balances the immoral core of the team with the wild cards that are Omega Red, Deadpool, and Kraven. This team is not all right, far from it, and Percy continues to poke and prod at the various members until heroes rise triumphantly, or the entire thing folds like a house of cards. That's exciting and entertaining complexity worth reading about.
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If you've enjoyed Kraven and Percy's ability to capture the psychotic hunter's personality, you'll love X-Force #32. Not only does it feature Kraven at the height of his powers doing what he loves, but this issue firmly establishes that the X-Force is only as strong as their active members and team unity is at any given time. Basically put, they're screwed!
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X-Force delivers plenty of entertainment at a fast clip, no matter the page you turn to. X-Force #33 not only closes the door on Kraven's attack on Krakoa, but it features Wolverine fighting a heck of a lot, keeping Wolverine fans fed.
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X-Force #34 mixes things up with action montages, a brand new focus on some familiar characters, and the ongoing fall of Sage and Beast. This series continues to excel in continuing character narratives while dropping us into tense action sequences.
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If you're looking for closure, X-Force #38 offers plenty as Percy's narrative closes the door on a long-running threat. Domino seems to have grown, while Beast shows he's even more evil than anyone would like to admit. Purchase X-Force for fun action, great Deadpool hijinks, and some closure for Domino.
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X-Force #41 continues to show readers what it has all been building towards as Beast's acts make the future quite scary. An adventure comic through and through, enjoy this one for the journey as our characters prep for the next time jump.
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X-Force #49 firmly establishes the stakes as Beast rises up to threaten an entire people while a newly awakened cloned Beast tries to make amends and prove he's a hero at heart. This is a great espionage spy story fit for the X-Force team.
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X-Men '97 #1 is the perfect complement to the new animated series. It may retread a few things in the new episodes, but it also functions as a way to give us more stories in this universe. It also plays well as a prequel; it's unfortunate that we don't have the entire series already while the show continues!
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So is the story compressed? Yes, which is the unfortunate truth of comics today. We're going to have to deal with it or become trade waiting readers. That said, there's just enough character in this issue to soak up the lack of plot and story progression. Now, we'll see how this comic fares when Coipel is replaced, but for now it's a good fun and great reading.
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Now that we're two issues into this series it's starting to become more clear what Wood is going for as far as team dynamics and character. It still feels like an X-Men comic, but its own identity is emerging and I think it's going to be great. This issue boils down to a fight scene which means it's a little bit of a decompression when it comes to storytelling, but the characters are so strong you won't notice.
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X-Men has never felt so footloose and fancy-free. It's an excellent series backed up with more ideas than you can possibly wrap your head around. The future of X-Men is bright and it's thanks to a treasure chest of ideas that is endless.
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Vulcan is a character that has a shoddy past to be perfectly frank, but X-Men #10 does a lot to capture the humanity and complexity lying in wait inside of him.
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X-Men #19 melds ideas from movies like Alien and Event Horizon into an action-packed issue with plenty of good characterizations to keep X-Men fans happy.
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It'll be interesting to see if X-Men Unlimited: Latitude makes folks get a month of Marvel Unlimited to see how it was intended to be read, or simply read this and enjoy it for what it's trying to pull off. Either way, Shalvey, and Hickman don't disappoint with laughs, action, and some surprises too.
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X-Men: From the Ashes #1 is a good start to a side adventure within cannon. There's a horror vibe to this story as Jean and Scott navigate some uncomfortable moments.
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Based on this and the last two issues, it's clear at this point we're in good hands with Paknadel and Neves for future "From the Ashes Marvel Unlimited Comics. These stories dig into character, which is where the best X-Men comics live, and on top of that, they take an adult and complex approach to said characters. Here's to looking forward to a Charles Xavier story nextdon't miss today's X-Men Monday to find out more about that!
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X-Men: Heir of Apocalypse #2 is a highly enjoyable action comic. Writer Steve Foxe gives every character something to do, and there are twists, and an elevated feel to a single fight scene that adds complexity to what could have easily been a quick read.
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The trials are complete in X-Men: Heir of Apocalypse #4, and the correct victor is chosen. This is a good finish to a miniseries that has felt like the '90s as they come, adequately bridging the Krakoan era with the From the Ashes era. The series has done a fabulous job blending what we know while paving the way for something brand new. Boy, is it exciting to be an X-Men fan these days!
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X-Men: Red #8 will delight fans of the cosmic side of X-Men comics. The story is satisfying with ongoing stories involving Cable and Abigail Brand, as it offers plot progression and answers for long-running subplots.
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Another action packed issue with the bonus of backstory for the "enemy" of the story.
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After speaking to Hopeless himself and reading this issue I'm 100% on board for more X-O Manowar. The third and fourth issues have done an exceptional job to raise up the narrative, the stakes, and the complexity of this character. There are dynamics in play that are intriguing and add so much potential to this superhero seeking public approval.
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X-O Manowar #6 throws our hero into a rare situation where he's not in full control and nobody knows what is really going on. The creative team is doing a good job establishing a dilemma for a hero who relies heavily on his suit and throwing him up against a weird sci-fi dilemma. It's an issue that feels like it blends Iron Man and Swamp Thing in its technological sci-fi weirdness.
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X-Terminators #4 does the dirty work to get our heroes in the right place to enact well-deserved revenge on Vampire jerk ex-boyfriend Alex. Along the way, the story continues to be raunchy, funny, and adult-themed. That's way too rare these days, which makes you wish each issue sells eight million copies to ensure more raunch comics, or at the very least more comics from Leah Williams.
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Witness Riddler come to new realizations and possibly change forever. This is a clever take on Lex bestowing powers on villains and I can't wait to see if Riddler becomes a different sort of character going forward.
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While light on character work this series feels fresh and fun.
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Another strong issue in a story arc that'll be a must read when collected.
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Zawa + The Belly of the Beast #2 continues to be a delightful story with an endearing misunderstood monster at its core. An enchanting story about outcasts.
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Action packed and heartfelt. Bring on more!
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This is good summer blockbuster comics. The action is fierce, the science fiction fun, and the art spectacular. This is Blade Runner meets Transformers meets Elysium. Check this out!
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Science fiction fans will love A.D.: After Death. Its mix of prose and comic book panels draw you in and make you ponder the power of both. It has a Twilight Zone vibe as if it will pull a sheet out from underneath you and reveal further truths you never saw coming.
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If you want action, A.X.E.: Judgment Day #5 has it in droves. The heroes take the fight to the Celestial in an issue that raises the stakes more than you can know. If a Marvel event is supposed to change how we think and see characters, A.X.E.: Judgment Day #5 does it ten fold.
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A.X.E.: Judgment Day #6 delivers big time for fans of earned resolution, and the incredible trick of characters talking is as impactful as punching in a superhero comic. This event has always been about the ideas of things or the impression of an entire culture and has shifted global understanding. For an event-caliber story, that's hugely impactful, and it'll be interesting to see the ramifications of this event going forward.
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This is a good third issue since it sets the stage for a superhero battle you won't want to miss while mixing up character dynamics and our anticipations. Absolute Carnage is dripping with tension, serving a dish of horror delights.
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This is a good done in one tale that tells a heartfelt and very real story. It's about an average Joe's life and how a little bad luck can send everything crashing down.
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If you like your monsters mixed with psychological horror and terrifying fantasy, this book will expertly creep you out.
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Great characterization, action, and visuals make this a great read. The cliffhanger makes this a must-read for anyone even partially interested in Absolute Carnage. 
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So far, Absolute Power has hit all the right notes for a good Big Two event. The heroes are powerless, scattered to the wind, while the villain has just the motivation to see things through. More importantly, after reading Absolute Power #2, it's evident that the characters will be changed, with new directions sprouting from the event like any good story should.
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Absolute Power: Task Force VII #4 works because of its strong cast and the utter horror of Failsafe as a threat. As tie-ins go, this issue matters, but it also delivers a good team book and reminds us that Failsafe is a frightening villain.
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Absolute Power Task Force VII #5 is another good issue in a tie-in series of one-shots that lifts up the event's hook well. Not only does this issue tie into Barry's persona well, but it maximizes the idea of a robot with Flash powers.
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This is about as good as an anniversary issue can get while still progressing the storyline. There are fun homages, meta-nods, and cool reveals that should satiate even the more rabid of Superman fans. The art throughout this volume is top notch well worth the price of admission.
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Superman's values are put to the test!
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Action Comics continues to be high-quality comics, and it shows from the art to the intriguing story and character work. This is a triple-A title right now, which hasn't always been the case, so it's a great time to be a Superman fan.
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Action Comics #1035 is a fitting end to "Warworld Rising", wrapping up Superman's final hours on Earth. Superman interacts with a number of characters as if he's saying goodbye for good, each of which feels true to the characters and genuine. Add in a fun backup with a wacky villain and you have yourself a great comic filled with action and adventure.
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Once again, Action Comics #1037 lives up to its name with tons of action, sci-fi supervillains, and Superman intrigue. There are also political elements at work here, showing how this isn't a simple fistfight, but a war that spans planets. Add in a good start to a Martian Manhunter backup and you have an issue that'll keep you entertained and thirsty for more.
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Action Comics #1063 is as epic of a conclusion as it comes. Superman is pushed to the brink in a new way while saving everyone on the planet. What more could you want?
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Acts of Evil continues to wow me each and every week. The creative team have put together a comic that will satisfy any action-frenzy itch while mixing in great character development and a strong message. Don't miss it.
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A great start to "Acts of Evil," and an even better Ms. Marvel story. The creative team does a fantastic job with the character and imparts a strong message too. If you like Ms. Marvel even a little bit, don't skip this.
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Very good indeed with plenty of humor for you folk that love to guffaw.
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Andre Araujo art is good and there are some flashes of greatness too. There are moments where his pencils look a bit cartoony, but others where I could swear Gary Frank drew them. Judging by how strong this issue is we should all keep an eye on this artist as he's going to be one of the greats in years to come.
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This is a great first issue as it introduces the two sides and its protagonist well. One might imagine where the story is going based on who the protagonist is, but there are so many balls in the air it's going to be refreshing to see how this book surprises you in the issues to come.
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The world is becoming richer with each passing page, new revelations occur, and the characters all understandably act as you might expect. Age of X-Man is a mind trip I can't put down.
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An exciting one-shot, Alien Annual 2022 #1 serves as a reminder of all the things that make this franchise so good while delivering it in a package that feels new. Gory and horrific on different levels, this comic revels in Alien's cold and isolating horror.
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The approach is meditative and haunting because we know what is going to happen, and yet visually sharp and unique in its approach to the point where it should be held up and shown as something to be emulated with other films. Visually stunning and a worthy read for Alien fanatics and casual sci-fi fans alike.
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The plot thickens in this issue in more ways than one. The characters are going down a dangerous road while tempting fate with the abilities of a god. There are many moving parts worth exploring and every single one is edge-of-your-seat storytelling.
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Spurrier and Wildgoose have crafted with despair, anger, and fully realized people a fantasy that works superbly on so many levels. Alienated floats in an air of supernatural disquiet and tension, at a point of reflection, mirrored in everything and everyone.
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Aliens vs. Avengers #1 is awesome. It captures everything frightening from the Alien franchise while establishing a unique story using older Avengers and a cliffhanger that's most dire. Aliens vs. Avengers is a tense, unforgettably framed epic.
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Aliens: Aftermath has all the fixings one could desire in an Alien story: the unfeeling corporate overlords, the dread and unease of what could be in the shadows, and plenty of Alien mayhem too. This is all elevated with some interesting character work and an angle on the story we haven't seen in an Alien story before. It's creepy, it's thrilling, and it's definitely not game over for the franchise at Marvel Comics.
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It's not a laugh out loud experience all the way through, but it's a highly enjoyable smirk worthy read none the less. It's plain fun all the way through and you can't say that for most comics these days!
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Captures a certain side of the cosmic universe in a very visually stimulating way.
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A ton of fun, though a slow plot does make it feel lighter in some way.
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A hilarious done-in-one adventure.
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The fact that I knew who would defect doesn't make this issue any less interesting and enjoyable. I almost want to say it's all on Immonen for why this issue is so good, but obviously Bendis had a hand in it as well. I really envy those who hold off or discover this when it's all said and done. It's going to be one amazing read from cover to cover. Of course, at the rate this story is going it may be around for 900 issues!
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All-Star Batman knocks your socks off. There's plenty of action, but also quite a lot of thematic storytelling to chew through with the promise of big character work along the way. Throw your expectations out the window–you haven't seen Batman quite like this.
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Amazing Fantasy is the start of a fun series that is self-contained enough for brand new readers who love these characters to jump on board for. From an artistic standpoint, Andrews is doing interesting things visually while characterizing each hero well. Amazing Fantasy perfectly exudes old-fashioned charm.
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In most cases retread comics aren't worth your time, but this one is a bit different. It adds the new element of a Spidey fan that Peter doesn't even know exists. The dynamic is there for a great story and this is a great first issue.
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This is a strong issue from Slott and Ramos as it keeps the tension up, progresses the plot nicely and even gives us some great humorous moments. A top notch Spidey book to say the least.
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Amazing Spider-Man #17 sets a lot of things up and cleverly brings a big chunk of Spider-Man's rogues gallery together. If you're a fan of Spidey villains this issue will get you properly excited for future issues. Bottom line, this is good storytelling.
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A strong first issue due to it juggling so much and kicking off a big reveal.
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A strong penultimate issue.
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A strong second issue starts to reveal the tone of this solid Spidey book.
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A strong statement as the most fun era of Spider-Man ever.
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A very well crafted and plotted second part of a story that weaves in three different timelines very well. By the end you get a little of everything when it comes to Spidey.
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Overall, I think this is a great start to the Sin-Eater storyline. I've been slowly wondering when this series would get back into a groove after its stellar first story arc and it's fairly obvious this arc may be a return to something well worth investing your time in. "Sins Rising" is shaping up to be a haunting and worthy story.
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This is a solid issue thanks to its focus on the humanity and personal stakes each character has in the narrative. Gog is a ridiculous character who's hard to take seriously, but aside from that, this book is structured well and is entertaining through the end. It also offers satisfying action and character melodrama.
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Amazing Spider-Man #75 is a hopeful, fun, and exciting new direction for the Spider-Man franchise. Considering the last two years Peter Parker has had, this issue does everything it needs to in order to move Ben into the role. Given the attention to details new and old along with the strong character work and dialogue, this is a genuine Spider-Man comic and a great way to turn the page on a new era.
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It's very hard to convince readers that a mainline superhero might die, and yet the creative team has done it here. You're going to be on the edge of your seat not knowing if Peter Parker may die while also wrapping your head around the idea of Ben Reilly earning the right to be Spider-Man at such a difficult transition. Amazing Spider-Man #76 is a tense issue that is shocking because of how much the comic makes you feel.
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Amazing Spider-Man #78 is a great follow-up to the last issue as Spider-Man takes on Morbius. Kelly Thompson continues to show how efficient she is with character writing and the foreboding nature of Beyond reveals a bit more of itself to the reader. All told, there's a lot of moving parts that come together in a compelling Spidey story.
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For the second issue in a row, Amazing Spider-Man #83 focuses on Peter Parker's health and current state in the hospital. This issue does a bit more with Parker's psychology, building towards a heroic moment that's particularly relatable if you've ever been stuck in the hospital. Amazing Spider-Man #83 offers a transfixing exploration of the mind and deep discovery for Peter Parker.
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The Beyond Corp era of Spider-Man continues to be a delightful juggling of Ben Reilly's personal life, supervillain intrigue, and the continued reveal of what Beyond Corp is really up to. If you've been itching for more Doc Ock, The Amazing Spider-Man #84 delivers him as the main course and he's written and drawn expertly well.
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Amazing Spider-Man #90 has the look, feel, and story ideas that make it feel like an all-timer issue. Not only does it feature splashy superhero action with Spidey, but it has a great use of the willpower moment we've all come to expect from Spider-Man in his darkest hour.
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Amazing Spider-Man #93 ends the five-month-long Beyond era with fewer conclusions and more new threads to develop. That's not a bad thing, but it does make this more of a transition issue than a satisfying conclusion. There are a lot of good pieces that came out of this story and Ben Reilly ends up being a far more tragic character than even Peter Parker. For that reason, this issue and its ending are about as close to what Spider-Man comics are about as you can get, right down to an accidental transformation.
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It's a big year for Spider-Man, and Marvel has done him a solid with this fun and lengthy milestone issue. It's hard to believe the character has reached 900 issues, but once you put this book down, you'll be daydreaming about what Marvel could be planning with only 100 issues until the groundbreaking 1,000th issue.
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Amazing Spider-Man #13 has some of the best action you'll find in comic shops this week. Spidey goes up against two villains and gets battered so bad it'll likely show up on lists, which is saying something since Spider-Man has his fair share of beatdowns!
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There's a ton of value in Amazing Spider-Man #31, making it an easy pickup, even at a $9.99 price. The main story features Peter Parker's inability to be a normal guy while featuring his excellent Spider-Man persona saving the day. Throw in nine backup stories that set up future stories and some delightful done-in-one shorts, and you have a package well worth every Spidey dollar you have.
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Enjoy the art and fun backup stories when you read Amazing Spider-Man #50, which puts Green Goblin into a central focus. The art is spectacular, and the legacy of Spider-Man continues to tantalize.
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There's a lot to like inAmazing Spider-Man #56, which celebrates the 950 issues of the series. Wells writes great dialogue throughout, grounding Peter and the rest of the characters in a human way. It's also a fitting start to the final arc for Wells as it bookends how this all began.
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The stakes are effectively raised in American Vampire 1976 #2 and the monsters are revealed. This has the historical weight of each scene wrapped in moments of dark psychological impact you won't want to miss.
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American Vampire 1976 has it all, from tense action to a fun adventure, visual horror, and a deep sense of human frailty. There's a rich history within its pages begging readers to do their due diligence and read the back issues, but at the same time, this narrative works on its own.
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Like a good episode of Lost, this issue sets up quite a cliffhanger that'll have you wondering how our heroes escape death and turn the tide. This is the midway point of a planned twelve-issue series and it's a good reminder it's always darkest before the dawn. American Vampire 1976 continues to be the action-adventure series your inner 80s kid always wanted.
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American Vampire 1976 #10 ends the series on a high note. It has giant monster clashes, raises the stakes, and plenty of moments for characters to shine. Most of all, it cleverly wraps up with a letter you'll read more than once to soak in.
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This is an excellent first issue due to its fast pace and downright hilarious moments. Bennett and Doe are crafting a series that gives new meaning to treating animals fairly, but doing so with big laughs and high entertainment value.
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I was pleasantly surprised at how much I liked this first issue. I never got into the Nadia/Wasp stories, but now I know I should double back and read them. Waid and Garron have crafted an excellent first issue due to the strong characters and their dynamic.
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Ant-Man #1 is a fun romp through an earlier era in comics when moxie was everything, and the adventure of it all was the destination. It honors and celebrates the past while ever so slightly building towards something to look forward to in a trippy new miniseries.
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Come toAnt-Man #3 for its great depictions of Black Ant and Scott Lang's Ant-Man, but stay for the plot to reveal the ultimate enemy of Ant-Man of the future.
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I highly enjoyed this sci-fi superhero story. Its mix of a dystopian world with Guyver-like powers works well. I'm highly interested to see how this story unfolds from here.
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A strong book that's long, but enjoyable all the way through.
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Aside from a minor quibble that reminds us a subplot was a waste of time, this is a good first issue to a new story arc. Aquaman has a new relationship with the public, his ability to speak to animals clearly is a major story element to be explored, and a villain with great power looms. New story arc, new direction, new reasons to love this series.
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A strong second issue in a story arc that brings a lot of horror vibes.
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Another interesting and horror-filled issue in what is amounting to a fantastic story arc.
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Aquaman: Andromeda #1 is an absorbing first issue that's at once haunting and intriguing. It walks a line between the fear of an unnatural alien threat and our inability to control what is the unknown.
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A good issue that progresses the plot well. The emotional resonance is strong for all the dynamic relationships due to solid dialogue and well drawn characters.
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Arkham City: The Order of the World is the kind of story you read around a campfire to give you the chills. There's an edge to it that only comes around every few years at DC Comics, showcasing the oddities of Gotham in a way that feels ethereal and pure, but its focus is the muck and disturbed nature of the people that come from it. Arkham City is a story that is filled with mystery and unease that Batman: The Long Halloween fans will gobble up with delight.
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There are plenty of moments to cheer for, as well as moments to be surprised. It's basically a amusement park ride in comic book form.
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A satisfying conclusion with all the action we've been dying for, loose ends tied up and an epic heroic finale for X-O Manowar that redefines the character. I'd call that a win, wouldn't you?
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Art Ops continues to be that gem of a series always bringing in fresh, new ideas. Like art, it's inspired.
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This is a beautiful end to a wonderful series. There's a lot of joy in its pages, and if you didn't stick around but liked the series, you owe it to yourself to read this issue.
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Once this book ends you'll be dying to read the follow up which they hint at on the final page. The story builds on itself, getting more imaginative, magical and filled with wonderment to the point where you'll be bursting for more.
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Random House Graphic has a surefire YA hit on their hand here and it's one that will likely be found in another format since it's so deliciously cute and original. Video game, movie, or television program, this is enjoyable storytelling that builds in a rewarding way.
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A great start to a new series that should have X-Force fans pumped!
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This is a fun start to a new story arc that anyone can jump in on. If you're a fan of music this is must buy reading. History buffs might just love this fictional past and the ideas running around too.
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This is a fine 100th issue that stands to remind us why Astro City serves as a love letter to comics and America. The creators infuse its pages with culture and heroism you should not miss.
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Another great example of how good Busiek is at telling new kinds of superhero stories.
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A fun origin story dog lovers will love.
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Great origin story with some big time feels.
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Two stories that do different things, but both capture a different angle on living in a superhero/supervillain world.
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Distinct and captivating,The Autumn Kingdom draws your attention to an imaginative fantasy world you won't want to miss. Oni Press continues to offer some of the most interesting stories today, and this is no different. Fans of Percy Jackson and The Lord of the Rings are going to love The Autumn Kingdom.
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This is a smartly written and absorbing sort of story that will capture your imagination and your interest if you let it. It's also a story that requires your attention because it's in the subtleties and dynamics between the panels where it truly shines. The Autumnal is a story that you can't put down as the unease grows and your imagination tries to find its hidden meaning.
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When this book ends you won't know where it can even begin next month and that's flipping exciting. Avengers #1.1 is a blast from the past that'll remind you no matter the era these characters are complex prisms from which to view the world. Even if you're not into the older era you can't deny the change of pace is a nice reprieve from the event laden series.
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A fine conclusion that is filled with surprises, fun time travel action, and an excellent end.
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Thor steals the show as the most worthy of them all.
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The art is great, better than the first issue, and the captions are strong drawing you through the story to make the cliffhanger all the more powerful.
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A strong fourth chapter builds on what came before.
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This issue continues to prove Aaron's ancient Avengers are not only an intriguing new idea but a necessary one. The exploration of this team is exciting due to its ability to add a mythical nature to the mighty Avengers. Knowing Aaron he probably has this team's future plotted for many trades and I for one will be ready and willing to read them all.
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Avengers #56 is an enlightening departure from the main story to prop up Jane Foster and explore her character. It's been a minute since Jane Foster has been explored and, judging by this issue, it's been far too long. Get hype Jane Foster rules in this solo story.
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As a one-shot, The Avengers #60 is nearly perfectly written. It captures the heart of Hawkeye to perfection and offers a bit of humor and lightheartedness that high-stakes event comics tend to forget are necessary for making a story relatable and fun.
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Brace yourselves, Avengers fans: this is the real deal, especially for anyone who likes new villains and big ideas. The Avengers have met a new match and it's heavy on the horror in an action-packed issue.
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Avengers is a pulse-pounding joyride of new characters and excellent action. The series can't stop itself from raising the stakes of each issue while making each unique villain shine through more clearly. Avengers #5 is an exciting superhero comic in an age when we mostly settle for repetitive tales.
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If you're a fan of classic Avengers tales, you'll love Avengers Assemble #1. The big team, the big action, and great banter make this a must-read for Avengers fans of all ages.
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If you're a fan of being dropped into the deep end of imaginative superhero stories, you'll love Avengers Forever #1. It's a good mix of relevant heroes doing the right thing, intense action, and clever twists on familiar characters. Avengers Forever is a Marvel mashup of ingenuity and ferocious Mad Max energy.
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Marvel Comics has cleverly snuck a Conan comic into an Avenger comic with great results. This has everything you'd want in a Conan book and I'd even wager it's a good place to start for Conan the Barbarian virgins. Make no mistake, Avengers: No Road Home is filled with surprises " this issue is proof of that.
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A lot of the appeal of Avengers: Twilight rests on its creators showing us what kind of heroes and villains live in a future that has lost its heroes. It's a world where technology reigns supreme, and everything our elders do for us is taken for granted. What if those elders had a second chance to remind us of their greatness and right wrongs? Avengers Twilight mixes sci-fi and superheroes in a highlyrelevant take on a world that has forgotten its past and adores fake news.
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Barbaric: Axe to Grind is like if Conan the Barbarian and Heavy Metal Magazine had a baby. Throw in dynamic character moments straight out of Saga, and the series' return is a welcome one as it brings forth the violence and the charm of these bastard characters that deserve our attention.
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Basilisk is an intriguing first issue thanks to its control of mood, atmosphere, and mystery. The story could have used a bit more, but it gets your interest enough, and certainly plays to fans of horror and superheroes.
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This is an enjoyable done in one story that requires bending reality a bit to work, but is a lot of fun. Batgirl is good for plenty of sharp art and great pacing.
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Barbara feels more real than ever as the series takes a deeper look into her day to day life and all the plates she has to spin now that she's back from China. If Batgirl continues with this look and feel it might go down as the strongest character work she's had in ages.
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Batgirl is a breath of fresh air as it adds a layer of realism that's hard to resist. The characters are fun, realistic, and the writing clever.
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Batgirl is one of the strongest on the shelf due to great character work and solid art.
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A fun addition to a story arc you gotta read!
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This is one of those issues that feels jam-packed with content with plenty of action, intrigue, and character work. If you dig relationships and team building you'll dig this book; it has a lot of character!
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A great issue that Catwoman fans should definitely read!
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Joker gets more complex and Batman nearly loses it in this tense issue that tantalizes.
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More is revealed about who the Joker really is and it all ends with a cliffhanger for the ages. Fans of Scott Snyder's work cannot miss this issue!
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Batman #41 works in large part because of the writer's ability to crosscut and balance multiple elements very well. This story builds towards its climax in a very satisfying way.
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We finally get the 411 on who Gotham and Gotham Girl are and it's a satisfying origin that is strangely similar to Batman's. It's clear King is setting things up for one hell of a blow to Batman as the Monster Men loom.
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The Button is turning out to be a story that'll have us talking. That's a good thing. Batman is changed possibly forever here too.
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A tightly written story that's incredibly visual, ties well into "The Button," and may dictate the future of Batman in more ways than one.
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A strong finale that'll leave Batman richer and his relationship with Joker even more interesting.
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A strong issue though it doesn't move the plot forward all that much.
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Like any story involving a villain who somehow knows every step, there is certainly some convenient plotting going on. This is Batman though, and a fun action-adventure title at that, so it's hard to dismiss it for something so conventional in a series like this. Overall this is a fun sixth chapter in the story arc that should keep our minds off the real world as it's as entertaining as any Batman story you'll read this year.
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I had fun with this issue, and while it wasn't quite as sharply written or fun as the last, it's a good conclusion that serves as a great segue into "The Joker War" you can't miss. Honestly, I was lukewarm on "The Joker War" for some time, but how things shift around in this issue I'm incredibly excited to see how Harley, Catwoman, and Batman can thwart the dastardly Joker.
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Batman #102 is the first part of the "Ghost Stories" story arc and it captures the ideology of Ghost-Maker well while establishing the methodical nature of Batman. It also juggles other plot elements well. This is a Batman series that's generous with story and action.
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Batman #116 is a feast for the eyes, and an exciting comic due to its backup and some exciting action-packed moments. The main story moves the story forward very little, but it does bring us closer to the end of Fear State in the slickest looking book of the week.
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If expectations were running high for Batman #117, you can breathe a sigh of relief: it's a satisfying conclusion. Tynion and Jimenez have crafted a finale that resolves story elements, supplies ample character work, and closes the door on Gotham in a satisfying and hopeful way. Considering how Gotham tends to be incredibly dark and hopeless, it's nice to see Tynion leaves Batman in a place where his love of these characters is obvious from cover to cover while drenched in artistic mastery by Jimenez and Morey.
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If you're looking for a Batman story that has a B-movie edge Batman #120 is for you. There's a grit to this story as it builds towards a superhero showdown while developing supporting characters well too. This is a Batman that's got a primal edge well worth investigating.
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Batman #122 doesn't suffer from the second issue story arc slump, delivering action, intrigue, and mysteries galore. We also get to see some cool bat-tech that has to be inspired by the video games and a big mystery in how the shooter showed up. This issue may as well feature Porter and Williamson screaming, "are you not entertained?!"
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Batman #123 is another great issue with fabulous art and color. Batman looks fantastic under Porter's lines and this issue furthers the mystery plot and the good vibes of Damian and Batman fighting together again.
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Batman #125 is a good start that's stable in its approach to Bruce Wayne while also feeling a bit different. Under Zdarsky and the incredible talents of Jimnez, Batman is in great hands and is moving in a direction that feels different while honoring the past. It should satisfy fans of the last decade in Batman comics while tantalizing them with new characterizations and a Batman that's darker in mind.
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For years Batman as a series has taken on different identities and even felt like an ensemble, but Batman #126 builds on the solo feel from last issue. It's funny to write that with most of Batman's Bat-family showing up, but the captions don't lie as Bruce Wayne is wrestling with dark thoughts and a growing need for isolation. Given the cliffhanger, Batman is on a darker path that's exciting to see unfold.
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Batman #127 offers satisfying explanations, a new look at Zur-En-Arrh, and a conclusion to the backup story that gives readers a bit of closure. Throw in some excellent references to modern classic Batman tales, and you've got a comic honoring the past while barreling full steam ahead.
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If you're looking for high stakes, action, and a sense that Batman's goose is cooked, there's nothing else like Batman #128. The creators have thoroughly put him in a corner, and it's exciting to know you can still feel surprised by yourself, after countless times, Batman has had no chance of escape, to honestly believe there's no way he can escape death. Zdarsky and Jimenez's Batman is a magic trick you'll be on the edge of your seat reading every page of the way.
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Batman #131 changes gears dramatically, throwing Bruce Wayne into the deep end of an entirely different universe. We're privy to some excellent fight choreography as we try to unpack how Gotham is different, driving your interest in the larger mystery.
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As each issue comes out, it becomes more precise this is a great way to tell a Batman multiverse story. Sure, it's easy to feel burned out on multiverse adventures since it seems like every legacy character has been in one or is in one right now, but Zdarsky puts his spin on things in exciting ways. Add in a tremendous and heartfelt Tim Drake backup, and this is a nice buildup as the story closes in on the finale.
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Batman #135 is a lot of fun. It wraps up the current story arc, makes strong statements about Batman and Joker's roles across the multiverse, and gets to give in-continuity Batman a chance to meet Batman icons across media and comic miniseries. It's a huge and epic idea at work here, and the creative team pulls it off guaranteeing you have a big stupid smile on your face while you read it.
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If you've been enjoying the ongoing story involving Batman of Zur-En-Arrh then you'll need to get this new issue. Zdarsky has proven he's doing some compelling work with legacy elements of Batman making them fresh while building new stories from them. This issue proves Zdarsky's run is on track to be added to the list of Batman's best stories.
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Batman #143 works well, thanks to probing captions and a good balance of subplots that take us into the character's unique perspectives. This story balances a surrealist nightmare future with the enlightening origins of Joker while cleverly cementing his role as Batman's greatest villain.
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Batman #144 wraps up "Joker: Year One" in a satisfying way, delivering an influential addition to the mythos surrounding these characters. This story enriches Joker in an edge-of-your-seat thrill ride that will haunt you.
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Batman #145 continues to make bold moves in a story that is clearly a long game for Zdarsky's Batman run. It's a Batman run that's bold, visually stunning, and playing the long game.
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Batman #150 celebrates Batman's ability to save the day in a unique way, playing the long game and paying attention. Plus, the backup feels like a healthy tie-in without taking over the whole issue.
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Actions scenes are fun and exciting, a new mysterious character is revealed, and the plot thickens with tantalizing developments. Sounds like a nice second chapter in a miniseries if I do say so myself!
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Visually stunning art with a gripping high-stakes story involving two of the greatest heroes of all time...what more could you want? 
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This is an exciting third issue that continues to ramp up the stakes while giving both the title characters heroic moments as well as moments to reveal their humanity. It's good character drama mixed with great action in one of the prettiest superhero books on the stands today.
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This is about as solid as good old-fashioned comic books can get. There's a showdown, a payoff to the fight, attention to detail that keeps the continuity making sense, and heroic moments for both title characters to accomplish. There's so much here that works I almost wonder if the issues that preceded are necessary. You can easily pick up this book completely cold and enjoy it. Batman/Superman has a warmth and classical approach to superhero storytelling that's nostalgic.
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A strong first issue that sets up the detective angle well.
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Batman and Robin #14 is an exciting start and a great jumping-on point. It sets up a new supernatural mystery, establishes the father/son dynamic, and has some crackling action to go with it.
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Batman Beyond #4 brings a new look that's hard to not love. DC Comics has a magic bullet on their hands and it's black, red, and beyond great.
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If you're looking for a globetrotting series of superheroes, Batman, Incorporated is all that and more. Brisson and Timms are firing on all cylinders with a robust cast of characters that economically give us a taste from everyone while progressing a plot that intriguingly ties into Ghost-Maker's past. The fact that his same past also includes Batman is the cherry on top of a series that is sure to be a huge hit for fans of big team books.
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If you're looking for good action and triple-A artwork, look no further than Batman vs. Robin. The creators are throwing readers into the deep end with mega twists, surprising character choices, and the return of a Batman icon. If you can get past the lack of motivation for Robin, you're going to have a great time unpacking the mystery wrapped in the action frenzy.
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An awesome, brutal fight comic well crafted by Bryan Hitch.
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This issue is another great chapter in the life of Batman that probes his perfectionism across his duties while also revealing the man underneath the cowl. This is an exciting look at Batman that feels fresh and new.
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Will you completely believe the Arkham Knight has every right to hate Batman? I'm not so sure. He certainly went through hell and one key scene showing Batman manipulating him early on helps show their relationship was at least at times rocky. More scenes like this would have strengthened this story and ultimately the purpose of this book.
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Yet another great collection in an anthology series that blows you away with its art, clever tales, and great writing. Every story is incredible in its own way and the only downfall of this issue might be how many stories aren't focused on Batman. Batman: Black & White is five issues in though, so it gets a pass on focusing on other characters like Nightwing or Commissioner Gordon.
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Batman: City of Madness wraps things up in a story that will enliven your imagination and go down as one of the greatest Batman horror comics ever. There's no question of that, especially since you'll be pondering this store and how it might return days later.
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A Batman origin that's refreshingly different.
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This issue will astound you with its fantastic art and fun action.
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Batman: The Fortress #2 is the kind of edgy DC Comics story you daydreamed about as a kid. It makes bold choices with characterization and the level of violence while setting up a situation where Batman is truly running out of options. It also continues to feel cinematic and may even be setting the stage for a Batman vs. Superman battle that makes a lot more sense than the film to boot.
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Batman: Full Moon is an utterly macabre and darkly supernatural series, apparent immediately. From Subic's moody and disturbing art to Barnes' smart choices tying in Zatanna and Man-Bat, there's a level of complexity that sets this apart from a "Batman vs." story.
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Batman: Gotham Nights #11 is a great example of how no matter who the creative team is, the character of Jason Todd can be written excellently. This is an example of how a great superhero can be grounded in reality, harboring a lifetime of memories being Batman's sidekick, and yet being an edgier, unique character. Red Hood fans won't want to miss this great two-story issue.
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Fans of Red Hood, Bane, or recent DC continuity can't miss Batman: Legends of Gotham. Diggle has a great handle on the voice of these characters while the plot connects to recent stories and develops new ones in the process.
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It's already obvious Batman: One Dark Knight is going to be an incredible reading experience once wrapped up. This first issue acts as a kind of first act setting readers up for an incredible street-level battle between Batman and all the scum of Gotham. Batman: One Dark Knight is edge-of-your-seat Batman comics with action, urgency, and street-level realism in a powder keg of a first issue.
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All four stories in the second edition ofBatman: The Brave and the Bold are worthy of your attention and time. The ongoing narratives of these three tales build towards some exciting moments, while the fourth one-shot tale reminds us of the daily heavy burden Bruce Wayne lives with. Batman: The Brave and the Bold offers a unique approach to superheroes with action, adventure, and atmosphere all rolled into one.
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There isn't a more consistently good comics anthology right now than Batman: The Brave and the Bold, with the seventh issue mixing things up with a nice assortment of characters.
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There are a few must-read tales in Batman: The Brave and the Bold #10, making it another easy add to your buy pile. The opening and closing tales are fabulous, and there's plenty to love from the various artists. Comics like this remind us that taking big and original swings always reaps benefits with superhero books.
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I'm a broken record at this point, but this anthology is the best ongoing anthology in comics today. Done-in-one tales are excellent, and ongoing tales offer great art, and good story beats. You won't be disappointed by this book!
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Even if you're the type who thinks there are too many Batman books, I recommend giving Batman: The Detective a try. This is not only a very different Batman compared to the mainline books, but this first issue makes a strong case to justify the series' existence. Batman: The Detective is an engaging new adventure for Batman that never lets up and never lets us forget the weight on his shoulders.
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It was a gamble to focus on Bruce Wayne's year's training to be Batman, but it has paid off. The second to last issue, Batman: The Knight #9, shows Bruce Wayne is very close to becoming Batman. Much like Batman, the creators have earned an ending that feels genuine and true to the characters, be it a new skillset or a revelation that has made Bruce closer to becoming the greatest hero to ever live.
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Action packed and great to look at, this is the perfect superhero title for Halloween.
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A solid first issue with an interesting setup and great art.
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Some of the best art you'll see all year. It's a no brainer, must read for Batman fans.
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A solid penultimate issue that keeps your interest while setting up the finale.
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A solid story that feels self-contained even though it's part of a much larger tapestry.
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A strong first volume that's all about the terror of war and the resilience of its heroes.
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Incredibly visual with a setup that allows the art to shine.
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Becstar is a highly enjoyable sci-fi story with some superpowers thrown in for good measure. The creative team has rendered an interesting world well worth exploring and this first issue offers a story that's hard to put down. You can pick up the first issue in comic book shops on May 5th.
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Beneath the Trees Where Nobody Sees has an unwavering sense of dread at every turn. The third issue continues to show a keen sense of small-town living conveyed through cute animal characters, all deeply human or frighteningly dangerous.
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Beneath the Trees Where Nobody Sees #4 ramps up the intensity of the narrative as a killing has turned into a war between killers. They may be perfectly sensible and withhold violence, but the drama is on high and can be cut with a knife.
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The story of fertility and domestication comes to a head in Beneath the Trees Where Nobody Sees #5, where Sam must choose how to respond to evidence she's a killer. A sociopath and killer by all accounts, this story continues to show what a killer is at their most primal.
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Bermuda is great adventure comics with plenty of creative creature design and detailed art that can only be described as intense. Given its four-issue planned run, it's an easy book to add to your pull list with a low buy-in to complete the full story.
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Beta Ray Bill #4 is dark, sorrowful, and truly epic. As the story gears up for its big climactic finish it continues to blend sci-fi visuals with a moving story you can't put down.
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Beta Ray Bill #5 ends in such a way that you'll be dying to know what character Daniel Warren Johnson will tackle next. The impact of Johnson's art and take on this character -- and Wonder Woman last year -- is resoundingly obvious. This ending certainly is fitting and satisfying in its own right, but Johnson leaves the character in a place where much more could be told. For that reason, this is a great finale, especially if you like beat 'em up action.
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After a first issue that seemed to get off track from its story and focus on the protagonist the second issue has come on strong and won't let its revenge filled heart let you go.
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This is a strong revenge tale reminiscent of Kill Bill but of a more gruesome horror genre.
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A strong issue with looks that could kill.
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Another gorgeous issue that delves into what it means to be a prisoner.
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I had a blast with this collection, which is a brisk 144-page read. McGee's art is constantly clever throwing in interesting wrinkles to capture the emotions fo the characters well. Give this book a shot and I guarantee you'll want more from Dinah and her journey in becoming a superhero. 
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I'm a huge fan of The Saint and couldn't shake the feeling this was inspired by it. It's fun and has an attitude about it that's enticing. Give this a look-see for the thrill of it.
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Black Cat #10 is a great issue showing how well-written captions can draw you into a character narrative who is on the move for nearly every panel of the issue. Black Cat mixes high-octane action with a story that pays off for dedicated readers.
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Black Hammer Visions #8 is an absorbing blend of Westerns with a superhero twist. The visuals are haunting, moody, and of a caliber that suit the subject matter.
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Emotionally engaging and definitively entrenched in fantasy, don't skip Black Knight: Curse Of The Ebony Blade #1. It's early yet, but it's obvious the fantasy elements are strong enough to make this the go-to fantasy title at Marvel. It's an excellent start that will be a surefire hit with fantasy fans and those who connect with outsider characters who aren't given a chance. So maybe all of us? Spurrier and Dvila make a case for further exploration of Black Knight and the opportunities that character has to bring.
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A great first issue as it gets you deeply interested in the mystery of a man who died in a police prison cell.
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A fun issue anyone can dive into as we witness White Panther do his thing.
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This is a good first issue, much like a breakneck first episode of a TV show. We're getting scant details on character, but being introduced to the pace and world that will blow us away for the following issues. There's a definitive splash made here, and whether it's in your taste level or not, you'll be taken aback by much of this content.
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Black Widow & Hawkeye has all the makings of an all-timer espionage book mixed with an action team-up book. Above all else, Phillips isn't just writing a story that involves the usual tropes but building the characters' pasts and evolving them for a new era.
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Black Widow is a surefire hit that improves upon the breakneck storytelling style of Jason Bourne.
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A visual feast for action aficionados. Don't miss this if you like your action in the style of Jason Bourne.
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A fine conclusion that wraps things up and looks good doing it.
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Black Widow has an edge that's action-packed and sure footed.  
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Blade fans, you must read Blade: Vampire Nation. It not only understands the character but fills us in on his new role and the incredible concept of an openly free vampire nation.
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I liked the first issue of Bleed Them Dry, but now I'm all in with a cherry on top for this series. Bleed Them Dry is an expertly plotted comic book story that drives your interest in its characters, the world, and vampires to new heights.
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A great first issue that establishes the characters and more importantly a town with a past that has its toes in the occult. It might have a bit too much narration for my tastes, but I'm geared up and ready for a much more monsterific second issue.
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All three stories in Blood Hunters help convey the dangers heroes are facing in New York and the unique ways they must act to survive. These tales may not tie into the larger plot, but it's fun to see heroes not necessarily on the front lines affected by a vampire uprising and with events what more can you want than a little fun?
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There is the issue of pacing though, as there are points in this issue where things slow down with heavy dialogue and exposition. Obviously a balance can't always be perfectly struck, but there are pages where it felt like an info dump which killed the breakneck speed of the issue prior. It catches up quickly after these moments though, so not too much harm in them.
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Bruce Lee is back and with it are his moves, a nice sense of humor, and a story that'll make you wonder if it might be based on real life. You'll want it to be, because you'll be reminded how badass Bruce Lee was as a fighter and a person.
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Wonderfully weird in the best of ways possible, but don't expect a conventional superhero tale.
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The weirdest and funniest series in the DC Young Animal line!
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In a lot of ways this comic is like a really good song: It's not wholly discernible out of the gate, but after giving it a moment and let it flow over you the work speaks to you. The art is subdued, yet, much like the overall work, it's striking.
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A great opening issue that'll have you on the edge of your seat.
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A strong issue that plays up the sci-fi stuff with a heavy dose of Nate Grey.
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This is a good horror story within the X of Swords event. Writer Gerry Duggan takes the biggest family unit of the mutants and plops them on a space station teeming with evil and bad vibes. For that alone Duggan has earned a high score for the issue, especially when it's the spooky time of year. Cable #5 offers an unnerving horror story in an X of Swords package.
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It's not often we get westerns as good as Canary, but here we are enjoying one with horror themes too. While you hang on the words of the characters, you'll ponder what their true intentions are. By the end of the issue, you'll realize the threat may not be whatever monster lives in the mine, but the people that'll cut our hero's throat before he gets there.
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Visually stunning in a story that continues to prop up what Captain America stands for.
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A strong, Frontline type story that makes a strong point to fear the propaganda of a government!
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Captain America #0 is a gorgeous action-adventure that can be enjoyed by anyone. It's funny, never boring, and a good glimpse at what makes Sam and Steve the greatest Captain Americas ever.
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Once again, this series proves Thompson has a knack for humanizing a character while also lifting them up to be the best version of themselves. This is an empowering series as you'll find yourself relating to Carol and rooting for her. There is a relatability you don't get from other comics and that makes it truly special.
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I can't get over how Captain Marvel Annual #1 offers a space adventure worth exploring while offering intelligent perspective on prison systems. This is how it should be done if you want to infuse superhero storytelling with social commentary.
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Captain Marvel #1 is a great start, with a fast pace and good character work that's efficient. Your interest will pique thanks to new characters and a fun body-swapping plot that smartly connects to the upcoming The Marvels movie.
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A dichotomy is forming between Carnag the Symbiote, and a Carnage trapped in a detective's mind. That's exciting to watch unfold as Ram V and Antnio take Carnage to new and greater heights.
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This is yet another good issue ofCarnage: Black, White & Blood. The quality of talent mixed with clever smaller story ideas makes for a delightful time with one of the most psychotic characters ever put to the page. It's sad to know this is the second to last issue, but it's good to see every story comes at this character with exciting and fresh approaches. This is about as exciting as comics can get, with every page turn offering new surprises, shocks, and stories to boot.
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I wasn't a believer at first, but Catwoman #40 has made me want more from Howard and Leon. This creative team really fires on all cylinders here as it mixes in action, mobster drama, and sexual tension. Catwoman is stylish, sleek, and offers an intelligent crime story under a layer of tight leather and claws.
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Catwoman #43 is a lot of fun thanks to the well-written dynamic between Catwoman and Harley Quinn. They're going on a side adventure from the main quest, but the real adventure is the bond and friendship they share. Paired with great art, this is a thrill ride of an issue.
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Cave Carson Has a Cybernetic Eye is a visual delight that you'll never want to escape. It continues to be eye catching no matter the scene or its contents. The story itself is building up quite well, though its plotting is difficult to track in regards to the villains.
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Another visually stunning issue that bookends with some trippy stuff.
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Striking visuals and tons of weirdness cap off another good issue.
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A strong start to a new sci-fi action story from Image Comics.
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This is a fresh start for the Champions with a story that's socio-relevant. It sets the stage for a lot of disarray, ends on a killer cliffhanger, and puts your favorite under-21 superheroes in a position where you can see who they really are. All of that, and it's one of the freshest looking superhero books on the shelf this week. Champions is a confident and tantalizingly fresh take on the team and its characters.
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Cheat(er) Codeis a great erotic story about recovering from heartbreak through video games. There's a lesson in Cheat(er)Code about self-love, confidence, and moving on from the pain of losing someone many will find relatable and helpful in their own journeys. Plus, if you're a gamer you'll find quite a clever concept buried underneath the sex and self-discovery.
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Children of the Grave works thanks to deft hands that never reveal too much in a fascinating new world worth exploring. There are interesting ideas at work here with a highly relatable perspective. It's a science fiction story that hits close to home in a world filled with misinformation and leaders who hide the truth.
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About as big and bombastic of any comic of the action movie persuasion you're going to get.
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Politics are going to look differently after you read this disturbing satire on the political system.
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A hilarious third volume continues the trend of an already great series.
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So often comic books have good guys turn back with the flip of a switch and barely any explanation or build up. This is turning out to be a great delight for those of you frustrated with that experience. Gage and Foreman are delivering an effective and believable take on the good guy going bad story. There's a lot of value here too as the issue takes a while to read and is fascinating to read as we dig deep inside Clayton Cole's head.
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The mystery thickens in this second issue as Snyder and Manapul further explore the larger world while supplying ample notes surrounding the murder mystery. It's hard to deny Clear has one of the freshest sci-fi premises in a long time, and to make it even better, it's wrapped in killer visuals for the noir fan in all of us.
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There's a moment in this issue where a character suggests God isn't God, but an actor and this is all a movie pitch. A character replies, “personally I love it, but it could never be made into a movie. A book sure, but not a movie.” One wonders if that was the goal, but was instead made into this very comic. A nice balance if you think about it, because comics tend to be a format between books and movies. Go read this great comic!
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The most entertaining and exciting horror comic I've read ever.
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Clobberin' Time #1 is a good start to a series that leans into the adventures of Ben Grimm and looks great doing it. There's the promise of an ongoing mystery to uncover that perfectly sets up a team-up series that'll be an easy one to add to the pile. Pick upClobberin' Timeknowing it exudes old-fashioned charm.
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Clobberin' Time is so good I wish Marvel Comics gave Skroce carte blanche to do a solo book for every hero. Blending humor, adult themes, and a sweet, artistic style, every page delivers.
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An action packed second volume is made even stronger due to the character dynamics that are growing between this future team of rebels.
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Speaking as someone who never loved G.I. Joe, I can safely say I'm compelled to read much more in this new Skybound-driven Energon Universe. The creative team has made Cobra Commander seem far more dangerous as a villain who can go it alone but, with the right tools, could rule the world.Cobra Commander builds up sci-fi mythology with genuine intensity and a fascinating central villain.
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The pace moves quickly in an exciting fifth issue of Cobra Commander. Fans of these characters will enjoy where the issue ends and be even more excited about the potential of this story after reading the last few pages.
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This is the kind of reading you do to turn off the real world and completely envelop yourself in its ideas. Coffin Bound is a work of structured chaos -- funny, contemplative, and ceaselessly engaging.
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An exciting apocalyptic story that's as chilling as they come.
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Conan the Barbarian is true to form. If you were worried we wouldn't get done in one adventure stories, fear not, as this issue offers up a great one.
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This is a book I couldn't believe Marvel Comics was publishing, but now I'm kicking myself for doubting them. Conan in a Las Vegas adventure works well thanks to the fish-out-of-water approach, but also the well-crafted characters that surround him. This is a good example of how dropping a character in an unfamiliar setting can make them come alive in new ways.
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A strong second issue due to quirky/fun ideas and a fantastic buddying duo between Ghost Rider and Thanos.
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The general vibe of Cosmic Ghost Rider continues to mesh well with a modern MCU sensibility that's hard to resist. Throw in a mystery surrounding Cosmic Ghost Rider's mojo and some colorful new characters, and you have yourself a growing hit.
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Continues to be one of the most thought-provoking comics on the stands.
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Crashing #2 is a tense issue that further complicates Rose's life while showing her breaking point is likely near. The character's addictive past is also drummed up in a clever scene while her care and love of being a doctor are evident. This character drama features a lead character that's as robust as any you'll find in a TV medical drama.
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Cult of Carnage: Misery #1 is an excellent start to what could be a unique new Symbiote in a sea of Symbiotes who are mostly the same, save for their color. The creators set things up beautifully, making you care about a C-List character while establishing the need for a mother to rise up and protect her kids, even if it takes a Symbiote to do it.
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This is part one of a three-part series -- the final issue is out in May and involves the X-Men -- and it's a great start. Marvel has shown it does well with mini-events that run outside their tentpole events of the year, and this three-parter is no different. Avengers: Curse of the Man-Thing is jam-packed with action, characters, and important moments Marvel fans shouldn't miss. Absorbing storytelling for Marvel aficionados wrapped in an event-caliber thrill ride.
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Cyberpunk 2077: Trauma Team mixes frighteningly real action and the trauma that comes with it into a slick design well worth exploring.
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Cyborg enters the internet and yet it's not a bore like so many stories before it. The story is tense, well paced, and reminds us Cyborg can do things the heavy Justice League members can't.
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Cyborg continues to be incredible at capturing the character within. The creative team has him going down a road that is testing him in a way you don't want to miss.
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This is a good Rebirth issue establishing who Cyborg is for new readers and supplying a satisfying amount of action and introspection to make it worth a look for fans. Cyborg's biggest weakness is his identity crisis, which is reupped in this issue.
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Aside from a slower pace and a dense plot that's hard to gather, this is a fun first issue that sets up the world and a political campaign that should be fun. If you're fatigued from the politics of the last year hang in, as D4VEocracy is primed to be a fantastic social commentary you won't want to miss.
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A good first issue that focuses on the dual persona character of Ghost Rider.
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If you're looking for something that feels nostalgic and that will command your attention, give Danger Street #1 a shot. The creative team is up to something that feels wholly original yet emblematic of a different time in comics. It's also a social commentary with ideas about superheroes in a world that feels quite real and lived in.
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Danger Street is an excellent social commentary on people doing their best and trying to keep their heads above water. It's a profoundly realistic story while playing with superheroes and supervillains in creative ways. Danger Street #2 continues to show with the best creators literally any hero of any renown can hit you in the feels and make you think about life.
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Danger Street #4 continues to deliver modern and mature superhero comics you rarely see. This is the narrative you show someone who makes fun of comics, not because it's adult, but because it's nuanced and takes every scene very seriously.
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Danger Street #8 continues to be a master class in blending realism with fantasy and superheroes. This series could be studied as it's layered and intriguing from panel to panel.
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This is a good start to yet another excellent horror series in the Hill House Comics line. It's dark, brooding, and delightfully disturbed in its coming-of-age underpinnings. Daphne Byrne will send shivers down your spine. 
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Daredevil #3 brings exceptional fight comics and the ongoing trouble of Matt's personal life together wonderfully. Lifetime Daredevil fans will be extremely pleased with how this series blends action, superheroics, and the ongoing complexities of being Matt Murdock.
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Daredevil: Gang War #1 is a solidly written and exceptionally drawn first issue. It sets up its main character, her unique position during the event, and a mystery worth resolving. This is an intense vigilante action comic at its best.
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I was a skeptic going into this comic, but its slow and effective storytelling sucked me right in. I'm looking forward to the next issue and can't wait to see how new stories are woven in and introduced.
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Overall another gripping story with plenty of action and great storytelling. Give me more!
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A strong opening issue to an event that will have you scratching your head, but pumped for what is to come.
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Much like the five minute teaser opening to X-Files, Dark Knight III will excite you, make your jaw drop at least once and get you geared up for more. You certainly might be frustrated with the lack of answers, but chaos and confusion are a big part of this series.
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Dark Knights of Steel #3 continues to be a hell of a good time. It not only moves at a fast clip, but it doesn't hold back with character reveals, deaths, and the like.
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Prepare yourselves, Dark Knights of Steel fans, as Taylor drops another bombshell on readers, Putri draws you in with incredibly beautiful art, and the addictive series rolls on. Pound for pound, this is the prettiest superhero book that also happens to elicit the most gasps per issue.
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Each of the stories inDark Knights of Steel: Tales From the Three Kingdoms offer something different with good characterization and great art. Some tales add more to the mythos of this universe, but all in all, it's an enjoyable must-read, especially if you've been enjoying the main series.
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It's fitting coming from Snyder and Capullo since they've told so many stories together, and it's exciting to see them try new things and surprise us. It's quite clear both are going down in comics history as one of the most dynamic, creative teams of all time.
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All in all, this is a good anthology comic book one-shot and an especially good value. It has five stories, cool one-page dossiers between each story, and enough to make it all matter to the main event. There's also a great map of the remade world by Jared Blando and honestly a lot here for any type of reader.
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This is without a doubt a must-read for those who enjoyed Infinite Crisis and the Superboy-Prime character in general. As we get closer to the end of this event it's quite clear the creators are aiming to capture the joy and beauty of comic books on the largest stage one can take these characters. For that, the event feels richer with the Dark Nights Death Metal The Secret Origin story as one of its main chapters.
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Explosive scenes with a narrative that feels huge in scope and purposeful make this a must read for DCU and Batman fans alike.
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Dark Ride is an exciting start to a horror series that feels right at home with horror classics like Creepshow but with a more complex story to unfurl. Fans of amusement parks should get a kick out of the impressive horror park invented here while unpacking the mystery of the park's evil origins. Dark Ride offers a ride unique from the usual fare you'll want to visit in real life, but the comic is the next best thing.
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More than enough is working inDark Ride #2 to make it an easy recommendation. The inventive horror park, the mystery to uncover, and the colorful children of the park's owner amount to a narrative you won't want to tear yourself away from. Dark Ride haunts with its unsettling mystery and enthralls with superb imagery.
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Dark Ride #4 is a great issue and a good turning point in the series. Power is switching hands, revelations are made, and the horrors are gorgeous every step of the way.
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It's all about family drama inDark Ride #7, which leads to a new threat for Sam and the resurfacing of his father. The past and present collide in a strong chapter utilizing a key flashback and a lot of dysfunction at the dinner table.
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Dark Ride #12 ends on its terms, splashing readers with horrific images and a tight little bow to satisfy fans who want a definitive ending.
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I'm hooked on Dark Spaces: Dungeon #1 with a payoff in the form of a bonafide dungeon. There's a grim vibe to Dungeon that grabs hold of you and doesn't let go. In some respects, this feels like the best of Clive Barker and Saw melded into one.
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Dark Spacess: Dungeoncontinues to be edge of your seat psychological horror with fantastic visual storytelling. The third issue is an absorbing serial killer mystery.
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Dark Spaces: Dungeon#5 is an intense ending that wraps up a story of evil in a thrilling way. This series will go down as one of the darkest thrillers in comics, with plenty of horrifying twists and turns.
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If you want action and great callbacks to X-Men elements, Dark Web: X-Men #1 is a full-on blast. It leans into the wacky fun of demons assuming control of inanimate objects, features many superhero fight scene action, and promises significant revelations for key characters like Havok and Cyclops. As far as tie-in comics go, this issue is even better than the series launch!
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Darkhold: Iron Man #1 reveals how Iron Man could lose everything while on the search of saving everyone. It has all the sensibilities of a cult '80s mad scientist sci-fi-horror with a superhero twist.
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Darkhold: Wasp is another great horror one-shot that ties deeply into the human experience. It's a reminder even the most outlandish, supernatural stories can be used to show human experience.
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A strong crossover issue that delves into the deviousness of corporate ethics.
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This is a highly entertaining second issue thanks to the fantastic characterization of many DC Comics mainstays, especially those in the Batman family. DC vs. Vampires #2 strength is in its characterization that feels real and true to life.
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There isn't a superhero showdown fight comic on shelves as good as DC vs. Vampires. It takes everything we love about these characters and drops them into the impossible scenario of having to go against your friends because they drink blood and serve a new evil purpose. Sucks to be Batman, but it's great fun to see him take on these godlike heroes.
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A great issue that continues to delve into the characters. This is a buddy cop sort of story that you won't want to put down.
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Dead Seas is an intriguing start to a world where ghosts are real, and someone uses prisoners to profit from them. Relatable in a world where for-profit prisons are putting prisoners in danger, the science fiction element and deep character work play out in an exciting and intriguing story. Intelligent, creepy, and well-told, you will be fascinated with Dead Seas.
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Deadly Neighborhood Spider-Manis the most visually impressive comic you'll read this week. It also houses a casual-reader-friendly story that drops readers into a Peter Parker adventure that stands alone. Blending science experiments, nightmares, and epic superhero art, Deadly Neighborhood Spider-Man is an enlightening experience.
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If you love novels like Rebecca (or the adaptation by Hitchcock) you'll find it hard not to be wrapped up in its atmospheric and mystical glow. Though somewhat melodramatic when it comes to relationships, Deadman: Dark Mansion of Forbidden Love may be the sleeper hit of the year.
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Thompson has introduced us to a Deadpool who has more responsibility, but still maintains his self-deprecating charm. There's a conflict between being king and being insecure that's worth exploring, and by issue's end, you'll want more.
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Deadpool #1 is a nice change of pace as the sad sack that is Wade Wilson is trying to mend things with his trusty Symbiote doggo and a desire to make things right in his life. Fans of the previous run will love Ziglar picking up where that left off, with a promise for more development with Deadpool's daughter. With plenty of action, this will appear to fans, both new and old. This will be a strong contender for best #1 issue of the year due to pace and emotionality.
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This is an even better second issue that plays with the naivete of Deadpool well.
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Deadpool: Black, White & Blood #2 is even better than the first issue. Each story delivers a satisfying tale in different ways, be it the first story's strong plot, the second story leaning into the chaos, or the third story getting sentimental. You'd be hard-pressed to find a better way to enjoy Deadpool than with this comic.
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A strong fourth issue bounces back from an average third chapter. It's wild and unhinged with a vividly weird story.
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Deathstroke delivers tight action with clever buy-in for our hero to fight like there's no tomorrow.
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This is the stuff superhero comics should be made of. Priest makes even the most unrealistic aspects of superheroes feel grounded, which is particularly important for a character like Deathstroke. This issue properly sets up the big Superman showdown while delivering funny moments and interesting details on another hero.
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Big action mixed with quieter thoughtful scenes makes this a winner of an issue.
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It's good! Alien monsters and science fiction fans of space operas will fall in love instantly.
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While the last issue set this up, this issue delivers action, suspense and plot progression. Good stuff, especially for those sci-fi fans out there.
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This was an average to great read each month but overall a fantastic miniseries that'll go nicely on any science fiction fan's bookcase.
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Action packed, well paced, and very cool.
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Demon Days continues to be an interesting example of how an artist can bring new perspectives in storytelling to the comics art form. In that way, Demon Days: Cursed Web isn't just a comic book, but an experience.
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Demon Days: Blood Feud wraps up an epic years-long journey crafted by Momoko who has quickly carved a name out of comics that we won't soon forget. This series of one-shot-style tales perfectly melds Japanese culture to the Marvel universe, maintaining its own identity. It's the kind of comic you put down and whisper to yourself, "this is art."
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Destro #1 appropriately reveals who the character is in a few ways while fleshing out the bad-guy side of an ongoing building of an army for Cobra. The worldbuilding is strong with Destro, making it a can't-miss series for fans of the Energon Universe.
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This is a solid issue largely due to a creepy villain and a story that focuses on Gordon actually being Batman as opposed to trying to be Batman.
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Action frenzy that does well to build up Orphan's personal story.
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A strong opening issue that might be light on action, but still intriguing across the board.
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Action packed and dense with satisfying conclusions.
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A strong conclusion that's more about new beginnings.
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A strong one-shot story mixing ideas of belief and Batman's doubt.
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A really great issue that hammers home the emotional toll Batman is going through. If you push this superhero far enough you're going to get your worst nightmare.
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A good celebration of Batman with some fabulous detective stories hammering home the unique nature of this historic milestone.
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A great second issue in the arc that lays out interesting clues and looks gorgeous doing it.
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A good issue that fans of the Damian Wayne and Batman relationship can't miss.
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Detective Comics #1072 is an exciting bridge issue with a backup straight out of a classic fables tale. Combining action, detective work, and thought-provoking storytelling, Detective Comics is as good as ever.
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Detective Comics #1077 slowly builds its heist narrative in fun and exciting ways. We're in the planning stages, but you can already start to anticipate key elements that make it fun to guess.
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Expect to be satisfied with your read of Detective Comics #1081. This story features three different stories, each of which accomplishes something different. There is mystery, intrigue, and plenty of impressive visuals to satisfy your Batman fanaticism.
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This is a strong example of how well a comic can deliver story no matter how ordinary the characters and world are. Devil's Highway is a suspenseful detective thriller with a haunting quality noir fans won't want to miss.
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Devil's Reign: Superior Four #1 is a great start that'll have Doc Ock fans thirsty for more. As a reader who loved Superior Spider-Man, it's an easy recommendation as the creative team clearly understands the character. Revel in this series as it knows an ego can be a beautifully fun thing.
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This is a great piece of storytelling that flips the Halloween one-shot on its head in a way that would only work for Doctor Strange. The character feels vibrant and better than ever thanks to inventive ideas and great art.
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A strong second issue gets this story arc really started.
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Doctor Strange #1 is a great start to a new, happier time for Stephen Strange. Maybe more importantly, Doctor Strange feels as important as ever in the Marvel universe, as is shown here, actively helping other heroes and being a big part of keeping a balance of good in the world. Make no mistake, Doctor Strange is an exciting start you, and all the magical entities out there will enjoy.
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You need to read Doctor Strange: Fall Sunrise with eyes wide open, willing to accept what you get isn't hand-feeding you answers nor delivering a conventional-style story. This is an artistic masterpiece with a vision that's hard to deny or put down. Could the story used a bit more cohesion to make sense of it all? Probably, but then maybe your experience would be disrupted since this is more about the unknowable weirdness of Doctor Strange's daily mission. Tradd Moore's work here is brilliantly original and gloriously dreamlike. It's a delight.
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This is a good, self-contained fourth issue that serves as the training montage we all know and love in our favorite films. The creative team is setting up an epic battle while also building on the character in a way that'll make him last for years to come.
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Check out Don't Spit in the Wind if you want a unique art style with interesting world-building. Strange, surreal, intelligent, and deeply compelling, don't miss this interesting new sci-fi story.
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An excellent first issue that kicks things off and should put 'Watchmen' fans at ease.
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Excellent comic storytelling. The real deal!
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A strong issue, though it's focused exclusively on backstory so it might tick folks off.
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A strong issue that builds up the global tensions and prepares readers for all-out war. I know this isn't an authorized sequel to The Watchmen but it certainly has the soul of the original. Doomsday Clock makes the foreboding message of the original loud in clear in a modern superhero format.
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I enjoyed this second volume even more than the first. Real answers are being delivered, there's action, and the science-fiction elements are backed up with real science. It's clever enough for adults, but young adults will love--and learn from--it too.
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I liked this volume thanks to all the scientific discoveries. It can be a bit loud with its overly emotional characters, but you really can't get science in your fiction anywhere else as you do with Dr. STONE.
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This is a good first issue establishing the new status quo for the character while also reminding us how we got here if you're going in fresh. Longtime readers of Doctor Strange are going to instantly like this new direction as it feels so new and there are so many fresh ideas at work here.
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The art by Greg Smallwood is incredibly clear and poignant panel to panel. There are flourishes of inventive layouts here and there, but generally it's solid in telling the story first. There's always an appropriate closeup or medium shot when needed and the flashbacks to the dead's memories always work. The art never seems to be self-indulgent or pretty for pretty's sake, which always makes it a no-nonsense read.
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This is a story younger readers will connect with as Dudley desires to be respected and to accomplish his goals while helping others. Adults will enjoy the larger and secret world being uncovered in a mystery involving invention. If necessity is the mother of invention, then I deem it necessary to check out the inventiveness within Dudley Datson and the Forever Machine.
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This is the best damn fantasy series on the shelves today. It's fun, action-packed, and very funny.
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Lots of action is in store for you if you give this comic a chance. It's also all really one solid lead-in to an introduction of a main villain who you won't want to miss next month.
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This issue continues a well-written and fun Elseworlds tale as the characters must make a hard choice that we can relate to. At the same time the action continues to shine due to some solid art.
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Visually striking and incredibly inventive, Earth 2 Society #17 is exactly what you'll need to break the malaise of cliched comic books. This offers a delectably unnerving story and most importantly, an exciting reset.
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Earth 2: Society Annual is well worth your time if you dig action and character work. There's a meaningful conversation about sons and fathers and it's a must buy for fans of Earth 2: Society.
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Eight Billion Genies #1 is a great start to a series that understands how to hook the reader. The series smartly opens with grounded, realistic characters so when the supernatural elements kick off it's even more fantastical. Eight Billion Genies is never less than engaging, with strong characters to be absorbed in before the supernatural elements kick it all into another gear.
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Empyre is turning out to be an epic space saga with the complexities of a novel, delivered in the bright glory of the comic book format. It also has deep roots in Marvel's history that longtime readers will respect. Empyre is shaping up to be a book that lives up to Roy Thomas and Neal Adams' Kree/Skrull War.
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I continue to like this event thanks to its spot-on pace and great art that seems to find a way to dazzle on every single page. The grand scheme of this event ties to so many heroes, and so much Avengers history, that it's hard to not see its importance. Plus, it comes out weekly with very little wait time.
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Empyre #6 is considerably ambitious superhero storytelling that works. It's impressive how many characters and situations are pulled together into this finale, and it's satisfying when you understand how hard a feat that is to pull off. Overall, Empyre has earned its right to stand amongst some of the best Marvel events in history. Empyre is a spectacle in more ways than one.
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There's grindhouse, and then there's Savage Avengers grindhouse. This book is outrageously over the top and entertaining in its delivery of violence. It literally one-ups itself multiple times. It's great fun and visually absorbing too. This is rowdy, outlandish escapism at its finest.
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The Empyre event is a smart one to coincide with the X-Men since Krakoa is a plant lifeform, and yet this issue builds on that. This issue proves in multiple ways, it's not only worthy as a tie-in but as a standalone X-Men adventure in its own right. A properly sharpened X-Men tie-in series with a blend of X-Men history and action thriller underpinnings.
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Epitaphs from the Abyss #4 is another great foray into horror with a keen sense of society and culture. This issue features marriage, drug fads, and over-motivated monster-hunting streamers.
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This book takes a bit of patience to allow it to flow over you, but once you're thoroughly engrossed it's hard not to marvel at the smartness of the story. Like Gillen said in AIPT's interview back in August, this is an excellent berserker sci-fi mythological comic. Eternals: Thanos Rising feels otherworldly as if plucked from another dimension, offering secrets and enjoyment we dare not touch, but must.
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Eternals: The Heretic #1 is not only a good Eternals story, but a good Thanos story. Gillen continues to impress by showing us new layers of the proverbial onion that is decades-old characters. To continue the metaphor, Gillen is an expert at plucking boiling onions from the stew and adding additional flavor for future creators to further explore and invent.
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Quite a fine climax to the first story arc in a series that's been gritty and real whilst blasting you with the supernatural. Everafter separates itself from the pack by making you believe anything can happen.
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This is a strong first issue that'll drag you in as it cuts between many different story threads.
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This series continues to be a breath of fresh air for not only the Dawn of X titles, but Marvel in general. It has sweeping originality that's hard to put down and art that makes the characters so very endearing.
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While reading this, I kept thinking about how Apocalypse is a kind of wizard, but in many ways, he's working magic is if it were science. His actions have mystical qualities, but there are also rules that are helpfully laid out in data pages. As we all know, for every action there is an equal and opposite reaction. The events of Excalibur #12 commit to an action, and so it appears X of Swords is that reaction. Nothing is wasted and, much like reading this series, you'll be hanging on every word curious about what the new dawn brings.
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Exceptional X-Men #2 is another home run issue, further showing that this teen-focused X-Men book has all the DNA of classic X-Men greatness.
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Extreme Carnage Alpha kicks off a story I wasn't expecting, but am thankful for, as it blends the viciousness of political agendas with that of a predator like Carnage in a way that suits both. It's a good blend of violence, horror, and cleverly constructed political intrigue. It's the Manchurian Candidate meets The Thing with superheroes and supervillains thrown in too.
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Issue #2 might be even stronger than the first issue in the series as we get a nice balance of crazy new Venom ideas and some fun connections to Marvel history. While balancing a build-up to a clash with Carnage, Marvel proves creativity and imagination reign supreme in crafting new tantalizing looks at Venom.
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I enjoyed this second outing with Faith thanks to the subtle weirdness layered into the realism of the story. There are dark things at work in Faith and Poppy and I'm dying to see how they manifest further.
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Fallen Angels is visually and thematically beautiful in its use of darkness inside and outside the characters. The identity of this book is fascinating, especially if you're a Psylocke fan, and I suspect it will connect with a lot of readers. It's the rare instance of comic book poetry from a superhero comic.
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This six issue story can be found digitally May 1st on Comixology and will eventually be collected for your reading pleasure.
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A strong issue with family, and the emotions that come with it, at its center.
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What a change of pace this issue brings to the series! Slott and Kuder are running full steam ahead with tons of action, new elements, but most of all a great handle on the characters. The first family is back and it's a walloping good time.
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An exciting issue that suffers a bit from the choice to reuse four pages of art within the comic itself. That said, I dig what Slott is doing and it's got Stan Lee vibes all over it. Mix that with an excellent group of artists and Fantastic Four is that weird kind of fun that's hard to replicate. This is big hero comics with the right amount of strange.
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Fantastic Four #23 is a great finale to the Empyre story arc and a reminder of how this team does their best work when they think their way through a problem. On the other side of the coin, Wolverine and Spider-Man punch up the action, providing the best of both worlds in this issue. This is one of the strongest examples of how a tie-in can matter as much as the event itself.
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This is a great feel-good one-shot that melds the X-Men with the Fantastic Four well. As Slott said, the hidden story idea works as it helps inform readers on new details while connecting us with characters in a new way. More and more, Fantastic Four is wholesome and caters to the entire family. It has action, strong familial moments, history for the older readers, and likable young characters too. It's got the entire package.
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For a milestone issue that's extra-sized, this book delivers. It offers an epic story, a new direction for the classic characters, and the possibilities of new sights for a decades-old property. Fantastic Four #25 offers a synthesis of art and ideas in an engrossing narrative of new possibilities.
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Fantastic Four #32 is an exciting start to a wedding that is already filled with intrigue, drama, and, based on this story, plenty to look forward to. This issue genuinely shocks in more ways than one, offers cleverly crafted conflict, and looks gorgeous all the while. Fantastic Four is a character drama dressed with action that gives it a sense of urgency.
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Fantastic Four is a bit of a shock right out of the gate as it doesn't take big cosmic swings or even show off a lot of action. Instead, it gets at the heart of its characters while making you fall in love with them all over again. Fantastic Four is a breath of fresh air, reminding us this franchise is fun, adventurous, and accessible to all readers.
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Fantastic Four is a breath of fresh air in superhero comics. Light on violence but heavy on heart, this series will win you over. Grinch's out there better watch out, as Fantastic Four will make their hearts grow three sizes as they fall in love with these characters all over again. Fantastic Four #2 reminds us of the strong and loving relationship between Reed and Sue and throws in a Doom twist to boot.
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In Fantastic Four #5, a road trip is in order for this family, but danger and death are around the corner in ways that you don't see in any other superhero comic. This series continues to capture the family feel of the team, the eclectic voices, and an endearing quality that's hard to resist.
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Fantastic Four is in great hands; every panel and page of Ryan North's series is proof of that. In this science-focused penultimate issue to Fantastic Four #700, we're reminded of this super team's teamwork, camaraderie, and familial love as they stop the world from being destroyed by the least threatening thing imaginable. And it's great!
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Doctor Doom gets the honor of being the focus of a chunk of Fantastic Four #7 in a milestone issue that delivers science, problem-solving, and family. North and Coello, for the umpteenth time, make us believe the Fantastic Four are some of the best heroes ever.
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Fantastic Four is the thinking man's superhero comic. Read it for the family aspects, but stay for the clever problem-solving and adventure.
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Fantastic Four #24 is both joyous and melancholy and astonishes with wonderment and adventure.
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This series continues to impress due to its ability to keep your interest via character, art, and plot progression. The world-building continues on multiple levels further enriching the experience. Don't pass on Far Sector, it's well worth reading every issue of the way.
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Per usual for Marvel Comics, Free Comic Book Day 2023: Spider-Man / Venomis a comic with incredible art and some nice teases for what is to come. The Venom tale has got me more excited for the time-traveling exploits of Venom, while the Spider-Man story feels like a return to the comedic and fun voice of Spider-Man we know and love. Throw in a teaser for Hickman's summer project, and it's an easy pickup and worth the drive to get it!
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Given Free Comic Book Day 2024: Blood Hunt/X-Men is free and a must-buy for Marvel and X-Men fans, it's an easy recommendation to pick this book up. Both tales are good teasers, and while they're not quite as giving as the stories in Free Comic Book Day 2024: Spider-Man & The Ultimate Universe, the stories do a great job of getting you hyped for the future of Marvel.
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Pick this one up for three interesting stories, all different from one another, but great in their own right. Fearless is fun and inspiring.
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A strong issue, but the lack of detail on the villain's plan continues to sour the plot.
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Fire Power #3 is a comic that is lighter than air yet tension lingers on the fringe always. This is a story about starting over and trying to make a new path while the past continues calling. When there is no punching or kicking this book is incredibly relaxing, really bringing you to peace. In many ways, Fire Power is recommended reading for anyone who likes a relatable tale with sublime martial arts and a story with plenty of soul.
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All in all, this issue delivers big time, with all-out action to start, and then finishing things off with more worldbuilding and character work. A balance is usually preferred, but you can't deny how awesome a free-fall fight scene from an airplane is. Acts of extreme risk pay off as Fire Power blends audacious action sequences with heartfelt character moments.
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A strong first volume mixes many tropes into an original work that'll make you think about humanity and our cruelty to one another.
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This is a great climactic issue that explores Professor Zoom's backstory as well as his part in Flash's own past, and it's all delivered in a fun, action packed way.
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A strong issue that sets up Flash's inner turmoil and looks great doing it in a well plotted team up issue.
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A strong issue that is incredibly scary in a "Oh my god he's going to kill us" sort of way.
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An excellent issue that mixes the detective work, superhero stuff, and new villain origin well.
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A good chapter that continues to reveal more about the strange new forces in the DCU.
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I'm enjoying this origin story and the wild adventure Barry is on. The guy just learned how to run fast and now he's time traveling? Heavy, dude.
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This is a good penultimate issue because it's all about the hero finding an inner strength before they enter the climactic battle. As a "Year One" story it is building towards a finish that's not just a fight, but a hero's journey to becoming who he was meant to be.
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At the end of the day, this issue is a reminder specific heroes can go on unique adventures when done right. Porter, Peterson, and Williamson transport you in the middle of a time travel adventure that connects well to Barry Allen's past as well as deep emotions only a superhero could control. As many of us hunger for new comics with most publishers holding off till later this month, this is a fun superhero story with frenzied action to tide you over.
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The Flash #783 is an exciting first issue in a new story arc that takes big swings and feels like an event-caliber book on its own. The fact that it ties into DC Comics' big summer event Dark Crisis is only icing on the cake. The Flash is delivering an adventure that doesn't hold back and is delivering excitement.
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The Flash 2022 Annual is a lot of fun, celebrating trashy romance novels while informing the reader on crucial details about Linda we didn't know. Add in a whopper of a cliffhanger that'll change Wally and Linda's life at the end, and you have yourself a must-buy for super fans of Flash.
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I can't tell you how much fun I had reading this book. More than once I felt compelled to read the rumination on the food to my girlfriend out loud since they were laugh-out-loud ridiculous. The visuals are great, too. I must admit, there is nothing else quite like Food Wars!.
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It's a bold move to draw on Mary Shelley's original work like this does, but I think the creators do an admirable job proving they have more to say about Frankenstein's monster. This is about a character trying to find a bit of hope and understanding of himself when all is lost. It's a journey well worth navigating with him.
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A great second issue ramps up the immediate danger, wonderments, and adventure. Don't pass on this monster epic that harbors so much soul.
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An excellent first issue that delivers the dystopian car-addicted future well.
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This is a strong start to a series that feels more important than ever. The climate change element is pertinent mixed in with a gritty, violent, underworld feel.
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Gritty science fiction storytelling that's incredible real. It's well worth a look if you like a thought provoking story with a strong premise.
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Frostbite is hard hitting and genuine in its ability to make violence seem meaningful and real. This issue speeds ahead too quickly at times, but it's still well worth your time. Frostbite is gritty real and thrilling. Do not miss it!
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A thrilling series comes to a thrilling end. I can't say enough, if you dig pulse pounding storytelling you must read Frostbite.
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If you like espionage, spy gadgetry, and stories that show the wide breadth of a hero's life, pick up Fury #1. It honors the longstanding hero and sets up new villains and a new direction for young Nick Fury to be further explored.
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Gamora is shaping up to be the science fiction epic nobody saw coming. The second issue opens with an exciting chase sequence and fleshes out new characters well.
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A great one-shot story that captures everything good about Hulk.
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A fun and action packed meeting between two Thors.
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Ghost Rider #1 is a reawakening for Johnny Blaze, working out old traumas in fresh forms. It's a great blend of relatable unease with suburban life and the horrors rising up, sometimes literally from Hell.
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Ghost Rider #4 goes hard as hell and makes no apologies for it. Ghost Rider is a hellishly fun horror show with a poetic underbelly. It's a comic that goes so extreme in its gore and horror you might need to keep the lights on while you read it.
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Ghost Rider continues to be a series where you put it down and whisper to yourself, "What else could I ask for?" It features a Johnny Blaze wrestling with inner demons, awesome superhero moments, and plenty of violent horror delights.
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Marvel celebrates 50 years of Ghost Rider right with Ghost Rider: Vengeance Forever. Cleverly done, the story celebrates multiple iterations of Ghost Rider while connecting Johnny Blaze to each experience. Whether or not this story will matter going forward remains to be seen, but it's not often you get a clip-show-style story that honors the past and doesn't feel like a cheap rehash.
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Ghost-Spider is crafted in a way that'll make it easy for anyone to swing into. This first issue is sharp, elevating an otherwise "seen it before" Spider-Man story with interesting characters and a new beginning.
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This is a great issue thanks to some well-plotted and paced scenes filled with good character moments and sharp dialogue. Your interest will only increase as Gwen discusses her alternate reality as a real place or seeing how evil the Storm's really are.
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Forget all the kaiju movies and TV shows out there: Giant Robot Hellboy is the best way to enjoy big monster action. This is a monster book with highly detailed art that'll awaken your inner child and put a big smile on your face.
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Giant-Size X-Men: Storm has it all, from action to crazy science fiction concepts we've come to adore from Hickman, to deeply meaningful character beats. In the opening alone, we get to see Emma and Jean spar a bit, reminding us they aren't the best of friends and have a history. Above all else, Giant-Size X-Men has been a series about layering visuals in an emphatic way, but the story and character writing has been excellent too. In what can appear to be a simple scene or simple visual, there is so much more behind it, be it the history or the subtext. Giant-Size X-Men is a delight of the mind, the eye, and the imagination.
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This book makes you feel all is lost, which is usually the beginning of a glorious comeback for the good guys. More importantly, though, this is the start of the exploration of brand new worlds and I can't wait to explore more as the story arc continues.
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I was pleasantly surprised how good this comic turned out and that's no slight on the property or the creators. It's a very hard thing to strike a balance between good story, action and have it paced so well. It has everything a plethora of readers would want. You get the monster battles, but also an introduction of concepts and characters you'll want to stick around reading about for months to come.
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I liked this first issue quite a bit. It's well-paced, easy to follow, and introduces so much in a satisfying story. It reveals a world well worth exploring.
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Another strong chapter that may not move the needle as far as the plot, but is richly textured with history and survival facts.
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A fun and fast paced first issue.
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Gotham City: Year One #2 is dripping with noir sensibilities, capturing and maybe even romanticizing the gumshoe detective. Layered in is a mystery worth discovering with the tantalizing notion this series could change how we think about Batman.
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Gotham City: Year One #4 is another enticing chapter revealing truths about Gotham, the Waynes, and possibly Batman himself. It's exciting to see there are hidden tales worth telling expertly unveiled by the creators in each chapter.
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Expect meaty answers in Gotham City: Year Oneas the series barrels toward its finish. As penultimate issues go, King and Fornes deliver plenty of answers while keeping you second-guessing every truth, setting up a showdown that has been brewing ever since Slam met Mrs. Wayne.
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Fans of noir and crime stories should snatch up Gotham City: Year One #6 and the collected edition once it's out to ensure we get more nuanced, layered stories like this.
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Gorgeous and jaw droppingly good, Green Arrow is going to make you gasp and make you want more.
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Green Arrow #15 is action packed with a Lethal Weapon vibe that's hard to resist. This issue progresses the villain's plot and looks gorgeous doing it.
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Green Arrow #16 keeps you on your toes with unconventional plotting and a thriller fast pace. A lot happens in this issue which makes its value quite high.
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If anyone had doubts of Green Arrow's place among the more established heroes this is a good issue to hand them. The opening clearly makes it apparent this dude is a hero to the core and with the action and plot developments so on point in this issue this is a book to keep your eyes on.
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A solidly told issue that builds on what came before it while setting up a new direction well.
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A strong narrative about grieving and loss.
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Green Arrow introduces a wickedly creepy villain, a new underground group to haunt Seattle, and a new love interest for Ollie too. As far as Rebirth titles go this is on the right track. Green Arrow brings readers deeper into the creepy underbelly of DC Comics.
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A desperate Green Lantern Corps is a fresh take on the characters, and the new villains and supporting characters make this accessible and a whole lot of fun to all readers.
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Teamwork isn't just about working together, but working things out together and this issue is a master class in that regard. If you like character work this book is for you.
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Does a lot well including bring the fun with Green Lantern constructs.
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A great extra-sized issue that pays off for longtime readers
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An awesome story that takes the Green Lanterns to new places!
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This nine part story is nearing the home stretch and there's hell to pay by god! This series impresses via its characters writing, ideas, and art, but you'll be most surprised to find yourself wishing the villain horribly massacred and rooting for a killing. Bring it on!
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A strong ending that's exciting, but also wraps things up very well.
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So often these days you can read a comic in two minutes flat. Not so here, and in fact I flipped through to the end more than once just to see how many more pages I had left. Every time I was astounded how much more story there was. That tells me there's a lot of value in this issue with plenty of story, action and character development for anyone to enjoy. I also think Jason Johnson is really coming into his own with this issue. If you want to see an early issue of someone who'll be hot on the scene in the future, check this comic out.
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I left this issue with plenty of awesome action, advancement of character development, a surprise ending and tons of zombie gore. Yah I'd call that a win.
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An excellent issue that reveals much in a cool flashback and delivers stunning visuals.
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It's a little early to be demanding more characterization from Angela, but it is worth saying she doesn't do much beyond sneer and fight in this issue. It's all made up by the introduction of a classic Marvel villain on the final page, and the implications of this interaction are huge. Even though the team is broken up, we get a bit of everyone in this issue, and Rocket is once again hilarious and fun. I'm holding out hope Angela gets more to do in the next issue, as it's an intriguing idea to thrust her into the Marvel U, and I know I'm not alone when I say I want to see more from this character besides a Hulk-Smash fill in.
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Gamora (and Captain Marvel!) fans need this issue in their life. Not only is the action fun and fast, but the issue itself has some tricks up its sleeves you won't want to miss.
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Similar to the last "Infinite Destinies" annual, this book stands alone as a great one-shot but is elevated by the fact that it enriches past and present stories. Guardians of the Galaxy Annual 2021 is a surefire hit if you like superhero stories that are worth plenty of chuckles.
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Guardians of the Galaxy #1 proves this creative team understands the team and knows there's a hard road to bring them some piece. They're not in the best place, possibly because of what's going on with Groot, and while they're not necessarily each other's best friend, they're in it for the long haul to save as many people as possible. Throw in a Western vibe, and Guardians of the Galaxy #1 works on many levels bringing the sci-fi wham-pow only comics can achieve.
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This is a fun one-shot with the new story satisfying your Guardians needs and the backup older issue a fun addition.
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For $5.99 this is a great deal as I found myself enjoying nearly every page of it. The general premise allows the creators to play around with the ridiculousness of the holiday season and push the envelope in creative ways. Bottom line: If you want a laugh buy Gwenpool Holiday Special.
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A whiz-bang comic story that's bracingly smart and delightfully manic.
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Another fun and chaotic experience with Gwenpool in the bag. Add in Deadpool, a raucous "sex sells" issue and slick visuals, and it's easy to see this as the funniest book on the stands right now. 
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This is a mighty fine way to end the character if it is, in fact, her last rodeo. This issue gives the character a new purpose, reflects on her past, and digs into who she is deep down too. For a character that is so zany, this book ends on a respectable and moving final statement on the character that'll likely be picked up and further explored someday.
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This is rounding out to be an interesting read due to some choice moments of thought provoking conversations. Recommended.
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This series continues to add layers to the bad guys as the heroes continue their quest, which only strengthens the dynamics of the story. Great writing and great art!
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A strong issue that delivers on something we've been waiting on for months.
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Epic scenes are made strong with a link to Metal and a great use of Orion.
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It's the big cosmic space action you always wanted.
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A lot of value with story development, character moments, and great art.
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Another solid installment in a series Venditti has been crushing.
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Solid action adventure ya gotta see to believe.
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This is like a nice sweet piece of candy. It's fantastic to start, grows a bit dull in the middle, but when you take the crunch at the end it's satisfying as hell. And above all else, Harley Quinn is sweet.
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A perfect introduction to Harley and her friends, a fun wildcard that kicks off an action packed crazy plot, and good art too. Harley Quinn is fun and filled with surprises.
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A strong conclusion to the Captain Triumph arc.
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Expect high-end quality Harley Quinn adventure times in Harley Quinn 2024 Annual #1. Henderson is one of the most unique and trusted creators working today and it shows with this annual issue.
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This is a great slice of Batman: The Animated Series fun. It may be short, but at a buck it's well worth a look.
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Once again, this series is an instant recommendation. Filled with creativity, all-out fun, and so much life,'Harley Quinn Black + White + Red' is a proof comics are good for you.
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There are elements here that feel reminiscent of Scream,and I Know What you Did Last Summer, but a story is the sum of its parts, and there is a lot to take in and enjoy. Harrower has all the trappings of your next favorite slasher, complete with mystery, horny teens, and plenty of delicious violence.
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It's clear family is an important aspect of this creepy and fun first issue. It's good for all ages with art that helps us dive into the magical nature of the haunted mansion.
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The wild world Helena inhibits is made whole due to visually arresting art in a comic you won't want to put down.
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Hell to Pay comes out of the gate swinging with an excellent idea hung on two strong main characters and mysteries at every corner. Mixing action, horror, and impressive visuals, Hell to Pay is well worth all the coins from Hell if you got 'em.
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High Level is a vividly rendered punk look at fighting the plastic and artificial artifice of society. Counter culture, cool and captivating.
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Home Sick Pilots continues to be a deeply moving horror story that's filled with clever ideas and well-written characters. Teenagers in the punk scene is an often underlooked world, and Watters and Wijngaard have done a great job lifting it up in an interesting way.
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Home Sick Pilots kicks off its second story arc with a measured issue that establishes key players and new locations well. The chaotic elements of the first story arc are switched out for a lot more control here, which lets the scary elements scream through even louder when they do pop up. Home Sick Pilots continues to be the most exciting take on ghosts in the horror genre in some time.
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Hulk #4 is a comic about emotion, action, and big beats. It has those in droves while also subtly building up the fact that Hulk is as important as any Marvel character as he leads the charge in the development of so much in the Marvel universe.
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Hulk is escapism to the max. Hulk #6 closes out its first story arc efficiently while introducing a new concept for the Hulk series, setting up the next arc involving Thor, and even making you feel for Bruce and Hulk. It's the kind of comic some might throw down in annoyance, while others will pull out their air guitars and start shredding in excitement. It may be polarizing, but it's undeniably raw entertainment.
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Action packed ending with emotional stakes and huge reveals.
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I Am Batman #1 is hard-hitting, offering a different kind of Batman that has the rogue DNA of Collateral or a John Woo action-adventure.
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This title is back on track and fun as hell. The art continues to be extremely strong, vivid and disturbing and the plot has gotten a whole lot more interesting.
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Immoral X-Men is great reading as it continues the story of the main event book while shining a light on key mutant players. Even in the greatest realities for Mr. Sinister, he seems to lose and be the sore loser he was born to be. A great exploration of X-Men characters in your new favorite alternate reality event.
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A strong first issue that probes the mind of Bruce/Hulk while reminding us this is a nightmare, not a happy story.
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Continues to be a surprise in how it handles horror and expectations.
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Horror fanatics need this in their life like they need Clive Barker, John Carpenter, and Stephen King. This is the real deal.
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Immortal Hulk is an impressive series as it seems to impress in so many different ways. This issue is no different. Witness the struggle of a man who wants to control chaos and pays for it.
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Hulk has been in good hands with Ewing and Bennett at the helm and they've done a great job celebrating the 750th milestone issue. As an extra-sized book, Marvel has successfully given readers more while dipping into character and big reveals. Hulk and the horrors that come with it continue to be grotesquely delicious.
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In a quieter issue, Immortal Hulk #48 slows things down to allow Joe Fixit and Betty Ross a chance to speak their minds. It pays off, with thoughtful commentary on their desires and fears, but also who they really are underneath the ghastly monsters they walk the Earth with. The horror of these characters is present on every page and Ewing never lets us forget that horror exists inside them as much as outside them.
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The Immortal Hulk: The Threshing Place is the perfect Hulk story both for readers who loved the classic monster version of Hulk and for those who have enjoyed the recent run. This is a version of Hulk that's terrifying and yet holds the preciousness of life dear. This is a story about how an untamed monster finds justice in a world where justice is hard to come by due to the nature of protected entities larger than ourselves.
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The old-school style of Thor and how he speaks, paired with a distinct focus on how his powers work, separate this series from modern Thor tales. Add in a god for gods and likely new versions of other familiar gods like Loki, and this story has a lot of potential to blow our minds. The Immortal Thor #2 reminds us Thor is a god with limitations as he's tested more than ever in his Odin-Power era.
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The Immortal Thor continues to live up to the high bar set by Ewing on Immoral Hulk. There's a level of superhero writing here that pays homage to the past while paving the way for new and exciting stories. The Immortal Thor #5 delivers big action, new characters, and a continued interest in offering new ideas.
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The Immortal Thor #7 is a great example of pushing the comic narrative in new and interesting ways. There's a complexity to this book that calls back to Thor's history, plays with comics in a metafictional way, and builds a brand new set of gods to play with. Somehow, this creative team has celebrated the past while paving the way for the future, and I'm all for it.
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Fans who grew up with comics will adore the commentary Al Ewing is bringing to Immortal Thor. This series has felt elevated as it takes a meta approach to Thor exploring his past, developing new lore, and making commentary on comics in general. Immortal Thor is clever, brilliantly mind-bending, and everything a longtime superhero fan should read.
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The Incredible Hulk #3 lets loose with tons of action, gore, and monsters galore. The Incredible Hulk shows the series can balance nonstop action frenzies and characters all steeped in horror.
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It'll freak you out in the best of ways.
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A strong ending that reveals how bigotry is just as disgusting as demons, although maybe they are closely tied.
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Infinite Frontier #6 wraps up the event, but you'll fall for the exciting setup of the future of the DC Universe. The vastness of this universe and its incredible potential is on full display here thanks to the incredible ideas at work by its creators. This is an issue that has nearly no fat on it, is tightly paced, and focused on the limitless potential of the DC Universe.
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This was a fun action packed issue that does a great job selling Superman's cold nature.
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I wasn't sure what to expect, but I found a fun take on a colder, more dictatorship-style Justice League making Plastic Man's lunacy and heroics all the more easy to root for. A good questionable hero's journey.
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An interesting father/son dynamic is quickly established to create a relevant and compelling mystery rife with drama.
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One of the strongest volumes in regards to the healthy message of understanding other people's differences.
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Frankly, it's a good thing this is "Part One" because I'd read 100 issues of this book if I could. Into The Unbeing: Part One #3 is one of the most unique and terrifying horror comics of this century.
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Invincible Iron Man #13 is an emotionally charged issue that uses pace and dialogue to put you inside Tony Stark's head.
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Strong character work and a fun newbie take on a hero entering a crime scene.
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A solid issue that remembers Tony Stark in a variety of ways.
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An exciting penultimate issue that will make reading #600 a must.
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Invincible Iron Man#1 features brutal shocks while leaning into Tony Stark's resolve in a story that draws you in and keeps you invested in the character. A thriller that puts you in Tony Stark's head, Iron Man fights beautifully against the pressure of a constant and unknown threat.
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Invincible Iron Man #4 features Tony Stark in a raw state, with his back against the wall and seemingly no way to win. It establishes his next big threat while setting up the involvement of the X-Men. Tie the villain's past to big Marvel moments on Mars, and you have the start of something that could change things forever.
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Iron Man #1 sets the stage for a new and exciting direction for a character who has remained the same for quite some time. That's exciting. Iron Man is a stirring book about finding oneself and approaching your identity as a problem to solve, and we know Tony is good at those. Iron Man feels deeply personal and mature which makes it a riveting psychological drama.
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Christopher Cantwell and Cafu's Iron Man feels revolutionary in its approach for the character. This is an Iron Man who has real problems going on inside of him and he's not sure how to fix it. That's exciting, especially if you've read Iron Man for the last 30 years as he seems to have always had an answer for anything. Iron Man has been rendered human again, and for that, Iron Man is more relatable and interesting than ever.
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Much like chess, Iron Man is now a hero with finite and distinct resources which hasn't been the case for some time. He's a hero who is growing to discover himself while also discovering something new with Patsy Walker. All the while, an old villain wants to destroy him forever, but ain't that the Stark luck? Iron Man #4 continues to trend the character upward and onward for those looking for a more human Tony Stark.
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Iron Man #12 reads like an action-packed thrill ride, but has deeper layers at work that are subtly adding character development and getting inside the character's heads. Much like the entire run, Iron Man #12 elevates the superhero experience.
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"Infinite Destinies" has kicked off its story with a strong sense that it understands its characters. In fact, the Infinity Stones are almost an afterthought, as it's not the main focus that allows the annual format to be enjoyed as intended in a done-in-one story -- though many will be intrigued by the idea of the Stones making their way back into circulation.
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A strong start to a series to watch.
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Feeling nostalgic for James Bond? This has everything you'd want from the series in a thrilling and exciting package. Thrilling and action packed, this hits all the hallmarks of the James Bond franchise. Just don't expect the read to take too long.
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James Bond: Hammerhead captures the espionage angle to a T, which makes for a riveting spy drama. The general pace is a tad slow, but not enough to dampen the solid storytelling in play.
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An action fest fans should enjoy.
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Jane Foster & the Mighty Thor #1 is a surprise to be sure given as it's a strong first issue when typically Marvel produces so-so movie tie-in comics around this time. Not only does this story feel valid and earned, but it feels like a natural direction to further explore Jane Foster in a meaningful way.
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Beautifully painted with excellent ideas and an interesting, winding story. The protagonist gets it easy, but how it all ties into a cultural custom makes up for it in this wonderful fairy tale story.
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You'll feel like the future of horror sci-fi comics is bright after reading The Envoy. Introducing complex characters with different kinds of sci-fi, the horror potential of this story is great and shouldn't be missed.
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A good second issue that gives us plenty of the Joker. This is one of the freshest takes on Harley Quinn you'll read. The crime procedural angle works perfectly with these characters. Don't miss it.
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This is a good issue of the Joker/Harley: Criminal Sanity series, moving the plot along and readying fans for another Harley vs. Joker showdown. It seems to pull away from captions to instead focus on action and that's okay, but it does make the narrative lose sight of who our characters are. Over and over, this issue seems to suggest Harley is losing control. Maybe Joker is the only one who can give it back to her.
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Each piece shines a light on the personality of Joker in the most realistic way possible. If you like your comic books steeped in heavy reality, don't pass on this one-shot. Joker/Harley: Criminal Sanity Secret Files is an experience unto itself with as realistic as possible detective work.
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I liked the first issue, but The Joker: The Man Who Stopped Laughing #2 makes a case for saying something important about Joker. There's a mystery worth exploring while Rosenberg plays with dialogue in entertaining and invigorating ways. Add in a backup with one of the funniest eulogies you'll read in comics, and you have a must-read issue.
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More and more, it's obvious The Joker: The Man Who Stopped Laughingwill be a great story in the collected format. Each issue offers something a little different while hammering home the chaos and silly fun Joker can bring. The backups continue to find new ways of telling the two-Joker story while the main story edges closer to answers. While my patience is thin on this series, my anticipation grows stronger.
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This is a good first issue that is definitely going to appease horror fans, but it also has meaning in its murders. It's stories like these that push the envelope and make us all stronger for it.
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If you've ever enjoyed classic Marvel Comics horror, the weird, or singular stories in the comic format you will love this. This is great horror.
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This four-part series gets off to a great start reminding us of the First Order threat while delivering on Star Wars themes we've come to love. Star Wars: Allegiance is a great mix of new and old in what makes Star Wars so great.
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Dredd fans shouldn't pass this up and everyone else should at least take a peek at the beautiful art.
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Juggernaut is a good second issue in a miniseries that X-Men and Marvel fans should take note of. It houses a narrative that gets to the core of who Juggernaut is now and how it's no easy road to make amends for past mistakes. For such an unstoppable force, Juggernaut is met with more walls to navigate than most.
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I had a blast with this series and can't wait for more. Akutami has crafted a rich world and characters well worth exploring and its mix of fighting and edgy monster design keeps your interest up.
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This is great reading for anyone who loves fine character work. In subtle panels characters reveal doubt, anger, and cunning which – with well written dialogue – add up to an incredibly genuine read.
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There are subtle touches at play here that, I think, will payoff once this series is over. Reading it in the single issue format will be a treat like any serial is, but I can't help but be envious of anyone out there who will discover this series once it's finished. Take for instance the costumes of the old heroes as opposed to the young. The younger ones are dressed as heroes are today, in highly revealing sexy stuff, while the older heroes seem to be from the Golden Age of comics. Little things like this, that aren't even pointed out by the characters, add dividends to this series.
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Millar and Quitely will tug at your heart strings, blow you away with action, and shake you to your core with big time shocking moments in Jupiter's Legacy 2 #4. I wouldn't have it any other way.
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Big event series need to be more like this. Sure the story doesn't go too far, but damn is it epic and it's filled with moments that'll get you talking at the water cooler.
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A big action sort of issue that changes the game at the 11th hour for the better.
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A satisfying issue juggling so much and pacing itself perfectly.
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Continues to be compelling on all levels.
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A strong second part in the event kicks it up a notch. Drowned Earth" is shaping up to be a game changer for the DC universe.
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Are we witnessing a golden age for 'Justice League'? In 10 years we'll probably all agree we most definitely are.
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Justice League breaks new ground in its scope, ambitious plotting, and fun twists. It's what fun summer superhero comics should be.
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I'm a sucker for creation myths and stories that open up your imagination to how it all began, and this is another good one. Joseph Campbell once wrote, "If you're going to have a story, have a big story, or none at all." Justice League does this and then some telling a richly told story.
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Good superhero comics can always be found with the Justice League and James Tynion and Scott Snyder continue to churn out great stories. Check this out for the early build-up to the summer event of the year.
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It's good vs. evil in an incredibly important chapter of "Year of the Villain" not to be missed. If you love mixing high stakes, sci-fi, and good vs. evil storytelling, read this impactful story.
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A good third part in an epic tale to save the universe. This issue has plenty of action as it itches forward each plot towards the eventual showdown we've all been waiting for. 
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Do you like big storytelling, fun twists, and plenty of action? Give "Justice/Doom War" a look for its fun take on big action storytelling. Every issue seems to ramp up faster and, dare I say it, more furious.
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Overall this sixth installment in the "Justice/Doom War" event is quite something. If you like your stories huge in scope and centered firmly on good vs. evil you'll have a great time with this. The fact that Snyder and Tynion have pulled off one hell of a villainous choice--one that might rival any act of violence by any villain ever--and you can see we're reading one of the most significant stories in DC Comics history.
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This series continues to be an interesting and entertaining different flavor for superhero aficionados. If you appreciate positive and imaginative ideas you'll love it.
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There are a lot of moving parts in this issue and they come together at different times very well. Snyder and Jimenez do a great job supercharging the Justice League as they prepare for the final showdown, and I can't wait to see what the reveal on the final page means for Perpetua. At the same time, there's good development of characters and plot that's bound to show up later.
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This is a fun fight comic with a deeper meaning in its second half, but total fun all the way through. Jimenez should be commended for his detailed and dynamic art, never letting us down every fist-to-the-face of the way. If this Lex fight is any indication, we're in for a world of surprises and excitement in the finale.
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This book is an excellent superhero comic due to the inventive nature of the alien race, the great plotting that keeps you on your toes, and the way the superheroes are individuals and not a singular voice. This is good sci-fi storytelling and even better team superhero comics.
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Justice League has served to prove it doesn't have to be that way. Justice League proves comics can bring long-lasting change that's exciting and hard to miss.
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Justice League Annual #2 is an exceptional team book doing the extra work to remind us how these characters can sue their powers together. If you like your superheroes working together you'll love this. Justice League Annual #2 earns its place as one of the best one-shot team books ever created.
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A strong second issue that is jam-packed with entertainment.
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A good first issue in "The Parliament of Life" storyline. The return of Animal Man is exciting, but what will really win you over is the creepy and gag-inducing nature and look of the evil on the page. 
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A strong case is made to explore the Microverse further and Atom and Killer Frost get even more complex in their relationship.
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If you're looking for epic comics, there is nothing bigger on the shelf this week than Justice League Incarnate #4. This book serves as a nice recap of the multiverse in DC Comics with some wickedly cool art from cover to cover. Justice League Incarnate is breathtakingly epic and all about the spectacle.
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Ka-Zar: Lord of the Savage Land is visually stunning, luminous, and delivers on strong pulp fantasy. There's also a scary underbelly to it as Ka-Zar attempts to rediscover himself, but at what cost to his family while danger looms?
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Kahhori: Reshaper of Worlds further opens up the title character's perspective as she interacts with a number of Marvel characters. Kahhori's one-shot isn't just another comicit's a heartfelt celebration of Indigenous culture and a thrilling new chapter that firmly cements her place in the Marvel multiverse.
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Another fun issue that's particularly filled with surprises.
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A ton of fun with interesting twists and a fast pace.
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This is the over the top melodrama that made Kirby timeless!
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Has everything you want from this sometimes zany series as well as a major Jack Kirby tribute.
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Once again Giorello stuns with his well rendered pencils. Some artists are minimalist, but clearly Giorello is taking the time to sketch wood grain, detail in faces and always atmospheric surroundings. It's a true pleasure to ogle these pages. Truman gives us enough to chew on between the action bits too making this one hell of Conan, and fantasy book in general too.
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After shaking off the feeling Marvel is addicted to invasion events, this is a satisfying first strike from the King in Black team. It balances Venom with the rest of the main Marvel characters, features multiple shocking moments that'll get you talking with your friends, and sets up a villain that seems impossible to defeat. King in Black is an event that is audacious, viscerally gripping, and hellbent on raising the stakes.
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King in Black #3 is very good at registering the weight of the moment and leaning into high-octane entertainment. That's why the big twists always feel important to the story, even if they're totally bonkers. The event itself is intriguing--thanks in part to well-written tie-in stories--whereas the event itself is like a good series of jabs with a strong roundhouse kick to the head every eight pages. Whether or not it can land on its feet matters not, as long as you tie the bandana tighter and go in without a care in the world.
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King in Black #4 is a great turning point issue setting up the finale by introducing a new layer to the Venom epic. This event has maintained a clear focus, allowing the tie-ins to handle more complicated matters, which has allowed this issue to serve up exciting twists and unexpected moments. For that, King in Black is good jaw-droppingly loud comics.
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King In Black: Immortal Hulk #1 is an enjoyable visual feast that succeeds in pulling off a holiday horror story. It ties into King in Black just enough to offer something for fans of the event, but Immortal Hulk fans will enjoy the rich play of what goes on in Hulk's head and the grotesque art they've come to expect.
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King In Black: Iron Man/Doom #1 is a great holiday-themed one-shot. For better or worse it doesn't tie into King in Black too deeply so anyone can enjoy this. Come for the well-written dialogue and great personalities of Iron Man and Dr. Doom, but stay for the wacky adventure that only comics can deliver.
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Gwenom vs. Carnage is yet another example of how the tie-in books are where the best stories are in this event. The creative team is firing on all cylinders here with a fast-paced action book with a great voice for its main character.
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King Spawn #9 is a good issue that stands alone in some respects as it recaps elements for readers but also keeps it simple with Spawn fighting monsters. KingSpawn #9 is a good journey as it turns the whole narrative upside down and ties everything together in its final moments.
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This turned out to be a pleasant surprise that continues the incredible Kings Watch event.
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I went into this comic having no idea what to expect, but ended up being completely sold on the concept, story and heroes within. I'm intrigued by the potential danger these heroes must overcome, especially since they're all very much human. So often comics jam as much information as they can into the first issue to setup the wild ride ahead which typically means a lot of exposition heavy, pace slogging pages to get through. This comic however, has a ton of information passed on to the reader, all very naturally and well paced.
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The art by Marc Laming continues to be a solid rock in this work, always well rendered and grounded. There's a lot of talking in this comic, but you won't even notice because he has a way of giving us a good balance of mid level-shots and closeups to keep us focused on the emotions and events as they transpire. Books like this require a deft hand in that regard or they'll become less comic and more novel, which kills the pace and creates a boring vacuum you can't escape.
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Mix a satisfying conclusion with some real character development and you've got yourself a good comic. When you finish a book and find yourself wishing the series would keep going… that's a good sign you are satisfied. Recommended.
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Knight Terrors: First Blood #1 is a strong contender for the best first issue of an event in the last five years. It introduces the villain, captures the horror atmosphere well, and sets up the exciting idea that the dream and nightmare realms have some development that'll change things forever. Knight Terrors is on the right track, as this opening salvo fully understands and utilizes the horror aesthetic with big superhero ramifications.
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Knight Terrors: Detective Comics #2 may be the scariest tie-in of the event with its horror visuals and disturbing antagonists. Throw in the fact the enemy appears to be less a figment and more of an introduction to something truly nightmarish, and this tie-in feels worthy of a reread.
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With inventive ideas, many different trials for Harley Quinn to combat, and fabulous art Knight Terrors: Harley Quinn is a great start to the two-parter. Howard is running on all cylinders with a keen sense of the character and what to explore, all while throwing in a nightmare twist. The balance of art and ideas make this a great read for comic book fans.
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Knight Terrors: Punchline #2 is a mind trip through digital realms worth checking out. The visuals are stellar, and there's great cultural commentary on the toxicity of the internet, while Punchline stands strong against it all.
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Truly nightmarish, Knight Terrors: Wonder Woman #2 cleverly shows us Wonder Woman's greatest fear is becoming monstrous herself in different ways. This helps us see Diana for who she truly is as she fights against the last things she'd want to become.
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An interesting story wrapped in an average family's life who aren't so average at all.
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The storybook feel of Koshchei in Hell is strong, and it's the kind of comic that feels built like the best fairy tale. Creatures abound as Koshchei embarks on an adventure that may be his last, but it's certainly not his least fantastical. Koshchei in Hell #1 has everything you'd want in another great fairy tale adventure only Mignola could think up.
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The story continues to dazzle in its folktale underpinnings.
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Another great issue with some fantastic monsters and beasts.
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If you like disaster movies, you'll love Last Flight Out. This comic hits very close to home from the notion of folks denying what is going on, to how genius minds might have solutions, but intelligence will still force them to do the crazy thing to put their lives at risk for a loved one. Last Flight Out sustains tension while supplying ample intimacy with its characters, making for a high-anxiety disaster story.
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I had a blast reading this story and I've never even played League of Legends. The hero's journey Ashe goes through is an exciting one. This is a good read for anyone wishing for more fantasy stories like Game of Thrones.
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Very good. Each story is enjoyable and interesting with flair and panache that's not seen every day on the comic book shelves. The Gail Simone portion is just okay, mostly because it's telling a longer story that'll be concluded next issue, but the overall package is well worth your time.
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Legends of the Dark Knight #8 is a great anthology with two stories that make points about pain, trauma, and the failings of society. It's a good reminder comics can tell important stories no matter the length as these short-form stories pack a punch.
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Once again two out of three ain't bad! This is by far my favorite anthology series on the stands today. It has everything you'd want in a superhero comic and then some!
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These stories don't end with a whimper, but a definitive bang. It's safe to say when this series is collected it's going to be a must buy as it does a lot of things well, not least of which is being one heck of a bang for your buck.
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I had a blast with this steampunk meets tournament style fight manga thanks to a rich backstory unveiled midway through and the incredible visuals. If I were to reduce it to movie comparisons, this is Hunger Gamesmeets Blood Sport with steampunk sprinkled on top.
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For all intents and purposes this is a successful comic. If you're not keyed into the Archie universe you may lose interest when he recaps the importance of some of the lesser known co-stars, but the final pages and overall message is rock solid.
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Lobo Cancellation Specialis a hell of a lot of fun. It's steeped in violent action, tons of attitude, and some of the best art you'll see all year. This is pure action, gore, and attitude, though light on character. Maybe that's because Lobo never was very deep anyway.
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Locke & Key/Sandman: Hell & Gone is everything you'd want from this crossover and everything you expect from its creators. It's incredibly clear a lot of work, planning, and time went into this project. There is certainly a learning curve if you haven't explored one, and especially both, worlds, but that is likely a factor readers will take into account when considering this book. All told, this is a good melding of both worlds and even better execution in comic book craft.
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Locust is a new series that brings closer focus to the headspace one would be in after the world stopped working. A pandemic is at the center of it all, but really, this is a story about the little moments between the bigger ones that keep us alive. Locust is thoughtful, absorbing storytelling in a genre that's familiar, but you can't ignore the effectiveness in its solemn nature.
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A delicious story that's as imaginative as it is bold. Loki has always been the clever type and this story meets the lofty cleverness of the god of tricks.
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Loki #3 continues the trend of a series that's rife with ideas, creative story structure, and fun character work. Though a miniseries, it proves Watters has an abundance of ideas well worth an ongoing series.
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Lost Falls blends multiple elements together well for an intriguing start to a series that feels familiar, but all its own. It has monsters, a mystery, social commentary, and the always interesting small-town politics.
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While I'm not 100% satisfied with who the murderer is, there's no question this book ends with the characters changed and more interesting because of this story. Like the best of stories it's all about the journey, and this series is one hell of a journey that you'll never want to end.
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Black manages to spin what appeared to be a wrapped up story right back into a complex tangle of dramatic goodness. This is the type of series written for folks who enjoy mythical storytelling that feels larger and life and Lucifer is about as large as you can get.
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Lucifer continues to be one of the best comics on the stands. The art is quite nice, the colors inspired, and the ideas clever and fresh. This is the type of book that seems to have a new surprise on every page.
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Make no mistake,M.O.D.O.K.: Head Games is an action comic with plenty of fighting and fight scenes. As such, it's lighter on contemplative storytelling, but it's also a story featuring M.O.D.O.K. and humor so take from that what you will. Come for the over-the-top violence, but stay for a M.O.D.O.K. who finally has a new purpose.
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M.O.D.O.K.: Head Games is an anti-hero story that's hard to resist. If you're looking for riotous, violent escapism with infectious energy, you can't go wrong with this series. M.O.D.O.K. fans are in for a treat as the character is getting his due here and then some.
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Gene Ha continues to paint a beautiful world via compelling characters that feels entirely new and fresh.
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A great first issue that has a lot of action, good recap of the character, and a hint at some big reckonings for the character. Magnificent Ms. Marvel is fast, fun, and agile storytelling.
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A strong first issue (though it does come after Sovereign #1) with a story that's smart and art that pops.
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This is possibly one of the most absorbing issues of the series so far. A greater sense of Shaw as a power player and the kingdoms of red, white and black are becoming more clear. 
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This is a great example of how mixing plot, character, and action together perfectly can make a comic read quickly and yet you'll want to read it all again when you're done. As far as action-adventure comics go Marauders is one of the best. 
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Marauders #9 is a real trip in storytelling technique and the creativity required to show superpowers. It's an interesting look at Emma Frost and at the same time, the larger plot and world of Krakoa continue to be fleshed out well. 
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This is a nice one-shot story that focuses on the many exploits of Storm and how her teammates on the Marauders perceive her. She's a warrior, a leader, a surgeon, and a fighter and she's a sum of all those parts. What makes this comic truly exceptional is how great all the character acting is and how every reaction and expression tells another tale in itself. Marauders #20 is brimming with humanity through storytelling.
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Mauraders Annual #1 is a great start to Steve Orlando's story that feels grounded thanks to Lee's art. It has something to add to the Krakoa era and sets up the team well too. All that, and it's written with strong dialogue that gets to the point, makes these characters come through clearly, and features a killer cliffhanger too.
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This is exciting comics largely because it takes an extremely unexpected combination and makes it work. Duggan and Antonio have essentially proven you can make anything work when you apply good ideas and strong execution.
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A fun and light reading experience that honors the flip comic style and does a great job with each character. A charming feel-good story with hardly a dull moment.
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A strong finish with some big cosmic ideas afoot.
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There are quite a few stories, all of which are good to great and play to their own strengths and merits. The beauty of an anthology book like this is it's okay to not love everything. One standout story for me might not be a favorite to someone else. Above all though, I think Marvel has curated an entertaining read from cover to cover and it's exciting to see the perspectives within.
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There's a lot to love in Marvel's Voices: Spider-Verse #1, be it new adventures for familiar heroes or brand new heroes entirely. At $9.99, it's a bit steep, but with the extra interviews, it feels like a good price since it's mixed media that celebrates comics and everyone's favorite Spider-Verse.
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This is a good anthology that highlights some incredible characters many casual fans may not know about, but you should. More impressive is how this collection gives lesser-known creators a chance to shine and show off their abilities as storytellers. Not every story is a home run but paired with the supplemental materials and some great stories touching on difficult topics, Marvel's Voices: Identity is a very strong addition to the series.
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This may well end up being a strong candidate for the most absorbing and deeply human comic book series of 2020. It may not exactly be the superhero fight comic some might expect, but it's hard to deny how strong the sensitive depiction of the protagonist is and how well you'll connect with him. Marvels X captures the wonderment of superheroes through a deeply human story.
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True to itself, Marvels X is a dark tale wrapped in a blanket of sorrow, but there is still hope. There always is, which suits this prequel's beginnings in Earth X.
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I'm on board and ready for more Skrull family drama. It's an intriguing domestic drama with sci-fi sensibilities. The politics of family life are on full display under the microscope of alien espionage.
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Compelling premise, interesting story and a mystery that drives everything in the right direction. Check this book out, especially since it's so damn prescient right now.
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A good conclusion largely because it's so damn horrific and surprising. Characters make hard choices which makes the reader take a hard and close look at themselves too.
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Why would you want to miss a good cop drama with art that's the epitome of controlled chaos? Read it for its energy and wild art.
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From the detailed and highly original layouts to a heartfelt and humanized Midnighter, this story should find its way to the top of your list.
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Tensions rise in this excellent issue that juggles the trials of Midnighter and Apollo well. The art brings the big action and will have you on the edge of your seat!
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If you like fight comics this is the best on the stands this week and possibly this month. Midnighter takes a beating, but you gotta see the other guy!
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Mighty Morphin #1 was a great first issue and thisthird issue continues the trend. This book is nearly wall-to-wall action, but still spends quality time with the characters in between the fight scenes to add a human element. Mighty Morphin juggles pure action, human moments, and clever ideas to perfection.
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The implications of this issue are huge, especially for longtime Power Rangers fans. Mighty Morphin #10 is an exciting issue because it fleshes out the world of Zordon thousands of years ago, but also establishes how current villains came to be and where their motivations lie. It's an exciting time to be a Power Rangers fan, and Mighty Morphin #10 exemplifies that.
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Power Rangers #9 is a well paced and smartly written issue that keeps your interest to the very end. On top of that, it all culminates to a cliffhanger that'll get you talking.
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Wow, this is a great annual that's well worth checking out. It has all sorts of stories with plenty of humor mixed in. It taps into everything that makes the Power Rangers great, including the goofy humor and big action.
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About as good as a first issue can get. Ahmed and Garron get through a lot of build up to establish Miles' new status quo and kick-start the conflict. This is a strong, layered, and highly relatable Spider-Man you can't miss.
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Miles Morales: Spider-Man #25 is an entertaining issue that will make you a believer in a new Clone Saga story arc. You may rightly still have reservations, but it's clear Ahmed and Carnero have a good handle on pace and plotting, keeping the story relevant, grounded, and complex.
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Miles Morales: Spider-Man #30 is a great way to celebrate the character and what he stands for. Across all three stories, each creative team has done well to show how selfless, caring, and down to Earth Miles Morales can be. It's a comic that reminds us Miles Morales is a feel-good superhero that's grounded and relatable.
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If you like action, you'll dig Miles Morales: Spider-Man #33, which uses Miles Morales and his new clone Shift well. The implications of what these two heroes find could be huge and the new dynamic set up between them is interesting and complex, making for good character-focused entertainment.
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Subtle complexity washes over you with genuine characters and strong visual storytelling. It's a compelling look at going home with characters fully realized and a sense of magic that's forbidden but right.
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Fantastic crime drama that catapults you to another time and place. This one gives Road to Perdition a run for its money.
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It's hard to fault this series because it's so unique and true.
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A very good opening issue to a new version of a character that's had many false stops. The supernatural element to his back story is intriguing and the costume works considering the heavy use of dialogue. The look of the book is smooth and is reminiscent of the controlled nature of David Aja. Recommended.
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Moon Knight #4 is the most vulnerable superhero story of the week. The character shows himself to those he trusts, and actively questions his choice to wear a mask to those he'd guarded against. Meanwhile, he's also incredible at fighting and takes a stand on what he thinks of his wealth. All told, it's an interesting look at a superhero who is as complex as they come.
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Moon Knight #5 culminates in a test for Marc Spector from a villain, but also from himself. It's a self-reflective issue that delves deeper into who the character is and why he's a violent hero. It's a rarity to see a superhero be so open about themselves while having it all make so much sense.
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A benefit of this issue is how it's clear there isn't just one Moon Knight story and they can all be entertaining and valid. Moon Knight is dark, complex, and as Moon Knight: Black, White, & Blood shows, endlessly entertaining.
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At its core, this is a deeply purposeful and interesting first issue. Ayala has captured the horrific nature of being a monster and not having any way of curing yourself. The art and action ramp up the horror angle while revealing Morbius may want to be good, but the vampiric nature of the character can't be contained either. The complexities of the character shine through while the violence is scary good. This has a Let The Right One In vibe but about how a damaged person becomes even more damaged, at least at this stage in the story.
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I'm excited to learn more about the world introduced in Mosley #1. A social commentary about technology taking over our lives, this series offers a new sci-fi world well worth exploring. Mosley has the makings of a personal story worth investing in about the horrors of advancing technology.
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Mosley #2 is an excellent second chapter, further cementing the deeper meaning behind the sci-fi dystopia that humanity sees as a good thing. Like today, Mosley points out that our over-reliance on technology isn't a good thing and, if left untapped, could make our lives far worse. Mosley is the superhero we don't deserve, but sure could use.
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Mother Panic is all grit and emotional baggage in the best of ways. The character is revealed more here as Houser and Edwards peel back her past. The art continues to be detailed and dark in the best of ways.
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Motor Crush is an exhilarating new series that feels incredibly modern and complex while delivering the action of a street fight. If you dug Road Rash growing up you will love this.
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Possibly the most exciting and well paced issue yet; if you're not reading Motor Crush get in on it now, because it's about to get a whole lot trippier.
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An excellent issue that gives Gambit and Rogue their moment in the sun while also kickstarting an space action adventure.
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Mystique #1 is a comic anyone can love, thanks to its strong use of the title character and a look at the state of S.H.I.E.L.D. Strong visuals and a good, thrilling story permeate the atmosphere of adventure and mystery.
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Napalm Lullaby #5 adds context to a world of servitude and control thanks to a Superman-like figure. The heroes were captured last issue, but they've gained an edge that'll make you want the next issue now.
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Napalm Lullaby brings a ton of action to the forefront as a cult's stranglehold on society continues to loosen its grip. The blend of action and a sci-fi look at cults and culture will keep you on the edge of your seat.
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There's no mistaking Nemesis: Reloaded is the best-looking superhero book on the stands this week. Visually speaking, it's gorgeous, exciting, and at times stunning. Underneath the gorgeous art is a violent story Millarworld fans won't want to miss.
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This is a delight and a pure joy for X-Men fans. It'll be hard to pass this up since its identity is so strongly team-based and a young team at that.
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Another fun issue that continues to spread the love across the team. I'd argue this is the strongest team book amongst the Dawn of X line and it's a colorful adventure you should not miss.
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While other chapters in this event have focused on major players like Storm this issue does the necessary work to remind us of a lesser-known character like Cypher matters in many ways more than other characters in the event. New Mutants #13 does the work to establish Cypher's unique situation as well as the sword he'll carry to battle. He also offers a different perspective in this battle as he isn't a highly trained and seasoned warrior, but a good dude who doesn't want to let his people down.
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The art and writing do well to make Harley Quinn a sympathetic character. This is a fitting end to the series as it feels important.
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If you're a fan of the DC universe you shouldn't miss New Talent Showcase #1. There are plenty of interesting and varying stories to dig into and most end with a tantalizing cliffhanger which will make you want to come back for more. There are many fan favorite appearances with plenty of great art too.
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Night of the Ghoul follows up the first issue with an even creepier and disturbing second issue. I was teetering on this being my least favorite series from Snyder's first three titles, but this second issue has swayed me. Night of the Ghoul is a hair-raising and disturbing horror story that rivals some of the best horror classics of our time.
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There's an unmistakable give and take going on inNight of the Ghoul that satisfies readers while also keeping us in the dark. The idea of the Ghoul is further fleshed out in Night of the Ghoul#3, making for a satisfying chapter while also developing its main characters so that they are all the more real.
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What we have in Night of the Ghoul is a story that plays to the strengths of the genre while playing up tropes of an old monster movie cinema. It's an experience that adds up to one you can't get anywhere else. Plus, this might be the scariest issue yet.
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As first issues go, this has got it all: action, a reminder of all that is weighing on the title character, and plenty of intrigue.
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Tim Seeley's latest Nightwing story arc is getting more exciting by the issue and a lot happens here warranting a look. Bldhaven continues to become a more complicated and therefore compelling place to visit.
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Nightwing #92 continues to be one of the most electric comics on the stands. Blending superhero vibes with innovative art, you can't go wrong with Nightwing each and every issue.
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A fantastic issue as things ramp up for the climactic end to the story arc.
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Excellent espionage issue that reminds us this is going to be one hell of a TV show.
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Nocterra #6 is a suspenseful finale to the first story arc that answers key questions well setting up a hell of a second arc. Pick up Nocterra #6 for a satisfying conclusion that'll scare you in whole new ways.
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Norse Mythology is as if a classic storybook from your childhood crept up and hid itself on your bookshelf only for you to find it years later. All told, this three-chapter first issue opens on an imaginative fantasy world as if dreamed up by Gaiman himself, slowly pulls itself up with a magical tale of Odin, and brings itself to a more realistic place by the book's end. This comic is a good reminder stories deserve to be told in multiple formats; from novelizations to comic books, each holds intrinsic value in telling a different side of the story.
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Jill Thompson and P. Craig Russell have delivered an entertaining story from the classic mythology adapted from Neil Gaiman's splendid book. This is a great example of how so much can be said and done in a story that may not seem deep on its surface, and how a master artist can make it come alive in new ways.
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I wasn't sure what to expect from Nubia: Coronation Special, but as always DC Comics delivers on good anthology storytelling. Each tale offers a bit of commentary on Nubia, but the larger world too, and how we can make it better. Not only am I excited for more Nubia tales, but I'm glad the message of peace and prosperity is at the forefront when the world seems to be on fire. Nubia Coronation Special is a reminder the future of the Amazons is brighter because of Nubia and her outlook on the world.
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At a time when the mutant narrative is shifting, NYX centers itself onMs. Marvel's true heroism.NYX #1 is packed with character moments as it sets up a team that New York City deservesif it'll take them. NYX allows its characters to emerge as fully dimensional individuals, serving as an antidote to readers who want more than just action scenes.
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A crazy fun romp into the future with Harley Quinn like you've never seen her before. The book looks great and more importantly is paced excellently. You won't want to put this down.
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A solid start to a Japan-focused story.
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A fantastic first issue in an arc best read after reading Ed Brisson's Bullseye miniseries.
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This is a great first issue that I suspect many will liken to other media, but stands on its own thanks to the superhero stylings and strong character dynamics in play. The main character feels real and many will easily relate to the lonely child who needs a spark of magic in his life.
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The slower, more methodical pace of Olympus: Rebirth #1 is a welcome one if you're even slightly interested in a story about the gods. The various Greek gods and their personalities, mixed with a building threat only Hippolyta knows about, make for an enjoyable experience. Yarsky's art is absorbing, enjoyable, and just the right fit for a story that draws you in and is vividly realized.
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As far as event books go Aaron knocked this issue out of the park. Usually there's a ton of exposition to get through, but this issue balances character and plot effectively. Recommended.
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Peacemaker Tries Hard! #1 is a refreshing start to a kind of adult comic series you don't often get from DC Comics. It's a book many will love, especially if they liked the recent TV show, as it blends vulgarity, and adult humor, all in a slick visual package.
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An excellent adventure that has things you haven't seen before.
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Another excellent chapter in one of the most interesting and visually compelling science fiction comics out today. Ken Garing is a master world builder and each issue reveals more of his tantalizing world.
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Plunge #5 is a great issue as it pushes the plot forward well while delivering big answers. At this point you'll be so invested in the characters you'll be on the edge of your seat praying they make it. Oh, and also hope Earth doesn't get destroyed too.
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Poison Ivy #9 is a nice break for Poison Ivy as Harley Quinn enters the story for a little rest and relaxation. It's a good issue in particular, as it makes a statement about their relationship, how they work, and how they truly are perfect for each other. For fans of this relationship, you couldn't ask for a better example of why they work so damn well.
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A very strong protagonist drives a premise that holds a lot of potential in what is turning out to be an addictive mystery.
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Psi-Lords is shaping up to be a huge hit thanks to its many mysteries and action-packed suspense. Psi-Lords takes the superhero setup and imbues it with real characters, honest emotions and a layer of high octane action.
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Psylocke #1 is a thrilling start to what promises to be an impactful new chapter for the character and the X-Men universe. Alyssa Wong's writing, combined with Vincenzo Carrat's dynamic artistry and Fer Sifuentes-Sujo's vibrant colors, creates a book that is both visually captivating and narratively rich.
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A great chapter in a series that may be best enjoyed in one sitting (once all the volumes are out).
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Public Domain is very good at pace, character, and the tensions between characters. At its heart this is a family story, but that family happens to have ties to comics and by extension comic movies based on them. Those elements come together in a narrative that's relatable to our current climate of comics and superhero "mythology", adding up to an enjoyable story.
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Public Domain #6 kickstarts a second story arc that will please anyone interested in comics. Right out the gate, the politics of making comics and making general audiences happy is compelling. At the same time, old-timer creators attempt to balance their wishes with a world progressing ahead of them. This series skillfully captures the reality of making comics and the struggle between creative vision and commercial demands.
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Public Domain #7 keeps the tensions high as two older creators continue to face the challenges of a different comics industry. The melodrama of making comics couldn't be more delicious. In an industry of more of the same, Public Domain offers the comics superfan something different.
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Public Domain #8 is another good issue exploring the making of art and the crazy range of personalities involved in making comics. Zdarsky uses the ensemble cast superbly to create a compelling and always exciting comedy drama.
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The Punisher #7 is a fun issue with a fantastic barroom brawl you should not miss. Cloonan, Dillon and Horak create a fine issue even new readers can enjoy as it contains many elements to ensure your enjoyment.
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Punisher #2 is an entertaining issue thanks to offering explanations for why Frank Castle is in this position and why he deserves to be the leader of the Hand. What this issue, and by extension the series does, is explore who Frank is at a base level while throwing readers into the deep end of an incredible new situation for him to navigate. Punisher hasn't felt this fresh in decades.
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Punisher is slowly becoming the most compelling character study in superhero comics today. After three issues, we're getting new insights into Frank Castle with a unique angle on his relationship with death.
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A strong third issue although its cliffhanger is a bit of a head-scratcher.
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Having grown up with Kevin Smith films, Quick Stops is a great way to relive the films and see how they're all connected. It adds to the mythos while playing in the sandbox, which makes comics great. Like Stephen King's novels, Smith connects his masterpieces in subtle and clever ways, making the entire experience richer.
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A strong second issue with tons of action.
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Perfect for fantasy fans and those who want an interesting twist on a classic Bible story.
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This is an extremely well-plotted comic that should pique the interest of anyone.
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A must read for anyone following along but newbies will find enjoyment in the deft storytelling via art and character.
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I simply can't wait for the next issue. The powers of Rasputin are revealed and now it's just a matter of finding out how he gets to America from here. Read this if you've loved even a single one of the prior issues.
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The strongest issue yet in the miniseries.
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A solid start to a 12 part miniseries.
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Fantastic Four: Reckoning War " Trial of the Watcher is a great What If" story, and if you like alternate takes on tales you'll love this. It also has the heart and grit of the classic comics with a modern sensibility thanks to the art and color. The story itself even adds weight to Uatu, making the events matter in the main universe, too.
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Setting the stage for new conflicts for all three characters, Red Hood and the Outlaws #9 is a great chapter in this new team's storyline. The character work is on point too, as well as the promise of new details on Jason Todd's untimely death.
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Redline #1 is an excellent first issue that captures the characters so realistically you're basically reading a good TV show. Fans of well-written dialogue must read this. Refreshing and interesting, Redline is a series those who love character dramas must read.
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Another great issue that sets in motion a mystery that's made stronger by great character writing.
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If you read the last issue you'll hop right into this drama and never want to look back. A slight hiccup slows things down, but this is good crime drama through and through.
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If you're a fan of myth, fairy tales, and strong female characters you can't do much better than Red Thorn.
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Redcoat #1 is a fast paced joy ride as we meet a protagonist that's not so much a hero, but maybe he's on a path to become one. The immortal hero trope has had many attempts over the years, but here Redcoat mixes history and the unknown for a tantalizing start. It's fast paced with a fun escapist historical fiction story worth exploring.
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Redcoat is a smart take on a different American history, with a lot of fantasy thrown in. The worldbuilding is layered with excellent art and action.
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Refrigerator Full of Heads #1 came right in time to add to your read pile for Halloween. It captures a lot of what makes '80s horror greatwhile building on Basketful of Heads too. Refrigerator Full of Heads is a jolt of horror and nostalgia that'll leave your teeth on the floor.
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This is a great fresh start for the character after a wild ride of miniseries has been taking up the brunt of his last year of storytelling. It's nice to see the character move on from his previous missions for something new and it's in good hands with Hallum and Hepburn. Add to this a backup by Cates and Shaw that seems to be putting a period on the character and this is an excellent new direction for the character.
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This is another great issue, with a fun main story and a hilarious backup. Tiny Rick 4 life!
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A strong story that's all about character in this somewhat less funny, but well worth a look issue.
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Two stories both of which could easily be episodes. Good stuff!
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Filled with laughs and clever ideas this will bring you back to the entertainment of the show.
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Fantasy lovers rejoice, this is the Rick and Morty experience you were waiting for. The series has done a great job blending the two, but it leans heavily on fantasy tropes in this issue.
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Robin #7 offers up an earth-shattering surprise character reveal and a showdown between Robin and his new crush Flatline. What more could you want? This issue is a good example of how Robin is delivering an excellent adventure only Damian could undertake.
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It has taken seven chapters, but the big mystery is revealed in Robin #14 in a satisfying way. More importantly, the relationship between Damian and Batman continues to feel genuine while the all-out action is fun. "Shadow War" fundamentally understands comics are fun while building on the characters we know and love.
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Robin is consistently a fun adventure book that's good for at least one fight scene every issue. Throw in the way the creators are weaving together multiple plotlines in a series that has developed Robin in interesting ways, and you have an instant-buy comic every single month.
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I was pleasantly surprised by this done-in-one story. It doesn't break new ground per se, but it tells a well rounded story with great pacing and great art. Recommended.
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This is an excellent conclusion to the first story arc with a lot of great ideas, good pace and fantastic dialogue. Check it out if you like surprises and ideas, or don't if you hate fun.
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Another good issue in this well written and well paced series. Crazy as it might sound there could be a Zenescope book on some people's list of best books of the year!
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For an issue that's mostly about characters talking about their feelings you'll be surprised just how captivating it all is due to interesting character work and compelling art.
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More is revealed in this issue which enhances the tension. Plus, hobo fight club! Nuff said!
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This issue totally redeems itself and is funny, exciting, and even plays as a love letter to one of Marvel's weirdest 80's teams.
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I had a blast with this first issue. It gets you excited for more deep-space horror. The mysteries at work are unique and creative enough to capture your interest and make you want to learn more. The crew is also well rendered making them feel realistic and different from each other and other space horror narratives that have come before it. 
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Rogue Sun #1 is a promising start to a superhero series that feels fresh, focusing on its characters while throwing them into unique dynamics. There's a familiarity with the superhero as tropes are present, but it's incredibly fresh at the same time. More importantly, this first issue is incredibly accessible and is an easy pick up for anyone who loves superheroes and wants something a little different.
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Rogue Sun #2 opens up in the second issue revealing a larger mystery, developing Dylan as a hero, and integrating his father into the narrative in a bigger way. It all amounts to Perry and Abel showing their cards and making it far more clear what this series is about.
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Rogue Sun is turning out to be my favorite superhero comic on the stands. It takes the model of a teenage kid thrust into being a superhero in new directions while blending monsters and the supernatural. Rogue Sun is proof superheroes can feel new again.
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If you like detailed art, this will be your favorite comic of the week. Rook: Exodus #1 is a compelling new sci-fi dystopian story that'll have your imagination running wild with its potential. You'll be invested enough to return for more, especially with the excellent art. It's as good as sci-fi action adventures get in many ways.
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Roxxon Presents: Thor #1 is a fun experiment in taking a side adventure into a possible nightmare version of a corporatized Thor. Serving as a commentary on corporate greed with nods to real-world consumer options, this is an enjoyable and truly unique read.
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Viola Davis' now famous speech from the 2017 Oscars stated, “I became an artist and thank God I did because we are the only profession that celebrates what it means to live a life." Jeff Lemire's Royal City is exemplary of this celebration of life and by the end of this issue you'll be wagering all of these characters are real.
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If you love fight comics, you will find S.W.O.R.D. #9 to be a delight. It features cool characters with cool powers, some entertaining violence, and some high stakes too. It all comes together in a tightly-written issue that can entertain anybody.
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Aside from a somewhat boring four page sequence this issue moves at a fast clip progressing the storylines nicely. Above all else there's fun and dialogue that bounces back and forth.
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Saga #37 is a solid check-in issue that reveals the thoughts, prayers, and new direction for our cast of characters. The highlight might be the shocking in your face moment that reveals a tantalizing truth.
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A strong first issue of a new arc that's bound to change Alana forever.
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This issue does what so many Saga chapters before it has accomplished, and yet feels fresh and original. The dynamic of this group is about to change in a big way with major climatic interactions on the horizon. Its ability to balance character moments with big story beats is unparalleled.
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Saga #55 returns this week and doesn't skip a beat even after a three-year gap. It serves to remind us who these characters are, how they've grown, and establishing how at its core this is about survival, but also living life and the growth that comes with it. Saga continues to shine as a series about the complexities of life, identity, and survival in an uncompromising, colorful world.
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Saga #60 shows how much Hazel has grown up but delves into how it's unfair to think a child who lost a parent is ever okay. Just as we began to think Hazel and Alana were doing okay, things come crashing down in this turning point issue.
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If you've been wishing for more action and significant deaths in Saga, read issue #65. This issue capitalizes on major wins for the characters while others suffer, further emphasizing how a series about calamity ebbs and flows with the good and the bad always around the corner.
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This book is deeply real, incredibly absorbing, and one of the richest war stories I've ever read in the comic book format. At 151 pages it's hard to put down and incredibly interesting as we attempt to understand Sara and this deeply unsettling time in human history.
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This is science fiction fun with a lot of action, cool ideas, and expressive interesting characters on display. If you love Fifth Element you owe yourself to read this comic.
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Steven Horton and Stephen Thompson are delivering an emotionally charged, but fun series that is rife with surprises. The world is so vivid and the characters so interesting I wouldn't be surprised if this were picked up as a TV show.
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Strikingly visual storytelling at its best. This is the Valiant series everyone should be reading. It's self-contained and riveting comic book storytelling.
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Aside from this being mostly action, it's a fine conclusion to a series you won't want to end. There's hope yet, though–Savage will return based on a teaser to end this book. When it does, I'll be first in line to read it.
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The King in Black tie-in stories have been the best part of the event, and Savage Avengers #17 continues that trend. This is a great team-up book between Deadpool and Conan that ties into the event just enough -- especially for Conan fans -- to be well worth a look.
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Marvel's return to Conan continues to be an instant hit. Duggan and Garney are capturing an adventure style of the character with a mix of monsters and magic that is not to be missed.
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A fast-paced action adventure that's thrilling. It captures so much that is good about Conan the Barbarian and then some.
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An action frenzy that's got it all!
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Scarlet Witch Annual is a robust character study with a witch throwdown to satiate superhero fans. It's not the strongest "Contest of Chaos" prelude, though, but if you're picking this up as a Scarlet Witch fan, you get everything you want and more.
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Scout's Honor #1 is a strong first issue built on a great premise. It doesn't hold back and instead delivers exciting action, interesting twists, and a brand new dystopian world that manages to feel truly original.
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This is a strong first issue that has a dark tone and an unflinching horror underbelly. From the art to the story, this book somehow feels like a blast from the past and it's mature in its approach. This is a dark and mature take on a hero that blurs the line between horror and heroics. 
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A strong visual adventure of imagination wrapped in an endearing bond between father and son.
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I'm a sucker for good character writing and this issue has it in spades. It also drops you into a new America, which makes for a fun catch up.
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A strong second issue that serves as more of an intro as to what's to come for our heroes than either of the previous issues.
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A fun, action packed issue that has the heroes finally getting a leg up on Hydra.
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Action packed issue that never loses sight of the smaller heroic moments.
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A fun and exciting tie-in that shows what it's like to become a spy. More or less.
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Secret Identities is my favorite superhero comic delivering surprises to the genre, its story and fantastic characters.
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A strong opening issue that has relatable characters and sharp as hell art.
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A lot of folks are going to love Sensational She-Hulk for its sharply written characters and relationship drama. Even beyond that, it's a can't-miss series integrating characters throughout the Marvel Universe big and small while reminding us this universe is fast with colorful characters. Dare I say it packs the excellent internal narrative of Sex and the City into superhero storytelling.
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Seven Secrets #3 is a touching, exciting, and well made third issue. Though this book is light on answers, it continues to be one of the most interesting narratives because it juggles so many elements so well.
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Seven Secrets continues to be one of the best action comics on the stands today. It deftly mixes mystery and intrigue with a narrative that's hard to pin down making for an exciting page-turner.
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This series has spoiled us rotten with every issue offering up some reveals, multiple character beats, and plenty of action. The second story arc certainly feels different than the first, but it's just as exciting. It has felt like a rollercoaster ride that won't ever stop. Seven Secrets #8 picks up from where the series left off and doesn't skip a beat with high intensity action and stakes.
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Another strange and weird issue in the best of ways.
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Shadowman #6 is even better than the previous issue in a story that's playing with a lot of fun aspects. With the second issue out, it's obvious this series is delivering with art and characters while playing against expectations as Shadowman navigates things in a different way. Shadowman blends action, colorful characters, and spooky moments to perfection.
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Shang-Chi #2 continues to be a rollicking good time. It's fun and not afraid to try out new takes on the hero fights hero concept. It's also episodic in nature, allowing for anyone to dip in and enjoy the adventure while ever so slightly building towards a showdown between Shang-Chi and Marvel's greatest heroes.
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This is without a doubt a fun one-shot style tale. Pick this up to get some positive escapism in your life. A strong contender for the most fun you'll have with superhero comics this week.
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Shazam! #2 is a great second issue that drops our hero into a very unfamiliar place, even to readers. Thanks to some interesting world building, slick art, and dazzling use of color, you shouldn't miss it. Shazam! offers the kind of adventure only comics can deliver.
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You'll enjoy the dialogue, the character development and the ultimate nemesis of Sherlock"cocaine"finally getting vanquished.
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Shiver SuspenStories #1 is a merry little massacre, combining nostalgic EC Comics vibes with fresh takes that are perfect for horror lovers. Whether you're cozy by the fire or hiding from Krampus in the shadows, this anthology is a must-read.
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An even better introductory issue than the last, although because of this those of us who read #1 might feel a bit slighted as it retreads much of its story. All in all though, a wonderfully paced issue.
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Silk #1 is an excellent example of outside-the-box storytelling paired with superhero antics working very well. Pick this up for the big mystery, but stay for the compelling setup as Silk travels across iconic eras in American history.
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Sins of Sinister #1 is an entertaining issue that feels like a one-shot thanks to the many event-caliber moments, all of which lead to a mystery cliffhanger to resolve in the tie-in series. Taking big swings, Sins of Sinister doesn't miss as it delivers big comics moments X-Men and Marvel fans will love. It sparks the imagination and is jam-packed with cool ideas and visuals.
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Sir Edward Grey: Acheron reads like a story that has marinated in mythical tales and Greek lore for decades and is only now finally ready for comic book consumption. It's a work that feels etched out of stone and filled with as much knowledge and history as a rock with secrets to tell. Sir Edward Grey: Acheron is a magnificently drawn one-shot rich in the mythical atmosphere that is its background.
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Skulldigger and Skeleton Boy ends on a contemplative and strikingly thoughtful high note. It's sad to see the series end, but it goes out on its own terms with a strong commentary on what it means to be a sidekick in a much more brutal superhero world. For that, Lemire and Zonji have exceeded superhero storytelling expectations and solidified this as a must-read for anyone serious about superhero comics.
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This is excellent storytelling with a cinematic flair you shouldn't miss.
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The backstory of Skybourne's protagonist is fleshed out, revealing a very unique and intriguing story indeed. There are lots of cool elements at play and the world Cho is weaving becomes ever more interesting after this installment.
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I had a blast reading and absorbing the intense and trippy visual style of this book. Sampson is crafting a visual tapestry I can't put down while Youers is unveiling a bag of mysteries I'm ever more curious about as I turn each page. This is another good example of how comics are a fantastic medium for novels and may even surpass films if given the chance. 
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A introduction to a hero, a call to action and a crisis all in the first book. There's a lot to chew on despite the fact that we barely even get to meet the hero before the issue's over! Recommended.
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This is another strong issue in the Solar revamp. The character is made even stronger with his outspoken and cocky daughter and the corporate angle seems to be cooking something up that might offer some surprises.
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Color, writing and art come together in this fantastic first issue, introducing a brooding mystery that peels back just enough to dare you to read what could turn out to be the scariest science fiction comic of the year.
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This issue is fun and filled with humor. Reiss continues to reveal this world and it only becomes more interesting with every issue.
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This was one of the shining lights in the comic book industry of 2016. Natalie Reiss has proven she has the chops to deliver a unique story with refreshing art and an endearing quality you can't miss.
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Spider-Boy is a ton of fun that's quirky with a burst of visual storytelling that'll please fans, young and old. There isn't a goofier comic out right now, and that's a compliment.
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I had a blast with this tie-in and I'm thirsty for more. Spider-Man leading a crew of killer Asgardian's is funny enough, but under the pen of Leon and Ryan, the goofy Spider-Man is shining through nicely.
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Spider-Man #4 is possibly the best issue yet, as it has multiple big reveals, a turning point for heroes and villains, and an addictive sense of fun only Spider-Man characters could supply. This is the Spider-Man comic for Spider-Man lifers.
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Spider-Man #8 is an intriguing start that works well thanks to the excellent writing of Peter Parker, who feels like his classic self here. Throw in the mystery of Spider-Boy, Spider-Man's new enhanced power, and a return of a classic villain, and you have a recipe for another iconic Spider-Man story from Dan Slott and Mark Bagley.
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This is an exceptional introductory issue with plenty to keep your interest. There's humor, potential romance afoot and the main character is incredibly likeable. It's also made very clear how this character is different from the Spidey we know and love which is incredibly important.
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Even after reviewing Amazing Spider-Man this week, I can safely say this is the best Spidey book on the stands today. The art is top notch and the characters are all so good, gosh darnit, I want to be right there in the comic so I can hang with the bunch of them!
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This is a great tie-in that should not be missed due to the impeccable art and resounding influence it has on the entire event.
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Another well drawn issue with good pacing and nice character moments. Entertaining, plus it includes plot elements important to the Spider-Verse event. Score!
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This is a great issue largely due to a comedic moment and a great action sequences. The bad guy is well realized and the stakes are clearly present. Most importantly this is a teamup you don't want to miss.
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You're missing out if you're not reading the current story arc in Spider-Man Unlimited Infinity Comic. Spider-Man is as quippy as ever in a story juggling romance and fighting bad guys who can't stop ruining his day. Auckerman supplies amply good quips in a comic right at home with classic adventures.
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This series continues to show how ripe the PS4 universe is for further comic book storytelling. Both creators are doing a great job retelling the video game story and I can't wait to see how it evolves from here.
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Spider-Man: Shadow of the Green Goblin #2 continues to evolve at an interesting early time for Spider-Man. Fans of a younger Spider-Man can't miss this essential read, especially with traditional villains like Sandman involved.
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This is fun tie-in that doesn't necessarily tie-in too closely, at least so far, but instead works on the characters. Spider-Gwen fans should go gaga for this one.
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I liked this book, but I'm also a Spider-Man fanatic so it's very much a book made for me. If you love the concept of many Spider-People and their various designs and personalities being explored, you'll love this. This is the epitome of Spider-Man fun in all shapes and sizes.
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Spider-Woman #5 ends Prez and Pacheco's epic run with a whole lot of action in an exciting finish. It's a deeply emotional story for Spider-Woman as she deals with dysfunction, but also a bit of closure. As a milestone issue, it closes out well, reminding us this character has come far over the years and there's so much hope and a bright future for the character going forward. Under Pacheco and Prez, Spider-Woman is as exciting as ever with a bright future in front of it.
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Spider-Woman continues to mix high octane action with deep human emotion. With a deft hand, Pacheco continues to keep our interest in the lives of these characters while Perez blows us away panel after panel with great action. It's a pairing that continues to reap benefits thanks to a rare ability to connect with the characters while also having so much fun with the art.
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Combining character drama with action, Spider-Woman #11 is a near-perfect single-issue comic book. The joy Spider-Woman feels while kicking butt is infectious and fun. The art continues to be incredibly creative and different, be it layout design or sound effects making even the most nondescript villain look like an A-lister. Pickup Spider-Woman if you're looking for high-energy and highly entertaining action comics.
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Spider-Woman #15 continues to excite, even if it's a "slower" issue for the series. It still has explosions, a fight sequence with dazzling artistic ideas, and a rather uplifting focus on a young girl who needs a bit of guidance and support. The creative team continues to blend good character writing with the best action in comics today, making for possibly the best run on Spider-Woman yet.
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Spider-Woman never tried to be anything more than action-heavy fun with a heavy dose of personality and it's clear the creative team has pulled that off here and cranked it to 11. For the action aficionados, if you were paying by the punch, Spider-Woman #21is the best deal on shelves.It's sad to see this series go, but it's made itself heard loud and clear that comics can be fun, violent, and have a lot of heart.
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What a fantastic and endearing way to go out. Spidey ends this week, but Thompson reminds us why Spider-Man will alway stay near and dear to our hearts.
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Spine-Tingling Spider-Man part 1 is a creepy start to a great Spider-Man story. It's not so scary that young kids can't read, but it gets under your skin just enough to creep out anybody. It's also a great example of Ferreyra's style of exploring space and stretching your imagination with good art.
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Star is an intriguing character thanks to her turn from evil superhero-turned-villain-composite to a hero who is suffering from trauma. Thompson continues to impress with plotting, clever action and humor, further reminding us she's one of the best superhero writers in the business.
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This is a good ending to a series that further proves Star needs to exist and continue on in the Marvel universe. Thompson and company have done an excellent job making me want to learn more about this character and see her change and evolve. She's a complex character that may not make the same choices as the heroes, but that's sort of the point.
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Star Trek #1 is a fantastic opening issue, establishing its robust cast, not skimping on fan-favorite characters, and establishing a new adventure that feels worthy of TV, let alone a comic series. Given the high expectations as well as the many moving parts to kick off this adventure, this is a fabulous opening issue hardcore Star Trek fans won't want to miss.
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Star Trek #4 continues to show the creative team, and IDW fundamentally understands this series to perfection. This series feels like a lost episode of the show that deserves, nay, should, be filmed so audiences outside of comics fans can enjoy it. It's just that good.
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Star Trek #5 is an action-packed frenzy of hand-to-hand combat and tough decisions. Sisko is still reeling from not really knowing who is speaking to him, while it's evident a god-killing weapon is probably bad for everyone. Read this issue knowing the stakes are raised, and even more Star Trek is on the way because of it.
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A solid finale that's high on action.
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This crossover continues to work well on multiple levels. Exciting, action packed and capturing the most important aspect of Star Trek: discovery!
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This is the most exciting summer event series out there. It beats Secret Wars because it pulls no punches. There are no half measures and it's as exciting as they come.
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Star Trek movie fans will love this series, but action aficionados need this series.
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Star Trek: Defiantwill make you excited for more IDW Star Trek comics, period. The motley crew is established in this first issue, which promises plenty of drama between the characters as they attempt to save the universe and maybe even themselves.
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Ryan North's witty footnotes add an extra layer of comedy, and Derek Charm's art complements the tone well, although it occasionally feels confined. With multiple mini-adventures and a main plot steeped in Star Trek history, this issue is packed with engaging content that stays true to the spirit of the franchise.
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What a surprise this issue was, particularly because I fell out of love with the series. I adored the first three issues, but it slowly lost touch with me. This issue brings some tantalizing character dynamics to the forefront, but also teases us with some rather interesting reveals as well. The art by Kelly is serviceable to great throughout and it appears Wood has an impressive amount of tidbits for us in the coming issues.
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The addition of Chewie and C-3PO increases the enjoyment factor of this little story plus the Luke storyline gets more interesting. If you aren't reading this series you're missing out on some key backstories!
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Once again Marvel delivers big Star Wars moments that are vital parts of these characters' stories.
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Vader Down is back on track due to characters new and old coming to a head and some fantastic art and dialogue to go with it!
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Vivid and beautiful art propels this lost chapter of Luke's life and details elements we assumed and can now confirm from the original film.
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A well-paced issue that digs into the heist aspects well.
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I never knew I'd love seeing our heroes explore and interact with Cloud City so much, but then again I never considered that creators like Saiz and Soule were capable of capturing the true grit of these characters' souls. This is a Star Wars comic that understands these characters so well.
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Star Wars #20 is an interesting look at the Jedi on Luke's quest to discover lost Jedi relics the Empire has yet to find. At its core, it's a good science fiction tale with the main story revolving around a rather cool planetary concept.
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Yet another great one-shot Star Wars story from Greg Pak. Be excited for Pak taking over Star Wars, as this and the other Age of Rebellion stories have proven he has a great handle on these cherished characters.
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Dramatic tension abounds in this well told and well paced story!
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A strong example of how the comic books improve on the movies.
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This is an excellent start to a new story arc that has Vader chasing down a Jedi with an interesting twist thrown in. Soule has been excellent at infusing Star Wars tidbits and this Jedi will certainly peak your interest.
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Tons of Star Wars references and cameos, a huge cliffhanger, and a flashback that brings back Obi-Wan? If it wasn't mostly setup, I'd call it every Star Wars fans dream come true!
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A strong example of how the comic books improve on the movies.
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An action-heavy issue that promises a huge return on Soule's last issue in two weeks. Darth Vader is a must read series to the bitter Sith end.
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It's not everyday you get a fresh story in the Star Wars universe. More times than not we get another rehash Boba Fett story, or some Jedi story with a couple different pieces added in to make it fresh. This story however, reads and feels as fresh as they come.
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Overall a great series with some pacing issues here and there. This issue delivers all the answers you'd want and comes complete with a very well rendered moment between Darth and the Emperor. The art has always been of a bombastic nature with great lighting and pace too.
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It's hard to resist reading Doctor Aphra due to its important connections to the Star Wars canon, but also its sense of adventure. It may lack the relationship development required to understand Aphra and her dad, but it's a lot of fun. This is Indiana Jones meets Star Wars, and fans shouldn't miss it.
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As we near the finale it's clear Doctor Aphra has carved an important place in the Star Wars canon. The premise of the book–discovering ancient relics–allows for great storytelling and the character is the right amount of originality to make her genuine and stand apart from the rest.
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I wasn't sure what to expect from Star Wars: Ewoks #1, but I loved it. The art team works well together, with one style bringing a highly detailed realistic look and the other a more all-ages friendly cartoony vibe. As a fan of Caravan of Courage: An Ewok Adventure growing up, I can't wait for more. It's got heart and adventure.
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As a Star Wars story, Star Wars: Galaxy's Edge captures the fun action, peculiar world and characters very well.
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Everything is coming together nicely this issue. Those looking for the political side of things alluded to last issue shouldn't hold their breath, but I can't see that being an issue either. Essentially this issue gets the band together as tensions build into the next issue. Considering we get a gnarly looking alien beastie and a full throttle script I don't see how you could complain either way.
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Yes indeedy. There's not a lot bad with this issue with a progression of story and a building towards climax that's delectable. So often comics build to a climax by cheapening the moments prior, leaving loose ends annoyingly open, but here the story is moving nicely and the calm before the story is incredibly enjoyable.
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Once again I've been pulled into this monthly story and I don't want to ever leave. The single issues keep the tension up, the characters interesting and the story always moving forward. When this book is collected you'll be in for a treat, but do yourself a favor and get in on it now. It's worth it.
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Adds to the 'Force Awakens' experience.
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A strong issue where every scene matters, or is at least entertaining.
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I was pleasantly blown away by Star Wars: Thrawn Alliances #1, yet it should be no surprise, given how great the original source material is. Fans of the Star Wars prequels and Thrawn should not miss this exciting new miniseries. The drama between these two villainous tacticians is palpable while this book further cements the fact that Thrawn is the most interesting thing to come out of Star Wars since the original trilogy.
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I continue to enjoy this series for how it breaks away from your expectations of a Star Wars story. It also continues to develop its characters well while giving us what we want: Tie-Fighter action and plenty of explosions to go along with it.
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Star Wars: Yoda #1 is a compelling start to a new series exploring Yoda as a character. As the starting issue, it's fun to see Yoda experience a bit of joy while showing off his power and impressive fighting prowess. Throw in a bit of a mystery in his later years, and there's plenty here for casual fans and hardcore fans to love.
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This is turning out to be a solid story on many levels. It has a cool connection to a classic comic that started the industry and inspired millions. Oh and it's got a very powerful thread to humanity through its character. Read it.
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Strange #5 continues to be enjoyable thanks to satisfying resolutions while building on what we know about the magical realm. Above all else, this series continues to be infused with new ideas that build on Marvel canon in ways that are exciting and new. For a publisher who has put out comics for decades and rarely trades new ground, Strange is a satisfying tableau of new ideas.
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Once again, this comic continues to be an interesting and complex read. Strange Adventures stands out as the most intellectually stimulating comic of the year.
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This is yet another good issue in Strange Adventures that builds on the previous issues while supplying new insight and direction. Strange Adventures is modern, mature, and mesmerizing as it unfurls its mystery and deep human emotion on every page.
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Strange Adventures is a deeply contemplative series. It's one that demands you read between the lines to discover true intentions and even truer feelings.
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This book continues to play out like a magic trick, and a good one at that. There are interesting visual ideas at work, blended in a new way since two artists working so closely on the page together is a rare thing, but also because so much information is subverted or hidden away. Much like a good magician, the creative team has kept us guessing every step of the way, and further intrigue us by doing less and misdirecting us. For some, this is a recipe for frustration, but Strange Adventures continues to enthrall with visual and storytelling tricks usually left to the best magicians.
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If you're expecting lots of brand new monsters, you may find yourself disappointed. There are certainly flashbacks to beasts, but this issue isn't about that so much as it is about eerie vibes. It sets in motion a fun adventure for Will that's worth exploring, in part because it's an adventure he deserves. It's also a way to give Bob even more credit and highlight the great work Astin did in the role. Stranger Things: The Tomb of Ybwen has all the makings of the perfect Halloween story with your favorite Netflix characters.
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A strong first issue with excellent captions and a story that pulls you in.
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I thought this series would not crossover more than it already has, but it does, so I was very happy with this issue (staying subtle to avoid spoilers). This is a great adventure into the Stranger Things Hawkins Laboratory past.
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If you're looking for a well-told horror comic that's perfect for middle-grade readers and up, give Stuff of Nightmares #1 a read. It's the start of something that feels special, thanks to a unique host who is creepy and instantly intriguing. From the host to the main story, this is R.L. Stine's best comics work yet.
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This issue also introduces a new villain for our vampires, a vampire hunter named Bart. He has the look of a gangbanger, and I'm not sure we've ever seen a vampire hunter of this type before. Since this is a comedic book he comes complete with a silly and tiny sidekick. They only get a brief intro here, but it helps add a bit of much needed complexity to the series. That's not to say it's bad, but if it were only two vampires bumbling around playing blood pong I'd imagine it'd leave readers a bit flat.
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Suicide Squad continues to be great with good storytelling and top notch art. It should be considered equal to the best of the DC series.
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Suicide Squad #9 features an international battle with high stakes and a clever twist that focuses in on Waller's ability to plan. If you're up for a done in one story with a Suicide Squad lineup that's not conventional, this is a must read.
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A satisfying conclusion to the latest arc with answers, action, and fun character moments.
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Action packed, fast paced and a great time!
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Suicide Squad is shaping up to be another Tom Taylor lead series you must read the issue to issue. The episodic format sings under his command and it's a book that's at once clever and dense in its approach.
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I had a blast with the third issue of this series as it continues to define itself as a great blend of character and visual stimulation. It has cinematic feel fans won't want to miss.
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Suicide Squad #8 continues to be one of my favorite ongoings on the shelf today. It makes us believe in and love brand new characters, which is not easy to do in comics, while also telling a story that moves forward and seems to matter every panel along the way.
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To say more about this issue is to give too much away, so let's just say this book lives up to the solicitation and its promise. Suicide Squad defies your expectations, constantly connects you to its characters, and is a joy to read.
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Once again, Suicide Squad may be the best superhero team book out right now. It feels cohesive, battles matter, and the powerset of this team made up of mostly new characters is exciting. For entertainment's sake, this is the best you can do when it comes to team books.
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It's sad to see this series end, but Suicide Squad #11 goes out on its own terms. Much like its strong new characters, it feels certain in its approach to the finish while closing off loose ends to keep fans satiated. That is, until the day we get to see some of the coolest new characters ever introduced at the big-two return.
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Like a powder keg, Suiciders: Kings of HelL.A. builds up and then explodes in exciting ways. Most importantly, a very angry and violent character feels sympathetic and you can relate with him. That's good writing.
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This is another good issue that introduces a new threat that's downright chilling. The violence is glorious, but we're reminded the psychological brutality brings the most pain.
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This vampire story feels totally unique, yet it deals with familiar aspects, as seen in The Lost Boys and the visuals of Bram Stoker's Dracula. The very concept of vampires who hunt via yacht in summer destinations is fascinating, and when paired with the surreal, it leaves you with a lingering feeling.
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If you've ever found yourself enjoying Saturday morning cartoons you'll love this. It brings a bit of joy to the DC universe you can't get anywhere else.
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A fun comic through and through.
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I rather liked this first graphic novel and I suspect middle-grade kids will love it. It's sharply written, well paced, and has the right pop of color and visual spirit.
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Get ready to dig into a level of realism you don't see everyday in comic books. Supergirl: Being Super #2 is genuine and relatable in every sense of the word. The pace may be a tad slow in this issue, but it's still good comics, especially if you love character work.
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Supergirl: Woman of Tomorrow#3continues to show that its strength lies in earnest and honest captions from a child's perspective and the horror of the world around Supergirl that she so desperately wants to protect her from. This latest issue offers a parable elevated by art that forces you to linger and process.Supergirl: Woman of Tomorrowfeels like a once-in-a-lifetime story that is powerful in its message.
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It's not easy ending stories, which is probably why so many continue on as if the adventure may never end. Here though, King and Evely have captured the essence of a life well lived, and how we can become blinded by things that don't actually matter in the grand scheme of things. This issue delivers a satisfactory resolution while adding to both Ruthye and Supergirl's journeys. Supergirl: Woman of Tomorrow shows how a life well lived is itself justice in the face of the injustices we experience.
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The only problem is, if you haven't been reading along you're not going to appreciate just how awesome this comic series has been. Is that enough to rate it down to an 8.5? I'm starting to wonder, because it's such a consistently enjoyable read. Then again, comics would be pretty boring if they were all unrelated one offs.
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An above average Superior issue, because of the art singing and the plots being cut back a bit. Once again Slott advances things nicely, which helps keep the anticipation up. It's clear he has a mega plan in the works and god forbid we miss an issue and thus miss the tidbits he loves to lay down.
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This book has consistently rocked for so long you'd need to head bang to give it justice.
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For all intents and purposes this might be the story that pits Green Goblin as the forerunner as the greatest villain Spider-Man has. And at the same time building up Doc Ock as the most relatable villain he has. Those are some lofty achievements, only made stronger by just how satisfying this story has been as it has slowly unveiled itself. Recommended.
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This is another good issue that delivers in all the ways you'd hope. As far as events go the progression is phenomenal and everyone should be able to find something to enjoy. That is, if you've been following along. New readers may want to read the back issues for this one!
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I'm so glad this character is back in his own book. Gage and Hawthorne clearly have interesting plans for the character and the continued use of familiar characters from the original run is a great sign the high bar will continue to be achieved. This is the most unique take on Spider-Man and he's back, better than ever.
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A great fifth issue shows this series is hitting its stride. Superior Spider-Man continues to be the best unconventional superhero book on the stands.
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Superman '78 #5 does a great job ramping up the stakes and anticipation of Brainiac dooming all of Metropolis with only Superman capable of saving the day. As penultimate issues go, Superman '78 will make you feel like a kid again in a new way.
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A strong issue if you're digging this new direction for Superman as you've never seen him like this before.
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This is everything you want in superhero comics with plenty of action, shocking reveals and a satisfying end that promises intriguing new storylines.
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Superman #13 wraps up a fun two issue story arc that puts the ladies at the forefront of the stories. They're strong, bold, and compelling as hell which makes this issue a lot of fun if you dig character work.
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Get out your Earth number guide, because the multiverse is back! This issue kicks off the series with plenty of clues, questions, and immediate threats to tantalize.
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Dare I say it: This is the best horror comic of the week! With impressive moody art and a fun done in one tale it's hard not to like Superman #17.
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A strong issue that sets up each of the characters for what's to come well.
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This is a great issue and one of the best send-offs I've ever seen from a creative duo.
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Superman #13 is an even better issue than part 1 of "House of Brainiac," with plenty of action, compelling character moments, and plot progression. "House of Brainiac" delivers one of the year's best and most inventive action comics.
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Superman #14 is essential reading if you're following "House of Brainiac" with pulse-pounding action, good plot progression, and a nice mix of characters popping into the story. So far, this story has been so good, I'm surprised it wasn't their summer event.
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This is a promising first issue in what will most likely be a strong first story arc. The twist at the end is made stronger by the gravitas in the first scene and sets up a story that might put Superman at odds with his country. I'm sure a lot of fans could use more Clark in their Superman comics than what is delivered here, but I'm okay with it. This is the big blockbuster Superman book that goes along with the movie and gives the reader everything they'd want after seeing that flick. It's not just big and dumb though, and has introduced a promising story everyone should enjoy.
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There's a vibrancy to Superman: Son of Kal-El you can't get anywhere else in comics. There's a hopefulness Superman inspires, a brightness to the art and clever visual ideas.
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Taylor has been crushing Superman with enemies and loss of life for much of this series, and Superman: Son of Kal-El #8 may be the straw that broke the camel's back. Superman's decision by the end feels earned, and also suits his younger nature. Customary of Taylor, this issue juggles a lot of elements but is never confusing.
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If you're looking for hope, you won't find it in a better place thanSuperman: Son of Kal-El #10. The story progresses nicely in this issue, developing Jon as a whole person and blending in real-world dangers like fake news. Superman: Son of Kal-El is unexpectedly beautiful, poignant, and meaningful.
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Superman: Son of Kal-El #11 has it all. It's got action, plot development, and character work in multiple areas hanging it all on a personal relationship crisis for Jon Kent. If that's not good superhero comics, I don't know what is.
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Superman: Son of Kal-El continues to be an excellent series up there with Taylor's perfect series, Nightwing. It explores what it would be like if Superman was younger and newer to being a superhero, but also more adamant than ever to save everyone and everything without violence.
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Superman: Son of Kal-El delivers on its promise to bring back Kal-El while affirming Jon Kent's incredible heart and caring for everyone. For those reasons, plus some slick art as usual, this is a good issue that shouldn't be missed as we transition to a new direction for Jon Kent's Superman.
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Superman: Son of Kal-El #17 is another excellent issue in a series filled with meaningful moments of understanding and love between parents and their children. Superman's greatest superpower is goodness and hope, and this series uses that to shine a light on queer relationships and show acceptance of others is a heroic act in itself.
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At this point I'm not even sure what is bad and what is good, this comic is such a trainwreck. If you stop trying and just let this comic do its thing you might just find yourself laughing out loud as I did. I honestly can't remember the last time I had this much fun reading a comic–it's just that different. This is the Freddy Got Fingered of comics.
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I can only hope many teenagers get to read Superman: The Harvests of Youth. There's a strong lesson in this graphic novel about not letting online influence warp your world view while also conveying that an important part of growing up is caring about others. You may have friends who are distant or seemingly angry at you, and Grace tries to show we're all going through stuff in our own complicated ways. Being there with open arms is key, and as Superman reminds us, that's a superpower we can all use more of.
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The disturbing and reluctant hero is back as it delivers a great sense of the macabre.
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A satisfying conclusion to a series that has managed to remind us Swamp Thing is best when the supernatural elements of the DCU are involved. You really shouldn't pass up the opportunity to look at the gorgeous art either. There is one jaw-droppingly disturbing panel after another that horror fans shouldn't miss. If you're at all interested in the macabre, supernatural elements of the DCU, or just really great art don't pass this up!
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The Swamp Thing #13 continues the series' trend to unnerve in its ideas and imagery. In a way, the creators have made something that is like walking through a nightmare and a dream all at once, thoroughly entertaining you and letting you escape in its ideas. Swamp Thing is a fever dream you won't want to wake from.
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A strong character driven story and a must read for those who like historical fiction.
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Lovers of science fiction need to read this simply because it's chock full of fascinating ideas and societal changes.
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Overall this is an exciting twist on the Dark Nights Metal concept taking the idea of a total loss by its heroes to a cataclysmic and entertaining end. A must-read for Dark Nights Metal fans, but also those who want a lot of story and great art in one single issue. Tales from the Dark Multiverse: Dark Nights Metal extends the greatness of the original series and puts a monstrous and epic turn on a new darker ending.
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If you like high fantasy, you'll love this. It has all the makings of a Lord of the Rings-style epic with interesting twists on traditional magic-wielding characters.
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Tales of The Human Target #1 is the kind of comic story you aren't prepared for, and maybe that's okay. I might have been too impatient, but I assure you, once you figure out how these stories relate, you'll realize it's a smart series of tales. These tales give us different looks at Chance while using a clever format to create mystery. This is nt so much an anthology as a clever look at three different heroes via mysteries tied to the Human Target.
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If you're looking for a good character study, Tales of the Titans #1 is a good adventure that empowers its main character while also not forgetting where she fits in the team. With great lettering and art that pops, Tales of the Titans will reinvigorate your love of these characters.
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This is the kind of Avengers/Defenders book that'll make you go back to your long boxes thirsty for more. Strong character writing, plotting, and efficient storytelling means a hell of a good superhero read.
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This is a fun introductory issue that doesn't reveal a lot of details, but does unveil a compelling story with interesting character dynamics afoot.
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There's plenty of action throughout this issue, but the best part are the villains. They steal the show with some hilarious dialogue and great comedic timing.
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Teen Titans continues to be high energy and deeply fun. The story is rife with surprises and it's well worth a look of you're interested in getting a pop in your day.
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Teen Titans Academy #5 is a great end to a two-part story that features a peculiar and intriguing superhero mini team known as the Bat Pack. It's an origin story with Scooby vibes and a continued tangling mystery of Red X's identity. Teen Titans Academy does well to blend kid-fantasy and smartly veers into seriousness.
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This is the start of a good two-parter Teen Titans Academy story. Similar to the Yearbook issue, Sheridan and Sandoval are playing around with what you can do with a superhero school and of course, the summer break ends up having them use their wits on their own. This is a great ensemble cast of characters written with balance and care every Teen Titans fan should check out.
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Try Teen Titans Go and you'll be rewarded with plenty of laughs and a keen sense of fun.
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The fun is infectious and the story cute and ready to put a smile on faces of all ages.
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By the end of Teenage Mutant Ninja Turtles #2, you'll be very aware of Michelangelo's state of mind and how sometimes we can get what we want and still not be happy. Aaron clearly understands this character and how he fits in the larger team while never forgetting Mikey's endearing qualities and desire to be loved by those he cares about. Michelangelo is as complex as ever in this great second issue that highlights a hero who needs his team back. Mikey's charisma almost smashes through the page.
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Much like a good done-in-one cartoon episode this story is fun, fulfilling and has everything you'd want. I'm by no means a big TMNT fan today, but I found this issue entertaining enough to add some smirks and keep my interest. Really this is a perfect comic when you take into account all the types of folks who can take enjoyment from this issue.
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A fun one-shot style story. This is a one-shot not to miss, especially if you're a Marvel Comics completist.
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A Thanos anthology seemed out of the left field since the character has been absent for some time, but the creative team nails every story in Thanos: Death Notes #1. Not only does it remind us of the complexities of this character, but reveals he truly is one of the most formidable foes ever to be created in fiction.
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I enjoyed this finale as it takes the space opera of the Marvel Cosmic universe and puts a finishing flourish to it all. There's a poetic nature to Thanos' final story that ends well for all involved and like any great story promises far more stories to come.
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This is by all accounts a comic book story that will bring you back to the heyday of Marvel Comics. Thanos' journey is a fun one as he fights with his fists and his mind, and must use every part of his prowess to make it all the way to the end. This story is by every definition awesome.
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A manga of high fantasy of its own making.
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One of the most satisfying chapters in the series yet.
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This is a compelling high fantasy series that's filled with visual delights that lives and breathes. Check this out for a longer form single issue experience.
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The Art of Living: Reflections on Mindfulness and the Overexamined Life is a good lesson in creativity and looking inwards. We live our lives not knowing what the day may bring, or the future at that, but through this book, you can see our best lives are those lived to experience new and exciting things. It has the qualities of a coffee table book as anyone can open it and find something they'll like, but has the permanence to stick with you and maybe even change your life.
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This is a fun and funny comic that's fast on its feet and always interesting. If you're not laughing by issue's end you're at the very least going to be wondering why comics aren't all this unique.
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Another great installment in what is becoming my favorite Image Comics series since Saga. It may be a little heavy on dialogue and plot, but damn is it compelling every single issue.
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This is a great horror comic that's all about shock as it develops a frightening vampire world you'll want more of. Much like those who fear flying, the story is all about losing control in the most haunting of ways.
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This issue serves as a promise for more Defenders action. The heroes themselves must admit by the end they work well together even if they aren't technically a team, yet. This is a cosmic tale with huge stakes and an even bigger scope. It's a story only comics could pull off and Ewing and Bennett do so smashingly.
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I liked this issue and have high hopes for where Tan and Landy will take this tale. It's not necessarily a story that needs to be told, but it's a fun take on a group of characters that are usually hyper-serious. The art is fun too, with a '90s vibe many will love.
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Stories like the Book of Evil are more crucial than ever in a world where people seem more and more disconnected from their fellow man. A thought-provoking horror that's as scary as it is relevant.
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Book of Evil #2 continues to show how powerful prose can be when paired with art and design. More than an experiment in blending genres, Book of Evil is a thought-provoking and deeply human horror story.
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The Cull #3 is yet another example of the creative team delivering something entirely new and exciting. I have no idea where this is going and can only imagine how freaky things will get. The character work takes a bit of a back seat, but we've had plenty enough as it is to allow the fantastical to let loose.
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A good issue that doesn't hold back reveals, story progress, or plot turns you won't see coming. This is a spy drama with a twist and one that's very well suited for an adaptation to television.
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The Death of Doctor Strange#2 leans into the very clever twist on this new version of Doctor Strange very well. You'll want to see how an old-school character riffs off modern Marvel heroes while soaking up the awe-inducing Three Mothers. It's a superhero story that already feels bold, exciting, and even a little bit haunting.
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A great first issue for this untapped character.
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One of the best issues yet in the series. Jump on board!
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The Department of Truth commands you to slow down and take it in. Its ideas also demand your attention as they are cleverly linked to real-world conspiracies and the horrific implications of an idea gaining strength in a world where truth seems to hold no value. The Department of Truth continues to be an excellent example of how comics are more important than ever.
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The Department of Truth is one of the most exciting new series I've read in years. It harbors dark truths about our own reality while developing an idea that belief is something humanity at large can control as a group. Mixing in demonic nightmares and one man attempting to navigate a dangerous situation, we have ourselves a series you can't put down. You won't.
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The Department of Truth #9 continues to deliver complex ideas told in a prose style, blended well with an art style that goes for broke with many different ideas. The Department of Truth remains one of the most sophisticated comics on the shelf, blending the weird and unnerving through a prism of utter madness and darkness. Now, bring on Bigfoot!
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There's something truly haunting and chilly about The Deviant, not unlike Robert Eggers' The Witch. Mood and tension come together in an excellent opening issue that's filled with unease. There's a hopelessness that rings throughout that makes it hard to put this book down.
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If you like slow-burn detective stories, you'll love The Deviant. This story continues to balance the cruelty of the world towards being queer while unveiling a serial killing mystery well worth investing in.
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The Deviant #3 continues to prove it's one of the best comics today that feels purposeful in every word and panel conveyed. This story reads like a puzzle; every piece is perfectly chosen before revealing the larger picture.
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The Deviant #6 continues to be an edge-of-your-seat read, and this time, the focus has entirely switched. It'd be a crime if this series wasn't turned into a TV show or movie, as it's as intensely interesting and as captivating as anything from True Detective to Blackbird.
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The horror is strong inThe Deviant #7, which continues to lay the groundwork as one of the best character-acting comics you'll read with a very scary last few pages. The plot thickens as we inch closer to finding out who the killer really is in yet anther masterfully told issue.
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At times surreal and upsetting, The Deviant is a story that'll never quite leave you.
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If you thought you wanted to learn more last issue you'll be dying by the end here. Milligan and Fernandez are cooking up one hell of a sexually charged mystery building on something many people can relate to—feeling sexually starved—and using it to reveal a mysterious world involving sex, violence, and manipulation.
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This is a series that is at once deep, moving, and gratifying.
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A return of Dora, her adventure, and the search for the Dreaming. The first arc was beautifully done but entrenched in the Dreaming, almost shackled by it. This issue begins a new arc revealing the search for Sandman which is something that was on our minds from the very beginning.
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Another great chapter in a series that's visually stunning while spinning an arresting story about stories. It's a series where the impossible is ordinary and your imagination can thrive.
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An elegant mix of sophisticated story building and deeply human visuals, 'Waking Hours' has all the components of classic Sandman storytelling. There is so much here that will entice your imagination and make you ponder where it goes from here.
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The Dreaming: Waking Hoursis one of the best comics on the shelf this year and likely one of the most satisfying reads you'll pluck off the shelf this week. The blending of three narratives -- each of which with highly realized and interesting characters -- wrapped in a visually stunning package makes this a must-read for fantasy lovers the world over.
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The Dreaming: Waking Hours is an excellent series capped off by a satisfying ending for its first story arc. Once again, this series is littered with moments of great and sublime beauty.
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The Dreaming: Waking Hours #7 is a great second issue in a story arc that is at the height of imaginative writing and artistry. The wow factor is lessoned by comparison to the first issue, but it's a nice reminder of how high of a bar this series has set.
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This is a dense read but one that is rewarding thanks to the big beats in the story that reveal incredible ideas as biological life fights to stay in the conversation. It's amazing to me that Venom 20 years ago was a visually interesting character and not much more, but here we see Warren take what Cates has built and shown us the sky is the limit when cleverness and inspiration meet in the middle. If you like encyclopedic reads or bang for your buck storytelling don't skip on this.
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The Enfield Gang Massacregoes beyond what a Western is with an enticing mystery and key characters set up for a hell of a conflict. Maintaining that nobody is pure evil or good, readers will be excited to see how this shoot-em-up plays out. It's a touch early, but The Enfield Gang Massacrefeels like Eastwood Western with modern Bone Tomahawk edginess.
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An absorbing, enlightening, and darkly written tale about a brutal world where pleasantries and justice do not exist. The Goddamned is a series that continues to be highly interesting though so dark I suspect most should pick the right time to read it. If you're open to exploring something entirely new, dark, and thoroughly rich, I recommend this wholeheartedly.
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An absorbing, enlightening, and darkly written tale about a brutal world where pleasantries and justice do not exist. The Goddamned is a series that continues to be highly interesting though so dark I suspect most should pick the right time to read it. If you're open to exploring something entirely new, dark, and thoroughly rich, I recommend this wholeheartedly.
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The Good Asian continues to heat up with a killer on the loose and the politics of the time further complicating the psychology of its characters. The complicated history, the deeply real characters, and a mystery worth cracking all come together. As Pichetshote says in the letters, things are only going to heat up from here.
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A striking approach to a character that's always been light and funny, Powell has done something truly special with the art and made Goon more captivating than ever.
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An excellent opening issue that reveals a world monster-lovers are gonna need to read.
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After a brief hiatus, The Hunger and the Dusk: Book 2 #1 doesn't skip a beat. With engaging visuals, thrilling action sequences, and emotional love story,The Hunger and the Dusk remains an entertaining epic fantasy.
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The Hunger and the Dusk #2 continues to flesh out its characters in a fantasy world well worth exploring. Fans of fantasy and Dungeons and Dragons will love this series as it leans into fantasy tropes while fleshing out meaningful and complex characters.
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The Hunger and the Dusk continues to be a great fantasy in an industry severely lacking in it. The Hunger and the Dusk is full of sharp, inventive detail with some of the most endearing characters you'll read in comics.
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Fantasy fans rejoice: The Hunger and the Dusk continues to offer everything you need in a fantasy and then some. Familiar character types abound as a new threat dawns on man and orc, building in a story filled with intriguing characters.
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The story of a dimension hopping time traveler is fun and interesting made all the more compelling due to a fantastic story about breaking the infinite loop of hate.
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Infinite Loop continues to be the most important comic work of the year with an exceptional cast of characters and an even more interesting story.
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I'm not always sold on Marvel's annual crossover via annual issues, but Thanos Annual #1 has made me a believer. Landy has a great handle on writing Thanos, while the lingering sense that the Infinity Stones can gain more play is always enticing. "The Infinity Watch" feels important as it excitingly explores the Infinity Stones' next chapter.
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This is a fun, action packed series that will at once capture your imagination due to its fantastical action and hero and have you hanging at the end of every panel wanting more.
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A strong start that has me more engrossed in the character than ever.
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An entertaining issue that perfectly sets up the finale.
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The Many Deaths Of Laila Starr #2 is a great example of how comics can lift up life in a way no other medium can. As the godlike Laila begins to understand humanity, she's also very close to the supernatural in ways that harness the deep value of life that's all around us every day. Ram V and Andrade have crafted a story of magical realism that's a celebration of life and its deep value in its everyday experiences.
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The Me You Love in the Dark#2 is like a narrative taking a deep breath in and letting it out. The first issue did the heavy lifting of setting up the main character and the second issue delivers satisfying developments and solidifies the dynamic that makes up the identity of the book.
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The Me You Love in the Dark #5 is an incredible work that's emotionally disturbing and cleverly uses the haunted house trope in a sadly relatable way for readers to connect to. It also ends in a satisfying way, wrapping up a series that is going to be even better when collected. This is a dark and haunting horror story that will affect you emotionally and visually.
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Big action is backed up with epic backstory/captions.
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If you were to use one word to describe The Moon and Serpent Bumper Book of Magic, it would be thorough, especially for beginners. The prose can sometimes feel impenetrable as they go on and on, but there's a wealth of knowledge here and a solid start for anyone who wants to learn more about honest-to-goodness magic. The Moon and Serpent Bumper Book of Magicis robust, compelling, and everything you need to start a life exploring the occult.
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This is one big fun meta comic book nerd extravaganza. The message by the end is clear: you, the reader are taking part in this adventure too, and the villains are laid out and the threat interesting. Clearly at the end of the day this book is about storytelling and if you're a lover of stories and myths this will be right up your alley.
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The Nice House by the Sea reveals a group of characters who seem entitled and undeserving of the gifts they're well aware of. It's a stark contrast to the motley group of guests in the last series, which creates an exciting new dynamic of characters worth investing in. The Nice House by the Sea uses its ensemble cast superbly to introduce a fluid and wonderfully relaxed set of new characters, only to pull the rug out and stamp on it with its sci-fi horror genius.
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Prepare to be enticed with new information, dread, unease, and terror. The Nice House on the Lake #8 continues to be an exploration of character inside a mystery box you can't turn away from. That mystery box is both literal and figurative as you attempt to solve its mysteries.
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By the time The Nice House on the Lake #11 is over, you'll find the tension deliciously unbearable. There's some kind of justice coming and while each character's so very different that justice could mean anything, we know for certain the experiment Walter set up for his friends is coming crashing down. Now it's time to get yourself ready for the awful tragic happenings that come next.
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The Penguin #6 offers longtime Batman fans a chance to see Penguin and Batman first interact while building up the conniving and truly disturbed nature of the title villain. An excellent look at the mind of Penguin and all the macabre and twisty things he thinks and does. It's also a good chance to check out Subic's work, some of the most intriguing art today.
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The utter horror of Penguin shines through in Penguin #7. He's monstrous in his actions, and he looks the part. King and Subic are crafting a definitive origin for Penguin you can't put down.
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The Power Fantasy#2 continues to deal with super-powered people in a purposeful and thought-provoking way. These characters aren't blasting holes through walls but talking, yet the tension is greater than most fight comics. The Power Fantasy manages to handle superpowers in an accessible, pulpy way, making you think while not detracting from the gravity of the material.
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The Power Fantasy #4 masterfully balances character-driven storytelling with broader narrative stakes, delivering an issue that is both intimate and monumental.This chapter deepens the series' themes of morality, identity, and the fragile bonds between individuals with extraordinary abilities. The exploration of Masumi's inner turmoil and the growing tension among the supes keeps the story unpredictable and thrilling. By the final page, The Power Fantasy has positioned itself as not just a tale of superhuman conflict but also a profound examination of the cost of power and connection.
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I was a little unsure of this series from the first issue but simply loved this second issue. The western setting, the nature of good and evil, and the idea of The Question fighting this battle in the past and present is a fascinating one. The art is dark and absorbing, telling the tale in smaller moments and big montage moments perfectly well. If you're interested in the battle of good and evil, you won't want to miss this.
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The Riddler: Year One #2 confirms that Subic is a force in the comics community now and in all his future endeavors. The story is intriguing as it puts you behind the glasses, so to speak, and gets inside Edward's head. His disturbing view of reality is ever present, and it's a haunting place to live, but in this series, we get to exist in a way only comics could deliver.
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The Riddler: Year One#6 is a great ending to a visual miniseries that has been wildly creative while enhancing The Batman film. I can't get enough of what Dano and Subic have done with this series and hope they can team up again soon. This series has been a one-of-a-kind read that comics fans should not miss.
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I was hesitant in reading this work since a big publisher like Marvel Comics taking on yet another property is an easy cash-grab if done wrong, but that couldn't be further from the truth. The creative team has done the homework, clearly spent a lot of time and energy getting this world right, and have started things off strong. The Rise of Ultraman is an exciting new sci-fi action story well worth rising up and reading.
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After a wonderful first issue, The Rise of Ultraman #2 puts the pedal to the metal and doesn't look back. It blends ambitious ideas with gorgeous visuals in a slick sci-fi package.
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The Sandman Universe: Nightmare Country is delectably weird and haunting. It will stick with you, for better or worse if you value your sleep!
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Crime dramas live and die by the mystery and how they're untangled. This story sets up one complex knot that's made strong by an unconventional protagonist in an unconventional land.
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The chips are down and it makes for an exciting and gripping read.
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If you like dialogue or are interested in two cultures coming together to discuss somewhat serious things give this a shot. Everyone following along will be rewarded with some important themes that are bubbling to the surface.
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A strong first issue featuring a new and interesting character.
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This second issue is tops due to the cool gadgets that are revealed.
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A strong annual that matters due to great character development.
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The Silver Coin#4 is haunting, striking, and scary on multiple levels, but even better, it's thought-provoking. It's a comic book that feels complex and rewarding if you let it, but simple enough to enjoy simply reading from panel to panel.
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The Silver Coin continues to be a comic guru's dream come true as Walsh shows doing it all pays off. Issue #10 doesn't feel like anything you've seen before, while supplying further exploration of the world so carefully crafted. It pulls off the trick of being accessible with every issue, yet feels incredibly important in the craft of comics.
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The Six Fingers is turning out to be a cross between The Fugitive and Memento. Like both of this film classics, The Six Fingers is incredibly entertaining as we try to make sense of a larger mystery.
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Mike Huddleston continues to show he's the perfect artist for a story like this. There are quiet moments; time needs to pass for things to happen and the simplest of panels needs a bit of a punch up to keep our attention. Huddleston's lines are big and loud, something a methodical story needs. In a story like this, compared to a superhero book or something with all artistic freedoms allowed, Huddleston gives that energy and creativity that's subdued enough not to overpower the story, but also keep your interest.
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A fun start to what could be an exciting and must read crossover event.
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Another fun issue with some surprisingly good detective work and sharp art.
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The United States of Captain America has accomplished a lot, like introducing new heroes while reiterating the fact that Captain America isn't a hero for the government, but for and by the people. It's a reminder our diversity as a people is a strength while supplying a crackerjack, action-packed ending.
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Jason Aaron continues to prove he might be the best in the business at capturing the inner pathos of a character. Thor is going through an emotional rollercoaster that's highly entertaining. He uses it to keep the narrative interesting and moving when action is light. Another fine issue in a series I can't get enough of.
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The scope and storied past of Thor is rendered well in The Unworthy Thor #4 with the help of every artist who has been a part of Aaron's magnum opus. It's hard to find fault with what is accomplished here, though I do wish the plot in the present pushed forward a bit more than it did.
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And then it all ends beautifully, bookended with the morose character from the opening pages. To jump from a happy, yet emotionally damaged hero, to a depressed yet emotionally clear headed villain helps showcase each spectrum at play. By ending in such a way Oeming also sets up the next issue without wasting time or pages. After growing a little frustrated with the miniseries I'm happy to say I'm 100% on board with this issue.
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This now ongoing series starts with a five part story that I think is developing at a good pace. New details are revealed this issue; revelations, but also an opening up of the larger world. I can't help but love what Oeming is doing and this is coming from a guy who fell out of love of the first iteration of this series. This series is now on my must read list.
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In a lot of ways this issue reads like issue #0 to a new series. Instead of anything concluding, things are merely transitioning. That might piss some folks off, but when there's so much good stuff to anticipate how could you be mad? Oeming is setting up what might be a much more powerful story than these first five issues, which is saying a lot when you consider how many series pull out their strongest punches in the first arc.
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There's Something Wrong with Patrick Todd #3 is a strongly crafted third issue, bringing our protagonist face to face with the main villain, further focusing on the detective's unease with the violence and hinting at a larger secret yet to be revealed. All that wrapped in a clean-lined art style, great colors, and letters, and you have a triple-A caliber comic series in the works.
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Another thought provoking issue that should be devoured by those who want a challenge with enough character development to keep casual readers interested.
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Fleshing out characters in a series that makes you wait is always the payload you've been looking for and especially satisfying when the series is so well written. Enjoyable on levels no other comic can deliver.
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Come for the light show by Christian Ward who positively dazzles with his art, but stay for the ending that melds superheroes and myth in one fell swoop.
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This is without a doubt the best popcorn comic on the stands right now. Kick your feet up and enjoy what is becoming one of the most aggressive and loud comics on the stands.
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This is a solid issue in a slower plotted first story arc for Donny Cates. Some may be a tad annoyed at a slower pace, but the sheer number of awesome moments and ideas is hard to deny. I can't help but be amazed at how Cates seems to have so many clever ideas as he builds on Marvel history and paves the way for his own.
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All told, Thor #24 is a good anthology with each tale either paying homage to classics or playing into current and future stories. The main story is smartly written to tie all those together while setting up a new dawn for Thor. In a way, this milestone issue serves as a testament to how Thor may have lasted decades, but he has many more great adventures to take on in the decades to come.
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Thor Annual 2023 is epic, with high stakes and a brand-new villain. Paired with a backup that hints at what we're in store for with future Thor stories, this book is an easy pickup for casual, lapsed, and dedicated fans alike.
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Thunderbolts #1 is an explosive super-fun start to a series with historically good runs. Not only is it well-paced and exciting from cover to cover, but it offers a solid reason to exist in an era of superhero books that can be rote and uninteresting.
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Tim Drake: Robin is a fresh start for the character in more ways than one. From the Rossmo art that is unlike anything else to Tim Drake's new lifestyle and home in the harbor, there's so much here that makes the character feel brand spanking new. That's exciting in a series set in Gotham where so many characters have remained the same for so long.
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Timeless #1 is as epic as it comes, with a rewarding journey for an alternate version of Luke Cage to thrive and win the day. All the while, we get teases for Marvel's 2024 projects, so by the end of the issue, you'll be salivating in more ways than one.
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This issue is a lot of fun that pushes Flash to the brink, effectively tethering itself to the character and the stakes. Titans has been a lot of fun and if you like action in your comics you'll dig it.
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Titans succeeds at showing a superhero team pull together in a new city whilst showcasing their dynamics in succinct ways. It also offers a big action scene and some tantalizing new threads to chew on concerning how The Watchmen plays into the future DC books.
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A deeply meaningful chapter that offers some answers.
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Another strong chapter, although it spends much more time on a surprising supporting character.
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A strong first issue revealing a fun and inventive series.
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An issue that further's the interesting premise of robots requiring rights.
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Torrent #1 is a great first issue for a superhero book, introducing new heroes and setting up a revenge tale. The creative team clearly loves superheroes and the history behind them, homaging elements while setting up a revenge story you've never seen before.
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Twig #2 is even better than the first issue, fleshing out the fantasy world and the many oddities within it. Twig is quickly becoming my favorite original fantasy series since The Dark Crystal. It's a joy to read.
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Ultimate Spider-Man #5 fleshes out Harry Osborn quite a bit while informing readers of whose side he's on. A larger battle is underway, and this issue effectively loops Spider-Man into that fight right in time for Ultimates #1 out next week.
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Ultimate Spider-Man #6 has everything fans have been asking for in a Spider-Man comic. It features big action, wholesome Peter and MJ scenes, and exceptional art. It also continues to show a Spider-Man who is older but way more green than ever as he tries to figure out this superhero thing.
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A slower issue on some scale, Ultimate Spider-Man #8 continues to flesh out new takes on villains, nuanced differences on classic characters, and a decidedly adult fresh look at Spider-Man.
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Fans are in for a truly unique treat with Ultimate X-Men as it feels right at home with its teen main character introducing us to mutants in a brand new way. It doesn't feel like X-Men per se, but it captures the weirdness of super-powered enemies and the isolation of being a teenager all alone. There may not be a team yet, but it's a compelling story of a young girl discovering she has powers at an age when outside armor is more needed than ever.
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Ultimate X-Men #5 edges ever closer to a good vs. evil storyline. As the mutants understand their powers, a larger threat looms, and only the X-Men can take it on. Pieces are coming into focus in this freshly weird and invigorating series.
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Ultimates #2 reveals snapshots of how America's history changed while the Ultimates fight to add another hero to their fold. Centered on Captain America, it's a story that reveals an America that he detests and isn't too far off from reality.
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The Ultimates #4 fully defines Reed Richards' Dr. Doom, revealing the tragedy of the Fantastic Four in this universe and the motivation to defeat The Maker at all costs. This issue strengthens the anticipation of The Maker's return while we gain further insights into the nuance of one of the Ultimates, Dr. Doom.
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The Ultimates #6 delivers a gripping and intense showdown that raises the stakes for this team of heroes in ways that will redefine the Ultimate Universe. Deniz Camp's writing and Juan Frigeri's art combine to create a high-octane, brutal, and visually stunning issue that leaves readers on edge. The underlying personal motivations and evolving team dynamics add depth to the relentless action, setting the stage for significant transformations ahead. This issue isn't just about the fight; it's about what comes next, leaving readers eagerly anticipating the consequences and future direction of The Ultimates.
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As third chapters go, Ultraman: The Mystery of Ultraseven #1 raises the stakes, adds new backstory, and is an exciting new chapter in the evolving Ultraman universe. Ultraman: The Mystery of the Ultraseven amps up the stakes and offers refreshing worldbuilding.
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Uncanny Avengers #4 is a deeply satisfying superhero comic. There's action, big reveals, and plenty of character beats to enjoy.
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All in all, Uncanny Avengers is a great adventure with emotional moments you'll adore. It leads to the creation of a new villain while giving Deadpool plenty of time to chew up the scenes. Sometimes literally!
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Uncle Scrooge and the Infinity Dime #1 is as endearing as comics can be, with a good dash of whimsy thrown in for good measure. Whether you're a Scrooge superfan or completely green to this money fiend, give this comic a shot, and you'll find it's a great chapter for this historic character.
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This is the kind of work you need to be in the right mood for. Its contemplative nature requires you to be interested in the world, its characters, and what is really going on. It's a mystery of sorts and your interest in this material will vary. That said, as a single-issue comic it lays the groundwork for what could be a heist story you won't want to miss. Well worth exploring, Undone By Blood: The Other Side of Eden offers a richly rendered world with a leisurely and absorbing style.
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A strong start that is uncompromisingly brutal with an interesting lead you'll want to follow along with.
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This issue hypes a follow-up and I can't imagine a better issue to get you excited for it than this one. The beauty of this issue is how the brutality isn't obvious but creeps up on you like a cold crowbar in the night. Make no mistake, Bendis and Oeming have crafted an American crime drama that's truly haunting.
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Unstoppable Doom Patrol has all the hallmarks of a well-written and planned new series, and one that could and very much should sustain 100 issues. There's a rich history behind each character to play with as the new series explores a world where there are new metahumans who need more help than ever.
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Unstoppable Doom Patrol #3 is another great chapter in a series that's easy to fall in love with. From the endearing main characters to the weird new heroes they're trying to save, this book feels truly special. Like I've said before, can we get this upgraded to an ongoing?
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Rarely does the second issue outdo the first, but V-Wars #2 does it and does it well. A very well written story, particularly because there's no action, but ever so interesting.
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This is Al Ewing's last issue on the series before Torunn Grnbekk takes over as co-writer with Aaron and I can't see a better issue to go out on. It captures the heart of Jane Foster well, offers lots of creative ideas, and makes for a fun adventure. 
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A strong first issue in an arc that brings Venom back to basics.
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This second issue continues to flesh out Eddie and the Symbiote well.
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Yet another strong issue in this impeccable story arc.
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If you've ever had a major fight with a partner you'll relate to this story. You'll also know some fights change a relationship and you're definitely getting one of those in this issue between the Symbiote and Eddie Brock. Passions flair in this emotionally captivating issue.
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Donny Cates continues to show us how if you cast your heroes in utter darkness with the only hope to draw on in its hero -- and in this case, the hero's son -- good things will come. Your interest is always up and you'll be thirsty for more unnerving imagery as the horrors of the Symbiote story continue to flesh out.
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This issue is a great reminder that Donny Cates has huge plans for Venom and has also taken the character leaps and bounds forward. No longer is he the drooling brain-eating monster, but a man who has deep regrets, hopes for the future as a father, and a huge responsibility as the next biggest-bad in Marvel Comics makes his way to Earth. Venom tells a complex human story with clarity, compassion and considerable visceral fantasy action.
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It's impressive how far Venom has come in the last few years. Once a villain mostly known for looking cool, he's now bumping into Marvel's most powerful characters and able to hold his own. In Venom #8, we're witnessing even more stretching of Venom's abilities and what we think we know about Symbiotes. It's an incredible thing to watch Venom impress in all-new ways.
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Things get stranger for Eddie Brock in Venom #17 in an exciting start to another chapter in his journey of discovery. He's the King in Black, yet stuck in what seems like a prison of time. This issue feels like the start of some real answers and growth for Venom in an era where Venom growing and evolving has become the exciting norm.
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If you like psychological thrillers, Venom is a real treat. Continuing to evolve what this character can do and possible futures for him in a way that spans time and space is incredibly rewarding. This is the kind of storytelling you could never anticipate, making for riveting stuff.
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A great ending, or rather many smaller endings, to the story and to a few dangling plot threads in the Venom storyline. This series may have felt like a bit of a cash grab, but based on this ending it's safe to say it added something to Venom's journey and even made him more interesting while doing it.
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Venom: Lethal Protectoris everything I want in a throwback Venom story and more. It captures the ferocity of Venom's fight style, the complicated place Eddie's life is in and introduces some interesting C-list villains too. Venom fans, rejoice -- this is going to bring you back to your childhood.
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70% of these stories totally enthralled me. That's pretty good odds and you might have even better luck than me if you give this a chance. I guarantee there's something in here for you, especially with so many great twists.
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Makes a strong case for sci-fi fans and Frankenstein fans especially.
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Less James Bond and more Argo, The Vigil grabs you at the start and gets espionage lovers' hearts racing where it counts. Spy lovers, The Vigil has it all from plot twists, cliffhangers, foreshadowing, and red herrings. Buckle up as there's a new spy drama worth investing in.
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The Vigil continues to walk the line of superheroes and super spies in an intriguing second issue. It's unclear where it's all going, but the weird and mysterious are laid on thick enough to make you want more. There's something special here, blending The Manchurian Candidate with superheroes.
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Violent Love will draw you in and never let go. It's incredibly cinematic at times and you'll be wanting a whole lot more once it ends.
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Madness, horror, and outer space go together like peanut butter and jelly and like that great American comfort food this book will go down smooth. It's a nice bite of entertainment, too. It's short, but also cheap (currently less than 8 bucks on Amazon) and for the money it's a nice escape into the void.
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Void Rivals is an intriguing comic that takes a bold swing at introducing a significant new Skybound property. For that alone, this issue is exciting, but you'll likely be wishing for a bit more when the issue reaches its "to be continued" moment.
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Voyage to the Stars is an excellent first issue, mixing science fiction and comedy into an instantly likable package. It has a great blend of dynamic characters and adventurous fast-paced storytelling.
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A delightful adventure sure to win over Spider-Man fans. Read this one if you want some laughs, superb art, and a little more adventure in your War of the Realms pull list.
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Aside from a harsh pacing change midway through, this is everything a Punisher fan could want out of Frank Castle fighting in a war came to Manhattan. We're used to Punisher taking out dumb human goons, but how about giant Ice Giants? You won't regret reading this if that at all piques your interest.
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Wastelanders: Doom #1 is a great one-shot that explores Dr. Doom in a meaningful and satisfying way. This series of one-shots continues to have trouble asserting its own importance, but as far as character exploration, this is one of the best yet.
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An introspective manga that draws you into its characters in such a way you'll never want to leave.
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We Have Demons #1 is an exciting start to Scott Snyder's new collaborations on original stories. It's an example of how creator-owned titles take chances and can excite readers who want something different. We Have Demons is brimming with ideas well worth exploring.
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This is an enjoyable buildup issue that raises the stakes but also builds the characters too. This is possibly the best war comic published today.
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Overall I had a lot of fun with these two stories. Percy introduces a different kind of Man-Thing I'd like to see more of while Cady makes me a believer in this usually silly animal-cyborg team.
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Another great chapter in a very fun series.
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A good spy comic with thrilling action, revealing character work, and jaw-dropping visuals. 
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What makes this fever-dream of a comic work so well is how it blends sci-fi with concepts of pure evil, identity, and loneliness. There are visuals that are batsh*t crazy and dark, like one might see in film noir. Web of Venom: Wraith drips with techno-fetish darkness with a touch of cyber-punk and a loner revenge tale you don't often see in superhero comics.
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This is a fun issue with surprises and strong characters that will most assuredly lead to great drama and a foe that makes a lot of sense.
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At its core it's simply a good story that is well written and keeps your interest up while also begging for a feature film adaptation.
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Where Monsters Lie: Cull-De-Sac #1 continues a series that could easily be an offbeat dark comedy on TV, but lucky us, comics readers, get a truly unique take on monstrous killers. Horror fans rejoice; this is unique, with comedy by way of The Big Lebowski.
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Where Monsters Lie #1 is the kind of comic you'll be fully invested in by the end, wishing to learn more about its colorful characters. A unique approach to horror and killers, it's funny, weird, and wholly original.
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I had a blast reading Wicked Things and following the quirky and at times funny Charlotte who stumbles into things with impeccable grace. Wicked Things has a cleverness that's as cheerfully contagious as it is endearing.
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A strong first issue that has a lot of scary imagery and a strong setup.
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Well paced action filled horror finale.
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Winter Guard #2 is a fun spy story that's really about the eclectic and strange Russian superhero team. Cady and Bazaldua are doing such a great job fleshing out these characters you'll put this book down and only want more. Knowing this is a shorter four-issue series is a bit of a bummer when all you want is more Winter Guard in your life!
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Overall I was impressed with this extra-long issue. Wolverine is back and he has not one, but two very big mysteries to solve. I could argue introducing two entirely different stories is a bold move in a first issue, but that might be due to the artists trading off from issue to issue. One delves into the nature of Wolverine losing control and losing his memory while the other plays around with his powers in a new and exciting way. This book emphatically reminds us Wolverine is inherently important to X-Men comics and the greater Marvel universe too. A strong first stab and crimson-hued look at the greatest loner superhero ever.
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If you weren't yet, Wolverine #41 will get you excited for "Sabretooth War." This is a take-no-prisoners story that's as bloodthirsty as it is wicked.
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Wolverine: Black, White & Blood is a great way to experience Wolverine as it features different sides of the character with three different styles of art. This doesn't drown in blood so much as revel in it while never losing sight of the heart of Wolverine.
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A good issue that adequately sets up a new mission for Logan, pairs him with an odd character and sets in motion a story that should feel shiny and new given the circumstances. Does it offer answers? Not yet, but at this point, I'm excited to know something will come from this 5 issue miniseries.
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For six bucks,Women of Marvel is a fun anthology well worth reading. Its use of X-Men characters gives it a more immediate draw since most of these characters are on the front lines of what Marvel's biggest series. This book is also well-curated, with great one-page stories written by Mariko Tamaki that mix up the pace of reading and deliver a delightful cutaway to something entirely different.
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Overall, Women of Marvel #1 is a worthy read well worth the price of admission. It features fun tales, some a bit too short for their own good, but a nice curation of heroes doing their thing.
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Overall, Women of Marvel #1 is a worthy read well worth the price of admission. It features fun tales, some a bit too short for their own good, but a nice curation of heroes doing their thing.
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Artist Victor Ibanez also does a bangup job throughout. He nails the gore and blood by making it look less like a wound a human would shed and more like a gutting of a deer or prey. The blood has different colors to it, the hearts being torn out look warm and trophylike, which help make Cheetah all the more animalistic. He also nails an interesting dream sequence of Cheetah's deepest desires to end Wonder Woman.
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Wonder Woman #2 slows down a bit to reveal how brave and confident Wonder Woman is when entering battle. Not only that, we get to see her abilities pushed to the max as she faces a literal army. Wonder Woman hits with ferocity and intensity, unlike any other superhero comic.
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Wonder Woman #3 continues to show this series is one of the best superhero comics on the shelf. It does everything a modern superhero fan wants, from incredible art, to ties to modern-day threats, to an ongoing story that brings something new to the character. Wonder Woman is can't-miss superhero comics.
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Wonder Woman #4 continues to be a complex thriller balancing Diana's goodness with an evil that's manipulating the American government. There are some deeply relatable elements at work here as we see the media craft an untrue narrative, especially when juxtaposed with how Wonder Woman truly is in her day-to-day life. Political theater is a true peril of our time and it appears Wonder Woman is at the center of it.
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Tension builds in Wonder Woman #5 as a war is coming and armies are forming. Getting to see classic Wonder Woman villains with perfect introductions of each is a nice change of pace while raising the stakes tenfold.
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Wonder Woman #9 continues to show the incredible resolve of Wonder Woman as she fights against the threat of losing her mind. The creators continue to show Diana's strength in ways we haven't even imagined. Plus, there's another super cute backup story!
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Wonder Woman continues to be the best superhero comic written today. There's a wholesomeness in how it conveys her heroism and strength, which end up being her greatest superpowers.
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Wonder Woman #12 is a fun read from beginning to end. King continues to draw out what makes Wonder Woman special, but never forget she's human with her own flaws. Paired with the backup, Wonder Woman is a love letter to superheroes. 
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Wonder Woman #14 beautifully articulates the birth of Trinity is formed by true love and loss. This is an issue of mourning and seeing how a hero grieves so that she may rise back up stronger than ever. Based on the final page, the loss of her love has only made her stronger.
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Between the art and story, this book is going to light a fire in your imagination. It can feel incomprehensible and confusing at times, but that's kind of the point as we witness inconceivable meetings between gods with impossible powers. Wonder Woman Historia: The Amazons is an intellectual feast for the eyes that challenges the senses and the very idea of gods in comics.
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The larger story seems to be about adults and parental figures thinking they know best for their kids and pushing them away, only for the kids to react as individuals and do what is right for them. Through that, I think many will feel inspired to do the same in their own lives when they relate to Wynd's situation. Don't pass on 'Wynd' -- it's a breath of fantasy fresh air.
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Looking for a crime comic with a lot of grit, some interesting plot developments and a kickass hero? This is it. Seriously. In a lot of ways he's better than Batman because he's limited in his dealings and can take on the most corruptible. That and the villains aren't super in the slightest, but the type of dudes you will see in crime dramas.
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The narrative in X Deaths of Wolverine is ramping up to a delicious level of danger, action, and key characters getting their just desserts. It's an exciting time to be an X-Men fan, as the line hasn't felt like this much was on the line since HOX and POX. Now, can Wolverine seal the deal, or will the X-Men forever be stuck fighting the future?
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Expect a very satisfying fight scene and conclusion to X Lives of Wolverine. This may be the ultimate Omega Red vs. Wolverine fight comic.
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X of Swords: Stasis #1 is rich with culture, new worlds, and an eclectic mix of characters both good and bad. It sets the stage for an event that's primed to ignite.
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At $4.99, this book is well worth the money. If you read every word from cover to cover it'd take you quite a while to finish since it's so dense and thorough. I'd argue it could use more entries, however, as it only contains 11 in an event that has hundreds of characters and a very complex backstory for each. Overall, though, the X of Swords Handbook is thorough, entertaining, and a must-read for casual and hardcore fans alike.
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X-Factor #3 is the best issue of the series yet, maximizing the detective adventure and supplying an interesting commentary on corporate greed with an expert handle of its characters. X-Factor is a crowd-pleaser for a variety of crowds.
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This is yet another good issue in a series that has taken me by surprise. It continues to do a good job with its characters, flesh out the various departments of the X-Force and adds in action and CSI style detective work too. I can't remember the last time I was this excited for a title to flesh itself out because once we're aware of all its parts it's going to go hog wild with its action and thriller storytelling.
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X-Force #12 is tense and involving as it unfurls new dangers and surprising wrinkles in an ever interesting story about xenophobia and trusting one another. X-Force maximizes its espionage themes with mature ambiguity in a package that's thrilling.
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X-Force #30 is a satisfying chapter to a new story arc that fully utilizes Deadpool and the comedy he brings. Juxtaposed with Deadpool are a deadly serious Kraven and Omega Red, making for a great dynamic worth exploring further in future issues. X-Force continues to show how to maximize entertainment.
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Read X-Force #36 for the feel of what the original pitch was going for, as this is the smash-and-grab side of Krakoa. We get a cool covert operation, check-ins with key ongoing plots, and a reminder that something has got to give for various characters.
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X-Force #39 is an efficient issue that features politics, team building, tons of characters getting a chance to shine, and good art. As we wait for Beast to get his due, the team seems to be on track for a new era and resurgence.
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We're two issues in, and I already wish this four-issue series was ongoing. Foxe nails each character, and Salva is the perfect artist to bring out the animated show's charm in comic book format. Accept no substitutions. X-Men'97 is the real deal and a perfect complement to the animated series.
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X-Men #1 brings mutants back to the character story which is a fan-favorite element that keeps these characters grounded, relatable, and interesting. The domestic lives of mutants are on full display and I can't wait to see how Hickman and Yu shatter the peace and tranquility of their lives. X-Men is very good at generating excitement in the exchanges between characters.
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This is a titillating sixth issue that offers a whole new threat to dig into going forward. If this is the end of the arc, Hickman has left us wondering from which direction the mutants will be attacked first. Once again, Hickman has shown a subtle hand can drive your imagination.
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X-Men #7 is an example of how comics can transcend past expectations and become something deeply moving and thought-provoking. This issue offers up many interesting ideas, some of which may stick with you long after you read it.
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X-Men#14 is yet another example of how X of Swords isn't all just fight-comics and familiar characters, but built on the back of a grand fantasy world begging to be explored. X-Men #14 shows X of Swords is built on a world that is huge, extraordinary, and an imaginative blend of sci-fi fantasy.
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Overall, X-Men #5 is a great issue that leads into the holidays with a mix of heightened emotions. The X-Men are the world's newest -- and possibly best -- superhero team, and yet danger looms not only from the man watching them but from humans who may find out their greatest secret. In the end, this issue will make you love Polaris even more while the larger story's stakes rise.
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X-Men #13 is a really good fight comic. It sets up the team's goals for the issue, has them commit to those goals, works together, and keeps the stakes high. In some sense, the battle in this issue is self-contained though reading the main event is highly recommended. X-Men is a good tie-in, but an even better team book.
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There's very little to complain about in X-Men #18. It's filled with Wolverine action, offers an interesting problem surrounding the immortality of mutants when unexpected wrinkles arise and delivers some team-based action too.
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X-Men #27 is a great example of how the Fall of X era is wrapping up subtle things while progressing the Orchis stranglehold on mutants. Fans of Marvel Comics and their interconnectedness will appreciate the inclusion of the Fantastic Four here.
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X-Men #29 is a fine side mission to Latveria, where we meet brand new mutants with incredible powers. At its core, Dr. Doom reigns supreme reminding us he's the ultimate tactician and the most egomaniacal fascist in Marvel Comics.
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X-Men Annual #1 is a great one-shot that develops a character while reminding us of the robust life the X-Men lead and the larger universe of it all with non-mutants too. Expect a lot of story and meaningful character development for Firestar.
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Marvel somehow pulled off an even better X-Men: Hellfire Gala this year because it is delivered in an impactful extra-sized one-shot. You get the intrigue, melodrama, and beginning of a new year of X-Men with fashion and celeb cameos too.
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This issue and so far this series is tightly written and drawn. Not a single panel goes to waste allowing readers something to reflect on when it comes to characters for every inch fo the book. That keeps you emotionally invested in the story every step of the way.
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Given the '90s vibes and compelling characters, it's safe to say that X-Men: Heir of Apocalypse will be a fun ride. Heir of Apocalypse has perpetually engrossing characters that benefit from a story that keeps you guessing and a decidedly '90s feel.
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A great chapter that ends on an impactful bit of dialogue that will resonate with many.
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X-Men Red #1 is going to be a huge hit for longtime X-Men fans. Magneto and Storm are written pitch-perfectly while the larger story plays with what we know about the X-Men and builds on it. X-Men Red is all about character and X-Men legacy.
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X-Men Red is my favorite X-Men comic currently being produced. It has a throwback feel in how it utilizes teams while developing modern X-Men elements like Arakko politics and its people. X-Men Red #2 continues to blend nuanced character work with all the elements that make mutants and X-Men so great.
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X-Men: Red #5 benefits from A.X.E.: Judgment Day #1 as that issue tees up this issue to show how Uranos committed a total annihilation on the Arakko people. That includes big-name mutants like Cable, Nightcrawler, and Magneto. In the world of comics, X-Men: Red takes bigger swings than most.
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X-Men: The Wedding Special #1 might be one of the best Pride anthologies ever, thanks to the cohesiveness between its stories and some deep-cut queer characters being utilized. This isn't just a grab-bag of stories celebrating queer characters and queer creators, but a meaningful chapter that has fun with its bride and bride. The curation is impeccable, and big props should go to Sarah Brunstad for making this one-shot truly special.
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I'm really loving this new event, particularly how it ties into the human condition. We can't always be right or do the right thing, and when it's obvious better choices could be made there's a character dynamic that is fascinating to watch. On top of that the pace of this issue, along with the art, should keep everyone interested.
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If you ever wanted to get more info on the mysterious X-O suit you've come to the right place and it's all revealed in a very Starship Troopers kind of way. The idea that these suits are incredibly dangerous and evil is very clear after reading this. Most importantly, the villains of the Armor Hunters series are given purpose and meaning.
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Yet another great Armor Hunters tie-in that expands on the villains of the series nicely. And finally Malgam has become much more interesting!
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X-O, and more importantly Malgam, get a new direction and it's clear, concise and interesting. Good stuff.
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X-O Manowar #3 is one of those issues that feels like it could have been the first issue in the series. It amps up the stakes, shows our hero trying out a new thing, and hits a groove. This third issue takes the premise and runs with it, further defining X-O Manowar as a unique superhero that stands out in a medium overrun with superheroes.
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X-Terminators is like a fun night on the town, only that night involves blowing up vampires' heads and loving every minute of it. There's nothing else like X-Terminators in the X-Men line, making it a unique experience.
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X-Terminators is an unabashed, rude, and loud series, and we're all better for it. This second issue continues to be super fun, funny, and entertaining. There's simply nothing like it on the comics shelves, making it well worth purchasing and enjoying. That uniqueness, however lacking in depth, goes a long way to entertain comics readers who are bored with the same old same old.
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I'm a sucker for alternate reality stories concerning heroes and villains and this issue dives headfirst into Lex Luthor's possible selves in other planes of existence. Hitch's art gives this an event feel while the story is fun in ways only comics can achieve thanks to Latour's imaginative ideas.
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I enjoyed this Joker caper quite a bit. The very scary notion that Joker is not crazy, but evil and sane, is made quite clear. The adventure taken in this issue is quite a fun little ride even if it takes a twisted, clunky turn at one point. Give this a shot to read a solid Joker one-shot that makes some interesting points along the way.
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I had a blast with this issue. It's one of the funniest forays in the Year of the Villain and harnesses the award show appeal very well. This is yet another example of Russell delivering comedic commentary on society and Mike Norton carrying those ideas forward cleanly and comedically.
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A satisfying portrait of love in the world of the weird and supernatural.
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Another good issue in a series that's fast becoming a must read for superhero fans.
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The penultimate issue of Zawa + The Belly of the Beastsatisfies in several ways, setting up a showdown that should be intriguing. How can our heroes stop a monster they only just met? The stakes are high, and Dialynas has set up a can't-miss finale.
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This is a well-curated collection of stories reminding us Joker is not only scary, but also incredibly smart and versatile. A key element in all these stories is how Joker is very dangerous and never to be taken lightly. It's a serious take on the character and a nice way to remind us of where this character is after a long history in DC Comics.
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People use the word awesome too much these days, but make no mistake A Vicious Circle is an awesome first issue. From the visuals to its ability to entertain and keep up your interest while keeping you in the dark, A Vicious Circle is a comic you can't put down. A Vicious Circle plays off how we think about time travel while using an arch rivalry that connects in exciting ways.
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A Vicious Circle #2 doesn't disappoint with a great action frenzy of a second issue. This issue also doesn't hold back with answers and a fulfilling sense of the heroism of our main character and the hard choices he must make. This series sets a high bar for time travel stories with its pulse-pounding action and incredible art.
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A strong conclusion with many answers, interesting ideas, and a conclusion that feels warranted and deserved.
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If you were on the fence,A.X.E.: Judgment Day#2 inspires with its layers of action and intrigue, delivering a comic all events should aspire to. You'll be swept up in the forward-moving narrative and thrilled by the impressive art and action.
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A strong sense of style this is a comic book series that is clearly being made by those who love making comics. This book refuses to be just a tie-in, but so much more thanks to the comedy and horror.
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Absolute Superman #1 is another home run for DC Comics' Absolute line. This first issue opens up Krypton in a brand new way and sets up Superman as the ultimate immigrant underdog. Jason Aaron and Rafa Sandoval's Absolute Superman #1 offers a bold and gritty reimagining of the iconic hero, blending a raw sense of isolation with a modern exploration of Superman's immigrant heritage, all while honoring his legacy.
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An excellent climactic issue to an arc that probably didn't need to be so long.
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A great way to celebrate the man of steel with this 90+ page giant.
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A strong issue that is not only romantic but genuine. Bendis and Sook deliver one of the most romantic, and genuinely mature relationship issues ofAction Comics, and superhero comics in general ever.
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Action Comics #1030 introduces readers to a new story arc that balances everything that makes Superman great under the ever-present danger of outside enemies. With its plotting always moving forward and Superman's optimism stoked to the max, Action Comics brings the ideal Superman story to life.
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Action Comics #1068 is the epitome of good Superman comics. The main story features Superman against impossible odds yet still finds ways to win, while the backup shows his humanity. Superman's awesomeness is on full display, as is his humanity. It's a delight.
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An all around great one-shot that's funny, action packed, and even comes with a strong message of protecting children. Schwartz, Brown, and Aaron Kuder's excellent cover solidify this as an excellent comic story from cover to cover.
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Judging by the first two "Acts of Evil" annual issues Marvel has clearly got a great idea on their hands. This issue is a great example of how mixing seemingly impossible characters and throwing them into the deep end of possibilities can be highly entertaining.
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This is the only Supergirl comic I'm reading and it's the only damn one I need. It's that good.
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This book has something to say, and it'll make you think due to the mood, the characters, and the surreal quality of how the story is told. 
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If all the "Age of X-Man" comics can be like this I'll buy them all and scream from the rooftops this is some great event style comic book storytelling. This issue does everything right from establishing interesting clues to effectively putting you in the shoes of Bishop. Highly entertaining narrative stepping inside Bishop's head and trying to solve the mystery.
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So far this is an incredibly strong series that's well thought out and interesting. If you love characters, particularly stories that get inside their heads, this comic book is for you.
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I couldn't put Alien: The Original Screenplay #2 down, and I've seen Alien a hundred times. It's fascinating to see an alternate take on the source material (albeit the material isn't quite what the final film used), but it's also exciting to see how well-drawn it looks and how expertly it's paced. Screw adaptation, this book is impeccably strong on its own merits.
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This is a great second issue that shockingly jumps ahead a bit and forces the reader to catch up. That makes it exciting as it never overly explains or feels slow. It's one of the best psychological explorations I've read in comics for quite a while.
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Caspar and Paknadel draw you into this curious sci-fi world and shake you with a flesh-frazzled visceral grip. Introducing an alien race that feels incredibly original and fresh, there's a lot here to enjoy besides the enjoyable action. There's a carnal violence in All Against All not to be missed.
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And I haven't even talked about the art yet! Dialynas' style is unique and interesting, detailed but also cartoony and I love it. Here is a good example where an artist's ability to also do color shows. An artist's work can sometimes be overshadowed or improved due to the right inker or colorist being attached. Dialynas does it all though and it shows. Everything fits and looks exceptional.
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At $8, Amazing Fantasy #1000 is a steal. Its unconventional nature of doing all sorts of Spider-Man stories is refreshing, with tales focusing on personal anecdotes, Spider-Man at 60 years old, and various facets of what makes Spider-Man great. Plus, the creative lineup on this extra-sized issue is downright historic. What else could you ask for?
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Three great stories and one that's gorgeous but lacks in story is a win for me. Chances are the odds are good you'll find something here you'll love.
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Yet another great collection of shorts that prove Farias and Freitas are at the top of their game. Most if not all of these stories read as if they need a short film to go with them; they're that clever and good.
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I wasn't sure what to expect from this book but came away from it grateful that Leah Williams and Carlos Gomez infused it with so much life and purpose. The Amazing Mary Jane has a strong identity and a crackerjack wit. It's a strong first issue on its own merits.
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This is a fantastic issue that clearly explains all the players and stakes at play but also delivers good character moments and plenty of spider-ific art to go with it. Some might say it's a bit overloaded, but it's never boring.
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This series only amps up the anticipation and excels more each issue. A fantastic part 2 that is filled with action, plot details and story progression!
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This issue starts off slow but delivers impeccably for a variety of audiences. It ends with an amazing action sequence and major ramifications on the event. Great stuff.
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This issue is a lot of fun with yet another Spider-Man gadget that brings on the fun side of the character. I haven't laughed so hard at a Spider-Man comic in years.
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This series is very exciting—its approach is so new, there's no way of anticipating what could happen next. Spider-Man purists take note: the new direction is fun and filled with surprises!
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Slott is at the top of his game and Immonen draws you in so good!
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Sets the stage for one epic ride.
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What a great finish for Dan Slott's run on this character. Over 180 issues!
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The first real Boomerang issue comes out swinging. Peter Parker's life may just rival his superhero life in this excellent take on the character.
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This is yet another excellent issue in Nick Spencer's inspired take on Spider-Man. Fans new and old will love this series because it's so ingenious with its ideas. This is a series as clever as your favorite Spider-Man quip and then some.
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Yet another good issue in a run that shows Amazing Spider-Man has been a huge success since its renumbering. Spider-Man is fresh and new all over again for fans new and old.
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The Amazing Spider-Man #48 is a breakdown of what makes Spider-Man tick, and perhaps one of the finest and most introspective looks at the Green Goblin and Spider-Man dynamic ever made.
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The Amazing Spider-Man #78.BEY is a super fun, high-energy thrill ride of a comic. It's filled with ideas from horror movie icons popping up and smart tech innovations. It reads like a satisfying one-shot and yet comes with a "to be continued" at the end to make you want more. It perfectly captures the Spider-Man vibe, even though he's not present for much of the adventure. Now that's good comics.
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Amazing Spider-Man #79 goes hard with the amount of story it's delivering, varying ideas, and well-written character threads. This is as good as it gets in superhero comics with heart, action, and pure entertainment.
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Hobgoblin fans rejoice, Amazing Spider-Man #12 has the entire package of action, intrigue, and compelling twists. The identity of Hobgoblin has always been a part of the character, and Wells has somehow found a new way of exploring it while exciting and surprising fans.
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This is a winning opening issue to the story arc, as the art is fun and matches the fun vibe of the dialogue and pace. Amazing Spider-Man #61 is a refreshing, action-packed ride that embraces both the humor and high-stakes drama that fans love about Spider-Man. With Joe Kelly's witty, fast-paced dialogue, Spider-Man's personality shines through, offering levity even as he faces off against a new wave of supernatural threats.
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Fans of a Spider-Man with family responsibilities will be overjoyed with this great first issue. Those of you who like their Spider-Man single will still find entertainment in the high stakes at play in this issue.
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If there ever was a event within an event this is it right here. Due to the nature of the story, such high stakes at play for our hero and the awesome art — you can't find a better tie-in right now.
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I had a blast with this finale as it reminds us Scott and Cassie only got closer as heroes. The villain is epic and it takes epic love and courage to take him down. This will give you the warm and fuzzies you want when reading a comic with your kiddo.
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Aquaman vs. the U.S. government is shaping up to be a compelling fight of ideas as well as actions. A lot of intriguing concepts are unfurled and a striking case is made for nonviolent actions in this issue.
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Aquaman continues to be well paced, action packed, and interesting through and through. Abnett is making Aquaman complex and intriguing every step of the way.
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This is a great comic if you like big action, heroic moments, and events that feel important and long lasting. I'm also impressed DC Comics hasn't stretched this event out too thin and wrapped it up in an efficient and quick way.
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Readers of a certain age will liken some of what you see here to The Abyss with an unnerving horror underbelly. If that sounds appealing to you, you'll love Aquaman: Andromeda for how it makes you feel dread and uncertainty. In the same way Michael Crichton made us fear corporate overreach in Jurassic Park and the unknown in Sphere, so too does Ram V and Christian Ward spark the imagination.
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I'd like to say this is excellent reading for everybody, but the truth is if you're more of an action orientated person you're going to find this boring. Then again, if you're even picking up a comic called Archie and you're looking for action you're probably too misguided to know what's good for you in the first place. Without a doubt the most fun you'll have with young adults this year.
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Arclight is a story of solemn grace that gently pulls you into its story titillating your imagination and makes you want more.
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What a great first issue to kick things off on this event: I'm getting some Independence Day vibes from this comic, in a good way, as the impending threat is scary and powerful. It puts an amazing threat in the path of the heroes of Valiant and potentially makes X-O Manowar a hero not for just his people anymore, but for the entire planet. Exciting stuff here folks, check it out!
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This continues to be the best summer event series of the year. The story is grounded very well in a reality similar to our own, the threat is real to all of humanity and the characters are interesting. Do not miss this one.
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Not a bad tie-in at all, and in fact, I'll say right now it's the best so far. Bloodshot has felt as if he's been shoehorned in at the last minute of this event, but now it's clear he has a role and it's to be one badass war machine. Bring it on!
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“Ash in Space" has been an action packed blast that has been fun, exciting and exhilarating on all counts.
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If you've been following the current political climate you need to read this comic book. It's chock full of running jokes, hilarious political commentary, and a premise that suits Ash. If you don't read this you clearly don't know how to party.
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It's a wonder how you can pick up a comic and just enjoy the thing even if you haven't read the issue's that came before it. This issue is no different. This is just good reading for new and old fans alike.
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Astro City is always a well of ideas you'll never want to stop dipping back into for more. This issue delivers a surprising story that is rife with surprises and clever writing.
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Astro City puts you inside the characters' heads so well you'll be right there with them throughout the story. This issue is no different. What makes it so unique is how it brings you to conclusions based on the events and thoughts of the character.
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A strong done in one issue highlighting what a hero cat would be like.
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This is enjoyable comics with a classic feel. The heroes may have more problems than any villains as their personalities clash for high entertainment value.
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Avengers fans need to read this issue. It's a love letter to the Avengers, but also to the wonderfully eclectic group of heroes too. Mark Waid's accomplished a rare feat: he's added a story to the pantheon of fantastic Avengers lore we'll be reading for years.
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An excellent chapter in the story arc that gets you pumped for more.
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I had a blast reading this issue and running through my mind where the story may go from here. Jason Aaron and the incredible artists have managed to write a milestone issue that feels important while also laying down the groundwork for exciting future stories.
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I've always liked Moon Knight, but in his mystery there has always been a lack of detail that has rubbed me the wrong way. Here though, Aaron and Garron are steering directly into that mystery and seem to be suggesting maybe that mystery is where his power is drawn the greatest. I can't wait to see where Moon Knight goes from here and for fans respect for the character to grow every page of the way.
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A great issue that everyone will be talking about. Seriously, even if you're not reading this check it out. You won't be disappointed.
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This might be the best book you aren't reading right now. Visually stimulating at every turn, this is a type of story you don't want to ever unglue your eyes from.
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This is a striking first issue as the end of days is nigh. In one fell swoop you'll understand the stakes, the characters' psychology, and you will be pulled in. If you don't highly anticipate the next issue I'm not sure you read this right!
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Babs is a hell of a lot of fun, especially for someone who grew up loving Conan the Barbarian. There's an edginess you don't often see in comics made for adults you won't want to miss. This is a smart comedy disguised as filthy while also completely insane.
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The character grows while the art dazzles combining to create a series you won't want to miss. If you're interested in reading comics that do things a little differently you'll want to read Batgirl.
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A menagerie of nightmares float about Gotham in more ways than one, but more importantly the core of Batman discovers its true self.
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King and Finch remind us there is no story if it doesn't connect to the human condition. All of the characters in this comic feel something and it's evident by their actions and emotions. If you enjoy meaningful character moments you can't do better than this.
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King's Batman is proving to be the most exciting slow burn story ever. What I mean is, you'll finish the issue feeling excited, think about what happened and realized not a lot actually occurred, but that's okay — because you can't help but crave the next piece of the story.
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This is a knock-down, drag-out fun time. The dialogue is richly layered and entertaining, the plot moves quickly, and the action is intense when it needs to be. This is about as fun as comics can get.
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Batman #130 is edge-of-your-seat action with a message about compassion and what sets Batman apart from the greatest detective and the most dangerous man alive. Zdarsky and Jimnez have done the impossible and made Batman an even more exciting and addictive read.
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In the grand scheme of Batman and in-canon developments, seeing how Zdarsky disassembles the character is getting exhilarating. It may be painful to see him fight his sidekicks, but it's happening due to Bruce going solo and refusing help, which could lead to new and exciting stories. For a character over eighty years old, that's a rare thing, and this is a series to keep an eye on.
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This is a fine annual that serves almost as more of a holiday special than a straight annual. The 5 stories all offer something different, every story looks great, and you couldn't do better pound for pound when it comes to entertainment.
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A fantastic issue that may win an Eisner when all things are said and done. It's meanignful, heartfelt, and exciting. It's a near perfect one-shot Batman adventure.
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The fact is you need to join this party knowing it's all about action and fun. Get over that hump and enjoy this beautiful ride.
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A solid issue that reinvigorates the series with some shocking moments, a fantastic flashback and a jaw dropping cliffhanger.
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A second issue that's even stronger than the first. Bring on more of this series!
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A very well written issue with stupendous art and a plot that'll have you all-in on this series by the end.
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Another gorgeously drawn issue that sets up the finale well.
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This issue keeps things interesting by focusing on the most interesting thing about this series: the father/son relationship.
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This series continues to prove a high budget TV show would work if given plots that seem thin, but are in fact detailed in their production and sub plotting. Hitch and Ellis continue to amaze me at how layered you can make a comic while on the surface it all looks so simple.
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Clever, cunning, thought-provoking... not necessarily words you'd expect to apply to a black and white Batman comic, but Batman Black & White #1 is a great return for the series with a lot of bang-for-your-buck action and storytelling ideas. Each story is gorgeously rendered, maximizing the dark shadows and flashes of light that bring so much drama to Batman, aided by clever ideas found in all five of its stories. Batman Black & White is no ordinary comic book.
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Batman: City of Madness #2 continues to be an exciting adventure with great writing and eye-popping art. This is an engaging read with a lot of "wow" factors and characters to empathize with every step of the way.
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A strong second issue adds a surprise you won't see coming.
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This is a payoff issue that delivers a lot of answers. Though it may be heavier on dialogue and explanation it feels good to get all the details. There's also good set up for a bombshell that'll have you guessing so the mysteries continue to push your interest up. Add in an impressive action scene to end the book and you have yourself a great ramping up of stakes as we get closer to the finish.
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Batman: Dark Partners #1 is a stellar kickoff to a promising maxiseries, blending intense detective work, fresh character dynamics, and haunting visuals to captivate fans of the Dark Knight. Though it lacks an iconic foe, the introduction of a chilling new villain and a grounded, early-years Batman make this an unmissable start for any Batman enthusiast.
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A satisfying conclusion with fantastic art and a solid point made about the everlasting equilibrium between Joker and Batman.
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Batman: Killing Time #1 is clever, suspenseful, and chock-full of moments that'll linger with you. King, Marquez, and Sanchez have crafted something that feels avant-garde as it lures readers in and never slows.
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Batman: Killing Time #5 surprises with another shining example of fantastic pace and timing. The opening makes you feel for nondescript characters through details about everyday lives, all of which build up the impending conclusion when the series cuts back in time. As far as penultimate issues go, you'll be on the edge of your seat for every second of Batman: Killing Time.
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This is a fitting and satisfying end to Snyder and Capullo's final three-issue arc. It capitalizes on the concept of a Batman who would clone himself, pays off on new reveals of the future, and most importantly makes strong statements about Joker and Batman himself. If this is their final word on the character, they've done an admirable job capturing a unique purpose for him as he serves as a shining beacon to hold the line even when there's only a glimmer of hope.
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If you ever wanted a good blend of superhero action and compelling character work for a classic Batman rogue, this is it and then some. Timed perfectly for the winter season, Batman: One Bad Day Mr. Freeze #1 is a near-perfect one-shot and a near-perfect take on Mr. Freeze, recontextualizing him while adding humanity and frailty.
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What do you know, Batman: The Brave and the Bold #11 is jam-packed with great stories. More importantly, it's an eclectic mix of tales with superhero stories, but also war and Western thrown in too. It's a pulpy good time.
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Yet another great issue can be had with Batman: The Brave and the Bold #13, which offers three new starting points, a good one-shot, and excellent action in another. You can't lose if you pick up this issue!
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The art in Batman: The Long Halloween The Last Halloween is stunning. The visuals match what has come before while a mystery slowly starts to build. Loeb has said he and Sale were planning on crafting this story together, and it shows, as it hasn't skipped a beat from their past Batman adventures.
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Another solid tie-in that fleshes out a nightmare in unnerving ways.
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Is there any superhero that suits the futuristic spin as well as Batman? This book answers that question with four great Batman stories that play in sandboxes already created, but bring in new and clever ideas. If you've come to worship futuristic Batman, Batman: Urban Legends #7 is a cathedral of great ideas, visuals, and brilliant delights.
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An excellent accompaniment to the main series. This is a beautifully drawn book with different types of stories that should satiate fans of action, thought-provoking sci-fi, and tales about finding our humanity.
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One of the greatest mangas of all time gets a deluxe edition. Need we say more?
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A fantastic issue that's nearly perfect, though it might be a tad obtuse at times.
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This is a very good finale that does a lot and offers up a surprise, key introspective moment for Batwoman. This character has been made stronger from this arc and should have longtime fans cheering for more.
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Mary Jane & Black Cat: Beyond #1 is a fun one-shot that anyone can pick up as long as you have an interest in Black Cat or Mary Jane. Both characters have a strong voice and feel true to their character and their history while delivering a fun done-in-one adventure.
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Heartbreaking, upsetting and disturbing are just a few of the words that describe this experience. It's not just a comic, it's an experience, and by issue's end you'll be stronger for it.
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Birds of Prey is a triumph with slickly and efficiently staged action with the comic's great strength in its characters.
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Visceral, visually stimulating, and an intriguing meaningful story awaits you!
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If you thought the first issue was good you'll love the character work and dialogue of the second. The story is developing nicely and there's some fabulous art to go with it.
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The King in Black event is still quite early in its release, but Black Cat #1 is the strongest tie-in yet. Jed MacKay and C.F. Villa make a case for Black Cat to be your favorite hero in the event and beyond.
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A gem that shouldn't be missed.
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This is a solid issue anyone can enjoy that's a hell of a lot of fun due to its throwback art and no nonsense action. A fun ride.
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The brutal nature of staying alive in an older time is vividly realized in this issue. A fine backstory is revealed too which shouldn't be missed. Like the characters this comic will have you gripped with fear, brutal cold, and wishing for justice.
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Black Widow: Venomous is a delight. Visually stunning, this is a great one-shot that anyone can pick up and enjoy. Get it for the nuance in characters, but devour it for the extraordinary art.
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Valiant is setting itself up with one imaginative and surprise laden story many will compare to Old Man Logan but it's its own science fiction beast. The world is hell as this rip roaring story takes you on a ride you don't want to miss.
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With a good balance of flashbacks to remind us of why Bloodshot wants revenge this issue works well to deliver major action with emotional resonance. This might go down as one of the most epic action comics you've ever seen.
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This is an enjoyable detective yarn because it captures the essence of each timeline very well. It's like reading 4 different detective stories, but they're all uncovering the same mystery. Very cool and very unique.
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Bolero is a tantalizing new series taking the multiverse to a relatable human level. Its beauty is in how it makes its characters so real and raw holding back its clever big fantasy twist to the final few pages. It's a memorable experience with a mind-blowing hook you won't want to miss.
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Briar #2 is a fantastic follow-up to the first issue, further fleshing out its characters and revealing new things about what has happened to the world. Add in vivid dialogue and vivid art, and you have a tale that beautifully blends a magical world and a deeply involving story.
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A thoroughly addictive thriller you gotta read to believe.
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Cable #10 is a great example of how less is more. Less telling and more showing -- especially with character emotions through facial expressions -- but also fewer panels to move the story along. There's a raucous bar fight, intimate moments between characters, and a deadly encounter that serves as a good cliffhanger. Cable is all about boutique comics storytelling -- efficient and impactful, but never loud or overly done.
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An excellent first strike in bringing Cap back to being a national treasure.
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One of the best superhero books on the stands in part because every issue is a done in one story.
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Another excellent chapter in Waid and Samnee's run.
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This is a modern era story that's iconic up to the minute you close the book. It's a reminder Captain America's true superpower is heart.
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Spencer nails his first issue with great dialogue, a fantastic flashback sequence, and solid character dynamics. Captain America feels fresh again!
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An entertaining master plan is revealed as we witness how it was nurtured and brought to life, literally and figuratively. The master plan and very visage of Red Skull reminds us he's a supervillain not to be taken lightly. Is there anything more exciting than Captain America needing saving from himself?
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Steve Rogers: Captain America #4 is a master stroke for the series. You'll get inside Captain America's head and feel a mix of emotions. This is psychological drama at its finest.
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This is solid storytelling that takes its time and is all the more powerful for it. The only shame (or is it a crime?) is that the third issue isn't already here.
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And at $2.99 this issue took me forever to read, especially when compared to the leading Marvel and DC comic books. I finished the last issue loving how much content there was, but not feeling the story. This issue dispelled all of those problems by fleshing out the characters and delivering surprises that'll make you laugh and cry out in shock. It's typical for the second issue in a series to get bogged down on plot, but not so here. If anything it was the first issue that was bogged down. There's just so much to love in this issue and I can't help but get excited for what is instore for each character in the upcoming issues.
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The main story screams Ocean's 11 in more ways than one and the two backups are fantastic too. This is can't miss superhero comics!
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A flashback that supplies meaning, purpose and emotional resonance to a decidedly creepy good time story.
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A great balance of flashbacks with current events propel this story ahead of the pack. Catwoman is great storytelling that doesn't hold back. If you're sick of slower moving plots in comics this is your cure.
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The narratives of characters like Catwoman, Batwing, and Joker stand the test of being remixed, revisited, and changed yet still maintain their heart and identity. Add to that the noir detective story at work here, and the raw emotion of its characters, and you have a graphic novel well worth reading.
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If you were on the fence about Cave Carson Has a Cybernetic Eye this issue should assuage you. If you like your action delivered with a heavy dose of visually striking imagery and weirdness, you can't do better than this.
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Cave Carson Has a Cybernetic Eye is the prettiest, high octane pulp comic you could ever dream of. It's quite possibly the most psychedelic looking book in ages and is well worth a look for its imagery alone.
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A fantastic issue that pays off on a mysterious Superman story in a vivid artistic style.
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A wild ride that's exciting due to art that takes chances and some big twists.
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Another gorgeous issue you have to see to believe.
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Children of the Vault #2 is a riveting look at a culture that has been molded and augmented by time and power. Camp details their points of view, and it's not looking good for humanity. Children of the Vault is ambitious, exciting, and edge-of-your-seat comics.
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The tone is very dark and this suits the Halloween time of year, that is for sure. Fantasy fans should seek this out as well as it's everything you'd want in a grimdark story all done in vivid detail.
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I was impressed with the art and pace of this first issue. It rivals the first 10 minutes of any summer blockbuster of the last 30 years and lucky us it comes two months prior to the summer movie season of 2015. March 18th can't come fast enough.
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This is a fantastic third issue that delivers many surprises, interesting reveals and some cool new characters too. This is by far the most exciting Secret Wars tie-in on the stands.
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This is a great penultimate issue with big reveals and tons of action. It's a bit slow to start and the big twist isn't jaw droppingly surprising, but overall this is yet another exciting issue.
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If every Civil War II tie-in is like this sign me up for all of them, because the philosophical element of knowing what the future holds and whether that's right or wrong is fascinating. Gage manages to pack this issue with action, big ideas, and strong character moments.
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This series continues to excel in the horror of a God who is not caring, not loving and not anybody you'd want to spend a minute with. The premise is intriguing, but the art and dialogue so compelling you'd be a moronic pion of a human not to pick up this godly work.
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Clobberin' Time #2 combines good writing with great in-your-face visuals, and features monsters, X-Men, and super imaginative sci-fi only Marvel could provide. What more could you want?
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A stronger volume then the last--get this for the fun mix of science fiction and character writing.
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This is a real treat of an issue that very quickly gets the reader interested in the premise and involved with the characters. It sets up what will assuredly be a very entertaining action comic.
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This is a standout comic longtime Back Hammer readers will love, but newbies who dabble can enjoy too. As a standalone comic book Colonel Weird: Cosmagog is exceptionally written, plotted, and illustrated. If you're like me and are loving the soon to be finished Skulldigger and Skeleton Boy, you'd do well to jump on board with this new series.
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This a deeply emotional and touching finale to the Colonel Weird miniseries. Colonel Weird: Cosmagog is an example of how comics can do things with storytelling no other medium can, as demonstrated by two of the best in the business today.
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Conan is back home and better than ever.
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Comics fans, historians, and lovers of all things Dave Gibbons, do yourself a favor and purchase Confabulation: An Anecdotal Autobiography by Dave Gibbons. The book is filled with interesting anecdotes, artwork, and rumination on a career well lived. Told in an alphabetically encyclopedic style, it's also incredibly easy to read, allowing the reader to pop in and out at their leisure as you take in one of comics' greatest careers.
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As original as comic book storytelling can get. This is deeply interesting and it'll have you on the edge of your seat.
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A series that continues to draw the reader in with its visually arresting and thought-provoking psychological storytelling.
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Twists, turns, and tantalizing sci-fi storytelling await you in Cruel Universe. The first issue comes out swinging and doesn't let up for all four of its well drawn and told stories.
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If there was a recurring theme in Cruel Universe #2, it's the plot twist surprise. Each tale has one, delivering varying levels of weird, horrific, and interesting twists on sci-fi concepts. They're all deliciously weird and great from beginning to end.
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A great Halloween fun time with superhero sensibilities.
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Cyborg hasn't been this interesting in ages and Cyborg #1 does a fine job in getting at the core of what makes him human. The character is well written, there's action, and there's also a deep sense of self discovery at play here.
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Pulse-pounding action and adventure makes this a must read for blockbuster fans. This issue gives me hope a Danger Girl movie would be a great idea! It's issues like this that make you realize you should stick with a series all the way to the end.
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Danger Street continues to be a special comic, blending the fantastical with the natural average world. It captures your attention with solid characters, otherworldly intrigue, and deep, absorbing humanism.
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Once you put this book down, you'll be surprised at how much content is here. I kept turning the page, expecting it to end, only to find more scenes packed with captions from the Dr. Fate helmet or plot progressing moments. Characters are converging, conflicts are had, and Danger Street remains a can't-miss comics series for anyone interested in seeing comics as a higher art form.
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This is a good second issue and it's also an improvement on the first issue. This is a great example of how you should always give comics a two-issue chance. I was left wanting with the first issue, but now I'm beginning to see how all these horrific delights will bear fruit.
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Perfectly balanced and paced with interesting reveals and a twist ending that'll get you amped up for the next issue. The action sequence is spectacular too!
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Incredibly enjoyable series now more than ever, especially if you're a science fiction fan. Like a tasty onion with every layer that's sweeter and sweeter. Those sweet, sweet onions. Yum!
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This is a fine conclusion to what was a very surprising and captivating read; Dark Ages was a well-paced and well plotted action adventure filled to the brim with original ideas.
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This is how crime comics should be: storytelling that can be enjoyed on an issue by issue basis that rewards the reader who's been following along too.
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The story in Dark Knight III: The Master Race is rounding the corner to its finish which means a hell of a lot of action and the tide finally beginning to turn in favor of the heroes. That means big reveals, epic scenes, and an adventure you can root for. Batman's captions and broodings on the proceedings steal the show however, reminding us the older and more brutal Batman might just be the best.
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An excellent conclusion to a series that has had its ups and downs, but make no mistake: this is a showstopper of an issue.
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It's fascinating to read a prequel to the Dark Knight Returns in large part because we're seeing a closer version to the Batman we know from the main comics. This book succeeds at showing us how that version could ever become the older and much more brutal version in The Dark Knight Returns, but also the big mistake he'll never live down. Joker steals the show, but it's how Batman deals with Robin that you don't want to miss.
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Dark Knights of Steel is a delightful series that pushes characters we've known and loved for decades into new roles and thus new perspectives. Our understanding of who they are at their core carries over nicely to a fantasy theme that has new rules, new enemies, and new character dynamics to explore. This is a vibrant retelling of classic DC heroes in a way that makes them new again.
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Dark Nights: Death Metal is the kind of book you need to let go and let God, only in this case Snyder and Capullo is God. Sure, a giant T-Rex Batman is outrageous, but within the confines of this story, it makes sense because the multiverse is vast and can do anything. There are other elements I know folks will question, but again, if you consciously surrender to what Snyder and Capullo are crafting I guarantee you'll love every minute of it.
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Dark Nights: Death Metal #7 is a satisfying conclusion to an incredibly large and sometimes unruly event. At its core is a message of hope, to never give up even if there is seemingly no way to win, and to carry on because we make each other stronger by doing so. That's a message many of us will hold close to our hearts, after an incredibly difficult and scary 2020. Dark Nights: Death Metal is an incredible spectacle shining a light on the glory of the infinite possibilities of comics. This is an event that may just make you change the way you think about comics.
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Dark Spaces: Dungeon #2 is an excellent second issue building on what we know and racing towards a thrilling final few pages. The building tension is palpable in a book that's breathtaking, thrilling, and truly haunting.
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Darkhold: Spider-Man #1 is a good examination of Spider-Man in an alternate universe where his mission to keep the world together is more important than ever. In that way, it captures the truth that Spider-Man is the greatest hero not because of his powers, but because of his will to help others in the face of impossible adversity.
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Dawnrunner #2 further defines the sci-fi twist on kaiju vs. mech storytelling with a Robocop element you won't see coming. Dawnrunner is a sophisticated sci-fi with heaps of action and dazzling art. What more could you want?
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Dawnrunner #3 expands on what we know and raises the stakes tenfold. The duality of two lives connecting over many years is compelling, while a mystery brews that could go in any direction. Between the mystery and action, Dawnrunner is impossible to put down.
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The melodrama, creative visuals, and expert character work make Daytime Shooting Star highly enjoyable. You'll be sucked in by the characters and their experience coming of age.
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One of the best Hanna-Barbera crossover comics yet.
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A strong crossover issue that plays to the strengths of both characters very well.
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The DC Festival of Heroes #1: The Asian Superhero Celebration is truly a celebration of the many Asian characters that populate DC Comics, but also the cultures they come from and share with others. It's a great success for that reason alone, but there are also tales that tie into ongoing stories and hopeful new starts to look forward to as well. This anthology is filled with unforgettable moments, great action, and richly rendered culture.
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DC vs. Vampires: All-Out War #1 is fun and works as a must-read side chapter to the main event. It also captures the many eclectic voices while establishing new threats, dangers, and stakes for a motley crew of heroes and villains. It not only utilizes the main conceit of DC vs. Vampires well but runs with it in exciting ways.
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This is a great collection with standout stories throughout. The first two are well worth the price of admission and there's a good smattering of mainline superheroes and lesser-used characters too. DC: The Doomed and the Damned is a good example of how a publisher can use their own characters in a holiday-themed book for maximum effect.
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All together, this book does well to establish a story that deserves to be told around a roaring fire on a cold night. If you let it, it will give you the perfect chill.
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This is a fine conclusion to a series that offers strong character work in a haunting and atmospheric package. A haunting murder-mystery comic with the suspense you should expect from the best horror tales.
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This book is a whole lot of fun. It maximizes the hilarious nature of Deadpool and utilizes a ton of X-Men. Fans of Deadpool and the X-Men can't miss this book. Thompson's Deadpool is mischievous, manic, and cleverly uses its characters while never losing sight of Deadpool's innocence.
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This book is so good I recommend everyone read it, no matter your age. It's heartwarming, hilarious, and endearing to no end.
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If you've liked Russell's previous satirical work, you'll likely put this one at the top of the list of best yet. That's in part due to the horrific nature of social media, something that's far scarier by the day, but also due to the many clever and sometimes laugh-out-loud hilarious twists on how much worse social media could be. Death Ratio'd is a fantastic one-shot that you'll put down and, deep down, wish you had more. Orwellian, absurdly funny, and existential in its brilliance.
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Williamson and Rossmo are crafting a tale that's hard to put down.
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Like a good action/war movie this comic packs a wallop. It hits all the right notes and delivers an action packed and page turning story.
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Action packed and filled with enjoyable dialogue.
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This is must read action and superhero comics.
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A fantastic send off to Bendis and the series as a whole.
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A strong series that more than deserves an anime based on how good this first volume is.
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A great read. By the end you'll be pleasantly surprised by the story and you're guaranteed to enjoy the detective elements.
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Well paced issue that balances action and character work well.
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An excellently written issue that lays bare each character's take on what to do with Batwoman.
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A great chapter with fantastic art and some unexpected developments.
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This is without a doubt one of the finest extra-sized Batman issues ever made. It seems like DC Comics learned a few things from Detective Comics #1000 by not tying into the current storylines too much, and instead, showing different slivers of the character. There's a lot of variance in the tales, showing Batman's fighting ability, his inability to give up, his ability to solve crimes as Bruce Wayne, and showing off his rogues gallery too. Anyone could read this and know why Batman is great and how the many shades that make up the hero make him all the greater.
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Detective Comics #1083 is another great chapter in an ongoing epic that'll surely go down as one of the best story arcs in the series ever. The questions of identity, psychology, and what is real are all in question as characters in both the main story and backup story struggle to find truth. This is a masterful psychodrama with twists and turns no one could anticipate.
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Do a Powerbomb #1 is a delight thanks to the riveting art and exceptional sports narrative. Do a Powerbomb has a ton of heart and the firepower action audiences crave.
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As the penultimate issue of Doctor Doom, the creative team has set up a finale where Dr. Doom might break bad (more so than usual), or go the route of savior hero. It's too early to say. Considering his headspace in this issue, it's an exciting moment for the character that has made the finale a must-read. Doctor Doom is a powerful portrait of a flawed perfectionist that is consistently engrossing.
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Doctor Strange #1 is a lot of fun as it sets up the weird world, the dynamic character and the impending doom in a balanced and well paced way.
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One of the best sci-fi epics from any publisher. Period.
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One of the best conclusions to the "fresh start" Marvel books.
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A solid second issue progresses the plot in a satisfying way.
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A strong character focused story that'll hit you in the feels.
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An issue that is filled with answers and fulfilling revelations. It gives the series as a whole purpose, connecting the bigger DC universe with Dr. Manhattan as well as supplying perspective that enriches everything. I only wish this chapter came much earlier.
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It is a good comic indeed. The world is well rendered and the premise is fascinating. The nightmares could get their own book, they're that cool, and dreams have never been so interesting. Do other countries have an equivalent of the American dream? If they don't they might want to pick this book up and jump on this concept make it their own.
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And it's all ending next issue! Say it ain't so! Let's call a spade a spade. This comic isn't action packed or filled with explosions. It's a crime comic plain and simple, but it's paced impeccably, the art is always interesting and there's a strong development on all friends every single issue. It'll be sad to see this book go, but maybe it'll get an ongoing if we're lucky. If not, but Nitz and Smallwood have shown they are future powerhouses in the comic book industry. The bottom line is there is some master class storytelling going on here and you'd be a fool to miss in on it.
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This issue proves Dream Thief wasn't a fluke or a one hit wonder, and that Nitz and Smallwood are a team to be reckoned with. Dare I say we're in for another instant classic? Recommended.
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Strong dialogue, art, and pace make this issue sing. It's good reading and its pace is so damn good you could check your watch against it.
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The sleeper superhero hit of 2016. Read this damn book and you'll want all the back issues.
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The plot thickens as Earth 2: Society continues to be one of the best superhero comics on the stands. It offers a reality-bending premise that's intriguing and feels very fresh.
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This is a fantastic issue that introduces an interesting world and character dynamics. It's really too bad it didn't have more time to flesh things out, but for what it's worth it's a great taste and a fun read.
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Overall, this is a must-read for Spider-Man fanatics like myself. Two solid stories and a primer for another larger tale combine for a highly entertaining return to the wonderment and excitement of the Spider-Verse.
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This is an exceptional comic book that sets the tone masterfully. It looks amazing and sets up Monster Island in a very mythic and interesting way.
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I'm in awe of how good this book looks and how well it reads. I'm not much of a Skrull or Kree fan, nor am I a history buff on either, but after reading this book, I'm far more interested in their storied histories. Even if you plan to skip Empyre, I highly recommend every Marvel fan read this so they can bathe in the glory of comics visual storytelling at its peak.
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If you're on the fence this issue will make you a believer. It's fast paced, looks great, and rife with surprises.
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I wasn't quite sure what to expect from this first issue but found myself totally enraptured by the narrative flow, characters, and direction. Mixing equal parts character, conflict, and good storytelling, Excalibur is alluringly charming.
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At this point, I read Excalibur hoping it won't drop the ball, because it is fast becoming my favorite series. Issue #2 does not disappoint, playing up the juxtaposition of Apocalypse and Betsy, progressing the plot nicely, and infusing all sorts of magic into the narrative. An exciting, intelligent, and darkly rich story of magic and mutants.
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Excalibur continues to be a rich character story woven into magic, action, and a bit of politics too. 
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A great first issue that introduces readers to Faith and delivers on a wicked cliffhanger. It's a triumph of character building and brooding magic. The true magic of the series is the patient pacing and well-crafted characters. Faithless proves the devil is in the details.
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In a lot of ways this issue--and likely the arc--is a love letter to their origin story while diving headlong into a new space adventure. There is a lot of love between the first family and yet it avoids saccharine sentiment in this engaging and inspirational Fantastic Four story.
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Fantastic Four #45 is a good send-off for major plot elements Dan Slott introduced. One might argue he's putting to bed some of his ideas and resetting the book for another creative team, but it's done with such nuance and professionalism it feels like we're reading a classic Marvel tale. Fantastic Four reminds us Marvel's cosmic universe is challenging and epic.
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Marvel should give Duggan and Garney a shot at similar one-shot tales with other characters, or even more with the Thing. This is a great way to experience the character, get some genre storytelling in, and feast your eyes on some impeccable visuals.
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Fantastic Four: Road Trip #1 is a delightful escape for your average superhero story delivering on a body horror adventure David Cronenberg fans will love. The powers this team exhibits are actually quite disturbing if you stop and think about real people having them and the creative team captures the horror by turning those powers up to 11.
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We're now nine issues into Ryan North, Ivan Fiorelli, and Iban Coello's run of this series, and yet again, we get a new and important perspective, this time from Alicia Grimm. Fantastic Four continues to excite with new ideas, clever perspectives, and a series that never holds back with strong characters.
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Fantastic Four #17 has everything a sci-fi superhero fan could want. It has action, it has trippy ideas, and it has awesome science tying into it all.
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I haven't felt like more of a broken record when reviewing than I have on Fantastic Four, but dammit, this series is truly special. The latest issue gives us new tidbits on Franklin as the series continues to impressively give the entire family focus while also introducing a big science problem resolved via clever writing.
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Fantastic Four is the most consistently good superhero comic on the stands today. Every issue offers something new to think about while the heroes resolve science adventures. Even as a tie-in to a major event, Ryan North proves he's having a ton of fun pushing this book to new heights, and we're all better off for it.
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If you enjoy wonderment, science, or simply adventure, do not pass up Fantastic Four. This book is a pure joy, and it is great at putting a smile on your face while you actually learn something. It's richly rewarding.
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Fantastic Four #25 is a special comic. It blends science with romance, wonderment, adventure, and family all in one. The final page puts an emphatic period on the entire experience, forcing the reader to reflect on the very meaning of the moon figuratively in the story and literally via science. It all blends in a magnum opus of science, adventure, and heart.
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An impressive fourth issue that raises the stakes, hints at complexities we couldn't have even guessed at, while also developing the Green Lantern mythos. Don't skip this series -- it's one of the best superhero books in some time.
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Far Sector #7 is a triumph of ideas and its execution on them. Science fiction is a genre that tends to drift and meander by utilizing tropes we've seen a thousand times over, and yet a comic book like this comes along that drops the hammer and excites. Read this if you value science fiction ingenuity.
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A must read for Guardians fans and Defenders fans will want the taste you get here.
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This is a must read for Secret Empire fans and Spidey fans should get a kick out of a the wisecracking hero.
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It's safe to say Marvel Comics killed it on Free Comic Book Day this year. Both titles offer impressive cliffhangers and excellent stories to make even the most casual fan buy into what is to come.
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It's safe to say Marvel Comics killed it on Free Comic Book Day this year. Both titles offer impressive cliffhangers and excellent stories to make even the most casual fan buy into what is to come.
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If you were worried for mutant lives with the Fall of X looming, prepare to be even more worried after reading Free Comic Book Day 2023: Avengers / X-Men. Even if this comic were four dollars, it'd be worth picking up. Highly entertaining and nerve-wracking, with bold twists, you're not going to only worry about the heroes but fear for them.
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Overall, you can't beat the Free Comic Book Day 2024: Spider-Man & The Ultimate Universe #1. Packed with little moments and great art, it's free and definitely a must have if you're heading to the comic shops today.
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Fire Power is a crowning achievement of how something so simple and usually boring can be intriguing and interesting. Fire Power is poignant, funny, heartfelt, and filled with adventure, and we haven't even gotten to the punching yet. It's a celebration of family in the face of dangers outside the home.
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An excellent second instalment in a storyline you'll not want to put down.
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Very cool story that has forced Flash into a lot of question marks for him, and readers, to figure out.
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A great third installment in the "Year One" story arc further developing the origins of both Barry Allen and the Turtle. If you like superhero origin stories, do not miss this.
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A great extra-sized issue with a big idea, great sci-fi sensibilities, and one hell of a promise for some great stories to come. 
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The Flash #784 is an even better issue than the opening salvo of last issue, firmly establishing the stakes and having some fun with alternate dimensions. The Flash makes the multiverse feel new again.
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This series is deliciously entertaining and clever. Don't pass this up for its smart ideas and great food porn sensibilities.
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Believe this: You will read this and only want more Foolkiller in your life. The character is well written and the story is interesting and well-paced.
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Call me crazy but after two so-so issues I really loved what is happening in this series. The war finally begins and Bane does something that'll get everyone talking. On top of that it's becoming clear what the macguffin is in this little blockbuster, which makes things all the more compelling.
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Frank at Home on the Farmis one of the best comics you'll find on the shelf this week. It's not only expertly drawn, but intense in its unnerving nature. Like a horrific daydream you can't escape, Frank at Home on the Farmis a horror story that lives on the fringes of the imagination.
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Freedom Fighters captures the heart and fight of America.
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A great issue that's filled with action, reveals about a major classic hero, and good progress to the overall plot. If you've ever wondered what it means to be patriotic, give this comic a read. It's an entertaining escape that harbors deeper meaning.
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Another fantastic issue that plays around with the idea of the Nazi regime taking over America and only a few heroes standing in the way of the American spirit dying off completely. This issue introduces a Superman-type character that adds an entertaining new enemy to the fold.
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I had a blast reading this book, not knowing what I was getting into and discovering a new mystery narrative with great character writing to help distract from our troubled world. This series was a delight, especially since I'm a huge Sugar and Spike fan. It brings a similar feel as far as mystery, character development, and atmosphere in a new yet somehow nostalgic way. This book is branded as a post-YA book, and in a lot of ways, it pulls that off by capturing the messy nature of growing up and returning home to find things are slightly off.  This book captures the vulnerability of coming home, brandishing nostalgic vibes in an atmospheric package.
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G.O.D.S. continues to be an intriguing read comics fans of all types cannot miss. There's creativity at work here with story and gods that's compelling, while the visuals match these high-stakes ideas in the sharpest of details.
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G.O.D.S. #4 takes a side step away from world-building to explore an interaction that takes place in a very small space of time, maximizing the spectacle. In the very same issue, we see an exploration of an impossible amount of space. The nature of time and the universe are on full display in this existential action adventure that is excitingly impossible to predict.
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Fantastic character writing makes this a winner.
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The best Generations issue yet!
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There are likely a lot of expectations over this book and many readers may be surprised by what they find, but as a piece of art, this is an excellent example of how the comics medium can still be pushed to new heights. What you hold in your hands is one of the most vividly rich and rewarding visual experiences you'll read this year. Don't pass on it!
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Your favorite mutant team from 2002 is back and better than ever. Milligan and Allred are not only reminding us why their series was genius; they are also giving a reminder of the vitality of the genre as both a celebration of the weird and social commentary.
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Once again, Lemire and Sorrentino wow readers with big ideas, creepy vibes, and an atmosphere that is unmistakably unique. Gideon Falls is a story about family, about secret cults, and a tale that's hard to shake out of your mind when you put it down.
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Strong character work outshines an almost equally strong sense of dread and unease in this title. It introduces you to a world we haven't seen a lot of in comic books, a character you root for, and a premise that can go anywhere. Glitterbomb is exciting if you dig original storytelling, and just may be the horror hit of the year.
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The first issue of this series got a 9 from me, the second an 8.5 because it was mostly action, but I have to say the creative team outdid themselves on this one. It's mostly due to a stellar pace that cuts between action and story very nicely. You're never bored, never confused and always entertained. At the end of the day, isn't that all you want from a comic to release some steam?
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Gold Goblin is a compelling psychological narrative well worth exploring. As a reader tired of Norman Osborn, I was invigorated by this first issue with its unique direction for the character. It asks that if a person is removed from their sin, can they ever outgrow the acts themselves? Gold Goblin is a fascinating look into a complicated mind.
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The strongest volume yet since Volume 1.
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An impressive sixth volume that delivers two stories for the price of one!
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A well paced story that finishes the first story very well with exceptional art and a compelling look at its characters.
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Gotham City Villains Anniversary Giant is a great anthology that celebrates the good, the bad, and the evil of some of Batman's greatest villains. This read feels important thanks to the ties to current stories along with icon Danny DeVito supplying one story. This is a reminder Batman's villains are exhilarating, real, and inventive in the right hands.
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Each character is firmly realized in Gotham City: Year One amongst a backdrop relatable to the American experience of the 1960s. Gotham City: Year One is dripping with noir nihilism and atmosphere in a can't-miss look at a city falling into shambles that'll one day need a Batman.
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Anyone expecting a run of the mill event issue will be wildly surprised to find a fantastically paced story that's a fun take on the training montage we all know and love.
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Another tight issue in a series that's great at providing a great pace and a balanced story. Solid art, high stakes, and a Green Arrow with lots of woman problems makes for fun page turning.
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Another great issue with phenomenal art by Ferreyra that's a lot more colorful and less brooding than in the last few issues, but just as good if not better at creeping you out and bringing fun action too. This is a series that reminds you comics should be fun.
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Green Arrow is smartly written, well paced and exciting every punch, kick, and arrow of the way. This issue sets up the story arc, has plenty of action, and enough good dialogue to enrich the characters and progress the plot nicely.
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What a thrill ride of an issue!
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Another great issue of team up fun.
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Green Lantern is filled with great action, great art and most importantly his powers convey a sense that, much like in the cosmos, anything is possible.
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I've dipped in and out of Morrison/Sharp Green Lantern stories of late, but couldn't help but adore what they've accomplished here. Sharp is shocking the system with masterwork level art blending styles to make something incredible and surreal. Meanwhile, Morrison is crafting a hero's story that captures the worth of the man in the costume and also how empowering it is to have strong judgment and fearlessness. It's a strong example of how great Green Lantern can be in the right hands.
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Big, explosive, and exciting, this is a story that feels incredibly important and will most assuredly have resounding ramifications on the DCU in the future.
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This is quite an exciting start for Green Lanterns and a strong first issue. The buddy cop formula works incredibly well and Humphries has himself one complex and compelling story on his hands.
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This series reminds us in most cases two is better than one. The Green Lantern duo offers a compelling character back and forth combination that anyone interested in psychological thrillers should dig.
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Green Lanterns #7 perfectly embodies the stress and anxiety we all face hanging with family at Thanksgiving dinner. Humphries continues to prove writing characters is his forte. If you like character work you shouldn't miss this series.
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This is a great issue that will get you into the Halloween spirit. More importantly the Guardian gets an important backstory and finally appears to trust the Green Lanterns.
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Thrilling character work can be had in this emotionally charged story that can only add complexity to the Green Lantern universe.
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If you deal with anxiety or know someone who does this is an issue you can use to help those who don't understand make sense of the struggle. The creative team have put in a perfect issue that captures the deeply human struggle many of us face.
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Having read all of the Rebirth books so far this is by far the best of the bunch. This book establishes the main characters and villains efficiently, but most importantly has written an addictive series right off the bat. If you're on the fence about Rebirth, Green Lanterns: Rebirth is a sure thing.
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Green Valley #1 is a calm before the storm opening salvo that will kick you in the teeth more than once. It has a handle on dialogue that's expected from Landis at this point, but just as satisfying as ever. You will dig this tale if you like your knights believable and primed for violence.
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Action packed, great character writing, and a fine twist. Read this one!
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Chaotic visuals and punk sensibilities. Get some!
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Crazy, off the charts, and lots of adult fun.
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It's explicit and will offend, but the best art always does.
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Another solid issue!
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A fantastic ending issue that feels big, important, and ends things very well.
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Cates and Shaw have created a story that excites much like the Guardians movie by reminding us why a ragtag group of misfits banding together is such an exciting way to tell a story. If this is any indication, the Marvel cosmic universe is only going to get better.
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This issue packs a lot of entertainment into its pages. From character work, genuine and earned scene-stealing moments, and a cliffhanger that'll have you excited for even more. It's hard to resist the charms of the exciting and adventurous Guardians of the Galaxy.
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There's a certain brand of magic in this series and it doesn't come from a wand: great storytelling.
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You'll read this and think, "why isn't this a movie yet?"
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You need to buckle in for Gwenpool because this is a ride with some awesome whiplash. Enjoy the jokes as they come in breaking down comics, characters, and your occasional cheap visual gag!
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If you're a longtime reader of comics, enjoy stories that break the fourth wall, or just want to see some incredible creative juices producing something entirely original check this out. It's a one of a kind experience. 
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Another great issue in this series due to the backstory always building and the action always connected to context. Don't miss this great series!
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Sciver and Venditti have one hell of an epic on their hands. The issue feels big, important, and most importantly awesome.
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If you like Green Lantern, or used to read the series at all, you must buy this book. Hal Jordan and the Green Lantern Corps is a showstopper of a series that shouldn't be missed. There's plenty of action, mystery, and science fiction goodness to make this worthy of anyone's pull list.
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The bottom line is this comic is fun to read. When the main thread of this issue ends, a train action sequence, there's yet another action sequence. Some books might lose you here, as you'll fatigue with all the action, but Mooney captures characters in the slightest of facial expressions and a surprise or two too. The small touches go a long way to keep you invested in the story.
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Wall to wall action!
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A great first issue in a two-parter that's bound to increase the zaniness of Harley's life.
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This is a great start to a series that gives its creators free rein to tell any story they want. It's their take on Harley and so far eji has nailed an aspect of the character that's empowering and moving. It's also exciting to know this character is going to get 13 more chapters from some of the greatest creators in the industry today, many of which have close ties with the character's development of the years. Harley Quinn: Black + White + Red is empowering, moving, and creatively rich.
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After only two issues, Harley Quinn: Black + White + Red is a huge success. It's not only a great format for unique and creative voices, but a bargain at under a dollar. Read this for Andolfo's incredible art, sense of humor, and above all else a charmingly over-the-top take on Harley Quinn.
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This is another fantastic chapter in the excellent Harley Quinn Black + White + Red series. It's starting to get to the point where 14 issues of this series aren't enough, as we're three down and I'm thirsty for more. Harley Quinn Black + White + Red #3 is a feast for the eyes and the imagination.
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The series has certainly been eclectic, but that matches the energy and vibrance of fun in every tale. Pick up Riley Rossmo's issue now and you'll see pure creative juices flowing for the betterment of your enjoyment. This series is like an inoculation of fun. Five out of five AIPT doctors recommend it.
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Add Harley Quinn: Black + White + Red#8 to the stack of an already better than expected, totally delightful, and can't-miss series. Kibblesmith and Sauvage's Harley Quinn: Black + White + Red is a delight, visually engaging, and awash with energy and personality.
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Harley Quinn Black + White + Red#13 is another example of how creative and different the digital-first series can be, maximizing enjoyment in a shorter but still fulfilling package. Patrick Schumacker and Eleonora Carlini have created a funny, relatable, and pop-culture savvy Harley Quinn story.
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There's a point where you start to realize through the book's ostensible simplicity that it's far from simple, and in its complexity, there are more layers still to enjoy. If you're at all interested in how a comic book can tell a story, or if you're looking for more variety in how stories are told in the format, do not miss this issue.
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This is yet another example of how Mike Mignola can team up with a creative team and make magic. It's a haunting sort of tale with a deep twist that'll have you thinking, and wishing, for more stories like it. Pick this up for a horror story best enjoyed on Halloween night!
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Hellions is hilarious dark theater, maximizing every moment with a fun character moment or surprise shock that reinvigorates the superhero genre. This issue continues the series trend of surprising the reader with strange interactions, overly dramatic characters, and a propensity for the strange.
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The awesomeness of Ghost Rider and Wolverine combine in a dark and horror-friendly Hellverine #2. Hellverine melds superheroes and horror perfectly with grisly sights and delightful monstrous creations.
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Heroes Reborn: Marvel Double Action is a stunning example of how an homage can work so very well when done right. Seeley and Jurgens have crafted a story that's exciting as it takes classic comics elements and remakes them for modern readers. It also works well within the confines of the Heroes Reborn story and is meta enough to offer a zany story to latch on to for casual readers too.
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I can't say enough how much fun I had with this collection. The stories are eclectic enough to make each one unique and fun in its own way.
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Home Sick Pilots is a wildly inventive twist on the haunted house concept, wrapped in a blanket of strong characters, great art, and a measured sense of timing. It also harnesses a mystery in its concept that'll have you coming back for more. In many respects, Home Sick Pilots will have you walking on a razor's edge of electrifying, scary, inspiring, and gripping emotions. It's a dangerous new entry from all its creators.
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'Home Sick Pilots' is a supernatural horror that has the stylistic resources to match the freshness of its ideas. The second issue improves on the already exciting first issue in ways that will challenge what you think a comic book can do.
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Home Sick Pilots is a comic series that makes you pay attention, makes you care, and defies expectations. It's brilliantly original and a work you can't look away from.
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And that's how this series has solidified itself as an incredible one to watch. This fifth issue identifies key players, but also key ways the rules that have been slowly revealed to readers can be used in interesting ways. Home Sick Pilots juggles ambiance, teen angst, and exciting ideas with a verve only comics can bring. If you know anyone sour on comics in general, give them this adrenaline shot of color and creativity to remind them comics can take you to a unique place worth exploring.
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Home SicK Pilots #8 brings a punk rock energy that's hard to resist. It has everything you could want, from an interesting backstory that helps humanize characters we've known for a while to the introduction of a new monster, and continues to increase the tension on the rising anxiety around Meg coming from Ami. There's a punk rock attitude to Home Sick Pilots on every page reminding us there's nothing straight-laced about it.
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A fun read that makes Hell a vivid and imaginative world you'll want to explore.
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An excellent first issue that will have you on the edge of your seat. A fantastic blending of psychological and supernatural horror.
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This graphic novel can be enjoyed by all ages and its magic lies in it being experienced differently and successfully for each.
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This has a climax so good it's worth skipping sex for.
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Ice Cream Man #42 is a masterful exploration of the boundaries between fiction and reality, blending horror and social commentary in a way that is both chilling and thought-provoking. W. Maxwell Prince and Martin Morazzo craft a narrative that forces readers to confront the terrors of the real world, proving that no monster under the bed can rival the horrors lurking in everyday life. With its striking art, layered storytelling, and deeply unsettling themes, this issue isn't just a comic it's a wake-up call. By the end, you're left grappling with an uncomfortable truth: we're living in the scariest story of them all.
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Make no mistake, Icon and Rocket: Season One #6 is a great fight comic, possibly the best superhero fight comic of the week. The art is highly detailed and well-choreographed while the characters offer clear growth and interesting dynamics. These characters may be from the 90s, but Icon and Rocket very much feels like the future of superhero comics.
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A strong third issue develops the world and its characters well.
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A Bruce Banner-focused issue that gives this new series a clear direction.
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An excellent issue that ties emotion with action and has one hell of a reveal.
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There is a reason this book is hailed every single issue. It's thought-provoking, dark, twisted, unnerving, and the best kind of superhero horror storytelling. Immortal Hulk will twist your stomach, your head, and your heart.
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Immortal X-Men #10 will make you think about Mr. Sinister's point of view, however tainted, and commiserate with him. That's a special thing, as it's rare to feel for a villain like Mr. Sinister and even for one second consider maybe he's right. For Mr. Sinister, the slightest edge is the greatest advantage, and this issue proves he may be the most dangerous mutant villain ever due to his tainted point of view delivered expertly here.
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The Incredible Hulk is a smashingly good new direction for the series. Fans of recent eras get what they want while the creative team takes Hulk in a new but entirely organic new direction.
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Incredible Hulk #14 is a fantastic issue from the main story to the backup. Possibly the best, prettiest comic you'll read all week, Incredible Hulk is profoundly pretty with an aura of pain.
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A great issue that explores the inner workings of characters while progressing the bigger story.
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A great piece of art and writing. Must read for Dr. Strange/Dr. Doom team up fans.
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An excellent first issue that's well paced and scary as sin.
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If the art doesn't win you over the clean and easy to follow story will.
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A fun second issue will make you want more of this brand new character.
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Probably the best paced issue of this series. A lot of things go down, plenty of action takes place, and the plot thickens quite a bit.
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Into the Unbeing Part One #2 is the best second issue of any comic I've read all year. It ramps up the horror, the mystery, and unease perfectly. Into The Unbeing Part One fills you with dread, mixing sci-fi, body horror, and an electrical shock of fear. This is a must-read for all horror fans. Trust me, I'm still thinking about it!
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Iron Fist: Heart of the Dragon is a solid series that packs a lot of characters into an exciting action-adventure story. If you skipped this in single issues do yourself a favor and grab the trade paperback as it might just be Marvel's best event of the year.
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Iron Man #6 effectively puts Tony Stark in a darker place, making this an exciting first issue in a story arc that has firmly established this is an Iron Man we have never seen before. Above all else, Iron Man is enduring something that feels incredibly important to his legacy and may change the character forever. It's also a story about a superhero being pushed to a limit we don't often see, which is at once exciting and frightening.
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Depending on tastes, and despite the usual problems with single-issue storytelling, this is a near-perfect comic book. It has humor, incredible stakes, great dialogue, a surprise ending, and many personal character moments. You'll need to have read the entire series to get the full scope of each moment, and this is slower, more cinematic storytelling, but for what it's trying to achieve it works impeccably well. Iron Man #7 efficiently juggles spectacle, stakes, sharply written characters, and sci-fi.
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It's easy to forget Cantwell has set all his main characters on private journeys and this Iron Man focused issue may be similar. Or, it could be the start of something truly special that blends mythical with science fiction while paying homage to Iron Man's past. This is an issue that deserves a little extra time to soak in and, if you let it, it'll remind you this Iron Man run is incredibly intelligent, thoughtful, and layered.
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There's very strong character work in play here. If you're a lover of character building and the dynamics with which they grow check this book out!
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If you're looking for something a bit different with adult themes you can't go wrong with this strongly written book.
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An original James Bond who's having a bit more fun, a new direction and an honest feel. That's exciting and it's nice to see it's not trying to be like the movies; it's its own beast playing by its own rules.
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A tense action thriller that knows how to take its time and deliver a page turning comic. Whoever's writing the next Bond flick should check this book out and take notes!
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James Bond continues to be the de facto action scene-stealing comic. The action is riveting, Bond feels fresh, and the story as a whole is one you'll want to explore.
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A solid third installment ramps up the weird.
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A fantastic start to the latest Storyteller miniseries. It'll capture your childhood heart as you're whisked along the strong and magical story.
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A fun, funny, and well-done spy drama that lampoons James Bond well.
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This is highly enjoyable and complex look at serial killers from the perspective of a young forensic psychiatrist and profiler. Frankly Harley Quinn wouldn't need to be the lead character for this to work as well as it does. Joker/Harley: Criminal Sanity is an absorbing and at times horrifying dark psychological thriller. Don't miss it.
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Given the way this book ends, most (myself included) are going to be dying for the next issue, especially with an irregular release schedule likely continuing with the pandemic unlikely to stop any time soon. The story is coming together nicely this issue and shouldn't be missed. The development of Harley as an expert forensic psychiatrist and profiler is an inspired choice that's paying off big time.
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Jonna and the Unpossible Monsters is multifaceted as it features a clean and pleasing art style, and an all-ages story that has you rooting for the hero even in the most mundane of moments. On top of this, longtime readers can find little details and visual ideas at work that are new. It's a comic that's endearing, fun, and not to be missed.
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A fish out of water story that delivers action and intrigue with strong Mad Max: Fury Road vibes.
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This is a comic you'll want to read more than once as it's the strongest example of science fiction exploring something we live and deal with everyday in a funny and enlightening way.
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Like something out of Watchmen Millar is playing with compelling arguments about superheroes and their role in keeping society safe.
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This is an incredibly strong issue due to great character work and a humbling story of a hero with a problem nobody thought anything of in the 50s.
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This continues to be my favorite character book on the stands. It accomplishes so much in subtle ways and it holds characters dynamics a high level.
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The balance between action, character development, and twists are unparalleled. This is how you do spectacle in comics!
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If anyone wanted to see how to kick off a summer event series this is it. Not only is this issue captivating, exciting and interesting, it's very good at establishing a new direction for many different stories. That requires a good balance between stories and at its core strong character development.
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I haven't dug this series in quite a while, but I think Hitch and Pasarin have quite a tale worth exploring here in Justice League #15. Time travel, excellent art, and a well told story combine to make "Timeless" a must read.
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A strong issue that makes the case for Lex as the primo supervillain he deserves to be.
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This issue drives home very strong points about the team and how different philosophical approaches help build a better one. Snyder has said he'll continue this series well into 50 issues, which is a good thing for all comic book readers.
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This series has been a delight and this issue delivers. The narrative here comes as a bit of a surprise, revealing why Joker has been so subdued while wrapping all that into a Lex vs. Joker battle for the ages. You will come away respecting Joker a hell of a lot more.
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The DC Universe is made richer from this series. I'm on board for what is to come because its creators don't hold back. This is far and away one of the most exciting comics on the stands today.
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A great issue that begins to reveal what is going on in the sixth dimension. Like a good David Lynch flick, there's an unnerving presence you can't quite put your finger on further driving your interest and attention. One might call what is going on in the narrative weird, and that's because it's a story and approach you don't see often.
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Another great issue in a story arc that balances action, plot progression, and deeply thoughtful ideas.
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Clever ideas, great one-liners, and intense chase sequences make this story arc feel like a blockbuster event. It's like a bonus blockbuster event before DC Comics really lets loose with Year of the Villain. Snyder and Jimenez are reminding us comics are supposed to be fun.
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Another excellent installment in what is clearly the best superhero team book on the stands. It's big, it's hopeful, it's complex, and it's having so much fun doing it.
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This is a brave and bold finish to a 10-part story that had a lot riding on it. What could have rang as false is handled with truth and vision. In its final moments Justice League proves the team, much like the heroes on it, can be a force used to inspire hope and empowerment. There is a message here that is crafted not to be against anything like war or violence but is positive in its hope for compassion, life, and finding the hero inside all of us. We just need to believe it's there.
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I liked this issue and how it sets things up with a big fight sequence. The art is incredible and some of the best you'll see probably for the entire month. If you like a smash hit of fight scenes with your favorite superheroes, don't pass on Justice League.
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This is a gripping issue I couldn't get enough of. Animal Man has so far been subpar in his use, but things seem to be moving in the right direction for the character. This is without a doubt the best horror superhero book on the stands.
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The bottom line is this: the characters are pushed to the brink, great teamwork is on display and the story has a few surprises up its sleeve. The fact that it ends on a cliffhanger we may have seen before doesn't hurt things as the setup in previous issues promises a different direction, and ultimately an even bigger payoff.
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Expect to be wowed by Justice League vs. The Legion of Super-Heroes #1. There's a lot to enjoy here and be in awe of, from the epic nature of the story to the incredible visuals that are clean and easy to follow. There are visual ideas at work here -- the lettering, the colors, and the pencils add up to a work of art. This is cutting-edge comics.
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Huge in scale with stakes that bring this to event caliber storytelling.
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The Kamandi Challenge is an exciting page-turning extravaganza. It's entertaining in a modern way while paying respect to Jack Kirby and the fun his stories bring. The pace is so fast it's easily satisfying every page of the way.
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Fun, exciting adventure series that's rife with surprises? Sign me up! Plus it changes its creative team to make every issue stand alone!
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'Kerry and the Knight of the Forest'captures the magic of adventure and mystery of the dark forest many of us experienced as children. Dreamlike and filled with adventure, 'Kerry and the Knight of the Forest' will speak to your inner child.
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A satisfying and wholly gripping drama blanketed in action. King Thor is an incredible exclamation point on an unparalleled epic story dark in mood and spectacle. 
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All in all this book feels incredibly important even though it takes place in the far future and there isn't a single Marvel hero outside Thor to be seen. That's saying something!
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I am a sucker for stories about myth and storytelling and this is a fantastic love letter to story while also closing out one of the greatest Thor runs ever. If you're a lover of storytelling and believe in them like Jason Aaron does I highly recommend reading this to get the warm and fuzzies.
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I've enjoyed this series more than any event book Marvel or DC has put out in months. The story is paced well, always interesting and the character dynamics work. If they don't continue this series after issue #5 or find a way to bring these characters back together I will be a very sad boy.
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I had so much fun reading Knight Terrors: The Joker #2. It's a delight and tops the first issue with entertaining scenes and an interesting character study. This proves the event is a great way of exploring various characters in unique ways.
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A strong fairy tale style story that'll creep you out and delight with its mysteries.
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An excellent second issue that spells good news for the series as a whole.
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I can't get enough of this series!
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This is a great bang for your buck anthology book that I'm sure anyone can find entertainment value in. Each story is drawn quite well in different styles mixing things up and making the book feel like it's well worth the value. After two issues it's safe to say I'd gladly purchase three of the four stories if they were printed individually.
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Not since Alejandro Jodorowsky and Moebius have I been more interested in a science fiction story. Read 'Lightstep' for its deeper meaning, but also its exceptional beauty.
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Loki #1 captures the modern essence of the title character while supplying an intriguing adventure for him to fix. Or is it to escape from? Watters clearly understands the character and his place in Marvel Comics today, and we're all the better for it.
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Lucas Stand continues to be a real treat for anyone interested in strong serialized storytelling with a deeply original premise.
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Another solid issue that's not quite as perfect as the last (because that was perfect), but still highly entertaining. If you're into myth and lore you'll love this issue.
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Once again another fantastic issue in what is a fantastic story arc. If this isn't your favorite series yet you haven't been reading it.
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Lucky Devil #1 is a strong start to a new series with great gory horror and an even greater premise. It feels like a much gorier Sam Raimi film that's somehow also prettier than anything he's done before. Lucky Devil is clever, original, fun, and gross in the prettiest of ways.
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Gene Ha continues to weave an addictive fantasy story, bringing us one step closer to a magical realm we may never want to leave.
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Mamo is a patient, ethereal, and beautiful work for fans of the magic of all sorts. Read it for the mystery and the curious and unique magical world, but read it a second time for the beautiful art.
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Mamo #2 widens the horizon of the larger story and develops its characters well. This series continues to be a breath of fresh air and a soothing experience. It's a series young and old alike should appreciate, and it has a uniqueness in regards to the magic that feels entirely new.
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This is one of the strongest chapters in the event for fans of the character. Marauders #14 perfects the art of social chatter and gatherings -- only with superheroes and a giant alligator man.
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I recommend you bask in Marvel history for an extra-sized extravaganza and pick this up. Remarkably enjoyable, even delightful, Marvel Comics #1000 chronicles the dark mystery and the endearing characters offering a chance to acquire a deeper appreciation for Marvel history.
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A slow start, but boy does it pick up!
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Marvel Zombies: Black, White & Blood #2 is an excellent chapter in a long line of great tales in the Black, White & Blood legacy. Above all else, the duration of the three tales maximizes the entertainment, never getting too action-heavy or character-focused. For a zombie series, Marvel Zombies: Black, White & Blood is thrillingly alive.
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Once again, I'm blown away by Marvel's Voices, this time in its Legends format. Each comic story offers something fun, thought-provoking, or downright riveting. The bonus materials only sweeten the deal in a buy-on-sight series.
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If you buy this book you're holding a piece of comic book history, that's without question. The annotated version only strengthens that statement making it a must-read for those who are interested in the craft, but also its importance in history.
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This is an important story and a comic book. The series of one-shot tales continues to impress as it connects superheroes to a reality that is not so far off from our own. Most importantly it's a reminder that storytelling, even with superheroes, has an important part to play in educating us about what is really going on around us.
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If you enjoyed Busiek's Astro City or simply like your superhero stories steeped in raw realism don't skip on this. The characters may be of an older time, but the message is as important as ever.
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Meet the Skrulls started with a strong first issue, but this second issue builds on the first and really opens things up. You don't Meet the Skrulls by accident. You're meant to cross their path.
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I thoroughly enjoyed the story, the characters and the mystery that is driving the plot of this series. A great first issue that is worth checking out.
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Miles Morales: Spider-Man #1 hits you like an electroshock with great action and impressive visuals while offering a grounded and real take on the character. Miles Morales: Spider-Man #1 is thrilling comics and a total blast.
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Monsters Unleashed #1 is the perfect opening salvo to an event that may buck the trend for event haters. It grabs you with its monster madness from the opening page and never lets go.
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Moon Girl and Devil Dinosaur is great fun, and worth a look if you like strong character writing. The cameos from big time heroes add a flavor of the Marvel Universe that should please most, but it's Moon Girl's development that's the most enriching. You'd be silly not to check this out if you love comics, have a kiddo to give a gift to, or just want to get into a childlike spirit.
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Very well done. The pacing is exceptional and should keep you on the edge of your seat like a nice thriller. The cinematic nature of the story helps too and it's very much like a done in one episode of your favorite TV show.
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At times mesmerizing, trippy, and always captivating, Moon Knight #10 is a fever dream of story and character. Lemire and Smallwood are telling a story that not only pushes the character into new depths, but the comic book format as well.
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Moon Knight #11 has a great balance of compelling character work and alluring supernatural elements combined to make for addictive reading. Moon Knight is delivering a story that's hard to resist.
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Moon Knight: Black, White & Blood #1 is another great addition to the anthology line of comics from Marvel. There are some instant hits here that are brilliant, creative, and downright fun. The consistency wavers, of course, but it's an exhilarating Moon Knight experience.
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I had a blast with this second issue, which is a masterclass in shadow and light, but also the tragic hero. Don't trade-wait this one -- it's a delight from beginning to end.
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A wonderfully weird and deeply heartfelt tale that drops you into a place you never knew existed, but will only want to learn more about. If you like fables, fairy tales, and stories that feel entirely new, you gotta read this.
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Ms. Marvel fights a sentinel alone and does it with impressive visuals and a great sense of internal monologuing. I couldn't be happier with Ms. Marvel: The New Mutant"and I'm excited to see Iman Vellani continue to write this character. Ms. Marvel: The New Mutant is gripping with powerful moments of Ms. Marvel finding her identity as a mutant but so much more."
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The payoff in this issue, the payoff we've been waiting for for more than two issues, is really worth the read. Readers who come into this issue blind should enjoy themselves too, because there's a mini arc here focused on Dr. Strange that makes the climax worth a look. Recommended.
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What is a hero, really? And are the Avengers heroes, or self-entitled kings? We find out in this issue and it's an exciting read to say the least.
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New Mutants #21 is one of the strongest issues of the series. It balances the emotional impact of a choice while delivering plenty of action. That blend keeps both A and B stories moving forward while satiating the action fan's desire and the strong character writing we need to care about these characters. For those reasons, New Mutants is exciting, impactful, and sincere.
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New Mutants: Lethal Legion #1 is an insightful delight and a strong start to your new favorite X-Men series. It offers insights into characters, offers a clever take on Krakoa, and supplies plenty of visually appealing art. New Mutants: Lethal Legion is filled with characters that are complex and interesting.
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ACO draws an awesome issue that's incredibly dynamic and crazy. It's like Crank for comics.
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Indeed. Nightwing is the Jason Bourne of DC Comics, but with a lot more quips and humor. Put this series on your pull list.
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This is a boisterous action packed issue you should not miss. The story progresses nicely and with good pacing balances everything out.
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Do yourself a favor and give the "The Seven Blades of the Master Darque" a try. It's only two issues, but you're bound to be all-in with this very cool story. Matt Kindt is putting on a show with clever storytelling ideas you can't miss!
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Highly recommended. The weakest aspect is the third act, which is very different from most of the book, but still just as good. The art will captivate and the story, while based on the work we all know, has just enough fantastical changes to keep your interest until the very end.
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Dare I say a better second issue than the first that's laugh out loud funny and gets the plot rolling nicely. I'm no clairvoyant, but Killstrike is the sleeper hit of the year.
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This is without a doubt the funniest comic of the year, especially if you were a comic reader of the 90's. Don't be sillyhead and miss this series. Go out and get the first two and then read this issue. You won't be disappointed.
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In an age where anti-work movements are on the rise, One-Star Squadron #3 is a mirror being held up that adds entertaining context to a bad situation. One-Star Squadron is a funny, clear-eyed dissection of office politics and the stupidity of corporate ideology. When it comes to satire in comics, Russell and Lieber are peerless.
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This is a nice surprise that those new to the series can enjoy as it captures a fairy tale story fantastically. There's an undercurrent off odd that'll tickle most peoples fancies.
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Science fiction has a new leader for #1 lists of 2017. Much like its original series I was left pondering the characters, the world, and their situation. Garing has a series I'm already prepared to buy on sight. This is science fiction that's deeply meaningful and captivating.
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Strong developments to the universe and select characters with interesting political commentary make this another winner.
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A fantastic issue in a series that's must read material for science fiction fans.
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Plunge is turning out to be one of my favorite horror comics in some time. It has everything you'd want and then some thanks to the crisp characters and creepy underbelly that lies just below the surface. Read this to get the shivers running down your spine. Plunge is utterly unique and finds darkness in the spaces between reason and the chilling unknown.
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It's exciting to get such a strong series in the voice of a villain like Poison Ivy. Not only that, it makes strong points about why Poison Ivy would kill and harm in the name of getting her mojo back, but also saving the world while doing it. It's not hard to relate to her while also feeling a bit unnerved by her killing ways. It's everything you'd want in a supervillain series Poison Ivy is complex as you hang on her every word.
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It's plain to see why Poison Ivy needed another story arc, as this issue reveals she has many more people to meet, fall for, and murder with extreme justice. Tender, biting, and truly real, Poison Ivy is a vision for exploring humanity and how a force like Poison Ivy can walk the line between good and bad.
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Haunting, exciting and filled with surprises this is a Poison Ivy story you can't miss.
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Smartly done, Predator vs. Wolverine leans into the feral side of both its leads, showcasing their fighting ability and storied battle starting in 1900. As a four-part series, I can't wait to see how the relationship between these two killers evolves over a century and how mutual respect may form due to it. Capturing the brutality of both heroes, this Predator vs. Wolverine is a bloody good time.
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This book couldn't come at a better time now that everyone is loving the badass Daenerys on Game of Thrones. By issue's end if you're not hooting and hollering like a canned television audience you're probably dead. Recommended.
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An improvement on the first volume with unique horror stories worth reading.
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This is a version of Punisher who is violent as hell and acts on that, but it's also about what happens to soldiers who learn cause doesn't matter.
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Punisher #11 is thought-provoking, revealing what kind of family Frank Castle had before it was taken from him. This helps recontextualize the series, Punisher himself, and how he will be changed forever once the series ends. Punisher is ambitious, perfectly paced, and will have you gripping your chair in anticipation.
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An excellent opening issue to a series to watch.
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Another good installment in this unique series.
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A great chapter in the series giving us more detail on a key character.
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This is an excellent supernatural story that's kicked up a notch in this latest installment. If you haven't jumped on board yet, dammit do so now!
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Rare Flavours continues an epic journey of life and its deeper meaning through food. This issue will satisfy you greatly with a helpful backstory and a stronger sense of what it all means. It's a thoughtful reminder we must slow down and savor life.
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This is a great fourth issue for a variety of reasons, but the biggest is how it all comes together offering delights of different sorts. There is character intrigue, interesting reveals, a plot that moves forward, and a good cliffhanger, too. This issue offers everything that should get you giddy for another issue. For some, it may have come too late, but for me, I'm all-in for the finale.
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Reborn promises to excite, surprise, and most importantly offer an afterlife tale fantasy fans won't want to miss. It takes patience to get into it, but when you let it you'll realize this is masterful storytelling.
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If you like storytelling and the act of telling epic stories then read Reborn because it will expand your mind. The concept is compelling and feels utterly unique, with art that's gorgeous enough to taste.
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It may not tie-in to Robin War very well, but it's a solid done in one issue. Come for the fun action sequence and strong character development of Joker's Daughter.
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Red Hood and the Outlaws #5 is a great issue that's action packed and well paced. It's addictive reading and a real page turner you shouldn't miss. If the team already puts the “fun” in dysfunctional — I can't wait for more.
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Red Hood and the Outlaws #6 offers a satisfying conclusion to a fantastic first arc. Lobdell and Soy have made a case for this team and it's unique place amongst the pantheon of DC series.
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Suspenseful and scary, this is a great first issue.
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A new take on witches in a well told comic. Great!
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An excellent chapter that's deeply meaningful.
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A great end though it makes one wonder what happened to the other lead characters.
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Resurrection of Magneto blends sci-fi and the spiritual in a work like a 21st-century version of Siddhartha. Storm is on a spiritual journey to save Magneto's soul in a story that elevates the superhero narrative.
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Hey, we got ourselves a neat mystery book with potential supernatural goodness on the way! I'm all for strong characters in any work and this puppy has it in droves. Worth a look and worth your dime!
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The quality is very high and the humor runs fast and deep. You can't go wrong with this comic if you love comedy and especially if you love Rick and Morty. To reiterate: you could easily take this issue and animate it and nobody would know it wasn't made by the creators.
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Oni Press' Rick and Morty has proven itself ten times over, especially with issues like this that are self contained. Kyle Starks is very good at capturing the characters, the wacky originality of the scenarios, and the most importantly the sense of humor of the show. Here's to hoping he continues to write this series for a long time to come.
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Rick and Morty wraps up its latest story arc in an entertaining way with a backup that's must read for fans. There's still no date for season 3 of Rick and Morty, but if this series continues on like it has the wait won't be that tough after all.
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A funny issue with everything you'd want from the series from science fiction, violence, and a fun new guest character!
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An excellent issue. Must read!
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The main story is hilarious while the backup a good setup story.
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An excellent issue that proves the quality level of this series is very high. I can't wait for issue #50 for the sheer fact that the ingenuity and fun of this series is as strong as ever.
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A must read for Rick and Morty die-hards and even casual fans too.
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A fantastic first issue in a crossover made in heaven.
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A fantastic first issue in a crossover made in heaven.
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A strong second issue continues to show this series has the right stuff. Fantasy, sci-fi, and plenty of humor all add up to a great comic not to be missed.
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You might read Robin #5 and feel like it's a filler book, but Williamson and Melnikov tug at your heartstrings with some well-earned emotional moments. The legacy of Batman and his sidekicks is long and you feel every moment in the little references and connections these characters share here.
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This is a very good introductory issue that balances action, exposition and character very nicely. The pace is so strong and key to its success I'd swear it was created with a metronome.
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Fast paced, action packed, and filled with character beats.
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This book was going to look good no matter what, but considering the fun and high stakes story you can't not love this. This is the epitome of fun when it comes to comics and you'll be missing out if you don't give this one a try.
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Highly enjoyable for all ages.
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Symbolism abound in this exciting and never boring epic of love, death and treachery. I challenge anyone to read this book and be bored for even a second. It's a page turner, and one that'll make you think about life and love in different ways.
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Is it too early too mark this issue as the biggest surprise of 2020? We're only two new comic book days in, but this blew me away as I was expecting another run of the mill mini-event. Tieri and the company have captured the horror of the natural ancient world impeccably well. This is an engaging, macabre horror story not to be missed.
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If you had any doubts, Sabretooth & the Exiles is an excellent issue that improves upon what came before it. Not only does it set up Orchis--one of the main mutant villains right now--in an impressive way so that you genuinely hate everything about them, but it gets the team dynamic written for the motley crew of mutant rejects. Sabretooth & the Exiles validates the villains to rise up and fight, which is apleasure to read.
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Included with all that is an interesting story progression for The Will and a bit of action thrown in too. Animated skeletons known as bone bugs, anyone? Really the only downside to an issue like this is all the recap. I'm sure there are readers out there who are dying for more, so the three or four pages used up to explain what's going on might annoy some folks. That said, you can't please everyone and once again this series continues to shine.
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A good first issue that has some great moments, checks in with all the main characters and even includes an inappropriate alien moment. Hooray!
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I'm sure I sound like a broken record when it comes to Saga, but it truly is always well written, well drawn and filled with surprises.
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Saga #58 is a great example of how mature and modern sci-fi can be. There's literally nothing else like it as it approaches to sex, violence, and loss in complex ways. All of those things are conveyed in this issue, making Saga a delight for the senses and the mind.
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Saga #61 returns after a six-month hiatus, which might be the best issue since the three-year hiatus ended with issue #55. The characters feel aged and hyper-real, the approach of the series continues to interconnect multiple characters, and the plot appears to be heading down a road of huge impact. Saga is exhilarating thanks to a rich cast of characters and the incidents so varied.
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In many ways this single issue reads like a graphic novel. It's filled with character moments, action and atmosphere and feels incredibly well rounded. If you're interested in ancient Japan, detailed art and great storytelling you can't go wrong with Samurai.
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Science fiction fans need this in their life. The world reads as if it's honest-to-goodness alive and the protagonist is living there as we speak. You won't be disappointed if you like a character focused story with a lot of science fiction thrown in.
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Marvel Comics has another surefire hit on their hands with Savage Avengers, a book that understands its characters and puts them first before laying delicious action and intrigue on top of them. For anyone who grew up with comics in the '80s or '90s, Savage Avengers is a great time.
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I was on the fence with issue #1, but #2 has pulled me in and won't let go. This is the Conan I loved growing up, and is reminiscent of Kurt Busiek's great run on the character. Savage Sword of Conan reveals through blood and carnage, there is heart.
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Is it good?A great solo story reminding us Conan isn't just a barbarian, but a force to be reckoned with. Yet another great story to add to the Conan legacy.
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Image Comics is on a role when it comes to fantasy comics!
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Scarlet Witch #1 is a jackhammer of entertainment and intrigue. You'll be on the edge of your seat and dying for more by the end of the issue, I guarantee it.
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When a story comes along and proposes to be something it's not with a delightful surprise you should take notice. There aren't enough completely original stories out there worth your time, but this one takes the care. Recommended.
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A fantastic opening issue to a summer event that'll get you extra motivated to read as you'll hate Cap and want him to be defeated!
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An excellent chapter that could be its strongest yet. This event is starting to pull out some memorable moments you won't want to miss.
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This issue packs a lot of character into an action frenzy of an issue. It's a lot of fun!
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A fantastic first issue that'll make you want to learn more about every secret identity and make you question why other comics haven't explored superhero identities like this.
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If you're a lover of world building and great mystery, don't miss this issue. There's plenty to uncover here as we enter a brand new world and it's fascinating to peel back the many layers of this onion.
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This is more like it! Plenty of action and art that's on scale to top anything you might call epic. Bottom line is it's fun to see things coming together for our concluding chapter next month!
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The best Secret Wars tie-in yet with a very compelling cast of characters, dynamics between them, and exciting action.
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Another excellent installment in a series I can't put down.
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Sensational She-Hulk remains grounded in a way only Marvel Comics superheroes are. Thi sis the world outside our window, complete with crappy day jobs and messy friends. Sensational She-Hulk is brilliantly energetic and deeply real.
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Sentinels #1 is an excellent start to a new kind of X-Men book. It harnesses a unique set of soldiers who are as victimized as mutants themselves. The action is intense, and the team's uniqueness keeps the narrative strong. This is Aliens meets Jarhead for the X-Men fan who wants to explore the seedy side of From the Ashes.
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Shang-Chi is back this week, and the story and art are even better than the first time Yang and Ruan joined forces. The complexities of Shang-Chi's life now that he's the boss of a huge organization add a new layer to the character while he attempts to keep Esme in line and Spider-Man none the wiser. The creators have captured the inherent goodness and relatability of Shang-Chi incredibly well while wrapping it all up in an action-packed package. Shang-Chi hasn't been this entertaining in, well, maybe ever.
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Probably the biggest success of this issue is how it proves Shuri is a unique character well worth a longstanding series.
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Silk #1 is a great start that firmly establishes the character for new readers while also carrying forward the character for longtime fans. This issue is incredibly economical with its scenes and once you put it down it'll feel like you got extra story. The beauty of this story is how Cindy is actually good at most of what she does, but it's the people and circumstances in her life that add the conflict. For that, Silk is an inspiring hero for readers of all ages and this is a great start to her latest series.
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Silver Surfer #8 is a wonderfully endearing treat that you should not miss. The story is a fun, done in one tale that explores the scope of size in the cosmic Marvel universe.
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Gorgeous, fun, and filled with wonder.
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An exceptional issue that captures the fun of Silver Surfer and Dawn's space adventures, delivers a major belly laugh, and ends with a cliffhanger that could change everything!
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Once you put it down, you'll want to read far more Black Flamingo detective mysteries. Hundreds of years of mysteries and somehow it brings a whole new flavor to the genre. That's thanks in part to the wildness of Florida, but also to the strong central character and its unabashed approach to the real world and the supernatural. Sins of the Black Flamingo #1 is an intriguing start that feels fresh and isn't afraid to be genuinely sexy.
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Garth Ennis proves his best work delivers commentary on the superhero world and this issue does just that. It's funny in a big and boisterous sort of way while giving the heroes new direction and purpose.
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There's a crossroads coming and I can't wait to see how all these characters will come out when their stories converge.
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Skulldigger and Skeleton Boy continues to visually challenge its readers in ways that not only excite, but increase the possibilities of what comics can do. If you like superhero stories, you need to do yourself the favor and read Dark Horse Comics' best series of the year. Skulldigger and Skeleton Boy is one of the most rewarding experiences of 2020.
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Skulldigger and Skeleton Boy remains one of the most visually innovative and deeply challenging comics series to date. The penultimate issue sets up the showdown of the century and yet the art continues to be the showstopper. Do not pass on this series as it has visually stunned and continues to impress panel to panel.
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Sleeping Beauties offers disorienting pleasures of horror and identity as a pandemic begins to wreak havoc on an unprepared community--a narrative that's entirely believable given the pandemic today. 
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This continues to be my favorite series right now and Solar should be on everyones' minds if they want a unique character dynamic duo and a fun new series.
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This is an enjoyable issue that changes gears but does so without losing the energy and pace of the previous issues. The best book you aren't reading!
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Solar: Man of the Atom continues to be a real treat every month due its spontaneity and the strong relationship building between father and daughter. It's a comic that's simply solid every single month.
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A fantastic end to the space portion of the story that has interesting characters moments and increases the power set of Solar ten fold. Great read and a surefire must have when this is collected.
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Somna is an excellent first issue, mixing the dream world and the real world that establishes mystery, intrigue, and tantalizing eroticism. Not since Coppola's Bram Stoker's Dracula has there been a horror that feels so unique, sexyand hypnotizing.
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Space Battle Lunchtime has a fun premise that's well paced with a unique story that makes it feel special. The characters are endearing and the story is too.
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Funnier than the first issue with a lot of cooking action that's quite exciting. If you like cooking shows, science fiction for all ages, or all of those combined, this is can't miss comics. It blows away any cooking show you've seen on TV.
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Space Battle Lunchtime is setting a new precedent with a genre I'm sure will inspire more cooking comics after it. It manages to do so much well, from character development to exciting cooking montages, and a fun premise with a great sense of humor.
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A fun story that mixes things up with two perspectives both of which are kinda crazy.
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Spider-Man 2099: Exodus is cool as hell and this is a must-buy for anyone even faintly familiar with the future version of Spider-Man. It'll bring you a bold, bright, loud, techno-future experience with a rad Ghost Rider too. This issue in particular seems to blend a lot of cool, culturally significant sci-fi like Tronand Blade Runner.
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An excellent chapter in a series that is fresh, new, and popping with opportunity. Most comics don't feel as fresh as this and that goes for every page turn and every twist. Read this if you love Spider-Man.
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An emotional, heartwrenching, and beautiful final issue that reminds us why Spider-Man will never be forgotten. Spider-Man: Life Story was clearly made with enormous affection and you'll feel it to the very last page.
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Spider-Man: Life Story Annual is an unconventional superhero story, but one that needs to be told. So many people hold resentment, anger, and even guilt so close to the chest they forget to breathe. This is a story about a man filled with those feelings and how he finds the courage to be better.
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Fans of the classic Spider-Man era will adore Spider-Man: Shadow of the Green Goblin #1. This series will take you back to a key time in Spider-Man's life as he grapples with bills, the drama between friends, and the looming menace of Goblins before they ever entered his life. DeMatteis hits all the right Spider-Man notes selfless, brave, relatable while adding intriguing new canon.
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Spider-Woman #13 is a great action-focused comic with a hell of a chase scene. In fact, this is probably the best chase sequence you'll get in all of comics in 2021. Spider-Woman is breakneck, funny in a self-reflective way, and about as fun as comics can possibly get.
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A solid second issue that progresses the story and continues to write these characters oh so well.
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Another fantastic installment that's fast paced and action packed.
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This is a well written and entertaining issue that has proven there is no cash grab going on here. Instead we're being delivered an exciting crossover that makes sense, captures the wonder of both properties and does a fantastic job with its characters.
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You simply can't find a better Star Trek or Green Lantern story on the stands today. And that's not even factoring in the fact that they're combined here!
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As far as climaxes go this is how you want an event series to end. The action is fantastic and the storyline wraps up well for all parties. Satisfying and fun!
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It's not often the second issue in a story arc beats the first, but Star Trek: Defiant #2 does so in spades. Now that the crew is established, Cantwell and Unzueta are showing us how fun this crew can be together in a fast-paced thrill ride of a series.
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Klingons bring violence and violence brings an action packed Star Trek series. The character dynamics are intact and strong, but above all else this is a fun ride well worth your time.
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IDW couldn't have had a better first issue to kick off this exciting new series. This issue contains two stories that get to the core of what makes Star Trek so damn awesome. If you love Star Trek, you will be over the moon for this series.
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A great installment of the series that captures the discovery of Star Trek very well.
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This is an exciting issue that delivers action and character dynamics between Leia and Han every fan will love. The art is kicking it up a notch too, making this feel like an event level book. Get it!
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This is yet another great installment in the best Star Wars series on the stands. It's always exciting much like the films, continues to have good character beats and is incredibly well paced. Dig it.
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Minor art quibbles aside this is an exciting issue with plenty to enjoy. The story is really coming to a head, cool plot points are dropped at opportune times and the character dynamics are interesting.
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If you dig Yoda this is a no brainer must buy. The art is fantastic throughout the issue and possibly some of Larroca's best work to date.
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A good extra-sized issue that does a great job showing a different perspective on groups we all deem the villain.
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An excellent chapter that checks so many boxes.
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Darth Vader has never been this badass as he is clearly an unstoppable force here. You'll root for the heroes but strangely delight in Vader smashing everyone.
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Star Wars #50 is a great tale that feels intricate and complex but once finished, the lesson is clear, and the results are compelling. Soule has captured different eras beautifully while adding to the larger canon.
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Is it good?A great Star Wars story revealing details about Tarkin, offering key moments in the timeline, and revealing much about the character. A must read Star Wars story.
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If you're looking for Star Wars horror, Star Wars: Darth Maul Black, White & Red #1 has it and then some. Percy is expanding on truly horrific things in the universe while further defining Darth Maul as an ultimate adversary and a Sith of some reason. Expect chills, thrills, and a satisfying expansion of the Star Wars universe.
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Leading up to this issue I was losing hope but this issue brings back some great pacing and fantastic character moments to make this the strongest issue yet in the series.
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Darth Vader fans need to check this book out. It not only continues the awesome badassery that is Vader, but infuses his character with his very nature getting the best of him!
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A solid conclusion with everything wrapping up nicely and a cliffhanger that will put Darth Vader back into the fire and at risk now that he's finally acquired the emperor's favor.
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A strong third issue in the arc delivers on creepy vibes. The man is broken and this issue ties us to those broken bits with great storytelling. About as strong as visually arresting comic book storytelling can get.
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Excellent character work and new lore tidbits.
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An excellent finale that's not only action packed but houses great seeds that'll lead to interesting story beats later.
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A great final issue that puts Darth Vader through a spiritual test that's awe-inspiring. This issue will not only make you think of Darth Vader on new terms, but it'll give you new insight into his journey to be the chosen one.
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Doctor Aphra #2 tops the first issue and then some. Suckers for storytelling need to check out this issue and its use of flashbacks. Given the cliffhanger it's safe to say this may be one of the more important Star Wars books to read if you want to know it all.
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This is a great introductory issue to an often underplayed and misunderstood character. Finally he's getting his due in the comic book format.
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This is without a doubt the best Star Wars comic being printed right now and there are some surefire gems in that bunch too. This comic doesn't center on the main characters or events, but Lando is turning out to be the most interesting and complex character of the bunch.
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Fantastic characters and a pulse pounding plot are found in this comic. The ink work is dark and brooding, but is outmatched by the incredibly uplifting and captivating character of Lando Calrissian.
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This is a great example of a bridging issue that doesn't simply move the characters from point A to point B, but adds to the backstory and sets up some big future reveals.
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A strong second issue establishes Thrawn is working his way.
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I had a blast with Star Wars: TIE Fighter and I think most will too. It gives readers a new flavor in the pantheon of Star Wars stories and has the opportunity to tell a very different story. One that could lead to surprising places. Star Wars: TIE Fighter highlights how good people can be found on both sides of a war.
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A highly effective second issue is a lesson in how to tell a great story without requiring a complicated back story, canon, or overly thought out plots. It's high octane Star Wars entertainment -- can Darth Vader fans really ask for more?
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Star Wars: War of the Bounty Hunters: IG-88 is an example of how Star Wars comics enrich characters who are often given very little screen time. It's also an example of how there is heart and soul in any character, no matter if they are flesh and blood or metal and oil. It's a sympathetic story about a killer robot that that surprises, delights, and makes you think.
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After a so-so second issue this series kicks back into gear with an excellent issue. The villain is finally defined and our hero kicks some ass too. We are now aware of the ramifications and limitations of the characters which means we're locked in for anything and everything with the rules defined. Bring it on!
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Another excellent issue that's about on par with Saga when it comes to being consistently great.
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A great send off to a fun and compelling story that anyone can love. The action might run long, but we've all been waiting for this climax, so bring it, and read it today!
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Spurrier and Bergara have done an excellent job pacing this story as it draws you into the world around the characters, but also the deeper mystery. Step by Bloody Step #1 is a force; a story that's eye-catching, intriguing, and endearing. It's a mix of beautiful art, but also a challenge to conventional comics as we attempt to understand its subtly. Step by Bloody Step feels special as it blends wonderment, menace, and a story that feels timeless, like a new fairy tale that'll be told for ages unfolding before our eyes.
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Strange has defied expectations from the very start, delivering on the notion that anything can happen in Marvel Comics with a big enough imagination. MacKay and Ferreira prove their imaginations are so big that your expectations will be blown away, making you very thirsty for more. The well has been tapped, and the creative team shows if you think you know what is possible, think again. Read Strange #10knowing it might be the end, but the creators are only getting started.
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Strange Academy is a blast worthy of the attention of kids and adults alike. There's a character for everyone with equally unique powers, set in a magical school rife for exploration at a time at Marvel Comics when magic could take these characters anywhere. It's an adventure I'll be looking forward to just as much as these kids. This is a new kind of X-Men for a newer generation.
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'Strange Adventures' is a page-turner with crisp pacing and stunning visuals with a narrative complexity and momentum that is unparalleled today.
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Under the guise of superheroes, Gerads, Shaner, and King have been telling a meaningful story about soldiers at war and what that war does to them. What they bring home and how that affects us all is explored in meaningful ways that allow the reader to come to their own conclusions. Strange Adventures remains one of the most meaningful superhero stories on the stands today.
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Strange Adventures #11 is a great example of how comics storytelling can play with time, space, and emotion in unique ways. The art team is doing incredible work thanks to the masterful plotting and a constant give and take. As penultimate issues go, this issue delivers plenty to ponder and promise for the finale.
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Go back to Hawkins Laboratory in this well written, well drawn, and interesting prequel series. I can say with certainty this book is well worth reading -- it adds to the TV show in surprising and satisfying ways.
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Suicide Squad is a shot out of a barrel that's fun and reminds us how and why these characters are captivating.
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I can't remember the last time the Suicide Squad felt so much like a team. If you're looking for top notch art and a team book that gives every player something to do or say, you're in the right place.
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Exciting first issue in an arc that'll draw you in with a new character who is in way over his head. And just might lose it!
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A fabulous issue that never lets you forget how human these characters are. Batman is once again written perfectly by Taylor and Redondo will make you squeal, laugh, and shout thanks to his impressive lines. Suicide Squad lives up to the hype and then some.
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This = is going to go down as one of the greatest Suicide Squad runs ever. It never loses sight of the humanity in its characters and it whatever happens feels important to the characters, the scene, and the book itself.
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Gripping, relentless, haunting, unnerving and deeply human–Suiciders: Kings of HelL.A. makes you feel all kinds of emotions.
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If you were on the fenceaboutSummer Shadows#1, the second issue is a home run. It combines compelling themes and horror ina delicious dish. Not since Coppola'sBram Stoker's Dracula has there been a horror that feels so romantic, haunting, and hypnotizing.
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Don't pass on Super-Pets Special: Bitedentity Crisis, as it's filled with cute, funny, and downright excellent stories. This is a delight and a real charmer of an anthology.
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A fun, Superman-family issue that does well to capture the characters and their dynamics.
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What a great issue that seems to have come out of nowhere. The last two Venom centric issues were short and quick reads, but this has so much going for it it makes up for the slowness prior. To see SpOck under the Venom spell is intriguing and he's creating waves rather quickly by burning bridges with Aunt May and Mary Jane. The monster that is Venom is used to show the monster that Peter has become and it's a thrilling thing.
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Fantastic issue because dammit things are progressing so nicely and all the build up is finally paying off.
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This is a really great issue due to it mastering each sequence and propelling the story at a fast clip. The premise is sound too and it's going to be exciting to see how this story plays out.
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An action-packed issue that does not hold back. Superior Spider-Man was all ego, but now I'm not so sure. It's one of the only comics where a character's personality is changing as the issues come in. This Spider-Man truly is superior.
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As a fan raring to get more Superior, this issue is like a nice lost story with the promise of setting some new things up for Dan Slott and Mark Bagley to knock down. I'm okay with that because more Superior Spider-Man is always a good thing.
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The narration keeps things flowing nicely too. Basically the pace is perfect, cutting between events in Parasite's life, revealing interesting details of his creation, and touching on how he's basically an addict for energy. By story's end you'll wish the guy got help more than punishment. It's pretty clear Kudor went hog wild with the layouts too, as they're always progressing the story, looking interesting and are at times straight up compelling. There's one page in particular where as Parasite is falling to his death, he recounts snapshot, single-panel events that lead him from average monster to villainous creton. It's an exciting bit of comic book artistry, partly because it's reminiscent of a roll of film, but also because it's an efficient way to recount events.
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This is a strong issue that has plenty of action to satiate fans. The god element is intriguing and it'll be fun to see Superman go up against HORDR just as soon as he can pool some cash.
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One of the better 50th issues from DC Comics this year. The art is spectacular and the conclusion satisfying in all its Christmas Carol similarities.
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Superman #51 is great in large part because it makes Superman feel human, somber and alive. His scenes with Lana and Lois will remind you Superman's greatest strength is his heart.
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This is a must read for anyone even slightly interested in learning more about what went wrong with Wonder Woman and Superman's relationship. The stories are tastefully written and complex. You're going to come away from this read thinking these superheroes are very human indeed.
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I'm not sure you can get a better collection of Superman character-first impressions than in this series. Come for the dialogue but stay for the fun and surprising moments.
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Without question the best Superman comic you can read today, this month and probably this year.
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Read this to see a side of Superman that's very human and relatable as he grows up right on the page issue to issue.
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This issue is one of the strongest in the series yet. My only gripe is that not every story is about Superman, which somewhat strays from the series in some respect, but the main purpose is to reveal the core of these characters using limited colors. Even more so, every story here inspires in some new or thoughtful way making you fall in love with Superman all over again.
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DC Comics' Superman: Son of Kal-El is plain good comics. It blends the utter truths of what makes Superman great with good art, multiple scenes that connect well with the character, and visual storytelling that's pleasing. There's a lot to enjoy here making for a highly satisfying read.
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Superman: Son of Kal-El #14 is an excellently plotted, fast-paced comic with many great character moments. So often these days comics stretch out their story, but Taylor and Tormey prove Superman: Son of Kal-El is addictive page-turning storytelling.
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A relentlessly campy in your face read that's so wacky and wild you'll be hard pressed to not enjoy it.
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This book is incredibly atmospheric and it should not be missed by fans of horror comics. It manages to make Swamp Thing grotesque but likeable as we peer in to see how much humanity is left.
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If you're a fan of relationship drama, comics, and deep feelings, you'll love Swan Songs #2. This beautiful and tragic story comes to life in a way only comics can.
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A great first issue in a series I wager most fans can't get enough of. The Symbiote suit era of Spider-Man is highly unique offering a moodier Spider-Man many can enjoy in its own right. David and Land have created a highly entertaining issue that takes chances that make the book feel cutting edge.
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Symbiote Spider-Man 2099 is a blast from the past, and it's like Peter David never stopped writing the character. It feels like a natural progression of Miguel O'Hara's story while developing a story that evolves Venom and the future of Symbiotes. Spider-Man 2099 is shocking back, and he's better than ever.
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This is an entertaining comic that maximizes its extra-large size with entertaining scenes featuring many characters. Frankly, if you're looking for exclusive Spidey entertainment you might be disappointed, but if you're a hardcore Marvel fan, you'll be delighted to see a few different cameos. The fact that the final page teases even more cameos is a good sign indeed. Symbiote Spider-Man: King in Black is must-read comics for hardcore Marvel fans.
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This is a very enjoyable popcorn type of comic that excels at action and adventure.
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Teen Titans Academy 2021 Yearbook is a super fun extra-sized issue with plenty of heart, charisma, and interesting character development. Comics like this remind us these characters are all unique in their own ways and dealing with different issues even though they're all connected as schoolmates at the academy. It's also a clever way to tell a one-shot story as it adds realism to a superhero school setting.
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God damn this is an entertaining story arc.
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This is still a buy-on-sight series.
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Does a good job digging deeper into the politics and heavy hitters of the universe.
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This is an incredibly meaningful and symbolic allegorical fable. You'll soak in the imagery and fall into it like a warm bath. Recommended for those willing to go on a thought provoking journey.
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I had no idea what I was in for, but quickly found something as magical as any Jim Henson nostalgia dream. The characters are vivid and real and the magical world they live in is truly captivating. If you like fantasy, magic or out-of-this-world worlds, check this comic out!
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By issue's end there are more questions than answers and more threats to our protagonists which should make any reader salivate in anticipation. Recommended!
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Exciting, surprising and dramatic, you'll enter this magic world and never want to leave. With such vivid art, it's a wild ride that encapsulates the wonderment of our childhood we all wish to relive.
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An incredibly well-drawn issue that reveals the best defense might be our last. Duggan and Smallwood make magic with this issue and will make everyone who reads this want, nay, need to read the Defenders series once it's out.
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The Blue Flame is the real deal, and a series for readers who are hungry for complex storytelling with superheroes. It takes the wonderment of John Carter and the relatability and banality of real life and crushes it into a dynamic and nimble thought-provoking first issue. It has that talk-amongst-friends vibe comics fans rarely get and the accessibility for casual or even non-comics readers. It's the kind of comic we don't get enough of.
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The Passageway has the dread and horror we don't often since in comics. It's the kind of tale that you'll put down and it'll linger with you as you process deep and powerful emotions. The horror may ultimately lie in the darkly upsetting and uncaring element of the nature around us and how some services that nature for unnatural ends. The Passageway creates an intensity that's unnerving and hard to turn away from.
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The Cull #2 is a great second issue, opening up the fantastical world while further developing the characters. This series is quickly becoming my favorite fantasy series of 2023. The Cull is richly imaginative and deeply human.
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The Cull #5 ends its story with big blockbuster action, great moments of heroism, and a whopper of a cliffhanger. This series has everything you'd want in a hit TV show or movie, executed as well as shows like Lost or any summer tentpole picture.
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A top notch drama set in a prison with real emotions, compelling characters and a satisfying story.
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Minor quibble aside this is a great read. The horror is turned to 11 and the art freakishly good in more ways than one.
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The explosive conclusion to The Dark & Bloody delivers with all the monster madness and heartfelt character moments you could want. This story ends most importantly in a believable way that's satisfying and it makes me want to see what this creative team has next up their sleeve.
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A strong first issue that sets up a wicked twist on the spy genre.
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The Department of Truth is a series filled with possibilities, feels like it's breaking new ground, and it's exciting no matter the medium. You could dislike comics and still find this premise exciting. This is an innovative idea from two creators at the peak of their careers which will affect you emotionally. The sheer invention of The Department of Truth set it apart for horror comics and comics in general.
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The Department of Truth #13 continues to prove this series is a modern masterpiece. The fact that its creators turn the entire main narrative upside down is amazing further cementing the fact that this is filled with surprises, truths, and the embodiment of the unnerving nature of the power of ideas.
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The Deviant #4 is a great chapter in a series written with deftness and rendered with great care. The Deviant continues to be a great character study that plunges us into the darkness of the human soul.
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I had no idea what to expect from this book, but was pleasantly surprised by a well told story. The concept in general might not be brand new, but the way it's delivered is well worth your dime.
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Without a doubt the creepiest comic I've read this year. Everything comes together to make a truly haunting experience with an ever present feeling of crushing space dread.
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The Dreaming is a visionary delight in comics storytelling. Issue #6 is not only proof of that, but it's yet another example of it from a series that has been everything you'd expect from DC Vertigo. If this issue was the sirens song count me as one of those jumping overboard for more.
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Another incredible issue that is beautiful, magical, and quite clearly making a statement about how plush comics can be.
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The Dreaming is a series that'll be held dear by most and cherished by many. It's a series that reflects on the very idea of the power of dreams and how important they are to our very makeup. If you hold storytelling dear (and really, who doesn't?), you will find yourself wrapping yourself in the blanket that is this series as it comes to a close with a great appreciation for the journey Spurrier and Evely have taken us on, knowing that we can start anew with issue #1 anytime we please. Now that is a gift.
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If you're a lover of storytelling, you cannot miss 'Walking Hours'. There's so much in this issue I'm positively boiling over with glee thinking about it. 'The Dreaming: Waking Hours' is enchanting, elegantly realized, and filled with wonder.
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Definitely preorder Exorcism at 1600 Penn, especially at $4.99 and 52 pages long. This is a memorable, tension-filled horror story, not unlike Longlegs, but it is also relevant as it captures today's temperature and leans into the dynamics of politics. The psychological horror grabs you by the throat and forces you not to look away.
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This is the sci-fi thriller that pushes the boundaries of storytelling in comics. It's a reminder this medium has its advantages and The Few capitalizes on them to make any fan of storytelling prick up their ears.
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The Goddamned is brutally violent, delivering mayhem, hopelessness, and despair in a package one should relish.
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There's no better place for atmospheric weirdness this Halloween than The Goon in Theatre Bizarre.
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Goon fans rejoice. The Goon: Them That Don't Stay Dead #1 is a glorious return with all the fixings.
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Fear, mystery and justice has a new name and it's The Hangman.
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If you're a fan of mythic stories or good origin stories this is a read for you. It's raw, a bit unhinged and simply great storytelling.
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If you like horror, snatch up Headless Horseman Halloween Annual as it's a howling good and scary time. All five stories offer different kinds of horror tales, all of which offer something unique and hair-raisingly good.
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I adored The Hunger and the Dusk #1. It's the start of a fantasy series that understands the fantasy tropes we know and love so well, bending them slightly as needed and adding new elements. A series with charm and uniqueness, fans of the quest genre have a new fantasy series to explore.
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What is love if it's a weapon, what is identity if it's a lie and what is this comic if not fantastic?
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Captain Marvel's problems with her family are raw, genuine, and building her character in surprising ways.
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I enjoyed this issue immensely, not only because it delivered solid action the series needed, but because Stohl approaches Carol's origin in a meaningful and mature way. After reading this issue it's safe to say this changes Captain Marvel forever.
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You will never look at Mjlnir the same way again. Jason Aaron has made the hammer more interesting than ever with a wildly epic and cosmic backstory.
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A fantastic issue with lot's of action, clever ideas, and impressive art
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An excellent issue that will get you cheering for Thor and entertained through to the end.
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An epic that's enjoyable from beginning to end, especially for those who have been reading Aaron's long run.
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The Nice House by the Sea peels back layers to a compelling onion of horror, romance, and the complicated nature of being the last humans alive. The series flirts with levels of horror from unsettling eerie to body horror at a moment's notice, keeping you on the edge of your seat.
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Surprise, surprise:The Nice House on the Lake returns, and it's a masterclass in dread, unease, and great-paced horror. Tynion, Bueno, and Bellaire are crafting something truly special and haven't missed a beat since the very first panel.
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The Nice House on the Lake #12 has everything that made this series great, from exceptional writing from multiple points of view and characters, incredible powers from the lake house host, and some deliciously disturbing things to think about once all is said done. Don't pass on The Nice House on the Lake there's nothing else like it, and it's as cutting-edge and exciting as comics can get.
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The One Hand is an innovative comic experience that's cerebral and absorbing. It appeals to the carnal side of a nightmare in an intriguing mystery you'll be dying to unravel.
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The science fiction of it all comes to a head in The One Hand #5. Satisfying answers await in what has to be the best mystery comic you'll read this decade.
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The Power Fantasy #3 opens up the world and its history while fleshing out one of the six super-powered people. The characters' complexities and their world are, at times, riveting while also keeping you invested in the narrative. The scope is large and the real-world nature of superheroes is profound and moving.
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Another excellent chapter in this unconventional series. If you're bored of the usual comics on sale, or just love the hell out of science fiction, particularly science fiction about a potential future that serves as commentary for today, then check this book out!
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The Sandman Universe Special: Thessaly is a love letter to prose, screenwriting, and storytelling. It's also a pretty good story about a witch who has lived for centuries. This is a story about belonging, and yet Thessaly learns from a woman who belongs to no one and she is far worse off. Rich and narratively compelling, don't pass on this one!
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The Sandman Universe: Nightmare Country #2 is a near-perfect issue, although it relies on the first issue to truly reach that perfection. In many respects, Nightmare Country is beautiful in all its horrors as it explores what lies beneath blending the dreaming and waking life.
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Shaolin Cowboy: Cruel To Be Kin is a work of art in more ways than one. It's positively weird, and likely the weirdest comic you'll read all year. Pair that weirdness with the incredible visuals and Shaolin Cowboy will take your breath away. There's nothing else like Shaolin Cowboy in comics or in any other media.
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The story will capture your attention via character and surprise you with its ability to convey action and ultimately heart. If you've been paying attention it's a series that should not be missed.
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An explosive issue with all its dynamite and entertainment stored within characters ready to blow.
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The plot thickens page after page in Sheriff of Babylon as it reminds us nobody is without sin.
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Much like life, Sheriff of Babylon is difficult, with its answers wrapped in pain and human frailty. It'll make you think, and we don't say that enough about comics today.
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Shrinking Man is a top notch adaptation that feels like a classic pulp comic; the debut features strong adult themes, fantastic pacing and a satisfying sense of drama.
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It's too bad The Silver Coin #6 didn't come out before Halloween, as it's a highly entertaining one-shot horror story. It also does well to remind us of previous stories while introducing a clever take on video games in horror. Once again, this series shows how comics can do more with horror than many genres as Josh Williamson and Michael Walsh delight with gore, violence, and clever ideas.
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The Silver Coin #11 is another example of how this series will go down as one of the greatest runs in American horror comics. It's consistently good, with each issue offering a different done-in-one story that truly horrifies in its own way. I dare you to read this book and not look at diners differently from now on!
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The Silver Coin #13 is so scary it may be too much for some, making it a must-read experience for horror aficionados. If the themes of motherhood and miscarriage are too much, I implore you to skip this, but for those willing to push themselves in seeing how far visuals can raise your pulse, I recommend you check it out.
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The Six Fingers #5 sneaks up on you with seemingly obtuse conversations that lead to a shocking final page. Make no mistake, this is the most fun you'll have with any mystery comic in the last decade. It's great in its sci-fi underpinnings, brutal murders, and mind-blasting mystery.
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This is a fantastic comic book first with great writing and an incredible sense of pace and destination. It's riding as fast as it wants to and we can only hope to keep up and enjoy it.
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Totally Awesome Hulk #12 is a fine conclusion to a series I wish I had been reading from the start. Pak reminds us he's going to go down as one of the best Hulk writers ever because he captures the emotional turmoil of the characters so damn well.
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Simply put, there aren't a lot of comics that are as endearing as this. The characters are genuine and their conversations are easy to follow and enjoy. It's not a fight comic to say the least, but it's very well done character drama.
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Three cheers for Hulk (the Incredible kind!) for its strong characters, excellent art, and fun plot. Come for the characters, but stay for the big action. They may specifically be Asian American, but they are the people's team.
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A delightful comic that'll make you laugh and a little happier.
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The quest for redemption is at hand and though Thor is unworthy the story is anything but with tense, vivid action and great character writing.
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It's stories like this one that remind you the Marvel movies have way more ideas to mine for the films. Aaron and Coipel continue to write a fantastic Thor epic that accomplishes everything you'd want in a cosmic story.
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A great second volume that continues to reveal the intense approach one can take with simple chores. It's still an instant classic, but it could use a little development of story and character to get back to being really great.
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A strong opening issue, not just for 'The Wrong Earth,' but for AHOY Comics as a whole.
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The main story continues to play around with superhero conventions in ways that are hard to pass up.
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This is a great issue and is surprisingly easy for new readers to jump into. There's some recapping going on as the story seems to be shifting towards a new purpose now that the shock of the premise has run its course.
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AHOY Comics kicked off with this series and proved the publisher, and this series is well worth a look. Its first season ends in early 2019 and it ends in such a way to positively infuriate fans because it's so good.
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There's Something Wrong with Patrick Todd approaches a superpowered teenager in a unique and exciting way. It's also taking its time with a good pace while developing its characters in a way that feels true to its characters. It handles a superpower with depth and nuance and makes you want more.
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This is yet another example of how Donny Cates can balance payoff, introduce new ideas, and set in motion a story you can't put down. We're in for an intense and remarkable adventure Thor, and the likes of the Marvel universe has never seen. This is Thor on a whole new scope and scale that you can't resist.
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It's not quite a face-melting experience, yet, but Thor is going to strike a few beefy power chords with audiences who read their comics like they take their coffee: black and lightning hot. 
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This is a great annual in its own right thanks to some impeccable art throughout and a story deserving of the annual format. Kuder has supplied an exciting story that utilizes the hero-fighting-himself trope to perfection. It's also one of the prettiest superhero comics of the year, period.
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This is a great first issue that introduces the team, their purpose, and its identity. If you're not hooked by the last page, you wouldn't know a good thing if it ripped your heart out.
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This is about as much fun as an action first superhero comic can get. It's fun and incredibly cinematic comic book reading.
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Timeless is a one-shot that was mostly anticipated because Marvel told us it would matter, but once I put this book down I couldn't stop thinking about the implications it created. From the glimpse at future stories to the tightly-written Kang story arc and the final page, this is a must-read Marvel comic for the ages.
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If this is the direction of the latest story arc please don't let it end anytime soon. Abnett and Booth are delivering an intriguing team building story that feels important because the characters come off as realistic and genuine. At this rate, Titans might be my favorite superhero team book of 2017.
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This is an excellent annual that's well worth your dime. Dan Abnett writes character so damn well and this issue has plenty of it along with a big revelation. On top of all that, the art is sharp and moody perfect for a comic where superheroes distrust each other.
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A very good issue that firmly establishes the status quo of the DCU while setting up a new team.
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An excellent start to a manga that'll make you empathize with its characters.
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The most thought-provoking manga on the stands.
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Toxic Summer captures the vibrancy of youth with plenty of sludgy horror dumped over it. The characters are electric and super fun while they battle to nab hunks, regardless of toxic monsters lurking in the shallows. Considering this issue is highly entertaining without monsters arriving just yet, and this is a bonafide must-read.
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This is an excellent story that can be read in one sitting with satisfying results. I wouldn't be surprised if a science fiction director takes this story and makes it into a movie. Its message, and how it plays out, is already perfectly written for a major motion picture. Now, if we can all take a moment and reflect on its message of preserving the environment and following traditions of our elders we might be a bit better off too.
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Twig #4 is a great chapter in the fantasy adventure as it captures the heart of the characters with deeply emotional moments. It's also a series that continues to wow with its visuals and imaginative fantasy worlds.
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U.S.Avengers #1 is a rip roaring good time. There are plenty of new characters, action, and interesting dynamics to enjoy that'll make you want more! Above all else, this series appears to be laying the groundwork of what it means to be American and the very definition is fluid and compelling.
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Ultimate Spider-Man is like a warm blanket to the reader who wants to see Peter Parker have a great possible future. Sure, Hickman will likely blow it all up quickly because where's the drama in a happy life, but it's nice to see how well he's written this character. This book has a lot of love, from the art to the character work, and it's pretty clear we're in great hands. Its strength lies in the interplay between characters with intriguing twists on what we know about Spider-Man that readers will love to unravel.
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Spider-Man fans, rejoice! Ultimate Spider-Man is a great comic series for Spidey fans and superhero fans alike. It blends realistic visuals and tone with the greatest superhero of all time. What more could you want? The answer is more issues of this series!
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Ultimate Spider-Man #3 is another winning issue. All told the progress in the plot feels slow, yet each scene is expertly crafted and entertaining. Ultimate Spider-Man will reignite your love of Spider-Man with great art in a modern and elevated take on the character.
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Another stellar issue awaits you at the comic shops with Ultimate Spider-Man #7. The series continues to not hold back as far as important answers and divergences from the original Spider-Man series, further cementing its more believable real-world approach to Spider-Man.
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Ultimate Spider-Man #9 continues to show this series has legs, appealing to longtime fans with tweaks on the familiar while packaging it in an all-new and awesome experience.
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Ultimates #3 is another fantastic issue, drawing on real-world atrocities while remaking Hulk's origin. These characters feel fully realized, fighting a battle against impossible odds. Would we want it any other way?
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Uncanny Avengers is good in so many ways it might make your head spin. Deadpool is hilarious, the action is bombastic, and the story compelling. This is very rich storytelling you shouldn't miss.
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Fans of the X-Men and Avengers will enjoy every second of Uncanny Avengers. It balances character and action with a heroes-at-war angle that suits the dark time Marvel's mutants are in. This is great adrenaline-charged superhero comics.
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I wasn't exactly sure what to expect from this book nor did I expect what I got, but I highly enjoyed it. This is a huge recommend for anyone in the mood for a young adult character drama. You will get sucked into this story and learn something from Selina Kyle's life.
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A great issue that jumps around narratively, revealing different aspects of the lead character very well. This is a uniquely entertaining crime drama you shouldn't miss because of the creative ways the story is being told.
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This is a really good intro issue to a new series with adequate recap of characters and more importantly a clear understanding of the stakes at play. Without that the entire series would fall on plot and character, but here we've got the groundwork for something that could be truly epic. The art suits this type of story too. Bravo Valiant, looking forward to the rest of this series!
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This book opens with some amazing back story and art that is worth the price of admission alone.
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The last issue was just okay, because it set up everything that goes down in this issue, and this issue is glorious to read.
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Vanish #1 is going to make a lot of 30-somethings like myself very happy. It's as if The Pitt, Harry Potter, and The Authority had a baby visualized in stunning 4K Ultra. It has mystery, a robust world worth exploring, and a main character you will cheer for as he disassembles "superheroes" in the coming issues.
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A hero has fallen, and yet Vengeance of the Moon Knight #1 reveals its creators are inverting everything we thought we knew about Moon Knight. After thirty strong issues MacKay and Cappuccio developed a strong supporting cast, and now they fast an enemy they couldn't have anticipated. Dripping with atmosphere Vengeance of the Moon Knightfeels like a rare gem.
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This is taking huge chances which you don't see every day with legacy characters. Possibly the most excited I've been about Venom ever. Make no mistake, this will change how you think about Venom forever. All-new, all-different, and incredibly exciting.
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An action packed ending with big horror story beats and impressive visuals. If this is what Venom will be like from now we are in for quite a future for the character.
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This is without a doubt a must-read comic for Venom fans. Cates and the creative team are masterfully telling a lot of stories and character development in a compact 20 pages. Read this for the overwhelming joy that we're not getting a drawn-out story, but a story that is written for fans who want to be overwhelmed with ideas and reveals. 
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Overall this is a good first issue in the "Venom Island" storyline. Cates sets up two major elements that will change Eddie's life before whisking him off to the island to find some inner peace. Absolute Carnage upended Eddie's life and brought him closer to the Symbiote and it looks like this new series will be about Eddie getting closer to himself. This is an example of how violence is always emotional and psychological.
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Venom #10 does the rare thing for legacy superheroes and continues to evolve their powers and identity. That's exciting stuff, which is depicted well through the multiple Symbiotes that are like slivers of Venom's personality depicted via monsters. Ultimately Venom has always been a monster character, but the creators have taken it even further and blended in some time travel mind-messing stuff.
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From the top rope, Venom War #5 lands the ultimate finishing move in an excellent finale. It delivers a knockout finale packed with jaw-dropping action and an emotionally-charged finale that not only closes this chapter with style but also sets up a thrilling new era for Venom.
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A solid second issue that slowly reveals more of what lies beneath with a great climactic end.
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This volume not only recharges the series, but has plenty of action and humor too.
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Moral choices are at play making this another spectacular issue if you're a fan of psychological dramas. It's at once disturbing and tragic to witness a robot family attempt to be human, but also maintain the impossible: logical control of themselves.
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Vision #12 deals with very complex emotions in a deft and meaningful way. It leaves you feeling these emotions and reflecting on the human condition. An amazing feat considering it's about a robot.
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This is a very well written comic that's paced to perfection, delivers many fun moments for the various heroes, and establishes the stakes in play very well. It's also drawn by one of the best teams in comics. The voice of each hero is so strong War of the Realms is a must read battle.
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Wolverine #19 is a good example of how a done-in-one story can tell us so much about a character. Wolverine does a lot for Krakoa, it seems, and none of it is for credit. Not only that, Percy ties the acts of Wolverine to the island of Krakoa very well, keeping our interest and making sure everything that happens matters. This is a sound reminder Wolverine lives a cathartic life and a fulfilled one that's transcendent, heroic, and inspiring.
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This is yet another fantastic example of how shorter comics stories can reap huge benefits. All three stories do a little bit more with the story than simply showing off fight scenes, which is an improvement on previous issues. Wolverine: Black, White & Blood#3 is a instant buy if you dig clever storytelling packaged with lots of Wolverine, blood, and fight comics goodness.
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Throw in a great editor's roundtable offering great advice, another fabulous interview by Anglique Roch, and you have yourself a fantastic anthology. This year's Women of Marvel is as good if not better than last year's edition. Women of Marvel 2022 is a genuinely moving, inspirational tale of bonding, strength, and empowerment.
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Ultimately this issue succeeds because, as climaxes go, there's an emotional element to all the fighting. Wonder Woman actually learns a lesson in this issue too. Oh, and it all ends with a major change to the character too. A change that is not only exciting but also a fitting conclusion to this story arc. I suppose the only negative I can graft from this issue is the ultimate end that comes to the First Born. It's a bit of a cliche when it comes to superhero books, but obviously the choice was made to aid in future stories.
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Who needs Wonder Woman when you have such good art and character work on another female character. Rucka and Evely will make you believe Cheetah is a good and whole person which will pay dividends when she appears next.
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This is a fantastic anniversary issue that captures the character's complexity and uniqueness perfectly. Every story has merit and purpose. If you love Wonder Woman you owe it to yourself to buy this.
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I can only imagine the political and social commentary going on in this book will annoy some, but it's books like this that move the needle and feel important in our daily discourse. Wonder Woman #1 is an intelligent thriller with a complex story looking at our culture composed for modern comic readers. Along the way, it features Wonder Woman showing off her abilities while trying to navigate a complex situation that only she can resolve. She's the target against an enemy threatening all of America because she may be the only thing to save us.
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Wonder Woman #7 is a delight in a character showcase that reminds us Wonder Woman is as commanding and powerful at fighting a villain as she is present shopping. The depiction of Superman only adds to the greatness of Wonder Woman, and it's fun to see the two interact as longtime friends. Wonder Woman #7 will be one of the happiest sights you'll see all week.
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Wynd #3 continues to be a great mix of fantasy storytelling and allegory. It's a tale that has a deeper meaning, but also entertains on other levels too. Wynd is a good fantasy that mixes allegory and adventure cutting deeply into why fiction is so good for us.
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Wynd continues to be a delight to read. Its characters are wholesome and real and the approach is mature in more ways than one. Wynd is filled with adventure, light romance, and the kind of mature suspense that tells a story on multiple levels.
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This is the best science fiction comic on the shelves. The concept is intriguing and original and it's all told in a compelling, original and captivating way. What more could you want?
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I'm glad a jumped back on this book as the art and pace are strong and the story is compelling due to new details on X and his new big bad villain. Check it out for the violence and you'll be rewarded with some gruesomely awesome shots.
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X of Swords: Destruction is a great end to an incredible event. This issue perfectly wraps up everything X of Swords: Creation started and then some, setting forth a new direction for key characters, the entire X-Men line, and the expectations of readers with future superhero events. X of Swords: Destruction is a towering achievement of gripping drama woven into an intense battle sequence.
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X of Swords: Creation #1 is an epic start to an event that is vast and daring with its ideas. Visually striking, the X of Swords event is already tremendous and awesomely entertaining.
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X-Factor #1 comes out of the gate swinging, not only setting up a complex approach to superheroes but also setting up bad guys and a robust cast. The concept is brilliant, the character fun, and the snappy dialogue hums along with good action and art.
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X-Force works on every level; it's a smartly crafted action thriller that peels back to reveal richly written characters and nuanced world-building. 
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I can't say enough how well X-Force is working. The mix of intelligence gathering and fighting gives the book a good balance. The character work is great too and fans of Wolverine will decree he's back and better than ever. 
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This third issue is filled with surprises, continues to offer an interesting perspective on the bigger picture, and sets in motion a new war. Characters continue to be written exceptionally well too. If you weren't already all-in on this ride this will do it for you.
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X-Force #45 ends up being a surprising pivot from what came before. The Fall of X has turned things upside down for the heroes and villains and it's fun to see them race to gain the upper hand in this issue.
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If you weren't sold on X-Men '92: House Of XCII the second issue certainly will. The name of the game for this series is efficiency as Foxe and Espin homage to the past while making it brand new all at the same time.
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This is one of my favorite Dawn of X books yet! This issue captures the new world stage very well via Magneto's impressive speech and Xavier's honest and loving perspective. Hickman has done well to capture a very complex situation and making it fit into one very quick dinner. At the same time, the book feels huge in scope, while also small in its character work. With a sharp edge, X-Men cuts deep expertly drawing your interest and making you thirsty for more.
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This is yet another good issue in the series that aims to detail something new in every issue while reminding us Cyclops is flipping awesome. He's the glue that keeps this book together as the creators probe new threats for mutants and the X-Men to be fearful of going forward. 
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Not only does X-Men #13 issue invigorate the series, but places Apocalypse as a heroic character. I never thought I'd see this character as any more epic in nature, but Hickman and Asrar have done so and more here. It's an impressive work that's efficiently done in 20 or so pages, further showing the medium can tell any tale with the right creators. I can't believe I'm saying this given how great most of the last nine chapters of this event have been, but X-Men #13 only makes X of Swords more exciting, invigorating, and interesting.
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Game-changing superhero comics are few and far between, yet X-Men: Hellfire Gala 2023 supersedes expectations and will blow you away. If you're a lover of the Krakoan era of making more mutants and the dream of a utopia, this issue will be a very hard pill to swallow, but it's hard to deny, with so much being shaken up in a single issue, that we're about to embark on an exciting new era that hasn't been this exciting since the dawn of the Krakoan age. Packed to the brim with action, intrigue, and intense drama, X-Men: Hellfire Gala 2023 changes everything.
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X-Men: Red #3 continues to trend as the best X-Men book coming out each week. It progresses the plot with efficient use of multiple characters in every scene. Paced well, the series balances character beats with impactful action and emotion. X-Men: Red fundamentally understands the X-Men and builds on it.
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X-Men: Red #4 finds its strength in cutting between three different scenes yet each one discusses death in its own way. In this way, Ewing and the art team make death a beautiful thing in three different ways, further cementing the fact that this series is deeply meaningful and contemplative.
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If the twist wasn't so damn exciting this would be a so-so issue mainly because not a lot happens. Then again, that “not a lot” is exciting as hell. A great issue that has it all.
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A solid character journey type story with a fantastic war sequence and a great melding of science fiction with realistic looking art.
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Fantastic action wrapped in epic fantasy/sci-fi art.
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A strong third chapter increases the visual quality and tells an interesting back story.
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An excellent first issue that introduces things well and is going to be a hit with readers who like character dramas.
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A satisfying conclusion with interesting surprises and a killer promise at the end.
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All-ages friendly, Zawa + The Belly of the Beast is packed to the gills with imaginative ideas and exciting visuals. An endearing quality permeates the work, making you fall in love with it all, never wanting to leave Dialynas incredible world.
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There's so much to love about Absolute Power. From the stellar art, complexities of Waller's use of fake news, the loss of superhero powers, and almost no way the heroes can win, you'll be dying to read the next issue. Absolute Power will resonate with readers for now and maybe always. Absolute Power is the very definition of a superhero epic.
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This is just solid superhero comics from the melodrama of the multiple Supermen to the bombastic actions. This brings me back to the 90s and I love it!
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Action Comics #982 is a perfect issue that's filled with great character work, tons of action, and a fast pace that keeps up to the very end.
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What an exceptional comic this is, particularly because it's so well balanced. The art tells so much in the simplest expression, the concept behind this book is compelling and the characters are extremely strong. If you're interested in psychological drama there won't be a better book on the shelf for you than this.
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'All-America Comix' is the kind of experiment you want to see more of, especially if you're tired of superhero comics. It's filled with wit, creativity, and a sense of excitement. Casey and Nguyen make a strong statement that superheroes can feel different, but still bring you the joy and impact of the best #1 issues in comic book history. Add 'All-America Comix' to that pile.
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A thrill ride--funny and fun. Read this one!
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This is a fantastic issue that proves there aren't enough anthology comics. Take a chance on this one you won't be disappointed. If you're on a tight budget skip Spider-Man (or whatever you read) for just one week because this offers a lot more bang for your buck.
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This is a very good issue indeed. The main 22 page feature is exceptional, the 6 shorts are fun and look amazing with the added bonus of giving you a taste of the new series that are being produced from them. The entire issue is a great introduction to a lot of elements and characters. Recommended.
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There are so many elements that make Spider-Man great in Amazing Spider-Man #19 that it's hard not to gush. This was the most Spider-Man filled issue we've seen in some time!
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This is a fantastic end to one of the most exciting and easily accessible Secret Wars tie ins. The fact that the story begins and ends in this miniseries makes it all the more purchasable by fans of Spider-Man of all ages.
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Action-packed, fun character wrinkles, and a downright perfectly paced issue. This is fun to the max!
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American Vampire 1976 #1 effortlessly re-introduces readers to its characters, their way of life, and their new directions this story sets out to explore. Paced to perfection with characters you're drawn to, this first issue is engaging for new readers and old alike with grand adventure, monster hunting, and a heist too. American Vampire 1976 is expertly polished, with a mosaic of interesting characters in a narrative that's rich with history and intrigue.
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I'm a fan of cosmic Marvel stories, but only when they're done right. Speaking as someone who hasn't even read every Annihilation: Scourge book, I loved this one and I have to recommend this to everyone who likes a lot of fun and big action in their comics. This is an easy pick up even if you haven't been reading the series and quite possibly one of the best Beta Ray Bill stories ever. Put it on the list!
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Good story from cover to cover and absolutely no filler as Aquaman #50 establishes a new direction, a new hero, and a very compelling new enemy.
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Aquaman #5 is a pager turner. The creative team understands very well how to tell a visual story; it's issues like this that make me want to see a movie written by Dan Abnett.
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Aquaman is a lot of fun. The action in this issue is fun to read and look at due to the sharp visuals and the story continues to impress. Aquaman doubters need only pick this title up and see he's the real deal.
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This is as exciting as comics can get. The art, pace and story are all so dynamic you'd be silly to miss this great series.
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This comic took me completely by surprise and I loved every panel of it. If you don't snatch this up, Ash fan or not, you're missing out on one well paced and exciting comic. Recommended!
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All told, Avengers #1 gets the team together, has them fight a world-ending villain, and gives readers a resolution. Add in the cliffhanger that ties into the last Timeless issue, and we have a great introduction to a new era of Avengers. It's no small achievement.
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This is a joy to read. Batgirl is incredibly endearing and the art is vividly alive; it's official folks — Batgirl has never been better.
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This is an exceptional story with its finger right on America's pulse when it comes to gun violence. The mystery weaves in and out delectably and you'll be hard pressed to find a better single issue read in 2015.
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This is the very definition of who Batman is in every way. Bravo. Snyder and Capullo have managed to express both who Batman is, but more importantly why Batman is so damn great in every way.
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Even if you're not following or a fan of the video game these are solid early adventure stories for both Harley and Batgirl. They're both fantastic and feel like they belong in the Batman: The Animated Series. Plus it's a one-shot so it's done in one fun!
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Of the first three issues of Batman: Black & White, this might be the most diverse with its stories. From sci-fi worlds to ghost stories to conventional fight scenes, this book has it all. This anthology is so good you might just pray DC Comics lets its creators flesh out these shorts into miniseries. For the fan who is starved for an original Batman story, Batman: Black & White offers substantial nourishment.
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Batman: City of Madness is riveting, eye-catching, and authentically nightmarish. There's an inventive take on Gotham and all that comes with it while spinning an impressively rich and entertaining narrative.
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A sharply written Batman mystery that expertly weaves in flashbacks and great action. The action is epic in scale and its mysteries are delivered with breathless enthusiasm. Don't miss it.
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This is an exceptional issue. Do not miss this for the message behind the stories, the fun dialogue, and overall excellent art. It's also an easy book for anyone to pick up since most of these stories stand alone. This is a reminder of how impactful comics can be and how important they are to our culture.
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When an anthology arrives that features multiple stories that could easily serve as solo series in their own right, you know you're in for a treat. Batman: The Brave and the Bold is everything you want in an anthology and more. Heart, drama, ingenuity, and originality, Batman: The Brave and the Bold is a must-buy.
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If IDW Originals continues to put out comics like Beneath the Trees Where Nobody Sees, many Eisner Awards are in their future. Horvath and Otsmane-Elhaou create a truly unique experience following a serial killer whose way of life is upended. There's a cool and calculated feel to the pace and character work, akin to Silence of the Lambs,which should rocket to the top of comics fans' top ten lists of 2023. A great read for the psychological horror fan who wants something different.
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If there were a class on writing your first comic book issue this could easily be used as an exemplary example. By cracking open this book you're bound to fall in love with the characters, art and above all else this new and exciting take on witchcraft.
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Three great stories by three great creative teams. This will be a must if you liked the film.
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Deep emotions are felt as flashbacks reveal two very disturbing childhoods. This all ties into current events that feel important and groundbreaking. This is great storytelling because it's tied so well to the character. If you're at all interested in Black Widow, you must read this.
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Black Widow is a visual feast that's so damn cinematic we may not need a film. This is it. It's just as good and action aficionados need this in their life.
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A great first issue that I can't wait to delve back into with issue #2. If you're a lover of magic in fiction or magic in real life, you must read Books of Magic. You'll be transported into this strange and dangerous world and won't want to leave.
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It's still early with only one issue out, but when all is said and done, Canary may just end up being considered a masterpiece. The art is so unnerving and perfect in a story that fuses horror and western. Canary is destined to attract fans of the terrifying and the strange.
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Spencer continues to prove he has a great handle on dialogue conveying very captivating ideas. Captain America: Steve Rogers continues to be thought provoking in a way that will leave you breathless.
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Before you get excited about the movie, get excited about this series. It's the real deal. Get hype. This is the very definition of strong character writing.
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Hilarious, great at character-building, and just an all-around good time.
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This is a huge improvement on the last issue mostly due to the world opening up and being revealed to us. The art is top notch and does a fantastic job with the smaller moments and the bigger moments too. A really good issue all around.
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Your new favorite science fiction comic book series is here, and it goes by the name Clear. This series has all the trappings of an instant hit, capturing the old-school vibe of a detective noir with the modern sensibilities we crave in sci-fi. Buried within the slick visuals is a comic that is focused on the human struggle to escape reality and bury our noses in entertainment and instant gratification. In some sense, it's an inversion of Blade Runner which is about trying to find identity -- in Clear, our protagonist is trying to hold onto his identity and what is real in a world that wants to escape it.
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This is a manga you'll find hard to put down due to likeable characters, a fun premise, and a neat science fiction world.
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This is quite a book that's beautiful, introspective, and really a celebration of life via the smaller moments. The blending of artistic types and stories helps make this feel like a day in the life that's intimate and well worth exploring. This is the perfect book for a rainy day of introspection.
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Yet another good adventure that's quite easy to pick up and enjoy whether you've been following this series or not. Conan is a complex character but might not seem so on first glance. Let Jason Aaron and Mahmud Asrar show you why Conan is the greatest hero of legend.
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King-Size Conan captures your imagination -- nay, it kidnaps it and doesn't let go for a single panel of this book. This is a rich blend of nearly every aspect of what makes Conan great by an even richer collection of great creators. If you've grown sour of seeing Conan fighting alongside Marvel heroes in the 616, give this book a look as it's a return to what makes the character so great. This is spectacular escapism highlighting the grandeur of fiction's greatest barbarian.
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I was a huge fan of X-Files which is maybe why I love this so much. It's like that show, but it reveals everything at a breakneck pace, never keeping you in the dark unless it's necessary for the narrative. Intriguing, exciting, and without a doubt addictive comic book reading. If you give this a chance; you might just love it.
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Action packed with plenty of interesting character dynamics throughout add up to one hell of a crime comic. Who Daredevil is and what he can do is on display and it's a site to see!
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This comic is slowly revealing its hand and in doing so reads in a poetic and extremely dramatic way. It pays off for readers who want complexity in their comics and it's incredibly exciting since this isn't seen every day. If the creators behind this book can stick the landing and deliver a climax we can only dream of this might go down as one of the best works of superhero fiction in some time.
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This issue makes Deadpool more important and relevant than ever. It's a one shot anyone can enjoy that will have an impact on people's lives to boot. It's a must read because it's funny, but also because it contains a very important, heartfelt message. Bravo.
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Entertaining, funny, and it has a meaningful purpose too. It's just great!
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This is the must buy Secret Empire tie-in. It's hilarious, well-crafted, and just damn good storytelling.
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Wow, what a fun, dynamic, and excellent comic book. This is must read stuff!
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Jim Gordon proves he deserves to be called Gotham's Dark Knight as a solid detective story comes to a close. Plus there's a gorgeous backup story that delivers 13 pinups and a fun story highlighting the weirdness of Batman bad guys.
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An excellent first issue in the "Mythology Raze" storyline. You'll be on the edge of your seat begging for more.
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This is far and away one of the best first issues in a story arc DC Comics has delivered all year. It's action-packed, filled with mysteries, and looks gorgeous doing it.
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Detective Comics #1069 is an exceptional chapter in Ram V's run on the series. The operatic themes are still present, especially in the opening, while there is an interesting commentary on Gotham, Batman, and more throughout. Add in the incredibly well-done first chapter in a three-part backup story, and you have an all-time great issue of Detective Comics. Detective Comics is a series that has something to say, and does so in a vivid and rich new way.
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Hilarious at every turn this story succeeds at keeping you guessing as it flirts with chaos. 
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A good sense of humor, fantastic action, and cool fantasy elements throughout? This is damn good fantasy that should not be missed.
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Trippy, exciting and action packed, this issue was tightly paced and exciting all the way through. If you like a well told yarn that bends expectations, you've got to read this.
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The best Spider-Verse issue yet with an interesting Spider-Man origin and costume. Heck, even the issue has a conclusion, which the first two did not have, and adds to the overall event too!
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Edge of Spider-Verse #4 features not one, not two, but four excellent stories introducing brand new Spider-Man-centric superheroes. Each story offers something a little different, like humor, clever homages, kookiness, and a strong message. Edge of Spider-Verse is as clever as it is inventive, proving we can never have enough Spider-Man characters.
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When I put this comic book down I had a big smile on my face. It was a great journey in itself, but it puts in place important pieces as we enter Empyre #1 on July 15th. That makes it a joy to read, but also an important puzzle piece to the larger story. It also seems to be adding to the wider Marvel universe. By my count, that's three big reasons why this is a must-read comic book if you're a Marvel Comics fan.
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All in all you don't have to be a Fables fan to enjoy this book as it's developing its own stories nicely. This is a fantastic web that is highly enjoyable as it untangles its mysteries.
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Buy this to celebrate along with the first family and to celebrate how great comics can be.
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Fantastic Four is back to being a bold, bright, rowdy and original sci-fi action-adventure. By the end of the issue even after introducing a ton of new characters - it goes by quick - you feel as if you've experienced something that is so rare in comics: infinite possibilities.
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Spider-Man has always been funny and Dan Slott has certainly shown that motormouth side of him (while Zdarsky's latest run plays that up too), but it's clear Nick Spencer is ramping up the jokes to 11. That's a breath of fresh air for readers who love how funny the character can be and based on this free comic book day story be ready to laugh your ass off this summer.
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Don't delay, head to your nearest comic shop and grab this. Each story offers something different and both are masterfully crafted.
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Don't delay, head to your nearest comic shop and grab this. Each story offers something different and both are masterfully crafted.
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Inspiring, delightful, fun, and endearing, Fearless is enjoyable in the best of ways. It's hard to put this down and not feel satisfied.
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A close to perfect opening issue of the arc with action, a kick-ass mystery, and some plenty of originality.
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An impressive issue that hits all the marks for what will be a classic Spider-Man story. Run, don't walk to your local comic shop to read one of the most emotional comic book reads of the year. I dare you not to shed a tear by the end.
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If you're looking for a police drama rooted in a reality much like ours, check out GCPD: The Blue Wall #1. This series humanizes its characters while reflecting on real-world concerns of defunding the police and putting too much power into a cop's hands. This first issue is flawless, smart, and anchored by the hard-boiled setting with deeply human characters.
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Right in time for Halloween, Glitterbomb #2 ramps up the horror and will give you food for thought and all kinds of tingles. Like a master director, Zub and artist Djibril Morissette-Phan know they have us where they want us leaving you unsure in a haunting sort of way. The last page of this book will fill you existential dread and hopelessness and remind you the best horror is a mirror.
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Golden Kamuy is an incredible mix of graphic action, intrigue, and characters, led by Satoru Noda's strong vision of the early 20th century.
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Gorgeous, high stakes, tons of character work, great pace...this is a perfect comic.
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This is as solid as psychological thrillers come. The Lanterns are dealing with their own emotional issues and now must deal with someone even more erratic, which is highly entertaining if you dig character work.
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Explosive, exciting, and well worth a look. Venditti is putting on a memorable Green Lantern story we won't soon forget.
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Venditti and Sandoval prove this is the primo Green Lantern book–nay, the primo space comic at DC Comics. The way in which this issue breaks up between sub-stories keeps things interesting and it looks damn good doing it. This is superheroes and space done right in every sense of the word.
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An awesome issue that's fun as hell!
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When compared to last issue there's a lot more exposition here (largely because the protagonists do need to get from point A to point B) but there's still plenty of action to speak of. Basically the gear is lowered so that the next issue will completely explode. To get the characters from A to B, Mooney incorporates a game of chicken between submarines, some Nazi neck snapping and a very big twist you might not be expecting. I call that a win even if the action slows a bit. 10Well told story through and throughLooks great, reads greatI mean, there could be more pages?
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Strong social messages, well balanced and paced storytelling with fantastic dialogue makes this a winner from beginning to end. Bar none this is how character writing should be. On top of that it's very new reader friendly.
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Humorous and light with great art that delivers a very fun read for Harley and comic book fans alike. The fact that it ends tying into a bigger story makes this a must read.
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The only crime this book commits is that it wasn't a Dawn of X book when the X-titles launched. This book is well written, well drawn, and unique when compared to the rest of the titles in the X-Men line. Do not pass on this book if you like a good surprise every few pages. Hellions is a macabre X-Men tale unveiling a menagerie of freak-show characters that work towards pure comic book delight.
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It's remarkable how tight the creators have control over the reader. This is an absorbing sci-fi drama not to be missed. This is edge of your seat comics storytelling.
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If you like horror or original big idea, stories this is for you.
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A different kind of Avengers battle delivers on the horrors of the Hulk. A fantastic 7th issue in one of the most exhilarating Hulk stories ever told.
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Possibly the greatest body-horror superhero comic ever. This is what horror comics should be like when cast in a superhero comic book. Hulk is beyond intriguing and the possibilities seem limitless.
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The best comic book on the stands today. The character drama is excellent and the book seems to be pushing the medium in new directions all the time.
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This is as good as it gets in Marvel Comics. It blends the past with the present, delivering something new, and hammers home surprising twists that elevate the superhero genre. Immoral Thor is quite simply a must-read comic.
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If you're a lover of events in comics, or simply just loved Secret Wars, this is a must read. Infamous Iron Man #3 is a fresh take on superheroes. Doom is ambiguous, which makes matters all the more intriguing.
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This is, simply put, fun comics. Comics are meant to be fun, and in that regard, it doesn't get much better than this.
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Jacked concludes in the most satisfying way possible as lessons are learned, the meaning of being a hero is revealed and the storylines wrapped up nicely too. Jacked is a big win for Vertigo and is up there with the publisher's best.
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This series has been fantastic as a whole but not without some pacing issues or a lack of action here and there. Not so here. This is the real deal and how action comics should be!
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This is the James Bond we need to see in movies. Like, right now. Fighting is brutal, realistic and hard fought and James Bond is subtly complex. This is an action comic through and through and James Masters proves he's an action maestro.
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An excellent first issue that horror and crime fans will love.
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Joker is the embodiment of rejecting societal norms and reality so as to become an incarnation of something primal and selfish. This series seems to be suggesting this is something we may all be capable of becoming, and hauntingly, we may not even be aware the change is already happening.
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This book offers something a little bit different and—if you're up for it—lots of it. Lovers of character-driven stories must read this series!
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Mark Millar says goodbye to this series not with a bang, but with a promise. A promise that the world can have a Superman in Utopian, but at a price. He reminds us even the superheroes are human.
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Possibly the best comic on the shelf simply because there's so much content to enjoy.
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A fitting conclusion that is heartfelt and strong. A superhero comic that'll hit you right in the feels, Snyder's Justice League is proof enough these stories will never die.
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The best deal in comics week after week, Justice League #31 continues to show how big-comic storytelling is done. Justice League will get your blood moving.
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A done in one story that delivers an effective psychological thriller and great narration? Sign me up. This is just as good as the awesomely disturbing and great Vision #1.
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I'm not sure you'll find a more emotional comic book experience than Love is Love. Its creation comes out of a tragedy, but it's purpose and meaning is impossible to deny. This work is filled with compassion–something we can never lose sight of–and it's a reminder we all can and do make a difference because we love.
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You won't want to put down this incredibly exciting story that's rife with surprises and one hell of an original story. It's quite the bang for your buck too, especially in comparison to all the fast comic book reads that leave you wanting more.
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Save for a minor gripe this is another solid issue. By far the best original series of 2016 and one you should not pass up.
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A lot happens, character dynamics build and there's enough surprises to fill a collected edition let alone a single issue!
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This is a must read for Lucifer fans young and old. Well told, gorgeous and addictive reading.
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Mae manages to make you fall in love with a fantasy world you don't even see in the issue. The bond, or lack thereof, between sisters is intriguing and will make you want more. Above all else though, the art is jaw droppingly good from the colors to the layouts. Get this to be astounded in more ways than one.
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There's a lot to love and all this goodness combines to make Mae simply delightful.
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Pretty flipping amazing to say the least. The story isn't too complicated, but that's required considering the words would just ruin these beautiful pages. On top of that, the premise needs to be simple enough for the images to go hog wild. Just like you will be doing when you read this!
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So much to love. From character work to plot twists, it's all good.
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This is a feast for the eyes wrapped in a cautionary tale that's relevant in today's society. To cap it all off there are two backup stories that are bizarre and interesting in their own right. A must buy for indie fans and anyone interested in the weird.
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This is a fantastic first issue that sets up the characters and story, delivers heart pounding action and drips with so much style it may just rub off on you. Don't miss this!
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Must-read storytelling and the best issue yet in the series. DC's Young Animal is killing it!
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Exciting action, good character work, well written captions, detailed art…is there anything more you could ask for? Nightwing is exceptional.
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Nightwing #16 is excellent issue and a great beginning to a new story arc. Tim Seeley is on fire with this series as it's well paced, well written, and feels incredibly fresh. It even manages to make the hero fighting hero element interesting! Nightwing is the character drama you never knew you needed!
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Nightwing #87 is an incredible visual feast that reminds us why comic books are one of the best storytelling formats. It stretches the imagination with clever use of every page, never skimps on details, and makes you care greatly as an innocent dog is snatched. This isn't just a great comic, but a work of ingenuity and art that'll stand the test of time.
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Nightwing #88 is a masterclass in visual ideas you won't be able to look away from. It's an action-packed superhero comic filled with intrigue and great character moments, in a realistic setting. Nightwing is a polished and exciting thriller that's outstanding on almost every level.
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Do not pass on Non-Stop Spider-Man #1. It's so abundantly good, and a shock to the system on top of the addictive chaos of the book itself. Non-Stop Spider-Man is edge of your seat high-octane stuff if your seat were teetering on the front of a rocket.
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Nova is shaping up to be my favorite series in 2017. It's early yet, but it has all the visuals you could desire with a complex dynamic of characters and a compelling subplot of stories.
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Unabashed, funny, and filled with surprises, Old Lady Harley is a blast.
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An action packed extravaganza. Read this one!
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After this second issue, Plunge may be my favorite Hill House Comic yet. It captures your imagination and runs wild with its horrors.
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Overall this is a flawless issue. Where the first issue introduced us to this world in these characters this issue expands upon that, and although it may be a bit more difficult for new readers to dive into and understand it is well worth the effort and the journey.
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One of the best volumes yet thanks to new visual scare ideas and a continuation of the rock totem story adding new details. At this point, it's without a doubt one of the scariest series ever put to paper. Now, can we get a TV show out of this or what?
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A great issue through and through.
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A great first issue that begs you to want more by revealing little, but doing it all in a compelling way.
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Considering how well choreographed the flashbacks are with the present time anyone, and I mean anyone, could pick this up and enjoy it. Those who are following along should love it even more so because things are starting to come together.
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This issue makes me wish all climactic issues end with a flashback of the better times for the title character or characters. This issue is fun, action packed, rife with good dialogue and comes with a bonus story that'll make you cheer in surprise.
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This is without a doubt the funniest issue of the series yet. It doesn't go completely bonkers with science fiction, but gives us enough taste to satiate that part of the title. Meanwhile it's hilarious from beginning to end. Read this!
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It's funny, features some fun dissection of science fiction tropes and establishes a new storyline that's big with its ideas. Recommended!
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The funniest entertainment you'll find all week and probably all month. It's like a lost episode of Rick and Morty that only requires you do the voices in your head.
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A hilarious issue that will blow you away with its ingenuity, surprises, and clever humor.
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This issue is a great for new and ongoing readers with plenty of action, great dialogue and phenomenal plotting. Why aren't you reading this?
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A great installment in the issue that really opens things up and makes the series as a whole feel unique and must-read material.
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What a way to cap off the latest arc, with plenty of answers to satiate curiosity, action, sex and humor to entertain and a new direction to look forward to. Once again this series reminds us this is the best comic on the stands.
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Savage #1 is so well written you'll find the pages without dinosaurs just as intriguing. This is efficient storytelling that'll make you care and want more. What's more savage, the boy in the opening pages fighting dinosaurs, or the excellent storytelling?
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Search and Destroy feels like a landmark sci-fi story. Your next favorite manga isJohn Wick meets Bladerunner. The first volume reads so well it's almost a crime the second volume won't arrive until March 4, 2025. Do yourself a favor and check out Search and Destroy.
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All good stories must come to an end and this is one good story. Its character driven plot is compelling, the action exciting and the reveals all deliver.
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This is great comic storytelling.
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This is one of the most rewarding comic book reading experiences I've had of all time. I couldn't put this book down for a second, my heart literally raced as tensions rise, and I felt deeply for a computer A.I. that is as human as any character in the book. Science fiction is a favorite of mine and this book is clearly in my top five all-time favorite stories in the genre ever.
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Silver Surfer is so much dang fun you'd have to be a scrooge (or a Mad Titan) to not love it. Issue #7 takes the usually heavy world of the Marvel cosmic universe and makes it relatable, imaginative, and downright joyful.
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And after all that, I didn't even talk about the characters! They're interesting and there's enough humanity instilled in the protagonist for you to root for him. The gorilla doesn't get a lot of play this issue"he's used more as a surprise at the end"but judging by his guru-like demeanor I'm sure we'll get a lot of him next month. This is an impeccable first issue made all the more strong due to its pacing and structure. Buy this book!
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This continues to be one of the most absorbing superhero experiences every issue. The street-level vigilante hero is getting their due thanks to the well-paced story and visionary art on display.
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This is a very good comic that grabs you by the balls from page one and doesn't let go. You grow to love then adore the protagonist and by book's end if you aren't interested in where she's going next, well, you're probably incapable of feeling. Officially my second favorite comic on the stands.
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An extremely satisfying conclusion for the characters and plenty of great action to mark this as an excellent series.
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Tensions are ramping up in this incredibly brooding, well-rendered, spine tingling mystery.
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Another inspired issue in what is the scariest slow burn story I've ever read. The mystery is deep, the horror behind the veil unnerving and the characters strong. It's the True Detective of space horror.
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The bottom line is, Spider-Boy is a lot of fun and delivers big-time on a classic fun feel comics need more of. Throw in satisfying answers to how Spider-Boy started his superhero adventures, and I'm sure many -- especially kiddos -- will be on board for more Spider-Boy adventures. If you have any doubts about Spider-Boy, pick up Spider-Man #11, and hopefully, Marvel Legends will get us an action figure by Christmas.
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Every Spidey fan will love this. The way Zdarsky and Bagley rewrite the Spider-Man story is so good it's obvious you have to read this if you call yourself a Spider-Man fan.
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This is a fantastic first issue that establishes Spider-Woman's new direction, her quirky yet determined character and a compelling mystery for her to tackle too.
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This is an excellent first issue that should be on every Star Trak fan's pull list.
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This issue will make you start to believe the deadliest weapon in the world is a Stormtrooper and his rifle. This issue is filled with action, interesting story elements, and most importantly a brand new point of view that'll make you question who the good guys are.
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An awesome action-packed issue with big reveals and good character work.
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After a brief up and down story arc, we're back, baby! This issue brings all sorts of entertainment value, not least of which is the smooch on the cover. More please!
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Comics that are done well aren't static, and it's well done here. Another great issue.
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This is an incredibly strong opening salvo to what could the best new series of the year. There's a lot of promise when it comes to the emotional side of the story and even more when it comes to the science fiction aspect. The premise is sound and should capture audiences young and old. Recommended.
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I was on the fence with Strange, but Strange #3 made me a believer. MacKay clearly has a strong take on the Sorcerer Supreme with a darker edge. Strange takes Marvel magic to a new gritty street level.
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This is a wild ride you should not miss. DC is putting out a fun, action packed, and compelling Suicide Squad book that movie fans should love.
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A great issue as we explore Clark Kent letting loose at the young (and very horny) age of 21. It's a side of Superman you haven't seen, but need to!
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This is without a doubt one of my favorite reads of the year. Swimming in Darkness is a rich and rewarding experience that is introspective and at times chilling. If pitched to a film studio, they'd call it The Shining meets Days of Heaven. Give this a read -- it's sure to end up on many end-of-year lists. Now, Mr. Harari can we please get a sequel?
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I simply loved this comic. IT's funny, action-packed, and has a lot of content.
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A great first issue for new and old readers alike. The story drives you to question what is going on and answers you smashingly on the very last page.
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Thanos is one of the most badass characters in existence and the creative team does him justice here.
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This is a funny and compelling Addams Family story that all ages can enjoy. The story has a strong message that many can learn from or relate to while never feeling preachy. The overall package will make you want more, but if the one-shot can be this good, I'll take it. This is an Addams Family story that's funny, fun, and smart.
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After a bumpy issue or two it's pretty clear by this penultimate issue that this is going to be one fantastic horror comic when it's collected. This issue is all kinds of good due to strong character moments, a monster that will creep you out, and a story that will test the protagonist in what it means to be a good person.
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The Department of Truth #1 is as savvy as it is suspenseful, spine-tingling in an unnerving way, and a rare read that feels brand new once you put it down. This book is perfect for the super well-read comics fan, or the sci-fi fanatic X-Files fan.
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The Dreaming continues to be a comic series for those who love storytelling. This is a classic example of how patience and attention to detail can reward the reader. The Dreaming is a methodically absorbing fantasy series not to be missed.
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The Dreaming: Waking Hours#6 continues an exceptional run of a carefully crafted and highly entertaining story. This is comic book magic about magic in a world with limitless possibility. The Dreaming: Waking Hours is a story radiating with life and art, and will assuredly imbue you with radiance too.
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The Forgotten Blade is without a doubt one of my favorite graphic novels of the year if not of the last five years. The visuals are astounding, naturalistic, and gorgeous. The story and its message are strong, keep you on the edge of your seat, and serve a purpose. The Forgotten Blade captures your imagination with dazzling fantasy art and ideas.
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It has the sensibilities of a western, the action of a kung fu movie and a mysterious protagonist you'll be dying to learn more about. Look for it in comic book stores and Comixology November 11th.
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This issue tops the first with more character development, world building and awesome action than the first. Guera and Aaron are putting together an awesome series.
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Never boring but always haunting, exciting, surprising or all three at once. The Goddamned is why we read comics: there are no limits as story and chances dance on a razor's edge.
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The Legend of Wonder Woman #9 is a perfect issue in so many ways. The action is gripping and tied to the character and story; the climax is satisfying; and we learn new things about the villain and hero. By issue's end, you won't be able to deny that Renae De Liz is a fantastic storyteller.
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This is without a doubt one of the strongest first issues of the year. It draws you into the character's lives, lays out the unnerving nature of the town and it's supernatural tilt and satisfies with visual scares without holding back. The Low, Low Woods deftly combines the supernatural with believable characters and setting with an expert sense of dread.
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This is a great read and an even greater introduction to the premise and characters. You'll slowly be dragged in with the dialogue and character dynamics and then coldcocked by the uniquely striking art.
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Mark The Mighty Thor down as the most epic and fun filled time you can have when parley is involved. Aaron and Dauterman have a series that's epic in scope and a thrill to read.
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Power Fantasy is a rich and rewarding story about existential questions when super powered gods walk amongst us. The first issue engages your mind while dazzling you with incredible visuals. It prompts you to reflect on complex moral and existential questions while enjoying its nuanced characters. In a world where nuclear war is still possible and war rages overseas, The Power Fantasy feels well-timed and apt.
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As someone who went in unsure and maybe even skeptical, Riddler: Year One #1 blew me away. It's not only a well-crafted and drawn comic, but a piece of art as it explores Riddler's unique and unsettling psychology as a human being. This comic stands alone as compelling because of that, while also building upon what we know from The Batman film. Complex, compelling, and deeply absorbing, Riddler: Year One #1 is a must-read for cinephiles and comic book fans.
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The Runaway Princess is without a doubt one of the most creative and imaginative graphic novels I've ever read. It's on the shortlist for the best graphic novel of the year and I'm already on the hunt for more work by Troanowski. The Runaway Princess is a lot of fun to read - three stories filled with discoveries, thrills, clever twists, all tied together by pleasingly varied visuals that are endearing and wonderful.
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Without a doubt this is a storytelling clinic in every way.
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The Six Fingers #3 is an excellent blend of sci-fi and horror in a revealing chapter of an undeniably excellent mystery. This story is an ambitious, always compelling, mind-bending comic you can't put down.
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The trick of Unbeatable Squirrel Girl is how much entertainment it packs into every single issue. There's surprises, social commentary, fourth wall comedy, and plenty to character work to enjoy. If you like your comics to take themselves less seriously you need this in your life.
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This is a great 25th anniversary issue as it reveals Squirrel Girl's youth in a way many will relate to, but also laugh along with. The fact they've brought in a co-creator to write a portion is great and great fun. Squirrel Girl brings the good vibes, plenty of chuckles, and a great time between you and comics.
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This is a clever story that feels like an instant classic thanks to its unique take on a gangster. There's also a surprising level of emotional depth as we try to relate to a man who made his new life's work homemaking.
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This is an excellent first issue that sets up so much while kick-starting new adventures that seem insurmountable. It's the kind of comic that confirms there's only one hero for the job and their name is on the cover. Words like "awesome" may pop into your head as you read it -- it deserves an orchestra or a heavy guitar lick to truly express how cool this can be. Ride this lightning: the God of Thunder is back.
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I had absolutely no expectations for this series, but it quickly and assuredly swept me off my feet. It's good storytelling via art, character, and pacing and should be at the top of your pull list this week.
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A great finale to a story arc that introduces a new hero with a new big problem.
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An emotional rollercoaster.
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A great character drama that peers inside three villains heads and has them fight together because they must.
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As seen in this first issue, the sky's the limit with Ultimates. The creators fundamentally understand superhero comics while building on what we know about the characters and putting new spins on them. Ultimates is one of the most exciting superhero comics you'll read all year. It's ambitious, with deep ideas and awesome action.
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Kudos to this team for creating a fantasy series worth reading with a female protagonist! That's a rare thing indeed. I'm not sure what is going on exactly at this juncture, but I want to learn because he world and characters are so damn vivid.
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This is without a doubt a perfect blend of action, character, and deeply meaningful story. Don't pass on this one, as the series only seems to be getting better.
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The fact is this is a perfectly told comic which dances between expert brooding and dark narration and deeply flawed characters. And yet they pretend not to be. Mixed with some powerful art this is as compelling as comics can get.
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Come with a big imagination because you'll need it to keep up with this compelling story and fantastical ride.
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Wonder Woman Historia: The Amazons #2 is unlike any other comic on the stands. It offers readers a chance to see something truly special in a narrative about the Amazons never before told or seen. Drawn in a way that will leave you breathless, Wonder Woman Historia: The Amazons should be on your pull list to see history being made.
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Oh my god yes. If you call yourself a science fiction fan this shouldn't be required reading but necessary for you to exist. It captures a world very much possible and it does it by keeping your attention and making it all very vivid and real. Pick this book up and become the most interesting guy at the party with a very intelligent and fascinating read.
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X Lives of Wolverine #2 is an even better issue than the first with a fast pace, tons of violence, and intense action. X Lives of Wolverine is a high-flying time travel ride that'll get your pulse racing and your jaw-dropping. You best hold on, because you'll be fully committed for more to come.
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I had a blast with this first issue -- so much so I wish it wasn't just a miniseries! This is a coming-of-age tale embroiled in the politics of adults made more dramatic thanks to superpowers and superegos. If you have an affinity for strong characters, clever plotting and domestic drama, don't pass on this. Zdarsky and Dodson are adding interesting narrative textures to the Dawn of X line.
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This is an excellently told story X-Men or no, but it'll make you a believer in the epic and awesome history of the X-men.
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