I read this comic twice and have no idea why it even exists. The story certainly doesn't seem to be something that needed to be written. I can't recommend this in the slightest as it's so nonsensical even the decent art is throwaway material. The only draw I see is that you might get an inside look at its creation on the TV show. The script is a mess, doesn't do the reader any favors and goes from boring to straight up frustrating.

Not funny when its main hook is to be funny. This comic has some fun flashbacks and good art, but it's a bore.

Suicide Squad: War Crimes Special #1 is a very skippable special indeed. Harley fans will enjoy the character's always silly panache, but the story lacks purpose, teeth, or exciting action.

This is a beautifully drawn bore. It feels as if the outlining phase started with panel composition, moved to story, and then at the last moment character development was considered. The book looks great, but it's about as interesting as watching paint dry.

The comic doesn't try too hard to catch up new readers, nor tie-in to the main event and at the same time is very light on story and character.

The Avengers are written well with interesting character dynamics and an honest to goodness threat on their hands, but damn is the entire Red Onslaught battle laughable and boring. At 25 minutes I was definitely given more bang for the buck, but dammit was the bang a weak one. Honestly 13 out of 30 pages are worth reading. Fail.

This is an unfortunate example of a story having the right pieces, but making it too hard for readers to dive in and enjoy the story for what it is and what it is doing. When I reread the synopsis and the captions I liked this story a lot more, but the delivery is too clunky to make it recommended reading. There are 11 more issues to go through and plenty of time for this ship to right itself, but on the onset, I was left underwhelmed. 

It's an okay chapter, but it's pretty weak on its own.

You can't deny Hellblazer is written well, but this issue is mired in problems from art that's hard to follow to a rushed McGuffin that's hard to care about. I'm curious, but only because you're left with so many questions and no answers.

This series doesn't offer anything new to what you'd expect. Little girl, baby Martian…against the Martians! Blah is all I have to say about this read as it doesn't pop or have much of a reason to exist just yet.

It's very hard to be interested in a book that's all about a sociopathic egomaniac especially when played with no humor whatsoever despite its billing. The balance of art and premise don't seem to fit and the overall book doesn't read well.

I really liked what I was reading until the midway point. The fact is this story draws you in by making you trust and relate to a character only to flip the script so that you side with a sexual predator. The sexual nature of the victim is seemingly there only to rationalize the behavior of the protagonist, which does not sit right with me. I'm giving this one a 4.5 out of 10 simply because I liked half of it.

The cliffhanger is intriguing, but that's about it. This issue takes too much time reminding us how bad Wally feels about accidentally murdering a bunch of heroes and not enough time hooking us into the new adventure. Instead, you're left a bit sad and confused as to what is going to happen next.

Younger readers who love Fortnite will likely enjoy Fortnite x Marvel: Zero War #1 more than casual comics fans aided by the fact that each issue comes with codes to get in-game swag. The story however is packed with a lot of exposition making it feel less like an epic action comic and more like an explainer of every little thing. Due to that, the story and entertainment value suffer.

As far as a Rebirth issue the creative team establishes the new direction and reminds us of important details we'll need to know going forward. That said, this is a skippable issue unless you're a die hard Constantine fan.

Jackpot is a very basic superhero yarn. There's fighting and, primarily, a reminder Jackpot exists. The lack of character work or any real ramifications of the events in this story mattering makes this a relatively easy book to skip while we wait for Jackpot to have any relevance at all.

Some interesting character exploration doesn't make up for the entire plot being a waste.

This issue is a disappointment as there are some major themes that are interesting when it comes to the roving loner that is Red Sonja. The themes are there and that's commendable, and the art works for the most part too — the comic doesn't succeed overall though.

Aside from an interesting curiosity in the angel character, and some good action to open and close the book, I had a hard time getting through this manga. For such an interesting premise this book reads in a clunky way and will make you wish it would just get on with it.

Reveals info about the villains, but seems to twiddle its thumbs for much of this extra sized issue.

This comic is just okay. The bad guys and their alien minions are cool, but that doesn't make the price of admission worth all that much. The story is also a bit cliched. You could call this Mad Max and just replace his gun with a sword and call it a day. That said there could be some magic in this series, it just hasn't been cast yet.

The first issue had a bit of flair but had many slow moments which, unfortunately, this issue is also mostly made of. It might be cool to see where it goes, but this issue doesn't give me much faith things will get any more exciting than watching a woman do her nails.

A great backup and a solid premise to the story make this a must read for die hard Rick and Morty fans. It's also rather light on humor resorting to Mr. Poopybutthole's name for laughs more than anything. Unfortunately the main story is so slow to start most folks could probably wait for issue #2.

A so-so main adventure with a fantastic backup by Marc Ellerby makes this a skippable experience. This series has yet to prove why it needs to exist though it's obvious there's a story in there somewhere.

This is a decent start to a two part story that has Riri forced out of her suit and into street clothes to do some good for the world. The handling of Riri is strong, as you have to admire her heroism and gumption, but the plot is slow and doesn't offer enough action. Issue #2 might rectify this though.

Some good art and the sweet relief of this story ending will get you through it. Barely.

A good first start, but answers as far as the villains and the "Inc." in the title remain to be seen.

This volume walks a fine line between cartoon fun and realistic drama, but never really commits to a direction. The characters speak and think like they're right out of the Golden Age of comics, which makes the experience feel clumsy and at least for a younger audience. Still, there are some fun ideas in this book and feels unique from anything else on the shelf.

Back To The Future: Biff To The Future #1 has an intriguing premise that has plenty of opportunity to show us how Back to the Future 2 ended up where it does. That said, it misses an opportunity to make Biff a sympathetic character and instead continues to show him as the dumb jerk who doesn't deserve anything good coming his way.

Another okay, but not great installment of the spin off series nobody asked for. The biggest gripe is how it seems to prove page after page it's not a necessary story. Alan Robinson shouldn't go unnoticed, though–the art is great, and helps punch up a rather uninteresting story.

The art is nice and the cliffhanger intriguing, but it's too little to keep your interest in this slog of an issue.

The premise is sound and the players are too, but it's a tough read due to some sketchy art and a confusing progression of story.

Deathstroke Inc. #9 is an okay at best experience. It sets up the fallout of Deathstroke losing his son well, but a lot of the action ends up being more flash than anything else.

The premise is sound, but the story isn't funny nor all that interesting.

This is an okay start to a unique team up series. Unfortunately it's mostly introduction to each character and then bickering to get on with the mission. Here's to hoping they entertain more once in the thick of things next issue.

This issue is an improvement, but not quite there yet. The pieces are in place, there are some good ideas to be had, and the action to open the issue is awesome. The problem is, at 30 pages it seems to be padding itself out to justify the page count rather than using those pages to tell a well crafted story.

This manga got me to chuckle once or twice, but for the most part it was way too lowbrow for my tastes. It also gains some momentum at the very end, making me ponder if I should continue.

Good spy action and tracking, but the dialogue is clunky and the plot paper thin.

This series may have the best captions of any comic in 2017. Hands down. It's epic, well written, and drives the story in an awesome way. Unfortunately the plot, while paced well, feels like a repetitive amount of filler scenes more than anything. The dialogue is also clunky and difficult to get through.

What we have here is an issue that's mostly set up as far as where Robocop stands and what has become of his city. The rest is action sequences that are good, but not great, particularly because there are no stakes to speak of. He even seems more powerful than ever, even though he's out of bullets, as he moves like lightning. We'll see how this series pans out, but it's very apparent this was written as a series and not for the single issue format.

I can't say this was the best two parter and this second part feels more like dead weight than the first. The first part at least had some great action sequences. The art looks great here, but it's very stiff. It's also unclear what the point of this story is besides setting up future stories. It's too bad more couldn't be done with Gwen Stacy too. She seems to be yet another symbolic prize for the hero and nothing more.

Overall a disappointing first issue that fails to tell us why it's worth reading. The action scenes are nice, but it all feels unnecessary.

All three stories look great with completely different styles at work. This one-shot has also piqued my interest as far as The Living Corpse is concerned. If given an ongoing series I'm sure I'd pick it up after reading this. A zombie superhero who fights all things horror? Sign me up. It also seems to have a bit of a sense of humor, which makes this title further unique. That said, these three stories are either throwaway or seem to be written more for the hardcore fan than anything. It was hard to relate to and enjoy the stories because of this. On top of that the title says it's a “haunted one-shot” and yet there's nothing scary about it!

This is a well-managed superhero book that hasn't quite found its hook yet. Titans United #1 could be a stand-out book, especially for Titans fans, but you may need to wait for the second issue to be sure if this is a trade waiting situation or just plain skippable.

This comic is way over priced. Maybe for 3 dollars I'd be okay with how little happens. The art is great for the most part, but not worthy of the price tag if there isn't more story and character development to go with it.

The problem with this issue is it feels more akin to a one shot special devoted to where Bishop has been than a team book called X-Force. The dreamscape stuff is cool, but it's used in such a heavy handed way to explain Bishop (and retcon a ton of stuff I might add) that you'll e bored to tears.

X-Men Legends #7 is a comic for fans looking for nostalgic vibes. On paper, it has everything you'd want from Jubilee and Wolverine teaming up, down to the yellow Wolverine costume, and even Lady Deathstrike thrown into the mix too. The execution isn't quite there, though, making for a just-okay X-Men experience.

A good addition to the "Hunt for Wolverine" comics adding a villainous flair.

A good issue, but one you can read in five minutes (or less) flat.

This issue barely progresses things and is easily skippable.

This series has served absolutely no purpose beyond stretching out tepid action scenes and leading the reader on.

Well written characters and a strong ensemble is one thing, but this first issue lacks the spectacle and storytelling to make you want to learn more. I'll stick around for issue #2, but you'll want more after reading this so-so first issue.

Bloodlines finds its villain and she's ramping up the drama tenfold. Meanwhile the story progresses ever so slightly–not nearly enough if you ask me, but it'll have your attention.

Much like 90s comics it looks pretty good, but the story isn't strong enough to warrant a read. The cover is incredibly misleading as it suggests some superhero action–which is certainly coming in future issues based on the narrative here–but for the most part this is a transition issue that's all about getting characters from point A to point B.

Another good issue which reminds us not everyone is born a hero.

There's more plot development and action in this issue with a promise of some real answers, but it's hard to deny the characters are flat. Duncan practically derails every scene he has a line in.

It's hard to care about anything in this issue as not enough was established or earned to allow the reader to care much at all. If this series set out to establish this series of characters it has succeeded in establishing their powers yet barely scratched the surface of their characters. The entire series felt rushed or half baked, like a halfway decent CW show that ultimately served no purpose.

Fallen Angels is visually and thematically beautiful in its use of darkness inside and outside the characters. The identity of this book is fascinating, especially if you're a Psylocke fan, and I suspect it will connect with a lot of readers. It's the rare instance of comic book poetry from a superhero comic.

I wanted to like this series, but this second issue loses me. The dialogue can feel forced and clunky while the plotting is losing its focus too. The themes are so overtly written and on the surface, it doesn't read like a compelling introspection of the characters, but instead a force-feeding of ideas that seem basic and surface-level at best.

The obtuse nature fo the plot, the philosophical notions, and the inability to pin down these characters makes this a tricky book to read in single-issue format. It might be stronger as a trade since a lot of ideas are being thrown around and may come together better when read in one sitting. I'm not so sure though as the book feels unfinished in many ways.

This is, unfortunately, an incredibly confusing series. It's clouded in so much shadow and vagueries you'll find yourself frustrated as you sift through its overly self profound approach. I'm certain there's an interesting idea in there, but it's being rendered in such a way that we're seeing it through cloudy goggles with no clarity in sight.

In comparison to previous issues, this comic book is one of the strongest yet, but that isn't saying much. It sets up a showdown that you'll be dying for since so little actually occurs here. At this point, the very idea of confrontation that could mean something is worth more than the false poetic nature of Psylocke's vision. Basically put, this feels like it's getting closer to the end, which is a huge positive. At least we can get some respite knowing it's almost over.

Fallen Angels ends this week and it serves as a six-issue series that has plenty of ideas but doesn't know how to execute on them. I was worried this series wouldn't put a period on things since it was so vague and unsure of itself along the way. Thankfully we can put this sliver of a story to bed and move on. Psylocke fans should enjoy this issue for its message about her growth as a character, but even then it's hard to deny it feels unearned due to the ineffectiveness of this narrative.

Batman/Superman Annual #1 is fun, but doesn't quite deliver. It has a few clever bits and ideas but doesn't ever make you care for the situation these characters are in since much of it is alternate reality stuff. This is really more of a Bat-Mite/Mr. Mxyzptlk book than a Batman/Superman book, but that'll likely please select fans.

Sets the stage, but the characters aren't developed much nor is this other world.

Constantine looks great with a very cool big idea to open the issue. Things wrap up adequately, but they fall into place too easily, making this a bit of a yawn of a read.

Doctor Strange: Nexus of Nightmares is an okay adventure that looks good even though the art must contend with a lot of dialogue. The one-shot has an old-school feel thanks to the scripting that should please older readers with a full origin for newbies as well.

A fantastic start to a series that introduces the Harleys well. It loses its purpose halfway through, but regains it with a shocking cliffhanger!

This series is growing tiresome as it continues to drag on with very little in the way of character development or plot progression. Here's to hoping something happens soon, because it's hard to fathom Harley could be kidnapped for yet another issue!

The villain introduces a playground of horrors that will be a delight to read next issue and offers some entertainment here and there in this issue. All in all though, this is a slow and tedious sort of read that's not very funny or clever. If Harley's gang is good at anything it's whining, which isn't much fun at all.

Harley Quinn and Her Gang of Harleys #5 finds a meaning in its villain, delivers plenty of fun action, and changes gears for the better!

While much of the content in Harley Quinn and her Gang of Harleys #6 feels like it's spinning wheels to fill pages, the sniping is exciting and the concluding pages a great surprise. Ultimately I don't think this series needed to exist, in part because not enough was done to make the team feel cohesive and interesting, but if its purpose was to create a new villain it succeeded.

Almost, but not quite. The action sequence is great and keeps your attention, but so much of this book is going to be recapped in a single panel next issue you might as well not bother.

Good intro of characters doesn't make this a must read by any means as there's no work done to tell the reader where it's going or what it's really even about.

An interesting start, although there isn't enough here to give readers an understanding of what this will be about, or why they should care.

I want to like this series, but there isn't enough here to care about any of it. Where does it take place, what is going on in this world, and why should we care about these befuddled heroes who are bound to figure out they were previously heroes anyway? It's a frustrating experience.

At the end of the day, Midnight Suns #1 is just okay. It will not win over those looking for an edgy return for the team. It plays it safe, establishes the key characters, and moves things along. For many, though, that's all they'll need to go for another ride with the Midnight Suns.

It's easy to blame Cho for the issues this series has seeing as he's the writer and artist, but maybe it's a case of an editor not doing any editing? When he pitched this somebody should have said, "how about we do this in 3?" But I'm sure the editors thought Cho's art would carry things nicely. Unfortunately they don't.

This was a good first issue to setup a potentially assume story arc. It certainly helps when Joe Mad is this good panel to panel. Of course, if art isn't the only thing you need, you'll be a bit disappointed with this. The acting Mad does with the characters is great, and certainly adds to the story, but generally speaking not a lot is said in this issue that couldn't be said in two pages. That means it's very skippable if you're looking for story, but if you revel in awesome art don't hesitate to purchase this beauty.

Those 99% will be happy with this issue, but it'll be over quick. Joe Mad's art is good enough to peruse more than once however, but I was a bit let down with the lack of backgrounds even if that's his M.O. It's nice to see a new idea brought in from Zeb Wells though and it's a good ride.

The art, in true Jock fashion, is atmospheric and compelling. His use of texture is particularly interesting. A panel as simple as an establishing shot might have added atmosphere in its background from the way the paint streaks.

This is a decent start to a series that clearly has its strength in the action. Williams establishes he has a good handle on the characters and some cool big ideas, but it takes way too long to get going with story elements we've seen a thousand times before.

Unfortunately this issue isn't that good, but more of a kick start or practice dry run for Powell having been out of the game for so long. There's some humor to be had and the art is good as always, but this is a very skippable one-shot.

This is a tough one, because there are some incredible visuals and a lot of potential with the story. Unfortunately the story we're given, as far as this first issue, reads unoriginally and uninspired. I'd give this a two issue chance, but at this rate it's not looking so good.

A good issue that properly puts in place how flipping awesome the Dora Milaje can be. Without a doubt, this story is making a statement about this group of warrior women being not only an entertaining facet of the MCU but also an important one. Unfortunately, it's done in a way that is light on purpose, giving the book a fun crossover feel but not much more.

An okay issue that helps flesh out the villain, but does so in a drawn out and wonky plotted sort of way.

This is an okay start with the potential to be a great read.

This issue certainly does a better job feeling more important to the films than the first issue did. It's fun to read if you love the movies as tidbits are revealed that influence how we view the films. Recommended for diehard fans and science fiction fans alike!

After a strong third issue this one falls flat due to boring, implausible and pointless "lost" stories.

The majority of the issue is filled with another semi-interesting story featuring Marty that feels too padded out.

If this series continues to stick a new detail or two into a very unmemorable story – in this case a summary of Back to the Future 2 – it's going to continue to be as boring and pointless as this.

Marty and Doc are in deep trouble (when are they not?) and explore compelling time travel conundrums. If you're after a Back to the Future tale that bends time and space jump on now.

I'm digging the story, but it's way too slowly paced to entertain you enough all the way through. The art is nice, the concept strong, and there's some laughs too, but the story is so decompressed you'll be bored to tears.

Solo #1 sets up what could be a very fun series, but its identity is still in question. The character is relatable and feels unique. His less than perfect nature sets him apart from other heroes of his caliber, which makes the book feel valuable, though not yet necessary.

Solo continues to offer a different type of espionage tale that's certainly unique. The problem is it's not doing it well enough to make me want to come back for more and this issue lacks the character work of the first issue that made it slightly better.

A relentlessly campy in your face read that's so wacky and wild you'll be hard pressed to not enjoy it.

If this doesn't sound like your cup of tea you may want to stay away, or it may just have a car crash appeal to you if it doesn't. Take it from someone who reads a lot of comics every week there isn't anything else like it on the stands.

Outrageous dialogue, incomprehensible character moments, and a plot that is becoming a chore to understand can't save this book. If you can enjoy it for it's over the top campy nature you might like it, but after 3 issues it's beginning to wear on me.

At this point I'm not even sure what is bad and what is good, this comic is such a trainwreck. If you stop trying and just let this comic do its thing you might just find yourself laughing out loud as I did. I honestly can't remember the last time I had this much fun reading a comic–it's just that different. This is the Freddy Got Fingered of comics.

This issue lacks the laugh out loud moments of the last issue (intended or not) which leaves you with what's left: confusing and melodramatic storytelling that's more random than anything else. I want to like this series, but it's just too hard to take seriously or follow. This issue lacks a lot of the pizazz of the previous issues, making it read like a rush to get to the end more than anything else.

There were times when this series was so bad it was good… and made me laugh out loud more than once along the way. Not so here. This issue is hard to read, confusing at times, and serves no purpose at all beyond having characters make screaming professions and act with schizophrenic temperaments. There are no answers here (even Superman says, "I have no real answers at all") nor is there much of anything to hang a conclusion on.

I'm still going to read this story arc, but dammit was this entire issue a waste of time.

A strong first issue in an arc that brings Venom back to basics.

This is a tough first issue to get through namely because it's so darn slow. Ash is perfectly written, but Vampirella fans may want to wait till issue #2 to actually see their character come to life. I have high hopes this can turn it around next month, but right now this feels like a diehard fan read only.

This is without a doubt a fun read due to it all being about action, fighting and funny moments. It doesn't break the mold of the common comic book trope of heroes fighting for the sake of fighting, but it's fun nonetheless.

This issue feels like it's buying its time to stretch the series out. The court room drama of the scenes are boring and flat and there just isn't enough humor.

This miniseries ends on a high note for action fans. Ash gets to quip and Vampirella vamps out in what amounts to a fun read.

A good intro to the world as Eddie Brock serves as a surrogate for the audience who knows nothing. That said, the event doesn't seem that big yet and is more of a singular story about Eddie.

For what it is it ain't a bad action frenzy, but it'll be hard to care about any of it.

It's entertaining but weak on purpose.

A killer epilogue and solid art can't save this ship.

This is a good look at Pepper Potts and a solid argument we need to see more of her. Unfortunately, this issue suffers from the sins of the past and serves as a reminder of them as Potts -- and by extension, these creators -- try to close the door on clunky Tony Stark history. Ironically, in trying to show Potts still believes in Tony Stark, I'd argue it makes me less of a believer in him and much more a believer in Potts. Give her the armor -- after the strong points made about her personality, I'd prefer her in it!

The events taking place in A.X.E.: Death to the Mutants are important to the larger story, but there isn't quite enough here to warrant a purchase unless you're a die-hard Eternals fan. As it stands, it's a so-so tie-in that could have used more mutants, more action, and more things for these characters to do. At best, this issue feels like a decent backup story rather than a full issue adventure.

I want to like "Gang War," but there's not enough here to get you excited unless you're a big fan of the various B-Tier gangsters that Spider-Man has grappled with over the years. The stakes never feel too high in a story that lacks Spider-Man.

As a first volume goes this manga offers a variety of interesting ideas about monsters, gods, and how they manipulate humanity. The idea that monsters live among us but are invisible is an interesting concept to explore further, but the delivery is unreliable and confused making the already awkward Hitagi even harder to understand.

Action packed first issue that sets up what could be a very unique spy/action thriller.

It's a boring issue but at least it shows promise with its last page.

As far as endings, characters feel changed, at least for a while, which is exciting in legacy storytelling. Three nuggets of story will play out in future tales. Overall, though, this finale feels bloated with action and lacks the character exploration in previous chapters that has been so exciting.

My interest is piqued as far as new characters joining the Batman Beyond fold. The table is set for a showdown next issue that shouldn't be missed and there's a good flashback that reminds us this series is strong in both the writing and art departments.

A good looking issue that seems to hold back just enough to allow for the next issue to wrap things up. For part 4 in a 4 part series though, it certainly doesn't conclude much!

As a straight conclusion/epilogue Batman Beyond #16 will satiate fans desperately awaiting the end. Could it have been easily wrapped up last month? Yeah, probably, which makes this issue a decompressed, so-so experience.

I'm game for more in this miniseries, but I felt the opening was too dreamlike and vague to capture interest and adventure. Instead, it reads like a preview of what is to come with more being done to introduce characters via the narrator rather than showing the characters in action. The old adage of "show, don't tell" doesn't quite work due to limited time and heavy use of captions.

An entirely skippable affair due to a lackluster conflict and boring characters.

A good issue that utilizes the alternate Spider-Man very well. It also serves as a reminder of how an Elseworlds tale can explore a character effectively while not skimping on action.

I'll admit my expectations were high for this pairing of super artists and that expectation brought me much too high for the quality of the book. That said it's a fun, albeit pointless, adventure.

Fallen Friend: The Death of Ms. Marvel #1 is a comic about mourning that thankfully highlights Kamala Khan's culture but doesn't do much more. Capturing three moments at her funeral, we get the pulse of key characters who Ms. Marvel touched, but little else. While it's nice to get some sense of how characters are feeling from the death of Ms. Marvel, it's far too little and maybe too late. With the character's revival assured, we have a comic that shows important Muslim culture but little else.

A solid villain backstory that ties into Green Arrow's emotions mixed in with a fun and disturbing ceremonial scene makes this an above average read.

The darker elements work quite well for a haunting and werewolf-tastic experience. That said, Green Arrow barely does anything beside groan with no fighting to speak of and certainly does nothing heroic.

Action packed and fun because of it, Green Arrow #51 works well enough, but a few awkward scenes, panels and bits of dialogue make this an imperfect read.

I can't say this is a good comic. There are too many awkward panels that pull you out of the narrative and the narrative itself is a rush to the finish line with awkward dialogue and easy coincidences.

Overall this issue is a bit of a downer as it doesn't achieve the heights it could. There is story progression, but the characters aren't explored quite enough. It is neat to see how Carlie would rule, which is foreshadowing I'm sure, but overall it's skippable..

King In Black: Return of the Valkyries holds a lot of promise for what could be a fascinating angle on the realm of death while the current harbinger of death, Knull, looms over Earth. This issue does just enough to whet your appetite for what is to come, but it does so in a flat way not quite delivering enough to keep the momentum going.

It's not that great of a book because we don't yet know why it deserves to exist alongside the original Frankenstein. There's a few new additions to the concept, but they aren't shown enough to warrant this book. Plus the nudity seems classless rather than a necessary element.

This is a just okay experience for longtime Marvel readers, but if you're new to the characters you might dig it. If you're buying the game this is a no-brainer to purchase since it gives us a hint or two as to what is to come and establishes the general feel of each character well.

Namor the Sub-Mariner #1 will grab your interest if you're interested in sci-fi tales of dystopian futures and how we as a people survive them. There's a clear connection from this story to our own reality that's worth exploring, although Namor isn't as interesting as you might think right out of the gate. Still, there are enough pieces here to come back and see if Namor will do something with himself rather than watch the world crumble before his eyes.

Hawkeye was always a hero who did right for the little guy and the story established here suits the character. This is a setup issue for sure, and it does that well; just don't expect to be wowed just yet.

The premise is good, but falls flat for me as Fred's backstory doesn't work to make the laughs come and instead feels shrug worthy. The story progresses though and the art excels.

I'm not entirely sold on this story yet. The dialogue is great and the character has just enough of a chip on his shoulder to get behind, but the world is very mediocre with an even more mediocre plot.

As an art showpiece, Savage Spider-Man #1 is an entertaining read, but it doesn't do enough to hook the reader in as far as character or story. Something is going on so it's not simply a blind action fight comic, but we'll need to wait till issue #2 to get some reasonable answers. If you're looking for exciting art and a bonafide savage Spider-Man, you'll dig this.

What we have here are three very well drawn stories with good to great dialogue throughout. What we don't have is a single surprise or secret. The title is misleading and while that's not such a big deal if the writing is great, there's nothing new here for anyone who has any knowledge of these characters.

If you like seeing heroes fight heroes, pickup Spider-Man Annual 2023 to see if Contest of Chaos is your thing. It's also exceptional when it comes to Spider-Man, who is quirky, goofy, and funny in the best of ways. I can't say I know what this crossover is trying to do, though, so temper your expectations.

I came away from this issue respecting Count Dooku far more than I had prior. He's a silent but deadly sort of villain who is calculating, but also ruthless. The fact of the matter is I had no care for this character, but now I'll be digging into wiki's to learn much more.

I've resigned myself to not expect much from these comics outside of some interesting character wrinkles. This issue certainly has that, but it also has Padme go on a mission that seems utterly boring. It reasserts things we already know about Padme and just doesn't add much to her story or the Star Wars narrative either.

If you're looking for action, Suicide Squad: Get Joker! #3 has plenty of it. It also wraps up the story, albeit much too quickly. As it stands, this series ends being feeling like candy: it's got the flavor to make it enjoyable, but not the nutrition to make it matter.

Symbiote Spider-Man: Crossroads #1 is an interesting start due to its use of some obscure Marvel characters and elements. In a way, that makes it intriguing since it's unexplored territory -- likely chosen due to this being a prequel that can't mess up continuity -- but it also makes it less accessible.

This is a perfectly fine one-shot, but it doesn't offer enough to be truly great. The Legend of Shang-Chi is an easy access point for casual readers who may not know Shang-Chi and don't want to get involved in the complexities of comics stories. Whether you pick this up or not will depend on how interested you are in a fight scene involving Shang-Chi and an unexpected villain.

This book succeeds in telling its wide sweeping and epic story taking you to different times and places as any good historical fiction should. It does so over more pages than it really should though, which makes the narrative drag and ultimately hard to get through.

There are some badass moments though, and for what it's worth the Halloween specialness of the story is effective. Vampires taking on bear creatures? It's just zany enough to be fun and just horrific enough to work.

As far as action comics go, Weapon X-Men has plenty to sink your claws into. A lot of what is in this comic feels familiar, though, as the narrative never probes the characters too deeply.

I like the idea of this book but it doesn't quite sell me. The art is a tad inconsistent and the story just barely keeping its head above water. As a fight comic though it excels and it's a fast-paced joy ride.

Damage is an interesting character that will have people talking for a variety of reasons. "Is he a rehash of the Hulk?" is probably going to be on most people's minds, but to me DC has established it's a different character in many ways. They also tie-in some familiar DC character faces which should help give readers a sense of what kind of book this will be.

Another good installment, but it makes you want more.

A strong issue as it sets up where we go from here and establishes firmly the Damage monster was created for good.

A decent issue, but it zips by fast.

An okay chapter though it has some problems.

Skip this one!

If you're willing to take a chance on something completely different you will be remiss to find anything so batshit crazy as Dark Engine. Give it a try.

It's unfortunate this comic is so befuddling. There's not much to go on be it story or structure and the reader isn't given much in the way of clues. If say, there was at least a note on what year these characters are in, we'd at least have an idea how the pieces relate. Alas we don't, and so we're left with an overly bamboozling comic to say the least.

I liked this issue for its ability to use lesser-utilized heroes and how it creates a sense of total chaos with the war on Earth starting. I'm still waiting for motivations to become more apparent on the bad guy side, but it's still early yet.

I want to care about this book, but unfortunately, it focuses mostly on a group of B-tier heroes in an adventure that seems to go nowhere. It's unfortunate writers like Jim Zub didn't have the opportunity to take back heroes that had tie-in books dropped, since Thor could have been far more interesting in a story like this. That said, there's a lack of drive to the story and it feels quite unnecessary.

I'm on board for this tie-in. I like the angle it's taking, especially with a veterinarian who may or may not be doing some werewolf research. The grizzled monster hunter is just okay, but I'm willing to take his cliched character along for the ride if it means some werewolf prodding in the right direction.

If you've read the first two issues there's no reason not to finish this story. There's some decent werewolf vs. Roman action and a conclusion. The art however, is a bit of a mess to start and the two artists probably should have never been put on the same book to begin with. On top of that, the cover seems to suggest a different story that actually occurs, and may have been better to boot. The first issue offered up some promising ideas, but it all ends predictably.

It'll intrigue, but only to a point. Then you'll be huffing and puffing for some answers.

Slightly better than the first volume due to some key answers, but dammit is this protagonist frustrating.

A resolution to be sure, and an interesting perspective on writers finding inspiration.

This book has all the trappings of a contemplative, dark, and relatable tale. It has everything in a Spidey story from the action, dire stakes, and most importantly it's empathic. 

Two issues in and this series aren't doing anything we haven't seen before. It's also rather flat in its characterizations. It's not complex or deep in any way and instead is boring at face value.

This issue has “segue” written all over it. It's unfortunate, because the battle between X-Wing's and Tie Fighters should have been much more exciting, but instead it wasn't paced very well. That leaves the reader with a lot of exposition and setup for the following issue. Anyone enthralled with the characters will want to take this ride on and probably don't need me to tell them. Anyone hopping on and off this series however can avoid this one and wait for the next issue.

This series is in a bit of a doldrums, largely because the pages show events taking place, but they aren't revealing character or advancing the action in a strong enough way. The biggest failure is the pacing, which seems stuck at the moment, but here's to hoping it gets out of its funk soon.

What a surprise this issue was, particularly because I fell out of love with the series. I adored the first three issues, but it slowly lost touch with me. This issue brings some tantalizing character dynamics to the forefront, but also teases us with some rather interesting reveals as well. The art by Kelly is serviceable to great throughout and it appears Wood has an impressive amount of tidbits for us in the coming issues.

It's good, no doubt about that, but it does leave the reader a bit disappointed. The revealing moments for the series as a whole make this worth checking out and the art is exceptional. Unfortunately it left a few plot points as if they were chores to get through.

Two stories that do well to entertain. One may be stronger than the other as Bloodshot is drawn very well with everything you want in a story, but Katana is a nice time too—just much more vapid.

The Deadshot story continues to carry this book with a solid story, strong character development and fantastic art. While it's mostly flashback it'll resonate for those looking to understand the character a little bit more.

The Deadshot story continues to tell a meaningful and great looking story, but the Katana story feels so run of the mill it brings down the whole shebang. There's nothing overtly bad in this issue, it's just so damn middling.

Aside from some minor quibbles this is a satisfying conclusion to a six part series that gives two usually minor characters the spotlight. It may not have quite achieved everything it set out to do, but each story is worth a look regardless for different reasons.

Alien #1 has such a strong premise and well-rendered sci-fi elements it's going to be enjoyed by many, but don't expect Alien action just yet. Unfortunately, this issue is a bit slow, and is in no rush to get the mission going. It essentially establishes everything it needs to get the story going, but for a first issue, it could be so much stronger if the mission got underway earlier. If you have the patience for it, check out Alien with the expectation that things will get nuts once the next issue is released.

This is a pretty good issue that's a teensy bit setup and a hell of a lot of recap. The concept of Doop roaming through moments we've read before is interesting in idea, but when executed it's a bit of a snore.

This issue doesn't bring anything new to the Invaders we haven't seen before. I'd still give it an issue or two to flesh out the concept because we don't know enough, but this issue feels done before.

This is a disappointing entry into what could be a great series. The art is strong, but who is this Angela lady, really? I still don't know.

This is a good issue that's much more for all-ages audiences than hardcore fans. That said, it ties in Scott Lang into a Hank Pym story.

Unfortunately for this story if you came in blind you might find it a little cheap. All the setup in the previous issues is necessary for the emotional resonance to bleed through, at least when it comes to Mad Hatter's backstory. I also don't believe in this Bruce Wayne love story, however tragic it is.

This issue started off very slow and sloppy and ramped up when it divulged the Mad Hatter's backstory. With his backstory out of the way the story has resorted to another by-the-numbers Bat caper we can easily predict. I won't spoil anything here, but the concluding page makes me wonder if it's poor timing considering Batman just lost Damian. We shall see in the concluding issue next month.

Not too shabby as far as wordless comics go. The book has an important message to tell with just the right amount of emotion, especially coming from Batman himself, that makes the story felt.

So often in comics it seems like the art carries things and keeps your interest. In some cases it does you a service as things pick up later in the story, and I'm holding out hope that happens here, but as a first issue goes you won't be overwhelmed with good vibes, but rather teleported through its pages through the art alone.

Bloodline: Daughter of Blade #1 introduces a compelling situation for Bloodline as a vampire hunter and as a person whose still figuring out her half-vampire nature. A slower-paced issue, to be sure. There are a lot of elements that could spell intriguing drama surrounding vampire hunters and Blade being an absentee father.

Captain Carter #1 feels like a stable, but safe start to the new series. Characterization is on point and you'll be right there with Peggy every step of the way, but it also doesn't feel new enough, nor does it make a strong enough case to matter just yet. As it reaches its cliffhanger you'll be on the fence as the second issue will likely open up its superhero themes.

If you want moody atmosphere and a promise for some truly horrific things, look no further than this new series that explores a darker evil of Dr. Frankenstein.

Dr. Frankenstein has never been this scary with a plan that's so big you're not going to want to drop this comic.

It's a fun, light read that's devoid of the creepy horror elements it opened with, but still fun due to the so-bad-they're-good one liners.

An entertaining opening issue with clever ideas albeit it does drag a bit in the middle.

An okay second issue that limps along.

Not the greatest chapter in the story, but it is saved by solidly entertaining character moments.

Once you admit The Jurassic League is about fun and in-your-face action with a simple plot you should be right as rain. The characters are mostly surface level, which does amount to a simpler reading experience. But hell, it's the Justice League as dinosaurs, not Shakespeare.

If you want a bubblegum crossover event look no further than Justice League/Power Rangers #1. The action is good, the art suits the story, and above all else the story moves at a fast clip. Considering this is a team vs. team book it's a bit disappointing so few characters get a chance to shine, but it's still early yet.

This is a lackluster second issue in a series that opened in a big and fun way. It follows the crossover script to a T and looks flat or too basic. The dialogue and basic feel of each team is on point, but it's not enough to make this a must buy by any means.

Another good installment in an all-ages friendly crossover.

Lady Baltimore: The Witch Queens lives and dies by Connell and Madsen's art with creepy and uniquely drawn monsters and tight action. The story is familiar, especially as a Mignola-driven series, but the characters make this a unique enough experience. While the story does drift into heavy exposition for the second half, it has promise and should be picked up by Mignola fans who delight in the combination of history and the supernatural.

Cute and fun, but like a piece of candy it's devoid of any nutrients. It has potential to be more than a toy tie-in, but this issue doesn't prove there is a point beyond that just yet.

Things are coming together and I want to keep reading, but dang do they give you a meager amount of story per issue. Chris Claremont must be rolling his eyes in disgust!

Purists may hate the rewriting of Bruce Banner's origin, but I can assure you most will be bored with the main narrative. Still, that opening action sequence is one to behold.

The art is solid and the concept could be strong, but this first issue does not deliver enough for the reader to know what is happening or care. I wouldn't be surprised, however, if the second issue blows my socks off since the payoff is clearly not here.

The pieces are in place to make this a fun crossover. If you've been reading Green Lanterns, though, you're going to be sorely disappointed with a recycled idea that's the main point of interest in the storyline.

This is a good start, but there isn't enough humor or entertainment value in the interactions to keep things interesting while we learn who these characters are. Proctor Valley Road has a lot of potential, especially since it does have strong characters, but we'll need to wait for issues #2 and #3 to find out if its mysteries are worth investing time in.

Ultimately there's some nice action when it does occur, however forced it is, and by issue's end you'll get your money's worth of content. It's just unfortunate this sequel to the Dark Horse series feels a bit too contrived and I would have appreciated a bit more of a mythical coming together than what we have here.

What happens in the issue is exciting, but it's told all wrong with the story giving it all away in the first pages and then flashing back. The stakes could have been raised but the structure, or telling, lack the oomph it needs to make this an exciting and necessary read.

A stronger issue than the last. Its action is exciting and well choreographed and there's a surprising twist as we delve into the plight of an enemy Conan would normally just hack through.

While a stronger issue than most preceded it this is still a by the numbers sort of story. The art is nice though, and the backstory of Thoth-Amon is entertaining enough.

Strong setup and character work, but where is the action?

This is a very skippable issue since the events that do matter will probably be summed up in the next installment anyway. The art is good in one but not the other and overall this should only satisfy the die hards who are reading everything.

There's a lot of great ideas at play in this new series and it may be one hell of a horror/science fiction story once the first story arc wraps up — but there isn't enough in this first issue to like to tell just yet. Though Spread shouldn't go unnoticed, this first issue wasn't a home run; more of a foul tip. Let's wait for the next pitch and see where it's going.

This is an improvement on the last issue as the world is expanded and the action remains epic and exciting. Can they please draw the baby more realistically though?

Aside from a confusing bathtub scene this issue does a lot to explain how far humanity has fallen and it's a disgustingly interesting read.

A good setup issue, but more of a tease than one you can sick your teeth into.

A mystery you'll dive in wholeheartedly if the promise of new heroes interests you.

An okay issue with clear details on superpowers, but not enough done to make you care much at all about who these characters are.

At once compelling and confusing, this is a decent start to what could be a fascinating story.

Trial of the Amazons: Wonder Girl #1 is a good chapter that serves to add new info surrounding Yora Flor's people and key scenes that have already taken place. On top of that, plot progression is evident surrounding the murder mystery and the larger threat to all Amazons. With those items out of the way, let the Trial of the Amazons begin!

Expect a major reveal in Trial of the Amazons: Wonder Girl #2, but expect it to be told in a drawn-out way. Everyone loves the big reveal in a whodunnit, but there isn't enough here in the b-plot to entice readers. Instead, it's an issue that'll have you possibly flipping to the end to find out who the murderer is out of impatience.

A great issue to setup a compelling plot moving forward, but falls flat for a majority of the issue due to boring character dynamics. A fantastic opening six pages though.

A good crime noir with fantastically moody art style that imbues a strong atmosphere of the weird. It doesn't quite feel unique enough just yet, but it's worth keeping an eye on when issue #2 releases. Fans of Seven and Training Day should check this out.

Though this story is taking forever to get going, the cliffhanger will have you talking and thinking about what a justice system would do in the event of the big twist. This series is heating up and if it doesn't make you want to read the next issue I don't know what will!

Overall this is a bit of a below average book with writing that makes you want more. More character, more answers, more depth and sometimes a cleaner, easier to understand art style. That said, it feels incredibly unique and it's taking a damn big chance so it's worth a look if you're into alternative comics.

The structure of the story is set and the characters richly introduced in Vigilante: Southland #1. Unfortunately there's no action or superheroics at all and a slow moving plot that may deter many.

Vigilante: Southland #2 delivers on the hero's journey complete with all the growing pains that go with it. Unfortunately it's not developing the bigger picture well enough, nor the main character, to make you care all that much. Here's hoping it pulls together in the next issue.

This is a solid issue in a gritty and realistic vigilante story. Vigilante: Southland offers gritty realism in a field that's mostly extraordinary heroes. This issue progresses the plot and offers plenty of realistic action.

If you think of Web of Spider-Man as an extended preview or teaser for future tales, this is a solid anthology. If you're expecting satisfying done-in-one stories or more than two stories that satisfy in their own right, you'll be gravely disappointed. For $7.99, it's hard to justify an anthology that's slim on satisfying stories in their own right, but it's a neat way to preview what's to come in the Spider-Man office in 2024.

While it feels way too much like a Hulk story, it still manages to work due to some interesting internal monologuing by Superman and a very real threat looming for Earth.

An attempt is made to deliver an interesting story but it falls flat due to a lack of solid action and a poor wrap up. Wrath's backstory is interesting though and the art carries the emotional resonance well.

I was left wanting more. Greg Pak certainly closes off his run with a long tendril of connective tissue, but the actual climax is disappointing. Save for an interesting connection between Superman and Savage's kid this is a decompressed sort of read with plenty of filler as the heroes rush around doing things to fill the page count.

"The Final Days of Superman" continues to progress the growing threats to Superman well as he plans for his eventual death. The art is detailed and pretty and this third chapter, aside from a few hiccups, makes me excited to read it all over again once all eight chapters are released.

The cliffhanger may not have me at the edge of my seat, but dang it, this is good storytelling. Superman continues to pull at our heart strings as he slowly dies and the story has gotten a hell of a lot more interesting with multiple Supermen converging.

This is a by the numbers sort of story with some nice detective work to keep things semi interesting. If not for the spectacular art though this would be a skippable issue at best.

A bubblegum meal of fight sequences and bad guys posturing. If you like that sort of thing you'll love this.

This is a great climactic issue that explores Professor Zoom's backstory as well as his part in Flash's own past, and it's all delivered in a fun, action packed way.

While the featured story with Barry Allen's Flash is a by-the-numbers superhero comic, it does end in spectacular fashion, warranting a look. The backup with Wally West is fantastic and worth the price of admission alone. Without the backup this would easily be a 7 at best, but it brings it up a whole grade.

What the hell did I just read? Flash comes off as weak and helpless for really stupid reasons. The Riddler's plan doesn't have enough teeth to make any sense either and it make it even worse it all ends with a shockingly melodramatic reveal.

Flash #52 manages to ameliorate the last issue's gaffes with some exciting hero-villain team up action. I can't say Flash or the Riddler come off as very strong or interesting though, but if you like classic superhero stories you'll dig this.

As far as event books go Aaron knocked this issue out of the park. Usually there's a ton of exposition to get through, but this issue balances character and plot effectively. Recommended.

All around this is a table setting issue that revealed little but the implications of the final page are kind of huge, albeit something we've seen before it does play out as it appears to be. That said, it looks great and adequately sets up the next issue.

The art is a bit troubling and doesn't suit the story at every moment, but the plot thickens and there's a major reveal that'll make fans giddy. There is a lot of infighting and moments that feel like filler, but generally speaking this is great event so far and beats any of the convoluted stuff Marvel has put out in years.

If you're interested in a well told story with a couple surprises that doesn't at all move along the main storyline then by all means give this a looksie!

When it comes to mysteries, delaying the reveal (or even any details for that matter) can drive the reader insane. Give us clues or don't do it at all. The plot progresses minimally here as well, making this a very skippable and frustrating experience.

It is abundantly clear the purpose of this series is to reveal the ultimate sin from Nick Fury and to focus on him. For an event series though, where are all the other characters? The setup seemed to suggest it'd involve many characters, but really this is a solo book about Nick Fury and nobody else. Bah to that.

Overall a very tepid climax with a lot of interesting developments in the final pages once the smoke clears. It's not the best event series, not even this summer, but it at least doesn't leave too many storylines hanging.

Get a snapshot of the life of stardom that many would kill for, but Seanan McGuire seems to be asking the question, "Would you really?" When love is outlawed, what really matters anyway? This issue tackles that and how a utopia may not be so great when you're not truly free.

I liked this issue better than the last thanks to Nightcrawler's predicament forcing him into a tight spot emotionally. How will Nightcrawler do the right thing in a world that has outlawed the natural feeling of love? That's exciting and it's fun to see how the creative team squeezes Nightcrawler.

I'm thoroughly enjoying the slow boil story, but some might find the pace too slow.

A good-looking book, but it's growing tiresome as it gets nowhere.

An okay first issue that sets up what hopes to be a fantastic second. Sadly it doesn't quite energize you to care since too much of it seems to lean on Tony Stark's origin.

A good issue that, when combined with the first, serves as a good origin story to a combo that can be quite clever.

A so-so start that has an interesting premise if you can get through all the explanation.

A stronger second issue will add mystery on top of mystery further increasing your interest.

As far as first issues go this is a great place to start. All the characters are introduced well and plenty of conflict is established. Unfortunately it's lacking action or drama to kick it up a notch making it a slow start.

Patsy Walker, A.K.A. Hellcat! #12 is a fun and endearing experience. The characters are animated and the drama, especially in this issue, compelling. The plot moves along a bit too slowly though and you'll be wishing there was more to chew on.

I went into this book expecting another run of the mill robot/hero/soldier story and was pleasantly surprised. I wasn't familiar with the original work and it didn't matter in the slightest. I'm interested to see where this character goes and what is going on in the world. Recommended.

No, very skippable issue. There isn't anything added from a character standpoint and the big bad is flat and boring. Here's to hoping things turn around when Rogue has to fight robot dogs.

This is a good first issue that's good for a few laughs and sets up the team and its villains well. The characters are infectious and you'll want to keep reading just to hang around and see what they do or say next. I'm still unclear on the character motivations, or the purpose of the team really, and their coming together seemed all too easy.

The team is pulling together nicely, though maybe at a slower pace than one might like. This is a series that has a nice chip on its shoulder that, once pulled together, may just be the best “B-team” book on the market. Here's to waiting for it to start to gel!

This is a good issue as it builds up a new character, is paced well, and has a few good laughs too. I wouldn't say it's as funny as previous issues, and the team aspect isn't working, but overall it's an okay time with a book that could really go far.

Cyborg hasn't been this interesting in ages and Cyborg #1 does a fine job in getting at the core of what makes him human. The character is well written, there's action, and there's also a deep sense of self discovery at play here.

Cyborg continues to be incredible at capturing the character within. The creative team has him going down a road that is testing him in a way you don't want to miss.

Cyborg #3 offers a new character, new powers, and a new wrinkle in Cyborg's battle for his humanity. I can't say it's much more than a fight book for much of its length, and the new power comes out of nowhere too.

This issue doesn't do enough to be good, though it's close with an emotional and impactful ending. Much of the plot has Cyborg running around fighting nightmares to pointless effect and the art is way too simplistic to carry what should have been such a visually stimulating story.

Cyborg on the street should be a weekly occurance as he allows readers to see the difficulties of being black in America. Cyborg #5 does that quite well. A new character is introduced well enough, though the actions to transform her delivered too quickly to allow it to resonate.

Cyborg #6 offers fast paced storytelling with strong characters in gorgeous detail. The pace might be a bit too fast for its own good, but you can't deny it's a lot of fun.

A rather average superhero affair that looks nice, but feels very much by the numbers.

A good extra-sized issue of shorter tales.

America Chavez: Made in the USA is making an interesting point about the anger and resentment young people can feel growing up with a family that doesn't seem to understand them. It can be frustrating for a kid, but in hindsight, it's also understandable the family is doing their best with what they're given. Sadly though, the story isn't progressing fast enough and seems to be reiterating the same point over and over rather than exploring America's relationship to any one family member. For that, you're left wanting.

If you're a fan of the simian side of DC Comics, this will be an instant buy, but for most, I'd say curb expectations. For an April Fool's issue, the anthology generally lacks humor. It's more of a highlight of just how robust the monkey/ape side of DC Comics is, which is silly enough for fans to enjoy.

Though it's entertaining — two good double page spreads do not make the action any more exciting and the plot seems to progress simply because the writer wills it which makes this experience feel unearned.

Good story from cover to cover and absolutely no filler as Aquaman #50 establishes a new direction, a new hero, and a very compelling new enemy.

It's not bad, that's for sure. Aquaman's new role as the leader of a dry land embassy continues to cull up intriguing story elements and Black Water continues to be an interesting bad guy. I'm not sure this issue does enough to entertain though, as the “heroes questioning their methods” element is understandable, but not very captivating and the detective work in play is more blind luck.

Well written, looks tight, but doesn't offer much new for longtime readers. Anyone new to Aquaman can find a fantastic introduction to the character here. Everyone else might want to wait for the next issue to see how things develop, because as of now this doesn't feel all that new as much of this recap and old hat.

This has a fun fantasy vibe with sci-fi sensibilities that should get action adventure fans excited.

An okay issue, but I was left feeling like I was reading a buffer issue that was distracting from the eventual conclusion more than anything else.

Batman/Fortnite: Zero Point continues to be an entertaining thrill ride as Batman attempts to escape a cage he can barely decipher. It may have a familiar feel to films with a similar premise, but it's decidedly a Batman story within a wacky concept of Fortnite come to comics.

This series is starting to wear out its welcome out due to the inability to give us answers. The captions give us something, but only crumbs to go off of so as to lead us on. As it stands, this is a simple fight comic that knows its audience will be satiated with a Snake Eyes vs. Batman showdown. Will it be enough to satisfy all fans? Likely not, as this issue is very similar to the last with no new developments as far as our understanding of this world or Batman getting closer to an escape.

I should note that Ching's art is extra intriguing because it's a fairly unprecedented look to the Conan franchise. The story unfortunately doesn't get going very quickly, but what we do see of Conan is worth a look. Recommended.

There is a ton to like in this series and plenty of pretty pictures to look at, but a story is not made by its action alone. The last page screams for you to buy the next issue, but so far things are imbalanced enough that I'd be wary.

Crimson Flower is an intriguing first issue, introducing themes of storytelling, imagination, and covert operations. This book is hard to put down because it's so visually stunning and has an air of complete originality. That said, the ability to immerse yourself in its world is clunky and difficult. Narratively speaking, it may require reading the second issue to be fully on board.

Cyborg digs into the weirdness of minds trapped in computers as a new dynamic is established in this issue. It's unclear what the bigger threat is and the story seems to be glossing over established elements, though. The larger focus remains to be seen, but things seem to be ramping up for Cyborg #3 to offer key details.

The art by Jean-Paul Deshong is serviceable to good throughout. There are a few expressions that completely threw me for a loop, but generally things were fluid, which makes sense for a story connected with water. There are some panels where the characters look oddly stretched out though, which again, pulled me out of the story and made me wonder what was going on. The monster at the end completely blew me away however, which makes me want to go back and read the previous issues just to see the designs Deshong has come up with.

A good first issue that establishes its characters well, but I'm still waiting to see what makes it different from the rest.

As anthologies go, this is an okay collection. Each story is so short there's not a lot they can do, but there are at least three stories worth reading. Deadpool Nerdy 30 #1 is a celebration of Deadpool and in that, this book works splendidly, capturing the different aspects of the character. It's a reminder after 30 years Deadpool isn't just a one-trick pony.

There's going to be plenty of talk after this issue hits about what it all means, symbolically and for the character, but for this critic I couldn't find enough meaning on the page. That said, it's still a good comic, but it misses the mark.

Shawn Crystal's pencils do a fantastic job pumping things up and making things pop. I particularly like how backgrounds are either detailed, polka dots, or extremely thatched. It forces the read to be a bit more chaotic and energy fueled. His work reminds me of Mike Huddleston's style and it's pretty fantastic.

A good first issue in the "Future Fights" origin story comics. I had no idea what the Future Fights game was, but had a good time getting an introduction to some interesting characters.

I couldn't help but think this would be an excellent character to introduce in the Marvel cinematic universe. This story has a lot of potential for an origin story that'd get fans excited. Luna Snow is basically Elsa from Frozen, but even better!

A good first issue that delivers the ultra violence we've come to expect from this series.

By issues end it's clear this was a good issue that could have been a home run, save for its inability to give the heroes much to do. That said, there were exciting moments and some surprising ones, all of which make me want to read the next issue. When you consider how many summer event tie ins are complete wastes I'm not sure there's much more you can ask for than to get a story that drives the reader to want to read the next issue.

Hallow's Eve: The Big Night is a fun Halloween caper, although too simple for its own good. Very little is done with the character leaning more into the Halloween fun.

This is a mediocre introduction, especially considering it's an event. There's just too much exposition and not enough action and when it comes to visual mediums of the blockbuster kind that's a failure. That said, the story is intriguing enough and the pacing is exceptional, both visually and story-wise.

A conclusion can be a lot of things and still wrap things up well and that's this issue to at tee. It ends, but not well, with a boring last issue that serves to have the heroes say and not show enough to explain the action and stakes in play.

Justice League #7 gets to the core of each of the heroes via fear, which is a unique and interesting perspective. It's entertaining enough, though it ends at out of nowhere and has quite a few problems with plot and dialogue.

Not one, but two action packed sequences that pit Batman and Cyborg against machines comprise the action in Justice League #8. Hitch sets up a story with high stakes and infuses it with fun dialogue and big action.

Big, fun action is at hand with Justice League #9. This series is a reminder superhero comics don't all have to be introspective character dilemmas–they can be fun action for everyone.

Justice League #10 delivers a new threat that's modern and creative. Whether you buy in or not will determine if you love or hate this issue, but you can't argue that the last 9 pages of action aren't fun and dynamic.

It's hard not to see this as lazy superhero writing. The characters punch and kick their way out of a battle with very little teamwork and a very silly premise that's put them in this position. Save for some solid art and a funny moment, this issue is easily skippable.

Hitch focuses an entire story on communication between heroes before the big conflict as they discuss their trust issues and insecurities. The concept of Justice League #14 is sound, but no real change in character is shown rendering its purpose moot. Still, there's a nice sense of scope and understandable issues are discussed.

I haven't dug this series in quite a while, but I think Hitch and Pasarin have quite a tale worth exploring here in Justice League #15. Time travel, excellent art, and a well told story combine to make "Timeless" a must read.

Justice League fans will love the size and scope of this story. The time travel gobbledygook is beginning to grow tiresome as a lack of answers and lots of teasing continue. You can't fault the awesome art and premise though!

This is a good issue when it comes to epic storytelling but a few plot holes pull you out of the story and make you scratch your head.

A big action sort of issue that changes the game at the 11th hour for the better.

This is a fun issue with fantastic art and big action, but don't expect the resolution to be anything more than superhero stuff.

A good issue with a clever story hook and a Flash-centric tale.

This issue wraps up the two issue story arc with more of a message than a deeply satisfying story.

A fun fight issue with a bigger purpose by the end.

A good opening salvo to a story that is taking too much time to get going.

Much of this reads like a bad Christmas movie from the 50's with characters saying what they think and feel in order to remind us children should be playing with toys and people should be celebrating rather than working during the holidays. That said, the conclusion introduces a fantastical and magical element that'll make me come back for more next month.

Vivid and eye-popping art along with great pace makes Limbo #1 an entertaining read.

A decent first issue that has good action and a decent plot. Unfortunately it stumbles its way through a good portion of exposition.

Mega Man: Fully Charged is a comic that feels fully realized as soon as you open it. The world and its characters are rendered well and you'll immediately believe it's all real and working. That left me feeling like I had to catch up -- especially since Mega Man doesn't appear till halfway through the book -- but I'm game to read more about this interesting, futuristic sci-fi adventure.

A good farewell worth a few chuckles for sure. It's a bit slow and Mockingbird isn't as highlighted as I'd like, but it's a fine goodbye.

Morbius: Bond of Blood is a great primer on Morbius that shows off his powers, details his origin, and captures his unique personality. Anyone familiar with the character might find a chunk of this issue unnecessary and the ending comes as a shock, but all in all it's an entertaining experience with classic Morbius vibes.

New Super-Man offers a great change of pace for the character as his location is fresh and his powers come with intriguing caveats. I'm excited to see where Yang takes this character from here, though the pacing needs some work.

Nightcrawlers #1 is an interesting start to a book that's about magic and a rebellion of Sinister figures. It's hard to get your bearings given that it's set ten years into the future, and the story doesn't do too much to catch us up, but from what we can gather, things are bad, the world is misshapen, and needs a reset. There's ample character work and ideas at work here to get you rooting for the Nightcrawlers.

Having never watched the Pennyworth show, it's safe to say there's enough here for spy aficionados. The story structure leans a bit too heavily on captions, however, which sometimes cover panels far too much and slow the narrative down even when the action is picking up.

It's really too early to tell what this series has to offer. It has the meta element of a comic book creator's hero popping up in the real world, but what that hero is looking for is unclear. The back story also seems to suggest this will become a romantic book, but the inking and story so far is too dark to see this as anything but a sad sap creative type learning who he is. And the superhero by his design comes to life…for some reason?

If you want fantasy mixed in with your X-Men stories, don't pass on Realm of X. The creative team drops mutants into another world that plays a heavy part in deeper Marvel lore and will likely mean some interesting developments as mutants crossover into a more Asgardian corner of the universe. Largely its own thing, this series offers a respite with a fun fantasy adventure amongst the mutant titles tied to the horrific attack on mutants.

Realm of X #2 is a good issue if you're invested in these characters and like fantasy, but it feels a bit stale as it limps along the main plot. As a fan of fantasy and loving the location visuals and setting I want Realm of X to soar, but this second issue leaves you wanting.

This issue serves well as a scary story for Halloween, featuring terrible violence and a scary psychotic on the loose, but it also doesn't quite feel necessary. Call it dabbling in what we already could have guessed at rather than revealing anything new. Each story is fine and has sparks of terror in them, but it's hard to grasp why we should care.

The best Red Hood recap complete with action packed flashbacks and touching moments. If you know anything about Red Hood though, this issue is easily skippable.

Simone shows us the father I never knew Sonja had, which is interesting and potentially huge in making Sonja that much more human and relatable. I just didn't buy the flashback we were sold. It is interesting to see her loving and peaceful father and how losing him changed her life forever, but it's all done in a rather predictable and uninteresting way. The art however, always looks nice and keeps you invested in the story. This is a case where my expectations for the story might have run ahead of me and when looked at as a story with pacing and progression it succeeds.

Red Sonja #1 is a good start, establishing the threat of a religious zealot and the cunning of Red Sonja that'll likely come head to head as the series unfolds. The fantastical elements aren't played up; instead, there's a more traditional sword-fighting feel to it all.

Not a bad one-shot by any means with plenty of taut action to keep the action fans happy. The story isn't breaking any new ground and I would have liked to have seen some homages to Lonewolf, but overall it's a nice adventure.

This is a good issue, but the general setup overstays its welcome and feels redundant. There's certainly nothing technically wrong with the issue, but the laughs are reduced because of the structure of the story. That said it has plenty of funny moments and the premise is strong enough to make you want more.

If you're a fan of superheroes but want an alternative and gory take, look no further than Sh*tshow. The series explores a world where the best heroes fell and those with powers remaining make due. So far, though, it's a bit light on intriguing characters and more about the setup.

The concept of the story is cute and lovable, but with a twisted underbelly Bradbury fans should love. The art felt a bit off for my tastes, but it's still a sound tale.

Silk #1 is an excellent example of outside-the-box storytelling paired with superhero antics working very well. Pick this up for the big mystery, but stay for the compelling setup as Silk travels across iconic eras in American history.

Silk #2 follows up an excellent opening issue of spending way too much time with the hero's brother, Max. From the opening scene reminding us of who he is to the unnecessarily cut-short Silk Western scene, there just isn't a lot here to get your blood pumping. Instead, the story slams the brakes to bring us back to the real world rather than bask in the rather inventive setup of Silk in different eras.

Reading this comic, you feel out of the loop, as if you're joining a party late and you're not sure who the strangers are in the room. You try to make sense of it, but at the end of the day these are weirdos you aren't going to get to know unless you put the time in. If you're willing to do so, then this book is for you. If you want to hang out with folks who make sense and you're familiar with, this is probably not your cup of tea unless of course you've read them before.

Garth Ennis proves his best work delivers commentary on the superhero world and this issue does just that. It's funny in a big and boisterous sort of way while giving the heroes new direction and purpose.

It's good though not great. The humor is lighter than previous issues with much of it being visual gags rather than clever bits of dialogue or commentary on superheroes. It does progress the plot of Dogwelder well and is entertaining none the less.

Ridiculous and over the top, Sixpack and Dogwelder has big reveals that are worth a look. If you haven't read a single issue you'll be completely lost and fans of the series may be twiddling their thumbs as the team takes a backseat to a major character's lineage flashback.

The story of Jennir and his lover should have important ramifications once Vader reaches him. That is what I'm excited for, but the story is being unveiled for a different reader, one who has grown attached to the cast of characters and has a good sense of what has come before it. That reader isn't me. I can still appreciate this issue though and it wasn't a total loss for me. I think anyone going in fresh might have the same trouble I had, but a couple issues in should rectify this as there's a top notch comic to be read here.

A good first issue that establishes its purpose but takes a lot of pages and money to do so and never offers anything new about the title character.

A decent issue that slowly progresses the plot and introduces an interesting new character, but it's so darn sparse you'll be done reading in a few minutes and think about it thereafter for even less.

Leading up to this issue I was losing hope but this issue brings back some great pacing and fantastic character moments to make this the strongest issue yet in the series.

This may be the weakest issue in the series so far. Very little character development is undertaken and the plot twist is bewildering.

A decent issue as far as setting up new threats and dynamics, but it's so darn boring.

The plot thickens in this latest issue, and if you're interested in character development of Darth Vader's latest threat, read it. It still feels like a transition issue though, with nothing too exciting to jump out and scream, "buy me!"

A boring issue that's bumped Darth Vader's powers up so high he seems impossibly unstoppable. It might be believable but it doesn't feel earned.

What could have been an exciting face off between Leia and Darth Vader is reduced to characters standing around and doing nothing. A bore of an issue that appears to be padding out any actual events in order to save them for the next chapter.

'Vader Down' ends in a satisfying way with most of the conflicts. I can't say Leia's actions or how our heroes make it out is very interesting though.

This new story arc sets Vader off on a path of war general and it's a site to see. We're given solid conflict and a choice scene with the Emperor too. Bring on the next issue!

Darth Vader fans need to check this book out. It not only continues the awesome badassery that is Vader, but infuses his character with his very nature getting the best of him!

Dramatic tension abounds in this well told and well paced story!

A solid conclusion with everything wrapping up nicely and a cliffhanger that will put Darth Vader back into the fire and at risk now that he's finally acquired the emperor's favor.

A strong example of how the comic books improve on the movies.

A strong third issue in the arc delivers on creepy vibes. The man is broken and this issue ties us to those broken bits with great storytelling. About as strong as visually arresting comic book storytelling can get.

Star Wars: Mace Windu #1 is an okay start to a story that has tons of potential. Mace Windu is not yet on the council and still serving as a solo-mission Jedi who is perfectly capable of pulling off a mission of any size. It's just that this story is too slow for its own good, with at least the next issue necessary to see if it's worth further reading.

This series promises to deliver answers to three important elements the prequels barely touched upon but were incredibly important to the Star Wars series as a whole.

A nice opening issue to establish the characters but it's so darn slow you won't miss much if you do skip it. That said it has a certain Disney cartoon charm many will like.

Superman & Robin Special is a must-read for fans of Tomasi's previous stories with the Super Sons. It captures the energy and youthfulness of both while building off previous stories during their adventures when Jon was still a boy. However, the overall read feels thin, especially once you put it down and recap to yourself what happened. At its higher price point, there just isn't enough here to recommend this one to casual readers.

Well, it's just okay really. The problem is not a lot happens, and on top of that it ends like so many issues have, with our green villain hanging around screaming that he's going to do something. The fact that this has started to get frustrating says a lot, because dang, Green Goblin is the bestest.

What we have here is a superhero yarn that's all action and not a lot of brains. If you're looking for that kind of thing, by all means join the fray. Oh, and there's a bit of Clone Saga boiling under the surface, too. This story concludes over in Scarlet Spider #20 and judging by how that issue reads…maybe this two parter isn't even worth it. That said, for the money the fight sequence between the spider men is entertaining.

You're going to become a Vandal Savage fan after reading this issue. He's a strong character developed well over the course of the issue as the story cuts from 50,000 years ago to today. While that's epic the Superman story falls flat and doesn't do enough to connect both of their needs to gain more power.

Survival Street opens with a great premise and an absurd cast of characters. It's hard to resist how well the two blend together, although the dialogue can sometimes inhibit the flow of a scene. That said, Survival Street offers good satire you rarely get these days.