The promise of what this issue could have done is wasted on moments that go nowhere, a villain that has no purchase and an overall plot that seemed thin at best. It took until the end of this issue to get to the real threat that is looming over this wedding. Something that is much more interesting than this story could hope to be. Had it spent more time on the relationship between Bruce and Dick, it would have been more compelling a prelude.

A good issue that is short on action, but works as a means of allowing the characters to reflect on who they are and what they are as a team.

There are moments I enjoyed, but they were all visual. Other than the beautiful and impressive visuals provided by Gabriel Rodriguez, there is not much else to this interpretation to sustain the reader's interest.

Moves the overall plot along, but if this were the first comic I picked up, it wouldn't entice me to read the next one.

Michael Avon Oeming delivers great art that makes the story look amazing. I just wish the story felt as substantive as the art.

The story is interesting but the exposition in many of the scenes would have been more effective had we seen the events the characters were talking about. The artwork is good, but the colors make everything flat to the point where nothing truly pops on the page.

David Cabeza delivers some awesome art in the issue. All of the characters look great and the panels were filled with detail.

Too much of this story seemed to be missing for it to be entertaining or engaging. Jean seemed to drift in and out of moments without really engaging in them and with the people in her life. There was a lot that could have been explored in this issue and it seemed to focus more on the surface rather than the substance.

Roger Langridge gives the art a retro feel that is indicative of the time the story takes place in. It is fun, light and designed to match the tone of the story. If the story were more dynamic and interesting, the art would feel welcoming. Unfortunately, it feels flat and lifeless because of the story.

Dan Moras art is one of the only things that redeems this first issue for me. I love the visual style and the spectacle Mora brings to every action packed moment. I just wish the story was worthy of his skills.

Andrea Sorrentino delivers some beautiful, noir-style art throughout the issue. The use of shadow is brilliant and the composition of the panels is fantastic.

Jorge Fornes does a great job with the art in the issue. The scenes are beautifully framed and have a great detective noir style to them. I wish there was more happening in the story to complement the compelling art.

Jorge Fornes makes the issue look good. I like the contrast between the past and present delivered by Dave Stewart's colors and Fornes has some great details in the backgrounds.

Guiseppe Camuncoli's art is great. The character details are worth experiencing and all of the art is fantastic. I wish there was more to the story because I bet Camuncoli could have done some amazing things for this annual.

Looked really good. Suffered from lack of depth in its characters.

Pere Perez provides some great art throughout the issue especially in the action scenes.

Russell, Mignola and Ordway deliver some impressive visuals in this issue, but their art can't transcend the feeling that I'm experiencing a lecture rather than reading a story.

Russ Braun does some great work with the art and visually there is a lot there to like. Unfortunately, beyond the character details, which were great, Braun doesn't have a lot to do here.

Great art from Russ Braun. The characters look great and the one fight scene is beautifully brutal. Would have loved to see more action, but the art does a great job of capturing the mood of the story.

Russ Braun has a great eye and a great style. I just wish he had something to do in this story. There is so much that is not happening and that is a bummer visually. Instead, there are page after page of characters standing around talking about things that are way more interesting.

Russ Braun delivers some great imagery throughout the issue, but the story doesn't give Braun much to do beyond panels of Billy walking, Billy talking and an ending that comes out of nowhere.

Walsh delivers fantastic art throughout the issue. I love the visual style and Walsh always showcases beautifully horrific imagery.

The book has potential, but it needs to find its footing and decide what it wants to be.

After finding some bright spots with the last issue, this one seemed to take a pretty mediocre turn in both the action and storytelling. The cover art suggested some action that is not to be had in the issue and Hydra Steve's plans just seem a little goofy at this point.

A satisfying conclusion to an often unsatisfying storyline. Makes me curious to see what the aftermath of the event looks like for the heroes, especially Steve.

It's finally over and Spencer ended it in a way that doesn't redeem the run itself, but does satisfy the overall story and the journey of its heroes. More interested in the aftermath to come.

The art is really good. The art by Stephen Byrne is fun, detailed and beautifully colorful.

The art by Stephen Byrne is perfect for the tone and style of this light type of story.

Stephen Byrnes art is a perfect complement to Russells story in both tone and look. There is a lightness to the art that makes it engaging to the reader.

Stephen Byrne continues to deliver some impressive art and that's about the best praise I could give this tone-deaf issue.

Great art from Stephen Bryne. The light tone of the series and its art still allow for great panels and details.

There are some haunting moments in the story that I wish could have been explored more. The emotional aspects of Bruce as a Lantern get stripped away for shock moments that fail to resonate.

Bazaldua delivers some great art in the issue. I love the visual style and how it crafts the characters. I love the new look for Carol as well.

Villanelli delivers some beautifully detailed and visually immersive art in the issue. I love the look of the characters and the style has some great energy to it that kept me engaged.

Villanelli delivers some great art in the issue. I love the backgrounds and the general visual tone of the story. Tartaglia enhances the visuals with great, bright and engaging colors.

A fun blast from the past that has the potential to be more.

Dead Inside is starting well. The mystery at the heart of the story is interesting and the artwork is on pace with the plotting. The plot itself moves a little too slowly in areas and there are moments that lay flat on the page, but it is an interesting story that I will continue to read.

Adams has gotten my attention with this story and even more so with the supporting cast of characters that he has added to Boston Brand.

Wade is not happy, but still making jokes as he tries to piece some kind of life together in the aftermath of Secret Empire.

Falcon is trying to come into his own with his own title. While there were some moments that stood out and the reveal of the villain at the end is interesting, much of the plot seemed a little mediocre. Hopefully, the series leans into the story of a hero betrayed because that story feels more interesting.

A fun first issue with a few cliche moments, but an overall interesting story that caught my attention.

The art is phenomenal. I love how this story looks visually.

Pete Woods has some really good art in this issue. There are some great visual moments and the style of the art has a fluid, moving nature to it that is enjoyable to look at.

The story was good, but not great. It's effective at ramping up the tension, but some of the bigger characters get diminished because of it. The art seems to do the same thing. The characters, conflicts and action all seemed small on the page, which reduced the tension and its effectiveness.

The story continues to be promising and there are some really good moments in this issue that push the limits of the characters and their motivations while also humbling them amongst the people they are trying to save. The artwork is really good with great backgrounds and scale.

A solid conclusion to the story with enough nods to future storylines to be interesting. Some of the dialogue was a little heavy handed in conveying its message, but it didn't distract too much from the story. The artwork was great and, with the exception of Batman, everyone was represented well in their fight scenes.

Good story that sets up more interesting stories in its one on one interactions. The artwork is good, but jumbled.

A good ending to the Lobo arc with some great character moments. The art was well done for the most part.

An effective smaller issue that allows time to develop the interpersonal relationships with the team. The art is well done and falls in line with the tone of the story.

Really well plotted thriller elements work well in this issue and kept me interested. The art is well done, but the artist isn't given much in the way of action.

Good story with dynamic character development and art that showcases the power of the characters.

Good story and pacing with interesting seeds planted for a broader narrative. Good art that flowed with the story.

The one on one interactions between the team members continues to work from a story perspective, but this arc is starting with weak visuals and a story that feels too short.

An interesting mystery continues to unfold with the writer giving some good character interactions and the artist providing some dynamic action.

A good side story to the main plot, but the plot itself hasn't really hooked me.

An uninteresting continuation of an increasingly uninteresting story that should have ended two issues ago.

A finale that should have ended three issues ago or shouldn't have been done at all for what little it actually accomplished.

A good story that taps into the simmering drama between the members of the team.

The issue was flat in its execution and the villains were underwhelming at their best. Time to remove the pawns and get to the player.

This story line is over, but the only thing it proves is that the JLA needs The Ray and Batman in order to be relevant, which is a shame.

It is a gorgeous book to look at though and the art is amazingly detailed and fluid. Perhaps the next issue will bring the story into focus.

The story is absurd but fun and there are some funny moments and one-liners in this issue. I fear that the lighter tone might box the character into a corner in the future.

A good book with an interesting new premise. Frank's relationship to Fury is the standout in this one and I am interested in how it will play out.

Does a good job of giving Frank a suit of armor without turning him into someone he's not. It's walking a fine line well enough to be interesting.

The first part of this issue was really funny and finished out the storyline in a satisfying way that combined great visuals and humor. The second story wasn't necessary and wasn't really funny.

Both stories are fun in their own ways. The first because it just goes there with no regard to subtlety and sticks the landing with an awesome and unexpected ending. The second story is fun because it encompasses all the subversive humor that Rick and Morty are known for.

Gurhiru does a lot of the heavy lifting when it comes to making this issue work by incorporating some captivating and beautiful visuals throughout this issue.

This is a fun first issue that doesn't take itself too seriously and sets up a pretty interesting story going forward.

Ultimately, as snippets of Superman stories, this issue works and the first story definitely ties up some loose ends from another arc, but there doesn't really seem to be a compelling reason for this issue in the first place and it feels like filler before a better story begins.

Olivetti delivers some beautifully detailed art throughout the issue. I liked the subtlety of the art as well as the visual style of the back story moments.

Ferriera's art is fantastic though. The characters look great. Morbius looks impressively menacing and the panels are framed and executed brilliantly.

Eisma crafts some visually engaging art in the issue. I enjoy the visual style a lot and the details throughout the issue.

Corin Howell's art is fantastic. There are so many amazingly detailed action scenes and the fights are brutally beautiful.

The art by Corin Howell is great. All of the fight scenes are great and are full of energy. It's a beautiful looking issue.

Corin Howell delivers with the intense, beautiful and kinetic art throughout this issue.

Corin Howell's art is amazing. Everything looked incredibly detailed and both the action and character moments worked exceedingly well.

The story has some really good pacing as the action seems to happen naturally. There are some great moments in this story where you strip away the historical absurdity of these characters and find something tangible in their interpretation. Something that could lend itself to an ongoing series. The story and action beats work really well together and there is some real emotion in this story, especially in the history of both Blue Falcon and Dynomutt. Taking these characters seriously is a tightrope walk, but Tomasi is able to do it in a manner that makes sense with the characters and in context with the DC universe.

Leonardi does great work with the art in the issue and conveys a gritty style that matches the seriousness of the subject matter.

There really doesn't seem to be much reason for this story. It doesn't illuminate anything for any of the characters and the resolution to the story doesn't illicit any emotion. I think this is a good idea for a story that just didn't find itself.

A well told super hero team up story that doesn't devolve into clich with a relatively hopeful ending. Gorgeously rendered artwork draws you in and keeps you looking from panel to panel to catch all the fine detail.

This is a fun issue with a relatively benign story with low stakes.

Elise McCall and Lita Miternique have some impressive and vibrant visuals throughout. I like the character designs and the atmosphere of the issue a lot. Hopefully the story matches the visuals as the series progresses.

Angel Hernandez nails the look and feel of Star Trek, especially Voyager and her crew. There is some great imagery in this issue and the style perfectly matches the tone of the plot.

Hernandez brings some great visuals to the story. The characters look great and their surroundings are well detailed. There isn't any action in the story so most of the art is focused on character and that's fine. The panels do a great job of focusing on character details which are well done.

Angel Hernandez does a great job with the art. As the story boiled down to characters talking, the detail in them was great, but there wasn't much else going on in the issue.

The art is fantastic though. Reeder offers some beautiful, sweeping visuals filled with details and the panels move the story along perfectly. I just wish the story was worthy of the brilliant art.

Reeder's art is fantastic. All of the characters are sublimely expressive and the action is done really well. There are some great looking panels throughout and the art brings energy and life to the story.

This is a great looking first issue, but the story doesn't establish much conflict.

I found myself at times wondering what the point of this issue was and when it was going to get to it. Kensho and Toolah's story was unfocused and if it weren't part of the issue, it probably wouldn't have been missed. Thurma's story was more compelling, but it never really exploited the tension it was building.

Ryan Sook makes the world and the characters look fantastic in this first issue.

All of the artists bring beauty and style to their sections of this story and each section is filled with brilliant details.

All of the artists give their best in this issue. There are some beautiful sequences mixed in with some amazingly detailed ones. All the transitions worked in keeping the style matched with the theme of that part of the story.

Ryan Sook and Mikel Janin do great work with the art in this issue. They take the visuals and make them awesome to look at, but there is nothing going on in this story that lets the art shine.

Ryan Sook, Stephen Byrne and Wade Von Grawbadger do fine work with the art, but they are hampered by having very little to do. Nothing in the plot requires the visuals to be interesting or engaging so every scene breaks down to the group standing around looking at each other.

Pansica delivers some great art in this issue. The characters look dynamic and the action is brilliantly done.

The story is a little redundant based on the conflict and setting, but Manapul is able to craft a well told story in both the plot and the art.

A predictable ending to a fun issue.

All of the artists deliver fantastic visuals throughout the issue. The visual styles are perfect for the setting and environment as well as the dark tone of the story.

This issue feels like the stories that were rightfully rejected from Issue 1000. Only 1 out of the 3 actually worked on a small level and the rest could barely sustain the short format they had. Pretty disappointing.

Brian Level delivers some impressive visuals. I like the style and how exaggerates the mannerisms and physicality of the characters.

Leisten has an interesting and engaging visual style. I like the look of the characters and the use of Gotham as another character in the story.

Level delivers some exciting visuals throughout the issue. There is some great visual flair to be found.

Brian Level does some great work with the art in the issue. The panels and pages look like illustrations from a novel and that style works well with the aesthetic of the story.

Level does good work with the art in the issue. The characters look good and the visuals are striking.

Level delivered some great visuals to the issue. The art stood out as fun and lively.

Tight story with good visuals that showcase the characters and their dynamics. Batman/Baz argument seemed forced and didn't really pay off well towards the end of the issue.

A good conclusion that sets up future events that might be a little more engaging. Satisfactory conclusion to the Batman part of the story with a change in Simon Baz's outlook that is refreshing. The artwork is very well done and serves the story well without drowning out the plot.

The story moves very well and does a really good job of making the villain three dimensional. The artwork is very well done and gives a classic, artistic feel.

A good issue that has some forced moments but an overall good narrative. Doctor Polaris is done really well, but Jessica Cruz falls by the wayside in this issue. The art is visually well done, especially in showcasing the power of the characters.

Story and artwork remain consistent and generate enough interest to keep reading. The lack of any innovation in either the story or the art could shed readers over time.

The story concluded this particular arc rather predictably. The art was really good, but the narrative didn't really let the artist shine. The set up for the next arc actually seems more compelling.

This is a good issue for the series and it showcases the wonder and scope of what being a Green Lantern is. I think more of that joy and wonder and less of the personal angst might be refreshing going forward.

This is a great overall story for the Green Lantern corps and touches on all of the issues readers have had with the characters while setting up a new arc that looks interesting.

A passable continuation that could be better if the lead characters were allowed to improve and evolve. The art is nice to look at and conveys some great action.

An interesting story well told with a good buildup of character dynamics and conflict. The art is really well done and visually striking in moments.

The story is well done in chronicling the history of the Green Lantern Corps and the art work is really well done.

An enjoyable continuation of the Volthoom storyline from the last issue, but not particularly memorable from a story perspective. The artwork is the true hero of this issue as each page gives one something new and interesting to look at.

A continually good story with some really great visual moments.

A good continuation of the story arc that gives the characters some much needed development and motivation. The art is fantastic.

A predictable conclusion, but one that maintained the heart and emotional growth of the characters. Great character moments and emotionally detailed art.

A decent no stakes story that takes the time to conclude a personal arc for one of the characters in a pretty realistic way.

A good story that doesn't really break any new ground.

A fun story that successfully completes the arc from the previous issue and sets up some interesting conflicts to come.

There are few stakes in this story, but it is a fun read overall.

A satisfying continuation that seems to be building to something really interesting.

A passable story whose low stakes and lack of investigative prowess by its heroes make it fun, but forgettable.

The story is getting better with each issue and the characters are becoming more engaging due to the writing.

Great art and a continually engaging story

A satisfactory conclusion that is leading to another interesting arc.

Straight-forward story with some interesting elements, especially for Jessica

It works in a sense to let Simon come to a realization that he needed to in order to save Jessica. My hope is that the story progresses in a way that allows for that confrontation to have meaning for both characters. I enjoy the fact that Seeley is taking the time to explore the characters and Marion's art enhances the story with great visual flair and details.

As far as how the story is resolved, Simon is used effectively in his confrontations with Jessica. Constantine manages to find an insight that might help both of them. I also like that there is something brewing at the end of this issue that will cause some tension between Jessica, Simon, and someone connected to both of them. There are some good character moments in this issue and a possible evolution of Jessica as a character, but the main antagonist still stretches credibility with me as a viable threat.

Jessica manages to escape and finds herself at a space port looking for the contact she let get away and this is another moment that gives way too much credit to Jessica Cruz as a character. I like her as a character overall, but the one thing that has yet to be explored for her is a sense that she is crafty enough to evade capture or move within the fringes of the galaxy in opposition to the other Lanterns who have been doing the job a lot longer. Without context, this story seems flat both in character and motivation.

The end of this issue is a little too abrupt. Nothing really gets resolved and Jessica's outburst doesn't seem genuine. The story starts to fall apart in the third act and doesn't really stick the landing as far as closing out this particular arc in a satisfying way. It felt like everything Jessica went through was a waste. The art was great, but the story didn't go anywhere relevant and was ultimately forgettable.

Mike Perkins' art is great in this issue and there are some great panels, especially the sequence involving Penelo. It was handled really well and the detail was great. He was able to convey a lot, especially in creatures that don't physically emote. Good work.

Also, many of the conflicts in this issue could be resolved with a conversation. Anyone of the Lanterns taking a moment to listen to the other could have foiled the miscommunication that seems to be what this entity is mainly doing from inside the rings. I want to see where this story is going and who this entity is, but the plot issues make it hard to stay involved and invested in this particular story. Santucci's art is a highlight though with some great visuals and awesome action splash panels.

The art is great in the issue though and Santucci does some great work with composition and action. I really loved the first few panels with Simon in space and the Guy Gardner/Eon battle was great to look at as well.

Same can be said for the entire corps turning on one of its members. Both Jessica and Simon have been on the opposite end of allegations from the corps to the point where I wonder if any of these characters should even be in law enforcement. This issue did nothing to elevate or innovate and it felt like a retread of previous arcs. Even the great art by Perkins couldn't save this issue from the "been there, done that" pile.

Perkins' art is amazing in this issue and the art goes a long way toward holding my interest and adding to my enjoyment of this issue.

I enjoyed Perkins' art in this issue as well. There are some great action scenes in it and the fight between Hal and Henshaw is amazing. Perkins does a great job of utilizing and rendering The Phantom Ring and there are some exciting and tense moments in the story that looks great.

Cutler delivers some great art in the issue. The action is visually thrilling and lively.

This is a visually stunning issue to look at. The scale and detail of the characters and the threat that they face is amazing. The plot really moves like a thriller in that it doesn't give away everything and lets the reader put the pieces of the story together at around the same pace as the characters.

A good character driven issue that allows all the principles to have their moments. There isn't a lot of action in the issue but the exposition isn't wasted on useless information. Everything that is said drives the plot along. The action is really well done and there are panels that really pop in their use of scale.

A story that moves really well and has genuine twists that are both surprising and satisfying. The artwork serves the story and action beats well and the intricate details are worth the look.

A good end point for this particular arc with a lot of interesting questions raised about the future of the Justice League and what impact this story has on the rest of the DC universe. The art is really well done, but Superman's motives and characterization continue to be iffy to me.

I don't mind time travel stories, but back to back story lines already feel tired. I enjoyed the spectacle of this issue, but the story was flat and not sustainable past two more issues.

This is a story that ends well from a rocky beginning. The characters are well written and the artwork works really well in both dialogue and action.

The story is serviceable, but not memorable. The artwork is effective but there isn't much in the story itself to visually impress.

Great visuals and a good character study of Mera and her relationship to the League. Story felt a little rushed, but it worked overall.

Both sides of this story are balanced well and the story moves at a good pace that draws in the reader.

A predictable setup that, hopefully, leads to a more fleshed out story.

Credibility issues are rampant throughout and the characterization of Diana seems way off.

A little too much exposition in a story that could have hit the same emotional beat with a more narrow focus. Great detailed art in each panel.

The overall story is getting better, but the kids are still not at the point where I should care what happens to them and frankly, I'm more interested in the story around their scenes.

An issue that grabbed and held my attention right at the point that I was about to write off the entire arc. Great art and a compelling narrative.

A good conclusion to a story that was not set up well from the beginning with revelations that seem completely out of step with the story itself.

The League are put through their paces by villains with their unique abilities and the mind of a Bruce Wayne without mercy. A great tie-in.

The finale of the 'Bats out of Hell' story gives hope to readers that the League is getting ready to turn the tide. It's well told and the art is complimentary to the characters and action.

A great illustration of how human Bruce really is. It tells an intimate story on a grand scale and it works.

What I like the most about this issue is that I don't know where it's going and the relationship drama it's creating along the way.

Filler with few stakes and little to no character development.

The overall narrative of the fan storyline is strong and I am interested in how it plays out. As much as I like the story, it keeps taking side trips to places that aren't as strong.

A good continuation of the Fan storyline that adds some additional tension and mystery.

A really good story that is expanding on some interesting concepts. Needs to really hit home in a big way at its conclusion.

The art is great and matches the tone of the story well. It will be interesting to see how it evolves along with the story.

Alison Sampson delivers some great, stylized art in this issue and the visuals are the only thing that really grabs the attention of the reader. From the violent opening to the way characters are composed within panels, the art compels the reader to keep going even if the story doesn't seem to have direction.

Barberi's art is amazing. I love the anime style of it and there are so many great moments and panels that it's hard to pick one or two to discuss. The way Barberi composes a panel is great and so many of them show great detail and action. It's a shame this is a 12 issue series because this story could continue with this creative team behind it.

Barberi delivers some great art in this issue as well and everything has a great sense of movement and motion in how it complements the story that Tomasi is creating. Great visuals throughout help keep the story suspenseful as well as fun.

The art by Barberi is top-notch. There are so many fun and detailed moments in this issue that are made even more engaging with the incredible art and colors.

The art is really good. There are some vibrant and beautiful panels in the issue. Unfortunately, there is so little going on from a story perspective that the artist doesn't seem to have much to work with.

The art is amazing. Barberi draws these characters beautifully and there are some great details in both the characters and the backgrounds.

Scott Godlewski does a great job with the art in this issue. I wish he was given something more interesting to work with.

Visually, the issue looks fantastic. The art by Carlo Barberi is dynamic and well done. It's energetic and fun.

Carlo Barberi's art is great and the action is especially well done. There is a lot going on in the panels, but nothing is overwhelming to the senses. All the pages are filled with dynamic action and details.

Carlo Barberi brings some beautiful visuals to the issue. Everything is lively and filled with action, energy and details. A great looking issue.

Duce delivers some great art throughout the issue. The art utilizes the daytime setting perfectly and draws a stark contrast between the Gotham we normally see and what we don't.

Dani does great work with the art in the issue. There are hints at Tim Sale's style in the art and that works perfectly for a Gotham story because the city looks amazing and the contrast between the rich areas of the city and the poor areas are visually stunning.

Rosi Kampe does some great work with the art in the issue. There are some great action beats to be found and the art advances the story really well.

The action was really good. The story was interesting and an interesting continuation of the current arc. It will be interesting to see what twists are coming next.

This story was definitely the most cartoony of the pair. It had the look and feel of an episode of Batman: TAS and that made it work as a story. It wasn't trying to break new ground with the characters and did a really good job of pushing the absurdity in their interactions. A really fun interlude in this issue.

This was a fun and funny short to end the issue and I really enjoyed the classic cartoon look to it including the cameos by the mad scientists of the Loony Tunes world. Could definitely see this story as an animated short.

Porter and Santucci do a great job with the art in both stories. There are some great action beats and the details in the panels are well done.

All of the artists bring their unique styles to the story and the issue has a well done visual look. I liked a lot of the visual moments throughout, but the flashback had the most engaging imagery.

The visuals in this story were well done. There are some great action beats and the imagery is well detailed.

The pacing is a little slow in some areas, but the overall story is worth reading for some great character development and art.

A good follow up to the first issue.

Well done narrative and art. Story moved a little slowly, but focusing on Mera makes it worth reading.

Some really good political intrigue playing out in this issue with Mera being plotted against from someone close.

There is a lot that needs to be resolved in this story and as much as I enjoy it, I would have liked to have seen some of those resolutions happen in this issue to streamline the finale.

An enjoyable limited series that ended a little too abruptly, but helped to solidify Mera as a great character.

A small act of holiday kindness from Detective Montoya will send Harley Quinn on a mission to return the favor by bringing the detective some Christmas cheer. A fun story with some sweet sentiment, but not much else.

Bob Q and Katie OMeara present some great, beautifully detailed imagery in this issue. The minimal action gives the artists the freedom to concentrate on the character details and backgrounds.

An entertaining, darkly engaging interlude from the events of the bigger story and hopefully, it will inform what comes next in the arc.

The first story is interesting and fun to read. The author knows how to capture the emotional feel of the original series with the first story. The remaining stories are fluff that serve no real purpose and are a little mundane.

Ariel Olivetti delivers some great visuals in this story. The style of the art is great and there is a classic feel to the imagery that is welcoming and engaging.

The biggest problem with this issue is that there is too much story to confine to one issue and the rush to get to the end takes away any emotional connection to the events.

Brad Walker's art is impressive and filled with stunning details.

Javier Fernandez offers some beautiful art in this issue. The tone of the visuals perfectly matches the gritty, noir style of the story. There is a darkness and despair to this story that Fernandez is able to bring out in each panel as the story grows and changes.

Mostert delivers some great art in this issue. There are great visual moments and a lot of action. The art does an excellent job of matching the tone of the story.

The art from Bryan Hitch is great. There are some great visual moments throughout. I just wish the story were as strong as the imagery.

A solid annual that sets up some intriguing plots going forward. Artwork that works really well to showcase the characters and action.

The story is a little slow in the beginning and no one really stands out, but the sense that something is coming is prevalent throughout the narrative, making the reader curious about the next issue.

Foche's classic art style works really well for this story. There is an element of polish to the art that reflects the kind of world these characters are operating in.

This issue successfully hit all the marks when starting a new arc and the character moments really worked as well as the art.

There wasn't really much to this issue to hold onto. The story was ok, but there was a lack of substantial plot for both Kitty and Peter.

Marianna Ignazzi delivers some fun art in this issue. I continue to be impressed with the style and how its light tone contrasts the seriousness of the story.

The story was interesting at the start and had some intriguing ideas, but it completely fell apart towards the end.

Anderson delivers some great art in the issue. The art has a fluid, other-worldly feel to it and that works perfectly for the ethereal nature of the story and its characters.

The artists deliver some well detailed and visually entertaining action, but some of the more action heavy moments looked messy.

A passable story that never really had the stakes necessary to be exciting. Well-paced and great art are its virtues.

Bizarro stories are hard to tell and this one is actually really good. Great Superman story as well.

This is a fun issue with great visuals and I appreciate the writer's commitment to the essence of the character.

A fun story that adds an additional layer to Bizarro. Interested to see where the next issue takes it.

A fun, light story with no stakes that gives the Kent family a moment to breathe and connect with each other.

Del Rey delivers some great art throughout the issue. I love the dark, moody tone of the art and the final few pages are beautifully ominous.

Hixsons art is brilliantly dark. The visual style is perfect for the type of story being created and the moments with the killer are brutally beautiful.

Jason Fabok brings some brilliantly dark and disturbing art to this first issue. Not only do all three iterations of the Joker look menacing and scary, but the crimes they commit are given a visceral, visual flair. A great looking book filled with detailed panels.

Jason Fabok's art is fantastic. The characters and action look great. I just wish the story was worthy of the beautiful imagery.

Both De Latorre and Lim do great visual work with the story, but there isn't enough story worth exploring so the art never gets the opportunity to engage the reader.

McGuinness delivers some beautifully detailed art throughout this issue. The action is thrilling and the characters look amazing.

A fun first issue that introduces a new hero with some interesting powers and conflicts that are both personal and world shaping in the process.

Sideways is a really good comic so far and this issue is strong, but needs a little more focus on the broader story.

A fun issue that gets better with each issue. Good story and great art, but needs room for character development.

Everything about the character and his supporting characters is compelling. I struggle to find a reason to care about the lead.

There is a more focused story developing in this book and it is making for a more engaging narrative with better character development.

DiDio has given Sideways some real stakes in this issue and shaken up the status quo of a character that needs to break out of the confines of the previous five issues.

After the tragedy at the end of the last issue, there was the hope from the cover that the event would be the focus of the issue. Unfortunately, most of it is glossed over in favor of a team up story.

I think DiDio is doing a great job of evolving Derek's story by taking it in new and interesting directions. The flip side of that coin is that as broad as the story of Sideways is getting, Derek's personal story and character development are taking a back seat

DiDio has a long road ahead of him with this issue and the series itself. Veering the character off into the Dark Multiverse is interesting and intriguing, but there are elements of the character that should still be evolving to the point where this sidetrack makes more sense.

It's great having Rocafort back on the art in this issue. His style perfectly complements the tone of this story as well as the characters. The action scenes are well done and there are some great details in the backgrounds that enhance the drama in the scene.

This was a thoroughly exciting issue that delivers on the promise of what has made Sideways an interesting character as well as the bigger story that has been building since issue 1.

The art was good, but the inconsistency in the visual style of the artists along with Rocafort's bookended visuals matched the inconsistent narrative of the issue.

Rocafort's art is amazing. Everything looked great. I just wish that the story rose to the same level as the art.

To crafts some great art in the issue. The visuals are fun and beautifully detailed.

To delivers fantastic art throughout the issue. The environments are visually lush and interesting and the character designs are great.

To delivers beautiful art throughout the issue. The action is beautifully detailed and I love the character designs a lot.

This was a fun first issue. I thought the premise was strange, but Williams writes it in a way that takes away the seriousness without making it campy. I found the story enjoyable and the pace of the plot to be fun and light. Carlos Gomez complements that tone with some impressive and beautifully detailed art. A fun issue that makes me want to read what's next.

Ibanez' art was great. All of the characters looked amazing and the panels were filled with details that opened up Arthur's world on Amnesty Bay to the reader.

Allen delivers some great art in the issue. I love the look of the city and how it beautifully mixes the Wakandan aesthetics into a city that feels apart from the rest of the country.

Allen delivers some fun, engaging and visually compelling art in the issue. The imagery is wonderfully detailed and the action thrills the eyes.

Allen and Chater deliver some great looking art in the issue. The visuals are great and do a wonderful job of highlighting the glamour and splendor of Wakanda, but not much else.

Chater delivers some great art in the issue. The visuals have wonderful details throughout and the action is thrilling.

Horak and Chater deliver fantastic art throughout the issue. The visuals capture the thrills and action of the story beautifully.

This was definitely a first issue that grabbed my attention and made me interested in seeing what happens next.

Errand Boys gets more dense and interesting in the second issue.

Visually, the comic looks great. There are some really beautiful panels to look at, but there's very little substance in this third issue to sustain the interest of a reader to read what happens next.

Xermanico and Janin craft some beautifully detailed art throughout the issue. The character designs are great and the panels are filled with great moments that focus on the characters themselves.

A fun first issue that's a little short on character.

Layman continues to craft an interesting and action packed story with this issue.

Pansicas art is amazing. I love the visual style of the issue and the action is thrilling. A great looking issue from start to finish.

Simmonds crafts some beautifully detailed and visually immersive art on every page of this issue. You feel a part of this world through the visuals and the final visual moments of the issue are beautifully bittersweet.

Wijngaards art is one of the only saving graces of the issue. The visuals are lively, beautifully detailed and convey a level of emotion that I wish the story deserved.

Andrade delivers great art in the issue. There is an otherworldly tone to the style and it works brilliantly for a post-apocalyptic story.

Scot Eaton draws the reader in with the art and both the style and details of the panels are the perfect complement to the tone of Jurgens' story.

Scot Eaton has some impressive art in this issue. There is a classic feel to the art and the characters look great. The action is well done as well with some great visual moments throughout.

Scot Eaton delivers some impressive and beautifully rendered moments throughout this issue and all of the characters look amazing.

Burnham delivers some great visuals throughout the issue. I really like the visual style and wish that the story matched the intensity of the art.

Burnham delivers some great art in the issue. I love the cutaway shot of the base and the character moments as the spy moves through the facility.

Burnham has a unique visual style and it works perfectly with the style and sensibilities of the story.

The art by Epting and Fernandez is fantastic. All the characters look fantastic and the action is great throughout.

Epting and Fernandez shine with the art in the issue. The characters look great and the panels are laid out beautifully as they move story along.

Steve Epting does amazing work with the art in this issue. Everything is big and beautifully detailed. The characters are well done and the action is great. There are moments where the Batman Who Laughs looks a little off, but the rest of the heroes and villains are done brilliantly.

Reis does a great job with the art in the issue. I love the stylized look of the visuals and how they complement the fun tone of the story.

Pasarin and Peterson do great work with the art in the issue. There is a lot of action and the art captures the energy of both the speed force and the characters using it.

A good annual that takes a deep dive into Wally's return and how it can affect the people in his life. Great artwork as well.

Scott Kolins' art is dynamic. Every panel with one of the speedsters gave off a sense of motion and speed through the visuals. A great looking issue.

Good story and well developed plot. Artwork is very good and moves the story along.

This issue is really well done. The story doesn't push too hard. It allows the characters to have purchase. The art is fantastic and viscerally beautiful without being gaudy or brutal for the sake of brutality.

After a really good story arc with Guy Gardner and the merging of the two corps, this story seems like filler that doesn't really move anything along or capture much interest.

The story continues to move and evolve in a way that keeps it both entertaining and tense. The artwork is well done and the ending panels keep me interested in the next part of the story

Smooth continuation of the existing storyline. Most of the character interactions work really well and the artwork really conveys the motion of space and flight in the characters.

A continually intriguing story and great visuals make each part of this arc worth reading. I really want to see where this story goes next.

The conclusion to this story was well done, but felt forced in places. The artwork was really well done and the action scenes were thrilling to look at.

Even with the inevitable conclusion to this overall story looming in every interaction, it is still worth reading. The artwork is always great from Van Sciver and the plot is interesting enough to keep me interested in the next part.

This is the start of both a really great murder mystery, tragic love story and political thriller all rolled into one. The plot is paced with great tension and the art work is dynamic but also well done in its subtle moments.

All of the storylines are coming to a head in this issue and there is no telling where the story will go next. The writing is great and the art is beautiful to look at. I can't wait to see where it's going next.

A great conclusion to a story that really only had one conclusion. The writing was crisp and solid, with great moments given to all of the principal characters in the story. The art was amazing and showed the raw power of the corps.

This is a well-balanced story from start to finish that allows for the past arc to be referenced without sacrificing aspects of the new arc that are being established.

Great look visually. Good story with great pacing.

This issue works as a means of moving the story along in a tense and interesting way. Would have liked to get more information about the threat itself, but the reflective moments in the story work well with the frenetic art.

An enjoyable, if a little rushed, conclusion to this particular arc with great artwork and a good overall story.

Great visuals can't really sustain a one note story that fails to get interesting the further along it goes.

A well done continuation of the overall story with some great insight into Jordan and his true power.

Not a lot there to hang onto, but the character moments with Hal and John really make the issue worth reading.

This was a well done conclusion to the arc, but it just felt a little short. I wanted to see more of a physical and personal reckoning for the Guardians.

The structure of this issue took out any possible tension that the end would have revealed and the villains are too overpowered.

A good issue and an improvement on the events that inspired it. Great dialogue and art.

This is a good issue that is fun to read and looks great. It's a slight annoyance that the Lanterns keep flying in without a plan, especially since that's what caused this mess in the first place.

A good story that should have moved forward, but repeats the plot points and fights from the previous issues and gives nothing new.

A tight, well-written story that asks some tough questions of Hal Jordan while setting up a dangerous arc for a former Green Lantern.

I'm not going to lie, the moment between John Stewart and General Zod is one of my favorite recent moments in comics because it was handled so well that you never saw it coming until the final moment. Well done story wise and visually. The whole issue is raising the stakes of this impending conflict and it looks like there are going to be some dark times coming for everyone involved. Something that could be incredibly fun to read if the creative team continues on this trajectory.

I really enjoy where this story is going. Venditti has written some interesting and well played out character conflicts. I would have liked to see the Tomar/Guy moment last a little longer, but that moment adds a new dynamic to this conflict. One that will be cool to see play out.

I like that this issue goes from the big themes of the last one to something smaller and more personal. It gives some great insight into the characters while providing some development. I've never been a fan of Guy Gardner, but this issue gave me the spark of thinking about him differently as a character. Henry's art is great as well and the details in his work help enhance each panel.

There is some great writing in this issue and the ending is exactly what I was expecting given the trajectory of this arc, but it will be interesting to see how it is resolved when everything converges.

Sandoval and Davila bring some great visual moments to the story. The art is visceral at moments and there are some great moments where the follow through to a punch looks brilliantly beautiful. This is a great issue that really made me excited to see how this story ends.

Sandoval's art is a standout in this issue and I truly enjoyed watching the progression of the panels in the story. They moved with the narrative and went a long way towards building on the tension in some moments and slowing down for emotional moments in others.

Javier Pina does a great job with the art. The story is geared more towards action and Pina does a great job bringing that energy to the visuals. The characters look good and there are some great details, but the art really comes alive with the last page reveal.

Pina and Peralta deliver some impressive art in this issue. There are some great visual moments throughout and even the lack of action still has a sense of movement and energy to it.

Pina and Santos deliver some exciting and impressive art throughout this issue. Not only is it brutal and brilliantly detailed, but there is great attention to expression.

The art in the issue continues to be fantastic. The action is thrilling and visually engaging. A great looking issue from start to finish.

Pina and Peralta deliver some great art throughout the issue. The Doom/Maestro (however brief) was thrilling to watch.

An interesting first issue that does a good job of humanizing the characters as well as open up new mysteries and questions to ask with the next issue.

A great mystery is starting in this story with some interesting character moments and a great twist at the end.

The artwork is amazing from Kubert and Marion. I love the details in pretty much every panel and there are some great detailed panels when the team arrives in a savage land populated by dinosaurs. The features in those pages are amazing and a testament to great visual storytelling.

There is some great dialogue in this issue and the team seems to be coming together in a really organic way.

Gillespie and Snyder do a great job of getting the reader to care about these people while at the same time being concerned where they will fit in regards to the original Challengers. The book asks a lot of questions as it unfolds its mystery and that type of layered storytelling is worth exploring.

It wasn't bad, but there were significant portions of the story that felt like things were missing for the sake of pacing. I wish the story had a few more issues to help establish the team better, but you never know what could happen in the future.

Great start to this limited series. Establishes character and conflict (both internal and external) well and has an engaging story that made me curious for whatever's next.

This issue gives better insight into how this team works together while opening some new and interesting mysteries to come.

A well done continuation of the story that is opening up some new character interactions and mysteries.

The story continues to be compelling and there was some great dialogue in this issue, but the third act didn't resonate with me and felt like a bad sci-fi series plot device.

This story continues to get better with a great mystery continuing bolstered by great art. I just wish I cared more about many of the characters at this point in order to care what happens to them.

This was a really intense issue. It went for the throat and didn't let go.

The first issue of Sparrowhawk is well done. It has a good story and a compelling lead in Artemisia.

Dawson does a great job with the dialogue as well and using both the prince and Crispin as opposite forces is a great character device that engages the reader in Art's journey.

Foches art is fun and engaging. I liked the visual style and the backgrounds a lot.

John Romita Jr. delivers some stunning art in this issue. It's impressive to see how the art reflects the physical and emotional growth of the character.

John Romita Jr's art is great and there are several beautifully detailed and vibrant moments throughout the story.

Bernard Chang has some amazing art in this issue as well. All of the characters look great and the action is beautifully drawn and impactful.

Sean Chen does an excellent job with the art in this issue. The action is dynamic and the composition of panels flows well with the tone and pace of the story.

Bernard Chang's art is great throughout the issue and the final reveal at the end is framed beautifully.

Bernard Chang delivers some great art in this issue. There are some awesome visual moments throughout including a dark scene that sends a character down his dark path and a brilliantly done fight scene between characters.

The art from Chang and Hanna is great. There isn't a lot of action because the story is more character focused, but the backgrounds look amazing and every panel is filled with stunning detail.

Pansica delivers some dynamic visuals in this issue. The characters look amazing and the action is big, bombastic and filled with energy.

Javier Fernandez does some great work with the art in the issue. There is a lot of energy in the panels, especially in the action scenes. There is a lot of great atmosphere in the panels and they do a great job of setting the mood and tone of the story.

Stott delivers some beautiful art in the issue. The action is thrilling and the characters look great.

The Long Con is a very fun and funny premise and issue 4 gets more in depth and hilarious as it lovingly skewers Cons and con culture.

The art does a great job of complementing the light and fun tone of the story. There are some really fun visual moments that remind readers of the pop culture icons that are being skewered in the course of the story.

The art by Ea Denich is fun and detailed. There are some great visual moments in this issue. The art style really complements the tone and pace of the story.

This is a really fun story that seems to be leading to some really interesting turns and mysteries.

This series seems to be building to something interesting as it pulls on personal threads for Clark and Superman's personal and professional lives.

Bendis goes further than I would have expected in this story and does some pretty exciting and shocking things to Kal ahead of his confrontation with Rogol Zaar.

There is some great dramatic tension in this issue leading to an interesting conclusion to the issue, but the story gets slowed down by exposition that could have been better served being cut to round out the third act.

This issue really does a great job of bringing the action and plot points to a head while ramping up the threat of Rogol Zaar. Great cameos from the Justice League and a great moment with Bruce giving Clark a vital piece of info that he needs.

This was the conclusion to an interesting and well done arc that established some intriguing mysteries for Clark and company moving forward. Unfortunately, the final conflict felt rushed.

The Guardians are fun when they are taking on a huge threat but not sweating too many of the details. This issue was fun on many levels and it was nice seeing them come back to Earth and interact with other heroes.

Melnikov's art is fantastic. The visual style is amazing and all of the details are a treat for the reader.

This anthology issue is broken up into five separate stories that explore dark, alternate worlds for the heroes of the Marvel universe.

John Quinones does great work with the art in the issue. I love the visual style of the issue and there are some subtle cameos from other Burton characters sprinkled in that are awesome.

Quinones delivers some beautifully detailed art in the issue. I really like the character designs and look forward to seeing what comes next visually.

Quinones does a great job with the art in the issue. I like the character expressions and action overall. There are moments that I want to see more depth in the design, but it looks good and keeps the aesthetic established in the films.

Joe Quinones does some great work with the art in the issue. There are some great visuals throughout. The only thing that visually doesn't work is the constant look of surprise on Batman's face. It gives a sense that he is not particularly bright.

Quinones delivers some impressive art, but the story makes everything visually disjointed, and you never get a sense of style within the art.

Quinones crafts some entertaining and visually engaging art in the issue. I love the look of the bat-cycle and the energy in the action scenes.

Joshua Williamson crafts a story that is pure fan service.

A really well done tragic tale that would have been better if some of the more tragic moments were depicted for the viewer.

This is a fun return to the legacy of Steve Rogers. His quest for redemption is a worthy one. I just hope it challenges him more in the future than this issue did.

Captain America doing what needs to be done while trying to find a new status quo for himself post Secret Empire. Worth a read.

Another classic Steve Rogers story that takes the hero on another mission that has some serious stakes at the end.

A classic trope for Steve Rogers is used to start a story about twisting the ideals of America to suit the needs of the chosen few while giving Steve a new mission and challenge.

I love the classic action and character moments in this issue. Anything that shows the indomitable will of Steve Rogers is a good things and I'm looking forward to issue 700

This issue has some classic storytelling from Waid and Samnee and it showcases not only what kind of hero Cap is, but why his example inspires others. Great read.

This was a great showcase for some classic Cap moments in an issue dealing with Steve Rogers legacy.

There is a better story to be told in this issue, but the focus that was chosen takes away from what was a pretty compelling opening. Hope the next issue is more exciting.

I want to like this storyline, but there are too many issues with the main character that prevent me from seeing the potential of him being heroic or even useful. Hopefully, this story finds its voice and does something great.

This arc was problematic from the start and while there was a really great moment in the third act that shaped an alright conclusion, there was no process with the character that would have led to that moment.

A fun first issue that keeps the aesthetics of the original series while crafting a new story with an interesting mystery forming.

This is a fun issue helps to move the bigger story along as well as establish an interesting mystery.

This issue continues the fun and lightness of the overall story and Layman continues to bring a really great balance between the seriousness of the story and the lighter aspects of the characters and the time period.

In the penultimate issue of this story, Layman continues to have fun with the characters, tropes and sensibilities of the original series and that continues to be the factor that keeps this story fun.

This was a fun finale that wrapped up an enjoyable storyline.

Todd Nauck has an interesting and fun style that feels a little out of place for Frank, but works well for the tone of this story and issue. The panels of Frank back in World War II are great looking, especially with the pseudo-newsprint style of the pages.

Nathan Stockmans art is great. It definitely matched the tone and style of the story being told. The flashback moments looked amazing in both detail and character.

Todd Naucks art is fantastic in this issue. Everything looks amazing and there are some amazingly detailed and well composed panels throughout.

Kubert delivers some beautifully detailed and exciting art throughout the issue. The visuals are fun and entertaining and deliver on the tone of the story brilliantly.

All of the artists deliver visually thrilling and beautifully detailed moments throughout the issue.

Joe Quinones does a brilliant job changing the visual style of this comic and there are some truly funny Easter eggs that 90's comics readers will recognize.

Good, tight storytelling and great art build an interesting new world with some more interesting characters

The end of the issue sets up the series well. Ahmed has crafted an interesting story with characters that have backstories and motivations that are worthy of exploring. The art by Rodriguez is well done with a retro feel that works with the time travel theme of the book. It will be interesting to see what chances are taken and stories are told now that the players are in place.

The story is well told and gives the reader a sense of character and a desire to read more. The artwork is dynamic and fluid in its depiction of motion.

The issue had a little too much exposition, but it was a solid story. Would have liked to see the story let the artist break through a little more and deliver some quality action beats.

This is a well told story that continues to draw you in emotionally as well as treat you visually with the action. The last page of the this issue is amazing and calls back to another seminal moment in the Flash's history that could have broader repercussions.

A good standalone story that focuses on Iris, but with just enough info in the narrative and conclusion to hint at bigger issues for Barry in the future, both physically and emotionally. A good story punctuated by good artwork and intriguing nods to the future.

A great story continues to unfold in this issue. The writing reinforces the tone of the overall arc and the characters are given time to grow, especially Barry. The artwork is well done in the action scenes, but a little flat in the close ups.

Really tense plotting that gives the reader insight into the fears of the hero. A story that moves well and a cliffhanger that it worth the read. The art is frenetic and awesome to look at.

This is a really solid issue both in writing and art. The story continues to be interesting, despite the predictable motives of Thawne. The art is frenetic and gorgeous to look at.

The art in this issue is great across the board. I loved the contrasts in the moments between the past and the present and the softer tone to those panels were a welcome break in the tension of the present action.

Still a great overall story with a less than compelling villain. The writing continues to be impressive and the art work is amazing.

This was a great conclusion to a storyline that I was on the fence about. It was satisfying to see how it ended and both the story and art were top notch.

An enjoyable read that is as interesting for what it doesn't give away as it is for what it presents on the page.

Solid storytelling. A decent mystery and good visuals.

Entertaining and well plotted with good art, but a little flat story wise.

The conclusion of this story was a little fast (no pun intended) but the new world that it opens for Flash is an intriguing one I want to explore.

An interesting new story is emerging for Flash and I really want to see where it's going.

A really well done continuation of the Metal storyline with some awesome character moments from Barry and great internal monologue.

Williamson has done a great job of expanding on and compounding the difficulties that Barry is going to face in his new role. As more of his life as Barry Allen becomes complicated, his retreating into The Flash becomes not only easier but more complicated in and of itself. Porter's art is dynamic in this issue and he continues to use great panel angles to denote movement, especially the kinetic nature of Barry's new life. Worth a read.

A fun and well done call back to a previous arc, but a completely predictable way to get there.

I really enjoy the complicated character issues and external conflicts that are leading to something massive.

A well done story that could have been better without the call backs to Barry's past perceived failures. It's a road that's been traveled too often and it's losing its effects.

A great story with some really good action beats. Only issue I have is with Barry regressing from all the progress he's made.

The action and tension continue to mount as Grodd continues to manipulate Barry. It's a good story that is working so far.

A great issue with some amazing visuals.

It will be interesting to see where this story goes next and what this new direction for Barry and company means going forward.

As much as I continue to be on the fence about Zoom, the end of this issue makes me curious to see what he has planned for Flash War and how his plans affect the world of Barry and Wally. Williamson has crafted a story that is engaging and really helps prepare readers for something big coming over the horizon.

“The Flash War” is starting to get good because there are some pretty big stakes involved for both Barry and Wally. Wally is willing to sacrifice everything for the sake of saving his children and Barry is trying to convince him that there has to be another way. Their back and forth is the product of some good writing from Williamson and the art from Porter is electric. Both characters have a valid argument to be made and their conflict looks like it is going to create something huge for all speedsters going forward.

The story is definitely heating up and the tension is great to read. Williamson is building to something huge for the characters, but I still find myself at issue with the portrayal of Wally. I found his motivations, actions, and explanations childish and as much as I am enjoying the story, another arc where The Flash is manipulated into doing something stupid in order to unleash something worse is starting to become grating. I really want to see where Flash War is going, but the journey is starting to feel repetitive.

The art by Scott Holins falls in line with this story. It is more subdued than the previous issue and allows the reader to become a little more immersed in the story. It's effective in moving the story forward at a slower pace that this personal story needs to move at. Definitely, a good issue that takes its time to deal with the impact of events before barreling into another huge arc.

Duce has some great art in this issue as well with some really well-done action scenes and fights. The shot of Commander Cold on his bike was great. Definitely a highlight of this issue. What also really worked was the entire domestic sequence between Barry and Iris. It was well done and helped to humanize Barry in a story that featured some pretty big moments.

Duce offers some great visuals in this issue and the composition of the panels is great. I really enjoyed the angles Duce uses for certain characters and the art conveys a lot of emotion for certain characters with the use of shadows. Good story and art, but lacking in solid focus.

The art by Christian Duce is well done. I liked the details in the fight scenes, but some of the character moments didn't really mesh with the tone of the scene and some of the facial expressions looked off in those moments.

The art was good in the issue, but it didn't stand out as much as the art in previous arcs. It looks really good in the action portions of the book but looks flat when dealing with the more personal, character-driven scenes. A good start to an arc that looks like it's going to be more character driven.

Holins does a good job with the art and I really enjoyed many of the action panels. I especially enjoyed the last few pages and the details in the characters. Good conclusion with some interesting things coming.

Sandoval's art is amazing in this issue. Everything from Barry navigating through streets filled with people to the confrontation Barry has with Gemini is drawn beautifully and the panels are filled with movement as you read them.

Sandoval has great art in this issue. So many of the panels show some beautiful details and powerful angels.

The art by Christian Duce is great. There are some amazinglydetailed panels full of action and power. The tone of the story is reflectedwell in the art and the colors are really vibrant and alive, especially whenthe action moves to Zandia.

Christian Duce's art saves the day in this issue. Everything looked great. Hopefully, there will be something in the next issue that is worthy of the great art.

The art by Minkyu Jung is good. There are a couple of good panels in the book, but nothing that really stands out. It's unfortunate because Williamson writes a couple of really good moments that could have been punctuated by dynamic visuals.

Rafa Sandoval's art is energetic, detailed and amazing. There are so many dramatic and beautiful panels throughout with the standouts being the fight to save Gotham Girl and the final confrontation between Barry and Bruce.

Scott Kolins' art is fine, but the subject doesn't really allow for anything particularly interesting to see in the panels. That and Trickster is too clownish a character to depict as anything interesting or menacing.

Scott Kolins' art is really good. It does a great job of conveying energy and movement.

Scott Kolins has some really good art in this issue especially the Iron Heights splash page.

Scott Kolins art is great and there are some brilliant visual moments. I just wish the story were better.